1 00:00:00,120 --> 00:00:03,960 Speaker 1: We'll calling and we're putting in a summons for time 2 00:00:04,080 --> 00:00:09,680 Speaker 1: step Drake. That's the dude that should be arriving. But 3 00:00:09,720 --> 00:00:14,240 Speaker 1: we're getting these kind of things now. But this dude 4 00:00:14,280 --> 00:00:16,800 Speaker 1: is a worldwide artist that just went through a world 5 00:00:16,920 --> 00:00:20,959 Speaker 1: title fight. It still facts over feelings. You still have 6 00:00:21,079 --> 00:00:23,919 Speaker 1: to manage. You have to manage this battle that you 7 00:00:24,040 --> 00:00:26,119 Speaker 1: was just saying, and manage this brand that you have 8 00:00:26,600 --> 00:00:30,000 Speaker 1: took twenty years to took damn near twenty years to 9 00:00:30,040 --> 00:00:33,960 Speaker 1: get wed and say has he been affected by the 10 00:00:34,000 --> 00:00:37,400 Speaker 1: battle and is he trying to ignore it and act 11 00:00:37,560 --> 00:00:41,200 Speaker 1: like it didn't happen. You can be the smartest man 12 00:00:41,280 --> 00:00:43,239 Speaker 1: in the world, but you better hire alloy you when 13 00:00:43,280 --> 00:00:46,200 Speaker 1: you go to court. There's things that's one hundred years 14 00:00:46,240 --> 00:00:50,120 Speaker 1: of trickery and understanding and interpreting of the law. That 15 00:00:50,200 --> 00:00:52,640 Speaker 1: you're smart and your wit ain't gonna be able to 16 00:00:52,680 --> 00:00:55,160 Speaker 1: make you through. When you come in and you as 17 00:00:55,200 --> 00:01:00,000 Speaker 1: talented as Drake is, your talent spearheads you through the problem. 18 00:01:00,040 --> 00:01:02,600 Speaker 1: I said, it's in you hiject the process. You get 19 00:01:02,600 --> 00:01:08,440 Speaker 1: to get out of deals that you signed to the algorithm. 20 00:01:08,560 --> 00:01:10,880 Speaker 1: This is only for the algorithm matters. I ain't talking 21 00:01:10,920 --> 00:01:15,120 Speaker 1: about this stealing waves, riding waves. I'm talking about for generals, 22 00:01:15,160 --> 00:01:19,520 Speaker 1: this adding to algorithms. And so I think Drake, somewhere 23 00:01:19,560 --> 00:01:22,319 Speaker 1: along the line, thought he was so powerful that a 24 00:01:22,360 --> 00:01:24,920 Speaker 1: war couldn't take ut, that a war couldn't pop off. 25 00:01:25,440 --> 00:01:28,400 Speaker 1: Their problems really couldn't pop off because people needed them, 26 00:01:28,640 --> 00:01:31,200 Speaker 1: and people in their thirst for attention, that thirst for 27 00:01:31,280 --> 00:01:33,600 Speaker 1: this game, that thirst for a number one record, that 28 00:01:33,680 --> 00:01:36,400 Speaker 1: thirst for chart placing it, it'll keep them in check. 29 00:01:37,840 --> 00:01:41,479 Speaker 1: It's the old saying about feeling love. He thought love 30 00:01:41,520 --> 00:01:43,960 Speaker 1: would keep people in check. I've always told people is 31 00:01:44,040 --> 00:01:48,760 Speaker 1: fear they keeps in check. The mistakes Drake has made 32 00:01:50,280 --> 00:01:54,279 Speaker 1: along his illustrious career one of the biggest artists ever 33 00:01:55,080 --> 00:02:00,280 Speaker 1: in music, is he never connected with the people that 34 00:02:00,480 --> 00:02:02,040 Speaker 1: had the information. 35 00:02:02,200 --> 00:02:02,960 Speaker 2: That nigga. 36 00:02:04,800 --> 00:02:08,680 Speaker 1: Exactly, my man, Lord, that my man loans old loan, 37 00:02:08,760 --> 00:02:12,320 Speaker 1: new little Okay, okay. 38 00:02:12,360 --> 00:02:14,919 Speaker 3: All ops, munch, it's up there and stuck that nigga. 39 00:02:15,560 --> 00:02:20,840 Speaker 1: When it's up there, Man, it's stuck there. Shut up, yo, 40 00:02:20,880 --> 00:02:22,880 Speaker 1: Let's take a break from the show. This episode is 41 00:02:22,880 --> 00:02:25,240 Speaker 1: brought to you by Prize Picks, the number one daily 42 00:02:25,320 --> 00:02:28,000 Speaker 1: fantasy sports app in North America. Yeah, I said it. 43 00:02:28,040 --> 00:02:30,519 Speaker 1: I meant it. It's on the floor. Get it. It's 44 00:02:30,520 --> 00:02:33,800 Speaker 1: on the floid. Prize Picks. Get it, it's on the floid. 45 00:02:33,840 --> 00:02:36,320 Speaker 1: Prize Picks. Let me explain something to you. They turned 46 00:02:36,440 --> 00:02:39,440 Speaker 1: ten dollars into a thousand dollars in Prize pick. You 47 00:02:39,520 --> 00:02:41,520 Speaker 1: use my code I U T P, and you a 48 00:02:41,600 --> 00:02:42,400 Speaker 1: new sign up. 49 00:02:42,960 --> 00:02:43,120 Speaker 3: Man. 50 00:02:43,160 --> 00:02:46,000 Speaker 1: Guess what we shoot something to you. Put something on 51 00:02:46,040 --> 00:02:48,320 Speaker 1: the name not the game, and put something in your bank. 52 00:02:48,480 --> 00:02:51,240 Speaker 1: Get me, man, listen, pick up when I'm putting down man, 53 00:02:51,240 --> 00:02:54,040 Speaker 1: this episode that brought to you by Prize Pigs. All 54 00:02:54,080 --> 00:02:56,520 Speaker 1: you gotta do is test your skills. You run with 55 00:02:56,560 --> 00:02:59,520 Speaker 1: Steph Curry, Put yours on Steph Curry, Ryan with Lebron, 56 00:02:59,600 --> 00:03:03,720 Speaker 1: Put yours on Lebron. You ran with Sakon Barkley, put yours. Yeah, 57 00:03:03,800 --> 00:03:06,840 Speaker 1: that's how it go. Clark, put yours on right And 58 00:03:06,880 --> 00:03:09,800 Speaker 1: if you support me this video, this episode is brought 59 00:03:09,800 --> 00:03:14,120 Speaker 1: to you by Prize Picks. Do yourself a favor. Sign 60 00:03:14,240 --> 00:03:17,480 Speaker 1: up right now Prize picks dot com. Use my code 61 00:03:17,520 --> 00:03:20,200 Speaker 1: I U T P. Ain't nothing bigger than this airplane. 62 00:03:20,560 --> 00:03:57,960 Speaker 1: It's up there. Let's get back to the show. Let's 63 00:03:58,000 --> 00:04:02,200 Speaker 1: go walk to It's up there podcast. I go by 64 00:04:02,240 --> 00:04:05,080 Speaker 1: Big Lo, your active and attractive hosts for another episode 65 00:04:05,080 --> 00:04:08,320 Speaker 1: of the fastest going podcast on the market. Right now, 66 00:04:08,360 --> 00:04:12,280 Speaker 1: I want to thank every single person that clicks any 67 00:04:12,280 --> 00:04:16,240 Speaker 1: one of my video subscribes like Shares, however you involved 68 00:04:16,240 --> 00:04:19,080 Speaker 1: the engage with our side of this culture. I want 69 00:04:19,120 --> 00:04:21,279 Speaker 1: to thank you from the center on my soul. It's 70 00:04:21,360 --> 00:04:23,960 Speaker 1: Up There podcast is the leader of the new school, 71 00:04:24,600 --> 00:04:27,000 Speaker 1: and I don't see anyone out there disputing that. So 72 00:04:27,080 --> 00:04:29,560 Speaker 1: I want to thank you guys for riding with us 73 00:04:29,600 --> 00:04:34,120 Speaker 1: as we roll through this industry and build something monumental 74 00:04:34,279 --> 00:04:39,240 Speaker 1: that can withstand the weather and the ring. Right It's 75 00:04:39,320 --> 00:04:42,680 Speaker 1: up There Podcast. Go to patreon dot com It's up 76 00:04:42,720 --> 00:04:44,920 Speaker 1: There Podcast for more of the vibes to tap in 77 00:04:45,000 --> 00:04:49,200 Speaker 1: with me personally. The website is loading, merch is loading. 78 00:04:49,240 --> 00:04:52,120 Speaker 1: I appreciate the love out there. We got things I 79 00:04:52,120 --> 00:04:55,160 Speaker 1: want to talk about today. You know, I pop in 80 00:04:55,200 --> 00:04:57,680 Speaker 1: here and and give y' all these solo one on ones. 81 00:04:57,960 --> 00:04:59,920 Speaker 1: You know, soon I'm gonna be back in my bag 82 00:05:00,040 --> 00:05:03,720 Speaker 1: where it's just hell of consistent, right because I can 83 00:05:03,760 --> 00:05:06,600 Speaker 1: tell you guys really enjoying. The numbers go up every 84 00:05:06,600 --> 00:05:10,960 Speaker 1: single time, and this part of the business usually lives 85 00:05:10,960 --> 00:05:14,960 Speaker 1: behind the paywall, but we got something instore new for 86 00:05:15,080 --> 00:05:18,080 Speaker 1: our paywall customers, and I think they're gonna appreciate that. 87 00:05:18,279 --> 00:05:21,400 Speaker 1: So everyone is here right now, however, you support me. 88 00:05:21,480 --> 00:05:23,920 Speaker 1: Thank you. There's a lot going on in the industry, 89 00:05:23,920 --> 00:05:28,120 Speaker 1: a lot going on in the game, and we're gonna 90 00:05:28,160 --> 00:05:30,919 Speaker 1: speak about it. Before I get into a topic, I 91 00:05:30,920 --> 00:05:33,320 Speaker 1: do want to say Rick Ross just had his car show. 92 00:05:33,360 --> 00:05:36,080 Speaker 1: For those on the where Rick Ross has a very 93 00:05:36,120 --> 00:05:39,400 Speaker 1: successful car show in Atlanta. He's ran into some red 94 00:05:39,440 --> 00:05:43,000 Speaker 1: tape with the state due to the number of people 95 00:05:43,000 --> 00:05:47,000 Speaker 1: that come flying in to come on his property to 96 00:05:47,080 --> 00:05:49,680 Speaker 1: go to this car shows. They say they pay top dollar. 97 00:05:49,800 --> 00:05:51,400 Speaker 1: So this time I think they may have had some 98 00:05:52,360 --> 00:05:55,919 Speaker 1: forecasting issues as it pertains to ticket sales. It looks 99 00:05:55,960 --> 00:05:58,440 Speaker 1: like there was some pushback saying, hey, a lot of 100 00:05:58,440 --> 00:06:01,400 Speaker 1: people didn't get in. Not sure if that's the case. 101 00:06:01,880 --> 00:06:05,599 Speaker 1: I really don't know what happened. But interesting conversation me 102 00:06:05,640 --> 00:06:10,880 Speaker 1: and a homeboy had was speaking about was Rick Ross's money, 103 00:06:10,920 --> 00:06:14,120 Speaker 1: because I essentially heard Joe Budden come out and say, yo, 104 00:06:14,240 --> 00:06:17,640 Speaker 1: if I was meet me a Wilee any of those 105 00:06:17,680 --> 00:06:20,520 Speaker 1: guys that had business with Rick Ross, then I would 106 00:06:20,520 --> 00:06:23,839 Speaker 1: addit Ross, what he's insinuating is is that Ross is 107 00:06:23,880 --> 00:06:26,640 Speaker 1: falling way too hard to not have stolen some of 108 00:06:26,640 --> 00:06:29,839 Speaker 1: the label tricks as it pertains to how they benefit 109 00:06:29,880 --> 00:06:32,120 Speaker 1: from the artists in ways that the artists may not 110 00:06:32,279 --> 00:06:35,240 Speaker 1: be priview to, right, So I think that's what the 111 00:06:35,279 --> 00:06:41,680 Speaker 1: insinuation is. He spoke to the fact that horses were 112 00:06:41,680 --> 00:06:44,880 Speaker 1: eating hay from out of a Ferrari right. Of course, 113 00:06:45,560 --> 00:06:49,160 Speaker 1: for whatever reason, Rick Ross does these outlandish things, right, 114 00:06:49,240 --> 00:06:53,800 Speaker 1: and he shows off his wealth in that way. But 115 00:06:54,160 --> 00:06:56,800 Speaker 1: I want to talk about the fact that Number one, 116 00:06:56,880 --> 00:07:01,160 Speaker 1: Joe Budden wants Fall intensive person purposes. He wants the 117 00:07:01,200 --> 00:07:04,479 Speaker 1: people who were signing the Ross and MMG two basically 118 00:07:04,480 --> 00:07:08,080 Speaker 1: outed him. He thinks there's some money hidding somewhere because 119 00:07:08,120 --> 00:07:12,320 Speaker 1: this dude is doing far too well in Joe Budden's opinion. 