WEBVTT - Kendirck Lamar Interview

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<v Speaker 1>Real key for real celebrity joined the Breakfast Morning everybody

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<v Speaker 1>is DJ envi Angela, Ye, Charl, I mean the guy.

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<v Speaker 1>We are the Breakfast Club special guests and friends to

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<v Speaker 1>the room lead at the New School. When it come

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<v Speaker 1>to these rappers out here, what's up? Listen? First of all,

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<v Speaker 1>salute to you for giving props to one of my

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<v Speaker 1>favorite the seeds of all time, Killer Mike on the

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<v Speaker 1>Hood Politics Record All the time. Man, that never happens

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<v Speaker 1>for artists like you give props to guys like Mike.

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<v Speaker 1>You've been doing it for a long time, way before me.

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<v Speaker 1>You know what I'm saying, So it's only right he's

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<v Speaker 1>gonna continue to do it too. Do you actually listen

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<v Speaker 1>to Mike like you listen to Running Jews, Running Jews Joints? Crazy, um, Atlanta, Man?

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<v Speaker 1>What happened with your album? Album? Was supposed to come

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<v Speaker 1>out that one weekend? Then it just dropped on a

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<v Speaker 1>Sunday and then it was only the clean version, and

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<v Speaker 1>the clean version was taking off everybody. What happened? They dropped?

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<v Speaker 1>They dropped them the clean version. And the crazy part

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<v Speaker 1>about it is we knew that the iTunes leak was

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<v Speaker 1>gonna be down for a minute when once they did

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<v Speaker 1>that because it's a certain system that they put in

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<v Speaker 1>at the labels to either put it on iTunes put

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<v Speaker 1>it up, so the date was actually confused and locked

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<v Speaker 1>it in and locked it off, so the fans was tripping.

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<v Speaker 1>So I'm sure he's seen that on his Twitter and

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<v Speaker 1>went crazy. How much time did y'all spend on the

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<v Speaker 1>marketing campaign, like, Yo, how are you gonna roll the

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<v Speaker 1>album out? Because you can't do a traditional release no more? Yeah, definitely.

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<v Speaker 1>We We always sit as as an entity as far

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<v Speaker 1>as TD and make our own rules first. And that's

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<v Speaker 1>been day one. That's been since iTunes, that's been since

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<v Speaker 1>our mixtapes. So even though everybody's doing it traditionally now,

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<v Speaker 1>we always had that knack to, you know, put it

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<v Speaker 1>out the way you want to. And our thing is

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<v Speaker 1>is is the people gona likeack in regardless they gonna

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<v Speaker 1>like it or they're not. So you could put it out,

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<v Speaker 1>you could put up people on stage, you could do

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<v Speaker 1>the war shows, you can do radio, but if they

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<v Speaker 1>don't rock with the music, they're not going to get

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<v Speaker 1>it or don't. The first thing that we heard from

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<v Speaker 1>from this project, little it wasn't your normal Kendrick Lamar

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<v Speaker 1>per se type of record. Yeah, yeah, So what was

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<v Speaker 1>the inspiration of our why you decided to let that

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<v Speaker 1>one go first? Yeah, the inspiration behind it was really

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<v Speaker 1>um talking to some of the older cats in the

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<v Speaker 1>neighborhood and really doing somebody of the norm uh speaking

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<v Speaker 1>speaking uh, some type of positivity back in the city

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<v Speaker 1>rather than doing you know what we used to doing period.

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<v Speaker 1>You know, from the initial content of the record, I

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<v Speaker 1>always said, it's for some of my homeboys back in

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<v Speaker 1>on the yard and also the community period. And it

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<v Speaker 1>was it was it was therapeutic for myself, you know,

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<v Speaker 1>because sometimes wake up and we may not feel the

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<v Speaker 1>same wi we feel yesterday. So that was that was

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<v Speaker 1>the initial wind state. And it did just that. You

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<v Speaker 1>won two Grammys, which yall didn't show up, y'all. Purpose

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<v Speaker 1>I had to work. I had to finish that album.

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<v Speaker 1>I was locked in. I couldn't lose focus. I couldn't

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<v Speaker 1>go on tour, I couldn't do no awards. I was

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<v Speaker 1>on a deadline. Expect to win last year. You was

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<v Speaker 1>expected to win. Now I don't. I don't expect nothing.

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<v Speaker 1>I don't expect nothing nothing. I just put the music

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<v Speaker 1>out now I read that you started working on this

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<v Speaker 1>album right when you were finishing Mad City. Yeah, and

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<v Speaker 1>so it took you like two years. Two years to

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<v Speaker 1>do it. Yeah, Okay, how many songs did you actually do? Um?

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<v Speaker 1>I probably did about thirty to forty songs that we

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<v Speaker 1>actually fought over in the studio because a lot of

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<v Speaker 1>the records was was my favorite records. You know, sometimes

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<v Speaker 1>it'd be like that, you may do something crazy and

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<v Speaker 1>it just don't end up because it might not be

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<v Speaker 1>as cohesive as you thought. So what happens with those

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<v Speaker 1>they'd be for my my ear my iPhone. That's been

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<v Speaker 1>a lot of mixed reviews behind the album. Some people

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<v Speaker 1>feel like you're being too preachy preachy. How do you

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<v Speaker 1>feel about the reception of the album. I feel great

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<v Speaker 1>about the reception of the album. I ain't catch the

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<v Speaker 1>preachy thing because majority of the albums me me talking

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<v Speaker 1>about my faults, especially on records like you Ain't Got

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<v Speaker 1>a lot of Kicking, Black of the Bury. All these

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<v Speaker 1>are therapeutic songs for me. I feel like sometimes when

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<v Speaker 1>somebody's doing really well, because Ken Jake, you have a

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<v Speaker 1>lot on you, like people look at you, it's like

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<v Speaker 1>Ken Jake is the greatest. Yeah, and sometimes people want

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<v Speaker 1>to come in and be really critical and find some

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<v Speaker 1>type of fun. Yeah, all the time. But we're all human,

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<v Speaker 1>So you're gonna find a fault anyway that somehow. I don't.

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<v Speaker 1>I don't, I don't run from I'm not scared of

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<v Speaker 1>I can't live in fear that. You know, everybody had

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<v Speaker 1>their opinions or whatnot. I didn't know you were suffering

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<v Speaker 1>from depression the way you said you was on the album. Yeah,

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<v Speaker 1>the industry called not the industry just to change. You know,

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<v Speaker 1>it's a drastic change when you you you're around so

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<v Speaker 1>many different faces, faces that you don't quite understand and

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<v Speaker 1>mean different people and things are going on back home

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<v Speaker 1>that's out of your control to handle, you know what

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<v Speaker 1>I'm saying. People would think that would take you away.

