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Speaker 1: He has to rap rate our podcast. My name is

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Speaker 1: b dot Eliah Wilson Feeling Elliott. I'm feeling man. You

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Speaker 1: know it's heavy hearts man, heavy heart day man. We

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Speaker 1: you know, we got to dedicate this episode to our

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Speaker 1: got Harvain. You know, I think the life you if

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Speaker 1: you if you're familiar to hip hop scene on social media,

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Speaker 1: you've seen the outpouring the love and support, and you

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Speaker 1: know it just really hits home for me and be

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Speaker 1: you know, being friends with him and all the interactions

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Speaker 1: and you know, literally we we just came from going

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Speaker 1: to the actual service right right. It's so surreal. You know,

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Speaker 1: I was talking to Harvain the day he passed, and

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Speaker 1: just like hours later I got the news that he

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Speaker 1: was no longer with us. It just it still bugs

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Speaker 1: my mind. It hasn't really sat in. And you know, Horvain,

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Speaker 1: he probably himself on being like the third co host

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Speaker 1: of the fab Orated Door podcast. He's been with us

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Speaker 1: for so many episodes, from Lloyd Banks, Sycamore Styles, Griselda.

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Speaker 1: I mean the list goes on even like weeks prior

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Speaker 1: to his past and he helped us plug with Burner.

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Speaker 1: You know, he was a contact I used to call

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Speaker 1: harvein Connedison because he was the plug everything. So I

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Speaker 1: didn't know the bird apart how crazy it was. And

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Speaker 1: that's the thing too. I remember in the service Styles

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Speaker 1: Peace Folk, and I thought it was so dope that

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Speaker 1: like Styles came out, Lloyd Banks came out, because you

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Speaker 1: know a lot of times, you know, industry, industry, behind

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Speaker 1: the scenes giants like you'll hear about they helped so

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Speaker 1: many careers and so many lives, and then they'll have

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Speaker 1: a ceremony and they'll pass away and the artists don't

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Speaker 1: come out, and you know, the show Love and Styles

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Speaker 1: was saying how like he's still getting calls now about

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Speaker 1: stuff Halven was working on for him that he didn't

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Speaker 1: even know about, you know, right, Yeah, Harven was definitely

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Speaker 1: a workhorse, um young gurus. Also in the building, it

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Speaker 1: was a countless o. There's so many people that came

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Speaker 1: through to the service and Sycamore gave the eulogy, which

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Speaker 1: was really poignant. Yeah, it's a testament to who Halven was.

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Speaker 1: He loved his work, he loved to you know, connect dots.

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Speaker 1: And I said in an interview of Complex like you

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Speaker 1: never monopolized his resources, so he will definitely be missed,

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Speaker 1: absolutely absolutely, And I saw you had that little cougy

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Speaker 1: sweating on. Paying I had got the word that you know,

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Speaker 1: they buried halvein Um and the and the cougie they

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Speaker 1: were gonna do in the cougie and I was like,

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Speaker 1: all right, well, if they're gonna do it that way,

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Speaker 1: I gotta do it that way too. You know, they

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Speaker 1: wouldn't want it any other way. So you know, I

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Speaker 1: had to come through where a beaty blue coujie sweater,

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Speaker 1: you know, on tribute to to our guy. Yeah, shout

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Speaker 1: out Rob Barkman too. He had to. He had the

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Speaker 1: cougie join on and he did the obituary also, so

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Speaker 1: you know, just you know us, you know how he

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Speaker 1: touched the lives. And I thought it was a beautiful ceremony.

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Speaker 1: You know, obviously it's it's sad, but then there's the

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Speaker 1: funny moments like one of his daughters made us made

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Speaker 1: me cry, the other daughter made me laugh. Shout out Kim,

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Speaker 1: his beautiful wife, you know, had a lovely repassed dinner

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Speaker 1: also that I got from say Less was was yeah,

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Speaker 1: dar was dark. Everybody had to eat right for Harvens

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Speaker 1: that he would want it, you know, had to be

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Speaker 1: a fly function. Yeah. Man. I used to call Harven

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Speaker 1: the Jew Long Dong because there's a restaurant in New

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Speaker 1: York City called Ju Loan, and Hoven had a locker

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Speaker 1: there for his looking. I was like, yo, who do

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Speaker 1: you think you are? Man? And then he graduated to

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Speaker 1: the Carbone and called him the Carbone. He was my

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Speaker 1: guy for restaurant everything. Man. He can't believe it. We're

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Speaker 1: gonna carry forth for him. Man, that's a guy. Man.

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Speaker 1: It's because forever being our hearts was gonna put off

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Speaker 1: for him. Shout man Hovai Man, the whole Hilton family. Man,

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Speaker 1: that's in peace. Yeah. I think he wanted that way

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Speaker 1: for us to continue on. You know. So yeah, like

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Speaker 1: you said, rest in peace. You know what he would

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Speaker 1: have did to beat that. He would have gave you

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Speaker 1: shit about whatever you're listening about to drop out. Man,

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Speaker 1: I still need to know. Is that Timmy? When is

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Speaker 1: this list he was giving me weeks before the beat

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Speaker 1: out year in list this is the first of all.

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Speaker 1: It is the last episode of Rapperate Up podcast this year.

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Speaker 1: We're in like middle December. What's that about? I like

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Speaker 1: to work man, all the all the season. Christmas missed us,

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Speaker 1: but the Christmas what sends us up? We gotta get

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Speaker 1: to every wait then we get you right. But until then, man,

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Speaker 1: I want to know what are you dropping this list? Man?

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Speaker 1: This is the time of year where you, like, you know,

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Speaker 1: you give a present to the hip hop culture with

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Speaker 1: this list man, the rappers all year, every rapperate Up

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Speaker 1: podcast episode giving you the business about it. How do

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Speaker 1: you feel, man? When are you unleash again? How do

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Speaker 1: you feel right now? I think we're gonna go maybe

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Speaker 1: before maybe after Christmas, because Christmas falls on a Sunday,

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Speaker 1: so maybe we might do it on the twenty six

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Speaker 1: boxing day when Rapper's gonna box me up. So we'll see.

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Speaker 1: But it's coming before, God willing. And here's the thing

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Speaker 1: is that I hate the fact that a lot of

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Speaker 1: times people drop these sneak you know, projects right before midnight,

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Speaker 1: you know, of New Year's Eve. I just want to,

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Speaker 1: you know, because remember last time not drop Magic right?

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Speaker 1: Upset about that because like Dan, this album is so good.

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Speaker 1: So I'm just gonna just wait a little bit longer.

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Speaker 1: But it's it's coming. Please believe it's coming. It's coming,

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Speaker 1: and you know, like it said, it's the last episode

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Speaker 1: of a year, but we already actually recorded our top

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Speaker 1: of Top of Next Year episode. Amazing episode. You know,

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Speaker 1: it was like to celebrate with these guys. Man a

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Speaker 1: Zelda New Year. I think what that really is tradition,

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Speaker 1: you know at the Western every settlements, always a treat

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Speaker 1: in Horvain. He plugged us in with What's side from Yeah,

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Speaker 1: because old the New Year Man, we're dropping that drop

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Speaker 1: of the year. But this episode, man, I'm excited about

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Speaker 1: this man ab Sol. You know, he's dealt with so

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Speaker 1: much loss in his life, even losing like his friend

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Speaker 1: though you know recently, like you know, ex girlfriends obviously

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Speaker 1: Mac Miller. I think we touched on all that, Like

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Speaker 1: I think we touched on them. You know, you know

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Speaker 1: how heart it is man from Black Men, to go

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Speaker 1: through these things and go through these losses, and I

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Speaker 1: think that, you know, he puts it in his music

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Speaker 1: and it's just it's just you know, he's at his

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Speaker 1: own battles right with his own demons and stuff, and

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Speaker 1: it's just great to see him, like, you know, building

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Speaker 1: his strength off and coming back to the scene with

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Speaker 1: this with this project, like Canpy Man from Top Dog

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Speaker 1: Entertainment they getting busy right now. Man, Absolutely, they closed

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Speaker 1: the fourth quarter Stronger. Let's get into it, Man absol

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Speaker 1: Man a friend of oz Man. We're closing out the

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Speaker 1: year strong Man. Yeah, rap right up podcast Elliot Willson

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Speaker 1: great man because this guy's over here after six years

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Speaker 1: A caress to three pocket, I have a new and

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Speaker 1: it's been a long time. So when you've been man,

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Speaker 1: man that helling back to heaven. You know what I'm saying.

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Speaker 1: But yeah, working always working, man, it's been a it's

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Speaker 1: been a journey. You had the pleasure to come by

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Speaker 1: the Studiotop told me come by playing the album. Man.

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Speaker 1: I think when we put a photo up in there,

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Speaker 1: that's people like, oh the album's real, Like that was

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Speaker 1: really you know, you don't even happen. It's funny because

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Speaker 1: you you leaked the title first. I did, and I

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Speaker 1: thought I thought, uh, I thought, were like we might

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Speaker 1: have gotten trouble. But it was beautiful. Okay, only you,

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Speaker 1: only you could do that the title for real. I

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Speaker 1: know we would have got the call from what what

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Speaker 1: dop on the phone? That's what Top gets you on

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Speaker 1: the phone that I'm saying, I know what that you know,

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Speaker 1: it would have just been us you would have been

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Speaker 1: green all the time. And man, but you promised me

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Speaker 1: a deeply personal album and like yeah with the title alone,

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Speaker 1: like you know, explain that significance. What it means to

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Speaker 1: call the album Herbert and why is it so personal?

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Speaker 1: Just this body of work I put it through like

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Speaker 1: this uh be like imagine like des probably like two

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Speaker 1: thou eighteens. Right, I'm riding with the Big Homie and

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Speaker 1: I had you know, I took like a year off

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Speaker 1: after my last album. You know, I kind of just

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Speaker 1: wanted to reset, you know, try to you know, create

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Speaker 1: some contrast between my last one. My last one was

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Speaker 1: a bit you know, it was a bit uh heavy

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Speaker 1: like heavy on the ears, still classic to me. But

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Speaker 1: for the record, I'm riding with the big Homie, right,

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Speaker 1: you know imagine like you know, it's like some some

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Speaker 1: new like who is it? Like uh e STG. You

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Speaker 1: know you looked at me turn the music down, like bro,

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Speaker 1: like why you like it seems like bro? Like when

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Speaker 1: you be rapping and like you always like playing like

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Speaker 1: a character. Bro, like you like you a man or

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Speaker 1: something like you y MF you black lip pastor like

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Speaker 1: because like you're from the hood. Bro, Like why you

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Speaker 1: can't just talk about that stuff. You know what I'm saying,

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Speaker 1: this is like my big homie, like and you know,

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Speaker 1: I'm the you know, I'm the third eye, you know,

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Speaker 1: amongst other things, you know, and it ship just really

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Speaker 1: struck me, like I felt that it hit me like yeah,

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Speaker 1: maybe he's right, like and but that that was That's

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Speaker 1: always been my thing to just uh, you know, to

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Speaker 1: try to have distinction. You know what I'm saying. I'm

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Speaker 1: I'm I'm from l A. I'm I'm I'm from gang culture.

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Speaker 1: I'm from you know, hood ship, ghetto. That's that's kind

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Speaker 1: of I'm not saying that's all we're known for, you

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Speaker 1: know what I'm saying, But I'm from that. I wanted

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Speaker 1: to take a different approach, you know what I'm saying,

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Speaker 1: Like standing there like it's sitting next to Jay Rock

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Speaker 1: like you know what I mean, like really like you know,

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Speaker 1: not just you know you'll know what I mean. You know.

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Speaker 1: So for me to just like you know, you know,

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Speaker 1: be that play that roles like now, I need to

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Speaker 1: I need to be a wild card here, you know

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Speaker 1: what I'm saying, Like I need to be like you know,

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Speaker 1: I need to differentiate I need to be a you know,

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Speaker 1: have some distinction. So you know, I like my friends,

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Speaker 1: like my real homies, like you know what I'm saying,

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Speaker 1: They like, I'm not in their playlist, you know what

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Speaker 1: I'm saying. My my my real friend, like they don't

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Speaker 1: listen to my music. No. But when he said that

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Speaker 1: to me, then it just kind of hit me, because

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Speaker 1: you gotta understand, it's not they all know I'm ill,

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Speaker 1: they all know, they all know him the best rapper

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Speaker 1: alive that goes without saying like bars and all of that.

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Speaker 1: They've been to the shows. They see the effect I

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Speaker 1: represent the hood where you know, I mean, I do that,

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Speaker 1: but I tried. I've tried so hard. I've created these

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Speaker 1: like unwritten rules for myself to just just to have

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Speaker 1: the distinction. And they respect that. But when he hit

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Speaker 1: me with that, it just kind of just and then

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Speaker 1: he just turned the music back up. It's not a

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Speaker 1: big deal, so he knows, he knows what he's doing,

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Speaker 1: but it's my big you know, like really one of

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Speaker 1: my my big homies, and it she just really struck,

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Speaker 1: like struck me. He me like a ton of bricks,

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Speaker 1: and I'm like, man, So that when I got back

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Speaker 1: into recording. I just really, you know, I tried to

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Speaker 1: strip away all of these rules that I set for

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Speaker 1: myself about you know, what I can or cannot say,

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Speaker 1: and this and that and playing the character so Herbert,

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Speaker 1: I had to this. This album is for everybody that

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Speaker 1: will never call me Apps. So you know what I'm saying, like,

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Speaker 1: I'm I'm hurt, I'm Herbie, I'm a little herb. But

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Speaker 1: you know, you know what I'm saying, like you know

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Speaker 1: Herbert Anthony. Yeah, title track you said, did never understand

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Speaker 1: Herbert Anthony? Yeah? Was here time right there? It says,

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Speaker 1: don't understand me on your tattoo. Look look close, what's that?

