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Speaker 1: Well, here we are again.

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Speaker 2: You know what I mean.

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Speaker 3: I it's it's familiar every time, but it's also new

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Speaker 3: every time, and it's like a completely new show every time.

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Speaker 2: That that's that's what's exciting. It's also what's daunting, because

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Speaker 2: I don't want to do the exact same show again

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Speaker 2: that we've done before.

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Speaker 4: I don't think people want that, but they do want

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Speaker 4: it to be similar to the good episodes.

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Speaker 3: I think about how they've done natural disaster movies. They've

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Speaker 3: done so many about there's all think.

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Speaker 2: About ahead, but I'll think of an earthquake movie. They're

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Speaker 2: doing more Twisters. Yes, they're doing more Twisters.

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Speaker 3: Yes, the movie is called more Twisters, but they have

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Speaker 3: never done a movie about just how it's so windy outside.

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Speaker 3: And you say, like, okay, twisters is baby swooping? That

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Speaker 3: not really that's different.

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Speaker 2: The happening might be closer.

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Speaker 3: Sure, but that's not about how it's so, it's really not.

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Speaker 1: The Santa Ana's yes, Hona's.

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Speaker 2: Santanas.

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Speaker 1: Not to be conviewsed with Santana.

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Speaker 3: Santana. I would never He's like who me, No, not

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Speaker 3: you Santana.

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Speaker 4: Although honestly, when he fucking lays down that lick on Smooth.

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Speaker 4: It is like a nice warm breeze blowing over me,

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Speaker 4: isn't it?

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Speaker 3: It is so increasing.

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Speaker 1: You know how horror movies now do that thing where

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Speaker 1: they take a song and they make it creepy. If

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Speaker 1: the song on a movie starts.

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Speaker 5: With Donna, Donna, just like the exactly.

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Speaker 2: Yes, it's like a creepy under the movie.

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Speaker 3: Gimme real, just get up. You see, like a cow

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Speaker 3: blow by, it's the same cow. And we don't have

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Speaker 3: to license that. Everyone can just know what's the same

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Speaker 3: cow from the Twister. We don't have to ask them

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Speaker 3: or whatever. Well, remember me, Stan, I remember that time

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Speaker 3: when Smooth came out and all the guitarists were like, okay,

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Speaker 3: so it's me on the song. The song is like

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Speaker 3: me and and like the singer you know, my name

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Speaker 3: is on the song. Now, guitar is like the most

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Speaker 3: important part. Like I'm one of the guys who's the

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Speaker 3: song is by me. It's like, no, only Santana gets

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Speaker 3: that for some reason.

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Speaker 2: Okay, yeah, that's gotta be Frush.

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Speaker 4: I'm so happy we got into some some music because

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Speaker 4: I was thinking, as we have you sitting here, that

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Speaker 4: you're rather musical and you would open, you know your

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Speaker 4: podcast always.

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Speaker 1: Yes with this parody song, musical.

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Speaker 2: Parody song, and we stole it. We did it for

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Speaker 2: a little while. We do a parody song on our

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Speaker 2: basketball one.

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Speaker 3: Down. We had listeners do it, and then they just stopped.

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Speaker 3: They didn't want to do it.

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Speaker 1: Yeah, it's a lot of work.

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Speaker 2: We stopped and they stopped.

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Speaker 1: Yeah, it's it ruins your life too. Every time you're

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Speaker 1: listening to music, you hear the parody version. You can't

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Speaker 1: stop lyrics in your head.

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Speaker 3: Yeah.

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Speaker 4: Yeah, there's songs that I've done that now, like when

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Speaker 4: I heard I only yes, hear the much worse version

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Speaker 4: that I did.

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Speaker 1: Yes, there's nothing proprietary about it. I don't think y'all

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Speaker 1: stole it from me. I tendically kind of stole it

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Speaker 1: from Howard Stern because they did that for the News.

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Speaker 1: Robins every day. Borrow so much yea, yeah, we really

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Speaker 1: do his paychecks.

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Speaker 3: N Yeah, we borrow so much money from me.

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Speaker 2: Yeah, he's floating us.

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Speaker 1: It's really nice.

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Speaker 2: I gotta get him something, but I need to borrow

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Speaker 2: his money.

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Speaker 3: To do it.

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Speaker 1: It's hard. That's what gift by for.

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Speaker 2: That's what's challenging about it. And I don't want to

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Speaker 2: shop for Howard.

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Speaker 3: Yes, I don't want to shine a light on the

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Speaker 3: thing we have going either, you know what I mean.

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Speaker 3: I don't want to kind of remind him about like

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Speaker 3: how much borrowing has been happening, because borrowing implies that

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Speaker 3: I have to give it back.

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Speaker 4: No, I know that that's what's hanging over me as well.

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Speaker 4: And I feel like it's two things. One, it's like,

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Speaker 4: you give it to him, he goes, oh, right, you're

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Speaker 4: doing this because you owe me something. And also he's going,

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Speaker 4: how did you afford this very nice gift?

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Speaker 1: Do you think giving him a check of his own

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Speaker 1: money would be an appropriate gift? It's a gesture of

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Speaker 1: good faith?

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Speaker 2: Yeah, what do I put in the memo? This is

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Speaker 2: yours but front dated?

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Speaker 3: Oh oh yeah, a lot.

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Speaker 2: Something to look forward to.

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Speaker 3: Yes, like Jim Carrey did.

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Speaker 1: I like I was gonna say the same.

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Speaker 3: To inspire you.

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Speaker 1: Big j C head. And I'm very well aware about story.

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Speaker 3: For your next chapter. Right, you get to cash his check.

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Speaker 1: Its I believe, he wrote, he wrote services rendered.

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Speaker 3: In the memo, I believe mmmmm. And it.

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Speaker 1: Didn't cash it, gave it to his dad, put it

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Speaker 1: in his pocket when he was buried, put.

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Speaker 3: It in his dad's breast pocket, and he was, here,

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Speaker 3: you go, dad, let's dig it up.

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Speaker 4: And and and if I know Jim, when he's putting

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Speaker 4: it in there probably game a little purple nurple because

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Speaker 4: he's a cut up.

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Speaker 2: I mean, end of the day. The guy's funny.

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Speaker 1: He said, there's something on your lapel, Dad.

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Speaker 2: We got to dig up his dad jag the to

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Speaker 2: the century.

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Speaker 4: Wait, don't even wait. Cut that even out of this show.

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Speaker 4: That's a that's a movie idea. That's a movie idea.

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Speaker 1: That's that's just as good as the Sonta Ana's.

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Speaker 2: Okay, we've cracked two feature films, and you know the.

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Speaker 1: Industry remakes right now everything?

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Speaker 4: Yes, but this honored. I mean there's certainly there's ip involved.

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Speaker 3: Yeah, Jim Carrey's story about his check and we find

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Speaker 3: we we go dig it up and we find that

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Speaker 3: it's gone. Someone did it already, and now we have

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Speaker 3: to bring in Jim and be like, look what happened.

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Speaker 3: Don't ask us why we know this, but the money's gone.

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Speaker 1: This is like City Slickers Legends of Curly.

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Speaker 4: Yes, it's just like that, you know what, Actually, you

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Speaker 4: know what, it's more like or wait, did you say

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Speaker 4: cities Sliquers legend of curly Okay, No, okay, that is

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Speaker 4: what I fast like. Yes, I was feeling like I

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Speaker 4: had a second comparison point. But it's exactly like that.

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Speaker 4: So there's really nowhere to go from there.

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Speaker 3: It's Jackie Johnson.

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Speaker 2: It's Jackie Johnson.

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Speaker 3: You love having Jackie back on the show, making moves

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Speaker 3: very powerfully associated with style and beauty and fashion.

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Speaker 4: Speaking of which, now, I put on my I was

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Speaker 4: getting in the car. I'll say this and I and

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Speaker 4: I looked down and I said, why dont I put.

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Speaker 2: On my nicer shoes for Jackie?

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Speaker 4: Because I know that she cares about this kind of aesthetics,

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Speaker 4: you know. And I just said, like, well, she'll appreciate it,

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Speaker 4: unlike some of the fucking scum we have dragged in

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Speaker 4: here every week.

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Speaker 2: The fucking.

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Speaker 3: Clothes.

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Speaker 2: Well, it's just like they don't know the.

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Speaker 3: They don't give a fuck about my clothes.

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Speaker 2: It's true.

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Speaker 1: No, I mean, why are you even wearing clothes if

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Speaker 1: not for all people to gay?

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Speaker 4: Well, that's what they're for, and to protect me from

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Speaker 4: the harsh rays of the sun and the winds and

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Speaker 4: the Santana winds.

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Speaker 1: Those goddamn Santana winds.

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Speaker 3: We have a hat that we made.

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Speaker 2: Elevated street way.

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Speaker 1: It's coming in.

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Speaker 2: Give him fly the hat in.

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Speaker 1: I was just telling the ragging off Mike about how

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Speaker 1: I look really good in hats.

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Speaker 3: It's it's it's well understood. I'm almost concerned that that

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Speaker 3: that you're going to start making the hat instead of

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Speaker 3: us making it, you know what I mean, Yeah, that's ridiculous.

