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Speaker 1: AT ANDT Fiber presents a straightforward moment. You're one. Thanks,

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Speaker 1: I'll pretend I know what I'm doing before saying it's good,

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Speaker 1: and I'll pretend I don't know you're pretending. Are you

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Speaker 1: hypergig retails. Yo yo Yo. Welcome to another episode of

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Speaker 1: is Up There Podcast? I am your active and attractive

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Speaker 1: hosts who another episode of the fastest growing podcasts in

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Speaker 1: the world. I really stand on that a lot of

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Speaker 1: people starting to say that I think the content and

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Speaker 1: the community rarely has this kind of engagement with one another.

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Speaker 1: I think is very rare. We see something that comes

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Speaker 1: with the level of force that this contains, but also

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Speaker 1: the the level of information that's available in this It's

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Speaker 1: a sweet science that I think people are starting to

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Speaker 1: recognize and I couldn't be happier. And I'm so grateful, thankful,

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Speaker 1: I'm lucky. You know. Being smart, in my opinion, is

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Speaker 1: being able to identify opportunity. Sometimes it ain't what you know.

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Speaker 1: It's just because you can have all the information in

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Speaker 1: the world and not know when to move on it.

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Speaker 1: Half of it is knowing when to move on it.

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Speaker 1: Half of it is understanding. Look, I can't set a

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Speaker 1: destination before I leave the shore. I gotta say, and

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Speaker 1: I'm taking off, and there I can worry about. We're

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Speaker 1: going left, were headed to Alanna. We headed the Florida.

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Speaker 1: Like a lot of times, I just head in the

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Speaker 1: general general direction. When I'm even on the road. Right,

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Speaker 1: let's say I'm driving and it's for a while, I'm like,

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Speaker 1: all right, we're going towards a Lanna hit twenty four

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Speaker 1: and then put it into GPS about twenty minutes out.

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Speaker 1: Whatever's happening is going this way right, And Yo, I'm

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Speaker 1: just so thankful and so lucky. You know what I'm

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Speaker 1: saying the dance that I'm doing right now. Man, I

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Speaker 1: just hope to stay pure for y'all. You know, stay away,

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Speaker 1: stay alert, create content that people continue to enjoy you

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Speaker 1: know that adds some kind of substance into their YouTube algorithm.

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Speaker 1: You understand me outside of just talking bullsh you know,

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Speaker 1: we actually getting to the meeting potatoes of things over

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Speaker 1: here man and resonating with the bosses, with the streets,

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Speaker 1: with the I tell, I tell the podcast guys when

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Speaker 1: I run into them. You know, they know you on

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Speaker 1: the internet, but they know me and the traps and

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Speaker 1: some of the darkest of places. I brain light bro,

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Speaker 1: and I was just say baby untrapped premiere, shout out

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Speaker 1: Pete Baby, coach, Caterhole Squad, and I was thinking about that, Man,

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Speaker 1: when you can shine in the dog, it's way different

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Speaker 1: than light, mean more than the dog. You see what

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Speaker 1: you see, what your flashlight is worth when you go

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Speaker 1: outside and it's sunny, it's the same flashlight. But then

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Speaker 1: the dog, it means so much. Most so, when this

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Speaker 1: come from nothing right, turn nothing into something the impossible,

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Speaker 1: make it possible. It's a situation that ought to be

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Speaker 1: applauded if you ain't a hater. But I know a

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Speaker 1: lot of will to do people, specially industry people. They're

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Speaker 1: really gone. That's why I love Man. When I was

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Speaker 1: just at that premien, just seeing out the black people

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Speaker 1: that's in position, that labels and Amazon and all of

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Speaker 1: us is in there, and it's this situation like everybody's

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Speaker 1: showing love. Same thing when the Tavo had me over

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Speaker 1: the revote the crew League, I'm like, Yo, this is

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Speaker 1: just love from black people making money in this space. Right,

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Speaker 1: There ain't really that much disconnect that's happening. It's still

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Speaker 1: a little bit of disconnect because we're not as comfortable

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Speaker 1: as we could be around black people that's in position.

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Speaker 1: Let's talk about that. See when we in our rarest

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Speaker 1: form right Like right now, you see how I'm kicking

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Speaker 1: high level game. When sometimes you get around black people

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Speaker 1: that's in position and you don't you don't know if

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Speaker 1: they've done disconnected from understanding that this is necessarius, the

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Speaker 1: medicine and the candidate. Right, So do they take that

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Speaker 1: and blanket that around me and marginalize me? And I

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Speaker 1: understand the market in the same way I understand it

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Speaker 1: now with them being in position, it gives me an

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Speaker 1: opportunity to sit here in one day. Am I wrong?

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Speaker 1: Because a lot of times in our mind we think

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Speaker 1: positions speak to knowledge. Right, You're the one that's green

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Speaker 1: lighting or making a situation better for a creator. So

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Speaker 1: now we're thinking him he might know a little more

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Speaker 1: than me when he tell me turn it up a

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Speaker 1: little more with that camera. Now, been in the game

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Speaker 1: a long time, they call him an expert, So you

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Speaker 1: got to consider that. But at the same time, you

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Speaker 1: your rags form gotta idea of why you went that

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Speaker 1: way that you don't think it's reasonable enough to explain

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Speaker 1: or it maybe a disconnect that right, So sometimes when

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Speaker 1: we get around the people, even of our color, that

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Speaker 1: position still provides a disconnect. Right. And so as I

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Speaker 1: get into the industry and watch us in real time,

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Speaker 1: search for that connection from our rappers I entertain, as

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Speaker 1: our podcasters, I DJs, right, I exist to try to

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Speaker 1: connect with companies in a way that's mutually beneficial for

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Speaker 1: both sides. Right. And it's an environment in which the

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Speaker 1: culture be captured in a way that rarely can be done,

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Speaker 1: and so you gotta respect it. But it's always a

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Speaker 1: little disconnect. You don't get the same loon you get

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Speaker 1: when I'm with the homies. When it's Amazon, the black

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Speaker 1: people at the Amazon, because it's Monday's State, whatever company

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Speaker 1: it might be. I won't even say Amazon, just whatever

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Speaker 1: company might be. You know, I'm kind of giving y'all

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Speaker 1: the edited version of it because I know that the

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Speaker 1: raw version is risky for y'all. You understand, and with

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Speaker 1: that knowledge, I'm not doing nothing risk say about the money.

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Speaker 1: So I button it up a little bit and I

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Speaker 1: sit back. But again, understanding the opportunity, in my opinion,

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Speaker 1: is what makes you smart. I look at myself and

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Speaker 1: what direction I'm heading. Then I relian. The speed at

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Speaker 1: this point don't matter. We understand that this right here

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Speaker 1: is worth something. Just keep it up. So the speed

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Speaker 1: is no longer even important. Now it's about understanding opportunities.

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Speaker 1: But as you're on your way up, and it's like

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Speaker 1: this weird exchange of power, this weird exchange of positions

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Speaker 1: that black creators tend to create against each other, right,

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Speaker 1: meaning me coming up? Is you moving down? There's this

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Speaker 1: thing that happens where people and then the tainment don't

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Speaker 1: want to pass the paton even if it's burning in

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Speaker 1: their hands. Right, they didn't got out of juice. I

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Speaker 1: can get out that apple. It's over with. They won't

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Speaker 1: accept it. They're ready to go down with the ship

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Speaker 1: and let hip hop take a hit. Let Podcasting as

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Speaker 1: a whole. Take a hit for somebody. Let up off

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Speaker 1: to get yo pasta put you yo? What are you doing?

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Speaker 1: Y'all don't have no hustle for real? I see why? Yeah,

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Speaker 1: I see why. Y'all don't want to let it go.

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Speaker 1: Y'all ain't hustless. Y'all chasing the game. Y'all don't know

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Speaker 1: nothing about investments. Y'all don't know nothing about stocks and bonds,

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Speaker 1: providing their lifestyle off a big coin and other JV

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Speaker 1: opportunities that you may not even be awale right, whether

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Speaker 1: that be in the truck and field or whatever field

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Speaker 1: it may be in. I don't they know it's rapped

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Speaker 1: no matter what happing, keep rapping, rap rap rap, rap

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Speaker 1: your way out of or wrap your way out of.

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Speaker 1: You need to stop rapping, start hustling, and stop rapping

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Speaker 1: and start hustling. What be wrong? What do you do?

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Speaker 1: You ain't say, say, Bro, you've been in the game

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Speaker 1: twenty five years. You can't keep telling me you're dropping

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Speaker 1: the album this year unless it's clear that you didn't

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Speaker 1: made it and this ain't a necessity for you. If

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Speaker 1: you look like you over sweating lifting boxes, that gets fifty.

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Speaker 1: We got a problem with your hustle all them years

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Speaker 1: you were supposed to be on fire. See, I'm here

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Speaker 1: to talk to when they're on fire. A lot of

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Speaker 1: loose site when they get on fire. Man, Look at

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Speaker 1: jay nelm look it did it? Look at bird Man?

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Speaker 1: Look at anybody that doesn't lasted long. How many millionnaires

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Speaker 1: you don't made? Don't nobody give a because you made

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Speaker 1: yourself a million? Non Self preservation is the first loss

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Speaker 1: of vival. A boss makes sure that every you get it.

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Speaker 1: You understand how many millionnaires, how many bigionnaires, how many

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Speaker 1: successful ventures come from a bundle your umbrella? How many

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Speaker 1: lossest you don't took, because I know you don't took

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Speaker 1: more losses than your head games. That's just how this

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Speaker 1: game go. If you don't understand that much, I'm already

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Speaker 1: to loss. Shoot, you're probably saying, what is he timin

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Speaker 1: right now? But those of you that's on top of

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Speaker 1: the game, you're saying, I'm with you, let's keep it moving.

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Speaker 1: But see, I don't wrestle with reality. The problem I'm

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Speaker 1: telling y'all is that a lot of these industries getting

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Speaker 1: these positions and go to hiding the information, going to

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Speaker 1: the cut with the information. See I'm smart enough to

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Speaker 1: see him going on the tucking roll. See I come

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Speaker 1: from with when you're shooting dice neck shooting, and I'm

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Speaker 1: watching the name keeps stuffing. It's his money, but it's

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Speaker 1: my money, and he's stuffing. See these industry, a bunch

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Speaker 1: of them stuff and see I'm one of them gambling

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Speaker 1: that as long as I might. Here we getting down.

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Speaker 1: I ain't trying to this ain't paying my bills. I

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Speaker 1: ain't one of them, dumb nick I hit gambling with

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Speaker 1: my bill money. So this is yeah, I'm men, whatever happened,

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Speaker 1: let's do And I'm gambling. And I'm not talking about

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Speaker 1: the people that's in position making money. I'm talking about

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Speaker 1: the people that's at the front of the tunnel that

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Speaker 1: can get you to give that little information to get

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Speaker 1: you to the next step. It's a lot of people

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Speaker 1: builder that's in that little position, and they still squeezing

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Speaker 1: money out of the industry. They're doing conventions and trying

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Speaker 1: to write, so it's a it's a hustle for them.

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Speaker 1: It's badly making And I ain't talking about then there's

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Speaker 1: clearly they brands is solidified. This ain't none of that.

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Speaker 1: I'm telling you know what I'm talking about. It if

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Speaker 1: you had to really come up on your own and

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Speaker 1: didn't know rich bless you in if you had to

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Speaker 1: really come about your town and get a little information,

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Speaker 1: didn't get with some potland, you understand why I'm saying

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Speaker 1: there's a lot of people on this little equate of

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Speaker 1: the industry. At State Farm, we're committed to uplifting black futures.

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Speaker 1: In collaboration with organizations like one hundred Black Men and

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Speaker 1: National Urban League, State Farm provides high school students with

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Speaker 1: the opportunity to learn and apply best practice strategies perceiving

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Speaker 1: and investing, all while offering academic support, life skills, and

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Speaker 1: exposure to college access programs to prepare these students for

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Speaker 1: life after high school. Check out one hundred black Men

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Speaker 1: dot org and ul dot org to donate and learn more.

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Speaker 1: Like a good neighbor, State Farm is there that are

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Speaker 1: just people that didn't make it. So what tends to

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Speaker 1: happen least in my opinion, is that I'm asking why

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Speaker 1: they ain't proud or happy that I'm moving so fast,

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Speaker 1: so things are going so good, or that I'm finally

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Speaker 1: winning after all the losses out unto after all the

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Speaker 1: sacrifices they know it take to get here, because they

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Speaker 1: got here. They might have didn't get far much further,

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Speaker 1: but least they got here. And if they did it theirself,

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Speaker 1: they know what it take to get bout here. How

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Speaker 1: they ain't applauding that, I say, loon, they came clap

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Speaker 1: with one hand. They lost part of them when they

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Speaker 1: didn't get the way they thought they should have winned.

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Speaker 1: They didn't make the right decision, so they was part

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Speaker 1: of them. How they gonna want you to win when

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Speaker 1: they can't win? So, how they're gonna hope you make

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Speaker 1: it when they never made it. You're putting them in

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Speaker 1: a real, real, real situation, and bunch of these as

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Speaker 1: its suckers. Let's talk about it. See, you don't put

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Speaker 1: a sucker in a real situation, you lose. You don't

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Speaker 1: put a dog in there with cats. You don't put

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Speaker 1: a bunch of cats in there with dogs. Right, it's

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Speaker 1: just gonna be some conflict and ain't no conflict resolution.

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Speaker 1: It's just whoever died louse. So understand risk assessment and

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Speaker 1: looking at things. But I say, louone, they can't clever

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Speaker 1: with one hand. They lost part of them home. See,

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Speaker 1: I'm a firm believer that those who can and will

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Speaker 1: make it need to salute and speak to those is

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Speaker 1: trying to make it. See, it's a network, it's a network.

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Speaker 1: This is what keeps you in position. You take those

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Speaker 1: that can and will make it, no matter who speak

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Speaker 1: to them, no matter the circle. Stay and see I'm

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Speaker 1: one of them. That's some of them. But it's some

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Speaker 1: of y'all that I gotta grab out. The water didn't

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Speaker 1: dress you up. That's the only way you're gonna make it.

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Speaker 1: And when i'm downe with you, you probably fall because

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Speaker 1: you're a consumer and you ain't a hustler. You gotta

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Speaker 1: pick one. You ain't looking that life the same way

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Speaker 1: we look in that life. But you build yourself a network.

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Speaker 1: Media is the most important part of it. Media is

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Speaker 1: more important than the rappers. The rappers gonna come and go.

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Speaker 1: That media side of things. He can stay for twenty

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Speaker 1: So I got a long career ahead of me with

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Speaker 1: this if I stay, health to God willing and the creek,

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Speaker 1: don't ride like my mama say, dam I'm this far

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Speaker 1: in the podcast. Ain't told y'all where to get the video.

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Speaker 1: And this is why this is the best show in

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Speaker 1: the world. I get down, man on this show. Let

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Speaker 1: me say this, if you call yourself supporting me and

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Speaker 1: you're not on Patreon, I got a question whether you're reliable.

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Speaker 1: I usually take my people that they were. But if

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Speaker 1: you not on Patreon and call yourself true is supporting

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Speaker 1: me and you don't have it, I still salute you.

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Speaker 1: But come to patroon dot com. It's up the podcast.

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Speaker 1: Make sure that you're in a situation where you supporting

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Speaker 1: me in that way. Audio is everywhere shout out to revoke.

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Speaker 1: Make sure you're supporting that, sharing, liking, and subscribing. Make

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Speaker 1: sure that you put a five on there. Make sure

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Speaker 1: that you put you know your ratings on there so

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Speaker 1: that we can start to get tap into the algorithm.

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Speaker 1: You know, we're fighting against the computers. So make sure

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Speaker 1: y'all do that for me, man, and we'll be all right.

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Speaker 1: I'm gonna try to talk about this without getting too

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Speaker 1: fine into it, because for me it's a real sticky thing.

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Speaker 1: But I was thinking over the last couple of days,

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Speaker 1: I said, man, right, I need the young men to

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Speaker 1: understand what's that state? Right? Who right or wrong? Ain't

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Speaker 1: my opinion. I don't care nothing about that knowing this participation,

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Speaker 1: So I'm not speaking on who did what definitively. What

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Speaker 1: I'm saying is I'm giving game to the youngsters as

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Speaker 1: they watch and they view things that they may not

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Speaker 1: fully understand. And a good decision is an informed decision.

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Speaker 1: So as the young turn around and see Wrapping Lane

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Speaker 1: doing certain things without the information, Loon got to say something, right,

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Speaker 1: It ain't no disrespect to nobody. Y'all get y'all money

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Speaker 1: and do what it is y'all do for Loon gotta

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Speaker 1: always provide the other side because it's so much at state.

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Speaker 1: I'm sure don't want their sons out here falling victim

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Speaker 1: to what they feel victim too. And if you do,

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Speaker 1: I got a problem with you, because I think you're

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Speaker 1: a dangerous man. If you don't care nothing about the

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Speaker 1: next generation. They tell me, you stuck into now. And

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Speaker 1: if you're stuck in the now, you might be useless tomorrow.

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Speaker 1: I might be talking over your head, and I don't

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Speaker 1: write none down. What we do is playing for the future. Right.

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Speaker 1: We live in the moment and appreciate the moment, but

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Speaker 1: the future is the most important thing. As I speak

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Speaker 1: to the children as I speak to the game, I

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Speaker 1: think it ought to be applauded by the real name.

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Speaker 1: If you've been through this, if you got scars from this,

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Speaker 1: if you grew up on the internet, I expect you

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Speaker 1: to think it's a game. If you can block an

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Speaker 1: to you college Mama and Safe Dead Homing, I expect

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Speaker 1: you to think it's a game. But if you had

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Speaker 1: to be up close to it when you said him,

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Speaker 1: and you had to stand on that, I think you

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Speaker 1: might know what I'm saying in regards to yo. Let's

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Speaker 1: get these kids to inform decision. A matter of fact,

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Speaker 1: it's grown men, and don't got the information I got, right,

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Speaker 1: It's information I ain't got. The Jay got that p

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Speaker 1: gut that bird man got, the dame got that did it,

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Speaker 1: got that yay got. It's information out there that we

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Speaker 1: need to share. And this is my way of shame mine.

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Speaker 1: Disrespecting this is disrespecting me. She'll be disrespecting the real

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Speaker 1: But I ain't interested in who ride, and I know

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Speaker 1: it's important that I ride. So if I got to

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Speaker 1: go by myself, it'll be me and what I deemed necessary.

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Speaker 1: And if I said, I stand on it. But let's

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Speaker 1: get to what I wanted to say, when I look

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Speaker 1: at Quando in the unfortunate situation that he might have

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Speaker 1: been in, and even dirt with the losing of Vaughan

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Speaker 1: and other things them and for unfortunate situations that them

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Speaker 1: dudes is in, I say, could this being handled differently?

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Speaker 1: And see, you gotta be good to talk about these things.

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Speaker 1: So y'all don't try this right as you're gonna see

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Speaker 1: as I navigate this subject, got to do it in

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Speaker 1: a way where I'm dealing with only information and I

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Speaker 1: know how to communicate in a way where it ain't

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Speaker 1: even it's just informative. Let's leave it there. Tell me

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Speaker 1: if I'm wrong. But at first, I truly believe that

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Speaker 1: when King Vaughan died that he was kind of remorseful.

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Speaker 1: I think his energy when I when I watched could

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Speaker 1: see me man, I'd be I had to go again.

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Speaker 1: I'm getting ready to transition and do some of the

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Speaker 1: biggest in the views of my career, and I'm getting

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Speaker 1: prepared right just watching some interviews, watching some of the

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Speaker 1: grace and angeli Ye is one of them as well, y'all,

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Speaker 1: sleep owner. She's been around a while, speaks to her

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Speaker 1: durability speaks to her ability to go in and out

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Speaker 1: of lanes. But nonetheless, I was watching her a little

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Speaker 1: bit and I come across the Quando. I'm watching him

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Speaker 1: and watching his energy, watching his manner rhysms. I said, oh, man,

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Speaker 1: I know what I look like, comfortable with a killing

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Speaker 1: respectfully to Kwando y a young man. It's unfortunate that

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Speaker 1: I even can say that with confidence. So I don't

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Speaker 1: want this to be tooking as a slight. I need

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Speaker 1: this to be tooking as the understanding that both sides exist.

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Speaker 1: But as I viewed him, I say, man, I think

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Speaker 1: he don't want them. I think he was really just

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Speaker 1: like how this happened? Man, It's not like I don't

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Speaker 1: really know, like this ain't this ain't my I don't

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Speaker 1: really understand. It's just he just kind of someone's like

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Speaker 1: he understood the gravity of it. And then something happened.

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Speaker 1: And when I thought about it, I said, damn, it's

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Speaker 1: these young falling victim to the Internet. I move away

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Speaker 1: from Quando for a minute, because in response to the Internet,

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Speaker 1: you see these young It dictates the way they move,

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Speaker 1: It dictates what they say. I spoke about last week,

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Speaker 1: get an internet and make you think you bigger than

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Speaker 1: what you is. Do it captures you in a bubble, right,

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Speaker 1: So some of these people that had two and three

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Speaker 1: million followers, I'd be thinking, like, man, you ain't got

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Speaker 1: no information in that's cool, but in your mind you

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Speaker 1: the biggest thing, because in that bubble of yours, right,

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Speaker 1: you in a bubble that's inside a bubble, that's inside

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Speaker 1: a bubble. When I look at these young or like

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Speaker 1: I said, I'm off quando right now. But when I

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Speaker 1: look at the younger they grew up, they grew up

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Speaker 1: on the Internet, I understand they got a false sense

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Speaker 1: of reality. When they come to consequences of violence. It

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Speaker 1: looked fun. Then you compound the games on top of that.

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Speaker 1: Then you compound the ability to really go live and

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Speaker 1: all on your phone and all these things. Right, an

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Speaker 1: argument back in the day, man getting into it with

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Speaker 1: somebody at school, you got to meet outside at three o'clock.

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Speaker 1: They're gonna run you home. And if they run you home,

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Speaker 1: they gonna run you home every day. You're gonna have

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Speaker 1: to fight this one way or another. Nowadays they can

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Speaker 1: get away with it and move around and block people.

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Speaker 1: Create a page, make the page private, undiscoverable, no comments

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Speaker 1: left this that no dislike shone just and then you

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Speaker 1: get caught in this weird place. And what I'm basically

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Speaker 1: saying is that you always got to consider the cloth

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Speaker 1: for dealing when you harm certain people, when certain things happened,

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Speaker 1: it starts a domino effect no matter what. The police

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Speaker 1: can't stopping. It can't be stopped. It's not one of

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Speaker 1: them kind of vibes. If you turn this on is

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Speaker 1: sovl right. So with certain offenses, that creates an environment

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Speaker 1: that's uncomfortable for the person that made the decision. And

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Speaker 1: I think with the Internet, they just don't exist. At

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Speaker 1: State Farm, we're committed to uplifting black futures. In collaboration

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Speaker 1: with organizations like one hundred Black Men and National Urban League.

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Speaker 1: State Farm provides high school students with the opportunity to

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Speaker 1: learn and apply best practice strategies for saving and investing,

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Speaker 1: all while offering academic support, life skills, and exposure to

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Speaker 1: college access programs to prepare these students for life after

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Speaker 1: high school. Check out one hundred black Men dot org

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Speaker 1: and NUL dot org to donate and learn more. Like

385
00:21:51,240 --> 00:21:58,120
Speaker 1: a good neighbor, State Farm is there. So even though

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Speaker 1: we'll now get back to Quando. Even though it kind

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Speaker 1: of felt like he was apologetic, there was a time

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Speaker 1: I don't know if dirt with this and or what

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Speaker 1: happened because I didn't keep up with it, But there

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Speaker 1: was a time where it seemed like he just cut

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Speaker 1: it on, got more involved with it. He started putting

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Speaker 1: in videos what they have colored and looking like dirt

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Speaker 1: from the back and something you know, I don't Oh,

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Speaker 1: he leaning into it and let the internet trigger man.

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Speaker 1: Even let's say I scratched that out because loon, that's

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Speaker 1: the ops what you expect him to do for me?

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Speaker 1: I say, don't never do none of that, because you

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Speaker 1: fan in the flame, especially if you beefing or got

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Speaker 1: an in the involvement with it that way more paper

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Speaker 1: than you. I just told her. Being small is understanding

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00:22:47,640 --> 00:22:50,359
Speaker 1: the opportunity. You got to know you can't win this.

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Speaker 1: And if we really buckle down around him, we're dealing

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Speaker 1: with twenty four hour raine storm thunderstorm around here, right,

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00:23:00,320 --> 00:23:03,040
Speaker 1: it can get the weather can get that bad. It's

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Speaker 1: what I'm saying. But let's say you said that to

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Speaker 1: the side of yo, that loan, that's the ops. This

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00:23:08,119 --> 00:23:10,119
Speaker 1: new ways they look at it like, hey, yo, you

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00:23:10,240 --> 00:23:12,399
Speaker 1: dissed the ops online. That's part of what it is.

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00:23:12,720 --> 00:23:15,240
Speaker 1: But when you respond to your big homemade or who

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00:23:15,440 --> 00:23:18,240
Speaker 1: is viewed as a big homemade on that coast out

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Speaker 1: there that's well respected in a way, that might put

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Speaker 1: a fence around your safety. But the Internet make you

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Speaker 1: come out. Man, I ain't having nobody about no security

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Speaker 1: man who they think that's the interne You let them

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Speaker 1: say whatever, Let somebody push up. They need to down camera.

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Speaker 1: We need to show yeah, boom he gone. Even if

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Speaker 1: you're really from this, you understand that there becomes a

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Speaker 1: time where they ain't no more are they coming. It's

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Speaker 1: what to do when they come. Ain't no more is

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Speaker 1: they coming? It's get prepared when they come. If certain

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Speaker 1: things happen that involve certain people, it just turns a

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Speaker 1: different light off. But I just think the Internet involved

423
00:24:00,600 --> 00:24:04,919
Speaker 1: with the young. It just ain't a good recipe and

424
00:24:05,000 --> 00:24:07,320
Speaker 1: it's rough not to respond to it. They be getting me,

425
00:24:08,359 --> 00:24:10,760
Speaker 1: they get me, so I know it's rough not to

426
00:24:10,840 --> 00:24:13,480
Speaker 1: respect it. Ain't it ain't like I'm you know, it's rough.

427
00:24:13,600 --> 00:24:16,320
Speaker 1: Not the man now, it's a thousand people in the comments.

428
00:24:16,320 --> 00:24:18,320
Speaker 1: Tell me, my man, that seemed like edy bout it

429
00:24:19,160 --> 00:24:22,159
Speaker 1: man them two thousand people in them come in saying X,

430
00:24:22,359 --> 00:24:24,640
Speaker 1: Y and Z. Man, that seemed like ed about it. Man,

431
00:24:24,880 --> 00:24:28,280
Speaker 1: I need to say something about that. But really that

432
00:24:28,400 --> 00:24:31,200
Speaker 1: ain't about it. That's a little section of a section

433
00:24:31,320 --> 00:24:35,840
Speaker 1: of a section. Picture having that in the club. You

434
00:24:35,880 --> 00:24:37,800
Speaker 1: don't get the full You get a little piece of

435
00:24:37,880 --> 00:24:41,200
Speaker 1: the section. That got a little piece of a section. Man,

436
00:24:41,280 --> 00:24:44,200
Speaker 1: that ain't doing nothing. I can't ain't falling victim. That

437
00:24:44,400 --> 00:24:47,800
Speaker 1: keep hustling. But see when you fall victim to the internet,

438
00:24:47,840 --> 00:24:50,640
Speaker 1: and you may or may not offend someone that can

439
00:24:50,680 --> 00:24:54,080
Speaker 1: provide you offense around your safety. Now you put yourself

440
00:24:54,080 --> 00:24:58,160
Speaker 1: in a situation to need the Navy seal guys. Now

441
00:24:58,240 --> 00:25:01,160
Speaker 1: that's a whole difference. You gotta have money to get them. Guys.

442
00:25:01,240 --> 00:25:03,560
Speaker 1: Let's be clear to move with you, high rapper, move

443
00:25:03,680 --> 00:25:06,960
Speaker 1: and don't say nothing. Don't cooperate. You might got to

444
00:25:06,960 --> 00:25:08,919
Speaker 1: pay a little more. Keep your mouth shut about what

445
00:25:08,960 --> 00:25:12,640
Speaker 1: you see when you're with me. Now, don't say nothing

446
00:25:12,640 --> 00:25:15,720
Speaker 1: to know about it. We family take good care of you.

447
00:25:15,840 --> 00:25:17,879
Speaker 1: Now you might get I don't know. I'm just saying,

448
00:25:17,920 --> 00:25:20,760
Speaker 1: I'm just talking. I got a podcast. Right when you're

449
00:25:20,760 --> 00:25:23,119
Speaker 1: not as big as some of the biggest. Then you

450
00:25:23,240 --> 00:25:27,560
Speaker 1: like a lukewarm rapper. Oh man, that's a whole another obstacle.

451
00:25:27,640 --> 00:25:30,840
Speaker 1: And I all rappers still go through. See, it's a

452
00:25:30,840 --> 00:25:34,280
Speaker 1: whole another obstacle as a rapper. Now to choose who

453
00:25:34,280 --> 00:25:36,800
Speaker 1: your security gonna be, if it's not gonna be the

454
00:25:36,920 --> 00:25:41,520
Speaker 1: white boys, if it's gonna be your homeboards or from

455
00:25:41,560 --> 00:25:44,280
Speaker 1: the hood. Because really, if you come up by yourself,

456
00:25:44,320 --> 00:25:47,479
Speaker 1: you really didn't have no homeboards into it really got cracking.

457
00:25:47,720 --> 00:25:51,000
Speaker 1: And if you do, got some real homeboards, ain't no question.

458
00:25:51,040 --> 00:25:54,960
Speaker 1: As they witching, I ain't talking about them. They witch

459
00:25:55,880 --> 00:25:58,840
Speaker 1: locked in forever and never. But as you move, you

460
00:25:58,960 --> 00:26:02,399
Speaker 1: tend to raw on other people, right, and so in

461
00:26:02,520 --> 00:26:07,080
Speaker 1: that entourage who is in here? Rapp ain't much got

462
00:26:07,160 --> 00:26:09,400
Speaker 1: time to think about that. But sometime when I see

463
00:26:09,400 --> 00:26:12,920
Speaker 1: a rap who with an enteragge wool who in that

464
00:26:13,040 --> 00:26:17,240
Speaker 1: moth if he thinks everybody in there really really love him?

465
00:26:17,240 --> 00:26:20,480
Speaker 1: And now that he may be lucky balloon. I come

466
00:26:20,520 --> 00:26:25,399
Speaker 1: from a weird place. This money is a man because

467
00:26:25,440 --> 00:26:28,840
Speaker 1: a lot of times the streets think, just because they

468
00:26:28,920 --> 00:26:32,840
Speaker 1: feel like their life is on the line, they deserve

469
00:26:32,920 --> 00:26:37,400
Speaker 1: a certain level of access or some certain opportunities when

470
00:26:37,440 --> 00:26:39,879
Speaker 1: I ain't even called you your life ain't even no.

471
00:26:40,000 --> 00:26:42,200
Speaker 1: We ain't got no beef. We run around getting money

472
00:26:42,280 --> 00:26:44,080
Speaker 1: with some of the hottest people in the world. So

473
00:26:44,520 --> 00:26:46,920
Speaker 1: don't come at me like I'm hiring shooters and now

474
00:26:47,080 --> 00:26:49,920
Speaker 1: that man I got you there, I saw look over

475
00:26:49,960 --> 00:26:54,960
Speaker 1: here boy, he plays up. Yo, chill getting money, chill.

476
00:26:55,840 --> 00:26:58,959
Speaker 1: We don't need no mother problems. We got cloud chasing

477
00:26:59,080 --> 00:27:01,879
Speaker 1: DA's and our kind of running around the world. We

478
00:27:02,119 --> 00:27:07,040
Speaker 1: ain't chilled with all that. If there's a violation, there'll

479
00:27:07,080 --> 00:27:11,440
Speaker 1: be a demonstration. Outside of that, we're getting money. Let's

480
00:27:11,480 --> 00:27:14,640
Speaker 1: be cool and and and stealth mold as we move through.

481
00:27:14,720 --> 00:27:17,040
Speaker 1: Don't have much to say for making a lot of

482
00:27:17,080 --> 00:27:20,000
Speaker 1: money because some people are with you just to get

483
00:27:20,000 --> 00:27:23,800
Speaker 1: next to somebody else. No, I mean some people are

484
00:27:23,840 --> 00:27:26,679
Speaker 1: trying to get in and do and then you're around

485
00:27:26,680 --> 00:27:29,679
Speaker 1: just because I'm popping. I'm hot. You ain't even really women.

486
00:27:30,560 --> 00:27:33,479
Speaker 1: It's like, yo, this is something, but that's part of

487
00:27:33,480 --> 00:27:36,320
Speaker 1: this game. It ain't to be seun It really ain't

488
00:27:36,359 --> 00:27:38,199
Speaker 1: to be talked about it. I just talk about what

489
00:27:38,280 --> 00:27:40,960
Speaker 1: I want to talk about. They really hope I shut

490
00:27:41,080 --> 00:27:44,600
Speaker 1: up about that because there's really dangerous information I'm giving out.

491
00:27:45,000 --> 00:27:48,720
Speaker 1: You understand when I'm telling everybody with you watch just look,

492
00:27:49,480 --> 00:27:52,040
Speaker 1: especially if you're playing it right now, you're getting up

493
00:27:52,080 --> 00:27:55,960
Speaker 1: set or trying to talk and make them know you. O. Man,

494
00:27:55,960 --> 00:27:59,720
Speaker 1: it's game. You know what I'm saying. But nonetheless, but

495
00:27:59,800 --> 00:28:02,240
Speaker 1: you don't ask a hungry man to watch your food.

496
00:28:02,560 --> 00:28:06,840
Speaker 1: But the confusion enters because people have a distorted perception

497
00:28:06,960 --> 00:28:11,200
Speaker 1: on what they provide in Yo, man, you providing me security.

498
00:28:11,240 --> 00:28:14,160
Speaker 1: In my mind, you just really in the way they

499
00:28:14,320 --> 00:28:18,200
Speaker 1: my security. But I got you around and you kind

500
00:28:18,240 --> 00:28:20,399
Speaker 1: of thinking like he ain't gaming nothing. I've been holding

501
00:28:20,480 --> 00:28:24,119
Speaker 1: him down. We ain't got in one altercation? What holding down?

502
00:28:24,240 --> 00:28:26,800
Speaker 1: Just in case? I'm paying for just in case. Now

503
00:28:28,280 --> 00:28:30,919
Speaker 1: they say they love these dudes. See that's why I'm

504
00:28:30,960 --> 00:28:34,240
Speaker 1: trying to tell rap pay attention home. They say they

505
00:28:34,359 --> 00:28:37,639
Speaker 1: love y'all, and they're charging y'all for just in case

506
00:28:39,600 --> 00:28:41,920
Speaker 1: they might try to sneak up under you and thank you,

507
00:28:41,960 --> 00:28:44,840
Speaker 1: oh them, just because it might could have happened in

508
00:28:44,960 --> 00:28:48,280
Speaker 1: some circumstances when the light on, that's a real thing.

509
00:28:48,960 --> 00:28:51,840
Speaker 1: But other times when it's mild and ain't really nothing happening,

510
00:28:51,880 --> 00:28:55,440
Speaker 1: we just kind of yo, man, what y'all trying to do, man,

511
00:28:55,800 --> 00:28:58,600
Speaker 1: But I got to think about him, and I'm saying, Yo,

512
00:28:58,720 --> 00:29:01,240
Speaker 1: you gotta remember the kind of you're dealing with. Now.

513
00:29:02,200 --> 00:29:05,840
Speaker 1: You gotta always understand the cloth. I was just talking

514
00:29:05,960 --> 00:29:08,720
Speaker 1: about it. The cloth is so important. So you're dealing

515
00:29:08,760 --> 00:29:11,480
Speaker 1: with a young jump out of car, out of state

516
00:29:11,520 --> 00:29:13,720
Speaker 1: and come try to smack the sh out of the now.

517
00:29:14,440 --> 00:29:18,440
Speaker 1: Just remember that. And so usually when you that kind

518
00:29:18,440 --> 00:29:21,760
Speaker 1: of knew, you got them count. So when you go

519
00:29:21,840 --> 00:29:24,680
Speaker 1: to toning, nigga, gotta keep out letting in mind right,

520
00:29:24,760 --> 00:29:27,880
Speaker 1: whatever consequences come with all that fan in the flame

521
00:29:28,960 --> 00:29:31,920
Speaker 1: telling young and if something happened, then y'all trying to

522
00:29:31,920 --> 00:29:34,440
Speaker 1: be like, yo, we it's I to say, yo, we

523
00:29:34,520 --> 00:29:38,120
Speaker 1: really didn't mean that, though I don't know how that happened,

524
00:29:38,120 --> 00:29:40,720
Speaker 1: and we'll never be cool. But ain't gonna be no

525
00:29:40,800 --> 00:29:44,000
Speaker 1: disrespect on na in about that Wien initiate. None could

526
00:29:44,040 --> 00:29:46,760
Speaker 1: really to be honest, I'm gonna keep it all away, gangster.

527
00:29:47,200 --> 00:29:50,680
Speaker 1: For many it seemed like the Internet were flipping it, like,

528
00:29:50,800 --> 00:29:52,520
Speaker 1: I mean, I don't know what you think little tim

529
00:29:52,560 --> 00:29:54,400
Speaker 1: new posted to do. Man, it's kind of like he

530
00:29:54,440 --> 00:29:57,840
Speaker 1: will protecting the brain like it was like, damn, bro,

531
00:29:58,080 --> 00:30:01,040
Speaker 1: he really didn't know. It's like people really started to

532
00:30:01,040 --> 00:30:02,880
Speaker 1: look at it like that. But then when he started

533
00:30:03,000 --> 00:30:06,400
Speaker 1: dissing and I all led music and oh he coming

534
00:30:06,440 --> 00:30:10,680
Speaker 1: with the all's, I said, nah, that wasn't in my opinion.

535
00:30:10,720 --> 00:30:12,920
Speaker 1: If I was then take home out of being like, nah,

536
00:30:13,000 --> 00:30:14,760
Speaker 1: you can't do that, and what are we doing that for?

537
00:30:15,640 --> 00:30:19,000
Speaker 1: They're gonna cut all your money off. You think they're

538
00:30:19,000 --> 00:30:21,040
Speaker 1: gonna book you? Now, that don't make sense. We in

539
00:30:21,160 --> 00:30:24,720
Speaker 1: this the hustle, if we were gonna crash, could have

540
00:30:24,800 --> 00:30:28,320
Speaker 1: done that when when the role was small, we could

541
00:30:28,320 --> 00:30:31,200
Speaker 1: have crashed back in together. We up here close to

542
00:30:31,240 --> 00:30:35,920
Speaker 1: the billboards and we crashed. Naser fail you mission failed.

