1 00:00:01,400 --> 00:00:05,200 Speaker 1: Welcome to Reality with the King. It's me Carlos Kings, 2 00:00:05,200 --> 00:00:07,960 Speaker 1: the King of Reality TV and one of the most 3 00:00:08,000 --> 00:00:12,639 Speaker 1: sought after executive producers in reality television with over ten 4 00:00:12,720 --> 00:00:16,759 Speaker 1: years a production experience. Twice a week on Reality with 5 00:00:16,800 --> 00:00:19,200 Speaker 1: the King, we'll sit down with my friends across the 6 00:00:19,400 --> 00:00:24,560 Speaker 1: entertainment industry, recap our favorite reality shows and revisit unforgettable 7 00:00:24,680 --> 00:00:30,280 Speaker 1: moments that we are still talking and tweeting about. Okay, 8 00:00:30,360 --> 00:00:34,920 Speaker 1: so Rain Drogs, I got Claudia and Dustin and they're 9 00:00:34,960 --> 00:00:40,800 Speaker 1: back to discuss episode eight of the Real Housewives of 10 00:00:40,840 --> 00:00:46,280 Speaker 1: Atlanta and we have so much to get into. It 11 00:00:46,320 --> 00:00:53,560 Speaker 1: was an explosive episode, it was. It's a lot to 12 00:00:53,680 --> 00:00:56,440 Speaker 1: unpack in this episode. So let's just get right into it. 13 00:00:56,480 --> 00:01:03,080 Speaker 1: Doesn't call you already, Yes, yes, I don't know if 14 00:01:03,120 --> 00:01:06,920 Speaker 1: I but hey, we are here and we're just gonna 15 00:01:06,920 --> 00:01:11,440 Speaker 1: discuss it. So in this episode, the beautiful Porsche Hey 16 00:01:11,520 --> 00:01:18,600 Speaker 1: journalist is celebrating her birthday in Nashville, and listen, I 17 00:01:18,720 --> 00:01:19,920 Speaker 1: really did enjoy. 18 00:01:22,160 --> 00:01:22,880 Speaker 2: Look at Carlos. 19 00:01:22,920 --> 00:01:24,840 Speaker 3: He's trying to He is trying to put all kind 20 00:01:24,880 --> 00:01:27,000 Speaker 3: of disclaimers at the top for his friends. 21 00:01:27,840 --> 00:01:32,119 Speaker 2: You know, he's like trying to Carlos, just breathe. It's 22 00:01:32,160 --> 00:01:34,440 Speaker 2: not gonna hurt that much of first. 23 00:01:35,120 --> 00:01:36,080 Speaker 4: I've heard that before. 24 00:01:36,240 --> 00:01:38,600 Speaker 1: No, the thing is this, I just want to make 25 00:01:38,640 --> 00:01:41,920 Speaker 1: sure to to chronic logically. 26 00:01:42,880 --> 00:01:46,480 Speaker 4: Get it to the episode. Okay, So I really. 27 00:01:46,280 --> 00:01:51,440 Speaker 1: Enjoyed when the ladies were, you know, having fun and 28 00:01:51,480 --> 00:01:53,680 Speaker 1: they were at the bar. It reminds me of that 29 00:01:53,760 --> 00:01:57,000 Speaker 1: Thomar Banks movie kyote Ugly, how they were all in 30 00:01:57,080 --> 00:01:59,960 Speaker 1: the bar dancing, like was it that fun called? 31 00:02:00,080 --> 00:02:03,960 Speaker 5: Yeah, Dustin, I've been to kyote Ugly before. It's a 32 00:02:03,960 --> 00:02:04,440 Speaker 5: good time. 33 00:02:04,680 --> 00:02:06,640 Speaker 2: It's cute. Go ahead, Colors, let's get to it. 34 00:02:06,920 --> 00:02:08,440 Speaker 4: Okay, nothing that happened. 35 00:02:08,560 --> 00:02:11,560 Speaker 1: And then I was like, oh my gosh, I really enjoyed, 36 00:02:11,720 --> 00:02:14,960 Speaker 1: like the fun and the life taking shots. 37 00:02:15,240 --> 00:02:18,520 Speaker 4: They were taking shots with the shop bottles. Could you 38 00:02:18,560 --> 00:02:19,720 Speaker 4: do that too if you were? 39 00:02:20,120 --> 00:02:21,560 Speaker 2: Well, I have on a small mouth. 40 00:02:21,639 --> 00:02:23,800 Speaker 3: I don't have as large as a mouth, so I 41 00:02:23,800 --> 00:02:26,840 Speaker 3: can do a smaller cup, you know, I don't do 42 00:02:26,919 --> 00:02:29,000 Speaker 3: big cups like that like they. But they would getting 43 00:02:29,040 --> 00:02:31,120 Speaker 3: in I'm mad at though, like they were having fun. 44 00:02:31,120 --> 00:02:33,280 Speaker 3: They was wrapping their whole mouth like I would get 45 00:02:33,280 --> 00:02:35,600 Speaker 3: the top. They at the base like they was Yeah, 46 00:02:35,639 --> 00:02:38,040 Speaker 3: they was having fun. They was throwing it back. I said, okay, girl, 47 00:02:38,760 --> 00:02:40,079 Speaker 3: I'm mad at that they had fun there. 48 00:02:40,120 --> 00:02:40,840 Speaker 2: That was cute. 49 00:02:41,280 --> 00:02:49,400 Speaker 6: Yes, Dustin, this is so funny, right, They was having 50 00:02:49,440 --> 00:02:52,720 Speaker 6: fun though. Honestly, what do we want from housewives? Right? 51 00:02:52,800 --> 00:02:53,399 Speaker 6: That's what we want. 52 00:02:53,440 --> 00:02:55,280 Speaker 5: We want to see them having a good time, letting 53 00:02:55,320 --> 00:02:58,600 Speaker 5: their hair down. It was technically a girl's trip, right, 54 00:02:58,639 --> 00:03:00,679 Speaker 5: So that's what you do when you're on a guy's trip, 55 00:03:00,760 --> 00:03:03,480 Speaker 5: a girl's trip of their trip, whatever your trip is, 56 00:03:04,080 --> 00:03:05,720 Speaker 5: you have a good time and you let loose with 57 00:03:05,760 --> 00:03:07,919 Speaker 5: your friends. So I was actually happy to see that. 58 00:03:09,160 --> 00:03:12,800 Speaker 5: Let's start with the positives, right like, they did look beautiful. Porsia, Kelly, 59 00:03:12,800 --> 00:03:16,200 Speaker 5: and Shami are all the cast. It's a beautiful cast period, right, 60 00:03:16,520 --> 00:03:18,679 Speaker 5: so they all look good and to me, the star 61 00:03:18,800 --> 00:03:22,640 Speaker 5: of this episode was Cynthia Bailey. Cynthia is the best 62 00:03:22,639 --> 00:03:24,839 Speaker 5: friend that we've seen on that show since the show 63 00:03:24,880 --> 00:03:28,800 Speaker 5: has has come around thereas she is literally being a 64 00:03:28,880 --> 00:03:32,800 Speaker 5: friend to these ladies in her capacity on the show. 65 00:03:32,880 --> 00:03:36,480 Speaker 5: She walked in that room with Portia completely reset her energy. 66 00:03:36,840 --> 00:03:39,320 Speaker 5: We saw her be show empathy toward brit who she 67 00:03:39,320 --> 00:03:41,440 Speaker 5: don't even know like that and was just able to 68 00:03:41,480 --> 00:03:44,680 Speaker 5: find that space to kind of bolster her up in 69 00:03:44,680 --> 00:03:47,040 Speaker 5: that moment. So Cynthia, she did her thing. That's how 70 00:03:47,080 --> 00:03:48,800 Speaker 5: you be a friend of the show, and that's why 71 00:03:48,880 --> 00:03:49,440 Speaker 5: she's back. 72 00:03:49,840 --> 00:03:56,840 Speaker 1: I will agree with the fact that Cynthia's present in 73 00:03:56,920 --> 00:04:00,920 Speaker 1: this episode alone, and and yes, this season, but let's 74 00:04:00,920 --> 00:04:05,480 Speaker 1: focus on this episode alone. It was a very smart 75 00:04:05,640 --> 00:04:07,800 Speaker 1: decision to bring Cynthia back. 76 00:04:08,360 --> 00:04:10,880 Speaker 4: And the reason why I'm saying that is this. 77 00:04:12,360 --> 00:04:15,720 Speaker 1: I do feel like Cynthia has not been given the 78 00:04:15,760 --> 00:04:20,080 Speaker 1: flower she deserves her for her time on the Real 79 00:04:20,080 --> 00:04:23,680 Speaker 1: Housewives of Atlanta because a lot of things and this 80 00:04:23,800 --> 00:04:27,200 Speaker 1: is no shade to nobody. We're all guilty of this, right. 81 00:04:27,560 --> 00:04:29,920 Speaker 1: A lot of conversation happens when it's like who can 82 00:04:29,960 --> 00:04:31,960 Speaker 1: read the best or feel the best shade and all 83 00:04:32,000 --> 00:04:36,000 Speaker 1: that stuff. What I think is missing, and I said 84 00:04:36,000 --> 00:04:38,880 Speaker 1: this in my interview with Cynthia and Crystal Menkoll from 85 00:04:38,880 --> 00:04:45,000 Speaker 1: Beverley Hills Housewives. When I'm casting a show the way 86 00:04:45,040 --> 00:04:49,120 Speaker 1: a perfect ensemble cast works. If not everybody can be 87 00:04:49,160 --> 00:04:52,839 Speaker 1: on ten, you need somebody that operates on middle ground. 88 00:04:53,200 --> 00:04:57,400 Speaker 1: You need somebody who who's able to to what Dustin said, 89 00:04:57,760 --> 00:05:01,000 Speaker 1: be a friend to everybody. I don't subscribe to this 90 00:05:01,120 --> 00:05:03,200 Speaker 1: notion because I get read for this myself, because I 91 00:05:03,240 --> 00:05:05,960 Speaker 1: love all the girls. But I don't subscribe to this 92 00:05:06,080 --> 00:05:09,160 Speaker 1: notion of a friend to everybody's a friend to no one. 93 00:05:09,400 --> 00:05:11,919 Speaker 1: I listen, y'all could disagree, that's fine, I don't. I 94 00:05:11,960 --> 00:05:15,440 Speaker 1: don't subscribe to that. I think Cynthia has done a 95 00:05:15,440 --> 00:05:20,160 Speaker 1: great job at fostering her friendships with individual people based 96 00:05:20,200 --> 00:05:24,080 Speaker 1: on what they give to her. And in this and 97 00:05:24,120 --> 00:05:28,080 Speaker 1: in this episode, what it showed me is Cynthia was 98 00:05:28,240 --> 00:05:33,599 Speaker 1: needed this season because the girls, to me, are still 99 00:05:33,640 --> 00:05:35,200 Speaker 1: trying to find their rhythm. 100 00:05:34,960 --> 00:05:37,400 Speaker 4: As as as as a as a as a friend group. 101 00:05:38,480 --> 00:05:42,679 Speaker 1: Right, They're trying to find their rhythm, and I'm gonna 102 00:05:42,760 --> 00:05:45,680 Speaker 1: I'm gonna skip to the end and work my way backwards. 103 00:05:46,600 --> 00:05:50,719 Speaker 1: I thought it was nice that, of all people, Cynthia 104 00:05:51,279 --> 00:05:54,919 Speaker 1: had that moment with Portia. You know, I think we 105 00:05:55,000 --> 00:05:58,760 Speaker 1: all expected it to be Shemiah, and for whatever reason 106 00:05:58,920 --> 00:06:01,320 Speaker 1: was that. Who knows what has And maybe Portia said 107 00:06:01,360 --> 00:06:03,919 Speaker 1: I want to talk to Cynthia, maybe mea like, we 108 00:06:03,960 --> 00:06:07,200 Speaker 1: don't know, But what I will say is to see 109 00:06:07,240 --> 00:06:11,960 Speaker 1: Cynthia navigate through each girl, finding a way. 110 00:06:11,839 --> 00:06:14,640 Speaker 4: To be sort of like big sister. 111 00:06:14,839 --> 00:06:16,640 Speaker 5: Yes, I thought it was the job well done. Yes, 112 00:06:16,800 --> 00:06:18,720 Speaker 5: one hundred percent agree. And it gave a lot of 113 00:06:18,800 --> 00:06:21,400 Speaker 5: levity to some of the crazier moments in the episode, 114 00:06:21,400 --> 00:06:23,920 Speaker 5: and you need that. So I really thought she shined 115 00:06:23,960 --> 00:06:25,320 Speaker 5: as a friend of the show this week. And I 116 00:06:25,360 --> 00:06:28,120 Speaker 5: don't think I ever remember a friend of the show 117 00:06:29,200 --> 00:06:34,080 Speaker 5: operated you know, by namesake of being a friend. Normally 118 00:06:34,160 --> 00:06:37,360 Speaker 5: they're in conflict or they're a friend of by title, right, 119 00:06:37,560 --> 00:06:40,640 Speaker 5: just because they're not a full housewife. She was literally 120 00:06:40,680 --> 00:06:43,920 Speaker 5: functioning as the definition of a friend. That was good 121 00:06:43,920 --> 00:06:46,000 Speaker 5: to see for me, you know what I'm saying. It 122 00:06:46,040 --> 00:06:48,640 Speaker 5: added levity to the butt cheeks that we saw in 123 00:06:48,680 --> 00:06:50,640 Speaker 5: the other scenes of the show. So it was like 124 00:06:50,880 --> 00:06:54,479 Speaker 5: a balance between something more wild and something that was 125 00:06:54,520 --> 00:06:59,960 Speaker 5: more settling. And I appreciated that, so Cynthia. 126 00:07:00,080 --> 00:07:03,640 Speaker 3: So you know again, I've told you guys before that 127 00:07:04,000 --> 00:07:06,440 Speaker 3: since season seven, since I was there, I've only watched 128 00:07:06,480 --> 00:07:08,719 Speaker 3: like the show maybe one or two times until the season. 129 00:07:08,760 --> 00:07:10,360 Speaker 3: Now I'm watching it. I'm locked in. Now I'm watching 130 00:07:10,400 --> 00:07:13,640 Speaker 3: every single episode. So I'm like in a time machine, right, 131 00:07:14,040 --> 00:07:18,000 Speaker 3: I'm like stuck back, Like wow, seeing how far like 132 00:07:18,120 --> 00:07:20,400 Speaker 3: the moment with Porsche and Cynthia, because last time her 133 00:07:20,480 --> 00:07:22,000 Speaker 3: and I talked about the show is when they fought 134 00:07:22,000 --> 00:07:22,680 Speaker 3: on a boat. 135 00:07:22,800 --> 00:07:23,280 Speaker 2: They've come. 136 00:07:23,600 --> 00:07:25,400 Speaker 3: My point is saying that they've come a long way, 137 00:07:25,480 --> 00:07:28,560 Speaker 3: and I was actually surprised at how close they are now. 138 00:07:29,120 --> 00:07:32,080 Speaker 3: And you know, whether it's real for the show, I 139 00:07:32,080 --> 00:07:33,760 Speaker 3: think it is. I think it was a genuine moment. 140 00:07:34,120 --> 00:07:37,000 Speaker 3: But I do like the fact that Cynthia gave her 141 00:07:37,160 --> 00:07:40,000 Speaker 3: real advice, gave Porsche real advice. And I have to 142 00:07:40,000 --> 00:07:43,400 Speaker 3: give Porscha credit in that particular scene that she received it, 143 00:07:44,040 --> 00:07:46,200 Speaker 3: because once upon a time you couldn't tell Porscha nothing. 144 00:07:46,680 --> 00:07:48,920 Speaker 3: And I love that she received it. And they were 145 00:07:48,920 --> 00:07:51,160 Speaker 3: holding hands, they were sitting on sitting on her bed, 146 00:07:51,200 --> 00:07:54,720 Speaker 3: on Porsche's bed, and you know, we do need this 147 00:07:54,800 --> 00:07:57,880 Speaker 3: kind of these moments to balance out the chaos, because 148 00:07:57,920 --> 00:08:00,560 Speaker 3: it's not going to be Kumbai all the time, nor 149 00:08:00,560 --> 00:08:03,600 Speaker 3: should it be fighting all the time. 150 00:08:03,680 --> 00:08:05,280 Speaker 2: Like Carlo said, level ten reading. 151 00:08:05,840 --> 00:08:08,880 Speaker 3: If it's reading all the time, then a real red 152 00:08:08,880 --> 00:08:12,280 Speaker 3: doesn't really stand out anymore. It's like yawn bye. They 153 00:08:12,280 --> 00:08:14,280 Speaker 3: do this all the time, but when we have take 154 00:08:14,360 --> 00:08:17,280 Speaker 3: us through the journey in real life, you wouldn't always 155 00:08:17,320 --> 00:08:18,040 Speaker 3: be on level ten. 156 00:08:18,080 --> 00:08:19,480 Speaker 2: You would be on a five, you be on a two, 157 00:08:19,560 --> 00:08:20,600 Speaker 2: you be in a ten. You know. 158 00:08:20,880 --> 00:08:23,520 Speaker 3: And I really did appreciate that moment because it showed people, 159 00:08:24,240 --> 00:08:27,560 Speaker 3: these people who were fighting in season seven, in season 160 00:08:27,600 --> 00:08:29,520 Speaker 3: eight and I think nine, I can't remember. 161 00:08:30,160 --> 00:08:32,720 Speaker 2: From what I heard, they've come a long way. 162 00:08:33,080 --> 00:08:34,760 Speaker 3: And it does give me hope for other people that 163 00:08:34,840 --> 00:08:38,080 Speaker 3: are maybe arch enemies now that maybe later on they 164 00:08:38,160 --> 00:08:40,080 Speaker 3: two can have a scene where they're like in a 165 00:08:40,120 --> 00:08:41,840 Speaker 3: loving space or cool or whatever. 166 00:08:42,160 --> 00:08:43,920 Speaker 2: Call. Yeah, some people want to call it flip flops. 167 00:08:43,960 --> 00:08:44,560 Speaker 2: Some people want to. 168 00:08:44,559 --> 00:08:49,160 Speaker 3: Call it growth and evolution and growing and getting past things. 169 00:08:49,320 --> 00:08:51,080 Speaker 2: So I did like that. I like that moment a lot. 170 00:08:51,480 --> 00:08:52,480 Speaker 2: I really really did. 171 00:08:53,080 --> 00:08:54,400 Speaker 4: Yeah, yeah, I did too. 172 00:08:54,800 --> 00:08:56,640 Speaker 1: I want to talk about a moment that was very 173 00:08:56,640 --> 00:09:02,040 Speaker 1: controversial for the audience, one of many in this episode, 174 00:09:02,480 --> 00:09:05,520 Speaker 1: but let's start with the first one, since we are 175 00:09:05,600 --> 00:09:06,320 Speaker 1: on Cynthia. 176 00:09:07,600 --> 00:09:11,000 Speaker 4: So Cynthia, Britt, Drew, and Angela. 177 00:09:12,000 --> 00:09:15,040 Speaker 1: They decided to go to like this winery or like 178 00:09:15,120 --> 00:09:19,520 Speaker 1: this sort of like mine, thank you, dustin whiskey tasting, 179 00:09:20,240 --> 00:09:23,719 Speaker 1: and in that moment, Britt pretty much talked about how 180 00:09:23,720 --> 00:09:26,760 Speaker 1: she felt that she didn't feel supportive a by the 181 00:09:26,840 --> 00:09:33,200 Speaker 1: girls when Kenya displayed the explicive photos. She felt that 182 00:09:34,080 --> 00:09:37,440 Speaker 1: some of the girls were more concerned about what she 183 00:09:37,640 --> 00:09:42,240 Speaker 1: did to deserve that reaction versus the outcome of the reaction, 184 00:09:43,040 --> 00:09:47,040 Speaker 1: and in that scene, Cynthia and I'm paraphrasing, of course, 185 00:09:47,120 --> 00:09:51,280 Speaker 1: but Cynthia did say that, you know, regardless of what happened, 186 00:09:51,520 --> 00:09:55,480 Speaker 1: this girl deserves our support based on the fact that 187 00:09:56,000 --> 00:10:01,400 Speaker 1: she did have an explicit photo on display. I'll say this, 188 00:10:01,440 --> 00:10:04,920 Speaker 1: and I want to hear from you guys. Look, I 189 00:10:04,960 --> 00:10:07,440 Speaker 1: know a lot of people thought, well, Cynthia, that's why 190 00:10:07,559 --> 00:10:09,800 Speaker 1: King is mad at you. And listen, we don't know 191 00:10:09,840 --> 00:10:13,440 Speaker 1: if Kenya's mad as Cynthia because Kenya has elected not 192 00:10:13,559 --> 00:10:17,440 Speaker 1: to talk about Cynthia, which and this is no shade. 