WEBVTT - Kaleidoscope recommends: Afghan Star!

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<v Speaker 1>Afghanistar Episode one, light camera action. Welcome back to Afghanistan.

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<v Speaker 1>Please put your hands together for the host, the director,

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<v Speaker 1>the producer, the.

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<v Speaker 2>Man who built this show, Daoud Zidiki.

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<v Speaker 3>It's around eleven o'clock. I'm so thirsty, I'm so angry.

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<v Speaker 3>I'm so exhausted that I can't think about anything.

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<v Speaker 1>It's September two thousand and five, just a few years

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<v Speaker 1>after the Taliban were driven out of Afghanistan, and Daoud

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<v Speaker 1>Sidiki has barely slept in days. He's been pulling all

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<v Speaker 1>nighters to get the first episode of a new TV

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<v Speaker 1>show out. It's called Afghanistar, and nothing like it has

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<v Speaker 1>ever aired in Afghanistan before. But right now daoude is

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<v Speaker 1>so exhausted he's about to pass out. So instead of

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<v Speaker 1>sticking around to watch the show.

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<v Speaker 3>Go live, I just drove to my house and went home,

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<v Speaker 3>and my mom opened the door and I just went

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<v Speaker 3>to the bit with my offsclots.

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<v Speaker 1>Daoud collapses into a deep sleep and he doesn't wake

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<v Speaker 1>until late the next morning.

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<v Speaker 3>At that time, he didn't have the electricity at Cobble

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<v Speaker 3>that much like I didn't have a chance to listen

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<v Speaker 3>to radio or TV or anything.

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<v Speaker 1>But as soon as he's up. He's in a panic.

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<v Speaker 1>He has no idea how the show's been received. Are

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<v Speaker 1>there people cheering in the street? M are calling for

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<v Speaker 1>his head? He spent two sleepless months of his life

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<v Speaker 1>on this thing. Did anyone even watch? Also, he's late

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<v Speaker 1>for work, like really late. That would throw some clothes on,

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<v Speaker 1>jumps in his car, his hand shaking as he turns

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<v Speaker 1>on the radio, the chimes of the clock playing at

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<v Speaker 1>the top of the hour, and then the.

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<v Speaker 3>Headlines against afghanst Star.

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<v Speaker 4>Afghanstar is one of the most shows in the country.

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<v Speaker 2>This is a new type of show and the people

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<v Speaker 2>are watching it, following it intensely, seeing only this time.

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<v Speaker 3>Hours during generators long and starts. Oh my god, what happened?

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<v Speaker 1>The answer to that question is going to define his life.

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<v Speaker 1>It will take him on a journey from the back

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<v Speaker 1>rooms of a makeshift TV station in Cobble all the

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<v Speaker 1>way across the globe.

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<v Speaker 3>I was a celebrity of the country everywhere. I was

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<v Speaker 3>like on the skies.

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<v Speaker 1>He will watch as his country is transformed.

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<v Speaker 3>Lights, mikes and cameras.

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<v Speaker 1>It's a different kind of battle in Afghanistan, one that

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<v Speaker 1>has the whole nation watching. Osma because in the aftermath

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<v Speaker 1>of the Taliban you still see rubble everywhere. There really

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<v Speaker 1>was an American idol for Afghanistan.

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<v Speaker 5>We cannot let the darkness come over us again. We

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<v Speaker 5>have to fight back with music.

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<v Speaker 1>Afghan Star helped heal a nation torn apart by violence.

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<v Speaker 5>Between all the explosions and all the disappointment, that was

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<v Speaker 5>light in the darkness.

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<v Speaker 1>It allowed its people to fall in love with music

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<v Speaker 1>again and eventually had them running for their lives.

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<v Speaker 5>And knew he had the gun, And I said to him,

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<v Speaker 5>if I get captured, please shoot me.

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<v Speaker 6>In the head.

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<v Speaker 1>I'm John Legend from Kaleidoscope and iHeart podcasts. This is

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<v Speaker 1>Afghan Star.

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<v Speaker 7>Then make a numba eat a go Damn Buddha, Let

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<v Speaker 7>no more Ruda as maas John bad.

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<v Speaker 2>Name Mother.

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<v Speaker 1>Chapter one, Friday Night Lights. Every once in a while,

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<v Speaker 1>there's a moment when the world seems to halt, when

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<v Speaker 1>streets fall quiet and people call one another to stop

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<v Speaker 1>everything and turn on the television. They gather in apartments

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<v Speaker 1>and living rooms, huddle onto sofas and floors. They sit together, transfixed.

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<v Speaker 1>You know these moments. The moon landing, a royal wedding,

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<v Speaker 1>and Princess of weddings. These moments can be joyous and triumphant,

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<v Speaker 1>like everyone watching as a hobble gymnast somehow sticks a landing,

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<v Speaker 1>or unimaginable, like the day the towers fell and then

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<v Speaker 1>it's flapped out.

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<v Speaker 3>It looks like it's it at it's light.

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<v Speaker 7>Tangle into the world's race that I can see.

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<v Speaker 8>I can see flames now coming out the side.

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<v Speaker 2>Of the building, and the smoke.

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<v Speaker 1>Continuets to blow. These are moments of cultural importance, when

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<v Speaker 1>everyone drops what they're doing to gather around a screen. Well.

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<v Speaker 1>In Afghanistan, for about fifteen years, these moments have and

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<v Speaker 1>every Friday night it's March two thousand and six, New

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<v Speaker 1>Year's in Cobble. The city should be bustling, two lip festivals,

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<v Speaker 1>I've gotten polo tournaments, old men wearing colorful clothes walking

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<v Speaker 1>the streets, spitting poetry. People should be gathering in mosques

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<v Speaker 1>to raise giant banners and cheer. But instead of it's

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<v Speaker 1>a ghost town. The only signs of life are coming

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<v Speaker 1>from a few houses and apartments, lights flickering from the windows.

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<v Speaker 1>But look closer and you see why. In each of

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<v Speaker 1>these homes there's a tiny television perched in the corner

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<v Speaker 1>and huddled around its warm glow. Are people so many

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<v Speaker 1>people packed in so tightly that you can barely see

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<v Speaker 1>the ground. They're all there to watch Afghan Star. In

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<v Speaker 1>one of these apartments, on one such sofa is Omit Nazami.

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<v Speaker 1>He's relaxing now, but he's been fielding calls all day,

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<v Speaker 1>trying to help his friends out.

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<v Speaker 8>The people that they didn't have electricity. They keep calling,

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<v Speaker 8>do you have power? You have electricity?

