WEBVTT - Best Of - Pt. 2

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<v Speaker 1>Hello, Hello, Hi, Oh my god, I want to come

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<v Speaker 1>through the screen and hug you. Hey, everybody, Jessica's are here,

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<v Speaker 1>also known as Vanessa Abrams on Gossip Girl. I am

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<v Speaker 1>so excited to share my new podcast with you guys.

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<v Speaker 1>It's called XO XO and it's a walk down memory

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<v Speaker 1>lane all about Gossip Girl. I'll chat with some of

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<v Speaker 1>the cast crew fans of the show, and I'm just

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<v Speaker 1>so pumped for you guys to go on this journey

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<v Speaker 1>with me. All Right. I made Westwick, I played Chuck

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<v Speaker 1>Bass Is this Michelle Trachtonburg, I'll never tell Hey, I'm

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<v Speaker 1>Taylor Mompson, and I played Jenny Humphrey. Hi, I'm sbashion

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<v Speaker 1>Stan and I played Carter Bason. That that was one

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<v Speaker 1>of the reasons I liked the character Jenny so much,

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<v Speaker 1>is that she was very relatable. The whole thing was

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<v Speaker 1>such a choice for me to do, and I was

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<v Speaker 1>just so thankful that people responded the way they did

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<v Speaker 1>to what we were doing. This really was just like wonderful.

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<v Speaker 1>I like have like warm feelings inside. I'm giving you

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<v Speaker 1>air hugs. Listen to XO XO on the I Heart

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<v Speaker 1>Deo app, Apple Podcasts or wherever you get your podcasts.

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<v Speaker 1>Big Brother, North Korea's Forgotten Prince, is a new true

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<v Speaker 1>crime podcast that dives deep into the life and mysterious

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<v Speaker 1>assassination of the man once destined to be North Korea's

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<v Speaker 1>next dictator. Join me evenly as we investigate a twisting

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<v Speaker 1>tale of espionage, palace gossip, and political backstabbing, and dive

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<v Speaker 1>into the motives and suspects behind the most bizarre assassination

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<v Speaker 1>plot of the century. Listen to Big Brother on the

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<v Speaker 1>I Heart Radio app, Apple podcast or wherever you get

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<v Speaker 1>your podcasts. Coming February, I'm Paris Hilton and this is

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<v Speaker 1>Trapped in Treatment, a weekly podcast of shocking survivor experiences

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<v Speaker 1>and stories from an industry plagued by controversy. With my

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<v Speaker 1>host Caroline Cole and Rebecca Mellinger, we will uncover the

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<v Speaker 1>truth of one team treatment facility each season. First up,

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<v Speaker 1>Provo Canyon School. This one is personal. Listen to Trapped

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<v Speaker 1>in Treatment on the I Heart Radio app, Apple podcasts,

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<v Speaker 1>or wherever you get your podcasts. Hello everybody, and welcome here.

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<v Speaker 1>We are the office Deep Dive, and as always it

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<v Speaker 1>is me your host, Brian Baumgartner. I'm glad you made it. Why, well,

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<v Speaker 1>because today I would like to continue on the theme

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<v Speaker 1>of last week's best of, because I want to give

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<v Speaker 1>the best to the best. That's right, I'm saying you're

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<v Speaker 1>the best, and I am here to bring you more

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<v Speaker 1>of my favorite moments from my last round of interviews.

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<v Speaker 1>It's going to be a journey featuring some of your

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<v Speaker 1>favorite Office cast and crew. So buckle up, dry put on,

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<v Speaker 1>get ready to dive in, and we're better to start

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<v Speaker 1>than with the man who's been described as a teacher,

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<v Speaker 1>a mentor, a role model, the Office Dad, and of

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<v Speaker 1>course the world's best boss. Here is Steve Carrell on

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<v Speaker 1>who Michael Scott is and what the Office would be

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<v Speaker 1>like today. Bubble and Squeak. I love it Bubble and

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<v Speaker 1>Squeak on Bubble and Squeaker cooking at every month lift

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<v Speaker 1>over from the night before. Do you, as an actor

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<v Speaker 1>do you always search for the good and the character

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<v Speaker 1>that you're portraying. Sure? I think you have to do to,

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<v Speaker 1>as otherwise you're just demonizing or judging the people that

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<v Speaker 1>you're playing. And if you're judging a character that you're playing,

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<v Speaker 1>you're gonna play it differently. You don't want to editorialize

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<v Speaker 1>about a character plan. I think I think Michael's decent,

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<v Speaker 1>a decent dude with a lot of heart, but he's

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<v Speaker 1>so based on his childhood, based on all sorts of

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<v Speaker 1>things and things that he had lacked growing up, things

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<v Speaker 1>that he was I felt he was deprived of. He

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<v Speaker 1>was so hungry for acceptance. But I don't think he

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<v Speaker 1>had the strongest templates in the world to go by.

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<v Speaker 1>But I think he also learned and evolved and um

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<v Speaker 1>became a better person along the way. And he was

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<v Speaker 1>just a bit a bit myopic and became more aware.

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<v Speaker 1>Once he sort of was able to start stepping outside

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<v Speaker 1>of himself in his own little eccentricities, he could see

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<v Speaker 1>a little bit more about the world around him. I

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<v Speaker 1>think one of the things about Michael is he's actually

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<v Speaker 1>this and in terms of my interpretation of him, I

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<v Speaker 1>feel like he would look out at all the people

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<v Speaker 1>who worked with him, and it's like he would put

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<v Speaker 1>his foot in his mouth all the time. But in

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<v Speaker 1>a lot of ways, I don't think he ever valued

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<v Speaker 1>one person or type of person over any other. And

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<v Speaker 1>in that way, I think he was very pure character

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<v Speaker 1>because he's very dumb in terms of political correctness and

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<v Speaker 1>being appropriate in public. But at the same time, I don't.

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<v Speaker 1>I just don't think there was hardness in his heart

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<v Speaker 1>towards anyone. I agree with that. He I think a

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<v Speaker 1>person with an enormously good, kind heart, who lacked a

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<v Speaker 1>great deal of information about the world around him and

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<v Speaker 1>was as a sleep in a woke world as you

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<v Speaker 1>could be, but trying his best, trying his best. And

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<v Speaker 1>actually there's a difference between being intolerant and being ignorant,

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<v Speaker 1>and and sometimes intolerance and ignorance go hand in hand,

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<v Speaker 1>for sure they do. But I think he was a

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<v Speaker 1>decent human being. Really, he just didn't get it all

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<v Speaker 1>the time. Um, the show was happening my mom and dad,

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<v Speaker 1>they had friends and they would say, we can't watch

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<v Speaker 1>that show like that, Michael Scott, he key makes me

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<v Speaker 1>too uncomfortable. I can't watch that. And I always felt

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<v Speaker 1>that this was came from a place of deep and

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<v Speaker 1>security or like misogynistic or racist or homophobic feelings within themselves,

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<v Speaker 1>like that's why it was uncomfortable at times. And then

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<v Speaker 1>you came out thanks a lot for saying this. I

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<v Speaker 1>get asked about it all the time that the show

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<v Speaker 1>could never be made. Now, this was not exactly what

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<v Speaker 1>I said. Okay, well, that's great because I have always

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<v Speaker 1>said that I thought that Steve was misquoted in this yas.

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<v Speaker 1>I don't know, I don't know if it could be

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<v Speaker 1>made now. Maybe it could. I guess my point was

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<v Speaker 1>that I think what I was trying to say was

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<v Speaker 1>that that exact same show probably wouldn't be made today,

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<v Speaker 1>but with the same components, the same actors, the same writers.

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<v Speaker 1>If it were to come back, it would evolve into

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<v Speaker 1>the version of what we did back then. I mean,

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<v Speaker 1>I think the writing would be a bit different in

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<v Speaker 1>today's climate, but I don't think it would be any

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<v Speaker 1>less insightful. I don't think it would be any less

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<v Speaker 1>smart or any less funny. It would just be different,

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<v Speaker 1>that's all. And I do think it would be different,

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<v Speaker 1>and I think, I mean, Michael Scott would be much

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<v Speaker 1>more tuned into what it is to be woke. He

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<v Speaker 1>would not understand it necessarily, but he would be. The

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<v Speaker 1>comedy would be coming from his struggle to understand and

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<v Speaker 1>fit into the world as we know it today, because

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<v Speaker 1>the world as we knew it fifteen years ago is

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<v Speaker 1>different than it is today. But you know, you take

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<v Speaker 1>that same character who is trying to speak the language

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<v Speaker 1>of modern times. That can be very funny, but it

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<v Speaker 1>would just be different. It would just be a different

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<v Speaker 1>set of rules for today. But I don't know. I um, yeah,

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<v Speaker 1>I think you know. I think it's easy to say

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<v Speaker 1>that you can't be funny, you can't do comedy this

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<v Speaker 1>day and age. I think that's a bit of a

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<v Speaker 1>cop out because every you know, every time you turn around,

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<v Speaker 1>there is somebody coming up with something that is of

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<v Speaker 1>the time and inventive and doesn't shirk away from our

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<v Speaker 1>responsibility to look in the mirror. I think it just

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<v Speaker 1>I think it just takes a level of intelligence to

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<v Speaker 1>be able to do that. Now, Steve may be kind

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<v Speaker 1>and self reflective and understanding, but Michael Scott wasn't always,

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<v Speaker 1>at least not to one particular h R rep. So

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<v Speaker 1>when it was time for me to talk to Paul Lieberstein,

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<v Speaker 1>I couldn't wait to ask him about being the man

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<v Speaker 1>that everyone loved to hate. There's another relationship that I

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<v Speaker 1>think was maybe my favorite in the show. Will you

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<v Speaker 1>play that clip? Why are you the way that you are? Honestly,

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<v Speaker 1>every time I try to do something fun or exciting,

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<v Speaker 1>you make it not that way. I hate so much

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<v Speaker 1>about the things that you choose to be. I mean

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<v Speaker 1>that when was the idea for that born? It wasn't

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<v Speaker 1>born in diversity. Steve wrote that speech. Yeah, he hated

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<v Speaker 1>And when I was watching some of those things last night,

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<v Speaker 1>I mean his face anytime he is looking at you

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<v Speaker 1>and angry at you in a way is completely trans

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<v Speaker 1>He almost looks like a different person, and he's his energy.

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<v Speaker 1>And at one point he's like, I hate your lemon

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<v Speaker 1>head or it's just like crazy, it's like I'm a

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<v Speaker 1>Nazi and he thinks he's doing a service to the

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<v Speaker 1>world by hating me. Well that, well, that's the other

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<v Speaker 1>famous one, right, Like if I had two bullets and

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<v Speaker 1>there was Hitler, Ben Laden and Toby, I would use

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<v Speaker 1>both bullets and kill Toby. I think it happened in

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<v Speaker 1>Meredith's birthday and we all had to sign that card.

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<v Speaker 1>So I just had to go in and said, oh,

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<v Speaker 1>can I have a card and sign something really quickly

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<v Speaker 1>and leave, and he would just watch me do it

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<v Speaker 1>the whole time, take after takeing he was just standing

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<v Speaker 1>there watching and he told me afterwards that he felt

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<v Speaker 1>like the hate for me just just well up inside

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<v Speaker 1>him during these takes, so it was so from that moment.

