WEBVTT - Why Couldn't Your Mom Watch?

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<v Speaker 1>What's up?

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<v Speaker 2>Diamond?

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<v Speaker 3>Hey?

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<v Speaker 1>Hey, are you singing?

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<v Speaker 3>But what about to say something that I?

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<v Speaker 1>Oh, what were you gonna say?

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<v Speaker 3>Nothing?

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<v Speaker 2>Hey?

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<v Speaker 1>What a tease? You dickhead? Hey, it's sauce on the side.

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<v Speaker 1>I'm Gandhi and I'm with my producer who I love

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<v Speaker 1>so much, Diamond. Okay, so I noticed something and I

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<v Speaker 1>would like your opinion on this. I was only supposed

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<v Speaker 1>to do thirty five episodes of this podcast for the year,

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<v Speaker 1>and we're at like thirty eight and I still had

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<v Speaker 1>a few left that I was going to try and do.

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<v Speaker 3>What to do?

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<v Speaker 1>I don't want to Here's the problem. You know how

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<v Speaker 1>people are, right, specifically our company, if you out kick

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<v Speaker 1>the coverage and when it comes to the next time,

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<v Speaker 1>they're like, oh, but you did this, so you can't

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<v Speaker 1>go back now and do less.

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<v Speaker 3>What do I do? Quit? You're done?

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<v Speaker 1>Quit the podcast? As the last podcast.

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<v Speaker 3>Shut it down.

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<v Speaker 1>I don't think this can be the last one. I

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<v Speaker 1>feel like the last one we had to go out

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<v Speaker 1>with bang for something. I do. Like our guest today,

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<v Speaker 1>I thought you cool. However, I just we have to

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<v Speaker 1>like regroup and think about things. I don't know what

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<v Speaker 1>to do, you know?

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<v Speaker 3>My answer quit quit.

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<v Speaker 1>I will say what I've been noticing with like the

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<v Speaker 1>the actual episodes, because I do go and look at

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<v Speaker 1>the numbers and stuff. I stop looking at the reviews.

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<v Speaker 1>I should probably go back and look at the reviews again,

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<v Speaker 1>and we should have a talk back at some point

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<v Speaker 1>now that I'm ending the season, at some point. The best,

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<v Speaker 1>the highest rated episodes are when all of us just

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<v Speaker 1>shoot the ship and that's it. I mean, like, guests

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<v Speaker 1>are cool, cool, but it does better when we have

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<v Speaker 1>just us. I wonder what that means.

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<v Speaker 3>It means that you need me.

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<v Speaker 1>I know I need you.

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<v Speaker 3>How are you?

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<v Speaker 4>No?

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<v Speaker 1>I definitely I People ask all the time, what do

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<v Speaker 1>you want to do after this? You know, after the

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<v Speaker 1>show is over, you're gonna get your own show and whatever.

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<v Speaker 1>I don't think I would want my own show.

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<v Speaker 3>What do you do?

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<v Speaker 1>What you want other people?

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<v Speaker 3>With your a shit ton of money.

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<v Speaker 1>Talking to yourself? No thanks, I think I'm much better

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<v Speaker 1>as part of an ensemble.

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<v Speaker 3>Cast, just you in a box.

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<v Speaker 5>Hi tis I.

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<v Speaker 1>Yeah, I don't think I could do. I'd be laughing

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<v Speaker 1>at my own jokes. Already do that enough, and it's terrible.

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<v Speaker 3>That's my favorite thing to do.

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<v Speaker 1>Laugh at your own jokes. Tell me a joke right now. Oh,

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<v Speaker 1>she's already laughing before she even delivers it.

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<v Speaker 3>What did the paper say to the pen?

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<v Speaker 1>What rite me?

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<v Speaker 3>Okay? It was funny. Okay, Okay, you want another joke?

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<v Speaker 3>The New York Mets.

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<v Speaker 1>Okay, I'll laugh at that one. How are the Mets doing?

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<v Speaker 3>I don't know.

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<v Speaker 1>Depends when this comes out, It depends. It depends. Should

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<v Speaker 1>we talk about what Andrew just told us about having

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<v Speaker 1>to buy tickets kind of because of the Mets, or

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<v Speaker 1>should we not?

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<v Speaker 3>I'd talk about it. He's a he's a lunatic.

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<v Speaker 1>Yeah, so, long story short. One of the things that

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<v Speaker 1>we say all time. People don't believe us. We do

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<v Speaker 1>not just have access to as many tickets as we

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<v Speaker 1>want for any concert anytime. Let us know, Hey, people

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<v Speaker 1>hit me up constantly. I can't do anything for you.

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<v Speaker 1>I don't even do things for myself, Like I don't

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<v Speaker 1>even go gain shit for myself. So I'm not gonna

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<v Speaker 1>go ask for tickets because it's just it's chaos. When

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<v Speaker 1>you try to do that, it's and then you old

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<v Speaker 1>people favors. It's just nonsense. So there's a guy who

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<v Speaker 1>was very kind to us and let us get into

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<v Speaker 1>the owner's suite at a Mets game, and we had

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<v Speaker 1>a blest. Andrew didn't even go to that game, by

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<v Speaker 1>the way, so I'm not sure how he got mixed

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<v Speaker 1>up in all this. But the guy was awesome.

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<v Speaker 3>He was great.

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<v Speaker 1>Shout out to you. I won't name you because this

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<v Speaker 1>story's kind of bad, twisted and convoluted. However, Andrew, being

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<v Speaker 1>Andrew and over promising all the time and under delivering,

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<v Speaker 1>by the way, never do that. Do it the opposite.

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<v Speaker 1>He says to this guy, Hey, if you ever need

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<v Speaker 1>any tickets, hit me up. But I got you. I

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<v Speaker 1>need to know what Andrew has to these tickets that

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<v Speaker 1>the rest of us don't. But okay, so Sabrina Carpets

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<v Speaker 1>are coming to town, he said, I'm gonna take you

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<v Speaker 1>up on that offer. Take some Sabrina Carpenter tickets. How'd

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<v Speaker 1>that work out?

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<v Speaker 3>I think I think Andrew should tell destroy himself. But

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<v Speaker 3>should I go get him? Yes? Okay, keep talking. Okay, Hi, guys,

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<v Speaker 3>I'm Diamond.

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<v Speaker 6>I'm just here talking while Gandhi grabs Andrew Because the

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<v Speaker 6>funniest thing on the planet.

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<v Speaker 1>What did you say that was the funniest thing on

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<v Speaker 1>the planet.

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<v Speaker 3>That the story he has to tell is the worst

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<v Speaker 3>thing on the planet.

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<v Speaker 1>That's really over selling it.

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<v Speaker 3>You don't think it's funny.

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<v Speaker 1>Okay, it's funny. I don't think it's the funniest thing

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<v Speaker 1>on the planet. We want you to tell us what

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<v Speaker 1>happened with the Sabrina Carpenter tickets.

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<v Speaker 7>Oh man, oh man, man.

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<v Speaker 1>Okay, we already set it up. So the part we're

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<v Speaker 1>at right now is that you said, hey, let me

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<v Speaker 1>know anytime you need something, I got you, and then

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<v Speaker 1>he was like, cool, I'll take Sabrina Carpenter tickets.

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<v Speaker 7>Yeah, go yeah. So originally it was jingle. I know,

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<v Speaker 7>that's easy. It's like I could make that happen. Simple,

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<v Speaker 7>you dare say that for me, it is, but this is.

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<v Speaker 2>Not an open offer to anyone to read out to

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<v Speaker 2>me period. Anyway, he said no, oh, she would really

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<v Speaker 2>like Sabrina Carpenter. So I said, okay, I can make

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<v Speaker 2>it happen, thinking oh, I could make it happen because

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<v Speaker 2>I'm an idiot, and just fell into.

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<v Speaker 7>Being like, yeah, of course I can make it happen.

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<v Speaker 7>I can't make it happen.

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<v Speaker 2>And this is a prime example because then when the

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<v Speaker 2>day came I didn't get any tickets whatsoever. Then I

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<v Speaker 2>was the clown and I spent way too much money

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<v Speaker 2>on these tickets.

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<v Speaker 7>And this man thinks that he got them for free.

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<v Speaker 7>Oh yeah he did. I take it them for free.

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<v Speaker 1>But also I would like to point out that the

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<v Speaker 1>day that we really enjoyed that suite and we had

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<v Speaker 1>a ball up there and we had food, and then

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<v Speaker 1>we went and sat in the very front row right

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<v Speaker 1>behind the dugout. You didn't even come to that. I know.

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<v Speaker 7>I got tickets separately.

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<v Speaker 2>I got tickets to another game that he set me

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<v Speaker 2>and my friends up with and we couldn't get into

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<v Speaker 2>the club, but we got into someplace else.

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<v Speaker 7>He was super, super nice and really gesome.

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<v Speaker 2>He's awesome. Monetary value of that awesome, I don't know,

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<v Speaker 2>but I've placed it somewhere at Sabrina Carpenter MSG ticket levels,

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<v Speaker 2>So yeah, he's great.

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<v Speaker 1>Are they good seats?

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<v Speaker 7>They were the best I could do?

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<v Speaker 3>What section?

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<v Speaker 5>It was?

