WEBVTT - Ginger Snaps with Olivia Woodward

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<v Speaker 1>On the Bechdel Cast, the questions asked if movies.

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<v Speaker 2>Have women and them, are all their discussions just boyfriends

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<v Speaker 2>and husbands, or do they have individualism? It's the patriarchy,

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<v Speaker 2>zeph and best start changing it with the Bechdel Cast.

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<v Speaker 3>Jamie, Kaylin, I just got the curse. What's that I'm bleeding?

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<v Speaker 1>I just got my period.

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<v Speaker 3>It's the curse.

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<v Speaker 4>I'm your little sister in the big old Wig. I'm pissed.

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<v Speaker 4>I'm pissed. I have to like, Hi, my, I know, Kaitlyn.

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<v Speaker 3>No, yeah, I don't worry. It's not contagious though.

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<v Speaker 4>This is the audio media. But I'm just all my

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<v Speaker 4>hairs in my face. I'm like, this sucks, This sucks.

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<v Speaker 4>How could you do this to me?

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<v Speaker 3>That was a great re enactment. I think, thank you

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<v Speaker 3>so much for a naturals for a natural Yeah, oh

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<v Speaker 3>my gosh. Well, anyway, this is the Bechdal Cast, and

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<v Speaker 3>my name is Caitlin Toronte.

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<v Speaker 4>My name's Jamie Loftus, and I have a tail.

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<v Speaker 5>And this is our podcast where we talk about your

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<v Speaker 5>favorite movies using an intersectional feminist lens, using the Bechdel

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<v Speaker 5>test as a jumping off point for discussion.

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<v Speaker 4>But Kaitlyn, what the.

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<v Speaker 3>Hell is that? Oh my gosh, it's.

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<v Speaker 4>When what in the Ginger Snaps is that? I sort

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<v Speaker 4>of was like, why is this movie called that?

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<v Speaker 5>But in a way, Ginger snaps and it makes it's

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<v Speaker 5>actually kind of an incredible it's an all timer title.

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<v Speaker 3>It's actually really a good title.

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<v Speaker 4>It all makes sense. But what is the Bechdel Test?

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<v Speaker 3>It's a media metric created by queer cartoonist Alison Bechdel,

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<v Speaker 3>sometimes called the Bechdel Wallace Test, as it was co

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<v Speaker 3>conceived of with Alison Bechdel and her friend Liz Wallace,

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<v Speaker 3>and it has many versions. Ours is this, do two

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<v Speaker 3>characters of a marginalized gender have names? Do they speak

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<v Speaker 3>to each other? And is there conversation about something other

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<v Speaker 3>than a man? And we like it when it's a

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<v Speaker 3>narratively substantial conversation. So for example, I just got my

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<v Speaker 3>period and it's a horrible curse.

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<v Speaker 4>Oh okay, let's kill this dog.

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<v Speaker 5>Okay, Like those are all narratively consequential in this world.

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<v Speaker 4>No need to worry about the Bechdel's house in this movie.

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<v Speaker 5>All right, that's the jumping off the boinfe But there's yeah,

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<v Speaker 5>so much more to talk about today, so I want

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<v Speaker 5>to just jump.

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<v Speaker 4>Right into it.

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<v Speaker 5>But this is again, I think we're just kind of

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<v Speaker 5>on an all timer streak recently of covering movies that

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<v Speaker 5>we've been getting requests for for.

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<v Speaker 4>Over half a decade, and we've just been.

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<v Speaker 5>Waiting for the right moment for the right guest, And

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<v Speaker 5>today we are covering Ginger Snaps with an amazing returning guest.

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<v Speaker 3>That's absolutely right. She is the cultural education coordinator for

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<v Speaker 3>Texas Native Health. She's a citizen of the Cat Donation

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<v Speaker 3>as well as a horror connoisseur. And you know her

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<v Speaker 3>from our episode on Smoke Signals. It's Olivia Woodward.

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<v Speaker 1>Hello, now we know.

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<v Speaker 4>We welcome back. What is your poster? I feel like

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<v Speaker 4>horror fans have the best bedroom walls.

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<v Speaker 1>You know, it's so funny. This is not my bedroom.

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<v Speaker 1>Me and my partner are so progressive. We have separate

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<v Speaker 1>bedrooms and the recording stuff is in his area of

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<v Speaker 1>the house.

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<v Speaker 4>Incredible, So this is his room.

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<v Speaker 1>That is a poster. It's a metal poster.

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<v Speaker 4>If it's him, we don't care. Oh okay, unmort the

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<v Speaker 4>business of discussion, and you know that's so amazing.

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<v Speaker 5>That is truly my dream and because of like I

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<v Speaker 5>don't know, it says hetero programming.

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<v Speaker 4>I didn't even know. I'd never even considered that.

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<v Speaker 5>Until my friends got married and they're like, yeah, of

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<v Speaker 5>course we have our own rooms so that we still

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<v Speaker 5>love each other.

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<v Speaker 1>You're like, yeah, honestly, it kind of makes me love

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<v Speaker 1>him more having my own space. Yeah, it's really under

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<v Speaker 1>a full I'm also a crazy sleeper. I don't keep

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<v Speaker 1>a good sleep schedule. I always joke on a rotisserie

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<v Speaker 1>chicken in bed because I just kind of like move

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<v Speaker 1>around throughout my sleep. I wake up making the hungry

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<v Speaker 1>because I think I'm burning calories so much to my sleep.

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<v Speaker 1>So anyway, it really helps our relationship. Honestly, I think

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<v Speaker 1>it makes us closer. Being physically a distant.

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<v Speaker 3>Yeah, for sure, people need distance, people need boundaries and

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<v Speaker 3>their own space. I've been saying for years that if

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<v Speaker 3>I ever end up with a partner, which we'll see,

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<v Speaker 3>but if that were to ever happen, I would want

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<v Speaker 3>separate apartments. And I know that like who can afford that?

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<v Speaker 3>But also like but if you can, but you can, Yeah, yeah, yeah,

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<v Speaker 3>I did.

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<v Speaker 5>I mean it's like it's of course, it's like depends

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<v Speaker 5>on how you can make this face work. But it's

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<v Speaker 5>I like the idea of when you live with someone,

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<v Speaker 5>it is still a choice to be physically together, Like,

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<v Speaker 5>it's not the like, not necessarily the compulsory thing to do.

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<v Speaker 4>Yeah, I love that.

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<v Speaker 1>Thank you well.

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<v Speaker 4>And now Ginger Snaps.

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<v Speaker 5>Holy cow, what a damn movie, Ollivia, thank you for

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<v Speaker 5>being our guests. I know that we've been meaning to

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<v Speaker 5>do this for a while. It's the perfect time of year. Absolutely,

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<v Speaker 5>so tell us about your history with this movie.

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<v Speaker 1>Yeah, this is a movie I've really enjoyed. It's definitely

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<v Speaker 1>near and dear to my heart as far as horror

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<v Speaker 1>movie goes, it's definitely one of my top five. I

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<v Speaker 1>don't know if y'all know this. This is a trilogy.

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<v Speaker 1>This is the first of three. There's Ginger Snaps. Ginger

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<v Speaker 1>Snaps Unleashed is the sequel, which takes place right after

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<v Speaker 1>the first one, like the next day, I think. And

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<v Speaker 1>then there's a third one. It's a prequel called Ginger

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<v Speaker 1>Snaps Back, and that one is set two hundred years

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<v Speaker 1>in the past, and like the eighteen hundreds, it's the

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<v Speaker 1>same actresses playing sisters again. I feel like there were

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<v Speaker 1>ancestors I'm assuming, and rather than being set in like

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<v Speaker 1>a Canadian suburb, it's set at a fort and they're

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<v Speaker 1>being like hunted by a wolf pack. And I bring

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<v Speaker 1>this up, I go into detail because back in what

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<v Speaker 1>twen twenty eleven, I was being left home alone a lot,

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<v Speaker 1>and the third one, the prequel, was being shown on

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<v Speaker 1>some cable like channel all the time. So I kind

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<v Speaker 1>of got weirdly obsessed with the third one for years,

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<v Speaker 1>not knowing there were two more before it. And I

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<v Speaker 1>was actually talking to my sister about this the other

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<v Speaker 1>day and I thought she told me about the first one.

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<v Speaker 1>She says, I told her about the first one, So

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<v Speaker 1>at some point, because she's also a horror connoisseur, this

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<v Speaker 1>is a huge thing we bond over either way. At

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<v Speaker 1>some point in high school I rented it from Red

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<v Speaker 1>Box and loved it and show it to all of

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<v Speaker 1>my friends. There aren't a ton of good were wolf movies,

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<v Speaker 1>because you know, there's horror, and then there's like all

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<v Speaker 1>the sub genres, right, and there's creature feature but separately

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<v Speaker 1>specifically were wolf. And this is not my most like

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<v Speaker 1>favorite werewolf design per se. Definitely other movies with scarier werewolves,

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<v Speaker 1>but the story itself is so unique and strange and

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<v Speaker 1>different from other Werewolf movies, and I come back to

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<v Speaker 1>it every couple of years. And then separately too. A

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<v Speaker 1>few years ago I decided to start screenwriting, and part

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<v Speaker 1>of that journey was joining a mentorship and so it

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<v Speaker 1>was online one with an organization called bipoc TV slash

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<v Speaker 1>film and they pair you with it. Turns out it

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<v Speaker 1>was a Canadian organization. I don't think I was supposed

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<v Speaker 1>to apply, but whatever. They pair you with a mentor

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<v Speaker 1>and you get like online coffee with them. And I

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<v Speaker 1>got paired with Karen Walton, who wrote this movie.

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<v Speaker 3>WHOA.

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<v Speaker 1>It was such a crazy coincidence.

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<v Speaker 4>Do not know that? That's amazing?

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<v Speaker 1>It was so hard not to fangirl over her. And

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<v Speaker 1>she's done some really cool work since Ginger Snaps, and

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<v Speaker 1>she gave me like really great advice and added me

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<v Speaker 1>to a Facebook group that she runs for up and

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<v Speaker 1>coming screenwriters. One day, someone put in the like a

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<v Speaker 1>post up asking about their favorite film podcast, and several

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<v Speaker 1>people commented the Bechdel Cast, and I was like, this

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<v Speaker 1>sounds right up my alley. And look at look at Roboto,

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<v Speaker 1>look at you.

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<v Speaker 3>Now you're here with us.

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<v Speaker 4>Wait, that's so oh.

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<v Speaker 5>I love that Ginger Snaps in a very roundabout way

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<v Speaker 5>brought you to the Ginger Snaps episode of this show.

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<v Speaker 4>That's so cool.

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<v Speaker 1>It's so cool. I would have never guessed it, you know.

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<v Speaker 1>So I'm very Ginger Snaps has really done a lot

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<v Speaker 1>for me apparently.

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<v Speaker 3>Wow. Yeah.

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<v Speaker 1>True. So very excited to be here, very excited to

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<v Speaker 1>talk about it.

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<v Speaker 3>And not to brag, but you, to some degree, have

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<v Speaker 3>continued your screenwriting journey in a certain class top by

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<v Speaker 3>a certain someone who has a certain master's degree in

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<v Speaker 3>screenwriting from Boston University that I would never ever mention.

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<v Speaker 1>I gotta to say. The screenwriting classes are amazing, and

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<v Speaker 1>if y'all haven't picked it up, they're taught by Caitlin.

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<v Speaker 1>She's a fantastic teacher and I will continue to take

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<v Speaker 1>her classes whenever I can.

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<v Speaker 4>Oh my gosh.

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<v Speaker 3>Thanks.

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<v Speaker 1>So everyone should take her classes if you want to

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<v Speaker 1>be a screenwriter.

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<v Speaker 3>Yeah exactly.

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<v Speaker 4>Well I didn't know you had a master's degree.

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<v Speaker 2>Oh well.

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<v Speaker 3>The thing is, I don't ever talk about it. I

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<v Speaker 3>never mentioned it.

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<v Speaker 4>Very humbul very humpful.

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<v Speaker 1>Yeah, yeah, exactly. Yeah.

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<v Speaker 3>So anyway, this episode is just a commercial for my

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<v Speaker 3>screenwriting classes. Bye, I love what a wonderful, full circle

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<v Speaker 3>history you have with this movie.

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<v Speaker 1>It's so cool.

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<v Speaker 5>It's always just like so lovely to hear when people

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<v Speaker 5>are active late, like successful people are actively involved in

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<v Speaker 5>mentoring and building community and stuff like that. Karen Walton, like,

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<v Speaker 5>just based on what I've read about her, it just

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<v Speaker 5>seems great. I'm glad to know that she also is

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<v Speaker 5>great and it's like, actually a cool person.

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<v Speaker 4>That's awesome.

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<v Speaker 1>Yeah. I still have her email and every once in

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<v Speaker 1>a while reach out and she's pretty good at getting

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<v Speaker 1>back and she's just a very very cool person. Also,

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<v Speaker 1>through her I learned some really major differences between the

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<v Speaker 1>film industry and Canada versus the US, good and bad.

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<v Speaker 1>But the way people get started with screenwriting in Canada

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<v Speaker 1>is fairly different than here in the United States. I

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<v Speaker 1>feel like that's another day though. That's like a forty

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<v Speaker 1>minute rant for me.

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<v Speaker 3>Yeah, yeah, well, awesome, Jamie. What's your history with Ginger Snaps?

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<v Speaker 4>I had never seen this movie before.

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<v Speaker 3>I wish I had.

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<v Speaker 5>I wish that this movie had found me at the

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<v Speaker 5>exact right time, but I don't know. I was like,

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<v Speaker 5>I had an interesting experience watching this movie where I

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<v Speaker 5>watched it. I mean, this is my first time watching it.

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<v Speaker 5>I like horror, very into horror. I've never really taken

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<v Speaker 5>to wear wolf movies specifically, which might have been just

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<v Speaker 5>why I never happened to see this, because I.

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<v Speaker 4>Just I'm not a were wolf girly. I don't know

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<v Speaker 4>what to say.

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<v Speaker 5>But the first time I watched this movie, I like

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<v Speaker 5>sat with it for a day and I was like, WHOA, Like,

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<v Speaker 5>I don't. I almost like didn't know what to make

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<v Speaker 5>of it because there's so much going on.

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<v Speaker 4>I was like, did I like that? I do like

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<v Speaker 4>what it was like. It was a slow burn for me.

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<v Speaker 4>I don't know, it was weird.

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<v Speaker 5>And then I went back to rewatch it the second

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<v Speaker 5>time to prepare, and by the end, I was.

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<v Speaker 4>Like, no, this is like the coolest movie.

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<v Speaker 5>It's like it's I mean, it has its fault, it

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<v Speaker 5>has its tricky points, which we'll talk about, but I yeah,

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<v Speaker 5>it was a movie that I really had to kind

0:11:32.040 --> 0:11:32.640
<v Speaker 5>of sit with.

0:11:33.040 --> 0:11:36.160
<v Speaker 4>And once I watched it again, like a full two

0:11:36.200 --> 0:11:38.360
<v Speaker 4>days later, I was like, no, this fucking rules. I

0:11:38.360 --> 0:11:41.600
<v Speaker 4>can't wait to talk about this. I'm really excited to.

0:11:41.600 --> 0:11:43.959
<v Speaker 5>Hear everyone because it is like a movie that really

0:11:44.000 --> 0:11:47.880
<v Speaker 5>begs to be talked about with other people, and so

0:11:48.160 --> 0:11:50.600
<v Speaker 5>I am really excited to talk about it.

0:11:50.640 --> 0:11:53.640
<v Speaker 4>I feel like there's probably points of view I haven't considered.

0:11:53.720 --> 0:11:56.880
<v Speaker 5>I really enjoyed reading queer and trans writer's views on

0:11:56.960 --> 0:11:59.520
<v Speaker 5>this movie because, you know, like I think on my

0:11:59.559 --> 0:12:02.720
<v Speaker 5>first few I was like, it's all about defining womanhood

0:12:02.720 --> 0:12:03.240
<v Speaker 5>by periods.

0:12:03.280 --> 0:12:04.360
<v Speaker 4>But then reading other.

0:12:04.200 --> 0:12:06.760
<v Speaker 5>People's opinions on it, You're like, Okay, this movie is

0:12:06.840 --> 0:12:09.520
<v Speaker 5>like complex in a way that it maybe wasn't even

0:12:09.559 --> 0:12:13.280
<v Speaker 5>intending to be, but has like prompted all of this discussion,

0:12:13.520 --> 0:12:15.840
<v Speaker 5>and that's a special kind of movie.

0:12:15.840 --> 0:12:19.280
<v Speaker 4>I'm excited to talk about it. Caitlyn, had you seen

0:12:19.280 --> 0:12:20.079
<v Speaker 4>this movie before?

0:12:20.640 --> 0:12:25.600
<v Speaker 3>I had once before. It was during the Great Caitlin

0:12:26.400 --> 0:12:30.960
<v Speaker 3>Movie watching Binge of two thousand and four. I think

0:12:31.000 --> 0:12:34.360
<v Speaker 3>it was my friend who I mentioned recently on the

0:12:34.480 --> 0:12:38.000
<v Speaker 3>Job Breaker episode who had introduced me. She was a

0:12:38.000 --> 0:12:42.120
<v Speaker 3>big horror buff, so she showed me a bunch of

0:12:42.160 --> 0:12:45.040
<v Speaker 3>horror movies that I probably wouldn't have seen otherwise, and

0:12:45.080 --> 0:12:48.480
<v Speaker 3>I believe one of them was Ginger Snaps. I think

0:12:48.480 --> 0:12:52.240
<v Speaker 3>that's how I came to see this movie, and I

0:12:52.240 --> 0:12:54.679
<v Speaker 3>thought it was cool in the sense that it was

0:12:55.120 --> 0:12:59.400
<v Speaker 3>a version of the werewolf story unlike anything I had seen.

0:12:59.760 --> 0:13:04.320
<v Speaker 3>But I'm similarly not much of a werewolf person. I

0:13:04.480 --> 0:13:12.000
<v Speaker 3>far prefer vampires. Not that it's a competition, but I.

0:13:11.880 --> 0:13:12.920
<v Speaker 4>Was like almost on basic.

0:13:13.000 --> 0:13:16.400
<v Speaker 5>But I do like zombies and vampires and most of all,

0:13:16.480 --> 0:13:19.880
<v Speaker 5>I love a scary ghost and I.

0:13:19.760 --> 0:13:22.240
<v Speaker 4>Love the whatever the Babaduck is.

0:13:22.559 --> 0:13:25.600
<v Speaker 3>I like that. Yeah, the Bobbadok is its own genre.

0:13:26.040 --> 0:13:28.200
<v Speaker 4>Yeah, it's more like a hat based villain.

0:13:30.600 --> 0:13:32.360
<v Speaker 3>I love a jigsaw villain.

0:13:32.960 --> 0:13:35.559
<v Speaker 4>I love a jig saw, I love a little oh

0:13:35.600 --> 0:13:36.599
<v Speaker 4>I do it. Yeah, I'll haunt it.

0:13:36.679 --> 0:13:36.920
<v Speaker 1>Doll.

0:13:37.120 --> 0:13:38.480
<v Speaker 4>That's definitely in my.

0:13:38.800 --> 0:13:42.439
<v Speaker 5>Top four right right, right right. Every horror fan in

0:13:42.480 --> 0:13:45.600
<v Speaker 5>the world wants to They murder me right now. Like, Hi,

0:13:45.720 --> 0:13:49.840
<v Speaker 5>there's doll movie, there's scary dre there's Babaduk movie.

0:13:50.000 --> 0:13:52.160
<v Speaker 4>Yes, there's Babaduk genre. Doll genre.

0:13:53.679 --> 0:13:56.840
<v Speaker 3>I think vampires, but I almost have never like scared

0:13:56.880 --> 0:14:02.720
<v Speaker 3>by a vampire movie. For like horror that actually scares me.

0:14:03.040 --> 0:14:05.400
<v Speaker 3>The thing that I gravitate towards the most, I think

0:14:05.520 --> 0:14:11.160
<v Speaker 3>is like a cult type stuff or like Satan worship,

0:14:11.520 --> 0:14:14.920
<v Speaker 3>like and I'm sorry to invoke a movie made by

0:14:14.960 --> 0:14:18.560
<v Speaker 3>a horrible person, but like Rosemary's Baby is.

0:14:18.760 --> 0:14:20.520
<v Speaker 5>Oh, I thought you were gonna say, I'm sorry to

0:14:20.720 --> 0:14:22.280
<v Speaker 5>invoke Bielsa Bob.

0:14:24.280 --> 0:14:25.560
<v Speaker 4>Never mind, never.

0:14:25.360 --> 0:14:28.400
<v Speaker 1>Mind, we're making our own horror hooting right now.

0:14:31.000 --> 0:14:32.560
<v Speaker 4>Yeah, no, I'm with you there.

0:14:32.600 --> 0:14:34.400
<v Speaker 5>I also was realizing as I was watching, I'm like,

0:14:34.440 --> 0:14:37.920
<v Speaker 5>why have I been avoiding I've been avoiding werewolves recently,

0:14:38.680 --> 0:14:42.040
<v Speaker 5>and I know the reason is because my friend was

0:14:42.080 --> 0:14:47.560
<v Speaker 5>getting really into it. There's a very popular werewolf erotica genre.

0:14:48.120 --> 0:14:52.080
<v Speaker 5>Boy that my friend sent a recommendation to me, and

0:14:52.120 --> 0:14:54.560
<v Speaker 5>I'm down to try anything, you know. I was like, whatever,

0:14:54.880 --> 0:14:58.840
<v Speaker 5>I've read the occasional erotica brag. It's a very sophisticated

0:14:58.880 --> 0:15:02.920
<v Speaker 5>way to experience. It's like, also hard, I'm reading a book.

0:15:02.920 --> 0:15:04.560
<v Speaker 1>Just as reading intellectual.

0:15:04.920 --> 0:15:05.120
<v Speaker 2>It was.

0:15:05.480 --> 0:15:09.080
<v Speaker 4>I mean, it's it's a fun way to whack off.

0:15:12.080 --> 0:15:14.760
<v Speaker 1>But I just really did I was.

0:15:14.800 --> 0:15:16.840
<v Speaker 4>Not vibing with the wearful genre.

0:15:17.320 --> 0:15:20.720
<v Speaker 5>It was actually quite freaking me out due to the

0:15:20.840 --> 0:15:22.200
<v Speaker 5>whole dog of it all.

0:15:23.920 --> 0:15:25.320
<v Speaker 4>So I did I'm going to call it that.

0:15:25.400 --> 0:15:26.400
<v Speaker 3>If you love this.

0:15:26.400 --> 0:15:28.600
<v Speaker 4>Genre, I'm not shaming you at all. I just it

0:15:28.680 --> 0:15:29.240
<v Speaker 4>wasn't for me.

0:15:29.720 --> 0:15:32.960
<v Speaker 5>I read a book called The Tyrant Alpha's Rejected Mate

0:15:33.520 --> 0:15:34.720
<v Speaker 5>which is so many words.

