1 00:00:04,800 --> 00:00:05,200 Speaker 1: What's up? 2 00:00:05,240 --> 00:00:05,680 Speaker 2: Diamond? 3 00:00:06,200 --> 00:00:06,480 Speaker 3: Hey? 4 00:00:06,840 --> 00:00:08,399 Speaker 1: Hey, are you singing? 5 00:00:08,440 --> 00:00:10,360 Speaker 3: But what about to say something that I? 6 00:00:11,800 --> 00:00:12,760 Speaker 1: Oh, what were you gonna say? 7 00:00:12,800 --> 00:00:13,320 Speaker 3: Nothing? 8 00:00:13,480 --> 00:00:13,920 Speaker 2: Hey? 9 00:00:14,200 --> 00:00:17,880 Speaker 1: What a tease? You dickhead? Hey, it's sauce on the side. 10 00:00:17,920 --> 00:00:20,640 Speaker 1: I'm Gandhi and I'm with my producer who I love 11 00:00:20,680 --> 00:00:23,960 Speaker 1: so much, Diamond. Okay, so I noticed something and I 12 00:00:24,000 --> 00:00:27,360 Speaker 1: would like your opinion on this. I was only supposed 13 00:00:27,400 --> 00:00:30,560 Speaker 1: to do thirty five episodes of this podcast for the year, 14 00:00:31,080 --> 00:00:34,120 Speaker 1: and we're at like thirty eight and I still had 15 00:00:34,120 --> 00:00:36,080 Speaker 1: a few left that I was going to try and do. 16 00:00:36,159 --> 00:00:36,639 Speaker 3: What to do? 17 00:00:36,720 --> 00:00:38,559 Speaker 1: I don't want to Here's the problem. You know how 18 00:00:38,600 --> 00:00:42,040 Speaker 1: people are, right, specifically our company, if you out kick 19 00:00:42,080 --> 00:00:43,680 Speaker 1: the coverage and when it comes to the next time, 20 00:00:43,720 --> 00:00:45,640 Speaker 1: they're like, oh, but you did this, so you can't 21 00:00:45,640 --> 00:00:47,240 Speaker 1: go back now and do less. 22 00:00:47,960 --> 00:00:51,000 Speaker 3: What do I do? Quit? You're done? 23 00:00:51,320 --> 00:00:53,640 Speaker 1: Quit the podcast? As the last podcast. 24 00:00:53,159 --> 00:00:53,920 Speaker 3: Shut it down. 25 00:00:54,440 --> 00:00:55,960 Speaker 1: I don't think this can be the last one. I 26 00:00:55,960 --> 00:00:57,440 Speaker 1: feel like the last one we had to go out 27 00:00:57,480 --> 00:00:59,680 Speaker 1: with bang for something. I do. Like our guest today, 28 00:00:59,680 --> 00:01:02,960 Speaker 1: I thought you cool. However, I just we have to 29 00:01:03,000 --> 00:01:05,480 Speaker 1: like regroup and think about things. I don't know what 30 00:01:05,560 --> 00:01:07,039 Speaker 1: to do, you know? 31 00:01:07,120 --> 00:01:08,720 Speaker 3: My answer quit quit. 32 00:01:10,080 --> 00:01:12,560 Speaker 1: I will say what I've been noticing with like the 33 00:01:12,560 --> 00:01:14,280 Speaker 1: the actual episodes, because I do go and look at 34 00:01:14,280 --> 00:01:16,319 Speaker 1: the numbers and stuff. I stop looking at the reviews. 35 00:01:16,319 --> 00:01:17,920 Speaker 1: I should probably go back and look at the reviews again, 36 00:01:18,000 --> 00:01:19,720 Speaker 1: and we should have a talk back at some point 37 00:01:19,760 --> 00:01:24,640 Speaker 1: now that I'm ending the season, at some point. The best, 38 00:01:24,840 --> 00:01:27,360 Speaker 1: the highest rated episodes are when all of us just 39 00:01:27,360 --> 00:01:29,759 Speaker 1: shoot the ship and that's it. I mean, like, guests 40 00:01:29,800 --> 00:01:33,119 Speaker 1: are cool, cool, but it does better when we have 41 00:01:34,200 --> 00:01:35,920 Speaker 1: just us. I wonder what that means. 42 00:01:37,200 --> 00:01:38,360 Speaker 3: It means that you need me. 43 00:01:39,120 --> 00:01:40,040 Speaker 1: I know I need you. 44 00:01:40,400 --> 00:01:42,080 Speaker 3: How are you? 45 00:01:42,080 --> 00:01:42,160 Speaker 4: No? 46 00:01:42,360 --> 00:01:44,480 Speaker 1: I definitely I People ask all the time, what do 47 00:01:44,520 --> 00:01:46,399 Speaker 1: you want to do after this? You know, after the 48 00:01:46,440 --> 00:01:48,960 Speaker 1: show is over, you're gonna get your own show and whatever. 49 00:01:49,480 --> 00:01:51,320 Speaker 1: I don't think I would want my own show. 50 00:01:51,880 --> 00:01:52,480 Speaker 3: What do you do? 51 00:01:52,600 --> 00:01:54,360 Speaker 1: What you want other people? 52 00:01:54,400 --> 00:01:57,120 Speaker 3: With your a shit ton of money. 53 00:01:57,320 --> 00:02:01,520 Speaker 1: Talking to yourself? No thanks, I think I'm much better 54 00:02:01,560 --> 00:02:03,080 Speaker 1: as part of an ensemble. 55 00:02:02,720 --> 00:02:05,480 Speaker 3: Cast, just you in a box. 56 00:02:05,320 --> 00:02:06,040 Speaker 5: Hi tis I. 57 00:02:07,800 --> 00:02:09,160 Speaker 1: Yeah, I don't think I could do. I'd be laughing 58 00:02:09,160 --> 00:02:11,440 Speaker 1: at my own jokes. Already do that enough, and it's terrible. 59 00:02:11,720 --> 00:02:12,960 Speaker 3: That's my favorite thing to do. 60 00:02:13,000 --> 00:02:17,480 Speaker 1: Laugh at your own jokes. Tell me a joke right now. Oh, 61 00:02:17,520 --> 00:02:19,800 Speaker 1: she's already laughing before she even delivers it. 62 00:02:21,800 --> 00:02:24,000 Speaker 3: What did the paper say to the pen? 63 00:02:24,760 --> 00:02:26,320 Speaker 1: What rite me? 64 00:02:31,960 --> 00:02:36,359 Speaker 3: Okay? It was funny. Okay, Okay, you want another joke? 65 00:02:37,000 --> 00:02:38,160 Speaker 3: The New York Mets. 66 00:02:40,120 --> 00:02:42,880 Speaker 1: Okay, I'll laugh at that one. How are the Mets doing? 67 00:02:43,480 --> 00:02:43,960 Speaker 3: I don't know. 68 00:02:45,520 --> 00:02:49,080 Speaker 1: Depends when this comes out, It depends. It depends. Should 69 00:02:49,120 --> 00:02:52,040 Speaker 1: we talk about what Andrew just told us about having 70 00:02:52,120 --> 00:02:53,959 Speaker 1: to buy tickets kind of because of the Mets, or 71 00:02:53,960 --> 00:02:54,400 Speaker 1: should we not? 72 00:02:55,200 --> 00:02:57,120 Speaker 3: I'd talk about it. He's a he's a lunatic. 73 00:02:57,280 --> 00:02:59,600 Speaker 1: Yeah, so, long story short. One of the things that 74 00:02:59,639 --> 00:03:02,040 Speaker 1: we say all time. People don't believe us. We do 75 00:03:02,160 --> 00:03:04,679 Speaker 1: not just have access to as many tickets as we 76 00:03:04,720 --> 00:03:07,760 Speaker 1: want for any concert anytime. Let us know, Hey, people 77 00:03:07,880 --> 00:03:10,440 Speaker 1: hit me up constantly. I can't do anything for you. 78 00:03:10,760 --> 00:03:12,680 Speaker 1: I don't even do things for myself, Like I don't 79 00:03:12,680 --> 00:03:15,520 Speaker 1: even go gain shit for myself. So I'm not gonna 80 00:03:15,560 --> 00:03:18,560 Speaker 1: go ask for tickets because it's just it's chaos. When 81 00:03:18,600 --> 00:03:20,440 Speaker 1: you try to do that, it's and then you old 82 00:03:20,480 --> 00:03:24,000 Speaker 1: people favors. It's just nonsense. So there's a guy who 83 00:03:24,080 --> 00:03:27,280 Speaker 1: was very kind to us and let us get into 84 00:03:27,360 --> 00:03:30,400 Speaker 1: the owner's suite at a Mets game, and we had 85 00:03:30,520 --> 00:03:33,960 Speaker 1: a blest. Andrew didn't even go to that game, by 86 00:03:34,000 --> 00:03:36,280 Speaker 1: the way, so I'm not sure how he got mixed 87 00:03:36,320 --> 00:03:39,240 Speaker 1: up in all this. But the guy was awesome. 88 00:03:39,440 --> 00:03:40,080 Speaker 3: He was great. 89 00:03:40,200 --> 00:03:41,840 Speaker 1: Shout out to you. I won't name you because this 90 00:03:41,920 --> 00:03:47,040 Speaker 1: story's kind of bad, twisted and convoluted. However, Andrew, being 91 00:03:47,080 --> 00:03:49,800 Speaker 1: Andrew and over promising all the time and under delivering, 92 00:03:49,920 --> 00:03:52,280 Speaker 1: by the way, never do that. Do it the opposite. 93 00:03:52,720 --> 00:03:55,720 Speaker 1: He says to this guy, Hey, if you ever need 94 00:03:55,760 --> 00:03:58,320 Speaker 1: any tickets, hit me up. But I got you. I 95 00:03:58,360 --> 00:04:01,640 Speaker 1: need to know what Andrew has to these tickets that 96 00:04:01,680 --> 00:04:04,720 Speaker 1: the rest of us don't. But okay, so Sabrina Carpets 97 00:04:04,720 --> 00:04:06,800 Speaker 1: are coming to town, he said, I'm gonna take you 98 00:04:06,880 --> 00:04:10,800 Speaker 1: up on that offer. Take some Sabrina Carpenter tickets. How'd 99 00:04:10,800 --> 00:04:11,480 Speaker 1: that work out? 100 00:04:12,640 --> 00:04:17,599 Speaker 3: I think I think Andrew should tell destroy himself. But 101 00:04:18,320 --> 00:04:22,080 Speaker 3: should I go get him? Yes? Okay, keep talking. Okay, Hi, guys, 102 00:04:22,200 --> 00:04:22,839 Speaker 3: I'm Diamond. 103 00:04:24,360 --> 00:04:29,400 Speaker 6: I'm just here talking while Gandhi grabs Andrew Because the 104 00:04:29,400 --> 00:04:30,560 Speaker 6: funniest thing on the planet. 105 00:04:30,880 --> 00:04:32,359 Speaker 1: What did you say that was the funniest thing on 106 00:04:32,360 --> 00:04:33,160 Speaker 1: the planet. 