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Speaker 1: What's at the top? Is it all right there? I

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Speaker 1: don't understand me? Ah you feel me? Yeah? So you know,

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Speaker 1: tend the question I'm I'm I'm also there because I'm

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Speaker 1: a character. That was That was Herbert talking to App.

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Speaker 1: So if you keep rapping it out, damn, I can't stop.

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Speaker 1: But you know, shout out to James blake Man, Shout

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Speaker 1: out to Mr Morale. You know what I'm saying. Blessing me. Um.

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Speaker 1: I had a lot of I had a lot of

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Speaker 1: a lot of great, great geniuses. Helped me out with

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Speaker 1: this like on on every in in every corner of it,

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Speaker 1: like you know, the production, the you know, I brought

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Speaker 1: in the musicians, like you said on Twitter that you

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Speaker 1: were holding sound Wave fully responsible for what talk about

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Speaker 1: his role on the project. All right, So I mean,

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Speaker 1: you know, once again I just left. I just really

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Speaker 1: like to point out sound Waves the first producer I

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Speaker 1: ever worked with. I just I just remembered. I was

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Speaker 1: telling that the other day. I was there when sound Wave,

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Speaker 1: you know, he was making beats on his PlayStation into

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Speaker 1: you know, I was there the night he got his

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Speaker 1: first MP NPC. You know what I'm saying, Like, and

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Speaker 1: you know we were kids then obviously, but sound Wave

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Speaker 1: is the one who brought me to TV, introduced me

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Speaker 1: to punch and there and and you know it's it's

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Speaker 1: been history since then, right. So I always, you know,

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Speaker 1: sound amongst the whole team. Of course, you know, I

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Speaker 1: got to console with the whole team, you know, where

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Speaker 1: you know, we're united front. I always console with Wave,

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Speaker 1: you know, and you know during the whole creative process, right.

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Speaker 1: I feel like, but my last couple of albums, I've

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Speaker 1: been kind of straying away and you know, created a

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Speaker 1: bit of arrogance. You know what I'm saying, to wear

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Speaker 1: a Wave would be like I'd be like, nah, bro,

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Speaker 1: you're not outside like that. I think you're not really

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Speaker 1: out You're not really out there, You're not really out

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Speaker 1: here like that way, Like I started arguing, you know

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Speaker 1: this this this time I went back home. I didn't.

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Speaker 1: I didn't argue with him. You know, you know, help

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Speaker 1: me Wave, Grammy. This is a Grammy Award winning guy

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Speaker 1: that that started on this. You know what I'm saying

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Speaker 1: was mock and timbo and like, help me Wave, like

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Speaker 1: I played, I played him what I had, you know,

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Speaker 1: because like I told you, remember, I was gonna drop

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Speaker 1: in getting the curse. Obviously a terrible time for all

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Speaker 1: of us. You know what I'm saying, Um condolences to

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Speaker 1: you know, everybody that you know took took losses at

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Speaker 1: that time. We all went through a lot, you know.

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Speaker 1: But in that it gave me more time to create.

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Speaker 1: And so I immediately went to Wave and I was like,

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Speaker 1: this is what I got. What you think It's cool? Yeah,

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Speaker 1: I know that's the whole. That's us too, you know,

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Speaker 1: the homies, we don't anything, We don't we don't. Um,

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Speaker 1: we don't gas each other at all. Keep it, you know,

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Speaker 1: to keep us all on the ground even if it's incredible.

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Speaker 1: That's hard, you get it. That's hard. That means that

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Speaker 1: means you did what you're supposed to do. You know

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Speaker 1: what I'm saying. He said that school's not there yet.

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Speaker 1: That cool. Was like, oh yeah, all right, So what

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Speaker 1: I gotta do, bro, Like, you know, we just we

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Speaker 1: gotta we gotta, we gotta bring in some production, man,

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Speaker 1: We gotta bring in the guys man, you know, and

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Speaker 1: from there um and and mind you like you know,

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Speaker 1: Wave is not completely responsible, man, Like shout out to

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Speaker 1: everybody that was in there with me in the trenches,

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Speaker 1: my boy cow Banks. You know who bought the kids?

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Speaker 1: Super Miles, m Super Miles, um. Who else there I

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Speaker 1: worked with on there and Work I worked with Work.

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Speaker 1: I don't want to miss anybody. It's early. I'm rusty, guys,

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Speaker 1: you know. But even for the intro like message in

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Speaker 1: the bottle, like the power that sounds three different parts

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Speaker 1: of it, right, like yeah, and talk about that intro

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Speaker 1: and like this urgency to that right and you know

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Speaker 1: that's one of the that is one of the earlier

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Speaker 1: records that that I made, Like that's probably I probably

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Speaker 1: made that in like two thousand and eighteen. That first sect,

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Speaker 1: like the first that first part, yeah, which was was crazy.

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Speaker 1: That's the kids super Miles. Yeah, And I told you also,

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Speaker 1: you know, I went into this no concept this time,

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Speaker 1: like you know, you know, you know how I come

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Speaker 1: in with the science projects. You know, I gotta have

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Speaker 1: a hypothesis and you know, and treating everything like it's

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Speaker 1: a you know, like it's a goddamn mid term or something.

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Speaker 1: You know what I'm saying. I just went in. I

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Speaker 1: just made songs straight from their hearts, pure as possible,

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Speaker 1: h vulnerable, you know what have you? And the third

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Speaker 1: verse I messed about it. He sound a little fed

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Speaker 1: up though, he sounded a little now. That is one

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Speaker 1: of the one of the last things that I did

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Speaker 1: for the album. Uh no, no lie um. Cold Cold

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Speaker 1: told me I needed to keep going. I played the

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Speaker 1: album for Cold early and he heard that was crazy,

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Speaker 1: like he almost kind of wanted to, uh produce it,

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Speaker 1: like he needs to keep it going. Like you know

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Speaker 1: what I'm saying, like shout out to cos he's he

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Speaker 1: that that boy loves rap, he loves hip hop, but Yeah,

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Speaker 1: he kind of gave me the idea to keep it going,

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Speaker 1: like it's been so long, like two verses wasn't enough.

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Speaker 1: And like you know, here I caught Top like we

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Speaker 1: had we had the mic running and Tops in there

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Speaker 1: and see that's hard you you know say, I caught

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Speaker 1: that briefly in the transition. Mhm am I am I

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Speaker 1: the first one to have Top featured on the album.

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Speaker 1: Have you ever heard? Have you ever heard? I never

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Speaker 1: She made the cut to shout out to shout out

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Speaker 1: to my my, my, my grandma. I love how she

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Speaker 1: sets the tone with us the script mark eight. Yeah,

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Speaker 1: you know what I'm saying, So God bless my grandma.

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Speaker 1: Still still alive and well still kicking. Did you play

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Speaker 1: for her yet? Um? Not the album? Yeah? And I

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Speaker 1: told her to make sure she don't tell nobody. It's

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Speaker 1: a secret. It's a secret from my family. You know

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Speaker 1: what I'm saying, that my grandma's on there. Did you

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Speaker 1: ask her to do that for you? Yeah? She but

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Speaker 1: she you know, she she hit me with that and

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Speaker 1: that gave me the ideas. She hit me with that, really,

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Speaker 1: and that gave me the idea because she had sounds

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Speaker 1: like perfect. Yeah, but like I wish I would have

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Speaker 1: got the natural conversation, but like I had to have

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Speaker 1: her give me that, like, you know, so you know,

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Speaker 1: we scripted it out so she could write it. And

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Speaker 1: my grandma's like a I don't know if she's like

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Speaker 1: a toach master. She's very like critical. It's for oratorically,

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Speaker 1: and I guess that's kind of where I get it

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Speaker 1: from too. You know. She had me, you know, speaking

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Speaker 1: in you know, in church, and I think I want, like,

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Speaker 1: you know, like I said, you know, I grew up

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Speaker 1: in the church and church conventions, like I'm wanting like

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Speaker 1: a ratorical u something competent, like you know, just always

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Speaker 1: speaking in front of the public, speaking exactly plays and

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Speaker 1: that type of stuff was very important. But even at

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Speaker 1: the end of the song, you got Joe Button on

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Speaker 1: that blunding Warrior, Mom got the budding Warrior Mom. Yeah,

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Speaker 1: the old school, but the old school. Shout out to

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Speaker 1: Rorey you moll too, man, Yeah, you know, you know

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Speaker 1: Joe's you know, Joe is still really one of my

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Speaker 1: favorite rappers ever. I'm gonna keep telling him that. Like literally,

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Speaker 1: Joe is probably still in my top ten. Does he

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Speaker 1: know that he's on the telling that Yeah, he just

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Speaker 1: found out. He got emotional, like, but we caught that.

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Speaker 1: I remember that earlier we we I had, I had it,

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Speaker 1: I recorded that, and I knew I wanted to use

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Speaker 1: it for something and that that was just that was

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Speaker 1: the perfect place and it's something how TV the caliber

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Speaker 1: of artists they signed. But correct you, you haven't really

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Speaker 1: gone mainstream of something and its aspect of it. They

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Speaker 1: were saying, right, the industry may not recognize you as

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Speaker 1: much as your peers in sense exactly, I'm the underground emperor.

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Speaker 1: But you know, it's fighting when I had got to

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Speaker 1: go to when I had got to do better, over

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Speaker 1: and over like that's every ingredient of what they would

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Speaker 1: say is like the big single, right, like the great

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Speaker 1: the great chorus, the you know, like the powerful video,

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Speaker 1: like all these all these substances like on the surface

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Speaker 1: you say, well, any artists you can get that Like

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Speaker 1: to me, somebody may not even be aware of you

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Speaker 1: could fall in love with you off that song when

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Speaker 1: you realize cognizant wise that you were making that level

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Speaker 1: of a record. No, and that that's how the great

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Speaker 1: this records, most of my most effective records, like numbers wise,

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Speaker 1: if we're going to say, happened so naturally, like that

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Speaker 1: was one of the after I hit wave, he was like,

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Speaker 1: you know, he started bringing me records like not you know,

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Speaker 1: not just his beats, but you know, you know all

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Speaker 1: our guys, you know, and like I kind of just

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Speaker 1: I even did that arrogantly, like yeah, way, yeah, watch

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Speaker 1: what I do. All right, I'm just cool. Uh, I

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Speaker 1: was just cool. Watch what I do with this, you

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Speaker 1: know what I'm saying. But you know, obviously the tone

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Speaker 1: of the records, beautiful record, um it, it created that

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Speaker 1: vibe for me, and it was just natural, like and

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Speaker 1: so I'm very very grateful for how it turned out.

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Speaker 1: I'm glad how it was received in that way. And

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Speaker 1: like I'm learning, I'm learning how how deep it is.

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Speaker 1: Like every every day somebody is telling me like what

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Speaker 1: it means to them when I had my you know,

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Speaker 1: it's just got to do better. Like it's just conversation

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Speaker 1: with my self, like just telling looking looking the man

399
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Speaker 1: in the mirror and you know, telling myself to be better.

400
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Speaker 1: But that being better is subjective. It doesn't it doesn't

401
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Speaker 1: mean do more. It can mean do less. It could

402
00:21:13,560 --> 00:21:17,600
Speaker 1: mean you know, uh, it could mean a lot of things.

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Speaker 1: From a lot of scope because and I wanted to

404
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Speaker 1: point that out because when you watch it with the visuals,

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Speaker 1: it kind of it kind of creates this. You know

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Speaker 1: a lot of people you know made me cry. I'm tearing,

407
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Speaker 1: you know, it created that, I think with the visual.

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Speaker 1: But it's not. It's not a sad song. It's it

409
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Speaker 1: should empower you, should motivate you. And it's not. There's

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Speaker 1: nothing wrong with crying either. Crying is cathartic. It's it's

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Speaker 1: good for you, you know. Um, But I want to

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Speaker 1: make sure that everybody knows it's not a sad zone.

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Speaker 1: The visual, you know, I powerful, powerful visual if you're

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Speaker 1: to me with that man individually, definitely, it was like

415
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Speaker 1: I was like, uh like bunging at the you know,

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Speaker 1: like at the amusement parts or something. It was fun.

