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Speaker 1: To The Black Guy Who Tips Podcast. I listen because

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Speaker 1: Rod and Karen are hot. Hey, welcome to another episode

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Speaker 1: of The Black Guy Who Tips Podcast. I'm your host Rod,

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Speaker 1: joined us always by my co host Karen, and we're

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Speaker 1: live on a Wednesday, a very special Wednesday, because it

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Speaker 1: is time to recap love Craft Country and that is

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Speaker 1: what you guys come for. Coincidentally, is also my birthday. Okay, forty,

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Speaker 1: Happy birthday, thank you forty two years old. I decided

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Speaker 1: to save this birthday. I'm not celebrating it. I'm just

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Speaker 1: gonna wait until next year and do two birthdays. Because

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Speaker 1: pandemic birthdays. I'm just putting them in the bank. Okay,

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Speaker 1: put them.

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Speaker 2: In the bank, because not too much you can do.

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Speaker 2: Like I said, I was, I was, I hit that

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Speaker 2: first wave of birthday. Everybody was like, well, I guess

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Speaker 2: I'd be in the house.

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Speaker 1: Yeah, this one for later. I'll use it as a

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Speaker 1: I might just use it as a free square or something,

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Speaker 1: or you know, just a random day of next year.

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Speaker 1: I'll be like, and this is my twenty twenty birthday

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Speaker 1: that I never got to celebrate. So I'm not gonna

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Speaker 1: You know.

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Speaker 2: We normally you know me and you we normally do

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Speaker 2: big on birthdays and decent. We don't do it big,

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Speaker 2: but I mean, yeah, not big like most people can

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Speaker 2: sider big, talking about like go out to you know.

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Speaker 1: Oh I get something nice to eat, you know, a

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Speaker 1: little something like birthday, take the day off of work.

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Speaker 1: But I said, no, this is we're just this one

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Speaker 1: didn't happen. This is you know, still forty one, and

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Speaker 1: uh well, we'll celebrate this in a day to be determined.

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Speaker 1: Okay that whenever we get some of that that vaccine

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Speaker 1: or something, then I'm gonna be out here ready to

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Speaker 1: mix it back up with these folks. But until then,

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Speaker 1: we're keeping it like it is. Okay, at any rate,

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Speaker 1: That's not what y'all came here to talk about. Let's

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Speaker 1: talk about love Craft Country. This is episode six, so

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Speaker 1: we're just over the halfway point. It's called meet Me

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Speaker 1: and Daigle I believe that's how it's pronounced, and it's

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Speaker 1: Misha Green and Kevin Loud did the writing for it.

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Speaker 1: Helen Shaver did the directing, and it was yeah, the

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Speaker 1: sixth episode of season one. Karen, you know how we

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Speaker 1: do here. What did you think about this episode? In general?

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Speaker 2: I loved it after we got off, I had to

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Speaker 2: ask you a few questions to kind of understand because

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Speaker 2: I thought it was what you said, but I wanted

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Speaker 2: to be sure I got clarification because it was one

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Speaker 2: of those things where it was subtitles, and I know

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Speaker 2: for a lot of people, you know, depending on your

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Speaker 2: own how you consume TVs, sometimes I could be tough

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Speaker 2: to actually be trying to I mean, and it wasn't

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Speaker 2: that much writing, but you're trying to read so you

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Speaker 2: can understand what they're saying to each other in addition

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Speaker 2: to looking at them.

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Speaker 1: Yeah, for me, definitely, I picked up on most of

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Speaker 1: the subtitle stuff that doesn't necessarily bother me. But of

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Speaker 1: course on rewatch you pick up more because you know,

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Speaker 1: the first time we watch it, I'm normally live tweeting

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Speaker 1: some of the jokes and stuff, so of course rewatching

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Speaker 1: where I'm like painstakingly pausing, rewinding, writing down quotes, so

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Speaker 1: that was definitely better on rewatch. I love these departure

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Speaker 1: episodes and TV shows I watch Watchmen did this really

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Speaker 1: well where they take you, like, they hint towards things

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Speaker 1: in the first however many episodes and then they just

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Speaker 1: take a complete departure from the main story to be

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Speaker 1: like all those things we teased, here's some of the

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Speaker 1: answers to what we tease.

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Speaker 2: Yes, and and I appreciated that. And that's really what

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Speaker 2: made me appreciate the episode, because I don't mind episodes

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Speaker 2: that get off the main storyline on for a lot

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Speaker 2: of people, they you know, getting their feelings a feel

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Speaker 2: certain ways that but that, but that doesn't bother me.

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Speaker 2: As long as they're answering and filling in blanks, I am.

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Speaker 2: I am fine with that. This right here wasn't one

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Speaker 2: of those quote unquote bottleneck we're just putting something here,

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Speaker 2: just a stall type of things like, No, we're presenting

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Speaker 2: you with this and it has a reason, and I

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Speaker 2: like that it actually has a reason. They moved the

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Speaker 2: storyline along and everything we saw is going to have

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Speaker 2: a purpose. I think, you know, according to the writing

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Speaker 2: and from and from what I'm gathering from what I've

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Speaker 2: seen so far, is that we will this particular episode

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Speaker 2: will play a factor later on.

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Speaker 1: Yeah, they haven't. To me, they haven't really thrown a

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Speaker 1: lot of stuff away m M. And I will say

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Speaker 1: for this show, it does. It's not like it's not

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Speaker 1: completely like Watchmen, because Watchmen knew they were only gonna

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Speaker 1: do eight episodes, so I think that they had a

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Speaker 1: different goal in mind to tie up every story, every

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Speaker 1: loose in before episode eight. And I think with this one,

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Speaker 1: this is season one and hopefully you get renewed. So

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Speaker 1: I hope they do leave some stories and some mysteries

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Speaker 1: for us to investigate for season two, because I hope

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Speaker 1: they get a season two. Uh, unless unless they've decided,

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Speaker 1: because it didn't say limited series when they describe this.

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Speaker 1: So but the thing I was gonna say is, yeah,

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Speaker 1: I do think that they've been answering a lot of

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Speaker 1: those questions and stuff, and these are things I've been

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Speaker 1: wondering about. And I like when they take a whole

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Speaker 1: episode and just start answering some of these things, and

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Speaker 1: it adds depth to the characters into the storyline. And

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Speaker 1: then also I love when they go into another country

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Speaker 1: or like it was Vietnam and uh Watchmen and it

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Speaker 1: being a Korea and and this one. Like I like

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Speaker 1: stuff like that because you get introduced to, like these

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Speaker 1: other styles of storytelling. And then with this being a

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Speaker 1: genre bending show, Korean horror is its own genre of horror. Yes,

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Speaker 1: it is so now you have a chance to do

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Speaker 1: something with different mythos than what we've learned here. And

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Speaker 1: I love how you tie that into like the love

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Speaker 1: crafty and lore of like okay, so where you know,

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Speaker 1: what is their version of the show gods or the

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Speaker 1: you know, like what is their mysteries that we can

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Speaker 1: tie into this story to show you know, this this

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Speaker 1: this world, this magical world. All right, let's get into it. So,

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Speaker 1: like I said, meet me and Daigo is the name

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Speaker 1: of it, and there's no skipping around locations and stuff.

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Speaker 1: It's pretty much broken down by year. Yes, so we

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Speaker 1: can get right into it. Jiah is Uh, the woman

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Speaker 1: who he's been calling on the phone, who he left

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Speaker 1: in Korea that we never really get to see, and

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Speaker 1: we don't really know much about her, and we've been

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Speaker 1: wondering for a while, like the only time we saw

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Speaker 1: her was in his vision in the mansion where he

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Speaker 1: dreamed she popped out of a closet dressed as a

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Speaker 1: as a Korean UH soldier and tried to kill him,

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Speaker 1: and he had to kill her. He had to fight

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Speaker 1: her to the death, and it shook him to his core,

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Speaker 1: and we didn't know what what all was going on

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Speaker 1: with that now. She's played by Jamie Chung, who apparently

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Speaker 1: is mostly known for being on like, uh a reality

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Speaker 1: TV show. I think it was Real World. It was like, uh,

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Speaker 1: I mean not her claim the fame. Well, I guess

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Speaker 1: claim the fame. I guess that's you know, if that's

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Speaker 1: what you're mostly known for. She's been in other stuff.

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Speaker 1: She was an Aquafina north from Queens Sherwood The Gifted.

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Speaker 1: She played Blink, Remember The Gifted. Yeah, so she's been

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Speaker 1: acting for quite some time, but I.

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Speaker 2: Guess she liked her in that role. I got your friend.

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Speaker 2: I hate to show you cancel, but I liked her

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Speaker 2: in that role.

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Speaker 1: Yeah. Like, she been acting for quite some time, but

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Speaker 1: I guess a lot of people know her from the

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Speaker 1: real world in.

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Speaker 2: Nineteen ninety two, and I know her more from Blink.

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Speaker 1: Yeah. Yeah, look like. She was also in Big Hero

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Speaker 1: six as Go Go, the voice for Go Gos. Okay,

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Speaker 1: she's done some she's done some work that we've seen, yes,

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Speaker 1: but man, she was showcased in this episode, like and

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Speaker 1: you even have.

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Speaker 2: Known it was her because she because the way they

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Speaker 2: did her up. She's not your funny she looks nothing

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Speaker 2: like the character and did she play Blink Like It's

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Speaker 2: almost like they're two completely different characters.

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Speaker 1: Right, So she just like she murdered this role.

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Speaker 2: She did.

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Speaker 1: So we started off with the theater and in this

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Speaker 1: theater they're showing this movie and technicolor, which was like

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Speaker 1: they version of four K TV.

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Speaker 2: Yes it was.

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Speaker 1: It was the color still around nicol What do we

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Speaker 1: have here? The you see it in imax? That was

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Speaker 1: that would see it in imax. So it was in technicolor.

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Speaker 1: It was Meet Me in Saint Louis, which is a

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Speaker 1: Judy Garland movie. They were singing a very famous song

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Speaker 1: from it, which is a trolley song which I don't know,

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Speaker 1: is very you know, Claying Clay Clay with the trolley,

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Speaker 1: Dean Dean Dean with the bell, you know.

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Speaker 2: White people music, Yes, you know.

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Speaker 1: The theater is almost empty except for Jia, who is

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Speaker 1: completely engrossed in the movie. And then there's two people

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Speaker 1: in the near the front of the theater and they're

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Speaker 1: trying to get this man is trying to get his

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Speaker 1: finger bang on or something.

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Speaker 2: He doing something over there. He was just like, oh god,

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Speaker 2: trying to put up a butt, I don't know, and

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Speaker 2: they doing something over there in the corner he was.

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Speaker 1: Doing something and then she was like, uh, you savage,

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Speaker 1: we gotta get out of here. We gotta get more privacy.

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Speaker 1: It's somebody else in here watching us. And he was

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Speaker 1: like let him watch and she was like no, let's go.

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Speaker 1: And then it's like it was like he was like, fine,

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Speaker 1: we'll go get a room something. So they go to leave,

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Speaker 1: and Jia is now in there by herself, and when

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Speaker 1: they leave, like, it's so funny because her face it

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Speaker 1: was like she was in the musical and like the

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Speaker 1: camera like we were now watching the musical, but she's

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Speaker 1: still in the theater watching the musical. It's very meta.

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Speaker 1: And she performed the choreography of the musical and was

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Speaker 1: singing the songs, getting walking up and down the aisle. Yeah,

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Speaker 1: and then but then it stops and she's still sitting

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Speaker 1: in that seat and her eyes are really like filled

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Speaker 1: with almost tears, just filled with tears but not crying,

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Speaker 1: and she's just looking absorbing this film. So I don't

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Speaker 1: I think that was all in her head.

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Speaker 2: I think so too.

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Speaker 1: But she sang the song for a while like it

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Speaker 1: was just it's like, oh, so she's imagining herself as

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Speaker 1: Judy Garland up on the screen somehow like mimicking her,

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Speaker 1: and we find out that this is now the fall

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Speaker 1: of nineteen forty nine, when, like I said, I think

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Speaker 1: it's not even out to South Korea and she's back

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Speaker 1: at home where she lives with her mama. Okay, her

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Speaker 1: mama's name is soon he uh so her mama is

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Speaker 1: they making some kimchi at the crib and Mom basically says, look,

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Speaker 1: I had to use some pumpkin to make the kimchi.

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Speaker 1: Not basically ferment is fast or something like that, like

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Speaker 1: make it last longer, because kim chi is like fermented cabbage.

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Speaker 1: I think I think that's what it is. I think

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Speaker 1: so too, And I'm not a big kim chie fan.

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Speaker 1: Although a lot of people love kim chi.

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Speaker 2: They maybe I haven't had it present it right because.

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Speaker 1: I feel like it's my cilantro, Like I love cilantro.

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Speaker 1: It doesn't taste like soap to me. But some people

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Speaker 1: they can't eat cilantro because it tastes like soap and

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Speaker 1: it's genetic. It's not like they can't do nothing about it.

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Speaker 1: And I wonder if that's how I am with kim chi.

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Speaker 1: Like kim chi for.

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Speaker 2: Some reason, I'm like, noir.

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Speaker 1: Several places, different restaurants, different styles, poke bows.

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Speaker 2: Like, I'm like, y'all can keep this.

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Speaker 1: I don't know why, man, I guess it's a quiet

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Speaker 1: taste of something. But at any rate, they making some

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Speaker 1: kim cheat and this is like supposed to last them

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Speaker 1: through the winner. So they're, you know, hooking it up

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Speaker 1: and Jia is like, you know, sprinkle some some salt

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Speaker 1: in this shit or something. She's like, we're gonna run out, girl,

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Speaker 1: don't don't do that. And she was like, well, it's okay,

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Speaker 1: you know, we can ask our neighbors for some more

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Speaker 1: or whatever, and she and the mom soon he is like, no,

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Speaker 1: the neighbors don't really respect the neighbors. Don't fuck with us. Okay. Ever,

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Speaker 1: since your daddy died, nobody invites us to anything. It's

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Speaker 1: called gim jong, which apparently is the process of making kimchi.

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Speaker 1: What I'm picking up from the text from the contest cools.

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Speaker 1: Gim john must also be like a collective thing, like.

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Speaker 2: They do it as a group of people, so if

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Speaker 2: you don't got it, you know, almost like a community

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Speaker 2: thing because everybody's bringing in what they have. So if

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Speaker 2: you're short somebody else would have picked up the difference

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Speaker 2: that gave you something to kind of help you so

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Speaker 2: that nobody in the community will be without for the winner.

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Speaker 1: So for some reason, they're not just like not cool

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Speaker 1: with the Like the neighbors are not cool with them.

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Speaker 1: Since the father died, right, so we don't know exactly

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Speaker 1: how he died what happened at the time, so it's

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Speaker 1: like something happened bad enough for the neighbors to be like,

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Speaker 1: we don't even fuck with y'all. Like, we're not even

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Speaker 1: trying to bring you to the to the cookout. You

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Speaker 1: can't come to the chemchi.

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Speaker 2: You can't. Oh, you can't like the kimchi jam. You

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Speaker 2: are not invited.

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Speaker 1: If you wanna come to the pot luck, you no, no,

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Speaker 1: no kimchi for you. And so Gia's like, well, then

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Speaker 1: when I get my nursing degree and get out of school,

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Speaker 1: then we'll get the neighbors respect because they'll see like

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Speaker 1: I got a degree. And her mama then said, the

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Speaker 1: only way for this family to be whole again is

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Speaker 1: for you to bring home some men, not amen, not

259
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Speaker 1: getting married some men. I didn't pick up on this

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Speaker 1: the first time either. I was like men like the

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Speaker 1: fuck U right, like I'm I'm gonna piping her out right,

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Speaker 1: Like this seemed like this seemed like a lot of uh,

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Speaker 1: this seems this seemed pretty uh, pretty intense here to

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Speaker 1: put to put on your daughter too, Like you know,

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Speaker 1: it's like, look the on the way you're gonna make it.

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Speaker 1: You got to hit these streets, right, like, don't be mad, Hope,

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Speaker 1: get a bag hope, come on, get a bag.

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Speaker 2: Hole.

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Speaker 1: Yeah, so I didn't know, you know her mom was.

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Speaker 1: It sounded real fucking flagrant door. You're like, uh, a

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Speaker 1: wet pussy in the drop herse Okay, don't don't get

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Speaker 1: nothing around here.

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Speaker 2: You don't want me saying that phrase. I screw that phrases.

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Speaker 1: Okay, okay. I called it pocketbook mm hmm, like you know,

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Speaker 1: you know what, we know what we need some payments, ransom,

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Speaker 1: big payments. So well she was like, but seriously, bring

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Speaker 1: some men on, and uh, I thought at the time,

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Speaker 1: it was like, oh, because it's nineteen fifty or it's

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Speaker 1: nineteen forty nine, and maybe.

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Speaker 2: She bringing home just just to see if he's gonna

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Speaker 2: approve of it.

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Speaker 1: Yeah, it could be like a cultural thing. That's what

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Speaker 1: I was thinking at first, you know, like you know

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Speaker 1: and that, and at that time, I mean, it's a

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Speaker 1: cultural thing for everybody problem. I mean, it wasn't.

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Speaker 2: Nineteen certain age. They'd be like, when are you going

287
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Speaker 2: to get married? This? Fuck this school shit getting married

288
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Speaker 2: have babies.

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Speaker 1: So uh, then we see her at nursing school and

290
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Speaker 1: they're studying the mail anatomy. They got some like cut

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Speaker 1: up corpses and they got a test to take where

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Speaker 1: you got to name all the organs in the body

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Speaker 1: according to number about in thirty minutes. And the teacher

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Speaker 1: leaves them to do the test. And as soon as

295
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Speaker 1: she leaves, they was like, fuck this test. Let's go

296
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Speaker 1: talk over to our girl, young Jah, who apparently is

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Speaker 1: out here. Uh, she done got she done snagged up

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Speaker 1: some some men that's interested in her.

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Speaker 2: Come on.

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Speaker 1: So which is apparently a very big deal.

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Speaker 2: And the thing is the actress that play her played

302
00:16:15,880 --> 00:16:21,560
Speaker 2: bougie so well. She played snobby, so just to look

303
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Speaker 2: in her eyes just when when the camera paned her,

304
00:16:25,040 --> 00:16:27,200
Speaker 2: I was like, oh, she's like she's gonna be a

305
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Speaker 2: proa blum.

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Speaker 1: Yeah. Yeah. She was played by us Prisca Kim, and

307
00:16:34,840 --> 00:16:40,320
Speaker 1: her full name is like young Joe Wonie and she's apparently,

308
00:16:40,440 --> 00:16:43,760
Speaker 1: you know, this very pretty nurse who also just has

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Speaker 1: a lot of interest from suitors. And at this point,

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Speaker 1: all the girls in the class are trying to find suitors,

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Speaker 1: which is another reason I just assumed her mama said

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Speaker 1: bring home some men, because she's like, look, you according,

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Speaker 1: it's a lot of competition. Apparently it's real on these streets.

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Speaker 2: Yes, okay, you need to go out there and get

315
00:17:02,200 --> 00:17:04,120
Speaker 2: that pussy to work in and bring some in here

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Speaker 2: so that we can get some respect in his house

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Speaker 2: by having a male here.

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Speaker 1: Yeah, they had an invented no bumbo bot in you know,

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00:17:10,000 --> 00:17:13,159
Speaker 1: like this was just black planet days. Okay, you just

320
00:17:14,160 --> 00:17:16,159
Speaker 1: oh your pussy on the timeline and hoping they can

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00:17:16,200 --> 00:17:19,359
Speaker 1: get interested. Okay, I hope he does. And it would

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00:17:19,359 --> 00:17:23,040
Speaker 1: make sense because at this point in time, nineteen forty

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Speaker 1: nine South Korea. You're talking about the Japanese who occupied

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Speaker 1: Korea from nineteen ten to like nineteen forty five, nineteen

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Speaker 1: something like that, and so there's this brief window of

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Speaker 1: time where South Korea has probably lost a lot of men,

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Speaker 1: you know, to war. An occupation eroded their culture. The

328
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Speaker 1: Japanese were known to be very brutal occupiers, not you know,

329
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Speaker 1: obviously not for the faint of heart. But one time

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Speaker 1: I remember looking up the rape of nine nine King

331
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Speaker 1: because I heard that term before, but I'd never seen

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Speaker 1: anything about it or whatever. It's like those things in

333
00:18:07,280 --> 00:18:08,639
Speaker 1: history where they don't even teach it to you in

334
00:18:08,640 --> 00:18:11,440
Speaker 1: class because it's so horrible, you know, they don't want

335
00:18:11,480 --> 00:18:14,600
Speaker 1: you to know. And it was a six week occupation

336
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Speaker 1: of like a Chinese city, and there was like literally

337
00:18:20,000 --> 00:18:22,800
Speaker 1: like weeks of sexual assault, murder, all kinds of shit.

338
00:18:23,280 --> 00:18:26,280
Speaker 1: It was very brutal. And to the point, what it

339
00:18:26,359 --> 00:18:30,040
Speaker 1: is was so wild about it is that in Japan

340
00:18:30,200 --> 00:18:32,679
Speaker 1: there are people who deny it ever happened. It's like

341
00:18:33,040 --> 00:18:36,119
Speaker 1: how you have Holocaust deniers. There's people in Japan like,

342
00:18:36,160 --> 00:18:38,840
Speaker 1: don't even teach this shit. Don't tell people about this shit.

343
00:18:38,920 --> 00:18:42,280
Speaker 1: It's fake it's fake news, it's made up. It never happened.

344
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Speaker 1: So it's very controversial, you know, to even brouch that topic.

345
00:18:47,640 --> 00:18:51,320
Speaker 1: And that was China. You know, they also occupied Korea,

346
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Speaker 1: and so of course you could think there would be

347
00:18:54,560 --> 00:18:56,679
Speaker 1: a lot of atrocities and stuff that pop up, and

348
00:18:56,760 --> 00:19:00,320
Speaker 1: so maybe that was the context of them feeling feeling

349
00:19:00,359 --> 00:19:02,560
Speaker 1: like every woman in this joint was super Man hungry,

350
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Speaker 1: like find find a man. It didn't even seem like

351
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Speaker 1: they was looking for good man.

352
00:19:06,840 --> 00:19:09,760
Speaker 2: It was like men like he got a penis attacked.

353
00:19:10,080 --> 00:19:13,120
Speaker 1: Go like this nigga is a geek. It don't matter.

354
00:19:13,160 --> 00:19:16,720
Speaker 1: This motherfucker in the closet. I don't care. He's he

355
00:19:16,840 --> 00:19:20,720
Speaker 1: beating people who cares. Hopefully he'll beat me, Okay, just

356
00:19:20,760 --> 00:19:23,600
Speaker 1: as long as he beat me exclusively, then I won.

357
00:19:23,800 --> 00:19:25,679
Speaker 1: You know, he beat me every night at my house

358
00:19:25,760 --> 00:19:29,280
Speaker 1: like it was just the desperation was super.

359
00:19:29,160 --> 00:19:33,440
Speaker 2: Like, almost like that from a protection because I'm property now,

360
00:19:33,520 --> 00:19:35,200
Speaker 2: so you can't just do whatever the fuck you want

361
00:19:35,240 --> 00:19:35,679
Speaker 2: to do to me.

362
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Speaker 1: So the thing that was interesting to me about Young

363
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Speaker 1: Joh she they were coming to her like like like

364
00:19:47,240 --> 00:19:49,600
Speaker 1: give me your game. What's your game? How you getting

365
00:19:49,640 --> 00:19:50,280
Speaker 1: these niggas?

366
00:19:50,320 --> 00:19:52,000
Speaker 2: How you trapping them girls?

367
00:19:52,480 --> 00:19:54,880
Speaker 1: Like what? So what you leg locking them? Is you?

368
00:19:54,880 --> 00:19:55,760
Speaker 1: You know what I'm saying you?

369
00:19:56,160 --> 00:19:59,160
Speaker 2: I mean, is you making they toes twirl? I mean,

370
00:19:59,320 --> 00:20:01,119
Speaker 2: let us know what your mouth.

371
00:20:00,920 --> 00:20:06,240
Speaker 1: Do, right, And so it was like, well, yeah, what's

372
00:20:06,320 --> 00:20:10,359
Speaker 1: happening is because that's the other thing. At least in

373
00:20:10,359 --> 00:20:12,360
Speaker 1: this story, they didn't even make it seem like they

374
00:20:12,400 --> 00:20:16,600
Speaker 1: need the men because without the men, it's too dangerous

375
00:20:16,640 --> 00:20:18,800
Speaker 1: out here for a woman. It really felt more like

376
00:20:18,840 --> 00:20:22,359
Speaker 1: a like I just did we need to be married?

377
00:20:22,400 --> 00:20:25,840
Speaker 1: These women are older, the men aren't available or they

378
00:20:25,880 --> 00:20:28,000
Speaker 1: have you know. You know this. It's like black women

379
00:20:28,040 --> 00:20:31,679
Speaker 1: when you move to Atlanta, you know, and it's just

380
00:20:31,680 --> 00:20:34,439
Speaker 1: some nigga that's a geek in any other fucking city

381
00:20:35,200 --> 00:20:37,480
Speaker 1: is up there, Like, Man, I got three families, you

382
00:20:37,560 --> 00:20:41,040
Speaker 1: know what I mean. He's just like how to get Yeah, Like,

383
00:20:41,080 --> 00:20:43,960
Speaker 1: I remember we had a homie that moved to Atlanta

384
00:20:44,080 --> 00:20:46,960
Speaker 1: and he was always known as a nerdy, geek dude.

385
00:20:47,920 --> 00:20:51,600
Speaker 1: And then he fucking came back and he was like

386
00:20:52,359 --> 00:20:54,840
Speaker 1: telling us how motherfucking like man, listen, man, I'll be

387
00:20:54,880 --> 00:20:57,200
Speaker 1: getting these girls down there. Man, so many girls on

388
00:20:57,280 --> 00:20:57,680
Speaker 1: my dick.

389
00:20:57,920 --> 00:20:59,640
Speaker 2: I'm like, because the ratio is uneven.

390
00:21:00,160 --> 00:21:04,840
Speaker 1: You you know what I'm saying. You like like, but

391
00:21:05,000 --> 00:21:07,119
Speaker 1: you no one looks at you like that. And it's like,

392
00:21:07,200 --> 00:21:10,600
Speaker 1: but in Atlanta it's different, you know what I'm saying.

393
00:21:10,680 --> 00:21:13,360
Speaker 1: I can finally be the pimp I was always meant

394
00:21:13,440 --> 00:21:17,080
Speaker 1: to be in my best life. The pickings are so short,

395
00:21:17,160 --> 00:21:19,560
Speaker 1: you know what I mean? A five three foot man

396
00:21:19,600 --> 00:21:22,119
Speaker 1: in Atlanta is basically a six foot eight man in

397
00:21:22,160 --> 00:21:26,760
Speaker 1: any of the city. True, it's the truth. But yeah,

398
00:21:26,840 --> 00:21:29,119
Speaker 1: so uh they were. It was so I think it

399
00:21:29,200 --> 00:21:31,919
Speaker 1: was kind of like the men had to and they

400
00:21:32,119 --> 00:21:33,880
Speaker 1: was being picky. We'll get to that. But the men

401
00:21:34,040 --> 00:21:35,880
Speaker 1: was like had the pick of the litter. And so

402
00:21:36,280 --> 00:21:38,240
Speaker 1: the women are like, young, job, what you doing to

403
00:21:38,240 --> 00:21:40,920
Speaker 1: get chosen? And she like, uh, you know, we heard

404
00:21:40,960 --> 00:21:42,560
Speaker 1: you went on a date. She's like yeah. And he

405
00:21:42,680 --> 00:21:48,199
Speaker 1: was speaking the slang career, the informal Korean that is

406
00:21:48,280 --> 00:21:52,720
Speaker 1: reserved for like intimacy respect, like when a nigga really

407
00:21:52,840 --> 00:21:56,159
Speaker 1: like you, they talk to you in the informal Korean

408
00:21:56,200 --> 00:21:57,919
Speaker 1: when they when they're just trying to get to know you.

409
00:21:57,960 --> 00:21:59,080
Speaker 1: And it's kind of business life.

410
00:21:59,080 --> 00:22:02,000
Speaker 2: It's very it's almost like a business transaction.

411
00:22:02,119 --> 00:22:05,359
Speaker 1: Yeah, it's like it's like a code switching, you know.

412
00:22:05,520 --> 00:22:08,000
Speaker 1: It's like, Okay, at work, I talk to you like this,

413
00:22:08,080 --> 00:22:10,199
Speaker 1: But if I like you that I could, you know,

414
00:22:10,200 --> 00:22:12,480
Speaker 1: I could finally be like, girl, what's up for for real?

415
00:22:12,520 --> 00:22:14,359
Speaker 1: What's up with me? And you as opposed to him

416
00:22:14,400 --> 00:22:15,400
Speaker 1: being honest, like I go.