107 00:04:33,880 --> 00:04:35,600 Speaker 3: That the story he has to tell is the worst 108 00:04:35,640 --> 00:04:36,200 Speaker 3: thing on the planet. 109 00:04:36,240 --> 00:04:37,479 Speaker 1: That's really over selling it. 110 00:04:38,600 --> 00:04:39,480 Speaker 3: You don't think it's funny. 111 00:04:39,480 --> 00:04:41,120 Speaker 1: Okay, it's funny. I don't think it's the funniest thing 112 00:04:41,120 --> 00:04:44,240 Speaker 1: on the planet. We want you to tell us what 113 00:04:44,360 --> 00:04:46,279 Speaker 1: happened with the Sabrina Carpenter tickets. 114 00:04:46,279 --> 00:04:48,000 Speaker 7: Oh man, oh man, man. 115 00:04:48,120 --> 00:04:50,600 Speaker 1: Okay, we already set it up. So the part we're 116 00:04:50,640 --> 00:04:53,320 Speaker 1: at right now is that you said, hey, let me 117 00:04:53,360 --> 00:04:55,400 Speaker 1: know anytime you need something, I got you, and then 118 00:04:55,400 --> 00:04:57,600 Speaker 1: he was like, cool, I'll take Sabrina Carpenter tickets. 119 00:04:57,680 --> 00:05:00,479 Speaker 7: Yeah, go yeah. So originally it was jingle. I know, 120 00:05:00,520 --> 00:05:02,919 Speaker 7: that's easy. It's like I could make that happen. Simple, 121 00:05:03,000 --> 00:05:06,680 Speaker 7: you dare say that for me, it is, but this is. 122 00:05:06,600 --> 00:05:09,279 Speaker 2: Not an open offer to anyone to read out to 123 00:05:09,320 --> 00:05:12,960 Speaker 2: me period. Anyway, he said no, oh, she would really 124 00:05:13,000 --> 00:05:15,200 Speaker 2: like Sabrina Carpenter. So I said, okay, I can make 125 00:05:15,240 --> 00:05:17,880 Speaker 2: it happen, thinking oh, I could make it happen because 126 00:05:18,680 --> 00:05:21,240 Speaker 2: I'm an idiot, and just fell into. 127 00:05:20,960 --> 00:05:23,000 Speaker 7: Being like, yeah, of course I can make it happen. 128 00:05:23,120 --> 00:05:24,159 Speaker 7: I can't make it happen. 129 00:05:24,440 --> 00:05:26,520 Speaker 2: And this is a prime example because then when the 130 00:05:26,640 --> 00:05:30,560 Speaker 2: day came I didn't get any tickets whatsoever. Then I 131 00:05:30,680 --> 00:05:33,320 Speaker 2: was the clown and I spent way too much money 132 00:05:33,320 --> 00:05:34,080 Speaker 2: on these tickets. 133 00:05:34,320 --> 00:05:36,839 Speaker 7: And this man thinks that he got them for free. 134 00:05:38,400 --> 00:05:40,120 Speaker 7: Oh yeah he did. I take it them for free. 135 00:05:40,160 --> 00:05:41,680 Speaker 1: But also I would like to point out that the 136 00:05:41,720 --> 00:05:43,800 Speaker 1: day that we really enjoyed that suite and we had 137 00:05:43,800 --> 00:05:46,560 Speaker 1: a ball up there and we had food, and then 138 00:05:46,560 --> 00:05:48,440 Speaker 1: we went and sat in the very front row right 139 00:05:48,480 --> 00:05:51,360 Speaker 1: behind the dugout. You didn't even come to that. I know. 140 00:05:51,520 --> 00:05:52,720 Speaker 7: I got tickets separately. 141 00:05:53,240 --> 00:05:55,279 Speaker 2: I got tickets to another game that he set me 142 00:05:55,320 --> 00:05:57,800 Speaker 2: and my friends up with and we couldn't get into 143 00:05:57,839 --> 00:05:59,680 Speaker 2: the club, but we got into someplace else. 144 00:05:59,720 --> 00:06:01,920 Speaker 7: He was super, super nice and really gesome. 145 00:06:02,160 --> 00:06:07,560 Speaker 2: He's awesome. Monetary value of that awesome, I don't know, 146 00:06:07,720 --> 00:06:13,120 Speaker 2: but I've placed it somewhere at Sabrina Carpenter MSG ticket levels, 147 00:06:13,279 --> 00:06:14,760 Speaker 2: So yeah, he's great. 148 00:06:14,800 --> 00:06:15,880 Speaker 1: Are they good seats? 149 00:06:16,200 --> 00:06:17,400 Speaker 7: They were the best I could do? 150 00:06:17,880 --> 00:06:18,520 Speaker 3: What section? 151 00:06:19,279 --> 00:06:19,480 Speaker 5: It was? 152 00:06:19,520 --> 00:06:23,880 Speaker 7: Section one fourteen. That's that's decent of you, because apparently 153 00:06:23,920 --> 00:06:24,600 Speaker 7: she has a curtain. 154 00:06:25,880 --> 00:06:28,360 Speaker 1: Wait, so you sat his kids behind a curtain? 155 00:06:28,640 --> 00:06:33,200 Speaker 7: No, not specifically, I will say. 156 00:06:34,839 --> 00:06:36,960 Speaker 2: I will say he did text at one point being 157 00:06:36,960 --> 00:06:38,600 Speaker 2: like I hope they put this curtain down, but my 158 00:06:38,680 --> 00:06:40,240 Speaker 2: kids are going to have a great time. No, And 159 00:06:40,279 --> 00:06:48,520 Speaker 2: in my head I was like, but I'm but he said, 160 00:06:48,520 --> 00:06:49,760 Speaker 2: thank you so much for the tickets. 161 00:06:49,800 --> 00:06:51,680 Speaker 7: She loves it. This is such a great time. Thank 162 00:06:51,720 --> 00:06:52,720 Speaker 7: you so much. Yeah. 163 00:06:52,839 --> 00:06:56,920 Speaker 1: We found out a lot today, including apparently Andrew has unlimited. 164 00:06:56,480 --> 00:07:00,400 Speaker 7: Access or that. 165 00:07:02,080 --> 00:07:05,320 Speaker 1: On Instagram. Don't please don't at Andrew Pug on Instagram. 166 00:07:05,360 --> 00:07:08,000 Speaker 1: I have no access to any kids unlimited jingle ball. 167 00:07:08,279 --> 00:07:11,160 Speaker 7: The ticket shop is closed. Don't ask me for anything. 168 00:07:11,280 --> 00:07:13,920 Speaker 1: He'll buy them if you can't get them. It's great. 169 00:07:14,160 --> 00:07:16,600 Speaker 7: Actually, yes, and that's what's sick about me. 170 00:07:17,520 --> 00:07:21,480 Speaker 1: That's crazy. Yeah, so it's funny. But Diamond said, is 171 00:07:21,480 --> 00:07:22,520 Speaker 1: the funniest thing in the world. 172 00:07:22,600 --> 00:07:23,640 Speaker 3: I thought it was hilarious. 173 00:07:24,400 --> 00:07:27,760 Speaker 7: Well, I'm the clown. It's me, that's about Yeah, Hong Kong. 174 00:07:28,920 --> 00:07:31,720 Speaker 1: That was great, Thanks Andrew, No problem. You can go 175 00:07:31,760 --> 00:07:33,920 Speaker 1: back to working because we know you need to get 176 00:07:33,960 --> 00:07:34,680 Speaker 1: some bills to pay. 177 00:07:36,480 --> 00:07:37,280 Speaker 3: Oh god. 178 00:07:37,960 --> 00:07:40,200 Speaker 1: And on that note, man, we've been talking for a minute. 179 00:07:40,200 --> 00:07:42,200 Speaker 1: Maybe we should get to our guest, who's pretty cool. 180 00:07:42,240 --> 00:07:46,760 Speaker 1: His name's Titus Wliver. You have probably seen him and 181 00:07:46,800 --> 00:07:48,760 Speaker 1: you have no idea who he is, and it turns 182 00:07:48,760 --> 00:07:51,400 Speaker 1: out he's a fun guy. We have some Boston connections. 183 00:07:51,440 --> 00:07:52,360 Speaker 1: So let's get to it. 184 00:07:55,720 --> 00:07:58,960 Speaker 5: Show. My mother couldn't watch that. I that I did. 185 00:07:59,040 --> 00:08:00,200 Speaker 5: My mom was, you. 186 00:08:00,200 --> 00:08:03,760 Speaker 4: Know, very very supportive, but she she called me up 187 00:08:03,800 --> 00:08:06,679 Speaker 4: and she said, I can't. I tried to watch Sons 188 00:08:06,680 --> 00:08:11,720 Speaker 4: of Anarchy last night. I said, okay. She said, but yeah, 189 00:08:11,800 --> 00:08:16,440 Speaker 4: there was a scene where you were and your cohort 190 00:08:16,600 --> 00:08:19,480 Speaker 4: had tortured this guy. Clearly some of his teeth had 191 00:08:19,480 --> 00:08:22,680 Speaker 4: been pulled out with pliers and he was passed out 192 00:08:23,240 --> 00:08:27,200 Speaker 4: from the torture, and you woke him up to shoot 193 00:08:27,280 --> 00:08:29,360 Speaker 4: him in the face and kill him. And she said, 194 00:08:29,440 --> 00:08:33,240 Speaker 4: I can't. I said, that was my sick idea too, 195 00:08:33,320 --> 00:08:36,960 Speaker 4: to do that, and she went, God, Titus. 196 00:08:37,000 --> 00:08:38,000 Speaker 5: That's so dark. 197 00:08:38,840 --> 00:08:41,199 Speaker 1: So where was Titus? Welliver, okay, I have so much 198 00:08:41,200 --> 00:08:41,920 Speaker 1: to talk to you about. 199 00:08:41,920 --> 00:08:42,160 Speaker 2: One. 200 00:08:42,720 --> 00:08:44,720 Speaker 1: Thank you, like I said, for being here too. I 201 00:08:44,800 --> 00:08:46,559 Speaker 1: know you from a bunch of different a bunch of 202 00:08:46,600 --> 00:08:48,640 Speaker 1: different things that you've done, but specifically Sons of Anarchy, 203 00:08:48,679 --> 00:08:51,040 Speaker 1: which is what you were just talking about. You said 204 00:08:51,480 --> 00:08:53,520 Speaker 1: that was your idea to do that. Did you have 205 00:08:53,559 --> 00:08:55,760 Speaker 1: a big part in writing your part? 206 00:08:56,480 --> 00:09:03,480 Speaker 4: Not really, I would there were certain character traits, irish 207 00:09:03,520 --> 00:09:07,320 Speaker 4: things that I felt like the writers would not necessarily know, 208 00:09:08,240 --> 00:09:11,640 Speaker 4: So I would bring in that information and say, hey, 209 00:09:11,679 --> 00:09:14,240 Speaker 4: you know you could he might he would actually probably 210 00:09:14,280 --> 00:09:15,280 Speaker 4: say this this. 211 00:09:15,200 --> 00:09:16,760 Speaker 5: Way rather than that. 212 00:09:17,160 --> 00:09:19,120 Speaker 4: But no, I mean, they were it was a great 213 00:09:19,120 --> 00:09:21,800 Speaker 4: group of writers, and they you know, they gave me 214 00:09:21,880 --> 00:09:24,640 Speaker 4: a lot of range to just kind of play with 215 00:09:24,679 --> 00:09:27,880 Speaker 4: that character. And he was just a complete freight train 216 00:09:28,000 --> 00:09:28,640 Speaker 4: of a character. 