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<v Speaker 1>Is that why you guys decided to write that story

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<v Speaker 1>in or to continue that. You know, a lot of

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<v Speaker 1>it he would come from Steve. I think the power

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<v Speaker 1>of it came from Steve, you know, and he would

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<v Speaker 1>always do more. Even starting with Diversity Day, he was

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<v Speaker 1>just supposed to say he would, you know, get out

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<v Speaker 1>or something like that, but he did more. He relished

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<v Speaker 1>the moment and played with it. And I think he

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<v Speaker 1>continues to do that. And really, you know, when we

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<v Speaker 1>had these thirty six minute cuts and had to decide

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<v Speaker 1>what would stay, when Steve loved something, he the performance

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<v Speaker 1>would be amazing. And I think that's what helped so

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<v Speaker 1>much of the Toby Michael stuff stay right. Just his

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<v Speaker 1>pure power and just the pure power of his like, yeah,

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<v Speaker 1>being being there, corral genius. Oh yes, the power of hatred.

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<v Speaker 1>Never thought I'd say that on this podcast. But Toby

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<v Speaker 1>wasn't the only thing that brought out the best in Steve.

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<v Speaker 1>He was so consistently, so amazing to work with, every scene,

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<v Speaker 1>every day. Here's what Craig Robinson had to say Darrell's

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<v Speaker 1>relationship with Michael in the show. It was a very

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<v Speaker 1>like he kept coming to you for advice, particularly on culture.

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<v Speaker 1>It was a very very funny dynamic. What was your

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<v Speaker 1>experience working with Steve? He's the greatest. The way he

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<v Speaker 1>could turn it comedy button off and on like a falsett.

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<v Speaker 1>It was just genius to me. Whenever I had a

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<v Speaker 1>scene with him on and I was like titilation, you know,

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<v Speaker 1>very exciting, and I learned from him, stole from him

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<v Speaker 1>all of that. Yeah, it's funny that you said. You

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<v Speaker 1>said that because I thought you were going to say

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<v Speaker 1>something else, which I think is also true. Is part

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<v Speaker 1>of his genius is how he turns so quick, even

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<v Speaker 1>within a scene, you know what I mean, Like he

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<v Speaker 1>is he is fighting down one path and something may

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<v Speaker 1>happen and he just turns it like that and he's like,

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<v Speaker 1>you know, ultimate scene part of two. He listens and

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<v Speaker 1>reacts two. You know what's going on? Like we had

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<v Speaker 1>a scene I didn't even really notice until it aired.

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<v Speaker 1>It was a negotiation. It might be my favorite episode

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<v Speaker 1>just because of the work I did with Steve and

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<v Speaker 1>being able to play with him like that. It was

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<v Speaker 1>the scene where he's like, I'm not going to speak first,

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<v Speaker 1>like to trying to speak first. So we did a

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<v Speaker 1>couple of takes and it was fine. Uh, And then

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<v Speaker 1>he did his next take and he's making these faces

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<v Speaker 1>and if you look closely, you could see Meet started

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<v Speaker 1>crack a smile on that. But it was just like,

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<v Speaker 1>without even speaking, he could, you know, pull this out

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<v Speaker 1>of you the laughter, like, oh, he's about to get me.

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<v Speaker 1>But also in that episode, when I was saying, uh,

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<v Speaker 1>when he listens and you know, like the perfect improvisation partner,

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<v Speaker 1>you're listening to take it to the next level. So

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<v Speaker 1>we're talking about, you know, getting rage from jan I said,

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<v Speaker 1>make it happen, Captain, he said, I will, Sergeant God amazing.

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<v Speaker 1>Do you think that your relationship with him evolved throughout

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<v Speaker 1>the show? Yeah, but I think everybody's everybody evolved in

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<v Speaker 1>this show. Everybody I went through character development. Um, you know,

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<v Speaker 1>that's one of the things that makes it what it is.

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<v Speaker 1>People got to know these people, right. But yeah, I

0:15:35.680 --> 0:15:39.920
<v Speaker 1>think every every situation evolved to something. I mean, you

0:15:39.960 --> 0:15:44.200
<v Speaker 1>started out and your episodes were mainly about like the

0:15:44.280 --> 0:15:49.640
<v Speaker 1>office versus the warehouse, whether directly in basketball or like

0:15:49.680 --> 0:15:52.080
<v Speaker 1>a weird class thing where you have like the white

0:15:52.120 --> 0:15:54.840
<v Speaker 1>collar and the blue collar talk to me about the

0:15:54.880 --> 0:15:58.400
<v Speaker 1>transition for you character wise or as an actor of

0:15:58.560 --> 0:16:01.000
<v Speaker 1>you finally coming up and being a regular part of

0:16:01.040 --> 0:16:08.760
<v Speaker 1>like the Bullpen characterized, Um, it felt like like it

0:16:08.880 --> 0:16:12.440
<v Speaker 1>did in real life, like oh many and making you

0:16:13.120 --> 0:16:16.920
<v Speaker 1>a regular, you know what I'm saying. So definitely a

0:16:17.080 --> 0:16:20.480
<v Speaker 1>move on up for Craig Infidary, you know. And it

0:16:20.600 --> 0:16:24.320
<v Speaker 1>was like more responsibility. And Rain used to say I

0:16:24.360 --> 0:16:27.360
<v Speaker 1>had the sweetest schedule in Hollywood because I would come

0:16:27.360 --> 0:16:29.160
<v Speaker 1>in for like an episode here and then four weeks

0:16:29.200 --> 0:16:34.880
<v Speaker 1>later come into the Christmas episode. But yeah, characterized it was,

0:16:35.120 --> 0:16:38.600
<v Speaker 1>it was like, yeah, step up, Okay, let's starting to see,

0:16:39.040 --> 0:16:49.480
<v Speaker 1>you know, starting to film. It's a hard time for hiring,

0:16:49.880 --> 0:16:53.120
<v Speaker 1>so you need a hiring partner built for hard times.

0:16:53.680 --> 0:16:58.000
<v Speaker 1>That's indeed, if you're hiring, you need Indeed because indeed

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<v Speaker 1>Office Deep Dive terms and conditions apply. Need to hire

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<v Speaker 1>you need Indeed. Hi. I'm Glory Adam, hosts of Well

0:18:27.040 --> 0:18:30.840
<v Speaker 1>Read Black Girl. Each week, I sit in close conversation

0:18:31.000 --> 0:18:33.960
<v Speaker 1>with one of my favorite authors of color and share

0:18:34.000 --> 0:18:37.920
<v Speaker 1>stories about how they found their voice, hone their craft,

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<v Speaker 1>and navigated the publishing worlds and composed some of the

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<v Speaker 1>most beautiful and meaningful words I've ever read. We journey

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<v Speaker 1>together through the cultural moment where our culture and literature collide,

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<v Speaker 1>and pay homage to the women whose books we grew

0:18:55.280 --> 0:18:59.120
<v Speaker 1>up reading. And of course I check in with members

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<v Speaker 1>of the Well Read Black Girl book Club. It's a

0:19:01.880 --> 0:19:05.600
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<v Speaker 1>Listen to Well Read Black Girl on the I Heart

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<v Speaker 1>Radio app, Apple podcasts, or wherever you get your podcasts.

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<v Speaker 1>The Gangster Chronicles podcast is a weekly conversation that revolves

0:19:27.440 --> 0:19:31.240
<v Speaker 1>around the underworld and criminals and entertainers to victims, crime

0:19:31.440 --> 0:19:34.879
<v Speaker 1>and law enforcement. We cover all facets of the game Gainst.

0:19:34.880 --> 0:19:39.320
<v Speaker 1>The Chronicles podcast doesn't glorify promotilised activities. We just discussed

0:19:39.320 --> 0:19:42.520
<v Speaker 1>the ramifications and repercussions of these activities because at the wall,

0:19:42.760 --> 0:19:45.280
<v Speaker 1>if you played Gainst games, you are ultimately rewarded with

0:19:45.359 --> 0:19:49.240
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0:19:49.320 --> 0:19:52.080
<v Speaker 1>don't take our award for it. Find Against the Chronicles

0:19:52.119 --> 0:19:54.520
<v Speaker 1>podcast and my heart radio app or wherever you get

0:19:54.560 --> 0:20:10.640
<v Speaker 1>your podcast. Look, I know I've said it a million times,

0:20:10.680 --> 0:20:13.520
<v Speaker 1>so it should go without saying that we all loved

0:20:13.560 --> 0:20:18.000
<v Speaker 1>working with Steve, but there was a time when we

0:20:18.040 --> 0:20:20.280
<v Speaker 1>didn't get to do that anymore. That was a bit

0:20:20.280 --> 0:20:23.000
<v Speaker 1>of a shock for us. We were excited and we

0:20:23.119 --> 0:20:27.439
<v Speaker 1>trusted the process, but we were all scared too, and

0:20:27.480 --> 0:20:31.000
<v Speaker 1>we all dealt with it differently. Kate Flannery talked to

0:20:31.080 --> 0:20:35.400
<v Speaker 1>me about her how do I say, her particular process

0:20:35.880 --> 0:20:38.639
<v Speaker 1>of handling the news the day she heard it. What

0:20:38.720 --> 0:20:42.919
<v Speaker 1>do you remember about finding out that Steve was leaving?

0:20:45.880 --> 0:20:48.960
<v Speaker 1>I literally was with Creed. We were on the side

0:20:49.000 --> 0:20:54.520
<v Speaker 1>of the office doing like a satellite press junket um

0:20:54.560 --> 0:20:57.720
<v Speaker 1>and we and then announced it that morning, so every

0:20:58.040 --> 0:21:01.280
<v Speaker 1>venue wanted to talk about it. I was like wow,

0:21:02.480 --> 0:21:06.240
<v Speaker 1>because of course it was emotional. I mean, who are

0:21:06.280 --> 0:21:08.520
<v Speaker 1>we We're not? I mean, if Michael Scott, you know,

0:21:09.800 --> 0:21:14.040
<v Speaker 1>Michael Scott is thunder revealing he is the office. Um yeah,

0:21:14.160 --> 0:21:16.160
<v Speaker 1>I was so freaked out, And literally I told Creed

0:21:16.200 --> 0:21:17.919
<v Speaker 1>him like, Okay, anytime they talk about this, just just

0:21:17.960 --> 0:21:19.720
<v Speaker 1>pretend like we can't hear the feet, Like I think

0:21:19.720 --> 0:21:21.919
<v Speaker 1>the feed's going, I'm sorry, getting some interference. What was

0:21:21.920 --> 0:21:23.919
<v Speaker 1>the question? Wishing him all the best? Like I we

0:21:23.960 --> 0:21:25.679
<v Speaker 1>had this little thing where we would figure out how

0:21:25.720 --> 0:21:30.000
<v Speaker 1>to get out of the conversation. So but I was

0:21:30.080 --> 0:21:32.920
<v Speaker 1>I was definitely freaked out. And I mean, the great thing,

0:21:33.960 --> 0:21:35.400
<v Speaker 1>the great thing about our show is that I feel

0:21:35.400 --> 0:21:38.480
<v Speaker 1>like Greg Daniels is so trustworthy and I feel like

0:21:38.480 --> 0:21:40.800
<v Speaker 1>he's picked so many great writers, and I feel like

0:21:40.840 --> 0:21:43.240
<v Speaker 1>if anything could have survived a couple more years without

0:21:43.320 --> 0:21:46.560
<v Speaker 1>step Growl, it was because of Greg Daniels. But I

0:21:46.600 --> 0:21:49.120
<v Speaker 1>was nervous. I was, and I was nervous about Spader

0:21:49.880 --> 0:21:52.639
<v Speaker 1>um just because he's not a comedy guy. And he's brilliant,

0:21:53.040 --> 0:21:55.399
<v Speaker 1>but he's not a comedy guy. And I kind of

0:21:55.400 --> 0:21:57.399
<v Speaker 1>had this whole thing like, oh no, he's holding the baby.