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Speaker 3: And she was like, that's ridiculous.

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Speaker 1: Because you know, podcasts are all visual mediums.

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Speaker 4: Now, it's true all they're all recorded. She put it

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Speaker 4: on and she pulled it off, and.

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Speaker 2: That is big facts everybody.

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Speaker 4: So the hat now we'll hopefully go viral again and

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Speaker 4: feel free to post in the hat talk about try

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Speaker 4: not to say that it.

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Speaker 2: Gave you a headache. Just didn't used to have to

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Speaker 2: say that to guests.

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Speaker 4: But occasionally guests do do an Instagram story in the

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Speaker 4: hat prominently featured and then post about how they've had

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Speaker 4: a headache for three days. They're not directly associated it, but.

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Speaker 3: I don't like Yeah, making moves coast to coast shows

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Speaker 3: every damn months.

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Speaker 1: Yeah, once a month, I'm on that stage month. It's grueling.

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Speaker 2: We do we do a live show. We do a

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Speaker 2: live show once a month, but not every month, you know.

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Speaker 3: What I mean.

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Speaker 2: But when we do it, it's only once a month.

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Speaker 4: But it's not every month, but you seem to be

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Speaker 4: doing it just about every day a month.

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Speaker 1: I'm trying. It's you have to book those theaters.

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Speaker 2: And promote and are you okay?

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Speaker 1: Grind thank you for asking? I thank you for asking.

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Speaker 1: I am.

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Speaker 3: I am taking the show to New York.

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Speaker 2: I want.

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Speaker 3: Making an offering to the gods of the Great White Way, right,

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Speaker 3: see if they'll.

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Speaker 1: See, if they'll have you, see if they'll take a bite.

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Speaker 3: What are we talking about? Dates? Venues, time, doors?

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Speaker 1: You want all the dates?

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Speaker 3: I mean, if you don't want it, no, of course

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Speaker 3: I do. Okay, Well, then I don't know.

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Speaker 2: I feel really that actually I am bullying.

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Speaker 6: When does this come out?

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Speaker 1: The thirtieth? So after my shows, after two of the shows.

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Speaker 1: My show is in New York at Union Hall on Tuesday,

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Speaker 1: March seventh, so close, No, I'm sorry, March May Tuesday,

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Speaker 1: May really close seven?

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Speaker 3: That was really cool?

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Speaker 1: Start with an m.

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Speaker 3: Why even just like timing, but also that it's like

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Speaker 3: timing wise And then it's just like spelling wise, Yes,

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Speaker 3: we're all of it doesn't happen more spring. We might

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Speaker 3: as well just say, like my show is in the

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Speaker 3: spring dive.

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Speaker 1: Yes, look it up.

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Speaker 4: And when when people say May or March, it could

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Speaker 4: be either one.

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Speaker 1: No, they're so close similar.

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Speaker 3: It's just like springtime flowers start blooming. Yes.

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Speaker 1: Yeah, but just to clarify. Tuesday, May seventh, seven thirty pm, March,

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Speaker 1: Union Hall, Brooklyn, my show seven Doors. I don't know doors. Honestly,

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Speaker 1: I've never been so seven Get there at seven, get

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Speaker 1: you with rank.

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Speaker 4: Okay, if you're Union strong, please do make it out

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Speaker 4: to this show at the Union Hall. I think we

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Speaker 4: all have been through pretty uh heavy couple of years,

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Speaker 4: a bunch of tough customers of that Union Hall.

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Speaker 3: Though. Better you can go shot for shot with with

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Speaker 3: those guys. Shot of the brown stuff, tattoo of an

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Speaker 3: anchor on their farm m.

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Speaker 4: Hm, h ace of spades on the other arm, with

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Speaker 4: the nude woman featured in the center of it.

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Speaker 3: I mean that I've seen. Yeah, they can't get rowdy

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Speaker 3: if they don't like it.

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Speaker 4: It cats fucking insane and I'm usually the cause of it.

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Speaker 4: I'm there and I'm like, I gotta show these guys

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Speaker 4: that I can hang with them.

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Speaker 2: Let me disrupt the show.

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Speaker 1: Well, it sounds like I have a lot to look

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Speaker 1: forward to.

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Speaker 2: Well, yeah, that's New York.

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Speaker 3: I mean we're going in a few ways. So what's

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Speaker 3: the show?

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Speaker 1: My solo show. It's called How to Get a Second Husband?

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Speaker 3: We all know.

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Speaker 1: We all know that starter marriages are thing.

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Speaker 3: Your beat, basically the newest spectator sports these days.

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Speaker 4: Basically, am I wrong? And I just think like marriages

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Speaker 4: are really really I'm.

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Speaker 3: A big decision turning on ESPN, which stands for Extra

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Speaker 3: second person now es they even have an ESPN two

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Speaker 3: Extra second person out number two so much content.

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Speaker 4: Yes, I just think it's so insane to expect anyone

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Speaker 4: to get something like that right the first time. It

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Speaker 4: just doesn't do it. It's like, oh, I've never tried

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Speaker 4: it before. I've literally never done this. Yes, and I'm

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Speaker 4: going you do it correctly the very first time. Is

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Speaker 4: there anything else we expect that of?

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Speaker 1: Imagine just getting in a car, Oh, thank you?

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Speaker 3: Just driving?

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Speaker 4: Yes, exactly, so you get the license before you've ever

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Speaker 4: done it.

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Speaker 3: Yes, Okay, I'm going to drive to work now, and

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Speaker 3: I'm supposed to get that exactly right the first time first,

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Speaker 3: and then tomorrow also you have to get right.

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Speaker 1: There for the rest of your life.

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Speaker 3: Y don't touch anything with your car.

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Speaker 2: I would not let you do that.

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Speaker 4: But then I'm gonna let you get married, and I'm

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Speaker 4: gonna be like, oh, and make.

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Speaker 2: Sure you get it right. It's like it doesn't make

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Speaker 2: any sense. At the same time, I'm using a sewing machine.

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Speaker 4: I'm just thinking of things that yeah, I wouldn't I

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Speaker 4: wouldn't expect to do right, that are actually very dangerous.

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Speaker 3: These stories of a woman finds like the second husband,

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Speaker 3: like this, these wonderful stories, very special thing to happen.

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Speaker 3: At the same time, I want to have my wife. Yes,

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Speaker 3: So how do we you know, how do I navigate this?

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Speaker 3: Because we explore that and so obviously we have an

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Speaker 3: opening show for We're gonna where it will be open

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Speaker 3: for you you know this.

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Speaker 4: Oh yeah, so you so you've got your show, which

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Speaker 4: congratulations on that, and thank you for booking the venue

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Speaker 4: and everything.

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Speaker 2: Any big artist is going to happen open.

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Speaker 3: Of course we will be.

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Speaker 4: We will be opening and just because like the premise

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Speaker 4: of your show, we've already established it makes perfect sense.

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Speaker 2: It's great getting a second husband, so nice.

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Speaker 7: For the woman for the first husband, not ideal, right.

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Speaker 8: Yeah, it's this show just to get everyone really entered,

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Speaker 8: fired up energy, how to keep your first wife?

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Speaker 6: Oh got it?

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Speaker 2: And we're going to be and we're knowing.

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Speaker 1: Yeah yeah, kind of to present both sides just because

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Speaker 1: like you know.

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Speaker 4: I mean you obviously, and and I am so so

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Speaker 4: happy my wife is senior show and I'm so happy

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Speaker 4: for her and so excited how much she'll enjoy her

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Speaker 4: second husband because the first husband.

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Speaker 1: Can I wind out out of the crowd.

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Speaker 3: Well, yeah, she's she is too late, she's going, Oh

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Speaker 3: she is, she already went.

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Speaker 6: She bought a hundred tickets for New York.

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Speaker 1: Oh wow.

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Speaker 3: Yeah, because I think some of these wives are thinking, like, well,

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Speaker 3: if everyone is only so many good husbands out there.

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Speaker 2: If everyone's.

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Speaker 4: If she can kind of corner of the market on

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Speaker 4: people who have the information of how to get a

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Speaker 4: second husband, there won't be as many women competing for that.

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Speaker 3: She likes really spread out to you know, I hear that.

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Speaker 4: Yeah, the way she sits in his chair, it's not

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Speaker 4: really sitting.

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Speaker 2: Yeah, And also brings up.

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Speaker 1: Really loud because I'm gonna need to fill the space

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Speaker 1: a little.

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Speaker 4: Not a laugher, at least in my experience, I've been

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Speaker 4: pretty funny around her.

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Speaker 2: Yeah mm hmm, yeah, a polite smile.

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Speaker 4: And she also I've known as when she shows up

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Speaker 4: at a theaters and that she brings you her so

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Speaker 4: many layers and she takes them up and lays them

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Speaker 4: up seats throughout this, when Joey wears all the clothes,

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Speaker 4: oh my god, chandlers exactly, and he was going, command, are.

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Speaker 1: You wearing any more clothes?