120 00:07:13,440 --> 00:07:15,400 Speaker 1: But I was speaking to one of my friends and 121 00:07:15,440 --> 00:07:17,360 Speaker 1: I said, Man, I think Rick Ross got the game 122 00:07:17,480 --> 00:07:19,680 Speaker 1: damn near through the pandemic. It seemed like he had 123 00:07:19,680 --> 00:07:22,120 Speaker 1: to rush your money through the pandemic. He was hustling 124 00:07:22,160 --> 00:07:24,880 Speaker 1: before that. See a lot of people don't know this, 125 00:07:25,080 --> 00:07:29,040 Speaker 1: but if you were in position and that pandemic hit, 126 00:07:29,560 --> 00:07:32,200 Speaker 1: depending on what industry you was in, you made a 127 00:07:32,240 --> 00:07:34,840 Speaker 1: ton of money. And I believe Rick Ross to be 128 00:07:34,880 --> 00:07:37,520 Speaker 1: one of those people that got in and was in 129 00:07:37,600 --> 00:07:40,800 Speaker 1: position the pandemic hit, and I think he liquidated most 130 00:07:40,840 --> 00:07:43,080 Speaker 1: of the restaurants and things like that, and then the 131 00:07:43,160 --> 00:07:46,280 Speaker 1: move and then moved into real estate. And I think 132 00:07:46,320 --> 00:07:50,040 Speaker 1: the real estate played. That's long term play that you 133 00:07:50,120 --> 00:07:51,960 Speaker 1: really can't cancel. Me. If I got a bunch of 134 00:07:52,000 --> 00:07:55,120 Speaker 1: real estate, it don't I'm not depending on my celebrity 135 00:07:55,160 --> 00:07:58,040 Speaker 1: for my next meal. And that's what happens. A lot 136 00:07:58,040 --> 00:07:59,680 Speaker 1: of the rappers, a lot of the people in the 137 00:07:59,760 --> 00:08:02,920 Speaker 1: end tame in industry. They rely so much on their celebrity, 138 00:08:02,920 --> 00:08:06,320 Speaker 1: but they don't understand that that's a fleeting attribute. Because 139 00:08:06,360 --> 00:08:08,640 Speaker 1: if you've been famous for ten years and you don't 140 00:08:08,680 --> 00:08:12,960 Speaker 1: constantly do things that make people remain interested, then you 141 00:08:13,240 --> 00:08:15,559 Speaker 1: just the famous person. You had your wave the first 142 00:08:15,600 --> 00:08:18,320 Speaker 1: one or two years you got famous. Now in your 143 00:08:18,400 --> 00:08:22,880 Speaker 1: fifteenth year of being this person that is famous, that 144 00:08:23,000 --> 00:08:25,320 Speaker 1: may not be a real thirst for your celebrity in 145 00:08:25,360 --> 00:08:27,480 Speaker 1: the market. Now, there may be people that can do 146 00:08:27,560 --> 00:08:30,120 Speaker 1: things with your celebrity that you can't do, Like you 147 00:08:30,200 --> 00:08:31,760 Speaker 1: may go on to love and hip hop and it 148 00:08:31,840 --> 00:08:35,240 Speaker 1: amplify your celebrity that you really couldn't do nothing with 149 00:08:35,320 --> 00:08:38,040 Speaker 1: it because you've been famous for twenty years and you 150 00:08:38,160 --> 00:08:41,600 Speaker 1: lost the work ethic somewhere along the road. But someone 151 00:08:41,840 --> 00:08:44,520 Speaker 1: who again has a structure and in position, can take 152 00:08:44,600 --> 00:08:48,400 Speaker 1: that old celebrity, put them on in front of an audience. Now, 153 00:08:48,480 --> 00:08:50,720 Speaker 1: put a storyline, a test to them. Right, there's a 154 00:08:50,760 --> 00:08:53,880 Speaker 1: way to make this stuff shine out. It don't just 155 00:08:54,000 --> 00:08:57,800 Speaker 1: shine because of who you are. There's a formula that's technique. 156 00:08:57,840 --> 00:09:00,480 Speaker 1: And we'll get to Drake later about how I truly 157 00:09:00,520 --> 00:09:04,480 Speaker 1: believe he's kind of ignored the technique. You know, the 158 00:09:04,640 --> 00:09:07,920 Speaker 1: arrogance is a blindfold. People must understand that. Now feel 159 00:09:07,960 --> 00:09:10,679 Speaker 1: as though Drake has been arrogant in this game because 160 00:09:10,720 --> 00:09:14,280 Speaker 1: he's reignd Supreme for so long and very talented artists 161 00:09:14,320 --> 00:09:17,040 Speaker 1: and has been able to accomplish things that other people 162 00:09:17,080 --> 00:09:19,199 Speaker 1: have not been able to accomplish. I want to be 163 00:09:19,240 --> 00:09:23,280 Speaker 1: clear about that. But there is still structure, infrastructure, and 164 00:09:23,440 --> 00:09:28,360 Speaker 1: technique that's been in this industry that you must respect, 165 00:09:28,760 --> 00:09:34,400 Speaker 1: not style. Technique, not style technique. Style is how you 166 00:09:34,559 --> 00:09:37,920 Speaker 1: do some technique is how it needs to be done. 167 00:09:38,679 --> 00:09:41,400 Speaker 1: A lot of you got style in this game, but 168 00:09:41,480 --> 00:09:45,160 Speaker 1: you don't have technique, and so you gotta respect the predecessors, 169 00:09:45,200 --> 00:09:48,760 Speaker 1: not even if for nothing else, for their information. But 170 00:09:48,840 --> 00:09:50,720 Speaker 1: we'll get to Drake in just a second. I'm gonna 171 00:09:50,720 --> 00:09:53,199 Speaker 1: deal with Ross and how I think he may acquire 172 00:09:53,240 --> 00:09:56,360 Speaker 1: the wealth. I could be wrong with someone in the comments, 173 00:09:56,520 --> 00:10:00,000 Speaker 1: or you know, someone reacting. Let me know what you're feeling. 174 00:10:00,440 --> 00:10:03,480 Speaker 1: But I truly believe that Ross had a bunch of 175 00:10:03,520 --> 00:10:07,080 Speaker 1: the Checkers the wing stops, because if you notice, he's 176 00:10:07,080 --> 00:10:09,320 Speaker 1: not heavy on wings Stop no more. He's not heavy 177 00:10:09,320 --> 00:10:12,280 Speaker 1: on Checkers no more. You know, if he's asked about it, 178 00:10:12,280 --> 00:10:14,040 Speaker 1: it's a part of his brand, so he may not 179 00:10:14,160 --> 00:10:17,080 Speaker 1: shoot it down, but it doesn't seem like he's invested 180 00:10:17,120 --> 00:10:19,080 Speaker 1: in the same way. At the car shows, you don't 181 00:10:19,080 --> 00:10:22,120 Speaker 1: see Checkers and wings Stop, at least I don't. There's 182 00:10:22,160 --> 00:10:25,320 Speaker 1: no front facing marketed or any deliverables that I can 183 00:10:25,360 --> 00:10:28,880 Speaker 1: see that wings Stop had any involvement or Checkers had 184 00:10:28,920 --> 00:10:32,480 Speaker 1: any involvement. I truly believe during the pandemic he dumped 185 00:10:32,520 --> 00:10:35,360 Speaker 1: all of that. He also has the liquor, the bell 186 00:10:35,440 --> 00:10:38,320 Speaker 1: A Liquor. I think he's going to keep the bell liquor. 187 00:10:38,360 --> 00:10:42,800 Speaker 1: That company he's involved with with Burt, who is another 188 00:10:42,880 --> 00:10:45,720 Speaker 1: person that did high level business for a long time. 189 00:10:46,400 --> 00:10:49,720 Speaker 1: But I believe Ross acquired his money now. I think 190 00:10:49,760 --> 00:10:51,920 Speaker 1: his money lives in real estate. But I do think 191 00:10:52,080 --> 00:10:55,840 Speaker 1: during the pandemic, something happened with the wings stop talking, 192 00:10:55,960 --> 00:10:59,839 Speaker 1: the restaurant talk. Something happened. He got away from all 193 00:10:59,840 --> 00:11:01,560 Speaker 1: of it, and it seemed like he popped up in 194 00:11:01,600 --> 00:11:04,440 Speaker 1: real estate and just started being on on these different 195 00:11:04,440 --> 00:11:07,040 Speaker 1: work sites where he was basically where he was demolishing 196 00:11:07,080 --> 00:11:10,200 Speaker 1: properties and rebuilding them. I remember he bought Meek's property. 197 00:11:11,440 --> 00:11:13,960 Speaker 1: He bought a property on the West Coast, and I 198 00:11:14,000 --> 00:11:17,240 Speaker 1: believe he is in the business of flipping houses. And 199 00:11:17,320 --> 00:11:21,240 Speaker 1: he transitioned whatever wealth he had that may have three 200 00:11:21,360 --> 00:11:24,200 Speaker 1: or four x that the pandemic, maybe even five x 201 00:11:24,720 --> 00:11:27,160 Speaker 1: in the pandemic, and got into real estate. And now 202 00:11:27,240 --> 00:11:32,400 Speaker 1: that placed them in a very interesting financial situation. But 203 00:11:32,679 --> 00:11:35,000 Speaker 1: he's doing well if you pay attention to the business 204 00:11:35,000 --> 00:11:38,679 Speaker 1: side of things, right, he's clearly in the know of 205 00:11:38,760 --> 00:11:41,320 Speaker 1: this real estate game. When you make a thirty million 206 00:11:41,360 --> 00:11:44,400 Speaker 1: dollar purchase and go to tearing shit down, like y'all 207 00:11:44,440 --> 00:11:47,559 Speaker 1: know what's going on, somebody got a plan and understanding 208 00:11:48,120 --> 00:11:51,080 Speaker 1: as to what it'll look like around here in the future, 209 00:11:51,120 --> 00:11:52,920 Speaker 1: and I think he's one of those people that's been 210 00:11:52,920 --> 00:11:55,480 Speaker 1: paying attention. And so I believe the theme for things 211 00:11:55,520 --> 00:11:58,040 Speaker 1: like that is opportunities and knowing when to tap into 212 00:11:58,080 --> 00:12:00,400 Speaker 1: the opportunities. I know I come off the people like 213 00:12:00,440 --> 00:12:02,880 Speaker 1: I'm always kicking game, and that's just part of who 214 00:12:02,920 --> 00:12:04,960 Speaker 1: I am. That's just who I am, Right, I'm a 215 00:12:05,040 --> 00:12:08,880 Speaker 1: problem solve, I'm a game giver. I'm a certified real 216 00:12:10,520 --> 00:12:12,880 Speaker 1: You dig what I'm saying. I'm one of them, guys, 217 00:12:12,960 --> 00:12:17,080 Speaker 1: You know what I'm saying. Hopefully, throughout this journey, y'all 218 00:12:17,120 --> 00:12:19,280 Speaker 1: all be able to see other sides of me, because 219 00:12:19,720 --> 00:12:21,720 Speaker 1: you know, I come from a background where I have 220 00:12:21,800 --> 00:12:24,640 Speaker 1: a bunch of different talents and a bunch of different 221 00:12:24,720 --> 00:12:28,080 Speaker 1: understandings on things, right, a bunch of different ways to 222 00:12:28,200 --> 00:12:32,160 Speaker 1: navigate scenarios and things that I can show and shine 223 00:12:32,600 --> 00:12:36,280 Speaker 1: and give people insight about. And I think as we 224 00:12:36,400 --> 00:12:39,199 Speaker 1: continue to move you guys will be able to see 225 00:12:39,200 --> 00:12:41,240 Speaker 1: more and more of that. I mean, we got a 226 00:12:41,240 --> 00:12:42,480 Speaker 1: lot to talk about today. 