WEBVTT - Historical Records: Mary Golda Ross (feat. Crystle Lightning and Kristina Halona)

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<v Speaker 1>In honor of Women's History Month, when Fridays, we'll be

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<v Speaker 1>releasing episodes of historical Records. My new podcast with the

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<v Speaker 1>story Pirates, is an explosive fusion of hip hop and history,

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<v Speaker 1>tailor made for music loving kids and families, a podcast

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<v Speaker 1>the entire family can listen to and enjoy together. In

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<v Speaker 1>today's episode, Niminy heads to out of Space to make

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<v Speaker 1>a brand new hip hop track about Mary Golden Ross,

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<v Speaker 1>the very first Native American female aerospace engineer. We hope

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<v Speaker 1>you enjoy Historical Records, the show that proves in order

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<v Speaker 1>to make history, you have to make some noise.

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<v Speaker 2>Rah today another hour.

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<v Speaker 3>We don't have that kind of time. Tina, the spaceship

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<v Speaker 3>is scheduled to blast off in one minute. One minute,

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<v Speaker 3>ll LOUNDI look, Tina, I don't care if my face

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<v Speaker 3>is on the outside anymore, so long as it flies

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<v Speaker 3>through space. Forget my gorgeous exterior design. Just make sure

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<v Speaker 3>we have a sturdy vessel.

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<v Speaker 1>Tina's gonna drive, But the time in his night, Tina's

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<v Speaker 1>gotta move.

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<v Speaker 3>Last fill the hype man gets it, Raccoons, Let's fire

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<v Speaker 3>up Dan Jacob. Hey, listeners, as you can likely tell,

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<v Speaker 3>you caught me at a pretty tense moment. I am

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<v Speaker 3>sitting inside a homemade rocket and am about to launch

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<v Speaker 3>into space. Why are we doing this well, Tina, I

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<v Speaker 3>am determined to be the first person in history to

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<v Speaker 3>record a song in space. Oh. I got the idea

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<v Speaker 3>from today's hero. I don't know that much about her,

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<v Speaker 3>but Mary Golda Ross is a NASA legend and it

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<v Speaker 3>got me thinking about space. Okay, and second till last, Tina,

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<v Speaker 3>please tell me we're ready. I'm just, you know, about

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<v Speaker 3>to get blasted into the great unknown and need to

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<v Speaker 3>know the rocket. It's good to go? Good? Oh, this

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<v Speaker 3>is gotta it close? Yes, you did it? Records. Here

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<v Speaker 3>we go. Three till one flap. That didn't sound good.

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<v Speaker 3>It almost sounded like the engine exploded. Okay, that definitely

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<v Speaker 3>sounded like the engine exploded.

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<v Speaker 4>It's historical records.

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<v Speaker 3>You are now listening to historical were To make history,

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<v Speaker 3>you got to have struggles to make history. You got

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<v Speaker 3>to show poised, cannot be quiet loud as the riot.

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<v Speaker 3>To make history, you gotta make some noise. Hi, listeners,

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<v Speaker 3>Niminy here welcoming you back to historical records. As you know,

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<v Speaker 3>this is the show where I spearhead daring experiments that

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<v Speaker 3>combine history and hip hop. Unfortunately, we are all to

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<v Speaker 3>a bad start today because the spaceship mostly built by

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<v Speaker 3>my raccoon assistance exploded. That's true, Tina, it was not

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<v Speaker 3>all your fault. It was mostly your fault. Anyway, Listeners,

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<v Speaker 3>the good news is that today's historic figure knows a

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<v Speaker 3>lot about spaceships. So I am really hoping to get

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<v Speaker 3>some inspiration or even directly snack some first hand space knowledge.

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<v Speaker 3>Let's head to the library to find my historian Gape.

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<v Speaker 3>What is that zaploys about Himine Gabe book, You just

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<v Speaker 3>appeared from nowhere.

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<v Speaker 5>Actually, I appeared from somewhere. I teleported here from the beach.

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<v Speaker 3>Is that why you're wearing those Neon red aviator sunglasses?

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<v Speaker 5>No, that's why I'm wearing these flippers. These sunglasses are

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<v Speaker 5>my new history simulator.

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<v Speaker 3>How futuristic and practical.

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<v Speaker 5>Indeed, I realized that if I could just figure out

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<v Speaker 5>how to teleport our body through space, then we wouldn't

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<v Speaker 5>need some big honking machine to get us around. We

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<v Speaker 5>could just appear anywhere in history without causing a stir.

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<v Speaker 3>I can't believe you figured out how teleportation works.

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<v Speaker 5>It took me all weekend, which was pretty annoying, but

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<v Speaker 5>I got there. Eventually. Turns out it's all just math.

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<v Speaker 3>Since one has one of my historians become a math expert.

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<v Speaker 5>History is my area of expertise, but math, math is

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<v Speaker 5>my passion. Everybody needs a hobby, Niminy, I feel like

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<v Speaker 5>I'm learning a.

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<v Speaker 3>Lot about you today. But wait, gate teleportation just moves

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<v Speaker 3>people from place to place. History simulators don't just need

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<v Speaker 3>to be able to move through space, they also need

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<v Speaker 3>to be able to move through time.

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<v Speaker 5>I was nervous about that too, but luckily time and

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<v Speaker 5>space are inextricably tied together, so we should be able

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<v Speaker 5>to get anywhere we need.

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<v Speaker 3>How does that work?

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<v Speaker 5>Time is just a line, hence the phrase timeline. That

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<v Speaker 5>means that any date in the past is just a

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<v Speaker 5>location on that line. You follow, I.

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<v Speaker 3>Do, But you're really surprising me today with this expert

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<v Speaker 3>level math and time travel knowledge, I feel like I'm

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<v Speaker 3>meeting a whole new Gabe.

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<v Speaker 5>Oh, I'm a very different Gabe than I was yesterday,

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<v Speaker 5>and a very different game than I'll be tomorrow. That is,

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<v Speaker 5>if everything goes according to plan, you know, Niminy, Change

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<v Speaker 5>is the only constant.

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<v Speaker 3>Ain't that the truth? Now?

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<v Speaker 5>Shall we zap our way straight into the life of

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<v Speaker 5>Mary Golde Ross?

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<v Speaker 3>Absolutely? But Gabe, how am I supposed to get around?

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<v Speaker 3>If you're the one wearing the history simulator glasses?

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<v Speaker 5>I made you your own pair.

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<v Speaker 3>Fantastic news for the both of us.

