WEBVTT - Don't Gimme No Bammer Podcast w/,Black C

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<v Speaker 1>Gangst the Chronic Goals. This is not your average show.

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<v Speaker 1>You're now tuned in to the rail spell streets.

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<v Speaker 2>Welcome to The gangst the Chronicles podcast, the production of

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<v Speaker 2>iHeart Radio and Black Effect Podcast Network. Make sure you

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<v Speaker 2>download the iHeart app and subscribe to Against the Chronicles.

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<v Speaker 2>For my Apple users, hit the Purple Michael your front screen,

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<v Speaker 2>subscribed Against the Chronicles and leave a five star rating

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<v Speaker 2>and comment. We're shaking pork chops a begging it's your boy,

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<v Speaker 2>Big Steal with another episode Against the Chronicles along with

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<v Speaker 2>my co hosts Jip my partner, what's cracking? What you ate?

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<v Speaker 1>Ship? Everything all good? You know what I'm saying?

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<v Speaker 2>You know, yeah that that that flu adds you down?

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<v Speaker 2>Amnue to go, didn't it a little bit?

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<v Speaker 1>And ship?

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<v Speaker 3>But you know, really, I just you know, take the

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<v Speaker 3>time to try to focus on you know, the new year,

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<v Speaker 3>what's been going on. You know, new president, new rules,

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<v Speaker 3>new laws, you know, same nigga, same bullshit.

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<v Speaker 1>So you know what it is, Yeah, for sure.

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<v Speaker 2>Man. With that being said, we were talking earlier today man,

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<v Speaker 2>and we still did. Our focus for twenty and twenty

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<v Speaker 2>five is having more legendary figures from the coast on

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<v Speaker 2>you know, right, those unheroed you know, underground legends man,

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<v Speaker 2>the underground heroes Man, the dude that you know don't

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<v Speaker 2>have our trunk rattling, you know, from the nineties on

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<v Speaker 2>up to the two thousands. Man. And you know, I

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<v Speaker 2>think this is as good as start as any we

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<v Speaker 2>got on the black Steed from RBL Poskin the Building Night,

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<v Speaker 2>Black Sea. What's happening with you?

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<v Speaker 1>Man? What's up with y'all? Man?

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<v Speaker 2>Man shoot Man? Good looking on coming through Man. You

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<v Speaker 2>definitely man, one of those unsung ghetto heroes. Man.

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<v Speaker 4>Man, appreciate that. Appreciate that. Man appreciate it. So that's

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<v Speaker 4>another legends man. You know, Yes, indeed, yes, indeed we appreciate.

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<v Speaker 4>Try to stay focused and grounded man. You know, uh,

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<v Speaker 4>not to say that you know niggas Nigga's heritage and

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<v Speaker 4>foundation ain't important, but you know, sometimes you know, when

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<v Speaker 4>you play the position that some of us artists play,

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<v Speaker 4>you know, as far as uh being compared to you know,

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<v Speaker 4>positions on the hip.

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<v Speaker 1>Hop map, Uh.

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<v Speaker 3>Sometimes we play a back seat. So trying to focus

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<v Speaker 3>on a lot of those artists who don't you know,

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<v Speaker 3>really get you know, invited or you know, invitations or

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<v Speaker 3>brought to the table on certain ship.

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<v Speaker 2>It's real, dope, yes, real, that's real. I was looking

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<v Speaker 2>at I was reading the book right and I was

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<v Speaker 2>talking to you earlier. I did not realize San Francisco

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<v Speaker 2>head was up there banging like you was.

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<v Speaker 1>Except I don't call it.

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<v Speaker 2>Ain't like la y'all call the turf wars.

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<v Speaker 1>Yeah, yeah, it was. It was more of a turf thing.

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<v Speaker 1>You know.

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<v Speaker 4>We represent projects. A lot of people didn't know, like

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<v Speaker 4>San Francisco. They looked at it like a tourist town.

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<v Speaker 4>But we got Hella projects up up in there, you know,

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<v Speaker 4>from phil Mo to Sunnydale in fild Mo is Hella

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<v Speaker 4>projects in Hunter's Point where I'm from, Hella projects. I

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<v Speaker 4>mean real concrete jungles, you know, like semen slabs, like

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<v Speaker 4>a bunch of them. So you will get it twisted

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<v Speaker 4>and think it's just like Pier thirty nine and like

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<v Speaker 4>the gay area. You know they EBT community over in

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<v Speaker 4>Castro and then you know, but it's a darker side

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<v Speaker 4>over there. And I was I was knee deep in

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<v Speaker 4>it over there, you know what I mean. On Harbor Road,

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<v Speaker 4>my projects that I was born and raised in.

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<v Speaker 2>Yeah, and it was one of the most dumb I

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<v Speaker 2>guess it was one of the most relatious periods up

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<v Speaker 2>there in San Francisco, Like that period from the when

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<v Speaker 2>was it from eighty eight on up to the nineties.

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<v Speaker 4>I'd say eighty seven, around eighty six, late eighty six eighties,

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<v Speaker 4>really eighty seven into ninety one. When I called the

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<v Speaker 4>truce was around like around ninety two. So from eighty

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<v Speaker 4>seven to ninety two, it was it was hectic around there.

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<v Speaker 2>Yeah, so you was what would you say, man, was

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<v Speaker 2>the was the root of all that all that funking

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<v Speaker 2>that was going down.

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<v Speaker 4>It kind of all started, uh really kind of like

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<v Speaker 4>over a female and it kind of escalated when you know,

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<v Speaker 4>certain movies like Colors kind of gassed everybody up, put

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<v Speaker 4>batteries in everybody back around there, you know. But it

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<v Speaker 4>really kind of just like house parties, the party at

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<v Speaker 4>the Meridian, what I could really remember.

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<v Speaker 1>We're kind of uh.

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<v Speaker 4>One of my focus, Ronnie Royn, who was from Hunter's Point,

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<v Speaker 4>was from my area. He's from a different project, but

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<v Speaker 4>he was a known figure over there, and he got

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<v Speaker 4>into it with some dudes from Field Mo from like

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<v Speaker 4>like I was telling you earlier, with JT, the bigger

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<v Speaker 4>figure and wrapping Foete all them saying Quinn all limits

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<v Speaker 4>from that area, and uh, they got into it behind

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<v Speaker 4>the female.

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<v Speaker 1>They tried to take his car at this party.

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<v Speaker 4>And from there, you know, it started with like fights,

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<v Speaker 4>you know, just really just punching and fighting and all that,

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<v Speaker 4>you know, having little little squabbles or whatever. And they

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<v Speaker 4>went from there to you know, mofucker, pull out a pistol.

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<v Speaker 4>Once you get hit once, once a person gets shot.

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<v Speaker 4>It was the back and forth. And I said all

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<v Speaker 4>stemmed from really everybody started getting guns when the crack hit.

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<v Speaker 1>We all started selling.

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<v Speaker 4>And when they would have just you know, dolphins coming through,

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<v Speaker 4>you know, you getting dop feed rentals, you you you

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<v Speaker 4>buying the pistols and all that, and all of a

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<v Speaker 4>sudden it went from fighting.

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<v Speaker 3>To sound like the same type of.

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<v Speaker 1>Ship saying you know, it was the same story really everywhere.

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<v Speaker 3>And it was, uh, you know, it was an era

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<v Speaker 3>where we came up on guns. You know, the riots

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<v Speaker 3>or whatever. Niggas was breaking in the gun stores, surplus stores,

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<v Speaker 3>you know, So thus the hood got the fluctuation of

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<v Speaker 3>weapons and ammunition. And you know, I think that era

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<v Speaker 3>was real critical for everybody in the beginning hoods been

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<v Speaker 3>around and ship, you know. But you know, there's like

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<v Speaker 3>a point in time, just like a point in history

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<v Speaker 3>where it's a significant event, certain situations and ship and

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<v Speaker 3>that did it for a lot of us, you know,

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<v Speaker 3>around that Colors era, you know, the Rodney King ship.

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<v Speaker 3>It was always but you know, not to misguide motherfuckers. Uh,

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<v Speaker 3>it's always been a fluctuation of inner city problems within

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<v Speaker 3>those sections with niggas, and you know it was it

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<v Speaker 3>was just that where niggas was trying to grow up

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<v Speaker 3>in the neighborhoods and protect the sections. But still just

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<v Speaker 3>eventually that's what it turned into. You know, we wasn't

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<v Speaker 3>turn turned nigga switch blades, turning the motherfucking deuce deuces

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<v Speaker 3>and shot them. You know, we gotta we got our

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<v Speaker 3>hand on the motherfucking said the war guns and ship.

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<v Speaker 3>You know, some niggas thought they was Billy the kid

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<v Speaker 3>like niggas. It's old the cracking.

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<v Speaker 4>Real talk, you said, switch blades and then that's what

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<v Speaker 4>my old g's that's what they was doing that.

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<v Speaker 1>The the worst was like a.

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<v Speaker 3>Nightca niggas went for Niggas went for motherfucking fingers, fingers

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<v Speaker 3>snapping and whipping out, change and backs, and niggas got

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<v Speaker 3>changed and bats a nigga want one nigga pulled out

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<v Speaker 3>to switch blade niggas like oh ship. One of the

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<v Speaker 3>confrontations with niggas was like, okay, niggas switch blades and fish.

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<v Speaker 3>Some nigga pulled off the dou stows. It was like,

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<v Speaker 3>oh sh real talk. That's when you knew, nigga that

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<v Speaker 3>the the motherfucking territory is is finna be known and

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<v Speaker 3>ship because you don't motherfucking wanting to beat niggas asses

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<v Speaker 3>to want to blast on niggas.

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<v Speaker 1>The one that's serious.

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<v Speaker 4>Yeah, real talk, real talk, like we didn't have like

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<v Speaker 4>it just it just kind of automatically turned into something

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<v Speaker 4>like a gang. Because you know, when you're growing up

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<v Speaker 4>like in the projects, you got all your homies, you playing,

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<v Speaker 4>you know, you're going to the boys club with We

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<v Speaker 4>had like our flag football league, basketball league. We was

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<v Speaker 4>playing all the little h twelve and ups and thirteen

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<v Speaker 4>in us we grew up with, and we were just in

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<v Speaker 4>there and just the dudes we'd be squabbling with and

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<v Speaker 4>pretty soon you just kind of become that, you know,

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<v Speaker 4>we all of a sudden, Harborough become hr D.

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<v Speaker 1>Now we representing hr D, you know, slash right.

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<v Speaker 4>So it just just became that. We never really said

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<v Speaker 4>we was a gang. It was just we just hung

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<v Speaker 4>with each other and it just be out of a sudden,

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<v Speaker 4>just became that, you know what I mean.

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<v Speaker 2>So well, you know what, it's the same thing. And

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<v Speaker 2>the late to I think people got it like kind

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<v Speaker 2>of misconstrued a little bit thinking because they think about

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<v Speaker 2>the colors. The first thing they think about us the colors, right,

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<v Speaker 2>what really is just about the neighborhood. It's the same

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<v Speaker 2>thing as yours, you know. You know when he was

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<v Speaker 2>doing what he was doing, it was all about his neighborhood.

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<v Speaker 2>You know what I'm saying. It sounded like it's the

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<v Speaker 2>same thing. One of the things that tripped me out, man,

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<v Speaker 2>is that when you had got shot man a little

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<v Speaker 2>bit further man, you got your whole head blew off NT.

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<v Speaker 1>Yeah.

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<v Speaker 4>Yeah, if I was a little bit closer when they

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<v Speaker 4>did the drive by the dudes from Sunnydale, you know,

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<v Speaker 4>and that day we had jumped them on Third Street.

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<v Speaker 4>Third Street is like a crenchya out here, where everybody

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<v Speaker 4>decided in their cars. You know, showing off, going up

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<v Speaker 4>and down the street with they slap, doing ay things,

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<v Speaker 4>showing off with some dudes from another side, some other projects,

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<v Speaker 4>Swampy Desert, Sunnydal They came through and they about like

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<v Speaker 4>three four cars.

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<v Speaker 1>We jumped them that day and you.

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<v Speaker 4>Know, everybody get the congregate and go back up to

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<v Speaker 4>the projects talking about what they did. I did this,

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<v Speaker 4>I did that, and yeah, they kind of slipping and

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<v Speaker 4>you know, I was strapped up. Everything had a hoodie on.

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<v Speaker 4>We out there talking. We got dudes on rooftops and everything.

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<v Speaker 4>And we had some ussos up at the top. Because

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<v Speaker 4>our projects that we grew with a lot of oosos,

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<v Speaker 4>Like we didn't have a lot of Latinos. They grew

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<v Speaker 4>up kind of like in the Mission district, like on

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<v Speaker 4>twenty fourth or that. They really hanging out with us

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<v Speaker 4>until later on like currently now once the music pop

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<v Speaker 4>we started, you know kind of like intermingling or whatever

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<v Speaker 4>with the Latinos. But for the most part, it was

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<v Speaker 4>a lot of some morns in our projects. We grew

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<v Speaker 4>up with them like heavy out here in the city.

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<v Speaker 4>So they was watching and top and all that he

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<v Speaker 4>had like folk cars snuck around the corna on us,

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<v Speaker 4>and I looked right into it when I heard the screech,

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<v Speaker 4>and I turned around and I got hit by a

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<v Speaker 4>half of building away. You know, they uh twelve gauges

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<v Speaker 4>and started shooting. My whole face got hit. I got

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<v Speaker 4>shot like kind of I said, like probably maybe about

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<v Speaker 4>fifty feet away, fifty to sixty feet away, but with

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<v Speaker 4>some buck shots.

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<v Speaker 1>You know what I mean. He had no slugs in

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<v Speaker 1>it and nothing like that.

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<v Speaker 4>It was just some buck shots and I still got

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<v Speaker 4>them in my all in my head and my face.

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<v Speaker 1>Today to this day. Wow, you know what I mean.

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<v Speaker 1>But yeah, it was a.

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<v Speaker 4>Few people got shot out there, but I was pretty

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<v Speaker 4>much the first one. As soon as I got hit,

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<v Speaker 4>I instantly went blind, you know, my whole side. And

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<v Speaker 4>they brushed me to the hospital and had to remove

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<v Speaker 4>my eye and the whole nine because it was like

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<v Speaker 4>my retina was bad. And the doctor was just like, yeah,

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<v Speaker 4>we gotta get it all up out of that leg.

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<v Speaker 4>Gonna contaminate you know, his his retina and it's gonna

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<v Speaker 4>add the other one's gonna go blind.

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<v Speaker 2>So they had to remove it instantly. So yeah, you know,

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<v Speaker 2>it's crazy. It's the same thing down here. He can

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<v Speaker 2>test to this. It's always a girl. That's the root

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<v Speaker 2>of all the bs, ain't it. Yeah, I don't know what.

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<v Speaker 2>Always a female bro. Always the female at the root

0:11:26.520 --> 0:11:28.920
<v Speaker 2>of some bullshit dog like I'm talking about from the

0:11:28.960 --> 0:11:31.520
<v Speaker 2>beginning of the time when you talk about like even

0:11:31.600 --> 0:11:34.880
<v Speaker 2>back in the biblical days, it was always behind a

0:11:34.920 --> 0:11:38.040
<v Speaker 2>female dog man always.

0:11:39.080 --> 0:11:41.960
<v Speaker 1>You know, I wouldn't say that.

0:11:43.720 --> 0:11:52.520
<v Speaker 3>All. You know, all beef stem from female interaction, uh some,

0:11:54.920 --> 0:11:58.160
<v Speaker 3>but you know a lot of it comes from just

0:11:58.160 --> 0:12:04.720
<v Speaker 3>just downright, you know, just jealousy. Sometimes business, you know,

0:12:04.920 --> 0:12:07.640
<v Speaker 3>trying to go into business, whether that is the street

0:12:07.720 --> 0:12:13.040
<v Speaker 3>game you know, or whether it's uh real ship. Sometimes

0:12:13.080 --> 0:12:17.600
<v Speaker 3>business and money uh can allow motherfucking beefs. And then

0:12:17.640 --> 0:12:20.680
<v Speaker 3>when you're dealing with money on the street thing or

0:12:20.720 --> 0:12:27.840
<v Speaker 3>even jealousy, jealousy to show reputation is a lot to

0:12:28.040 --> 0:12:32.840
<v Speaker 3>some niggas. You know, sometimes if your reputation is more

0:12:32.920 --> 0:12:36.400
<v Speaker 3>than what a nigga might seek to be in the

0:12:36.920 --> 0:12:40.640
<v Speaker 3>same you know section as you claim the same set

0:12:40.720 --> 0:12:43.240
<v Speaker 3>or whatever. You know, you would hope that it don't

0:12:43.320 --> 0:12:48.160
<v Speaker 3>lead to that. But sometimes jealousy, man, can can have

0:12:48.480 --> 0:12:54.320
<v Speaker 3>you know, the neighborhood in a different outlook. Yeah, just

0:12:54.320 --> 0:13:02.160
<v Speaker 3>the longstanding a different motherfucking uh, just a long standing

0:13:02.240 --> 0:13:06.600
<v Speaker 3>beef sometimes is what really brought the motherfucking drama to

0:13:06.720 --> 0:13:09.800
<v Speaker 3>the situation. Not to say that some females don't play

0:13:09.800 --> 0:13:12.680
<v Speaker 3>a part, because you know, some females have you know,

0:13:13.160 --> 0:13:18.200
<v Speaker 3>uh kids, fathers from different sets and shit like that. No,

0:13:18.960 --> 0:13:22.960
<v Speaker 3>you know how you know, you know our women, you know, uh,

0:13:23.200 --> 0:13:25.280
<v Speaker 3>you know back in you know, back when we used

0:13:25.320 --> 0:13:27.920
<v Speaker 3>to roam the hood. You know, it was you know,

0:13:28.520 --> 0:13:30.920
<v Speaker 3>get what you're gonna get, and get like whatever, and

0:13:30.960 --> 0:13:34.160
<v Speaker 3>you know, whatever nigga that was going, you know, step

0:13:34.240 --> 0:13:36.640
<v Speaker 3>up to the plate, whether he was from the enemy

0:13:36.679 --> 0:13:38.880
<v Speaker 3>hood or whether he was a nigga that was from

0:13:38.920 --> 0:13:39.679
<v Speaker 3>your own hood.

0:13:39.920 --> 0:13:40.480
<v Speaker 1>You feel me.

0:13:40.960 --> 0:13:44.800
<v Speaker 3>So you know that you deal with that ship in

0:13:45.400 --> 0:13:48.520
<v Speaker 3>any situation right now, as far as not even just

0:13:48.559 --> 0:13:49.600
<v Speaker 3>the hood is concerned.

0:13:50.160 --> 0:13:50.959
<v Speaker 1>Yeah, that's how my.

0:13:50.960 --> 0:13:53.800
<v Speaker 4>Hood, that's from my neighborhood, My projects fell apart. You know,

0:13:53.840 --> 0:13:57.000
<v Speaker 4>when mississ C got killed, you know, you know, and

0:13:57.120 --> 0:13:59.640
<v Speaker 4>first it was Hunter's point against fieldmore sunny there.

0:13:59.720 --> 0:14:02.440
<v Speaker 1>Once truths came, then it started being inner turf beefs.