217 00:09:28,920 --> 00:09:29,640 Speaker 1: He was terrifying. 218 00:09:29,720 --> 00:09:32,760 Speaker 5: Yeah, he was terrifying. He was a scary, scary. 219 00:09:32,360 --> 00:09:37,360 Speaker 4: Guy mixed with sort of odd moments of sincerity and kindness. 220 00:09:37,400 --> 00:09:40,120 Speaker 4: But she never knew, really, he always sort of knew 221 00:09:40,200 --> 00:09:42,480 Speaker 4: at the root that whatever he was doing was for 222 00:09:42,559 --> 00:09:44,319 Speaker 4: personal gains, so he knew it was not going to 223 00:09:44,440 --> 00:09:44,800 Speaker 4: end well. 224 00:09:45,120 --> 00:09:47,160 Speaker 1: Of all the characters you've played, because you do all 225 00:09:47,240 --> 00:09:49,319 Speaker 1: kinds of work, you've I saw that you do some 226 00:09:49,520 --> 00:09:53,080 Speaker 1: voiceover for animated features, do you have a favorite character 227 00:09:53,240 --> 00:09:54,319 Speaker 1: that you have played. 228 00:09:55,600 --> 00:09:57,840 Speaker 5: A little bit like your favorite kid? 229 00:09:58,040 --> 00:10:01,840 Speaker 1: But you have favorite kids, I'm convinced. 230 00:10:00,600 --> 00:10:04,160 Speaker 4: I have three of my own and three step children. 231 00:10:05,320 --> 00:10:09,360 Speaker 4: But I would say the character that I played for 232 00:10:09,440 --> 00:10:11,559 Speaker 4: the longest period of time has been Harry Bosh on 233 00:10:12,040 --> 00:10:15,080 Speaker 4: the series Bosh and Bosh Legacy, and you when you 234 00:10:15,120 --> 00:10:19,320 Speaker 4: spend that much time with a character and habit that 235 00:10:19,880 --> 00:10:23,600 Speaker 4: I think you become very attached to them. So I 236 00:10:23,600 --> 00:10:27,959 Speaker 4: would say in that regard, it would be Harry Bosh. 237 00:10:28,080 --> 00:10:30,880 Speaker 4: And yet the Man in Black character that I played 238 00:10:30,960 --> 00:10:34,400 Speaker 4: un Lost, I also became very attached and I only 239 00:10:34,400 --> 00:10:36,480 Speaker 4: did like three episodes. 240 00:10:35,920 --> 00:10:36,560 Speaker 5: Of that show. 241 00:10:36,760 --> 00:10:38,200 Speaker 1: You've been with Bosh ten years? 242 00:10:38,280 --> 00:10:38,840 Speaker 5: Ten years? 243 00:10:39,360 --> 00:10:41,360 Speaker 1: Yeah, and it's coming. Is it wrapping up soon? 244 00:10:41,720 --> 00:10:42,440 Speaker 5: It is wrapping up? 245 00:10:42,480 --> 00:10:43,800 Speaker 1: I thought I saw it on your Instagram. 246 00:10:43,880 --> 00:10:44,120 Speaker 5: Yeah. 247 00:10:44,160 --> 00:10:47,319 Speaker 4: The third the third season of the spinoff, Bosh Legacy, 248 00:10:47,360 --> 00:10:49,160 Speaker 4: comes out in March, and that will be the final 249 00:10:49,200 --> 00:10:55,199 Speaker 4: season of Bosh, although I'm doing some duties as Harry 250 00:10:55,240 --> 00:10:59,480 Speaker 4: Bosh on another spinoff called Ballard, which stars Maggie Q, 251 00:11:00,200 --> 00:11:02,640 Speaker 4: which is currently filming and that I would imagine will 252 00:11:02,679 --> 00:11:05,319 Speaker 4: be coming out as well in twenty twenty five. 253 00:11:05,559 --> 00:11:07,320 Speaker 1: Is that emotional for you or do you expect at 254 00:11:07,360 --> 00:11:08,680 Speaker 1: some point this is going to come to an end. 255 00:11:08,760 --> 00:11:09,440 Speaker 1: I'm ready for it. 256 00:11:10,040 --> 00:11:11,800 Speaker 5: I think it's a mixture of both. 257 00:11:11,840 --> 00:11:15,000 Speaker 4: It is, you know, you do become very very close 258 00:11:15,040 --> 00:11:16,880 Speaker 4: to a character, and you become very close to the 259 00:11:16,880 --> 00:11:19,400 Speaker 4: people that you work with. You become a family, right, 260 00:11:19,520 --> 00:11:21,920 Speaker 4: I mean, you know that from what you do, and 261 00:11:23,240 --> 00:11:26,440 Speaker 4: there are certainly many more stories to tell. But you know, 262 00:11:26,600 --> 00:11:30,160 Speaker 4: I also understand that ten years, that's the longest running 263 00:11:30,520 --> 00:11:34,120 Speaker 4: streaming show on any of the outlets situation, and I'm 264 00:11:34,160 --> 00:11:35,720 Speaker 4: very proud of the work that we did. It was 265 00:11:36,080 --> 00:11:41,440 Speaker 4: it was a real collaboration, amazing group of actors and writers, producers, 266 00:11:41,480 --> 00:11:44,160 Speaker 4: directors that I that I now count as my very 267 00:11:44,240 --> 00:11:47,600 Speaker 4: very close friends, kind of like family. So I'll miss that. 268 00:11:48,000 --> 00:11:51,760 Speaker 1: When you spend ten years playing a character with this character, 269 00:11:52,400 --> 00:11:54,920 Speaker 1: do you find yourself taking on any aspects of the 270 00:11:55,000 --> 00:11:57,160 Speaker 1: character in your real life. I just feel like that 271 00:11:57,200 --> 00:11:59,400 Speaker 1: has to happen at some point in some capacity. 272 00:11:59,480 --> 00:12:02,400 Speaker 4: It definitely does happen. And you know, when you're when 273 00:12:02,480 --> 00:12:05,840 Speaker 4: you are becoming a character, you know, I mean, as 274 00:12:05,880 --> 00:12:08,080 Speaker 4: an actor, you want to try to kind of disappear 275 00:12:08,080 --> 00:12:10,400 Speaker 4: into the character as much as possible. I know that 276 00:12:10,440 --> 00:12:15,080 Speaker 4: there's certain affects, physical affects with Bosh. I mean, I've 277 00:12:16,080 --> 00:12:19,800 Speaker 4: recall watching the show one time with my kids and 278 00:12:19,840 --> 00:12:23,079 Speaker 4: there was some facial expression and one of my sons 279 00:12:23,120 --> 00:12:25,000 Speaker 4: turned the other one and he goes, oh, that guy's 280 00:12:25,040 --> 00:12:29,480 Speaker 4: in trouble. So it does kind of bleed into itself. 281 00:12:29,520 --> 00:12:31,880 Speaker 4: And I suppose there were there were I don't take 282 00:12:31,920 --> 00:12:34,679 Speaker 4: my work home, but you know, because the writers did 283 00:12:34,720 --> 00:12:37,600 Speaker 4: such an incredible job, I would find myself very, very 284 00:12:37,760 --> 00:12:42,120 Speaker 4: moved by circumstances and scenes and plot lines and things 285 00:12:42,120 --> 00:12:45,880 Speaker 4: that would become that close to a character. You you 286 00:12:45,960 --> 00:12:49,720 Speaker 4: do take on a little bit without sounding like I 287 00:12:49,760 --> 00:12:54,520 Speaker 4: have a severe mental illness. You take on, you carry 288 00:12:54,520 --> 00:12:55,880 Speaker 4: some of that stuff no matter what. 289 00:12:56,280 --> 00:12:58,840 Speaker 1: So for people who don't know Bosh tell us about 290 00:12:58,840 --> 00:12:59,240 Speaker 1: the show. 291 00:12:59,840 --> 00:13:04,080 Speaker 4: It's based on many many novels written by Michael Connolly, 292 00:13:04,080 --> 00:13:08,520 Speaker 4: who's also the author of the Lincoln Lawyer series as well. 293 00:13:08,880 --> 00:13:12,600 Speaker 4: And Harry Bosch is an LAPD homicide detective who works 294 00:13:12,640 --> 00:13:17,199 Speaker 4: the Hollywood homicide and he's a guy with a flawless 295 00:13:17,720 --> 00:13:22,120 Speaker 4: moral compass. He's known as as a grinder. He doesn't 296 00:13:22,200 --> 00:13:24,600 Speaker 4: let things go. He's relentless. So he is the kind 297 00:13:24,600 --> 00:13:27,120 Speaker 4: of murder cop that if a person was a victim 298 00:13:27,120 --> 00:13:29,920 Speaker 4: of that crime, you would want a cop like Harry 299 00:13:29,960 --> 00:13:32,360 Speaker 4: Bosch working the case because he just won't give up. 300 00:13:33,960 --> 00:13:36,080 Speaker 4: He's not a buy the book guy. When I say 301 00:13:36,080 --> 00:13:39,520 Speaker 4: that he's not a dirty cops. He would never beat 302 00:13:39,520 --> 00:13:43,240 Speaker 4: a confession out of someone or plant evidence on someone. 303 00:13:43,360 --> 00:13:46,200 Speaker 4: But he will do what cops like to call a 304 00:13:46,240 --> 00:13:49,720 Speaker 4: work around, and he's a little rough around the edges. 