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<v Speaker 1>You know, the money that the lifestyle, you're able to

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<v Speaker 1>take a lot of those people that would usually be

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<v Speaker 1>from the hood, that you get another chance, taking the

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<v Speaker 1>places that they would never see. Yeah, you can, but

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<v Speaker 1>you can't take everywhere. It's still stuff. They're gone. I

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<v Speaker 1>still got family and comfty. You know, I can't. I

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<v Speaker 1>can't put a million dollars in they pocket and say

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<v Speaker 1>you don't have feel what I'm saying, all I can

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<v Speaker 1>do is put them in positions where they can find

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<v Speaker 1>for themselves. But sometimes the lifestyle that they end they

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<v Speaker 1>might not know how to handle it. They might not

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<v Speaker 1>know how to handle some type of working world where

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<v Speaker 1>they never been in. All they know, it's the streets.

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<v Speaker 1>We talked the other day about responsibility and how responsible

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<v Speaker 1>are artists to the community, like as far as being leaders,

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<v Speaker 1>as far as speaking out against social issues, and this

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<v Speaker 1>is something that you've always done in your music. Do

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<v Speaker 1>you think that more artists should be responsible? Uh? Do

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<v Speaker 1>I think more artists should. We have a hand for

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<v Speaker 1>right now. But I think every artist should always be

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<v Speaker 1>responsible for how how they go about marketing or putting

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<v Speaker 1>their music or how they you know, put their words together.

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<v Speaker 1>Because this is something I didn't understand until I went

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<v Speaker 1>out on these roads and talk to these kids. They

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<v Speaker 1>take my music very seriously. So with that being said,

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<v Speaker 1>I know they take the next artist music very seriously.

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<v Speaker 1>So by this industry now, I real talk because the

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<v Speaker 1>real life that the artists went through for for kids

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<v Speaker 1>in this new generation, it might just be a trend

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<v Speaker 1>for them until they go out there and get themselves killed.

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<v Speaker 1>You feel I'm saying, so how I put my words

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<v Speaker 1>together me for me personally, It's a strategic way, you know,

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<v Speaker 1>I'm not just glowing find the streets of whatnot. You know,

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<v Speaker 1>it's a reality check, but it's for the better at

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<v Speaker 1>the end of the day. That's why I respected I

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<v Speaker 1>so much because it was an uplifting song for a

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<v Speaker 1>lot of kids that usually, especially during this time, we

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<v Speaker 1>don't see that, you know, and it was it was

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<v Speaker 1>mean and Charlemagne were talking it. It felt positive, but

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<v Speaker 1>it felt outcasts in a way that it was different

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<v Speaker 1>where kids can see that you ain't just got to

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<v Speaker 1>sell drugs and shooting. It was. It was a positive joy. Yeah, definitely.

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<v Speaker 1>It takes a lot of gus to put a record

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<v Speaker 1>like that on your second album too. What was the

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<v Speaker 1>labels thing when you came with that type of it

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<v Speaker 1>first single? Yeah, yeah, I mean that was behind it

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<v Speaker 1>because they know that we came in as business as

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<v Speaker 1>TDE top Dog Entertainment doing what we want to do.

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<v Speaker 1>You know, we were selling records, were selling mixtapes and

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<v Speaker 1>the foundation that we have with the kids is strong,

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<v Speaker 1>is stronger than any type of number of marketing service

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<v Speaker 1>that the label can do. So that was behind it,

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<v Speaker 1>and I appreciate them for that. They never ever came

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<v Speaker 1>in trying to strategically move my creativity around. And I

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<v Speaker 1>respect that because on your second now I'm everybody's looking.

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<v Speaker 1>I mean, I know what the kids, won't you feel me?

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<v Speaker 1>I'm fairly young myself. You feel saying I got little brothers.

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<v Speaker 1>I know what they listened to all day. So it

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<v Speaker 1>takes a strong following and a strong support system, not

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<v Speaker 1>only from in my camp, but the folks around me

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<v Speaker 1>to say, okay, continue to do what you do. What

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<v Speaker 1>was that dance in the video? What was that called?

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<v Speaker 1>That's that's la a coaching man? We go, we go,

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<v Speaker 1>We're gonn continue to push that on the Where the

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<v Speaker 1>hell did the Tupac audio come from? From Mortal Man?

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<v Speaker 1>Because I thought I had heard every Tupac in Yeah,

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<v Speaker 1>I ain't not heard those vocals before trip. I got that.

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<v Speaker 1>I got that uh when I was in Germany from

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<v Speaker 1>this Caddy said, I got this unreleased UH Park interview

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<v Speaker 1>and he handed off to me. So what made you listen?

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<v Speaker 1>Because I'm sure everybody close Yeah, real tug. I did

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<v Speaker 1>my research. I had to see it. Is this official?

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<v Speaker 1>You know? First off? So I went through it, played

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<v Speaker 1>it back and oh yeah, you gotta get everything clear.

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<v Speaker 1>Yeah yeah, But when you heard it you felt like

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<v Speaker 1>he was talking to you or have the questions in

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<v Speaker 1>your mind or yeah, because the trip is Park was

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<v Speaker 1>a prophet to me, and everything he's talking about it's

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<v Speaker 1>actually going on today. You've gone saying and and and

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<v Speaker 1>that right there just sparked idea immediately for what I

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<v Speaker 1>was talking about in my record. So when you met

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<v Speaker 1>Park in Cuba, this, yeah, the old Germany thing. I

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<v Speaker 1>got vocals in Germany. What the hellth is money in Germany? Now?

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<v Speaker 1>But it was, it was, It was a blessing. And

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<v Speaker 1>I came about it. And I really appreciate his mother too,

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<v Speaker 1>you know, for for um giving me, giving me an

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<v Speaker 1>opportunity to use the vocals because you know, people hold

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<v Speaker 1>them things dear. And if she would have stood down

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<v Speaker 1>and said no, I would have respect that too. It

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<v Speaker 1>out of respect that I have for her and her

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<v Speaker 1>son's legacy because the things that he know, it comes

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<v Speaker 1>from her. You feel what I'm saying, So either way

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<v Speaker 1>it would have win. Iour show respect period. Do you

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<v Speaker 1>read a lot? I always wondering I'm like, because you

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<v Speaker 1>seemed like you got you're so full of knowledge and wisdom, Like,

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<v Speaker 1>where does it come from? I mean my encounter with people.

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<v Speaker 1>I'm not scared to talk to people. I'm not scared

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<v Speaker 1>to to interact, whether it's a five year old kid

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<v Speaker 1>or or eighty year old man. You know what I'm saying.

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<v Speaker 1>Of course I read, but I put it to you

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<v Speaker 1>like this. I'd rather be interacting with a person, you know,

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<v Speaker 1>rather than gathering up information, you know, from somewhere else,

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<v Speaker 1>speaking to a person with wisdom that've been here before me,

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<v Speaker 1>somewhat life experience. It's always um. Now, what about La.

