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Speaker 1: Doctor.

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Speaker 2: Welcome back to another episode of the new Rory and

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Speaker 2: Maul Podcast. I am Maul and Roy and today we

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Speaker 2: are joined by Rory. This is a friend, friend of

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Speaker 2: the show, friend of the family. Haven't seen this gentleman

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Speaker 2: since our lives, our last live show on the yere correct,

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Speaker 2: but he's been working his ass off. One of my

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Speaker 2: favorite rappers right now.

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Speaker 3: He here to kick it with us.

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Speaker 2: Today's new album out now, sock into my pocket. We

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Speaker 2: got Queen's very owned. Wrong Streets is in the building.

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Speaker 2: We got Netflix Zip here to your ain't gonnaz zip.

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Speaker 2: As soon as room got here, he was like, yo, Zip,

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Speaker 2: ain't are you queens Niggas said, look at queens. It

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Speaker 2: makes your Queen's always in the building. So Netflix hip

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Speaker 2: is here with us today.

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Speaker 1: Rome.

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Speaker 3: What's going on? Family?

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Speaker 1: Cool man'll listen.

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Speaker 2: I told you when you got here, I said, bro,

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Speaker 2: I'm opening my phone all week. Soon was out my phone.

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Speaker 2: The first person I see is Roan Streets going and

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Speaker 2: you sitting down talking to anybody good moving around. I

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Speaker 2: love seeing that. I love seeing people, you know, really

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Speaker 2: patching in and tuning in to Rome Streets because I

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Speaker 2: you know you know this, but you're one of my

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Speaker 2: favorite rappers. And to see everybody finally, you know, bring

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Speaker 2: you on their platforms talking to you socking to my

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Speaker 2: pocket is crazy since we since we saw each other

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Speaker 2: last at our last live show here in New York.

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Speaker 3: What's been up with you, man?

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Speaker 2: Besides working like just just roam, what's been going on

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Speaker 2: with you?

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Speaker 1: I've been good, man. I've just been enjoying this ship.

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Speaker 4: Honestly, I've really been doing a lot of shows, like touring,

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Speaker 4: just going places.

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Speaker 1: I went to fucking Thailand. I went.

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Speaker 4: I was that ship was different first of all, Like

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Speaker 4: I didn't really even expect to be going out there.

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Speaker 4: Like these producers that I did a joint with a

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Speaker 4: couple of years ago. It hit me up and was like, Yo,

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Speaker 4: we want to do like a mixtape with you, you

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Speaker 4: know what I'm saying. I like, all right, fuck it.

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Speaker 4: I did it, and they're like, yeah, we want to

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Speaker 4: fly you out to Thailand to perform and ship. And

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Speaker 4: then I was out there for like a week just

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Speaker 4: running around. I'm like, damn, I'm really in Thailand. Yeah,

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Speaker 4: like over wrapping the way I want to rap, you

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Speaker 4: know what I'm saying.

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Speaker 3: And the way they perceived the music over there.

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Speaker 1: The way and it was just like seeing how like.

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Speaker 4: Modern the city is like my my like perception of

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Speaker 4: how it would have been versus how it actually was

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Speaker 4: was like two different things.

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Speaker 3: Yeah, what you expect.

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Speaker 1: It was gonna.

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Speaker 4: Basically like I talked to a lot of people and

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Speaker 4: they was like, yo, son, don't drink the water, like

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Speaker 4: brush your teeth with motherfucking on bottled water, don't eat this,

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Speaker 4: don't eat that, don't do this. And when I went there,

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Speaker 4: I'm like, bro, that shit felt like I was in

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Speaker 4: New York. Certain places. I'm just saying, like, just how

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Speaker 4: people was interacting with me. It wasn't like they didn't

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Speaker 4: understand me. Man, people were speaking English. It was a

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Speaker 4: lot of people from America out there. I was running

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Speaker 4: into them.

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Speaker 3: Yeah. A lot of people are moving there. Yeah, hell yeah,

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Speaker 3: a lot of people moving different It's cool.

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Speaker 1: It's cool.

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Speaker 4: And then also like I did like a Europe tour,

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Speaker 4: so I was all over Europe running around. I was fun,

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Speaker 4: do you.

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Speaker 3: Do you feel like you get more.

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Speaker 2: Like love overseas, because like there's a lot of guys

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Speaker 2: that say, you know, when they go overseas Europe and

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Speaker 2: age and things like that, they're like amazed at the

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Speaker 2: amount of love that they get when they leave their

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Speaker 2: own country.

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Speaker 5: Like those fans give a fuck because they don't get

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Speaker 5: to see the ship all the time.

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Speaker 1: That's true, but.

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Speaker 4: I feel like they just have a different appreciation for shit,

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Speaker 4: you know what I'm saying. And then, like I guess,

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Speaker 4: you know, being from New York, like there's always something

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Speaker 4: going on, you always got mad options, Like there's probably

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Speaker 4: a concert going on right.

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Speaker 1: Now, you know what I'm saying. Like other places in Europe,

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Speaker 1: it's like.

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Speaker 4: If I have a concert in certain places, that's the

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Speaker 4: only thing.

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Speaker 1: It's like if you like rap, you gon be there.

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Speaker 4: And then the way they just interact is different, Like

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Speaker 4: you know what I'm saying. Certain places out here, fans

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Speaker 4: is like they'll be fucking with it, but they'll just

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Speaker 4: be standing there watching it. Yeah, and they'll probably be

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Speaker 4: having the time of their life.

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Speaker 1: But they just move differently. Over there.

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Speaker 4: The niggas be jumping out, they skin like I feel

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Speaker 4: like I'm a fucking soccer player and ship like.

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Speaker 1: The way you mean.

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Speaker 4: It's fun though. It's a lot of love our here too, though,

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Speaker 4: you know what I'm saying.

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Speaker 2: It's just different when you go out of the country

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Speaker 2: and and that just like you said that, they don't

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Speaker 2: get it as often as we do. We become kind

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Speaker 2: of spoiled with it because we can living in New York,

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Speaker 2: somebody's performing somewhere every night. But when you go to

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Speaker 2: these different different countries and things like that, even if

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Speaker 2: they don't know you, they know that, Okay, this is rap,

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Speaker 2: I'm going.

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Speaker 3: To see that Americans American rap.

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Speaker 5: When we were in London and went to go see

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Speaker 5: Rock Marcy at that this is a festival too much.

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Speaker 5: It's not just a Rock Marcy show. And usually festivals,

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Speaker 5: obviously people are there to see a different bunch of

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Speaker 5: different acts. I've been to Rock Marcy shows in New York,

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Speaker 5: but the London show, the whole festival, knew every fucking work, Like.

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Speaker 4: Yeah London, Yeah, But then London is like the place

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Speaker 4: that's most like here because you feel like I feel like, yeah,

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Speaker 4: London is like yeah, yeah, London is like another state.

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Speaker 4: Like if you go there and really like interac with

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Speaker 4: niggas and ship like it feels like you hear, it's

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Speaker 4: just you in a different place, whereas like if you

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Speaker 4: went to like Germany, like yeah, you in a whole

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Speaker 4: nother country where coach is different.

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Speaker 1: You know what I'm saying, Like.

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Speaker 4: You don't really feel out of place in London like

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Speaker 4: when you in certain places like you know what I'm saying, Yeah,

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Speaker 4: because London is like that ship is hood too, like

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Speaker 4: niggas be thinking. Honestly, it's hood everywhere because it's not necessarily.

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Speaker 1: Like hood. Ship is the mentality of people.

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Speaker 4: Yeah, exactly, Like you could be in a place that

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Speaker 4: probably don't look run down and ship, but it's the

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Speaker 4: hood because of how niggas act in the area, So

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Speaker 4: you can't never think you go someplace in it. Yeah. Yeah,

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Speaker 4: because people's getting high everywhere, so there's a hood somewhere,

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Speaker 4: just like what you might be.

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Speaker 1: Used to, you know what I'm saying.

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Speaker 4: But I've been doing a lot of ship just based

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Speaker 4: off of this rap ship. You mean, like I honestly

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Speaker 4: don't really be having time to do nothing else. But

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Speaker 4: then it's like I really don't want to have time

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Speaker 4: to do nothing else, you know what I'm saying, Because

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Speaker 4: when I had all the time in the world to

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Speaker 4: do ship, I was getting in the ship right.

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Speaker 1: So now it's so.

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Speaker 4: I was like, all right, this is what I gotta

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Speaker 4: do every day, Like down.

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Speaker 1: For it, you know what I'm saying. You want to

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Speaker 1: do more? Yeah? What what was your favorite stopping Europe?

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Speaker 1: This time of Amsterdam? Amsterdam is always lit?

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Speaker 3: Yeah?

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Speaker 1: What else? Paris is fun? You know what I'm saying. Germany?

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Speaker 1: Mm hmm.

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Speaker 4: But I would say, besides, like going to London and

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Speaker 4: ship Amsterdam is always fun.

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Speaker 2: It's London, like because obviously you was born there. How

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Speaker 2: much time did you actually spend in London though?

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Speaker 4: All Right, So I was born in London. I moved

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Speaker 4: to New York and I was one, okay saying, and

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Speaker 4: then I started getting in trouble, like once I got

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Speaker 4: to like junior high. By the time I got to

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Speaker 4: like ninth grade, I was, you know what I mean,

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Speaker 4: wiling out, you know what I'm saying. So my mom

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Speaker 4: sent me back to London to go like stay with

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Speaker 4: my aunt and shit. So I was going to school

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Speaker 4: out there, but I was coming back to New York

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Speaker 4: during the summertime.

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Speaker 1: So like from like fourteen to seventeen, that's what I

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Speaker 1: was doing there the Jamaicans. Yeah, you know what I'm saying.

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Speaker 4: So like in total, probably like four years out of

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Speaker 4: my life, I was really.

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Speaker 1: Like in London and good years though, like.

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Speaker 4: Yeah, from like you know, I mean fourteen to like, yeah,

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Speaker 4: you went in high school, layer, that's growing up.

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Speaker 3: That's a very unique part of life.

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Speaker 4: It was interesting because, like, you know, I was already

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Speaker 4: I was already into ship by the time I went

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Speaker 4: to London, Like I was smoking weed, you know what

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Speaker 4: I'm saying, Like I was already selling weed, I was rapping.

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Speaker 1: I was just into shit.

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Speaker 4: So by the time I got to London, when I

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Speaker 4: went to school, like motherfuckers already knew like oh yeah,

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Speaker 4: you the kid from America and yeah, so it's like

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Speaker 4: I was popular and I started rapping niggas after the

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Speaker 4: fuck yeah you.

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Speaker 2: Go over there, But did you go over there? Because

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Speaker 2: you could get some shit off. You can get some

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Speaker 2: six shit off in London. Like as an American, you

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Speaker 2: go to London and you rapping in high school, you

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Speaker 2: could be spitting somebody balls.

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Speaker 1: A day, my own shit.

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Speaker 4: Because you gotta understand, that's the ship that made me

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Speaker 4: start rapping in the first place, because I was like

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Speaker 4: I went to school, like I'm saying out here, and

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Speaker 4: then like niggas that I knew. My whole life was

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Speaker 4: at the fucking lunch table.

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Speaker 1: Rapping.

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Speaker 4: I'm like, O, yeah, niggas rap, but they was like

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Speaker 4: stealing rhymes from like cash money nigga. I'm like, oh,

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Speaker 4: those ain't your raps? Like, let me try to write

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Speaker 4: my own shit. So then I just started. I'm like, okay,

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Speaker 4: I'm actually good at this shit. So I kept going.

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Speaker 4: So by the time I got to London, like and

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Speaker 4: then the thing is, I got cousins. They older than me.

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Speaker 4: So one of my cousins, he's like twelve years old

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Speaker 4: than me, but he from the Bronx, so he moved

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Speaker 4: to London and like because he was wild and and shit.

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Speaker 4: So I'm fucking with him. I'm fourteen, this nigga like

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Speaker 4: twenty five. My other cousin is twenty four. So it's

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Speaker 4: like they got niggas that the crowd. Yeah, but they

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Speaker 4: knew niggas that had studios okay, so I was like

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Speaker 4: they was like, Yo, my little cousin rap. So I

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Speaker 4: was in the studio fucking with those niggas because when

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Speaker 4: I was out here, I never had no access to

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Speaker 4: nose studio.

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Speaker 3: So it's like that you recorded your first raps in London.

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Speaker 4: Yeah, So it was like the shit that my mom

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Speaker 4: was kind of like trying to send me to London

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Speaker 4: as a punishment. That kind of got lit because even so,

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Speaker 4: like the weed was better out there, you know what

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Speaker 4: I'm saying, I just had like more pull because I

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Speaker 4: was a unique nigga, Like, oh, you're a Meria from

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Speaker 4: New York and you you like into shit. So I

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Speaker 4: was like influencing niggas out there too, like like one

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Speaker 4: of my friends from out there is like a big

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Speaker 4: time rapper in London and shit.

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Speaker 1: Okay, well there was the grind ship popping at that

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Speaker 1: time when.

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Speaker 4: You want, Like I was there when the ship first started,

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Speaker 4: what I'm saying, so I see all of that ship.

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Speaker 1: What did you think of it? Out the gate?

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Speaker 5: Like I've learned to appreciate a lot of but it did.

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Speaker 5: It did take me a little bit to get into it.

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Speaker 4: Nah.

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Speaker 1: I like that ship. I like it because I understood it,

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00:11:15,840 --> 00:11:19,839
Speaker 1: like I fucked with it. I like the vocabulary it

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Speaker 1: like they used a lot of words.

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Speaker 3: And the flow like the London flow like a lot

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Speaker 3: of the rappers.

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Speaker 4: That because you gotta understand this, Like me, when I

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Speaker 4: went there, I realized.

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Speaker 1: Like they ship was mad ahead of ours, like.

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Speaker 4: As far as like even fashion, like them niggas was

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Speaker 4: like when I went to school, Like the niggas was

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00:11:41,360 --> 00:11:43,800
Speaker 4: wearing prid is and gucchiese and he was playing soccer

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Speaker 4: and ship, you know what I'm saying. But like like

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Speaker 4: the Grim Ship, like they flows was different. But now

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Speaker 4: if you really listen to how like niggas wrapped now

250
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Speaker 4: the drill niggas and the trap like that's the same

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Speaker 4: type of flows.

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Speaker 1: They use the same flow patterns. It just got better

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Speaker 1: word Yeah, yeah exactly.

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Speaker 4: Like that's why like the London Ship, it's like lit

255
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Speaker 4: now in that drill scene because the London nigga's been

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Speaker 4: rapping like that.

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Speaker 1: That's their original style of rap. Yeah, you know what

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Speaker 1: I'm saying.

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Speaker 4: Like they said that they like they rap like how

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Speaker 4: I wrap too, But that's separate, you know what I'm saying.

