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Speaker 1: Who's that dogging at the door and all your friends

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Speaker 1: who filled the horn?

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Speaker 2: Husband's gone and we've got.

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Speaker 3: Book follow wine fill it's had a hick books it

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Speaker 3: count it's feeling Marsini, I.

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Speaker 2: Beat it while time tell you're a step I don't Marla.

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Speaker 2: Boys had ill. Hey, guys, frien give it up for

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Speaker 2: the big app.

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Speaker 3: Downtown. You're city where it's gritty, it's hot. Clothes are extensive,

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Speaker 3: the tracks are more extensive.

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Speaker 2: Iced coffee melts quickly and you wait in line for us.

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Speaker 2: Don't please?

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Speaker 3: Way, has anyone tried the new scallion? Cold room dead silence? Absolutely,

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Speaker 3: because you guys aren't trend followers.

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Speaker 2: Your trend here. That's right, you guys are so fucking

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Speaker 2: on trend. The style in this room is crazy. I

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Speaker 2: can't see any of you, but I know I got

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Speaker 2: all of you, Okay, Susy super.

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Speaker 3: Like our new t shirts.

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Speaker 2: Yeah, they're inspired by nineties icons called inclines on a car,

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Speaker 2: johnn and Karen Tommy Jeans is a little show calling

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Speaker 2: grace up thirty eight Network WV not the CW that's

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Speaker 2: post this inspiration.

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Speaker 3: You guys might have noticed we did put Dolola as

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Speaker 3: a sponsor on the flyer and some people are like,

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Speaker 3: oh my god, I can't believe you guys.

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Speaker 2: Yeah we got We got a lot of messages being

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Speaker 2: like congrats you guys finally made and we were.

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Speaker 3: Like absolutely, actually totally.

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Speaker 2: And for those who don't know, Do Lola is Jennifer

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Speaker 2: Lopez is ready to drink cocktail, just part over ice.

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Speaker 3: It comes in the flavor of a palomo, which is

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Speaker 3: inspired by like tequila in summers.

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Speaker 2: It's gonna take us a good ten minutes to catch

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Speaker 2: our brat. It's like, no, we work out, I go,

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Speaker 2: I go. I do twenty minutes on the incline. You

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Speaker 2: know what I'm saying. Eleven point five.

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Speaker 3: I do like twelve minutes on the incline. Because then

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Speaker 3: it's just like, well, this is boring at the end

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Speaker 3: of the day.

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Speaker 2: But when you're listening to your favorite podcast, Okay, so

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Speaker 2: you reached out to do Lola.

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Speaker 4: So should I'm going to read the LinkedIn message.

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Speaker 2: Shut it up, pull it up. I said, this is

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Speaker 2: a prop comedy. Now, the prop being Lincoln.

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Speaker 3: It hates me on the phone, but here we are, Okay,

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Speaker 3: partnership opportunity.

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Speaker 2: This was this was this was your email to do

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Speaker 2: Lola a.

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Speaker 3: LinkedIn message to the p R girl who works for Dolola.

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Speaker 2: Okay, okay, so there could be a subject head in

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Speaker 2: linkedinag this is your.

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Speaker 3: Opportunity with Celebrity book Club podcast slash Deloa.

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Speaker 2: Cocktail already sounds like spam.

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Speaker 3: Yeah, kind of.

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Speaker 4: Cole Comma, got that right.

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Speaker 3: I am reaching out on behalf of my podcast, Celebrity

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Speaker 3: book Club is Stephen and Lily, produced by I Hurt Radio.

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Speaker 2: I love that it's your reaching out on behalf of yourself.

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Speaker 4: I know, I like should have done like a fake pop.

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Speaker 2: I know you should have had so Tan France that

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Speaker 2: invent like a third Lauren to email the other Lauren.

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Speaker 4: Hey, this is Jessica.

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Speaker 2: This is Jessica Meyers shoals.

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Speaker 3: I guess I didn't have the confidence to like And

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Speaker 3: that's my summer twenty twenty four goal.

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Speaker 2: Invent to pr Brunette and inhabit her.

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Speaker 3: I would love to discuss a potential partnership opportunity with

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Speaker 3: Dolula as part of a live show our podcast is

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Speaker 3: doing at the Bowery Ballroom in New York City on

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Speaker 3: June fifth. We are huge fans and have been promoting

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Speaker 3: Dolola cocktails organically on the podcast for over a year,

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Speaker 3: and our fans are posting to Lola on social media

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Speaker 3: and spreading the love. I would love to discuss the possibility.

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Speaker 3: I say possibility like twenty times. I've incorporating Do Lola

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Speaker 3: Cocktails into the show on June fifth, which will have

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Speaker 3: over four hundred CBC fans and attendance.

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Speaker 2: Hon say, more people than have ever been to a

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Speaker 2: j Low concert.

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Speaker 3: I'll oh right, we're here to sid It's so sad

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Speaker 3: because it's like this could have saved the tours, could

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Speaker 3: have saved her marriage marriage tour. We could have her

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Speaker 3: non binary child m on stage.

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Speaker 2: Em could be passing out Delola shooters, Ben smoking in

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Speaker 2: the quarters, pissed. He's happy.

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Speaker 3: You know. If there's interest in working with the pod

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Speaker 3: for their live show at the Bowery this summer, please

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Speaker 3: don't hesitate to reach out. Thanks for your time and consideration,

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Speaker 3: and I look forward to hearing from you.

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Speaker 2: Damn best nail my job. No response. In Nicole's defense,

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Speaker 2: LinkedIn is so random, like so true. He was checking

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Speaker 2: their LinkedIn messages.

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Speaker 3: I hadn't been on it since two thousand and five

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Speaker 3: when my dad made me set up LinkedIn.

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Speaker 2: So well, I went on recently and I saw a

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Speaker 2: message from two months ago that said someone found my

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Speaker 2: wallet in Burlington, Vermont, and she was like to thank you,

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Speaker 2: and she was like, I turned it into the police.

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Speaker 2: It's okay.

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Speaker 5: Narc LinkedIn is oh cop heavy, so's a lot of

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Speaker 5: sa You should have said, hi, I work for the

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Speaker 5: NYPD on behalf of Celebrity book Club.

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Speaker 2: Maybe then she would have responded to Mayn Delola Booth

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Speaker 2: All right, well you guys, we are so happy that

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Speaker 2: you're here. This is a huge it's a huge moment

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Speaker 2: for us because people are always like, it's such a

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Speaker 2: career myersol to do Bowery Ballroom, But it's actually more

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Speaker 2: of a career mashone to do it a second time.

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Speaker 2: So true, thank you.

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Speaker 3: Anyone can do it once like Maren Morris.

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Speaker 2: Yeah, let's see her ass back here.

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Speaker 3: Yeah, no, try it again. So we're so grateful. We

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Speaker 3: have a crazy show, insane show played for you tonight.

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Speaker 3: Settle the fucking Yeah, I hope you went to the bathroom.

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Speaker 3: Let's bring out our kind of Raymore and Flannagan table gorgeous.

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Speaker 2: Maybe there's one thing we love. It's heavy. Mahogany.

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Speaker 4: I feel we say heavy mahogany like the on our podcast.

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Speaker 2: When is not heavy? I guess that's the question. Just

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Speaker 2: like a light, plateful mahogany. When they were making everything

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Speaker 2: a mahogany, they were doing it heavy and heavy. That's

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Speaker 2: what happened.

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Speaker 4: Now I'm things are getting serious.

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Speaker 1: Putting the mic in the stands Joff, Ladies, ladies, we're

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Speaker 1: gonna talk about a book.

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Speaker 3: Buckle up.

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Speaker 4: Let's just make sure this is sturdy. Let me get

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Speaker 4: a little more. I want to really be able to

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Speaker 4: look in at your eyes.

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Speaker 3: Yeah, I contact is so poor when you're making love

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Speaker 3: or business decisions.

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Speaker 6: And madam okay, are you ready? The book we read

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Speaker 6: is John care her book My Journey Forward by Barbrus Trisan.

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Speaker 2: So we wanted to celebrate like the nineties New York City,

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Speaker 2: our favorite town.

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Speaker 4: Hell, yes, downtown New York City.

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Speaker 3: We also want to celebrate I don't know, one of

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Speaker 3: the most Buddha people on planet Earth.

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Speaker 2: Yeah, so, as you know, we do talk about Buddha

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Speaker 2: neists and white women embracing Eastern religion on this podcast

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Speaker 2: quite a lot, and the esthetics of that embrace. And

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Speaker 2: Donna Karun Basically this book is about her like journey

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Speaker 2: to becoming Buddha, like like, yes, it's.

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Speaker 4: About her marriage.

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Speaker 3: Yes, it's about creating a massive fashion empire.

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Speaker 2: Yes, it's about defining the New York look and giving

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Speaker 2: women a way to succeed in the workplace and in

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Speaker 2: their private leisure life and look good doing it and

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Speaker 2: feel comfortable in clothes that just work.

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Speaker 3: It's so crazy, like I didn't realize until reading this

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Speaker 3: beautiful book called My Journey, which by the way, classic

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Speaker 3: name where it's like my.

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Speaker 2: Story always, my story journey.

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Speaker 3: She's obsessed with resting her hand on her knee and

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Speaker 3: it's the cover. But then every photo I googled of

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Speaker 3: her is this, and it's like her at her house

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Speaker 3: and BALI this her at her house in Soho.

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Speaker 4: This, it's a East Hampton this.

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Speaker 2: There's a sensuality in the knee up, but it's also

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Speaker 2: like powerful. It's just like I'm a sexy sheeo. So

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Speaker 2: it's like I'm casual, but I'm also like opening my

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Speaker 2: crotch to the world because I lead. I walk into

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Speaker 2: a room and I lead.

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Speaker 3: It also shows how, like let's say it, her clothes

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Speaker 3: can be worn from desk to dinner.

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Speaker 4: SheerID, she invented desk to dinner. I didn't realize this.

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Speaker 4: No one was doing that before.

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Speaker 2: I mean classic like memoir where she kind of like

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Speaker 2: acts like she invented everything she's ever done, and it's

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Speaker 2: always just her being like I wanted a pair of

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Speaker 2: jeans that fit, but there were no genes that fit women.

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Speaker 2: And you're like, well, I don't know if that's true.

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Speaker 2: I just think that you you know, it can always

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Speaker 2: be hard, and you hadn't found a pair, but like

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Speaker 2: it's a little like you weren't the first person to

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Speaker 2: ever make Denham for a woman.

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Speaker 3: She's like, no, but I am, and I'm actually the

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Speaker 3: first person to all to like photograph New York City

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Speaker 3: to advertise gans.

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Speaker 2: Well, and this is the thing is so she's from

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Speaker 2: Long Island, and I do feel like that really informs

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Speaker 2: like there's almost nothing more New York than being from

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Speaker 2: Long Island. Yeah, because it's like you have this view

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Speaker 2: of the city where you are viewing it in like

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Speaker 2: kind of this touristy where where you're seeing it as the.

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Speaker 3: Big apple, the big city, the big cheese.

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Speaker 2: That's where you gotta make it, honey. But like you

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Speaker 2: do still have access to it. So you have this

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Speaker 2: like kind of like cheesy tourist idea that's very superficial

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Speaker 2: and like.

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Speaker 3: And you're taking the train to Penn Station, which is

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Speaker 3: a magical place and so but it's also gritty and

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Speaker 3: you can get off with the bag, being like, yeah,

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Speaker 3: I had to get off the train station to go

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Speaker 3: to Parsons School of Design where I failed the draping

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Speaker 3: class because I'm badass and punk and downtown.

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Speaker 2: And she's like too artistic to drape. But then she's

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Speaker 2: all about draping and she's like I love the precision

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Speaker 2: of Calvin and he respects tailoring as I do. By

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Speaker 2: the way, case you were wondering, huge Israel supporter, Waally

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Speaker 2: held a fundraiser for the idea, but her story recently

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Speaker 2: like not just for like the hostages, the actual the army,

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Speaker 2: like they need money even this book.

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Speaker 4: Being like, oh my god, I love peace.

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Speaker 3: And me and y clob Sean are fundraising for Haiti

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Speaker 3: and like that's kind of my main interest. And I

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Speaker 3: sold all my shores in Donna Karen, because like all

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Speaker 3: that matters is like saving the world.

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Speaker 4: But let me have an idea fundraising.

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Speaker 2: Well, you know that was ages that, but she's very

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Speaker 2: close with the Clinton's.

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Speaker 3: She's the most Clinton codd like, let's kill people like

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Speaker 3: person like, Yeah.

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Speaker 2: It's just you know, powerful women. It was the nineties

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Speaker 2: to each other.

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Speaker 3: Yeah. So one of her main inventions is the cold

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Speaker 3: shoulder dress, which means, yeah, we have fashion people in

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Speaker 3: the god yeah, open shoulders and what's so iconic. At

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Speaker 3: the end of the book, she says, anyone can wear

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Speaker 3: a cold shoulder even if you're fat, because you never

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Speaker 3: gain weight in your shoulders.

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Speaker 2: Crazy as yes, And then you think about it and

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Speaker 2: you're like, you're like, oh great, I never gained weight

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Speaker 2: in my shoulders.

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Speaker 3: Like, and I guess I'm never like my shoulders are

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Speaker 3: So it's.

