1 00:00:03,000 --> 00:00:08,800 Speaker 1: What would you talk about on your on your podcast, 2 00:00:08,920 --> 00:00:16,440 Speaker 1: Elvis Represents show. I gotta say that felt really good 3 00:00:16,520 --> 00:00:20,000 Speaker 1: right there, right before I hit the start on the podcast, 4 00:00:20,440 --> 00:00:23,560 Speaker 1: Brody said, you look so thin. I told you before 5 00:00:23,600 --> 00:00:26,520 Speaker 1: your face looks very You know how great that sounds? Well, 6 00:00:26,520 --> 00:00:29,560 Speaker 1: you said I sound good? I said, yeah, you sound great. 7 00:00:30,360 --> 00:00:33,240 Speaker 1: It was that a mandatory compliment? Yeah, well I saw 8 00:00:33,440 --> 00:00:36,720 Speaker 1: the microphone didn't sound right. He says, no, brodies sound great. 9 00:00:37,200 --> 00:00:39,720 Speaker 1: We wait a second. So had I not said that, 10 00:00:39,720 --> 00:00:42,280 Speaker 1: that would not have prompted you to say I sounded Yeah. 11 00:00:42,280 --> 00:00:45,120 Speaker 1: You're not one of those people that you should get complimented. 12 00:00:45,320 --> 00:00:49,000 Speaker 1: Why why? Why? Because then he keeps mentioning he's on 13 00:00:49,000 --> 00:00:51,680 Speaker 1: this diet all the time, so it's us to get 14 00:00:51,720 --> 00:00:55,360 Speaker 1: compliments like somebody in your hot glasses and we walk 15 00:00:55,440 --> 00:00:57,400 Speaker 1: over and we go, oh, Brody, I love when you 16 00:00:57,400 --> 00:01:01,400 Speaker 1: wear those hot glasses. Case those great. The more don't 17 00:01:01,440 --> 00:01:04,120 Speaker 1: you like those compliments because it's a reminder I have 18 00:01:04,160 --> 00:01:07,759 Speaker 1: bad eyes? My point, My point was, it's every so 19 00:01:07,840 --> 00:01:11,160 Speaker 1: often it's nice to just get a compliment. You do 20 00:01:11,240 --> 00:01:13,520 Speaker 1: look scary. I just I'm trying to balance it because 21 00:01:13,520 --> 00:01:15,560 Speaker 1: you're in that, you're in that I can't eat those. 22 00:01:17,800 --> 00:01:19,240 Speaker 1: That only thing I can do. That's the only thing 23 00:01:19,240 --> 00:01:22,000 Speaker 1: I can do to combat it. Yeah, your arms are 24 00:01:22,080 --> 00:01:24,319 Speaker 1: very thin too. Yeah scary. That's not a good thing. No, 25 00:01:24,480 --> 00:01:26,720 Speaker 1: but with you, the first thing to go is always 26 00:01:26,760 --> 00:01:29,640 Speaker 1: your face. Your face always gets the no. His calm 27 00:01:29,680 --> 00:01:32,360 Speaker 1: demeanor is the first thing that calls because he's running 28 00:01:32,400 --> 00:01:35,280 Speaker 1: around like like a chicken without a head and snapping 29 00:01:35,280 --> 00:01:38,200 Speaker 1: in everybody. Here's because he's not having enough carbs. Because 30 00:01:38,240 --> 00:01:40,319 Speaker 1: I smell peanut butter? Is it all those peanut butter 31 00:01:40,319 --> 00:01:42,200 Speaker 1: when you say on the top those peanut butter three 32 00:01:42,240 --> 00:01:45,400 Speaker 1: blocks from here, brownie with peanut butter cream and white chocolate. 