417
00:22:15,400 --> 00:22:19,760
Speaker 2: From Facebook to my tender profile. Yeah right, he met her.

418
00:22:19,640 --> 00:22:22,960
Speaker 1: In the DMS and so, and she was just humble,

419
00:22:23,000 --> 00:22:25,520
Speaker 1: bragging a little bit, like, yeah he was you know,

420
00:22:25,640 --> 00:22:28,000
Speaker 1: he was so and the girl, one of the girls like,

421
00:22:28,040 --> 00:22:30,240
Speaker 1: how rude. He barely knows you but they were still

422
00:22:30,280 --> 00:22:32,520
Speaker 1: blushing over it. And she was like, I know he

423
00:22:32,640 --> 00:22:35,440
Speaker 1: had a poor upbringing, you know, but it's all good.

424
00:22:36,280 --> 00:22:38,320
Speaker 1: And then they're like, you know, you keep this up.

425
00:22:38,320 --> 00:22:39,959
Speaker 1: You ain't even got to finish nurse to school.

426
00:22:40,480 --> 00:22:43,159
Speaker 2: Yeah, because women's education don't didn't matter.

427
00:22:43,600 --> 00:22:45,960
Speaker 1: Right, Yeah, And at the time it was like a

428
00:22:46,040 --> 00:22:49,800
Speaker 1: thing you do if a man ain't coming along, yeah,

429
00:22:49,840 --> 00:22:52,439
Speaker 1: you know. But essentially at that time, I mean, I

430
00:22:52,440 --> 00:22:54,879
Speaker 1: don't know about Korea, but I would assume across the

431
00:22:55,000 --> 00:22:57,119
Speaker 1: nation at that time, across the world, across the world,

432
00:22:57,160 --> 00:22:59,080
Speaker 1: in most countries at that time, it was like we

433
00:22:59,119 --> 00:23:02,320
Speaker 1: looked at women's It's like Ruth beder Deenberg, that's America

434
00:23:02,800 --> 00:23:04,840
Speaker 1: as it is. Most of her life was spent with

435
00:23:05,240 --> 00:23:09,159
Speaker 1: people being like, so, uh, why are you trying to

436
00:23:09,200 --> 00:23:11,120
Speaker 1: do all this this judging shit?

437
00:23:11,359 --> 00:23:13,840
Speaker 2: You know, and you know that, and they thought something

438
00:23:13,920 --> 00:23:16,159
Speaker 2: was wrong with you if you actually finished nursing school.

439
00:23:16,480 --> 00:23:18,640
Speaker 2: He was like, I actually like nursing. Fuck them man.

440
00:23:19,600 --> 00:23:22,480
Speaker 2: Then they hit you, is your lesbian? Is is your gay? Like?

441
00:23:22,520 --> 00:23:24,760
Speaker 2: What's wrong? You don't like dick and you like I do?

442
00:23:24,840 --> 00:23:27,840
Speaker 2: But I actually think I'm actually taking this shiit seriously.

443
00:23:28,119 --> 00:23:30,080
Speaker 1: But young Josh shows herself to be kind of an

444
00:23:30,200 --> 00:23:32,879
Speaker 1: enterprising young woman because she's like, at least from what

445
00:23:32,920 --> 00:23:37,199
Speaker 1: she said, she was like, even if this nigga liked me,

446
00:23:37,600 --> 00:23:40,600
Speaker 1: I'm staying in school and they and they was like,

447
00:23:40,640 --> 00:23:43,119
Speaker 1: well why she like, keep my options open? I don't like,

448
00:23:43,840 --> 00:23:46,440
Speaker 1: why would I Why would I ever come on?

449
00:23:46,480 --> 00:23:48,480
Speaker 2: Why would I deal with something with somebody like this

450
00:23:48,600 --> 00:23:51,159
Speaker 2: when I could go on and get something better, Like

451
00:23:51,280 --> 00:23:54,040
Speaker 2: y'all just selling, you know, you know, just because like

452
00:23:54,119 --> 00:23:55,439
Speaker 2: I don't actually have to settle.

453
00:23:55,760 --> 00:23:57,919
Speaker 1: And that's kind of the thing about RBG. Like she

454
00:23:58,040 --> 00:24:03,040
Speaker 1: got she got married and had a kid at a

455
00:24:03,040 --> 00:24:06,159
Speaker 1: young age, her husband got sick, she took care of

456
00:24:06,160 --> 00:24:10,040
Speaker 1: the kids, still went to law school and finished and

457
00:24:10,280 --> 00:24:11,680
Speaker 1: took care of the kids so he could go to

458
00:24:11,720 --> 00:24:14,440
Speaker 1: school at the same time. And then when she got out,

459
00:24:14,520 --> 00:24:19,640
Speaker 1: she couldn't get a job because they were like your mother,

460
00:24:20,920 --> 00:24:23,720
Speaker 1: not because they were like you're educated qualified, It was

461
00:24:23,920 --> 00:24:27,200
Speaker 1: you're qualified, you're educated, you are a woman but you're

462
00:24:27,200 --> 00:24:28,760
Speaker 1: a mother. We don't know if we should be able

463
00:24:28,800 --> 00:24:30,200
Speaker 1: to give you a job as a mom.

464
00:24:30,440 --> 00:24:33,760
Speaker 2: People fucking even to the day, the first time a

465
00:24:33,800 --> 00:24:38,159
Speaker 2: woman does anything, they want to smack in there. Your mother. Okay, Uh,

466
00:24:38,280 --> 00:24:40,439
Speaker 2: it's a bunch of fathers doing doing shit too. You

467
00:24:40,480 --> 00:24:43,800
Speaker 2: don't go where you a father, This disqualifies you, your father,

468
00:24:43,960 --> 00:24:46,000
Speaker 2: stay at home? What about your kids, daddy?

469
00:24:46,200 --> 00:24:48,520
Speaker 1: Letsould tell you what what we think of men's parenting,

470
00:24:48,800 --> 00:24:49,920
Speaker 1: right without.

471
00:24:49,560 --> 00:24:50,760
Speaker 2: Saying we think it's horrible.

472
00:24:51,080 --> 00:24:52,880
Speaker 1: Yeah, that really tells you what we think of men's

473
00:24:52,920 --> 00:24:54,399
Speaker 1: parent in this country.

474
00:24:53,960 --> 00:24:56,080
Speaker 2: Like we can't let them. If the man raise the kids,

475
00:24:56,080 --> 00:24:58,320
Speaker 2: Lord had people don't like Lord have mercy the kids,

476
00:24:58,359 --> 00:24:59,600
Speaker 2: the kids will be fucking shit up.

477
00:25:00,080 --> 00:25:05,200
Speaker 1: So so yeah, man, while this is happening, that young John's

478
00:25:05,240 --> 00:25:07,879
Speaker 1: telling everybody you know, but yeah, you know, he was

479
00:25:07,960 --> 00:25:10,800
Speaker 1: like this and blah blah blah. They're asking these questions,

480
00:25:10,840 --> 00:25:15,679
Speaker 1: and one of the questions was like, well, what'd you

481
00:25:15,680 --> 00:25:18,880
Speaker 1: say to make them fall in love so quickly? And

482
00:25:18,920 --> 00:25:22,119
Speaker 1: she looks dead at Jia, but who's been staring at

483
00:25:22,119 --> 00:25:23,240
Speaker 1: her the whole time, by.

484
00:25:23,080 --> 00:25:27,160
Speaker 2: The way, Yeah, and the picture in the room, Jim's

485
00:25:27,200 --> 00:25:30,160
Speaker 2: thought about herself like looking at her body. Everybody else

486
00:25:30,240 --> 00:25:34,160
Speaker 2: is huddled, so they're like six seven, maybe eight feet

487
00:25:34,200 --> 00:25:36,040
Speaker 2: apart from.

488
00:25:35,840 --> 00:25:38,080
Speaker 1: Each other, and everyone else is dead close to it.

489
00:25:38,160 --> 00:25:40,760
Speaker 1: And the thing is Jid tried to look like she

490
00:25:41,000 --> 00:25:43,280
Speaker 1: wasn't all up in her mouth, but she was all

491
00:25:43,359 --> 00:25:45,480
Speaker 1: up in her mouth. Yes, she and Young John knew

492
00:25:45,520 --> 00:25:46,919
Speaker 1: like she made eye contact with us.

493
00:25:47,280 --> 00:25:49,480
Speaker 2: She was talking loud and shit she you know, would

494
00:25:49,480 --> 00:25:51,000
Speaker 2: be one of them things, but everybody else whooping. She

495
00:25:51,080 --> 00:25:53,520
Speaker 2: was like, yeah, let me tell y'all, bitch, is what

496
00:25:53,600 --> 00:25:55,440
Speaker 2: I do up in here? And then it looks straight

497
00:25:55,520 --> 00:25:56,280
Speaker 2: looking straight now.

498
00:25:57,359 --> 00:25:59,520
Speaker 1: And at first I thought it was maybe a love

499
00:25:59,640 --> 00:26:03,879
Speaker 1: robber or a jealousy thing, or like young joall didn't

500
00:26:04,000 --> 00:26:06,159
Speaker 1: like her. Because of the way that this was filmed,

501
00:26:06,240 --> 00:26:09,160
Speaker 1: I was like, oh, this like she's basically showing off,

502
00:26:09,400 --> 00:26:13,000
Speaker 1: like look at you, bitch, yo, manless bitch. But I

503
00:26:13,000 --> 00:26:15,040
Speaker 1: don't think it was that at all, But it felt

504
00:26:15,040 --> 00:26:17,199
Speaker 1: like that at first, Yes it did. I was like, oh, so,

505
00:26:17,320 --> 00:26:20,080
Speaker 1: and they deal with this so much this episode. Things

506
00:26:20,080 --> 00:26:23,280
Speaker 1: that look one way at first, and then as you

507
00:26:23,359 --> 00:26:26,679
Speaker 1: learn more about the story, you're like, oh, that's totally

508
00:26:26,720 --> 00:26:29,879
Speaker 1: different now that I know that. So they have this

509
00:26:29,960 --> 00:26:33,720
Speaker 1: thing called a meeting mee dash t I G. I

510
00:26:33,720 --> 00:26:35,840
Speaker 1: don't know why they kept saying it that way. I

511
00:26:35,880 --> 00:26:41,600
Speaker 1: mean meeting meeting, but meeting apparently is a speed dating.

512
00:26:42,000 --> 00:26:43,159
Speaker 2: Yeah, that would look like to me.

513
00:26:43,680 --> 00:26:46,040
Speaker 1: So they have a room full of guys, room full

514
00:26:46,040 --> 00:26:49,480
Speaker 1: of women dating. Yes, they sit down at the table.

515
00:26:49,560 --> 00:26:52,240
Speaker 1: They have numbers on the shirts. The men have a

516
00:26:52,280 --> 00:26:54,840
Speaker 1: bingo like a card with the numbers on them. You

517
00:26:54,920 --> 00:26:57,680
Speaker 1: sit down. If you talk to someone for like a minute.

518
00:26:57,680 --> 00:26:59,440
Speaker 1: If you like them, you circle it. If you don't,

519
00:26:59,480 --> 00:27:01,680
Speaker 1: you put an X through their number and you move

520
00:27:01,760 --> 00:27:03,920
Speaker 1: on to everyone's had a chance to talk to everyone.

521
00:27:04,080 --> 00:27:07,919
Speaker 1: The people who I guess get circled go on dates

522
00:27:08,040 --> 00:27:11,720
Speaker 1: or whatever. And these niggas were super stingy with these

523
00:27:11,720 --> 00:27:15,359
Speaker 1: circles and EXAs y'all. It was like I said, it

524
00:27:15,440 --> 00:27:18,400
Speaker 1: must have been like Atlanta for black men because it was.

525
00:27:18,640 --> 00:27:21,800
Speaker 2: Playing Tic tac toe and they kept being like bingo.

526
00:27:22,080 --> 00:27:26,160
Speaker 1: It was a lot of like you know what your

527
00:27:26,200 --> 00:27:30,119
Speaker 1: hair one of them is out of line, No thanks, bitch.

528
00:27:30,920 --> 00:27:34,400
Speaker 1: It was basically like men on Instagram looking at Instagram

529
00:27:34,440 --> 00:27:36,960
Speaker 1: models right now and how they'll be in the comments,

530
00:27:37,000 --> 00:27:41,560
Speaker 1: like I mean, like she has some surgery and You're like, Nigga,

531
00:27:41,800 --> 00:27:45,359
Speaker 1: you are four hundred pounds. What literally are you fucking

532
00:27:45,400 --> 00:27:47,919
Speaker 1: talking about? You know what I mean? I mean, I

533
00:27:47,960 --> 00:27:52,199
Speaker 1: guess maybe I'll take her to Winds if she would

534
00:27:53,240 --> 00:27:57,000
Speaker 1: lose a couple of pounds. You know. It's like, what, Yes,

535
00:27:57,400 --> 00:28:02,280
Speaker 1: nobody wants to sit in your motherfucking nineteen ninety five chord. No,

536
00:28:02,359 --> 00:28:06,840
Speaker 1: they don't a real okay, No one is thinking about you, Okay,

537
00:28:07,560 --> 00:28:10,280
Speaker 1: Dominique Chen didn't wake up this morning and be like, oh,

538
00:28:10,320 --> 00:28:13,760
Speaker 1: I would love to be in a Toyota Corolla today,

539
00:28:13,880 --> 00:28:15,520
Speaker 1: Like you're not even on the fucking menu.

540
00:28:15,800 --> 00:28:16,479
Speaker 2: No you're not.

541
00:28:16,880 --> 00:28:18,800
Speaker 1: But in this room, That's how it felt. It's like

542
00:28:18,840 --> 00:28:21,880
Speaker 1: they was looking at them like I see some stretch marks.

543
00:28:22,800 --> 00:28:25,520
Speaker 1: I don't think so back to my engineering job, yep.

544
00:28:25,640 --> 00:28:28,280
Speaker 2: And the thing is they would like cross it out

545
00:28:28,280 --> 00:28:29,959
Speaker 2: in their face. They bitch, I'm gonna let you know

546
00:28:30,119 --> 00:28:31,080
Speaker 2: you ain't getting picked.

547
00:28:31,680 --> 00:28:35,159
Speaker 1: Yeah, And so they have to add these talkings. And

548
00:28:35,240 --> 00:28:37,560
Speaker 1: so the first thing, like I said, they asked Jia,

549
00:28:37,840 --> 00:28:39,920
Speaker 1: I mean, they asked, young Joe, what did you say

550
00:28:39,920 --> 00:28:42,680
Speaker 1: to make them fall in love? And clearly we see

551
00:28:42,720 --> 00:28:48,640
Speaker 1: that she Jia is repeating exactly what she heard young

552
00:28:48,720 --> 00:28:52,880
Speaker 1: John say in the room, which is opah, you're real attractive. No,

553
00:28:53,120 --> 00:28:54,960
Speaker 1: it's because of your brain, you're sexy.

554
00:28:55,960 --> 00:28:59,320
Speaker 2: And she delivered it very badly, and not just that.

555
00:28:59,200 --> 00:29:00,880
Speaker 1: He didn't he didn't buy it at.

556
00:29:00,840 --> 00:29:04,880
Speaker 2: All, right, because it has to be convincing, and like.

557
00:29:04,840 --> 00:29:06,960
Speaker 1: If you don't watch the show, watch the show and

558
00:29:07,000 --> 00:29:11,640
Speaker 1: you just listen to us, jiya is fine, you know

559
00:29:11,680 --> 00:29:15,400
Speaker 1: what I mean, like like like movie start fine, like

560
00:29:15,440 --> 00:29:20,440
Speaker 1: a model fine, like fine, like and it was and

561
00:29:20,480 --> 00:29:23,480
Speaker 1: now also maybe something's lost in translation, but it wasn't

562
00:29:23,520 --> 00:29:26,400
Speaker 1: like she was giving off crazy girl vibs like no,

563
00:29:26,640 --> 00:29:28,360
Speaker 1: like it's not like she said it, and you go, oh,

564
00:29:28,400 --> 00:29:30,360
Speaker 1: I see why. He was like I'm out of here,

565
00:29:30,720 --> 00:29:34,600
Speaker 1: like I could not understand why. The nigga was like, yes, absolutely,

566
00:29:34,960 --> 00:29:37,040
Speaker 1: of course you know what I mean. But this dude

567
00:29:37,120 --> 00:29:41,120
Speaker 1: was like, no, no, I don't think so, welcome to

568
00:29:41,160 --> 00:29:44,000
Speaker 1: atl showty, I'm gonna be over here with my side family.

569
00:29:44,920 --> 00:29:48,240
Speaker 1: The something better comes alone. So then the next dude

570
00:29:48,320 --> 00:29:52,280
Speaker 1: comes and she tries a line from the movie and

571
00:29:52,400 --> 00:29:54,600
Speaker 1: she does it a good Judy Garland line, and she

572
00:29:54,680 --> 00:29:58,800
Speaker 1: tries it in English and she's underneath this prime exterea.

573
00:29:58,920 --> 00:30:04,640
Speaker 1: There's a depths of emotion, romantic longings, and he hated

574
00:30:04,680 --> 00:30:09,520
Speaker 1: it four thumbs down, all the thumbs. He was like, listen,

575
00:30:09,680 --> 00:30:12,160
Speaker 1: you fuck with them American propaganda.

576
00:30:11,520 --> 00:30:13,240
Speaker 2: Movie, right, he was like America.

577
00:30:13,520 --> 00:30:17,560
Speaker 1: He was like a Korean hotel, yes he was. He

578
00:30:17,680 --> 00:30:21,560
Speaker 1: was like, after the Japanese man came over here in a.

579
00:30:21,640 --> 00:30:25,040
Speaker 2: Race our Korean history, I just say, you speak this

580
00:30:25,320 --> 00:30:26,080
Speaker 2: English to me.

581
00:30:26,320 --> 00:30:31,680
Speaker 1: Okay, you're gonna this the ancient Comectic Egyptian pharaoh king

582
00:30:31,760 --> 00:30:35,200
Speaker 1: you talking to here? Okay, I'm the original Asiatic man

583
00:30:35,600 --> 00:30:39,960
Speaker 1: for real, for real. He was, Okay, now you sip

584
00:30:40,000 --> 00:30:43,240
Speaker 1: some of this alkaline water and think on this. Also,

585
00:30:43,640 --> 00:30:45,960
Speaker 1: give me your grit money. Okay, I need to build

586
00:30:46,000 --> 00:30:47,640
Speaker 1: a school for the children.

587
00:30:47,800 --> 00:30:49,200
Speaker 2: It was give me your kim chi money.

588
00:30:49,360 --> 00:30:52,880
Speaker 1: Yeah, give me your kimchi money. Like he was. He

589
00:30:52,960 --> 00:30:55,040
Speaker 1: was not fucking with her at all. He was quite

590
00:30:55,040 --> 00:30:59,040
Speaker 1: offended at just her liking American movies. And like I said,

591
00:30:59,120 --> 00:31:02,320
Speaker 1: I could see that being the legitimate cultural issue, being

592
00:31:02,360 --> 00:31:05,600
Speaker 1: that they were occupied by Japan and here's this girl

593
00:31:05,680 --> 00:31:09,280
Speaker 1: that likes English shit, and he probably, you know, I'm

594
00:31:09,280 --> 00:31:12,720
Speaker 1: sure there has to be a bit of Korean masculinity

595
00:31:12,760 --> 00:31:15,440
Speaker 1: tied up in that type of shit you know where

596
00:31:15,440 --> 00:31:20,480
Speaker 1: it's like, nah, fuck this Korean Korea is the real original, man,

597
00:31:20,680 --> 00:31:25,040
Speaker 1: like I can So that didn't work. Then the next

598
00:31:25,120 --> 00:31:30,240
Speaker 1: dude comes over and she connects with him over her

599
00:31:30,400 --> 00:31:34,960
Speaker 1: love of these Judy Garland movies, especially Meet Me in

600
00:31:35,040 --> 00:31:39,200
Speaker 1: Saint Louis, which is like this musical movie. And this

601
00:31:39,280 --> 00:31:43,000
Speaker 1: nigga was like, yo, I fucks with that shit. That's

602
00:31:43,000 --> 00:31:45,920
Speaker 1: my shit, girl, Okay, meet me and Saint Louis. And

603
00:31:45,960 --> 00:31:48,320
Speaker 1: remember when she sang the song to Twotdy, her little sister.

604
00:31:48,440 --> 00:31:50,800
Speaker 2: And they had a full ass conversation.

605
00:31:50,920 --> 00:31:53,200
Speaker 1: And you know, these conversations are only like a minute long,

606
00:31:53,360 --> 00:31:55,840
Speaker 1: and so they was, you know, she was like, okay,

607
00:31:56,000 --> 00:31:56,680
Speaker 1: got a match.

608
00:31:56,840 --> 00:31:57,040
Speaker 2: You know.

609
00:31:57,160 --> 00:31:59,840
Speaker 1: He fuck with the movies too. I love the movies,

610
00:32:00,200 --> 00:32:02,240
Speaker 1: you know. And then there was like Tom up and

611
00:32:02,280 --> 00:32:04,720
Speaker 1: he looked down at his bingo sheet and he thought

612
00:32:04,720 --> 00:32:07,280
Speaker 1: about it for a second and to put an X

613
00:32:07,400 --> 00:32:09,920
Speaker 1: door right in front of her salad, right in front

614
00:32:09,920 --> 00:32:12,120
Speaker 1: of her salad. And it makes sense that he would

615
00:32:12,160 --> 00:32:13,840
Speaker 1: do that, because a lot of people was blown, like

616
00:32:14,440 --> 00:32:17,120
Speaker 1: how could he? They hit it off so well, and

617
00:32:17,160 --> 00:32:22,480
Speaker 1: I'm like, the nigga loves musicals. Come on, y'all, y'all

618
00:32:22,520 --> 00:32:26,240
Speaker 1: know what it is. Okay, that man is either gay

619
00:32:26,320 --> 00:32:29,640
Speaker 1: or in the white women. It's no way, it's no

620
00:32:29,720 --> 00:32:33,680
Speaker 1: way to this dude was going home with anyone that night, Okay,

621
00:32:34,200 --> 00:32:38,520
Speaker 1: So what he would have been like, we can hang

622
00:32:38,520 --> 00:32:41,600
Speaker 1: out sometime, but no, no, I just came here because

623
00:32:41,600 --> 00:32:43,960
Speaker 1: my mama won't get off my goddamn nerves, right she

624
00:32:44,200 --> 00:32:45,800
Speaker 1: I was forced to come out here. You ever want

625
00:32:45,800 --> 00:32:48,959
Speaker 1: to hang out watch show tunes. I'm your man, Okay,

626
00:32:49,480 --> 00:32:54,880
Speaker 1: I'm your man. We start a podcast together or something. Girl, okay,

627
00:32:56,400 --> 00:32:59,000
Speaker 1: oh man, make each other happy. We just can't lose.

628
00:32:59,080 --> 00:33:00,000
Speaker 1: All right, let's do it.

629
00:33:00,040 --> 00:33:00,720
Speaker 2: Oh, let's go.

630
00:33:00,920 --> 00:33:02,960
Speaker 1: Could have been Koreean. What's the tea over there?

631
00:33:03,080 --> 00:33:04,200
Speaker 2: Yes, that could have been.

632
00:33:04,320 --> 00:33:05,800
Speaker 1: I don't think he was trying to I don't think

633
00:33:05,840 --> 00:33:09,840
Speaker 1: he was trying to hang out for real. And so meanwhile,

634
00:33:10,120 --> 00:33:14,040
Speaker 1: of course Jia now has no matches, but she was

635
00:33:14,040 --> 00:33:18,440
Speaker 1: swiping right on everybody. But she she didn't get.

636
00:33:18,760 --> 00:33:21,520
Speaker 2: Not no biking, no matches, and it was like if

637
00:33:21,520 --> 00:33:24,320
Speaker 2: you if you match, you know, go out with your partners.

638
00:33:24,800 --> 00:33:27,960
Speaker 2: As fine as she was, I couldn't gorgeous.

639
00:33:28,000 --> 00:33:29,880
Speaker 1: I mean, who the fuck isn't trying to holler? Just

640
00:33:29,880 --> 00:33:33,360
Speaker 1: because she's fine. I didn't get it, so she strikes out.

641
00:33:33,720 --> 00:33:38,000
Speaker 1: But then young Jah, who has gotten a match, is like, girl,

642
00:33:38,040 --> 00:33:39,719
Speaker 1: come out with us and go to a bar, and

643
00:33:39,760 --> 00:33:41,600
Speaker 1: she was like no, I'll be the third will.

644
00:33:41,920 --> 00:33:43,760
Speaker 2: And the thing is it was the same dude that

645
00:33:43,800 --> 00:33:47,200
Speaker 2: told her no. They just was like, uh no, beach

646
00:33:47,280 --> 00:33:47,920
Speaker 2: take these x.

647
00:33:48,800 --> 00:33:50,760
Speaker 1: I didn't even pick up on that. So that was

648
00:33:50,800 --> 00:33:51,800
Speaker 1: the musical digger.

649
00:33:52,120 --> 00:33:55,360
Speaker 2: Yes, yeah, yeah, h was the same dude. Yeah yeah,

650
00:33:55,400 --> 00:33:58,240
Speaker 2: the same dude. When she turned around, she was up

651
00:33:58,280 --> 00:34:01,360
Speaker 2: on him and it was the same so he.

652
00:34:01,520 --> 00:34:05,120
Speaker 1: So she don't even fuck with musicals, and so Gia

653
00:34:05,240 --> 00:34:07,400
Speaker 1: was just like, nah, I'm good, and she was like, well,

654
00:34:07,400 --> 00:34:10,160
Speaker 1: we're going to the bar anyway, and then she did

655
00:34:10,200 --> 00:34:12,640
Speaker 1: this thing where she like could see Jia was a

656
00:34:12,680 --> 00:34:16,080
Speaker 1: little bit upset, and she took Gia's hand and just

657
00:34:16,160 --> 00:34:18,879
Speaker 1: kind of touched on the wrist. And first I thought

658
00:34:18,920 --> 00:34:21,560
Speaker 1: it was just like a sexual thing where it's like

659
00:34:21,840 --> 00:34:26,319
Speaker 1: she's like, secretly I'm a lesbian and you know, just

660
00:34:26,760 --> 00:34:28,600
Speaker 1: but I don't think it was that, and she was

661
00:34:28,680 --> 00:34:31,320
Speaker 1: just being friendly or whatever, and she was like, listen,

662
00:34:32,840 --> 00:34:36,640
Speaker 1: this nigga's fine, but he's boring. So if you want

663
00:34:36,680 --> 00:34:38,040
Speaker 1: to just come out and hang out with.

664
00:34:38,000 --> 00:34:40,160
Speaker 2: Us, right, which means she going just to go. But

665
00:34:40,280 --> 00:34:43,120
Speaker 2: they actually hit it off, which means they actually had

666
00:34:43,239 --> 00:34:44,560
Speaker 2: more of a connection.

667
00:34:44,880 --> 00:34:47,839
Speaker 1: But she was like, I guess, but she was like,

668
00:34:48,120 --> 00:34:50,520
Speaker 1: you know, my mom said I got to bring a

669
00:34:50,520 --> 00:34:53,239
Speaker 1: man home and I can't fuck with you tonight. And

670
00:34:53,280 --> 00:34:57,000
Speaker 1: she was like, well, you know, moms want a lot

671
00:34:57,040 --> 00:34:59,399
Speaker 1: of shit. And she's like, but that's they want what's

672
00:34:59,400 --> 00:35:02,160
Speaker 1: best for them, but not necessarily best for us. And

673
00:35:02,200 --> 00:35:03,879
Speaker 1: I come out to the bar with us, and then

674
00:35:04,200 --> 00:35:08,800
Speaker 1: Jill was like, nah, I can't. So Jia then puts

675
00:35:08,800 --> 00:35:10,880
Speaker 1: on a fire outfit because they was in their nursing

676
00:35:10,920 --> 00:35:13,920
Speaker 1: uniforms and just yes, she puts on a fire dress

677
00:35:14,640 --> 00:35:18,080
Speaker 1: and goes out to the bar, makes eye contact with

678
00:35:18,120 --> 00:35:19,040
Speaker 1: this nigga at the bar.

679
00:35:19,800 --> 00:35:23,040
Speaker 2: And I mean that she had on a dress that

680
00:35:23,280 --> 00:35:26,319
Speaker 2: was like fighting tiger hitting dragon, goring, just like she

681
00:35:26,440 --> 00:35:29,920
Speaker 2: was just gonna float around and ship and like like, uh,

682
00:35:30,560 --> 00:35:32,360
Speaker 2: fuck up the whole room, but she didn't.

683
00:35:32,400 --> 00:35:32,680
Speaker 1: She was.

684
00:35:32,719 --> 00:35:35,360
Speaker 2: It was absolutely stunning. She was stunning in her dress.

685
00:35:35,600 --> 00:35:36,960
Speaker 1: And I think it's crouching tiger.

