WEBVTT - Healing in Uvalde

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<v Speaker 1>Ola Latino USA listener. You know, we've been spending a

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<v Speaker 1>bit of time remembering and thinking about the one year

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<v Speaker 1>anniversary of the massacre in Uvalde, Texas, and we want

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<v Speaker 1>to share with you an episode of our sister podcast,

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<v Speaker 1>which is called In the Thick. My co host Julio

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<v Speaker 1>Ricardorella and I are joined on this episode of In

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<v Speaker 1>the Thick by an award winning filmmaker. His name is

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<v Speaker 1>Keith Beauchamp. He actually immortalized the work of Maimie Till

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<v Speaker 1>Mobley in his film that he produced and co wrote.

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<v Speaker 1>It's called Till. And we're also joined on this episode

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<v Speaker 1>of In the Thick by Monica Mugnos Martinez, who's a historian.

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<v Speaker 1>She's an associate professor at the University of Texas at Austin.

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<v Speaker 1>She's also a MacArthur Award winning genius for her work

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<v Speaker 1>as a historian. And in this episode, we're going to

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<v Speaker 1>talk about how mothers past and present play a central

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<v Speaker 1>role in the activism that brings change in our country

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<v Speaker 1>and in our world. So I'm really glad that you're

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<v Speaker 1>going to listen to this. It's very thoughtful and it's

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<v Speaker 1>part of our continuing coverage of the one year anniversary

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<v Speaker 1>of Uvalde Guess Yes from Futuro Media and PRX. It's

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<v Speaker 1>in the Thick, a podcast about politics, race and culture.

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<v Speaker 2>I'm Marieojsa and I'm Jude Dirigrloarella.

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<v Speaker 1>And today marks the one year anniversary of the massacre

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<v Speaker 1>in Uvalde, Texas.

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<v Speaker 3>Rob Elementary and Uvalde, where just under six hundred second

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<v Speaker 3>through fourth graders were in school, is about an hour

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<v Speaker 3>and a half just outside of San Antonio. It's a

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<v Speaker 3>smaller community there of a little more than twenty four

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<v Speaker 3>thousand people. A shooting at rob Elementary School in Uvalde

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<v Speaker 3>officially left nineteen children and two adults dead.

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<v Speaker 1>And so a year later, Julio, you know, we're still processing.

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<v Speaker 1>I know, yes, there have been many mass shootings and

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<v Speaker 1>school shootings since then. That's a lot, right, it's a

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<v Speaker 1>lot to deal with. So let me ask you first,

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<v Speaker 1>how you doing, Like, what's your temperature check? On this

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<v Speaker 1>one year anniversary of the massacre at Valde.

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<v Speaker 4>I'm at this point as a journalist, as a commentator,

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<v Speaker 4>as someone who writes opinions on the side, right that

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<v Speaker 4>it's very important to recognize what happened a year ago

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<v Speaker 4>and not to forget it. But I also fear that

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<v Speaker 4>in this day and age, these anniversaries become like media

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<v Speaker 4>checklist items for news organizations and everyone. You know, there's

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<v Speaker 4>a big like, oh, let's talk about the one year anniversary,

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<v Speaker 4>and then everything goes away. And so in hindsight, well,

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<v Speaker 4>I love the decision that you made with your team

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<v Speaker 4>to say we're not doing that and we're here forever.

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<v Speaker 4>I think about families a lot today, about the kids,

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<v Speaker 4>your thoughts. I know you've gone through a lot about

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<v Speaker 4>your temp check.

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<v Speaker 1>Right now on the anniversary, it's a really tough day,

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<v Speaker 1>and I really wish I was in Uvalde, to just

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<v Speaker 1>be hanging out in the softball field, playing with the kids,

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<v Speaker 1>eating Mexican food, going to the bird sanctuary.

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<v Speaker 2>But I'm far away. I'm here in New York.

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<v Speaker 1>I'm in touch with the families, well, in particular, i'm

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<v Speaker 1>in touch with the Gonzali's family that I've become close to.

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<v Speaker 2>How am I doing. I'm hopeful for Uvalde.

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<v Speaker 1>I'm horrified that they had to live through this, but

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<v Speaker 1>there's a part of me that still has hope. But

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<v Speaker 1>it's hard. I'm really sad. I'm really sad to meet sadness.

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<v Speaker 1>You also have to find joy. So I'm really busy

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<v Speaker 1>also trying to find something joyful to think about it.

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<v Speaker 1>And when I think about joy, I think about Caitlin Gonzalius,

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<v Speaker 1>who survived the massacre and who is just we have

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<v Speaker 1>a lot of fun, like when I jumped on the

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<v Speaker 1>zip line with her in the backyard. And in fact,

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<v Speaker 1>that's how the Latino USA piece called Uvalde Rising, that's

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<v Speaker 1>how it actually starts with laughter. You're ready, Oh my god,

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<v Speaker 1>this is so fun.

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<v Speaker 2>Oh my god, this is so fun. Now what do

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<v Speaker 2>I do?

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<v Speaker 5>Now?

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<v Speaker 2>What do I do?

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<v Speaker 1>And so over the past year, I've been spending on

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<v Speaker 1>everybody who follows me. Knew I was in Texas, they

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<v Speaker 1>knew I was in South Texas. They didn't know that

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<v Speaker 1>I was in Uvalde. It's a new documentary that is

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<v Speaker 1>co produced by Futuro Investigates, Frontline on PBS and the

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<v Speaker 1>Texas Tribune. It's called After Uvalde, Guns, Grief and Texas Politics.

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<v Speaker 1>At premiers on Tuesday, May thirtieth, you can watch it

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<v Speaker 1>on PBS and across streaming platforms. I really do hope

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<v Speaker 1>you will watch. We're gonna lift a clip. This is

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<v Speaker 1>one of the more dramatic moments, and there are a

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<v Speaker 1>few from the front line. This is my interview with

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<v Speaker 1>doctor Roy Guerrero, who is basically the only pediatrician in

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<v Speaker 1>the city of Uvalde.

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<v Speaker 2>Let's go to the tape.

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<v Speaker 6>So they took me back there, and that's truly when

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<v Speaker 6>I realize the caliber of what these weapons can do

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<v Speaker 6>to a child's body. So imagine a child who's decapitated.

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<v Speaker 2>What else do I have.

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<v Speaker 7>To tell you?

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<v Speaker 6>Huge chest wounds where it seems like, you know, someone

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<v Speaker 6>bore a hand through the full chest. The only consoleance

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<v Speaker 6>I have to myself is maybe it was so fast

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<v Speaker 6>that they didn't have time to suffer, that they went quickly.

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<v Speaker 6>Maybe not peacefully, but quickly.

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<v Speaker 2>I mean, you're reduced to saying that to.

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<v Speaker 6>Parents, what else can I do?

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<v Speaker 4>Because I couldn't have done anything for them that.

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<v Speaker 2>Day, So, Julio.

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<v Speaker 1>The reporting side of this, right is that the families

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<v Speaker 1>actually have been demanding to get access to the footage

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<v Speaker 1>that has been recorded, because there are hours, over one

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<v Speaker 1>hundred hours of tape from security cameras, from body cameras

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<v Speaker 1>that document everything that happened. As you know, I saw

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<v Speaker 1>some of that, but the families of Uvalde, the families Yeah,

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<v Speaker 1>the ones who should be able to see what they

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<v Speaker 1>want when it involves their children, they have been denied

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<v Speaker 1>access to all of this. That's just one of the

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<v Speaker 1>as I would say, falta respetos. You know, the jobs

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<v Speaker 1>at the families in Uvalde, and it has been a

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<v Speaker 1>labor of love.

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<v Speaker 2>It has.

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<v Speaker 1>It's really been extraordinary and has changed my life. But

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<v Speaker 1>mostly I'm just thinking about the friends that I now

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<v Speaker 1>have in Uvalde.

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<v Speaker 4>Right on a day like today, because you know, first

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<v Speaker 4>of all, doctor Gifrido's clip, when I saw it as

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<v Speaker 4>a parent, as a human being, as being the only

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<v Speaker 4>pediatrician in Ualde, I just can't even begin to think

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<v Speaker 4>of that day and can't even begin to think of

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<v Speaker 4>what's happening today in Oualde. Really in a way, grateful

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<v Speaker 4>to you as a journalist for doing it with part

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<v Speaker 4>and I'm just deeply proud.

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<v Speaker 1>And I appreciate that Julia and we did absolutely, I mean,

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<v Speaker 1>we move as a team with heart, being very conscious

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<v Speaker 1>of the traumatic space that we were in Uvalde, making

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<v Speaker 1>up a commitment to spend quite a bit of time there.

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<v Speaker 1>But you know, this is a frontline documentary, and frontline

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<v Speaker 1>at its core is investigative work.

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<v Speaker 2>And so.

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<v Speaker 1>The investigative part, I think is really revealing, and it's

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<v Speaker 1>not a good look for the state of Texas or

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<v Speaker 1>for the governor. Now, you know people in the state

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<v Speaker 1>of Texas are reporting. Is showing, right, is that they

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<v Speaker 1>are beginning, even people who are Republicans, right, are beginning

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<v Speaker 1>to need to have some more answers rather than just

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<v Speaker 1>you know, it's mental health, mental health, mental health. So

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<v Speaker 1>the conversation about the fact that the Uvalde families, not

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<v Speaker 1>all of them, but some of them have been pushing

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<v Speaker 1>as activists to get the state to raise the age

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<v Speaker 1>of purchase for an assault weapon from eighteen to twenty one. Right,

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<v Speaker 1>the shooter was eighteen days after he turned eighteen. That's

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<v Speaker 1>when he bought the gun, That's when he got the bullets.