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<v Speaker 7>Section one fourteen. That's that's decent of you, because apparently

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<v Speaker 7>she has a curtain.

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<v Speaker 1>Wait, so you sat his kids behind a curtain?

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<v Speaker 7>No, not specifically, I will say.

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<v Speaker 2>I will say he did text at one point being

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<v Speaker 2>like I hope they put this curtain down, but my

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<v Speaker 2>kids are going to have a great time. No, And

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<v Speaker 2>in my head I was like, but I'm but he said,

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<v Speaker 2>thank you so much for the tickets.

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<v Speaker 7>She loves it. This is such a great time. Thank

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<v Speaker 7>you so much. Yeah.

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<v Speaker 1>We found out a lot today, including apparently Andrew has unlimited.

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<v Speaker 7>Access or that.

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<v Speaker 1>On Instagram. Don't please don't at Andrew Pug on Instagram.

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<v Speaker 1>I have no access to any kids unlimited jingle ball.

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<v Speaker 7>The ticket shop is closed. Don't ask me for anything.

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<v Speaker 1>He'll buy them if you can't get them. It's great.

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<v Speaker 7>Actually, yes, and that's what's sick about me.

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<v Speaker 1>That's crazy. Yeah, so it's funny. But Diamond said, is

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<v Speaker 1>the funniest thing in the world.

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<v Speaker 3>I thought it was hilarious.

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<v Speaker 7>Well, I'm the clown. It's me, that's about Yeah, Hong Kong.

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<v Speaker 1>That was great, Thanks Andrew, No problem. You can go

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<v Speaker 1>back to working because we know you need to get

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<v Speaker 1>some bills to pay.

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<v Speaker 3>Oh god.

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<v Speaker 1>And on that note, man, we've been talking for a minute.

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<v Speaker 1>Maybe we should get to our guest, who's pretty cool.

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<v Speaker 1>His name's Titus Wliver. You have probably seen him and

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<v Speaker 1>you have no idea who he is, and it turns

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<v Speaker 1>out he's a fun guy. We have some Boston connections.

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<v Speaker 1>So let's get to it.

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<v Speaker 5>Show. My mother couldn't watch that. I that I did.

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<v Speaker 5>My mom was, you.

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<v Speaker 4>Know, very very supportive, but she she called me up

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<v Speaker 4>and she said, I can't. I tried to watch Sons

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<v Speaker 4>of Anarchy last night. I said, okay. She said, but yeah,

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<v Speaker 4>there was a scene where you were and your cohort

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<v Speaker 4>had tortured this guy. Clearly some of his teeth had

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<v Speaker 4>been pulled out with pliers and he was passed out

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<v Speaker 4>from the torture, and you woke him up to shoot

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<v Speaker 4>him in the face and kill him. And she said,

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<v Speaker 4>I can't. I said, that was my sick idea too,

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<v Speaker 4>to do that, and she went, God, Titus.

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<v Speaker 5>That's so dark.

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<v Speaker 1>So where was Titus? Welliver, okay, I have so much

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<v Speaker 1>to talk to you about.

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<v Speaker 2>One.

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<v Speaker 1>Thank you, like I said, for being here too. I

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<v Speaker 1>know you from a bunch of different a bunch of

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<v Speaker 1>different things that you've done, but specifically Sons of Anarchy,

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<v Speaker 1>which is what you were just talking about. You said

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<v Speaker 1>that was your idea to do that. Did you have

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<v Speaker 1>a big part in writing your part?

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<v Speaker 4>Not really, I would there were certain character traits, irish

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<v Speaker 4>things that I felt like the writers would not necessarily know,

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<v Speaker 4>So I would bring in that information and say, hey,

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<v Speaker 4>you know you could he might he would actually probably

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<v Speaker 4>say this this.

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<v Speaker 5>Way rather than that.

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<v Speaker 4>But no, I mean, they were it was a great

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<v Speaker 4>group of writers, and they you know, they gave me

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<v Speaker 4>a lot of range to just kind of play with

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<v Speaker 4>that character. And he was just a complete freight train

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<v Speaker 4>of a character.

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<v Speaker 1>He was terrifying.

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<v Speaker 5>Yeah, he was terrifying. He was a scary, scary.

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<v Speaker 4>Guy mixed with sort of odd moments of sincerity and kindness.

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<v Speaker 4>But she never knew, really, he always sort of knew

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<v Speaker 4>at the root that whatever he was doing was for

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<v Speaker 4>personal gains, so he knew it was not going to

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<v Speaker 4>end well.

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<v Speaker 1>Of all the characters you've played, because you do all

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<v Speaker 1>kinds of work, you've I saw that you do some

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<v Speaker 1>voiceover for animated features, do you have a favorite character

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<v Speaker 1>that you have played.

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<v Speaker 5>A little bit like your favorite kid?

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<v Speaker 1>But you have favorite kids, I'm convinced.

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<v Speaker 4>I have three of my own and three step children.

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<v Speaker 4>But I would say the character that I played for

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<v Speaker 4>the longest period of time has been Harry Bosh on

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<v Speaker 4>the series Bosh and Bosh Legacy, and you when you

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<v Speaker 4>spend that much time with a character and habit that

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<v Speaker 4>I think you become very attached to them. So I

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<v Speaker 4>would say in that regard, it would be Harry Bosh.

0:10:28.080 --> 0:10:30.880
<v Speaker 4>And yet the Man in Black character that I played

0:10:30.960 --> 0:10:34.400
<v Speaker 4>un Lost, I also became very attached and I only

0:10:34.400 --> 0:10:36.480
<v Speaker 4>did like three episodes.

0:10:35.920 --> 0:10:36.560
<v Speaker 5>Of that show.

0:10:36.760 --> 0:10:38.200
<v Speaker 1>You've been with Bosh ten years?

0:10:38.280 --> 0:10:38.840
<v Speaker 5>Ten years?

0:10:39.360 --> 0:10:41.360
<v Speaker 1>Yeah, and it's coming. Is it wrapping up soon?

0:10:41.720 --> 0:10:42.440
<v Speaker 5>It is wrapping up?

0:10:42.480 --> 0:10:43.800
<v Speaker 1>I thought I saw it on your Instagram.

0:10:43.880 --> 0:10:44.120
<v Speaker 5>Yeah.

0:10:44.160 --> 0:10:47.319
<v Speaker 4>The third the third season of the spinoff, Bosh Legacy,

0:10:47.360 --> 0:10:49.160
<v Speaker 4>comes out in March, and that will be the final

0:10:49.200 --> 0:10:55.199
<v Speaker 4>season of Bosh, although I'm doing some duties as Harry

0:10:55.240 --> 0:10:59.480
<v Speaker 4>Bosh on another spinoff called Ballard, which stars Maggie Q,

0:11:00.200 --> 0:11:02.640
<v Speaker 4>which is currently filming and that I would imagine will

0:11:02.679 --> 0:11:05.319
<v Speaker 4>be coming out as well in twenty twenty five.

0:11:05.559 --> 0:11:07.320
<v Speaker 1>Is that emotional for you or do you expect at

0:11:07.360 --> 0:11:08.680
<v Speaker 1>some point this is going to come to an end.

0:11:08.760 --> 0:11:09.440
<v Speaker 1>I'm ready for it.

0:11:10.040 --> 0:11:11.800
<v Speaker 5>I think it's a mixture of both.

0:11:11.840 --> 0:11:15.000
<v Speaker 4>It is, you know, you do become very very close

0:11:15.040 --> 0:11:16.880
<v Speaker 4>to a character, and you become very close to the

0:11:16.880 --> 0:11:19.400
<v Speaker 4>people that you work with. You become a family, right,

0:11:19.520 --> 0:11:21.920
<v Speaker 4>I mean, you know that from what you do, and

0:11:23.240 --> 0:11:26.440
<v Speaker 4>there are certainly many more stories to tell. But you know,

0:11:26.600 --> 0:11:30.160
<v Speaker 4>I also understand that ten years, that's the longest running

0:11:30.520 --> 0:11:34.120
<v Speaker 4>streaming show on any of the outlets situation, and I'm

0:11:34.160 --> 0:11:35.720
<v Speaker 4>very proud of the work that we did. It was

0:11:36.080 --> 0:11:41.440
<v Speaker 4>it was a real collaboration, amazing group of actors and writers, producers,

0:11:41.480 --> 0:11:44.160
<v Speaker 4>directors that I that I now count as my very

0:11:44.240 --> 0:11:47.600
<v Speaker 4>very close friends, kind of like family. So I'll miss that.

0:11:48.000 --> 0:11:51.760
<v Speaker 1>When you spend ten years playing a character with this character,

0:11:52.400 --> 0:11:54.920
<v Speaker 1>do you find yourself taking on any aspects of the

0:11:55.000 --> 0:11:57.160
<v Speaker 1>character in your real life. I just feel like that

0:11:57.200 --> 0:11:59.400
<v Speaker 1>has to happen at some point in some capacity.