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Speaker 4: Okay, yeah, you hide his underwear. He puts on all

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Speaker 4: your clothes. A fucking iconic, legendary episode. They were all

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Speaker 4: trying to get ready for Ross's big event, Kevin, if

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Speaker 4: you don't remember one, everyone's not ready. Yeah, yeah, and

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Speaker 4: you know, all he wants is for his friends to

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Speaker 4: come and support him on this evening and all the

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Speaker 4: petty feuds that happened between pals.

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Speaker 3: And we don't this is exactly what we're trying to avoid, basically,

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Speaker 3: right as any like, we don' want to step on

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Speaker 3: your toes.

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Speaker 4: You know, but I will say, oh, we want to

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Speaker 4: stop you from succeeding exactly.

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Speaker 3: You know, it's yeah, and we could use frankly little

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Speaker 3: help with like with.

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Speaker 4: Our show, which we don't really have the idea for

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Speaker 4: what they say.

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Speaker 3: Yeah, we're we're stuck in this. Like you don't want

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Speaker 3: to restrain anybody, obviously, we're not trying to like hold

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Speaker 3: any like like imprison anyone in your house.

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Speaker 2: I want my life to have such a big, good life, yes.

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Speaker 3: But you also don't want them to leave?

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Speaker 2: Don't any stay here here?

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Speaker 3: How do you what?

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Speaker 7: Like?

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Speaker 3: How do we this is like the thing? Right? How

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Speaker 3: do we do?

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Speaker 1: That's going to be your cross to bear?

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Speaker 3: I you, but can you help me explain this?

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Speaker 2: Okay? I can't and I'm sorry his isn't always clear.

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Speaker 3: We don't want the house to be jail, but we

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Speaker 3: want to be inescapable obviously, Okay, yes, and so and F.

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Speaker 2: For us, of course, it's our cross to bear. We're

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Speaker 2: not asking you to write the show for us. We're

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Speaker 2: just asking you what will we say in the show.

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Speaker 3: And if you should we bear this cross just temporarily

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Speaker 3: until we understand what you're saying and then we do that.

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Speaker 1: Okay, I think I got it now.

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Speaker 2: So, like, Kevin, can you explain it? We need help Checkie,

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Speaker 2: what do we think we need.

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Speaker 1: Okay, Well, I think first of all, I just want

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Speaker 1: to point out that Friends takes place in New York,

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Speaker 1: so they might be there. They might be there.

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Speaker 2: All the Friends might be there. They're getting ready for

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Speaker 2: your show.

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Speaker 1: Is in New York as well. Yeah, so that's a

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Speaker 1: nice little coincidence that I think is worth bringing up.

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Speaker 3: Yeah, and they all might be hanging clothes, just like

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Speaker 3: Joey's wearing.

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Speaker 1: All wearing clothes. Joey might be there wearing all his clothes.

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Speaker 3: Ship they're mixing.

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Speaker 4: Well as they're catching each other, like they both go

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Speaker 4: to lay like one of their layers on the same chair,

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Speaker 4: and it's like, oh after you. At first, there's a competition,

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Speaker 4: right because they're trying to fit through the doorway at

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Speaker 4: the same time. But they're so wide from all the

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Speaker 4: clothes they have, odd and it's sort of like, as

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Speaker 4: is the beginning of any good rom comments like this

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Speaker 4: ass hat?

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Speaker 1: Right, this could be the second husband see Yeah.

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Speaker 4: Well, and and ultimately, as the show is and the.

385
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Speaker 3: Lights Joe went to get tips on picking up devorce fuck.

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Speaker 4: As the show is ending and the lights are going down,

387
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Speaker 4: they each remove their last layer and begin.

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Speaker 2: To make passionate love inside the theater.

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Speaker 3: Kevin's when you're taking off, When you're taking off that

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Speaker 3: many clothes, it is tough to know exactly where, Like

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Speaker 3: when do you stop right off close? Like, yeah, we've

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Speaker 3: all been there, so I I think you think of

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Speaker 3: things like, okay, like catfishing is bad obviously.

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Speaker 2: But my gosh, yes don't. You can't do that.

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Speaker 3: But you create a profile you do like a sexy

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Speaker 3: guy as like a profile picture you start messaging your

397
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Speaker 3: wife is like a sexy guy, Like that's your wife.

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00:22:02,600 --> 00:22:03,719
Speaker 3: There's nothing wrong.

399
00:22:04,560 --> 00:22:06,120
Speaker 2: Well, you're in.

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Speaker 3: A a.

401
00:22:08,320 --> 00:22:13,840
Speaker 4: Successful relationship with this person. You know there's an intimacy there,

402
00:22:14,280 --> 00:22:18,280
Speaker 4: and so it's not really catfishing to pretend to be

403
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Speaker 4: someone else, to trick them, to make them fall in.

404
00:22:21,200 --> 00:22:23,399
Speaker 3: Love with fall in love with you, so they marry

405
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Speaker 3: you again, be the second husband, right, and this could

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Speaker 3: be what your show is, how to how to get

407
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Speaker 3: a second husband, but it ends up being.

408
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Speaker 2: Actually catfish. Let's say Tapia.

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00:22:41,480 --> 00:22:46,280
Speaker 4: Let's let's say tilapia where it's like a little less

410
00:22:46,280 --> 00:22:47,600
Speaker 4: of an aggressive.

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Speaker 3: Every day yes, healthy fats.

412
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Speaker 2: And can take on the seasonings. Yeah.

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Speaker 3: The issue I think that we have to figure out

414
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Speaker 3: what if she does not like.

415
00:23:03,560 --> 00:23:07,639
Speaker 2: The messages that you said when you're being hot.

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Speaker 1: Yeah, I would say, maybe try again with a new

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00:23:15,000 --> 00:23:16,120
Speaker 1: What about a woman.

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Speaker 3: She doesn't care for her or I'll say this, she's

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Speaker 3: not interested in her in that way? Yeah, not, and

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Speaker 3: that it's not that that wouldn't be an option for her,

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Speaker 3: Like I think she would be down for something like that,

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Speaker 3: but not with this woman, even she is sexy.

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Speaker 1: Well, honestly, I feel like I don't want to subcontract

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Speaker 1: this onto someone else. But again, I personally just I

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Speaker 1: have to go with what I'm feeling in the moment.

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Speaker 7: I don't.

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Speaker 1: I don't feel like this is my issue, my question.

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Speaker 2: I could not ride with you.

429
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Speaker 1: Almost feel like I'm being put on the spot here, Jackie,

430
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Speaker 1: Jackie not feeling good.

431
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Speaker 4: What you don't understand is like it's like we're arguing

432
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Speaker 4: in agreement because it's because.

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00:24:08,560 --> 00:24:11,880
Speaker 2: It's not your issue. I don't think it's your issue.

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00:24:12,119 --> 00:24:13,640
Speaker 2: All we're asking for from.

435
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Speaker 4: You, literally is for you to solve the issue instead

436
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Speaker 4: of us.

437
00:24:20,240 --> 00:24:21,040
Speaker 2: Does that make sense?

438
00:24:21,880 --> 00:24:22,160
Speaker 3: Yes?

439
00:24:24,119 --> 00:24:25,960
Speaker 6: But not right?

440
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Speaker 2: Okay, all right, let's just let's just do I hate that.

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Speaker 1: Idea dancing and dancing zoom.

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00:24:35,000 --> 00:24:41,520
Speaker 4: Out and just say forget the whole issue. Imagine, let's

443
00:24:41,560 --> 00:24:45,359
Speaker 4: just do this like as a metaphor. Let's say I

444
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Speaker 4: had a wife. Okay, my wife is trying to find

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Speaker 4: a second husband.

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Speaker 1: Does that mean she's not your wife anymore?

447
00:24:58,080 --> 00:25:01,080
Speaker 3: I just think that, Well, this is actually a good question.

448
00:25:01,359 --> 00:25:05,920
Speaker 3: That's not what that means. Right, she's saying that's what

449
00:25:05,960 --> 00:25:07,879
Speaker 3: that means. That's not what that means.

450
00:25:08,080 --> 00:25:14,840
Speaker 4: Come on, it can't be right, stupid, I'm again, I'm

451
00:25:15,240 --> 00:25:16,320
Speaker 4: I'm a first husband.

452
00:25:16,520 --> 00:25:20,040
Speaker 1: Right, you're what we call a starter husband.

453
00:25:20,720 --> 00:25:25,000
Speaker 4: But but when my wife finish her husband?

454
00:25:25,040 --> 00:25:28,000
Speaker 1: But your wife saw my show? Is this this coming

455
00:25:28,040 --> 00:25:29,200
Speaker 1: from a place of fear?

456
00:25:30,280 --> 00:25:32,600
Speaker 2: You know, she definitely saw the show.

457
00:25:32,920 --> 00:25:33,720
Speaker 3: She loved it.

458
00:25:33,880 --> 00:25:38,840
Speaker 1: She come home and bring it come home. Oh wow, yeah,

459
00:25:38,960 --> 00:25:40,160
Speaker 1: you haven't seen her since.

460
00:25:40,000 --> 00:25:40,920
Speaker 3: Did not come home?

461
00:25:41,080 --> 00:25:44,120
Speaker 2: I got a text. Show is so good. It's really working.

462
00:25:47,359 --> 00:25:49,600
Speaker 2: This made me so curious about the show.