0:15:34.760 --> 0:15:36.560
<v Speaker 3>Oh my gosh, you've brought this up before.

0:15:36.880 --> 0:15:40.200
<v Speaker 5>I really struggled with the tyrant Alpha's rejected mate. It

0:15:40.240 --> 0:15:43.200
<v Speaker 5>took me months to finish. I didn't get horny one time,

0:15:43.320 --> 0:15:45.240
<v Speaker 5>but I was just like really.

0:15:45.200 --> 0:15:46.160
<v Speaker 4>Trying to finish it.

0:15:46.400 --> 0:15:48.760
<v Speaker 5>And so I think uniquely this year, I was like,

0:15:49.120 --> 0:15:50.680
<v Speaker 5>I'm done with werewolves for a while.

0:15:51.200 --> 0:15:54.480
<v Speaker 4>They're too a horny, there's too much going on. This

0:15:54.640 --> 0:15:58.000
<v Speaker 4>was recent, This was this year. Yeah, I read that

0:15:58.120 --> 0:16:00.720
<v Speaker 4>book this year. And if you've read it, and you,

0:16:00.800 --> 0:16:01.880
<v Speaker 4>I mean, I understand.

0:16:01.960 --> 0:16:05.119
<v Speaker 5>It's like it's always weird when you're like experiencing erotica

0:16:05.120 --> 0:16:07.000
<v Speaker 5>that is not for you, where you're like I get it,

0:16:07.080 --> 0:16:09.800
<v Speaker 5>I get it, I get it, but I but I'm

0:16:09.840 --> 0:16:12.440
<v Speaker 5>not feeling anything. So anyways, that's why I was avoiding

0:16:12.440 --> 0:16:14.200
<v Speaker 5>were Wolves. We could take this out of the show

0:16:14.240 --> 0:16:14.720
<v Speaker 5>if we want.

0:16:14.880 --> 0:16:16.520
<v Speaker 3>Now, I think we should leave it. And I'm gonna

0:16:16.520 --> 0:16:18.760
<v Speaker 3>add something to it really quick here, which is that

0:16:19.600 --> 0:16:22.920
<v Speaker 3>when I was in the UK on the Shrek Tannic tour,

0:16:23.480 --> 0:16:27.800
<v Speaker 3>I met up with a listener of the show shout

0:16:27.800 --> 0:16:32.280
<v Speaker 3>Out to Day's. We went to Shrek's Adventure together in

0:16:33.080 --> 0:16:38.040
<v Speaker 3>London and they gave me a horny book. What are

0:16:38.040 --> 0:16:45.760
<v Speaker 3>they called erotica novel? Yeah, erotica entitled Get in My

0:16:45.880 --> 0:16:51.040
<v Speaker 3>Swamp colon, an ogre love story, and I started reading it.

0:16:51.080 --> 0:16:53.360
<v Speaker 3>I have to finish it, but I think maybe you

0:16:53.360 --> 0:16:56.320
<v Speaker 3>would enjoy it a lot more than you enjoyed the

0:16:56.360 --> 0:16:58.520
<v Speaker 3>werewolf erotica.

0:16:59.240 --> 0:17:00.800
<v Speaker 1>I would wager, so I.

0:17:00.760 --> 0:17:01.480
<v Speaker 4>Would wait for so.

0:17:02.800 --> 0:17:05.159
<v Speaker 5>I just didn't like when they're like, let's fuck his dogs,

0:17:05.160 --> 0:17:07.600
<v Speaker 5>I'm like, I just don't want to read about dogs

0:17:07.720 --> 0:17:09.359
<v Speaker 5>fucking anyways.

0:17:10.160 --> 0:17:13.639
<v Speaker 1>Yeah, I think that's some people's issue or not issue,

0:17:13.640 --> 0:17:16.600
<v Speaker 1>about why there aren't a ton of werewolf fans out there.

0:17:17.040 --> 0:17:21.200
<v Speaker 1>It's so close to beat reality, right, it like really

0:17:21.320 --> 0:17:23.760
<v Speaker 1>toes the line, which I think is what makes it

0:17:23.800 --> 0:17:27.119
<v Speaker 1>all so kind of like interesting and fascinating. Also, to

0:17:27.160 --> 0:17:30.200
<v Speaker 1>your credit, it is hard to find good werewolf movies.

0:17:30.480 --> 0:17:32.640
<v Speaker 1>I had the opposite, like two or three years ago.

0:17:32.840 --> 0:17:34.280
<v Speaker 1>I was like, sat down. I was like, I want

0:17:34.280 --> 0:17:36.720
<v Speaker 1>to watch every werewolf movie ever, right, because one of

0:17:36.760 --> 0:17:39.240
<v Speaker 1>my favorites is Ginger Snaps, and I do love an

0:17:39.280 --> 0:17:43.119
<v Speaker 1>American werewolf in London, and I spent like months and

0:17:43.320 --> 0:17:48.240
<v Speaker 1>a lot. Unfortunately they suffer from both not enough budget

0:17:48.280 --> 0:17:51.840
<v Speaker 1>to dedicate to the Werewolf Transformation and not enough budget

0:17:51.960 --> 0:17:53.679
<v Speaker 1>to get good actors, you know what I mean, Like

0:17:53.680 --> 0:17:55.320
<v Speaker 1>they can they can't. Really, a lot of them can't

0:17:55.359 --> 0:17:58.920
<v Speaker 1>balance both. The only other like really good werewolf movie

0:17:58.960 --> 0:18:01.560
<v Speaker 1>I would ever recommend, well, I mean I'd recommend several.

0:18:01.720 --> 0:18:04.199
<v Speaker 1>But the other big one aside from American Werewolf and

0:18:04.240 --> 0:18:07.359
<v Speaker 1>Ginger Snaps is one called Dog Soldiers, and that one's

0:18:07.640 --> 0:18:12.119
<v Speaker 1>closer to action horror than American Werewolf or Ginger Snaps.

0:18:12.119 --> 0:18:15.520
<v Speaker 1>I feel like Ginger Snaps American Werewolf are very layered

0:18:15.800 --> 0:18:18.840
<v Speaker 1>and have a lot to say about the topics that

0:18:18.880 --> 0:18:22.040
<v Speaker 1>they're covering because they're very different topics, right. American Werewolf

0:18:22.080 --> 0:18:25.440
<v Speaker 1>interprets werewolf ism in a very different way than Ginger

0:18:25.480 --> 0:18:29.280
<v Speaker 1>Snaps does. But Dog Soldiers is like good fun. It

0:18:29.280 --> 0:18:33.560
<v Speaker 1>almost feels like watching like action romp. There's just werewolves

0:18:33.600 --> 0:18:36.200
<v Speaker 1>thrown in there and then you're in like the background.

0:18:36.440 --> 0:18:40.720
<v Speaker 1>The backdrop is Scotland. But it's again one of the

0:18:40.760 --> 0:18:43.239
<v Speaker 1>few that had a good enough budget to like. The

0:18:43.240 --> 0:18:46.120
<v Speaker 1>Werewolf Transformation is cool. The werewolves are scary.

0:18:46.640 --> 0:18:49.680
<v Speaker 3>Wait I've seen this movie. Yeah, now that I'm looking

0:18:49.720 --> 0:18:51.120
<v Speaker 3>at the images of it.

0:18:51.240 --> 0:18:53.080
<v Speaker 1>During my Werewolf kick, it was the only one that

0:18:53.080 --> 0:18:55.560
<v Speaker 1>stuck out to me. I was like, huh, this was

0:18:55.600 --> 0:18:57.320
<v Speaker 1>pretty good, and I rewatched it recently just to make

0:18:57.320 --> 0:18:59.040
<v Speaker 1>sure my opinion was right, you know, because you watched

0:18:59.040 --> 0:19:00.960
<v Speaker 1>something the first time enamored, and then you watch the

0:19:00.960 --> 0:19:05.160
<v Speaker 1>second time you're like, oh no, that one of dog

0:19:05.200 --> 0:19:09.000
<v Speaker 1>soldiers does take a really bizarre misogynistic turn at the end,

0:19:09.080 --> 0:19:11.159
<v Speaker 1>and I feel like some scenes got edited out that

0:19:11.240 --> 0:19:13.720
<v Speaker 1>maybe would have explained it. But aside from that, it's

0:19:13.760 --> 0:19:17.520
<v Speaker 1>a fun were wolf movie, but it's a hard genre

0:19:18.560 --> 0:19:22.280
<v Speaker 1>to I think, pull off successfully. And then on a

0:19:22.320 --> 0:19:26.240
<v Speaker 1>personal note, Twilight kind of ruined my life with were

0:19:26.240 --> 0:19:32.040
<v Speaker 1>wolves because everyone started associating werewolves and animalism with native

0:19:32.080 --> 0:19:35.439
<v Speaker 1>people and the amount of like questions like God, and

0:19:35.480 --> 0:19:38.320
<v Speaker 1>the amount of people like that. I feel like the

0:19:38.400 --> 0:19:43.000
<v Speaker 1>type of racism I face increased after the movies. In particular,

0:19:43.040 --> 0:19:45.840
<v Speaker 1>the book's release was hard enough, and then the movies

0:19:45.880 --> 0:19:48.480
<v Speaker 1>just like took it over the edge. So I feel

0:19:48.480 --> 0:19:51.119
<v Speaker 1>like Werewolves has also just not gotten good p R

0:19:51.240 --> 0:19:54.719
<v Speaker 1>in the last couple of years. Yeah, so I totally

0:19:54.720 --> 0:19:57.679
<v Speaker 1>get not being into were wolves or werewolf movies.

0:19:58.320 --> 0:19:59.639
<v Speaker 3>It's a hard one for sure.

0:20:00.000 --> 0:20:04.919
<v Speaker 5>Want to recover Twilight we absolutely, because there's I like,

0:20:04.920 --> 0:20:07.119
<v Speaker 5>there's so much we didn't talk about or even know

0:20:07.240 --> 0:20:08.840
<v Speaker 5>to talk about the first time we talked about it.

0:20:08.840 --> 0:20:11.760
<v Speaker 5>But yeah, I mean, they're just werewolves in general.

0:20:12.119 --> 0:20:12.800
<v Speaker 1>There are a tough cell.

0:20:12.880 --> 0:20:15.320
<v Speaker 5>I think that's an excellent point to make too, is

0:20:15.320 --> 0:20:19.439
<v Speaker 5>that the most recent popular adaptation of werewolf stories was

0:20:19.440 --> 0:20:24.240
<v Speaker 5>done in an incredibly racist and harmful way. And unless

0:20:24.440 --> 0:20:28.240
<v Speaker 5>I'm missing something, there really hasn't been a popular piece

0:20:28.280 --> 0:20:29.879
<v Speaker 5>of werewolf media since.

0:20:30.040 --> 0:20:32.000
<v Speaker 4>I mean, I'm coming in so called I'm coming in

0:20:32.080 --> 0:20:34.359
<v Speaker 4>at like werewolf bar.

0:20:34.280 --> 0:20:37.359
<v Speaker 5>Mitzvah, Like that's where I'm at with werewolf media.

0:20:37.920 --> 0:20:42.240
<v Speaker 3>Spooky scary boys becoming men, men becoming wolves.

0:20:42.480 --> 0:20:44.160
<v Speaker 4>And I was like, well, it's not going to get

0:20:44.200 --> 0:20:46.040
<v Speaker 4>better than this, you know.

0:20:46.440 --> 0:20:50.520
<v Speaker 3>I like the werewolves in what we do in the Shadows,

0:20:51.000 --> 0:20:57.040
<v Speaker 3>and that's kind of it. I would say, Yeah, any way,

0:20:59.400 --> 0:21:02.000
<v Speaker 3>a quick brain and then we'll come back and recap

0:21:02.240 --> 0:21:17.000
<v Speaker 3>the movie. And we're back and here is the recap.

0:21:17.280 --> 0:21:24.480
<v Speaker 3>Although first I will place content warning for things like suicide,

0:21:24.520 --> 0:21:30.720
<v Speaker 3>sexual assault, animal abuse, and graphic violence toward dogs.

0:21:31.040 --> 0:21:33.080
<v Speaker 4>It really is kind of a you name it of

0:21:33.640 --> 0:21:35.119
<v Speaker 4>is a lot of stuper warnings.

0:21:35.480 --> 0:21:39.040
<v Speaker 5>Yeah, I will say before we start, just because I've got.

0:21:39.000 --> 0:21:42.760
<v Speaker 4>Werewolf ber mitzvah on the brain. It is kind of

0:21:43.520 --> 0:21:46.600
<v Speaker 4>like relevant the narrative of wear Wolf.

0:21:47.040 --> 0:21:48.800
<v Speaker 1>I mean, like girls.

0:21:48.520 --> 0:21:53.560
<v Speaker 5>Becoming women, women becoming wolves. That is kind of the

0:21:53.560 --> 0:21:55.400
<v Speaker 5>theme of Ginger snaps.

0:21:55.480 --> 0:21:57.720
<v Speaker 3>That's sort of the log line.

0:21:57.560 --> 0:22:04.119
<v Speaker 5>Like a werewolf bot mitzmore Wow, wonderful observation makes you thank.

0:22:03.640 --> 0:22:05.560
<v Speaker 4>You, thank you. That's all those are. That will be

0:22:05.560 --> 0:22:06.920
<v Speaker 4>all my contributions for the day.

0:22:07.119 --> 0:22:10.240
<v Speaker 3>Yeah, fine, fun, Okay. So we open on the town

0:22:10.680 --> 0:22:16.520
<v Speaker 3>of Bailey Downs, Canada Ever heard of it? A place

0:22:16.760 --> 0:22:21.800
<v Speaker 3>that is being terrorized by vicious attacks from some unknown

0:22:21.840 --> 0:22:25.280
<v Speaker 3>animal that people are calling the Beast of Bailey Downs.

0:22:25.880 --> 0:22:31.960
<v Speaker 3>We then meet two teen sisters who are like goth

0:22:32.440 --> 0:22:36.879
<v Speaker 3>not esthetically but like attitude wise in the sense that

0:22:37.200 --> 0:22:42.120
<v Speaker 3>they're obsessed with death and they have a suicide packed

0:22:42.680 --> 0:22:48.359
<v Speaker 3>since they've been kids. This is Bridget played by Emily

0:22:48.440 --> 0:22:51.879
<v Speaker 3>Perkins and Ginger played by Catherine Isabelle.

0:22:52.160 --> 0:22:54.440
<v Speaker 5>It's so interesting because I feel like when we meet them,

0:22:55.040 --> 0:22:58.560
<v Speaker 5>I interpreted them originally as at first glance as like

0:22:58.640 --> 0:23:02.639
<v Speaker 5>goth in the hot topics sense, and then it's like

0:23:02.800 --> 0:23:05.360
<v Speaker 5>they you yes, but also there's.

0:23:05.119 --> 0:23:10.520
<v Speaker 3>More going on right, Okay. So at school, Ginger and

0:23:10.560 --> 0:23:15.160
<v Speaker 3>Bridget are in gym class, playing field hockey, and Bridget

0:23:15.240 --> 0:23:19.000
<v Speaker 3>says a bunch of mean things about this popular girl,

0:23:19.160 --> 0:23:20.480
<v Speaker 3>Trina Sinclair, the.

0:23:20.520 --> 0:23:29.280
<v Speaker 5>Most popular girl name of all time, Yes, Terrina.

0:23:27.040 --> 0:23:30.840
<v Speaker 3>And she overhears Bridget talking shit about her, and so

0:23:30.920 --> 0:23:36.399
<v Speaker 3>she pushes Bridget down into the carcass of another dismembered

0:23:36.720 --> 0:23:40.879
<v Speaker 3>dog that has been attacked by the beast of Bailey Downs.

0:23:40.880 --> 0:23:43.920
<v Speaker 3>And it really makes you wonder why there's just this

0:23:44.080 --> 0:23:47.320
<v Speaker 3>dog carcass in the middle of a playing field at

0:23:47.320 --> 0:23:49.800
<v Speaker 3>a school, just out in the open, has not been

0:23:49.840 --> 0:23:50.760
<v Speaker 3>cleaned up, and.

0:23:50.680 --> 0:23:52.840
<v Speaker 4>No one has an appropriate reaction to it.

0:23:53.840 --> 0:23:56.080
<v Speaker 3>I watched this movie so many times and every time

0:23:56.119 --> 0:23:58.399
<v Speaker 3>I get to that part, I'm like, this just you

0:23:58.440 --> 0:24:01.480
<v Speaker 3>would smell it, right, Yeah, for sure, I know it's

0:24:01.480 --> 0:24:04.159
<v Speaker 3>Canada and cold, but it's not that cold like you

0:24:04.160 --> 0:24:06.600
<v Speaker 3>would notice it before you face plan it to it.

0:24:06.720 --> 0:24:08.520
<v Speaker 1>Like that part never makes it.

0:24:08.600 --> 0:24:11.440
<v Speaker 5>We had to have been cut there, right, Because I've

0:24:11.560 --> 0:24:12.160
<v Speaker 5>rewatched that.

0:24:12.200 --> 0:24:14.960
<v Speaker 4>Seen so many times, I'm like, I'm missing something. I'm

0:24:15.000 --> 0:24:15.800
<v Speaker 4>missing something.

0:24:16.080 --> 0:24:16.560
<v Speaker 1>How didn't know?

0:24:16.640 --> 0:24:18.760
<v Speaker 4>And see the open dog?

0:24:20.560 --> 0:24:23.280
<v Speaker 3>I think it's just a goof it works whatever Ginger

0:24:23.560 --> 0:24:27.480
<v Speaker 3>and Bridget form a plan to get back at Trina

0:24:27.680 --> 0:24:31.520
<v Speaker 3>by making it seem like her dog has been attacked

0:24:31.720 --> 0:24:35.480
<v Speaker 3>by the beast. Meanwhile, there's this boy who has been

0:24:35.560 --> 0:24:40.320
<v Speaker 3>ogling Ginger. This is Jason, who to me looks so

0:24:40.520 --> 0:24:43.639
<v Speaker 3>much like Justin Trudeau. And then I found out that

0:24:43.680 --> 0:24:46.040
<v Speaker 3>this was a Canadian movie, and I was like, is

0:24:46.080 --> 0:24:49.680
<v Speaker 3>that secretly a young Justin Trudeau?

0:24:50.440 --> 0:24:51.360
<v Speaker 4>Interesting?

0:24:51.800 --> 0:24:53.720
<v Speaker 1>No, I see it, I totally see it. Maybe they're

0:24:53.760 --> 0:24:57.560
<v Speaker 1>like long distant cousins. I think did anything about that? Wow?

0:24:57.760 --> 0:24:58.000
<v Speaker 4>Wow.

0:24:59.200 --> 0:25:03.159
<v Speaker 3>Anyway, he approaches Ginger and asks her out, but she's like,

0:25:03.320 --> 0:25:07.680
<v Speaker 3>ooh no, because she's above the idea of like being

0:25:07.720 --> 0:25:11.320
<v Speaker 3>a teen girl who likes and dates boys. That's too

0:25:11.440 --> 0:25:16.840
<v Speaker 3>like normcore for her. So at home, Ginger and Bridget

0:25:16.960 --> 0:25:20.280
<v Speaker 3>have dinner with their mom and dad, who are like

0:25:20.840 --> 0:25:25.320
<v Speaker 3>very speaking of norm coore, very much so compared to

0:25:25.960 --> 0:25:32.080
<v Speaker 3>their daughter's like emo gothiness. Ginger complains about back pain,

0:25:32.560 --> 0:25:36.000
<v Speaker 3>and their mom is like, maybe you're finally getting cramps.

0:25:36.080 --> 0:25:41.040
<v Speaker 3>Maybe you're finally getting your period, because apparently these two sisters,

0:25:41.800 --> 0:25:45.000
<v Speaker 3>as their mom describes it, are three years late getting

0:25:45.320 --> 0:25:49.199
<v Speaker 3>their period. They're fifteen and sixteen, Like you know the

0:25:49.280 --> 0:25:54.120
<v Speaker 3>age ranges for when people start menstruating, but their mom

0:25:54.160 --> 0:25:56.800
<v Speaker 3>feels like they should have gotten their periods by now.

0:25:57.000 --> 0:25:58.919
<v Speaker 5>Yeah, which is like, I mean, we'll talk about the

0:25:58.960 --> 0:26:00.639
<v Speaker 5>mom a lot because I was sort of surprise at

0:26:00.640 --> 0:26:05.880
<v Speaker 5>where her story landed. Yeah, yeah, in a more positive

0:26:05.920 --> 0:26:08.000
<v Speaker 5>way than I was expecting, because I feel like we

0:26:08.160 --> 0:26:11.479
<v Speaker 5>just covered Jawbreaker, which one of my like criticisms of

0:26:11.480 --> 0:26:16.480
<v Speaker 5>that was that the adults were so like underthought that

0:26:16.560 --> 0:26:19.960
<v Speaker 5>it was unclear like the world that we were really in.

0:26:20.480 --> 0:26:22.240
<v Speaker 5>It was interesting because I do feel like there's it's

0:26:22.280 --> 0:26:25.320
<v Speaker 5>like an over the top especially for people who meant

0:26:25.359 --> 0:26:29.600
<v Speaker 5>straight like I was a super late bloomer and it

0:26:29.720 --> 0:26:34.800
<v Speaker 5>came up in the family, which is mortifying. I don't know,

0:26:34.840 --> 0:26:36.000
<v Speaker 5>I felt seen by that.

0:26:36.880 --> 0:26:37.160
<v Speaker 3>Sure.

0:26:37.320 --> 0:26:41.560
<v Speaker 1>Yeah, yeah, I love Pam of all movie horror movie moms.

0:26:41.640 --> 0:26:45.000
<v Speaker 1>She always has like a very special place of my heart.

0:26:45.080 --> 0:26:48.720
<v Speaker 1>She's so like loyal and again, we'll talk about her

0:26:48.760 --> 0:26:50.720
<v Speaker 1>more later, but I just every time I watched this movie,

0:26:50.760 --> 0:26:52.320
<v Speaker 1>I'm like justice for Pam.

0:26:53.640 --> 0:26:56.639
<v Speaker 4>Also, I feel like there's a lot of like great.

0:26:56.600 --> 0:26:59.920
<v Speaker 5>Of the time passion in this movie, but I feel

0:26:59.920 --> 0:27:01.280
<v Speaker 5>like Pam kind of takes it.

0:27:01.480 --> 0:27:03.480
<v Speaker 1>She really does she's got the.

0:27:03.440 --> 0:27:07.680
<v Speaker 4>Embroidered shirts of like others nightmares.

0:27:07.280 --> 0:27:09.560
<v Speaker 1>And like her little pumpkin ear rings.

0:27:09.640 --> 0:27:14.200
<v Speaker 3>I'm like, we're little poofball ear rings. And her hair

0:27:14.520 --> 0:27:16.560
<v Speaker 3>scrunches and the hair.

