WEBVTT - Alien with Eliza Skinner

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<v Speaker 1>On the dol Cast. The questions asked if movies have

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<v Speaker 1>women and um are all their discussions just boyfriends and

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<v Speaker 1>husbands or do they have individualism? The patriarchy ze and

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<v Speaker 1>best start changing it with the Beck del Cast. Hi,

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<v Speaker 1>welcome to the Backdel Cast. My name is Jamie, my

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<v Speaker 1>name is Caitlin, and this is our podcast about how

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<v Speaker 1>women are portrayed in movies. Yeah, it's the Beck Dol

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<v Speaker 1>Cast is ah and so today my first time talking

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<v Speaker 1>to anybody today. So that's Oh, I don't know how

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<v Speaker 1>to string a sense together. I only talked to So.

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<v Speaker 1>I talked to someone at the DMV today. He was

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<v Speaker 1>very nice. His name was Arnold, and he's like, why

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<v Speaker 1>don't you have a driver's license? And I was like, honestly,

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<v Speaker 1>it's a really long story and and he was like, Okay,

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<v Speaker 1>don't worry about it's mine. So we're very close. Now good. Yeah.

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<v Speaker 1>Last time I was at the d m V, I

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<v Speaker 1>cried in public because I failed the written test do

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<v Speaker 1>you have to take like in California. I had to

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<v Speaker 1>switch over my Massachusetts license and I had to retake

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<v Speaker 1>the written test, which I did not pass because they

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<v Speaker 1>asked me questions were not relevant to me at all.

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<v Speaker 1>They're like, how do you strap in a car seat

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<v Speaker 1>or something like that, and I was like, I ain't

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<v Speaker 1>never having kids? Was that not an option? That was

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<v Speaker 1>not an option that was that did not let me

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<v Speaker 1>choose that, That was not like, f ain't never having kids? Unbelievable.

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<v Speaker 1>The system is ringed. It really is. Yeah, away to

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<v Speaker 1>arn all that window for the Glendale d MV. He

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<v Speaker 1>saw my birth certificate today, which is good. It's amazing.

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<v Speaker 1>I still have it because I've been passing it around

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<v Speaker 1>a stand up stuff recently, just to like why. I

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<v Speaker 1>don't know, but I don't know. People enjoy it though? Cool? Yeah, Hey,

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<v Speaker 1>should we talk about movies? I don't know. Okay, all right,

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<v Speaker 1>let's talk about movies. As we mentioned, this is a

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<v Speaker 1>podcast about the portrayal of female characters in movies. Whoops,

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<v Speaker 1>A lot of movies don't do it very well. We're

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<v Speaker 1>gonna call it out. But this movie actually does well.

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<v Speaker 1>We'll talk about it. But we're here with a guest,

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<v Speaker 1>and let's introduce her again. I'm very bad at talking today.

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<v Speaker 1>I I wish I was drunk. Okay, where is the

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<v Speaker 1>Mike's hard? Where is it? Anyway? Our guests here with

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<v Speaker 1>us today. She's a very funny stand up comic. She

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<v Speaker 1>is a writer on The Late Late Show with James Cordon,

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<v Speaker 1>and she has her own podcast called Angry Little Goats,

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<v Speaker 1>which she co hosts with Will Weldon, who you might

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<v Speaker 1>remember from our Mad Max Fury Road episode Friend of

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<v Speaker 1>the Cast, Friend of the episode we got all that

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<v Speaker 1>hate mail about, Yeah, we did from all those steam punks,

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<v Speaker 1>and now we have a new friend of the cast.

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<v Speaker 1>Our guest, Ali is this skinner. Thanks for being here,

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<v Speaker 1>Thank you for having me. Yeah kind of? Did you

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<v Speaker 1>really get hate mail? When Will came on? We well,

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<v Speaker 1>it was specifically about It wasn't as much as we

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<v Speaker 1>would love to blame him for it. Uh No, I

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<v Speaker 1>think I was the target of posts of the vitriol. Well,

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<v Speaker 1>because we did uh Mad Max Herey Road was the

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<v Speaker 1>episode we did with Will and I, I guess called

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<v Speaker 1>out the steampunk culture a little too hard. I guess

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<v Speaker 1>I was a little too tough on the steampunks. And

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<v Speaker 1>apparently the steampunks are listening to the podcast because hello steampunk. Hey,

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<v Speaker 1>shout out to all of all you dirty steampunks out there.

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<v Speaker 1>We still got we still have beef. I think that

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<v Speaker 1>maybe steampunk suit that's the only okay prejudice to have

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<v Speaker 1>versus steampunks. I think it's I don't even know if

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<v Speaker 1>it's that much of a real thing. Like I worked

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<v Speaker 1>on the show When to preach into the cho where

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<v Speaker 1>we were like, hey, we need to find steampunk people

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<v Speaker 1>like as far as like a lifestyle thing, and nobody. No,

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<v Speaker 1>we couldn't find anybody. We found. We ended up finding

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<v Speaker 1>one lady who when she showed up, She's like, oh no,

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<v Speaker 1>this isn't my life. If I just have this outfit

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<v Speaker 1>and get paid to wear it for parties. Sometimes I'm like, oh, well,

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<v Speaker 1>there are festivals. I got a group onto a steampunk

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<v Speaker 1>festival once because I just wanted to face my fears.

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<v Speaker 1>Did you go? Yeah? I went? Was it super fun?

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<v Speaker 1>It wasn't. It was upset everyone. There were just gears

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<v Speaker 1>and and suede vests. It was disgusting. Made me sick. Well, hey,

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<v Speaker 1>the movie we're talking about, I think has no trace

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<v Speaker 1>of steampunk culture. Culture in this one for that base culture.

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<v Speaker 1>The a lot of space culture. Because the movie we're

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<v Speaker 1>talking about is Alien yea from nineteen seventy nine, directed

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<v Speaker 1>by Ridley Scott Eliza. Yes, When did you first see

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<v Speaker 1>this movie? What's your history with it? Gosh, I don't know.

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<v Speaker 1>I must have probably seen it for the first time

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<v Speaker 1>in high school. I remember when Aliens came out because

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<v Speaker 1>they're the cover of Mad Magazine was like one of

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<v Speaker 1>the first Mad magazines I had. They did a parody

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<v Speaker 1>of it, and I didn't understand at all, but I

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<v Speaker 1>was like fascinated. So then when I was older, I

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<v Speaker 1>saw that. So you saw Aliens before Aliens? Yes? Um?

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<v Speaker 1>And uh so yeah. I must have been in high

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<v Speaker 1>school when I finally saw Alien. Got you? What about you,

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<v Speaker 1>Jamie Yesterday? Nice? Really? Yeah? Wow? As do you like

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<v Speaker 1>sci fi? Um? I don't even know that. I like

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<v Speaker 1>movies very much. I like I like cartoons and television,

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<v Speaker 1>but I and true crime. So did you know? What

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<v Speaker 1>did you know about it going into it? Um? I

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<v Speaker 1>knew that I had to keep reminding myself that it

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<v Speaker 1>was not Aliens, which I watched the first ten minutes

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<v Speaker 1>of before realizing I should be watching Alien. Shoot that

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<v Speaker 1>spoiled so much stuff for you? Yeah, I mean it did.

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<v Speaker 1>But also, I you know, sci fi is like not

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<v Speaker 1>my area of extreme interest, so I was sort of

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<v Speaker 1>going into this one, like, all right, we're gonna through this.

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<v Speaker 1>We're going to get through this, Jamie, It's going to

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<v Speaker 1>be fine. I got some Jack in the box. I

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<v Speaker 1>honkered down and watched the first ten minutes of Aliens,

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<v Speaker 1>and then all of the like why is Bill Paxton?

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<v Speaker 1>And this I Oh my God, and then I and

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<v Speaker 1>then I wanted to watch Big Love, but it wasn't

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<v Speaker 1>an option. Time was of the essence well, like yeah,

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<v Speaker 1>because one of the interesting things I think about Alien

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<v Speaker 1>is uh that initially watching it, audiences didn't know who

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<v Speaker 1>the protagonist was going to be, right, Yeah, So it

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<v Speaker 1>sorts so kind of unfolds and an interesting way the

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<v Speaker 1>the the evolution of each character. I had enough peripheral

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<v Speaker 1>knowledge of like sigurity, we like, I knew who was

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<v Speaker 1>the focus. But other than that, I was just like,

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<v Speaker 1>it takes place in space, and there's a movie that

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<v Speaker 1>is frustratingly sounds exactly like it that I will get

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<v Speaker 1>confused with. But it's space working class. It's true. Yes, yeah,

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<v Speaker 1>they're like what type of or we don't know. I'm

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<v Speaker 1>not important space or moon or I saw the movie,

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<v Speaker 1>I think probably in college for the first time, and

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<v Speaker 1>I think I saw Aliens like right after it too,

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<v Speaker 1>But that's are the only two I've seen. I have

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<v Speaker 1>not I'll be honest, I prefer Aliens. I think I

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<v Speaker 1>do too. I think the Alien is the better movie

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<v Speaker 1>and certainly better acted, because my goodness, does Bill Paxton

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<v Speaker 1>give an insane performance in Aliens. But I don't talk

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<v Speaker 1>about this, I will flip out, I know. I mean,

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<v Speaker 1>he's enjoyable to watch. He's given some pretty cheesy dialogue

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<v Speaker 1>and his acting is extremely over the top, which I

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<v Speaker 1>think is perfectly appropriate. From Time and Twister. He's awful,

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<v Speaker 1>but yeah, he's He's capable of performances that ranged from

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<v Speaker 1>bad to good. Yep, that's all right, But yeah, I

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<v Speaker 1>think Aliens is definitely more my speed of like an

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<v Speaker 1>action guns and stuff. Again, I'm very good with words today,

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<v Speaker 1>but they're they're creeping around. Yeah, it's honestly, I did

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<v Speaker 1>not ever really draw this parallel until the recent rewatch

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<v Speaker 1>of Aliens. But it is quite similar to Jurassic Park,

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<v Speaker 1>and it's in terms of it's like story structure at

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<v Speaker 1>least um, which is one of my favorite movies ever.

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<v Speaker 1>So I was like, oh man, this is basically just

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<v Speaker 1>like Jurassic Park. But with aliens instead of dinosaurs. Anyway, Jamie,

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<v Speaker 1>did did you like the movie? Did you like Alien?

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<v Speaker 1>I did. I enjoyed it as much as I could

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<v Speaker 1>enjoy a sci fi movie, Like I know, like it's

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<v Speaker 1>it's definitely not my wheelhouse, but I I you know,

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<v Speaker 1>it's like, once you get into it, you're like, Okay,

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<v Speaker 1>there's gonna be a creature. It's gonna be covered in goop.

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<v Speaker 1>We're gonna we're gonna beat the creature up more goop.

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<v Speaker 1>So I was ready for creatures and goop, So dread it.

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<v Speaker 1>What is your whalehouse? If that's not my wheelhouse? Is

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<v Speaker 1>kind of all over at the board. I like old.

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<v Speaker 1>I mean most of the movies I like are older,

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<v Speaker 1>which we don't usually cover here. Mid century older Like yeah,

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<v Speaker 1>like forties and fifties is much better. Female characters back then,

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<v Speaker 1>uh some complex? Yeah, A lot of times. I think

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<v Speaker 1>they let them be. They at least have personalities, even

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<v Speaker 1>when therefore, you know, confined to the house. Um. I

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<v Speaker 1>love sci fi, but I have a real bias against

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<v Speaker 1>boy stories. Um stories that are just like all about

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<v Speaker 1>dudes from a male point of fel Like, I really

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<v Speaker 1>it's not I don't look at them and then judge them.

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<v Speaker 1>I just honestly cannot connect with them. But I love

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<v Speaker 1>sci fi, and so I've found a lot of um

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<v Speaker 1>sci fi that kind of works around that for me,

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<v Speaker 1>especially books. You've probably even like my love of sci

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<v Speaker 1>fi books kind of brought me into well, it's time

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<v Speaker 1>for the Caitlin Rique. Caitlin Rique. This story revolves around

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<v Speaker 1>a crew on a spacecraft called the Stroma and they

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<v Speaker 1>have just come back from mining the Moon or or whatever.

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<v Speaker 1>They're woken up from there like hyper sleep because there's

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<v Speaker 1>a distress signal or something like that coming from a planet.

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<v Speaker 1>They're like, oh man, we gotta go check it out.

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<v Speaker 1>And it's a crew of seven people. There's Dallas played

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<v Speaker 1>by Tom Scarrett. He's the captain. Then we've got Brett,

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<v Speaker 1>which is Harry Dean Stanton Kine's played by John hurt

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<v Speaker 1>Ash is Ian Holme. Parker is yaw Fit Kdo. Then

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<v Speaker 1>we've got ripley Okay, Silgournia Weaver, and then Lambert which

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<v Speaker 1>is Veronica cart right, and don't forget Jones e the

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<v Speaker 1>cat anyway, introducing m Jones as himself. You know that

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<v Speaker 1>apparently that it was originally all male characters. M it

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<v Speaker 1>doesn't surprise me one it Yeah, it was written, um

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<v Speaker 1>all supposedly written gender neutral, but that means men they're

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<v Speaker 1>with the mast man. And I've heard one of the

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<v Speaker 1>drafts of it was done by Walter Hill, who did

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<v Speaker 1>for forty eight hours another forty hours in Streets of

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<v Speaker 1>Fire and a bunch of stuff. Um and he just

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<v Speaker 1>change he has writing partner, changed those two characters and

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<v Speaker 1>two women, but then didn't change any of the other dialogue,

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<v Speaker 1>which I think is son and yeah, like a smart

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<v Speaker 1>thing to be taken away from that. I mean Amy

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<v Speaker 1>Pohler at one point and Knows famously quoted as saying

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<v Speaker 1>someone was like, they don't know how to write for women.

