1 00:00:00,240 --> 00:00:02,680 Speaker 1: In honor of Women's History Month, when Fridays, we'll be 2 00:00:02,720 --> 00:00:06,520 Speaker 1: releasing episodes of historical Records. My new podcast with the 3 00:00:06,559 --> 00:00:10,360 Speaker 1: story Pirates, is an explosive fusion of hip hop and history, 4 00:00:10,520 --> 00:00:14,800 Speaker 1: tailor made for music loving kids and families, a podcast 5 00:00:14,800 --> 00:00:17,919 Speaker 1: the entire family can listen to and enjoy together. In 6 00:00:17,960 --> 00:00:20,880 Speaker 1: today's episode, Niminy heads to out of Space to make 7 00:00:20,920 --> 00:00:24,280 Speaker 1: a brand new hip hop track about Mary Golden Ross, 8 00:00:24,680 --> 00:00:29,160 Speaker 1: the very first Native American female aerospace engineer. We hope 9 00:00:29,200 --> 00:00:32,279 Speaker 1: you enjoy Historical Records, the show that proves in order 10 00:00:32,360 --> 00:00:34,600 Speaker 1: to make history, you have to make some noise. 11 00:00:35,880 --> 00:00:45,200 Speaker 2: Rah today another hour. 12 00:00:45,479 --> 00:00:48,080 Speaker 3: We don't have that kind of time. Tina, the spaceship 13 00:00:48,120 --> 00:00:51,200 Speaker 3: is scheduled to blast off in one minute. One minute, 14 00:00:51,560 --> 00:00:57,680 Speaker 3: ll LOUNDI look, Tina, I don't care if my face 15 00:00:57,760 --> 00:01:00,360 Speaker 3: is on the outside anymore, so long as it flies 16 00:01:00,400 --> 00:01:04,080 Speaker 3: through space. Forget my gorgeous exterior design. Just make sure 17 00:01:04,120 --> 00:01:05,240 Speaker 3: we have a sturdy vessel. 18 00:01:07,319 --> 00:01:10,200 Speaker 1: Tina's gonna drive, But the time in his night, Tina's 19 00:01:10,240 --> 00:01:11,000 Speaker 1: gotta move. 20 00:01:10,959 --> 00:01:15,639 Speaker 3: Last fill the hype man gets it, Raccoons, Let's fire 21 00:01:15,720 --> 00:01:20,959 Speaker 3: up Dan Jacob. Hey, listeners, as you can likely tell, 22 00:01:21,080 --> 00:01:23,800 Speaker 3: you caught me at a pretty tense moment. I am 23 00:01:23,840 --> 00:01:26,639 Speaker 3: sitting inside a homemade rocket and am about to launch 24 00:01:26,640 --> 00:01:32,200 Speaker 3: into space. Why are we doing this well, Tina, I 25 00:01:32,240 --> 00:01:35,160 Speaker 3: am determined to be the first person in history to 26 00:01:35,240 --> 00:01:39,520 Speaker 3: record a song in space. Oh. I got the idea 27 00:01:39,560 --> 00:01:42,200 Speaker 3: from today's hero. I don't know that much about her, 28 00:01:42,400 --> 00:01:45,959 Speaker 3: but Mary Golda Ross is a NASA legend and it 29 00:01:46,000 --> 00:01:51,600 Speaker 3: got me thinking about space. Okay, and second till last, Tina, 30 00:01:51,760 --> 00:01:54,480 Speaker 3: please tell me we're ready. I'm just, you know, about 31 00:01:54,520 --> 00:01:56,800 Speaker 3: to get blasted into the great unknown and need to 32 00:01:56,880 --> 00:02:00,960 Speaker 3: know the rocket. It's good to go? Good? Oh, this 33 00:02:01,160 --> 00:02:05,440 Speaker 3: is gotta it close? Yes, you did it? Records. Here 34 00:02:05,520 --> 00:02:16,000 Speaker 3: we go. Three till one flap. That didn't sound good. 35 00:02:16,200 --> 00:02:21,680 Speaker 3: It almost sounded like the engine exploded. Okay, that definitely 36 00:02:21,720 --> 00:02:23,400 Speaker 3: sounded like the engine exploded. 37 00:02:26,400 --> 00:02:30,200 Speaker 4: It's historical records. 38 00:02:30,840 --> 00:02:35,880 Speaker 3: You are now listening to historical were To make history, 39 00:02:36,000 --> 00:02:38,560 Speaker 3: you got to have struggles to make history. You got 40 00:02:38,560 --> 00:02:41,600 Speaker 3: to show poised, cannot be quiet loud as the riot. 41 00:02:41,600 --> 00:02:48,440 Speaker 3: To make history, you gotta make some noise. Hi, listeners, 42 00:02:48,720 --> 00:02:52,800 Speaker 3: Niminy here welcoming you back to historical records. As you know, 43 00:02:53,040 --> 00:02:55,920 Speaker 3: this is the show where I spearhead daring experiments that 44 00:02:56,000 --> 00:03:00,200 Speaker 3: combine history and hip hop. Unfortunately, we are all to 45 00:03:00,200 --> 00:03:03,320 Speaker 3: a bad start today because the spaceship mostly built by 46 00:03:03,360 --> 00:03:08,400 Speaker 3: my raccoon assistance exploded. That's true, Tina, it was not 47 00:03:08,760 --> 00:03:14,880 Speaker 3: all your fault. It was mostly your fault. Anyway, Listeners, 48 00:03:15,200 --> 00:03:18,680 Speaker 3: the good news is that today's historic figure knows a 49 00:03:18,919 --> 00:03:22,120 Speaker 3: lot about spaceships. So I am really hoping to get 50 00:03:22,120 --> 00:03:27,080 Speaker 3: some inspiration or even directly snack some first hand space knowledge. 51 00:03:27,280 --> 00:03:30,799 Speaker 3: Let's head to the library to find my historian Gape. 52 00:03:32,200 --> 00:03:36,280 Speaker 3: What is that zaploys about Himine Gabe book, You just 53 00:03:36,400 --> 00:03:37,840 Speaker 3: appeared from nowhere. 54 00:03:38,320 --> 00:03:42,360 Speaker 5: Actually, I appeared from somewhere. I teleported here from the beach. 55 00:03:42,800 --> 00:03:45,840 Speaker 3: Is that why you're wearing those Neon red aviator sunglasses? 56 00:03:46,040 --> 00:03:50,560 Speaker 5: No, that's why I'm wearing these flippers. These sunglasses are 57 00:03:50,600 --> 00:03:52,160 Speaker 5: my new history simulator. 58 00:03:52,680 --> 00:03:55,560 Speaker 3: How futuristic and practical. 59 00:03:55,960 --> 00:03:58,400 Speaker 5: Indeed, I realized that if I could just figure out 60 00:03:58,520 --> 00:04:01,840 Speaker 5: how to teleport our body through space, then we wouldn't 61 00:04:01,880 --> 00:04:04,400 Speaker 5: need some big honking machine to get us around. We 62 00:04:04,440 --> 00:04:07,120 Speaker 5: could just appear anywhere in history without causing a stir. 63 00:04:07,680 --> 00:04:10,920 Speaker 3: I can't believe you figured out how teleportation works. 64 00:04:11,160 --> 00:04:13,480 Speaker 5: It took me all weekend, which was pretty annoying, but 65 00:04:13,560 --> 00:04:16,440 Speaker 5: I got there. Eventually. Turns out it's all just math. 66 00:04:16,480 --> 00:04:19,799 Speaker 3: Since one has one of my historians become a math expert. 