0:14:02.480 --> 0:14:05.240
<v Speaker 4>You know, it's like the jealousy we now we got

0:14:05.240 --> 0:14:08.040
<v Speaker 4>that rap thing, you know, I was already considered a

0:14:08.040 --> 0:14:09.840
<v Speaker 4>reptiboy or whatever you want to call it up here

0:14:09.840 --> 0:14:12.120
<v Speaker 4>in my neighborhood in Missis c was new. He had

0:14:12.160 --> 0:14:14.800
<v Speaker 4>only had been up there three years, and his reputation

0:14:15.000 --> 0:14:17.800
<v Speaker 4>shot up because of the rat. So he shot past

0:14:17.920 --> 0:14:20.680
<v Speaker 4>a lot of dudes. Females come through. They coming through

0:14:20.720 --> 0:14:23.160
<v Speaker 4>looking for you know, me and mister C. They looking

0:14:23.160 --> 0:14:25.240
<v Speaker 4>for RBS. So a lot of dudes was getting jealous

0:14:25.240 --> 0:14:28.840
<v Speaker 4>because he didn't really have to quote unquote put in

0:14:28.880 --> 0:14:30.480
<v Speaker 4>no work over there, you know what I mean. He

0:14:30.560 --> 0:14:32.840
<v Speaker 4>got came through through the rap thing through one of

0:14:32.840 --> 0:14:37.160
<v Speaker 4>our homies who was dating his and his status just elevated,

0:14:37.560 --> 0:14:39.680
<v Speaker 4>and it just was jealousy, you know what I mean.

0:14:39.800 --> 0:14:41.600
<v Speaker 1>And it cost inner.

0:14:41.400 --> 0:14:44.720
<v Speaker 4>Turf beef and one thing with another word. You know,

0:14:44.800 --> 0:14:48.160
<v Speaker 4>he ended up getting killed. You know, say the dudes

0:14:48.200 --> 0:14:50.160
<v Speaker 4>who was on our first aloho, you know what.

0:14:50.200 --> 0:14:53.120
<v Speaker 3>I'm saying, Just because you grew up with TT around

0:14:53.160 --> 0:14:56.160
<v Speaker 3>the corner and y'all flirted and all that nigga TT want,

0:14:56.200 --> 0:14:59.000
<v Speaker 3>the TT want the name and the nigga with the

0:14:59.720 --> 0:15:04.400
<v Speaker 3>bas nigga. You feel me, you get me, nigga. Yeah,

0:15:04.440 --> 0:15:06.960
<v Speaker 3>we all from the hood and everything is all good.

0:15:07.040 --> 0:15:09.880
<v Speaker 3>She the bad bitch, but she still nowhere to choose

0:15:09.960 --> 0:15:12.680
<v Speaker 3>and ship and like you said some time, that jealousy

0:15:12.800 --> 0:15:15.600
<v Speaker 3>is too overwhelming for a motherfucker to accept.

0:15:16.320 --> 0:15:16.920
<v Speaker 1>Real talk.

0:15:17.480 --> 0:15:20.560
<v Speaker 2>Yeah really, And you know one of the things is, man,

0:15:21.520 --> 0:15:23.680
<v Speaker 2>y'all came up during a period where it wasn't a

0:15:23.720 --> 0:15:26.800
<v Speaker 2>whole bunch of rappers. It wasn't like it today, man,

0:15:27.360 --> 0:15:29.680
<v Speaker 2>So y'all was really like pioneers in the city. And

0:15:29.760 --> 0:15:32.240
<v Speaker 2>y'all was a really big deal man, because y'allways signed

0:15:32.240 --> 0:15:33.000
<v Speaker 2>in a minute.

0:15:32.840 --> 0:15:35.720
<v Speaker 1>Right yeah, we uh well, we was out the trunk

0:15:35.800 --> 0:15:36.360
<v Speaker 1>for a minute.

0:15:36.720 --> 0:15:38.360
<v Speaker 4>Was a short minute. Then we ended up doing a

0:15:39.320 --> 0:15:42.040
<v Speaker 4>deal with in a minute. First they distributed our stuff

0:15:42.080 --> 0:15:46.640
<v Speaker 4>through the music people. That that was like they company,

0:15:46.680 --> 0:15:48.560
<v Speaker 4>they one stop sort of, you know, they just did

0:15:48.600 --> 0:15:51.320
<v Speaker 4>a distribution and then we we sawd like maybe six

0:15:51.360 --> 0:15:53.920
<v Speaker 4>thousand units to them, and that's when they ended up

0:15:53.920 --> 0:15:54.960
<v Speaker 4>signing us to.

0:15:55.040 --> 0:15:56.240
<v Speaker 1>Like a little three year deal.

0:15:56.800 --> 0:15:58.320
<v Speaker 4>And I was just really trying to hit the block,

0:15:58.400 --> 0:16:00.600
<v Speaker 4>So we signed a little shitty deal for three three albums.

0:16:00.640 --> 0:16:03.440
<v Speaker 4>He paid us bought out cash me out for what

0:16:03.480 --> 0:16:06.240
<v Speaker 4>he owed me for the five thousand units, and he

0:16:06.360 --> 0:16:08.600
<v Speaker 4>ended up giving us like ten thousand. We signed for

0:16:08.640 --> 0:16:10.320
<v Speaker 4>like ten thousand. I was trying to do, is hit

0:16:10.360 --> 0:16:12.480
<v Speaker 4>the block and go grab some dub. I didn't even

0:16:12.600 --> 0:16:14.480
<v Speaker 4>I didn't even care about that deal. I was just like, shit,

0:16:15.120 --> 0:16:17.600
<v Speaker 4>it's more of that where that came from. So, yeah,

0:16:17.640 --> 0:16:19.760
<v Speaker 4>we signed with in a minute, and that later on

0:16:19.920 --> 0:16:21.800
<v Speaker 4>we transitioned over the Big Beat Atlantic.

0:16:22.200 --> 0:16:22.800
<v Speaker 1>You know what I mean?

0:16:23.800 --> 0:16:26.480
<v Speaker 2>Look, y'all must have sold some significant records though to

0:16:26.520 --> 0:16:29.160
<v Speaker 2>get picked up by Big Beat Atlantic, because back then

0:16:30.280 --> 0:16:32.320
<v Speaker 2>they wouldn't you know, I ain't.

0:16:32.360 --> 0:16:35.400
<v Speaker 1>Say, Oh, Craig count and gonna snatch a nigga up

0:16:36.120 --> 0:16:41.400
<v Speaker 1>came to see. That's personally. Yeah, before he even went

0:16:41.440 --> 0:16:45.000
<v Speaker 1>to Atlantic and got that deal, I had a Big Bat.

0:16:45.000 --> 0:16:47.160
<v Speaker 1>I had a production deal with Big Beat.

0:16:47.400 --> 0:16:50.920
<v Speaker 4>Okay, yeah, this before he even went to Atlantic Records,

0:16:50.920 --> 0:16:54.200
<v Speaker 4>he was still running Big Beat. We gave Mike Caring

0:16:54.280 --> 0:16:56.320
<v Speaker 4>the job up over there, like really kind of running

0:16:56.320 --> 0:16:57.720
<v Speaker 4>it and smart.

0:16:58.440 --> 0:17:01.320
<v Speaker 3>He was when I started fucking with and he was

0:17:01.440 --> 0:17:06.800
<v Speaker 3>he was Atlantic. He was. Yeah, he had transitioned to

0:17:06.880 --> 0:17:11.920
<v Speaker 3>the big seat over at Atlantic. Yeah, he wasn't there,

0:17:11.960 --> 0:17:14.280
<v Speaker 3>but no more than about like maybe four five months

0:17:14.280 --> 0:17:17.160
<v Speaker 3>after he signed us, and we was over there dealing

0:17:17.200 --> 0:17:19.080
<v Speaker 3>with him for a minute he was excited, and then

0:17:19.080 --> 0:17:20.399
<v Speaker 3>all of a sudden he was just like, man, I'm

0:17:20.440 --> 0:17:22.080
<v Speaker 3>gonna put you on good hands. This is why he

0:17:22.119 --> 0:17:24.080
<v Speaker 3>introduced this to Mike cann and I already knew it

0:17:24.160 --> 0:17:27.000
<v Speaker 3>was ugly from there because Mike Camra was more East

0:17:27.000 --> 0:17:30.359
<v Speaker 3>Coast he didn't really hear about West Coast rap like that.

0:17:30.440 --> 0:17:32.200
<v Speaker 3>And I just felt his energy when I was hanging

0:17:32.200 --> 0:17:34.359
<v Speaker 3>out with him for about a month and I was

0:17:34.400 --> 0:17:36.200
<v Speaker 3>just like, man, he ain't giving me the same energy

0:17:36.200 --> 0:17:36.840
<v Speaker 3>as Craig can.

0:17:37.080 --> 0:17:39.879
<v Speaker 4>Craig knew exactly why he scientists. He knew I was

0:17:39.920 --> 0:17:42.199
<v Speaker 4>doing all the beats, all the music and everything. That's

0:17:42.200 --> 0:17:44.160
<v Speaker 4>why you stay. After we lost mississt was like, bro,

0:17:44.720 --> 0:17:47.400
<v Speaker 4>I know you the one doing all the music. Pull

0:17:47.520 --> 0:17:49.520
<v Speaker 4>hit Man in to kind of like, you know, feel

0:17:49.520 --> 0:17:52.200
<v Speaker 4>the gap for Miss c and you know you just

0:17:52.280 --> 0:17:54.320
<v Speaker 4>keep doing a production and let's just keep this going.

0:17:54.359 --> 0:17:56.800
<v Speaker 4>We're gonna just re you know, reconstruct the deal and

0:17:56.960 --> 0:17:59.720
<v Speaker 4>adjusted a little bit because we lost Mississi's I'm still

0:17:59.760 --> 0:18:02.600
<v Speaker 4>taking the risk, he said, but let's do it. As

0:18:02.600 --> 0:18:05.439
<v Speaker 4>soon as we did it, he was coming within like

0:18:05.720 --> 0:18:08.679
<v Speaker 4>four five months. He was like, man, they pulled me

0:18:08.720 --> 0:18:10.879
<v Speaker 4>in the Atlantic, but I'm still oversee it. I'm like,

0:18:10.920 --> 0:18:13.640
<v Speaker 4>you know, I'm president over there or whatever. And sure

0:18:13.720 --> 0:18:16.080
<v Speaker 4>enough they end up cutting it. Man, they end up, Uh,

0:18:16.280 --> 0:18:19.320
<v Speaker 4>Mike Cairn ended up kind of. I don't know, it

0:18:19.400 --> 0:18:21.679
<v Speaker 4>just didn't work. We start bumping heads. It just wouldn't

0:18:21.680 --> 0:18:23.359
<v Speaker 4>work out. He was trying to send us over the

0:18:23.359 --> 0:18:26.280
<v Speaker 4>East Coast Producers and the whole nine, and we're just.

0:18:26.240 --> 0:18:27.800
<v Speaker 1>Like, bro, this thing, what we want? This thing?

0:18:27.840 --> 0:18:30.440
<v Speaker 4>What we this sing? What we do? You know, I produce?

0:18:30.960 --> 0:18:32.919
<v Speaker 4>And he was like, now we're gonna spend this budget

0:18:32.960 --> 0:18:34.560
<v Speaker 4>over here. He trying to get me to, you know,

0:18:34.600 --> 0:18:36.240
<v Speaker 4>to work my budget. I'm like, man, I'm trying to

0:18:36.320 --> 0:18:37.320
<v Speaker 4>keep this money in the house.

0:18:38.600 --> 0:18:42.000
<v Speaker 2>With Mike heern he always with everybody he deal with.

0:18:43.280 --> 0:18:45.840
<v Speaker 2>He can't never just be the label. He got to

0:18:45.880 --> 0:18:47.640
<v Speaker 2>pull you in and try to make you spend your

0:18:47.640 --> 0:18:50.560
<v Speaker 2>budget with some producers. I guarantee you the producers get

0:18:50.600 --> 0:18:52.640
<v Speaker 2>to work with with some chances signed to him.

0:18:52.800 --> 0:18:55.280
<v Speaker 3>That's probably because you know, I can get a kickback

0:18:55.359 --> 0:18:59.199
<v Speaker 3>from that or some kind of way. I got a

0:18:59.240 --> 0:19:04.680
<v Speaker 3>back door for production deal. If I got a backdoor

0:19:04.760 --> 0:19:09.800
<v Speaker 3>production deal, then I can guarantee work for niggas that

0:19:09.880 --> 0:19:14.199
<v Speaker 3>I'm going out you know under my production umbrother you

0:19:14.280 --> 0:19:18.399
<v Speaker 3>know exactly that's basically some mouthpiece ship. You know, I

0:19:18.440 --> 0:19:21.240
<v Speaker 3>can't turn on a drum machine or make a beat,

0:19:21.680 --> 0:19:24.000
<v Speaker 3>but I know a lot of cats that's under the

0:19:24.080 --> 0:19:29.119
<v Speaker 3>radar who produce. And you know, I can tell a nigga,

0:19:29.160 --> 0:19:31.359
<v Speaker 3>I can get you five hundred for a beat, and

0:19:31.480 --> 0:19:33.920
<v Speaker 3>in the end, nigga, I can really get five thousand.

0:19:34.960 --> 0:19:35.679
<v Speaker 1>Exactly that.

0:19:38.040 --> 0:19:41.840
<v Speaker 3>When niggas, you know, when niggas want to come in

0:19:41.920 --> 0:19:45.960
<v Speaker 3>and take control over your motherfucking production budget, you know,

0:19:46.440 --> 0:19:52.040
<v Speaker 3>especially if you are known to be the producer yourself

0:19:52.080 --> 0:19:56.800
<v Speaker 3>saying it was the same shiit, same situation, Yeah, same situation, Uh.

0:19:57.200 --> 0:19:58.920
<v Speaker 1>To get us to that big table and like, yeah,

0:19:58.920 --> 0:20:01.159
<v Speaker 1>this is what we're gonna do. Hold on, man, he

0:20:01.280 --> 0:20:03.760
<v Speaker 1>signed treacherous time.

0:20:04.320 --> 0:20:08.240
<v Speaker 3>You know, West Coast artists and and y'all probably was

0:20:08.280 --> 0:20:12.880
<v Speaker 3>going through the same motherfucking uh you know, uh tornado

0:20:13.440 --> 0:20:16.560
<v Speaker 3>that everybody got caught up in. But you know, this

0:20:16.680 --> 0:20:20.680
<v Speaker 3>was the transition of when motherfuckers was trying to push

0:20:20.720 --> 0:20:23.959
<v Speaker 3>away from the table of the direction of West Coast

0:20:24.040 --> 0:20:28.800
<v Speaker 3>artists because of what drama they felt, uh, the West

0:20:28.840 --> 0:20:32.440
<v Speaker 3>Coast was bringing to hip hop, you know, as far

0:20:32.480 --> 0:20:37.080
<v Speaker 3>as with Tupac's death and and that was going on

0:20:37.560 --> 0:20:40.640
<v Speaker 3>as far as you know, at one point in time,

0:20:40.760 --> 0:20:42.720
<v Speaker 3>we all was beefing with somebody.

0:20:43.119 --> 0:20:43.560
<v Speaker 1>And I.

0:20:45.320 --> 0:20:50.480
<v Speaker 3>Don't relate that to the music business. It's just unfortunate

0:20:50.640 --> 0:20:56.000
<v Speaker 3>our professions. It carried over into our professions. You get me,

0:20:57.440 --> 0:21:01.560
<v Speaker 3>you know, you know, like you do that bad thing,

0:21:01.920 --> 0:21:04.440
<v Speaker 3>you do that bad thing in your life and then

0:21:04.560 --> 0:21:07.320
<v Speaker 3>you go somewhere and you change and you pay your

0:21:07.400 --> 0:21:12.680
<v Speaker 3>dues and you reform, but then it's still motherfuckers who

0:21:12.760 --> 0:21:16.800
<v Speaker 3>want to keep that over yo. You get me, nigga,

0:21:16.840 --> 0:21:20.879
<v Speaker 3>you still get it. And that's what happened what a

0:21:20.920 --> 0:21:24.600
<v Speaker 3>lot of us as youngsters, you know, coming from the

0:21:24.680 --> 0:21:30.359
<v Speaker 3>block and the projects, because that was our introduction to

0:21:30.640 --> 0:21:37.240
<v Speaker 3>just life. You get me wasn't like nowadays. And not

0:21:37.359 --> 0:21:42.840
<v Speaker 3>to say that there wasn't choices back then were limited

0:21:43.400 --> 0:21:48.679
<v Speaker 3>as far as the programs and activities like you know,

0:21:50.840 --> 0:21:54.919
<v Speaker 3>my my my thirteen year old son could go to

0:21:54.960 --> 0:21:58.840
<v Speaker 3>the center and join the basketball team, and he can

0:21:58.920 --> 0:22:01.720
<v Speaker 3>go to the training camps and he can go to

0:22:02.080 --> 0:22:05.360
<v Speaker 3>you know, or there's different kind of outlets for kids

0:22:05.840 --> 0:22:10.320
<v Speaker 3>that where you can influence. Back then, growing up in

0:22:10.359 --> 0:22:15.120
<v Speaker 3>the seventies and eighties, my influence was the game shit

0:22:15.720 --> 0:22:19.879
<v Speaker 3>you right. You know I did not I did not

0:22:20.280 --> 0:22:24.639
<v Speaker 3>quest to be a motherfucking uh man. I'm gonna be

0:22:24.680 --> 0:22:29.520
<v Speaker 3>a school teacher. I'm a nigga exactly. Schools teachers were

0:22:29.560 --> 0:22:32.760
<v Speaker 3>still riding the bus and struggling and still trying to

0:22:32.760 --> 0:22:35.720
<v Speaker 3>put food on it. As far as the nigga who

0:22:35.800 --> 0:22:38.760
<v Speaker 3>was my age down the street saying grade he got

0:22:38.800 --> 0:22:46.320
<v Speaker 3>the newest motherfucking el Camino or fucking blazer in every

0:22:46.359 --> 0:22:49.320
<v Speaker 3>bitch in high school is on his dick, and and

0:22:49.359 --> 0:22:52.480
<v Speaker 3>I'm that's who I longed to be.

0:22:52.920 --> 0:22:58.359
<v Speaker 1>You get me. So that was the neighborhood you got

0:22:58.400 --> 0:22:59.359
<v Speaker 1>down the block.

0:22:59.480 --> 0:23:02.199
<v Speaker 3>You didn't get that out no book or going to

0:23:02.359 --> 0:23:07.160
<v Speaker 3>no no training or joining no football program or whatever.

0:23:07.480 --> 0:23:14.480
<v Speaker 3>You got that from the block. So our opportunity, which

0:23:14.560 --> 0:23:21.080
<v Speaker 3>presented when hip hop came along, that was our football,

0:23:21.440 --> 0:23:23.880
<v Speaker 3>that was our baseball, our after.

0:23:23.560 --> 0:23:26.359
<v Speaker 1>School or nigga go to school. I'm shit.

0:23:26.920 --> 0:23:32.880
<v Speaker 3>And then now it's so easy for me because now

0:23:32.880 --> 0:23:36.480
<v Speaker 3>I ain't got to take no motherfucking physics testa, no algebra.

0:23:36.960 --> 0:23:39.120
<v Speaker 3>All I gotta do is write some shit about what's

0:23:39.160 --> 0:23:43.440
<v Speaker 3>going on on my motherfucking block and how my fucking.

0:23:43.160 --> 0:23:43.760
<v Speaker 1>Great is that?

0:23:44.520 --> 0:23:48.880
<v Speaker 3>But that trend but as we're still growing into our

0:23:49.359 --> 0:23:53.720
<v Speaker 3>our adulthood. Me as an adolescent nigga eighteen nineteen, nigga,

0:23:53.760 --> 0:23:56.439
<v Speaker 3>don't give a fuck. I was signing Sony Music and

0:23:56.520 --> 0:23:58.399
<v Speaker 3>still going to the neighborhood every day.

0:23:58.720 --> 0:24:03.600
<v Speaker 4>Exactly, I couldn't get that check, the goin to go

0:24:03.680 --> 0:24:04.600
<v Speaker 4>buy a bird or too.

