WEBVTT - Episode 525 | ROME STREETZ

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<v Speaker 1>Doctor.

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<v Speaker 2>Welcome back to another episode of the new Rory and

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<v Speaker 2>Maul Podcast. I am Maul and Roy and today we

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<v Speaker 2>are joined by Rory. This is a friend, friend of

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<v Speaker 2>the show, friend of the family. Haven't seen this gentleman

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<v Speaker 2>since our lives, our last live show on the yere correct,

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<v Speaker 2>but he's been working his ass off. One of my

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<v Speaker 2>favorite rappers right now.

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<v Speaker 3>He here to kick it with us.

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<v Speaker 2>Today's new album out now, sock into my pocket. We

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<v Speaker 2>got Queen's very owned. Wrong Streets is in the building.

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<v Speaker 2>We got Netflix Zip here to your ain't gonnaz zip.

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<v Speaker 2>As soon as room got here, he was like, yo, Zip,

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<v Speaker 2>ain't are you queens Niggas said, look at queens. It

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<v Speaker 2>makes your Queen's always in the building. So Netflix hip

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<v Speaker 2>is here with us today.

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<v Speaker 1>Rome.

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<v Speaker 3>What's going on? Family?

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<v Speaker 1>Cool man'll listen.

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<v Speaker 2>I told you when you got here, I said, bro,

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<v Speaker 2>I'm opening my phone all week. Soon was out my phone.

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<v Speaker 2>The first person I see is Roan Streets going and

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<v Speaker 2>you sitting down talking to anybody good moving around. I

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<v Speaker 2>love seeing that. I love seeing people, you know, really

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<v Speaker 2>patching in and tuning in to Rome Streets because I

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<v Speaker 2>you know you know this, but you're one of my

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<v Speaker 2>favorite rappers. And to see everybody finally, you know, bring

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<v Speaker 2>you on their platforms talking to you socking to my

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<v Speaker 2>pocket is crazy since we since we saw each other

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<v Speaker 2>last at our last live show here in New York.

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<v Speaker 3>What's been up with you, man?

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<v Speaker 2>Besides working like just just roam, what's been going on

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<v Speaker 2>with you?

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<v Speaker 1>I've been good, man. I've just been enjoying this ship.

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<v Speaker 4>Honestly, I've really been doing a lot of shows, like touring,

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<v Speaker 4>just going places.

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<v Speaker 1>I went to fucking Thailand. I went.

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<v Speaker 4>I was that ship was different first of all, Like

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<v Speaker 4>I didn't really even expect to be going out there.

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<v Speaker 4>Like these producers that I did a joint with a

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<v Speaker 4>couple of years ago. It hit me up and was like, Yo,

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<v Speaker 4>we want to do like a mixtape with you, you

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<v Speaker 4>know what I'm saying. I like, all right, fuck it.

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<v Speaker 4>I did it, and they're like, yeah, we want to

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<v Speaker 4>fly you out to Thailand to perform and ship. And

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<v Speaker 4>then I was out there for like a week just

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<v Speaker 4>running around. I'm like, damn, I'm really in Thailand. Yeah,

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<v Speaker 4>like over wrapping the way I want to rap, you

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<v Speaker 4>know what I'm saying.

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<v Speaker 3>And the way they perceived the music over there.

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<v Speaker 1>The way and it was just like seeing how like.

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<v Speaker 4>Modern the city is like my my like perception of

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<v Speaker 4>how it would have been versus how it actually was

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<v Speaker 4>was like two different things.

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<v Speaker 3>Yeah, what you expect.

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<v Speaker 1>It was gonna.

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<v Speaker 4>Basically like I talked to a lot of people and

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<v Speaker 4>they was like, yo, son, don't drink the water, like

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<v Speaker 4>brush your teeth with motherfucking on bottled water, don't eat this,

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<v Speaker 4>don't eat that, don't do this. And when I went there,

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<v Speaker 4>I'm like, bro, that shit felt like I was in

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<v Speaker 4>New York. Certain places. I'm just saying, like, just how

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<v Speaker 4>people was interacting with me. It wasn't like they didn't

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<v Speaker 4>understand me. Man, people were speaking English. It was a

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<v Speaker 4>lot of people from America out there. I was running

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<v Speaker 4>into them.

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<v Speaker 3>Yeah. A lot of people are moving there. Yeah, hell yeah,

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<v Speaker 3>a lot of people moving different It's cool.

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<v Speaker 1>It's cool.

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<v Speaker 4>And then also like I did like a Europe tour,

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<v Speaker 4>so I was all over Europe running around. I was fun,

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<v Speaker 4>do you.

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<v Speaker 3>Do you feel like you get more.

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<v Speaker 2>Like love overseas, because like there's a lot of guys

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<v Speaker 2>that say, you know, when they go overseas Europe and

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<v Speaker 2>age and things like that, they're like amazed at the

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<v Speaker 2>amount of love that they get when they leave their

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<v Speaker 2>own country.

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<v Speaker 5>Like those fans give a fuck because they don't get

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<v Speaker 5>to see the ship all the time.

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<v Speaker 1>That's true, but.

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<v Speaker 4>I feel like they just have a different appreciation for shit,

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<v Speaker 4>you know what I'm saying. And then, like I guess,

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<v Speaker 4>you know, being from New York, like there's always something

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<v Speaker 4>going on, you always got mad options, Like there's probably

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<v Speaker 4>a concert going on right.

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<v Speaker 1>Now, you know what I'm saying. Like other places in Europe,

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<v Speaker 1>it's like.

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<v Speaker 4>If I have a concert in certain places, that's the

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<v Speaker 4>only thing.

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<v Speaker 1>It's like if you like rap, you gon be there.

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<v Speaker 4>And then the way they just interact is different, Like

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<v Speaker 4>you know what I'm saying. Certain places out here, fans

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<v Speaker 4>is like they'll be fucking with it, but they'll just

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<v Speaker 4>be standing there watching it. Yeah, and they'll probably be

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<v Speaker 4>having the time of their life.

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<v Speaker 1>But they just move differently. Over there.

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<v Speaker 4>The niggas be jumping out, they skin like I feel

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<v Speaker 4>like I'm a fucking soccer player and ship like.

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<v Speaker 1>The way you mean.

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<v Speaker 4>It's fun though. It's a lot of love our here too, though,

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<v Speaker 4>you know what I'm saying.

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<v Speaker 2>It's just different when you go out of the country

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<v Speaker 2>and and that just like you said that, they don't

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<v Speaker 2>get it as often as we do. We become kind

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<v Speaker 2>of spoiled with it because we can living in New York,

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<v Speaker 2>somebody's performing somewhere every night. But when you go to

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<v Speaker 2>these different different countries and things like that, even if

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<v Speaker 2>they don't know you, they know that, Okay, this is rap,

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<v Speaker 2>I'm going.

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<v Speaker 3>To see that Americans American rap.

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<v Speaker 5>When we were in London and went to go see

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<v Speaker 5>Rock Marcy at that this is a festival too much.

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<v Speaker 5>It's not just a Rock Marcy show. And usually festivals,

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<v Speaker 5>obviously people are there to see a different bunch of

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<v Speaker 5>different acts. I've been to Rock Marcy shows in New York,

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<v Speaker 5>but the London show, the whole festival, knew every fucking work, Like.

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<v Speaker 4>Yeah London, Yeah, But then London is like the place

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<v Speaker 4>that's most like here because you feel like I feel like, yeah,

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<v Speaker 4>London is like yeah, yeah, London is like another state.

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<v Speaker 4>Like if you go there and really like interac with

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<v Speaker 4>niggas and ship like it feels like you hear, it's

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<v Speaker 4>just you in a different place, whereas like if you

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<v Speaker 4>went to like Germany, like yeah, you in a whole

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<v Speaker 4>nother country where coach is different.

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<v Speaker 1>You know what I'm saying, Like.

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<v Speaker 4>You don't really feel out of place in London like

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<v Speaker 4>when you in certain places like you know what I'm saying, Yeah,

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<v Speaker 4>because London is like that ship is hood too, like

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<v Speaker 4>niggas be thinking. Honestly, it's hood everywhere because it's not necessarily.

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<v Speaker 1>Like hood. Ship is the mentality of people.

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<v Speaker 4>Yeah, exactly, Like you could be in a place that

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<v Speaker 4>probably don't look run down and ship, but it's the

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<v Speaker 4>hood because of how niggas act in the area, So

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<v Speaker 4>you can't never think you go someplace in it. Yeah. Yeah,

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<v Speaker 4>because people's getting high everywhere, so there's a hood somewhere,

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<v Speaker 4>just like what you might be.

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<v Speaker 1>Used to, you know what I'm saying.

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<v Speaker 4>But I've been doing a lot of ship just based

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<v Speaker 4>off of this rap ship. You mean, like I honestly

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<v Speaker 4>don't really be having time to do nothing else. But

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<v Speaker 4>then it's like I really don't want to have time

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<v Speaker 4>to do nothing else, you know what I'm saying, Because

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<v Speaker 4>when I had all the time in the world to

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<v Speaker 4>do ship, I was getting in the ship right.

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<v Speaker 1>So now it's so.

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<v Speaker 4>I was like, all right, this is what I gotta

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<v Speaker 4>do every day, Like down.

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<v Speaker 1>For it, you know what I'm saying. You want to

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<v Speaker 1>do more? Yeah? What what was your favorite stopping Europe?

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<v Speaker 1>This time of Amsterdam? Amsterdam is always lit?

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<v Speaker 3>Yeah?

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<v Speaker 1>What else? Paris is fun? You know what I'm saying. Germany?

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<v Speaker 1>Mm hmm.

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<v Speaker 4>But I would say, besides, like going to London and

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<v Speaker 4>ship Amsterdam is always fun.

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<v Speaker 2>It's London, like because obviously you was born there. How

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<v Speaker 2>much time did you actually spend in London though?

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<v Speaker 4>All Right, So I was born in London. I moved

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<v Speaker 4>to New York and I was one, okay saying, and

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<v Speaker 4>then I started getting in trouble, like once I got

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<v Speaker 4>to like junior high. By the time I got to

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<v Speaker 4>like ninth grade, I was, you know what I mean,

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<v Speaker 4>wiling out, you know what I'm saying. So my mom

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<v Speaker 4>sent me back to London to go like stay with

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<v Speaker 4>my aunt and shit. So I was going to school

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<v Speaker 4>out there, but I was coming back to New York

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<v Speaker 4>during the summertime.

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<v Speaker 1>So like from like fourteen to seventeen, that's what I

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<v Speaker 1>was doing there the Jamaicans. Yeah, you know what I'm saying.

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<v Speaker 4>So like in total, probably like four years out of

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<v Speaker 4>my life, I was really.

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<v Speaker 1>Like in London and good years though, like.

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<v Speaker 4>Yeah, from like you know, I mean fourteen to like, yeah,

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<v Speaker 4>you went in high school, layer, that's growing up.

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<v Speaker 3>That's a very unique part of life.

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<v Speaker 4>It was interesting because, like, you know, I was already

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<v Speaker 4>I was already into ship by the time I went

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<v Speaker 4>to London, Like I was smoking weed, you know what

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<v Speaker 4>I'm saying, Like I was already selling weed, I was rapping.

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<v Speaker 1>I was just into shit.

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<v Speaker 4>So by the time I got to London, when I

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<v Speaker 4>went to school, like motherfuckers already knew like oh yeah,

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<v Speaker 4>you the kid from America and yeah, so it's like

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<v Speaker 4>I was popular and I started rapping niggas after the

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<v Speaker 4>fuck yeah you.

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<v Speaker 2>Go over there, But did you go over there? Because

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<v Speaker 2>you could get some shit off. You can get some

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<v Speaker 2>six shit off in London. Like as an American, you

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<v Speaker 2>go to London and you rapping in high school, you

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<v Speaker 2>could be spitting somebody balls.

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<v Speaker 1>A day, my own shit.

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<v Speaker 4>Because you gotta understand, that's the ship that made me

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<v Speaker 4>start rapping in the first place, because I was like

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<v Speaker 4>I went to school, like I'm saying out here, and

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<v Speaker 4>then like niggas that I knew. My whole life was

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<v Speaker 4>at the fucking lunch table.

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<v Speaker 1>Rapping.

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<v Speaker 4>I'm like, O, yeah, niggas rap, but they was like

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<v Speaker 4>stealing rhymes from like cash money nigga. I'm like, oh,

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<v Speaker 4>those ain't your raps? Like, let me try to write

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<v Speaker 4>my own shit. So then I just started. I'm like, okay,

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<v Speaker 4>I'm actually good at this shit. So I kept going.

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<v Speaker 4>So by the time I got to London, like and

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<v Speaker 4>then the thing is, I got cousins. They older than me.

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<v Speaker 4>So one of my cousins, he's like twelve years old

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<v Speaker 4>than me, but he from the Bronx, so he moved

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<v Speaker 4>to London and like because he was wild and and shit.

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<v Speaker 4>So I'm fucking with him. I'm fourteen, this nigga like

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<v Speaker 4>twenty five. My other cousin is twenty four. So it's

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<v Speaker 4>like they got niggas that the crowd. Yeah, but they

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<v Speaker 4>knew niggas that had studios okay, so I was like

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<v Speaker 4>they was like, Yo, my little cousin rap. So I

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<v Speaker 4>was in the studio fucking with those niggas because when

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<v Speaker 4>I was out here, I never had no access to

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<v Speaker 4>nose studio.

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<v Speaker 3>So it's like that you recorded your first raps in London.

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<v Speaker 4>Yeah, So it was like the shit that my mom

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<v Speaker 4>was kind of like trying to send me to London

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<v Speaker 4>as a punishment. That kind of got lit because even so,

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<v Speaker 4>like the weed was better out there, you know what

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<v Speaker 4>I'm saying, I just had like more pull because I

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<v Speaker 4>was a unique nigga, Like, oh, you're a Meria from

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<v Speaker 4>New York and you you like into shit. So I

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<v Speaker 4>was like influencing niggas out there too, like like one

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<v Speaker 4>of my friends from out there is like a big

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<v Speaker 4>time rapper in London and shit.

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<v Speaker 1>Okay, well there was the grind ship popping at that

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<v Speaker 1>time when.

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<v Speaker 4>You want, Like I was there when the ship first started,

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<v Speaker 4>what I'm saying, so I see all of that ship.

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<v Speaker 1>What did you think of it? Out the gate?

0:11:05.800 --> 0:11:08.320
<v Speaker 5>Like I've learned to appreciate a lot of but it did.

0:11:08.720 --> 0:11:10.559
<v Speaker 5>It did take me a little bit to get into it.

0:11:10.760 --> 0:11:10.920
<v Speaker 4>Nah.

0:11:10.960 --> 0:11:15.600
<v Speaker 1>I like that ship. I like it because I understood it,

0:11:15.840 --> 0:11:19.839
<v Speaker 1>like I fucked with it. I like the vocabulary it

0:11:20.000 --> 0:11:21.360
<v Speaker 1>like they used a lot of words.

0:11:22.320 --> 0:11:25.880
<v Speaker 3>And the flow like the London flow like a lot

0:11:25.880 --> 0:11:26.599
<v Speaker 3>of the rappers.