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<v Speaker 5>Here you go, and off we head to the National

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<v Speaker 5>Mall in Washington, d C. Two thousand and four.

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<v Speaker 3>Oh, what's it the big.

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<v Speaker 5>Don't worry, we'll reappear momentarily.

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<v Speaker 3>Here we are. Huh the teleportation sunglasses worked. By the way,

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<v Speaker 3>what was that white void we passed through?

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<v Speaker 5>No clue, but I'm really hoping we never get stuff

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<v Speaker 5>in there anyway. Welcome to DC.

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<v Speaker 3>Yes, it's so muggy here is it summer?

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<v Speaker 5>It's early fall? Actually, But people forget our nation's capital

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<v Speaker 5>was built on a swamp next to the Potomac River.

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<v Speaker 3>The air is so soggy I can barely see where

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<v Speaker 3>we are. Oh. Also, the lenses on these sunglasses are

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<v Speaker 3>incredibly dark.

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<v Speaker 5>Both true statements. I can barely see as well. But

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<v Speaker 5>I happen to know. We are a little less than

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<v Speaker 5>a mile from the Lincoln Memorial, the Washington Monument, and

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<v Speaker 5>the White House.

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<v Speaker 3>Coo, go go go, go go cool. But Gabe, who

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<v Speaker 3>is that ninety year old woman in that stunningly beautiful

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<v Speaker 3>ancestral Cherokee dress? And why is she leading that processional?

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<v Speaker 3>That's Mary Goldo Ross. I suppose I should have seen

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<v Speaker 3>that coming.

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<v Speaker 5>And she's leading a procession of Indigenous people to celebrate

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<v Speaker 5>the opening of the Smithsonian's National Museum of the American Indian.

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<v Speaker 3>That seems less obvious but makes perfect sense. Huh. If

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<v Speaker 3>she was chosen to lead the processional, she must be

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<v Speaker 3>pretty important.

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<v Speaker 5>Her legacy, much like space, is immeasurable. She made a

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<v Speaker 5>massive impact in US history, Cherokee history, and the space race.

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<v Speaker 3>Space race, you mean the competition between the US and

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<v Speaker 3>the Soviet Union to have superior spaceflight capabilities.

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<v Speaker 5>That's the one, and Mary was right in the middle

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<v Speaker 5>of it. She was a brilliant mathematician specializing in aeronautics,

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<v Speaker 5>so she helped write NASA's manuals for manned spaceflights, all

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<v Speaker 5>while being a proud Cherokee.

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<v Speaker 3>This woman is awesome, And as someone who is hoping

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<v Speaker 3>to get into space herself, maybe we could back up

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<v Speaker 3>a bit and see how she got here. I'd love

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<v Speaker 3>to get away closer, look at some of her technical

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<v Speaker 3>know how. That way, maybe a certain podcast host can

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<v Speaker 3>try to get her rocket ship to take off. You

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<v Speaker 3>know what I mean.

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<v Speaker 5>You will need to put your sunglasses back on.

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<v Speaker 6>Ready, set tell apart, disappearing, passing through the weird white board,

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<v Speaker 6>and reappearing.

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<v Speaker 5>Santa Fe, New Mexico in nineteen forty two.

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<v Speaker 3>Ooh, it's hot, hair too, but dry as a sand sandwich.

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<v Speaker 5>My lips are getting chapped just standing here. Let's head

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<v Speaker 5>inside that school.

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<v Speaker 3>Oh wow, speaking of dry, look at that math equation.

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<v Speaker 3>Mary golda Ross is riding on the chalkboard.

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<v Speaker 5>Five Very good, pretty complicated stuff to be sure.

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<v Speaker 3>All right, those kids were saved by the bell help?

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<v Speaker 3>But wait, is she helping that young woman after hours?

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<v Speaker 5>Indeed she is, because Mary was a math teacher and

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<v Speaker 5>advisor for Native American girls in Santa Fe, New Mexico.

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<v Speaker 3>And now her classroom phone is ringing. This woman is busy.

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<v Speaker 5>You have no idea. This is her literally answering the

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<v Speaker 5>call to help the nation in nineteen forty two, when

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<v Speaker 5>World War II broke out.

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<v Speaker 3>How could a math teacher with a master's degree help

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<v Speaker 3>the nation during war?

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<v Speaker 5>First, she joined the Lockheed Aircraft Corporation. Next, she used

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<v Speaker 5>math to keep fighter checks from falling apart while flying

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<v Speaker 5>close to the speed of sound.

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<v Speaker 3>Sounds like we should speed to Lockheed Aircraft Corporation so

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<v Speaker 3>we can see her work first hand.

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<v Speaker 5>To Lockheed in nineteen fifty seven. Ready, study teleport and.

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<v Speaker 3>Our bodies are disappearing. A quick wave and the scary whiteboard.

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<v Speaker 3>And now we're at Lockheed, finally a place with a

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<v Speaker 3>temporate climate. Gabe, is it just me? Or is Mary

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<v Speaker 3>the only woman here?

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<v Speaker 5>The only other woman was the secretary.

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<v Speaker 3>And look at her tools. A slide ruler and the

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<v Speaker 3>world's largest calculator.

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<v Speaker 5>That's called a freedom calculator.

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<v Speaker 3>Verty amazing the things she worked on planes with these

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<v Speaker 3>totally old school tools. Hey, why is everyone at Lockheed

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<v Speaker 3>in such a huge hurry?

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<v Speaker 5>Remember they're in a.

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<v Speaker 3>Race, a space race, right? But how did the space

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<v Speaker 3>race begin? Why was everyone suddenly so desperate to get

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<v Speaker 3>into space?

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<v Speaker 5>After World War Two, the United States and this Union

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<v Speaker 5>got into a heated competition called the Cold War, and

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<v Speaker 5>a big part of that struggle was over the control

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<v Speaker 5>of space.

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<v Speaker 3>Gotcha, So everyone's eyes were on the.

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<v Speaker 5>Stars, and in nineteen fifty seven, the Soviets launched the

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<v Speaker 5>first ever satellite into orbit, which was called Sputnick.

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<v Speaker 3>So Mary and all her colleagues are trying to catch up.

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<v Speaker 5>It was all hands on deck for US scientists, engineers,

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<v Speaker 5>and mathematicians. But eventually Mary went to NASA. Shall we

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<v Speaker 5>join her there?

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<v Speaker 3>On your marks?

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<v Speaker 5>Get set teleports.