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<v Speaker 1>She like, just write a man and then give it

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<v Speaker 1>a woman's name. Just write a person, because guess what

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<v Speaker 1>women are? People? Whoa what crazy? Crazy? That's interesting, I mean,

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<v Speaker 1>And that checks out with Ripley's character. Is there's not

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<v Speaker 1>I don't know there's she's not put upon as a

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<v Speaker 1>like that's not central to the plot, which I thought

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<v Speaker 1>was kind of refreshing, Like it is very like cold

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<v Speaker 1>and unlikable. Yeah, would you never get to see I mean,

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<v Speaker 1>or if you do it's like extremely demonized, and that's

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<v Speaker 1>very rarely. You know, the central character, which is nice. Yeah,

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<v Speaker 1>because people love bad boys, bad boy, people love seven

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<v Speaker 1>seasons of a prestige bad boy. But we never get

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<v Speaker 1>we never get even ninety minutes of a bad girl. Yeah. Yeah,

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<v Speaker 1>back to the very good recap. It's okay. We encourage tangents.

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<v Speaker 1>That's what this podcast is all about. So they're on

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<v Speaker 1>a ship and they're awoken because there's like a weird

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<v Speaker 1>distress signal of some sort coming from a planet. So

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<v Speaker 1>they go to check it out and a few of

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<v Speaker 1>the guys are like, oh man, what's this weird alien

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<v Speaker 1>ship it's on this planet. And John Hurt is like,

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<v Speaker 1>oh man, there's some weird pods. Better go look inside one.

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<v Speaker 1>And then a weird hand a lien is what I

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<v Speaker 1>would like to describe it as, or attaches itself to

0:13:04.640 --> 0:13:08.880
<v Speaker 1>John Hurt's face face hugger ugger, that's what we call

0:13:08.960 --> 0:13:14.079
<v Speaker 1>him Facebook. And they're like, oh jeez, John, let's get

0:13:14.080 --> 0:13:16.360
<v Speaker 1>you back to the ship. And Ripley he goes straight

0:13:16.360 --> 0:13:21.480
<v Speaker 1>through his helmet. Yeah, and the face is a very

0:13:21.520 --> 0:13:23.840
<v Speaker 1>intimate face. One of the well, I mean those and

0:13:23.920 --> 0:13:27.000
<v Speaker 1>the pods are like the beginning of the the overt

0:13:27.040 --> 0:13:31.720
<v Speaker 1>sexual imagery, like really really gross. Oh yeah, there's because

0:13:31.840 --> 0:13:41.200
<v Speaker 1>pussies are gross. Uh. They're like, we gotta get John

0:13:41.280 --> 0:13:44.160
<v Speaker 1>back on the ship and Ripley is like, oh, that's

0:13:44.240 --> 0:13:47.040
<v Speaker 1>kind of like breaking protocol. He's got to go through quarantine.

0:13:47.240 --> 0:13:50.960
<v Speaker 1>She's straight up as like, no way, that's that's against protocol.

0:13:51.080 --> 0:13:54.640
<v Speaker 1>That's not happening. No, and it all like everything would

0:13:54.679 --> 0:13:57.400
<v Speaker 1>have been fine if they just listen to her. But

0:13:57.400 --> 0:14:03.120
<v Speaker 1>everybody's like what a count Yikes, rules were made to

0:14:03.200 --> 0:14:06.760
<v Speaker 1>be broken. So we all had killed by alien. Be

0:14:06.920 --> 0:14:10.400
<v Speaker 1>cool about it? Rip, Yeah, totally. So they've they let

0:14:10.480 --> 0:14:15.800
<v Speaker 1>him with the face hugged John hurt onto the spacecraft

0:14:16.320 --> 0:14:19.000
<v Speaker 1>and he's in a comma and they're like how do

0:14:19.040 --> 0:14:20.560
<v Speaker 1>we get this thing off? And they try to cut

0:14:20.600 --> 0:14:22.840
<v Speaker 1>it off and then it bleeds acid and they're like,

0:14:22.840 --> 0:14:24.720
<v Speaker 1>oh funk man, that's crazy. And then all of a

0:14:24.760 --> 0:14:27.000
<v Speaker 1>sudden he's alive and well again, so like well this

0:14:27.080 --> 0:14:30.960
<v Speaker 1>is fine, and then he gives birth through his chest.

0:14:31.600 --> 0:14:36.560
<v Speaker 1>Basically yeah, there's a lot of birth and oh yeah, yeah,

0:14:36.560 --> 0:14:40.560
<v Speaker 1>there's just dicks lots of birth. The when the face

0:14:40.640 --> 0:14:43.360
<v Speaker 1>huggers on him, you know, like so like what's happening

0:14:43.480 --> 0:14:46.600
<v Speaker 1>is he's impregnated. Yeah, it's impregnant. So he's like basically

0:14:46.600 --> 0:14:50.640
<v Speaker 1>shoving his face hugger dick down his throat kind And

0:14:51.040 --> 0:14:52.680
<v Speaker 1>one of the things I find kind of funny about

0:14:52.680 --> 0:14:55.080
<v Speaker 1>it is after it dies, like after it falls off,

0:14:55.080 --> 0:14:58.040
<v Speaker 1>and it's just like dead, and I'm like, dude, I

0:14:58.120 --> 0:15:04.240
<v Speaker 1>get it, like New City right at this point, just like,

0:15:04.320 --> 0:15:06.920
<v Speaker 1>don't even touch me. I just want to be a

0:15:06.960 --> 0:15:11.680
<v Speaker 1>dead spider thing. I already juiced down your throat. So

0:15:12.120 --> 0:15:18.160
<v Speaker 1>that's it for me. Speaking of jizz slick transition, Ian

0:15:18.240 --> 0:15:25.440
<v Speaker 1>holme ak ash Ak the cyborg robot spoil full of jizz. Yeah,

0:15:25.480 --> 0:15:28.920
<v Speaker 1>he's got jizz blood, man, the worst kind of blood. Yeah,

0:15:28.920 --> 0:15:31.400
<v Speaker 1>there's no will and I actually talked about it on

0:15:31.440 --> 0:15:33.080
<v Speaker 1>the podcast a few weeks ago that we're like, what's

0:15:33.080 --> 0:15:34.600
<v Speaker 1>the worst kind of sci fi blood? We're both like

0:15:34.680 --> 0:15:38.320
<v Speaker 1>milk blood, but it's really jizz blood. Yeah, it's the worst,

0:15:38.440 --> 0:15:42.000
<v Speaker 1>totally covered with Yeah, I just get to head skipping.

0:15:42.640 --> 0:15:46.960
<v Speaker 1>Take a few screenshots there. Yeah, yeah, just for you know,

0:15:47.720 --> 0:15:50.880
<v Speaker 1>I feel like that's the kind of screenshot get you

0:15:50.920 --> 0:15:53.360
<v Speaker 1>to send him like a like like a sexy right

0:15:53.400 --> 0:16:00.240
<v Speaker 1>i'd be like, oh wow, me after seeing roast, I'm

0:16:00.320 --> 0:16:06.280
<v Speaker 1>just covered in scoop. Spiritually speaking, yeah, of course. So

0:16:06.640 --> 0:16:08.920
<v Speaker 1>John hurts like man, things are great, and then he

0:16:09.320 --> 0:16:12.240
<v Speaker 1>an alien burst out of his chest, killing him, and

0:16:12.280 --> 0:16:14.520
<v Speaker 1>then the aliens like all right, he I'm gonna go

0:16:14.600 --> 0:16:16.960
<v Speaker 1>hide over here now. So like, oh, show, we gotta

0:16:17.000 --> 0:16:20.240
<v Speaker 1>go catch this thing, and the crew starts looking for it,

0:16:20.400 --> 0:16:22.320
<v Speaker 1>and somehow, in a span of it seems like a

0:16:22.400 --> 0:16:28.760
<v Speaker 1>few hours, Yeah, come here, it grows to adulthood, and

0:16:28.960 --> 0:16:31.720
<v Speaker 1>I don't know, a day or something. It's crazy so

0:16:31.840 --> 0:16:35.400
<v Speaker 1>fast it feels like a day. But I feel like

0:16:35.480 --> 0:16:38.720
<v Speaker 1>they don't place enough, like you know, like coming of

0:16:38.800 --> 0:16:42.760
<v Speaker 1>age nostalgia and in regards to how quickly they really

0:16:42.760 --> 0:16:49.760
<v Speaker 1>don't want to aliens journey was adulthood? Where was? I

0:16:49.840 --> 0:16:53.440
<v Speaker 1>never realized until you just said that that that was

0:16:53.480 --> 0:16:55.720
<v Speaker 1>the same alien. I was just like, suddenly, there's all

0:16:55.760 --> 0:16:58.200
<v Speaker 1>these aliens on the ship, Like I didn't get that

0:16:58.240 --> 0:17:00.760
<v Speaker 1>it was the same one who grew up. I'm dumb.

0:17:01.840 --> 0:17:04.320
<v Speaker 1>I mean, they don't. It's it's confusing because it's literally

0:17:04.400 --> 0:17:07.800
<v Speaker 1>a baby fetus alien basically. And then in the next

0:17:07.800 --> 0:17:10.480
<v Speaker 1>scene you see it, which is pre probably a few

0:17:10.480 --> 0:17:14.919
<v Speaker 1>hours later you have gotten like a few like like

0:17:14.960 --> 0:17:18.000
<v Speaker 1>some like screeching, growing pain sort of moments of it.

0:17:18.040 --> 0:17:19.520
<v Speaker 1>I feel like that would have a call like like

0:17:19.520 --> 0:17:22.160
<v Speaker 1>like a shadowy like or like found some some some

0:17:22.960 --> 0:17:27.160
<v Speaker 1>leftover skins. Well, Harry de San does do that, like yeah,

0:17:27.280 --> 0:17:29.320
<v Speaker 1>but and I was probably like it's all the aliens.

0:17:31.359 --> 0:17:33.359
<v Speaker 1>That's like a sci fi horror trope that I like

0:17:33.480 --> 0:17:36.400
<v Speaker 1>when when creatures are growing and then you see like

0:17:36.440 --> 0:17:40.560
<v Speaker 1>their their shoulder blade like pop out and and they

0:17:40.640 --> 0:17:43.280
<v Speaker 1>shed and there's more goop. I think that that's my

0:17:43.359 --> 0:17:48.360
<v Speaker 1>generalization of the genre, just with the pussy goop. Yeah,

0:17:48.400 --> 0:17:51.640
<v Speaker 1>pussy give it a little dick goup to. Yeah, well,

0:17:51.680 --> 0:17:54.520
<v Speaker 1>the full size alien is a dick with a pussy

0:17:54.640 --> 0:17:58.840
<v Speaker 1>with is Oh wait is this for children? I think,

0:17:59.040 --> 0:18:01.920
<v Speaker 1>uh no, yes, we have an audience that reaches like

0:18:02.400 --> 0:18:07.840
<v Speaker 1>ages seven to twelve, so we're gonna have to a

0:18:08.520 --> 0:18:12.600
<v Speaker 1>is a nanny with a cuckoo. And I have never

0:18:12.600 --> 0:18:16.320
<v Speaker 1>heard any of those words to describe any genitalia. I'm

0:18:16.320 --> 0:18:19.240
<v Speaker 1>having fun. I was like, oh no, am I missing?

0:18:19.240 --> 0:18:21.720
<v Speaker 1>But they sounded right right, They sounded good, Okay, they

0:18:22.320 --> 0:18:25.720
<v Speaker 1>that sounded like a fun way to to tell a child.

0:18:25.760 --> 0:18:28.000
<v Speaker 1>What's to call her? Dick? Hey, nanny nanni and that's

0:18:28.040 --> 0:18:30.960
<v Speaker 1>a cuckoo? Wait which one's which nanny is? I think

0:18:30.960 --> 0:18:33.760
<v Speaker 1>a nanny's a dick? And see I was saying the

0:18:33.760 --> 0:18:36.399
<v Speaker 1>other man, okay, we could do lit r. I was

0:18:36.440 --> 0:18:39.639
<v Speaker 1>thinking cuckoo because like I was thinking of a woodpecker.

0:18:39.760 --> 0:18:42.119
<v Speaker 1>Yeah maybe it was. I don't know, yeah either, right,

0:18:42.200 --> 0:18:48.720
<v Speaker 1>know what? Anything could be? Anything? So the crew goes

0:18:48.800 --> 0:18:52.040
<v Speaker 1>off looking for this alien and they basically get killed

0:18:52.119 --> 0:18:55.160
<v Speaker 1>one by one and then Ripley's like, all right, well,

0:18:55.600 --> 0:18:59.399
<v Speaker 1>I guess I gotta fix everything, and then she escapes

0:18:59.440 --> 0:19:02.600
<v Speaker 1>into the show old but a little surprise and the

0:19:02.640 --> 0:19:04.520
<v Speaker 1>aliens there and she's like, well fuck you then and

0:19:04.560 --> 0:19:07.639
<v Speaker 1>she blows out into space and the end so only

0:19:07.680 --> 0:19:11.000
<v Speaker 1>she and Jones you the cat survived, except do you

0:19:11.040 --> 0:19:17.360
<v Speaker 1>know the original ending? The original ending wasting? She makes

0:19:17.400 --> 0:19:21.600
<v Speaker 1>her final like, um a little statement in the log

0:19:21.840 --> 0:19:25.040
<v Speaker 1>the original ending is that the same statement, But then

0:19:25.080 --> 0:19:27.639
<v Speaker 1>the camera reveals that the voice is coming out of

0:19:27.680 --> 0:19:32.320
<v Speaker 1>the aliens, mad that she is dead and the alien

0:19:32.400 --> 0:19:34.119
<v Speaker 1>is the only one who's living. And somehow the alien

0:19:34.160 --> 0:19:38.479
<v Speaker 1>knows how to talk like people, which is it's the

0:19:38.480 --> 0:19:42.679
<v Speaker 1>goofiest thing, but yeah, and the studio was like, hmmm,

0:19:42.840 --> 0:19:45.560
<v Speaker 1>that seems goofy, let's not do that. And also it's

0:19:45.560 --> 0:19:49.360
<v Speaker 1>a bummer so I would have I feel like if

0:19:49.520 --> 0:19:53.760
<v Speaker 1>Sigourney Weaver's character was a man, I wouldn't mind that ending.