193 00:10:18,040 --> 00:10:20,560 Speaker 1: I give Kenya so much props for that, because I 194 00:10:20,600 --> 00:10:23,560 Speaker 1: think Kenya knows whatever she says about Synthy will be 195 00:10:23,559 --> 00:10:27,000 Speaker 1: the story. And I appreciated the fact that Kenya said, 196 00:10:27,720 --> 00:10:30,280 Speaker 1: in this moment, I choose not to talk about my 197 00:10:30,320 --> 00:10:34,079 Speaker 1: friendship with Cynthia for a public father. So Kenya deserves 198 00:10:34,080 --> 00:10:36,160 Speaker 1: a lot of props for that. What I will say 199 00:10:36,200 --> 00:10:40,640 Speaker 1: is this, two things can be true. Two things can 200 00:10:40,720 --> 00:10:44,719 Speaker 1: be true. What Keny and Bridge did to each other 201 00:10:44,840 --> 00:10:47,480 Speaker 1: was wrong, and all three of us agree on that. 202 00:10:49,960 --> 00:10:53,680 Speaker 1: I'll speak for myself. What I felt that Cynthia was 203 00:10:53,720 --> 00:10:57,560 Speaker 1: saying is none of us knows what it's like to 204 00:10:57,760 --> 00:11:01,240 Speaker 1: have a photo published the world to see of an 205 00:11:01,240 --> 00:11:04,520 Speaker 1: intimate moment, and you can't tell someone how. 206 00:11:04,400 --> 00:11:05,079 Speaker 4: They should feel. 207 00:11:05,280 --> 00:11:08,719 Speaker 1: And that's honestly how I feel if I don't know 208 00:11:08,760 --> 00:11:14,240 Speaker 1: what that feels like. If and brit saying that she, 209 00:11:15,080 --> 00:11:17,320 Speaker 1: you know, stayed at home for three days she cried, 210 00:11:18,440 --> 00:11:22,000 Speaker 1: if that's her reality and that's how she feels, I 211 00:11:22,080 --> 00:11:26,280 Speaker 1: do think there should be a certain level of understanding 212 00:11:26,800 --> 00:11:30,760 Speaker 1: because unless I'm in the minority, I don't know what 213 00:11:30,800 --> 00:11:31,440 Speaker 1: that feels like. 214 00:11:31,840 --> 00:11:32,480 Speaker 4: I just don't. 215 00:11:32,760 --> 00:11:36,960 Speaker 1: Right, Just like when it comes to Kenya Moore, I 216 00:11:37,000 --> 00:11:39,440 Speaker 1: also feel like there should be some understanding because I 217 00:11:39,520 --> 00:11:42,600 Speaker 1: don't know what it feels like to be removed from 218 00:11:42,640 --> 00:11:45,640 Speaker 1: a situation that you gave your heart and soul to 219 00:11:46,360 --> 00:11:50,040 Speaker 1: because of what happened. Right, So I feel bad for 220 00:11:50,160 --> 00:11:52,720 Speaker 1: Kenya and I will always stand tent toes down for 221 00:11:52,840 --> 00:11:56,960 Speaker 1: Kenya summer more. When it comes to BRIT's feelings, I 222 00:11:57,120 --> 00:12:01,040 Speaker 1: do agree with Cynthia that if that's how she feels, 223 00:12:01,880 --> 00:12:04,800 Speaker 1: and that's something we don't know what it feels like. 224 00:12:05,440 --> 00:12:08,640 Speaker 1: Why can we all say, regardless of whether or not 225 00:12:08,679 --> 00:12:12,680 Speaker 1: you deserved it's a separate conversation. But if that's how 226 00:12:12,720 --> 00:12:14,960 Speaker 1: you feel, I do agree with Cynthia that they should 227 00:12:15,040 --> 00:12:15,760 Speaker 1: rally around her. 228 00:12:16,160 --> 00:12:20,080 Speaker 3: It's really complicated because on one hand, you know, we've 229 00:12:20,120 --> 00:12:21,880 Speaker 3: said it so many weeks in a row. Yes, we 230 00:12:21,920 --> 00:12:25,040 Speaker 3: don't agree with what Kenya did, right, and now it's 231 00:12:25,080 --> 00:12:27,960 Speaker 3: becoming like we have to put ourselves in brit shoes 232 00:12:27,960 --> 00:12:30,120 Speaker 3: and how she feels. And absolutely I do agree with that, 233 00:12:30,200 --> 00:12:32,880 Speaker 3: like that that couldn't have been cool, But I don't 234 00:12:32,920 --> 00:12:34,920 Speaker 3: want us to do too much of an overcorrection where 235 00:12:34,960 --> 00:12:37,600 Speaker 3: we forget that it didn't start with Kenya. True, it's 236 00:12:37,600 --> 00:12:40,640 Speaker 3: a cause and effect thing. Had Britain never done what 237 00:12:40,679 --> 00:12:45,680 Speaker 3: she did, what happened when she was a victim would 238 00:12:45,720 --> 00:12:48,840 Speaker 3: have never happened. And I think people are like, you know, 239 00:12:48,920 --> 00:12:51,840 Speaker 3: the right thing to do is be supportive of brit 240 00:12:52,120 --> 00:12:56,080 Speaker 3: at the expense in a little bit of Kenya. 241 00:12:56,440 --> 00:12:58,760 Speaker 5: Claudia, I mean to cut you off, but it helped 242 00:12:58,800 --> 00:13:01,200 Speaker 5: me with that piece because that's the part that I'm missing. 243 00:13:01,800 --> 00:13:06,960 Speaker 5: How people are overlapping, like empathizing with brit for that moment. 244 00:13:07,320 --> 00:13:07,720 Speaker 6: I don't know. 245 00:13:08,160 --> 00:13:10,120 Speaker 5: Why people feel like you can't do both, so just 246 00:13:10,160 --> 00:13:11,679 Speaker 5: help me, figure, help me with that piece. 247 00:13:11,840 --> 00:13:12,920 Speaker 2: It's hard to do both. 248 00:13:13,040 --> 00:13:14,680 Speaker 3: But I will tell you this, if one of my 249 00:13:14,720 --> 00:13:18,280 Speaker 3: homegirls of ten years was around and I acted a 250 00:13:18,320 --> 00:13:21,520 Speaker 3: total donkey, regardless if I was right or wrong, and 251 00:13:21,640 --> 00:13:24,600 Speaker 3: one of my most my worst moments of my career 252 00:13:24,720 --> 00:13:27,360 Speaker 3: right where I fucked my own shut up right even 253 00:13:27,400 --> 00:13:29,880 Speaker 3: though I'm wrong, I would want someone to champion on 254 00:13:29,920 --> 00:13:33,079 Speaker 3: my behalf, which Cynthia did a little bit, and say, yeah, 255 00:13:33,120 --> 00:13:36,800 Speaker 3: but yes, my friend was wrong, but you should have 256 00:13:37,000 --> 00:13:40,120 Speaker 3: never did that to my friend. And even though she's 257 00:13:40,160 --> 00:13:41,520 Speaker 3: not here, I'm not gonna key key with you, and 258 00:13:41,520 --> 00:13:43,800 Speaker 3: now we're gonna besties now that she's not here, because 259 00:13:43,800 --> 00:13:46,600 Speaker 3: that's foul too. And I can understand why Kenya would 260 00:13:46,600 --> 00:13:49,520 Speaker 3: be hurt. Cynthia wants peace. I get that, and I 261 00:13:49,559 --> 00:13:52,960 Speaker 3: love that about her. But in that wanting piece with 262 00:13:53,120 --> 00:13:56,480 Speaker 3: brit it can appear and feel to Kenya like she's 263 00:13:56,640 --> 00:14:00,600 Speaker 3: not getting like she may. She may feel like, damn, well, 264 00:14:00,600 --> 00:14:02,280 Speaker 3: what about me? Everyone's gonna say what about me? 265 00:14:02,320 --> 00:14:02,560 Speaker 6: For me? 266 00:14:03,360 --> 00:14:04,960 Speaker 2: Right, Everyone's gonna say that. 267 00:14:05,040 --> 00:14:08,400 Speaker 3: So I understand why Kenya's so sent would be sensitive 268 00:14:08,400 --> 00:14:09,720 Speaker 3: and she's like, I don't want to talk about Cynthia 269 00:14:09,800 --> 00:14:11,760 Speaker 3: right now. And I love that because I think, like 270 00:14:11,800 --> 00:14:14,319 Speaker 3: Carlo said anything she says, they're gonna make it into 271 00:14:14,360 --> 00:14:16,120 Speaker 3: a bigger thing. And I hope that they can, like 272 00:14:16,360 --> 00:14:18,520 Speaker 3: after the cameras go away, they can sit down, because 273 00:14:18,760 --> 00:14:20,960 Speaker 3: I love them being close. 274 00:14:21,320 --> 00:14:21,880 Speaker 2: I really do. 275 00:14:22,680 --> 00:14:24,920 Speaker 3: And like, you know, I could see Kenya sitting at 276 00:14:24,920 --> 00:14:28,200 Speaker 3: home watching this and saying like and her feeling really 277 00:14:28,280 --> 00:14:30,880 Speaker 3: hurt seeing Cynthia and Brick getting close, Like I would 278 00:14:30,920 --> 00:14:31,240 Speaker 3: feel like. 279 00:14:31,480 --> 00:14:34,000 Speaker 5: Yeah, like they're getting close. I think people are kind 280 00:14:34,000 --> 00:14:37,360 Speaker 5: of jumping the shark with that, right we are, like 281 00:14:37,400 --> 00:14:39,680 Speaker 5: they're not getting close. She literally just sat in the 282 00:14:39,720 --> 00:14:42,480 Speaker 5: scene at thee at the whiskey tasting and said, you 283 00:14:42,560 --> 00:14:43,960 Speaker 5: know what, at the end of the day, you did 284 00:14:44,000 --> 00:14:45,239 Speaker 5: have their picture exposed. 285 00:14:45,720 --> 00:14:48,080 Speaker 6: I feel for you in that moment. That's it. 286 00:14:48,160 --> 00:14:51,640 Speaker 5: She didn't say like Kenya was wrong, she didn't say nothing. 287 00:14:51,720 --> 00:14:53,240 Speaker 6: She just fell for her in that moment. 288 00:14:53,280 --> 00:14:55,520 Speaker 5: And so I was having trouble kind of connecting how 289 00:14:55,560 --> 00:14:58,880 Speaker 5: people felt that was her abandoning some sort of loyalty, 290 00:14:58,960 --> 00:15:00,800 Speaker 5: you know what I'm saying. But when you paint it 291 00:15:00,800 --> 00:15:03,240 Speaker 5: that way when you say my friend of ten years, 292 00:15:03,360 --> 00:15:05,080 Speaker 5: you know what I'm saying, Yeah. 293 00:15:04,720 --> 00:15:06,680 Speaker 6: I can see I can see that what you're saying. 294 00:15:06,680 --> 00:15:09,440 Speaker 2: Oh, have y'all ever made a mistake? Right? And you were? 295 00:15:09,520 --> 00:15:11,680 Speaker 3: You were dead ass wrong at the top of the 296 00:15:11,720 --> 00:15:15,520 Speaker 3: world telling you you were wrong. We friends is gonna 297 00:15:15,520 --> 00:15:17,760 Speaker 3: say it one on one, But it's so much different 298 00:15:17,800 --> 00:15:20,640 Speaker 3: when it's on television. It's around girls that you don't 299 00:15:20,680 --> 00:15:24,200 Speaker 3: you know, don't like you, right, So it's like female friendship. 300 00:15:24,280 --> 00:15:26,800 Speaker 2: Women's relationships are so delicate. 301 00:15:27,400 --> 00:15:29,600 Speaker 3: They really are you guys, like I would love to 302 00:15:29,640 --> 00:15:33,160 Speaker 3: know how a male friendship feels. Male to male friendships 303 00:15:33,160 --> 00:15:37,520 Speaker 3: feel because women's friendships are so delicate. We can see 304 00:15:37,560 --> 00:15:42,200 Speaker 3: someone and like go and that's it. The bitch looked 305 00:15:42,200 --> 00:15:42,720 Speaker 3: me up and down? 306 00:15:42,760 --> 00:15:45,160 Speaker 2: What's good? And really I was looking at your shoes. 307 00:15:45,760 --> 00:15:47,400 Speaker 3: And that's one thing about women that I wish we 308 00:15:47,440 --> 00:15:49,360 Speaker 3: could do better at, Like we will take we will 309 00:15:49,360 --> 00:15:51,760 Speaker 3: look at every little thing as is that a flight? 310 00:15:52,160 --> 00:15:54,640 Speaker 3: Were you siding with her and not me? I'm just 311 00:15:54,640 --> 00:15:56,800 Speaker 3: trying to get people in the mindset of what they 312 00:15:56,840 --> 00:15:59,600 Speaker 3: may be feeling. But then Cynthia is left kind of 313 00:15:59,640 --> 00:16:02,080 Speaker 3: holding the bag by herself. Her girl's not there and 314 00:16:02,120 --> 00:16:03,800 Speaker 3: she's got to kind of clean it up and kind 315 00:16:03,800 --> 00:16:06,720 Speaker 3: of you know, I don't envy Cynthia's position because she's 316 00:16:06,720 --> 00:16:10,480 Speaker 3: got to like make you know, be understanding to Cynthia, 317 00:16:10,600 --> 00:16:13,000 Speaker 3: I mean to brit which I love that she's doing that, 318 00:16:13,240 --> 00:16:15,760 Speaker 3: and also kind of ride for her friend a little bit, 319 00:16:15,840 --> 00:16:18,160 Speaker 3: even though her friend was wrong. That's a difficult place 320 00:16:18,200 --> 00:16:19,960 Speaker 3: to be, you know what I mean, Like you go 321 00:16:20,080 --> 00:16:22,720 Speaker 3: too far to the one thing. Oh, you're signing with Kenya, 322 00:16:22,840 --> 00:16:25,560 Speaker 3: you go to startup he Oh you're you're dissing Kenya 323 00:16:25,600 --> 00:16:28,000 Speaker 3: because you're over there being too key key with Britain. 324 00:16:28,200 --> 00:16:31,000 Speaker 2: It's a difficult position. So I love that. 325 00:16:31,160 --> 00:16:34,400 Speaker 3: I do feel like Cynthia is coming from a pure place. 326 00:16:35,320 --> 00:16:36,960 Speaker 3: But people may not read it that way. But I 327 00:16:36,960 --> 00:16:38,680 Speaker 3: do think she's coming from I think she has all 328 00:16:38,720 --> 00:16:40,920 Speaker 3: the intentions I do. 329 00:16:41,720 --> 00:16:42,920 Speaker 2: I don't know. I know he kind of went around 330 00:16:42,920 --> 00:16:44,440 Speaker 2: the I know I talked a lot about that, but. 331 00:16:44,440 --> 00:16:47,680 Speaker 1: No, no, no, it's it's it's listen, it's real. It's real, 332 00:16:47,760 --> 00:16:51,560 Speaker 1: because listen, let's have a real conversation. A lot of 333 00:16:51,640 --> 00:16:58,240 Speaker 1: times when reality stars are on television, a lot of 334 00:16:58,240 --> 00:17:02,000 Speaker 1: their conversations are are them thinking, how is this going 335 00:17:02,040 --> 00:17:04,600 Speaker 1: to appear to the world or to the people watching. 336 00:17:05,080 --> 00:17:09,120 Speaker 4: Let's be real, I'm gonna I'm gonna be more real. Okay. 337 00:17:10,040 --> 00:17:12,919 Speaker 1: I sometimes have to make sure I don't make a 338 00:17:12,960 --> 00:17:17,399 Speaker 1: face or laugh when something's funny, because I have tons 339 00:17:17,400 --> 00:17:20,280 Speaker 1: of friends in this business, and I sometimes feel like, 340 00:17:20,359 --> 00:17:22,320 Speaker 1: well shit, I can't even laugh at a funny joke 341 00:17:22,680 --> 00:17:26,119 Speaker 1: because I don't want that person to feel like, well, damn, Carlos, 342 00:17:26,160 --> 00:17:26,879 Speaker 1: isn't that funny? 343 00:17:27,119 --> 00:17:29,160 Speaker 4: But I'm like, well shit, I got a funny bone. 344 00:17:29,640 --> 00:17:31,760 Speaker 4: Am I wrong? F having a funny bone? Am I 345 00:17:31,760 --> 00:17:32,200 Speaker 4: wrong for. 346 00:17:32,240 --> 00:17:35,240 Speaker 1: Somebody cracking a joke? So I agree with you, Claudia. 347 00:17:35,320 --> 00:17:37,520 Speaker 1: I do think Cynthia is in a rock and a 348 00:17:37,560 --> 00:17:44,000 Speaker 1: hard place because when you sometimes have friendships in this 349 00:17:44,200 --> 00:17:49,000 Speaker 1: business and people are watching. I know for a fact 350 00:17:49,040 --> 00:17:51,080 Speaker 1: that a lot of housewives watch mon than I live. 351 00:17:51,520 --> 00:17:55,240 Speaker 4: Let's have a real conversation, and I do sometimes. 352 00:17:54,720 --> 00:17:59,040 Speaker 1: Feel like it is awkward if somebody cracks a joke 353 00:17:59,359 --> 00:18:01,800 Speaker 1: and I laugh at it, is that person going to 354 00:18:01,800 --> 00:18:02,359 Speaker 1: be mad at me? 355 00:18:03,000 --> 00:18:04,399 Speaker 4: So I greet the Qualuitia. 356 00:18:04,440 --> 00:18:08,640 Speaker 1: I think it's very interesting. It's a very interesting dynamic. 357 00:18:09,200 --> 00:18:12,080 Speaker 1: That's why, in my opinion, I don't think what Cynthia 358 00:18:12,119 --> 00:18:14,439 Speaker 1: did was wrong at all. I don't think what she 359 00:18:14,520 --> 00:18:17,960 Speaker 1: did was wrong because Cynthia was in the moment operating 360 00:18:18,160 --> 00:18:21,639 Speaker 1: as Cynthia Denise Bailey, and. 361 00:18:23,119 --> 00:18:24,960 Speaker 4: I think the audience needs. 362 00:18:24,760 --> 00:18:29,119 Speaker 1: To accept the fact that you want somebody to play 363 00:18:29,400 --> 00:18:32,040 Speaker 1: real in the moment and not play real, So y'all 364 00:18:32,040 --> 00:18:34,880 Speaker 1: don't fucking read them on social media, right. 365 00:18:36,359 --> 00:18:39,040 Speaker 3: And I think people are feeling a way because she 366 00:18:39,200 --> 00:18:42,480 Speaker 3: has the history with Kenya and she just met Britt, 367 00:18:42,800 --> 00:18:45,400 Speaker 3: so people looking at it like it shouldn't be fifty 368 00:18:45,440 --> 00:18:49,840 Speaker 3: to fifty, it should be more, you know, but more loyalty, 369 00:18:49,840 --> 00:18:52,560 Speaker 3: more to your friend. I think that's why people are 370 00:18:52,560 --> 00:18:55,399 Speaker 3: like kind of like coming for Cynthia a little bit. 371 00:18:55,440 --> 00:18:57,600 Speaker 3: And like I said, I don't envy the position that 372 00:18:57,640 --> 00:19:00,440 Speaker 3: Cynthia is in because no matter what you try, like, hey, 373 00:19:00,800 --> 00:19:02,200 Speaker 3: I understand BRIT's feelings. 