0:24:05.920 --> 0:24:09.760
<v Speaker 3>So because of because of that life that I had

0:24:09.880 --> 0:24:13.120
<v Speaker 3>led before rap came along. And now I'm this rapper

0:24:13.760 --> 0:24:17.040
<v Speaker 3>and I got me some videos and and I done

0:24:17.119 --> 0:24:21.000
<v Speaker 3>been on MTV and had a couple of shows. I'm

0:24:21.040 --> 0:24:25.400
<v Speaker 3>supposed to be looked at as you know, you're an

0:24:25.480 --> 0:24:29.040
<v Speaker 3>artist entertainer now. But to me and the niggas, I

0:24:29.119 --> 0:24:33.240
<v Speaker 3>went to school with them, niggas going that niggas steal

0:24:33.640 --> 0:24:38.000
<v Speaker 3>from the set and still enemies and whatever whatever. So

0:24:38.080 --> 0:24:42.080
<v Speaker 3>the labels, you know, that carried over with us as

0:24:42.160 --> 0:24:46.080
<v Speaker 3>fucking artists. So thus far, that's when the labels got

0:24:46.160 --> 0:24:52.280
<v Speaker 3>scared because our previous lifestyle was flooding over into the

0:24:52.400 --> 0:24:56.800
<v Speaker 3>so called entertainment world. Now you get me niggas coming

0:24:56.880 --> 0:25:00.800
<v Speaker 3>up here and motherfucking sets and hoods and that nigga

0:25:00.840 --> 0:25:03.480
<v Speaker 3>had a gun on him, and I heard that Nigga

0:25:03.560 --> 0:25:06.439
<v Speaker 3>had a warrant and the niggas was fighting in the

0:25:06.560 --> 0:25:07.320
<v Speaker 3>lobby and.

0:25:07.240 --> 0:25:10.440
<v Speaker 1>Shit, like, what the fuck is going on? So it's

0:25:10.480 --> 0:25:11.200
<v Speaker 1>scared niggas.

0:25:11.200 --> 0:25:15.520
<v Speaker 3>So y'all got caught up in that Atlantic ship, like, oh,

0:25:15.520 --> 0:25:17.120
<v Speaker 3>I don't want to touch that ship no more.

0:25:17.840 --> 0:25:19.040
<v Speaker 1>Yeah, what it was?

0:25:19.080 --> 0:25:19.520
<v Speaker 2>I want.

0:25:21.040 --> 0:25:24.080
<v Speaker 3>Them they start doing It's just like they did me.

0:25:24.600 --> 0:25:27.680
<v Speaker 3>They started going, oh, we want to bring in producers.

0:25:27.840 --> 0:25:31.880
<v Speaker 3>They wanted to change the style and your right. They

0:25:32.000 --> 0:25:35.440
<v Speaker 3>no longer wanted you to speak on being from the projects.

0:25:35.680 --> 0:25:38.720
<v Speaker 3>Now they want you to talk about having this lavish

0:25:38.800 --> 0:25:43.560
<v Speaker 3>lifestyle and popping bottles and everything's a party. So let's

0:25:43.560 --> 0:25:47.119
<v Speaker 3>bring in these East Coast producers and let's try to

0:25:47.160 --> 0:25:49.359
<v Speaker 3>wook it. They did the same thing to me, and

0:25:49.440 --> 0:25:51.359
<v Speaker 3>I had backed out the deal.

0:25:55.640 --> 0:25:57.600
<v Speaker 2>Who was they trying to link you up with? Blake

0:25:57.640 --> 0:25:59.399
<v Speaker 2>se Who were they trying to link you all up with?

0:26:00.119 --> 0:26:01.240
<v Speaker 1>He said it was unknown.

0:26:01.280 --> 0:26:03.800
<v Speaker 4>I think they were just some producers that Mike Caaren

0:26:03.880 --> 0:26:06.280
<v Speaker 4>kind of knew because he was saying, like this producers

0:26:06.320 --> 0:26:09.840
<v Speaker 4>produced for like he was bringing up son as some

0:26:09.840 --> 0:26:13.679
<v Speaker 4>of the dudes in Wu tang Uh he produced, He

0:26:13.760 --> 0:26:16.919
<v Speaker 4>produced for Red Man in Them, and he did some

0:26:16.960 --> 0:26:19.360
<v Speaker 4>stuff for Keith Murty. It was just like producers who

0:26:19.720 --> 0:26:21.840
<v Speaker 4>I never heard of him, Like, none of them, you

0:26:21.880 --> 0:26:25.240
<v Speaker 4>know what I mean, they don't even sound like it

0:26:25.280 --> 0:26:26.720
<v Speaker 4>wasn't our sound he was. I mean, I had a

0:26:26.720 --> 0:26:28.320
<v Speaker 4>bunch of because back then it was a lot. They

0:26:28.359 --> 0:26:30.399
<v Speaker 4>was giving us a lot of cassette tapes. I mean,

0:26:30.400 --> 0:26:33.280
<v Speaker 4>I still got that get you get you a producer,

0:26:33.520 --> 0:26:38.080
<v Speaker 4>get your producer role. They see your beat tape, little produced.

0:26:38.280 --> 0:26:40.159
<v Speaker 3>It was all like I said, it was all a

0:26:40.200 --> 0:26:44.600
<v Speaker 3>little underground up and coming producers. Who was bringing New

0:26:44.680 --> 0:26:47.919
<v Speaker 3>York uh glitsy sound.

0:26:48.080 --> 0:26:51.760
<v Speaker 1>Ye yeah yeah, the job.

0:26:51.720 --> 0:26:55.760
<v Speaker 3>Rule, the Timberland uh all all those was that's what

0:26:55.840 --> 0:26:57.199
<v Speaker 3>because that's what they hit me with.

0:26:57.320 --> 0:26:59.360
<v Speaker 1>They hit me with a gang of ship like that.

0:26:59.640 --> 0:27:04.200
<v Speaker 3>And it I had beat, I had lt huttingsoning in beats,

0:27:04.480 --> 0:27:07.680
<v Speaker 3>I had all kinds of niggas sitting they every time

0:27:07.800 --> 0:27:11.119
<v Speaker 3>I had get a beat, they would not accept it.

0:27:11.359 --> 0:27:13.600
<v Speaker 3>To the fact that I had how to the fact

0:27:13.640 --> 0:27:17.200
<v Speaker 3>that I was like, I'm gonna sue, Yeah, that's got it.

0:27:17.240 --> 0:27:19.800
<v Speaker 3>I threatened to sue. And so they settled out of

0:27:19.840 --> 0:27:21.480
<v Speaker 3>court with me, and that was the end of mind.

0:27:21.560 --> 0:27:24.280
<v Speaker 3>I had a nine album production deal with Big Beat

0:27:24.320 --> 0:27:26.679
<v Speaker 3>Atlantic Man, they ran it up on me.

0:27:26.760 --> 0:27:29.720
<v Speaker 4>I had, I had uh had a five album deal,

0:27:29.880 --> 0:27:32.680
<v Speaker 4>three mandatory and two optionals.

0:27:32.680 --> 0:27:34.560
<v Speaker 1>We only did one album and then.

0:27:34.680 --> 0:27:38.159
<v Speaker 4>Mike Canry just couldn't After I dropped that if one

0:27:38.200 --> 0:27:39.959
<v Speaker 4>Eye album, I had eight on every like, I went

0:27:40.000 --> 0:27:42.200
<v Speaker 4>out and start getting features people who are really wanted

0:27:42.280 --> 0:27:44.920
<v Speaker 4>him Richie rich you know I do t Q and them.

0:27:45.080 --> 0:27:47.600
<v Speaker 4>I ended up getting a mystical. I got a lot

0:27:47.680 --> 0:27:49.560
<v Speaker 4>of people, which usually on our hours we just it

0:27:49.680 --> 0:27:51.960
<v Speaker 4>be us like we don't really trip on features like that.

0:27:52.040 --> 0:27:53.679
<v Speaker 4>We're just like, man, our fans want to hear us,

0:27:53.680 --> 0:27:55.480
<v Speaker 4>We're gonna hear they was they talked justus and they're like, man,

0:27:55.520 --> 0:27:57.280
<v Speaker 4>who do you like? And I was like, you know,

0:27:57.320 --> 0:27:59.440
<v Speaker 4>I like a man, I like Cube, I like, you know,

0:27:59.480 --> 0:28:01.520
<v Speaker 4>I'm naming everybody who I kind of like, you know,

0:28:01.560 --> 0:28:03.919
<v Speaker 4>I got influenced by. And they was like, okay, we're

0:28:03.920 --> 0:28:05.680
<v Speaker 4>gonna try to reach out. And I had to put

0:28:05.720 --> 0:28:08.480
<v Speaker 4>mentioned Scarface was supposed to be on there. Short was

0:28:08.480 --> 0:28:10.800
<v Speaker 4>supposed to be on there. We ended up getting with

0:28:10.880 --> 0:28:14.720
<v Speaker 4>a couple of people and the singles just wasn't they

0:28:14.840 --> 0:28:16.399
<v Speaker 4>was They tried to do this ship to where he

0:28:16.440 --> 0:28:18.800
<v Speaker 4>was trying to do remixes and like, let's just go on,

0:28:18.880 --> 0:28:21.359
<v Speaker 4>and he put us pulled our masterpiece stuff, and I

0:28:21.440 --> 0:28:23.399
<v Speaker 4>was like, let's listen with master p doing like to

0:28:24.840 --> 0:28:27.359
<v Speaker 4>make him say and like come with something with a

0:28:27.480 --> 0:28:28.760
<v Speaker 4>nice little swing of linger.

0:28:28.840 --> 0:28:31.240
<v Speaker 1>It's like, Bro, that ain't what we known folks. I'm like, man,

0:28:31.320 --> 0:28:32.040
<v Speaker 1>Mike cam or.

0:28:33.680 --> 0:28:36.280
<v Speaker 4>Mike uh as far as what said create, Cadam has

0:28:36.280 --> 0:28:38.320
<v Speaker 4>signed us for what we've known for doing.

0:28:38.400 --> 0:28:40.520
<v Speaker 1>Man, I said, you know this ain't me.

0:28:41.200 --> 0:28:43.880
<v Speaker 4>And we just bumped here through that whole process, through

0:28:43.880 --> 0:28:46.040
<v Speaker 4>the promo process, and by the time we started on

0:28:46.040 --> 0:28:47.720
<v Speaker 4>the next album, he was like, man, look before I

0:28:47.760 --> 0:28:50.240
<v Speaker 4>hadn't opened up the budget. I need y'all to give

0:28:50.280 --> 0:28:52.160
<v Speaker 4>me a single. And I was like, I don't even

0:28:52.160 --> 0:28:53.920
<v Speaker 4>work like that. I work on an album. Then I

0:28:53.960 --> 0:28:55.960
<v Speaker 4>pulled a single from it. I said, let's just start

0:28:56.000 --> 0:28:58.000
<v Speaker 4>open up the budget. Let me start on. He's like, nah,

0:28:58.000 --> 0:29:00.280
<v Speaker 4>I'm notin't even gonna open it up. I want you

0:29:00.360 --> 0:29:01.800
<v Speaker 4>to give me a single first, and he said, what

0:29:01.840 --> 0:29:03.560
<v Speaker 4>you think of it? Take you to produce a single?

0:29:04.520 --> 0:29:06.480
<v Speaker 4>I said, you know, man, we'll just shoot me around

0:29:06.520 --> 0:29:09.240
<v Speaker 4>ten thousand. He shot us ten thousand. I did two songs.

0:29:09.800 --> 0:29:11.640
<v Speaker 4>He shot them down. I was like, now I put it.

0:29:11.680 --> 0:29:13.239
<v Speaker 4>I tried to do one with a little R and

0:29:13.280 --> 0:29:15.040
<v Speaker 4>B feel on it and on. I said, let me

0:29:15.080 --> 0:29:18.240
<v Speaker 4>do one a little bit more radio friendly. He didn't

0:29:18.280 --> 0:29:19.600
<v Speaker 4>like that. I said, all right, let me give him

0:29:19.600 --> 0:29:21.360
<v Speaker 4>something a little more grind me. He didn't like that.

0:29:21.720 --> 0:29:23.880
<v Speaker 4>So I ended up going to my lawyer like, man, look,

0:29:23.920 --> 0:29:25.440
<v Speaker 4>this is not even gonna work. He don't want to

0:29:25.480 --> 0:29:28.400
<v Speaker 4>open up the budget. He said it was two mandatories.

0:29:28.440 --> 0:29:30.560
<v Speaker 4>I mean three mandatories. Well, you know, if they don't

0:29:30.600 --> 0:29:32.120
<v Speaker 4>want to put out this next album, they got to

0:29:32.240 --> 0:29:34.800
<v Speaker 4>kick you down, like three seventy five three seventy five

0:29:34.800 --> 0:29:37.000
<v Speaker 4>thousand to buy you out, and then we can just

0:29:37.040 --> 0:29:37.560
<v Speaker 4>cut the deal.

0:29:37.560 --> 0:29:38.760
<v Speaker 1>You know, they can just let you go.

0:29:39.280 --> 0:29:41.040
<v Speaker 4>They ended up shoffing me, And what they did was

0:29:41.040 --> 0:29:42.760
<v Speaker 4>they stretched it on for like a year or two

0:29:42.760 --> 0:29:44.400
<v Speaker 4>and tried to shelf me. But I'm like, man, I'm

0:29:44.440 --> 0:29:46.440
<v Speaker 4>from the Bay. When we went into this independent shit,

0:29:46.880 --> 0:29:49.720
<v Speaker 4>I went pressed. I started doing shit, you know, independent,

0:29:49.760 --> 0:29:52.320
<v Speaker 4>throwing stuff out, you know, the back dough on them.

0:29:52.600 --> 0:29:54.160
<v Speaker 1>And I didn't care about it. I said, man, they

0:29:54.200 --> 0:29:55.400
<v Speaker 1>sued me. They sued me whatever.

0:29:55.440 --> 0:29:57.400
<v Speaker 4>I was using an RBL name, and I put out

0:29:57.440 --> 0:29:59.080
<v Speaker 4>like three other albums while I was trying to go

0:29:59.120 --> 0:30:01.200
<v Speaker 4>through the shit with U with my lawyer. They ran

0:30:01.280 --> 0:30:03.800
<v Speaker 4>that lawyer bill up to like one hundred and seventy

0:30:03.800 --> 0:30:04.960
<v Speaker 4>five thousand on me man.

0:30:05.000 --> 0:30:06.440
<v Speaker 1>So he was like, bro, it ain't even work by

0:30:06.480 --> 0:30:07.600
<v Speaker 1>the time you get this money.

0:30:08.040 --> 0:30:10.320
<v Speaker 4>If we even get it, you know you're gonna owe

0:30:10.360 --> 0:30:12.520
<v Speaker 4>me so much that he said, Man, You'm always just

0:30:12.520 --> 0:30:14.880
<v Speaker 4>going to just do what you're doing with City Hard Records.

0:30:14.920 --> 0:30:16.840
<v Speaker 4>You know, you don't put out a couple of albums

0:30:16.840 --> 0:30:19.840
<v Speaker 4>with them. Walter had paid me like he gave me.

0:30:19.880 --> 0:30:22.320
<v Speaker 4>He was giving me like fifty thousand album Then Bayside

0:30:22.360 --> 0:30:24.320
<v Speaker 4>opened up, and that's when I was just off to

0:30:24.360 --> 0:30:26.560
<v Speaker 4>the racist Bayside opened up a Budzet's giving me like

0:30:26.560 --> 0:30:29.200
<v Speaker 4>one hundred thousand albums. So it was off to the

0:30:29.320 --> 0:30:31.160
<v Speaker 4>races with them, and I just I never even really

0:30:31.200 --> 0:30:32.160
<v Speaker 4>even talked to my kidd.

0:30:33.040 --> 0:30:36.040
<v Speaker 2>You was making more money as an independent and what

0:30:36.080 --> 0:30:39.000
<v Speaker 2>you wanted to do versus dealing with them clowns, and

0:30:39.320 --> 0:30:40.720
<v Speaker 2>you know, one of the things that want to go

0:30:40.840 --> 0:30:45.880
<v Speaker 2>back to your group. Man. The RBL policy. You are

0:30:45.920 --> 0:30:50.160
<v Speaker 2>the last surviving member, Yes, sir, how did you handle

0:30:50.240 --> 0:30:52.760
<v Speaker 2>let time period mentally? Because that's a whole lot.

0:30:52.600 --> 0:30:55.840
<v Speaker 4>Bro Man, it was a you know, we I lost

0:30:55.840 --> 0:30:59.000
<v Speaker 4>mis c man that you know. It just that shit

0:30:59.120 --> 0:31:01.640
<v Speaker 4>crushed me out. You know, I really was damn there

0:31:01.720 --> 0:31:03.880
<v Speaker 4>wasn't even trying. And if Craig wouldn't even come and

0:31:03.920 --> 0:31:06.240
<v Speaker 4>talk to me, I probably wouldn't even got back in there.

0:31:06.240 --> 0:31:06.360
<v Speaker 1>You know.

0:31:06.400 --> 0:31:08.640
<v Speaker 4>I had my brother and all them kind of at me,

0:31:09.240 --> 0:31:11.200
<v Speaker 4>like Bruther, you got to keep the torch lit, you know,

0:31:11.240 --> 0:31:13.320
<v Speaker 4>all I was thinking, I was just on some evil shit.

0:31:13.360 --> 0:31:14.960
<v Speaker 4>I just wanted to go tear the hood up because

0:31:15.000 --> 0:31:17.240
<v Speaker 4>these dudes I grew up with for like, you know,

0:31:17.280 --> 0:31:19.200
<v Speaker 4>I've been knowing them since knee high, you know, the

0:31:19.240 --> 0:31:21.240
<v Speaker 4>dudes that betrayed me. I grew up with them in

0:31:21.280 --> 0:31:24.239
<v Speaker 4>the projects. I knew them like over twenty years, and

0:31:24.280 --> 0:31:26.200
<v Speaker 4>I missed the c He was new up there. I

0:31:26.200 --> 0:31:29.520
<v Speaker 4>only had new him since ninety one and then he

0:31:29.560 --> 0:31:31.440
<v Speaker 4>died at night, so it's about like four years I

0:31:31.520 --> 0:31:34.520
<v Speaker 4>had new him, so you know, four to maybe five years.

0:31:34.520 --> 0:31:37.280
<v Speaker 1>So it was just it was just a betrayal, man,

0:31:37.320 --> 0:31:39.040
<v Speaker 1>the way they kind of like snaked.

0:31:38.760 --> 0:31:41.200
<v Speaker 4>Me, and all I wanted to do, man, was just

0:31:41.240 --> 0:31:42.400
<v Speaker 4>tear that neighborhood up.

0:31:42.520 --> 0:31:43.960
<v Speaker 1>You know, when my brother and all them.

0:31:43.800 --> 0:31:45.480
<v Speaker 4>They were just like, brother, you got way too much

0:31:45.480 --> 0:31:48.480
<v Speaker 4>to lose, like this is still an opportunity to get out.

0:31:48.760 --> 0:31:52.120
<v Speaker 4>Craig came out and talked to me, and that just

0:31:52.200 --> 0:31:53.640
<v Speaker 4>kind of woke me up, you know what I mean.

0:31:53.680 --> 0:31:55.400
<v Speaker 1>And it just wasn't the same.

0:31:55.560 --> 0:31:58.640
<v Speaker 4>I ended up not even producing too much even I

0:31:58.720 --> 0:32:01.400
<v Speaker 4>think I maybe did three songs on that album, and

0:32:01.440 --> 0:32:03.080
<v Speaker 4>I ended up going to Get with Rick Rock, and

0:32:03.160 --> 0:32:05.240
<v Speaker 4>Rick Rock was kind of like the savior, you know,

0:32:05.280 --> 0:32:07.200
<v Speaker 4>to get because Mike, like I said, Mike cam was

0:32:07.200 --> 0:32:08.960
<v Speaker 4>sending me all over the place. I got with Mike

0:32:09.040 --> 0:32:12.680
<v Speaker 4>Mosley like Mosley got me with uh with Rick Rock,

0:32:12.800 --> 0:32:15.600
<v Speaker 4>and Rick Rock kind of walked that album up for me, you.