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<v Speaker 1>That's then this horrible thing happened. The activism of the families,

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<v Speaker 1>and there's a long history of activism in nuvaldeve As.

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<v Speaker 1>We've talked about that, the student walk out, et cetera

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<v Speaker 1>in the nineteen seventies. This is one of the investigative stories,

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<v Speaker 1>right that we're pursuing, which is watching how the families

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<v Speaker 1>in fact have been able to affect the politics of

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<v Speaker 1>Texas and the investigative side, which is the fact that

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<v Speaker 1>even though Texas has the second highest rate of mass

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<v Speaker 1>shootings in our country, that since the first shooting that

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<v Speaker 1>was tracked by the Texas Tribune in their investigation in

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<v Speaker 1>the nineteen sixties up until now, there has been no

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<v Speaker 1>legislation ever even brought to the floor in the state

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<v Speaker 1>of Texas to address this. And it's because there's this

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<v Speaker 1>whole culture of the gun in Texas. But I think

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<v Speaker 1>that there's Uvalde is definitely part of a tipping point.

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<v Speaker 1>Are they there yet? No, But again it's because of

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<v Speaker 1>the families in Uvalde and their activism that anything has changed.

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<v Speaker 4>You know, you said to me, I remember, and you

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<v Speaker 4>told me straight up, I'm a different journalist after Uvalde.

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<v Speaker 4>I'm a different person after Uvalde. And I noticed it,

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<v Speaker 4>and I can say I can speak this with authority

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<v Speaker 4>because I've known you now for eight and a half

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<v Speaker 4>years and you told me that straight up, and I

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<v Speaker 4>saw a difference in you, and it's a good difference.

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<v Speaker 4>I think I see you on this path of like

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<v Speaker 4>this will be a place for me forever, Like I

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<v Speaker 4>will not forget this community, and it lends itself to

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<v Speaker 4>the long term issue of PTSD which you suffered from after.

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<v Speaker 2>Nine to eleven and talk about a lot.

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<v Speaker 4>Yeah, you talk about the PTSD within the Valde community,

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<v Speaker 4>especially for the survivors of the shooting. So this notion

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<v Speaker 4>of the deep impacts of PTSD and mental health in

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<v Speaker 4>the Valde community is definitely one of the parts of

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<v Speaker 4>the story that you reported on in the Frontline documentary

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<v Speaker 4>and the Latino USA Audio companion reporting. So let's take

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<v Speaker 4>a listen to a clip from all your reporting.

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<v Speaker 8>These kids are it's just they're walking PTSD just like

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<v Speaker 8>a veteran and it you know veterans, you know they

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<v Speaker 8>have to fight for getting mental health access and we're

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<v Speaker 8>being put in the same situation, except the only difference is,

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<v Speaker 8>you know, they signed up for my children. My child

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<v Speaker 8>did not.

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<v Speaker 4>So, Madia, we can talk about the facts and the

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<v Speaker 4>figures and the charts and the graphs and the calls

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<v Speaker 4>for gun legislation in this country, but the longer term

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<v Speaker 4>health effects of Uvalde are much harder to measure. What

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<v Speaker 4>can you tell us from your reporting to paint a

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<v Speaker 4>picture of why it's so hard to measure?

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<v Speaker 1>So, as everyone who listens to our fabulous show, you

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<v Speaker 1>all know that I developed PTSD after covering September eleventh

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<v Speaker 1>for CNN and being a mom to young children at

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<v Speaker 1>the time, and so what was weird for me? What

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<v Speaker 1>was hard, What was the challenge was finding myself as

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<v Speaker 1>far away as possible from New York in Uvalde, Texas

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<v Speaker 1>and identifying with the trauma that I was seeing everywhere

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<v Speaker 1>in Uvalde. I mean everywhere everyone that you met is

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<v Speaker 1>dealing with this. There's just no other way. So you

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<v Speaker 1>have an entire town that needs to actually do public healing,

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<v Speaker 1>like massive auditorium style meditation. And I'm just coming up

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<v Speaker 1>with this off the top of my head. I no, no,

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<v Speaker 1>like musical healing, like open the public park and like

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<v Speaker 1>this is a place that needs that like on a

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<v Speaker 1>weekly basis. Wow, Right, if Uvalde is a mental health

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<v Speaker 1>desert because you have one psychiatrist, right, and now there

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<v Speaker 1>is more attention being placed. But that was basically all

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<v Speaker 1>you had, So now you have this much more need.

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<v Speaker 1>The reporting that we did is that the people of

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<v Speaker 1>Uvalde feel neglected, have felt that way for decades actually

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<v Speaker 1>by the state, and then this kind of like you

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<v Speaker 1>don't matter, You're just not that important, and sadly, oh

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<v Speaker 1>ya Mejulia, this was hard to hear, and I heard

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<v Speaker 1>it the day I got to Uvalde the first time

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<v Speaker 1>in January, which was the families have been told, you know,

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<v Speaker 1>they should get over it, and it's like, you're kidding

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<v Speaker 1>me that anyone would say this to any family in Nuvalde.

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<v Speaker 2>So the trauma is going to be there for a

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<v Speaker 2>long time.

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<v Speaker 1>And my hope is that it becomes not a mental

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<v Speaker 1>health desert but becomes a mental health garden, and that

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<v Speaker 1>people who have capacity to offer mental health services go

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<v Speaker 1>to Uvalde and help.

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<v Speaker 2>This is a town that needs help.

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<v Speaker 1>Of course, the other side of the story is that

0:13:37.280 --> 0:13:41.400
<v Speaker 1>the people of Uvalde are people who understand activism and

0:13:41.440 --> 0:13:43.880
<v Speaker 1>they are demanding things, that's for sure.

0:13:44.240 --> 0:13:48.640
<v Speaker 4>Hey, before we go, there's a particular animal that's popular

0:13:48.679 --> 0:13:51.880
<v Speaker 4>in Uvalde. What is the animal? And why did you

0:13:51.920 --> 0:13:54.160
<v Speaker 4>ask me to ask you that question? Because now I'm

0:13:54.280 --> 0:13:56.560
<v Speaker 4>infinitely curious about this connection.

0:13:57.000 --> 0:13:59.560
<v Speaker 1>So the reason why I asked you to ask me

0:13:59.600 --> 0:14:02.200
<v Speaker 1>this question and is because I think people think of

0:14:02.280 --> 0:14:05.040
<v Speaker 1>Uvalde now and they just think, oh my god, horror, terrible,

0:14:05.200 --> 0:14:09.320
<v Speaker 1>you know, sadness morning. Yes, I want people to understand

0:14:09.320 --> 0:14:11.559
<v Speaker 1>that there is a lot of beauty and joy and

0:14:11.600 --> 0:14:15.880
<v Speaker 1>happiness in Uvalde, and I also experience that and that

0:14:16.120 --> 0:14:19.320
<v Speaker 1>my life has been changed by getting to know Caitlin Gonzalez,

0:14:19.400 --> 0:14:22.119
<v Speaker 1>her mom, Gladys, her dad Nef, her little sister Camilla.

0:14:22.680 --> 0:14:26.400
<v Speaker 1>She's a survivor and she's an activist now. And so

0:14:26.520 --> 0:14:29.080
<v Speaker 1>we laughed a lot. There's a lot of laughter that

0:14:29.120 --> 0:14:35.560
<v Speaker 1>I experienced in Uvalde. And so there's actually an Instagram

0:14:35.720 --> 0:14:42.760
<v Speaker 1>for the chickens of Uvalde. Yes, the chickens, because the chickens.

0:14:43.440 --> 0:14:46.560
<v Speaker 1>I'm loving that. I'm laughing while I'm talking about Valde

0:14:46.720 --> 0:14:51.320
<v Speaker 1>because lose guys Ubalde are so famous. They have an

0:14:51.360 --> 0:14:53.280
<v Speaker 1>Instagram page because you never know where they're going to

0:14:53.320 --> 0:14:55.680
<v Speaker 1>show up, and they kind of pop out in the

0:14:55.680 --> 0:14:56.400
<v Speaker 1>middle of the road.

0:14:56.600 --> 0:14:58.040
<v Speaker 4>I following now, I'm following it.

0:14:58.120 --> 0:14:59.960
<v Speaker 1>We wanted this to be part of the front line,

0:15:00.240 --> 0:15:01.920
<v Speaker 1>you know. I think they were like, yeah, no, I

0:15:01.960 --> 0:15:02.960
<v Speaker 1>don't think we can go.

0:15:04.800 --> 0:15:06.960
<v Speaker 2>Coming up on frontline Los Poo.