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<v Speaker 1>Tonight?

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<v Speaker 8>Can you tell me who is eliminated.

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<v Speaker 1>To watch Afghan Star? People across the nation have pulled

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<v Speaker 1>their resources and shared their homes.

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<v Speaker 8>You could see a family member that he is sitting

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<v Speaker 8>in a corner of the room and he's so upset.

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<v Speaker 8>She's so upset, and they say, come on, have food,

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<v Speaker 8>have dinner. No, I'm not doing well tonight. My favorite

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<v Speaker 8>contestant just got eliminated.

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<v Speaker 1>He didn't deserve it. Everyone takes it seriously because this

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<v Speaker 1>show means everything to them. So why was watching a

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<v Speaker 1>talent show so important to these people? Well, before we

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<v Speaker 1>answer that question, maybe I should tell you a little

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<v Speaker 1>bit about myself, because I know what you're thinking. Why

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<v Speaker 1>is John Legend hosting a show about Afghanistan. Well, there's

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<v Speaker 1>the talent show connection. For sure. You might have seen

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<v Speaker 1>me on the Voice. You have so much passion that

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<v Speaker 1>you also have discipline. I would love for you to

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<v Speaker 1>be on the team of the defending voice champion. That's me,

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<v Speaker 1>that's me, But this is about something deeper. Music is

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<v Speaker 1>my life. When I was growing up, I heard it

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<v Speaker 1>at home in the car. At church every Sunday, we

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<v Speaker 1>would sing in the gospel choir. My grandfather was the pastor,

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<v Speaker 1>my mother was the choir director, my grandmother the church organist.

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<v Speaker 1>It was my the whole world. After college, I dropped

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<v Speaker 1>out of a solid career in management consulting because I

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<v Speaker 1>couldn't stop thinking about music. And then the other day

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<v Speaker 1>I was reading the news and the story popped up.

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<v Speaker 1>It had a crazy headline, the Taliban burned a pile

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<v Speaker 1>of musical instruments because they're immoral. The photo showed four

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<v Speaker 1>men standing around a fire, just a regular garbage fire.

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<v Speaker 1>But then you look closer and you see strings, mangled guitars,

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<v Speaker 1>the shelves of these beautiful harmoniums all charred up. I

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<v Speaker 1>thought it. He's from Afghanistan's Ministry for the Promotional Virtue

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<v Speaker 1>and prevention of vice, created a bonfire from a number

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<v Speaker 1>of seased instruments and allowed speaker in her province over

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<v Speaker 1>the weekend. The idea that anyone would destroy all these

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<v Speaker 1>things that bring us so much.

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<v Speaker 9>Joy and life. It's heartbreaking, but that image, it's the

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<v Speaker 9>key to understanding why Afghanistar was so important, why a

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<v Speaker 9>TV show could get a nation.

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<v Speaker 1>To come to a halt. Because when the Taliban were

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<v Speaker 1>in power the first time in the nineties, they did

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<v Speaker 1>everything they could to rid the world of music. Clerics

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<v Speaker 1>would tear out the ERDs of cassettes and string them

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<v Speaker 1>up from trees. Morality police went around smashing radios and

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<v Speaker 1>boomboxes with hammers. They conducted brutal raids on houses and

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<v Speaker 1>terrified people into submission. Think about that for just one second.

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<v Speaker 1>Think about all the songs you listen to today on

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<v Speaker 1>your commute or bopping around the house. The music you

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<v Speaker 1>heard in your car or hummed to yourself at the

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<v Speaker 1>grocery store. Think about the soundtrack of your life, from

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<v Speaker 1>the lullabies your mom sang, to road trips with friends,

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<v Speaker 1>piano lessons to first dances. Try to picture all.

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<v Speaker 9>Of that he raised.

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<v Speaker 1>Think about the absence of music. That's what happened in

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<v Speaker 1>Afghanistan on Silas. And the thing is, we tend to

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<v Speaker 1>take shows like The Voice and American Idol for granted,

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<v Speaker 1>shows that you binge when you want to zone out.

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<v Speaker 1>But here in Afghanistan, Afghanistan became a beacon, a reminder

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<v Speaker 1>to a shell shocked nation that it had permission, the

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<v Speaker 1>freedom really to sing again, to use their voices. Chapter

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<v Speaker 1>two An impossible Dream. So back to Dairud, the guy

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<v Speaker 1>we met at the top of the show. Long before

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<v Speaker 1>he set out to make Afghan star. He was already

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<v Speaker 1>a badass when the Taliban banned music. He kept adding

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<v Speaker 1>to his cassette collection, even though it could mean a

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<v Speaker 1>jail sentence or possibly death. At night, He'd traveled to

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<v Speaker 1>underground dance parties and hang out with Kabo's cultural dissidence,

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<v Speaker 1>people who'd risk their lives for art. He watched Bollywood

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<v Speaker 1>movies and fell in love with the heroes, and so

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<v Speaker 1>once the Taliban fell, he was determined he wanted to

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<v Speaker 1>be on screen, to be a star. And that's when

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<v Speaker 1>he met someone who changed his life. I named Sad Mosenne.

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<v Speaker 1>The walls are going to come to our rescue and

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<v Speaker 1>perhaps it's time for us Afghans, ourselves in our own ways,

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<v Speaker 1>to find a way out for the country. Sad had

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<v Speaker 1>launched a radio station in Kabu and then a TV

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<v Speaker 1>network that made news and soap operas and music shows,

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<v Speaker 1>and it wasn't long before Daoud found his way to

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<v Speaker 1>Sad's office to ask for a job.

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<v Speaker 3>Oh my god, this is my place, that's where I

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<v Speaker 3>want to be.

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<v Speaker 1>The two quickly hit it off.

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<v Speaker 3>We would like having jokes and fun and chit chat.

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<v Speaker 3>Give us this chance to be ourselves.

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<v Speaker 1>In a lot of ways. Sad story couldn't be more

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<v Speaker 1>different than Daoud's. He left Afghanistan in the seventies. We

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<v Speaker 1>took refuge in places like the US and Australia and

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<v Speaker 1>Europe because we were forced out of our homeland. Then,

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<v Speaker 1>in October two thousand and one, after American troops invaded

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<v Speaker 1>Afghanistan to topple the Taliban regime, So'd sinsed an opportunity.

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<v Speaker 1>It feels like a calling to go back. In his

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<v Speaker 1>mid thirties, at the time, Sad thinks this is it.

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<v Speaker 1>Afghanistan doesn't have a stock market, the media is dead.