686
00:35:37,080 --> 00:35:37,520
Speaker 2: Oops.

687
00:35:37,680 --> 00:35:41,399
Speaker 1: Uh sorry, some Lenner brothers are sending the fire started.

688
00:35:41,400 --> 00:35:46,319
Speaker 1: I don't worry about it. But yeah, so she she

689
00:35:46,400 --> 00:35:48,480
Speaker 1: had to. She had to dress off. She was putting

690
00:35:48,800 --> 00:35:50,560
Speaker 1: she was putting it out there for everybody.

691
00:35:51,719 --> 00:35:52,640
Speaker 2: The cakes. It was.

692
00:35:53,200 --> 00:35:54,800
Speaker 1: It was the fucking dress.

693
00:35:55,040 --> 00:35:57,280
Speaker 2: Yes, it was girl fuck them.

694
00:35:57,520 --> 00:36:00,920
Speaker 1: Uh. So she goes look them up with dress, right,

695
00:36:01,200 --> 00:36:04,320
Speaker 1: So she goes to the bar and immediately a nigga

696
00:36:04,400 --> 00:36:08,080
Speaker 1: is like, yo, you ain't here by yourself, and so

697
00:36:08,280 --> 00:36:09,200
Speaker 1: she brings them home.

698
00:36:10,120 --> 00:36:11,879
Speaker 2: He was like, you alone show day.

699
00:36:12,560 --> 00:36:16,239
Speaker 1: Yeah, we don't even get like, we don't actually even

700
00:36:16,360 --> 00:36:25,080
Speaker 1: get a conversation between them. I don't think it's ever Yeah, yeah,

701
00:36:25,120 --> 00:36:29,160
Speaker 1: I don't even think it's a word between them or whatever.

702
00:36:29,719 --> 00:36:31,799
Speaker 2: He was like, let me buy you a drink. She

703
00:36:31,920 --> 00:36:34,000
Speaker 2: was like nope, nope, no drinks. Nope, nope, come on

704
00:36:34,040 --> 00:36:34,680
Speaker 2: straight to the house.

705
00:36:36,000 --> 00:36:38,560
Speaker 1: Uh what you think about that?

706
00:36:39,160 --> 00:36:45,239
Speaker 2: I mean, yes, yeah, she was like cut the music'

707
00:36:45,880 --> 00:36:46,760
Speaker 2: this for the record.

708
00:36:46,920 --> 00:36:49,800
Speaker 1: That's the only thing in my mind that was actually

709
00:36:49,960 --> 00:36:54,840
Speaker 1: missing from this episode. I would have liked this episode

710
00:36:54,960 --> 00:36:58,880
Speaker 1: even better if they stuck with the modern music theme

711
00:36:59,800 --> 00:37:02,600
Speaker 1: oh over these scenes, because that shit would have been

712
00:37:02,640 --> 00:37:06,959
Speaker 1: so dope. But you know, they chose not to this time.

713
00:37:07,040 --> 00:37:09,400
Speaker 1: Maybe they did that and then it didn't work as

714
00:37:09,400 --> 00:37:11,319
Speaker 1: well as I think it would, but oh my god.

715
00:37:11,400 --> 00:37:14,480
Speaker 2: And it may have been because they changed sceneries and

716
00:37:14,480 --> 00:37:14,920
Speaker 2: they was like.

717
00:37:14,880 --> 00:37:18,799
Speaker 1: Well, yeah, I figure why but fuck it, like you

718
00:37:18,840 --> 00:37:20,680
Speaker 1: know what I'm saying, or maybe, like I know, the

719
00:37:20,760 --> 00:37:23,239
Speaker 1: music in the bar it sounded almost like it was

720
00:37:23,239 --> 00:37:27,600
Speaker 1: in Spanish, so maybe the the bar music was more,

721
00:37:28,160 --> 00:37:30,200
Speaker 1: but it was more like a couple of layers of

722
00:37:31,040 --> 00:37:33,359
Speaker 1: different languages and shit and not an understanding. But I

723
00:37:33,440 --> 00:37:36,120
Speaker 1: just wanted them to do what they did for last

724
00:37:36,160 --> 00:37:37,960
Speaker 1: week and a couple of weeks before and just play

725
00:37:38,000 --> 00:37:40,279
Speaker 1: some modern music. That shit would have been dope, sir.

726
00:37:41,480 --> 00:37:44,560
Speaker 1: So yeah, buddy, is like, you know, can I come

727
00:37:44,560 --> 00:37:47,319
Speaker 1: home with you? She does take them home and she

728
00:37:47,880 --> 00:37:50,000
Speaker 1: brings them home, you know, take off their shoes at

729
00:37:50,040 --> 00:37:53,640
Speaker 1: the door. She lights candles, and the way the candles are,

730
00:37:54,120 --> 00:37:54,640
Speaker 1: the way the.

731
00:37:54,640 --> 00:37:57,800
Speaker 2: Candles lit up, I was like, because it was funny.

732
00:37:57,800 --> 00:38:00,759
Speaker 2: Though maybe it's just me. She knit and like the

733
00:38:00,800 --> 00:38:03,879
Speaker 2: whole room it up. I was like, the fuck is this?

734
00:38:04,680 --> 00:38:07,520
Speaker 1: Yeah? She did, and I don't know how what how

735
00:38:07,600 --> 00:38:10,239
Speaker 1: you do that? I was like something nineteen forty nine,

736
00:38:10,440 --> 00:38:12,120
Speaker 1: but that shit was dope.

737
00:38:12,480 --> 00:38:14,440
Speaker 2: Like I was like, oh, oh she got that. She

738
00:38:14,520 --> 00:38:16,400
Speaker 2: got that that new new shit.

739
00:38:16,520 --> 00:38:20,200
Speaker 1: Right, like they just like and then everything just turned on. Yes,

740
00:38:21,120 --> 00:38:23,280
Speaker 1: But so she turns on all the candles and ship

741
00:38:24,040 --> 00:38:25,919
Speaker 1: and she strips.

742
00:38:25,560 --> 00:38:28,399
Speaker 2: Off like I paid top of the line for these candles, right,

743
00:38:28,440 --> 00:38:32,719
Speaker 2: I got these on Etsy, come on and made But you.

744
00:38:32,760 --> 00:38:34,759
Speaker 1: Know that's not what happened, because if a woman bought

745
00:38:34,840 --> 00:38:37,440
Speaker 1: candles like that on Etsy, even if it was in

746
00:38:37,640 --> 00:38:40,520
Speaker 1: sex times, she still will feel the need to tell you, like.

747
00:38:41,040 --> 00:38:43,040
Speaker 2: Oh, you gonna know she got them candles from Ensy,

748
00:38:43,040 --> 00:38:44,799
Speaker 2: and you gonna know who gave it to her, and

749
00:38:44,800 --> 00:38:47,200
Speaker 2: they're gonna be posted all everywhere. Everybody gonna know where

750
00:38:47,200 --> 00:38:48,080
Speaker 2: she got them camels from.

751
00:38:48,120 --> 00:38:51,520
Speaker 1: I found these on Pinterest or whatever. Come on, even

752
00:38:51,560 --> 00:38:53,160
Speaker 1: if she just got it on a good sale, it

753
00:38:53,200 --> 00:38:55,640
Speaker 1: don't matter how how much it messed up the moved.

754
00:38:55,719 --> 00:38:59,480
Speaker 1: She's gonna be like listen to TJ Max, Okay, they

755
00:38:59,520 --> 00:39:00,600
Speaker 1: will get you right.

756
00:39:01,000 --> 00:39:02,799
Speaker 2: And don't care, no knowing you don't give a fuck

757
00:39:02,840 --> 00:39:04,680
Speaker 2: about them candles that I don't care. I'm gonna tell

758
00:39:04,680 --> 00:39:05,399
Speaker 2: you anyway, right.

759
00:39:05,400 --> 00:39:07,480
Speaker 1: Got these candles for eighteen fifty.

760
00:39:07,680 --> 00:39:09,759
Speaker 2: U fifty two of them.

761
00:39:10,080 --> 00:39:14,239
Speaker 1: She strips all her clothes down and like crawls on

762
00:39:14,280 --> 00:39:16,239
Speaker 1: the bed, and it just kind of lays there all

763
00:39:16,320 --> 00:39:19,399
Speaker 1: cool and shit, like, look, check this out. And then

764
00:39:19,440 --> 00:39:24,320
Speaker 1: he strips down with that like real purposeful movie strip

765
00:39:24,400 --> 00:39:26,440
Speaker 1: where you never lose eye contact with the woman and

766
00:39:26,480 --> 00:39:28,520
Speaker 1: you're just taking off, like you take your jacket off,

767
00:39:28,560 --> 00:39:31,200
Speaker 1: like you're almost gonna fight somebody, or get your jacket

768
00:39:31,239 --> 00:39:34,920
Speaker 1: off me. And then he took all his clothes off

769
00:39:35,320 --> 00:39:38,040
Speaker 1: and he just looked at her, joining her on the bed,

770
00:39:38,200 --> 00:39:41,160
Speaker 1: fully erect. Okay, you just knew he was in gorge

771
00:39:41,520 --> 00:39:44,920
Speaker 1: and you couldn't see it, but you could tell, you know,

772
00:39:45,040 --> 00:39:45,560
Speaker 1: you could.

773
00:39:45,360 --> 00:39:47,480
Speaker 2: Tell somebody bought up something that I wouldn't even have

774
00:39:47,480 --> 00:39:49,720
Speaker 2: thought about. Was it a candle?

775
00:39:49,840 --> 00:39:52,279
Speaker 1: Oh no, we haven't got that fart on spoilet? Okay, yeah,

776
00:39:52,480 --> 00:39:55,920
Speaker 1: come on, there's a science to what we're doing here.

777
00:39:56,000 --> 00:39:58,920
Speaker 1: Not everyone has seen. Okay, fuck the niggas in the

778
00:39:59,000 --> 00:40:02,400
Speaker 1: check here. They don't about all this. This is art remaking.

779
00:40:02,920 --> 00:40:09,359
Speaker 1: So she, uh, she lays on the bed. He's there

780
00:40:09,400 --> 00:40:10,840
Speaker 1: fully aroused. I'm sure.

781
00:40:11,200 --> 00:40:13,080
Speaker 2: Yeah, like you could like you said, like you said,

782
00:40:13,200 --> 00:40:16,360
Speaker 2: you almost could feel you was like that his penis

783
00:40:16,480 --> 00:40:18,120
Speaker 2: is full for the blood right.

784
00:40:18,000 --> 00:40:22,640
Speaker 1: Now, right, and so all the attention, so there's no

785
00:40:23,239 --> 00:40:30,040
Speaker 1: for play. There's no oral okay, this is straight up like, okay,

786
00:40:30,160 --> 00:40:35,240
Speaker 1: this is just hardcore, you know, you know what. Huh?

787
00:40:36,000 --> 00:40:38,200
Speaker 2: All they had to play was space down, ass up

788
00:40:38,200 --> 00:40:40,160
Speaker 2: because they were just going they like, look, it wasn't

789
00:40:40,239 --> 00:40:40,840
Speaker 2: even to me.

790
00:40:41,239 --> 00:40:45,360
Speaker 1: It wasn't even like that because it was missionary style.

791
00:40:45,520 --> 00:40:49,680
Speaker 1: It was just like, let's get this done. There was like,

792
00:40:49,840 --> 00:40:52,879
Speaker 1: there wasn't even time for a song, no a slow

793
00:40:53,000 --> 00:40:57,440
Speaker 1: jam list. He laid that woman down, stuck his hard

794
00:40:57,480 --> 00:41:01,160
Speaker 1: penis into her with no no form of like four

795
00:41:01,239 --> 00:41:04,319
Speaker 1: player or anything. I don't think was used, obviously not,

796
00:41:04,680 --> 00:41:08,080
Speaker 1: and just went straight for an assertion, and her face

797
00:41:08,200 --> 00:41:11,200
Speaker 1: was motionless as he humped away for a smooth but

798
00:41:11,320 --> 00:41:16,080
Speaker 1: purely intense forty six seconds, purely intense. He gave her

799
00:41:16,280 --> 00:41:18,759
Speaker 1: the best forty six seconds of her life.

800
00:41:18,800 --> 00:41:21,480
Speaker 2: Apparently, come on in, this is all of me.

801
00:41:21,680 --> 00:41:24,640
Speaker 1: It was. It was basically all all straight sex basically,

802
00:41:24,719 --> 00:41:27,040
Speaker 1: you know, it's just just that grunt a man being like,

803
00:41:27,280 --> 00:41:29,360
Speaker 1: I don't actually give a fuck if you're satisfied, but

804
00:41:29,400 --> 00:41:31,480
Speaker 1: I gotta get the poison out of my penis, yes,

805
00:41:31,520 --> 00:41:33,840
Speaker 1: and then then I'll be able to think again.

806
00:41:34,280 --> 00:41:37,279
Speaker 2: You know, you know, whatever happens after that I'm sorry.

807
00:41:37,320 --> 00:41:40,399
Speaker 1: She didn't make no sounds, no eye contact, like her

808
00:41:40,400 --> 00:41:43,680
Speaker 1: eyes basically went blank, and he was just like, I

809
00:41:43,719 --> 00:41:46,040
Speaker 1: am tearing this puss it up in my mind, okay,

810
00:41:46,920 --> 00:41:49,360
Speaker 1: in my mind, I can't wait to tell people this

811
00:41:49,480 --> 00:41:52,680
Speaker 1: was conquest sex. Okay, like I can't wait to tell

812
00:41:52,719 --> 00:41:55,280
Speaker 1: people the story that I had sex. Now, i'mna conveniently

813
00:41:55,360 --> 00:41:57,440
Speaker 1: leave out the sex was less than a minute, but

814
00:41:57,520 --> 00:41:59,399
Speaker 1: I will tell everybody I had.

815
00:41:59,360 --> 00:42:02,800
Speaker 2: Said was that I had sick with the fine ass

816
00:42:02,880 --> 00:42:06,000
Speaker 2: one right, Like, I'm not gonna one night's staying right.

817
00:42:06,080 --> 00:42:08,720
Speaker 1: I'm not gonna say the ship lasted fourteen seconds.

818
00:42:08,719 --> 00:42:10,240
Speaker 2: I'm not gonna say I didn't wear a condom.

819
00:42:10,320 --> 00:42:12,040
Speaker 1: I tore that puts it up. She ain't gonna walk

820
00:42:12,120 --> 00:42:15,000
Speaker 1: right tomorrow, you know, them lying right, come out a

821
00:42:15,080 --> 00:42:15,640
Speaker 1: whole lass.

822
00:42:15,760 --> 00:42:17,879
Speaker 2: Baby could come out of that bitch, what you're talking about?

823
00:42:17,920 --> 00:42:20,719
Speaker 1: I broke her back, like okay, okay, it seemed like

824
00:42:20,760 --> 00:42:22,319
Speaker 1: you was in there for not that long a time,

825
00:42:22,560 --> 00:42:27,640
Speaker 1: you know. Uh So then after he does it, he

826
00:42:27,680 --> 00:42:31,759
Speaker 1: does his like porn star coming screen like it's like

827
00:42:31,800 --> 00:42:33,960
Speaker 1: it's not a like it was like a prime of

828
00:42:34,040 --> 00:42:36,000
Speaker 1: like I'm coming.

829
00:42:37,719 --> 00:42:38,880
Speaker 2: Like I got to let y'all.

830
00:42:38,840 --> 00:42:43,920
Speaker 1: Know, right, Meanwhile, she really hadn't moved, and uh, that's

831
00:42:44,480 --> 00:42:46,840
Speaker 1: when the fucking starts, Okay, because.

832
00:42:46,560 --> 00:42:50,160
Speaker 2: Yeah, because also the thing is, it was really neat

833
00:42:50,200 --> 00:42:52,920
Speaker 2: how to emphasize on her eyes and almost how they

834
00:42:53,440 --> 00:42:58,000
Speaker 2: they glazed over, like like almost turned black, Like it

835
00:42:58,080 --> 00:43:01,080
Speaker 2: was almost like you were seeing the shadow of him

836
00:43:01,200 --> 00:43:03,759
Speaker 2: looking at her through his through her eyes. I was like,

837
00:43:04,120 --> 00:43:05,080
Speaker 2: what is happening here?

838
00:43:05,880 --> 00:43:08,760
Speaker 1: So after he comes, that's when the fucking starts, because

839
00:43:08,840 --> 00:43:12,120
Speaker 1: she starts kind of moving her body around a little bit,

840
00:43:12,800 --> 00:43:17,120
Speaker 1: and I'm like, but he just came, so what's really happening?

841
00:43:17,600 --> 00:43:23,719
Speaker 1: And then a bunch of tentacles, hairy tentacles start coming

842
00:43:23,760 --> 00:43:25,719
Speaker 1: out her body, one by one a little almost like

843
00:43:25,760 --> 00:43:26,480
Speaker 1: spider legs.

844
00:43:26,560 --> 00:43:29,640
Speaker 2: I was not ready, and they go from.

845
00:43:29,480 --> 00:43:35,640
Speaker 1: Her body into his body in every orifice, lifting him

846
00:43:35,680 --> 00:43:38,799
Speaker 1: off the bed, and it's like one by one or

847
00:43:38,800 --> 00:43:41,759
Speaker 1: two by two, like they listen, one wraps around him,

848
00:43:41,840 --> 00:43:44,920
Speaker 1: it's going his dick's going, his ass, it's going. It

849
00:43:44,960 --> 00:43:47,719
Speaker 1: goes in his mouth, it goes in his ears, and

850
00:43:47,760 --> 00:43:50,360
Speaker 1: then eventually two of them go from her eyes and

851
00:43:50,600 --> 00:43:51,200
Speaker 1: his eyes.

852
00:43:51,640 --> 00:43:56,920
Speaker 2: Yes, And it was like what the fuck? But wow,

853
00:43:57,320 --> 00:43:59,960
Speaker 2: because it was like literally did you seen him like

854
00:44:00,000 --> 00:44:02,640
Speaker 2: coming out of her nostrils, coming out of her ears,

855
00:44:02,760 --> 00:44:06,000
Speaker 2: coming out And I was like, what the hell is happening?

856
00:44:06,040 --> 00:44:09,680
Speaker 1: The year like it like it came nine tentacles came

857
00:44:09,680 --> 00:44:11,439
Speaker 1: out of her when the nine places.

858
00:44:11,120 --> 00:44:14,440
Speaker 2: On him, Yeah, and it almost looked like a spider leggs.

859
00:44:15,000 --> 00:44:17,800
Speaker 1: Yeah, I brought that up earlier. Yes, they look like spiders.

860
00:44:18,239 --> 00:44:22,440
Speaker 1: Spider tentacles is what I call them. And so she

861
00:44:22,640 --> 00:44:25,799
Speaker 1: then sees like a flash of his memory in her

862
00:44:25,840 --> 00:44:32,000
Speaker 1: brain and she sees like his marriage, his child. He

863
00:44:32,040 --> 00:44:35,840
Speaker 1: climbs a mountain and gets to the top and yells

864
00:44:35,880 --> 00:44:37,960
Speaker 1: out just like I forget it, it's like y'all tall,

865
00:44:38,120 --> 00:44:41,480
Speaker 1: whatever and whatever he yelled out. She the tentacle from

866
00:44:41,480 --> 00:44:43,880
Speaker 1: his mouth comes from his mouth, and then she yells

867
00:44:43,880 --> 00:44:47,880
Speaker 1: it out as well. And then after that, he burst

868
00:44:48,040 --> 00:44:50,000
Speaker 1: like a blood balloon all over the room.

869
00:44:50,400 --> 00:44:52,080
Speaker 2: Oh yeah, I did not see that happening.

870
00:44:52,200 --> 00:44:53,800
Speaker 1: I mean, I've heard a second the soul out of

871
00:44:53,800 --> 00:44:55,200
Speaker 1: a nigga dick, but this, I.

872
00:44:55,239 --> 00:44:57,799
Speaker 2: Mean, this is a whole nother level. I mean.

873
00:44:59,520 --> 00:45:03,520
Speaker 1: And so so after the nigga burst burst, I guess,

874
00:45:04,239 --> 00:45:06,440
Speaker 1: I guess after she busts her No, I don't know what.

875
00:45:06,280 --> 00:45:08,480
Speaker 2: You call it, and everybody busting in that joint.

876
00:45:08,800 --> 00:45:14,400
Speaker 1: Yeah, after he burst uh her mom. Soon he opens

877
00:45:14,440 --> 00:45:17,120
Speaker 1: the bedroom door and comes in and says ten more.

878
00:45:18,120 --> 00:45:22,799
Speaker 1: And then Jill turns over and says, yes, mama. And

879
00:45:22,960 --> 00:45:25,400
Speaker 1: that was when I officially was like, man, what what

880
00:45:25,440 --> 00:45:26,120
Speaker 1: in the fuck is this?

881
00:45:26,200 --> 00:45:27,799
Speaker 2: So I was like, oh, her mama is coumping out,

882
00:45:27,800 --> 00:45:29,000
Speaker 2: but I didn't know who was killing niggas?

883
00:45:29,080 --> 00:45:29,680
Speaker 1: What the fuck is this?

884
00:45:30,280 --> 00:45:31,120
Speaker 2: I was so confused.

885
00:45:31,160 --> 00:45:33,480
Speaker 1: Her mama know whatever this is going on? I was

886
00:45:34,000 --> 00:45:36,799
Speaker 1: in the gig, this was in her mama house. Who

887
00:45:36,840 --> 00:45:37,759
Speaker 1: cleaning this shit up?

888
00:45:38,040 --> 00:45:38,120
Speaker 2: Like?

889
00:45:38,719 --> 00:45:40,440
Speaker 1: Asked so many questions at that time.

890
00:45:40,600 --> 00:45:43,920
Speaker 2: I was just like, well, how clorox, I don't get

891
00:45:43,920 --> 00:45:44,759
Speaker 2: it ten more?

892
00:45:44,840 --> 00:45:46,120
Speaker 1: How often now you're doing this?

893
00:45:46,400 --> 00:45:47,000
Speaker 2: You know what I mean?

894
00:45:48,120 --> 00:45:52,360
Speaker 1: So then it we later see her in the theater again,

895
00:45:53,040 --> 00:45:54,799
Speaker 1: this time with a crowd full of people, and they're

896
00:45:54,800 --> 00:45:58,919
Speaker 1: about to watch Irvin Berlin's Eastern Parade and it's after

897
00:45:59,360 --> 00:46:02,720
Speaker 1: apparently the previews. Back then it wasn't like a movie trailer.

898
00:46:03,160 --> 00:46:09,280
Speaker 1: It was like an anti communist cartoon.

899
00:46:10,840 --> 00:46:13,839
Speaker 2: Yeah, back then it was a little different. You know,

900
00:46:13,880 --> 00:46:15,719
Speaker 2: they ain't have like the movie previews and all that shit,

901
00:46:15,800 --> 00:46:17,520
Speaker 2: like they doing that back then, I guess not, but

902
00:46:17,600 --> 00:46:19,720
Speaker 2: that preview was in America. They didn't.

903
00:46:20,160 --> 00:46:22,360
Speaker 1: Yeah, but that preview was like a cartoon that was like,

904
00:46:22,440 --> 00:46:24,520
Speaker 1: get out of here, your comments, you beat it. We're

905
00:46:24,520 --> 00:46:28,040
Speaker 1: sticking together as Koreans. And then the movie was gonna start,

906
00:46:28,080 --> 00:46:29,719
Speaker 1: but before the movie could start, they heard a lot

907
00:46:29,760 --> 00:46:33,759
Speaker 1: of rumbling and then the actual film like melted, so

908
00:46:33,800 --> 00:46:35,719
Speaker 1: they couldn't watch the movie. Everybody comes out of the

909
00:46:35,719 --> 00:46:39,680
Speaker 1: theater and they see it's been interrupted by a group

910
00:46:39,840 --> 00:46:46,000
Speaker 1: of soldiers, American soldiers throwing out flyers like these these

911
00:46:46,000 --> 00:46:49,120
Speaker 1: pieces of paper that say America is here to fight

912
00:46:49,160 --> 00:46:51,120
Speaker 1: for your freedom. And then there's a goll on top

913
00:46:51,160 --> 00:46:53,960
Speaker 1: of a tank being we're here to fight for your freedom.

914
00:46:53,960 --> 00:46:55,360
Speaker 1: There's nothing to be afraid of.

915
00:46:55,800 --> 00:46:58,160
Speaker 2: He's speaking English and most of them probably didn't understand

916
00:46:58,160 --> 00:46:59,080
Speaker 2: the fuck he was saying.

917
00:46:59,200 --> 00:47:04,319
Speaker 1: But the flyers were Korean. Yes, And so the you know,

918
00:47:04,480 --> 00:47:07,920
Speaker 1: the movie is over and now they're being occupied by America.

919
00:47:08,080 --> 00:47:09,719
Speaker 2: And I was like, I don't know where it's going,

920
00:47:09,800 --> 00:47:10,800
Speaker 2: but this ain't good.

921
00:47:11,440 --> 00:47:17,560
Speaker 1: And America did occupy Korea during World War Two. I

922
00:47:17,600 --> 00:47:22,080
Speaker 1: think after the surrender of the Japanese. I think they did.

923
00:47:22,160 --> 00:47:25,480
Speaker 1: They occupied South Korea and this is why to this

924
00:47:25,560 --> 00:47:29,160
Speaker 1: day is still divided like so South Korea the United

925
00:47:29,160 --> 00:47:34,279
Speaker 1: States occupied for quote unquote democracy and North Korea was

926
00:47:34,320 --> 00:47:43,439
Speaker 1: occupied by the Soviets for communism, and to this day,

927
00:47:43,520 --> 00:47:46,319
Speaker 1: like they it was both about those nations using other

928
00:47:46,440 --> 00:47:50,680
Speaker 1: nations to have fights by proxy. Yes, a great resource

929
00:47:50,760 --> 00:47:56,400
Speaker 1: for this. Ken Burn's Vietnam documentary series is amazing, very

930
00:47:56,480 --> 00:48:00,919
Speaker 1: detail and it goes into like the Korean War and

931
00:48:00,920 --> 00:48:03,440
Speaker 1: some of the other conflicts before you get to Vietnam,

932
00:48:04,280 --> 00:48:07,359
Speaker 1: which is excellent. There's also I also watched a couple

933
00:48:07,400 --> 00:48:10,680
Speaker 1: of documentaries just on the Korean War, but I honestly

934
00:48:10,719 --> 00:48:12,239
Speaker 1: don't remember off the top of my head, and I'm

935
00:48:12,280 --> 00:48:15,400
Speaker 1: so sorry about that, y'all. I'm sure if you google

936
00:48:15,400 --> 00:48:18,040
Speaker 1: a YouTube it. I think I just I just went

937
00:48:18,080 --> 00:48:21,600
Speaker 1: on my DVR. I think I put Korean War because

938
00:48:21,640 --> 00:48:24,040
Speaker 1: I had already watched the Vietnam went by ken Burns.

939
00:48:24,040 --> 00:48:25,719
Speaker 1: And when I put Korean in that, it was like

940
00:48:26,320 --> 00:48:29,160
Speaker 1: the War Channel has a documentary series, and so I

941
00:48:29,200 --> 00:48:29,640
Speaker 1: watched that.

942
00:48:29,680 --> 00:48:31,400
Speaker 2: The History Channel probably got tons of that.

943
00:48:32,000 --> 00:48:35,160
Speaker 1: Yeah. Yeah, I can't remember, you know, don't quote me,

944
00:48:35,480 --> 00:48:38,920
Speaker 1: but I just remember putting Korean War in there, and

945
00:48:38,960 --> 00:48:41,160
Speaker 1: that's how I found that's how I learned about This

946
00:48:41,160 --> 00:48:43,800
Speaker 1: has been years ago, so my memory's not the best

947
00:48:43,920 --> 00:48:46,000
Speaker 1: on this. I haven't like brushed up on it since,

948
00:48:46,400 --> 00:48:51,359
Speaker 1: but I do remember watching documentaries on it. And that's

949
00:48:51,360 --> 00:48:55,160
Speaker 1: what it mostly was war by proxy. It was Soviet

950
00:48:55,239 --> 00:48:58,320
Speaker 1: Union and United States. They would flood money into your country,

951
00:48:58,800 --> 00:49:01,120
Speaker 1: but then they would flood their mialitari into the country,

952
00:49:01,320 --> 00:49:05,439
Speaker 1: and then they would basically kill use you to kill

953
00:49:05,480 --> 00:49:07,520
Speaker 1: each other, and maybe even send some of their troops

954
00:49:07,560 --> 00:49:09,759
Speaker 1: in there to kill each other. And they kept the

955
00:49:09,760 --> 00:49:11,719
Speaker 1: war out of the Soviet Union and out of the

956
00:49:11,800 --> 00:49:15,200
Speaker 1: United States. So these desperate countries that may have needed

957
00:49:15,239 --> 00:49:20,640
Speaker 1: something or just were too they were not capable of

958
00:49:20,640 --> 00:49:21,239
Speaker 1: fending for.