0:15:08.120 --> 0:15:12.560
<v Speaker 1>So I just want people to understand that. Also, Walde

0:15:12.680 --> 0:15:17.120
<v Speaker 1>now is a place of extraordinary art. The murals that

0:15:17.160 --> 0:15:19.520
<v Speaker 1>they made for the kids and the two teachers son

0:15:19.520 --> 0:15:23.080
<v Speaker 1>impression Nantees, and it is the place where I got

0:15:23.080 --> 0:15:25.080
<v Speaker 1>the coldest beer I've ever had in the United States

0:15:25.120 --> 0:15:29.840
<v Speaker 1>of America in Uwalde, Texas. So let's also bring joy

0:15:30.080 --> 0:15:32.640
<v Speaker 1>those of you who can, you know, send what you

0:15:32.760 --> 0:15:35.520
<v Speaker 1>can to the people of Uvalde that brings joy and

0:15:35.600 --> 0:15:39.440
<v Speaker 1>happiness because they need it and they're also, like all

0:15:39.480 --> 0:15:43.000
<v Speaker 1>of us, after trauma, trying to put it together by

0:15:43.000 --> 0:15:44.960
<v Speaker 1>putting one foot in front of the other.

0:15:50.600 --> 0:15:52.040
<v Speaker 2>So, dear listener, after.

0:15:51.840 --> 0:15:54.920
<v Speaker 1>The break, we're going to continue our conversation about Uvalde,

0:15:55.040 --> 0:15:58.040
<v Speaker 1>and actually we're going to bring in Keith Beauchamp. He's

0:15:58.040 --> 0:16:02.880
<v Speaker 1>a filmmaker who made the movie Till, and Monica Munhos Martinez,

0:16:03.040 --> 0:16:06.480
<v Speaker 1>who is a historian from Muvalde. We're going to talk

0:16:06.480 --> 0:16:09.280
<v Speaker 1>about the role of moms in all of this and

0:16:09.360 --> 0:16:22.680
<v Speaker 1>decisions that moms make in a tragic moment. So Nottevayes Hey,

0:16:23.080 --> 0:16:25.640
<v Speaker 1>welcome back to in the Thick. I'm Maria no Josa.

0:16:26.080 --> 0:16:29.320
<v Speaker 1>Let's turn to our roundtable. Now joining us for this

0:16:29.360 --> 0:16:33.440
<v Speaker 1>discussion from the liberated Territory or something like that of Brooklyn,

0:16:34.080 --> 0:16:37.720
<v Speaker 1>New York is Keith Beauchamp. He's an award winning filmmaker

0:16:37.760 --> 0:16:41.280
<v Speaker 1>and producer on the film Till. Keith, it's great to

0:16:41.320 --> 0:16:43.840
<v Speaker 1>have you on the show. Welcome from Brooklyn. I'm in Harlem.

0:16:43.920 --> 0:16:44.680
<v Speaker 1>All in the house.

0:16:46.280 --> 0:16:47.400
<v Speaker 5>Thank you for having me.

0:16:48.000 --> 0:16:48.720
<v Speaker 2>And joining us.

0:16:48.720 --> 0:16:53.880
<v Speaker 1>From Austin, Texas. Is Monica Muno's Martinez. She's somebody who

0:16:53.920 --> 0:16:56.720
<v Speaker 1>I see as a guiding light in the story of

0:16:56.920 --> 0:16:59.960
<v Speaker 1>Uvalde and understanding it. She's a historian and associate professor

0:17:00.040 --> 0:17:04.119
<v Speaker 1>the University of Texas at Austin, a MacArthur Genius Award fellow.

0:17:04.960 --> 0:17:07.640
<v Speaker 1>Welcome to the show, Monica. It's great to be talking

0:17:07.680 --> 0:17:08.160
<v Speaker 1>to you again.

0:17:08.520 --> 0:17:09.399
<v Speaker 7>It's great to be with you.

0:17:10.280 --> 0:17:15.720
<v Speaker 1>So Monica knows this because I actually was inspired because

0:17:15.880 --> 0:17:18.040
<v Speaker 1>of the work that Monica has done as a historian

0:17:18.080 --> 0:17:23.880
<v Speaker 1>on Uvalde and on violence in Texas against Mexicans and Latinos.

0:17:24.520 --> 0:17:28.560
<v Speaker 1>So basically, for the greater part of this year and

0:17:28.640 --> 0:17:32.080
<v Speaker 1>a little bit of last, I have been reporting on

0:17:32.520 --> 0:17:36.120
<v Speaker 1>Uvalde and the aftermath. And that means that I've been

0:17:36.160 --> 0:17:39.840
<v Speaker 1>on a lot of planes, too many hotels and a

0:17:39.840 --> 0:17:44.320
<v Speaker 1>lot of planes. And I was traveling to Austin actually

0:17:44.359 --> 0:17:50.400
<v Speaker 1>to cover a hearing recently on gun legislation, and I

0:17:50.480 --> 0:17:54.560
<v Speaker 1>was looking for the movies on the plane and Till

0:17:55.080 --> 0:17:58.360
<v Speaker 1>was there. Till Is the movie directed by Chinoya Chiku

0:17:58.600 --> 0:18:01.960
<v Speaker 1>produced and co written by U Keith. It tells the

0:18:02.000 --> 0:18:05.240
<v Speaker 1>story of maybe Till Mobley's fight for justice for her son,

0:18:05.359 --> 0:18:08.760
<v Speaker 1>fourteen year old Emmett Till. Remember, of course, he was

0:18:08.840 --> 0:18:12.120
<v Speaker 1>lynched in nineteen fifty five. And you know, I think

0:18:12.160 --> 0:18:14.160
<v Speaker 1>a lot of people think, oh, my god, Till, it's

0:18:14.240 --> 0:18:17.840
<v Speaker 1>gonna be it's gonna be a horrible movie. In fact,

0:18:18.440 --> 0:18:23.280
<v Speaker 1>it's such a beautiful film, so beautifully directed and acted

0:18:24.119 --> 0:18:29.879
<v Speaker 1>and everything, the cinematography, the music, the production just beautiful,

0:18:30.080 --> 0:18:34.600
<v Speaker 1>even though it's a film about something really horrible. And

0:18:34.720 --> 0:18:41.119
<v Speaker 1>so I want to know, actually, Keith, you, being close

0:18:41.160 --> 0:18:43.720
<v Speaker 1>to mother Mobley, what do you keep in mind as

0:18:43.800 --> 0:18:48.760
<v Speaker 1>you continue to document Emmett Till's legacy even after she's gone.

0:18:48.960 --> 0:18:54.000
<v Speaker 1>And you know, again, it was nineteen fifty five when

0:18:54.880 --> 0:18:59.000
<v Speaker 1>Mother Mobley made this decision to have an open casket.

0:18:59.320 --> 0:19:02.320
<v Speaker 1>It changed his But I'm wondering, what are the things

0:19:02.320 --> 0:19:03.640
<v Speaker 1>that you hold close, Keith.

0:19:04.280 --> 0:19:06.679
<v Speaker 5>Well, what I hold close is a lot of the

0:19:06.720 --> 0:19:10.439
<v Speaker 5>things that she instilled in me before she passed away.

0:19:11.640 --> 0:19:16.919
<v Speaker 5>She understood the importance of telling Emmitt's story time and

0:19:17.000 --> 0:19:20.880
<v Speaker 5>time again. I've said often when I've done interviews over

0:19:20.920 --> 0:19:24.080
<v Speaker 5>the years, there's no other story that speaks more to

0:19:24.160 --> 0:19:27.800
<v Speaker 5>this generation political and racial climate than the story of

0:19:27.800 --> 0:19:31.399
<v Speaker 5>Emmit Lewis Till then I think about many of the

0:19:31.480 --> 0:19:33.800
<v Speaker 5>things that she used to say to me. White thing

0:19:33.920 --> 0:19:36.639
<v Speaker 5>comes to mind often. She used to say to me

0:19:36.680 --> 0:19:40.120
<v Speaker 5>all the time, Keith, you must continuously tell Emmitt's story

0:19:40.320 --> 0:19:45.040
<v Speaker 5>until man's consciousness is risen, because only then that would

0:19:45.080 --> 0:19:48.040
<v Speaker 5>mean justice for him. At till and for the longest time,

0:19:48.080 --> 0:19:50.760
<v Speaker 5>I didn't quite understand what she was trying to instill

0:19:50.760 --> 0:19:54.200
<v Speaker 5>in me. I was young. Here's this iconic civil rights

0:19:54.560 --> 0:20:00.440
<v Speaker 5>icon who's actually talking to me, Little Keith Bowshop from

0:20:00.440 --> 0:20:01.720
<v Speaker 5>Baton Rouge, Louisiana.

0:20:02.480 --> 0:20:03.880
<v Speaker 2>And I didn't really.