0:11:59.480 --> 0:12:02.400
<v Speaker 4>It definitely does happen. And you know, when you're when

0:12:02.480 --> 0:12:05.840
<v Speaker 4>you are becoming a character, you know, I mean, as

0:12:05.880 --> 0:12:08.080
<v Speaker 4>an actor, you want to try to kind of disappear

0:12:08.080 --> 0:12:10.400
<v Speaker 4>into the character as much as possible. I know that

0:12:10.440 --> 0:12:15.080
<v Speaker 4>there's certain affects, physical affects with Bosh. I mean, I've

0:12:16.080 --> 0:12:19.800
<v Speaker 4>recall watching the show one time with my kids and

0:12:19.840 --> 0:12:23.079
<v Speaker 4>there was some facial expression and one of my sons

0:12:23.120 --> 0:12:25.000
<v Speaker 4>turned the other one and he goes, oh, that guy's

0:12:25.040 --> 0:12:29.480
<v Speaker 4>in trouble. So it does kind of bleed into itself.

0:12:29.520 --> 0:12:31.880
<v Speaker 4>And I suppose there were there were I don't take

0:12:31.920 --> 0:12:34.679
<v Speaker 4>my work home, but you know, because the writers did

0:12:34.720 --> 0:12:37.600
<v Speaker 4>such an incredible job, I would find myself very, very

0:12:37.760 --> 0:12:42.120
<v Speaker 4>moved by circumstances and scenes and plot lines and things

0:12:42.120 --> 0:12:45.880
<v Speaker 4>that would become that close to a character. You you

0:12:45.960 --> 0:12:49.720
<v Speaker 4>do take on a little bit without sounding like I

0:12:49.760 --> 0:12:54.520
<v Speaker 4>have a severe mental illness. You take on, you carry

0:12:54.520 --> 0:12:55.880
<v Speaker 4>some of that stuff no matter what.

0:12:56.280 --> 0:12:58.840
<v Speaker 1>So for people who don't know Bosh tell us about

0:12:58.840 --> 0:12:59.240
<v Speaker 1>the show.

0:12:59.840 --> 0:13:04.080
<v Speaker 4>It's based on many many novels written by Michael Connolly,

0:13:04.080 --> 0:13:08.520
<v Speaker 4>who's also the author of the Lincoln Lawyer series as well.

0:13:08.880 --> 0:13:12.600
<v Speaker 4>And Harry Bosch is an LAPD homicide detective who works

0:13:12.640 --> 0:13:17.199
<v Speaker 4>the Hollywood homicide and he's a guy with a flawless

0:13:17.720 --> 0:13:22.120
<v Speaker 4>moral compass. He's known as as a grinder. He doesn't

0:13:22.200 --> 0:13:24.600
<v Speaker 4>let things go. He's relentless. So he is the kind

0:13:24.600 --> 0:13:27.120
<v Speaker 4>of murder cop that if a person was a victim

0:13:27.120 --> 0:13:29.920
<v Speaker 4>of that crime, you would want a cop like Harry

0:13:29.960 --> 0:13:32.360
<v Speaker 4>Bosch working the case because he just won't give up.

0:13:33.960 --> 0:13:36.080
<v Speaker 4>He's not a buy the book guy. When I say

0:13:36.080 --> 0:13:39.520
<v Speaker 4>that he's not a dirty cops. He would never beat

0:13:39.520 --> 0:13:43.240
<v Speaker 4>a confession out of someone or plant evidence on someone.

0:13:43.360 --> 0:13:46.200
<v Speaker 4>But he will do what cops like to call a

0:13:46.240 --> 0:13:49.720
<v Speaker 4>work around, and he's a little rough around the edges.

0:13:50.280 --> 0:13:51.920
<v Speaker 4>I have cops come up to me all the time

0:13:51.960 --> 0:13:53.840
<v Speaker 4>and they go, God, I wish I could talk to

0:13:53.880 --> 0:13:56.959
<v Speaker 4>my superiors the way Harry Bosch does. I mean Harry

0:13:56.960 --> 0:14:01.880
<v Speaker 4>Bosch threw his captain through a window, which, of course

0:14:02.000 --> 0:14:04.240
<v Speaker 4>even the Chief of Police of l A PD said,

0:14:04.440 --> 0:14:06.719
<v Speaker 4>when you threw that, When you threw that captain through

0:14:06.720 --> 0:14:09.880
<v Speaker 4>the window, I have to say, you know, every cop

0:14:09.960 --> 0:14:12.560
<v Speaker 4>fantaside has a boss at some point they can't stand

0:14:12.600 --> 0:14:13.760
<v Speaker 4>and that was that was a.

0:14:13.760 --> 0:14:16.240
<v Speaker 5>Moment where I kind of got out of my chair.

0:14:16.320 --> 0:14:17.560
<v Speaker 1>You're helping them live their dreams.

0:14:17.640 --> 0:14:20.560
<v Speaker 4>Yeah, yeah, exactly vicariously through the through the show.

0:14:20.680 --> 0:14:22.880
<v Speaker 1>And this character obviously quite different than the character who

0:14:22.920 --> 0:14:26.200
<v Speaker 1>played in Sons of Anarchy, because you play characters all

0:14:26.240 --> 0:14:28.800
<v Speaker 1>across the board. But is there one that you get recognized.

0:14:28.360 --> 0:14:31.080
<v Speaker 4>The most for Well, I would say now it's because

0:14:31.120 --> 0:14:33.440
<v Speaker 4>of the of the long run of BOSH and the

0:14:33.480 --> 0:14:38.840
<v Speaker 4>success of that show, But then shows like that I've

0:14:38.880 --> 0:14:42.160
<v Speaker 4>done in the past, Suits and now Lost.

0:14:42.200 --> 0:14:44.720
<v Speaker 1>Oh yeah, just having its big comeback.

0:14:45.480 --> 0:14:49.640
<v Speaker 4>Resurgence on with them coming out on Netflix, and it's

0:14:49.680 --> 0:14:52.560
<v Speaker 4>always or sons of anarchy. I get Jimmy Oh all

0:14:52.600 --> 0:14:55.880
<v Speaker 4>the time, okay, And a lot of times it's it's

0:14:55.920 --> 0:15:02.440
<v Speaker 4>people who clearly have criminal uh you know, pass or something.

0:15:02.840 --> 0:15:06.920
<v Speaker 4>You get some really really rough people coming up and saying, yeah,

0:15:06.960 --> 0:15:09.320
<v Speaker 4>I love that guy, I love that or women going

0:15:09.400 --> 0:15:12.520
<v Speaker 4>he was really sexy, and I'm thinking to myself.

0:15:12.560 --> 0:15:16.400
<v Speaker 1>Okay, ma'am, are you okay? Yeah, yeah, I wonder that

0:15:16.400 --> 0:15:18.000
<v Speaker 1>all the time because you said, you know, the police

0:15:18.040 --> 0:15:19.720
<v Speaker 1>officers are coming up to you and saying, hey, you

0:15:19.760 --> 0:15:22.160
<v Speaker 1>really are living out our dreams and you're doing the

0:15:22.160 --> 0:15:23.920
<v Speaker 1>things that we want to and at the same time,

0:15:23.960 --> 0:15:27.680
<v Speaker 1>you have these criminal elements approaching you and saying, hey,

0:15:27.720 --> 0:15:30.080
<v Speaker 1>I really dug that work that you did. How weird

0:15:30.160 --> 0:15:30.800
<v Speaker 1>is that for you?

0:15:31.160 --> 0:15:32.440
<v Speaker 5>It is weird. It is weird.

0:15:32.600 --> 0:15:33.920
<v Speaker 1>Are you like, please stay away from me?

0:15:34.680 --> 0:15:37.280
<v Speaker 4>For the for the most part, well, I always come correctly,

0:15:37.360 --> 0:15:39.400
<v Speaker 4>you know what I mean. There's even some of the

0:15:39.480 --> 0:15:43.680
<v Speaker 4>roughest of people that I've encountered have a kind of respect.

0:15:43.960 --> 0:15:46.840
<v Speaker 4>So if something has impacted a person in a positive

0:15:46.880 --> 0:15:49.040
<v Speaker 4>and even in a negative way, if somebody comes up

0:15:49.080 --> 0:15:51.240
<v Speaker 4>to me and says, you know, the character I played

0:15:51.240 --> 0:15:55.160
<v Speaker 4>on The Good Wife Glenn Childs was this real machiavellian,

0:15:55.600 --> 0:15:59.560
<v Speaker 4>duplicitest guy and people I hated. I hated you on that.

0:15:59.680 --> 0:16:02.680
<v Speaker 4>You know I hated that character. You can bleep things

0:16:02.680 --> 0:16:05.440
<v Speaker 4>on here, right, you can curse. He's an asshole, yeah,

0:16:05.480 --> 0:16:09.760
<v Speaker 4>and a duplicitous guy, A dark guy like Iago. You know,

0:16:09.840 --> 0:16:13.600
<v Speaker 4>somebody that if you knew what he did, you'd be like, Yeah.

0:16:13.440 --> 0:16:15.760
<v Speaker 5>I don't need to spend time with that guy. Keep

0:16:15.760 --> 0:16:16.320
<v Speaker 5>me away from that.

0:16:16.400 --> 0:16:18.240
<v Speaker 1>Just means you're doing your job the right way. I

0:16:18.240 --> 0:16:19.640
<v Speaker 1>guess a good job of your job.

0:16:19.840 --> 0:16:20.360
<v Speaker 5>I'm trying.