305 00:13:50,280 --> 00:13:51,920 Speaker 4: I have cops come up to me all the time 306 00:13:51,960 --> 00:13:53,840 Speaker 4: and they go, God, I wish I could talk to 307 00:13:53,880 --> 00:13:56,959 Speaker 4: my superiors the way Harry Bosch does. I mean Harry 308 00:13:56,960 --> 00:14:01,880 Speaker 4: Bosch threw his captain through a window, which, of course 309 00:14:02,000 --> 00:14:04,240 Speaker 4: even the Chief of Police of l A PD said, 310 00:14:04,440 --> 00:14:06,719 Speaker 4: when you threw that, When you threw that captain through 311 00:14:06,720 --> 00:14:09,880 Speaker 4: the window, I have to say, you know, every cop 312 00:14:09,960 --> 00:14:12,560 Speaker 4: fantaside has a boss at some point they can't stand 313 00:14:12,600 --> 00:14:13,760 Speaker 4: and that was that was a. 314 00:14:13,760 --> 00:14:16,240 Speaker 5: Moment where I kind of got out of my chair. 315 00:14:16,320 --> 00:14:17,560 Speaker 1: You're helping them live their dreams. 316 00:14:17,640 --> 00:14:20,560 Speaker 4: Yeah, yeah, exactly vicariously through the through the show. 317 00:14:20,680 --> 00:14:22,880 Speaker 1: And this character obviously quite different than the character who 318 00:14:22,920 --> 00:14:26,200 Speaker 1: played in Sons of Anarchy, because you play characters all 319 00:14:26,240 --> 00:14:28,800 Speaker 1: across the board. But is there one that you get recognized. 320 00:14:28,360 --> 00:14:31,080 Speaker 4: The most for Well, I would say now it's because 321 00:14:31,120 --> 00:14:33,440 Speaker 4: of the of the long run of BOSH and the 322 00:14:33,480 --> 00:14:38,840 Speaker 4: success of that show, But then shows like that I've 323 00:14:38,880 --> 00:14:42,160 Speaker 4: done in the past, Suits and now Lost. 324 00:14:42,200 --> 00:14:44,720 Speaker 1: Oh yeah, just having its big comeback. 325 00:14:45,480 --> 00:14:49,640 Speaker 4: Resurgence on with them coming out on Netflix, and it's 326 00:14:49,680 --> 00:14:52,560 Speaker 4: always or sons of anarchy. I get Jimmy Oh all 327 00:14:52,600 --> 00:14:55,880 Speaker 4: the time, okay, And a lot of times it's it's 328 00:14:55,920 --> 00:15:02,440 Speaker 4: people who clearly have criminal uh you know, pass or something. 329 00:15:02,840 --> 00:15:06,920 Speaker 4: You get some really really rough people coming up and saying, yeah, 330 00:15:06,960 --> 00:15:09,320 Speaker 4: I love that guy, I love that or women going 331 00:15:09,400 --> 00:15:12,520 Speaker 4: he was really sexy, and I'm thinking to myself. 332 00:15:12,560 --> 00:15:16,400 Speaker 1: Okay, ma'am, are you okay? Yeah, yeah, I wonder that 333 00:15:16,400 --> 00:15:18,000 Speaker 1: all the time because you said, you know, the police 334 00:15:18,040 --> 00:15:19,720 Speaker 1: officers are coming up to you and saying, hey, you 335 00:15:19,760 --> 00:15:22,160 Speaker 1: really are living out our dreams and you're doing the 336 00:15:22,160 --> 00:15:23,920 Speaker 1: things that we want to and at the same time, 337 00:15:23,960 --> 00:15:27,680 Speaker 1: you have these criminal elements approaching you and saying, hey, 338 00:15:27,720 --> 00:15:30,080 Speaker 1: I really dug that work that you did. How weird 339 00:15:30,160 --> 00:15:30,800 Speaker 1: is that for you? 340 00:15:31,160 --> 00:15:32,440 Speaker 5: It is weird. It is weird. 341 00:15:32,600 --> 00:15:33,920 Speaker 1: Are you like, please stay away from me? 342 00:15:34,680 --> 00:15:37,280 Speaker 4: For the for the most part, well, I always come correctly, 343 00:15:37,360 --> 00:15:39,400 Speaker 4: you know what I mean. There's even some of the 344 00:15:39,480 --> 00:15:43,680 Speaker 4: roughest of people that I've encountered have a kind of respect. 345 00:15:43,960 --> 00:15:46,840 Speaker 4: So if something has impacted a person in a positive 346 00:15:46,880 --> 00:15:49,040 Speaker 4: and even in a negative way, if somebody comes up 347 00:15:49,080 --> 00:15:51,240 Speaker 4: to me and says, you know, the character I played 348 00:15:51,240 --> 00:15:55,160 Speaker 4: on The Good Wife Glenn Childs was this real machiavellian, 349 00:15:55,600 --> 00:15:59,560 Speaker 4: duplicitest guy and people I hated. I hated you on that. 350 00:15:59,680 --> 00:16:02,680 Speaker 4: You know I hated that character. You can bleep things 351 00:16:02,680 --> 00:16:05,440 Speaker 4: on here, right, you can curse. He's an asshole, yeah, 352 00:16:05,480 --> 00:16:09,760 Speaker 4: and a duplicitous guy, A dark guy like Iago. You know, 353 00:16:09,840 --> 00:16:13,600 Speaker 4: somebody that if you knew what he did, you'd be like, Yeah. 354 00:16:13,440 --> 00:16:15,760 Speaker 5: I don't need to spend time with that guy. Keep 355 00:16:15,760 --> 00:16:16,320 Speaker 5: me away from that. 356 00:16:16,400 --> 00:16:18,240 Speaker 1: Just means you're doing your job the right way. I 357 00:16:18,240 --> 00:16:19,640 Speaker 1: guess a good job of your job. 358 00:16:19,840 --> 00:16:20,360 Speaker 5: I'm trying. 359 00:16:20,680 --> 00:16:23,720 Speaker 1: So let's talk about you, Titus Welliver, am I saying 360 00:16:23,760 --> 00:16:24,280 Speaker 1: that correctly? 361 00:16:24,440 --> 00:16:24,720 Speaker 6: Well? Over? 362 00:16:24,840 --> 00:16:28,000 Speaker 1: Okay as a person? Because our friend David katz here, 363 00:16:28,120 --> 00:16:30,480 Speaker 1: who loves you and has nothing but great things to 364 00:16:30,480 --> 00:16:31,920 Speaker 1: say about you, he sort of sent me a little 365 00:16:31,920 --> 00:16:34,560 Speaker 1: bio about you, and one of the big things that 366 00:16:34,600 --> 00:16:37,600 Speaker 1: he said, you really care about are dogs. 367 00:16:37,800 --> 00:16:39,360 Speaker 5: Yeah, rescue animals. 368 00:16:39,480 --> 00:16:40,800 Speaker 1: Rescu animals. How many do you have? 369 00:16:41,080 --> 00:16:44,400 Speaker 4: Well, my herd has been thinned because I live in 370 00:16:44,440 --> 00:16:47,680 Speaker 4: an area where there's a lot of coyotes, and sadly 371 00:16:47,760 --> 00:16:52,960 Speaker 4: I lost my most beloved of the rescue dogs that 372 00:16:53,000 --> 00:16:55,119 Speaker 4: I had, Little Scout, was taken. 373 00:16:54,880 --> 00:16:56,680 Speaker 1: Away and killed by its horrible. 374 00:16:56,760 --> 00:16:57,440 Speaker 5: Yeah, it is horrible. 375 00:16:57,480 --> 00:16:58,880 Speaker 1: Oh my god, I'm so sorry to hear that. 376 00:16:59,360 --> 00:17:03,080 Speaker 4: But I think the thing about all rescue animals is 377 00:17:03,120 --> 00:17:07,000 Speaker 4: that there is there's a kind of gratitude that they have, 378 00:17:09,040 --> 00:17:12,119 Speaker 4: and I think that they they sense when you come 379 00:17:13,080 --> 00:17:16,360 Speaker 4: and you bring them home with you. I mean, imagine 380 00:17:16,359 --> 00:17:19,840 Speaker 4: they're in this stark, cold place with other animals, they feed, 381 00:17:20,080 --> 00:17:22,960 Speaker 4: they you know the anxiety when you go into a 382 00:17:22,960 --> 00:17:26,439 Speaker 4: lot of these rescue places, at these where these animals 383 00:17:26,440 --> 00:17:30,240 Speaker 4: have been taken from horrible situations and sometimes just a 384 00:17:30,280 --> 00:17:32,240 Speaker 4: mother has dropped a litter and they're just wandering the 385 00:17:32,240 --> 00:17:34,920 Speaker 4: streets and they get picked up and they've not really 386 00:17:34,960 --> 00:17:37,800 Speaker 4: had any kind of trauma. But I have to say 387 00:17:37,800 --> 00:17:41,760 Speaker 4: there's a palpable kind of gratitude and sweetness that comes 388 00:17:41,800 --> 00:17:47,000 Speaker 4: with these dogs. My dog Scout, that I loved and adored. 389 00:17:47,119 --> 00:17:51,320 Speaker 4: I had never met a more gracious hostess in my life. 390 00:17:52,480 --> 00:17:55,080 Speaker 4: Every single person that would come to my house, she 391 00:17:55,240 --> 00:18:00,800 Speaker 4: would introduce herself and then she would mean hostess in 392 00:18:00,920 --> 00:18:03,600 Speaker 4: the best way she would. She would make sure that 393 00:18:03,680 --> 00:18:05,400 Speaker 4: she covered every lap. 394 00:18:05,320 --> 00:18:06,800 Speaker 5: Of a guest that was in the house. 395 00:18:07,280 --> 00:18:10,480 Speaker 4: She would give each person individual attention, get up into 396 00:18:10,520 --> 00:18:15,760 Speaker 4: their lap and look at them fondly. So every person 397 00:18:15,800 --> 00:18:18,840 Speaker 4: that left said, if you ever don't want I said, 398 00:18:20,359 --> 00:18:22,679 Speaker 4: this is the sweetest dog I've ever met. But she 399 00:18:22,840 --> 00:18:24,840 Speaker 4: was brave and she went out like a champion. 400 00:18:25,119 --> 00:18:27,960 Speaker 5: She was. She was defending. 