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Speaker 1: We had really we had real like stunt guys on

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Speaker 1: the on the set, you know, they work with Tom

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Speaker 1: Cruise and ship. It was ready to go. Made me

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Speaker 1: feel they made me feel extra safe, like it was

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Speaker 1: very it was very cool. Did you come up with

422
00:22:25,080 --> 00:22:28,280
Speaker 1: the concept for the video? I did not, Um, I

423
00:22:28,320 --> 00:22:31,879
Speaker 1: have to give that to my boy Mussa encourage me though,

424
00:22:32,400 --> 00:22:36,280
Speaker 1: share my story my man Omar. Obviously he said he

425
00:22:36,880 --> 00:22:39,119
Speaker 1: got a staff a staff pick for that vide, his

426
00:22:39,119 --> 00:22:42,880
Speaker 1: first staff pick. I wasn't aware of what how important

427
00:22:43,000 --> 00:22:47,960
Speaker 1: that was. That was a goal of his. So congratulations

428
00:22:48,000 --> 00:22:51,720
Speaker 1: to him and thank him for you know, bringing that

429
00:22:51,760 --> 00:22:54,919
Speaker 1: to life for me, you know, because it almost reminded

430
00:22:54,960 --> 00:22:57,720
Speaker 1: me like the jay Z ninety nine problems visual that

431
00:22:57,880 --> 00:23:01,280
Speaker 1: noir kind of black and white sent photographer. It was

432
00:23:01,320 --> 00:23:03,600
Speaker 1: really dope. Even though you say it's not a sad song,

433
00:23:03,640 --> 00:23:06,320
Speaker 1: it feels like it'd be like that almost serves as

434
00:23:06,359 --> 00:23:10,480
Speaker 1: a companion track to that record. Huh yeah, and that

435
00:23:10,600 --> 00:23:13,040
Speaker 1: and that was one of the first records that I made. Also,

436
00:23:13,200 --> 00:23:16,040
Speaker 1: like that's one of the earlier records. What what I

437
00:23:16,119 --> 00:23:20,040
Speaker 1: like most about it, be like that is you know

438
00:23:20,119 --> 00:23:22,199
Speaker 1: that was one of the most difficult songs for me

439
00:23:22,280 --> 00:23:27,120
Speaker 1: to write. I said, I uh uh, tabes did de beat,

440
00:23:27,160 --> 00:23:30,000
Speaker 1: But Dot sent me that record early that. You know,

441
00:23:30,040 --> 00:23:32,439
Speaker 1: he always like sending me records. You think, you know,

442
00:23:32,800 --> 00:23:35,240
Speaker 1: he's that kind of guy like you. I was like, man,

443
00:23:35,280 --> 00:23:38,199
Speaker 1: you know what, like I want to do this, I

444
00:23:38,200 --> 00:23:40,680
Speaker 1: don't want I don't want one punchline in this. I

445
00:23:40,680 --> 00:23:44,440
Speaker 1: don't want one metaphor. I don't want no bars on

446
00:23:44,480 --> 00:23:47,119
Speaker 1: this song. I just want to I just want to

447
00:23:47,160 --> 00:23:51,160
Speaker 1: write it and it'd be as clear as they as

448
00:23:51,200 --> 00:23:55,320
Speaker 1: easy as possible. It was so difficult for me, really,

449
00:23:56,040 --> 00:23:58,199
Speaker 1: and that that taught me a lot about myself, like

450
00:23:58,680 --> 00:24:01,399
Speaker 1: and it made me h for me, it's more difficult

451
00:24:01,480 --> 00:24:04,240
Speaker 1: to be simple than it is to be complex. As

452
00:24:04,280 --> 00:24:08,960
Speaker 1: a lot of apartments I would turn me up like,

453
00:24:09,440 --> 00:24:13,679
Speaker 1: and that's real. I am an interesting individual, like I

454
00:24:13,760 --> 00:24:16,320
Speaker 1: have to when I'm writing music. It's kind of like

455
00:24:16,359 --> 00:24:20,159
Speaker 1: a thing for me to have to have a metaphor

456
00:24:20,359 --> 00:24:25,440
Speaker 1: punchline of some sort, which you know, I'm not saying

457
00:24:25,480 --> 00:24:28,600
Speaker 1: it's a bad thing, right, It's what I'm known for, right,

458
00:24:28,640 --> 00:24:32,240
Speaker 1: which is its creative right. It's a skill, it's a craft,

459
00:24:33,119 --> 00:24:36,840
Speaker 1: but that's not what it's all about at all. And

460
00:24:36,840 --> 00:24:39,639
Speaker 1: and sometimes you could get lost in that. You can

461
00:24:39,720 --> 00:24:45,160
Speaker 1: lose the point of what you're trying to portray by

462
00:24:45,280 --> 00:24:48,240
Speaker 1: just trying to come up with a bar that not

463
00:24:48,359 --> 00:24:52,120
Speaker 1: everybody that's gonna go over somebody's head when you want to.

464
00:24:52,880 --> 00:24:55,760
Speaker 1: Sometimes you just they just need to understand it. The

465
00:24:55,800 --> 00:24:58,040
Speaker 1: first time you get what I'm saying. That's why you

466
00:24:58,040 --> 00:25:01,879
Speaker 1: said I I decorate my emotions in metaphors, tell stories

467
00:25:01,880 --> 00:25:05,240
Speaker 1: with allegories so and so, so and so forth. But

468
00:25:05,280 --> 00:25:07,520
Speaker 1: who give a ship the long lost their six niggas

469
00:25:07,560 --> 00:25:10,320
Speaker 1: got rich talking nonsense gets yours like you're given a

470
00:25:10,359 --> 00:25:13,520
Speaker 1: nod to, Like there's no divide of like I'm gonna

471
00:25:13,520 --> 00:25:15,280
Speaker 1: look down at you because you may not be Mr.

472
00:25:15,359 --> 00:25:18,639
Speaker 1: The superlyricists if you make something that correct. Yeah, That's

473
00:25:18,680 --> 00:25:22,119
Speaker 1: what I'm saying, and that that's another reason why, you know,

474
00:25:22,160 --> 00:25:24,800
Speaker 1: I felt like it was important for me to like

475
00:25:24,840 --> 00:25:28,000
Speaker 1: just take a break, Like you know, I took a

476
00:25:28,080 --> 00:25:30,480
Speaker 1: year off from writing and recording all and know I've

477
00:25:30,520 --> 00:25:35,359
Speaker 1: been writing every like focused on rapping every day since

478
00:25:35,400 --> 00:25:38,200
Speaker 1: I've been a teenager, you get what I'm saying, Like

479
00:25:38,760 --> 00:25:40,800
Speaker 1: that was very important for me to do, like to

480
00:25:40,920 --> 00:25:45,480
Speaker 1: just set back. I was becoming a critic, Like what

481
00:25:45,520 --> 00:25:48,720
Speaker 1: the what do I know? Like who am I to tell?

482
00:25:49,160 --> 00:25:51,720
Speaker 1: Like to say, what's whack? Really like and I understand,

483
00:25:51,840 --> 00:25:54,240
Speaker 1: Like that's cool, Like that's the culture, Like oh you're weak,

484
00:25:54,320 --> 00:25:57,440
Speaker 1: Like that's the competitive nature and it is subjective. I

485
00:25:58,040 --> 00:26:02,280
Speaker 1: am entitled to my opinion. But as an artist, though

486
00:26:02,840 --> 00:26:07,280
Speaker 1: as an artist, though not just a listener, I feel

487
00:26:07,320 --> 00:26:11,920
Speaker 1: more of a responsibility, especially being older. Now I'm not old,

488
00:26:11,960 --> 00:26:16,159
Speaker 1: but I'm like right there in between like the the

489
00:26:16,240 --> 00:26:22,840
Speaker 1: little homie and the big homie, Like that's yeah, who

490
00:26:22,840 --> 00:26:27,119
Speaker 1: am I too? These kids are like who am I to? Like?

491
00:26:28,480 --> 00:26:30,320
Speaker 1: These are kids I don't care if I like their

492
00:26:30,400 --> 00:26:32,520
Speaker 1: music or not. Artists art right, and these are just

493
00:26:32,600 --> 00:26:35,320
Speaker 1: young young kids like trying to make something to themselves,

494
00:26:35,359 --> 00:26:40,320
Speaker 1: trying to do something, like doing something creatively, Like who

495
00:26:40,400 --> 00:26:43,240
Speaker 1: am I to really judge? And I said, I ain't

496
00:26:43,240 --> 00:26:45,480
Speaker 1: got no gather? Did I say that before? I'm not

497
00:26:45,640 --> 00:26:48,840
Speaker 1: standing on when I'm I'm not practicing when I'm preaching.

498
00:26:49,200 --> 00:26:52,000
Speaker 1: You know, I found myself getting into that space, so

499
00:26:52,040 --> 00:26:54,000
Speaker 1: it was important for me to just step back and

500
00:26:55,200 --> 00:26:57,320
Speaker 1: you know, really pay attention. You know, I saw that

501
00:26:57,359 --> 00:26:59,159
Speaker 1: you tweeted um a couple of weeks ago that you

502
00:26:59,160 --> 00:27:01,320
Speaker 1: said you damn it of making this album? Right? God

503
00:27:01,400 --> 00:27:04,760
Speaker 1: is good? How did you stay alive during that process?

504
00:27:04,800 --> 00:27:08,360
Speaker 1: Because God is good? Simple as that, As simple as that.

505
00:27:09,040 --> 00:27:12,720
Speaker 1: It's not even though I stayed alive because God is good.

506
00:27:13,119 --> 00:27:14,600
Speaker 1: I think I made sure I put that in all

507
00:27:14,680 --> 00:27:19,880
Speaker 1: caps and no cap you feel me, right? That's after

508
00:27:19,920 --> 00:27:21,760
Speaker 1: that twitter, I was like, oh man, this is fucking

509
00:27:21,800 --> 00:27:24,600
Speaker 1: click bait. I was so I was so serious, you

510
00:27:24,640 --> 00:27:26,359
Speaker 1: know what I mean. I just battle with that too,

511
00:27:26,400 --> 00:27:29,600
Speaker 1: like like like I said, like I did like to

512
00:27:29,640 --> 00:27:36,280
Speaker 1: do better videos, you know how you know initially I might. No,

513
00:27:36,680 --> 00:27:41,680
Speaker 1: I'm not trying to sell that interesting, right, it is

514
00:27:41,720 --> 00:27:45,320
Speaker 1: interesting and and it's even more interesting when you know,

515
00:27:45,400 --> 00:27:47,760
Speaker 1: like I said, even I'm blessed to be working with

516
00:27:47,800 --> 00:27:52,160
Speaker 1: my family. I'm working with my boss is my bosses.

517
00:27:52,240 --> 00:27:55,000
Speaker 1: My managers are like my family. They're my brothers that

518
00:27:55,040 --> 00:27:57,359
Speaker 1: I grew up with. Literally most of I went to

519
00:27:57,520 --> 00:27:59,360
Speaker 1: is one of my best friends. And before I met

520
00:27:59,400 --> 00:28:01,600
Speaker 1: Top Dog, I didn't even know top with his dad,

521
00:28:02,560 --> 00:28:04,480
Speaker 1: like me and Moose, I have a different relationship, you

522
00:28:04,560 --> 00:28:07,080
Speaker 1: know what I'm saying. And he's been more hands on

523
00:28:07,200 --> 00:28:12,639
Speaker 1: with the business now, right, I respect is he's always

524
00:28:12,640 --> 00:28:15,480
Speaker 1: going to give it, you know, give it, you know,

525
00:28:15,720 --> 00:28:21,160
Speaker 1: straight up. I just didn't like But but it's my testimony.

526
00:28:21,600 --> 00:28:23,040
Speaker 1: A lot of people would that reach out to me.

527
00:28:23,560 --> 00:28:26,000
Speaker 1: The common thing I hear and see is, oh, man,

528
00:28:26,119 --> 00:28:28,720
Speaker 1: you don't you don't even understand, like you saved my life.

529
00:28:29,440 --> 00:28:32,960
Speaker 1: And they might they might not mean that literally, but

530
00:28:33,040 --> 00:28:36,440
Speaker 1: the you know, the sentiment, like you you help me,

531
00:28:36,840 --> 00:28:39,560
Speaker 1: like I understand. I always make sure to say, especially

532
00:28:39,600 --> 00:28:41,560
Speaker 1: when I see people in person that get to get

533
00:28:41,600 --> 00:28:44,000
Speaker 1: at me that way, I say, no, you say my life.

534
00:28:44,640 --> 00:28:46,480
Speaker 1: You know what I'm saying, it's a it's a it's

535
00:28:46,480 --> 00:28:48,880
Speaker 1: an exchange. Like I want the people to know that

536
00:28:49,880 --> 00:28:52,000
Speaker 1: this is me giving my testimony. This is what I do.

537
00:28:53,000 --> 00:28:55,680
Speaker 1: I can tell my story and I can't. Now I can.

538
00:28:55,880 --> 00:28:58,600
Speaker 1: I really may be able to save someone's life for

539
00:28:58,920 --> 00:29:02,760
Speaker 1: literally because I've been there. You know what I'm saying,

540
00:29:02,760 --> 00:29:05,280
Speaker 1: I understand that I have to have a better understanding

541
00:29:05,360 --> 00:29:10,280
Speaker 1: of you know these things. And you know, is it

542
00:29:10,360 --> 00:29:12,840
Speaker 1: still tough to record the catitle track for example when

543
00:29:12,880 --> 00:29:15,560
Speaker 1: you let them you know, talk about rehab of depression

544
00:29:15,600 --> 00:29:17,760
Speaker 1: battles and things like that. Is it is it still

545
00:29:17,760 --> 00:29:23,400
Speaker 1: difficult to get that out? Difficult isn't quite the word?

546
00:29:24,120 --> 00:29:29,080
Speaker 1: Uh gotta be you know, gotta be brave for courageous.

547
00:29:28,960 --> 00:29:31,160
Speaker 1: You gotta be courage Yeah, you gotta you know, And

548
00:29:31,200 --> 00:29:35,280
Speaker 1: like I said, man like God is good man. You know,

549
00:29:35,720 --> 00:29:41,880
Speaker 1: I pray for strength and I walk as everything in

550
00:29:41,920 --> 00:29:44,680
Speaker 1: my power to try to do you always gotta go better,

551
00:29:44,680 --> 00:29:47,280
Speaker 1: to do better, like to do better, everything in my

552
00:29:47,320 --> 00:29:49,280
Speaker 1: power to try to do what God will do, right,

553
00:29:49,320 --> 00:29:53,960
Speaker 1: Like that's chasing, and that's being being as open and

554
00:29:54,320 --> 00:29:57,760
Speaker 1: vulnerable as possible. And then once you realize that this

555
00:29:57,840 --> 00:30:02,200
Speaker 1: is such a co I mean things, people are going

556
00:30:02,280 --> 00:30:06,200
Speaker 1: through it. People, but you know, people look at online

557
00:30:06,240 --> 00:30:09,240
Speaker 1: and everybody is smiling though. You look on Instagram and

558
00:30:09,360 --> 00:30:20,400
Speaker 1: everybody's having a great fucking time positive. Yeah, you go

559
00:30:20,480 --> 00:30:22,400
Speaker 1: over to the crypt though right after they took the

560
00:30:22,440 --> 00:30:25,880
Speaker 1: picture and they're depressed as hell. You need need therapy,

561
00:30:26,400 --> 00:30:29,680
Speaker 1: you know what I'm saying. People, we're going we're going

562
00:30:29,720 --> 00:30:33,640
Speaker 1: through it, especially especially during you know, the time that

563
00:30:33,680 --> 00:30:37,960
Speaker 1: we just that we just went through. Everything changed. So

564
00:30:38,000 --> 00:30:42,360
Speaker 1: when I realized that, it gives me more strength to

565
00:30:43,440 --> 00:30:46,200
Speaker 1: share my testimony. So everyone knows that they're not alone.