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<v Speaker 3>I'm terrifying.

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<v Speaker 5>My god, I don't work here, but welcome to NASA.

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<v Speaker 7>Oo.

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<v Speaker 3>Look, Mary is over there. Let's go check out what

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<v Speaker 3>she's working on. See if maybe I can learn how

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<v Speaker 3>to get a spaceship in the air.

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<v Speaker 5>Okay, but we should probably try not to be noticed

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<v Speaker 5>because most of what Mary's working on is top secret.

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<v Speaker 3>You're totally right, Gabe. It says top secret right on

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<v Speaker 3>top of the manual she's typing up. Oh. I feel

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<v Speaker 3>like we're in a spy.

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<v Speaker 5>Movie from the looks of it. The thing that she's

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<v Speaker 5>working on is the operational requirements for a spacecraft.

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<v Speaker 3>Jackpot, that's exactly what I need to get my spacecraft

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<v Speaker 3>into space. Just gonna write a couple things down.

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<v Speaker 5>That manual is an absolutely vital part of the Apollo program.

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<v Speaker 5>And you see that pile of papers on her desk, Oh,

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<v Speaker 5>that's gonna turn into NASA's Planetary Flight Handbook.

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<v Speaker 3>Isn't that NASA's comprehensive guide to space travel? Sure is

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<v Speaker 3>bubble Jackpot just gonna take a couple more notes here, and.

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<v Speaker 5>This report over here is full of preliminary concepts for

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<v Speaker 5>flights to Mars and Venus.

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<v Speaker 3>Are you saying that Mary laid the groundwork for missions

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<v Speaker 3>that haven't yet come to fruition. I am Oh, she's

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<v Speaker 3>so cool. I love learning about cool people.

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<v Speaker 5>You're not alone, which is why there's a sculpture of

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<v Speaker 5>her at Buffalo State College. Also, there's a painting by

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<v Speaker 5>Cherokee artist to America Meredith at the Smithsonian National Museum

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<v Speaker 5>of the American Indian that we have to go see

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<v Speaker 5>it better.

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<v Speaker 3>Be her against a starry rocket filled sky.

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<v Speaker 5>That is exactly what it is. How did you know that?

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<v Speaker 3>Good guess? Tward time.

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<v Speaker 5>And we're back to the Smithsonian.

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<v Speaker 3>Look, there's our painting, Merey Golde Ross in space. It's

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<v Speaker 3>absolutely stunning. Well, let's get closer.

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<v Speaker 5>The painting is entitled ad Astra per Astra, which means

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<v Speaker 5>to the stars from the stars, and a reference to

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<v Speaker 5>a Cherokee origin story about how humans arrived on Earth

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<v Speaker 5>from the Pleiades. Let's take a closer look.

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<v Speaker 3>Look at all this detail. Wow, this painting is packed

0:12:46.040 --> 0:12:48.280
<v Speaker 3>with symbolism. I actually know about this.

0:12:48.800 --> 0:12:49.400
<v Speaker 5>Say more.

0:12:49.600 --> 0:12:54.280
<v Speaker 3>Okay, First, there's this seven pointed star, which references the

0:12:54.360 --> 0:12:59.360
<v Speaker 3>seven Sisters constellation Bigo. Second you have the seven clans

0:12:59.360 --> 0:13:03.000
<v Speaker 3>of the Cherokee Bengo. And last you have got the

0:13:03.080 --> 0:13:07.480
<v Speaker 3>seven directions in Cherokee cosmology Bongo niminy.

0:13:07.880 --> 0:13:09.720
<v Speaker 5>I had no idea. You knew all that.

0:13:10.400 --> 0:13:12.880
<v Speaker 3>It's pretty amazing the stuff that will float around in

0:13:12.920 --> 0:13:16.120
<v Speaker 3>your noodle from high school history. But Gabe, what is

0:13:16.160 --> 0:13:18.000
<v Speaker 3>that spacecraft in the painting?

0:13:18.440 --> 0:13:21.319
<v Speaker 5>That is the agent a spacecraft? It was a versatile

0:13:21.360 --> 0:13:24.640
<v Speaker 5>American rocket and satellite bus used by NASA and the

0:13:24.760 --> 0:13:27.080
<v Speaker 5>US Air Force for tons of projects.

0:13:27.360 --> 0:13:29.880
<v Speaker 3>Oh and look at this Marry quote below the painting.

0:13:30.760 --> 0:13:34.160
<v Speaker 3>To function efficiently in today's world, you need math. The

0:13:34.200 --> 0:13:36.959
<v Speaker 3>world is so technical. If you plan to work in it,

0:13:37.040 --> 0:13:39.680
<v Speaker 3>a math background will let you go farther and faster.

0:13:40.080 --> 0:13:42.880
<v Speaker 5>She was truly an example of how important math is

0:13:42.960 --> 0:13:43.640
<v Speaker 5>for everyone.

0:13:44.000 --> 0:13:46.880
<v Speaker 3>To be honest, I didn't realize how important math is

0:13:46.920 --> 0:13:49.240
<v Speaker 3>and making so many big things happen in the real world.

0:13:49.480 --> 0:13:53.360
<v Speaker 3>I kind of feel my way through a lot in life.

0:13:53.040 --> 0:13:56.000
<v Speaker 5>Nimity, Can I ask you were you using any math

0:13:56.080 --> 0:13:58.040
<v Speaker 5>to try to record a song in space?

0:13:58.559 --> 0:14:03.679
<v Speaker 3>Absolutely? Rocket ship plus one song equals one space song. Oh,

0:14:03.720 --> 0:14:05.960
<v Speaker 3>I realized now it was a little simple.

0:14:06.640 --> 0:14:09.400
<v Speaker 5>I admire your gumption and it got you on your way.

0:14:09.800 --> 0:14:12.680
<v Speaker 3>True, and now thanks to Mary, I have got the

0:14:12.720 --> 0:14:15.600
<v Speaker 3>goods and I am ready to try again. Speaking of which,

0:14:15.760 --> 0:14:16.960
<v Speaker 3>are you ready to head back home?

0:14:17.360 --> 0:14:20.200
<v Speaker 5>Actually, I'm going to teleport into the White Void?

0:14:20.640 --> 0:14:24.240
<v Speaker 3>What what game? It's so endless and blank.

0:14:23.960 --> 0:14:27.680
<v Speaker 5>Trust me, I know, but seeing how fearless Mary Golder

0:14:27.840 --> 0:14:30.880
<v Speaker 5>Ross was made me realize it was time to face

0:14:31.080 --> 0:14:31.800
<v Speaker 5>my fears.