0:27:16.640 --> 0:27:20.239
<v Speaker 4>Great performance. Yeah, she's just a mom who's constantly like

0:27:20.480 --> 0:27:21.679
<v Speaker 4>isn't that fun?

0:27:24.200 --> 0:27:31.280
<v Speaker 3>Yeah, she's great. She's played by Mimi Rogers. Mimi Rogers. Okay,

0:27:31.480 --> 0:27:35.600
<v Speaker 3>so the sisters go out that night to execute their

0:27:35.640 --> 0:27:41.359
<v Speaker 3>plan with Trina's dog, but they come upon an already

0:27:41.440 --> 0:27:44.800
<v Speaker 3>mulled dog at a playground and they're like, oh, well,

0:27:44.840 --> 0:27:47.800
<v Speaker 3>we'll just use this. But before they can do anything

0:27:47.800 --> 0:27:52.639
<v Speaker 3>with it, Ginger gets her period and says, I just

0:27:52.680 --> 0:27:58.159
<v Speaker 3>got the curse. Funniest Bechdel test passing exchange in the

0:27:58.200 --> 0:28:03.320
<v Speaker 3>movie for me, Yeah, because then Bridget says, oh, and

0:28:03.359 --> 0:28:06.240
<v Speaker 3>then Ginger says, it's not contagious anyway.

0:28:06.400 --> 0:28:07.320
<v Speaker 1>It's a great exchange.

0:28:07.400 --> 0:28:08.879
<v Speaker 5>Yeah. And then she's like, if you ever hear me

0:28:09.040 --> 0:28:12.960
<v Speaker 5>like griping around a tampon machine, frigging kill me. I

0:28:13.000 --> 0:28:16.440
<v Speaker 5>was like, yeah, just you wait, just you wait.

0:28:18.280 --> 0:28:18.760
<v Speaker 4>Yeah.

0:28:18.840 --> 0:28:23.359
<v Speaker 3>Okay, so maybe because she's gotten her period and there's

0:28:23.480 --> 0:28:27.720
<v Speaker 3>blood now, but the beast attacks Ginger like pops out

0:28:27.760 --> 0:28:31.720
<v Speaker 3>of the woods, drags her back into the woods. Bridget

0:28:31.760 --> 0:28:34.920
<v Speaker 3>goes after her. There's a whole scuffle with this beast

0:28:35.560 --> 0:28:38.760
<v Speaker 3>and it chases them onto the road, but then gets

0:28:38.800 --> 0:28:43.640
<v Speaker 3>hit by a van and killed, allowing the girls to escape.

0:28:43.760 --> 0:28:47.200
<v Speaker 3>The driver of the van is this weed dealer guy

0:28:47.480 --> 0:28:52.000
<v Speaker 3>named Sam who we've met before because the popular girl

0:28:52.120 --> 0:28:55.480
<v Speaker 3>Trina seems to have some kind of history with him.

0:28:56.080 --> 0:28:58.640
<v Speaker 5>The Sam character, I just feel like he wants to

0:28:58.640 --> 0:29:00.560
<v Speaker 5>be Christian Slaters so bad.

0:29:01.400 --> 0:29:02.600
<v Speaker 3>Oh, yeah, I see that.

0:29:03.200 --> 0:29:03.520
<v Speaker 4>Yeah.

0:29:03.600 --> 0:29:07.400
<v Speaker 5>I feel like there's a whole slate of kind of

0:29:07.440 --> 0:29:10.080
<v Speaker 5>like bruneout style character actors that come out in the

0:29:10.160 --> 0:29:12.600
<v Speaker 5>nineties into the two thousands that are just doing a

0:29:12.800 --> 0:29:18.400
<v Speaker 5>really solid Christian Slater. In Heather's impression, a slate of

0:29:18.880 --> 0:29:23.160
<v Speaker 5>Slater wanna be a slate of Slaters, one could say, yeah,

0:29:23.240 --> 0:29:25.000
<v Speaker 5>a real bunch of mister Robots.

0:29:27.840 --> 0:29:32.840
<v Speaker 3>So okay, the girl's hurry back home. Ginger has sustained

0:29:32.880 --> 0:29:36.320
<v Speaker 3>some pretty serious injuries from this beast attack. She's got

0:29:36.320 --> 0:29:39.800
<v Speaker 3>these big gashes on her shoulder and she doesn't want

0:29:39.800 --> 0:29:43.600
<v Speaker 3>anyone to know about this, and she's somehow already healing,

0:29:44.040 --> 0:29:48.600
<v Speaker 3>but she's not feeling great, which could either be period

0:29:48.640 --> 0:29:53.800
<v Speaker 3>cramps or the fact that she's turning into a werewolf

0:29:53.920 --> 0:29:59.200
<v Speaker 3>question mark because Bridget had managed to take a polaroid

0:29:59.320 --> 0:30:02.720
<v Speaker 3>of the during the scuffle, and it's not super clear,

0:30:02.800 --> 0:30:05.160
<v Speaker 3>but it looks like it might be a were wolf.

0:30:06.000 --> 0:30:09.920
<v Speaker 3>So then Bridget approaches Sam to be like, hey, what

0:30:10.040 --> 0:30:12.440
<v Speaker 3>did you hit with your van the other night? And

0:30:12.480 --> 0:30:16.520
<v Speaker 3>he's like, I don't know a were wolf and she's like, hmm, interesting,

0:30:17.680 --> 0:30:22.760
<v Speaker 3>that's what I think too. And then Trina comes up

0:30:22.800 --> 0:30:26.400
<v Speaker 3>with her dog and it starts barking at Ginger on

0:30:26.440 --> 0:30:29.360
<v Speaker 3>account of her now being a were wolf, so she

0:30:30.320 --> 0:30:35.160
<v Speaker 3>kicks the dog horrible seemed to watch and runs into

0:30:35.240 --> 0:30:38.400
<v Speaker 3>the bathroom and they discover fur growing out of the

0:30:38.440 --> 0:30:43.560
<v Speaker 3>gashes in her shoulder. Period. Blood is like gushing out

0:30:43.560 --> 0:30:49.440
<v Speaker 3>of her and snarly. Bridget's like, yeah, I'm pretty sure

0:30:49.440 --> 0:30:52.680
<v Speaker 3>you're a were wolf, and Ginger's like, that's ridiculous. Were

0:30:52.720 --> 0:30:53.560
<v Speaker 3>Wolves aren't.

0:30:53.400 --> 0:30:58.920
<v Speaker 5>Real, and being a were wolf gives you awesome highlights too. Yes, yeah,

0:30:58.960 --> 0:31:01.480
<v Speaker 5>I loved the werewolf highlights. Great touch.

0:31:01.920 --> 0:31:06.760
<v Speaker 1>Yeah, I loved the gradualness of her clause too. I

0:31:06.800 --> 0:31:09.600
<v Speaker 1>clocked it more this time around, because every time I

0:31:09.640 --> 0:31:10.960
<v Speaker 1>was like, oh man, her nails look so good, and

0:31:10.960 --> 0:31:13.320
<v Speaker 1>then I like, look closer, I'm like, nope, those are claws.

0:31:13.720 --> 0:31:16.400
<v Speaker 1>I thought that was a very interesting This also, too,

0:31:16.640 --> 0:31:19.000
<v Speaker 1>is one of the few werewolf movies where it's not

0:31:19.040 --> 0:31:21.440
<v Speaker 1>a sudden transformation, which again we can talk about later,

0:31:21.640 --> 0:31:24.760
<v Speaker 1>but I can't really think of any others that imply

0:31:25.040 --> 0:31:27.640
<v Speaker 1>once you turn, that's you twenty four to seven. And

0:31:27.640 --> 0:31:29.480
<v Speaker 1>I feel like that's what this werewolf.

0:31:29.120 --> 0:31:33.120
<v Speaker 3>Movie implies, right, yeah, yeah, with her transformation, you're just

0:31:33.160 --> 0:31:36.120
<v Speaker 3>like extra were wolfy on the full moon, but the

0:31:36.160 --> 0:31:39.080
<v Speaker 3>rest of the time you're like just kind of were wolfe.

0:31:39.920 --> 0:31:42.160
<v Speaker 5>I saw like a lot written about that in like

0:31:42.200 --> 0:31:44.960
<v Speaker 5>a positive way, where it was like this, like, werewolf

0:31:45.000 --> 0:31:48.440
<v Speaker 5>movies are so often beheld to moon cycles, which are

0:31:48.520 --> 0:31:51.440
<v Speaker 5>very similar to menstrual cycles, and the fact that this

0:31:51.560 --> 0:31:54.480
<v Speaker 5>movie doesn't fully lean into that is like kind of

0:31:54.520 --> 0:31:55.760
<v Speaker 5>a strength because that.

0:31:55.680 --> 0:31:57.400
<v Speaker 4>Would be the super obvious thing to do.

0:31:57.480 --> 0:32:00.959
<v Speaker 5>And I feel like it makes Ginger's emotion journey like

0:32:01.040 --> 0:32:04.400
<v Speaker 5>slowing it down does make it scarier.

0:32:04.480 --> 0:32:07.800
<v Speaker 1>Absolutely, because you're like, is she changing because of her

0:32:07.800 --> 0:32:12.240
<v Speaker 1>puberty or is it because of the werewolf virus? And

0:32:12.240 --> 0:32:15.640
<v Speaker 1>I think that's a relatable experience as a young person

0:32:16.160 --> 0:32:18.920
<v Speaker 1>having all of her friends have crazy hormones all the time,

0:32:19.000 --> 0:32:20.360
<v Speaker 1>you know, So I.

0:32:20.280 --> 0:32:23.040
<v Speaker 5>Love that choice and seeing her like really struggle with

0:32:23.080 --> 0:32:26.640
<v Speaker 5>it too and be unsure about how she feels about

0:32:26.640 --> 0:32:30.200
<v Speaker 5>the changes that are happening in her, Like it's it's great.

0:32:30.360 --> 0:32:30.880
<v Speaker 1>Yeah.

0:32:30.960 --> 0:32:36.640
<v Speaker 3>So the sisters get into an argument. Ginger thinks Bridget

0:32:36.840 --> 0:32:41.760
<v Speaker 3>is jealous because Gingers growing up into a woman and

0:32:42.000 --> 0:32:47.160
<v Speaker 3>Bridget still isn't. So they have this fight, and at school,

0:32:47.440 --> 0:32:51.840
<v Speaker 3>Ginger is now wearing like form fitting clothing. People are

0:32:51.880 --> 0:32:57.320
<v Speaker 3>noticing her and being like a wooga. She's making out

0:32:57.360 --> 0:33:02.479
<v Speaker 3>with that Jason guy and ignoring Bridget. Meanwhile, Bridget starts

0:33:02.720 --> 0:33:08.160
<v Speaker 3>researching werewolves. She's also tracking Ginger's menstrual cycle and it

0:33:08.160 --> 0:33:11.040
<v Speaker 3>seems like her next period might start.

0:33:10.680 --> 0:33:12.200
<v Speaker 1>On the full moon.

0:33:13.320 --> 0:33:17.640
<v Speaker 3>She also discovers that Ginger is growing a tail, and

0:33:17.920 --> 0:33:21.080
<v Speaker 3>she links back up with Sam. Bridget does so that

0:33:21.120 --> 0:33:23.440
<v Speaker 3>they can figure out what to do about this whole

0:33:23.560 --> 0:33:27.440
<v Speaker 3>werewolf thing, and Sam speculates there might be a cure.

0:33:28.280 --> 0:33:31.080
<v Speaker 3>Side note, this is like not super narratively consequential, but

0:33:31.160 --> 0:33:34.480
<v Speaker 3>like at first, Bridget tells Sam that it's her who's

0:33:34.520 --> 0:33:38.320
<v Speaker 3>affected by this to like protect Ginger, yah. But by

0:33:38.320 --> 0:33:39.520
<v Speaker 3>the end he figures it out.

0:33:39.400 --> 0:33:41.760
<v Speaker 5>Which made me confused at first because I have one

0:33:41.800 --> 0:33:45.280
<v Speaker 5>brain cell. I was like, wait, what what outsmarted by

0:33:45.280 --> 0:33:46.440
<v Speaker 5>a teenager yet again?

0:33:48.720 --> 0:33:51.720
<v Speaker 3>But anyway, he gives Bridget an earring made of pure

0:33:51.760 --> 0:33:56.480
<v Speaker 3>silver because he's like, maybe it'll purify your blood and

0:33:56.560 --> 0:34:02.080
<v Speaker 3>like rid it of this infection. In the meantime, has

0:34:02.160 --> 0:34:07.120
<v Speaker 3>sex with Jason and kind of like chomps on him

0:34:07.360 --> 0:34:10.399
<v Speaker 3>a bit, although she doesn't kill him, but she does

0:34:10.560 --> 0:34:15.520
<v Speaker 3>kill a neighbor's dog, Norman the Dog, and that's very sad.

0:34:15.960 --> 0:34:18.919
<v Speaker 4>I know, the King, I love the goalie.

0:34:19.080 --> 0:34:22.440
<v Speaker 3>The goalie I know, oh yeah, and he's like Norman.

0:34:22.640 --> 0:34:27.680
<v Speaker 4>He's like Norman norm a hockey representation.

0:34:27.800 --> 0:34:29.560
<v Speaker 5>That's like you're like, oh yeah, the movie takes place

0:34:29.600 --> 0:34:32.640
<v Speaker 5>in Canada because he's just like playing hockey by myself

0:34:32.680 --> 0:34:36.160
<v Speaker 5>at home. Classic between that and the stories, Oh my god, yeah,

0:34:36.160 --> 0:34:39.880
<v Speaker 5>every time she was sorry, Okay, I didn't realize I

0:34:40.040 --> 0:34:43.400
<v Speaker 5>forgot that it was a Canadian film until a while

0:34:43.480 --> 0:34:46.319
<v Speaker 5>into the movie and then someone says sorry and I'm like,

0:34:46.640 --> 0:34:49.239
<v Speaker 5>oh my god, they're in Canada. It honestly is so

0:34:49.400 --> 0:34:53.440
<v Speaker 5>wild seeing a teenage This is a very American observation,

0:34:53.800 --> 0:34:57.759
<v Speaker 5>but like seeing a teenager in crisis with a Canadian

0:34:58.400 --> 0:35:01.960
<v Speaker 5>twang outside of the was truly shocking to me.

0:35:02.680 --> 0:35:06.200
<v Speaker 4>I was like, wait, when are they gonna go see Drake?

0:35:06.440 --> 0:35:08.840
<v Speaker 4>You know, but that's not how this movie goes.

0:35:09.440 --> 0:35:13.440
<v Speaker 3>Mm hmmm, Okay. So Ginger and Bridget kind of make up,

0:35:13.920 --> 0:35:18.000
<v Speaker 3>and Ginger confides in Bridget that she has this insatiable

0:35:18.840 --> 0:35:21.959
<v Speaker 3>hunger and wants to tear everything into pieces.

0:35:22.400 --> 0:35:23.280
<v Speaker 4>She might be snapping.

0:35:23.320 --> 0:35:27.240
<v Speaker 3>One could say she's on the brink. She's a snap

0:35:27.360 --> 0:35:29.480
<v Speaker 3>is impending saying.

0:35:29.920 --> 0:35:33.240
<v Speaker 5>Yeah, snap impending is That's that's sort of my status

0:35:33.320 --> 0:35:36.600
<v Speaker 5>of take very I will say the seed.

0:35:36.400 --> 0:35:40.439
<v Speaker 1>Where she's like throwing up and talking about I tried

0:35:40.480 --> 0:35:42.160
<v Speaker 1>to look at my nose if I wrote down their quote.

0:35:42.440 --> 0:35:45.760
<v Speaker 1>But any goth horror girl, that's like the favorite quote

0:35:45.760 --> 0:35:47.560
<v Speaker 1>of I thought I was craving sex, but I want

0:35:47.560 --> 0:35:50.520
<v Speaker 1>to tear everything to fucking pieces. That is one of

0:35:50.520 --> 0:35:53.720
<v Speaker 1>my favorite It's just because I feel like too, especially

0:35:53.719 --> 0:35:58.920
<v Speaker 1>by two thousand, you know, girlhood teenage girl rage was

0:35:59.000 --> 0:36:03.840
<v Speaker 1>so rarely explored, especially in the manner that this film

0:36:03.920 --> 0:36:07.600
<v Speaker 1>explores it. So that is one of my favorite lines

0:36:07.600 --> 0:36:08.280
<v Speaker 1>in the whole movie.

0:36:08.480 --> 0:36:12.560
<v Speaker 5>Yeah, that was the line where I was I turned

0:36:12.640 --> 0:36:15.719
<v Speaker 5>to my boyfriend, I was like, this movie was I

0:36:15.880 --> 0:36:20.719
<v Speaker 5>guarantee very popular on Tumblr That line alone, likely this

0:36:20.840 --> 0:36:23.719
<v Speaker 5>movie did numbers on Tumblr.

0:36:23.440 --> 0:36:24.160
<v Speaker 1>In the future.

0:36:26.840 --> 0:36:31.080
<v Speaker 3>Okay, So then Bridget has the idea to pierce Ginger's

0:36:31.080 --> 0:36:35.080
<v Speaker 3>belly button and put in the silver earring in case

0:36:35.120 --> 0:36:39.400
<v Speaker 3>that cures the werewolf ism. But it doesn't seem to

0:36:39.440 --> 0:36:43.760
<v Speaker 3>do anything, and her tail by this point has grown

0:36:43.920 --> 0:36:47.160
<v Speaker 3>so much that they have to tape it to her leg,

0:36:47.440 --> 0:36:54.560
<v Speaker 3>so the werewolfights is getting worse. Then there's another field

0:36:54.800 --> 0:36:59.719
<v Speaker 3>hockey gym class fight with Trina scene there's at least

0:36:59.719 --> 0:37:03.439
<v Speaker 3>to it in the movie, where Ginger beats the shit

0:37:03.520 --> 0:37:08.279
<v Speaker 3>out of Trina, so they're still feuding. Meanwhile, Jason is

0:37:08.480 --> 0:37:12.080
<v Speaker 3>pissing blood and turning into a were wolf as well.

0:37:12.680 --> 0:37:17.160
<v Speaker 3>It's stated that he and Ginger had unprotected sex and

0:37:17.480 --> 0:37:22.360
<v Speaker 3>she passed along this because the movie treats the like

0:37:22.520 --> 0:37:26.520
<v Speaker 3>werewolf ism as a disease, like it's an infection that

0:37:26.560 --> 0:37:30.160
<v Speaker 3>can be passed on through sex. So he's becoming a

0:37:30.160 --> 0:37:34.760
<v Speaker 3>werewolf now. Ginger and Bridget then go to Sam's greenhouse,

0:37:34.840 --> 0:37:37.200
<v Speaker 3>where he grows all of his weed.

0:37:37.320 --> 0:37:40.520
<v Speaker 1>And lives there. By the way, he lives at the Greenhouse.

0:37:40.239 --> 0:37:44.080
<v Speaker 3>And get ready, yeah, yes, yes, yes, yep. He tells

0:37:44.120 --> 0:37:47.239
<v Speaker 3>them about an herb called Monk's Hood and how it

0:37:47.320 --> 0:37:51.239
<v Speaker 3>could be a cure, but it's a perennial and it

0:37:51.320 --> 0:37:54.120
<v Speaker 3>only grows in the springtime and it seems like it oh,

0:37:54.120 --> 0:37:57.000
<v Speaker 3>it's like fall. It's like Halloween time right now, So

0:37:57.640 --> 0:38:01.640
<v Speaker 3>this doesn't really help them. And Ginger, let's say her

0:38:01.760 --> 0:38:07.439
<v Speaker 3>snap is closer than ever before. One night, Trina, the

0:38:07.560 --> 0:38:10.960
<v Speaker 3>mean girl, comes over to confront the sisters about like

0:38:11.040 --> 0:38:16.520
<v Speaker 3>taking her dog, and Ginger attacks Trina, who trips and

0:38:16.600 --> 0:38:20.719
<v Speaker 3>hits her head and dies right when the sister's parents

0:38:20.800 --> 0:38:23.799
<v Speaker 3>come home. So they do this like clever cover up

0:38:24.239 --> 0:38:28.000
<v Speaker 3>and then they bury Trina in the yard and make

0:38:28.040 --> 0:38:31.520
<v Speaker 3>a plan to just like run away after they're sure

0:38:31.640 --> 0:38:37.040
<v Speaker 3>no one suspects them of killing Trina. Meanwhile, Jason is

0:38:37.080 --> 0:38:42.200
<v Speaker 3>becoming more were WOLFI he has this like intense rash

0:38:42.200 --> 0:38:46.000
<v Speaker 3>on his face, his teeth are getting sharper, he's growing

0:38:46.000 --> 0:38:46.440
<v Speaker 3>a tail.

0:38:47.400 --> 0:38:50.680
<v Speaker 5>This is silly, but I was looking up the actor

0:38:50.680 --> 0:38:54.000
<v Speaker 5>who played Jason, and he plays another character named Jason

0:38:54.560 --> 0:38:56.479
<v Speaker 5>in Final Destination three.

0:38:56.960 --> 0:39:01.160
<v Speaker 4>My favorite. He's the boyfriend that actually dies on the

0:39:01.200 --> 0:39:02.240
<v Speaker 4>roller coaster at the beginning.

0:39:02.280 --> 0:39:05.160
<v Speaker 1>Okay, yeah, yeah, okay, he's barely in it. But also

0:39:05.239 --> 0:39:08.120
<v Speaker 1>the wee guy is also in Final Destination three. We

0:39:08.400 --> 0:39:12.000
<v Speaker 1>really he plays the goffy guy who like gets squished

0:39:12.080 --> 0:39:15.600
<v Speaker 1>by the giant sign. It's the same act.

0:39:15.680 --> 0:39:18.440
<v Speaker 4>Oh my god, wait with the other Canadian actor who

0:39:18.560 --> 0:39:23.280
<v Speaker 4>was on Instant Star. I remember that. Wow.

0:39:23.440 --> 0:39:26.400
<v Speaker 5>They literally just were like, oh, can we get the

0:39:26.440 --> 0:39:27.600
<v Speaker 5>guys from Ginger Snaps?

0:39:27.600 --> 0:39:28.280
<v Speaker 3>Are they available?

0:39:28.719 --> 0:39:32.359
<v Speaker 4>But yes, yes, can they play the same character. Also, yeah,

0:39:34.600 --> 0:39:37.680
<v Speaker 4>that's so funny. Oh yeah, there he is Ian. I

0:39:38.200 --> 0:39:39.399
<v Speaker 4>remember him. I remember him.

0:39:39.440 --> 0:39:41.560
<v Speaker 5>He's It's so hard because that movie is like Mary,

0:39:41.600 --> 0:39:44.160
<v Speaker 5>Elizabeth Winstead, Ryan Merriman and others.