374 00:19:02,280 --> 00:19:04,480 Speaker 2: I was in the moment. No, no one deserves that. 375 00:19:04,840 --> 00:19:06,639 Speaker 3: Then it's like, my friend was wrong and she's not 376 00:19:06,680 --> 00:19:08,280 Speaker 3: here anymore, and I got to get along with these girls. 377 00:19:08,359 --> 00:19:09,720 Speaker 3: I have to film with these girls for the next 378 00:19:09,720 --> 00:19:13,520 Speaker 3: few few months. But then I do take offense. I 379 00:19:13,520 --> 00:19:16,119 Speaker 3: didn't like what my friend did. That is not an 380 00:19:16,200 --> 00:19:17,760 Speaker 3: easy and I just want people to know that that 381 00:19:17,840 --> 00:19:20,480 Speaker 3: is not an easy position for anyone to be on, 382 00:19:20,520 --> 00:19:22,440 Speaker 3: no matter what y'all say at home on the couches, 383 00:19:23,359 --> 00:19:25,280 Speaker 3: like it would never be perfect enough for everyone. 384 00:19:25,800 --> 00:19:26,320 Speaker 4: It really would. 385 00:19:26,560 --> 00:19:29,480 Speaker 5: Also, if I'm not as long as I'm remembering this correctly, 386 00:19:29,920 --> 00:19:32,119 Speaker 5: the person that Cynthia said she didn't agree with what 387 00:19:32,200 --> 00:19:35,320 Speaker 5: Kenya did to was Kenya herself, right, I don't remember 388 00:19:35,400 --> 00:19:39,000 Speaker 5: seeing Kenya Eric Cynthia, excuse me have a conversation saying 389 00:19:39,040 --> 00:19:42,040 Speaker 5: Kenya was wrong to the other ladies. Unless I'm forgetting 390 00:19:42,200 --> 00:19:44,760 Speaker 5: am I I remember her saying that to Kenya on 391 00:19:44,800 --> 00:19:47,679 Speaker 5: the spot, So like, that's why I don't understand how 392 00:19:47,720 --> 00:19:50,600 Speaker 5: people are acting as if she has trashed Kenya on 393 00:19:50,720 --> 00:19:52,560 Speaker 5: the show trash or anything. 394 00:19:52,640 --> 00:19:55,120 Speaker 6: She didn't. You know what I'm saying that she said. 395 00:19:54,920 --> 00:19:57,080 Speaker 5: Something to Kenya, and I think people just want her 396 00:19:57,119 --> 00:19:59,240 Speaker 5: to be more. I don't know what they want, so 397 00:19:59,280 --> 00:20:01,520 Speaker 5: I'm not gonna speak anybody else. I just know per 398 00:20:01,600 --> 00:20:04,240 Speaker 5: what I saw on the screen, I agree with you 399 00:20:04,600 --> 00:20:08,080 Speaker 5: and Carlos. I do think Cynthia was in a peculiar position, 400 00:20:08,520 --> 00:20:10,040 Speaker 5: and I think she did the best with what she 401 00:20:10,119 --> 00:20:10,880 Speaker 5: had to work with. 402 00:20:11,640 --> 00:20:15,360 Speaker 3: And also this stuff happened months ago, right, so they 403 00:20:15,359 --> 00:20:17,960 Speaker 3: could be very much past things, right, and then here 404 00:20:18,080 --> 00:20:20,680 Speaker 3: comes social media and Twitter, and then you're trending. 405 00:20:20,680 --> 00:20:23,000 Speaker 2: Oh you're not loyal, you're not this, and then they retweet. 406 00:20:23,040 --> 00:20:25,280 Speaker 3: They find old tweet from Ninni and repost that and 407 00:20:25,400 --> 00:20:27,800 Speaker 3: oh she liked this comment, she must be feeling a way, 408 00:20:28,000 --> 00:20:31,040 Speaker 3: and they reignited. I remember when on Housewives, me and 409 00:20:31,080 --> 00:20:32,800 Speaker 3: Portia I worked through some stuff that we had and 410 00:20:32,800 --> 00:20:36,119 Speaker 3: then we went to the Philippines and all this stuff happened. 411 00:20:36,160 --> 00:20:39,800 Speaker 3: But it's like, you're cool, and then a confessional plays 412 00:20:40,000 --> 00:20:42,399 Speaker 3: of something that's months old, and then you're back to 413 00:20:42,480 --> 00:20:45,520 Speaker 3: square one, and it's really hard. It really affects your 414 00:20:45,560 --> 00:20:48,320 Speaker 3: real friendships, like it really does. It's very hard to 415 00:20:49,080 --> 00:20:51,280 Speaker 3: give the perfect answer because there is none. 416 00:20:51,560 --> 00:20:53,280 Speaker 4: Yeah, there is the one. There is the one. 417 00:20:53,400 --> 00:20:56,439 Speaker 1: And since from the topic of Brett, I would like 418 00:20:56,480 --> 00:21:00,000 Speaker 1: to say this, I am going to need to see 419 00:21:00,200 --> 00:21:05,200 Speaker 1: more from Britt. I am let's have a real conversation 420 00:21:06,080 --> 00:21:10,040 Speaker 1: all of us. I think you too, Claudia episode one, 421 00:21:10,320 --> 00:21:13,600 Speaker 1: we were all like, we like all the girls, and 422 00:21:13,960 --> 00:21:17,359 Speaker 1: we all like Britt. And I want to be very 423 00:21:17,400 --> 00:21:23,760 Speaker 1: clear when I say this. It's interesting to me. And 424 00:21:23,800 --> 00:21:26,320 Speaker 1: we'll get to Angela Oakley in a second, because I 425 00:21:26,400 --> 00:21:30,320 Speaker 1: really want to talk about Angela Oakley. I think Britt 426 00:21:30,359 --> 00:21:36,760 Speaker 1: started off strong, and I'm just being honest. Britt is 427 00:21:36,800 --> 00:21:40,639 Speaker 1: going to have to give me more than what she's 428 00:21:40,720 --> 00:21:45,800 Speaker 1: giving because she's she's losing me. It's giving lost, it's 429 00:21:45,840 --> 00:21:50,120 Speaker 1: giving milk cart and tease, it's giving missing Lifetime Specials 430 00:21:50,560 --> 00:21:53,560 Speaker 1: is giving Angela Baston nine to one one is giving 431 00:21:54,240 --> 00:21:57,159 Speaker 1: Let's put out an APB. Where are you? We're in 432 00:21:57,160 --> 00:21:59,800 Speaker 1: the world is Carmen san Diego. I don't know where 433 00:21:59,800 --> 00:22:03,760 Speaker 1: you are. I'm lost at sea, you know I I 434 00:22:04,000 --> 00:22:11,160 Speaker 1: I'm not. Britt isn't giving anything that makes me want 435 00:22:11,240 --> 00:22:14,280 Speaker 1: to root for her. This is outside of the Kenya thing, 436 00:22:14,359 --> 00:22:15,639 Speaker 1: because we already talked about that. 437 00:22:15,680 --> 00:22:16,720 Speaker 4: So let's be very clear. 438 00:22:17,840 --> 00:22:20,919 Speaker 1: Prior to the Kenya incident at the hair salon, I 439 00:22:21,080 --> 00:22:25,879 Speaker 1: felt that brit started high and was sliding down a 440 00:22:26,000 --> 00:22:28,880 Speaker 1: downward slope, and I just. 441 00:22:28,880 --> 00:22:30,400 Speaker 4: I need, I need, I need more. 442 00:22:30,880 --> 00:22:36,520 Speaker 1: I'm not. I'm not feeling anything from her. I don't 443 00:22:36,560 --> 00:22:40,639 Speaker 1: feel anything from her. I don't feel any personal story 444 00:22:40,680 --> 00:22:43,240 Speaker 1: from her. I don't know what's happening in your marriage. 445 00:22:43,359 --> 00:22:46,119 Speaker 1: I seeing you shop for the expensive car and not 446 00:22:46,240 --> 00:22:50,440 Speaker 1: buy like Kim Zosiak did episode one, season one where 447 00:22:50,440 --> 00:22:53,359 Speaker 1: she said, you know, hey, big Papa, I want to 448 00:22:53,440 --> 00:22:56,760 Speaker 1: escalate and Kim zosiac honey got that check book out 449 00:22:57,000 --> 00:23:01,600 Speaker 1: from Wells Fargo and and and zero out after dealership. 450 00:23:01,680 --> 00:23:04,919 Speaker 1: She zeroed out for sixty five thousand dollars. I was 451 00:23:04,960 --> 00:23:07,439 Speaker 1: there and witnessed it with my own eyeballs. 452 00:23:07,000 --> 00:23:10,440 Speaker 3: Not a test ride with with with no credit application, 453 00:23:10,720 --> 00:23:11,800 Speaker 3: like what were doing. 454 00:23:13,840 --> 00:23:14,600 Speaker 2: I'm talking at. 455 00:23:15,560 --> 00:23:17,760 Speaker 4: I don't want to see that on my TV screen. 456 00:23:18,440 --> 00:23:19,439 Speaker 6: We did not. 457 00:23:19,560 --> 00:23:20,280 Speaker 4: I don't want to see that. 458 00:23:20,320 --> 00:23:21,639 Speaker 6: I agree with you one hundred percent. 459 00:23:21,680 --> 00:23:25,240 Speaker 5: And the problem is the situation with Kenya and Britt 460 00:23:25,560 --> 00:23:28,760 Speaker 5: popped off before the viewers got a chance to really 461 00:23:28,920 --> 00:23:32,080 Speaker 5: get to know Bread at all. Right, so it feels 462 00:23:32,119 --> 00:23:34,719 Speaker 5: like we jumped right into the Kenya stuff. 463 00:23:34,760 --> 00:23:36,920 Speaker 6: It got really, really deep fast. 464 00:23:37,400 --> 00:23:39,920 Speaker 5: Kenya was removed from the show, and now Britt is 465 00:23:39,960 --> 00:23:42,639 Speaker 5: still talking about the incident with Kenya and cleaning going 466 00:23:42,680 --> 00:23:46,440 Speaker 5: to her experience with that and measuring the other ladies. 467 00:23:46,760 --> 00:23:50,400 Speaker 5: I guess just just judging the other ladies bit off 468 00:23:50,440 --> 00:23:53,400 Speaker 5: of their opinions with that situation. To me, Britt made 469 00:23:53,400 --> 00:23:56,200 Speaker 5: a critical mistake right there, because once Kenya was removed 470 00:23:56,240 --> 00:23:58,880 Speaker 5: from the show, Britt literally had the clean slate. 471 00:23:58,760 --> 00:23:59,320 Speaker 6: She asked for. 472 00:23:59,480 --> 00:24:03,280 Speaker 5: She could have approached the show from a place of 473 00:24:03,640 --> 00:24:06,040 Speaker 5: wanting to connect with these ladies, like, now that we 474 00:24:06,119 --> 00:24:10,879 Speaker 5: have this situation settled according to the production of this show, 475 00:24:11,400 --> 00:24:13,800 Speaker 5: let me now shift my focus to like getting to 476 00:24:13,840 --> 00:24:15,800 Speaker 5: know these ladies and building these relationships. 477 00:24:15,800 --> 00:24:17,040 Speaker 6: And that simply didn't happen. 478 00:24:17,280 --> 00:24:19,399 Speaker 5: That's what Angela was talking about when she said, but 479 00:24:19,480 --> 00:24:21,680 Speaker 5: brig your energy when you came to that peace brunch 480 00:24:21,720 --> 00:24:24,720 Speaker 5: that we threw to kind of build that bridge, you know, 481 00:24:25,160 --> 00:24:27,520 Speaker 5: in Kenya's absence, and now that we have to get 482 00:24:27,720 --> 00:24:30,240 Speaker 5: to know each other differently, let's do it. Brit didn't 483 00:24:30,240 --> 00:24:35,560 Speaker 5: necessarily walk into that situation with a spirit of, you know, 484 00:24:35,800 --> 00:24:39,040 Speaker 5: camaraderie or getting to know building a relationship with these ladies, 485 00:24:39,080 --> 00:24:42,040 Speaker 5: and I think that's the difference. Right, brit could have 486 00:24:42,119 --> 00:24:46,160 Speaker 5: easily moved on from that situation as far as pertaining 487 00:24:46,160 --> 00:24:47,720 Speaker 5: to the relationships on the cast. 488 00:24:47,800 --> 00:24:49,480 Speaker 6: She could have still processed her very. 489 00:24:49,320 --> 00:24:53,159 Speaker 5: Real emotions and feelings connected to that experience, right, But 490 00:24:53,280 --> 00:24:55,959 Speaker 5: she could have then pivoted as far as her presence 491 00:24:56,000 --> 00:24:59,000 Speaker 5: on the show and build relationships with these ladies, had 492 00:24:59,080 --> 00:25:01,840 Speaker 5: fun moments where you're not discussing your feelings about the 493 00:25:01,920 --> 00:25:06,359 Speaker 5: Kenya shit, and created real relationships and kind of existed 494 00:25:06,440 --> 00:25:10,359 Speaker 5: beyond the breakdown of the Kenya situation. But unfortunately, she 495 00:25:10,680 --> 00:25:15,199 Speaker 5: is attaching herself to the victimhood of her, of that 496 00:25:15,320 --> 00:25:18,240 Speaker 5: position of what happened to her, and expecting the other 497 00:25:18,320 --> 00:25:20,399 Speaker 5: ladies to handle her with kid gloves because of that, 498 00:25:20,440 --> 00:25:22,520 Speaker 5: and I just don't see that painting out well for 499 00:25:22,560 --> 00:25:23,800 Speaker 5: her for the rest of the season. 500 00:25:24,720 --> 00:25:28,560 Speaker 3: Very deep and great take, as always, And my answer 501 00:25:28,560 --> 00:25:32,199 Speaker 3: to that is, she doesn't have the emotional intelligence to 502 00:25:32,280 --> 00:25:33,760 Speaker 3: do any of those things you said. 503 00:25:34,040 --> 00:25:37,159 Speaker 2: She doesn't. She's a one trick pony. She's not. 504 00:25:37,560 --> 00:25:40,720 Speaker 3: She has no depth to her and wait, if she does, 505 00:25:40,840 --> 00:25:43,159 Speaker 3: she refuses to show us. So even if there were 506 00:25:43,200 --> 00:25:44,639 Speaker 3: some of us that wanted to give her take a 507 00:25:44,680 --> 00:25:47,600 Speaker 3: second look at her, we there's nothing there. You're angry 508 00:25:47,680 --> 00:25:50,200 Speaker 3: every single episode. You're easily triggered. You want to call 509 00:25:50,280 --> 00:25:52,800 Speaker 3: other people victims, but you're the queen of all victimhood 510 00:25:53,160 --> 00:25:56,800 Speaker 3: and everything is because everything that went bad for you 511 00:25:56,840 --> 00:25:59,920 Speaker 3: in your life is because you're so beautiful, and everyone's 512 00:26:00,040 --> 00:26:00,600 Speaker 3: jealous of you. 513 00:26:01,480 --> 00:26:03,000 Speaker 2: I don't see it that way. 514 00:26:03,280 --> 00:26:05,680 Speaker 3: I don't see it that there's plenty of beautiful women 515 00:26:05,800 --> 00:26:07,720 Speaker 3: that have lots of girlfriends in their lives. If you 516 00:26:07,760 --> 00:26:09,400 Speaker 3: don't believe me, take a look at my Instagram page 517 00:26:09,400 --> 00:26:10,840 Speaker 3: and see all the beautiful friends that I hang with. 518 00:26:11,160 --> 00:26:13,000 Speaker 2: Every one of those girls are girls girls. You're not 519 00:26:13,040 --> 00:26:13,720 Speaker 2: a girl's girl. 520 00:26:14,080 --> 00:26:16,240 Speaker 3: The only time you bond with other women, brit is 521 00:26:16,240 --> 00:26:18,720 Speaker 3: when they're being mean, like you at that table when 522 00:26:18,720 --> 00:26:20,520 Speaker 3: they were like kind of everyone was coming for Angela. 523 00:26:20,560 --> 00:26:21,080 Speaker 2: You jumped in. 524 00:26:21,160 --> 00:26:23,320 Speaker 3: You was all into it and the way your eyes 525 00:26:23,359 --> 00:26:27,560 Speaker 3: lit up, that's all you have. Your depth is or 526 00:26:27,920 --> 00:26:32,160 Speaker 3: a watch BBL watch two big veneers a botch knows 527 00:26:32,240 --> 00:26:35,440 Speaker 3: job and a batch personality a lack of and y'all 528 00:26:35,480 --> 00:26:36,240 Speaker 3: could be mad at me. 529 00:26:36,200 --> 00:26:36,800 Speaker 2: And the comments. 530 00:26:36,800 --> 00:26:38,480 Speaker 3: Do not take it out on Dust and Carlos because 531 00:26:38,480 --> 00:26:40,159 Speaker 3: they did not say it, you know, and they're like, oh, 532 00:26:40,200 --> 00:26:42,520 Speaker 3: you hate her. I don't hate her, but she's very 533 00:26:42,560 --> 00:26:45,600 Speaker 3: obnoxious to me. And she got an opportunity of a 534 00:26:45,760 --> 00:26:49,879 Speaker 3: lifetime right and did not take the opportunity seriously. 535 00:26:49,920 --> 00:26:50,760 Speaker 2: Like, even with. 536 00:26:50,760 --> 00:26:53,840 Speaker 3: All her her flaws, which we all have flaws, we 537 00:26:53,880 --> 00:26:56,639 Speaker 3: could have loved her through them. Had she had chosen 538 00:26:56,680 --> 00:26:58,600 Speaker 3: a different approach, and we would be like a leive 539 00:26:58,640 --> 00:27:00,360 Speaker 3: Ra Lowe and that booty a job that bad. 540 00:27:00,400 --> 00:27:02,840 Speaker 2: It's kind of cute, you know. The ant look is 541 00:27:02,880 --> 00:27:04,439 Speaker 2: coming back. I don't know, or. 542 00:27:04,480 --> 00:27:07,639 Speaker 3: Big teeth are cute, I don't know whatever, or I 543 00:27:07,640 --> 00:27:10,919 Speaker 3: don't know. Nasally sounds they're they're sexy. 544 00:27:12,040 --> 00:27:13,160 Speaker 6: I did say that was her quirk. 545 00:27:13,280 --> 00:27:17,360 Speaker 3: Remember, But because you're doing all this other funck shit, 546 00:27:17,640 --> 00:27:20,879 Speaker 3: it's annoyed. Everything else about you that's annoying is like 547 00:27:21,040 --> 00:27:26,200 Speaker 3: it's gonna be it's force multiplied. Okay, you are dropping 548 00:27:26,359 --> 00:27:30,520 Speaker 3: the ball. Show us your relationship with your husband, talk 549 00:27:30,520 --> 00:27:33,320 Speaker 3: about rumors that you y'all have to y'all have out there. 550 00:27:33,520 --> 00:27:35,280 Speaker 2: Let us fall in love with you because we. 551 00:27:35,240 --> 00:27:38,240 Speaker 3: Can relate to who can't relate to the high school 552 00:27:38,359 --> 00:27:40,720 Speaker 3: or the young twenty something year old person that made 553 00:27:40,760 --> 00:27:43,359 Speaker 3: a huge mistake and has learned from it. But you 554 00:27:43,520 --> 00:27:46,960 Speaker 3: just get nasty. Your first defense, Your first instinct is 555 00:27:47,000 --> 00:27:49,720 Speaker 3: to be mean, bitchy and want to fight and talk 556 00:27:49,720 --> 00:27:51,480 Speaker 3: about you got a gun and bitch this this is 557 00:27:51,640 --> 00:27:55,160 Speaker 3: and comfort people. You've been talking shit about people from 558 00:27:55,160 --> 00:27:56,359 Speaker 3: the beginning like you. 559 00:27:56,480 --> 00:27:58,960 Speaker 2: It was too soon for that, And if you were. 560 00:27:58,880 --> 00:28:00,760 Speaker 3: Smart, you could have played this Kenya thing right, if 561 00:28:00,800 --> 00:28:02,560 Speaker 3: you really want to be a victim, you could have 562 00:28:03,000 --> 00:28:04,439 Speaker 3: talked about how bad it hurt you. 563 00:28:04,720 --> 00:28:06,040 Speaker 2: It brought up bad memories. 