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<v Speaker 1>You had seemed like you were disappointed with the album

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<v Speaker 1>sales in La alone. You feel like they're not supporting

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<v Speaker 1>you like they should. I think that was top Dog.

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<v Speaker 1>You don't music to care about. You do the music,

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<v Speaker 1>and you let them hand. I can't see you in

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<v Speaker 1>the studio like y'all. They're only about now. Top absolutely

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<v Speaker 1>got out ready to go shoot up record stores. Yeah

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<v Speaker 1>he gotta do that. He I mean, he's the businessman.

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<v Speaker 1>Got to calm tap Dog down sometimes all the time. Man,

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<v Speaker 1>you know, but he he he knows the music and

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<v Speaker 1>he knows the quality of the music, so he looked

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<v Speaker 1>at it not from only a businessman standpoint. He knows

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<v Speaker 1>the magnitude of the record. You know what I'm saying.

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<v Speaker 1>He's close to it, just like I'm close to it.

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<v Speaker 1>So if he gets angry about something, I can't say,

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<v Speaker 1>you shouldn't be angry because he has a right to it.

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<v Speaker 1>We were just we starved together man in the studio.

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<v Speaker 1>You know, did you ever envision all of this happening

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<v Speaker 1>when you first signed early on and you know it

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<v Speaker 1>took some time to get the ball running. Did you

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<v Speaker 1>ever think that things would be this big and you

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<v Speaker 1>would be considered like one of the biggest hip hop

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<v Speaker 1>artists today, to be hundred cent real, which you I didn't,

0:11:18.240 --> 0:11:22.280
<v Speaker 1>but Top Dog did. That's real talk. And you can

0:11:22.320 --> 0:11:25.640
<v Speaker 1>ask anybody that's been around us, or if you whoever

0:11:25.720 --> 0:11:29.240
<v Speaker 1>know him a long time. He always said, Kay dives

0:11:29.240 --> 0:11:32.120
<v Speaker 1>gonna gonna do something in this game. Way be five

0:11:32.200 --> 0:11:33.520
<v Speaker 1>and believe it. You know I was in the studio

0:11:33.640 --> 0:11:35.520
<v Speaker 1>just playing around. You know, he grabbed me and Jay

0:11:35.559 --> 0:11:38.560
<v Speaker 1>Rock off the streets Compton and watch say getting the studio,

0:11:38.760 --> 0:11:41.920
<v Speaker 1>do something better with your life, and we're here doing it.

0:11:42.000 --> 0:11:44.760
<v Speaker 1>Now Jay Rock is doing this thing. He's at an

0:11:44.760 --> 0:11:47.440
<v Speaker 1>all time level where he's ready to blow and break out.

0:11:47.600 --> 0:11:51.240
<v Speaker 1>And the same thing with him, he gave me my shot.

0:11:51.320 --> 0:11:54.400
<v Speaker 1>Jay Rock gave me my shot by jumping out into

0:11:54.480 --> 0:11:57.040
<v Speaker 1>the wolves of the industry and the politics. I didn't

0:11:57.040 --> 0:11:58.839
<v Speaker 1>have to go through that. I felt mad. I always

0:11:58.840 --> 0:12:01.000
<v Speaker 1>felt like Jay Rock had a great um debut album,

0:12:01.040 --> 0:12:03.480
<v Speaker 1>but he was like the guinea pig. Yeah. Man, it

0:12:03.520 --> 0:12:05.320
<v Speaker 1>was so much. We had to learn, so much he

0:12:05.360 --> 0:12:07.320
<v Speaker 1>had to learn, you know. So by the time we

0:12:07.360 --> 0:12:10.320
<v Speaker 1>went through a lot of mistakes, I was ready, you know,

0:12:10.400 --> 0:12:12.600
<v Speaker 1>and Rock was in my corner giving me game, like

0:12:13.679 --> 0:12:15.280
<v Speaker 1>do this like that, because when you do that, you

0:12:15.360 --> 0:12:17.640
<v Speaker 1>do when when when you go on this meeting like that,

0:12:17.640 --> 0:12:19.360
<v Speaker 1>they gonna say this, and you got to stand up

0:12:19.400 --> 0:12:21.839
<v Speaker 1>for yourself. And that's the gaming game is true. J

0:12:22.000 --> 0:12:24.440
<v Speaker 1>Cole was trying to sign you at one point. He

0:12:24.559 --> 0:12:28.640
<v Speaker 1>never told me that. He never told me I wanted

0:12:28.679 --> 0:12:31.040
<v Speaker 1>to sign Ken, Yeah, because I think by the time

0:12:31.080 --> 0:12:34.120
<v Speaker 1>I met him, he wanted to get this is his

0:12:34.240 --> 0:12:36.440
<v Speaker 1>label off off the ground and he was already signed

0:12:36.720 --> 0:12:40.000
<v Speaker 1>and doing this thing. I was still independent. But that

0:12:40.000 --> 0:12:43.680
<v Speaker 1>that's that's that's a good good Eye for Talent album together.

0:12:43.800 --> 0:12:46.800
<v Speaker 1>That's also a thing that everybody's talking about all the time.

0:12:47.880 --> 0:12:50.120
<v Speaker 1>It's always just the schedule issue, you know, once we

0:12:50.160 --> 0:12:52.120
<v Speaker 1>get around that, that's that's my boy, though I talked

0:12:52.120 --> 0:12:54.640
<v Speaker 1>to him on a regular You got them extra songs already,

0:12:54.800 --> 0:12:58.000
<v Speaker 1>you know you do. Y'all got music recorded? Yeah, we

0:12:58.080 --> 0:13:02.200
<v Speaker 1>do together exactly, but also going back in and continue

0:13:02.240 --> 0:13:04.400
<v Speaker 1>to work because new songs are so old. We're both

0:13:04.440 --> 0:13:07.640
<v Speaker 1>grown this artist. Now. When you dropped the influmous control verse,

0:13:07.640 --> 0:13:10.160
<v Speaker 1>it seems like you were ready to compete and eat

0:13:10.200 --> 0:13:12.959
<v Speaker 1>all competition. But the piple Butterfly, it seems like you

0:13:12.960 --> 0:13:15.200
<v Speaker 1>don't even care what everybody else is doing. Yeah, I mean,

0:13:15.520 --> 0:13:17.600
<v Speaker 1>you know what the thing about control is, I think

0:13:17.640 --> 0:13:21.640
<v Speaker 1>people forgot just off the music that I put out

0:13:21.679 --> 0:13:26.920
<v Speaker 1>that I'm actually from the West Coast and the aggression

0:13:26.960 --> 0:13:29.240
<v Speaker 1>that we have in our music. I can't run from that,

0:13:29.280 --> 0:13:32.440
<v Speaker 1>you know, whether it'd be a control verse, whether it

0:13:32.440 --> 0:13:34.880
<v Speaker 1>be black or a berry, that's that's all. I'm influenced by. Q.