0:32:15.560 --> 0:32:16.080
<v Speaker 1>Know what I mean.

0:32:16.120 --> 0:32:19.160
<v Speaker 4>And it was like his start, you know, we was

0:32:19.200 --> 0:32:19.800
<v Speaker 4>like his start.

0:32:19.840 --> 0:32:21.360
<v Speaker 1>You know, I love what he doing right now.

0:32:21.360 --> 0:32:25.000
<v Speaker 4>But he kicked it off for us and gave us

0:32:25.000 --> 0:32:28.840
<v Speaker 4>some hits on that album to where Rick Rock, yeah,

0:32:28.920 --> 0:32:31.480
<v Speaker 4>shut out Rick Rock though, but yeah, man, it was hard.

0:32:31.480 --> 0:32:31.640
<v Speaker 1>Though.

0:32:31.680 --> 0:32:34.320
<v Speaker 4>It was that whole year, that that whole ninety six,

0:32:35.320 --> 0:32:37.040
<v Speaker 4>It was ugly for us, you know what I mean.

0:32:37.040 --> 0:32:38.280
<v Speaker 4>It was a lot of people, you know, at the

0:32:38.280 --> 0:32:41.000
<v Speaker 4>MISSISSIPI died. Man, it was like probably like twenty people

0:32:41.000 --> 0:32:42.680
<v Speaker 4>that died after that. You know, it was just a

0:32:42.720 --> 0:32:45.880
<v Speaker 4>lot of shit going on, just back and forth, houses

0:32:45.880 --> 0:32:47.960
<v Speaker 4>getting ready, you know, fans coming to Miuse with my

0:32:47.960 --> 0:32:50.080
<v Speaker 4>brother and all of them getting swooped up by the Feds,

0:32:50.160 --> 0:32:51.960
<v Speaker 4>and you know, I mean just everything.

0:32:52.040 --> 0:32:52.200
<v Speaker 1>Man.

0:32:52.200 --> 0:32:54.440
<v Speaker 4>We was going through a lot, man, trying to make

0:32:54.440 --> 0:32:56.440
<v Speaker 4>that transition. And I was in the process of buying

0:32:56.480 --> 0:32:58.320
<v Speaker 4>my house. Was I put out the hit Man album

0:32:58.480 --> 0:33:01.760
<v Speaker 4>in ninety five, like right before Misiss C died, I

0:33:01.880 --> 0:33:04.080
<v Speaker 4>dropped Hitman album and we sold that out.

0:33:04.120 --> 0:33:06.600
<v Speaker 1>We sold like about two hundred and twenty thousand after

0:33:06.600 --> 0:33:07.800
<v Speaker 1>the Trunk with that one.

0:33:07.880 --> 0:33:09.840
<v Speaker 4>You know, I was going getting cod ten dollars of

0:33:09.880 --> 0:33:12.160
<v Speaker 4>CD from City Hall, eating off.

0:33:12.040 --> 0:33:13.760
<v Speaker 1>Of that, and I ended up buying my house.

0:33:14.440 --> 0:33:16.960
<v Speaker 4>And right before I got my keys, they ended up

0:33:17.040 --> 0:33:20.320
<v Speaker 4>killing Misiss looking that transition, you know what I mean,

0:33:20.320 --> 0:33:22.600
<v Speaker 4>in Antioch, so getting up out the hood.

0:33:22.680 --> 0:33:24.800
<v Speaker 1>So it was just a lot going on at that time.

0:33:24.840 --> 0:33:26.840
<v Speaker 4>So the whole ninety six we kind of like lay

0:33:26.920 --> 0:33:29.160
<v Speaker 4>low trying to figure things out.

0:33:29.760 --> 0:33:31.680
<v Speaker 1>Mid ninety seven. You know, that's when we ended up

0:33:31.760 --> 0:33:33.640
<v Speaker 1>dropping the IFO an Eye album, you.

0:33:33.600 --> 0:33:37.080
<v Speaker 2>Know, and master P was up there during that time

0:33:37.160 --> 0:33:38.800
<v Speaker 2>period he was doing he.

0:33:38.800 --> 0:33:41.640
<v Speaker 1>Was he had left about yeah, he had.

0:33:41.720 --> 0:33:46.040
<v Speaker 4>He was all up there, like from ninety ninety one

0:33:46.240 --> 0:33:50.560
<v Speaker 4>through like maybe ninety four. Master he end up he

0:33:50.600 --> 0:33:52.440
<v Speaker 4>ended up going to the South by THEND, he ended

0:33:52.520 --> 0:33:55.040
<v Speaker 4>up going down there and start killing him in the

0:33:55.080 --> 0:33:56.120
<v Speaker 4>South because by the.

0:33:56.040 --> 0:33:58.080
<v Speaker 2>Time, it surprised you when you saw what he did.

0:33:58.920 --> 0:34:01.160
<v Speaker 4>Yeah, because nobody really cared for P up here. There

0:34:01.280 --> 0:34:03.400
<v Speaker 4>was just like he was kind of like taking people's styles.

0:34:03.400 --> 0:34:05.080
<v Speaker 4>He was trying to sound like Spice One, and he

0:34:05.120 --> 0:34:07.920
<v Speaker 4>was trying to sound like ce Bow. He was taking

0:34:07.920 --> 0:34:09.920
<v Speaker 4>people songs and kind of like they was looking at

0:34:10.000 --> 0:34:11.719
<v Speaker 4>him sort of almost like a weird al yank a

0:34:11.800 --> 0:34:12.399
<v Speaker 4>Vica rap.

0:34:12.560 --> 0:34:15.000
<v Speaker 1>Like out here he was like flipping dudes hooks like

0:34:15.000 --> 0:34:17.520
<v Speaker 1>he took the lot, you know.

0:34:17.840 --> 0:34:20.319
<v Speaker 4>But I had love for Pete because he you know,

0:34:20.400 --> 0:34:22.440
<v Speaker 4>even when he tried to sign us too, and then

0:34:22.480 --> 0:34:24.080
<v Speaker 4>once he went in and got his money, he was like, man,

0:34:24.160 --> 0:34:25.000
<v Speaker 4>forget Atlantic, you.

0:34:25.000 --> 0:34:27.080
<v Speaker 1>Know, you need to come rock with us, and you know,

0:34:27.160 --> 0:34:28.239
<v Speaker 1>come down here and deal with me.

0:34:28.320 --> 0:34:30.640
<v Speaker 4>Black and I was just like I just couldn't do it,

0:34:30.800 --> 0:34:33.040
<v Speaker 4>And plus I just kind of wanted that experience we're

0:34:33.080 --> 0:34:35.000
<v Speaker 4>dealing with like you know, big beat Atlantic, because we

0:34:35.040 --> 0:34:38.920
<v Speaker 4>had relativity at US, we had depth jam at US priority,

0:34:39.000 --> 0:34:41.680
<v Speaker 4>but none of them was offering with uh with Craig

0:34:41.760 --> 0:34:42.880
<v Speaker 4>Calluman was offering us.

0:34:42.920 --> 0:34:45.160
<v Speaker 1>So you know, we ended up going with them.

0:34:45.239 --> 0:34:48.200
<v Speaker 4>But yeah, it was a it was a it was

0:34:48.239 --> 0:34:50.719
<v Speaker 4>a master people was like doing this thing.

0:34:50.800 --> 0:34:52.800
<v Speaker 1>He was a big We all was surprised.

0:34:52.880 --> 0:34:55.160
<v Speaker 4>Nobody expecting him to leave and blow up like that

0:34:55.200 --> 0:34:57.919
<v Speaker 4>because nobody really cared for him like that out here.

0:34:58.120 --> 0:35:00.560
<v Speaker 4>Nobody and everybody admitted it was like, damn, we didn't

0:35:00.560 --> 0:35:02.960
<v Speaker 4>expect master P. Like they looked at the Master P

0:35:03.040 --> 0:35:05.399
<v Speaker 4>as a garbage rapper out here. They didn't really fuck

0:35:05.440 --> 0:35:06.160
<v Speaker 4>with him like that.

0:35:06.280 --> 0:35:08.600
<v Speaker 2>But he was a limless hustle though.

0:35:09.440 --> 0:35:11.000
<v Speaker 4>That's what I said. He was a business man when

0:35:11.000 --> 0:35:14.040
<v Speaker 4>he came to the to get us. You know, he

0:35:14.080 --> 0:35:16.640
<v Speaker 4>broke us off here black he go five thousand, you know,

0:35:16.760 --> 0:35:18.880
<v Speaker 4>he came and got us for the second one. Uh,

0:35:19.200 --> 0:35:21.080
<v Speaker 4>Mississ didn't really want to get on it. He didn't

0:35:21.080 --> 0:35:23.480
<v Speaker 4>really like you know, he just was like, man, garbage.

0:35:23.480 --> 0:35:25.279
<v Speaker 4>I don't even want to be on this compilation man,

0:35:25.320 --> 0:35:27.320
<v Speaker 4>And uh, he ended up getting us on trying to

0:35:27.320 --> 0:35:30.120
<v Speaker 4>make a dollar out of fifteen cent and uh, like

0:35:30.160 --> 0:35:32.759
<v Speaker 4>I said, he broke us off like five thousand for that.

0:35:32.840 --> 0:35:34.200
<v Speaker 1>Then he came back the second time.

0:35:34.239 --> 0:35:36.960
<v Speaker 4>I did a song with Laviti and them on the

0:35:37.040 --> 0:35:39.719
<v Speaker 4>second one, and he gave us like seven thousand for that,

0:35:39.920 --> 0:35:40.520
<v Speaker 4>you know what I mean.

0:35:40.640 --> 0:35:42.120
<v Speaker 1>And he let me release it as a singer.

0:35:42.160 --> 0:35:44.360
<v Speaker 4>The song actually did good in Canada and everywhere we

0:35:44.320 --> 0:35:46.239
<v Speaker 4>would release it as a single over there. Master P

0:35:46.400 --> 0:35:48.960
<v Speaker 4>helped me with that. He gave me clearance and everything,

0:35:49.040 --> 0:35:51.200
<v Speaker 4>like he was cool man. You know, I ain't really

0:35:51.239 --> 0:35:54.279
<v Speaker 4>got no complaints about Pete. You know he handed his ben.

0:35:54.360 --> 0:35:56.760
<v Speaker 4>He was like, you can't do them, but pe respect.

0:35:56.800 --> 0:35:58.000
<v Speaker 4>You know what I'm saying, you can't do them, but

0:35:58.040 --> 0:36:00.840
<v Speaker 4>respect this hussle man. When what he did it? What

0:36:01.080 --> 0:36:03.680
<v Speaker 4>was the record that made everybody go crazy? I already

0:36:03.719 --> 0:36:05.120
<v Speaker 4>know what it is, But what was the record that

0:36:06.920 --> 0:36:09.920
<v Speaker 4>Don't give no Bama weed Bama weed?

0:36:10.120 --> 0:36:12.640
<v Speaker 1>Nigga? Man? That was the one that put us on

0:36:12.640 --> 0:36:12.960
<v Speaker 1>the map.

0:36:13.000 --> 0:36:15.280
<v Speaker 4>Even when we had the demo because it was first

0:36:15.280 --> 0:36:17.280
<v Speaker 4>called Don't give Me No Bamba Joint, we don't smoke

0:36:17.280 --> 0:36:18.160
<v Speaker 4>that ship and Hunter's point.

0:36:18.239 --> 0:36:19.920
<v Speaker 1>This was before mster C was on it. It was

0:36:19.960 --> 0:36:21.719
<v Speaker 1>pretty much I was working on a solo.

0:36:21.480 --> 0:36:24.680
<v Speaker 4>Album and I had don't give Me No bamor joint

0:36:24.920 --> 0:36:27.200
<v Speaker 4>and uh, one of my boys who was from Filmo

0:36:27.280 --> 0:36:30.040
<v Speaker 4>who stayed in our projects, Uh, he was just like

0:36:30.080 --> 0:36:31.399
<v Speaker 4>my boy Lioney Green used.

0:36:31.280 --> 0:36:34.520
<v Speaker 1>To strug with this strutting crew called Demons of the Mind.

0:36:34.600 --> 0:36:36.839
<v Speaker 4>He was like, bro, you need to switch it up

0:36:36.880 --> 0:36:39.160
<v Speaker 4>and bring the whole city, get the whole city involved.

0:36:39.640 --> 0:36:41.600
<v Speaker 4>And he was like, right now, you're just gonna kind

0:36:41.600 --> 0:36:44.200
<v Speaker 4>of like segregate yourself and you're gonna you don't want

0:36:44.200 --> 0:36:46.240
<v Speaker 4>to just be kind of like just only having Hunter's

0:36:46.280 --> 0:36:47.320
<v Speaker 4>points playing the song.

0:36:47.880 --> 0:36:50.120
<v Speaker 1>And I'm glad I ended up listening to him and

0:36:50.160 --> 0:36:51.000
<v Speaker 1>I ended up switching it.

0:36:51.080 --> 0:36:53.400
<v Speaker 4>No Bamba Weed, we don't smoke it in the sf

0:36:53.400 --> 0:36:55.319
<v Speaker 4>C and THEGA, the whole city got behind it.

0:36:55.320 --> 0:36:59.120
<v Speaker 1>That motherfucker took off like wildfire, like wildfire.

0:36:58.600 --> 0:37:01.319
<v Speaker 4>And later on a lesson to learned, you know what,

0:37:01.400 --> 0:37:04.920
<v Speaker 4>the old Sugar Hill Gang beat that took off. You know,

0:37:05.000 --> 0:37:07.080
<v Speaker 4>that was kind of like our second hit, you know,

0:37:07.200 --> 0:37:11.680
<v Speaker 4>but uh yeah, Bamaweed hands down, hands down. Yeah, it

0:37:11.760 --> 0:37:14.160
<v Speaker 4>was our number one hit to put us on the map.

0:37:15.200 --> 0:37:18.960
<v Speaker 2>That's crazy, man. So you got all this going on

0:37:19.080 --> 0:37:21.880
<v Speaker 2>during this time, Piod, You still need deep in the streets.

0:37:22.360 --> 0:37:23.600
<v Speaker 1>Oh yeah, for surely. Yeah.

0:37:23.640 --> 0:37:25.480
<v Speaker 4>I was going to get them checks and going back

0:37:25.480 --> 0:37:27.520
<v Speaker 4>straight back to the block and my brother the money

0:37:27.560 --> 0:37:30.400
<v Speaker 4>we going. We was going down there doing the break

0:37:30.400 --> 0:37:32.959
<v Speaker 4>me downs. We was down there. We was doing our thing,

0:37:33.080 --> 0:37:35.319
<v Speaker 4>you know what I mean. I wasn't even I wasn't

0:37:35.360 --> 0:37:37.680
<v Speaker 4>even taking music serious until I went on my first

0:37:37.760 --> 0:37:39.960
<v Speaker 4>couple of shows. Once I start seeing the world was

0:37:39.960 --> 0:37:42.760
<v Speaker 4>bigger than the neighborhood, I start going to Detroit, Detroit started,

0:37:42.800 --> 0:37:46.120
<v Speaker 4>we got getting booked at Pontiac Land, sing like Michigan,

0:37:46.520 --> 0:37:49.120
<v Speaker 4>like like fucked with It's heavy, And then we started

0:37:49.160 --> 0:37:50.800
<v Speaker 4>going to Kansas City, and then all of a sudden,

0:37:50.920 --> 0:37:53.840
<v Speaker 4>Seattle and Portland, and now all of the sudden we

0:37:53.840 --> 0:37:55.840
<v Speaker 4>start going down to Phoenix and all that. Then I

0:37:55.880 --> 0:37:57.800
<v Speaker 4>started it was like I was being I was gone

0:37:57.840 --> 0:38:00.000
<v Speaker 4>a lot, and them checks was coming in. We started

0:38:00.200 --> 0:38:02.960
<v Speaker 4>going from three thousand to show four thousand, seven thousand,

0:38:03.560 --> 0:38:04.200
<v Speaker 4>We start.

0:38:04.040 --> 0:38:04.600
<v Speaker 1>Eating off that.

0:38:05.080 --> 0:38:09.080
<v Speaker 4>We was like from ninety two all the way to

0:38:09.160 --> 0:38:11.680
<v Speaker 4>ninety four, Like we weren't even thinking about a new

0:38:11.719 --> 0:38:14.880
<v Speaker 4>album because we was running around for like two years

0:38:14.920 --> 0:38:17.200
<v Speaker 4>off that album, really eating off of it, you know.

0:38:17.400 --> 0:38:19.960
<v Speaker 4>And then once we start going in to work on

0:38:19.960 --> 0:38:23.920
<v Speaker 4>that second album in ninety four, that's when we we

0:38:23.960 --> 0:38:26.840
<v Speaker 4>really zeroed in on working on Ruthless by Law, you

0:38:26.880 --> 0:38:30.040
<v Speaker 4>know none. And even then some shit happened. We got

0:38:30.040 --> 0:38:31.960
<v Speaker 4>called for some rape shit. Some young dudes is in

0:38:32.000 --> 0:38:35.080
<v Speaker 4>my studio, brought some little girls up in there side

0:38:35.120 --> 0:38:37.439
<v Speaker 4>of mids and you know, did all types of shit

0:38:37.520 --> 0:38:39.480
<v Speaker 4>to them, and they was using me and my brother name.

0:38:39.840 --> 0:38:41.680
<v Speaker 4>So we sat down for like eight months in the

0:38:41.719 --> 0:38:45.799
<v Speaker 4>county and se that kind of caused problem in my

0:38:45.840 --> 0:38:48.520
<v Speaker 4>neighborhood because the girls was like fourteen year old, fourteen

0:38:48.560 --> 0:38:51.359
<v Speaker 4>years old. The youngsters they was young too, but they

0:38:51.440 --> 0:38:54.200
<v Speaker 4>used our name and we was you know, eighteen nineteen

0:38:54.280 --> 0:38:56.719
<v Speaker 4>years old. So yeah, me and my brother we had

0:38:56.719 --> 0:39:00.640
<v Speaker 4>like sixty five council rape kid. Now side of me, yep,

0:39:00.719 --> 0:39:01.160
<v Speaker 4>side of me.

0:39:01.520 --> 0:39:02.160
<v Speaker 1>You never asked.

0:39:02.160 --> 0:39:04.120
<v Speaker 2>The girls didn't do it, you know what. It wasn't

0:39:04.120 --> 0:39:05.960
<v Speaker 2>a rate kit back then. I don't think.

0:39:07.360 --> 0:39:07.919
<v Speaker 1>And see us.

0:39:08.000 --> 0:39:09.719
<v Speaker 4>You know, my brother found him, you know, shot out

0:39:09.760 --> 0:39:12.759
<v Speaker 4>my brother, Toto man. He went out there, and uh

0:39:13.560 --> 0:39:15.560
<v Speaker 4>we lucked up man, By the grace of guys. She

0:39:15.719 --> 0:39:19.920
<v Speaker 4>ended up in a group home in Oakland. You know

0:39:20.040 --> 0:39:22.319
<v Speaker 4>this was like maybe, like, like I said, seven eight

0:39:22.360 --> 0:39:24.719
<v Speaker 4>months in she ended up at a group home in Oakland,

0:39:25.040 --> 0:39:26.680
<v Speaker 4>and it's just so happened to be one of my

0:39:26.719 --> 0:39:29.520
<v Speaker 4>friends from the neighborhood mom's house. And he was like, bro,

0:39:29.640 --> 0:39:31.239
<v Speaker 4>you know the girl that said that she was talking

0:39:31.280 --> 0:39:33.360
<v Speaker 4>to my mom and said that that RBO had raped

0:39:33.360 --> 0:39:35.319
<v Speaker 4>her and this and that, and yeah, she had my

0:39:35.360 --> 0:39:37.560
<v Speaker 4>mama house. She's in there for foster She there for

0:39:37.600 --> 0:39:40.479
<v Speaker 4>temporary like foster care or whatever until she could find

0:39:40.480 --> 0:39:40.960
<v Speaker 4>the placement.