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<v Speaker 1>He can do something. Before long Sad wants to change

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<v Speaker 1>the whole culture of Afghanistan, and he knows there's no

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<v Speaker 1>better way than through the small screen. He's determined to

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<v Speaker 1>make a splash. He's going to import soap operas and

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<v Speaker 1>put women news anchors on air. But most of all,

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<v Speaker 1>he wants to try out a new kind of show,

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<v Speaker 1>one that has never been seen in Afghanistan before American

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<v Speaker 1>Idol but Afghan And as if that isn't hard enough,

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<v Speaker 1>he wants to put it out in just a couple

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<v Speaker 1>of months to beat any competition to the idea. The

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<v Speaker 1>thing is, if this is going to work, Sad needs

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<v Speaker 1>someone he can try to handle it, someone who loves music,

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<v Speaker 1>someone who can pull favors and hustle to get this

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<v Speaker 1>to air. And that's when he starts yelling for someone

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<v Speaker 1>to get him daoude Chapter three, just go make a

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<v Speaker 1>show to hear Daoud tell it. The conversation didn't take

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<v Speaker 1>that long.

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<v Speaker 3>And I remember exactly this sentence, like you said, I

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<v Speaker 3>want you to make this show happen. I don't know

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<v Speaker 3>how go and make this show for us. That was

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<v Speaker 3>a big expectation, Like I knew this is not a

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<v Speaker 3>small show, this is something big. I didn't know how

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<v Speaker 3>to start, what to do, what will happen.

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<v Speaker 1>Sad is watching Daoud carefully waiting for an answer.

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<v Speaker 3>And after five to ten seconds pause, I said, okay,

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<v Speaker 3>I will make.

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<v Speaker 1>It, and then Sad hands him a DVD.

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<v Speaker 3>He gave me Australian Idol DVDs and he told me

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<v Speaker 3>go and watch this and try to make something like this.

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<v Speaker 1>Okay, that's it. That's the only guidance. He had a

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<v Speaker 1>few Australian Idol DVDs and now he has about sixty

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<v Speaker 1>days to go make the thing. So he puts the

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<v Speaker 1>DVDs into the machine and hits play.

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<v Speaker 7>I'm just gonna find my note.

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<v Speaker 1>What what sort of music do you like? To listen

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<v Speaker 1>to it and lock everything. I leve all styles of music.

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<v Speaker 2>App yes, mom, it's nothing kie.

0:18:54.240 --> 0:18:57.800
<v Speaker 1>Immediately he starts scribbling down notes as fast as his

0:18:57.880 --> 0:18:59.119
<v Speaker 1>hand will let him.

0:18:59.280 --> 0:19:02.359
<v Speaker 3>The stages, the lighting, and I don't have any clue

0:19:02.640 --> 0:19:03.439
<v Speaker 3>how it works.

0:19:04.720 --> 0:19:07.679
<v Speaker 1>He's never done anything like this before, never produced a

0:19:07.720 --> 0:19:11.040
<v Speaker 1>live show of any kind. He has so many things

0:19:11.080 --> 0:19:15.560
<v Speaker 1>he has to figure out. Singers, stage lighting, He's trying

0:19:15.600 --> 0:19:19.440
<v Speaker 1>to understand the format, the camera angles, the different components,

0:19:19.640 --> 0:19:22.560
<v Speaker 1>and he's trying to work out what he should tackle. First.

0:19:22.960 --> 0:19:27.000
<v Speaker 3>Okay, people are coming, and then audition happens, and then

0:19:27.560 --> 0:19:28.440
<v Speaker 3>come to judges.

0:19:31.119 --> 0:19:34.000
<v Speaker 1>He thinks maybe if he starts with a few judges,

0:19:34.200 --> 0:19:35.320
<v Speaker 1>he can build from there.

0:19:36.040 --> 0:19:36.520
<v Speaker 9>That's good.

0:19:36.680 --> 0:19:38.840
<v Speaker 3>I thought, that's one of the eazy things that they

0:19:38.880 --> 0:19:40.560
<v Speaker 3>can do in one or two days.

0:19:42.280 --> 0:19:46.920
<v Speaker 1>Except with Afghanistar, nothing's ever that easy. Back in two

0:19:46.960 --> 0:19:50.800
<v Speaker 1>thousand and five, Afghanistan didn't have pop stars. There were

0:19:50.800 --> 0:19:54.000
<v Speaker 1>no cool girl groups, no singers that shot to fame

0:19:54.080 --> 0:19:57.919
<v Speaker 1>on social media. Basically, not many good candidates to be

0:19:57.960 --> 0:20:01.919
<v Speaker 1>a judge on a reality show. But Daoud has an idea.

0:20:02.640 --> 0:20:06.879
<v Speaker 1>The one thing people hire performers for is weddings, so

0:20:06.920 --> 0:20:09.760
<v Speaker 1>he starts reaching out to random wedding singers.

0:20:10.160 --> 0:20:13.640
<v Speaker 3>I introduced myself and said, okay, this is the idea

0:20:13.640 --> 0:20:16.239
<v Speaker 3>of we want to make a music talent show. I

0:20:16.320 --> 0:20:18.240
<v Speaker 3>want you guys to be my judges.

0:20:18.560 --> 0:20:21.680
<v Speaker 1>He promises to put them on air, make them famous,

0:20:21.840 --> 0:20:26.359
<v Speaker 1>but all he's getting is blank stares. So Daoud explains

0:20:26.359 --> 0:20:30.960
<v Speaker 1>it in more detail. He talks about the performances, the exposure,

0:20:31.280 --> 0:20:32.720
<v Speaker 1>the spotlight.

0:20:32.400 --> 0:20:35.639
<v Speaker 3>And they said no, we can't come to this show.

0:20:36.200 --> 0:20:39.040
<v Speaker 1>Daoude is taken aback. He can't get his words out

0:20:39.080 --> 0:20:39.760
<v Speaker 1>fast enough.

0:20:40.000 --> 0:20:43.280
<v Speaker 3>Why why this is a good opportunity. You guys can

0:20:43.320 --> 0:20:46.280
<v Speaker 3>gain more name for yourselves and that will help you

0:20:46.520 --> 0:20:48.600
<v Speaker 3>to reach more people and people will know you.