33 00:01:47,920 --> 00:01:53,000 Speaker 1: Love to have one of those? Welcome to the fifth 34 00:01:53,040 --> 00:01:56,720 Speaker 1: Oh amazing? Because morning show? Is that the same Lisa 35 00:01:56,720 --> 00:01:58,320 Speaker 1: G that does that at the end of the thanks 36 00:01:58,360 --> 00:02:00,600 Speaker 1: Lisa G at the end of extra And actually I 37 00:02:00,680 --> 00:02:03,120 Speaker 1: doubt she thanks herself. Why don't you freeze them and 38 00:02:03,160 --> 00:02:05,560 Speaker 1: then maybe you can defrost it when you're ready. That's 39 00:02:05,600 --> 00:02:08,600 Speaker 1: what I'm doing with my weekend cookies. I had a 40 00:02:08,600 --> 00:02:10,840 Speaker 1: family gathering over the weekend and I couldn't eat. We're 41 00:02:10,840 --> 00:02:15,160 Speaker 1: gonna freeze dessert till March. That smart, Okay, So I'm 42 00:02:15,200 --> 00:02:23,160 Speaker 1: Bethany's Brody is right there, Greg Te and scary Um. 43 00:02:23,280 --> 00:02:26,400 Speaker 1: Can I update you guys if you were here on 44 00:02:26,960 --> 00:02:30,400 Speaker 1: was it Friday? I talked about how I was going 45 00:02:30,440 --> 00:02:32,680 Speaker 1: to write a bull and so I was doing all 46 00:02:32,680 --> 00:02:35,440 Speaker 1: sorts of research and watching videos and interviewing people on 47 00:02:35,480 --> 00:02:37,239 Speaker 1: how to write bulls. Yeah, did that work out for you? 48 00:02:37,320 --> 00:02:42,040 Speaker 1: I wrote a ball at a bar at a bar, 49 00:02:42,720 --> 00:02:46,360 Speaker 1: and they the dude who was running the bull was 50 00:02:46,600 --> 00:02:51,480 Speaker 1: running it like embarrassingly slowly. Anytime a woman got on it, 51 00:02:52,400 --> 00:02:54,639 Speaker 1: did do the pervy bounce thing? Did he try to 52 00:02:54,720 --> 00:02:57,600 Speaker 1: do that? He was running it like we were infants, 53 00:02:57,800 --> 00:03:01,760 Speaker 1: as though we were infants, and and so once he 54 00:03:01,880 --> 00:03:04,120 Speaker 1: kind of saw that I wasn't falling off because I 55 00:03:04,160 --> 00:03:06,440 Speaker 1: have any semblance of balance and I wasn't drunk, he 56 00:03:06,560 --> 00:03:08,360 Speaker 1: moved it a little bit faster, but it still wasn't 57 00:03:08,360 --> 00:03:10,760 Speaker 1: as fast as I would have liked it. But that said, 58 00:03:11,240 --> 00:03:13,239 Speaker 1: do your research before you write a ball, because it's 59 00:03:13,240 --> 00:03:16,320 Speaker 1: absolutely helpful. How long what was your total time on it? 60 00:03:17,320 --> 00:03:20,679 Speaker 1: There's twenty seconds. Yeah that's long. It's actually long. But 61 00:03:20,960 --> 00:03:25,280 Speaker 1: she said they were going slowly, but like there was 62 00:03:25,320 --> 00:03:27,480 Speaker 1: one girl who got on. She got on it. She 63 00:03:27,520 --> 00:03:30,679 Speaker 1: was wearing a spandex mini skirt. What did I tell? 64 00:03:30,800 --> 00:03:34,120 Speaker 1: What did I say? She didn't. She got on it, 65 00:03:34,240 --> 00:03:39,040 Speaker 1: and then her her form was her like her legs 66 00:03:39,240 --> 00:03:41,880 Speaker 1: were bent so that her feet were almost up on 67 00:03:41,960 --> 00:03:46,240 Speaker 1: the back of the animal. Yeah, pretty much. And then 68 00:03:46,240 --> 00:03:49,440 Speaker 1: she was leaning forward so her arms were around its 69 00:03:49,480 --> 00:03:52,800 Speaker 1: theoretical neck, and her stomach was on it right, so 70 00:03:52,840 --> 00:03:55,400 Speaker 1: she was holding onto it like like you're holding on 71 00:03:55,600 --> 00:03:57,800 Speaker 1: like you're lying on a pole that you don't want 72 00:03:57,800 --> 00:04:01,080 Speaker 1: to fall off. Yeah. And then but but she wasn't 73 00:04:01,560 --> 00:04:03,840 Speaker 1: going to fall off because it was going so slowly. 