WEBVTT - #130 - Harry Mack

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<v Speaker 1>Bulet cav Podcast special guests in here who just tore

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<v Speaker 1>down the freestyle. Go check that out on the YouTube channel.

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<v Speaker 1>It's there as well. Harry Mack is here, Yes, sir,

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<v Speaker 1>welcome Man, Thanks for having me. Man. Hey, yeah, Man,

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<v Speaker 1>you've been on your shit lately, Bro, Thank you, Bro.

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<v Speaker 1>Appreciate that. So, for people who don't know, you're kind

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<v Speaker 1>of known for your ability to rap very well, but

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<v Speaker 1>more importantly like off of the top of the dome,

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<v Speaker 1>which is something that is a lost art form. We

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<v Speaker 1>have a freestyle series on the show, and I would

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<v Speaker 1>venture to say ninety five percent of the bars that

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<v Speaker 1>have ever been wrapped on our show is written. We

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<v Speaker 1>still call them freestyles. Obviously that term is like evolved,

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<v Speaker 1>but like in the old school old head term that

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<v Speaker 1>me and you live by, you are the true definition

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<v Speaker 1>of a freestyle artist. Thank you, Bro. I appreciate that.

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<v Speaker 1>But no, you've done a really good job of you know,

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<v Speaker 1>I feel like people before you who might have had

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<v Speaker 1>your talent also different eras right, but like you've done

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<v Speaker 1>a good job of like figuring out a way to

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<v Speaker 1>build like a universe and monetize your skill. So kind

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<v Speaker 1>of like you've had a great pandemic. Yeah, yeah, yeah,

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<v Speaker 1>have Yeah. It's weird to say, you know, because obviously

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<v Speaker 1>there's been a lot of pain for a lot of

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<v Speaker 1>people through the pandemic, and I think we've all brushed

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<v Speaker 1>shoulders with that pain in one way or another. But

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<v Speaker 1>from a business standpoint for me, and just from a

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<v Speaker 1>creative standpoint, you know, I've had the time and the

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<v Speaker 1>space to really build, like you say, build a universe

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<v Speaker 1>around what I'm doing, and kind of build a brand

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<v Speaker 1>around being an off top freestyler, right, you know, And

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<v Speaker 1>I think I'm really fortunate. Man. You mentioned how you know,

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<v Speaker 1>cats from from the previous era weren't always able to

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<v Speaker 1>monetize the off top freestyle thing. I feel really fortunate

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<v Speaker 1>to be alive in this Internet era, you know. I

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<v Speaker 1>really do think it's almost made for that. Yeah. That's

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<v Speaker 1>the difference, right. It's like now we live in a

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<v Speaker 1>time where, you know, previously it's like if you're an

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<v Speaker 1>incredibly talented off top freestyler, a record label is going

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<v Speaker 1>to be like, yo, that's dope, we don't know what

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<v Speaker 1>to do with it. Sorry. You know, it's like okay, cool.

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<v Speaker 1>Like when you have a hit song, hit us up,

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<v Speaker 1>you know, Meanwhile, this talent is like insane and everybody

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<v Speaker 1>who sees it live loves it, but it just doesn't

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<v Speaker 1>fit in with the structure that sort of exists already. Now,

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<v Speaker 1>we live in a time where anybody with a phone

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<v Speaker 1>can get on these free platforms and build a personal

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<v Speaker 1>brand with whatever they're into doing, and if there's an

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<v Speaker 1>audience for it that enjoys it, you can monetize it.

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<v Speaker 1>And so, yeah, I know you've been doing this for

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<v Speaker 1>a while. I first saw you on the Creuse Show. Yeah,

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<v Speaker 1>probably four or five years ago. And what is like

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<v Speaker 1>the platform that like really first started to really like

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<v Speaker 1>pop off for you in like a serious way. YouTube

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<v Speaker 1>was definitely the first in terms of like in terms

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<v Speaker 1>of social platforms you mean yea, yeah, yeah, YouTube was

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<v Speaker 1>the first one that was the big one actually, YouTube

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<v Speaker 1>and Facebook. Oddly enough, because I had a video back

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<v Speaker 1>in February twenty seventeen. It was just called Venice Beach

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<v Speaker 1>Freestyle Part one and it was just me out there

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<v Speaker 1>on the Venice Boardwalk. Scary place to be nowadays, by

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<v Speaker 1>the way, I know, Yeah, it's a lot different now. Yeah,

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<v Speaker 1>post pandemic or whatever, mid pandemic through right now exactly

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<v Speaker 1>wherever we're at in this crazy timeline. What is time

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<v Speaker 1>anymore anyway? But uh no, man, Yeah, I was out there.

