1
00:00:00,040 --> 00:00:03,320
Speaker 1: Hey listeners, it's James Parker. Can you keep a secret?

2
00:00:03,520 --> 00:00:06,080
Speaker 1: The next episode of Daughters of d C is up next,

3
00:00:06,480 --> 00:00:13,760
Speaker 1: but first a quick word from our sponsor, Hey, lethal listeners,

4
00:00:13,800 --> 00:00:18,040
Speaker 1: your favorite team detective tig torres here after tracking down

5
00:00:18,040 --> 00:00:21,079
Speaker 1: the lip killer and clearing my aunt's name. I bet

6
00:00:21,120 --> 00:00:24,599
Speaker 1: you thought you'd heard the last of my podcast, Lethal Lit,

7
00:00:25,400 --> 00:00:32,200
Speaker 1: but I'm back and Fall is going to be positively deadly. First,

8
00:00:32,479 --> 00:00:34,479
Speaker 1: Max Winn and I are teaming up for an all

9
00:00:34,520 --> 00:00:37,720
Speaker 1: new mystery in our first original novel coming to you

10
00:00:37,800 --> 00:00:41,640
Speaker 1: from Scholastic. This time we dig into the murder of

11
00:00:41,720 --> 00:00:46,720
Speaker 1: crows Polo Falls Secretive Armchair Detective Club. Their interest in

12
00:00:46,760 --> 00:00:50,839
Speaker 1: the town's dark past isn't purely academic, and some of

13
00:00:50,880 --> 00:00:55,200
Speaker 1: their members would kill to keep its secrets buried. Keep

14
00:00:55,240 --> 00:00:58,480
Speaker 1: your ears peeled from more Info next year, and mark

15
00:00:58,520 --> 00:01:03,720
Speaker 1: your calendars for the book's release state September one. Then,

16
00:01:03,880 --> 00:01:06,800
Speaker 1: the lit Killer saga continues in season two of the

17
00:01:06,880 --> 00:01:11,440
Speaker 1: Lethal Lit podcast, Friends new and old returned to Hollow

18
00:01:11,480 --> 00:01:14,800
Speaker 1: Falls for the grand reopening of the Montague Hotel, but

19
00:01:14,880 --> 00:01:17,480
Speaker 1: the guests are in for a route awakening when the

20
00:01:17,520 --> 00:01:25,319
Speaker 1: bodies begin to drop. Stay tuned, listeners, is going to

21
00:01:25,400 --> 00:01:32,360
Speaker 1: be lethal, Iron Horns, Epic Productions, and I Heart Radio

22
00:01:32,440 --> 00:01:38,360
Speaker 1: present Daughters of d C. So remember how we were

23
00:01:38,400 --> 00:01:41,280
Speaker 1: going to save democracy with a pitch perfect plan we

24
00:01:41,319 --> 00:01:44,640
Speaker 1: came up within a single night. Well that didn't happen

25
00:01:45,440 --> 00:01:47,840
Speaker 1: when the rubber metha road the car went off a

26
00:01:47,840 --> 00:01:52,000
Speaker 1: cliff and exploded. We've got Celia running from Capitol police,

27
00:01:52,520 --> 00:01:55,400
Speaker 1: Natalie and George getting detained by those same police while

28
00:01:55,440 --> 00:01:58,640
Speaker 1: trying to create a diversion for Celia and Cole about

29
00:01:58,680 --> 00:02:00,760
Speaker 1: to start a fist fight with Tanner when he's supposed

30
00:02:00,800 --> 00:02:03,400
Speaker 1: to be setting up the projector. And best of all,

31
00:02:04,160 --> 00:02:06,640
Speaker 1: remember the flash drive with a video of Supreme Court

32
00:02:06,640 --> 00:02:12,240
Speaker 1: nominee Crawford read murdering his predecessor completely smashed. So, yeah,

33
00:02:12,720 --> 00:02:16,799
Speaker 1: not what we had planned. Good thing. Natalie believes improvisation

34
00:02:16,919 --> 00:02:20,800
Speaker 1: is the truest form of theater because that's exactly what

35
00:02:20,800 --> 00:02:30,840
Speaker 1: we're gonna have to do. Fingers crossed. It's no secret

36
00:02:30,840 --> 00:02:34,919
Speaker 1: that in Washington, d C. Corruption is everywhere. You could

37
00:02:34,960 --> 00:02:37,760
Speaker 1: say it's gone viral. That's why my friends and I

38
00:02:37,880 --> 00:02:42,720
Speaker 1: decided to take on the system from the inside. I'm James,

39
00:02:42,880 --> 00:02:46,320
Speaker 1: I'm Peyton, I'm Celia I'm Natalie and we're the Daughters

40
00:02:46,360 --> 00:02:56,320
Speaker 1: of DC. Mom. Are you there? The hearing just started?

41
00:02:56,680 --> 00:02:59,200
Speaker 1: Are we doing this or not? Hold on, there's been

42
00:02:59,240 --> 00:03:01,640
Speaker 1: a minor change of plans. I'm conferencing the rest of

43
00:03:01,639 --> 00:03:04,560
Speaker 1: the team and again, yes, we're doing this. We're gonna

44
00:03:04,680 --> 00:03:07,600
Speaker 1: jam the feeds are okay, give me the signal and

45
00:03:07,639 --> 00:03:10,519
Speaker 1: I'll fire up the projector. I can't wait to see

46
00:03:10,520 --> 00:03:13,400
Speaker 1: everyone's faces when they realize what this monster has done.