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Speaker 4: Like they they call grime ship, am seeing they call

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00:12:21,120 --> 00:12:24,600
Speaker 4: this ship like rapping like hip hop, two different things.

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Speaker 1: You know what I'm saying.

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Speaker 2: Yeah, a lot of the guys over there that I like,

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00:12:26,880 --> 00:12:32,280
Speaker 2: like pot of paper, you know, like Jay Huss with

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00:12:32,360 --> 00:12:35,680
Speaker 2: Dave Daves get busy. Yeah, Like it's a lot of

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00:12:35,679 --> 00:12:38,360
Speaker 2: guys over there that you know, really get into that raption.

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00:12:38,600 --> 00:12:40,120
Speaker 3: And really like put words together.

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Speaker 1: We ever heard of cast is dead?

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Speaker 3: Cash is dead?

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Speaker 4: No, he wear a mask, but the mask looked like

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Speaker 4: a real face, but it's not his face.

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Speaker 3: No, I never heard him.

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Speaker 1: That nigga's crazy.

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Speaker 3: Yeah, Cash is dead. I gotta check him out, home boy.

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Speaker 5: Okay, Yeah, London definitely was ahead of a lot of ship.

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00:12:57,600 --> 00:12:59,760
Speaker 5: But I'm still never gonna let Central Ce get that

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Speaker 5: off that they was on Nike text before before us.

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Speaker 5: That was the one thing that London was tripping on.

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Speaker 4: Nahna, But I could say this, this is what London

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Speaker 4: niggas was doing back then. They was wearing like they

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Speaker 4: was heavy into like Nike track suits, like back in

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Speaker 4: the early two thousands, like and when New.

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Speaker 1: York niggas was wearing like.

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Speaker 4: Those niggas went like jibols and just mad low or

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00:13:26,720 --> 00:13:27,600
Speaker 4: just like Rockaway.

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Speaker 1: Shit.

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Speaker 4: When I went to London, them niggas was wearing like

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00:13:31,960 --> 00:13:36,720
Speaker 4: the track suits with the with the the TN air maxes. Yeah,

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00:13:37,200 --> 00:13:42,080
Speaker 4: or they was wearing like like they was wearing mad

291
00:13:42,160 --> 00:13:45,160
Speaker 4: Pradas and shit, they was wearing just mad low top

292
00:13:45,200 --> 00:13:47,959
Speaker 4: shit like Jordan's was not lit like I was wearing

293
00:13:48,000 --> 00:13:50,880
Speaker 4: Jordan's and they was like yo, take them fucking stace

294
00:13:50,960 --> 00:13:53,679
Speaker 4: shoes off. I'm like, yo, yeah, niggas is retarded and

295
00:13:53,720 --> 00:13:56,959
Speaker 4: now they wear Jordan's O D. But when I had Jordan's,

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00:13:57,040 --> 00:14:00,920
Speaker 4: they was not jacking the shits. Actually, thing was always

297
00:14:00,920 --> 00:14:04,760
Speaker 4: big and na, I feel like but then I don't

298
00:14:04,800 --> 00:14:06,840
Speaker 4: know because I was over here, But back then they

299
00:14:06,920 --> 00:14:08,800
Speaker 4: was wearing a lot of like track suits.

300
00:14:08,920 --> 00:14:10,120
Speaker 1: Yeah, that's some West Indian ship.

301
00:14:10,240 --> 00:14:13,600
Speaker 5: Yeah, that's definitely, but Nike Tech specifically, Yeah, we'll take that.

302
00:14:13,640 --> 00:14:15,960
Speaker 5: But you're right, there was always on that before.

303
00:14:16,080 --> 00:14:20,040
Speaker 2: Yeah, because a lot of the soccer, you know, and

304
00:14:20,040 --> 00:14:21,920
Speaker 2: they was wearing a lot of slim ship.

305
00:14:22,040 --> 00:14:25,400
Speaker 4: It wasn't like how niggas dressed probably like you know,

306
00:14:25,520 --> 00:14:28,480
Speaker 4: niggas wear baggy shit again now, but like all that

307
00:14:28,680 --> 00:14:32,400
Speaker 4: like slim fit and sh that was all yeah, but

308
00:14:32,440 --> 00:14:36,760
Speaker 4: they've been rocking that ye like they like like their

309
00:14:36,840 --> 00:14:41,800
Speaker 4: exotic drip was like fucking academic sweatsuits. Like when I

310
00:14:41,880 --> 00:14:45,280
Speaker 4: used to go back to New York, like we used to,

311
00:14:45,280 --> 00:14:47,160
Speaker 4: me and my cousin used to go to like twenty

312
00:14:47,160 --> 00:14:49,520
Speaker 4: eighth Street and buy all that ship for the low

313
00:14:50,040 --> 00:14:52,400
Speaker 4: and then like go back to London and sell that

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00:14:52,520 --> 00:14:53,320
Speaker 4: ship for the high.

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00:14:53,400 --> 00:14:55,080
Speaker 1: Like the academic sweatsuits.

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00:14:55,160 --> 00:14:58,560
Speaker 4: Was the ship over there because you couldn't really get Yeah, yeah,

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00:14:58,600 --> 00:15:00,600
Speaker 4: all that ship was like ill to them.

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00:15:00,800 --> 00:15:02,520
Speaker 1: You know what I'm saying. So said, you was born there?

319
00:15:02,520 --> 00:15:03,760
Speaker 1: Do you have like dual citizenship?

320
00:15:03,960 --> 00:15:04,600
Speaker 3: How does that work?

321
00:15:06,120 --> 00:15:08,440
Speaker 4: I guess like I've been over in my whole life,

322
00:15:08,640 --> 00:15:10,840
Speaker 4: like you know what I'm saying, So it's not like a.

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00:15:12,480 --> 00:15:13,600
Speaker 1: I guess I probably do.

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00:15:13,760 --> 00:15:16,400
Speaker 4: But I got an American passport, so I mean, but

325
00:15:16,440 --> 00:15:17,600
Speaker 4: I'm a citizen over.

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00:15:17,480 --> 00:15:19,840
Speaker 3: Here having a passport over there, and I want to

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00:15:19,840 --> 00:15:21,240
Speaker 3: move to London. So yes, but.

328
00:15:22,960 --> 00:15:24,640
Speaker 1: I'm telling you if you went over there, you will

329
00:15:24,720 --> 00:15:25,400
Speaker 1: love that ship.

330
00:15:25,520 --> 00:15:25,720
Speaker 3: Yeah.

331
00:15:26,080 --> 00:15:28,880
Speaker 2: I love London, but I love having a passport as well,

332
00:15:28,960 --> 00:15:31,520
Speaker 2: because then you can go to all the different other countries.

333
00:15:31,560 --> 00:15:33,320
Speaker 2: They're like you know what I mean, that's part of

334
00:15:33,360 --> 00:15:35,600
Speaker 2: having the part about having the European passport.

335
00:15:36,640 --> 00:15:38,120
Speaker 3: Let's talk soccer too, my pocket.

336
00:15:38,560 --> 00:15:40,320
Speaker 2: You got a song on here with I d K,

337
00:15:41,280 --> 00:15:44,480
Speaker 2: but the DreamCatcher joint as well, And the one thing

338
00:15:44,560 --> 00:15:48,280
Speaker 2: that stuck out to me listening to this project was

339
00:15:48,600 --> 00:15:51,720
Speaker 2: the different flows you jumped in on Dream Catcher and

340
00:15:51,760 --> 00:15:55,040
Speaker 2: Time and Place with I d K. Like your flow

341
00:15:55,200 --> 00:15:58,400
Speaker 2: is like you've you're I guess you could say that

342
00:15:58,560 --> 00:16:00,160
Speaker 2: they would categorize.

343
00:15:59,680 --> 00:16:02,040
Speaker 3: As one of the more lyrical rappers from the city.

344
00:16:02,600 --> 00:16:06,720
Speaker 2: But like on those two records, in particular, to me,

345
00:16:06,920 --> 00:16:10,240
Speaker 2: you sounded like a different version of Rome Streets. Is

346
00:16:10,280 --> 00:16:12,320
Speaker 2: that something that you want to start showing more of?

347
00:16:12,400 --> 00:16:15,360
Speaker 2: Like Rome got different styles, I could jump in different

348
00:16:15,360 --> 00:16:17,840
Speaker 2: pockets because I didn't expect to hear Rome Streets id

349
00:16:17,960 --> 00:16:21,320
Speaker 2: K record, Like I would never put y'all together, you know,

350
00:16:21,520 --> 00:16:23,680
Speaker 2: even though i DK is ill, but I just would

351
00:16:23,680 --> 00:16:25,480
Speaker 2: never pay y'all two together on the record. But what

352
00:16:25,600 --> 00:16:28,640
Speaker 2: y'all did on that Time and Place record, y'all killed that.

353
00:16:29,000 --> 00:16:32,600
Speaker 2: But in terms of changing your flow and your style,

354
00:16:33,080 --> 00:16:35,160
Speaker 2: is that something you want to pay attention to more?

355
00:16:35,320 --> 00:16:38,200
Speaker 2: Because we know the Rome Streets prototypical sound that we

356
00:16:38,280 --> 00:16:40,560
Speaker 2: come to love you for. But like hearing you on

357
00:16:40,640 --> 00:16:42,760
Speaker 2: those it sounded like a whole different room.

358
00:16:43,960 --> 00:16:47,080
Speaker 4: Yeah, hell yeah, because I could do shit like that,

359
00:16:47,120 --> 00:16:49,800
Speaker 4: And I'm saying I've been doing shit like that, like

360
00:16:50,240 --> 00:16:52,160
Speaker 4: my old shit, like before, like.

361
00:16:52,160 --> 00:16:53,960
Speaker 1: I was putting out the ship. I used to suck

362
00:16:54,000 --> 00:16:55,000
Speaker 1: around stuff like that.

363
00:16:55,480 --> 00:16:59,320
Speaker 4: But you know, like I feel like just being an artist,

364
00:16:59,360 --> 00:17:02,920
Speaker 4: you can't just keep doing the same shit you know

365
00:17:02,960 --> 00:17:04,679
Speaker 4: what I'm saying. And then it's like I just go

366
00:17:04,760 --> 00:17:07,320
Speaker 4: off of energy. Like a niggas sent me to beat,

367
00:17:07,359 --> 00:17:10,560
Speaker 4: I might go, that's fire, Like let me do some

368
00:17:10,640 --> 00:17:13,400
Speaker 4: shit like that just because one nigga's not expecting it

369
00:17:13,440 --> 00:17:15,760
Speaker 4: and I could do it, you know what I mean.

370
00:17:16,320 --> 00:17:19,600
Speaker 4: And it's music at the end of the day, Like yeah,

371
00:17:19,600 --> 00:17:21,520
Speaker 4: I wrap, Yeah, I'm lirical, but like.

372
00:17:22,000 --> 00:17:24,439
Speaker 1: I make music. Yeah, you get what I'm saying, Like,

373
00:17:25,600 --> 00:17:26,159
Speaker 1: let's get.

374
00:17:26,040 --> 00:17:28,680
Speaker 3: To that, right, you know what I'm saying.

375
00:17:28,800 --> 00:17:31,480
Speaker 4: Like a lot of niggas just be bought up, and

376
00:17:31,520 --> 00:17:34,919
Speaker 4: it's like that's ill, but eventually you gonna hit the ceiling,

377
00:17:35,080 --> 00:17:37,959
Speaker 4: like you gotta do something else. You don't have to,

378
00:17:38,080 --> 00:17:42,400
Speaker 4: but it's good too. Autistreet is never just in one box.

379
00:17:42,920 --> 00:17:48,159
Speaker 5: You know what I'm saying, Like, no, mal are you

380
00:17:48,240 --> 00:17:48,480
Speaker 5: like me?

381
00:17:49,119 --> 00:17:50,840
Speaker 1: Do you hate overpaying for great wireless?

382
00:17:50,920 --> 00:17:51,520
Speaker 3: Absolutely?

383
00:17:51,600 --> 00:17:53,840
Speaker 5: Well, maybe you need to unlock savings with twenty five

384
00:17:53,880 --> 00:17:56,959
Speaker 5: dollars a month forever unlimited plan with Boost Mobile. It's

385
00:17:56,960 --> 00:17:59,879
Speaker 5: a permanent price with no contracts and no price hikes.

386
00:18:00,119 --> 00:18:02,639
Speaker 5: You can keep the same phone number, so all the

387
00:18:02,640 --> 00:18:04,919
Speaker 5: people in your life, specifically maybe some of the ladies

388
00:18:05,000 --> 00:18:07,520
Speaker 5: like you won't lose contact, you can save up to

389
00:18:07,560 --> 00:18:09,040
Speaker 5: six hundred dollars so you can take them out for

390
00:18:09,080 --> 00:18:09,720
Speaker 5: a nice dinner.

391
00:18:11,080 --> 00:18:13,240
Speaker 1: And yeah, you should just like stop overpaying. At this point,

392
00:18:13,240 --> 00:18:14,440
Speaker 1: I feel like I tell you this every day.

393
00:18:14,440 --> 00:18:15,359
Speaker 3: You do tell me this every day.

394
00:18:15,359 --> 00:18:18,040
Speaker 2: Bosmogle dot com based on average annual single line payment

395
00:18:18,040 --> 00:18:20,679
Speaker 2: of AT and T, Verizon and T Mobile customers compared

396
00:18:20,720 --> 00:18:23,119
Speaker 2: to twelve months on the Boostmobile Unlimited plan as of

397
00:18:23,160 --> 00:18:25,760
Speaker 2: January twenty twenty six. For full off of details, visit

398
00:18:25,800 --> 00:18:32,720
Speaker 2: boostmobile dot com.

399
00:18:32,800 --> 00:18:35,080
Speaker 3: The IDK record, How how did that come about? Did

400
00:18:35,119 --> 00:18:36,160
Speaker 3: he send the joint or.

401
00:18:36,640 --> 00:18:39,399
Speaker 4: Noah, No, nah, Like I've been I've been on i

402
00:18:39,480 --> 00:18:45,120
Speaker 4: DK for a minute, like probably since like twenty twenty one,

403
00:18:45,240 --> 00:18:46,480
Speaker 4: maybe twenty twenty two.

404
00:18:47,000 --> 00:18:48,920
Speaker 1: Like we just he reached out to me.

405
00:18:49,000 --> 00:18:51,199
Speaker 4: You chopped it up, and I'm saying, I say him

406
00:18:51,240 --> 00:18:54,359
Speaker 4: a verse for some shit a while ago. But like

407
00:18:54,440 --> 00:18:56,439
Speaker 4: I had made the song already and I'm like, you

408
00:18:56,440 --> 00:18:58,800
Speaker 4: know what, it'd be ill if I put somebody on this.