959
00:49:21,200 --> 00:49:22,959
Speaker 2: Themselves quote unquote fighting back.

960
00:49:23,080 --> 00:49:25,400
Speaker 1: Yeah, yeah, not even fighting back, but fending for the

961
00:49:25,560 --> 00:49:28,360
Speaker 1: like it would be like y'all need humanitarian aid. Also,

962
00:49:28,880 --> 00:49:30,880
Speaker 1: we want to use you as to set up a

963
00:49:30,920 --> 00:49:36,120
Speaker 1: base for communism or or quote unquote democracy. And what

964
00:49:36,200 --> 00:49:38,720
Speaker 1: I set up a base, we mean occupy your country

965
00:49:38,760 --> 00:49:42,359
Speaker 1: with weapons and soldiers and you know, kind of run

966
00:49:42,400 --> 00:49:46,400
Speaker 1: some shit over there. We're spreading democracy one gun at

967
00:49:46,440 --> 00:49:50,040
Speaker 1: a time, So one bullet at a time, right, and

968
00:49:50,080 --> 00:49:54,440
Speaker 1: so this was you gotta remember, this was a country

969
00:49:54,440 --> 00:49:57,520
Speaker 1: that just got out of a like either twenty or

970
00:49:57,600 --> 00:50:02,560
Speaker 1: thirty something year occupying by Japan. Then they had like

971
00:50:02,600 --> 00:50:04,880
Speaker 1: two or three years of not being occupied by anybody,

972
00:50:04,920 --> 00:50:08,040
Speaker 1: and then here come America like, hey, y'all, we just

973
00:50:08,120 --> 00:50:10,279
Speaker 1: had to help, you know what I mean.

974
00:50:11,640 --> 00:50:13,360
Speaker 2: Yeah, they never had a chance to see what the

975
00:50:13,400 --> 00:50:15,000
Speaker 2: country with cold actually tune it be.

976
00:50:15,440 --> 00:50:19,719
Speaker 1: Right, and so you know, this is like, this is

977
00:50:19,960 --> 00:50:24,720
Speaker 1: terrible news for them, you know, uh to a certain extent.

978
00:50:24,880 --> 00:50:30,640
Speaker 1: And so we later see uh Jia at home with

979
00:50:30,719 --> 00:50:33,319
Speaker 1: her mama. Soon he and she they're burning the flyers

980
00:50:33,840 --> 00:50:36,680
Speaker 1: and her mom is cooking some special I think it's

981
00:50:36,680 --> 00:50:41,480
Speaker 1: called talk Goop soup or talk goop. It's uh it's

982
00:50:41,960 --> 00:50:45,600
Speaker 1: it's the soup that they usually eat on New Year's Day.

983
00:50:45,840 --> 00:50:51,040
Speaker 1: It's like a celebratory soup, and this time she's giving

984
00:50:51,080 --> 00:50:54,800
Speaker 1: it to Jia because it's her birthday. Except it's interesting

985
00:50:54,840 --> 00:50:58,080
Speaker 1: because Gia goes, is it New Year's It's not New Year's.

986
00:50:58,360 --> 00:51:01,640
Speaker 1: She's like, no, it's your birthday, and she's like, okay, well,

987
00:51:01,680 --> 00:51:03,880
Speaker 1: thank you, and then she takes, uh, you know, some

988
00:51:03,920 --> 00:51:06,800
Speaker 1: of the soup and then she's like it tastes weird's

989
00:51:06,800 --> 00:51:10,279
Speaker 1: got anchovies in it, and she's like, yeah, we it's

990
00:51:10,280 --> 00:51:12,319
Speaker 1: hard find a beef around here these days because they

991
00:51:12,320 --> 00:51:14,239
Speaker 1: normally make it with beef stock, but we gonna I

992
00:51:14,280 --> 00:51:17,440
Speaker 1: made it with anchovy stock. And she was like, okay, well,

993
00:51:17,600 --> 00:51:20,960
Speaker 1: you know, thank you or whatever. She's like, Jia goes, well,

994
00:51:20,960 --> 00:51:25,640
Speaker 1: you know, anchovies used to be your husband's favorite. Now

995
00:51:26,040 --> 00:51:30,520
Speaker 1: her husband your husband, not my father, which is interesting

996
00:51:30,600 --> 00:51:34,560
Speaker 1: choice of words, and so soon he asked, do you

997
00:51:34,880 --> 00:51:42,239
Speaker 1: remember that that was your father's favorite? And uh, Jia's like,

998
00:51:43,520 --> 00:51:48,279
Speaker 1: I can't remember anything from your daughter's memories. I can,

999
00:51:48,760 --> 00:51:54,160
Speaker 1: but I can remember all of the men who I've consumed.

1000
00:51:55,320 --> 00:51:58,600
Speaker 1: So then I'm immediately putting it together in my head.

1001
00:51:58,600 --> 00:52:03,520
Speaker 1: I'm like, wait, so this is her daughter, but not

1002
00:52:03,600 --> 00:52:09,200
Speaker 1: her daughter. And then we watch what she does the

1003
00:52:09,280 --> 00:52:13,759
Speaker 1: men that tried to have sex with her, and she

1004
00:52:13,960 --> 00:52:19,400
Speaker 1: has her father's memories. Did she fucking kill her father

1005
00:52:19,640 --> 00:52:21,680
Speaker 1: with that same sex thing? And what the fuck is

1006
00:52:21,680 --> 00:52:26,160
Speaker 1: her father doing having sex with his daughter? And right

1007
00:52:26,200 --> 00:52:27,920
Speaker 1: it's like all this shit is going through my hand.

1008
00:52:27,960 --> 00:52:31,400
Speaker 1: I'm like, the math is what the fuck kind of

1009
00:52:31,440 --> 00:52:33,200
Speaker 1: relationship is this? You know?

1010
00:52:33,800 --> 00:52:34,480
Speaker 2: It's going on.

1011
00:52:34,640 --> 00:52:36,560
Speaker 1: This is why I think rewatching the show is so

1012
00:52:36,680 --> 00:52:39,080
Speaker 1: good because you go back and it's like them first

1013
00:52:39,080 --> 00:52:42,000
Speaker 1: ten to fifteen minutes you're watching totally different. Now you're like,

1014
00:52:42,800 --> 00:52:46,160
Speaker 1: this is not a full a person that has the

1015
00:52:46,239 --> 00:52:49,400
Speaker 1: memories of the body they're in to like, this is

1016
00:52:49,440 --> 00:52:53,600
Speaker 1: not a woman watching oh my favorite movie, Judy Garland movies.

1017
00:52:53,719 --> 00:52:57,080
Speaker 1: I just love Judy Garland and stuff. It's like, no,

1018
00:52:57,239 --> 00:53:00,960
Speaker 1: this is now something that's occupying this one. Yes, that

1019
00:53:01,040 --> 00:53:03,600
Speaker 1: has not been here. So in a way, it's much

1020
00:53:03,600 --> 00:53:06,640
Speaker 1: in the way that the country is occupied by these armies,

1021
00:53:06,680 --> 00:53:08,800
Speaker 1: she's occupied by the spirit.

1022
00:53:08,960 --> 00:53:11,480
Speaker 2: Yeah. And also because we watched a lot of anime,

1023
00:53:11,719 --> 00:53:13,520
Speaker 2: it was easy to follow. I don't know if that

1024
00:53:13,560 --> 00:53:15,520
Speaker 2: makes sense. Like I was like, okay, like like this

1025
00:53:15,600 --> 00:53:19,040
Speaker 2: is this is similar to how an anime would tell

1026
00:53:19,080 --> 00:53:22,320
Speaker 2: a tell a story if they were presenting a goldst

1027
00:53:22,440 --> 00:53:25,120
Speaker 2: or or or or something like that. Like you watched

1028
00:53:25,160 --> 00:53:31,160
Speaker 2: the whole series of something that like infected like a

1029
00:53:31,239 --> 00:53:34,399
Speaker 2: dude's body that like turned him into things. So for me,

1030
00:53:34,480 --> 00:53:37,319
Speaker 2: I was like, oh, okay, I could parasite that's what

1031
00:53:37,400 --> 00:53:40,880
Speaker 2: it is. I could click on like okay, I understood.

1032
00:53:40,800 --> 00:53:44,080
Speaker 1: And so I'm putting all that shit together, and I'm

1033
00:53:44,120 --> 00:53:47,799
Speaker 1: just like, it's blowing my fucking mind. And so her

1034
00:53:47,840 --> 00:53:50,520
Speaker 1: mom says not to speak that of that man anymore,

1035
00:53:51,040 --> 00:53:54,000
Speaker 1: which you know, she's now calling her husband and this

1036
00:53:54,239 --> 00:53:59,160
Speaker 1: girl's former father that man. And she also says, uh,

1037
00:53:59,400 --> 00:54:02,920
Speaker 1: Jia has brought home many men for a month, like,

1038
00:54:02,960 --> 00:54:06,200
Speaker 1: what's going on with these with these men? Okay? You

1039
00:54:06,280 --> 00:54:09,040
Speaker 1: so to keep it cracking, and you've been taking a

1040
00:54:09,080 --> 00:54:10,879
Speaker 1: lot of time off and she's like, well, we've been

1041
00:54:10,880 --> 00:54:14,120
Speaker 1: flooded with wounded at the hospital, mom, the soldiers and shit,

1042
00:54:14,239 --> 00:54:17,759
Speaker 1: and so I haven't really had time to try to

1043
00:54:17,840 --> 00:54:22,360
Speaker 1: bring somebody home. And she was like, bring the soldiers home, okay,

1044
00:54:22,400 --> 00:54:27,319
Speaker 1: because the American soldiers are like the Japanese soldiers in

1045
00:54:27,360 --> 00:54:31,080
Speaker 1: what she was saying, they raping people like they're raping people.

1046
00:54:31,120 --> 00:54:32,960
Speaker 1: They were sworn to protect these women. They come in

1047
00:54:33,000 --> 00:54:35,640
Speaker 1: with all these fucking flyers and all this good will

1048
00:54:35,719 --> 00:54:37,520
Speaker 1: and this propaganda, but at the end of the day,

1049
00:54:37,760 --> 00:54:40,480
Speaker 1: they fucking sexually assaulting us. They don't respect us, They

1050
00:54:40,520 --> 00:54:44,239
Speaker 1: occupy on our land. And you, being a person that

1051
00:54:44,280 --> 00:54:47,440
Speaker 1: can kill people that have sex with you, take some

1052
00:54:47,480 --> 00:54:50,440
Speaker 1: of these rapists home and kill them. That was basically

1053
00:54:50,440 --> 00:54:51,600
Speaker 1: what she was saying, like fuck.

1054
00:54:51,480 --> 00:54:53,160
Speaker 2: Them, I don't care.

1055
00:54:53,840 --> 00:54:57,040
Speaker 1: And then she said, two more souls and the memories

1056
00:54:57,040 --> 00:55:00,640
Speaker 1: will be gone. So that this is the first time

1057
00:55:00,640 --> 00:55:03,840
Speaker 1: we realized. Okay, so there's a magical number to get to.

1058
00:55:03,920 --> 00:55:06,279
Speaker 1: We don't know the number, but we know she's been

1059
00:55:06,320 --> 00:55:09,279
Speaker 1: killing enough people and a lot of people and she's

1060
00:55:09,320 --> 00:55:12,439
Speaker 1: like just two mo Okay. Last time we heard about

1061
00:55:12,440 --> 00:55:14,879
Speaker 1: this it was timo. Now we're down to two mm hmm.

1062
00:55:15,400 --> 00:55:19,839
Speaker 1: So she says, Gia's like, how do you know two more?

1063
00:55:19,920 --> 00:55:22,360
Speaker 1: What does that mean? And she was like, the shaman

1064
00:55:23,200 --> 00:55:26,360
Speaker 1: told me. Shaman is like a priest. It's a witch

1065
00:55:26,520 --> 00:55:30,200
Speaker 1: or you know, a priest or whatever, like a mystical person.

1066
00:55:30,560 --> 00:55:33,719
Speaker 1: It's like, uh, the shaman told me, you need to

1067
00:55:33,719 --> 00:55:35,680
Speaker 1: get a hundred souls and then I will get my

1068
00:55:35,760 --> 00:55:43,040
Speaker 1: daughter back. And she says, the cameo spirit will leave

1069
00:55:43,080 --> 00:55:44,720
Speaker 1: you and you will become human again.

1070
00:55:45,920 --> 00:55:46,040
Speaker 2: Uh.

1071
00:55:46,239 --> 00:55:50,080
Speaker 1: So, the thing that is occupying Jia's body is a

1072
00:55:50,480 --> 00:55:54,640
Speaker 1: spirit called a cameo. And what a cameo is something

1073
00:55:54,680 --> 00:55:58,120
Speaker 1: we are familiar with. You brought up anime earlier. A

1074
00:55:58,160 --> 00:56:03,360
Speaker 1: cameo is in that region. It is a spirit that

1075
00:56:03,440 --> 00:56:04,600
Speaker 1: is a nontail fox.

1076
00:56:05,040 --> 00:56:06,880
Speaker 2: Oh, yes, I understand that concept.

1077
00:56:07,000 --> 00:56:12,160
Speaker 1: Yes, like Naruto, right, except this non tail fox doesn't

1078
00:56:12,200 --> 00:56:15,440
Speaker 1: help people get ninja chakra and from a demon that

1079
00:56:15,480 --> 00:56:20,000
Speaker 1: he's a village apparently, this non tail fox, the legends

1080
00:56:20,040 --> 00:56:24,319
Speaker 1: are and it's on wiki and shit too, you turn.

1081
00:56:23,840 --> 00:56:26,560
Speaker 1: It can come in the form of a beautiful woman

1082
00:56:27,680 --> 00:56:32,880
Speaker 1: and it takes men and it lures them in and

1083
00:56:32,880 --> 00:56:37,040
Speaker 1: then it eats their hearts or deliver and there's different

1084
00:56:37,040 --> 00:56:41,400
Speaker 1: fables and stories that have stuff like that, you know.

1085
00:56:42,960 --> 00:56:45,880
Speaker 1: So she's so she's like, you know, get to a hundred.

1086
00:56:47,080 --> 00:56:48,759
Speaker 1: Oh in the non tail fox, it can live for

1087
00:56:48,800 --> 00:56:51,879
Speaker 1: a thousand years and all this stuff. But like I said,

1088
00:56:51,920 --> 00:56:54,239
Speaker 1: I don't think they were taken directly from that legend.

1089
00:56:54,280 --> 00:56:56,080
Speaker 1: They were kind of picking and choose and you know.

1090
00:56:58,080 --> 00:57:03,359
Speaker 1: And so then she she's like, you know, just two

1091
00:57:03,400 --> 00:57:06,319
Speaker 1: more and you'll, you know, my daughter will be back

1092
00:57:08,200 --> 00:57:11,640
Speaker 1: at the hospital. It's chaos because now you got wounded soldiers,

1093
00:57:11,680 --> 00:57:13,839
Speaker 1: American soldiers all there, and the women are taking care

1094
00:57:13,880 --> 00:57:16,200
Speaker 1: of them, and the soldiers is racist as hell, one

1095
00:57:16,200 --> 00:57:19,240
Speaker 1: of them is, you know, because that's the other thing.

1096
00:57:19,320 --> 00:57:23,120
Speaker 1: You're occupying another land between two people that are essentially

1097
00:57:23,120 --> 00:57:25,040
Speaker 1: the same North and South Korea as far as like

1098
00:57:25,200 --> 00:57:31,360
Speaker 1: how they look right Americans, and so to them, they're

1099
00:57:31,400 --> 00:57:35,600
Speaker 1: just like, I'm paranoid. We're killing any and everybody, and

1100
00:57:35,640 --> 00:57:38,360
Speaker 1: we're racist against all of them, because in order to

1101
00:57:38,440 --> 00:57:40,960
Speaker 1: kill somebody in the war, you really have to dehumanize them,

1102
00:57:40,960 --> 00:57:42,760
Speaker 1: and you do. That's why when you see all these

1103
00:57:42,800 --> 00:57:45,960
Speaker 1: like military dramas and shit, they don't call the people

1104
00:57:46,120 --> 00:57:49,360
Speaker 1: any pc respectable names. They always come up with some racist.

1105
00:57:49,680 --> 00:57:52,200
Speaker 1: It was a hagi it was a you know, or

1106
00:57:52,240 --> 00:57:54,680
Speaker 1: some you know, or even a military technical term that's

1107
00:57:54,760 --> 00:57:57,840
Speaker 1: like it's a hostile, Like you don't say that is

1108
00:57:57,880 --> 00:57:59,840
Speaker 1: a human being whose life I'm about to take, who

1109
00:58:00,200 --> 00:58:02,640
Speaker 1: hopes and dreams in the future. But what do you

1110
00:58:02,680 --> 00:58:05,320
Speaker 1: do when you're in another country and to you, both

1111
00:58:05,360 --> 00:58:09,080
Speaker 1: sides pretty much look the same, Right, you racist against everybody.

1112
00:58:09,080 --> 00:58:11,360
Speaker 1: It's impossible for you to be racist against half the country.

1113
00:58:12,840 --> 00:58:16,600
Speaker 1: Jes dudes are cool. So they basically the dude comes in,

1114
00:58:16,680 --> 00:58:18,760
Speaker 1: he's injured, he grabs her by the wrist. He's like,

1115
00:58:18,800 --> 00:58:21,560
Speaker 1: these fucking gooks, don't let them do it. They're trying

1116
00:58:21,560 --> 00:58:24,840
Speaker 1: to kill us and all this shit. And Young Jah

1117
00:58:25,480 --> 00:58:29,360
Speaker 1: is there and she uses a needle to knock this

1118
00:58:29,520 --> 00:58:31,960
Speaker 1: soldier out who had grabbed gas risk like he was

1119
00:58:32,000 --> 00:58:32,680
Speaker 1: gonna break it.

1120
00:58:32,960 --> 00:58:35,440
Speaker 2: Yes, And it was one of those things where it

1121
00:58:35,600 --> 00:58:40,200
Speaker 2: was such a change in the scenery because now you go, oh,

1122
00:58:40,600 --> 00:58:45,360
Speaker 2: they went from from before like pinpointant body parts to

1123
00:58:45,520 --> 00:58:48,520
Speaker 2: now they're actually bringing in live human beings that are

1124
00:58:48,520 --> 00:58:51,919
Speaker 2: actually fucked up, bloody and shot up from the war

1125
00:58:52,040 --> 00:58:55,920
Speaker 2: like like like their whole nursing area. It was like,

1126
00:58:56,040 --> 00:58:59,600
Speaker 2: now you're getting own site training. You know when before

1127
00:58:59,600 --> 00:59:02,040
Speaker 2: we were just reading the books and everything was more

1128
00:59:03,000 --> 00:59:05,640
Speaker 2: uh technical. Now this is no, no, no, We're going

1129
00:59:05,640 --> 00:59:07,960
Speaker 2: from that to Okay, here's somebody that don't like you

1130
00:59:08,040 --> 00:59:11,360
Speaker 2: that you actually have to heal. That's being racist towards

1131
00:59:11,400 --> 00:59:13,479
Speaker 2: you and calling you names, but it's still your job

1132
00:59:13,600 --> 00:59:15,400
Speaker 2: to actually not allow them to die.

1133
00:59:15,640 --> 00:59:19,440
Speaker 1: Yeah, it wasn't like the commercials at all. M M.

1134
00:59:21,400 --> 00:59:22,240
Speaker 2: I'm looking for an.

1135
00:59:22,200 --> 00:59:25,520
Speaker 1: Out week wage when to high school didn't.

1136
00:59:25,240 --> 00:59:28,920
Speaker 2: Two grades, then I gotta make podcasts. Education is what

1137
00:59:29,200 --> 00:59:34,520
Speaker 2: I'm look I get agree, I will make a big salary.

1138
00:59:35,040 --> 00:59:38,520
Speaker 2: Now I've got to d which college is right for me.

1139
00:59:39,200 --> 00:59:45,400
Speaker 2: I went through the internet Education connect see some Greek

1140
00:59:45,560 --> 00:59:50,200
Speaker 2: test to find out I'm taking my classes. Oh right,

1141
00:59:50,560 --> 00:59:54,880
Speaker 2: get my degree on my own time. Education connection with

1142
00:59:55,120 --> 01:00:01,080
Speaker 2: the right college for me, connection a free please connect.

1143
01:00:01,160 --> 01:00:04,080
Speaker 1: Shit, forever be a bop, but forever be a bop.

1144
01:00:04,280 --> 01:00:05,520
Speaker 2: Them people lied to her.

1145
01:00:05,760 --> 01:00:08,680
Speaker 1: We was no longer in the education connection stage of

1146
01:00:09,000 --> 01:00:14,120
Speaker 1: nurse school. This was now the shit. Okay, arms falling off,

1147
01:00:14,320 --> 01:00:15,680
Speaker 1: niggas bleeding.

1148
01:00:15,520 --> 01:00:17,280
Speaker 2: Come on, losing limbs and shit.

1149
01:00:17,440 --> 01:00:19,440
Speaker 1: I'm sure no one was. None of the courts was

1150
01:00:19,520 --> 01:00:23,080
Speaker 1: racist to her in the class they took. But come so,

1151
01:00:24,480 --> 01:00:26,360
Speaker 1: like I said, Young Job knocks a dude out with

1152
01:00:26,560 --> 01:00:31,200
Speaker 1: like a tranquilizer or some shit, and they then she

1153
01:00:31,280 --> 01:00:33,680
Speaker 1: goes over to get like something to splint the leg,

1154
01:00:34,280 --> 01:00:38,880
Speaker 1: and JC is an orderly talking to Young John goes, oh,

1155
01:00:38,920 --> 01:00:42,480
Speaker 1: another handsome suitor another job. They must be fucking I

1156
01:00:42,520 --> 01:00:44,919
Speaker 1: don't know. So then they go out after work. They're

1157
01:00:44,920 --> 01:00:49,040
Speaker 1: coming home Jia and Young Job and she's like, so

1158
01:00:49,360 --> 01:00:54,680
Speaker 1: you fucking that nigga at work? And uh, Young Job's like, nah,

1159
01:00:54,840 --> 01:00:58,000
Speaker 1: that's just a homie. Matter of fact, if you won't,

1160
01:00:58,080 --> 01:00:59,960
Speaker 1: I can hook you up with him. It's not even here.

1161
01:01:00,320 --> 01:01:03,080
Speaker 2: She's like, I don't want them like that. I'm actually

1162
01:01:03,080 --> 01:01:05,520
Speaker 2: trying to further my education. Like, I don't give talk

1163
01:01:05,560 --> 01:01:07,240
Speaker 2: about none of these niggas trying to holler at me.

1164
01:01:07,440 --> 01:01:11,120
Speaker 1: Right, She's like, these niggas weak, that's the song they

1165
01:01:11,120 --> 01:01:13,200
Speaker 1: should have played when she put them tentacles in that nigga,

1166
01:01:14,760 --> 01:01:17,120
Speaker 1: how fout I'm telling you how they missed a shot

1167
01:01:17,160 --> 01:01:20,320
Speaker 1: on that without just let me be musical director next season. Okay,

1168
01:01:21,040 --> 01:01:23,560
Speaker 1: that ship would have been so dope if that Tentacles

1169
01:01:23,560 --> 01:01:25,800
Speaker 1: would have came out and never been like these niggas weak.

1170
01:01:26,800 --> 01:01:34,640
Speaker 1: Oh yeah, oh man, run that cash. But then right,

1171
01:01:34,760 --> 01:01:39,320
Speaker 1: so then she's like, nah, that's that's just the homie

1172
01:01:39,320 --> 01:01:41,680
Speaker 1: hear and the friends all and ship. And then she's

1173
01:01:41,720 --> 01:01:43,160
Speaker 1: like why don't you holler at her? And then she

1174
01:01:43,360 --> 01:01:46,520
Speaker 1: was like no, my mother doesn't like his cond And

1175
01:01:46,560 --> 01:01:48,400
Speaker 1: she's like what do you mean by his cond like

1176
01:01:48,480 --> 01:01:51,560
Speaker 1: broke boys and she was like no communists. And then

1177
01:01:51,640 --> 01:01:52,320
Speaker 1: Young John.

1178
01:01:52,240 --> 01:01:59,200
Speaker 3: Was like, nigga, what you just like trying to get

1179
01:01:59,280 --> 01:02:02,600
Speaker 3: himmed up, right, and then and then uh Jill was

1180
01:02:02,640 --> 01:02:04,120
Speaker 3: like no, I mean, I know.

1181
01:02:04,040 --> 01:02:06,120
Speaker 1: You down with the communists and I know he fuck

1182
01:02:06,160 --> 01:02:08,600
Speaker 1: with them communists. I'm like I don't care. And she

1183
01:02:08,760 --> 01:02:12,400
Speaker 1: was like like, well, what you like? Why you bring

1184
01:02:12,440 --> 01:02:14,280
Speaker 1: it up? Then she was like, I don't care you different.

1185
01:02:14,360 --> 01:02:17,080
Speaker 1: I'm different too. My mother wants me to change, but

1186
01:02:17,120 --> 01:02:21,360
Speaker 1: I'm not sure I want to change. And then Young

1187
01:02:21,480 --> 01:02:26,920
Speaker 1: Job's like, but she you know, like, then don't like

1188
01:02:26,960 --> 01:02:30,600
Speaker 1: Young Job's a rebel. Okay, like she she like the

1189
01:02:30,680 --> 01:02:33,240
Speaker 1: letty of daytime. Okay if they she.

1190
01:02:33,320 --> 01:02:35,360
Speaker 2: Was like, do what you want to do?

1191
01:02:35,480 --> 01:02:37,840
Speaker 1: Yeah, she's the letty of South Korea. She's like, listen,

1192
01:02:37,920 --> 01:02:40,840
Speaker 1: fuck these men. Fuck, fuck what these motherfuckers try to

1193
01:02:40,880 --> 01:02:43,520
Speaker 1: tell us to do. I'm finishing school. And so Young

1194
01:02:43,640 --> 01:02:47,760
Speaker 1: Job was on some other ship and uh, of course. Uh.

1195
01:02:47,920 --> 01:02:50,840
Speaker 1: Jill's like, but my mom trying to protect me, and

1196
01:02:51,200 --> 01:02:53,680
Speaker 1: isn't that love? And she was like, no, that's not love.

1197
01:02:53,720 --> 01:02:56,000
Speaker 1: Your mother can't see you just who she wants you

1198
01:02:56,080 --> 01:03:00,680
Speaker 1: to be. You cannot let her fear control you. Bars

1199
01:03:01,280 --> 01:03:05,440
Speaker 1: And so just then some people ride down the street

1200
01:03:05,680 --> 01:03:08,320
Speaker 1: and they lynch a communist sympathizer right in the middle

1201
01:03:08,320 --> 01:03:10,480
Speaker 1: of the fucking street, in front of the goddamn American

1202
01:03:10,520 --> 01:03:13,320
Speaker 1: soldiers are supposed to be, you know, here keeping order

1203
01:03:13,360 --> 01:03:15,400
Speaker 1: and shit. They just like, yep, lynch them. We don't

1204
01:03:15,400 --> 01:03:17,920
Speaker 1: give a fuck. And then Young Jobs like this shit

1205
01:03:18,040 --> 01:03:20,080
Speaker 1: makes me so mad, just why I'll be fucking with

1206
01:03:20,080 --> 01:03:22,200
Speaker 1: them communists because this shit.

1207
01:03:22,800 --> 01:03:25,440
Speaker 2: And then it's bullshit right here, this shit right here.

1208
01:03:26,040 --> 01:03:28,960
Speaker 1: Right And then Jia does something that Young Job's done

1209
01:03:29,080 --> 01:03:31,560
Speaker 1: her twice, which is take her hand because when her

1210
01:03:31,600 --> 01:03:33,520
Speaker 1: risk got grabbed, Young Joe had grabbed her wrist to

1211
01:03:33,520 --> 01:03:35,760
Speaker 1: make sure she was okay. And then earlier when she

1212
01:03:35,800 --> 01:03:37,000
Speaker 1: asked her this she want to come on the date

1213
01:03:37,040 --> 01:03:39,880
Speaker 1: with her, you know, the third wheell, she had grabbed

1214
01:03:39,920 --> 01:03:41,600
Speaker 1: a risk to see if she was okay. So this

1215
01:03:41,720 --> 01:03:45,720
Speaker 1: time is Jia seeing Young jo is upset, and she

1216
01:03:46,200 --> 01:03:49,640
Speaker 1: holds her hand to her wrist and tries to console her,

1217
01:03:51,680 --> 01:03:55,560
Speaker 1: and Young Job's like, nothing's wrong with being different. What's

1218
01:03:55,600 --> 01:03:58,680
Speaker 1: wrong is them vilifying us for it. We're all the same.