0:14:32.320 --> 0:14:35.520
<v Speaker 3>Well, good luck with that game. I obviously want the

0:14:35.560 --> 0:14:38.480
<v Speaker 3>full report. As for me, I'm headed back to the

0:14:38.480 --> 0:14:40.600
<v Speaker 3>book activate teleport.

0:14:41.400 --> 0:14:49.920
<v Speaker 8>Bye, Who I am back in the here and now

0:14:50.320 --> 0:14:53.600
<v Speaker 8>da come take a look at these notes I took.

0:14:53.880 --> 0:14:57.280
<v Speaker 3>I have some serious improvements on the construction and operation

0:14:57.440 --> 0:15:03.280
<v Speaker 3>of our rocket ship. Yeah, I know, pretty smart stuff, right?

0:15:03.520 --> 0:15:11.920
<v Speaker 3>Can you make these changes? Fantastic? And while they are

0:15:11.920 --> 0:15:14.600
<v Speaker 3>working on the rocket ship, I'm gonna go ahead and

0:15:14.640 --> 0:15:19.480
<v Speaker 3>get in my space suit. I'll see. It's probably for

0:15:19.520 --> 0:15:21.800
<v Speaker 3>the best. We didn't actually get into space last time.

0:15:21.920 --> 0:15:25.440
<v Speaker 3>We didn't even have a proper protocol. I'm in and

0:15:25.600 --> 0:15:27.520
<v Speaker 3>now that I am suited up, I am going to

0:15:27.600 --> 0:15:37.080
<v Speaker 3>go ahead and get inside. Welcome. Thanks robot voice. Wow,

0:15:37.600 --> 0:15:40.760
<v Speaker 3>it is starting to look good in here, Tina. What's

0:15:40.800 --> 0:15:41.600
<v Speaker 3>the word.

0:15:42.840 --> 0:15:43.280
<v Speaker 7>That was?

0:15:43.480 --> 0:15:46.600
<v Speaker 3>Quick? I suppose when you're not guessing how to build

0:15:46.640 --> 0:15:51.000
<v Speaker 3>a spaceship, it's a lot easier. Huh. Well, thanks to

0:15:51.080 --> 0:15:54.480
<v Speaker 3>Marry Golda Ross for straightening out our space aspirations and

0:15:54.520 --> 0:15:58.760
<v Speaker 3>making this possible. Robot boys, let's get this thing going

0:16:00.760 --> 0:16:04.920
<v Speaker 3>and seconds. Listeners, we are about to make some history

0:16:04.960 --> 0:16:08.640
<v Speaker 3>by making music about some history and featuring one of

0:16:08.680 --> 0:16:11.120
<v Speaker 3>today's special guests, Crystal.

0:16:10.720 --> 0:16:15.000
<v Speaker 9>Life Nice four three two ones.

0:16:31.720 --> 0:16:36.520
<v Speaker 10>I go by the name of Mary Golda Ross, aka

0:16:36.720 --> 0:16:42.480
<v Speaker 10>the first known Native American female aerospace engineer. I am

0:16:42.560 --> 0:16:47.520
<v Speaker 10>a mathematician, I am a Cherokee, and I am a trailblazer.

0:16:48.360 --> 0:16:48.920
<v Speaker 5>Here we go.

0:16:49.120 --> 0:16:52.320
<v Speaker 10>I was born in Oklahoma nineteen o eight, a small

0:16:52.360 --> 0:16:55.000
<v Speaker 10>town called park Hill, where life wasn't so great. But

0:16:55.120 --> 0:16:57.960
<v Speaker 10>from a very early age I showed a growth rate

0:16:58.160 --> 0:17:01.080
<v Speaker 10>at learning to compute the count and cold. Late I

0:17:01.160 --> 0:17:03.360
<v Speaker 10>had a mind for math, and I got math in

0:17:03.400 --> 0:17:06.120
<v Speaker 10>my mind. But for Native girls, you'll find it wasn't

0:17:06.160 --> 0:17:09.480
<v Speaker 10>a good time. But I'm a great grand child of

0:17:09.560 --> 0:17:12.800
<v Speaker 10>a charity teacher, so inside of me a healthless belief.

0:17:13.080 --> 0:17:16.200
<v Speaker 10>Those around me, they often agreed, spend my next few

0:17:16.280 --> 0:17:19.960
<v Speaker 10>years with their help in pursuit of my dreams. Knowledge.

0:17:20.040 --> 0:17:23.480
<v Speaker 10>I sought it college with plots, math class, I taught

0:17:23.480 --> 0:17:24.439
<v Speaker 10>it masters.

0:17:24.520 --> 0:17:25.080
<v Speaker 3>I got it.

0:17:25.119 --> 0:17:28.760
<v Speaker 10>But after the next chapter of my biography, one in

0:17:28.840 --> 0:17:32.480
<v Speaker 10>which the prodigy in geometry wants to honestly, you are

0:17:32.480 --> 0:17:36.120
<v Speaker 10>astronomer me. But misogyny in the field means the quantity

0:17:36.359 --> 0:17:38.160
<v Speaker 10>of females that's near zero.

0:17:38.400 --> 0:17:39.000
<v Speaker 3>It's hard to.

0:17:38.920 --> 0:17:41.720
<v Speaker 10>See a past if you can't see a hero. So

0:17:41.760 --> 0:17:44.840
<v Speaker 10>we rode back to a reservation. I worked in education.

0:17:45.000 --> 0:17:47.919
<v Speaker 10>Maybe my dream was dead and then instead for the

0:17:48.000 --> 0:17:49.040
<v Speaker 10>next generation.

0:17:50.000 --> 0:17:53.080
<v Speaker 9>I never know where my path please plot.

0:17:53.119 --> 0:17:54.440
<v Speaker 3>I solved all my problems.

0:17:54.480 --> 0:17:59.040
<v Speaker 9>I got math, leats, married gold plus remember me check

0:17:59.119 --> 0:18:01.679
<v Speaker 9>my legacy engineer and Cherokee.