0:39:44.520 --> 0:39:48.040
<v Speaker 1>Unfortunately, I do also like Final Destination three. As far

0:39:48.080 --> 0:39:50.880
<v Speaker 1>as sequels, I actually really enjoy the whole series. A

0:39:50.920 --> 0:39:54.040
<v Speaker 1>Final Destination I think it rocks, except for the weird

0:39:54.520 --> 0:39:56.880
<v Speaker 1>I think it's the fourth one where it's like a

0:39:57.000 --> 0:40:00.760
<v Speaker 1>racetrack one that one blows. It's not fun, it sucks.

0:40:00.800 --> 0:40:05.440
<v Speaker 1>There's like a weird racism storyline that doesn't work very well. No,

0:40:05.520 --> 0:40:08.240
<v Speaker 1>but the rest of them I think are super fun

0:40:08.400 --> 0:40:11.080
<v Speaker 1>and scary, and I'll watch anything. Tony Todd is in,

0:40:11.200 --> 0:40:13.920
<v Speaker 1>especially if he's representing death between that and Candy Man.

0:40:14.120 --> 0:40:18.480
<v Speaker 1>But but battle the two three is definitely one of

0:40:18.520 --> 0:40:19.719
<v Speaker 1>the one of the funner ones.

0:40:19.760 --> 0:40:22.920
<v Speaker 3>I think that's my favorite scene.

0:40:23.040 --> 0:40:26.400
<v Speaker 1>Yeah, oh god, and the nail gun one because I

0:40:26.440 --> 0:40:29.200
<v Speaker 1>also work in a scene shop for a long time now.

0:40:29.640 --> 0:40:32.400
<v Speaker 1>Of course, with all the deaths, that is so extremely unlikely,

0:40:32.520 --> 0:40:34.760
<v Speaker 1>but it's not impossible.

0:40:34.840 --> 0:40:38.080
<v Speaker 5>And that is where Final Destination succeeds every time. The

0:40:38.120 --> 0:40:40.359
<v Speaker 5>tanning Beth said in Final Destination three is the one

0:40:40.360 --> 0:40:41.160
<v Speaker 5>I think about the most.

0:40:41.440 --> 0:40:43.719
<v Speaker 4>Yeah, all the time, all the time.

0:40:43.800 --> 0:40:51.399
<v Speaker 3>Oh she yeah, brutal Okay. So Bridget realizes that her

0:40:51.520 --> 0:40:56.640
<v Speaker 3>mom has bought a bunch of dried monkshood, the herb

0:40:56.719 --> 0:41:00.319
<v Speaker 3>that could potentially be the cure they're looking for, from

0:41:00.360 --> 0:41:05.280
<v Speaker 3>a craft shop classic Pam. This is just in time

0:41:05.400 --> 0:41:10.920
<v Speaker 3>because Ginger is really on the verge of a nervous

0:41:11.080 --> 0:41:16.319
<v Speaker 3>snap down, we'll say, And Bridget locks Ginger in the

0:41:16.320 --> 0:41:20.439
<v Speaker 3>bathroom so that she can't hurt anyone, and Bridget takes

0:41:20.480 --> 0:41:22.799
<v Speaker 3>the monks hood to Sam to make the cure and

0:41:22.840 --> 0:41:27.280
<v Speaker 3>they craft this like injectable version of it. But when

0:41:27.480 --> 0:41:31.080
<v Speaker 3>Bridget goes home to administer it, Ginger is not there.

0:41:31.400 --> 0:41:34.360
<v Speaker 3>She has broken out of the bathroom, gone to school,

0:41:34.880 --> 0:41:40.680
<v Speaker 3>and she kills the school guidance counselor. Meanwhile, Bridget runs

0:41:40.680 --> 0:41:45.800
<v Speaker 3>into Jason, who is even more were wolfy, and I

0:41:45.840 --> 0:41:48.680
<v Speaker 3>would say he's having a adjacent snap ad.

0:41:48.760 --> 0:41:50.800
<v Speaker 4>Jason snaps that as fun.

0:41:52.600 --> 0:41:56.319
<v Speaker 1>A little scarier too sometimes with his Then yeah, I mean,

0:41:56.360 --> 0:41:58.279
<v Speaker 1>we're along with Ginger for the ride, and she's been

0:41:58.280 --> 0:42:01.680
<v Speaker 1>shown to be cool, but his happen is like also

0:42:02.120 --> 0:42:06.520
<v Speaker 1>like familiar too in a way that's uncomfortable. Like I've

0:42:06.520 --> 0:42:09.759
<v Speaker 1>been around teen boys who without the werewolf ism act

0:42:09.800 --> 0:42:12.320
<v Speaker 1>like right, you know, So his character was written a

0:42:12.360 --> 0:42:14.000
<v Speaker 1>little too well in some aspects.

0:42:15.800 --> 0:42:19.040
<v Speaker 3>Yeah, it's almost like boys and men are socialized to

0:42:19.200 --> 0:42:24.160
<v Speaker 3>be overly aggressive in many contexts.

0:42:23.760 --> 0:42:25.240
<v Speaker 1>And girls will cure them.

0:42:26.360 --> 0:42:30.600
<v Speaker 3>Right, Because what happens is Bridget injects him with the

0:42:30.760 --> 0:42:34.880
<v Speaker 3>cure and it seems to work pretty instantly, so we're like, okay,

0:42:35.040 --> 0:42:40.880
<v Speaker 3>the cure works. So then Bridget finds Ginger and she's like, okay,

0:42:40.920 --> 0:42:43.760
<v Speaker 3>we'll just clean up the body of this dead guidance

0:42:43.840 --> 0:42:47.399
<v Speaker 3>counselor and then we're gonna run away. And by now

0:42:47.520 --> 0:42:54.960
<v Speaker 3>Ginger is looking quite wolfy. She's still like humanish but

0:42:55.200 --> 0:43:00.439
<v Speaker 3>also wolfish, and she's pretty evil now. She doesn't seem

0:43:00.440 --> 0:43:03.279
<v Speaker 3>to have as much remorse as she once did. I

0:43:03.320 --> 0:43:07.560
<v Speaker 3>would say it's safe to say that Ginger has snapped

0:43:07.719 --> 0:43:12.520
<v Speaker 3>at this point, because she attacks and kills the school

0:43:12.760 --> 0:43:16.840
<v Speaker 3>custodian for pretty much no reason, and she tries to

0:43:16.880 --> 0:43:22.320
<v Speaker 3>convince Bridget to become a werewolf like her, and Bridget refuses,

0:43:22.719 --> 0:43:29.040
<v Speaker 3>so Ginger storms off and approaches Sam, attempts to seduce,

0:43:29.200 --> 0:43:34.000
<v Speaker 3>slash assault him, and then Bridget comes in to save

0:43:34.120 --> 0:43:38.680
<v Speaker 3>him by cutting her hand and exchanging blood with Ginger

0:43:38.800 --> 0:43:43.600
<v Speaker 3>so that Bridget will get infected with werewolf ititis and

0:43:43.880 --> 0:43:48.959
<v Speaker 3>that'll kind of distract Ginger. So Bridget and Sam take

0:43:49.080 --> 0:43:52.440
<v Speaker 3>Ginger back home to make more of the cure, but

0:43:52.520 --> 0:43:57.520
<v Speaker 3>by now Ginger is like full werewolf and Bridget is

0:43:57.560 --> 0:44:00.880
<v Speaker 3>also turning into a were wolf because of this like

0:44:01.320 --> 0:44:06.600
<v Speaker 3>blood exchange thing, and Ginger is just kind of running

0:44:06.600 --> 0:44:10.960
<v Speaker 3>around the house on the loose, and Sam and Bridget

0:44:11.000 --> 0:44:15.160
<v Speaker 3>are making the next cure, but then Ginger wolf grabs

0:44:15.200 --> 0:44:18.760
<v Speaker 3>Sam and bites the shit out of him. Bridget finds

0:44:18.800 --> 0:44:25.120
<v Speaker 3>them and starts eating Sam's blood, but realizes, like I

0:44:25.160 --> 0:44:29.239
<v Speaker 3>can't do this. I can't. I refuse to embrace where

0:44:29.280 --> 0:44:35.560
<v Speaker 3>wolf culture. So she and Ginger have like the big

0:44:35.840 --> 0:44:41.640
<v Speaker 3>final showdown. They're chasing each other. Ginger lunges at Bridget,

0:44:41.760 --> 0:44:47.839
<v Speaker 3>who stabs and kills Ginger, and so Bridget is very

0:44:48.480 --> 0:44:52.560
<v Speaker 3>sad that her you know, beloved sister is dead. And

0:44:52.600 --> 0:44:57.480
<v Speaker 3>that's how the movie ends. So let's take a quick

0:44:57.520 --> 0:45:11.040
<v Speaker 3>break and will come back to discuss and we're back.

0:45:11.560 --> 0:45:14.440
<v Speaker 4>Boy, are we where to begin?

0:45:14.640 --> 0:45:17.360
<v Speaker 5>I also, I just want to talk about the ending

0:45:17.640 --> 0:45:20.600
<v Speaker 5>really quick. Where the ending may be so sad?

0:45:20.960 --> 0:45:25.160
<v Speaker 1>I know it's a bummer. Yeah, every time I watch

0:45:25.200 --> 0:45:27.480
<v Speaker 1>it it makes me so sad. But also it just

0:45:27.800 --> 0:45:30.439
<v Speaker 1>there was no personally, no other ending to be had.

0:45:31.239 --> 0:45:35.000
<v Speaker 1>Ginger was too far gone right. And I also thought

0:45:35.000 --> 0:45:37.400
<v Speaker 1>it was interesting too because they're so death obsessed this

0:45:37.600 --> 0:45:42.719
<v Speaker 1>entire movie, and but this situation, this virus, this scenario

0:45:42.840 --> 0:45:45.839
<v Speaker 1>proved that, especially for Birdwate, she did not want death.

0:45:45.920 --> 0:45:47.880
<v Speaker 1>She was never she did not want to die with

0:45:47.920 --> 0:45:50.760
<v Speaker 1>her sister. So it's a very like layered and almost

0:45:50.800 --> 0:45:51.719
<v Speaker 1>makes it more.

0:45:51.520 --> 0:45:52.759
<v Speaker 3>Sad too, you know.

0:45:53.280 --> 0:45:55.879
<v Speaker 4>Yeah, the more I thought about it, the sadder it.

0:45:55.960 --> 0:45:59.120
<v Speaker 5>Made me because on the second feeling, I also noticed that,

0:45:59.160 --> 0:46:04.200
<v Speaker 5>you know, it almost seems that Ginger chooses death because

0:46:04.960 --> 0:46:08.720
<v Speaker 5>Bridget is holding the syringe. Also she's holding the cure,

0:46:09.200 --> 0:46:14.960
<v Speaker 5>and she's holding the knife, and Ginger lunges onto the

0:46:15.040 --> 0:46:18.000
<v Speaker 5>knife because, like you're saying, Olivia, I think Ginger almost

0:46:18.040 --> 0:46:22.880
<v Speaker 5>recognizes that she is too far gone and that it

0:46:22.920 --> 0:46:26.600
<v Speaker 5>gives her sister the best chance to survive if she's

0:46:26.640 --> 0:46:30.960
<v Speaker 5>not there, which is like Shakespeare and it's really brutal.

0:46:31.239 --> 0:46:33.720
<v Speaker 5>And I'm trying to remember I don't have the citation

0:46:33.760 --> 0:46:36.799
<v Speaker 5>in front of me, but I read an interpretation of

0:46:36.920 --> 0:46:39.319
<v Speaker 5>this movie that speaks to what you're saying, that how

0:46:39.360 --> 0:46:42.040
<v Speaker 5>they are so death obsessed in the way that I

0:46:42.120 --> 0:46:45.359
<v Speaker 5>think a lot of young people are in a world

0:46:45.400 --> 0:46:48.480
<v Speaker 5>where it still is a more nebulous concept.

0:46:49.040 --> 0:46:51.160
<v Speaker 4>We don't really know that they've had.

0:46:51.120 --> 0:46:55.000
<v Speaker 5>First person interactions or brushes with death really, And I

0:46:55.040 --> 0:46:57.680
<v Speaker 5>mean I know that I was like that as a kid,

0:46:57.760 --> 0:47:01.239
<v Speaker 5>where you know if you're unhappy, and it's kind of

0:47:01.239 --> 0:47:03.280
<v Speaker 5>a more like a morbid nebulous concept.

0:47:03.280 --> 0:47:05.920
<v Speaker 4>It's almost I found it easier to interact with than

0:47:05.960 --> 0:47:10.520
<v Speaker 4>I do now. But I read sort of Ginger's character.

0:47:10.239 --> 0:47:15.560
<v Speaker 5>Of being a meditation on suicidality in young people, where

0:47:15.960 --> 0:47:18.480
<v Speaker 5>it's revealed, you know, as time goes on that Bridget

0:47:18.600 --> 0:47:21.560
<v Speaker 5>is sort of interacting with the concept out of curiosity

0:47:21.719 --> 0:47:24.200
<v Speaker 5>and Ginger may not be.

0:47:24.200 --> 0:47:26.680
<v Speaker 4>Because we see Ginger makes an attempt on.

0:47:26.640 --> 0:47:29.480
<v Speaker 5>Her own life in the you know space of the movie,

0:47:29.640 --> 0:47:34.000
<v Speaker 5>and that, you know, it's sort of implied that while

0:47:34.320 --> 0:47:38.440
<v Speaker 5>their parents care about them, they're not an adequate support

0:47:38.480 --> 0:47:44.200
<v Speaker 5>system for you know, kid who's depressed. That wasn't necessarily

0:47:44.280 --> 0:47:46.640
<v Speaker 5>my read of it, but I thought it was interesting

0:47:46.800 --> 0:47:50.400
<v Speaker 5>and that, I mean, it's certainly a valid read of

0:47:50.880 --> 0:47:52.600
<v Speaker 5>that character dynamic.

0:47:53.400 --> 0:47:56.640
<v Speaker 1>Absolutely, And I've watched this several times. I think each

0:47:56.680 --> 0:48:00.920
<v Speaker 1>time I get really enamored with the special effects with

0:48:01.600 --> 0:48:04.759
<v Speaker 1>you know, dissent to werewolf ism. But this time I

0:48:04.840 --> 0:48:08.440
<v Speaker 1>really focused in on the relationship between Bridget and Ginger.

0:48:09.080 --> 0:48:11.560
<v Speaker 1>And I have a sister and I'm very close with her,

0:48:11.920 --> 0:48:15.120
<v Speaker 1>but our relationship is not like this where we're so

0:48:15.280 --> 0:48:19.040
<v Speaker 1>co dependent and at some point their relationship becomes extremely

0:48:19.120 --> 0:48:22.520
<v Speaker 1>toxic and abusive. And so because in the very beginning,

0:48:22.600 --> 0:48:24.759
<v Speaker 1>Ginger says, well, Bridget, this whole death thing was your

0:48:24.800 --> 0:48:27.200
<v Speaker 1>idea when you were eight years old. So I think

0:48:27.200 --> 0:48:30.840
<v Speaker 1>that speaks to Bridget's curiosity with it, but because Ginger

0:48:30.920 --> 0:48:35.480
<v Speaker 1>is so dependent on Bridget, it morphed into both of

0:48:35.520 --> 0:48:40.560
<v Speaker 1>them being obsessed with it. Yeah, so I agree with

0:48:40.680 --> 0:48:41.799
<v Speaker 1>thinking being really sad.

0:48:43.440 --> 0:48:46.600
<v Speaker 5>Yeah, but it also just went away. I wasn't expecting

0:48:46.640 --> 0:48:48.840
<v Speaker 5>to where I don't know. I think we just again,

0:48:48.880 --> 0:48:50.920
<v Speaker 5>I'm going to call back to a jobbreaker because we

0:48:51.000 --> 0:48:54.520
<v Speaker 5>just talked about it yesterday. But how you know, when

0:48:54.560 --> 0:48:56.799
<v Speaker 5>Sam is introduced, you're like, oh my god, is this

0:48:56.880 --> 0:48:59.759
<v Speaker 5>going to be like deis ex boyfriend like we see

0:49:00.239 --> 0:49:03.800
<v Speaker 5>so frequently in movies, And it's not exactly that because

0:49:03.840 --> 0:49:07.920
<v Speaker 5>it's not a romantic relationship and he dies at the end,

0:49:07.960 --> 0:49:11.520
<v Speaker 5>like I feel like most movies would have him, you know, like,

0:49:11.560 --> 0:49:13.799
<v Speaker 5>and it's almost like you're set up to have that

0:49:13.880 --> 0:49:16.839
<v Speaker 5>expectation where you know, Sam's like, I'm gonna go out there,

0:49:16.880 --> 0:49:19.440
<v Speaker 5>I'm gonna I've got this blah blah blah, and then

0:49:19.560 --> 0:49:22.359
<v Speaker 5>he's like instantly dead and you're like, yeah, yeah, that

0:49:22.440 --> 0:49:26.000
<v Speaker 5>actually makes more sense. And I didn't dislike that character,

0:49:26.440 --> 0:49:28.640
<v Speaker 5>but I don't know, I expected him to live. So

0:49:28.719 --> 0:49:30.640
<v Speaker 5>the fact that he did die, I was kind of surprised,

0:49:30.920 --> 0:49:33.520
<v Speaker 5>and I was surprised that Ginger dies. I mean, it's

0:49:33.640 --> 0:49:36.520
<v Speaker 5>just like, like it went this really really tragic way

0:49:36.600 --> 0:49:39.720
<v Speaker 5>that I did not see it going. But I agree

0:49:39.719 --> 0:49:44.000
<v Speaker 5>Olivia that, like how else could it end? Once you

0:49:44.200 --> 0:49:49.120
<v Speaker 5>see that ending, once you embrace the beast exactly, their

0:49:49.200 --> 0:49:53.520
<v Speaker 5>relationship was fascinating. I mean, like there are like little

0:49:53.560 --> 0:49:57.560
<v Speaker 5>elements too that I'm guessing are coming from Karen Walton

0:49:57.640 --> 0:50:01.960
<v Speaker 5>of just like specific kind of like oldhood things, but

0:50:02.160 --> 0:50:04.920
<v Speaker 5>I mean applies across the gender spectrum. But like if

0:50:04.920 --> 0:50:09.520
<v Speaker 5>you're like I remember when my older cousins hit puberty before.

0:50:09.239 --> 0:50:12.200
<v Speaker 4>Me, and just the instant feeling of being left behind

0:50:12.239 --> 0:50:15.680
<v Speaker 4>and the instant feeling that they had changed, And then

0:50:15.760 --> 0:50:19.000
<v Speaker 4>the same experience for my cousins who are younger than me,

0:50:19.160 --> 0:50:21.400
<v Speaker 4>all of a sudden feeling like they're kids.

0:50:21.440 --> 0:50:23.840
<v Speaker 5>And I'm at, like, look, they don't get you know.

0:50:24.440 --> 0:50:27.560
<v Speaker 5>And I mean, I think, like Emily Perkins gives such

0:50:27.600 --> 0:50:30.279
<v Speaker 5>a great performance in this movie too, if like she's like,

0:50:30.520 --> 0:50:32.799
<v Speaker 5>I don't know far in the way the performance of

0:50:32.840 --> 0:50:36.719
<v Speaker 5>the movie for me, but you can instantly feel how

0:50:36.840 --> 0:50:40.680
<v Speaker 5>like disorienting and hurtful it is when her sister is

0:50:40.840 --> 0:50:44.319
<v Speaker 5>not you know, when they're not peers in quite the

0:50:44.360 --> 0:50:47.359
<v Speaker 5>same way or that, like there's a change in their

0:50:47.360 --> 0:50:50.560
<v Speaker 5>bodies that makes it I don't know, like I get

0:50:50.600 --> 0:50:53.600
<v Speaker 5>that feeling of disoriented and.

0:50:53.600 --> 0:50:56.600
<v Speaker 1>Also a bit of betrayal too, especially when you go

0:50:56.760 --> 0:51:01.560
<v Speaker 1>from them kind of rejecting being a girl. Right, they

0:51:01.600 --> 0:51:03.960
<v Speaker 1>don't necessarily want to be the opposite, but they definitely

0:51:04.000 --> 0:51:07.799
<v Speaker 1>reject girlhood because everything is well, that's curly. If I

0:51:07.840 --> 0:51:11.040
<v Speaker 1>complain about tampons blah blah blah, and then also not

0:51:11.120 --> 0:51:14.600
<v Speaker 1>wanting to hook up with guys at that age, transitioning

0:51:14.760 --> 0:51:18.799
<v Speaker 1>from having no romantic interest to a romantic interest and

0:51:18.840 --> 0:51:22.160
<v Speaker 1>your friend, your sister hating it before you, it feels

0:51:22.200 --> 0:51:24.960
<v Speaker 1>like a betrayal almost, And you read that so well

0:51:25.040 --> 0:51:28.600
<v Speaker 1>in Bridget. She's a very relatable character, and I think

0:51:28.600 --> 0:51:29.719
<v Speaker 1>she's written pretty well too.

0:51:30.120 --> 0:51:30.560
<v Speaker 4>Yeah.

0:51:30.640 --> 0:51:35.600
<v Speaker 3>I love when she goes, you're doing drugs with boys? Now? Yes, Oh,

0:51:35.600 --> 0:51:39.200
<v Speaker 3>it's like because this movie, I guess, I mean, this

0:51:39.280 --> 0:51:43.120
<v Speaker 3>is like emblematic of the time, but like weed was

0:51:43.200 --> 0:51:47.719
<v Speaker 3>considered like, oh my god, drugs, this person is dealing weed.

0:51:47.640 --> 0:51:52.120
<v Speaker 5>And yeah, like the age of like because I got

0:51:52.280 --> 0:51:55.360
<v Speaker 5>high like that, you know, early odds.

0:51:55.480 --> 0:51:57.960
<v Speaker 1>One of my favorite Bridget lines I wrote down is

0:51:58.000 --> 0:52:00.960
<v Speaker 1>when her and Ginger are fighting and and Ginger is

0:52:00.960 --> 0:52:06.239
<v Speaker 1>becoming hairy puberty wearalism, who knows why? And she says,

0:52:06.239 --> 0:52:08.879
<v Speaker 1>at least I'm not hemorrhaging and hairy, and I don't

0:52:08.880 --> 0:52:11.600
<v Speaker 1>know that's just I was like, wow, that would hit

0:52:11.600 --> 0:52:12.600
<v Speaker 1>me so deep at that age.

0:52:12.600 --> 0:52:15.200
<v Speaker 4>You know it's hilarious now, right it?

0:52:15.280 --> 0:52:17.120
<v Speaker 1>But I thought that was so funny.

0:52:17.600 --> 0:52:21.040
<v Speaker 5>My favorite Ginger read in the movie is like when

0:52:21.040 --> 0:52:23.760
<v Speaker 5>she's like making out with Jason or whatever, she's she's

0:52:24.200 --> 0:52:27.879
<v Speaker 5>doing her thing and Richid goes Ginger a word and she.

0:52:27.880 --> 0:52:32.239
<v Speaker 4>Goes, is it sorry? And I was like oooh, just

0:52:32.280 --> 0:52:34.680
<v Speaker 4>like such a teenage interaction.