0:19:53.800 --> 0:19:58.240
<v Speaker 1>Three Well, yeah, I mean it which or bother me

0:19:58.320 --> 0:20:01.040
<v Speaker 1>less because that's still like a hokey and of like

0:20:01.160 --> 0:20:05.240
<v Speaker 1>the alien it learned to speak English, which actually is

0:20:05.320 --> 0:20:09.399
<v Speaker 1>kind of inspiring, and it's grew that fast. It should

0:20:09.400 --> 0:20:11.160
<v Speaker 1>have a few degrees by the end of the thing. Fact,

0:20:11.520 --> 0:20:14.280
<v Speaker 1>the alien should have a pH scene. I mean, it's

0:20:14.320 --> 0:20:16.920
<v Speaker 1>not a good time to mention my master's degree in screenwriting.

0:20:16.960 --> 0:20:20.040
<v Speaker 1>I don't like to bring it up, but you guys

0:20:20.080 --> 0:20:21.879
<v Speaker 1>were the ones who mentioned it, so I think I

0:20:21.880 --> 0:20:27.200
<v Speaker 1>did definitely do not mention my manager for that comment. Okay,

0:20:27.440 --> 0:20:34.520
<v Speaker 1>we would disagree anyway. Also, the chest burster scene, Um,

0:20:34.680 --> 0:20:36.600
<v Speaker 1>I can't be the alien person in the world who

0:20:36.640 --> 0:20:41.679
<v Speaker 1>experienced seeing Spaceballs before seeing this. I also, yeah, so

0:20:41.680 --> 0:20:43.800
<v Speaker 1>when it happened to Spaceballs, I didn't understand it, but

0:20:43.840 --> 0:20:48.080
<v Speaker 1>I was like hilarious, and my mom was like, well,

0:20:48.119 --> 0:20:50.040
<v Speaker 1>it's from this movie, and I was like, don't spoil it.

0:20:50.200 --> 0:20:53.560
<v Speaker 1>I'm loving it. Yeah. I definitely saw Spaceballs along before

0:20:53.560 --> 0:20:55.960
<v Speaker 1>I saw Alien and did not really get the reference.

0:20:55.960 --> 0:20:58.520
<v Speaker 1>But now that I've seen Alien, oh, that seems even

0:20:58.560 --> 0:21:04.320
<v Speaker 1>more hilarious. There is another like spoofy parody movie that

0:21:04.400 --> 0:21:07.159
<v Speaker 1>you may be familiar with, hot Shots and Hot Shots

0:21:07.200 --> 0:21:10.119
<v Speaker 1>Part Do. Hot Shots Part Do is one of my

0:21:10.160 --> 0:21:14.040
<v Speaker 1>favorite movies ever, and it part Do Part Do and

0:21:14.280 --> 0:21:19.359
<v Speaker 1>it parodies a number of films that I had not

0:21:19.560 --> 0:21:21.639
<v Speaker 1>seen when I was but I still thought it was

0:21:21.680 --> 0:21:24.400
<v Speaker 1>the funniest movie ever. I was like, man, this is hilarious,

0:21:24.400 --> 0:21:26.680
<v Speaker 1>and then I but I didn't understand any of the references.

0:21:26.920 --> 0:21:35.240
<v Speaker 1>Cool story, Caitlin. So this is basically a movie about Ripley,

0:21:35.400 --> 0:21:38.800
<v Speaker 1>like the strong female character being like, hey, you guys,

0:21:39.040 --> 0:21:41.040
<v Speaker 1>you're dumb. We should we should do this thing. That's

0:21:41.040 --> 0:21:44.720
<v Speaker 1>the right choice. And everyone's like no, it's like that's

0:21:44.760 --> 0:21:48.840
<v Speaker 1>really unlikable and it's unattractive, and she's like, oh, but

0:21:48.880 --> 0:21:52.159
<v Speaker 1>it's the right thing to do, and they're like, we

0:21:52.240 --> 0:21:53.840
<v Speaker 1>don't like you and you're never going to have your

0:21:53.840 --> 0:21:56.399
<v Speaker 1>own TV show. And then I'm like, no, wait, this

0:21:56.440 --> 0:22:01.320
<v Speaker 1>is about her, not me making it away too personally. Um,

0:22:01.359 --> 0:22:03.359
<v Speaker 1>I mean, can we presume that the reason that the

0:22:03.400 --> 0:22:06.200
<v Speaker 1>rest of the crew is always like, no, Ripley, We're

0:22:06.280 --> 0:22:10.640
<v Speaker 1>doing it our way. Who cares about standard procedure. Can

0:22:10.680 --> 0:22:14.959
<v Speaker 1>we presume that it's because she's a woman. Maybe, I

0:22:15.000 --> 0:22:17.120
<v Speaker 1>don't know. I don't think I don't think it's because

0:22:17.160 --> 0:22:19.560
<v Speaker 1>she's a woman, because it is like the compassionate choice

0:22:19.560 --> 0:22:22.240
<v Speaker 1>when they do that there, it's never like should we

0:22:22.320 --> 0:22:27.720
<v Speaker 1>have cake or pie? It's like should we Yeah, And

0:22:27.760 --> 0:22:30.479
<v Speaker 1>so it's like I will say that I don't think

0:22:30.480 --> 0:22:32.200
<v Speaker 1>it's because she's a woman, And I think that's part

0:22:32.240 --> 0:22:35.520
<v Speaker 1>of the like future utopia they're trying to sell us,

0:22:35.560 --> 0:22:37.720
<v Speaker 1>where it's like, look, there's all kinds of different ages

0:22:37.720 --> 0:22:39.920
<v Speaker 1>of people and races of people, and they all work

0:22:39.960 --> 0:22:42.680
<v Speaker 1>to get in genders of people and they get respected

0:22:42.760 --> 0:22:45.840
<v Speaker 1>just as like whatever. Yeah, I mean, it's not super

0:22:45.840 --> 0:22:48.199
<v Speaker 1>surprising to hear that the characters were sort of written

0:22:48.200 --> 0:22:53.080
<v Speaker 1>with the intention of being not genderless, but um could

0:22:53.160 --> 0:22:56.800
<v Speaker 1>be a man or a woman just because yeah, Sigourney

0:22:56.800 --> 0:23:01.439
<v Speaker 1>Waver being a woman does not seem to factor in

0:23:02.000 --> 0:23:04.160
<v Speaker 1>that much in the way that she's treated. I think

0:23:04.160 --> 0:23:06.880
<v Speaker 1>that like what's most interesting about her character that wouldn't

0:23:06.920 --> 0:23:10.680
<v Speaker 1>be interesting per se if she was a man. Was

0:23:10.680 --> 0:23:14.159
<v Speaker 1>was the coldness and like the clinical like by the

0:23:14.200 --> 0:23:17.760
<v Speaker 1>book attitude that. Yeah, I mean that would be a

0:23:17.840 --> 0:23:21.360
<v Speaker 1>character as a man, but it wouldn't be unusual. Yeah,

0:23:21.440 --> 0:23:24.200
<v Speaker 1>she's straight up on Michael Well. And they literally don't

0:23:24.240 --> 0:23:26.880
<v Speaker 1>have her save the cat until the end. You must

0:23:26.960 --> 0:23:31.720
<v Speaker 1>understand that with your degree. And again when I think

0:23:31.720 --> 0:23:33.439
<v Speaker 1>it must have been so cool to see it and

0:23:33.480 --> 0:23:35.680
<v Speaker 1>not know anything about it and just be like, who's

0:23:35.720 --> 0:23:38.880
<v Speaker 1>that bitch? And I guess it's about this Dallas guy.

0:23:39.000 --> 0:23:41.119
<v Speaker 1>He's the captain. I'm sure that's who this story is

0:23:41.119 --> 0:23:44.240
<v Speaker 1>all about. Or you know these these fun love and

0:23:44.280 --> 0:23:49.440
<v Speaker 1>engineer fellas her rapscallions. Um wait, so you guys find

0:23:49.440 --> 0:23:52.240
<v Speaker 1>her unlikable because I think they kind of like pain.

0:23:52.840 --> 0:23:56.520
<v Speaker 1>They do. But but she goes on a journey for sure.

0:23:56.600 --> 0:23:59.000
<v Speaker 1>But I don't know. I'm like, I was on board

0:23:59.000 --> 0:24:00.679
<v Speaker 1>with her from like minute one. I'm like, yeah, they

0:24:00.720 --> 0:24:03.520
<v Speaker 1>shouldn't bring this guy who's been attacked by this face

0:24:03.640 --> 0:24:08.160
<v Speaker 1>hugging alien creature. Yeah, it's probably gonna end poorly. Maybe

0:24:08.400 --> 0:24:10.920
<v Speaker 1>do I think this because what I what I know

0:24:11.119 --> 0:24:15.399
<v Speaker 1>of horror sci fi movie? Maybe? I mean, it's not

0:24:15.400 --> 0:24:18.800
<v Speaker 1>called ship with No Alien on it right, you know

0:24:18.840 --> 0:24:22.600
<v Speaker 1>when you're starting it, something's happened. But I really could

0:24:22.600 --> 0:24:26.960
<v Speaker 1>also be that I am an unapologetic rule follower because

0:24:27.040 --> 0:24:30.919
<v Speaker 1>I'm terrified of authority and I'm just like rules. I

0:24:30.960 --> 0:24:34.200
<v Speaker 1>love rules. I wish I didn't hate myself because I do.

0:24:34.480 --> 0:24:39.160
<v Speaker 1>I say f the rules. I like to buck authority.

0:24:40.400 --> 0:24:43.560
<v Speaker 1>I'm actually the same way. And I did find that

0:24:43.960 --> 0:24:47.600
<v Speaker 1>a way to kind of relate to her and respect her.

0:24:47.640 --> 0:24:50.560
<v Speaker 1>But I but you could also see the whole rest

0:24:50.600 --> 0:24:52.480
<v Speaker 1>of the crew was like in it for each other

0:24:52.600 --> 0:24:54.560
<v Speaker 1>and like looking out for each other, and she's the

0:24:54.600 --> 0:24:57.119
<v Speaker 1>one who's being the jerk. The way I saw that

0:24:57.200 --> 0:25:00.800
<v Speaker 1>dynamic was like she's the boss, and the boss does

0:25:00.840 --> 0:25:04.720
<v Speaker 1>not break the rules, and all the I guess subordinates

0:25:05.359 --> 0:25:08.680
<v Speaker 1>as it were, are way more likely to break the rules.

0:25:08.720 --> 0:25:10.600
<v Speaker 1>But she's not even the boss, Like she's not the

0:25:10.600 --> 0:25:12.240
<v Speaker 1>captain and the ship or anything like that. She's not

0:25:12.280 --> 0:25:15.360
<v Speaker 1>even his first command. Until a few other people die

0:25:16.680 --> 0:25:19.080
<v Speaker 1>ashes like the science officer, I thought she and we

0:25:19.200 --> 0:25:23.720
<v Speaker 1>sort of like, yeah, I'm not entirely Yeah, I don't

0:25:23.720 --> 0:25:25.880
<v Speaker 1>really know what her role is because they're the ones

0:25:25.920 --> 0:25:29.240
<v Speaker 1>who she she's like the they bicker about it. Because

0:25:29.240 --> 0:25:34.760
<v Speaker 1>he clearly being who and what he is is like filled,

0:25:35.240 --> 0:25:38.800
<v Speaker 1>let's get him in the ship. Yeah, I want to see.

0:25:39.080 --> 0:25:41.760
<v Speaker 1>And then when when they bring him in and it's

0:25:41.880 --> 0:25:44.200
<v Speaker 1>the face hugger through the helmet is just like an

0:25:44.200 --> 0:25:48.080
<v Speaker 1>egg with a vagina in it. It's like the most there.

0:25:48.080 --> 0:25:55.840
<v Speaker 1>This is like scary. Yeah. Apparently the pods, you know,

0:25:55.880 --> 0:25:59.240
<v Speaker 1>the the eggy pod things that they find um and

0:25:59.480 --> 0:26:01.960
<v Speaker 1>they kind of like open with the four pedals. It

0:26:02.000 --> 0:26:06.879
<v Speaker 1>originally was just too it was just like yeah, and

0:26:06.960 --> 0:26:14.320
<v Speaker 1>again the network was like, um, that's too much. Yeah

0:26:14.359 --> 0:26:17.280
<v Speaker 1>there's yeah. They were like they said that they were

0:26:17.320 --> 0:26:19.199
<v Speaker 1>scared they wouldn't be able to show it then like

0:26:19.480 --> 0:26:23.400
<v Speaker 1>Catholic countries or so. Yeah, double the flaps, double the fun,

0:26:23.520 --> 0:26:26.000
<v Speaker 1>that's what I say. Yeah. Oh I got an audible

0:26:26.080 --> 0:26:31.240
<v Speaker 1>laugh from Aristotle. I got it. You earned it into

0:26:32.600 --> 0:26:38.000
<v Speaker 1>Aristotle loves stubble flap. You guys gonna put that on

0:26:38.040 --> 0:26:39.639
<v Speaker 1>a T shirt And I'm suggesting you should put that

0:26:39.680 --> 0:26:42.199
<v Speaker 1>on the We're an enamel pin. Those are hip now

0:26:42.359 --> 0:26:45.199
<v Speaker 1>right Oh yeah, people love the pins. Yeah, buttle picture

0:26:45.240 --> 0:26:48.520
<v Speaker 1>of the egg the pod and a banner on it

0:26:48.560 --> 0:26:53.119
<v Speaker 1>that says Aristotle loves double And then just let the

0:26:53.160 --> 0:26:58.600
<v Speaker 1>people interpret it as sure that was Geiger hr Geiger,

0:26:58.840 --> 0:27:02.080
<v Speaker 1>is that his name that does? Yes? Yes, yes, yeah.