1219
01:03:59,080 --> 01:04:05,000
Speaker 1: We're all human. And I'm like, you're not all human

1220
01:04:06,560 --> 01:04:11,880
Speaker 1: to see, that's the thing. Ah, you're not hello, you're.

1221
01:04:11,720 --> 01:04:12,280
Speaker 2: Not all human.

1222
01:04:13,760 --> 01:04:16,040
Speaker 1: One of you was all human, the other one is

1223
01:04:16,160 --> 01:04:19,800
Speaker 1: wearing a human shell. Okay, you know, I would love

1224
01:04:19,840 --> 01:04:22,040
Speaker 1: for y'all to be able to say that that that's correct.

1225
01:04:24,080 --> 01:04:24,720
Speaker 2: That's not true.

1226
01:04:24,840 --> 01:04:33,040
Speaker 1: It's not true, okay, so she said, she says, uh

1227
01:04:33,280 --> 01:04:35,560
Speaker 1: so one of the soldiers who stood there and watched

1228
01:04:35,560 --> 01:04:40,640
Speaker 1: the communists be hung h without doing shit. He smiles

1229
01:04:40,680 --> 01:04:45,600
Speaker 1: at Jiya and then later we see he's dripping all

1230
01:04:45,640 --> 01:04:48,960
Speaker 1: over the walls. At the time, she was like, oh,

1231
01:04:49,000 --> 01:04:52,800
Speaker 1: what come through dripping? Drip drip Okay, they could have

1232
01:04:52,800 --> 01:04:57,240
Speaker 1: played that song. Okay, Well he was dripping on the walls, right,

1233
01:04:57,280 --> 01:05:00,919
Speaker 1: they could play drip drop okay from h Higher season one,

1234
01:05:01,880 --> 01:05:05,880
Speaker 1: come on. But yeah, so this nigga was from the

1235
01:05:05,880 --> 01:05:09,520
Speaker 1: windows to the wall, come on to the blood runs

1236
01:05:09,560 --> 01:05:14,840
Speaker 1: all and cross, all bleed, bleave motherfucker. He was bleeding

1237
01:05:14,880 --> 01:05:19,800
Speaker 1: all over the walls, all bleed. God damn.

1238
01:05:20,080 --> 01:05:20,360
Speaker 2: It was.

1239
01:05:20,680 --> 01:05:24,240
Speaker 1: It was bad. And as soon as she like fucking

1240
01:05:24,600 --> 01:05:27,360
Speaker 1: bled this nigga out like her mama on the other

1241
01:05:27,400 --> 01:05:29,800
Speaker 1: side of the wall with the common and the free breeze.

1242
01:05:29,760 --> 01:05:33,560
Speaker 2: Come on in the clorox, she was outside with.

1243
01:05:33,520 --> 01:05:38,560
Speaker 1: A mop like you're done only one moment ago. Okay,

1244
01:05:38,640 --> 01:05:43,400
Speaker 1: we had ninety nine souls. And Jia says, as her

1245
01:05:43,480 --> 01:05:48,080
Speaker 1: mom is cleaning, She's like, he loved me, And mom

1246
01:05:48,200 --> 01:05:50,479
Speaker 1: was like, girl, that boy just met you. He ain't

1247
01:05:50,640 --> 01:05:54,400
Speaker 1: love your soldier came home with you tonight, y'all. It's

1248
01:05:54,440 --> 01:05:56,800
Speaker 1: no way he loved you. And then she is like,

1249
01:05:56,920 --> 01:06:01,439
Speaker 1: not the soldier talking about my daddy. I know from

1250
01:06:01,440 --> 01:06:05,360
Speaker 1: his memories that he loved me. And Mama's like, why

1251
01:06:05,440 --> 01:06:08,320
Speaker 1: you keep bringing up this nigga's name, right?

1252
01:06:08,520 --> 01:06:10,400
Speaker 2: I told you to stop talking about that.

1253
01:06:10,400 --> 01:06:14,400
Speaker 1: Man you keep bringing up Oh shit, stop, And she

1254
01:06:14,600 --> 01:06:18,600
Speaker 1: was like, then, help me understand why it's wrong to

1255
01:06:18,720 --> 01:06:21,560
Speaker 1: talk about him loving me and shit like it seemed

1256
01:06:21,600 --> 01:06:24,760
Speaker 1: like it's different kinds of love and you ain't really

1257
01:06:24,800 --> 01:06:29,280
Speaker 1: trying to expound upon this, And the mama says that

1258
01:06:29,440 --> 01:06:32,680
Speaker 1: man once again, not my husband, not your father. That

1259
01:06:32,800 --> 01:06:36,320
Speaker 1: man hurt my daughter. My daughter is in not you, nigga,

1260
01:06:36,520 --> 01:06:39,360
Speaker 1: my actual daughter. You are just a thing inside of her.

1261
01:06:39,760 --> 01:06:43,200
Speaker 1: His kind of love was wrong, and she says, then

1262
01:06:43,240 --> 01:06:47,280
Speaker 1: that's why you had shaman summon me to kill him.

1263
01:06:47,920 --> 01:06:50,400
Speaker 1: Yet you want me to kill like a monster to

1264
01:06:50,440 --> 01:06:53,120
Speaker 1: become a human, which I can see how it would

1265
01:06:53,160 --> 01:06:58,400
Speaker 1: be confusing. It is kind of hypocritical, like you want

1266
01:06:58,400 --> 01:07:01,800
Speaker 1: to revenge on this man for doing something to your daughter,

1267
01:07:03,400 --> 01:07:05,960
Speaker 1: so you're some in the spirit that then would have

1268
01:07:06,000 --> 01:07:09,160
Speaker 1: you take the souls of a hundred other unrelated men

1269
01:07:09,480 --> 01:07:13,120
Speaker 1: when they adn't do ship And it's impossible to take

1270
01:07:13,160 --> 01:07:19,320
Speaker 1: that many lines without it leaving some sort of moral yeah,

1271
01:07:19,440 --> 01:07:22,800
Speaker 1: like yeah, yeah, probably it's hard to kill a hundred

1272
01:07:22,800 --> 01:07:26,320
Speaker 1: people and feel nothing, so you know, she was like, yeah,

1273
01:07:26,640 --> 01:07:30,320
Speaker 1: what the fuck is going on with that? And so

1274
01:07:30,360 --> 01:07:35,560
Speaker 1: she was like, you don't understand, okay, the mama's assume.

1275
01:07:35,640 --> 01:07:38,640
Speaker 1: He was like, you don't understand because you're a monster. Okay,

1276
01:07:39,600 --> 01:07:42,760
Speaker 1: you don't understand no type of love. Okay, Like you

1277
01:07:42,800 --> 01:07:46,160
Speaker 1: can't even feel love. So that's that's because you're a monster.

1278
01:07:46,240 --> 01:07:50,080
Speaker 1: And that's because you can't understand why this man, my

1279
01:07:50,160 --> 01:07:53,000
Speaker 1: ex husband, my dead husband, was a monster too, And

1280
01:07:53,120 --> 01:07:58,959
Speaker 1: she says, June, uh uh. Jia says, then it's your love,

1281
01:07:59,120 --> 01:08:01,880
Speaker 1: the right kind of love. Come on, how is this

1282
01:08:02,080 --> 01:08:04,480
Speaker 1: How is it different from what he felt for your daughter?

1283
01:08:05,360 --> 01:08:08,200
Speaker 1: And she said you'll know when you become human. And

1284
01:08:08,240 --> 01:08:10,840
Speaker 1: then Jill was like, I don't think I want to

1285
01:08:10,880 --> 01:08:16,040
Speaker 1: become human. And I heard the records. I was like, oh,

1286
01:08:16,160 --> 01:08:17,080
Speaker 1: you're gonna get a whoope.

1287
01:08:18,840 --> 01:08:21,479
Speaker 2: Oh, Like I don't think I'm down with this deal

1288
01:08:21,520 --> 01:08:22,080
Speaker 2: no more.

1289
01:08:22,800 --> 01:08:24,840
Speaker 1: She was like, I've seen the lives of ninety nine men,

1290
01:08:25,080 --> 01:08:28,479
Speaker 1: all more than bad than good. Why do you insist

1291
01:08:28,520 --> 01:08:30,840
Speaker 1: on me becoming a part of this? And then the

1292
01:08:30,880 --> 01:08:33,880
Speaker 1: mama was like, because I want my fucking daughter back, bitch,

1293
01:08:34,240 --> 01:08:36,880
Speaker 1: I only wanted my daughter back the whole time. The

1294
01:08:36,960 --> 01:08:40,519
Speaker 1: shaman said the price will be high, and I did.

1295
01:08:40,600 --> 01:08:44,120
Speaker 1: I just like, I'll pay anything. And so you know

1296
01:08:45,520 --> 01:08:47,439
Speaker 1: this is what's gonna happen. You're gonna have to kill

1297
01:08:47,479 --> 01:08:50,560
Speaker 1: these people because I need we ninety nine lives. The

1298
01:08:50,720 --> 01:08:55,000
Speaker 1: motherfucker this too late for these being out right, she

1299
01:08:55,040 --> 01:08:58,200
Speaker 1: didn't see none of this is coming. And so Jill goes,

1300
01:08:58,520 --> 01:09:01,920
Speaker 1: your daughter's memories ain't in me, okay, I don't remember

1301
01:09:02,200 --> 01:09:05,959
Speaker 1: ship from your daughter. And mom was like, I disagree, okay,

1302
01:09:06,160 --> 01:09:08,200
Speaker 1: I see her in you all the time. The way

1303
01:09:08,280 --> 01:09:13,400
Speaker 1: you eat your cereal, the way you uh you know, do,

1304
01:09:13,600 --> 01:09:17,320
Speaker 1: the way you ask questions. Sometimes my daughter is all

1305
01:09:17,400 --> 01:09:19,320
Speaker 1: up in you and you it's very deep down, and

1306
01:09:19,360 --> 01:09:21,200
Speaker 1: the memory is gonna come back soon as you finished

1307
01:09:21,240 --> 01:09:23,439
Speaker 1: killing these men's She was like.

1308
01:09:23,560 --> 01:09:29,560
Speaker 2: I only think of you on two occasions. What's that

1309
01:09:29,560 --> 01:09:32,680
Speaker 2: that stay and night? She was like, I know what

1310
01:09:32,720 --> 01:09:33,080
Speaker 2: I see.

1311
01:09:33,439 --> 01:09:37,559
Speaker 1: And Jia starts singing a song and her mom was like,

1312
01:09:37,680 --> 01:09:41,400
Speaker 1: see you singing the lullaby that I taught my daughter.

1313
01:09:42,439 --> 01:09:46,240
Speaker 1: I tie her that song. So you are showing me

1314
01:09:47,080 --> 01:09:49,720
Speaker 1: that you do. You are my daughter and you have

1315
01:09:49,800 --> 01:09:50,519
Speaker 1: it inside of you.

1316
01:09:51,680 --> 01:09:59,439
Speaker 2: And uh, that's when when it's like just like she changed. Yeah,

1317
01:10:00,160 --> 01:10:09,559
Speaker 2: like all of a sudden, this actress did a beautiful job.

1318
01:10:09,600 --> 01:10:13,280
Speaker 2: It's almost like a switch flipped. And it was like

1319
01:10:13,479 --> 01:10:17,480
Speaker 2: Jia was speaking, but it wasn't Jia speaking, like the

1320
01:10:17,479 --> 01:10:20,280
Speaker 2: words were coming out of Gia's mouth, but it but

1321
01:10:20,360 --> 01:10:23,320
Speaker 2: it was no longer her. It was like, like I said,

1322
01:10:23,360 --> 01:10:26,559
Speaker 2: it was almost like her her body language, everything changed.

1323
01:10:26,560 --> 01:10:30,040
Speaker 2: It was like she was possessed talking to her through

1324
01:10:30,080 --> 01:10:31,040
Speaker 2: what was inside of her.

1325
01:10:31,360 --> 01:10:34,680
Speaker 1: M Like she got she turned it up to ten.

1326
01:10:34,800 --> 01:10:36,200
Speaker 2: Don't you shut the fuck up.

1327
01:10:36,560 --> 01:10:41,040
Speaker 1: Nobody here wants to listen to your misguided bullshit. So

1328
01:10:41,080 --> 01:10:43,360
Speaker 1: she came out her mama and dropped the big joker,

1329
01:10:43,920 --> 01:10:48,160
Speaker 1: and it was graphic, Okay, it was intense. It was

1330
01:10:48,520 --> 01:10:51,000
Speaker 1: I was not ready. My mouth was open, Okay, I

1331
01:10:51,000 --> 01:10:53,880
Speaker 1: did not know that. I wasn't ready to see this.

1332
01:10:54,080 --> 01:10:56,240
Speaker 2: I'm not safe, right, it.

1333
01:10:56,120 --> 01:10:58,960
Speaker 1: Was, and it was it was also that thing that

1334
01:10:59,040 --> 01:11:05,679
Speaker 1: they that like a lot of like Korean Japanese language,

1335
01:11:05,760 --> 01:11:09,040
Speaker 1: Like it's that voice the voice changes when they about

1336
01:11:09,040 --> 01:11:12,400
Speaker 1: to when they dropped, they're about to drop the ham

1337
01:11:12,439 --> 01:11:14,920
Speaker 1: on you, like they voice change and you be like, oh,

1338
01:11:14,960 --> 01:11:17,760
Speaker 1: this nigga, like it's not even like necessarily yell. It's

1339
01:11:17,800 --> 01:11:20,439
Speaker 1: just it's like their voice get deep and kind of growley.

1340
01:11:20,800 --> 01:11:23,799
Speaker 2: Yes, like you said, it's not it's not a yelling.

1341
01:11:23,920 --> 01:11:25,799
Speaker 2: But she was like, oh, like it.

1342
01:11:25,800 --> 01:11:28,800
Speaker 1: It was like this nigga is serious, real serious, Like

1343
01:11:28,840 --> 01:11:31,760
Speaker 1: this is not like I mean, I'm sure I don't

1344
01:11:31,760 --> 01:11:35,120
Speaker 1: speak any of these languages, but it's like it translated

1345
01:11:35,200 --> 01:11:40,000
Speaker 1: enough for you to be like, Yo, somebody's upset. Someone's

1346
01:11:40,000 --> 01:11:43,920
Speaker 1: getting fucked up today. Yes, I'm upset, right, so she says.

1347
01:11:45,680 --> 01:11:49,680
Speaker 1: The next day, I mean so, then she says, I'm

1348
01:11:49,720 --> 01:11:53,920
Speaker 1: staying up and reading late tonight. Soon He not, Mama,

1349
01:11:54,240 --> 01:11:57,960
Speaker 1: do not bother me. Your daughter saying that nursery rhyme

1350
01:11:58,040 --> 01:12:01,439
Speaker 1: to herself every time he writes her, I have no

1351
01:12:01,600 --> 01:12:04,439
Speaker 1: memory of you teaching her that song. I have his memories.

1352
01:12:04,840 --> 01:12:07,439
Speaker 1: He hand picked you, a woman with a daughter out

1353
01:12:07,479 --> 01:12:10,640
Speaker 1: of wedlock. You were a pariah. He knew what you

1354
01:12:10,680 --> 01:12:13,840
Speaker 1: would allow him to do, all to rescue you from

1355
01:12:14,280 --> 01:12:17,280
Speaker 1: shame and disgrace. And the whole time she was saying,

1356
01:12:17,280 --> 01:12:19,759
Speaker 1: it's like growling at her, walking up on her Also,

1357
01:12:19,800 --> 01:12:21,799
Speaker 1: this woman is kind of tall, so she was walking

1358
01:12:21,880 --> 01:12:25,040
Speaker 1: up on her mama, and the mama just moon walked

1359
01:12:25,040 --> 01:12:28,000
Speaker 1: out the door and I guess you slammed the sliding

1360
01:12:28,040 --> 01:12:31,400
Speaker 1: doors closed like she It was truth like them doors

1361
01:12:31,400 --> 01:12:34,400
Speaker 1: closed like the Star Wars doors. The shit were so

1362
01:12:34,439 --> 01:12:35,559
Speaker 1: fast like dog.

1363
01:12:35,640 --> 01:12:36,679
Speaker 2: Baddy was on the other side.

1364
01:12:36,840 --> 01:12:38,479
Speaker 1: She's like, oh, no, feeling. She just got the fuck

1365
01:12:38,520 --> 01:12:38,880
Speaker 1: out of there.

1366
01:12:38,920 --> 01:12:40,640
Speaker 2: You and you ain't about to fuck me up? No, no, no,

1367
01:12:40,680 --> 01:12:41,880
Speaker 2: I'm good like that.

1368
01:12:42,680 --> 01:12:42,880
Speaker 1: Yeah.

1369
01:12:42,920 --> 01:12:44,360
Speaker 2: I got tired of you talking to me in the

1370
01:12:44,439 --> 01:12:52,320
Speaker 2: old kind of way. Bitch. Are you pressed? Are you?

1371
01:12:52,800 --> 01:12:59,200
Speaker 2: Are you sad? Me? Give you a Nobody shows you love?

1372
01:13:02,120 --> 01:13:02,799
Speaker 1: That's feelings?

1373
01:13:03,240 --> 01:13:05,160
Speaker 2: You stay?

1374
01:13:05,200 --> 01:13:05,800
Speaker 1: Why that hope?

1375
01:13:06,160 --> 01:13:11,960
Speaker 2: What you need or do you need? The bitch because

1376
01:13:11,960 --> 01:13:16,519
Speaker 2: you always be straight up killing me.

1377
01:13:17,120 --> 01:13:21,519
Speaker 1: She really hit her with with the who you who

1378
01:13:21,640 --> 01:13:24,479
Speaker 1: you think you're yelling at? Ain't nobody come to see you?

1379
01:13:24,560 --> 01:13:28,559
Speaker 1: Otis and her mama, her mama fell all the way back.

1380
01:13:29,240 --> 01:13:31,880
Speaker 1: And then the next day or so, the nurses though

1381
01:13:31,920 --> 01:13:33,880
Speaker 1: at the hospital. We see them getting driven out to

1382
01:13:33,960 --> 01:13:37,120
Speaker 1: the middle of a field. All the women on her

1383
01:13:37,160 --> 01:13:41,200
Speaker 1: shift in their nurse outfits, told to get on the ground,

1384
01:13:41,400 --> 01:13:43,240
Speaker 1: get on their knees in the middle of this dirt

1385
01:13:43,280 --> 01:13:45,960
Speaker 1: field and American soldiers is interrogating them.

1386
01:13:46,000 --> 01:13:48,720
Speaker 2: I was like, oh, I was like, this is this

1387
01:13:48,760 --> 01:13:49,400
Speaker 2: ain't gonna end?

1388
01:13:49,439 --> 01:13:55,280
Speaker 1: Well, yeah it was not Uh it was not optimal, Okay.

1389
01:13:56,439 --> 01:13:56,760
Speaker 2: It was.

1390
01:13:56,840 --> 01:14:01,760
Speaker 1: It was very yeah it was. It was not good.

1391
01:14:03,600 --> 01:14:08,600
Speaker 1: So you know, I was like, it just felt like

1392
01:14:08,640 --> 01:14:09,400
Speaker 1: some killing field.

1393
01:14:09,439 --> 01:14:12,960
Speaker 2: Shit. I was like, oh, what the grades at?

1394
01:14:13,320 --> 01:14:16,479
Speaker 1: Right? Like it was. And then so this black soldier

1395
01:14:16,560 --> 01:14:19,680
Speaker 1: was interrogating now and he was just like, now I

1396
01:14:19,800 --> 01:14:22,439
Speaker 1: know one of y'all know something. It was like that

1397
01:14:22,560 --> 01:14:26,519
Speaker 1: scene from uh New Jack City where Nino Brown was

1398
01:14:26,880 --> 01:14:29,400
Speaker 1: that greater a Decarta and he had a fucking all

1399
01:14:29,439 --> 01:14:32,799
Speaker 1: hands on deck meeting and then he stabbed fucking Christopher

1400
01:14:32,800 --> 01:14:35,240
Speaker 1: Williams in the hands said I never liked Joe pretty

1401
01:14:35,240 --> 01:14:38,719
Speaker 1: ass anyway, sit your fire our ass down for make change.

1402
01:14:38,880 --> 01:14:40,679
Speaker 1: Like it was like that. He was just like, line

1403
01:14:40,720 --> 01:14:44,640
Speaker 1: of these women up, like, now see we got good information,

1404
01:14:44,880 --> 01:14:49,040
Speaker 1: saying you somebody from your shift leak information to the communists.

1405
01:14:49,800 --> 01:14:53,880
Speaker 1: Now we done accepted it. We know it's somebody. Somebody

1406
01:14:53,960 --> 01:14:58,240
Speaker 1: knows something, so who is it? Who knows what's up?

1407
01:14:58,680 --> 01:15:01,640
Speaker 1: And the the women was all pretty tight looked like,

1408
01:15:02,479 --> 01:15:05,640
Speaker 1: what the fuck you're talking about? And he went up

1409
01:15:05,680 --> 01:15:09,800
Speaker 1: to one woman and was like, you know something, you

1410
01:15:09,880 --> 01:15:12,879
Speaker 1: have something you want to say? She was like, uh Korean,

1411
01:15:12,920 --> 01:15:15,640
Speaker 1: Korean Korea. He was like bam and shot it. He's like,

1412
01:15:15,680 --> 01:15:17,479
Speaker 1: I know y'all bitch to speak English. I was like,

1413
01:15:17,560 --> 01:15:19,320
Speaker 1: god damn straight.

1414
01:15:19,080 --> 01:15:21,000
Speaker 2: In the head. I was like, oh, oh, we ain't

1415
01:15:21,000 --> 01:15:22,080
Speaker 2: playing no games.

1416
01:15:22,080 --> 01:15:26,000
Speaker 1: Definitely a war crime, like just did not care about

1417
01:15:26,040 --> 01:15:28,640
Speaker 1: her life, considering that if one of them women was

1418
01:15:28,640 --> 01:15:32,240
Speaker 1: the spy, the other eight you know what I mean,

1419
01:15:32,760 --> 01:15:34,840
Speaker 1: didn't have shit to do it and just lost their life.

1420
01:15:35,080 --> 01:15:37,719
Speaker 1: And so then he went to go shoot another woman

1421
01:15:37,800 --> 01:15:42,200
Speaker 1: and his gun jam and he was like private, and

1422
01:15:42,840 --> 01:15:45,080
Speaker 1: the private walks over and shoots this woman in the

1423
01:15:45,160 --> 01:15:49,519
Speaker 1: head with no fucking hesitation. The Private is tick.

1424
01:15:50,520 --> 01:15:52,320
Speaker 2: I did not expect that. I don't know why I

1425
01:15:52,360 --> 01:15:55,120
Speaker 2: didn't expect that. I did not see that one coming.

1426
01:15:55,280 --> 01:15:56,240
Speaker 1: He had told us he.

1427
01:15:56,160 --> 01:15:58,920
Speaker 2: Was His face was just as straight as it could be,

1428
01:15:59,200 --> 01:16:00,280
Speaker 2: like emotions.

1429
01:16:01,479 --> 01:16:03,600
Speaker 1: He had told us he was capable of ilence. He

1430
01:16:03,640 --> 01:16:05,559
Speaker 1: had told us he had done some horrible things.

1431
01:16:06,880 --> 01:16:08,000
Speaker 2: I still didn't feel.

1432
01:16:09,520 --> 01:16:12,519
Speaker 1: Normally, shows always try to give like some type of

1433
01:16:12,600 --> 01:16:16,040
Speaker 1: out to your main, he wrote quote unquote main character,

1434
01:16:16,360 --> 01:16:17,560
Speaker 1: so that you can be put in there. She was

1435
01:16:17,600 --> 01:16:20,479
Speaker 1: an understanding be like, no, it's sympathetic. They would he

1436
01:16:20,479 --> 01:16:21,439
Speaker 1: would never do something.

1437
01:16:21,439 --> 01:16:21,640
Speaker 2: He's a.

1438
01:16:21,800 --> 01:16:24,040
Speaker 1: He's a because he seems like such a great guy

1439
01:16:24,320 --> 01:16:28,320
Speaker 1: quote unquote. Uh, he's been so stand up with Letty

1440
01:16:28,439 --> 01:16:32,080
Speaker 1: and all the shit. And then I'm like, that's also

1441
01:16:32,120 --> 01:16:35,040
Speaker 1: the guy who grew up in abusive household, almost killed

1442
01:16:35,040 --> 01:16:35,920
Speaker 1: his father last week.

1443
01:16:36,000 --> 01:16:38,679
Speaker 2: Yees see it, And now the ass whooping he put

1444
01:16:38,680 --> 01:16:41,479
Speaker 2: on his dad and make complete sense because he lost it.

1445
01:16:41,680 --> 01:16:44,200
Speaker 1: Oh yeah, I absolutely think he would have killed his daddy. Yes,

1446
01:16:44,840 --> 01:16:47,320
Speaker 1: you know, he would have absolutely killed his motherfucking daddy.

1447
01:16:48,000 --> 01:16:50,840
Speaker 1: And so he's like, he just shoots it. He doesn't

1448
01:16:50,840 --> 01:16:53,240
Speaker 1: even say a word in the scene. And then he

1449
01:16:53,360 --> 01:16:59,720
Speaker 1: goes to shoot Jeia, but young Job basically says it's me,

1450
01:16:59,800 --> 01:17:02,920
Speaker 1: I'm the spy, and she and the other soldier knocks

1451
01:17:02,960 --> 01:17:04,679
Speaker 1: out with the butt of his gun and they drag

1452
01:17:04,720 --> 01:17:07,639
Speaker 1: her off and Jill's like, no, please don't and they

1453
01:17:07,680 --> 01:17:08,000
Speaker 1: take a.

1454
01:17:08,120 --> 01:17:12,599
Speaker 2: And leave and and and the thing is the second

1455
01:17:12,760 --> 01:17:19,040
Speaker 2: person that Tick shot was actually right beside Jill, and

1456
01:17:20,200 --> 01:17:22,559
Speaker 2: when he shot her, that shit was like, oh my

1457
01:17:22,600 --> 01:17:26,439
Speaker 2: gosh because like her, he was she was they were

1458
01:17:26,479 --> 01:17:28,759
Speaker 2: so close together than when he shot her, the blood

1459
01:17:28,840 --> 01:17:31,960
Speaker 2: splashed off of her and like covered g I was like,

1460
01:17:32,400 --> 01:17:35,200
Speaker 2: oh my gosh, like and it's one of those things

1461
01:17:35,240 --> 01:17:39,000
Speaker 2: where that tell me funny. Yes, this is quote unquote reenactment,

1462
01:17:39,120 --> 01:17:41,920
Speaker 2: but this probably isn't far fetched from the bullshit that

1463
01:17:42,000 --> 01:17:42,559
Speaker 2: probably happened.

1464
01:17:42,600 --> 01:17:44,880
Speaker 1: Oh it's not. There's all kinds of war atrocities America

1465
01:17:44,920 --> 01:17:47,639
Speaker 1: did were occupying them the other thing. I mean, shit,

1466
01:17:47,840 --> 01:17:51,200
Speaker 1: they there's worse. Like there was a time where they

1467
01:17:51,280 --> 01:17:55,040
Speaker 1: killed a town full of people because they they knew

1468
01:17:55,040 --> 01:17:58,760
Speaker 1: that the town was infiltrated. They didn't know the name,

1469
01:17:58,960 --> 01:18:01,599
Speaker 1: like which town, so they just was like, yeah, we're

1470
01:18:01,600 --> 01:18:06,360
Speaker 1: just gonna fucking kill them all. Like yeah, it's like

1471
01:18:06,439 --> 01:18:09,599
Speaker 1: it's I mean, like I said, it's not. You can

1472
01:18:09,640 --> 01:18:12,520
Speaker 1: go look it up. Like that's all kinds of atrocities

1473
01:18:12,560 --> 01:18:16,960
Speaker 1: have been done with America occupying other countries. And so

1474
01:18:18,640 --> 01:18:21,839
Speaker 1: what I thought was interesting is that most shows would

1475
01:18:21,880 --> 01:18:26,280
Speaker 1: not have the audacity to take a main character that

1476
01:18:26,280 --> 01:18:30,240
Speaker 1: we're rooting for and have them be complicit in an atrocity.

1477
01:18:30,280 --> 01:18:33,759
Speaker 1: They always find some type of out, like everyone else

1478
01:18:33,840 --> 01:18:36,640
Speaker 1: was raping people in and he said stop or you know,

1479
01:18:36,760 --> 01:18:39,320
Speaker 1: they was killing people and he was like, this is wrong,

1480
01:18:39,479 --> 01:18:41,680
Speaker 1: and he threw his gun down, like this is one

1481
01:18:41,720 --> 01:18:43,320
Speaker 1: of the few times that I actually saw that some

1482
01:18:43,479 --> 01:18:47,720
Speaker 1: they really was like, no, this is complicated. This man,

1483
01:18:47,800 --> 01:18:49,640
Speaker 1: who was a colored man and a press in his

1484
01:18:49,760 --> 01:18:53,559
Speaker 1: country from an abused background, went to a war and

1485
01:18:54,920 --> 01:18:57,920
Speaker 1: to escape the abuse of his father and actually became

1486
01:18:58,160 --> 01:19:02,519
Speaker 1: the worst version of him imaginable. They say wars hell,

1487
01:19:02,640 --> 01:19:05,840
Speaker 1: but they almost never really show you the hell.