0:21:57.400 --> 0:21:59.600
<v Speaker 1>He's gonna drop the baby. Don't drop the baby. And

0:21:59.640 --> 0:22:02.200
<v Speaker 1>also I was intimidated because he's he's like a movie

0:22:02.200 --> 0:22:04.480
<v Speaker 1>star and I had seen so many all of his

0:22:04.560 --> 0:22:07.520
<v Speaker 1>movies and you know, and there was so much sexual

0:22:07.600 --> 0:22:12.320
<v Speaker 1>tension between the two of us, so much watch but

0:22:13.000 --> 0:22:15.639
<v Speaker 1>I felt like there was sexual tension between me and Spade.

0:22:15.680 --> 0:22:20.760
<v Speaker 1>They're they're probably even more even more seriously, Spader, he

0:22:20.920 --> 0:22:26.600
<v Speaker 1>liked anyone right, there's sexual things. Um the season eight

0:22:26.720 --> 0:22:31.040
<v Speaker 1>Christmas episode, there was one take where he's sort of

0:22:31.080 --> 0:22:34.359
<v Speaker 1>like Meredith thinks she's actually made me, gonna go to

0:22:34.400 --> 0:22:35.760
<v Speaker 1>dinner with them or something like that, she's got a

0:22:35.840 --> 0:22:37.600
<v Speaker 1>chance with him, and he sort of touches her cheeks

0:22:37.600 --> 0:22:40.480
<v Speaker 1>like no, no, no, and she goes to hug me,

0:22:40.520 --> 0:22:43.000
<v Speaker 1>and I literally, one take I grabbed his ass and

0:22:43.040 --> 0:22:45.240
<v Speaker 1>then I was like, immediately when we stop, I'm so sorry,

0:22:45.280 --> 0:22:47.240
<v Speaker 1>I'm so sorry, I'm so sorry, I'm sorry, I'm sorry.

0:22:47.280 --> 0:22:49.040
<v Speaker 1>I just felt like, oh my god, he goes, No,

0:22:49.240 --> 0:22:52.879
<v Speaker 1>he goes. That was the right thing to do. En

0:22:52.960 --> 0:22:55.200
<v Speaker 1>end up using it, but I was like, don't grab

0:22:55.280 --> 0:23:01.520
<v Speaker 1>James Spader's Ask Kate what theming. I was so nervous.

0:23:01.560 --> 0:23:05.120
<v Speaker 1>I was like, oh no, oh no, oh no, Hey listen,

0:23:05.560 --> 0:23:11.600
<v Speaker 1>Navigating onset relationships can be weird for anyone, and I'm

0:23:11.680 --> 0:23:15.800
<v Speaker 1>sure it doesn't help when you're playing Meredith Palmer. But hey,

0:23:16.119 --> 0:23:21.080
<v Speaker 1>sounds like he was a okay with your decisions, Kate. Now,

0:23:21.280 --> 0:23:24.040
<v Speaker 1>when Jenna sat down with me, we talked a lot

0:23:24.119 --> 0:23:28.800
<v Speaker 1>about her own relationships with the cast, In particular, Pam's

0:23:28.800 --> 0:23:35.440
<v Speaker 1>relationship with Dwight and her personal relationship with Rain. Okay,

0:23:35.440 --> 0:23:38.280
<v Speaker 1>so I talked again about sort of that emotional core.

0:23:38.640 --> 0:23:41.720
<v Speaker 1>Dwight talk to me a little bit about the relationship

0:23:41.760 --> 0:23:44.919
<v Speaker 1>between the two of you and how that changed and evolved.

0:23:45.000 --> 0:23:51.040
<v Speaker 1>I mean, you were with Jim adversaries and made you

0:23:51.119 --> 0:23:54.760
<v Speaker 1>crazy forever, and then ultimately by the end, he says

0:23:54.840 --> 0:24:00.159
<v Speaker 1>that you're his best friend. Dwight does Dwight does know.

0:24:01.080 --> 0:24:05.480
<v Speaker 1>I think it's that first episode the Injury, when Pam

0:24:05.520 --> 0:24:10.199
<v Speaker 1>has that line, Dwight is kind of my friend. But

0:24:10.320 --> 0:24:12.600
<v Speaker 1>I think there's other things. You know, Jim and Pam

0:24:12.680 --> 0:24:16.800
<v Speaker 1>spends so much time teasing Dwight, and I think even

0:24:16.800 --> 0:24:19.960
<v Speaker 1>go too far. A few times. In my rewatching of

0:24:20.000 --> 0:24:21.960
<v Speaker 1>the show, I think there's a few times when we're

0:24:22.359 --> 0:24:24.920
<v Speaker 1>we're like, actually a little cruel to him that makes

0:24:24.960 --> 0:24:27.280
<v Speaker 1>me cringe and I feel like, oh, that wasn't our

0:24:27.920 --> 0:24:31.920
<v Speaker 1>best moment. But I appreciate because we allow our characters too.

0:24:32.359 --> 0:24:37.480
<v Speaker 1>We don't all every day have perfect moments, right. But

0:24:37.920 --> 0:24:40.080
<v Speaker 1>it's so hard for me to think about Pam's relationship

0:24:40.119 --> 0:24:44.360
<v Speaker 1>with Dwight without thinking about my relationship to Rain. Rain

0:24:44.720 --> 0:24:50.520
<v Speaker 1>is a deeply soulful person. He's also like a curmudgeon

0:24:50.680 --> 0:24:54.720
<v Speaker 1>ly old man. He's really cranky sometimes and on set

0:24:54.760 --> 0:24:59.240
<v Speaker 1>he would feel larious. Do you remember the time? Do

0:24:59.280 --> 0:25:02.800
<v Speaker 1>you remember the he declared, Oh my god, it was

0:25:02.840 --> 0:25:04.760
<v Speaker 1>so funny. We were getting ready to shoot and he said,

0:25:04.800 --> 0:25:07.000
<v Speaker 1>hold on, wait, just hold on, everybody, hold on for

0:25:07.000 --> 0:25:11.399
<v Speaker 1>a second. I have an announcement. Everyone on Monday's you

0:25:11.440 --> 0:25:15.440
<v Speaker 1>do not need to ask me how my weekend was anymore?

0:25:15.960 --> 0:25:19.919
<v Speaker 1>All right, every single person asked me how my weekend was.

0:25:20.000 --> 0:25:22.960
<v Speaker 1>Just assume it was fine. We were like, where is

0:25:23.040 --> 0:25:27.439
<v Speaker 1>this gummy from right? And I talked to him about this,

0:25:27.480 --> 0:25:29.440
<v Speaker 1>and he goes, Jenna, that is not true. I said

0:25:29.440 --> 0:25:32.200
<v Speaker 1>that on a Tuesday. I said, only asked me how

0:25:32.240 --> 0:25:35.000
<v Speaker 1>my weekend was on Mondays. No more of this bleeding

0:25:35.000 --> 0:25:39.280
<v Speaker 1>into Tuesday Mondays. And he went crazy because you and

0:25:39.320 --> 0:25:43.280
<v Speaker 1>I know what he was talking about, because it's five

0:25:43.320 --> 0:25:46.040
<v Speaker 1>o'clock in the morning and every single person that you

0:25:46.119 --> 0:25:48.600
<v Speaker 1>passed is like, hello, good morning, how was your weekend?

0:25:49.080 --> 0:25:51.359
<v Speaker 1>And he what he was saying was like, you don't

0:25:51.359 --> 0:25:53.480
<v Speaker 1>have to talk to me. We just saw each other

0:25:53.560 --> 0:25:58.560
<v Speaker 1>on Friday night. We're good, We're good. Yes, it's so true.

0:25:59.080 --> 0:26:01.080
<v Speaker 1>So he would be like that guy on this set.

0:26:01.119 --> 0:26:04.400
<v Speaker 1>It was like so funny, But then at the same time,

0:26:05.520 --> 0:26:09.320
<v Speaker 1>in moments of deep crisis, I have phoned him. I

0:26:09.720 --> 0:26:11.600
<v Speaker 1>had a job offer that was going to take me

0:26:11.600 --> 0:26:14.199
<v Speaker 1>out of town and would uproot my family for a

0:26:14.240 --> 0:26:17.000
<v Speaker 1>period of time that I really wrestled with the decision.

0:26:17.240 --> 0:26:21.000
<v Speaker 1>I called him and he counseled me. He is he

0:26:21.080 --> 0:26:25.399
<v Speaker 1>has that in him, a type of counselor, and I

0:26:25.600 --> 0:26:30.679
<v Speaker 1>value him so deeply in my life. But then like

0:26:31.480 --> 0:26:33.800
<v Speaker 1>like he'll call me up and he'll be like, do

0:26:33.840 --> 0:26:35.880
<v Speaker 1>you want to go to lunch? And I'm like, yeah,

0:26:35.920 --> 0:26:37.760
<v Speaker 1>I mean, because you sound like you want to go

0:26:37.920 --> 0:26:40.600
<v Speaker 1>so bad, like is it a chore or do you

0:26:40.640 --> 0:26:41.800
<v Speaker 1>want to go? Just like no, I want to lunch

0:26:41.840 --> 0:26:43.399
<v Speaker 1>with you, Like all right, let's go to lunch. And

0:26:43.400 --> 0:26:46.160
<v Speaker 1>then you go to lunch, and I was just sort

0:26:46.160 --> 0:26:49.520
<v Speaker 1>of like, are you liking our lunch? Are we having

0:26:49.520 --> 0:26:52.199
<v Speaker 1>a good lunch? How are you tell me about you?

0:26:52.240 --> 0:26:58.200
<v Speaker 1>And all so funny, But then like if I were

0:26:58.240 --> 0:27:00.760
<v Speaker 1>to do you know what I mean? So it's very

0:27:00.880 --> 0:27:04.639
<v Speaker 1>much like the Pam Dwight where Pam will like be like,

0:27:04.720 --> 0:27:07.400
<v Speaker 1>oh I love Dwight. I'm gonna go say something nice

0:27:07.400 --> 0:27:09.840
<v Speaker 1>to him, and then he'll just be like, Pam, something

0:27:09.840 --> 0:27:15.760
<v Speaker 1>about knives, something about snakes or bears, and she's like, yeah, okay, right, okay.