463
00:25:49,840 --> 00:25:51,520
Speaker 1: Yeah yeah, is that why I'm here?

464
00:25:53,040 --> 00:25:53,119
Speaker 3: What?

465
00:25:53,560 --> 00:25:57,080
Speaker 2: I don't know why you're here. I don't even know

466
00:25:57,080 --> 00:25:57,920
Speaker 2: why I'm here.

467
00:25:58,800 --> 00:25:59,720
Speaker 1: That's a bigger question.

468
00:26:00,200 --> 00:26:08,639
Speaker 3: Ollywood, Hampollywood ham. What if she's trying to give you

469
00:26:08,680 --> 00:26:12,879
Speaker 3: a paper? Oh, this is so trying to do it

470
00:26:12,920 --> 00:26:16,439
Speaker 3: in different ways. She's trying to put it into your food,

471
00:26:16,720 --> 00:26:22,399
Speaker 3: and she's trying to like pretend that it's like a towel.

472
00:26:22,440 --> 00:26:25,800
Speaker 3: After like, here's your tie, Yeah, shower, here's your towel.

473
00:26:27,640 --> 00:26:30,040
Speaker 3: She like she really wants to give you this paper.

474
00:26:30,400 --> 00:26:33,600
Speaker 4: Oh, an alien is landed in the backyard, apparently, and

475
00:26:33,720 --> 00:26:36,159
Speaker 4: has something to share with me that's important to the

476
00:26:36,200 --> 00:26:37,440
Speaker 4: future of mankind.

477
00:26:37,760 --> 00:26:40,440
Speaker 2: But the alien sounds so much like my wife.

478
00:26:40,880 --> 00:26:43,239
Speaker 4: And the costume that the alien has and I can

479
00:26:43,280 --> 00:26:46,119
Speaker 4: only call it a costume because it's falling apart and

480
00:26:46,200 --> 00:26:50,800
Speaker 4: I can see my wife underneath the alien mask, and

481
00:26:51,600 --> 00:26:54,880
Speaker 4: the alien's telling me, and my wife, of course, who

482
00:26:54,880 --> 00:26:57,840
Speaker 4: knows me better than anyone knows, I would love for

483
00:26:57,880 --> 00:26:58,960
Speaker 4: an alien to give me a.

484
00:26:58,880 --> 00:26:59,680
Speaker 3: Piece of paper.

485
00:27:00,160 --> 00:27:03,679
Speaker 4: This is something I've talked about so much, and it

486
00:27:03,800 --> 00:27:06,400
Speaker 4: just makes me really hesitant to take it, you know.

487
00:27:06,720 --> 00:27:08,520
Speaker 3: And what I'm picking up with all this, my wife's

488
00:27:08,560 --> 00:27:11,320
Speaker 3: costumes are really bad. When she's like trying to give

489
00:27:11,320 --> 00:27:13,080
Speaker 3: me a piece of paper and like delivering it in

490
00:27:13,160 --> 00:27:17,600
Speaker 3: different ways. Kevin's wife makes costumes. But this is part

491
00:27:17,640 --> 00:27:20,320
Speaker 3: of this is the buying up one hundred tickets, you

492
00:27:20,359 --> 00:27:23,640
Speaker 3: know what I mean? Like they are rat race style.

493
00:27:24,840 --> 00:27:26,760
Speaker 3: I think they got together at some point and tried

494
00:27:26,800 --> 00:27:29,000
Speaker 3: to figure like, Okay, we're going to work together on this,

495
00:27:29,080 --> 00:27:32,600
Speaker 3: and then it very quickly became like it's where it's

496
00:27:32,880 --> 00:27:35,919
Speaker 3: every wife for herself herself, and now we have.

497
00:27:36,119 --> 00:27:38,160
Speaker 2: The team up somehow because like.

498
00:27:39,960 --> 00:27:43,200
Speaker 4: The strength and numbers that we could have possibly could

499
00:27:43,200 --> 00:27:46,800
Speaker 4: help us, especially with you solving the issue for us,

500
00:27:47,080 --> 00:27:48,840
Speaker 4: which I think you agree you should.

501
00:27:48,600 --> 00:27:52,360
Speaker 3: Do because we've got around to it. Number one thing

502
00:27:52,440 --> 00:27:54,880
Speaker 3: is we want them to be happy, yes, for sure,

503
00:27:55,359 --> 00:27:56,840
Speaker 3: no matter what you love them.

504
00:27:56,760 --> 00:27:59,480
Speaker 1: Let them go. You let a butterfly fly out of

505
00:27:59,560 --> 00:28:02,520
Speaker 1: your hands that yeah, and if it's meant to be

506
00:28:02,600 --> 00:28:05,359
Speaker 1: it will fly back, yes, but most likely it won't.

507
00:28:06,440 --> 00:28:08,080
Speaker 1: It won't fly back. Pretty rare.

508
00:28:08,240 --> 00:28:09,840
Speaker 2: Yeah, butterfly to come back.

509
00:28:09,960 --> 00:28:11,440
Speaker 1: It doesn't want your oils on it.

510
00:28:12,000 --> 00:28:14,240
Speaker 3: It might like some of them. I've let some go

511
00:28:14,440 --> 00:28:16,399
Speaker 3: that have been gone for a long time, but I

512
00:28:16,520 --> 00:28:18,360
Speaker 3: sort of have been getting the feeling like it's got

513
00:28:18,440 --> 00:28:21,680
Speaker 3: it will eventually is off, like it's.

514
00:28:21,560 --> 00:28:23,359
Speaker 1: I don't think they have very long live span.

515
00:28:23,640 --> 00:28:26,160
Speaker 3: They also don't fly that fast, so like if they

516
00:28:26,160 --> 00:28:27,639
Speaker 3: had to go do something.

517
00:28:27,359 --> 00:28:29,440
Speaker 1: And I've seen some pretty fast one.

518
00:28:29,320 --> 00:28:30,399
Speaker 3: Canada or something.

519
00:28:30,480 --> 00:28:35,679
Speaker 1: I've seen some fast butterflies Okay. I think it depends

520
00:28:35,720 --> 00:28:39,400
Speaker 1: on the breed, sort of like a Chihuahua versus a greyhound.

521
00:28:39,760 --> 00:28:40,840
Speaker 6: I got both dogs.

522
00:28:40,880 --> 00:28:45,080
Speaker 3: But okay, I gotta because my wife has been watching

523
00:28:45,360 --> 00:28:48,640
Speaker 3: butterflies and birds like fly off in ways that are

524
00:28:48,680 --> 00:28:52,760
Speaker 3: like very intense, like the way she's watching.

525
00:28:53,160 --> 00:28:55,960
Speaker 1: I see you know. I used to do that with

526
00:28:56,040 --> 00:28:58,280
Speaker 1: my first husband. Not to scare you.

527
00:28:58,280 --> 00:29:00,720
Speaker 3: You were watching birds and butterflies.

528
00:29:01,560 --> 00:29:04,880
Speaker 1: I would watch them flying why away free.

529
00:29:04,800 --> 00:29:07,840
Speaker 3: And mutter something under your back, what are you guys? Muddy? Now?

530
00:29:07,840 --> 00:29:08,840
Speaker 2: What are you muttering?

531
00:29:09,000 --> 00:29:09,160
Speaker 3: Like?

532
00:29:09,280 --> 00:29:10,920
Speaker 2: What is the single tear rolling down?

533
00:29:11,280 --> 00:29:12,280
Speaker 1: Sometimes it's just.

534
00:29:13,560 --> 00:29:16,040
Speaker 3: Like something like and she's that. I'll be like, what.

535
00:29:17,800 --> 00:29:19,520
Speaker 1: Sometimes it's just grocery list.

536
00:29:20,320 --> 00:29:20,720
Speaker 3: Oh.

537
00:29:20,840 --> 00:29:24,160
Speaker 1: Sometimes it's like, okay, that's what that's what we're out of,

538
00:29:24,160 --> 00:29:26,240
Speaker 1: Paprika again, I gotta make sure I grab.

539
00:29:26,080 --> 00:29:26,320
Speaker 6: Some of that.

540
00:29:26,600 --> 00:29:26,880
Speaker 3: Okay.

541
00:29:26,920 --> 00:29:31,120
Speaker 4: I heard her say me next, me, Okay, that was

542
00:29:31,160 --> 00:29:34,360
Speaker 4: what I heard distinctly, next that the.

543
00:29:34,120 --> 00:29:41,840
Speaker 2: Butterfly left, go next, And I and what does that mean?

544
00:29:42,360 --> 00:29:43,000
Speaker 2: She can't fly?

545
00:29:43,440 --> 00:29:45,640
Speaker 3: And that's not any food that I've ever heard of.

546
00:29:45,840 --> 00:29:47,920
Speaker 2: No, it's not at the grocery. I feel like and

547
00:29:47,960 --> 00:29:51,160
Speaker 2: I've been me and I've asked me Next.

548
00:29:51,600 --> 00:29:53,640
Speaker 1: I haven't heard of that either, and I frequent many

549
00:29:53,640 --> 00:29:57,120
Speaker 1: grocery stores, so that's that seems accurate me.