47
00:03:13,639 --> 00:03:17,000
Speaker 1: One second, Mom, can you do that? Adrian? Jam the

48
00:03:17,040 --> 00:03:20,840
Speaker 1: feed directly? But you can? I have no idea how

49
00:03:20,840 --> 00:03:24,480
Speaker 1: to do that? What was dorm alloyed? I mean, if

50
00:03:24,480 --> 00:03:29,480
Speaker 1: we can get someone to and then yeah, if Alat

51
00:03:29,520 --> 00:03:33,680
Speaker 1: goes right, then yeah it could work. Well let's do

52
00:03:33,800 --> 00:03:37,800
Speaker 1: it then, Okay, team, listen up. We're doing this old school.

53
00:03:38,040 --> 00:03:40,760
Speaker 1: We're jamming the feeds directly. I have no idea what

54
00:03:40,800 --> 00:03:43,440
Speaker 1: you're saying. But I'm stuck outside the capital and can't

55
00:03:43,440 --> 00:03:47,280
Speaker 1: get in again. That totally works. Stay outside, Celia, we're

56
00:03:47,280 --> 00:03:50,640
Speaker 1: coming to you. Done. There are a bunch of press

57
00:03:50,680 --> 00:03:53,320
Speaker 1: fans parked outside the Capitol and we'll need to get

58
00:03:53,320 --> 00:03:56,560
Speaker 1: you in them. Um, does anyone have any ideas on

59
00:03:56,600 --> 00:04:01,320
Speaker 1: how to create a diversion. I can do that. Okay, great,

60
00:04:02,000 --> 00:04:04,720
Speaker 1: and we still need someone to cut the lights, Natalie,

61
00:04:04,760 --> 00:04:08,840
Speaker 1: where are you? George and I are sucking protester jail? Fine,

62
00:04:09,120 --> 00:04:11,520
Speaker 1: Georgia saying it's not really a jail. It's a room

63
00:04:11,560 --> 00:04:15,000
Speaker 1: off Emancipation Hall where they keep troublemakers. But still, this

64
00:04:15,120 --> 00:04:19,560
Speaker 1: is al awful detention. You've got to get out of there. Trying, Babe,

65
00:04:20,160 --> 00:04:22,719
Speaker 1: I'm on it. Mom. Do you really say I'm the

66
00:04:22,760 --> 00:04:27,760
Speaker 1: speaker of the House for a reason. I can handle this? Yeah, Angela, Okay,

67
00:04:27,800 --> 00:04:35,919
Speaker 1: then where's coal? Yeah? About that? I know what you're doing.

68
00:04:36,960 --> 00:04:38,760
Speaker 1: You want me to throw the first point so it

69
00:04:38,839 --> 00:04:41,200
Speaker 1: makes a big scene and gets my mom in hot water.

70
00:04:42,080 --> 00:04:44,440
Speaker 1: But I'm not going to do that. I'm going to

71
00:04:44,480 --> 00:04:47,600
Speaker 1: be the bigger man, bigger man, stuck with my sloppy

72
00:04:47,680 --> 00:04:50,560
Speaker 1: seconds you have to do, don't you know? We all

73
00:04:50,560 --> 00:04:53,400
Speaker 1: see what you really are, just a little boy who

74
00:04:53,440 --> 00:04:56,960
Speaker 1: wants his daddy's approval. At least I got it dad.

75
00:04:57,760 --> 00:05:00,359
Speaker 1: What did you say, don't listen to? How did you

76
00:05:00,400 --> 00:05:10,039
Speaker 1: say to me? What you gonna do? Son? What? I

77
00:05:10,080 --> 00:05:12,960
Speaker 1: feel sorry for you? Man? I really do you got

78
00:05:13,000 --> 00:05:17,000
Speaker 1: so much anger in you? Why? What's it for I'm

79
00:05:17,080 --> 00:05:20,800
Speaker 1: not throwing the first punch. I am the bigger man.

80
00:05:22,360 --> 00:05:25,640
Speaker 1: Doesn't waste of time anyway. In an hour, my dad

81
00:05:25,680 --> 00:05:29,279
Speaker 1: will be a justice of the Supreme Court that positions

82
00:05:29,320 --> 00:05:34,000
Speaker 1: for life, son for life. Get out of my weight, losers.

83
00:05:37,360 --> 00:05:41,960
Speaker 1: Are you okay? Come on, We've got work to do.

84
00:05:42,000 --> 00:05:44,840
Speaker 1: You go finished setting up that projector where are you going?

85
00:05:45,120 --> 00:05:49,400
Speaker 1: I've got to go help Celia. Come here first for luck?