1488
01:19:06,479 --> 01:19:08,479
Speaker 2: No, they don't. And I don't know if y'all ever

1489
01:19:08,640 --> 01:19:12,800
Speaker 2: tunked to people that have survived some of these wars.

1490
01:19:13,320 --> 01:19:16,160
Speaker 2: But when I was a kid, they were some of

1491
01:19:16,200 --> 01:19:19,840
Speaker 2: them older men they're probably dead now, would tell like

1492
01:19:19,880 --> 01:19:22,479
Speaker 2: their war stories from these wars yearsuallygo when I was

1493
01:19:22,479 --> 01:19:26,879
Speaker 2: a kid and the horrific shit did they tell you?

1494
01:19:26,600 --> 01:19:29,240
Speaker 2: You're like, oh my god.

1495
01:19:29,160 --> 01:19:30,880
Speaker 1: Yeah, I think. Also, like you block some of the

1496
01:19:30,880 --> 01:19:35,160
Speaker 1: shit out, I think, And then I can't emphasize enough.

1497
01:19:35,280 --> 01:19:37,960
Speaker 1: You have to almost dehumanize the person the people to

1498
01:19:38,000 --> 01:19:39,880
Speaker 1: do this kind of thing. Yeah, you don't see them

1499
01:19:39,920 --> 01:19:44,679
Speaker 1: as people anymore. So anyway, he does this terrible thing.

1500
01:19:45,080 --> 01:19:47,599
Speaker 1: Then we go took forward to the fall of nineteen fifty,

1501
01:19:47,640 --> 01:19:50,680
Speaker 1: so we jumped from summer of nineteen fifty to the

1502
01:19:50,720 --> 01:19:53,519
Speaker 1: fall and the fall of nineteen fifty. The movie theater

1503
01:19:53,600 --> 01:19:56,160
Speaker 1: is now closed. She can't go to the movies no more.

1504
01:19:56,640 --> 01:20:00,240
Speaker 1: And on there they have some graffiti that says or

1505
01:20:00,600 --> 01:20:04,920
Speaker 1: some type of vandalism that says red on communist sympathizer.

1506
01:20:04,960 --> 01:20:07,040
Speaker 1: So that's why they closed the movie theater down. Plus

1507
01:20:07,040 --> 01:20:09,720
Speaker 1: it was probably showing. It was showing American movies, so

1508
01:20:10,360 --> 01:20:12,120
Speaker 1: it was not you know, you would think they would

1509
01:20:12,120 --> 01:20:15,200
Speaker 1: be like, oh, America's occupying us, but who knows what,

1510
01:20:15,400 --> 01:20:17,320
Speaker 1: you know, what was going on. That's another thing too,

1511
01:20:17,320 --> 01:20:20,679
Speaker 1: when they start these communist scares and shit, sometimes people

1512
01:20:20,840 --> 01:20:23,320
Speaker 1: just submit people because they're jealous of them, you know, like,

1513
01:20:23,400 --> 01:20:25,360
Speaker 1: get to take this niggas movie theater I own the

1514
01:20:25,400 --> 01:20:28,479
Speaker 1: one across the street, like who knows? Who knows? So

1515
01:20:28,520 --> 01:20:31,040
Speaker 1: her distraction is now gone. In the hospital, she's working

1516
01:20:31,040 --> 01:20:33,679
Speaker 1: when she sees Tick gets brought in. He's been injured,

1517
01:20:33,880 --> 01:20:37,400
Speaker 1: his hand and his leg. She can't believe it's him.

1518
01:20:37,439 --> 01:20:40,080
Speaker 1: She is so fucking enraged when she sees his face.

1519
01:20:40,160 --> 01:20:44,040
Speaker 2: Immediately you could just see her look at him like this.

1520
01:20:44,840 --> 01:20:48,320
Speaker 1: She goes outside and because the blow off of steam,

1521
01:20:48,360 --> 01:20:51,479
Speaker 1: I guess, and just stares at the blood on her hands.

1522
01:20:51,479 --> 01:20:54,920
Speaker 1: She has now killed ninety nine men. Okay. She looks

1523
01:20:54,920 --> 01:20:58,719
Speaker 1: at this nigga the whole shift, Like the whole shift.

1524
01:20:58,760 --> 01:21:00,760
Speaker 1: She is just glaring at the mocker.

1525
01:21:00,600 --> 01:21:02,479
Speaker 2: That coming and talking to it. And she not even

1526
01:21:03,640 --> 01:21:07,040
Speaker 2: your girl, and go home.

1527
01:21:07,120 --> 01:21:11,280
Speaker 1: You look kind of tired. And she's like, I'm tired

1528
01:21:11,320 --> 01:21:15,639
Speaker 1: of this nigga. And so she's like looking at him.

1529
01:21:15,640 --> 01:21:18,000
Speaker 1: He's trying to read the kind of money Christo. His

1530
01:21:18,120 --> 01:21:22,599
Speaker 1: glasses are broken and he can't read because he don't

1531
01:21:22,600 --> 01:21:25,280
Speaker 1: got his glasses. That he throws him and throws the

1532
01:21:25,280 --> 01:21:27,679
Speaker 1: book and across the room. He starts crying real hard

1533
01:21:27,720 --> 01:21:30,200
Speaker 1: and ship uh and like one of the real just

1534
01:21:30,320 --> 01:21:34,400
Speaker 1: like embarrassing cries, you know, like he was frustrated, like

1535
01:21:34,479 --> 01:21:36,800
Speaker 1: them sounds and ship. He was fucked up. And so

1536
01:21:37,040 --> 01:21:40,360
Speaker 1: at home, g will tell soon he you're gonna get

1537
01:21:40,400 --> 01:21:44,240
Speaker 1: your hundreds killed. I found him, I know exactly who

1538
01:21:44,240 --> 01:21:47,920
Speaker 1: he is him, and kill him. His ass is dead.

1539
01:21:48,400 --> 01:21:50,759
Speaker 1: Back at work, she goes to change takes bad. She's

1540
01:21:50,760 --> 01:21:52,599
Speaker 1: he's like, let me help you with that, you know,

1541
01:21:52,720 --> 01:21:55,639
Speaker 1: being all sudden gentleman. He's like, I just need something

1542
01:21:55,640 --> 01:21:58,400
Speaker 1: to do, and he asked her can she read his

1543
01:21:58,479 --> 01:22:01,320
Speaker 1: book to him? The kind of Ronnie Christo, and she

1544
01:22:01,560 --> 01:22:07,120
Speaker 1: spoils the ending. Pete okay, Pete, pete pete.

1545
01:22:07,360 --> 01:22:09,320
Speaker 2: She was not here for the bulle shit. He was

1546
01:22:09,320 --> 01:22:11,479
Speaker 2: trying to have small talk and she's like nop.

1547
01:22:11,880 --> 01:22:14,160
Speaker 1: She's like yeah, So they get together in the end

1548
01:22:14,200 --> 01:22:16,680
Speaker 1: and this nigga whact and the shit was weak, so

1549
01:22:17,680 --> 01:22:19,519
Speaker 1: he had a sword fighting all the shit and then

1550
01:22:19,640 --> 01:22:24,439
Speaker 1: he's like, okay, so you didn't like that ending, but

1551
01:22:24,439 --> 01:22:26,559
Speaker 1: that's not how it ends in the book that you

1552
01:22:26,680 --> 01:22:29,679
Speaker 1: talking about the movie, so you don't see the movie.

1553
01:22:29,760 --> 01:22:33,320
Speaker 1: But they changed the movie ending because the movie ending

1554
01:22:33,520 --> 01:22:35,439
Speaker 1: was too sad. The real ending from the book was

1555
01:22:35,479 --> 01:22:37,439
Speaker 1: too sad or something, so they changed the movie end

1556
01:22:37,439 --> 01:22:39,679
Speaker 1: then because the audiences liked it better. So you should

1557
01:22:40,120 --> 01:22:42,080
Speaker 1: still read the book so you can find out what happened.

1558
01:22:42,080 --> 01:22:44,320
Speaker 1: They don't end up ed when the Mercedes don't get

1559
01:22:44,320 --> 01:22:48,280
Speaker 1: together in the end, so she's like she just walks off, like, man,

1560
01:22:48,320 --> 01:22:49,320
Speaker 1: fuck you fuck that book.

1561
01:22:50,000 --> 01:22:50,439
Speaker 2: Come on.

1562
01:22:50,600 --> 01:22:53,000
Speaker 1: He basically was like every game of Frolaren's Reader. They

1563
01:22:53,040 --> 01:22:55,200
Speaker 1: used to write into our podcast when we first started

1564
01:22:55,240 --> 01:23:01,000
Speaker 1: doing recaps, and so then outside the nurses playing cash ball,

1565
01:23:01,080 --> 01:23:04,160
Speaker 1: rolls over to Tick and his friend's Song, who's also

1566
01:23:04,160 --> 01:23:07,920
Speaker 1: a fellow soldier who is Korean, but he's from America, right,

1567
01:23:08,080 --> 01:23:11,160
Speaker 1: so he's you know, agent descent, but you know, not

1568
01:23:11,280 --> 01:23:15,720
Speaker 1: from Korea. Korea, yes, And so Song makes a joke

1569
01:23:15,760 --> 01:23:19,080
Speaker 1: about Jill spoiling the movie for Tick, and she basically

1570
01:23:19,080 --> 01:23:21,120
Speaker 1: looked at him like, so you've been talking to people

1571
01:23:21,160 --> 01:23:24,760
Speaker 1: about me? And he's like, Tick has the ball. He

1572
01:23:24,800 --> 01:23:26,360
Speaker 1: teases her with it, like you're gonna give it to him,

1573
01:23:26,400 --> 01:23:28,479
Speaker 1: not gonna give it to you, ha ha. And she's like,

1574
01:23:31,200 --> 01:23:33,120
Speaker 1: she hasn't even been able to see new movies because

1575
01:23:33,120 --> 01:23:36,320
Speaker 1: the fucking theater got shut down, right, And she asked

1576
01:23:36,320 --> 01:23:38,960
Speaker 1: if she walks, she goes to get a ball back

1577
01:23:38,960 --> 01:23:41,200
Speaker 1: to the other women, I think they take the ball

1578
01:23:41,240 --> 01:23:43,880
Speaker 1: and leave, and then she stops, thinks about it, turns

1579
01:23:43,920 --> 01:23:48,080
Speaker 1: around and says, have y'all met Judy Garland? And they

1580
01:23:48,200 --> 01:23:51,360
Speaker 1: laugh at it really hard, and she's like, what's so understanding?

1581
01:23:51,760 --> 01:23:52,440
Speaker 2: Yeah?

1582
01:23:52,520 --> 01:23:55,360
Speaker 1: Yeah, and they like, the only way we mean Julie

1583
01:23:55,360 --> 01:23:58,920
Speaker 1: Garland is if he's her driving, I'm her butler. Cause

1584
01:23:58,960 --> 01:24:01,280
Speaker 1: they do not treat color for America good at all,

1585
01:24:02,520 --> 01:24:05,160
Speaker 1: and Jia is like, well, some why don't you just

1586
01:24:05,200 --> 01:24:07,559
Speaker 1: stay in Korea after the walk? Well people respect you,

1587
01:24:08,000 --> 01:24:10,440
Speaker 1: and he was like, cause I'm gonna be not respected.

1588
01:24:11,320 --> 01:24:15,639
Speaker 2: Yeah, I'm not respected here and I'm not respected at home.

1589
01:24:16,120 --> 01:24:20,280
Speaker 2: So you know it's yeah, because he's an outsider. He

1590
01:24:20,320 --> 01:24:22,559
Speaker 2: would literally be an outsider because he wasn't born and

1591
01:24:22,600 --> 01:24:23,040
Speaker 2: raised there.

1592
01:24:23,280 --> 01:24:25,760
Speaker 1: Yeah, in Korea, he said, they call him a yang nam,

1593
01:24:25,840 --> 01:24:31,000
Speaker 1: which basically means stupid American man, and America to call

1594
01:24:31,040 --> 01:24:35,640
Speaker 1: him a gook, which is a racist slang for Korean's like, like,

1595
01:24:35,720 --> 01:24:37,800
Speaker 1: it don't really matter where I go, And she's like,

1596
01:24:37,840 --> 01:24:40,320
Speaker 1: why you go to water and he was like, they drafted.

1597
01:24:39,920 --> 01:24:41,679
Speaker 2: Me, right, I didn't have a choice.

1598
01:24:41,800 --> 01:24:43,280
Speaker 1: You ain't like I didn't want to be here. You

1599
01:24:43,320 --> 01:24:46,120
Speaker 1: need to ask Tick. He volunteered for the stupid.

1600
01:24:45,800 --> 01:24:48,479
Speaker 2: Shit, right, he signed up for it.

1601
01:24:48,880 --> 01:24:50,880
Speaker 1: And then at that point that's when they both talked

1602
01:24:50,920 --> 01:24:53,320
Speaker 1: him and Jia. Tick and Jill both realized they both

1603
01:24:53,360 --> 01:24:58,439
Speaker 1: have overbearing Peretto figures her mom for her who actually,

1604
01:24:58,520 --> 01:25:00,840
Speaker 1: you know, if you think about what the is having

1605
01:25:01,760 --> 01:25:04,200
Speaker 1: Jia due the spirit that's inside her and what it

1606
01:25:04,280 --> 01:25:09,040
Speaker 1: must be learning, it's you know, killing ninety nine people

1607
01:25:09,520 --> 01:25:13,880
Speaker 1: supposed to kill one hundred. This this, this like, you're

1608
01:25:13,920 --> 01:25:16,639
Speaker 1: not learning about the value of life. It is kind

1609
01:25:16,640 --> 01:25:19,639
Speaker 1: of an abusive situation. She tells you can't be loved.

1610
01:25:19,680 --> 01:25:22,080
Speaker 1: I don't love you. You don't You're not a human,

1611
01:25:22,120 --> 01:25:24,479
Speaker 1: and you don't experience you know, you basically don't deserve

1612
01:25:24,600 --> 01:25:26,800
Speaker 1: or experience love. You just a tool to get my

1613
01:25:26,920 --> 01:25:30,439
Speaker 1: daughter back. So the things that the Camillo spirit is

1614
01:25:30,520 --> 01:25:35,040
Speaker 1: learning in this existence have definitely it definitely would make

1615
01:25:35,080 --> 01:25:38,000
Speaker 1: it feel kind of like having an abusive, overbearing parent,

1616
01:25:38,120 --> 01:25:40,880
Speaker 1: you know, yes, And so of course take we know

1617
01:25:41,040 --> 01:25:45,840
Speaker 1: his father is abusive and overbearing and shit. So he

1618
01:25:45,880 --> 01:25:47,840
Speaker 1: says he went to the army to escape his father

1619
01:25:48,360 --> 01:25:51,000
Speaker 1: because he didn't want to turn out like his father

1620
01:25:51,280 --> 01:25:54,200
Speaker 1: wanted him to. And he said, the joke's on me.

1621
01:25:54,439 --> 01:25:58,280
Speaker 1: The war made me worse than what I'm like. I

1622
01:25:58,560 --> 01:26:01,880
Speaker 1: like this shit is. War has fucked me up worse

1623
01:26:01,920 --> 01:26:04,559
Speaker 1: than my father. So he used to escape through books

1624
01:26:04,600 --> 01:26:06,320
Speaker 1: by reading. Then he got to a point where the

1625
01:26:06,320 --> 01:26:08,920
Speaker 1: books couldn't take him far away enough, so then he

1626
01:26:09,000 --> 01:26:11,439
Speaker 1: went to war, and now he's back the books. He

1627
01:26:11,560 --> 01:26:14,600
Speaker 1: reading books with the broke glasses because.

1628
01:26:14,320 --> 01:26:16,920
Speaker 2: He can't escape, and.

1629
01:26:16,760 --> 01:26:20,080
Speaker 1: She asked why to count of montey Cristo, like whatever

1630
01:26:20,360 --> 01:26:23,439
Speaker 1: montey Cristo. They were the next day when she was

1631
01:26:23,479 --> 01:26:25,840
Speaker 1: sitting on the bed with him reading his book, and

1632
01:26:25,880 --> 01:26:28,280
Speaker 1: he said, she's like, why is your father's favorite book?

1633
01:26:28,560 --> 01:26:32,000
Speaker 1: And he was like, because it relates to oppression and

1634
01:26:32,120 --> 01:26:35,759
Speaker 1: my father. It's my father's favorite and it was written

1635
01:26:35,760 --> 01:26:39,679
Speaker 1: by a Negro man, so you know, it's all these

1636
01:26:39,840 --> 01:26:42,200
Speaker 1: different elements as a black man I can relate to.

1637
01:26:42,800 --> 01:26:45,040
Speaker 1: And then he says, you know, she's like, you should

1638
01:26:45,040 --> 01:26:47,000
Speaker 1: ask your dad why is his favorite? And he says,

1639
01:26:47,160 --> 01:26:50,320
Speaker 1: I don't talk to my dad anymore, and she was like,

1640
01:26:50,400 --> 01:26:52,559
Speaker 1: I don't really talk to my mom a lot. She

1641
01:26:52,560 --> 01:26:54,559
Speaker 1: didn't like who I am. And he goes, well, I

1642
01:26:54,640 --> 01:26:58,800
Speaker 1: like who you are and even though your mom wanted

1643
01:26:58,800 --> 01:27:06,639
Speaker 1: to change or whatever, and so then he says, uh,

1644
01:27:06,160 --> 01:27:08,360
Speaker 1: he he talks about his father getting it. She says,

1645
01:27:08,439 --> 01:27:11,840
Speaker 1: we have to stop letting their fear shape us, which

1646
01:27:11,880 --> 01:27:15,200
Speaker 1: is what young Jah told her that night the Communists

1647
01:27:15,720 --> 01:27:19,479
Speaker 1: got killed, and he said that's good advice. She says,

1648
01:27:19,479 --> 01:27:22,439
Speaker 1: for my best friend, and he said, well, I like

1649
01:27:22,479 --> 01:27:24,760
Speaker 1: to meet this best friend get some more advice and

1650
01:27:24,800 --> 01:27:27,840
Speaker 1: that's when she realized he has no fucking idea. Mm hm,

1651
01:27:28,360 --> 01:27:30,400
Speaker 1: he killed like he.

1652
01:27:30,760 --> 01:27:33,840
Speaker 2: Basically he probably blanked out, like it's one of them

1653
01:27:33,880 --> 01:27:36,040
Speaker 2: things like you said, you have to separate humanity. So

1654
01:27:36,040 --> 01:27:38,519
Speaker 2: he probably did it, blanked out, probably went pantage in

1655
01:27:38,520 --> 01:27:40,600
Speaker 2: the faces or anything. He was just doing as he

1656
01:27:40,680 --> 01:27:41,120
Speaker 2: was told.

1657
01:27:41,360 --> 01:27:44,559
Speaker 1: It's interesting too, because I could see with this show

1658
01:27:44,640 --> 01:27:50,200
Speaker 1: being so mysterious, I could see them doing something where

1659
01:27:50,360 --> 01:27:55,800
Speaker 1: maybe the twisters like he had some spirit in him

1660
01:27:55,920 --> 01:27:58,760
Speaker 1: or something like there's a reason he can't recall that

1661
01:27:58,840 --> 01:28:01,679
Speaker 1: shit or there's a reason and you know he did

1662
01:28:01,720 --> 01:28:03,800
Speaker 1: that is because you know, he wasn't in control of

1663
01:28:03,840 --> 01:28:06,400
Speaker 1: his own body or something. You know, I'm not I

1664
01:28:06,479 --> 01:28:08,920
Speaker 1: kind of hope they don't do that, but it like,

1665
01:28:09,000 --> 01:28:10,559
Speaker 1: I kind of liked the idea that there's not a

1666
01:28:10,600 --> 01:28:11,000
Speaker 1: cop out.

1667
01:28:11,000 --> 01:28:13,840
Speaker 2: He just did terrible things, correct, and he was.

1668
01:28:13,840 --> 01:28:17,640
Speaker 1: Monstrous and whatnot. But I'm saying with this show, I

1669
01:28:17,720 --> 01:28:22,479
Speaker 1: just there's so much they could do. Who knows? So yeah,

1670
01:28:22,520 --> 01:28:29,200
Speaker 1: so then yeah, he tells her that, and she just

1671
01:28:29,720 --> 01:28:32,679
Speaker 1: she she knows you killed my best friend. He doesn't,

1672
01:28:33,840 --> 01:28:36,519
Speaker 1: or you took my best friend. I'm sorry to off

1673
01:28:36,560 --> 01:28:39,120
Speaker 1: to be tortured. I never saw it again. Later, we

1674
01:28:39,160 --> 01:28:42,639
Speaker 1: see JS standing outside Camp Walk, an army base. She's

1675
01:28:42,680 --> 01:28:46,519
Speaker 1: supposed to meet Tech. The soldier's dog whistle at her

1676
01:28:47,000 --> 01:28:50,120
Speaker 1: and Song comes out to guide her in, and he

1677
01:28:50,200 --> 01:28:53,479
Speaker 1: basically has to act like she's a prostitute. They're like, hey, hey,

1678
01:28:53,840 --> 01:28:56,960
Speaker 1: I want to turn or some shit, and then he's like, yeah,

1679
01:28:57,080 --> 01:28:59,360
Speaker 1: you could get her when I'm done, if she can

1680
01:28:59,439 --> 01:29:02,840
Speaker 1: even walk like you know, fake bravado.

1681
01:29:03,120 --> 01:29:05,920
Speaker 2: And then just so they wouldn't with them, right, and

1682
01:29:05,960 --> 01:29:09,400
Speaker 2: then they're like you looky, you know, fuck your sisters

1683
01:29:09,920 --> 01:29:14,599
Speaker 2: because you know they're racist. And so she's like, does

1684
01:29:14,680 --> 01:29:17,599
Speaker 2: Tick think I'm a prostitute a comfort woman?

1685
01:29:18,080 --> 01:29:22,200
Speaker 1: And he's like no. But because of them being paranoid

1686
01:29:22,200 --> 01:29:25,280
Speaker 1: of Korean spies, what they've done is not allowed any

1687
01:29:25,320 --> 01:29:29,160
Speaker 1: Korean people on the base unless they're comfort women, which

1688
01:29:29,200 --> 01:29:33,559
Speaker 1: is essentially sex workers. And that's a real thing, not

1689
01:29:33,640 --> 01:29:37,120
Speaker 1: just not just a real thing. But when Japan and

1690
01:29:37,120 --> 01:29:40,480
Speaker 1: when America occupied them, one of the things that Koreans

1691
01:29:40,479 --> 01:29:44,799
Speaker 1: thought of as quote unquote protection was to have comfort

1692
01:29:44,840 --> 01:29:48,519
Speaker 1: women there to have sex with the soldiers, and then

1693
01:29:48,680 --> 01:29:53,080
Speaker 1: saying that will stop the soldiers from raping people. That's dead, serious,

1694
01:29:53,240 --> 01:29:57,120
Speaker 1: dead up oh right, that's that's how much the expectation

1695
01:29:57,320 --> 01:30:01,080
Speaker 1: of that sexual terrorism was that they were like like,

1696
01:30:01,280 --> 01:30:04,400
Speaker 1: at that period of time, let's get some prostitutes over

1697
01:30:04,400 --> 01:30:09,360
Speaker 1: there and keep that'll keep the sexual assaults down. Now

1698
01:30:09,360 --> 01:30:11,439
Speaker 1: it doesn't necessary. I mean, I doubt that it really

1699
01:30:11,479 --> 01:30:14,640
Speaker 1: would one hundred percent work because sexual assault is a

1700
01:30:14,640 --> 01:30:17,240
Speaker 1: time of power and it's not really one. And then also,

1701
01:30:17,560 --> 01:30:20,520
Speaker 1: you're still serving up these women to be sexually assaulted.

1702
01:30:20,840 --> 01:30:23,559
Speaker 1: You are, now, I do understand, what real choice do

1703
01:30:23,600 --> 01:30:27,440
Speaker 1: you have? These people are occupying your land with weapons

1704
01:30:27,520 --> 01:30:30,679
Speaker 1: and and all this shit. They're probably gonna do whatever

1705
01:30:30,720 --> 01:30:34,160
Speaker 1: the fuck they want to do anyway. But yeah, so

1706
01:30:34,240 --> 01:30:37,840
Speaker 1: that was real. That's not a fake thing. So she

1707
01:30:37,920 --> 01:30:40,800
Speaker 1: gets brought there and it's kind of scary. They bring

1708
01:30:40,800 --> 01:30:46,240
Speaker 1: it to a tent all by herself, and she's, you know,

1709
01:30:46,360 --> 01:30:48,880
Speaker 1: kind of uncomfortable for a second. Songs like stay here,

1710
01:30:49,080 --> 01:30:51,679
Speaker 1: don't move and leave her in the room by herself,

1711
01:30:51,720 --> 01:30:52,960
Speaker 1: and it's like what are they gonna do to her?

1712
01:30:53,360 --> 01:30:55,640
Speaker 1: And I'm you know, and then I'm also like, she

1713
01:30:55,760 --> 01:30:58,000
Speaker 1: got fucking tentacles. What's she gonna do to y'all?

1714
01:30:58,080 --> 01:31:02,360
Speaker 2: Y'all better be Yeah, y'all better huh, y'all better be

1715
01:31:02,439 --> 01:31:02,920
Speaker 2: one scared.

1716
01:31:03,040 --> 01:31:07,280
Speaker 1: Y'all better be some gentlemen. Okay, but like this, you're

1717
01:31:07,320 --> 01:31:07,880
Speaker 1: not locked it.

1718
01:31:08,080 --> 01:31:11,639
Speaker 2: I'm you're locked in here with me. I'm not locked

1719
01:31:11,640 --> 01:31:12,280
Speaker 2: in here with you.

1720
01:31:12,680 --> 01:31:15,800
Speaker 1: So they leave. A light comes on, like almost, because

1721
01:31:15,800 --> 01:31:18,920
Speaker 1: the other thing is we know they've interrogated people for

1722
01:31:19,000 --> 01:31:22,440
Speaker 1: being suspected communists, so could they suspect she's a communist?

1723
01:31:22,439 --> 01:31:24,960
Speaker 1: This is just a big ruse to get her by herself.

1724
01:31:25,320 --> 01:31:29,120
Speaker 1: But instead a spotlight comes on and we see techs

1725
01:31:29,120 --> 01:31:33,920
Speaker 1: standing in full uniform next to a screen, and he

1726
01:31:34,000 --> 01:31:36,719
Speaker 1: brings out a chair for her, and the screen starts

1727
01:31:36,720 --> 01:31:40,519
Speaker 1: playing a movie and it's the movie she was looking

1728
01:31:40,560 --> 01:31:42,880
Speaker 1: forward to watching this Summer, but she was not gonna

1729
01:31:42,880 --> 01:31:45,200
Speaker 1: get to watch it because the theater was closed called Summerstock,

1730
01:31:45,720 --> 01:31:48,200
Speaker 1: which is another movie with Judy Garland at the star.

1731
01:31:49,080 --> 01:31:52,479
Speaker 1: And so she's like, how did you do this? And

1732
01:31:52,520 --> 01:31:56,519
Speaker 1: he was like, you know, my uncle George, and I

1733
01:31:56,560 --> 01:31:59,960
Speaker 1: got sad. I was like, uncle George, Yeah, Uncle George

1734
01:32:00,160 --> 01:32:03,240
Speaker 1: was basically the bootleg man. He invented lime wire. Okay,

1735
01:32:03,320 --> 01:32:06,720
Speaker 1: come on, the first a pioneer, we stand a pioneer,

1736
01:32:06,880 --> 01:32:10,439
Speaker 1: We stand there of black He's the first, the first.

1737
01:32:10,760 --> 01:32:14,080
Speaker 1: Uh he the first napster. It was called Napping Star. Okay,

1738
01:32:14,280 --> 01:32:17,360
Speaker 1: come on, Napping Star. He was the first napster. This

1739
01:32:17,479 --> 01:32:20,920
Speaker 1: nigga was sending movie still in the theater across the

1740
01:32:20,960 --> 01:32:24,639
Speaker 1: country so they could be watched because apparently he made

1741
01:32:24,640 --> 01:32:28,439
Speaker 1: connections when he was doing his uh, when he was

1742
01:32:28,479 --> 01:32:31,920
Speaker 1: doing his uh what do you call it? Green the

1743
01:32:33,040 --> 01:32:38,320
Speaker 1: safe Negro travel gud So she finally watched the movie

1744
01:32:38,320 --> 01:32:40,559
Speaker 1: with them. They have such a romantic time. She decides

1745
01:32:41,560 --> 01:32:46,320
Speaker 1: it's time to give you some of this Korean fried chicken. Okay,

1746
01:32:46,920 --> 01:32:51,040
Speaker 1: it is time to lay the SmackDown. Come on to

1747
01:32:51,160 --> 01:32:54,760
Speaker 1: my crib, which shocked me because I thought at this point,

1748
01:32:54,760 --> 01:32:56,280
Speaker 1: I said, it seemed like she really.