0:13:35.400 --> 0:13:39.360
<v Speaker 1>I'm influenced by by Dre so sugar free on your

0:13:39.760 --> 0:13:43.160
<v Speaker 1>sugar free Yeah, yeah, respector ship definitely sugar Freeze in

0:13:43.240 --> 0:13:48.240
<v Speaker 1>my music. Keim Kunter one of the interludes. So I

0:13:48.320 --> 0:13:50.360
<v Speaker 1>think what happened was people forgot that. So when you

0:13:50.440 --> 0:13:53.640
<v Speaker 1>hear something like control come from Kenji glamars as a

0:13:53.720 --> 0:13:55.640
<v Speaker 1>reminder that you know, I grew up off against the

0:13:55.679 --> 0:13:57.719
<v Speaker 1>rap and that aggression are always being me. Were you

0:13:57.840 --> 0:14:01.600
<v Speaker 1>surprised that nobody snapped back because this is you know, exercise,

0:14:01.640 --> 0:14:03.440
<v Speaker 1>and nobody was. Everybody was like, I'm gonna leave that

0:14:03.440 --> 0:14:05.480
<v Speaker 1>man alone. Yeah yeah yeah, and those who did, they

0:14:05.480 --> 0:14:10.040
<v Speaker 1>did in a friendly way, very friend very friendly. Uh yeah,

0:14:10.800 --> 0:14:12.880
<v Speaker 1>it was It was cool. What's more important? Love from

0:14:12.920 --> 0:14:16.920
<v Speaker 1>your peers are our love from the consumers discreets, because

0:14:16.920 --> 0:14:18.400
<v Speaker 1>I see a lot of people, a lot of musical

0:14:18.480 --> 0:14:20.920
<v Speaker 1>artists are bicking up this album crazy, like yeah yeah,

0:14:21.120 --> 0:14:25.000
<v Speaker 1>uh my fans for show, my fans for show, because

0:14:25.000 --> 0:14:27.000
<v Speaker 1>those are people that's been rocking with me since day one,

0:14:27.400 --> 0:14:30.960
<v Speaker 1>before we even signed to a major. You know how

0:14:31.000 --> 0:14:32.960
<v Speaker 1>I got out here in New York then my first

0:14:33.600 --> 0:14:36.280
<v Speaker 1>sold out show at so Obs that was just off

0:14:36.280 --> 0:14:39.320
<v Speaker 1>the love of the music, you know, so they always

0:14:39.320 --> 0:14:42.600
<v Speaker 1>be number one period. You remember your first interview you

0:14:42.640 --> 0:14:44.840
<v Speaker 1>did up here? Nah, don't I know? I know y'alls

0:14:44.840 --> 0:14:47.280
<v Speaker 1>out y'all zone me charletmaginne tellbody but no. But but

0:14:47.960 --> 0:14:50.280
<v Speaker 1>it was so early that we didn't even have it

0:14:50.320 --> 0:14:52.160
<v Speaker 1>didn't even go on air. It was on the webisode.

0:14:52.560 --> 0:14:54.880
<v Speaker 1>Yeah it was. It was on a webisode thing. And

0:14:54.880 --> 0:14:56.400
<v Speaker 1>and I just remember back then, I was like, this

0:14:56.480 --> 0:14:58.200
<v Speaker 1>kid is gonna be something. And we were having a

0:14:58.200 --> 0:15:01.320
<v Speaker 1>conversation never day about who the best lyricism, best rappers,

0:15:01.520 --> 0:15:03.360
<v Speaker 1>and I mentioned you and Charlemagne was like, I don't

0:15:03.360 --> 0:15:05.960
<v Speaker 1>think he has enough in yet. Still yeah, yeah, because

0:15:05.960 --> 0:15:08.080
<v Speaker 1>you said he was one of the greatest of all times.

0:15:08.200 --> 0:15:10.800
<v Speaker 1>Man only got two albums from doing some time hearing

0:15:10.880 --> 0:15:15.040
<v Speaker 1>him snapping some of the things that he said most artists,

0:15:16.000 --> 0:15:18.080
<v Speaker 1>I don't think they do y'all no favors when they

0:15:18.120 --> 0:15:22.120
<v Speaker 1>automatically put y'all with the goats already get of course

0:15:22.160 --> 0:15:24.880
<v Speaker 1>I can hear it. Of course you gotta have that time.

0:15:24.880 --> 0:15:26.440
<v Speaker 1>And that's the thing that I say with the word

0:15:26.520 --> 0:15:31.400
<v Speaker 1>classic and an instant classic album, um me putting to

0:15:31.480 --> 0:15:35.280
<v Speaker 1>Pimple Butterfly out. You hear the speculation of kids saying

0:15:35.280 --> 0:15:37.720
<v Speaker 1>that all over again prior to when we put Good

0:15:37.800 --> 0:15:40.200
<v Speaker 1>Kid in matt City out. And I always told him,

0:15:41.240 --> 0:15:43.760
<v Speaker 1>listen to the music a few times man before before

0:15:43.800 --> 0:15:45.840
<v Speaker 1>we start throwing words out like that, even when it's

0:15:45.840 --> 0:15:48.280
<v Speaker 1>on my behalf, because I want you to live with it,

0:15:48.360 --> 0:15:49.480
<v Speaker 1>you know what I'm saying. I want it to be

0:15:49.560 --> 0:15:53.680
<v Speaker 1>first listening and you like it, or first listening and

0:15:54.000 --> 0:15:56.120
<v Speaker 1>you have an a pin live with it, grow with it,

0:15:56.240 --> 0:15:59.400
<v Speaker 1>because at the end of the day, I make albums

0:15:59.440 --> 0:16:01.920
<v Speaker 1>that I have that type of longevity. If not, I

0:16:01.920 --> 0:16:04.760
<v Speaker 1>can just give you a whole bunch of singles on record.

0:16:05.000 --> 0:16:08.480
<v Speaker 1>You feel what I'm saying. And I was talking to

0:16:08.480 --> 0:16:14.680
<v Speaker 1>somebody the other day. I make my music basically for

0:16:14.800 --> 0:16:17.800
<v Speaker 1>people in the system and in the printing system and

0:16:19.000 --> 0:16:22.920
<v Speaker 1>kids in college because they got a number of time

0:16:23.240 --> 0:16:24.920
<v Speaker 1>to listen to it. So I want you to treat

0:16:24.960 --> 0:16:26.480
<v Speaker 1>it just like that I wanted. I wanted to be

0:16:27.120 --> 0:16:29.480
<v Speaker 1>an actual course that you're taking and that you can

0:16:29.560 --> 0:16:31.480
<v Speaker 1>live with. And I agree with that because like I

0:16:31.600 --> 0:16:34.240
<v Speaker 1>like to read a lot, you can't just rush through

0:16:34.240 --> 0:16:36.280
<v Speaker 1>a four agreement. You can't just rush through a forty