409
00:18:59,440 --> 00:19:00,879
Speaker 4: So I was just trying to see, you know what

410
00:19:00,880 --> 00:19:03,000
Speaker 4: I'm saying, who could go on it? And I'm like,

411
00:19:03,080 --> 00:19:06,800
Speaker 4: you know what, send it to I d K. You

412
00:19:06,840 --> 00:19:09,399
Speaker 4: know what I'm saying, sent it to him, and Nigga

413
00:19:09,440 --> 00:19:12,320
Speaker 4: sent that shit back like the next day. You know

414
00:19:12,359 --> 00:19:15,439
Speaker 4: what I'm saying, But it's ill because that wasn't the

415
00:19:15,520 --> 00:19:19,720
Speaker 4: original version of the song, like the song was longer,

416
00:19:19,800 --> 00:19:23,439
Speaker 4: like my verse was longer and shit. And then i

417
00:19:23,520 --> 00:19:25,480
Speaker 4: DK was like, yo, you know, be Ill was like

418
00:19:25,920 --> 00:19:27,639
Speaker 4: this song is hot, but he's like, yo, I got

419
00:19:27,680 --> 00:19:30,240
Speaker 4: an idea, let me like arrange it in an ill

420
00:19:30,320 --> 00:19:32,760
Speaker 4: way that I just think, you know what I'm saying,

421
00:19:32,800 --> 00:19:35,840
Speaker 4: and I'm like being ahead, yeah, yeah, go ahead, because

422
00:19:35,880 --> 00:19:38,119
Speaker 4: at the end of the day, like I'm never like

423
00:19:38,840 --> 00:19:41,560
Speaker 4: super stuck in my ways when it comes to creating,

424
00:19:41,880 --> 00:19:44,199
Speaker 4: you understand saying the only thing I'm stuck in my

425
00:19:44,280 --> 00:19:47,080
Speaker 4: ways in is writing my own shit. But other than that,

426
00:19:47,280 --> 00:19:50,560
Speaker 4: like when it comes to working with other creative niggas,

427
00:19:50,960 --> 00:19:54,160
Speaker 4: like I'm open to doing shit like that because one

428
00:19:54,960 --> 00:19:57,800
Speaker 4: all my shit is really just me working by myself.

429
00:19:58,240 --> 00:20:00,160
Speaker 1: So now when niggas be like, yo, I got an idea,

430
00:20:00,440 --> 00:20:01,840
Speaker 1: some big yo, go ahead, let me see.

431
00:20:02,040 --> 00:20:03,800
Speaker 4: And then you know what I'm saying, he pieced it together,

432
00:20:03,880 --> 00:20:06,360
Speaker 4: how he pieced it together, And I'm like, oh, that's

433
00:20:06,359 --> 00:20:08,480
Speaker 4: shit hard yeah, And then I'm like you know what,

434
00:20:08,600 --> 00:20:10,840
Speaker 4: run it like that and then it just came out.

435
00:20:10,920 --> 00:20:11,600
Speaker 1: Ill what I'm saying.

436
00:20:11,680 --> 00:20:13,200
Speaker 3: That's definitely one that I got to shoot the album.

437
00:20:13,240 --> 00:20:16,720
Speaker 5: Yeah, y'all got to see myself if I mean from

438
00:20:16,720 --> 00:20:18,640
Speaker 5: London and then moved to Maryland too.

439
00:20:19,280 --> 00:20:20,760
Speaker 1: I think he was born in London as well. I

440
00:20:20,760 --> 00:20:23,560
Speaker 1: think so moved to DC Maryland. I like non five

441
00:20:23,600 --> 00:20:25,359
Speaker 1: mega non five mega.

442
00:20:25,480 --> 00:20:28,919
Speaker 2: Yeah, that staf with Styles? Yeah, that's that had to be.

443
00:20:29,080 --> 00:20:30,560
Speaker 2: Was that the That's the first time I worked together,

444
00:20:30,600 --> 00:20:31,480
Speaker 2: right and Styles?

445
00:20:32,280 --> 00:20:32,800
Speaker 1: Yeah?

446
00:20:32,920 --> 00:20:33,520
Speaker 3: How was that?

447
00:20:33,960 --> 00:20:34,160
Speaker 1: Oh?

448
00:20:34,200 --> 00:20:36,119
Speaker 2: That was fin I mean obviously that gotta be one

449
00:20:36,119 --> 00:20:37,919
Speaker 2: of your favorite Yeah, hell you awesome?

450
00:20:37,960 --> 00:20:38,160
Speaker 1: The shit?

451
00:20:38,240 --> 00:20:41,560
Speaker 4: Oh yeah, that's p one of my favorite rappers ever. Yeah,

452
00:20:41,800 --> 00:20:45,159
Speaker 4: it was how I even met Styles. I was doing it.

453
00:20:46,080 --> 00:20:48,720
Speaker 4: This was a couple of years ago, like I was

454
00:20:49,000 --> 00:20:50,959
Speaker 4: twenty nineteen, maybe twenty twenty.

455
00:20:51,680 --> 00:20:55,359
Speaker 1: I was. I was doing a photo shoot. Were awake okay.

456
00:20:55,080 --> 00:20:58,040
Speaker 4: And me and Styles is in the shoot, but I

457
00:20:58,040 --> 00:21:00,239
Speaker 4: got there first. So I was shooting ship and I

458
00:21:00,280 --> 00:21:02,439
Speaker 4: was playing like some music that I had or whatever,

459
00:21:03,119 --> 00:21:06,480
Speaker 4: and in the midst of it, Styles came we shooting

460
00:21:06,920 --> 00:21:08,359
Speaker 4: and then he was like, yo, what the fuck is this?

461
00:21:08,480 --> 00:21:10,680
Speaker 4: I'm like, goes like goes my ship. He's like, go,

462
00:21:10,760 --> 00:21:13,040
Speaker 4: this is you my gig. He's like, go this shit hard.

463
00:21:13,359 --> 00:21:15,720
Speaker 4: So then like you know, we just tapped in from there.

464
00:21:16,200 --> 00:21:19,680
Speaker 4: And then I did that joint in ninety five Mega Ship,

465
00:21:20,119 --> 00:21:22,480
Speaker 4: and I'm like, who can I put on this?

466
00:21:23,080 --> 00:21:23,760
Speaker 1: You know what I'm saying.

467
00:21:24,200 --> 00:21:27,560
Speaker 4: Obviously being no brainer to put Mega on there, but

468
00:21:28,119 --> 00:21:30,440
Speaker 4: I had mego on my last album, you know what

469
00:21:30,440 --> 00:21:32,800
Speaker 4: I'm saying, the ship I did with Darrender and I

470
00:21:32,800 --> 00:21:35,280
Speaker 4: got I got more shit with Mega too. I'm like,

471
00:21:35,359 --> 00:21:37,080
Speaker 4: you know what, who else could I funk with on there?

472
00:21:37,400 --> 00:21:40,560
Speaker 4: And I'm like, send it to Styles and then like

473
00:21:41,240 --> 00:21:45,720
Speaker 4: sent it to his manager and then he sent it back.

474
00:21:46,040 --> 00:21:48,760
Speaker 4: He was like, go, it's cool if he just blackout

475
00:21:48,800 --> 00:21:50,360
Speaker 4: on it. I'm like yeah, because he spent a couple

476
00:21:50,359 --> 00:21:54,440
Speaker 4: of I'm like, Nigga's that's like you could drop a hundred.

477
00:21:54,480 --> 00:21:55,200
Speaker 1: I wouldn't give.

478
00:21:56,760 --> 00:21:57,040
Speaker 5: Like that.

479
00:21:57,400 --> 00:22:00,000
Speaker 1: Like, so that's how that ship came up.

480
00:22:00,320 --> 00:22:04,119
Speaker 2: Yeah. Now obviously you know going things going on in

481
00:22:04,160 --> 00:22:07,040
Speaker 2: the industry now with you know, rappers doing the small

482
00:22:07,080 --> 00:22:09,560
Speaker 2: tooth thing. Yo, Like you said, yeah, so d D

483
00:22:10,960 --> 00:22:15,320
Speaker 2: is it something that you look at that like a

484
00:22:15,359 --> 00:22:17,640
Speaker 2: sign of respect? Like when Style send it right back

485
00:22:17,680 --> 00:22:20,680
Speaker 2: when I d K sends it right back. Like if

486
00:22:20,680 --> 00:22:22,480
Speaker 2: a artista, YO, send me something, let's do something, you

487
00:22:22,520 --> 00:22:25,080
Speaker 2: actually send it, versus if you do send it and

488
00:22:25,160 --> 00:22:29,399
Speaker 2: they don't ever give you a verse back. How do

489
00:22:29,440 --> 00:22:31,480
Speaker 2: you view that as a rappers, like like, Okay, maybe

490
00:22:31,520 --> 00:22:32,760
Speaker 2: I gotta just step my shit up.

491
00:22:32,920 --> 00:22:34,280
Speaker 3: Maybe he don't respect my shit.

492
00:22:34,240 --> 00:22:38,640
Speaker 4: Like that yet honestly, it's levels to it. It depends

493
00:22:38,680 --> 00:22:41,920
Speaker 4: on how it happened. But I come to not take

494
00:22:42,000 --> 00:22:48,840
Speaker 4: that personally because rappers be doing mad shit. Yeah, because

495
00:22:48,880 --> 00:22:51,600
Speaker 4: there's times where niggas send me versus and I'd be like, Yo,

496
00:22:51,640 --> 00:22:54,200
Speaker 4: I'm gonna do it, But sometimes I just don't get

497
00:22:54,240 --> 00:22:58,399
Speaker 4: to it because one mad shit be going on two.

498
00:22:58,920 --> 00:23:04,320
Speaker 4: Sometimes I might forget three. Sometimes it's like I just

499
00:23:04,400 --> 00:23:07,200
Speaker 4: can't get to it. You understand saying, And then it's

500
00:23:07,240 --> 00:23:10,600
Speaker 4: like I'll double back, cause it just happens. Bro, that

501
00:23:10,640 --> 00:23:13,040
Speaker 4: shit happens. Sometimes you want to do it, you just

502
00:23:13,080 --> 00:23:13,879
Speaker 4: can't get to it.

503
00:23:13,920 --> 00:23:16,480
Speaker 1: Bro, It just happens. But like it be happening.

504
00:23:16,840 --> 00:23:19,480
Speaker 4: So it's like once you get to a place and

505
00:23:19,680 --> 00:23:24,960
Speaker 4: understand it, it's like you can't like you can't really

506
00:23:25,000 --> 00:23:29,879
Speaker 4: be mad. You understand saying I've only been in one situation.

507
00:23:30,000 --> 00:23:32,040
Speaker 4: I'm not gonna say a nigga name, and I'm not

508
00:23:32,080 --> 00:23:35,199
Speaker 4: gonna say I take it personally, but I'm gonna say, like,

509
00:23:35,320 --> 00:23:38,760
Speaker 4: this is a situation where you might feel like, yo,

510
00:23:39,560 --> 00:23:41,480
Speaker 4: I send you a verse, but I got you, I

511
00:23:41,520 --> 00:23:44,000
Speaker 4: got you, I got you, and then I got you,

512
00:23:44,000 --> 00:23:46,359
Speaker 4: give me scou, give me school, and I'm like, yo,

513
00:23:46,440 --> 00:23:48,840
Speaker 4: I got it. I record it, and then it'll be

514
00:23:48,880 --> 00:23:53,320
Speaker 4: like all right, and then I see where you like,

515
00:23:53,560 --> 00:23:55,359
Speaker 4: I got it. I hear it, and you be like,

516
00:23:55,359 --> 00:23:56,480
Speaker 4: but I want to do it again.

517
00:23:56,720 --> 00:23:57,199
Speaker 1: But I hear it.

518
00:23:57,200 --> 00:23:59,320
Speaker 4: We go that's you hard, you know what I mean.

519
00:24:00,040 --> 00:24:04,080
Speaker 4: It's like, you did it. I'm cool with it. You

520
00:24:04,200 --> 00:24:06,440
Speaker 4: might not be cool with it, but it's cool enough.

521
00:24:08,280 --> 00:24:11,640
Speaker 4: I understand why you'd be like, all right, I want

522
00:24:11,640 --> 00:24:12,480
Speaker 4: to do another one.

523
00:24:12,840 --> 00:24:14,840
Speaker 1: But then it's like, what can I ask you?

524
00:24:14,880 --> 00:24:16,200
Speaker 5: Did he want to do any one because he heard

525
00:24:16,320 --> 00:24:19,439
Speaker 5: your verse and wanted to re record his, or I

526
00:24:19,440 --> 00:24:19,879
Speaker 5: don't know.

527
00:24:20,000 --> 00:24:21,600
Speaker 1: I don't know. I don't know if you feel like.

528
00:24:23,920 --> 00:24:27,640
Speaker 4: The thing is though I don't look honestly with me personally,

529
00:24:28,400 --> 00:24:31,640
Speaker 4: I don't even look at it like who got the

530
00:24:31,680 --> 00:24:34,679
Speaker 4: better verse? It just depends on how the song goes.

531
00:24:35,040 --> 00:24:38,680
Speaker 4: If I send you the song with my verse on it,

532
00:24:39,560 --> 00:24:43,320
Speaker 4: you supposed to have a better verse. Yeah, because at

533
00:24:43,320 --> 00:24:45,280
Speaker 4: the end of the day, you got all day to

534
00:24:45,440 --> 00:24:48,400
Speaker 4: listen to my shit. You to have the better verse.

535
00:24:49,000 --> 00:24:51,920
Speaker 4: I'm already setting you up to have the better verse.

536
00:24:52,440 --> 00:24:55,880
Speaker 4: I do not care, because I'm good at this already.

537
00:24:56,200 --> 00:24:58,560
Speaker 4: If you spit a better verse than me, that means

538
00:24:58,600 --> 00:25:02,080
Speaker 4: the song is fucking ex your fans gonna run to

539
00:25:02,119 --> 00:25:04,119
Speaker 4: it because it'd be like, Yo, this might be the

540
00:25:04,200 --> 00:25:08,000
Speaker 4: best verse I ever heard from this. So I don't

541
00:25:08,080 --> 00:25:10,160
Speaker 4: care if you have the better verse. The only time

542
00:25:10,200 --> 00:25:12,160
Speaker 4: where it's like, all right, who got the better verse?

543
00:25:12,200 --> 00:25:14,280
Speaker 4: If we're right here, if me and you are in

544
00:25:14,320 --> 00:25:17,320
Speaker 4: the same place, then it's like okay. But at the

545
00:25:17,400 --> 00:25:19,800
Speaker 4: end of the day, it happens with rap because everybody

546
00:25:19,880 --> 00:25:23,719
Speaker 4: listening for something different. You understand saying, it just is

547
00:25:23,760 --> 00:25:25,760
Speaker 4: what it is, like that, I don't be heart broke.