0:20:03.840 --> 0:20:07.480
<v Speaker 5>Understand what she was trying to tell me until I'm

0:20:07.480 --> 0:20:11.520
<v Speaker 5>matured in understanding the story of Immatetill a lot more,

0:20:12.240 --> 0:20:15.960
<v Speaker 5>and of course how the civil rights movement had come along,

0:20:16.840 --> 0:20:18.960
<v Speaker 5>and so what she was trying to say to me

0:20:19.840 --> 0:20:22.960
<v Speaker 5>that I realized now more than ever. She was trying

0:20:22.960 --> 0:20:27.280
<v Speaker 5>to say that no matter how long I fight, no

0:20:27.320 --> 0:20:30.720
<v Speaker 5>matter how hard I fight to get justice for her son,

0:20:31.800 --> 0:20:34.960
<v Speaker 5>it's not going to stop all the immitate tills of

0:20:35.040 --> 0:20:39.240
<v Speaker 5>the world from hand. And of course, in recent years

0:20:39.280 --> 0:20:42.359
<v Speaker 5>and decades, we see that happening time and time again,

0:20:43.400 --> 0:20:48.199
<v Speaker 5>and so I truly believe that Mother Mobley had the

0:20:48.280 --> 0:20:52.480
<v Speaker 5>blueprint to men's liberation when it comes to racial progression

0:20:52.560 --> 0:20:56.320
<v Speaker 5>in this country, and of course when we're fighting against

0:20:56.400 --> 0:21:00.560
<v Speaker 5>social injustice. And so it's still the story of Mattil

0:21:01.000 --> 0:21:03.639
<v Speaker 5>and which is why I continue to tell the story.

0:21:03.960 --> 0:21:08.280
<v Speaker 5>That is important that we understand what transpired in nineteen

0:21:08.359 --> 0:21:12.280
<v Speaker 5>fifty five, because I firmly believe if we forget our past,

0:21:12.880 --> 0:21:17.440
<v Speaker 5>history will repeat itself. And that's what we're saying happening today.

0:21:18.440 --> 0:21:21.160
<v Speaker 2>Thank you so much for that, Keith. And what part

0:21:21.320 --> 0:21:24.000
<v Speaker 2>did you say? Where are you from? Exactly in Louisiana.

0:21:24.280 --> 0:21:26.240
<v Speaker 2>Baton Rouge, Baton Rouge.

0:21:26.680 --> 0:21:32.119
<v Speaker 1>All right, Baton Rouge is representing just saying we love Louisiana. So, Monica,

0:21:32.359 --> 0:21:36.440
<v Speaker 1>you actually grew up in Uvalde, Texas. You joined us

0:21:36.680 --> 0:21:40.800
<v Speaker 1>just a few days after the massacre happened in Uvalde.

0:21:40.960 --> 0:21:43.320
<v Speaker 2>You are now based in Austin, Texas.

0:21:44.119 --> 0:21:47.119
<v Speaker 1>And your research that you spoke to us about this

0:21:47.200 --> 0:21:51.840
<v Speaker 1>on Latino USA goes deep into law enforcement violence against

0:21:51.880 --> 0:21:55.760
<v Speaker 1>Latinos and Latinas in Texas and along the border. But

0:21:55.920 --> 0:21:59.080
<v Speaker 1>you've also researched racial violence in the civil rights era

0:21:59.160 --> 0:22:02.760
<v Speaker 1>as well. And these examples from Emmett Till's murder to

0:22:02.800 --> 0:22:06.720
<v Speaker 1>the deadliest school shooting in Texas and Wilde are basically

0:22:06.800 --> 0:22:09.320
<v Speaker 1>showing us that policing and law enforcement don't always take

0:22:09.359 --> 0:22:12.040
<v Speaker 1>the responsibility in the fight for justice, obviously, and that

0:22:12.080 --> 0:22:15.840
<v Speaker 1>it sadly it falls on the mothers to prove their

0:22:15.880 --> 0:22:19.920
<v Speaker 1>pain and basically have to kind of use their pain

0:22:21.080 --> 0:22:24.760
<v Speaker 1>and their range to inspire change. And one of these

0:22:25.440 --> 0:22:27.720
<v Speaker 1>this is why I'm fascinated by Valde, and we'll talk

0:22:27.720 --> 0:22:30.800
<v Speaker 1>about that in a second. But in another part of Texas,

0:22:31.560 --> 0:22:35.439
<v Speaker 1>there's a mom named Ronda Hart. She's the mother of

0:22:35.520 --> 0:22:41.320
<v Speaker 1>Kimberly Vaughn. Her fourteen year old daughter died in May

0:22:41.400 --> 0:22:44.280
<v Speaker 1>of twenty eighteen in the Santa Fe, Texas High school shooting,

0:22:44.960 --> 0:22:49.320
<v Speaker 1>which was the first school shooting in Texas, and Ronda

0:22:49.440 --> 0:22:53.320
<v Speaker 1>has now become an activist pushing for tighter gun laws

0:22:53.320 --> 0:22:57.840
<v Speaker 1>in Texas. And she's interestingly not a surprise, right she's

0:22:57.840 --> 0:23:01.120
<v Speaker 1>been blocked from viewing her daughter's autopsy report. She's pushing

0:23:01.160 --> 0:23:04.360
<v Speaker 1>to get it. Not everybody wants these things, but some

0:23:04.400 --> 0:23:06.879
<v Speaker 1>people do, and you have to fight for it. So

0:23:06.960 --> 0:23:11.359
<v Speaker 1>this is what she told our producer Futuro investigates producer

0:23:11.400 --> 0:23:13.760
<v Speaker 1>Sofia Sanchez about this situation.

0:23:13.840 --> 0:23:15.560
<v Speaker 2>Let's take a listen, Let's go to the tape.

0:23:15.800 --> 0:23:18.520
<v Speaker 7>That's the whole thing I've been lobbying for this session

0:23:18.800 --> 0:23:20.439
<v Speaker 7>is to get my autopsy report.

0:23:20.560 --> 0:23:22.680
<v Speaker 5>After five years, I still don't have that.

0:23:23.240 --> 0:23:27.040
<v Speaker 7>Our district attorney in Galison County won't give it to us.

0:23:27.400 --> 0:23:29.800
<v Speaker 2>It's his discretion, but he chooses not to.

0:23:30.600 --> 0:23:36.680
<v Speaker 1>So Monica, there is historical context. Again, we're talking about

0:23:36.680 --> 0:23:39.080
<v Speaker 1>what happened to emmat Till in nineteen fifty five. We're

0:23:39.080 --> 0:23:42.560
<v Speaker 1>talking about what happened in Uvalde in twenty twenty two.

0:23:42.560 --> 0:23:46.040
<v Speaker 1>We're talking about what happened five years ago in Santa Fe,

0:23:46.680 --> 0:23:49.399
<v Speaker 1>Texas in the high school. Can you give us some

0:23:49.560 --> 0:23:53.000
<v Speaker 1>historical context though, about how it is that mothers and

0:23:53.040 --> 0:23:54.520
<v Speaker 1>I know that this is part of the work that

0:23:54.560 --> 0:23:58.640
<v Speaker 1>you've done in documenting other massacres. It's actually mothers and children,

0:23:59.160 --> 0:24:03.080
<v Speaker 1>mothers of the victim and children's survivors. They end up

0:24:03.119 --> 0:24:08.679
<v Speaker 1>having to kind of fight for access to the story,

0:24:08.760 --> 0:24:11.880
<v Speaker 1>to the truth, to the facts. But there is historical

0:24:11.920 --> 0:24:14.439
<v Speaker 1>context here. This doesn't just happen now, right. Can you

0:24:14.480 --> 0:24:15.479
<v Speaker 1>help us understand this.

0:24:16.520 --> 0:24:20.880
<v Speaker 7>Yeah, So, unfortunately, the history of racial violence in this

0:24:21.040 --> 0:24:24.440
<v Speaker 7>country teaches us a lot of things about violence today.

0:24:24.720 --> 0:24:27.040
<v Speaker 7>You know, Number one is that time does not heal

0:24:27.080 --> 0:24:33.399
<v Speaker 7>all wounds. That feelings of injustice are carried and they

0:24:33.680 --> 0:24:38.560
<v Speaker 7>are passed from generation to generation, and they impact how communities,

0:24:38.800 --> 0:24:42.480
<v Speaker 7>community relations, and how people perceive their relationship to government,

0:24:42.480 --> 0:24:46.600
<v Speaker 7>to police and institutions. So Notable on Clodia Rodriguez lives

0:24:46.600 --> 0:24:49.879
<v Speaker 7>in San Antonio. She's a descendant of Hisshu's Bazzad and

0:24:49.880 --> 0:24:53.639
<v Speaker 7>Anthonio Long Clodia, who were murdered in twenty fifteen by

0:24:53.680 --> 0:24:55.920
<v Speaker 7>a pose that included a Texas ranger. And so when

0:24:55.960 --> 0:24:58.040
<v Speaker 7>I asked, you know why she had committed so much

0:24:58.080 --> 0:25:01.000
<v Speaker 7>time to preserving that story, she said, it's injustice never

0:25:01.119 --> 0:25:05.240
<v Speaker 7>leaves you, it's inherited loss. And you know, I have

0:25:05.400 --> 0:25:08.359
<v Speaker 7>studied people like notable on Couadiodo Vegas, but also people

0:25:08.359 --> 0:25:12.719
<v Speaker 7>who survived in the aftermath of murders, police homicides, massacres,

0:25:12.800 --> 0:25:17.840
<v Speaker 7>lynchings and seeing that in calling for redress and calling

0:25:17.880 --> 0:25:23.360
<v Speaker 7>for accountability and transparency for records, they left a record.

0:25:23.760 --> 0:25:27.440
<v Speaker 7>And especially if we think about violence, that is state sanctioned.