401 00:18:29,680 --> 00:18:34,119 Speaker 4: Our other dogs, which are are pure bed bread docsins, 402 00:18:34,840 --> 00:18:36,879 Speaker 4: and one had already been attacked by the coyote, and 403 00:18:36,920 --> 00:18:40,040 Speaker 4: Scout got between the coyote and bought time for the 404 00:18:40,080 --> 00:18:43,280 Speaker 4: other dogs to get away. And she was killed and 405 00:18:43,359 --> 00:18:47,840 Speaker 4: it broke my wagon. Actually, my daughter has Scout's name 406 00:18:47,880 --> 00:18:50,000 Speaker 4: tattooed on her finger. This is a dog that had 407 00:18:50,280 --> 00:18:55,120 Speaker 4: such an impact. I don't it's inexplicable, but in a way, 408 00:18:55,160 --> 00:18:57,960 Speaker 4: they look into your soul. I used to rescue horses 409 00:18:57,960 --> 00:19:02,040 Speaker 4: as well. Wow, and had a bunch of horses, and 410 00:19:02,080 --> 00:19:05,200 Speaker 4: one of them was a was a one eyed as 411 00:19:05,280 --> 00:19:07,720 Speaker 4: tech and mayor and they said, you know, this horse 412 00:19:07,760 --> 00:19:10,960 Speaker 4: isn't really will never be like a rideable horse. 413 00:19:11,720 --> 00:19:14,960 Speaker 5: And that was not the case with her. She was 414 00:19:15,119 --> 00:19:16,080 Speaker 5: kind of like a dog. 415 00:19:16,200 --> 00:19:18,800 Speaker 4: She did not have a sense of her of how 416 00:19:18,880 --> 00:19:20,240 Speaker 4: much bigger she was than me. 417 00:19:20,320 --> 00:19:21,560 Speaker 5: She was a powerful horse. 418 00:19:21,600 --> 00:19:26,000 Speaker 4: But she was so extremely physically affectionate, rubbing her head 419 00:19:26,080 --> 00:19:29,760 Speaker 4: on me and licking my face. And I could be 420 00:19:30,440 --> 00:19:32,639 Speaker 4: in a mood, maybe just having a bad day, and 421 00:19:32,680 --> 00:19:35,160 Speaker 4: I would go and connect. 422 00:19:35,080 --> 00:19:37,120 Speaker 5: With these creatures and they do. 423 00:19:37,200 --> 00:19:40,239 Speaker 4: They literally look into your soul. They penetrate you in 424 00:19:40,280 --> 00:19:50,680 Speaker 4: some way. 425 00:19:51,240 --> 00:19:53,240 Speaker 1: So when I was scrolling through your Instagram, I saw 426 00:19:53,280 --> 00:19:55,040 Speaker 1: something that kind of struck a chord with me because 427 00:19:55,040 --> 00:19:56,639 Speaker 1: it's happening to a lot of people on our show. 428 00:19:57,359 --> 00:20:00,199 Speaker 1: You've posted that somebody is trying to impersonate you. What 429 00:20:00,280 --> 00:20:01,080 Speaker 1: is going on with that? 430 00:20:01,160 --> 00:20:02,720 Speaker 5: It's endless and. 431 00:20:02,760 --> 00:20:04,560 Speaker 1: There's always stop it. Have you had a lot of 432 00:20:04,600 --> 00:20:06,960 Speaker 1: people reach out to you saying, this person's trying to 433 00:20:07,000 --> 00:20:08,359 Speaker 1: get money. What are they trying to do? 434 00:20:08,680 --> 00:20:10,440 Speaker 4: I mean a lot of it. It's not so much 435 00:20:10,480 --> 00:20:14,280 Speaker 4: necessarily money. It's kind of catfishing. 436 00:20:14,200 --> 00:20:17,800 Speaker 1: Like they're trying to date these people or date them 437 00:20:18,359 --> 00:20:20,560 Speaker 1: or just be affiliated with them in some way. 438 00:20:20,640 --> 00:20:24,159 Speaker 4: It's very creepy. It's deeply creepy. But the thing is 439 00:20:24,200 --> 00:20:27,080 Speaker 4: that the people who are doing it don't do it 440 00:20:27,280 --> 00:20:29,760 Speaker 4: very well. Well that's good, just because they cut and 441 00:20:29,800 --> 00:20:35,240 Speaker 4: paste your photographs and things like that. They'll misspell things, honestly, 442 00:20:35,680 --> 00:20:40,560 Speaker 4: I will interact with fans on Twitter, but I don't 443 00:20:40,680 --> 00:20:43,479 Speaker 4: personally message anyone, and I'm always very clear about that. 444 00:20:43,560 --> 00:20:45,840 Speaker 4: You will never receive a personal message from me. 445 00:20:46,119 --> 00:20:47,560 Speaker 1: And if you do, it was not you. 446 00:20:47,760 --> 00:20:49,119 Speaker 5: If yeah, it's not me. 447 00:20:49,520 --> 00:20:52,840 Speaker 4: If there is another actor, or if there's a foundation 448 00:20:53,200 --> 00:20:56,200 Speaker 4: or something that I get hipped to on social media, 449 00:20:56,280 --> 00:20:58,800 Speaker 4: I go through the proper channels. I reach out to 450 00:20:58,840 --> 00:21:01,480 Speaker 4: my manager, who then reach out out directly to the foundation, 451 00:21:02,040 --> 00:21:03,880 Speaker 4: and you go through and you do it that way. 452 00:21:04,160 --> 00:21:07,439 Speaker 4: But the fans also kind of they get such glee 453 00:21:07,600 --> 00:21:10,840 Speaker 4: out of exposing these people. Oh good, So they're always 454 00:21:10,920 --> 00:21:13,119 Speaker 4: after them. They're always kind of going after them. But 455 00:21:13,160 --> 00:21:15,960 Speaker 4: I just find it deeply creepy, and you know we're 456 00:21:16,000 --> 00:21:18,800 Speaker 4: and you know, you get it right, you deal with it. 457 00:21:18,840 --> 00:21:22,800 Speaker 4: You just go why to what end? What person you 458 00:21:22,800 --> 00:21:25,840 Speaker 4: know in their right mind is going to go, let 459 00:21:25,880 --> 00:21:31,560 Speaker 4: me wire this this actor forty thousand dollars because they've 460 00:21:31,600 --> 00:21:33,560 Speaker 4: been arrested in Thailand. 461 00:21:33,960 --> 00:21:37,280 Speaker 1: Right, You're being held captive and you you got access 462 00:21:37,320 --> 00:21:38,879 Speaker 1: to your phone to reach out to a stranger and 463 00:21:38,960 --> 00:21:41,800 Speaker 1: ask the money. But that was it. Yeah, yeah, we 464 00:21:42,480 --> 00:21:44,320 Speaker 1: overhear what it is for the most part, it is 465 00:21:44,400 --> 00:21:48,000 Speaker 1: money stuff that happens with you know these sad to 466 00:21:48,080 --> 00:21:51,840 Speaker 1: say older women are lonely and they think one of 467 00:21:51,880 --> 00:21:55,520 Speaker 1: the guys on this show are interested in them. Yeah, 468 00:21:55,560 --> 00:21:57,680 Speaker 1: and they have this little relationship and they start talking 469 00:21:57,720 --> 00:21:59,400 Speaker 1: and all of a sudden, thousands of dollars are gone. 470 00:21:59,560 --> 00:22:02,520 Speaker 1: And the women do the research and find out, oh 471 00:22:02,600 --> 00:22:04,439 Speaker 1: I got screwed over here a little bit. Do the 472 00:22:04,480 --> 00:22:05,160 Speaker 1: research first. 473 00:22:05,280 --> 00:22:10,120 Speaker 4: Please don't send money to people that you don't know exactly. 474 00:22:09,920 --> 00:22:12,720 Speaker 1: Never ever. And if that's how the relationship starts, this 475 00:22:12,800 --> 00:22:15,200 Speaker 1: is probably not going to go well yeah, well yeah. 476 00:22:15,200 --> 00:22:17,719 Speaker 4: Chances are yeah it's a scam. As soon as the 477 00:22:17,760 --> 00:22:20,679 Speaker 4: money thing comes into it, then I go no, no, no, 478 00:22:20,760 --> 00:22:23,080 Speaker 4: that's a giant red flag. It's not to say that 479 00:22:23,119 --> 00:22:25,360 Speaker 4: if you're in love with someone, you're in a relationship 480 00:22:25,400 --> 00:22:27,879 Speaker 4: with someone that you wouldn't give you know that you 481 00:22:27,880 --> 00:22:28,680 Speaker 4: wouldn't do that. 482 00:22:28,800 --> 00:22:30,520 Speaker 1: Maybe that you've met and hung out with a few times. 483 00:22:30,600 --> 00:22:33,200 Speaker 4: Yeah, but you know you're not on a dating site. 484 00:22:33,320 --> 00:22:35,720 Speaker 4: You know, Oh I have massive credit card debt. Maybe 485 00:22:35,760 --> 00:22:38,119 Speaker 4: you could help me, or I'm about to close on 486 00:22:38,160 --> 00:22:41,080 Speaker 4: this big deal. Let me pull you in as an 487 00:22:41,119 --> 00:22:45,560 Speaker 4: insider and you'll triple your money in fifteen minutes. But 488 00:22:45,680 --> 00:22:49,280 Speaker 4: that's also a societal thing of greed and get rich quick, 489 00:22:49,480 --> 00:22:50,520 Speaker 4: there's no such thing. 