67 00:04:20,320 --> 00:04:23,800 Speaker 5: History is my area of expertise, but math, math is 68 00:04:23,839 --> 00:04:27,080 Speaker 5: my passion. Everybody needs a hobby, Niminy, I feel like 69 00:04:27,120 --> 00:04:27,800 Speaker 5: I'm learning a. 70 00:04:27,760 --> 00:04:32,120 Speaker 3: Lot about you today. But wait, gate teleportation just moves 71 00:04:32,160 --> 00:04:36,159 Speaker 3: people from place to place. History simulators don't just need 72 00:04:36,200 --> 00:04:39,320 Speaker 3: to be able to move through space, they also need 73 00:04:39,400 --> 00:04:41,120 Speaker 3: to be able to move through time. 74 00:04:41,640 --> 00:04:44,440 Speaker 5: I was nervous about that too, but luckily time and 75 00:04:44,520 --> 00:04:48,039 Speaker 5: space are inextricably tied together, so we should be able 76 00:04:48,080 --> 00:04:49,400 Speaker 5: to get anywhere we need. 77 00:04:50,000 --> 00:04:50,760 Speaker 3: How does that work? 78 00:04:51,080 --> 00:04:54,920 Speaker 5: Time is just a line, hence the phrase timeline. That 79 00:04:55,040 --> 00:04:57,400 Speaker 5: means that any date in the past is just a 80 00:04:57,440 --> 00:05:00,280 Speaker 5: location on that line. You follow, I. 81 00:05:00,279 --> 00:05:04,160 Speaker 3: Do, But you're really surprising me today with this expert 82 00:05:04,240 --> 00:05:06,960 Speaker 3: level math and time travel knowledge, I feel like I'm 83 00:05:07,000 --> 00:05:08,320 Speaker 3: meeting a whole new Gabe. 84 00:05:08,480 --> 00:05:11,000 Speaker 5: Oh, I'm a very different Gabe than I was yesterday, 85 00:05:11,160 --> 00:05:13,719 Speaker 5: and a very different game than I'll be tomorrow. That is, 86 00:05:13,760 --> 00:05:17,200 Speaker 5: if everything goes according to plan, you know, Niminy, Change 87 00:05:17,240 --> 00:05:18,200 Speaker 5: is the only constant. 88 00:05:18,440 --> 00:05:20,200 Speaker 3: Ain't that the truth? Now? 89 00:05:20,320 --> 00:05:23,040 Speaker 5: Shall we zap our way straight into the life of 90 00:05:23,160 --> 00:05:24,560 Speaker 5: Mary Golde Ross? 91 00:05:24,720 --> 00:05:29,279 Speaker 3: Absolutely? But Gabe, how am I supposed to get around? 92 00:05:29,279 --> 00:05:32,039 Speaker 3: If you're the one wearing the history simulator glasses? 93 00:05:32,279 --> 00:05:33,480 Speaker 5: I made you your own pair. 94 00:05:33,920 --> 00:05:35,800 Speaker 3: Fantastic news for the both of us. 95 00:05:36,160 --> 00:05:38,600 Speaker 5: Here you go, and off we head to the National 96 00:05:38,680 --> 00:05:41,320 Speaker 5: Mall in Washington, d C. Two thousand and four. 97 00:05:42,200 --> 00:05:44,200 Speaker 3: Oh, what's it the big. 98 00:05:44,000 --> 00:05:46,400 Speaker 5: Don't worry, we'll reappear momentarily. 99 00:05:48,920 --> 00:05:54,320 Speaker 3: Here we are. Huh the teleportation sunglasses worked. By the way, 100 00:05:54,560 --> 00:05:56,719 Speaker 3: what was that white void we passed through? 101 00:05:57,120 --> 00:06:00,000 Speaker 5: No clue, but I'm really hoping we never get stuff 102 00:06:00,160 --> 00:06:02,279 Speaker 5: in there anyway. Welcome to DC. 103 00:06:03,040 --> 00:06:06,120 Speaker 3: Yes, it's so muggy here is it summer? 104 00:06:06,320 --> 00:06:09,800 Speaker 5: It's early fall? Actually, But people forget our nation's capital 105 00:06:09,880 --> 00:06:12,200 Speaker 5: was built on a swamp next to the Potomac River. 106 00:06:12,520 --> 00:06:15,839 Speaker 3: The air is so soggy I can barely see where 107 00:06:15,880 --> 00:06:18,920 Speaker 3: we are. Oh. Also, the lenses on these sunglasses are 108 00:06:18,920 --> 00:06:19,799 Speaker 3: incredibly dark. 109 00:06:20,080 --> 00:06:23,120 Speaker 5: Both true statements. I can barely see as well. But 110 00:06:23,160 --> 00:06:25,080 Speaker 5: I happen to know. We are a little less than 111 00:06:25,120 --> 00:06:28,000 Speaker 5: a mile from the Lincoln Memorial, the Washington Monument, and 112 00:06:28,120 --> 00:06:28,839 Speaker 5: the White House. 113 00:06:29,080 --> 00:06:31,920 Speaker 3: Coo, go go go, go go cool. But Gabe, who 114 00:06:31,960 --> 00:06:35,640 Speaker 3: is that ninety year old woman in that stunningly beautiful 115 00:06:35,720 --> 00:06:40,320 Speaker 3: ancestral Cherokee dress? And why is she leading that processional? 116 00:06:41,320 --> 00:06:44,120 Speaker 3: That's Mary Goldo Ross. I suppose I should have seen 117 00:06:44,120 --> 00:06:44,599 Speaker 3: that coming. 118 00:06:44,800 --> 00:06:48,080 Speaker 5: And she's leading a procession of Indigenous people to celebrate 119 00:06:48,120 --> 00:06:51,680 Speaker 5: the opening of the Smithsonian's National Museum of the American Indian. 120 00:06:51,920 --> 00:06:56,520 Speaker 3: That seems less obvious but makes perfect sense. Huh. If 121 00:06:56,560 --> 00:06:59,560 Speaker 3: she was chosen to lead the processional, she must be 122 00:06:59,640 --> 00:07:00,599 Speaker 3: pretty important. 123 00:07:00,839 --> 00:07:04,479 Speaker 5: Her legacy, much like space, is immeasurable. She made a 124 00:07:04,640 --> 00:07:08,720 Speaker 5: massive impact in US history, Cherokee history, and the space race. 125 00:07:09,120 --> 00:07:12,840 Speaker 3: Space race, you mean the competition between the US and 126 00:07:12,880 --> 00:07:16,560 Speaker 3: the Soviet Union to have superior spaceflight capabilities. 127 00:07:17,000 --> 00:07:19,480 Speaker 5: That's the one, and Mary was right in the middle 128 00:07:19,480 --> 00:07:23,560 Speaker 5: of it. She was a brilliant mathematician specializing in aeronautics, 129 00:07:23,600 --> 00:07:27,000 Speaker 5: so she helped write NASA's manuals for manned spaceflights, all 130 00:07:27,040 --> 00:07:28,720 Speaker 5: while being a proud Cherokee. 131 00:07:28,800 --> 00:07:32,840 Speaker 3: This woman is awesome, And as someone who is hoping 132 00:07:32,880 --> 00:07:35,760 Speaker 3: to get into space herself, maybe we could back up 133 00:07:35,760 --> 00:07:38,000 Speaker 3: a bit and see how she got here. I'd love 134 00:07:38,080 --> 00:07:40,400 Speaker 3: to get away closer, look at some of her technical 135 00:07:40,480 --> 00:07:43,520 Speaker 3: know how. That way, maybe a certain podcast host can 136 00:07:43,560 --> 00:07:45,760 Speaker 3: try to get her rocket ship to take off. You 137 00:07:45,800 --> 00:07:46,320 Speaker 3: know what I mean. 138 00:07:46,800 --> 00:07:48,880 Speaker 5: You will need to put your sunglasses back on. 139 00:07:49,520 --> 00:07:57,120 Speaker 6: Ready, set tell apart, disappearing, passing through the weird white board, 140 00:07:57,880 --> 00:07:59,680 Speaker 6: and reappearing. 