86
00:05:50,040 --> 00:05:58,720
Speaker 1: Whoa warn't a guy before you kiss him? Dang, Peyton Blackburn,

87
00:05:58,960 --> 00:06:01,839
Speaker 1: I want to make a public statement. Excellent? Are you

88
00:06:01,920 --> 00:06:05,840
Speaker 1: doing another me to hear outside the Capitol while Judge

89
00:06:05,839 --> 00:06:08,680
Speaker 1: Read testifies. You'll have to point that camera at me

90
00:06:08,720 --> 00:06:11,400
Speaker 1: to find out, Carl, get the camera from the back

91
00:06:11,440 --> 00:06:15,960
Speaker 1: of the van. This is fantastic. That's right, you're already

92
00:06:15,960 --> 00:06:17,920
Speaker 1: on all of you can come out of your vans.

93
00:06:18,839 --> 00:06:23,800
Speaker 1: I have something to say. Okay on me in five

94
00:06:24,279 --> 00:06:29,840
Speaker 1: four three, Miss Blackburn? Why are you here today outside

95
00:06:29,920 --> 00:06:33,680
Speaker 1: Judge Reads hearing? What do you hope to gain from

96
00:06:33,680 --> 00:06:38,159
Speaker 1: such a blatantly political move? Our constitution says the Senate

97
00:06:38,240 --> 00:06:41,839
Speaker 1: must advise and consent on presidential appointments to the Court,

98
00:06:42,520 --> 00:06:49,400
Speaker 1: and quite frankly, I do not believe they should consent. M. James,

99
00:06:49,480 --> 00:06:52,320
Speaker 1: I'm in the press van. Now Peyton's pulling off the diversion.

100
00:06:52,520 --> 00:06:54,839
Speaker 1: Why do you need me to do? Okay, I'm kind

101
00:06:54,839 --> 00:06:56,680
Speaker 1: of making this up on the fly, but I think

102
00:06:56,680 --> 00:06:59,240
Speaker 1: it will work. Send Adrian the I P numbers for

103
00:06:59,279 --> 00:07:02,160
Speaker 1: each fan's and may computer. He'll get you the password

104
00:07:02,279 --> 00:07:03,920
Speaker 1: and then feed you the code I wrote to jam

105
00:07:03,960 --> 00:07:06,919
Speaker 1: their feed. We'll need to do this on every press band.

106
00:07:07,320 --> 00:07:11,160
Speaker 1: When you're all set up, just say go and i'll launch. Good. Um,

107
00:07:11,480 --> 00:07:14,280
Speaker 1: I'm not exactly sure what you just said. All right,

108
00:07:14,480 --> 00:07:17,840
Speaker 1: let me thing for a second. I'll look you through it. Okay.

109
00:07:18,040 --> 00:07:21,040
Speaker 1: Is there a computer in front of you? Yes? Okay,

110
00:07:21,280 --> 00:07:29,880
Speaker 1: go to the icon marked operating system the President established

111
00:07:29,960 --> 00:07:35,680
Speaker 1: in the Chinese exclusion. Hell no, we woke up. Hell no,

112
00:07:36,000 --> 00:07:41,119
Speaker 1: we woke up. Now we're locked up. We can't go right.

113
00:07:41,280 --> 00:07:44,240
Speaker 1: Hell no, we must go. Hell no, we must go.

114
00:07:44,720 --> 00:07:49,120
Speaker 1: I am begging you too it to be quiet. Hello, officer,

115
00:07:49,520 --> 00:07:53,240
Speaker 1: I believe there's been a little mix up. Madam speak

116
00:07:53,240 --> 00:07:57,680
Speaker 1: of this young woman here is Congressman Rosenberg's daughter. Yeah, dude,

117
00:07:58,080 --> 00:08:00,320
Speaker 1: I'm afraid it's no mix up, ma'am. You and a

118
00:08:00,360 --> 00:08:03,440
Speaker 1: friend here were being disruptive during the Senate here. Yes,

119
00:08:03,960 --> 00:08:06,120
Speaker 1: she can be a little rowdy, which is why I'd

120
00:08:06,120 --> 00:08:08,640
Speaker 1: like to escort her back to my chamber the House.

121
00:08:09,120 --> 00:08:13,120
Speaker 1: That way, she won't disturb things any further. Well, I am,

122
00:08:13,200 --> 00:08:16,040
Speaker 1: is there a problem, Officer, No, ma'am, of course not.

123
00:08:16,440 --> 00:08:19,000
Speaker 1: Whatever you say, thank you, I'll be sure to put

124
00:08:19,040 --> 00:08:21,760
Speaker 1: in a good word with your superior, Captain Carver. And

125
00:08:21,920 --> 00:08:24,200
Speaker 1: just between you and me, my good word is the

126
00:08:24,240 --> 00:08:32,000
Speaker 1: reason he's Captain Carver. Yes, ma'am. Come along, kids, Dang Angela,

127
00:08:32,080 --> 00:08:35,240
Speaker 1: did you really get Captain Carver his job? There is

128
00:08:35,280 --> 00:08:37,800
Speaker 1: no Captain Carver, but he doesn't need to know that.

129
00:08:38,320 --> 00:08:42,240
Speaker 1: Chane of command goes pretty high around here. Whoa very

130
00:08:42,280 --> 00:08:51,280
Speaker 1: impressive acting skills, Mrs James, Mom politics is acting? Natalie.

131
00:08:52,600 --> 00:08:55,319
Speaker 1: All right, Team, Adrian and I are in place. Give

132
00:08:55,360 --> 00:08:57,840
Speaker 1: me some good news. You're badass. Mom's heading into the

133
00:08:57,880 --> 00:09:01,120
Speaker 1: hearing now. George and I are back in position it projectors. Ready.