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<v Speaker 1>It was funny. We had been there all day trying

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<v Speaker 1>to freestyle for groups and stuff and just you know,

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<v Speaker 1>getting rejected, getting yelled at, hey, don't do this in

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<v Speaker 1>front of my store, no filming, no whatever, whatever, And

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<v Speaker 1>we were frustrated, and eventually my boy, who was with

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<v Speaker 1>me filming it on my phone, was like, yo, just

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<v Speaker 1>start wrapping and see what happens. So I started rhyming

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<v Speaker 1>on the on the boardwalk, and one by one, you know,

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<v Speaker 1>this crowd starts to form, and it was kind of

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<v Speaker 1>like it was very serendipitous, you know, the crowd that forms.

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<v Speaker 1>It looks like we hired people to be the crowd

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<v Speaker 1>because it's so like diverse. And there's like these like

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<v Speaker 1>preppy boys on bikes and like polos and shorts. Then

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<v Speaker 1>there's like this stoner couple with a big dude and

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<v Speaker 1>the Bob Marley shirt, smoking an em you know, and

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<v Speaker 1>just one by one, it's like you get sort of

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<v Speaker 1>this whole picture of like the diversity of the Venice

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<v Speaker 1>strip in front of me. We ended up with like

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<v Speaker 1>forty or fifty people gathered around me and I'm wrapping

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<v Speaker 1>at everybody's clothes and everything like that, And that video

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<v Speaker 1>went super viral, both on YouTube and on Facebook, and

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<v Speaker 1>that was kind of the beginning of of people knowing

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<v Speaker 1>about Harry mag I guess, how long have you been

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<v Speaker 1>doing the omeegal freestyles? Yeah? I guess. Uh, we like

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<v Speaker 1>a year and a half, right, So you started that

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<v Speaker 1>during the pandemic. I started it during the pandemic. Yeah,

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<v Speaker 1>let me ask you something, because that's a sketch place illegal.

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<v Speaker 1>You know, you might fuck around to go in there.

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<v Speaker 1>There's a fifty five year old truck driver jerking off, like,

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<v Speaker 1>oh yeah, absolutely, has that happened? That's specific? Maybe not

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<v Speaker 1>that's specific. Yeah, well he's like I didn't know his occupation,

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<v Speaker 1>but it was fifty five and Dick was out. I've

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<v Speaker 1>seen some things, definitely, I've seen some things, but not

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<v Speaker 1>as many. So here's the thing. It's funny actually, like

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<v Speaker 1>before the pandemic, people were making alegal content on YouTube,

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<v Speaker 1>and so people would be in my comments like, yo,

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<v Speaker 1>your shit would crush on amigal because really what I

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<v Speaker 1>make is reaction based content. It's about people who don't

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<v Speaker 1>know that I'm going to be dope and then I

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<v Speaker 1>do a freestyle and then hopefully I blow their mind.

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<v Speaker 1>And that's what's fun about watching it in a large part,

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<v Speaker 1>so people would hit me up and be like, do

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<v Speaker 1>it on amgal. But I knew kind of what was

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<v Speaker 1>up with amgal, and I think I just remember chat

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<v Speaker 1>roulette back in the day, exactly, and it was like

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<v Speaker 1>a dark place exactly. They always any any site that

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<v Speaker 1>randomly pairs strangers on video chat is a recipe for disaster. Yes,

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<v Speaker 1>like it's gonna be corrupted. So I avoided amgal for

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<v Speaker 1>a long time, and then you know, a few months

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<v Speaker 1>into the pandemic, it's like, damn, we can't go out

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<v Speaker 1>and shoot our regular content, Like let me check this

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<v Speaker 1>out and see what's up. And actually now it's a

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<v Speaker 1>lot better than it used to be because they have

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<v Speaker 1>these tags, interest tags or whatever, so you could type

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<v Speaker 1>in hip hop, it's like whatever you're into. And they

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<v Speaker 1>also have much and that creates a lot more filtering.

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<v Speaker 1>So if you don't use those, you see a ton

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<v Speaker 1>of dicks. If you use those, I maybe see you know,

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<v Speaker 1>like in all my time making the series, honestly, in

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<v Speaker 1>terms of actually seeing a dick. I've probably seen like twenty.

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<v Speaker 1>It's a solid money and I have like sixty episodes,

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<v Speaker 1>you know. I mean it's more than I would say

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<v Speaker 1>terrible ratio though, that's what I'm saying. I mean, I

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<v Speaker 1>would have liked to have not seen anybody. I mean,

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<v Speaker 1>it's funny. He's not bad, That's what I'm saying. Like

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<v Speaker 1>people assume because people don't want there to try to

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<v Speaker 1>find me and they don't know about the interest tags

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<v Speaker 1>and then so they're just like, I can't find you

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<v Speaker 1>on me. I just keep seeing dicks. Yeah, and they're like, wow,

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<v Speaker 1>you must have a terrible PTSD, like you should be counseling,

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<v Speaker 1>Like the amount of dicks are exposed too must be absurd.