543
00:30:35,960 --> 00:30:41,760
Speaker 1: If we crashed now or at least mission restarted, we're

544
00:30:41,800 --> 00:30:45,960
Speaker 1: trying to go mission complete on it is that. Yeah,

545
00:30:46,000 --> 00:30:48,360
Speaker 1: we're trying to finish this mission here. We're trying and

546
00:30:48,400 --> 00:30:50,280
Speaker 1: get a whole bunch of money in a little bit

547
00:30:50,280 --> 00:30:54,000
Speaker 1: of time. So I'll let playing and beefing and going

548
00:30:54,120 --> 00:30:58,080
Speaker 1: back and forth on internets, yo, And sometimes you gotta

549
00:30:58,080 --> 00:31:00,680
Speaker 1: do it to protect the brand. Like me, I'm in

550
00:31:00,760 --> 00:31:03,959
Speaker 1: position to right, I can't right depending on who it is,

551
00:31:04,000 --> 00:31:06,800
Speaker 1: depending on how I feel depending on when they said,

552
00:31:06,880 --> 00:31:09,800
Speaker 1: depending on what I'm at and you know, I may

553
00:31:09,840 --> 00:31:11,920
Speaker 1: or may not come at that, but if my brain

554
00:31:12,120 --> 00:31:14,880
Speaker 1: is at state, protect the brain at all. Called. I

555
00:31:14,920 --> 00:31:17,880
Speaker 1: got so much to talk about today. Man got to

556
00:31:17,920 --> 00:31:20,840
Speaker 1: talk about the little Baby untrapped. Make sure you go

557
00:31:21,000 --> 00:31:24,440
Speaker 1: see that. I was at the premiere with them. Make

558
00:31:24,480 --> 00:31:26,560
Speaker 1: sure you go see that. That is a story that

559
00:31:26,720 --> 00:31:29,440
Speaker 1: is that I'm really interested in. I think the coature

560
00:31:29,480 --> 00:31:33,800
Speaker 1: needs to be aware that the circumstances that people like

561
00:31:34,000 --> 00:31:37,200
Speaker 1: baby crawl from. You know, a lot of our kings

562
00:31:37,240 --> 00:31:42,800
Speaker 1: come from unfortunate circumstances, which makes the story even that

563
00:31:43,000 --> 00:31:48,000
Speaker 1: more inspirational. Right when you can touch those corners of

564
00:31:48,080 --> 00:31:51,440
Speaker 1: the room, it's a special kind of broom. Take a

565
00:31:51,520 --> 00:31:54,240
Speaker 1: special kind of broom to reach the corners of the room,

566
00:31:54,400 --> 00:31:57,280
Speaker 1: you know what I'm saying. So it's a specific kind

567
00:31:57,280 --> 00:32:01,400
Speaker 1: of They can inspire cific kind of people, and I

568
00:32:01,520 --> 00:32:05,880
Speaker 1: think these kind of stores shine and light on those individuals.

569
00:32:06,360 --> 00:32:09,000
Speaker 1: We got to talk about god Da calleg drops, just

570
00:32:09,120 --> 00:32:11,960
Speaker 1: so many things, But first let's talk about the animated rapper.

571
00:32:12,520 --> 00:32:16,280
Speaker 1: Over the last couple of days, to the shock of many,

572
00:32:17,000 --> 00:32:21,680
Speaker 1: there was an AI rapper that had emerge from Capital Records.

573
00:32:22,640 --> 00:32:25,560
Speaker 1: I spoke to you guys at State Farm. We're committed

574
00:32:25,600 --> 00:32:30,160
Speaker 1: to uplifting black futures. In collaboration with organizations like one

575
00:32:30,240 --> 00:32:33,840
Speaker 1: hundred Black Men and National Urban League, State Farm provides

576
00:32:33,920 --> 00:32:36,840
Speaker 1: high school students with the opportunity to learn and apply

577
00:32:37,080 --> 00:32:41,160
Speaker 1: best practice strategies for saving and investing, all while offering

578
00:32:41,200 --> 00:32:45,560
Speaker 1: academic support, life skills, and exposure to college access programs

579
00:32:45,600 --> 00:32:49,240
Speaker 1: to prepare these students for life after high school. Check

580
00:32:49,280 --> 00:32:53,000
Speaker 1: out one hundred black Men dot org and NUL dot

581
00:32:53,240 --> 00:32:56,360
Speaker 1: org to donate and learn more. Like a good neighbor,

582
00:32:56,520 --> 00:33:02,640
Speaker 1: State Farm is there. It's about how the algorithm plays

583
00:33:02,680 --> 00:33:07,080
Speaker 1: into today's music business. Joe speaks about it a lot

584
00:33:07,120 --> 00:33:10,120
Speaker 1: of the top podcasts, understanding the market systs in that

585
00:33:10,240 --> 00:33:13,600
Speaker 1: place as we try to navigate and get shows greenlid

586
00:33:13,640 --> 00:33:17,320
Speaker 1: and just operating a very weird space on a tight

587
00:33:17,440 --> 00:33:21,360
Speaker 1: role right. Nonetheless, we will remain creative and figure it

588
00:33:21,360 --> 00:33:24,680
Speaker 1: out as we go. I don't have any doubt in that. Nonetheless,

589
00:33:24,760 --> 00:33:28,200
Speaker 1: an animated rapper called FM Meeka came out. He got

590
00:33:28,240 --> 00:33:31,240
Speaker 1: signed to a record deal that already let me know

591
00:33:31,320 --> 00:33:34,320
Speaker 1: we're playing with dangerous game. I know you learn about

592
00:33:34,320 --> 00:33:37,400
Speaker 1: the future by looking at the past. So I look

593
00:33:37,440 --> 00:33:40,840
Speaker 1: at the blueprinter record labels, and I know this whole

594
00:33:40,920 --> 00:33:47,200
Speaker 1: thing is about control, right, The whole recording contract process

595
00:33:47,360 --> 00:33:50,600
Speaker 1: is about control. How much control do we have as

596
00:33:50,640 --> 00:33:55,080
Speaker 1: we slip and lose control as artists come into information.

597
00:33:55,480 --> 00:33:57,880
Speaker 1: We now want to get ahead of that curve and

598
00:33:58,000 --> 00:34:02,480
Speaker 1: start hitting y'all with AI technology to begin with. Let

599
00:34:02,560 --> 00:34:05,400
Speaker 1: me calm down. I operate in both lanes, but I

600
00:34:05,520 --> 00:34:08,680
Speaker 1: get passionate dealing with the culture because I understand where

601
00:34:08,719 --> 00:34:11,920
Speaker 1: we sit and where we could be, and if only

602
00:34:11,960 --> 00:34:14,719
Speaker 1: we can make it halfway to where we really should be,

603
00:34:15,520 --> 00:34:18,120
Speaker 1: we're being a greater position and allow for us to

604
00:34:18,160 --> 00:34:22,080
Speaker 1: amplify more the voces, which by default of creates more

605
00:34:22,160 --> 00:34:27,040
Speaker 1: millionaires and creates more billionaires as that financial status reaches

606
00:34:27,280 --> 00:34:29,319
Speaker 1: up and up and up. And I'm just proud to

607
00:34:29,360 --> 00:34:32,680
Speaker 1: be somewhere on that line and influential in breaking some

608
00:34:32,760 --> 00:34:37,040
Speaker 1: of these doors down. But I think it's about control.

609
00:34:37,400 --> 00:34:39,640
Speaker 1: A lot of people don't understand because it can't be

610
00:34:39,680 --> 00:34:42,640
Speaker 1: a numbers thing. There's a lot of indie rappers that

611
00:34:42,719 --> 00:34:45,640
Speaker 1: deserve a deal. There's a lot of people that could

612
00:34:45,640 --> 00:34:49,680
Speaker 1: have took that budget, probably people on that label that

613
00:34:49,800 --> 00:34:52,400
Speaker 1: needed that budget. Like a matter of fact, if I'm

614
00:34:52,440 --> 00:34:54,720
Speaker 1: an artist on that label, I might be like, Wow,

615
00:34:54,840 --> 00:34:56,719
Speaker 1: didn't they drop it the next day? So all the

616
00:34:56,760 --> 00:34:59,359
Speaker 1: money y'all spent in marketing. Of course we understand tex

617
00:34:59,480 --> 00:35:03,919
Speaker 1: right off and how all that coincide. But you could

618
00:35:03,920 --> 00:35:06,439
Speaker 1: have spent that three hundred thousand on my record. That's

619
00:35:06,480 --> 00:35:10,080
Speaker 1: going crazy over a little bit. You could have went

620
00:35:10,160 --> 00:35:11,880
Speaker 1: and got me a verse with such and such a

621
00:35:12,320 --> 00:35:17,160
Speaker 1: pipe me up a little bit. But I can't control you.

622
00:35:17,560 --> 00:35:20,640
Speaker 1: Even if I control your catalog, I don't control your mouth.

623
00:35:21,560 --> 00:35:26,480
Speaker 1: See they starting to control this catalog that's talking. Hey, yo,

624
00:35:26,560 --> 00:35:28,719
Speaker 1: they don't get my catalog. Man, my catalog and the

625
00:35:28,840 --> 00:35:30,480
Speaker 1: phone I got my mouth ain't got me in a

626
00:35:30,520 --> 00:35:34,560
Speaker 1: bad deal in yeah, yeah, starting to talk. So what

627
00:35:34,640 --> 00:35:37,640
Speaker 1: happens is with a lot of artists, they blossom in

628
00:35:37,680 --> 00:35:41,560
Speaker 1: their head before they flower actually blossom in reality. So

629
00:35:41,600 --> 00:35:44,600
Speaker 1: when they mind their boss, but in their business, it

630
00:35:44,600 --> 00:35:48,440
Speaker 1: ain't that time yet. This agreement, this platform is what

631
00:35:48,680 --> 00:35:51,880
Speaker 1: propelled you into a situation to be able to do that. Now,

632
00:35:51,960 --> 00:35:55,719
Speaker 1: if I've been in this fifteen twenty year we ain't

633
00:35:55,760 --> 00:35:58,320
Speaker 1: never read up. I've been in the same deal since

634
00:35:59,080 --> 00:36:01,520
Speaker 1: we ain't never got no extra money. You ain't never

635
00:36:01,560 --> 00:36:03,759
Speaker 1: cut me no chick like now, we ain't doing it

636
00:36:03,840 --> 00:36:06,759
Speaker 1: like that. That ain't good business, you know what I'm saying.

637
00:36:06,800 --> 00:36:11,080
Speaker 1: But if there's a situation where that's been good business,

638
00:36:11,120 --> 00:36:15,600
Speaker 1: sometimes that still ain't good enough for the label. I

639
00:36:15,719 --> 00:36:18,520
Speaker 1: need control over what these guys are gonna say in

640
00:36:18,560 --> 00:36:23,719
Speaker 1: the future, as these white record label exects don't understand that. Now,

641
00:36:23,800 --> 00:36:27,279
Speaker 1: these black labels, these black guys are coming into these

642
00:36:27,280 --> 00:36:32,040
Speaker 1: partnerships with us with a little more information. They don't

643
00:36:32,040 --> 00:36:34,160
Speaker 1: won't they don't wan't that money. See that's another thing.

644
00:36:34,280 --> 00:36:37,280
Speaker 1: Robbers got bad too. Y'all take this money then't complain

645
00:36:37,400 --> 00:36:39,720
Speaker 1: on the back end. If you if I were taking

646
00:36:39,800 --> 00:36:42,560
Speaker 1: care of you before they popped out because you had

647
00:36:42,640 --> 00:36:44,880
Speaker 1: no money, I gave you some meetings. I gave you

648
00:36:44,920 --> 00:36:47,719
Speaker 1: some money, now you know. Man, Come on, man, y'all

649
00:36:48,080 --> 00:36:54,120
Speaker 1: crazing with technology, breeze control for the label, any of

650
00:36:54,160 --> 00:36:57,560
Speaker 1: these big networks, these big record labels. Bro it's so

651
00:36:57,680 --> 00:37:00,920
Speaker 1: much control involved, because number one, they get sued for

652
00:37:01,040 --> 00:37:03,919
Speaker 1: anything they make one mistake. It might call some eighty

653
00:37:04,040 --> 00:37:07,279
Speaker 1: thousand Damn, we didn't put credit to such and such

654
00:37:07,360 --> 00:37:09,680
Speaker 1: on that that was an eight thousand dollars play. We

655
00:37:09,800 --> 00:37:12,040
Speaker 1: did it ten times. You know what I'm saying, just

656
00:37:12,280 --> 00:37:15,520
Speaker 1: that quick type thing, but I'm saying so it's it's

657
00:37:15,560 --> 00:37:17,560
Speaker 1: a lot more at stake. But I think it kind

658
00:37:17,600 --> 00:37:22,799
Speaker 1: of cages the freedom, which cages the creativity by default.

659
00:37:22,920 --> 00:37:25,040
Speaker 1: It ain't you dealing with people that want to cage

660
00:37:25,080 --> 00:37:27,560
Speaker 1: you off, but it'd be by default. But with this,

661
00:37:27,800 --> 00:37:30,400
Speaker 1: with this AI rapper, we're gonna take a look at

662
00:37:30,440 --> 00:37:32,359
Speaker 1: a little bit of the songs and then we'll figure out.

663
00:37:33,000 --> 00:37:35,719
Speaker 1: So it says. Here's a tweet from the post to

664
00:37:35,800 --> 00:37:40,320
Speaker 1: be rapper from Twitter. Police brutality. There's some emotives. What

665
00:37:40,400 --> 00:37:43,000
Speaker 1: should I do? This guard keeps beating me with his

666
00:37:43,120 --> 00:37:46,040
Speaker 1: baton because I won't snitch. I ain't no rat. Life

667
00:37:46,160 --> 00:37:49,600
Speaker 1: is prison so depressing. I wish I could get out

668
00:37:49,719 --> 00:37:54,239
Speaker 1: so I can start making fire music again. Dude, got green.

669
00:37:54,360 --> 00:37:57,000
Speaker 1: Half of those listening, he's a He's in a county

670
00:37:57,080 --> 00:37:59,840
Speaker 1: jail uniform with some sort of off white print on,

671
00:38:00,440 --> 00:38:02,719
Speaker 1: which is you know all these indicators. I want you

672
00:38:02,760 --> 00:38:05,840
Speaker 1: guys to pay attention. Then police brutality is at the

673
00:38:05,920 --> 00:38:09,759
Speaker 1: Tiperthy's I'm not sure. The creative director on this when

674
00:38:10,280 --> 00:38:13,000
Speaker 1: if we're black Black network, we can't even get on

675
00:38:13,080 --> 00:38:16,320
Speaker 1: that with Louis vuton on. We can't even have Guca

676
00:38:16,440 --> 00:38:19,359
Speaker 1: on our shirt if we're Black network, But we can

677
00:38:19,440 --> 00:38:22,120
Speaker 1: do these kind of things on behalf of black people.

678
00:38:22,160 --> 00:38:38,719
Speaker 1: It's this an interesting place. Takashi is that you? Is

679
00:38:38,760 --> 00:38:53,680
Speaker 1: that you? Takashi? And do said to said the N

680
00:38:53,760 --> 00:38:56,680
Speaker 1: word several times without us even knowing who it is,

681
00:38:56,800 --> 00:38:59,160
Speaker 1: knowing white people is involved. That's kind of how does

682
00:38:59,200 --> 00:39:01,520
Speaker 1: that get out of the grid room, How does that

683
00:39:01,640 --> 00:39:06,200
Speaker 1: get green lid? With so many corporations involved, we make

684
00:39:06,280 --> 00:39:09,080
Speaker 1: one mistake as a black network or a black creator

685
00:39:09,120 --> 00:39:11,040
Speaker 1: off put him at the bottom of the list. He

686
00:39:11,200 --> 00:39:13,920
Speaker 1: got upset, he had a human emotion. We don't allow

687
00:39:14,120 --> 00:39:16,239
Speaker 1: you know what, I'm nah man, We can't do each

688
00:39:16,280 --> 00:39:18,440
Speaker 1: other like it and then allow people to operate in

689
00:39:18,480 --> 00:39:20,200
Speaker 1: our culture like this, and we'd be like, all right,

690
00:39:20,320 --> 00:39:23,560
Speaker 1: you guys, you spent a lot of money, will you know?

691
00:39:24,000 --> 00:39:25,880
Speaker 1: To the to the And then I might be playing

692
00:39:25,920 --> 00:39:29,040
Speaker 1: into it just by even using my platform to speak

693
00:39:29,080 --> 00:39:31,520
Speaker 1: about it. But I'm trying to give game an understanding

694
00:39:31,600 --> 00:39:35,080
Speaker 1: on even where the corporations a lie, how this kind

695
00:39:35,160 --> 00:39:38,239
Speaker 1: of structure that we call our culture right, how it's

696
00:39:38,320 --> 00:39:41,719
Speaker 1: filter through these avenues that may or may not be

697
00:39:41,960 --> 00:39:46,279
Speaker 1: interested in preserving the culture. The first thing I said, wow,

698
00:39:46,400 --> 00:39:48,920
Speaker 1: is that Takashi? But we found out it wasn't Takashi.

699
00:39:48,960 --> 00:39:50,600
Speaker 1: Y'all play the guy who it is. I think he

700
00:39:50,719 --> 00:39:53,200
Speaker 1: spoke on it will gives some game about that. But

701
00:39:54,400 --> 00:39:56,000
Speaker 1: I said, wow, they must be trying to get the

702
00:39:56,080 --> 00:39:59,040
Speaker 1: money back from Takashi. You know, they gave him a bag,

703
00:39:59,160 --> 00:40:03,120
Speaker 1: So I was wondering what was that about. But because

704
00:40:03,200 --> 00:40:06,120
Speaker 1: clearly it's his blueprint, it's that kind of style, that's

705
00:40:06,200 --> 00:40:11,479
Speaker 1: his style. He got green hair talking gang bangers want

706
00:40:11,520 --> 00:40:13,560
Speaker 1: me to rag going through the same thing. It's like

707
00:40:13,680 --> 00:40:17,040
Speaker 1: they say, yo, he did good because the kids, how

708
00:40:17,080 --> 00:40:20,120
Speaker 1: do we do that again in virtual reality? But then

709
00:40:20,160 --> 00:40:23,600
Speaker 1: I say to myself, it's like the board eight. Round

710
00:40:23,640 --> 00:40:28,000
Speaker 1: of applause for this. That like the board eight. And

711
00:40:28,120 --> 00:40:31,919
Speaker 1: I ain't talking about child that. I ain't talking about

712
00:40:32,000 --> 00:40:35,800
Speaker 1: child that was gifted board apes or Tide in some

713
00:40:36,000 --> 00:40:38,480
Speaker 1: kind of way made money. I'm telling y'all, cool, I'm

714
00:40:38,480 --> 00:40:41,200
Speaker 1: talking about child is reaching for board apes and you're

715
00:40:41,320 --> 00:40:44,360
Speaker 1: black nick eight million. But when they spent two million

716
00:40:44,480 --> 00:40:46,840
Speaker 1: on board apes, I think you embarrassed us with that.

717
00:40:47,040 --> 00:40:51,120
Speaker 1: Move me personally. Then you're gonna say, I'm rich lone,

718
00:40:51,160 --> 00:40:52,799
Speaker 1: I do what I want to do, and I'm gonna say,

719
00:40:52,840 --> 00:40:56,960
Speaker 1: somebody in your family need help. Every time I know

720
00:40:57,120 --> 00:41:01,719
Speaker 1: I hold lenyage ain't ain't out. So when I see

721
00:41:01,760 --> 00:41:05,200
Speaker 1: a boy board ape, when I say, now, no disrespect

722
00:41:05,239 --> 00:41:08,080
Speaker 1: to them with the NFT world, you know, I'm gonna

723
00:41:08,080 --> 00:41:11,800
Speaker 1: get a nineteen on the show and explain to me

724
00:41:11,920 --> 00:41:13,960
Speaker 1: where three. I'm gonna try to go in just with

725
00:41:14,080 --> 00:41:19,080
Speaker 1: a very limited understanding. Hopefully that our conversation translates to

726
00:41:19,200 --> 00:41:22,319
Speaker 1: the culture in a very simplistic way and we're able

727
00:41:22,360 --> 00:41:24,480
Speaker 1: to break it down where people can kind of understand

728
00:41:24,520 --> 00:41:27,920
Speaker 1: where it's headed. But nonetheless, what I'm saying is the

729
00:41:28,120 --> 00:41:32,680
Speaker 1: frequency that the board ape was on. Let's say they're

730
00:41:32,719 --> 00:41:36,600
Speaker 1: not racist. It's doing everything that a racist would do.

731
00:41:37,640 --> 00:41:40,680
Speaker 1: It got all the boxes checked off, even if it ain't,

732
00:41:40,760 --> 00:41:44,759
Speaker 1: so that should be flamable. They should know that that's

733
00:41:44,880 --> 00:41:47,439
Speaker 1: risk a to do that. But again, a they made

734
00:41:47,480 --> 00:41:49,399
Speaker 1: a lot of money and they continue to make money.

735
00:41:49,600 --> 00:41:51,640
Speaker 1: Like I got to talk to somebody. It ain't just

736
00:41:51,719 --> 00:41:53,960
Speaker 1: even about the money. Now, what the owner to tell them?

737
00:41:54,040 --> 00:41:57,200
Speaker 1: Call me I don't want a third party. Four fifth

738
00:41:57,400 --> 00:42:00,480
Speaker 1: men on the toe. Now, tell the owner hit my line,

739
00:42:01,120 --> 00:42:03,480
Speaker 1: young black want to speak to him about there, to

740
00:42:03,560 --> 00:42:05,600
Speaker 1: make sure to understanding it's there. Why I can't go

741
00:42:06,080 --> 00:42:08,200
Speaker 1: till the coaches. Now, y'all know I'm rich. I ain't

742
00:42:08,239 --> 00:42:10,480
Speaker 1: doing nothing like that for nothing. Their folks ain't, at

743
00:42:10,520 --> 00:42:12,239
Speaker 1: least they told me they ain't. Then I don't have

744
00:42:12,400 --> 00:42:15,920
Speaker 1: no clear evidence, so I'm moving with it. But when

745
00:42:15,960 --> 00:42:17,759
Speaker 1: you're rich, you can do that. When you're not, and

746
00:42:17,880 --> 00:42:21,000
Speaker 1: you need that little endorsement on that folk, honey kne

747
00:42:21,040 --> 00:42:23,520
Speaker 1: they look good because that's a household for such a

748
00:42:23,600 --> 00:42:26,520
Speaker 1: such right. So again, the money is a hell of

749
00:42:26,560 --> 00:42:32,640
Speaker 1: a thing. Man. I'm no longer surprised that people use

750
00:42:32,719 --> 00:42:35,280
Speaker 1: the N word when they shouldn't. I'm no longer surprised

751
00:42:35,320 --> 00:42:37,840
Speaker 1: that people pay rappers. It's dumb and stuff like that.

752
00:42:38,160 --> 00:42:42,560
Speaker 1: But I'm still disappointed. See, I'm not surprised because I

753
00:42:42,680 --> 00:42:46,319
Speaker 1: expect a pig to play it mud, but I'm still

754
00:42:46,480 --> 00:42:49,360
Speaker 1: disappointed that they don't realize that they could have walked

755
00:42:49,400 --> 00:42:52,319
Speaker 1: around that puddle. But I don't judge because that ain't

756
00:42:52,400 --> 00:42:55,080
Speaker 1: my job. My job is to get money, feed my family,

757
00:42:55,200 --> 00:42:58,480
Speaker 1: put something up, pass it down, get some money, feed

758
00:42:58,600 --> 00:43:01,600
Speaker 1: my family, create some bid says, make other people wealthy,

759
00:43:01,880 --> 00:43:05,320
Speaker 1: pass it down. We have no control over the coach,

760
00:43:06,400 --> 00:43:10,120
Speaker 1: but we are culture and we have coach. So the

761
00:43:10,280 --> 00:43:13,960
Speaker 1: next step is to get control of a coach. People say,

762
00:43:14,040 --> 00:43:17,320
Speaker 1: what is culture? We have a long conversation about that.

763
00:43:17,440 --> 00:43:20,200
Speaker 1: But let's listen to the voice behind this animated rapping

764
00:43:20,280 --> 00:43:24,360
Speaker 1: how he felt about this? What's going on everybody? This

765
00:43:24,520 --> 00:43:27,120
Speaker 1: card of hooligan. So I know y'll probably been hearing

766
00:43:27,120 --> 00:43:29,600
Speaker 1: about this FM making stuff. People have been dming me like,

767
00:43:29,760 --> 00:43:32,759
Speaker 1: and I try to keep it quiet because I was

768
00:43:32,840 --> 00:43:35,120
Speaker 1: gonna really wait till this blew up through and then

769
00:43:35,239 --> 00:43:39,200
Speaker 1: like went after them because basically it was like they

770
00:43:39,280 --> 00:43:41,560
Speaker 1: came to me with this AI. I was like, what

771
00:43:41,680 --> 00:43:44,080
Speaker 1: I wanted to be the voice of it, and I

772
00:43:44,160 --> 00:43:46,959
Speaker 1: thought it was gonna be like some collaborations. They probably

773
00:43:47,200 --> 00:43:50,040
Speaker 1: me equity into the company, percentages, all this stuff. So

774
00:43:50,640 --> 00:43:52,839
Speaker 1: I'm thinking, Okay, it's about to do some collabs something

775
00:43:52,880 --> 00:43:55,600
Speaker 1: different for me, so or I could do my music

776
00:43:55,800 --> 00:43:59,680
Speaker 1: and be on some AI stuff with this fl making

777
00:43:59,719 --> 00:44:04,800
Speaker 1: care there. So everything's going good. Let's see, no niggas

778
00:44:04,840 --> 00:44:08,480
Speaker 1: just ghosted me, like use my voice, use my sound,

779
00:44:08,760 --> 00:44:12,520
Speaker 1: use the culture and literally just left me high and droid.

780
00:44:13,080 --> 00:44:16,440
Speaker 1: I didn't get a dime off of nothing, and they

781
00:44:16,520 --> 00:44:19,120
Speaker 1: got record deals all this stuff. I wasn't involved with,

782
00:44:19,200 --> 00:44:23,320
Speaker 1: no meetings or none of that, like, which is stup.

783
00:44:23,400 --> 00:44:28,360
Speaker 1: So honestly, like, I'm glad to cancel, right that's Carmona,

784
00:44:28,680 --> 00:44:30,880
Speaker 1: because God don't play with me. I'm gonna tell you

785
00:44:30,960 --> 00:44:33,480
Speaker 1: that right now. Like you know, as much as I

786
00:44:33,560 --> 00:44:36,440
Speaker 1: stand with the creator man and the creative creative creator

787
00:44:36,440 --> 00:44:40,920
Speaker 1: and let's get some money and empower creators, unfortunately I

788
00:44:41,000 --> 00:44:43,719
Speaker 1: got identify the information. He was willing to see the

789
00:44:43,840 --> 00:44:48,200
Speaker 1: culture out prior to now, let's understand what we're dealing with.

790
00:44:48,360 --> 00:44:50,480
Speaker 1: At the same time, you know you was willing to

791
00:44:51,000 --> 00:44:53,120
Speaker 1: chop off my nigga. They would have brought me to you.

792
00:44:53,200 --> 00:44:56,279
Speaker 1: They just couldn't get me to you. Before they got

793
00:44:56,360 --> 00:44:58,400
Speaker 1: us over. We say, man, what are you trying to Now?

794
00:44:58,480 --> 00:45:02,600
Speaker 1: Wain't going? Yeah, now we ain't going. Then you ain't

795
00:45:02,800 --> 00:45:04,879
Speaker 1: so now you come out. Yeah, I'm glad they ain't

796
00:45:04,920 --> 00:45:08,399
Speaker 1: braining many They ain't even pay me. Man, y'all had

797
00:45:09,000 --> 00:45:12,000
Speaker 1: hulden people on their intentions respectfully to the home. I

798
00:45:12,120 --> 00:45:16,600
Speaker 1: know the money is necessary to upgrade your standards. But

799
00:45:16,800 --> 00:45:19,040
Speaker 1: sometimes you gotta know when a move ain't gonna do

800
00:45:19,160 --> 00:45:23,879
Speaker 1: number break your ankle. You understand, if you cross over

801
00:45:23,960 --> 00:45:26,880
Speaker 1: too quick, you break your ankle. If you if you

802
00:45:27,040 --> 00:45:29,879
Speaker 1: come down the wrong way. You know, wanting the wrong

803
00:45:30,040 --> 00:45:33,560
Speaker 1: move can cost you your career basically, So you gotta

804
00:45:33,760 --> 00:45:36,759
Speaker 1: always remember that. And if you win them meetings and

805
00:45:36,920 --> 00:45:41,320
Speaker 1: then those positions, what those labels are contacting you some

806
00:45:41,560 --> 00:45:43,480
Speaker 1: kind of way. You got to show them your value

807
00:45:44,400 --> 00:45:47,759
Speaker 1: where they see your value. Probably not. Sometimes you gotta

808
00:45:47,800 --> 00:45:50,560
Speaker 1: be walked into those situations with people that they're now

809
00:45:50,560 --> 00:45:53,560
Speaker 1: already created value and that's the buddy system that they

810
00:45:53,600 --> 00:45:56,680
Speaker 1: have created in the industry. But outside of that, as

811
00:45:56,719 --> 00:45:59,320
Speaker 1: a writer, do you say no when they come to you?

812
00:45:59,520 --> 00:46:02,920
Speaker 1: Is that if you are broke writer, I don't want

813
00:46:02,960 --> 00:46:05,400
Speaker 1: to hear rich talk from nobody that this you know,

814
00:46:05,600 --> 00:46:08,120
Speaker 1: was willing to rap out of and they looked like

815
00:46:08,239 --> 00:46:13,400
Speaker 1: Takasha Ai rapper type thing, right, so you clearly needed

816
00:46:13,440 --> 00:46:15,960
Speaker 1: the money. Do you say no? I am asking y'all

817
00:46:16,040 --> 00:46:19,080
Speaker 1: this watching. Do you say no? If you broke and

818
00:46:19,160 --> 00:46:21,520
Speaker 1: they come at you like that? I say no. I

819
00:46:21,680 --> 00:46:24,160
Speaker 1: believe in my creativity and I ain't saying that just

820
00:46:24,360 --> 00:46:28,200
Speaker 1: because it's cool to say. Some people on the other

821
00:46:28,239 --> 00:46:30,160
Speaker 1: side be like, Man, I don't know, man, my kids

822
00:46:30,200 --> 00:46:32,600
Speaker 1: depending on that. That's that's on you as a writer

823
00:46:32,719 --> 00:46:35,279
Speaker 1: for one of these companies. You know, you can't just

824
00:46:35,480 --> 00:46:37,640
Speaker 1: put you know, Oh, they're gonna get me equity. What

825
00:46:37,719 --> 00:46:39,960
Speaker 1: does that mean? What does that look like? What does

826
00:46:40,000 --> 00:46:42,600
Speaker 1: that say in your contract? But see, sometimes you can

827
00:46:42,680 --> 00:46:45,200
Speaker 1: get away with that. Pull your contract up. They're gonna

828
00:46:45,239 --> 00:46:49,600
Speaker 1: give you equity and what capital records? Man, they ain't

829
00:46:49,680 --> 00:46:52,319
Speaker 1: gonna give you. Man, you ain't even the face of this. Man,

830
00:46:52,600 --> 00:46:55,840
Speaker 1: what it sounds like if I'm listening, is they paid

831
00:46:56,000 --> 00:46:59,359
Speaker 1: you to perform this and get out the way. Yo.

832
00:46:59,440 --> 00:47:01,560
Speaker 1: We paid you to write these and perform them. And

833
00:47:01,640 --> 00:47:04,520
Speaker 1: our whole thing is with this, it's to pay somebody

834
00:47:04,600 --> 00:47:07,480
Speaker 1: to create it and get them out to mix. And

835
00:47:07,600 --> 00:47:09,839
Speaker 1: that's what we did. And you said we were gonna

836
00:47:09,840 --> 00:47:11,400
Speaker 1: give you equity, and that I knew he took it

837
00:47:11,480 --> 00:47:13,839
Speaker 1: too far when he said their folks ain't giving Nick

838
00:47:14,000 --> 00:47:17,320
Speaker 1: this sold twenty million equity. They ain't giving you with

839
00:47:17,440 --> 00:47:21,160
Speaker 1: this unproven concept equity and ain't gonna happen. And so

840
00:47:21,280 --> 00:47:24,120
Speaker 1: if we're not dealing with that information. Then we being naive,

841
00:47:24,520 --> 00:47:27,000
Speaker 1: then respect the dude. Hopefully he get his money some

842
00:47:27,160 --> 00:47:30,719
Speaker 1: kind of way, right. But sometimes you gotta trust your ability.

843
00:47:31,200 --> 00:47:34,120
Speaker 1: Sometimes you gotta know what to trust. You know, trust

844
00:47:34,280 --> 00:47:36,200
Speaker 1: is probably one of the hardest things to deal with

845
00:47:36,320 --> 00:47:39,719
Speaker 1: as a human Love, trust, certain certain emotions that's tied

846
00:47:39,800 --> 00:47:42,839
Speaker 1: to those things. They're probably some of the roughest things

847
00:47:42,880 --> 00:47:45,440
Speaker 1: to deal with as a human being. I trust, but

848
00:47:45,520 --> 00:47:48,440
Speaker 1: I fail to be naive. I live in a good area,

849
00:47:48,560 --> 00:47:52,239
Speaker 1: but I still locked my dolls. Yeah, when I park

850
00:47:52,360 --> 00:47:54,120
Speaker 1: at a good place, I don't give a damn if

851
00:47:54,160 --> 00:47:56,439
Speaker 1: it's in the subworb, I still make sure to lock

852
00:47:56,560 --> 00:47:59,879
Speaker 1: that month. I trust God, but I locked my doll

853
00:48:00,800 --> 00:48:02,799
Speaker 1: you know what I'm saying. And I just come up

854
00:48:02,880 --> 00:48:05,080
Speaker 1: that way, and it's a different kind of cloth we

855
00:48:05,200 --> 00:48:08,480
Speaker 1: had to come from to survive. I don't think we

856
00:48:08,600 --> 00:48:12,200
Speaker 1: controlled Coachure, and I think that's our next step. I

857
00:48:12,320 --> 00:48:14,359
Speaker 1: think that's what we're trying to do, and we need

858
00:48:14,440 --> 00:48:17,600
Speaker 1: to do. It's control Coachure. Let's talk about fitted Whip.

859
00:48:17,719 --> 00:48:20,560
Speaker 1: For those of you underwear, fitted Wap has plagued guilty

860
00:48:20,640 --> 00:48:23,640
Speaker 1: to federal charges. Think he got caught with a half

861
00:48:23,680 --> 00:48:28,880
Speaker 1: for brig five Honey Grahams distribution and some other charges.

862
00:48:28,960 --> 00:48:31,160
Speaker 1: The whole case was a little bit stronger than that.

863
00:48:31,760 --> 00:48:34,160
Speaker 1: It was a federal case, and he was out on barn.

864
00:48:34,280 --> 00:48:37,080
Speaker 1: He made a couple of mistakes. Seemed like he wasn't

865
00:48:37,160 --> 00:48:39,120
Speaker 1: seemed like he wasn't in his right mind if you

866
00:48:39,239 --> 00:48:42,279
Speaker 1: ask me. Seemed like he would seem like Summings is.

867
00:48:43,000 --> 00:48:45,239
Speaker 1: You know, he was smacking somebody done something the show.

868
00:48:45,280 --> 00:48:47,919
Speaker 1: We smacked her like you out on the federal barn.

869
00:48:48,000 --> 00:48:51,000
Speaker 1: I'm going to talk to kids trying to Yeah, we're

870
00:48:51,040 --> 00:48:54,200
Speaker 1: trying to right this is. There's a thing that has

871
00:48:54,280 --> 00:48:56,719
Speaker 1: to happen right. We got to check these boxes off

872
00:48:56,840 --> 00:49:00,759
Speaker 1: and if we made a mistake, we're trying to atone right.

873
00:49:00,840 --> 00:49:02,800
Speaker 1: We're trying to get it right and correct this. So

874
00:49:02,960 --> 00:49:06,200
Speaker 1: we ain't trying to be out here that man. I'm

875
00:49:06,239 --> 00:49:09,200
Speaker 1: counting my emotions any time. And see when some tragic

876
00:49:09,280 --> 00:49:12,480
Speaker 1: happened in your life, it puts you on the eggsheields. Boy,

877
00:49:12,600 --> 00:49:14,920
Speaker 1: then that's when you'll start to see what a man

878
00:49:15,080 --> 00:49:18,279
Speaker 1: really made of because sometimes when you get on the

879
00:49:18,400 --> 00:49:21,120
Speaker 1: meggshells everything now you just you fin the craze. He

880
00:49:21,280 --> 00:49:24,160
Speaker 1: fin the craze. Too much going on. He don't know

881
00:49:24,239 --> 00:49:26,799
Speaker 1: how to gather this cell. It's too much happening here

882
00:49:26,840 --> 00:49:31,120
Speaker 1: in that tornado. He don't know how to sit down. Peace,

883
00:49:31,239 --> 00:49:33,719
Speaker 1: be still, what they say. But let's look at what

884
00:49:33,800 --> 00:49:36,680
Speaker 1: the news had to say about fitting rapper. Fetty Wapp

885
00:49:36,760 --> 00:49:39,640
Speaker 1: expected to spend at least five years in prison after

886
00:49:39,719 --> 00:49:42,759
Speaker 1: pleading guilty to a conspiracy drug charge. Fox wife Jody

887
00:49:42,800 --> 00:49:45,919
Speaker 1: Goldberg his life outside federal court in Central Icelip Long Island,

888
00:49:45,960 --> 00:49:51,800
Speaker 1: where the rapper appeared earlier today, Jody, Chris and Lorie.

889
00:49:52,239 --> 00:49:54,320
Speaker 1: It's a minimum of five years to a max of

890
00:49:54,440 --> 00:49:57,480
Speaker 1: forty years in jail. Willie Junior Maxwell, the second, better

891
00:49:57,560 --> 00:50:00,520
Speaker 1: known in the rap world as Effetti Wap, please guilty

892
00:50:00,840 --> 00:50:04,880
Speaker 1: to conspiring to distribute over five hundred grams of cocaine.

893
00:50:05,160 --> 00:50:07,120
Speaker 1: Now take a look at this video. It's a story

894
00:50:07,200 --> 00:50:10,720
Speaker 1: we've been covering since the beginning. The rapper was arrested

895
00:50:10,920 --> 00:50:14,760
Speaker 1: back in November. He pleaded guilty to distributing and possessing

896
00:50:14,800 --> 00:50:18,040
Speaker 1: cocaine back in twenty twenty. Now some of the distribution

897
00:50:18,120 --> 00:50:21,160
Speaker 1: taking place right here in Suffolk County. In addition to

898
00:50:21,239 --> 00:50:23,640
Speaker 1: jail time, he'll also be responsible for fines and a

899
00:50:24,160 --> 00:50:27,920
Speaker 1: minimum of four years of supervised release. Maxwell has been

900
00:50:27,960 --> 00:50:30,359
Speaker 1: behind bars since his bail was revoked a few weeks

901
00:50:30,440 --> 00:50:33,360
Speaker 1: ago when the government learned about an incident that allegedly

902
00:50:33,400 --> 00:50:35,960
Speaker 1: involved him holding a gun up to the phone during

903
00:50:36,000 --> 00:50:39,480
Speaker 1: a FaceTime call with another person, threatening multiple times to

904
00:50:39,600 --> 00:50:42,920
Speaker 1: kill them. Now, prosecutors say the proof in the original

905
00:50:43,040 --> 00:50:46,120
Speaker 1: case was overwhelming. In court today, he wore a Navy

906
00:50:46,200 --> 00:50:49,279
Speaker 1: jail uniform, was smiling and mouth I love you to

907
00:50:49,400 --> 00:50:52,800
Speaker 1: his sister and others who showed up in the courtroom

908
00:50:52,880 --> 00:50:56,279
Speaker 1: to support him, and now his attorney saying he's one

909
00:50:56,360 --> 00:50:59,759
Speaker 1: of the best clients she's worked with. He's pleasant and nice.