0:27:02.160 --> 0:27:05.480
<v Speaker 1>We needed all the like creepy space sex design there

0:27:05.600 --> 0:27:07.159
<v Speaker 1>there seemed to be I mean, I don't know that,

0:27:07.480 --> 0:27:12.119
<v Speaker 1>but like the practical effects in this movie we're so cool,

0:27:12.359 --> 0:27:15.440
<v Speaker 1>especially for the era. Yeah, I mean even the scene

0:27:15.440 --> 0:27:18.159
<v Speaker 1>where Ash's head is off and his body is like

0:27:18.240 --> 0:27:20.919
<v Speaker 1>flapping around, um and he's clearly just like there with

0:27:20.960 --> 0:27:23.320
<v Speaker 1>like the head flap kind of over him, but it

0:27:23.320 --> 0:27:27.000
<v Speaker 1>still looks kind of flawless. It's pretty cool. Yeah, because

0:27:27.000 --> 0:27:31.280
<v Speaker 1>there's I mean just a big mess these days. I

0:27:31.280 --> 0:27:34.639
<v Speaker 1>don't know that. It just looked really I the crap

0:27:34.680 --> 0:27:37.120
<v Speaker 1>out of it, and it would fake and it would

0:27:37.160 --> 0:27:43.439
<v Speaker 1>be and the head would be floating. Uh. Yeah. The

0:27:43.440 --> 0:27:45.040
<v Speaker 1>only part where I was like, oh, this is kind

0:27:45.040 --> 0:27:47.680
<v Speaker 1>of dumb is like when the baby alien bursts out

0:27:47.680 --> 0:27:49.639
<v Speaker 1>of the chest and like you see it kind of

0:27:49.640 --> 0:27:54.280
<v Speaker 1>like scamper across the tape like that, like that it's

0:27:54.400 --> 0:27:57.480
<v Speaker 1>clearly like someone doing some puppet tree that's not very good,

0:27:57.480 --> 0:28:00.320
<v Speaker 1>and you're like, cute baby, or even the look like

0:28:00.359 --> 0:28:02.080
<v Speaker 1>it burst out and it sort of looks at everyone

0:28:02.119 --> 0:28:10.359
<v Speaker 1>but a baby. Yeah, it's a very like not the mama,

0:28:10.920 --> 0:28:16.359
<v Speaker 1>are you my mama? And then uh or what's the

0:28:16.400 --> 0:28:19.040
<v Speaker 1>Alison beckdel book that I can never remember the name of?

0:28:20.000 --> 0:28:22.320
<v Speaker 1>Are you my mother? Yeah? Okay, yeah, that's what it

0:28:22.359 --> 0:28:26.120
<v Speaker 1>says when it bursts out of are you my mother? Yeah.

0:28:26.880 --> 0:28:30.280
<v Speaker 1>I'm just I know that she's that Ripley is not

0:28:30.720 --> 0:28:34.600
<v Speaker 1>like a warm character. She's like very by the book

0:28:34.640 --> 0:28:37.640
<v Speaker 1>in terms of but and she does become like more

0:28:38.040 --> 0:28:40.400
<v Speaker 1>in the Director's Cat there's a scene where, um, man,

0:28:40.400 --> 0:28:44.600
<v Speaker 1>what's the other woman's name, Lambie now, where she straight

0:28:44.640 --> 0:28:47.760
<v Speaker 1>up hits her when they come back in, just slaps

0:28:47.760 --> 0:28:51.040
<v Speaker 1>her across the jaw. Yeah. I made a note that, like,

0:28:51.320 --> 0:28:53.160
<v Speaker 1>it was kind of a bummer to see, like the

0:28:53.160 --> 0:28:56.160
<v Speaker 1>two women characters that there are in this movie be

0:28:56.640 --> 0:28:59.160
<v Speaker 1>kind of hostile to each other. But then I was like, wait,

0:28:59.360 --> 0:29:02.560
<v Speaker 1>Ripley's just stile towards everyone because she's almost always telling

0:29:02.600 --> 0:29:06.320
<v Speaker 1>someone to funk off or screening at their face, and

0:29:06.320 --> 0:29:10.440
<v Speaker 1>it's justified. I think that, you know, women should these

0:29:10.480 --> 0:29:12.360
<v Speaker 1>female characters should be allowed to have to be a

0:29:12.360 --> 0:29:16.080
<v Speaker 1>full range. You don't always you're I also find it

0:29:16.360 --> 0:29:19.440
<v Speaker 1>a little um obnoxious when it's all like cat fighting.

0:29:19.600 --> 0:29:21.520
<v Speaker 1>But I didn't feel like that. No, no, I don't

0:29:21.520 --> 0:29:24.000
<v Speaker 1>think that's happening here. Yeah, that was just really like,

0:29:24.360 --> 0:29:26.600
<v Speaker 1>if you want to be real technical about it, not

0:29:26.680 --> 0:29:30.680
<v Speaker 1>the only female character mother the ship, Mother the ship.

0:29:33.280 --> 0:29:37.000
<v Speaker 1>So I was really hoping Jones was a girl cat

0:29:37.160 --> 0:29:39.480
<v Speaker 1>so we could just have one more. Did they Did

0:29:39.480 --> 0:29:42.600
<v Speaker 1>they nail down with the kind of cat? No? I

0:29:42.600 --> 0:29:46.360
<v Speaker 1>guess not, but jon Z, maybe I just assumed based

0:29:46.400 --> 0:29:49.080
<v Speaker 1>on the name that it was a boycat. But and

0:29:49.120 --> 0:29:52.600
<v Speaker 1>again in Aliens, the cat becomes a little girl. I mean,

0:29:52.640 --> 0:29:54.800
<v Speaker 1>it doesn't become a little girl, but like the same

0:29:54.840 --> 0:29:58.840
<v Speaker 1>trans figures and to a girl. Like same role as

0:29:59.400 --> 0:30:04.000
<v Speaker 1>Power one. The same role is done, but the plot

0:30:04.040 --> 0:30:07.720
<v Speaker 1>device is a little girl instead. Oh and then um,

0:30:07.920 --> 0:30:12.360
<v Speaker 1>and then yeah, the Queen Bee is a lady, a lady,

0:30:13.120 --> 0:30:16.760
<v Speaker 1>she say, she calls mother a bit in this I

0:30:16.760 --> 0:30:18.880
<v Speaker 1>think she calls the alien a bit to get away

0:30:18.880 --> 0:30:22.560
<v Speaker 1>from your bit. YEA great line. Basically, I just like

0:30:22.680 --> 0:30:26.280
<v Speaker 1>how throughout the entire story, Ripley is given a bunch

0:30:26.320 --> 0:30:31.600
<v Speaker 1>of agency. She's making decisions that are usually not obeyed,

0:30:31.720 --> 0:30:35.440
<v Speaker 1>but she's definitely playing an active, like a very active

0:30:35.520 --> 0:30:39.160
<v Speaker 1>role in the story. So we're used to seeing female

0:30:39.240 --> 0:30:43.320
<v Speaker 1>characters like, you know, I want to like, I'm just

0:30:43.360 --> 0:30:45.920
<v Speaker 1>gonna sit here and not really do anything. You can

0:30:45.960 --> 0:30:49.280
<v Speaker 1>stress about the decision, right, But she's just like, this

0:30:49.320 --> 0:30:51.720
<v Speaker 1>is what we're doing. Listen to me, this is what

0:30:51.840 --> 0:30:54.840
<v Speaker 1>has to happen. No one does and they pay the

0:30:54.920 --> 0:30:57.160
<v Speaker 1>price for it. Yeah. So I just thought it was

0:30:57.720 --> 0:31:00.960
<v Speaker 1>super cool to see her being like, funck off, you guys,

0:31:01.160 --> 0:31:04.000
<v Speaker 1>listen to me, here's the right choice. Do what I say.

0:31:05.960 --> 0:31:12.200
<v Speaker 1>You're painting a picture of yourself, like Ripley is badass.

0:31:12.280 --> 0:31:15.600
<v Speaker 1>I wanted to talk a little bit about Lambert because

0:31:15.640 --> 0:31:19.880
<v Speaker 1>of I read some background on her character, because I

0:31:19.920 --> 0:31:23.719
<v Speaker 1>guess that Veronica cart Right arrived on set believing she

0:31:23.800 --> 0:31:29.880
<v Speaker 1>was going to play Ripley and then they were like, actually, sorry,

0:31:29.920 --> 0:31:32.440
<v Speaker 1>bitch your Lambert, and she was not happy with it.

0:31:32.520 --> 0:31:37.600
<v Speaker 1>And but particular took issue with the character of Lambert

0:31:37.960 --> 0:31:42.760
<v Speaker 1>and how Lambert is more fearful and expresses a lot

0:31:42.760 --> 0:31:44.800
<v Speaker 1>of the fear. And I guess the function of that

0:31:44.880 --> 0:31:47.760
<v Speaker 1>character or the way she was written was, you know,

0:31:48.280 --> 0:31:53.160
<v Speaker 1>she represents the audience and like what we're feeling. Um,

0:31:53.200 --> 0:31:56.160
<v Speaker 1>But I guess that Veronica cart Right took issue with

0:31:56.240 --> 0:31:59.160
<v Speaker 1>that of like, why does that have to be the

0:31:59.200 --> 0:32:02.600
<v Speaker 1>only female care trip besides Ripley Slash. What didn't no

0:32:02.600 --> 0:32:06.080
<v Speaker 1>one tell me? I'm definitely that's the big question. That's

0:32:06.120 --> 0:32:09.320
<v Speaker 1>actually what happened. Um, Because on the other hand, you

0:32:09.360 --> 0:32:11.360
<v Speaker 1>could make a case for it's very interesting to have

0:32:11.360 --> 0:32:14.160
<v Speaker 1>the audience to to expect the audience to relate to

0:32:14.800 --> 0:32:17.560
<v Speaker 1>these two female characters in the most significant ways in

0:32:17.600 --> 0:32:21.280
<v Speaker 1>this sci fi alien movie. Instead, because yeah, I didn't

0:32:21.280 --> 0:32:24.280
<v Speaker 1>really feel any connection with anything that one except maybe

0:32:24.480 --> 0:32:28.520
<v Speaker 1>Ash because we're introduced to him mostly as the one

0:32:28.560 --> 0:32:31.760
<v Speaker 1>who's kind of pushing against Ripley. Everybody else was like

0:32:31.800 --> 0:32:37.040
<v Speaker 1>they seem like cool dudes. I also find it interesting

0:32:37.080 --> 0:32:40.240
<v Speaker 1>that it was it's a very classist kind of movie

0:32:40.520 --> 0:32:42.400
<v Speaker 1>that you. I mean, they kind of moved away from that.

0:32:42.440 --> 0:32:43.760
<v Speaker 1>But the whole beginning is then being like, you know,

0:32:43.800 --> 0:32:46.200
<v Speaker 1>how many shares do we get? Like clearly they were

0:32:46.240 --> 0:32:50.920
<v Speaker 1>willing to do whatever within reason just to get this payday.

0:32:51.200 --> 0:32:56.440
<v Speaker 1>There's no executives aboard, there's no like higher socio economic

0:32:56.520 --> 0:32:59.960
<v Speaker 1>class people in there. Um. The guy who comes across

0:33:00.000 --> 0:33:01.760
<v Speaker 1>as though he is the one with the British accent,

0:33:01.920 --> 0:33:05.040
<v Speaker 1>who seems much fancier he's not a human, right, it's

0:33:05.040 --> 0:33:10.440
<v Speaker 1>not a person at all. I love the fancy British.

0:33:10.680 --> 0:33:13.320
<v Speaker 1>It's the best. They couldn't program him to have an

0:33:13.320 --> 0:33:17.600
<v Speaker 1>American accent on the design right there, Like he's he's fancy,

0:33:17.760 --> 0:33:19.959
<v Speaker 1>and that's the hint that you should have picked up

0:33:19.960 --> 0:33:23.040
<v Speaker 1>on the whole time, the only fancy one. Of course,

0:33:23.080 --> 0:33:27.240
<v Speaker 1>he's an Andrews. They're an evil people, yes, the fancies. God,

0:33:27.400 --> 0:33:31.720
<v Speaker 1>that's like Bill Knight and so many movies, especially my

0:33:31.760 --> 0:33:36.440
<v Speaker 1>favorite bad movie I Frankenstein. Where boy, is that a

0:33:36.480 --> 0:33:39.800
<v Speaker 1>remarkably bad one? I love like, that's a fun one.

0:33:40.000 --> 0:33:42.200
<v Speaker 1>That's a fun bad I got one of my one

0:33:42.200 --> 0:33:45.040
<v Speaker 1>of my biggest Twitter pops everr was after I walked

0:33:45.080 --> 0:33:47.280
<v Speaker 1>out of that and tweeted that it was the best

0:33:47.280 --> 0:33:52.640
<v Speaker 1>movie ever written by an Evanescence album in the Sega Genesis,

0:33:52.800 --> 0:33:56.440
<v Speaker 1>and it's still one of my top ranking tweets. It's

0:33:56.440 --> 0:33:58.400
<v Speaker 1>a good one. I didn't know why people cared about that.