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<v Speaker 1>But it's really not. It's not as crazy. Yeah. Have

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<v Speaker 1>you had like a bad experience on there, like where

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<v Speaker 1>you were freestyling and something weird happened. I've had some

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<v Speaker 1>sketch experiences on there while I'm freestyling. Yeah, like where

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<v Speaker 1>where I stopped the freestyling was like, Bro, you know,

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<v Speaker 1>you need to get help, like people doing like weird

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<v Speaker 1>drugs and stuff like on the on the screen where

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<v Speaker 1>like you're wrapping and then someone comes up with a

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<v Speaker 1>meth pipe, Like yeah, essentially, Yeah, like I don't know

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<v Speaker 1>what's in it, and it could be a prop, you know,

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<v Speaker 1>it could be they could be trolling. But it's still

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<v Speaker 1>just like insanely uncomfortable and I stop it and I'm like, oh,

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<v Speaker 1>don't don't do that. Yeah, And also and everyone can

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<v Speaker 1>see your face and like, don't do you know, people

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<v Speaker 1>don't understand the internet. It feels like, you know where

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<v Speaker 1>I'm just like, hey, man, like people forget that that

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<v Speaker 1>shit is there forever. Yeah, it's on a server somewhere

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<v Speaker 1>at least forever. And you've got to assume people are

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<v Speaker 1>screencapping everything you're doing. This is true. So what about

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<v Speaker 1>the TikTok? And I know you were on Twitch a lot, right,

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<v Speaker 1>So like those are obviously kind of two platforms that

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<v Speaker 1>you know, a lot of people I know, especially DJs,

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<v Speaker 1>took advantage of Twitch big time during the pandemic. Yeah,

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<v Speaker 1>and man, I know some people who are getting crazy

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<v Speaker 1>checks just DJing on Twitch. Hell yeah, how did the

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<v Speaker 1>Twitch shit for you? Like, cause you know, in the

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<v Speaker 1>hip hop community, we got Kenny Beads is huge on Twitch.

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<v Speaker 1>But like, how did you kind of turn what you

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<v Speaker 1>do into something that worked for the Twitch. Yeah, so

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<v Speaker 1>with what I do, you know, being being as it's

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<v Speaker 1>all kind of improvised off top, It's like what I

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<v Speaker 1>need is some kind of randomization, you know, like people

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<v Speaker 1>in the chat like, yeah, exactly, we just did a freestyle.

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<v Speaker 1>You threw me words out loud. That's always dope. That's

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<v Speaker 1>like the classic way of doing this, and uh, you know,

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<v Speaker 1>in this case, it's just a live chat feed people

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<v Speaker 1>putting words in there. Yeah. Yeah, So basically any like

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<v Speaker 1>live streaming platform, book, live YouTube, live Twitch, they all

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<v Speaker 1>work really well for what I do. The only the

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<v Speaker 1>learning curve was like reading it and incorporating it from

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<v Speaker 1>a written word as opposed to hearing it out loud.

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<v Speaker 1>It's different. It's like a slightly different part of the

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<v Speaker 1>brain or something. I don't know the science of it,

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<v Speaker 1>but it was a bit of a challenge in the

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<v Speaker 1>beginning because rhyme is all about sound. It has nothing

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<v Speaker 1>to do with how something spells, like Devil doesn't rhyme

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<v Speaker 1>with evil. They look like they rhyme correct, but they don't.

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<v Speaker 1>So you kind of it's like I have to read

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<v Speaker 1>it and then hear it in my head, and then

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<v Speaker 1>I'm like, oh, okay, now I know where to go

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<v Speaker 1>while you're wrapping, while you're at Yeah, it's a lot

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<v Speaker 1>of multitasking. It's kind of a what at what point

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<v Speaker 1>in time were you able to say to yourself, I

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<v Speaker 1>can fully support my life off of my skill. Wow,

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<v Speaker 1>that's a great question. I feel like it was like

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<v Speaker 1>twenty eighteen. I feel like twenty eighteen, I did a

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<v Speaker 1>Mitsubishi commercial and uh, it was crazy because I I

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<v Speaker 1>was used to being like pretty much broke. You know,

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<v Speaker 1>I'm a jazz drummer. I don't know if you know that,

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<v Speaker 1>but I did not know that my background. Yeah, so

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<v Speaker 1>my background is playing jazz gigs, and so that was

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<v Speaker 1>like your gig, like, like you besides rapping you were

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<v Speaker 1>that was like pay the bills and teaching drum lessons. Yeah.

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<v Speaker 1>I've been a professional musician supporting myself for a long time,

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<v Speaker 1>you know, I think like ten years. Yeah. But but

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<v Speaker 1>the hustle of a of a jazz drummer in the

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<v Speaker 1>modern world, as you might imagine, is a serious, an

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<v Speaker 1>intense hustle, serious hustle. It's an intense hull and it's

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<v Speaker 1>not you know, it's not glamorous in any sense. I mean,

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<v Speaker 1>I was playing like bar gigs where we're crammed in

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<v Speaker 1>a corner and just being told play quieter, play quieter.