550
00:29:57,920 --> 00:30:06,280
Speaker 4: Next, meat and eggs and eggs, meet and eggs.

551
00:30:06,520 --> 00:30:09,560
Speaker 3: You basically go to the grocery store to get meat

552
00:30:09,600 --> 00:30:10,480
Speaker 3: and eggs.

553
00:30:10,760 --> 00:30:13,560
Speaker 5: Mhm mm hmm.

554
00:30:16,800 --> 00:30:21,640
Speaker 4: Well, uh, I don't want to like obviously attack you. You

555
00:30:21,520 --> 00:30:22,760
Speaker 4: haven't been helpful at all.

556
00:30:23,960 --> 00:30:28,640
Speaker 3: So because I want to be happy, provide number one

557
00:30:28,680 --> 00:30:28,960
Speaker 3: for me.

558
00:30:29,680 --> 00:30:32,479
Speaker 4: Yes, of course, the most important thing to me is

559
00:30:32,520 --> 00:30:33,640
Speaker 4: that she's happy.

560
00:30:34,480 --> 00:30:39,120
Speaker 2: And then I would say my first priority is thank you,

561
00:30:39,240 --> 00:30:40,920
Speaker 2: my own happiness.

562
00:30:40,560 --> 00:30:43,520
Speaker 1: Yes, and she's part of that.

563
00:30:43,680 --> 00:30:43,840
Speaker 3: Right.

564
00:30:43,960 --> 00:30:49,480
Speaker 1: Your happiness would mean that she wouldn't leave you. Oh yeah,

565
00:30:50,640 --> 00:30:52,239
Speaker 1: I would be sad if your wife loved me.

566
00:30:53,080 --> 00:30:53,320
Speaker 2: Yeah.

567
00:30:53,400 --> 00:30:57,720
Speaker 1: Yeah, I would be sad about that too. What can

568
00:30:57,760 --> 00:30:59,120
Speaker 1: we I would like to help?

569
00:30:59,720 --> 00:31:01,840
Speaker 2: What?

570
00:31:00,680 --> 00:31:00,720
Speaker 7: What?

571
00:31:01,840 --> 00:31:04,120
Speaker 3: What's the thing that we can say or I guess, like,

572
00:31:04,720 --> 00:31:10,960
Speaker 3: what's the correct intonation for being like come on? Mm hmmm?

573
00:31:11,440 --> 00:31:13,600
Speaker 1: Is it like that is like you mean like dismissing her.

574
00:31:13,880 --> 00:31:15,400
Speaker 3: Let me just try a bunch of different ones and

575
00:31:15,440 --> 00:31:17,360
Speaker 3: you can just sort of like react to give me

576
00:31:17,400 --> 00:31:18,880
Speaker 3: a break ahead, like.

577
00:31:20,600 --> 00:31:24,760
Speaker 5: Come on, meat eggs.

578
00:31:25,720 --> 00:31:31,120
Speaker 3: Okay, that's bad, right, I can't be good. Okay, okay, okay,

579
00:31:33,720 --> 00:31:34,160
Speaker 3: come on.

580
00:31:36,280 --> 00:31:41,920
Speaker 1: Like that, and she said this, laughing good.

581
00:31:42,800 --> 00:31:51,440
Speaker 3: God, wow, it was right there in the Oh God,

582
00:31:52,120 --> 00:31:52,600
Speaker 3: right there.

583
00:31:52,720 --> 00:31:54,880
Speaker 1: It's always right there. That's what I've been trying to get.

584
00:31:55,880 --> 00:31:58,200
Speaker 3: He's trying to warn me the whole time.

585
00:31:59,720 --> 00:32:03,520
Speaker 1: It's right share in the bridge.

586
00:32:05,480 --> 00:32:07,719
Speaker 3: I would kind of he would say, it's just like

587
00:32:07,760 --> 00:32:09,520
Speaker 3: the ocean under the moon, and I'd be like, I

588
00:32:09,600 --> 00:32:12,719
Speaker 3: can kind of be just trying to unpack that the

589
00:32:12,720 --> 00:32:14,480
Speaker 3: rest of the song, so all the other stuff, I

590
00:32:14,520 --> 00:32:18,480
Speaker 3: would be like, not really listening because in what respect

591
00:32:18,600 --> 00:32:19,280
Speaker 3: is it like that?

592
00:32:20,120 --> 00:32:20,360
Speaker 1: Yeah?

593
00:32:20,400 --> 00:32:21,080
Speaker 3: You know what I mean?

594
00:32:21,320 --> 00:32:24,160
Speaker 4: Yeah, I guess I didn't have a really clear association

595
00:32:24,320 --> 00:32:28,960
Speaker 4: of the ocean under the moon, and so what am

596
00:32:28,960 --> 00:32:33,600
Speaker 4: I supposed to just like like it's.

597
00:32:32,600 --> 00:32:37,920
Speaker 9: Soaked, m it's vast, it's far apart, you know what

598
00:32:38,000 --> 00:32:42,840
Speaker 9: I mean, it's just tide, one thing on the tide ones.

599
00:32:42,880 --> 00:32:44,720
Speaker 4: I guess it's under the moon during the day too,

600
00:32:44,800 --> 00:32:46,280
Speaker 4: I mean it's under the moon.

601
00:32:46,440 --> 00:32:51,520
Speaker 6: Yeah, Jackie, can I tell you about my choreography I'm

602
00:32:51,520 --> 00:32:55,080
Speaker 6: working on? Okay, the show.

603
00:32:55,160 --> 00:32:57,840
Speaker 1: I didn't realize he was kind of on the show too. Yeah,

604
00:32:59,280 --> 00:33:01,440
Speaker 1: well he has to, he is, he is he has

605
00:33:01,480 --> 00:33:04,680
Speaker 1: his own camera and everything, and he.

606
00:33:04,600 --> 00:33:08,720
Speaker 3: Has to drive. And he's involved in our opening act

607
00:33:08,760 --> 00:33:10,440
Speaker 3: because also he has to drive his wife to go

608
00:33:10,480 --> 00:33:11,240
Speaker 3: to show, so.

609
00:33:11,200 --> 00:33:14,280
Speaker 1: He's driving her from LA to New York. Wow, road

610
00:33:14,320 --> 00:33:16,400
Speaker 1: trip with all those clothes on too.

611
00:33:16,760 --> 00:33:19,000
Speaker 3: It's not real, he says, road trip. But she's like,

612
00:33:19,160 --> 00:33:19,520
Speaker 3: we're not.

613
00:33:20,200 --> 00:33:23,880
Speaker 1: This is not a road trip, semantics.

614
00:33:24,080 --> 00:33:28,320
Speaker 6: Okay, please the show starts. All the lights turn off.

615
00:33:29,560 --> 00:33:32,800
Speaker 6: My friend Darius is coming. He's a theatrical director. Ladies

616
00:33:32,800 --> 00:33:36,960
Speaker 6: and gentlemen, please turn your cell phones off. I come

617
00:33:37,000 --> 00:33:38,080
Speaker 6: out on stage, big.

618
00:33:37,880 --> 00:33:38,560
Speaker 3: Spotlight on me.

619
00:33:40,120 --> 00:33:43,760
Speaker 6: Actually get your phones out. Everyone's looking at each other.

620
00:33:44,320 --> 00:33:44,760
Speaker 3: Wait what.

621
00:33:46,800 --> 00:33:51,840
Speaker 6: And play your favorite song full blast? Yep, trust me.

622
00:33:52,080 --> 00:33:55,680
Speaker 6: Everyone's looking so confused. I'm going wait, wait, wait, trust me.

623
00:33:56,240 --> 00:33:58,960
Speaker 3: Can I just clear this is our this is for

624
00:33:59,080 --> 00:34:03,040
Speaker 3: our show. I'm opening for the opener Okay.

625
00:34:02,720 --> 00:34:05,880
Speaker 1: Okay, got it? Okay, So that's two openers, I believe.

626
00:34:05,960 --> 00:34:08,000
Speaker 3: And are we going to find out what yours is called?

627
00:34:08,040 --> 00:34:10,480
Speaker 3: And like what yours? This is a different show? What

628
00:34:10,640 --> 00:34:11,560
Speaker 3: are doors?

629
00:34:12,120 --> 00:34:12,959
Speaker 6: Doors are at two?

630
00:34:13,440 --> 00:34:17,960
Speaker 1: Okay? Okay, it's like a festival at this point.

631
00:34:18,400 --> 00:34:20,200
Speaker 2: Yeah, it's starting to feel that way.

632
00:34:20,360 --> 00:34:22,120
Speaker 3: And we were saying we don't want to eat your lunch.

633
00:34:22,160 --> 00:34:27,040
Speaker 3: But like we're getting closer to this, we're like a lunch.

634
00:34:27,360 --> 00:34:35,040
Speaker 6: Yeah, everyone play your favorite song. Everyone's very full blast.

635
00:34:35,719 --> 00:34:41,759
Speaker 6: Trust me. Here, I have two headset mics and a microphone.

636
00:34:43,280 --> 00:34:47,560
Speaker 1: Trust me, it's like that song a microphone.