0:16:36.280 --> 0:16:37.840
<v Speaker 1>a law of power. And that's how I feel with

0:16:37.840 --> 0:16:40.640
<v Speaker 1>you my head. I heard something new every time, every time,

0:16:40.720 --> 0:16:44.040
<v Speaker 1>every time, and it's supposed to be like that for me. Personally,

0:16:46.000 --> 0:16:48.120
<v Speaker 1>everybody don't supposed to do what I do or you know,

0:16:48.240 --> 0:16:50.680
<v Speaker 1>stay staying in your lane. But as long as I

0:16:50.800 --> 0:16:52.920
<v Speaker 1>do music, I want to make some people can live

0:16:52.960 --> 0:16:55.640
<v Speaker 1>with and go back and say, you know what he

0:16:55.720 --> 0:16:58.920
<v Speaker 1>did put out a classic album. You know how many

0:16:58.960 --> 0:17:00.960
<v Speaker 1>years from now when you you keep on playing it

0:17:01.000 --> 0:17:03.640
<v Speaker 1>back and it makes it it's ridiculous. The album first,

0:17:03.640 --> 0:17:05.480
<v Speaker 1>the album literally came out. I woke up, it was

0:17:05.560 --> 0:17:08.600
<v Speaker 1>up up at night, two hours later. It's a classic.

0:17:08.640 --> 0:17:11.399
<v Speaker 1>I'm like, hi, y'all figuring out already. Yeah, yeah, And

0:17:11.520 --> 0:17:14.600
<v Speaker 1>I appreciate the love. I think, you know, for the

0:17:14.640 --> 0:17:18.639
<v Speaker 1>most part, it's it's excitement of getting some some a

0:17:18.680 --> 0:17:21.080
<v Speaker 1>little bit outside of the norm, and I appreciate that.

0:17:21.280 --> 0:17:23.760
<v Speaker 1>But at the same time, live with it and and

0:17:23.880 --> 0:17:25.760
<v Speaker 1>learn to learn to love it even more, you feel me.

0:17:25.920 --> 0:17:33.440
<v Speaker 1>One of my favorite records these Walls, is that about? Yeah? Yeah,

0:17:33.480 --> 0:17:36.560
<v Speaker 1>that's one of my favorite records too. Who Uses but

0:17:37.359 --> 0:17:40.520
<v Speaker 1>was dope? But who like you know, you were the

0:17:40.560 --> 0:17:42.639
<v Speaker 1>platinum artists. Yeah. When I went, when I went in

0:17:42.680 --> 0:17:44.440
<v Speaker 1>the studio, when I said I want to do this record,

0:17:44.480 --> 0:17:47.760
<v Speaker 1>I said I wanted to go in with these specific

0:17:47.840 --> 0:17:51.000
<v Speaker 1>characters and lock in with them for seven months, you know,

0:17:51.119 --> 0:17:55.320
<v Speaker 1>to a year, and that was Bloud Um, George Clinton

0:17:55.760 --> 0:17:59.440
<v Speaker 1>and the Wise Terrece Martin producer sound Wave my in

0:17:59.520 --> 0:18:04.399
<v Speaker 1>house produce and uh thunder Cat and Rocky Um. We

0:18:04.560 --> 0:18:07.120
<v Speaker 1>locked in. We locked in for a year and completed

0:18:07.160 --> 0:18:09.320
<v Speaker 1>the project. So I already had the mind state on

0:18:09.440 --> 0:18:13.000
<v Speaker 1>what I wanted to sound like me personally. I'm not

0:18:13.920 --> 0:18:17.639
<v Speaker 1>I'm not I'm not. I'm not sold on your celebrity

0:18:17.760 --> 0:18:20.240
<v Speaker 1>or how many you know records you sold. I'm sold

0:18:20.280 --> 0:18:22.600
<v Speaker 1>on the actual talent and what we're trying to convey

0:18:22.600 --> 0:18:26.000
<v Speaker 1>it and get across. So that was my my uh

0:18:26.200 --> 0:18:31.240
<v Speaker 1>initial idea for making this record beforehand. Oh yeah, for sure,

0:18:31.440 --> 0:18:36.520
<v Speaker 1>for sure like old Snoop, Yeah yeah, I laid the

0:18:36.520 --> 0:18:41.200
<v Speaker 1>skeleton down. I lard the skeleton down because I haven't

0:18:41.200 --> 0:18:43.440
<v Speaker 1>heard him like that in a long time. So I

0:18:43.480 --> 0:18:46.800
<v Speaker 1>know he didn't write it. Yeah, that's that's the og.

0:18:47.359 --> 0:18:49.479
<v Speaker 1>But uh me going in, I just said, do what

0:18:49.520 --> 0:18:52.919
<v Speaker 1>you do. You know you've been doing it before me.

0:18:53.000 --> 0:18:54.760
<v Speaker 1>This is what I've been a fan of, you know,

0:18:54.840 --> 0:18:57.680
<v Speaker 1>So all I can do is directed. I can't sound

0:18:57.720 --> 0:19:00.240
<v Speaker 1>like you know, that's this talent, that's that come from guy,

0:19:00.280 --> 0:19:03.679
<v Speaker 1>from him He also did a surprise performance on Callie

0:19:03.680 --> 0:19:05.879
<v Speaker 1>and you did all of that with um rebokey. You

0:19:05.880 --> 0:19:08.480
<v Speaker 1>look like you've been working out doing CrossFit a little

0:19:08.520 --> 0:19:10.880
<v Speaker 1>bit something. I've been doing some push ups. I don't

0:19:10.880 --> 0:19:17.320
<v Speaker 1>know if to I know I know every I know everybody.

0:19:17.480 --> 0:19:19.720
<v Speaker 1>I know everybody. When they signed up to rebuke, they

0:19:19.720 --> 0:19:21.600
<v Speaker 1>all do the CrossFit and everything. It's him. I wanted

0:19:21.600 --> 0:19:23.479
<v Speaker 1>to try because they always took about how great it is.

0:19:23.560 --> 0:19:26.200
<v Speaker 1>I ain't jumped in it yet. You haven't you going to? Yeah,

0:19:26.320 --> 0:19:28.960
<v Speaker 1>hopefully I get some time before this tour crack off

0:19:29.560 --> 0:19:32.040
<v Speaker 1>explain that you was it attracted trailer something running through

0:19:32.119 --> 0:19:35.359
<v Speaker 1>La people chasing it. It was everybody ran. It was

0:19:35.400 --> 0:19:38.199
<v Speaker 1>a police chase. It from everybody. Everybody run. They had

0:19:38.200 --> 0:19:45.800
<v Speaker 1>top Dog out there too. Hey, funniest thing alive. Oh

0:19:45.840 --> 0:19:49.119
<v Speaker 1>you see it's a red hat bouncing. No, it was

0:19:49.160 --> 0:19:52.800
<v Speaker 1>crazy ran the whole way. You know who Noel Gallaghers

0:19:52.840 --> 0:19:55.840
<v Speaker 1>from Oasis. He they asked him about you and he

0:19:55.920 --> 0:19:57.680
<v Speaker 1>was like, who is that? What do you say? I

0:19:57.760 --> 0:20:00.760
<v Speaker 1>never heard him? Sounds like a character off Seinfeld. You

0:20:00.800 --> 0:20:04.280
<v Speaker 1>can't about stuff like that. That's funny to me. Yeah,

0:20:04.320 --> 0:20:08.320
<v Speaker 1>I don't care for real. Why why does d Why

0:20:08.359 --> 0:20:10.240
<v Speaker 1>you don't do more records with Dre? That would that

0:20:10.320 --> 0:20:12.600
<v Speaker 1>make the album? So to say it's it's it's a

0:20:12.640 --> 0:20:14.600
<v Speaker 1>thing that we got going on, that we weighing known.