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Speaker 2: Though, yeah, because when I look in the mirror and

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Speaker 2: I'm just like, oh, I'm so fat. I'm never like

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Speaker 2: touching here.

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Speaker 4: Being like oh not today.

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Speaker 3: Yeah.

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Speaker 2: I guess that's because they're at the top and it's

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Speaker 2: like gravity vibes. Yeah.

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Speaker 3: She's like, women are always to me like, oh, I

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Speaker 3: could never bare my arms because I have fat arms.

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Speaker 3: And she's like, but your shoulders are still thin.

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Speaker 2: So then you cover this area because obviously this air

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Speaker 2: can be super problematic, right, the skin like droopy.

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Speaker 4: No one believed in her when she wanted to do the.

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Speaker 2: Cold shoulder dress, well no, and they shelved it. Okay,

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Speaker 2: so here's what happened on okay, Bergdorfs or whoever was

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Speaker 2: just like, oh, the cold shoulder, we hate it. It's

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Speaker 2: not selling, like put it away. And then Hilary Clinton

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Speaker 2: saw it in one of their many meetings where they're

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Speaker 2: a meaning about invading Haiti or whatever, and she was

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Speaker 2: like a lot of us, my shoulders are the one

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Speaker 2: part of my body I'm comfortable exposing in front of

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Speaker 2: my husband Bill, with whom I do not make love.

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Speaker 2: And she wore it at her inaugural ball and give

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Speaker 2: this she bought it, just had a bootique in Arkansas,

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Speaker 2: off the rack, off the rack, her own money. Oh right.

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Speaker 2: They weren't having any meaning about it.

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Speaker 3: It wasn't.

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Speaker 2: She was just at like she was boutiquing her or

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Speaker 2: she was like out of Macy's in Little Rock.

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Speaker 4: Yeah, cossick Macy's shuffling.

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Speaker 2: And that's why we love Hilary. She's a woman of

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Speaker 2: the people, mama.

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Speaker 4: And that's why you have to shop by RL, you

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Speaker 4: know what I mean.

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Speaker 2: So she wears this and then the cold shoulder starts

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Speaker 2: flying off the shelves, which is so weird because it's

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Speaker 2: like Hillary fashion my con But you know in the

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Speaker 2: mid to early nineties she.

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Speaker 4: Was turning it up.

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Speaker 2: Yeah no, yeah, no, I mean I mean like Yale.

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Speaker 4: Hillary or whatever, like she was hippie, hot, hot, bisexual.

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Speaker 2: Yeah, she was a bisexual daughter, okay.

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Speaker 3: And then this army suit. This is kind of her

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Speaker 3: thing where she was like, I invented the body suit.

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Speaker 2: Yeah, that's another thing she says, she's fully invented. There

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Speaker 2: is this little thing where she keeps saying she was like,

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Speaker 2: so I designed like a skirt that would be the

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Speaker 2: same color as the skirt from last season, So if

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Speaker 2: you had the shirt that went with the last skirt,

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Speaker 2: it would still go with this shirt. And it's like

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Speaker 2: you're just kind of describing clothes like you're not like

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Speaker 2: you're not inventing a new paradigm. That's like and this

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Speaker 2: goes with it. It's like, you know, people are like

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Speaker 2: you need a capsule wardrobe when you travel. It's like

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Speaker 2: that's just clothes, Like that's just like wearing clothes. The pants,

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Speaker 2: like who I wear this pants with this t shirt, Like, yes.

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Speaker 4: I'm like if I may read from here.

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Speaker 3: So when she first gets her own line, after Ann

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Speaker 3: Kline passes away, she.

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Speaker 2: Starts working out for A and Kline, which was you know,

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Speaker 2: very like businesswoman attire.

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Speaker 3: Yeah, like that's where your mom kind of just like skirts, yeah, smatching.

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Speaker 2: Well my not my mom now, but yeah, my moms

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Speaker 2: in the past, past mom past here has a past

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Speaker 2: mom who wore suits in the eighties.

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Speaker 3: She takes over and Kline and this is after like

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Speaker 3: so much drama where like a Cline hires her and

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Speaker 3: then An Klin is like, you're so messy and you

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Speaker 3: have too much add because of course she has add.

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Speaker 2: Yeah, I mean one of the three lanes of this

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Speaker 2: book is her insane neuroticism and like yes, like she's

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Speaker 2: a fabulous New York like jewess, long islander like therapist.

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Speaker 2: She's like addicted to her therapist, but like your.

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Speaker 4: Rask and like her husband, mother, daughter all go.

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Speaker 2: So the revealed she found out years after going to

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Speaker 2: this guy that her mother was going to the same therapist.

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Speaker 2: Isn't that the most like a legal thing you've ever

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Speaker 2: heard of? That should be a felony?

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Speaker 3: And the therapist is also like at the CFDA Awards,

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Speaker 3: I'm a little bit like and the step back.

306
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Speaker 4: For a second.

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Speaker 2: The therapist goes to the shows, and then people always like,

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Speaker 2: who is that, like, lovely old bearded man with like

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Speaker 2: small freud glasses, who's at all your shows? And she's like,

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Speaker 2: that's a friend. That's so weird.

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Speaker 3: Oh, And of course her mom is like every mom

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Speaker 3: in the fifties and is always like having migraines, insulting her,

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Speaker 3: putting her head in the oven, calling her fat, remarrying,

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Speaker 3: like taking away black and white photos from her, being like,

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Speaker 3: you can't look at those, And then.

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Speaker 2: On her mom's deathbed, her mom reveals no, She reveals

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Speaker 2: to her mom that she knew her mom was married

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Speaker 2: before the father. And then the second she finds out

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Speaker 2: her mom died, she goes, somebody get me a pall mall.

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Speaker 2: I love that.

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Speaker 3: She's always like, well, of course me and an clein

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Speaker 3: were smoking like chimneys on our fabric trip to like Germany, and.

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Speaker 2: Then everyone's getting cancer. She's like, maybe it was all

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Speaker 2: the cigarettes, but maybe it wasn't.

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Speaker 4: So I saw a psychic, yeah, and.

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Speaker 2: Then she's like, one of my many psychics, okay, but

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Speaker 2: of course, like literally every woman who has ever written

328
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Speaker 2: a memoir, I stood out in every way, even physically.

329
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Speaker 2: I was always among the tallest girls in my class.

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Speaker 2: By high school, I was already a towering five to seven.

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Speaker 2: They called me spaghetti legs add add I was tall

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Speaker 2: and skinny and tiny, and I had huge breasts and

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Speaker 2: I was flat chested with my big, tall, tiny breasts.

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00:18:07,040 --> 00:18:09,320
Speaker 2: I was so awkward. Now everyone hated me because of

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Speaker 2: how tall I was.

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Speaker 3: And at one corner, she goes an ant Kline was

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00:18:13,880 --> 00:18:17,200
Speaker 3: small and built in the front. Me I was thin

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Speaker 3: and built in the back, and you're like, okay, my,

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Speaker 3: my bo.

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Speaker 2: Junk straight into that Antkline office and there's like, petite little.

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Speaker 4: Everyone had parsons.

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Speaker 3: Was afraid of my juicy, fat ass, and they should

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Speaker 3: be afraid of it. And that's why I invented the

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Speaker 3: wrap dress.

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Speaker 2: It really is that She's just like, sorry, I have

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Speaker 2: huge tits and they're tiny, and my ass is so

347
00:18:44,040 --> 00:18:48,159
Speaker 2: massive and I'm so tall it's terrifying. So I need

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Speaker 2: to kind of squeeze into like a Nichehawll scarf sweater

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Speaker 2: turbine that buckles in the front.

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Speaker 3: Her best friends consider this, You're Haitian to come to

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00:19:00,960 --> 00:19:05,240
Speaker 3: our merch pop up next Thursday, August fifteenth at Fredericks

352
00:19:05,320 --> 00:19:07,719
Speaker 3: in May sixth Allen Street, four to seventh.

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Speaker 4: There's gonna be wine. There's gonna be batch that I

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00:19:10,320 --> 00:19:12,439
Speaker 4: just say batch. Yeah, there's gonna be batch T.

355
00:19:12,600 --> 00:19:16,919
Speaker 3: Shirts, long sleeves, CBC n Y Merch pop Up fredrickson

356
00:19:17,000 --> 00:19:18,880
Speaker 3: May August fifteenth, four to seven.

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Speaker 2: Come.

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Speaker 3: She is gonna marry this guy Mark, who owns a

359
00:19:30,440 --> 00:19:33,359
Speaker 3: store called Piccadilly in Long Island, which is like a

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Speaker 3: clothing storage.

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Speaker 4: I'm like dying to go to Piccadilly.

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00:19:37,040 --> 00:19:39,880
Speaker 2: Yeah, I mean, do you think it's just like striped button.

363
00:19:39,680 --> 00:19:44,879
Speaker 3: Downs, striped button down still the louses and suits and

364
00:19:45,800 --> 00:19:49,680
Speaker 3: and her father, of course was into tailoring knockoffs.

365
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Speaker 2: Which is fab Yeah.

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Speaker 4: I mean like it's my parents were in the fashion business.

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Speaker 2: It's classic like mommy daddy footsteps, and it's all about

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Speaker 2: like her wanting to im press her father who died

369
00:20:01,320 --> 00:20:05,280
Speaker 2: in and then like the mom is obviously very The

370
00:20:05,320 --> 00:20:06,800
Speaker 2: mom's name is also Queenie.

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Speaker 4: Yeah, it's over.

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Speaker 3: Her mom's name is like Queenie at home, but Richie

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Speaker 3: at work on Seventh Avenue.

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Speaker 2: She's always just like Queenie was calling the office over

375
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Speaker 2: and over again asking where I was, but I was

376
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Speaker 2: having an affair. It's like, if your mom's name is Queenie, like,

377
00:20:21,920 --> 00:20:23,760
Speaker 2: I guess you'd have to be a fashion designer.

378
00:20:24,800 --> 00:20:27,200
Speaker 3: I'm also like obsessed with the mom calling her being

379
00:20:27,280 --> 00:20:31,160
Speaker 3: like is my daughter like fucking right now? Like calling

380
00:20:31,200 --> 00:20:34,560
Speaker 3: the Ankleine office being like, okay, as donna give me

381
00:20:34,600 --> 00:20:35,399
Speaker 3: a blowjob right now?

382
00:20:35,520 --> 00:20:36,240
Speaker 2: Like what's happening?

383
00:20:37,160 --> 00:20:39,639
Speaker 3: So she gets with Mark, but then she meets this

384
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Speaker 3: sexy ponytailed tan rocker named Stephen.

385
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Speaker 4: And it's a super snowy night in New York City.

386
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Speaker 4: She's a virgin.

387
00:20:50,760 --> 00:20:55,920
Speaker 3: The trains back to Long Island have been stopped. She

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Speaker 3: goes into like her friend Susan's.

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Speaker 2: Room with Stephen, and this is a yeah, this is

390
00:21:01,200 --> 00:21:03,840
Speaker 2: the v Well, she didn't lose your virginity to Steven

391
00:21:04,040 --> 00:21:05,120
Speaker 2: she does, which she does.

392
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Speaker 3: She literally says, I went to bed with Stephen for

393
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Speaker 3: three days even though I hadn't married Mark yet.

394
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Speaker 2: But she'd already fucked Mark at that point.

395
00:21:13,359 --> 00:21:14,639
Speaker 4: No, she says she was a virgin.

396
00:21:15,280 --> 00:21:19,119
Speaker 2: Wait what Yeah, Okay, Sometimes when you're reading this, a

397
00:21:19,160 --> 00:21:19,960
Speaker 2: lot of words.

398
00:21:19,800 --> 00:21:22,000
Speaker 3: But there's a lot of names in this that's when

399
00:21:22,080 --> 00:21:24,680
Speaker 3: I gathered and reading comprehension is so cool and this

400
00:21:24,800 --> 00:21:25,960
Speaker 3: is why we do this podcast.

401
00:21:27,200 --> 00:21:29,719
Speaker 2: Does he always marry Mark without having fucked him?

402
00:21:30,119 --> 00:21:31,440
Speaker 4: Yeah, it's like the seventies.

403
00:21:31,440 --> 00:21:32,359
Speaker 3: I don't know if people did that.

404
00:21:32,720 --> 00:21:36,680
Speaker 2: But she's not like so Catholic. Okay, I that's weird. Yeah.

405
00:21:36,920 --> 00:21:40,560
Speaker 3: So she was addicted to Stephen and so while she's

406
00:21:40,600 --> 00:21:43,520
Speaker 3: sleeping with Stephen, she marries Mark, but then Stephen adopts

407
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Speaker 3: a Great Dane and then she gets married to Mark

408
00:21:46,200 --> 00:21:48,280
Speaker 3: and makes Mark and her adopt a Great Dane.

409
00:21:50,400 --> 00:21:54,880
Speaker 2: So it's like her connection to Stephen like spiritually, she's.

410
00:21:55,440 --> 00:21:56,920
Speaker 3: She's completely.

411
00:21:57,840 --> 00:22:00,600
Speaker 4: She's like, hey, Mark, what have they got to Great Dane?

412
00:22:00,600 --> 00:22:04,040
Speaker 4: I don't know where I got that idea, so Randa.