0:20:49.040 --> 0:20:51.840
<v Speaker 1>But these singers haven't seen a show like this and

0:20:51.880 --> 0:20:55.200
<v Speaker 1>they don't think it will work. Nothing Daoud says can

0:20:55.280 --> 0:20:59.520
<v Speaker 1>change any of their minds. He's completely deflated. This was

0:20:59.560 --> 0:21:04.800
<v Speaker 1>supposed to be the easy part. And that's when he

0:21:04.840 --> 0:21:08.640
<v Speaker 1>gets another call from Sad. Sad tells him not only

0:21:08.680 --> 0:21:11.800
<v Speaker 1>do I need you to find male judges, I also

0:21:11.920 --> 0:21:13.560
<v Speaker 1>want a female judge.

0:21:14.880 --> 0:21:18.359
<v Speaker 3>When he said that, a break almost I said, what

0:21:18.600 --> 0:21:21.840
<v Speaker 3>you are talking about, Sade? What's going on with you?

0:21:21.920 --> 0:21:27.240
<v Speaker 3>Do you know you're an abon'stan. There was still people

0:21:28.080 --> 0:21:35.400
<v Speaker 3>supporters of Toliban, people with different opinions, more traditional, more religious.

0:21:36.240 --> 0:21:38.960
<v Speaker 3>They were against these ideas.

0:21:40.840 --> 0:21:43.639
<v Speaker 1>Daoud is losing it on the phone. He's thinking that

0:21:43.800 --> 0:21:48.440
<v Speaker 1>Taliban have only just left blue jeans, women returning to schools,

0:21:48.600 --> 0:21:52.240
<v Speaker 1>that stuff is just starting to come back. But putting

0:21:52.280 --> 0:21:56.600
<v Speaker 1>a woman on TV in a position of power that

0:21:56.640 --> 0:22:01.320
<v Speaker 1>feels like something this society isn't ready for yet. The

0:22:01.440 --> 0:22:05.800
<v Speaker 1>task feels so insane. He can't stop himself from yelling

0:22:05.800 --> 0:22:06.800
<v Speaker 1>into the phone.

0:22:06.920 --> 0:22:09.240
<v Speaker 3>I can't find a man to be a judge of

0:22:09.320 --> 0:22:11.440
<v Speaker 3>our true you are asking me to find a woman.

0:22:12.119 --> 0:22:12.880
<v Speaker 3>Are you crazy?

0:22:15.000 --> 0:22:18.959
<v Speaker 1>But sah, he's an optimist. He knows he's asking too

0:22:19.080 --> 0:22:24.200
<v Speaker 1>much of Daoude, but he's also got a lead, an

0:22:24.240 --> 0:22:29.600
<v Speaker 1>aspiring politician, and he says, just talk to her.

0:22:31.280 --> 0:22:36.560
<v Speaker 3>She was like shocked, what are we talking about. I'm

0:22:36.600 --> 0:22:39.320
<v Speaker 3>not a musician. I'm not a good choice for this.

0:22:40.680 --> 0:22:43.920
<v Speaker 1>But as Daoude keeps talking to her, he sees an opening.

0:22:44.600 --> 0:22:49.120
<v Speaker 3>I said, okay, I see you in a different interviews

0:22:49.840 --> 0:22:52.439
<v Speaker 3>and says thing about the presence of women and the

0:22:52.480 --> 0:22:56.560
<v Speaker 3>society in media and politics and all the things. If

0:22:56.600 --> 0:23:01.760
<v Speaker 3>you are not participating, then tomorrow, don't blame me if

0:23:01.800 --> 0:23:06.119
<v Speaker 3>I don't have any lady, any representative of women in

0:23:06.119 --> 0:23:06.520
<v Speaker 3>my show.

0:23:07.840 --> 0:23:11.760
<v Speaker 1>One guilt trip later and she's on board. That's one

0:23:11.840 --> 0:23:16.200
<v Speaker 1>judge down. Then Daoud's colleague suggests an old singer from

0:23:16.240 --> 0:23:18.520
<v Speaker 1>the villages, so Daoud gives him a call.

0:23:18.720 --> 0:23:20.840
<v Speaker 3>He just cuted me in the middle and said, you

0:23:20.880 --> 0:23:23.360
<v Speaker 3>guys are paying me. I said yes. He said, don't

0:23:23.359 --> 0:23:25.800
<v Speaker 3>worry about don't explain to me. I will come whatever

0:23:25.840 --> 0:23:26.679
<v Speaker 3>the show is.

0:23:27.480 --> 0:23:29.800
<v Speaker 1>He's so in need of money that he doesn't even

0:23:29.880 --> 0:23:31.359
<v Speaker 1>let Daoud finish his pitch.

0:23:31.520 --> 0:23:34.240
<v Speaker 3>Okay, I have two judges, he.

0:23:34.320 --> 0:23:37.480
<v Speaker 1>Just needs three to pull this off. So he approaches

0:23:37.600 --> 0:23:38.760
<v Speaker 1>a local music shop.

0:23:38.800 --> 0:23:42.719
<v Speaker 3>On it there was a guy he was okay singer

0:23:42.760 --> 0:23:46.200
<v Speaker 3>and he had a very good music instrument shop.

0:23:46.840 --> 0:23:49.679
<v Speaker 1>He also just released a song that was playing on TV,

0:23:49.880 --> 0:23:55.200
<v Speaker 1>which for Daoude is good enough. Daoud consults his Australian

0:23:55.240 --> 0:24:00.560
<v Speaker 1>Idol DVDs. He's officially checked off the first item find judges.

0:24:01.720 --> 0:24:11.040
<v Speaker 1>Now it's time for the fun part. Chapter four, Meet

0:24:11.080 --> 0:24:17.040
<v Speaker 1>the Stars. On audition day, Daoud is up early. He's

0:24:17.080 --> 0:24:18.679
<v Speaker 1>heading into the city center.

0:24:18.920 --> 0:24:22.320
<v Speaker 3>And rented one of the biggest rooms of this five

0:24:22.400 --> 0:24:24.679
<v Speaker 3>star hotel and in the middle of Coobol.

0:24:24.720 --> 0:24:27.520
<v Speaker 1>At that time, Daoud is thinking it's only been about

0:24:27.600 --> 0:24:30.680
<v Speaker 1>three years since the Taliban were in power. He has

0:24:30.760 --> 0:24:33.400
<v Speaker 1>no idea if even ten people will show up.

0:24:34.119 --> 0:24:39.760
<v Speaker 3>I went there at eight forty five. When I get close,

0:24:40.119 --> 0:24:43.879
<v Speaker 3>the streets are jammed. I thought, okay, Cobbol is a

0:24:43.880 --> 0:24:46.800
<v Speaker 3>big city, maybe that's normal traffic, but this is an

0:24:46.880 --> 0:24:50.480
<v Speaker 3>unusual jam.