0:18:01.720 --> 0:18:04.800
<v Speaker 10>I did I advise the kids right? But I felt

0:18:04.800 --> 0:18:07.360
<v Speaker 10>I never ever really get that big life. But then

0:18:07.680 --> 0:18:11.240
<v Speaker 10>Germany starts picking a big fight and my world changes

0:18:11.320 --> 0:18:15.000
<v Speaker 10>quick overnight. You might not know, but in World War Two,

0:18:15.359 --> 0:18:18.560
<v Speaker 10>men were overseas siegings, so the girls would do new

0:18:18.680 --> 0:18:21.600
<v Speaker 10>jobs that before would never hurt towards you. A new

0:18:21.600 --> 0:18:23.879
<v Speaker 10>world soars through and un worlds for you.

0:18:24.320 --> 0:18:25.440
<v Speaker 3>So what saw the sign?

0:18:25.800 --> 0:18:29.119
<v Speaker 10>Search for the sign and the coast sign. I headed

0:18:29.200 --> 0:18:32.720
<v Speaker 10>for the coastline to lock Heed on a course I

0:18:32.880 --> 0:18:33.439
<v Speaker 10>was charged.

0:18:34.119 --> 0:18:36.880
<v Speaker 3>And if you didn't and a few I was starting.

0:18:37.119 --> 0:18:41.119
<v Speaker 10>At the job I always wanted doing aeronautics, making military

0:18:41.200 --> 0:18:44.359
<v Speaker 10>places start silivery and Rocky Silent. Had that money in

0:18:44.440 --> 0:18:47.640
<v Speaker 10>my pockets on a trade with Nope, stopping within the

0:18:47.680 --> 0:18:48.720
<v Speaker 10>war stops.

0:18:49.680 --> 0:18:52.000
<v Speaker 3>And then the men came home. So then I.

0:18:51.920 --> 0:18:55.480
<v Speaker 10>Didn't know if they let me stop that work any more.

0:18:55.840 --> 0:18:58.800
<v Speaker 10>Once again, every bosses at a cross roads, at a

0:18:58.880 --> 0:19:03.480
<v Speaker 10>lost or where the oh no, I never know where

0:19:03.600 --> 0:19:04.040
<v Speaker 10>my path.

0:19:04.119 --> 0:19:08.400
<v Speaker 9>Please plut ourselves all my problems. I am Mattheleas married

0:19:08.640 --> 0:19:12.720
<v Speaker 9>gold that plus remember me check my legacy engineer and

0:19:12.840 --> 0:19:23.639
<v Speaker 9>Cherokee squeeze.

0:19:24.040 --> 0:19:28.200
<v Speaker 10>Make them say, take a girl multiplier with some passion

0:19:28.320 --> 0:19:32.399
<v Speaker 10>and action, attract all distraction, added a little traction and

0:19:32.440 --> 0:19:35.199
<v Speaker 10>a fraction, a fashion and a glass ceiling.

0:19:35.560 --> 0:19:37.119
<v Speaker 3>Would you get the answer?

0:19:37.200 --> 0:19:40.000
<v Speaker 10>Risk Mary Ross? And if they would have said you

0:19:40.040 --> 0:19:42.840
<v Speaker 10>can't do Matthew read anymore, I'd be very cross. That

0:19:42.880 --> 0:19:45.919
<v Speaker 10>would be a scary thought because my mind absorbing all

0:19:45.960 --> 0:19:48.200
<v Speaker 10>these facts like the water, and my brain is made

0:19:48.240 --> 0:19:50.720
<v Speaker 10>of terry cloth. Yes, what I was so good that

0:19:50.800 --> 0:19:53.399
<v Speaker 10>they kept me here, pay for me to train again

0:19:53.480 --> 0:19:56.840
<v Speaker 10>to be an engineer, say for twenty plus years, earn

0:19:56.880 --> 0:19:59.720
<v Speaker 10>my pension here, and did even more things than I

0:19:59.760 --> 0:20:02.520
<v Speaker 10>can mentioned here. Most of it is classified.

0:20:02.600 --> 0:20:03.720
<v Speaker 3>What's the fights to say?

0:20:03.920 --> 0:20:06.760
<v Speaker 10>You got Mary Russ the thing for your flights? Today

0:20:07.119 --> 0:20:09.760
<v Speaker 10>only woman in the room where the fellas is with

0:20:09.960 --> 0:20:14.560
<v Speaker 10>the Melandine helping their new text development and writing manuals

0:20:14.600 --> 0:20:18.480
<v Speaker 10>for the skunk Works. And after I retired, I'm inspiring

0:20:18.560 --> 0:20:21.840
<v Speaker 10>the young squirts, helping kids who look like me do

0:20:21.960 --> 0:20:24.719
<v Speaker 10>what I did, be a hero so they could dream.

0:20:24.960 --> 0:20:36.840
<v Speaker 4>Beg Jesus, Jesus, make him say.

0:20:39.920 --> 0:20:40.240
<v Speaker 8>Jesus.

0:21:05.720 --> 0:21:08.240
<v Speaker 3>We'll be right back after a few words for the

0:21:08.320 --> 0:21:18.879
<v Speaker 3>grown ups. Landing in the three two ones, A flawless

0:21:18.960 --> 0:21:22.679
<v Speaker 3>re entry and landing. I sure am glad to be

0:21:22.760 --> 0:21:25.439
<v Speaker 3>back home. Now, let me just push the button to

0:21:25.480 --> 0:21:26.960
<v Speaker 3>open the spaceship door.

0:21:28.600 --> 0:21:29.960
<v Speaker 5>Raccoons, We did it.

0:21:30.320 --> 0:21:36.800
<v Speaker 3>We recorded a song in space. Yea, how she did it? Yeah?

0:21:37.000 --> 0:21:38.560
<v Speaker 1>First you had to record.

0:21:38.240 --> 0:21:42.000
<v Speaker 3>A song edge first, Hey, it's my high fan Phil.

0:21:42.280 --> 0:21:46.760
<v Speaker 11>Oh, yeah, Phil's here here in person and the spirit.

0:21:47.640 --> 0:21:51.520
<v Speaker 3>Well, thanks to everyone for being my welcome committee, Phil, Tina,

0:21:51.840 --> 0:21:55.679
<v Speaker 3>other nameless Raccoons. When I was recording that absolute smash

0:21:55.800 --> 0:21:58.800
<v Speaker 3>hit of a tune in Deep Space, I realized something

0:21:59.320 --> 0:22:02.359
<v Speaker 3>you did. Now you should tell us spill the fat.

0:22:03.000 --> 0:22:06.600
<v Speaker 3>I realized I use math all the time in music.

0:22:06.920 --> 0:22:11.439
<v Speaker 3>Music and math are like time and space, inextricably tied.