910
00:51:00,120 --> 00:51:03,800
Speaker 1: She also asked for an expedited sentence. No word on

911
00:51:04,000 --> 00:51:06,440
Speaker 1: when it will be. That's the latest year outside federal

912
00:51:06,520 --> 00:51:09,479
Speaker 1: court and central life Flip Jody seemed like he could

913
00:51:09,640 --> 00:51:11,920
Speaker 1: like that. No, I ain't never heard him crying or

914
00:51:12,000 --> 00:51:16,840
Speaker 1: doing no complaining, But I still think he was on

915
00:51:16,920 --> 00:51:20,160
Speaker 1: a crash shot type vibe. I think some might have

916
00:51:20,280 --> 00:51:22,759
Speaker 1: done happened, and I know that I know that kind

917
00:51:22,800 --> 00:51:25,600
Speaker 1: of thing where man, some tragic happening, then it's just

918
00:51:25,760 --> 00:51:28,960
Speaker 1: like fuck, man, I'm just I'm called in this even

919
00:51:29,040 --> 00:51:31,680
Speaker 1: if I got money, I'm just st up right now.

920
00:51:32,120 --> 00:51:35,279
Speaker 1: They just took some just done happy right. Seemed like

921
00:51:35,400 --> 00:51:38,120
Speaker 1: he was in one of them weird places. But I

922
00:51:38,200 --> 00:51:40,480
Speaker 1: got to think, and it's hard falling from number one.

923
00:51:40,840 --> 00:51:44,719
Speaker 1: That's a long fall. See what happens when you do

924
00:51:45,000 --> 00:51:47,279
Speaker 1: have four fat number one song? Bad to bad. He

925
00:51:47,440 --> 00:51:50,600
Speaker 1: was hidden, he was killing them. He was really helping

926
00:51:50,680 --> 00:51:54,160
Speaker 1: the coat of transition into the sound that it is.

927
00:51:54,600 --> 00:51:56,480
Speaker 1: It was a couple of artists. I was speaking of

928
00:51:56,560 --> 00:51:58,400
Speaker 1: the reds about it. He were one of them ones

929
00:51:58,440 --> 00:52:02,120
Speaker 1: with harder way help submit a certain kind of vibe.

930
00:52:03,480 --> 00:52:05,080
Speaker 1: You see what I'm saying. And we kind of got

931
00:52:05,160 --> 00:52:07,719
Speaker 1: into that. If you ain't saw that interview, you got

932
00:52:07,800 --> 00:52:10,200
Speaker 1: to go see that. But everybody to talk about the

933
00:52:10,280 --> 00:52:13,360
Speaker 1: glam and we spoke about this. Everybody to talk about

934
00:52:13,400 --> 00:52:16,000
Speaker 1: the glamor of going number one, Like man, I saw

935
00:52:16,080 --> 00:52:18,560
Speaker 1: you on Jimmy Kimball, I saw you here. What that

936
00:52:18,760 --> 00:52:22,719
Speaker 1: does is, man, they'll leave you overexposed. NaN's created a

937
00:52:22,880 --> 00:52:27,080
Speaker 1: standard that only you in that position can keep right

938
00:52:27,200 --> 00:52:29,320
Speaker 1: with the help of the label or whatever. They have

939
00:52:29,480 --> 00:52:31,960
Speaker 1: these systems in place that prop you up in a

940
00:52:32,040 --> 00:52:36,800
Speaker 1: way that make you seem bigger than life. Now without

941
00:52:36,880 --> 00:52:41,200
Speaker 1: their involvement in the slightest way, it appears totally different,

942
00:52:42,360 --> 00:52:44,560
Speaker 1: and that can be viewed as a fall off when

943
00:52:44,600 --> 00:52:47,279
Speaker 1: you could be looking at the ownership play. And so

944
00:52:47,480 --> 00:52:49,800
Speaker 1: what happens is a lot of these people don't have

945
00:52:50,040 --> 00:52:53,319
Speaker 1: financial literacy. So they get into these situations where they

946
00:52:53,440 --> 00:52:56,040
Speaker 1: make a lot of money and they take a snapshot

947
00:52:56,120 --> 00:52:58,840
Speaker 1: of they're spending freedom when they at the top of

948
00:52:58,920 --> 00:53:03,800
Speaker 1: their game. So now they create the lifestyle around what

949
00:53:04,000 --> 00:53:08,440
Speaker 1: it looks like when they're number one. Now what happens

950
00:53:08,600 --> 00:53:11,200
Speaker 1: is you can only afford to live that lifestyle when

951
00:53:11,280 --> 00:53:14,239
Speaker 1: you're number one. You never create your bills based on

952
00:53:14,400 --> 00:53:18,960
Speaker 1: your best selling months. You don't never do that. In

953
00:53:19,160 --> 00:53:23,360
Speaker 1: my opinion, when I'm hustling, I'm in the kitchen, I

954
00:53:23,400 --> 00:53:26,440
Speaker 1: don't cook with the stove on high. You know, I

955
00:53:26,480 --> 00:53:29,279
Speaker 1: ain't got much control over what's happening when it's on high.

956
00:53:29,320 --> 00:53:31,920
Speaker 1: I need to put this down medium or some where

957
00:53:31,920 --> 00:53:33,359
Speaker 1: I can't. I don't care if I need to flip

958
00:53:33,440 --> 00:53:36,279
Speaker 1: the twenty five times. If it's done just right, I

959
00:53:36,400 --> 00:53:39,279
Speaker 1: might can get rid of some of these. Or if

960
00:53:39,320 --> 00:53:41,919
Speaker 1: it's done just right, my people will enjoy the meal

961
00:53:42,120 --> 00:53:44,399
Speaker 1: or to be just how I won't it if nothing

962
00:53:44,480 --> 00:53:47,239
Speaker 1: else right? So for me, I try to look at

963
00:53:47,280 --> 00:53:50,719
Speaker 1: it that way. Like yo, when you you create businesses

964
00:53:50,760 --> 00:53:54,160
Speaker 1: while you're on file, because one of those businesses can

965
00:53:54,239 --> 00:53:58,240
Speaker 1: catch fire, right, you on fire and you creating open

966
00:53:58,320 --> 00:54:01,400
Speaker 1: and catch fire. But what happens is you don't create

967
00:54:01,480 --> 00:54:04,360
Speaker 1: your bills based on when you're on fire because you

968
00:54:04,520 --> 00:54:07,000
Speaker 1: can't hold that up. And that's what a lot of

969
00:54:07,080 --> 00:54:09,439
Speaker 1: people do, which leaves them in a position to chase.

970
00:54:09,520 --> 00:54:12,080
Speaker 1: When you chase, you know, it's only a certain amount

971
00:54:12,120 --> 00:54:13,799
Speaker 1: of time before you get tired. And I don't care

972
00:54:13,880 --> 00:54:17,840
Speaker 1: who you is go to chasing. You gotta kind of

973
00:54:17,920 --> 00:54:20,359
Speaker 1: let the game come to you and just operating your

974
00:54:20,400 --> 00:54:22,960
Speaker 1: own little area. And when he comes to you, I'm

975
00:54:23,040 --> 00:54:25,440
Speaker 1: hustling when it because it might look like it's going

976
00:54:25,520 --> 00:54:28,279
Speaker 1: to leave. But you got to know, just keep hustling, though,

977
00:54:28,920 --> 00:54:31,480
Speaker 1: Just keep hustling, you'll b I ain't. This might come

978
00:54:31,640 --> 00:54:34,439
Speaker 1: right back around. But when you go out, say because

979
00:54:34,480 --> 00:54:36,359
Speaker 1: the game left over here a little bit and now

980
00:54:36,400 --> 00:54:39,480
Speaker 1: you start chasing, doing sucker shit. Now you're doing sucker

981
00:54:39,560 --> 00:54:42,200
Speaker 1: sho never get what the game never come back around

982
00:54:42,640 --> 00:54:46,920
Speaker 1: is doing sucker shit. He can make full honey me

983
00:54:47,080 --> 00:54:48,840
Speaker 1: and if he'd done a bunch of suckers and he

984
00:54:48,840 --> 00:54:51,480
Speaker 1: ain't never make it right, the gamer never come back

985
00:54:51,520 --> 00:54:55,759
Speaker 1: and bless him in this entertainment world some kind of

986
00:54:55,800 --> 00:54:59,080
Speaker 1: way you had to make some right or your name dirty.

987
00:54:59,320 --> 00:55:01,680
Speaker 1: But I think that he gave for a couple of chances,

988
00:55:01,760 --> 00:55:05,360
Speaker 1: like he had a couple of chances to be able

989
00:55:05,400 --> 00:55:08,400
Speaker 1: to be out. The judge really would due like you

990
00:55:08,560 --> 00:55:11,040
Speaker 1: usually don't get no barn on them kind of cases.

991
00:55:11,480 --> 00:55:14,160
Speaker 1: And if you're watching this video, you just seen dude

992
00:55:14,239 --> 00:55:16,880
Speaker 1: had a video with him with a gun on the

993
00:55:17,000 --> 00:55:20,600
Speaker 1: screen that let you know, people telling and turning it

994
00:55:20,760 --> 00:55:25,040
Speaker 1: in and moving like it's cool knowing dude, I don't

995
00:55:25,080 --> 00:55:27,200
Speaker 1: federal bond. He said he gonna kill me. We got

996
00:55:27,320 --> 00:55:32,680
Speaker 1: him on camera, got him, turn him right in, crashed

997
00:55:32,760 --> 00:55:38,000
Speaker 1: him out, crash him on out, so you don't never

998
00:55:38,120 --> 00:55:42,040
Speaker 1: fall victim to the crash shot. If anybody crashed the vehicle,

999
00:55:42,080 --> 00:55:44,680
Speaker 1: it's gonna be on my behalf because I lost control.

1000
00:55:44,880 --> 00:55:47,480
Speaker 1: I ain't gonna let you drive us in wreck us

1001
00:55:47,840 --> 00:55:50,800
Speaker 1: never And if I see you by the rick, I

1002
00:55:50,960 --> 00:55:54,080
Speaker 1: might have to yo bro bro bro, Yeah, nah, we

1003
00:55:54,160 --> 00:55:56,320
Speaker 1: ain't letting that happen. We're trying to make sure we

1004
00:55:56,400 --> 00:55:59,919
Speaker 1: are ahead of the curves, not waiting till the curve

1005
00:56:00,040 --> 00:56:03,080
Speaker 1: and try to that's how you flip. But you ask yourself,

1006
00:56:03,160 --> 00:56:05,319
Speaker 1: did the fame in the rap game do this to him?

1007
00:56:05,400 --> 00:56:08,719
Speaker 1: Did it leave him no choice? Because you get hot,

1008
00:56:08,760 --> 00:56:11,240
Speaker 1: there's a rap nigga and go get your eight baby mamas,

1009
00:56:12,200 --> 00:56:16,960
Speaker 1: Go get yourself houses, nine cars. You ain't owning nothing

1010
00:56:17,000 --> 00:56:21,400
Speaker 1: of them. Dunt you understand? Ain't you at your hottest

1011
00:56:21,520 --> 00:56:24,239
Speaker 1: right now? So if he go down three notches, you

1012
00:56:24,440 --> 00:56:28,200
Speaker 1: in trouble. Then you're lapping yourself a little money you're

1013
00:56:28,239 --> 00:56:31,479
Speaker 1: making going out before you get it. You're telling them people,

1014
00:56:31,560 --> 00:56:34,520
Speaker 1: hold up six months. I got y'all when the other

1015
00:56:34,600 --> 00:56:38,600
Speaker 1: chick come in in thow months. You know what I'm saying.

1016
00:56:38,640 --> 00:56:41,319
Speaker 1: You're living like that because you're trying to You see

1017
00:56:41,360 --> 00:56:44,160
Speaker 1: what I mean? Now, when you're hot, you start creating,

1018
00:56:44,640 --> 00:56:48,399
Speaker 1: the start creating, and that's how that's the highest level

1019
00:56:48,440 --> 00:56:51,200
Speaker 1: of elevation for y'all. I think he was supposed to

1020
00:56:51,320 --> 00:56:54,600
Speaker 1: dumb it down when he got out, supposed to be

1021
00:56:54,719 --> 00:56:58,759
Speaker 1: doing podcasts, down playing this sell, you know, But it's

1022
00:56:58,840 --> 00:57:01,360
Speaker 1: like he stood on it, which I respect it, you know,

1023
00:57:01,400 --> 00:57:03,560
Speaker 1: what I mean. I respect it, you know, but I

1024
00:57:03,680 --> 00:57:06,520
Speaker 1: just again me, I look at this life a little

1025
00:57:06,600 --> 00:57:09,759
Speaker 1: different now. It's like the trick bag, yo, bro, it's

1026
00:57:09,880 --> 00:57:14,600
Speaker 1: the old bro picture. They got three four, five number

1027
00:57:14,640 --> 00:57:18,400
Speaker 1: one records, got to go do eight years about a

1028
00:57:18,560 --> 00:57:23,960
Speaker 1: half of brick like they don't even sound right, but

1029
00:57:24,120 --> 00:57:27,360
Speaker 1: it is right then the circumstance. What you gotta hope is,

1030
00:57:28,840 --> 00:57:30,800
Speaker 1: or what you gotta break is because I really think

1031
00:57:30,840 --> 00:57:35,280
Speaker 1: it's impossible to get stuck. I think when they elevate

1032
00:57:35,320 --> 00:57:37,520
Speaker 1: you to number one and you feel that feeling what

1033
00:57:37,640 --> 00:57:41,480
Speaker 1: they feel like for everything to be clicking on high cylinders,

1034
00:57:42,360 --> 00:57:44,400
Speaker 1: it might be so hard to cut that off and

1035
00:57:44,560 --> 00:57:49,240
Speaker 1: they think three notches under that, it's embarrassed. So I

1036
00:57:49,280 --> 00:57:51,360
Speaker 1: ain't gonna change the hustle. I still want to look

1037
00:57:51,440 --> 00:57:55,760
Speaker 1: like I'm number one. At some point, you got to

1038
00:57:55,840 --> 00:57:58,520
Speaker 1: depend on your product. The problem is they treating it

1039
00:57:58,680 --> 00:58:02,680
Speaker 1: in the selling celebrity. You know, I was hitting the

1040
00:58:02,760 --> 00:58:06,360
Speaker 1: homeboard man. Look it's time, it's time, right, I got plans,

1041
00:58:06,400 --> 00:58:09,720
Speaker 1: I need a few things. This is gonna happen. That

1042
00:58:09,840 --> 00:58:12,400
Speaker 1: gonna happen, And what will happen is when I look back,

1043
00:58:12,520 --> 00:58:15,120
Speaker 1: I'll say X, Y and z. The smartest thing I

1044
00:58:15,200 --> 00:58:17,480
Speaker 1: can do is make right. You got a plan for

1045
00:58:17,600 --> 00:58:20,640
Speaker 1: this where I've made it in my life. Now if

1046
00:58:21,000 --> 00:58:25,200
Speaker 1: all us feels, I know that I can't quit hustling

1047
00:58:25,200 --> 00:58:29,400
Speaker 1: because my family need everything and got gotten. Yeah, my

1048
00:58:29,520 --> 00:58:32,040
Speaker 1: family need all of me. I can't stop hustling at

1049
00:58:32,120 --> 00:58:34,640
Speaker 1: this point. It meant too much to the people that

1050
00:58:34,800 --> 00:58:37,600
Speaker 1: loved me. If it was about me, I could have

1051
00:58:37,680 --> 00:58:41,240
Speaker 1: stopped long time ago. But the people that loved me

1052
00:58:41,400 --> 00:58:44,000
Speaker 1: need me to prop everyone in a position where they

1053
00:58:44,040 --> 00:58:46,440
Speaker 1: can have a head start that we could. We started

1054
00:58:46,480 --> 00:58:50,720
Speaker 1: in a deficit. The way we started wasn't even fail,

1055
00:58:52,280 --> 00:58:54,240
Speaker 1: but what we was able to do with it was

1056
00:58:54,320 --> 00:58:58,800
Speaker 1: a blessing. The route we took I felt as though

1057
00:59:00,760 --> 00:59:04,360
Speaker 1: the route less taking. People don't really understand what that means.

1058
00:59:05,680 --> 00:59:09,960
Speaker 1: That mean probably it ain't no tracks and ain't no

1059
00:59:10,120 --> 00:59:12,400
Speaker 1: lights up, It ain't no stop signs. You don't know

1060
00:59:12,480 --> 00:59:14,880
Speaker 1: if cause you don't don't coming traffic. You don't know

1061
00:59:14,920 --> 00:59:18,560
Speaker 1: if you're in the right lane. It's unclear where you're going,

1062
00:59:18,760 --> 00:59:20,800
Speaker 1: you don't know the speed limit. But what you know

1063
00:59:21,160 --> 00:59:24,440
Speaker 1: is you hid it in this direction and I got vision,

1064
00:59:25,240 --> 00:59:29,200
Speaker 1: so hopefully I can spot the opportunity right before it come.

1065
00:59:29,520 --> 00:59:34,560
Speaker 1: Because what being smart is understanding how to spot opportunities.

1066
00:59:36,120 --> 00:59:40,240
Speaker 1: So any event, I'm coming down this role that's less paid,

1067
00:59:40,960 --> 00:59:45,160
Speaker 1: that's more bumpier because they didn't believe. But God did

1068
00:59:46,000 --> 00:59:49,680
Speaker 1: ain't there what they say right, So this role here

1069
00:59:49,800 --> 00:59:51,840
Speaker 1: might be a little more bumpier. But what I was

1070
00:59:51,920 --> 00:59:56,280
Speaker 1: able to do with it was a blessing. They need

1071
00:59:56,360 --> 00:59:59,400
Speaker 1: their refunds. If they counted us out, we thank God

1072
00:59:59,480 --> 01:00:02,480
Speaker 1: for everything ain't we got, because without the direction and

1073
01:00:02,560 --> 01:00:04,840
Speaker 1: the protection of the most high, we would have failed

1074
01:00:04,960 --> 01:00:08,840
Speaker 1: victim a long time ago. But I think, man, when

1075
01:00:08,880 --> 01:00:10,680
Speaker 1: I when I deal with fairly, I just think that

1076
01:00:10,760 --> 01:00:16,200
Speaker 1: he put himself in a really, really really sticky situation,

1077
01:00:17,000 --> 01:00:19,480
Speaker 1: you know. But I understand how going number one over

1078
01:00:19,600 --> 01:00:23,320
Speaker 1: exposes you, man, and it leaves you kind of in

1079
01:00:23,440 --> 01:00:25,920
Speaker 1: a weird place. And so I kind of had sympathy

1080
01:00:26,000 --> 01:00:28,560
Speaker 1: for guys, especially when they did the young and then

1081
01:00:28,600 --> 01:00:30,800
Speaker 1: they had to look back. So I fumbled the ball.

1082
01:00:32,120 --> 01:00:37,080
Speaker 1: I ain't getting old money, so they saying I ain't

1083
01:00:37,120 --> 01:00:39,560
Speaker 1: make no money. I ain't never had over three million

1084
01:00:40,640 --> 01:00:45,080
Speaker 1: to me. I'm a two million dollars with five number ones.

1085
01:00:45,240 --> 01:00:49,520
Speaker 1: They don't clean over me, man, see it's rougher when

1086
01:00:49,560 --> 01:00:53,400
Speaker 1: they got you. I remember me and my cousin were

1087
01:00:53,440 --> 01:00:55,760
Speaker 1: going out of town before I started getting a lot

1088
01:00:55,840 --> 01:00:58,800
Speaker 1: of money. I had enough to not ask nobody for number.

1089
01:00:58,920 --> 01:01:00,960
Speaker 1: My people had money, and so we were going out

1090
01:01:01,000 --> 01:01:03,480
Speaker 1: of time. They had all the new cards. I'm in

1091
01:01:03,520 --> 01:01:06,040
Speaker 1: the padding the seat. But see what I'm trying to

1092
01:01:06,080 --> 01:01:08,160
Speaker 1: tell people why I think a little different. I'm in

1093
01:01:08,240 --> 01:01:11,320
Speaker 1: the padding the seat. We pull up right before we

1094
01:01:11,440 --> 01:01:13,240
Speaker 1: go out of time. We pull up at the tested

1095
01:01:13,280 --> 01:01:16,080
Speaker 1: coast and jump out some I don't know where they

1096
01:01:16,120 --> 01:01:18,800
Speaker 1: were from, but they high level game. What up? Men?

1097
01:01:19,360 --> 01:01:21,520
Speaker 1: Know what? They talking loud? They jump by the car.

1098
01:01:21,600 --> 01:01:25,960
Speaker 1: They talking, you know, fad and were moving. I'm high,

1099
01:01:26,000 --> 01:01:28,920
Speaker 1: ain't really saying too much. Were moving. They don't pull

1100
01:01:29,080 --> 01:01:30,960
Speaker 1: my cousin to the side. So I jump out and

1101
01:01:30,960 --> 01:01:33,880
Speaker 1: see what they time mount go over there. They got

1102
01:01:34,040 --> 01:01:37,520
Speaker 1: mac books in the I pads for sale. I said,

1103
01:01:37,600 --> 01:01:40,840
Speaker 1: we didn't got us. Yeah, yeah, we yeah, man, Damn,

1104
01:01:40,960 --> 01:01:43,720
Speaker 1: I said, damn. They got the whole least man. They

1105
01:01:43,800 --> 01:01:47,720
Speaker 1: had all kinds. So my cousin bawled, I think two three,

1106
01:01:48,000 --> 01:01:50,280
Speaker 1: you know iPads, and I'm gonna take l one. We're

1107
01:01:50,280 --> 01:01:52,680
Speaker 1: gonna go up here, so I think we had three

1108
01:01:52,760 --> 01:01:54,720
Speaker 1: four man As we left, we jump in the car,

1109
01:01:55,840 --> 01:01:58,280
Speaker 1: get on the interstate bus. One of the month was

1110
01:01:58,360 --> 01:02:01,040
Speaker 1: open and it was a pit each other. I paid

1111
01:02:01,960 --> 01:02:06,280
Speaker 1: on a picture frame wrapped in that light. I said,

1112
01:02:06,360 --> 01:02:09,920
Speaker 1: all that was high level game, but you gotta respect

1113
01:02:10,000 --> 01:02:13,560
Speaker 1: the triggery. It was some trickery involved in that, because

1114
01:02:13,760 --> 01:02:16,160
Speaker 1: the ability to know I'm selling you a shock but

1115
01:02:16,840 --> 01:02:18,720
Speaker 1: kind of never make I kind of like I was

1116
01:02:18,800 --> 01:02:21,840
Speaker 1: just I rewind it and I was young then, but

1117
01:02:22,160 --> 01:02:25,560
Speaker 1: I rewinded it. When he opened it, my heart dressed it. Dude.

1118
01:02:25,600 --> 01:02:29,640
Speaker 1: They gotta know. So of course you try to go back.

1119
01:02:29,720 --> 01:02:32,120
Speaker 1: Ain't nothing going on, you know, but you put the

1120
01:02:32,200 --> 01:02:35,560
Speaker 1: word out around town. If they're selling I pads, hit

1121
01:02:35,680 --> 01:02:39,200
Speaker 1: us up, hit this number, you know certain areas, and um,

1122
01:02:40,760 --> 01:02:43,640
Speaker 1: just respecting what the game had the offer is what

1123
01:02:43,800 --> 01:02:46,680
Speaker 1: that taught me. Right, I may not be in control

1124
01:02:46,800 --> 01:02:49,120
Speaker 1: all the tricks, but if I can identify them, I

1125
01:02:49,240 --> 01:02:52,960
Speaker 1: may be. Okay, let's talk about this whack one hundred.

1126
01:02:53,040 --> 01:02:57,120
Speaker 1: In Blue Face and Chris Sean Rock, there was a

1127
01:02:57,200 --> 01:03:00,360
Speaker 1: situation where I spoke on last week where she had

1128
01:03:00,400 --> 01:03:03,800
Speaker 1: went in the phone and was uncomfortable with his reaction.

1129
01:03:03,920 --> 01:03:07,720
Speaker 1: To her getting the phone again, conviction came into play

1130
01:03:07,840 --> 01:03:10,760
Speaker 1: just by your reaction. Sometimes they deal with you from

1131
01:03:10,840 --> 01:03:15,520
Speaker 1: that aspect. And so when she did that, you know

1132
01:03:15,600 --> 01:03:18,000
Speaker 1: they got into it and whack like, man, we're gonna

1133
01:03:18,040 --> 01:03:21,200
Speaker 1: lose some more money. Whack one hundred went on club

1134
01:03:21,280 --> 01:03:23,400
Speaker 1: house and this is what he had to say. Well,

1135
01:03:23,440 --> 01:03:30,400
Speaker 1: that's that's that's art and right, uh yeah, but we knowing,

1136
01:03:30,680 --> 01:03:33,200
Speaker 1: you know, when the coaching know how domestic violes go

1137
01:03:33,280 --> 01:03:38,320
Speaker 1: and lead to a lot of act do you care

1138
01:03:38,320 --> 01:03:43,600
Speaker 1: about it? Safety? But because listen, listen, don, I cannot

1139
01:03:43,680 --> 01:03:46,520
Speaker 1: and I'm gonna tell you my own son if I

1140
01:03:46,680 --> 01:03:50,120
Speaker 1: tell you he looking you didn't callt your third DUI

1141
01:03:50,840 --> 01:03:55,600
Speaker 1: stop drinking and driving? Right and I get a call

1142
01:03:55,760 --> 01:03:59,600
Speaker 1: they say your sons just being killed and the du

1143
01:04:00,080 --> 01:04:03,880
Speaker 1: drinking and driving and he ran across the train tracks. Don,

1144
01:04:04,080 --> 01:04:07,280
Speaker 1: I'm not dropping it here. I'm gonna say this, stupid mother,

1145
01:04:08,280 --> 01:04:11,000
Speaker 1: he got what he was looking for. Bro. So you

1146
01:04:11,160 --> 01:04:15,080
Speaker 1: basically saying you you coming from the old school traditional

1147
01:04:15,160 --> 01:04:17,280
Speaker 1: way of when they say you keep knocking at the

1148
01:04:17,320 --> 01:04:20,640
Speaker 1: day of a dope eventually gonna out. Look, bro, what

1149
01:04:20,840 --> 01:04:25,000
Speaker 1: I look like stressing myself over I taking time on

1150
01:04:25,160 --> 01:04:29,160
Speaker 1: my day to try to change or reverse a mother

1151
01:04:29,400 --> 01:04:33,200
Speaker 1: can grown man's decision. He made that decision. I sold you,

1152
01:04:34,680 --> 01:04:38,880
Speaker 1: I said, nephew, this is a two dollars she brought

1153
01:04:38,920 --> 01:04:42,280
Speaker 1: to a show because she was homeless. Now help me

1154
01:04:42,440 --> 01:04:47,760
Speaker 1: understand your gangster. I told him today, you looking like

1155
01:04:47,880 --> 01:04:51,080
Speaker 1: the feetmale. She looking like the male. Two dollars, a

1156
01:04:51,200 --> 01:04:54,920
Speaker 1: two dollar boso. She building out, She building your her

1157
01:04:55,080 --> 01:04:59,600
Speaker 1: name off of your career, and everything she do counters

1158
01:04:59,640 --> 01:05:02,600
Speaker 1: your care rire. So what she does is taken away

1159
01:05:02,680 --> 01:05:05,520
Speaker 1: from which you originally was doing it being you, So

1160
01:05:05,640 --> 01:05:08,000
Speaker 1: at some point in time, you gotta figure out what

1161
01:05:08,160 --> 01:05:10,720
Speaker 1: you want to be. I don't care for nothing about it.

1162
01:05:11,000 --> 01:05:15,560
Speaker 1: To a filthy dirty the hygiene up, the thirteen in

1163
01:05:15,640 --> 01:05:19,440
Speaker 1: the head, her mouth is up. You can't come around

1164
01:05:19,560 --> 01:05:23,680
Speaker 1: me like you. Gotta understand. Everybody gotta be. Everybody has

1165
01:05:23,760 --> 01:05:28,000
Speaker 1: an addiction to something. I'm not addicted to liquor of drugs.

1166
01:05:28,040 --> 01:05:30,520
Speaker 1: I don't drink, I don't smoke, never had, never will.

1167
01:05:31,040 --> 01:05:33,720
Speaker 1: But I have to keep things away from me that

1168
01:05:33,800 --> 01:05:37,400
Speaker 1: triggered me. I'm addicted to violence. The little girls gonna

1169
01:05:37,440 --> 01:05:40,240
Speaker 1: find remember, she gonna find herself in the alley somewhere

1170
01:05:40,520 --> 01:05:43,400
Speaker 1: and somebody gonna do something to her because of mouth.

1171
01:05:43,560 --> 01:05:47,080
Speaker 1: I don't know what they do in Baltimore, but somebody

1172
01:05:47,200 --> 01:05:49,400
Speaker 1: gonna do. They already been robbed it, y'all just don't

1173
01:05:49,440 --> 01:05:52,240
Speaker 1: know it. They beat the rialto rob That took all

1174
01:05:52,280 --> 01:05:56,960
Speaker 1: the jury, all that talking. Who what they went over

1175
01:05:57,000 --> 01:05:59,240
Speaker 1: there and they'm a little young and put that that

1176
01:05:59,520 --> 01:06:01,880
Speaker 1: still to her like she was a six foot eight

1177
01:06:02,840 --> 01:06:07,560
Speaker 1: right So out here, if she continues to do what

1178
01:06:07,760 --> 01:06:12,040
Speaker 1: she'd do, something's gonna happen because these thing't going for that.

1179
01:06:12,600 --> 01:06:15,800
Speaker 1: I keep her away from me so I'm not trigger

1180
01:06:16,160 --> 01:06:20,200
Speaker 1: to face. Sister and the baby mama. She was talking

1181
01:06:20,480 --> 01:06:23,200
Speaker 1: to him on live. They popped up out the house

1182
01:06:23,360 --> 01:06:27,720
Speaker 1: late night, came in the front door and took off running,

1183
01:06:28,000 --> 01:06:30,640
Speaker 1: and we got a unicorn statue in the living room,

1184
01:06:30,920 --> 01:06:34,760
Speaker 1: and she ran right into the unicorn. Nah. Kashawn's whole

1185
01:06:34,880 --> 01:06:38,880
Speaker 1: disposition is to use blue Face till she get to

1186
01:06:38,960 --> 01:06:41,400
Speaker 1: a point where she don't need him. And she didn't

1187
01:06:41,440 --> 01:06:43,680
Speaker 1: do anything. She got to ship paint any but she

1188
01:06:43,840 --> 01:06:46,560
Speaker 1: told me, she said, think stupid, I'm gonna use this

1189
01:06:46,800 --> 01:06:48,320
Speaker 1: to get to where I need to be. Then I'm

1190
01:06:48,400 --> 01:06:53,720
Speaker 1: gone thirteen in the head. She blurted out. Listen, she

1191
01:06:53,800 --> 01:06:56,480
Speaker 1: will say that Russia said right there in front of

1192
01:06:56,520 --> 01:06:59,760
Speaker 1: everybody and say that, and he the only one that

1193
01:07:00,000 --> 01:07:02,760
Speaker 1: act like he don't hear right. So the reason why

1194
01:07:02,960 --> 01:07:07,680
Speaker 1: she not there now is because he ain't there. He

1195
01:07:07,800 --> 01:07:10,920
Speaker 1: ain't I said my name. If she was smart, she

1196
01:07:11,000 --> 01:07:15,480
Speaker 1: would let you keep growing. You so stagnating, stagnated your yourself.

1197
01:07:16,160 --> 01:07:18,760
Speaker 1: You didn't stop your growth. So whatever she all she

1198
01:07:18,920 --> 01:07:21,840
Speaker 1: tapping into is Hollywood unlock. Now, I'll take me from

1199
01:07:21,880 --> 01:07:25,560
Speaker 1: Hollywood unlock because that's a great, big platform. But the

1200
01:07:25,640 --> 01:07:29,960
Speaker 1: only thing that's going up is an altercation or she arrested.

1201
01:07:31,120 --> 01:07:34,240
Speaker 1: You don't you see she just signed a deal for

1202
01:07:34,360 --> 01:07:36,800
Speaker 1: this or this is going on for that. You don't see?

1203
01:07:37,920 --> 01:07:42,000
Speaker 1: You just a filler, ain't right. That definitely could happen

1204
01:07:42,200 --> 01:07:47,160
Speaker 1: if but it would take somebody like like Rihanna or

1205
01:07:48,720 --> 01:07:53,480
Speaker 1: Kim Kardashian or wanted the Kardashian sisters to say, we're

1206
01:07:53,520 --> 01:07:55,240
Speaker 1: gonna reach down, bring her up and make her the

1207
01:07:55,320 --> 01:07:58,320
Speaker 1: cover girl for this didn't happened because people know who

1208
01:07:58,400 --> 01:08:02,640
Speaker 1: she is because of him. You know, I'm sorry to

1209
01:08:02,720 --> 01:08:05,800
Speaker 1: tell you this, but all right, let's talk about this.

1210
01:08:07,040 --> 01:08:10,960
Speaker 1: As you see, he is reacting to her jeopardizing some

1211
01:08:11,160 --> 01:08:14,520
Speaker 1: of his income. It's an unfortunate situation if you have

1212
01:08:14,680 --> 01:08:17,640
Speaker 1: dump millions into someone and now they seem to be

1213
01:08:18,600 --> 01:08:21,400
Speaker 1: looking like they can create a shout based on the situation,

1214
01:08:22,080 --> 01:08:24,400
Speaker 1: My young love, you can't measure. I don't know it.

1215
01:08:24,600 --> 01:08:27,240
Speaker 1: I don't. I can't. I can't tell who's what when

1216
01:08:27,360 --> 01:08:29,920
Speaker 1: or were that ain't I don't know, like I didn't

1217
01:08:29,960 --> 01:08:32,280
Speaker 1: get mine right when I we're young, so I can't

1218
01:08:32,320 --> 01:08:34,040
Speaker 1: tell them how to get it right. What I can

1219
01:08:34,240 --> 01:08:38,840
Speaker 1: say is that clearly what one hundred is in a

1220
01:08:38,920 --> 01:08:44,560
Speaker 1: position that he's uncomfortable with the relationship, but his influence

1221
01:08:46,439 --> 01:08:49,880
Speaker 1: ain't stronger than that relationship, so he don't even know

1222
01:08:50,040 --> 01:08:53,960
Speaker 1: that sometimes his outside childer can be strengthened in that relationship.

1223
01:08:54,880 --> 01:08:58,400
Speaker 1: You don't never you can't blow it up from the outside.

1224
01:08:58,479 --> 01:09:01,120
Speaker 1: You tried that to begin with, but if you're smiled,

1225
01:09:01,200 --> 01:09:03,240
Speaker 1: you would see that. Damn. I could be running him

1226
01:09:03,280 --> 01:09:06,160
Speaker 1: closer to Hub because he can be viewing being close

1227
01:09:06,240 --> 01:09:08,960
Speaker 1: to HUD's violating me by default, and so that can

1228
01:09:09,040 --> 01:09:12,160
Speaker 1: create this weird energy to where I'm making him closer

1229
01:09:12,520 --> 01:09:14,360
Speaker 1: because now he don't when he got out he know

1230
01:09:14,520 --> 01:09:16,720
Speaker 1: I'm upset. He ain't called him in fold as or

1231
01:09:16,800 --> 01:09:19,400
Speaker 1: when I call him, something's off right, So you can

1232
01:09:19,479 --> 01:09:23,320
Speaker 1: even have to deal with that. But clearly he's uncomfortable

1233
01:09:23,400 --> 01:09:28,360
Speaker 1: with the circumstances as well as anybody that's watching. You

1234
01:09:28,439 --> 01:09:31,600
Speaker 1: don't like seeing anyone getting punched hit things like that.

1235
01:09:31,760 --> 01:09:34,320
Speaker 1: That's a weird place to live in. That's a very

1236
01:09:34,479 --> 01:09:37,559
Speaker 1: vulnerable state for a young guy that got some money

1237
01:09:37,640 --> 01:09:40,840
Speaker 1: to be in, right, because your reaction has so much

1238
01:09:40,960 --> 01:09:44,000
Speaker 1: riding on it, and their reaction got a bond on it,

1239
01:09:46,000 --> 01:09:49,880
Speaker 1: got a bond that you probably make on it. The

1240
01:09:50,000 --> 01:09:52,679
Speaker 1: only part I don't understand what wagon that I didn't

1241
01:09:52,680 --> 01:09:54,519
Speaker 1: agree with it is as much as he's saying that

1242
01:09:54,640 --> 01:09:57,599
Speaker 1: that's him, I ain't got nothing to do with that, Yo.

1243
01:09:58,880 --> 01:10:00,760
Speaker 1: How can you say that you not a part of

1244
01:10:00,840 --> 01:10:04,719
Speaker 1: the chaos that he has when your chaos affixed those

1245
01:10:04,880 --> 01:10:08,599
Speaker 1: guys we just saw with game you got the nipshy

1246
01:10:08,720 --> 01:10:13,479
Speaker 1: hustle song had to come off in which that was

1247
01:10:13,560 --> 01:10:17,439
Speaker 1: your politics that went wrong. You see what I'm saying.

1248
01:10:17,479 --> 01:10:20,439
Speaker 1: So if it's your politics interfering with your people, y'all

1249
01:10:20,560 --> 01:10:22,800
Speaker 1: probably need to create a little cubby hole with a

1250
01:10:23,000 --> 01:10:26,120
Speaker 1: man we just got each other, you know, but it

1251
01:10:26,240 --> 01:10:28,840
Speaker 1: can't be I'm round with you when he go down.

1252
01:10:28,960 --> 01:10:31,280
Speaker 1: But man, you're gonna have to look and see what's

1253
01:10:31,320 --> 01:10:34,080
Speaker 1: going on when it comes to me. Now, bring me

1254
01:10:34,200 --> 01:10:39,439
Speaker 1: the details. But I see how they try to compartmentalize.

1255
01:10:39,479 --> 01:10:42,360
Speaker 1: Even with game, he's still cool with the sixties. He

1256
01:10:42,479 --> 01:10:44,640
Speaker 1: still try to go he'd be parting with him. They

1257
01:10:44,720 --> 01:10:47,439
Speaker 1: still show him love. They was talking about it. It

1258
01:10:47,520 --> 01:10:50,360
Speaker 1: ain't like that there's beef with them, but it bleeds

1259
01:10:50,439 --> 01:10:54,000
Speaker 1: over in the business. And we talk about business when

1260
01:10:54,040 --> 01:10:56,960
Speaker 1: we talk about this blue facing Chris Sean thing. It

1261
01:10:57,120 --> 01:10:59,800
Speaker 1: may look like a relationship, but this doesn't turned into

1262
01:10:59,800 --> 01:11:03,120
Speaker 1: be business. And that's where it gets slippery for them

1263
01:11:03,240 --> 01:11:06,720
Speaker 1: young adults, because it ain't just I love you know more.