0:52:36.320 --> 0:52:41.120
<v Speaker 3>Well, another thing I find really interesting about this dynamic

0:52:41.480 --> 0:52:47.680
<v Speaker 3>the Again, because sisters are so rarely explored in movies,

0:52:47.760 --> 0:52:52.680
<v Speaker 3>you get so few examples of interesting sister dynamics. One

0:52:52.719 --> 0:52:56.000
<v Speaker 3>thing that I thought was presented compellingly about this movie

0:52:56.200 --> 0:53:00.440
<v Speaker 3>is the like power dynamic also between the and like

0:53:00.520 --> 0:53:04.760
<v Speaker 3>the imbalance of power, where like Ginger because she's slightly older,

0:53:05.280 --> 0:53:09.560
<v Speaker 3>because she reaches puberty first or gets her period first,

0:53:09.719 --> 0:53:16.239
<v Speaker 3>because she is more I suppose, sought after by like

0:53:16.480 --> 0:53:21.680
<v Speaker 3>boys at this school, and she has more like social status.

0:53:21.239 --> 0:53:24.000
<v Speaker 5>Which is a different kind of like unspoken pain that

0:53:24.040 --> 0:53:27.440
<v Speaker 5>can exist between sisters or friends or whatever. Like sure,

0:53:27.719 --> 0:53:29.919
<v Speaker 5>navigating that sucks.

0:53:29.920 --> 0:53:32.760
<v Speaker 3>Especially because a lot of people will look at Bridget

0:53:32.760 --> 0:53:37.000
<v Speaker 3>and be like, what a little dweeby weirdo, but her

0:53:37.040 --> 0:53:40.799
<v Speaker 3>sister's hot, So like right, there's all these things that

0:53:40.840 --> 0:53:47.879
<v Speaker 3>are informing this imbalance of power, which, like Ginger exploits

0:53:47.960 --> 0:53:51.040
<v Speaker 3>more and more throughout the movie, you know, after she

0:53:51.120 --> 0:53:54.960
<v Speaker 3>becomes a werewolf, but even before where she's like doing

0:53:56.360 --> 0:54:02.000
<v Speaker 3>very like sisterly manipulative things to Bridget, and I don't know,

0:54:02.239 --> 0:54:04.799
<v Speaker 3>it just it felt like a familiar thing to me

0:54:05.040 --> 0:54:08.680
<v Speaker 3>that you again don't often see in movies. So yeah,

0:54:08.680 --> 0:54:11.399
<v Speaker 3>I just like I'm like, wow, this was written by

0:54:11.560 --> 0:54:14.759
<v Speaker 3>someone who understands sisters.

0:54:14.680 --> 0:54:16.920
<v Speaker 5>And like cares about it, because yeah, I mean, and

0:54:17.000 --> 0:54:19.880
<v Speaker 5>it is cathartic and cool to I don't know, I

0:54:19.920 --> 0:54:22.680
<v Speaker 5>feel like it like speaks to how well written it

0:54:22.760 --> 0:54:26.759
<v Speaker 5>is that by the end, it is like really cathartic

0:54:26.840 --> 0:54:29.840
<v Speaker 5>to see Bridget stand up to Ginger and be like

0:54:29.920 --> 0:54:33.640
<v Speaker 5>you cannot control me, you cannot like make me do

0:54:33.920 --> 0:54:37.359
<v Speaker 5>like bend to your will. But even that doesn't make

0:54:37.520 --> 0:54:40.960
<v Speaker 5>us hate Ginger, which I feel like is really hard

0:54:41.000 --> 0:54:43.799
<v Speaker 5>to do that the fact that even when Ginger, I mean,

0:54:43.840 --> 0:54:46.680
<v Speaker 5>she is a full on monster by the end, she's

0:54:46.719 --> 0:54:50.239
<v Speaker 5>horrible and like so little of herself remains, but you

0:54:50.320 --> 0:54:54.080
<v Speaker 5>still are very invested and it's still horrible seeing her

0:54:54.160 --> 0:54:57.719
<v Speaker 5>die because of how connected you know they are and

0:54:57.760 --> 0:55:01.440
<v Speaker 5>how it's going to affect Bridget and yeah, I don't know.

0:55:01.480 --> 0:55:05.960
<v Speaker 5>And then anyone who's been through puberty is just like,

0:55:06.120 --> 0:55:08.719
<v Speaker 5>oh no, yes, it's the time in puberty where your

0:55:08.760 --> 0:55:12.120
<v Speaker 5>brain just isn't in your body anymore and you have

0:55:12.120 --> 0:55:13.640
<v Speaker 5>to let your sisters stab you to death.

0:55:14.880 --> 0:55:18.000
<v Speaker 3>I do have a lot of thoughts about the movie,

0:55:18.400 --> 0:55:23.600
<v Speaker 3>likening certain evil things like being a werewolf to certain

0:55:23.840 --> 0:55:27.799
<v Speaker 3>other things that I don't feel aged very well about

0:55:27.800 --> 0:55:30.400
<v Speaker 3>this movie. I'll get to that in a moment, but

0:55:30.480 --> 0:55:34.040
<v Speaker 3>I did want to first just share a few quotes

0:55:34.160 --> 0:55:38.000
<v Speaker 3>from the press kit of this movie just that will

0:55:38.080 --> 0:55:41.000
<v Speaker 3>kind of add some context as far as like the

0:55:41.080 --> 0:55:46.359
<v Speaker 3>development of the story. So, this movie was directed by

0:55:47.040 --> 0:55:50.480
<v Speaker 3>a man named John Fawcett. It was written by a

0:55:50.480 --> 0:55:54.160
<v Speaker 3>woman again, Karen Walton shout out, and then the story

0:55:54.520 --> 0:55:57.600
<v Speaker 3>they both have story by credits, so they conceived of

0:55:57.640 --> 0:56:01.360
<v Speaker 3>the story together, it seems, and then Karen wrote the script.

0:56:01.520 --> 0:56:03.200
<v Speaker 4>Yeah, they work together a lot, I think.

0:56:03.280 --> 0:56:08.240
<v Speaker 3>Yeah. John Fawcett is like the person behind Orphan Black,

0:56:08.360 --> 0:56:09.000
<v Speaker 3>Is that right?

0:56:09.320 --> 0:56:09.560
<v Speaker 4>Yes?

0:56:09.680 --> 0:56:11.200
<v Speaker 1>Yeah, and I think they both work. She was an

0:56:11.200 --> 0:56:13.600
<v Speaker 1>executive producer on Some quite a few episodes and she

0:56:13.600 --> 0:56:14.680
<v Speaker 1>wrote a few episodes too.

0:56:15.080 --> 0:56:17.839
<v Speaker 4>Yeah, which I never watched that show, but I've never

0:56:17.880 --> 0:56:19.880
<v Speaker 4>heard a bad word about. I know people love it.

0:56:20.080 --> 0:56:22.720
<v Speaker 3>I've seen I think season one, and then I forgot

0:56:22.760 --> 0:56:25.600
<v Speaker 3>to keep watching very classic Caitlin behavior.

0:56:27.120 --> 0:56:30.120
<v Speaker 5>And then I know that she also wrote on Queerisfolk

0:56:30.160 --> 0:56:31.919
<v Speaker 5>and read on a lot of that TV.

0:56:32.040 --> 0:56:33.879
<v Speaker 4>Karen Walton did so.

0:56:33.760 --> 0:56:37.440
<v Speaker 3>Anyway from the press kit of this movie quote. In

0:56:37.880 --> 0:56:41.680
<v Speaker 3>January of nineteen ninety five, John Fawcett approached screenwriter Karen

0:56:41.719 --> 0:56:45.239
<v Speaker 3>Walton with a premis for a screenplay. As Fawcett tells it,

0:56:45.320 --> 0:56:48.160
<v Speaker 3>I knew that I wanted to make a metamorphosis movie

0:56:48.200 --> 0:56:50.680
<v Speaker 3>and a horror film. I also knew that I wanted

0:56:50.680 --> 0:56:53.520
<v Speaker 3>to work with girls. That's basically how it all started.

0:56:54.000 --> 0:56:57.640
<v Speaker 3>Walton recalls, John and I talked a lot about working together.

0:56:58.080 --> 0:57:00.440
<v Speaker 3>We just had to try and find and idea that

0:57:00.480 --> 0:57:03.640
<v Speaker 3>appealed to us. Both Initially, I didn't want to get

0:57:03.680 --> 0:57:07.000
<v Speaker 3>involved in writing a horror movie at all. I generally

0:57:07.040 --> 0:57:11.440
<v Speaker 3>find them very disappointing as stories and pretty predictable and

0:57:11.480 --> 0:57:16.360
<v Speaker 3>frustrating in terms of the depiction of females. However, conversations

0:57:16.360 --> 0:57:19.520
<v Speaker 3>with Fawcett led Walton to realize that it was a

0:57:19.560 --> 0:57:24.400
<v Speaker 3>genre ripe for reinterpretation. Ginger snaps presented an opportunity to

0:57:24.440 --> 0:57:28.600
<v Speaker 3>make something sophisticated, to create real characters with real problems,

0:57:29.040 --> 0:57:32.640
<v Speaker 3>characters that are human beings whose struggles are based on relationships.

0:57:33.120 --> 0:57:35.720
<v Speaker 3>I found the horror element in the nightmare of trying

0:57:35.760 --> 0:57:38.680
<v Speaker 3>to figure out who you are and who it is

0:57:38.920 --> 0:57:42.080
<v Speaker 3>that you love that was attractive to me. The opportunity

0:57:42.120 --> 0:57:44.680
<v Speaker 3>to put a twist on the subject matter, explains Walton.

0:57:45.080 --> 0:57:47.680
<v Speaker 3>Right from the start, we wanted to make a movie

0:57:47.880 --> 0:57:53.480
<v Speaker 3>that would entertain. So yeah, I feel like in at

0:57:53.560 --> 0:57:58.120
<v Speaker 3>least again the relationship with the sisters and that being

0:57:58.120 --> 0:58:00.360
<v Speaker 3>a huge focus of the movie, and that being an

0:58:00.400 --> 0:58:04.240
<v Speaker 3>aspect that I think works very well, and again like

0:58:04.240 --> 0:58:08.960
<v Speaker 3>a reinterpretation of the werewolf subgenre.

0:58:09.560 --> 0:58:12.600
<v Speaker 1>Well and before so this is a two thousand movie, yes,

0:58:12.640 --> 0:58:18.720
<v Speaker 1>and before this werewolf was so masculine, right, masculine, animalistic.

0:58:19.160 --> 0:58:22.800
<v Speaker 1>I think really the only depiction of women with werewolfism

0:58:22.880 --> 0:58:26.960
<v Speaker 1>before was The Howling, But even then it leaned more

0:58:26.960 --> 0:58:31.640
<v Speaker 1>into like sexy werewolf versus what being a woman and

0:58:31.680 --> 0:58:33.840
<v Speaker 1>being a were wolf. And then there's another movie called

0:58:33.840 --> 0:58:37.200
<v Speaker 1>The Company of Wolves that's a little similar to Ginger

0:58:37.240 --> 0:58:40.439
<v Speaker 1>Snaps and that it's kind of an exploration of growing up, right,

0:58:40.760 --> 0:58:43.520
<v Speaker 1>but it's not. It's more Alice in Wonderland type of

0:58:43.560 --> 0:58:47.800
<v Speaker 1>interpretation of growing up versus this very brutal version of

0:58:47.800 --> 0:58:51.120
<v Speaker 1>of growing up. So this was a very for two thousand,

0:58:51.400 --> 0:58:58.240
<v Speaker 1>a unique opportunity to lend werewolfsm to specifically female puberty.

0:58:58.840 --> 0:58:59.080
<v Speaker 2>Right.

0:58:59.400 --> 0:59:01.280
<v Speaker 5>One of the things I had a really hard time

0:59:01.360 --> 0:59:05.320
<v Speaker 5>with on the first viewing of this movie that felt

0:59:06.000 --> 0:59:13.440
<v Speaker 5>immediately very dated was the likening of womanhood strictly to menstruation.

0:59:14.440 --> 0:59:16.880
<v Speaker 4>And while obviously there's a.

0:59:16.800 --> 0:59:18.760
<v Speaker 5>Ton of women who do menstrate, that that's not a

0:59:18.840 --> 0:59:22.480
<v Speaker 5>universal experience. So in that way, I was like, I

0:59:22.520 --> 0:59:26.400
<v Speaker 5>don't know how to feel about that. I have since

0:59:26.920 --> 0:59:29.960
<v Speaker 5>looked into you know, there are I'm going to share

0:59:30.240 --> 0:59:32.320
<v Speaker 5>some of it in a bit, but there was a

0:59:32.360 --> 0:59:37.120
<v Speaker 5>trans analysis of Ginger Snaps that really embraces the movie

0:59:37.280 --> 0:59:40.800
<v Speaker 5>and is like, yes, it is very you know, prescriptive

0:59:40.920 --> 0:59:43.640
<v Speaker 5>in how it presents coming of age as a woman,

0:59:43.720 --> 0:59:45.880
<v Speaker 5>But there is a lot to love if you are

0:59:45.920 --> 0:59:47.880
<v Speaker 5>looking for a transread of the movie. Here's what I

0:59:48.000 --> 0:59:51.760
<v Speaker 5>connected to as a young person. And I still think that,

0:59:51.880 --> 0:59:55.760
<v Speaker 5>like it works in the bloody sense and in the

0:59:55.760 --> 0:59:59.720
<v Speaker 5>sense that puberty is horrific regardless of who you are,

1:00:00.160 --> 1:00:02.680
<v Speaker 5>and it's painful and it's confusing, and your brain doesn't

1:00:02.720 --> 1:00:05.600
<v Speaker 5>work anymore and your hairy, and it's scary and all

1:00:05.640 --> 1:00:07.760
<v Speaker 5>your friends are being weird poetry.

1:00:08.160 --> 1:00:08.880
<v Speaker 4>Thank you.

1:00:09.280 --> 1:00:13.720
<v Speaker 5>Yeah, I just start snapping, ginger snapping, and start ginger snapping.

1:00:15.560 --> 1:00:19.400
<v Speaker 5>But that that did stick out to me as a potentially,

1:00:19.520 --> 1:00:22.600
<v Speaker 5>like kind of overly prescriptive thing.

1:00:22.880 --> 1:00:24.760
<v Speaker 4>What if we think about that watching the movie in

1:00:24.760 --> 1:00:25.560
<v Speaker 4>twenty twenty four.

1:00:26.680 --> 1:00:32.040
<v Speaker 3>I feel that. And I also feel that because the

1:00:32.120 --> 1:00:37.880
<v Speaker 3>movie like pretty intrinsically ties menstruation with becoming a werewolf,

1:00:37.960 --> 1:00:42.000
<v Speaker 3>because like Ginger becomes a werewolf the same day she

1:00:42.120 --> 1:00:46.520
<v Speaker 3>gets her period, and her cycle seems linked up with

1:00:46.920 --> 1:00:52.480
<v Speaker 3>the full moon, like the cycle of werewolf dumb. I

1:00:52.560 --> 1:00:56.520
<v Speaker 3>was like, okay, because of the history of like people

1:00:56.520 --> 1:01:00.520
<v Speaker 3>with uterses and people who men straight being like shonned

1:01:00.760 --> 1:01:04.720
<v Speaker 3>from their communities for that, and like you know these

1:01:04.800 --> 1:01:10.160
<v Speaker 3>dark ages, patriarchal standards that would like put menstruating people

1:01:10.960 --> 1:01:14.680
<v Speaker 3>like cast them away while they were menstruating, and that

1:01:14.760 --> 1:01:20.800
<v Speaker 3>there's so much shame attached still to this day to menstruating,

1:01:21.040 --> 1:01:24.640
<v Speaker 3>and people who mensrate are conditioned to think like, oh,

1:01:24.760 --> 1:01:26.000
<v Speaker 3>keep this a secret, and.

1:01:26.080 --> 1:01:28.840
<v Speaker 5>Yeah, don't talk about it, don't complain about it, right,

1:01:29.080 --> 1:01:30.240
<v Speaker 5>and it's killing you.

1:01:30.680 --> 1:01:33.560
<v Speaker 3>Which the day that I did my first watch of

1:01:33.600 --> 1:01:37.520
<v Speaker 3>this movie, and this is perhaps TMI, but I am

1:01:37.600 --> 1:01:42.400
<v Speaker 3>trying to normalize like talking about uterus stuff, talking about menstruation.

1:01:42.800 --> 1:01:46.400
<v Speaker 3>I talk to like my cisman friends all the time

1:01:46.440 --> 1:01:48.600
<v Speaker 3>about my period because I'm just like they need to

1:01:48.640 --> 1:01:51.040
<v Speaker 3>hear this and they need to understand what the fuck

1:01:51.120 --> 1:01:53.800
<v Speaker 3>is happening. Yeah, But the same day that I did

1:01:53.800 --> 1:01:56.320
<v Speaker 3>my first watch of this movie, I had an IUD

1:01:56.520 --> 1:02:00.720
<v Speaker 3>inserted because my periods are so painful and I've been

1:02:00.800 --> 1:02:05.480
<v Speaker 3>on this like ongoing journey of just like how can

1:02:05.520 --> 1:02:11.160
<v Speaker 3>I not have periods anymore? So with that like personal experience,

1:02:11.200 --> 1:02:14.000
<v Speaker 3>I'm like, yeah, I do get to some degree that

1:02:14.400 --> 1:02:18.120
<v Speaker 3>there could and maybe should be like horror movies and

1:02:18.160 --> 1:02:22.520
<v Speaker 3>body horror movies about menstruation, because like it can be

1:02:22.600 --> 1:02:25.040
<v Speaker 3>a very horrific experience, to the fact that I'm like,

1:02:25.120 --> 1:02:27.240
<v Speaker 3>when can I have a hysterectomy so I don't have

1:02:27.280 --> 1:02:30.320
<v Speaker 3>to deal with this anymore? It is like ruining my life.

1:02:30.920 --> 1:02:36.000
<v Speaker 3>But because there's all this history with shame surrounding menstruation

1:02:36.520 --> 1:02:40.240
<v Speaker 3>and then like likening that to this evil hunger in

1:02:40.280 --> 1:02:44.320
<v Speaker 3>you of where wolf is, I don't know. I'm kind

1:02:44.360 --> 1:02:47.320
<v Speaker 3>of all over the place with how I feel about it.

1:02:47.400 --> 1:02:51.240
<v Speaker 3>What I feel more certain that I don't like is

1:02:51.320 --> 1:02:55.800
<v Speaker 3>the movie also likening being an evil were wolf to

1:02:56.520 --> 1:03:01.520
<v Speaker 3>contracting an SDI. Yeah, that's the problem I think I

1:03:01.560 --> 1:03:05.160
<v Speaker 3>have with the movie. But it's sort of all over

1:03:05.160 --> 1:03:05.520
<v Speaker 3>the place.

1:03:05.880 --> 1:03:09.800
<v Speaker 5>This movie is doing a lot, and I say that

1:03:09.920 --> 1:03:13.760
<v Speaker 5>in appraising way, Like I think it is like horror

1:03:13.800 --> 1:03:16.880
<v Speaker 5>movies are the best place to do a lot. It's

1:03:16.880 --> 1:03:19.600
<v Speaker 5>the best place to like explore themes like shame and

1:03:19.640 --> 1:03:23.320
<v Speaker 5>fear and you know, all this amazing stuff. I think that, Yeah,

1:03:23.560 --> 1:03:28.040
<v Speaker 5>where the like werewolf metaphor diverted in certain points I

1:03:28.080 --> 1:03:31.760
<v Speaker 5>thought got a little bit muddled and was like because

1:03:31.800 --> 1:03:34.760
<v Speaker 5>they were trying to do and because they were doing

1:03:34.800 --> 1:03:37.680
<v Speaker 5>so much the metaphor was representing like three or four

1:03:37.720 --> 1:03:41.200
<v Speaker 5>different things at certain points. Yeah, and some of the

1:03:41.240 --> 1:03:44.080
<v Speaker 5>angles worked for me, The puberty angle works for me,

1:03:44.160 --> 1:03:48.320
<v Speaker 5>you know. But the STI think felt very dated and

1:03:49.160 --> 1:03:52.880
<v Speaker 5>shamey and just like sort of extended to a shame

1:03:52.920 --> 1:03:58.280
<v Speaker 5>around sex, the conflation of assaults, and like a lot

1:03:58.280 --> 1:04:03.160
<v Speaker 5>of the like sex base metaphors really kind of fell

1:04:03.320 --> 1:04:07.800
<v Speaker 5>flat for me and were uncomfortable to watch in the future.

1:04:07.800 --> 1:04:09.280
<v Speaker 4>I don't know, Olivia, what do you what do you

1:04:09.600 --> 1:04:12.320
<v Speaker 4>make of it? As a longtime fan, I got a

1:04:12.360 --> 1:04:12.680
<v Speaker 4>lot of.

1:04:12.640 --> 1:04:16.880
<v Speaker 1>Thoughts, so I can understand the criticism and being uncomfortable

1:04:17.440 --> 1:04:22.720
<v Speaker 1>with the likening werewolf ism, especially to girl female puberty.

1:04:22.760 --> 1:04:25.760
<v Speaker 1>And I'm trying to say female specifically as a sex

1:04:25.920 --> 1:04:30.040
<v Speaker 1>term like female male, not as a gender term, just

1:04:30.040 --> 1:04:32.680
<v Speaker 1>to be very clear. I will say though, part of

1:04:32.720 --> 1:04:35.400
<v Speaker 1>what I think why this movie has such a cult

1:04:35.480 --> 1:04:40.440
<v Speaker 1>following is because we are shamed for our periods. And

1:04:40.960 --> 1:04:44.560
<v Speaker 1>the read I got from this movie was the power

1:04:44.760 --> 1:04:50.200
<v Speaker 1>in puberty. And that's how like I think, because I

1:04:50.240 --> 1:04:52.240
<v Speaker 1>totally understand I'll star interpretation. As you were talking, it

1:04:52.320 --> 1:04:56.040
<v Speaker 1>was like, yeah, that is you know, upsetting, But for

1:04:56.200 --> 1:05:00.600
<v Speaker 1>me watching and also just how clinically minstruation was talked about.

1:05:01.080 --> 1:05:04.440
<v Speaker 1>To me, the other characters, the mom, the nurse, there

1:05:04.520 --> 1:05:08.040
<v Speaker 1>was no shame in them talking about puberty and about periods,

1:05:08.080 --> 1:05:11.200
<v Speaker 1>and it feels like, even though the girls are grossed

1:05:11.240 --> 1:05:15.080
<v Speaker 1>out by it, the movie itself is not necessarily shaming.

1:05:15.400 --> 1:05:17.840
<v Speaker 3>In my opinion, I tend to agree, yeah.

1:05:17.800 --> 1:05:22.760
<v Speaker 1>Yeah, the trope of the werewoll virus as an STD.