74 00:04:04,200 --> 00:04:06,320 Speaker 1: And then there was a whole like group of guys 75 00:04:06,320 --> 00:04:08,320 Speaker 1: who were standing on one side because her butt was 76 00:04:08,400 --> 00:04:11,680 Speaker 1: in the air and her underwear was showing, and I'm like, girl, 77 00:04:11,720 --> 00:04:14,160 Speaker 1: get off the bull. Was she drunk yet or she 78 00:04:14,480 --> 00:04:18,680 Speaker 1: know she wasn't, but she was in a part of 79 00:04:18,680 --> 00:04:20,960 Speaker 1: a bridal party, so they were well on their way. 80 00:04:21,200 --> 00:04:24,320 Speaker 1: What did they do for guys? The guys got them aroused. 81 00:04:24,320 --> 00:04:26,560 Speaker 1: It sounds like I only only one guy went on 82 00:04:26,600 --> 00:04:29,520 Speaker 1: it while I was there. That faster for him. Yeah, 83 00:04:29,520 --> 00:04:33,200 Speaker 1: oh yeah, yeah. But now I feel like it's time 84 00:04:33,240 --> 00:04:35,400 Speaker 1: to read able. So the message for you listening to 85 00:04:35,440 --> 00:04:39,920 Speaker 1: this podcast. Do the thing. Whatever the thing is, the thing, 86 00:04:40,320 --> 00:04:43,760 Speaker 1: that thing that you have a fear of, Yeah, do 87 00:04:43,839 --> 00:04:47,560 Speaker 1: that thing. Watch some YouTube videos, then do that thing. Um, Brodie, 88 00:04:47,560 --> 00:04:52,360 Speaker 1: what were you gonna? You were Friday? So I'm very 89 00:04:52,400 --> 00:04:54,640 Speaker 1: good at We only only go to theaters, my friend 90 00:04:54,720 --> 00:04:55,920 Speaker 1: Jeff and I and my wife and I would never 91 00:04:55,920 --> 00:04:57,840 Speaker 1: go to the movies. We go to theater where we 92 00:04:57,880 --> 00:05:01,080 Speaker 1: can reserve your seats. You can open the app and 93 00:05:01,120 --> 00:05:02,480 Speaker 1: go on, you know, open up and go I want 94 00:05:02,560 --> 00:05:04,320 Speaker 1: this seat in this seat, and there's a you know, 95 00:05:04,800 --> 00:05:07,440 Speaker 1: we'll chart of the seats. So my friend Jeff and 96 00:05:07,440 --> 00:05:08,599 Speaker 1: I go to the movie. Says, you know what, let's 97 00:05:08,600 --> 00:05:09,960 Speaker 1: go and see Shape of Work. And I'm ready for 98 00:05:09,960 --> 00:05:14,560 Speaker 1: a lot of awards whatever, right, So uh, I said, okay, fine, 99 00:05:14,600 --> 00:05:16,320 Speaker 1: no problem, Yeah it sounds good. Let's go see that. 100 00:05:16,320 --> 00:05:18,800 Speaker 1: We were gonna see it weeks ago. I said, I'll 101 00:05:18,800 --> 00:05:22,280 Speaker 1: go online and get tickets. We're going to a eight 102 00:05:22,360 --> 00:05:25,080 Speaker 1: thirty showing or something. It's no one's gonna go pleast, 103 00:05:25,120 --> 00:05:26,520 Speaker 1: no one's gonna go to this movie. And it's not 104 00:05:26,560 --> 00:05:29,320 Speaker 1: a blockbuster. It's been out for like two months now. 105 00:05:29,839 --> 00:05:31,919 Speaker 1: We'll just go. We'll get two seats to get. No problem, 106 00:05:32,680 --> 00:05:35,200 Speaker 1: it's all right, you know. And then so I drove 107 00:05:35,240 --> 00:05:37,919 Speaker 1: to his house and I left my phone in my 108 00:05:38,000 --> 00:05:39,960 Speaker 1: car and got in his car and he drove to 109 00:05:40,000 --> 00:05:42,080 Speaker 1: the theater. So first of all, didn't have my phone 110 00:05:42,120 --> 00:05:45,840 Speaker 1: the whole