1264
01:11:06,840 --> 01:11:10,560
Speaker 1: These mistakes now either costs or they add, They subtract,

1265
01:11:10,720 --> 01:11:14,400
Speaker 1: or they add. We can't even keep it afloat at

1266
01:11:14,439 --> 01:11:19,680
Speaker 1: this point. We got the consciously be adding because you

1267
01:11:19,800 --> 01:11:22,080
Speaker 1: get to a point. When you get to a point,

1268
01:11:23,840 --> 01:11:28,439
Speaker 1: or even staying the same, it's subtracting. The goal is

1269
01:11:28,479 --> 01:11:31,040
Speaker 1: to add. If they see you drive the same Bentley

1270
01:11:31,120 --> 01:11:33,200
Speaker 1: you had last ship, don't hit the same as the

1271
01:11:33,280 --> 01:11:37,439
Speaker 1: new one pulling up. You see how they do you.

1272
01:11:38,360 --> 01:11:42,000
Speaker 1: They expectations say you need to add. The markets say

1273
01:11:42,040 --> 01:11:44,519
Speaker 1: you need to add, you need to add innovation. That's

1274
01:11:44,560 --> 01:11:46,839
Speaker 1: why I don't get when people don't respect the future.

1275
01:11:47,200 --> 01:11:49,559
Speaker 1: You can live today, but you better plan for them more.

1276
01:11:50,479 --> 01:11:52,880
Speaker 1: It's the smartest thing you can do. You know. I've

1277
01:11:52,880 --> 01:11:57,000
Speaker 1: been told long so I got lower expectations for friends.

1278
01:11:58,000 --> 01:12:00,760
Speaker 1: I'm gonna be honest with if I move you into

1279
01:12:00,840 --> 01:12:04,920
Speaker 1: that family part of mine. You know, and everybody all

1280
01:12:05,000 --> 01:12:08,240
Speaker 1: my kin folks ain't my kin folks. So if I

1281
01:12:08,400 --> 01:12:10,680
Speaker 1: move you into that family side of mind, then it's

1282
01:12:10,760 --> 01:12:14,760
Speaker 1: really it's really a real thing. I hate to see

1283
01:12:14,800 --> 01:12:19,240
Speaker 1: these people. Relationship had to deal so much in violence

1284
01:12:19,320 --> 01:12:24,280
Speaker 1: and power and control. None of us don't know the

1285
01:12:24,560 --> 01:12:26,720
Speaker 1: ingredients of love. I do think there's a little bit

1286
01:12:26,800 --> 01:12:28,920
Speaker 1: of all of that that has to go into love.

1287
01:12:29,680 --> 01:12:32,920
Speaker 1: Got to control your emotions, Gotta control kind of in

1288
01:12:33,000 --> 01:12:35,799
Speaker 1: the environment to make sure that it's not an environment

1289
01:12:35,920 --> 01:12:39,479
Speaker 1: that's toxic enough to run away the person that you love.

1290
01:12:40,760 --> 01:12:44,040
Speaker 1: You know, you gotta have power over your understanding it.

1291
01:12:44,520 --> 01:12:48,000
Speaker 1: You gotta put yourself in position to have power over

1292
01:12:48,120 --> 01:12:53,000
Speaker 1: your expectations. Manage your expectations where you don't have yourself

1293
01:12:53,040 --> 01:12:55,439
Speaker 1: out on a limb. There can't nobody to get on

1294
01:12:55,600 --> 01:12:58,559
Speaker 1: with you. It's too thin, ain't It's a tight rope, right,

1295
01:12:59,200 --> 01:13:05,640
Speaker 1: But they expectations is everything, And so as we on

1296
01:13:05,760 --> 01:13:08,840
Speaker 1: the outside saying you're fucking the money up, it probably

1297
01:13:08,880 --> 01:13:12,479
Speaker 1: ain't resonating years from there. If this thing doesn't go right,

1298
01:13:12,960 --> 01:13:15,320
Speaker 1: he may look back and be like, man, that was damn.

1299
01:13:15,400 --> 01:13:17,400
Speaker 1: I kind of let her put me in the trick bad.

1300
01:13:18,080 --> 01:13:20,360
Speaker 1: But one thing about these girls, they can move on.

1301
01:13:21,120 --> 01:13:24,000
Speaker 1: They ain't like us. See, they fall in love first.

1302
01:13:24,080 --> 01:13:26,760
Speaker 1: We fall in love lads, but they fall out of

1303
01:13:26,840 --> 01:13:30,760
Speaker 1: love first, and we fall out of love lads. By

1304
01:13:30,840 --> 01:13:33,280
Speaker 1: the time we start loving, they stopped loving. It's a

1305
01:13:33,360 --> 01:13:36,639
Speaker 1: weird thing happening. You gotta keep up. By the time

1306
01:13:36,720 --> 01:13:39,559
Speaker 1: we start loving, they stopped loving. And we ain't even

1307
01:13:39,640 --> 01:13:43,120
Speaker 1: paying attention most time when they start loving. But by

1308
01:13:43,160 --> 01:13:47,680
Speaker 1: the time they stopped were just now starting. Then we

1309
01:13:47,800 --> 01:13:50,040
Speaker 1: can't understand. I thought you loving. You ain't anking a

1310
01:13:50,040 --> 01:13:51,719
Speaker 1: lot of where you got going on? I mean trying.

1311
01:13:52,680 --> 01:13:56,240
Speaker 1: It ain't nothing working. I'm she don't fell out of love?

1312
01:13:56,320 --> 01:13:58,760
Speaker 1: And here you didn't? Then you didn't? They you on

1313
01:13:58,920 --> 01:14:03,280
Speaker 1: your knees, you bay, Maybe I need you. I mean

1314
01:14:03,439 --> 01:14:06,599
Speaker 1: you you know what I'm saying. It just ain't gonna

1315
01:14:06,680 --> 01:14:10,400
Speaker 1: you know, And it's a weird interaction. Love is So

1316
01:14:10,800 --> 01:14:13,200
Speaker 1: when I see people like this, you see, I don't jug.

1317
01:14:13,280 --> 01:14:15,680
Speaker 1: I just try to deal with what information through some

1318
01:14:16,040 --> 01:14:18,479
Speaker 1: talking points out there where the people can understand, all

1319
01:14:18,560 --> 01:14:21,640
Speaker 1: right and makes some sense. Let's deal with that. Incorporate that,

1320
01:14:21,760 --> 01:14:24,320
Speaker 1: and I understand and move forward. You know what I'm saying.

1321
01:14:24,360 --> 01:14:27,080
Speaker 1: Cut for me, it's a dog place people everybody trying

1322
01:14:27,080 --> 01:14:29,639
Speaker 1: to figure that shit out. No, if I got ten

1323
01:14:29,760 --> 01:14:32,040
Speaker 1: women and they all happy, they might be love for

1324
01:14:32,160 --> 01:14:35,799
Speaker 1: us over here, that ain't your business for those of you. Unawell,

1325
01:14:35,880 --> 01:14:40,439
Speaker 1: Little Baby just dropped this documentary in conjuncture with Amazon Prime.

1326
01:14:40,520 --> 01:14:43,560
Speaker 1: In my opinion, it's one of the best showings is

1327
01:14:43,640 --> 01:14:48,439
Speaker 1: that any rapper has gave, especially being the first swing

1328
01:14:48,560 --> 01:14:53,599
Speaker 1: get it. What they're doing is restructuring what a lot

1329
01:14:53,680 --> 01:14:57,520
Speaker 1: of these people did in regards to documentaries or documentaries

1330
01:14:57,640 --> 01:15:00,439
Speaker 1: style things right, how they wait to the end. They

1331
01:15:00,560 --> 01:15:03,040
Speaker 1: kind of approaching that different and I salute p for

1332
01:15:03,160 --> 01:15:07,519
Speaker 1: that mindset right because again it's just understanding the game

1333
01:15:07,560 --> 01:15:10,040
Speaker 1: and the business side of things. But moving past that,

1334
01:15:10,560 --> 01:15:14,960
Speaker 1: this documentary spoke to us, right, spoke directly to the culture.

1335
01:15:15,720 --> 01:15:17,759
Speaker 1: If you're a fan of a little baby, you definitely

1336
01:15:17,840 --> 01:15:19,639
Speaker 1: love it. If you're not a fan of little baby,

1337
01:15:19,760 --> 01:15:24,000
Speaker 1: your perspective a little baby after this have been affected. Right,

1338
01:15:24,080 --> 01:15:27,479
Speaker 1: What you understood about little baby has now been changed.

1339
01:15:27,479 --> 01:15:31,479
Speaker 1: You now been informed. Right, You now view this from

1340
01:15:31,520 --> 01:15:33,519
Speaker 1: a different scope. You now look at this and say,

1341
01:15:33,560 --> 01:15:36,640
Speaker 1: we're down. I didn't know it was like that, Like

1342
01:15:36,800 --> 01:15:40,479
Speaker 1: I learned. And I consider myself a pretty well read guy.

1343
01:15:41,240 --> 01:15:43,680
Speaker 1: I don't I wouldn't say I'm a historian, but I

1344
01:15:43,840 --> 01:15:46,920
Speaker 1: know things about things. The way they tied in all

1345
01:15:46,960 --> 01:15:49,439
Speaker 1: of this, and this documentary with the way they tied

1346
01:15:49,479 --> 01:15:52,920
Speaker 1: in everything, and it's documentary right with the history and

1347
01:15:53,040 --> 01:15:56,479
Speaker 1: how he was growing up simultaneously in this time in

1348
01:15:56,600 --> 01:15:59,719
Speaker 1: a situation where you trapped. You know where we come from.

1349
01:16:00,800 --> 01:16:04,400
Speaker 1: You know, it's an invisible wall. We can see it

1350
01:16:04,520 --> 01:16:07,880
Speaker 1: from the inside, but they don't see it from the outside, right,

1351
01:16:07,960 --> 01:16:10,639
Speaker 1: So it ain't invisible to us. It's very much real.

1352
01:16:10,800 --> 01:16:13,080
Speaker 1: But people from the outside say, well, what the hell?

1353
01:16:13,120 --> 01:16:16,000
Speaker 1: They can't they just get a job, and can't they

1354
01:16:16,080 --> 01:16:19,120
Speaker 1: figure out the way to They don't understand it, you know,

1355
01:16:19,240 --> 01:16:21,920
Speaker 1: and it can't be explained unless it's been experienced, and

1356
01:16:22,000 --> 01:16:25,200
Speaker 1: that's why it's important to document these kind of things. Right,

1357
01:16:25,800 --> 01:16:28,720
Speaker 1: when you see somebody come from nothing, you gotta applaud that.

1358
01:16:29,080 --> 01:16:32,880
Speaker 1: I don't give what industry you in America is built

1359
01:16:32,960 --> 01:16:35,719
Speaker 1: on these kind of stories, but ours are never told

1360
01:16:35,800 --> 01:16:38,519
Speaker 1: in a way that's affecting the market. And so we

1361
01:16:38,680 --> 01:16:42,120
Speaker 1: gotta push up on the market with the culture like here,

1362
01:16:42,160 --> 01:16:44,760
Speaker 1: it is what we're doing. And as much as I

1363
01:16:44,920 --> 01:16:49,760
Speaker 1: appreciate that, my experience with this was even different than

1364
01:16:49,840 --> 01:16:55,200
Speaker 1: that because I was at the premiere, right, Pete. You know,

1365
01:16:55,240 --> 01:16:57,360
Speaker 1: I was down there at the premiere with Pete, coach

1366
01:16:57,520 --> 01:17:00,519
Speaker 1: K the whole team. Baby. You know, I was dying

1367
01:17:00,560 --> 01:17:04,720
Speaker 1: there with the squad, and I got to experience what

1368
01:17:04,880 --> 01:17:08,000
Speaker 1: it was like right in real time while this was

1369
01:17:08,080 --> 01:17:11,640
Speaker 1: coming out with his family, that his friends, right, the

1370
01:17:11,800 --> 01:17:14,920
Speaker 1: industry people is his record label, the people that believe

1371
01:17:15,040 --> 01:17:21,320
Speaker 1: in him, right, this whole environment of understanding his understatement. Right,

1372
01:17:21,479 --> 01:17:24,280
Speaker 1: all these people in here no dominique, right, they know

1373
01:17:24,439 --> 01:17:27,120
Speaker 1: where he comes from, so I mean him like, yo,

1374
01:17:27,280 --> 01:17:31,880
Speaker 1: this is this is dep now. They don't all know

1375
01:17:32,000 --> 01:17:34,519
Speaker 1: it in the same way some of them know his

1376
01:17:34,680 --> 01:17:36,960
Speaker 1: rap journey some of them know his street journey, some

1377
01:17:37,080 --> 01:17:39,519
Speaker 1: of them know his kid journey, some of them know

1378
01:17:39,640 --> 01:17:44,559
Speaker 1: his adult journey, right, some of them knowing emotionally someone right,

1379
01:17:44,640 --> 01:17:48,280
Speaker 1: it's different. But all of these people know and appreciate

1380
01:17:48,400 --> 01:17:51,000
Speaker 1: what he has done and probably in some way, shape

1381
01:17:51,080 --> 01:17:53,760
Speaker 1: or form being able to profit off for him in

1382
01:17:53,880 --> 01:17:56,120
Speaker 1: some kind of way. And you not a boss if

1383
01:17:56,160 --> 01:18:00,480
Speaker 1: your people can't profit off you see when you struggling.

1384
01:18:00,760 --> 01:18:03,360
Speaker 1: Take that as a slight man. They're trying to take

1385
01:18:03,479 --> 01:18:05,519
Speaker 1: his little bit I got, but when I got planning

1386
01:18:05,560 --> 01:18:07,680
Speaker 1: of it, the people I love get to eat off.

1387
01:18:07,840 --> 01:18:11,480
Speaker 1: Its played. That's how they go. But as I'm watching Untramped,

1388
01:18:11,600 --> 01:18:15,000
Speaker 1: and it's, in my opinion again one of the really

1389
01:18:15,120 --> 01:18:17,280
Speaker 1: stories ever told. When you watch it, when you see

1390
01:18:17,360 --> 01:18:21,160
Speaker 1: what happened with Marlow and how Marlow really gave baby

1391
01:18:21,200 --> 01:18:25,120
Speaker 1: to confidence because Marlow was already planning that seed. But

1392
01:18:25,320 --> 01:18:28,840
Speaker 1: you know he see it ain't planning to see that

1393
01:18:28,960 --> 01:18:33,479
Speaker 1: you worry about. It's watering that mother. Some I'm saying

1394
01:18:34,200 --> 01:18:36,880
Speaker 1: a lot of homes that had good ideas, but maybe

1395
01:18:36,880 --> 01:18:40,240
Speaker 1: they didn't get a chance to water that moth. And

1396
01:18:40,400 --> 01:18:42,720
Speaker 1: you might have come in and dedicated more time, so

1397
01:18:42,880 --> 01:18:45,439
Speaker 1: you was able to water it quicker than them. And

1398
01:18:45,600 --> 01:18:49,320
Speaker 1: they've been planned before you, but you've been blossom, been

1399
01:18:49,400 --> 01:18:53,439
Speaker 1: before them for whatever reason, right, that hand off a

1400
01:18:53,600 --> 01:18:56,639
Speaker 1: confidence or understanding of like this is how you write,

1401
01:18:56,760 --> 01:18:58,560
Speaker 1: or this is what we're doing, or we're talking that.

1402
01:18:58,720 --> 01:19:03,120
Speaker 1: Oh see, because it's so important to gain confidence as

1403
01:19:03,160 --> 01:19:07,000
Speaker 1: a young rapper's rough battling with this industry man. He

1404
01:19:07,080 --> 01:19:10,000
Speaker 1: folk got money, they're looking good, they're lying about it.

1405
01:19:10,640 --> 01:19:13,240
Speaker 1: They living like they you know, we think they live

1406
01:19:13,280 --> 01:19:15,200
Speaker 1: in a certain way when they're really not. So from

1407
01:19:15,240 --> 01:19:18,880
Speaker 1: the outside you're like, well, I'm competing with jiants, I'm

1408
01:19:18,960 --> 01:19:22,240
Speaker 1: competing with giants. But it's David ain't Goliath. So when

1409
01:19:22,280 --> 01:19:25,679
Speaker 1: you get the confidence and you operated that little pocket,

1410
01:19:25,720 --> 01:19:27,639
Speaker 1: then why they spook to me. They know that looking

1411
01:19:27,880 --> 01:19:31,360
Speaker 1: him is over bad self, kicking dust suck what enough?

1412
01:19:31,760 --> 01:19:34,160
Speaker 1: So when this is what you gotta do though, because

1413
01:19:34,200 --> 01:19:37,080
Speaker 1: the industry we see the clipper baby going around, you

1414
01:19:37,160 --> 01:19:40,160
Speaker 1: got the brain get to you. Because trying to break

1415
01:19:40,200 --> 01:19:42,840
Speaker 1: in the industry, that's when you see a rapper start

1416
01:19:42,960 --> 01:19:46,640
Speaker 1: doing suckers. Trying to break in the industry. Again, that

1417
01:19:46,800 --> 01:19:51,680
Speaker 1: literally wore off. Now the flames don't win down a

1418
01:19:51,760 --> 01:19:54,360
Speaker 1: little bit on the grill, the meat cooking slower. Now

1419
01:19:55,160 --> 01:19:57,400
Speaker 1: he trying to get the flames back going. He don't

1420
01:19:57,520 --> 01:20:00,519
Speaker 1: understand that. Now, learn how to cook on medium for

1421
01:20:00,680 --> 01:20:04,679
Speaker 1: a minute and open the vent and let the alien

1422
01:20:04,880 --> 01:20:08,000
Speaker 1: or something that's your problem, y'all, don't put on in

1423
01:20:08,080 --> 01:20:10,680
Speaker 1: this game. But back to the documentary. We'll get to

1424
01:20:10,800 --> 01:20:13,920
Speaker 1: that later. To watch baby be a light in a

1425
01:20:14,080 --> 01:20:16,479
Speaker 1: dog place. Coming from the hood, right, because we all

1426
01:20:16,600 --> 01:20:18,599
Speaker 1: think when you come from nothing and you come about

1427
01:20:18,680 --> 01:20:21,720
Speaker 1: the street, you really don't never see yourself coming out

1428
01:20:21,760 --> 01:20:24,840
Speaker 1: for real. Right, if you can get you a nice

1429
01:20:24,880 --> 01:20:27,839
Speaker 1: little groove, like it's right here, and be low as possible,

1430
01:20:27,920 --> 01:20:31,719
Speaker 1: where your police interaction very low. You're dealing with limited

1431
01:20:31,760 --> 01:20:34,120
Speaker 1: amount of people, you might think I can survive to

1432
01:20:34,240 --> 01:20:37,960
Speaker 1: the rest of my life like it's hill, They're gonna allway, right,

1433
01:20:38,080 --> 01:20:41,040
Speaker 1: So in your mind you can create those kind of

1434
01:20:42,360 --> 01:20:46,080
Speaker 1: goals without understanding that those are the goals you're putting

1435
01:20:46,120 --> 01:20:48,080
Speaker 1: in place. It's just you then found the groove. And

1436
01:20:48,479 --> 01:20:51,400
Speaker 1: humans are creatures a habit which makes you trapped by

1437
01:20:51,479 --> 01:20:55,920
Speaker 1: how you how your design. You trapped by your design, right,

1438
01:20:56,040 --> 01:20:58,960
Speaker 1: You trapped because a lot of times you creatures a habit.

1439
01:20:59,080 --> 01:21:01,720
Speaker 1: So whatever you do was whatever you do, right, you

1440
01:21:01,800 --> 01:21:04,439
Speaker 1: gotta break out of that echo chamber and grab something

1441
01:21:04,479 --> 01:21:06,760
Speaker 1: else and involved in what it is that you're doing.

1442
01:21:07,200 --> 01:21:09,680
Speaker 1: So when you see baby come about together and come

1443
01:21:09,760 --> 01:21:12,360
Speaker 1: from none, you say, damn. You never see him beef

1444
01:21:12,400 --> 01:21:14,320
Speaker 1: and you never see him really going back and forth.

1445
01:21:14,479 --> 01:21:17,840
Speaker 1: You know, he popped rap pop. That what they all do.

1446
01:21:18,200 --> 01:21:20,320
Speaker 1: But a lot of the things that you see rappers do,

1447
01:21:20,479 --> 01:21:23,120
Speaker 1: he really ain't really done it. But when you're watching

1448
01:21:23,200 --> 01:21:25,640
Speaker 1: it for a street, it looked like, Man, when you

1449
01:21:25,800 --> 01:21:27,920
Speaker 1: make it out, you look back at what happened and

1450
01:21:28,000 --> 01:21:29,800
Speaker 1: be like, man, I'm looking at the fire that I

1451
01:21:29,920 --> 01:21:35,920
Speaker 1: thought burnt me. I thought that fire burnt me. I

1452
01:21:36,040 --> 01:21:38,360
Speaker 1: thought I was stuck in that right. It's almost like

1453
01:21:39,520 --> 01:21:41,680
Speaker 1: having a car crash, getting out the car and the

1454
01:21:41,760 --> 01:21:44,160
Speaker 1: car tow up and you're on the side of the street.

1455
01:21:44,240 --> 01:21:49,680
Speaker 1: Leg I made it out that mof that that's the

1456
01:21:49,800 --> 01:21:53,639
Speaker 1: car was in that that motherfucker passed up right there.

1457
01:21:53,920 --> 01:21:56,320
Speaker 1: That was what we was traveling in. But although you

1458
01:21:56,439 --> 01:21:59,879
Speaker 1: remain unharmed, I need people to understand that you ain't unaffect.

1459
01:22:00,200 --> 01:22:04,439
Speaker 1: Your mentality has been templed with though. So although I

1460
01:22:04,600 --> 01:22:07,240
Speaker 1: got out of that and now I'm operating in a

1461
01:22:07,439 --> 01:22:12,880
Speaker 1: very safe place in regards to financially and careerizing, you know,

1462
01:22:13,040 --> 01:22:15,320
Speaker 1: things like that. I may be operating in a very

1463
01:22:15,400 --> 01:22:19,160
Speaker 1: safe space there, but what I've seen and what I've

1464
01:22:19,200 --> 01:22:21,519
Speaker 1: been through still affixed me in a way with how

1465
01:22:21,600 --> 01:22:24,320
Speaker 1: I look at even the position. I mean, it's a

1466
01:22:24,400 --> 01:22:27,719
Speaker 1: different kind of appreciation when you hear him talk about

1467
01:22:27,760 --> 01:22:30,960
Speaker 1: his son, right, and one thing for show, his son

1468
01:22:31,080 --> 01:22:32,680
Speaker 1: was with him at the premiere. And for me, I'm

1469
01:22:32,720 --> 01:22:35,479
Speaker 1: always I was telling my people like he always got

1470
01:22:35,760 --> 01:22:38,800
Speaker 1: his sons with him, he'd be keeping his kids with him,

1471
01:22:39,640 --> 01:22:42,720
Speaker 1: you know, and when you're able to again and take

1472
01:22:42,720 --> 01:22:44,640
Speaker 1: a certain amount of money to move around with the

1473
01:22:44,800 --> 01:22:47,719
Speaker 1: kids like that. So I ain't just saying all rappers

1474
01:22:47,800 --> 01:22:49,320
Speaker 1: need to do that. But it's a lot of rap

1475
01:22:49,439 --> 01:22:52,360
Speaker 1: dudes claiming they're getting a lot of money and they

1476
01:22:52,400 --> 01:22:57,519
Speaker 1: ain't never having their children with them. I know. Mentally, right,

1477
01:22:57,640 --> 01:23:00,080
Speaker 1: you pay a price coming from nothing to some and

1478
01:23:00,200 --> 01:23:05,320
Speaker 1: then it is not without sacrifice that you dropped five

1479
01:23:05,439 --> 01:23:08,000
Speaker 1: six albums like he did back to back here three months.

1480
01:23:08,040 --> 01:23:09,960
Speaker 1: He was explaining to me, like, Loan, this is what

1481
01:23:10,080 --> 01:23:12,800
Speaker 1: we did. Three months here, three months there, three months there,

1482
01:23:12,920 --> 01:23:15,280
Speaker 1: three I say one three months then he laying it

1483
01:23:15,360 --> 01:23:17,960
Speaker 1: out showing him I'm saying that, damn he will putting

1484
01:23:17,960 --> 01:23:21,040
Speaker 1: them work word. So when you see that in real

1485
01:23:21,200 --> 01:23:23,960
Speaker 1: time and you see how we changed from him being

1486
01:23:24,439 --> 01:23:27,519
Speaker 1: a little bit from Alanna coming out of jail, that's

1487
01:23:27,560 --> 01:23:30,439
Speaker 1: coming behind the me goals, just trying to just get

1488
01:23:30,520 --> 01:23:33,679
Speaker 1: him some traction to one of these that started getting

1489
01:23:33,760 --> 01:23:37,120
Speaker 1: good with that. Paying attention says, when you're dealing with

1490
01:23:37,200 --> 01:23:40,560
Speaker 1: a savvy mind in any business, if you move in

1491
01:23:40,600 --> 01:23:42,760
Speaker 1: the same way you was moving five years ago, you

1492
01:23:42,840 --> 01:23:45,720
Speaker 1: know made a big mistake. Ask any business about their

1493
01:23:45,760 --> 01:23:49,200
Speaker 1: five year playing and it's changed incorporated in the way

1494
01:23:49,280 --> 01:23:53,080
Speaker 1: in it. Change is inevitable because the market is faither

1495
01:23:53,280 --> 01:23:56,599
Speaker 1: changing what people like, how they consume. All these things

1496
01:23:56,640 --> 01:24:00,439
Speaker 1: are changing, even with rapping styles. Like if you catch

1497
01:24:00,479 --> 01:24:02,560
Speaker 1: your style that's on fire right now, right it But

1498
01:24:02,640 --> 01:24:05,560
Speaker 1: when you see it changing, you better either affect it

1499
01:24:05,600 --> 01:24:08,519
Speaker 1: in a way to bring it back or change with

1500
01:24:08,680 --> 01:24:13,439
Speaker 1: the sound. And I know that's technical. I'm talking now.

1501
01:24:13,439 --> 01:24:15,920
Speaker 1: I tell you something I learned. I said, this is crazy.

1502
01:24:17,000 --> 01:24:20,599
Speaker 1: They showed uh. I think it was in ninety six

1503
01:24:20,680 --> 01:24:23,200
Speaker 1: when the Olympus coming in, Folks was putting walls up

1504
01:24:23,240 --> 01:24:27,679
Speaker 1: to block out the poverty. Now, this showed me so much.

1505
01:24:28,600 --> 01:24:31,160
Speaker 1: I said, damn, I'm talking about that really shocked me

1506
01:24:31,760 --> 01:24:34,719
Speaker 1: because I'm like, look at how far America a goal

1507
01:24:35,120 --> 01:24:38,240
Speaker 1: not to fix a problem, but to make a problem

1508
01:24:38,640 --> 01:24:42,640
Speaker 1: seem like it ain't there. So my mind, because me,

1509
01:24:42,840 --> 01:24:45,600
Speaker 1: being a savage think automatically says, all right, if you

1510
01:24:45,880 --> 01:24:49,240
Speaker 1: do that for that, what else would you do that for? Yeah,

1511
01:24:49,320 --> 01:24:51,599
Speaker 1: you don't. You don't get the escape from that thinking

1512
01:24:51,680 --> 01:24:54,560
Speaker 1: just because you America or the government. I apply the

1513
01:24:54,640 --> 01:24:59,320
Speaker 1: same thinking to everything risk assessment every single time, and

1514
01:24:59,400 --> 01:25:02,360
Speaker 1: I'm truth seeking in every situation, even if it hurt me,

1515
01:25:02,800 --> 01:25:04,680
Speaker 1: if it breaks me down, because I know how to

1516
01:25:04,760 --> 01:25:07,680
Speaker 1: build back up right. I know exactly who to go

1517
01:25:07,880 --> 01:25:12,120
Speaker 1: to to build back up right, whether you spiritual or not.

1518
01:25:12,280 --> 01:25:15,320
Speaker 1: I hope you understand what I'm saying. And then to

1519
01:25:15,400 --> 01:25:18,080
Speaker 1: see Joe Biden, there was a section and then what

1520
01:25:18,160 --> 01:25:20,320
Speaker 1: he was saying, it don't matter if they and I

1521
01:25:20,439 --> 01:25:23,519
Speaker 1: heard people referenced this sometimes right that Joe Biden has

1522
01:25:23,560 --> 01:25:28,040
Speaker 1: always had sort of a nasty stands on all things

1523
01:25:28,160 --> 01:25:30,720
Speaker 1: crim and black people has been affected in a way

1524
01:25:30,800 --> 01:25:35,400
Speaker 1: that he now benefits from. And even though black people

1525
01:25:35,479 --> 01:25:39,240
Speaker 1: has been affected by him. He now benefits from black people.

1526
01:25:39,520 --> 01:25:43,000
Speaker 1: And it's a weird relationship that black people have with information.

1527
01:25:43,760 --> 01:25:46,320
Speaker 1: It's almost like we believe the last thing is told

1528
01:25:46,400 --> 01:25:50,000
Speaker 1: to us. And when I watched in this Little Baby documentary,

1529
01:25:50,080 --> 01:25:52,479
Speaker 1: how they kind of explain how these things tied in

1530
01:25:52,640 --> 01:25:54,880
Speaker 1: and we trapped in this weird area. And I speak

1531
01:25:54,880 --> 01:25:57,680
Speaker 1: about it every week. I ask your big home at

1532
01:25:57,760 --> 01:26:00,640
Speaker 1: what he'd been through? Ask your big home and what

1533
01:26:00,760 --> 01:26:03,960
Speaker 1: kind of problem solving can he do? You know what

1534
01:26:04,000 --> 01:26:06,920
Speaker 1: I'm saying, I'm come about to ghetto like the little

1535
01:26:06,960 --> 01:26:09,560
Speaker 1: babies of the world, like the money bag yols of

1536
01:26:09,640 --> 01:26:12,360
Speaker 1: the world, Like all these little nits that come out

1537
01:26:12,400 --> 01:26:14,840
Speaker 1: to ghetto and get rich for real, they really get

1538
01:26:14,960 --> 01:26:18,599
Speaker 1: some money, right, A lot of these robbers, Kodak blacks

1539
01:26:18,640 --> 01:26:21,559
Speaker 1: of the world, all these little is really getting that paper,

1540
01:26:21,640 --> 01:26:24,519
Speaker 1: Like all right, he hadn't made it if we didn't

1541
01:26:24,520 --> 01:26:26,760
Speaker 1: say he don't made it. I think we got to

1542
01:26:26,800 --> 01:26:30,320
Speaker 1: have a certain appreciation for them guys. And I also think,

1543
01:26:30,600 --> 01:26:33,800
Speaker 1: and this is me not being biased, I deal with information, right,

1544
01:26:34,560 --> 01:26:37,400
Speaker 1: but I think it's so important for brother have Pete

1545
01:26:37,479 --> 01:26:41,320
Speaker 1: next to him. You know what I'm saying, because you know,

1546
01:26:41,479 --> 01:26:43,280
Speaker 1: me and Pete talk all the time, and so I

1547
01:26:43,479 --> 01:26:47,200
Speaker 1: understand his understanding. He got a different kind of understanding

1548
01:26:47,320 --> 01:26:51,200
Speaker 1: right in him having that understanding and not being emotional

1549
01:26:51,360 --> 01:26:55,960
Speaker 1: with that understanding. It's so important. So he as you

1550
01:26:56,080 --> 01:26:59,840
Speaker 1: see on the Untrapped documentary, right, I'm dealing with mind

1551
01:27:00,120 --> 01:27:03,320
Speaker 1: standing how to break down as you see I come in, Hey,

1552
01:27:03,400 --> 01:27:06,400
Speaker 1: baby man with the Grammys. Look this the information is

1553
01:27:06,560 --> 01:27:08,920
Speaker 1: what we're dealing with. This the vibration. But you know,

1554
01:27:09,000 --> 01:27:11,080
Speaker 1: I ain't got no emotions test to it because it's

1555
01:27:11,080 --> 01:27:13,760
Speaker 1: your ship. I'm just here to hip you navigate it.

1556
01:27:15,439 --> 01:27:18,120
Speaker 1: And Baby, like na na man I slick, I still

1557
01:27:18,200 --> 01:27:22,400
Speaker 1: want to perform. Coach k and PA's understanding. It's so

1558
01:27:22,720 --> 01:27:25,920
Speaker 1: important in that moment because they got a certain level

1559
01:27:25,960 --> 01:27:29,000
Speaker 1: of access to information that make them view it and

1560
01:27:29,200 --> 01:27:32,519
Speaker 1: feel disrespected in a way where they pour from it

1561
01:27:32,640 --> 01:27:36,800
Speaker 1: what they get from it. But what that showed me

1562
01:27:36,920 --> 01:27:42,439
Speaker 1: about Baby's that he had a true character. That's what

1563
01:27:42,800 --> 01:27:47,840
Speaker 1: you call in real time finding the silver lining. It's

1564
01:27:47,920 --> 01:27:50,360
Speaker 1: like na nae, see they're telling me take a war home,

1565
01:27:50,439 --> 01:27:52,240
Speaker 1: but guess what, all my people locked up there and

1566
01:27:52,320 --> 01:27:54,360
Speaker 1: never can come to the house see the war. But boy,

1567
01:27:54,400 --> 01:27:56,519
Speaker 1: when they see me on the Grammys. That's big business.

1568
01:27:58,400 --> 01:28:01,200
Speaker 1: So I find a reason to say it's acceptable. Right,

1569
01:28:01,439 --> 01:28:03,640
Speaker 1: I find a win in it. I'd have made it

1570
01:28:03,760 --> 01:28:06,000
Speaker 1: this far, I can't. They none of this, no loss,

1571
01:28:06,080 --> 01:28:09,000
Speaker 1: no more. Whatever happened at this point, they talk about

1572
01:28:09,080 --> 01:28:11,280
Speaker 1: letting me perform on the Grammars. That's a win for me,

1573
01:28:12,360 --> 01:28:15,200
Speaker 1: you understand. And that's and that's him as a young

1574
01:28:15,320 --> 01:28:18,080
Speaker 1: man coming in. But see p and Coach saying, yo,

1575
01:28:18,640 --> 01:28:21,160
Speaker 1: I understand the business side of this. And they said,

1576
01:28:21,240 --> 01:28:23,519
Speaker 1: bring apples to the garden. And we brought apples to

1577
01:28:23,600 --> 01:28:27,320
Speaker 1: the garden. And they start count laungs or something. Ain't

1578
01:28:27,360 --> 01:28:29,400
Speaker 1: the way you say you count apples. And I sold

1579
01:28:29,479 --> 01:28:32,000
Speaker 1: the most in this year and couldn't make I sold

1580
01:28:32,040 --> 01:28:35,000
Speaker 1: the most out of any genre. Nobody's been able to

1581
01:28:35,040 --> 01:28:37,000
Speaker 1: affect the world in a way where you can say

1582
01:28:37,080 --> 01:28:39,840
Speaker 1: someone had more ticket sales or influenced than me in

1583
01:28:39,960 --> 01:28:43,280
Speaker 1: a tangible way. Right, how they run ticket sales or whatever,

1584
01:28:43,439 --> 01:28:45,680
Speaker 1: that's off the table because we're dealing with COVID and

1585
01:28:45,840 --> 01:28:49,240
Speaker 1: pandemic time. But if we deal with pure sales, y'all say,

1586
01:28:49,360 --> 01:28:53,600
Speaker 1: bring the pure sales, and we got you because it

1587
01:28:53,720 --> 01:28:56,040
Speaker 1: speaks to your impact on the coach and then when

1588
01:28:56,080 --> 01:28:58,320
Speaker 1: you don't get the nod, it's like, hold on, man,

1589
01:28:58,720 --> 01:29:01,439
Speaker 1: they playing us. And so when you hear Drake talk

1590
01:29:01,479 --> 01:29:08,240
Speaker 1: about Yo, man, he didn't even get the experience and

1591
01:29:08,280 --> 01:29:11,240
Speaker 1: I'm gonna tie something men for y'all. He didn't even

1592
01:29:11,280 --> 01:29:14,760
Speaker 1: get the experience the fact that he should or he

1593
01:29:14,880 --> 01:29:17,519
Speaker 1: had the number one album at that time, because he

1594
01:29:17,600 --> 01:29:20,040
Speaker 1: didn't get the tour. Usually how this works is yo,

1595
01:29:20,160 --> 01:29:22,280
Speaker 1: you go number one, and you're gonna too and feel

1596
01:29:22,320 --> 01:29:25,280
Speaker 1: that love. I mean they screaming at the top of

1597
01:29:25,360 --> 01:29:28,479
Speaker 1: they lunch. It's real time. I just graduated to that song,

1598
01:29:28,720 --> 01:29:31,439
Speaker 1: or you know, whatever the case, maybe it's a real

1599
01:29:31,560 --> 01:29:34,479
Speaker 1: time effect that a number one album or even an

1600
01:29:34,520 --> 01:29:37,120
Speaker 1: album in the culture that has that kind of impact

1601
01:29:37,520 --> 01:29:41,640
Speaker 1: or or a certain level of impact. There's accolades that

1602
01:29:41,760 --> 01:29:44,320
Speaker 1: come with that, tangible things that you go out and

1603
01:29:44,400 --> 01:29:46,639
Speaker 1: get on the road. It's almost like you're a hunter.

1604
01:29:47,479 --> 01:29:49,959
Speaker 1: You do your thing on the internet, that's it gathering,

1605
01:29:50,640 --> 01:29:52,720
Speaker 1: and then you go out and hunt. And so he

1606
01:29:52,760 --> 01:29:55,679
Speaker 1: didn't even get to go out and hunt now because

1607
01:29:55,800 --> 01:29:58,160
Speaker 1: people looked at that, and even Drake was like, man's

1608
01:29:58,320 --> 01:30:00,240
Speaker 1: stuff because he knows what it feels like you know

1609
01:30:00,320 --> 01:30:02,240
Speaker 1: what it's like to drop be number one and go

1610
01:30:02,320 --> 01:30:04,400
Speaker 1: out on the road and get that love and that

1611
01:30:04,600 --> 01:30:09,439
Speaker 1: bank roll and sell that merch and right, yeah, I'll

1612
01:30:09,600 --> 01:30:11,960
Speaker 1: let you know, get some Yeah, So he knows what

1613
01:30:12,080 --> 01:30:14,400
Speaker 1: that's like. And baby didn't get the experience that because

1614
01:30:14,439 --> 01:30:17,080
Speaker 1: everybody was locked down mass and I don't let what's happening.

1615
01:30:17,479 --> 01:30:20,160
Speaker 1: But judging by the character or the response to the

1616
01:30:20,280 --> 01:30:23,120
Speaker 1: grammar situation, I still view that as a good thing.

1617
01:30:25,400 --> 01:30:27,760
Speaker 1: I still view that to be turning out to be good.

1618
01:30:27,800 --> 01:30:31,479
Speaker 1: And the reason I say that is it's because you're

1619
01:30:31,520 --> 01:30:35,040
Speaker 1: dealing with a certain amount of hunger because he didn't

1620
01:30:35,040 --> 01:30:39,000
Speaker 1: get to experience that. I believe that even though that

1621
01:30:39,120 --> 01:30:41,000
Speaker 1: they can be viewed as bad, it can also be

1622
01:30:41,160 --> 01:30:43,200
Speaker 1: viewed as good. And you gotta keep up with the game.