0:34:02.040 --> 0:34:06.120
<v Speaker 1>It was a fun one. And also that was like

0:34:06.160 --> 0:34:09.759
<v Speaker 1>the kind of peaceful cinematic experience where like there was

0:34:09.840 --> 0:34:14.560
<v Speaker 1>never anyone else in the theater to experience. I Frankenstein

0:34:15.000 --> 0:34:20.000
<v Speaker 1>felt very personal. Oh my God, like that movie, and

0:34:20.040 --> 0:34:22.839
<v Speaker 1>they thought that they you know, they thought that they

0:34:22.840 --> 0:34:26.800
<v Speaker 1>were like launching a franch franchise because they left it

0:34:26.880 --> 0:34:38.080
<v Speaker 1>open beds, like who you know, Frankenstein Frankenstein. They Frankenstein Frankenstein.

0:34:40.560 --> 0:34:42.840
<v Speaker 1>But Bill Knight in that movie? Anyways? Is is the

0:34:42.880 --> 0:34:47.160
<v Speaker 1>fancy man who that wonderful thing? Like Christopher Walking and

0:34:47.239 --> 0:34:50.680
<v Speaker 1>Jeelie do they are they aware that they're in a movie?

0:34:51.120 --> 0:34:54.080
<v Speaker 1>Did they just walk in there, like say something British

0:34:54.239 --> 0:34:56.799
<v Speaker 1>and he's like all right, and then I like say

0:34:56.880 --> 0:34:59.040
<v Speaker 1>something science e and then he does that and then

0:34:59.040 --> 0:35:01.360
<v Speaker 1>he just steals a b just food from craft services

0:35:01.400 --> 0:35:04.640
<v Speaker 1>and goes home like that's the kind of anyways. By

0:35:04.680 --> 0:35:06.520
<v Speaker 1>the way, I'm pretty sure it's the fancy guy. I'm

0:35:06.520 --> 0:35:10.800
<v Speaker 1>pretty sure you hold the record for number of references

0:35:10.920 --> 0:35:15.200
<v Speaker 1>anyone who has made ever. I wait, when you said

0:35:15.280 --> 0:35:17.040
<v Speaker 1>I feel bad, I say it like when everyone's like,

0:35:17.080 --> 0:35:19.720
<v Speaker 1>oh yeah, Christopher Walking and Jeli when you were evasive

0:35:19.760 --> 0:35:23.080
<v Speaker 1>about your wheelhouse, did you mean it was Jelie? I

0:35:23.120 --> 0:35:26.800
<v Speaker 1>think it might be only the films of Martin Brest

0:35:27.080 --> 0:35:35.879
<v Speaker 1>are really speak to me. Titanic and is what your wheelhouse? Man? Yeah?

0:35:35.920 --> 0:35:38.839
<v Speaker 1>I have to unsubscribe from HBO now because I told

0:35:38.840 --> 0:35:41.160
<v Speaker 1>myself I would do it when The Little Lives was over.

0:35:41.760 --> 0:35:45.680
<v Speaker 1>But unfortunately, I do want to watch the Jinks again,

0:35:47.000 --> 0:35:49.400
<v Speaker 1>the whole thing, the whole thing. I've seen it nine times,

0:35:49.440 --> 0:35:52.520
<v Speaker 1>but it's time to see it ten times. I gotta

0:35:52.560 --> 0:36:00.000
<v Speaker 1>crossover in a double days baby anyway, Well, oh yeah,

0:36:00.160 --> 0:36:05.160
<v Speaker 1>in I just want to keep harping that. I just

0:36:05.280 --> 0:36:10.160
<v Speaker 1>love how persistent she is, because like everyone keeps feeling like, no, Ripley,

0:36:10.200 --> 0:36:12.400
<v Speaker 1>shut up, We're gonna stay this life, and she's just like, no,

0:36:12.480 --> 0:36:15.400
<v Speaker 1>you're putting us all in danger. Yeah, she doesn't doubt herself.

0:36:15.800 --> 0:36:19.720
<v Speaker 1>That's pretty impressive. Also impressive was how white the white

0:36:19.760 --> 0:36:23.160
<v Speaker 1>areas of the ship were constantly given, how dirty and

0:36:23.239 --> 0:36:25.520
<v Speaker 1>nasty the rest of the ship was, and that there

0:36:25.560 --> 0:36:30.319
<v Speaker 1>was no cleaning crew, the janitorial situation there. I would

0:36:30.320 --> 0:36:33.080
<v Speaker 1>have loved, I really. I tweeted about this morning. I

0:36:33.160 --> 0:36:35.200
<v Speaker 1>got so many actualise from dudes. I was like, I'm

0:36:35.239 --> 0:36:38.160
<v Speaker 1>taking this down fine, because I was like, it's too pristine.

0:36:38.200 --> 0:36:42.640
<v Speaker 1>This and Discovery one from two thousand one, just like

0:36:43.200 --> 0:36:47.400
<v Speaker 1>pristine and white spaceship interiors, and it's like, I don't know,

0:36:47.440 --> 0:36:50.280
<v Speaker 1>I mean, maybe I'm filthy, but I have white walls

0:36:50.480 --> 0:36:52.200
<v Speaker 1>and I gotta I gotta touch those up. From time

0:36:52.239 --> 0:36:57.719
<v Speaker 1>to time they turned to eggshell. And especially if you're

0:36:57.760 --> 0:37:04.840
<v Speaker 1>going from moon or into pods, there's no footprints, no

0:37:05.000 --> 0:37:08.040
<v Speaker 1>nothing coming on, and then the dirty parts are like

0:37:08.400 --> 0:37:11.360
<v Speaker 1>very dirty, gusting. Yeah, yeah, especially when yeah, there's I

0:37:11.360 --> 0:37:15.800
<v Speaker 1>mean there's distribute that there's a little bit blood spraying everywhere,

0:37:16.520 --> 0:37:20.160
<v Speaker 1>there's acid blood. Who's cleaning it? And which just eventually

0:37:20.239 --> 0:37:22.120
<v Speaker 1>you got enough jizz blood, enough acid blood, you know,

0:37:22.160 --> 0:37:25.960
<v Speaker 1>there's got to be acid jizz someplace. That's true, or

0:37:26.280 --> 0:37:32.160
<v Speaker 1>acid jazz pretty much the same. Did you know that

0:37:32.200 --> 0:37:35.240
<v Speaker 1>the genre of music in the Cantina in Star Wars

0:37:35.360 --> 0:37:39.719
<v Speaker 1>is called jizz jizz? Yeah? Really? Yeah? You know if

0:37:41.120 --> 0:37:46.839
<v Speaker 1>straight z that's that's smooth rocking jazz right there. Yeah,

0:37:46.880 --> 0:37:48.759
<v Speaker 1>Oh man, I want to that's a j jazz. I

0:37:48.800 --> 0:37:52.279
<v Speaker 1>want to play some some jizz, super intiz, super into

0:37:52.360 --> 0:37:55.320
<v Speaker 1>jiz music. Guys. Oh, that'd be great. Yeah. If if

0:37:55.360 --> 0:37:57.560
<v Speaker 1>someone asked you what you're like, they're like, what do

0:37:57.600 --> 0:38:01.839
<v Speaker 1>you listen to you? They're like, oh, we're gonna, we're

0:38:01.880 --> 0:38:04.480
<v Speaker 1>just we're just getting to it. Is it called jez?

0:38:04.480 --> 0:38:06.960
<v Speaker 1>And the way that like elevator music is called like

0:38:07.160 --> 0:38:10.320
<v Speaker 1>music is that Maybe I don't know, it's just it's

0:38:10.360 --> 0:38:13.320
<v Speaker 1>it's one of those like the world, sort of the

0:38:13.680 --> 0:38:18.360
<v Speaker 1>Star Wars world. I'm disappointing Aristotle so intensely because it

0:38:18.400 --> 0:38:21.800
<v Speaker 1>means so much more to him than thinking about double flaps.

0:38:21.840 --> 0:38:27.279
<v Speaker 1>So yeah, Ariostole is putting on his triggered hat right now. Yeah,

0:38:27.520 --> 0:38:29.440
<v Speaker 1>it's people who love Star Wars so much. They've just

0:38:29.480 --> 0:38:32.839
<v Speaker 1>created every Every question that could be asked about Star

0:38:32.840 --> 0:38:36.680
<v Speaker 1>Wars has been answered someplace and agreed in the Star

0:38:36.719 --> 0:38:39.359
<v Speaker 1>Wars universe. That's what that type of music is. Like.

0:38:39.440 --> 0:38:41.680
<v Speaker 1>No one there's never a scene where somebody's like, hey,

0:38:41.719 --> 0:38:43.839
<v Speaker 1>what are those fools playing in the corner and someone

0:38:43.840 --> 0:38:48.440
<v Speaker 1>else is like, don't you know that's jizz. It's just

0:38:48.480 --> 0:38:50.399
<v Speaker 1>something that you know if you if you google it though,

0:38:50.480 --> 0:38:52.040
<v Speaker 1>that's the answer you look at and I get it.

0:38:52.120 --> 0:38:55.960
<v Speaker 1>I gotta gotta ripley self assurance. I found very compelling

0:38:56.120 --> 0:38:58.960
<v Speaker 1>and good to why you know, it's it's it's great

0:38:59.000 --> 0:39:00.400
<v Speaker 1>to see it seem like character They that, but it

0:39:00.400 --> 0:39:02.440
<v Speaker 1>didn't make me it harder for me to relate to her.

0:39:02.480 --> 0:39:04.840
<v Speaker 1>I'm like, you know, because she's so good at her

0:39:04.920 --> 0:39:07.320
<v Speaker 1>job and so on it and knows the rules backwards

0:39:07.320 --> 0:39:10.080
<v Speaker 1>and forwards, but the I don't know, like and this

0:39:10.160 --> 0:39:13.640
<v Speaker 1>isn't even a criticism, but it's you know, I'm pretty

0:39:13.640 --> 0:39:16.520
<v Speaker 1>good at my job, but I feel like I only hesitate,

0:39:16.840 --> 0:39:20.080
<v Speaker 1>like there's so many, you know, points in any day

0:39:20.120 --> 0:39:23.440
<v Speaker 1>where you're just like, like like there was I don't know,

0:39:23.480 --> 0:39:26.440
<v Speaker 1>maybe I would have liked to maybe see like a

0:39:26.520 --> 0:39:29.839
<v Speaker 1>crack like in a character of any gender, though well

0:39:29.880 --> 0:39:32.000
<v Speaker 1>I think that it Also it's a little bit more

0:39:32.040 --> 0:39:35.319
<v Speaker 1>justified in the sequel, when she's already gone through all

0:39:35.360 --> 0:39:38.440
<v Speaker 1>of this and so she's she's not, she has more

0:39:38.560 --> 0:39:40.880
<v Speaker 1>even more reason to be like, no, I'm sure you

0:39:41.120 --> 0:39:44.600
<v Speaker 1>really got to me. This is gonna suck. But this

0:39:44.680 --> 0:39:47.960
<v Speaker 1>is her first rodeo in regards to a lot of

0:39:48.400 --> 0:39:54.279
<v Speaker 1>jizz music or oh no, not the music, the explosive

0:39:54.880 --> 0:39:57.680
<v Speaker 1>milk blood okay, yes, yeah, oh yeah. And this is

0:39:57.680 --> 0:39:59.840
<v Speaker 1>where again in the sequel, you know, when she's confronted

0:39:59.880 --> 0:40:02.239
<v Speaker 1>with Android, she's like, I hate you guys. No, I'm

0:40:02.239 --> 0:40:04.880
<v Speaker 1>not gonna you can't be on the chip. Um and

0:40:04.920 --> 0:40:07.040
<v Speaker 1>he's like, but I'm a nice one, and he does

0:40:07.120 --> 0:40:11.840
<v Speaker 1>and um, but also we do see his just his

0:40:11.880 --> 0:40:16.720
<v Speaker 1>blood too. But I think one of the weirdest scenes

0:40:16.719 --> 0:40:18.600
<v Speaker 1>in the movie that I was like, we don't need

0:40:18.640 --> 0:40:24.360
<v Speaker 1>this was the magazine rape. Yeah, I was very I

0:40:24.360 --> 0:40:29.000
<v Speaker 1>guess he was choking her. Yeah, but yeah, like you

0:40:29.120 --> 0:40:31.719
<v Speaker 1>got hands, man, if you got hands to if you

0:40:31.760 --> 0:40:33.600
<v Speaker 1>have hands to hold a rolled up magazine and try

0:40:33.640 --> 0:40:35.640
<v Speaker 1>to shove in a woman's mouth, you have hands to

0:40:35.640 --> 0:40:37.640
<v Speaker 1>wrap around her neck and choke her that way that

0:40:37.719 --> 0:40:40.640
<v Speaker 1>speaks volumes. Thank you, I did. You can put it

0:40:40.640 --> 0:40:42.719
<v Speaker 1>on a pin. It's going to be along with them,

0:40:43.760 --> 0:40:46.440
<v Speaker 1>it's two pins. Like, yeah, I found that to be

0:40:46.520 --> 0:40:49.440
<v Speaker 1>a very confusing way to try to like suffocate or kill.

0:40:49.640 --> 0:40:51.600
<v Speaker 1>I think that there was just a nut. They were like, oh,

0:40:51.640 --> 0:40:53.880
<v Speaker 1>we've gone a couple of minutes without rape imagery. What

0:40:53.960 --> 0:40:56.719
<v Speaker 1>can we do? Oh? I know, They're like, let's pay

0:40:56.760 --> 0:41:03.160
<v Speaker 1>tribute to the genre and traditionally you can't break too

0:41:03.160 --> 0:41:06.799
<v Speaker 1>many brriers because yeah, it wouldn't suffocate her. You can

0:41:06.840 --> 0:41:10.480
<v Speaker 1>still because it's a rolled up magazine's I mean it hurt,

0:41:10.520 --> 0:41:14.279
<v Speaker 1>it would be uncomfortable. Also, were her arms pinned down?