490 00:22:51,000 --> 00:22:55,160 Speaker 1: I feel like social media has really blown that out 491 00:22:55,800 --> 00:22:58,520 Speaker 1: of the water. To get rich quick, don't do the 492 00:22:58,520 --> 00:23:01,760 Speaker 1: hard work. You can just immediately excel at something. What 493 00:23:01,920 --> 00:23:04,080 Speaker 1: is that like for you? Now that people can pop 494 00:23:04,119 --> 00:23:07,000 Speaker 1: onto social media Instagram, TikTok, whatever and just blow up 495 00:23:07,040 --> 00:23:11,600 Speaker 1: and have these probably short lived careers. But it's almost 496 00:23:11,680 --> 00:23:13,840 Speaker 1: usurping people who've been working hard at this for a 497 00:23:13,920 --> 00:23:14,480 Speaker 1: very long time. 498 00:23:14,640 --> 00:23:17,040 Speaker 4: Yeah, it's I find it really pathetic. And I know 499 00:23:17,080 --> 00:23:19,520 Speaker 4: that even in the bin because I have friends who 500 00:23:19,600 --> 00:23:23,800 Speaker 4: work at different studios and stuff. You know, they when 501 00:23:23,840 --> 00:23:28,040 Speaker 4: they're casting stuff, they, particularly with younger up and coming actors, 502 00:23:28,320 --> 00:23:31,320 Speaker 4: they'll look at their social media numbers, which I find 503 00:23:31,640 --> 00:23:35,480 Speaker 4: I get it to a certain degree. That's a business thing. Well, 504 00:23:35,560 --> 00:23:39,960 Speaker 4: if this person has five hundred thousand followers, that's a 505 00:23:40,080 --> 00:23:43,040 Speaker 4: guaranteed five hundred thousand viewers with this person if we 506 00:23:43,119 --> 00:23:46,960 Speaker 4: cast them in that role. But it's really vapid. I 507 00:23:47,520 --> 00:23:52,280 Speaker 4: feel like it's the syphilis and gonna rita of entertainment, 508 00:23:52,400 --> 00:23:57,040 Speaker 4: and I find it really disturbing. I have a really 509 00:23:57,080 --> 00:23:57,840 Speaker 4: hard time with it. 510 00:23:57,960 --> 00:24:00,640 Speaker 1: Hey, within the acting community, is there of a stigma 511 00:24:00,680 --> 00:24:04,640 Speaker 1: between the seasoned professional actors and these influencers coming onto 512 00:24:04,640 --> 00:24:07,480 Speaker 1: sets now or do you just yet there is I 513 00:24:07,520 --> 00:24:10,360 Speaker 1: would imagine that, I mean in a completely different way, 514 00:24:10,400 --> 00:24:14,359 Speaker 1: but somewhat similar. I guess with radio, there's that element 515 00:24:14,440 --> 00:24:17,160 Speaker 1: of everybody can have a podcast. Now, anybody can get 516 00:24:17,200 --> 00:24:19,119 Speaker 1: a microphone and plug it into the laptop at home 517 00:24:19,520 --> 00:24:22,399 Speaker 1: and think that they're having this big radio show and 518 00:24:22,440 --> 00:24:24,480 Speaker 1: every now and then they'll blow up. And there's something 519 00:24:24,520 --> 00:24:27,919 Speaker 1: that's good in that. But I think that for the 520 00:24:27,960 --> 00:24:31,440 Speaker 1: season professional radio talent who has been around for a 521 00:24:31,480 --> 00:24:33,560 Speaker 1: long time, you sort of look at it like, huh, 522 00:24:33,600 --> 00:24:34,280 Speaker 1: this is interesting. 523 00:24:34,760 --> 00:24:37,160 Speaker 5: It's not even interesting. Come on, let's be truthful. It's 524 00:24:37,200 --> 00:24:39,439 Speaker 5: not interesting. You know what. Not everybody can plug in 525 00:24:39,440 --> 00:24:41,440 Speaker 5: a microphone. The truth of the matter is. 526 00:24:41,359 --> 00:24:44,280 Speaker 4: That the art of radio, in what you do and 527 00:24:44,320 --> 00:24:49,040 Speaker 4: what and the history of radio has tremendous depth to It. 528 00:24:48,720 --> 00:24:49,879 Speaker 5: Has great depth. 529 00:24:50,359 --> 00:24:56,199 Speaker 4: It has huge cultural significance. Yeah, okay, plug in a 530 00:24:56,240 --> 00:25:01,119 Speaker 4: microphone and you know, and do your thing. And I 531 00:25:01,160 --> 00:25:04,720 Speaker 4: think some people do it with good intent. I've heard 532 00:25:04,800 --> 00:25:09,640 Speaker 4: these kind of amateur crime podcasts and things like that. 533 00:25:09,840 --> 00:25:12,639 Speaker 4: Or people talking about horror films and stuff, and some 534 00:25:12,720 --> 00:25:15,000 Speaker 4: of it I find really interesting and I think in 535 00:25:15,040 --> 00:25:19,400 Speaker 4: that way, these are people who have integrity. They're fans 536 00:25:19,640 --> 00:25:21,200 Speaker 4: and they want to get out there and they want 537 00:25:21,240 --> 00:25:23,440 Speaker 4: to and they got passion and they want to talk 538 00:25:23,480 --> 00:25:27,040 Speaker 4: about it, and I applaud them like earn it right. 539 00:25:27,520 --> 00:25:31,080 Speaker 4: If it's not rooted in some kind of intelligence and passion, 540 00:25:32,119 --> 00:25:36,960 Speaker 4: then it's just dumb and you know, dumb stupidity and 541 00:25:37,000 --> 00:25:40,879 Speaker 4: all this has become extremely fashionable, which to me is 542 00:25:40,920 --> 00:25:47,440 Speaker 4: a really depressing commentary on society. I agree, I'm dumb, 543 00:25:47,440 --> 00:25:48,520 Speaker 4: and I'm happy about it. 544 00:25:48,920 --> 00:25:51,280 Speaker 1: So now you said your kids are out this way 545 00:25:51,560 --> 00:25:55,720 Speaker 1: or East Coast? Are they in any way following your footsteps? 546 00:25:55,720 --> 00:25:58,399 Speaker 1: Do they? Are they interested in the arts and music 547 00:25:58,840 --> 00:26:00,920 Speaker 1: and or social media? How does that work out for them? 548 00:26:01,160 --> 00:26:03,120 Speaker 4: I don't know how much social media. I don't think 549 00:26:03,119 --> 00:26:06,840 Speaker 4: they're really into the social media thing. I have my 550 00:26:07,000 --> 00:26:11,320 Speaker 4: youngest daughter, Cora, who has had a recurring character on 551 00:26:11,359 --> 00:26:15,040 Speaker 4: Bosh Legacy. She played Harry Bosh's dog walker Sam. My 552 00:26:15,200 --> 00:26:20,440 Speaker 4: older son Amon played me in a flashback and Bosh 553 00:26:20,480 --> 00:26:23,439 Speaker 4: as a young cop in his mid twenties, and my 554 00:26:23,520 --> 00:26:26,760 Speaker 4: other son Quinn played me as Bosh at twelve and 555 00:26:27,160 --> 00:26:32,320 Speaker 4: at sixteen, not NEPO babies. By the way, these things 556 00:26:32,400 --> 00:26:35,359 Speaker 4: kind of fell into their laps because they the producer said, 557 00:26:35,400 --> 00:26:39,280 Speaker 4: your sons both look exactly like you, so rather than 558 00:26:39,320 --> 00:26:42,000 Speaker 4: trying to go and cast someone who looks kind of 559 00:26:42,080 --> 00:26:43,040 Speaker 4: like you, they. 560 00:26:42,880 --> 00:26:43,520 Speaker 5: Look like you. 561 00:26:45,200 --> 00:26:48,040 Speaker 4: And of course my kids were inexperienced. They both of 562 00:26:48,040 --> 00:26:50,680 Speaker 4: my sons were inexperienced when they played me. You know, 563 00:26:51,040 --> 00:26:51,920 Speaker 4: they learned on. 564 00:26:51,880 --> 00:26:52,920 Speaker 1: Set their first role. 565 00:26:53,160 --> 00:26:53,840 Speaker 5: Yeah, oh wow. 566 00:26:53,880 --> 00:26:56,200 Speaker 4: I mean they had both done theater before, but they'd 567 00:26:56,200 --> 00:26:58,600 Speaker 4: never been on film before. So it was trial by fire. 568 00:26:58,640 --> 00:27:00,600 Speaker 4: And it's not like it was we were doing a 569 00:27:00,600 --> 00:27:03,399 Speaker 4: home movie on my iPhone in the backyard. There's a 570 00:27:03,480 --> 00:27:05,679 Speaker 4: real thing and they had to show up and do 571 00:27:05,760 --> 00:27:09,240 Speaker 4: their job. And my daughter the same kind of trial 572 00:27:09,280 --> 00:27:13,320 Speaker 4: by fire. She's still learning, but she's studying psychology. But 573 00:27:13,440 --> 00:27:19,080 Speaker 4: my sons are one is graduating this year from conservatory, 574 00:27:19,280 --> 00:27:23,240 Speaker 4: my son, Quinn, he's going to graduate, he's an actor. 575 00:27:23,320 --> 00:27:27,280 Speaker 4: And my other son, Aimon, my eldest, is finishing up 576 00:27:27,320 --> 00:27:31,080 Speaker 4: his degree in film and also studying acting. 577 00:27:31,359 --> 00:27:33,560 Speaker 1: When it comes to the NEPO baby thing, I'm always 578 00:27:33,640 --> 00:27:37,840 Speaker 1: very torn on this because anybody with a parent, if 579 00:27:38,040 --> 00:27:40,600 Speaker 1: you are following in your parents' footsteps, they're going to 580 00:27:40,640 --> 00:27:42,880 Speaker 1: help you. Yeah, they're going to do whatever they can. 581 00:27:43,080 --> 00:27:44,800 Speaker 1: They're going to extend their hand, They're going to give 582 00:27:44,800 --> 00:27:46,840 Speaker 1: you the network that they have, and people are so 583 00:27:47,000 --> 00:27:50,919 Speaker 1: hard on them when it comes to acting, music, whatever 584 00:27:50,960 --> 00:27:53,480 Speaker 1: it is. I would absolutely do the same thing. If 585 00:27:53,480 --> 00:27:56,080 Speaker 1: I had a child and they wanted to be in radio, 586 00:27:56,160 --> 00:27:57,280 Speaker 1: I would be like, Hey, you know what, I can 587 00:27:57,320 --> 00:27:59,560 Speaker 1: get you an internship. This works out well, right, It'll 588 00:27:59,560 --> 00:28:00,680 Speaker 1: get you a foot the door. It's not going to 589 00:28:00,760 --> 00:28:01,480 Speaker 1: keep you there. 