566
00:30:46,240 --> 00:30:50,000
Speaker 1: For somebody that thinks that, you know, it's a lot

567
00:30:50,040 --> 00:30:52,040
Speaker 1: of it's a lot of emotions that come with dealing

568
00:30:52,080 --> 00:31:01,560
Speaker 1: with you know, depression, anxiety, addiction, shame, denial. You know,

569
00:31:02,280 --> 00:31:05,800
Speaker 1: we're all going there. Why anybody know the majority of

570
00:31:05,840 --> 00:31:07,840
Speaker 1: the world is going through it and you're not alone.

571
00:31:07,880 --> 00:31:10,240
Speaker 1: You are not alone. Like on positive vibes, you know

572
00:31:10,280 --> 00:31:13,200
Speaker 1: you talk about is like you're worship and I know

573
00:31:13,240 --> 00:31:15,160
Speaker 1: you lost your friend or dough Burger, you know, rest

574
00:31:15,160 --> 00:31:18,320
Speaker 1: in pieces. How did you like manage and cope with

575
00:31:18,360 --> 00:31:22,800
Speaker 1: those losses? God, it's good, I mean, and I don't

576
00:31:22,800 --> 00:31:24,880
Speaker 1: think that's something that I ever that I ever get

577
00:31:25,000 --> 00:31:28,640
Speaker 1: over it. I don't even know if I'm if coping.

578
00:31:28,920 --> 00:31:31,760
Speaker 1: I don't even know. But but what I what I

579
00:31:33,480 --> 00:31:35,640
Speaker 1: this goes back to what I'm saying. You see, I

580
00:31:35,720 --> 00:31:40,400
Speaker 1: were like I know this this is you guys a journalists, right.

581
00:31:40,720 --> 00:31:44,880
Speaker 1: I was just with talking to another another one of

582
00:31:44,960 --> 00:31:47,360
Speaker 1: the guys that I respect. You know what I'm saying,

583
00:31:48,120 --> 00:31:51,480
Speaker 1: if it bleeds, it leads ship like that, like you

584
00:31:51,480 --> 00:31:54,360
Speaker 1: know what I'm saying, Like and like I battle with that,

585
00:31:54,400 --> 00:31:59,520
Speaker 1: Like I'm like how I'm talking about like my brother. Yeah,

586
00:32:00,120 --> 00:32:03,040
Speaker 1: was kind of like that like in FM, like I

587
00:32:03,040 --> 00:32:05,240
Speaker 1: didn't even really know if I could keep doing this

588
00:32:05,280 --> 00:32:07,160
Speaker 1: without you know what I'm saying. He was like my

589
00:32:07,240 --> 00:32:09,240
Speaker 1: eyes like you know my you know he's the one

590
00:32:09,320 --> 00:32:13,520
Speaker 1: that watch your step. He was on stage with me.

591
00:32:13,600 --> 00:32:15,160
Speaker 1: You know, people call it like I think he was

592
00:32:15,200 --> 00:32:19,040
Speaker 1: just my hype MANU that and that. If you watch

593
00:32:19,120 --> 00:32:21,360
Speaker 1: the footage, he's making sure I don't fall off the stage.

594
00:32:21,840 --> 00:32:25,320
Speaker 1: He's moving me around like getting lights out of my face,

595
00:32:25,400 --> 00:32:29,240
Speaker 1: like and that's just rap stuff. But you know what

596
00:32:29,280 --> 00:32:32,840
Speaker 1: I'm saying, that's just that's just music stuff. Like and

597
00:32:32,880 --> 00:32:35,400
Speaker 1: I'm talking about this and I know it's effective, like

598
00:32:35,480 --> 00:32:37,440
Speaker 1: and that ship just kind of a battle with that

599
00:32:37,440 --> 00:32:41,440
Speaker 1: ship man. Like but but it's my testimony. Somebody else

600
00:32:41,480 --> 00:32:44,800
Speaker 1: went through it too. I respect that. I understand that,

601
00:32:44,960 --> 00:32:48,040
Speaker 1: and so that's where that's how I find comfort in

602
00:32:48,040 --> 00:32:52,760
Speaker 1: and sharing that because I know people who have who

603
00:32:52,840 --> 00:32:57,400
Speaker 1: have lost took losses as big and it's it's it

604
00:32:57,440 --> 00:33:01,719
Speaker 1: can always be worse. Always, even when you think, you know,

605
00:33:01,800 --> 00:33:04,640
Speaker 1: when I think that's it, it's something else that can

606
00:33:04,720 --> 00:33:06,920
Speaker 1: happen to me worse than that. You feel what I'm

607
00:33:06,960 --> 00:33:09,840
Speaker 1: saying it's ironic because it's like when you talk about

608
00:33:09,880 --> 00:33:14,320
Speaker 1: those losses, a lot of people got me so damn moment. No, no,

609
00:33:14,360 --> 00:33:17,280
Speaker 1: I don't, no, I don't apologize. It's I'm just what

610
00:33:18,000 --> 00:33:21,600
Speaker 1: battle with a battle with that ship. Man. It's difficult

611
00:33:21,640 --> 00:33:25,480
Speaker 1: to like sell because I know it's effective, like business wise,

612
00:33:25,520 --> 00:33:28,160
Speaker 1: you get what I'm saying, Like like like I said,

613
00:33:28,200 --> 00:33:31,120
Speaker 1: like Mussa who encouraged me to share my story, it's

614
00:33:31,200 --> 00:33:34,040
Speaker 1: my brother, you know what I'm saying, but we're in

615
00:33:34,080 --> 00:33:37,520
Speaker 1: the music business. Like when when he's been through this

616
00:33:37,800 --> 00:33:41,800
Speaker 1: everything that I'm discussing, he's cried with me about it,

617
00:33:41,880 --> 00:33:45,040
Speaker 1: of course, and when he hit me, you know, when

618
00:33:45,040 --> 00:33:48,760
Speaker 1: he hits me and he's my boss. Now it's like, yo,

619
00:33:48,840 --> 00:33:51,000
Speaker 1: we need to do this, Like how hear it? Like

620
00:33:51,360 --> 00:33:54,000
Speaker 1: I gotta click in, I gotta click to Okay, I'm

621
00:33:54,040 --> 00:33:55,800
Speaker 1: talking to my boss now, it's not it's not my

622
00:33:56,120 --> 00:33:59,840
Speaker 1: it's not my my nigga, Like yo, Like how much

623
00:34:00,000 --> 00:34:03,000
Speaker 1: eldest bro. We was just crying about this and he's

624
00:34:03,040 --> 00:34:07,080
Speaker 1: not saying that he knows that this is your testimony,

625
00:34:07,200 --> 00:34:11,560
Speaker 1: like liberate yourself, like get it off your chest and

626
00:34:11,640 --> 00:34:13,480
Speaker 1: you can do what you do. This is what people

627
00:34:13,640 --> 00:34:18,200
Speaker 1: love you for. You help because a lot of one

628
00:34:18,239 --> 00:34:22,400
Speaker 1: of the best songs and you get one. I can't

629
00:34:22,440 --> 00:34:25,200
Speaker 1: listen to it. I've never I've never even listened to

630
00:34:25,280 --> 00:34:27,560
Speaker 1: the Book of so for the roun. I did it,

631
00:34:28,640 --> 00:34:31,719
Speaker 1: you know, you know, like I said, my my my home,

632
00:34:31,840 --> 00:34:35,200
Speaker 1: my my brothers who are also my my team, my manager,

633
00:34:35,239 --> 00:34:38,440
Speaker 1: you know, and said I had to do it. I

634
00:34:39,000 --> 00:34:44,879
Speaker 1: understood that I did it. I cried like every four

635
00:34:45,040 --> 00:34:47,680
Speaker 1: bars doing it. You know what I'm saying, and I

636
00:34:47,719 --> 00:34:50,600
Speaker 1: got the funk up out of there, like real talk.

637
00:34:50,680 --> 00:34:53,600
Speaker 1: But you know, at the end of the day, man,

638
00:34:53,920 --> 00:34:57,600
Speaker 1: you know, God is good. Man, I'm standing tall, you

639
00:34:57,640 --> 00:35:00,640
Speaker 1: know what I mean. I'm here, I'm alive, and well,

640
00:35:00,480 --> 00:35:02,080
Speaker 1: well I saw something to it. You said, do we do?

641
00:35:02,160 --> 00:35:03,759
Speaker 1: We have to mention these people that are going. We

642
00:35:03,800 --> 00:35:06,480
Speaker 1: have to keep them in that sense and even now

643
00:35:06,800 --> 00:35:10,040
Speaker 1: because if they if you don't say their name after

644
00:35:10,120 --> 00:35:12,440
Speaker 1: they're going, they died twice. I don't know where I

645
00:35:12,520 --> 00:35:15,719
Speaker 1: heard that, but that just sticks with me. Man, if

646
00:35:15,760 --> 00:35:19,480
Speaker 1: you don't say their name again after they passed, they

647
00:35:19,560 --> 00:35:23,799
Speaker 1: died twice. And that's just and mebe I just lost

648
00:35:23,840 --> 00:35:27,760
Speaker 1: a good friend whole vain. You know, in the business,

649
00:35:27,960 --> 00:35:31,480
Speaker 1: we all everybody's going through it. That's you feeling. And

650
00:35:31,560 --> 00:35:34,200
Speaker 1: that's where that's where I get to. That's where I

651
00:35:34,200 --> 00:35:36,200
Speaker 1: get the curt I guess that's what helps me. Co.

652
00:35:36,360 --> 00:35:39,480
Speaker 1: You know, you guys like aside from this, I respect,

653
00:35:39,520 --> 00:35:43,120
Speaker 1: I respect you. You know you guys are like masters

654
00:35:43,160 --> 00:35:45,600
Speaker 1: of y'all craft as well artists as well what y'all do,

655
00:35:45,920 --> 00:35:47,799
Speaker 1: and I respect the record. You know what I'm saying,

656
00:35:47,800 --> 00:35:52,160
Speaker 1: We didn't chopped it. You know, so y'all that gives

657
00:35:52,160 --> 00:35:54,400
Speaker 1: me comfort to know that, you know, my big homies

658
00:35:54,440 --> 00:35:57,040
Speaker 1: can they can relate, you know what I'm saying. But

659
00:35:57,080 --> 00:35:59,320
Speaker 1: even the release of the album has significance right to

660
00:35:59,400 --> 00:36:04,200
Speaker 1: release date. Oh exactly. God is good. God is good.

661
00:36:04,880 --> 00:36:11,360
Speaker 1: December sixteenth is Loriana's birthday, my girl Lori Joe. That

662
00:36:11,480 --> 00:36:14,520
Speaker 1: was beautiful with like how it landed on, Like like

663
00:36:14,560 --> 00:36:17,040
Speaker 1: what are the released days, Like are they like Fridays?

664
00:36:17,719 --> 00:36:22,200
Speaker 1: Friday's name? Is that not? It's just just that's just beautiful,

665
00:36:22,320 --> 00:36:24,239
Speaker 1: you know what I'm saying that, You know, like I'm

666
00:36:24,280 --> 00:36:27,080
Speaker 1: saying it, and it never goes away. I still her

667
00:36:27,120 --> 00:36:29,719
Speaker 1: mom is still my mom, Like I still talked to

668
00:36:29,760 --> 00:36:33,120
Speaker 1: her like fre like her family is my family, Like

669
00:36:33,880 --> 00:36:36,680
Speaker 1: it never goes away, Like you never get over those things.

670
00:36:36,760 --> 00:36:39,960
Speaker 1: It's no, I don't even think coping isn't even like

671
00:36:40,600 --> 00:36:43,800
Speaker 1: it's kind of desensitizing to you know what I'm talking about.

672
00:36:44,440 --> 00:36:46,919
Speaker 1: But I feel what you're saying, like I love because

673
00:36:46,960 --> 00:36:48,840
Speaker 1: we have to deal. We have to keep You have

674
00:36:48,920 --> 00:36:51,160
Speaker 1: to keep walking. You have to get up and keep

675
00:36:51,160 --> 00:36:53,600
Speaker 1: going or you're gonna or you're not. You're either gonna,

676
00:36:53,680 --> 00:36:57,560
Speaker 1: like you're either gonna get sit down and not get

677
00:36:57,640 --> 00:37:02,560
Speaker 1: up or again, or or get up and go harder, right,

678
00:37:02,640 --> 00:37:06,000
Speaker 1: that those be those defining moments, right. So I love

679
00:37:06,040 --> 00:37:10,480
Speaker 1: how you eulogize Capital Stees on Joey Badasses Project Survives

680
00:37:10,520 --> 00:37:13,040
Speaker 1: Gill and he's also on your album as well. Yeah, correct,

681
00:37:13,160 --> 00:37:17,959
Speaker 1: Like was that therapeutic for you just to get that out? Absolutely?