564 00:28:06,200 --> 00:28:07,600 Speaker 3: And I want to go, I want to deal with 565 00:28:07,600 --> 00:28:09,879 Speaker 3: these things, hod On, But you want to be that bitch. 566 00:28:09,920 --> 00:28:13,640 Speaker 3: And I'm gonna rita bitch down your like surface level housewife. 567 00:28:13,880 --> 00:28:16,560 Speaker 2: This is season what sixteen seventy sixteen. 568 00:28:17,160 --> 00:28:20,560 Speaker 3: The show is so far evolved past that, and you 569 00:28:20,680 --> 00:28:22,879 Speaker 3: are missing the boat and you will not be asked 570 00:28:22,920 --> 00:28:23,600 Speaker 3: back next year. 571 00:28:23,720 --> 00:28:24,119 Speaker 2: You will not. 572 00:28:24,320 --> 00:28:27,280 Speaker 3: I'm a betting woman and I'm putting money on that. 573 00:28:27,520 --> 00:28:29,880 Speaker 3: And the way I look at it is with Kenya's flaws, 574 00:28:29,880 --> 00:28:33,800 Speaker 3: we lost Kenya for this. We lost Kenya for this. 575 00:28:34,359 --> 00:28:40,440 Speaker 3: You don't even give good reads. Your one note mean, mean, mean, 576 00:28:40,920 --> 00:28:42,880 Speaker 3: and you could be mean because a lot of housewives 577 00:28:42,880 --> 00:28:45,160 Speaker 3: that are mean, but they also have some balance with 578 00:28:45,320 --> 00:28:48,640 Speaker 3: sometimes having some sense. And you say, I get why 579 00:28:48,680 --> 00:28:51,520 Speaker 3: she's like that. Her mom did this, her man did that. 580 00:28:51,800 --> 00:28:55,280 Speaker 3: She has abandonment issues. There's nothing redeeming that we can 581 00:28:55,360 --> 00:28:57,400 Speaker 3: chere for with you, Britt, And I'm sick of it. 582 00:28:57,440 --> 00:29:01,080 Speaker 1: Actually, Oh well, that's I don't think any of us 583 00:29:01,080 --> 00:29:01,960 Speaker 1: are questioning that. 584 00:29:03,240 --> 00:29:05,280 Speaker 2: And I love you, I liked you from the beginning. 585 00:29:05,400 --> 00:29:08,480 Speaker 1: Yes, I think Listen, this is the mistake that a 586 00:29:08,480 --> 00:29:09,920 Speaker 1: lot of new reality starts making. 587 00:29:09,960 --> 00:29:11,040 Speaker 4: I'm just gonna call it out. 588 00:29:11,520 --> 00:29:17,720 Speaker 1: Listen, It's okay to join a very popular, successful show 589 00:29:18,640 --> 00:29:20,840 Speaker 1: that can catapul your career. 590 00:29:21,600 --> 00:29:24,720 Speaker 4: Shit, do it. I'm here for it. You know. 591 00:29:26,400 --> 00:29:30,920 Speaker 1: The mistake that new reality stars make is you try 592 00:29:30,960 --> 00:29:34,080 Speaker 1: to be the moment instead of letting the moment be you, 593 00:29:34,920 --> 00:29:36,520 Speaker 1: instead of letting the moment be you. 594 00:29:36,760 --> 00:29:38,320 Speaker 4: And I'm gonna give you a good example of this. 595 00:29:38,920 --> 00:29:41,720 Speaker 1: Bridge started, I said in my first recap, I said, 596 00:29:41,800 --> 00:29:44,600 Speaker 1: Kelly and Britt At terms of newbies, I'm like, they 597 00:29:44,680 --> 00:29:47,120 Speaker 1: neck connect to me, right. I never want to mention 598 00:29:47,240 --> 00:29:50,959 Speaker 1: Angela Oakley's name. For the first three four episodes, I 599 00:29:51,000 --> 00:29:54,520 Speaker 1: was like, oh, she's there, cute, Ain't mad at it? 600 00:29:55,160 --> 00:29:57,720 Speaker 4: But whatever, right, whatever. 601 00:29:58,440 --> 00:30:05,240 Speaker 1: Angela Oakley is the quintessential housewife and reality star. If 602 00:30:05,280 --> 00:30:10,200 Speaker 1: there was a trophy, Angela Oakley deserves Rookie of the Year. 603 00:30:10,640 --> 00:30:13,040 Speaker 1: And I'm gonna tell you why. I'm gonna tell you why. 604 00:30:13,360 --> 00:30:17,400 Speaker 1: Angela Oakley came in as herself. She didn't come in strong, 605 00:30:17,720 --> 00:30:21,480 Speaker 1: She didn't come in being messy. She she she gradually 606 00:30:21,720 --> 00:30:26,440 Speaker 1: grew and by by no design, besides being herself. And 607 00:30:26,520 --> 00:30:29,920 Speaker 1: when I cast reality stars from my own shows, they 608 00:30:30,000 --> 00:30:32,160 Speaker 1: always ask me first season, what do I do? 609 00:30:32,640 --> 00:30:35,560 Speaker 4: Ask any of them, I say, be yourself. That's it. 610 00:30:35,760 --> 00:30:40,400 Speaker 1: I'm like, you don't understand being yourself is the most 611 00:30:40,440 --> 00:30:44,000 Speaker 1: important thing to do, because the audience is gonna clock 612 00:30:44,080 --> 00:30:47,160 Speaker 1: you when you're trying to do the most. Angela Oakley 613 00:30:47,720 --> 00:30:50,560 Speaker 1: is giving us old school housewives. And this is coming 614 00:30:50,600 --> 00:30:54,560 Speaker 1: from a producer who started season one, episode one okay, 615 00:30:55,000 --> 00:30:58,560 Speaker 1: and and almost I almost dropped down on this motherfucker. 616 00:30:58,080 --> 00:30:59,960 Speaker 2: Too oo spicy. 617 00:31:00,120 --> 00:31:04,800 Speaker 1: We we wanted, we wanted Angela Oakley since season three 618 00:31:04,880 --> 00:31:05,920 Speaker 1: and and and. 619 00:31:05,920 --> 00:31:10,000 Speaker 4: They turned us down. We ask again, four, five, six, eight, 620 00:31:10,040 --> 00:31:10,560 Speaker 4: and nine. 621 00:31:11,120 --> 00:31:13,680 Speaker 1: And that's all I remember because I was I left 622 00:31:13,680 --> 00:31:16,200 Speaker 1: the show after season nine, but while I was on 623 00:31:16,240 --> 00:31:21,080 Speaker 1: the show, Angela's Oakley name constantly came up. Charles Oakley 624 00:31:21,240 --> 00:31:25,160 Speaker 1: is an NBA legend. He's not a fake boyfriend, he's 625 00:31:25,160 --> 00:31:29,840 Speaker 1: not a fake husband. He he's not too big to 626 00:31:30,000 --> 00:31:32,200 Speaker 1: give camera time on the show to support his lady. 627 00:31:32,560 --> 00:31:36,400 Speaker 1: I'm sick and tired of these new reality he starts 628 00:31:36,400 --> 00:31:41,400 Speaker 1: having rules. Well, that's that's too real. Excuse me. I 629 00:31:41,400 --> 00:31:43,480 Speaker 1: don't want to give you all that. My husband has 630 00:31:43,520 --> 00:31:48,920 Speaker 1: a real important job and this ain't one. This ain't one. 631 00:31:49,320 --> 00:31:52,560 Speaker 4: Angela Oakley is the rookie of the year. 632 00:31:52,920 --> 00:31:57,160 Speaker 1: Angela Oakley has so much potential because she has proven 633 00:31:57,240 --> 00:32:01,719 Speaker 1: to the world that when you operate as yourself, the 634 00:32:01,760 --> 00:32:05,160 Speaker 1: world will catch on eventually. I called off to her 635 00:32:05,240 --> 00:32:08,080 Speaker 1: two weeks ago and said, Kelly, I still love you, girl. 636 00:32:08,400 --> 00:32:10,840 Speaker 4: But Sissy pooh, no, Shade says. 637 00:32:11,200 --> 00:32:14,240 Speaker 1: Especially after this episode tonight, Kelly, and I love you. 638 00:32:14,640 --> 00:32:15,880 Speaker 4: Kelly. You are number two. 639 00:32:16,320 --> 00:32:20,520 Speaker 1: Asla Oakley's number one child, we are just getting started. 640 00:32:32,120 --> 00:32:34,920 Speaker 1: This is reality with the King, and I'm Carlos King. 641 00:32:35,400 --> 00:32:39,600 Speaker 1: Let's get back into the show. Asla Oakley's number one 642 00:32:39,720 --> 00:32:40,280 Speaker 1: she is. 643 00:32:40,880 --> 00:32:42,080 Speaker 4: She is so. 644 00:32:43,600 --> 00:32:49,960 Speaker 1: Naturally delicious to watch because I believe everything she's giving 645 00:32:50,200 --> 00:32:50,920 Speaker 1: and I want more. 646 00:32:51,320 --> 00:32:54,480 Speaker 3: I think she's better than all the old school geez 647 00:32:54,680 --> 00:32:57,840 Speaker 3: and just as good, if not better than the majority 648 00:32:57,880 --> 00:33:00,600 Speaker 3: of them. But what she's like, she doesn't react, she's 649 00:33:00,640 --> 00:33:04,000 Speaker 3: like she's not she has emotional intelligence, she doesn't jump 650 00:33:04,040 --> 00:33:06,200 Speaker 3: the gun, she can stand on business. 651 00:33:06,240 --> 00:33:08,160 Speaker 2: She's I want to know. She much she got. I 652 00:33:08,240 --> 00:33:10,800 Speaker 2: want to know her sign. She could be one versus 653 00:33:10,880 --> 00:33:13,640 Speaker 2: the entire cast. I don't care. I'm standing on business. 654 00:33:13,640 --> 00:33:16,400 Speaker 3: I don't need backup because I believe this to be 655 00:33:16,480 --> 00:33:18,040 Speaker 3: true and that's it is what it is. And I 656 00:33:18,200 --> 00:33:20,640 Speaker 3: like a woman like that. I'm gonna tell y'all. Son 657 00:33:20,920 --> 00:33:23,560 Speaker 3: I sent her a DM. I was a fan and 658 00:33:23,600 --> 00:33:26,080 Speaker 3: a half. I said, Yo, you are killing it. You 659 00:33:26,160 --> 00:33:29,080 Speaker 3: are doing your thing, you are perfectly just the way 660 00:33:29,120 --> 00:33:31,160 Speaker 3: you carry yourself everything. And she's like, oh that means 661 00:33:31,160 --> 00:33:33,120 Speaker 3: a lot, you know, come from She's she gave me love. 662 00:33:33,120 --> 00:33:35,000 Speaker 3: And I was like, listen, I fucked with you. I said, 663 00:33:35,000 --> 00:33:36,880 Speaker 3: you gotta watch the show tonight because we don't give 664 00:33:36,880 --> 00:33:41,000 Speaker 3: you a Flowers Angela Oakley, any franchise you could get 665 00:33:41,000 --> 00:33:45,440 Speaker 3: on any any Beverly Hills, New York. You would, you would, 666 00:33:45,480 --> 00:33:47,920 Speaker 3: You would rock because you would not swayed by what 667 00:33:47,960 --> 00:33:51,120 Speaker 3: other people are doing. You don't use anger and violence 668 00:33:51,200 --> 00:33:54,520 Speaker 3: just because you do. You lack vocabulary, and you wait, 669 00:33:54,680 --> 00:33:57,320 Speaker 3: you you fire back like a good read to me 670 00:33:57,360 --> 00:33:59,680 Speaker 3: is when someone throws something at you and you remix 671 00:33:59,720 --> 00:34:01,760 Speaker 3: it and you throw back at him using their own words. 672 00:34:01,760 --> 00:34:05,360 Speaker 5: She has that ability. She's witty. She's quick witted, she's 673 00:34:05,440 --> 00:34:09,000 Speaker 5: quick on her feet. She does measure and control her 674 00:34:09,040 --> 00:34:11,560 Speaker 5: emotions in a way that makes the show easier to 675 00:34:11,640 --> 00:34:13,960 Speaker 5: watch for the fans. We don't have to decipher a 676 00:34:13,960 --> 00:34:16,760 Speaker 5: lot of inaudible yelling and shit. She has a smile 677 00:34:16,840 --> 00:34:20,040 Speaker 5: on her face while she addresses conflict. It is a 678 00:34:20,120 --> 00:34:23,760 Speaker 5: fun experience watching Angela Oakley on this show, and no wonder, Carlos, 679 00:34:23,840 --> 00:34:26,799 Speaker 5: I'm so glad you shared with us that the show 680 00:34:26,840 --> 00:34:29,200 Speaker 5: had been kind of inquiring about her since season three. 681 00:34:29,480 --> 00:34:31,719 Speaker 5: It makes perfect sense to us. I've seen so much 682 00:34:31,760 --> 00:34:35,040 Speaker 5: commentary where people have the takeaway that she could have 683 00:34:35,160 --> 00:34:37,719 Speaker 5: lasted with the old girls, or you know, she could 684 00:34:37,719 --> 00:34:39,600 Speaker 5: have been on the show. Now we know she was 685 00:34:39,600 --> 00:34:43,160 Speaker 5: supposed she was offered at least interest. That's her being 686 00:34:43,200 --> 00:34:45,080 Speaker 5: on the show back then, and it makes perfect sense. 687 00:34:45,200 --> 00:34:49,400 Speaker 5: I love Angela Oakley. She had me ats what she 688 00:34:49,480 --> 00:34:51,640 Speaker 5: was calling his name, and she's in ad mirror that 689 00:34:52,440 --> 00:34:54,279 Speaker 5: she called his name the way my mother called my 690 00:34:54,320 --> 00:34:56,680 Speaker 5: father's name when I was growing up, and it just 691 00:34:56,760 --> 00:34:58,160 Speaker 5: made me feel like I was at home. 692 00:34:58,320 --> 00:35:00,960 Speaker 6: I love Angela Oakley. I want much more. 693 00:35:00,800 --> 00:35:03,360 Speaker 5: From her, and honestly, I can't wait till the reunion 694 00:35:03,360 --> 00:35:05,719 Speaker 5: because her and brit were going back and forth online 695 00:35:07,040 --> 00:35:09,680 Speaker 5: had they exchanged a few words, and Angela's response was, 696 00:35:09,719 --> 00:35:12,200 Speaker 5: the reunion is going to be so fun, so we're 697 00:35:12,200 --> 00:35:14,480 Speaker 5: in for a treat. Angela Oakley got what it takes 698 00:35:14,480 --> 00:35:16,360 Speaker 5: and I'm enjoying her. I'm enjoying Kelly. 699 00:35:16,600 --> 00:35:16,840 Speaker 6: I am. 700 00:35:16,920 --> 00:35:20,760 Speaker 5: I'm sorry. I think Kelly is cute. I like looking 701 00:35:20,800 --> 00:35:24,000 Speaker 5: at her. I think she's a good mom, and I 702 00:35:24,040 --> 00:35:27,120 Speaker 5: think that she is a formidable housewives. She shows up 703 00:35:27,600 --> 00:35:30,600 Speaker 5: as ready to play the housewives game and not in 704 00:35:30,640 --> 00:35:34,239 Speaker 5: a way that some other housewives from other franchises have 705 00:35:34,320 --> 00:35:37,120 Speaker 5: made us feel with less than authentic takes at what's 706 00:35:37,160 --> 00:35:39,879 Speaker 5: going on in their life. I'm really enjoying this new 707 00:35:39,880 --> 00:35:43,319 Speaker 5: season of Atlanta. I wish Kenya was there, but I'm 708 00:35:43,360 --> 00:35:47,239 Speaker 5: personally moving past that as far as my viewership, you 709 00:35:47,239 --> 00:35:49,279 Speaker 5: know what I'm saying. Like, I'm paying attention to the 710 00:35:49,320 --> 00:35:52,840 Speaker 5: stories that we're being presented with, and I'm really really 711 00:35:52,960 --> 00:35:56,400 Speaker 5: enjoying everything about this season. So I love me some 712 00:35:56,520 --> 00:35:58,880 Speaker 5: Angela Oakley. I think she is great for this show. 713 00:35:59,080 --> 00:36:01,759 Speaker 5: You need a clock. I think she's great. Like she 714 00:36:01,880 --> 00:36:06,840 Speaker 5: told you, it's just it's everything we want so I'm enjoying. 715 00:36:07,080 --> 00:36:07,600 Speaker 2: She's the sun. 716 00:36:08,200 --> 00:36:09,760 Speaker 4: Know she she she She's great. 717 00:36:09,840 --> 00:36:16,200 Speaker 1: So Angela also invited Drew to Porsia's birthday trip. Drew 718 00:36:16,280 --> 00:36:21,800 Speaker 1: came in and said, Hobbie, bitches, listen, it's funny because 719 00:36:23,160 --> 00:36:26,319 Speaker 1: Drew has been funny to me these past two episodes. 720 00:36:26,400 --> 00:36:30,240 Speaker 1: I first of all, Drew, whoever is your glam squad, 721 00:36:30,440 --> 00:36:34,040 Speaker 1: keep them, give them a raised baby. 722 00:36:33,840 --> 00:36:35,000 Speaker 4: Or a good a good tip. 723 00:36:35,080 --> 00:36:37,640 Speaker 6: She's looking you are looking. 724 00:36:37,440 --> 00:36:41,439 Speaker 1: Fantastic, My good sister, Drew looks amazing. So, long story short, 725 00:36:41,520 --> 00:36:44,040 Speaker 1: Drew comes on the trip. Porsha is okay with this. 726 00:36:44,120 --> 00:36:45,920 Speaker 1: She's like, look, if she wants to come, that's fine. 727 00:36:47,239 --> 00:36:51,000 Speaker 1: Things went to a had after we saw Porsche have 728 00:36:51,160 --> 00:36:58,080 Speaker 1: a fun conversation with Dennis, her child's father, and then 729 00:36:58,160 --> 00:37:00,879 Speaker 1: the next thing we know, Porscha came down to all 730 00:37:00,920 --> 00:37:07,279 Speaker 1: black and she was visibly upset. Porsia did say her 731 00:37:07,280 --> 00:37:11,800 Speaker 1: confessionals that she just learned as she was getting ready 732 00:37:11,800 --> 00:37:15,200 Speaker 1: to go to the dinner that Dennis was filming with 733 00:37:15,320 --> 00:37:20,279 Speaker 1: Drew behind her back, and Porsche feels like, you are 734 00:37:20,840 --> 00:37:23,200 Speaker 1: the father of my child. 735 00:37:23,239 --> 00:37:26,839 Speaker 4: We are family for life. So the fact that. 736 00:37:26,800 --> 00:37:31,719 Speaker 1: You would go behind my back on my territory, my 737 00:37:31,960 --> 00:37:37,759 Speaker 1: job and film with somebody who now is understood to 738 00:37:37,800 --> 00:37:38,880 Speaker 1: be one of her ops. 739 00:37:39,120 --> 00:37:40,640 Speaker 4: Were that were learning right? 