590 00:28:01,280 --> 00:28:06,280 Speaker 4: Precisely, but that's what I'm saying, precisely speak to. 591 00:28:06,240 --> 00:28:08,960 Speaker 5: What you just said, which is I can ope. 592 00:28:09,000 --> 00:28:11,720 Speaker 4: I would say, because you are my kid, the doors 593 00:28:11,800 --> 00:28:16,080 Speaker 4: can open, but when you step through, you have to 594 00:28:16,119 --> 00:28:18,800 Speaker 4: do the work yourself. It doesn't matter. Yeah, of course 595 00:28:18,840 --> 00:28:21,560 Speaker 4: we want to help our kids. But the other aspect 596 00:28:21,640 --> 00:28:24,040 Speaker 4: of that is that if I didn't think that my 597 00:28:24,200 --> 00:28:28,000 Speaker 4: kids could do this and had talent, I think I 598 00:28:28,040 --> 00:28:31,120 Speaker 4: would I would do a disservice to them to encourage 599 00:28:31,160 --> 00:28:34,240 Speaker 4: them to do something that they didn't have an aptitude 600 00:28:34,320 --> 00:28:39,080 Speaker 4: or a talent towards. I was never that kind of 601 00:28:39,160 --> 00:28:41,960 Speaker 4: parent that when my kid would scriggle a line across 602 00:28:42,000 --> 00:28:45,320 Speaker 4: a piece of paper. Oh, that's the most beautiful red 603 00:28:45,400 --> 00:28:46,440 Speaker 4: line I've ever seen. 604 00:28:46,560 --> 00:28:47,600 Speaker 1: You're like an Indian parent. 605 00:28:48,440 --> 00:28:52,760 Speaker 4: Yeah, exactly. If you create that environment for a child, 606 00:28:52,560 --> 00:28:58,560 Speaker 4: you're creating an entitled kid who doesn't understand what failure 607 00:28:58,640 --> 00:29:02,640 Speaker 4: is or not. Everything you do is perfect. So when 608 00:29:02,680 --> 00:29:05,160 Speaker 4: they get out into the real world and when I 609 00:29:05,200 --> 00:29:08,360 Speaker 4: say the real world, when they go to school and 610 00:29:08,400 --> 00:29:11,080 Speaker 4: they're not praise for everything they do, what is that 611 00:29:11,200 --> 00:29:15,120 Speaker 4: going to do to their self esteem their self confidence? 612 00:29:15,640 --> 00:29:18,040 Speaker 4: They'll they'll fall apart the first time somebody goes, yeah, 613 00:29:18,080 --> 00:29:21,200 Speaker 4: that's guess what. We're here for a job review and 614 00:29:21,240 --> 00:29:23,920 Speaker 4: you're not doing well, so you better get it together. 615 00:29:24,840 --> 00:29:28,640 Speaker 4: And I think they were seeing generations of kids that 616 00:29:28,720 --> 00:29:32,880 Speaker 4: are entitled and that are late. And I really do 617 00:29:33,000 --> 00:29:37,680 Speaker 4: sound like get off, and I'm trying so hard not 618 00:29:37,800 --> 00:29:40,800 Speaker 4: to sound like that, but I think, yeah, it is 619 00:29:40,840 --> 00:29:44,160 Speaker 4: incumbent for a parent to certainly to support their child. 620 00:29:44,240 --> 00:29:47,840 Speaker 4: You know, I both of my parents were artists. My 621 00:29:47,920 --> 00:29:50,640 Speaker 4: parents never sat me down and said you need to 622 00:29:50,760 --> 00:29:52,840 Speaker 4: draw and you need to paint, but it was around 623 00:29:52,880 --> 00:29:54,560 Speaker 4: me all the time. And when that's in here and 624 00:29:54,560 --> 00:29:57,080 Speaker 4: and that's what I originally studied, is studying to be 625 00:29:57,240 --> 00:30:01,560 Speaker 4: a fine artist, and I still paint. It wasn't really 626 00:30:01,600 --> 00:30:04,440 Speaker 4: the thing that I felt passionate about. My father used 627 00:30:04,440 --> 00:30:07,840 Speaker 4: to always say, you know, a career, to pursue a 628 00:30:07,880 --> 00:30:10,040 Speaker 4: career in the arts is one of the most irresponsible 629 00:30:10,040 --> 00:30:12,960 Speaker 4: things you can do. But if you choose to do it, 630 00:30:13,120 --> 00:30:19,560 Speaker 4: there is no plan B. And that's true, but it's 631 00:30:19,600 --> 00:30:22,880 Speaker 4: also it's navigating a sea of heartbreak, right. You have 632 00:30:22,960 --> 00:30:26,040 Speaker 4: to endure that, so you have to have thick skin, 633 00:30:26,120 --> 00:30:28,680 Speaker 4: but you also have to have, like once again what 634 00:30:28,800 --> 00:30:31,080 Speaker 4: you said, you have to have passion. It has to 635 00:30:31,120 --> 00:30:32,760 Speaker 4: be the thing that gets you up in the morning. 636 00:30:33,280 --> 00:30:35,560 Speaker 4: You and I get up when everybody else is asleep 637 00:30:35,600 --> 00:30:40,000 Speaker 4: in the city, dark dark. What I think people don't 638 00:30:40,040 --> 00:30:43,880 Speaker 4: necessarily understand is it ain't all glamorous, right, I think 639 00:30:43,880 --> 00:30:44,440 Speaker 4: that all the time. 640 00:30:44,440 --> 00:30:47,240 Speaker 1: The actual glamour side of most of the jobs that 641 00:30:47,320 --> 00:30:50,960 Speaker 1: you see is probably fifteen twenty percent. And the grind 642 00:30:51,040 --> 00:30:53,520 Speaker 1: and the dirt and the brutality in the industry that 643 00:30:53,560 --> 00:30:56,840 Speaker 1: you're in, it's intense and it's not for everybody. And 644 00:30:57,240 --> 00:30:59,440 Speaker 1: it looks like this, oh, cushy, everything's amazing, and you 645 00:30:59,440 --> 00:31:01,000 Speaker 1: guys has a better jobs, and they are great. They're 646 00:31:01,040 --> 00:31:02,960 Speaker 1: great jobs, and I wouldn't want to do anything else. 647 00:31:03,600 --> 00:31:06,800 Speaker 1: But I to your point about having thick skin, especially 648 00:31:06,800 --> 00:31:09,040 Speaker 1: when you're an artist, your brand is you. 649 00:31:09,440 --> 00:31:09,720 Speaker 5: Yeah. 650 00:31:09,760 --> 00:31:12,479 Speaker 1: So when somebody doesn't want that and they're not interested 651 00:31:12,520 --> 00:31:14,080 Speaker 1: in it, they're looking you in the face and basically 652 00:31:14,120 --> 00:31:16,760 Speaker 1: saying I don't like you. Yeah, and that after a while, 653 00:31:16,960 --> 00:31:19,680 Speaker 1: you can you can easily get impacted and affected by that. 654 00:31:20,080 --> 00:31:21,840 Speaker 1: And I think that a lot of people don't take 655 00:31:21,840 --> 00:31:24,880 Speaker 1: that into consideration too, And it's it's just a tough 656 00:31:24,920 --> 00:31:26,960 Speaker 1: it's a tough dance. But when did you get bitten 657 00:31:27,000 --> 00:31:29,000 Speaker 1: by the acting bug if you started with painting? 658 00:31:29,480 --> 00:31:29,880 Speaker 5: You know what. 659 00:31:30,000 --> 00:31:32,880 Speaker 4: My mother was living in Boston one summer and she 660 00:31:33,000 --> 00:31:35,080 Speaker 4: was living in the center of the city. I didn't 661 00:31:35,080 --> 00:31:38,200 Speaker 4: live there, and there were no schools or anything. There 662 00:31:38,200 --> 00:31:40,720 Speaker 4: were no kids that lived in the apartment building that 663 00:31:40,760 --> 00:31:43,320 Speaker 4: she lived in, So I was left to my own devices, 664 00:31:43,320 --> 00:31:47,040 Speaker 4: which was basically going to the cineplex or we lived. 665 00:31:47,240 --> 00:31:49,800 Speaker 4: My mother lived like six blocks away from Famway Park 666 00:31:50,120 --> 00:31:53,960 Speaker 4: or going and getting you know, five dollars Red Sox 667 00:31:54,000 --> 00:31:57,800 Speaker 4: tickets and sitting up in the bleachers. And I think 668 00:31:57,840 --> 00:32:00,640 Speaker 4: my mother. I was thirteen, and my mother went, you're 669 00:32:00,680 --> 00:32:02,800 Speaker 4: not going to just go to the movies and. 670 00:32:02,840 --> 00:32:04,840 Speaker 5: Go to baseball games. You need to do something. 671 00:32:05,400 --> 00:32:08,920 Speaker 4: And she when I was thirteen's and she signed me 672 00:32:09,000 --> 00:32:12,040 Speaker 4: up for an acting class at the Actors Workshop, which 673 00:32:12,080 --> 00:32:14,200 Speaker 4: was also like four blocks away from her place. And 674 00:32:14,240 --> 00:32:18,840 Speaker 4: I went, really, you know, an acting summer program, Mom, 675 00:32:18,880 --> 00:32:22,080 Speaker 4: I don't I'm not interested in that. Well, I went, 676 00:32:22,200 --> 00:32:24,120 Speaker 4: she said, you're going to go. You go for the day. 677 00:32:24,560 --> 00:32:26,240 Speaker 4: You know, you can go and sit in on the 678 00:32:26,280 --> 00:32:30,400 Speaker 4: class today and we'll make an informed decision, but I'm 679 00:32:30,480 --> 00:32:31,560 Speaker 4: encouraging you to do it. 680 00:32:31,760 --> 00:32:33,560 Speaker 5: And I went. By the end of the day, I 681 00:32:33,640 --> 00:32:36,000 Speaker 5: was when they said, okay, well we'll see you tomorrow. 682 00:32:36,040 --> 00:32:38,520 Speaker 5: I was like, that's it. I wanted more. 683 00:32:39,080 --> 00:32:43,800 Speaker 4: And I spent the entire summer and doing plays in 684 00:32:44,600 --> 00:32:47,160 Speaker 4: repertory at this place. And then when I went to 685 00:32:47,640 --> 00:32:52,200 Speaker 4: high school, we had a really strong drama department, and 686 00:32:52,280 --> 00:32:56,520 Speaker 4: so I was I was still on track to become 687 00:32:56,560 --> 00:32:57,320 Speaker 4: a fine artist. 