0:22:11.880 --> 0:22:18.320
<v Speaker 3>Same all. Phil doesn't get it yet, think about it, Phil. Rhythms, patterns, intervals, scales,

0:22:18.560 --> 0:22:21.560
<v Speaker 3>the notations of a composer communicate the sounds that a

0:22:21.640 --> 0:22:27.080
<v Speaker 3>musician needs to make. It all involves maths. Music is man,

0:22:27.520 --> 0:22:32.720
<v Speaker 3>and word is grateful exactly. Oh now, everyone, if you'll

0:22:32.760 --> 0:22:35.640
<v Speaker 3>excuse me, my space mission went a touch too long

0:22:35.680 --> 0:22:37.040
<v Speaker 3>and I have to head to my interview.

0:22:37.160 --> 0:22:39.600
<v Speaker 5>Stat Wait, nmity, I have a question.

0:22:40.000 --> 0:22:42.480
<v Speaker 3>What is it, Phil, And why do you suddenly sound

0:22:42.520 --> 0:22:45.000
<v Speaker 3>so earnest? Can you send me into space?

0:22:45.320 --> 0:22:48.520
<v Speaker 11>I'm really excited for you, but I'm also extremely jealous.

0:22:48.920 --> 0:22:51.639
<v Speaker 3>It was my childhood dream calling a mission to space.

0:22:51.880 --> 0:22:55.640
<v Speaker 12>I honestly just stumbled into this whole highbad thing, which

0:22:55.680 --> 0:22:59.159
<v Speaker 12>is great, don't get me wrong, but space that was

0:22:59.200 --> 0:23:00.160
<v Speaker 12>my first love.

0:23:00.480 --> 0:23:03.800
<v Speaker 3>Phil I'm so glad you said something. I'd be thrilled

0:23:03.800 --> 0:23:07.280
<v Speaker 3>to lend you my rocket ship really under one condition,

0:23:07.600 --> 0:23:10.600
<v Speaker 3>fail will do anything you ask. I need you to

0:23:10.680 --> 0:23:13.479
<v Speaker 3>promise that you'll keep space totally hyped.

0:23:13.920 --> 0:23:19.000
<v Speaker 11>Oh yeah, space man, combining my job.

0:23:18.920 --> 0:23:19.199
<v Speaker 2>And my.

0:23:20.880 --> 0:23:27.040
<v Speaker 3>Tina please help fill into space. Thanks team, and now

0:23:27.160 --> 0:23:35.000
<v Speaker 3>for today's interview, we have two really special guests joining us.

0:23:35.160 --> 0:23:37.960
<v Speaker 3>Please welcome Christina and Vivian.

0:23:38.480 --> 0:23:38.880
<v Speaker 8>Hi.

0:23:39.320 --> 0:23:40.760
<v Speaker 3>Please introduce yourselves.

0:23:41.160 --> 0:23:46.639
<v Speaker 2>Yeah, eh sha Christina Helona Yisha sitting on Jenny Inishai

0:23:46.680 --> 0:23:50.280
<v Speaker 2>bashish chin ttich ain'ty dashi che ashiha Dashanela.

0:23:50.680 --> 0:23:50.840
<v Speaker 12>Hi.

0:23:51.240 --> 0:23:53.600
<v Speaker 2>My name is Christina Helna and I am of the

0:23:53.640 --> 0:23:56.960
<v Speaker 2>Black Streak Wood People Clan born for the Folded Arms

0:23:56.960 --> 0:24:00.000
<v Speaker 2>People Clan. The Bitter Water Clan is my maternal grand

0:24:00.119 --> 0:24:03.760
<v Speaker 2>father's clan and the Salt Clan is my paternal grandfather's clan.

0:24:04.040 --> 0:24:08.320
<v Speaker 2>I am Navajo originally from the Nawaha Reservation from Samila, Arizona.

0:24:08.560 --> 0:24:12.000
<v Speaker 2>I am the Interio's Rocket Systems engineering program manager at NORTHFORLK.

0:24:12.000 --> 0:24:14.240
<v Speaker 2>Grumman Corporation in Chandler, Arizona.

0:24:14.560 --> 0:24:14.720
<v Speaker 12>Hi.

0:24:14.880 --> 0:24:17.840
<v Speaker 7>My name is Vivian. I am eight years old. I

0:24:18.000 --> 0:24:22.679
<v Speaker 7>live in Ohio I am Odawa in Hana Nashoni. My

0:24:22.880 --> 0:24:24.600
<v Speaker 7>name is Alway Hunted.

0:24:25.119 --> 0:24:27.680
<v Speaker 3>I'm so happy to have both of you here. Let's

0:24:27.680 --> 0:24:30.000
<v Speaker 3>start off with your first question, Vivian.

0:24:30.160 --> 0:24:33.240
<v Speaker 7>How do you know you wanted to be an engineer?

0:24:33.680 --> 0:24:34.920
<v Speaker 12>Great question, Vivian.

0:24:35.240 --> 0:24:37.840
<v Speaker 2>I actually knew I wanted to be an internet at

0:24:37.840 --> 0:24:40.720
<v Speaker 2>a very young age, which is very rare. I was

0:24:40.760 --> 0:24:43.000
<v Speaker 2>probably about your age, maybe even a year or two

0:24:43.000 --> 0:24:46.040
<v Speaker 2>younger than you are right now. I saw an airplane

0:24:46.080 --> 0:24:49.399
<v Speaker 2>go by above me, and I'd asked my mom what

0:24:49.520 --> 0:24:51.160
<v Speaker 2>was that and she told me.

0:24:51.119 --> 0:24:53.359
<v Speaker 12>What it was, and I was like, was there people

0:24:53.359 --> 0:24:53.840
<v Speaker 12>on there?

0:24:54.119 --> 0:24:56.520
<v Speaker 2>I was just asking all kinds of questions and she

0:24:56.720 --> 0:24:58.600
<v Speaker 2>was just like, okay, well, have to take it to

0:24:58.600 --> 0:25:03.280
<v Speaker 2>the library. I checked out books about airplanes and astronauts

0:25:03.320 --> 0:25:08.520
<v Speaker 2>and space and rockets, and when I found out who

0:25:08.560 --> 0:25:13.040
<v Speaker 2>designs rockets and airplanes, I found out was an aerospace engineer,

0:25:13.480 --> 0:25:16.280
<v Speaker 2>and so that's what I said I was going to do.