134
00:09:01,280 --> 00:09:03,520
Speaker 1: I think I'm doing this computer thing right. Just give

135
00:09:03,520 --> 00:09:07,520
Speaker 1: me another minute. Yes, Adrian, is there any cool electronic

136
00:09:07,600 --> 00:09:09,960
Speaker 1: music in this old buckets? I think I have exactly

137
00:09:10,000 --> 00:09:15,079
Speaker 1: what you're looking Okay, wow, Once we get to go ahead,

138
00:09:15,080 --> 00:09:17,920
Speaker 1: from Celia. We have the chance to do an actual

139
00:09:18,160 --> 00:09:22,600
Speaker 1: nationwide broadcast signal intrusion from a van outside the Capitol.

140
00:09:23,480 --> 00:09:26,720
Speaker 1: That's wild forming on, it's making it. We've only got

141
00:09:26,720 --> 00:09:29,120
Speaker 1: a few seconds after she says go before someone notices

142
00:09:29,160 --> 00:09:31,319
Speaker 1: we've jammed the feeds and we routed to our pirates station.

143
00:09:31,679 --> 00:09:34,680
Speaker 1: So we have to make this count. Okay, I think

144
00:09:34,679 --> 00:09:37,760
Speaker 1: I did the IP thing you said. Here goes nothing, James,

145
00:09:38,000 --> 00:09:40,800
Speaker 1: we don't have time. What is it? The signal, it's

146
00:09:40,800 --> 00:09:44,480
Speaker 1: already jammed. Someone's beat us to it. I can't get through.

147
00:09:44,640 --> 00:09:49,720
Speaker 1: It's like they're rerouting our rewrote last man, I'm warned

148
00:09:49,760 --> 00:09:53,640
Speaker 1: you I'd be back. Are you kidding? James? Are we ready?

149
00:09:53,679 --> 00:10:00,679
Speaker 1: It's now or never? Hey? D O DC fan stay

150
00:10:00,679 --> 00:10:03,680
Speaker 1: tuned more Daughters of d C is up next, But

151
00:10:03,800 --> 00:10:10,960
Speaker 1: first a quick word from our sponsor. What's up? Daughters

152
00:10:10,960 --> 00:10:13,920
Speaker 1: of DC fans head to Daughters of DC dot com

153
00:10:13,960 --> 00:10:17,040
Speaker 1: to get exclusive do you DC news updates and content

154
00:10:17,200 --> 00:10:24,120
Speaker 1: before everybody else. D Locksmith backhacked us. He's trying to

155
00:10:24,120 --> 00:10:26,520
Speaker 1: divert the signal to his own pirates station. We can't

156
00:10:26,600 --> 00:10:29,040
Speaker 1: let him, James, Are we ready? No? Mom, I need

157
00:10:29,080 --> 00:10:31,960
Speaker 1: one more minute why would he who knows, but we

158
00:10:32,000 --> 00:10:34,960
Speaker 1: can't let him. I'm giving you the courtesy of ten

159
00:10:35,080 --> 00:10:38,720
Speaker 1: seconds to yield and retreat. Maybe, Acker, you have no

160
00:10:38,880 --> 00:10:41,439
Speaker 1: army of associates to beck your play this time. I,

161
00:10:42,040 --> 00:10:47,319
Speaker 1: on the other hand, always come with reinforcements. He's sitting

162
00:10:47,360 --> 00:10:49,280
Speaker 1: so much data at us. It's like trying to fight

163
00:10:49,320 --> 00:10:53,559
Speaker 1: your way to a sunami. That's it, Adriana. He wants

164
00:10:53,640 --> 00:10:55,640
Speaker 1: us to think we need an army. He wants us

165
00:10:55,640 --> 00:10:58,080
Speaker 1: to face off against the tsunami. And what we really

166
00:10:58,120 --> 00:11:01,000
Speaker 1: need to do is ride the way, to say, write

167
00:11:01,000 --> 00:11:03,080
Speaker 1: his data stream all the way to his pirate station,

168
00:11:03,120 --> 00:11:05,760
Speaker 1: because we'll be writing on a trojan that's carrying our video.

169
00:11:06,200 --> 00:11:08,400
Speaker 1: Once it's released, you won't be able to stop playing it.

170
00:11:08,480 --> 00:11:12,240
Speaker 1: He'll be broadcasting with for us. Come on, Mom, Natalie,

171
00:11:12,600 --> 00:11:16,840
Speaker 1: get ready to light it up. Ready, I've been ready,

172
00:11:17,080 --> 00:11:21,400
Speaker 1: Wait for it, Wait for it. I tried to protect you,

173
00:11:21,400 --> 00:11:25,079
Speaker 1: young James Parker, but now you've gotten yourself into deep

174
00:11:25,520 --> 00:11:30,400
Speaker 1: and the consequence. Bro, God, you looked you in the scenery, Mom,

175
00:11:30,520 --> 00:11:36,600
Speaker 1: Natalie pulled from my mark. Now, if I'm a one

176
00:11:36,600 --> 00:11:39,240
Speaker 1: more question, judge read what do you think of the

177
00:11:39,320 --> 00:11:43,160
Speaker 1: nineteen seventy two Firm and Vijordia decision, citing the death

178
00:11:43,160 --> 00:11:48,080
Speaker 1: penalty is violating the Eighth Amendments Cruel and Unusual Punishment clause. Well,

179
00:11:48,120 --> 00:11:51,199
Speaker 1: I think there's a reason it was overturned four years later. Now,

180
00:11:51,640 --> 00:11:55,719
Speaker 1: lights out, read we need a strong death penalty as deterrent.