0:27:15.800 --> 0:27:20.240
<v Speaker 1>But so I guess, um, I feel deeply loved by Rain,

0:27:20.520 --> 0:27:22.880
<v Speaker 1>and I think Pam fell deeply loved by Dwight as well.

0:27:22.920 --> 0:27:25.199
<v Speaker 1>Like they had a real bond, They really cared for

0:27:25.240 --> 0:27:29.720
<v Speaker 1>one another eventually eventually. Yeah. Well, and it's similar to

0:27:29.920 --> 0:27:34.080
<v Speaker 1>your relationship with Michael, right, I mean from where that

0:27:34.160 --> 0:27:40.040
<v Speaker 1>relationship started and him fake firing you to him leaving

0:27:40.160 --> 0:27:47.040
<v Speaker 1>and you you having sort of that final moment with him. Um,

0:27:47.119 --> 0:27:50.280
<v Speaker 1>what did he say to you? Well, it wasn't so

0:27:50.359 --> 0:27:54.439
<v Speaker 1>much what he said to me. Um. Paul Fie directed

0:27:54.480 --> 0:27:58.040
<v Speaker 1>that episode Goodbye Michael, and Uh. We were at the

0:27:58.080 --> 0:28:00.800
<v Speaker 1>airport and Paul Fique sa, Jenna, I want you to

0:28:00.840 --> 0:28:05.840
<v Speaker 1>just run up and just say goodbye to Steve, your

0:28:05.880 --> 0:28:10.400
<v Speaker 1>friend Steve. This is your last scene with him, so

0:28:10.440 --> 0:28:13.160
<v Speaker 1>say goodbye. We're not going to use the sound, We're

0:28:13.200 --> 0:28:15.199
<v Speaker 1>just going to have a spy shot on you. So

0:28:15.240 --> 0:28:19.119
<v Speaker 1>I thought, okay, So I ran up to Steve and

0:28:19.160 --> 0:28:20.600
<v Speaker 1>I just told him all the ways I was going

0:28:20.680 --> 0:28:22.840
<v Speaker 1>to miss him and how grateful I was for his

0:28:22.920 --> 0:28:25.960
<v Speaker 1>friendship and the privilege of working with him. And I'm

0:28:26.000 --> 0:28:29.560
<v Speaker 1>sobbing and he's sobbing and we're hugging and and I

0:28:29.560 --> 0:28:31.280
<v Speaker 1>didn't want to let him go and I didn't want

0:28:31.280 --> 0:28:34.840
<v Speaker 1>the scene to end. And then finally paulfy you know,

0:28:34.920 --> 0:28:38.080
<v Speaker 1>says cut and he was like, Jenna, that was that

0:28:38.200 --> 0:28:40.760
<v Speaker 1>was brilliant. Can you do it again? But just a

0:28:40.840 --> 0:28:46.800
<v Speaker 1>little faster because it had been like five minutes. He

0:28:46.920 --> 0:28:48.560
<v Speaker 1>was like, we just need to tighten it up a

0:28:48.560 --> 0:28:56.560
<v Speaker 1>little because they wanted him to actually work away and

0:28:56.640 --> 0:28:59.240
<v Speaker 1>they had one camera. There was only one shot. It

0:28:59.360 --> 0:29:04.280
<v Speaker 1>wasn't honor that they couldn't edit. That is so great.

0:29:04.360 --> 0:29:07.520
<v Speaker 1>I was like, just tighten it up a little. But sweetie,

0:29:07.560 --> 0:29:12.520
<v Speaker 1>great talk becauess he could tell I was like, sobbing. Well,

0:29:13.200 --> 0:29:17.840
<v Speaker 1>if that's not an indication of how much we all

0:29:17.960 --> 0:29:20.920
<v Speaker 1>meant to each other, well then maybe this next clip

0:29:21.080 --> 0:29:24.720
<v Speaker 1>will be. Claire Scanlon wasn't part of the cast, but

0:29:24.920 --> 0:29:27.960
<v Speaker 1>she was an essential part of our crew, starting out

0:29:27.960 --> 0:29:31.560
<v Speaker 1>as an editor and moving on to directing episodes of

0:29:31.600 --> 0:29:35.120
<v Speaker 1>the show, and she certainly felt the love we had

0:29:35.160 --> 0:29:40.000
<v Speaker 1>for each other. So you learned to edit scripted shows

0:29:40.600 --> 0:29:45.160
<v Speaker 1>on the office, but really coming from you know, documentary,

0:29:45.200 --> 0:29:50.239
<v Speaker 1>specifically comedy documentaries. This felt comfortable. Yeah. And also, by

0:29:50.280 --> 0:29:52.920
<v Speaker 1>the way, like that same camaraderie that led to such

0:29:52.920 --> 0:29:56.360
<v Speaker 1>a strong ensemble, it extended through I remember talking to

0:29:56.440 --> 0:29:58.320
<v Speaker 1>John about this one time and we were just sitting

0:29:58.320 --> 0:30:01.240
<v Speaker 1>I think he directed an episode. You know, I was ahead,

0:30:01.240 --> 0:30:02.640
<v Speaker 1>so I would come to set bick John, I think

0:30:02.640 --> 0:30:04.239
<v Speaker 1>you need to get this shot, you know, like you

0:30:04.280 --> 0:30:06.280
<v Speaker 1>need to get this because otherwise how do we It

0:30:06.320 --> 0:30:08.640
<v Speaker 1>was the bulldozer Rain was taking a bulldozer in the

0:30:08.680 --> 0:30:12.080
<v Speaker 1>warehouse and smashing it to the wall, and you needed

0:30:12.080 --> 0:30:13.800
<v Speaker 1>the reverse and and I was like, I think you

0:30:13.840 --> 0:30:16.400
<v Speaker 1>need that reverse and we were in there and he's like,

0:30:16.440 --> 0:30:19.120
<v Speaker 1>oh yeah, no ego, Like it was fine for me

0:30:19.160 --> 0:30:21.440
<v Speaker 1>to tell John and he needed this shot. Like I

0:30:21.440 --> 0:30:23.120
<v Speaker 1>would come to set a lot, Dave would come to

0:30:23.120 --> 0:30:25.080
<v Speaker 1>set a lot and there was like that's not normal,

0:30:25.440 --> 0:30:28.000
<v Speaker 1>like that you always are inviting that. By the way,

0:30:28.080 --> 0:30:30.400
<v Speaker 1>I always asked the editor to come to set. Why

0:30:30.400 --> 0:30:32.280
<v Speaker 1>wouldn't I want an extra pair of eyes that might

0:30:32.280 --> 0:30:34.120
<v Speaker 1>be catching something because I'm in the thick of it

0:30:34.160 --> 0:30:36.760
<v Speaker 1>with five other questions, like why wouldn't I want someone

0:30:37.160 --> 0:30:39.440
<v Speaker 1>having my back? It's just a lovely thing to have.

0:30:39.560 --> 0:30:43.000
<v Speaker 1>It's not about ego or power being a no tour,

0:30:43.160 --> 0:30:46.200
<v Speaker 1>there's no such thing. First of all. But with John,

0:30:46.280 --> 0:30:48.880
<v Speaker 1>we were cutting his episode and I remember just being

0:30:48.920 --> 0:30:51.200
<v Speaker 1>like this is such a cool place to work, like

0:30:51.560 --> 0:30:55.640
<v Speaker 1>being just truly grateful. And I was like, I am

0:30:55.720 --> 0:30:57.720
<v Speaker 1>happy to come in here every day. And I was

0:30:57.760 --> 0:31:00.800
<v Speaker 1>like He's like yeah, He's like, there's not one person

0:31:00.880 --> 0:31:02.400
<v Speaker 1>like that you want to like put your head down

0:31:02.440 --> 0:31:03.920
<v Speaker 1>when you see them walking down the hall. He's like,

0:31:03.960 --> 0:31:07.960
<v Speaker 1>there's not one person that I'm like avoid, like where

0:31:07.960 --> 0:31:10.360
<v Speaker 1>you're like in high school or your first job or something,

0:31:10.440 --> 0:31:13.240
<v Speaker 1>or like that person sucks. He's like, there's not one.

0:31:13.680 --> 0:31:15.760
<v Speaker 1>There were over a hundred people there and he couldn't

0:31:15.760 --> 0:31:17.680
<v Speaker 1>come and we, by the way, we were totally gossiping,

0:31:17.760 --> 0:31:20.000
<v Speaker 1>like he could have told me that there was no

0:31:20.080 --> 0:31:22.280
<v Speaker 1>reason that there's no I mean, I wouldn't tell this

0:31:22.360 --> 0:31:26.200
<v Speaker 1>story if he actually named somebody, like but like we

0:31:26.200 --> 0:31:28.080
<v Speaker 1>were like, come on, there's got to be somebody. Like

0:31:28.160 --> 0:31:30.720
<v Speaker 1>everyone had their charm, you know, like everyone had the quirks,

0:31:30.720 --> 0:31:34.480
<v Speaker 1>their piccadillos. Greg could drive me crazy and I would

0:31:34.520 --> 0:31:37.600
<v Speaker 1>talk to him about it, but like that's crazy right there,

0:31:37.640 --> 0:31:40.520
<v Speaker 1>like the show runner could drive me crazy, and then

0:31:40.520 --> 0:31:42.920
<v Speaker 1>I could say, Greg, you're driving me crazy. Like I

0:31:42.960 --> 0:31:48.360
<v Speaker 1>remember on the finale, there was this whole tangent and

0:31:48.520 --> 0:31:52.320
<v Speaker 1>I'm sure you'll remember this about planting a tree. Andy

0:31:52.520 --> 0:31:57.400
<v Speaker 1>sees the tree in the office and says that tree planty. Yes, exactly,

0:31:57.560 --> 0:32:00.600
<v Speaker 1>Planty has been in here all its life. We've got

0:32:00.600 --> 0:32:03.160
<v Speaker 1>to set Planty free. And you guys go out to

0:32:03.200 --> 0:32:05.240
<v Speaker 1>the parking lot, you plant planty, and then you go

0:32:05.320 --> 0:32:07.320
<v Speaker 1>all the way back up to the office and then

0:32:07.480 --> 0:32:09.360
<v Speaker 1>the ending and you hug, and then you go to

0:32:09.480 --> 0:32:11.160
<v Speaker 1>the parking lot and you go to your respective cars,

0:32:11.160 --> 0:32:15.680
<v Speaker 1>and that's truly the end of leaving dunder Mifflin and um.