night. It was nerve racking but liberating. We 111 00:05:45,920 --> 00:05:47,799 Speaker 1: get to the theater and says, okay, pick your seats, 112 00:05:47,800 --> 00:05:49,640 Speaker 1: and on the screen you get the map of the seats, 113 00:05:50,200 --> 00:05:53,679 Speaker 1: and the front row and a couple of handicapped seats 114 00:05:53,680 --> 00:05:57,320 Speaker 1: are gray, and then everything in the middle is red, like, oh, 115 00:05:57,360 --> 00:05:58,960 Speaker 1: we'll take this in the shoes. Oh no, honey, the 116 00:05:59,000 --> 00:06:03,040 Speaker 1: red is sold out. So right, so the gray with 117 00:06:03,080 --> 00:06:04,560 Speaker 1: the only with the grayish green the only ones that 118 00:06:04,560 --> 00:06:06,279 Speaker 1: were available those to the front row or the like 119 00:06:06,320 --> 00:06:09,840 Speaker 1: those handicapped seats aren't together. Front row seats. Okay, so 120 00:06:10,160 --> 00:06:12,479 Speaker 1: so we we that. She says to us, listen, front 121 00:06:12,520 --> 00:06:15,599 Speaker 1: row seats are terrible. But if you don't like your angle, 122 00:06:15,880 --> 00:06:18,840 Speaker 1: come back. We'll give your refund. It's okay, we'll go. 123 00:06:19,480 --> 00:06:20,960 Speaker 1: So we get to the front row and it's those 124 00:06:21,000 --> 00:06:24,280 Speaker 1: red recliner chairs so you can lay back completely. So 125 00:06:24,400 --> 00:06:26,320 Speaker 1: it's like being on the Space shuttle watching a movie 126 00:06:26,640 --> 00:06:29,920 Speaker 1: or like in The Person Behind, which is basically so 127 00:06:30,080 --> 00:06:33,040 Speaker 1: we we we decided, you know what, space shutlet like 128 00:06:33,279 --> 00:06:36,200 Speaker 1: popcorn with's like we're choking on our own popcorn. So 129 00:06:36,360 --> 00:06:38,880 Speaker 1: shape of Water. If you're old enough to remember the 130 00:06:38,960 --> 00:06:43,720 Speaker 1: movie Splash, it's basically Splash where Tom Hanks and Daryl 131 00:06:43,760 --> 00:06:48,679 Speaker 1: Hanna who's a mermaid. It's basically Splash, but more dreary, 132 00:06:49,120 --> 00:06:53,360 Speaker 1: based in the sixties, more serious acting, really well done 133 00:06:53,400 --> 00:06:55,600 Speaker 1: that it makes it look like it's ninety two. So 134 00:06:55,760 --> 00:06:59,799 Speaker 1: it's a well made, really good remake of Splash without 135 00:06:59,839 --> 00:07:02,440 Speaker 1: the humor or the hot girl. The woman in the 136 00:07:02,520 --> 00:07:05,560 Speaker 1: movie is naked all the time, not an attractive woman. 137 00:07:05,640 --> 00:07:08,160 Speaker 1: And I'm not like, no no, no, no no no, 138 00:07:08,360 --> 00:07:10,960 Speaker 1: I'm saying, like Daryl Hannah was not naked in Splash, 139 00:07:11,240 --> 00:07:14,160 Speaker 1: beautiful woman. It's a very well made movie. The problem 140 00:07:14,320 --> 00:07:17,440 Speaker 1: is it's almost seen for seen Splash but serious, so 141 00:07:17,600 --> 00:07:19,840 Speaker 1: like Eugene Levy and Splash, where he's like trying to 142 00:07:19,920 --> 00:07:23,000 Speaker 1: track down the mermaid so they can test her and experiment. 