181
00:11:57,520 --> 00:12:05,040
Speaker 1: What's happening? Is what's going on in here? Y'all hazing me? Projector?

182
00:12:05,160 --> 00:12:11,480
Speaker 1: Is it gol? Hello? What is this? It's some kind

183
00:12:11,520 --> 00:12:15,960
Speaker 1: of video that you want to be tall drama intention

184
00:12:16,480 --> 00:12:19,559
Speaker 1: if you right now? This is this is a private

185
00:12:19,640 --> 00:12:25,800
Speaker 1: security breach, breaking news from Capitol Hill. Still, what the

186
00:12:25,800 --> 00:12:29,480
Speaker 1: hell was that? Am I still alive? What do you mean?

187
00:12:29,600 --> 00:12:32,559
Speaker 1: Someone's taking over the feet? How was that possible? Still?

188
00:12:32,760 --> 00:12:34,680
Speaker 1: This what's supposed to go? And night? I'm me reel

189
00:12:36,280 --> 00:12:39,200
Speaker 1: if that's all you wanted to say, and going to

190
00:12:39,240 --> 00:12:56,640
Speaker 1: turn into the night, good night profile. What do you? Good? One? Justice?

191
00:12:57,280 --> 00:13:02,000
Speaker 1: Oh now, now, calm down. I didn't that's not me, Crawford,

192
00:13:02,440 --> 00:13:05,280
Speaker 1: you killed him. I don't know what that was. This

193
00:13:05,520 --> 00:13:09,839
Speaker 1: is a fake video. Come on, fuck you believe me. Crawford, sir,

194
00:13:10,400 --> 00:13:12,120
Speaker 1: You're gonna have to come with us, please out now,

195
00:13:12,200 --> 00:13:15,880
Speaker 1: just wait one minute I have a guaranteed majority us. Now, sir,

196
00:13:16,360 --> 00:13:18,800
Speaker 1: I won't be asking you a second time. Get don't

197
00:13:18,840 --> 00:13:22,679
Speaker 1: hands off. This sink is mine. You hear me, I

198
00:13:22,720 --> 00:13:30,000
Speaker 1: earned it. You can't arrest me. I'm un touchable. Come untouchable. No, No,

199
00:13:30,960 --> 00:13:40,040
Speaker 1: it's mad, Natalie, Mom, what's happening? Um? I think we

200
00:13:40,679 --> 00:13:48,920
Speaker 1: just took down Judge Reid James? Did you hear me? James?

201
00:13:49,800 --> 00:13:56,719
Speaker 1: You did it? I did you did it? I did it?

202
00:13:56,920 --> 00:14:07,320
Speaker 1: You did it. Shocking news here at the Capitol where

203
00:14:07,360 --> 00:14:12,160
Speaker 1: Supreme Court nominee Crawford Read caught on tape smothering Justice

204
00:14:12,280 --> 00:14:16,559
Speaker 1: Edward Ramirez with a pillow. And and now word word

205
00:14:16,640 --> 00:14:21,760
Speaker 1: is coming in. The judge is officially under arrest. Gruesome, chilling,

206
00:14:22,120 --> 00:14:26,840
Speaker 1: absolutely bone tingling. This will haunt the halls of the

207
00:14:26,880 --> 00:14:31,480
Speaker 1: Senate for years to come. A stunning revelation of events

208
00:14:31,640 --> 00:14:35,680
Speaker 1: leading up to the arrest of a Supreme Court nominee.

209
00:14:39,360 --> 00:14:40,920
Speaker 1: If you had told me at the beginning of the

210
00:14:40,920 --> 00:14:44,040
Speaker 1: school year that my friends and I would successfully break

211
00:14:44,080 --> 00:14:47,240
Speaker 1: into a Senate hearing and get a judge arrested for murder,

212
00:14:48,640 --> 00:14:55,880
Speaker 1: I'd say, wait, I have friends, but a lot can

213
00:14:55,920 --> 00:14:58,800
Speaker 1: happen in a few months I guess I've learned that

214
00:14:58,840 --> 00:15:01,720
Speaker 1: you can let people so prize you, you can even

215
00:15:01,720 --> 00:15:09,680
Speaker 1: surprise yourself. Hey James, Yo, James, what's up? Of course,

216
00:15:09,840 --> 00:15:12,160
Speaker 1: we all got in trouble with the FCC for hacking

217
00:15:12,160 --> 00:15:15,280
Speaker 1: the broadcast, but it wasn't nearly as much trouble as

218
00:15:15,360 --> 00:15:19,160
Speaker 1: Judge Reid got into for you know, murdering Justice Ramirez

219
00:15:19,240 --> 00:15:22,640
Speaker 1: and attempting to hijack our democracy. That we got off

220
00:15:22,680 --> 00:15:26,840
Speaker 1: pretty easy, all things considered, And now that a few

221
00:15:26,840 --> 00:15:30,040
Speaker 1: months have passed, things are finally starting to settle down

222
00:15:30,480 --> 00:15:36,240
Speaker 1: and return to normal, well a better normal. Hey James,

223
00:15:36,360 --> 00:15:39,760
Speaker 1: I can't talk now. Studying not only surprised us all

224
00:15:40,120 --> 00:15:43,280
Speaker 1: by taking your S A T S again. Choose the

225
00:15:43,320 --> 00:15:48,520
Speaker 1: analogy that best matches the example provided. Maceration is to liquid,

226
00:15:48,640 --> 00:15:53,960
Speaker 1: as a sublimation is to gas. B evaporation is to humidity.