0:25:27.960 --> 0:25:31.000
<v Speaker 7>If we think about the history of police homicides, that

0:25:31.040 --> 0:25:33.520
<v Speaker 7>the police people who were calling for violence or who

0:25:33.520 --> 0:25:39.439
<v Speaker 7>were aggressors, they also preserved a corrupt archive. And so

0:25:40.040 --> 0:25:43.400
<v Speaker 7>that meant that due to false reports and corrupt archives,

0:25:43.400 --> 0:25:46.359
<v Speaker 7>that victims and survivors carried the burden of being the

0:25:46.400 --> 0:25:50.400
<v Speaker 7>truth tellers. And so this included parents, This included children,

0:25:50.440 --> 0:25:56.280
<v Speaker 7>in some cases grandparents, and also people who witnessed violence, massacres,

0:25:56.359 --> 0:26:01.879
<v Speaker 7>police homicides, and who were deeply troubled by what they witnessed,

0:26:02.080 --> 0:26:06.280
<v Speaker 7>haunted by it, and compelled to testify. So, you know,

0:26:06.440 --> 0:26:09.560
<v Speaker 7>I senso Walde, you know, thought about some of the

0:26:09.640 --> 0:26:12.040
<v Speaker 7>kids and the families that I wrote about for my

0:26:12.080 --> 0:26:13.960
<v Speaker 7>book Research and I wrote about for my book, and

0:26:14.160 --> 0:26:18.399
<v Speaker 7>one of the stories that keeps returning to me is

0:26:18.440 --> 0:26:23.320
<v Speaker 7>the story of Matina and Goncepsian Swasta, who witnessed the

0:26:23.480 --> 0:26:27.359
<v Speaker 7>lynching of their father, Flodentino Swasta and Cotula, Texas in

0:26:27.440 --> 0:26:32.439
<v Speaker 7>eighteen ninety five, and the local law enforcement, you know,

0:26:32.600 --> 0:26:36.919
<v Speaker 7>acting with a culture of impunity, falsely explained that the

0:26:37.840 --> 0:26:40.320
<v Speaker 7>you know, a mob had overtaken the jailer and removed

0:26:40.440 --> 0:26:44.439
<v Speaker 7>Flordenthino by force, and that they couldn't be identified. And

0:26:44.480 --> 0:26:49.480
<v Speaker 7>it's one of these daughters who witnessed this that said no,

0:26:50.080 --> 0:26:53.440
<v Speaker 7>the jailer let them in. And one of these daughters

0:26:53.480 --> 0:26:57.160
<v Speaker 7>who identified one of the mob participants by name, gave

0:26:57.240 --> 0:27:01.040
<v Speaker 7>a physical description his hair color, his beard color, and

0:27:01.880 --> 0:27:05.040
<v Speaker 7>that she did so she recognized one of them when

0:27:05.080 --> 0:27:09.399
<v Speaker 7>she was begging in town for money. And so it

0:27:09.520 --> 0:27:12.399
<v Speaker 7>just gives you a glimpse into the life of people

0:27:12.480 --> 0:27:16.040
<v Speaker 7>living in a period of racial terror, the extreme vulnerability

0:27:16.680 --> 0:27:21.040
<v Speaker 7>and yet the deep commitment to justice and the links

0:27:21.080 --> 0:27:24.600
<v Speaker 7>that people have been willing to go to seek the truth,

0:27:24.920 --> 0:27:27.919
<v Speaker 7>to get closure, and even just to be able to

0:27:28.040 --> 0:27:31.399
<v Speaker 7>start to heal by having information about what happened. And

0:27:31.440 --> 0:27:36.520
<v Speaker 7>so it's deeply troubling that today we have families that

0:27:36.600 --> 0:27:39.760
<v Speaker 7>are in pain, that are asking, that haven't had their

0:27:39.800 --> 0:27:43.679
<v Speaker 7>most basic questions answered, and that they have anything in

0:27:43.720 --> 0:27:48.160
<v Speaker 7>common with people who witnessed and survived lynchings and massacres

0:27:48.520 --> 0:27:49.720
<v Speaker 7>more than one hundred years ago.

0:27:50.400 --> 0:27:54.440
<v Speaker 1>Yeah, it's a horror and it is sadly it is

0:27:54.480 --> 0:27:56.960
<v Speaker 1>a part of our country. And that's why I think

0:27:56.960 --> 0:27:59.760
<v Speaker 1>what happened with Mother Mobley and the decision that she

0:28:00.040 --> 0:28:04.480
<v Speaker 1>aid in a modern era, right where newspapers were now

0:28:04.520 --> 0:28:08.600
<v Speaker 1>carrying photographs. Of course what she said to the funeral director.

0:28:09.080 --> 0:28:15.560
<v Speaker 9>I looked at mister Rayner, and mister Rayner wanted to

0:28:15.640 --> 0:28:22.480
<v Speaker 9>know was I going to have the casket opened? I said, oh, yes,

0:28:22.720 --> 0:28:27.879
<v Speaker 9>we're going to open the casket. He said, well, Miss Bradley,

0:28:28.720 --> 0:28:36.439
<v Speaker 9>do you want me to, oh do something for the face,

0:28:37.280 --> 0:28:41.200
<v Speaker 9>want me to try to fix it up? I said, no,

0:28:41.320 --> 0:28:44.240
<v Speaker 9>let the people see what I've seen. I said, I

0:28:44.320 --> 0:28:45.720
<v Speaker 9>want the world to see this.

0:28:46.440 --> 0:28:48.520
<v Speaker 1>And then, you know, there was a distribution of this

0:28:48.640 --> 0:28:52.920
<v Speaker 1>graphic photograph of his mutilated body to the media, and

0:28:53.280 --> 0:28:57.480
<v Speaker 1>that photo changed history right sixty eight years later. It's

0:28:57.480 --> 0:29:01.480
<v Speaker 1>a reminder of the violent structure basically of white supremacy,

0:29:01.520 --> 0:29:03.720
<v Speaker 1>the power of white supremacy that is at the core

0:29:03.800 --> 0:29:09.800
<v Speaker 1>of this country. Again, even though the film Till is

0:29:09.840 --> 0:29:13.920
<v Speaker 1>about this, you know, this, this mutilation right based on

0:29:13.960 --> 0:29:18.240
<v Speaker 1>hatred and a lie. Mother Mobley said, everybody's going to

0:29:18.280 --> 0:29:23.520
<v Speaker 1>see this. And I wonder at this point about the conversation,

0:29:23.640 --> 0:29:27.600
<v Speaker 1>which is incredibly controversial, right around the power of graphic

0:29:27.640 --> 0:29:30.640
<v Speaker 1>images and igniting change. We're going to take a listen

0:29:30.680 --> 0:29:33.480
<v Speaker 1>again to another clip from Ronda Hart, who again is

0:29:33.520 --> 0:29:37.320
<v Speaker 1>still waiting for access to her daughter's crime scene photos.

0:29:37.560 --> 0:29:39.840
<v Speaker 2>I think that they should be shared. I think that

0:29:39.920 --> 0:29:42.400
<v Speaker 2>the public needs to know. I don't think that.

0:29:42.360 --> 0:29:47.880
<v Speaker 7>There's any other way to really illustrate the devastation the

0:29:48.040 --> 0:29:52.280
<v Speaker 7>guns can cause. And I think that, you know, maybe

0:29:53.000 --> 0:29:57.160
<v Speaker 7>not showing a victim's fees like my daughter was shot

0:29:57.200 --> 0:30:00.560
<v Speaker 7>and her torso and stuff, but showing her injuries.

0:30:00.960 --> 0:30:03.120
<v Speaker 2>Yeah, I would support that. I think they should make

0:30:03.160 --> 0:30:03.640
<v Speaker 2>it public.

0:30:04.160 --> 0:30:07.040
<v Speaker 1>So I find it interesting Keith and Monica that the

0:30:07.160 --> 0:30:12.680
<v Speaker 1>state probably in reaction to what mother Mobley did. The

0:30:12.800 --> 0:30:18.160
<v Speaker 1>state has ultimate control. Again, this is your child's body.

0:30:18.240 --> 0:30:20.880
<v Speaker 1>You are the parent. You should have the right to

0:30:21.200 --> 0:30:24.200
<v Speaker 1>anything in regards to this, and yet the state is

0:30:24.240 --> 0:30:27.680
<v Speaker 1>saying no, yes, And so I'm wondering, Keith, how you

0:30:27.760 --> 0:30:32.560
<v Speaker 1>process this really challenging conversation about the sharing of graphic images,

0:30:33.000 --> 0:30:36.160
<v Speaker 1>especially after these conversations that you had with mother Mobley

0:30:36.360 --> 0:30:37.880
<v Speaker 1>and documenting her life.