0:16:20.680 --> 0:16:23.720
<v Speaker 1>So let's talk about you, Titus Welliver, am I saying

0:16:23.760 --> 0:16:24.280
<v Speaker 1>that correctly?

0:16:24.440 --> 0:16:24.720
<v Speaker 6>Well? Over?

0:16:24.840 --> 0:16:28.000
<v Speaker 1>Okay as a person? Because our friend David katz here,

0:16:28.120 --> 0:16:30.480
<v Speaker 1>who loves you and has nothing but great things to

0:16:30.480 --> 0:16:31.920
<v Speaker 1>say about you, he sort of sent me a little

0:16:31.920 --> 0:16:34.560
<v Speaker 1>bio about you, and one of the big things that

0:16:34.600 --> 0:16:37.600
<v Speaker 1>he said, you really care about are dogs.

0:16:37.800 --> 0:16:39.360
<v Speaker 5>Yeah, rescue animals.

0:16:39.480 --> 0:16:40.800
<v Speaker 1>Rescu animals. How many do you have?

0:16:41.080 --> 0:16:44.400
<v Speaker 4>Well, my herd has been thinned because I live in

0:16:44.440 --> 0:16:47.680
<v Speaker 4>an area where there's a lot of coyotes, and sadly

0:16:47.760 --> 0:16:52.960
<v Speaker 4>I lost my most beloved of the rescue dogs that

0:16:53.000 --> 0:16:55.119
<v Speaker 4>I had, Little Scout, was taken.

0:16:54.880 --> 0:16:56.680
<v Speaker 1>Away and killed by its horrible.

0:16:56.760 --> 0:16:57.440
<v Speaker 5>Yeah, it is horrible.

0:16:57.480 --> 0:16:58.880
<v Speaker 1>Oh my god, I'm so sorry to hear that.

0:16:59.360 --> 0:17:03.080
<v Speaker 4>But I think the thing about all rescue animals is

0:17:03.120 --> 0:17:07.000
<v Speaker 4>that there is there's a kind of gratitude that they have,

0:17:09.040 --> 0:17:12.119
<v Speaker 4>and I think that they they sense when you come

0:17:13.080 --> 0:17:16.360
<v Speaker 4>and you bring them home with you. I mean, imagine

0:17:16.359 --> 0:17:19.840
<v Speaker 4>they're in this stark, cold place with other animals, they feed,

0:17:20.080 --> 0:17:22.960
<v Speaker 4>they you know the anxiety when you go into a

0:17:22.960 --> 0:17:26.439
<v Speaker 4>lot of these rescue places, at these where these animals

0:17:26.440 --> 0:17:30.240
<v Speaker 4>have been taken from horrible situations and sometimes just a

0:17:30.280 --> 0:17:32.240
<v Speaker 4>mother has dropped a litter and they're just wandering the

0:17:32.240 --> 0:17:34.920
<v Speaker 4>streets and they get picked up and they've not really

0:17:34.960 --> 0:17:37.800
<v Speaker 4>had any kind of trauma. But I have to say

0:17:37.800 --> 0:17:41.760
<v Speaker 4>there's a palpable kind of gratitude and sweetness that comes

0:17:41.800 --> 0:17:47.000
<v Speaker 4>with these dogs. My dog Scout, that I loved and adored.

0:17:47.119 --> 0:17:51.320
<v Speaker 4>I had never met a more gracious hostess in my life.

0:17:52.480 --> 0:17:55.080
<v Speaker 4>Every single person that would come to my house, she

0:17:55.240 --> 0:18:00.800
<v Speaker 4>would introduce herself and then she would mean hostess in

0:18:00.920 --> 0:18:03.600
<v Speaker 4>the best way she would. She would make sure that

0:18:03.680 --> 0:18:05.400
<v Speaker 4>she covered every lap.

0:18:05.320 --> 0:18:06.800
<v Speaker 5>Of a guest that was in the house.

0:18:07.280 --> 0:18:10.480
<v Speaker 4>She would give each person individual attention, get up into

0:18:10.520 --> 0:18:15.760
<v Speaker 4>their lap and look at them fondly. So every person

0:18:15.800 --> 0:18:18.840
<v Speaker 4>that left said, if you ever don't want I said,

0:18:20.359 --> 0:18:22.679
<v Speaker 4>this is the sweetest dog I've ever met. But she

0:18:22.840 --> 0:18:24.840
<v Speaker 4>was brave and she went out like a champion.

0:18:25.119 --> 0:18:27.960
<v Speaker 5>She was. She was defending.

0:18:29.680 --> 0:18:34.119
<v Speaker 4>Our other dogs, which are are pure bed bread docsins,

0:18:34.840 --> 0:18:36.879
<v Speaker 4>and one had already been attacked by the coyote, and

0:18:36.920 --> 0:18:40.040
<v Speaker 4>Scout got between the coyote and bought time for the

0:18:40.080 --> 0:18:43.280
<v Speaker 4>other dogs to get away. And she was killed and

0:18:43.359 --> 0:18:47.840
<v Speaker 4>it broke my wagon. Actually, my daughter has Scout's name

0:18:47.880 --> 0:18:50.000
<v Speaker 4>tattooed on her finger. This is a dog that had

0:18:50.280 --> 0:18:55.120
<v Speaker 4>such an impact. I don't it's inexplicable, but in a way,

0:18:55.160 --> 0:18:57.960
<v Speaker 4>they look into your soul. I used to rescue horses

0:18:57.960 --> 0:19:02.040
<v Speaker 4>as well. Wow, and had a bunch of horses, and

0:19:02.080 --> 0:19:05.200
<v Speaker 4>one of them was a was a one eyed as

0:19:05.280 --> 0:19:07.720
<v Speaker 4>tech and mayor and they said, you know, this horse

0:19:07.760 --> 0:19:10.960
<v Speaker 4>isn't really will never be like a rideable horse.

0:19:11.720 --> 0:19:14.960
<v Speaker 5>And that was not the case with her. She was

0:19:15.119 --> 0:19:16.080
<v Speaker 5>kind of like a dog.

0:19:16.200 --> 0:19:18.800
<v Speaker 4>She did not have a sense of her of how

0:19:18.880 --> 0:19:20.240
<v Speaker 4>much bigger she was than me.

0:19:20.320 --> 0:19:21.560
<v Speaker 5>She was a powerful horse.

0:19:21.600 --> 0:19:26.000
<v Speaker 4>But she was so extremely physically affectionate, rubbing her head

0:19:26.080 --> 0:19:29.760
<v Speaker 4>on me and licking my face. And I could be

0:19:30.440 --> 0:19:32.639
<v Speaker 4>in a mood, maybe just having a bad day, and

0:19:32.680 --> 0:19:35.160
<v Speaker 4>I would go and connect.

0:19:35.080 --> 0:19:37.120
<v Speaker 5>With these creatures and they do.

0:19:37.200 --> 0:19:40.239
<v Speaker 4>They literally look into your soul. They penetrate you in

0:19:40.280 --> 0:19:50.680
<v Speaker 4>some way.

0:19:51.240 --> 0:19:53.240
<v Speaker 1>So when I was scrolling through your Instagram, I saw

0:19:53.280 --> 0:19:55.040
<v Speaker 1>something that kind of struck a chord with me because

0:19:55.040 --> 0:19:56.639
<v Speaker 1>it's happening to a lot of people on our show.

0:19:57.359 --> 0:20:00.199
<v Speaker 1>You've posted that somebody is trying to impersonate you. What

0:20:00.280 --> 0:20:01.080
<v Speaker 1>is going on with that?

0:20:01.160 --> 0:20:02.720
<v Speaker 5>It's endless and.

0:20:02.760 --> 0:20:04.560
<v Speaker 1>There's always stop it. Have you had a lot of

0:20:04.600 --> 0:20:06.960
<v Speaker 1>people reach out to you saying, this person's trying to

0:20:07.000 --> 0:20:08.359
<v Speaker 1>get money. What are they trying to do?

0:20:08.680 --> 0:20:10.440
<v Speaker 4>I mean a lot of it. It's not so much

0:20:10.480 --> 0:20:14.280
<v Speaker 4>necessarily money. It's kind of catfishing.

0:20:14.200 --> 0:20:17.800
<v Speaker 1>Like they're trying to date these people or date them

0:20:18.359 --> 0:20:20.560
<v Speaker 1>or just be affiliated with them in some way.

0:20:20.640 --> 0:20:24.159
<v Speaker 4>It's very creepy. It's deeply creepy. But the thing is

0:20:24.200 --> 0:20:27.080
<v Speaker 4>that the people who are doing it don't do it

0:20:27.280 --> 0:20:29.760
<v Speaker 4>very well. Well that's good, just because they cut and

0:20:29.800 --> 0:20:35.240
<v Speaker 4>paste your photographs and things like that. They'll misspell things, honestly,

0:20:35.680 --> 0:20:40.560
<v Speaker 4>I will interact with fans on Twitter, but I don't

0:20:40.680 --> 0:20:43.479
<v Speaker 4>personally message anyone, and I'm always very clear about that.

0:20:43.560 --> 0:20:45.840
<v Speaker 4>You will never receive a personal message from me.

0:20:46.119 --> 0:20:47.560
<v Speaker 1>And if you do, it was not you.

0:20:47.760 --> 0:20:49.119
<v Speaker 5>If yeah, it's not me.