0:25:16.359 --> 0:25:18.119
<v Speaker 2>I was like, I want to make things fly. I

0:25:18.200 --> 0:25:19.040
<v Speaker 2>want to do that.

0:25:19.400 --> 0:25:21.800
<v Speaker 7>What does it feel like to be an engineer?

0:25:22.520 --> 0:25:27.399
<v Speaker 2>Well, Vivian, it actually feels pretty amazing, you know, especially

0:25:27.400 --> 0:25:29.680
<v Speaker 2>as a Native American woman. There's not many of us

0:25:29.680 --> 0:25:31.879
<v Speaker 2>in the STEM field. You know, Mary Ross was the

0:25:32.000 --> 0:25:36.040
<v Speaker 2>very first Native American engineer at Lockheed and just in

0:25:36.080 --> 0:25:39.200
<v Speaker 2>general in the world. And you know, I just kind

0:25:39.200 --> 0:25:41.919
<v Speaker 2>of use her path. She would worked very hard to

0:25:41.920 --> 0:25:44.240
<v Speaker 2>get where she was and she was making great waved

0:25:44.240 --> 0:25:46.520
<v Speaker 2>links to do what she loved and I'm going to

0:25:46.560 --> 0:25:51.000
<v Speaker 2>do the same. And how she inspired individuals Native Americans

0:25:51.040 --> 0:25:54.399
<v Speaker 2>alight like myself to pursue a STEM degree. She was

0:25:54.400 --> 0:25:57.720
<v Speaker 2>definitely someone I looked up to and I'm hoping I'm

0:25:57.760 --> 0:26:01.000
<v Speaker 2>able to inspire others as well, just telling the young

0:26:01.040 --> 0:26:03.960
<v Speaker 2>Indigenous kids out there that they can do anything they want.

0:26:04.320 --> 0:26:06.960
<v Speaker 2>They can be an engineer like myself and Mary Ross.

0:26:07.240 --> 0:26:10.800
<v Speaker 3>Mary Ross is so inspirational. Can you tell us a

0:26:10.800 --> 0:26:13.080
<v Speaker 3>little more about what she worked on, Christina.

0:26:13.200 --> 0:26:15.560
<v Speaker 12>She worked on very different projects.

0:26:15.600 --> 0:26:18.000
<v Speaker 2>One of them you might not be aware with, Vivian

0:26:18.000 --> 0:26:21.159
<v Speaker 2>because you're so young, is the skunk Works project at

0:26:21.200 --> 0:26:24.399
<v Speaker 2>Lackey Martin. Then they did a lot of classified projects

0:26:24.440 --> 0:26:27.840
<v Speaker 2>what they called skunk Works. The bomber there, the really

0:26:28.119 --> 0:26:31.600
<v Speaker 2>quiet airplane that makes no noise when it's flying up above.

0:26:31.720 --> 0:26:33.440
<v Speaker 2>Like she gets to tried to work up really cool

0:26:33.480 --> 0:26:36.440
<v Speaker 2>projects like that. She was amazing what.

0:26:36.200 --> 0:26:38.160
<v Speaker 7>Was your favorite thing in school?

0:26:38.520 --> 0:26:41.479
<v Speaker 2>Sciences was actually my favorite, just because you got to

0:26:41.520 --> 0:26:44.640
<v Speaker 2>do a little bit of everything. And then what got

0:26:44.680 --> 0:26:47.359
<v Speaker 2>me really interested in what I'm doing right now as

0:26:47.359 --> 0:26:50.960
<v Speaker 2>an engineer in general is learning about physics and working

0:26:51.000 --> 0:26:55.640
<v Speaker 2>on bottle rockets and the Newton's laws and all that craziness.

0:26:55.720 --> 0:26:58.440
<v Speaker 2>Growing up, you know, I also like arts and crafts too,

0:26:58.560 --> 0:27:01.359
<v Speaker 2>which is a little bit different than a little bit

0:27:01.359 --> 0:27:04.119
<v Speaker 2>different than my engineering background. But you know, growing up,

0:27:04.160 --> 0:27:08.040
<v Speaker 2>I used to watch my grandmother and grandparents leave rugs,

0:27:08.320 --> 0:27:10.639
<v Speaker 2>so they had to use actually math too to do

0:27:10.680 --> 0:27:12.840
<v Speaker 2>that and figure out how the rug weaving would go,

0:27:13.000 --> 0:27:14.960
<v Speaker 2>how the patterns would look like, and to have to

0:27:14.960 --> 0:27:17.320
<v Speaker 2>think about that ahead of time. My grandparents also did

0:27:17.359 --> 0:27:21.119
<v Speaker 2>a lot of drawings and pottery, and so seeing that

0:27:21.160 --> 0:27:23.240
<v Speaker 2>as a child kind of made me appreciate the arts

0:27:23.240 --> 0:27:23.880
<v Speaker 2>a little bit too.

0:27:24.000 --> 0:27:28.240
<v Speaker 3>Oh, your grandparents sound really talented, Vivian. You're interested in

0:27:28.359 --> 0:27:28.920
<v Speaker 3>art too.

0:27:28.840 --> 0:27:31.320
<v Speaker 7>Right, I think I like drawing.

0:27:31.880 --> 0:27:32.840
<v Speaker 12>What do you like to draw?

0:27:33.240 --> 0:27:36.359
<v Speaker 7>Sometimes I just draw Star Wars?

0:27:36.640 --> 0:27:39.479
<v Speaker 12>Oh? You like Star Wars? What's your favorite character?

0:27:39.800 --> 0:27:41.320
<v Speaker 7>M Arto D two?

0:27:41.600 --> 0:27:42.800
<v Speaker 12>You know what so do?

0:27:42.920 --> 0:27:45.520
<v Speaker 2>I I love R two D two and CP three

0:27:45.520 --> 0:27:49.320
<v Speaker 2>to Zho I call them their besties because they're always together.

0:27:50.359 --> 0:27:52.840
<v Speaker 3>Hey, now that I think about it, R two, D

0:27:52.960 --> 0:27:57.359
<v Speaker 3>two and C three PO were probably built by engineers.

0:27:57.840 --> 0:27:59.639
<v Speaker 3>Thank you both for joining me today.

0:28:00.240 --> 0:28:01.600
<v Speaker 12>Been up so nice to meet you.

0:28:02.000 --> 0:28:05.920
<v Speaker 7>Nice to meet you too, Thank you, Christina, Bye, Thank

0:28:06.000 --> 0:28:08.840
<v Speaker 7>you bye, listeners.