0:30:38.320 --> 0:30:44.880
<v Speaker 5>Well, you know, it's really a troubling moment to continue

0:30:45.080 --> 0:30:49.800
<v Speaker 5>to hear what it seems to be decades after decade

0:30:50.680 --> 0:30:55.760
<v Speaker 5>of people having this type of conversation about an atrocity

0:30:55.840 --> 0:31:02.600
<v Speaker 5>that we're faced with today. And so it's very important

0:31:02.640 --> 0:31:07.560
<v Speaker 5>to understand the magnitude of Mother Mobley's decision to have

0:31:07.600 --> 0:31:10.959
<v Speaker 5>an open casket funeral so the world could see what

0:31:11.040 --> 0:31:16.600
<v Speaker 5>happened to her son. Because without that courageous decision, we

0:31:16.680 --> 0:31:20.320
<v Speaker 5>would have never heard the likes of people such as

0:31:20.840 --> 0:31:24.800
<v Speaker 5>Martin Luther King, Sister Rosa Parks, and so on. You

0:31:24.840 --> 0:31:29.840
<v Speaker 5>wouldn't have had a movement of the sixties because many

0:31:29.880 --> 0:31:32.320
<v Speaker 5>of those who are part of that movement would tell

0:31:32.400 --> 0:31:36.800
<v Speaker 5>you that they're from the Emmit Toll generation. And so

0:31:37.480 --> 0:31:40.239
<v Speaker 5>I guess what I'm saying, Maria. If we're looking for

0:31:40.320 --> 0:31:44.719
<v Speaker 5>a new movement for change, one must take action. And

0:31:44.760 --> 0:31:48.600
<v Speaker 5>what is that action? Well, if we could take a

0:31:48.600 --> 0:31:52.040
<v Speaker 5>look at what transpired in nineteen fifty five and the

0:31:52.120 --> 0:31:56.480
<v Speaker 5>courageousness of Mother Mobley having this open casket funeral, And

0:31:56.520 --> 0:32:00.080
<v Speaker 5>for people to understand you have to understand this. There

0:32:00.080 --> 0:32:04.040
<v Speaker 5>were many lynchings going on at that time in fifty five.

0:32:04.640 --> 0:32:07.080
<v Speaker 5>A lot of the victims were a lot younger than

0:32:07.160 --> 0:32:10.200
<v Speaker 5>Emmitt Till. But what set this away from all the

0:32:10.280 --> 0:32:14.800
<v Speaker 5>others was her courageous decision to have an open casket funeral.

0:32:15.520 --> 0:32:19.680
<v Speaker 5>And is that photograph that awakened the sleeping giant of

0:32:19.800 --> 0:32:23.760
<v Speaker 5>good hearted people across the globe. And that's why we

0:32:23.840 --> 0:32:28.240
<v Speaker 5>saw change now Again, if we're looking for a change today,

0:32:29.360 --> 0:32:33.040
<v Speaker 5>and we've all been longing for a new movement, well,

0:32:33.560 --> 0:32:37.240
<v Speaker 5>in order for us to truly understand how to reach

0:32:38.120 --> 0:32:42.600
<v Speaker 5>that level, that goal of a new movement for change,

0:32:42.920 --> 0:32:46.880
<v Speaker 5>we have to understand what transpired in nineteen fifty five

0:32:47.400 --> 0:32:52.400
<v Speaker 5>and the courageous actions of Mother mobe. Now, nothing hits

0:32:52.480 --> 0:32:55.800
<v Speaker 5>you more than a visual and Mother Mobley knew that,

0:32:56.640 --> 0:33:00.920
<v Speaker 5>which is why she had this open casket fune because

0:33:00.960 --> 0:33:04.440
<v Speaker 5>it wasn't just someone telling you about a lynching that

0:33:04.520 --> 0:33:09.760
<v Speaker 5>took place. Now you could see the visual of what

0:33:10.120 --> 0:33:15.800
<v Speaker 5>this lynching had done to this fourteen year olbo, and

0:33:15.840 --> 0:33:18.320
<v Speaker 5>that's what made it so powerful. If it was fourteen

0:33:18.400 --> 0:33:23.840
<v Speaker 5>years old, we could all relate to being fourteen years old.

0:33:23.920 --> 0:33:28.720
<v Speaker 5>So yeah, to the mothers and to the families of

0:33:28.800 --> 0:33:35.000
<v Speaker 5>your valde, I have to support many of those decisions

0:33:35.040 --> 0:33:40.040
<v Speaker 5>of having these pictures shown. We had the same conversation

0:33:40.200 --> 0:33:44.160
<v Speaker 5>with Sandy Hook took place and everybody was saying that

0:33:44.200 --> 0:33:47.760
<v Speaker 5>we need an immit till moment, and I don't believe

0:33:48.000 --> 0:33:50.880
<v Speaker 5>that things would change until we have that Imma till

0:33:51.000 --> 0:33:52.680
<v Speaker 5>moment with these families.

0:33:53.920 --> 0:33:57.040
<v Speaker 1>The thing is Monica, and you may not agree, right,

0:33:57.200 --> 0:34:00.720
<v Speaker 1>So I believe that this is such a personal decision, right,

0:34:01.400 --> 0:34:04.960
<v Speaker 1>And having been on a lot of ends of death,

0:34:05.080 --> 0:34:08.680
<v Speaker 1>right including having a family member who disappeared in Mexico

0:34:09.360 --> 0:34:12.040
<v Speaker 1>and therefore having that thing, which is that you want

0:34:12.040 --> 0:34:16.239
<v Speaker 1>to know everything about their death. And some people can

0:34:16.400 --> 0:34:22.120
<v Speaker 1>understand that they feel like that's a little gory. But mony, guys,

0:34:22.160 --> 0:34:25.000
<v Speaker 1>you know, in fact, there is somebody who I'm I'm

0:34:25.080 --> 0:34:27.920
<v Speaker 1>Internet friends with and who I've interviewed on Latino USA

0:34:28.000 --> 0:34:31.520
<v Speaker 1>whose own daughter, Anna Grace, was murdered in Sandy Hook,

0:34:31.600 --> 0:34:36.960
<v Speaker 1>Nelba Marquez Green. And Nelba is very adamant. She says,

0:34:37.080 --> 0:34:41.239
<v Speaker 1>do not ask me to show the photographs. How dare you?

0:34:41.280 --> 0:34:45.160
<v Speaker 1>What an act of disrespect of any journalist to ask

0:34:45.200 --> 0:34:48.239
<v Speaker 1>me to share that? And so I hold Nelba in

0:34:48.320 --> 0:34:52.200
<v Speaker 1>my heart as I'm also you know, having been in

0:34:52.360 --> 0:34:58.120
<v Speaker 1>Uvalde basically since January on and off. And the one

0:34:58.200 --> 0:35:00.840
<v Speaker 1>the horror that the parents went through, the fact that

0:35:00.840 --> 0:35:04.319
<v Speaker 1>they are being denied all access to any information, any photographs,

0:35:04.320 --> 0:35:08.680
<v Speaker 1>any video. But this is a difficult one, moniquette. So

0:35:09.560 --> 0:35:11.400
<v Speaker 1>you have two ways to look at this. One is

0:35:11.440 --> 0:35:14.880
<v Speaker 1>a historian, and two as a mom and as a Texan,

0:35:15.280 --> 0:35:18.759
<v Speaker 1>as a Mexicana from Muvalde, and somebody who's been very

0:35:18.760 --> 0:35:21.279
<v Speaker 1>close to the community since the massacre on May twenty fourth,

0:35:21.360 --> 0:35:25.239
<v Speaker 1>twenty twenty two. So give us, give us how you

0:35:25.280 --> 0:35:27.360
<v Speaker 1>process this conversation, this debate.

0:35:28.000 --> 0:35:31.680
<v Speaker 7>Yeah, it's so complicated. It's so complex. And I'll start

0:35:31.719 --> 0:35:35.759
<v Speaker 7>by first responding to the what you described as the

0:35:35.800 --> 0:35:38.120
<v Speaker 7>impulse for wanting to know every detail of what happened

0:35:38.160 --> 0:35:42.000
<v Speaker 7>to your loved one, and coordinating with experts and trauma

0:35:42.239 --> 0:35:46.360
<v Speaker 7>who have conducted trauma informed work, that that is actually

0:35:46.400 --> 0:35:51.080
<v Speaker 7>something that is very common, and that for families who

0:35:51.600 --> 0:35:56.080
<v Speaker 7>lose a loved one to violent crime, that having details

0:35:56.080 --> 0:35:59.560
<v Speaker 7>about what happened is a crucial part to start healing.

0:36:00.440 --> 0:36:06.440
<v Speaker 7>And so family members of a mother's, siblings, a child's,

0:36:08.239 --> 0:36:13.160
<v Speaker 7>if someone is asking for information and seeking information, photographs,

0:36:13.320 --> 0:36:17.000
<v Speaker 7>or autopsies, they should have access to that information. I

0:36:17.000 --> 0:36:19.160
<v Speaker 7>think that it's I've learned that it's important for them

0:36:19.200 --> 0:36:22.200
<v Speaker 7>to be able to heal. And again, not everybody wants

0:36:22.320 --> 0:36:25.000
<v Speaker 7>all of the same information, and so that is an

0:36:25.000 --> 0:36:29.719
<v Speaker 7>individual request. But as a historian, I've also and I

0:36:29.800 --> 0:36:33.280
<v Speaker 7>have seen you know, from the history of the NAACP

0:36:33.680 --> 0:36:39.560
<v Speaker 7>and journalists like IDB. Wells and social luminaries like Mother

0:36:39.640 --> 0:36:47.480
<v Speaker 7>mobile that the anti lynching movement was tireless and worked

0:36:47.520 --> 0:36:51.440
<v Speaker 7>for over half a century to try to end the

0:36:51.520 --> 0:36:56.799
<v Speaker 7>lynching culture and raise national consciousness about the inhumanity of

0:36:56.840 --> 0:37:01.680
<v Speaker 7>the practice. And it took decades worth of work. And

0:37:02.120 --> 0:37:06.080
<v Speaker 7>really the Immittill moment was so crucial because it did

0:37:06.200 --> 0:37:10.520
<v Speaker 7>raise the national consciousness so that there was a movement

0:37:10.640 --> 0:37:12.920
<v Speaker 7>then to end the practice.