141 00:08:00,080 --> 00:08:03,240 Speaker 5: Santa Fe, New Mexico in nineteen forty two. 142 00:08:03,360 --> 00:08:07,360 Speaker 3: Ooh, it's hot, hair too, but dry as a sand sandwich. 143 00:08:07,640 --> 00:08:10,200 Speaker 5: My lips are getting chapped just standing here. Let's head 144 00:08:10,240 --> 00:08:11,239 Speaker 5: inside that school. 145 00:08:12,480 --> 00:08:15,920 Speaker 3: Oh wow, speaking of dry, look at that math equation. 146 00:08:16,040 --> 00:08:18,080 Speaker 3: Mary golda Ross is riding on the chalkboard. 147 00:08:18,560 --> 00:08:21,720 Speaker 5: Five Very good, pretty complicated stuff to be sure. 148 00:08:22,360 --> 00:08:26,640 Speaker 3: All right, those kids were saved by the bell help? 149 00:08:26,680 --> 00:08:29,640 Speaker 3: But wait, is she helping that young woman after hours? 150 00:08:29,880 --> 00:08:32,679 Speaker 5: Indeed she is, because Mary was a math teacher and 151 00:08:33,040 --> 00:08:36,360 Speaker 5: advisor for Native American girls in Santa Fe, New Mexico. 152 00:08:37,640 --> 00:08:41,800 Speaker 3: And now her classroom phone is ringing. This woman is busy. 153 00:08:42,080 --> 00:08:45,720 Speaker 5: You have no idea. This is her literally answering the 154 00:08:45,720 --> 00:08:48,360 Speaker 5: call to help the nation in nineteen forty two, when 155 00:08:48,400 --> 00:08:49,880 Speaker 5: World War II broke out. 156 00:08:50,080 --> 00:08:53,040 Speaker 3: How could a math teacher with a master's degree help 157 00:08:53,120 --> 00:08:54,439 Speaker 3: the nation during war? 158 00:08:54,760 --> 00:08:58,880 Speaker 5: First, she joined the Lockheed Aircraft Corporation. Next, she used 159 00:08:58,920 --> 00:09:01,520 Speaker 5: math to keep fighter checks from falling apart while flying 160 00:09:01,559 --> 00:09:02,880 Speaker 5: close to the speed of sound. 161 00:09:03,640 --> 00:09:07,760 Speaker 3: Sounds like we should speed to Lockheed Aircraft Corporation so 162 00:09:07,800 --> 00:09:09,120 Speaker 3: we can see her work first hand. 163 00:09:09,520 --> 00:09:16,360 Speaker 5: To Lockheed in nineteen fifty seven. Ready, study teleport and. 164 00:09:16,280 --> 00:09:20,720 Speaker 3: Our bodies are disappearing. A quick wave and the scary whiteboard. 165 00:09:21,040 --> 00:09:24,080 Speaker 3: And now we're at Lockheed, finally a place with a 166 00:09:24,120 --> 00:09:27,280 Speaker 3: temporate climate. Gabe, is it just me? Or is Mary 167 00:09:27,320 --> 00:09:28,640 Speaker 3: the only woman here? 168 00:09:29,040 --> 00:09:32,079 Speaker 5: The only other woman was the secretary. 169 00:09:32,480 --> 00:09:36,400 Speaker 3: And look at her tools. A slide ruler and the 170 00:09:36,480 --> 00:09:38,880 Speaker 3: world's largest calculator. 171 00:09:38,440 --> 00:09:40,199 Speaker 5: That's called a freedom calculator. 172 00:09:40,320 --> 00:09:43,040 Speaker 3: Verty amazing the things she worked on planes with these 173 00:09:43,080 --> 00:09:46,960 Speaker 3: totally old school tools. Hey, why is everyone at Lockheed 174 00:09:46,960 --> 00:09:48,160 Speaker 3: in such a huge hurry? 175 00:09:48,440 --> 00:09:49,600 Speaker 5: Remember they're in a. 176 00:09:49,600 --> 00:09:53,360 Speaker 3: Race, a space race, right? But how did the space 177 00:09:53,480 --> 00:09:56,400 Speaker 3: race begin? Why was everyone suddenly so desperate to get 178 00:09:56,400 --> 00:09:57,079 Speaker 3: into space? 179 00:09:57,440 --> 00:10:00,640 Speaker 5: After World War Two, the United States and this Union 180 00:10:00,679 --> 00:10:04,160 Speaker 5: got into a heated competition called the Cold War, and 181 00:10:04,200 --> 00:10:06,880 Speaker 5: a big part of that struggle was over the control 182 00:10:06,960 --> 00:10:07,520 Speaker 5: of space. 183 00:10:08,160 --> 00:10:10,679 Speaker 3: Gotcha, So everyone's eyes were on the. 184 00:10:10,600 --> 00:10:14,960 Speaker 5: Stars, and in nineteen fifty seven, the Soviets launched the 185 00:10:15,000 --> 00:10:18,920 Speaker 5: first ever satellite into orbit, which was called Sputnick. 186 00:10:19,200 --> 00:10:21,679 Speaker 3: So Mary and all her colleagues are trying to catch up. 187 00:10:22,000 --> 00:10:25,280 Speaker 5: It was all hands on deck for US scientists, engineers, 188 00:10:25,320 --> 00:10:30,160 Speaker 5: and mathematicians. But eventually Mary went to NASA. Shall we 189 00:10:30,240 --> 00:10:30,800 Speaker 5: join her there? 190 00:10:30,960 --> 00:10:31,800 Speaker 3: On your marks? 191 00:10:32,080 --> 00:10:34,280 Speaker 5: Get set teleports. 192 00:10:35,280 --> 00:10:36,079 Speaker 3: I'm terrifying. 193 00:10:36,160 --> 00:10:40,200 Speaker 5: My god, I don't work here, but welcome to NASA. 194 00:10:40,600 --> 00:10:40,720 Speaker 7: Oo. 195 00:10:41,640 --> 00:10:44,320 Speaker 3: Look, Mary is over there. Let's go check out what 196 00:10:44,400 --> 00:10:46,720 Speaker 3: she's working on. See if maybe I can learn how 197 00:10:46,760 --> 00:10:48,160 Speaker 3: to get a spaceship in the air. 198 00:10:48,480 --> 00:10:51,280 Speaker 5: Okay, but we should probably try not to be noticed 199 00:10:51,320 --> 00:10:54,600 Speaker 5: because most of what Mary's working on is top secret. 200 00:10:54,920 --> 00:10:57,920 Speaker 3: You're totally right, Gabe. It says top secret right on 201 00:10:58,000 --> 00:11:00,760 Speaker 3: top of the manual she's typing up. Oh. I feel 202 00:11:00,800 --> 00:11:02,240 Speaker 3: like we're in a spy. 203 00:11:02,160 --> 00:11:04,880 Speaker 5: Movie from the looks of it. The thing that she's 204 00:11:04,920 --> 00:11:09,040 Speaker 5: working on is the operational requirements for a spacecraft. 205 00:11:09,400 --> 00:11:12,480 Speaker 3: Jackpot, that's exactly what I need to get my spacecraft 206 00:11:12,520 --> 00:11:15,120 Speaker 3: into space. Just gonna write a couple things down. 207 00:11:16,240 --> 00:11:20,280 Speaker 5: That manual is an absolutely vital part of the Apollo program. 208 00:11:20,520 --> 00:11:23,640 Speaker 5: And you see that pile of papers on her desk, Oh, 209 00:11:23,679 --> 00:11:27,040 Speaker 5: that's gonna turn into NASA's Planetary Flight Handbook. 