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<v Speaker 1>You know, you're disturbing whatever, you know, don't do your thing,

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<v Speaker 1>so like stop being so aggressive, and you're out there

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<v Speaker 1>trying to pour your soul into this thing you love.

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<v Speaker 1>And it's like, you know, we're doing here for the ambiance. Yeah, yeah, exactly,

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<v Speaker 1>and we're getting paid fifty bucks or something. And the

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<v Speaker 1>first couple of gigs we got free drinks. Second gig,

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<v Speaker 1>they're like, yeah, the bar is not gonna do the

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<v Speaker 1>free drink thing anymore. But same time, you cool. And

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<v Speaker 1>so it's a tough grind. Shout out to all the

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<v Speaker 1>jazz musicians, by the way, and I have a lot

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<v Speaker 1>of friends who are still in that world crushing it, right,

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<v Speaker 1>and I know what it really means to be crushing

0:10:09.720 --> 0:10:12.000
<v Speaker 1>it in that world, So shouts out to anybody doing that.

0:10:12.080 --> 0:10:14.360
<v Speaker 1>But for me, you know, I was like barely making

0:10:14.360 --> 0:10:18.240
<v Speaker 1>my rant, barely barely getting by doing jazz gigs. And

0:10:18.280 --> 0:10:21.400
<v Speaker 1>then in twenty eighteen, I did I got hired to

0:10:21.440 --> 0:10:23.720
<v Speaker 1>do a commercial for Mitsubishi, which was like kind of

0:10:23.760 --> 0:10:27.200
<v Speaker 1>based on my videos where I'm dressed up like car

0:10:27.240 --> 0:10:30.840
<v Speaker 1>salesman at the Mitsubeci dealership and then people getting the

0:10:30.880 --> 0:10:32.960
<v Speaker 1>car to test drive it, and I'm sitting next to them,

0:10:33.000 --> 0:10:34.640
<v Speaker 1>and then I'd start rhyming about the car and shit

0:10:34.679 --> 0:10:36.680
<v Speaker 1>like that out of nowhere and get reactions and stuff.

0:10:37.559 --> 0:10:40.679
<v Speaker 1>And that was my first like check kind of you know,

0:10:41.080 --> 0:10:43.400
<v Speaker 1>and it wasn't anything crazy, but like for me at

0:10:43.400 --> 0:10:45.240
<v Speaker 1>the time, it was like more money than I'd ever seen.

0:10:45.520 --> 0:10:47.120
<v Speaker 1>It was like just enough to be like, oh, I

0:10:47.160 --> 0:10:51.320
<v Speaker 1>got to keep doing this exactly, working exactly exactly. And

0:10:51.640 --> 0:10:53.760
<v Speaker 1>I knew before that that I had to keep leaning

0:10:53.800 --> 0:10:56.120
<v Speaker 1>into the freestyle thing just from like the popularity of

0:10:56.120 --> 0:10:58.240
<v Speaker 1>the videos and how much energy there was around it,

0:10:58.520 --> 0:11:00.520
<v Speaker 1>but that was the first time I kind of like

0:11:01.080 --> 0:11:03.760
<v Speaker 1>got paid and uh. And then I took some time

0:11:03.760 --> 0:11:05.760
<v Speaker 1>away from YouTube and was like working on a project

0:11:05.840 --> 0:11:08.400
<v Speaker 1>and stuff like that, like an album. Yeah, and that

0:11:08.559 --> 0:11:11.040
<v Speaker 1>was cool, but I kind of like I lived off

0:11:11.040 --> 0:11:12.959
<v Speaker 1>the money from Mitsubishi for it. It It was like a

0:11:13.040 --> 0:11:15.439
<v Speaker 1>label advance almost, you know. Luckily I didn't owe it

0:11:15.480 --> 0:11:18.440
<v Speaker 1>back here, but I lived off it for a while

0:11:18.480 --> 0:11:20.960
<v Speaker 1>and like worked on shit and didn't really think about

0:11:21.040 --> 0:11:22.880
<v Speaker 1>like what am I gonna do when this gets low,

0:11:23.000 --> 0:11:25.120
<v Speaker 1>And sure enough it got low, and again I was

0:11:25.160 --> 0:11:26.760
<v Speaker 1>at a point where I was like, Yo, I'm gonna

0:11:26.760 --> 0:11:28.560
<v Speaker 1>have to like apply to Trader Joe's and fucking start.

0:11:28.559 --> 0:11:30.200
<v Speaker 1>I'm gonna have to like get a fucking job, you know.