548
00:25:25,800 --> 00:25:28,040
Speaker 4: You're supposed to have a better verse if you send

549
00:25:28,119 --> 00:25:31,040
Speaker 4: me your ship first, I'm supposed to have a better

550
00:25:31,119 --> 00:25:33,640
Speaker 4: verse on that shit. I don't care, Like I don't

551
00:25:33,680 --> 00:25:37,280
Speaker 4: really that shit don't dominate my mind. You understand saying,

552
00:25:37,800 --> 00:25:40,760
Speaker 4: because it's like if if that ship is, if that's

553
00:25:40,840 --> 00:25:42,639
Speaker 4: all I care about, I might as well have been

554
00:25:42,680 --> 00:25:47,000
Speaker 4: a bad rapper, you understand saying Jay had.

555
00:25:46,960 --> 00:25:49,480
Speaker 5: The best response when someone I forgot he was on

556
00:25:49,720 --> 00:25:51,640
Speaker 5: ninety seven asked him how he felt about not saying

557
00:25:51,720 --> 00:25:52,879
Speaker 5: m killed him on his own shit sad? What do

558
00:25:52,880 --> 00:25:54,200
Speaker 5: you think I want Eminem to have a bad verse

559
00:25:54,240 --> 00:25:56,240
Speaker 5: on my own so my album.

560
00:25:56,320 --> 00:26:00,520
Speaker 1: Yeah, you're supposed to, because it's like I know I

561
00:26:00,560 --> 00:26:01,680
Speaker 1: want a shitty Eminem verse.

562
00:26:01,720 --> 00:26:04,160
Speaker 4: Like I'm the type of nigga like if I'm gonna

563
00:26:04,160 --> 00:26:07,000
Speaker 4: send you something, I already know I'm sending you some ship.

564
00:26:07,119 --> 00:26:08,720
Speaker 1: I already know who I'm sending it to you.

565
00:26:09,040 --> 00:26:11,960
Speaker 4: I already know what I'm getting into, so I know

566
00:26:12,080 --> 00:26:13,640
Speaker 4: that I gotta spit some ship.

567
00:26:13,760 --> 00:26:15,359
Speaker 1: So I'm like, I'm standing on it.

568
00:26:15,600 --> 00:26:17,320
Speaker 4: So if you can have a better verse than me,

569
00:26:17,400 --> 00:26:20,560
Speaker 4: that mean you jumped mad high. So it's like I

570
00:26:20,680 --> 00:26:24,320
Speaker 4: want you to do that. That's you know, ship.

571
00:26:24,440 --> 00:26:27,600
Speaker 2: But but the rapper's ego is something that we all understand.

572
00:26:27,640 --> 00:26:30,919
Speaker 2: It's like if it's your song and you send somebody

573
00:26:30,920 --> 00:26:34,400
Speaker 2: a verse and they they they you know they're going

574
00:26:34,520 --> 00:26:37,680
Speaker 2: crazy on it. Sometimes the rapper ego shows up like.

575
00:26:38,359 --> 00:26:39,359
Speaker 1: Nah, man, he can't.

576
00:26:39,400 --> 00:26:41,199
Speaker 2: I can't let him do that to me on my record,

577
00:26:41,280 --> 00:26:44,240
Speaker 2: Like looking at it, you gotta have a dude verse

578
00:26:44,280 --> 00:26:44,800
Speaker 2: to do that though.

579
00:26:44,880 --> 00:26:48,119
Speaker 4: But I put it like this, most niggas that I

580
00:26:48,200 --> 00:26:52,199
Speaker 4: do songs with, I have multiple songs with them. So

581
00:26:52,240 --> 00:26:55,000
Speaker 4: at the end of the day, like you could get me,

582
00:26:57,640 --> 00:26:59,520
Speaker 4: let's get it, you know what I mean? Because I

583
00:26:59,560 --> 00:27:03,000
Speaker 4: want to for niggas that could rap r for real.

584
00:27:03,080 --> 00:27:05,199
Speaker 4: Because it was a time when I thought I was

585
00:27:05,240 --> 00:27:09,440
Speaker 4: the only nigga doing this. Everybody was doing jumping, jump

586
00:27:09,520 --> 00:27:12,800
Speaker 4: up and down ship you understand sayings was like, damn,

587
00:27:12,840 --> 00:27:15,080
Speaker 4: there's nobody for me to rap unlet's do the jump

588
00:27:15,200 --> 00:27:17,679
Speaker 4: up and down ship now the mad people for me

589
00:27:17,720 --> 00:27:19,560
Speaker 4: to rap with at.

590
00:27:19,160 --> 00:27:20,879
Speaker 2: Let's yeah, you're having a good time right now. The

591
00:27:21,000 --> 00:27:23,000
Speaker 2: MC for sure, Yeah it's cool.

592
00:27:23,080 --> 00:27:24,600
Speaker 4: Like I want to rap with niggas, you know what

593
00:27:24,600 --> 00:27:27,600
Speaker 4: I mean, Like I want to rap with NADS and Ship.

594
00:27:29,119 --> 00:27:33,800
Speaker 4: Yeah you understand saying like anybody else is all right whatever,

595
00:27:34,000 --> 00:27:35,400
Speaker 4: like we could get it going.

596
00:27:35,320 --> 00:27:39,240
Speaker 5: Like yeah, that that picture went went kind of viral

597
00:27:39,400 --> 00:27:42,520
Speaker 5: with you and NADS And obviously the last joint was

598
00:27:42,560 --> 00:27:45,520
Speaker 5: a mass appeal, which was Nods, the owner of But

599
00:27:45,760 --> 00:27:47,800
Speaker 5: all the comments when that photo went up was like

600
00:27:48,000 --> 00:27:50,840
Speaker 5: we're expecting a record now, that's how the audience sees

601
00:27:50,880 --> 00:27:53,760
Speaker 5: a photo. That means y'all better go to the booth now.

602
00:27:54,280 --> 00:27:57,119
Speaker 5: Yeah the fuck being in that event. But what was

603
00:27:57,400 --> 00:27:59,760
Speaker 5: like your first interactions with nas Like.

604
00:28:01,040 --> 00:28:02,680
Speaker 1: It was cool because.

605
00:28:03,800 --> 00:28:06,679
Speaker 4: I got like it's like some ob ship like I

606
00:28:06,720 --> 00:28:13,600
Speaker 4: got sent for you got it, go get him? Yeah,

607
00:28:13,640 --> 00:28:16,440
Speaker 4: like your son now's going to meet you. Come here

608
00:28:16,480 --> 00:28:20,879
Speaker 4: at this time under still saying like at some restaurants,

609
00:28:23,880 --> 00:28:26,280
Speaker 4: like I'm telling you, it was like I had to

610
00:28:26,280 --> 00:28:28,919
Speaker 4: go to some restaurant in the back like it like

611
00:28:29,280 --> 00:28:32,040
Speaker 4: I was like yo, he was like yo, I love

612
00:28:32,080 --> 00:28:35,919
Speaker 4: what you're doing. It's like keep it up like we watching.

613
00:28:35,920 --> 00:28:38,280
Speaker 4: It's like, y'all I'm proud, like I'm I mean, it's

614
00:28:38,320 --> 00:28:40,479
Speaker 4: dope just to see what you got going on, like

615
00:28:40,600 --> 00:28:43,320
Speaker 4: anything I could do to be behind you. And the

616
00:28:43,440 --> 00:28:47,560
Speaker 4: thing is before that he had said no, no, actually wasn't.

617
00:28:48,040 --> 00:28:50,520
Speaker 4: He had yad called me to go meet him, but

618
00:28:50,560 --> 00:28:53,800
Speaker 4: then like he was just doing interviews mentioning me and ship.

619
00:28:53,920 --> 00:28:56,240
Speaker 4: But you, I mean I was just unbeknounced to it.

620
00:28:56,360 --> 00:28:58,120
Speaker 4: You mean, niggas just tagging me and ship, like, yo,

621
00:28:58,240 --> 00:28:59,840
Speaker 4: I'm like, it's just ill.

622
00:29:00,160 --> 00:29:02,480
Speaker 2: There's a rapper from especially being from Queens though. That

623
00:29:02,560 --> 00:29:05,200
Speaker 2: had to be the moment where he was like, oh shit,

624
00:29:05,400 --> 00:29:08,920
Speaker 2: like I'm really ahighty. I'm like, Nas, I'm an ill

625
00:29:09,000 --> 00:29:12,120
Speaker 2: nigga if NAS has got my name in different rooms

626
00:29:12,160 --> 00:29:13,520
Speaker 2: and you know what I'm saying. And then obviously he

627
00:29:13,600 --> 00:29:15,840
Speaker 2: sent for you to come meet him and sit down

628
00:29:15,880 --> 00:29:19,520
Speaker 2: and kick it into now releasing all mass appeal. I

629
00:29:19,560 --> 00:29:22,000
Speaker 2: mean that gotta be a as a queen's and see

630
00:29:22,000 --> 00:29:23,880
Speaker 2: that gotta be like that shit is crazy.

631
00:29:24,160 --> 00:29:28,840
Speaker 4: Yeah, it's really crazy because you know, like when you're

632
00:29:28,920 --> 00:29:32,400
Speaker 4: in it sometimes you don't realize how it may appear

633
00:29:32,520 --> 00:29:36,120
Speaker 4: to the outside looking in, but it's like from the

634
00:29:36,200 --> 00:29:39,480
Speaker 4: inside looking out, it's still crazy to me, Like damn, yo,

635
00:29:40,120 --> 00:29:44,200
Speaker 4: I got here, yeah, because like I remember, like I said,

636
00:29:44,320 --> 00:29:48,400
Speaker 4: doing this shit, I didn't know nobody that could get

637
00:29:48,400 --> 00:29:51,200
Speaker 4: me anywhere close to being seen.

638
00:29:51,920 --> 00:29:52,680
Speaker 1: You get what I'm saying.

639
00:29:52,760 --> 00:29:57,720
Speaker 4: Like my first trying to get on was like all right,

640
00:29:57,800 --> 00:29:59,840
Speaker 4: like let me try to get it on a smack DVD.

641
00:30:00,160 --> 00:30:03,000
Speaker 4: I didn't know nobody who fucking knew smack. Like I

642
00:30:03,080 --> 00:30:06,720
Speaker 4: used to go record in the coliseum. You understand saying

643
00:30:06,760 --> 00:30:08,440
Speaker 4: like I used to go used to be a little

644
00:30:08,480 --> 00:30:10,600
Speaker 4: studio right in the coliseum. I used to go there

645
00:30:10,640 --> 00:30:13,640
Speaker 4: and record, you understand. I used to just play the

646
00:30:13,720 --> 00:30:16,760
Speaker 4: app trying to run into niggas and ship like because

647
00:30:16,800 --> 00:30:18,680
Speaker 4: back then it was like, Okay, you probably have to

648
00:30:18,680 --> 00:30:22,440
Speaker 4: meet a rapper to go rapping. I just did know

649
00:30:22,560 --> 00:30:25,440
Speaker 4: no rappers, you know what I'm saying. And now it's

650
00:30:25,560 --> 00:30:33,080
Speaker 4: like nigga talking about me and sit in between all

651
00:30:33,120 --> 00:30:36,040
Speaker 4: of that. Niggas used to just be like, Yo, rom Son,

652
00:30:36,120 --> 00:30:39,560
Speaker 4: you gotta you gotta make trap music, bro, Like this

653
00:30:39,720 --> 00:30:41,880
Speaker 4: type of ship ain't lit no more, Like yeah, you

654
00:30:41,960 --> 00:30:44,000
Speaker 4: ill at it, but you gotta switch it up, like

655
00:30:44,320 --> 00:30:47,600
Speaker 4: you gotta do that first, and then that will get

656
00:30:47,640 --> 00:30:48,880
Speaker 4: people to listen to that.

657
00:30:49,400 --> 00:30:54,080
Speaker 1: You understand created you gotta understand.

658
00:30:54,120 --> 00:30:58,640
Speaker 4: It's like that's what everybody's saying because they can't look

659
00:30:58,720 --> 00:31:00,240
Speaker 4: past what they're eddy.

660
00:31:00,320 --> 00:31:03,800
Speaker 1: C If everybody on the radio, everybody.

661
00:31:03,320 --> 00:31:05,360
Speaker 4: On TV, you know what I mean, All the New

662
00:31:05,440 --> 00:31:07,640
Speaker 4: York rappers is making down South music.

663
00:31:07,920 --> 00:31:11,280
Speaker 1: It's like Rome, you gotta switch it up, you know

664
00:31:11,320 --> 00:31:11,840
Speaker 1: what I'm saying.

665
00:31:12,240 --> 00:31:15,080
Speaker 4: So it's like to be able to get here doing

666
00:31:15,160 --> 00:31:17,480
Speaker 4: what I do niggas.

667
00:31:17,200 --> 00:31:22,200
Speaker 1: Is still trying to figure out if I can do

668
00:31:22,280 --> 00:31:24,840
Speaker 1: some of that exactly. That's why I said I can

669
00:31:24,880 --> 00:31:25,760
Speaker 1: funk around.

670
00:31:25,440 --> 00:31:29,160
Speaker 2: And do that now based established now they want to

671
00:31:30,560 --> 00:31:32,000
Speaker 2: step outside the box.

672
00:31:32,000 --> 00:31:37,040
Speaker 5: With we're getting a know, Nas, are you very careful

673
00:31:37,080 --> 00:31:39,920
Speaker 5: with certain things? Maybe you'll send him or like you

674
00:31:40,040 --> 00:31:42,000
Speaker 5: have a certain folder that's like, this is just the

675
00:31:42,080 --> 00:31:43,440
Speaker 5: Noad ship if he come to the studio.

676
00:31:43,440 --> 00:31:46,840
Speaker 1: I'm saving all this to play for NAS. I put

677
00:31:46,840 --> 00:31:47,400
Speaker 1: it like this.

678
00:31:49,160 --> 00:31:52,200
Speaker 4: I'm not like it's going to happen like the way

679
00:31:52,280 --> 00:31:56,120
Speaker 4: shit happened for me in just my whole career. It's like,

680
00:31:56,240 --> 00:31:58,880
Speaker 4: I don't be forcing the issue. You get what I'm saying,

681
00:31:58,920 --> 00:32:01,920
Speaker 4: Like it's going it's gonna come to me if I

682
00:32:02,040 --> 00:32:05,520
Speaker 4: just continue doing what I did that made things come

683
00:32:05,560 --> 00:32:08,200
Speaker 4: to me already. So it's like, yeah, I might make

684
00:32:08,280 --> 00:32:10,360
Speaker 4: some ship and I may Yo. I want Nads to

685
00:32:10,400 --> 00:32:12,440
Speaker 4: get on this, so I'm gonna wrap my ass off.

686
00:32:12,880 --> 00:32:14,880
Speaker 4: But if he don't get on it, it's like the

687
00:32:15,000 --> 00:32:17,520
Speaker 4: level that I rapped on it once a nigga, even

688
00:32:17,520 --> 00:32:21,080
Speaker 4: if it ended up being my own song, You're crazy.