0:20:15.000 --> 0:20:20.960
<v Speaker 1>It's it's a strategic move. So you do album. If

0:20:21.000 --> 0:20:23.280
<v Speaker 1>I if I could speak on it, I would, But

0:20:23.800 --> 0:20:26.199
<v Speaker 1>that man is a scientist and we gotta plan so

0:20:26.320 --> 0:20:28.600
<v Speaker 1>that the direction of the third album more Drake production.

0:20:28.640 --> 0:20:32.639
<v Speaker 1>Maybe it could be how does he help you with

0:20:32.640 --> 0:20:34.320
<v Speaker 1>the album? Like do you go do you do records?

0:20:34.320 --> 0:20:36.159
<v Speaker 1>And then he you know, arrange them for you. I

0:20:36.160 --> 0:20:38.639
<v Speaker 1>don't know mixing like what no I do that? I

0:20:38.720 --> 0:20:42.840
<v Speaker 1>do that far as uh, the arrangements. It's it's it's

0:20:42.840 --> 0:20:47.359
<v Speaker 1>really going in and once I completed getting his expertise about,

0:20:47.480 --> 0:20:50.959
<v Speaker 1>you know, the sonic sound of it. You know me personally,

0:20:50.960 --> 0:20:53.520
<v Speaker 1>I'm hands on with everything, you know, and I'm a

0:20:53.600 --> 0:20:58.159
<v Speaker 1>huge on how it won't something to sound rather scratch

0:20:58.240 --> 0:20:59.960
<v Speaker 1>the record if it's it's a good record or not.

0:21:00.119 --> 0:21:02.520
<v Speaker 1>I wanted to sound and feel a certain way, So

0:21:03.400 --> 0:21:06.159
<v Speaker 1>things like going in and recording on two inch tape

0:21:06.400 --> 0:21:09.879
<v Speaker 1>and running back through analog. Him knowing about things like

0:21:09.920 --> 0:21:13.320
<v Speaker 1>that and pro tools. What's the difference between it. You know,

0:21:13.480 --> 0:21:15.520
<v Speaker 1>I did the most majority of the record going back

0:21:15.600 --> 0:21:18.439
<v Speaker 1>when I'm mixing was through analog, the same stuff for

0:21:18.440 --> 0:21:20.360
<v Speaker 1>people who don't know what analog is. This is what

0:21:21.240 --> 0:21:24.399
<v Speaker 1>Marvin Gaye, Luther Van Jofs, what they recorded on prior

0:21:24.440 --> 0:21:26.520
<v Speaker 1>to pro tools, you know. So it's a little bit

0:21:26.560 --> 0:21:28.399
<v Speaker 1>more difficult, but it gives you a warm sound. And

0:21:28.440 --> 0:21:32.040
<v Speaker 1>this techniques and things I don't know, you know, So

0:21:32.080 --> 0:21:33.960
<v Speaker 1>I go to Drake for that advice. Now that's all.

0:21:33.960 --> 0:21:35.920
<v Speaker 1>You say that you're the closest thing that a lot

0:21:35.960 --> 0:21:39.560
<v Speaker 1>of these kids got to a reverend. Yeah, I say that.

0:21:39.600 --> 0:21:42.119
<v Speaker 1>I said that, and it likes of you know, I

0:21:42.119 --> 0:21:44.600
<v Speaker 1>got a little brother and little sister and cousins, and

0:21:45.480 --> 0:21:48.680
<v Speaker 1>they belief level is is at an all time low.

0:21:48.920 --> 0:21:51.600
<v Speaker 1>You know. Know these days, you know, they they they

0:21:51.600 --> 0:21:56.080
<v Speaker 1>don't believe in anything. You feel me. So if what

0:21:56.119 --> 0:21:58.399
<v Speaker 1>I'm putting it, putting in in my music, it's an

0:21:58.440 --> 0:22:01.919
<v Speaker 1>act of guide and using me as a vessel. What

0:22:02.040 --> 0:22:05.000
<v Speaker 1>makes me any different from somebody being in church and

0:22:05.119 --> 0:22:08.000
<v Speaker 1>giving that word you feel I'm saying. So that's how

0:22:08.040 --> 0:22:10.360
<v Speaker 1>I look at it. Last time you was up there,

0:22:10.359 --> 0:22:13.080
<v Speaker 1>you said you're real personal and you're real quiet and

0:22:13.119 --> 0:22:14.760
<v Speaker 1>private with your relationship and you said you had a

0:22:14.760 --> 0:22:17.560
<v Speaker 1>bull Yeah, it was rumors that you guys got engage. Yeah, yeah,

0:22:17.640 --> 0:22:21.359
<v Speaker 1>that's true. Yeah, definitely. Congratulations that Yeah, I'm laying to

0:22:21.440 --> 0:22:23.600
<v Speaker 1>the saw. You welcome to the club, bro, that's right.

0:22:23.720 --> 0:22:25.280
<v Speaker 1>I just want to say that, Todd Dog tell me

0:22:25.320 --> 0:22:41.480
<v Speaker 1>no relationship questions, but I guess I should. I'm glad

0:22:41.520 --> 0:22:48.640
<v Speaker 1>you told me. Sorry, congratulations something, congratulate congratulations. I think

0:22:48.640 --> 0:22:50.640
<v Speaker 1>that's a great thing, and that's a great that's also

0:22:50.680 --> 0:22:52.879
<v Speaker 1>a great example to have somebody that you're loyal and

0:22:52.920 --> 0:22:54.840
<v Speaker 1>faith to. A lot of people think it's cool to

0:22:54.880 --> 0:22:57.280
<v Speaker 1>just sleep around and do whatever. So you know the thing,

0:22:57.359 --> 0:23:00.800
<v Speaker 1>at the end of the day, you want to you

0:23:00.800 --> 0:23:03.959
<v Speaker 1>want to always always have real people around you, period,

0:23:04.880 --> 0:23:08.159
<v Speaker 1>rather it's male or female. And everybody else been around me.