0:39:41.000 --> 0:39:43.120
<v Speaker 1>I'm like what You're like, Yeah, she was in there.

0:39:43.120 --> 0:39:44.920
<v Speaker 4>So I was like, man, then let's total to let

0:39:44.920 --> 0:39:46.480
<v Speaker 4>my brother come out there, man and holler at her

0:39:46.520 --> 0:39:48.479
<v Speaker 4>and let her know, you know, we ain't the ones

0:39:48.520 --> 0:39:50.320
<v Speaker 4>that did it and this and that, so he wouldn't

0:39:50.360 --> 0:39:52.000
<v Speaker 4>seen her, and she agreed to come see it them

0:39:52.000 --> 0:39:53.839
<v Speaker 4>and she came up there. She walked in the business room,

0:39:53.920 --> 0:39:56.400
<v Speaker 4>was like, now y'all, wasn't there, wasn't y'all And we

0:39:56.400 --> 0:39:58.319
<v Speaker 4>actually beggared, like, man, could you come to court? We

0:39:58.320 --> 0:40:00.360
<v Speaker 4>go to court tuesday. Can you come in talked to

0:40:00.400 --> 0:40:02.480
<v Speaker 4>her lord. She was like, yeah, hell, y'all come, it

0:40:02.600 --> 0:40:04.640
<v Speaker 4>wasn't y'all. She's like, it was some other dudes, some

0:40:04.719 --> 0:40:06.719
<v Speaker 4>younger dudes. She was like, you black Si. I'm like, man,

0:40:06.760 --> 0:40:09.360
<v Speaker 4>I'm black Sea. It's my brother Dre right here. Like

0:40:09.400 --> 0:40:11.960
<v Speaker 4>they She was like, nah, I wasn't young. And they

0:40:12.040 --> 0:40:16.200
<v Speaker 4>let us out they could use y'all names, said there

0:40:16.280 --> 0:40:18.320
<v Speaker 4>was y'all, you know, because it was all in the

0:40:18.360 --> 0:40:20.640
<v Speaker 4>name and it was my young homies. But they was

0:40:20.640 --> 0:40:22.320
<v Speaker 4>trying to trick, you know, they had I was written

0:40:22.360 --> 0:40:24.719
<v Speaker 4>from uh this Dolphine. I was wrinting the room out

0:40:24.719 --> 0:40:27.880
<v Speaker 4>where I kept my studio at so the youngster that

0:40:27.960 --> 0:40:30.719
<v Speaker 4>stayed there, his homies. They was coming in showing it

0:40:30.760 --> 0:40:32.680
<v Speaker 4>because I got all the posters on the wall and

0:40:32.719 --> 0:40:35.200
<v Speaker 4>all that, you know, a lot of rap memorabilia. So

0:40:35.239 --> 0:40:36.800
<v Speaker 4>they had brain girls up in there because we was

0:40:36.840 --> 0:40:38.640
<v Speaker 4>popping at the time, so a lot of females was

0:40:38.680 --> 0:40:41.040
<v Speaker 4>coming up to the neighborhood to try to come look forwards,

0:40:41.040 --> 0:40:43.239
<v Speaker 4>meet us or whatever, you know, because back then when

0:40:43.239 --> 0:40:45.840
<v Speaker 4>you came out with a cassette, you was like you

0:40:45.920 --> 0:40:47.600
<v Speaker 4>was a celebrity because it was like then it wasn't

0:40:47.640 --> 0:40:48.759
<v Speaker 4>as easy as it was now.

0:40:48.840 --> 0:40:51.560
<v Speaker 1>So people was coming up, riding through, they try to

0:40:51.560 --> 0:40:52.120
<v Speaker 1>come see us.

0:40:52.160 --> 0:40:54.799
<v Speaker 4>So yeah, they manipulated the girls into come seeing the

0:40:54.840 --> 0:40:57.319
<v Speaker 4>studio and they start turning off the lights and doing

0:40:57.360 --> 0:41:00.279
<v Speaker 4>all types of ship to him, and yeah, we got up,

0:41:00.640 --> 0:41:01.399
<v Speaker 4>got caught up.

0:41:02.000 --> 0:41:04.680
<v Speaker 2>You see how crazy it is, how easy it was

0:41:04.800 --> 0:41:07.640
<v Speaker 2>eight to just get caught up. They didn't even know

0:41:07.640 --> 0:41:09.759
<v Speaker 2>how these niggas looked. And if they didn't bring the

0:41:09.880 --> 0:41:11.600
<v Speaker 2>line up or nothing. They even put the girl in

0:41:11.640 --> 0:41:12.319
<v Speaker 2>the lineup to say.

0:41:12.480 --> 0:41:15.880
<v Speaker 3>These dudes that did it, they ain't give a fun

0:41:16.080 --> 0:41:19.719
<v Speaker 3>as long as it was niggas. Man, fuck it, she

0:41:19.880 --> 0:41:21.759
<v Speaker 3>was a miner, you know what I mean. I don't

0:41:21.800 --> 0:41:25.080
<v Speaker 3>care about none of that. Ain't no need of investigating.

0:41:25.840 --> 0:41:27.200
<v Speaker 3>That's them. That's it.

0:41:27.280 --> 0:41:28.120
<v Speaker 1>Nigga ship.

0:41:29.680 --> 0:41:35.160
<v Speaker 2>Y'all the city. Uh, y'all didn't see the city? You said,

0:41:35.239 --> 0:41:36.400
<v Speaker 2>Oh no, we didn't suit knock with.

0:41:36.440 --> 0:41:38.839
<v Speaker 4>What they did was they just dropped it to where

0:41:38.880 --> 0:41:40.960
<v Speaker 4>they had still had three years of foule. So they

0:41:40.960 --> 0:41:43.360
<v Speaker 4>did some weird ship to where because one of the

0:41:43.440 --> 0:41:45.560
<v Speaker 4>dudes that was that was one of our co defendants.

0:41:45.640 --> 0:41:49.000
<v Speaker 4>He was there, you know, So when they dropped it

0:41:49.040 --> 0:41:50.640
<v Speaker 4>on us. They had to drop it on him, you

0:41:50.640 --> 0:41:52.239
<v Speaker 4>know what I mean. But I always had that ace

0:41:52.280 --> 0:41:53.759
<v Speaker 4>in the hole. I always told him because me and

0:41:53.840 --> 0:41:55.479
<v Speaker 4>him was like we was on the seventh floor together,

0:41:55.480 --> 0:41:57.720
<v Speaker 4>and I was like, Nigga, you already know, bro, before

0:41:57.760 --> 0:41:59.400
<v Speaker 4>this ship go too far. Nigga, you gonna have to

0:41:59.480 --> 0:42:01.279
<v Speaker 4>You're gonna tell on yourself. You're gonna let us. You're

0:42:01.280 --> 0:42:03.520
<v Speaker 4>gonna let the motherfuckers know that. I wasn't there and

0:42:03.560 --> 0:42:05.080
<v Speaker 4>he was in that scared of you, all right, bro,

0:42:05.280 --> 0:42:06.640
<v Speaker 4>you know I'll tell him. You know, he had his

0:42:06.719 --> 0:42:08.359
<v Speaker 4>mom and all them like, nah, you better keep your

0:42:08.360 --> 0:42:11.520
<v Speaker 4>mouth shut. You don't say shit. But I was in there, like, Nigga,

0:42:11.600 --> 0:42:14.239
<v Speaker 4>You're gonna let them motherfuckers know, Nigga that it was yeah,

0:42:14.280 --> 0:42:14.960
<v Speaker 4>you damn right.

0:42:15.239 --> 0:42:17.359
<v Speaker 1>Because he was the only older dude that was with him.

0:42:17.400 --> 0:42:19.840
<v Speaker 4>It was another rapper's name was Sugar Beer, who was

0:42:19.920 --> 0:42:21.600
<v Speaker 4>under in the neighborhood and.

0:42:21.560 --> 0:42:22.840
<v Speaker 1>He was of age.

0:42:22.880 --> 0:42:25.680
<v Speaker 4>He was like eighteen, and all the other ones it

0:42:25.719 --> 0:42:27.680
<v Speaker 4>was his brother and all them, they was all youngsters.

0:42:27.719 --> 0:42:31.080
<v Speaker 4>They was all like fifteen, sixteen years old, you know, seventeen.

0:42:31.440 --> 0:42:33.359
<v Speaker 1>Who I was part of it? So who all gang

0:42:33.440 --> 0:42:34.560
<v Speaker 1>raped a little too chicks.

0:42:34.560 --> 0:42:37.520
<v Speaker 4>So but uh yeah, nah, man, if we went in there,

0:42:37.560 --> 0:42:39.400
<v Speaker 4>if that she would have never landed at my brother

0:42:39.440 --> 0:42:41.680
<v Speaker 4>at my uh at my partner's house, man at his

0:42:41.719 --> 0:42:42.800
<v Speaker 4>mom house in Oakland.

0:42:43.160 --> 0:42:44.479
<v Speaker 1>Yeah, we probably still be gone.

0:42:44.480 --> 0:42:46.359
<v Speaker 4>That second album probably would have never seen a lot

0:42:46.400 --> 0:42:47.680
<v Speaker 4>of day for sure.

0:42:47.680 --> 0:42:49.520
<v Speaker 2>Working mysterious waves, bro.

0:42:49.800 --> 0:42:52.799
<v Speaker 1>Yeah, that's separated the block and we got out. Man.

0:42:52.840 --> 0:42:55.399
<v Speaker 1>We whipped them nigga's asses that man.

0:42:55.560 --> 0:42:58.760
<v Speaker 4>Motherfuckers told their ass up and that kind of split

0:42:58.800 --> 0:43:02.360
<v Speaker 4>the block up, and from there it just became a

0:43:02.440 --> 0:43:04.279
<v Speaker 4>little bit of the hell of shit started happening up.

0:43:05.200 --> 0:43:05.400
<v Speaker 1>You know.

0:43:10.280 --> 0:43:12.919
<v Speaker 2>I want to talk to you about your pops real quick, man,

0:43:13.000 --> 0:43:16.680
<v Speaker 2>because one of the stories I really liked with the

0:43:16.760 --> 0:43:19.600
<v Speaker 2>dynamic that your moms and your pop said, because your

0:43:19.640 --> 0:43:23.359
<v Speaker 2>moms understood the importance of keeping you know, even though

0:43:23.440 --> 0:43:25.920
<v Speaker 2>she wasn't messing with y'all pops no more, she understood

0:43:25.960 --> 0:43:29.680
<v Speaker 2>the importance that y'all have y'all father around y'all, And

0:43:29.719 --> 0:43:31.759
<v Speaker 2>it seemed like for the most part that worked out

0:43:31.760 --> 0:43:32.240
<v Speaker 2>for y'all.

0:43:32.640 --> 0:43:35.399
<v Speaker 4>Yeah, because he was a real disciplinarian, like he come

0:43:35.440 --> 0:43:37.839
<v Speaker 4>through and kick her ass with this. Even though they

0:43:37.880 --> 0:43:40.240
<v Speaker 4>went together. She called, hey, you know, I need school

0:43:40.239 --> 0:43:42.959
<v Speaker 4>closer than I need this for them. He coming through.

0:43:43.120 --> 0:43:45.399
<v Speaker 4>You know when the little wire sorry little Ninjas came

0:43:45.440 --> 0:43:48.640
<v Speaker 4>out and I wanted one hella back. He always came through,

0:43:49.160 --> 0:43:51.480
<v Speaker 4>gave us money, took care of us always.

0:43:51.600 --> 0:43:53.280
<v Speaker 1>Even it was cool with my mom's boyfriend.

0:43:53.280 --> 0:43:55.359
<v Speaker 4>They come through, play dominoes, all the shit, and then

0:43:55.560 --> 0:43:58.160
<v Speaker 4>she got a problem. I'm in there fucking up. Like

0:43:58.200 --> 0:44:00.920
<v Speaker 4>when I first started selling dope. He called him up.

0:44:01.280 --> 0:44:04.600
<v Speaker 4>He coming through and put it down on us. You

0:44:04.600 --> 0:44:08.920
<v Speaker 4>know he was coming to Yeah, he made show. You know,

0:44:08.960 --> 0:44:10.960
<v Speaker 4>he was a real player. It's like seventeen of us,

0:44:11.040 --> 0:44:13.239
<v Speaker 4>you know what I mean. Like even though he had

0:44:13.280 --> 0:44:15.680
<v Speaker 4>a bunch of kids, he made sure we all knew

0:44:15.719 --> 0:44:17.359
<v Speaker 4>each other. Like used to be like, come on, come

0:44:17.400 --> 0:44:18.640
<v Speaker 4>get in the car and to take you out here,

0:44:18.640 --> 0:44:20.960
<v Speaker 4>gonna visit y'all sisters, because I don't want y'all up

0:44:20.960 --> 0:44:23.200
<v Speaker 4>here in these projects fucking on your siblings and shit.

0:44:23.320 --> 0:44:27.040
<v Speaker 4>So he made show We knew all our brothers and sisters,

0:44:27.080 --> 0:44:28.160
<v Speaker 4>from the oldest.

0:44:27.800 --> 0:44:31.040
<v Speaker 1>Down to the youngest. We all was close, tight knit.

0:44:31.560 --> 0:44:33.600
<v Speaker 4>And there was seventeen of us, and it was like

0:44:34.360 --> 0:44:37.319
<v Speaker 4>fire baby mamas, and we always close. We all knew

0:44:37.320 --> 0:44:40.799
<v Speaker 4>each other. You know, it's real tight. Posps was a

0:44:40.840 --> 0:44:43.839
<v Speaker 4>real player, real player. Everybody thought he was a pimp

0:44:43.880 --> 0:44:46.440
<v Speaker 4>because he was El Dorado, Diamond in the back, some

0:44:46.640 --> 0:44:47.920
<v Speaker 4>roof topped, the whole nine.

0:44:48.480 --> 0:44:48.719
<v Speaker 1>You know.

0:44:48.800 --> 0:44:51.239
<v Speaker 4>He dressed like a pimp, you know, all the little

0:44:51.239 --> 0:44:54.080
<v Speaker 4>snake skin shoes and you know, all the little suits

0:44:54.120 --> 0:44:54.719
<v Speaker 4>and everything.

0:44:55.160 --> 0:44:56.680
<v Speaker 1>But he was more like a player. You know.

0:44:56.719 --> 0:44:58.880
<v Speaker 4>He sold quarter te's and eight balls and shit. He

0:44:58.920 --> 0:45:01.479
<v Speaker 4>was making more like the dealing. The gambler. He kept

0:45:01.520 --> 0:45:04.440
<v Speaker 4>a bag of bits in the Cadillac, you know what

0:45:04.520 --> 0:45:07.200
<v Speaker 4>I mean. So he was more of a gambler. And

0:45:07.360 --> 0:45:10.399
<v Speaker 4>uh uh he sold like volumes and ship back then,

0:45:10.400 --> 0:45:13.280
<v Speaker 4>that's when volumes and ship you know was out. Motherfucker

0:45:13.440 --> 0:45:17.080
<v Speaker 4>was uppers and downers and all that shit. So yeah,

0:45:17.120 --> 0:45:18.120
<v Speaker 4>that's what he did, man.

0:45:18.960 --> 0:45:21.520
<v Speaker 2>Yeah, now you coming from San Francisco, man, how big

0:45:21.560 --> 0:45:23.160
<v Speaker 2>of an influence was the pimp game to you?

0:45:24.200 --> 0:45:24.600
<v Speaker 1>Very big?

0:45:24.640 --> 0:45:26.319
<v Speaker 4>That's what was outside out there, Like I said, you know,

0:45:26.640 --> 0:45:28.680
<v Speaker 4>in La you go outside, it was game bangs and

0:45:28.680 --> 0:45:31.360
<v Speaker 4>out it was just mainly pimps and hustlers.

0:45:31.440 --> 0:45:31.600
<v Speaker 1>You know.

0:45:31.640 --> 0:45:34.759
<v Speaker 4>They was either selling hair un and coke you know,

0:45:34.880 --> 0:45:37.000
<v Speaker 4>and pills, you know, like I said, volumes or whatever

0:45:37.080 --> 0:45:39.440
<v Speaker 4>little quelus or whatever it may be. And then they

0:45:39.560 --> 0:45:41.160
<v Speaker 4>was it was pimps.

0:45:41.200 --> 0:45:41.680
<v Speaker 2>That was it.

0:45:42.160 --> 0:45:44.120
<v Speaker 1>You know, a bunch of pimps around there.

0:45:44.800 --> 0:45:47.560
<v Speaker 2>You know, this seemed like with the rap game up there,

0:45:47.640 --> 0:45:50.520
<v Speaker 2>all the rapers. San Francisco got his own little rap scene.

0:45:50.760 --> 0:45:52.760
<v Speaker 2>Y'all got a pretty big community, man.

0:45:53.080 --> 0:45:57.360
<v Speaker 1>Yeah, real big. You know, especially like all of us.

0:45:57.200 --> 0:45:59.760
<v Speaker 4>It's really like that macing and you know, like everybody

0:46:00.080 --> 0:46:02.120
<v Speaker 4>here more got that that that swag, that more of

0:46:02.200 --> 0:46:04.680
<v Speaker 4>that macing and that slick talking, you know what I mean.

0:46:04.680 --> 0:46:07.440
<v Speaker 4>That's why it's more like everybody like it's more city slickers.

0:46:07.440 --> 0:46:09.120
<v Speaker 4>That's kind of like where that thing comes that term

0:46:09.200 --> 0:46:11.960
<v Speaker 4>comes from. You know, everybody like slick with the tongue.

0:46:12.000 --> 0:46:14.080
<v Speaker 4>They you know, they'd be really popping it out here.

0:46:14.520 --> 0:46:16.960
<v Speaker 1>You know. I really was involved in a lot of that.

0:46:17.120 --> 0:46:19.480
<v Speaker 4>You know, even though my brothers and a lot of

0:46:19.520 --> 0:46:21.239
<v Speaker 4>my my older brothers and a lot of them was

0:46:21.640 --> 0:46:24.799
<v Speaker 4>around at and all that, but I was mainly my

0:46:24.920 --> 0:46:27.319
<v Speaker 4>family was more drug dealers than they was pimps. A

0:46:27.320 --> 0:46:29.800
<v Speaker 4>lot of the pimps, majority of them was from phil Mo,

0:46:30.239 --> 0:46:31.280
<v Speaker 4>you know that that side.

0:46:32.000 --> 0:46:33.440
<v Speaker 1>We're folk A JT.

0:46:33.600 --> 0:46:36.480
<v Speaker 4>And a lot of them from They was predominantly you know,

0:46:36.680 --> 0:46:38.840
<v Speaker 4>pimps and.

0:46:37.960 --> 0:46:44.640
<v Speaker 1>And stuff over on that side.

0:46:42.800 --> 0:46:45.640
<v Speaker 2>That PM games started getting. They started charging them boys

0:46:45.640 --> 0:46:50.000
<v Speaker 2>like they were charging the d boys. Yeah, they was

0:46:49.920 --> 0:46:51.920
<v Speaker 2>was they was man, you get some time, man, you

0:46:52.000 --> 0:46:54.440
<v Speaker 2>get some real time. And when they threw that human

0:46:54.440 --> 0:46:57.359
<v Speaker 2>trafficking like enhancement up there, dog, it was really a rap.

0:46:57.800 --> 0:47:00.680
<v Speaker 1>That's what did it than human trafficking man and washed

0:47:00.719 --> 0:47:02.359
<v Speaker 1>it up. You know what I mean?