1623
01:30:43,320 --> 01:30:46,360
Speaker 1: I'm putting down. The reason I say that is number one,

1624
01:30:46,439 --> 01:30:49,080
Speaker 1: perspective is everything, and I'm one of them to deal

1625
01:30:49,160 --> 01:30:53,559
Speaker 1: with perspective. That's number one. With number two is there's

1626
01:30:53,600 --> 01:30:58,400
Speaker 1: something to be said about still having that hunger, not

1627
01:30:58,720 --> 01:31:01,760
Speaker 1: knowing how big you are, not knowing the fix. So

1628
01:31:02,560 --> 01:31:04,200
Speaker 1: oh man, this is what it like when you go

1629
01:31:04,360 --> 01:31:08,160
Speaker 1: number one. I can cheer. Now. Some people see number one,

1630
01:31:08,200 --> 01:31:11,040
Speaker 1: and then you never see number ten after that, right,

1631
01:31:11,360 --> 01:31:13,439
Speaker 1: and the kind of run he's been known, the kind

1632
01:31:13,439 --> 01:31:16,000
Speaker 1: of blue print he's laid down, It's like I just

1633
01:31:16,160 --> 01:31:19,040
Speaker 1: see that being the same kind of thing as that

1634
01:31:19,200 --> 01:31:22,400
Speaker 1: grammed thing where you like, all right, but sometimes it's

1635
01:31:22,520 --> 01:31:26,800
Speaker 1: paralyzing to get that much attention and success, you know

1636
01:31:26,800 --> 01:31:29,960
Speaker 1: what I'm saying. And me, I believe in universal law.

1637
01:31:30,520 --> 01:31:32,519
Speaker 1: That's why I don't know how nigga sleep all day

1638
01:31:32,640 --> 01:31:34,680
Speaker 1: when the hardest working thing in the world is the

1639
01:31:34,800 --> 01:31:38,080
Speaker 1: sun and it's up for you. So I get up

1640
01:31:38,120 --> 01:31:41,840
Speaker 1: before the sun, just out of respect a universal law.

1641
01:31:42,320 --> 01:31:44,920
Speaker 1: So again, in a weird way, I think they can

1642
01:31:45,000 --> 01:31:47,519
Speaker 1: kind of feed the machine. They can kind of feed

1643
01:31:47,680 --> 01:31:51,639
Speaker 1: what got him there, which I'm just doing it locked

1644
01:31:51,680 --> 01:31:54,760
Speaker 1: in the yo. I ain't really see that too. With

1645
01:31:54,880 --> 01:31:59,080
Speaker 1: Chris Brown, that's a whole nother they're selling shout. It's

1646
01:31:59,080 --> 01:32:01,559
Speaker 1: still a different And when he go by itself though,

1647
01:32:01,600 --> 01:32:03,920
Speaker 1: when he go number one again and go by it self,

1648
01:32:04,200 --> 01:32:06,160
Speaker 1: it's gonna be a different feeling. Now that might even

1649
01:32:06,240 --> 01:32:08,120
Speaker 1: kick him into another get like I got to do

1650
01:32:08,280 --> 01:32:12,880
Speaker 1: that again. Like I see bag over there gearing up.

1651
01:32:13,040 --> 01:32:15,960
Speaker 1: You know, he didn't felt that number one vibe. It's

1652
01:32:16,000 --> 01:32:19,320
Speaker 1: like you go number one. Damn, they ain't go to Arenas.

1653
01:32:19,600 --> 01:32:21,880
Speaker 1: If you're a street you ought to be proud because

1654
01:32:21,880 --> 01:32:24,120
Speaker 1: you see young Nick at till my man. You know,

1655
01:32:24,600 --> 01:32:26,840
Speaker 1: we ain't doing all that that were dumb. We went

1656
01:32:26,920 --> 01:32:30,400
Speaker 1: through that switch that went this way and never done

1657
01:32:30,439 --> 01:32:32,240
Speaker 1: nothing else. And we're just trying to make sure we

1658
01:32:32,360 --> 01:32:34,439
Speaker 1: feed our family, to take care of our community and

1659
01:32:34,960 --> 01:32:37,160
Speaker 1: keep it real with the real one. Then you see

1660
01:32:37,280 --> 01:32:39,519
Speaker 1: dudes like thug get on their free thug he on

1661
01:32:39,640 --> 01:32:42,400
Speaker 1: there talking his one too. You know, you see Drake,

1662
01:32:42,520 --> 01:32:45,800
Speaker 1: you see Charlemagne, you see all these different people, man,

1663
01:32:45,880 --> 01:32:47,960
Speaker 1: and it's just good to see the colt and meet

1664
01:32:48,000 --> 01:32:53,360
Speaker 1: in one spot and agree. Very seldom due to culture agreed.

1665
01:32:54,240 --> 01:32:56,760
Speaker 1: And you got somebody like little Baby showing you with

1666
01:32:56,960 --> 01:33:00,840
Speaker 1: untrapped old man. The culture has agreed at that time.

1667
01:33:00,960 --> 01:33:03,679
Speaker 1: Like look what he's doing. It's undeniable. What he's done

1668
01:33:03,720 --> 01:33:06,520
Speaker 1: to run he's been on. Some of these guys are undeniable,

1669
01:33:06,640 --> 01:33:10,439
Speaker 1: especially when you deal with output. There's a lot of

1670
01:33:10,520 --> 01:33:13,240
Speaker 1: tricks being played in the business right. There's a lot

1671
01:33:13,320 --> 01:33:16,600
Speaker 1: of fluffing the numbers and masking the numbers. But you

1672
01:33:16,800 --> 01:33:20,519
Speaker 1: cannot fake impact and when we can all agree that

1673
01:33:20,640 --> 01:33:23,680
Speaker 1: this individual has impact on the sound and impact on

1674
01:33:23,800 --> 01:33:25,760
Speaker 1: what's going on. I just think that it puts that

1675
01:33:25,880 --> 01:33:29,960
Speaker 1: individual in a place to be called and respected when

1676
01:33:30,000 --> 01:33:33,120
Speaker 1: we talk about leaders of the school at this moment.

1677
01:33:33,360 --> 01:33:35,160
Speaker 1: But if you haven't seen it, go see it. Man

1678
01:33:35,320 --> 01:33:38,400
Speaker 1: untrapped as I first got the peace and security to

1679
01:33:38,439 --> 01:33:40,360
Speaker 1: give me. So I come up. We're talking. I mean,

1680
01:33:40,960 --> 01:33:43,479
Speaker 1: you know, because we'd be having them conversations and we're talking.

1681
01:33:43,560 --> 01:33:47,600
Speaker 1: Next thing you know, they're snapping picture. Yo. Man, we

1682
01:33:47,760 --> 01:33:51,599
Speaker 1: like Dan, he's turning to me. It's Amazon on them.

1683
01:33:51,720 --> 01:33:55,160
Speaker 1: They're doing their bidding it right. And so they told me,

1684
01:33:55,320 --> 01:33:57,080
Speaker 1: and whenever you came in, if you can come to

1685
01:33:57,160 --> 01:33:59,600
Speaker 1: the red carpet and get you some pictures and the

1686
01:33:59,680 --> 01:34:02,760
Speaker 1: whole vibe. Man, I was like, Yo, Amazon is in here,

1687
01:34:03,320 --> 01:34:06,840
Speaker 1: Motown is in here, QC is in here. You got

1688
01:34:07,000 --> 01:34:11,280
Speaker 1: people in here, a lot of business people in here

1689
01:34:11,320 --> 01:34:13,960
Speaker 1: that appreciate the coach in a way that they invest

1690
01:34:14,080 --> 01:34:17,680
Speaker 1: in it. Same when I was in Crew League, I'm like, hey,

1691
01:34:17,800 --> 01:34:20,280
Speaker 1: this is a revote thing, right. They invest in the

1692
01:34:20,400 --> 01:34:23,680
Speaker 1: culture when you deal with these kind of situations right

1693
01:34:23,760 --> 01:34:27,400
Speaker 1: here where it's like all these people here are invested

1694
01:34:27,560 --> 01:34:30,760
Speaker 1: in the culture. They're cutting chicks in the culture. These

1695
01:34:30,840 --> 01:34:34,800
Speaker 1: ain't your little mixer at the club. This ain't you

1696
01:34:34,920 --> 01:34:37,680
Speaker 1: come see somebody that know somebody to know somebody to

1697
01:34:37,840 --> 01:34:41,679
Speaker 1: know somebody that knows somebody that signed to a label,

1698
01:34:41,840 --> 01:34:43,960
Speaker 1: and we might can get you if you're undeniable to

1699
01:34:44,040 --> 01:34:47,800
Speaker 1: sixteen people. This is These are the people that's green

1700
01:34:47,920 --> 01:34:51,720
Speaker 1: lightning cutting checks, like yo, we believe in that. Let's

1701
01:34:51,760 --> 01:34:54,800
Speaker 1: do that with baby, Let's do that with City Girl,

1702
01:34:54,920 --> 01:34:56,560
Speaker 1: Let's do that with this, Let's do that with Q.

1703
01:34:56,800 --> 01:34:59,000
Speaker 1: Let's do that with coach. Okay, let's do this right here,

1704
01:34:59,280 --> 01:35:01,679
Speaker 1: and then Pete is right on the same side. Let's

1705
01:35:01,680 --> 01:35:03,360
Speaker 1: do that with them. Let's do that. Let's do that,

1706
01:35:03,600 --> 01:35:06,400
Speaker 1: like they it's business being done, and it's a high

1707
01:35:06,520 --> 01:35:09,560
Speaker 1: level of business being done. And so me, I'm just

1708
01:35:09,680 --> 01:35:13,120
Speaker 1: sitting back quiet, you know me, I'm soaking game of

1709
01:35:13,240 --> 01:35:15,840
Speaker 1: me and just kind of paying attention to like, Okay,

1710
01:35:15,880 --> 01:35:17,880
Speaker 1: I see kind of was who's who? I see? This

1711
01:35:18,000 --> 01:35:20,000
Speaker 1: is big bing and I don't and I don't want

1712
01:35:20,040 --> 01:35:23,200
Speaker 1: to never interfield with nothing, you know, but they so

1713
01:35:23,479 --> 01:35:26,439
Speaker 1: real man. Coach was introducing me to people that's like

1714
01:35:26,720 --> 01:35:29,960
Speaker 1: check cutters, Like yo, this is get his number, man, y'all.

1715
01:35:30,520 --> 01:35:34,559
Speaker 1: And this I'm like, Yo, these nail man they running

1716
01:35:34,640 --> 01:35:36,680
Speaker 1: like a family over there. And I speak on that

1717
01:35:36,720 --> 01:35:39,320
Speaker 1: because I see it with my own eyes. Right. All right,

1718
01:35:39,400 --> 01:35:41,760
Speaker 1: let's talk about Freddy Gibbs and Benny the Butcher for

1719
01:35:41,800 --> 01:35:44,200
Speaker 1: those of you underwhere, Freddy Gibbs and Benny the Butcher

1720
01:35:44,320 --> 01:35:48,000
Speaker 1: had some interaction online about what happened a few months ago.

1721
01:35:48,120 --> 01:35:51,360
Speaker 1: If you remember, on this up there podcast, I spoke

1722
01:35:51,439 --> 01:35:55,920
Speaker 1: about Freddy Gibbs being ran into by what was said

1723
01:35:56,000 --> 01:35:59,560
Speaker 1: to be allegedly someone Benny the Butcher's people, and that

1724
01:35:59,760 --> 01:36:03,479
Speaker 1: was situation where he was treated a certain way. Thank

1725
01:36:03,560 --> 01:36:05,800
Speaker 1: he was beat up, you know, I think he was

1726
01:36:06,160 --> 01:36:09,400
Speaker 1: dragged or something. I don't know. I do know now

1727
01:36:10,240 --> 01:36:12,640
Speaker 1: that it was more than me style because what I

1728
01:36:12,720 --> 01:36:15,600
Speaker 1: saw some couple punches, but it seemed like but it

1729
01:36:15,680 --> 01:36:18,080
Speaker 1: seemed like there was a little more than that that happened.

1730
01:36:18,360 --> 01:36:20,519
Speaker 1: I'm gonna show you guys the interaction they had and

1731
01:36:20,600 --> 01:36:23,120
Speaker 1: will come back and kind of speak on it. Yo,

1732
01:36:23,320 --> 01:36:26,840
Speaker 1: MC Dinosaur Barbecue. That's what got your head the first

1733
01:36:26,880 --> 01:36:29,519
Speaker 1: time talk about we had noting to do it real.

1734
01:36:30,560 --> 01:36:33,120
Speaker 1: Dragged you by your chain, dragged you by your took

1735
01:36:33,160 --> 01:36:40,200
Speaker 1: this off your neck. You MC Dinosaur Barbecue, punched your

1736
01:36:40,280 --> 01:36:42,600
Speaker 1: head all and had you lumped up stitches, all of

1737
01:36:42,680 --> 01:36:47,080
Speaker 1: you for running your mouth like you're doing on Remember

1738
01:36:47,120 --> 01:36:49,679
Speaker 1: that leave you with next thing about that cheap cardier

1739
01:36:49,760 --> 01:36:54,160
Speaker 1: watch just cleaning my jewelry up today. Nothing exciting. It's

1740
01:36:54,240 --> 01:36:58,920
Speaker 1: cleaning my jewels. MC dinosaur Barbecue. You've been getting ranned

1741
01:36:58,920 --> 01:37:02,720
Speaker 1: down on by last year, but out a gun you.

1742
01:37:05,600 --> 01:37:07,639
Speaker 1: So if you're listening, I'm gonna read what's on the screen.

1743
01:37:07,800 --> 01:37:10,840
Speaker 1: Freddy Gibbs tweets when all your homes was trying to

1744
01:37:10,960 --> 01:37:13,760
Speaker 1: jump me, I heard y'all saying shoot them, shoot them,

1745
01:37:14,120 --> 01:37:17,559
Speaker 1: but there ain't none of y'all had a nut. Man.

1746
01:37:17,640 --> 01:37:21,960
Speaker 1: We ain't talking like it is one. We ain't saying

1747
01:37:22,000 --> 01:37:24,600
Speaker 1: no shy. Maybe I don't even read that. Yeah, I

1748
01:37:24,600 --> 01:37:28,400
Speaker 1: don't think we're saying. When all of y'all homs was

1749
01:37:28,479 --> 01:37:31,040
Speaker 1: trying to jump me, I heard y'all saying shoot them,

1750
01:37:31,120 --> 01:37:35,439
Speaker 1: shoot them, but ain't none of y'all have the nuts.

1751
01:37:43,120 --> 01:37:48,920
Speaker 1: I don't know, man, that's weird rappers be too tough

1752
01:37:49,000 --> 01:37:53,720
Speaker 1: for me. I don't know, Like you ain't got to

1753
01:37:53,760 --> 01:37:57,479
Speaker 1: be that tough man. Man. Thank god, y'all didn't shoot

1754
01:37:57,520 --> 01:38:02,000
Speaker 1: me to be too tough for me. Man I just

1755
01:38:02,320 --> 01:38:04,559
Speaker 1: in my opinion, I don't understand how you can even

1756
01:38:04,640 --> 01:38:08,400
Speaker 1: place yourself in a situation to have had the level

1757
01:38:08,479 --> 01:38:11,479
Speaker 1: of confidence it take to say y'all and had the

1758
01:38:11,600 --> 01:38:13,479
Speaker 1: nuts to kill me after day then beat you and

1759
01:38:13,600 --> 01:38:15,800
Speaker 1: took your girl chain off for nick. They had the

1760
01:38:15,880 --> 01:38:19,000
Speaker 1: nuts to do something to you when the example should

1761
01:38:19,120 --> 01:38:22,200
Speaker 1: be made and it's not made. You set yourself up

1762
01:38:22,280 --> 01:38:24,880
Speaker 1: to be an example. But then when you say things

1763
01:38:24,960 --> 01:38:26,920
Speaker 1: like that, I say, loone, they got to be smarter

1764
01:38:27,000 --> 01:38:30,120
Speaker 1: than that. Because you can't trade peace for war. Ain't

1765
01:38:30,160 --> 01:38:32,559
Speaker 1: even a thing right. You can't put those two things

1766
01:38:32,600 --> 01:38:34,880
Speaker 1: in the same spot. So when you see somebody try

1767
01:38:34,960 --> 01:38:38,599
Speaker 1: to you want to fan the flame. You want some problems.

1768
01:38:39,479 --> 01:38:41,639
Speaker 1: You want to be in a situation where we're looking

1769
01:38:41,720 --> 01:38:44,160
Speaker 1: for each other, because I can't trade peace for this

1770
01:38:44,479 --> 01:38:48,519
Speaker 1: you doing see how I'm a trade peace for that?

1771
01:38:48,800 --> 01:38:51,640
Speaker 1: You doing? You running online, doing this, saying this, doing this,

1772
01:38:51,840 --> 01:38:54,519
Speaker 1: sneak this, and X Y and Z calling me out,

1773
01:38:54,640 --> 01:38:57,240
Speaker 1: hurting my brand, and I post a trade peace for that.

1774
01:38:57,880 --> 01:39:01,880
Speaker 1: God ain't done with me. God ain't even done with me.

1775
01:39:01,960 --> 01:39:04,840
Speaker 1: I can't trade peace for war just yet. And I

1776
01:39:04,960 --> 01:39:07,800
Speaker 1: think when you're a Christian, that's what I say, you're

1777
01:39:07,800 --> 01:39:09,960
Speaker 1: able to do. You're able to trade peace for war.

1778
01:39:10,160 --> 01:39:13,679
Speaker 1: But until I can't do it. Number one, I set

1779
01:39:13,760 --> 01:39:16,280
Speaker 1: myself for to be hurt, and be me being hurt

1780
01:39:16,360 --> 01:39:19,840
Speaker 1: by self inflicted wounds. I try to limit that at

1781
01:39:19,920 --> 01:39:23,200
Speaker 1: all costs. Stop trying to DM me. Ain't nothing to

1782
01:39:23,280 --> 01:39:27,519
Speaker 1: talk about, be safe, get bitty. So they're making threats online.

1783
01:39:28,240 --> 01:39:32,320
Speaker 1: That chain was extremely small. You know, I wasn't gonna

1784
01:39:32,360 --> 01:39:34,360
Speaker 1: speak on that side of it, but man, I'd be

1785
01:39:34,479 --> 01:39:37,559
Speaker 1: mad if you don't got that off my goad name. Man,

1786
01:39:37,600 --> 01:39:39,960
Speaker 1: I'll be mad the more I don't exposed. I ain't

1787
01:39:40,000 --> 01:39:43,280
Speaker 1: got nothing. Man, If you run up on my girl

1788
01:39:43,320 --> 01:39:45,160
Speaker 1: and get a chain that little offer a nick, you

1789
01:39:45,240 --> 01:39:47,720
Speaker 1: don't expose, I ain't got nothing. She ain't got nothing

1790
01:39:47,800 --> 01:39:51,320
Speaker 1: on the risk, no bag or nothing. And of course

1791
01:39:51,400 --> 01:39:53,559
Speaker 1: I don't want to see that happening. Nobody in These

1792
01:39:53,600 --> 01:39:56,840
Speaker 1: are comedic rituals. But I'm saying, say, man, I got that,

1793
01:39:56,960 --> 01:39:59,479
Speaker 1: I got that chain, and look up and it's something

1794
01:39:59,520 --> 01:40:04,640
Speaker 1: like it, but no money is god man or he

1795
01:40:04,720 --> 01:40:08,200
Speaker 1: ain't really well huh, he don't even put you shot.

1796
01:40:08,280 --> 01:40:10,320
Speaker 1: He got you in some of the littlest JI riding.

1797
01:40:10,400 --> 01:40:14,439
Speaker 1: Never seen people putting that kind of the kid's key chain.

1798
01:40:16,600 --> 01:40:18,280
Speaker 1: He didn't put it on your nick made of the

1799
01:40:18,360 --> 01:40:21,040
Speaker 1: whole event. Don't took you somethingwhere I got a little

1800
01:40:21,160 --> 01:40:27,840
Speaker 1: room and poured that little bulls shout, Hey, hey, it's

1801
01:40:27,960 --> 01:40:31,479
Speaker 1: up this bulls. That's funny to me, man, you know,

1802
01:40:31,840 --> 01:40:35,880
Speaker 1: but um, they didn't get nothing of Freddy. Again, I

1803
01:40:35,960 --> 01:40:37,920
Speaker 1: think they's a squashed to be ben at the butcher

1804
01:40:37,960 --> 01:40:40,320
Speaker 1: be on this up that podcast, we'll speak about it.

1805
01:40:40,560 --> 01:40:42,519
Speaker 1: I think they's a squashed the beef. But again I

1806
01:40:42,600 --> 01:40:46,120
Speaker 1: don't know to be because knowing his participation, and I

1807
01:40:46,320 --> 01:40:48,719
Speaker 1: have not found it in my heart to be able

1808
01:40:48,760 --> 01:40:51,920
Speaker 1: to tell somebody to forgive a death, because I ain't

1809
01:40:51,920 --> 01:40:55,280
Speaker 1: forgave those that don't done things to me and my people.

1810
01:40:56,120 --> 01:40:58,320
Speaker 1: I still got a certain place in my heart that

1811
01:40:58,479 --> 01:41:01,560
Speaker 1: even if it ain't war, it ain't peace, it just

1812
01:41:01,720 --> 01:41:05,880
Speaker 1: ain't nothing. It's just silent. But just because the crocodile

1813
01:41:05,960 --> 01:41:08,479
Speaker 1: ain't poking up, don't mean ain't in the water though.

1814
01:41:09,040 --> 01:41:12,160
Speaker 1: But right, it's just silence. Just leave that alone over y'all,

1815
01:41:12,240 --> 01:41:14,720
Speaker 1: just try to look off and try to we get

1816
01:41:14,880 --> 01:41:17,920
Speaker 1: money we're trying to just but don't make us revisit that, man,

1817
01:41:17,960 --> 01:41:20,680
Speaker 1: because that's a weird place for us. Man, it's a

1818
01:41:20,760 --> 01:41:23,360
Speaker 1: lot of people that are crashed because their emotions drive

1819
01:41:23,479 --> 01:41:27,679
Speaker 1: their car. And if your emotions drive your car, it's

1820
01:41:27,720 --> 01:41:30,360
Speaker 1: easy to wreck the vehicle. You got to be in

1821
01:41:30,400 --> 01:41:33,639
Speaker 1: a position to understand that pard Wars is a real thing.

1822
01:41:33,800 --> 01:41:38,080
Speaker 1: Let's talk about that pod wars. Charlemagne and Joe Button

1823
01:41:38,120 --> 01:41:40,920
Speaker 1: are taking shots at each other. I'm a student of

1824
01:41:41,040 --> 01:41:43,040
Speaker 1: the game, so I studied the game and I see

1825
01:41:43,080 --> 01:41:46,720
Speaker 1: the shots right. So when Breakfast Club announced the departure

1826
01:41:47,120 --> 01:41:51,599
Speaker 1: of Angela Yee, Joe went on the podcast and did

1827
01:41:51,680 --> 01:41:54,759
Speaker 1: a little fake celebration. You know, sometimes when you smile

1828
01:41:54,840 --> 01:41:58,200
Speaker 1: and do some people know you ain't playing. You can

1829
01:41:58,280 --> 01:42:02,519
Speaker 1: alo co cock cock car. Nah, that ain't fun man,

1830
01:42:04,040 --> 01:42:06,080
Speaker 1: You don't know. Yeah, just because you put the cock

1831
01:42:06,160 --> 01:42:10,120
Speaker 1: cock carl, that ain't funny to me. I'll be telling

1832
01:42:10,200 --> 01:42:12,240
Speaker 1: my home is because where I'm from, they got this thing.

1833
01:42:12,360 --> 01:42:15,479
Speaker 1: What are you doing? You know they used to be

1834
01:42:15,680 --> 01:42:17,800
Speaker 1: word in a way where they don't mean nothing bad.

1835
01:42:17,920 --> 01:42:21,040
Speaker 1: But I'd be respectfully telling whoever big home it, don't

1836
01:42:21,120 --> 01:42:24,200
Speaker 1: call me that, bro, And I don't think I'm bigger

1837
01:42:24,200 --> 01:42:27,639
Speaker 1: than nobody. Just cut me some kind of way. Something

1838
01:42:27,760 --> 01:42:29,920
Speaker 1: happen when you do that. Don't do that to me,

1839
01:42:30,040 --> 01:42:33,439
Speaker 1: bro And as a man, I gotta let you know

1840
01:42:33,560 --> 01:42:36,920
Speaker 1: that I'm uncomfortable with the environment. But Joe played a

1841
01:42:37,000 --> 01:42:38,800
Speaker 1: song and we'll try to find it and play a

1842
01:42:38,880 --> 01:42:42,920
Speaker 1: little bit of it. But Joe had a certain reaction

1843
01:42:42,960 --> 01:42:46,679
Speaker 1: with Breakfast Club made this announcement. When ange Leaue said

1844
01:42:46,720 --> 01:42:49,520
Speaker 1: she'll be departing getting their own show. Shout out to Angeleue,

1845
01:42:49,600 --> 01:42:52,160
Speaker 1: She's a legend in the game. Charlemagne Envy. Shout out

1846
01:42:52,160 --> 01:42:54,200
Speaker 1: to them, Shout out to Joe. You know me, I

1847
01:42:54,320 --> 01:42:56,800
Speaker 1: just explained the game. I respect they hustle. I'm in

1848
01:42:56,880 --> 01:42:59,439
Speaker 1: this shot along haul. We're gonna make a lot of money, right,

1849
01:42:59,520 --> 01:43:01,760
Speaker 1: so I know who's what win and well believe that.

1850
01:43:02,360 --> 01:43:05,840
Speaker 1: Here's the thing. Joe Budden said this when Charlemagne and

1851
01:43:06,080 --> 01:43:17,720
Speaker 1: Angel League and DJ Nby made that announcement. At least

1852
01:43:17,760 --> 01:43:30,160
Speaker 1: somebody could be a professional if MESSI this char different

1853
01:43:33,120 --> 01:44:04,479
Speaker 1: book sign up speech. Yeah professional dust. Hey, it don't

1854
01:44:04,560 --> 01:44:08,880
Speaker 1: better how you bite the dust. Everybody don't fall the same.

1855
01:44:09,960 --> 01:44:15,760
Speaker 1: My falls loud, clumsy bones, great sinkhole in the mud

1856
01:44:16,360 --> 01:44:20,799
Speaker 1: quick saying glass that be my fault. So a graceful

1857
01:44:20,840 --> 01:44:23,360
Speaker 1: fall is nice. You go down aloud, you go down

1858
01:44:23,400 --> 01:44:26,560
Speaker 1: a loud and so Joe Button and Charlemagne have a

1859
01:44:26,760 --> 01:44:30,200
Speaker 1: very checkered past. If you're a student of the game,

1860
01:44:30,280 --> 01:44:32,719
Speaker 1: then you know some of the things that has happened.

1861
01:44:32,720 --> 01:44:35,960
Speaker 1: In my opinion, from my standpoint advantage point, with the

1862
01:44:36,080 --> 01:44:40,760
Speaker 1: outside information that has been left on the table, I

1863
01:44:40,920 --> 01:44:44,320
Speaker 1: view it like Charlemagne really helped legitimize Joe Button in

1864
01:44:44,400 --> 01:44:48,840
Speaker 1: this space and amplify him all for that to be

1865
01:44:49,080 --> 01:44:52,800
Speaker 1: used in a way that was damage into Charlemagne at

1866
01:44:52,840 --> 01:44:55,800
Speaker 1: the very end. Now they both were taking shots fair.

1867
01:44:56,640 --> 01:44:58,800
Speaker 1: I don't I can't remember who started it, but I'm

1868
01:44:58,840 --> 01:45:00,880
Speaker 1: sure at some point out you know, go back and

1869
01:45:00,960 --> 01:45:04,080
Speaker 1: we'll take a look at it on patron. But these

1870
01:45:04,160 --> 01:45:07,400
Speaker 1: things are interested in part wars. Even with Getling Wallow,

1871
01:45:07,520 --> 01:45:14,200
Speaker 1: round of applause for them. Getling Wallow reached to me

1872
01:45:14,280 --> 01:45:17,240
Speaker 1: and subscribers on YouTube again, big shout out to them.

1873
01:45:17,320 --> 01:45:19,960
Speaker 1: They showing you how to grow podcasts on YouTube. They're

1874
01:45:20,000 --> 01:45:23,120
Speaker 1: laying a little blueprint out over there for creators. If

1875
01:45:23,200 --> 01:45:25,519
Speaker 1: you have that kind of setup and can't afford to

1876
01:45:26,280 --> 01:45:28,320
Speaker 1: do it in that way, they're showing you how to

1877
01:45:28,400 --> 01:45:31,200
Speaker 1: get it done. So that's a beautiful thing that they've

1878
01:45:31,240 --> 01:45:32,920
Speaker 1: built over there, and I like to see how they

1879
01:45:33,040 --> 01:45:36,800
Speaker 1: operate in the sports and entertainment simultaneously. We plan to

1880
01:45:36,880 --> 01:45:39,840
Speaker 1: do some version of that as well, but we're also

1881
01:45:39,960 --> 01:45:42,880
Speaker 1: trying to dance and some other arenas which will make

1882
01:45:43,400 --> 01:45:46,679
Speaker 1: for a good conversation and good content hopefully for the culture.

1883
01:45:46,800 --> 01:45:49,799
Speaker 1: Right in this part war stuff, you would see Getling

1884
01:45:49,840 --> 01:45:51,640
Speaker 1: Wallow and them even say yo, we've been on that.

1885
01:45:51,920 --> 01:45:54,840
Speaker 1: I know a conversation probably is being had that Joe

1886
01:45:54,920 --> 01:45:58,080
Speaker 1: don't have a million subscribers shots got a million, over

1887
01:45:58,120 --> 01:46:01,760
Speaker 1: a million, and then with Willow and getting them hitting

1888
01:46:01,760 --> 01:46:04,080
Speaker 1: the million. Of course, I think, you know, it's just

1889
01:46:04,479 --> 01:46:06,960
Speaker 1: these are kind of bitchmarks to show your impact in

1890
01:46:07,000 --> 01:46:08,880
Speaker 1: the culture. And a lot of times people get these

1891
01:46:08,920 --> 01:46:11,719
Speaker 1: accolades and they put them on front street. Look because

1892
01:46:11,760 --> 01:46:14,519
Speaker 1: they've showing you. And that's what Joe Budden be talking

1893
01:46:14,560 --> 01:46:17,400
Speaker 1: about when he said pod Wars is going on. I'm

1894
01:46:17,439 --> 01:46:20,439
Speaker 1: just identifying it for the culture. When he say that,

1895
01:46:20,560 --> 01:46:23,760
Speaker 1: he's talking about these little things, these snapshots, where as

1896
01:46:23,800 --> 01:46:25,519
Speaker 1: soon as you go number one, we all put it

1897
01:46:25,560 --> 01:46:27,920
Speaker 1: out because I'm putting mine out. I had a thousand

1898
01:46:27,960 --> 01:46:31,559
Speaker 1: people watching me by myself on a surprise drop. They're

1899
01:46:31,600 --> 01:46:34,200
Speaker 1: people in the culture. They got platinum selling records. They

1900
01:46:34,240 --> 01:46:37,200
Speaker 1: can't get a thousand people watching them unless they're talking crazy.

1901
01:46:37,240 --> 01:46:41,360
Speaker 1: I ain't talking. I'm giving game out. Thousand people show

1902
01:46:41,520 --> 01:46:44,280
Speaker 1: up in I respect that, and so you gotta respect

1903
01:46:44,360 --> 01:46:46,760
Speaker 1: when people are coming up and coming through the game

1904
01:46:46,800 --> 01:46:49,000
Speaker 1: in that way. I think Joe kind of caught itself

1905
01:46:49,040 --> 01:46:52,679
Speaker 1: in a perfect storm when he decided to transition. Unlike

1906
01:46:52,760 --> 01:46:55,080
Speaker 1: other people. I think Joe is gonna be able to

1907
01:46:55,240 --> 01:46:57,559
Speaker 1: evolve with the market. But some of the people who

1908
01:46:57,720 --> 01:47:01,000
Speaker 1: started early, like Joe Budden, because really a lot of

1909
01:47:01,080 --> 01:47:03,760
Speaker 1: people that's in position is only in position because they

1910
01:47:03,840 --> 01:47:06,959
Speaker 1: started the race before people, meaning they had an extreme

1911
01:47:07,120 --> 01:47:10,200
Speaker 1: head start on the creators just coming behind them, and

1912
01:47:10,280 --> 01:47:12,800
Speaker 1: so just by proximity there in the front, it ain't

1913
01:47:12,800 --> 01:47:17,839
Speaker 1: got nothing to do with innovation, creativity, expertise, authenticity, talent

1914
01:47:18,040 --> 01:47:21,439
Speaker 1: looks nothing. Young, listen to me, I'm giving you the game.

1915
01:47:21,560 --> 01:47:23,400
Speaker 1: The only reason the head of you is because they

1916
01:47:23,479 --> 01:47:26,360
Speaker 1: started before you. And if you really put the game down,

1917
01:47:26,439 --> 01:47:28,679
Speaker 1: you can catch them because leading the race ain't winning

1918
01:47:28,720 --> 01:47:31,040
Speaker 1: the race, but set that to the side. When Joe

1919
01:47:31,120 --> 01:47:34,160
Speaker 1: Buddon got into the game and he got the with Charlemagne,

1920
01:47:34,240 --> 01:47:37,599
Speaker 1: Charlemagne was leading the race, and when Charlemagne was grabbing

1921
01:47:37,680 --> 01:47:40,559
Speaker 1: hold to him and pulling him up, they would cover

1922
01:47:40,680 --> 01:47:43,519
Speaker 1: him on Breakfast Club, let him come on certain things right.

1923
01:47:43,560 --> 01:47:46,560
Speaker 1: And this is at the time when the audience was transferable,

1924
01:47:47,280 --> 01:47:50,120
Speaker 1: because there wasn't people didn't have in their mind where

1925
01:47:50,840 --> 01:47:54,559
Speaker 1: there was these audiences. I watched this show, and if

1926
01:47:54,600 --> 01:47:57,280
Speaker 1: I watch another show is disloyal to this show. Now

1927
01:47:57,439 --> 01:48:00,360
Speaker 1: you can enjoy all this content, but there's a weird

1928
01:48:00,479 --> 01:48:03,320
Speaker 1: thing that happens in this internet world where it's like

1929
01:48:04,240 --> 01:48:06,320
Speaker 1: if I watched this show and then they get to

1930
01:48:06,400 --> 01:48:08,479
Speaker 1: beef and with that show, I gotta only watch this

1931
01:48:08,640 --> 01:48:11,719
Speaker 1: show or only be loud about this show and watch

1932
01:48:11,840 --> 01:48:16,840
Speaker 1: that one insilent. No matter what watching it, the view translates.

1933
01:48:16,880 --> 01:48:19,880
Speaker 1: But I'm just saying on the outward, that's what you

1934
01:48:20,000 --> 01:48:23,280
Speaker 1: have to deal with. With that being said, I think

1935
01:48:23,400 --> 01:48:27,160
Speaker 1: he also got into a partnership kind of situation with

1936
01:48:27,280 --> 01:48:32,400
Speaker 1: academics when Academics was just young and impressionable and kind

1937
01:48:32,439 --> 01:48:34,960
Speaker 1: of like goofy. So he didn't know what his audience

1938
01:48:35,080 --> 01:48:39,960
Speaker 1: was worth. So he shared that two million people were

1939
01:48:40,040 --> 01:48:43,240
Speaker 1: complex for pennions on the dollar this time right there.

1940
01:48:43,320 --> 01:48:45,280
Speaker 1: That move would cost a lot more money, but that

1941
01:48:45,439 --> 01:48:50,440
Speaker 1: exposure birthed his brand in a way that was consumable

1942
01:48:50,479 --> 01:48:52,560
Speaker 1: because at first it was just a page. Then it

1943
01:48:52,640 --> 01:48:55,960
Speaker 1: became a personality, right, even though he was doing his

1944
01:48:56,080 --> 01:48:59,280
Speaker 1: twist thing, it wasn't It became kind of like a

1945
01:48:59,400 --> 01:49:02,080
Speaker 1: personality off that Joe Budden interaction. But he had to

1946
01:49:02,160 --> 01:49:05,360
Speaker 1: give access to his audience to even get that. You

1947
01:49:05,479 --> 01:49:10,560
Speaker 1: just heard Peace say your breakthrough come from your sacrifice.

1948
01:49:10,640 --> 01:49:13,519
Speaker 1: So he had to sacrifice his audience to get that

1949
01:49:14,320 --> 01:49:17,560
Speaker 1: platform in a way where structured in that way in

1950
01:49:17,720 --> 01:49:19,880
Speaker 1: which he has like what rappers do when they go

1951
01:49:19,960 --> 01:49:23,559
Speaker 1: on their tools. Right, he got a proven ticket sale record.

1952
01:49:24,080 --> 01:49:26,840
Speaker 1: But Joe come out of that with exposure to all

1953
01:49:26,920 --> 01:49:30,280
Speaker 1: those people and with his talent and his ability to podcast.

1954
01:49:31,400 --> 01:49:34,839
Speaker 1: There's a conversion that happens when you let Joe on ESPN.

1955
01:49:34,960 --> 01:49:37,320
Speaker 1: Some people are gonna go see the part you let

1956
01:49:37,400 --> 01:49:39,680
Speaker 1: Lan on your podcast. A couple of people gonna like,

1957
01:49:39,800 --> 01:49:41,519
Speaker 1: I want to know a little more about that dude.

1958
01:49:41,600 --> 01:49:44,720
Speaker 1: He was saying some crazy, some good, some good. Right.

1959
01:49:44,840 --> 01:49:47,280
Speaker 1: So a lot of times that's what happened with Joe,

1960
01:49:47,360 --> 01:49:50,320
Speaker 1: and then when people go see it, I don't I

1961
01:49:50,400 --> 01:49:52,240
Speaker 1: don't know about whether they stay or not because I

1962
01:49:52,280 --> 01:49:54,920
Speaker 1: don't know his numbers, but I do know that he

1963
01:49:55,080 --> 01:49:57,479
Speaker 1: was able to keep a lot of that audience, especially

1964
01:49:57,640 --> 01:49:59,599
Speaker 1: in the way that he left complex. That's a whole

1965
01:49:59,600 --> 01:50:03,080
Speaker 1: another situation and we'll get to that on patron or

1966
01:50:03,200 --> 01:50:07,360
Speaker 1: something at some point. But the relationship with him and

1967
01:50:07,439 --> 01:50:11,040
Speaker 1: Charlemagne after he said that, Charlemagne again came out of

1968
01:50:11,080 --> 01:50:13,240
Speaker 1: he said this. I love. I love the opts to

1969
01:50:13,400 --> 01:50:16,000
Speaker 1: that say things like, you know, like like years ago

1970
01:50:16,080 --> 01:50:18,720
Speaker 1: they say things like the Breakfast Club was over. But then,

1971
01:50:18,840 --> 01:50:21,040
Speaker 1: you know, all we did was kept giving you great

1972
01:50:21,120 --> 01:50:24,560
Speaker 1: content and you know, eventually became part of like like

1973
01:50:25,000 --> 01:50:27,880
Speaker 1: actual American history because of our interviews with politicians and

1974
01:50:27,960 --> 01:50:29,679
Speaker 1: stuff like that. Then we ended up in the Radio

1975
01:50:29,760 --> 01:50:31,800
Speaker 1: Hall of Fame. Not once did they say they were

1976
01:50:31,840 --> 01:50:35,519
Speaker 1: wrong over the last box six years. But Angela's leaving

1977
01:50:35,600 --> 01:50:38,120
Speaker 1: now they're like, yeah, I see, I was right. I mean,

1978
01:50:38,240 --> 01:50:41,080
Speaker 1: it's easy to like predict the demise of something because

1979
01:50:41,120 --> 01:50:43,680
Speaker 1: everything comes from that. So a little job back, no

1980
01:50:43,880 --> 01:50:46,720
Speaker 1: none real serious, just speaking on how Maul and Joe

1981
01:50:46,760 --> 01:50:49,559
Speaker 1: and them kind of spoke about the Breakfast Club all

1982
01:50:49,600 --> 01:50:52,400
Speaker 1: they got eight months left, they got ten months left,

1983
01:50:52,479 --> 01:50:56,760
Speaker 1: and that didn't come to fluition. I hate to see

1984
01:50:56,880 --> 01:51:00,439
Speaker 1: Joe or Charlemagne doing that right there, being in that situation,

1985
01:51:00,439 --> 01:51:04,400
Speaker 1: because they're more powerful together. I'm not sure Joe's approach

1986
01:51:05,680 --> 01:51:09,960
Speaker 1: can fit inside of Charlemagne's circumstances, you know what I mean.