227 00:12:42,520 --> 00:12:42,640 Speaker 4: Man. 228 00:12:42,679 --> 00:12:45,400 Speaker 1: We're gonna talk about Drake featuring on what they're calling 229 00:12:45,440 --> 00:12:48,880 Speaker 1: a spoof of us on On, and we're gonna get 230 00:12:48,920 --> 00:12:52,200 Speaker 1: some reviews as to what the actual people are feeling 231 00:12:52,200 --> 00:12:56,560 Speaker 1: about this. Also, we're gonna talk about Kanye West and 232 00:12:56,640 --> 00:13:02,439 Speaker 1: the dream they've been hit with as say, lawsuits, not criminal, 233 00:13:02,920 --> 00:13:05,880 Speaker 1: but lawsuits. We're also going to talk about Cardi B 234 00:13:06,000 --> 00:13:09,520 Speaker 1: and beer, and then you know, we may get out 235 00:13:09,559 --> 00:13:11,800 Speaker 1: here after that. I wanted to talk a little about 236 00:13:11,840 --> 00:13:14,480 Speaker 1: Glenn Big Baby Davis and what he has going on. 237 00:13:14,600 --> 00:13:20,080 Speaker 1: I think he has a very interesting case, and for me, 238 00:13:20,440 --> 00:13:23,840 Speaker 1: he seemed really media trained. On this Van Lathen interview 239 00:13:23,880 --> 00:13:28,280 Speaker 1: that I've seen, it almost comes off as as fake. 240 00:13:28,880 --> 00:13:32,040 Speaker 1: He was so media trained, you know, it's almost like 241 00:13:32,120 --> 00:13:34,560 Speaker 1: someone has told him, like, you got to talk like this, 242 00:13:34,679 --> 00:13:36,840 Speaker 1: And when you go through the NBA, I'm sure you 243 00:13:37,480 --> 00:13:41,600 Speaker 1: take certain courses in classes that provides you with a 244 00:13:41,679 --> 00:13:45,320 Speaker 1: level of understanding of how to speak. And so again, 245 00:13:45,600 --> 00:13:48,160 Speaker 1: some of us get it, but others it will just 246 00:13:48,280 --> 00:13:51,440 Speaker 1: fall flat and it'll come off as faith right. But 247 00:13:51,559 --> 00:13:54,679 Speaker 1: I think his case is interesting and we'll get to 248 00:13:54,679 --> 00:13:56,360 Speaker 1: that at some other point when we can have a 249 00:13:56,400 --> 00:14:01,960 Speaker 1: real conversation about the NBA, the insurance frauds surrounding the NBA, 250 00:14:02,760 --> 00:14:07,240 Speaker 1: what the players need after retiring from the NBA, Like 251 00:14:07,280 --> 00:14:11,920 Speaker 1: this conversation to be had surrounding this whole professional athlete 252 00:14:12,440 --> 00:14:16,200 Speaker 1: insurance bubble. Like people tend to look at it and say, 253 00:14:16,240 --> 00:14:19,480 Speaker 1: those guys are doing the wrong thing. But sometimes I 254 00:14:19,600 --> 00:14:22,640 Speaker 1: ask you to bear witness to a lifestyle that you 255 00:14:22,800 --> 00:14:26,880 Speaker 1: cannot sustain. You may not understand what it's like to 256 00:14:26,920 --> 00:14:30,120 Speaker 1: have a house that your family think is paid for, 257 00:14:30,320 --> 00:14:35,320 Speaker 1: but the taxes is really crippling you every single year. Right, 258 00:14:35,720 --> 00:14:38,480 Speaker 1: you don't understand what it feels like to be in 259 00:14:38,520 --> 00:14:43,000 Speaker 1: no shadow waters man, And sometimes getting money destroys you. 260 00:14:43,200 --> 00:14:48,200 Speaker 1: Sometimes people win the lotto and their life is completely destroyed. 261 00:14:48,480 --> 00:14:50,960 Speaker 1: They no longer have that structure in their life. You 262 00:14:51,040 --> 00:14:53,160 Speaker 1: got to create a new structure when you get a 263 00:14:53,160 --> 00:14:56,080 Speaker 1: certain amount of money, or something may happen to you. 264 00:14:57,120 --> 00:14:59,680 Speaker 1: So let's talk about Drake unless you've been under a rock. 265 00:15:00,160 --> 00:15:02,600 Speaker 1: Over the past few months, Drake and Kendrick Lamar has 266 00:15:02,600 --> 00:15:06,160 Speaker 1: been in a fierce battle for top shotter. As it 267 00:15:06,200 --> 00:15:10,240 Speaker 1: pertains to the rap world, these guys have dropped I 268 00:15:10,320 --> 00:15:14,000 Speaker 1: believe six to seven songs apiece going at each other 269 00:15:14,400 --> 00:15:19,240 Speaker 1: as they attempt to dissect one another lyrically and expose 270 00:15:19,320 --> 00:15:22,840 Speaker 1: each other in front of millions and millions of people. 271 00:15:23,280 --> 00:15:26,280 Speaker 1: There's been a lot of scandals surrounding it, there's been 272 00:15:26,320 --> 00:15:29,240 Speaker 1: a lot of monumental stats surrounding it. But what we're 273 00:15:29,280 --> 00:15:35,120 Speaker 1: gonna look at today is Drake's comeback. And sometimes you 274 00:15:35,200 --> 00:15:38,800 Speaker 1: say come back and it feels like he lost. But 275 00:15:39,760 --> 00:15:44,000 Speaker 1: Drake has to manage this thing still. And what it 276 00:15:44,040 --> 00:15:46,360 Speaker 1: feels like with some of these drops, right, you got 277 00:15:46,400 --> 00:15:48,840 Speaker 1: the sixy red drop and we'll get the sexy Red. 278 00:15:48,880 --> 00:15:51,960 Speaker 1: I believe she may be under the control of white 279 00:15:52,040 --> 00:15:55,600 Speaker 1: people at labels. I'm not sure. I'm not sure, and 280 00:15:55,640 --> 00:15:58,320 Speaker 1: it may not necessarily be white people, but I do 281 00:15:58,360 --> 00:16:04,360 Speaker 1: believe there's a real corporate interests that corporatize in sexy Red, 282 00:16:05,160 --> 00:16:07,400 Speaker 1: and the father you go right with it, the more 283 00:16:07,440 --> 00:16:10,880 Speaker 1: they applaud you because they understand that's probably the only 284 00:16:10,960 --> 00:16:14,960 Speaker 1: thing in Land while you simultaneously do every white platform 285 00:16:15,040 --> 00:16:18,440 Speaker 1: that is not going to resonate with you when things 286 00:16:18,440 --> 00:16:21,160 Speaker 1: start to hit the fan. So Drake drops a sexy 287 00:16:21,160 --> 00:16:23,440 Speaker 1: Red feature I believe him, the old sexy Red that 288 00:16:23,880 --> 00:16:25,840 Speaker 1: I believe him is sexy Red to have some sort 289 00:16:25,880 --> 00:16:28,400 Speaker 1: of relationship where he feels like, Yo, I'm gonna be 290 00:16:28,440 --> 00:16:32,680 Speaker 1: on your first album, and I hope that the song 291 00:16:32,760 --> 00:16:34,920 Speaker 1: does well. I think they may have swapped because she 292 00:16:35,080 --> 00:16:37,880 Speaker 1: was on his and she is in her arc right now. 293 00:16:37,920 --> 00:16:40,920 Speaker 1: She's in a very she's in a very good position, 294 00:16:41,000 --> 00:16:44,160 Speaker 1: but she's in a very fickle industry. Right when we 295 00:16:44,240 --> 00:16:47,880 Speaker 1: pay attention to what's happening, even with the person who 296 00:16:47,960 --> 00:16:50,520 Speaker 1: was speaking about Drake, you see this industry, it's fickle. 297 00:16:51,000 --> 00:16:54,240 Speaker 1: But let's read this complex article about this new Drake 298 00:16:54,360 --> 00:16:57,480 Speaker 1: song and what he said. Drake features on new song 299 00:16:57,600 --> 00:17:03,440 Speaker 1: whileand Lala. On Monday, June third, social media personality snow 300 00:17:03,520 --> 00:17:06,800 Speaker 1: D release a parody of Plain White Tea two thousands 301 00:17:06,800 --> 00:17:09,960 Speaker 1: man's hit Hey dere De Lalla. To the surprise of many, 302 00:17:10,040 --> 00:17:18,120 Speaker 1: Drake appeared on the second verse. Let's listen, Damie, if 303 00:17:18,160 --> 00:17:21,240 Speaker 1: you like me, brom ain't corona fair Besty. 304 00:17:21,400 --> 00:17:27,720 Speaker 2: Sorry he's wearing a shysty He's not beat your madam. 305 00:17:29,400 --> 00:17:31,040 Speaker 2: Sure do you want to eat. 306 00:17:32,800 --> 00:17:41,359 Speaker 1: Short Dezer maka Mary Jean Walk Guandolaia. 307 00:17:41,560 --> 00:17:43,760 Speaker 2: No, I'm late because there's better traffic. 308 00:17:43,880 --> 00:17:45,320 Speaker 1: I just showed my dog. 309 00:17:45,359 --> 00:17:48,280 Speaker 2: Your grammy said he knows a man. I slapped it. 310 00:17:48,440 --> 00:17:55,640 Speaker 2: I'm so cheese, your madam, Wisa night Turkey, I'm bent 311 00:17:55,800 --> 00:18:02,119 Speaker 2: low key walk Guandolaila double Damian if you like me 312 00:18:02,160 --> 00:18:05,960 Speaker 2: and bro My Cronin for your besty. Sorry, he's wearing 313 00:18:06,080 --> 00:18:12,000 Speaker 2: a shisty. He's not big, it's just too smoky. 314 00:18:11,520 --> 00:18:18,280 Speaker 1: In these sheets. So you see he's he's getting in 315 00:18:18,400 --> 00:18:20,680 Speaker 1: one of those accents and it gets hard and hard 316 00:18:20,720 --> 00:18:23,000 Speaker 1: as the days go by and the songs drop. This 317 00:18:23,200 --> 00:18:26,720 Speaker 1: not one of them Timestamp songs. Listen, Drake, We're all 318 00:18:26,720 --> 00:18:31,960 Speaker 1: calling for Timestamp Drake. There's even rumblings that Timestamp Drake 319 00:18:32,080 --> 00:18:35,520 Speaker 1: no longer exists. We're calling and we're putting in a 320 00:18:35,560 --> 00:18:42,200 Speaker 1: summons for time Stamp Drake. That's the dude that should 321 00:18:42,320 --> 00:18:44,760 Speaker 1: be arriving. But we getting these kind of things now. 322 00:18:45,160 --> 00:18:48,200 Speaker 1: I hear the argument online that this is for Toronto people. 323 00:18:48,280 --> 00:18:51,080 Speaker 1: Great shout out to Toronto, but this dude is a 324 00:18:51,080 --> 00:18:54,240 Speaker 1: world wide artist that just went through a world title fight. 325 00:18:54,760 --> 00:18:58,320 Speaker 1: It still facts over feelings. You still have to manage. 326 00:18:58,840 --> 00:19:01,240 Speaker 1: You have to manage this battle that you was just saying, 327 00:19:01,240 --> 00:19:04,240 Speaker 1: and manage this brand that you have took twenty years 328 00:19:04,280 --> 00:19:07,520 Speaker 1: to took damn Itar twenty years to get. Wedd said, 329 00:19:07,600 --> 00:19:10,040 Speaker 1: you don't just disregard the brand with the level of 330 00:19:10,160 --> 00:19:13,680 Speaker 1: carelessness to continue to drop these songs that's aimed out 331 00:19:13,680 --> 00:19:17,159 Speaker 1: of the direction where people are continuing to say you 332 00:19:17,800 --> 00:19:21,160 Speaker 1: lost yourself in and I know sometimes it's Internet father, 333 00:19:22,080 --> 00:19:25,000 Speaker 1: but I'm not sure if right now this is Internet fada, 334 00:19:26,280 --> 00:19:29,840 Speaker 1: Like we're summers in timestamp, Drake, he has to come out. 335 00:19:30,119 --> 00:19:32,720 Speaker 1: And so I asked myself, what is Drake thinking doing 336 00:19:32,800 --> 00:19:36,160 Speaker 1: a spoof record after that kind of battle, Like what 337 00:19:36,160 --> 00:19:39,480 Speaker 1: what's the mindset behind that? What are we from a 338 00:19:39,520 --> 00:19:42,919 Speaker 1: brand perspective? What are we trying to accomplish? Or are 339 00:19:42,960 --> 00:19:44,960 Speaker 1: we just ignoring and were just trying to come back 340 00:19:45,000 --> 00:19:47,520 Speaker 1: outside like we didn't have a fight yesterday, Like you 341 00:19:47,560 --> 00:19:49,640 Speaker 1: can't just come back on the block, like we didn't 342 00:19:49,640 --> 00:19:53,240 Speaker 1: see y'all. Just was scrapping dog and it looked like 343 00:19:53,280 --> 00:19:55,840 Speaker 1: you lost and everybody thought you was the mad and 344 00:19:55,880 --> 00:19:59,400 Speaker 1: then you started to hit the statistics fly about Yo, 345 00:19:59,480 --> 00:20:02,000 Speaker 1: this is the first song of Drake's that hasn't charted, 346 00:20:02,160 --> 00:20:06,480 Speaker 1: that hasn't been well received, And so you ask yourself, Yo, 347 00:20:06,680 --> 00:20:09,240 Speaker 1: is this a narrative being pushed on Drake or what 348 00:20:09,320 --> 00:20:12,719 Speaker 1: is happening? I truly believe that he's did a terrible 349 00:20:12,800 --> 00:20:18,280 Speaker 1: job at managing this whole debaccle from the battle all 350 00:20:18,320 --> 00:20:21,920 Speaker 1: the way down to exiting the battle, even into right now. 351 00:20:21,960 --> 00:20:24,280 Speaker 1: I think they're doing a terrible job at managing this, 352 00:20:24,520 --> 00:20:27,520 Speaker 1: but I believe arrogance is a blindfold and Drake has 353 00:20:27,560 --> 00:20:29,960 Speaker 1: been blinded for far too long. One thing I've never 354 00:20:30,000 --> 00:20:33,879 Speaker 1: seen Drake do is link with the guys with the information. 