0:37:13.200 --> 0:37:15.920
<v Speaker 1>Because I'm sorry to interrupt, but in some ways, Moniquet,

0:37:16.000 --> 0:37:19.200
<v Speaker 1>what had happened is that there were photographs of men

0:37:19.239 --> 0:37:22.719
<v Speaker 1>who had been lynched. In fact, they were made into postcards.

0:37:22.760 --> 0:37:25.560
<v Speaker 1>They were sent via US Postal Service. So it's almost

0:37:25.600 --> 0:37:29.440
<v Speaker 1>like when people say, well people will get desensitized, Well,

0:37:29.560 --> 0:37:34.680
<v Speaker 1>there was a desensitization to men being lynched, right, except

0:37:34.719 --> 0:37:39.440
<v Speaker 1>then Mother Mobley makes this decision and it changes everything.

0:37:40.040 --> 0:37:42.960
<v Speaker 7>Well, it's also in a different moment. It's post brown

0:37:43.040 --> 0:37:45.880
<v Speaker 7>versus board, and so across the country and the South,

0:37:45.960 --> 0:37:49.239
<v Speaker 7>in different states, there's an effort in southern states like

0:37:49.320 --> 0:37:54.840
<v Speaker 7>Texas to maintain segregation. And so the decision the open casket,

0:37:54.960 --> 0:37:58.600
<v Speaker 7>the horror of the lynching of Emmett till it also

0:37:58.920 --> 0:38:02.320
<v Speaker 7>was at a moment in which the nation and people

0:38:02.360 --> 0:38:05.000
<v Speaker 7>across the country were making decisions about the world that they.

0:38:04.920 --> 0:38:05.640
<v Speaker 2>Wanted to live in.

0:38:06.480 --> 0:38:11.680
<v Speaker 7>And so what I have to contrast today is that

0:38:12.360 --> 0:38:15.520
<v Speaker 7>the majority of Americans, the majority of Texans, believe and

0:38:15.560 --> 0:38:20.440
<v Speaker 7>support in common sense gun reform. And it's not the

0:38:20.560 --> 0:38:25.560
<v Speaker 7>need to shake the national conscience. It's a need to

0:38:25.719 --> 0:38:31.839
<v Speaker 7>shape legislators into passing legislation. So something that I am

0:38:32.120 --> 0:38:38.160
<v Speaker 7>returning to Kimberly and Felix Rubio who showed a photograph

0:38:38.200 --> 0:38:42.400
<v Speaker 7>of their daughter Alexi in an open casket to a

0:38:42.560 --> 0:38:47.200
<v Speaker 7>US senator and asked for their support in passing gun

0:38:47.200 --> 0:38:49.839
<v Speaker 7>reform in the honor of Lexi and so that other

0:38:50.000 --> 0:38:55.680
<v Speaker 7>kids would not suffer the same violence, and it didn't happen.

0:38:56.920 --> 0:39:01.640
<v Speaker 7>And also State Senator Roland Gutierez he in Texas has

0:39:01.800 --> 0:39:06.560
<v Speaker 7>also explained that he has legislators who refuse to look

0:39:06.600 --> 0:39:09.680
<v Speaker 7>at the footage that they have access to from Mold

0:39:10.360 --> 0:39:12.319
<v Speaker 7>And so for me, it's a question of what is

0:39:12.680 --> 0:39:17.280
<v Speaker 7>putting information out there, putting photographs out there? Will people look,

0:39:17.719 --> 0:39:22.799
<v Speaker 7>Will the people who can make decisions look? And my

0:39:22.920 --> 0:39:26.760
<v Speaker 7>other concern is that we are living in a climate

0:39:26.880 --> 0:39:30.400
<v Speaker 7>when we are experienced a mentical health crisis, and particularly

0:39:30.400 --> 0:39:35.200
<v Speaker 7>the mental health crisis among youth, and the way that

0:39:35.320 --> 0:39:39.200
<v Speaker 7>images circulate now, the way that kids have access to

0:39:39.640 --> 0:39:43.920
<v Speaker 7>what's put online, to me is worrisome. But that question

0:39:44.000 --> 0:39:46.200
<v Speaker 7>of what will make people who are in positions of

0:39:46.239 --> 0:39:50.279
<v Speaker 7>power to make changes in policy, what will make them

0:39:50.320 --> 0:39:53.560
<v Speaker 7>look is something that I don't have an answer for.

0:40:02.800 --> 0:40:05.480
<v Speaker 1>Oh, it's so hard, so listen, we're gonna wrap up.

0:40:06.200 --> 0:40:08.560
<v Speaker 1>And as I've said now that I'm talking about making

0:40:08.640 --> 0:40:12.200
<v Speaker 1>the frontline film in Uvalde, and actually le Bretavad le

0:40:12.280 --> 0:40:16.200
<v Speaker 1>Bret Vad, Monica and Keith after seeing some of the images,

0:40:17.400 --> 0:40:20.880
<v Speaker 1>because as an investigative journalist, yes, I have seen things

0:40:21.920 --> 0:40:27.240
<v Speaker 1>about Uvalde, and I am not the same the before

0:40:27.239 --> 0:40:30.319
<v Speaker 1>and after Marie No Josse is not just one who

0:40:30.400 --> 0:40:33.279
<v Speaker 1>has been impressed by the horror of it, impressed in

0:40:33.280 --> 0:40:35.799
<v Speaker 1>the sense of like it will stay. It's marked me

0:40:35.920 --> 0:40:42.040
<v Speaker 1>like a tattoo on my brain. But also Monica, we

0:40:42.080 --> 0:40:45.720
<v Speaker 1>haven't had a chance to talk about this, but to me, Uvalde,

0:40:46.280 --> 0:40:50.160
<v Speaker 1>the fact that the parents of Uvalde have stepped up

0:40:50.600 --> 0:40:55.120
<v Speaker 1>and spoken back to the Texas politics to the Republican

0:40:55.200 --> 0:40:59.000
<v Speaker 1>legislature of the Republican governor that they were able to move.

0:40:59.400 --> 0:41:02.680
<v Speaker 1>The legislator was never able to pass, but they were

0:41:02.760 --> 0:41:06.640
<v Speaker 1>able to at least be heard have a hearing. You

0:41:06.719 --> 0:41:10.120
<v Speaker 1>to have a hearing where they could speak to me.

0:41:10.280 --> 0:41:14.200
<v Speaker 1>There is, in fact, a lot of hope, and I

0:41:14.360 --> 0:41:18.040
<v Speaker 1>center that hope. It's what actually keeps me going. So

0:41:18.080 --> 0:41:20.680
<v Speaker 1>we're going to end on hope. And actually, Keith, we'll

0:41:20.719 --> 0:41:24.120
<v Speaker 1>start with you. Like I said, I hope everybody watches

0:41:24.160 --> 0:41:27.360
<v Speaker 1>the movie Till because it is such a beautiful movie,

0:41:27.440 --> 0:41:30.399
<v Speaker 1>and it does fill me with hope because, as you said,

0:41:30.440 --> 0:41:33.480
<v Speaker 1>it was a call across the world. It was not

0:41:33.560 --> 0:41:35.560
<v Speaker 1>just the United States, it was the whole world that

0:41:35.680 --> 0:41:39.400
<v Speaker 1>was saying no more. So, what's something that gives you

0:41:39.520 --> 0:41:41.800
<v Speaker 1>hope in this whole conversation that we can hold on to.

0:41:42.480 --> 0:41:46.600
<v Speaker 5>Well, it gives me hope that you have a show

0:41:46.800 --> 0:41:50.600
<v Speaker 5>such as this that allows someone to speak. I mean,

0:41:50.719 --> 0:41:54.120
<v Speaker 5>many of these families, and I've worked with many of them,

0:41:54.480 --> 0:41:58.319
<v Speaker 5>they just want the opportunity to have a platform to

0:41:58.400 --> 0:42:02.160
<v Speaker 5>speak about their loved ones, to have a recorded history

0:42:02.800 --> 0:42:06.400
<v Speaker 5>so they would be remembered. And that gives me hope.

0:42:06.440 --> 0:42:09.080
<v Speaker 5>That you have a show such as this that allows that.