688 00:32:57,760 --> 00:33:01,200 Speaker 5: You know, I was going to art school, but. 689 00:33:01,120 --> 00:33:03,240 Speaker 4: I did a lot of I did a lot of productions, 690 00:33:03,320 --> 00:33:09,640 Speaker 4: and after a kind of wasted year of art school, 691 00:33:09,920 --> 00:33:11,760 Speaker 4: my father was pretty angry with me. 692 00:33:11,880 --> 00:33:13,840 Speaker 5: He's like, great, you never went to class. 693 00:33:13,840 --> 00:33:16,440 Speaker 4: And then sort of and he said, you know, what 694 00:33:16,480 --> 00:33:18,880 Speaker 4: do you what do you think about? You know, what 695 00:33:19,160 --> 00:33:21,760 Speaker 4: do you muse about? Is it painting? And I said no, 696 00:33:22,720 --> 00:33:24,720 Speaker 4: well what is it? And I said, I think about acting. 697 00:33:25,720 --> 00:33:27,200 Speaker 4: And he said, then that's what you need to do. 698 00:33:28,000 --> 00:33:31,080 Speaker 4: My dad gave me seven hundred dollars, which was a 699 00:33:31,120 --> 00:33:34,719 Speaker 4: lot of money, and I packed my my army Duffel 700 00:33:34,760 --> 00:33:36,680 Speaker 4: bag and he said, you got to you gotta go 701 00:33:36,760 --> 00:33:39,040 Speaker 4: back to New York. You need to go back home 702 00:33:39,080 --> 00:33:41,520 Speaker 4: to New York. And that's what I did. 703 00:33:41,880 --> 00:33:43,480 Speaker 5: No looking back, no looking back. 704 00:33:43,520 --> 00:33:45,280 Speaker 1: And now your mom can't watch you in Sons of Anarchy. 705 00:33:45,400 --> 00:33:47,080 Speaker 5: Yeah, God rest her soul. 706 00:33:47,240 --> 00:33:50,120 Speaker 1: Right, that's not bad. So I also saw, so you 707 00:33:50,160 --> 00:33:53,480 Speaker 1: are did you just wrap on season three of Bosh Legacy? Yeah, 708 00:33:53,520 --> 00:33:55,320 Speaker 1: so it's streaming now. 709 00:33:55,480 --> 00:33:58,880 Speaker 5: No, it's streaming in I believe March of twenty five. 710 00:33:59,040 --> 00:34:01,479 Speaker 1: Oh wow, okay, But I also saw creeping through your 711 00:34:01,480 --> 00:34:04,920 Speaker 1: Instagram that you just finished a movie wrapping a movie, Ricky? 712 00:34:05,240 --> 00:34:05,960 Speaker 1: Is that what it was called? 713 00:34:06,040 --> 00:34:09,799 Speaker 4: I did? I just did three films back to back. 714 00:34:09,880 --> 00:34:12,680 Speaker 4: I did a film called Abraham's Boys, which is a 715 00:34:12,760 --> 00:34:17,640 Speaker 4: quasi sequel to Dracula about Van Helsing and his sons. 716 00:34:17,719 --> 00:34:18,560 Speaker 5: It was based on. 717 00:34:18,520 --> 00:34:20,960 Speaker 4: A short story written by Joe Hill. And then I 718 00:34:21,000 --> 00:34:26,560 Speaker 4: went and did Ricky in Connecticut and the short won 719 00:34:26,640 --> 00:34:31,000 Speaker 4: many awards, very very powerful film. And so this was 720 00:34:31,040 --> 00:34:33,759 Speaker 4: the feature version of Ricky and so we shot that 721 00:34:34,000 --> 00:34:38,359 Speaker 4: in Hartford in July and I'm very excited about that. 722 00:34:38,440 --> 00:34:41,840 Speaker 4: And then I just finished a film in Mississippi titled 723 00:34:42,239 --> 00:34:46,760 Speaker 4: Hotel toront was Zachary Levi and Liam Neeson and West Chatham. 724 00:34:46,840 --> 00:34:49,680 Speaker 5: Wonderful cast of actors. So I'm just trying to keep busy. 725 00:34:49,960 --> 00:34:51,520 Speaker 1: So when do we see the fruits of all this labor? 726 00:34:51,560 --> 00:34:54,600 Speaker 1: You said March for the streaming with Bosh Legsy and 727 00:34:54,840 --> 00:34:56,560 Speaker 1: the spin off? What about these three? 728 00:34:56,960 --> 00:35:00,480 Speaker 4: Those films should be coming out in twenty twenty at 729 00:35:00,520 --> 00:35:02,640 Speaker 4: some point. Don't have release dates on those. I did 730 00:35:02,680 --> 00:35:06,560 Speaker 4: another film called Killing Castro with al Pacino that will 731 00:35:06,560 --> 00:35:09,239 Speaker 4: be coming out as well, which is a historical piece 732 00:35:09,320 --> 00:35:12,040 Speaker 4: as well. It's about when Fidel Castro came to speak 733 00:35:12,080 --> 00:35:15,080 Speaker 4: at the UN and connected with Malcolm X. And this 734 00:35:15,320 --> 00:35:19,200 Speaker 4: was not something that the CIA or the FBI was 735 00:35:19,280 --> 00:35:24,799 Speaker 4: keen on happening. So there were many assassination attempts that 736 00:35:25,080 --> 00:35:28,520 Speaker 4: perpetrated by the CIA. So it's a real it's a 737 00:35:28,560 --> 00:35:31,320 Speaker 4: true story, and it's a story that hasn't been told before. 738 00:35:31,360 --> 00:35:32,640 Speaker 5: So I'm excited for it to get out. 739 00:35:32,680 --> 00:35:34,680 Speaker 1: And that's twenty twenty five. Also, yes to a big 740 00:35:34,719 --> 00:35:35,439 Speaker 1: twenty twenty five. 741 00:35:35,440 --> 00:35:36,799 Speaker 5: Come in Big twenty twenty five. 742 00:35:36,880 --> 00:35:39,000 Speaker 1: And if people want to in any way connect with you, 743 00:35:39,360 --> 00:35:41,040 Speaker 1: I know they can't get a hold of you directly. 744 00:35:41,160 --> 00:35:43,600 Speaker 1: Do not think that you're dming with him. Where will 745 00:35:43,640 --> 00:35:44,200 Speaker 1: they find you? 746 00:35:45,000 --> 00:35:49,240 Speaker 4: I'm on Twitter and I'm on Instagram Titus Wellover official 747 00:35:49,280 --> 00:35:51,960 Speaker 4: fan site, and then I'm just on my own handle 748 00:35:52,040 --> 00:35:55,520 Speaker 4: on Twitter, and I'm out there and about there. 749 00:35:55,719 --> 00:35:58,120 Speaker 1: Perfect, And I hope you have a wonderful twenty twenty five. 750 00:35:58,239 --> 00:36:00,080 Speaker 1: Thank you, and thank you so much for coming and 751 00:36:00,400 --> 00:36:02,680 Speaker 1: talking to me for too long about all these great things. 752 00:36:02,800 --> 00:36:05,120 Speaker 5: It's a pleasure to be here. Thank you for having me. 753 00:36:15,200 --> 00:36:18,920 Speaker 1: All right there you go, Titus well Over. You know 754 00:36:19,000 --> 00:36:21,520 Speaker 1: we haven't done in a long time. We haven't done 755 00:36:21,520 --> 00:36:24,200 Speaker 1: and asked me anything or a burn book. I've gotten 756 00:36:24,280 --> 00:36:26,040 Speaker 1: way off topic with everything. You got someone you want 757 00:36:26,040 --> 00:36:26,560 Speaker 1: to burn. 758 00:36:26,480 --> 00:36:31,399 Speaker 6: Had to burn last week and I thought about it 759 00:36:31,440 --> 00:36:34,719 Speaker 6: and then totally forgot to bring it up, and now 760 00:36:34,840 --> 00:36:38,000 Speaker 6: I can't think about it, like I can't think of 761 00:36:38,040 --> 00:36:38,640 Speaker 6: who it is. 762 00:36:38,800 --> 00:36:40,440 Speaker 3: Oh my gosh, it's someone we know too. 763 00:36:41,920 --> 00:36:43,319 Speaker 1: I want to burn a couple of people we know, 764 00:36:43,440 --> 00:36:45,400 Speaker 1: but you already know that one and that one's too involved. 765 00:36:45,400 --> 00:36:47,880 Speaker 1: We can't get into it. Oh God, at some point 766 00:36:48,280 --> 00:36:52,680 Speaker 1: we will, we will, but not yet, too new, too fresh. 767 00:36:52,760 --> 00:36:54,440 Speaker 1: I didn't like the torch by the way it was 768 00:36:54,520 --> 00:36:55,560 Speaker 1: lit by others. 769 00:36:56,080 --> 00:36:58,719 Speaker 3: Does that sound like a like a fire that? 770 00:37:00,840 --> 00:37:01,000 Speaker 4: Oh? 771 00:37:01,080 --> 00:37:03,319 Speaker 6: Actually, I do want to burn these people because they're 772 00:37:03,360 --> 00:37:05,359 Speaker 6: calling me right now. Oh it's the place that does 773 00:37:05,400 --> 00:37:08,960 Speaker 6: my eyelashes. I lesh has done last Monday. Why is 774 00:37:09,040 --> 00:37:12,600 Speaker 6: there a gap over here? I don't understand, So excuse 775 00:37:12,640 --> 00:37:15,719 Speaker 6: me while I burn them with word You trying to 776 00:37:15,760 --> 00:37:18,799 Speaker 6: drop an in? No, because let's see if they give 777 00:37:18,840 --> 00:37:19,520 Speaker 6: me a free. 778 00:37:19,680 --> 00:37:21,839 Speaker 1: Not when people are messing with your eyes. Okay, that's 779 00:37:21,840 --> 00:37:25,680 Speaker 1: the burn book and Diamond just walked out, So we're 780 00:37:25,680 --> 00:37:27,600 Speaker 1: gonna wrap this up. If you want to get a 781 00:37:27,640 --> 00:37:30,799 Speaker 1: hold of me at Baby Hot Sauce on Instagram and 782 00:37:31,000 --> 00:37:34,960 Speaker 1: threads I think Twitter as well. Diamond is at Diamond 783 00:37:35,040 --> 00:37:38,560 Speaker 1: Sincere andrews at Andrew Pug, all of that on Instagram 784 00:37:38,560 --> 00:37:40,120 Speaker 1: and thank you for listening. We love you guys so much. 785 00:37:40,200 --> 00:37:42,120 Speaker 1: This is not the last episode. We have to figure 786 00:37:42,120 --> 00:37:43,759 Speaker 1: out what we're gonna do with it. Okay, see you 787 00:37:43,760 --> 00:37:44,200 Speaker 1: next time.