637
00:34:48,239 --> 00:34:50,880
Speaker 2: And my friend Darnius is here, he's a theater director.

638
00:34:52,560 --> 00:34:53,719
Speaker 6: Someone's playing that song too.

639
00:34:53,840 --> 00:34:57,120
Speaker 1: It's that's your favorite that's my favorite song.

640
00:34:57,440 --> 00:35:01,080
Speaker 3: I say number one, huh oh all time?

641
00:35:02,880 --> 00:35:06,879
Speaker 4: That was a good drum break, that's that's a good

642
00:35:06,960 --> 00:35:10,640
Speaker 4: feeling to just unequivocally know what your favorite song of

643
00:35:10,680 --> 00:35:11,480
Speaker 4: all time is.

644
00:35:12,120 --> 00:35:12,880
Speaker 2: And it's a fun one.

645
00:35:12,960 --> 00:35:16,760
Speaker 1: So many options, yeah, so many moods you could choose.

646
00:35:17,920 --> 00:35:20,520
Speaker 2: Has it been since it came out? That's been it,

647
00:35:21,320 --> 00:35:21,759
Speaker 2: that's it.

648
00:35:21,800 --> 00:35:23,960
Speaker 1: Someday that's gonna be my funeral song.

649
00:35:25,239 --> 00:35:27,080
Speaker 2: And then we'll dig up the casket and steal a

650
00:35:27,160 --> 00:35:27,799
Speaker 2: check out here.

651
00:35:28,440 --> 00:35:30,440
Speaker 3: And are people is the idea? Like, are people gonna

652
00:35:30,480 --> 00:35:35,120
Speaker 3: be talking? Sorry? When you say this could be interesting thing?

653
00:35:35,160 --> 00:35:37,320
Speaker 3: You say, play your favorite song full blast. Now everyone's

654
00:35:37,360 --> 00:35:39,040
Speaker 3: kind of talking about their favorite song.

655
00:35:39,200 --> 00:35:41,400
Speaker 6: I'm asking people to not talk.

656
00:35:41,520 --> 00:35:44,440
Speaker 3: Okay, well you didn't do that.

657
00:35:44,440 --> 00:35:46,480
Speaker 6: That might happen. I might have to say, play your

658
00:35:46,480 --> 00:35:50,000
Speaker 6: favorite song. Everyone's going full blast. Hey, I like back,

659
00:35:50,320 --> 00:35:54,160
Speaker 6: I go s and they turnd their probably him down, No, no, no,

660
00:35:54,960 --> 00:35:55,800
Speaker 6: play the song.

661
00:35:56,440 --> 00:35:57,640
Speaker 2: The song's full blast.

662
00:35:57,800 --> 00:36:00,279
Speaker 3: Yeah, yeah, you.

663
00:36:00,239 --> 00:36:03,320
Speaker 6: Have to be quiet, please, everyone's playing their song. I'm

664
00:36:03,360 --> 00:36:06,800
Speaker 6: pacing back and forth on the stage, hands, fingertips touching.

665
00:36:08,320 --> 00:36:12,839
Speaker 1: Wait, so the microphone your microphones.

666
00:36:13,040 --> 00:36:16,840
Speaker 3: Your fingertips are touching, but you're holding the microphone between

667
00:36:16,880 --> 00:36:23,680
Speaker 3: your palms. Yeah, I'm kind of symbol Yeah, is it

668
00:36:23,760 --> 00:36:24,520
Speaker 3: secret in there?

669
00:36:24,640 --> 00:36:26,919
Speaker 6: Kind of I do a whole thing on that. Just wait,

670
00:36:28,200 --> 00:36:28,920
Speaker 6: isn't it interesting?

671
00:36:28,920 --> 00:36:31,560
Speaker 3: I don't really want I don't have that much time.

672
00:36:32,400 --> 00:36:33,839
Speaker 3: It's different from this thing.

673
00:36:35,520 --> 00:36:38,680
Speaker 6: And here's kind of a fancy theatrical trick I do.

674
00:36:39,239 --> 00:36:41,160
Speaker 6: I have a big spotlight on me, but when I'm

675
00:36:41,200 --> 00:36:43,680
Speaker 6: going back and forth, the spotlight is not following me.

676
00:36:43,840 --> 00:36:47,520
Speaker 6: It stays in the same place, not even for cometic effect.

677
00:36:47,600 --> 00:36:52,080
Speaker 6: I'm just going back and forth. Isn't it interesting how

678
00:36:52,120 --> 00:36:54,920
Speaker 6: we have all these different opinions but we think we're

679
00:36:55,640 --> 00:36:56,360
Speaker 6: so similar.

680
00:36:57,880 --> 00:37:01,319
Speaker 3: Well, what if a lot of people play I mean, like, yeah,

681
00:37:01,480 --> 00:37:02,399
Speaker 3: a lot of people like that.

682
00:37:03,000 --> 00:37:05,040
Speaker 4: I know, I know Jackie and I are playing the

683
00:37:05,080 --> 00:37:08,520
Speaker 4: same song already, So and I know Hayes is borrowing

684
00:37:08,600 --> 00:37:09,160
Speaker 4: my phone.

685
00:37:10,239 --> 00:37:13,040
Speaker 3: Have you planned have you planned for that?

686
00:37:13,120 --> 00:37:14,360
Speaker 2: Do you have like an alt?

687
00:37:14,800 --> 00:37:18,359
Speaker 6: I have a friend at best Buy who's bringing forty iPads.

688
00:37:18,800 --> 00:37:23,480
Speaker 6: I'm paying him eighty percent of my cut to play

689
00:37:24,040 --> 00:37:26,680
Speaker 6: thirty nine different songs. They're all Beck songs because he

690
00:37:26,719 --> 00:37:27,200
Speaker 6: loves Beck.

691
00:37:27,640 --> 00:37:30,319
Speaker 1: All the iPads have like the five G on them.

692
00:37:30,239 --> 00:37:33,000
Speaker 3: Though, but will change. That's why he's it's a friend

693
00:37:33,000 --> 00:37:35,080
Speaker 3: from best Buy. And so they're stuck to the kind

694
00:37:35,120 --> 00:37:38,640
Speaker 3: of displays right right, But the display desk is on wheels,

695
00:37:39,040 --> 00:37:43,359
Speaker 3: So he's gonna yoke that the Kevin's car that he's

696
00:37:43,440 --> 00:37:45,920
Speaker 3: using to drive Lee across the country. They're going to

697
00:37:45,920 --> 00:37:51,919
Speaker 3: tow the display behind behind them into the theater.

698
00:37:53,000 --> 00:37:56,520
Speaker 6: And he's he's going back and forth. Forty at least

699
00:37:56,560 --> 00:37:59,520
Speaker 6: forty two different songs are playing. Isn't it interesting how

700
00:37:59,560 --> 00:38:02,640
Speaker 6: we have all these We all think we're so similar,

701
00:38:02,760 --> 00:38:07,239
Speaker 6: but when you get down to our deepest desires, we're

702
00:38:07,280 --> 00:38:09,440
Speaker 6: all very Now, I should say the opposite.

703
00:38:09,760 --> 00:38:11,920
Speaker 1: Isn't it interesting this with us?

704
00:38:12,080 --> 00:38:12,600
Speaker 3: Right now?

705
00:38:13,120 --> 00:38:15,000
Speaker 2: Well, I'm getting so long.

706
00:38:15,200 --> 00:38:17,120
Speaker 6: What did you say about We asked.

707
00:38:16,840 --> 00:38:19,480
Speaker 2: Four questions that you said that they would be answered,

708
00:38:19,520 --> 00:38:23,560
Speaker 2: but just wait, and we're not anywhere near answering any

709
00:38:23,600 --> 00:38:23,879
Speaker 2: of them.

710
00:38:23,920 --> 00:38:26,840
Speaker 1: I am kind of curious though, about asking everyone to

711
00:38:26,880 --> 00:38:29,960
Speaker 1: blast their song. I feel like there is something exciting

712
00:38:30,000 --> 00:38:32,440
Speaker 1: about that and kind of avant garde, and I would

713
00:38:32,440 --> 00:38:34,680
Speaker 1: be curious that the music choices.

714
00:38:35,080 --> 00:38:41,960
Speaker 3: But where it's going from here has me same feeling sick. Yeah,

715
00:38:42,000 --> 00:38:44,240
Speaker 3: what was the first question about the choreography.

716
00:38:46,000 --> 00:38:48,000
Speaker 6: It's about a shoulder roll I'm about to do.

717
00:38:48,120 --> 00:38:48,600
Speaker 3: Okay.

718
00:38:48,880 --> 00:38:50,600
Speaker 6: Is it interesting how we have all.

719
00:38:50,560 --> 00:38:53,440
Speaker 3: These that has yet to happen.

720
00:38:55,719 --> 00:38:58,359
Speaker 6: It's so interesting how we have all these different opinions,

721
00:38:59,000 --> 00:39:04,800
Speaker 6: like our taste in music. For example. See I point everyone,

722
00:39:05,080 --> 00:39:07,240
Speaker 6: see how you have all these different tastes in music,

723
00:39:08,320 --> 00:39:10,680
Speaker 6: But when you get down to it, our deepest desires,

724
00:39:12,320 --> 00:39:15,279
Speaker 6: we're all pretty similar. And I do a shoulder roll

725
00:39:16,840 --> 00:39:19,319
Speaker 6: and I start to dance a little bit.