0:23:08.200 --> 0:23:10.840
<v Speaker 1>They've been around since day one, and I can't change that.

0:23:11.080 --> 0:23:12.879
<v Speaker 1>I don't change for nobody. I can't run from that.

0:23:12.880 --> 0:23:15.440
<v Speaker 1>You feel what I'm saying, So I always show respect

0:23:15.520 --> 0:23:17.760
<v Speaker 1>when I respect it. It's been given and people that

0:23:17.760 --> 0:23:19.480
<v Speaker 1>have been by your side, you post to honor that,

0:23:19.960 --> 0:23:22.600
<v Speaker 1>and that's how you stand up running around it and

0:23:23.119 --> 0:23:28.080
<v Speaker 1>not acknowledging it. It's it's it's it's trivil. You feel

0:23:28.080 --> 0:23:30.399
<v Speaker 1>what I'm saying, So you know you speak on respect.

0:23:30.400 --> 0:23:32.280
<v Speaker 1>It's funny you said when you made the comments about

0:23:32.280 --> 0:23:34.600
<v Speaker 1>Ferguson and you said we don't respect ourselves, how can

0:23:34.640 --> 0:23:36.640
<v Speaker 1>we expect them to respect us? And people got mad

0:23:36.640 --> 0:23:38.200
<v Speaker 1>at you, But you say the same thing in Black

0:23:38.320 --> 0:23:42.280
<v Speaker 1>the Berry. Yeah, people loved it. I think I think

0:23:42.320 --> 0:23:46.280
<v Speaker 1>that's just people. Uh Like I said, it's a few times.

0:23:46.320 --> 0:23:49.280
<v Speaker 1>These these are folks whoever responded to it a negative way,

0:23:49.280 --> 0:23:52.560
<v Speaker 1>they actually don't understand or even know where I come from.

0:23:52.600 --> 0:23:54.679
<v Speaker 1>And I can't. I can't knock him for that. You know,

0:23:55.440 --> 0:23:58.560
<v Speaker 1>I've I've took a lot from them, from the community,

0:23:58.600 --> 0:24:01.160
<v Speaker 1>you know where I'm from my home, always have and

0:24:01.480 --> 0:24:04.360
<v Speaker 1>I still deal with it today. So when you when

0:24:04.400 --> 0:24:06.560
<v Speaker 1>I say things like we need to respect, I'm not

0:24:06.560 --> 0:24:11.560
<v Speaker 1>only talking about a black I'm talking about myself. Everything

0:24:11.600 --> 0:24:13.240
<v Speaker 1>comes from me first, you know what I'm saying. I've

0:24:13.240 --> 0:24:15.440
<v Speaker 1>been in situation and I still deal with these situations

0:24:15.440 --> 0:24:20.639
<v Speaker 1>today where I have hate towards another guy because he

0:24:20.680 --> 0:24:23.600
<v Speaker 1>has a he killed my homeboy while I'm on tour.

0:24:24.720 --> 0:24:26.800
<v Speaker 1>I still feel that that type of resentment. You feel

0:24:26.880 --> 0:24:29.280
<v Speaker 1>I'm saying. So when I talk about these things, it

0:24:29.359 --> 0:24:32.800
<v Speaker 1>all has come from me, So me respecting the fact

0:24:32.800 --> 0:24:36.400
<v Speaker 1>that he's a black man and not hating the fact

0:24:36.440 --> 0:24:37.879
<v Speaker 1>that he has a different color. That's what I mean

0:24:37.960 --> 0:24:40.560
<v Speaker 1>with respect. So whoever take that out of out of

0:24:40.560 --> 0:24:43.199
<v Speaker 1>out of context, you really need to do your research

0:24:43.240 --> 0:24:46.200
<v Speaker 1>and know where I come from and know the background

0:24:46.840 --> 0:24:49.200
<v Speaker 1>of who I am, rather than just trying to tear

0:24:49.280 --> 0:24:52.600
<v Speaker 1>another black man down. And we've seen it with everybody,

0:24:53.040 --> 0:24:58.639
<v Speaker 1>Malcolm X, Martin, Luther, King, Jesus Christ. Don't don't don't

0:24:58.640 --> 0:25:01.200
<v Speaker 1>do that. When somebody standing for something that's good, you

0:25:01.200 --> 0:25:03.040
<v Speaker 1>should be behind them and don't try to knock them

0:25:03.040 --> 0:25:04.960
<v Speaker 1>off like that. Do you feel like messages are better

0:25:04.960 --> 0:25:07.359
<v Speaker 1>conveyed through music as opposed to like seeing them the

0:25:07.400 --> 0:25:09.800
<v Speaker 1>magazines are seeing them in radio interview all the time

0:25:09.840 --> 0:25:12.840
<v Speaker 1>because people can't see and feel your sentiments. You know

0:25:14.080 --> 0:25:16.560
<v Speaker 1>that with this album you talk about singles. Was there

0:25:16.600 --> 0:25:18.120
<v Speaker 1>a single for this album? Because even with the label

0:25:18.160 --> 0:25:20.439
<v Speaker 1>A label was like play with, play what you like.

0:25:20.720 --> 0:25:22.600
<v Speaker 1>It wasn't like, you know, we're working on this record,

0:25:22.600 --> 0:25:24.080
<v Speaker 1>it was like play what you are like? Yeah, play

0:25:24.119 --> 0:25:28.160
<v Speaker 1>with you really don't hear that offer. Yeah, definitely, that's

0:25:28.200 --> 0:25:32.000
<v Speaker 1>that's the groundwork we deal. We've been building since day one. Um,

0:25:32.920 --> 0:25:36.760
<v Speaker 1>for me, this record, I mean it has potential records

0:25:36.760 --> 0:25:39.160
<v Speaker 1>on the radio, but that's what I wasn't really trying

0:25:39.200 --> 0:25:40.960
<v Speaker 1>to identify with that. I was really trying to get

0:25:40.960 --> 0:25:43.479
<v Speaker 1>the point across or what I was talking about. And um,

0:25:44.800 --> 0:25:46.920
<v Speaker 1>yeah that that was all for it because you got

0:25:46.920 --> 0:25:49.200
<v Speaker 1>to have a strong team that stand behind you creatively.

0:25:49.280 --> 0:25:53.560
<v Speaker 1>The walls is out of here for radio. Yeah, um,

0:25:54.119 --> 0:25:59.520
<v Speaker 1>probably Mama, Mama, these walls Keen Couter of course, but

0:25:59.600 --> 0:26:02.840
<v Speaker 1>yeah these was for show. Now, Um, you roll with

0:26:02.920 --> 0:26:06.200
<v Speaker 1>some some some crazy guys, top Dog Punch, you know,

0:26:06.600 --> 0:26:09.640
<v Speaker 1>they don't necessarily speak for you with your people. They're

0:26:09.680 --> 0:26:13.159
<v Speaker 1>your album dropped, Kanye started putting out pictures. Dude, his

0:26:13.359 --> 0:26:19.240
<v Speaker 1>girl Punch was like, what this got to do? Enjoyed album?