0:32:15.720 --> 0:32:17.880
<v Speaker 1>I was writing notes down and we were over time

0:32:18.280 --> 0:32:21.680
<v Speaker 1>for the finale, and we were all Greg was incredibly emotional,

0:32:22.000 --> 0:32:24.280
<v Speaker 1>but doing that guy thing where you don't let on

0:32:24.320 --> 0:32:27.320
<v Speaker 1>that you're emotional, so you're just kind of weird, you know,

0:32:27.400 --> 0:32:30.600
<v Speaker 1>like where you're just like heretic and sometimes irrational, but

0:32:30.680 --> 0:32:32.480
<v Speaker 1>like what you really want to say is I'm really sad,

0:32:32.520 --> 0:32:34.480
<v Speaker 1>but you're not going to say those words because you're

0:32:34.480 --> 0:32:37.280
<v Speaker 1>a guy. So I was just taking out notes. We

0:32:37.280 --> 0:32:41.440
<v Speaker 1>were too long and I had already pitched to cut Planty,

0:32:41.600 --> 0:32:44.120
<v Speaker 1>and I truly believed he said, okay, while we tried

0:32:44.160 --> 0:32:47.000
<v Speaker 1>cutting Planty, and I wrote it down and I did it,

0:32:47.680 --> 0:32:51.560
<v Speaker 1>and it was better because not because that whole storyline

0:32:51.640 --> 0:32:54.640
<v Speaker 1>wasn't interesting, but it was just almost just the physicality

0:32:54.680 --> 0:32:57.360
<v Speaker 1>of being in the office, having Creed play the song

0:32:57.840 --> 0:33:00.880
<v Speaker 1>and then taking Planting down to Parking Latin, and it

0:33:00.920 --> 0:33:03.160
<v Speaker 1>was like a hiccup to something wonderful. You didn't need

0:33:03.200 --> 0:33:06.120
<v Speaker 1>that hiccup. It just it was just an unnecessary extra beat.

0:33:06.520 --> 0:33:08.880
<v Speaker 1>As sweet and poignant as it was, there were already

0:33:08.880 --> 0:33:11.400
<v Speaker 1>like ten sweet and poignant moments that were happening with

0:33:11.520 --> 0:33:15.840
<v Speaker 1>Creed song, and too much poignancy diluted what was there.

0:33:16.720 --> 0:33:20.760
<v Speaker 1>So I cut Planting and Howard happened to be walking by,

0:33:20.920 --> 0:33:24.520
<v Speaker 1>and I showed it to Howard, and Greg's assistant Alyssa,

0:33:24.840 --> 0:33:26.600
<v Speaker 1>was also walking by, and I showed it to her,

0:33:27.040 --> 0:33:29.520
<v Speaker 1>and they both separately went to Greg and said, oh

0:33:29.560 --> 0:33:32.560
<v Speaker 1>my god, it's so much better without Planting, And he

0:33:32.680 --> 0:33:37.920
<v Speaker 1>came storming into my bay and he said, you put

0:33:37.960 --> 0:33:41.400
<v Speaker 1>that back in? How dare you? I never you're sabotaging me.

0:33:41.600 --> 0:33:43.960
<v Speaker 1>You're trying to get and I was like what he

0:33:44.000 --> 0:33:45.640
<v Speaker 1>was at a hundred? I was like, bring it down.

0:33:45.800 --> 0:33:48.520
<v Speaker 1>I said, first of all, I would never intentionally do

0:33:48.640 --> 0:33:51.440
<v Speaker 1>something to sabotage you. That I was like, if you

0:33:51.480 --> 0:33:53.080
<v Speaker 1>don't know that about me by now, I am just

0:33:53.280 --> 0:33:55.520
<v Speaker 1>I am not that personal. I'm just I don't even

0:33:55.560 --> 0:33:58.000
<v Speaker 1>think I could sabotage someone if I try. Like if

0:33:58.040 --> 0:34:02.120
<v Speaker 1>that was my goal, I said, you created this show.

0:34:02.640 --> 0:34:06.720
<v Speaker 1>I am here to service what you created and help

0:34:06.800 --> 0:34:09.880
<v Speaker 1>you realize what you want. And he calmed down, like

0:34:09.960 --> 0:34:13.720
<v Speaker 1>he was like, so first, let's get this paranoia out

0:34:14.120 --> 0:34:15.880
<v Speaker 1>as that they happened to be walking by, which was

0:34:15.920 --> 0:34:17.839
<v Speaker 1>true on both counts. They have maybe and that would

0:34:17.840 --> 0:34:19.880
<v Speaker 1>happen all the time. By the way, we would just

0:34:19.880 --> 0:34:21.600
<v Speaker 1>be wide by whether doors open, because it would get

0:34:21.600 --> 0:34:24.480
<v Speaker 1>in sufferably hot and interesting things that I would walk

0:34:24.480 --> 0:34:26.239
<v Speaker 1>by a people's bays and poke my head. And it

0:34:26.280 --> 0:34:29.280
<v Speaker 1>was just a very inclusive environment. When people are waiting

0:34:29.640 --> 0:34:31.160
<v Speaker 1>for their next scene and they were born of being

0:34:31.160 --> 0:34:33.120
<v Speaker 1>in their trailer, they'd come and show me something and

0:34:33.120 --> 0:34:35.960
<v Speaker 1>it wasn't show me myself. It was like, hey, what

0:34:36.080 --> 0:34:37.920
<v Speaker 1>you got that's funny? Show me a funny scene, Like

0:34:37.960 --> 0:34:39.399
<v Speaker 1>I just want to see what's going on in the show,

0:34:39.560 --> 0:34:43.080
<v Speaker 1>like actors would come in all the time. So he said, okay,

0:34:43.200 --> 0:34:45.759
<v Speaker 1>well show me, and then I showed it to him

0:34:45.880 --> 0:34:48.200
<v Speaker 1>and he's like, okay, leave it out. But like it

0:34:48.280 --> 0:34:50.880
<v Speaker 1>was like I had to talk him off allege. I

0:34:50.920 --> 0:34:53.479
<v Speaker 1>think that's what makes him so interesting is he does

0:34:53.680 --> 0:34:56.239
<v Speaker 1>clearly have and I think it was for the better

0:34:56.400 --> 0:34:58.919
<v Speaker 1>ultimately for the show. This I don't want to say

0:34:58.920 --> 0:35:02.839
<v Speaker 1>inferiority complex, but this like someone's always going to try

0:35:02.840 --> 0:35:04.560
<v Speaker 1>to get one over on me kind of thing going on,

0:35:04.719 --> 0:35:06.840
<v Speaker 1>Like and you're just you almost have to, like like

0:35:06.920 --> 0:35:10.160
<v Speaker 1>with every coworker and or boss, I think you kind

0:35:10.160 --> 0:35:13.000
<v Speaker 1>of have to just to really get to know their psychology.

0:35:13.120 --> 0:35:16.160
<v Speaker 1>And you're working with this, you know, pound Gorilla Greg Daniels,

0:35:16.160 --> 0:35:20.200
<v Speaker 1>who's so so so smart and so funny that like

0:35:20.520 --> 0:35:23.319
<v Speaker 1>to stand up to him require some hot spun your

0:35:23.320 --> 0:35:26.719
<v Speaker 1>own and it's kind of empowering. And I always did it.

0:35:27.000 --> 0:35:29.920
<v Speaker 1>I didn't always, you know, I had confidence in what

0:35:30.040 --> 0:35:32.200
<v Speaker 1>he had created, so I wanted to make sure it

0:35:32.280 --> 0:35:34.920
<v Speaker 1>was the best version of what was written and acted.

0:35:35.040 --> 0:35:37.600
<v Speaker 1>And I'd make good arguments and then he'd make great

0:35:37.680 --> 0:35:41.200
<v Speaker 1>counter argument. We have a really good discourse to get

0:35:41.239 --> 0:35:43.760
<v Speaker 1>to lock and I think that was also very unique

0:35:43.760 --> 0:35:46.480
<v Speaker 1>and special. You know, I always have Greg in my

0:35:46.560 --> 0:35:50.359
<v Speaker 1>head when I'm directing, because I heard his opinion on

0:35:50.680 --> 0:35:53.279
<v Speaker 1>everybody else's, you know, as an editor, I heard what

0:35:53.320 --> 0:35:55.400
<v Speaker 1>he thought of every director, and he thought the world

0:35:55.440 --> 0:35:57.839
<v Speaker 1>of many and then like sometimes he'd be like, how

0:35:57.840 --> 0:36:00.320
<v Speaker 1>could they not have gotten that? Like and I always

0:36:00.320 --> 0:36:02.120
<v Speaker 1>in my mind, like, let's just do one more, like

0:36:02.320 --> 0:36:04.440
<v Speaker 1>thinking like what didn't I get? What would Greg be like,

0:36:04.440 --> 0:36:07.080
<v Speaker 1>how can they gotten that? You know, I always want

0:36:07.080 --> 0:36:09.359
<v Speaker 1>to have that showrunner in the back of my head

0:36:09.440 --> 0:36:12.560
<v Speaker 1>saying and that show runner's voice, because Greg was my

0:36:12.640 --> 0:36:26.360
<v Speaker 1>first is always Greg from Cavalry Audio, the studio that

0:36:26.400 --> 0:36:29.760
<v Speaker 1>brought you The Devil Within and The Shadow Girls, comes

0:36:29.800 --> 0:36:34.520
<v Speaker 1>a new true crime podcast, The Pink Moon Murders. The

0:36:34.560 --> 0:36:37.839
<v Speaker 1>local sheriff believes there maybe more than one killery. It's

0:36:37.880 --> 0:36:40.719
<v Speaker 1>been four days since those bodies were found and there's

0:36:40.760 --> 0:36:43.040
<v Speaker 1>no arrest as it this morning. They were afraid face

0:36:43.120 --> 0:36:45.239
<v Speaker 1>it out in that area, what if they come back

0:36:45.440 --> 0:36:47.640
<v Speaker 1>or whatever. It scared me to death, Like it scared me.

0:36:47.960 --> 0:36:51.200
<v Speaker 1>I was very very intimidated to live here. Crazy to

0:36:51.239 --> 0:36:53.640
<v Speaker 1>think you go to sleep one night, maybe snuggling with

0:36:53.680 --> 0:36:56.000
<v Speaker 1>your loved one and never wake up, or maybe you

0:36:56.040 --> 0:36:58.359
<v Speaker 1>wake up in a struggle for your life, which you lose.

0:36:58.680 --> 0:37:02.040
<v Speaker 1>Joint host David Radham as he explores one fateful night

0:37:02.200 --> 0:37:06.120
<v Speaker 1>when evil descended upon small town, Ohio killed eight members

0:37:06.239 --> 0:37:09.160
<v Speaker 1>of an Ohio family in a pre planned execution. The

0:37:09.200 --> 0:37:12.440
<v Speaker 1>family was targeted, most of them targeted while they were sleeping.

0:37:12.880 --> 0:37:15.880
<v Speaker 1>The Pink Moon Murders is available on February twenty second,

0:37:16.000 --> 0:37:17.920
<v Speaker 1>and you can follow The Pink Moon Murders on the

0:37:17.920 --> 0:37:21.120
<v Speaker 1>I Heart Radio app, Apple Podcasts, or wherever you get

0:37:21.120 --> 0:37:24.799
<v Speaker 1>your podcasts. If I could be you and you could

0:37:24.800 --> 0:37:27.319
<v Speaker 1>be me for just one hour, if you could find

0:37:27.320 --> 0:37:30.960
<v Speaker 1>a way to get inside each other's mind, walk a

0:37:31.080 --> 0:37:35.880
<v Speaker 1>mile in my shoes, wacome mile in my shoes. Shoes.