143 00:07:23,280 --> 00:07:26,120 Speaker 1: There's a really good actor who's a bad guy, but 144 00:07:26,320 --> 00:07:29,400 Speaker 1: same thing they want to experiment on. The fishman. That's 145 00:07:29,400 --> 00:07:32,080 Speaker 1: not a spoiler that's in the promost. It's Guermo del 146 00:07:32,120 --> 00:07:35,200 Speaker 1: Toro who directed it and everything he does. He did 147 00:07:35,320 --> 00:07:38,240 Speaker 1: Pans Labyrinth too, and he uh, he's done a bunch 148 00:07:38,280 --> 00:07:42,920 Speaker 1: of stuff and his movies are always so beautiful, yes, 149 00:07:43,080 --> 00:07:48,120 Speaker 1: but very moody. It's moody. But again, I just if 150 00:07:48,160 --> 00:07:50,040 Speaker 1: you've never seen Splash, you'll go in and go, oh, 151 00:07:50,120 --> 00:07:53,120 Speaker 1: this is an original, interesting thing. It's full of plot holes. 152 00:07:53,240 --> 00:07:54,600 Speaker 1: If you tweet me, I'll tell you what they are. 153 00:07:54,880 --> 00:07:57,640 Speaker 1: But they're like, why would that happen? Oh? Why would 154 00:07:57,680 --> 00:07:59,960 Speaker 1: they not do that? None of it makes any sense. 155 00:08:00,040 --> 00:08:03,040 Speaker 1: Species and the woman who falls in love with the 156 00:08:03,120 --> 00:08:07,320 Speaker 1: fish she's mute, right, she right, she's not deaf, she's mute. 157 00:08:08,120 --> 00:08:10,520 Speaker 1: And um, I can't tell you too much, but there 158 00:08:10,640 --> 00:08:12,080 Speaker 1: was some things in the movie that will make you 159 00:08:12,240 --> 00:08:15,640 Speaker 1: like for a week talk about and go why didn't really? 160 00:08:15,680 --> 00:08:18,520 Speaker 1: Oh holy Once we compared notes because his version of 161 00:08:18,560 --> 00:08:20,800 Speaker 1: what we've watched and my version of what we watched. 162 00:08:21,200 --> 00:08:23,760 Speaker 1: I didn't realize some things and he didn't realize some things, 163 00:08:24,080 --> 00:08:26,880 Speaker 1: and it was like, oh wow, that's really interesting. But 164 00:08:26,960 --> 00:08:31,680 Speaker 1: it's a slow moving, interesting, well made looking movie, but 165 00:08:31,800 --> 00:08:34,120 Speaker 1: not like scary. Don't go see it now. Yeah, you're 166 00:08:34,160 --> 00:08:36,520 Speaker 1: looking at me like Bethany might enjoy it for the artsy, 167 00:08:36,600 --> 00:08:39,360 Speaker 1: fartzy part of it, and Danielle will think that was stupid. 168 00:08:39,400 --> 00:08:41,760 Speaker 1: You guys are deper than I am. I'm not so. 169 00:08:41,920 --> 00:08:44,200 Speaker 1: I thought it was stupid, like Shallow was a puddle. 170 00:08:44,520 --> 00:08:47,319 Speaker 1: I would never need to go see Jaman. Did you 171 00:08:48,280 --> 00:08:49,640 Speaker 1: think that's the movie I should have gone to see 172 00:08:49,679 --> 00:08:51,520 Speaker 1: because you love it? Did you didn't see Jamanchy? No 173 00:08:54,520 --> 00:08:57,319 Speaker 1: love ny times? Have you seen it twice? Okay? I 174 00:08:57,400 --> 00:08:58,880 Speaker 1: would like to go see it one more time before 175 00:08:58,920 --> 00:09:01,040 Speaker 1: it's out of the theaters. I did so much. I tried. 176 00:09:01,320 --> 00:09:03,200 Speaker 1: I did not see it. I've heard so many great 177 00:09:03,240 --> 00:09:04,599 Speaker 1: things about it, and my kids want to see it 178 00:09:04,720 --> 00:09:08,360 Speaker 1: so badly, but I haven't had chance. Kevin Hart and 179 00:09:09,520 --> 00:09:13,840 Speaker 1: Nick but Kevin Hart and Kevin Hart and um, what's 180 00:09:13,880 --> 00:09:17,000 Speaker 1: his name the other comedian? Um, oh, my gosh, brain 181 00:09:17,120 --> 00:09:25,719 Speaker 1: fart Bill cos No, you know