689
00:32:21,120 --> 00:32:23,720
Speaker 4: So it's all right. That just forces me to rap

690
00:32:23,760 --> 00:32:27,720
Speaker 4: on a higher level. In general, because Okay, in my mind, yo,

691
00:32:28,080 --> 00:32:30,080
Speaker 4: NOAs could get on this, send this to the A

692
00:32:30,360 --> 00:32:32,240
Speaker 4: or see. But it's like if it don't, it's just

693
00:32:32,280 --> 00:32:35,560
Speaker 4: another I probably just leveled up the way I rap

694
00:32:35,720 --> 00:32:38,520
Speaker 4: just because it's like I'm trying to do something with

695
00:32:38,600 --> 00:32:41,440
Speaker 4: the nigga that wraps the greatest, you know what I mean.

696
00:32:41,520 --> 00:32:44,400
Speaker 1: So it's yeah, so it's still cool.

697
00:32:44,440 --> 00:32:46,200
Speaker 4: At the end of the day, it's gonna come and

698
00:32:46,280 --> 00:32:48,640
Speaker 4: I least expect it, and it probably would just be

699
00:32:48,720 --> 00:32:49,680
Speaker 4: some whole other ship.

700
00:32:49,840 --> 00:32:53,880
Speaker 5: Like, man, yeah, what's so, what's your relationship like with Alchemists?

701
00:32:54,160 --> 00:32:58,400
Speaker 4: Hey, that's the bro man, Like, honestly, I've known I've

702
00:32:58,400 --> 00:33:00,880
Speaker 4: known Alpha for a couple of years now.

703
00:33:02,000 --> 00:33:03,680
Speaker 1: Queens. Yeah, and it's like Queen.

704
00:33:03,960 --> 00:33:07,360
Speaker 4: The thing is, it's like this whole ship to me

705
00:33:07,480 --> 00:33:10,520
Speaker 4: is a full circle because like I said, I come

706
00:33:10,560 --> 00:33:14,120
Speaker 4: from the era of like the j Arms mix tapes,

707
00:33:14,520 --> 00:33:19,240
Speaker 4: the Sycamore fucking instrumental ships, where I'm just writing rhymes.

708
00:33:18,960 --> 00:33:23,000
Speaker 1: To the ship and like umb sometimes I just get

709
00:33:23,000 --> 00:33:23,360
Speaker 1: the CD.

710
00:33:24,200 --> 00:33:26,640
Speaker 4: So it's like, unbeknownst to me, like my favorite ship

711
00:33:26,760 --> 00:33:29,480
Speaker 4: just ends up being the Alchemist shit all the time,

712
00:33:29,680 --> 00:33:33,040
Speaker 4: just subconsciously. So then it's like once I finally meet him,

713
00:33:33,040 --> 00:33:35,520
Speaker 4: he's like, yeah, I already know who you is.

714
00:33:35,560 --> 00:33:38,560
Speaker 1: You know what I'm saying, Like it's like, wow, I

715
00:33:38,600 --> 00:33:42,720
Speaker 1: love man beat. Yeah, it's actually I've done. Yeah, I've done.

716
00:33:43,240 --> 00:33:45,320
Speaker 1: I've done more show with al you know what I'm saying,

717
00:33:45,360 --> 00:33:45,680
Speaker 1: I've been.

718
00:33:46,120 --> 00:33:51,320
Speaker 4: But then also like just understanding how this ship works.

719
00:33:51,400 --> 00:33:54,600
Speaker 4: Sometimes it's not always just about meeting a person.

720
00:33:54,480 --> 00:33:55,680
Speaker 1: Like do some ship.

721
00:33:57,600 --> 00:34:00,680
Speaker 4: I kicked it at our spot man at times, and

722
00:34:00,800 --> 00:34:04,080
Speaker 4: I ain't right or rap nothing, just hanging out, you

723
00:34:04,120 --> 00:34:06,080
Speaker 4: know what I'm saying, While other niggas is doing it.

724
00:34:06,440 --> 00:34:10,840
Speaker 4: I'm just on the wall, just kicking it, absorbing, chopping

725
00:34:10,920 --> 00:34:12,560
Speaker 4: it up, you know what I'm saying, Because.

726
00:34:12,960 --> 00:34:15,319
Speaker 1: That's how it be too, you know what I'm hearing.

727
00:34:15,440 --> 00:34:17,759
Speaker 4: Like, because a lot of artists, you might want to

728
00:34:17,840 --> 00:34:19,920
Speaker 4: do songs with them, oh yo, do some ship, and

729
00:34:19,960 --> 00:34:21,360
Speaker 4: they might be like yeah saying it, but it's like

730
00:34:21,480 --> 00:34:23,879
Speaker 4: they won't do a song with you unless you hang

731
00:34:23,960 --> 00:34:28,520
Speaker 4: out with them. Because sometimes you like niggas be busters.

732
00:34:28,640 --> 00:34:31,080
Speaker 4: You understand I'm saying, like, oh, y'all, do some ship

733
00:34:31,400 --> 00:34:33,680
Speaker 4: and you do a song with a nigga and like

734
00:34:34,200 --> 00:34:38,160
Speaker 4: it's happened. He just do some cornball ship like I'd

735
00:34:38,239 --> 00:34:40,759
Speaker 4: rather just do music with niggas that I can hang

736
00:34:40,840 --> 00:34:45,920
Speaker 4: out with without doing music that way, Like yeah, it's

737
00:34:45,960 --> 00:34:48,480
Speaker 4: a better vibe. Like you understand I'm saying, Like.

738
00:34:51,480 --> 00:34:52,319
Speaker 3: You find out your.

739
00:34:54,640 --> 00:34:56,560
Speaker 1: Get that. You know what I'm saying.

740
00:34:57,719 --> 00:34:59,279
Speaker 4: At the end of the day, I get it is

741
00:34:59,400 --> 00:35:02,080
Speaker 4: it don't all always be about the niggain't do the verse.

742
00:35:02,160 --> 00:35:04,239
Speaker 4: A lot of artists you gotta meet them, meet them

743
00:35:04,280 --> 00:35:06,840
Speaker 4: on the spot. A lot of producers, you know what

744
00:35:06,840 --> 00:35:08,640
Speaker 4: I mean. You might meet them and be like, yo,

745
00:35:08,680 --> 00:35:10,239
Speaker 4: you don't send me beat, But it's like they don't

746
00:35:10,280 --> 00:35:12,680
Speaker 4: send beats. You gotta you gotta find your way to

747
00:35:12,800 --> 00:35:14,600
Speaker 4: the lab, you know what I'm saying.

748
00:35:15,080 --> 00:35:18,680
Speaker 5: Yeah, And I mean our studio is definitely that vibe too,

749
00:35:18,840 --> 00:35:21,680
Speaker 5: Like all I'd be there, it'd be Earl not working,

750
00:35:21,880 --> 00:35:24,120
Speaker 5: just chilling their evidence, be there with his daughter Like

751
00:35:24,840 --> 00:35:26,759
Speaker 5: that's yeah. If you come in there on the let's

752
00:35:26,800 --> 00:35:29,440
Speaker 5: work right away vibe. You're sucking up that place. We'll feature,

753
00:35:29,719 --> 00:35:30,279
Speaker 5: will feature you.

754
00:35:30,440 --> 00:35:32,239
Speaker 1: They get that had you fuck them, Like damn, I

755
00:35:32,320 --> 00:35:38,400
Speaker 1: really got a feat from this person ship.

756
00:35:40,040 --> 00:35:46,440
Speaker 4: Everybody sp you know what I'm saying, Just like banks,

757
00:35:46,760 --> 00:35:49,520
Speaker 4: like I be trying to do songs with niggas, Like

758
00:35:49,840 --> 00:35:52,000
Speaker 4: I'll be trying to do songs with niggas that I'm

759
00:35:52,239 --> 00:35:54,600
Speaker 4: like real fans of you. You know what I'm saying,

760
00:35:54,760 --> 00:35:57,800
Speaker 4: So everybody who are you see me? Might do a feature?

761
00:35:57,920 --> 00:36:04,720
Speaker 1: It is like, that's like corny, right crazy?

762
00:36:05,600 --> 00:36:07,800
Speaker 4: Let me let me say this because I've seen what

763
00:36:07,840 --> 00:36:11,600
Speaker 4: the I got that verse from Banks before all this

764
00:36:11,719 --> 00:36:16,680
Speaker 4: ship going understand Niggers thought he was shooting and he

765
00:36:17,120 --> 00:36:22,359
Speaker 4: actually got that verse from him. Crazy ship was going on? Man,

766
00:36:22,440 --> 00:36:23,240
Speaker 4: because I see.

767
00:36:23,120 --> 00:36:30,360
Speaker 1: Man on the interviews is corny?

768
00:36:30,440 --> 00:36:33,759
Speaker 4: Yeah, yeah, but you know one thing about rapping and

769
00:36:33,840 --> 00:36:36,960
Speaker 4: ship A lot of times you might say something and

770
00:36:37,040 --> 00:36:40,120
Speaker 4: they manifest. You know what I'm saying, Words is really

771
00:36:40,320 --> 00:36:42,640
Speaker 4: like words got a lot of power for sure.

772
00:36:43,000 --> 00:36:49,759
Speaker 2: Absolutely, as far as producers he worked with, obviously the

773
00:36:49,840 --> 00:36:51,319
Speaker 2: chemistry I think you and Darren you have.

774
00:36:53,400 --> 00:36:54,440
Speaker 3: Working with alchemists.

775
00:36:55,719 --> 00:36:59,120
Speaker 2: Who was the producer that you haven't got a chance

776
00:36:59,239 --> 00:37:03,040
Speaker 2: to sit down and build something with. But y'all know

777
00:37:03,200 --> 00:37:05,279
Speaker 2: that it's gonna happen you already and you know you

778
00:37:05,400 --> 00:37:07,880
Speaker 2: have some type of relationship, but you just haven't had

779
00:37:07,920 --> 00:37:10,240
Speaker 2: that chance to really sit down and build nothing.

780
00:37:14,040 --> 00:37:18,520
Speaker 1: Hmmm. Someone that I that I've met, yeah, y'all, which

781
00:37:18,560 --> 00:37:19,279
Speaker 1: I just didn't work with.

782
00:37:24,280 --> 00:37:29,600
Speaker 4: I'm not even sure honestly, Like I feel like the

783
00:37:29,719 --> 00:37:33,440
Speaker 4: niggas who I want to work with, Oh yeah, okay, yeah,

784
00:37:33,560 --> 00:37:34,319
Speaker 4: yeah that's true.

785
00:37:34,520 --> 00:37:37,000
Speaker 1: Hit Boy. I could say that hit Boy, Yeah, you

786
00:37:37,040 --> 00:37:37,440
Speaker 1: know what I mean.

787
00:37:37,560 --> 00:37:40,640
Speaker 4: But I would say, besides hit Boy, a lot of

788
00:37:40,719 --> 00:37:44,879
Speaker 4: the producers that I've met, I've done something with them,

789
00:37:45,480 --> 00:37:47,680
Speaker 4: whether it's come out or not. You know what I'm saying.

790
00:37:47,719 --> 00:37:49,800
Speaker 4: Some most niggas that I want to work with, I

791
00:37:49,920 --> 00:37:52,520
Speaker 4: haven't met them yet. But hit Boy is one of

792
00:37:52,600 --> 00:37:55,319
Speaker 4: the producers that I've met. I mean that I see

793
00:37:55,480 --> 00:37:56,319
Speaker 4: around hit.

794
00:37:56,239 --> 00:37:59,359
Speaker 3: Boy makes sense. Yeah, he definitely would.

795
00:37:59,440 --> 00:38:01,160
Speaker 1: Yeah, yeah, yeah, hell yeah. We talked about it.

796
00:38:01,200 --> 00:38:03,759
Speaker 4: But every time, you know, like I'm in I'm in La,

797
00:38:04,320 --> 00:38:07,520
Speaker 4: I'm saying he's probably not around or I mean like schedules,

798
00:38:07,560 --> 00:38:10,520
Speaker 4: probably just saying yeah, any time I see him, be

799
00:38:10,560 --> 00:38:11,520
Speaker 4: like Aromas cooked.

800
00:38:12,120 --> 00:38:13,759
Speaker 1: Yeah, hit Boy for sure.

801
00:38:13,960 --> 00:38:15,440
Speaker 3: Yeah that's not small talk from hit Boy.

802
00:38:15,480 --> 00:38:18,840
Speaker 1: He actually you want to come. It's just about you

803
00:38:18,880 --> 00:38:19,920
Speaker 1: know what I mean, pulling up.

804
00:38:20,040 --> 00:38:22,960
Speaker 4: And then also a lot of this ship like like

805
00:38:23,239 --> 00:38:25,680
Speaker 4: like Alchemists Crib that's some invite only ship.

806
00:38:25,800 --> 00:38:29,000
Speaker 1: You can't just can't pop up there because you don't.

807
00:38:28,800 --> 00:38:31,000
Speaker 4: Know where it's at, like you. I mean, it's some

808
00:38:31,160 --> 00:38:36,640
Speaker 4: mob shit, like someone who's already accustomed to go in there.

809
00:38:36,760 --> 00:38:39,400
Speaker 4: Gott to bring you there, and then I'll be like, yo,

810
00:38:39,560 --> 00:38:40,560
Speaker 4: next time you're around.

811
00:38:40,520 --> 00:38:41,000
Speaker 1: Pull up.

812
00:38:41,400 --> 00:38:43,319
Speaker 4: So it's like hit boy ship. It's like, all right,

813
00:38:43,440 --> 00:38:45,759
Speaker 4: I spoke to him as ago, pull up next time

814
00:38:45,800 --> 00:38:47,880
Speaker 4: you're around. I just you know, I mean, just be

815
00:38:48,000 --> 00:38:50,200
Speaker 4: doing mad ship. But I already got the invite you.

816
00:38:50,280 --> 00:38:51,719
Speaker 4: I mean, I just got to hit him up when

817
00:38:51,760 --> 00:38:54,279
Speaker 4: I'm there man shout out to hit boy though.

818
00:38:54,640 --> 00:38:57,840
Speaker 1: Yeah, absolutely absolutely, what's up?

819
00:38:58,680 --> 00:39:02,600
Speaker 5: What's Darrener's I think Deren jerieds his own imprint in

820
00:39:02,760 --> 00:39:05,279
Speaker 5: label as far as what he's doing.

821
00:39:05,880 --> 00:39:09,640
Speaker 1: Do you think I agree him? And I've had conversations

822
00:39:09,680 --> 00:39:10,440
Speaker 1: about him.

823
00:39:10,320 --> 00:39:12,799
Speaker 5: Being in New York and they're not being as many

824
00:39:12,960 --> 00:39:15,040
Speaker 5: artists as it used to be, as opposed to other cities.