682
00:37:18,200 --> 00:37:20,560
Speaker 1: Like you know, and that's you know, me and Joey

683
00:37:20,600 --> 00:37:23,960
Speaker 1: have that. Like that's what I'm saying, Like same tax

684
00:37:24,160 --> 00:37:28,480
Speaker 1: forty seven forty seven, man, I still and that's okay.

685
00:37:28,520 --> 00:37:30,480
Speaker 1: How I called one that said they got my phone,

686
00:37:30,600 --> 00:37:33,000
Speaker 1: hey something like forty seven is number we got that

687
00:37:33,080 --> 00:37:36,920
Speaker 1: from Capital STIs Capital sts created. You know, it's the

688
00:37:36,920 --> 00:37:40,200
Speaker 1: big homie over there. You see what I'm saying. And

689
00:37:40,239 --> 00:37:43,440
Speaker 1: didn't I didn't know because to the to the public,

690
00:37:43,520 --> 00:37:46,319
Speaker 1: it looked like Joey you get what I'm saying. He

691
00:37:46,400 --> 00:37:51,080
Speaker 1: kind of was the face of it seemingly right, you know, bro,

692
00:37:51,239 --> 00:37:53,879
Speaker 1: because and they and these kids are younger than us

693
00:37:54,000 --> 00:37:57,160
Speaker 1: and we're following them me and don't like getting you know,

694
00:37:57,640 --> 00:38:01,759
Speaker 1: these kids are are crazy like that you know there man,

695
00:38:01,880 --> 00:38:05,120
Speaker 1: that that's the way of thinking. It was was incredible, right,

696
00:38:05,120 --> 00:38:08,880
Speaker 1: So every every day. I look at my phone. I

697
00:38:08,920 --> 00:38:12,399
Speaker 1: see forty seven at least two or three times a day.

698
00:38:12,400 --> 00:38:14,880
Speaker 1: Like I checked the time and I said, like it

699
00:38:15,040 --> 00:38:18,759
Speaker 1: was three forty seven? What up? Though? I don't They

700
00:38:18,880 --> 00:38:22,040
Speaker 1: never left me. He hasn't even left me. He's like

701
00:38:22,080 --> 00:38:24,640
Speaker 1: on my shot, Like you know what I'm saying. You know,

702
00:38:26,320 --> 00:38:30,080
Speaker 1: you bit your ass up, running late, sneaking math in

703
00:38:30,120 --> 00:38:36,399
Speaker 1: a trip on you kids. I mean, I'm gonna talk.

704
00:38:36,640 --> 00:38:38,759
Speaker 1: I'm gonna talk true black boy joint to get us

705
00:38:38,760 --> 00:38:42,600
Speaker 1: positive again. Yeah, yea. I never heard nobody happier to

706
00:38:42,640 --> 00:38:49,839
Speaker 1: be rumbing over djer. You was there? Yeah you feel me? Yo?

707
00:38:51,640 --> 00:38:58,160
Speaker 1: It sounded good. Good are you feeling me? Brother? Listen?

708
00:38:59,760 --> 00:39:03,040
Speaker 1: Let's and man, I always just wanted to say that,

709
00:39:03,160 --> 00:39:07,920
Speaker 1: like premo, like just that alone, like yeah, you know

710
00:39:07,920 --> 00:39:12,400
Speaker 1: what I'm saying, yo, before I was asked, before I

711
00:39:12,440 --> 00:39:15,320
Speaker 1: even found my my name, you know what I'm saying,

712
00:39:15,920 --> 00:39:19,080
Speaker 1: Like I that was a that was a bucket list

713
00:39:19,080 --> 00:39:23,000
Speaker 1: thing like that had to happen for me, Like I

714
00:39:23,080 --> 00:39:25,279
Speaker 1: really love how this album came together. Man, it's I

715
00:39:25,440 --> 00:39:30,279
Speaker 1: to think like this is this I've had this this

716
00:39:30,320 --> 00:39:33,680
Speaker 1: project together and it maybe even you know, give credit

717
00:39:33,719 --> 00:39:36,200
Speaker 1: to the the length of time that I had, you

718
00:39:36,239 --> 00:39:41,920
Speaker 1: know which, you know, I appreciate everyone's patience. You know

719
00:39:41,920 --> 00:39:44,080
Speaker 1: what I'm saying. I know y'all was getting at me

720
00:39:44,120 --> 00:39:47,080
Speaker 1: in the comments. I know y'all love me, man, That's

721
00:39:47,080 --> 00:39:49,400
Speaker 1: why I'm doing it, man, and I love y'all. I

722
00:39:49,440 --> 00:39:55,319
Speaker 1: appreciate again, God damn, don't push me. I'm close to

723
00:39:55,320 --> 00:39:59,200
Speaker 1: the edge. No, rookie, you know what I'm saying. Who

724
00:39:59,280 --> 00:40:05,120
Speaker 1: where do I get that from? Yeah, don't push right,

725
00:40:05,719 --> 00:40:08,200
Speaker 1: it's all is it's it's hit like and you know,

726
00:40:08,239 --> 00:40:11,239
Speaker 1: I'm always trying to restore the feeling. Of course, I

727
00:40:11,280 --> 00:40:14,000
Speaker 1: love that feeling with you and punch Man together, man,

728
00:40:14,239 --> 00:40:18,640
Speaker 1: good man, get me started at it every time? Why

729
00:40:19,600 --> 00:40:24,280
Speaker 1: why did punch yo? Why did he go so crazy?

730
00:40:24,360 --> 00:40:26,680
Speaker 1: Or that you guys have great chemistry on tracks to

731
00:40:26,719 --> 00:40:30,239
Speaker 1: go bro like that's punching sword one man. He's only

732
00:40:30,760 --> 00:40:33,640
Speaker 1: right the last time. Oh yeah, yeah, he's it's a

733
00:40:34,000 --> 00:40:37,960
Speaker 1: punch has to and he usually usually you know when

734
00:40:38,000 --> 00:40:42,040
Speaker 1: I'm conceptual in my last attempt, my last efforts all

735
00:40:42,080 --> 00:40:47,399
Speaker 1: classics by them. You know, you're my old ship, by

736
00:40:47,440 --> 00:40:51,480
Speaker 1: my old album. Um. I usually had he usually like

737
00:40:51,640 --> 00:40:54,239
Speaker 1: I get him at the end and let him kind

738
00:40:54,239 --> 00:40:59,160
Speaker 1: of like summarize the album, kind of like how DoD

739
00:40:59,200 --> 00:41:01,600
Speaker 1: had me do apps those outro type thing. I think

740
00:41:01,600 --> 00:41:04,160
Speaker 1: I probably got that vein from Like Okay, I'm gonna

741
00:41:04,160 --> 00:41:08,320
Speaker 1: have Punch come in there at the end and have him,

742
00:41:08,360 --> 00:41:11,440
Speaker 1: you know, do a summation of of what I was

743
00:41:11,480 --> 00:41:13,799
Speaker 1: trying to do it in a verse right, And he's

744
00:41:13,840 --> 00:41:16,080
Speaker 1: great for that. You know. Obviously he's one of my

745
00:41:17,200 --> 00:41:19,319
Speaker 1: biggest mentors. You know what I'm saying. Who keeps you

746
00:41:19,360 --> 00:41:22,479
Speaker 1: shot lyrically because like obviously Punched, you know he because

747
00:41:22,520 --> 00:41:28,200
Speaker 1: in the corner there is only one. I'm capting man

748
00:41:28,600 --> 00:41:31,440
Speaker 1: Man just I'm a student. I'm a student, I'm a

749
00:41:31,440 --> 00:41:37,040
Speaker 1: fan first love this ship man, like everybody, I'm everybody.

750
00:41:37,480 --> 00:41:41,520
Speaker 1: I'm influenced by everybody, old or new. It was dope

751
00:41:41,560 --> 00:41:43,919
Speaker 1: to see you during the pandemic. I guess you came

752
00:41:43,920 --> 00:41:47,200
Speaker 1: out of your hiatus with Russ on his Chop project

753
00:41:47,280 --> 00:41:51,840
Speaker 1: and you guys are the ticket of the base. It

754
00:41:51,920 --> 00:41:53,880
Speaker 1: was so good to hear you, Yo. It was crazy

755
00:41:53,920 --> 00:41:57,440
Speaker 1: because you know, shout out to rust Man, fucking the

756
00:41:57,560 --> 00:42:00,400
Speaker 1: young legend. And I'm gonna tell the I'm gona tell

757
00:42:00,400 --> 00:42:03,360
Speaker 1: the blood on this truth about Russ I have to

758
00:42:03,560 --> 00:42:08,239
Speaker 1: because it's it's it's beauty, it's poetic. Because we were

759
00:42:08,280 --> 00:42:14,880
Speaker 1: just talking about punch. Punch sends me a text like saying, uh.

760
00:42:15,080 --> 00:42:17,399
Speaker 1: He sends me the record from Russ And I kept

761
00:42:17,400 --> 00:42:21,360
Speaker 1: seeing this kid like I kept seeing him Rust Restaurant.

762
00:42:21,400 --> 00:42:24,640
Speaker 1: I keep seeing I've never heard him though, send me

763
00:42:24,680 --> 00:42:28,120
Speaker 1: the text the record, crazy record. He was like, yeah,

764
00:42:28,160 --> 00:42:33,359
Speaker 1: the kid Rush wants you on this. I said, who, Like,

765
00:42:33,440 --> 00:42:35,600
Speaker 1: who is it? I was. I was like, yo, what

766
00:42:35,600 --> 00:42:39,759
Speaker 1: would you do it? Mind you I have I've never

767
00:42:39,800 --> 00:42:42,160
Speaker 1: even heard him. I kept seeing him though. I almost

768
00:42:42,239 --> 00:42:44,400
Speaker 1: want to say I've seen him like talking about Primo

769
00:42:45,280 --> 00:42:47,920
Speaker 1: Like I'm like, yo, he was like oh yeah. He

770
00:42:47,960 --> 00:42:51,399
Speaker 1: was like oh yeah. Like his hustle is is kind

771
00:42:51,400 --> 00:42:55,399
Speaker 1: of unmatched, like his his his his fan basis like

772
00:42:55,480 --> 00:42:57,960
Speaker 1: you you you should tap in like he on the businesses.

773
00:42:58,000 --> 00:43:00,480
Speaker 1: I'm like, all right, beat, I pop it up. But

774
00:43:00,560 --> 00:43:01,960
Speaker 1: I get you know, I get his line. We chop

775
00:43:02,040 --> 00:43:04,200
Speaker 1: it up and he tells me bro. He like sends

776
00:43:04,239 --> 00:43:07,719
Speaker 1: me these screenshots. He said he you know Russ' is

777
00:43:07,760 --> 00:43:10,640
Speaker 1: like that, he's real. He wrote up. You know, Russ's

778
00:43:11,360 --> 00:43:14,480
Speaker 1: the fucking young legend yet real real talk um sends

779
00:43:14,520 --> 00:43:17,920
Speaker 1: me these old screenshots of these old tweets from like

780
00:43:18,760 --> 00:43:27,839
Speaker 1: the long term mentality days of him harassing for me

781
00:43:27,920 --> 00:43:31,879
Speaker 1: to send like for to send send me beats, harassing me,

782
00:43:32,920 --> 00:43:34,520
Speaker 1: and then I think he even had one like one

783
00:43:35,000 --> 00:43:37,680
Speaker 1: one day I will work with app Soule save this

784
00:43:37,719 --> 00:43:42,279
Speaker 1: tweet like ship like that, like before we even do

785
00:43:42,400 --> 00:43:44,919
Speaker 1: the record, and before I even hear him. I haven't

786
00:43:44,920 --> 00:43:49,040
Speaker 1: even heard him yet still, but but I have. I

787
00:43:49,120 --> 00:43:53,480
Speaker 1: go looking I said that like the way Lows and

788
00:43:53,640 --> 00:43:59,640
Speaker 1: I'm like this because hell no, because I hear the

789
00:43:59,760 --> 00:44:02,040
Speaker 1: I of the Raps first, I hear who That's my

790
00:44:02,120 --> 00:44:06,040
Speaker 1: first time hearing him ever. So when I go do

791
00:44:06,160 --> 00:44:09,480
Speaker 1: the I'm I'm I'm, I'm like really impressed. But you know,

792
00:44:09,680 --> 00:44:12,000
Speaker 1: by it coming to fruition for him, he's showing me

793
00:44:12,040 --> 00:44:16,160
Speaker 1: these old tweets. That's that shows dedication, right, I go

794
00:44:16,200 --> 00:44:20,640
Speaker 1: look him up like this guy's are fucking superstar and

795
00:44:20,680 --> 00:44:22,840
Speaker 1: I've been I've been rocket. We've been rocking to this

796
00:44:22,880 --> 00:44:24,239
Speaker 1: ship and I didn't even know what it was them

797
00:44:24,239 --> 00:44:26,160
Speaker 1: like you know what I'm saying, So shout out to

798
00:44:26,280 --> 00:44:29,440
Speaker 1: us the who want what? Video? He sends me the

799
00:44:29,480 --> 00:44:32,920
Speaker 1: treatment and you know how usually with treatments. It's just

800
00:44:33,000 --> 00:44:35,879
Speaker 1: kind of like a mood board, like how they wanted

801
00:44:35,920 --> 00:44:39,640
Speaker 1: to look so rich. He they and the moved board.