0:20:49.520 --> 0:20:52.840
<v Speaker 4>If there is another actor, or if there's a foundation

0:20:53.200 --> 0:20:56.200
<v Speaker 4>or something that I get hipped to on social media,

0:20:56.280 --> 0:20:58.800
<v Speaker 4>I go through the proper channels. I reach out to

0:20:58.840 --> 0:21:01.480
<v Speaker 4>my manager, who then reach out out directly to the foundation,

0:21:02.040 --> 0:21:03.880
<v Speaker 4>and you go through and you do it that way.

0:21:04.160 --> 0:21:07.439
<v Speaker 4>But the fans also kind of they get such glee

0:21:07.600 --> 0:21:10.840
<v Speaker 4>out of exposing these people. Oh good, So they're always

0:21:10.920 --> 0:21:13.119
<v Speaker 4>after them. They're always kind of going after them. But

0:21:13.160 --> 0:21:15.960
<v Speaker 4>I just find it deeply creepy, and you know we're

0:21:16.000 --> 0:21:18.800
<v Speaker 4>and you know, you get it right, you deal with it.

0:21:18.840 --> 0:21:22.800
<v Speaker 4>You just go why to what end? What person you

0:21:22.800 --> 0:21:25.840
<v Speaker 4>know in their right mind is going to go, let

0:21:25.880 --> 0:21:31.560
<v Speaker 4>me wire this this actor forty thousand dollars because they've

0:21:31.600 --> 0:21:33.560
<v Speaker 4>been arrested in Thailand.

0:21:33.960 --> 0:21:37.280
<v Speaker 1>Right, You're being held captive and you you got access

0:21:37.320 --> 0:21:38.879
<v Speaker 1>to your phone to reach out to a stranger and

0:21:38.960 --> 0:21:41.800
<v Speaker 1>ask the money. But that was it. Yeah, yeah, we

0:21:42.480 --> 0:21:44.320
<v Speaker 1>overhear what it is for the most part, it is

0:21:44.400 --> 0:21:48.000
<v Speaker 1>money stuff that happens with you know these sad to

0:21:48.080 --> 0:21:51.840
<v Speaker 1>say older women are lonely and they think one of

0:21:51.880 --> 0:21:55.520
<v Speaker 1>the guys on this show are interested in them. Yeah,

0:21:55.560 --> 0:21:57.680
<v Speaker 1>and they have this little relationship and they start talking

0:21:57.720 --> 0:21:59.400
<v Speaker 1>and all of a sudden, thousands of dollars are gone.

0:21:59.560 --> 0:22:02.520
<v Speaker 1>And the women do the research and find out, oh

0:22:02.600 --> 0:22:04.439
<v Speaker 1>I got screwed over here a little bit. Do the

0:22:04.480 --> 0:22:05.160
<v Speaker 1>research first.

0:22:05.280 --> 0:22:10.120
<v Speaker 4>Please don't send money to people that you don't know exactly.

0:22:09.920 --> 0:22:12.720
<v Speaker 1>Never ever. And if that's how the relationship starts, this

0:22:12.800 --> 0:22:15.200
<v Speaker 1>is probably not going to go well yeah, well yeah.

0:22:15.200 --> 0:22:17.719
<v Speaker 4>Chances are yeah it's a scam. As soon as the

0:22:17.760 --> 0:22:20.679
<v Speaker 4>money thing comes into it, then I go no, no, no,

0:22:20.760 --> 0:22:23.080
<v Speaker 4>that's a giant red flag. It's not to say that

0:22:23.119 --> 0:22:25.360
<v Speaker 4>if you're in love with someone, you're in a relationship

0:22:25.400 --> 0:22:27.879
<v Speaker 4>with someone that you wouldn't give you know that you

0:22:27.880 --> 0:22:28.680
<v Speaker 4>wouldn't do that.

0:22:28.800 --> 0:22:30.520
<v Speaker 1>Maybe that you've met and hung out with a few times.

0:22:30.600 --> 0:22:33.200
<v Speaker 4>Yeah, but you know you're not on a dating site.

0:22:33.320 --> 0:22:35.720
<v Speaker 4>You know, Oh I have massive credit card debt. Maybe

0:22:35.760 --> 0:22:38.119
<v Speaker 4>you could help me, or I'm about to close on

0:22:38.160 --> 0:22:41.080
<v Speaker 4>this big deal. Let me pull you in as an

0:22:41.119 --> 0:22:45.560
<v Speaker 4>insider and you'll triple your money in fifteen minutes. But

0:22:45.680 --> 0:22:49.280
<v Speaker 4>that's also a societal thing of greed and get rich quick,

0:22:49.480 --> 0:22:50.520
<v Speaker 4>there's no such thing.

0:22:51.000 --> 0:22:55.160
<v Speaker 1>I feel like social media has really blown that out

0:22:55.800 --> 0:22:58.520
<v Speaker 1>of the water. To get rich quick, don't do the

0:22:58.520 --> 0:23:01.760
<v Speaker 1>hard work. You can just immediately excel at something. What

0:23:01.920 --> 0:23:04.080
<v Speaker 1>is that like for you? Now that people can pop

0:23:04.119 --> 0:23:07.000
<v Speaker 1>onto social media Instagram, TikTok, whatever and just blow up

0:23:07.040 --> 0:23:11.600
<v Speaker 1>and have these probably short lived careers. But it's almost

0:23:11.680 --> 0:23:13.840
<v Speaker 1>usurping people who've been working hard at this for a

0:23:13.920 --> 0:23:14.480
<v Speaker 1>very long time.

0:23:14.640 --> 0:23:17.040
<v Speaker 4>Yeah, it's I find it really pathetic. And I know

0:23:17.080 --> 0:23:19.520
<v Speaker 4>that even in the bin because I have friends who

0:23:19.600 --> 0:23:23.800
<v Speaker 4>work at different studios and stuff. You know, they when

0:23:23.840 --> 0:23:28.040
<v Speaker 4>they're casting stuff, they, particularly with younger up and coming actors,

0:23:28.320 --> 0:23:31.320
<v Speaker 4>they'll look at their social media numbers, which I find

0:23:31.640 --> 0:23:35.480
<v Speaker 4>I get it to a certain degree. That's a business thing. Well,

0:23:35.560 --> 0:23:39.960
<v Speaker 4>if this person has five hundred thousand followers, that's a

0:23:40.080 --> 0:23:43.040
<v Speaker 4>guaranteed five hundred thousand viewers with this person if we

0:23:43.119 --> 0:23:46.960
<v Speaker 4>cast them in that role. But it's really vapid. I

0:23:47.520 --> 0:23:52.280
<v Speaker 4>feel like it's the syphilis and gonna rita of entertainment,

0:23:52.400 --> 0:23:57.040
<v Speaker 4>and I find it really disturbing. I have a really

0:23:57.080 --> 0:23:57.840
<v Speaker 4>hard time with it.

0:23:57.960 --> 0:24:00.640
<v Speaker 1>Hey, within the acting community, is there of a stigma

0:24:00.680 --> 0:24:04.640
<v Speaker 1>between the seasoned professional actors and these influencers coming onto

0:24:04.640 --> 0:24:07.480
<v Speaker 1>sets now or do you just yet there is I

0:24:07.520 --> 0:24:10.360
<v Speaker 1>would imagine that, I mean in a completely different way,

0:24:10.400 --> 0:24:14.359
<v Speaker 1>but somewhat similar. I guess with radio, there's that element

0:24:14.440 --> 0:24:17.160
<v Speaker 1>of everybody can have a podcast. Now, anybody can get

0:24:17.200 --> 0:24:19.119
<v Speaker 1>a microphone and plug it into the laptop at home

0:24:19.520 --> 0:24:22.399
<v Speaker 1>and think that they're having this big radio show and

0:24:22.440 --> 0:24:24.480
<v Speaker 1>every now and then they'll blow up. And there's something

0:24:24.520 --> 0:24:27.919
<v Speaker 1>that's good in that. But I think that for the

0:24:27.960 --> 0:24:31.440
<v Speaker 1>season professional radio talent who has been around for a

0:24:31.480 --> 0:24:33.560
<v Speaker 1>long time, you sort of look at it like, huh,

0:24:33.600 --> 0:24:34.280
<v Speaker 1>this is interesting.

0:24:34.760 --> 0:24:37.160
<v Speaker 5>It's not even interesting. Come on, let's be truthful. It's

0:24:37.200 --> 0:24:39.439
<v Speaker 5>not interesting. You know what. Not everybody can plug in

0:24:39.440 --> 0:24:41.440
<v Speaker 5>a microphone. The truth of the matter is.

0:24:41.359 --> 0:24:44.280
<v Speaker 4>That the art of radio, in what you do and

0:24:44.320 --> 0:24:49.040
<v Speaker 4>what and the history of radio has tremendous depth to It.

0:24:48.720 --> 0:24:49.879
<v Speaker 5>Has great depth.

0:24:50.359 --> 0:24:56.199
<v Speaker 4>It has huge cultural significance. Yeah, okay, plug in a

0:24:56.240 --> 0:25:01.119
<v Speaker 4>microphone and you know, and do your thing. And I

0:25:01.160 --> 0:25:04.720
<v Speaker 4>think some people do it with good intent. I've heard

0:25:04.800 --> 0:25:09.640
<v Speaker 4>these kind of amateur crime podcasts and things like that.