0:37:36.239 --> 0:37:39.480
<v Speaker 1>We've all felt left out, and for some that feeling

0:37:39.560 --> 0:37:43.040
<v Speaker 1>lasts more than a moment. We can change that. Learn

0:37:43.080 --> 0:37:45.839
<v Speaker 1>how it Belonging begins with us dot Org, brought to

0:37:45.880 --> 0:37:53.319
<v Speaker 1>you by the AD Council. Welcome out in the Shoes. Hey,

0:37:53.560 --> 0:37:56.440
<v Speaker 1>it's Jake Halpern here. If you've ever wondered what it's

0:37:56.480 --> 0:37:59.200
<v Speaker 1>like to make a true crime podcast like Deep Cover,

0:37:59.520 --> 0:38:02.400
<v Speaker 1>well now's your chance to find out. Join me and

0:38:02.480 --> 0:38:06.400
<v Speaker 1>my friend Dana Goodyear, who's the host of Pushkin's Lost

0:38:06.480 --> 0:38:11.160
<v Speaker 1>Hills podcast, on March six for a digital conversation on

0:38:11.320 --> 0:38:14.440
<v Speaker 1>true crime storytelling. We'll talk about how we make our

0:38:14.440 --> 0:38:17.840
<v Speaker 1>stories dramatic and accurate, and how we navigate all the

0:38:17.920 --> 0:38:21.239
<v Speaker 1>ethical dilemmas that we face in the process. Get your

0:38:21.239 --> 0:38:25.520
<v Speaker 1>tickets now at moment house dot com backslash d c

0:38:26.120 --> 0:38:30.360
<v Speaker 1>l H. That's moment house dot com slash d c

0:38:31.120 --> 0:38:44.680
<v Speaker 1>l H. You know, I don't think that there's a

0:38:44.719 --> 0:38:48.520
<v Speaker 1>single person who worked on the office that hasn't been

0:38:48.640 --> 0:38:53.319
<v Speaker 1>forever changed by it. When we started, we were all

0:38:53.360 --> 0:38:56.640
<v Speaker 1>just trying to find our footing right and then we

0:38:56.760 --> 0:39:00.719
<v Speaker 1>created this beautiful thing together that we were all so

0:39:00.840 --> 0:39:04.680
<v Speaker 1>proud of. Here's Phillis on what it was like when

0:39:04.760 --> 0:39:09.239
<v Speaker 1>the day we were dreading finally came. You know, when

0:39:09.280 --> 0:39:12.880
<v Speaker 1>you you talked about when the show ended in after

0:39:12.960 --> 0:39:18.120
<v Speaker 1>the ninth season, that was a tough tough night, especially

0:39:18.160 --> 0:39:22.760
<v Speaker 1>when Creed started singing. But for me, it was really

0:39:22.800 --> 0:39:27.600
<v Speaker 1>tough like months later after the show had ended and

0:39:27.640 --> 0:39:30.800
<v Speaker 1>we generally would go back to work around July or August.

0:39:31.760 --> 0:39:36.160
<v Speaker 1>That's when it set in that oh, this is life's

0:39:36.160 --> 0:39:42.759
<v Speaker 1>different now, you know, we're not going back. Yeah. When

0:39:42.800 --> 0:39:45.360
<v Speaker 1>I sat down with Greg before that last season or

0:39:45.400 --> 0:39:49.000
<v Speaker 1>moving into the finale and we started talking about, you know,

0:39:49.120 --> 0:39:53.120
<v Speaker 1>my life's journey at that point through the office and Kevin,

0:39:53.600 --> 0:39:57.480
<v Speaker 1>and my experience was um people feeling like they knew

0:39:57.520 --> 0:40:01.120
<v Speaker 1>me and specifically feeling like I was the guy that

0:40:01.160 --> 0:40:04.200
<v Speaker 1>they wanted to get a drink with, and I would.

0:40:04.239 --> 0:40:07.239
<v Speaker 1>I said something to him like Greg, I can't go

0:40:07.320 --> 0:40:12.879
<v Speaker 1>into a bar without getting bought multiple drinks. Like they

0:40:13.000 --> 0:40:16.319
<v Speaker 1>just come to the point I say no, I'm good, No,

0:40:16.560 --> 0:40:20.319
<v Speaker 1>thank you, no, I'm good. Now, I gotta I gotta

0:40:20.400 --> 0:40:24.640
<v Speaker 1>stop now. Guys, at least people that call you Kevin,

0:40:24.840 --> 0:40:28.440
<v Speaker 1>you know that they know you from this show. You

0:40:29.280 --> 0:40:32.960
<v Speaker 1>me when people say Phyllis, I have to think for

0:40:32.960 --> 0:40:36.480
<v Speaker 1>a moment, Okay, do I have our paths crossed for

0:40:37.120 --> 0:40:40.799
<v Speaker 1>a moment, do I know you? Or But in reality

0:40:40.840 --> 0:40:43.040
<v Speaker 1>I do know them or they know me because I've

0:40:43.080 --> 0:40:45.480
<v Speaker 1>been in their bedroom, in their living room, in their kitchen,

0:40:45.600 --> 0:40:47.880
<v Speaker 1>and before they go to work and as they go

0:40:47.960 --> 0:40:52.359
<v Speaker 1>to sleep, and so we are a part of our

0:40:52.520 --> 0:40:56.960
<v Speaker 1>fans lives, you know, absolutely, But at least you can

0:40:57.040 --> 0:41:00.800
<v Speaker 1>decipher yours a little better with Kevin and and Brian,

0:41:01.120 --> 0:41:05.080
<v Speaker 1>That's true. I've never thought about that before Phyllis or

0:41:05.160 --> 0:41:10.080
<v Speaker 1>Creed or Oscar or Angela. Yeah, and especially if they say,

0:41:10.320 --> 0:41:13.160
<v Speaker 1>oh I saw you, and I'm thinking, okay, now did

0:41:13.200 --> 0:41:15.960
<v Speaker 1>I you know, did I go to school with them

0:41:16.120 --> 0:41:22.239
<v Speaker 1>or what? Right? That's actually the most difficult. Well, I

0:41:22.280 --> 0:41:28.799
<v Speaker 1>have two difficult fan interactions. One is I'll be at

0:41:28.840 --> 0:41:31.719
<v Speaker 1>a at a serious place of business, like like in

0:41:31.760 --> 0:41:33.759
<v Speaker 1>a thing, and I'm meeting someone. Or I have a

0:41:33.800 --> 0:41:36.439
<v Speaker 1>good friend who's introducing me to a good friend who

0:41:36.480 --> 0:41:42.040
<v Speaker 1>says like, oh, we've met before, right, And I immediately go, no,

0:41:42.239 --> 0:41:45.839
<v Speaker 1>I know we haven't, and I know why you think

0:41:45.960 --> 0:41:49.120
<v Speaker 1>that we've met before. But then to say that, you

0:41:49.239 --> 0:41:53.400
<v Speaker 1>become like, I don't know, You're like, you know what,

0:41:53.560 --> 0:41:56.000
<v Speaker 1>I was on a television show, you know, like so

0:41:56.800 --> 0:41:59.880
<v Speaker 1>this is an actual thing, you guys. I don't know

0:42:00.000 --> 0:42:03.400
<v Speaker 1>if it's fiction blurring with reality or what. But a

0:42:03.520 --> 0:42:07.880
<v Speaker 1>lot of people confuse us for their real life friends.

0:42:08.520 --> 0:42:11.000
<v Speaker 1>And I'm not saying we should we shouldn't be friends,

0:42:11.080 --> 0:42:13.400
<v Speaker 1>or we wouldn't be friends. I'm just saying that I

0:42:13.520 --> 0:42:18.560
<v Speaker 1>have never met you before. When I talked to John,

0:42:19.160 --> 0:42:22.279
<v Speaker 1>he had some really great insight as to why this

0:42:22.320 --> 0:42:31.240
<v Speaker 1>phenomenon continues to take place. You obviously wildly successful. When

0:42:31.280 --> 0:42:35.240
<v Speaker 1>people approach you, now, what percentage of it is about

0:42:35.320 --> 0:42:39.160
<v Speaker 1>the office? Oh? Large majority. Again, I think it's the

0:42:39.200 --> 0:42:43.120
<v Speaker 1>difference between fans who feel like they're a part of

0:42:43.160 --> 0:42:47.359
<v Speaker 1>something and fans who have watched something. I think there's

0:42:47.480 --> 0:42:49.840
<v Speaker 1>very few things that I watched when I was a

0:42:49.920 --> 0:42:54.000
<v Speaker 1>kid that I felt so connected to. It was more like, oh,

0:42:54.080 --> 0:42:57.560
<v Speaker 1>I like the movie ET, But there were very few

0:42:57.600 --> 0:42:59.800
<v Speaker 1>things that I felt like if I ever saw that person,

0:43:00.080 --> 0:43:02.759
<v Speaker 1>we shared a life moment together. Had I ever met

0:43:02.840 --> 0:43:05.200
<v Speaker 1>Chris Farley, I would have said that because I watched

0:43:05.400 --> 0:43:08.880
<v Speaker 1>Tommy Boy so many times that he didn't know he

0:43:08.920 --> 0:43:10.880
<v Speaker 1>was my best friend, but he was my best friend.

0:43:11.480 --> 0:43:13.520
<v Speaker 1>So I think that thing is like I shared so

0:43:13.600 --> 0:43:17.560
<v Speaker 1>much in my life with that show. That's why I

0:43:17.600 --> 0:43:20.919
<v Speaker 1>think that people, you know, people have seen other things,

0:43:20.920 --> 0:43:23.279
<v Speaker 1>which is great. Certainly recently, like I think Quiet Place

0:43:23.280 --> 0:43:25.000
<v Speaker 1>in Jack Ryan people are coming up a lot more.

0:43:25.440 --> 0:43:29.520
<v Speaker 1>But I I think our fans see me and instead

0:43:29.560 --> 0:43:31.800
<v Speaker 1>of going up to an actor to get a picture

0:43:31.840 --> 0:43:34.360
<v Speaker 1>or something, they're actually seeing a friend of theirs is

0:43:34.400 --> 0:43:37.719
<v Speaker 1>my point, My long meandering point is no one looks

0:43:37.760 --> 0:43:39.760
<v Speaker 1>at Jack Ryan. I was like, oh my god, my buddy,

0:43:39.840 --> 0:43:41.719
<v Speaker 1>Jack Ryan, Oh my god, you're an actor. I didn't

0:43:41.760 --> 0:43:45.160
<v Speaker 1>realize they do think that with Jim and I've had.

0:43:45.480 --> 0:43:48.239
<v Speaker 1>My favorite experiences with fans is when they think we've

0:43:48.280 --> 0:43:51.200
<v Speaker 1>gone to school together or something. That's my favorite. Like

0:43:51.280 --> 0:43:53.719
<v Speaker 1>I I had one where a woman said we know

0:43:53.800 --> 0:43:55.400
<v Speaker 1>each other and I said, Dowey and she goes, we

0:43:55.440 --> 0:43:57.640
<v Speaker 1>went to school together and I was like, I don't.