0:24:50.640 --> 0:24:53.920
<v Speaker 1>Daoud elbows his way through the crowds, thinking what is

0:24:54.000 --> 0:24:56.200
<v Speaker 1>going on? He can't work it out.

0:24:56.440 --> 0:24:59.000
<v Speaker 3>Oh my god, police is there? Security is there?

0:24:59.040 --> 0:24:59.760
<v Speaker 9>This is a chaos.

0:25:00.720 --> 0:25:04.200
<v Speaker 1>As Thoud gets closer to the hotel, he realizes that

0:25:04.400 --> 0:25:07.000
<v Speaker 1>all of this chaos is his fault.

0:25:08.640 --> 0:25:12.119
<v Speaker 3>And now I see a big crowd of people in

0:25:12.160 --> 0:25:13.040
<v Speaker 3>front of the hotel.

0:25:13.760 --> 0:25:17.560
<v Speaker 1>These people have heard his advertisements and they've come to audition.

0:25:18.320 --> 0:25:21.200
<v Speaker 1>Plus they brought all their friends and family for support.

0:25:21.440 --> 0:25:24.360
<v Speaker 3>Security. If the hotel is so angry on us, like,

0:25:24.720 --> 0:25:27.040
<v Speaker 3>you guys are crazy? What's going on with you? What

0:25:27.080 --> 0:25:29.720
<v Speaker 3>type of show is this? What you guys are doing?

0:25:30.320 --> 0:25:33.480
<v Speaker 1>Hundreds of people have turned up and now they're all

0:25:33.520 --> 0:25:35.080
<v Speaker 1>crammed into the hotel lobby.

0:25:35.520 --> 0:25:38.040
<v Speaker 3>We had space for one hundred and twenty people. We

0:25:38.200 --> 0:25:42.160
<v Speaker 3>got these people and we took them upstairs and started

0:25:42.160 --> 0:25:42.680
<v Speaker 3>the audition.

0:25:43.520 --> 0:25:46.399
<v Speaker 1>The judges are sitting side by side at a long table.

0:25:47.160 --> 0:25:49.679
<v Speaker 1>On the wall behind them is a red banner with

0:25:49.720 --> 0:25:52.960
<v Speaker 1>a few yellow stars scattered across it and images of

0:25:53.040 --> 0:25:56.719
<v Speaker 1>men and women singing into microphones. This is about as

0:25:56.800 --> 0:25:59.840
<v Speaker 1>close as he can get to Australian idol on his budget.

0:26:00.680 --> 0:26:03.960
<v Speaker 1>One by one, people step into the room to audition.

0:26:04.720 --> 0:26:07.480
<v Speaker 3>Some of them were dancing, some of them were singing

0:26:07.560 --> 0:26:10.080
<v Speaker 3>like English songs. Some of them like Indian songs.

0:26:11.440 --> 0:26:12.520
<v Speaker 1>There's just one problem.

0:26:12.880 --> 0:26:19.000
<v Speaker 3>They thought they are very good singers, genuinely, but they

0:26:19.000 --> 0:26:20.040
<v Speaker 3>were terrible singers.

0:26:21.040 --> 0:26:28.119
<v Speaker 1>Got me Hevy lights On Gote heavy light us On,

0:26:39.680 --> 0:26:48.840
<v Speaker 1>I why why His Australian Idol DVDs have taught him

0:26:49.119 --> 0:26:51.720
<v Speaker 1>that terrible singing is a big part of what makes

0:26:51.800 --> 0:26:56.360
<v Speaker 1>these shows great. Everyone knows the audience loves shower singers

0:26:56.400 --> 0:26:59.640
<v Speaker 1>and karaoke hogs and people who think they're great because

0:26:59.640 --> 0:27:04.560
<v Speaker 1>they're says they are. But as contestant after contestant walks

0:27:04.640 --> 0:27:08.120
<v Speaker 1>up to the mic belting out awful sounds, that dude

0:27:08.359 --> 0:27:11.520
<v Speaker 1>starts to get nervous. Where were the people you could

0:27:11.600 --> 0:27:12.399
<v Speaker 1>actually root for?

0:27:20.520 --> 0:27:21.879
<v Speaker 2>No no, no, no no no no no no no

0:27:22.280 --> 0:27:24.080
<v Speaker 2>no no no no no no no no no no.

0:27:27.720 --> 0:27:30.760
<v Speaker 1>But just when all seems lost, like the show might

0:27:30.880 --> 0:27:33.800
<v Speaker 1>fail because no one here can hold a tune, a

0:27:33.920 --> 0:27:37.399
<v Speaker 1>young guy steps in front of the judges.

0:27:37.840 --> 0:27:48.760
<v Speaker 2>Zendiggiecausafer, Hey, you casufer.

0:27:48.119 --> 0:27:48.679
<v Speaker 1>Koy some.

0:27:50.240 --> 0:28:02.040
<v Speaker 2>Johnny Coy John Hey you can yes Sie the girl.

0:28:04.280 --> 0:28:07.760
<v Speaker 1>And Daou thinks this is who I've been waiting for.

0:28:09.040 --> 0:28:09.720
<v Speaker 7>Gooy so.

0:28:11.280 --> 0:28:18.879
<v Speaker 2>Johnny goodie joy.

0:28:35.000 --> 0:28:38.280
<v Speaker 1>Hey, it's John Legend If you've been listening, you already

0:28:38.400 --> 0:28:42.640
<v Speaker 1>know that Afghanstar is a tale of resistance and hope.

0:28:43.160 --> 0:28:47.360
<v Speaker 1>For fifteen years, Afghanstar was a beacon, but when the

0:28:47.480 --> 0:28:51.400
<v Speaker 1>Taliban returned to power, they shut the show down along

0:28:51.480 --> 0:28:55.760
<v Speaker 1>with so many Afghan rights. They banned music, education for

0:28:55.920 --> 0:28:59.240
<v Speaker 1>girls and women, and they continue to clamp down on

0:28:59.520 --> 0:29:03.640
<v Speaker 1>everyone freedoms. But there are ways to show your support.