1749
01:32:56,080 --> 01:32:58,400
Speaker 2: Likes him, and.

1750
01:32:58,160 --> 01:33:00,400
Speaker 1: I just thought they were gonna have a sexless like

1751
01:33:01,640 --> 01:33:06,400
Speaker 1: Mike Pen's mother relationship. You know, well you just like, listen,

1752
01:33:06,560 --> 01:33:08,800
Speaker 1: we understand the rules here. We don't touch each other

1753
01:33:09,400 --> 01:33:12,360
Speaker 1: because you got freaking technical shit going on. And I

1754
01:33:12,400 --> 01:33:14,920
Speaker 1: don't want to die. But no, She's like, I'm take

1755
01:33:14,960 --> 01:33:20,599
Speaker 1: you back to the to the boomboe room, and I

1756
01:33:20,680 --> 01:33:24,599
Speaker 1: was like, this is so romantic. It's like this nigga's

1757
01:33:24,600 --> 01:33:28,400
Speaker 1: in love with a whole suckubus like, congrats to you.

1758
01:33:28,400 --> 01:33:30,160
Speaker 1: You know what a great way to make up for

1759
01:33:30,240 --> 01:33:34,960
Speaker 1: killing her best friend. Okay, you got to show and honestly,

1760
01:33:34,960 --> 01:33:37,320
Speaker 1: what's she your best friend? Because I feel like that's

1761
01:33:37,320 --> 01:33:40,360
Speaker 1: a work friend. Okay, y'all didn't hang out that much

1762
01:33:40,400 --> 01:33:42,680
Speaker 1: outside of work. And what's y'all don't work at the

1763
01:33:42,680 --> 01:33:44,400
Speaker 1: same place no more? Well, y'all even gonna talk?

1764
01:33:45,040 --> 01:33:46,600
Speaker 2: Nah, they lost each other number.

1765
01:33:46,960 --> 01:33:50,439
Speaker 1: We've lost closer friends in that. That's okay. So she

1766
01:33:50,520 --> 01:33:53,280
Speaker 1: takes them rack to the Bedroom of Blood when she's

1767
01:33:53,320 --> 01:33:57,160
Speaker 1: about to smash and splash, and he tells her he's

1768
01:33:57,200 --> 01:34:00,880
Speaker 1: a virgin. Yes, because if it's one thing this show

1769
01:34:00,960 --> 01:34:06,320
Speaker 1: loves somebody telling somebody the a virgin. And she's like, well,

1770
01:34:06,439 --> 01:34:12,360
Speaker 1: I'm not a virgin, okay, okay, so don't you know,

1771
01:34:13,439 --> 01:34:16,240
Speaker 1: don't worry about all that. Okay, I'm gonna take care

1772
01:34:16,400 --> 01:34:20,240
Speaker 1: of I know what I'm doing, Okay, ma'mna know I'm

1773
01:34:20,240 --> 01:34:21,439
Speaker 1: what she cooking in this kitchen.

1774
01:34:22,240 --> 01:34:25,639
Speaker 2: And it made it really made me think about how

1775
01:34:25,680 --> 01:34:28,599
Speaker 2: he responded to live. I was like, oh, that's why

1776
01:34:28,640 --> 01:34:30,160
Speaker 2: he responded the way he did.

1777
01:34:30,240 --> 01:34:30,400
Speaker 1: Well.

1778
01:34:30,439 --> 01:34:32,840
Speaker 2: He was like, if I would have known that, I

1779
01:34:32,840 --> 01:34:36,200
Speaker 2: would have treated that experience completely differently.

1780
01:34:37,200 --> 01:34:40,320
Speaker 1: Like he's definitely a certain type, you know what I mean.

1781
01:34:40,400 --> 01:34:40,720
Speaker 1: He's not.

1782
01:34:43,880 --> 01:34:44,519
Speaker 2: He's not a.

1783
01:34:46,920 --> 01:34:49,000
Speaker 1: He's not like a player or some shit, Like he's

1784
01:34:49,040 --> 01:34:51,759
Speaker 1: a gentle he's a Southern gentleman or something not Southern,

1785
01:34:52,439 --> 01:34:56,040
Speaker 1: but he's a gentleman or whatever. So she he tells her,

1786
01:34:56,200 --> 01:34:58,680
Speaker 1: but not just that, he also tells her like in

1787
01:34:58,720 --> 01:35:00,320
Speaker 1: addition to being a virgin, I just I want you

1788
01:35:00,360 --> 01:35:05,439
Speaker 1: to know I've done horrible things and I try to

1789
01:35:05,439 --> 01:35:09,800
Speaker 1: forget them and I can't. And it's only when I'm

1790
01:35:09,840 --> 01:35:12,960
Speaker 1: with you that it seems possible, because you see the

1791
01:35:13,000 --> 01:35:16,280
Speaker 1: good in me, and because you believe in that, I

1792
01:35:16,320 --> 01:35:18,880
Speaker 1: know it's there. And I never felt this way about

1793
01:35:18,920 --> 01:35:25,680
Speaker 1: anybody before. And another thing that made me think was

1794
01:35:25,800 --> 01:35:28,280
Speaker 1: he killed people before he ever had sex.

1795
01:35:30,200 --> 01:35:34,000
Speaker 2: Yeah, when you send people out there young, that this

1796
01:35:34,120 --> 01:35:35,040
Speaker 2: the shit that happens.

1797
01:35:35,200 --> 01:35:36,000
Speaker 1: War is crazy.

1798
01:35:36,520 --> 01:35:38,880
Speaker 2: You're old enough to take somebody's life, Like.

1799
01:35:38,920 --> 01:35:41,160
Speaker 1: You have killed people before, and now she's killed people

1800
01:35:41,240 --> 01:35:44,000
Speaker 1: I having sex with you killed people before you ever

1801
01:35:44,200 --> 01:35:48,760
Speaker 1: had a sexual experience, and no wonder you volunteered. I mean,

1802
01:35:48,840 --> 01:35:50,959
Speaker 1: what did you think you had to live for? Okay,

1803
01:35:51,120 --> 01:35:52,920
Speaker 1: they lucky they got you so early if you would

1804
01:35:52,920 --> 01:35:54,200
Speaker 1: have got some sexy but be like hey, hell no,

1805
01:35:54,240 --> 01:35:57,120
Speaker 1: they're gonna ay wall come find me. I'll be up

1806
01:35:57,160 --> 01:36:00,760
Speaker 1: in Canada. Okay, I have had sex and I want more.

1807
01:36:00,960 --> 01:36:05,000
Speaker 1: I'm not giving this up. And then they get ready

1808
01:36:05,000 --> 01:36:08,160
Speaker 1: to get this smanging and there's a rumbling sound as

1809
01:36:08,200 --> 01:36:10,760
Speaker 1: you can see like the screen shape because her tentacles

1810
01:36:10,840 --> 01:36:17,759
Speaker 1: is like I'm ready. Okay, it's time. Oh it's party time,

1811
01:36:18,160 --> 01:36:20,000
Speaker 1: time to the pody.

1812
01:36:20,080 --> 01:36:22,240
Speaker 2: And you can feel it shifting in the room.

1813
01:36:22,400 --> 01:36:25,639
Speaker 1: Yeah, the tentacles is about to break dance on his ass.

1814
01:36:25,960 --> 01:36:28,880
Speaker 1: And then she stopped. She was like no, get out,

1815
01:36:29,040 --> 01:36:30,920
Speaker 1: and then he was like get out. She's like get out.

1816
01:36:31,080 --> 01:36:32,600
Speaker 1: And then the door open and the mother was on

1817
01:36:32,640 --> 01:36:34,320
Speaker 1: the other side with a bucket of pine sauce. She's

1818
01:36:34,360 --> 01:36:37,599
Speaker 1: like no, what No, I was over here waiting right.

1819
01:36:37,640 --> 01:36:40,439
Speaker 1: The mother was like, no, fuck them, fucking get you

1820
01:36:40,479 --> 01:36:42,000
Speaker 1: gonna get in there, get to the sex. He was

1821
01:36:42,080 --> 01:36:44,680
Speaker 1: like no, I'm out, and I know the mother was

1822
01:36:44,680 --> 01:36:48,519
Speaker 1: short of give give it that dick, right, and he

1823
01:36:48,720 --> 01:36:52,160
Speaker 1: was like gold and young non young like, which I

1824
01:36:52,160 --> 01:36:54,720
Speaker 1: think is like American dumb ass or whatever, like get

1825
01:36:54,720 --> 01:36:56,960
Speaker 1: out of the room. You know, get get out of here,

1826
01:36:58,920 --> 01:37:02,240
Speaker 1: and uh and yeah, Demino, I know they supposed to

1827
01:37:02,280 --> 01:37:04,960
Speaker 1: be tales. I know we covered that earlier. The shit

1828
01:37:05,000 --> 01:37:07,639
Speaker 1: look like spider tentacles. Okay, get you a better TV

1829
01:37:08,160 --> 01:37:11,479
Speaker 1: h Tick. Tick runs out of the house and Jia

1830
01:37:11,600 --> 01:37:16,200
Speaker 1: and her mother started talking, and Jia is like, I

1831
01:37:16,240 --> 01:37:21,960
Speaker 1: wanted to make you happy, mother, and she says like

1832
01:37:22,040 --> 01:37:26,040
Speaker 1: I even learned to mimic love from young Jah at

1833
01:37:26,040 --> 01:37:28,559
Speaker 1: my job. And that's why I was like, Oh, it

1834
01:37:28,800 --> 01:37:34,080
Speaker 1: wasn't jealousy. She was studying her. She's like, I was

1835
01:37:34,120 --> 01:37:40,080
Speaker 1: hoping that would be enough, but she's like, I really

1836
01:37:40,160 --> 01:37:45,760
Speaker 1: liked Tick, and I won't kill them, you know. And

1837
01:37:45,800 --> 01:37:49,320
Speaker 1: what I thought was interesting about that was it then

1838
01:37:49,400 --> 01:37:51,759
Speaker 1: made me think of all the shit she was studying,

1839
01:37:51,800 --> 01:37:57,439
Speaker 1: the movies, the you know, Like what she right like,

1840
01:37:57,560 --> 01:38:00,639
Speaker 1: she was studying this shit to mimic it, to make

1841
01:38:00,680 --> 01:38:03,479
Speaker 1: it part of her repertoire, but not just to attract

1842
01:38:03,520 --> 01:38:05,840
Speaker 1: men to kill and become a better killer, but to

1843
01:38:05,880 --> 01:38:10,320
Speaker 1: become a better approximation of what it is to be

1844
01:38:10,360 --> 01:38:15,360
Speaker 1: a human woman. Because soon he goes, don't call me mother,

1845
01:38:15,640 --> 01:38:18,519
Speaker 1: I ain't your mama, and Jia's like, you are my mother.

1846
01:38:18,880 --> 01:38:22,000
Speaker 1: You summon me into this world, whether you want to

1847
01:38:22,040 --> 01:38:25,040
Speaker 1: be my mother or not. You you my mama, like,

1848
01:38:25,120 --> 01:38:26,480
Speaker 1: I ain't never know nobody.

1849
01:38:26,240 --> 01:38:28,320
Speaker 2: Else, right, you literally have raised me.

1850
01:38:28,600 --> 01:38:31,000
Speaker 1: And then this when soon he changes up her arguments,

1851
01:38:31,040 --> 01:38:33,000
Speaker 1: She's like, then why are you dishonoring your mother by

1852
01:38:33,040 --> 01:38:35,640
Speaker 1: not abay or her? How you sit there pretending I

1853
01:38:35,720 --> 01:38:37,760
Speaker 1: had the feelings of the for the person that killed

1854
01:38:37,800 --> 01:38:41,599
Speaker 1: your best friend, And she goes, I'm not pretending, And

1855
01:38:41,640 --> 01:38:45,440
Speaker 1: then soon he's like, you could never feel this way,

1856
01:38:45,600 --> 01:38:47,640
Speaker 1: and she and then Jia's like, how would you know?

1857
01:38:47,960 --> 01:38:50,719
Speaker 1: And then soon he goes, then you truly are a monster,

1858
01:38:50,840 --> 01:38:55,200
Speaker 1: as spits in her face. Korean acting in school.

1859
01:38:55,360 --> 01:38:56,880
Speaker 2: Yes, they was, they was.

1860
01:38:57,080 --> 01:39:02,840
Speaker 1: They was killing this scene. So then it made me think.

1861
01:39:02,960 --> 01:39:05,519
Speaker 1: At that point, I'm like, this is a lot of this.

1862
01:39:06,439 --> 01:39:08,200
Speaker 1: What I thought was her trying to become like a

1863
01:39:08,280 --> 01:39:11,960
Speaker 1: sexual Uh well actually no, no, no, I'll bring it up later.

1864
01:39:12,160 --> 01:39:14,360
Speaker 1: I'll come back to the start. So then outside the

1865
01:39:14,520 --> 01:39:18,240
Speaker 1: army base, Gia just stands outside and waits for Tick

1866
01:39:18,320 --> 01:39:20,800
Speaker 1: to come out. He storms out, mad as shit, because

1867
01:39:20,840 --> 01:39:23,040
Speaker 1: you know how it is when a woman shows up

1868
01:39:23,040 --> 01:39:27,320
Speaker 1: at your job unexpected and unannounced. Boy, niggas be running

1869
01:39:27,360 --> 01:39:29,720
Speaker 1: like Sherman hens Let be starmming like Sherman Hensley coming

1870
01:39:29,720 --> 01:39:32,320
Speaker 1: out that gate. He'm like, god damn it. And he's

1871
01:39:32,360 --> 01:39:35,080
Speaker 1: like he was like, what you doing out here? Okay?

1872
01:39:35,120 --> 01:39:36,760
Speaker 1: You told me and you have my dick all heard

1873
01:39:36,800 --> 01:39:39,240
Speaker 1: at Blue Balls. Had to go home with Jack Off.

1874
01:39:40,560 --> 01:39:41,360
Speaker 2: To get the hell out of here.

1875
01:39:41,439 --> 01:39:44,120
Speaker 1: Yeah, you call me a stupid American man like, you

1876
01:39:44,160 --> 01:39:46,600
Speaker 1: don't even fuck with me, man, Like, just leave, And

1877
01:39:46,760 --> 01:39:49,840
Speaker 1: she then tells him the big secret, you killed my

1878
01:39:49,840 --> 01:39:54,320
Speaker 1: best friend. Do you not even remember that day? And

1879
01:39:54,400 --> 01:40:00,719
Speaker 1: he's like what It's like, She's like, yeah, young job

1880
01:40:00,920 --> 01:40:03,479
Speaker 1: was a communist simple he was like. She was like,

1881
01:40:03,560 --> 01:40:05,479
Speaker 1: she was a nurse and you killed her. And he's like,

1882
01:40:07,040 --> 01:40:10,120
Speaker 1: but then she was a communist sympathizer and I was

1883
01:40:10,160 --> 01:40:12,000
Speaker 1: just following my orders. That's what That's what the fuck

1884
01:40:12,040 --> 01:40:14,360
Speaker 1: I had to do. And she was like, does that

1885
01:40:14,400 --> 01:40:16,600
Speaker 1: balance all the other lives you're taken, the ones that

1886
01:40:16,720 --> 01:40:19,200
Speaker 1: keep you up at night sobbing. There's no book to

1887
01:40:19,320 --> 01:40:21,320
Speaker 1: escape what you've done, And I was like, damn. She

1888
01:40:21,360 --> 01:40:23,479
Speaker 1: read them for fifth She's like, you can read out

1889
01:40:23,479 --> 01:40:27,160
Speaker 1: a fucking tomsawy in the world. Nigga huck Finn can't

1890
01:40:27,160 --> 01:40:28,520
Speaker 1: get you out of this shit.

1891
01:40:28,360 --> 01:40:31,120
Speaker 2: And nopeed just won't adventure you away.

1892
01:40:32,040 --> 01:40:36,320
Speaker 1: Mycount of minded Crysto ain't gonna save your ass. Nigga, Okay,

1893
01:40:36,360 --> 01:40:38,960
Speaker 1: you're gonna be thinking about them people you killed. And

1894
01:40:39,200 --> 01:40:45,040
Speaker 1: he was like he was hurt, and he he's like,

1895
01:40:45,360 --> 01:40:47,559
Speaker 1: I can't believe you never told me that. She called

1896
01:40:47,600 --> 01:40:50,519
Speaker 1: him a monster, and he asked, then, why did you

1897
01:40:50,520 --> 01:40:52,080
Speaker 1: even agree to go out with me? And she was like,

1898
01:40:52,080 --> 01:40:54,960
Speaker 1: because I was gonna kill your ass because I'm a

1899
01:40:54,960 --> 01:40:59,960
Speaker 1: monster too, okay, And she was like, and I didn't

1900
01:41:00,080 --> 01:41:03,880
Speaker 1: because I never felt this way either. But she says,

1901
01:41:04,320 --> 01:41:07,080
Speaker 1: you saved me. I think, because I think she was

1902
01:41:07,080 --> 01:41:08,760
Speaker 1: basically saying if I would have if you would have

1903
01:41:08,800 --> 01:41:11,280
Speaker 1: been my one hundreds killed, I would have ceased to

1904
01:41:11,320 --> 01:41:14,280
Speaker 1: exist in this bot. I would have no longer exist.

1905
01:41:14,360 --> 01:41:17,160
Speaker 1: Where would I go? So, in a way, not killing

1906
01:41:17,200 --> 01:41:21,120
Speaker 1: you save me. But then I also have sympathy for

1907
01:41:21,160 --> 01:41:23,639
Speaker 1: you because I'm a monster. I don'et kill the fucking

1908
01:41:23,680 --> 01:41:27,519
Speaker 1: ninety nine people. You know, I've killed ninety nine people

1909
01:41:27,560 --> 01:41:29,640
Speaker 1: and seen their lives and did it again. And she's like,

1910
01:41:30,400 --> 01:41:32,519
Speaker 1: we could be the people we see each other. We

1911
01:41:32,600 --> 01:41:38,200
Speaker 1: just had to choose to be and it was a bar. Okay,

1912
01:41:38,560 --> 01:41:43,280
Speaker 1: she got she got straight up bars. So yeah, she

1913
01:41:43,360 --> 01:41:47,519
Speaker 1: dropped that bar on him, and then he started kissing

1914
01:41:47,560 --> 01:41:53,360
Speaker 1: on her, and the next thing, you know, it was

1915
01:41:53,400 --> 01:42:05,560
Speaker 1: getting me. Yeah, we're joined this football, the late boys

1916
01:42:06,800 --> 01:42:10,679
Speaker 1: chicking it with boy. They went to the movie theater

1917
01:42:11,720 --> 01:42:16,640
Speaker 1: on Base, that movie theater he had set up, and

1918
01:42:16,680 --> 01:42:20,840
Speaker 1: they made sweet monstrous love to each other. Okay, just

1919
01:42:20,920 --> 01:42:27,760
Speaker 1: two mass murderers making sweet love. And she took his virginity. Well,

1920
01:42:27,800 --> 01:42:29,439
Speaker 1: I like to say he gave it to her, because

1921
01:42:29,520 --> 01:42:31,760
Speaker 1: let's be nice. Okay, he gave us some of that

1922
01:42:31,920 --> 01:42:35,559
Speaker 1: v and he lasted about as long as the dude

1923
01:42:35,560 --> 01:42:37,559
Speaker 1: in the first scene. Now, I will be honest. It

1924
01:42:37,640 --> 01:42:40,920
Speaker 1: wasn't exactly It was nice and tender, but it wasn't

1925
01:42:40,960 --> 01:42:45,040
Speaker 1: exactly some long sexual sessions.

1926
01:42:45,080 --> 01:42:49,800
Speaker 2: Okay, oh no, no, it's normally not gonna.

1927
01:42:49,439 --> 01:42:53,559
Speaker 1: Be you know, like it's very few people to start

1928
01:42:53,600 --> 01:42:55,280
Speaker 1: off as a marathon man.

1929
01:42:55,320 --> 01:42:57,360
Speaker 2: Okay, come on, you have to kind of build your

1930
01:42:57,400 --> 01:42:58,519
Speaker 2: tolerance up to that shit.

1931
01:42:59,040 --> 01:43:01,639
Speaker 1: But it was great acting and stuff, which I thought,

1932
01:43:01,760 --> 01:43:03,720
Speaker 1: you know, it's so weird to say. It was such

1933
01:43:03,760 --> 01:43:07,200
Speaker 1: a cute scene and this this episode about you know,

1934
01:43:07,240 --> 01:43:09,640
Speaker 1: all this ship and tentacles didn't come out because she

1935
01:43:10,040 --> 01:43:11,519
Speaker 1: was like, I don't want to hurt you. And I

1936
01:43:11,560 --> 01:43:15,400
Speaker 1: was really like, yeah, nigga, be still. Well she says,

1937
01:43:15,400 --> 01:43:17,599
Speaker 1: she don't want to hurt you. Don't try no tricks. Okay,

1938
01:43:17,720 --> 01:43:20,880
Speaker 1: it's too it's too early in a relationship. Okay, you

1939
01:43:21,000 --> 01:43:22,719
Speaker 1: might you put a thumb of a butt a tentacles

1940
01:43:22,720 --> 01:43:23,200
Speaker 1: gonna come out.

1941
01:43:23,240 --> 01:43:24,960
Speaker 2: You don't want you know, you don't want them problems.

1942
01:43:24,960 --> 01:43:27,200
Speaker 1: You don't want them problems. Okay, next thing you know

1943
01:43:27,240 --> 01:43:29,360
Speaker 1: you got she looking at your memories. Okay, so just

1944
01:43:29,400 --> 01:43:35,479
Speaker 1: be move be still, move slowly. And so after he comes,

1945
01:43:35,560 --> 01:43:38,760
Speaker 1: she like smiles and holds him, and I think she

1946
01:43:38,920 --> 01:43:41,200
Speaker 1: was also relieved that she didn't know at that point

1947
01:43:41,200 --> 01:43:43,120
Speaker 1: if the tentacles will pop out and kill this nigga,

1948
01:43:43,200 --> 01:43:44,240
Speaker 1: she did, you know?

1949
01:43:44,920 --> 01:43:46,280
Speaker 2: So I don't think she did.

1950
01:43:46,640 --> 01:43:49,800
Speaker 1: She comes home, tells her mom her mom is ignoring her,

1951
01:43:50,360 --> 01:43:54,400
Speaker 1: and she tells her mom, I love Atticus, and she's like, well,

1952
01:43:54,560 --> 01:43:58,599
Speaker 1: it don't matter anyway. You steal a monster as a camello,

1953
01:43:59,400 --> 01:44:02,639
Speaker 1: you gonna fucking absorb his soul at some point.

1954
01:44:03,080 --> 01:44:05,519
Speaker 2: So I just gotta wait, And she was like, I

1955
01:44:05,520 --> 01:44:07,240
Speaker 2: ain't got enough time on my hands.

1956
01:44:06,920 --> 01:44:10,120
Speaker 1: Right, and Jill was revealed for the first time, I

1957
01:44:10,160 --> 01:44:13,320
Speaker 1: know how to control my tentnacles. Mama, m m ain't

1958
01:44:13,320 --> 01:44:16,759
Speaker 1: gonna be no soul sucking going on up in here. Okay.

1959
01:44:16,840 --> 01:44:20,559
Speaker 1: So if you was planning on that, you're doun fucked up.

1960
01:44:20,960 --> 01:44:23,680
Speaker 1: And then her mama was like, so in addition to

1961
01:44:23,760 --> 01:44:27,479
Speaker 1: being a monster, you know, made my daughter a hole.

1962
01:44:28,600 --> 01:44:33,559
Speaker 1: Ah And I'm like the twisted logic on this woman, right,

1963
01:44:34,200 --> 01:44:37,040
Speaker 1: you know you know what I mean? Like now she's

1964
01:44:37,040 --> 01:44:39,640
Speaker 1: slept shaming after she doesn't be no one encouraging her

1965
01:44:39,640 --> 01:44:43,839
Speaker 1: to kill one hundred niggas by sucking them. Like what Also,

1966
01:44:44,000 --> 01:44:45,920
Speaker 1: like if the neighbors, if you worry about how the

1967
01:44:45,960 --> 01:44:50,000
Speaker 1: neighbors feel, even if you get your daughter back, it's

1968
01:44:50,000 --> 01:44:52,360
Speaker 1: still a hundred people that's been fucking your daughter. Like

1969
01:44:52,400 --> 01:44:55,720
Speaker 1: it's not like like they literally believe in the body count,

1970
01:44:55,880 --> 01:44:58,320
Speaker 1: Like you know how many bodies you got on that you.

1971
01:44:58,200 --> 01:45:01,639
Speaker 2: Know, like, yeah, it's a literally body Like she really think.

1972
01:45:01,560 --> 01:45:04,000
Speaker 1: You can reset the o'donna on that pussy, No, ma'am,

1973
01:45:04,720 --> 01:45:07,960
Speaker 1: reset the mouse, you know, reset them puts some moles.

1974
01:45:08,240 --> 01:45:10,040
Speaker 2: I bet a lot of people you could reset them,

1975
01:45:10,080 --> 01:45:12,679
Speaker 2: Like Nah, Damn, we don't count, Davin, don't count, don't count.

1976
01:45:12,720 --> 01:45:14,800
Speaker 1: I'm not talking about the three to five dick curve

1977
01:45:14,880 --> 01:45:18,880
Speaker 1: that every woman tells the man. They I'm talking.

1978
01:45:18,600 --> 01:45:19,479
Speaker 2: One hundred dicks.

1979
01:45:19,520 --> 01:45:23,519
Speaker 1: You can't curve that, Okay, you can't. You can't get

1980
01:45:23,560 --> 01:45:26,479
Speaker 1: it back to a statistical meme. That's one hundred dicks, ma'am.

1981
01:45:26,520 --> 01:45:29,800
Speaker 1: You counted. You kept tallyous on the calendar. You've been

1982
01:45:29,880 --> 01:45:35,280
Speaker 1: encouraging it. I hated to see her, but yeah. So

1983
01:45:35,400 --> 01:45:41,639
Speaker 1: then yeah, she's like, I figured it out, Jill says,

1984
01:45:41,640 --> 01:45:47,720
Speaker 1: tossuming he you told me I can't feel love, but

1985
01:45:47,800 --> 01:45:50,040
Speaker 1: you lie. And I thought this too, because she was

1986
01:45:50,080 --> 01:45:52,759
Speaker 1: so furious when her friend got killed, and I said,

1987
01:45:52,920 --> 01:45:57,000
Speaker 1: you don't feel that if you're just this cold, emotionless monster, right,

1988
01:45:57,200 --> 01:45:57,680
Speaker 1: that was that.

1989
01:45:57,680 --> 01:45:59,880
Speaker 2: Was a truth form of emotion. And I think she

1990
01:46:00,439 --> 01:46:03,439
Speaker 2: picked that up from just learning and then just being around,

1991
01:46:03,439 --> 01:46:06,200
Speaker 2: like you're saying, soaking up so much culture. And I

1992
01:46:06,240 --> 01:46:08,040
Speaker 2: think a lot of that was why she was a

1993
01:46:08,120 --> 01:46:10,559
Speaker 2: hurt at the movie theater close, because that was her

1994
01:46:11,400 --> 01:46:14,080
Speaker 2: reality and to basically being a human.