0:47:03.239 --> 0:47:04.600
<v Speaker 2>One of them If you a nigga, you get caught

0:47:04.680 --> 0:47:07.000
<v Speaker 2>one of them little white girls, man, they stretch, they

0:47:07.080 --> 0:47:10.920
<v Speaker 2>gonna give you all day real talk. It's like a

0:47:10.920 --> 0:47:14.400
<v Speaker 2>white girl, you're gonna get the charges tripled and double yep,

0:47:15.080 --> 0:47:19.439
<v Speaker 2>yuh real talk white girls. So so y'all had, y'all had?

0:47:19.640 --> 0:47:23.160
<v Speaker 2>Fort Forte was the one that really blew the city

0:47:23.200 --> 0:47:23.719
<v Speaker 2>open first.

0:47:24.280 --> 0:47:26.719
<v Speaker 1>The one that was like he like, are what too

0:47:26.760 --> 0:47:28.040
<v Speaker 1>short is to Oakland?

0:47:28.160 --> 0:47:31.240
<v Speaker 4>You know what I mean? Was the was the main dog.

0:47:32.200 --> 0:47:36.359
<v Speaker 4>You consider him like that gy father. Yeah, definitely mean

0:47:37.160 --> 0:47:39.879
<v Speaker 4>he was like, oh coo short men to Oakland. That's

0:47:39.880 --> 0:47:41.560
<v Speaker 4>what foe ta meant to us? Because I was with

0:47:41.960 --> 0:47:44.160
<v Speaker 4>you know, he was he stayed in my projects. His

0:47:44.160 --> 0:47:46.319
<v Speaker 4>his Mama stayed over there and Foth had the best

0:47:46.320 --> 0:47:47.960
<v Speaker 4>of both words because even when we was funking with

0:47:48.000 --> 0:47:51.040
<v Speaker 4>Philo was able to bounce back and forth because back

0:47:51.080 --> 0:47:54.080
<v Speaker 4>when they had the Solar system, when he was doing

0:47:54.320 --> 0:47:55.880
<v Speaker 4>he was with the dude Nate rock Box. They had

0:47:55.880 --> 0:47:58.919
<v Speaker 4>a song called Hubbles Out like Folks. That's when Folk

0:47:59.000 --> 0:48:00.479
<v Speaker 4>got known. He used to the rock all the little

0:48:00.480 --> 0:48:02.520
<v Speaker 4>house parties. And when he landed that little track that

0:48:02.560 --> 0:48:04.320
<v Speaker 4>Don't Fight the filing with too Short.

0:48:04.200 --> 0:48:06.480
<v Speaker 1>It just shot him up. Everybody fell in love.

0:48:06.719 --> 0:48:08.480
<v Speaker 4>We already was in love with him, but that just

0:48:09.480 --> 0:48:11.360
<v Speaker 4>it just made him just like a superstar.

0:48:11.480 --> 0:48:14.359
<v Speaker 1>And uh, man, that's like my brother from another mother. Man,

0:48:14.400 --> 0:48:16.160
<v Speaker 1>I like, that's my boy.

0:48:16.320 --> 0:48:17.560
<v Speaker 4>Like he used to be at my house all the

0:48:17.560 --> 0:48:19.400
<v Speaker 4>time when he was going through his drug addiction.

0:48:20.239 --> 0:48:20.960
<v Speaker 1>He came to mind.

0:48:20.960 --> 0:48:22.560
<v Speaker 4>My mom always fed Hi when he used to be

0:48:22.600 --> 0:48:24.839
<v Speaker 4>through my projects. And even when he went to jail

0:48:24.840 --> 0:48:27.360
<v Speaker 4>and got out. I'm the one kind of like nurtured

0:48:27.400 --> 0:48:30.440
<v Speaker 4>that whole relationship with him, with Gary and Guy and

0:48:30.440 --> 0:48:33.120
<v Speaker 4>they brother Frankie J who on Rag Top Records. I'm

0:48:33.160 --> 0:48:35.080
<v Speaker 4>the one told them to get him, Like, man, y'all

0:48:35.080 --> 0:48:37.120
<v Speaker 4>need to get Folk, pull him get him in there, man,

0:48:37.160 --> 0:48:40.280
<v Speaker 4>get him in the studio. Our album was was mixing

0:48:40.320 --> 0:48:42.040
<v Speaker 4>and mastering on the way to come out, about to

0:48:42.040 --> 0:48:45.000
<v Speaker 4>blow up, and our knew Foe.

0:48:44.920 --> 0:48:46.280
<v Speaker 1>Was gonna come to me about the music.

0:48:46.360 --> 0:48:47.920
<v Speaker 4>You know, I was kind of already dabbling with a

0:48:47.960 --> 0:48:50.160
<v Speaker 4>few tracks, trying to put some stuff together for him,

0:48:50.480 --> 0:48:52.799
<v Speaker 4>and I put in a fly here and fly when

0:48:52.800 --> 0:48:55.000
<v Speaker 4>he got his brother, older brother, Frankie J who ended

0:48:55.080 --> 0:48:56.600
<v Speaker 4>up snatching Foe up.

0:48:56.640 --> 0:48:58.640
<v Speaker 1>He snatched him up and took him in.

0:48:58.760 --> 0:49:00.080
<v Speaker 4>I said, man, as soon as he get out, but

0:49:00.640 --> 0:49:02.719
<v Speaker 4>you know heard it getting out in a day or two,

0:49:02.760 --> 0:49:04.719
<v Speaker 4>y'all need to grab him up before even hit the

0:49:04.760 --> 0:49:07.399
<v Speaker 4>streets and start sucking up again. And that's what they did.

0:49:07.440 --> 0:49:10.680
<v Speaker 4>And uh, man, you know he didn't look back ever since.

0:49:10.880 --> 0:49:13.399
<v Speaker 4>He stayed off the dope. And and to this day,

0:49:13.440 --> 0:49:15.960
<v Speaker 4>that's my guy. Just did some stuff for his documentary

0:49:16.200 --> 0:49:18.680
<v Speaker 4>a couple of weeks ago, so you know, he going

0:49:18.719 --> 0:49:20.080
<v Speaker 4>through a little health thing right now.

0:49:20.120 --> 0:49:22.200
<v Speaker 1>But man, that's my brother from another Yeah.

0:49:22.040 --> 0:49:23.799
<v Speaker 2>That's what I was going to say. That that's why

0:49:23.880 --> 0:49:25.680
<v Speaker 2>me and they got to grab him on here, man,

0:49:25.760 --> 0:49:28.040
<v Speaker 2>because the one thing about it, man, we got to

0:49:28.080 --> 0:49:31.200
<v Speaker 2>appreciate our legends from the coast. Man, It's like it

0:49:31.239 --> 0:49:34.279
<v Speaker 2>ain't just La, but our legends from the Bay l A,

0:49:34.600 --> 0:49:37.400
<v Speaker 2>whether they up in Seattle or whatever like that, we

0:49:37.480 --> 0:49:40.879
<v Speaker 2>got the whole down man, the reason a reason not.

0:49:40.920 --> 0:49:45.120
<v Speaker 1>To you know, that's true, that's real, man, But that's

0:49:45.120 --> 0:49:46.960
<v Speaker 1>my guy man. I really yeah.

0:49:47.000 --> 0:49:50.280
<v Speaker 4>He Like back then it was really like just foute

0:49:50.840 --> 0:49:52.840
<v Speaker 4>and then you had cool nothing then with I m

0:49:52.920 --> 0:49:57.239
<v Speaker 4>p uh ill Manosi. You had a dude that he

0:49:57.239 --> 0:49:59.279
<v Speaker 4>William C who was from phil Mo, who had a

0:49:59.280 --> 0:50:02.400
<v Speaker 4>song called Keeper Bitch Broke that that that he was

0:50:02.440 --> 0:50:05.799
<v Speaker 4>like one of the one of the dudes, and that

0:50:05.960 --> 0:50:09.120
<v Speaker 4>was pretty much really like the top dudes in Frisco.

0:50:09.280 --> 0:50:11.640
<v Speaker 4>It wasn't nobody else until we kind of like dropped

0:50:11.640 --> 0:50:13.960
<v Speaker 4>and we was coming up off of the cusp of

0:50:14.080 --> 0:50:16.760
<v Speaker 4>listening to you know, I was like I was heavily

0:50:16.800 --> 0:50:19.200
<v Speaker 4>influenced by you know, dub Ce and the Mass Circle

0:50:19.239 --> 0:50:19.880
<v Speaker 4>of course.

0:50:19.760 --> 0:50:21.120
<v Speaker 1>Uh CMW eight and them.

0:50:21.200 --> 0:50:24.600
<v Speaker 4>I got videos a week imitating them, imitating w C

0:50:24.719 --> 0:50:26.360
<v Speaker 4>in the Fast Circle. Like I got a bunch of

0:50:26.360 --> 0:50:27.960
<v Speaker 4>footage because I was one of the first dudes in

0:50:28.000 --> 0:50:30.960
<v Speaker 4>the projects that owned the camera. When the video eights

0:50:31.000 --> 0:50:34.520
<v Speaker 4>came out and I'm out here in my bronco you know,

0:50:34.600 --> 0:50:36.680
<v Speaker 4>wrapping all that stuff. And it went from there to

0:50:36.760 --> 0:50:39.240
<v Speaker 4>four one five coming out Richie riching him in Oakland.

0:50:39.320 --> 0:50:41.440
<v Speaker 4>That's kind of where I got my styff from. Like

0:50:41.640 --> 0:50:45.960
<v Speaker 4>n w A, s CMW and four one five in them,

0:50:46.080 --> 0:50:47.799
<v Speaker 4>you know what I mean. And that's kind of like

0:50:47.840 --> 0:50:49.719
<v Speaker 4>what RBO was, you know what I mean.

0:50:49.800 --> 0:50:54.680
<v Speaker 2>So yep, yeah, so so so l A had a

0:50:54.719 --> 0:50:56.680
<v Speaker 2>real big influence on the back then.

0:50:57.680 --> 0:51:00.960
<v Speaker 4>Oh yeah, heavy, yeah, heavy, especially with us in our projects.

0:51:01.320 --> 0:51:03.839
<v Speaker 4>They had a heavy, heavy influence. You know, that's all

0:51:03.880 --> 0:51:06.920
<v Speaker 4>we was playing. You know, we was happy because back

0:51:07.040 --> 0:51:09.960
<v Speaker 4>before that we was bunching a bunk. We was bumping

0:51:09.960 --> 0:51:14.319
<v Speaker 4>a bunch of like Big Daddy Kanes and who else

0:51:14.480 --> 0:51:16.279
<v Speaker 4>was playing a bunch of East Coast It was a

0:51:16.280 --> 0:51:17.440
<v Speaker 4>lot of East Coast stuff that.

0:51:17.480 --> 0:51:19.760
<v Speaker 2>Was everybody was. It wasn't nothing else.

0:51:19.880 --> 0:51:23.080
<v Speaker 4>Yeah, steady beads before I let go, Like we was

0:51:23.120 --> 0:51:27.000
<v Speaker 4>playing a bunch of that, you know, mc Shoty and

0:51:27.080 --> 0:51:28.600
<v Speaker 4>a lot of stuff like you know what I mean.

0:51:28.600 --> 0:51:30.600
<v Speaker 4>But then n w A was like a brother of

0:51:30.600 --> 0:51:33.239
<v Speaker 4>fresh Air. It was like you know, of course then

0:51:33.400 --> 0:51:36.520
<v Speaker 4>it was like the ghetto boys, n w A. All

0:51:36.600 --> 0:51:39.000
<v Speaker 4>that was like what was getting played in the city

0:51:39.160 --> 0:51:41.719
<v Speaker 4>all day every day, and plus everything and banks and

0:51:41.760 --> 0:51:44.120
<v Speaker 4>them start dealing with mc pooling, them start coming out

0:51:44.160 --> 0:51:47.440
<v Speaker 4>with fucking with dank, you have spice and them start hitting, uh,

0:51:47.680 --> 0:51:49.680
<v Speaker 4>Like I said, the four one five, and then Richie,

0:51:49.760 --> 0:51:52.160
<v Speaker 4>Richie and them started hit coming out and we just

0:51:52.320 --> 0:51:54.160
<v Speaker 4>was playing all that iced tea. Of course, we was

0:51:54.160 --> 0:51:57.000
<v Speaker 4>playing ice everything, ice tea, all the six and them

0:51:57.040 --> 0:51:59.120
<v Speaker 4>and all that. So it was you know, we were

0:51:59.160 --> 0:52:01.840
<v Speaker 4>we was heavy the West Coast and anything from the

0:52:01.920 --> 0:52:04.080
<v Speaker 4>West King that's all it was being bumped in our

0:52:04.160 --> 0:52:06.920
<v Speaker 4>projects barely was bumping the East Coast after that.

0:52:08.200 --> 0:52:11.000
<v Speaker 2>Yeah, that's crazy because every region started getting their own rappers,

0:52:11.080 --> 0:52:13.120
<v Speaker 2>like l A had their own ones like the one

0:52:13.239 --> 0:52:15.960
<v Speaker 2>dudes that don't never get props. Like I remember when

0:52:16.000 --> 0:52:18.520
<v Speaker 2>I first came to California, tidy t. You heard a

0:52:18.560 --> 0:52:21.200
<v Speaker 2>battering ram on the radio every day. You heard like

0:52:22.719 --> 0:52:27.680
<v Speaker 2>not cocaine, just living heads, Spade them get ready to rock?

0:52:28.800 --> 0:52:29.200
<v Speaker 1>What was that?

0:52:29.600 --> 0:52:31.640
<v Speaker 2>What you go do when you get out the jail?

0:52:31.800 --> 0:52:33.440
<v Speaker 2>Them going to get it.

0:52:33.719 --> 0:52:38.960
<v Speaker 3>Ball counter Posse record, you know cool King Tea, a

0:52:39.040 --> 0:52:44.880
<v Speaker 3>lot of King tea and yeah, yeah, the Act Food

0:52:45.000 --> 0:52:48.480
<v Speaker 3>record Uh, that was like my that was like my

0:52:48.680 --> 0:52:53.560
<v Speaker 3>foundation for when the first ship got cracking. We we

0:52:53.800 --> 0:52:56.279
<v Speaker 3>we had a lot of East Coast ship to listen to,

0:52:56.960 --> 0:53:00.759
<v Speaker 3>so we didn't have no representation of who we truly were. Yeah,

0:53:01.360 --> 0:53:08.600
<v Speaker 3>Le's coach Niggas you feel Me. Niggas symbolized us really

0:53:08.760 --> 0:53:12.480
<v Speaker 3>down in La Comps and whatever nigga symbolizes us from

0:53:12.560 --> 0:53:18.160
<v Speaker 3>the Colors movie You feel Me. We really wasn't significant

0:53:18.360 --> 0:53:22.520
<v Speaker 3>as far as the rap scene. And then, like you said,

0:53:23.680 --> 0:53:27.359
<v Speaker 3>easy and time, Todd came along with the Battle round

0:53:27.480 --> 0:53:31.279
<v Speaker 3>and kind of opened the door for motherfuckers to go,

0:53:31.480 --> 0:53:34.560
<v Speaker 3>you know something, maybe we could try something else. You know.

0:53:36.239 --> 0:53:38.920
<v Speaker 3>Even though you know, Niggas had their mixtapes out the

0:53:39.040 --> 0:53:42.000
<v Speaker 3>trunk in the neighborhood and Todd had the battle around,

0:53:42.680 --> 0:53:47.640
<v Speaker 3>we still had the presence of a lot of electronic

0:53:48.080 --> 0:54:00.279
<v Speaker 3>you know music and a lot of influence, influence all that, Yeah,

0:54:00.400 --> 0:54:03.680
<v Speaker 3>like that, all that other Like me and the homie

0:54:03.760 --> 0:54:06.120
<v Speaker 3>Rich was talking about it today, like we had a

0:54:06.160 --> 0:54:15.200
<v Speaker 3>lot of that it's time and radioactive your music, you know,

0:54:15.520 --> 0:54:18.160
<v Speaker 3>it was all that Egyptian lever type. Yeah, when the

0:54:18.239 --> 0:54:20.880
<v Speaker 3>beat goes on and ship like that. You know, that

0:54:21.120 --> 0:54:27.440
<v Speaker 3>was All World Team broke through and made it to

0:54:27.560 --> 0:54:31.239
<v Speaker 3>where niggas felt like, you know something, I ain't got

0:54:31.360 --> 0:54:34.440
<v Speaker 3>a rap like them on the East Coast or do that.

0:54:35.360 --> 0:54:38.560
<v Speaker 3>I could talk about what happened in the projects last night,

0:54:39.280 --> 0:54:40.960
<v Speaker 3>you know, I could talk about.

0:54:41.160 --> 0:54:43.320
<v Speaker 1>Me trying to go hook up with a bitch or

0:54:43.400 --> 0:54:44.160
<v Speaker 1>some ship.

0:54:45.600 --> 0:54:48.840
<v Speaker 3>About me and the homies was on our way to

0:54:48.960 --> 0:54:51.719
<v Speaker 3>the spot and got jacked by the police and ship

0:54:52.320 --> 0:54:55.080
<v Speaker 3>so made us feel like, Okay, well we can do that.

0:54:55.200 --> 0:54:57.879
<v Speaker 1>Ship. You feel me, so open up.

0:54:59.520 --> 0:55:00.920
<v Speaker 2>You and they. He has work before.

0:55:01.640 --> 0:55:06.759
<v Speaker 4>Yeah, he was on the ninety seven album. Yeah, yeah,

0:55:06.800 --> 0:55:08.680
<v Speaker 4>on the n one I album. Yeah, that was a

0:55:08.800 --> 0:55:11.799
<v Speaker 4>must I had. I was trying to get him. Gotta

0:55:11.840 --> 0:55:12.640
<v Speaker 4>get mine.

0:55:12.920 --> 0:55:17.400
<v Speaker 1>Yeah, I gotta get my man. Yeah yeah, I was

0:55:17.480 --> 0:55:17.839
<v Speaker 1>on there.

0:55:18.000 --> 0:55:19.680
<v Speaker 2>I think Teyla was on Man.

0:55:19.920 --> 0:55:26.359
<v Speaker 1>Tela YEAHQ on the hook. Uh yeah man, that motherfucker. Man,

0:55:26.440 --> 0:55:28.120
<v Speaker 1>that motherfucker was dope as hell. Man.

0:55:28.560 --> 0:55:31.080
<v Speaker 4>That was a dream come true because him, like I

0:55:31.120 --> 0:55:35.000
<v Speaker 4>said him cube and uh and uh fucking scarface.

0:55:35.080 --> 0:55:35.160
<v Speaker 2>Man.

0:55:35.400 --> 0:55:38.600
<v Speaker 3>Then was like man, I was like, I fucked with

0:55:38.640 --> 0:55:41.040
<v Speaker 3>the younger niggas up in the bay around that time.

0:55:41.120 --> 0:55:44.160
<v Speaker 3>My niggas was ship all. I was up there fucking

0:55:44.239 --> 0:55:48.840
<v Speaker 3>with spice all the time. Yeah, that was my nigga.

0:55:49.360 --> 0:55:51.640
<v Speaker 3>So I was up there for a pool, man. I

0:55:51.760 --> 0:55:55.000
<v Speaker 3>just with a lot of niggas up there, Yeah yeah,

0:55:55.080 --> 0:55:57.520
<v Speaker 3>and made it easy work. Nigga went on no Hollywood

0:55:57.560 --> 0:56:00.560
<v Speaker 3>ship and none of that ship. Nigga ship out a Sap.

0:56:01.200 --> 0:56:02.320
<v Speaker 3>That's what I loved about it.

0:56:02.400 --> 0:56:04.359
<v Speaker 4>I was like, man, because you you hate to run

0:56:04.400 --> 0:56:06.480
<v Speaker 4>into motherfucker who you look up to, you respect it

0:56:06.520 --> 0:56:08.239
<v Speaker 4>and they be acting like a bitch and just be.