0:11:30.280 --> 0:11:31.959
<v Speaker 1>Like I looked up one day and was like, I'm

0:11:31.960 --> 0:11:34.560
<v Speaker 1>gonna have to get a job. And then uh and

0:11:34.600 --> 0:11:36.959
<v Speaker 1>shout out to my girlfriend, who was like, fuck that,

0:11:37.360 --> 0:11:40.439
<v Speaker 1>Like you're dope, man. Like people, you have a fan base,

0:11:40.480 --> 0:11:42.440
<v Speaker 1>you just have to activate some more of this shit

0:11:42.520 --> 0:11:45.839
<v Speaker 1>and like figure out how to monetize. And that's when

0:11:45.880 --> 0:11:48.440
<v Speaker 1>I started diving deep into like, Okay, how can I

0:11:48.559 --> 0:11:51.280
<v Speaker 1>use YouTube like a YouTuber, you know what I mean?

0:11:51.320 --> 0:11:55.160
<v Speaker 1>Like how can I actually build this out and make

0:11:55.200 --> 0:11:56.800
<v Speaker 1>money off it? And how can I do the same

0:11:56.840 --> 0:11:59.079
<v Speaker 1>on ig and Twitch and things of that nature. And

0:11:59.360 --> 0:12:02.640
<v Speaker 1>since then, like from a business standpoint, we've been able

0:12:02.679 --> 0:12:05.360
<v Speaker 1>to really grow. Yo. Stop of the interview. Got to

0:12:05.400 --> 0:12:08.160
<v Speaker 1>tell you about our good folks at odd socks. Man, Listen,

0:12:08.160 --> 0:12:10.880
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0:12:10.920 --> 0:12:12.920
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0:12:12.920 --> 0:12:14.960
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0:12:15.960 --> 0:12:18.040
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0:12:18.040 --> 0:12:22.319
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0:12:23.320 --> 0:12:25.480
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0:12:25.520 --> 0:12:28.719
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0:12:28.960 --> 0:12:30.920
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0:12:30.960 --> 0:12:34.920
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0:12:35.720 --> 0:12:37.760
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0:12:37.800 --> 0:12:41.320
<v Speaker 1>dot com, use the promo code Bootleg and save twenty

0:12:41.400 --> 0:12:45.080
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0:12:45.120 --> 0:12:47.120
<v Speaker 1>all that other bullshit y'all be wearing on your ass,

0:12:47.200 --> 0:12:50.160
<v Speaker 1>Throw all the methicas in the trash, all that PSD shit,

0:12:50.200 --> 0:12:53.160
<v Speaker 1>all that shit is all listen, man, put them odd

0:12:53.160 --> 0:12:55.880
<v Speaker 1>socks on your ass cheeks and thank me later. I

0:12:55.920 --> 0:12:59.600
<v Speaker 1>was gonna say, do you think that I think? What

0:12:59.720 --> 0:13:02.560
<v Speaker 1>I know? This was a lot of the creatives that

0:13:02.640 --> 0:13:05.240
<v Speaker 1>I know. The pandemic kind of helped a lot of

0:13:05.280 --> 0:13:09.480
<v Speaker 1>people finally shine because it kind of like reset the

0:13:09.480 --> 0:13:11.719
<v Speaker 1>world and kind of like I feel like it kind

0:13:11.760 --> 0:13:16.040
<v Speaker 1>of everybody was starting from the same place, yes, because

0:13:16.080 --> 0:13:17.400
<v Speaker 1>you know, people were going out to the clubs. Like

0:13:17.440 --> 0:13:19.319
<v Speaker 1>you know, if you look at the Best Albums of

0:13:19.320 --> 0:13:22.640
<v Speaker 1>the Year nominees in twenty twenty, it was like Royce

0:13:22.720 --> 0:13:25.800
<v Speaker 1>and Jay, Electronica and Freddie Gibbs and it was just

0:13:25.880 --> 0:13:28.559
<v Speaker 1>like all this ill rap shit. Yeah, like I feel

0:13:28.559 --> 0:13:32.600
<v Speaker 1>like like a certain amount of like maybe it's time

0:13:32.720 --> 0:13:35.320
<v Speaker 1>opening up or the way people are consuming shit. But

0:13:35.360 --> 0:13:37.679
<v Speaker 1>did you feel like an uptick in your shit, like

0:13:37.920 --> 0:13:40.079
<v Speaker 1>when everything shut down big time? I think it was

0:13:40.120 --> 0:13:42.640
<v Speaker 1>a few things for everyone, and maybe a few things

0:13:42.640 --> 0:13:46.000
<v Speaker 1>specifically for me. But one was like everybody was at

0:13:46.000 --> 0:13:49.240
<v Speaker 1>home and everybody was scared, you know what I mean,

0:13:49.760 --> 0:13:54.120
<v Speaker 1>or uncomfortable or sad or whatever, and people were just

0:13:54.200 --> 0:13:58.440
<v Speaker 1>looking for content to distract them or to consume their time.