802
00:44:39,719 --> 00:44:42,560
Speaker 1: It was the basement. I called him a meeting and

803
00:44:42,800 --> 00:44:44,600
Speaker 1: I'm like, yeah, bro, like you're gonna get ticket to

804
00:44:45,120 --> 00:44:48,560
Speaker 1: He was like, Bro, that was just the like that

805
00:44:48,600 --> 00:44:51,480
Speaker 1: was just the cut. We gotta yeah, we gotta read them,

806
00:44:51,880 --> 00:44:54,799
Speaker 1: we gotta. He said, Bro, what the fun hung up

807
00:44:54,800 --> 00:44:58,600
Speaker 1: in my face a week later or whatever, I'm on

808
00:44:58,719 --> 00:45:02,400
Speaker 1: the I'm on I'm backing the smith. What the funk

809
00:45:02,520 --> 00:45:06,239
Speaker 1: is going on? Yo? Shout out to russ Man, shout

810
00:45:06,280 --> 00:45:10,799
Speaker 1: out the big tigger Man like YO, like, oh it's yeah.

811
00:45:10,880 --> 00:45:14,560
Speaker 1: So yeah, that was I had. I had to get

812
00:45:14,600 --> 00:45:16,719
Speaker 1: that on in my rambling and like, oh no, you're not.

813
00:45:16,840 --> 00:45:22,680
Speaker 1: I'm rusty, absolutely not. Yea. I still want to know

814
00:45:22,680 --> 00:45:26,439
Speaker 1: why Absol can't fo with Herbert though. That was about

815
00:45:26,480 --> 00:45:30,160
Speaker 1: boy King rich He's fucking hilarious, he said, on no

816
00:45:30,239 --> 00:45:33,160
Speaker 1: report Cards, Yeah yeah, I had. I don't know if

817
00:45:33,200 --> 00:45:35,000
Speaker 1: like on a Fallacy, which I told you, like one

818
00:45:35,000 --> 00:45:37,080
Speaker 1: of my favorite records, Like King Richard still owes me

819
00:45:37,120 --> 00:45:40,640
Speaker 1: a million swishers, right, that's like one of my close

820
00:45:40,880 --> 00:45:43,800
Speaker 1: Like that's the guy used to like I used to

821
00:45:43,840 --> 00:45:45,759
Speaker 1: get off of work. Remember this is when I'm still

822
00:45:45,840 --> 00:45:47,960
Speaker 1: driving my little bit to be in the end of

823
00:45:47,960 --> 00:45:50,399
Speaker 1: the bucket. Yeah, I get off work, I go get

824
00:45:50,440 --> 00:45:53,560
Speaker 1: to chocolate Swishers. Two dollars shots at E and J.

825
00:45:54,520 --> 00:45:56,959
Speaker 1: You feel what I'm saying, Go get me a two

826
00:45:57,040 --> 00:46:00,320
Speaker 1: for fifteen up sack from the homie. You get what

827
00:46:00,360 --> 00:46:03,560
Speaker 1: I'm saying, Make that work out of two blunts as

828
00:46:03,600 --> 00:46:06,440
Speaker 1: skimpy as hell. I go pull up on Rich and

829
00:46:06,480 --> 00:46:09,759
Speaker 1: I smoked with him and and and we back. We

830
00:46:09,960 --> 00:46:12,759
Speaker 1: freestyle to death, like y'all can look him up. If

831
00:46:12,800 --> 00:46:15,239
Speaker 1: y'all we got a song called House of Sin that's

832
00:46:15,239 --> 00:46:17,840
Speaker 1: out like you can hear him wrap. He's actually incredible.

833
00:46:18,320 --> 00:46:20,799
Speaker 1: That's a that's a whole another story, but he's He's

834
00:46:20,840 --> 00:46:23,160
Speaker 1: one of the guys that I could be my complete

835
00:46:23,200 --> 00:46:25,919
Speaker 1: self where I didn't have to be cool, and like

836
00:46:26,040 --> 00:46:30,160
Speaker 1: we we laughed and ship and he knows what it

837
00:46:30,239 --> 00:46:33,560
Speaker 1: what I did to get here more than he knows

838
00:46:33,600 --> 00:46:36,680
Speaker 1: how determined I was for the ship. Like you know,

839
00:46:36,760 --> 00:46:41,480
Speaker 1: So that's in everybody, every expert that you hear. It's

840
00:46:41,560 --> 00:46:44,919
Speaker 1: really the people who like that, don't I had them

841
00:46:45,000 --> 00:46:48,040
Speaker 1: say ship that they would say, you know, like, it's

842
00:46:48,080 --> 00:46:51,760
Speaker 1: not this for This is for everybody that still calls

843
00:46:51,840 --> 00:46:54,799
Speaker 1: me by my name and will never cut you can

844
00:46:55,000 --> 00:46:58,160
Speaker 1: about him app So, man, you know what I'm saying,

845
00:46:59,239 --> 00:47:01,960
Speaker 1: little herbs is the top sponsors your first tat for

846
00:47:01,960 --> 00:47:05,560
Speaker 1: like a hundred dollars, which was tattos, which tattoo to

847
00:47:06,000 --> 00:47:09,000
Speaker 1: pay for it. And that's how I knew. That's how

848
00:47:09,000 --> 00:47:12,839
Speaker 1: I knew I was in Okay, T T D Dog

849
00:47:13,000 --> 00:47:18,200
Speaker 1: Entertainment the original logo on your shoulder, Wow, the first

850
00:47:18,239 --> 00:47:20,560
Speaker 1: one I got, But now I got more. I got

851
00:47:20,560 --> 00:47:26,719
Speaker 1: more T D E signia on me than anybody in

852
00:47:26,800 --> 00:47:30,880
Speaker 1: the gang. I am the gang, right, I am ganging

853
00:47:30,960 --> 00:47:34,280
Speaker 1: them right for the game. Even pulled up the Kendrick

854
00:47:34,360 --> 00:47:37,680
Speaker 1: and Paris are Dog. Yeah, I'm the guard dog. Yeah

855
00:47:37,960 --> 00:47:40,120
Speaker 1: you said, I did what? I went to Paris and

856
00:47:40,120 --> 00:47:43,120
Speaker 1: pulled up on a Mr. Morale, which which what you mean?

857
00:47:43,239 --> 00:47:46,080
Speaker 1: Ked you go to one of these shows in Paris? No?

858
00:47:46,200 --> 00:47:49,279
Speaker 1: I didn't. I didn't. I went. Um. I called him

859
00:47:49,320 --> 00:47:51,640
Speaker 1: out here that show was out here. Yeah, I called

860
00:47:51,680 --> 00:47:54,319
Speaker 1: him at the at the Staples. Okay, that was a

861
00:47:54,320 --> 00:47:57,359
Speaker 1: great shot. Everybody's excited to see you together. That's man.

862
00:47:57,440 --> 00:48:00,359
Speaker 1: My brother man, like I said, when Mr Rawl, I don't,

863
00:48:00,440 --> 00:48:03,759
Speaker 1: I don't eve want to get started about it. I

864
00:48:03,800 --> 00:48:06,080
Speaker 1: get emotional, Like that's what I'm saying. I know what

865
00:48:06,320 --> 00:48:09,640
Speaker 1: I know, I know what it what it took, I

866
00:48:09,680 --> 00:48:11,799
Speaker 1: know what it took. What I know what he did.

867
00:48:11,920 --> 00:48:13,959
Speaker 1: Like you know what I'm saying. And that's what I'm saying,

868
00:48:14,000 --> 00:48:18,080
Speaker 1: Like I'm not tolerating. No, I'm not tolerating no disrespect

869
00:48:18,160 --> 00:48:21,719
Speaker 1: from the homies. Like I'm not tolerating none of that.

870
00:48:21,800 --> 00:48:26,080
Speaker 1: So he's he's in my top five I or not?

871
00:48:27,160 --> 00:48:30,839
Speaker 1: Jay Z nots died. They just asked me. They just

872
00:48:30,880 --> 00:48:32,759
Speaker 1: asked me, I did I did the Reddit thing I

873
00:48:32,800 --> 00:48:36,479
Speaker 1: never did. Yeah, who's your top five? And I kept

874
00:48:36,520 --> 00:48:46,880
Speaker 1: the top five? Top five? That's the list. Oh yeah,

875
00:48:48,760 --> 00:48:53,040
Speaker 1: in a few weeks after now, you took the time off. Okay,

876
00:48:53,239 --> 00:48:55,160
Speaker 1: but I think I think you had I've been going,

877
00:48:55,640 --> 00:48:57,920
Speaker 1: so you took a break so I couldn't include you

878
00:48:58,280 --> 00:49:00,279
Speaker 1: on the list. But I think I did make a

879
00:49:00,360 --> 00:49:03,760
Speaker 1: mention of your your contribution to the Rust songs, right, Okay,

880
00:49:03,880 --> 00:49:06,520
Speaker 1: that's that's cool. Yeah, but you know, I ain't. You

881
00:49:06,840 --> 00:49:10,520
Speaker 1: know what I'm saying. It's so good, that's you know

882
00:49:10,520 --> 00:49:12,280
Speaker 1: what I mean, I gotta, I mean, you gotta work harder.

883
00:49:13,160 --> 00:49:16,239
Speaker 1: But let all these let look and so I did.

884
00:49:16,560 --> 00:49:18,759
Speaker 1: I did the thing. I ready, Like, I just I

885
00:49:18,840 --> 00:49:21,480
Speaker 1: have my top five down because I'm just terrible with favorites,

886
00:49:22,040 --> 00:49:24,799
Speaker 1: like I really so many. You know what I mean.

887
00:49:25,000 --> 00:49:27,520
Speaker 1: I have my top five. It's not gonna well, it

888
00:49:27,560 --> 00:49:32,520
Speaker 1: can't change. But jay Z, Nas, Dot Lane, Loupe Fiasco

889
00:49:33,120 --> 00:49:37,719
Speaker 1: in that order that top five. Everything after that it

890
00:49:37,760 --> 00:49:40,200
Speaker 1: will not be. I can't. I can't even do like

891
00:49:40,560 --> 00:49:43,480
Speaker 1: but that right there, just so just show us understood.

892
00:49:43,960 --> 00:49:47,520
Speaker 1: That's how I feel. Favorite song of Mr Morale, I

893
00:49:47,560 --> 00:49:53,120
Speaker 1: got mine. Mine keeps changing low key the intro. But

894
00:49:53,520 --> 00:49:55,359
Speaker 1: when you said that, you know, it's first thing came

895
00:49:55,400 --> 00:50:02,560
Speaker 1: to my mind. Came please everybody but low key to

896
00:50:03,880 --> 00:50:11,040
Speaker 1: bath he was. I grieve different. I agree that ship different.

897
00:50:11,560 --> 00:50:13,319
Speaker 1: I felt that ship. And that's what I'm saying. Like

898
00:50:13,640 --> 00:50:15,960
Speaker 1: you got the Populan and we said, I s I

899
00:50:15,960 --> 00:50:19,960
Speaker 1: got secret something going to die with Yeah, no cat, cat, Yeah,

900
00:50:20,320 --> 00:50:24,919
Speaker 1: you know you know the vibes not the vibe I'm back. Yeah,

901
00:50:25,200 --> 00:50:27,040
Speaker 1: you know what I'm saying. I'm from the hood man,

902
00:50:27,719 --> 00:50:31,959
Speaker 1: not the raperd the real hood, doing the game game

903
00:50:32,320 --> 00:50:35,240
Speaker 1: back in the game in the house man that Lama

904
00:50:35,800 --> 00:50:39,799
Speaker 1: crossing the mouse. Man, I mean, listen, I still you know,

905
00:50:39,920 --> 00:50:43,000
Speaker 1: I still go you know, I don't wonder whether to

906
00:50:43,080 --> 00:50:46,759
Speaker 1: think like I just like finally went back. Come on man,

907
00:50:46,840 --> 00:50:49,319
Speaker 1: like I'm still come on, man, I'm still outside like

908
00:50:49,520 --> 00:50:52,080
Speaker 1: you know, not like that. But like you know, I

909
00:50:52,400 --> 00:50:55,759
Speaker 1: tapped in, you know I'm tapped in. So but but

910
00:50:55,840 --> 00:50:58,960
Speaker 1: it was good that I got to really get give them,

911
00:50:59,000 --> 00:51:02,000
Speaker 1: like to get get him light and and and really

912
00:51:02,040 --> 00:51:03,759
Speaker 1: get all my guys to get a lot of it

913
00:51:03,800 --> 00:51:05,640
Speaker 1: was a reunion for a lot of us. We've all

914
00:51:05,680 --> 00:51:08,279
Speaker 1: been you know what I'm saying, like because we're trying

915
00:51:08,320 --> 00:51:10,160
Speaker 1: to get to it. Ain't no time we've been. We've

916
00:51:10,200 --> 00:51:14,800
Speaker 1: hung out enough. That was where we was hanging out bullshit,

917
00:51:14,880 --> 00:51:18,000
Speaker 1: And you know what I'm saying, we gotta get to it.