0:11:26.360 --> 0:11:30.680
<v Speaker 4>That because you gotta understand this, Like me, when I

0:11:30.760 --> 0:11:32.480
<v Speaker 4>went there, I realized.

0:11:32.000 --> 0:11:35.920
<v Speaker 1>Like they ship was mad ahead of ours, like.

0:11:35.840 --> 0:11:38.680
<v Speaker 4>As far as like even fashion, like them niggas was

0:11:38.720 --> 0:11:41.319
<v Speaker 4>like when I went to school, Like the niggas was

0:11:41.360 --> 0:11:43.800
<v Speaker 4>wearing prid is and gucchiese and he was playing soccer

0:11:43.800 --> 0:11:46.040
<v Speaker 4>and ship, you know what I'm saying. But like like

0:11:46.120 --> 0:11:48.960
<v Speaker 4>the Grim Ship, like they flows was different. But now

0:11:49.000 --> 0:11:51.120
<v Speaker 4>if you really listen to how like niggas wrapped now

0:11:51.200 --> 0:11:53.640
<v Speaker 4>the drill niggas and the trap like that's the same

0:11:53.760 --> 0:11:54.480
<v Speaker 4>type of flows.

0:11:54.800 --> 0:11:57.080
<v Speaker 1>They use the same flow patterns. It just got better

0:11:57.080 --> 0:11:58.600
<v Speaker 1>word Yeah, yeah exactly.

0:11:58.720 --> 0:12:02.280
<v Speaker 4>Like that's why like the London Ship, it's like lit

0:12:02.360 --> 0:12:05.760
<v Speaker 4>now in that drill scene because the London nigga's been

0:12:05.840 --> 0:12:06.960
<v Speaker 4>rapping like that.

0:12:06.960 --> 0:12:09.439
<v Speaker 1>That's their original style of rap. Yeah, you know what

0:12:09.480 --> 0:12:09.880
<v Speaker 1>I'm saying.

0:12:10.480 --> 0:12:14.240
<v Speaker 4>Like they said that they like they rap like how

0:12:14.280 --> 0:12:16.960
<v Speaker 4>I wrap too, But that's separate, you know what I'm saying.

0:12:17.000 --> 0:12:20.560
<v Speaker 4>Like they they call grime ship, am seeing they call

0:12:21.120 --> 0:12:24.600
<v Speaker 4>this ship like rapping like hip hop, two different things.

0:12:24.400 --> 0:12:25.079
<v Speaker 1>You know what I'm saying.

0:12:25.240 --> 0:12:26.880
<v Speaker 2>Yeah, a lot of the guys over there that I like,

0:12:26.880 --> 0:12:32.280
<v Speaker 2>like pot of paper, you know, like Jay Huss with

0:12:32.360 --> 0:12:35.680
<v Speaker 2>Dave Daves get busy. Yeah, Like it's a lot of

0:12:35.679 --> 0:12:38.360
<v Speaker 2>guys over there that you know, really get into that raption.

0:12:38.600 --> 0:12:40.120
<v Speaker 3>And really like put words together.

0:12:40.160 --> 0:12:42.240
<v Speaker 1>We ever heard of cast is dead?

0:12:43.200 --> 0:12:44.079
<v Speaker 3>Cash is dead?

0:12:44.160 --> 0:12:47.600
<v Speaker 4>No, he wear a mask, but the mask looked like

0:12:47.640 --> 0:12:50.080
<v Speaker 4>a real face, but it's not his face.

0:12:50.240 --> 0:12:51.040
<v Speaker 3>No, I never heard him.

0:12:51.040 --> 0:12:51.920
<v Speaker 1>That nigga's crazy.

0:12:52.000 --> 0:12:54.680
<v Speaker 3>Yeah, Cash is dead. I gotta check him out, home boy.

0:12:54.800 --> 0:12:57.560
<v Speaker 5>Okay, Yeah, London definitely was ahead of a lot of ship.

0:12:57.600 --> 0:12:59.760
<v Speaker 5>But I'm still never gonna let Central Ce get that

0:12:59.800 --> 0:13:02.760
<v Speaker 5>off that they was on Nike text before before us.

0:13:02.920 --> 0:13:05.360
<v Speaker 5>That was the one thing that London was tripping on.

0:13:05.559 --> 0:13:08.360
<v Speaker 4>Nahna, But I could say this, this is what London

0:13:08.440 --> 0:13:12.439
<v Speaker 4>niggas was doing back then. They was wearing like they

0:13:12.559 --> 0:13:16.040
<v Speaker 4>was heavy into like Nike track suits, like back in

0:13:16.080 --> 0:13:19.520
<v Speaker 4>the early two thousands, like and when New.

0:13:19.480 --> 0:13:21.000
<v Speaker 1>York niggas was wearing like.

0:13:22.679 --> 0:13:26.600
<v Speaker 4>Those niggas went like jibols and just mad low or

0:13:26.720 --> 0:13:27.600
<v Speaker 4>just like Rockaway.

0:13:27.720 --> 0:13:27.960
<v Speaker 1>Shit.

0:13:28.840 --> 0:13:31.400
<v Speaker 4>When I went to London, them niggas was wearing like

0:13:31.960 --> 0:13:36.720
<v Speaker 4>the track suits with the with the the TN air maxes. Yeah,

0:13:37.200 --> 0:13:42.080
<v Speaker 4>or they was wearing like like they was wearing mad

0:13:42.160 --> 0:13:45.160
<v Speaker 4>Pradas and shit, they was wearing just mad low top

0:13:45.200 --> 0:13:47.959
<v Speaker 4>shit like Jordan's was not lit like I was wearing

0:13:48.000 --> 0:13:50.880
<v Speaker 4>Jordan's and they was like yo, take them fucking stace

0:13:50.960 --> 0:13:53.679
<v Speaker 4>shoes off. I'm like, yo, yeah, niggas is retarded and

0:13:53.720 --> 0:13:56.959
<v Speaker 4>now they wear Jordan's O D. But when I had Jordan's,

0:13:57.040 --> 0:14:00.920
<v Speaker 4>they was not jacking the shits. Actually, thing was always

0:14:00.920 --> 0:14:04.760
<v Speaker 4>big and na, I feel like but then I don't

0:14:04.800 --> 0:14:06.840
<v Speaker 4>know because I was over here, But back then they

0:14:06.920 --> 0:14:08.800
<v Speaker 4>was wearing a lot of like track suits.

0:14:08.920 --> 0:14:10.120
<v Speaker 1>Yeah, that's some West Indian ship.

0:14:10.240 --> 0:14:13.600
<v Speaker 5>Yeah, that's definitely, but Nike Tech specifically, Yeah, we'll take that.

0:14:13.640 --> 0:14:15.960
<v Speaker 5>But you're right, there was always on that before.

0:14:16.080 --> 0:14:20.040
<v Speaker 2>Yeah, because a lot of the soccer, you know, and

0:14:20.040 --> 0:14:21.920
<v Speaker 2>they was wearing a lot of slim ship.

0:14:22.040 --> 0:14:25.400
<v Speaker 4>It wasn't like how niggas dressed probably like you know,

0:14:25.520 --> 0:14:28.480
<v Speaker 4>niggas wear baggy shit again now, but like all that

0:14:28.680 --> 0:14:32.400
<v Speaker 4>like slim fit and sh that was all yeah, but

0:14:32.440 --> 0:14:36.760
<v Speaker 4>they've been rocking that ye like they like like their

0:14:36.840 --> 0:14:41.800
<v Speaker 4>exotic drip was like fucking academic sweatsuits. Like when I

0:14:41.880 --> 0:14:45.280
<v Speaker 4>used to go back to New York, like we used to,

0:14:45.280 --> 0:14:47.160
<v Speaker 4>me and my cousin used to go to like twenty

0:14:47.160 --> 0:14:49.520
<v Speaker 4>eighth Street and buy all that ship for the low

0:14:50.040 --> 0:14:52.400
<v Speaker 4>and then like go back to London and sell that

0:14:52.520 --> 0:14:53.320
<v Speaker 4>ship for the high.

0:14:53.400 --> 0:14:55.080
<v Speaker 1>Like the academic sweatsuits.

0:14:55.160 --> 0:14:58.560
<v Speaker 4>Was the ship over there because you couldn't really get Yeah, yeah,

0:14:58.600 --> 0:15:00.600
<v Speaker 4>all that ship was like ill to them.

0:15:00.800 --> 0:15:02.520
<v Speaker 1>You know what I'm saying. So said, you was born there?

0:15:02.520 --> 0:15:03.760
<v Speaker 1>Do you have like dual citizenship?

0:15:03.960 --> 0:15:04.600
<v Speaker 3>How does that work?

0:15:06.120 --> 0:15:08.440
<v Speaker 4>I guess like I've been over in my whole life,

0:15:08.640 --> 0:15:10.840
<v Speaker 4>like you know what I'm saying, So it's not like a.

0:15:12.480 --> 0:15:13.600
<v Speaker 1>I guess I probably do.

0:15:13.760 --> 0:15:16.400
<v Speaker 4>But I got an American passport, so I mean, but

0:15:16.440 --> 0:15:17.600
<v Speaker 4>I'm a citizen over.

0:15:17.480 --> 0:15:19.840
<v Speaker 3>Here having a passport over there, and I want to

0:15:19.840 --> 0:15:21.240
<v Speaker 3>move to London. So yes, but.

0:15:22.960 --> 0:15:24.640
<v Speaker 1>I'm telling you if you went over there, you will

0:15:24.720 --> 0:15:25.400
<v Speaker 1>love that ship.

0:15:25.520 --> 0:15:25.720
<v Speaker 3>Yeah.

0:15:26.080 --> 0:15:28.880
<v Speaker 2>I love London, but I love having a passport as well,

0:15:28.960 --> 0:15:31.520
<v Speaker 2>because then you can go to all the different other countries.

0:15:31.560 --> 0:15:33.320
<v Speaker 2>They're like you know what I mean, that's part of

0:15:33.360 --> 0:15:35.600
<v Speaker 2>having the part about having the European passport.

0:15:36.640 --> 0:15:38.120
<v Speaker 3>Let's talk soccer too, my pocket.

0:15:38.560 --> 0:15:40.320
<v Speaker 2>You got a song on here with I d K,

0:15:41.280 --> 0:15:44.480
<v Speaker 2>but the DreamCatcher joint as well, And the one thing

0:15:44.560 --> 0:15:48.280
<v Speaker 2>that stuck out to me listening to this project was

0:15:48.600 --> 0:15:51.720
<v Speaker 2>the different flows you jumped in on Dream Catcher and

0:15:51.760 --> 0:15:55.040
<v Speaker 2>Time and Place with I d K. Like your flow

0:15:55.200 --> 0:15:58.400
<v Speaker 2>is like you've you're I guess you could say that

0:15:58.560 --> 0:16:00.160
<v Speaker 2>they would categorize.

0:15:59.680 --> 0:16:02.040
<v Speaker 3>As one of the more lyrical rappers from the city.

0:16:02.600 --> 0:16:06.720
<v Speaker 2>But like on those two records, in particular, to me,

0:16:06.920 --> 0:16:10.240
<v Speaker 2>you sounded like a different version of Rome Streets. Is

0:16:10.280 --> 0:16:12.320
<v Speaker 2>that something that you want to start showing more of?

0:16:12.400 --> 0:16:15.360
<v Speaker 2>Like Rome got different styles, I could jump in different

0:16:15.360 --> 0:16:17.840
<v Speaker 2>pockets because I didn't expect to hear Rome Streets id

0:16:17.960 --> 0:16:21.320
<v Speaker 2>K record, Like I would never put y'all together, you know,

0:16:21.520 --> 0:16:23.680
<v Speaker 2>even though i DK is ill, but I just would

0:16:23.680 --> 0:16:25.480
<v Speaker 2>never pay y'all two together on the record. But what

0:16:25.600 --> 0:16:28.640
<v Speaker 2>y'all did on that Time and Place record, y'all killed that.

0:16:29.000 --> 0:16:32.600
<v Speaker 2>But in terms of changing your flow and your style,

0:16:33.080 --> 0:16:35.160
<v Speaker 2>is that something you want to pay attention to more?

0:16:35.320 --> 0:16:38.200
<v Speaker 2>Because we know the Rome Streets prototypical sound that we

0:16:38.280 --> 0:16:40.560
<v Speaker 2>come to love you for. But like hearing you on

0:16:40.640 --> 0:16:42.760
<v Speaker 2>those it sounded like a whole different room.

0:16:43.960 --> 0:16:47.080
<v Speaker 4>Yeah, hell yeah, because I could do shit like that,

0:16:47.120 --> 0:16:49.800
<v Speaker 4>And I'm saying I've been doing shit like that, like

0:16:50.240 --> 0:16:52.160
<v Speaker 4>my old shit, like before, like.

0:16:52.160 --> 0:16:53.960
<v Speaker 1>I was putting out the ship. I used to suck

0:16:54.000 --> 0:16:55.000
<v Speaker 1>around stuff like that.

0:16:55.480 --> 0:16:59.320
<v Speaker 4>But you know, like I feel like just being an artist,

0:16:59.360 --> 0:17:02.920
<v Speaker 4>you can't just keep doing the same shit you know

0:17:02.960 --> 0:17:04.679
<v Speaker 4>what I'm saying. And then it's like I just go

0:17:04.760 --> 0:17:07.320
<v Speaker 4>off of energy. Like a niggas sent me to beat,

0:17:07.359 --> 0:17:10.560
<v Speaker 4>I might go, that's fire, Like let me do some

0:17:10.640 --> 0:17:13.400
<v Speaker 4>shit like that just because one nigga's not expecting it

0:17:13.440 --> 0:17:15.760
<v Speaker 4>and I could do it, you know what I mean.

0:17:16.320 --> 0:17:19.600
<v Speaker 4>And it's music at the end of the day, Like yeah,

0:17:19.600 --> 0:17:21.520
<v Speaker 4>I wrap, Yeah, I'm lirical, but like.

0:17:22.000 --> 0:17:24.439
<v Speaker 1>I make music. Yeah, you get what I'm saying, Like,

0:17:25.600 --> 0:17:26.159
<v Speaker 1>let's get.

0:17:26.040 --> 0:17:28.680
<v Speaker 3>To that, right, you know what I'm saying.

0:17:28.800 --> 0:17:31.480
<v Speaker 4>Like a lot of niggas just be bought up, and

0:17:31.520 --> 0:17:34.919
<v Speaker 4>it's like that's ill, but eventually you gonna hit the ceiling,

0:17:35.080 --> 0:17:37.959
<v Speaker 4>like you gotta do something else. You don't have to,

0:17:38.080 --> 0:17:42.400
<v Speaker 4>but it's good too. Autistreet is never just in one box.

0:17:42.920 --> 0:17:48.159
<v Speaker 5>You know what I'm saying, Like, no, mal are you

0:17:48.240 --> 0:17:48.480
<v Speaker 5>like me?

0:17:49.119 --> 0:17:50.840
<v Speaker 1>Do you hate overpaying for great wireless?

0:17:50.920 --> 0:17:51.520
<v Speaker 3>Absolutely?