355 00:20:34,200 --> 00:20:36,640 Speaker 1: I've never seen him do that, and I believe that 356 00:20:36,720 --> 00:20:40,000 Speaker 1: at this point comes back to biting, because the information 357 00:20:40,160 --> 00:20:45,080 Speaker 1: needed to navigate in these kind of waters you can 358 00:20:45,160 --> 00:20:48,240 Speaker 1: only get from a person that's been in these kind 359 00:20:48,240 --> 00:20:49,879 Speaker 1: of waters. So what I want to do is I 360 00:20:49,920 --> 00:20:52,240 Speaker 1: want to take a post on the real world and 361 00:20:52,280 --> 00:20:54,199 Speaker 1: I want to listen to what some of the people 362 00:20:54,280 --> 00:20:57,959 Speaker 1: online are thinking about Drake's new song. Let's pay attention. 363 00:20:58,160 --> 00:21:00,880 Speaker 3: You're surprised everyone and drop the brand song and it's 364 00:21:00,880 --> 00:21:02,480 Speaker 3: not what you think. If you want to stay up there, 365 00:21:02,600 --> 00:21:04,639 Speaker 3: only does Drake News make sure to give me a follow. 366 00:21:04,720 --> 00:21:07,160 Speaker 3: So Drake just dropped a new song and it's remix 367 00:21:07,240 --> 00:21:08,480 Speaker 3: of Hey There, Delilah. 368 00:21:08,760 --> 00:21:10,120 Speaker 1: Yes you heard that right. 369 00:21:10,280 --> 00:21:12,439 Speaker 3: Yeah, Drake decided to drop a remix with one of 370 00:21:12,480 --> 00:21:16,200 Speaker 3: his ovo artists of Hey There Delilah, except now it's 371 00:21:16,240 --> 00:21:18,680 Speaker 3: the Toronto and Canadian version. 372 00:21:18,359 --> 00:21:19,280 Speaker 1: And I'm not gonna hold you. 373 00:21:19,359 --> 00:21:22,960 Speaker 3: This song is kind of actually absolutely garbage, and it's like, 374 00:21:22,960 --> 00:21:25,160 Speaker 3: what did Kendrick Lamar really do this man? First off, 375 00:21:25,200 --> 00:21:30,360 Speaker 3: this dude was spitting over Baby Drizzy, Oh, Baby Drizzy. 376 00:21:30,680 --> 00:21:33,439 Speaker 3: Now he's doing a Hey there Delilah remix. Honestly, if 377 00:21:33,440 --> 00:21:35,880 Speaker 3: this is just like a straight up Hey there Delilah remix, 378 00:21:35,920 --> 00:21:38,280 Speaker 3: you know Drake just singing this hard out, it would 379 00:21:38,320 --> 00:21:40,240 Speaker 3: honestly be pretty fire. I think the thing that's throwing 380 00:21:40,280 --> 00:21:42,080 Speaker 3: a lot of people off is they expected Drake to 381 00:21:42,080 --> 00:21:44,600 Speaker 3: get serious with his music or drops some new music 382 00:21:44,720 --> 00:21:47,560 Speaker 3: himself after his beef with Kendrick Lamar, but it seems 383 00:21:47,600 --> 00:21:50,200 Speaker 3: like he's been going in the opposite direction. And between 384 00:21:50,240 --> 00:21:55,920 Speaker 3: this song and j Cole going it's it's it's grippy. Yeah, 385 00:21:56,040 --> 00:21:59,040 Speaker 3: Kendrick Lamar has done irreversible things to these two man's career. 386 00:21:59,400 --> 00:22:01,600 Speaker 3: When Drake's do you have music coming this summer? 387 00:22:03,080 --> 00:22:08,240 Speaker 5: Was he talking about Guang Guandalilah Guanandlilah straight trash? I 388 00:22:08,280 --> 00:22:10,840 Speaker 5: thought that was some AI stuff. I was hoping it 389 00:22:10,880 --> 00:22:13,159 Speaker 5: was Ai and with everyone's. 390 00:22:12,640 --> 00:22:14,920 Speaker 4: Reacity, so Drake is dropping a new song. You know, 391 00:22:15,000 --> 00:22:17,280 Speaker 4: they sing any song this is a Hey Delilah remix. 392 00:22:17,480 --> 00:22:20,800 Speaker 4: Whatever you think this sound like, you're wrong, whatever you're thinking, 393 00:22:21,000 --> 00:22:23,560 Speaker 4: get it out your head. I couldn't believe my ears, Like, 394 00:22:23,640 --> 00:22:25,639 Speaker 4: I hope this is fake. I hope this is AI. 395 00:22:25,880 --> 00:22:28,960 Speaker 4: I'm being booted and I'm stuttering play the clip. 396 00:22:40,240 --> 00:22:43,000 Speaker 1: He just dropped the brand news. Some of the Drake 397 00:22:43,080 --> 00:22:46,480 Speaker 1: fans are not being as receptive to this record as 398 00:22:46,480 --> 00:22:49,280 Speaker 1: probably he will want them to be. Now, if you're 399 00:22:49,280 --> 00:22:52,480 Speaker 1: making a regional song after a battle of this magnitude, 400 00:22:53,240 --> 00:22:55,800 Speaker 1: it just cannot be overstated how much you guys are 401 00:22:55,840 --> 00:22:59,720 Speaker 1: mishandling this brand that has been built over the last 402 00:22:59,760 --> 00:23:03,439 Speaker 1: ten in fifteen years flawlessly. I want to deal with 403 00:23:03,640 --> 00:23:06,480 Speaker 1: is there something wrong with Drake at this point? Has 404 00:23:06,520 --> 00:23:08,240 Speaker 1: he been affected by the battle w and is he 405 00:23:08,320 --> 00:23:13,399 Speaker 1: trying to like ignore it and act like it didn't happen. Unfortunately, 406 00:23:13,560 --> 00:23:15,840 Speaker 1: that's just not how these kind of things work. But 407 00:23:15,880 --> 00:23:17,840 Speaker 1: I'm going to push back on the narrative that he 408 00:23:18,040 --> 00:23:23,560 Speaker 1: owns part of people's contract and all of this crocish 409 00:23:23,840 --> 00:23:27,560 Speaker 1: that they've presented to the media that's really been birthed 410 00:23:27,560 --> 00:23:30,200 Speaker 1: on I believe one platform, but I want to push 411 00:23:30,240 --> 00:23:32,280 Speaker 1: back on that and I want to provide some context 412 00:23:32,280 --> 00:23:35,080 Speaker 1: of what I believe. I think Drake has been so 413 00:23:35,280 --> 00:23:39,000 Speaker 1: talented for so long that the level of confidence he's 414 00:23:39,040 --> 00:23:42,920 Speaker 1: been able to garner over the last ten or fifteen years, 415 00:23:43,520 --> 00:23:45,359 Speaker 1: I mean because when you put it in perspective, you 416 00:23:45,359 --> 00:23:47,320 Speaker 1: look at some of the records that he's being able 417 00:23:47,359 --> 00:23:50,400 Speaker 1: to break. We talk about Michael Jackson, we talk about 418 00:23:50,440 --> 00:23:53,879 Speaker 1: the Beatles, right, we talk about some of music's giants 419 00:23:54,480 --> 00:23:57,920 Speaker 1: that Drake has ran alongside of. As it pertains to sales, 420 00:23:58,520 --> 00:24:02,040 Speaker 1: not favorites in the cold people listening and thinking, ah, 421 00:24:02,160 --> 00:24:05,840 Speaker 1: he can outrap, were talking bout hard numbers when we 422 00:24:05,880 --> 00:24:09,200 Speaker 1: look at the sales and the tools and the certain 423 00:24:09,200 --> 00:24:14,840 Speaker 1: things that's involved with making money in this industry. One 424 00:24:14,880 --> 00:24:16,880 Speaker 1: reason I want to push back on the fact that 425 00:24:16,960 --> 00:24:22,119 Speaker 1: he owns everyone's music because listen, on one end, you 426 00:24:22,200 --> 00:24:25,080 Speaker 1: can't say that Drake has a percentage of everyone's music 427 00:24:25,280 --> 00:24:28,040 Speaker 1: or mostly the big artist, or he has a deal 428 00:24:28,080 --> 00:24:30,639 Speaker 1: with every label that has him eating off every artist. 429 00:24:31,119 --> 00:24:33,720 Speaker 1: You can't say that on one end and then say 430 00:24:33,760 --> 00:24:37,159 Speaker 1: he's the only big act that tours this much continuating it. 431 00:24:37,280 --> 00:24:39,840 Speaker 1: That's how he's paying the money back that he's received 432 00:24:39,840 --> 00:24:42,320 Speaker 1: from the label. I don't think those two things can 433 00:24:42,359 --> 00:24:44,560 Speaker 1: live in the same place. I don't think you can say, yo, 434 00:24:45,280 --> 00:24:48,960 Speaker 1: he's moving around torn more than any big artist or 435 00:24:49,000 --> 00:24:52,200 Speaker 1: any artist of that magnitude. Nobody moves around that much. 436 00:24:53,040 --> 00:24:55,800 Speaker 1: I would say that's part of the deal of like, Yo, 437 00:24:55,880 --> 00:24:58,480 Speaker 1: we give you this upfront money, we eat off the tools, 438 00:24:58,480 --> 00:25:00,520 Speaker 1: we eat off the sales, the merch eat off of 439 00:25:00,600 --> 00:25:02,920 Speaker 1: whatever we can to try to get that money back. 440 00:25:03,160 --> 00:25:05,960 Speaker 1: But you are gonna guarantee us one tour every year, 441 00:25:06,440 --> 00:25:09,399 Speaker 1: one too on each album, or you're gonna guarantee us 442 00:25:09,480 --> 00:25:12,199 Speaker 1: a way or pathway to see this money back. And 443 00:25:12,240 --> 00:25:15,920 Speaker 1: so if you're counting this fake revenue that everyone says 444 00:25:15,960 --> 00:25:19,160 Speaker 1: that he's involved with all these different artists, I don't 445 00:25:19,200 --> 00:25:22,200 Speaker 1: see him in a position to have to tour that much. 446 00:25:22,840 --> 00:25:26,159 Speaker 1: That's just my thinking. But also, when you get this 447 00:25:26,320 --> 00:25:29,920 Speaker 1: famous and you're just talented, and it happens this way 448 00:25:30,000 --> 00:25:32,240 Speaker 1: for you, and you break the Beatles' records and you 449 00:25:32,280 --> 00:25:36,320 Speaker 1: break Michael Jackson's records and you're artist like Drake again, 450 00:25:36,560 --> 00:25:41,840 Speaker 1: arrogance is a blindfold. Confidence is necessary, but arrogance is 451 00:25:41,840 --> 00:25:44,560 Speaker 1: a blindfold. You don't know enough to be on this 452 00:25:44,680 --> 00:25:48,040 Speaker 1: journey how you on this journey. You a talented little 453 00:25:48,080 --> 00:25:51,000 Speaker 1: mother boy. You don't know enough to be on this journey. 454 00:25:51,880 --> 00:25:54,000 Speaker 1: You can be the smartest man in the world, but 455 00:25:54,040 --> 00:25:56,120 Speaker 1: you better hire alloy you when you go to court. 456 00:25:56,320 --> 00:25:59,880 Speaker 1: There's things, there's one hundred years of trickery and understanding 457 00:26:00,000 --> 00:26:03,080 Speaker 1: and then interpreting of the law that you're smart and 458 00:26:03,160 --> 00:26:05,359 Speaker 1: your wit ain't gonna be able to make you through 459 00:26:05,800 --> 00:26:08,479 Speaker 1: when you come in and you, as talented as Drake is, 460 00:26:09,160 --> 00:26:13,120 Speaker 1: your talent spearheads you through the process and you hijack 461 00:26:13,200 --> 00:26:15,719 Speaker 1: the process. You get to get out of deals that 462 00:26:15,760 --> 00:26:20,080 Speaker 1: you signed, bad deals because your talent, say, get his 463 00:26:20,160 --> 00:26:23,600 Speaker 1: deals right for he stopped recording. This episode is brought 464 00:26:23,640 --> 00:26:26,480 Speaker 1: to you by Prize Picks, the fantasy sports platform that 465 00:26:26,560 --> 00:26:29,560 Speaker 1: is changing the game for people like us. With Prize Picks, 466 00:26:29,640 --> 00:26:32,320 Speaker 1: you can test your knowledge with picking over and under 467 00:26:32,359 --> 00:26:36,080 Speaker 1: for your favorite player stats across a wide variety of sports. 468 00:26:36,200 --> 00:26:40,480 Speaker 1: Thank football, baseball, basketball, and beyond. So why wait? 