0:29:04.120 --> 0:29:08.280
<v Speaker 1>We've teamed up with AWA Studios and their incredible graphic

0:29:08.480 --> 0:29:12.440
<v Speaker 1>artists to illustrate some of the most extraordinary moments in

0:29:12.600 --> 0:29:16.920
<v Speaker 1>this podcast. There is a unique print for each episode,

0:29:17.360 --> 0:29:21.520
<v Speaker 1>bringing to life powerful moments that are moving and inspiring,

0:29:22.200 --> 0:29:25.960
<v Speaker 1>and there's an unforgettable print based on a painting from

0:29:26.040 --> 0:29:31.560
<v Speaker 1>superstar artist Raza that represents the spirit of hope embodied

0:29:31.600 --> 0:29:35.240
<v Speaker 1>by the show. Art and music have the power to

0:29:35.520 --> 0:29:39.720
<v Speaker 1>uplift us all, and ordering a work for yourself or

0:29:39.840 --> 0:29:44.320
<v Speaker 1>as a gift help support Afghans. With every purchase, we'll

0:29:44.360 --> 0:29:47.760
<v Speaker 1>be donating to the Nore Initiative, a nonprofit working to

0:29:47.880 --> 0:29:53.520
<v Speaker 1>ensure that every Afghan girl has access to education and opportunity.

0:29:55.160 --> 0:29:59.480
<v Speaker 1>For more information on our collaboration with AWA, the artworks

0:29:59.520 --> 0:30:03.960
<v Speaker 1>available to listeners and to learn more about the NORE Initiatives'

0:30:04.000 --> 0:30:09.040
<v Speaker 1>efforts to educate, support independent media, and transform lives across

0:30:09.200 --> 0:30:12.600
<v Speaker 1>the region. Head to the link in our show notes below,

0:30:17.080 --> 0:30:32.520
<v Speaker 1>Chapter five. Shakib had.

0:30:37.280 --> 0:30:42.680
<v Speaker 2>I was driving a van, you know like Uber and Lyft.

0:30:43.920 --> 0:30:48.600
<v Speaker 2>While I driving, I was singing a lot and there

0:30:48.760 --> 0:30:51.400
<v Speaker 2>was the passengers always saying like, oh you have a

0:30:51.480 --> 0:30:52.040
<v Speaker 2>good advice.

0:31:00.360 --> 0:31:08.720
<v Speaker 1>Oh no leg In the behind the scenes biographies you

0:31:08.800 --> 0:31:12.080
<v Speaker 1>get about contestants on reality shows, you often hear about

0:31:12.200 --> 0:31:15.720
<v Speaker 1>the feel good the way Shakib likes to dance to Bollywood,

0:31:16.000 --> 0:31:18.160
<v Speaker 1>the way his favorite passenger won't get out of the

0:31:18.240 --> 0:31:22.200
<v Speaker 1>car until he's done an encore. But this is not

0:31:22.760 --> 0:31:28.480
<v Speaker 1>a normal reality show. This is taking place in Afghanistan.

0:31:31.240 --> 0:31:32.680
<v Speaker 1>That is the picture.

0:31:32.800 --> 0:31:34.000
<v Speaker 2>That's my father there.

0:31:35.840 --> 0:31:38.480
<v Speaker 1>He was a peaceful person.

0:31:39.840 --> 0:31:42.640
<v Speaker 2>I you gonna tell you about something, Let me smoke

0:31:42.720 --> 0:31:45.920
<v Speaker 2>a sign, give me one minute.

0:31:48.280 --> 0:31:51.080
<v Speaker 1>Not long ago, Shakiv's father was murdered.

0:31:52.040 --> 0:31:55.120
<v Speaker 2>It's too hard if you see your father in peace,

0:31:56.560 --> 0:31:58.920
<v Speaker 2>you know, like dam dum dum, dun dumb someone coming

0:31:59.040 --> 0:32:02.360
<v Speaker 2>in sociding them. And the legs is somewhere, you know,

0:32:02.520 --> 0:32:05.080
<v Speaker 2>the head is somewhere, the body is you.

0:32:05.120 --> 0:32:11.520
<v Speaker 1>Know, like his older brother was murdered too.

0:32:13.600 --> 0:32:20.400
<v Speaker 2>My brother was always playing soccer. He was crazy about soccer. Wow,

0:32:21.400 --> 0:32:24.560
<v Speaker 2>during halftime, the rockets come there and you know, boom.

0:32:27.760 --> 0:32:31.200
<v Speaker 1>So now Shakiv is alone in providing for his mother

0:32:31.400 --> 0:32:34.840
<v Speaker 1>and sister. He thinks auditioning is a waste of time,

0:32:35.440 --> 0:32:38.160
<v Speaker 1>but his mom won't take no for an answer.

0:32:40.240 --> 0:32:42.560
<v Speaker 2>My mom, you know, took me there like case and

0:32:42.840 --> 0:32:43.400
<v Speaker 2>don't worry.

0:32:43.520 --> 0:32:47.760
<v Speaker 1>I gotta pray for you. So she drives him to

0:32:47.880 --> 0:32:51.320
<v Speaker 1>the audition with his cousins in tow and watches as

0:32:51.360 --> 0:32:56.880
<v Speaker 1>Shakiv is welcomed onto the stage by Daoud. Like many

0:32:56.920 --> 0:32:59.600
<v Speaker 1>of the contestants, Shakiv sings a song by one of

0:32:59.640 --> 0:33:04.200
<v Speaker 1>the own famous Afghan singers, Ahman Sahir a k a.

0:33:04.680 --> 0:33:08.880
<v Speaker 2>The Afghan elvis Ahmazare was my favorite.

0:33:10.560 --> 0:33:15.240
<v Speaker 1>As mama, as me.

0:33:18.760 --> 0:33:28.200
<v Speaker 4>As me, they got me.

0:33:30.600 --> 0:33:43.040
<v Speaker 2>As the matz me as mesafer me kum deblah bosi

0:33:44.640 --> 0:33:47.440
<v Speaker 2>so it they got me kum.

0:33:50.920 --> 0:33:53.680
<v Speaker 1>The judges like it so much they ask him to

0:33:53.760 --> 0:33:54.800
<v Speaker 1>perform another.

0:33:55.000 --> 0:34:04.520
<v Speaker 2>And then I sing farhad daya song mm hmm, blundyitoza

0:34:06.440 --> 0:34:15.600
<v Speaker 2>javonido and they was like, make noises like that.

0:34:17.200 --> 0:34:18.840
<v Speaker 3>Over to Mamo all along the.

0:34:25.280 --> 0:34:29.480
<v Speaker 1>A smile spreads across his face. Shakid is a natural

0:34:30.640 --> 0:34:35.120
<v Speaker 1>and with that, Afghanstar has its first real contender.

0:34:35.600 --> 0:34:39.360
<v Speaker 2>When I was selected, you know, like my mom was crying.