0:43:57.719 --> 0:43:59.839
<v Speaker 1>I don't think we did, and she went, yes we did.

0:44:00.480 --> 0:44:01.879
<v Speaker 1>And it was like that thing of like why am

0:44:01.880 --> 0:44:04.160
<v Speaker 1>I being awkward about it? Where did you go to school?

0:44:04.200 --> 0:44:06.000
<v Speaker 1>And she said some school and I went, I did

0:44:06.000 --> 0:44:09.839
<v Speaker 1>not go to that school, and yes you did, and

0:44:09.880 --> 0:44:11.680
<v Speaker 1>like I was like okay, And then I left and

0:44:11.719 --> 0:44:14.799
<v Speaker 1>I could see that either someone else someone else has

0:44:14.840 --> 0:44:16.960
<v Speaker 1>been like you don't know that person. You just thought

0:44:17.000 --> 0:44:20.239
<v Speaker 1>that it was at the airport bookshop, and then through

0:44:20.280 --> 0:44:23.239
<v Speaker 1>the window you saw them being like silence, being like,

0:44:23.280 --> 0:44:26.839
<v Speaker 1>oh no, god. It was great. But I think that

0:44:26.840 --> 0:44:28.759
<v Speaker 1>that's such a credit to the show that you don't

0:44:28.800 --> 0:44:31.560
<v Speaker 1>just like the show, you actually think you know those people. Yes,

0:44:32.040 --> 0:44:37.600
<v Speaker 1>because I I By the way, I'm not necessarily comparing

0:44:37.640 --> 0:44:40.600
<v Speaker 1>you to Ted Danson in exactly the same way. No,

0:44:40.640 --> 0:44:43.279
<v Speaker 1>but I just mean like ted Danson was doing a

0:44:43.360 --> 0:44:47.239
<v Speaker 1>lot of stuff and immediately after Cheers, but there was

0:44:47.320 --> 0:44:51.799
<v Speaker 1>something about Cheers Sam alone that everything else not even

0:44:51.880 --> 0:44:54.840
<v Speaker 1>that other things wouldn't have been as good or better.

0:44:55.440 --> 0:44:58.520
<v Speaker 1>But Cheers was what I shared because there was a

0:44:58.600 --> 0:45:01.239
<v Speaker 1>purity to that experience. You had watched your same with me.

0:45:01.280 --> 0:45:03.160
<v Speaker 1>I mean I was. I grew up in Boston, like

0:45:03.280 --> 0:45:09.160
<v Speaker 1>Cheers was a form of like television, religion or something. Yeah,

0:45:09.480 --> 0:45:13.040
<v Speaker 1>I will take a comparison to Ted Dance in anytime.

0:45:13.920 --> 0:45:16.600
<v Speaker 1>Then I won't do that ago, God damn it. Here,

0:45:16.600 --> 0:45:18.120
<v Speaker 1>put on these earphones. I want you to hear something.

0:45:18.160 --> 0:45:24.160
<v Speaker 1>I'm playing something for everybody. Boy. Um, we should have

0:45:24.200 --> 0:45:26.239
<v Speaker 1>had these on the whole time. I would have I

0:45:26.239 --> 0:45:31.440
<v Speaker 1>would have changed my voice. Um, don't ever, ever, when

0:45:31.480 --> 0:45:34.280
<v Speaker 1>I have an earphones on and I have your tone

0:45:34.360 --> 0:45:36.840
<v Speaker 1>right in my ear, don't talk low like that. My

0:45:36.920 --> 0:45:39.719
<v Speaker 1>voice slips and nope, I just have slips around. I

0:45:39.800 --> 0:45:41.600
<v Speaker 1>don't like that in my hand. I don't like your

0:45:41.680 --> 0:45:45.560
<v Speaker 1>voice slipping around in my ear. Um. We play clip

0:45:45.680 --> 0:45:49.760
<v Speaker 1>six for me Clip six, I thought it was weird

0:45:50.040 --> 0:45:55.279
<v Speaker 1>when you picked us to make a documentary, But all

0:45:55.320 --> 0:45:59.840
<v Speaker 1>in all, I think an ordinary paper company like Dunder

0:46:00.000 --> 0:46:04.600
<v Speaker 1>of Flynn was a great subject for a documentary. There's

0:46:04.640 --> 0:46:09.080
<v Speaker 1>a lot of beauty and ordinary things. Isn't that kind

0:46:09.120 --> 0:46:19.279
<v Speaker 1>of the point? So Greg wrote that clearly for him,

0:46:19.360 --> 0:46:22.080
<v Speaker 1>that was the point. What did you think the point

0:46:22.239 --> 0:46:26.600
<v Speaker 1>was the point of what shooting the show? Sorry, my

0:46:26.680 --> 0:46:30.680
<v Speaker 1>brain just exploded again. Um. I think that that is

0:46:30.719 --> 0:46:34.960
<v Speaker 1>so beautiful that writing, And I would only suspect that

0:46:35.000 --> 0:46:37.919
<v Speaker 1>it came from someone who created the show, because someone

0:46:37.960 --> 0:46:40.200
<v Speaker 1>who creates the show and doesn't just act on the

0:46:40.200 --> 0:46:43.200
<v Speaker 1>show would have to have in their head at beginning,

0:46:43.200 --> 0:46:46.520
<v Speaker 1>middle and end, and you're shooting for something, And I

0:46:46.680 --> 0:46:49.200
<v Speaker 1>love that that's what he was shooting for. What are

0:46:49.239 --> 0:46:52.920
<v Speaker 1>you most thankful for? Oh my god, everything? I mean,

0:46:52.960 --> 0:46:56.160
<v Speaker 1>are you asking me as a person? Well, I mean,

0:46:57.920 --> 0:47:02.960
<v Speaker 1>without sounding hyperball, it is my everything. I mean that

0:47:03.040 --> 0:47:08.080
<v Speaker 1>show changed my entire life twenty three when it started,

0:47:08.120 --> 0:47:10.600
<v Speaker 1>so I hadn't even really formed an identity of who

0:47:10.640 --> 0:47:14.680
<v Speaker 1>I was, and so that show not only from a

0:47:14.719 --> 0:47:19.120
<v Speaker 1>career perspective where I've had more opportunity than I ever

0:47:19.160 --> 0:47:21.319
<v Speaker 1>would have dreamt of having for one day, I have

0:47:21.400 --> 0:47:23.680
<v Speaker 1>for an entire lifetime. Is all due to that show.

0:47:23.719 --> 0:47:26.399
<v Speaker 1>I never would be doing any other thing that you've

0:47:26.440 --> 0:47:29.560
<v Speaker 1>seen me do, writing, directing, acting, and something else if

0:47:29.560 --> 0:47:32.759
<v Speaker 1>it wasn't for that show. But as a person, I

0:47:32.800 --> 0:47:37.160
<v Speaker 1>think it sort of gave me this very quintessential building

0:47:37.200 --> 0:47:39.920
<v Speaker 1>block that I got to stand on to build the

0:47:39.960 --> 0:47:43.920
<v Speaker 1>rest of my life. Yeah, you're you're about to say,

0:47:44.040 --> 0:47:46.600
<v Speaker 1>that's all crack of ship? No what what? What? What

0:47:46.640 --> 0:47:50.239
<v Speaker 1>would you say? Well, I think it's very similar. I

0:47:50.239 --> 0:47:53.080
<v Speaker 1>think I was processing what you were saying that because

0:47:53.120 --> 0:47:55.239
<v Speaker 1>of the people who were working on it, not just

0:47:55.280 --> 0:47:59.560
<v Speaker 1>the actors, but the writers who are like all showrunners

0:47:59.600 --> 0:48:03.799
<v Speaker 1>now from the early season you know, yeah, extremely successful,

0:48:03.880 --> 0:48:07.359
<v Speaker 1>fun good shows. It's but also our crew. Like you said,

0:48:07.400 --> 0:48:11.040
<v Speaker 1>like you know again in a very probably lame cliche

0:48:11.120 --> 0:48:15.200
<v Speaker 1>hallmark way, like I don't know that as a person

0:48:15.480 --> 0:48:19.520
<v Speaker 1>I would be able to have the luxury forget you know,

0:48:19.719 --> 0:48:22.560
<v Speaker 1>success or finance or anything. It's the luxury of being

0:48:22.600 --> 0:48:24.960
<v Speaker 1>who I wanted to be. I didn't know who I

0:48:24.960 --> 0:48:28.200
<v Speaker 1>wanted to be. And because of such a warm environment

0:48:28.280 --> 0:48:33.600
<v Speaker 1>where if everyone had a color, people were splashing their

0:48:33.640 --> 0:48:37.080
<v Speaker 1>experience and their colors all over me. I got exposed

0:48:37.080 --> 0:48:39.960
<v Speaker 1>to everything I wanted to be and then got to

0:48:40.040 --> 0:48:42.479
<v Speaker 1>choose to move forward with my life in a way

0:48:42.480 --> 0:48:46.240
<v Speaker 1>that I not only didn't know existed, but that I

0:48:46.280 --> 0:48:51.280
<v Speaker 1>could sustain. Like that you could, you could do fantastic

0:48:51.440 --> 0:48:54.600
<v Speaker 1>fun stuff every day for ten years of your life.

0:48:54.880 --> 0:48:57.040
<v Speaker 1>And genuinely, I've been asked, I'm sure you get asked

0:48:57.040 --> 0:48:59.880
<v Speaker 1>all the time, what year were you guys all over it? Like?

0:49:00.080 --> 0:49:02.719
<v Speaker 1>When were you guys? Like? We're over it? And I

0:49:02.920 --> 0:49:06.640
<v Speaker 1>genuinely am trying not to look back with revisionist history.

0:49:06.840 --> 0:49:11.239
<v Speaker 1>I don't remember one moment where I was like, such

0:49:11.280 --> 0:49:17.480
<v Speaker 1>a job. Yeah, as far as jobs go, John, You're right,

0:49:18.360 --> 0:49:22.320
<v Speaker 1>you can't beat it. And maybe that's obvious by now

0:49:22.360 --> 0:49:26.160
<v Speaker 1>as I've spent the last couple of years putting together

0:49:26.360 --> 0:49:31.840
<v Speaker 1>this love story to the office, but thinking back on

0:49:31.920 --> 0:49:37.000
<v Speaker 1>the very end, our last moments working together as one big,

0:49:37.040 --> 0:49:42.319
<v Speaker 1>happy family, there's no better way to bring me right

0:49:42.360 --> 0:49:45.720
<v Speaker 1>back to that place the moment the show was ending.

0:49:46.560 --> 0:49:52.040
<v Speaker 1>Then to listen to Creed Bratton sing all the faces

0:49:52.520 --> 0:49:58.040
<v Speaker 1>before the finale? Did you have a conversation with Greg? Yes? Yes,

0:49:58.239 --> 0:50:01.760
<v Speaker 1>he he called me uh, and you know, he'd asked everybody.