825
00:39:15,480 --> 00:39:18,040
Speaker 5: Do you find that same problem the way Darren may have.

826
00:39:18,160 --> 00:39:19,880
Speaker 5: It's like I want to cook with everybody, but I

827
00:39:19,920 --> 00:39:21,440
Speaker 5: don't want to send b packs like I want a

828
00:39:21,480 --> 00:39:25,440
Speaker 5: new shit in person. Being in New York, it's kind

829
00:39:25,480 --> 00:39:27,799
Speaker 5: of tough the last ten years as far as collaborating,

830
00:39:28,719 --> 00:39:29,520
Speaker 5: you know what it is?

831
00:39:29,719 --> 00:39:33,000
Speaker 4: I put it like this, I feel that same thing

832
00:39:34,160 --> 00:39:38,040
Speaker 4: all right in New York it's man artists. But then

833
00:39:38,160 --> 00:39:41,080
Speaker 4: there's not a lot of artists that do this. Ye,

834
00:39:41,640 --> 00:39:45,359
Speaker 4: But then let's say there is, there's not a lot

835
00:39:45,400 --> 00:39:48,880
Speaker 4: of artists that do this that are necessarily like on

836
00:39:49,080 --> 00:39:49,920
Speaker 4: the same level.

837
00:39:50,600 --> 00:39:51,319
Speaker 1: You get what I'm saying.

838
00:39:51,440 --> 00:39:53,320
Speaker 4: So it's like, yeah, there's a lot of artists that

839
00:39:53,880 --> 00:39:55,920
Speaker 4: is nice that I will work with, that I do

840
00:39:56,120 --> 00:39:59,520
Speaker 4: work with, but they not necessarily as known as me.

841
00:40:00,040 --> 00:40:04,000
Speaker 4: There's not you understand saying, Like, there's not too many

842
00:40:04,200 --> 00:40:08,520
Speaker 4: artists that do what I do that are let's say,

843
00:40:08,600 --> 00:40:13,520
Speaker 4: as known as me, that are from here, and if

844
00:40:13,600 --> 00:40:16,000
Speaker 4: they are, they do a whole different type of shit.

845
00:40:16,760 --> 00:40:19,240
Speaker 4: You know what I'm saying, Like most of the niggas

846
00:40:19,280 --> 00:40:25,440
Speaker 4: that do this necessarily ain't from here or they're not

847
00:40:26,320 --> 00:40:28,840
Speaker 4: they don't care to be as visible because they was

848
00:40:28,960 --> 00:40:32,759
Speaker 4: like a nigga like Ransom, but he's he already did this.

849
00:40:33,880 --> 00:40:35,919
Speaker 4: The way he do it now is how he want

850
00:40:35,960 --> 00:40:40,000
Speaker 4: to do it. You understand I'm saying. But I would say,

851
00:40:40,520 --> 00:40:43,640
Speaker 4: there's not really too many artists from here that do this.

852
00:40:44,400 --> 00:40:46,000
Speaker 1: There is, but like.

853
00:40:48,280 --> 00:40:53,360
Speaker 4: I would say, Darren just picky and as he should be. Yeah, exactly,

854
00:40:53,520 --> 00:40:55,440
Speaker 4: like everybody's picky when it comes to art.

855
00:40:55,440 --> 00:40:56,960
Speaker 1: You know what I'm saying. You pick and choose who

856
00:40:57,000 --> 00:40:58,040
Speaker 1: you really want to work with.

857
00:40:58,400 --> 00:41:01,360
Speaker 4: But it's not an array of fuckers like let's say Atlanta,

858
00:41:01,600 --> 00:41:04,799
Speaker 4: where it's like Atlanta has like twenty artists that are

859
00:41:05,239 --> 00:41:07,920
Speaker 4: popping on a on a high level where it's like,

860
00:41:08,000 --> 00:41:09,799
Speaker 4: if you was to be a producer and you want

861
00:41:09,840 --> 00:41:11,759
Speaker 4: to go to Atlanta to get your ship off, there's

862
00:41:11,800 --> 00:41:14,200
Speaker 4: mad people you could work with, and it's mad artists

863
00:41:14,200 --> 00:41:16,120
Speaker 4: that you can end up working with. All you gotta

864
00:41:16,160 --> 00:41:18,600
Speaker 4: do is just have a session in this studio right here.

865
00:41:19,000 --> 00:41:22,239
Speaker 4: You're gonna damn there. See everybody, every connected to everybody

866
00:41:22,600 --> 00:41:26,040
Speaker 4: in here, and it's so it's so community based where

867
00:41:26,080 --> 00:41:28,440
Speaker 4: it's like, you know what, you might meet this person

868
00:41:28,760 --> 00:41:30,240
Speaker 4: and then you're just chilling this session.

869
00:41:30,280 --> 00:41:31,840
Speaker 1: He was like, you know what, listen to his beats

870
00:41:31,880 --> 00:41:34,480
Speaker 1: and then you know what I mean, like young thug walking.

871
00:41:34,680 --> 00:41:38,600
Speaker 4: There's no place like that here where it's like, Okay,

872
00:41:39,160 --> 00:41:41,120
Speaker 4: if you wanted to get your shipped off, you know,

873
00:41:41,239 --> 00:41:43,440
Speaker 4: as a producer, you could just go to this studio

874
00:41:43,560 --> 00:41:46,239
Speaker 4: and you'll see mad artists from New York and then

875
00:41:46,520 --> 00:41:57,719
Speaker 4: you might go there, but Nigga won't say nothing. It's

876
00:41:57,800 --> 00:42:00,040
Speaker 4: not you understand saying I was all go here, say.

877
00:42:00,040 --> 00:42:03,040
Speaker 6: It's like yo, I'm such and something like all right, okay,

878
00:42:04,239 --> 00:42:09,440
Speaker 6: this is man like, you know what I think it is,

879
00:42:09,640 --> 00:42:12,320
Speaker 6: but not for not for this, not for what you do.

880
00:42:14,000 --> 00:42:15,960
Speaker 3: Injured Room kind of feels like that a little bit.

881
00:42:16,600 --> 00:42:18,320
Speaker 2: Yeah, like you can go on in Jury Room and

882
00:42:18,440 --> 00:42:21,279
Speaker 2: it'll be you know a little bit, but again, not

883
00:42:22,239 --> 00:42:25,399
Speaker 2: the type of raping shit that you get one.

884
00:42:25,320 --> 00:42:27,279
Speaker 1: Of a comeback every drill.

885
00:42:27,840 --> 00:42:31,200
Speaker 5: I'd probably let me ask you with your talent level,

886
00:42:31,320 --> 00:42:34,000
Speaker 5: I don't think you'd sound weird on that. I think

887
00:42:34,040 --> 00:42:36,080
Speaker 5: you could adapt to that. Not to say, go do

888
00:42:36,280 --> 00:42:39,279
Speaker 5: a sexy drill album, but if you wanted to hop

889
00:42:39,400 --> 00:42:42,640
Speaker 5: on a record with like a cash co man, I

890
00:42:42,680 --> 00:42:44,160
Speaker 5: don't think you'd sound weird on it.

891
00:42:44,840 --> 00:42:47,880
Speaker 1: It could work. Baseline works like that.

892
00:42:48,480 --> 00:42:51,279
Speaker 4: It could work. It could work, you understand what I'm saying.

893
00:42:51,280 --> 00:42:53,879
Speaker 4: It just depends on how it's done. Like I could

894
00:42:54,040 --> 00:42:56,200
Speaker 4: do some ship like I could rap over them beats

895
00:42:56,719 --> 00:42:58,880
Speaker 4: and could sing the hook, you know what I mean,

896
00:42:59,000 --> 00:43:00,920
Speaker 4: Or he could have it like it could work. It

897
00:43:01,040 --> 00:43:03,120
Speaker 4: just depends on how to get put on. And I'm

898
00:43:03,160 --> 00:43:05,359
Speaker 4: not opposed to doing it, you know what I'm saying.

899
00:43:06,680 --> 00:43:10,360
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00:44:18,320 --> 00:44:22,520
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927
00:44:22,600 --> 00:44:31,600
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928
00:44:31,719 --> 00:44:35,600
Speaker 2: Queens and both of y'all since you know you're both

929
00:44:35,640 --> 00:44:37,720
Speaker 2: from Queens. Who as some of the guys from Queens

930
00:44:37,800 --> 00:44:41,879
Speaker 2: that y'all feel like the city never gave like enough,

931
00:44:44,040 --> 00:44:46,560
Speaker 2: like love to or like like champions enough like.

932
00:44:46,600 --> 00:44:48,560
Speaker 3: Some of the guys that may not have heard this era,

933
00:44:48,920 --> 00:44:50,520
Speaker 3: or just in general in general.

934
00:44:50,520 --> 00:44:52,480
Speaker 4: Because I'm gonna put it like I'm a highbrid like

935
00:44:52,560 --> 00:44:54,280
Speaker 4: I grew up in Queen, but I lived in Brooklyn

936
00:44:54,440 --> 00:44:57,920
Speaker 4: also too, so that's why I, oh, yeah, you read Brooklyn.

937
00:44:58,440 --> 00:45:00,880
Speaker 1: I live in Brooklyn too, ye and fucking long. I

938
00:45:00,920 --> 00:45:02,960
Speaker 1: love that, Elma. It's like the board up Queens.

939
00:45:02,960 --> 00:45:04,319
Speaker 3: You could literally walk across the stream.

940
00:45:04,800 --> 00:45:06,359
Speaker 1: I mean I always been in Queen's much.

941
00:45:06,719 --> 00:45:10,200
Speaker 4: But I would say, like if you're talking about an

942
00:45:10,560 --> 00:45:14,120
Speaker 4: older era or just now, because I feel like a

943
00:45:14,200 --> 00:45:17,640
Speaker 4: lot of this, yeah now, like niggas like Cello, you

944
00:45:17,680 --> 00:45:22,560
Speaker 4: know what I'm saying, Star Jella from Queens, that's really

945
00:45:22,719 --> 00:45:25,000
Speaker 4: like putting on that's ill, you know what I'm saying.

946
00:45:25,080 --> 00:45:27,759
Speaker 1: Like niggas like trap Hefe. I'm saying like, those are

947
00:45:27,800 --> 00:45:30,239
Speaker 1: the niggas that do this. You know what I'm saying.

948
00:45:30,320 --> 00:45:32,759
Speaker 1: That get busy for me? You know what I'm saying.

949
00:45:34,000 --> 00:45:35,200
Speaker 1: It's it's been a little while.

950
00:45:35,280 --> 00:45:40,680
Speaker 5: But during that whole Joey Badass first Daylight, then it

951
00:45:40,800 --> 00:45:43,400
Speaker 5: turned into a bunch of New York rappers also hoppened.

952
00:45:43,440 --> 00:45:47,920
Speaker 5: Did you feel any any temptation to hop into that

953
00:45:48,840 --> 00:45:53,240
Speaker 5: back and forth because it turned into somewhat a distant difference.

954
00:45:54,800 --> 00:45:57,960
Speaker 4: The reason why is because just me personally, like, if

955
00:45:58,000 --> 00:46:01,440
Speaker 4: I'm gonna give it that type of energy, you gotta

956
00:46:01,480 --> 00:46:03,960
Speaker 4: at least dis me. Yeah, you got, you gotta at

957
00:46:04,040 --> 00:46:06,160
Speaker 4: least throw a missile at me for me to like

958
00:46:06,320 --> 00:46:08,760
Speaker 4: feel like, all right, I'm gonna give it that energy

959
00:46:09,080 --> 00:46:14,200
Speaker 4: because at the end of the day, it's like, one, yeah,

960
00:46:14,239 --> 00:46:16,719
Speaker 4: I'm from here, but I know a lot of them

961
00:46:16,800 --> 00:46:18,960
Speaker 4: TD niggas, you know what I'm saying. So with me,

962
00:46:19,120 --> 00:46:21,879
Speaker 4: it's like I don't really have no issue with them,

963
00:46:22,280 --> 00:46:24,560
Speaker 4: you understand. Like I go to Cali and I chill

964
00:46:24,640 --> 00:46:26,799
Speaker 4: with them niggas, you know what I'm saying, not even

965
00:46:26,920 --> 00:46:30,759
Speaker 4: on no like trying to I'd be going. I go

966
00:46:30,960 --> 00:46:32,920
Speaker 4: and just hang out with one of my boys who

967
00:46:32,960 --> 00:46:36,719
Speaker 4: don't even make music and Cali and then go be

968
00:46:36,760 --> 00:46:39,680
Speaker 4: here and it just end up picking it, you understand

969
00:46:39,680 --> 00:46:42,480
Speaker 4: I'm saying. So it's like, ain't no really no need

970
00:46:42,600 --> 00:46:44,400
Speaker 4: for me to jump in that shit because I didn't

971
00:46:44,400 --> 00:46:47,560
Speaker 4: really take offense to it, you understand I'm saying, because

972
00:46:47,640 --> 00:46:51,920
Speaker 4: like I don't know, like if I'm gonna really go

973
00:46:52,080 --> 00:46:54,400
Speaker 4: back and forth with another rapper I wanted to be

974
00:46:54,680 --> 00:46:55,080
Speaker 4: for real.

975
00:46:55,200 --> 00:46:57,239
Speaker 1: I don't want it to just be because like you know.

976
00:46:58,440 --> 00:46:59,919
Speaker 3: Yeah, just for the sport.

977
00:47:00,120 --> 00:47:02,279
Speaker 1: Yeah, no, I'm saying, for the sport is cool.

978
00:47:02,320 --> 00:47:04,600
Speaker 4: But I just felt like at the time I didn't

979
00:47:04,680 --> 00:47:07,399
Speaker 4: need to really get into it, you know what I'm saying,

980
00:47:07,480 --> 00:47:12,080
Speaker 4: because that ain't really That wasn't really my whole spiel

981
00:47:12,360 --> 00:47:14,800
Speaker 4: at the particular moment, like I was putting, I was

982
00:47:14,840 --> 00:47:16,880
Speaker 4: trying to make a tape, I was dropping an album

983
00:47:16,960 --> 00:47:19,200
Speaker 4: and ship. If I would have just jumped in that ship,

984
00:47:19,600 --> 00:47:22,120
Speaker 4: oh yeah, that shit would have overshadowed every single thing.

985
00:47:22,320 --> 00:47:25,640
Speaker 4: Like not saying that's a bad thing, but it's like

986
00:47:27,120 --> 00:47:29,520
Speaker 4: I feel like niggas held it down, you know.

987
00:47:29,560 --> 00:47:32,360
Speaker 1: What I'm saying, Like niggas held it out like you

988
00:47:32,520 --> 00:47:33,360
Speaker 1: only need to joy.