0:17:51.600 --> 0:17:53.840
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0:17:53.880 --> 0:17:56.959
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0:17:56.960 --> 0:17:59.879
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0:18:00.119 --> 0:18:02.639
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0:18:02.640 --> 0:18:04.919
<v Speaker 5>people in your life, specifically maybe some of the ladies

0:18:05.000 --> 0:18:07.520
<v Speaker 5>like you won't lose contact, you can save up to

0:18:07.560 --> 0:18:09.040
<v Speaker 5>six hundred dollars so you can take them out for

0:18:09.080 --> 0:18:09.720
<v Speaker 5>a nice dinner.

0:18:11.080 --> 0:18:13.240
<v Speaker 1>And yeah, you should just like stop overpaying. At this point,

0:18:13.240 --> 0:18:14.440
<v Speaker 1>I feel like I tell you this every day.

0:18:14.440 --> 0:18:15.359
<v Speaker 3>You do tell me this every day.

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0:18:18.040 --> 0:18:20.679
<v Speaker 2>of AT and T, Verizon and T Mobile customers compared

0:18:20.720 --> 0:18:23.119
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0:18:23.160 --> 0:18:25.760
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0:18:25.800 --> 0:18:32.720
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0:18:32.800 --> 0:18:35.080
<v Speaker 3>The IDK record, How how did that come about? Did

0:18:35.119 --> 0:18:36.160
<v Speaker 3>he send the joint or.

0:18:36.640 --> 0:18:39.399
<v Speaker 4>Noah, No, nah, Like I've been I've been on i

0:18:39.480 --> 0:18:45.120
<v Speaker 4>DK for a minute, like probably since like twenty twenty one,

0:18:45.240 --> 0:18:46.480
<v Speaker 4>maybe twenty twenty two.

0:18:47.000 --> 0:18:48.920
<v Speaker 1>Like we just he reached out to me.

0:18:49.000 --> 0:18:51.199
<v Speaker 4>You chopped it up, and I'm saying, I say him

0:18:51.240 --> 0:18:54.359
<v Speaker 4>a verse for some shit a while ago. But like

0:18:54.440 --> 0:18:56.439
<v Speaker 4>I had made the song already and I'm like, you

0:18:56.440 --> 0:18:58.800
<v Speaker 4>know what, it'd be ill if I put somebody on this.

0:18:59.440 --> 0:19:00.879
<v Speaker 4>So I was just trying to see, you know what

0:19:00.880 --> 0:19:03.000
<v Speaker 4>I'm saying, who could go on it? And I'm like,

0:19:03.080 --> 0:19:06.800
<v Speaker 4>you know what, send it to I d K. You

0:19:06.840 --> 0:19:09.399
<v Speaker 4>know what I'm saying, sent it to him, and Nigga

0:19:09.440 --> 0:19:12.320
<v Speaker 4>sent that shit back like the next day. You know

0:19:12.359 --> 0:19:15.439
<v Speaker 4>what I'm saying, But it's ill because that wasn't the

0:19:15.520 --> 0:19:19.720
<v Speaker 4>original version of the song, like the song was longer,

0:19:19.800 --> 0:19:23.439
<v Speaker 4>like my verse was longer and shit. And then i

0:19:23.520 --> 0:19:25.480
<v Speaker 4>DK was like, yo, you know, be Ill was like

0:19:25.920 --> 0:19:27.639
<v Speaker 4>this song is hot, but he's like, yo, I got

0:19:27.680 --> 0:19:30.240
<v Speaker 4>an idea, let me like arrange it in an ill

0:19:30.320 --> 0:19:32.760
<v Speaker 4>way that I just think, you know what I'm saying,

0:19:32.800 --> 0:19:35.840
<v Speaker 4>and I'm like being ahead, yeah, yeah, go ahead, because

0:19:35.880 --> 0:19:38.119
<v Speaker 4>at the end of the day, like I'm never like

0:19:38.840 --> 0:19:41.560
<v Speaker 4>super stuck in my ways when it comes to creating,

0:19:41.880 --> 0:19:44.199
<v Speaker 4>you understand saying the only thing I'm stuck in my

0:19:44.280 --> 0:19:47.080
<v Speaker 4>ways in is writing my own shit. But other than that,

0:19:47.280 --> 0:19:50.560
<v Speaker 4>like when it comes to working with other creative niggas,

0:19:50.960 --> 0:19:54.160
<v Speaker 4>like I'm open to doing shit like that because one

0:19:54.960 --> 0:19:57.800
<v Speaker 4>all my shit is really just me working by myself.

0:19:58.240 --> 0:20:00.160
<v Speaker 1>So now when niggas be like, yo, I got an idea,

0:20:00.440 --> 0:20:01.840
<v Speaker 1>some big yo, go ahead, let me see.

0:20:02.040 --> 0:20:03.800
<v Speaker 4>And then you know what I'm saying, he pieced it together,

0:20:03.880 --> 0:20:06.360
<v Speaker 4>how he pieced it together, And I'm like, oh, that's

0:20:06.359 --> 0:20:08.480
<v Speaker 4>shit hard yeah, And then I'm like you know what,

0:20:08.600 --> 0:20:10.840
<v Speaker 4>run it like that and then it just came out.

0:20:10.920 --> 0:20:11.600
<v Speaker 1>Ill what I'm saying.

0:20:11.680 --> 0:20:13.200
<v Speaker 3>That's definitely one that I got to shoot the album.

0:20:13.240 --> 0:20:16.720
<v Speaker 5>Yeah, y'all got to see myself if I mean from

0:20:16.720 --> 0:20:18.640
<v Speaker 5>London and then moved to Maryland too.

0:20:19.280 --> 0:20:20.760
<v Speaker 1>I think he was born in London as well. I

0:20:20.760 --> 0:20:23.560
<v Speaker 1>think so moved to DC Maryland. I like non five

0:20:23.600 --> 0:20:25.359
<v Speaker 1>mega non five mega.

0:20:25.480 --> 0:20:28.919
<v Speaker 2>Yeah, that staf with Styles? Yeah, that's that had to be.

0:20:29.080 --> 0:20:30.560
<v Speaker 2>Was that the That's the first time I worked together,

0:20:30.600 --> 0:20:31.480
<v Speaker 2>right and Styles?

0:20:32.280 --> 0:20:32.800
<v Speaker 1>Yeah?

0:20:32.920 --> 0:20:33.520
<v Speaker 3>How was that?

0:20:33.960 --> 0:20:34.160
<v Speaker 1>Oh?

0:20:34.200 --> 0:20:36.119
<v Speaker 2>That was fin I mean obviously that gotta be one

0:20:36.119 --> 0:20:37.919
<v Speaker 2>of your favorite Yeah, hell you awesome?

0:20:37.960 --> 0:20:38.160
<v Speaker 1>The shit?

0:20:38.240 --> 0:20:41.560
<v Speaker 4>Oh yeah, that's p one of my favorite rappers ever. Yeah,

0:20:41.800 --> 0:20:45.159
<v Speaker 4>it was how I even met Styles. I was doing it.

0:20:46.080 --> 0:20:48.720
<v Speaker 4>This was a couple of years ago, like I was

0:20:49.000 --> 0:20:50.959
<v Speaker 4>twenty nineteen, maybe twenty twenty.

0:20:51.680 --> 0:20:55.359
<v Speaker 1>I was. I was doing a photo shoot. Were awake okay.

0:20:55.080 --> 0:20:58.040
<v Speaker 4>And me and Styles is in the shoot, but I

0:20:58.040 --> 0:21:00.239
<v Speaker 4>got there first. So I was shooting ship and I

0:21:00.280 --> 0:21:02.439
<v Speaker 4>was playing like some music that I had or whatever,

0:21:03.119 --> 0:21:06.480
<v Speaker 4>and in the midst of it, Styles came we shooting

0:21:06.920 --> 0:21:08.359
<v Speaker 4>and then he was like, yo, what the fuck is this?

0:21:08.480 --> 0:21:10.680
<v Speaker 4>I'm like, goes like goes my ship. He's like, go,

0:21:10.760 --> 0:21:13.040
<v Speaker 4>this is you my gig. He's like, go this shit hard.

0:21:13.359 --> 0:21:15.720
<v Speaker 4>So then like you know, we just tapped in from there.

0:21:16.200 --> 0:21:19.680
<v Speaker 4>And then I did that joint in ninety five Mega Ship,

0:21:20.119 --> 0:21:22.480
<v Speaker 4>and I'm like, who can I put on this?

0:21:23.080 --> 0:21:23.760
<v Speaker 1>You know what I'm saying.

0:21:24.200 --> 0:21:27.560
<v Speaker 4>Obviously being no brainer to put Mega on there, but

0:21:28.119 --> 0:21:30.440
<v Speaker 4>I had mego on my last album, you know what

0:21:30.440 --> 0:21:32.800
<v Speaker 4>I'm saying, the ship I did with Darrender and I

0:21:32.800 --> 0:21:35.280
<v Speaker 4>got I got more shit with Mega too. I'm like,

0:21:35.359 --> 0:21:37.080
<v Speaker 4>you know what, who else could I funk with on there?

0:21:37.400 --> 0:21:40.560
<v Speaker 4>And I'm like, send it to Styles and then like

0:21:41.240 --> 0:21:45.720
<v Speaker 4>sent it to his manager and then he sent it back.

0:21:46.040 --> 0:21:48.760
<v Speaker 4>He was like, go, it's cool if he just blackout

0:21:48.800 --> 0:21:50.360
<v Speaker 4>on it. I'm like yeah, because he spent a couple

0:21:50.359 --> 0:21:54.440
<v Speaker 4>of I'm like, Nigga's that's like you could drop a hundred.

0:21:54.480 --> 0:21:55.200
<v Speaker 1>I wouldn't give.

0:21:56.760 --> 0:21:57.040
<v Speaker 5>Like that.

0:21:57.400 --> 0:22:00.000
<v Speaker 1>Like, so that's how that ship came up.

0:22:00.320 --> 0:22:04.119
<v Speaker 2>Yeah. Now obviously you know going things going on in

0:22:04.160 --> 0:22:07.040
<v Speaker 2>the industry now with you know, rappers doing the small

0:22:07.080 --> 0:22:09.560
<v Speaker 2>tooth thing. Yo, Like you said, yeah, so d D

0:22:10.960 --> 0:22:15.320
<v Speaker 2>is it something that you look at that like a

0:22:15.359 --> 0:22:17.640
<v Speaker 2>sign of respect? Like when Style send it right back

0:22:17.680 --> 0:22:20.680
<v Speaker 2>when I d K sends it right back. Like if

0:22:20.680 --> 0:22:22.480
<v Speaker 2>a artista, YO, send me something, let's do something, you

0:22:22.520 --> 0:22:25.080
<v Speaker 2>actually send it, versus if you do send it and

0:22:25.160 --> 0:22:29.399
<v Speaker 2>they don't ever give you a verse back. How do

0:22:29.440 --> 0:22:31.480
<v Speaker 2>you view that as a rappers, like like, Okay, maybe

0:22:31.520 --> 0:22:32.760
<v Speaker 2>I gotta just step my shit up.

0:22:32.920 --> 0:22:34.280
<v Speaker 3>Maybe he don't respect my shit.

0:22:34.240 --> 0:22:38.640
<v Speaker 4>Like that yet honestly, it's levels to it. It depends

0:22:38.680 --> 0:22:41.920
<v Speaker 4>on how it happened. But I come to not take

0:22:42.000 --> 0:22:48.840
<v Speaker 4>that personally because rappers be doing mad shit. Yeah, because

0:22:48.880 --> 0:22:51.600
<v Speaker 4>there's times where niggas send me versus and I'd be like, Yo,

0:22:51.640 --> 0:22:54.200
<v Speaker 4>I'm gonna do it, But sometimes I just don't get

0:22:54.240 --> 0:22:58.399
<v Speaker 4>to it because one mad shit be going on two.

0:22:58.920 --> 0:23:04.320
<v Speaker 4>Sometimes I might forget three. Sometimes it's like I just

0:23:04.400 --> 0:23:07.200
<v Speaker 4>can't get to it. You understand saying, And then it's

0:23:07.240 --> 0:23:10.600
<v Speaker 4>like I'll double back, cause it just happens. Bro, that

0:23:10.640 --> 0:23:13.040
<v Speaker 4>shit happens. Sometimes you want to do it, you just

0:23:13.080 --> 0:23:13.879
<v Speaker 4>can't get to it.

0:23:13.920 --> 0:23:16.480
<v Speaker 1>Bro, It just happens. But like it be happening.

0:23:16.840 --> 0:23:19.480
<v Speaker 4>So it's like once you get to a place and

0:23:19.680 --> 0:23:24.960
<v Speaker 4>understand it, it's like you can't like you can't really

0:23:25.000 --> 0:23:29.879
<v Speaker 4>be mad. You understand saying I've only been in one situation.

0:23:30.000 --> 0:23:32.040
<v Speaker 4>I'm not gonna say a nigga name, and I'm not

0:23:32.080 --> 0:23:35.199
<v Speaker 4>gonna say I take it personally, but I'm gonna say, like,

0:23:35.320 --> 0:23:38.760
<v Speaker 4>this is a situation where you might feel like, yo,

0:23:39.560 --> 0:23:41.480
<v Speaker 4>I send you a verse, but I got you, I

0:23:41.520 --> 0:23:44.000
<v Speaker 4>got you, I got you, and then I got you,

0:23:44.000 --> 0:23:46.359
<v Speaker 4>give me scou, give me school, and I'm like, yo,

0:23:46.440 --> 0:23:48.840
<v Speaker 4>I got it. I record it, and then it'll be

0:23:48.880 --> 0:23:53.320
<v Speaker 4>like all right, and then I see where you like,

0:23:53.560 --> 0:23:55.359
<v Speaker 4>I got it. I hear it, and you be like,

0:23:55.359 --> 0:23:56.480
<v Speaker 4>but I want to do it again.

0:23:56.720 --> 0:23:57.199
<v Speaker 1>But I hear it.

0:23:57.200 --> 0:23:59.320
<v Speaker 4>We go that's you hard, you know what I mean.

0:24:00.040 --> 0:24:04.080
<v Speaker 4>It's like, you did it. I'm cool with it. You

0:24:04.200 --> 0:24:06.440
<v Speaker 4>might not be cool with it, but it's cool enough.

0:24:08.280 --> 0:24:11.640
<v Speaker 4>I understand why you'd be like, all right, I want

0:24:11.640 --> 0:24:12.480
<v Speaker 4>to do another one.

0:24:12.840 --> 0:24:14.840
<v Speaker 1>But then it's like, what can I ask you?

0:24:14.880 --> 0:24:16.200
<v Speaker 5>Did he want to do any one because he heard

0:24:16.320 --> 0:24:19.439
<v Speaker 5>your verse and wanted to re record his, or I

0:24:19.440 --> 0:24:19.879
<v Speaker 5>don't know.

0:24:20.000 --> 0:24:21.600
<v Speaker 1>I don't know. I don't know if you feel like.

0:24:23.920 --> 0:24:27.640
<v Speaker 4>The thing is though I don't look honestly with me personally,

0:24:28.400 --> 0:24:31.640
<v Speaker 4>I don't even look at it like who got the

0:24:31.680 --> 0:24:34.679
<v Speaker 4>better verse? It just depends on how the song goes.