0:13:58.480 --> 0:13:59.720
<v Speaker 1>You know, people were just sitting on the couch one

0:13:59.760 --> 0:14:02.240
<v Speaker 1>of the watch something, you know, to pass the time.

0:14:02.400 --> 0:14:06.000
<v Speaker 1>And so people who were providing content suddenly had an

0:14:06.000 --> 0:14:09.160
<v Speaker 1>opportunity like to really step up. I think the other

0:14:09.200 --> 0:14:13.600
<v Speaker 1>thing is like previously, it's like Hollywood is doing these

0:14:13.600 --> 0:14:16.720
<v Speaker 1>big budgets, super produced things, and everybody else is at

0:14:16.720 --> 0:14:19.000
<v Speaker 1>home with their little webcam. But then all of a sudden,

0:14:19.040 --> 0:14:21.000
<v Speaker 1>like overnight, it was like you go on Netflix and

0:14:21.000 --> 0:14:23.480
<v Speaker 1>people are on webcams. You watch the news and it's

0:14:23.480 --> 0:14:25.160
<v Speaker 1>like the shitty webcams, you know what I mean, Like

0:14:25.400 --> 0:14:29.160
<v Speaker 1>everybody was at home proome content with the same webcams,

0:14:29.200 --> 0:14:32.160
<v Speaker 1>and like suddenly the tech part was taken out of

0:14:32.200 --> 0:14:34.120
<v Speaker 1>it kind of where it's like it's not such a

0:14:34.200 --> 0:14:37.880
<v Speaker 1>huge difference between a random YouTube content creator and like

0:14:37.960 --> 0:14:40.760
<v Speaker 1>what you're seeing on TV. And so that was kind

0:14:40.760 --> 0:14:42.400
<v Speaker 1>of like a leveler I feel like in a lot

0:14:42.400 --> 0:14:44.800
<v Speaker 1>of ways, Like figure it was a level playing field

0:14:44.960 --> 0:14:47.120
<v Speaker 1>in exact way. And so then it just came back

0:14:47.120 --> 0:14:49.400
<v Speaker 1>to the quality of what you're making, you know. It

0:14:49.480 --> 0:14:51.680
<v Speaker 1>just came back to like, if you're making something valuable,

0:14:52.160 --> 0:14:54.240
<v Speaker 1>then you have a you have a chance to really win,

0:14:54.360 --> 0:14:57.680
<v Speaker 1>right now. Yeah that's real man. Yeah. Pandemic was good

0:14:57.720 --> 0:14:59.480
<v Speaker 1>to a lot of people. I mean, obviously I'm talking

0:14:59.480 --> 0:15:02.360
<v Speaker 1>about just career wise, Like I feel like people people

0:15:02.400 --> 0:15:05.680
<v Speaker 1>definitely like the people who took advantage of the circumstances.

0:15:05.800 --> 0:15:08.680
<v Speaker 1>You know, well, what did they say when someone gives

0:15:08.720 --> 0:15:13.520
<v Speaker 1>you shit? Turn it in? Lemonade? An Atmosphere album? Yes, yeah,

0:15:13.640 --> 0:15:15.520
<v Speaker 1>isn't that an atmosphere album? It is, it is, but

0:15:15.560 --> 0:15:17.640
<v Speaker 1>it's something it's a twist one, not that it's a twist.

0:15:17.680 --> 0:15:19.240
<v Speaker 1>Whatever I just said is not the name of the album,

0:15:19.240 --> 0:15:22.320
<v Speaker 1>but there's some sort of atmosphere album that's close close

0:15:22.440 --> 0:15:25.080
<v Speaker 1>enough to that. Yes, what are you working on right now?

0:15:25.120 --> 0:15:27.000
<v Speaker 1>Do you have anything coming? Like? I know you're putting

0:15:27.040 --> 0:15:29.480
<v Speaker 1>out weekly videos and you're you're on your ship, but

0:15:29.560 --> 0:15:31.320
<v Speaker 1>like as far as like, are you gonna put out

0:15:31.440 --> 0:15:34.360
<v Speaker 1>original music soon? Definitely? Definitely. Yeah, I'm going hard on

0:15:34.400 --> 0:15:38.280
<v Speaker 1>the video content as always, but yeah, in terms of

0:15:38.320 --> 0:15:40.840
<v Speaker 1>original music, I've been having a lot of fun, man,

0:15:40.960 --> 0:15:44.560
<v Speaker 1>exploring kind of how to use my freestyling to create records,

0:15:44.880 --> 0:15:48.000
<v Speaker 1>you know, and uh, because I just don't I don't

0:15:48.040 --> 0:15:50.040
<v Speaker 1>like to write, Like I don't enjoy sitting with a

0:15:50.440 --> 0:15:52.120
<v Speaker 1>If I sit with a blank page and a pen,

0:15:52.160 --> 0:15:53.720
<v Speaker 1>I feel like I don't know how to wrap, and

0:15:53.760 --> 0:15:55.400
<v Speaker 1>I'll just sit there forever looking at it like I

0:15:55.480 --> 0:15:57.000
<v Speaker 1>what would I what would I ever write right now?