227
00:15:54,440 --> 00:15:58,880
Speaker 1: See trailers to path Why would I choose any of these?

228
00:15:59,720 --> 00:16:02,320
Speaker 1: Mut that she has suddenly developed a burning desire to

229
00:16:02,320 --> 00:16:05,160
Speaker 1: go to college. She just wanted to keep things fair,

230
00:16:07,320 --> 00:16:12,920
Speaker 1: all right. Let's have a look here. M hmm. Not

231
00:16:13,080 --> 00:16:18,240
Speaker 1: a great score, but an honest effort. I'm proud of you, Natalie.

232
00:16:18,400 --> 00:16:21,440
Speaker 1: Thank you, Congressman come on, what do you gotta start

233
00:16:21,520 --> 00:16:25,240
Speaker 1: calling me dad again? Still going to be a while.

234
00:16:26,440 --> 00:16:30,960
Speaker 1: Peyton's kind of gone high profile. She and Valentina are

235
00:16:30,960 --> 00:16:34,800
Speaker 1: spokespeople for an outreach program teaching preteen girls how to

236
00:16:34,800 --> 00:16:39,280
Speaker 1: assert their voices. The whole world will be telling you

237
00:16:39,320 --> 00:16:44,120
Speaker 1: to be nice and avoid making waves. But your voice

238
00:16:44,160 --> 00:16:48,760
Speaker 1: is just as meaningful as anybody else's and just as powerful.

239
00:16:49,360 --> 00:16:54,240
Speaker 1: That's right, And to my eternal disgust, she and Cole

240
00:16:54,320 --> 00:16:58,160
Speaker 1: are still a thing. Gross. They even went to win

241
00:16:58,280 --> 00:17:05,160
Speaker 1: or formal together, which made our families closer. Maybe too close? Alright,

242
00:17:05,240 --> 00:17:08,199
Speaker 1: you too, love birds leaning close now, but but but

243
00:17:08,280 --> 00:17:11,480
Speaker 1: not too close. Let the lord in, Daddy, You got it,

244
00:17:11,640 --> 00:17:16,080
Speaker 1: Mr Blackbird. They make a beautiful couple, don't they? Speaker,

245
00:17:16,560 --> 00:17:20,840
Speaker 1: They really do. And you can call me Angie, you know, Angie.

246
00:17:21,119 --> 00:17:24,000
Speaker 1: After what went down at the read here and Buck's

247
00:17:24,040 --> 00:17:27,480
Speaker 1: got a lot of cloud, we're wearing a whole bunch

248
00:17:27,520 --> 00:17:30,439
Speaker 1: of options for our next move, and I do believe

249
00:17:30,720 --> 00:17:36,440
Speaker 1: you might want to hear them. I'm listening. Well, we've

250
00:17:36,480 --> 00:17:39,840
Speaker 1: been adjusting to this super weird but also kind of

251
00:17:39,840 --> 00:17:46,600
Speaker 1: cool new normal. Celia's had it way harder. Ms Lou,

252
00:17:46,680 --> 00:17:49,880
Speaker 1: I'm afraid this isn't getting through to you. Your parents

253
00:17:49,880 --> 00:17:53,920
Speaker 1: are gone. I get it, fine, whatever they vanished all

254
00:17:53,920 --> 00:17:59,280
Speaker 1: the time. What else is new? No, your mother left

255
00:17:59,320 --> 00:18:02,840
Speaker 1: this note for you. I don't know where they are,

256
00:18:02,960 --> 00:18:07,120
Speaker 1: miss Lu, but I'm under explicit instructions not to leave

257
00:18:07,160 --> 00:18:09,199
Speaker 1: your side until I hear from them again. It's no

258
00:18:09,280 --> 00:18:12,720
Speaker 1: big deal, William. Now, if you'll excuse me, Mackenzie and

259
00:18:12,800 --> 00:18:16,680
Speaker 1: I are busy back here. She's been playing the whole

260
00:18:16,680 --> 00:18:18,919
Speaker 1: thing off like it doesn't bother her the way she

261
00:18:19,040 --> 00:18:23,520
Speaker 1: always does. But I know she's just acting straw. Are

262
00:18:23,560 --> 00:18:27,320
Speaker 1: you sure you're okay, babe? I'm fine, Mac, totally fine.