0:24:35.040 --> 0:24:38.680
<v Speaker 4>If I send you the song with my verse on it,

0:24:39.560 --> 0:24:43.320
<v Speaker 4>you supposed to have a better verse. Yeah, because at

0:24:43.320 --> 0:24:45.280
<v Speaker 4>the end of the day, you got all day to

0:24:45.440 --> 0:24:48.400
<v Speaker 4>listen to my shit. You to have the better verse.

0:24:49.000 --> 0:24:51.920
<v Speaker 4>I'm already setting you up to have the better verse.

0:24:52.440 --> 0:24:55.880
<v Speaker 4>I do not care, because I'm good at this already.

0:24:56.200 --> 0:24:58.560
<v Speaker 4>If you spit a better verse than me, that means

0:24:58.600 --> 0:25:02.080
<v Speaker 4>the song is fucking ex your fans gonna run to

0:25:02.119 --> 0:25:04.119
<v Speaker 4>it because it'd be like, Yo, this might be the

0:25:04.200 --> 0:25:08.000
<v Speaker 4>best verse I ever heard from this. So I don't

0:25:08.080 --> 0:25:10.160
<v Speaker 4>care if you have the better verse. The only time

0:25:10.200 --> 0:25:12.160
<v Speaker 4>where it's like, all right, who got the better verse?

0:25:12.200 --> 0:25:14.280
<v Speaker 4>If we're right here, if me and you are in

0:25:14.320 --> 0:25:17.320
<v Speaker 4>the same place, then it's like okay. But at the

0:25:17.400 --> 0:25:19.800
<v Speaker 4>end of the day, it happens with rap because everybody

0:25:19.880 --> 0:25:23.719
<v Speaker 4>listening for something different. You understand saying, it just is

0:25:23.760 --> 0:25:25.760
<v Speaker 4>what it is, like that, I don't be heart broke.

0:25:25.800 --> 0:25:28.040
<v Speaker 4>You're supposed to have a better verse if you send

0:25:28.119 --> 0:25:31.040
<v Speaker 4>me your ship first, I'm supposed to have a better

0:25:31.119 --> 0:25:33.640
<v Speaker 4>verse on that shit. I don't care, Like I don't

0:25:33.680 --> 0:25:37.280
<v Speaker 4>really that shit don't dominate my mind. You understand saying,

0:25:37.800 --> 0:25:40.760
<v Speaker 4>because it's like if if that ship is, if that's

0:25:40.840 --> 0:25:42.639
<v Speaker 4>all I care about, I might as well have been

0:25:42.680 --> 0:25:47.000
<v Speaker 4>a bad rapper, you understand saying Jay had.

0:25:46.960 --> 0:25:49.480
<v Speaker 5>The best response when someone I forgot he was on

0:25:49.720 --> 0:25:51.640
<v Speaker 5>ninety seven asked him how he felt about not saying

0:25:51.720 --> 0:25:52.879
<v Speaker 5>m killed him on his own shit sad? What do

0:25:52.880 --> 0:25:54.200
<v Speaker 5>you think I want Eminem to have a bad verse

0:25:54.240 --> 0:25:56.240
<v Speaker 5>on my own so my album.

0:25:56.320 --> 0:26:00.520
<v Speaker 1>Yeah, you're supposed to, because it's like I know I

0:26:00.560 --> 0:26:01.680
<v Speaker 1>want a shitty Eminem verse.

0:26:01.720 --> 0:26:04.160
<v Speaker 4>Like I'm the type of nigga like if I'm gonna

0:26:04.160 --> 0:26:07.000
<v Speaker 4>send you something, I already know I'm sending you some ship.

0:26:07.119 --> 0:26:08.720
<v Speaker 1>I already know who I'm sending it to you.

0:26:09.040 --> 0:26:11.960
<v Speaker 4>I already know what I'm getting into, so I know

0:26:12.080 --> 0:26:13.640
<v Speaker 4>that I gotta spit some ship.

0:26:13.760 --> 0:26:15.359
<v Speaker 1>So I'm like, I'm standing on it.

0:26:15.600 --> 0:26:17.320
<v Speaker 4>So if you can have a better verse than me,

0:26:17.400 --> 0:26:20.560
<v Speaker 4>that mean you jumped mad high. So it's like I

0:26:20.680 --> 0:26:24.320
<v Speaker 4>want you to do that. That's you know, ship.

0:26:24.440 --> 0:26:27.600
<v Speaker 2>But but the rapper's ego is something that we all understand.

0:26:27.640 --> 0:26:30.919
<v Speaker 2>It's like if it's your song and you send somebody

0:26:30.920 --> 0:26:34.400
<v Speaker 2>a verse and they they they you know they're going

0:26:34.520 --> 0:26:37.680
<v Speaker 2>crazy on it. Sometimes the rapper ego shows up like.

0:26:38.359 --> 0:26:39.359
<v Speaker 1>Nah, man, he can't.

0:26:39.400 --> 0:26:41.199
<v Speaker 2>I can't let him do that to me on my record,

0:26:41.280 --> 0:26:44.240
<v Speaker 2>Like looking at it, you gotta have a dude verse

0:26:44.280 --> 0:26:44.800
<v Speaker 2>to do that though.

0:26:44.880 --> 0:26:48.119
<v Speaker 4>But I put it like this, most niggas that I

0:26:48.200 --> 0:26:52.199
<v Speaker 4>do songs with, I have multiple songs with them. So

0:26:52.240 --> 0:26:55.000
<v Speaker 4>at the end of the day, like you could get me,

0:26:57.640 --> 0:26:59.520
<v Speaker 4>let's get it, you know what I mean? Because I

0:26:59.560 --> 0:27:03.000
<v Speaker 4>want to for niggas that could rap r for real.

0:27:03.080 --> 0:27:05.199
<v Speaker 4>Because it was a time when I thought I was

0:27:05.240 --> 0:27:09.440
<v Speaker 4>the only nigga doing this. Everybody was doing jumping, jump

0:27:09.520 --> 0:27:12.800
<v Speaker 4>up and down ship you understand sayings was like, damn,

0:27:12.840 --> 0:27:15.080
<v Speaker 4>there's nobody for me to rap unlet's do the jump

0:27:15.200 --> 0:27:17.679
<v Speaker 4>up and down ship now the mad people for me

0:27:17.720 --> 0:27:19.560
<v Speaker 4>to rap with at.

0:27:19.160 --> 0:27:20.879
<v Speaker 2>Let's yeah, you're having a good time right now. The

0:27:21.000 --> 0:27:23.000
<v Speaker 2>MC for sure, Yeah it's cool.

0:27:23.080 --> 0:27:24.600
<v Speaker 4>Like I want to rap with niggas, you know what

0:27:24.600 --> 0:27:27.600
<v Speaker 4>I mean, Like I want to rap with NADS and Ship.

0:27:29.119 --> 0:27:33.800
<v Speaker 4>Yeah you understand saying like anybody else is all right whatever,

0:27:34.000 --> 0:27:35.400
<v Speaker 4>like we could get it going.

0:27:35.320 --> 0:27:39.240
<v Speaker 5>Like yeah, that that picture went went kind of viral

0:27:39.400 --> 0:27:42.520
<v Speaker 5>with you and NADS And obviously the last joint was

0:27:42.560 --> 0:27:45.520
<v Speaker 5>a mass appeal, which was Nods, the owner of But

0:27:45.760 --> 0:27:47.800
<v Speaker 5>all the comments when that photo went up was like

0:27:48.000 --> 0:27:50.840
<v Speaker 5>we're expecting a record now, that's how the audience sees

0:27:50.880 --> 0:27:53.760
<v Speaker 5>a photo. That means y'all better go to the booth now.

0:27:54.280 --> 0:27:57.119
<v Speaker 5>Yeah the fuck being in that event. But what was

0:27:57.400 --> 0:27:59.760
<v Speaker 5>like your first interactions with nas Like.

0:28:01.040 --> 0:28:02.680
<v Speaker 1>It was cool because.

0:28:03.800 --> 0:28:06.679
<v Speaker 4>I got like it's like some ob ship like I

0:28:06.720 --> 0:28:13.600
<v Speaker 4>got sent for you got it, go get him? Yeah,

0:28:13.640 --> 0:28:16.440
<v Speaker 4>like your son now's going to meet you. Come here

0:28:16.480 --> 0:28:20.879
<v Speaker 4>at this time under still saying like at some restaurants,

0:28:23.880 --> 0:28:26.280
<v Speaker 4>like I'm telling you, it was like I had to

0:28:26.280 --> 0:28:28.919
<v Speaker 4>go to some restaurant in the back like it like

0:28:29.280 --> 0:28:32.040
<v Speaker 4>I was like yo, he was like yo, I love

0:28:32.080 --> 0:28:35.919
<v Speaker 4>what you're doing. It's like keep it up like we watching.

0:28:35.920 --> 0:28:38.280
<v Speaker 4>It's like, y'all I'm proud, like I'm I mean, it's

0:28:38.320 --> 0:28:40.479
<v Speaker 4>dope just to see what you got going on, like

0:28:40.600 --> 0:28:43.320
<v Speaker 4>anything I could do to be behind you. And the

0:28:43.440 --> 0:28:47.560
<v Speaker 4>thing is before that he had said no, no, actually wasn't.

0:28:48.040 --> 0:28:50.520
<v Speaker 4>He had yad called me to go meet him, but

0:28:50.560 --> 0:28:53.800
<v Speaker 4>then like he was just doing interviews mentioning me and ship.

0:28:53.920 --> 0:28:56.240
<v Speaker 4>But you, I mean I was just unbeknounced to it.

0:28:56.360 --> 0:28:58.120
<v Speaker 4>You mean, niggas just tagging me and ship, like, yo,

0:28:58.240 --> 0:28:59.840
<v Speaker 4>I'm like, it's just ill.

0:29:00.160 --> 0:29:02.480
<v Speaker 2>There's a rapper from especially being from Queens though. That

0:29:02.560 --> 0:29:05.200
<v Speaker 2>had to be the moment where he was like, oh shit,

0:29:05.400 --> 0:29:08.920
<v Speaker 2>like I'm really ahighty. I'm like, Nas, I'm an ill

0:29:09.000 --> 0:29:12.120
<v Speaker 2>nigga if NAS has got my name in different rooms

0:29:12.160 --> 0:29:13.520
<v Speaker 2>and you know what I'm saying. And then obviously he

0:29:13.600 --> 0:29:15.840
<v Speaker 2>sent for you to come meet him and sit down

0:29:15.880 --> 0:29:19.520
<v Speaker 2>and kick it into now releasing all mass appeal. I

0:29:19.560 --> 0:29:22.000
<v Speaker 2>mean that gotta be a as a queen's and see

0:29:22.000 --> 0:29:23.880
<v Speaker 2>that gotta be like that shit is crazy.

0:29:24.160 --> 0:29:28.840
<v Speaker 4>Yeah, it's really crazy because you know, like when you're

0:29:28.920 --> 0:29:32.400
<v Speaker 4>in it sometimes you don't realize how it may appear

0:29:32.520 --> 0:29:36.120
<v Speaker 4>to the outside looking in, but it's like from the

0:29:36.200 --> 0:29:39.480
<v Speaker 4>inside looking out, it's still crazy to me, Like damn, yo,

0:29:40.120 --> 0:29:44.200
<v Speaker 4>I got here, yeah, because like I remember, like I said,

0:29:44.320 --> 0:29:48.400
<v Speaker 4>doing this shit, I didn't know nobody that could get

0:29:48.400 --> 0:29:51.200
<v Speaker 4>me anywhere close to being seen.

0:29:51.920 --> 0:29:52.680
<v Speaker 1>You get what I'm saying.

0:29:52.760 --> 0:29:57.720
<v Speaker 4>Like my first trying to get on was like all right,

0:29:57.800 --> 0:29:59.840
<v Speaker 4>like let me try to get it on a smack DVD.

0:30:00.160 --> 0:30:03.000
<v Speaker 4>I didn't know nobody who fucking knew smack. Like I

0:30:03.080 --> 0:30:06.720
<v Speaker 4>used to go record in the coliseum. You understand saying

0:30:06.760 --> 0:30:08.440
<v Speaker 4>like I used to go used to be a little

0:30:08.480 --> 0:30:10.600
<v Speaker 4>studio right in the coliseum. I used to go there

0:30:10.640 --> 0:30:13.640
<v Speaker 4>and record, you understand. I used to just play the

0:30:13.720 --> 0:30:16.760
<v Speaker 4>app trying to run into niggas and ship like because

0:30:16.800 --> 0:30:18.680
<v Speaker 4>back then it was like, Okay, you probably have to

0:30:18.680 --> 0:30:22.440
<v Speaker 4>meet a rapper to go rapping. I just did know

0:30:22.560 --> 0:30:25.440
<v Speaker 4>no rappers, you know what I'm saying. And now it's

0:30:25.560 --> 0:30:33.080
<v Speaker 4>like nigga talking about me and sit in between all

0:30:33.120 --> 0:30:36.040
<v Speaker 4>of that. Niggas used to just be like, Yo, rom Son,

0:30:36.120 --> 0:30:39.560
<v Speaker 4>you gotta you gotta make trap music, bro, Like this

0:30:39.720 --> 0:30:41.880
<v Speaker 4>type of ship ain't lit no more, Like yeah, you

0:30:41.960 --> 0:30:44.000
<v Speaker 4>ill at it, but you gotta switch it up, like

0:30:44.320 --> 0:30:47.600
<v Speaker 4>you gotta do that first, and then that will get

0:30:47.640 --> 0:30:48.880
<v Speaker 4>people to listen to that.

0:30:49.400 --> 0:30:54.080
<v Speaker 1>You understand created you gotta understand.

0:30:54.120 --> 0:30:58.640
<v Speaker 4>It's like that's what everybody's saying because they can't look

0:30:58.720 --> 0:31:00.240
<v Speaker 4>past what they're eddy.

0:31:00.320 --> 0:31:03.800
<v Speaker 1>C If everybody on the radio, everybody.

0:31:03.320 --> 0:31:05.360
<v Speaker 4>On TV, you know what I mean, All the New

0:31:05.440 --> 0:31:07.640
<v Speaker 4>York rappers is making down South music.

0:31:07.920 --> 0:31:11.280
<v Speaker 1>It's like Rome, you gotta switch it up, you know

0:31:11.320 --> 0:31:11.840
<v Speaker 1>what I'm saying.

0:31:12.240 --> 0:31:15.080
<v Speaker 4>So it's like to be able to get here doing

0:31:15.160 --> 0:31:17.480
<v Speaker 4>what I do niggas.

0:31:17.200 --> 0:31:22.200
<v Speaker 1>Is still trying to figure out if I can do

0:31:22.280 --> 0:31:24.840
<v Speaker 1>some of that exactly. That's why I said I can

0:31:24.880 --> 0:31:25.760
<v Speaker 1>funk around.

0:31:25.440 --> 0:31:29.160
<v Speaker 2>And do that now based established now they want to

0:31:30.560 --> 0:31:32.000
<v Speaker 2>step outside the box.

0:31:32.000 --> 0:31:37.040
<v Speaker 5>With we're getting a know, Nas, are you very careful

0:31:37.080 --> 0:31:39.920
<v Speaker 5>with certain things? Maybe you'll send him or like you

0:31:40.040 --> 0:31:42.000
<v Speaker 5>have a certain folder that's like, this is just the

0:31:42.080 --> 0:31:43.440
<v Speaker 5>Noad ship if he come to the studio.