740 00:37:41,560 --> 00:37:44,320 Speaker 1: She felt that was the ultimate low and she couldn't 741 00:37:44,320 --> 00:37:45,000 Speaker 1: get past it. 742 00:37:46,160 --> 00:37:47,239 Speaker 4: What do you guys think about that? 743 00:37:47,280 --> 00:37:52,359 Speaker 1: Do you think Dennis filming with Drew behind Porscha's back 744 00:37:52,480 --> 00:37:53,000 Speaker 1: is bad? 745 00:37:53,840 --> 00:37:56,080 Speaker 5: It depends on what him and Porsche had agreed to 746 00:37:56,200 --> 00:37:58,359 Speaker 5: pertaining to that. Now him and Drew are in real 747 00:37:58,400 --> 00:38:01,960 Speaker 5: business together. They did actually produce, you know, and I'm 748 00:38:02,000 --> 00:38:04,280 Speaker 5: not sure if it's classified as an EP or an album, 749 00:38:04,239 --> 00:38:06,840 Speaker 5: but they put a body of work together musically and 750 00:38:07,000 --> 00:38:09,440 Speaker 5: released it for consumption, right, So that means that they 751 00:38:09,480 --> 00:38:11,560 Speaker 5: had to spend some sort of time together to get 752 00:38:11,560 --> 00:38:13,800 Speaker 5: that done. And if that is what's going on in 753 00:38:13,880 --> 00:38:16,719 Speaker 5: Drew's life and she wants to document it, I don't 754 00:38:16,760 --> 00:38:19,200 Speaker 5: see a problem with that. Where the problem comes in 755 00:38:19,360 --> 00:38:23,920 Speaker 5: it is if Dennis and Porsche had already established some 756 00:38:23,960 --> 00:38:27,120 Speaker 5: sort of rule I guess, which is what Porscha has 757 00:38:27,120 --> 00:38:29,880 Speaker 5: been alluding to that he would only film on the 758 00:38:29,920 --> 00:38:34,120 Speaker 5: show as an extension of her participation as a cast member. 759 00:38:34,440 --> 00:38:35,719 Speaker 6: That makes sense to me too. 760 00:38:36,920 --> 00:38:39,880 Speaker 5: Dennis is Porscha's daughter's father, so he's a part of 761 00:38:39,920 --> 00:38:43,080 Speaker 5: her story. If he goes into business with someone like 762 00:38:43,160 --> 00:38:45,760 Speaker 5: Drew or someone else, that's still an extension of Porscha's 763 00:38:45,760 --> 00:38:49,360 Speaker 5: story to me in my head, because he's there because 764 00:38:49,400 --> 00:38:53,440 Speaker 5: of Porsche, and so I can understand why she might 765 00:38:53,520 --> 00:38:56,960 Speaker 5: want to contain his scenes where he appears on camera 766 00:38:57,360 --> 00:38:59,600 Speaker 5: to be a part of what she brings to the show, 767 00:39:00,600 --> 00:39:05,360 Speaker 5: especially when she's with her being in a position where 768 00:39:05,400 --> 00:39:08,360 Speaker 5: she already can't necessarily like film. I guess in a 769 00:39:08,440 --> 00:39:11,560 Speaker 5: marital home that she shared with Simon Gobadia, there was 770 00:39:11,560 --> 00:39:13,839 Speaker 5: a handicap as far as what she could do or 771 00:39:13,880 --> 00:39:16,239 Speaker 5: offer to the show. So I can see her kind 772 00:39:16,280 --> 00:39:19,800 Speaker 5: of gatekeeping the pieces, you know what I'm saying, that 773 00:39:20,520 --> 00:39:23,000 Speaker 5: she has to use in her arsenal, and I can 774 00:39:23,120 --> 00:39:25,200 Speaker 5: understand why that would be off putting for her. The 775 00:39:25,280 --> 00:39:28,600 Speaker 5: problem is that Portia's history and what we know about 776 00:39:28,600 --> 00:39:30,200 Speaker 5: her makes it her for a lot of the viewers 777 00:39:30,200 --> 00:39:33,040 Speaker 5: to give a fuck about her feeling like somebody like 778 00:39:33,640 --> 00:39:36,200 Speaker 5: stepped into her area when it comes to a man, 779 00:39:36,320 --> 00:39:39,080 Speaker 5: because that's what people feel like she did with Simon, 780 00:39:39,200 --> 00:39:41,640 Speaker 5: and so it's difficult for people to be pathetic toward 781 00:39:41,680 --> 00:39:43,160 Speaker 5: her with that situation. 782 00:39:44,120 --> 00:39:45,360 Speaker 2: I try to put myself. 783 00:39:45,840 --> 00:39:47,400 Speaker 3: I called Mimi up and I asked her about it, 784 00:39:47,400 --> 00:39:49,160 Speaker 3: and she was like, yeah, she would feel a way 785 00:39:49,160 --> 00:39:51,360 Speaker 3: if a cast member was filming with her baby daddy. 786 00:39:51,400 --> 00:39:55,799 Speaker 3: And I get it, But what about so I do 787 00:39:55,840 --> 00:39:57,800 Speaker 3: want to stand that, like how that'd be like annoying? 788 00:39:57,960 --> 00:40:00,440 Speaker 2: But is it wasn't Drew your friend for years? 789 00:40:01,000 --> 00:40:03,080 Speaker 3: Like if one of my if my girl Chancey was 790 00:40:03,120 --> 00:40:05,480 Speaker 3: filming with my ex or whatever, or if I had 791 00:40:05,480 --> 00:40:08,200 Speaker 3: a child by Tapa, of course I would need her 792 00:40:08,239 --> 00:40:09,759 Speaker 3: to have conversation with me or talk to me about it. 793 00:40:09,800 --> 00:40:10,680 Speaker 2: But isn't it. 794 00:40:10,760 --> 00:40:13,680 Speaker 3: Isn't it talk online that she did know and she's 795 00:40:13,680 --> 00:40:15,239 Speaker 3: actually playing it like she doesn't know. 796 00:40:15,320 --> 00:40:17,319 Speaker 6: Now, Oh I don't know. I haven't seen it. That's 797 00:40:17,320 --> 00:40:18,240 Speaker 6: what people are saying. 798 00:40:18,560 --> 00:40:20,920 Speaker 1: No, that's not yeah, I saw that. I just want 799 00:40:20,920 --> 00:40:23,160 Speaker 1: to say for the record, that is not true. Listen, 800 00:40:23,320 --> 00:40:27,680 Speaker 1: what when So in episode one, the reason why Porsche 801 00:40:27,680 --> 00:40:32,000 Speaker 1: came in guns Blazing is because she learned weeks or 802 00:40:32,120 --> 00:40:35,640 Speaker 1: slash months prior to even filming the first episode that 803 00:40:35,760 --> 00:40:39,520 Speaker 1: Drew and Dennis were working. It's one thing to know 804 00:40:39,680 --> 00:40:42,920 Speaker 1: that your baby daddy is working with an artist on 805 00:40:42,960 --> 00:40:43,399 Speaker 1: your show. 806 00:40:43,680 --> 00:40:46,120 Speaker 4: Okay, y'all in the studio. That is my job. 807 00:40:46,520 --> 00:40:50,359 Speaker 1: I think it's different when the baby daddy comes on 808 00:40:50,440 --> 00:40:56,600 Speaker 1: your job site and films with somebody who is considered 809 00:40:56,640 --> 00:41:01,000 Speaker 1: your op. So I'm a Porsche when it comes to that. 810 00:41:01,280 --> 00:41:03,800 Speaker 3: Was she her op or she became the op because 811 00:41:03,840 --> 00:41:05,080 Speaker 3: she filmed with her baby dad? 812 00:41:05,120 --> 00:41:06,120 Speaker 2: She wasn't her op right now? 813 00:41:06,360 --> 00:41:06,600 Speaker 6: She was. 814 00:41:07,200 --> 00:41:07,759 Speaker 4: That's what I'm saying. 815 00:41:07,800 --> 00:41:10,120 Speaker 1: Episode one, she said you are you are a low 816 00:41:10,239 --> 00:41:14,160 Speaker 1: down dirty be words and then and then and then 817 00:41:14,280 --> 00:41:16,719 Speaker 1: what we saw was a few weeks later, Drew and 818 00:41:16,760 --> 00:41:17,640 Speaker 1: Dennis in the studio. 819 00:41:20,160 --> 00:41:21,799 Speaker 4: Yeah, that's why I'm like, I. 820 00:41:21,719 --> 00:41:25,680 Speaker 3: Think it's the messenger. Honestly, it's the messenger. Like, for sure, 821 00:41:25,680 --> 00:41:27,440 Speaker 3: you're tripping on your baby daddy. That was about two 822 00:41:27,480 --> 00:41:31,000 Speaker 3: threes ago. Okay, you had a whole cookout where you 823 00:41:31,040 --> 00:41:36,759 Speaker 3: had your baby daddy, Simon all one big thing you had. 824 00:41:36,840 --> 00:41:38,520 Speaker 3: First you had Dennis on the show, then you had 825 00:41:38,560 --> 00:41:40,360 Speaker 3: Simon on the show, and now it's like, I don't know. 826 00:41:40,400 --> 00:41:42,680 Speaker 3: I feel like with Porscha, she has double standards with people, 827 00:41:42,840 --> 00:41:44,879 Speaker 3: which I guess we all do. Right, when it's done 828 00:41:44,920 --> 00:41:47,640 Speaker 3: to us, it's a big deal, like no, but when 829 00:41:47,680 --> 00:41:49,400 Speaker 3: we do it to other people, we it's not that 830 00:41:49,440 --> 00:41:49,960 Speaker 3: big of a deal. 831 00:41:50,000 --> 00:41:51,400 Speaker 2: You understand where I'm coming from. 832 00:41:51,760 --> 00:41:54,920 Speaker 3: I just think Porsche and Dennis and Drew probably need 833 00:41:54,920 --> 00:41:57,759 Speaker 3: to have a scene. Drew needs to reassure Porsche there 834 00:41:57,840 --> 00:42:00,399 Speaker 3: is nothing going on. Yes, I should have asked your 835 00:42:00,400 --> 00:42:02,640 Speaker 3: permission or your blessing before we did this. I could 836 00:42:02,640 --> 00:42:04,200 Speaker 3: see why that would not be funny, because I'm sure 837 00:42:04,200 --> 00:42:06,839 Speaker 3: she wouldn't like someone doing that, would with the man 838 00:42:06,880 --> 00:42:11,440 Speaker 3: in the basement, Ralph, Ralph, you know, I do get that. 839 00:42:11,719 --> 00:42:14,640 Speaker 3: I think this is another incident of two things being 840 00:42:14,640 --> 00:42:15,080 Speaker 3: true at. 841 00:42:14,960 --> 00:42:17,240 Speaker 2: The same time. Some people are having a hard. 842 00:42:17,080 --> 00:42:19,960 Speaker 3: Time being empathetic to Porschae because they they're bringing up 843 00:42:19,960 --> 00:42:22,080 Speaker 3: her history and what she has done to other women 844 00:42:22,440 --> 00:42:26,799 Speaker 3: and other wives multiple and that's why they're like, eh, 845 00:42:26,880 --> 00:42:29,680 Speaker 3: but you did this right, And then others are like, no, 846 00:42:29,800 --> 00:42:31,840 Speaker 3: I totally understand why she would feel a way, but 847 00:42:32,280 --> 00:42:34,560 Speaker 3: you know, Portia is showing her ass in this episode, 848 00:42:34,560 --> 00:42:36,960 Speaker 3: and not in a good way, not in a donkey 849 00:42:37,000 --> 00:42:40,880 Speaker 3: booty Stallion sought away like she's I feel like because 850 00:42:40,920 --> 00:42:44,080 Speaker 3: she's crashing out because she doesn't have the big storyline 851 00:42:44,120 --> 00:42:46,200 Speaker 3: she thought she's gonna have and filming in the house 852 00:42:46,520 --> 00:42:48,480 Speaker 3: she wants she wanted to be that girl, and she 853 00:42:48,520 --> 00:42:50,959 Speaker 3: should have been that girl, but that was snatched away 854 00:42:50,960 --> 00:42:53,960 Speaker 3: from her from Simon Gabadia, can't film in the house, 855 00:42:54,040 --> 00:42:56,520 Speaker 3: put all these restrictions on her, didn't have the ending 856 00:42:56,560 --> 00:42:59,600 Speaker 3: she thought she'd have, So now she instead of leaning 857 00:42:59,640 --> 00:43:02,440 Speaker 3: into her own interesting story, which you know, the breakup 858 00:43:02,480 --> 00:43:04,279 Speaker 3: would be interesting. And I think Dustin you said this, 859 00:43:04,640 --> 00:43:07,800 Speaker 3: she has to be a second rate mean girl. Now 860 00:43:07,920 --> 00:43:10,360 Speaker 3: you're piling on with other women. You're teaming up with 861 00:43:10,440 --> 00:43:13,479 Speaker 3: Britt to be mad mean to other women on the show, 862 00:43:13,760 --> 00:43:16,439 Speaker 3: and it's making you look like a friend of the show. 863 00:43:16,600 --> 00:43:19,200 Speaker 3: I said this last week, and I don't care who whatever, 864 00:43:19,320 --> 00:43:23,520 Speaker 3: I'll say it again. You are funny Porsche. Back when 865 00:43:23,520 --> 00:43:25,160 Speaker 3: we were friends, I remember texting you like when you 866 00:43:25,239 --> 00:43:25,840 Speaker 3: got disgination. 867 00:43:26,239 --> 00:43:26,960 Speaker 2: You are funny. 868 00:43:26,960 --> 00:43:29,520 Speaker 3: This is good for you when we see that about you. 869 00:43:30,040 --> 00:43:32,960 Speaker 2: We love that Porsche. That is a Porscha. 870 00:43:33,000 --> 00:43:34,800 Speaker 3: That is fun and we want to watch on television 871 00:43:34,880 --> 00:43:38,560 Speaker 3: all this moody mood swinging, not gonna talk stuff. 872 00:43:38,880 --> 00:43:40,600 Speaker 2: That's okay, do it if you want to. 873 00:43:40,680 --> 00:43:43,400 Speaker 3: But you are a snoozevest and this and your biggest 874 00:43:43,400 --> 00:43:47,000 Speaker 3: moment on this episode was Angela over here, and you 875 00:43:47,160 --> 00:43:49,960 Speaker 3: talking up fucking her husband. And for someone who already 876 00:43:50,040 --> 00:43:53,319 Speaker 3: has this reputation, you sure are not doing a good 877 00:43:53,400 --> 00:43:57,680 Speaker 3: job of digging yourself or changing the narrative about you. 878 00:43:58,120 --> 00:44:00,640 Speaker 3: I clocked Tea back in season seven. 879 00:44:00,760 --> 00:44:01,680 Speaker 2: People thought I was a hater. 880 00:44:01,800 --> 00:44:04,320 Speaker 3: It ended up being true. You had the thing with Fallon. 881 00:44:04,360 --> 00:44:07,480 Speaker 3: You're at this girl's house. Whatever the relationship was, took. 882 00:44:07,760 --> 00:44:10,080 Speaker 3: You did take the man, okay whatever. He of course 883 00:44:10,160 --> 00:44:12,560 Speaker 3: was a willing participant. If you want to get away 884 00:44:12,600 --> 00:44:15,560 Speaker 3: from this narrative, you don't use Oh, I was drunk 885 00:44:15,640 --> 00:44:18,320 Speaker 3: and then talk about a cast member who is married, 886 00:44:18,640 --> 00:44:22,080 Speaker 3: I should go fuck her husband, and no, world. 887 00:44:21,880 --> 00:44:22,480 Speaker 2: Is that cool. 888 00:44:22,560 --> 00:44:24,120 Speaker 3: I don't care if you like her or you don't. 889 00:44:24,160 --> 00:44:26,920 Speaker 3: That is not cool, Porsche. And the way you are 890 00:44:26,960 --> 00:44:31,360 Speaker 3: so angry at Drew for filming scenes not fucking, not 891 00:44:31,520 --> 00:44:33,879 Speaker 3: talking about fucking. She ain't even flooting with your baby 892 00:44:33,880 --> 00:44:35,799 Speaker 3: that she's making it very clear. He's a light, he's 893 00:44:36,000 --> 00:44:38,759 Speaker 3: we're working together. I'm not even worried about him. The 894 00:44:38,800 --> 00:44:41,479 Speaker 3: way you're so angry about that, and then the way 895 00:44:41,640 --> 00:44:43,840 Speaker 3: you know you want all this grace for Oh, I 896 00:44:44,000 --> 00:44:46,200 Speaker 3: was just drunk. It's the math a mathon and I 897 00:44:46,200 --> 00:44:47,600 Speaker 3: think you're making a fool out of yourself. 898 00:44:47,680 --> 00:44:48,120 Speaker 2: Honestly. 899 00:44:48,600 --> 00:44:50,600 Speaker 6: Yeah, there's been a couple of moments this season. 900 00:44:50,640 --> 00:44:54,600 Speaker 5: It's akin to Porscha's takeaway after Shemiah. 901 00:44:55,160 --> 00:44:56,640 Speaker 6: The rest of the ladies. 902 00:44:56,360 --> 00:44:59,239 Speaker 5: And all the viewers were confused with her reaction to 903 00:44:59,280 --> 00:45:02,279 Speaker 5: Shamia is seen never had and her saying that's Drue, 904 00:45:02,280 --> 00:45:02,839 Speaker 5: that ain't you. 905 00:45:02,840 --> 00:45:03,520 Speaker 6: You know what I'm saying. 906 00:45:03,560 --> 00:45:07,719 Speaker 5: And then afterwards when when Porsche offered up some sort 907 00:45:07,760 --> 00:45:10,080 Speaker 5: of explanation, it was just well, it wasn't Shade. That 908 00:45:10,160 --> 00:45:12,640 Speaker 5: was just me being Porsche. It's just just a moment. 909 00:45:12,640 --> 00:45:14,799 Speaker 5: It wasn't shady. Well, now she's doing that again with 910 00:45:14,840 --> 00:45:18,600 Speaker 5: this comment she made about Charles Oakley. Although she was drunk, 911 00:45:18,640 --> 00:45:21,160 Speaker 5: they were off camera, they was talking shit around the pool, 912 00:45:21,200 --> 00:45:24,480 Speaker 5: so maybe she felt that, you know, it was a 913 00:45:24,480 --> 00:45:26,920 Speaker 5: little more private. I guess it wasn't for the show, 914 00:45:27,200 --> 00:45:29,600 Speaker 5: but it was for the show because literally they were 915 00:45:29,640 --> 00:45:33,720 Speaker 5: talking on set at the cast house on this Girl's trip. 916 00:45:33,960 --> 00:45:36,080 Speaker 6: And if you pay attention to the footage. 917 00:45:35,640 --> 00:45:39,000 Speaker 5: That that good old Angela provided from her cell phone, 918 00:45:39,440 --> 00:45:43,439 Speaker 5: you see Porsha immediately exit the conversation once Angela came out. 919 00:45:43,480 --> 00:45:46,360 Speaker 5: I think a camera may have come down and Porscha 920 00:45:46,640 --> 00:45:48,480 Speaker 5: walks right out of the scene and she says, well, 921 00:45:48,520 --> 00:45:52,959 Speaker 5: I'm not I'm not on camera, and she walks off. 922 00:45:53,239 --> 00:45:55,640 Speaker 6: So I think she was speaking freely amongst her friends. 923 00:45:55,640 --> 00:45:57,719 Speaker 5: There's conversations that the three of us will have that 924 00:45:57,760 --> 00:45:59,520 Speaker 5: don't make it to the live you know what I'm saying, 925 00:45:59,560 --> 00:46:02,120 Speaker 5: So respect that part of the game. But it's what 926 00:46:02,239 --> 00:46:04,520 Speaker 5: she said. It's not the fact that it was a 927 00:46:04,560 --> 00:46:07,799 Speaker 5: private conversation. It's what she said talking about she better 928 00:46:07,840 --> 00:46:09,680 Speaker 5: be careful for our fuck her husband. And you already 929 00:46:09,760 --> 00:46:12,279 Speaker 5: know they got this, this reputation, this stigma attested to 930 00:46:12,320 --> 00:46:15,040 Speaker 5: your name. You already know, especially when it comes to 931 00:46:15,080 --> 00:46:17,520 Speaker 5: other women that you're on the show with, it's not 932 00:46:17,560 --> 00:46:19,719 Speaker 5: a good look. And I think she just got caught up, 933 00:46:19,760 --> 00:46:22,560 Speaker 5: you know what I'm saying, because now she said it, 934 00:46:22,600 --> 00:46:24,200 Speaker 5: So they got to work through that on the show. 935 00:46:24,440 --> 00:46:25,439 Speaker 5: You see it happen. 