0:26:19.600 --> 0:26:21.200
<v Speaker 1>Do you ever have to call him and be like, man,

0:26:21.320 --> 0:26:25.320
<v Speaker 1>stop it now? I don't have to call him. That's

0:26:25.359 --> 0:26:28.040
<v Speaker 1>that's that's their personal opinion. I don't really be on

0:26:28.040 --> 0:26:30.760
<v Speaker 1>the social media like that, and me personally, I don't.

0:26:31.520 --> 0:26:33.960
<v Speaker 1>I think that's coincident. I don't really see Kanye doing

0:26:34.000 --> 0:26:36.240
<v Speaker 1>that because I actually I work with him and he's

0:26:36.920 --> 0:26:40.159
<v Speaker 1>he's an actual, actually a great guy. You feel what

0:26:40.200 --> 0:26:42.080
<v Speaker 1>I'm saying. So, so they're not speaking for you, because

0:26:42.080 --> 0:26:45.840
<v Speaker 1>in my mind, I'm like, in the studio, can you

0:26:46.000 --> 0:26:53.359
<v Speaker 1>can't just post this all right now? But previously you

0:26:53.359 --> 0:26:55.320
<v Speaker 1>had also said with this album you didn't originally have

0:26:55.400 --> 0:26:57.200
<v Speaker 1>like a release that it was just like whenever it's ready,

0:26:57.440 --> 0:26:59.280
<v Speaker 1>whenever I'm ready to put it out. Yeah, that's what

0:26:59.320 --> 0:27:02.000
<v Speaker 1>I'm gonna do it. When did you decide finally, okay,

0:27:02.040 --> 0:27:04.800
<v Speaker 1>we gotta do this, man, when I'm dreamed, dreamed of

0:27:04.960 --> 0:27:07.439
<v Speaker 1>of concepts and what I want to talk about. When

0:27:07.480 --> 0:27:10.960
<v Speaker 1>I get get to a point where I ain't got

0:27:10.960 --> 0:27:13.280
<v Speaker 1>no more to talk about it, it's done. You can't

0:27:13.320 --> 0:27:20.960
<v Speaker 1>get hard, no more right talk. Yeah, And that's that's

0:27:20.960 --> 0:27:24.119
<v Speaker 1>how I come about top Press the Button. So did

0:27:24.200 --> 0:27:26.879
<v Speaker 1>they did you have those discussions like okay, so um,

0:27:26.960 --> 0:27:28.960
<v Speaker 1>we gotta figure out it. What song is gonna be

0:27:29.000 --> 0:27:31.320
<v Speaker 1>for you know, a single? What's gonna be for radio?

0:27:31.640 --> 0:27:34.760
<v Speaker 1>Do we have that? Or did you just not really yeah?

0:27:34.840 --> 0:27:39.200
<v Speaker 1>Definite out not that I recall, Nope, we just what

0:27:39.359 --> 0:27:42.239
<v Speaker 1>it feel like? You know, what's what's what's what are

0:27:42.240 --> 0:27:45.440
<v Speaker 1>your sentiments? What I'm trying to convey and listen. I

0:27:45.480 --> 0:27:47.520
<v Speaker 1>always go back to having a good team because I

0:27:47.560 --> 0:27:49.840
<v Speaker 1>don't I know a lot of artists. It's not fortunate

0:27:49.880 --> 0:27:52.879
<v Speaker 1>to be in that position, you know. Fortunately I have

0:27:53.000 --> 0:27:59.480
<v Speaker 1>somebody like Dave Free and top Dog and Punched to Tom.

0:27:59.560 --> 0:28:01.080
<v Speaker 1>I'm rolling with it, you know what I'm saying to

0:28:01.119 --> 0:28:03.240
<v Speaker 1>get the green light, do what you do, do it, say,

0:28:03.359 --> 0:28:05.399
<v Speaker 1>say what you gotta say. Rather than making it just

0:28:05.480 --> 0:28:08.240
<v Speaker 1>about a number you feel, I'm saying, yes, he didn't

0:28:08.240 --> 0:28:18.639
<v Speaker 1>make the album or rapping. He always clowning like that.

0:28:18.640 --> 0:28:21.240
<v Speaker 1>That is my final question. The Good Kid Mad City

0:28:21.240 --> 0:28:23.480
<v Speaker 1>album cover, that was your mom's man. Yeah, I think

0:28:23.480 --> 0:28:26.359
<v Speaker 1>that was like your pops, right Pops. That's my uncle's uncles.

0:28:26.760 --> 0:28:28.639
<v Speaker 1>So who's the people on the new cover stand in

0:28:28.640 --> 0:28:30.680
<v Speaker 1>front of the White House? Oh? Man? These these feel

0:28:30.720 --> 0:28:34.720
<v Speaker 1>the homies from the neighborhood. Um. That cover has about

0:28:34.720 --> 0:28:38.280
<v Speaker 1>several meetings. So the one general I can speak on this,

0:28:38.360 --> 0:28:41.840
<v Speaker 1>it's really taking you know, people they call negative and

0:28:42.320 --> 0:28:44.400
<v Speaker 1>people I feel that I also have have good hearts,

0:28:44.520 --> 0:28:47.200
<v Speaker 1>and taking them around the world. You feel like they

0:28:47.280 --> 0:28:49.240
<v Speaker 1>never been out, They've never been out of the Yeah,

0:28:49.440 --> 0:28:54.520
<v Speaker 1>they know you're right about that. You know, and that's

0:28:54.560 --> 0:28:57.640
<v Speaker 1>a concept within itself, but it's also severn several more,

0:28:57.680 --> 0:29:01.080
<v Speaker 1>it gets a little bit deeper. We're gonna have a

0:29:01.120 --> 0:29:04.080
<v Speaker 1>movie for this album too, Man, what's going on with

0:29:04.160 --> 0:29:09.200
<v Speaker 1>the movie? Hey? With a budget. We appreciate you joining

0:29:09.280 --> 0:29:12.920
<v Speaker 1>us as always fun watching you grow. Man. Appreciate telling

0:29:12.960 --> 0:29:15.000
<v Speaker 1>you Man, I never forget the first time I met

0:29:15.040 --> 0:29:18.240
<v Speaker 1>you in that bowling alley. I'm like, I thought he

0:29:18.320 --> 0:29:24.440
<v Speaker 1>worked there and can't tell you really don't socialize now.

0:29:24.560 --> 0:29:27.520
<v Speaker 1>You know when they say money don't change you, it

0:29:27.640 --> 0:29:31.120
<v Speaker 1>just multiplies whatever you are. You gonna buy someplace to hide,

0:29:33.920 --> 0:29:36.440
<v Speaker 1>Ladies and gentlemen. The breakfast club game