0:31:43.440 --> 0:31:46.840
<v Speaker 1>I'm saving all this to play for NAS. I put

0:31:46.840 --> 0:31:47.400
<v Speaker 1>it like this.

0:31:49.160 --> 0:31:52.200
<v Speaker 4>I'm not like it's going to happen like the way

0:31:52.280 --> 0:31:56.120
<v Speaker 4>shit happened for me in just my whole career. It's like,

0:31:56.240 --> 0:31:58.880
<v Speaker 4>I don't be forcing the issue. You get what I'm saying,

0:31:58.920 --> 0:32:01.920
<v Speaker 4>Like it's going it's gonna come to me if I

0:32:02.040 --> 0:32:05.520
<v Speaker 4>just continue doing what I did that made things come

0:32:05.560 --> 0:32:08.200
<v Speaker 4>to me already. So it's like, yeah, I might make

0:32:08.280 --> 0:32:10.360
<v Speaker 4>some ship and I may Yo. I want Nads to

0:32:10.400 --> 0:32:12.440
<v Speaker 4>get on this, so I'm gonna wrap my ass off.

0:32:12.880 --> 0:32:14.880
<v Speaker 4>But if he don't get on it, it's like the

0:32:15.000 --> 0:32:17.520
<v Speaker 4>level that I rapped on it once a nigga, even

0:32:17.520 --> 0:32:21.080
<v Speaker 4>if it ended up being my own song, You're crazy.

0:32:21.120 --> 0:32:23.720
<v Speaker 4>So it's all right. That just forces me to rap

0:32:23.760 --> 0:32:27.720
<v Speaker 4>on a higher level. In general, because Okay, in my mind, yo,

0:32:28.080 --> 0:32:30.080
<v Speaker 4>NOAs could get on this, send this to the A

0:32:30.360 --> 0:32:32.240
<v Speaker 4>or see. But it's like if it don't, it's just

0:32:32.280 --> 0:32:35.560
<v Speaker 4>another I probably just leveled up the way I rap

0:32:35.720 --> 0:32:38.520
<v Speaker 4>just because it's like I'm trying to do something with

0:32:38.600 --> 0:32:41.440
<v Speaker 4>the nigga that wraps the greatest, you know what I mean.

0:32:41.520 --> 0:32:44.400
<v Speaker 1>So it's yeah, so it's still cool.

0:32:44.440 --> 0:32:46.200
<v Speaker 4>At the end of the day, it's gonna come and

0:32:46.280 --> 0:32:48.640
<v Speaker 4>I least expect it, and it probably would just be

0:32:48.720 --> 0:32:49.680
<v Speaker 4>some whole other ship.

0:32:49.840 --> 0:32:53.880
<v Speaker 5>Like, man, yeah, what's so, what's your relationship like with Alchemists?

0:32:54.160 --> 0:32:58.400
<v Speaker 4>Hey, that's the bro man, Like, honestly, I've known I've

0:32:58.400 --> 0:33:00.880
<v Speaker 4>known Alpha for a couple of years now.

0:33:02.000 --> 0:33:03.680
<v Speaker 1>Queens. Yeah, and it's like Queen.

0:33:03.960 --> 0:33:07.360
<v Speaker 4>The thing is, it's like this whole ship to me

0:33:07.480 --> 0:33:10.520
<v Speaker 4>is a full circle because like I said, I come

0:33:10.560 --> 0:33:14.120
<v Speaker 4>from the era of like the j Arms mix tapes,

0:33:14.520 --> 0:33:19.240
<v Speaker 4>the Sycamore fucking instrumental ships, where I'm just writing rhymes.

0:33:18.960 --> 0:33:23.000
<v Speaker 1>To the ship and like umb sometimes I just get

0:33:23.000 --> 0:33:23.360
<v Speaker 1>the CD.

0:33:24.200 --> 0:33:26.640
<v Speaker 4>So it's like, unbeknownst to me, like my favorite ship

0:33:26.760 --> 0:33:29.480
<v Speaker 4>just ends up being the Alchemist shit all the time,

0:33:29.680 --> 0:33:33.040
<v Speaker 4>just subconsciously. So then it's like once I finally meet him,

0:33:33.040 --> 0:33:35.520
<v Speaker 4>he's like, yeah, I already know who you is.

0:33:35.560 --> 0:33:38.560
<v Speaker 1>You know what I'm saying, Like it's like, wow, I

0:33:38.600 --> 0:33:42.720
<v Speaker 1>love man beat. Yeah, it's actually I've done. Yeah, I've done.

0:33:43.240 --> 0:33:45.320
<v Speaker 1>I've done more show with al you know what I'm saying,

0:33:45.360 --> 0:33:45.680
<v Speaker 1>I've been.

0:33:46.120 --> 0:33:51.320
<v Speaker 4>But then also like just understanding how this ship works.

0:33:51.400 --> 0:33:54.600
<v Speaker 4>Sometimes it's not always just about meeting a person.

0:33:54.480 --> 0:33:55.680
<v Speaker 1>Like do some ship.

0:33:57.600 --> 0:34:00.680
<v Speaker 4>I kicked it at our spot man at times, and

0:34:00.800 --> 0:34:04.080
<v Speaker 4>I ain't right or rap nothing, just hanging out, you

0:34:04.120 --> 0:34:06.080
<v Speaker 4>know what I'm saying, While other niggas is doing it.

0:34:06.440 --> 0:34:10.840
<v Speaker 4>I'm just on the wall, just kicking it, absorbing, chopping

0:34:10.920 --> 0:34:12.560
<v Speaker 4>it up, you know what I'm saying, Because.

0:34:12.960 --> 0:34:15.319
<v Speaker 1>That's how it be too, you know what I'm hearing.

0:34:15.440 --> 0:34:17.759
<v Speaker 4>Like, because a lot of artists, you might want to

0:34:17.840 --> 0:34:19.920
<v Speaker 4>do songs with them, oh yo, do some ship, and

0:34:19.960 --> 0:34:21.360
<v Speaker 4>they might be like yeah saying it, but it's like

0:34:21.480 --> 0:34:23.879
<v Speaker 4>they won't do a song with you unless you hang

0:34:23.960 --> 0:34:28.520
<v Speaker 4>out with them. Because sometimes you like niggas be busters.

0:34:28.640 --> 0:34:31.080
<v Speaker 4>You understand I'm saying, like, oh, y'all, do some ship

0:34:31.400 --> 0:34:33.680
<v Speaker 4>and you do a song with a nigga and like

0:34:34.200 --> 0:34:38.160
<v Speaker 4>it's happened. He just do some cornball ship like I'd

0:34:38.239 --> 0:34:40.759
<v Speaker 4>rather just do music with niggas that I can hang

0:34:40.840 --> 0:34:45.920
<v Speaker 4>out with without doing music that way, Like yeah, it's

0:34:45.960 --> 0:34:48.480
<v Speaker 4>a better vibe. Like you understand I'm saying, Like.

0:34:51.480 --> 0:34:52.319
<v Speaker 3>You find out your.

0:34:54.640 --> 0:34:56.560
<v Speaker 1>Get that. You know what I'm saying.

0:34:57.719 --> 0:34:59.279
<v Speaker 4>At the end of the day, I get it is

0:34:59.400 --> 0:35:02.080
<v Speaker 4>it don't all always be about the niggain't do the verse.

0:35:02.160 --> 0:35:04.239
<v Speaker 4>A lot of artists you gotta meet them, meet them

0:35:04.280 --> 0:35:06.840
<v Speaker 4>on the spot. A lot of producers, you know what

0:35:06.840 --> 0:35:08.640
<v Speaker 4>I mean. You might meet them and be like, yo,

0:35:08.680 --> 0:35:10.239
<v Speaker 4>you don't send me beat, But it's like they don't

0:35:10.280 --> 0:35:12.680
<v Speaker 4>send beats. You gotta you gotta find your way to

0:35:12.800 --> 0:35:14.600
<v Speaker 4>the lab, you know what I'm saying.

0:35:15.080 --> 0:35:18.680
<v Speaker 5>Yeah, And I mean our studio is definitely that vibe too,

0:35:18.840 --> 0:35:21.680
<v Speaker 5>Like all I'd be there, it'd be Earl not working,

0:35:21.880 --> 0:35:24.120
<v Speaker 5>just chilling their evidence, be there with his daughter Like

0:35:24.840 --> 0:35:26.759
<v Speaker 5>that's yeah. If you come in there on the let's

0:35:26.800 --> 0:35:29.440
<v Speaker 5>work right away vibe. You're sucking up that place. We'll feature,

0:35:29.719 --> 0:35:30.279
<v Speaker 5>will feature you.

0:35:30.440 --> 0:35:32.239
<v Speaker 1>They get that had you fuck them, Like damn, I

0:35:32.320 --> 0:35:38.400
<v Speaker 1>really got a feat from this person ship.

0:35:40.040 --> 0:35:46.440
<v Speaker 4>Everybody sp you know what I'm saying, Just like banks,

0:35:46.760 --> 0:35:49.520
<v Speaker 4>like I be trying to do songs with niggas, Like

0:35:49.840 --> 0:35:52.000
<v Speaker 4>I'll be trying to do songs with niggas that I'm

0:35:52.239 --> 0:35:54.600
<v Speaker 4>like real fans of you. You know what I'm saying,

0:35:54.760 --> 0:35:57.800
<v Speaker 4>So everybody who are you see me? Might do a feature?

0:35:57.920 --> 0:36:04.720
<v Speaker 1>It is like, that's like corny, right crazy?

0:36:05.600 --> 0:36:07.800
<v Speaker 4>Let me let me say this because I've seen what

0:36:07.840 --> 0:36:11.600
<v Speaker 4>the I got that verse from Banks before all this

0:36:11.719 --> 0:36:16.680
<v Speaker 4>ship going understand Niggers thought he was shooting and he

0:36:17.120 --> 0:36:22.359
<v Speaker 4>actually got that verse from him. Crazy ship was going on? Man,

0:36:22.440 --> 0:36:23.240
<v Speaker 4>because I see.

0:36:23.120 --> 0:36:30.360
<v Speaker 1>Man on the interviews is corny?

0:36:30.440 --> 0:36:33.759
<v Speaker 4>Yeah, yeah, but you know one thing about rapping and

0:36:33.840 --> 0:36:36.960
<v Speaker 4>ship A lot of times you might say something and

0:36:37.040 --> 0:36:40.120
<v Speaker 4>they manifest. You know what I'm saying, Words is really

0:36:40.320 --> 0:36:42.640
<v Speaker 4>like words got a lot of power for sure.

0:36:43.000 --> 0:36:49.759
<v Speaker 2>Absolutely, as far as producers he worked with, obviously the

0:36:49.840 --> 0:36:51.319
<v Speaker 2>chemistry I think you and Darren you have.

0:36:53.400 --> 0:36:54.440
<v Speaker 3>Working with alchemists.

0:36:55.719 --> 0:36:59.120
<v Speaker 2>Who was the producer that you haven't got a chance

0:36:59.239 --> 0:37:03.040
<v Speaker 2>to sit down and build something with. But y'all know

0:37:03.200 --> 0:37:05.279
<v Speaker 2>that it's gonna happen you already and you know you

0:37:05.400 --> 0:37:07.880
<v Speaker 2>have some type of relationship, but you just haven't had

0:37:07.920 --> 0:37:10.240
<v Speaker 2>that chance to really sit down and build nothing.

0:37:14.040 --> 0:37:18.520
<v Speaker 1>Hmmm. Someone that I that I've met, yeah, y'all, which

0:37:18.560 --> 0:37:19.279
<v Speaker 1>I just didn't work with.

0:37:24.280 --> 0:37:29.600
<v Speaker 4>I'm not even sure honestly, Like I feel like the

0:37:29.719 --> 0:37:33.440
<v Speaker 4>niggas who I want to work with, Oh yeah, okay, yeah,

0:37:33.560 --> 0:37:34.319
<v Speaker 4>yeah that's true.

0:37:34.520 --> 0:37:37.000
<v Speaker 1>Hit Boy. I could say that hit Boy, Yeah, you

0:37:37.040 --> 0:37:37.440
<v Speaker 1>know what I mean.

0:37:37.560 --> 0:37:40.640
<v Speaker 4>But I would say, besides hit Boy, a lot of

0:37:40.719 --> 0:37:44.879
<v Speaker 4>the producers that I've met, I've done something with them,

0:37:45.480 --> 0:37:47.680
<v Speaker 4>whether it's come out or not. You know what I'm saying.

0:37:47.719 --> 0:37:49.800
<v Speaker 4>Some most niggas that I want to work with, I

0:37:49.920 --> 0:37:52.520
<v Speaker 4>haven't met them yet. But hit Boy is one of

0:37:52.600 --> 0:37:55.319
<v Speaker 4>the producers that I've met. I mean that I see

0:37:55.480 --> 0:37:56.319
<v Speaker 4>around hit.

0:37:56.239 --> 0:37:59.359
<v Speaker 3>Boy makes sense. Yeah, he definitely would.

0:37:59.440 --> 0:38:01.160
<v Speaker 1>Yeah, yeah, yeah, hell yeah. We talked about it.

0:38:01.200 --> 0:38:03.759
<v Speaker 4>But every time, you know, like I'm in I'm in La,

0:38:04.320 --> 0:38:07.520
<v Speaker 4>I'm saying he's probably not around or I mean like schedules,

0:38:07.560 --> 0:38:10.520
<v Speaker 4>probably just saying yeah, any time I see him, be

0:38:10.560 --> 0:38:11.520
<v Speaker 4>like Aromas cooked.

0:38:12.120 --> 0:38:13.759
<v Speaker 1>Yeah, hit Boy for sure.

0:38:13.960 --> 0:38:15.440
<v Speaker 3>Yeah that's not small talk from hit Boy.

0:38:15.480 --> 0:38:18.840
<v Speaker 1>He actually you want to come. It's just about you

0:38:18.880 --> 0:38:19.920
<v Speaker 1>know what I mean, pulling up.

0:38:20.040 --> 0:38:22.960
<v Speaker 4>And then also a lot of this ship like like

0:38:23.239 --> 0:38:25.680
<v Speaker 4>like Alchemists Crib that's some invite only ship.

0:38:25.800 --> 0:38:29.000
<v Speaker 1>You can't just can't pop up there because you don't.

0:38:28.800 --> 0:38:31.000
<v Speaker 4>Know where it's at, like you. I mean, it's some

0:38:31.160 --> 0:38:36.640
<v Speaker 4>mob shit, like someone who's already accustomed to go in there.

0:38:36.760 --> 0:38:39.400
<v Speaker 4>Gott to bring you there, and then I'll be like, yo,

0:38:39.560 --> 0:38:40.560
<v Speaker 4>next time you're around.

0:38:40.520 --> 0:38:41.000
<v Speaker 1>Pull up.

0:38:41.400 --> 0:38:43.319
<v Speaker 4>So it's like hit boy ship. It's like, all right,

0:38:43.440 --> 0:38:45.759
<v Speaker 4>I spoke to him as ago, pull up next time

0:38:45.800 --> 0:38:47.880
<v Speaker 4>you're around. I just you know, I mean, just be

0:38:48.000 --> 0:38:50.200
<v Speaker 4>doing mad ship. But I already got the invite you.