no, Jack Black and 182 00:09:26,320 --> 00:09:30,480 Speaker 1: Kevin Hart are so freaking funny. It is not you. 183 00:09:30,920 --> 00:09:35,760 Speaker 1: They're just funny, especially Jack Black. I can't even tell you. 184 00:09:36,120 --> 00:09:39,320 Speaker 1: There is a there is one scene I'm just gonna 185 00:09:39,360 --> 00:09:42,240 Speaker 1: say the word paints and it's just so funny. If 186 00:09:42,280 --> 00:09:45,040 Speaker 1: you saw it, you know what I'm talking speed, you 187 00:09:45,080 --> 00:09:49,520 Speaker 1: would love it. I tried more questions, Jeff, let's go 188 00:09:49,559 --> 00:09:51,319 Speaker 1: see Jamanji. He's like and I looks like a kids. 189 00:09:51,360 --> 00:09:54,360 Speaker 1: When I said, my co worker Danielle loved it. Yeah, 190 00:09:54,520 --> 00:09:56,800 Speaker 1: Shape of Water a lot of nominations. It doesn't sound 191 00:09:56,840 --> 00:09:59,679 Speaker 1: like you were in Shape of Water. Yeah. I gave 192 00:09:59,720 --> 00:10:02,920 Speaker 1: it U six six and look good. Did any of 193 00:10:03,000 --> 00:10:10,080 Speaker 1: you see Mother Mother, Mother got a Razzie nominating Mother Mother, 194 00:10:10,360 --> 00:10:13,440 Speaker 1: the one with the one with Jennifer Lawrence. Corrected by 195 00:10:13,480 --> 00:10:15,400 Speaker 1: Darren Or. I didn't see it. I never heard of it. 196 00:10:15,559 --> 00:10:19,720 Speaker 1: I went in some Mother with Andrew and producer Sam 197 00:10:19,760 --> 00:10:22,040 Speaker 1: and a bunch of other people. I hated it. I 198 00:10:22,120 --> 00:10:23,480 Speaker 1: even talked on the Earth the next day about how 199 00:10:23,520 --> 00:10:25,560 Speaker 1: much I hated it. And now I want to see 200 00:10:25,559 --> 00:10:28,960 Speaker 1: it again. I love it. This three months ago maybe 201 00:10:29,840 --> 00:10:34,719 Speaker 1: changed because there's so much to think about. This is 202 00:10:34,760 --> 00:10:36,199 Speaker 1: the creepy one where they live in a house and 203 00:10:36,240 --> 00:10:39,199 Speaker 1: it's creepy and there's a surprise, and the plot is 204 00:10:39,280 --> 00:10:43,880 Speaker 1: basically Jennifer Lawrence is living with this brilliant poet who's 205 00:10:43,960 --> 00:10:47,439 Speaker 1: just so brilliant he can be barely tolerated, and then 206 00:10:47,920 --> 00:10:51,000 Speaker 1: people just keep coming over and Jennifer Lawrence keeps trying 207 00:10:51,000 --> 00:10:53,440 Speaker 1: to get him to leave, but they don't. I got problems. 208 00:10:53,880 --> 00:10:57,520 Speaker 1: Is anyone in the movie a fishman? There's no fish 209 00:10:57,600 --> 00:11:00,880 Speaker 1: that I like it, already like it. Over the weekend, 210 00:11:00,880 --> 00:11:03,760 Speaker 1: I got a chance to see Three Billboards and also 211 00:11:03,880 --> 00:11:06,720 Speaker 1: I Tanya and I thought they were both really really great, 212 00:11:06,800 --> 00:11:09,559 Speaker 1: and I thought Three Billboards was fantastic. I was actually 213 00:11:09,559 --> 00:11:12,480 Speaker 1: disappointed to when I looked it up that it's it's 214 00:11:12,520 --> 00:11:16,439 Speaker 1: only based on the director was driving through uh, the 215 00:11:16,600 --> 00:11:19,280 Speaker 1: UK on a bus trip and he saw these billboards 216 00:11:19,320 --> 00:11:21,160 Speaker 1: and he came up with the story and he and 217 00:11:21,240 --> 00:11:23,120 Speaker 1: he figured out, you know, it could relate to what's 218 00:11:23,120 --> 00:11:25,120 Speaker 1: going on today. But it was never like a true story. 