0:41:14.760 --> 0:41:18.640
<v Speaker 1>Why was she not? I think she she was. I

0:41:18.680 --> 0:41:22.160
<v Speaker 1>feels like an easy thing to fight off. Easily then

0:41:22.239 --> 0:41:25.759
<v Speaker 1>when everybody comes in and yeah, yeah, yeah Parker. So

0:41:25.800 --> 0:41:28.600
<v Speaker 1>I don't know if like robots have super strength or

0:41:28.920 --> 0:41:32.759
<v Speaker 1>if they do, then again, choke her. That's so much.

0:41:32.840 --> 0:41:38.120
<v Speaker 1>But I mean, like how we're advocating for it's just

0:41:38.160 --> 0:41:42.880
<v Speaker 1>a very cooker. It's like handy, this happens in every episode,

0:41:42.880 --> 0:41:46.600
<v Speaker 1>and it's like them cos like really Scott or whoever

0:41:46.719 --> 0:41:50.240
<v Speaker 1>made this choice was like challenging themselves to like, what's

0:41:50.239 --> 0:41:53.240
<v Speaker 1>a more creative way, what's more out of the box

0:41:53.520 --> 0:41:55.279
<v Speaker 1>way to get a rape on the screen, Like we've

0:41:55.280 --> 0:41:58.879
<v Speaker 1>already had the face hugger. Jeez, what's next? I guess yeah,

0:41:59.040 --> 0:42:03.680
<v Speaker 1>this magazine thing. Now, let's talk about the part where

0:42:04.160 --> 0:42:08.400
<v Speaker 1>John Hurt. A man gets essentially impregnated by an alien

0:42:09.040 --> 0:42:14.320
<v Speaker 1>species and then essentially gives birth to it. Beautiful, beautiful

0:42:14.320 --> 0:42:18.760
<v Speaker 1>thing in any man's life. It's just a natural, partial time.

0:42:20.320 --> 0:42:24.840
<v Speaker 1>I gotta say, as someone who is terrified at the

0:42:25.760 --> 0:42:29.960
<v Speaker 1>just very idea of childbirth, I really enjoyed having to

0:42:30.000 --> 0:42:32.680
<v Speaker 1>see a man sort of go through with it. You see,

0:42:32.760 --> 0:42:36.160
<v Speaker 1>that's like, now you know that pain. It seemed less

0:42:36.200 --> 0:42:40.279
<v Speaker 1>painful to me the idea of actual childbirth because it

0:42:40.360 --> 0:42:44.440
<v Speaker 1>came through his chest, not as nanny or as cuckoo

0:42:44.920 --> 0:42:50.920
<v Speaker 1>and dying not having to raise that would have been fun, though.

0:42:51.000 --> 0:42:53.160
<v Speaker 1>He was like, sorry, guys, I gotta go. I got

0:42:53.160 --> 0:43:00.600
<v Speaker 1>somebody to take care of. No, yeah, I don't know.

0:43:00.640 --> 0:43:04.400
<v Speaker 1>I mean, there's so many just like sources of horror

0:43:04.440 --> 0:43:07.399
<v Speaker 1>in this movie that don't come just from like this

0:43:07.440 --> 0:43:11.560
<v Speaker 1>big alien attacking people, which is one of the ian

0:43:13.480 --> 0:43:16.080
<v Speaker 1>It's the nies and the cuckoos, right, that's where all

0:43:16.080 --> 0:43:18.680
<v Speaker 1>the Christmas, where all the terror comes, I mean, And

0:43:18.719 --> 0:43:21.120
<v Speaker 1>it really that bummed me out because I was like, oh, no,

0:43:21.640 --> 0:43:25.440
<v Speaker 1>our pussies like intrinsically terrifying, because like when they looked

0:43:25.520 --> 0:43:28.400
<v Speaker 1>into when they went into the it was an alien

0:43:28.440 --> 0:43:30.399
<v Speaker 1>ship they went into right when they when they leave

0:43:30.480 --> 0:43:33.719
<v Speaker 1>their ship. I think that they did, yeah, because there's

0:43:33.719 --> 0:43:37.400
<v Speaker 1>like the there's the space Jackie there and it's it

0:43:37.440 --> 0:43:40.319
<v Speaker 1>looks terrifying. And I was like, if they had walked

0:43:40.320 --> 0:43:42.480
<v Speaker 1>into a thing that was like full of broken glass

0:43:42.560 --> 0:43:45.360
<v Speaker 1>and like swords and sticks all point, it would have

0:43:45.400 --> 0:43:48.360
<v Speaker 1>been more physically dangerous, but it would not be as terrifying.

0:43:48.880 --> 0:43:52.680
<v Speaker 1>It wouldn't cause as much like terror and uncomfortableity as

0:43:52.719 --> 0:43:56.160
<v Speaker 1>this thing that's like looks like pussies. Right, they're walking

0:43:56.200 --> 0:43:58.399
<v Speaker 1>into two huge vaginas and then the walls are all

0:43:58.680 --> 0:44:03.200
<v Speaker 1>you know, with the production design is very higd, very spooky.

0:44:03.280 --> 0:44:07.240
<v Speaker 1>Giger is a real weird though. He's a real for sure.

0:44:08.120 --> 0:44:09.719
<v Speaker 1>That must have been they were like, we gotta make

0:44:09.719 --> 0:44:12.520
<v Speaker 1>this movie. Oh you know who's a perv? We should

0:44:12.560 --> 0:44:17.920
<v Speaker 1>call up there us? But yeah, and so I was

0:44:18.239 --> 0:44:22.319
<v Speaker 1>because like, like you know how humans are like hardwired

0:44:22.360 --> 0:44:27.680
<v Speaker 1>to hate snakes, and the in any language will get attention.

0:44:27.760 --> 0:44:30.719
<v Speaker 1>And with most animals too. If you're having trouble with

0:44:30.760 --> 0:44:32.840
<v Speaker 1>your cat and you're like get off the counter and

0:44:32.840 --> 0:44:36.120
<v Speaker 1>he just won't listen, try throwing us at him, they

0:44:36.160 --> 0:44:39.240
<v Speaker 1>really don't like it. Yeah, because it sounds like a snake.

0:44:39.640 --> 0:44:42.400
<v Speaker 1>And everything that is evolved. This is what I have

0:44:42.440 --> 0:44:45.920
<v Speaker 1>read that everything that's evolved now that is currently an

0:44:45.920 --> 0:44:48.560
<v Speaker 1>existing species. We're the ones who have not been murdered

0:44:48.560 --> 0:44:53.120
<v Speaker 1>by snakes, um, among other things other predators. But snakes

0:44:53.120 --> 0:44:55.120
<v Speaker 1>are the ones that they're just all over the place.

0:44:55.360 --> 0:44:58.279
<v Speaker 1>They they're they're they're trying to get everybody. So we

0:44:58.360 --> 0:45:00.560
<v Speaker 1>are hard wired to dislike snakes. So the way they move,

0:45:00.800 --> 0:45:02.960
<v Speaker 1>you can't figure out how they how they moved, except

0:45:03.000 --> 0:45:07.520
<v Speaker 1>for like neighborhood we weed dealers who love snakes. Yeah,

0:45:07.560 --> 0:45:10.160
<v Speaker 1>but even that, I feel like those people are like

0:45:10.560 --> 0:45:13.680
<v Speaker 1>doing it to test themselves. Like, yeah, I don't, I'm

0:45:13.719 --> 0:45:15.759
<v Speaker 1>not even because you know their one has a pet

0:45:15.760 --> 0:45:19.799
<v Speaker 1>snake and doesn't tell everyone about it. But in the

0:45:19.840 --> 0:45:21.840
<v Speaker 1>same way, I was like, oh, no, are we hardwired

0:45:21.880 --> 0:45:27.560
<v Speaker 1>to be grossed out by pussies? Um, coming from someone

0:45:28.080 --> 0:45:33.400
<v Speaker 1>who does not find pussies sexually attractive, I'm not sure.

0:45:33.440 --> 0:45:36.560
<v Speaker 1>I'm not grossed out by them, even though they are disgusting.

0:45:38.640 --> 0:45:42.160
<v Speaker 1>Dicks are much grosser, though, I think, well, yeah, I

0:45:42.160 --> 0:45:45.120
<v Speaker 1>mean we had some gross dicks in there too, I

0:45:45.160 --> 0:45:48.040
<v Speaker 1>mean their heads. That's like, come on, take a second pass.

0:45:48.120 --> 0:45:53.520
<v Speaker 1>That's just so obvious. Well, it's like double dicks, Like

0:45:54.040 --> 0:45:59.160
<v Speaker 1>it's like Aristotle is double flaps. The scene where after

0:45:59.600 --> 0:46:03.479
<v Speaker 1>the face hugger alien has like dislodged itself from John

0:46:03.560 --> 0:46:07.520
<v Speaker 1>Hurt's face and comed all into his throat and it's dead.

0:46:08.040 --> 0:46:10.360
<v Speaker 1>It's dead, and they're like kind of poking and prodding

0:46:10.520 --> 0:46:13.160
<v Speaker 1>and it to be like it's like stop, I can't

0:46:13.280 --> 0:46:20.040
<v Speaker 1>right now, I just down, give me, just need a

0:46:20.080 --> 0:46:24.359
<v Speaker 1>few minutes. I mean it's very vaginal slash volvic. I'm

0:46:24.360 --> 0:46:27.640
<v Speaker 1>going to bring that word into just it's not a word.

0:46:27.800 --> 0:46:31.240
<v Speaker 1>Is that a bot? I was like, can I stick

0:46:31.320 --> 0:46:33.719
<v Speaker 1>poke that word into my life? So I don't forget it.

0:46:33.880 --> 0:46:38.480
<v Speaker 1>I often say whenever people say vagina, what they mean

0:46:38.560 --> 0:46:44.759
<v Speaker 1>to say is vulva. It's like saying throat when you

0:46:44.800 --> 0:46:48.880
<v Speaker 1>mean neck exactly, or throat when you mean face or mouth.

0:46:48.920 --> 0:46:52.480
<v Speaker 1>There's nothing I don't anyway. Vulvic is a new word.

0:46:52.719 --> 0:46:58.520
<v Speaker 1>That is, it is a thing now. So you're welcome, everybody.

0:46:58.920 --> 0:47:03.839
<v Speaker 1>The end, Okay, kayle and I loved that story. Thank you. Hey.

0:47:03.880 --> 0:47:06.600
<v Speaker 1>Does anyone have any like final thoughts about the movie?

0:47:07.360 --> 0:47:10.439
<v Speaker 1>If you haven't seen it yet, we ruined. Yeah, it's

0:47:10.520 --> 0:47:13.400
<v Speaker 1>ruined for you, um, but you should see it. If

0:47:13.440 --> 0:47:15.680
<v Speaker 1>you're a fan of Group, if you're a fan of

0:47:15.760 --> 0:47:19.399
<v Speaker 1>Sigourney Weaver or a fine looking Tom Scarrett really look

0:47:19.400 --> 0:47:23.160
<v Speaker 1>at that hot history teacher. Yeah, if you're a fan

0:47:23.280 --> 0:47:29.040
<v Speaker 1>of deceptive fancy men. And I mean if it's a

0:47:29.080 --> 0:47:31.240
<v Speaker 1>fun I mean it's a fun movie. As a person

0:47:31.280 --> 0:47:34.759
<v Speaker 1>that's not that into the genre, I enjoyed this movie. Okay,

0:47:35.400 --> 0:47:37.839
<v Speaker 1>I want to say that, I dude, enjoy very much

0:47:38.000 --> 0:47:43.160
<v Speaker 1>that the last three remain like surviving characters are two

0:47:43.239 --> 0:47:46.759
<v Speaker 1>women and a black guy because all the other four

0:47:46.760 --> 0:47:51.359
<v Speaker 1>white dudes they're like, bye, you know, yeah, wasn't Hubris?

0:47:51.880 --> 0:47:54.839
<v Speaker 1>Who knows? But they did? They got dead, they did.

0:47:54.880 --> 0:47:58.320
<v Speaker 1>They got their diet very did. That's all that matters.

0:47:58.360 --> 0:48:02.200
<v Speaker 1>As long as they get diad cool. Hey does the

0:48:02.200 --> 0:48:06.600
<v Speaker 1>movie pass the Bechdel Test? I say yes. With flying colors?