0:34:39.680 --> 0:34:40.640
<v Speaker 1>She was so happy.

0:34:43.280 --> 0:34:47.320
<v Speaker 2>She was like hugging me and saying, Snai, proud of you.

0:34:47.480 --> 0:34:48.320
<v Speaker 1>I I knew it.

0:34:48.560 --> 0:34:49.320
<v Speaker 2>You're gonna make it.

0:34:57.920 --> 0:35:06.840
<v Speaker 1>Chapter six, the race. Too many people have shown up

0:35:06.880 --> 0:35:10.480
<v Speaker 1>for the audition. Daoud has hundreds of contestants on tape,

0:35:10.880 --> 0:35:14.600
<v Speaker 1>but people are still queuing outside begging to be heard.

0:35:15.800 --> 0:35:20.400
<v Speaker 1>Before long, Dawood has to reverse course. All the advertisements

0:35:20.440 --> 0:35:23.040
<v Speaker 1>telling people to come an audition are pulled from TV

0:35:23.200 --> 0:35:26.239
<v Speaker 1>and radio and they're replaced with the opposite.

0:35:28.280 --> 0:35:33.120
<v Speaker 3>And we made I advertise to people that please don't come.

0:35:34.000 --> 0:35:37.319
<v Speaker 3>The show is finished, the recording is done, Please don't

0:35:37.360 --> 0:35:38.520
<v Speaker 3>come to this area.

0:35:40.560 --> 0:35:43.400
<v Speaker 1>Dawoud feels good about his recordings. He has all the

0:35:43.480 --> 0:35:46.760
<v Speaker 1>tape he needs, but now he's got an even bigger

0:35:47.040 --> 0:35:51.160
<v Speaker 1>task editing. The first episode is airing in just a

0:35:51.239 --> 0:35:53.239
<v Speaker 1>few days now.

0:35:53.440 --> 0:35:56.960
<v Speaker 3>I have like tons of footage in front of me

0:35:57.040 --> 0:35:59.759
<v Speaker 3>and I need to make a show from this. A

0:36:00.160 --> 0:36:05.200
<v Speaker 3>huge responsibility. Oh my god, I have like a mountain

0:36:05.440 --> 0:36:06.640
<v Speaker 3>on my shoulders.

0:36:07.840 --> 0:36:11.399
<v Speaker 1>And right now that mountain is looking. Mount ever is tall.

0:36:12.200 --> 0:36:15.000
<v Speaker 1>Remember this is two thousand and five, so before they

0:36:15.040 --> 0:36:18.080
<v Speaker 1>can edit anything, they need to transfer the footage to

0:36:18.120 --> 0:36:21.759
<v Speaker 1>their computers. And these aren't high tech machines. They're doing

0:36:21.880 --> 0:36:24.560
<v Speaker 1>this on a shoe string, so it takes them two

0:36:24.840 --> 0:36:30.399
<v Speaker 1>full days. Time is slipping away. That wood is frantically editing.

0:36:30.640 --> 0:36:32.759
<v Speaker 1>He doesn't even have time for sleep.

0:36:33.280 --> 0:36:37.160
<v Speaker 3>And nine pm we need to have a show on

0:36:37.280 --> 0:36:40.919
<v Speaker 3>air because we already advertised Afgne Star Show is coming.

0:36:41.480 --> 0:36:44.600
<v Speaker 1>But it's eleven am and only half of the show

0:36:44.760 --> 0:36:45.240
<v Speaker 1>is rending.

0:36:45.920 --> 0:36:48.680
<v Speaker 3>I have the bit stress. I have like working under

0:36:48.800 --> 0:36:53.160
<v Speaker 3>the hardest stress in my life at that moment, especially

0:36:53.239 --> 0:36:56.800
<v Speaker 3>after twelve o'clock, when whenever the time is getting close,

0:36:57.320 --> 0:36:59.000
<v Speaker 3>my dispressure goes up.

0:37:01.560 --> 0:37:08.680
<v Speaker 1>After a few hours, thou would starts to relax, but

0:37:08.840 --> 0:37:12.160
<v Speaker 1>then he realizes he's missing something.

0:37:12.880 --> 0:37:15.520
<v Speaker 3>Where is the beginning and end of the show? My god,

0:37:15.760 --> 0:37:18.840
<v Speaker 3>I don't have announcement to say, Hi, welcome to afghanist

0:37:18.880 --> 0:37:21.640
<v Speaker 3>Our show. I am the Ouzedigree. This is the first time.

0:37:22.040 --> 0:37:23.280
<v Speaker 3>Thank you so much for watching.

0:37:24.680 --> 0:37:27.800
<v Speaker 1>In the chaos of the auditions, they forgot to record

0:37:27.960 --> 0:37:28.759
<v Speaker 1>an intro.

0:37:28.920 --> 0:37:33.640
<v Speaker 3>Like I have two three hours to the show. Being aired,

0:37:34.120 --> 0:37:37.759
<v Speaker 3>but slowly, slowly getting darker. And it's Friday that most

0:37:37.840 --> 0:37:39.560
<v Speaker 3>of our colleagues left the office.

0:37:40.800 --> 0:37:43.400
<v Speaker 1>That gets up from his desk and starts running around

0:37:43.400 --> 0:37:46.120
<v Speaker 1>the office looking for someone to help. But everyone who

0:37:46.200 --> 0:37:49.080
<v Speaker 1>knows how to operate a camera has gone home except

0:37:49.080 --> 0:37:52.399
<v Speaker 1>for one guy, a cameraman who works for the news team.

0:37:53.239 --> 0:37:55.360
<v Speaker 3>Okay, ask him, you need to come with me. He

0:37:55.560 --> 0:37:58.440
<v Speaker 3>was not interested. They need to talk to my manager.

0:37:58.760 --> 0:38:00.760
<v Speaker 3>I said, just take your camera.

0:38:01.200 --> 0:38:01.680
<v Speaker 1>You're Mike.

0:38:02.000 --> 0:38:02.880
<v Speaker 3>Come with me, please.

0:38:04.440 --> 0:38:07.320
<v Speaker 1>That would cannot believe he's wasting the last minutes of

0:38:07.440 --> 0:38:10.280
<v Speaker 1>daylight trying to persuade this guy to roll some film.

0:38:10.920 --> 0:38:15.200
<v Speaker 3>We drove to this hotel again, but that would needs.

0:38:15.040 --> 0:38:17.200
<v Speaker 1>The opener to be stylish, so he makes a pit

0:38:17.280 --> 0:38:18.959
<v Speaker 1>stop at a nearby music store.