210 00:11:27,280 --> 00:11:31,240 Speaker 3: Isn't that NASA's comprehensive guide to space travel? Sure is 211 00:11:31,640 --> 00:11:36,559 Speaker 3: bubble Jackpot just gonna take a couple more notes here, and. 212 00:11:36,600 --> 00:11:39,800 Speaker 5: This report over here is full of preliminary concepts for 213 00:11:40,040 --> 00:11:42,080 Speaker 5: flights to Mars and Venus. 214 00:11:42,400 --> 00:11:46,080 Speaker 3: Are you saying that Mary laid the groundwork for missions 215 00:11:46,080 --> 00:11:49,680 Speaker 3: that haven't yet come to fruition. I am Oh, she's 216 00:11:49,800 --> 00:11:52,400 Speaker 3: so cool. I love learning about cool people. 217 00:11:52,640 --> 00:11:55,640 Speaker 5: You're not alone, which is why there's a sculpture of 218 00:11:55,679 --> 00:11:59,120 Speaker 5: her at Buffalo State College. Also, there's a painting by 219 00:11:59,200 --> 00:12:03,120 Speaker 5: Cherokee artist to America Meredith at the Smithsonian National Museum 220 00:12:03,160 --> 00:12:05,760 Speaker 5: of the American Indian that we have to go see 221 00:12:06,200 --> 00:12:07,080 Speaker 5: it better. 222 00:12:06,800 --> 00:12:09,440 Speaker 3: Be her against a starry rocket filled sky. 223 00:12:10,040 --> 00:12:12,640 Speaker 5: That is exactly what it is. How did you know that? 224 00:12:12,880 --> 00:12:15,040 Speaker 3: Good guess? Tward time. 225 00:12:17,520 --> 00:12:19,120 Speaker 5: And we're back to the Smithsonian. 226 00:12:19,440 --> 00:12:23,960 Speaker 3: Look, there's our painting, Merey Golde Ross in space. It's 227 00:12:24,160 --> 00:12:26,600 Speaker 3: absolutely stunning. Well, let's get closer. 228 00:12:27,640 --> 00:12:31,320 Speaker 5: The painting is entitled ad Astra per Astra, which means 229 00:12:31,520 --> 00:12:34,920 Speaker 5: to the stars from the stars, and a reference to 230 00:12:34,960 --> 00:12:38,199 Speaker 5: a Cherokee origin story about how humans arrived on Earth 231 00:12:38,240 --> 00:12:40,559 Speaker 5: from the Pleiades. Let's take a closer look. 232 00:12:41,559 --> 00:12:46,000 Speaker 3: Look at all this detail. Wow, this painting is packed 233 00:12:46,040 --> 00:12:48,280 Speaker 3: with symbolism. I actually know about this. 234 00:12:48,800 --> 00:12:49,400 Speaker 5: Say more. 235 00:12:49,600 --> 00:12:54,280 Speaker 3: Okay, First, there's this seven pointed star, which references the 236 00:12:54,360 --> 00:12:59,360 Speaker 3: seven Sisters constellation Bigo. Second you have the seven clans 237 00:12:59,360 --> 00:13:03,000 Speaker 3: of the Cherokee Bengo. And last you have got the 238 00:13:03,080 --> 00:13:07,480 Speaker 3: seven directions in Cherokee cosmology Bongo niminy. 239 00:13:07,880 --> 00:13:09,720 Speaker 5: I had no idea. You knew all that. 240 00:13:10,400 --> 00:13:12,880 Speaker 3: It's pretty amazing the stuff that will float around in 241 00:13:12,920 --> 00:13:16,120 Speaker 3: your noodle from high school history. But Gabe, what is 242 00:13:16,160 --> 00:13:18,000 Speaker 3: that spacecraft in the painting? 243 00:13:18,440 --> 00:13:21,319 Speaker 5: That is the agent a spacecraft? It was a versatile 244 00:13:21,360 --> 00:13:24,640 Speaker 5: American rocket and satellite bus used by NASA and the 245 00:13:24,760 --> 00:13:27,080 Speaker 5: US Air Force for tons of projects. 246 00:13:27,360 --> 00:13:29,880 Speaker 3: Oh and look at this Marry quote below the painting. 247 00:13:30,760 --> 00:13:34,160 Speaker 3: To function efficiently in today's world, you need math. The 248 00:13:34,200 --> 00:13:36,959 Speaker 3: world is so technical. If you plan to work in it, 249 00:13:37,040 --> 00:13:39,680 Speaker 3: a math background will let you go farther and faster. 250 00:13:40,080 --> 00:13:42,880 Speaker 5: She was truly an example of how important math is 251 00:13:42,960 --> 00:13:43,640 Speaker 5: for everyone. 252 00:13:44,000 --> 00:13:46,880 Speaker 3: To be honest, I didn't realize how important math is 253 00:13:46,920 --> 00:13:49,240 Speaker 3: and making so many big things happen in the real world. 254 00:13:49,480 --> 00:13:53,360 Speaker 3: I kind of feel my way through a lot in life. 255 00:13:53,040 --> 00:13:56,000 Speaker 5: Nimity, Can I ask you were you using any math 256 00:13:56,080 --> 00:13:58,040 Speaker 5: to try to record a song in space? 257 00:13:58,559 --> 00:14:03,679 Speaker 3: Absolutely? Rocket ship plus one song equals one space song. Oh, 258 00:14:03,720 --> 00:14:05,960 Speaker 3: I realized now it was a little simple. 259 00:14:06,640 --> 00:14:09,400 Speaker 5: I admire your gumption and it got you on your way. 260 00:14:09,800 --> 00:14:12,680 Speaker 3: True, and now thanks to Mary, I have got the 261 00:14:12,720 --> 00:14:15,600 Speaker 3: goods and I am ready to try again. Speaking of which, 262 00:14:15,760 --> 00:14:16,960 Speaker 3: are you ready to head back home? 263 00:14:17,360 --> 00:14:20,200 Speaker 5: Actually, I'm going to teleport into the White Void? 264 00:14:20,640 --> 00:14:24,240 Speaker 3: What what game? It's so endless and blank. 265 00:14:23,960 --> 00:14:27,680 Speaker 5: Trust me, I know, but seeing how fearless Mary Golder 266 00:14:27,840 --> 00:14:30,880 Speaker 5: Ross was made me realize it was time to face 267 00:14:31,080 --> 00:14:31,800 Speaker 5: my fears. 268 00:14:32,320 --> 00:14:35,520 Speaker 3: Well, good luck with that game. I obviously want the 269 00:14:35,560 --> 00:14:38,480 Speaker 3: full report. As for me, I'm headed back to the 270 00:14:38,480 --> 00:14:40,600 Speaker 3: book activate teleport. 271 00:14:41,400 --> 00:14:49,920 Speaker 8: Bye, Who I am back in the here and now 272 00:14:50,320 --> 00:14:53,600 Speaker 8: da come take a look at these notes I took. 273 00:14:53,880 --> 00:14:57,280 Speaker 3: I have some serious improvements on the construction and operation 274 00:14:57,440 --> 00:15:03,280 Speaker 3: of our rocket ship. Yeah, I know, pretty smart stuff, right? 