1987
01:51:10,040 --> 01:51:11,800
Speaker 1: And I think that may be the issue if we're

1988
01:51:11,840 --> 01:51:14,000
Speaker 1: just dealing with on paper and talent that looks like

1989
01:51:14,080 --> 01:51:18,040
Speaker 1: a powerhouse. But then I spent off of that. I

1990
01:51:18,120 --> 01:51:21,560
Speaker 1: got an interesting interview about to drop with Umar and

1991
01:51:21,680 --> 01:51:25,240
Speaker 1: I look at Shots and Charlemagne, I sit down, the

1992
01:51:25,400 --> 01:51:28,479
Speaker 1: shots at this moment has spawned out and now it's

1993
01:51:29,040 --> 01:51:33,000
Speaker 1: a big deal in his arena, right at the very

1994
01:51:33,080 --> 01:51:35,360
Speaker 1: beginning stages. I think he built it in a way

1995
01:51:35,439 --> 01:51:39,720
Speaker 1: that was unclear to us on this side. But in

1996
01:51:39,840 --> 01:51:43,439
Speaker 1: his own right, he's a star. Charlemagne is who Charlemagne is.

1997
01:51:43,520 --> 01:51:48,080
Speaker 1: He's a culture staple. He's a star. Are they getting

1998
01:51:48,080 --> 01:51:51,080
Speaker 1: the most out of that podcast? Though? They asked that

1999
01:51:51,240 --> 01:51:53,240
Speaker 1: on an episode, and I said, damn, I wonder that.

2000
01:51:53,320 --> 01:51:56,720
Speaker 1: I wonder it's Charlemagne and Andrew getting them. I don't

2001
01:51:56,760 --> 01:52:02,000
Speaker 1: think so, because them that Andrew can drop them on

2002
01:52:02,080 --> 01:52:05,360
Speaker 1: YouTube and get a million, easy, three million, six million,

2003
01:52:05,479 --> 01:52:09,720
Speaker 1: like easy Charlemagne as well with Breakfast Club they can

2004
01:52:09,840 --> 01:52:12,120
Speaker 1: drop get a million, eight hundred thousand end of day,

2005
01:52:12,240 --> 01:52:17,000
Speaker 1: certain things like they're easy. But their podcast together isn't dropped.

2006
01:52:17,080 --> 01:52:19,240
Speaker 1: Now here's an interesting thing that they said why it

2007
01:52:19,360 --> 01:52:22,240
Speaker 1: might be, And I said, that makes sense because they're

2008
01:52:22,280 --> 01:52:25,480
Speaker 1: not marketing in it like the Andrew shots and Charlemagne

2009
01:52:25,479 --> 01:52:28,479
Speaker 1: and God podcast because it says the brilliant idiots and

2010
01:52:28,560 --> 01:52:30,960
Speaker 1: they don't know. It doesn't say by Charlemagne and God

2011
01:52:31,000 --> 01:52:33,760
Speaker 1: and Andrew. It's just people stumble up on it and

2012
01:52:33,800 --> 01:52:35,760
Speaker 1: be like, oh this is I know they use too.

2013
01:52:36,760 --> 01:52:40,160
Speaker 1: I said, wow, that makes sense. And I'm sure they've

2014
01:52:40,200 --> 01:52:42,760
Speaker 1: had those conversations behind the scenes. I know they have

2015
01:52:42,880 --> 01:52:46,000
Speaker 1: a matter of fact, just me using my common sense,

2016
01:52:46,080 --> 01:52:48,960
Speaker 1: I know they've been speaking behind the scenes like we

2017
01:52:49,080 --> 01:52:51,479
Speaker 1: can probably maximize. This isn't gonna get a big bag.

2018
01:52:52,000 --> 01:52:55,760
Speaker 1: Andrew and Charlemagne like that duo right there is a

2019
01:52:55,880 --> 01:52:58,640
Speaker 1: mean duo, white dude. And that's why I threw it

2020
01:52:58,800 --> 01:53:01,120
Speaker 1: all and as I look back, because I can't wait

2021
01:53:01,200 --> 01:53:03,920
Speaker 1: to drop this Umar interview because my perspective at that

2022
01:53:04,120 --> 01:53:08,600
Speaker 1: moment was I was watching Shouts and it's like Charlemagne

2023
01:53:08,680 --> 01:53:10,400
Speaker 1: knew he was gonna turn it on and be what

2024
01:53:10,560 --> 01:53:15,040
Speaker 1: he is today because he allowed certain criticism. Charlemagne get

2025
01:53:15,120 --> 01:53:18,040
Speaker 1: from standing by Sholtz. And I'm not sure if shots

2026
01:53:18,120 --> 01:53:21,720
Speaker 1: know that, but Charlemagne is because Charlemagne probably don't say nothing.

2027
01:53:21,760 --> 01:53:24,120
Speaker 1: We cancer, so we ain't gonna really say nothing. But

2028
01:53:24,320 --> 01:53:29,040
Speaker 1: Charlemagne takes arrows for the shows, for sticking by Shoults

2029
01:53:29,080 --> 01:53:31,600
Speaker 1: through thick and thin and some of those jokes he say, like,

2030
01:53:32,280 --> 01:53:35,240
Speaker 1: and Charlemagne is clear that he's gonna stand by his guy,

2031
01:53:35,560 --> 01:53:38,280
Speaker 1: even when they said Shouts was racist. The Shouts was this.

2032
01:53:38,479 --> 01:53:40,920
Speaker 1: The Shouts was that Charlemagne was standing next to him

2033
01:53:40,960 --> 01:53:43,160
Speaker 1: and like, that's my guy, you know what I mean?

2034
01:53:43,240 --> 01:53:45,320
Speaker 1: And I know him not to be that. And so

2035
01:53:46,240 --> 01:53:49,600
Speaker 1: even though when he was building I was critical, like

2036
01:53:49,840 --> 01:53:53,759
Speaker 1: of him, the Charlemagne co sign in that way said

2037
01:53:53,880 --> 01:53:56,800
Speaker 1: something to me, because Charlemagne will not co sign people

2038
01:53:56,880 --> 01:54:00,760
Speaker 1: in that way. But make no mistake about it, Charlemagne

2039
01:54:00,800 --> 01:54:07,200
Speaker 1: took arrows on shows even that Joe Budden relationship. Shoultz

2040
01:54:07,320 --> 01:54:09,439
Speaker 1: is involved in that as well, a little bit like

2041
01:54:09,960 --> 01:54:13,320
Speaker 1: Joe don't like Sholtz and shots. Shoults is smart enough

2042
01:54:13,400 --> 01:54:15,760
Speaker 1: to pick on you if you're bigger than them, and

2043
01:54:15,880 --> 01:54:18,320
Speaker 1: then when he get bigger than you, ignore you. He

2044
01:54:18,479 --> 01:54:20,640
Speaker 1: does it. He do this little thing. I'm telling you.

2045
01:54:20,720 --> 01:54:24,479
Speaker 1: I was telling Omar he's a psychology guy. I know

2046
01:54:24,640 --> 01:54:26,920
Speaker 1: him because I study the game, and I know all

2047
01:54:27,000 --> 01:54:30,320
Speaker 1: these got everybody from everybody. I've paid attention to the

2048
01:54:30,479 --> 01:54:32,840
Speaker 1: entire game. Because I come from a small place where

2049
01:54:32,880 --> 01:54:34,600
Speaker 1: no help was coming. I didn't have a choice but

2050
01:54:34,720 --> 01:54:37,520
Speaker 1: to get brick by brick, understand it in a way

2051
01:54:37,560 --> 01:54:41,040
Speaker 1: where I can bake the cake myself along with whip

2052
01:54:41,160 --> 01:54:44,240
Speaker 1: it up. So I have to know the ingredients, not

2053
01:54:44,360 --> 01:54:46,000
Speaker 1: just be the person to put it in the stove

2054
01:54:46,040 --> 01:54:47,440
Speaker 1: and get it off the stove. And a lot of

2055
01:54:47,520 --> 01:54:49,880
Speaker 1: y'all don't even do that much. Y'all just sitting at

2056
01:54:49,920 --> 01:54:51,800
Speaker 1: the table waiting on somebody to put a piece of

2057
01:54:51,880 --> 01:54:54,200
Speaker 1: cake on your plate and get you a piece. I'm

2058
01:54:54,240 --> 01:54:56,800
Speaker 1: the guy that's making the cake, baking the cake, taking

2059
01:54:56,840 --> 01:54:59,480
Speaker 1: it out and cutting it for the family. That's a

2060
01:54:59,520 --> 01:55:03,400
Speaker 1: whole nother the story. But let we'll watch Paul Awards.

2061
01:55:03,440 --> 01:55:05,920
Speaker 1: We'll see what's going on. Man. You know they insert

2062
01:55:06,040 --> 01:55:08,360
Speaker 1: us in it and we'll pop out as long as

2063
01:55:08,400 --> 01:55:10,080
Speaker 1: they don't insert us in, and we'll be on the

2064
01:55:10,160 --> 01:55:12,840
Speaker 1: sideline saying, what up the dead by? The shout out

2065
01:55:12,880 --> 01:55:15,760
Speaker 1: dead by? You know what I'm saying. And let me

2066
01:55:15,800 --> 01:55:18,040
Speaker 1: speak about this. I see where it's going around where

2067
01:55:18,160 --> 01:55:23,080
Speaker 1: teachers being involved in some criticism, some public backlash or

2068
01:55:23,160 --> 01:55:26,280
Speaker 1: tongue lashing about how she's shaped, and she's a teacher.

2069
01:55:28,280 --> 01:55:30,920
Speaker 1: I always have a question, why ain't nobody man when

2070
01:55:30,960 --> 01:55:35,080
Speaker 1: people shaped funding Why if you think it's a problem

2071
01:55:35,160 --> 01:55:38,840
Speaker 1: if you're skinning, it ain't. If you got that an issue,

2072
01:55:38,880 --> 01:55:42,160
Speaker 1: if you got nothing, it ain't. You know what I'm saying.

2073
01:55:42,200 --> 01:55:45,760
Speaker 1: Don't nobody say, yo, you come in obese respectfully? Your

2074
01:55:45,880 --> 01:55:51,360
Speaker 1: distraction to the kids, you're big an arexer. Your distraction

2075
01:55:51,480 --> 01:55:53,440
Speaker 1: to the kids. It's only when you got something in

2076
01:55:53,600 --> 01:55:59,360
Speaker 1: your backyard. It's only when it's something in your backyard.

2077
01:55:59,480 --> 01:56:04,080
Speaker 1: This see shoe. But why is being thick a problem?

2078
01:56:05,200 --> 01:56:07,440
Speaker 1: I had a conversation on my old lady about this.

2079
01:56:09,400 --> 01:56:12,080
Speaker 1: Being thick is a problem because people have learned how

2080
01:56:12,160 --> 01:56:16,280
Speaker 1: to sexualize, and I think it's baked in our DNA

2081
01:56:16,480 --> 01:56:19,640
Speaker 1: from back in the day, because usually if you kind

2082
01:56:19,680 --> 01:56:23,320
Speaker 1: of go back and see, like people would be obsessed

2083
01:56:23,480 --> 01:56:26,960
Speaker 1: or be interested in hips and things because it was childbearing.

2084
01:56:27,840 --> 01:56:35,480
Speaker 1: And now men are attracted to a certain type of shape, right,

2085
01:56:35,920 --> 01:56:39,360
Speaker 1: even if it's skinny. Some people like skinny thick, right,

2086
01:56:39,520 --> 01:56:41,200
Speaker 1: but a lot of people like for you to have

2087
01:56:41,440 --> 01:56:45,360
Speaker 1: something back there. I think it's unfortunate that there's an

2088
01:56:45,400 --> 01:56:48,720
Speaker 1: attack on thick women. I think it's unfortunate that there's

2089
01:56:48,800 --> 01:56:52,400
Speaker 1: some kind of concerted effort to get big booted women

2090
01:56:52,520 --> 01:56:57,160
Speaker 1: removed from position. They should be appreciated and loved in

2091
01:56:57,240 --> 01:57:01,600
Speaker 1: a way and appreciated the same way you appreciate the flatbacker.

2092
01:57:03,760 --> 01:57:06,480
Speaker 1: You know, I've seen in corporate America where they can

2093
01:57:06,560 --> 01:57:10,920
Speaker 1: wear the exact same dress, but because you're fed and

2094
01:57:11,040 --> 01:57:14,280
Speaker 1: husand not, you got to go home and change, sweetheart.

2095
01:57:16,040 --> 01:57:18,400
Speaker 1: And I'm not sure the kids even said nothing about

2096
01:57:18,440 --> 01:57:20,640
Speaker 1: that lady, And clearly here to the school didn't say

2097
01:57:20,720 --> 01:57:22,840
Speaker 1: nothing because they worked with the lady. It had to

2098
01:57:22,960 --> 01:57:26,760
Speaker 1: be some insecure person probably saying I ain't know this

2099
01:57:26,960 --> 01:57:30,160
Speaker 1: woman is not with the kids my husband. You know

2100
01:57:30,440 --> 01:57:34,040
Speaker 1: about the husband. See, they always get at you because

2101
01:57:34,080 --> 01:57:36,680
Speaker 1: a man can't control itself. I am dealing with a

2102
01:57:36,800 --> 01:57:39,800
Speaker 1: dog here. Can you please put the I am dealing

2103
01:57:39,880 --> 01:57:42,960
Speaker 1: with this nick can't control itself? Can you not wear

2104
01:57:43,080 --> 01:57:49,120
Speaker 1: that kind of this? Man here cannot resist it' slight.

2105
01:57:51,000 --> 01:57:55,160
Speaker 1: It had to be somebody who came from that type

2106
01:57:55,200 --> 01:57:57,560
Speaker 1: of it couldn't have been. It couldn't have been and

2107
01:57:57,640 --> 01:58:00,520
Speaker 1: she might get a lawsuited. And they try to huh

2108
01:58:00,960 --> 01:58:03,800
Speaker 1: because yo, I'm shaped like this, y'all. Can't come home man?

2109
01:58:03,880 --> 01:58:06,280
Speaker 1: And what you want me to wear a snow suit

2110
01:58:06,400 --> 01:58:09,000
Speaker 1: up in this month? Now? The lady that went to

2111
01:58:09,120 --> 01:58:12,000
Speaker 1: the school with the holes and the like the stripper

2112
01:58:12,080 --> 01:58:15,440
Speaker 1: outfit on, we ain't got that. Ain't cool? You know,

2113
01:58:15,560 --> 01:58:17,600
Speaker 1: it's a time and place in space for you to

2114
01:58:17,720 --> 01:58:20,640
Speaker 1: provide yourself a kind of luxury to go haywid with

2115
01:58:20,800 --> 01:58:22,840
Speaker 1: this here you can get your freak one. It's not

2116
01:58:23,160 --> 01:58:27,400
Speaker 1: not right here, you know what I'm saying. You can't

2117
01:58:27,480 --> 01:58:30,040
Speaker 1: just come into school like it, in my opinion, and

2118
01:58:30,200 --> 01:58:33,120
Speaker 1: can I keep it real? Man? And again this is

2119
01:58:33,240 --> 01:58:37,040
Speaker 1: part of the podcast that people proposition for when I

2120
01:58:37,160 --> 01:58:40,280
Speaker 1: just freestyle about how I feel. But I've been talked

2121
01:58:40,320 --> 01:58:43,920
Speaker 1: about by that I held down in the toughest times

2122
01:58:44,080 --> 01:58:46,520
Speaker 1: and they toughest yells when it was dark for you,

2123
01:58:46,640 --> 01:58:50,080
Speaker 1: I was your direction, And now word is getting back

2124
01:58:50,120 --> 01:58:52,560
Speaker 1: to me that people talk about me like I'm the ball.

2125
01:58:54,360 --> 01:58:56,520
Speaker 1: Now I gotta sit back and question your band with

2126
01:58:56,760 --> 01:58:59,240
Speaker 1: For me, your brain power gotta be in question for

2127
01:58:59,320 --> 01:59:02,280
Speaker 1: you to even incorporate them kind of lies and believe them.

2128
01:59:03,040 --> 01:59:05,520
Speaker 1: Sometimes I ain't tripping about the lie. I'm tripping about

2129
01:59:05,520 --> 01:59:09,480
Speaker 1: you believing it. I expect a hater to say certain things,

2130
01:59:09,560 --> 01:59:12,520
Speaker 1: but the people that incorporated and they understand it. I

2131
01:59:12,640 --> 01:59:14,800
Speaker 1: got a way I feel about how you feel about

2132
01:59:14,840 --> 01:59:17,000
Speaker 1: what you heard, because you ain't got sense enough to

2133
01:59:17,120 --> 01:59:22,320
Speaker 1: distinguish the facts from the fiction, true from reality. The

2134
01:59:22,440 --> 01:59:25,200
Speaker 1: way the people tricked themselves into making me the person

2135
01:59:25,280 --> 01:59:29,080
Speaker 1: that needed them, I think it's some kind of malfunction.

2136
01:59:30,360 --> 01:59:35,040
Speaker 1: A wise man once said, this relationship was ever transactional.

2137
01:59:35,160 --> 01:59:39,160
Speaker 1: It was one way, and then somewhere along the lines

2138
01:59:39,240 --> 01:59:43,520
Speaker 1: they blurred the lines in that like they helped me

2139
01:59:43,640 --> 01:59:45,920
Speaker 1: in some kind of weird way. But it take a

2140
01:59:46,000 --> 01:59:48,720
Speaker 1: certain kind of individual to talk bad about somebody that

2141
01:59:48,800 --> 01:59:52,560
Speaker 1: helped you in your toughest album. You know, I see

2142
01:59:52,560 --> 01:59:54,720
Speaker 1: it with a lot of rappers, entertainers. I see it

2143
01:59:54,800 --> 01:59:57,120
Speaker 1: in a lot of relationships. People to be with people

2144
01:59:57,680 --> 02:00:00,560
Speaker 1: they hold life shooting with them in the gym, but

2145
02:00:00,680 --> 02:00:02,640
Speaker 1: a lot of times too. Man, women got to know

2146
02:00:02,760 --> 02:00:05,680
Speaker 1: how to close a fight. You can't scare a person

2147
02:00:05,760 --> 02:00:08,160
Speaker 1: into loving you. If you do that, I'm gonna leave.

2148
02:00:08,200 --> 02:00:09,800
Speaker 1: If you wear that, I'm gonna leave. If you do that,

2149
02:00:09,840 --> 02:00:11,800
Speaker 1: if you do go down, I'm ana leave. That ain't

2150
02:00:11,880 --> 02:00:17,080
Speaker 1: working right. Boundaries are important, but communicating of your boundaries

2151
02:00:17,200 --> 02:00:22,520
Speaker 1: are important. I think creating a boundary is more important

2152
02:00:22,520 --> 02:00:26,600
Speaker 1: than knowing the boundary, because if you know the boundary

2153
02:00:26,680 --> 02:00:29,480
Speaker 1: but don't create the environment where the boundary is in place,

2154
02:00:30,000 --> 02:00:33,960
Speaker 1: Knowing it just helps you identify the problem. It don't

2155
02:00:34,000 --> 02:00:37,200
Speaker 1: help you stop it. Creating a boundary help you stop it.

2156
02:00:37,600 --> 02:00:39,720
Speaker 1: For people to trick themselves in the thing and you

2157
02:00:39,840 --> 02:00:43,080
Speaker 1: needed them and be like you never even helped me

2158
02:00:43,160 --> 02:00:47,600
Speaker 1: where they come from, I mean on this path on

2159
02:00:47,760 --> 02:00:52,280
Speaker 1: my own. And another thing people to do is act

2160
02:00:52,360 --> 02:00:54,280
Speaker 1: like what you're doing ain't nothing. Man, I'm team. If

2161
02:00:54,320 --> 02:00:56,840
Speaker 1: I was in your position, I'm team man. If I

2162
02:00:56,920 --> 02:00:58,680
Speaker 1: really I should have really done yeah, yeah, I could

2163
02:00:58,680 --> 02:01:01,040
Speaker 1: have been like, man, I can't believe they did they

2164
02:01:01,200 --> 02:01:05,960
Speaker 1: down playing this. Damn, I'm in the wrong room. They

2165
02:01:06,080 --> 02:01:10,360
Speaker 1: down playing this. See some people ran across Kanye and said, yeah,

2166
02:01:10,640 --> 02:01:14,560
Speaker 1: get that camera. He gonna be wanting the men sometimes.

2167
02:01:14,600 --> 02:01:16,240
Speaker 1: You know this in an eight that's one of the men.

2168
02:01:16,320 --> 02:01:19,400
Speaker 1: Put a camera on him. Fall a due. Let's get

2169
02:01:19,480 --> 02:01:21,320
Speaker 1: in some bidding with him. Let's make that happen. Light

2170
02:01:21,360 --> 02:01:23,760
Speaker 1: that he wanted them me and even you know when

2171
02:01:23,800 --> 02:01:26,360
Speaker 1: they even talking about rappers on the come up, sometimes

2172
02:01:26,360 --> 02:01:27,800
Speaker 1: you can see how he wanted them me and he

2173
02:01:27,880 --> 02:01:30,840
Speaker 1: on his way, he coming no matter what he coming.

2174
02:01:31,120 --> 02:01:33,320
Speaker 1: But I want to take a look at Chris Sean

2175
02:01:33,440 --> 02:01:36,240
Speaker 1: Rock before Blue Face because to me, this is very interesting.

2176
02:01:38,040 --> 02:01:40,000
Speaker 1: And again I don't notice to be the case. I'm

2177
02:01:40,040 --> 02:01:42,400
Speaker 1: just I got a podcast and I mean no disrespect

2178
02:01:42,480 --> 02:01:46,480
Speaker 1: to shout it. And if you get disrespect out of

2179
02:01:46,520 --> 02:01:49,160
Speaker 1: what I'm putting down, you're looking for disrespect When I

2180
02:01:49,240 --> 02:01:53,040
Speaker 1: talk about these things. I'm just dealing with information. But

2181
02:01:53,680 --> 02:01:55,440
Speaker 1: just take a let's take a look at her prior

2182
02:01:55,520 --> 02:01:59,440
Speaker 1: to going on Blue Face Show No Bottom. I'm much

2183
02:01:59,720 --> 02:02:02,200
Speaker 1: laugh from Baltimore. I'm gonna go here like a week ago.

2184
02:02:04,000 --> 02:02:15,920
Speaker 1: Yeah that's good. Um, I'm an athlete, I'm all around honestly.

2185
02:02:17,440 --> 02:02:26,240
Speaker 1: Uh hey, hey, my name is klong Um. I played football.

2186
02:02:26,680 --> 02:02:30,360
Speaker 1: I'm twenty years old. I just moved down here from Baltimore.

2187
02:02:30,360 --> 02:02:32,880
Speaker 1: I know, I'm run from my land from Baltimore. I'm

2188
02:02:32,880 --> 02:02:37,480
Speaker 1: gonna go here like a week ago. Yeah that's good.

2189
02:02:38,200 --> 02:02:42,520
Speaker 1: Um So when you look at that, you're like, oh

2190
02:02:42,720 --> 02:02:46,400
Speaker 1: my goodness, like if she running game or it's like,

2191
02:02:46,520 --> 02:02:49,360
Speaker 1: I don't know if she growing up your environment doesn't

2192
02:02:49,360 --> 02:02:52,360
Speaker 1: affect the way you evolve what I'm saying, So is

2193
02:02:52,440 --> 02:02:54,520
Speaker 1: that happening or is she like I don't know. That's

2194
02:02:54,600 --> 02:02:57,040
Speaker 1: just I don't want to be the read you turned

2195
02:02:57,080 --> 02:03:01,560
Speaker 1: into whatever you're turning into. You know I'm saying, because

2196
02:03:01,600 --> 02:03:04,240
Speaker 1: you might turn into something that try to turn me

2197
02:03:04,360 --> 02:03:07,160
Speaker 1: into something Like I'm just saying. You know what I'm saying,

2198
02:03:07,200 --> 02:03:08,680
Speaker 1: like I kind of want you to be who you

2199
02:03:09,040 --> 02:03:11,280
Speaker 1: is a little bit, you know, I want to mold

2200
02:03:11,320 --> 02:03:14,400
Speaker 1: you in regards to our relationship, meaning I want to

2201
02:03:14,520 --> 02:03:17,480
Speaker 1: edit the way you do things to the last person

2202
02:03:17,600 --> 02:03:20,320
Speaker 1: or whoever you had been with. But that don't necessarily

2203
02:03:20,400 --> 02:03:23,520
Speaker 1: mean that I'm trying to turn you into something. I'm

2204
02:03:23,600 --> 02:03:26,600
Speaker 1: trying to provide you with information that provides us with

2205
02:03:26,720 --> 02:03:31,800
Speaker 1: a great relationship, but turning you into like nah, I

2206
02:03:31,880 --> 02:03:34,200
Speaker 1: don't you know. But now let's look at her. She

2207
02:03:34,320 --> 02:03:38,360
Speaker 1: explained why a couple of weeks ago out he kind

2208
02:03:38,400 --> 02:03:41,000
Speaker 1: of accused of achieving and I'll let she explain why.

2209
02:03:41,120 --> 02:03:44,680
Speaker 1: Let's listen to that my own little spot in Hollywood.

2210
02:03:44,760 --> 02:03:46,640
Speaker 1: But I've never been there since I've been with Heaven.

2211
02:03:46,760 --> 02:03:51,880
Speaker 1: So we're in a car. You're driving, and then he realized, like, okay,

2212
02:03:51,960 --> 02:03:55,720
Speaker 1: this is too toxic. Let me pay your hunt dollar.

2213
02:03:56,360 --> 02:03:58,560
Speaker 1: You know, there's no cost to love. Stop playing me.

2214
02:03:58,760 --> 02:04:01,840
Speaker 1: Let's talk about it. So he's trying to defend himself.

2215
02:04:01,880 --> 02:04:04,840
Speaker 1: So he explained what really what happened, like he went

2216
02:04:04,880 --> 02:04:06,840
Speaker 1: through my and then he go through my phone like

2217
02:04:07,320 --> 02:04:09,360
Speaker 1: he really was mad at what happened at the Buller Alley.

2218
02:04:09,400 --> 02:04:10,840
Speaker 1: He didn't go through my phone before we went to

2219
02:04:10,880 --> 02:04:12,200
Speaker 1: the Buller and he went through my phone. And we

2220
02:04:12,280 --> 02:04:14,520
Speaker 1: got to the house and I passed out. I thought

2221
02:04:14,560 --> 02:04:16,800
Speaker 1: he left me at the crib, so when I passed out,

2222
02:04:17,080 --> 02:04:19,960
Speaker 1: he didn't leave. He got my phone out of nowhere.

2223
02:04:20,200 --> 02:04:26,520
Speaker 1: In my phone, so I'm like, I didn't know, like

2224
02:04:26,640 --> 02:04:30,200
Speaker 1: he waked me up, like when I ballied, you know,

2225
02:04:30,360 --> 02:04:36,120
Speaker 1: he was talking to the guard like I'm looking at it. Oh,

2226
02:04:36,240 --> 02:04:37,680
Speaker 1: I love you, but I ain't even know I was

2227
02:04:37,720 --> 02:04:39,840
Speaker 1: that's serious about this, Like for you to be going

2228
02:04:39,920 --> 02:04:42,720
Speaker 1: through my damn phone maybe like if you're doing you,

2229
02:04:42,960 --> 02:04:46,440
Speaker 1: I don't mean my phone. I have the same password.

2230
02:04:46,520 --> 02:04:49,480
Speaker 1: He know my password, so it's like nobody how to.

2231
02:04:49,880 --> 02:04:53,480
Speaker 1: Everything is very transparent, very on the scene. But I

2232
02:04:53,560 --> 02:04:56,800
Speaker 1: didn't know, like he really cared, like he showed his

2233
02:04:56,920 --> 02:05:00,920
Speaker 1: true colors, like by going through my phone, spatting exposed

2234
02:05:01,000 --> 02:05:04,120
Speaker 1: me all types on social media. But I was on

2235
02:05:04,360 --> 02:05:11,160
Speaker 1: like this, he really cares. I'm Canady. But he got

2236
02:05:11,240 --> 02:05:15,160
Speaker 1: said leave you know, you know you don't want me

2237
02:05:15,240 --> 02:05:17,080
Speaker 1: to leave, so stop captain to the world, like you

2238
02:05:17,240 --> 02:05:19,440
Speaker 1: telling me the league, like I really leave. You know

2239
02:05:19,560 --> 02:05:21,800
Speaker 1: that I'm not leaving me, like you really text me,

2240
02:05:21,960 --> 02:05:24,600
Speaker 1: Like when you're over, he gets over. He's right a

2241
02:05:24,680 --> 02:05:27,960
Speaker 1: forgiving person. So if you get mad, he's not mad

2242
02:05:28,040 --> 02:05:30,320
Speaker 1: for long. It's like it's so weird, Like I love

2243
02:05:30,400 --> 02:05:35,360
Speaker 1: that about him. He's very free, he's very forgiving. She said.

2244
02:05:36,520 --> 02:05:38,280
Speaker 1: You see, I said a couple of weeks ago that

2245
02:05:38,440 --> 02:05:41,880
Speaker 1: sometimes they tell themselves that, oh you snap, he really

2246
02:05:41,960 --> 02:05:44,160
Speaker 1: loved me, and the dudes to say that too, Oh

2247
02:05:44,240 --> 02:05:47,200
Speaker 1: you went that far? She she care. Don't nobody really

2248
02:05:47,240 --> 02:05:50,440
Speaker 1: be caning about that? Right? And then sometimes you can

2249
02:05:50,440 --> 02:05:53,120
Speaker 1: convince yourself that that's what love looks like. And if

2250
02:05:53,200 --> 02:05:55,560
Speaker 1: that's what love looks like for you, hey man, I

2251
02:05:55,640 --> 02:05:58,560
Speaker 1: don't know. You gotta ask yourself how shouted? Thank? It

2252
02:05:58,600 --> 02:06:02,600
Speaker 1: ain't that serious with me? On your tooth you're telling

2253
02:06:02,640 --> 02:06:04,520
Speaker 1: me you don't think it's that serious, and I mean

2254
02:06:04,640 --> 02:06:09,320
Speaker 1: your mouth literally, you got me on your nick right here,

2255
02:06:09,440 --> 02:06:13,120
Speaker 1: Jonathan's puss. You got my name on your by your pussing.

2256
02:06:13,360 --> 02:06:17,320
Speaker 1: It ain't that serious? Well, another dude, But you see,

2257
02:06:17,360 --> 02:06:22,160
Speaker 1: the justification is you're doing you? See there through the

2258
02:06:22,280 --> 02:06:26,080
Speaker 1: understanding how to wonder when she is sticky? That's what

2259
02:06:26,240 --> 02:06:28,640
Speaker 1: I'd be trying to tell y'all. Y'all think y'all create

2260
02:06:28,640 --> 02:06:32,080
Speaker 1: an understanding with the girl. Y'all really got to create

2261
02:06:32,120 --> 02:06:36,520
Speaker 1: a real understanding if whatever you feel like your relationship

2262
02:06:36,600 --> 02:06:41,320
Speaker 1: consists of right, whether you feel like, yo, I'm doing me,

2263
02:06:41,520 --> 02:06:45,360
Speaker 1: but the understanding is you ain't doing you. I'm your boyfriend,

2264
02:06:45,440 --> 02:06:48,480
Speaker 1: but you ain't my girlfriend. You know what I'm saying.

2265
02:06:48,600 --> 02:06:52,720
Speaker 1: We're moving like that because that seems like the environment

2266
02:06:52,800 --> 02:06:58,000
Speaker 1: that he thought he created. But see, hope it's only

2267
02:06:58,120 --> 02:07:05,800
Speaker 1: a promise for food. You only believe what you have created,

2268
02:07:05,960 --> 02:07:08,400
Speaker 1: not what you think you've created. You see what I'm saying.

2269
02:07:08,440 --> 02:07:10,680
Speaker 1: So you gotta say to her, you gotta really have

2270
02:07:10,800 --> 02:07:13,320
Speaker 1: that understanding. So because that's what they're gonna do, They're

2271
02:07:13,320 --> 02:07:15,600
Speaker 1: gonna play that on you. I ain't think it was you.

2272
02:07:15,800 --> 02:07:18,120
Speaker 1: You know, I had you, aways had you didn't had

2273
02:07:18,160 --> 02:07:22,640
Speaker 1: a baby and sister and such sa you know, and

2274
02:07:23,840 --> 02:07:25,960
Speaker 1: I just think it's crazy. But man, you see her now,

2275
02:07:26,080 --> 02:07:29,800
Speaker 1: she kind of she looked the same, but sometimes she

2276
02:07:29,960 --> 02:07:32,680
Speaker 1: kind of come off. It's like she she ain't as

2277
02:07:32,720 --> 02:07:35,520
Speaker 1: smart as I will believe her to be. You know

2278
02:07:35,560 --> 02:07:37,520
Speaker 1: what I'm saying. And that's all I'm saying. I think

2279
02:07:37,600 --> 02:07:40,720
Speaker 1: she's smarter than what she's appearing to be. That's me.

2280
02:07:41,320 --> 02:07:45,240
Speaker 1: Let me let me talk man right quick, because you

2281
02:07:45,360 --> 02:07:47,920
Speaker 1: know why we're doing this podcast. It just came out

2282
02:07:47,960 --> 02:07:50,560
Speaker 1: that the DA your Folton County has announced that she's

2283
02:07:50,600 --> 02:07:53,120
Speaker 1: gonna be doing something. She's gonna be doing a press

2284
02:07:53,200 --> 02:07:56,280
Speaker 1: conference to announce further gang indictments. And I'm sitting here

2285
02:07:56,320 --> 02:07:59,000
Speaker 1: on the other side of this doing a podcast, just

2286
02:07:59,120 --> 02:08:02,800
Speaker 1: feeling like, man, this like it's even affecting me so

2287
02:08:02,920 --> 02:08:06,040
Speaker 1: I can't even imagine people in the Atlanta right just

2288
02:08:06,200 --> 02:08:09,400
Speaker 1: trying to help me out the water, because basically what

2289
02:08:09,520 --> 02:08:12,040
Speaker 1: she's saying, if you wet and you're around and dry,

2290
02:08:12,480 --> 02:08:15,360
Speaker 1: I'm gonna make him wet and tyle let together. But

2291
02:08:15,520 --> 02:08:19,320
Speaker 1: the idea that you come out with these press conferences

2292
02:08:19,400 --> 02:08:22,920
Speaker 1: and just I can imagine that most rappers in a Lanta,

2293
02:08:22,920 --> 02:08:25,760
Speaker 1: if you really come from the background, is somewhere thinking

2294
02:08:25,800 --> 02:08:29,000
Speaker 1: about her moving this way, like who she telling about?

2295
02:08:29,000 --> 02:08:31,000
Speaker 1: What's going on? What's this? What's that? You know, just

2296
02:08:31,120 --> 02:08:34,840
Speaker 1: trying to figure out what's going on because it's uncomfortable. Man,

2297
02:08:34,880 --> 02:08:38,680
Speaker 1: that's an uncomfortable feeling because this rico is being you.

2298
02:08:38,840 --> 02:08:42,120
Speaker 1: It ain't that people are guilty, because that's a natural feeling. Yo,

2299
02:08:42,200 --> 02:08:45,040
Speaker 1: I'm coming at the rappers. I'm a rapper, I'm successful,

2300
02:08:45,120 --> 02:08:48,280
Speaker 1: I'm tied to the streets. I know, guys, damn it,

2301
02:08:48,360 --> 02:08:50,440
Speaker 1: they're gonna tie me in. How do you know what

2302
02:08:50,520 --> 02:08:53,240
Speaker 1: I'm saying? And then you applying it in a way

2303
02:08:53,640 --> 02:08:58,120
Speaker 1: that's unconventional, that's groundbreaking. They have never even saw it

2304
02:08:58,280 --> 02:09:00,760
Speaker 1: be applied in that way. So it's it could be

2305
02:09:00,800 --> 02:09:03,920
Speaker 1: a little harder to understand that law. Dudes don't know

2306
02:09:04,120 --> 02:09:07,960
Speaker 1: what that really means. You know what I'm saying now,

2307
02:09:09,240 --> 02:09:12,480
Speaker 1: the general public will say, well, Loan, it's just about crime.

2308
02:09:12,600 --> 02:09:15,440
Speaker 1: They just saying like murders and all of that. No,

2309
02:09:15,720 --> 02:09:20,080
Speaker 1: let's be specific when we interrupting lives and locking people

2310
02:09:20,240 --> 02:09:22,640
Speaker 1: up without bonds and different things. I think it needs

2311
02:09:22,680 --> 02:09:25,600
Speaker 1: to be very specific what we're dealing with. And I

2312
02:09:25,720 --> 02:09:28,320
Speaker 1: think lyrics should be off the table. And I'm sure

2313
02:09:28,400 --> 02:09:31,400
Speaker 1: people will say, well, dude, they na. I'm telling you

2314
02:09:31,560 --> 02:09:33,680
Speaker 1: how I look at it. If we're dealing in the

2315
02:09:33,800 --> 02:09:36,120
Speaker 1: world that they call fail and I know that they

2316
02:09:36,280 --> 02:09:38,800
Speaker 1: rarely deal in that way, So anything that I say

2317
02:09:38,880 --> 02:09:42,120
Speaker 1: gonna be viewed is wild. Are you serious? How dare you?

2318
02:09:43,000 --> 02:09:45,240
Speaker 1: And how I know they can do certain things in

2319
02:09:45,360 --> 02:09:47,720
Speaker 1: certain ways is because I studied history, and then I

2320
02:09:47,840 --> 02:09:51,160
Speaker 1: just studied the government and the structure of this whole

2321
02:09:51,440 --> 02:09:54,400
Speaker 1: corporation that's called America, and I see that they even

2322
02:09:54,480 --> 02:09:58,320
Speaker 1: got certain things the clearance one, clearance two, this level

2323
02:09:58,400 --> 02:10:00,840
Speaker 1: of security clearance that mean we let him in on

2324
02:10:00,920 --> 02:10:03,360
Speaker 1: a little bit more the secrets, because if it wasn't

2325
02:10:03,360 --> 02:10:07,280
Speaker 1: no secrets, wouldn't be no reason for the clearance level.