918
00:51:18,360 --> 00:51:21,200
Speaker 1: You know what I'm saying, Like you keep seeing somebody

919
00:51:21,280 --> 00:51:23,640
Speaker 1: same person a day that I I mean, you're not going nowhere,

920
00:51:24,440 --> 00:51:27,120
Speaker 1: you see what I'm saying, Like straight like that, so

921
00:51:28,160 --> 00:51:32,759
Speaker 1: and and and and even that like els right, but

922
00:51:32,960 --> 00:51:36,760
Speaker 1: like my one of my one of my my homies

923
00:51:36,800 --> 00:51:39,080
Speaker 1: are fresh Man rest in Peace was in there. Not

924
00:51:39,080 --> 00:51:42,200
Speaker 1: not the fresh that not short dog, but one of

925
00:51:42,239 --> 00:51:45,400
Speaker 1: my homies. He's in the video. You know, boom he

926
00:51:45,480 --> 00:51:48,839
Speaker 1: had just like he hadn't been home a year, like

927
00:51:49,640 --> 00:51:51,600
Speaker 1: you know what I'm saying, and I got to see it,

928
00:51:51,680 --> 00:51:54,360
Speaker 1: like you know, we're supposed to. He was like almost

929
00:51:54,400 --> 00:51:55,839
Speaker 1: family to me, like you know what I'm saying, but

930
00:51:55,880 --> 00:51:59,080
Speaker 1: on some you know, you know, some on some gang

931
00:51:59,120 --> 00:52:01,160
Speaker 1: and you know what I'm saying, you know, beyond that

932
00:52:01,280 --> 00:52:04,400
Speaker 1: with him. So glad I got to see him, like

933
00:52:05,000 --> 00:52:09,000
Speaker 1: lost him like shortly after that. Yeah, and he even

934
00:52:09,040 --> 00:52:13,240
Speaker 1: been home a year, bro, And then the same fucking

935
00:52:13,360 --> 00:52:19,680
Speaker 1: day my dog guys cash. That's why you see him.

936
00:52:19,760 --> 00:52:22,839
Speaker 1: That's why the video begins and ends with with cat

937
00:52:23,400 --> 00:52:28,359
Speaker 1: my dog yo. When when I lost my dog, Bro,

938
00:52:29,000 --> 00:52:31,200
Speaker 1: you got because you gotta understand, like he was there

939
00:52:31,239 --> 00:52:34,959
Speaker 1: like during my recovery process. You know they say, um,

940
00:52:35,000 --> 00:52:37,360
Speaker 1: you know, having a pet like kind of it can

941
00:52:37,400 --> 00:52:41,400
Speaker 1: it can help with your speed up your helper assist

942
00:52:41,440 --> 00:52:44,319
Speaker 1: your recovery. And I believe that ship was just me

943
00:52:44,400 --> 00:52:47,640
Speaker 1: and him, like it's me and him like after that, bro,

944
00:52:47,800 --> 00:52:51,680
Speaker 1: like oh my god, Like so you know, I'm glad

945
00:52:51,680 --> 00:52:53,279
Speaker 1: I got to see my man, you know, And I'm

946
00:52:53,280 --> 00:52:57,959
Speaker 1: glad Cash got to the most beautiful fucking dog I've

947
00:52:58,000 --> 00:53:01,160
Speaker 1: ever seen, a perfect two face. Like we used to

948
00:53:01,160 --> 00:53:04,680
Speaker 1: take him out like the like the old like the

949
00:53:04,719 --> 00:53:07,600
Speaker 1: old ladies will be like, oh my god, he's perfect.

950
00:53:07,640 --> 00:53:11,719
Speaker 1: Markings like these are like dog ladies like that, like

951
00:53:11,840 --> 00:53:14,840
Speaker 1: you know, like are very very critical about their pets

952
00:53:14,840 --> 00:53:17,200
Speaker 1: and you know, get the grooming, you know, on schedule.

953
00:53:17,200 --> 00:53:20,800
Speaker 1: You know, oh my god, his markings are perfect, his

954
00:53:21,320 --> 00:53:24,359
Speaker 1: his his coat, you know, the most beautiful dog I've

955
00:53:24,360 --> 00:53:29,960
Speaker 1: ever seen. I thank him so much, man Man, Man's

956
00:53:30,000 --> 00:53:32,680
Speaker 1: best friend, as I am crying right now about Cash

957
00:53:32,800 --> 00:53:37,280
Speaker 1: right now, so so um. Thanks to the art anything

958
00:53:37,320 --> 00:53:42,239
Speaker 1: for the art we got to. Yeah, you gave a little,

959
00:53:42,280 --> 00:53:43,920
Speaker 1: gave a lot of yourself on God to Wrap. You

960
00:53:43,920 --> 00:53:46,080
Speaker 1: said that was a difficult song to write. It was

961
00:53:46,200 --> 00:53:49,360
Speaker 1: difficult hearing saying that you attempted suicide and that you

962
00:53:49,520 --> 00:53:52,320
Speaker 1: broke your leg and your teeth. You don't even know

963
00:53:52,360 --> 00:53:54,960
Speaker 1: why you did it, That's what you said lyrically. What

964
00:53:55,120 --> 00:53:59,200
Speaker 1: led you to that moment? Which moment writing it or both? Okay,

965
00:53:59,560 --> 00:54:05,080
Speaker 1: First of uh I was under the influence, Uh I

966
00:54:05,200 --> 00:54:10,360
Speaker 1: kind of don't. Uh I've I've said, I have said

967
00:54:10,400 --> 00:54:16,080
Speaker 1: publicly everything that I've indulged in on on on one

968
00:54:16,120 --> 00:54:20,000
Speaker 1: of my biggest songs called drugs right, which is an

969
00:54:20,040 --> 00:54:24,880
Speaker 1: acronym for don't ruin us. God said, Okay, it's like

970
00:54:25,040 --> 00:54:28,279
Speaker 1: that clear. I got that acronym from loope to shout

971
00:54:28,320 --> 00:54:33,040
Speaker 1: out my man um. I was under the influence. I

972
00:54:33,080 --> 00:54:36,840
Speaker 1: was in a trance. It was not it was not

973
00:54:36,880 --> 00:54:42,279
Speaker 1: a conscious decision. I was literally it was literally out

974
00:54:42,280 --> 00:54:46,360
Speaker 1: of my control. I woke up. I woke up on

975
00:54:46,400 --> 00:54:53,080
Speaker 1: the ground, my friend, like, God is good. God is good,

976
00:54:53,880 --> 00:54:57,319
Speaker 1: simple as that. Got a wrap though. What's what's very

977
00:54:57,360 --> 00:54:59,520
Speaker 1: interesting is that is I want to make this clear

978
00:54:59,560 --> 00:55:04,719
Speaker 1: to I actually wrote most of the album prior to that.

979
00:55:05,520 --> 00:55:08,279
Speaker 1: I kind of finished the album before I did that,

980
00:55:09,400 --> 00:55:13,440
Speaker 1: which is very interesting. That means that, you know, I

981
00:55:13,480 --> 00:55:17,319
Speaker 1: think I was in a very vulnerable place. Uh you know,

982
00:55:18,040 --> 00:55:22,040
Speaker 1: you know due to the I guess the substances at

983
00:55:22,040 --> 00:55:26,879
Speaker 1: the time, they served their purpose. They they they I'm

984
00:55:26,880 --> 00:55:30,160
Speaker 1: not gonna give the substance to credit, but I'm saying

985
00:55:30,760 --> 00:55:33,800
Speaker 1: it made me as vulnerable and open as I need

986
00:55:34,120 --> 00:55:37,320
Speaker 1: as I needed to be. Got a wrap I did

987
00:55:38,320 --> 00:55:41,160
Speaker 1: like I kind of like had started it on another record,

988
00:55:41,200 --> 00:55:43,560
Speaker 1: Like I kind of had that got a wrap. But

989
00:55:43,600 --> 00:55:45,439
Speaker 1: really I just got a rap. I knew I wanted

990
00:55:45,480 --> 00:55:47,560
Speaker 1: to do that, you know what I'm saying. I had

991
00:55:47,640 --> 00:55:50,239
Speaker 1: that idea like on another kind of record. But when

992
00:55:50,280 --> 00:55:53,240
Speaker 1: Primo finally came through, I'm like, oh, this is it.

993
00:55:53,680 --> 00:55:56,839
Speaker 1: You feel me? And I had started it. Then I

994
00:55:56,880 --> 00:56:01,000
Speaker 1: did what I did. Other things, I survived, other things happened.

995
00:56:01,040 --> 00:56:04,839
Speaker 1: I took other losses. And so that's where you hear

996
00:56:04,920 --> 00:56:07,560
Speaker 1: the hunger, like, that's where you hear that that So

997
00:56:07,920 --> 00:56:11,520
Speaker 1: it kind of like everything had to happen for me

998
00:56:11,600 --> 00:56:17,120
Speaker 1: to create this album. That's why you know every everything is,

999
00:56:17,280 --> 00:56:23,120
Speaker 1: Everything happens, everything happens, how everything is as it should be.

1000
00:56:23,400 --> 00:56:27,600
Speaker 1: I'm trying to I'm really trying to practice that to

1001
00:56:27,680 --> 00:56:32,400
Speaker 1: who much is given right, much is tested? Like and

1002
00:56:32,440 --> 00:56:34,279
Speaker 1: I you know, I'm the black lid pat like I

1003
00:56:34,680 --> 00:56:37,400
Speaker 1: called myself the prophet I call I called myself all

1004
00:56:37,440 --> 00:56:39,879
Speaker 1: these things. I call myself the god a wrap, right,

1005
00:56:40,280 --> 00:56:45,360
Speaker 1: I'm a human being poetically, I speak highly. When I

1006
00:56:45,400 --> 00:56:49,640
Speaker 1: step in the booth, I can I become Batman? You

1007
00:56:49,640 --> 00:56:52,880
Speaker 1: know what I'm saying. But and and that's to empower.

1008
00:56:53,280 --> 00:56:57,080
Speaker 1: It's to empower because when people say it, when they

1009
00:56:57,120 --> 00:57:01,120
Speaker 1: recite cited. They're they're saying I. So it's like they

1010
00:57:01,160 --> 00:57:04,040
Speaker 1: get to be as strong. I understand that you hear

1011
00:57:04,040 --> 00:57:07,279
Speaker 1: what I'm saying. If you if you memorize, if you

1012
00:57:07,320 --> 00:57:10,120
Speaker 1: memorize my song, you can be the guy to wrap that.

1013
00:57:10,200 --> 00:57:13,160
Speaker 1: Just gotta wrap two. You can be the prophet too

1014
00:57:13,239 --> 00:57:18,040
Speaker 1: if you're saying it, you get and I keep that

1015
00:57:18,080 --> 00:57:20,640
Speaker 1: in mind, like just so it's understood. And that's why

1016
00:57:20,680 --> 00:57:24,040
Speaker 1: that what's so important for me to do for this album.

1017
00:57:24,120 --> 00:57:26,360
Speaker 1: It's like, don't get it twisted. Like I don't want

1018
00:57:26,400 --> 00:57:28,720
Speaker 1: people to think like I'm on some holier than down

1019
00:57:28,880 --> 00:57:32,040
Speaker 1: like worship me like bout you know what I'm saying,

1020
00:57:32,120 --> 00:57:35,680
Speaker 1: Like I am not God, I am not the Messiah,

1021
00:57:35,920 --> 00:57:37,680
Speaker 1: I am not Like I don't want people to really

1022
00:57:37,720 --> 00:57:41,000
Speaker 1: think that. That's what I think. I say it poetically

1023
00:57:41,240 --> 00:57:46,200
Speaker 1: to speak highly of myself, to walk at too, to

1024
00:57:46,320 --> 00:57:49,560
Speaker 1: try to walk as such, because that's the goal, right

1025
00:57:49,600 --> 00:57:52,440
Speaker 1: to try to try. So what this Church on the

1026
00:57:52,480 --> 00:57:57,160
Speaker 1: move me because you know at the end, Church on

1027
00:57:57,200 --> 00:57:59,240
Speaker 1: the move, Church on the move, does that mean it

1028
00:57:59,240 --> 00:58:01,440
Speaker 1: seems like you still the competitive spirit on there? Like

1029
00:58:01,480 --> 00:58:05,040
Speaker 1: you find some shots off in the verse? Yeah? What what?

1030
00:58:05,160 --> 00:58:10,200
Speaker 1: What shots what do you mean? It sounded like it

1031
00:58:10,280 --> 00:58:13,760
Speaker 1: sounded like you were talking to a specific rapper person names.

1032
00:58:13,880 --> 00:58:15,720
Speaker 1: Who did you think I was talking about? It sounded

1033
00:58:15,720 --> 00:58:19,200
Speaker 1: like you were talking about Kid Cutty? Did it? It did? Yeah?

1034
00:58:19,440 --> 00:58:22,520
Speaker 1: You mentioned a name and you said a lot of

1035
00:58:22,560 --> 00:58:25,360
Speaker 1: things and the great Kid Cutty. You think I would?

1036
00:58:25,480 --> 00:58:30,600
Speaker 1: I would this kid cutting the Great Kid Cutty on

1037
00:58:30,640 --> 00:58:34,600
Speaker 1: a song called Church on the Move. I mean, peace

1038
00:58:34,680 --> 00:58:40,240
Speaker 1: be unto you. Come on, y'all, trust this guy with

1039
00:58:40,280 --> 00:58:45,920
Speaker 1: the list they look listen. Cutty is a is a

1040
00:58:45,960 --> 00:58:49,240
Speaker 1: turn that we use like you know, you know what

1041
00:58:49,240 --> 00:58:52,040
Speaker 1: I'm saying. It's kind of some criph. You know what

1042
00:58:52,040 --> 00:58:57,840
Speaker 1: I'm saying. Shore got Yeah, but now just clearing that up,

1043
00:58:57,840 --> 00:59:00,520
Speaker 1: clearing that up. And I didn't think about that. Somebody

1044
00:59:00,560 --> 00:59:02,600
Speaker 1: brought that to my attention afterward. I wasn't about to

1045
00:59:02,680 --> 00:59:09,440
Speaker 1: change it. No Cutty, you no cutt, Kid Cutty. Let

1046
00:59:09,480 --> 00:59:10,880
Speaker 1: me say this. I do have a bone to pick

1047
00:59:10,880 --> 00:59:13,160
Speaker 1: with kick Cutty. I have. I actually haven't met him yet,

1048
00:59:13,480 --> 00:59:16,600
Speaker 1: which is a fucking crime with me and like not

1049
00:59:16,760 --> 00:59:20,560
Speaker 1: made come on me and Cutty come on what and

1050
00:59:20,600 --> 00:59:24,080
Speaker 1: he put dot on solo Dolo part two and not me?