1995
01:46:14,560 --> 01:46:17,680
Speaker 1: Yeah, And I think one, you're absorbing the memories of

1996
01:46:17,720 --> 01:46:21,479
Speaker 1: ninety nine people who have experienced all kinds of emotions. Two,

1997
01:46:23,760 --> 01:46:27,000
Speaker 1: you have relationships with people at work and this life

1998
01:46:27,000 --> 01:46:30,080
Speaker 1: you're living in the meantime and to your race. Essentially,

1999
01:46:30,640 --> 01:46:35,559
Speaker 1: I could see with her being like, yeah, I have

2000
01:46:35,720 --> 01:46:38,559
Speaker 1: learned to experience emotions. Came in as a blank slate,

2001
01:46:38,600 --> 01:46:42,160
Speaker 1: but through life experiences, and they weren't clean, Like she

2002
01:46:42,240 --> 01:46:44,439
Speaker 1: didn't know, Like that's the reason she didn't understand the

2003
01:46:44,439 --> 01:46:50,519
Speaker 1: difference between the abusive, incestuous love of her father quote

2004
01:46:50,600 --> 01:46:54,240
Speaker 1: unquote and what that meant compared to the way her

2005
01:46:54,240 --> 01:46:57,400
Speaker 1: mom in this world was treating her, which was still

2006
01:46:57,479 --> 01:47:01,639
Speaker 1: abusive in a way that Jill was cheated. It wasn't

2007
01:47:01,720 --> 01:47:05,479
Speaker 1: until she experienced it with Tech on some level, which

2008
01:47:05,520 --> 01:47:08,280
Speaker 1: is still a fucked up relationship, right, like all kinds

2009
01:47:08,280 --> 01:47:11,280
Speaker 1: of trauma. He killed her best friend and shit, But

2010
01:47:11,320 --> 01:47:13,519
Speaker 1: it wasn't until she experienced that. And I think those

2011
01:47:13,600 --> 01:47:17,280
Speaker 1: movies also showed that it was like a longing to

2012
01:47:17,360 --> 01:47:19,160
Speaker 1: be loved and to know what it meant and what

2013
01:47:19,200 --> 01:47:21,800
Speaker 1: it felt like, because those are romantic movies she was

2014
01:47:21,840 --> 01:47:25,200
Speaker 1: watching with Judy Garland. Yes, so I really do feel

2015
01:47:25,200 --> 01:47:28,120
Speaker 1: like that's what happened. Was somewhere along the line at

2016
01:47:28,200 --> 01:47:32,320
Speaker 1: least this approximation of love is what she was like, No,

2017
01:47:32,520 --> 01:47:35,600
Speaker 1: this is good. I want it. I want this. I

2018
01:47:35,600 --> 01:47:38,360
Speaker 1: don't want to be erased. I don't want you know,

2019
01:47:38,400 --> 01:47:41,559
Speaker 1: And she realized, Oh, the trick is you told me

2020
01:47:41,600 --> 01:47:45,160
Speaker 1: I couldn't experience this so that you would never love me.

2021
01:47:45,640 --> 01:47:48,479
Speaker 2: Right, So you wouldn't you like you could separate yourself.

2022
01:47:48,479 --> 01:47:50,240
Speaker 1: You would see me in your daughter's body and go,

2023
01:47:50,439 --> 01:47:52,880
Speaker 1: that's not a real person. My daughter's gonna come back

2024
01:47:52,880 --> 01:47:55,960
Speaker 1: as opposed to this is now the person in my

2025
01:47:56,160 --> 01:47:58,960
Speaker 1: daughter's body, and I'm gonna love and care for her

2026
01:48:00,600 --> 01:48:03,840
Speaker 1: so which which also said something about the mom because

2027
01:48:03,880 --> 01:48:07,639
Speaker 1: like you were willing to erase your daughter in a way,

2028
01:48:07,960 --> 01:48:11,000
Speaker 1: you know, like whatever trauma and your daughter had went through,

2029
01:48:11,320 --> 01:48:14,559
Speaker 1: you weren't willing to be like, well you've been through

2030
01:48:14,560 --> 01:48:18,839
Speaker 1: this trauma, let's heal from it together. Yeah, you wanted

2031
01:48:18,960 --> 01:48:23,120
Speaker 1: her reset like you want to revenge, and then you

2032
01:48:23,200 --> 01:48:28,120
Speaker 1: also wanted her to come back in this world not

2033
01:48:28,840 --> 01:48:32,400
Speaker 1: knowing that, Like, it says a lot about that woman. Anyway,

2034
01:48:34,680 --> 01:48:38,200
Speaker 1: They didn't fallow nineteen fifty ticking ja our love now

2035
01:48:38,240 --> 01:48:39,240
Speaker 1: that follow them in the snow.

2036
01:48:39,320 --> 01:48:42,040
Speaker 2: They basically have been together for ten years.

2037
01:48:42,040 --> 01:48:45,799
Speaker 1: No, not ten years. No, so earlier it was falling

2038
01:48:45,880 --> 01:48:48,559
Speaker 1: nineteen fifty. Now it's winter in nineteen fifty, so it's.

2039
01:48:49,000 --> 01:48:50,719
Speaker 2: Okay, okay, not nineteen forty. My bad.

2040
01:48:51,000 --> 01:48:52,960
Speaker 1: Yeah, this is just a like, this is a fleeing.

2041
01:48:53,000 --> 01:48:54,120
Speaker 1: This is a fast relationship.

2042
01:48:54,800 --> 01:48:55,760
Speaker 2: Now, I don't know why I thought it was a

2043
01:48:55,800 --> 01:48:58,320
Speaker 2: ten year jump. So so yeah, it's within the same year.

2044
01:48:58,400 --> 01:49:01,280
Speaker 1: Okay, yeah, so I'm in Yeah. I might have said

2045
01:49:01,320 --> 01:49:03,880
Speaker 1: fall twice, but yeah, this it was fall earlier, now

2046
01:49:03,960 --> 01:49:08,240
Speaker 1: is winter. Were probably looking at December or something. It's knowing.

2047
01:49:08,439 --> 01:49:11,679
Speaker 1: Which also it also makes sense if it's around Christmas

2048
01:49:11,760 --> 01:49:20,200
Speaker 1: time because her favorite song from Tarlie the Me, Me

2049
01:49:20,320 --> 01:49:23,320
Speaker 1: and Saint Louis. It's actually the she she brought it

2050
01:49:23,400 --> 01:49:27,280
Speaker 1: up is the song about Christmas in there. I think

2051
01:49:27,280 --> 01:49:29,080
Speaker 1: it's beginning to look a lot like Christmas. I think

2052
01:49:29,080 --> 01:49:31,479
Speaker 1: it's the name of the song. So anyway, they frollick

2053
01:49:31,520 --> 01:49:33,759
Speaker 1: in the snow. She looked like a motherfucking gap commercial

2054
01:49:33,760 --> 01:49:38,160
Speaker 1: and ship they all in love. And she then tells

2055
01:49:38,200 --> 01:49:42,200
Speaker 1: him about the non tell Fox spirit cameo that can

2056
01:49:42,520 --> 01:49:44,879
Speaker 1: take the form of a beautiful woman and it avenges

2057
01:49:44,960 --> 01:49:49,080
Speaker 1: wrongs done by men, and this is her way of

2058
01:49:49,760 --> 01:49:53,639
Speaker 1: I think slowly, trying to come tell him and come like, hey,

2059
01:49:54,120 --> 01:49:56,840
Speaker 1: this is what I am. And she's working towards telling

2060
01:49:56,880 --> 01:49:57,120
Speaker 1: him that.

2061
01:49:57,400 --> 01:50:00,080
Speaker 2: I know the truth about you, truth about me, right.

2062
01:50:00,120 --> 01:50:04,000
Speaker 1: And he wasn't paying no, He's like these child fairy tales. Anyway,

2063
01:50:04,760 --> 01:50:06,519
Speaker 1: let me tell you something some of my mine. I

2064
01:50:06,560 --> 01:50:08,439
Speaker 1: earned enough points to go back home from the war.

2065
01:50:08,680 --> 01:50:11,760
Speaker 1: I'm out. And she's like, well, that's good news. You

2066
01:50:11,800 --> 01:50:14,280
Speaker 1: can go home, and he said, but I could choose

2067
01:50:14,280 --> 01:50:16,080
Speaker 1: to stay as well. She's like, well, I wouldn't feel

2068
01:50:16,160 --> 01:50:19,160
Speaker 1: right if you stay because you hate the war, and

2069
01:50:19,240 --> 01:50:21,760
Speaker 1: you should go home because you'll be happy. And he

2070
01:50:21,920 --> 01:50:25,960
Speaker 1: was like, but maybe you can come with me, and

2071
01:50:26,040 --> 01:50:31,160
Speaker 1: she's like, you don't know everything about me, and her

2072
01:50:31,200 --> 01:50:35,200
Speaker 1: mom had said to her earlier before she went off

2073
01:50:35,240 --> 01:50:37,320
Speaker 1: to be like I'm gonna be with Ataicus. She was like,

2074
01:50:38,240 --> 01:50:42,280
Speaker 1: the young John Atticus don't know you. They don't know

2075
01:50:42,280 --> 01:50:44,519
Speaker 1: the truth about you, so their love for you is

2076
01:50:44,560 --> 01:50:48,200
Speaker 1: not real. I know the truth. You're a monster. And

2077
01:50:48,280 --> 01:50:53,760
Speaker 1: so he tells her there's nothing you could tell me

2078
01:50:54,680 --> 01:50:57,200
Speaker 1: that would change the way I feel about you, which

2079
01:50:57,240 --> 01:51:01,840
Speaker 1: is very romantic, but also are you sure.

2080
01:51:03,120 --> 01:51:09,960
Speaker 2: You know use your words wisely? Like because he didn't

2081
01:51:10,000 --> 01:51:10,679
Speaker 2: expect that.

2082
01:51:11,400 --> 01:51:11,559
Speaker 1: Right.

2083
01:51:11,680 --> 01:51:15,360
Speaker 2: Oh yes, he was like, I have taken lives.

2084
01:51:14,840 --> 01:51:17,439
Speaker 1: Nothing at all, nothing just nothing.

2085
01:51:17,520 --> 01:51:21,560
Speaker 2: You do nothing, I mean you shoot nothing.

2086
01:51:21,680 --> 01:51:25,240
Speaker 1: In spider tentacles popped up out of me and went

2087
01:51:25,320 --> 01:51:29,240
Speaker 1: into yo. But really just nothing nothing. You will be

2088
01:51:29,280 --> 01:51:35,680
Speaker 1: into that. So uh then they get ready to make

2089
01:51:35,720 --> 01:51:39,400
Speaker 1: sweet love and he of course goes down and eats

2090
01:51:39,479 --> 01:51:43,960
Speaker 1: that box. Okay, this is a progressive man. Yeah so.

2091
01:51:44,479 --> 01:51:48,320
Speaker 2: And also you know they they probably have sex several times,

2092
01:51:48,320 --> 01:51:50,840
Speaker 2: you know, between the first time and this time, but

2093
01:51:51,040 --> 01:51:53,200
Speaker 2: most of the time she was probably on top, like

2094
01:51:53,400 --> 01:51:55,120
Speaker 2: they and I think this may have been one of

2095
01:51:55,160 --> 01:51:58,360
Speaker 2: the first times where she was on the bottom. I

2096
01:51:58,360 --> 01:52:01,200
Speaker 2: don't know that that's not I'm just assuming, but I

2097
01:52:01,200 --> 01:52:01,519
Speaker 2: don't know.

2098
01:52:01,600 --> 01:52:04,599
Speaker 1: I think he told her that he loved her, and

2099
01:52:04,640 --> 01:52:08,200
Speaker 1: he started making that good, sweet, like passionate sex. It

2100
01:52:08,240 --> 01:52:12,080
Speaker 1: wasn't like that first sex and her tentacles. I think

2101
01:52:12,120 --> 01:52:13,439
Speaker 1: they just got hard and.

2102
01:52:13,840 --> 01:52:17,360
Speaker 2: Yeah, because that's known what happened, Like, okay sex, Okay,

2103
01:52:17,720 --> 01:52:18,120
Speaker 2: I come.

2104
01:52:18,280 --> 01:52:24,240
Speaker 1: It was like you got so excited and the spider

2105
01:52:24,320 --> 01:52:26,080
Speaker 1: legs came on and I was like, hey, let me

2106
01:52:26,120 --> 01:52:30,519
Speaker 1: holler at you dog, and you know, she tried to

2107
01:52:30,560 --> 01:52:32,439
Speaker 1: hold him back. She was like, she just lost it

2108
01:52:32,479 --> 01:52:35,599
Speaker 1: for control for a second, and she tried to grab him.

2109
01:52:35,640 --> 01:52:36,960
Speaker 1: She seen him coming out, and he was like, what

2110
01:52:37,040 --> 01:52:39,320
Speaker 1: the fuck? And then they just started going all into

2111
01:52:39,479 --> 01:52:43,719
Speaker 1: his orifices and shit, and then they ended up going

2112
01:52:43,760 --> 01:52:47,400
Speaker 1: in his brain and she seeing visions of his past

2113
01:52:47,720 --> 01:52:53,120
Speaker 1: and you know, uh, he saw like he saw she

2114
01:52:53,240 --> 01:52:57,559
Speaker 1: saw his mom giving him a balloon. Tick reading the

2115
01:52:57,560 --> 01:53:00,559
Speaker 1: book books is a twin, Like he said, he was escape,

2116
01:53:00,840 --> 01:53:04,400
Speaker 1: Tick getting beat by his father. Tick holding young Job

2117
01:53:04,800 --> 01:53:07,599
Speaker 1: down as they ripped her teeth out of her mouth,

2118
01:53:08,000 --> 01:53:11,040
Speaker 1: Young Job. That's right, Young Job. Her best friend. Tick

2119
01:53:11,920 --> 01:53:15,360
Speaker 1: was there when they tortured her and held her head

2120
01:53:15,680 --> 01:53:18,599
Speaker 1: when they ripped her teeth out of her mouth. And

2121
01:53:19,400 --> 01:53:23,240
Speaker 1: at that point she flips him off of her, and

2122
01:53:23,280 --> 01:53:25,920
Speaker 1: then he starts. Then she starts seeing the future while

2123
01:53:25,920 --> 01:53:27,679
Speaker 1: he's laying on the ground trying to gather his wits

2124
01:53:27,680 --> 01:53:33,040
Speaker 1: about him. I mean, they look fellas we've all been here.

2125
01:53:33,640 --> 01:53:37,160
Speaker 1: You know, you're making love to your girl, and suddenly

2126
01:53:37,160 --> 01:53:42,840
Speaker 1: he'll go to spider tentacles. Okay, like let he who

2127
01:53:42,960 --> 01:53:45,479
Speaker 1: was without seeing cast the first stone on that one. Okay,

2128
01:53:45,600 --> 01:53:47,680
Speaker 1: I know I know my boys feel me. You know

2129
01:53:47,720 --> 01:53:49,880
Speaker 1: what I'm saying. I don't know how to legends get down,

2130
01:53:49,960 --> 01:53:52,760
Speaker 1: but you know it's it's no to me. It's a

2131
01:53:52,800 --> 01:53:55,479
Speaker 1: no judgment zone, you know, tentnacle pop out here that

2132
01:53:55,720 --> 01:53:58,960
Speaker 1: it's like it's all good, you know, Yeah, I'm not

2133
01:53:59,000 --> 01:54:01,559
Speaker 1: gonna be one to join the joke go in on you.

2134
01:54:02,720 --> 01:54:08,040
Speaker 1: So then they and she starts having visions of his future,

2135
01:54:09,200 --> 01:54:11,080
Speaker 1: like it went from his past to his future, and

2136
01:54:11,160 --> 01:54:13,800
Speaker 1: she sees he has sex with a black woman that

2137
01:54:13,880 --> 01:54:16,439
Speaker 1: isn't le Letty. I don't know. We don't see her face,

2138
01:54:17,160 --> 01:54:19,360
Speaker 1: but I know she has some big old tittass, but

2139
01:54:19,439 --> 01:54:22,599
Speaker 1: we don't know who it is. Then we see him

2140
01:54:22,640 --> 01:54:27,080
Speaker 1: buying tickets to Chicago. So I don't know if he

2141
01:54:27,160 --> 01:54:29,080
Speaker 1: slept with somebody to get the money for the tickets

2142
01:54:29,080 --> 01:54:31,320
Speaker 1: to Chicago, I don't know. And he looked kind of

2143
01:54:31,320 --> 01:54:34,640
Speaker 1: shady when he bought them tickets. And then we see

2144
01:54:34,720 --> 01:54:39,520
Speaker 1: him being baptized. We see Letty's face, We see him

2145
01:54:39,560 --> 01:54:42,680
Speaker 1: being tied down to some sort of surgical like a

2146
01:54:42,720 --> 01:54:45,920
Speaker 1: bed or something like almost a torture device or something,

2147
01:54:46,560 --> 01:54:50,840
Speaker 1: and then she screams and she tells Tick not to

2148
01:54:50,920 --> 01:54:54,280
Speaker 1: go home or he's going to die. So she thinks

2149
01:54:54,280 --> 01:54:58,120
Speaker 1: she's seen him die, and then he obviously a little

2150
01:54:58,160 --> 01:55:00,520
Speaker 1: bit shaken. You know, your first time girl pull out

2151
01:55:00,520 --> 01:55:02,520
Speaker 1: spider attendantcles on. It's gonna suck you up a little bit.

2152
01:55:03,520 --> 01:55:04,600
Speaker 2: I hope it does. Yeah.

2153
01:55:04,760 --> 01:55:07,720
Speaker 1: Yeah, so you know most I tried to be cool

2154
01:55:07,760 --> 01:55:10,800
Speaker 1: about it, but you know, it's it's it's unnervous. You know,

2155
01:55:10,800 --> 01:55:12,680
Speaker 1: they don't teach you about that in sex ad class.

2156
01:55:13,520 --> 01:55:15,640
Speaker 1: This is why America need better sex ad.

2157
01:55:16,000 --> 01:55:18,080
Speaker 2: I would this shit is normal?

2158
01:55:18,160 --> 01:55:21,880
Speaker 1: Yes, uh. And so then he tells she says, don't

2159
01:55:21,920 --> 01:55:23,560
Speaker 1: go home. He says, stand the fuck away from me.

2160
01:55:23,960 --> 01:55:26,480
Speaker 1: He runs out with closing his hand just you know,

2161
01:55:26,600 --> 01:55:29,880
Speaker 1: like butt naked basically. And then later we see Ja

2162
01:55:30,000 --> 01:55:34,440
Speaker 1: go back home, and when her mom arrives at the house,

2163
01:55:34,600 --> 01:55:38,160
Speaker 1: Jia is sitting in her mom's room. Soon he's room

2164
01:55:38,840 --> 01:55:43,240
Speaker 1: and she's crying and like, you know, the boy she

2165
01:55:43,400 --> 01:55:46,880
Speaker 1: loves they just broke up, and you see her mom

2166
01:55:47,320 --> 01:55:53,720
Speaker 1: soften because to some extent, this is her daughter's body

2167
01:55:53,960 --> 01:55:58,360
Speaker 1: and this this creature quote unquote, she could not love

2168
01:55:58,400 --> 01:56:02,400
Speaker 1: this thing she called a monster, has human emotions and

2169
01:56:02,440 --> 01:56:06,360
Speaker 1: it's been hurt by the sadness, and it's like the

2170
01:56:06,480 --> 01:56:13,680
Speaker 1: mother shit just kicked in, you know, and she she

2171
01:56:13,800 --> 01:56:16,680
Speaker 1: held her as she cried, and I thought that was

2172
01:56:17,200 --> 01:56:19,440
Speaker 1: the second time I watched it, it actually was kind

2173
01:56:19,440 --> 01:56:20,240
Speaker 1: of tender to me.

2174
01:56:20,360 --> 01:56:21,960
Speaker 2: I don't know a lot, but it was like a

2175
01:56:22,040 --> 01:56:22,800
Speaker 2: change in her mama.

2176
01:56:23,280 --> 01:56:29,400
Speaker 1: Yeah, and it was it was like, uh, Jia may

2177
01:56:29,440 --> 01:56:33,320
Speaker 1: have been different if she the like the cameo Jia,

2178
01:56:33,920 --> 01:56:36,480
Speaker 1: if she would have been experienced some type of love

2179
01:56:36,520 --> 01:56:38,360
Speaker 1: and stuff to a second, to a certain extent, it

2180
01:56:38,440 --> 01:56:40,560
Speaker 1: was a chance for her mom to start over, and

2181
01:56:40,680 --> 01:56:44,560
Speaker 1: instead she spent it using her new quote unquote daughter

2182
01:56:44,640 --> 01:56:49,600
Speaker 1: to get revenged, right, you know. And so yeah, she

2183
01:56:49,720 --> 01:56:53,400
Speaker 1: holds her, and then they go and uh, they play

2184
01:56:53,400 --> 01:56:58,680
Speaker 1: a clip from Julie Judy Garland's book Audio. It's supposed

2185
01:56:58,680 --> 01:57:01,440
Speaker 1: to be like an audio book what happened to like

2186
01:57:01,480 --> 01:57:04,000
Speaker 1: what the thing is, But apparently in this book they

2187
01:57:04,240 --> 01:57:08,800
Speaker 1: it's like an older aging Judy Garland and they were

2188
01:57:08,920 --> 01:57:10,920
Speaker 1: gonna do a book and the book basically turned into

2189
01:57:10,920 --> 01:57:15,040
Speaker 1: a rant against all the people that she fucking felt

2190
01:57:15,080 --> 01:57:17,880
Speaker 1: hated her when she was in the game. And so

2191
01:57:17,880 --> 01:57:20,840
Speaker 1: that's why this clip is like, you know, I had

2192
01:57:20,840 --> 01:57:23,600
Speaker 1: to confront all these liars and this untruth and these

2193
01:57:23,640 --> 01:57:26,360
Speaker 1: people that talk bad about me. You know, it's like

2194
01:57:26,400 --> 01:57:28,560
Speaker 1: the look in the paper and see somebody write something

2195
01:57:28,600 --> 01:57:31,520
Speaker 1: about you that's not true. And these people was just

2196
01:57:31,600 --> 01:57:34,320
Speaker 1: you know, jealous of me, and you know where those

2197
01:57:34,320 --> 01:57:38,000
Speaker 1: people are now dead and I'm still here and they

2198
01:57:38,000 --> 01:57:40,360
Speaker 1: couldn't kill me. And so it's like this kind of

2199
01:57:40,400 --> 01:57:42,680
Speaker 1: thing where it made me wonder if they were trying

2200
01:57:42,680 --> 01:57:47,480
Speaker 1: to make a point about the cameo spirit and the

2201
01:57:47,520 --> 01:57:50,560
Speaker 1: lies and stuff about like this monster it can't feel anything.

2202
01:57:50,560 --> 01:57:52,680
Speaker 1: It's just a tool to get revenged. I can summon it,

2203
01:57:53,000 --> 01:57:55,640
Speaker 1: and really it's like, that's not really what this creature

2204
01:57:55,760 --> 01:57:58,880
Speaker 1: was at all. You know, whatever the spirit was, it

2205
01:57:58,920 --> 01:58:02,920
Speaker 1: didn't have to be a killer. We know, because they

2206
01:58:02,960 --> 01:58:06,640
Speaker 1: fell in love with Ticking didn't kill him. So it

2207
01:58:06,760 --> 01:58:09,200
Speaker 1: just made me think about that and I had to

2208
01:58:09,240 --> 01:58:10,840
Speaker 1: look that up because I did not know that ship

2209
01:58:10,880 --> 01:58:12,720
Speaker 1: off the top of my head. I was like, what

2210
01:58:12,760 --> 01:58:13,560
Speaker 1: the fuck is this?

2211
01:58:14,480 --> 01:58:16,640
Speaker 2: I know? Uh?

2212
01:58:16,680 --> 01:58:19,600
Speaker 1: And so this episode is very Judy Garland centric. Okay,

2213
01:58:20,320 --> 01:58:22,480
Speaker 1: but it was, but it looks it was so dope

2214
01:58:23,120 --> 01:58:28,800
Speaker 1: juxtaposed to what we were seeing, which was Jia and

2215
01:58:29,080 --> 01:58:31,160
Speaker 1: soon he were going to see the shaman again, this

2216
01:58:31,200 --> 01:58:34,880
Speaker 1: woman who was this witch, priestess or whatever and smokes

2217
01:58:34,880 --> 01:58:37,760
Speaker 1: a pack of Newports a day, apparently, because this nigga

2218
01:58:37,840 --> 01:58:40,520
Speaker 1: was like, hey, let me tell you something.

2219
01:58:41,720 --> 01:58:42,160
Speaker 2: Cancer.

2220
01:58:42,400 --> 01:58:45,480
Speaker 1: Y'all niggas know you're supposed to get a hundred sales souls,

2221
01:58:45,800 --> 01:58:49,200
Speaker 1: and so he was like, I'll pay the price for

2222
01:58:49,320 --> 01:58:52,920
Speaker 1: my daughter and the hundred souls. We just got a question.

2223
01:58:53,680 --> 01:58:55,840
Speaker 1: And she was now referring to her as a daughter

2224
01:58:55,960 --> 01:58:58,960
Speaker 1: and Gia as a mother. And so Gia says she

2225
01:58:59,040 --> 01:59:01,040
Speaker 1: saw the death of a man, not by her hands.

2226
01:59:01,120 --> 01:59:03,560
Speaker 1: It was not like anything I ever seen before, and

2227
01:59:03,680 --> 01:59:05,760
Speaker 1: I just want to know if the vision I saw

2228
01:59:05,800 --> 01:59:08,800
Speaker 1: would come true. And the shaman was like, you asked

2229
01:59:08,800 --> 01:59:10,640
Speaker 1: that question for the same reason you call this woman

2230
01:59:10,680 --> 01:59:17,960
Speaker 1: your mother. Your mortal concerns are meaningless. Basically, like you

2231
01:59:18,120 --> 01:59:20,240
Speaker 1: just supposed to be a tool creature that can't feel

2232
01:59:20,240 --> 01:59:22,480
Speaker 1: emotions and shit, just kill that one hundred person and

2233
01:59:22,480 --> 01:59:24,560
Speaker 1: get the fuck out back to the spear around or

2234
01:59:24,600 --> 01:59:29,000
Speaker 1: wherever you go. And then she did. She was like,

2235
01:59:29,000 --> 01:59:31,160
Speaker 1: I'm still gonna answer your question. So she took a

2236
01:59:31,200 --> 01:59:34,560
Speaker 1: piece of paper and she burned it. And then as

2237
01:59:34,600 --> 01:59:38,400
Speaker 1: the paper like disintegrated and the ashes flew off, I

2238
01:59:38,400 --> 01:59:41,200
Speaker 1: guess she read the ashes, you know, and gonna speak that.

2239
01:59:41,240 --> 01:59:43,880
Speaker 1: You know, I burn paper sometimes. So I was like, oh,

2240
01:59:43,960 --> 01:59:48,200
Speaker 1: that's not good. Oh oh look at them papers. Oh goodness,

2241
01:59:48,440 --> 01:59:50,280
Speaker 1: you know how you can see y'all paper burn sometimes

2242
01:59:50,320 --> 01:59:54,400
Speaker 1: you like that. That's a bad one. Okay. So she

2243
01:59:54,640 --> 01:59:57,760
Speaker 1: was like, she burned the paper and she looked at

2244
01:59:57,760 --> 02:00:00,200
Speaker 1: the ashes floating away, and she says, you you have

2245
02:00:00,280 --> 02:00:03,560
Speaker 1: not even become one with the darkness yet. You will

2246
02:00:03,560 --> 02:00:07,280
Speaker 1: see countless deaths before your journey is done. And that

2247
02:00:07,440 --> 02:00:10,200
Speaker 1: was in And I do not know what that last

2248
02:00:10,200 --> 02:00:12,160
Speaker 1: line means. I just know it was ominous as fuck.

2249
02:00:12,680 --> 02:00:15,200
Speaker 1: Also makes me think maybe we're gonna go back to Korea.

2250
02:00:15,280 --> 02:00:17,120
Speaker 1: Maybe we're gonna see Gia again later.

2251
02:00:17,440 --> 02:00:19,480
Speaker 2: Maybe I don't think that story's done for me either,

2252
02:00:19,600 --> 02:00:20,839
Speaker 2: or she might come to America.

2253
02:00:21,080 --> 02:00:24,960
Speaker 1: Yeah, I don't think it's done. No other thing. The

2254
02:00:25,000 --> 02:00:28,320
Speaker 1: other thing too, with the whole like her mother will

2255
02:00:28,560 --> 02:00:30,760
Speaker 1: like what does that mean? Like is she gonna have

2256
02:00:30,760 --> 02:00:34,280
Speaker 1: to kill somebody? Is she gonna be the hundredth victim?

2257
02:00:34,360 --> 02:00:37,560
Speaker 1: And then this, you know, is like what does that

2258
02:00:37,640 --> 02:00:43,520
Speaker 1: mean exactly? For paying the burden for this creature? So

2259
02:00:44,640 --> 02:00:48,320
Speaker 1: I just can't wait to see what what, what happens

2260
02:00:48,320 --> 02:00:50,840
Speaker 1: with this? What are you looking forward to next week? Karen?

2261
02:00:52,400 --> 02:00:58,600
Speaker 2: Next week we're back for Hippolytta. Yeah, and I'm excited

2262
02:00:58,640 --> 02:01:03,680
Speaker 2: to see what goes down with that. Looked like she

2263
02:01:03,760 --> 02:01:07,040
Speaker 2: figured out some ship and I'm like, let's go.

2264
02:01:07,960 --> 02:01:12,400
Speaker 1: Yeah. I cannot agree more. That's exactly how I feel.

2265
02:01:14,080 --> 02:01:17,520
Speaker 1: So I hope that we we get that that feeling,

2266
02:01:17,760 --> 02:01:23,000
Speaker 1: we get that vibe, So I can't wait. All right,

2267
02:01:23,080 --> 02:01:27,000
Speaker 1: that's it for this episode until next time.

2268
02:01:27,320 --> 02:01:28,840
Speaker 2: I love you, wh