275 00:15:03,520 --> 00:15:11,920 Speaker 3: Can you make these changes? Fantastic? And while they are 276 00:15:11,920 --> 00:15:14,600 Speaker 3: working on the rocket ship, I'm gonna go ahead and 277 00:15:14,640 --> 00:15:19,480 Speaker 3: get in my space suit. I'll see. It's probably for 278 00:15:19,520 --> 00:15:21,800 Speaker 3: the best. We didn't actually get into space last time. 279 00:15:21,920 --> 00:15:25,440 Speaker 3: We didn't even have a proper protocol. I'm in and 280 00:15:25,600 --> 00:15:27,520 Speaker 3: now that I am suited up, I am going to 281 00:15:27,600 --> 00:15:37,080 Speaker 3: go ahead and get inside. Welcome. Thanks robot voice. Wow, 282 00:15:37,600 --> 00:15:40,760 Speaker 3: it is starting to look good in here, Tina. What's 283 00:15:40,800 --> 00:15:41,600 Speaker 3: the word. 284 00:15:42,840 --> 00:15:43,280 Speaker 7: That was? 285 00:15:43,480 --> 00:15:46,600 Speaker 3: Quick? I suppose when you're not guessing how to build 286 00:15:46,640 --> 00:15:51,000 Speaker 3: a spaceship, it's a lot easier. Huh. Well, thanks to 287 00:15:51,080 --> 00:15:54,480 Speaker 3: Marry Golda Ross for straightening out our space aspirations and 288 00:15:54,520 --> 00:15:58,760 Speaker 3: making this possible. Robot boys, let's get this thing going 289 00:16:00,760 --> 00:16:04,920 Speaker 3: and seconds. Listeners, we are about to make some history 290 00:16:04,960 --> 00:16:08,640 Speaker 3: by making music about some history and featuring one of 291 00:16:08,680 --> 00:16:11,120 Speaker 3: today's special guests, Crystal. 292 00:16:10,720 --> 00:16:15,000 Speaker 9: Life Nice four three two ones. 293 00:16:31,720 --> 00:16:36,520 Speaker 10: I go by the name of Mary Golda Ross, aka 294 00:16:36,720 --> 00:16:42,480 Speaker 10: the first known Native American female aerospace engineer. I am 295 00:16:42,560 --> 00:16:47,520 Speaker 10: a mathematician, I am a Cherokee, and I am a trailblazer. 296 00:16:48,360 --> 00:16:48,920 Speaker 5: Here we go. 297 00:16:49,120 --> 00:16:52,320 Speaker 10: I was born in Oklahoma nineteen o eight, a small 298 00:16:52,360 --> 00:16:55,000 Speaker 10: town called park Hill, where life wasn't so great. But 299 00:16:55,120 --> 00:16:57,960 Speaker 10: from a very early age I showed a growth rate 300 00:16:58,160 --> 00:17:01,080 Speaker 10: at learning to compute the count and cold. Late I 301 00:17:01,160 --> 00:17:03,360 Speaker 10: had a mind for math, and I got math in 302 00:17:03,400 --> 00:17:06,120 Speaker 10: my mind. But for Native girls, you'll find it wasn't 303 00:17:06,160 --> 00:17:09,480 Speaker 10: a good time. But I'm a great grand child of 304 00:17:09,560 --> 00:17:12,800 Speaker 10: a charity teacher, so inside of me a healthless belief. 305 00:17:13,080 --> 00:17:16,200 Speaker 10: Those around me, they often agreed, spend my next few 306 00:17:16,280 --> 00:17:19,960 Speaker 10: years with their help in pursuit of my dreams. Knowledge. 307 00:17:20,040 --> 00:17:23,480 Speaker 10: I sought it college with plots, math class, I taught 308 00:17:23,480 --> 00:17:24,439 Speaker 10: it masters. 309 00:17:24,520 --> 00:17:25,080 Speaker 3: I got it. 310 00:17:25,119 --> 00:17:28,760 Speaker 10: But after the next chapter of my biography, one in 311 00:17:28,840 --> 00:17:32,480 Speaker 10: which the prodigy in geometry wants to honestly, you are 312 00:17:32,480 --> 00:17:36,120 Speaker 10: astronomer me. But misogyny in the field means the quantity 313 00:17:36,359 --> 00:17:38,160 Speaker 10: of females that's near zero. 314 00:17:38,400 --> 00:17:39,000 Speaker 3: It's hard to. 315 00:17:38,920 --> 00:17:41,720 Speaker 10: See a past if you can't see a hero. So 316 00:17:41,760 --> 00:17:44,840 Speaker 10: we rode back to a reservation. I worked in education. 317 00:17:45,000 --> 00:17:47,919 Speaker 10: Maybe my dream was dead and then instead for the 318 00:17:48,000 --> 00:17:49,040 Speaker 10: next generation. 319 00:17:50,000 --> 00:17:53,080 Speaker 9: I never know where my path please plot. 320 00:17:53,119 --> 00:17:54,440 Speaker 3: I solved all my problems. 321 00:17:54,480 --> 00:17:59,040 Speaker 9: I got math, leats, married gold plus remember me check 322 00:17:59,119 --> 00:18:01,679 Speaker 9: my legacy engineer and Cherokee. 323 00:18:01,720 --> 00:18:04,800 Speaker 10: I did I advise the kids right? But I felt 324 00:18:04,800 --> 00:18:07,360 Speaker 10: I never ever really get that big life. But then 325 00:18:07,680 --> 00:18:11,240 Speaker 10: Germany starts picking a big fight and my world changes 326 00:18:11,320 --> 00:18:15,000 Speaker 10: quick overnight. You might not know, but in World War Two, 327 00:18:15,359 --> 00:18:18,560 Speaker 10: men were overseas siegings, so the girls would do new 328 00:18:18,680 --> 00:18:21,600 Speaker 10: jobs that before would never hurt towards you. A new 329 00:18:21,600 --> 00:18:23,879 Speaker 10: world soars through and un worlds for you. 330 00:18:24,320 --> 00:18:25,440 Speaker 3: So what saw the sign? 331 00:18:25,800 --> 00:18:29,119 Speaker 10: Search for the sign and the coast sign. I headed 332 00:18:29,200 --> 00:18:32,720 Speaker 10: for the coastline to lock Heed on a course I 333 00:18:32,880 --> 00:18:33,439 Speaker 10: was charged. 334 00:18:34,119 --> 00:18:36,880 Speaker 3: And if you didn't and a few I was starting. 335 00:18:37,119 --> 00:18:41,119 Speaker 10: At the job I always wanted doing aeronautics, making military 336 00:18:41,200 --> 00:18:44,359 Speaker 10: places start silivery and Rocky Silent. Had that money in 337 00:18:44,440 --> 00:18:47,640 Speaker 10: my pockets on a trade with Nope, stopping within the 338 00:18:47,680 --> 00:18:48,720 Speaker 10: war stops. 339 00:18:49,680 --> 00:18:52,000 Speaker 3: And then the men came home. So then I. 340 00:18:51,920 --> 00:18:55,480 Speaker 10: Didn't know if they let me stop that work any more. 341 00:18:55,840 --> 00:18:58,800 Speaker 10: Once again, every bosses at a cross roads, at a 342 00:18:58,880 --> 00:19:03,480 Speaker 10: lost or where the oh no, I never know where 343 00:19:03,600 --> 00:19:04,040 Speaker 10: my path. 344 00:19:04,119 --> 00:19:08,400 Speaker 9: Please plut ourselves all my problems. I am Mattheleas married 345 00:19:08,640 --> 00:19:12,720 Speaker 9: gold that plus remember me check my legacy engineer and 346 00:19:12,840 --> 00:19:23,639 Speaker 9: Cherokee squeeze. 347 00:19:24,040 --> 00:19:28,200 Speaker 10: Make them say, take a girl multiplier with some passion 348 00:19:28,320 --> 00:19:32,399 Speaker 10: and action, attract all distraction, added a little traction and 349 00:19:32,440 --> 00:19:35,199 Speaker 10: a fraction, a fashion and a glass ceiling. 