0:38:19.080 --> 0:38:22.440
<v Speaker 3>I got one of the guitars in my shoulder. I

0:38:22.560 --> 0:38:25.120
<v Speaker 3>kind of make a style for myself for the first show,

0:38:25.680 --> 0:38:30.719
<v Speaker 3>and I basically recorded my introduction in this hotel. Run

0:38:31.320 --> 0:38:33.880
<v Speaker 3>back to Tolo TV and put it in front.

0:38:33.640 --> 0:38:34.080
<v Speaker 2>Of the show.

0:38:39.120 --> 0:38:42.359
<v Speaker 1>The show is airing at nine PM, and now at

0:38:42.400 --> 0:38:45.520
<v Speaker 1>two minutes before nine, they only have the first twelve

0:38:45.600 --> 0:38:47.480
<v Speaker 1>minutes lined up and ready to go.

0:38:47.920 --> 0:38:50.840
<v Speaker 3>I'm running between the control room and the editor like,

0:38:51.080 --> 0:38:52.960
<v Speaker 3>or you finish, please export, please.

0:38:52.880 --> 0:38:56.120
<v Speaker 1>But the computers are moving too slowly. Part two of

0:38:56.200 --> 0:38:59.040
<v Speaker 1>the show isn't ready and the ads are almost over.

0:39:00.120 --> 0:39:03.720
<v Speaker 1>Is racing between rooms begging people to just export whatever

0:39:03.840 --> 0:39:04.120
<v Speaker 1>they have.

0:39:04.719 --> 0:39:07.719
<v Speaker 3>We put some extra advertisement to give us a little

0:39:07.719 --> 0:39:08.120
<v Speaker 3>bit of time.

0:39:08.600 --> 0:39:11.200
<v Speaker 1>They start patting the show with extra ads to give

0:39:11.239 --> 0:39:14.399
<v Speaker 1>them cushion. Part two is ready, it goes on air,

0:39:14.800 --> 0:39:17.879
<v Speaker 1>but Part three is so far behind, so they play

0:39:17.960 --> 0:39:22.160
<v Speaker 1>more commercials. They do that over and over again. Daoud's

0:39:22.200 --> 0:39:23.959
<v Speaker 1>blood pressure is through the roof.

0:39:24.640 --> 0:39:27.759
<v Speaker 3>Basically, I run from the control room and edit room

0:39:28.320 --> 0:39:33.040
<v Speaker 3>for the entire show, and the show was aired, and

0:39:33.440 --> 0:39:43.000
<v Speaker 3>I'm exhausted, so I don't care about anything right now.

0:39:43.120 --> 0:39:45.719
<v Speaker 3>I just delivered the show. It's fine. I didn't see

0:39:45.760 --> 0:39:48.239
<v Speaker 3>the show. I don't know what it looks like, how

0:39:48.360 --> 0:39:51.520
<v Speaker 3>it feels like, what it is. I put something on.

0:39:51.640 --> 0:40:08.719
<v Speaker 1>Air, and as you know, thou doesn't stick around to watch.

0:40:09.280 --> 0:40:14.600
<v Speaker 1>He needs to go to bed, so it won't be

0:40:14.719 --> 0:40:17.719
<v Speaker 1>until morning that he turns on his car radio and

0:40:17.840 --> 0:40:22.080
<v Speaker 1>finds out the show he just aired has kicked off

0:40:22.440 --> 0:40:23.120
<v Speaker 1>a revolution.

0:40:33.400 --> 0:40:36.560
<v Speaker 8>It was something new like never before in the history

0:40:36.560 --> 0:40:37.279
<v Speaker 8>of Afghanistan.

0:40:38.760 --> 0:40:41.920
<v Speaker 3>Moving a visor from one house to another house. It

0:40:42.200 --> 0:40:45.360
<v Speaker 3>was kind of like moving a truck full of drugs.

0:40:46.080 --> 0:40:48.720
<v Speaker 9>I think it was called Devil's Star by some people.

0:40:49.480 --> 0:40:53.359
<v Speaker 5>They actually said that my head should be cut off,

0:40:54.120 --> 0:40:56.759
<v Speaker 5>and whoever that cuts off my head and brings it

0:40:56.840 --> 0:40:58.120
<v Speaker 5>to them, they will go to heaven.

0:41:00.239 --> 0:41:02.680
<v Speaker 1>That's this season on Afghanis Stars.

0:41:05.080 --> 0:41:34.279
<v Speaker 4>Asma John Name done by Your de What do Gilia?

0:41:36.680 --> 0:41:41.560
<v Speaker 1>Afghanistar is a Kaleidoscope production in collaboration with iHeart Podcasts,

0:41:42.560 --> 0:41:46.839
<v Speaker 1>produced by samas dot Audio and hosted by me John

0:41:46.960 --> 0:41:51.840
<v Speaker 1>Legend from samas dot Audio. The series producer is Mira Kumar.

0:41:52.640 --> 0:42:01.719
<v Speaker 1>Our executive producers are Joe Sykes and Dasha Listitsina. Mix

0:42:01.880 --> 0:42:07.760
<v Speaker 1>and sound designed by Jeff Imptman, Story editing by Joe Sikes,

0:42:08.440 --> 0:42:14.320
<v Speaker 1>with original composition by Kyle Murdoch, Recording engineer Tim McClain.

0:42:16.000 --> 0:42:24.240
<v Speaker 1>Chapter artwork by A W A Studios Ramushamony from Kaleidoscope.

0:42:24.480 --> 0:42:29.600
<v Speaker 1>The executive producers are Kate Osborne, Mengesh Hatikadur Oz Volisian

0:42:29.880 --> 0:42:34.720
<v Speaker 1>and Costas Linos from iHeart. The executive producers are Ali

0:42:34.840 --> 0:42:39.320
<v Speaker 1>Perry and Katrina Norbel. Social Media by Dara Potts and

0:42:39.400 --> 0:42:50.240
<v Speaker 1>Vaheeny Shoori Special Thanks to Tom Freston, Lizzie Jacobs, Will Pearson,

0:42:50.600 --> 0:42:55.520
<v Speaker 1>Carrie Lieberman, Nikki Etore, Bob Pittman, John Sykes, con O

0:42:55.680 --> 0:43:00.239
<v Speaker 1>Byrne Sad Mussenni and the Moussenni family, Matthew Anderson, an

0:43:00.400 --> 0:43:18.840
<v Speaker 1>Axo Alonso, whoa, oh, thank you