219 00:11:25,920 --> 00:11:28,079 Speaker 1: Not it's a very sad story. But I would have 220 00:11:28,160 --> 00:11:29,760 Speaker 1: liked to have known that it was more, you know, 221 00:11:29,840 --> 00:11:32,480 Speaker 1: it was real. It was, it was but but no, no, 222 00:11:32,600 --> 00:11:34,559 Speaker 1: but but it make it look funny in the commercials. No, 223 00:11:34,960 --> 00:11:38,480 Speaker 1: I think it's like it's like it's like Coen Brothers Light. Yeah, right, 224 00:11:38,559 --> 00:11:41,760 Speaker 1: though there is some comedy to it, but it's it's 225 00:11:41,800 --> 00:11:45,120 Speaker 1: it's really good. It's done super super well. And then iitania, 226 00:11:45,520 --> 00:11:48,320 Speaker 1: you know, I gotta tell you I actually felt bad 227 00:11:48,559 --> 00:11:51,480 Speaker 1: for Tanya Harding after the movie was over. Really I 228 00:11:51,679 --> 00:11:54,199 Speaker 1: really did. I actually felt bad. Do you feel that 229 00:11:54,280 --> 00:11:56,520 Speaker 1: her story was never really fully to I feel like 230 00:11:56,600 --> 00:12:00,680 Speaker 1: she was very much abused by her mom and manipulated 231 00:12:00,679 --> 00:12:02,599 Speaker 1: in her in her mind, and I felt like she 232 00:12:02,720 --> 00:12:05,040 Speaker 1: really couldn't think straight and that's why she got into 233 00:12:05,120 --> 00:12:09,079 Speaker 1: this terrible relationship. And that's where I mean, we all 234 00:12:09,120 --> 00:12:12,000 Speaker 1: know what happened to pay you start feel you feel 235 00:12:12,080 --> 00:12:16,400 Speaker 1: bad for the wicked I did, but Alphable was not bad. 236 00:12:16,480 --> 00:12:18,640 Speaker 1: If you watch the story, I felt bad. I did. 237 00:12:18,720 --> 00:12:21,200 Speaker 1: I felt bad for I really really felt bad for her. 238 00:12:21,440 --> 00:12:23,280 Speaker 1: I felt like she just did not get, you know, 239 00:12:23,360 --> 00:12:25,880 Speaker 1: a fair shake. She just didn't. It's interesting because I 240 00:12:26,200 --> 00:12:28,599 Speaker 1: I really liked Tania to do and I think that 241 00:12:29,200 --> 00:12:34,760 Speaker 1: they do a great job of making you see what 242 00:12:35,120 --> 00:12:38,559 Speaker 1: her backstory is. That you learned that she isn't just 243 00:12:39,440 --> 00:12:41,719 Speaker 1: a villain, right, and that's all. And they make a 244 00:12:41,760 --> 00:12:43,960 Speaker 1: really great point like that's all the media saw. If 245 00:12:43,960 --> 00:12:46,240 Speaker 1: you were alive in the Tanya Harding thinking happened, you 246 00:12:46,440 --> 00:12:50,400 Speaker 1: only saw Tanya Harding as like the white trash girl 247 00:12:50,520 --> 00:12:54,280 Speaker 1: who was violent, and Nancy Karagan was the Disney princess 248 00:12:54,320 --> 00:12:56,640 Speaker 1: who was a victim, and it was that was all 249 00:12:56,760 --> 00:12:58,640 Speaker 1: people were allowed to see. Every Yeah, you know, the 250 00:12:58,720 --> 00:13:01,920 Speaker 1: relationship that she had abusive. The relationship with her mother 251 00:13:02,040 --> 00:13:04,320 Speaker 1: was abusive. You know, seeing her stand there in front 252 00:13:04,320 --> 00:13:05,800 Speaker 1: of the car and she's trying to save her dad 253 00:13:05,840 --> 00:13:07,559 Speaker 1: from like, don't say the whole movie though, I'm not. 254 00:13:07,960 --> 00:13:09,640 Speaker 1: It's really not a bad deal. I mean, you know 255 00:13:09,679 --> 00:13:11,559 Speaker 1: when her dad leaves, like, I felt so like like 256 00:13:11,679 --> 00:13:14,559 Speaker 1: they're like, she's like yelling, dad, please don't leave me, 257 00:13:14,640 --> 00:13:17,920 Speaker 1: don't leave. I felt so bad. It was so terrible. 