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My slogan, why would you put some 473 00:26:53,920 --> 00:26:56,320 Speaker 1: on the game when you could put some on the name. 474 00:26:56,640 --> 00:26:59,040 Speaker 1: Let's get into those picks and start winning with prize 475 00:26:59,080 --> 00:27:02,439 Speaker 1: picks today, I utp cole Let's get back to the 476 00:27:02,440 --> 00:27:10,159 Speaker 1: show or mostly the big artist, or he has a 477 00:27:10,240 --> 00:27:13,119 Speaker 1: deal with every label that has him eating off every artist. 478 00:27:13,520 --> 00:27:16,120 Speaker 1: You can't say that on one end and then say 479 00:27:16,160 --> 00:27:19,560 Speaker 1: he's the only big act that tours this much, continuating it. 480 00:27:19,680 --> 00:27:22,240 Speaker 1: That's how he's paying the money back that he's received 481 00:27:22,280 --> 00:27:24,760 Speaker 1: from the label. I don't think those two things can 482 00:27:24,760 --> 00:27:26,960 Speaker 1: live in the same place. I don't think you can say, yo, 483 00:27:27,680 --> 00:27:31,399 Speaker 1: he's moving around torn more than any big artist or 484 00:27:31,400 --> 00:27:34,600 Speaker 1: any artist of that magnitude. Nobody moves around that much. 485 00:27:35,480 --> 00:27:38,240 Speaker 1: I would say that's part of the deal of like, Yo, 486 00:27:38,280 --> 00:27:40,840 Speaker 1: we give you this upfront money, we eat off the tools, 487 00:27:40,880 --> 00:27:42,880 Speaker 1: we eat off the sales, the merch, we eat off 488 00:27:42,880 --> 00:27:45,320 Speaker 1: of whatever we can to try to get that money back. 489 00:27:45,600 --> 00:27:48,440 Speaker 1: But you are gonna guarantee us one tour every year, 490 00:27:48,880 --> 00:27:51,880 Speaker 1: one too on each album, or you're gonna guarantee us 491 00:27:51,880 --> 00:27:54,600 Speaker 1: a way or pathway to see this money back. And 492 00:27:54,640 --> 00:27:58,320 Speaker 1: so if you're counting this fake revenue that everyone says 493 00:27:58,359 --> 00:28:01,359 Speaker 1: that he's involved with all these different an artist, I 494 00:28:01,359 --> 00:28:04,040 Speaker 1: don't see him in a position to have to tour 495 00:28:04,119 --> 00:28:08,239 Speaker 1: that much. That's just my thinking. But also, when you 496 00:28:08,280 --> 00:28:11,880 Speaker 1: get this famous and you're just talented, and it happens 497 00:28:11,880 --> 00:28:14,280 Speaker 1: this way for you, and you break the Beatles' records, 498 00:28:14,280 --> 00:28:17,280 Speaker 1: and you break Michael Jackson's records and you're artist like 499 00:28:17,400 --> 00:28:23,520 Speaker 1: Drake again, arrogance is a blindfold. Confidence is necessary, but 500 00:28:23,720 --> 00:28:26,679 Speaker 1: arrogance is a blindfold. You don't know enough to be 501 00:28:26,720 --> 00:28:29,600 Speaker 1: on this journey. How you on this journey? You a 502 00:28:29,680 --> 00:28:32,520 Speaker 1: talented little mother boy. You don't know enough to be 503 00:28:32,600 --> 00:28:35,800 Speaker 1: on this journey. You can be the smartest man in 504 00:28:35,840 --> 00:28:37,760 Speaker 1: the world, but you better hire alloy you when you 505 00:28:37,840 --> 00:28:40,760 Speaker 1: go to court. There's things that's one hundred years of 506 00:28:40,840 --> 00:28:44,840 Speaker 1: trickery and understanding and interpreting of the law that you're 507 00:28:44,920 --> 00:28:47,280 Speaker 1: smart and your wit ain't gonna be able to make 508 00:28:47,320 --> 00:28:50,040 Speaker 1: you through. When you come in and you as talented 509 00:28:50,080 --> 00:28:54,760 Speaker 1: as Drake is, your talent spearheads you through the process, 510 00:28:54,800 --> 00:28:57,440 Speaker 1: and you hijack the process. You get to get out 511 00:28:57,520 --> 00:29:02,160 Speaker 1: of deals that you signed, bad deals because your talents say, 512 00:29:02,200 --> 00:29:06,680 Speaker 1: get his deals right. For he stopped recording so they 513 00:29:06,720 --> 00:29:11,280 Speaker 1: shred the deals, they modify approaches based on your talent. 514 00:29:11,520 --> 00:29:14,120 Speaker 1: But there's a level of this game where that talent 515 00:29:14,200 --> 00:29:18,200 Speaker 1: don't just work. You need technique. And so on Drake's journey, 516 00:29:18,200 --> 00:29:22,160 Speaker 1: when I seen him coming up in the game and 517 00:29:22,240 --> 00:29:24,520 Speaker 1: he felt he felt the tech, then of course you're 518 00:29:24,520 --> 00:29:26,880 Speaker 1: gonna You're gonna feel at tech like I feel at 519 00:29:26,880 --> 00:29:29,120 Speaker 1: TechEd right now. I feel like people are in this 520 00:29:29,240 --> 00:29:32,680 Speaker 1: media space right powerful young I can do certain things 521 00:29:32,720 --> 00:29:35,440 Speaker 1: on my own, I can make things happen, right, But 522 00:29:36,000 --> 00:29:38,320 Speaker 1: you're gonna feel a tech because you're gonna feel like 523 00:29:38,400 --> 00:29:41,440 Speaker 1: Caitlin Clawk. You're gonna feel like as I came in 524 00:29:41,520 --> 00:29:44,400 Speaker 1: the game, I put a light on it. I'm adding 525 00:29:44,400 --> 00:29:47,320 Speaker 1: to the algorithm. This is only for the algorithm atters. 526 00:29:47,320 --> 00:29:50,800 Speaker 1: I ain't talking about this stealing waves, riding waves. I'm 527 00:29:50,840 --> 00:29:57,040 Speaker 1: talking about for generals. This adding to algorithms. That's presenting 528 00:29:57,040 --> 00:30:02,600 Speaker 1: a different genre of the same sport. When you look 529 00:30:02,640 --> 00:30:05,560 Speaker 1: at Doctor Umar and Big Loan, it's up that podcast 530 00:30:05,600 --> 00:30:09,600 Speaker 1: live that format. You will see Lil Fever now. And 531 00:30:09,680 --> 00:30:11,800 Speaker 1: so if you're Drake, you come into the game and 532 00:30:11,840 --> 00:30:15,800 Speaker 1: you add into the algorithm, and you're gonna be attacked 533 00:30:15,800 --> 00:30:20,720 Speaker 1: by the people before you because you threaten them. Now, 534 00:30:20,720 --> 00:30:22,680 Speaker 1: as a business man, do you look at that it's 535 00:30:22,760 --> 00:30:25,640 Speaker 1: business or from where we come from do you take 536 00:30:25,680 --> 00:30:28,280 Speaker 1: that personal? And so now I can never shake your 537 00:30:28,360 --> 00:30:30,000 Speaker 1: hand because of what you've done to me. When I 538 00:30:30,040 --> 00:30:32,760 Speaker 1: first came in the game, or do five years in 539 00:30:32,840 --> 00:30:35,120 Speaker 1: the game, I shake your hand and we say, boy, 540 00:30:35,200 --> 00:30:37,680 Speaker 1: y'all try to stop me, but you couldn't get it done, 541 00:30:37,800 --> 00:30:41,000 Speaker 1: and they salute that you made it through. So when 542 00:30:41,040 --> 00:30:44,600 Speaker 1: I look at Drake, I look back on it, and 543 00:30:44,640 --> 00:30:48,280 Speaker 1: he felt attack things were happening behind the scenes. You 544 00:30:48,320 --> 00:30:51,040 Speaker 1: heard him rap about it, feeling as though, Yo, they 545 00:30:51,160 --> 00:30:52,880 Speaker 1: trying to get me out of here. They can feel 546 00:30:52,920 --> 00:30:55,320 Speaker 1: that I'm mixed up and they trying to stop it. 547 00:30:55,760 --> 00:30:58,600 Speaker 1: Part of that's natural. I think he may have took 548 00:30:58,600 --> 00:31:01,560 Speaker 1: some of that and deposited it in a way that 549 00:31:01,760 --> 00:31:04,640 Speaker 1: wasn't productive for the journey. It's different buckets. You push 550 00:31:04,640 --> 00:31:06,760 Speaker 1: it in, right, So you gotta deposit some of his 551 00:31:06,880 --> 00:31:10,520 Speaker 1: hate in a way that's still important for the journey. See, 552 00:31:10,560 --> 00:31:12,880 Speaker 1: I'll come over there sometime and fuck with my haters. 553 00:31:12,960 --> 00:31:16,040 Speaker 1: Just what they own, what's their angles, what they saying, 554 00:31:16,120 --> 00:31:20,880 Speaker 1: what they thinking? Broke as nigga what they own. You 555 00:31:20,920 --> 00:31:23,080 Speaker 1: see what I'm saying. I said, come over here and 556 00:31:23,120 --> 00:31:25,800 Speaker 1: fuck with him sometimes yet to see what going on. 557 00:31:26,000 --> 00:31:29,280 Speaker 1: I'm getting inteling information of how the suckers moving in 558 00:31:29,320 --> 00:31:34,560 Speaker 1: the market, but I ain't taking none of that personal. 559 00:31:34,640 --> 00:31:37,640 Speaker 1: Them niggas don't know nothing. These niggas is want of 560 00:31:37,760 --> 00:31:40,880 Speaker 1: bees and hands being. They having no information, So I 561 00:31:40,880 --> 00:31:44,000 Speaker 1: ain't taking nothing personally. They saying, I'm just trying to 562 00:31:44,040 --> 00:31:47,000 Speaker 1: stir water to catch fish. And so I think Drake, 563 00:31:47,080 --> 00:31:50,080 Speaker 1: somewhere along the line, thought he was so powerful that 564 00:31:50,120 --> 00:31:52,800 Speaker 1: a war couldn't take that a war couldn't pop off. 565 00:31:53,320 --> 00:31:56,280 Speaker 1: Their problems really couldn't pop off because people needing them, 566 00:31:56,520 --> 00:31:59,120 Speaker 1: and people in their thirst for attention, that thirst for 567 00:31:59,160 --> 00:32:01,960 Speaker 1: this game for a number one record, that thirst for 568 00:32:02,080 --> 00:32:06,400 Speaker 1: chart placement, it'll keep them in check. It's the old 569 00:32:06,640 --> 00:32:10,120 Speaker 1: saying about fearing love. He thought love would keep people 570 00:32:10,160 --> 00:32:12,959 Speaker 1: in check. I've always told people's fear they keep niggas 571 00:32:13,000 --> 00:32:18,200 Speaker 1: in check. It's fear they keep niggas in check. And 572 00:32:18,280 --> 00:32:22,120 Speaker 1: so when you think because you're talent, people are staying check, 573 00:32:22,400 --> 00:32:24,960 Speaker 1: that's more so because out of love for you, ain't 574 00:32:24,960 --> 00:32:28,880 Speaker 1: nobody feeing your talent ain't nobody feeling the fact you're 575 00:32:28,880 --> 00:32:31,040 Speaker 1: a hell of a business man and you may you 576 00:32:31,160 --> 00:32:33,480 Speaker 1: understand how to navigat and you can crush him and 577 00:32:33,520 --> 00:32:36,080 Speaker 1: stop their paper. I know if you get under fifty 578 00:32:36,120 --> 00:32:39,000 Speaker 1: cent post right now and say anything, his fan's gonna say, 579 00:32:39,040 --> 00:32:41,440 Speaker 1: you don't want that smoke with him. Man, That dude 580 00:32:41,520 --> 00:32:43,920 Speaker 1: gonna get at you. You don't want to. He's known 581 00:32:43,960 --> 00:32:47,760 Speaker 1: as a shrewd business man, and a shrewd businessman standing 582 00:32:47,800 --> 00:32:51,640 Speaker 1: next to a talented artist, and that's real mental gymnastics happening. 583 00:32:52,640 --> 00:32:55,600 Speaker 1: One hundred out of one hundred times that artists has 584 00:32:55,720 --> 00:32:58,760 Speaker 1: issues when you come in this game, especially with the 585 00:32:58,760 --> 00:33:00,800 Speaker 1: signs that he saw at to begin and where you 586 00:33:00,840 --> 00:33:03,080 Speaker 1: felt like they tried to shut him down. That means 587 00:33:03,080 --> 00:33:05,240 Speaker 1: I need to prepare for war because at some point 588 00:33:05,280 --> 00:33:08,880 Speaker 1: in time someone's gonna come with something. Now there's a 589 00:33:08,920 --> 00:33:12,160 Speaker 1: skill set to prepare for something and not worry about it. 590 00:33:12,280 --> 00:33:14,760 Speaker 1: You gotta be prepared for war. But I ain't worried 591 00:33:14,800 --> 00:33:17,120 Speaker 1: about no war. I ain't really looking to go to war, 592 00:33:17,160 --> 00:33:19,920 Speaker 1: but I'm prepared in case of the war. And I 593 00:33:19,920 --> 00:33:22,680 Speaker 1: admit that is a skill itself, just to even say, yo, 594 00:33:22,720 --> 00:33:25,200 Speaker 1: I'm a prepare for some but not worry about it. 595 00:33:25,480 --> 00:33:27,880 Speaker 1: That's a skill set that takes a certain level of 596 00:33:27,920 --> 00:33:31,360 Speaker 1: skill set just to understand, Yo, I'm in this kind 597 00:33:31,400 --> 00:33:33,480 Speaker 1: of game, you know, the kind of money at state Nigga. 