413
00:22:04,080 --> 00:22:06,119
Speaker 2: And then on their wedding day, that scene when they

414
00:22:06,200 --> 00:22:09,159
Speaker 2: see Stephen walking the Great Dane by the Plaza in

415
00:22:09,320 --> 00:22:12,040
Speaker 2: New York City, And at this point Marcus found out

416
00:22:12,040 --> 00:22:14,560
Speaker 2: about the fair, but she decided to marry him anyway,

417
00:22:15,080 --> 00:22:17,879
Speaker 2: and she points him out. She goes, that's the man

418
00:22:17,920 --> 00:22:20,680
Speaker 2: I was having an affair with. Don't worry, I'm never

419
00:22:20,800 --> 00:22:21,720
Speaker 2: gonna see him again.

420
00:22:22,520 --> 00:22:25,760
Speaker 3: Like bitch, my wedding day yourself and she was on

421
00:22:25,920 --> 00:22:29,199
Speaker 3: your wedding day. People may think that that was crazy

422
00:22:29,240 --> 00:22:30,879
Speaker 3: to me to say that, but I just wanted to

423
00:22:30,960 --> 00:22:35,159
Speaker 3: get it out there. Then she just continually has an

424
00:22:35,200 --> 00:22:40,000
Speaker 3: affair with Stephen until she divorces Mark and then marries Stephen.

425
00:22:42,040 --> 00:22:45,040
Speaker 3: But that's like, that's beautiful, and she says, you have

426
00:22:45,240 --> 00:22:46,320
Speaker 3: to take those risks.

427
00:22:46,400 --> 00:22:49,760
Speaker 2: And they broke up in therapy with fucking doctor Rafts

428
00:22:49,920 --> 00:22:52,720
Speaker 2: or whatever, and he's kind of doing her bidding the

429
00:22:52,760 --> 00:22:55,760
Speaker 2: whole time, because.

430
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Speaker 3: She like leaves and she's like, I have resort where

431
00:22:58,080 --> 00:23:00,960
Speaker 3: to design. I have to go and Marcus, they're like sobbing.

432
00:23:02,080 --> 00:23:03,720
Speaker 4: She's like, have to get to the offices.

433
00:23:04,640 --> 00:23:06,560
Speaker 2: Yeah. So she's kind of like she's coming up in

434
00:23:06,760 --> 00:23:09,920
Speaker 2: the New York scene and she is working an incline,

435
00:23:10,200 --> 00:23:13,560
Speaker 2: launches her own label as we can see with all

436
00:23:13,640 --> 00:23:16,480
Speaker 2: of this drape being and she's marrying and then it's

437
00:23:16,600 --> 00:23:18,960
Speaker 2: kind of like the money for.

438
00:23:19,240 --> 00:23:21,399
Speaker 4: The well, should we get into the seventiesy pieces?

439
00:23:21,520 --> 00:23:22,880
Speaker 2: Yeah, let's get into Let's get into the city.

440
00:23:23,040 --> 00:23:25,200
Speaker 3: Let me read the seven easy pieces. So her first

441
00:23:25,240 --> 00:23:29,600
Speaker 3: Don and Karen collection one the bodysuit, the foundation, the base,

442
00:23:29,720 --> 00:23:32,040
Speaker 3: the starting point, put it on and you were dressed,

443
00:23:32,400 --> 00:23:34,440
Speaker 3: whether you added a pant or a skirt, a jacket

444
00:23:34,560 --> 00:23:37,760
Speaker 3: or a sweater. Inspired by my love of yoga and dance.

445
00:23:38,119 --> 00:23:42,040
Speaker 3: The bodysuit ensured sleekness underneath it all, and she's very like, yeah,

446
00:23:42,160 --> 00:23:45,320
Speaker 3: it's nineteen eighty five and I've heard of yoga, so

447
00:23:46,480 --> 00:23:51,760
Speaker 3: I'm pretty cool. Alternatively, we had a white body blouse,

448
00:23:51,920 --> 00:23:56,359
Speaker 3: a sensuous, feminine take on a man's big white shirt,

449
00:23:57,280 --> 00:24:00,760
Speaker 3: chic and feminine and a glossy charm moved. It had

450
00:24:00,800 --> 00:24:03,880
Speaker 3: a notch collar and a folded cuffs. The white lit

451
00:24:04,000 --> 00:24:07,000
Speaker 3: up the face and accented all the black. The plunging

452
00:24:07,200 --> 00:24:10,080
Speaker 3: the elominated the neck, while a body suit bottom kept

453
00:24:10,119 --> 00:24:11,040
Speaker 3: the neckline in place.

454
00:24:11,080 --> 00:24:13,600
Speaker 4: And it's like the white shirt classic.

455
00:24:14,320 --> 00:24:19,080
Speaker 2: Diane Keaton, Dane Keaton, Carrie Bradshaw. The boyfriend button down.

456
00:24:19,480 --> 00:24:21,359
Speaker 2: No one feels sexier than when you're in your big

457
00:24:21,680 --> 00:24:24,600
Speaker 2: boyfriend's button down because also, if your boyfriend has a

458
00:24:24,640 --> 00:24:28,200
Speaker 2: button down, then he has a jaw of a because

459
00:24:28,280 --> 00:24:30,680
Speaker 2: that's what that is about. That's about like, my boyfriend

460
00:24:30,760 --> 00:24:32,359
Speaker 2: makes money, and it's.

461
00:24:32,280 --> 00:24:35,480
Speaker 3: About okay, if you're like, boyfriend has gone to work

462
00:24:36,440 --> 00:24:39,600
Speaker 3: and you're waking up and you're being like, I can't

463
00:24:39,640 --> 00:24:43,639
Speaker 3: believe my mother's Park Avenue apartment. And then you like,

464
00:24:43,920 --> 00:24:45,119
Speaker 3: this is the button down and you.

465
00:24:45,280 --> 00:24:46,000
Speaker 2: Like put it on.

466
00:24:46,200 --> 00:24:48,800
Speaker 3: It's so big and it just shows how thin you are,

467
00:24:48,880 --> 00:24:54,640
Speaker 3: and you're like, what, I'm swimming in this, and then

468
00:24:54,680 --> 00:24:56,840
Speaker 3: you like look through his stuff. And that's the plot

469
00:24:56,920 --> 00:24:58,920
Speaker 3: of Little Black Book, starring Brittany Murphy.

470
00:24:59,080 --> 00:25:03,640
Speaker 2: I will say give it up a Little Black Book.

471
00:25:05,600 --> 00:25:07,679
Speaker 2: I will say nothing is more of a turn off

472
00:25:07,760 --> 00:25:09,800
Speaker 2: than win a guy. It's just like, yeah, I gotta

473
00:25:09,840 --> 00:25:12,200
Speaker 2: go to work at a thirty, so you're gonna have

474
00:25:12,280 --> 00:25:15,080
Speaker 2: to leave. Then it's like, you can leave me in

475
00:25:15,119 --> 00:25:17,560
Speaker 2: your apartment. What do you think I'm gonna do?

476
00:25:17,920 --> 00:25:19,399
Speaker 4: You're like, I'm staying, bitch.

477
00:25:20,040 --> 00:25:22,720
Speaker 3: Wait. By the way, this is a completely insane review

478
00:25:22,840 --> 00:25:26,200
Speaker 3: on Goodreads because all throughout the book, Donna's just being

479
00:25:26,280 --> 00:25:29,200
Speaker 3: like And then Barbius Streisan and I wanted to go

480
00:25:29,320 --> 00:25:33,639
Speaker 3: see a psychic in Spain, but then we got on

481
00:25:33,720 --> 00:25:36,639
Speaker 3: a private plane and went back to Aspen where we

482
00:25:36,760 --> 00:25:39,320
Speaker 3: saw a terror car reader. And this woman is being like,

483
00:25:39,840 --> 00:25:43,160
Speaker 3: I hated how not Christian this book was, and I'm

484
00:25:43,240 --> 00:25:45,920
Speaker 3: so happy that I'm in my Christian faith and I'm

485
00:25:45,960 --> 00:25:51,560
Speaker 3: not some loser like Donna Carron searching Christianity.

486
00:25:51,680 --> 00:25:53,280
Speaker 4: I'm so glad I'm in my faith.

487
00:25:53,720 --> 00:25:56,760
Speaker 2: Yeah, I guess Christianity is kind of like you're deciding

488
00:25:56,880 --> 00:26:00,800
Speaker 2: to give up the search that's the christian You're just like,

489
00:26:01,000 --> 00:26:04,600
Speaker 2: I'm staying where I am. I don't want to know

490
00:26:04,760 --> 00:26:07,879
Speaker 2: anything else whereas you know, the search of Buddha is

491
00:26:08,000 --> 00:26:12,159
Speaker 2: very just like I'm desperately needing something else, anything, and

492
00:26:12,280 --> 00:26:14,160
Speaker 2: I'll look and i'll look, and i'll look and I'll look.

493
00:26:14,880 --> 00:26:17,640
Speaker 3: Okay, then she's obsessed with tights, and half this book

494
00:26:17,720 --> 00:26:20,440
Speaker 3: is about her being like convincing the world that you

495
00:26:20,560 --> 00:26:23,320
Speaker 3: need to have tights in a dressing room because women

496
00:26:23,520 --> 00:26:25,080
Speaker 3: try on clothes in the summer.

497
00:26:25,920 --> 00:26:27,880
Speaker 4: And I was like, make it make sense, Bame.

498
00:26:28,080 --> 00:26:30,639
Speaker 2: I don't know. She was saying that women try on

499
00:26:30,880 --> 00:26:33,720
Speaker 2: like like fall clothes in the summer, which I don't

500
00:26:33,720 --> 00:26:35,600
Speaker 2: think that's really true anymore. You're not really buying men,

501
00:26:35,960 --> 00:26:36,480
Speaker 2: are you buying?

502
00:26:36,560 --> 00:26:37,520
Speaker 4: You try and fall clothes.

503
00:26:37,520 --> 00:26:41,920
Speaker 2: I don't think we buy for the season ahead ladies. No, No, yeah,

504
00:26:42,280 --> 00:26:45,639
Speaker 2: that sense like yeah, like the department stores do that,

505
00:26:45,920 --> 00:26:48,520
Speaker 2: but individual customers aren't. Just like I need my fall

506
00:26:48,600 --> 00:26:49,480
Speaker 2: wardrobe in place.

507
00:26:50,880 --> 00:26:53,760
Speaker 3: It's like, all guess you're like, well, darling, let's go

508
00:26:54,080 --> 00:26:54,840
Speaker 3: fall shopping.

509
00:26:55,080 --> 00:26:58,679
Speaker 4: Yeah, if only I had hoosiary.

510
00:26:59,680 --> 00:27:01,280
Speaker 2: Because or not. Because her a thing was that you're

511
00:27:01,280 --> 00:27:03,760
Speaker 2: gonna walk into the restroom without hosiery because it's the

512
00:27:03,800 --> 00:27:06,160
Speaker 2: heat of the summer, but you'll need hosiery to see

513
00:27:06,160 --> 00:27:07,280
Speaker 2: how the false skirts look.

514
00:27:09,000 --> 00:27:10,680
Speaker 4: She's like, everyone doubted me.

515
00:27:11,040 --> 00:27:15,240
Speaker 3: But then we put the hosierie in dressing rooms and

516
00:27:15,560 --> 00:27:19,400
Speaker 3: women were buying clothes at like a eighty percent.

517
00:27:20,200 --> 00:27:23,240
Speaker 2: And she worked very closely with Haynes to develop a

518
00:27:23,440 --> 00:27:26,520
Speaker 2: new hosierie that would not tear. And it was the strongest,

519
00:27:26,640 --> 00:27:30,159
Speaker 2: most elastic hosierie that's ever been developed. I mean, you know,

520
00:27:30,320 --> 00:27:32,720
Speaker 2: she's a seer, she's a thinker. This is a part

521
00:27:32,760 --> 00:27:36,440
Speaker 2: about her sort of inspiration process as a designer. I'm

522
00:27:36,520 --> 00:27:41,280
Speaker 2: always creating. Everything talks to me first and foremost fabric,

523
00:27:41,800 --> 00:27:46,119
Speaker 2: but the sun talks to me too. The flashing lights

524
00:27:46,160 --> 00:27:48,960
Speaker 2: on the street talked to me. The rocks on the

525
00:27:49,040 --> 00:27:52,639
Speaker 2: beach talk to me. It's actually hard to have so

526
00:27:52,840 --> 00:27:54,760
Speaker 2: much visual stimuli talking to me.

527
00:27:56,160 --> 00:28:03,040
Speaker 1: I brought a beach rock. This is your pro this

528
00:28:03,240 --> 00:28:08,800
Speaker 1: is my proper vial. Let's do the donna.

529
00:28:10,560 --> 00:28:14,240
Speaker 2: This is so beautiful. Wait, let me finish your reading.

530
00:28:14,320 --> 00:28:16,280
Speaker 2: Let you just finish this part. You guys start taking

531
00:28:16,320 --> 00:28:17,320
Speaker 2: inspired by this rock.

532
00:28:17,920 --> 00:28:19,840
Speaker 4: Just look at it. We can pass it around too.