726
00:39:20,360 --> 00:39:22,120
Speaker 3: Do you think a shoulder roll is a good way

727
00:39:22,200 --> 00:39:23,720
Speaker 3: to Is the music still playing?

728
00:39:23,960 --> 00:39:24,319
Speaker 6: It is all?

729
00:39:24,440 --> 00:39:25,680
Speaker 1: Yeah?

730
00:39:26,160 --> 00:39:29,240
Speaker 2: Yeah, the shoulder role showing me that I'm similar because

731
00:39:29,360 --> 00:39:30,319
Speaker 2: I can't do that.

732
00:39:30,440 --> 00:39:34,600
Speaker 1: I honestly don't know if one single shoulder role is

733
00:39:34,719 --> 00:39:41,200
Speaker 1: considered Rob Chudry, rub Qordry. Yeah, isn't that what you're saying?

734
00:39:41,800 --> 00:39:45,040
Speaker 2: Yeah, Cory q adreography.

735
00:39:47,400 --> 00:39:51,680
Speaker 1: You know, I don't know, like is one chordary cordy robography?

736
00:39:52,520 --> 00:39:54,160
Speaker 1: Chord robography?

737
00:39:54,960 --> 00:39:56,600
Speaker 3: Is that? Is that? What that is?

738
00:39:56,920 --> 00:39:58,840
Speaker 1: I feel like it needs at least two moves to

739
00:39:58,920 --> 00:40:03,640
Speaker 1: be considered. Corey rob Durfy, that's a good.

740
00:40:03,600 --> 00:40:06,640
Speaker 4: Question, well, he said, Then I start to dance a little.

741
00:40:06,719 --> 00:40:09,280
Speaker 4: But it's just like if the question is about choreography,

742
00:40:09,800 --> 00:40:13,719
Speaker 4: and then and then the quadi robgraphy that you describe

743
00:40:14,400 --> 00:40:16,279
Speaker 4: is just I start to dance a little.

744
00:40:16,400 --> 00:40:19,239
Speaker 3: And how are you gonna which song? If it's if

745
00:40:19,280 --> 00:40:24,040
Speaker 3: it is, if it all goes according to and everything is,

746
00:40:24,160 --> 00:40:26,440
Speaker 3: every song is different playing at once, how are you

747
00:40:26,520 --> 00:40:29,080
Speaker 3: gonna pick what song? I guess on one of the

748
00:40:29,200 --> 00:40:33,160
Speaker 3: forty iPads, you're gonna have something cued up that you're

749
00:40:33,200 --> 00:40:34,719
Speaker 3: gonna zero in on.

750
00:40:35,800 --> 00:40:38,319
Speaker 6: What I'm very confident about, and I haven't tried this yet,

751
00:40:38,480 --> 00:40:41,160
Speaker 6: is that at some point all forty songs will sync

752
00:40:41,239 --> 00:40:41,520
Speaker 6: up for.

753
00:40:41,520 --> 00:40:45,479
Speaker 3: A couple of seconds. It's just one shoulder role. I guess.

754
00:40:45,760 --> 00:40:51,440
Speaker 6: Yeah, what okay, spotlight move right to my shoulder. When

755
00:40:51,480 --> 00:40:55,120
Speaker 6: I do the shoulder roll, I talk about how I

756
00:40:55,320 --> 00:40:56,600
Speaker 6: injured my shoulder.

757
00:40:56,320 --> 00:40:58,920
Speaker 4: Right, Well, what was the cool theatrical technique that the

758
00:40:59,000 --> 00:41:01,600
Speaker 4: spotlight holds ill and then you walk out of it

759
00:41:01,800 --> 00:41:03,640
Speaker 4: so that we just like kind of can't see you.

760
00:41:03,840 --> 00:41:06,719
Speaker 3: But what's the and the spotlight and the spotlight is

761
00:41:06,800 --> 00:41:07,920
Speaker 3: so small.

762
00:41:10,120 --> 00:41:12,359
Speaker 2: That it's like a shoulder pad.

763
00:41:14,160 --> 00:41:19,960
Speaker 6: It is a shoulder pad. The spotlight people are expecting

764
00:41:20,040 --> 00:41:20,319
Speaker 6: to see.

765
00:41:20,320 --> 00:41:24,359
Speaker 3: The spotlight is not gonna move. You're just gonna move. Yeah,

766
00:41:24,440 --> 00:41:27,080
Speaker 3: I'm the shoulder into the spotlight area.

767
00:41:28,960 --> 00:41:36,120
Speaker 6: Yeah, loudly too, I'm gonna go hey, Yeah, shoulder goes

768
00:41:36,200 --> 00:41:39,680
Speaker 6: right into the spotlight, so no one can see.

769
00:41:39,520 --> 00:41:39,960
Speaker 3: You at all.

770
00:41:40,600 --> 00:41:43,279
Speaker 1: The only light on the stage is the shoulder pad light.

771
00:41:44,640 --> 00:41:46,480
Speaker 3: They can at all. You can see the shoulder.

772
00:41:46,520 --> 00:41:48,080
Speaker 6: You can see the shoulder, and you can hear me

773
00:41:48,120 --> 00:41:50,320
Speaker 6: because I have two headset mics and a microphone.

774
00:41:51,840 --> 00:41:52,400
Speaker 1: Where it's at.

775
00:41:53,719 --> 00:41:54,840
Speaker 2: Yeah, I'm concerned.

776
00:41:55,000 --> 00:41:59,319
Speaker 4: Like the part I like is so first of all,

777
00:41:59,560 --> 00:42:01,279
Speaker 4: we can all agree that Kevin does not have a

778
00:42:01,320 --> 00:42:02,160
Speaker 4: friend at Best Bike.

779
00:42:03,600 --> 00:42:06,360
Speaker 2: So what I like is when you come out and.

780
00:42:06,400 --> 00:42:09,320
Speaker 4: You say, everyone in the audience start playing your favorite

781
00:42:09,360 --> 00:42:14,120
Speaker 4: song full blast. That in keeping with our concept from before,

782
00:42:14,280 --> 00:42:17,279
Speaker 4: I think that Leah and Joey Tribuatti from Friends will

783
00:42:17,280 --> 00:42:19,120
Speaker 4: probably both start playing the same song.

784
00:42:19,080 --> 00:42:26,480
Speaker 2: Yes, yes, and I think this will be yes yeah,

785
00:42:26,600 --> 00:42:34,520
Speaker 2: because I probably afromns. It's it's definitely an Afro man's.

786
00:42:34,320 --> 00:42:36,720
Speaker 1: Song, right, and I think it might be a B side,

787
00:42:36,920 --> 00:42:43,600
Speaker 1: probably because I got a hot Yeah, that's high on

788
00:42:43,680 --> 00:42:44,279
Speaker 1: my list too.

789
00:42:45,200 --> 00:42:45,480
Speaker 2: Sure.

790
00:42:45,719 --> 00:42:47,759
Speaker 4: Yeah, I mean it's not number one just because of

791
00:42:47,800 --> 00:42:50,840
Speaker 4: the Beck song. But it's like, who wasn't you know,

792
00:42:51,520 --> 00:42:53,600
Speaker 4: thinking about cleaning their room at one point?

793
00:42:54,760 --> 00:42:58,040
Speaker 3: So now you've brought them even closer together, basically because

794
00:42:58,120 --> 00:43:02,000
Speaker 3: like this is yet another connection, the pave for words,

795
00:43:02,120 --> 00:43:03,919
Speaker 3: and they've already been making love.

796
00:43:04,600 --> 00:43:06,640
Speaker 4: This is when they realize, yeah, that they have more

797
00:43:06,719 --> 00:43:09,040
Speaker 4: in common than just a bunch of clothes.

798
00:43:10,400 --> 00:43:11,840
Speaker 2: Then it actually goes much deeper.

799
00:43:11,960 --> 00:43:13,759
Speaker 3: What's the what is the name of this show? Like,

800
00:43:13,880 --> 00:43:16,840
Speaker 3: what's the what's the premise? And maybe we can just

801
00:43:17,040 --> 00:43:18,880
Speaker 3: hear that and be done with this.

802
00:43:20,840 --> 00:43:27,640
Speaker 6: It's called Chef Kevin's One City Apology Tour and an

803
00:43:27,719 --> 00:43:30,560
Speaker 6: homage to my when I opened for you guys, remember

804
00:43:30,640 --> 00:43:31,000
Speaker 6: I did that.

805
00:43:33,360 --> 00:43:37,640
Speaker 2: It's got the same NA hit, Hey, play play the hits.

806
00:43:39,000 --> 00:43:39,160
Speaker 7: You know.

807
00:43:39,400 --> 00:43:41,840
Speaker 1: I'm gonna go ahead, and I hope you are not

808
00:43:41,920 --> 00:43:46,320
Speaker 1: offended by this, but I'm gonna say no, thanks yeah.