0:38:50.280 --> 0:38:51.719
<v Speaker 4>I mean, I just got to hit him up when

0:38:51.760 --> 0:38:54.279
<v Speaker 4>I'm there man shout out to hit boy though.

0:38:54.640 --> 0:38:57.840
<v Speaker 1>Yeah, absolutely absolutely, what's up?

0:38:58.680 --> 0:39:02.600
<v Speaker 5>What's Darrener's I think Deren jerieds his own imprint in

0:39:02.760 --> 0:39:05.279
<v Speaker 5>label as far as what he's doing.

0:39:05.880 --> 0:39:09.640
<v Speaker 1>Do you think I agree him? And I've had conversations

0:39:09.680 --> 0:39:10.440
<v Speaker 1>about him.

0:39:10.320 --> 0:39:12.799
<v Speaker 5>Being in New York and they're not being as many

0:39:12.960 --> 0:39:15.040
<v Speaker 5>artists as it used to be, as opposed to other cities.

0:39:15.480 --> 0:39:18.040
<v Speaker 5>Do you find that same problem the way Darren may have.

0:39:18.160 --> 0:39:19.880
<v Speaker 5>It's like I want to cook with everybody, but I

0:39:19.920 --> 0:39:21.440
<v Speaker 5>don't want to send b packs like I want a

0:39:21.480 --> 0:39:25.440
<v Speaker 5>new shit in person. Being in New York, it's kind

0:39:25.480 --> 0:39:27.799
<v Speaker 5>of tough the last ten years as far as collaborating,

0:39:28.719 --> 0:39:29.520
<v Speaker 5>you know what it is?

0:39:29.719 --> 0:39:33.000
<v Speaker 4>I put it like this, I feel that same thing

0:39:34.160 --> 0:39:38.040
<v Speaker 4>all right in New York it's man artists. But then

0:39:38.160 --> 0:39:41.080
<v Speaker 4>there's not a lot of artists that do this. Ye,

0:39:41.640 --> 0:39:45.359
<v Speaker 4>But then let's say there is, there's not a lot

0:39:45.400 --> 0:39:48.880
<v Speaker 4>of artists that do this that are necessarily like on

0:39:49.080 --> 0:39:49.920
<v Speaker 4>the same level.

0:39:50.600 --> 0:39:51.319
<v Speaker 1>You get what I'm saying.

0:39:51.440 --> 0:39:53.320
<v Speaker 4>So it's like, yeah, there's a lot of artists that

0:39:53.880 --> 0:39:55.920
<v Speaker 4>is nice that I will work with, that I do

0:39:56.120 --> 0:39:59.520
<v Speaker 4>work with, but they not necessarily as known as me.

0:40:00.040 --> 0:40:04.000
<v Speaker 4>There's not you understand saying, Like, there's not too many

0:40:04.200 --> 0:40:08.520
<v Speaker 4>artists that do what I do that are let's say,

0:40:08.600 --> 0:40:13.520
<v Speaker 4>as known as me, that are from here, and if

0:40:13.600 --> 0:40:16.000
<v Speaker 4>they are, they do a whole different type of shit.

0:40:16.760 --> 0:40:19.240
<v Speaker 4>You know what I'm saying, Like most of the niggas

0:40:19.280 --> 0:40:25.440
<v Speaker 4>that do this necessarily ain't from here or they're not

0:40:26.320 --> 0:40:28.840
<v Speaker 4>they don't care to be as visible because they was

0:40:28.960 --> 0:40:32.759
<v Speaker 4>like a nigga like Ransom, but he's he already did this.

0:40:33.880 --> 0:40:35.919
<v Speaker 4>The way he do it now is how he want

0:40:35.960 --> 0:40:40.000
<v Speaker 4>to do it. You understand I'm saying. But I would say,

0:40:40.520 --> 0:40:43.640
<v Speaker 4>there's not really too many artists from here that do this.

0:40:44.400 --> 0:40:46.000
<v Speaker 1>There is, but like.

0:40:48.280 --> 0:40:53.360
<v Speaker 4>I would say, Darren just picky and as he should be. Yeah, exactly,

0:40:53.520 --> 0:40:55.440
<v Speaker 4>like everybody's picky when it comes to art.

0:40:55.440 --> 0:40:56.960
<v Speaker 1>You know what I'm saying. You pick and choose who

0:40:57.000 --> 0:40:58.040
<v Speaker 1>you really want to work with.

0:40:58.400 --> 0:41:01.360
<v Speaker 4>But it's not an array of fuckers like let's say Atlanta,

0:41:01.600 --> 0:41:04.799
<v Speaker 4>where it's like Atlanta has like twenty artists that are

0:41:05.239 --> 0:41:07.920
<v Speaker 4>popping on a on a high level where it's like,

0:41:08.000 --> 0:41:09.799
<v Speaker 4>if you was to be a producer and you want

0:41:09.840 --> 0:41:11.759
<v Speaker 4>to go to Atlanta to get your ship off, there's

0:41:11.800 --> 0:41:14.200
<v Speaker 4>mad people you could work with, and it's mad artists

0:41:14.200 --> 0:41:16.120
<v Speaker 4>that you can end up working with. All you gotta

0:41:16.160 --> 0:41:18.600
<v Speaker 4>do is just have a session in this studio right here.

0:41:19.000 --> 0:41:22.239
<v Speaker 4>You're gonna damn there. See everybody, every connected to everybody

0:41:22.600 --> 0:41:26.040
<v Speaker 4>in here, and it's so it's so community based where

0:41:26.080 --> 0:41:28.440
<v Speaker 4>it's like, you know what, you might meet this person

0:41:28.760 --> 0:41:30.240
<v Speaker 4>and then you're just chilling this session.

0:41:30.280 --> 0:41:31.840
<v Speaker 1>He was like, you know what, listen to his beats

0:41:31.880 --> 0:41:34.480
<v Speaker 1>and then you know what I mean, like young thug walking.

0:41:34.680 --> 0:41:38.600
<v Speaker 4>There's no place like that here where it's like, Okay,

0:41:39.160 --> 0:41:41.120
<v Speaker 4>if you wanted to get your shipped off, you know,

0:41:41.239 --> 0:41:43.440
<v Speaker 4>as a producer, you could just go to this studio

0:41:43.560 --> 0:41:46.239
<v Speaker 4>and you'll see mad artists from New York and then

0:41:46.520 --> 0:41:57.719
<v Speaker 4>you might go there, but Nigga won't say nothing. It's

0:41:57.800 --> 0:42:00.040
<v Speaker 4>not you understand saying I was all go here, say.

0:42:00.040 --> 0:42:03.040
<v Speaker 6>It's like yo, I'm such and something like all right, okay,

0:42:04.239 --> 0:42:09.440
<v Speaker 6>this is man like, you know what I think it is,

0:42:09.640 --> 0:42:12.320
<v Speaker 6>but not for not for this, not for what you do.

0:42:14.000 --> 0:42:15.960
<v Speaker 3>Injured Room kind of feels like that a little bit.

0:42:16.600 --> 0:42:18.320
<v Speaker 2>Yeah, like you can go on in Jury Room and

0:42:18.440 --> 0:42:21.279
<v Speaker 2>it'll be you know a little bit, but again, not

0:42:22.239 --> 0:42:25.399
<v Speaker 2>the type of raping shit that you get one.

0:42:25.320 --> 0:42:27.279
<v Speaker 1>Of a comeback every drill.

0:42:27.840 --> 0:42:31.200
<v Speaker 5>I'd probably let me ask you with your talent level,

0:42:31.320 --> 0:42:34.000
<v Speaker 5>I don't think you'd sound weird on that. I think

0:42:34.040 --> 0:42:36.080
<v Speaker 5>you could adapt to that. Not to say, go do

0:42:36.280 --> 0:42:39.279
<v Speaker 5>a sexy drill album, but if you wanted to hop

0:42:39.400 --> 0:42:42.640
<v Speaker 5>on a record with like a cash co man, I

0:42:42.680 --> 0:42:44.160
<v Speaker 5>don't think you'd sound weird on it.

0:42:44.840 --> 0:42:47.880
<v Speaker 1>It could work. Baseline works like that.

0:42:48.480 --> 0:42:51.279
<v Speaker 4>It could work. It could work, you understand what I'm saying.

0:42:51.280 --> 0:42:53.879
<v Speaker 4>It just depends on how it's done. Like I could

0:42:54.040 --> 0:42:56.200
<v Speaker 4>do some ship like I could rap over them beats

0:42:56.719 --> 0:42:58.880
<v Speaker 4>and could sing the hook, you know what I mean,

0:42:59.000 --> 0:43:00.920
<v Speaker 4>Or he could have it like it could work. It

0:43:01.040 --> 0:43:03.120
<v Speaker 4>just depends on how to get put on. And I'm

0:43:03.160 --> 0:43:05.359
<v Speaker 4>not opposed to doing it, you know what I'm saying.

0:43:06.680 --> 0:43:10.360
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<v Speaker 2>be twenty one plus and physically present in Arizona, Colorado, Florida, Illinois, Indiana, Michigan,

0:44:06.040 --> 0:44:08.640
<v Speaker 2>New Jersey, Ohio, Tennessee, or Virginia to play. Terms and

0:44:08.680 --> 0:44:11.680
<v Speaker 2>conditions applied. Concerned about gambling in Florida, you call one

0:44:11.719 --> 0:44:13.840
<v Speaker 2>eight three three play wise. In Indiana, if you are

0:44:13.880 --> 0:44:16.239
<v Speaker 2>someone you know has a gambler problem wants helped, call

0:44:16.320 --> 0:44:18.319
<v Speaker 2>one eight hundred and nine with it gambling problem called

0:44:18.320 --> 0:44:22.520
<v Speaker 2>one eight hundred gambler Arizona, Colorado, Illinois, Michigan, New Jersey, Ohio, Tennessee,

0:44:22.600 --> 0:44:31.600
<v Speaker 2>and Virginia. Who's some of the guys from from from

0:44:31.719 --> 0:44:35.600
<v Speaker 2>Queens and both of y'all since you know you're both

0:44:35.640 --> 0:44:37.720
<v Speaker 2>from Queens. Who as some of the guys from Queens

0:44:37.800 --> 0:44:41.879
<v Speaker 2>that y'all feel like the city never gave like enough,

0:44:44.040 --> 0:44:46.560
<v Speaker 2>like love to or like like champions enough like.

0:44:46.600 --> 0:44:48.560
<v Speaker 3>Some of the guys that may not have heard this era,

0:44:48.920 --> 0:44:50.520
<v Speaker 3>or just in general in general.

0:44:50.520 --> 0:44:52.480
<v Speaker 4>Because I'm gonna put it like I'm a highbrid like

0:44:52.560 --> 0:44:54.280
<v Speaker 4>I grew up in Queen, but I lived in Brooklyn

0:44:54.440 --> 0:44:57.920
<v Speaker 4>also too, so that's why I, oh, yeah, you read Brooklyn.

0:44:58.440 --> 0:45:00.880
<v Speaker 1>I live in Brooklyn too, ye and fucking long. I

0:45:00.920 --> 0:45:02.960
<v Speaker 1>love that, Elma. It's like the board up Queens.

0:45:02.960 --> 0:45:04.319
<v Speaker 3>You could literally walk across the stream.

0:45:04.800 --> 0:45:06.359
<v Speaker 1>I mean I always been in Queen's much.

0:45:06.719 --> 0:45:10.200
<v Speaker 4>But I would say, like if you're talking about an

0:45:10.560 --> 0:45:14.120
<v Speaker 4>older era or just now, because I feel like a

0:45:14.200 --> 0:45:17.640
<v Speaker 4>lot of this, yeah now, like niggas like Cello, you

0:45:17.680 --> 0:45:22.560
<v Speaker 4>know what I'm saying, Star Jella from Queens, that's really

0:45:22.719 --> 0:45:25.000
<v Speaker 4>like putting on that's ill, you know what I'm saying.

0:45:25.080 --> 0:45:27.759
<v Speaker 1>Like niggas like trap Hefe. I'm saying like, those are

0:45:27.800 --> 0:45:30.239
<v Speaker 1>the niggas that do this. You know what I'm saying.

0:45:30.320 --> 0:45:32.759
<v Speaker 1>That get busy for me? You know what I'm saying.

0:45:34.000 --> 0:45:35.200
<v Speaker 1>It's it's been a little while.

0:45:35.280 --> 0:45:40.680
<v Speaker 5>But during that whole Joey Badass first Daylight, then it

0:45:40.800 --> 0:45:43.400
<v Speaker 5>turned into a bunch of New York rappers also hoppened.

0:45:43.440 --> 0:45:47.920
<v Speaker 5>Did you feel any any temptation to hop into that

0:45:48.840 --> 0:45:53.240
<v Speaker 5>back and forth because it turned into somewhat a distant difference.

0:45:54.800 --> 0:45:57.960
<v Speaker 4>The reason why is because just me personally, like, if

0:45:58.000 --> 0:46:01.440
<v Speaker 4>I'm gonna give it that type of energy, you gotta

0:46:01.480 --> 0:46:03.960
<v Speaker 4>at least dis me. Yeah, you got, you gotta at

0:46:04.040 --> 0:46:06.160
<v Speaker 4>least throw a missile at me for me to like

0:46:06.320 --> 0:46:08.760
<v Speaker 4>feel like, all right, I'm gonna give it that energy

0:46:09.080 --> 0:46:14.200
<v Speaker 4>because at the end of the day, it's like, one, yeah,

0:46:14.239 --> 0:46:16.719
<v Speaker 4>I'm from here, but I know a lot of them

0:46:16.800 --> 0:46:18.960
<v Speaker 4>TD niggas, you know what I'm saying. So with me,

0:46:19.120 --> 0:46:21.879
<v Speaker 4>it's like I don't really have no issue with them,

0:46:22.280 --> 0:46:24.560
<v Speaker 4>you understand. Like I go to Cali and I chill

0:46:24.640 --> 0:46:26.799
<v Speaker 4>with them niggas, you know what I'm saying, not even

0:46:26.920 --> 0:46:30.759
<v Speaker 4>on no like trying to I'd be going. I go

0:46:30.960 --> 0:46:32.920
<v Speaker 4>and just hang out with one of my boys who

0:46:32.960 --> 0:46:36.719
<v Speaker 4>don't even make music and Cali and then go be

0:46:36.760 --> 0:46:39.680
<v Speaker 4>here and it just end up picking it, you understand

0:46:39.680 --> 0:46:42.480
<v Speaker 4>I'm saying. So it's like, ain't no really no need

0:46:42.600 --> 0:46:44.400
<v Speaker 4>for me to jump in that shit because I didn't

0:46:44.400 --> 0:46:47.560
<v Speaker 4>really take offense to it, you understand I'm saying, because

0:46:47.640 --> 0:46:51.920
<v Speaker 4>like I don't know, like if I'm gonna really go

0:46:52.080 --> 0:46:54.400
<v Speaker 4>back and forth with another rapper I wanted to be

0:46:54.680 --> 0:46:55.080
<v Speaker 4>for real.

0:46:55.200 --> 0:46:57.239
<v Speaker 1>I don't want it to just be because like you know.