1051
00:59:25,200 --> 00:59:30,280
Speaker 1: What I have I got a bone to pick with

1052
00:59:30,320 --> 00:59:35,840
Speaker 1: a cutty funk with me mans still time mane, that's

1053
00:59:35,840 --> 00:59:39,880
Speaker 1: the problem. East Coast untrained ears. I love it and

1054
00:59:39,960 --> 00:59:41,920
Speaker 1: there we go. But see, I I get, I get

1055
00:59:41,920 --> 00:59:44,480
Speaker 1: how this works. I'm trying to I'm trying to play

1056
00:59:44,560 --> 00:59:49,120
Speaker 1: the game. I need. I needed that combo. Yeah, somebody's

1057
00:59:49,120 --> 00:59:51,600
Speaker 1: gonna somebody's gonna click bait the funk out of that.

1058
00:59:53,040 --> 00:59:59,439
Speaker 1: It's absolute beefing with hear the got mescuity. I see

1059
00:59:59,440 --> 01:00:03,880
Speaker 1: the headline. I say, did I pronounced that right? Miss Cutty?

1060
01:00:04,400 --> 01:00:07,880
Speaker 1: Shoutout to Kid Cutty man like genius man, absolutely, what's

1061
01:00:07,880 --> 01:00:09,600
Speaker 1: some of your favorite lines on this project? Because there's

1062
01:00:09,600 --> 01:00:15,200
Speaker 1: a lot of a lot of hard clever. Definitely no

1063
01:00:15,480 --> 01:00:18,080
Speaker 1: stopping him, just keeping it a book. I'm on one.

1064
01:00:18,200 --> 01:00:23,160
Speaker 1: George Washington. I like the Atlanta you gotta earn and

1065
01:00:23,520 --> 01:00:26,960
Speaker 1: see that's listen. You know how old that song is?

1066
01:00:27,840 --> 01:00:35,240
Speaker 1: Why did it land after the finale of Atlanta? You

1067
01:00:35,320 --> 01:00:41,360
Speaker 1: gotta understand too? Man. Shout out to Donald Glover my brother, Yeah, man, really,

1068
01:00:41,400 --> 01:00:44,400
Speaker 1: my brother. Really. The last time I saw him I

1069
01:00:44,480 --> 01:00:46,920
Speaker 1: was in New York. This was years ago. Last time

1070
01:00:46,960 --> 01:00:50,160
Speaker 1: I saw him, he had this like low key jazz

1071
01:00:50,720 --> 01:00:56,160
Speaker 1: lounge situation he invited, like me, says Joey. Um, you

1072
01:00:56,240 --> 01:00:59,680
Speaker 1: know it was so intimate, so nice. Just jam session

1073
01:00:59,800 --> 01:01:03,280
Speaker 1: was their freestyle and he was just jamming out right.

1074
01:01:03,600 --> 01:01:05,960
Speaker 1: We finished the show and he's backstage. The last time

1075
01:01:05,960 --> 01:01:08,560
Speaker 1: I seen him literally ever or spoken to him. How

1076
01:01:08,560 --> 01:01:11,440
Speaker 1: ald me, Man, you get me? You know, hell at

1077
01:01:11,480 --> 01:01:14,120
Speaker 1: me man, real talk, he said, Yo, he's talking to

1078
01:01:14,120 --> 01:01:17,000
Speaker 1: me and Joey He's like, man, I'm about to man

1079
01:01:17,560 --> 01:01:19,520
Speaker 1: think about writing the show man, Like I think I

1080
01:01:19,560 --> 01:01:21,000
Speaker 1: got a crazy idea for like a show. You guys

1081
01:01:21,040 --> 01:01:26,320
Speaker 1: ever think about acting? He was like hell yeah yeah.

1082
01:01:26,400 --> 01:01:29,200
Speaker 1: He was like, okay, we have I think I think

1083
01:01:29,240 --> 01:01:32,120
Speaker 1: I had a crazy idea for a show the last time.

1084
01:01:34,080 --> 01:01:39,080
Speaker 1: And even Joey is like, Yo, this is ill and

1085
01:01:39,280 --> 01:01:43,400
Speaker 1: I and that I wrote that song so early and

1086
01:01:43,800 --> 01:01:48,920
Speaker 1: it landed. It landed right at the finale of Atlanta,

1087
01:01:49,160 --> 01:01:53,160
Speaker 1: Like that is Poetics one of the one of my

1088
01:01:53,240 --> 01:01:56,760
Speaker 1: favorite shows. By the way, no no, no, no, uh

1089
01:01:57,320 --> 01:02:00,760
Speaker 1: no bias at all. It's Jamius. Did you watch the

1090
01:02:00,800 --> 01:02:04,480
Speaker 1: show of course that that Google that Goofy the Goofy

1091
01:02:04,560 --> 01:02:07,120
Speaker 1: movie bust And you said something about that on Twitter

1092
01:02:07,200 --> 01:02:10,600
Speaker 1: one time about oh yeah, I shout shout out Tevin

1093
01:02:10,640 --> 01:02:12,760
Speaker 1: Cambell And that was before that, you're like, shout out

1094
01:02:12,800 --> 01:02:17,760
Speaker 1: to Tevin Campbell man, like got myself, Yeah, please do

1095
01:02:17,920 --> 01:02:19,640
Speaker 1: please don't let me check it out on Netflix and

1096
01:02:20,000 --> 01:02:23,600
Speaker 1: goofy movie. Yeah, man, but yeah, that's what everything is

1097
01:02:23,640 --> 01:02:26,760
Speaker 1: as it should be. Yeah, had I dropped had I

1098
01:02:26,920 --> 01:02:31,480
Speaker 1: dropped it in, it wouldn't have had sense. It would

1099
01:02:31,520 --> 01:02:34,200
Speaker 1: have made sense because Atlanta was still out obviously. But

1100
01:02:34,520 --> 01:02:38,040
Speaker 1: now it's so it's like the timing exactly, like right,

1101
01:02:38,120 --> 01:02:41,880
Speaker 1: it's perfect, it's perfect, perfect, right. Well, I appreciate Herbert

1102
01:02:41,920 --> 01:02:44,800
Speaker 1: Man Herbert the album, Herbert the Man Man. I love

1103
01:02:44,880 --> 01:02:47,440
Speaker 1: the cover too. Man, he's a little baby Man the Man,

1104
01:02:47,680 --> 01:02:53,000
Speaker 1: like not the uh not the God. Yeah, that cover

1105
01:02:53,120 --> 01:02:55,120
Speaker 1: is dope too, Like did you got to find that

1106
01:02:55,560 --> 01:02:59,040
Speaker 1: my auntie? You know? Uh? Ain't he gave me a bowl?

1107
01:02:59,080 --> 01:03:01,880
Speaker 1: Come my auntie? Like you know, she's like my my

1108
01:03:02,200 --> 01:03:04,640
Speaker 1: my second mom. You know what I'm saying, my mom's sister.

1109
01:03:05,000 --> 01:03:08,280
Speaker 1: What I'm saying. She keeps everything, she's you know, she

1110
01:03:09,120 --> 01:03:11,800
Speaker 1: she she has a scrapbook of everything I've been meant,

1111
01:03:11,840 --> 01:03:14,440
Speaker 1: she's she's my biggest fan, my biggest supporter. I let

1112
01:03:14,520 --> 01:03:16,680
Speaker 1: you know, she keeps everything. She she's the one that

1113
01:03:16,800 --> 01:03:19,720
Speaker 1: has all our family pictures and all of that. And

1114
01:03:19,800 --> 01:03:23,920
Speaker 1: once I told her what when I found out, when

1115
01:03:23,920 --> 01:03:27,920
Speaker 1: I real when I did decided, excuse me, when I

1116
01:03:28,000 --> 01:03:30,240
Speaker 1: decided that I was gonna call the album Herbert. She

1117
01:03:30,400 --> 01:03:32,800
Speaker 1: fell in love with it, obviously, and she had been

1118
01:03:32,960 --> 01:03:37,200
Speaker 1: saving that picture for something, like she knew that picture

1119
01:03:37,320 --> 01:03:39,120
Speaker 1: was going to be for something just because of it,

1120
01:03:39,280 --> 01:03:43,600
Speaker 1: like the happy hand. She knew she had been hiding

1121
01:03:43,680 --> 01:03:46,040
Speaker 1: it from me because she knew that was gonna be

1122
01:03:46,280 --> 01:03:50,440
Speaker 1: for something, and that was perfect like everything. Shout out

1123
01:03:50,480 --> 01:03:53,360
Speaker 1: to shout out Tuesday's a what I'm saying, Like, yeah,

1124
01:03:53,360 --> 01:03:56,720
Speaker 1: shout out to my my, My entire family and friends

1125
01:03:56,800 --> 01:03:59,920
Speaker 1: has been you know, dealing with me through this whole process, man,

1126
01:04:00,000 --> 01:04:02,640
Speaker 1: and I've been a mess. You know what I'm saying.

1127
01:04:02,920 --> 01:04:05,080
Speaker 1: I love all of y'all to death. Y'all know who

1128
01:04:05,160 --> 01:04:08,120
Speaker 1: y'all are. Y'all are the reason I'm still here and

1129
01:04:08,240 --> 01:04:11,800
Speaker 1: still kicking. I do it for y'all, and thank you too.

1130
01:04:12,240 --> 01:04:15,200
Speaker 1: YouTube generally. You know absolutely you feel me. Y'all know

1131
01:04:15,280 --> 01:04:17,640
Speaker 1: how y'all know. You know off the record, y'all know

1132
01:04:17,720 --> 01:04:20,520
Speaker 1: how you know aside from this music ship. You know

1133
01:04:20,560 --> 01:04:21,960
Speaker 1: what I'm saying, I really you know what I'm saying.

1134
01:04:22,040 --> 01:04:24,280
Speaker 1: Respect what y'all do a period for that, you know

1135
01:04:24,280 --> 01:04:26,880
Speaker 1: what I'm saying. For the world, for the world, for

1136
01:04:26,960 --> 01:04:31,320
Speaker 1: the culture. They'll take six more years, six months on

1137
01:04:31,400 --> 01:04:36,400
Speaker 1: one another. Give me one more, give me one year challenge. Okay,

1138
01:04:36,560 --> 01:04:39,320
Speaker 1: that's what's today. You close out, You close out this

1139
01:04:39,440 --> 01:04:41,280
Speaker 1: year strong, your clothes out next year as well well.

1140
01:04:41,720 --> 01:04:45,240
Speaker 1: Yeah fourth quarter half give me into another December Okay,

1141
01:04:45,520 --> 01:04:48,280
Speaker 1: fair enough. Yeah, maybe I'll keep Maybe I'll keep my

1142
01:04:48,360 --> 01:04:51,880
Speaker 1: December sixteen. Maybe maybe we could keep its gotta land

1143
01:04:51,880 --> 01:04:55,320
Speaker 1: on the Friday Friday. We'll figure it out. We'll figure

1144
01:04:55,320 --> 01:04:57,080
Speaker 1: it out. But yeah, give me a year. Yeah, you

1145
01:04:57,240 --> 01:05:00,640
Speaker 1: got you know you can help me. Man. I gotta

1146
01:05:00,680 --> 01:05:07,160
Speaker 1: make your next list. Herbert, Herbert, Herbert, don't turn your top,

1147
01:05:07,280 --> 01:05:11,080
Speaker 1: don't turn you don't tell your top ten albums. Listen. Yeah, man,

1148
01:05:11,240 --> 01:05:16,760
Speaker 1: As the chat appisode has entered the chat god damn. Yeah,

1149
01:05:16,960 --> 01:05:20,080
Speaker 1: thank you, Herbert, thank you, thank you. The Rap Rate

1150
01:05:20,160 --> 01:05:25,480
Speaker 1: of podcast Yeah Rap Rador is an interval presents original

1151
01:05:25,520 --> 01:05:28,840
Speaker 1: production from hyper House, produced by Laura Wasser, Hosts and

1152
01:05:28,880 --> 01:05:31,760
Speaker 1: producers Elliott Wilson and Brian b. Dot Miller from Me

1153
01:05:31,880 --> 01:05:36,480
Speaker 1: Devo Presents Executive producers Alan Coy and Jake Kleinberg, Executive

1154
01:05:36,480 --> 01:05:41,080
Speaker 1: producer Paul Rosenberg, editing his sound design by Dylan Alexander Freeman,

1155
01:05:41,480 --> 01:05:45,120
Speaker 1: recording engineer Mike Urban, and special thanks to Josh Perez,

1156
01:05:45,320 --> 01:05:49,320
Speaker 1: Matt Miller, Ryan Cunningham and Big Bi Brandon Tiffith, Operations

1157
01:05:49,440 --> 01:05:52,760
Speaker 1: Lead Sarah You, Business Development Lead Chef e Ellen Swagg,

1158
01:05:53,000 --> 01:05:56,080
Speaker 1: and Marketing Lead Samara Still. Make sure to follow Raperator

1159
01:05:56,120 --> 01:05:59,600
Speaker 1: and listen on Apple podcast, Spotify, Amazon Music, Stitcher or

1160
01:05:59,600 --> 01:06:00,680
Speaker 1: where every at your podcast