0:25:09.840 --> 0:25:12.639
<v Speaker 4>Or people talking about horror films and stuff, and some

0:25:12.720 --> 0:25:15.000
<v Speaker 4>of it I find really interesting and I think in

0:25:15.040 --> 0:25:19.400
<v Speaker 4>that way, these are people who have integrity. They're fans

0:25:19.640 --> 0:25:21.200
<v Speaker 4>and they want to get out there and they want

0:25:21.240 --> 0:25:23.440
<v Speaker 4>to and they got passion and they want to talk

0:25:23.480 --> 0:25:27.040
<v Speaker 4>about it, and I applaud them like earn it right.

0:25:27.520 --> 0:25:31.080
<v Speaker 4>If it's not rooted in some kind of intelligence and passion,

0:25:32.119 --> 0:25:36.960
<v Speaker 4>then it's just dumb and you know, dumb stupidity and

0:25:37.000 --> 0:25:40.879
<v Speaker 4>all this has become extremely fashionable, which to me is

0:25:40.920 --> 0:25:47.440
<v Speaker 4>a really depressing commentary on society. I agree, I'm dumb,

0:25:47.440 --> 0:25:48.520
<v Speaker 4>and I'm happy about it.

0:25:48.920 --> 0:25:51.280
<v Speaker 1>So now you said your kids are out this way

0:25:51.560 --> 0:25:55.720
<v Speaker 1>or East Coast? Are they in any way following your footsteps?

0:25:55.720 --> 0:25:58.399
<v Speaker 1>Do they? Are they interested in the arts and music

0:25:58.840 --> 0:26:00.920
<v Speaker 1>and or social media? How does that work out for them?

0:26:01.160 --> 0:26:03.120
<v Speaker 4>I don't know how much social media. I don't think

0:26:03.119 --> 0:26:06.840
<v Speaker 4>they're really into the social media thing. I have my

0:26:07.000 --> 0:26:11.320
<v Speaker 4>youngest daughter, Cora, who has had a recurring character on

0:26:11.359 --> 0:26:15.040
<v Speaker 4>Bosh Legacy. She played Harry Bosh's dog walker Sam. My

0:26:15.200 --> 0:26:20.440
<v Speaker 4>older son Amon played me in a flashback and Bosh

0:26:20.480 --> 0:26:23.439
<v Speaker 4>as a young cop in his mid twenties, and my

0:26:23.520 --> 0:26:26.760
<v Speaker 4>other son Quinn played me as Bosh at twelve and

0:26:27.160 --> 0:26:32.320
<v Speaker 4>at sixteen, not NEPO babies. By the way, these things

0:26:32.400 --> 0:26:35.359
<v Speaker 4>kind of fell into their laps because they the producer said,

0:26:35.400 --> 0:26:39.280
<v Speaker 4>your sons both look exactly like you, so rather than

0:26:39.320 --> 0:26:42.000
<v Speaker 4>trying to go and cast someone who looks kind of

0:26:42.080 --> 0:26:43.040
<v Speaker 4>like you, they.

0:26:42.880 --> 0:26:43.520
<v Speaker 5>Look like you.

0:26:45.200 --> 0:26:48.040
<v Speaker 4>And of course my kids were inexperienced. They both of

0:26:48.040 --> 0:26:50.680
<v Speaker 4>my sons were inexperienced when they played me. You know,

0:26:51.040 --> 0:26:51.920
<v Speaker 4>they learned on.

0:26:51.880 --> 0:26:52.920
<v Speaker 1>Set their first role.

0:26:53.160 --> 0:26:53.840
<v Speaker 5>Yeah, oh wow.

0:26:53.880 --> 0:26:56.200
<v Speaker 4>I mean they had both done theater before, but they'd

0:26:56.200 --> 0:26:58.600
<v Speaker 4>never been on film before. So it was trial by fire.

0:26:58.640 --> 0:27:00.600
<v Speaker 4>And it's not like it was we were doing a

0:27:00.600 --> 0:27:03.399
<v Speaker 4>home movie on my iPhone in the backyard. There's a

0:27:03.480 --> 0:27:05.679
<v Speaker 4>real thing and they had to show up and do

0:27:05.760 --> 0:27:09.240
<v Speaker 4>their job. And my daughter the same kind of trial

0:27:09.280 --> 0:27:13.320
<v Speaker 4>by fire. She's still learning, but she's studying psychology. But

0:27:13.440 --> 0:27:19.080
<v Speaker 4>my sons are one is graduating this year from conservatory,

0:27:19.280 --> 0:27:23.240
<v Speaker 4>my son, Quinn, he's going to graduate, he's an actor.

0:27:23.320 --> 0:27:27.280
<v Speaker 4>And my other son, Aimon, my eldest, is finishing up

0:27:27.320 --> 0:27:31.080
<v Speaker 4>his degree in film and also studying acting.

0:27:31.359 --> 0:27:33.560
<v Speaker 1>When it comes to the NEPO baby thing, I'm always

0:27:33.640 --> 0:27:37.840
<v Speaker 1>very torn on this because anybody with a parent, if

0:27:38.040 --> 0:27:40.600
<v Speaker 1>you are following in your parents' footsteps, they're going to

0:27:40.640 --> 0:27:42.880
<v Speaker 1>help you. Yeah, they're going to do whatever they can.

0:27:43.080 --> 0:27:44.800
<v Speaker 1>They're going to extend their hand, They're going to give

0:27:44.800 --> 0:27:46.840
<v Speaker 1>you the network that they have, and people are so

0:27:47.000 --> 0:27:50.919
<v Speaker 1>hard on them when it comes to acting, music, whatever

0:27:50.960 --> 0:27:53.480
<v Speaker 1>it is. I would absolutely do the same thing. If

0:27:53.480 --> 0:27:56.080
<v Speaker 1>I had a child and they wanted to be in radio,

0:27:56.160 --> 0:27:57.280
<v Speaker 1>I would be like, Hey, you know what, I can

0:27:57.320 --> 0:27:59.560
<v Speaker 1>get you an internship. This works out well, right, It'll

0:27:59.560 --> 0:28:00.680
<v Speaker 1>get you a foot the door. It's not going to

0:28:00.760 --> 0:28:01.480
<v Speaker 1>keep you there.

0:28:01.280 --> 0:28:06.280
<v Speaker 4>Precisely, but that's what I'm saying, precisely speak to.

0:28:06.240 --> 0:28:08.960
<v Speaker 5>What you just said, which is I can ope.

0:28:09.000 --> 0:28:11.720
<v Speaker 4>I would say, because you are my kid, the doors

0:28:11.800 --> 0:28:16.080
<v Speaker 4>can open, but when you step through, you have to

0:28:16.119 --> 0:28:18.800
<v Speaker 4>do the work yourself. It doesn't matter. Yeah, of course

0:28:18.840 --> 0:28:21.560
<v Speaker 4>we want to help our kids. But the other aspect

0:28:21.640 --> 0:28:24.040
<v Speaker 4>of that is that if I didn't think that my

0:28:24.200 --> 0:28:28.000
<v Speaker 4>kids could do this and had talent, I think I

0:28:28.040 --> 0:28:31.120
<v Speaker 4>would I would do a disservice to them to encourage

0:28:31.160 --> 0:28:34.240
<v Speaker 4>them to do something that they didn't have an aptitude

0:28:34.320 --> 0:28:39.080
<v Speaker 4>or a talent towards. I was never that kind of

0:28:39.160 --> 0:28:41.960
<v Speaker 4>parent that when my kid would scriggle a line across

0:28:42.000 --> 0:28:45.320
<v Speaker 4>a piece of paper. Oh, that's the most beautiful red

0:28:45.400 --> 0:28:46.440
<v Speaker 4>line I've ever seen.

0:28:46.560 --> 0:28:47.600
<v Speaker 1>You're like an Indian parent.

0:28:48.440 --> 0:28:52.760
<v Speaker 4>Yeah, exactly. If you create that environment for a child,

0:28:52.560 --> 0:28:58.560
<v Speaker 4>you're creating an entitled kid who doesn't understand what failure

0:28:58.640 --> 0:29:02.640
<v Speaker 4>is or not. Everything you do is perfect. So when

0:29:02.680 --> 0:29:05.160
<v Speaker 4>they get out into the real world and when I

0:29:05.200 --> 0:29:08.360
<v Speaker 4>say the real world, when they go to school and

0:29:08.400 --> 0:29:11.080
<v Speaker 4>they're not praise for everything they do, what is that

0:29:11.200 --> 0:29:15.120
<v Speaker 4>going to do to their self esteem their self confidence?

0:29:15.640 --> 0:29:18.040
<v Speaker 4>They'll they'll fall apart the first time somebody goes, yeah,

0:29:18.080 --> 0:29:21.200
<v Speaker 4>that's guess what. We're here for a job review and

0:29:21.240 --> 0:29:23.920
<v Speaker 4>you're not doing well, so you better get it together.