936 00:46:26,000 --> 00:46:29,760 Speaker 3: You can't be mad about Drew filming with your baby 937 00:46:29,840 --> 00:46:32,680 Speaker 3: daddy while you made a threat to fuck a cast 938 00:46:32,760 --> 00:46:33,720 Speaker 3: member's husband. 939 00:46:34,280 --> 00:46:35,560 Speaker 2: You can't have it both ways. 940 00:46:35,640 --> 00:46:38,560 Speaker 3: And Portia, haven't you learned your lesson with hot MIC's 941 00:46:38,560 --> 00:46:41,359 Speaker 3: after the whole Bolo situation. Need I remind y'all of 942 00:46:41,400 --> 00:46:43,960 Speaker 3: that situation where they was on a trip and you know, 943 00:46:44,160 --> 00:46:46,680 Speaker 3: I remember hearing about there was a mike and catching 944 00:46:46,719 --> 00:46:48,959 Speaker 3: some stuff that was going on, Like you know better. 945 00:46:49,160 --> 00:46:51,759 Speaker 3: You're a veteran in this reality game. You've been in 946 00:46:51,800 --> 00:46:55,680 Speaker 3: reality television for a long time, and it's too too 947 00:46:55,719 --> 00:46:57,319 Speaker 3: many years for you to just be like, well, I 948 00:46:57,400 --> 00:47:00,480 Speaker 3: was drunk, No a drunk, A young mouth. 949 00:47:00,520 --> 00:47:01,880 Speaker 2: What is a drunk mouth? 950 00:47:02,280 --> 00:47:03,560 Speaker 4: So my mind. 951 00:47:04,120 --> 00:47:07,400 Speaker 3: And you've been throwing shade about Charles Oakley a little 952 00:47:07,400 --> 00:47:09,400 Speaker 3: bit earlier too, so that made it worse. 953 00:47:11,960 --> 00:47:15,000 Speaker 5: Angela's dinner. That was Angela's dinner where she said that. 954 00:47:16,760 --> 00:47:19,200 Speaker 3: Right, yes, now, if Angela would have acted the way 955 00:47:19,239 --> 00:47:21,440 Speaker 3: Portia used to act, she would have dragged her and 956 00:47:21,480 --> 00:47:24,279 Speaker 3: had a physical altercation with already. But she's not, and 957 00:47:24,320 --> 00:47:26,680 Speaker 3: she would be within her rights to do something like that. 958 00:47:26,880 --> 00:47:29,080 Speaker 3: If I'm gonna show in some girl that I'm not 959 00:47:29,239 --> 00:47:31,839 Speaker 3: that cool with talked about she gotta be kept by 960 00:47:31,840 --> 00:47:34,960 Speaker 3: far fuck her husband. I'm gonna fuck you up, and 961 00:47:34,960 --> 00:47:37,000 Speaker 3: that's that's all that is to it. And they gonna 962 00:47:37,000 --> 00:47:39,320 Speaker 3: be two motherfuckers kicked off the show, not one, because 963 00:47:39,960 --> 00:47:42,560 Speaker 3: there ain't no way you gonna talk about fucking mind 964 00:47:43,160 --> 00:47:44,960 Speaker 3: and then say, oh, it was a joke, and then 965 00:47:44,960 --> 00:47:48,280 Speaker 3: you're mad about this girl for filming with her real producer. 966 00:47:49,200 --> 00:47:51,120 Speaker 3: So I'm sorry, Carlos. I know we're making you incredibly 967 00:47:51,160 --> 00:47:52,000 Speaker 3: uncomfortable right now. 968 00:47:52,560 --> 00:47:56,879 Speaker 1: First of all, I'm not uncomfortable. That is all opinion, right, 969 00:47:57,520 --> 00:48:01,360 Speaker 1: And listen, you got talking about what you've seen on 970 00:48:01,400 --> 00:48:03,440 Speaker 1: the show, and that's our job to talk about what 971 00:48:03,480 --> 00:48:07,200 Speaker 1: we see in the show. So look, obviously, look, it 972 00:48:07,320 --> 00:48:10,080 Speaker 1: wasn't a great moment. I think we all can say that. 973 00:48:10,200 --> 00:48:14,719 Speaker 1: I'm honest with my friends. I sold Kenya personally didn't 974 00:48:14,800 --> 00:48:16,719 Speaker 1: like what you did. I love you anyway, this is 975 00:48:16,719 --> 00:48:18,600 Speaker 1: what it is. Listen, it wasn't a great moment. I 976 00:48:18,640 --> 00:48:22,959 Speaker 1: don't think I Listen, we haven't heard from Porsche how 977 00:48:23,000 --> 00:48:25,360 Speaker 1: she feels about it. And you know, she does have 978 00:48:25,400 --> 00:48:28,359 Speaker 1: a YouTube channel, Porsche for a reel, the Number four Reel, 979 00:48:29,040 --> 00:48:32,200 Speaker 1: and make sure y'all subscribe, because maybe she'll talk about it. 980 00:48:32,680 --> 00:48:36,440 Speaker 1: I would like to see how she feels about it 981 00:48:36,560 --> 00:48:41,640 Speaker 1: based on the realization of what was said. She did 982 00:48:41,680 --> 00:48:47,520 Speaker 1: say in her interview she doesn't remember anything, Yeah, implying Hennessy, 983 00:48:47,640 --> 00:48:50,840 Speaker 1: which you know that was funny. You know whatever, but listen, 984 00:48:51,120 --> 00:48:53,759 Speaker 1: it's not the greatest moment, right. And I think even 985 00:48:53,800 --> 00:48:57,440 Speaker 1: Porsche can say like, yikes on the bikes, right, So 986 00:48:57,520 --> 00:48:59,719 Speaker 1: there's no dispute there. What I will say is this 987 00:48:59,760 --> 00:49:03,800 Speaker 1: because you brought us something earlier, Claudia that I would 988 00:49:03,960 --> 00:49:07,560 Speaker 1: like to touch on when it comes to Porscha's position 989 00:49:07,640 --> 00:49:11,360 Speaker 1: on this show. Porsche is a fun girl, but going 990 00:49:11,400 --> 00:49:15,480 Speaker 1: through a divorce is not fun, right, And I think 991 00:49:15,800 --> 00:49:21,080 Speaker 1: for me, as somebody who has worked with women throughout 992 00:49:21,080 --> 00:49:26,279 Speaker 1: my career who's gotten through a divorce on their shows, 993 00:49:26,920 --> 00:49:31,120 Speaker 1: I have learned how difficult that process is, and you 994 00:49:31,280 --> 00:49:34,279 Speaker 1: are not in the right mindframe to even film. I'm 995 00:49:34,280 --> 00:49:36,919 Speaker 1: not making excuses. I'm calling things how they are right. 996 00:49:37,480 --> 00:49:41,160 Speaker 1: When it comes to Porsche this season, a lot of 997 00:49:41,200 --> 00:49:45,920 Speaker 1: people are wondering when is fun Porscha coming back? And 998 00:49:46,000 --> 00:49:50,400 Speaker 1: what I do think would help us be remindful of 999 00:49:50,880 --> 00:49:54,920 Speaker 1: is the fact that she was going through a divorce. 1000 00:49:55,680 --> 00:49:59,719 Speaker 1: Simon was posting almost every day more than the Shade 1001 00:49:59,760 --> 00:50:04,920 Speaker 1: Room Neighborhood Talk Jasmine Brand bossa Ballahler does. He was 1002 00:50:04,960 --> 00:50:11,520 Speaker 1: posting on a consistent regular basis. He was he was 1003 00:50:11,560 --> 00:50:14,160 Speaker 1: harassing her, he was trying to get a rise out 1004 00:50:14,160 --> 00:50:17,120 Speaker 1: of her. He was trying to distract her, and he 1005 00:50:17,239 --> 00:50:19,960 Speaker 1: was trying to stop her bags, to send a cease 1006 00:50:20,040 --> 00:50:24,040 Speaker 1: and desist on your vehicle, to send a cease and 1007 00:50:24,080 --> 00:50:28,840 Speaker 1: desist on filming on in the house. He was doing 1008 00:50:28,920 --> 00:50:32,839 Speaker 1: everything in his power to prevent this woman from being 1009 00:50:32,880 --> 00:50:36,520 Speaker 1: the Porsche that we've grown to love. And what we're 1010 00:50:36,600 --> 00:50:40,359 Speaker 1: not seeing, obviously, is what Porsche does when she goes 1011 00:50:40,360 --> 00:50:43,439 Speaker 1: through the divorce. I was filming with her season six when 1012 00:50:43,480 --> 00:50:45,200 Speaker 1: she was going through a divorce with the Cordell. 1013 00:50:45,239 --> 00:50:48,600 Speaker 4: It was her first divorce. Obviously, she gave everything and 1014 00:50:48,719 --> 00:50:50,280 Speaker 4: more to that show. That season. 1015 00:50:50,719 --> 00:50:54,200 Speaker 1: We were there when the boxes were delivered and she 1016 00:50:54,400 --> 00:50:57,920 Speaker 1: was sad because the frame of the wedding phuttol was broken. 1017 00:50:58,360 --> 00:51:00,799 Speaker 1: She got a knife and cut the phone, not the phone, 1018 00:51:00,800 --> 00:51:04,160 Speaker 1: but Lord gezd the wedding photo album. And then she 1019 00:51:04,320 --> 00:51:07,600 Speaker 1: moved to Duluth and she didn't tell Nini, and Nini said, 1020 00:51:07,600 --> 00:51:08,920 Speaker 1: you're a bad friend because you moved to the de 1021 00:51:08,960 --> 00:51:13,040 Speaker 1: lu child. Porsche does give us a lot when she 1022 00:51:13,600 --> 00:51:16,239 Speaker 1: is going through divorce. I think what we what we 1023 00:51:16,360 --> 00:51:22,360 Speaker 1: have to remember is her estrange husband blocked that from happening, 1024 00:51:22,719 --> 00:51:25,560 Speaker 1: and what you're seeing as a woman who is going 1025 00:51:25,560 --> 00:51:28,799 Speaker 1: through something so devastating, not only on the show, but 1026 00:51:28,880 --> 00:51:32,200 Speaker 1: she was going through that shit on social media. Cordell, 1027 00:51:32,320 --> 00:51:36,879 Speaker 1: to his credit, to his credit, he never once did 1028 00:51:36,920 --> 00:51:41,319 Speaker 1: that to her while she was filming. And when it 1029 00:51:41,360 --> 00:51:44,319 Speaker 1: comes to us not seeing the fun Porsche, what I'm 1030 00:51:44,360 --> 00:51:47,960 Speaker 1: saying is there's nothing fun or funny happening to her 1031 00:51:48,040 --> 00:51:48,800 Speaker 1: in real time. 1032 00:51:49,239 --> 00:51:52,600 Speaker 4: And I think it's unfortunate that even. 1033 00:51:52,560 --> 00:51:57,480 Speaker 1: She signed on to do the show while married trying 1034 00:51:57,520 --> 00:52:00,279 Speaker 1: to give us that, and then she was swept under 1035 00:52:00,360 --> 00:52:02,520 Speaker 1: rug when she discovered some of. 1036 00:52:02,440 --> 00:52:06,600 Speaker 4: The alleged alleged issues that signing was going through. 1037 00:52:06,719 --> 00:52:10,400 Speaker 1: So I understand what people are saying in terms of 1038 00:52:10,400 --> 00:52:12,960 Speaker 1: why we're not seeing the fun Porsche. I would like 1039 00:52:13,000 --> 00:52:16,600 Speaker 1: to offer up it's because she's being prevented from showing 1040 00:52:16,760 --> 00:52:17,480 Speaker 1: us anything. 1041 00:52:17,560 --> 00:52:20,279 Speaker 5: Fine, that's a fair take, because facts are facts. If 1042 00:52:20,280 --> 00:52:23,120 Speaker 5: she is handicapped from giving it her all, that's just 1043 00:52:23,120 --> 00:52:26,120 Speaker 5: what that means. We're not going to get a completely, 1044 00:52:26,400 --> 00:52:31,040 Speaker 5: you know, accurate depiction of her personality. She's going through 1045 00:52:31,040 --> 00:52:33,440 Speaker 5: some shit. My thing is just go through this shit then, 1046 00:52:33,640 --> 00:52:35,319 Speaker 5: and let us just see that. Take it back to 1047 00:52:35,400 --> 00:52:37,040 Speaker 5: season six and let us see as much as it 1048 00:52:37,120 --> 00:52:39,960 Speaker 5: can as you can film at the end of that driveway. 1049 00:52:40,000 --> 00:52:42,080 Speaker 5: This is my damn house that Baskett said. I can't 1050 00:52:42,080 --> 00:52:43,759 Speaker 5: come in here, but this is where I'm supposed to 1051 00:52:43,800 --> 00:52:45,839 Speaker 5: be living, and I hate it. Tear the mailbox up. 1052 00:52:46,080 --> 00:52:48,400 Speaker 5: Let's film that, you know what I'm saying, Show us 1053 00:52:48,800 --> 00:52:52,920 Speaker 5: what that looks like. Being in the valley of grieving 1054 00:52:53,040 --> 00:52:56,920 Speaker 5: your divorce and having a crazy acting ass ex husband 1055 00:52:57,239 --> 00:53:01,040 Speaker 5: is the fame and attention hungry, which is why he's 1056 00:53:01,080 --> 00:53:04,359 Speaker 5: trying to stop you from moving forward with the thing 1057 00:53:04,400 --> 00:53:06,000 Speaker 5: that he wanted to be a part of the most. 1058 00:53:06,239 --> 00:53:07,960 Speaker 5: I don't know, Simon, but it seems like all he 1059 00:53:08,000 --> 00:53:10,120 Speaker 5: gave a fuck about was being on camera and being 1060 00:53:10,160 --> 00:53:12,719 Speaker 5: a part of the Real Housewives of Atlanta, and now 1061 00:53:12,760 --> 00:53:18,040 Speaker 5: that his divorce with Porsche took that opportunity away from him, 1062 00:53:18,120 --> 00:53:20,279 Speaker 5: I think he's trying to take the opportunity away from her. 1063 00:53:20,480 --> 00:53:22,319 Speaker 5: And that's why you don't marry people you don't know, 1064 00:53:22,680 --> 00:53:25,160 Speaker 5: because they turn on you just like that. They are 1065 00:53:25,200 --> 00:53:27,600 Speaker 5: now mortal enemies, and he's trying to take away her 1066 00:53:27,640 --> 00:53:28,640 Speaker 5: fucking livelihood. 1067 00:53:28,680 --> 00:53:29,440 Speaker 6: That woman has a. 1068 00:53:29,440 --> 00:53:32,040 Speaker 5: Daughter, whether her father, her daughter's father is in the 1069 00:53:32,040 --> 00:53:34,719 Speaker 5: picture or not. Porsha wants to take care of her kid, 1070 00:53:35,239 --> 00:53:37,319 Speaker 5: and you said you loved her, So to me, it's 1071 00:53:37,360 --> 00:53:39,959 Speaker 5: just fucked up to turn to that sort of those 1072 00:53:39,960 --> 00:53:42,480 Speaker 5: sort of tactics like where you act like you literally 1073 00:53:42,480 --> 00:53:45,080 Speaker 5: don't give a fuck about the person. That's a very nasty, 1074 00:53:45,680 --> 00:53:50,719 Speaker 5: ugly space that to me, is derived from a choice 1075 00:53:50,800 --> 00:53:53,000 Speaker 5: that was made to enter marriage with some motherfucker that 1076 00:53:53,040 --> 00:53:55,840 Speaker 5: you don't know. Porscha has literally said she did not 1077 00:53:56,000 --> 00:53:58,880 Speaker 5: know him, She did not know that these alleged issues 1078 00:53:59,320 --> 00:54:02,879 Speaker 5: were as pressing as they ended up being and as 1079 00:54:02,920 --> 00:54:06,799 Speaker 5: detrimental to their union as it was. So I don't know. 1080 00:54:06,880 --> 00:54:08,640 Speaker 5: To me, just the way y'all know, I like keeping 1081 00:54:08,680 --> 00:54:10,520 Speaker 5: the player. The way that he's went about all of 1082 00:54:10,520 --> 00:54:12,759 Speaker 5: that shit was disgusting to me and it was my 1083 00:54:12,840 --> 00:54:14,760 Speaker 5: worst And I don't want to be attest to nobody 1084 00:54:14,880 --> 00:54:17,880 Speaker 5: like that, Nobody that's a that's hungry for the attention, 1085 00:54:18,000 --> 00:54:22,120 Speaker 5: willing to play to the comments, try to persuade, you know, 1086 00:54:22,200 --> 00:54:23,520 Speaker 5: our sway, public. 1087 00:54:23,200 --> 00:54:23,960 Speaker 6: Opinion and shit. 1088 00:54:24,080 --> 00:54:27,280 Speaker 5: To me, that is a It is a endless battle 1089 00:54:27,320 --> 00:54:29,839 Speaker 5: that you will never win, and it reflects a lack 1090 00:54:29,880 --> 00:54:32,440 Speaker 5: of maturity to me, And so I don't want to 1091 00:54:32,440 --> 00:54:34,440 Speaker 5: be a test to nobody like that, and I. 1092 00:54:36,080 --> 00:54:37,160 Speaker 6: People say it's karma. 1093 00:54:37,280 --> 00:54:39,439 Speaker 5: People say, Poorscha gott what she deserved for the way 1094 00:54:39,440 --> 00:54:42,360 Speaker 5: that she entered into that relationship. But what we know 1095 00:54:42,480 --> 00:54:44,840 Speaker 5: for sure is that Simon made it very difficult for 1096 00:54:44,920 --> 00:54:50,399 Speaker 5: her after she chose to end their relationship. And that's 1097 00:54:50,440 --> 00:54:52,520 Speaker 5: the reality of it for me. So I can actually 1098 00:54:52,520 --> 00:54:55,319 Speaker 5: give her some grace for what you just offered up, Carlos, 1099 00:54:55,400 --> 00:54:57,240 Speaker 5: because I do think that that would be a lot. 1100 00:54:57,080 --> 00:54:59,200 Speaker 6: For a person to go through. While you're feeling the show. 1101 00:54:59,480 --> 00:55:01,640 Speaker 2: Yeah, it is a lot to go through. But look 1102 00:55:01,680 --> 00:55:02,080 Speaker 2: at Drew. 1103 00:55:02,440 --> 00:55:04,800 Speaker 3: Drew's going through a divorce too, and she still manages 1104 00:55:04,880 --> 00:55:07,200 Speaker 3: to find some fun and she's got her man in 1105 00:55:07,239 --> 00:55:11,319 Speaker 3: the cellar and it's extremely uncomfortable, Okay, she got the 1106 00:55:11,400 --> 00:55:14,360 Speaker 3: man underneath the stairs, okay, and she has to steal. 1107 00:55:14,640 --> 00:55:17,200 Speaker 3: She still is providing fun. She's given us some good 1108 00:55:17,200 --> 00:55:19,799 Speaker 3: one liners. Did you sell the Cat? I feel like 1109 00:55:19,840 --> 00:55:22,759 Speaker 3: we baby Porscha a lot. She's been coddled since she's 1110 00:55:22,800 --> 00:55:25,319 Speaker 3: got on the show, like she's a child and she's not, 1111 00:55:25,440 --> 00:55:27,680 Speaker 3: and sometimes we forget that she's actually a grown ass woman. 