263
00:18:28,320 --> 00:18:31,600
Speaker 1: You're gonna try to find them? Are you going to

264
00:18:32,840 --> 00:18:38,359
Speaker 1: I'm already on it. Tanner left you put shortly after

265
00:18:38,400 --> 00:18:41,880
Speaker 1: his father was arrested. He shut down his Instagram account

266
00:18:41,880 --> 00:18:47,520
Speaker 1: and disappeared. No one's heard from him since. And you're

267
00:18:47,600 --> 00:18:52,679
Speaker 1: probably wondering about our heroes, Store Malloy and Onyx Rader. Well,

268
00:18:53,200 --> 00:18:57,119
Speaker 1: they tried their romance thing for a while, but it

269
00:18:57,160 --> 00:19:01,480
Speaker 1: didn't really work out. The encryption tables configured it should be.

270
00:19:03,160 --> 00:19:05,760
Speaker 1: I really don't see that as likely, but I guess

271
00:19:05,800 --> 00:19:07,040
Speaker 1: we'll just have to push it to the limit and

272
00:19:07,040 --> 00:19:10,480
Speaker 1: see who's right. Hey, good black here, but I'm not

273
00:19:10,520 --> 00:19:14,639
Speaker 1: to convince you what I'm right. They both agreed that

274
00:19:14,680 --> 00:19:18,960
Speaker 1: a working relationship was more their speed. Put me and

275
00:19:19,040 --> 00:19:25,320
Speaker 1: Adrian on the other hand, Hey, I have lacrosse practice,

276
00:19:25,560 --> 00:19:27,679
Speaker 1: but I'll pick you up after so we can have

277
00:19:27,840 --> 00:19:31,720
Speaker 1: that hang out. We talked about maybe having some day

278
00:19:32,440 --> 00:19:41,240
Speaker 1: because that day is now. It sounds like a plan. Cool. Cool,

279
00:19:44,119 --> 00:19:53,080
Speaker 1: I gotta go, I'll see you later. Very cool. And

280
00:19:53,560 --> 00:19:56,800
Speaker 1: as for the Daughters of d C, well, let's just

281
00:19:56,880 --> 00:20:00,760
Speaker 1: say we've been enshrined forever someplace I really care about,

282
00:20:02,119 --> 00:20:07,280
Speaker 1: but I'm not going to tell you where it is. Yeah,

283
00:20:07,359 --> 00:20:14,000
Speaker 1: that's just like that, dude, right, stop like that. It

284
00:20:14,119 --> 00:20:17,640
Speaker 1: is an honor and a privilege to welcome the Daughters

285
00:20:17,720 --> 00:20:21,960
Speaker 1: of DC as official members of the votes. May we

286
00:20:22,160 --> 00:20:27,360
Speaker 1: do great things together? Yeah yeah, quite right, quite right?

287
00:20:27,520 --> 00:20:32,520
Speaker 1: And and and a special acknowledgement has to go out

288
00:20:32,760 --> 00:20:37,040
Speaker 1: to storm alloy. Go you want the head of a

289
00:20:37,119 --> 00:20:52,040
Speaker 1: hacker and let me legend start. You're like homecoming queen here. Yeah,

290
00:20:52,119 --> 00:20:55,520
Speaker 1: except this doesn't glorify the monarchy, and it's infinitely less sexist.

291
00:20:55,800 --> 00:20:58,399
Speaker 1: I am super glad we all get to dance together again,

292
00:20:59,280 --> 00:21:02,320
Speaker 1: even if it is a nerveest. You know what? This

293
00:21:02,440 --> 00:21:04,960
Speaker 1: is just like our all night or in eighth grade. Yes,

294
00:21:05,640 --> 00:21:08,000
Speaker 1: when we all snuck out because we heard Janelle Monte

295
00:21:08,320 --> 00:21:11,639
Speaker 1: was holding the pop up concert and Celia wanted to

296
00:21:12,240 --> 00:21:15,560
Speaker 1: audition to being her backup dancer. And it led to

297
00:21:15,600 --> 00:21:26,480
Speaker 1: the killer Wait who said that you? How did you

298
00:21:26,480 --> 00:21:28,840
Speaker 1: get in here? How do you even know about d ODC?

299
00:21:29,080 --> 00:21:32,240
Speaker 1: Who's this random? This is a private combo? Wait? Is

300
00:21:32,280 --> 00:21:36,800
Speaker 1: that flock? Smith? You think you've won daughters, but you've

301
00:21:36,840 --> 00:21:41,800
Speaker 1: only made yourselves, your friends, your families, everyone in your

302
00:21:41,880 --> 00:21:45,680
Speaker 1: lives a target. Wrong, dude, We took Judge read down.

303
00:21:45,760 --> 00:21:52,879
Speaker 1: You madin it in the news. Judge Reid was merely

304
00:21:52,920 --> 00:21:56,679
Speaker 1: the tip of a very big iceberg. Why do you

305
00:21:56,720 --> 00:22:00,920
Speaker 1: think Reid was willing to commit murder? Who guaranteed him

306
00:22:00,920 --> 00:22:04,960
Speaker 1: in the nomination? Who is he too afraid to say

307
00:22:05,119 --> 00:22:10,040
Speaker 1: no to? The stakeholders? Have a lot worse in store?

308
00:22:10,440 --> 00:22:13,680
Speaker 1: Who We're not scared of you anymore, Locksmith, You're powerless.