0:48:07.200 --> 0:48:10.239
<v Speaker 1>With flying colors, yeah, I mean there's a there's no

0:48:10.400 --> 0:48:12.640
<v Speaker 1>question about whether or not it passes, because I do

0:48:12.719 --> 0:48:14.759
<v Speaker 1>agree that it does. There's a couple of different scenes

0:48:14.800 --> 0:48:18.040
<v Speaker 1>were Ripley and Lambert talk to each other, but mother,

0:48:18.760 --> 0:48:21.160
<v Speaker 1>what did you throw? Mother? There? That's where I'm talking

0:48:21.239 --> 0:48:26.200
<v Speaker 1>flying colure because she's never like, Mother, how's Dallas? I

0:48:26.280 --> 0:48:30.799
<v Speaker 1>worried about his feelings? She's like, shut this down? What

0:48:30.840 --> 0:48:32.919
<v Speaker 1>are we doing? Well? There's sometimes I feel like I'm

0:48:33.080 --> 0:48:37.840
<v Speaker 1>never gonna start dating mother. I know it's going to

0:48:37.880 --> 0:48:41.520
<v Speaker 1>make a weird period joke. Something's happening to my past,

0:48:42.200 --> 0:48:48.000
<v Speaker 1>can you uh? Yeah. There's a scene towards the beginning

0:48:48.080 --> 0:48:50.799
<v Speaker 1>whenever they have woken up and they're like, where are

0:48:50.840 --> 0:48:54.719
<v Speaker 1>we even? Ripley is like, that's not our system. That's

0:48:54.760 --> 0:48:56.600
<v Speaker 1>not that we're not in the right solar system or

0:48:56.920 --> 0:49:00.759
<v Speaker 1>that's that's the first clue things are wrong. And then

0:49:00.960 --> 0:49:04.799
<v Speaker 1>Lambert is like, I know that, So that's a conversation

0:49:05.560 --> 0:49:08.200
<v Speaker 1>do iman are talking about? Not a man? And then

0:49:08.880 --> 0:49:11.759
<v Speaker 1>later on the other part that I noted where it

0:49:11.800 --> 0:49:15.600
<v Speaker 1>passes the test is when it's after Dallas dies and

0:49:15.760 --> 0:49:18.600
<v Speaker 1>Ripley's like, we're just gonna proceed with Dallas's plan. We're

0:49:18.600 --> 0:49:20.960
<v Speaker 1>going to try to trap this alien in like the

0:49:20.960 --> 0:49:24.520
<v Speaker 1>air events, get the alien where we can't see it

0:49:24.840 --> 0:49:27.239
<v Speaker 1>and there has access to the entire ship. It's a

0:49:27.280 --> 0:49:31.400
<v Speaker 1>great plan, perfect And then Lambert's like, and end up

0:49:31.760 --> 0:49:34.319
<v Speaker 1>dead like the others, you're out of your mind. And

0:49:34.320 --> 0:49:36.640
<v Speaker 1>Repy's like, you got a better idea. And then she's like, yeah,

0:49:36.719 --> 0:49:40.120
<v Speaker 1>that's abandon the ship. And everyone's like, so that's a

0:49:40.280 --> 0:49:43.720
<v Speaker 1>like un conversation. But like, there may be other scenes

0:49:43.719 --> 0:49:45.480
<v Speaker 1>where it passes the test, but those are the only

0:49:45.520 --> 0:49:48.160
<v Speaker 1>two that I really nobody up on two. But I

0:49:48.200 --> 0:49:52.960
<v Speaker 1>also wrote down Mother. I don't know if I'm willing

0:49:52.960 --> 0:49:58.239
<v Speaker 1>to count Mother. It was it wasn't. First of all,

0:49:58.280 --> 0:50:00.520
<v Speaker 1>it was named, which is part of this, So it

0:50:00.640 --> 0:50:04.920
<v Speaker 1>wasn't just like computer, and they decided to gender it.

0:50:05.200 --> 0:50:08.360
<v Speaker 1>They could have called it X five seven And in

0:50:08.480 --> 0:50:11.680
<v Speaker 1>two thousand one it's how do you think? How? And

0:50:11.800 --> 0:50:16.840
<v Speaker 1>mother they fuck in time In SpongeBob's Carrepants, it's Karen

0:50:17.520 --> 0:50:21.040
<v Speaker 1>oh Flankton's computer wife. Cool. So anyways, I'm more of

0:50:21.040 --> 0:50:26.279
<v Speaker 1>a cartoon person. There's a there's a computer friend in

0:50:26.440 --> 0:50:29.960
<v Speaker 1>um that movie Moon as well, that Kevin Spacey the

0:50:30.000 --> 0:50:32.680
<v Speaker 1>boys computer. To forget what his name is, though, I

0:50:32.719 --> 0:50:35.400
<v Speaker 1>just remember that the landing pod that he's waiting for

0:50:35.640 --> 0:50:39.280
<v Speaker 1>is Eliza. So through the whole movie, they're like, Eliza

0:50:39.440 --> 0:50:42.120
<v Speaker 1>is a lot closer, and I'm like, stop to get there,

0:50:42.160 --> 0:50:49.560
<v Speaker 1>and you keep saying it cool. Yes, the movie passes

0:50:49.560 --> 0:50:54.040
<v Speaker 1>the Bechtel tests. We are now going to rate the

0:50:54.080 --> 0:50:59.080
<v Speaker 1>movie on our nipple scale. So we have a scale

0:50:59.120 --> 0:51:02.520
<v Speaker 1>that is zero to five nipples. We read it based

0:51:02.560 --> 0:51:12.239
<v Speaker 1>on it. Who is that? That's not right? It? Okay,

0:51:12.400 --> 0:51:14.239
<v Speaker 1>I don't know what you're talking about. This is a

0:51:14.280 --> 0:51:17.120
<v Speaker 1>great scale to be rating a movie on, and I

0:51:17.120 --> 0:51:20.000
<v Speaker 1>feel like you should never have nipples and fives that's

0:51:20.040 --> 0:51:24.080
<v Speaker 1>not the number that they should ever come in. It's

0:51:24.080 --> 0:51:28.040
<v Speaker 1>like a pegleg of nipples. So Nates. You just got

0:51:28.080 --> 0:51:31.640
<v Speaker 1>one and then the other one is Wooden. Kay, all right,

0:51:31.719 --> 0:51:34.000
<v Speaker 1>yeah it's not the same, but it gets the job done.

0:51:34.040 --> 0:51:36.120
<v Speaker 1>So it's like it's like three and a half women

0:51:37.120 --> 0:51:39.880
<v Speaker 1>three Yeah, yeah, I give it three and a half women.

0:51:42.680 --> 0:51:47.440
<v Speaker 1>Yeah is that your real? Okay? Cool? Wait, assuming that

0:51:47.480 --> 0:51:53.800
<v Speaker 1>women have two nipples each, so wait, that's like seven nipples.

0:51:54.239 --> 0:51:57.560
<v Speaker 1>Wait one to three, four, five, three and a half

0:51:57.600 --> 0:52:00.000
<v Speaker 1>times two? Said two and a half? Oh oh sorry,

0:52:00.040 --> 0:52:01.200
<v Speaker 1>I think it's a three and a half. Did I

0:52:01.239 --> 0:52:04.160
<v Speaker 1>say I will never know? There's no way to go

0:52:04.280 --> 0:52:08.799
<v Speaker 1>for us, you know? Yeah, half women? I like, I

0:52:08.840 --> 0:52:11.719
<v Speaker 1>will say that this most recent viewing, and some of them,

0:52:11.800 --> 0:52:13.359
<v Speaker 1>I feel like this is a movie. This is so

0:52:13.520 --> 0:52:16.040
<v Speaker 1>gross as a movie. Gussie on the big screen. I

0:52:16.120 --> 0:52:17.640
<v Speaker 1>got to see you on the big screen, and I

0:52:17.680 --> 0:52:20.040
<v Speaker 1>tried to watch this during the day in my apartment

0:52:20.200 --> 0:52:24.359
<v Speaker 1>flooded with light, so it waited for night. Yeah. I'm

0:52:24.600 --> 0:52:30.319
<v Speaker 1>giving it an idealized five. I'm gonna maybe don't give

0:52:30.320 --> 0:52:36.879
<v Speaker 1>it a half. I'm going to walk out, but I'm

0:52:36.880 --> 0:52:39.919
<v Speaker 1>going to give it a whole number. Okay, and it is.

0:52:40.160 --> 0:52:42.120
<v Speaker 1>I think I'm going to give it a four based

0:52:42.120 --> 0:52:44.319
<v Speaker 1>on its portrayal of the women in it. Um. I

0:52:44.360 --> 0:52:49.799
<v Speaker 1>do think Ripley is a total badass. I like that

0:52:49.920 --> 0:52:54.560
<v Speaker 1>she is very persistent and she's intuitive. She knows I

0:52:54.560 --> 0:52:57.239
<v Speaker 1>mean maybe it's women's intuition. Is that even a thing?

0:52:57.480 --> 0:52:59.319
<v Speaker 1>I don't know, do I have any I don't make

0:52:59.360 --> 0:53:02.640
<v Speaker 1>a mistake. She's just smart, right, she's smart. She's good

0:53:02.640 --> 0:53:06.280
<v Speaker 1>at her job, and she is persistent, and I really

0:53:06.360 --> 0:53:10.520
<v Speaker 1>enjoy seeing that on screen. She sort of Elizabeth Warren type,

0:53:10.600 --> 0:53:14.759
<v Speaker 1>is what she never said. Oh yeah, right, I don't

0:53:14.800 --> 0:53:19.680
<v Speaker 1>know how quotes were. Yeah, if I had any like

0:53:20.080 --> 0:53:22.719
<v Speaker 1>complaints about it, I guess I don't know. I just

0:53:22.840 --> 0:53:25.960
<v Speaker 1>I was like maybe helping to see the relationship with

0:53:26.000 --> 0:53:28.760
<v Speaker 1>the other female character to be like a little less hostile.

0:53:28.880 --> 0:53:31.880
<v Speaker 1>But that's not really who really is. So I'm just

0:53:32.000 --> 0:53:35.480
<v Speaker 1>like nitpicking here. I think it maybe deserves a five nipple.

0:53:35.840 --> 0:53:38.440
<v Speaker 1>I'm not sure. Get back to me. I'll tell you

0:53:38.480 --> 0:53:41.200
<v Speaker 1>in a month. Okay, I'll give it. I'm gonna give

0:53:41.200 --> 0:53:43.840
<v Speaker 1>it for But they're all they're all sliced down the middle.

0:53:44.040 --> 0:53:54.000
<v Speaker 1>Oh no likes just no crusts. Well there shouldn't be

0:53:54.000 --> 0:53:56.239
<v Speaker 1>crust on them either. I mean, I don't I just

0:53:56.320 --> 0:54:01.719
<v Speaker 1>I supports crusty nipple. I just I wanted to need

0:54:01.760 --> 0:54:04.719
<v Speaker 1>a bucket? Where how is this four of them? And

0:54:04.760 --> 0:54:08.640
<v Speaker 1>then you just what's the name of the production designer

0:54:08.719 --> 0:54:17.960
<v Speaker 1>who who also production podcast put a little crest in

0:54:17.960 --> 0:54:21.560
<v Speaker 1>there if that's his favous call for he has a

0:54:21.640 --> 0:54:26.040
<v Speaker 1>four because, um, I like the genderless aspect to all

0:54:26.239 --> 0:54:30.200
<v Speaker 1>of the characters, but that means that we don't really

0:54:30.280 --> 0:54:35.240
<v Speaker 1>get a lot of perspective on gender in the way

0:54:35.360 --> 0:54:38.680
<v Speaker 1>that a five nipple movie usually Well maybe maybe the

0:54:38.719 --> 0:54:42.160
<v Speaker 1>perspective is it gets to be defined by the individual,

0:54:43.120 --> 0:54:49.160
<v Speaker 1>right maybe, yeah, maybe this movie, just to be clear,

0:54:49.560 --> 0:54:54.239
<v Speaker 1>it is raising the roof right now. Yeah, I mean

0:54:54.560 --> 0:54:57.040
<v Speaker 1>maybe one day we'll all live in a society where

0:54:57.080 --> 0:55:00.759
<v Speaker 1>our gender doesn't even need to be recognized. Probably not

0:55:00.840 --> 0:55:05.360
<v Speaker 1>though probably No, No, it's the We're like four or

0:55:05.360 --> 0:55:08.239
<v Speaker 1>five months away from a handmaids Tale. Yeah, yeah, yeah,

0:55:08.680 --> 0:55:10.440
<v Speaker 1>I've not seen that, but I did recently see A

0:55:10.520 --> 0:55:14.000
<v Speaker 1>Night's Tale, so I think I'm caught up the same thing.

0:55:14.120 --> 0:55:16.160
<v Speaker 1>I think they have seen the Hulu one, But I

0:55:16.280 --> 0:55:20.799
<v Speaker 1>highly recommend the book terrific very much. Upset you right now.

0:55:21.880 --> 0:55:24.480
<v Speaker 1>It feels like a not too far away dystopian future.

0:55:25.640 --> 0:55:27.200
<v Speaker 1>What am I going to recommend this week? I'm gonna

0:55:27.200 --> 0:55:33.400
<v Speaker 1>recommend season two of Golden Girls and The Jinks preferably.

0:55:33.560 --> 0:55:34.960
<v Speaker 1>Do you like the back to back to back to

0:55:35.000 --> 0:55:38.759
<v Speaker 1>back to back? Yes? This? Well? I okay, I have

0:55:38.800 --> 0:55:41.879
<v Speaker 1>a Jinks viewing planned with my friend this weekend and

0:55:42.000 --> 0:55:44.440
<v Speaker 1>it's the best way to watch the Jinks is the

0:55:44.520 --> 0:55:47.960
<v Speaker 1>Jinks with no bathroom breaks. Oh right, So do you

0:55:47.960 --> 0:55:50.279
<v Speaker 1>guys talk during it at all? Or is there no speaking? Oh,

0:55:50.600 --> 0:55:53.120
<v Speaker 1>it's more like screaming. Okay, if you scream at the

0:55:53.160 --> 0:55:56.000
<v Speaker 1>same time, do you ever, Um, well, I've never watched

0:55:56.000 --> 0:56:01.520
<v Speaker 1>it with this person before. I was about into a

0:56:01.680 --> 0:56:05.000
<v Speaker 1>very long explanation of like, well, sometimes you know if

0:56:05.000 --> 0:56:08.359
<v Speaker 1>it's someone you've watched it with before. And I work

0:56:08.400 --> 0:56:10.000
<v Speaker 1>with a bunch of British people because of the Late

0:56:10.040 --> 0:56:11.719
<v Speaker 1>Late show, and then also this s been off show

0:56:11.760 --> 0:56:14.160
<v Speaker 1>that I worked on. The British people like employing other

0:56:14.160 --> 0:56:16.160
<v Speaker 1>British people. But there's a lot of that kind of

0:56:16.160 --> 0:56:20.200
<v Speaker 1>stuff about American culture. They don't know Jinks. Yeah. Oh interesting,

0:56:20.360 --> 0:56:23.360
<v Speaker 1>So I lied a lot about the different things that

0:56:23.480 --> 0:56:26.600
<v Speaker 1>you could get done with the chains. That's great, yep,

0:56:27.680 --> 0:56:31.680
<v Speaker 1>I love I love a good like slow Burn white

0:56:31.760 --> 0:56:36.000
<v Speaker 1>lie that'll embarrass them like months in the future. And

0:56:36.040 --> 0:56:39.879
<v Speaker 1>I got him the showrunner on the show, very nice guy,

0:56:39.960 --> 0:56:42.879
<v Speaker 1>but he got him so nervous about what phrases were

0:56:42.960 --> 0:56:47.120
<v Speaker 1>actually not used here. He would be like, m well,

0:56:47.120 --> 0:56:49.000
<v Speaker 1>I'm going to go get a mug of coffee. Do

0:56:49.040 --> 0:56:51.640
<v Speaker 1>you say that? Do you say muggy here? What is

0:56:51.719 --> 0:56:56.040
<v Speaker 1>that a bit of coffee? Wait? I just thought something

0:56:56.040 --> 0:56:57.799
<v Speaker 1>else about the movie that I have to say. It

0:56:57.880 --> 0:57:02.160
<v Speaker 1>takes longer for the alien fetus to like just j

0:57:02.840 --> 0:57:05.920
<v Speaker 1>in John Hurt's chest than it does for the baby

0:57:05.960 --> 0:57:09.480
<v Speaker 1>to reach adulthood. That that's why you know, that's a

0:57:09.560 --> 0:57:15.120
<v Speaker 1>precious life you can want us inside. I mean, life

0:57:15.160 --> 0:57:21.640
<v Speaker 1>begins hug face, hug whenever a weird alien species comes

0:57:21.640 --> 0:57:24.919
<v Speaker 1>into your throat and plants a baby in your chest.