0:15:57.000 --> 0:15:58.280
<v Speaker 1>You know? And then as soon as it's like okay,

0:15:58.320 --> 0:15:59.920
<v Speaker 1>play the beat and start the mic, Then as soon

0:16:00.040 --> 0:16:02.360
<v Speaker 1>as I start rapping, I remember how to wrap. So

0:16:02.480 --> 0:16:04.480
<v Speaker 1>for me, it's just a thing about process. But we've

0:16:04.520 --> 0:16:07.880
<v Speaker 1>actually released two little mini EPs, like little three song

0:16:07.960 --> 0:16:11.120
<v Speaker 1>projects in the last six months or so that were

0:16:11.200 --> 0:16:13.720
<v Speaker 1>either fully off top or or like a hybrid where

0:16:13.760 --> 0:16:15.680
<v Speaker 1>it's like I'll jot some ideas and then kind of

0:16:15.720 --> 0:16:17.560
<v Speaker 1>just go in the booth and go off top. And

0:16:18.120 --> 0:16:19.800
<v Speaker 1>the fan base has been rocking with them, man, and

0:16:19.840 --> 0:16:21.960
<v Speaker 1>so I'm excited to continue exploring that path. We just

0:16:22.000 --> 0:16:25.640
<v Speaker 1>released one called Soliloquies about a month ago that that

0:16:26.200 --> 0:16:28.200
<v Speaker 1>people are rocking with on my YouTube and stuff like that,

0:16:28.280 --> 0:16:30.400
<v Speaker 1>and those are coming out to like DSP, Spotify and

0:16:30.440 --> 0:16:32.160
<v Speaker 1>Apple Music and all that. So I want to continue

0:16:32.200 --> 0:16:35.560
<v Speaker 1>kind of exploring that process of doing what I'm comfortable

0:16:35.600 --> 0:16:38.280
<v Speaker 1>with but still being able to release like official albums

0:16:38.280 --> 0:16:41.720
<v Speaker 1>and projects. What like inspired you to start freestyling back

0:16:41.760 --> 0:16:45.280
<v Speaker 1>in the day, Like what was that first? Like you know, yeah,

0:16:45.360 --> 0:16:48.200
<v Speaker 1>It's funny because there's a couple of like really early childhood,

0:16:48.400 --> 0:16:50.560
<v Speaker 1>Like I saw Wayne Brady on Who's Line when I

0:16:50.600 --> 0:16:54.600
<v Speaker 1>was in third grade and I was like what I

0:16:54.640 --> 0:16:56.120
<v Speaker 1>was like, I asked my mom. I was like, wait,

0:16:56.120 --> 0:16:58.200
<v Speaker 1>what's the trick? Like they give him the stuff ahead,

0:16:58.480 --> 0:16:59.920
<v Speaker 1>he wrote it in advance and there are a plan

0:17:00.200 --> 0:17:02.600
<v Speaker 1>Like I was the skeptic in my comment section when

0:17:02.640 --> 0:17:06.800
<v Speaker 1>I first saw Yeah, because he would make songs about

0:17:06.800 --> 0:17:08.600
<v Speaker 1>people you know, but he would sing and stuff. It

0:17:08.640 --> 0:17:10.160
<v Speaker 1>was on whose line, but he would learn their job,

0:17:10.200 --> 0:17:12.800
<v Speaker 1>favorite color, whatever, whatever, and create this like brilliant song

0:17:12.840 --> 0:17:14.280
<v Speaker 1>with the chorus and stuff off the top. That was

0:17:14.280 --> 0:17:16.760
<v Speaker 1>the first time my mind got blown from like lyrical

0:17:16.800 --> 0:17:21.520
<v Speaker 1>improv and then from a hip hop standpoint, without a doubt,

0:17:21.600 --> 0:17:26.680
<v Speaker 1>the person that lit the fire for me was Supernatural Supernat. Yeah, yeah,

0:17:26.760 --> 0:17:30.200
<v Speaker 1>shout out to Supernat, like he's the goat freestyler. I agree,

0:17:31.000 --> 0:17:33.560
<v Speaker 1>but yeah, I was exposed to a project he had

0:17:33.600 --> 0:17:37.159
<v Speaker 1>called the Lost Freestyle Files. When I was in like

0:17:37.200 --> 0:17:39.720
<v Speaker 1>sixth grade. I would walk up to Music Millennium. It

0:17:39.760 --> 0:17:42.040
<v Speaker 1>was the record store by my house, and one of

0:17:42.040 --> 0:17:43.640
<v Speaker 1>the dudes who worked there was a hip hop head.