533
00:28:20,720 --> 00:28:22,280
Speaker 2: I look at the beach and I see the wet

534
00:28:22,320 --> 00:28:32,560
Speaker 2: part and the dry part. Artistic genius. The wet is

535
00:28:32,720 --> 00:28:38,800
Speaker 2: more yellow, the dry is more blue. Okay, synesthesia, I'm

536
00:28:38,800 --> 00:28:44,000
Speaker 2: already confused warm versus cold. I've brought rocks with me

537
00:28:44,200 --> 00:28:47,480
Speaker 2: to Europe and wet them, so the mills know what

538
00:28:47,600 --> 00:28:53,240
Speaker 2: I'm talking about. Yes, I once traveled with a potato

539
00:28:53,760 --> 00:28:58,920
Speaker 2: because I loved the color variation of its skin. And

540
00:28:59,120 --> 00:29:02,120
Speaker 2: then there was the time in Italy when I discovered

541
00:29:02,160 --> 00:29:05,400
Speaker 2: the most perfect color gray ever in the toilet paper

542
00:29:05,520 --> 00:29:10,160
Speaker 2: at an auto grill, one of the rest areas on

543
00:29:10,240 --> 00:29:15,360
Speaker 2: the autostrada. Anyway, that's why I know I can't think

544
00:29:15,480 --> 00:29:17,280
Speaker 2: like that. You know what? I like that, I'm not

545
00:29:17,400 --> 00:29:19,400
Speaker 2: bringing a potato with me and my luggage to show

546
00:29:19,440 --> 00:29:20,000
Speaker 2: the millers.

547
00:29:20,880 --> 00:29:25,560
Speaker 3: At first you're like, oh, dumb woman, like yeah, wet dry,

548
00:29:25,800 --> 00:29:30,920
Speaker 3: and then you're like wait a second, to bring a

549
00:29:31,120 --> 00:29:34,040
Speaker 3: rock to work and in front of like a German

550
00:29:34,320 --> 00:29:37,560
Speaker 3: Haines executive being like, can I have a glass of

551
00:29:37,600 --> 00:29:38,280
Speaker 3: spark my water?

552
00:29:41,680 --> 00:29:43,600
Speaker 4: He's like, huns guts the water.

553
00:29:46,280 --> 00:29:46,720
Speaker 3: Watch this.

554
00:29:49,560 --> 00:29:54,640
Speaker 2: Everyone gasps, and she's just like, that's what we need.

555
00:29:54,760 --> 00:29:58,760
Speaker 2: The crept machine to look like they're shaking.

556
00:29:58,920 --> 00:30:01,000
Speaker 3: Walks out, gets on her private plan. One of my

557
00:30:01,040 --> 00:30:03,480
Speaker 3: favorite quotes in here, she goes, not only am I

558
00:30:03,600 --> 00:30:07,000
Speaker 3: addicted to boats, but I'm addicted to private plans.

559
00:30:08,000 --> 00:30:09,440
Speaker 4: The boat, the boat same.

560
00:30:09,720 --> 00:30:11,680
Speaker 2: The boat was actually one of the craziest of.

561
00:30:13,280 --> 00:30:17,520
Speaker 4: But she was like the Haynes executive was a ballbuster.

562
00:30:17,680 --> 00:30:18,680
Speaker 3: Just how I like him.

563
00:30:19,800 --> 00:30:22,360
Speaker 2: She loves every CEO that she meets.

564
00:30:22,800 --> 00:30:26,680
Speaker 3: That's the toxic Haynes sheeo, and it's like, where's her buck?

565
00:30:28,720 --> 00:30:31,880
Speaker 2: No, it sounds like everyone is like screaming at everyone else,

566
00:30:31,920 --> 00:30:34,160
Speaker 2: and she's like, you're gonna work for me? I do

567
00:30:34,280 --> 00:30:36,080
Speaker 2: wonder if the workplace was like so toxic.

568
00:30:36,640 --> 00:30:39,280
Speaker 3: Well, it seems like it because she's always been like, oh,

569
00:30:39,400 --> 00:30:42,840
Speaker 3: he was the most wonderful assistant and then like you'd

570
00:30:42,880 --> 00:30:45,720
Speaker 3: never hear that name again. And then twenty pages she's like,

571
00:30:46,120 --> 00:30:49,680
Speaker 3: Holly was wonderful. She was different than me, more rock

572
00:30:49,760 --> 00:30:53,160
Speaker 3: and roll, cut off, swayed jackets, but.

573
00:30:53,240 --> 00:30:55,600
Speaker 2: Then also everyone's so like she was different than me.

574
00:30:55,720 --> 00:30:58,160
Speaker 2: She was suiting buttoned up right, You're like, well.

575
00:30:58,080 --> 00:31:00,600
Speaker 3: What are you? Are you like leather jacka or you

576
00:31:01,000 --> 00:31:04,320
Speaker 3: h are you both? Like okay, take off the trench.

577
00:31:05,640 --> 00:31:08,080
Speaker 3: Now you can go to a meeting, put on the jacket,

578
00:31:08,400 --> 00:31:11,680
Speaker 3: have an affairs, and that's the capsule wardrobe.

579
00:31:11,800 --> 00:31:12,040
Speaker 2: Yeah.

580
00:31:12,840 --> 00:31:14,360
Speaker 4: But one thing about the private plane.

581
00:31:14,400 --> 00:31:18,360
Speaker 3: She's always referencing how like ones she made the plane

582
00:31:18,520 --> 00:31:21,880
Speaker 3: keep on flying so she could finish Watching the season

583
00:31:21,960 --> 00:31:31,480
Speaker 3: finale of twenty four, She's like, sure, I had.

584
00:31:31,400 --> 00:31:35,200
Speaker 4: My moments like the time I needed to finish twenty four.

585
00:31:35,400 --> 00:31:38,920
Speaker 2: You get it. That is maybe like my favorite thing

586
00:31:38,960 --> 00:31:44,000
Speaker 2: anyone's ever done. You know, when you like just fire

587
00:31:44,280 --> 00:31:47,440
Speaker 2: up a show on the little screen and then they're

588
00:31:47,480 --> 00:31:49,360
Speaker 2: like we're making our descent. You're just like, am I

589
00:31:49,440 --> 00:31:51,440
Speaker 2: gonna make it? And then you have ten minutes left

590
00:31:51,440 --> 00:31:52,800
Speaker 2: and you're just like, I want to just finish this

591
00:31:52,880 --> 00:31:53,960
Speaker 2: Forensic Files episode.

592
00:31:54,120 --> 00:31:55,960
Speaker 3: Like right, you're kind of like, oh, well, when I

593
00:31:56,040 --> 00:31:58,920
Speaker 3: get there's gonna have to be like vacation restaurants, Like

594
00:31:59,160 --> 00:32:02,280
Speaker 3: look CAP's wardrobe, Like can we stay in this TV

595
00:32:02,440 --> 00:32:05,200
Speaker 3: place for like one seconds?

596
00:32:05,320 --> 00:32:07,640
Speaker 2: He's not asking for so much okay, but I do

597
00:32:08,280 --> 00:32:11,040
Speaker 2: just to circle back to Stephen for a second. I

598
00:32:11,240 --> 00:32:14,920
Speaker 2: do feel like Stephen is cheating on her like throughout

599
00:32:15,000 --> 00:32:15,600
Speaker 2: their marriage.

600
00:32:16,400 --> 00:32:19,400
Speaker 3: Yesterday, Stephen said to me, I can't wait to talk

601
00:32:19,440 --> 00:32:24,240
Speaker 3: to you about Stephen, and I said, I also can't

602
00:32:24,240 --> 00:32:25,400
Speaker 3: wait to talk about Steve.

603
00:32:25,320 --> 00:32:27,840
Speaker 2: Because I can't wait to talk about Steven.

604
00:32:28,160 --> 00:32:31,080
Speaker 4: We need to talk about Steven Storry and.

605
00:32:31,080 --> 00:32:36,600
Speaker 2: Anya Taylor Joy Josh one of the guys Challengers.

606
00:32:36,840 --> 00:32:41,200
Speaker 3: No, he definitely is, because clearly he lays like the

607
00:32:41,440 --> 00:32:47,000
Speaker 3: pipe like she is constantly just being like I'm addictisent.

608
00:32:47,440 --> 00:32:50,000
Speaker 2: Well and this is and this is what I kind

609
00:32:50,040 --> 00:32:51,920
Speaker 2: of intimated to they but we can actually talk about.

610
00:32:52,000 --> 00:32:54,720
Speaker 2: But I do think that Donna Karen has a deep

611
00:32:54,880 --> 00:33:02,440
Speaker 2: vagina to design this kind of clothing with the black

612
00:33:02,760 --> 00:33:06,760
Speaker 2: fabrics and the rouchine and the draping, like it just

613
00:33:06,840 --> 00:33:12,080
Speaker 2: screams like you know what I mean, Like she gets it.

614
00:33:12,320 --> 00:33:19,880
Speaker 2: You know, she's tunneled, like too fist. I think he's

615
00:33:19,960 --> 00:33:23,240
Speaker 2: got I can't He's huge.

616
00:33:23,120 --> 00:33:27,160
Speaker 4: But I think they're like she's also really into hot oil.

617
00:33:27,600 --> 00:33:31,880
Speaker 2: At one point, Barbara at the massage, and Barbara's like,

618
00:33:31,920 --> 00:33:33,120
Speaker 2: this is weird, and there're.

619
00:33:33,040 --> 00:33:36,080
Speaker 3: Pools of hot oil, and Barbara's like, Donna, this is

620
00:33:36,160 --> 00:33:39,160
Speaker 3: too far, and Donna's just moaning on the hot oil.

621
00:33:39,480 --> 00:33:43,440
Speaker 2: They're separated by a sheet at Canyon Ranch, and like

622
00:33:43,640 --> 00:33:45,960
Speaker 2: Barbara's over her, being like I'm done, I can't do this,

623
00:33:46,080 --> 00:33:49,240
Speaker 2: I don't like this anymore. I'm checking my stocks, and

624
00:33:49,360 --> 00:33:52,120
Speaker 2: Donna's just like, oh, is it an amazing Barbara.

625
00:33:53,920 --> 00:33:57,120
Speaker 3: Stephen has a three week rule in their marriage that

626
00:33:57,320 --> 00:34:00,640
Speaker 3: she can't be gone longer than three weeks, and if

627
00:34:00,680 --> 00:34:02,920
Speaker 3: she is, she'll call and he'll be like, huh, where's

628
00:34:02,960 --> 00:34:03,360
Speaker 3: my wife?

629
00:34:03,600 --> 00:34:06,280
Speaker 4: But I think in that three weeks he is cheating.

630
00:34:06,080 --> 00:34:08,200
Speaker 2: On her right. And this is why, let me just

631
00:34:08,280 --> 00:34:11,360
Speaker 2: say okay. So when they first meet Stephen or like

632
00:34:11,480 --> 00:34:14,200
Speaker 2: early before, he becomes like president of her company, which is.

633
00:34:14,239 --> 00:34:15,440
Speaker 4: So I find that sketchy.

634
00:34:15,600 --> 00:34:17,320
Speaker 2: This is so sketchy, and he's like pressures her to

635
00:34:17,360 --> 00:34:18,320
Speaker 2: do a fragrance.

636
00:34:17,960 --> 00:34:19,400
Speaker 4: Line Kashmir missed.

637
00:34:19,960 --> 00:34:22,520
Speaker 2: Stephen was forced to take all sorts of jobs to

638
00:34:22,560 --> 00:34:25,080
Speaker 2: make ends meet. He worked at his father's business, but

639
00:34:25,200 --> 00:34:28,160
Speaker 2: he also sold jacuzzis and high end showers.

640
00:34:29,440 --> 00:34:32,719
Speaker 3: The most affair like a fair job you can have

641
00:34:33,000 --> 00:34:36,120
Speaker 3: because you're like meeting with like moms who are just

642
00:34:36,239 --> 00:34:41,160
Speaker 3: like I just want to relax and be hot and

643
00:34:41,360 --> 00:34:43,520
Speaker 3: have powerful jets.

644
00:34:44,680 --> 00:34:46,280
Speaker 4: My husband isn't doing anything.

645
00:34:46,520 --> 00:34:49,160
Speaker 2: And then Steven's coming in and like meeting this just

646
00:34:49,320 --> 00:34:52,480
Speaker 2: like jewel a Bristide wife, and he's just like, have

647
00:34:52,560 --> 00:34:53,760
Speaker 2: you ever heard of a rainfall?

648
00:34:55,880 --> 00:35:00,480
Speaker 3: Meet the Silex two thousand. It's not top of the

649
00:35:00,520 --> 00:35:03,279
Speaker 3: model Jacuzzi pH levels are safe.

650
00:35:03,160 --> 00:35:05,240
Speaker 2: The amount of times he said top of the line

651
00:35:06,000 --> 00:35:10,080
Speaker 2: leading edge jacuzzi technology. And he's like an.

652
00:35:10,160 --> 00:35:13,080
Speaker 3: Artist and he's a sculptor in the moment, like she

653
00:35:13,440 --> 00:35:15,640
Speaker 3: leaves an Klein, He's like, well, I'll take care of

654
00:35:15,719 --> 00:35:16,280
Speaker 3: the business.

655
00:35:16,920 --> 00:35:21,440
Speaker 2: She's like okay, yeah, And then he's just like putting

656
00:35:21,520 --> 00:35:24,240
Speaker 2: himself in meetings like with the Japanese owners and putting

657
00:35:24,320 --> 00:35:26,200
Speaker 2: himself in meetings with LVMH and like.