598 00:33:33,480 --> 00:33:36,280 Speaker 1: War might pop off at any time. A fight might 599 00:33:36,320 --> 00:33:39,680 Speaker 1: break out at any time. All this money killing may 600 00:33:39,720 --> 00:33:44,280 Speaker 1: have it at any time, the double cross, the triple cross, Yeah, 601 00:33:44,320 --> 00:33:49,000 Speaker 1: at any time. This is high stakes gambling. This is 602 00:33:49,000 --> 00:33:52,000 Speaker 1: an industry been around fifty years. People want to control 603 00:33:52,120 --> 00:33:54,400 Speaker 1: this thing here. It's a lot of money being made, 604 00:33:54,600 --> 00:33:58,920 Speaker 1: this high level jiu jitsu mind games. You gotta prepare 605 00:33:58,960 --> 00:34:01,640 Speaker 1: for the war, but not worry about it, because whatever 606 00:34:01,680 --> 00:34:04,840 Speaker 1: you worry about, you give it what you give it life. 607 00:34:07,640 --> 00:34:09,640 Speaker 1: You gotta know how to fight. But the ain't looking 608 00:34:09,680 --> 00:34:14,400 Speaker 1: for a fight. Dig what I'm saying. The jiu jitsu 609 00:34:14,520 --> 00:34:16,440 Speaker 1: man sit there and he calm is hell because he 610 00:34:16,560 --> 00:34:19,400 Speaker 1: know any event a fight pop off, I'm probably gonna 611 00:34:19,400 --> 00:34:23,560 Speaker 1: do damage around here. It's the man with no real 612 00:34:23,640 --> 00:34:28,440 Speaker 1: sense of the combat that has an over arching confidence 613 00:34:28,520 --> 00:34:30,560 Speaker 1: as to what he gonna do when it crack off 614 00:34:30,640 --> 00:34:33,920 Speaker 1: because he don't know the twenty two hundred different ways 615 00:34:34,160 --> 00:34:37,319 Speaker 1: that a nick can break your jaw he don't got 616 00:34:37,320 --> 00:34:42,120 Speaker 1: the entael his blind confidence and the blind man's shuffle 617 00:34:42,160 --> 00:34:45,640 Speaker 1: gets you so far, but then it gets you. It 618 00:34:45,680 --> 00:34:48,600 Speaker 1: gets you so far, and then it gets you obliterated. 619 00:34:49,040 --> 00:34:52,160 Speaker 1: I'm not gonna really entertain the narrative that Joe and 620 00:34:52,239 --> 00:34:55,840 Speaker 1: some of these other podcasts put out that Yo, Drake 621 00:34:56,040 --> 00:34:59,919 Speaker 1: owns a piece of everybody's contract, Like, I'm gonna stay 622 00:35:00,000 --> 00:35:02,759 Speaker 1: away from that. I ain't gonna even I ain't gonna 623 00:35:02,800 --> 00:35:07,040 Speaker 1: even lend that any credence. I will entertain though that 624 00:35:07,200 --> 00:35:10,759 Speaker 1: Drake confidence has waivering. You gotta remember that Drake has 625 00:35:10,800 --> 00:35:13,960 Speaker 1: been celebrating victories for ten or fifteen years. What could 626 00:35:14,000 --> 00:35:17,160 Speaker 1: be perceived as a loss really hurts after the victories 627 00:35:17,200 --> 00:35:21,320 Speaker 1: that's been celebrated. Right, So if you in fifteen years 628 00:35:21,719 --> 00:35:24,440 Speaker 1: having the best party and everybody's showing up, and then 629 00:35:24,520 --> 00:35:27,799 Speaker 1: on year sixteen, no number three people come, it's it's 630 00:35:27,840 --> 00:35:30,680 Speaker 1: a more disappointment than on your first party only three 631 00:35:30,719 --> 00:35:34,360 Speaker 1: people come. You know what I'm saying. There's disappointment attached 632 00:35:34,360 --> 00:35:40,520 Speaker 1: to how far you fail from. And I do truly 633 00:35:40,560 --> 00:35:44,359 Speaker 1: believe that Drake may be feeling the effix of some 634 00:35:44,400 --> 00:35:47,280 Speaker 1: of these rhetorican narratives. That's been put in the street 635 00:35:48,239 --> 00:35:52,279 Speaker 1: by Kendrick Lamar. And I know most people don't understand that. Yo, 636 00:35:52,360 --> 00:35:55,160 Speaker 1: you don't need confidence when you at work like you 637 00:35:55,239 --> 00:35:57,600 Speaker 1: just do the job. If you fix breaks, you fix 638 00:35:57,680 --> 00:36:00,640 Speaker 1: the breaks, if you got confidence or not. But it's 639 00:36:00,680 --> 00:36:03,319 Speaker 1: a different thing when you actually make things and put 640 00:36:03,320 --> 00:36:05,920 Speaker 1: them out into the world. The number one threat to 641 00:36:06,000 --> 00:36:11,600 Speaker 1: a creative of things is someone that can capture your confidence. 642 00:36:13,120 --> 00:36:17,320 Speaker 1: And your confidence can be captured from outside of your body, 643 00:36:17,880 --> 00:36:21,000 Speaker 1: but you have to deal with it internally. And one 644 00:36:21,000 --> 00:36:25,640 Speaker 1: should not be confused or tricked by the mask because 645 00:36:25,680 --> 00:36:28,000 Speaker 1: you gotta understand that people can come out in a 646 00:36:28,080 --> 00:36:31,799 Speaker 1: peer confident, but they really really have been going through 647 00:36:31,800 --> 00:36:34,040 Speaker 1: some things that has been crushing what they used to 648 00:36:34,120 --> 00:36:36,799 Speaker 1: think about themselves. So when I look at Drake, I 649 00:36:36,840 --> 00:36:40,880 Speaker 1: truly believe his confidence has been wavering since the Kendrick 650 00:36:40,960 --> 00:36:45,880 Speaker 1: Lamar situation has took place. It felt like he's listening 651 00:36:45,920 --> 00:36:51,280 Speaker 1: to comedians and podcast guys with one of the bigger 652 00:36:51,320 --> 00:36:53,960 Speaker 1: brands in the world. It just never made sense. Now 653 00:36:54,000 --> 00:36:57,160 Speaker 1: one of these people you're listening to has any information 654 00:36:57,239 --> 00:37:00,480 Speaker 1: about the industry that you are reign and supreme in. Now, 655 00:37:00,480 --> 00:37:03,360 Speaker 1: how important is confidence? For a creator or someone that 656 00:37:03,480 --> 00:37:05,880 Speaker 1: has the thing in real time and use their mind. 657 00:37:06,000 --> 00:37:09,440 Speaker 1: I was looking at Deontay Wilde over the weekend, and 658 00:37:09,560 --> 00:37:11,920 Speaker 1: as I watched Deontay Wilder get in that ring in 659 00:37:11,960 --> 00:37:13,759 Speaker 1: the way that he was fighting, it ain't that his 660 00:37:13,880 --> 00:37:17,520 Speaker 1: right hand don't pack power anymore. It ain't the fact 661 00:37:17,520 --> 00:37:20,000 Speaker 1: that he don't know how to throw a right hand anymore. 662 00:37:20,920 --> 00:37:24,600 Speaker 1: It's the fact that Tyson Fury captured his confidence and 663 00:37:24,680 --> 00:37:29,360 Speaker 1: he don't believe in it no more. He don't believe 664 00:37:29,400 --> 00:37:32,839 Speaker 1: in it no more. And you know that by his actions, 665 00:37:33,000 --> 00:37:36,480 Speaker 1: not by his words, because the mouth can say things 666 00:37:36,520 --> 00:37:42,200 Speaker 1: that the mind won't ever feel. When you watch Deontay 667 00:37:42,200 --> 00:37:44,120 Speaker 1: Wilde and he's in the ring and he's giving you 668 00:37:44,160 --> 00:37:46,480 Speaker 1: one of these, he ain't even fighting, he's giving you this. 669 00:37:47,200 --> 00:37:49,239 Speaker 1: He's just trying to keep you away from him. That 670 00:37:49,280 --> 00:37:52,400 Speaker 1: ain't Deontay wild To Deonte, you need to be in 671 00:37:52,440 --> 00:37:56,560 Speaker 1: there throwing them joints. You need to be in there 672 00:37:56,640 --> 00:38:01,799 Speaker 1: handling your business. But you wouldn't prepared to get knocked out. 673 00:38:04,400 --> 00:38:07,000 Speaker 1: Not that you needed to worry about getting knocked out, 674 00:38:07,719 --> 00:38:10,879 Speaker 1: but somewhere along the process you had to develop your 675 00:38:10,920 --> 00:38:14,560 Speaker 1: defense as well. A lot of these new ways. Niggas 676 00:38:14,640 --> 00:38:19,080 Speaker 1: is all offense. They all offense when they hanging out 677 00:38:19,080 --> 00:38:21,240 Speaker 1: the Wonder. It's cool when you hanging out the Wonder, 678 00:38:21,280 --> 00:38:24,080 Speaker 1: it ain't cool. It's cool when they do it. It's 679 00:38:24,120 --> 00:38:27,000 Speaker 1: a problem when not do it. And so people will 680 00:38:27,040 --> 00:38:29,600 Speaker 1: look at you if you someone like Drake or Deontay 681 00:38:29,640 --> 00:38:32,920 Speaker 1: Wide or one of these kind of people that's reigned 682 00:38:32,960 --> 00:38:35,160 Speaker 1: supreme for a while in the industry, and they'll say, man, 683 00:38:35,200 --> 00:38:38,680 Speaker 1: it's just a loss. Man, pick yourself up. Oh it 684 00:38:38,719 --> 00:38:42,040 Speaker 1: ain't over, man, just keep it going. It's like, it's 685 00:38:42,080 --> 00:38:45,080 Speaker 1: not just the loss, it's the fashion in which you lose. 686 00:38:46,160 --> 00:38:48,960 Speaker 1: It's what did I lose? Because if you look at 687 00:38:49,040 --> 00:38:52,120 Speaker 1: Drake and it's order prior to Kendrick start firing back, 688 00:38:52,880 --> 00:38:57,319 Speaker 1: you heard a man that was so confident that there 689 00:38:57,440 --> 00:39:00,480 Speaker 1: was nothing that Kendrick Lamar can do with him. It's like, 690 00:39:01,280 --> 00:39:03,799 Speaker 1: how much of this has you really considered? And who 691 00:39:03,840 --> 00:39:06,359 Speaker 1: have you been around it has advised you of what 692 00:39:06,440 --> 00:39:10,640 Speaker 1: the parameters truly are. So it's not just a loss. 693 00:39:11,000 --> 00:39:13,560 Speaker 1: It's not just about losing. It's how far you came 694 00:39:13,600 --> 00:39:15,840 Speaker 1: before you lost. It's the nature of the loss. Was 695 00:39:15,840 --> 00:39:19,680 Speaker 1: it a vicious loss? Do we feel cheated. Do we 696 00:39:19,760 --> 00:39:24,840 Speaker 1: feel slighted? Because these things can capture your confidence. But 697 00:39:24,920 --> 00:39:28,920 Speaker 1: I believe one of the mistakes Drake has made along 698 00:39:29,040 --> 00:39:34,120 Speaker 1: his illustrious career, one of the biggest artists ever in music, 699 00:39:35,760 --> 00:39:39,719 Speaker 1: is he never connected with the people that had the information. 