0:29:24.840 --> 0:29:28.640
<v Speaker 4>And I think they were seeing generations of kids that

0:29:28.720 --> 0:29:32.880
<v Speaker 4>are entitled and that are late. And I really do

0:29:33.000 --> 0:29:37.680
<v Speaker 4>sound like get off, and I'm trying so hard not

0:29:37.800 --> 0:29:40.800
<v Speaker 4>to sound like that, but I think, yeah, it is

0:29:40.840 --> 0:29:44.160
<v Speaker 4>incumbent for a parent to certainly to support their child.

0:29:44.240 --> 0:29:47.840
<v Speaker 4>You know, I both of my parents were artists. My

0:29:47.920 --> 0:29:50.640
<v Speaker 4>parents never sat me down and said you need to

0:29:50.760 --> 0:29:52.840
<v Speaker 4>draw and you need to paint, but it was around

0:29:52.880 --> 0:29:54.560
<v Speaker 4>me all the time. And when that's in here and

0:29:54.560 --> 0:29:57.080
<v Speaker 4>and that's what I originally studied, is studying to be

0:29:57.240 --> 0:30:01.560
<v Speaker 4>a fine artist, and I still paint. It wasn't really

0:30:01.600 --> 0:30:04.440
<v Speaker 4>the thing that I felt passionate about. My father used

0:30:04.440 --> 0:30:07.840
<v Speaker 4>to always say, you know, a career, to pursue a

0:30:07.880 --> 0:30:10.040
<v Speaker 4>career in the arts is one of the most irresponsible

0:30:10.040 --> 0:30:12.960
<v Speaker 4>things you can do. But if you choose to do it,

0:30:13.120 --> 0:30:19.560
<v Speaker 4>there is no plan B. And that's true, but it's

0:30:19.600 --> 0:30:22.880
<v Speaker 4>also it's navigating a sea of heartbreak, right. You have

0:30:22.960 --> 0:30:26.040
<v Speaker 4>to endure that, so you have to have thick skin,

0:30:26.120 --> 0:30:28.680
<v Speaker 4>but you also have to have, like once again what

0:30:28.800 --> 0:30:31.080
<v Speaker 4>you said, you have to have passion. It has to

0:30:31.120 --> 0:30:32.760
<v Speaker 4>be the thing that gets you up in the morning.

0:30:33.280 --> 0:30:35.560
<v Speaker 4>You and I get up when everybody else is asleep

0:30:35.600 --> 0:30:40.000
<v Speaker 4>in the city, dark dark. What I think people don't

0:30:40.040 --> 0:30:43.880
<v Speaker 4>necessarily understand is it ain't all glamorous, right, I think

0:30:43.880 --> 0:30:44.440
<v Speaker 4>that all the time.

0:30:44.440 --> 0:30:47.240
<v Speaker 1>The actual glamour side of most of the jobs that

0:30:47.320 --> 0:30:50.960
<v Speaker 1>you see is probably fifteen twenty percent. And the grind

0:30:51.040 --> 0:30:53.520
<v Speaker 1>and the dirt and the brutality in the industry that

0:30:53.560 --> 0:30:56.840
<v Speaker 1>you're in, it's intense and it's not for everybody. And

0:30:57.240 --> 0:30:59.440
<v Speaker 1>it looks like this, oh, cushy, everything's amazing, and you

0:30:59.440 --> 0:31:01.000
<v Speaker 1>guys has a better jobs, and they are great. They're

0:31:01.040 --> 0:31:02.960
<v Speaker 1>great jobs, and I wouldn't want to do anything else.

0:31:03.600 --> 0:31:06.800
<v Speaker 1>But I to your point about having thick skin, especially

0:31:06.800 --> 0:31:09.040
<v Speaker 1>when you're an artist, your brand is you.

0:31:09.440 --> 0:31:09.720
<v Speaker 5>Yeah.

0:31:09.760 --> 0:31:12.479
<v Speaker 1>So when somebody doesn't want that and they're not interested

0:31:12.520 --> 0:31:14.080
<v Speaker 1>in it, they're looking you in the face and basically

0:31:14.120 --> 0:31:16.760
<v Speaker 1>saying I don't like you. Yeah, and that after a while,

0:31:16.960 --> 0:31:19.680
<v Speaker 1>you can you can easily get impacted and affected by that.

0:31:20.080 --> 0:31:21.840
<v Speaker 1>And I think that a lot of people don't take

0:31:21.840 --> 0:31:24.880
<v Speaker 1>that into consideration too, And it's it's just a tough

0:31:24.920 --> 0:31:26.960
<v Speaker 1>it's a tough dance. But when did you get bitten

0:31:27.000 --> 0:31:29.000
<v Speaker 1>by the acting bug if you started with painting?

0:31:29.480 --> 0:31:29.880
<v Speaker 5>You know what.

0:31:30.000 --> 0:31:32.880
<v Speaker 4>My mother was living in Boston one summer and she

0:31:33.000 --> 0:31:35.080
<v Speaker 4>was living in the center of the city. I didn't

0:31:35.080 --> 0:31:38.200
<v Speaker 4>live there, and there were no schools or anything. There

0:31:38.200 --> 0:31:40.720
<v Speaker 4>were no kids that lived in the apartment building that

0:31:40.760 --> 0:31:43.320
<v Speaker 4>she lived in, So I was left to my own devices,

0:31:43.320 --> 0:31:47.040
<v Speaker 4>which was basically going to the cineplex or we lived.

0:31:47.240 --> 0:31:49.800
<v Speaker 4>My mother lived like six blocks away from Famway Park

0:31:50.120 --> 0:31:53.960
<v Speaker 4>or going and getting you know, five dollars Red Sox

0:31:54.000 --> 0:31:57.800
<v Speaker 4>tickets and sitting up in the bleachers. And I think

0:31:57.840 --> 0:32:00.640
<v Speaker 4>my mother. I was thirteen, and my mother went, you're

0:32:00.680 --> 0:32:02.800
<v Speaker 4>not going to just go to the movies and.

0:32:02.840 --> 0:32:04.840
<v Speaker 5>Go to baseball games. You need to do something.

0:32:05.400 --> 0:32:08.920
<v Speaker 4>And she when I was thirteen's and she signed me

0:32:09.000 --> 0:32:12.040
<v Speaker 4>up for an acting class at the Actors Workshop, which

0:32:12.080 --> 0:32:14.200
<v Speaker 4>was also like four blocks away from her place. And

0:32:14.240 --> 0:32:18.840
<v Speaker 4>I went, really, you know, an acting summer program, Mom,

0:32:18.880 --> 0:32:22.080
<v Speaker 4>I don't I'm not interested in that. Well, I went,

0:32:22.200 --> 0:32:24.120
<v Speaker 4>she said, you're going to go. You go for the day.

0:32:24.560 --> 0:32:26.240
<v Speaker 4>You know, you can go and sit in on the

0:32:26.280 --> 0:32:30.400
<v Speaker 4>class today and we'll make an informed decision, but I'm

0:32:30.480 --> 0:32:31.560
<v Speaker 4>encouraging you to do it.

0:32:31.760 --> 0:32:33.560
<v Speaker 5>And I went. By the end of the day, I

0:32:33.640 --> 0:32:36.000
<v Speaker 5>was when they said, okay, well we'll see you tomorrow.

0:32:36.040 --> 0:32:38.520
<v Speaker 5>I was like, that's it. I wanted more.

0:32:39.080 --> 0:32:43.800
<v Speaker 4>And I spent the entire summer and doing plays in

0:32:44.600 --> 0:32:47.160
<v Speaker 4>repertory at this place. And then when I went to

0:32:47.640 --> 0:32:52.200
<v Speaker 4>high school, we had a really strong drama department, and

0:32:52.280 --> 0:32:56.520
<v Speaker 4>so I was I was still on track to become

0:32:56.560 --> 0:32:57.320
<v Speaker 4>a fine artist.

0:32:57.760 --> 0:33:01.200
<v Speaker 5>You know, I was going to art school, but.

0:33:01.120 --> 0:33:03.240
<v Speaker 4>I did a lot of I did a lot of productions,

0:33:03.320 --> 0:33:09.640
<v Speaker 4>and after a kind of wasted year of art school,

0:33:09.920 --> 0:33:11.760
<v Speaker 4>my father was pretty angry with me.

0:33:11.880 --> 0:33:13.840
<v Speaker 5>He's like, great, you never went to class.

0:33:13.840 --> 0:33:16.440
<v Speaker 4>And then sort of and he said, you know, what

0:33:16.480 --> 0:33:18.880
<v Speaker 4>do you what do you think about? You know, what

0:33:19.160 --> 0:33:21.760
<v Speaker 4>do you muse about? Is it painting? And I said no,

0:33:22.720 --> 0:33:24.720
<v Speaker 4>well what is it? And I said, I think about acting.

0:33:25.720 --> 0:33:27.200
<v Speaker 4>And he said, then that's what you need to do.

0:33:28.000 --> 0:33:31.080
<v Speaker 4>My dad gave me seven hundred dollars, which was a

0:33:31.120 --> 0:33:34.719
<v Speaker 4>lot of money, and I packed my my army Duffel

0:33:34.760 --> 0:33:36.680
<v Speaker 4>bag and he said, you got to you gotta go

0:33:36.760 --> 0:33:39.040
<v Speaker 4>back to New York. You need to go back home

0:33:39.080 --> 0:33:41.520
<v Speaker 4>to New York. And that's what I did.