658
00:35:27,160 --> 00:35:29,640
Speaker 4: And like taking the contracts. I don't know it also like.

659
00:35:29,719 --> 00:35:32,239
Speaker 2: It is hot and like yes, like I want my

660
00:35:32,480 --> 00:35:35,200
Speaker 2: pipe plain man to like be go meeting with like

661
00:35:35,520 --> 00:35:39,640
Speaker 2: you know Pino and like al No Tokyo and Tokyo

662
00:35:39,920 --> 00:35:42,320
Speaker 2: and just like you know, there's a hotness that. But

663
00:35:42,360 --> 00:35:45,800
Speaker 2: I'm a little bit like, Babe, are you like executing

664
00:35:45,880 --> 00:35:47,640
Speaker 2: my vision or are you just like trying to make

665
00:35:47,640 --> 00:35:50,959
Speaker 2: a buck on the side. He's very like, they also

666
00:35:51,080 --> 00:35:53,239
Speaker 2: has you know what I mean, yes, whose name is

667
00:35:53,280 --> 00:35:54,000
Speaker 2: also Stephen.

668
00:35:54,200 --> 00:35:56,520
Speaker 3: It's a sketchy but he also has amazing advice. When

669
00:35:56,560 --> 00:36:00,239
Speaker 3: she starts decan Y jeans, she's like, wait, I need

670
00:36:00,280 --> 00:36:02,880
Speaker 3: to start a sexy dcan Y jeans men's line, and

671
00:36:03,000 --> 00:36:05,799
Speaker 3: he's like, whoa, whoa, what are you doing? You need

672
00:36:05,920 --> 00:36:09,239
Speaker 3: to start it, Donna Karen men's line. Start from the

673
00:36:09,360 --> 00:36:12,200
Speaker 3: top with the more expensive, then you can go.

674
00:36:12,440 --> 00:36:15,080
Speaker 2: You can't start men cheap because then they can't get

675
00:36:15,120 --> 00:36:18,879
Speaker 2: more expensive, start cheap. It's all over, it's done, which

676
00:36:18,960 --> 00:36:21,239
Speaker 2: is very true. Good business advice. Everyone. Take that.

677
00:36:21,320 --> 00:36:24,359
Speaker 3: Okay, you're thinking of starting a men's line, make sure

678
00:36:24,400 --> 00:36:25,239
Speaker 3: it's expensive first.

679
00:36:25,320 --> 00:36:28,280
Speaker 2: Does that mean that we can't do like a formal

680
00:36:28,320 --> 00:36:31,520
Speaker 2: wear line? Not because we started with T shirts.

681
00:36:31,640 --> 00:36:34,520
Speaker 4: I know we can't do like casual ourselves.

682
00:36:34,640 --> 00:36:38,040
Speaker 3: I think we fucked ourselves over like all those other

683
00:36:38,160 --> 00:36:41,080
Speaker 3: podcasters can be in with shoes, which I'm so confused by.

684
00:36:41,160 --> 00:36:44,400
Speaker 4: And by the way, shout yeah, we love you, but

685
00:36:44,400 --> 00:36:45,800
Speaker 4: I'm like, I want a shoe line.

686
00:36:46,000 --> 00:36:48,120
Speaker 2: Well, we need to like be meetings with a das,

687
00:36:48,160 --> 00:36:48,920
Speaker 2: which isn't happening.

688
00:36:49,760 --> 00:36:51,840
Speaker 4: No, we need like our husbands be taking me.

689
00:36:52,000 --> 00:36:58,400
Speaker 2: I know, we potentially dozens of customs fly flies to

690
00:36:58,480 --> 00:37:02,239
Speaker 2: Germany for the meeting, and then we'll tell good when she.

691
00:37:02,320 --> 00:37:05,000
Speaker 3: Goes to Germany and they all buy for coats to

692
00:37:05,040 --> 00:37:07,719
Speaker 3: go to Germany. Do you remember that part? And then

693
00:37:07,800 --> 00:37:10,200
Speaker 3: she gets a yellow fur coat and she was like,

694
00:37:10,320 --> 00:37:11,960
Speaker 3: it was so chic in Germany.

695
00:37:12,360 --> 00:37:14,719
Speaker 2: It was insanely she can like sam Maurtz. But then

696
00:37:14,800 --> 00:37:16,800
Speaker 2: when they get to New York, everyone's like, who is

697
00:37:16,840 --> 00:37:19,359
Speaker 2: this big bird? And then she's like she never wears

698
00:37:19,400 --> 00:37:19,760
Speaker 2: it again.

699
00:37:20,520 --> 00:37:23,239
Speaker 4: She's like she was like I was at Grand Central station.

700
00:37:23,400 --> 00:37:26,120
Speaker 3: Everyone was laughing at me, going big bird, big bird,

701
00:37:26,280 --> 00:37:26,960
Speaker 3: big bird.

702
00:37:29,560 --> 00:37:32,200
Speaker 2: Wait? Can we read the discussion where he convinces her

703
00:37:32,280 --> 00:37:36,640
Speaker 2: to launch the fragrance on one ninety? Yeah? Class, if

704
00:37:36,640 --> 00:37:38,240
Speaker 2: you could turn your page to one ninety please?

705
00:37:39,480 --> 00:37:41,320
Speaker 3: Oh wait, it's so crazy because it was in nineteen

706
00:37:41,400 --> 00:37:42,360
Speaker 3: ninety book stuff.

707
00:37:44,520 --> 00:37:49,160
Speaker 2: I love book synergy between year and page. Okay, do

708
00:37:49,200 --> 00:37:51,800
Speaker 2: you want to be Stephen? Sure, I'll see if I

709
00:37:51,840 --> 00:37:52,760
Speaker 2: can get into character.

710
00:37:54,920 --> 00:37:58,600
Speaker 3: It was the winter of nineteen ninety and Steve and

711
00:37:58,680 --> 00:38:03,560
Speaker 3: I were sitting on our Khona Swedes sofas having the

712
00:38:03,800 --> 00:38:08,360
Speaker 3: same old argument he was determined to build a business

713
00:38:08,600 --> 00:38:12,280
Speaker 3: far bigger than our fashion one. Stephen won the legacy,

714
00:38:13,239 --> 00:38:15,759
Speaker 3: and he felt that fragrance was the way to do it.

715
00:38:16,440 --> 00:38:21,720
Speaker 2: Donna, headlines go up and down, but fragrances forever.

716
00:38:22,440 --> 00:38:28,120
Speaker 3: Look at Chanelle, he said, with great impatience. But I

717
00:38:28,280 --> 00:38:33,080
Speaker 3: hate fragrance, hate, I said, I truly did. It was

718
00:38:33,160 --> 00:38:37,120
Speaker 3: always too strong, too fake, too old lady ish.

719
00:38:37,840 --> 00:38:40,440
Speaker 4: I love essential oils.

720
00:38:42,760 --> 00:38:47,360
Speaker 3: Or the clean, fresh scent of shampoo and soap.

721
00:38:50,400 --> 00:38:55,040
Speaker 2: I promise you, Donna, we will make a fragrance you love.

722
00:38:56,200 --> 00:39:00,440
Speaker 2: We will create and control everything about it.

723
00:39:01,040 --> 00:39:03,640
Speaker 4: Good luck, I said, and rolled my eyes.

724
00:39:05,160 --> 00:39:09,080
Speaker 2: You like Casa Blanca lilies.

725
00:39:09,560 --> 00:39:14,560
Speaker 3: Right, he said, pointing to our foyer table, which always

726
00:39:14,600 --> 00:39:16,279
Speaker 3: had a giant bowl of lilies on it.

727
00:39:17,440 --> 00:39:18,320
Speaker 2: Let's start with that.

728
00:39:19,640 --> 00:39:20,920
Speaker 7: What else do you like?

729
00:39:22,360 --> 00:39:29,000
Speaker 3: I like Vacuna Suede, our twenty thousand dollars sofa that

730
00:39:29,200 --> 00:39:31,840
Speaker 3: you bought us, or I bought us, but you chose it,

731
00:39:31,960 --> 00:39:34,959
Speaker 3: and you wrote the check on our JP Morgan Chase

732
00:39:35,160 --> 00:39:35,680
Speaker 3: check book.

733
00:39:36,920 --> 00:39:41,239
Speaker 2: I remember the day I wrote that check. I got

734
00:39:41,360 --> 00:39:43,799
Speaker 2: so high writing all those zeros.

735
00:39:45,360 --> 00:40:00,120
Speaker 7: What else do you like? Donna, smell of your neck? Oh?

736
00:40:00,239 --> 00:40:05,239
Speaker 2: I think we can bottle that up too. I'll just

737
00:40:05,400 --> 00:40:10,480
Speaker 2: have to go to Germany for three weeks and have

738
00:40:10,640 --> 00:40:18,080
Speaker 2: a team of Bavarian women take skin cells. That's not

739
00:40:18,200 --> 00:40:18,720
Speaker 2: a problem.

740
00:40:18,880 --> 00:40:22,799
Speaker 7: Is it? One more?

741
00:40:26,960 --> 00:40:27,960
Speaker 4: And that's all it took.

742
00:40:28,239 --> 00:40:30,120
Speaker 2: Okay, don, I'm going to need a check for three

743
00:40:30,200 --> 00:40:31,880
Speaker 2: million to do my research.

744
00:40:32,760 --> 00:40:38,640
Speaker 3: Stephen was off and running, and then I was that's

745
00:40:38,760 --> 00:40:39,920
Speaker 3: cashmir missed for you.

746
00:40:40,760 --> 00:40:47,279
Speaker 2: And then it became one of the top selling fragrances

747
00:40:47,280 --> 00:40:48,319
Speaker 2: of nineteen ninety six.

748
00:40:49,440 --> 00:40:52,399
Speaker 3: But of course also it was launched before she even knew,

749
00:40:52,960 --> 00:40:54,960
Speaker 3: and someone came in the office with a bottle and

750
00:40:55,080 --> 00:40:55,400
Speaker 3: she was.

751
00:40:55,440 --> 00:40:57,360
Speaker 4: Like, what the fuck is that?

752
00:40:58,920 --> 00:41:01,080
Speaker 2: I'd be like, she was a little rock may season

753
00:41:01,160 --> 00:41:03,040
Speaker 2: saw it and she was just like, what is this

754
00:41:03,200 --> 00:41:05,920
Speaker 2: champagne miss body lotion doing? Because she had done the

755
00:41:05,960 --> 00:41:07,359
Speaker 2: fragrance but not the lotion.

756
00:41:07,840 --> 00:41:10,040
Speaker 3: I would hate to make a body lotion too. That's

757
00:41:10,320 --> 00:41:14,520
Speaker 3: I don't know that phrase body lotion phrase. So Victoria's

758
00:41:14,560 --> 00:41:15,239
Speaker 3: secret like.

759
00:41:16,880 --> 00:41:20,080
Speaker 2: It's just very it's very mom. I don't know. I mean,

760
00:41:20,120 --> 00:41:23,240
Speaker 2: I know they're making incredible things with lotions these days,

761
00:41:23,480 --> 00:41:25,440
Speaker 2: but I do think that we're calling it cream now,

762
00:41:25,680 --> 00:41:29,880
Speaker 2: Like the word lotion I think has just creamy ninety seven.

763
00:41:30,160 --> 00:41:32,239
Speaker 4: Well that feels like a throwback to be like where

764
00:41:32,360 --> 00:41:33,080
Speaker 4: is my cream?

765
00:41:34,239 --> 00:41:36,280
Speaker 2: No, but don't you think like the new like fancy

766
00:41:36,400 --> 00:41:38,239
Speaker 2: line is going to be like all over body, Like

767
00:41:38,239 --> 00:41:42,080
Speaker 2: I don't think Rihanna's calling something lotion. No, it's like

768
00:41:42,640 --> 00:41:47,800
Speaker 2: crem maybe maybe it's cream right. Well, and this is

769
00:41:47,840 --> 00:41:49,600
Speaker 2: the thing, it's like where I do think that beauty

770
00:41:49,640 --> 00:41:52,440
Speaker 2: industry and this goes for fashion too, has circled back

771
00:41:52,480 --> 00:41:55,080
Speaker 2: to Europe after that because Donna Karen. Here's the thing

772
00:41:55,080 --> 00:41:58,200
Speaker 2: about Donna Karen is that she was like part of

773
00:41:58,640 --> 00:42:01,960
Speaker 2: this new vanguard of American designers and was like probably

774
00:42:02,280 --> 00:42:05,440
Speaker 2: the like peak of American designer dumb. And you had

775
00:42:05,560 --> 00:42:08,799
Speaker 2: Peri Elis and you had Tommy Hill figure and like she.

776
00:42:08,960 --> 00:42:12,359
Speaker 4: Was pretty Tommy tom she walked so Tommy could run.

777
00:42:12,560 --> 00:42:15,800
Speaker 2: Okay, yeah, they were also like walking in separate lanes,

778
00:42:16,000 --> 00:42:18,240
Speaker 2: but like there's room for everyone. But they're both nineties.