809
00:43:47,480 --> 00:43:49,080
Speaker 3: She's actually gonna say none, take it.

810
00:43:50,400 --> 00:43:54,280
Speaker 6: Yeah, should it be called no thanks? It's a great idea, Jackie.

811
00:43:54,960 --> 00:43:56,600
Speaker 1: You can call it whatever you want. But it's not

812
00:43:57,080 --> 00:44:00,680
Speaker 1: gonna go on tour with the Jackson. It just doesn't

813
00:44:00,760 --> 00:44:03,520
Speaker 1: sound on brand. I'm a very I have a brand.

814
00:44:03,719 --> 00:44:05,360
Speaker 1: I have a really strong brand.

815
00:44:05,480 --> 00:44:09,279
Speaker 3: Technically, we're opening, Okay, I got it, so I don't

816
00:44:09,320 --> 00:44:12,279
Speaker 3: have to saying it is what you're saying. I mean, like,

817
00:44:12,360 --> 00:44:14,879
Speaker 3: are you allowed to be like, Oh, this show from

818
00:44:15,080 --> 00:44:17,360
Speaker 3: the night before is not allowed to happen at the

819
00:44:17,400 --> 00:44:20,960
Speaker 3: same theater. You know, then why can't Why can't the

820
00:44:21,000 --> 00:44:22,080
Speaker 3: show at two pm?

821
00:44:22,320 --> 00:44:25,800
Speaker 2: There's only so much I hear you.

822
00:44:26,160 --> 00:44:30,040
Speaker 3: You know it's only oh, since he's opening for us,

823
00:44:30,120 --> 00:44:32,160
Speaker 3: that would have some control over whether or not he

824
00:44:32,280 --> 00:44:35,400
Speaker 3: does his show. Okay, And for that to happen, I

825
00:44:35,480 --> 00:44:37,360
Speaker 3: guess we'd have to get a little something in return.

826
00:44:37,880 --> 00:44:42,240
Speaker 3: Maybe your show ends up with all the first husbands

827
00:44:42,560 --> 00:44:43,600
Speaker 3: get married again.

828
00:44:45,880 --> 00:44:49,080
Speaker 1: But what if I and I'm just spitballing. I'm not

829
00:44:49,200 --> 00:44:50,280
Speaker 1: saying this is what's happening.

830
00:44:50,400 --> 00:44:51,520
Speaker 3: Yeah, yeah, yeah, yeah, yeah.

831
00:44:51,560 --> 00:44:52,480
Speaker 2: Try not to get it on me.

832
00:44:52,800 --> 00:44:53,080
Speaker 3: If I.

833
00:44:55,080 --> 00:44:56,240
Speaker 2: Here spitball I'll.

834
00:44:56,160 --> 00:45:00,759
Speaker 1: Try in order to eighty six Kevin the show. Yeah,

835
00:45:01,760 --> 00:45:06,160
Speaker 1: what if I just technicality wise get rid of y'all

836
00:45:06,320 --> 00:45:08,359
Speaker 1: opening for me so that I don't have to worry

837
00:45:08,360 --> 00:45:10,520
Speaker 1: about this show me?

838
00:45:11,120 --> 00:45:12,279
Speaker 2: Then what would I be doing?

839
00:45:15,040 --> 00:45:17,160
Speaker 3: That was what I was trying to I guess I

840
00:45:17,280 --> 00:45:18,280
Speaker 3: just need more information.

841
00:45:18,480 --> 00:45:19,799
Speaker 2: Yeah, I need to know what I'm doing.

842
00:45:19,800 --> 00:45:20,719
Speaker 1: Okay, what are you doing?

843
00:45:20,960 --> 00:45:21,160
Speaker 3: Yeah?

844
00:45:21,520 --> 00:45:23,360
Speaker 2: Just going and fucking myself?

845
00:45:25,360 --> 00:45:26,279
Speaker 1: It's always an option.

846
00:45:26,520 --> 00:45:28,359
Speaker 3: And this is basically what I said to my wife

847
00:45:28,400 --> 00:45:32,359
Speaker 3: as well, Yeah, okay, then like what do I great?

848
00:45:32,560 --> 00:45:35,319
Speaker 3: But like what the I just need to like, when

849
00:45:35,360 --> 00:45:37,759
Speaker 3: you're gonna do something like this, you just need to

850
00:45:38,000 --> 00:45:42,719
Speaker 3: like like have information to share and not just be

851
00:45:42,880 --> 00:45:46,439
Speaker 3: like I'm doing this. It's like, okay, that's that's one

852
00:45:46,640 --> 00:45:49,520
Speaker 3: tiny piece of what's happening, But there's.

853
00:45:49,400 --> 00:45:52,160
Speaker 4: Also a whole other person who doesn't know what they're doing,

854
00:45:52,360 --> 00:45:54,480
Speaker 4: and you're like not addressing it at all.

855
00:45:55,960 --> 00:45:57,200
Speaker 2: Doesn't sound like a show to me.

856
00:45:57,680 --> 00:45:59,640
Speaker 3: And this is what this is. You're not alone in

857
00:45:59,680 --> 00:46:01,720
Speaker 3: this lot of guests come on here and talk about

858
00:46:01,760 --> 00:46:08,000
Speaker 3: like some show somewhere and they're like, okay, that like

859
00:46:08,360 --> 00:46:11,919
Speaker 3: that's that's that's that is part of it for sure,

860
00:46:12,239 --> 00:46:13,240
Speaker 3: But like you didn't.

861
00:46:13,000 --> 00:46:15,640
Speaker 4: Say what I'm doing at all, there's and that's yeah,

862
00:46:15,760 --> 00:46:18,120
Speaker 4: and not only are you not alone and being a

863
00:46:18,160 --> 00:46:19,440
Speaker 4: guest here, it's like a lot.

864
00:46:19,360 --> 00:46:23,160
Speaker 2: Of movies show those books I read, they like got

865
00:46:23,440 --> 00:46:23,759
Speaker 2: What I.

866
00:46:23,840 --> 00:46:26,759
Speaker 4: Think they feel is like this complete work with all

867
00:46:26,800 --> 00:46:29,880
Speaker 4: this information and none of it is telling me what to.

868
00:46:30,120 --> 00:46:33,160
Speaker 2: Do yes, or like how to behave at all.

869
00:46:33,400 --> 00:46:35,960
Speaker 3: And this is what our show has been trying to

870
00:46:36,080 --> 00:46:41,600
Speaker 3: fill in that gap of like is for a while.

871
00:46:41,719 --> 00:46:43,480
Speaker 1: While I mean, I was here five years ago.

872
00:46:43,560 --> 00:46:46,800
Speaker 3: I know we've been kind of to us.

873
00:46:46,800 --> 00:46:49,359
Speaker 2: Because we were here five years ago and five years

874
00:46:49,400 --> 00:46:49,800
Speaker 2: before that.

875
00:46:49,920 --> 00:46:54,040
Speaker 3: That makes sense to say to the industry, like, Okay,

876
00:46:54,120 --> 00:46:57,200
Speaker 3: here's how you do a show about what I'm doing.

877
00:46:58,520 --> 00:46:59,280
Speaker 3: You know what I meant?

878
00:46:59,480 --> 00:47:03,719
Speaker 1: Honestly, now I need a major rewrite. I got it,

879
00:47:03,800 --> 00:47:04,600
Speaker 1: That's what I'm feeling.

880
00:47:04,800 --> 00:47:05,759
Speaker 2: He got it.

881
00:47:07,440 --> 00:47:11,480
Speaker 6: Hey, homage to the one and only Jackie. My show

882
00:47:11,600 --> 00:47:13,200
Speaker 6: is called pretty in Pink.

883
00:47:13,520 --> 00:47:16,680
Speaker 3: Okay, did you say pink pink cank?

884
00:47:17,040 --> 00:47:21,160
Speaker 6: Yes, the lights turned down two oh two.

885
00:47:22,040 --> 00:47:24,160
Speaker 3: My show starts kind of like pink.

886
00:47:24,840 --> 00:47:28,160
Speaker 1: Pink two oh two. You got everybody in there fast?

887
00:47:28,480 --> 00:47:28,719
Speaker 3: Yeah?

888
00:47:29,080 --> 00:47:31,040
Speaker 1: Well, doors it.

889
00:47:31,120 --> 00:47:34,880
Speaker 6: Two doors it two shows a too oh two. Okay,

890
00:47:36,640 --> 00:47:38,480
Speaker 6: it was kind of a swing two oh two or

891
00:47:38,840 --> 00:47:39,160
Speaker 6: four oh.

892
00:47:39,360 --> 00:47:41,640
Speaker 3: We got two shows after this, and we got to

893
00:47:41,640 --> 00:47:44,320
Speaker 3: clean up all these clothes. Every time.

894
00:47:45,800 --> 00:47:48,759
Speaker 6: All the lights turn off, spilight on the stage. Well,

895
00:47:48,760 --> 00:47:50,600
Speaker 6: I don't even see anyone, not even his shoulder.

896
00:47:53,400 --> 00:47:58,080
Speaker 2: Everyone turned around, Smoothie, Bye

897
00:48:00,040 --> 00:48:00,360
Speaker 8: Ampo.