0:33:41.880 --> 0:33:43.480
<v Speaker 5>No looking back, no looking back.

0:33:43.520 --> 0:33:45.280
<v Speaker 1>And now your mom can't watch you in Sons of Anarchy.

0:33:45.400 --> 0:33:47.080
<v Speaker 5>Yeah, God rest her soul.

0:33:47.240 --> 0:33:50.120
<v Speaker 1>Right, that's not bad. So I also saw, so you

0:33:50.160 --> 0:33:53.480
<v Speaker 1>are did you just wrap on season three of Bosh Legacy? Yeah,

0:33:53.520 --> 0:33:55.320
<v Speaker 1>so it's streaming now.

0:33:55.480 --> 0:33:58.880
<v Speaker 5>No, it's streaming in I believe March of twenty five.

0:33:59.040 --> 0:34:01.479
<v Speaker 1>Oh wow, okay, But I also saw creeping through your

0:34:01.480 --> 0:34:04.920
<v Speaker 1>Instagram that you just finished a movie wrapping a movie, Ricky?

0:34:05.240 --> 0:34:05.960
<v Speaker 1>Is that what it was called?

0:34:06.040 --> 0:34:09.799
<v Speaker 4>I did? I just did three films back to back.

0:34:09.880 --> 0:34:12.680
<v Speaker 4>I did a film called Abraham's Boys, which is a

0:34:12.760 --> 0:34:17.640
<v Speaker 4>quasi sequel to Dracula about Van Helsing and his sons.

0:34:17.719 --> 0:34:18.560
<v Speaker 5>It was based on.

0:34:18.520 --> 0:34:20.960
<v Speaker 4>A short story written by Joe Hill. And then I

0:34:21.000 --> 0:34:26.560
<v Speaker 4>went and did Ricky in Connecticut and the short won

0:34:26.640 --> 0:34:31.000
<v Speaker 4>many awards, very very powerful film. And so this was

0:34:31.040 --> 0:34:33.759
<v Speaker 4>the feature version of Ricky and so we shot that

0:34:34.000 --> 0:34:38.359
<v Speaker 4>in Hartford in July and I'm very excited about that.

0:34:38.440 --> 0:34:41.840
<v Speaker 4>And then I just finished a film in Mississippi titled

0:34:42.239 --> 0:34:46.760
<v Speaker 4>Hotel toront was Zachary Levi and Liam Neeson and West Chatham.

0:34:46.840 --> 0:34:49.680
<v Speaker 5>Wonderful cast of actors. So I'm just trying to keep busy.

0:34:49.960 --> 0:34:51.520
<v Speaker 1>So when do we see the fruits of all this labor?

0:34:51.560 --> 0:34:54.600
<v Speaker 1>You said March for the streaming with Bosh Legsy and

0:34:54.840 --> 0:34:56.560
<v Speaker 1>the spin off? What about these three?

0:34:56.960 --> 0:35:00.480
<v Speaker 4>Those films should be coming out in twenty twenty at

0:35:00.520 --> 0:35:02.640
<v Speaker 4>some point. Don't have release dates on those. I did

0:35:02.680 --> 0:35:06.560
<v Speaker 4>another film called Killing Castro with al Pacino that will

0:35:06.560 --> 0:35:09.239
<v Speaker 4>be coming out as well, which is a historical piece

0:35:09.320 --> 0:35:12.040
<v Speaker 4>as well. It's about when Fidel Castro came to speak

0:35:12.080 --> 0:35:15.080
<v Speaker 4>at the UN and connected with Malcolm X. And this

0:35:15.320 --> 0:35:19.200
<v Speaker 4>was not something that the CIA or the FBI was

0:35:19.280 --> 0:35:24.799
<v Speaker 4>keen on happening. So there were many assassination attempts that

0:35:25.080 --> 0:35:28.520
<v Speaker 4>perpetrated by the CIA. So it's a real it's a

0:35:28.560 --> 0:35:31.320
<v Speaker 4>true story, and it's a story that hasn't been told before.

0:35:31.360 --> 0:35:32.640
<v Speaker 5>So I'm excited for it to get out.

0:35:32.680 --> 0:35:34.680
<v Speaker 1>And that's twenty twenty five. Also, yes to a big

0:35:34.719 --> 0:35:35.439
<v Speaker 1>twenty twenty five.

0:35:35.440 --> 0:35:36.799
<v Speaker 5>Come in Big twenty twenty five.

0:35:36.880 --> 0:35:39.000
<v Speaker 1>And if people want to in any way connect with you,

0:35:39.360 --> 0:35:41.040
<v Speaker 1>I know they can't get a hold of you directly.

0:35:41.160 --> 0:35:43.600
<v Speaker 1>Do not think that you're dming with him. Where will

0:35:43.640 --> 0:35:44.200
<v Speaker 1>they find you?

0:35:45.000 --> 0:35:49.240
<v Speaker 4>I'm on Twitter and I'm on Instagram Titus Wellover official

0:35:49.280 --> 0:35:51.960
<v Speaker 4>fan site, and then I'm just on my own handle

0:35:52.040 --> 0:35:55.520
<v Speaker 4>on Twitter, and I'm out there and about there.

0:35:55.719 --> 0:35:58.120
<v Speaker 1>Perfect, And I hope you have a wonderful twenty twenty five.

0:35:58.239 --> 0:36:00.080
<v Speaker 1>Thank you, and thank you so much for coming and

0:36:00.400 --> 0:36:02.680
<v Speaker 1>talking to me for too long about all these great things.

0:36:02.800 --> 0:36:05.120
<v Speaker 5>It's a pleasure to be here. Thank you for having me.

0:36:15.200 --> 0:36:18.920
<v Speaker 1>All right there you go, Titus well Over. You know

0:36:19.000 --> 0:36:21.520
<v Speaker 1>we haven't done in a long time. We haven't done

0:36:21.520 --> 0:36:24.200
<v Speaker 1>and asked me anything or a burn book. I've gotten

0:36:24.280 --> 0:36:26.040
<v Speaker 1>way off topic with everything. You got someone you want

0:36:26.040 --> 0:36:26.560
<v Speaker 1>to burn.

0:36:26.480 --> 0:36:31.399
<v Speaker 6>Had to burn last week and I thought about it

0:36:31.440 --> 0:36:34.719
<v Speaker 6>and then totally forgot to bring it up, and now

0:36:34.840 --> 0:36:38.000
<v Speaker 6>I can't think about it, like I can't think of

0:36:38.040 --> 0:36:38.640
<v Speaker 6>who it is.

0:36:38.800 --> 0:36:40.440
<v Speaker 3>Oh my gosh, it's someone we know too.

0:36:41.920 --> 0:36:43.319
<v Speaker 1>I want to burn a couple of people we know,

0:36:43.440 --> 0:36:45.400
<v Speaker 1>but you already know that one and that one's too involved.

0:36:45.400 --> 0:36:47.880
<v Speaker 1>We can't get into it. Oh God, at some point

0:36:48.280 --> 0:36:52.680
<v Speaker 1>we will, we will, but not yet, too new, too fresh.

0:36:52.760 --> 0:36:54.440
<v Speaker 1>I didn't like the torch by the way it was

0:36:54.520 --> 0:36:55.560
<v Speaker 1>lit by others.

0:36:56.080 --> 0:36:58.719
<v Speaker 3>Does that sound like a like a fire that?

0:37:00.840 --> 0:37:01.000
<v Speaker 4>Oh?

0:37:01.080 --> 0:37:03.319
<v Speaker 6>Actually, I do want to burn these people because they're

0:37:03.360 --> 0:37:05.359
<v Speaker 6>calling me right now. Oh it's the place that does

0:37:05.400 --> 0:37:08.960
<v Speaker 6>my eyelashes. I lesh has done last Monday. Why is

0:37:09.040 --> 0:37:12.600
<v Speaker 6>there a gap over here? I don't understand, So excuse

0:37:12.640 --> 0:37:15.719
<v Speaker 6>me while I burn them with word You trying to

0:37:15.760 --> 0:37:18.799
<v Speaker 6>drop an in? No, because let's see if they give

0:37:18.840 --> 0:37:19.520
<v Speaker 6>me a free.

0:37:19.680 --> 0:37:21.839
<v Speaker 1>Not when people are messing with your eyes. Okay, that's

0:37:21.840 --> 0:37:25.680
<v Speaker 1>the burn book and Diamond just walked out, So we're

0:37:25.680 --> 0:37:27.600
<v Speaker 1>gonna wrap this up. If you want to get a

0:37:27.640 --> 0:37:30.799
<v Speaker 1>hold of me at Baby Hot Sauce on Instagram and

0:37:31.000 --> 0:37:34.960
<v Speaker 1>threads I think Twitter as well. Diamond is at Diamond

0:37:35.040 --> 0:37:38.560
<v Speaker 1>Sincere andrews at Andrew Pug, all of that on Instagram

0:37:38.560 --> 0:37:40.120
<v Speaker 1>and thank you for listening. We love you guys so much.

0:37:40.200 --> 0:37:42.120
<v Speaker 1>This is not the last episode. We have to figure

0:37:42.120 --> 0:37:43.759
<v Speaker 1>out what we're gonna do with it. Okay, see you

0:37:43.760 --> 0:37:44.200
<v Speaker 1>next time.