2326
02:10:08,200 --> 02:10:09,800
Speaker 1: You know what I'm saying, so when you deal with

2327
02:10:09,880 --> 02:10:12,440
Speaker 1: the information of them having the clearance level, it speaks

2328
02:10:12,480 --> 02:10:15,000
Speaker 1: that they got some on the other side of that process.

2329
02:10:15,480 --> 02:10:17,360
Speaker 1: That says we need to make sure that only a

2330
02:10:17,480 --> 02:10:21,680
Speaker 1: certain amount of individuals even know about this. She's kind

2331
02:10:21,720 --> 02:10:26,480
Speaker 1: of placing people in a weird place. She's almost saying,

2332
02:10:26,520 --> 02:10:31,320
Speaker 1: if you get rich around here, stop with everybody. It's

2333
02:10:31,360 --> 02:10:33,920
Speaker 1: a necessity. You get rich around here, and we ktch

2334
02:10:33,920 --> 02:10:38,720
Speaker 1: you with somebody's done. The reason why, Alanna is what

2335
02:10:38,880 --> 02:10:41,400
Speaker 1: it is is because young was able to get out

2336
02:10:41,440 --> 02:10:44,880
Speaker 1: of the pool, grab another, snatch him out of the pool.

2337
02:10:45,080 --> 02:10:48,880
Speaker 1: Now you got two lifeguards saving lives. Now two lifeguards

2338
02:10:48,960 --> 02:10:52,480
Speaker 1: reaching there and grab two at the pool. Make them lifeguards.

2339
02:10:52,600 --> 02:10:55,040
Speaker 1: Then's folk. This is what made the line of the

2340
02:10:55,120 --> 02:10:58,440
Speaker 1: kind of structure there. It is, where's millionnaires on all sides,

2341
02:10:58,440 --> 02:11:02,840
Speaker 1: and they opts gotten money. Seeing a lot of these

2342
02:11:02,920 --> 02:11:05,400
Speaker 1: cities beefing what rappers is a death sentence because he

2343
02:11:05,520 --> 02:11:08,680
Speaker 1: got more money. Most times it's the rappers beefing within

2344
02:11:08,880 --> 02:11:11,760
Speaker 1: your town got paper and his ops just some streeting.

2345
02:11:11,960 --> 02:11:14,000
Speaker 1: They got some street money. But if he blow up

2346
02:11:14,040 --> 02:11:18,200
Speaker 1: on the rap side, it's wobbly, it's unfair. Then apply

2347
02:11:18,360 --> 02:11:22,440
Speaker 1: some different pressure. Most times in those situations, that's what happens.

2348
02:11:23,960 --> 02:11:28,080
Speaker 1: But in that town, they've been able to have so

2349
02:11:28,320 --> 02:11:32,240
Speaker 1: many people working on saving lives and reaching and grabbings

2350
02:11:32,360 --> 02:11:35,360
Speaker 1: out of the pool like lifeguards, that they've been able

2351
02:11:35,400 --> 02:11:39,120
Speaker 1: to even on all sides of the pool been getting

2352
02:11:39,160 --> 02:11:41,640
Speaker 1: out and getting their life together and going to the

2353
02:11:41,720 --> 02:11:44,800
Speaker 1: other side. Legit, it's almost like you're trying to interrupt

2354
02:11:44,880 --> 02:11:48,000
Speaker 1: that process. But here's another thing though, to make me

2355
02:11:48,280 --> 02:11:51,040
Speaker 1: kind of question some of these dudes, like they're weird though,

2356
02:11:51,320 --> 02:11:55,000
Speaker 1: But y'all got to stop misrepresenting relationships. You know, as

2357
02:11:55,040 --> 02:11:57,280
Speaker 1: I get in the industry and see I see how

2358
02:11:57,720 --> 02:12:01,120
Speaker 1: oh man, so this will be happening it You will

2359
02:12:01,160 --> 02:12:03,640
Speaker 1: see a picture on the grammar two guys talking, and

2360
02:12:03,760 --> 02:12:07,960
Speaker 1: you're thing, oh, they linked up. But what really doesn't

2361
02:12:07,960 --> 02:12:10,760
Speaker 1: happen behind the scene. He doesn't found out what a

2362
02:12:10,840 --> 02:12:13,880
Speaker 1: super poppet gonna be at, so he gonna show up

2363
02:12:13,880 --> 02:12:16,120
Speaker 1: what a super poppet in And because he got a

2364
02:12:16,160 --> 02:12:18,960
Speaker 1: little level of fame, he hustling that. So we're showing

2365
02:12:19,080 --> 02:12:22,000
Speaker 1: up to the barrier a I'm suddenly said, man, oh yeah,

2366
02:12:23,000 --> 02:12:25,600
Speaker 1: let them me, and that suticisen and now they get

2367
02:12:25,680 --> 02:12:28,080
Speaker 1: in this thing. You know, he get in. He got

2368
02:12:28,200 --> 02:12:31,320
Speaker 1: a hired video nigga and a hired photographer with him,

2369
02:12:32,520 --> 02:12:34,560
Speaker 1: just so when he bump into me, Man, I'm man,

2370
02:12:34,560 --> 02:12:36,800
Speaker 1: I really like your music from fam. You know what

2371
02:12:36,800 --> 02:12:40,040
Speaker 1: I'm saying, You inspire man. Whatever he say, they shoo

2372
02:12:40,920 --> 02:12:43,520
Speaker 1: boom boom, bam bam. They hidden you feel me. They're

2373
02:12:43,520 --> 02:12:47,120
Speaker 1: taking pictures now a couple of days you'll see online.

2374
02:12:48,040 --> 02:12:51,080
Speaker 1: Whereas you know, Rand and the bro Bro told me, Man,

2375
02:12:51,200 --> 02:12:53,000
Speaker 1: you're in the on to the next level. Man, you

2376
02:12:53,120 --> 02:12:56,400
Speaker 1: one of the biggest in the game. And the internet

2377
02:12:56,440 --> 02:12:59,200
Speaker 1: are reacted that because they do see him talking, but

2378
02:12:59,280 --> 02:13:03,440
Speaker 1: they ain't under standing he misrepresenting that interaction. It's a

2379
02:13:03,520 --> 02:13:07,360
Speaker 1: lot of misrepresentation online. They start to affect the way

2380
02:13:07,400 --> 02:13:10,200
Speaker 1: I look at people, right because when I see you

2381
02:13:10,320 --> 02:13:12,480
Speaker 1: and I think you're a stand up guy, Like I

2382
02:13:12,640 --> 02:13:15,960
Speaker 1: don't ask rappers for pictures man, And I've been around

2383
02:13:15,960 --> 02:13:18,000
Speaker 1: a lot of rappers, man, only when we do a

2384
02:13:18,080 --> 02:13:21,920
Speaker 1: show things like that. But it's still feel nasty to

2385
02:13:22,000 --> 02:13:24,080
Speaker 1: me to ask a rapper for a picture. Baby to

2386
02:13:24,200 --> 02:13:26,240
Speaker 1: probably the only I say, Yo, we gotta get a

2387
02:13:26,320 --> 02:13:29,280
Speaker 1: picture before we leave. You know what I'm saying. I

2388
02:13:29,400 --> 02:13:32,320
Speaker 1: know my kids love dude. You know certain people, I

2389
02:13:32,440 --> 02:13:34,240
Speaker 1: get it for my people. You know what I'm saying.

2390
02:13:34,600 --> 02:13:37,280
Speaker 1: I only I really be hesitant to even really post them,

2391
02:13:37,560 --> 02:13:39,839
Speaker 1: but I really get them for my people. Like I'm hustling,

2392
02:13:40,520 --> 02:13:42,400
Speaker 1: you know, you see what I'm doing. I'm getting down

2393
02:13:42,480 --> 02:13:46,440
Speaker 1: out there. But a lot of y'all are misrepresent y'all interactions, right,

2394
02:13:46,920 --> 02:13:49,640
Speaker 1: But I know what y'all knowing because it's value in

2395
02:13:49,800 --> 02:13:54,080
Speaker 1: being inside. A dude circling clicks street don't know no better,

2396
02:13:54,160 --> 02:13:56,160
Speaker 1: so they try to break in the industry. They're pair

2397
02:13:56,200 --> 02:13:58,960
Speaker 1: a rapping on board twenty thousand and hopes that he

2398
02:13:59,080 --> 02:14:01,200
Speaker 1: get the music to woot the woo. If they getting

2399
02:14:01,200 --> 02:14:03,960
Speaker 1: money in the streets for real, putting two on one

2400
02:14:04,040 --> 02:14:06,480
Speaker 1: and all that old kind there. Man, I got twenty man,

2401
02:14:06,600 --> 02:14:08,480
Speaker 1: just listen to it. Man, take it the bro. He'd

2402
02:14:08,520 --> 02:14:10,400
Speaker 1: be like, nah, I'll take it. Yuh, you'll shoot him

2403
02:14:10,400 --> 02:14:13,080
Speaker 1: that dog. He might let him here, he might not.

2404
02:14:13,920 --> 02:14:16,480
Speaker 1: But trying to break in the industry some kind of way,

2405
02:14:17,080 --> 02:14:20,280
Speaker 1: and it really be about the fame, and fame a

2406
02:14:20,320 --> 02:14:22,760
Speaker 1: hell of a drug too. If we're gonna talk about it,

2407
02:14:22,840 --> 02:14:24,760
Speaker 1: we can talk about it. I think one of the

2408
02:14:24,840 --> 02:14:27,200
Speaker 1: worst things that ever happened to the street is the

2409
02:14:27,280 --> 02:14:30,560
Speaker 1: fame that came along with being adult boy, because the

2410
02:14:30,680 --> 02:14:36,000
Speaker 1: fame exposes the operation, the whole part of being adult boys.

2411
02:14:36,840 --> 02:14:39,320
Speaker 1: You're getting money like the rich and illegal, but you

2412
02:14:39,520 --> 02:14:44,200
Speaker 1: still illegal, and somewhere along the lines you will start

2413
02:14:44,320 --> 02:14:47,360
Speaker 1: to blend it because the holes in the American system

2414
02:14:47,480 --> 02:14:51,440
Speaker 1: that's made for their criminals to operate in. So sometimes

2415
02:14:51,520 --> 02:14:54,720
Speaker 1: you'll be old drug with a couple of hundred thousand

2416
02:14:54,720 --> 02:14:57,840
Speaker 1: and get you a building here and get green lit

2417
02:14:57,960 --> 02:15:00,640
Speaker 1: for two or three of them properties over there, and

2418
02:15:00,760 --> 02:15:04,120
Speaker 1: you really operating with you know, some money that really

2419
02:15:04,160 --> 02:15:06,920
Speaker 1: ain't no good in their standards, right if they just

2420
02:15:07,040 --> 02:15:10,960
Speaker 1: look on paper, But when they attach the fame to it.

2421
02:15:12,200 --> 02:15:15,640
Speaker 1: The human brain has a unique interaction when it deals

2422
02:15:15,720 --> 02:15:21,840
Speaker 1: with praise in fame. Right, it does a very specific thing.

2423
02:15:21,960 --> 02:15:24,920
Speaker 1: It feeds a very specific vein in the brain. And

2424
02:15:25,040 --> 02:15:28,520
Speaker 1: I'm not sure many things are able to reach, you know,

2425
02:15:28,760 --> 02:15:31,560
Speaker 1: people knowing you and appreciating you on a high level

2426
02:15:31,640 --> 02:15:34,840
Speaker 1: and praising you and saying good things about you. Right,

2427
02:15:35,240 --> 02:15:38,840
Speaker 1: That's why relationships it works. Right, That's why they say

2428
02:15:38,880 --> 02:15:42,040
Speaker 1: affirmation and relationships is a powerful thing. Now, just one

2429
02:15:42,120 --> 02:15:45,720
Speaker 1: hundred x stat you know, take that to the highest level.

2430
02:15:45,840 --> 02:15:48,840
Speaker 1: Everywhere this guy turns or this girl turns, that someone

2431
02:15:49,040 --> 02:15:52,000
Speaker 1: is saying something good about what it is that they do.

2432
02:15:52,560 --> 02:15:55,640
Speaker 1: That does something to your psyche. So I understand it

2433
02:15:55,880 --> 02:15:58,600
Speaker 1: kind of scrambles your mindset and it's hard to operate in.

2434
02:15:58,760 --> 02:16:01,760
Speaker 1: That's why when I see deal even kind of being

2435
02:16:01,840 --> 02:16:05,480
Speaker 1: close to real with all that going on, it's like

2436
02:16:05,640 --> 02:16:08,840
Speaker 1: you ain't having real conversations and then they can't pull

2437
02:16:08,920 --> 02:16:11,600
Speaker 1: your coat tail because they think the relationship is at

2438
02:16:11,720 --> 02:16:14,160
Speaker 1: risk when they try to even give you some game.

2439
02:16:14,240 --> 02:16:16,440
Speaker 1: That's why I'm glad the people I interact with they

2440
02:16:16,520 --> 02:16:20,000
Speaker 1: respect my opinion in a way where Yo, whatever whatever

2441
02:16:20,160 --> 02:16:23,560
Speaker 1: game might give you, it's like Babe impeding them by

2442
02:16:23,640 --> 02:16:26,160
Speaker 1: the grammars, just telling you, hey, this is my outlook

2443
02:16:26,240 --> 02:16:28,120
Speaker 1: on it. You know, it's your show what you want

2444
02:16:28,160 --> 02:16:31,160
Speaker 1: to do with it. And sometimes when you can operate

2445
02:16:31,240 --> 02:16:34,560
Speaker 1: in that kind of space, man, it just make relationships stronger.

2446
02:16:34,840 --> 02:16:38,039
Speaker 1: It's Rico charges being fired in the line and Dell

2447
02:16:38,160 --> 02:16:42,360
Speaker 1: run around misrepresenting pictures and pulling up on asking who

2448
02:16:42,480 --> 02:16:45,800
Speaker 1: made that beat right quick? And next thing you know,

2449
02:16:45,920 --> 02:16:48,400
Speaker 1: I'm man, then you got me and pictures with all

2450
02:16:48,520 --> 02:16:51,200
Speaker 1: kind of people. What y'all doing? You know what I'm saying.

2451
02:16:51,240 --> 02:16:53,480
Speaker 1: But that's the kind of vibe that be happening. That's

2452
02:16:53,520 --> 02:16:55,600
Speaker 1: what dudes be doing in this industry. And I just

2453
02:16:55,720 --> 02:16:58,039
Speaker 1: want people to know just because you see a picture

2454
02:16:58,040 --> 02:17:00,800
Speaker 1: with two guys talking and that when they rest, when

2455
02:17:00,800 --> 02:17:04,879
Speaker 1: they photo, dudes really get off the photo get off

2456
02:17:04,959 --> 02:17:06,720
Speaker 1: when they just talking. Like me and people were just

2457
02:17:06,879 --> 02:17:09,000
Speaker 1: in the corner talking this thing, you know, Amazon and

2458
02:17:09,120 --> 02:17:12,800
Speaker 1: pull up it's a honey cameras. Look you're doing. I'm like, oh,

2459
02:17:12,879 --> 02:17:14,560
Speaker 1: this is how they get down around here. You know.

2460
02:17:14,720 --> 02:17:17,880
Speaker 1: I'm I'm you know, I come from no nothing. This

2461
02:17:18,080 --> 02:17:20,120
Speaker 1: new to me. I'm oh, man, this is how they

2462
02:17:20,200 --> 02:17:25,320
Speaker 1: get down. I see what's okay? So dudes is. And

2463
02:17:25,480 --> 02:17:28,200
Speaker 1: then as I'm going to some of these events in

2464
02:17:28,320 --> 02:17:31,520
Speaker 1: certain things, I'm like, man, no, man, speedly, y'all want

2465
02:17:31,560 --> 02:17:33,960
Speaker 1: to be tough. It's rapping about your ops and I

2466
02:17:33,959 --> 02:17:36,520
Speaker 1: don't let it. I need to separate from y'all. Right now,

2467
02:17:37,120 --> 02:17:39,680
Speaker 1: I got a hundred million dollar playing my vision. If

2468
02:17:39,720 --> 02:17:45,800
Speaker 1: I up, family gonna be affected. These fake industry relationships,

2469
02:17:45,879 --> 02:17:50,040
Speaker 1: y'all building riding an wave about a song or album

2470
02:17:50,400 --> 02:17:53,720
Speaker 1: or getting an to keep it rolling and stream well,

2471
02:17:53,760 --> 02:17:57,040
Speaker 1: because I'm doing letting it. If I get the door

2472
02:17:57,080 --> 02:17:59,320
Speaker 1: and the wrong ship around here and mixing, mingling with

2473
02:17:59,400 --> 02:18:03,039
Speaker 1: the wrong people, that the people I really love is affected.

2474
02:18:04,080 --> 02:18:08,640
Speaker 1: You can't respect what I respect. I feel disrespected you,

2475
02:18:08,840 --> 02:18:11,720
Speaker 1: Nick Tom, I didn't even know Niver to act like

2476
02:18:11,879 --> 02:18:14,280
Speaker 1: they was in Nick Clicks and Crew. I didn't know

2477
02:18:14,360 --> 02:18:16,720
Speaker 1: that was a thing. I'm talking about other famous I

2478
02:18:16,840 --> 02:18:19,800
Speaker 1: know that was a thing. I thought everybody had their

2479
02:18:19,840 --> 02:18:21,760
Speaker 1: little crew and it was just like, yeah, we all

2480
02:18:21,840 --> 02:18:25,200
Speaker 1: got our little crew and it's just our crew. You know,

2481
02:18:25,360 --> 02:18:28,959
Speaker 1: we rich too. This was moving like it ain't moving

2482
02:18:29,040 --> 02:18:32,640
Speaker 1: like we rich too. Now, nah, they ain't moving like that.

2483
02:18:32,959 --> 02:18:35,160
Speaker 1: But see back in the day, if you was a

2484
02:18:35,280 --> 02:18:37,800
Speaker 1: part of a rap dude's crew or click, he had

2485
02:18:37,840 --> 02:18:41,160
Speaker 1: to actually make it a thing to be make you

2486
02:18:41,320 --> 02:18:43,880
Speaker 1: be seen around him. So it was clear all that

2487
02:18:44,040 --> 02:18:46,880
Speaker 1: he parted his crew, he was in his video, and

2488
02:18:47,040 --> 02:18:50,480
Speaker 1: that that was a conscious effort. Nowadays, a dude can

2489
02:18:50,560 --> 02:18:53,120
Speaker 1: just show up the way they know our shooting this said,

2490
02:18:53,160 --> 02:18:55,560
Speaker 1: because he know the people that threw it, or he

2491
02:18:55,680 --> 02:18:58,680
Speaker 1: might know the organizer. Show up here a rapper, he

2492
02:18:58,760 --> 02:19:00,840
Speaker 1: get a picture in that area and act like he

2493
02:19:01,000 --> 02:19:03,199
Speaker 1: was on set and then in the industry, you gotta

2494
02:19:03,240 --> 02:19:07,600
Speaker 1: play cord you with so it ain't like he gonna

2495
02:19:07,600 --> 02:19:09,240
Speaker 1: come and I'm saying not telling me he can't come

2496
02:19:09,320 --> 02:19:12,240
Speaker 1: through here now here rapper money in the industry. He

2497
02:19:12,280 --> 02:19:14,240
Speaker 1: ain't done nothing to mon people. What are you doing? Bro?

2498
02:19:17,520 --> 02:19:20,320
Speaker 1: Ten Pitchers took that quick out man, Okay, I appreciate

2499
02:19:20,440 --> 02:19:23,840
Speaker 1: that ten Pitchers took this thing. You know, they don't

2500
02:19:23,879 --> 02:19:25,840
Speaker 1: feed them to their marking and team to put that

2501
02:19:25,920 --> 02:19:27,600
Speaker 1: out man, you know, and say him and said and

2502
02:19:27,640 --> 02:19:29,720
Speaker 1: sudden too. You know, it's just a it's a hell

2503
02:19:29,760 --> 02:19:32,560
Speaker 1: of a thing going on. Just pay attention. But back

2504
02:19:32,600 --> 02:19:36,800
Speaker 1: in the day, you couldn't misrepresent your relationship with with

2505
02:19:37,000 --> 02:19:40,600
Speaker 1: like rappers and things like that, because they're come to

2506
02:19:40,720 --> 02:19:42,879
Speaker 1: your town on touring people and wonder why you ain't

2507
02:19:42,920 --> 02:19:45,760
Speaker 1: gonna stay, Bro, why they ain't you know, why you

2508
02:19:45,879 --> 02:19:48,960
Speaker 1: running in their video? Or let's talk about this. DJ

2509
02:19:49,160 --> 02:19:52,760
Speaker 1: Kelly just dropped guard did shout out to Kelly. Kelly

2510
02:19:52,879 --> 02:19:56,960
Speaker 1: has always been one of those albums that we know

2511
02:19:57,200 --> 02:19:59,720
Speaker 1: gonna represent all these artists in a way that's a

2512
02:19:59,840 --> 02:20:02,680
Speaker 1: fa active in the market. You know, Kellied is not

2513
02:20:02,800 --> 02:20:06,480
Speaker 1: a producer, He's a hustler. He is doing something totally

2514
02:20:06,600 --> 02:20:08,800
Speaker 1: different than all these other dudes. You wonder why you

2515
02:20:08,920 --> 02:20:11,680
Speaker 1: can't get the kind of songs CALLI can put together.

2516
02:20:12,080 --> 02:20:16,400
Speaker 1: It's because the way his formula is called is running commercials.

2517
02:20:18,080 --> 02:20:20,120
Speaker 1: But you got to know the business to understand that.

2518
02:20:20,200 --> 02:20:22,720
Speaker 1: But congratulations to Kellid. This is I think his tenor

2519
02:20:22,840 --> 02:20:26,600
Speaker 1: level album, God Did. He always put together, in my opinion,

2520
02:20:26,720 --> 02:20:30,279
Speaker 1: some of the best bodies of work. Again and representation

2521
02:20:30,400 --> 02:20:32,640
Speaker 1: of all of the different artists that he brings together.

2522
02:20:32,800 --> 02:20:36,120
Speaker 1: As he is kind of being or orchestrator of the band,

2523
02:20:36,240 --> 02:20:40,320
Speaker 1: he's kind of directing the band in my opinion. You know,

2524
02:20:40,440 --> 02:20:43,520
Speaker 1: he's almost like a coach in these things. And his

2525
02:20:43,680 --> 02:20:47,199
Speaker 1: formula is effective and I can appreciate what he continues

2526
02:20:47,240 --> 02:20:50,840
Speaker 1: to bring to the market. On God Did the actual song,

2527
02:20:52,720 --> 02:20:54,800
Speaker 1: we see the internet grab that and do what they

2528
02:20:54,879 --> 02:20:58,560
Speaker 1: do with it. The SOLF representation on that song is

2529
02:20:58,600 --> 02:21:01,880
Speaker 1: real heavy, and I can appreciate the entire song. I

2530
02:21:02,000 --> 02:21:05,240
Speaker 1: think Jay did a tremendous job, as he always does.

2531
02:21:06,320 --> 02:21:09,520
Speaker 1: Ross did this thing. Wayne definitely did this thing to

2532
02:21:09,680 --> 02:21:13,280
Speaker 1: singing on that song. It almost shows me Kanye West

2533
02:21:13,360 --> 02:21:16,800
Speaker 1: effect on music. He got the audience ready for that,

2534
02:21:17,160 --> 02:21:19,960
Speaker 1: and again I tell y'all, you ain't probably biting my style,

2535
02:21:20,080 --> 02:21:22,760
Speaker 1: but you're biting my formula, my foreman, and not even

2536
02:21:22,879 --> 02:21:26,560
Speaker 1: biting inspired by brought to you by loon. Like so

2537
02:21:26,720 --> 02:21:29,040
Speaker 1: when you go to kicking this, when you go to

2538
02:21:29,160 --> 02:21:32,840
Speaker 1: kicking that regurgitated out, and I already said done and

2539
02:21:32,959 --> 02:21:36,720
Speaker 1: threw away and got backing soul, and make sure it

2540
02:21:36,840 --> 02:21:39,440
Speaker 1: got brought to you by loon somewhere down there, because

2541
02:21:39,480 --> 02:21:41,760
Speaker 1: that's me. It's just coming out of you. It's something

2542
02:21:41,800 --> 02:21:46,600
Speaker 1: weird happening with you. You can't control yourself. You've been

2543
02:21:46,720 --> 02:21:50,320
Speaker 1: captivated and captured by the game. So I don't fault you,

2544
02:21:51,680 --> 02:21:54,200
Speaker 1: but just make sure brought to you by somewhere else,

2545
02:21:54,240 --> 02:21:57,000
Speaker 1: because you know who you got there from. But Kanye

2546
02:21:57,080 --> 02:21:59,879
Speaker 1: West did something with music, and that's when the great

2547
02:22:00,840 --> 02:22:05,400
Speaker 1: have a creative idea and also have the back end

2548
02:22:05,400 --> 02:22:10,320
Speaker 1: and push associated and understand how to put the ingredients

2549
02:22:10,400 --> 02:22:12,360
Speaker 1: in the pot to get the kind of cake we

2550
02:22:12,560 --> 02:22:14,800
Speaker 1: need to bake, put it in the oven, take it out.

2551
02:22:14,879 --> 02:22:17,480
Speaker 1: And now you're left with that. Do with that with

2552
02:22:17,640 --> 02:22:21,400
Speaker 1: what you may, and you hit that on God, deal

2553
02:22:21,480 --> 02:22:26,600
Speaker 1: with that and not even saying dude again, dude, may

2554
02:22:26,640 --> 02:22:29,640
Speaker 1: not even know. I would be hard pressed to believe

2555
02:22:29,760 --> 02:22:32,240
Speaker 1: he doesn't know the impact of what Kanye wish just

2556
02:22:32,360 --> 02:22:35,240
Speaker 1: deal with that church type of vibe and bringing that

2557
02:22:35,320 --> 02:22:38,280
Speaker 1: back in such a dramatic way right in front of

2558
02:22:38,360 --> 02:22:40,920
Speaker 1: the world. I would be hard pressed to say he

2559
02:22:41,000 --> 02:22:42,920
Speaker 1: doesn't know about that. But let's say he does it.

2560
02:22:43,080 --> 02:22:45,520
Speaker 1: It don't matter. It's just like sometimes when we deal

2561
02:22:45,600 --> 02:22:47,840
Speaker 1: with white people, say many when you're not racist, but

2562
02:22:47,959 --> 02:22:52,520
Speaker 1: damn the system you benefit from. Yeah, it ain't got

2563
02:22:52,840 --> 02:22:56,920
Speaker 1: personally you. I'm saying the system you happen to check

2564
02:22:57,000 --> 02:23:01,960
Speaker 1: all the boxes that if I was a I'm fortunate

2565
02:23:02,080 --> 02:23:04,400
Speaker 1: for you. You benefit of the system of it. Right,

2566
02:23:04,480 --> 02:23:07,000
Speaker 1: So the system Kanye put in place in regards to

2567
02:23:07,080 --> 02:23:09,880
Speaker 1: that kind of music and getting an audience. Ready, That's

2568
02:23:09,920 --> 02:23:12,720
Speaker 1: why now look at different when they steal my talking points,

2569
02:23:13,000 --> 02:23:17,080
Speaker 1: because I know, say, bro, i'm me, I'm me for real,

2570
02:23:17,879 --> 02:23:21,080
Speaker 1: I'm me without no guests respectfully to the game. And

2571
02:23:21,120 --> 02:23:23,080
Speaker 1: I always say that because the legends I got a

2572
02:23:23,160 --> 02:23:25,240
Speaker 1: lot of love and respect for in the game and

2573
02:23:25,320 --> 02:23:28,480
Speaker 1: its entirety I gotta love for, but I gotta compete

2574
02:23:28,520 --> 02:23:30,800
Speaker 1: in a way that's affective, and I ain't gonna keep

2575
02:23:30,840 --> 02:23:33,960
Speaker 1: saying that because I believe it's unnecessary. But as I'm

2576
02:23:34,000 --> 02:23:37,280
Speaker 1: still in this discovery point of my career, I want

2577
02:23:37,320 --> 02:23:39,760
Speaker 1: to be clear that ain't no ill will even though

2578
02:23:39,800 --> 02:23:44,600
Speaker 1: there's a hostile takeover, right You just gotta keep up

2579
02:23:44,720 --> 02:23:47,440
Speaker 1: with as I'm moving through, and if I lose you,

2580
02:23:47,600 --> 02:23:50,280
Speaker 1: somebody get you back caught up when we get down

2581
02:23:50,360 --> 02:23:53,440
Speaker 1: the street, you know, and if not, you'll be found

2582
02:23:53,480 --> 02:24:01,119
Speaker 1: by somebody else. You know. But Kanye again, the audience

2583
02:24:02,080 --> 02:24:05,680
Speaker 1: and the market ready, and so when you come with that,

2584
02:24:05,760 --> 02:24:08,760
Speaker 1: it's more acceptable. And then just to tie in with

2585
02:24:08,879 --> 02:24:12,160
Speaker 1: the guard then and that audience was ready for that,

2586
02:24:12,320 --> 02:24:15,520
Speaker 1: they're ready now for that. So all artists out there,

2587
02:24:15,560 --> 02:24:18,840
Speaker 1: if you're a writer, you need to be understanding that

2588
02:24:19,040 --> 02:24:21,800
Speaker 1: Kanye has kind of left that wide open. He went

2589
02:24:21,879 --> 02:24:24,959
Speaker 1: over and dig a big hole and put a foundation

2590
02:24:25,080 --> 02:24:27,600
Speaker 1: for a house. Dan said, I'll be back. I ain't

2591
02:24:27,840 --> 02:24:31,440
Speaker 1: with that right now, and so if you are talented

2592
02:24:31,480 --> 02:24:33,160
Speaker 1: and can do that, you need to run over and

2593
02:24:33,280 --> 02:24:35,720
Speaker 1: try to don't worry. I got it from here then,

2594
02:24:36,720 --> 02:24:38,960
Speaker 1: because this is the culture we're dealing with, it most

2595
02:24:39,000 --> 02:24:42,040
Speaker 1: likely they might inspire him to come back and start

2596
02:24:42,120 --> 02:24:46,119
Speaker 1: building with you. To hear that kind of thing right.

2597
02:24:46,240 --> 02:24:49,240
Speaker 1: But people say Jay had the best verse. I say

2598
02:24:49,720 --> 02:24:51,920
Speaker 1: Jay had the best verse. I do again say the

2599
02:24:52,000 --> 02:24:56,520
Speaker 1: South is so important though, And the reason I say that,

2600
02:24:56,640 --> 02:24:59,160
Speaker 1: if you pay attention, Jay went longer than the boys

2601
02:24:59,160 --> 02:25:01,840
Speaker 1: because the South on there. I think a couple of

2602
02:25:01,920 --> 02:25:04,080
Speaker 1: reasons why. And I could be reaching it. A lot

2603
02:25:04,160 --> 02:25:06,320
Speaker 1: of times I just deal with information that I have

2604
02:25:06,400 --> 02:25:08,840
Speaker 1: a podcast, so I gotta have these kind of toes.

2605
02:25:09,600 --> 02:25:13,320
Speaker 1: But it almost seemed like because he clarified itself about me,

2606
02:25:13,600 --> 02:25:15,680
Speaker 1: you know, me and me could never beef. I freed

2607
02:25:15,760 --> 02:25:19,280
Speaker 1: that dude from a whole bid. Was he talking about

2608
02:25:19,400 --> 02:25:23,080
Speaker 1: ross situation too? Because he shot Weeeze out and did

2609
02:25:23,160 --> 02:25:25,480
Speaker 1: shot Ross out? And now this is just me saying

2610
02:25:25,560 --> 02:25:28,600
Speaker 1: down read the room. Let's set that to the side

2611
02:25:28,640 --> 02:25:30,800
Speaker 1: and say that's not the true Let's move on. He

2612
02:25:30,959 --> 02:25:33,560
Speaker 1: continued to go. He went longer than all them guys,

2613
02:25:34,080 --> 02:25:37,240
Speaker 1: and he went last, which tells me that, yo, I

2614
02:25:37,560 --> 02:25:40,160
Speaker 1: he probably got it last. And if hove come on

2615
02:25:40,280 --> 02:25:42,680
Speaker 1: that he's sent you back six minutes, you're not cutting

2616
02:25:42,720 --> 02:25:44,800
Speaker 1: none of it because he hold he is who he is.

2617
02:25:44,879 --> 02:25:48,240
Speaker 1: And don't get it, missic and screw got down the

2618
02:25:48,480 --> 02:25:53,400
Speaker 1: entire verse. You know, um I see people laughing at

2619
02:25:53,440 --> 02:25:56,360
Speaker 1: when Dirk and Savage was in the building, you know,

2620
02:25:56,440 --> 02:25:58,200
Speaker 1: and they played the verse for the and it was

2621
02:25:58,240 --> 02:26:00,880
Speaker 1: two different heads. Now, Dirt was kind of give them this,

2622
02:26:01,800 --> 02:26:05,640
Speaker 1: giving them the more faster bouncing, Savage was giving them

2623
02:26:05,720 --> 02:26:09,600
Speaker 1: more slower bouncing. People didn't understand. But both those bops

2624
02:26:09,640 --> 02:26:13,560
Speaker 1: you can do inside of that song. But that's because

2625
02:26:13,600 --> 02:26:16,480
Speaker 1: they're writers. You see the different approaches in real time.

2626
02:26:16,560 --> 02:26:20,000
Speaker 1: People didn't even appreciate that. But it's a solid album.

2627
02:26:21,480 --> 02:26:27,120
Speaker 1: Drake come in with the basically TikTok reel at number one,

2628
02:26:27,160 --> 02:26:31,520
Speaker 1: which you'll probably be big on TikTok. And again that's

2629
02:26:31,560 --> 02:26:33,920
Speaker 1: how I look at music now. I understand what these

2630
02:26:33,959 --> 02:26:36,200
Speaker 1: little things are for. When back in the day you

2631
02:26:36,280 --> 02:26:38,879
Speaker 1: would have threw that that little Drake forties two seconds

2632
02:26:38,959 --> 02:26:40,680
Speaker 1: or whatever that is that it had been threw away

2633
02:26:40,760 --> 02:26:43,680
Speaker 1: back in the day. But because of TikTok and Instagram

2634
02:26:43,760 --> 02:26:46,120
Speaker 1: and the ability to use certain things on reels, yo,

2635
02:26:46,240 --> 02:26:49,520
Speaker 1: throw that forty two seconds on there, especially with draking

2636
02:26:49,600 --> 02:26:53,000
Speaker 1: that bag where you know, no reppon or no secret.

2637
02:26:53,560 --> 02:26:57,120
Speaker 1: You know, it's just like you gotta understand what's happening.

2638
02:26:57,200 --> 02:27:00,760
Speaker 1: It's it's business. Happening. And that's why when aren't still

2639
02:27:01,000 --> 02:27:05,080
Speaker 1: is able to be consumable at a high level of

2640
02:27:05,360 --> 02:27:09,200
Speaker 1: monks out of business, that's happening. That's what makes these artists,

2641
02:27:09,240 --> 02:27:11,960
Speaker 1: in my opinion, great because everybody can write, but can

2642
02:27:12,040 --> 02:27:14,120
Speaker 1: you write when you're looking to go number one? And

2643
02:27:14,200 --> 02:27:17,280
Speaker 1: all these people got a green light? Yeah, you know,

2644
02:27:17,440 --> 02:27:20,720
Speaker 1: so many people have a say so in what music

2645
02:27:20,879 --> 02:27:23,080
Speaker 1: video comes out, and so many people have a say

2646
02:27:23,120 --> 02:27:26,080
Speaker 1: so on what songs get cleared and what beats we

2647
02:27:26,240 --> 02:27:29,920
Speaker 1: gonna Man, that starts to a lot of a lot

2648
02:27:29,959 --> 02:27:32,360
Speaker 1: of cooks start to be in the kitchen, and it

2649
02:27:32,440 --> 02:27:35,840
Speaker 1: could affect the taste of the fool. But those that's

2650
02:27:35,920 --> 02:27:38,800
Speaker 1: able to navigate in that and then even sometimes say

2651
02:27:38,959 --> 02:27:41,440
Speaker 1: I don't want all you cooks in the kitchen, and

2652
02:27:41,560 --> 02:27:44,320
Speaker 1: just the ability to do different things by themselves and

2653
02:27:44,640 --> 02:27:47,279
Speaker 1: hunt for their own beats and understand their own audience

2654
02:27:47,320 --> 02:27:48,960
Speaker 1: a little bit where they can put a couple of

2655
02:27:49,000 --> 02:27:51,959
Speaker 1: them people out right, or bring a couple of people

2656
02:27:52,040 --> 02:27:53,920
Speaker 1: in the kitchen with them and hey, instead of you,

2657
02:27:54,000 --> 02:27:57,400
Speaker 1: we're gonna put suh, you know, and just orchestrate that

2658
02:27:57,560 --> 02:28:00,760
Speaker 1: whole thing. It's also so important, you know, but you

2659
02:28:00,840 --> 02:28:02,680
Speaker 1: see CALLI have a long career. A lot of this

2660
02:28:02,760 --> 02:28:05,199
Speaker 1: ain't on this bank. Again. He's almost like a TV

2661
02:28:05,720 --> 02:28:08,880
Speaker 1: station for these rabbles. You get a Kalet song and

2662
02:28:09,000 --> 02:28:10,840
Speaker 1: come with a certain kind of promotion, to come with

2663
02:28:10,879 --> 02:28:13,000
Speaker 1: a certain machine. He come with a certain he probably

2664
02:28:13,040 --> 02:28:15,760
Speaker 1: gonna drop around a war time. It's a certain thing

2665
02:28:15,879 --> 02:28:18,280
Speaker 1: happening with him, and so it's a good look. That's

2666
02:28:18,320 --> 02:28:20,680
Speaker 1: why the big names go highland him. Let's talk about this.

2667
02:28:20,840 --> 02:28:23,960
Speaker 1: Six hundred Breezing said a couple of things about Dirk

2668
02:28:24,040 --> 02:28:27,320
Speaker 1: and King Vaughan and said this. Feelings about Vaughan would

2669
02:28:27,360 --> 02:28:30,560
Speaker 1: have been further than Dirt. We're gonna take a look

2670
02:28:30,600 --> 02:28:32,440
Speaker 1: at that video and then we'll come back us. It

2671
02:28:32,560 --> 02:28:35,600
Speaker 1: was like a record label verse record label. It was happening,

2672
02:28:35,600 --> 02:28:37,840
Speaker 1: and when they bumped into each other, this is way

2673
02:28:38,080 --> 02:28:44,119
Speaker 1: different because it started off automatically on street. Vaughan would

2674
02:28:44,120 --> 02:28:46,600
Speaker 1: have been bigger than Dirt. Let's just be honest. Look

2675
02:28:46,640 --> 02:28:49,720
Speaker 1: how fast he removed, how fast he was going. Dirt

2676
02:28:49,959 --> 02:28:53,000
Speaker 1: been rapping since two thy nineteen. You know what I'm

2677
02:28:53,000 --> 02:28:56,400
Speaker 1: saying that he just became the Dirk yold that everybody knows.