0:57:25.200 --> 0:57:28.760
<v Speaker 1>It's just what mommy told you, right, Yeah, oh man,

0:57:28.920 --> 0:57:32.600
<v Speaker 1>this is ripe dirty talk too. Yeah. Yeah, next time

0:57:32.640 --> 0:57:35.080
<v Speaker 1>you're with the with the fella, tell me want to

0:57:35.120 --> 0:57:38.600
<v Speaker 1>make them plant his alien seed in your guts, in

0:57:38.640 --> 0:57:44.040
<v Speaker 1>your face hug me. I shudder to think how many

0:57:44.120 --> 0:57:49.160
<v Speaker 1>different disturbing way as a man could interpret that sence. Um,

0:57:49.280 --> 0:57:56.400
<v Speaker 1>he's hung me. Also, um like they since it sounds

0:57:56.440 --> 0:57:58.680
<v Speaker 1>like you guys are kind of new to hr gagor

0:57:58.800 --> 0:57:59.920
<v Speaker 1>this is like kind of the first time you here,

0:58:00.440 --> 0:58:03.160
<v Speaker 1>uh the mark of a real creepy dorm room. A

0:58:03.200 --> 0:58:06.760
<v Speaker 1>Geiger poster? Interesting? What other movies has he done? It's

0:58:06.800 --> 0:58:08.680
<v Speaker 1>not a movie like you could if you google him,

0:58:08.720 --> 0:58:12.600
<v Speaker 1>you'll find like lots of concept art m and uh.

0:58:13.120 --> 0:58:16.000
<v Speaker 1>Like when I was in school, at least they would

0:58:16.040 --> 0:58:19.400
<v Speaker 1>have those poster affairs for all the kids to go

0:58:19.560 --> 0:58:23.360
<v Speaker 1>and decorate their post or less rooms. And there's always

0:58:23.400 --> 0:58:25.760
<v Speaker 1>a bunch of Gaiger stuff. Every poster in a college

0:58:25.840 --> 0:58:34.480
<v Speaker 1>room is the morning Horn. Yes for these sticky robots.

0:58:35.040 --> 0:58:38.760
<v Speaker 1>It's just a bunch of sticky robots. My college roommate

0:58:38.840 --> 0:58:43.760
<v Speaker 1>had a cardboard cutout of major pain and our room

0:58:43.840 --> 0:58:46.400
<v Speaker 1>for a full year and then I never asked her

0:58:46.440 --> 0:58:49.240
<v Speaker 1>how she got it. But eventually it started next to

0:58:49.280 --> 0:58:51.640
<v Speaker 1>her bed, which I didn't like. But then it started

0:58:51.640 --> 0:58:54.360
<v Speaker 1>to inch out into the room, which I really didn't like,

0:58:54.720 --> 0:58:57.120
<v Speaker 1>and then at some point I was like, I like it.

0:58:57.480 --> 0:59:01.560
<v Speaker 1>You want me over, Eliza, Thanks a ton for being here,

0:59:01.720 --> 0:59:04.439
<v Speaker 1>Thank you, thanks a that for having me. Where can

0:59:04.520 --> 0:59:06.680
<v Speaker 1>people find you on the internet. They can find me

0:59:06.720 --> 0:59:10.440
<v Speaker 1>on Twitter at Addie Eliza Skinner or on Instagram at

0:59:10.520 --> 0:59:12.880
<v Speaker 1>at the Skins. Shouldn't shouldn't have done that, should have

0:59:12.920 --> 0:59:14.760
<v Speaker 1>made it all the same thing, but it didn't. And

0:59:14.800 --> 0:59:17.400
<v Speaker 1>they can listen to my podcast, Angry Little Goats. That's right. Hey,

0:59:17.440 --> 0:59:20.960
<v Speaker 1>what's making you a happy little goat today? Oh? Wow? Today,

0:59:22.280 --> 0:59:25.200
<v Speaker 1>I don't have to answer. I mean, I recommend The

0:59:25.200 --> 0:59:28.120
<v Speaker 1>Handmaiden's Tale, but I feel like I've done that a lot. Actually,

0:59:28.160 --> 0:59:30.040
<v Speaker 1>I really want to go watch all of the Alien

0:59:30.320 --> 0:59:32.240
<v Speaker 1>movies now because also the the new one coming out.

0:59:32.280 --> 0:59:35.160
<v Speaker 1>I'm very excited for hoping it will be a redemption

0:59:35.240 --> 0:59:41.320
<v Speaker 1>from the awful that I have not seen. Alien three.

0:59:41.480 --> 0:59:44.040
<v Speaker 1>Oh that's the one with the was it Charles has Dotte.

0:59:44.360 --> 0:59:48.200
<v Speaker 1>I'm not sure it's the um it's the one where

0:59:48.200 --> 0:59:51.240
<v Speaker 1>she's in like like space jail, just a shaver head,

0:59:53.200 --> 0:59:59.080
<v Speaker 1>bald bald women rule. The bald women rule. Yeah, that's

0:59:59.120 --> 1:00:01.600
<v Speaker 1>the rule. I think at that point she's a clone

1:00:01.840 --> 1:00:05.400
<v Speaker 1>because they start cloning Ripley, I believe, keep starting in

1:00:05.400 --> 1:00:07.560
<v Speaker 1>the third movie, because she's been the first suited to

1:00:07.640 --> 1:00:10.880
<v Speaker 1>funk up all these aliens exactly. Sigourney Weaver Kanna's Women

1:00:10.880 --> 1:00:14.560
<v Speaker 1>in Stem for this one I think so. Yes, yeah,

1:00:14.600 --> 1:00:17.200
<v Speaker 1>I think she's a science officer. Yeah, hell yeah, she's

1:00:17.240 --> 1:00:20.080
<v Speaker 1>a stem head. I thought of another bald woman woman movie,

1:00:20.160 --> 1:00:23.560
<v Speaker 1>which is I love I love it. This theory actually works.

1:00:24.040 --> 1:00:25.960
<v Speaker 1>I don't know if it works. Are in charge? It's

1:00:27.440 --> 1:00:33.240
<v Speaker 1>just large, it's what who is? What about Empire records?

1:00:33.320 --> 1:00:35.560
<v Speaker 1>Does that ruin it? Oh? You know what? I have

1:00:35.600 --> 1:00:37.080
<v Speaker 1>not seen that movie in so long that I don't

1:00:37.080 --> 1:00:41.840
<v Speaker 1>remember what they look like. I recently tweeted about loving

1:00:41.920 --> 1:00:44.840
<v Speaker 1>dramatic haircuts and movies, and so all these people were

1:00:44.920 --> 1:00:47.200
<v Speaker 1>like sending me head shaving scenes and I was like, well,

1:00:47.240 --> 1:00:50.920
<v Speaker 1>I didn't mean that. I meant grab your hair scissors, slink.

1:00:51.320 --> 1:00:54.680
<v Speaker 1>That's like, yeah, I like that. Mulan gets her haircut

1:00:54.720 --> 1:00:57.520
<v Speaker 1>with a fucking sword. Yeah. But the movie I was

1:00:57.560 --> 1:01:00.840
<v Speaker 1>thinking of it was a V for Vendetta y. Yeah. Yeah, yeah,

1:01:01.080 --> 1:01:04.360
<v Speaker 1>gets a head shaven. But is she in charge? She's

1:01:04.400 --> 1:01:06.520
<v Speaker 1>kind of in charge of her own life, so she's

1:01:06.640 --> 1:01:08.920
<v Speaker 1>maybe argue that she's an authority figure. I mean, she's

1:01:08.960 --> 1:01:12.600
<v Speaker 1>not the authority figure. And she's didn't work for Brittany. No,

1:01:13.280 --> 1:01:16.880
<v Speaker 1>I leave Brittany alone. There's okay. I still think it's

1:01:16.880 --> 1:01:19.680
<v Speaker 1>a triumph that she survived that year. I oh god,

1:01:20.200 --> 1:01:21.960
<v Speaker 1>I think she's great. I'm going to Vegas for the

1:01:21.960 --> 1:01:25.560
<v Speaker 1>first time next month and I and I'm like, I

1:01:25.600 --> 1:01:28.160
<v Speaker 1>really want to go see Brittany. I really do know.

1:01:28.360 --> 1:01:33.080
<v Speaker 1>I understand it. I did you did? Did you enjoy it? Oh? No,

1:01:33.360 --> 1:01:38.160
<v Speaker 1>it's not a great She's also tired. Yeah, And that's

1:01:38.200 --> 1:01:40.600
<v Speaker 1>when you feel like like you're like, oh, you didn't

1:01:40.640 --> 1:01:43.480
<v Speaker 1>have to do this for me, Brittany, I'm sorry, I'm

1:01:43.520 --> 1:01:46.280
<v Speaker 1>sorry I had to make you. And also when they

1:01:46.320 --> 1:01:48.240
<v Speaker 1>line up her songs like that, like one after another,

1:01:48.440 --> 1:01:51.400
<v Speaker 1>you realize that it's like it spells out like um

1:01:51.760 --> 1:01:54.360
<v Speaker 1>like cut out newspaper letter style, like a huge cry

1:01:54.360 --> 1:01:57.600
<v Speaker 1>for help. It's just like the songs are basically all

1:01:57.640 --> 1:02:00.240
<v Speaker 1>like I'm a sexy baby, and no when this since

1:02:00.280 --> 1:02:04.200
<v Speaker 1>to me or knows what I want or feel like,

1:02:04.640 --> 1:02:06.560
<v Speaker 1>how long has it been since Brittany has actually felt

1:02:06.560 --> 1:02:09.400
<v Speaker 1>that way like a sexy baby? Like I said, oh, well,

1:02:09.480 --> 1:02:11.360
<v Speaker 1>I feel like she still does feel like a sexy Yeah.

1:02:11.400 --> 1:02:13.520
<v Speaker 1>I feel like she's like the message of all of

1:02:13.560 --> 1:02:16.200
<v Speaker 1>her songs are basically like you just you just want

1:02:16.200 --> 1:02:20.160
<v Speaker 1>to suck me. That's it. I might still go see it. Yeah,

1:02:20.200 --> 1:02:21.800
<v Speaker 1>and I don't want to tell you not to take

1:02:21.840 --> 1:02:25.080
<v Speaker 1>pictures with her costumes. But also you do know that

1:02:25.160 --> 1:02:28.840
<v Speaker 1>Mine Freak is there too. Oh ship, I'm only there

1:02:28.840 --> 1:02:35.920
<v Speaker 1>for three days, I would say, what's I am? Mine Freak?

1:02:37.280 --> 1:02:39.880
<v Speaker 1>I was recently considering going there just to like line

1:02:39.960 --> 1:02:42.960
<v Speaker 1>up a bunch of magic shows and just go see

1:02:42.960 --> 1:02:45.360
<v Speaker 1>a bunch of magic shows. Dude, I am that kind

1:02:45.400 --> 1:02:47.800
<v Speaker 1>of dark. Would love to see Mine Freak. I used

1:02:47.840 --> 1:02:50.960
<v Speaker 1>to love that show. I used to I don't know why,

1:02:51.200 --> 1:02:54.040
<v Speaker 1>but Mine Freak was my free was miship and I

1:02:54.120 --> 1:02:58.000
<v Speaker 1>used to love the Jamie Kennedy experiment. So I were

1:02:58.040 --> 1:03:03.200
<v Speaker 1>finding out about your whale house. It's garbage. Never wheelhouse

1:03:03.280 --> 1:03:06.600
<v Speaker 1>fucking sucks. I like how this episode has become like

1:03:06.760 --> 1:03:09.919
<v Speaker 1>the last half hour of Lord of the Rings Return

1:03:09.960 --> 1:03:11.600
<v Speaker 1>of the King, where every time you think it's over,

1:03:11.840 --> 1:03:14.960
<v Speaker 1>sorry we keep going. No, I've had so much fun.

1:03:15.120 --> 1:03:19.080
<v Speaker 1>Keep you again, Eliza for being here. It's wonderful time

1:03:19.120 --> 1:03:22.680
<v Speaker 1>ghost seeing the new alien movie. Uh it might be good,

1:03:23.400 --> 1:03:24.800
<v Speaker 1>all right bye