0:46:58.440 --> 0:46:59.919
<v Speaker 3>Yeah, just for the sport.

0:47:00.120 --> 0:47:02.279
<v Speaker 1>Yeah, no, I'm saying, for the sport is cool.

0:47:02.320 --> 0:47:04.600
<v Speaker 4>But I just felt like at the time I didn't

0:47:04.680 --> 0:47:07.399
<v Speaker 4>need to really get into it, you know what I'm saying,

0:47:07.480 --> 0:47:12.080
<v Speaker 4>because that ain't really That wasn't really my whole spiel

0:47:12.360 --> 0:47:14.800
<v Speaker 4>at the particular moment, like I was putting, I was

0:47:14.840 --> 0:47:16.880
<v Speaker 4>trying to make a tape, I was dropping an album

0:47:16.960 --> 0:47:19.200
<v Speaker 4>and ship. If I would have just jumped in that ship,

0:47:19.600 --> 0:47:22.120
<v Speaker 4>oh yeah, that shit would have overshadowed every single thing.

0:47:22.320 --> 0:47:25.640
<v Speaker 4>Like not saying that's a bad thing, but it's like

0:47:27.120 --> 0:47:29.520
<v Speaker 4>I feel like niggas held it down, you know.

0:47:29.560 --> 0:47:32.360
<v Speaker 1>What I'm saying, Like niggas held it out like you

0:47:32.520 --> 0:47:33.360
<v Speaker 1>only need to joy.

0:47:34.760 --> 0:47:37.360
<v Speaker 4>And it was just like the fans that rone need

0:47:37.440 --> 0:47:39.520
<v Speaker 4>to get in roll need to get It's like, bro, yeah, niggas,

0:47:40.719 --> 0:47:42.840
<v Speaker 4>I'm gonna get in because I want to, not because

0:47:42.920 --> 0:47:43.800
<v Speaker 4>niggas is tweeting me.

0:47:44.880 --> 0:47:46.640
<v Speaker 1>Yeah, yeah, you undertee what I'm saying.

0:47:46.719 --> 0:47:50.160
<v Speaker 2>Yeah, I told I definitely understand and respect that the

0:47:50.280 --> 0:47:52.719
<v Speaker 2>Belt to Ash record hm hm.

0:47:52.800 --> 0:47:56.960
<v Speaker 3>Tough, Yeah you was. I ain't gonna looking at this track.

0:47:56.960 --> 0:47:57.960
<v Speaker 3>I'm trying to I'm trying.

0:47:57.800 --> 0:48:01.360
<v Speaker 2>To find a song that I mean, like like like

0:48:01.480 --> 0:48:05.160
<v Speaker 2>Zip said ninety five Mega on Shrooms Belta ass son

0:48:05.239 --> 0:48:10.839
<v Speaker 2>of a gun, Uh proud in the Polaroid marathonal race

0:48:10.920 --> 0:48:15.480
<v Speaker 2>with West DreamCatcher. Time it plays, I think this story,

0:48:15.520 --> 0:48:18.320
<v Speaker 2>which one is his story that's belt to ass.

0:48:19.600 --> 0:48:19.839
<v Speaker 1>Tough.

0:48:20.640 --> 0:48:22.640
<v Speaker 2>I'm not gonna say it yet because I think you

0:48:22.719 --> 0:48:26.160
<v Speaker 2>know this is too soon. But for me personally, from You,

0:48:26.320 --> 0:48:29.040
<v Speaker 2>this is one of my favorite projects because I think,

0:48:29.160 --> 0:48:31.759
<v Speaker 2>I think, I think from from top to bottom just

0:48:31.800 --> 0:48:34.840
<v Speaker 2>looking at the track, let's looking at the songs. The production,

0:48:35.440 --> 0:48:37.879
<v Speaker 2>your rhymes is always at a at a high level.

0:48:38.680 --> 0:48:42.560
<v Speaker 2>But I think the music on this, it's probably some

0:48:42.640 --> 0:48:45.360
<v Speaker 2>of my favorite music that I've heard room room streets on.

0:48:46.920 --> 0:48:48.680
<v Speaker 2>But I ain't gonna say yet because it was probably

0:48:48.800 --> 0:48:51.360
<v Speaker 2>just came out a few days ago. But this, this

0:48:51.560 --> 0:48:53.360
<v Speaker 2>I could talk into my pocket is definitely from You

0:48:53.520 --> 0:48:54.920
<v Speaker 2>personally one of my favorite projects.

0:48:55.239 --> 0:48:57.520
<v Speaker 4>I feel like this is the one we put the most,

0:48:57.760 --> 0:49:01.640
<v Speaker 4>like effort into I put effort into it all, but

0:49:01.800 --> 0:49:04.960
<v Speaker 4>this one, like we really like fine tuned the hell

0:49:05.000 --> 0:49:07.719
<v Speaker 4>out of this, you know what I'm saying, Like remixed it,

0:49:08.080 --> 0:49:10.800
<v Speaker 4>went back in the studio, put this song there, rewrote

0:49:10.880 --> 0:49:13.080
<v Speaker 4>record this song, you know what I mean. Like, so

0:49:13.280 --> 0:49:16.400
<v Speaker 4>this was the one that like I was really like

0:49:16.520 --> 0:49:19.399
<v Speaker 4>I put the most into this, you know what I'm saying,

0:49:19.760 --> 0:49:20.640
<v Speaker 4>and I can't.

0:49:21.120 --> 0:49:24.600
<v Speaker 2>I think that's what I'm picking up from it is

0:49:24.640 --> 0:49:26.360
<v Speaker 2>that it's just it seems like it's just more attention

0:49:26.520 --> 0:49:31.080
<v Speaker 2>to detail. It's more fine tune again, you know, playing

0:49:31.160 --> 0:49:35.320
<v Speaker 2>with different flows on the joint the IDK Like I

0:49:35.320 --> 0:49:37.759
<v Speaker 2>said that that feature to me somebody that I think

0:49:37.840 --> 0:49:40.960
<v Speaker 2>is super ill but never would probably play Shot two together.

0:49:41.719 --> 0:49:43.400
<v Speaker 1>But it works.

0:49:45.680 --> 0:49:48.920
<v Speaker 2>What's next though now for Rome as far as just

0:49:49.680 --> 0:49:52.359
<v Speaker 2>an MC and artist, like what's on your vision board?

0:49:52.719 --> 0:49:55.200
<v Speaker 2>As far as what you want to do moving forward?

0:49:55.360 --> 0:49:56.920
<v Speaker 2>From coming off a SOCKETO my pocket?

0:49:57.840 --> 0:50:00.360
<v Speaker 4>Keep putting outdop music. I'm the type of is that

0:50:01.200 --> 0:50:04.440
<v Speaker 4>I have. I always got more ship, you know what

0:50:04.480 --> 0:50:07.520
<v Speaker 4>I'm saying. Like I could drop a fucking tape every

0:50:07.640 --> 0:50:09.799
<v Speaker 4>month if I wanted to, you know what I'm saying.

0:50:10.000 --> 0:50:13.040
<v Speaker 4>But it's like a lot of this ship just be

0:50:13.200 --> 0:50:17.920
<v Speaker 4>me experiment with different approaches. So it's like now that

0:50:18.040 --> 0:50:23.399
<v Speaker 4>I see how me approaching a project like this can

0:50:23.640 --> 0:50:26.560
<v Speaker 4>affect the listener, Like, okay, you know what I mean.

0:50:27.160 --> 0:50:30.440
<v Speaker 4>I never really went this hard putting out putting together

0:50:30.480 --> 0:50:33.640
<v Speaker 4>a project, but it shows once I put the people

0:50:34.520 --> 0:50:36.200
<v Speaker 4>know they loving this ship. Like you said, it's one

0:50:36.239 --> 0:50:38.640
<v Speaker 4>of my best and it is I put the most.

0:50:38.719 --> 0:50:41.000
<v Speaker 4>So I guess, like, all right, all my ship gotta

0:50:41.080 --> 0:50:43.359
<v Speaker 4>be like this from now. But it's like I got

0:50:43.480 --> 0:50:47.160
<v Speaker 4>mad ship already, so I got Yeah, it's like, yeah,

0:50:47.200 --> 0:50:49.960
<v Speaker 4>this is the standard. So it's like at this particular time,

0:50:50.040 --> 0:50:53.360
<v Speaker 4>I'm just trying to grow, keep keep approaching ship like that,

0:50:53.560 --> 0:50:54.080
<v Speaker 4>you know what I'm saying.

0:50:54.160 --> 0:50:55.319
<v Speaker 1>But like I have other ship.

0:50:55.360 --> 0:50:57.960
<v Speaker 4>You probably gonna here and mean mixtapes and ship that

0:50:58.200 --> 0:51:00.120
<v Speaker 4>I mean, I'm gonna put out that I mean, and

0:51:00.200 --> 0:51:00.880
<v Speaker 4>I ain't going.

0:51:00.800 --> 0:51:02.000
<v Speaker 1>As crazy as I did with this.

0:51:02.160 --> 0:51:03.920
<v Speaker 4>But now every time I put an album out, like

0:51:03.960 --> 0:51:06.919
<v Speaker 4>a real studio album, I'm gonna jump in the bag

0:51:07.040 --> 0:51:07.200
<v Speaker 4>like that.

0:51:07.719 --> 0:51:09.760
<v Speaker 1>So that's what's next to me. More videos.

0:51:10.120 --> 0:51:11.719
<v Speaker 4>I'm saying, like I got a bunch of artists that

0:51:11.800 --> 0:51:13.840
<v Speaker 4>I funk with that I really want to, like what

0:51:13.840 --> 0:51:16.440
<v Speaker 4>I'm saying, showcase put on the forefront, you know what

0:51:16.480 --> 0:51:16.879
<v Speaker 4>I'm saying.

0:51:16.960 --> 0:51:19.000
<v Speaker 1>So that too, I want to act, do.

0:51:19.120 --> 0:51:21.680
<v Speaker 4>Movies or sort of as much as I could do.

0:51:21.920 --> 0:51:24.880
<v Speaker 4>Like I'm not trying to go back to running the streets.

0:51:24.960 --> 0:51:28.000
<v Speaker 4>So at the end of the day, like this is it. Yeah,

0:51:28.280 --> 0:51:29.920
<v Speaker 4>I was at the Speaks the other day.

0:51:30.480 --> 0:51:34.239
<v Speaker 1>Flicking around like oh yeah, curry over there.

0:51:35.000 --> 0:51:37.360
<v Speaker 4>I'm at Mike Tyson like I gave him that, Like

0:51:37.440 --> 0:51:38.920
<v Speaker 4>it's the same hand't even knocking.

0:51:42.640 --> 0:51:44.319
<v Speaker 1>Wow, Like yeah, you know what I'm saying.

0:51:44.360 --> 0:51:46.439
<v Speaker 3>That's one person that me and Roy was talking about

0:51:46.440 --> 0:51:49.640
<v Speaker 3>when we had a chance to meet Mike's It's just

0:51:49.840 --> 0:51:53.359
<v Speaker 3>it's and like you know, obviously just me and him.

0:51:53.360 --> 0:51:55.920
<v Speaker 2>It's really no words that could just because everything you

0:51:56.000 --> 0:51:59.960
<v Speaker 2>think Mike Tyson is, he's the exact opposite. Like his personality,

0:52:00.160 --> 0:52:03.600
<v Speaker 2>his energy is aura. It's like you looking like, oh shit,

0:52:03.680 --> 0:52:05.919
<v Speaker 2>that's Mike. But then he's accepting in a room where

0:52:05.920 --> 0:52:10.000
<v Speaker 2>he's like I'm a regular guy, you know what he is?

0:52:11.000 --> 0:52:13.760
<v Speaker 4>Like it just be a crazy thing for me because,

0:52:14.239 --> 0:52:16.399
<v Speaker 4>like I said, bro, like I grew up in this ship,

0:52:16.800 --> 0:52:19.879
<v Speaker 4>Like I grew up watching this ship all day.

0:52:20.080 --> 0:52:21.640
<v Speaker 1>Like you know what I'm saying, watching.

0:52:21.719 --> 0:52:25.600
<v Speaker 4>Everybody on TV, whether it's fucking Video Music Box was

0:52:25.719 --> 0:52:28.800
<v Speaker 4>Bobby Simmons, whether it's fucking Rap City, whether it's b

0:52:29.040 --> 0:52:33.200
<v Speaker 4>Cat See Cat whatever, you understand saying Queen's Public, all

0:52:33.239 --> 0:52:38.239
<v Speaker 4>that shit, you understand them saying to being like now

0:52:38.320 --> 0:52:40.440
<v Speaker 4>it's like I'm on the other side of the curtain

0:52:40.800 --> 0:52:45.320
<v Speaker 4>and I see like, oh shit, that niggas like this

0:52:45.400 --> 0:52:48.360
<v Speaker 4>shit man regular. But then it's also like, damn, I

0:52:48.480 --> 0:52:51.640
<v Speaker 4>went from watching the ship on the TV to now like,

0:52:52.760 --> 0:52:56.000
<v Speaker 4>motherfucker's seeing me on the TV. You understand. I'm saying

0:52:56.000 --> 0:52:58.640
<v Speaker 4>there's a kid that was just like me looking at

0:52:58.719 --> 0:53:01.240
<v Speaker 4>these rap niggas on TV, like, oh shit, this is hard.

0:53:01.800 --> 0:53:05.359
<v Speaker 4>Now I'm on the TV and kid, like, I got

0:53:05.440 --> 0:53:08.680
<v Speaker 4>promise you. The other day, I went to what's that

0:53:08.840 --> 0:53:12.480
<v Speaker 4>family fest complex? Shit I'm walking through and I met

0:53:12.480 --> 0:53:14.440
<v Speaker 4>a Nigga's like, you probably.

0:53:14.200 --> 0:53:14.759
<v Speaker 1>Don't remember me.

0:53:15.080 --> 0:53:17.080
<v Speaker 4>Like one day we was walking down Merrick. He's like

0:53:17.239 --> 0:53:19.279
<v Speaker 4>I was twelve years old and you was like, yo,

0:53:20.200 --> 0:53:21.880
<v Speaker 4>be a rapper. Watch I'm be lit And he's like

0:53:22.000 --> 0:53:23.960
<v Speaker 4>now I see you. I'm like, damn, I don't even

0:53:24.000 --> 0:53:26.279
<v Speaker 4>remember him. And I'm like, damn it, you look like

0:53:26.360 --> 0:53:28.560
<v Speaker 4>you're like thirty twelve.

0:53:28.840 --> 0:53:30.000
<v Speaker 1>Like I said that, like.

0:53:31.560 --> 0:53:32.000
<v Speaker 4>You know what I mean.

0:53:32.160 --> 0:53:36.360
<v Speaker 1>So like just to like be that person now was

0:53:36.440 --> 0:53:37.200
<v Speaker 1>like it's crazy.

0:53:37.640 --> 0:53:40.680
<v Speaker 4>But I'm still like starstruck over the people that I'm

0:53:40.760 --> 0:53:42.800
<v Speaker 4>still meeting, Like, oh wow, I think it's healthy.

0:53:42.960 --> 0:53:46.320
<v Speaker 1>Always be a part of the journey.