1112 00:55:27,800 --> 00:55:30,600 Speaker 3: She is And here's my thing, all those things, Dustin, 1113 00:55:30,680 --> 00:55:33,520 Speaker 3: you just said about Simon, so spot On, so true. 1114 00:55:33,800 --> 00:55:36,719 Speaker 3: They were definitely red flags. And guess what all of 1115 00:55:36,760 --> 00:55:38,879 Speaker 3: this could have been avoided. If Porsia would have asked 1116 00:55:38,880 --> 00:55:41,759 Speaker 3: her good friend, her friend Fallon, about her husband, she 1117 00:55:41,760 --> 00:55:43,360 Speaker 3: could have found out how bad he was. 1118 00:55:43,360 --> 00:55:46,640 Speaker 4: But Claudia, Claudia, there were friends. 1119 00:55:46,840 --> 00:55:48,680 Speaker 2: No Carlos, I'm not, I'm not. 1120 00:55:49,080 --> 00:55:52,360 Speaker 1: Let's be Claudia and Dustin never talked about this. 1121 00:55:52,520 --> 00:55:54,719 Speaker 4: Let's talk. They were not friends. 1122 00:55:55,200 --> 00:55:58,239 Speaker 3: If she would have enough for her to see that 1123 00:55:58,239 --> 00:56:00,880 Speaker 3: that was a Listen, I talked to Ellen, Okay, I 1124 00:56:00,920 --> 00:56:01,439 Speaker 3: talked to Phone. 1125 00:56:01,440 --> 00:56:03,280 Speaker 2: I've hung out with Fallon, and Felon has taught. 1126 00:56:03,080 --> 00:56:07,200 Speaker 4: Me listen, I don't know. Foulon. Fallon is stunning. Fall 1127 00:56:07,480 --> 00:56:10,080 Speaker 4: Fallon needs to chuck like why we acting like? 1128 00:56:10,120 --> 00:56:12,200 Speaker 3: Why are we acting like she just because she wasn't 1129 00:56:12,280 --> 00:56:13,600 Speaker 3: besties with Fallon? 1130 00:56:13,760 --> 00:56:16,640 Speaker 2: Well she didn't know or that you know. 1131 00:56:17,239 --> 00:56:18,680 Speaker 1: No, no, no, I want I want us to have 1132 00:56:18,760 --> 00:56:21,440 Speaker 1: a real conversation about this, and listen, let's have a 1133 00:56:21,440 --> 00:56:22,520 Speaker 1: healthy discussion. 1134 00:56:22,120 --> 00:56:24,040 Speaker 3: About Hey, I had to say my friend was wrong. 1135 00:56:24,200 --> 00:56:27,040 Speaker 3: Kenya Moore, you fucked up and you messed up your 1136 00:56:27,040 --> 00:56:29,800 Speaker 3: own bag by doing what you did. Okay, Carlos, you 1137 00:56:29,920 --> 00:56:32,480 Speaker 3: gotta tell your friend. She the Queen of thought, Landia, 1138 00:56:32,560 --> 00:56:34,800 Speaker 3: the self we clean queen of thought Landia. 1139 00:56:34,920 --> 00:56:36,920 Speaker 2: She keeps she has the comment. 1140 00:56:37,360 --> 00:56:38,200 Speaker 4: No no, no no. 1141 00:56:38,400 --> 00:56:42,240 Speaker 1: I said, the comment she made about Charles was not good. 1142 00:56:42,360 --> 00:56:44,919 Speaker 1: I said that, and that's why I said I would 1143 00:56:44,960 --> 00:56:45,759 Speaker 1: like to see what she has to. 1144 00:56:45,719 --> 00:56:48,440 Speaker 4: Say about it. I don't think. I don't think she 1145 00:56:49,440 --> 00:56:49,840 Speaker 4: I want to. 1146 00:56:49,840 --> 00:56:52,279 Speaker 1: Be shocked at Port said, I said, And. 1147 00:56:52,280 --> 00:56:52,920 Speaker 4: I don't know. 1148 00:56:53,040 --> 00:56:54,800 Speaker 1: I think she'll say, look the Hainey got to me. 1149 00:56:54,920 --> 00:56:56,080 Speaker 1: I didn't know why I said it. I had a 1150 00:56:56,160 --> 00:56:58,640 Speaker 1: drug night. It is what it is, not, not my 1151 00:56:58,719 --> 00:57:02,279 Speaker 1: finest moment, right, Yeah. 1152 00:57:01,280 --> 00:57:02,319 Speaker 4: I'm not talking about that. 1153 00:57:02,520 --> 00:57:05,040 Speaker 1: I'm talking about I really want to have a real 1154 00:57:05,080 --> 00:57:09,359 Speaker 1: conversation about this because it's put out there and I 1155 00:57:09,520 --> 00:57:14,160 Speaker 1: would like to know, in my opinion, her and Fallon 1156 00:57:14,600 --> 00:57:15,720 Speaker 1: did I say it right this time? 1157 00:57:15,880 --> 00:57:16,240 Speaker 2: Fallon? 1158 00:57:16,360 --> 00:57:23,880 Speaker 1: You said, Fallent, Hey, Fallon, baby, you're you're beautiful. Her 1159 00:57:23,960 --> 00:57:27,240 Speaker 1: and Fallon are not friends in terms of what I 1160 00:57:27,280 --> 00:57:29,400 Speaker 1: could see. I didn't work on that show that that season. 1161 00:57:30,400 --> 00:57:34,000 Speaker 1: Her and Sham are our friends. Her and Cynthia are friends. 1162 00:57:34,160 --> 00:57:38,120 Speaker 1: Faedra and her are friends. The list goes on and on. 1163 00:57:39,000 --> 00:57:41,920 Speaker 1: I understand how the options could look that way based 1164 00:57:41,960 --> 00:57:44,480 Speaker 1: on the introduction of the show, but we all know 1165 00:57:44,600 --> 00:57:48,880 Speaker 1: on the show, not all, but some you are introducing 1166 00:57:48,960 --> 00:57:52,120 Speaker 1: somebody right before you put a microphone on and say hey, 1167 00:57:52,400 --> 00:57:53,800 Speaker 1: you're gonna go but so and so a house and 1168 00:57:53,800 --> 00:57:56,680 Speaker 1: film with them. So I do think unfortunately, and this 1169 00:57:56,800 --> 00:58:01,480 Speaker 1: is why, no, Shade, let's have a real conversation reality stars. 1170 00:58:02,280 --> 00:58:03,760 Speaker 4: Don't co sign somebody you. 1171 00:58:03,720 --> 00:58:07,200 Speaker 1: Can't co sign, just like Dustin said, don't marry somebody 1172 00:58:07,240 --> 00:58:09,840 Speaker 1: you don't know that, well, don't co sign somebody on 1173 00:58:09,880 --> 00:58:12,960 Speaker 1: the show, and that we ain't that much of her friends. 1174 00:58:13,000 --> 00:58:13,959 Speaker 4: I like her, She's cool. 1175 00:58:14,680 --> 00:58:17,840 Speaker 1: I think it's unfortunate because I do think it's this 1176 00:58:17,960 --> 00:58:23,280 Speaker 1: scarlet letter that Portia stole her friend's man, as if 1177 00:58:23,280 --> 00:58:27,880 Speaker 1: she stole Gerald from Shemiah. And I really don't think 1178 00:58:27,920 --> 00:58:31,840 Speaker 1: that's fair to say she stole her friends man. 1179 00:58:32,040 --> 00:58:34,600 Speaker 4: Now, if you want to say. 1180 00:58:35,960 --> 00:58:39,080 Speaker 1: I think the way you went about it wasn't cool, 1181 00:58:39,280 --> 00:58:41,480 Speaker 1: then let's have a conversation about that. But I think 1182 00:58:41,520 --> 00:58:45,600 Speaker 1: to apply the F word friend I think is not 1183 00:58:46,480 --> 00:58:48,760 Speaker 1: I don't think that should be applied to this. Again. 1184 00:58:48,920 --> 00:58:52,200 Speaker 3: All I want is an equal set of rules because 1185 00:58:52,360 --> 00:58:53,240 Speaker 3: it's we pick. 1186 00:58:53,200 --> 00:58:55,520 Speaker 2: Not you guys, but society picks and shoes. 1187 00:58:55,560 --> 00:58:57,400 Speaker 3: I remember, and I hate to go back to me 1188 00:58:57,560 --> 00:58:59,440 Speaker 3: and I, but I have to just go by my experience. 1189 00:58:59,760 --> 00:59:02,560 Speaker 3: See seven, when we went down to Charlotte and we 1190 00:59:02,680 --> 00:59:05,439 Speaker 3: saw Cordell's Stewart. I had no idea he was gonna 1191 00:59:05,440 --> 00:59:07,520 Speaker 3: be at that bar, and y'all was all trying to 1192 00:59:07,520 --> 00:59:08,160 Speaker 3: make this a thing. 1193 00:59:08,200 --> 00:59:08,880 Speaker 2: Can you go? Oh you? 1194 00:59:09,120 --> 00:59:11,600 Speaker 3: And I was like, no, I wasn't fucking with Porsche 1195 00:59:11,680 --> 00:59:13,600 Speaker 3: then I wasn't. I had nothing for me and your 1196 00:59:13,760 --> 00:59:15,720 Speaker 3: used to be cool before the show. I wasn't rocking 1197 00:59:15,760 --> 00:59:16,120 Speaker 3: with her. 1198 00:59:16,320 --> 00:59:18,320 Speaker 4: I could have been up to cut you off, not 1199 00:59:18,400 --> 00:59:19,040 Speaker 4: to cut you off. 1200 00:59:19,120 --> 00:59:22,760 Speaker 1: I want to say. Claudia is one hundred percent right. 1201 00:59:22,880 --> 00:59:25,320 Speaker 1: She was like, can you this because you know the 1202 00:59:25,360 --> 00:59:27,800 Speaker 1: girlth I was funny and to Claudia's create, I'm let 1203 00:59:27,840 --> 00:59:31,680 Speaker 1: her cook and her defense, Claudia was like, I ain't 1204 00:59:31,720 --> 00:59:32,240 Speaker 1: doing it. 1205 00:59:32,680 --> 00:59:35,320 Speaker 3: I would Until this day people will still say, oh, 1206 00:59:35,480 --> 00:59:37,480 Speaker 3: but you are going out with Porscha's X and I 1207 00:59:37,520 --> 00:59:40,000 Speaker 3: go First of all, we weren't friends at the time, 1208 00:59:40,280 --> 00:59:42,520 Speaker 3: and I still didn't do it, even to like fuck 1209 00:59:42,560 --> 00:59:44,240 Speaker 3: with her on the show. They wanted me to go 1210 00:59:44,240 --> 00:59:45,840 Speaker 3: on a date with them. I did not go on 1211 00:59:45,880 --> 00:59:48,360 Speaker 3: a date with them, even though clock this tea. I've 1212 00:59:48,400 --> 00:59:51,760 Speaker 3: been knowing Cardell since nineteen ninety nine. We didn't stay 1213 00:59:51,760 --> 00:59:53,320 Speaker 3: in touch. Like there was a time he wanted to 1214 00:59:53,320 --> 00:59:56,040 Speaker 3: take me shopping and hang out as friends and I 1215 00:59:56,120 --> 00:59:58,840 Speaker 3: never did. Before I even knew what a Porsche was, 1216 00:59:58,880 --> 01:00:00,760 Speaker 3: the only Porsche I knew was nine to eleven in 1217 01:00:00,840 --> 01:00:03,520 Speaker 3: the Panamera that I bought, well the two that I bought, 1218 01:00:03,560 --> 01:00:07,360 Speaker 3: one black, one white, super Charge. Anyways, anyways, I didn't 1219 01:00:07,400 --> 01:00:09,800 Speaker 3: know her like that, and I had every reason to 1220 01:00:09,840 --> 01:00:12,640 Speaker 3: be a cunt to her on y'all show, and I 1221 01:00:12,680 --> 01:00:15,080 Speaker 3: didn't feel right about it, you know why, because we 1222 01:00:15,160 --> 01:00:18,880 Speaker 3: were coworkers, and for me, a girl that does practice 1223 01:00:18,920 --> 01:00:22,000 Speaker 3: girl code, that was enough. So all these excuses, well, 1224 01:00:22,000 --> 01:00:24,600 Speaker 3: Porscha wasn't her friend. Yeah, she may not have been 1225 01:00:24,640 --> 01:00:27,280 Speaker 3: her friend, but she was in her circle, and to me, 1226 01:00:27,800 --> 01:00:30,720 Speaker 3: that is enough of a violation. If you're a girl's girl, 1227 01:00:30,880 --> 01:00:33,960 Speaker 3: you just don't do that. And like it's we're playing 1228 01:00:34,040 --> 01:00:38,280 Speaker 3: like not y'all, but we're playing when like semantics. Well, 1229 01:00:38,280 --> 01:00:41,120 Speaker 3: they weren't really friends. I again, you could say we 1230 01:00:41,120 --> 01:00:43,280 Speaker 3: were enemies on season seven. I still didn't want to 1231 01:00:43,280 --> 01:00:45,040 Speaker 3: do that to her because that's wrong, and I don't 1232 01:00:45,040 --> 01:00:47,800 Speaker 3: want her to see me fucking like gallivanting with. 1233 01:00:47,840 --> 01:00:50,120 Speaker 2: A man that she's going through divorce. That's just not right, y'all. 1234 01:00:50,480 --> 01:00:53,200 Speaker 2: We cannot we can't make that right, no matter what. 1235 01:00:53,360 --> 01:00:54,280 Speaker 6: It must be clear. 1236 01:00:54,400 --> 01:00:57,920 Speaker 5: Porscha agrees with that sentiment, because when Porscha soft launched 1237 01:00:57,920 --> 01:01:00,880 Speaker 5: her relationship. I guess her launched her relationship with Simon 1238 01:01:00,920 --> 01:01:04,000 Speaker 5: with that picture from the cookout that you're speaking of, Claudia, 1239 01:01:04,040 --> 01:01:08,000 Speaker 5: where it was her, Simon and Dennis in the picture 1240 01:01:08,480 --> 01:01:12,640 Speaker 5: in the caption. I remember Porscha referencing the optics, something 1241 01:01:12,680 --> 01:01:14,880 Speaker 5: about the optics. I know, the optics may be a 1242 01:01:14,920 --> 01:01:17,720 Speaker 5: lot for people to So she's been over from day one. 1243 01:01:18,720 --> 01:01:22,120 Speaker 5: When her and Simon decided to make it known that 1244 01:01:22,200 --> 01:01:25,160 Speaker 5: they were in relationship with each other, Porscha knew damn 1245 01:01:25,200 --> 01:01:27,400 Speaker 5: well when she was gonna face coming up with that. 1246 01:01:27,480 --> 01:01:30,439 Speaker 5: She knew what it looked like, and she knew the 1247 01:01:30,480 --> 01:01:33,440 Speaker 5: origin story was not something that would be palatable for 1248 01:01:33,520 --> 01:01:36,640 Speaker 5: most people. And she knew that, so she expected what 1249 01:01:36,720 --> 01:01:38,200 Speaker 5: she was gonna get, you know what I'm saying, And 1250 01:01:38,280 --> 01:01:40,440 Speaker 5: she expected the commentary that she was going to get 1251 01:01:40,600 --> 01:01:43,480 Speaker 5: which to me means she knew what she was doing. 1252 01:01:43,920 --> 01:01:45,560 Speaker 6: And I think I didn't feel bad for her for 1253 01:01:45,600 --> 01:01:47,040 Speaker 6: that piece personally. 1254 01:01:47,480 --> 01:01:49,600 Speaker 3: And just like brit I think we could get passes 1255 01:01:49,760 --> 01:01:51,800 Speaker 3: if Porscha would like stop playing in our face like 1256 01:01:51,800 --> 01:01:53,720 Speaker 3: we're stupid, like and I know people, oh you hate it. 1257 01:01:53,760 --> 01:01:56,640 Speaker 3: I don't hate her, but there's no accountability, like I 1258 01:01:56,680 --> 01:02:00,120 Speaker 3: think what she should have done right on all these interviews. 1259 01:02:00,120 --> 01:02:02,840 Speaker 2: Great to sit down with Tam and Hall and say. 1260 01:02:02,680 --> 01:02:05,400 Speaker 3: You know what, what I did was wrong, and I 1261 01:02:05,520 --> 01:02:07,680 Speaker 3: like to take this opportunity to apologize a felon because 1262 01:02:07,720 --> 01:02:09,360 Speaker 3: you know, as a married woman, I wouldn't want someone 1263 01:02:09,440 --> 01:02:10,640 Speaker 3: doing this to me. And now I feel the pain 1264 01:02:10,680 --> 01:02:13,480 Speaker 3: of divorce again for the second time. And I think 1265 01:02:14,280 --> 01:02:17,680 Speaker 3: Black people are very forgiving if you if you confront 1266 01:02:17,720 --> 01:02:19,400 Speaker 3: it and say, hey, I fucked up, But if you 1267 01:02:19,480 --> 01:02:22,200 Speaker 3: just carry on with arrogance like you didn't do anything 1268 01:02:22,240 --> 01:02:25,000 Speaker 3: wrong and just be cute and just no, like you've 1269 01:02:25,040 --> 01:02:27,040 Speaker 3: never been accountable. So now people are trying to come 1270 01:02:27,080 --> 01:02:30,760 Speaker 3: from the show Angela's aster, Kelly's aster because she's never 1271 01:02:30,800 --> 01:02:32,480 Speaker 3: really had to face it, and I think a lot 1272 01:02:32,480 --> 01:02:34,760 Speaker 3: of people thought her coming back to the show this 1273 01:02:34,840 --> 01:02:37,200 Speaker 3: year was going to be Kenya holding her accountable and 1274 01:02:37,200 --> 01:02:39,400 Speaker 3: we would get that storyline, and we never did. 1275 01:02:39,600 --> 01:02:41,360 Speaker 2: Honestly, Portia, we're not friends. 1276 01:02:41,400 --> 01:02:42,640 Speaker 3: I don't have to keep saying that this is not 1277 01:02:42,640 --> 01:02:44,760 Speaker 3: about me and you, but I will say, as an 1278 01:02:44,800 --> 01:02:48,640 Speaker 3: outsider looking in that does commentary and just watches, you 1279 01:02:48,840 --> 01:02:51,560 Speaker 3: have a very fun personality when you choose to not 1280 01:02:51,640 --> 01:02:55,040 Speaker 3: be moody, right and not be bitchy. You could take 1281 01:02:55,080 --> 01:02:57,120 Speaker 3: this thing head on. Sit down with the Carlos King, 1282 01:02:57,160 --> 01:03:00,640 Speaker 3: sit down with someone you trust and own it. Own 1283 01:03:00,680 --> 01:03:04,000 Speaker 3: it and tell us why. And I guarantee you we 1284 01:03:03,520 --> 01:03:05,680 Speaker 3: we won't be able to keep using it against you 1285 01:03:05,760 --> 01:03:07,280 Speaker 3: if you own it and just put it. 1286 01:03:07,440 --> 01:03:09,280 Speaker 2: Put it to bed. That's all. 1287 01:03:09,480 --> 01:03:11,840 Speaker 3: Kenya own it, and then we put it to bed. 1288 01:03:12,160 --> 01:03:14,480 Speaker 3: Britt own it, then we put it to bed. We 1289 01:03:14,480 --> 01:03:16,680 Speaker 3: don't like when you just people keep playing in our faces, 1290 01:03:16,720 --> 01:03:18,760 Speaker 3: like the phasor parts of the world that just keep 1291 01:03:18,800 --> 01:03:22,400 Speaker 3: on like Noah, never never owning up to anything they've 1292 01:03:22,440 --> 01:03:22,919 Speaker 3: ever done. 1293 01:03:22,960 --> 01:03:25,240 Speaker 2: You got at some point say hey, you know what 1294 01:03:25,360 --> 01:03:25,880 Speaker 2: I lied. 1295 01:03:26,480 --> 01:03:28,920 Speaker 3: I lied and I don't know why I lied, or 1296 01:03:28,960 --> 01:03:30,640 Speaker 3: I lied because of this, and then we can move 1297 01:03:30,640 --> 01:03:34,800 Speaker 3: on because you're wasting a good personality being in this 1298 01:03:34,880 --> 01:03:38,320 Speaker 3: box and until you free yourself from that scandal, people 1299 01:03:38,360 --> 01:03:40,200 Speaker 3: will always be able to use that against you. Porsche, 1300 01:03:40,240 --> 01:03:41,840 Speaker 3: and you, I think are more than that. 1301 01:03:42,160 --> 01:03:46,720 Speaker 5: I think you're gonna interview Porscha Carlos. So you start 1302 01:03:46,760 --> 01:03:49,240 Speaker 5: smiling when Claudia say that shit, I saw that clothes 1303 01:03:49,320 --> 01:03:51,480 Speaker 5: mouth smiled. I mean you in the lab, so what's 1304 01:03:51,520 --> 01:03:51,960 Speaker 5: going on? 1305 01:03:52,400 --> 01:03:55,200 Speaker 6: Probably Carlos, what's up? 1306 01:03:56,160 --> 01:03:59,760 Speaker 4: Look? I would love the opportunity to interview. Of course, 1307 01:03:59,760 --> 01:04:02,600 Speaker 4: I would love the opportunity. 