700 00:39:41,239 --> 00:39:43,520 Speaker 1: I guess this is why you saw me on the side, 701 00:39:43,600 --> 00:39:46,839 Speaker 1: because wasn't nobody in the South in this battle, But 702 00:39:46,920 --> 00:39:49,919 Speaker 1: you saw me along with Drake and Kendrick battle saying 703 00:39:49,960 --> 00:39:53,879 Speaker 1: what is he doing? Oh, he thinks he don't need 704 00:39:53,920 --> 00:39:59,000 Speaker 1: the information. He thinks talent gonna get it done. But 705 00:39:59,080 --> 00:40:02,520 Speaker 1: they come with fifteen years of winning. You've never seen 706 00:40:02,600 --> 00:40:07,560 Speaker 1: him embrace j You don't think You don't think Diddy 707 00:40:07,640 --> 00:40:11,880 Speaker 1: try to cut Jay down. You don't think some of 708 00:40:11,920 --> 00:40:14,160 Speaker 1: these people that Jay had to do business with with, 709 00:40:14,280 --> 00:40:16,520 Speaker 1: some of the people that tried to cut him down 710 00:40:16,640 --> 00:40:19,680 Speaker 1: upon his entry because it was business's markets shit. He 711 00:40:19,800 --> 00:40:24,080 Speaker 1: people don't know who they fucking with. And so it 712 00:40:24,120 --> 00:40:27,440 Speaker 1: feels like Drake took everything so personal that happened to 713 00:40:27,520 --> 00:40:29,200 Speaker 1: him on the front end. And again I don't know, 714 00:40:30,200 --> 00:40:32,879 Speaker 1: I don't know how far things went, but he would 715 00:40:32,920 --> 00:40:35,720 Speaker 1: speak about it being an effort to shut him down 716 00:40:35,880 --> 00:40:38,799 Speaker 1: from the elites in the music industry. Listen. Once you 717 00:40:38,880 --> 00:40:41,720 Speaker 1: got through that, it's now time to get with these 718 00:40:41,760 --> 00:40:45,960 Speaker 1: gentlemen and try to figure out the information. I have 719 00:40:46,000 --> 00:40:48,600 Speaker 1: a deal with Charlemagne to God with my podcast. It 720 00:40:48,640 --> 00:40:51,640 Speaker 1: ain't just because I'm a fan of Charlemagne and he's 721 00:40:51,760 --> 00:40:53,560 Speaker 1: one of the people that made the most money in 722 00:40:53,600 --> 00:40:56,000 Speaker 1: the game. Is for me to be able to actually 723 00:40:56,040 --> 00:40:59,640 Speaker 1: see the end of workings, to actually see what is offered, 724 00:40:59,680 --> 00:41:02,520 Speaker 1: what is going on, what is really the moves? How 725 00:41:02,560 --> 00:41:06,120 Speaker 1: powerful is it this is the guy that sits on 726 00:41:06,120 --> 00:41:08,560 Speaker 1: one of the thrones in hip hop? How much of 727 00:41:08,680 --> 00:41:12,720 Speaker 1: reach do we have? What can they do to tell 728 00:41:12,800 --> 00:41:17,439 Speaker 1: me at that level what's available or what's distributed? Right, 729 00:41:17,880 --> 00:41:20,960 Speaker 1: It's things I gotta learn from being in this seat. 730 00:41:21,640 --> 00:41:24,759 Speaker 1: So you gotta link with the people that has been there, 731 00:41:25,440 --> 00:41:27,759 Speaker 1: and that's just to get the armor to know what 732 00:41:27,800 --> 00:41:30,839 Speaker 1: you need to get the tools you'll use to get 733 00:41:30,840 --> 00:41:34,799 Speaker 1: the understanding of how to navigate these shallow waters as 734 00:41:34,800 --> 00:41:38,240 Speaker 1: a black artist, as a black podcaster, as a black creator, 735 00:41:38,280 --> 00:41:42,600 Speaker 1: as a black businessman, as a black entrepreneur. You saw 736 00:41:42,719 --> 00:41:45,200 Speaker 1: Drake get with bird Man. He quickly got away from 737 00:41:45,239 --> 00:41:49,400 Speaker 1: bird Man, got over there with j prince. I'm not 738 00:41:49,440 --> 00:41:52,399 Speaker 1: sure how involved they all with his everyday business. These 739 00:41:52,480 --> 00:41:58,799 Speaker 1: more so look like you know, distant relationships, you know, 740 00:41:58,960 --> 00:42:03,640 Speaker 1: premium relations but distant at that right, So not someone 741 00:42:03,719 --> 00:42:05,920 Speaker 1: that he doesn't care about and he won't answer the 742 00:42:05,920 --> 00:42:09,160 Speaker 1: call for. But not nobody I call and I speak 743 00:42:09,200 --> 00:42:11,719 Speaker 1: to on that level that can really I can really 744 00:42:11,760 --> 00:42:15,040 Speaker 1: get into the weeds about these conversations with where we 745 00:42:15,080 --> 00:42:18,319 Speaker 1: can work these ideas out about my approach, how I'm 746 00:42:18,360 --> 00:42:21,080 Speaker 1: doing what I need to do the tax game, because 747 00:42:21,080 --> 00:42:23,080 Speaker 1: that's where they whooping a lot of these guys at. 748 00:42:24,080 --> 00:42:26,480 Speaker 1: But that's a totally different thing. I want to take 749 00:42:26,520 --> 00:42:28,799 Speaker 1: a listen to what jay Z told Drake. I think 750 00:42:28,840 --> 00:42:31,200 Speaker 1: this is interesting because this was a monumental time. I 751 00:42:31,239 --> 00:42:35,719 Speaker 1: think this was the time where if Drake wasn't emotionally 752 00:42:35,760 --> 00:42:40,239 Speaker 1: attached to whatever tax happened, and the business was his 753 00:42:40,440 --> 00:42:44,120 Speaker 1: main priority. I think this is the time where the 754 00:42:44,280 --> 00:42:49,480 Speaker 1: embrace comes. But it almost felt like jay Z and 755 00:42:49,600 --> 00:42:52,600 Speaker 1: Drake were on songs, and sometimes Drake will still get 756 00:42:52,600 --> 00:42:54,399 Speaker 1: off of that song, go to the left and then 757 00:42:54,400 --> 00:43:00,759 Speaker 1: shoot at them. Dudes, pay attention much, blog, I just 758 00:43:00,760 --> 00:43:01,399 Speaker 1: went to town. 759 00:43:01,480 --> 00:43:04,920 Speaker 5: I don't do too much jocket. I ain't got a 760 00:43:04,960 --> 00:43:07,879 Speaker 5: scar yet. You fucking will be getting my dog's far 761 00:43:08,040 --> 00:43:12,160 Speaker 5: fetch Drake. Here's how the gonna compatch you with silly 762 00:43:12,239 --> 00:43:16,040 Speaker 5: Bradford tried to distract you in disguise in the form 763 00:43:16,120 --> 00:43:18,000 Speaker 5: of a faith from the far seeing me. 764 00:43:18,480 --> 00:43:22,120 Speaker 1: Watch for the traders. I have seen it all. Turn 765 00:43:22,200 --> 00:43:23,360 Speaker 1: it off, swatting. 766 00:43:23,400 --> 00:43:25,399 Speaker 5: None of these dump thumps could run them off. 767 00:43:25,840 --> 00:43:29,439 Speaker 1: Becum us off the winner too. I think those couple 768 00:43:29,480 --> 00:43:33,719 Speaker 1: of lines were some of the more important lines on 769 00:43:33,760 --> 00:43:36,319 Speaker 1: a song to Drake. You know when you look when 770 00:43:36,360 --> 00:43:41,320 Speaker 1: you look at it in retrospect, because here you're dealing 771 00:43:41,320 --> 00:43:44,719 Speaker 1: with someone in jay Z that started a label with 772 00:43:44,760 --> 00:43:48,160 Speaker 1: three people, Dame Dash being involved, having a spine out 773 00:43:48,160 --> 00:43:50,400 Speaker 1: of that and still laying on my feet end up 774 00:43:50,400 --> 00:43:53,120 Speaker 1: being at the head of death jail. Do you understand 775 00:43:53,120 --> 00:43:57,120 Speaker 1: the level of information, dude, guy, just from the journey, 776 00:43:58,960 --> 00:44:02,640 Speaker 1: just from the journey, Like there's a level of understanding 777 00:44:02,680 --> 00:44:04,799 Speaker 1: that go along with that, just from the journey. I 778 00:44:04,800 --> 00:44:07,799 Speaker 1: don't think people can truly grasp and you need that. 779 00:44:09,280 --> 00:44:12,239 Speaker 1: You need the armor, my nigga. You don't just need 780 00:44:12,280 --> 00:44:15,520 Speaker 1: the gun. The talent is the gun. The arm is 781 00:44:15,560 --> 00:44:19,160 Speaker 1: the understanding. The information you need the armor because y'all 782 00:44:19,239 --> 00:44:21,640 Speaker 1: nigga showing up with guns but your head and chests 783 00:44:21,640 --> 00:44:25,520 Speaker 1: wide open. Because sure you can outrap people, Sure you can, 784 00:44:26,000 --> 00:44:27,960 Speaker 1: Sure you can make a song at any moment. But 785 00:44:28,040 --> 00:44:31,040 Speaker 1: what happens when they change the narrative on you? Now 786 00:44:31,080 --> 00:44:36,160 Speaker 1: your talent is being tested. Now everything you think about 787 00:44:36,160 --> 00:44:40,200 Speaker 1: yourself is being tested. And truth, if we're being honest, 788 00:44:40,520 --> 00:44:43,400 Speaker 1: you really don't know what you are until it is tested. 789 00:44:44,560 --> 00:44:47,360 Speaker 1: Unto it does go on the level of quality control, 790 00:44:47,560 --> 00:44:49,839 Speaker 1: you really don't know what you are. See. The true 791 00:44:49,880 --> 00:44:52,200 Speaker 1: test of the bulletproof vests ain't wearing it. It's when 792 00:44:52,239 --> 00:44:57,120 Speaker 1: something hit it, the durability of it. Kennywith stand a hit, 793 00:44:58,560 --> 00:45:00,720 Speaker 1: I know what you calling it. Know what you said 794 00:45:00,960 --> 00:45:04,040 Speaker 1: is have it ever been shot? Have it ever been tested? Yeah? 795 00:45:04,080 --> 00:45:06,200 Speaker 1: We done, hung knees up and shot it with AK 796 00:45:06,280 --> 00:45:09,279 Speaker 1: for the Selms, That's the one I need. Because as 797 00:45:09,320 --> 00:45:13,680 Speaker 1: you're doing this, brother, as they distract you, like what 798 00:45:13,840 --> 00:45:16,160 Speaker 1: jay Z is saying, what they're gonna do or try 799 00:45:16,200 --> 00:45:18,560 Speaker 1: to do is capture your confidence and now you no 800 00:45:18,680 --> 00:45:21,640 Speaker 1: longer think how you thought about yourself. So I don't 801 00:45:21,640 --> 00:45:23,399 Speaker 1: even got to be in the booth with you no more. 802 00:45:23,440 --> 00:45:25,919 Speaker 1: Once I get into your head, I'm out the way. 803 00:45:27,560 --> 00:45:32,920 Speaker 1: Now it's you against you. Now it's you against you. 804 00:45:34,440 --> 00:45:36,359 Speaker 1: I know you got the mask on, but what about 805 00:45:36,400 --> 00:45:39,520 Speaker 1: the mirror? The mask is what we see. The mirrors, 806 00:45:39,560 --> 00:45:44,520 Speaker 1: what you see? How you truly feel about you? How 807 00:45:44,600 --> 00:45:47,319 Speaker 1: you truly feel about you? You donna let these hate 808 00:45:47,360 --> 00:45:50,440 Speaker 1: ad niggas capture your confidence. Now you don't even feel 809 00:45:50,719 --> 00:45:53,319 Speaker 1: how you supposed to feel about yourself. You don't win 810 00:45:53,440 --> 00:45:55,840 Speaker 1: so fine in this game, and damn Nick can forget 811 00:45:55,880 --> 00:45:59,040 Speaker 1: it based on a hater, based on somebody else from 812 00:45:59,080 --> 00:46:03,839 Speaker 1: the outside, because they crept in and you weren't small 813 00:46:03,960 --> 00:46:06,160 Speaker 1: enough to get the armor from people that's already been 814 00:46:06,239 --> 00:46:10,799 Speaker 1: in this game? How do I ignore that? But you 815 00:46:10,880 --> 00:46:15,520 Speaker 1: know what, confidence is such a beautiful thing. It ain't 816 00:46:15,560 --> 00:46:18,400 Speaker 1: nothing like feeling like you the man and everybody telling 817 00:46:18,440 --> 00:46:22,560 Speaker 1: you the man. It ain't nothing like that feeling. Niggas 818 00:46:22,560 --> 00:46:25,080 Speaker 1: spent all their life chasing that feeling. It ain't nothing 819 00:46:25,239 --> 00:46:29,520 Speaker 1: like everybody as a congregation saying that that go to 820 00:46:29,640 --> 00:46:34,319 Speaker 1: man right there. It ain't nothing in this world like that. 821 00:46:37,239 --> 00:46:39,640 Speaker 1: But you would even hear Jay z rap about things 822 00:46:39,640 --> 00:46:41,359 Speaker 1: and he would say, man, first they love you, they 823 00:46:41,360 --> 00:46:43,279 Speaker 1: hate you. Then they love you again. This is him 824 00:46:43,320 --> 00:46:45,839 Speaker 1: giving you man. I done been through this, I done 825 00:46:45,840 --> 00:46:49,320 Speaker 1: saw this. I'm watching you got the fuck with the watchers, 826 00:46:49,360 --> 00:46:53,280 Speaker 1: the niggas, just watching like when you hit me. Talk understand, 827 00:46:53,320 --> 00:46:56,560 Speaker 1: I'm a watcher, homie. I'm paying attention to the game. 828 00:46:56,760 --> 00:47:00,120 Speaker 1: Fine few in between. It's like this here. I'm bring 829 00:47:00,120 --> 00:47:03,120 Speaker 1: in this game back and digesting it, breaking it down 830 00:47:03,280 --> 00:47:08,759 Speaker 1: like a chemist. I ain't playing with this game. And 831 00:47:08,840 --> 00:47:12,200 Speaker 1: although confidence is beautiful, it can be shattered or sharp. 