989
00:47:34,760 --> 00:47:37,360
Speaker 4: And it was just like the fans that rone need

990
00:47:37,440 --> 00:47:39,520
Speaker 4: to get in roll need to get It's like, bro, yeah, niggas,

991
00:47:40,719 --> 00:47:42,840
Speaker 4: I'm gonna get in because I want to, not because

992
00:47:42,920 --> 00:47:43,800
Speaker 4: niggas is tweeting me.

993
00:47:44,880 --> 00:47:46,640
Speaker 1: Yeah, yeah, you undertee what I'm saying.

994
00:47:46,719 --> 00:47:50,160
Speaker 2: Yeah, I told I definitely understand and respect that the

995
00:47:50,280 --> 00:47:52,719
Speaker 2: Belt to Ash record hm hm.

996
00:47:52,800 --> 00:47:56,960
Speaker 3: Tough, Yeah you was. I ain't gonna looking at this track.

997
00:47:56,960 --> 00:47:57,960
Speaker 3: I'm trying to I'm trying.

998
00:47:57,800 --> 00:48:01,360
Speaker 2: To find a song that I mean, like like like

999
00:48:01,480 --> 00:48:05,160
Speaker 2: Zip said ninety five Mega on Shrooms Belta ass son

1000
00:48:05,239 --> 00:48:10,839
Speaker 2: of a gun, Uh proud in the Polaroid marathonal race

1001
00:48:10,920 --> 00:48:15,480
Speaker 2: with West DreamCatcher. Time it plays, I think this story,

1002
00:48:15,520 --> 00:48:18,320
Speaker 2: which one is his story that's belt to ass.

1003
00:48:19,600 --> 00:48:19,839
Speaker 1: Tough.

1004
00:48:20,640 --> 00:48:22,640
Speaker 2: I'm not gonna say it yet because I think you

1005
00:48:22,719 --> 00:48:26,160
Speaker 2: know this is too soon. But for me personally, from You,

1006
00:48:26,320 --> 00:48:29,040
Speaker 2: this is one of my favorite projects because I think,

1007
00:48:29,160 --> 00:48:31,759
Speaker 2: I think, I think from from top to bottom just

1008
00:48:31,800 --> 00:48:34,840
Speaker 2: looking at the track, let's looking at the songs. The production,

1009
00:48:35,440 --> 00:48:37,879
Speaker 2: your rhymes is always at a at a high level.

1010
00:48:38,680 --> 00:48:42,560
Speaker 2: But I think the music on this, it's probably some

1011
00:48:42,640 --> 00:48:45,360
Speaker 2: of my favorite music that I've heard room room streets on.

1012
00:48:46,920 --> 00:48:48,680
Speaker 2: But I ain't gonna say yet because it was probably

1013
00:48:48,800 --> 00:48:51,360
Speaker 2: just came out a few days ago. But this, this

1014
00:48:51,560 --> 00:48:53,360
Speaker 2: I could talk into my pocket is definitely from You

1015
00:48:53,520 --> 00:48:54,920
Speaker 2: personally one of my favorite projects.

1016
00:48:55,239 --> 00:48:57,520
Speaker 4: I feel like this is the one we put the most,

1017
00:48:57,760 --> 00:49:01,640
Speaker 4: like effort into I put effort into it all, but

1018
00:49:01,800 --> 00:49:04,960
Speaker 4: this one, like we really like fine tuned the hell

1019
00:49:05,000 --> 00:49:07,719
Speaker 4: out of this, you know what I'm saying, Like remixed it,

1020
00:49:08,080 --> 00:49:10,800
Speaker 4: went back in the studio, put this song there, rewrote

1021
00:49:10,880 --> 00:49:13,080
Speaker 4: record this song, you know what I mean. Like, so

1022
00:49:13,280 --> 00:49:16,400
Speaker 4: this was the one that like I was really like

1023
00:49:16,520 --> 00:49:19,399
Speaker 4: I put the most into this, you know what I'm saying,

1024
00:49:19,760 --> 00:49:20,640
Speaker 4: and I can't.

1025
00:49:21,120 --> 00:49:24,600
Speaker 2: I think that's what I'm picking up from it is

1026
00:49:24,640 --> 00:49:26,360
Speaker 2: that it's just it seems like it's just more attention

1027
00:49:26,520 --> 00:49:31,080
Speaker 2: to detail. It's more fine tune again, you know, playing

1028
00:49:31,160 --> 00:49:35,320
Speaker 2: with different flows on the joint the IDK Like I

1029
00:49:35,320 --> 00:49:37,759
Speaker 2: said that that feature to me somebody that I think

1030
00:49:37,840 --> 00:49:40,960
Speaker 2: is super ill but never would probably play Shot two together.

1031
00:49:41,719 --> 00:49:43,400
Speaker 1: But it works.

1032
00:49:45,680 --> 00:49:48,920
Speaker 2: What's next though now for Rome as far as just

1033
00:49:49,680 --> 00:49:52,359
Speaker 2: an MC and artist, like what's on your vision board?

1034
00:49:52,719 --> 00:49:55,200
Speaker 2: As far as what you want to do moving forward?

1035
00:49:55,360 --> 00:49:56,920
Speaker 2: From coming off a SOCKETO my pocket?

1036
00:49:57,840 --> 00:50:00,360
Speaker 4: Keep putting outdop music. I'm the type of is that

1037
00:50:01,200 --> 00:50:04,440
Speaker 4: I have. I always got more ship, you know what

1038
00:50:04,480 --> 00:50:07,520
Speaker 4: I'm saying. Like I could drop a fucking tape every

1039
00:50:07,640 --> 00:50:09,799
Speaker 4: month if I wanted to, you know what I'm saying.

1040
00:50:10,000 --> 00:50:13,040
Speaker 4: But it's like a lot of this ship just be

1041
00:50:13,200 --> 00:50:17,920
Speaker 4: me experiment with different approaches. So it's like now that

1042
00:50:18,040 --> 00:50:23,399
Speaker 4: I see how me approaching a project like this can

1043
00:50:23,640 --> 00:50:26,560
Speaker 4: affect the listener, Like, okay, you know what I mean.

1044
00:50:27,160 --> 00:50:30,440
Speaker 4: I never really went this hard putting out putting together

1045
00:50:30,480 --> 00:50:33,640
Speaker 4: a project, but it shows once I put the people

1046
00:50:34,520 --> 00:50:36,200
Speaker 4: know they loving this ship. Like you said, it's one

1047
00:50:36,239 --> 00:50:38,640
Speaker 4: of my best and it is I put the most.

1048
00:50:38,719 --> 00:50:41,000
Speaker 4: So I guess, like, all right, all my ship gotta

1049
00:50:41,080 --> 00:50:43,359
Speaker 4: be like this from now. But it's like I got

1050
00:50:43,480 --> 00:50:47,160
Speaker 4: mad ship already, so I got Yeah, it's like, yeah,

1051
00:50:47,200 --> 00:50:49,960
Speaker 4: this is the standard. So it's like at this particular time,

1052
00:50:50,040 --> 00:50:53,360
Speaker 4: I'm just trying to grow, keep keep approaching ship like that,

1053
00:50:53,560 --> 00:50:54,080
Speaker 4: you know what I'm saying.

1054
00:50:54,160 --> 00:50:55,319
Speaker 1: But like I have other ship.

1055
00:50:55,360 --> 00:50:57,960
Speaker 4: You probably gonna here and mean mixtapes and ship that

1056
00:50:58,200 --> 00:51:00,120
Speaker 4: I mean, I'm gonna put out that I mean, and

1057
00:51:00,200 --> 00:51:00,880
Speaker 4: I ain't going.

1058
00:51:00,800 --> 00:51:02,000
Speaker 1: As crazy as I did with this.

1059
00:51:02,160 --> 00:51:03,920
Speaker 4: But now every time I put an album out, like

1060
00:51:03,960 --> 00:51:06,919
Speaker 4: a real studio album, I'm gonna jump in the bag

1061
00:51:07,040 --> 00:51:07,200
Speaker 4: like that.

1062
00:51:07,719 --> 00:51:09,760
Speaker 1: So that's what's next to me. More videos.

1063
00:51:10,120 --> 00:51:11,719
Speaker 4: I'm saying, like I got a bunch of artists that

1064
00:51:11,800 --> 00:51:13,840
Speaker 4: I funk with that I really want to, like what

1065
00:51:13,840 --> 00:51:16,440
Speaker 4: I'm saying, showcase put on the forefront, you know what

1066
00:51:16,480 --> 00:51:16,879
Speaker 4: I'm saying.

1067
00:51:16,960 --> 00:51:19,000
Speaker 1: So that too, I want to act, do.

1068
00:51:19,120 --> 00:51:21,680
Speaker 4: Movies or sort of as much as I could do.

1069
00:51:21,920 --> 00:51:24,880
Speaker 4: Like I'm not trying to go back to running the streets.

1070
00:51:24,960 --> 00:51:28,000
Speaker 4: So at the end of the day, like this is it. Yeah,

1071
00:51:28,280 --> 00:51:29,920
Speaker 4: I was at the Speaks the other day.

1072
00:51:30,480 --> 00:51:34,239
Speaker 1: Flicking around like oh yeah, curry over there.

1073
00:51:35,000 --> 00:51:37,360
Speaker 4: I'm at Mike Tyson like I gave him that, Like

1074
00:51:37,440 --> 00:51:38,920
Speaker 4: it's the same hand't even knocking.

1075
00:51:42,640 --> 00:51:44,319
Speaker 1: Wow, Like yeah, you know what I'm saying.

1076
00:51:44,360 --> 00:51:46,439
Speaker 3: That's one person that me and Roy was talking about

1077
00:51:46,440 --> 00:51:49,640
Speaker 3: when we had a chance to meet Mike's It's just

1078
00:51:49,840 --> 00:51:53,359
Speaker 3: it's and like you know, obviously just me and him.

1079
00:51:53,360 --> 00:51:55,920
Speaker 2: It's really no words that could just because everything you

1080
00:51:56,000 --> 00:51:59,960
Speaker 2: think Mike Tyson is, he's the exact opposite. Like his personality,

1081
00:52:00,160 --> 00:52:03,600
Speaker 2: his energy is aura. It's like you looking like, oh shit,

1082
00:52:03,680 --> 00:52:05,919
Speaker 2: that's Mike. But then he's accepting in a room where

1083
00:52:05,920 --> 00:52:10,000
Speaker 2: he's like I'm a regular guy, you know what he is?

1084
00:52:11,000 --> 00:52:13,760
Speaker 4: Like it just be a crazy thing for me because,

1085
00:52:14,239 --> 00:52:16,399
Speaker 4: like I said, bro, like I grew up in this ship,

1086
00:52:16,800 --> 00:52:19,879
Speaker 4: Like I grew up watching this ship all day.

1087
00:52:20,080 --> 00:52:21,640
Speaker 1: Like you know what I'm saying, watching.

1088
00:52:21,719 --> 00:52:25,600
Speaker 4: Everybody on TV, whether it's fucking Video Music Box was

1089
00:52:25,719 --> 00:52:28,800
Speaker 4: Bobby Simmons, whether it's fucking Rap City, whether it's b

1090
00:52:29,040 --> 00:52:33,200
Speaker 4: Cat See Cat whatever, you understand saying Queen's Public, all

1091
00:52:33,239 --> 00:52:38,239
Speaker 4: that shit, you understand them saying to being like now

1092
00:52:38,320 --> 00:52:40,440
Speaker 4: it's like I'm on the other side of the curtain

1093
00:52:40,800 --> 00:52:45,320
Speaker 4: and I see like, oh shit, that niggas like this

1094
00:52:45,400 --> 00:52:48,360
Speaker 4: shit man regular. But then it's also like, damn, I

1095
00:52:48,480 --> 00:52:51,640
Speaker 4: went from watching the ship on the TV to now like,

1096
00:52:52,760 --> 00:52:56,000
Speaker 4: motherfucker's seeing me on the TV. You understand. I'm saying

1097
00:52:56,000 --> 00:52:58,640
Speaker 4: there's a kid that was just like me looking at

1098
00:52:58,719 --> 00:53:01,240
Speaker 4: these rap niggas on TV, like, oh shit, this is hard.

1099
00:53:01,800 --> 00:53:05,359
Speaker 4: Now I'm on the TV and kid, like, I got

1100
00:53:05,440 --> 00:53:08,680
Speaker 4: promise you. The other day, I went to what's that

1101
00:53:08,840 --> 00:53:12,480
Speaker 4: family fest complex? Shit I'm walking through and I met

1102
00:53:12,480 --> 00:53:14,440
Speaker 4: a Nigga's like, you probably.

1103
00:53:14,200 --> 00:53:14,759
Speaker 1: Don't remember me.

1104
00:53:15,080 --> 00:53:17,080
Speaker 4: Like one day we was walking down Merrick. He's like

1105
00:53:17,239 --> 00:53:19,279
Speaker 4: I was twelve years old and you was like, yo,

1106
00:53:20,200 --> 00:53:21,880
Speaker 4: be a rapper. Watch I'm be lit And he's like

1107
00:53:22,000 --> 00:53:23,960
Speaker 4: now I see you. I'm like, damn, I don't even

1108
00:53:24,000 --> 00:53:26,279
Speaker 4: remember him. And I'm like, damn it, you look like

1109
00:53:26,360 --> 00:53:28,560
Speaker 4: you're like thirty twelve.

1110
00:53:28,840 --> 00:53:30,000
Speaker 1: Like I said that, like.

1111
00:53:31,560 --> 00:53:32,000
Speaker 4: You know what I mean.

1112
00:53:32,160 --> 00:53:36,360
Speaker 1: So like just to like be that person now was

1113
00:53:36,440 --> 00:53:37,200
Speaker 1: like it's crazy.

1114
00:53:37,640 --> 00:53:40,680
Speaker 4: But I'm still like starstruck over the people that I'm

1115
00:53:40,760 --> 00:53:42,800
Speaker 4: still meeting, Like, oh wow, I think it's healthy.

1116
00:53:42,960 --> 00:53:46,320
Speaker 1: Always be a part of the journey.

1117
00:53:46,160 --> 00:53:48,960
Speaker 2: Yeah, like you always gotta you know, like have that

1118
00:53:49,120 --> 00:53:51,160
Speaker 2: keep that part of you that was always in awe

1119
00:53:51,320 --> 00:53:55,279
Speaker 2: and just loved, you know, the art, the culture, being

1120
00:53:55,960 --> 00:53:59,239
Speaker 2: a fan and looking at certain individuals and just appreciating

1121
00:53:59,280 --> 00:54:00,800
Speaker 2: what it is that they do. I think, you know,

1122
00:54:00,880 --> 00:54:03,680
Speaker 2: as we become a part of the shit, a lot

1123
00:54:03,680 --> 00:54:05,480
Speaker 2: of people shed that because now you're on the other

1124
00:54:05,560 --> 00:54:07,440
Speaker 2: side of it. But I think in order to really

1125
00:54:07,480 --> 00:54:11,600
Speaker 2: be successful in entertainment and music and whatever art it is,

1126
00:54:11,680 --> 00:54:14,680
Speaker 2: that you got to keep that that that little thing

1127
00:54:14,760 --> 00:54:16,520
Speaker 2: that you had as a kid and just watching it,

1128
00:54:16,680 --> 00:54:19,240
Speaker 2: being a fan of it and appreciating the little things,

1129
00:54:19,640 --> 00:54:22,680
Speaker 2: like you said, going home watching everything, studying seeing what

1130
00:54:22,760 --> 00:54:24,840
Speaker 2: gods was wearing in the videos and things like that.