1:05:23.400 --> 1:05:25.360
<v Speaker 1>That has got a comment because not only do I

1:05:25.360 --> 1:05:26.840
<v Speaker 1>watch a lot of horror movies, I watch a lot

1:05:26.880 --> 1:05:32.040
<v Speaker 1>of horror shows with monsters, with vampires, with everything, and

1:05:32.200 --> 1:05:36.320
<v Speaker 1>I have never explored the negativity of that. It's just

1:05:36.400 --> 1:05:40.240
<v Speaker 1>always been what it is. And part of that too,

1:05:40.520 --> 1:05:45.720
<v Speaker 1>is like turning into these monsters usually means implying losing

1:05:45.760 --> 1:05:48.760
<v Speaker 1>your soul at the same time, which is how they're

1:05:48.960 --> 1:05:54.600
<v Speaker 1>able to do these horrific acts like sexual assault without remorse.

1:05:55.240 --> 1:05:58.520
<v Speaker 1>So I agree with also Jamie that the movie is

1:05:58.720 --> 1:06:03.880
<v Speaker 1>using the metaphor of verbalism a little timity directions. It's

1:06:03.880 --> 1:06:06.080
<v Speaker 1>a lot to take it, so I don't know if

1:06:06.160 --> 1:06:12.720
<v Speaker 1>I'm necessarily against using the monsterness as an STD. My

1:06:12.760 --> 1:06:16.840
<v Speaker 1>interpretation was also the emphasis on just using protection during

1:06:16.840 --> 1:06:20.040
<v Speaker 1>sex too. That's Also, this movie is somewhat felt like

1:06:20.840 --> 1:06:26.040
<v Speaker 1>an ad for safe sex as well, and I ever

1:06:26.120 --> 1:06:30.840
<v Speaker 1>wrote down too, I was like, this is more comprehensive

1:06:30.840 --> 1:06:34.520
<v Speaker 1>about menstruation than most public schools. Again though I think

1:06:34.560 --> 1:06:35.920
<v Speaker 1>that's because they're in Canada.

1:06:36.680 --> 1:06:38.360
<v Speaker 4>God, but I don't know.

1:06:38.600 --> 1:06:42.240
<v Speaker 5>Never forget the abortion episode of Degrassi they were not

1:06:42.320 --> 1:06:43.920
<v Speaker 5>allowed to show in the States.

1:06:44.120 --> 1:06:47.680
<v Speaker 4>Yep, my cousin and I had to buy a pirated

1:06:47.760 --> 1:06:51.479
<v Speaker 4>DVD off of eBay after we stole my aunt's credit card.

1:06:53.960 --> 1:06:59.720
<v Speaker 3>Wow, beautiful story. For me, the problem is with how

1:07:00.200 --> 1:07:06.840
<v Speaker 3>historically STIs have been similar to menstruation shamed, and so

1:07:07.000 --> 1:07:11.480
<v Speaker 3>much stigma and shame is attached to having an STI.

1:07:12.560 --> 1:07:18.360
<v Speaker 3>That to Liken like getting infected with some horrible monsterism

1:07:18.640 --> 1:07:23.880
<v Speaker 3>and becoming this soul is demon being beast likening that

1:07:24.120 --> 1:07:29.560
<v Speaker 3>to having an STI and because of the context, so

1:07:29.720 --> 1:07:34.240
<v Speaker 3>much shame is attached to having an STI. That's where

1:07:35.680 --> 1:07:37.320
<v Speaker 3>therein lies the problem for me.

1:07:37.800 --> 1:07:40.000
<v Speaker 5>I was leaning toward that read as well, and it

1:07:40.040 --> 1:07:42.040
<v Speaker 5>is like this movie is so tricky because there are

1:07:42.080 --> 1:07:43.840
<v Speaker 5>so many ways to see it. Where I was trying

1:07:43.880 --> 1:07:47.800
<v Speaker 5>to imagine how I would feel about like internalized shame

1:07:47.840 --> 1:07:50.440
<v Speaker 5>about periods. If I saw this movie when I was

1:07:50.520 --> 1:07:53.240
<v Speaker 5>like fifteen, and I really don't think it would have

1:07:53.480 --> 1:07:55.680
<v Speaker 5>made me feel ashamed. I think it would have been like,

1:07:55.960 --> 1:07:58.760
<v Speaker 5>I think, more just like a super like teenager.

1:07:59.520 --> 1:08:00.840
<v Speaker 4>Yes, like you know.

1:08:01.240 --> 1:08:05.760
<v Speaker 5>Cathartic, like first of all, seeing menstruation represented on screen,

1:08:05.840 --> 1:08:08.400
<v Speaker 5>and I think Olivia, like you were saying earlier, as

1:08:08.440 --> 1:08:12.160
<v Speaker 5>it being something that makes you, yes, unstable, but also

1:08:12.200 --> 1:08:16.439
<v Speaker 5>extremely powerful, and like seeing it not presented in the

1:08:16.479 --> 1:08:20.360
<v Speaker 5>way that you ordinarily see menstruation presented as something that

1:08:20.400 --> 1:08:23.439
<v Speaker 5>makes you like fall into these real hysterical tropes.

1:08:23.640 --> 1:08:27.519
<v Speaker 4>And because we're like with these characters.

1:08:27.680 --> 1:08:29.680
<v Speaker 5>It's like, I agree with you read Caitlin, and I

1:08:29.800 --> 1:08:32.760
<v Speaker 5>also like, I don't know, it's so easy to like.

1:08:32.800 --> 1:08:34.920
<v Speaker 5>I feel like I keep going back and forth on

1:08:35.040 --> 1:08:37.320
<v Speaker 5>how to feel about it, and it does feel like

1:08:37.360 --> 1:08:41.639
<v Speaker 5>a movie that really depends on like the individual, because

1:08:41.640 --> 1:08:44.800
<v Speaker 5>it doesn't feel like it's trying to shame you about it.

1:08:44.840 --> 1:08:48.040
<v Speaker 5>And I thought it was interesting how the different views

1:08:48.080 --> 1:08:50.640
<v Speaker 5>in the way that menstruation's presented. I think like one

1:08:50.680 --> 1:08:53.760
<v Speaker 5>of the things that does really well is like the

1:08:53.880 --> 1:08:55.599
<v Speaker 5>very like so.

1:08:55.720 --> 1:08:59.880
<v Speaker 4>Yes, your body's going to gush and it's going to hurt.

1:09:00.040 --> 1:09:03.160
<v Speaker 5>Like that sort of presented at school and at home

1:09:03.240 --> 1:09:07.040
<v Speaker 5>of like it's okay, it's all good, it's actually awesome,

1:09:07.320 --> 1:09:11.280
<v Speaker 5>and like that to me like represented the internalized shame.

1:09:11.320 --> 1:09:13.519
<v Speaker 5>I mean, they're not ashamed of it necessarily because they

1:09:13.520 --> 1:09:16.360
<v Speaker 5>are talking about it, but they're not talking about it honestly.

1:09:16.920 --> 1:09:21.120
<v Speaker 5>And I feel like, you know, the werewolf narrative is

1:09:21.439 --> 1:09:26.840
<v Speaker 5>closer to talking about it honestly, is like brutal and confusing.

1:09:26.280 --> 1:09:27.840
<v Speaker 4>And bucked up blah blah blah.

1:09:27.880 --> 1:09:30.200
<v Speaker 5>And but yeah, I don't know the STI I think

1:09:30.240 --> 1:09:33.759
<v Speaker 5>I just wish that it was maybe even talked about

1:09:33.800 --> 1:09:35.760
<v Speaker 5>a little differently, because it did feel like there was

1:09:35.800 --> 1:09:40.160
<v Speaker 5>some shamey language attributed to it. Yeah, and then outside

1:09:40.200 --> 1:09:44.360
<v Speaker 5>of that, yeah, I think with regards to sex, I

1:09:44.360 --> 1:09:47.200
<v Speaker 5>mean it's weird because there's like lines that in isolation

1:09:47.320 --> 1:09:50.320
<v Speaker 5>you're like, oh, that's kind of cool, where you know,

1:09:50.400 --> 1:09:54.000
<v Speaker 5>Ginger is talking about the first time she's had sex

1:09:54.040 --> 1:09:56.720
<v Speaker 5>and we'll talk about what that actually means, but like

1:09:57.240 --> 1:10:00.639
<v Speaker 5>that she's like, oh, it was like kind of disappointing, and.

1:10:00.640 --> 1:10:04.679
<v Speaker 3>Like I loved that little monologue. I wrote it down

1:10:04.760 --> 1:10:07.000
<v Speaker 3>and I'm like, exactly.

1:10:07.080 --> 1:10:11.320
<v Speaker 5>Right, Like that's like a very cathartic thing for uh yeah,

1:10:11.439 --> 1:10:15.240
<v Speaker 5>having sex with his men. It's often disappointing, and I

1:10:15.280 --> 1:10:17.800
<v Speaker 5>really like, I liked that line and that monologue, but

1:10:17.880 --> 1:10:24.720
<v Speaker 5>she's responding to she assaulted Jason and Jason while in isolation.

1:10:24.920 --> 1:10:27.720
<v Speaker 5>In those scenes where he's very aggressive and really like

1:10:28.000 --> 1:10:31.080
<v Speaker 5>acting out in the sort of the typical pubuscan teenage

1:10:31.120 --> 1:10:35.360
<v Speaker 5>boy way of just like irrational anger directed at women,

1:10:35.600 --> 1:10:40.439
<v Speaker 5>often he becomes a villain without taking into consideration the

1:10:40.520 --> 1:10:43.040
<v Speaker 5>fact that he was assaulted into this predicament in the

1:10:43.080 --> 1:10:46.040
<v Speaker 5>first place, which I don't know if it is the

1:10:46.120 --> 1:10:47.840
<v Speaker 5>time it's being written in. It just felt like the

1:10:48.479 --> 1:10:51.200
<v Speaker 5>we know that it's not right that Ginger did that,

1:10:51.240 --> 1:10:53.680
<v Speaker 5>but I just that's sat weird with me.

1:10:53.960 --> 1:10:57.559
<v Speaker 3>Yeah, yeah, it's it's a rape scene that is not

1:10:57.640 --> 1:11:00.960
<v Speaker 3>framed as being a rape scene because I think, in

1:11:01.080 --> 1:11:05.000
<v Speaker 3>part because it's a woman being the aggressor and a

1:11:05.040 --> 1:11:09.320
<v Speaker 3>man as a victim, and that is so rarely, especially

1:11:09.360 --> 1:11:14.360
<v Speaker 3>at this time, would that have been even considered rape

1:11:14.439 --> 1:11:17.400
<v Speaker 3>or assault because the roles are quote unquote reversed.

1:11:17.680 --> 1:11:20.519
<v Speaker 1>I have one final thought about the STI that I

1:11:20.760 --> 1:11:23.519
<v Speaker 1>took known on, and again I think the reason because

1:11:23.520 --> 1:11:25.960
<v Speaker 1>I agree with all of your reads, and that has

1:11:26.000 --> 1:11:29.240
<v Speaker 1>actually made me think differently about it. However, the only

1:11:29.240 --> 1:11:32.160
<v Speaker 1>other thing I wanted to say is that before this movie,

1:11:32.880 --> 1:11:35.599
<v Speaker 1>both in horror and just like regular movie and TV shows,

1:11:35.600 --> 1:11:40.320
<v Speaker 1>whenever teenagers have sex, it's always the girl that suffers consequences,

1:11:40.680 --> 1:11:45.080
<v Speaker 1>whether it's being pregnant or the social aspect of being

1:11:45.160 --> 1:11:47.640
<v Speaker 1>labeled a slut or whatever. This is one of the

1:11:47.680 --> 1:11:52.479
<v Speaker 1>few times that a boy suffers actual consequences from sex now,

1:11:52.520 --> 1:11:54.479
<v Speaker 1>and I'm just saying that's a good or bad thing.

1:11:54.560 --> 1:11:58.200
<v Speaker 1>That's just an observation I made this time. And I

1:11:58.280 --> 1:12:01.360
<v Speaker 1>think if I were to guess that was the purpose

1:12:01.520 --> 1:12:05.280
<v Speaker 1>of it being presented as STI was to subvert the

1:12:05.360 --> 1:12:08.960
<v Speaker 1>trope of boys suffering no consequences when they have sex.

1:12:09.280 --> 1:12:11.559
<v Speaker 1>I don't agree with it, but I think that for me,

1:12:11.600 --> 1:12:13.439
<v Speaker 1>I think that was maybe the point of it, maybe

1:12:13.479 --> 1:12:14.000
<v Speaker 1>the intention.

1:12:14.479 --> 1:12:18.320
<v Speaker 5>Yeah, I feel like that if there were some adjustments,

1:12:18.320 --> 1:12:21.400
<v Speaker 5>it would like have scanned clear, because you do you see

1:12:21.520 --> 1:12:26.000
<v Speaker 5>Jason struggle with what happened to him. I mean, he

1:12:26.120 --> 1:12:30.840
<v Speaker 5>was like assaulted by Ginger, and then you see him

1:12:30.880 --> 1:12:33.439
<v Speaker 5>do I think what he thinks he's supposed to do,

1:12:33.560 --> 1:12:36.160
<v Speaker 5>which is go to the other guys and be like, yeah,

1:12:36.240 --> 1:12:39.519
<v Speaker 5>that like she like rocked my world or like whatever

1:12:39.640 --> 1:12:43.000
<v Speaker 5>weird data slang he us is to describe sex. But

1:12:43.040 --> 1:12:45.960
<v Speaker 5>you can tell he's really upset by it, but he's

1:12:46.000 --> 1:12:47.559
<v Speaker 5>acting in the way he's supposed to it, and that

1:12:47.600 --> 1:12:50.840
<v Speaker 5>feels very intentional, and then you see it's fucked him

1:12:50.920 --> 1:12:54.679
<v Speaker 5>up irrevocably, and in one way, I appreciate that this

1:12:54.760 --> 1:12:59.040
<v Speaker 5>movie has basically no empathy for men whatsoever except for

1:12:59.160 --> 1:13:03.720
<v Speaker 5>Sam occasion, but Jason's character. I was like, yeah, I

1:13:03.720 --> 1:13:05.559
<v Speaker 5>mean I hear what you're saying, Olivia, and I think

1:13:05.600 --> 1:13:07.760
<v Speaker 5>that that makes a lot of sense in a landscape

1:13:07.800 --> 1:13:12.920
<v Speaker 5>where this would never be considered, because like centering, and

1:13:12.960 --> 1:13:16.400
<v Speaker 5>that was like an interesting part of researching. The production

1:13:16.600 --> 1:13:19.840
<v Speaker 5>of this movie was really I mean, it was up

1:13:19.880 --> 1:13:22.519
<v Speaker 5>and down, but in general, Emily Perkins has talked a

1:13:22.560 --> 1:13:24.720
<v Speaker 5>lot about it, and from the beginning was like out

1:13:24.760 --> 1:13:28.200
<v Speaker 5>there saying like this is a feminist horror movie, like

1:13:28.320 --> 1:13:28.760
<v Speaker 5>there are not.

1:13:28.840 --> 1:13:30.960
<v Speaker 4>A lot of movies like it. It's like it's very

1:13:30.960 --> 1:13:31.600
<v Speaker 4>important to me.

1:13:31.880 --> 1:13:34.760
<v Speaker 5>And I was talking about the onset experience as like

1:13:35.479 --> 1:13:40.280
<v Speaker 5>the two male leads kind of being weirded out at first,

1:13:40.280 --> 1:13:43.679
<v Speaker 5>because they never participated in a project where men hadn't

1:13:43.720 --> 1:13:46.719
<v Speaker 5>been centered. And it took like a couple of days

1:13:47.120 --> 1:13:49.680
<v Speaker 5>for the two lead actresses to like kind of not

1:13:49.760 --> 1:13:52.080
<v Speaker 5>like lay down the law, but like be like, this.

1:13:51.960 --> 1:13:55.080
<v Speaker 4>Is our movie. It's about the stars of the movie.

1:13:55.160 --> 1:13:57.280
<v Speaker 4>And they were like, you know, and.

1:13:57.960 --> 1:14:00.599
<v Speaker 5>It seems like the relationships between the actors were fine,

1:14:00.680 --> 1:14:03.200
<v Speaker 5>but they were just like they were kind of thrown

1:14:03.280 --> 1:14:06.200
<v Speaker 5>for a loop, which like really speaks to the nineteen

1:14:06.280 --> 1:14:08.479
<v Speaker 5>ninety nine of it. All other stuff I was finding

1:14:08.560 --> 1:14:13.559
<v Speaker 5>was unfortunately the difficult part of production that I found.

1:14:13.800 --> 1:14:16.920
<v Speaker 5>And this isn't something that the actor who plays Ginger,

1:14:17.080 --> 1:14:20.640
<v Speaker 5>Catherine Isabel, like looks back on as like something that

1:14:20.720 --> 1:14:22.280
<v Speaker 5>was particularly scarring, but she.

1:14:22.240 --> 1:14:24.680
<v Speaker 4>Didn't mention it in interviews.

1:14:24.800 --> 1:14:27.559
<v Speaker 5>Was that particularly in that rape scene because she was

1:14:27.880 --> 1:14:32.559
<v Speaker 5>seventeen when she was playing that part and there was

1:14:32.680 --> 1:14:37.200
<v Speaker 5>no intimacy coordinator. She said that she was like she

1:14:37.560 --> 1:14:39.559
<v Speaker 5>hadn't had sex before at that time and was like

1:14:39.720 --> 1:14:43.280
<v Speaker 5>pretty confused about like what she was supposed to be doing.

1:14:43.320 --> 1:14:44.240
<v Speaker 4>She was uncomfortable.

1:14:44.479 --> 1:14:47.400
<v Speaker 5>She like took a shot of cinnamon whiskey before because

1:14:47.439 --> 1:14:50.080
<v Speaker 5>she was so nervous and like, I don't know very

1:14:50.080 --> 1:14:51.880
<v Speaker 5>like dated. I feel like you hear stories like that

1:14:52.000 --> 1:14:55.160
<v Speaker 5>on in d sets, but it always just I don't know,

1:14:55.240 --> 1:14:59.400
<v Speaker 5>if you can't afford an intimacy coordinator, maybe way, maybe

1:14:59.439 --> 1:15:01.760
<v Speaker 5>wait to make your movie if you want to make

1:15:01.800 --> 1:15:04.439
<v Speaker 5>a rape scene that is perpetrated by a teenager.

1:15:04.920 --> 1:15:11.599
<v Speaker 3>Yeah. Yeah, there's so many levels of concerning things happening there.

1:15:11.840 --> 1:15:12.080
<v Speaker 4>Yeah.

1:15:12.240 --> 1:15:16.080
<v Speaker 3>Also, I mean, I don't know how common practice it

1:15:16.120 --> 1:15:21.560
<v Speaker 3>even was twenty five years ago to have intimacy coordinators.

1:15:21.760 --> 1:15:23.840
<v Speaker 5>I don't think it like even until like the last

1:15:23.880 --> 1:15:27.479
<v Speaker 5>ten years it was popular. Yeah, I mean, so that's

1:15:27.520 --> 1:15:29.400
<v Speaker 5>not like, I mean, I don't mean to like specifically

1:15:29.439 --> 1:15:31.280
<v Speaker 5>call out this movie, but especially because it was an

1:15:31.360 --> 1:15:34.120
<v Speaker 5>underage actor, like that's yeah, that's challenging.

1:15:34.280 --> 1:15:34.880
<v Speaker 1>Absolutely.

1:15:35.360 --> 1:15:37.680
<v Speaker 4>The other thing that I just thought was worth mentioning.

1:15:38.120 --> 1:15:39.880
<v Speaker 5>It's not a criticism of the movie, but just to

1:15:39.960 --> 1:15:42.760
<v Speaker 5>like set this in time, was that this movie was

1:15:42.920 --> 1:15:47.880
<v Speaker 5>a flop at the box office, which is ridiculous. It's

1:15:47.920 --> 1:15:51.680
<v Speaker 5>an awesome movie, but they also had a lot of

1:15:51.760 --> 1:15:54.760
<v Speaker 5>difficulty getting it made in the first place. Because this

1:15:54.880 --> 1:15:58.400
<v Speaker 5>movie was being went into production around the time that

1:15:58.439 --> 1:16:02.240
<v Speaker 5>the Columbine shooting happened, and so I found a Guardian

1:16:02.439 --> 1:16:06.800
<v Speaker 5>interview from a couple of years ago that sort of

1:16:07.080 --> 1:16:11.400
<v Speaker 5>contextualizes the culture that this was coming into. So this

1:16:11.720 --> 1:16:15.439
<v Speaker 5>comes from John Fawcett. He says we were prepping for

1:16:15.520 --> 1:16:18.080
<v Speaker 5>Ginger Snaps the same year as the Columbine shooting. There

1:16:18.120 --> 1:16:20.000
<v Speaker 5>was a lot of focus in the media on how

1:16:20.080 --> 1:16:22.679
<v Speaker 5>movies made kids violent, and the idea of a bloody

1:16:22.680 --> 1:16:24.479
<v Speaker 5>film set in a high school didn't go down too

1:16:24.479 --> 1:16:27.320
<v Speaker 5>well with casting directors in Canada. Some of them joined

1:16:27.360 --> 1:16:30.240
<v Speaker 5>forces to boycott our film, and the National Post ran

1:16:30.280 --> 1:16:33.000
<v Speaker 5>an article on it. All the schools we asked turned

1:16:33.040 --> 1:16:35.640
<v Speaker 5>us down, but luckily another film production had just a

1:16:35.680 --> 1:16:38.400
<v Speaker 5>set of three tiny school highways that we could shoot on.

1:16:38.920 --> 1:16:41.320
<v Speaker 5>We sent Scarlett Johanson a script to see if she

1:16:41.360 --> 1:16:44.000
<v Speaker 5>was interested in Bridget, but her mother had read the

1:16:44.080 --> 1:16:47.120
<v Speaker 5>National Post article and didn't want her daughter involved. So

1:16:47.120 --> 1:16:49.160
<v Speaker 5>I feel like this also intersects with a lot of

1:16:49.520 --> 1:16:53.200
<v Speaker 5>satanic panic stuff and like kind of the tail end.

1:16:53.240 --> 1:16:54.879
<v Speaker 4>Of that period.

1:16:55.160 --> 1:16:57.000
<v Speaker 5>And also it was just wild to think about young

1:16:57.040 --> 1:16:58.479
<v Speaker 5>Scarlett Johansson in this movie.

1:16:58.560 --> 1:17:04.200
<v Speaker 1>That's crazy. I can't imagine. Isabel does such a good job,

1:17:04.560 --> 1:17:06.360
<v Speaker 1>and she's also kind of gone on to be a

1:17:07.320 --> 1:17:10.280
<v Speaker 1>kind of a horror Royalty. She's in a lot of

1:17:10.280 --> 1:17:12.519
<v Speaker 1>other horror movies and she does a fantastic job on them.