350 00:19:35,560 --> 00:19:37,119 Speaker 3: Would you get the answer? 351 00:19:37,200 --> 00:19:40,000 Speaker 10: Risk Mary Ross? And if they would have said you 352 00:19:40,040 --> 00:19:42,840 Speaker 10: can't do Matthew read anymore, I'd be very cross. That 353 00:19:42,880 --> 00:19:45,919 Speaker 10: would be a scary thought because my mind absorbing all 354 00:19:45,960 --> 00:19:48,200 Speaker 10: these facts like the water, and my brain is made 355 00:19:48,240 --> 00:19:50,720 Speaker 10: of terry cloth. Yes, what I was so good that 356 00:19:50,800 --> 00:19:53,399 Speaker 10: they kept me here, pay for me to train again 357 00:19:53,480 --> 00:19:56,840 Speaker 10: to be an engineer, say for twenty plus years, earn 358 00:19:56,880 --> 00:19:59,720 Speaker 10: my pension here, and did even more things than I 359 00:19:59,760 --> 00:20:02,520 Speaker 10: can mentioned here. Most of it is classified. 360 00:20:02,600 --> 00:20:03,720 Speaker 3: What's the fights to say? 361 00:20:03,920 --> 00:20:06,760 Speaker 10: You got Mary Russ the thing for your flights? Today 362 00:20:07,119 --> 00:20:09,760 Speaker 10: only woman in the room where the fellas is with 363 00:20:09,960 --> 00:20:14,560 Speaker 10: the Melandine helping their new text development and writing manuals 364 00:20:14,600 --> 00:20:18,480 Speaker 10: for the skunk Works. And after I retired, I'm inspiring 365 00:20:18,560 --> 00:20:21,840 Speaker 10: the young squirts, helping kids who look like me do 366 00:20:21,960 --> 00:20:24,719 Speaker 10: what I did, be a hero so they could dream. 367 00:20:24,960 --> 00:20:36,840 Speaker 4: Beg Jesus, Jesus, make him say. 368 00:20:39,920 --> 00:20:40,240 Speaker 8: Jesus. 369 00:21:05,720 --> 00:21:08,240 Speaker 3: We'll be right back after a few words for the 370 00:21:08,320 --> 00:21:18,879 Speaker 3: grown ups. Landing in the three two ones, A flawless 371 00:21:18,960 --> 00:21:22,679 Speaker 3: re entry and landing. I sure am glad to be 372 00:21:22,760 --> 00:21:25,439 Speaker 3: back home. Now, let me just push the button to 373 00:21:25,480 --> 00:21:26,960 Speaker 3: open the spaceship door. 374 00:21:28,600 --> 00:21:29,960 Speaker 5: Raccoons, We did it. 375 00:21:30,320 --> 00:21:36,800 Speaker 3: We recorded a song in space. Yea, how she did it? Yeah? 376 00:21:37,000 --> 00:21:38,560 Speaker 1: First you had to record. 377 00:21:38,240 --> 00:21:42,000 Speaker 3: A song edge first, Hey, it's my high fan Phil. 378 00:21:42,280 --> 00:21:46,760 Speaker 11: Oh, yeah, Phil's here here in person and the spirit. 379 00:21:47,640 --> 00:21:51,520 Speaker 3: Well, thanks to everyone for being my welcome committee, Phil, Tina, 380 00:21:51,840 --> 00:21:55,679 Speaker 3: other nameless Raccoons. When I was recording that absolute smash 381 00:21:55,800 --> 00:21:58,800 Speaker 3: hit of a tune in Deep Space, I realized something 382 00:21:59,320 --> 00:22:02,359 Speaker 3: you did. Now you should tell us spill the fat. 383 00:22:03,000 --> 00:22:06,600 Speaker 3: I realized I use math all the time in music. 384 00:22:06,920 --> 00:22:11,439 Speaker 3: Music and math are like time and space, inextricably tied. 385 00:22:11,880 --> 00:22:18,320 Speaker 3: Same all. Phil doesn't get it yet, think about it, Phil. Rhythms, patterns, intervals, scales, 386 00:22:18,560 --> 00:22:21,560 Speaker 3: the notations of a composer communicate the sounds that a 387 00:22:21,640 --> 00:22:27,080 Speaker 3: musician needs to make. It all involves maths. Music is man, 388 00:22:27,520 --> 00:22:32,720 Speaker 3: and word is grateful exactly. Oh now, everyone, if you'll 389 00:22:32,760 --> 00:22:35,640 Speaker 3: excuse me, my space mission went a touch too long 390 00:22:35,680 --> 00:22:37,040 Speaker 3: and I have to head to my interview. 391 00:22:37,160 --> 00:22:39,600 Speaker 5: Stat Wait, nmity, I have a question. 392 00:22:40,000 --> 00:22:42,480 Speaker 3: What is it, Phil, And why do you suddenly sound 393 00:22:42,520 --> 00:22:45,000 Speaker 3: so earnest? Can you send me into space? 394 00:22:45,320 --> 00:22:48,520 Speaker 11: I'm really excited for you, but I'm also extremely jealous. 395 00:22:48,920 --> 00:22:51,639 Speaker 3: It was my childhood dream calling a mission to space. 396 00:22:51,880 --> 00:22:55,640 Speaker 12: I honestly just stumbled into this whole highbad thing, which 397 00:22:55,680 --> 00:22:59,159 Speaker 12: is great, don't get me wrong, but space that was 398 00:22:59,200 --> 00:23:00,160 Speaker 12: my first love. 399 00:23:00,480 --> 00:23:03,800 Speaker 3: Phil I'm so glad you said something. I'd be thrilled 400 00:23:03,800 --> 00:23:07,280 Speaker 3: to lend you my rocket ship really under one condition, 401 00:23:07,600 --> 00:23:10,600 Speaker 3: fail will do anything you ask. I need you to 402 00:23:10,680 --> 00:23:13,479 Speaker 3: promise that you'll keep space totally hyped. 403 00:23:13,920 --> 00:23:19,000 Speaker 11: Oh yeah, space man, combining my job. 404 00:23:18,920 --> 00:23:19,199 Speaker 2: And my. 405 00:23:20,880 --> 00:23:27,040 Speaker 3: Tina please help fill into space. Thanks team, and now 406 00:23:27,160 --> 00:23:35,000 Speaker 3: for today's interview, we have two really special guests joining us. 407 00:23:35,160 --> 00:23:37,960 Speaker 3: Please welcome Christina and Vivian. 408 00:23:38,480 --> 00:23:38,880 Speaker 8: Hi. 409 00:23:39,320 --> 00:23:40,760 Speaker 3: Please introduce yourselves. 410 00:23:41,160 --> 00:23:46,639 Speaker 2: Yeah, eh sha Christina Helona Yisha sitting on Jenny Inishai 411 00:23:46,680 --> 00:23:50,280 Speaker 2: bashish chin ttich ain'ty dashi che ashiha Dashanela. 412 00:23:50,680 --> 00:23:50,840 Speaker 12: Hi. 413 00:23:51,240 --> 00:23:53,600 Speaker 2: My name is Christina Helna and I am of the 414 00:23:53,640 --> 00:23:56,960 Speaker 2: Black Streak Wood People Clan born for the Folded Arms 415 00:23:56,960 --> 00:24:00,000 Speaker 2: People Clan. The Bitter Water Clan is my maternal grand 416 00:24:00,119 --> 00:24:03,760 Speaker 2: father's clan and the Salt Clan is my paternal grandfather's clan. 417 00:24:04,040 --> 00:24:08,320 Speaker 2: I am Navajo originally from the Nawaha Reservation from Samila, Arizona. 418 00:24:08,560 --> 00:24:12,000 Speaker 2: I am the Interio's Rocket Systems engineering program manager at NORTHFORLK. 