1131
00:54:25,840 --> 00:54:28,400
Speaker 2: I think as an artist you still keep that and

1132
00:54:28,520 --> 00:54:30,879
Speaker 2: that helps you create. That helps you, you know, again

1133
00:54:30,960 --> 00:54:33,799
Speaker 2: be inspiration to somebody else. Now thats home watching Rome

1134
00:54:33,840 --> 00:54:35,640
Speaker 2: Streets on TV.

1135
00:54:36,080 --> 00:54:38,239
Speaker 1: Yeah, it's ill because.

1136
00:54:39,760 --> 00:54:45,600
Speaker 4: Honestly, I look at it like I gotta stay like

1137
00:54:46,680 --> 00:54:51,759
Speaker 4: enjoying this shit because I remember times like a lot

1138
00:54:51,800 --> 00:54:57,719
Speaker 4: of this shit happened for niggas that's like eighteen seventeen,

1139
00:54:57,960 --> 00:55:00,759
Speaker 4: Like I remember back then, Like yo, if you don't

1140
00:55:00,760 --> 00:55:03,040
Speaker 4: get lit by the time you like twenty five. It's

1141
00:55:03,120 --> 00:55:06,040
Speaker 4: old like, Yo, one of my friends like, y'all, I

1142
00:55:06,200 --> 00:55:08,560
Speaker 4: promise you, like I know a nigga. I was like, Yo,

1143
00:55:08,640 --> 00:55:11,919
Speaker 4: if I don't get famous before I'm twenty seven, I'm

1144
00:55:11,920 --> 00:55:16,880
Speaker 4: gonna kill myself. And then nigga killed himself. Yeah, nigga

1145
00:55:17,400 --> 00:55:20,520
Speaker 4: what that nigga was a dope ass rapper. Nigga that nigga,

1146
00:55:20,600 --> 00:55:24,400
Speaker 4: y'all promise you all them like all these niggas now

1147
00:55:24,520 --> 00:55:28,040
Speaker 4: that you see they all jacked the nigga swag, you

1148
00:55:28,200 --> 00:55:31,480
Speaker 4: understand I'm saying, Like, but yeah, I know a nigga

1149
00:55:31,640 --> 00:55:33,320
Speaker 4: like that, and if he probably would have way that,

1150
00:55:33,400 --> 00:55:36,600
Speaker 4: he'd have been the biggest shit ever damn. But you know,

1151
00:55:36,880 --> 00:55:39,440
Speaker 4: like so to be me in my thirties and then

1152
00:55:39,520 --> 00:55:42,319
Speaker 4: it's like, oh shit, like I'm just now like yeah,

1153
00:55:42,440 --> 00:55:44,200
Speaker 4: I mean even though like I've been you know what

1154
00:55:44,200 --> 00:55:46,120
Speaker 4: I mean, in the in the midst of this shit

1155
00:55:46,280 --> 00:55:48,160
Speaker 4: for like a couple of years now, you know what

1156
00:55:48,160 --> 00:55:50,239
Speaker 4: I'm saying. But like I would say, today, I'm the

1157
00:55:50,360 --> 00:55:53,439
Speaker 4: most like popular I've been, you know what I'm saying.

1158
00:55:54,160 --> 00:55:56,200
Speaker 4: But I just remember when niggas to be like bro,

1159
00:55:56,400 --> 00:55:58,160
Speaker 4: by the time you think if you don't become a

1160
00:55:58,239 --> 00:56:00,440
Speaker 4: fucking rapper, nigga, you might as well up.

1161
00:56:00,640 --> 00:56:03,040
Speaker 1: Yeah, like shit, just start getting.

1162
00:56:03,120 --> 00:56:05,560
Speaker 3: Yeah, just stay down, stay down.

1163
00:56:06,480 --> 00:56:07,759
Speaker 1: So I can't even be mad at it.

1164
00:56:07,880 --> 00:56:13,200
Speaker 3: I want to talk about the the importance that guys like.

1165
00:56:15,080 --> 00:56:16,840
Speaker 2: All the guys that have been doing, you know, the

1166
00:56:16,960 --> 00:56:18,520
Speaker 2: things that you're doing as far as you know, just

1167
00:56:18,600 --> 00:56:21,680
Speaker 2: the art of it all and the music, how important

1168
00:56:21,680 --> 00:56:24,120
Speaker 2: they are to what it is that you do. Guys

1169
00:56:24,200 --> 00:56:27,600
Speaker 2: like Rock Marshie and West Side Gun. How important are

1170
00:56:27,640 --> 00:56:28,960
Speaker 2: those guys to.

1171
00:56:29,080 --> 00:56:33,719
Speaker 1: What it is that you do? Very because like I said,

1172
00:56:33,760 --> 00:56:37,320
Speaker 1: them niggas is like the leaders of the culture. What

1173
00:56:37,360 --> 00:56:37,680
Speaker 1: I'm saying.

1174
00:56:37,800 --> 00:56:41,360
Speaker 4: Rock Marcy, he damned there started this ship, you know

1175
00:56:41,360 --> 00:56:45,320
Speaker 4: what I'm saying. Like, and then West Side Gun he

1176
00:56:45,560 --> 00:56:48,000
Speaker 4: just took that ship to a different level, Like he

1177
00:56:48,080 --> 00:56:50,600
Speaker 4: made that ship mainstream, he made it popular in them,

1178
00:56:50,960 --> 00:56:54,399
Speaker 4: like he's the one, He's the trailblazer of this ship.

1179
00:56:54,800 --> 00:56:56,319
Speaker 1: So at the end of the day, it's like.

1180
00:56:58,440 --> 00:57:01,960
Speaker 4: That niggas the reason for a lot of this shit

1181
00:57:02,040 --> 00:57:05,920
Speaker 4: that's going on, even in mainstream shit. Like you gotta understand,

1182
00:57:07,400 --> 00:57:09,439
Speaker 4: like the Griselda shit and all this shit, this shit

1183
00:57:09,600 --> 00:57:11,879
Speaker 4: was in a pocket and it was just its own thing.

1184
00:57:12,320 --> 00:57:15,080
Speaker 4: It's not like it was like a mainstream like none

1185
00:57:15,120 --> 00:57:17,960
Speaker 4: of the fucking big time. Yeah, it was super niche.

1186
00:57:18,520 --> 00:57:21,280
Speaker 4: Now it's its own industry to the point where it's like,

1187
00:57:23,080 --> 00:57:25,520
Speaker 4: like I remember, the niggas wasn't even getting dipped.

1188
00:57:25,920 --> 00:57:30,360
Speaker 1: Like listen, I remember when I was trying to do

1189
00:57:30,440 --> 00:57:32,360
Speaker 1: this shit. I was trying to get on blogs.

1190
00:57:32,440 --> 00:57:34,880
Speaker 4: You get what I'm saying, Like, I was trying to

1191
00:57:34,960 --> 00:57:37,240
Speaker 4: do the blog thing, trying to figure out how to

1192
00:57:37,320 --> 00:57:39,520
Speaker 4: hell I can't even get a blog post.

1193
00:57:40,240 --> 00:57:42,680
Speaker 1: So in the midst of it, I always used to

1194
00:57:42,760 --> 00:57:45,600
Speaker 1: see this Griselda shit. Oh Griselda shit.

1195
00:57:45,760 --> 00:57:48,160
Speaker 4: I'm like, what the fuck is this? You get what

1196
00:57:48,160 --> 00:57:53,280
Speaker 4: I'm saying, And then like, I don't know, I just

1197
00:57:53,840 --> 00:57:56,880
Speaker 4: played it one day. I was like, oh, this shit

1198
00:57:57,160 --> 00:58:00,800
Speaker 4: fire and then I just and it was on SoundCloud.

1199
00:58:01,280 --> 00:58:03,920
Speaker 4: Wasn't this was before it was on streaming. It was

1200
00:58:04,000 --> 00:58:06,600
Speaker 4: on but I just let it play, and then I

1201
00:58:06,720 --> 00:58:09,320
Speaker 4: start hearing other niggas like, oh shit, who the.

1202
00:58:09,360 --> 00:58:11,280
Speaker 1: Fuck is this? Who the fuck is this? That's how

1203
00:58:11,320 --> 00:58:13,720
Speaker 1: I heard rock Marcy. You understand what I'm saying.

1204
00:58:13,800 --> 00:58:16,080
Speaker 4: And the thing is I probably heard rock Marsy before,

1205
00:58:16,520 --> 00:58:18,360
Speaker 4: but it's like that's when it stood out to me like,

1206
00:58:18,480 --> 00:58:19,120
Speaker 4: oh shit.

1207
00:58:19,800 --> 00:58:21,720
Speaker 1: Then I started to do research that I.

1208
00:58:21,760 --> 00:58:26,000
Speaker 4: Was like, oh, this is a whole thing, but it

1209
00:58:26,200 --> 00:58:29,600
Speaker 4: was very small, like you could literally just reach out

1210
00:58:29,720 --> 00:58:32,640
Speaker 4: to it, be like yo, and then he'll answer like

1211
00:58:33,880 --> 00:58:39,320
Speaker 4: so now today where it's like Conductor Williams. I met

1212
00:58:39,440 --> 00:58:44,880
Speaker 4: him in a session with Westside Gun when nobody knowing,

1213
00:58:46,160 --> 00:58:49,560
Speaker 4: and then off of a West Side Gun song, he

1214
00:58:49,680 --> 00:58:50,720
Speaker 4: got shipped with Drake.

1215
00:58:52,000 --> 00:58:55,360
Speaker 1: You understand what I'm saying. So it's like, now this

1216
00:58:55,600 --> 00:58:58,160
Speaker 1: is not no underground, it's his mainstream shit.

1217
00:58:58,280 --> 00:58:58,840
Speaker 5: It's just not.

1218
00:59:00,360 --> 00:59:03,240
Speaker 1: The type of music. But guess what these niggas from.

1219
00:59:03,160 --> 00:59:06,680
Speaker 4: Up there siphon in an energy swag all that shit

1220
00:59:07,320 --> 00:59:10,600
Speaker 4: from here, and then it's not like a far fetched

1221
00:59:10,640 --> 00:59:13,440
Speaker 4: thing for someone here to do a song with someone

1222
00:59:13,520 --> 00:59:15,640
Speaker 4: over there. So at the end of da nigga like

1223
00:59:15,680 --> 00:59:20,320
Speaker 4: Westside gunn bridge the gap from mainstream rap to this.

1224
00:59:21,280 --> 00:59:24,080
Speaker 1: You understand I'm saying, because you got niggas like Alchemists

1225
00:59:24,080 --> 00:59:25,000
Speaker 1: who always been here.

1226
00:59:25,240 --> 00:59:29,240
Speaker 4: Because he got songs with niggas like Kendrick Lamar. He

1227
00:59:29,360 --> 00:59:32,840
Speaker 4: got songs with niggas like Roame Street. So it's like this,

1228
00:59:34,760 --> 00:59:37,880
Speaker 4: it's the same shit. So niggas like Wes is important

1229
00:59:38,080 --> 00:59:40,200
Speaker 4: because he opened the door, you know what I mean,

1230
00:59:40,320 --> 00:59:42,880
Speaker 4: Like absolutely, he bridged the gap for a lot of shit.

1231
00:59:42,960 --> 00:59:46,040
Speaker 4: And Rock Marcy is important because he was literally like

1232
00:59:46,280 --> 00:59:48,560
Speaker 4: one of the first niggas to just make his own shit,

1233
00:59:48,920 --> 00:59:50,320
Speaker 4: put it out and be like, Yo, this is what

1234
00:59:50,440 --> 00:59:53,120
Speaker 4: it is like buck the industry shit, this is how

1235
00:59:53,160 --> 00:59:53,840
Speaker 4: we maneuvering.

1236
00:59:54,200 --> 00:59:57,160
Speaker 1: But he's still doing things with niggas that's in the industry.

1237
00:59:58,400 --> 00:59:59,480
Speaker 3: I hear that, I hear that.

1238
01:00:00,080 --> 01:00:02,480
Speaker 5: We appreciate you coming through. Man, you gotta come by

1239
01:00:02,560 --> 01:00:04,880
Speaker 5: more often for sure. You touring this album?

1240
01:00:05,520 --> 01:00:08,520
Speaker 4: Yeah, hell yeah, hell yeah. I got a socker to

1241
01:00:08,600 --> 01:00:12,360
Speaker 4: my pocket, tool on the way, socket to my pocket

1242
01:00:12,520 --> 01:00:15,600
Speaker 4: like that real socker treat man.

1243
01:00:15,720 --> 01:00:19,080
Speaker 1: Yeah real, yeah, yeah.

1244
01:00:19,600 --> 01:00:21,720
Speaker 2: We definitely anytime you want to come back, come kicking

1245
01:00:21,760 --> 01:00:23,200
Speaker 2: with us. Man, before you get on the road, I

1246
01:00:23,280 --> 01:00:25,400
Speaker 2: definitely want to catch you whenever you're here in the city.

1247
01:00:25,400 --> 01:00:27,600
Speaker 2: You gotta pull up to twenty of your shows. I

1248
01:00:27,600 --> 01:00:32,280
Speaker 2: don't think I never I've never seen Rome perfore. Yeah,

1249
01:00:32,280 --> 01:00:34,919
Speaker 2: I never seen I never seen before. So I gotta

1250
01:00:35,000 --> 01:00:37,280
Speaker 2: I gottacket pocket. That's just sound like some South Road

1251
01:00:37,320 --> 01:00:37,720
Speaker 2: ship man.

1252
01:00:39,800 --> 01:00:45,120
Speaker 1: Yeah down, yeah, sack into my pocket. That ship comes

1253
01:00:45,160 --> 01:00:49,720
Speaker 1: from socket to get technical man. That story could get South.

1254
01:00:50,720 --> 01:00:54,960
Speaker 2: Yeah, socket to my pocket available now Roan Streets go

1255
01:00:55,120 --> 01:00:55,440
Speaker 2: get that.

1256
01:00:55,920 --> 01:00:59,680
Speaker 3: I'm that nigga, He's just ginger. But Netflix, get that.

1257
01:01:00,240 --> 01:01:02,959
Speaker 1: Scared to that. No Worrian now