0:56:08.280 --> 0:56:10.600
<v Speaker 1>Acting funny, and you'd be like, damn, man, this nigga.

0:56:10.640 --> 0:56:13.000
<v Speaker 1>I thought this nigga was like this, and like you

0:56:13.080 --> 0:56:15.640
<v Speaker 1>know what, man, Man, he made that ship happen. Man,

0:56:15.840 --> 0:56:16.640
<v Speaker 1>A sap too.

0:56:17.120 --> 0:56:20.920
<v Speaker 2>Ain't always been. He'd always been real down to earth,

0:56:21.040 --> 0:56:24.440
<v Speaker 2>even when we even before we start doing this podcast,

0:56:24.480 --> 0:56:27.000
<v Speaker 2>I would see I remember my song Bailing through the

0:56:27.080 --> 0:56:29.520
<v Speaker 2>Lake with marg is real regular. He was just up

0:56:29.560 --> 0:56:34.480
<v Speaker 2>there right foot like is bailing exactly.

0:56:34.600 --> 0:56:38.880
<v Speaker 3>Man. It's had the perception if you didn't alienate yourself

0:56:39.000 --> 0:56:44.560
<v Speaker 3>and you just you know, nigga, nigga ship, I'm just

0:56:44.719 --> 0:56:48.239
<v Speaker 3>thinking ship. Yeah, yeah, listen to a regular motherfucker man,

0:56:48.680 --> 0:56:53.200
<v Speaker 3>and that whatever you did, Nigga, I did the same

0:56:53.280 --> 0:56:57.600
<v Speaker 3>motherfucking game. You feel me step always took.

0:56:58.600 --> 0:57:03.080
<v Speaker 1>I felt like a man. I don't know, like, I

0:57:03.160 --> 0:57:05.040
<v Speaker 1>don't know. I guess I could have.

0:57:05.600 --> 0:57:08.160
<v Speaker 3>You know, I could have been a nigga that went

0:57:08.239 --> 0:57:11.480
<v Speaker 3>out and said, fuck it, I'm gonna pay five niggas

0:57:11.520 --> 0:57:15.400
<v Speaker 3>to be security, and then you know, I'm gonna do

0:57:15.560 --> 0:57:18.120
<v Speaker 3>some shit like go to the foot locker and take

0:57:18.240 --> 0:57:22.600
<v Speaker 3>five security guards. Maybe I think if you cause that

0:57:22.800 --> 0:57:26.480
<v Speaker 3>presence for yourself, then you asking for what you expect

0:57:26.600 --> 0:57:31.680
<v Speaker 3>to expect. If I'm a nigga pulling up parking in

0:57:31.760 --> 0:57:35.920
<v Speaker 3>a parking spot by myself getting out, and I'm not

0:57:36.160 --> 0:57:40.880
<v Speaker 3>bringing attention to myself because I'm I'm basically finna do

0:57:41.120 --> 0:57:45.520
<v Speaker 3>like the other thousand cars that's up here right here,

0:57:45.640 --> 0:57:47.920
<v Speaker 3>go to foot locker, probably buy me a pair of shoes,

0:57:47.960 --> 0:57:49.960
<v Speaker 3>and then get back in my car and going by

0:57:50.080 --> 0:57:54.920
<v Speaker 3>my business. That doesn't that that to me, that doesn't

0:57:54.960 --> 0:57:59.320
<v Speaker 3>warrant attention, Like Okay, yeah, I got a video out

0:57:59.760 --> 0:58:02.600
<v Speaker 3>and I got a platinum record out, and I'm like,

0:58:03.920 --> 0:58:06.240
<v Speaker 3>I'm not gonna pull up you know what I'm saying

0:58:06.680 --> 0:58:14.880
<v Speaker 3>right here in in my in my three hundred thousand

0:58:15.000 --> 0:58:20.080
<v Speaker 3>dollars car jumping out with my two hundred thousand dollars

0:58:20.280 --> 0:58:23.760
<v Speaker 3>chain on, and and now it's like people are like, well,

0:58:23.800 --> 0:58:27.400
<v Speaker 3>who the fuck is that? You know, so market and

0:58:27.440 --> 0:58:30.480
<v Speaker 3>I'm looking for a parking space. Motherfucker's gonna be like, well,

0:58:30.520 --> 0:58:32.800
<v Speaker 3>who the fuck is that? Then I get out, Then

0:58:32.840 --> 0:58:35.400
<v Speaker 3>there's five niggas around my car, and then now we

0:58:35.560 --> 0:58:39.320
<v Speaker 3>all I'm bringing attention has to be like, let me

0:58:39.480 --> 0:58:41.920
<v Speaker 3>just run in here by myself real quick, grab this

0:58:41.960 --> 0:58:45.480
<v Speaker 3>ship and get the fuck out. Attention that I was

0:58:45.640 --> 0:58:49.320
<v Speaker 3>never a seeker of attention, And you know, that's hard

0:58:49.400 --> 0:58:53.160
<v Speaker 3>to That's hard to be when you're in the position of,

0:58:53.480 --> 0:58:56.360
<v Speaker 3>you know, even how we are now you get me,

0:58:56.920 --> 0:58:59.880
<v Speaker 3>we hit. We still have some sort of celebrity and

0:59:00.200 --> 0:59:05.080
<v Speaker 3>success to our our lifestyle. But you know, like today

0:59:05.160 --> 0:59:07.840
<v Speaker 3>when I go to the gas stage there, I'm trying

0:59:07.920 --> 0:59:12.000
<v Speaker 3>to be normal, you know, that grocery store. You know,

0:59:12.800 --> 0:59:15.040
<v Speaker 3>I try to be normal. Is there some people who

0:59:15.040 --> 0:59:17.440
<v Speaker 3>are gonna recognize and be like, hey, that's but I

0:59:17.560 --> 0:59:20.160
<v Speaker 3>still like, hey, how you doing, and then go about

0:59:20.280 --> 0:59:20.920
<v Speaker 3>my business.

0:59:21.040 --> 0:59:22.360
<v Speaker 1>It's normal.

0:59:22.800 --> 0:59:26.240
<v Speaker 3>Uh So, I don't I think if you're you know,

0:59:26.840 --> 0:59:30.480
<v Speaker 3>if you're not a seeker of attention, you can you

0:59:30.640 --> 0:59:34.120
<v Speaker 3>can somewhat try to live a normal lifestyle.

0:59:34.800 --> 0:59:38.800
<v Speaker 1>Yeah, I don't want, you know. And then there's another

0:59:38.920 --> 0:59:39.400
<v Speaker 1>thing too.

0:59:39.960 --> 0:59:43.560
<v Speaker 3>You can't be an arrogant asshole to where you know

0:59:43.760 --> 0:59:47.680
<v Speaker 3>everybody on the block or in the building wants to

0:59:47.760 --> 0:59:48.720
<v Speaker 3>put hands on you.

0:59:49.160 --> 0:59:51.640
<v Speaker 1>Now you have to stay protected and put yourself in

0:59:51.760 --> 0:59:52.280
<v Speaker 1>that sitution.

0:59:52.360 --> 0:59:55.200
<v Speaker 2>You know what The biggest thing is though, Bro, you

0:59:55.360 --> 0:59:58.400
<v Speaker 2>gotta always be aware where you at right either be

0:59:58.480 --> 1:00:02.120
<v Speaker 2>a where your surroundings. And it's like I tell people, man,

1:00:02.880 --> 1:00:05.280
<v Speaker 2>in reality, you should be able to wear whatever you

1:00:05.400 --> 1:00:07.520
<v Speaker 2>want to around anybody, but that just seems the case.

1:00:07.880 --> 1:00:10.920
<v Speaker 2>You can't go dangling steaks around pit bulls and not

1:00:11.040 --> 1:00:11.959
<v Speaker 2>expect to get done.

1:00:13.120 --> 1:00:15.560
<v Speaker 3>You know what I'm saying as to saying that I

1:00:15.640 --> 1:00:18.800
<v Speaker 3>ain't got five or six niggas jumping out, but that

1:00:18.960 --> 1:00:22.400
<v Speaker 3>ain't saying I ain't got a motherfucking you know, forty

1:00:22.520 --> 1:00:26.480
<v Speaker 3>five under my motherfucker's seat, or or play somewhere in

1:00:26.600 --> 1:00:32.000
<v Speaker 3>my exact I'm I'm not a seeker of attention, but

1:00:32.120 --> 1:00:36.240
<v Speaker 3>then I'm not a motherfucking naive motherfucker to the situations

1:00:37.520 --> 1:00:41.040
<v Speaker 3>niggas to go through in your position, You feel me

1:00:42.440 --> 1:00:45.920
<v Speaker 3>just because I got to advance myself on the mind

1:00:46.080 --> 1:00:50.840
<v Speaker 3>state of I'm a normal nigga. I still know what

1:00:50.960 --> 1:00:54.520
<v Speaker 3>the other motherfucking nigga who's the greedy hate for mine stated,

1:00:54.600 --> 1:00:59.000
<v Speaker 3>nigga might be thinking, So you know, there's not five

1:00:59.160 --> 1:01:02.120
<v Speaker 3>six security niggas hanging around. Don't mean it ain't a

1:01:02.200 --> 1:01:06.400
<v Speaker 3>full fifth fully loaded sitting somewhere too, exactly.

1:01:06.760 --> 1:01:10.680
<v Speaker 1>Yeah, you got your surroundings at all times.

1:01:12.040 --> 1:01:22.520
<v Speaker 2>Yeah, always, So you and Forte's relationship, right, You mentioned

1:01:22.560 --> 1:01:25.400
<v Speaker 2>that Foe had so fourth had a drug problem before,

1:01:25.520 --> 1:01:26.960
<v Speaker 2>not to getting his business like that, but he had

1:01:27.000 --> 1:01:28.360
<v Speaker 2>that before his career even launched.

1:01:29.040 --> 1:01:31.080
<v Speaker 1>Yeah, yeah, yeah, before it even launched.

1:01:31.120 --> 1:01:32.960
<v Speaker 4>Yeah, he was you know, he used to be rapping

1:01:33.080 --> 1:01:36.520
<v Speaker 4>and kind of like in and out of the penitentiary,

1:01:36.720 --> 1:01:38.640
<v Speaker 4>you know, doing this thing. He went through his struggles

1:01:38.680 --> 1:01:41.360
<v Speaker 4>and whatnot, and uh he bounced back once he got

1:01:41.400 --> 1:01:43.960
<v Speaker 4>with Frankie J and he would never know looking.

1:01:43.760 --> 1:01:46.400
<v Speaker 1>Back, he never touched drugs again, went through it. That's

1:01:46.440 --> 1:01:47.560
<v Speaker 1>what I said. Folk got a story.

1:01:47.640 --> 1:01:50.200
<v Speaker 4>I was telling him, like, bro, you want to dock

1:01:50.640 --> 1:01:52.360
<v Speaker 4>and said you need to do a book because fol

1:01:53.080 --> 1:01:55.360
<v Speaker 4>Fall been around, He's been through some ship as far

1:01:55.440 --> 1:01:58.240
<v Speaker 4>as just just just just life. You know what I mean,

1:01:58.400 --> 1:02:01.960
<v Speaker 4>not necessarily gang banging and the drugs flanging, but just

1:02:02.720 --> 1:02:06.120
<v Speaker 4>being being being around in the early eighties, just out

1:02:06.160 --> 1:02:09.280
<v Speaker 4>there when motherfuckers is all going to them parties at

1:02:09.320 --> 1:02:11.720
<v Speaker 4>the Solar System, when the Hunters, when Frisco was all

1:02:11.760 --> 1:02:15.160
<v Speaker 4>one just getting just mentioning, mingling with the Oakland cats

1:02:15.200 --> 1:02:17.800
<v Speaker 4>over there, dealing with Short and all them, and just

1:02:18.000 --> 1:02:20.200
<v Speaker 4>his drug problem in and out the penitentiary and they're like,

1:02:20.280 --> 1:02:21.920
<v Speaker 4>folk really got a little story man.

1:02:22.280 --> 1:02:24.960
<v Speaker 2>And I told him, like, bro, you need to he

1:02:25.080 --> 1:02:27.280
<v Speaker 2>got it. I can't wait to talk to him. I

1:02:27.440 --> 1:02:29.320
<v Speaker 2>definitely can't wait to sit down with him. And not

1:02:29.400 --> 1:02:31.360
<v Speaker 2>to keep you know, bringing them up, but I think that,

1:02:32.120 --> 1:02:36.280
<v Speaker 2>like I admire spots like seeing friends and Compton and

1:02:36.320 --> 1:02:39.560
<v Speaker 2>stuff like that, because at the time when y'all came out,

1:02:39.640 --> 1:02:42.640
<v Speaker 2>y'all was sitting the president kind it wasn't nobody before.

1:02:42.480 --> 1:02:44.280
<v Speaker 1>Y'all, not at all.

1:02:44.600 --> 1:02:47.640
<v Speaker 4>Nobody at all, not nobody was that we act Like

1:02:47.680 --> 1:02:49.760
<v Speaker 4>I said, we didn't really look up to nobody except

1:02:50.440 --> 1:02:51.400
<v Speaker 4>the dudes in Oakland.

1:02:51.440 --> 1:02:53.240
<v Speaker 1>Oakland was like the Mecca Bear area.

1:02:53.400 --> 1:02:55.800
<v Speaker 4>You know, everybody know that Oaklands like and Banks and

1:02:55.840 --> 1:02:58.120
<v Speaker 4>all them like they they had the scene going on

1:02:58.480 --> 1:02:59.240
<v Speaker 4>besides La.

1:02:59.360 --> 1:03:00.400
<v Speaker 1>It was La first.

1:03:01.000 --> 1:03:02.760
<v Speaker 4>That was like the mecca when it just came to

1:03:02.840 --> 1:03:05.560
<v Speaker 4>cut La. Whatever was popping in La, that's what we're playing.

1:03:05.560 --> 1:03:08.800
<v Speaker 4>That's what we owned. Then once Oakland start really thriving

1:03:09.280 --> 1:03:11.480
<v Speaker 4>after two Short because we watched Short come up.

1:03:11.600 --> 1:03:13.800
<v Speaker 1>Short was coming through six seven months.

1:03:13.800 --> 1:03:16.240
<v Speaker 4>Stang, I'm seeing him come dealing with my dudes at

1:03:16.280 --> 1:03:18.960
<v Speaker 4>Booboo with them who was dealing with James Beasley, you

1:03:19.040 --> 1:03:22.000
<v Speaker 4>know who just got out some years ago. You know,

1:03:22.080 --> 1:03:25.120
<v Speaker 4>he just dropped his book too. You know, James moving uh,

1:03:25.560 --> 1:03:28.040
<v Speaker 4>you know, moving, moving them things, doing his thing, and

1:03:28.560 --> 1:03:30.320
<v Speaker 4>he messed with a lot of the dudes, little d

1:03:30.440 --> 1:03:32.520
<v Speaker 4>and them from Oakland and that kind of like let

1:03:32.640 --> 1:03:34.960
<v Speaker 4>Short come over there, and Short was protected. You didn't

1:03:34.960 --> 1:03:36.880
<v Speaker 4>have to worry about nothing. Everybody loved Short. He came

1:03:36.960 --> 1:03:40.000
<v Speaker 4>through selling his little cassettes five dollars a cassette. You know,

1:03:40.120 --> 1:03:42.320
<v Speaker 4>we watched him doing all the freaky tails air and

1:03:42.360 --> 1:03:43.960
<v Speaker 4>all that. You know, I'm a young nigga out there

1:03:44.040 --> 1:03:47.520
<v Speaker 4>seeing Short come through, Passenger see coming through, hanging out

1:03:47.560 --> 1:03:49.680
<v Speaker 4>with boobooing them in the astral vans and all that.

1:03:50.440 --> 1:03:53.120
<v Speaker 4>Like I watched all that, witnessed it out the trunk

1:03:53.600 --> 1:03:56.480
<v Speaker 4>and coming to every project too. Shortening was coming through,

1:03:57.040 --> 1:03:59.640
<v Speaker 4>and yeah, it was just one of those things were

1:03:59.840 --> 1:04:02.280
<v Speaker 4>just like damn, you know. It wasn't nobody else but

1:04:02.480 --> 1:04:04.640
<v Speaker 4>Shortened and all of a sudden and Banks just created

1:04:05.360 --> 1:04:07.600
<v Speaker 4>was creating a culture pretty much when he started dealing

1:04:07.640 --> 1:04:10.400
<v Speaker 4>with him Se Pool, Spice and all them dangerous dame

1:04:10.440 --> 1:04:11.920
<v Speaker 4>and a lot of them dudes was coming out.

1:04:13.200 --> 1:04:14.920
<v Speaker 1>It started happening. You know.

1:04:15.160 --> 1:04:18.720
<v Speaker 2>So where's Poof? Where's Pootman from Poof? From San Francisco?

1:04:19.160 --> 1:04:24.240
<v Speaker 1>Now from East Oakland, from Oakland, from Oakland, Yeah, he's

1:04:24.240 --> 1:04:25.160
<v Speaker 1>straight up Oakland.

1:04:26.480 --> 1:04:28.400
<v Speaker 2>If I can get all the I think I knew

1:04:28.400 --> 1:04:30.400
<v Speaker 2>all the San Francisco rappers. Let me see if I

1:04:30.520 --> 1:04:36.400
<v Speaker 2>get it right, rb L Posse wrapping four tem The

1:04:36.480 --> 1:04:37.600
<v Speaker 2>bigger figure.

1:04:39.600 --> 1:04:39.880
<v Speaker 1>MH.

1:04:41.360 --> 1:04:43.600
<v Speaker 2>I want to say is Messy mar from San Francisco.

1:04:44.920 --> 1:04:51.680
<v Speaker 2>From San Francisco, u E the m C. Yeah it's

1:04:51.720 --> 1:04:53.440
<v Speaker 2>somebody else. I'm forgetting them.

1:04:55.360 --> 1:04:57.200
<v Speaker 1>From the lake View area, miss.

1:04:57.480 --> 1:04:59.680
<v Speaker 2>You know what, I always thought cool enough for some reason,

1:04:59.760 --> 1:05:02.760
<v Speaker 2>what's Oregon? I don't know why he from me?

1:05:02.840 --> 1:05:06.280
<v Speaker 1>From lake View? You know they uh lake viewers with

1:05:06.440 --> 1:05:06.920
<v Speaker 1>sales Ki.

1:05:07.040 --> 1:05:09.919
<v Speaker 4>They had a few rappers over there nobody that blew

1:05:10.040 --> 1:05:14.120
<v Speaker 4>up his biggest uh like I m p cooglaner Cooglan.

1:05:14.160 --> 1:05:16.360
<v Speaker 4>I had his solo thing that's cooler. And then he

1:05:16.480 --> 1:05:19.040
<v Speaker 4>was part of the im ill manor Posse his crew.

1:05:19.160 --> 1:05:23.920
<v Speaker 4>They dropped around eighty nine ninety. They dropped when I

1:05:24.040 --> 1:05:25.439
<v Speaker 4>was in I was in Long Cabin Ranch.

1:05:26.000 --> 1:05:28.920
<v Speaker 2>You know, let me see because that's my thing.

1:05:29.040 --> 1:05:33.360
<v Speaker 1>That except that I'm rolling in scanless and that came

1:05:33.440 --> 1:05:35.960
<v Speaker 1>out of eighty nine. That was they were slapping. He

1:05:36.080 --> 1:05:36.840
<v Speaker 1>was doing his thing.

1:05:37.600 --> 1:05:40.280
<v Speaker 4>Yeah, came out around eighty nine, eighty nine and ninety.

1:05:40.360 --> 1:05:42.120
<v Speaker 4>That's when he made his debut. Eighty nine.