419 00:24:12,000 --> 00:24:14,240 Speaker 2: Grumman Corporation in Chandler, Arizona. 420 00:24:14,560 --> 00:24:14,720 Speaker 12: Hi. 421 00:24:14,880 --> 00:24:17,840 Speaker 7: My name is Vivian. I am eight years old. I 422 00:24:18,000 --> 00:24:22,679 Speaker 7: live in Ohio I am Odawa in Hana Nashoni. My 423 00:24:22,880 --> 00:24:24,600 Speaker 7: name is Alway Hunted. 424 00:24:25,119 --> 00:24:27,680 Speaker 3: I'm so happy to have both of you here. Let's 425 00:24:27,680 --> 00:24:30,000 Speaker 3: start off with your first question, Vivian. 426 00:24:30,160 --> 00:24:33,240 Speaker 7: How do you know you wanted to be an engineer? 427 00:24:33,680 --> 00:24:34,920 Speaker 12: Great question, Vivian. 428 00:24:35,240 --> 00:24:37,840 Speaker 2: I actually knew I wanted to be an internet at 429 00:24:37,840 --> 00:24:40,720 Speaker 2: a very young age, which is very rare. I was 430 00:24:40,760 --> 00:24:43,000 Speaker 2: probably about your age, maybe even a year or two 431 00:24:43,000 --> 00:24:46,040 Speaker 2: younger than you are right now. I saw an airplane 432 00:24:46,080 --> 00:24:49,399 Speaker 2: go by above me, and I'd asked my mom what 433 00:24:49,520 --> 00:24:51,160 Speaker 2: was that and she told me. 434 00:24:51,119 --> 00:24:53,359 Speaker 12: What it was, and I was like, was there people 435 00:24:53,359 --> 00:24:53,840 Speaker 12: on there? 436 00:24:54,119 --> 00:24:56,520 Speaker 2: I was just asking all kinds of questions and she 437 00:24:56,720 --> 00:24:58,600 Speaker 2: was just like, okay, well, have to take it to 438 00:24:58,600 --> 00:25:03,280 Speaker 2: the library. I checked out books about airplanes and astronauts 439 00:25:03,320 --> 00:25:08,520 Speaker 2: and space and rockets, and when I found out who 440 00:25:08,560 --> 00:25:13,040 Speaker 2: designs rockets and airplanes, I found out was an aerospace engineer, 441 00:25:13,480 --> 00:25:16,280 Speaker 2: and so that's what I said I was going to do. 442 00:25:16,359 --> 00:25:18,119 Speaker 2: I was like, I want to make things fly. I 443 00:25:18,200 --> 00:25:19,040 Speaker 2: want to do that. 444 00:25:19,400 --> 00:25:21,800 Speaker 7: What does it feel like to be an engineer? 445 00:25:22,520 --> 00:25:27,399 Speaker 2: Well, Vivian, it actually feels pretty amazing, you know, especially 446 00:25:27,400 --> 00:25:29,680 Speaker 2: as a Native American woman. There's not many of us 447 00:25:29,680 --> 00:25:31,879 Speaker 2: in the STEM field. You know, Mary Ross was the 448 00:25:32,000 --> 00:25:36,040 Speaker 2: very first Native American engineer at Lockheed and just in 449 00:25:36,080 --> 00:25:39,200 Speaker 2: general in the world. And you know, I just kind 450 00:25:39,200 --> 00:25:41,919 Speaker 2: of use her path. She would worked very hard to 451 00:25:41,920 --> 00:25:44,240 Speaker 2: get where she was and she was making great waved 452 00:25:44,240 --> 00:25:46,520 Speaker 2: links to do what she loved and I'm going to 453 00:25:46,560 --> 00:25:51,000 Speaker 2: do the same. And how she inspired individuals Native Americans 454 00:25:51,040 --> 00:25:54,399 Speaker 2: alight like myself to pursue a STEM degree. She was 455 00:25:54,400 --> 00:25:57,720 Speaker 2: definitely someone I looked up to and I'm hoping I'm 456 00:25:57,760 --> 00:26:01,000 Speaker 2: able to inspire others as well, just telling the young 457 00:26:01,040 --> 00:26:03,960 Speaker 2: Indigenous kids out there that they can do anything they want. 458 00:26:04,320 --> 00:26:06,960 Speaker 2: They can be an engineer like myself and Mary Ross. 459 00:26:07,240 --> 00:26:10,800 Speaker 3: Mary Ross is so inspirational. Can you tell us a 460 00:26:10,800 --> 00:26:13,080 Speaker 3: little more about what she worked on, Christina. 461 00:26:13,200 --> 00:26:15,560 Speaker 12: She worked on very different projects. 462 00:26:15,600 --> 00:26:18,000 Speaker 2: One of them you might not be aware with, Vivian 463 00:26:18,000 --> 00:26:21,159 Speaker 2: because you're so young, is the skunk Works project at 464 00:26:21,200 --> 00:26:24,399 Speaker 2: Lackey Martin. Then they did a lot of classified projects 465 00:26:24,440 --> 00:26:27,840 Speaker 2: what they called skunk Works. The bomber there, the really 466 00:26:28,119 --> 00:26:31,600 Speaker 2: quiet airplane that makes no noise when it's flying up above. 467 00:26:31,720 --> 00:26:33,440 Speaker 2: Like she gets to tried to work up really cool 468 00:26:33,480 --> 00:26:36,440 Speaker 2: projects like that. She was amazing what. 469 00:26:36,200 --> 00:26:38,160 Speaker 7: Was your favorite thing in school? 470 00:26:38,520 --> 00:26:41,479 Speaker 2: Sciences was actually my favorite, just because you got to 471 00:26:41,520 --> 00:26:44,640 Speaker 2: do a little bit of everything. And then what got 472 00:26:44,680 --> 00:26:47,359 Speaker 2: me really interested in what I'm doing right now as 473 00:26:47,359 --> 00:26:50,960 Speaker 2: an engineer in general is learning about physics and working 474 00:26:51,000 --> 00:26:55,640 Speaker 2: on bottle rockets and the Newton's laws and all that craziness. 475 00:26:55,720 --> 00:26:58,440 Speaker 2: Growing up, you know, I also like arts and crafts too, 476 00:26:58,560 --> 00:27:01,359 Speaker 2: which is a little bit different than a little bit 477 00:27:01,359 --> 00:27:04,119 Speaker 2: different than my engineering background. But you know, growing up, 478 00:27:04,160 --> 00:27:08,040 Speaker 2: I used to watch my grandmother and grandparents leave rugs, 479 00:27:08,320 --> 00:27:10,639 Speaker 2: so they had to use actually math too to do 480 00:27:10,680 --> 00:27:12,840 Speaker 2: that and figure out how the rug weaving would go, 481 00:27:13,000 --> 00:27:14,960 Speaker 2: how the patterns would look like, and to have to 482 00:27:14,960 --> 00:27:17,320 Speaker 2: think about that ahead of time. My grandparents also did 483 00:27:17,359 --> 00:27:21,119 Speaker 2: a lot of drawings and pottery, and so seeing that 484 00:27:21,160 --> 00:27:23,240 Speaker 2: as a child kind of made me appreciate the arts 485 00:27:23,240 --> 00:27:23,880 Speaker 2: a little bit too. 486 00:27:24,000 --> 00:27:28,240 Speaker 3: Oh, your grandparents sound really talented, Vivian. You're interested in 487 00:27:28,359 --> 00:27:28,920 Speaker 3: art too. 488 00:27:28,840 --> 00:27:31,320 Speaker 7: Right, I think I like drawing. 