258 00:13:21,080 --> 00:13:23,600 Speaker 1: Is not giving away anything. It's horrible. You see the movie, 259 00:13:23,640 --> 00:13:25,160 Speaker 1: you see that she had a bad childhood or whatever. 260 00:13:25,320 --> 00:13:28,599 Speaker 1: But I get it fast forward. Does any of it 261 00:13:28,800 --> 00:13:32,200 Speaker 1: justify her horror paying a guy or convincing her boyfriend 262 00:13:32,240 --> 00:13:34,880 Speaker 1: to take a pipe to her competitor. The stance that 263 00:13:34,960 --> 00:13:36,679 Speaker 1: they take in the movie is that she didn't know 264 00:13:36,800 --> 00:13:39,960 Speaker 1: about it, and so they because her mother came out 265 00:13:39,960 --> 00:13:42,240 Speaker 1: and said, that's bullshit. She about it right. Well, and 266 00:13:42,360 --> 00:13:46,079 Speaker 1: that's that's the thing, as you don't ever really know 267 00:13:46,200 --> 00:13:48,959 Speaker 1: because no one is a reliable narrator. So but Jeff 268 00:13:49,000 --> 00:13:51,480 Speaker 1: go LOUI I can trust him. The hand that they've 269 00:13:51,520 --> 00:13:54,600 Speaker 1: taken the movie is that there was another thing they 270 00:13:54,679 --> 00:13:57,400 Speaker 1: intended to do and that she did know about, and 271 00:13:57,440 --> 00:14:00,480 Speaker 1: it's sort of everything got out of control. She was 272 00:14:00,559 --> 00:14:04,240 Speaker 1: sort of This is like Maleficent, because if you watch 273 00:14:04,320 --> 00:14:08,920 Speaker 1: Angelina Jolie's Maleficent, you will see that Maleficent was not 274 00:14:09,120 --> 00:14:13,000 Speaker 1: all bad and that certain things that happened made her 275 00:14:13,360 --> 00:14:15,760 Speaker 1: kind of turn more to the darks with you. You 276 00:14:15,840 --> 00:14:19,280 Speaker 1: need to watch the movie see that really she was 277 00:14:19,760 --> 00:14:22,760 Speaker 1: not She wasn't she was not understood. You will defend 278 00:14:22,880 --> 00:14:26,280 Speaker 1: Maleficent no matter what. I will you, all right? She 279 00:14:26,680 --> 00:14:28,960 Speaker 1: shows me that, like you, we have to be better. 280 00:14:29,040 --> 00:14:31,400 Speaker 1: Myself included at giving people the benefit of the doubt, 281 00:14:31,920 --> 00:14:35,120 Speaker 1: because very few people actually wake up in the morning 282 00:14:35,200 --> 00:14:38,360 Speaker 1: thinking to themselves, I Am going to do everything I 283 00:14:38,480 --> 00:14:41,400 Speaker 1: can to ruin someone's day to day. Most people are 284 00:14:41,440 --> 00:14:44,040 Speaker 1: acting out of their own best interests, but they're not 285 00:14:44,120 --> 00:14:47,000 Speaker 1: necessarily trying to just threw people over. It's good to 286 00:14:47,080 --> 00:14:53,360 Speaker 1: know people's backstoryent past and talking about the ground that 287 00:14:53,400 --> 00:14:56,000 Speaker 1: should have been. More rock awards and more women receiving 288 00:14:56,040 --> 00:15:00,160 Speaker 1: awardst Minute Morning show off