0:50:01.800 --> 0:50:03.719
<v Speaker 1>He said, I want to know what your your feedback is,

0:50:03.719 --> 0:50:07.000
<v Speaker 1>how do you think the character Creed should leave? And

0:50:07.040 --> 0:50:09.480
<v Speaker 1>I told him, Uh, I thought it for a while,

0:50:09.520 --> 0:50:11.439
<v Speaker 1>and I said, I think this is this song of mine.

0:50:11.520 --> 0:50:14.760
<v Speaker 1>All the faces I could be at poor Richard's playing

0:50:14.760 --> 0:50:17.640
<v Speaker 1>my guitar. You guys, the cast all walks in and

0:50:17.800 --> 0:50:21.279
<v Speaker 1>I'm singing all the faces and uh, the camera comes

0:50:21.280 --> 0:50:22.920
<v Speaker 1>in on each of you. And he said, I like

0:50:23.040 --> 0:50:26.080
<v Speaker 1>that idea. That's the last I heard of it until

0:50:26.160 --> 0:50:28.919
<v Speaker 1>the table read. And then I saw at that time

0:50:28.920 --> 0:50:31.560
<v Speaker 1>and I almost cried, I literally and Brian, I want,

0:50:31.560 --> 0:50:33.719
<v Speaker 1>oh my god. Looked around. There was my guitar. I

0:50:33.760 --> 0:50:36.480
<v Speaker 1>didn't know I was going to sing that song until

0:50:36.520 --> 0:50:38.440
<v Speaker 1>the table read. That was the first time I heard

0:50:38.440 --> 0:50:40.680
<v Speaker 1>about it. They kept they kept it, They kept it

0:50:40.719 --> 0:50:44.239
<v Speaker 1>just as a surprise. It was emotional. Wait, they they

0:50:44.280 --> 0:50:46.799
<v Speaker 1>had your guitar. Yeah, now, the the p A went

0:50:46.800 --> 0:50:48.360
<v Speaker 1>and got my guitar and had it there. And I

0:50:48.360 --> 0:50:49.759
<v Speaker 1>looked around like this and I went on, I've seen

0:50:49.800 --> 0:50:51.799
<v Speaker 1>reading the scripting, but oh my god, I'm gonna sing

0:50:51.840 --> 0:50:54.319
<v Speaker 1>the song. And what there is gregs letting me sing

0:50:54.360 --> 0:50:56.480
<v Speaker 1>my song and look around they're they're all they're standing

0:50:56.480 --> 0:51:00.440
<v Speaker 1>bick they're smiling, and they've got my guitar. They planned this,

0:51:00.560 --> 0:51:03.040
<v Speaker 1>you know, we play. Will you play a little bit

0:51:03.040 --> 0:51:08.399
<v Speaker 1>for me? All right? Okay, I gotta turn my phone

0:51:08.400 --> 0:51:12.400
<v Speaker 1>on just for second, guys, to tune up this axe.

0:51:14.239 --> 0:51:16.640
<v Speaker 1>This is the guitar I used actually on the on

0:51:16.680 --> 0:51:21.560
<v Speaker 1>the show. This this old Martin and John's a good story. John,

0:51:21.840 --> 0:51:23.799
<v Speaker 1>we couldn't get the microphone on the think and then

0:51:23.800 --> 0:51:26.880
<v Speaker 1>the shot so Krasinski said he'd hold this the shotgun.

0:51:27.120 --> 0:51:29.600
<v Speaker 1>He had it under his arm when we were recording.

0:51:29.880 --> 0:51:31.839
<v Speaker 1>You couldn't hide him, mind, You couldn't hide the mic

0:51:31.920 --> 0:51:34.560
<v Speaker 1>for the guitar itself. And then John said, well, I'll

0:51:34.600 --> 0:51:37.440
<v Speaker 1>just hold the shotgun mic U under my arm because

0:51:37.440 --> 0:51:39.200
<v Speaker 1>he was the closest. He was the closest to me,

0:51:39.239 --> 0:51:41.320
<v Speaker 1>and he was sitting there talking to looking over the

0:51:41.360 --> 0:51:43.279
<v Speaker 1>bad but all the time he's holding it right there

0:51:43.320 --> 0:51:47.200
<v Speaker 1>on the sound hole. He's a team player, right boy.

0:51:48.239 --> 0:52:11.160
<v Speaker 1>We know that all right for you. I saw a

0:52:11.239 --> 0:52:15.880
<v Speaker 1>friend to day. It had been a while and we

0:52:16.000 --> 0:52:22.200
<v Speaker 1>forgot each other's names. But it didn't matter her accused.

0:52:22.239 --> 0:52:30.920
<v Speaker 1>Deep inside feeling still remains we talked to of knowing

0:52:31.080 --> 0:52:36.319
<v Speaker 1>one before you've met, how you feel more than you

0:52:36.520 --> 0:52:45.480
<v Speaker 1>see in other worlds that lie spaces in between angels.

0:52:45.680 --> 0:52:54.000
<v Speaker 1>We can see. All the faces that I know have

0:52:54.200 --> 0:52:59.879
<v Speaker 1>that same familiar glue. I think I must have known

0:53:00.120 --> 0:53:05.160
<v Speaker 1>them somewhere once, beef. All the faces that I know,

0:53:11.160 --> 0:53:20.640
<v Speaker 1>and all the faces we seek each chennairvery day when

0:53:20.640 --> 0:53:26.840
<v Speaker 1>we get home at night, there's one face we need.

0:53:32.000 --> 0:53:35.480
<v Speaker 1>And when my mind's absorbed on my private little screen

0:53:36.760 --> 0:53:40.120
<v Speaker 1>and I'm walking climbing through a sea of unknown men,

0:53:41.200 --> 0:53:46.520
<v Speaker 1>I heard a voice reminded, they're across the street, walks

0:53:46.520 --> 0:53:52.560
<v Speaker 1>an old forgotten friends, and we don't have to say

0:53:52.600 --> 0:54:01.239
<v Speaker 1>a word. It's really better left unsaid, just light through

0:54:01.320 --> 0:54:10.239
<v Speaker 1>ice that ragged nights. All the faces you know, all

0:54:10.280 --> 0:54:21.320
<v Speaker 1>the faces I know, and while the faces we see

0:54:21.400 --> 0:54:28.359
<v Speaker 1>each chen air day we would get home at night,

0:54:31.320 --> 0:54:40.120
<v Speaker 1>there's one face we need, all the faces I see

0:54:40.160 --> 0:54:47.080
<v Speaker 1>each chin air every day when I get home at night,

0:54:50.640 --> 0:54:54.600
<v Speaker 1>the face I need when I get home at night.

0:54:57.560 --> 0:55:14.239
<v Speaker 1>You're the only face I so great. There we go,

0:55:14.880 --> 0:55:20.840
<v Speaker 1>so great, dude, Yeah it um, yeah, it gets me

0:55:20.880 --> 0:55:39.640
<v Speaker 1>every time. Wow, it gets me every single time. Thank you, Creed,

0:55:40.239 --> 0:55:44.920
<v Speaker 1>Thank you everyone for being a part of this beautiful podcast.

0:55:45.040 --> 0:55:48.840
<v Speaker 1>It has meant more to be than you will ever know.

0:55:49.840 --> 0:55:52.879
<v Speaker 1>Thanks for tuning in once again and come back next

0:55:52.960 --> 0:55:58.360
<v Speaker 1>week to hear from perhaps my most special guest of

0:55:58.400 --> 0:56:10.720
<v Speaker 1>all you. I'll see you that the Office. Deep Dive

0:56:10.960 --> 0:56:15.239
<v Speaker 1>is hosted and executive produced by me Brian Baumgartner, alongside

0:56:15.280 --> 0:56:19.680
<v Speaker 1>our executive producer Langley. Our senior producer is Tessa Kramer.

0:56:20.000 --> 0:56:23.759
<v Speaker 1>Our producers are Liz Hayes and Diego Topiar. My main

0:56:23.840 --> 0:56:27.160
<v Speaker 1>man in the booth is Alec Moore. Our theme song

0:56:27.480 --> 0:56:30.880
<v Speaker 1>Bubble and Squeak, performed by my great friend Cree Bratton,

0:56:31.200 --> 0:56:58.719
<v Speaker 1>and the episode was mixed by seth olandskiper Mama, what

0:56:59.040 --> 0:57:09.400
<v Speaker 1>is the chicken draft draft really? Giraffe, Giraffe, You're not

0:57:09.400 --> 0:57:11.359
<v Speaker 1>gonna get it all right. Just make sure you nail

0:57:11.400 --> 0:57:13.520
<v Speaker 1>the big stuff, like making sure your kids are buckled

0:57:13.560 --> 0:57:15.960
<v Speaker 1>correctly in the right seat for their agent's eyes. Get

0:57:16.000 --> 0:57:20.400
<v Speaker 1>it right visits n h S a dot gov slash

0:57:20.520 --> 0:57:23.040
<v Speaker 1>The Right Seat brought to you by the National Highway

0:57:23.040 --> 0:57:26.280
<v Speaker 1>Traffic Safety Administration in the AD Council. I'm Joe Piazza,

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<v Speaker 1>host of the podcast. Under the Influence If you tuned

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<v Speaker 1>into our last season, you know that the world of

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<v Speaker 1>mom influencers on Instagram contains multitudes. Yes, there are pretty

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<v Speaker 1>pictures and gorgeous kids, and yes there's lots of money

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<v Speaker 1>behind a lot of those pictures. But there's also something

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<v Speaker 1>much more dark and complicated going on in the background,

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<v Speaker 1>and that speaks to everything that is wrong with how

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<v Speaker 1>we treat women in the world. On season two, Under

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<v Speaker 1>the Influence, we're advocating for the women who make content

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<v Speaker 1>and the women who consume it. We're going into some

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<v Speaker 1>of the darkest corners of the social media universe, and

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<v Speaker 1>we might just have a plan to shut it all

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<v Speaker 1>the hell down. Listen to Season two of Under the

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<v Speaker 1>Influence with Joe Piazza on the I Heart Radio app,

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<v Speaker 1>Apple Podcasts or wherever you get your podcasts. M M hey, Elizabeth,

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<v Speaker 1>you're the co host of that new podcast Ridiculous Crime.

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<v Speaker 1>Why yes, I am. You know what's ridiculous? Yeah, carpeting

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<v Speaker 1>in kitchens and bathrooms? Oh wow, you are good. But

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<v Speaker 1>you know what's also ridiculous? A sixteen year old who

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<v Speaker 1>breaks into a car dealership and steals guy theories Lamborghini.

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<v Speaker 1>What yes to impress a girl? I'll tell you all

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<v Speaker 1>about it on Ridiculous Crime, our podcast about absurd and

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<v Speaker 1>outrageous capers, heist and cons. It's always murder free and ridiculous.

0:58:44.160 --> 0:58:46.680
<v Speaker 1>Listen to Ridiculous Crime on the I Heart Radio app,

0:58:46.760 --> 0:58:49.640
<v Speaker 1>Apple Podcasts, or wherever you get your podcasts.