1308 01:04:02,720 --> 01:04:03,720 Speaker 6: Can me and Claudia come? 1309 01:04:04,240 --> 01:04:11,520 Speaker 3: She don't want me to, you know, ago through a 1310 01:04:11,560 --> 01:04:13,560 Speaker 3: guy that she was dealing with that I won't say. 1311 01:04:14,400 --> 01:04:16,080 Speaker 3: And we were all in Miami having a good time. 1312 01:04:16,160 --> 01:04:18,120 Speaker 3: Then some rich Africans came. Then she was all about 1313 01:04:18,120 --> 01:04:20,000 Speaker 3: them over there, and I still didn't judge her or 1314 01:04:20,000 --> 01:04:21,560 Speaker 3: nothing like that. She was going through her thing with 1315 01:04:21,600 --> 01:04:24,920 Speaker 3: Cardell whatever, and I you know, I wouldn't. We ain't 1316 01:04:24,960 --> 01:04:28,000 Speaker 3: cool now, so it's whatever. But like I liked her personality. 1317 01:04:28,040 --> 01:04:29,919 Speaker 3: I thought she was fun, and then we were cool, 1318 01:04:29,960 --> 01:04:31,640 Speaker 3: like we don't hit each other, rap and stuff. I 1319 01:04:31,680 --> 01:04:34,720 Speaker 3: congratulate our indgination. But when I got on Housewives, I 1320 01:04:34,720 --> 01:04:37,240 Speaker 3: remember there was a conversation about coming through Housewives, through 1321 01:04:37,280 --> 01:04:39,720 Speaker 3: Porsche or through Kenya. They was like, and I said, 1322 01:04:39,760 --> 01:04:41,920 Speaker 3: they're gonna and they was like, they'll hate me if 1323 01:04:41,960 --> 01:04:42,960 Speaker 3: I go through Kenya. 1324 01:04:43,040 --> 01:04:46,400 Speaker 2: But once I filmed a scene with Kenya, it. 1325 01:04:46,440 --> 01:04:48,000 Speaker 3: Was over with for us. She came to the Rookies. 1326 01:04:48,080 --> 01:04:49,680 Speaker 3: We were at the Ricky Smiley show. She was being 1327 01:04:49,760 --> 01:04:52,520 Speaker 3: mean to me in the hallways and not speaking anymore, 1328 01:04:52,520 --> 01:04:54,320 Speaker 3: and I'm like, what the fuck happened? Just because I 1329 01:04:54,400 --> 01:04:56,480 Speaker 3: filmed with someone she didn't like. So I know people 1330 01:04:56,520 --> 01:04:59,000 Speaker 3: think that I have this animosity. There is a part 1331 01:04:59,000 --> 01:05:00,760 Speaker 3: of me that feels like, damn, I didn't do nothing 1332 01:05:00,800 --> 01:05:02,320 Speaker 3: to you. All I did was filmed with someone that 1333 01:05:02,480 --> 01:05:05,400 Speaker 3: someone else that I knew. And I do want you 1334 01:05:05,480 --> 01:05:07,400 Speaker 3: to take heed to the things I'm saying to you, Portia. 1335 01:05:07,680 --> 01:05:09,800 Speaker 3: It's not coming from a hateful place. It's coming from 1336 01:05:09,800 --> 01:05:12,520 Speaker 3: a I see you. I see much more potential than 1337 01:05:12,520 --> 01:05:14,840 Speaker 3: what you're giving right now. And I think you could be, 1338 01:05:15,000 --> 01:05:18,400 Speaker 3: like really really like a force again because you have 1339 01:05:18,480 --> 01:05:20,800 Speaker 3: been a force, but like you have to stop owning 1340 01:05:20,880 --> 01:05:22,920 Speaker 3: up to some of your bullshit. I really I believe that. 1341 01:05:22,960 --> 01:05:24,960 Speaker 3: And if you can receive that, fine, If you don't 1342 01:05:24,960 --> 01:05:28,200 Speaker 3: want to receive it. That's fine too, but women to women, 1343 01:05:28,320 --> 01:05:30,280 Speaker 3: I'm just saying, like, I think a couple of little 1344 01:05:30,280 --> 01:05:33,960 Speaker 3: adjustments can really free you forever having that scarlet letter 1345 01:05:34,000 --> 01:05:35,439 Speaker 3: on you, because you shouldn't have to wear it for ever. 1346 01:05:35,480 --> 01:05:38,280 Speaker 1: I don't think, yeah, well, look we'll see what happens 1347 01:05:38,320 --> 01:05:39,440 Speaker 1: in the next week episode. 1348 01:05:39,480 --> 01:05:40,080 Speaker 4: It did, and. 1349 01:05:43,000 --> 01:05:48,400 Speaker 2: I know Carlos is like, shut the fuck you are 1350 01:05:48,520 --> 01:05:52,880 Speaker 2: doing too much. I'm not good. I've been taking my 1351 01:05:52,880 --> 01:05:55,400 Speaker 2: brain pills, so I'm sure I. 1352 01:05:55,320 --> 01:05:58,320 Speaker 4: Will say no. The funny thing is this, I will 1353 01:05:58,320 --> 01:05:58,760 Speaker 4: say this. 1354 01:05:59,480 --> 01:06:04,280 Speaker 1: Not the beauty of us doing this Mondays is that 1355 01:06:05,040 --> 01:06:08,280 Speaker 1: Claudia dust it and I don't talk about anything before 1356 01:06:08,320 --> 01:06:11,240 Speaker 1: we go live. I have no idea what their takes are. 1357 01:06:11,640 --> 01:06:15,720 Speaker 1: We don't even have a production meeting. We don't brainstorm. 1358 01:06:16,160 --> 01:06:19,000 Speaker 1: We know we're coming in to talk about these shows, 1359 01:06:19,480 --> 01:06:22,400 Speaker 1: and we cook and at the end of the day listen. 1360 01:06:23,360 --> 01:06:26,800 Speaker 4: I always tell people this, there is beauty. 1361 01:06:26,920 --> 01:06:32,040 Speaker 1: In having people speak on the shows that you're on, 1362 01:06:32,080 --> 01:06:35,680 Speaker 1: whether it's scripted or unscripted, because it shows that there's 1363 01:06:35,800 --> 01:06:38,240 Speaker 1: value in what you're doing, and there's value in the work. 1364 01:06:38,680 --> 01:06:40,560 Speaker 4: And I strongly believe this. 1365 01:06:41,400 --> 01:06:44,800 Speaker 1: I strongly believe you need to be more worried about 1366 01:06:44,840 --> 01:06:49,000 Speaker 1: when people don't talk about you. When people don't talk 1367 01:06:49,040 --> 01:06:52,440 Speaker 1: about you because they don't care, that's when you should 1368 01:06:52,440 --> 01:06:55,080 Speaker 1: be worried. The fact that we are taking time out 1369 01:06:55,440 --> 01:06:59,240 Speaker 1: on a Monday to give two hours of our time 1370 01:06:59,640 --> 01:07:02,840 Speaker 1: to talk about these shows is great because, no shade, 1371 01:07:03,040 --> 01:07:06,000 Speaker 1: there was a time I didn't talk about this show 1372 01:07:06,160 --> 01:07:09,280 Speaker 1: only because it was nothing. I wasn't feeling anything. This 1373 01:07:09,320 --> 01:07:12,160 Speaker 1: is a this season of The Real Housepots Atlanta. It's 1374 01:07:12,200 --> 01:07:16,440 Speaker 1: an amazing season, It's an amazing cast. Everybody is clocked in. 1375 01:07:16,520 --> 01:07:19,800 Speaker 1: It's a great show. So listen. We all have three 1376 01:07:19,840 --> 01:07:22,840 Speaker 1: different takes. This is This is sort of like our 1377 01:07:22,960 --> 01:07:26,120 Speaker 1: version of the View, where you have three people with 1378 01:07:26,320 --> 01:07:30,480 Speaker 1: three different opinions who are able to have a healthy 1379 01:07:30,520 --> 01:07:33,840 Speaker 1: debate and still laugh at each other come tomorrow. So 1380 01:07:34,040 --> 01:07:36,360 Speaker 1: that's the reason why I enjoyed doing this every Monday. 1381 01:07:36,400 --> 01:07:39,919 Speaker 1: But Claudia and Dustin, this isn't pre planned, This isn't 1382 01:07:39,920 --> 01:07:40,440 Speaker 1: pre thought of. 1383 01:07:40,920 --> 01:07:45,920 Speaker 4: We're having fun. We have hot takes, and we the gag. 1384 01:07:45,720 --> 01:07:48,080 Speaker 1: Is this the moment we hang up from this, we 1385 01:07:48,120 --> 01:07:51,240 Speaker 1: literally don't talk about it anymore. And that and that 1386 01:07:51,440 --> 01:07:54,120 Speaker 1: and and and that is true. We literally hang up 1387 01:07:54,440 --> 01:07:56,200 Speaker 1: and we move on to other stuff. 1388 01:07:56,560 --> 01:08:05,520 Speaker 3: So love life, Dulphin's new apartment house, my cats. 1389 01:08:05,360 --> 01:08:08,960 Speaker 4: Your cats, and your your your your dream man. 1390 01:08:08,960 --> 01:08:11,360 Speaker 1: Who I saw a few weeks ago, So anyway, did 1391 01:08:11,360 --> 01:08:12,600 Speaker 1: he say, do you talk to him for me? 1392 01:08:14,000 --> 01:08:18,200 Speaker 4: I was busy, really. 1393 01:08:19,320 --> 01:08:23,679 Speaker 1: Girl, I was tied up by whom anybody you're gonna 1394 01:08:23,680 --> 01:08:24,400 Speaker 1: go that gonna. 1395 01:08:26,040 --> 01:08:26,519 Speaker 4: Anyway. 1396 01:08:26,800 --> 01:08:29,320 Speaker 1: So what I want to say is this next week's 1397 01:08:29,360 --> 01:08:32,880 Speaker 1: episode of the House Wides of Atlanta looks really good. 1398 01:08:33,680 --> 01:08:36,240 Speaker 1: We'll get to see a portion remembers what happened, and 1399 01:08:36,240 --> 01:08:39,120 Speaker 1: if and and and to Claudia and Dust's point, if 1400 01:08:39,160 --> 01:08:41,000 Speaker 1: she will talk about it, we didn't see in the 1401 01:08:41,000 --> 01:08:44,400 Speaker 1: coming contractions. Maybe they're saving again, but Cynthia Billy has 1402 01:08:44,439 --> 01:08:48,200 Speaker 1: her infamous Billy Q and what we do see is 1403 01:08:48,640 --> 01:08:50,000 Speaker 1: Angela and breaking into it. 1404 01:08:50,120 --> 01:08:52,160 Speaker 4: So we'll talk about that next week. 1405 01:08:52,200 --> 01:08:55,920 Speaker 1: Claudia, Dustin's anything you want to address before I let 1406 01:08:56,000 --> 01:08:58,479 Speaker 1: y'all go and enjoy the rest of your evening. 1407 01:08:59,240 --> 01:09:01,320 Speaker 5: No, and just look of working with my friends. So 1408 01:09:01,360 --> 01:09:03,719 Speaker 5: I look forward to Monday night every week. I feel 1409 01:09:03,720 --> 01:09:06,360 Speaker 5: so good. I feel so comfortable on this panel, which 1410 01:09:06,400 --> 01:09:09,360 Speaker 5: y'all know both make me feel more than confident to 1411 01:09:09,400 --> 01:09:10,919 Speaker 5: share my opinions and I'm grateful. 1412 01:09:11,040 --> 01:09:12,639 Speaker 6: So that's it. I'm about to get off of here, 1413 01:09:12,720 --> 01:09:14,479 Speaker 6: get high, have a good time. 1414 01:09:14,560 --> 01:09:17,280 Speaker 5: You know, I'm saying, like I'm not even this is 1415 01:09:17,320 --> 01:09:19,080 Speaker 5: this is something I look forward to and I'm really 1416 01:09:19,120 --> 01:09:20,400 Speaker 5: grateful for this job. 1417 01:09:20,479 --> 01:09:21,840 Speaker 6: So I just want to say thank you. I love 1418 01:09:21,880 --> 01:09:23,800 Speaker 6: fucking with y'all like this. I love me. 1419 01:09:24,560 --> 01:09:25,120 Speaker 2: I do too. 1420 01:09:25,560 --> 01:09:27,280 Speaker 3: I mean, I don't know what made you ask me 1421 01:09:27,320 --> 01:09:29,760 Speaker 3: to come on and review Housewives after I haven't watched 1422 01:09:29,760 --> 01:09:32,759 Speaker 3: it in fifteen years, but I'm glad you did. Carlos 1423 01:09:32,760 --> 01:09:34,760 Speaker 3: and like you two are two of my favorite people 1424 01:09:34,760 --> 01:09:37,160 Speaker 3: out there, and it's been fun. And every week that 1425 01:09:37,240 --> 01:09:39,840 Speaker 3: your assistant calls me, because you know, Carlos is very busy, man, 1426 01:09:39,880 --> 01:09:41,880 Speaker 3: he's too busy and asked me to come back, I 1427 01:09:42,600 --> 01:09:45,200 Speaker 3: get so happy, like yes, of course, I'm like, they 1428 01:09:45,280 --> 01:09:46,080 Speaker 3: still love me to come back. 1429 01:09:46,120 --> 01:09:47,719 Speaker 2: So and your fans have been awesome. 1430 01:09:48,920 --> 01:09:51,160 Speaker 3: We've been getting attention though on blogs and some guy 1431 01:09:51,200 --> 01:09:53,400 Speaker 3: came out some say, try to put some allegations on me. 1432 01:09:53,439 --> 01:09:55,599 Speaker 3: He should have gotten the letter from my lawyer today 1433 01:09:55,920 --> 01:09:57,880 Speaker 3: for trying to put some stories on me that I 1434 01:09:58,160 --> 01:10:00,360 Speaker 3: committed some kind of mortgage fraud because I woking on 1435 01:10:00,400 --> 01:10:03,120 Speaker 3: brit Now they you know, they say that I had 1436 01:10:03,120 --> 01:10:05,439 Speaker 3: to falsify some some docs and I was. 1437 01:10:05,400 --> 01:10:09,479 Speaker 2: Like, sir, sir. But anyways, it's been fun. 1438 01:10:09,840 --> 01:10:11,599 Speaker 3: Now I'm back in the blocks because of you guys, 1439 01:10:12,000 --> 01:10:16,719 Speaker 3: and because for some reason, when you speak on house 1440 01:10:16,760 --> 01:10:18,880 Speaker 3: my shows, it like it gets a lot of attention. 1441 01:10:19,240 --> 01:10:22,559 Speaker 5: Yeah, people are real passionate about their fandom of like 1442 01:10:22,800 --> 01:10:24,639 Speaker 5: those shows. It's the same with the Love and Marriage 1443 01:10:24,680 --> 01:10:27,679 Speaker 5: Huntsville shows. Right, these are shows that people have grown 1444 01:10:27,680 --> 01:10:30,599 Speaker 5: to love and really attached themselves to, like the personal 1445 01:10:30,680 --> 01:10:33,120 Speaker 5: stories of these cast members. So I get it, you 1446 01:10:33,120 --> 01:10:34,800 Speaker 5: know what I'm saying. But we're gonna pop our shit 1447 01:10:34,880 --> 01:10:36,280 Speaker 5: up here. That's just what it is. 1448 01:10:36,800 --> 01:10:37,200 Speaker 2: Carlos. 1449 01:10:37,200 --> 01:10:39,360 Speaker 3: People heard us and they are asking me, and I'm 1450 01:10:39,400 --> 01:10:43,040 Speaker 3: just a messenger. They're like, Carlos said, we're gonna, y'all 1451 01:10:43,080 --> 01:10:45,280 Speaker 3: gonna do something to Miami or I'm waiting to buy 1452 01:10:45,280 --> 01:10:48,200 Speaker 3: my ticket. When I said, you got to ask the boss. 1453 01:10:48,240 --> 01:10:50,200 Speaker 2: I don't know. He's you know, he in the street. 1454 01:10:50,200 --> 01:10:51,720 Speaker 2: He busy, he got like how many shows you got 1455 01:10:51,800 --> 01:10:52,679 Speaker 2: right now? You busy? 1456 01:10:52,880 --> 01:10:56,120 Speaker 1: Listen, God is good, but listen, the beauty of this 1457 01:10:56,400 --> 01:10:59,720 Speaker 1: is and my range offs know this. Doesn't know this? 1458 01:11:00,000 --> 01:11:03,120 Speaker 1: How do you know this too? I don't make announcements, 1459 01:11:03,160 --> 01:11:07,320 Speaker 1: I make moves, So you know, keep keep your notification button. 1460 01:11:07,600 --> 01:11:10,479 Speaker 4: Make sure y'all subscribe. Make sure y'all follow all of. 1461 01:11:10,520 --> 01:11:13,680 Speaker 1: Us on social media, because you know that's when you'll 1462 01:11:13,680 --> 01:11:15,080 Speaker 1: get updates that you need to know. 1463 01:11:15,400 --> 01:11:18,640 Speaker 5: Yes, and we all got good shit coming up, so 1464 01:11:18,680 --> 01:11:20,720 Speaker 5: make sure y'all follow My brother and my sister too. 1465 01:11:20,760 --> 01:11:23,320 Speaker 5: Make sure all of us we all got ship coming. 1466 01:11:23,840 --> 01:11:25,160 Speaker 2: I'll be in the behind the tomorrow. 1467 01:11:25,200 --> 01:11:28,280 Speaker 3: Anybody any Vincent Saint John's out there, I'll be in 1468 01:11:28,320 --> 01:11:28,679 Speaker 3: the behind. 1469 01:11:29,880 --> 01:11:31,000 Speaker 2: I'm supposed to be there today. 1470 01:11:31,000 --> 01:11:36,040 Speaker 1: But yes, I love it well, Dustin Claudia, I love 1471 01:11:36,080 --> 01:11:37,479 Speaker 1: you guys, and I'll see y'all next week. 1472 01:11:37,560 --> 01:11:39,040 Speaker 6: I love y'all too. 1473 01:11:40,080 --> 01:11:48,719 Speaker 4: Bye bye. Thank you for listening to Reality with the Kings. 1474 01:11:49,040 --> 01:11:54,719 Speaker 1: New episodes drop on Tuesdays and Thursdays. Share, comment, follow, 1475 01:11:54,920 --> 01:11:58,519 Speaker 1: and subscribe to Reality with the King. Wherever you get 1476 01:11:58,640 --> 01:12:02,960 Speaker 1: your podcasts, is it realitywothe king dot com and be 1477 01:12:03,040 --> 01:12:09,000 Speaker 1: sure to follow me at the Carlos King Underscore on Instagram, Twitter, TikTok, 1478 01:12:09,120 --> 01:12:12,040 Speaker 1: and yes baby my YouTube channel where you could get 1479 01:12:12,080 --> 01:12:16,280 Speaker 1: all of my visuals, Baby, my expressions. Yeah, and don't 1480 01:12:16,280 --> 01:12:19,599 Speaker 1: forget Tweet me your thoughts and hot takes about this 1481 01:12:19,720 --> 01:12:23,960 Speaker 1: episode using the hashtag reality with the King. 1482 01:12:24,720 --> 01:12:25,599 Speaker 4: Reality with the. 1483 01:12:25,600 --> 01:12:30,280 Speaker 1: King is a production of Kingdom Rain Entertainment, an executive 1484 01:12:30,320 --> 01:12:32,519 Speaker 1: produced by me Carlos King 1485 01:12:44,240 --> 01:12:46,360 Speaker 4: Kingdom Rain Entertainment, Baby,