309
00:22:13,680 --> 00:22:18,240
Speaker 1: Such a fine line between bravery and foolishness. James, just

310
00:22:18,440 --> 00:22:22,160
Speaker 1: like your father, you don't know anything about my father.

311
00:22:22,680 --> 00:22:26,360
Speaker 1: Perhaps I'm the only one who truly knows what happened

312
00:22:26,400 --> 00:22:31,520
Speaker 1: to him. What no, no, I know exactly what happened

313
00:22:31,520 --> 00:22:34,560
Speaker 1: to him. He was killed in an embassy bomby saving

314
00:22:34,600 --> 00:22:40,320
Speaker 1: dozens of lives. He he was a hero. That's the story.

315
00:22:41,440 --> 00:22:44,480
Speaker 1: But the story of justice ramirez Is death was a

316
00:22:44,560 --> 00:22:49,879
Speaker 1: heart attack? How do that? Whilst I don't believe you,

317
00:22:50,119 --> 00:22:54,280
Speaker 1: believe what you want, but I know everything, James Harker,

318
00:22:55,160 --> 00:22:57,560
Speaker 1: and I know that in order to keep your families

319
00:22:57,760 --> 00:23:02,159
Speaker 1: and our country safe, in order to learn the truth

320
00:23:02,680 --> 00:23:06,400
Speaker 1: about your father, you're going to have to work with me.

321
00:23:10,080 --> 00:23:18,160
Speaker 1: Bro Ohoa, good night from now. Daughters d C. Keep

322
00:23:18,200 --> 00:23:28,600
Speaker 1: your doors locked tight. Iron Horn's Epic Productions and I

323
00:23:28,720 --> 00:23:34,080
Speaker 1: Heard Radio present Daughters of DC. Created and executive produced

324
00:23:34,080 --> 00:23:38,720
Speaker 1: by Heather Ironhorn and Adam STAFFERNI head writer Sasha Stewart,

325
00:23:39,320 --> 00:23:45,480
Speaker 1: Senior writer Louis Cornfelt, Writers Tyler english beckwith cha Rous

326
00:23:45,480 --> 00:23:51,440
Speaker 1: Senna and Adam Stafferoni directed by J. B. Block. Executive

327
00:23:51,480 --> 00:23:55,359
Speaker 1: produced by I Heart Radio. Produced by A Rupe Senna,

328
00:23:55,400 --> 00:24:00,440
Speaker 1: Kayla Kimberly Woods as James Parker, Melissa vanders Game as

329
00:24:00,480 --> 00:24:06,560
Speaker 1: Peyton Blackburn, Talia Romina as Natalie Rosenberg, Suzion as Celia

330
00:24:06,640 --> 00:24:12,120
Speaker 1: Lou with performances by O. G. Banks, k Bess, Vic Chow,

331
00:24:12,800 --> 00:24:18,960
Speaker 1: Phaeodor Chen, Darren de Paul, Dave Penoy, Paul Gayette, Juri Lowenthal,

332
00:24:19,440 --> 00:24:25,560
Speaker 1: Brandon Middleton, Stephanie Sheay, Shelley Shenoy, Richard Tatum, Genie Toronto,

333
00:24:25,880 --> 00:24:30,760
Speaker 1: Andia Winslow, Marshal York with Francesca Ramsay and J. B. Blanc.

334
00:24:31,480 --> 00:24:37,840
Speaker 1: Development executive Gregg Locker, production manager Gail Artino, Production coordinator

335
00:24:37,840 --> 00:24:42,480
Speaker 1: and script supervisor Laura Martin. Creative direction and design by

336
00:24:42,560 --> 00:24:47,960
Speaker 1: Ryan McCann, he Art illustrated by Heather Danforth. Casting by

337
00:24:48,160 --> 00:24:53,200
Speaker 1: Don Neowen, record a Edit, Home and sound Recording Engineer

338
00:24:53,520 --> 00:24:59,960
Speaker 1: Diana David. Additional recordings Claudio Santos. Additional recordings Michael schnei

339
00:25:00,040 --> 00:25:07,000
Speaker 1: There Sound supervision Christian Wiggins, Sound designers R. D. White

340
00:25:07,000 --> 00:25:12,080
Speaker 1: and Josh Melody. Original music Josh Melody, Additional music from

341
00:25:12,160 --> 00:25:18,000
Speaker 1: Jingle Punks. Consultant Kelsey Frasier, M S. W. Culture Consultants,

342
00:25:18,359 --> 00:25:22,879
Speaker 1: Logan Davis, Casey Davis and Davis Family. Special Thank you

343
00:25:22,920 --> 00:25:26,560
Speaker 1: to the Shadow Unicorn, Iron Horn's Epic Productions and I

344
00:25:26,680 --> 00:25:33,080
Speaker 1: Heart Radio Present Daughters of d City. Hey fabulous listeners

345
00:25:33,280 --> 00:25:36,199
Speaker 1: it's Selil Liu, but you knew that already. Want to

346
00:25:36,200 --> 00:25:38,879
Speaker 1: be a real d O d C insider. Follow us

347
00:25:38,920 --> 00:25:42,000
Speaker 1: on Instagram at Daughters of DC Official to get exclusive

348
00:25:42,040 --> 00:25:45,880
Speaker 1: d O DC news, updates, and content before everybody else