779
00:42:18,640 --> 00:42:20,800
Speaker 2: But just like fast forward to now and just like

780
00:42:20,920 --> 00:42:23,399
Speaker 2: American designers are not what anyone cares about and it's

781
00:42:23,440 --> 00:42:26,120
Speaker 2: like there aren't big American brands besides like tell Far,

782
00:42:26,320 --> 00:42:29,720
Speaker 2: which is like not like a yes, we love Telfar

783
00:42:29,800 --> 00:42:31,480
Speaker 2: in this house, but it's just like they're not at

784
00:42:31,520 --> 00:42:34,719
Speaker 2: that level, Like we don't have these huge American houses anymore. Oh,

785
00:42:34,960 --> 00:42:46,960
Speaker 2: I'm hearing some groans. What are the big American houses? Okay?

786
00:42:47,200 --> 00:42:50,120
Speaker 2: I mean Birch Now Tory is like turning it out,

787
00:42:50,239 --> 00:42:54,160
Speaker 2: but I just feel like America like hasn't really fully

788
00:42:54,200 --> 00:42:56,160
Speaker 2: brought it back in a big way.

789
00:43:00,880 --> 00:43:02,640
Speaker 3: Who recently stepped down.

790
00:43:03,520 --> 00:43:05,440
Speaker 2: To focus on her foundation? Yeah?

791
00:43:05,520 --> 00:43:06,240
Speaker 4: Her foundation?

792
00:43:08,960 --> 00:43:12,800
Speaker 3: When she goes public and Barbara streisand buys shares in

793
00:43:12,880 --> 00:43:14,640
Speaker 3: her company and then loses money.

794
00:43:15,040 --> 00:43:19,840
Speaker 2: Yeah Barbara, imagine kissing off Barbara. Imagine making Barbara lose money. Okay,

795
00:43:19,960 --> 00:43:22,960
Speaker 2: but also she goes Barbara Streisan is really good at

796
00:43:23,040 --> 00:43:26,040
Speaker 2: day trading, which we knew from.

797
00:43:25,920 --> 00:43:28,440
Speaker 3: Reading her like coffee t But she goes Barbara Streisan's

798
00:43:28,440 --> 00:43:30,560
Speaker 3: I was like, I like to spend the first seven

799
00:43:30,640 --> 00:43:31,040
Speaker 3: hours of.

800
00:43:31,080 --> 00:43:33,160
Speaker 4: The day in bed day trading.

801
00:43:35,200 --> 00:43:39,160
Speaker 2: Same. And so she gives her good friend, Barbara streisand

802
00:43:39,400 --> 00:43:42,840
Speaker 2: a million dollars just to see what she'll do with it.

803
00:43:43,719 --> 00:43:48,760
Speaker 2: And Barbara makes eight hundred thousand dollars profit in six months.

804
00:43:49,840 --> 00:43:54,399
Speaker 2: Yeah yeah, wow, is right? Eighty percent returns in six months.

805
00:43:54,520 --> 00:43:57,279
Speaker 3: I would kill to one half a million dollars to

806
00:43:59,400 --> 00:44:03,560
Speaker 3: give it, save it to barbaron like go wild. And

807
00:44:03,719 --> 00:44:06,440
Speaker 3: then they're in Cabo and like Donna cared. There's like

808
00:44:06,560 --> 00:44:08,640
Speaker 3: three hundred pages of this book where she's always like

809
00:44:09,360 --> 00:44:12,719
Speaker 3: it was so good because Barbara Streisand's husband got along

810
00:44:12,760 --> 00:44:13,680
Speaker 3: with my husband.

811
00:44:15,360 --> 00:44:18,520
Speaker 2: With the husband, and they're just like we were in

812
00:44:18,560 --> 00:44:21,399
Speaker 2: the private jet with like pam My. At one part,

813
00:44:21,520 --> 00:44:24,279
Speaker 2: she starts referring to pay my juice friend. Oh yeah,

814
00:44:25,800 --> 00:44:26,000
Speaker 2: it was.

815
00:44:26,200 --> 00:44:28,160
Speaker 4: She's like I wants pam My juice friend was coming

816
00:44:28,239 --> 00:44:28,400
Speaker 4: on the.

817
00:44:28,440 --> 00:44:31,880
Speaker 2: Tree and there's like my spa friend and there's just

818
00:44:31,960 --> 00:44:36,600
Speaker 2: like spa juice Tennis fire island plane, psychic.

819
00:44:37,840 --> 00:44:41,800
Speaker 3: Barbara. And then so they're both like, oh, like I

820
00:44:42,000 --> 00:44:44,560
Speaker 3: love being in Cabo, and Barbara's like, yeah, it feels

821
00:44:44,600 --> 00:44:48,279
Speaker 3: good not to pay for anything either, and Donna's like

822
00:44:48,480 --> 00:44:53,600
Speaker 3: excuse and she's like, yeah, you're paying for this with

823
00:44:53,840 --> 00:44:57,040
Speaker 3: the money I made you when you gave me a

824
00:44:57,120 --> 00:44:59,719
Speaker 3: million dollars and I made eight hundred thousand dollars for you.

825
00:45:00,239 --> 00:45:03,720
Speaker 3: And then everyone starts screaming and it actually sounds really tense.

826
00:45:04,640 --> 00:45:06,600
Speaker 2: Yeah, I do get this sense, because like she'll say

827
00:45:06,680 --> 00:45:11,239
Speaker 2: stuff like like Barbara and I like we're sisters, and

828
00:45:11,360 --> 00:45:13,319
Speaker 2: of course we fight, but we don't see each other

829
00:45:13,440 --> 00:45:15,640
Speaker 2: often enough to really fight. That was kind of a

830
00:45:15,680 --> 00:45:16,480
Speaker 2: crazy reveal.

831
00:45:17,000 --> 00:45:20,200
Speaker 4: I know two friends who never fight, but like, do

832
00:45:20,280 --> 00:45:21,040
Speaker 4: you think they're.

833
00:45:20,920 --> 00:45:27,120
Speaker 2: Talking about like sexuality and she's just being like, Donna,

834
00:45:27,560 --> 00:45:31,239
Speaker 2: I came six times last night. I think I got

835
00:45:31,320 --> 00:45:35,560
Speaker 2: my new Donna Karen collection, three hundred thread cow cheets soaked.

836
00:45:35,920 --> 00:45:38,680
Speaker 2: I had to give them to my Brazilian cleaner, who's

837
00:45:38,760 --> 00:45:41,000
Speaker 2: also my healer, so.

838
00:45:41,160 --> 00:45:43,920
Speaker 3: Wet in my body suit. That's when the rap skirt

839
00:45:44,080 --> 00:45:48,120
Speaker 3: comes into play. It's like, I just scared you with

840
00:45:48,239 --> 00:45:51,960
Speaker 3: my sexuality. I feel like honestly, Donna's talking about getting

841
00:45:52,040 --> 00:45:54,600
Speaker 3: railed by her new healer, and Barbara's kind of like

842
00:45:55,080 --> 00:45:58,360
Speaker 3: on her Robinhood app being like, oh, Donna, you're crazy.

843
00:46:01,080 --> 00:46:03,880
Speaker 2: No, Barbara is absolutely half checked up, the glasses are

844
00:46:03,920 --> 00:46:04,800
Speaker 2: on inside.

845
00:46:05,560 --> 00:46:06,560
Speaker 4: She's transitioned.

846
00:46:06,680 --> 00:46:09,440
Speaker 2: Yeah, and then she was like people often asked why

847
00:46:09,520 --> 00:46:11,920
Speaker 2: Barbara didn't come to more of my shows, But it's

848
00:46:11,960 --> 00:46:14,120
Speaker 2: because she was too famous and she would get like

849
00:46:14,200 --> 00:46:17,400
Speaker 2: too much paparazzi and I would distract. You really don't

850
00:46:17,440 --> 00:46:20,160
Speaker 2: want like paparazzi your show. I feel like that was

851
00:46:20,239 --> 00:46:21,279
Speaker 2: a point of tension.

852
00:46:21,040 --> 00:46:21,880
Speaker 3: Between them, definitely.

853
00:46:21,920 --> 00:46:24,080
Speaker 4: She's like, no, it's totally fine that Barbara doesn't come

854
00:46:24,120 --> 00:46:25,560
Speaker 4: to my show. Yeah, that's literally cool.

855
00:46:25,719 --> 00:46:28,000
Speaker 2: No, I don't want the attention. I don't want that's

856
00:46:28,040 --> 00:46:30,080
Speaker 2: too much press. I've just the right amount of press.

857
00:46:30,239 --> 00:46:32,480
Speaker 3: And then when Steve and her husband with this person's

858
00:46:32,520 --> 00:46:35,759
Speaker 3: really sad is dying of lung cancer, she's like, what

859
00:46:35,880 --> 00:46:38,719
Speaker 3: if we had Barbara come and sing as you die?

860
00:46:40,760 --> 00:46:43,120
Speaker 2: And he's like, I actually don't want Barbara stress and

861
00:46:43,200 --> 00:46:45,239
Speaker 2: to me, the last thing I hear that's actually weird.

862
00:46:45,400 --> 00:46:47,920
Speaker 3: He's like, my one dying wish is not to have

863
00:46:48,040 --> 00:46:51,160
Speaker 3: Barbara streisand singing as I do pass.

864
00:46:51,400 --> 00:46:58,760
Speaker 4: But thanks for the offer. And she's like okay, like random,

865
00:46:59,040 --> 00:46:59,680
Speaker 4: but sure.

866
00:47:01,920 --> 00:47:04,520
Speaker 2: And at this point she's gone what we're calling fall Buddha.

867
00:47:04,920 --> 00:47:07,800
Speaker 2: She's like, my collection was inspired by monks, and I

868
00:47:07,960 --> 00:47:09,880
Speaker 2: was traveling and we went to Bhutan. It was the

869
00:47:09,920 --> 00:47:11,640
Speaker 2: most beautiful country I've ever seen. And then we went

870
00:47:11,640 --> 00:47:13,680
Speaker 2: to Bali and it was the most beautiful country I've

871
00:47:13,680 --> 00:47:15,520
Speaker 2: ever seen, and I wanted to move there and buy

872
00:47:15,560 --> 00:47:18,760
Speaker 2: property there. And then she does buy property in Parrot

873
00:47:18,840 --> 00:47:20,200
Speaker 2: k She.

874
00:47:20,400 --> 00:47:23,000
Speaker 3: Buys Probaby and Para Kay and then her daughter Gabby

875
00:47:23,400 --> 00:47:27,600
Speaker 3: gets married there and she's like, ough, her husband looked

876
00:47:27,680 --> 00:47:28,960
Speaker 3: so hot at the wedding.

877
00:47:29,120 --> 00:47:33,279
Speaker 2: He was so parent k. She starts to kind of

878
00:47:33,360 --> 00:47:37,080
Speaker 2: sublimate her attraction, like to her dying husband, to her

879
00:47:37,320 --> 00:47:42,080
Speaker 2: daughter's husbands, which I wonder if maybe all mothers do something. Yeah,

880
00:47:42,960 --> 00:47:46,400
Speaker 2: it makes sense. Yeah, I hope to one day, absolutely,

881
00:47:47,600 --> 00:47:50,600
Speaker 2: I hope to gaze upon my daughter's husband will in

882
00:47:50,840 --> 00:47:55,200
Speaker 2: Bali at your sexual eye to penetrate my.

883
00:47:55,560 --> 00:47:58,320
Speaker 3: She does that, she's like, oh, he reminded me of

884
00:47:58,400 --> 00:48:01,600
Speaker 3: Stephen so much. And you're like, does this Italian guy

885
00:48:01,760 --> 00:48:06,200
Speaker 3: that owns a restaurant in Southampton called Tutto Orno reminds.

886
00:48:05,840 --> 00:48:08,719
Speaker 2: You sculptor boyfriend?

887
00:48:08,920 --> 00:48:09,080
Speaker 3: Yeah?

888
00:48:09,400 --> 00:48:11,640
Speaker 4: I don't totally get it, but sure whatever.

889
00:48:12,160 --> 00:48:14,480
Speaker 2: Yeah, I think it reminds her of like the vigor

890
00:48:14,800 --> 00:48:18,840
Speaker 2: of her early thirties early to me into the late thirties,

891
00:48:18,880 --> 00:48:20,600
Speaker 2: wherever you fall in that spectra.

892
00:48:20,880 --> 00:48:23,320
Speaker 3: Oh, and she's like at this point, she's like lost herself,

893
00:48:23,360 --> 00:48:25,719
Speaker 3: and she literally starts talking to rocks on the beach

894
00:48:25,800 --> 00:48:28,200
Speaker 3: and the Hamptons, which is why I rock this rock.

895
00:48:29,239 --> 00:48:30,759
Speaker 2: So yeah, she talks to this rock and then the

896
00:48:30,840 --> 00:48:32,800
Speaker 2: rock is in there. One summer, and then she chooses

897
00:48:32,840 --> 00:48:34,080
Speaker 2: a bigger rock that won't move.

898
00:48:34,440 --> 00:48:41,480
Speaker 3: She's been like Donna, Old Donna, little girl from Long

899
00:48:41,560 --> 00:48:47,759
Speaker 3: Island with the fat ass who failed draping at Parsons.

900
00:48:48,400 --> 00:48:51,960
Speaker 3: Remember you, I don't you want to talk to her?

901
00:48:52,840 --> 00:48:58,320
Speaker 2: Donna? What have you become? Your international company has sold

902
00:48:58,840 --> 00:49:04,280
Speaker 2: billions of dress worldwide. You've licensed your perfume, your eyewear,

903
00:49:04,480 --> 00:49:08,280
Speaker 2: your shoewaar, your software, your hosiery in seventeen different countries.