832 00:47:12,239 --> 00:47:15,120 Speaker 1: And from a far NI can shoter your confidence from Afar. 833 00:47:15,280 --> 00:47:18,279 Speaker 1: Never had to even meet you, never had to be 834 00:47:18,360 --> 00:47:22,920 Speaker 1: around you, shotter your confidence. And many men have fallen 835 00:47:22,960 --> 00:47:27,120 Speaker 1: short because they think they think that the throne is eternal. 836 00:47:29,480 --> 00:47:32,280 Speaker 1: It's just like when you got one of them games. 837 00:47:32,280 --> 00:47:35,319 Speaker 1: You on fire. You know you're a basketball player, and 838 00:47:35,320 --> 00:47:37,520 Speaker 1: everything you shoot up at the rim is going in. 839 00:47:38,400 --> 00:47:40,399 Speaker 1: It's gonna be hard for somebody to tell you don't 840 00:47:40,400 --> 00:47:44,040 Speaker 1: take that next shot. It's even gonna be harder for 841 00:47:44,080 --> 00:47:46,800 Speaker 1: somebody to tell you that you maybe ain't got that 842 00:47:46,920 --> 00:47:49,880 Speaker 1: shot no more. Because you remember the days when the 843 00:47:49,920 --> 00:47:52,319 Speaker 1: crowd went wild when you had to hit her, when 844 00:47:52,400 --> 00:47:54,239 Speaker 1: y'all was down two and you hit a three and 845 00:47:54,239 --> 00:47:57,879 Speaker 1: you won the game. This sticks with you. This has 846 00:47:57,920 --> 00:48:02,839 Speaker 1: an adhesive that stick with you mentally. And let's be clear, 847 00:48:02,920 --> 00:48:04,759 Speaker 1: Drake didn't have to buy do down the jay Z 848 00:48:05,440 --> 00:48:07,520 Speaker 1: byter down to Yay or none of these niggas. Yay 849 00:48:07,640 --> 00:48:10,480 Speaker 1: is a little more erratic, but jay is someone that 850 00:48:10,520 --> 00:48:14,040 Speaker 1: I think at a certain point, after whatever differences was 851 00:48:14,120 --> 00:48:16,640 Speaker 1: on the table, I think he did try to lean 852 00:48:16,760 --> 00:48:20,239 Speaker 1: in a little bit and say, Yo, I'm gonna kind 853 00:48:20,280 --> 00:48:22,400 Speaker 1: of try to get with you, and there's ways to 854 00:48:22,440 --> 00:48:24,880 Speaker 1: get information out of that, you know. I believe that 855 00:48:25,080 --> 00:48:29,040 Speaker 1: was a great misstep not to embrace the wisdom that 856 00:48:29,360 --> 00:48:31,360 Speaker 1: was jay Z or some of these other people in 857 00:48:31,400 --> 00:48:34,799 Speaker 1: the industry, not even just jay Z, but Drake had 858 00:48:34,800 --> 00:48:37,760 Speaker 1: always took pride in standing on his own and making 859 00:48:37,800 --> 00:48:40,960 Speaker 1: it in spite of these niggas. But to know the 860 00:48:41,040 --> 00:48:45,400 Speaker 1: road ahead, you ask someone that's coming back, and coming 861 00:48:45,440 --> 00:48:49,160 Speaker 1: back is the pertinent part of that coming back, meaning 862 00:48:49,239 --> 00:48:51,480 Speaker 1: they've did all they could in that game, got all 863 00:48:51,520 --> 00:48:54,200 Speaker 1: they can get from that game. They're no longer interested 864 00:48:54,239 --> 00:48:57,480 Speaker 1: in that game. That interest in the game changes everything. 865 00:48:58,600 --> 00:49:00,680 Speaker 1: When you look at jay Z, pop been rerapped when 866 00:49:00,680 --> 00:49:03,880 Speaker 1: he wants to. He is no longer interested in living 867 00:49:04,000 --> 00:49:07,120 Speaker 1: in rep and so he's someone that got everything he 868 00:49:07,200 --> 00:49:09,600 Speaker 1: got out of it and he's on his way back 869 00:49:09,600 --> 00:49:12,719 Speaker 1: from it. He's heading in the politics, he's fucking with tech, 870 00:49:13,040 --> 00:49:16,359 Speaker 1: he's fucking with whatever other brands and clothes and all 871 00:49:16,400 --> 00:49:20,959 Speaker 1: these different avenues, these jvs that he's incorporating itself next 872 00:49:20,960 --> 00:49:23,520 Speaker 1: to him and being the founder of companies. Right, So 873 00:49:23,920 --> 00:49:26,239 Speaker 1: he's went and came back. That's who you get the 874 00:49:26,280 --> 00:49:29,440 Speaker 1: information from. A lot of y'all want to come get 875 00:49:29,440 --> 00:49:32,560 Speaker 1: the information from someone that's still shooting the three bruh. 876 00:49:32,600 --> 00:49:35,000 Speaker 1: How you do your phone, nigga, I'm shooting right now. 877 00:49:36,320 --> 00:49:38,480 Speaker 1: I can't tell you about the farm. I'm still out 878 00:49:38,480 --> 00:49:42,960 Speaker 1: here hooping. You nigga want to know my resume? You 879 00:49:43,080 --> 00:49:45,719 Speaker 1: nigga want to know what I'm doing in my rituards. 880 00:49:45,800 --> 00:49:50,319 Speaker 1: I'm still bawling. But when you look at some of 881 00:49:50,360 --> 00:49:53,279 Speaker 1: these guys, that's why executive rapping a lot of times 882 00:49:53,320 --> 00:49:56,600 Speaker 1: it is the oxymoron. It's because they got to be 883 00:49:56,600 --> 00:50:00,920 Speaker 1: an unselfish person. Because when you get that, you gotta say, 884 00:50:00,920 --> 00:50:03,799 Speaker 1: I don't already done that a million times. I don't 885 00:50:03,880 --> 00:50:06,880 Speaker 1: worry about that, yo, little bruck go get that. So 886 00:50:07,000 --> 00:50:10,080 Speaker 1: to know the road ahead. You ask people that's on 887 00:50:10,120 --> 00:50:15,000 Speaker 1: their way back. Now, Loan, what does that mean? Basically, 888 00:50:15,160 --> 00:50:17,600 Speaker 1: it just means that been there, done that type of thing. 889 00:50:17,800 --> 00:50:20,040 Speaker 1: Half of it felt like Drake didn't want to give 890 00:50:20,120 --> 00:50:24,440 Speaker 1: something to get something, or he felt like he was 891 00:50:24,520 --> 00:50:27,080 Speaker 1: giving something and wasn't getting nothing. But if you go 892 00:50:27,200 --> 00:50:29,520 Speaker 1: around these kind of people and don't get nothing, it's 893 00:50:29,560 --> 00:50:32,560 Speaker 1: because you ain't positioned in a way where you can 894 00:50:32,640 --> 00:50:35,399 Speaker 1: receive none. You got to know what you need when 895 00:50:35,400 --> 00:50:39,120 Speaker 1: you're heading in there, or know where you're going. You 896 00:50:39,160 --> 00:50:41,520 Speaker 1: gotta have a vision. It seemed like talent us took 897 00:50:41,600 --> 00:50:44,239 Speaker 1: Drake so far. I don't even know drake vision. If 898 00:50:44,280 --> 00:50:48,000 Speaker 1: I'm being honest, I know he can do anything in 899 00:50:48,040 --> 00:50:50,479 Speaker 1: the world. He can walk in any building with any 900 00:50:50,600 --> 00:50:53,720 Speaker 1: brand and get it popping. Loan don't know his vision. 901 00:50:56,560 --> 00:50:59,960 Speaker 1: Drake never embraced the people with the information. I remember. 902 00:51:00,040 --> 00:51:02,480 Speaker 1: But when we used to be young, and I would 903 00:51:02,520 --> 00:51:05,600 Speaker 1: see people ride with some of my homeboys that would 904 00:51:05,600 --> 00:51:07,920 Speaker 1: get money, but they never would get no money. I 905 00:51:07,920 --> 00:51:13,280 Speaker 1: couldn't understand it until one day it dawned on me, Lord, 906 00:51:13,360 --> 00:51:18,080 Speaker 1: they don't want no money, because if you around me 907 00:51:18,239 --> 00:51:20,400 Speaker 1: every day and I'm getting money, and you ain't figured 908 00:51:20,400 --> 00:51:22,359 Speaker 1: out a way to get no money. You don't want 909 00:51:22,400 --> 00:51:26,600 Speaker 1: no money. It's money around the money getting nigga. You 910 00:51:26,640 --> 00:51:29,120 Speaker 1: ain't got to do no magic tricks. I'm getting money. 911 00:51:29,239 --> 00:51:30,839 Speaker 1: You ain't got to do no hell of a thing. 912 00:51:30,920 --> 00:51:32,759 Speaker 1: You just got to want a few dollars to get 913 00:51:32,760 --> 00:51:35,840 Speaker 1: a few dollars if you in this circle. But you niggas, 914 00:51:35,840 --> 00:51:40,960 Speaker 1: don't want nothing. You won't it given to you. You 915 00:51:41,000 --> 00:51:43,440 Speaker 1: want another man to hand you something. You know, there 916 00:51:43,480 --> 00:51:45,600 Speaker 1: are some people out here. You can sell a Bentley 917 00:51:45,680 --> 00:51:48,080 Speaker 1: with four hundred thousand miles on it just because it's 918 00:51:48,080 --> 00:51:53,160 Speaker 1: a Bentley, just because they gonna be in the driver's 919 00:51:53,160 --> 00:51:55,799 Speaker 1: seat of a Bentley. It don't matter how to coll look. 920 00:51:55,960 --> 00:51:57,920 Speaker 1: It don't matter about the mold it. It don't matter if 921 00:51:57,960 --> 00:51:59,759 Speaker 1: the break's bad, long as they gonna be in the 922 00:51:59,800 --> 00:52:03,080 Speaker 1: d I ever see, they're getting a dysfunctional card as 923 00:52:03,120 --> 00:52:06,880 Speaker 1: long as they able to drive it. Meaning a rapper 924 00:52:07,000 --> 00:52:10,440 Speaker 1: take a CEO position of a feeling label just so 925 00:52:10,480 --> 00:52:13,960 Speaker 1: he could say here a CEO versus being a successful 926 00:52:14,080 --> 00:52:16,680 Speaker 1: artist and go and getting the information and then becoming 927 00:52:16,719 --> 00:52:19,760 Speaker 1: a CEO once you got the information. It's all about 928 00:52:19,760 --> 00:52:23,120 Speaker 1: the information. Drake never placed itself in position to get 929 00:52:23,160 --> 00:52:27,719 Speaker 1: into information. Again, I say, I truly believe it's confidence 930 00:52:27,760 --> 00:52:29,799 Speaker 1: may have been tampered with, it may not be gone, 931 00:52:29,840 --> 00:52:32,520 Speaker 1: but I do truly believe it's in his head. It's 932 00:52:32,560 --> 00:52:36,040 Speaker 1: the mask and the mirror. I just told you. The 933 00:52:36,080 --> 00:52:38,920 Speaker 1: mask is what you see. The mirror is what I see. 934 00:52:40,800 --> 00:52:43,359 Speaker 1: I gotta deal with the mirror, y'all gonna deal with 935 00:52:43,400 --> 00:52:46,719 Speaker 1: the mask. That's why some of these fell content creators 936 00:52:46,719 --> 00:52:50,400 Speaker 1: who take pride in dissing and gossip, been about people 937 00:52:50,480 --> 00:52:55,600 Speaker 1: being this every single day. I know they miserable. For one, 938 00:52:55,680 --> 00:52:59,000 Speaker 1: they not making no money doing it and don't nobody care. 939 00:53:01,520 --> 00:53:03,719 Speaker 1: So when they truly look in the mirror, I know 940 00:53:03,760 --> 00:53:08,080 Speaker 1: what they're asking themselves, Why isn't it working? What are 941 00:53:08,080 --> 00:53:13,280 Speaker 1: we doing? What are we not doing right? Well, people 942 00:53:13,480 --> 00:53:18,759 Speaker 1: just don't care, and you got to deal with that.