0:28:08.920 --> 0:28:13.320
<v Speaker 3>Thanks for joining me today for our space epic. Pretty amazing.

0:28:13.359 --> 0:28:16.320
<v Speaker 3>We made it so far into space and back, well,

0:28:16.720 --> 0:28:21.720
<v Speaker 3>almost all of us. I still haven't heard from Gabe. Gabe,

0:28:21.800 --> 0:28:25.200
<v Speaker 3>you're back and right on time. Hey, Nimity, How was

0:28:25.240 --> 0:28:26.359
<v Speaker 3>the infinite White Void?

0:28:26.960 --> 0:28:30.560
<v Speaker 5>Very intimidating at first and then very calming?

0:28:30.960 --> 0:28:31.440
<v Speaker 3>Calming?

0:28:31.960 --> 0:28:34.600
<v Speaker 5>Turns out a place without time and space can be

0:28:34.720 --> 0:28:38.360
<v Speaker 5>pretty chill. Nowhere to be no time crunch for anything.

0:28:38.640 --> 0:28:40.480
<v Speaker 5>I'm pretty sure I spent years there.

0:28:40.920 --> 0:28:44.520
<v Speaker 3>Oh, but you mention it. You are glowing slightly.

0:28:46.520 --> 0:28:49.240
<v Speaker 5>Also, it was hard to sleep because it was so bright,

0:28:50.160 --> 0:28:51.800
<v Speaker 5>So I think I'm gonna go lay down.

0:28:52.680 --> 0:28:55.480
<v Speaker 3>Totally nice to catch up and hear about your mind

0:28:55.520 --> 0:28:59.680
<v Speaker 3>bending adventure, listeners, real talk before we dive into Mary's

0:28:59.720 --> 0:29:03.360
<v Speaker 3>legac See, I had no idea math played such a

0:29:03.360 --> 0:29:06.280
<v Speaker 3>big role in my life. Are there ways that math

0:29:06.320 --> 0:29:08.920
<v Speaker 3>plays a big role in your daily lives? I'd love

0:29:08.960 --> 0:29:13.800
<v Speaker 3>to know anyway A huge thanks to today's guests Vivian,

0:29:14.040 --> 0:29:19.080
<v Speaker 3>Crystal and Christina Remember parents and teachers. You can download

0:29:19.080 --> 0:29:22.720
<v Speaker 3>a free activity related to today's episode by visiting story

0:29:22.800 --> 0:29:27.360
<v Speaker 3>pirates dot com. Slash Historical Records and I can't wait

0:29:27.400 --> 0:29:29.840
<v Speaker 3>to go on another adventure with you all very soon.

0:29:30.520 --> 0:29:34.320
<v Speaker 3>Until next time it's face. Don't forget to make history.

0:29:34.840 --> 0:29:39.240
<v Speaker 3>You gotta make some noise and possibly explode a spaceship

0:29:39.280 --> 0:29:50.160
<v Speaker 3>engine or two bye.

0:29:51.320 --> 0:29:55.560
<v Speaker 11>Historical Records is produced in partnership with story Pirate Studios,

0:29:55.800 --> 0:30:00.920
<v Speaker 11>Questloves two on five Entertainment, John Flickman and iHeart Podcasts

0:30:01.480 --> 0:30:06.800
<v Speaker 11>Executive produced by Emir Questlove Thompson, John Plickman, Lee Overtree

0:30:06.840 --> 0:30:11.640
<v Speaker 11>and Benjamin Salga. Executive produced for iHeart Podcasts by Noel Brown.

0:30:12.000 --> 0:30:16.080
<v Speaker 11>Producers for story Pirate Studios are Isabella Riccio, Sam bear,

0:30:16.520 --> 0:30:20.880
<v Speaker 11>Errit Gerson, Andrew Miller, Lee Overtree, Peter McNerney and niminy Ware.

0:30:21.400 --> 0:30:24.880
<v Speaker 11>Producers for two one five are Sean ge Britney, Benjamin

0:30:24.920 --> 0:30:28.640
<v Speaker 11>and Zarah Zolman. Hosted by niminy Ware. Our head writer

0:30:28.880 --> 0:30:33.080
<v Speaker 11>is Duke Doyle. Our historians are Gabe Pacheco and Lee Polus.

0:30:33.680 --> 0:30:37.480
<v Speaker 11>Music supervision for two one five by Stroe Elliott. Scoring

0:30:37.560 --> 0:30:40.920
<v Speaker 11>and music supervision for Story Pirate Studios by Eric Gerson.

0:30:41.400 --> 0:30:43.880
<v Speaker 11>Sound designed and mixing by Sam Bear at the Relic

0:30:43.960 --> 0:30:47.400
<v Speaker 11>Room in New York City. Song mastering by Josh Han,

0:30:47.800 --> 0:30:50.720
<v Speaker 11>Theme song by Dan Foster and Eric Gerson and produced

0:30:50.720 --> 0:30:55.840
<v Speaker 11>by Eric Erson. Production coordination by Isabelle Riccio. Production management

0:30:55.920 --> 0:30:59.120
<v Speaker 11>by Maggie Lee. The line producer for Story Pirate Studios

0:30:59.200 --> 0:31:02.800
<v Speaker 11>is Glennis Brawl. Pr for Story Pirate Studios is provided

0:31:02.800 --> 0:31:07.320
<v Speaker 11>by Naomi Shaw. Episode artwork by Camilla Franklin. This episode

0:31:07.360 --> 0:31:10.720
<v Speaker 11>was written by Duke Doyle. The song Mary golda Ross

0:31:10.760 --> 0:31:13.800
<v Speaker 11>was written by Dan Foster and Niminy Ware and produced

0:31:13.840 --> 0:31:17.800
<v Speaker 11>by Micah James, with vocal direction and additional music supervision

0:31:17.880 --> 0:31:23.000
<v Speaker 11>by Jack Mitchell. Additional recording at Red Room Studios in Edmonton, Alberta, Canada.

0:31:23.360 --> 0:31:28.200
<v Speaker 11>Special guests Crystal Lightning, Christina Helona and Kid interviewer Vivian.

0:31:28.680 --> 0:31:33.200
<v Speaker 11>This episode features performances by Sarah Elizabeth Haynes, Peter McNerney,

0:31:33.560 --> 0:31:37.800
<v Speaker 11>Lee Overtree, and Gabe Pacheco. Special thanks to David Kerns

0:31:37.840 --> 0:31:53.080
<v Speaker 11>and Joey Clift.