904
00:49:08,600 --> 00:49:12,360
Speaker 2: You just opened a standalone store in Jeddah, Saudi Arabia.

905
00:49:14,760 --> 00:49:20,520
Speaker 2: But where's Donna? What does she really need? Is she

906
00:49:20,760 --> 00:49:27,640
Speaker 2: still getting railed by her sculptor husband? Yes, yes she is.

907
00:49:28,600 --> 00:49:32,040
Speaker 2: But when he does, who will rail me? Will it

908
00:49:32,160 --> 00:49:35,640
Speaker 2: be my yoga instructor? Will it be my Brazilian healer

909
00:49:35,680 --> 00:49:39,600
Speaker 2: who has moved in with me, Yes, yes it will,

910
00:49:40,920 --> 00:49:44,160
Speaker 2: Thank you to my Brazilian healer Sam. Yeah.

911
00:49:44,239 --> 00:49:46,120
Speaker 4: By the end, I truly could not keep track of

912
00:49:46,200 --> 00:49:47,040
Speaker 4: all the properties.

913
00:49:47,280 --> 00:49:49,840
Speaker 2: You're saying, it's all the properties, it's all the foundations.

914
00:49:49,920 --> 00:49:51,600
Speaker 2: She starts this thing called Urbans and with.

915
00:49:51,760 --> 00:49:54,680
Speaker 3: This is like only after she's like sold her company

916
00:49:55,040 --> 00:49:56,160
Speaker 3: to Louis Vautoine.

917
00:49:56,280 --> 00:49:58,360
Speaker 2: Yeah, her vision for it is that she's just like,

918
00:49:58,880 --> 00:50:00,520
Speaker 2: I wanted it to be a safe space in the

919
00:50:00,600 --> 00:50:05,320
Speaker 2: city where people could shop, eat, me, meditate, cafe treatment.

920
00:50:05,360 --> 00:50:08,200
Speaker 2: It's cafes. There's street level retail and a condominium.

921
00:50:09,160 --> 00:50:11,160
Speaker 3: Oh yeah, there's a library, goes She's like, oh, I

922
00:50:11,239 --> 00:50:13,120
Speaker 3: know I've done so much, but I really want to

923
00:50:13,160 --> 00:50:17,319
Speaker 3: get into condos and you're like living in them, buying them,

924
00:50:17,480 --> 00:50:18,080
Speaker 3: selling them.

925
00:50:18,160 --> 00:50:20,200
Speaker 2: I'm lost, what's the story here?

926
00:50:20,560 --> 00:50:20,759
Speaker 3: Yeah?

927
00:50:21,560 --> 00:50:21,600
Speaker 7: No.

928
00:50:21,719 --> 00:50:24,120
Speaker 4: She also claims she's like, oh, me and my daughter

929
00:50:24,200 --> 00:50:25,680
Speaker 4: are best friends. Obviously not.

930
00:50:25,840 --> 00:50:30,080
Speaker 3: She's like urban Zen shares a courtyard in sag Harbor

931
00:50:30,280 --> 00:50:32,440
Speaker 3: with my daughter's Italian restaurant.

932
00:50:32,960 --> 00:50:37,840
Speaker 2: To tell, it's just it's ultimately a very accumulative I

933
00:50:38,080 --> 00:50:40,279
Speaker 2: think at the end of the day, and you know,

934
00:50:40,440 --> 00:50:42,440
Speaker 2: she's made her money and it's she's earned the right

935
00:50:42,560 --> 00:50:46,239
Speaker 2: to buy a lot of property, property adjasent to her

936
00:50:46,400 --> 00:50:49,520
Speaker 2: daughter's husband's properties, and only one can hope to do

937
00:50:49,800 --> 00:50:52,440
Speaker 2: any think that's beautiful. Yeah, okay, we do have to

938
00:50:52,440 --> 00:50:53,840
Speaker 2: wrap it up. We should go to segments right now.

939
00:50:55,080 --> 00:50:56,920
Speaker 4: Last thing thought, she wants to go to Burning Man

940
00:50:57,360 --> 00:50:58,239
Speaker 4: and I think she'll make it.

941
00:50:58,400 --> 00:51:00,279
Speaker 3: I think she'll get there, and we hope to join

942
00:51:00,360 --> 00:51:01,200
Speaker 3: her okay.

943
00:51:03,960 --> 00:51:15,359
Speaker 8: Segments, the seven the segment Collection New.

944
00:51:15,320 --> 00:51:17,239
Speaker 4: York, the seven easy Segments.

945
00:51:16,920 --> 00:51:18,640
Speaker 2: The seven easy Segments.

946
00:51:20,520 --> 00:51:21,480
Speaker 4: Seven easy segments.

947
00:51:21,520 --> 00:51:22,359
Speaker 3: So what does she wear?

948
00:51:23,520 --> 00:51:24,319
Speaker 4: How does she live?

949
00:51:26,920 --> 00:51:30,480
Speaker 2: What does she wear? Obviously lots of seven pieces, really

950
00:51:30,520 --> 00:51:34,839
Speaker 2: big chunky jewelry. She's gone into like rock driven jewelry. Yeah,

951
00:51:37,239 --> 00:51:40,520
Speaker 2: like there's always like bangles, and she was already too

952
00:51:40,560 --> 00:51:42,399
Speaker 2: gold and silver. Then I think she got into more.

953
00:51:42,320 --> 00:51:47,560
Speaker 1: Like gems and kind of stolen gems and yeahs, stolen wood.

954
00:51:48,440 --> 00:51:50,120
Speaker 4: Everything is stolen at this point.

955
00:51:51,160 --> 00:51:53,279
Speaker 2: I mean, she loves the artist in hand and as

956
00:51:53,320 --> 00:51:56,760
Speaker 2: she says, she loves celebrating the intersection of culture and commerce.

957
00:51:58,600 --> 00:52:02,160
Speaker 3: When she went to Indian with like doesn't look like India.

958
00:52:04,960 --> 00:52:07,280
Speaker 2: Like this is why she's like the most like Buddha

959
00:52:07,440 --> 00:52:08,480
Speaker 2: woman thing of all time.

960
00:52:09,000 --> 00:52:11,480
Speaker 3: Nothing can reach her Buddha fantasy where.

961
00:52:11,280 --> 00:52:12,960
Speaker 2: It's like she gets to Deli and she's just being

962
00:52:13,040 --> 00:52:16,240
Speaker 2: like it's giving city, like and then she like finds

963
00:52:16,280 --> 00:52:18,880
Speaker 2: some like rich guy who's like, let me take you

964
00:52:19,040 --> 00:52:21,719
Speaker 2: to like the like this famous city that like all

965
00:52:21,800 --> 00:52:23,560
Speaker 2: of like the tourists go to that's actually been so

966
00:52:23,680 --> 00:52:26,520
Speaker 2: ancient temple and then she's just like, Okay, that's what

967
00:52:26,600 --> 00:52:29,360
Speaker 2: I'm talking about, and like she goes to Balie and

968
00:52:29,400 --> 00:52:32,600
Speaker 2: she's like, again, it's giving city. And then someone is like,

969
00:52:32,880 --> 00:52:35,560
Speaker 2: let me take you to my like insanely exclusive resort

970
00:52:35,680 --> 00:52:39,719
Speaker 2: that's just like little Happens in the mountains. And she's like, okay, this.

971
00:52:39,840 --> 00:52:43,360
Speaker 3: Is this is the Eat Prey Love music. She's just

972
00:52:43,520 --> 00:52:47,319
Speaker 3: like fuck, yes, okay, So what is leather jackets. She's

973
00:52:47,360 --> 00:52:49,080
Speaker 3: like sess with leather jackets.

974
00:52:49,239 --> 00:52:51,560
Speaker 2: It's a drapy, it's come through.

975
00:52:52,040 --> 00:52:54,920
Speaker 4: It's a lot of jersey.

976
00:52:55,120 --> 00:52:58,200
Speaker 3: She's talking to a rock right now in like the

977
00:52:58,520 --> 00:52:59,759
Speaker 3: chunkiest sweat.

978
00:53:00,120 --> 00:53:03,719
Speaker 2: Into this severe pony. I know she's kind of lady Fag.

979
00:53:03,800 --> 00:53:05,440
Speaker 2: I want to say. I don't know if you guys

980
00:53:05,520 --> 00:53:06,320
Speaker 2: got that reference.

981
00:53:07,280 --> 00:53:09,439
Speaker 4: Wait, she like literally is lady Fag.

982
00:53:09,480 --> 00:53:12,600
Speaker 2: I know, Like she's fabulous, she's a good bes. Yeah.

983
00:53:15,800 --> 00:53:16,560
Speaker 3: What does she eat?

984
00:53:16,680 --> 00:53:18,440
Speaker 4: She never mentions food.

985
00:53:18,239 --> 00:53:21,640
Speaker 2: In this book, not one morsel of food.

986
00:53:22,360 --> 00:53:26,239
Speaker 3: Sorry. At the end she goes raw and loses twenty pounds, So.

987
00:53:26,719 --> 00:53:29,200
Speaker 2: Kudos for her. I mean obviously like she has an

988
00:53:29,239 --> 00:53:31,680
Speaker 2: eating dis owner from the mom, but like it goes

989
00:53:31,880 --> 00:53:35,160
Speaker 2: really uninvestigated by doctor Rash but.

990
00:53:35,719 --> 00:53:38,680
Speaker 4: Really not doing the work over there. On seventy six.

991
00:53:40,360 --> 00:53:42,319
Speaker 2: But yeah, she's like forgetting to eat, and I don't

992
00:53:42,320 --> 00:53:44,400
Speaker 2: know really what does she act? She wolfing like a

993
00:53:44,640 --> 00:53:47,239
Speaker 2: leftover burrito Like later, I just like, what is she

994
00:53:47,360 --> 00:53:47,959
Speaker 2: actually eating?

995
00:53:48,040 --> 00:53:48,160
Speaker 3: Ever?

996
00:53:48,360 --> 00:53:50,320
Speaker 4: I think it's like Smoothie's green juice.

997
00:53:50,400 --> 00:53:52,640
Speaker 3: And then yeah, someone's putting a salad in front of her.

998
00:53:52,880 --> 00:53:55,160
Speaker 3: She's eating it and it's like salmon. And then she's

999
00:53:55,239 --> 00:53:58,680
Speaker 3: going she's going to Tutell Jr. Not getting the pasta,

1000
00:53:59,040 --> 00:54:01,360
Speaker 3: but she's like, you just hold aposta, just do the sauce.

1001
00:54:03,000 --> 00:54:04,440
Speaker 3: And it's kind of this hot.

1002
00:54:06,160 --> 00:54:09,120
Speaker 2: In that place that used to be like meatballs.

1003
00:54:08,600 --> 00:54:11,040
Speaker 4: To go that was wait the meatball shop.

1004
00:54:11,200 --> 00:54:17,160
Speaker 2: Wait, yes, you know what I'm talking about, and you

1005
00:54:17,200 --> 00:54:19,520
Speaker 2: could get a weird cup of like just sauce sauce.

1006
00:54:19,640 --> 00:54:19,879
Speaker 4: Okay.

1007
00:54:20,040 --> 00:54:23,880
Speaker 3: She she's trusting sauce and she gets to be so

1008
00:54:24,000 --> 00:54:26,160
Speaker 3: long island about it be like sauce Sundays.

1009
00:54:26,200 --> 00:54:30,279
Speaker 2: But she is because of her love of potatoes, potato pia.

1010
00:54:30,480 --> 00:54:34,800
Speaker 3: Yes, it's all closed down fast, it's.

1011
00:54:34,040 --> 00:54:37,319
Speaker 2: Like fast casual source that don't exist anymore. How does

1012
00:54:37,400 --> 00:54:39,839
Speaker 2: she live? Okay? She At one point she talks about

1013
00:54:39,840 --> 00:54:43,000
Speaker 2: how Barbara is very monochromatic, like Barbara's house, her messy

1014
00:54:43,080 --> 00:54:45,399
Speaker 2: has like the all blue room, the all red room,

1015
00:54:45,680 --> 00:54:48,239
Speaker 2: and she she has an all black she has an

1016
00:54:48,280 --> 00:54:52,080
Speaker 2: all black Barbara. But that was her trying to copy Barbara.

1017
00:54:52,360 --> 00:54:55,320
Speaker 2: And then at one point Barbara trips over a coffee

1018
00:54:55,400 --> 00:54:58,080
Speaker 2: table because it's the same collar as the rug and

1019
00:54:58,200 --> 00:55:01,000
Speaker 2: the floor. Barbara, he yells at her.

1020
00:55:01,040 --> 00:55:02,280
Speaker 3: This whole Barbara.

1021
00:55:02,719 --> 00:55:05,600
Speaker 2: Barbara is like the popular girl, and she's like desperately

1022
00:55:05,640 --> 00:55:08,320
Speaker 2: trying to like please Barbara and like give her millions

1023
00:55:08,360 --> 00:55:11,239
Speaker 2: of dollars and like copy her home aesthetics.

1024
00:55:11,280 --> 00:55:13,279
Speaker 3: Because by the way, it's like we have not read

1025
00:55:13,320 --> 00:55:15,800
Speaker 3: the Barbera book, but like I will bet you a

1026
00:55:16,120 --> 00:55:18,680
Speaker 3: hundred dollars, Barbara hardly mentions.