0:42:10.000 --> 0:42:13.080
<v Speaker 5>But also I want people to be encouraged. You know,

0:42:13.719 --> 0:42:18.799
<v Speaker 5>just by showing a photograph, you won't receive action by

0:42:18.840 --> 0:42:23.080
<v Speaker 5>that alone. It's going to take the people to collectively

0:42:23.280 --> 0:42:28.799
<v Speaker 5>get involved with change for change to happen. And so

0:42:29.520 --> 0:42:32.879
<v Speaker 5>you can't help but have hope, especially someone such as

0:42:32.880 --> 0:42:37.360
<v Speaker 5>myself who've devoted his life to civil human rights, many

0:42:37.400 --> 0:42:40.640
<v Speaker 5>of us who have made this decision to take on

0:42:41.480 --> 0:42:45.600
<v Speaker 5>social injustice in this country. We know that it takes

0:42:46.000 --> 0:42:50.120
<v Speaker 5>some time. That you know, we're talking about generational ills

0:42:50.160 --> 0:42:53.560
<v Speaker 5>and may take the generation of two to fix, but

0:42:53.640 --> 0:42:55.800
<v Speaker 5>we know that we must be on the front lines

0:42:55.880 --> 0:42:59.960
<v Speaker 5>to fight. And so I have hope just simply being

0:43:00.200 --> 0:43:03.920
<v Speaker 5>on this show and you know, being able to speak

0:43:04.000 --> 0:43:07.040
<v Speaker 5>about my SHEI ro and the things that we must

0:43:07.080 --> 0:43:08.880
<v Speaker 5>be doing in this country if we ever want to

0:43:08.920 --> 0:43:10.160
<v Speaker 5>see change happen again.

0:43:10.760 --> 0:43:12.440
<v Speaker 1>And dude, you know, when did you ever think that

0:43:12.520 --> 0:43:15.600
<v Speaker 1>the movie Till would be playing on the airplanes in

0:43:15.640 --> 0:43:17.879
<v Speaker 1>the United States and that people. Yeah, so if you're

0:43:18.280 --> 0:43:21.480
<v Speaker 1>if you haven't watched it, please please please do Monica,

0:43:22.000 --> 0:43:24.400
<v Speaker 1>something that you've held on to in the conversation that

0:43:24.440 --> 0:43:26.320
<v Speaker 1>gives you hope again. You grew up in Uvalde, that

0:43:26.400 --> 0:43:29.040
<v Speaker 1>you live in Austin now, but something about the families

0:43:29.080 --> 0:43:31.200
<v Speaker 1>removal there maybe that is giving you hope.

0:43:31.560 --> 0:43:31.799
<v Speaker 4>Yeah.

0:43:32.040 --> 0:43:34.160
<v Speaker 7>I mean, it's one of the things that is just

0:43:34.239 --> 0:43:38.120
<v Speaker 7>so profound that there's such a deep commitment weld to

0:43:38.280 --> 0:43:44.760
<v Speaker 7>heal and to repair and actually to go to great

0:43:44.920 --> 0:43:51.480
<v Speaker 7>links to improve the social wellbeing of every kid in Velde,

0:43:52.560 --> 0:43:57.240
<v Speaker 7>and in that process finding strategies and solutions to meet

0:43:57.320 --> 0:44:01.520
<v Speaker 7>the magnitude of unmet needs. There's such a deep commitment

0:44:01.600 --> 0:44:07.280
<v Speaker 7>by people involved it to taking those and helping improve

0:44:07.320 --> 0:44:10.840
<v Speaker 7>the well being of kids across Texas, across the state,

0:44:10.880 --> 0:44:15.240
<v Speaker 7>and across the world. And that deep commitment to saying

0:44:15.320 --> 0:44:17.879
<v Speaker 7>we're going to fight for justice not just for our

0:44:17.920 --> 0:44:23.160
<v Speaker 7>own families, but for families everywhere is so deeply inspiring.

0:44:23.800 --> 0:44:26.040
<v Speaker 1>I don't know if you know this Morniquay, because it

0:44:26.040 --> 0:44:29.600
<v Speaker 1>happened kind of quickly, But on the Friday after the shooting,

0:44:30.080 --> 0:44:33.319
<v Speaker 1>the mass shooting in Nashville a couple of weeks back,

0:44:34.000 --> 0:44:38.759
<v Speaker 1>Kitlin Gonzalez and a bunch of her fifth grade classmates

0:44:38.760 --> 0:44:39.759
<v Speaker 1>from rob Elementary.

0:44:39.800 --> 0:44:43.399
<v Speaker 2>Now they're no longer at that school, but they walked out.

0:44:43.800 --> 0:44:47.280
<v Speaker 1>Yeah, they walked out of the classroom, they had little

0:44:47.440 --> 0:44:52.160
<v Speaker 1>you know, lined you know signs, they're lined paper signs,

0:44:52.640 --> 0:44:56.320
<v Speaker 1>which was like, stop the gun violence, remember the twenty

0:44:56.360 --> 0:45:06.359
<v Speaker 1>one No. I mean, it was just extraordinary, and so

0:45:06.440 --> 0:45:09.279
<v Speaker 1>thank you for saying that it's what I hold on to.

0:45:09.400 --> 0:45:11.799
<v Speaker 1>I never would have imagined that I would feel so

0:45:12.000 --> 0:45:17.400
<v Speaker 1>close to a family of I mean, they're great Americans

0:45:17.400 --> 0:45:21.759
<v Speaker 1>because they're participating in the political process as activists, and

0:45:21.800 --> 0:45:26.240
<v Speaker 1>that this new part of my extended family is in Uvalde, Texas,

0:45:26.719 --> 0:45:31.640
<v Speaker 1>and it's Caitlin and Gladys, Gonzalez and neph and Gamilla,

0:45:32.320 --> 0:45:35.319
<v Speaker 1>you know, and we text back and forth and they're like,

0:45:35.320 --> 0:45:38.799
<v Speaker 1>you know, Caitlyn's you know, doing softball right now, or

0:45:38.920 --> 0:45:42.080
<v Speaker 1>Caitlin's on the zip line, or Caitlyn is dancing, or

0:45:42.680 --> 0:45:45.360
<v Speaker 1>Caitlyn is going to speak at a rally right now.

0:45:45.440 --> 0:45:47.520
<v Speaker 1>And so I feel hopeful that I have made this

0:45:47.600 --> 0:45:51.400
<v Speaker 1>profound connection with your hometown of Uvalde and to become

0:45:51.440 --> 0:45:54.160
<v Speaker 1>closer to you, Monica and have this conversation with you.

0:45:54.320 --> 0:45:54.560
<v Speaker 2>Keith.

0:45:54.960 --> 0:45:56.759
<v Speaker 1>So thank you so much for joining me on this

0:45:56.840 --> 0:45:58.640
<v Speaker 1>episode of In the Thing. I so appreciate it.

0:45:59.040 --> 0:46:01.320
<v Speaker 2>Thank you, Thank you, Keith.

0:46:01.120 --> 0:46:04.960
<v Speaker 1>Beauchamp is an award winning filmmaker and monicam Mundo's Martinez

0:46:05.000 --> 0:46:08.000
<v Speaker 1>is an award winning historian and associate professor at the

0:46:08.040 --> 0:46:09.400
<v Speaker 1>University of Texas at Austin.

0:46:10.040 --> 0:46:15.359
<v Speaker 2>And I'm Maria Noojosa. Also, Dear listener, be.

0:46:15.320 --> 0:46:18.440
<v Speaker 1>Sure to check out our documentary with Frontline on PBS

0:46:18.480 --> 0:46:22.960
<v Speaker 1>and the Texas Tribune. It's called After Uvalde, Guns, Grief

0:46:23.040 --> 0:46:26.239
<v Speaker 1>and Texas Politics. And also be sure to check out

0:46:26.280 --> 0:46:30.480
<v Speaker 1>our one hour special on Latino USA. It's a beautiful

0:46:30.520 --> 0:46:35.680
<v Speaker 1>independent piece actually collaboration with Frontline and Futuru Investigates that

0:46:35.760 --> 0:46:37.880
<v Speaker 1>airs on Friday, June second.

0:46:38.080 --> 0:46:40.640
<v Speaker 2>It's called Uvalde Rising and Special.

0:46:40.680 --> 0:46:44.200
<v Speaker 1>Thanks to our intrepid Futudo Investigates producer Sophia Sanchez for

0:46:44.280 --> 0:46:48.839
<v Speaker 1>co producing this episode. Dear listener, go to Apple Podcasts

0:46:48.880 --> 0:46:50.120
<v Speaker 1>to rate and review us.

0:46:50.480 --> 0:46:51.120
<v Speaker 2>Really helps.

0:46:51.280 --> 0:46:53.160
<v Speaker 1>Remember you can listen to In the Think on all

0:46:53.280 --> 0:46:56.200
<v Speaker 1>major podcast platforms. Check us out on the web at

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0:47:03.120 --> 0:47:05.600
<v Speaker 1>And the thing is produced by Ner Saudi, Oscott Fernandez

0:47:05.640 --> 0:47:08.840
<v Speaker 1>and our New York Women's Foundation Ignite fellow Daniella Dieo Garson.

0:47:09.160 --> 0:47:12.839
<v Speaker 1>Our editorial director is Fernande Santos. Our audio engineering team

0:47:12.920 --> 0:47:16.280
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0:47:16.719 --> 0:47:19.920
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<v Speaker 1>is courtesy of Not Captain CZK Records. Dear listener, again,

0:47:23.960 --> 0:47:26.440
<v Speaker 1>thank you so much for listening. See you on the

0:47:26.440 --> 0:47:39.600
<v Speaker 1>next one. Yes, lapproxima Bye.

0:47:39.640 --> 0:47:42.719
<v Speaker 8>The opinions expressed by the guests and contributors in this

0:47:42.800 --> 0:47:46.120
<v Speaker 8>podcast are their own and do not necessarily reflect the

0:47:46.200 --> 0:47:48.719
<v Speaker 8>views of Futuro Media or its employees.