489 00:27:31,880 --> 00:27:32,840 Speaker 12: What do you like to draw? 490 00:27:33,240 --> 00:27:36,359 Speaker 7: Sometimes I just draw Star Wars? 491 00:27:36,640 --> 00:27:39,479 Speaker 12: Oh? You like Star Wars? What's your favorite character? 492 00:27:39,800 --> 00:27:41,320 Speaker 7: M Arto D two? 493 00:27:41,600 --> 00:27:42,800 Speaker 12: You know what so do? 494 00:27:42,920 --> 00:27:45,520 Speaker 2: I I love R two D two and CP three 495 00:27:45,520 --> 00:27:49,320 Speaker 2: to Zho I call them their besties because they're always together. 496 00:27:50,359 --> 00:27:52,840 Speaker 3: Hey, now that I think about it, R two, D 497 00:27:52,960 --> 00:27:57,359 Speaker 3: two and C three PO were probably built by engineers. 498 00:27:57,840 --> 00:27:59,639 Speaker 3: Thank you both for joining me today. 499 00:28:00,240 --> 00:28:01,600 Speaker 12: Been up so nice to meet you. 500 00:28:02,000 --> 00:28:05,920 Speaker 7: Nice to meet you too, Thank you, Christina, Bye, Thank 501 00:28:06,000 --> 00:28:08,840 Speaker 7: you bye, listeners. 502 00:28:08,920 --> 00:28:13,320 Speaker 3: Thanks for joining me today for our space epic. Pretty amazing. 503 00:28:13,359 --> 00:28:16,320 Speaker 3: We made it so far into space and back, well, 504 00:28:16,720 --> 00:28:21,720 Speaker 3: almost all of us. I still haven't heard from Gabe. Gabe, 505 00:28:21,800 --> 00:28:25,200 Speaker 3: you're back and right on time. Hey, Nimity, How was 506 00:28:25,240 --> 00:28:26,359 Speaker 3: the infinite White Void? 507 00:28:26,960 --> 00:28:30,560 Speaker 5: Very intimidating at first and then very calming? 508 00:28:30,960 --> 00:28:31,440 Speaker 3: Calming? 509 00:28:31,960 --> 00:28:34,600 Speaker 5: Turns out a place without time and space can be 510 00:28:34,720 --> 00:28:38,360 Speaker 5: pretty chill. Nowhere to be no time crunch for anything. 511 00:28:38,640 --> 00:28:40,480 Speaker 5: I'm pretty sure I spent years there. 512 00:28:40,920 --> 00:28:44,520 Speaker 3: Oh, but you mention it. You are glowing slightly. 513 00:28:46,520 --> 00:28:49,240 Speaker 5: Also, it was hard to sleep because it was so bright, 514 00:28:50,160 --> 00:28:51,800 Speaker 5: So I think I'm gonna go lay down. 515 00:28:52,680 --> 00:28:55,480 Speaker 3: Totally nice to catch up and hear about your mind 516 00:28:55,520 --> 00:28:59,680 Speaker 3: bending adventure, listeners, real talk before we dive into Mary's 517 00:28:59,720 --> 00:29:03,360 Speaker 3: legac See, I had no idea math played such a 518 00:29:03,360 --> 00:29:06,280 Speaker 3: big role in my life. Are there ways that math 519 00:29:06,320 --> 00:29:08,920 Speaker 3: plays a big role in your daily lives? I'd love 520 00:29:08,960 --> 00:29:13,800 Speaker 3: to know anyway A huge thanks to today's guests Vivian, 521 00:29:14,040 --> 00:29:19,080 Speaker 3: Crystal and Christina Remember parents and teachers. You can download 522 00:29:19,080 --> 00:29:22,720 Speaker 3: a free activity related to today's episode by visiting story 523 00:29:22,800 --> 00:29:27,360 Speaker 3: pirates dot com. Slash Historical Records and I can't wait 524 00:29:27,400 --> 00:29:29,840 Speaker 3: to go on another adventure with you all very soon. 525 00:29:30,520 --> 00:29:34,320 Speaker 3: Until next time it's face. Don't forget to make history. 526 00:29:34,840 --> 00:29:39,240 Speaker 3: You gotta make some noise and possibly explode a spaceship 527 00:29:39,280 --> 00:29:50,160 Speaker 3: engine or two bye. 528 00:29:51,320 --> 00:29:55,560 Speaker 11: Historical Records is produced in partnership with story Pirate Studios, 529 00:29:55,800 --> 00:30:00,920 Speaker 11: Questloves two on five Entertainment, John Flickman and iHeart Podcasts 530 00:30:01,480 --> 00:30:06,800 Speaker 11: Executive produced by Emir Questlove Thompson, John Plickman, Lee Overtree 531 00:30:06,840 --> 00:30:11,640 Speaker 11: and Benjamin Salga. Executive produced for iHeart Podcasts by Noel Brown. 532 00:30:12,000 --> 00:30:16,080 Speaker 11: Producers for story Pirate Studios are Isabella Riccio, Sam bear, 533 00:30:16,520 --> 00:30:20,880 Speaker 11: Errit Gerson, Andrew Miller, Lee Overtree, Peter McNerney and niminy Ware. 534 00:30:21,400 --> 00:30:24,880 Speaker 11: Producers for two one five are Sean ge Britney, Benjamin 535 00:30:24,920 --> 00:30:28,640 Speaker 11: and Zarah Zolman. Hosted by niminy Ware. Our head writer 536 00:30:28,880 --> 00:30:33,080 Speaker 11: is Duke Doyle. Our historians are Gabe Pacheco and Lee Polus. 537 00:30:33,680 --> 00:30:37,480 Speaker 11: Music supervision for two one five by Stroe Elliott. Scoring 538 00:30:37,560 --> 00:30:40,920 Speaker 11: and music supervision for Story Pirate Studios by Eric Gerson. 539 00:30:41,400 --> 00:30:43,880 Speaker 11: Sound designed and mixing by Sam Bear at the Relic 540 00:30:43,960 --> 00:30:47,400 Speaker 11: Room in New York City. Song mastering by Josh Han, 541 00:30:47,800 --> 00:30:50,720 Speaker 11: Theme song by Dan Foster and Eric Gerson and produced 542 00:30:50,720 --> 00:30:55,840 Speaker 11: by Eric Erson. Production coordination by Isabelle Riccio. Production management 543 00:30:55,920 --> 00:30:59,120 Speaker 11: by Maggie Lee. The line producer for Story Pirate Studios 544 00:30:59,200 --> 00:31:02,800 Speaker 11: is Glennis Brawl. Pr for Story Pirate Studios is provided 545 00:31:02,800 --> 00:31:07,320 Speaker 11: by Naomi Shaw. Episode artwork by Camilla Franklin. This episode 546 00:31:07,360 --> 00:31:10,720 Speaker 11: was written by Duke Doyle. The song Mary golda Ross 547 00:31:10,760 --> 00:31:13,800 Speaker 11: was written by Dan Foster and Niminy Ware and produced 548 00:31:13,840 --> 00:31:17,800 Speaker 11: by Micah James, with vocal direction and additional music supervision 549 00:31:17,880 --> 00:31:23,000 Speaker 11: by Jack Mitchell. Additional recording at Red Room Studios in Edmonton, Alberta, Canada. 550 00:31:23,360 --> 00:31:28,200 Speaker 11: Special guests Crystal Lightning, Christina Helona and Kid interviewer Vivian. 551 00:31:28,680 --> 00:31:33,200 Speaker 11: This episode features performances by Sarah Elizabeth Haynes, Peter McNerney, 552 00:31:33,560 --> 00:31:37,800 Speaker 11: Lee Overtree, and Gabe Pacheco. Special thanks to David Kerns 553 00:31:37,840 --> 00:31:53,080 Speaker 11: and Joey Clift.