0:53:46.160 --> 0:53:48.960
<v Speaker 2>Yeah, like you always gotta you know, like have that

0:53:49.120 --> 0:53:51.160
<v Speaker 2>keep that part of you that was always in awe

0:53:51.320 --> 0:53:55.279
<v Speaker 2>and just loved, you know, the art, the culture, being

0:53:55.960 --> 0:53:59.239
<v Speaker 2>a fan and looking at certain individuals and just appreciating

0:53:59.280 --> 0:54:00.800
<v Speaker 2>what it is that they do. I think, you know,

0:54:00.880 --> 0:54:03.680
<v Speaker 2>as we become a part of the shit, a lot

0:54:03.680 --> 0:54:05.480
<v Speaker 2>of people shed that because now you're on the other

0:54:05.560 --> 0:54:07.440
<v Speaker 2>side of it. But I think in order to really

0:54:07.480 --> 0:54:11.600
<v Speaker 2>be successful in entertainment and music and whatever art it is,

0:54:11.680 --> 0:54:14.680
<v Speaker 2>that you got to keep that that that little thing

0:54:14.760 --> 0:54:16.520
<v Speaker 2>that you had as a kid and just watching it,

0:54:16.680 --> 0:54:19.240
<v Speaker 2>being a fan of it and appreciating the little things,

0:54:19.640 --> 0:54:22.680
<v Speaker 2>like you said, going home watching everything, studying seeing what

0:54:22.760 --> 0:54:24.840
<v Speaker 2>gods was wearing in the videos and things like that.

0:54:25.840 --> 0:54:28.400
<v Speaker 2>I think as an artist you still keep that and

0:54:28.520 --> 0:54:30.879
<v Speaker 2>that helps you create. That helps you, you know, again

0:54:30.960 --> 0:54:33.799
<v Speaker 2>be inspiration to somebody else. Now thats home watching Rome

0:54:33.840 --> 0:54:35.640
<v Speaker 2>Streets on TV.

0:54:36.080 --> 0:54:38.239
<v Speaker 1>Yeah, it's ill because.

0:54:39.760 --> 0:54:45.600
<v Speaker 4>Honestly, I look at it like I gotta stay like

0:54:46.680 --> 0:54:51.759
<v Speaker 4>enjoying this shit because I remember times like a lot

0:54:51.800 --> 0:54:57.719
<v Speaker 4>of this shit happened for niggas that's like eighteen seventeen,

0:54:57.960 --> 0:55:00.759
<v Speaker 4>Like I remember back then, Like yo, if you don't

0:55:00.760 --> 0:55:03.040
<v Speaker 4>get lit by the time you like twenty five. It's

0:55:03.120 --> 0:55:06.040
<v Speaker 4>old like, Yo, one of my friends like, y'all, I

0:55:06.200 --> 0:55:08.560
<v Speaker 4>promise you, like I know a nigga. I was like, Yo,

0:55:08.640 --> 0:55:11.919
<v Speaker 4>if I don't get famous before I'm twenty seven, I'm

0:55:11.920 --> 0:55:16.880
<v Speaker 4>gonna kill myself. And then nigga killed himself. Yeah, nigga

0:55:17.400 --> 0:55:20.520
<v Speaker 4>what that nigga was a dope ass rapper. Nigga that nigga,

0:55:20.600 --> 0:55:24.400
<v Speaker 4>y'all promise you all them like all these niggas now

0:55:24.520 --> 0:55:28.040
<v Speaker 4>that you see they all jacked the nigga swag, you

0:55:28.200 --> 0:55:31.480
<v Speaker 4>understand I'm saying, Like, but yeah, I know a nigga

0:55:31.640 --> 0:55:33.320
<v Speaker 4>like that, and if he probably would have way that,

0:55:33.400 --> 0:55:36.600
<v Speaker 4>he'd have been the biggest shit ever damn. But you know,

0:55:36.880 --> 0:55:39.440
<v Speaker 4>like so to be me in my thirties and then

0:55:39.520 --> 0:55:42.319
<v Speaker 4>it's like, oh shit, like I'm just now like yeah,

0:55:42.440 --> 0:55:44.200
<v Speaker 4>I mean even though like I've been you know what

0:55:44.200 --> 0:55:46.120
<v Speaker 4>I mean, in the in the midst of this shit

0:55:46.280 --> 0:55:48.160
<v Speaker 4>for like a couple of years now, you know what

0:55:48.160 --> 0:55:50.239
<v Speaker 4>I'm saying. But like I would say, today, I'm the

0:55:50.360 --> 0:55:53.439
<v Speaker 4>most like popular I've been, you know what I'm saying.

0:55:54.160 --> 0:55:56.200
<v Speaker 4>But I just remember when niggas to be like bro,

0:55:56.400 --> 0:55:58.160
<v Speaker 4>by the time you think if you don't become a

0:55:58.239 --> 0:56:00.440
<v Speaker 4>fucking rapper, nigga, you might as well up.

0:56:00.640 --> 0:56:03.040
<v Speaker 1>Yeah, like shit, just start getting.

0:56:03.120 --> 0:56:05.560
<v Speaker 3>Yeah, just stay down, stay down.

0:56:06.480 --> 0:56:07.759
<v Speaker 1>So I can't even be mad at it.

0:56:07.880 --> 0:56:13.200
<v Speaker 3>I want to talk about the the importance that guys like.

0:56:15.080 --> 0:56:16.840
<v Speaker 2>All the guys that have been doing, you know, the

0:56:16.960 --> 0:56:18.520
<v Speaker 2>things that you're doing as far as you know, just

0:56:18.600 --> 0:56:21.680
<v Speaker 2>the art of it all and the music, how important

0:56:21.680 --> 0:56:24.120
<v Speaker 2>they are to what it is that you do. Guys

0:56:24.200 --> 0:56:27.600
<v Speaker 2>like Rock Marshie and West Side Gun. How important are

0:56:27.640 --> 0:56:28.960
<v Speaker 2>those guys to.

0:56:29.080 --> 0:56:33.719
<v Speaker 1>What it is that you do? Very because like I said,

0:56:33.760 --> 0:56:37.320
<v Speaker 1>them niggas is like the leaders of the culture. What

0:56:37.360 --> 0:56:37.680
<v Speaker 1>I'm saying.

0:56:37.800 --> 0:56:41.360
<v Speaker 4>Rock Marcy, he damned there started this ship, you know

0:56:41.360 --> 0:56:45.320
<v Speaker 4>what I'm saying. Like, and then West Side Gun he

0:56:45.560 --> 0:56:48.000
<v Speaker 4>just took that ship to a different level, Like he

0:56:48.080 --> 0:56:50.600
<v Speaker 4>made that ship mainstream, he made it popular in them,

0:56:50.960 --> 0:56:54.399
<v Speaker 4>like he's the one, He's the trailblazer of this ship.

0:56:54.800 --> 0:56:56.319
<v Speaker 1>So at the end of the day, it's like.

0:56:58.440 --> 0:57:01.960
<v Speaker 4>That niggas the reason for a lot of this shit

0:57:02.040 --> 0:57:05.920
<v Speaker 4>that's going on, even in mainstream shit. Like you gotta understand,

0:57:07.400 --> 0:57:09.439
<v Speaker 4>like the Griselda shit and all this shit, this shit

0:57:09.600 --> 0:57:11.879
<v Speaker 4>was in a pocket and it was just its own thing.

0:57:12.320 --> 0:57:15.080
<v Speaker 4>It's not like it was like a mainstream like none

0:57:15.120 --> 0:57:17.960
<v Speaker 4>of the fucking big time. Yeah, it was super niche.

0:57:18.520 --> 0:57:21.280
<v Speaker 4>Now it's its own industry to the point where it's like,

0:57:23.080 --> 0:57:25.520
<v Speaker 4>like I remember, the niggas wasn't even getting dipped.

0:57:25.920 --> 0:57:30.360
<v Speaker 1>Like listen, I remember when I was trying to do

0:57:30.440 --> 0:57:32.360
<v Speaker 1>this shit. I was trying to get on blogs.

0:57:32.440 --> 0:57:34.880
<v Speaker 4>You get what I'm saying, Like, I was trying to

0:57:34.960 --> 0:57:37.240
<v Speaker 4>do the blog thing, trying to figure out how to

0:57:37.320 --> 0:57:39.520
<v Speaker 4>hell I can't even get a blog post.

0:57:40.240 --> 0:57:42.680
<v Speaker 1>So in the midst of it, I always used to

0:57:42.760 --> 0:57:45.600
<v Speaker 1>see this Griselda shit. Oh Griselda shit.

0:57:45.760 --> 0:57:48.160
<v Speaker 4>I'm like, what the fuck is this? You get what

0:57:48.160 --> 0:57:53.280
<v Speaker 4>I'm saying, And then like, I don't know, I just

0:57:53.840 --> 0:57:56.880
<v Speaker 4>played it one day. I was like, oh, this shit

0:57:57.160 --> 0:58:00.800
<v Speaker 4>fire and then I just and it was on SoundCloud.

0:58:01.280 --> 0:58:03.920
<v Speaker 4>Wasn't this was before it was on streaming. It was

0:58:04.000 --> 0:58:06.600
<v Speaker 4>on but I just let it play, and then I

0:58:06.720 --> 0:58:09.320
<v Speaker 4>start hearing other niggas like, oh shit, who the.

0:58:09.360 --> 0:58:11.280
<v Speaker 1>Fuck is this? Who the fuck is this? That's how

0:58:11.320 --> 0:58:13.720
<v Speaker 1>I heard rock Marcy. You understand what I'm saying.

0:58:13.800 --> 0:58:16.080
<v Speaker 4>And the thing is I probably heard rock Marsy before,

0:58:16.520 --> 0:58:18.360
<v Speaker 4>but it's like that's when it stood out to me like,

0:58:18.480 --> 0:58:19.120
<v Speaker 4>oh shit.

0:58:19.800 --> 0:58:21.720
<v Speaker 1>Then I started to do research that I.

0:58:21.760 --> 0:58:26.000
<v Speaker 4>Was like, oh, this is a whole thing, but it

0:58:26.200 --> 0:58:29.600
<v Speaker 4>was very small, like you could literally just reach out

0:58:29.720 --> 0:58:32.640
<v Speaker 4>to it, be like yo, and then he'll answer like

0:58:33.880 --> 0:58:39.320
<v Speaker 4>so now today where it's like Conductor Williams. I met

0:58:39.440 --> 0:58:44.880
<v Speaker 4>him in a session with Westside Gun when nobody knowing,

0:58:46.160 --> 0:58:49.560
<v Speaker 4>and then off of a West Side Gun song, he

0:58:49.680 --> 0:58:50.720
<v Speaker 4>got shipped with Drake.

0:58:52.000 --> 0:58:55.360
<v Speaker 1>You understand what I'm saying. So it's like, now this

0:58:55.600 --> 0:58:58.160
<v Speaker 1>is not no underground, it's his mainstream shit.

0:58:58.280 --> 0:58:58.840
<v Speaker 5>It's just not.

0:59:00.360 --> 0:59:03.240
<v Speaker 1>The type of music. But guess what these niggas from.

0:59:03.160 --> 0:59:06.680
<v Speaker 4>Up there siphon in an energy swag all that shit

0:59:07.320 --> 0:59:10.600
<v Speaker 4>from here, and then it's not like a far fetched

0:59:10.640 --> 0:59:13.440
<v Speaker 4>thing for someone here to do a song with someone

0:59:13.520 --> 0:59:15.640
<v Speaker 4>over there. So at the end of da nigga like

0:59:15.680 --> 0:59:20.320
<v Speaker 4>Westside gunn bridge the gap from mainstream rap to this.

0:59:21.280 --> 0:59:24.080
<v Speaker 1>You understand I'm saying, because you got niggas like Alchemists

0:59:24.080 --> 0:59:25.000
<v Speaker 1>who always been here.

0:59:25.240 --> 0:59:29.240
<v Speaker 4>Because he got songs with niggas like Kendrick Lamar. He

0:59:29.360 --> 0:59:32.840
<v Speaker 4>got songs with niggas like Roame Street. So it's like this,

0:59:34.760 --> 0:59:37.880
<v Speaker 4>it's the same shit. So niggas like Wes is important

0:59:38.080 --> 0:59:40.200
<v Speaker 4>because he opened the door, you know what I mean,

0:59:40.320 --> 0:59:42.880
<v Speaker 4>Like absolutely, he bridged the gap for a lot of shit.

0:59:42.960 --> 0:59:46.040
<v Speaker 4>And Rock Marcy is important because he was literally like

0:59:46.280 --> 0:59:48.560
<v Speaker 4>one of the first niggas to just make his own shit,

0:59:48.920 --> 0:59:50.320
<v Speaker 4>put it out and be like, Yo, this is what

0:59:50.440 --> 0:59:53.120
<v Speaker 4>it is like buck the industry shit, this is how

0:59:53.160 --> 0:59:53.840
<v Speaker 4>we maneuvering.

0:59:54.200 --> 0:59:57.160
<v Speaker 1>But he's still doing things with niggas that's in the industry.

0:59:58.400 --> 0:59:59.480
<v Speaker 3>I hear that, I hear that.

1:00:00.080 --> 1:00:02.480
<v Speaker 5>We appreciate you coming through. Man, you gotta come by

1:00:02.560 --> 1:00:04.880
<v Speaker 5>more often for sure. You touring this album?

1:00:05.520 --> 1:00:08.520
<v Speaker 4>Yeah, hell yeah, hell yeah. I got a socker to

1:00:08.600 --> 1:00:12.360
<v Speaker 4>my pocket, tool on the way, socket to my pocket

1:00:12.520 --> 1:00:15.600
<v Speaker 4>like that real socker treat man.

1:00:15.720 --> 1:00:19.080
<v Speaker 1>Yeah real, yeah, yeah.

1:00:19.600 --> 1:00:21.720
<v Speaker 2>We definitely anytime you want to come back, come kicking

1:00:21.760 --> 1:00:23.200
<v Speaker 2>with us. Man, before you get on the road, I

1:00:23.280 --> 1:00:25.400
<v Speaker 2>definitely want to catch you whenever you're here in the city.

1:00:25.400 --> 1:00:27.600
<v Speaker 2>You gotta pull up to twenty of your shows. I

1:00:27.600 --> 1:00:32.280
<v Speaker 2>don't think I never I've never seen Rome perfore. Yeah,

1:00:32.280 --> 1:00:34.919
<v Speaker 2>I never seen I never seen before. So I gotta

1:00:35.000 --> 1:00:37.280
<v Speaker 2>I gottacket pocket. That's just sound like some South Road

1:00:37.320 --> 1:00:37.720
<v Speaker 2>ship man.

1:00:39.800 --> 1:00:45.120
<v Speaker 1>Yeah down, yeah, sack into my pocket. That ship comes

1:00:45.160 --> 1:00:49.720
<v Speaker 1>from socket to get technical man. That story could get South.

1:00:50.720 --> 1:00:54.960
<v Speaker 2>Yeah, socket to my pocket available now Roan Streets go

1:00:55.120 --> 1:00:55.440
<v Speaker 2>get that.

1:00:55.920 --> 1:00:59.680
<v Speaker 3>I'm that nigga, He's just ginger. But Netflix, get that.

1:01:00.240 --> 1:01:02.959
<v Speaker 1>Scared to that. No Worrian now