1:17:12.520 --> 1:17:16.439
<v Speaker 1>But yeah, it is very interesting to think of Scarlett

1:17:16.479 --> 1:17:19.080
<v Speaker 1>Johansson in this role. Actually, recently, sorry, totally going off

1:17:19.080 --> 1:17:22.160
<v Speaker 1>the track, I recently rewatched eight like it freaks. I

1:17:22.200 --> 1:17:25.360
<v Speaker 1>don't know why I was. She is in it. It's

1:17:25.400 --> 1:17:29.320
<v Speaker 1>again a very young Scarlet Johansson, and she is hilarious

1:17:29.439 --> 1:17:32.880
<v Speaker 1>in it. Her character is mostly like fighting off her

1:17:32.920 --> 1:17:35.559
<v Speaker 1>boyfriend and she tases him and the genitals at some

1:17:35.600 --> 1:17:37.760
<v Speaker 1>point because he won't take Noah's an answer. It is

1:17:38.680 --> 1:17:41.240
<v Speaker 1>a much funnier film than I was expecting it to be.

1:17:41.600 --> 1:17:41.840
<v Speaker 4>Damn.

1:17:41.920 --> 1:17:43.680
<v Speaker 3>Okay, Yeah, I've never seen it.

1:17:43.680 --> 1:17:47.280
<v Speaker 1>It's interesting. The CTI holds up pretty well too. But anyway,

1:17:47.600 --> 1:17:50.800
<v Speaker 1>it's interesting to think of Scarlett Johansson turning into a werewolf.

1:17:53.400 --> 1:17:57.480
<v Speaker 1>I want to get back to the weird sexual politics

1:17:57.520 --> 1:18:00.760
<v Speaker 1>of the movie, because they do really feel all over

1:18:00.800 --> 1:18:04.559
<v Speaker 1>the place to me, where maybe it would have worked

1:18:04.560 --> 1:18:08.000
<v Speaker 1>a lot better for me if her becoming a werewolf

1:18:08.120 --> 1:18:13.760
<v Speaker 1>coincides with her men'st writing for the first time, and

1:18:13.800 --> 1:18:18.960
<v Speaker 1>then that also coincides with like she's embracing and being

1:18:19.000 --> 1:18:23.200
<v Speaker 1>empowered by her sexuality like she perhaps didn't before, because

1:18:23.200 --> 1:18:26.559
<v Speaker 1>we do see that to some extent where she seems

1:18:26.840 --> 1:18:28.880
<v Speaker 1>even though she describes like I thought I was really

1:18:28.920 --> 1:18:32.200
<v Speaker 1>hungry for sex, but I just want to eat dogs

1:18:32.360 --> 1:18:37.240
<v Speaker 1>or whatever. But you also see her be something that

1:18:37.280 --> 1:18:42.520
<v Speaker 1>you could interpret as like sexually liberated and embracing her sexuality,

1:18:43.560 --> 1:18:46.040
<v Speaker 1>and she's doing it in a way that is often

1:18:46.240 --> 1:18:50.400
<v Speaker 1>assaulting people because similar to the scene with Jason, she

1:18:50.680 --> 1:18:55.799
<v Speaker 1>also assaults Sam because we see neither of them consent

1:18:56.040 --> 1:19:00.759
<v Speaker 1>to it. We see neither Jason nor Sam. They're saying no, oh, stop,

1:19:01.240 --> 1:19:04.760
<v Speaker 1>like don't do that, all this stuff, and she's like

1:19:04.840 --> 1:19:09.800
<v Speaker 1>powering past them saying no. But with Sam, he like

1:19:09.880 --> 1:19:13.960
<v Speaker 1>pushes her off of him, and his not giving consent

1:19:14.280 --> 1:19:17.840
<v Speaker 1>is like respected by the movie, where I don't know

1:19:18.160 --> 1:19:21.200
<v Speaker 1>whereas like it's treated differently with Jason.

1:19:21.000 --> 1:19:23.439
<v Speaker 5>Because it's like we're just supposed to think Jason is bad,

1:19:23.560 --> 1:19:26.599
<v Speaker 5>so if something horrific happens to him, it doesn't matter,

1:19:26.680 --> 1:19:29.080
<v Speaker 5>which is like, I don't I would be really surprised

1:19:29.120 --> 1:19:33.639
<v Speaker 5>if that scene was interpreted in the same way today, right.

1:19:34.320 --> 1:19:38.680
<v Speaker 3>But Sam is also bad because we learn and this

1:19:38.960 --> 1:19:42.200
<v Speaker 3>kind of blink and you miss it almost because like

1:19:42.200 --> 1:19:45.400
<v Speaker 3>we're meant to feel empathetic toward him because he's helping

1:19:45.760 --> 1:19:48.760
<v Speaker 3>the sisters out with this werewolf problem, and it's not

1:19:48.840 --> 1:19:51.479
<v Speaker 3>even though he's reluctantly helping them out, because I feel

1:19:51.520 --> 1:19:56.479
<v Speaker 3>like generally you would see a male character who is

1:19:56.520 --> 1:20:00.680
<v Speaker 3>helping women or girls do so very really reluctantly, but

1:20:00.760 --> 1:20:04.760
<v Speaker 3>he's like approaching them and being like, let's figure this out,

1:20:04.800 --> 1:20:07.799
<v Speaker 3>let's find the cure. And Yeah. Then there's a scene

1:20:08.080 --> 1:20:13.559
<v Speaker 3>between Trina and Bridget where Trina tells her because Trina's like,

1:20:14.080 --> 1:20:17.880
<v Speaker 3>she thinks like maybe Sam and Bridget are dating, and

1:20:17.920 --> 1:20:20.760
<v Speaker 3>she seems jealous of it at first, but then she

1:20:20.880 --> 1:20:25.120
<v Speaker 3>confides in Bridget that Sam I think. She calls him

1:20:25.120 --> 1:20:29.360
<v Speaker 3>a cherry chaser, meaning he only goes after virgins, and

1:20:29.479 --> 1:20:33.360
<v Speaker 3>basically implies that Trina had sex with him, like lost

1:20:33.400 --> 1:20:37.280
<v Speaker 3>her virginity to him, and then he cast her aside

1:20:37.840 --> 1:20:40.519
<v Speaker 3>and she feels awful about it.

1:20:40.600 --> 1:20:42.679
<v Speaker 5>We do see that scene where she tries to talk

1:20:42.720 --> 1:20:44.160
<v Speaker 5>to him and he ignores her.

1:20:44.200 --> 1:20:47.000
<v Speaker 3>He's very dismissive. Yeah, for sure. So you find this

1:20:47.080 --> 1:20:50.240
<v Speaker 3>out about Sam, so then when he dies, you're like,

1:20:51.479 --> 1:20:55.040
<v Speaker 3>good riddance, But it's weird that that isn't I guess

1:20:55.120 --> 1:20:57.880
<v Speaker 3>called more attention to or that that.

1:20:58.439 --> 1:21:01.680
<v Speaker 1>So I read that similar to Jennifer's Body. Also, I

1:21:01.720 --> 1:21:05.280
<v Speaker 1>did write down our quote Ginger snapped, so Jennifer could

1:21:05.280 --> 1:21:11.880
<v Speaker 1>body Jennifer's body, like really, I mean, obviously this was

1:21:11.880 --> 1:21:14.640
<v Speaker 1>a small Canadian hit, but it was definitely a precursor

1:21:14.720 --> 1:21:18.439
<v Speaker 1>to a Jennifer's Body movie. I interpreted that similar to

1:21:18.520 --> 1:21:22.080
<v Speaker 1>Jennifer's Body, and that there are many instances throughout the movie,

1:21:22.120 --> 1:21:26.080
<v Speaker 1>even at the very beginning when Bridget is getting a

1:21:26.160 --> 1:21:28.519
<v Speaker 1>little bit of attention from the janitor and he is

1:21:28.600 --> 1:21:31.960
<v Speaker 1>so clearly just wanting to help her, there's no other pretense.

1:21:32.560 --> 1:21:34.599
<v Speaker 1>But then Ginger comes up and says, he's staring down

1:21:34.600 --> 1:21:37.280
<v Speaker 1>your shirt. We as the audience know that wasn't happening

1:21:37.360 --> 1:21:40.400
<v Speaker 1>at all, and Ginger herself more than likely knows that

1:21:40.479 --> 1:21:44.320
<v Speaker 1>wasn't happening. But because of their codependency and because of

1:21:44.360 --> 1:21:50.960
<v Speaker 1>her jealousy and almost obsessiveness with their sisters sisterhood, anything

1:21:51.240 --> 1:21:54.000
<v Speaker 1>Bridget has, Ginger has to have. So that's how I

1:21:54.040 --> 1:21:58.599
<v Speaker 1>interpreted this, particularly the Sam assault, is that because Sam

1:21:58.720 --> 1:22:03.479
<v Speaker 1>was giving Bridget a ten, then that means Ginger had

1:22:03.520 --> 1:22:06.439
<v Speaker 1>to have his attention, even though I don't think she

1:22:06.479 --> 1:22:08.360
<v Speaker 1>even wanted to sleep with him. I think at that

1:22:08.400 --> 1:22:11.639
<v Speaker 1>point she really just wanted to rip him apart. I

1:22:11.680 --> 1:22:14.120
<v Speaker 1>think too, the way that his was respected more is

1:22:14.120 --> 1:22:17.200
<v Speaker 1>because he was older technically, and there is some authority

1:22:17.320 --> 1:22:20.720
<v Speaker 1>with being older. I don't really know, but I'm with

1:22:20.800 --> 1:22:22.680
<v Speaker 1>you on that one. The reactions to it, to the

1:22:23.040 --> 1:22:24.439
<v Speaker 1>handling of both was.

1:22:24.400 --> 1:22:29.040
<v Speaker 5>Interesting, especially because I mean otherwise, like, if we're supposed

1:22:29.040 --> 1:22:32.120
<v Speaker 5>to empathize with Sam more so than Jason, I mean,

1:22:32.120 --> 1:22:35.200
<v Speaker 5>it still doesn't make you Jason being assaulted, right, but

1:22:35.400 --> 1:22:37.240
<v Speaker 5>why go out of the way to tell us that

1:22:37.280 --> 1:22:40.559
<v Speaker 5>Sam is kind of a scumbag if that's the case.

1:22:40.760 --> 1:22:44.080
<v Speaker 5>I think what was interesting this connects to Karen Walton

1:22:44.920 --> 1:22:48.040
<v Speaker 5>quote is like, I think we are as the audience

1:22:48.080 --> 1:22:51.760
<v Speaker 5>because it's sort of because, like Ginger keeps saying it

1:22:51.880 --> 1:22:55.040
<v Speaker 5>that we're like supposed to maybe be perceiving some sort

1:22:55.080 --> 1:23:00.320
<v Speaker 5>of romance between Sam and Bridget because they are boy

1:23:00.439 --> 1:23:02.720
<v Speaker 5>and girl hanging out and that's how that goes in

1:23:02.760 --> 1:23:04.960
<v Speaker 5>these movies. But I do think it's interesting that they

1:23:05.120 --> 1:23:08.880
<v Speaker 5>like that does not go anywhere, and there was an

1:23:08.920 --> 1:23:12.320
<v Speaker 5>interview done with Karen Walton a couple of years ago

1:23:12.400 --> 1:23:18.280
<v Speaker 5>in Bloody Disgusting by Tatiana Tenrero, who just out and

1:23:18.320 --> 1:23:20.600
<v Speaker 5>out asks many queer fans consider a Bridget to be

1:23:20.640 --> 1:23:22.439
<v Speaker 5>a queer heroine? Do you think of her as a

1:23:22.520 --> 1:23:26.360
<v Speaker 5>character who is queer? And Karen Walton replies, you know

1:23:26.400 --> 1:23:28.599
<v Speaker 5>what's funny that question I've been asked before, but really

1:23:28.600 --> 1:23:30.479
<v Speaker 5>in the last few years people have started asking me

1:23:30.560 --> 1:23:33.400
<v Speaker 5>that again. Stories have changed and the way you're reading

1:23:33.439 --> 1:23:36.320
<v Speaker 5>that character has evolved. I always like to say about Bridget, however,

1:23:36.360 --> 1:23:39.200
<v Speaker 5>you imagine her life after this movie as absolutely true.

1:23:39.720 --> 1:23:41.720
<v Speaker 5>I don't want to overdescribe what people could in their

1:23:41.760 --> 1:23:43.920
<v Speaker 5>hearts put on her, but I definitely don't think she

1:23:44.080 --> 1:23:48.800
<v Speaker 5>was the straightest individual. She's probably a little queer. Probably,

1:23:49.160 --> 1:23:51.200
<v Speaker 5>I mean, she's so far from thinking about who she

1:23:51.200 --> 1:23:53.040
<v Speaker 5>would date at that point in her life, or like

1:23:53.160 --> 1:23:55.280
<v Speaker 5>wanting to be with or being in love. It's just

1:23:55.280 --> 1:23:57.519
<v Speaker 5>not happened for her yet. I suppose I wouldn't say

1:23:57.560 --> 1:24:00.800
<v Speaker 5>it isn't possible that she's queer. Excellent basive answer by

1:24:00.840 --> 1:24:05.400
<v Speaker 5>Karen Walton. But I mean again, I think that a

1:24:05.400 --> 1:24:07.840
<v Speaker 5>movie I would like less probably a movie written by

1:24:08.160 --> 1:24:12.120
<v Speaker 5>a man perceiving teenage girls. And again, just keeping in

1:24:12.120 --> 1:24:15.120
<v Speaker 5>mind that we just covered Jawbreaker, would default to like,

1:24:15.360 --> 1:24:19.439
<v Speaker 5>let's make this relationship explicitly romantic. That will introduce conflict

1:24:19.479 --> 1:24:22.799
<v Speaker 5>between Ginger and Bridget. But I think what is more interesting,

1:24:22.880 --> 1:24:26.160
<v Speaker 5>even though it does lead to some problematic places, is

1:24:26.200 --> 1:24:29.679
<v Speaker 5>not that a relationship is actually happening, but that Ginger

1:24:29.800 --> 1:24:33.240
<v Speaker 5>perceives a relationship as happening and retaliates anyways.

1:24:33.360 --> 1:24:36.080
<v Speaker 4>And it's not like Bridget is like, do I choose

1:24:36.160 --> 1:24:38.360
<v Speaker 4>my sister or my boyfriend? Like She's always going to

1:24:38.439 --> 1:24:40.200
<v Speaker 4>choose Ginger, no doubt about it.

1:24:41.080 --> 1:24:44.320
<v Speaker 5>But it's how Ginger reacts to her sister just I mean,

1:24:44.360 --> 1:24:48.439
<v Speaker 5>really just like forming a relationship outside of theirs that

1:24:48.960 --> 1:24:51.679
<v Speaker 5>I feel like causes her to retaliate in this really

1:24:52.160 --> 1:24:53.439
<v Speaker 5>violent way.

1:24:53.520 --> 1:24:55.559
<v Speaker 4>It's just a more interesting choice.

1:24:55.840 --> 1:24:57.639
<v Speaker 1>Yeah. I kept calling him weed guy in my notes

1:24:57.640 --> 1:25:02.320
<v Speaker 1>because I could not remember. Also, their relationship was barely

1:25:02.560 --> 1:25:06.080
<v Speaker 1>between Sam and Bridget, barely platonic to be honest.

1:25:05.760 --> 1:25:08.479
<v Speaker 3>They weren't like hanging out as friends, right, yeah.

1:25:08.320 --> 1:25:09.320
<v Speaker 4>Pretty utilitarian?

1:25:09.760 --> 1:25:12.439
<v Speaker 1>Right. Utilitarian is such an excellent word, and I couldn't

1:25:12.439 --> 1:25:14.200
<v Speaker 1>find it because in my notes, I was like, because

1:25:14.240 --> 1:25:16.000
<v Speaker 1>I also like to read comic books and I like

1:25:16.040 --> 1:25:18.880
<v Speaker 1>superhero movies, and it feels like there's a fun trope

1:25:18.920 --> 1:25:22.080
<v Speaker 1>sometimes in those where it's two superheroes who don't like

1:25:22.120 --> 1:25:24.400
<v Speaker 1>each other really but they have to work together. And

1:25:24.439 --> 1:25:28.360
<v Speaker 1>that's what Sam and Bridget felt to me. Like Bridget

1:25:28.400 --> 1:25:32.120
<v Speaker 1>thinks he's older and gross and doesn't want to be

1:25:32.240 --> 1:25:34.880
<v Speaker 1>around him at all, And it's so clear Sam sees

1:25:34.880 --> 1:25:37.679
<v Speaker 1>her as a child and is treating her as such.

1:25:37.960 --> 1:25:40.760
<v Speaker 1>So and it's not even like a brother sister relationship either.

1:25:40.880 --> 1:25:45.120
<v Speaker 1>So it's a very unique dynamic that is I feel

1:25:45.200 --> 1:25:50.840
<v Speaker 1>really seen of like a utilitarian made up outside of

1:25:51.320 --> 1:25:53.760
<v Speaker 1>the comic book superhero genre.

1:25:53.880 --> 1:25:56.439
<v Speaker 5>Because he's he's useful to the extent that he has

1:25:56.520 --> 1:26:00.000
<v Speaker 5>weed knowledge, like he just that is his funk.

1:26:00.560 --> 1:26:02.679
<v Speaker 3>He knows about herbs.

1:26:02.080 --> 1:26:04.479
<v Speaker 1>He has needles apparently, right.

1:26:04.360 --> 1:26:09.400
<v Speaker 3>He's got drug paraphernalia or wolf Spain, yeah, wolf hood

1:26:09.520 --> 1:26:14.280
<v Speaker 3>or whatever it's called. Yeah. I wanted to give a

1:26:14.360 --> 1:26:19.719
<v Speaker 3>quick shout out to Ginger, acknowledging that they probably won't

1:26:20.360 --> 1:26:23.439
<v Speaker 3>get caught for this at least, you know, pre a

1:26:23.479 --> 1:26:26.320
<v Speaker 3>few other of Ginger's murders. But there's a point. It's

1:26:26.320 --> 1:26:29.839
<v Speaker 3>like right after Trina has died, and it's basically Ginger's fault,

1:26:30.320 --> 1:26:33.920
<v Speaker 3>where Ginger's like, you know, no one ever thinks chicks

1:26:34.040 --> 1:26:37.559
<v Speaker 3>do stuff like this. Girls can be a slut bitch

1:26:37.680 --> 1:26:42.439
<v Speaker 3>teas or the virgin next door parentheses, but no one

1:26:42.479 --> 1:26:45.599
<v Speaker 3>will expect us of being murderers. And then she says,

1:26:45.760 --> 1:26:49.040
<v Speaker 3>we'll just coast on the way the world works, aka,

1:26:49.160 --> 1:26:52.720
<v Speaker 3>like the double standards and the sexism and they you know,

1:26:52.880 --> 1:26:56.280
<v Speaker 3>gendered assumptions people make about women.

1:26:56.920 --> 1:26:59.760
<v Speaker 1>And that felt very parallel to a moment later on

1:27:00.280 --> 1:27:05.080
<v Speaker 1>when the mom discovers the body and rather than turn

1:27:05.160 --> 1:27:08.080
<v Speaker 1>her daughters in, you know, she's gonna ride or die

1:27:08.240 --> 1:27:10.719
<v Speaker 1>and burn the house down with the dad and apparently

1:27:10.880 --> 1:27:12.120
<v Speaker 1>kill her husband.

1:27:12.439 --> 1:27:16.240
<v Speaker 3>Pam, Yeah, she's like, I don't give a shit about dad.

1:27:17.320 --> 1:27:20.559
<v Speaker 1>Parallels with that moment because you know, you see Bridget

1:27:20.680 --> 1:27:23.800
<v Speaker 1>finally have sympathy for Pam and she says, it's not

1:27:23.880 --> 1:27:26.519
<v Speaker 1>your fault, None of this is your fault. And Pam says, well,

1:27:26.560 --> 1:27:28.720
<v Speaker 1>the world will say it is. Everyone will say it's

1:27:28.760 --> 1:27:32.120
<v Speaker 1>my fault. And I felt like you just can't escape

1:27:32.560 --> 1:27:37.640
<v Speaker 1>that sexism, whether it's in girlhood, teenagehood, or adulthood. And

1:27:37.720 --> 1:27:40.400
<v Speaker 1>I just I really liked those two moments, especially being

1:27:40.520 --> 1:27:42.320
<v Speaker 1>thirty minutes after each other pretty much.

1:27:42.800 --> 1:27:46.120
<v Speaker 5>Yeah, yeah, I agree that because I was getting like

1:27:46.280 --> 1:27:48.960
<v Speaker 5>Pam is like a great comic relief character. She's such

1:27:49.000 --> 1:27:53.519
<v Speaker 5>an exaggerated like who is genuinely doing her best, but

1:27:53.840 --> 1:27:56.000
<v Speaker 5>is doing what she thinks she's supposed to do instead

1:27:56.000 --> 1:27:59.439
<v Speaker 5>of actually listening to her kids, right, which is a

1:27:59.479 --> 1:28:02.040
<v Speaker 5>lot of parents, and there is there seem to be

1:28:02.080 --> 1:28:05.600
<v Speaker 5>like some degree of internalized misogyny with her as well,

1:28:05.640 --> 1:28:07.639
<v Speaker 5>And it's like kind of made a joke of that

1:28:08.160 --> 1:28:11.479
<v Speaker 5>the parents' relationship isn't very good and whatever, like all

1:28:11.560 --> 1:28:14.080
<v Speaker 5>these like kind of goofy divorced jokes, right, But I

1:28:14.160 --> 1:28:16.760
<v Speaker 5>really liked that she got a beat at the end

1:28:16.920 --> 1:28:20.160
<v Speaker 5>of like because you know, Ginger says stuff like that,

1:28:20.320 --> 1:28:22.639
<v Speaker 5>and the way that women are perceived is so drawn

1:28:22.720 --> 1:28:25.839
<v Speaker 5>attention to. I feel like it would have really stuck

1:28:25.880 --> 1:28:29.599
<v Speaker 5>out like a sore thumb if Pam never got any

1:28:29.680 --> 1:28:32.639
<v Speaker 5>characterization outside of being kind of like a clueless mom

1:28:32.680 --> 1:28:33.600
<v Speaker 5>from a Disney.

1:28:33.360 --> 1:28:34.520
<v Speaker 4>Channel show basically.

1:28:34.920 --> 1:28:38.120
<v Speaker 5>But you do get that moment from her where yeah,

1:28:38.160 --> 1:28:43.040
<v Speaker 5>she's she loves her daughters, you know, like and that

1:28:43.080 --> 1:28:48.240
<v Speaker 5>she's like willing to sacrifice whatever it takes to protect

1:28:48.479 --> 1:28:52.480
<v Speaker 5>her daughters. And you know, I'm sure Trina's family may disagree,

1:28:53.040 --> 1:28:56.160
<v Speaker 5>but but I just thought that was a cool way

1:28:56.720 --> 1:28:59.160
<v Speaker 5>without even taking a lot of time to show that,

1:28:59.240 --> 1:29:01.840
<v Speaker 5>Like it's kind of Pam putting on a show. She's

1:29:01.880 --> 1:29:05.439
<v Speaker 5>doing what she thinks she's supposed to do, and the

1:29:05.520 --> 1:29:07.680
<v Speaker 5>fact that she will be perceived by the world a

1:29:07.760 --> 1:29:09.600
<v Speaker 5>certain way no matter what she says, no matter what

1:29:09.680 --> 1:29:13.240
<v Speaker 5>she does. So I appreciated that being there at the end.