2678
02:28:57,240 --> 02:29:00,160
Speaker 1: Vaughan just got out of jail from beating murdered. She

2679
02:29:00,280 --> 02:29:03,680
Speaker 1: just sat in the county jail. And you know what

2680
02:29:03,760 --> 02:29:08,320
Speaker 1: I'm saying, was living at a hellhole. It came home

2681
02:29:08,400 --> 02:29:11,440
Speaker 1: and boom. He'd been King Bond, but he came he

2682
02:29:11,560 --> 02:29:14,200
Speaker 1: became King Bonds to the world. Yeah, so he would

2683
02:29:14,240 --> 02:29:16,720
Speaker 1: have been bigger than Dirt because he was moving too fast,

2684
02:29:17,000 --> 02:29:19,800
Speaker 1: too quick. Yeah. I just think a lot of it, man,

2685
02:29:19,959 --> 02:29:22,640
Speaker 1: it's just just egos, like something must be happening with

2686
02:29:22,800 --> 02:29:25,120
Speaker 1: him and Dirk or something. But you know, I don't

2687
02:29:25,160 --> 02:29:29,400
Speaker 1: know Chicago politics or they situations of business. It'd be

2688
02:29:29,520 --> 02:29:31,600
Speaker 1: kind of funny sometimes because it seemed like they'd be

2689
02:29:31,680 --> 02:29:35,920
Speaker 1: separating Vaughan from Dirt and when Vaughan loved Dirt. So

2690
02:29:36,760 --> 02:29:40,080
Speaker 1: you know, if I if you love me, I thought

2691
02:29:40,120 --> 02:29:42,760
Speaker 1: you loved what I loved. But again, and maybe that's

2692
02:29:42,760 --> 02:29:45,560
Speaker 1: something behind the scenes that is going on, because I

2693
02:29:45,640 --> 02:29:48,240
Speaker 1: don't understand how Blag get these guys to talk about

2694
02:29:48,320 --> 02:29:51,440
Speaker 1: these kinds of things. Matter of fact, Land ain't had

2695
02:29:51,520 --> 02:29:54,320
Speaker 1: nothing to even do with that. It don't seem like it.

2696
02:29:54,440 --> 02:29:56,560
Speaker 1: I was looking to see That's why I played it twice.

2697
02:29:56,600 --> 02:29:58,880
Speaker 1: I was looking to see how the question was set up,

2698
02:29:59,640 --> 02:30:02,600
Speaker 1: like what did the Vlad set that up, but it

2699
02:30:02,680 --> 02:30:05,879
Speaker 1: seemed like in his brain that's what he's feeling, that's

2700
02:30:05,920 --> 02:30:08,560
Speaker 1: what he want to say. But respectfully to Vlad, why

2701
02:30:08,600 --> 02:30:12,840
Speaker 1: they be saying that to the white guy though, I

2702
02:30:12,920 --> 02:30:15,200
Speaker 1: don't know, like and then you ask me, you know,

2703
02:30:15,280 --> 02:30:18,680
Speaker 1: people say, Lona, what you think? Man, I don't. I

2704
02:30:18,760 --> 02:30:21,000
Speaker 1: don't know. You know. I tend not to put dudes

2705
02:30:21,040 --> 02:30:23,080
Speaker 1: that love each other against each other, you know, in

2706
02:30:23,160 --> 02:30:25,400
Speaker 1: the market, especially if one of them ain't alive. Man,

2707
02:30:25,400 --> 02:30:28,120
Speaker 1: if they both alive, then we can probably have a

2708
02:30:28,200 --> 02:30:30,560
Speaker 1: conversation because we deal with the market, kind of deal

2709
02:30:30,640 --> 02:30:32,160
Speaker 1: with that. But if one of them did and one

2710
02:30:32,200 --> 02:30:35,120
Speaker 1: of them alive him or I don't really want to

2711
02:30:36,280 --> 02:30:40,920
Speaker 1: compare you to your dead homeboy, especially if that's my homeboy,

2712
02:30:41,160 --> 02:30:43,800
Speaker 1: you know. So sometimes I'll be trying to understand that.

2713
02:30:43,840 --> 02:30:46,040
Speaker 1: I'm gonna reach out to six hund to see if

2714
02:30:46,080 --> 02:30:47,520
Speaker 1: he want to come on the show, you know what

2715
02:30:47,600 --> 02:30:50,880
Speaker 1: I mean, because I want to understand how y'all the

2716
02:30:51,000 --> 02:30:54,720
Speaker 1: Chicago politic thing, like, you know, how is this? How

2717
02:30:54,800 --> 02:30:56,800
Speaker 1: does it seem like you would never do nothing to

2718
02:30:56,879 --> 02:30:59,640
Speaker 1: disrespect King Vaughan, but little Dirk you kind of on

2719
02:30:59,760 --> 02:31:03,039
Speaker 1: the fence about on certain things. You know, how does

2720
02:31:03,080 --> 02:31:05,880
Speaker 1: it seem like that? And Vaughn was with Dirk and

2721
02:31:05,959 --> 02:31:09,720
Speaker 1: Dirk love Vaughan and Vaughn look like it's like that

2722
02:31:09,879 --> 02:31:12,240
Speaker 1: whole thing be confusing to me. But I'm gonna reach

2723
02:31:12,280 --> 02:31:14,640
Speaker 1: out to six hundreds if we can get him on

2724
02:31:14,720 --> 02:31:17,199
Speaker 1: the show and try to explain that to the rest

2725
02:31:17,240 --> 02:31:19,720
Speaker 1: of the world or the culture, because you know, the

2726
02:31:19,840 --> 02:31:23,640
Speaker 1: misunderstanding some time can be only because the information is lacked.

2727
02:31:24,200 --> 02:31:27,520
Speaker 1: But I can't understand how those things can live in

2728
02:31:27,600 --> 02:31:30,960
Speaker 1: the same place. When he speaks to Dirt just now

2729
02:31:31,120 --> 02:31:34,360
Speaker 1: getting on, he didn't understand the market had to develop,

2730
02:31:35,360 --> 02:31:38,320
Speaker 1: you know, Dirk was doing a totally different kind of

2731
02:31:38,440 --> 02:31:42,200
Speaker 1: music and doing different kinds of stuff. The market wasn't

2732
02:31:42,280 --> 02:31:44,640
Speaker 1: developed in a way that it is right now. Right now.

2733
02:31:44,760 --> 02:31:48,640
Speaker 1: It's about this that Vaughn was talking about this, Dirt

2734
02:31:48,840 --> 02:31:52,160
Speaker 1: be talking about this, that a lot of these rappers

2735
02:31:52,280 --> 02:31:55,680
Speaker 1: be talking like young Boy and all that the market is.

2736
02:31:56,320 --> 02:31:58,959
Speaker 1: It's bubbling for that ship, and a lot of people

2737
02:31:59,000 --> 02:32:01,760
Speaker 1: would say that it's but behind the scenes the champion

2738
02:32:01,879 --> 02:32:04,800
Speaker 1: in that environment and that kind of music in the

2739
02:32:05,000 --> 02:32:09,280
Speaker 1: name of destruction of the community. But if you don't

2740
02:32:09,360 --> 02:32:11,360
Speaker 1: know that, you don't know that, and I don't know

2741
02:32:11,480 --> 02:32:13,280
Speaker 1: that to be the case, but I do know that

2742
02:32:13,400 --> 02:32:16,360
Speaker 1: to be profitable. And anytime you follow the money you

2743
02:32:16,480 --> 02:32:18,280
Speaker 1: see at the end of the road, it ain't a

2744
02:32:18,360 --> 02:32:21,880
Speaker 1: black person. You can ask what boxes does that check

2745
02:32:21,959 --> 02:32:24,040
Speaker 1: out for you? For those of you that don't know,

2746
02:32:24,240 --> 02:32:28,800
Speaker 1: Dirk been through a couple different eras, you know, like

2747
02:32:28,959 --> 02:32:31,640
Speaker 1: the Day's Loaf era that this ain't what you want era,

2748
02:32:31,920 --> 02:32:35,600
Speaker 1: which is the Chief Keith when Chief Keep was running

2749
02:32:35,640 --> 02:32:38,600
Speaker 1: the world. You know, the ability to hold on too

2750
02:32:39,040 --> 02:32:42,120
Speaker 1: throughout all letters, the hell of a thing too. You know,

2751
02:32:42,240 --> 02:32:44,200
Speaker 1: that's why you don't want to wait till you get rich.

2752
02:32:44,280 --> 02:32:47,240
Speaker 1: And you know that's what I'm saying sometime, y'all keep

2753
02:32:47,280 --> 02:32:50,160
Speaker 1: all of them guys away from you. Man, I've been

2754
02:32:50,240 --> 02:32:52,959
Speaker 1: rapping ten years. Just got on, then y'all gonna get

2755
02:32:53,000 --> 02:32:55,840
Speaker 1: me caught up in y'all want to bother me, or

2756
02:32:56,000 --> 02:32:59,200
Speaker 1: y'all want to come around me and cause me. You know, nah,

2757
02:32:59,400 --> 02:33:03,280
Speaker 1: watch y'all, man. That's what I'm saying all my street guys, like,

2758
02:33:03,720 --> 02:33:05,800
Speaker 1: if you still in the streets, man, I got very

2759
02:33:05,879 --> 02:33:09,960
Speaker 1: limited contact, which it's too much at stake. I'm talking

2760
02:33:10,040 --> 02:33:12,879
Speaker 1: my very limited and my Street guys that really respect

2761
02:33:12,959 --> 02:33:15,720
Speaker 1: the game and no loan for real, they respect that.

2762
02:33:16,000 --> 02:33:19,680
Speaker 1: They understand man, he on some other ship. Now, you know,

2763
02:33:19,760 --> 02:33:22,520
Speaker 1: I watch different things. Man. You know, I'm not really

2764
02:33:22,600 --> 02:33:26,440
Speaker 1: interested in wrapping and things like that because I come

2765
02:33:26,560 --> 02:33:29,560
Speaker 1: from that coach, so I understand it. I ain't saying

2766
02:33:29,720 --> 02:33:31,920
Speaker 1: interested in it, but I don't consume it as much.

2767
02:33:31,959 --> 02:33:34,120
Speaker 1: To try to consume things to build me up in

2768
02:33:34,240 --> 02:33:37,200
Speaker 1: a different way and give me avenues to think. So

2769
02:33:38,680 --> 02:33:41,240
Speaker 1: I was watching the other day Mark Zuckerberg went on

2770
02:33:41,360 --> 02:33:44,560
Speaker 1: the Joe Romans podcast, and this is just an interesting

2771
02:33:44,640 --> 02:33:48,080
Speaker 1: communication for me because I don't only watch, you know,

2772
02:33:48,240 --> 02:33:52,959
Speaker 1: for entertainment purposes. I watched the dance that he is interviewing, right,

2773
02:33:53,040 --> 02:33:56,400
Speaker 1: So I try to view what techniques are in place.

2774
02:33:56,680 --> 02:33:59,840
Speaker 1: And sometimes when you see someone like Mark, I even

2775
02:34:00,040 --> 02:34:03,160
Speaker 1: watch how they talk. Like even with Mark Zuckerberg, right,

2776
02:34:03,320 --> 02:34:06,200
Speaker 1: my voice is like this. Sometimes you get a passion

2777
02:34:06,280 --> 02:34:09,000
Speaker 1: that I might say some things that while the optics

2778
02:34:09,120 --> 02:34:11,640
Speaker 1: go up and I start to kind of have voice

2779
02:34:11,680 --> 02:34:17,160
Speaker 1: inflection and things like that. But there's a certain type

2780
02:34:17,200 --> 02:34:21,280
Speaker 1: of talking that someone that's trying to talk to like

2781
02:34:21,480 --> 02:34:25,360
Speaker 1: political people does. It's almost like a certain frequency that

2782
02:34:25,480 --> 02:34:28,400
Speaker 1: they've been told it's effective, or they maybe just copying

2783
02:34:28,520 --> 02:34:32,480
Speaker 1: each other. It's like, well, to be honest, it's like

2784
02:34:32,600 --> 02:34:35,000
Speaker 1: a thing that they're doing. It's like a it's not

2785
02:34:35,200 --> 02:34:38,560
Speaker 1: like just how I'm talking, just regularly just talking. It's

2786
02:34:38,600 --> 02:34:41,880
Speaker 1: like a it's like a performance almost. And when I

2787
02:34:41,959 --> 02:34:45,480
Speaker 1: watched him speak with Rogan, it was like, Yo, this

2788
02:34:45,640 --> 02:34:48,200
Speaker 1: dude is pretty small. Number One. He knows that when

2789
02:34:48,280 --> 02:34:51,360
Speaker 1: he's talking that he's talking about something that can either

2790
02:34:51,480 --> 02:34:54,720
Speaker 1: be used against him or for him. So in the

2791
02:34:54,879 --> 02:34:58,880
Speaker 1: moment seeing an interview, a lot of times, especially Rogan,

2792
02:34:58,959 --> 02:35:00,920
Speaker 1: he's really good with this. This is a technique. I'm

2793
02:35:00,920 --> 02:35:04,080
Speaker 1: gonna let y'all lean on some behind the boards things, right,

2794
02:35:04,560 --> 02:35:07,280
Speaker 1: I'll let y'all in on this point. Rogan is really

2795
02:35:07,360 --> 02:35:10,600
Speaker 1: good at this. He'll get a very powerful person across

2796
02:35:10,680 --> 02:35:13,520
Speaker 1: from him and he'll start to speak about how he's

2797
02:35:13,560 --> 02:35:17,000
Speaker 1: feeling about something. Right. Let's say it's unclear what you're

2798
02:35:17,080 --> 02:35:22,000
Speaker 1: using these glasses for, right, and it's kind of out there,

2799
02:35:22,080 --> 02:35:24,440
Speaker 1: but people really don't know what you're doing with them.

2800
02:35:24,760 --> 02:35:26,959
Speaker 1: Some people say they're used for good, some people say

2801
02:35:27,000 --> 02:35:30,360
Speaker 1: they're used for bad. You know, he'll come to you

2802
02:35:31,040 --> 02:35:34,880
Speaker 1: and he'll dump his feelings out on the table. Man,

2803
02:35:35,000 --> 02:35:37,440
Speaker 1: it's such a great thing, or it's this bad thing.

2804
02:35:37,520 --> 02:35:39,320
Speaker 1: And I think that it's horrible for the earth because

2805
02:35:39,400 --> 02:35:41,800
Speaker 1: he'll pull some facts out because the the the you

2806
02:35:41,920 --> 02:35:44,920
Speaker 1: know what I'm saying. And when he tell you, when

2807
02:35:44,959 --> 02:35:49,520
Speaker 1: he dumps hisself out like that, it's almost like working

2808
02:35:49,600 --> 02:35:52,640
Speaker 1: next to someone that's sweating and you're not sweating. There's

2809
02:35:52,640 --> 02:35:55,880
Speaker 1: a weird energy if you're working next to someone and

2810
02:35:55,959 --> 02:35:58,080
Speaker 1: they're working hard and you kind of just sitting there.

2811
02:35:58,080 --> 02:35:59,760
Speaker 1: You gotta be kind of like a real piece of

2812
02:36:00,200 --> 02:36:02,920
Speaker 1: to be able to right. So there's something that happens

2813
02:36:03,000 --> 02:36:06,320
Speaker 1: when someone dumps themselves out like that in front of you.

2814
02:36:06,800 --> 02:36:10,040
Speaker 1: So I see him. He would hit Mark with that

2815
02:36:10,200 --> 02:36:14,280
Speaker 1: technique and Mark would reject it. Look man like one

2816
02:36:14,360 --> 02:36:17,080
Speaker 1: thing in particular when they started to talk about the algorithm,

2817
02:36:17,200 --> 02:36:20,520
Speaker 1: so they would speak about listen, man, this algorithm isn't

2818
02:36:20,560 --> 02:36:22,840
Speaker 1: that bad, man. This is what it was. Here's the

2819
02:36:22,920 --> 02:36:25,760
Speaker 1: example I'm gonna give you. This is one of the

2820
02:36:25,840 --> 02:36:28,640
Speaker 1: times where Rogan tried that technique that I believe it

2821
02:36:28,720 --> 02:36:31,560
Speaker 1: is conscious, but probably is unconscious just because you've been

2822
02:36:31,640 --> 02:36:34,920
Speaker 1: communicating so long. This is the most effective way in

2823
02:36:35,040 --> 02:36:37,680
Speaker 1: grooves that you found to do this job at a

2824
02:36:37,760 --> 02:36:41,400
Speaker 1: high level. But here's the conversation. They were speaking about

2825
02:36:41,440 --> 02:36:44,120
Speaker 1: the algorithm, and you know, the idea is that the

2826
02:36:44,240 --> 02:36:49,080
Speaker 1: algorithm shows you negative things. Right, So people usually are

2827
02:36:49,280 --> 02:36:52,880
Speaker 1: critical of the Facebook algorithm by saying, hey, man, it

2828
02:36:53,000 --> 02:36:56,840
Speaker 1: just constantly showed me negative stuff, man, this negative, negative, negative, negative,

2829
02:36:56,879 --> 02:37:01,480
Speaker 1: police shootings, all these different things. And Rogan took that

2830
02:37:01,760 --> 02:37:05,040
Speaker 1: and understood that that's a talking point that's slippery for

2831
02:37:05,200 --> 02:37:08,960
Speaker 1: Mark and he's being viewed like he shares responsibility in

2832
02:37:09,120 --> 02:37:12,240
Speaker 1: creating that environment. So Rogan again does the dump out

2833
02:37:12,320 --> 02:37:17,080
Speaker 1: strategy where he says, listen, man, the algorithm is not

2834
02:37:17,240 --> 02:37:19,720
Speaker 1: basically there and he's not telling no lot. So this

2835
02:37:19,879 --> 02:37:22,840
Speaker 1: is what makes it interesting because again he dealing with information.

2836
02:37:22,920 --> 02:37:26,880
Speaker 1: He said, man, listen, the algorithm is not feeding you negativity.

2837
02:37:26,959 --> 02:37:29,760
Speaker 1: The algorithm is feeding you things that you usually are

2838
02:37:29,879 --> 02:37:32,720
Speaker 1: interested in. He will stay on the platform to see

2839
02:37:33,000 --> 02:37:36,879
Speaker 1: so if people wasn't people and wasn't after the selation's

2840
02:37:36,920 --> 02:37:39,400
Speaker 1: headlines and things like that, then it wouldn't show him.

2841
02:37:39,680 --> 02:37:42,160
Speaker 1: Then he always goes to this thing and he uses

2842
02:37:42,240 --> 02:37:46,000
Speaker 1: this a lot. Man. My buddy did an experiment when

2843
02:37:46,040 --> 02:37:48,200
Speaker 1: he just googled cats for a long time. I mean

2844
02:37:48,240 --> 02:37:51,240
Speaker 1: he googled cats, Google cats, and all he was shown

2845
02:37:51,320 --> 02:37:55,080
Speaker 1: was cats. So it's not that they're inserting these narratives.

2846
02:37:55,120 --> 02:37:57,960
Speaker 1: It's basically what you're interested in. And he dumped that

2847
02:37:58,080 --> 02:38:01,920
Speaker 1: on the table from Mark. And although he gave marka

2848
02:38:02,080 --> 02:38:04,960
Speaker 1: out to start a conversation, because he would give him

2849
02:38:05,000 --> 02:38:07,840
Speaker 1: that out, which then would start the conversation where we

2850
02:38:07,920 --> 02:38:10,840
Speaker 1: can dig again. But Mark again has been in front

2851
02:38:10,840 --> 02:38:13,240
Speaker 1: of the Congress and been in front of some of

2852
02:38:13,320 --> 02:38:17,039
Speaker 1: the highest levels of office in the United States being

2853
02:38:17,200 --> 02:38:19,240
Speaker 1: trying to be held accountable for some of the things

2854
02:38:19,320 --> 02:38:22,120
Speaker 1: that Facebook does. So in real time you see him

2855
02:38:22,160 --> 02:38:27,400
Speaker 1: reject that notion. When he rejects it, he says, yeah, yeah,

2856
02:38:27,440 --> 02:38:30,960
Speaker 1: I see what you're saying there. But my idea is, man,

2857
02:38:31,040 --> 02:38:34,039
Speaker 1: I'm not I'm not making nothing to make people unhappy. Man,

2858
02:38:34,160 --> 02:38:38,040
Speaker 1: I don't want to if I don't want to feed negativity.

2859
02:38:38,280 --> 02:38:40,879
Speaker 1: That's not what we do, that's not what we stand. See,

2860
02:38:41,000 --> 02:38:43,840
Speaker 1: he ain't let his guard down because if he just

2861
02:38:44,000 --> 02:38:47,520
Speaker 1: deal with the information right there, that's the thing. Hopefully

2862
02:38:47,640 --> 02:38:50,960
Speaker 1: that's really how he feels. But in my viewing, it

2863
02:38:51,080 --> 02:38:55,440
Speaker 1: still feel like that he was operating out of politician world,

2864
02:38:55,560 --> 02:38:58,280
Speaker 1: like I'm CEO the company at these talking points, I

2865
02:38:58,400 --> 02:39:01,800
Speaker 1: need not you know, certain things to do, certain things,

2866
02:39:01,879 --> 02:39:04,080
Speaker 1: which is true that dude is worth a lot of money.

2867
02:39:04,160 --> 02:39:06,960
Speaker 1: And again that's what makes Rogan's the goat man. His

2868
02:39:07,120 --> 02:39:12,920
Speaker 1: last few guests was like Aaron Rodgers, Mark Zuckerberg and

2869
02:39:13,440 --> 02:39:17,440
Speaker 1: Louis c k Like, yo, bro, we got some work

2870
02:39:17,480 --> 02:39:19,720
Speaker 1: to do on this side. You know, we got we

2871
02:39:19,760 --> 02:39:21,680
Speaker 1: got a long way to go, you know, but we're

2872
02:39:21,680 --> 02:39:23,560
Speaker 1: gonna We're gonna work it out, man, and start having

2873
02:39:23,600 --> 02:39:27,720
Speaker 1: them good conversations. But again, Man Rogan usually does that

2874
02:39:28,160 --> 02:39:31,040
Speaker 1: like he did with Aaron Rodgers. You know, he laid

2875
02:39:31,080 --> 02:39:32,800
Speaker 1: a bunch of effects on the table by how the

2876
02:39:32,920 --> 02:39:36,640
Speaker 1: doctors and now Aaron Rodgers like, yeah, Man, I played

2877
02:39:36,680 --> 02:39:42,120
Speaker 1: on percoset, Man percocet, because it's almost like you know

2878
02:39:42,320 --> 02:39:45,680
Speaker 1: who asking you See, here's the thing. When Aaron Rodgers

2879
02:39:46,000 --> 02:39:49,960
Speaker 1: agreed to Rogan that he took percocets live on air

2880
02:39:50,560 --> 02:39:54,800
Speaker 1: and played football on percocets, it's literally it's a vibe

2881
02:39:54,840 --> 02:39:56,800
Speaker 1: in the room when two men are sitting next to

2882
02:39:56,879 --> 02:39:59,000
Speaker 1: each other and you're dealing with a man that you

2883
02:39:59,160 --> 02:40:01,680
Speaker 1: know can pull that out of you or no, you know,

2884
02:40:02,240 --> 02:40:04,959
Speaker 1: on some information about when you probably lying. He gonna

2885
02:40:05,000 --> 02:40:07,040
Speaker 1: dig a little deep and then you're gonna be exposed.

2886
02:40:07,360 --> 02:40:10,840
Speaker 1: You you foolish, you know, you know, you know when

2887
02:40:10,840 --> 02:40:13,120
Speaker 1: you're dealing with a high intellect and you're sitting cross

2888
02:40:13,160 --> 02:40:17,200
Speaker 1: from somebody that Mike and right, So when Rogan like you,

2889
02:40:17,440 --> 02:40:19,520
Speaker 1: I mean, because then they're having this long drawn out

2890
02:40:19,600 --> 02:40:26,199
Speaker 1: conversation about how in football the barriers around getting medication

2891
02:40:26,400 --> 02:40:30,000
Speaker 1: and pain killers were very low up into maybe the

2892
02:40:30,080 --> 02:40:33,840
Speaker 1: last ten years. And Aaron was like, man, dudes played

2893
02:40:33,879 --> 02:40:36,680
Speaker 1: on all kinds of stuff, and then Rogan hit him

2894
02:40:36,959 --> 02:40:39,560
Speaker 1: with the dump out of information and feelings and then

2895
02:40:39,959 --> 02:40:42,200
Speaker 1: said you played on it. That you It's like, yeah, yeah,

2896
02:40:42,240 --> 02:40:44,480
Speaker 1: I played on it. What you're playing on? Perko said,

2897
02:40:45,879 --> 02:40:50,720
Speaker 1: It's like, oh, but Rogan ain't looking at that away.

2898
02:40:51,160 --> 02:40:53,600
Speaker 1: He just keep the conversation going because he ain't. It

2899
02:40:53,680 --> 02:40:56,120
Speaker 1: ain't a got you moment for Rogan. It's just having

2900
02:40:56,160 --> 02:41:00,120
Speaker 1: a conversation. But we're having a real conversation. So if

2901
02:41:00,160 --> 02:41:03,280
Speaker 1: you ain't really button up, you don't come here and

2902
02:41:03,360 --> 02:41:05,560
Speaker 1: play button up, because we're gonna get to the bottom

2903
02:41:05,600 --> 02:41:08,160
Speaker 1: of it over here. If you ain't rich You don't

2904
02:41:08,160 --> 02:41:10,560
Speaker 1: come here and play rich. You don't come here and

2905
02:41:10,640 --> 02:41:13,800
Speaker 1: play smart. You don't come here and play scientists. We're

2906
02:41:13,879 --> 02:41:16,640
Speaker 1: dealing with information that it's up there, podcast or whatever.

2907
02:41:16,720 --> 02:41:19,200
Speaker 1: You come here is you better know something about or

2908
02:41:19,360 --> 02:41:22,360
Speaker 1: you're gonna be exposed as you just as a costume

2909
02:41:22,480 --> 02:41:25,440
Speaker 1: wearing mom. You don't really know nothing. So it's the

2910
02:41:25,520 --> 02:41:27,880
Speaker 1: same with Rogan. They know when you come now, it

2911
02:41:28,000 --> 02:41:30,440
Speaker 1: ain't a game. How you some information? Man, I've seen

2912
02:41:30,560 --> 02:41:36,119
Speaker 1: dudes going Joe Rogan, what they written down? Like scholars, Mike,

2913
02:41:36,280 --> 02:41:38,920
Speaker 1: Real life scholars come to sit across from a mixed

2914
02:41:38,959 --> 02:41:42,600
Speaker 1: martial art guy with they written down because they know

2915
02:41:43,080 --> 02:41:46,400
Speaker 1: how serious this moment is and the respect for the

2916
02:41:46,640 --> 02:41:49,600
Speaker 1: art form in that moment that tells me, like, man,

2917
02:41:49,720 --> 02:41:52,959
Speaker 1: this is deep. But y'all over here think it's about

2918
02:41:53,040 --> 02:41:55,280
Speaker 1: interviewing rappers. So I'll let y'all do that. I'll take

2919
02:41:55,320 --> 02:41:57,879
Speaker 1: the game to the next level. All right, let's talk

2920
02:41:57,879 --> 02:42:00,520
Speaker 1: about this. Um. I was kind of trying to wait

2921
02:42:00,560 --> 02:42:02,280
Speaker 1: to see what was going to happen with the DA.

2922
02:42:02,440 --> 02:42:04,760
Speaker 1: I think she's about to come out. But where the

2923
02:42:05,959 --> 02:42:08,840
Speaker 1: news was coming from is this Twitter source that always

2924
02:42:08,879 --> 02:42:12,039
Speaker 1: involved reporting from Folden County Let's take a look at

2925
02:42:12,080 --> 02:42:14,240
Speaker 1: a little bit of what he's saying. It's about. Again,

2926
02:42:14,360 --> 02:42:16,040
Speaker 1: this is all alleged. I don't know what to be

2927
02:42:16,120 --> 02:42:20,520
Speaker 1: the case is happening in real time. It says the

2928
02:42:20,680 --> 02:42:23,800
Speaker 1: Folden County District Attorney is holding a press conference at

2929
02:42:23,879 --> 02:42:26,800
Speaker 1: noon to discuss major gang indictments. That was this morning.

2930
02:42:26,840 --> 02:42:29,760
Speaker 1: That's what I was telling you guys about early in

2931
02:42:29,879 --> 02:42:32,960
Speaker 1: the part. So let's look at what they're saying. The

2932
02:42:33,080 --> 02:42:35,360
Speaker 1: press conference is going to be about the two hundred

2933
02:42:35,360 --> 02:42:38,560
Speaker 1: and twenty count indictment released last week, or the Drug

2934
02:42:38,800 --> 02:42:43,080
Speaker 1: Rich gang which had been allegedly doing home invasions of

2935
02:42:43,280 --> 02:42:46,800
Speaker 1: celebrities and others in North Foldon County. Yes, they are

2936
02:42:46,879 --> 02:42:50,200
Speaker 1: represented Drug Rich. Hick being the most prominent promitive is

2937
02:42:50,200 --> 02:42:53,360
Speaker 1: a strong word. Of course, Stilly himself isn't actually in

2938
02:42:53,440 --> 02:42:56,279
Speaker 1: the indictment, even though he is the best known supporter,

2939
02:42:57,000 --> 02:43:01,200
Speaker 1: notably Drug Riches or the Cab County Gag. In my

2940
02:43:01,280 --> 02:43:03,840
Speaker 1: own neighborhood near Stone Mountain. They just take the gas

2941
02:43:03,879 --> 02:43:06,680
Speaker 1: station up the street from me. Among others, the crew

2942
02:43:06,720 --> 02:43:10,000
Speaker 1: allegedly robbed the houses of Mariah Carey and the Real

2943
02:43:10,120 --> 02:43:15,360
Speaker 1: Housewives of Atlanta star Marlow Hampton. They are also accused

2944
02:43:15,480 --> 02:43:18,840
Speaker 1: of kidnapping a teenager and her mother in a North

2945
02:43:18,879 --> 02:43:24,240
Speaker 1: Side drive home invasion in October at some of them

2946
02:43:24,360 --> 02:43:27,160
Speaker 1: right there. Yet again, one of them apparently caught with

2947
02:43:27,240 --> 02:43:30,200
Speaker 1: a switch, and yet again, music videos and lyrics feature

2948
02:43:30,280 --> 02:43:33,119
Speaker 1: in the indictment. The lyrics in the video are cited

2949
02:43:33,160 --> 02:43:39,280
Speaker 1: as ever it is, so it's a song hopping out

2950
02:43:39,320 --> 02:43:43,120
Speaker 1: the rental, So he just a quoting lyrics. So prayers

2951
02:43:43,160 --> 02:43:45,440
Speaker 1: out to all the rappers that name be coming up

2952
02:43:45,480 --> 02:43:48,160
Speaker 1: in that. I always think these fans are weird, the

2953
02:43:48,320 --> 02:43:51,640
Speaker 1: media weird, you know, but you can't you can't stop

2954
02:43:51,720 --> 02:43:53,400
Speaker 1: them from saying what they're gonna say. I think it's

2955
02:43:53,440 --> 02:43:55,480
Speaker 1: a part of being a superstar and the celebrity. You

2956
02:43:55,560 --> 02:43:58,280
Speaker 1: sign up to have your name involved in conversations. You

2957
02:43:58,320 --> 02:44:00,720
Speaker 1: ain't privy. Two that you don't approve, love that, you

2958
02:44:00,800 --> 02:44:04,680
Speaker 1: may not like, that you may really dislike, but you

2959
02:44:04,840 --> 02:44:08,000
Speaker 1: sign up for that, and you turn in your innocence

2960
02:44:10,000 --> 02:44:13,000
Speaker 1: when you get the money. And sometimes those that operate

2961
02:44:13,120 --> 02:44:17,640
Speaker 1: knowing that last longer in this game. Let's look at this.

2962
02:44:17,959 --> 02:44:20,360
Speaker 1: This is one of the most embarrassing things ever in

2963
02:44:20,440 --> 02:44:23,280
Speaker 1: the man. I'm talking about this right here is embarrassing.

2964
02:44:26,040 --> 02:44:27,920
Speaker 1: I want y'all to look at what they did to

2965
02:44:28,080 --> 02:44:33,199
Speaker 1: Mike Tyson. That's supposed to be Hulu trying to pass

2966
02:44:33,280 --> 02:44:37,880
Speaker 1: that off as Mike Tyson. Now, I ain't gonna lie

2967
02:44:37,959 --> 02:44:40,199
Speaker 1: when they first came out, you know, I haven't really

2968
02:44:40,240 --> 02:44:42,720
Speaker 1: talked about it. So they came out and they basically

2969
02:44:42,840 --> 02:44:46,560
Speaker 1: stole tyson life rights. And I don't have enough information

2970
02:44:46,680 --> 02:44:48,600
Speaker 1: on you know, I don't really speak about things I

2971
02:44:48,600 --> 02:44:50,760
Speaker 1: don't know much about, even though I'm gonna get into it.

2972
02:44:50,840 --> 02:44:53,160
Speaker 1: I've just been on the road a lot lately, So

2973
02:44:53,360 --> 02:44:55,920
Speaker 1: let me kind of get y'all some framework around what's

2974
02:44:55,959 --> 02:45:00,200
Speaker 1: the conversation. The conversation is, there's a weird atmosphere in

2975
02:45:00,320 --> 02:45:04,440
Speaker 1: television and even on YouTube, if we're being honest, because

2976
02:45:04,480 --> 02:45:07,640
Speaker 1: their culture has now provided people are living on YouTube

2977
02:45:07,720 --> 02:45:10,800
Speaker 1: that they may or may not be provided if that

2978
02:45:11,120 --> 02:45:16,560
Speaker 1: culture wasn't introduced by Hollywood. But there's a nasty environment

2979
02:45:16,680 --> 02:45:20,800
Speaker 1: and weird atmosphere in Hollywood that surrounds celebrities in their

2980
02:45:20,879 --> 02:45:24,199
Speaker 1: life rights if they are able to use certain words

2981
02:45:24,320 --> 02:45:29,880
Speaker 1: like inspired by some of this lawyer jargon, and then

2982
02:45:29,920 --> 02:45:32,040
Speaker 1: they have the best lawyers in the world, and so

2983
02:45:32,240 --> 02:45:36,720
Speaker 1: people like R Kelly, even though wrong in the crimes committed,

2984
02:45:37,200 --> 02:45:40,360
Speaker 1: was represented at a time in a way that was

2985
02:45:40,440 --> 02:45:45,400
Speaker 1: so effective that helped bring charges down the turnpike fail

2986
02:45:45,560 --> 02:45:49,760
Speaker 1: not that's for people who have the information to digesting

2987
02:45:49,879 --> 02:45:53,680
Speaker 1: and understand. I think that anyone dealing with children should

2988
02:45:53,720 --> 02:45:56,640
Speaker 1: be dealt with in a way like the nineteen hundreds.

2989
02:45:56,959 --> 02:45:59,600
Speaker 1: But that's just my opinion, and I don't know if

2990
02:45:59,640 --> 02:46:03,199
Speaker 1: I'm informed about what they did back then, so that's

2991
02:46:03,240 --> 02:46:06,400
Speaker 1: just for the record. But nonetheless, when they did that

2992
02:46:06,600 --> 02:46:09,640
Speaker 1: R Kelly doc, I was like, Oh, if he can't

2993
02:46:09,680 --> 02:46:13,360
Speaker 1: stop that, can't nobody stop a doc because this doc

2994
02:46:13,480 --> 02:46:17,000
Speaker 1: painted him as what he was in them girls eyes,

2995
02:46:17,080 --> 02:46:20,360
Speaker 1: which they're speaking from their perspective, and those are victims,

2996
02:46:20,400 --> 02:46:22,640
Speaker 1: so they're saying he did this, he did that, And

2997
02:46:22,800 --> 02:46:26,880
Speaker 1: what that did was that made the general public look

2998
02:46:26,959 --> 02:46:29,600
Speaker 1: at Kelly and say, wow, bro, you was doing all

2999
02:46:29,640 --> 02:46:34,560
Speaker 1: of that the whole time. He thought that this was

3000
02:46:34,680 --> 02:46:38,000
Speaker 1: something that wouldn't happen now with him and his lawyers

3001
02:46:38,080 --> 02:46:40,720
Speaker 1: not being able to stop that. That's what spoke to me.

3002
02:46:40,879 --> 02:46:43,480
Speaker 1: So now you deal with Tyson dealing with the same thing.

3003
02:46:43,920 --> 02:46:47,199
Speaker 1: But Chappelle put a glitch in the matrix when Chapelle

3004
02:46:47,320 --> 02:46:49,400
Speaker 1: came out and they was gonna use Chappelle show, and

3005
02:46:49,480 --> 02:46:51,400
Speaker 1: he came out and say, Yo, don't watch that, don't

3006
02:46:51,440 --> 02:46:54,000
Speaker 1: do that, and they got it right, So that gave

3007
02:46:54,120 --> 02:46:56,480
Speaker 1: creators a certain level of man, well, maybe we can

3008
02:46:56,560 --> 02:46:59,400
Speaker 1: say something, do something. So Tyson tried to step in

3009
02:46:59,520 --> 02:47:02,480
Speaker 1: front of who Lou dropping this, like, Yo, they didn't

3010
02:47:02,480 --> 02:47:04,560
Speaker 1: pay me for my life, right, but they dropping this

3011
02:47:04,760 --> 02:47:07,720
Speaker 1: movie and that's not right. I don't think that that's

3012
02:47:07,760 --> 02:47:10,160
Speaker 1: cool for them not to even come hol at me

3013
02:47:10,240 --> 02:47:12,360
Speaker 1: and have the ability to do that. So that tells

3014
02:47:12,400 --> 02:47:15,440
Speaker 1: me his lawyers couldn't stop it either. So they aired,

3015
02:47:16,040 --> 02:47:17,800
Speaker 1: and then they aired and the guy looked like that

3016
02:47:18,000 --> 02:47:22,200
Speaker 1: right there? Man, Man, Man don't look nothing like Tyson man,

3017
02:47:22,240 --> 02:47:27,520
Speaker 1: and folks would be ashamed of they self. Man, Man,

3018
02:47:27,640 --> 02:47:30,840
Speaker 1: I can't believe Hulu done that. Dude like that Hulu

3019
02:47:33,120 --> 02:47:36,280
Speaker 1: and being stocking man, he don't aven't seen like he

3020
02:47:36,400 --> 02:47:42,920
Speaker 1: got broad shoulder, man, Tyson had summer. Man, come on, man, wow,

3021
02:47:43,400 --> 02:47:46,400
Speaker 1: I'll talk about next week. Some of the conversations I

3022
02:47:46,520 --> 02:47:49,920
Speaker 1: had would be Marshal and when the breakup happened, some

3023
02:47:50,000 --> 02:47:52,880
Speaker 1: of the things that I know, man, you know be

3024
02:47:53,120 --> 02:47:57,360
Speaker 1: Marshals passionate about this space man, and we'll talk about

3025
02:47:57,360 --> 02:47:59,680
Speaker 1: it at the top of the show next week. We'll

3026
02:47:59,720 --> 02:48:02,360
Speaker 1: be back next week. Man, this is the best podcast

3027
02:48:02,480 --> 02:48:04,760
Speaker 1: in the world. It's up there podcast Man meme on

3028
02:48:04,879 --> 02:48:08,000
Speaker 1: patroon dot com. Get you some merch get involved with

3029
02:48:08,080 --> 02:48:11,360
Speaker 1: the culture. Man. You know the vibration frequency, Hi skid

3030
02:48:11,440 --> 02:48:11,480
Speaker 1: it