1:05:43.400 --> 1:05:45.800
<v Speaker 2>Yeah, eighteen eighty nine eighty that was a year after

1:05:45.880 --> 1:05:48.160
<v Speaker 2>you just that was a year after you just dropped.

1:05:48.800 --> 1:05:55.040
<v Speaker 4>Yeah, I dropped, Yeah, Yeah, I was bumping eight ship

1:05:55.160 --> 1:05:56.800
<v Speaker 4>was it before I went to the ranch we was

1:05:56.840 --> 1:05:59.560
<v Speaker 4>playing I made that video. I think it was before

1:06:00.000 --> 1:06:02.240
<v Speaker 4>it was like eighty eight is eighty eight eighty nine

1:06:02.320 --> 1:06:04.040
<v Speaker 4>is then we got out.

1:06:04.080 --> 1:06:06.200
<v Speaker 1>Once I got out, that's when I started dabbling with

1:06:06.240 --> 1:06:09.280
<v Speaker 1>the music. Late eighty nine going into the ninety that's

1:06:09.320 --> 1:06:10.240
<v Speaker 1>when we started.

1:06:10.440 --> 1:06:12.160
<v Speaker 4>We got in the game and we were just mainly

1:06:12.240 --> 1:06:14.680
<v Speaker 4>doing what too Short that was doing, selling in our projects,

1:06:15.120 --> 1:06:18.200
<v Speaker 4>and we decided to dude named CTG played us the

1:06:18.240 --> 1:06:20.880
<v Speaker 4>Greatest stole one of my beats, and he put it

1:06:20.920 --> 1:06:24.200
<v Speaker 4>out on actual cassette. And once he did that, I

1:06:24.320 --> 1:06:25.840
<v Speaker 4>was just I got to go to the studio because

1:06:25.840 --> 1:06:28.040
<v Speaker 4>I'd probably been just selling cassettes in the neighborhood cause

1:06:28.040 --> 1:06:29.479
<v Speaker 4>were just getting a lot of money just selling.

1:06:29.520 --> 1:06:31.240
<v Speaker 1>And find out the cassettes around there with it.

1:06:31.320 --> 1:06:33.960
<v Speaker 2>It was like I heard they was getting paid up

1:06:33.960 --> 1:06:35.960
<v Speaker 2>there back in the day. Man, somebody told me they

1:06:36.040 --> 1:06:37.479
<v Speaker 2>was up there was making real money.

1:06:37.840 --> 1:06:40.040
<v Speaker 1>Oh yeah, yeah, because we was killing him. People were

1:06:40.080 --> 1:06:41.200
<v Speaker 1>coming through all day. Man.

1:06:41.240 --> 1:06:43.600
<v Speaker 4>There was a dude named Axing Jack who kind of

1:06:43.680 --> 1:06:45.960
<v Speaker 4>put us on. He was from Sunnydale. He kind of

1:06:46.000 --> 1:06:47.640
<v Speaker 4>put us on to a lot of the new stuff,

1:06:47.680 --> 1:06:49.919
<v Speaker 4>like with EP EPM D and all of them came

1:06:50.000 --> 1:06:52.360
<v Speaker 4>out with You're a Customer all that. He was one

1:06:52.400 --> 1:06:54.480
<v Speaker 4>of the first ones playing all that, you know with

1:06:54.680 --> 1:06:59.200
<v Speaker 4>uh it Takes two with mc shy d and all like.

1:06:59.320 --> 1:07:01.720
<v Speaker 4>He did that kind of put us on to whatever

1:07:01.880 --> 1:07:04.040
<v Speaker 4>was hitting in the East Coast, whatever was hitting down

1:07:04.360 --> 1:07:05.520
<v Speaker 4>in southern California.

1:07:05.880 --> 1:07:06.600
<v Speaker 1>He was the first.

1:07:06.640 --> 1:07:08.919
<v Speaker 4>He was uh and he's still around right now, still

1:07:09.000 --> 1:07:12.080
<v Speaker 4>doing DJ, but Action Jack was the guy. He one

1:07:12.160 --> 1:07:15.640
<v Speaker 4>that he knew all the hits and educated us and

1:07:15.720 --> 1:07:17.600
<v Speaker 4>put us on to it. Even when four and five

1:07:17.720 --> 1:07:20.960
<v Speaker 4>came out with the groupy ass Bitch using that motherfucking

1:07:21.000 --> 1:07:24.800
<v Speaker 4>Commodore's brick house beat, it was like he came to mixtape.

1:07:25.480 --> 1:07:28.360
<v Speaker 1>He was doing this thing. So yeah, that was our

1:07:28.440 --> 1:07:29.920
<v Speaker 1>little introduction to a line.

1:07:30.360 --> 1:07:33.680
<v Speaker 2>The niggas got some cold tables. Man busted bits down.

1:07:35.040 --> 1:07:38.400
<v Speaker 2>A boy a female don't get no love on the

1:07:38.440 --> 1:07:42.120
<v Speaker 2>West Coast. I was telling you know what I was

1:07:42.200 --> 1:07:44.480
<v Speaker 2>telling at home, Yes, said, I think that's why the

1:07:44.600 --> 1:07:48.040
<v Speaker 2>West ain't never really had no big, huge female rapper.

1:07:48.160 --> 1:07:50.880
<v Speaker 2>You know, we frids, but you know we ain't never

1:07:51.000 --> 1:07:53.000
<v Speaker 2>had nobody that blew up on a level like a

1:07:53.600 --> 1:07:56.680
<v Speaker 2>like a Nicki Mina Sha or or Cardi Bat. You

1:07:56.720 --> 1:07:57.680
<v Speaker 2>feel what I'm saying.

1:07:57.840 --> 1:08:00.760
<v Speaker 1>At all at all? I think we yo yo back

1:08:00.800 --> 1:08:02.240
<v Speaker 1>in the days or something whose.

1:08:02.000 --> 1:08:04.800
<v Speaker 2>Gi yo yo. But she was it because you gotta

1:08:04.880 --> 1:08:07.400
<v Speaker 2>think about this. Back in the day, it was a

1:08:07.440 --> 1:08:11.560
<v Speaker 2>bitch is a bitch. Bitches ain't ship for holes and

1:08:11.640 --> 1:08:14.800
<v Speaker 2>tricks all y'all ship all y'all, biggest man have broad

1:08:14.840 --> 1:08:15.280
<v Speaker 2>ain't got a.

1:08:15.360 --> 1:08:17.439
<v Speaker 1>Chance out there, you got a chance. But we was

1:08:17.680 --> 1:08:18.120
<v Speaker 1>so crazy.

1:08:18.240 --> 1:08:21.040
<v Speaker 4>We was actually bumping like mc light in the hood though,

1:08:21.520 --> 1:08:25.120
<v Speaker 4>all that little fucking chi and Georgie Porgy, whatever that

1:08:25.160 --> 1:08:27.840
<v Speaker 4>ship was, We was actually playing that ship though. Back

1:08:27.920 --> 1:08:29.920
<v Speaker 4>in the days in the hood, she got some play out.

1:08:30.000 --> 1:08:32.720
<v Speaker 4>She was about probably the only one they probably got

1:08:32.800 --> 1:08:35.839
<v Speaker 4>some play in in the neighborhood from the dudes. Nobody

1:08:35.920 --> 1:08:38.679
<v Speaker 4>else got no play and no ride, no female until

1:08:38.680 --> 1:08:41.800
<v Speaker 4>it later on, once you got with like Sea Bowl

1:08:41.840 --> 1:08:43.960
<v Speaker 4>and then Marvelous, and then they was more thugging it.

1:08:44.120 --> 1:08:46.880
<v Speaker 1>Once they start thugging it, then the motherfuckers start playing.

1:08:47.520 --> 1:08:50.760
<v Speaker 2>Was harder than the motherfucker Marvilus was some ship. I

1:08:50.760 --> 1:08:52.280
<v Speaker 2>ain't heard her name in a long time.

1:08:53.680 --> 1:08:55.639
<v Speaker 1>For niggas even want to play that ship. Niggas ain't

1:08:55.680 --> 1:08:57.800
<v Speaker 1>rolling around playing no female. You know what I mean.

1:08:58.800 --> 1:09:01.439
<v Speaker 2>You gotta be hard. I think, Yeah, you gotta be

1:09:01.560 --> 1:09:02.120
<v Speaker 2>on some ship.

1:09:02.240 --> 1:09:02.400
<v Speaker 4>Man.

1:09:03.240 --> 1:09:06.519
<v Speaker 2>We appreciate this man sitting down with his dog. We

1:09:06.680 --> 1:09:08.720
<v Speaker 2>gotta definitely do this in person. This ain't gonna be

1:09:08.760 --> 1:09:11.439
<v Speaker 2>here last time here either, man, because we got a

1:09:11.520 --> 1:09:13.880
<v Speaker 2>lot more to talk about. It's like I be enough

1:09:13.960 --> 1:09:19.519
<v Speaker 2>time that I will be going by so fucking fast Man, Sir, sir, Yeah,

1:09:19.560 --> 1:09:22.320
<v Speaker 2>what I'm saying, Man, So what you got going on now? Bro?

1:09:23.240 --> 1:09:27.000
<v Speaker 4>Man just shows you know, like I said, I gotta EP.

1:09:27.200 --> 1:09:29.920
<v Speaker 4>I'm Finnah drop with this DJ DJ Idea up here.

1:09:29.920 --> 1:09:32.599
<v Speaker 4>He'll be doing a lot of mob sound music. When

1:09:32.600 --> 1:09:36.880
<v Speaker 4>I got this othernother EP. I'm Finnah dropping probably around

1:09:36.960 --> 1:09:40.719
<v Speaker 4>like May with this dude DJ DJ Folly Foley.

1:09:41.000 --> 1:09:44.720
<v Speaker 1>You do a lot of my nephew, my boy Larry June.

1:09:44.760 --> 1:09:46.160
<v Speaker 1>You know, he blowing up out here.

1:09:46.280 --> 1:09:49.160
<v Speaker 4>So Larry June Producers, I got something going on with

1:09:49.280 --> 1:09:51.120
<v Speaker 4>him because Larry kind of like the one that kind

1:09:51.160 --> 1:09:52.639
<v Speaker 4>of got me back in the game because I ain't

1:09:52.640 --> 1:09:57.280
<v Speaker 4>gonnallow semi retired just doing like cannabis collaboration deals and

1:09:57.479 --> 1:10:00.160
<v Speaker 4>just doing licensing deals and just kind of eating out

1:10:00.200 --> 1:10:02.840
<v Speaker 4>of that and I wasn't off the rap ship. And

1:10:02.880 --> 1:10:05.240
<v Speaker 4>then Larry kind of like he started blowing the fuck up.

1:10:05.240 --> 1:10:07.040
<v Speaker 4>You know, that's my one of my best friend son,

1:10:07.240 --> 1:10:09.599
<v Speaker 4>you know what I mean. So he brought me, got

1:10:09.640 --> 1:10:11.240
<v Speaker 4>me in the studio to do a song with him,

1:10:11.240 --> 1:10:13.599
<v Speaker 4>and then all the little younger generations start going back

1:10:13.920 --> 1:10:16.519
<v Speaker 4>doing research and start seeing like, oh, like man, Larry

1:10:16.560 --> 1:10:19.120
<v Speaker 4>sounds similar to y'all on your first album, and he

1:10:19.280 --> 1:10:20.920
<v Speaker 4>kind of flipped the style with a little bit of

1:10:21.000 --> 1:10:23.479
<v Speaker 4>Mac Dre and his own little twists, and man, he

1:10:24.120 --> 1:10:25.880
<v Speaker 4>like that dude right now, you know what I mean.

1:10:25.960 --> 1:10:28.599
<v Speaker 4>So he brought me back in the game. I start

1:10:28.680 --> 1:10:31.439
<v Speaker 4>putting out stuffs and numbers, start streaming doing good. He

1:10:31.520 --> 1:10:33.160
<v Speaker 4>started getting me on a couple of his tours. So

1:10:33.320 --> 1:10:35.240
<v Speaker 4>now I've been back at it now. It's like, man,

1:10:35.240 --> 1:10:37.960
<v Speaker 4>I got big with that bug. So yeah, we've got

1:10:38.000 --> 1:10:40.000
<v Speaker 4>shows coming up. We're gonna be down there in Anaheim

1:10:40.160 --> 1:10:43.559
<v Speaker 4>next next month May and then Pop. We just came

1:10:43.640 --> 1:10:46.840
<v Speaker 4>back from the AI doing two shows, so well, yeah,

1:10:46.880 --> 1:10:48.639
<v Speaker 4>we've been moving, man, were moving and growing.

1:10:49.920 --> 1:10:52.080
<v Speaker 2>I saw y'all the what was the show that you

1:10:52.160 --> 1:10:58.000
<v Speaker 2>were did in LA eight number one for the Best, Yeah, yeah,

1:10:58.080 --> 1:10:59.519
<v Speaker 2>for the for the Mexican on me.

1:11:00.000 --> 1:11:01.080
<v Speaker 1>Oh yeah yeah yeah yeah.

1:11:01.320 --> 1:11:06.479
<v Speaker 3>My homie uh yeah, man, Bobby d No, no, no,

1:11:06.760 --> 1:11:11.479
<v Speaker 3>my homie, uh Spooky from mob G. He'd be putting

1:11:11.520 --> 1:11:12.200
<v Speaker 3>on them shows.

1:11:14.080 --> 1:11:16.439
<v Speaker 2>Yeah, y'all was in that show. I saw you at

1:11:16.479 --> 1:11:19.680
<v Speaker 2>the Thing black and I was trying to holler at you.

1:11:19.960 --> 1:11:21.760
<v Speaker 2>But you know how to be with the concerts, something

1:11:21.800 --> 1:11:23.680
<v Speaker 2>like he was trying to get in. I had to

1:11:23.720 --> 1:11:25.519
<v Speaker 2>go up there and I came back and you was gone.

1:11:26.120 --> 1:11:30.400
<v Speaker 4>You're talking about the Night of the Black Skin or

1:11:30.439 --> 1:11:38.280
<v Speaker 4>something like that. Yeah, yeah, yeah, yeah they yeah, yeah, man,

1:11:38.320 --> 1:11:39.439
<v Speaker 4>they be having it popping.

1:11:39.880 --> 1:11:40.240
<v Speaker 1>My boy.

1:11:40.280 --> 1:11:43.519
<v Speaker 3>That's my boy Spooky from mob G that's his little

1:11:43.560 --> 1:11:46.559
<v Speaker 3>ship right be cracking.

1:11:47.600 --> 1:11:50.080
<v Speaker 2>When I was walking over to you, he was at

1:11:50.120 --> 1:11:51.640
<v Speaker 2>the door. They was They was trying not to let

1:11:51.720 --> 1:11:53.519
<v Speaker 2>a d and I was like, y'all tripping, y'all, this

1:11:53.680 --> 1:11:54.840
<v Speaker 2>man gotta show up at tonight.

1:11:55.160 --> 1:11:57.479
<v Speaker 1>Yeah, that thing was. It was lit up and there.

1:11:57.800 --> 1:11:59.760
<v Speaker 4>I like those type of shows better than them big

1:11:59.840 --> 1:12:01.560
<v Speaker 4>old old arenas and all that.

1:12:01.760 --> 1:12:03.080
<v Speaker 1>Like them like that right there.

1:12:03.479 --> 1:12:08.080
<v Speaker 3>Nice, that's a better intimate setting for niggas, like yeah,

1:12:09.760 --> 1:12:12.880
<v Speaker 3>uh you know, it be majority of.

1:12:13.000 --> 1:12:18.080
<v Speaker 1>True fans and fans exactly and the spectators. You feel.

1:12:18.400 --> 1:12:20.040
<v Speaker 2>That was a nice little crowd. What was it about

1:12:20.040 --> 1:12:23.800
<v Speaker 2>a thousand people there, Yeah, something like that. Yeah, it

1:12:24.560 --> 1:12:25.280
<v Speaker 2>was crowded.

1:12:26.800 --> 1:12:28.639
<v Speaker 1>Over that, a little over a thousand.

1:12:29.000 --> 1:12:30.960
<v Speaker 2>Yeah, it was a lot of people, that motherfuckers. I

1:12:31.040 --> 1:12:33.120
<v Speaker 2>remember when I had to go out there to gets

1:12:33.160 --> 1:12:34.920
<v Speaker 2>you and I had to walk upstairs to see you,

1:12:34.960 --> 1:12:37.679
<v Speaker 2>old boy, and I had to I had to some people.

1:12:38.000 --> 1:12:38.720
<v Speaker 2>It's packed in here.

1:12:39.320 --> 1:12:39.559
<v Speaker 1>Yeah.

1:12:39.840 --> 1:12:42.680
<v Speaker 4>Yeah, and man, him and DJ Drew too. DJ Drew

1:12:42.760 --> 1:12:45.200
<v Speaker 4>be doing a lot of intimate, like nice setting shows

1:12:45.240 --> 1:12:47.800
<v Speaker 4>like that too. He got us over there Orange County.

1:12:47.840 --> 1:12:51.680
<v Speaker 4>I forgot it's called the I forgot that theater name

1:12:51.760 --> 1:12:54.479
<v Speaker 4>out there in Orange County. But he another one that's

1:12:54.520 --> 1:12:55.640
<v Speaker 4>good to link up with too.

1:12:55.800 --> 1:12:55.960
<v Speaker 1>Man.

1:12:56.120 --> 1:12:58.320
<v Speaker 4>I love dealing with them, man, because they handled business

1:12:58.400 --> 1:12:59.880
<v Speaker 4>right and they got that promo down.

1:13:00.040 --> 1:13:02.000
<v Speaker 1>They get they get them heads up in there. I

1:13:02.160 --> 1:13:02.439
<v Speaker 1>love it.

1:13:02.920 --> 1:13:05.280
<v Speaker 2>I love it you working man. Hey, we're gonna talk

1:13:05.280 --> 1:13:07.720
<v Speaker 2>about some stuff off here. Man, were about to let

1:13:07.840 --> 1:13:10.320
<v Speaker 2>y'all go now. Much love for tuning in with us,

1:13:10.920 --> 1:13:12.760
<v Speaker 2>and we gon holler back at y'all next week.

1:13:13.720 --> 1:13:19.240
<v Speaker 1>Sure, man, salute man. Appreciate y'all having for show anytime. Bro, Yes,

1:13:19.320 --> 1:13:20.400
<v Speaker 1>sir well.

1:13:20.439 --> 1:13:23.200
<v Speaker 2>That concludes another episode of the Gainst the Chronicles podcast.

1:13:23.320 --> 1:13:25.560
<v Speaker 2>Be sure to download the iHeart app and subscribe to

1:13:25.640 --> 1:13:28.840
<v Speaker 2>The Gangster Chronicles podcast For Apple users, find a purple

1:13:28.920 --> 1:13:30.920
<v Speaker 2>mica on the front of your screen, subscribe to the show,

1:13:31.040 --> 1:13:33.920
<v Speaker 2>leave a comment and rating. Executive producers for The Gangster

1:13:34.000 --> 1:13:36.160
<v Speaker 2>Chronicles podcasts of Norman Stelled, Aaron M.

1:13:36.240 --> 1:13:36.439
<v Speaker 1>C A.

1:13:36.600 --> 1:13:39.439
<v Speaker 2>Tyler. Our visual media director is Brian Whatt, and the

1:13:39.560 --> 1:13:42.360
<v Speaker 2>audio editors tell It Hayes. The Gangster Chronicles is a

1:13:42.400 --> 1:13:45.839
<v Speaker 2>production of iHeart Media Network and the Black Effect Podcast Network.

1:13:46.120 --> 1:13:49.120
<v Speaker 2>For more podcasts from iHeart Radio, visit the iHeart Radio

1:13:49.200 --> 1:13:51.880
<v Speaker 2>app Apple Podcasts wherever you're listening to your podcasts