1:29:13.280 --> 1:29:15.200
<v Speaker 5>I wonder what becomes of her? And what do you

1:29:15.320 --> 1:29:17.400
<v Speaker 5>remember what becomes of her in the second movie.

1:29:17.640 --> 1:29:20.120
<v Speaker 1>So the second movie picks up right after this one,

1:29:21.520 --> 1:29:24.559
<v Speaker 1>Bridget runs away and that's when you learn too not

1:29:24.600 --> 1:29:27.240
<v Speaker 1>to be a blummer. But the cure doesn't really work.

1:29:27.360 --> 1:29:30.960
<v Speaker 1>It kind of just staves off the symptoms, and she

1:29:31.400 --> 1:29:35.080
<v Speaker 1>is up. She's committed because she's a minor. She's found

1:29:35.160 --> 1:29:37.440
<v Speaker 1>in a hotel room by herself. She has no identification

1:29:37.520 --> 1:29:40.320
<v Speaker 1>on her, so the police catch her and commit her

1:29:40.360 --> 1:29:43.599
<v Speaker 1>to a mental health hospital, and that's actually where most

1:29:43.600 --> 1:29:45.240
<v Speaker 1>of the movie takes place. So most of the movies

1:29:45.280 --> 1:29:49.320
<v Speaker 1>her actually trying to escape the hospital and very young

1:29:49.400 --> 1:29:52.920
<v Speaker 1>Tatiana Maslani is in it. That one is not written

1:29:52.960 --> 1:29:55.600
<v Speaker 1>by Karen Walton. The two sequels are not written by her.

1:29:55.640 --> 1:29:59.519
<v Speaker 1>I think she gets character by credits for the second one.

1:30:00.040 --> 1:30:03.160
<v Speaker 1>I say that because the second one is not good.

1:30:04.680 --> 1:30:07.520
<v Speaker 1>I did not enjoy it. I do not rewatch it.

1:30:07.520 --> 1:30:10.479
<v Speaker 1>It also, similar to Dog Soldiers, takes a really weird

1:30:11.000 --> 1:30:14.519
<v Speaker 1>misogynistic turn at the end that doesn't quite match everything

1:30:14.560 --> 1:30:17.040
<v Speaker 1>that has led up to it. But that's what. So

1:30:17.400 --> 1:30:19.519
<v Speaker 1>nothing on the mom as far as we know, she's

1:30:19.560 --> 1:30:23.920
<v Speaker 1>still with her husband. Interesting, hasn't burned down the house yet.

1:30:24.240 --> 1:30:27.679
<v Speaker 5>Bummer, Yeah, yeah, I know. I've got one more thing

1:30:27.920 --> 1:30:31.000
<v Speaker 5>to add really quickly. I just wanted to share from

1:30:31.560 --> 1:30:36.000
<v Speaker 5>an essay by a writer named Logan Ashley Kinser, who's

1:30:36.000 --> 1:30:41.639
<v Speaker 5>a trans writer, wrote about the different transreads of this movie.

1:30:42.560 --> 1:30:45.240
<v Speaker 5>We can link it in the description as well. It's

1:30:45.280 --> 1:30:50.040
<v Speaker 5>from their newsletter, but basically i'll summarize it a bit

1:30:50.360 --> 1:30:55.560
<v Speaker 5>that you know, Ginger's transformation has been perceived as a

1:30:55.600 --> 1:30:59.080
<v Speaker 5>transgender coming out story, and just I wanted to read

1:30:59.200 --> 1:31:03.240
<v Speaker 5>this specific thick line because it really hit for me.

1:31:03.520 --> 1:31:07.639
<v Speaker 5>Of reading Ginger as transgender is not the easy reading,

1:31:07.720 --> 1:31:09.840
<v Speaker 5>but it is the most common her arc is about

1:31:09.880 --> 1:31:12.240
<v Speaker 5>the trauma of puberty, and that can also be expanded

1:31:12.280 --> 1:31:15.000
<v Speaker 5>upon to be about the trauma of the wrong puberty.

1:31:15.920 --> 1:31:19.320
<v Speaker 5>So even though this is like a pretty CIS focused

1:31:19.920 --> 1:31:23.560
<v Speaker 5>metaphor that a lot of trans viewers have seen themselves

1:31:23.800 --> 1:31:27.960
<v Speaker 5>in that as well, they go on to describe that

1:31:28.560 --> 1:31:32.439
<v Speaker 5>the read that affected them the most was Bridget as

1:31:32.640 --> 1:31:36.519
<v Speaker 5>a trans masculine character, which was the read that was

1:31:36.600 --> 1:31:41.080
<v Speaker 5>not presented really in anything they'd ever seen. And yeah,

1:31:41.120 --> 1:31:43.800
<v Speaker 5>so I we'll link to that in the description as well,

1:31:43.880 --> 1:31:48.439
<v Speaker 5>but it was a really thorough, really interesting read that

1:31:48.760 --> 1:31:52.360
<v Speaker 5>you know, I don't think was the intended But also

1:31:52.560 --> 1:31:56.519
<v Speaker 5>that's like what's so wonderful about about genre movies, is

1:31:56.560 --> 1:31:58.759
<v Speaker 5>it just it really opens it up to all sorts

1:31:58.840 --> 1:31:59.920
<v Speaker 5>of reading.

1:32:00.400 --> 1:32:03.799
<v Speaker 1>And yeah, guy Peace, absolutely, Yeah nice.

1:32:05.040 --> 1:32:07.479
<v Speaker 3>This movie does pass the Bechdel test.

1:32:08.800 --> 1:32:09.800
<v Speaker 1>Yeah, several times.

1:32:10.640 --> 1:32:14.679
<v Speaker 3>So many times they're talking about being where wolves, they're

1:32:14.840 --> 1:32:20.840
<v Speaker 3>talking about wolf's bane, herbs or whatever the fuck the

1:32:20.840 --> 1:32:24.439
<v Speaker 3>herb is called. Yeah, there's there's lots of conversations that

1:32:24.640 --> 1:32:30.320
<v Speaker 3>pass between various characters, the sisters, the sisters and their mom,

1:32:30.439 --> 1:32:35.519
<v Speaker 3>the sisters in Trina, So lots of passes as far

1:32:35.520 --> 1:32:38.559
<v Speaker 3>as our nipple scale goes, and I feel like there's like,

1:32:39.720 --> 1:32:42.080
<v Speaker 3>there's so much to talk about with this movie. We've

1:32:42.120 --> 1:32:44.720
<v Speaker 3>just kind of run out of time. But uh so

1:32:44.760 --> 1:32:47.719
<v Speaker 3>if we missed anything, We're curious if you know, listeners

1:32:47.720 --> 1:32:51.120
<v Speaker 3>have any other thoughts. But in the meantime our nipples

1:32:51.080 --> 1:32:54.080
<v Speaker 3>scale where we rate the movie on a scale of

1:32:54.160 --> 1:32:58.559
<v Speaker 3>zero to five nipples based on examining the movie through

1:32:58.640 --> 1:33:02.439
<v Speaker 3>an intersectional feminist lene, I think I'll go three with

1:33:02.520 --> 1:33:05.680
<v Speaker 3>this one. I think there's lots of interesting things that

1:33:05.680 --> 1:33:10.200
<v Speaker 3>we haven't seen before, not only in this specific werewolf

1:33:10.240 --> 1:33:14.719
<v Speaker 3>subgenre of horror, but like horror as a broader genre,

1:33:14.840 --> 1:33:20.639
<v Speaker 3>because especially with like teen girls and their sexuality, horror

1:33:20.680 --> 1:33:28.800
<v Speaker 3>has such a sordid history with that concept, and this movie,

1:33:28.840 --> 1:33:31.559
<v Speaker 3>you could argue, is like playing into some of those

1:33:31.600 --> 1:33:36.880
<v Speaker 3>specific tropes and then other reductive, harmful tropes when it

1:33:36.960 --> 1:33:44.680
<v Speaker 3>comes to bodies and sexuality and it's not really framing

1:33:44.880 --> 1:33:47.840
<v Speaker 3>assault as assaults and things like that. There's lots of stuff,

1:33:47.880 --> 1:33:50.960
<v Speaker 3>but I like the read of if you take away

1:33:50.960 --> 1:33:53.280
<v Speaker 3>the weird sexual politics of this movie, and it's just

1:33:53.400 --> 1:33:58.759
<v Speaker 3>like a person getting their period at the same time

1:33:58.960 --> 1:34:02.720
<v Speaker 3>they become a wolf. That is almost the plot of

1:34:02.880 --> 1:34:08.680
<v Speaker 3>Turning Red. It's just a different genre. So and I

1:34:08.720 --> 1:34:11.200
<v Speaker 3>really like that movie. So I think it's just like

1:34:11.439 --> 1:34:13.559
<v Speaker 3>the sexual politics of this movie being all over the

1:34:13.560 --> 1:34:16.040
<v Speaker 3>place that kind of takes some of the nippleage off

1:34:16.120 --> 1:34:18.120
<v Speaker 3>for me. It's also a very white movie, and the

1:34:18.160 --> 1:34:21.479
<v Speaker 3>only I think character of color is.

1:34:21.520 --> 1:34:24.120
<v Speaker 4>Killed is the janitor who is brutally murdering.

1:34:24.120 --> 1:34:24.519
<v Speaker 1>Correct.

1:34:24.760 --> 1:34:28.360
<v Speaker 3>Yeah, and that murder feels like more long and drawn

1:34:28.400 --> 1:34:31.800
<v Speaker 3>out and like reveling in the violence of it more

1:34:31.840 --> 1:34:36.840
<v Speaker 3>than other characters who get killed. So that sucks. But yeah,

1:34:36.880 --> 1:34:42.160
<v Speaker 3>I'll give it three nipples. One goes to Ginger's monologue

1:34:42.280 --> 1:34:46.639
<v Speaker 3>where she describes heterosex as it wasn't like I thought

1:34:46.680 --> 1:34:49.160
<v Speaker 3>it would be. There was all this squirming and squealing,

1:34:49.280 --> 1:34:53.679
<v Speaker 3>and then he's done, and then you're like, oh, hilarious

1:34:53.680 --> 1:34:57.839
<v Speaker 3>way to describe heterosex. I'll give my other second nipple

1:34:57.880 --> 1:35:03.080
<v Speaker 3>to her calling Jason Jeff in that scene, which either

1:35:03.080 --> 1:35:06.400
<v Speaker 3>the filmmakers didn't notice or it was just her not

1:35:06.840 --> 1:35:10.559
<v Speaker 3>knowing what that guy's names caring either way is pretty funny.

1:35:10.880 --> 1:35:14.720
<v Speaker 3>And then I'll give my third nipple to Norman the

1:35:14.880 --> 1:35:17.320
<v Speaker 3>dog Rip.

1:35:18.760 --> 1:35:21.040
<v Speaker 5>I'm gonna go a little higher on this one. I'm

1:35:21.200 --> 1:35:23.240
<v Speaker 5>tempted to go closer to four. I think I'll go

1:35:23.320 --> 1:35:25.200
<v Speaker 5>three point seven five.

1:35:25.880 --> 1:35:26.799
<v Speaker 4>Maybe a little too.

1:35:26.680 --> 1:35:30.160
<v Speaker 5>Generous, because I do agree that that the sexual politics

1:35:30.520 --> 1:35:34.200
<v Speaker 5>angle of this movie like didn't super work for me

1:35:34.280 --> 1:35:37.320
<v Speaker 5>for all of the reasons we discussed, but I also

1:35:37.479 --> 1:35:40.280
<v Speaker 5>just have never seen a movie like this. I think that,

1:35:40.520 --> 1:35:43.000
<v Speaker 5>especially for its time, it's taking a lot of big

1:35:43.040 --> 1:35:47.200
<v Speaker 5>swings and like connecting more often than not. I wish

1:35:47.200 --> 1:35:48.879
<v Speaker 5>I had seen this movie when I was a teenager.

1:35:49.160 --> 1:35:52.160
<v Speaker 5>I think I really would have loved it. And yeah,

1:35:52.200 --> 1:35:55.480
<v Speaker 5>I mean, I think just like a really singularly good

1:35:55.600 --> 1:36:01.959
<v Speaker 5>portrayal of codependent sisterhood, which is something that I've definitely

1:36:02.640 --> 1:36:08.559
<v Speaker 5>experienced with my cousins, and something that feels like, I mean,

1:36:08.640 --> 1:36:12.240
<v Speaker 5>even when it's unbelievably toxic, you can still feel this

1:36:12.400 --> 1:36:14.920
<v Speaker 5>intense love and this kind of trauma bond that can

1:36:14.960 --> 1:36:18.200
<v Speaker 5>only exist between people who have grown up in a

1:36:18.240 --> 1:36:23.000
<v Speaker 5>dysfunctional household. And I just like more of that, please,

1:36:23.160 --> 1:36:27.040
<v Speaker 5>with less of the messy sexual politics. And just like Olivia,

1:36:27.080 --> 1:36:30.120
<v Speaker 5>speaking to your point, I also viewed werewolf movies as

1:36:30.200 --> 1:36:32.559
<v Speaker 5>kind of like a masculine subgenre that I didn't have

1:36:32.640 --> 1:36:35.880
<v Speaker 5>much interest in and this movie is a lot of things,

1:36:35.880 --> 1:36:38.599
<v Speaker 5>but masculine is not one of them. So I'm gonna

1:36:38.600 --> 1:36:41.840
<v Speaker 5>go I think three point seventy five. I'm gonna give

1:36:42.200 --> 1:36:46.519
<v Speaker 5>one to Ginger, one to Bridget, one to Karen Walton,

1:36:46.880 --> 1:36:51.400
<v Speaker 5>and the remainder to that poor goalie whose dog died.

1:36:51.479 --> 1:36:54.920
<v Speaker 3>H Olivia. How about you?

1:36:55.920 --> 1:36:59.960
<v Speaker 1>I would give this even more generous, and it's completely

1:37:00.040 --> 1:37:02.000
<v Speaker 1>bias because I did see this movie when I was

1:37:02.000 --> 1:37:05.560
<v Speaker 1>a teenager and it meant a lot to me, seeing

1:37:05.800 --> 1:37:12.080
<v Speaker 1>the complicatedness of puberty. Really that I don't think, you know,

1:37:12.120 --> 1:37:15.280
<v Speaker 1>because girls don't get to be angry without it being

1:37:15.320 --> 1:37:18.920
<v Speaker 1>taken seriously. A lot of our intense emotions are just

1:37:18.920 --> 1:37:21.360
<v Speaker 1>seen as freely and this movie does not do that

1:37:22.200 --> 1:37:25.160
<v Speaker 1>for sure. So I would give it four nipples, maybe

1:37:25.200 --> 1:37:27.559
<v Speaker 1>even close to four and a half. But the reason

1:37:27.600 --> 1:37:31.479
<v Speaker 1>I don't give it a full five is because of

1:37:31.520 --> 1:37:34.320
<v Speaker 1>the sexual politics, because even this time around, every time

1:37:34.560 --> 1:37:37.800
<v Speaker 1>with those sex scenes, it just feels icky. And I

1:37:37.800 --> 1:37:40.679
<v Speaker 1>think I reconcile that with the notion of the closer

1:37:40.720 --> 1:37:43.280
<v Speaker 1>you become to the monster, the more you lose your humanity.

1:37:43.840 --> 1:37:47.840
<v Speaker 1>But even then, how necessary were they And also a

1:37:47.960 --> 1:37:51.240
<v Speaker 1>very white movie. You know, I get it's Canada, and

1:37:51.280 --> 1:37:52.799
<v Speaker 1>I think when a lot of people think of Canada

1:37:52.840 --> 1:37:55.200
<v Speaker 1>they think of white people, that there's so many other

1:37:55.200 --> 1:37:57.519
<v Speaker 1>people who live in Canada. There was no reason for

1:37:57.560 --> 1:38:00.479
<v Speaker 1>this to be a completely all white cast aside from

1:38:00.479 --> 1:38:04.240
<v Speaker 1>it just being two thousand, right or nineteen ninety nine

1:38:04.280 --> 1:38:08.799
<v Speaker 1>when they were filming. And I would give one nipple

1:38:08.960 --> 1:38:13.040
<v Speaker 1>to Ginger, one to bridge it, one to Pam every

1:38:13.080 --> 1:38:15.759
<v Speaker 1>time I watched this movie, I love her even more,

1:38:16.360 --> 1:38:19.479
<v Speaker 1>and then I'll give my last one to the janitor

1:38:19.920 --> 1:38:23.519
<v Speaker 1>every time. His is so sad. Oh, and I wanted

1:38:23.560 --> 1:38:25.439
<v Speaker 1>to say one more thing too. I've watched this movie

1:38:25.479 --> 1:38:28.880
<v Speaker 1>several times, and now that I have more knowledge of

1:38:28.960 --> 1:38:31.320
<v Speaker 1>just you know, being older and being around more different people,

1:38:31.360 --> 1:38:34.160
<v Speaker 1>I also got the trans read this time. It was

1:38:34.240 --> 1:38:36.559
<v Speaker 1>really it really came out stronger this time. So I

1:38:36.640 --> 1:38:39.800
<v Speaker 1>love that every time you watch this movie, there's so

1:38:40.080 --> 1:38:43.320
<v Speaker 1>many different layers to relate to and talk about. So

1:38:43.760 --> 1:38:46.080
<v Speaker 1>I just am really appreciative that I got to come

1:38:46.120 --> 1:38:48.400
<v Speaker 1>on here and talk about a movie I love so much.

1:38:48.680 --> 1:38:51.679
<v Speaker 3>Oh my gosh, We're so happy to have you come

1:38:51.720 --> 1:38:52.600
<v Speaker 3>back anytime.

1:38:53.320 --> 1:38:53.719
<v Speaker 1>Thanks.

1:38:53.880 --> 1:38:58.599
<v Speaker 3>Where can people follow you on social media's or anything

1:38:58.640 --> 1:38:59.920
<v Speaker 3>else you'd like to plug.

1:39:00.520 --> 1:39:04.160
<v Speaker 1>Yes, I am usually doing some fun stuff. I am

1:39:04.240 --> 1:39:08.360
<v Speaker 1>in charge of the Native American cultural programming for Texas

1:39:08.439 --> 1:39:12.120
<v Speaker 1>Native Health, which is an Indian health services clinic in Dallas.

1:39:13.120 --> 1:39:15.880
<v Speaker 1>So if you're a Native creative, I'd love you to

1:39:15.920 --> 1:39:17.960
<v Speaker 1>reach out and see if we can bring you down

1:39:17.960 --> 1:39:21.519
<v Speaker 1>to Texas. So you can follow me on Instagram at

1:39:21.680 --> 1:39:25.160
<v Speaker 1>Live Native ninety three and it's the same on Twitter.

1:39:25.680 --> 1:39:32.120
<v Speaker 3>Beautiful. Oh, it's always a joy to have you, and.

1:39:30.880 --> 1:39:32.400
<v Speaker 1>Yeah, it's trying to be on here. Y'all are so

1:39:32.400 --> 1:39:35.920
<v Speaker 1>fun to talk to you, and you.

1:39:35.880 --> 1:39:40.519
<v Speaker 3>Can follow us on social media, especially Instagram, I ever

1:39:40.520 --> 1:39:45.000
<v Speaker 3>heard of it? At Bechdel Cast, we've also got a

1:39:45.040 --> 1:39:51.160
<v Speaker 3>little thing called a Matreon Okay, ever heard And that's

1:39:51.400 --> 1:39:55.599
<v Speaker 3>at patreon dot com slash Bechdel Cast, where you can

1:39:55.680 --> 1:40:00.080
<v Speaker 3>get two bonus episodes every single month, always centering a

1:40:00.160 --> 1:40:04.719
<v Speaker 3>brilliant genius theme that Jamie and I cook up. And

1:40:05.160 --> 1:40:11.320
<v Speaker 3>this month, because it's spooky movie season, we are treating

1:40:11.400 --> 1:40:16.120
<v Speaker 3>everybody with a little episode on Pearl and another little

1:40:16.160 --> 1:40:18.800
<v Speaker 3>episode on the Exorcist.

1:40:19.160 --> 1:40:20.960
<v Speaker 4>I am very very very excited.

1:40:21.000 --> 1:40:23.519
<v Speaker 5>Two movies we've gotten my lotter request for, especially Pearl,

1:40:23.720 --> 1:40:26.160
<v Speaker 5>to be sure to check it out. You can also

1:40:26.640 --> 1:40:30.320
<v Speaker 5>get our merch over on teapublic dot com slash the

1:40:30.320 --> 1:40:33.160
<v Speaker 5>be Bechdel Cast. Don't forget it's never too late to

1:40:33.200 --> 1:40:37.400
<v Speaker 5>get your beale juice, Team what Scavs or Team Dry

1:40:37.400 --> 1:40:41.360
<v Speaker 5>Scavs merge, and it's never too early to get your

1:40:41.800 --> 1:40:44.360
<v Speaker 5>baby Grinch sexy baby Grinch merch.

1:40:44.640 --> 1:40:50.040
<v Speaker 4>So just things to consider. And with that, Kitlin, why

1:40:50.040 --> 1:40:50.599
<v Speaker 4>don't we.

1:40:51.280 --> 1:40:54.560
<v Speaker 3>Get our periods, get and become werewolves?

1:40:54.800 --> 1:40:57.320
<v Speaker 4>Get our period and have that signal the beginning of

1:40:57.360 --> 1:40:57.720
<v Speaker 4>the end.

1:40:57.960 --> 1:41:05.600
<v Speaker 3>Wow, let's do it. Okay, Bye, Hey Thane. The Bechdelcast

1:41:05.720 --> 1:41:09.080
<v Speaker 3>is a production of iHeartMedia, hosted by Caitlin Derante and

1:41:09.160 --> 1:41:13.080
<v Speaker 3>Jamie Loftis, produced by Sophie Lichterman, edited by Mola Board.

1:41:13.560 --> 1:41:16.719
<v Speaker 3>Our theme song was composed by Mike Kaplan with vocals

1:41:16.720 --> 1:41:20.720
<v Speaker 3>by Katherine Voskresenski. Our logo in merch is designed by

1:41:20.800 --> 1:41:24.880
<v Speaker 3>Jamie Loftis and a special thanks to Aristotle Acevedo. For

1:41:25.000 --> 1:41:28.719
<v Speaker 3>more information about the podcast, please visit linktree slash Bechdel

1:41:28.760 --> 1:41:29.480
<v Speaker 3>Cast