1027
00:55:19,880 --> 00:55:21,240
Speaker 4: In those nine hundred pages.

1028
00:55:21,280 --> 00:55:24,560
Speaker 2: I'm sure you go to the index Catana.

1029
00:55:24,040 --> 00:55:30,239
Speaker 3: Like drinking Urban send curbside juice every time she mentions.

1030
00:55:29,920 --> 00:55:35,080
Speaker 2: Barbara in the index. How many Timessanna is mentioned, me

1031
00:55:35,239 --> 00:55:41,120
Speaker 2: and my good friend streisand Barbara Clinton inauguration and DK

1032
00:55:41,480 --> 00:55:44,440
Speaker 2: and and then there's like thirty entries DK's birthday party,

1033
00:55:44,560 --> 00:55:49,720
Speaker 2: four first meeting with DK as singer, four different spirituality

1034
00:55:49,840 --> 00:55:59,120
Speaker 2: and travel with I guarantee you no not mention, Okay,

1035
00:55:59,600 --> 00:56:03,400
Speaker 2: who are you in the book Okay, I.

1036
00:56:04,880 --> 00:56:12,320
Speaker 3: Think are you Stephen, No, you're not like motorcycles, sway

1037
00:56:13,280 --> 00:56:16,440
Speaker 3: motorcycle yeah, and like addicted to racing.

1038
00:56:17,920 --> 00:56:20,520
Speaker 2: Sorry, but do you think I'm having an affair while

1039
00:56:20,560 --> 00:56:22,520
Speaker 2: I'm like trying to get money from Olivia me?

1040
00:56:25,160 --> 00:56:26,840
Speaker 4: That maybe, but like I just.

1041
00:56:28,360 --> 00:56:31,719
Speaker 2: Like France, that is true. I'm like you.

1042
00:56:31,800 --> 00:56:34,400
Speaker 3: Stupid, You're lying, bitch, missed.

1043
00:56:34,520 --> 00:56:37,160
Speaker 4: Where the fuck is your head reading the market?

1044
00:56:38,640 --> 00:56:42,400
Speaker 3: Oh, you're like stupid lily. They don't want creams. But

1045
00:56:42,560 --> 00:56:46,200
Speaker 3: then I come out with a cream and then you're like, see,

1046
00:56:46,560 --> 00:56:48,480
Speaker 3: that's why I said to you, we need to come

1047
00:56:48,520 --> 00:56:49,320
Speaker 3: out with a cream.

1048
00:56:49,440 --> 00:56:50,880
Speaker 2: It was my plan all along.

1049
00:56:51,760 --> 00:56:56,879
Speaker 3: I was tricking you to come out with a cream. Yeah,

1050
00:56:57,000 --> 00:56:59,600
Speaker 3: I guess I'm Donnaca's a d D and I failed

1051
00:56:59,680 --> 00:57:02,000
Speaker 3: dreamed and fashion illustration.

1052
00:57:04,080 --> 00:57:06,200
Speaker 4: Yes, and like boyfriend laser.

1053
00:57:07,400 --> 00:57:09,439
Speaker 2: Yeah no, I mean you love a big boyfriend laser.

1054
00:57:09,520 --> 00:57:12,840
Speaker 2: But you're not like so rapid salad, although.

1055
00:57:12,680 --> 00:57:16,840
Speaker 3: Sometimes you are like rap, I'm Chicken Caesar rap from

1056
00:57:16,880 --> 00:57:18,600
Speaker 3: the airport seven eleven.

1057
00:57:19,000 --> 00:57:22,720
Speaker 9: Yeah, and you would do a cup of sauce absolutely,

1058
00:57:22,880 --> 00:57:25,680
Speaker 9: like I have some like get the sauce on the go,

1059
00:57:27,240 --> 00:57:29,240
Speaker 9: why not sip it like bone broth?

1060
00:57:30,480 --> 00:57:35,400
Speaker 2: Okay, I don't know. I reading book like, I don't know.

1061
00:57:35,640 --> 00:57:37,919
Speaker 2: Maybe the writing. I'm giving it kind of a three

1062
00:57:37,960 --> 00:57:41,120
Speaker 2: out of five. It's medium. There are some really funny scenes,

1063
00:57:41,160 --> 00:57:44,040
Speaker 2: like that vacon Is scene, and like I love when

1064
00:57:44,080 --> 00:57:46,760
Speaker 2: she gives her husband like property and parrot cay and

1065
00:57:46,800 --> 00:57:48,280
Speaker 2: he goes, what am I looking at? And she goes

1066
00:57:48,480 --> 00:57:52,360
Speaker 2: ten acres like she has a flair for those moments.

1067
00:57:52,640 --> 00:57:55,000
Speaker 3: You like not your best friend, but definitely like an

1068
00:57:55,040 --> 00:57:58,600
Speaker 3: aunt you're afraid of, but also your best friend. Like

1069
00:57:59,040 --> 00:58:01,200
Speaker 3: you're like, are you best friends today? Or should I

1070
00:58:01,240 --> 00:58:03,640
Speaker 3: be scared of you? I'm not sure, And you're like

1071
00:58:03,760 --> 00:58:08,400
Speaker 3: about to staying a sofa. That's how I felt this

1072
00:58:08,640 --> 00:58:09,240
Speaker 3: entire pluss.

1073
00:58:09,320 --> 00:58:12,040
Speaker 2: I'm two seconds away from saying the sofa and you're like,

1074
00:58:12,160 --> 00:58:14,040
Speaker 2: should I brought my own napkins? You're just like, do

1075
00:58:14,080 --> 00:58:16,959
Speaker 2: you have seltzer? In case I do stain? It's nerve

1076
00:58:17,120 --> 00:58:20,840
Speaker 2: rancking for sure. So but I give her life story

1077
00:58:21,080 --> 00:58:22,120
Speaker 2: like a five.

1078
00:58:22,680 --> 00:58:24,080
Speaker 4: Life story five out of five.

1079
00:58:24,520 --> 00:58:27,360
Speaker 2: And Tuna women's fashion.

1080
00:58:28,640 --> 00:58:31,720
Speaker 4: And her inventing jeans because as we know, they weren't.

1081
00:58:31,760 --> 00:58:34,680
Speaker 2: There literally were no geans before Karen.

1082
00:58:34,920 --> 00:58:38,000
Speaker 3: Yeah, So I'm giving it, yeah, three point five out

1083
00:58:38,040 --> 00:58:41,120
Speaker 3: of five for me personally, for my journey not home,

1084
00:58:41,320 --> 00:58:42,479
Speaker 3: just still going.

1085
00:58:42,800 --> 00:58:45,480
Speaker 2: But I give you guys the audience a five out

1086
00:58:45,560 --> 00:58:53,680
Speaker 2: of fives. You guys are so fun. You get us

1087
00:58:53,760 --> 00:58:55,680
Speaker 2: up in the morning. This is one of the funnest

1088
00:58:56,200 --> 00:58:56,760
Speaker 2: mix periences.

1089
00:58:57,440 --> 00:58:57,880
Speaker 4: Keep us.

1090
00:58:58,600 --> 00:59:03,640
Speaker 2: I've been doing this podcast. You're the reason we read

1091
00:59:03,680 --> 00:59:06,479
Speaker 2: a book oh week, every week. Every week.

1092
00:59:06,800 --> 00:59:09,160
Speaker 3: You're keeping our mind fresh sharp.

1093
00:59:09,240 --> 00:59:12,959
Speaker 2: Okay, you're staving off aging and dementia, which is coming

1094
00:59:13,040 --> 00:59:13,800
Speaker 2: on rapidly.

1095
00:59:14,480 --> 00:59:17,479
Speaker 4: Okay, wait, we're gonna do a bouquet toss lily.

1096
00:59:17,600 --> 00:59:20,360
Speaker 2: This is a thick book. This could hurt someone. We

1097
00:59:20,480 --> 00:59:23,000
Speaker 2: can't please. I'm nervous. This is I don't know if

1098
00:59:23,000 --> 00:59:24,280
Speaker 2: there's like a liability issue.

1099
00:59:24,320 --> 00:59:26,040
Speaker 4: Okay, no, we don't want to get sued.

1100
00:59:26,480 --> 00:59:28,200
Speaker 2: Like if this is a paperback, I would say we

1101
00:59:28,240 --> 00:59:31,880
Speaker 2: could never mind. Look, you guys, here I am being

1102
00:59:31,920 --> 00:59:33,360
Speaker 2: the Stephen telling you what you can't.

1103
00:59:33,480 --> 00:59:36,840
Speaker 3: Yeah, controlling me saying I can't throw heavy things because

1104
00:59:36,840 --> 00:59:37,560
Speaker 3: I'm so Stephen.

1105
00:59:37,600 --> 00:59:40,160
Speaker 4: I want to race, you want to catch it. I'm

1106
00:59:40,160 --> 00:59:40,640
Speaker 4: just gonna do this.

1107
00:59:42,120 --> 00:59:44,200
Speaker 2: Well that's kind of now you're leading the witness or

1108
00:59:44,240 --> 00:59:45,920
Speaker 2: you're stacking the deck like it's just going to go

1109
00:59:45,920 --> 00:59:46,280
Speaker 2: to front.

1110
00:59:46,360 --> 00:59:49,120
Speaker 4: Okay, race for it. Okay, we have to go and

1111
00:59:49,600 --> 00:59:50,000
Speaker 4: we have to go.

1112
00:59:50,160 --> 00:59:50,560
Speaker 2: Please buy.

1113
00:59:50,600 --> 00:59:56,040
Speaker 6: Our teachers were smile by Donna Karen buying station Bokays.

1114
00:59:56,800 --> 00:59:59,920
Speaker 2: You can please take a Bowery staff tip your bar.

1115
01:00:00,000 --> 01:00:02,360
Speaker 2: Our tender had so much fun today. We love you guys.

1116
01:00:16,240 --> 01:00:19,640
Speaker 2: This live episode of our podcast was executive produced by

1117
01:00:19,760 --> 01:00:22,120
Speaker 2: Christina Everett in Burbank, California.

1118
01:00:22,960 --> 01:00:27,000
Speaker 3: It was also produced by Darmi Masters, who was my

1119
01:00:27,200 --> 01:00:28,160
Speaker 3: first assistant.

1120
01:00:29,120 --> 01:00:32,880
Speaker 4: She now is at Caroline Herrera and doing great work

1121
01:00:32,960 --> 01:00:36,560
Speaker 4: and great designs. We don't speak, but she produced it.

1122
01:00:36,840 --> 01:00:39,720
Speaker 2: Our associate producer is Aboo Zafar. Thank you so much

1123
01:00:39,800 --> 01:00:41,760
Speaker 2: for all the work you do. A Boo A Boo's

1124
01:00:41,760 --> 01:00:45,040
Speaker 2: wardrobe was provided by Van Hausen Associates.

1125
01:00:45,680 --> 01:00:49,360
Speaker 3: Our cover work is done by this amazing artist out

1126
01:00:49,400 --> 01:00:50,400
Speaker 3: inside Harbor.

1127
01:00:50,920 --> 01:00:53,960
Speaker 4: Teddy Blanks. I got at Auction Silent Auction.

1128
01:00:54,680 --> 01:00:58,280
Speaker 2: Our theme song was written and performed and recorded by

1129
01:00:58,400 --> 01:00:59,400
Speaker 2: Stephen Phillips Horst.

1130
01:01:00,000 --> 01:01:04,920
Speaker 3: This episode was recorded live at the legendary rock and

1131
01:01:05,120 --> 01:01:08,480
Speaker 3: roll institution Bowie Ballroom.

1132
01:01:08,640 --> 01:01:12,560
Speaker 2: Thank you so much for partners at Bowie Presents, Heyxcess, Ticketing,

1133
01:01:12,880 --> 01:01:14,840
Speaker 2: ticketmaster dot Com and Live Nation.

1134
01:01:15,840 --> 01:01:19,160
Speaker 3: Head to livenation dot com for your next adventure.

1135
01:01:19,520 --> 01:01:22,200
Speaker 2: Are you playing a bachelor party, or a wedding party

1136
01:01:22,320 --> 01:01:24,600
Speaker 2: or a funeral party? Head to Live Nation to see

1137
01:01:24,600 --> 01:01:27,720
Speaker 2: amazing events in your area, from country music shows to

1138
01:01:27,880 --> 01:01:28,600
Speaker 2: food events.

1139
01:01:28,960 --> 01:01:32,560
Speaker 3: Running now a deal for four tickets each for twenty dollars.

1140
01:01:32,680 --> 01:01:34,560
Speaker 4: Can you believe that? Four tickets for twenty dollars?

1141
01:01:34,600 --> 01:01:38,640
Speaker 3: Such artists as Macy Gray, three eleven, Darius Rucker and

1142
01:01:38,800 --> 01:01:39,000
Speaker 3: more

1143
01:01:39,800 --> 01:01:43,240
Speaker 2: Get your tickets to the Montreal Mixology Fast, happening from

1144
01:01:43,360 --> 01:01:46,840
Speaker 2: now until October eleventh at the at the Montreal Exposcenter

1145
01:01:47,000 --> 01:01:50,080
Speaker 2: at livenation dot ca slash tickets