0:17:43.680 --> 0:17:45.760
<v Speaker 1>So at the end of the hip hop aisle he

0:17:45.760 --> 0:17:47.520
<v Speaker 1>would put like his top five picks of the week,

0:17:47.880 --> 0:17:49.800
<v Speaker 1>and one week, one of those top five picks was

0:17:49.880 --> 0:17:53.119
<v Speaker 1>Supernatural Lost Freestyle Files. And I didn't know who Supernat was,

0:17:53.240 --> 0:17:55.480
<v Speaker 1>but I was already into freestyling. We would watch like

0:17:55.520 --> 0:17:57.840
<v Speaker 1>one oh six in Park Battles and stuff like that

0:17:57.920 --> 0:17:59.960
<v Speaker 1>and just try to try to do our little freestyle.

0:18:00.200 --> 0:18:01.800
<v Speaker 1>You know. We were super whack, but we were having

0:18:01.840 --> 0:18:04.200
<v Speaker 1>fun and uh so I saw it in just off

0:18:04.200 --> 0:18:06.080
<v Speaker 1>the strength of the title. I was like, oh, freestyle files.

0:18:06.119 --> 0:18:08.840
<v Speaker 1>I like the freestyle, let's check it out. And good

0:18:08.880 --> 0:18:12.240
<v Speaker 1>thing I did, because that record definitely blew my fucking mind. Man,

0:18:12.600 --> 0:18:15.280
<v Speaker 1>like that shit, because when I heard Supernat again, it

0:18:15.359 --> 0:18:17.120
<v Speaker 1>was like the first time I saw Wayne Brady where

0:18:17.119 --> 0:18:19.199
<v Speaker 1>I was like, it's not possible, Like, how is it

0:18:19.320 --> 0:18:24.480
<v Speaker 1>so smooth? It sounds written, but yet he's incorporating these

0:18:24.480 --> 0:18:27.320
<v Speaker 1>things that are proving you know that it's not written,

0:18:27.440 --> 0:18:30.560
<v Speaker 1>and so like, just that alone was enough of a

0:18:30.600 --> 0:18:32.080
<v Speaker 1>spark for me to want to like do a deep

0:18:32.119 --> 0:18:34.040
<v Speaker 1>dive and try to figure that out, and from there

0:18:34.080 --> 0:18:36.200
<v Speaker 1>you you expand the universe. He had a battle with Juice,

0:18:36.200 --> 0:18:38.280
<v Speaker 1>so I started checking out Juice and then you get

0:18:38.320 --> 0:18:40.960
<v Speaker 1>on YouTube, and you know, we were into rhyme sayers

0:18:41.000 --> 0:18:43.240
<v Speaker 1>and atmosphere and them, and I learned about idea, Who's

0:18:43.240 --> 0:18:47.960
<v Speaker 1>another idea, phenomenal freestyler, rest in peace, So yeah, freestyle fellowship.

0:18:48.000 --> 0:18:49.840
<v Speaker 1>You know, bit by bit, we were just nerdy kids

0:18:49.880 --> 0:18:52.359
<v Speaker 1>trying to learn about the shit. And but yeah, definitely,

0:18:52.359 --> 0:18:55.159
<v Speaker 1>Supernat was the first dude in a hip hop context

0:18:55.440 --> 0:18:57.120
<v Speaker 1>that blew my mind with the freestyle and then you've

0:18:57.200 --> 0:19:00.639
<v Speaker 1>just been sharpening your sword. Yeah yeah, I'm upset, like

0:19:00.680 --> 0:19:03.880
<v Speaker 1>I'm it's scary. I'm scary. It is pretty crazy. Man,

0:19:05.200 --> 0:19:10.000
<v Speaker 1>you're fucking yeah. Man, that's no like, uh, you're one

0:19:10.000 --> 0:19:12.360
<v Speaker 1>of them ones. Oh thank you, Bro. I appreciate that.

0:19:12.400 --> 0:19:14.800
<v Speaker 1>I appreciate that. It is just it really it comes

0:19:14.840 --> 0:19:17.280
<v Speaker 1>down to practice and commitment and putting the time in.

0:19:17.320 --> 0:19:19.200
<v Speaker 1>You know. I always try to mention that because people

0:19:19.240 --> 0:19:22.040
<v Speaker 1>see what I do and they're like they're baffled by

0:19:22.080 --> 0:19:24.600
<v Speaker 1>it because they've never thought about how that would work right,

0:19:24.800 --> 0:19:26.520
<v Speaker 1>the same way I felt when I heard Supernad and

0:19:26.520 --> 0:19:28.960
<v Speaker 1>they're just like, yo, Like, how's it feel to be

0:19:28.960 --> 0:19:31.120
<v Speaker 1>born with this? Like incredible blessing and shit like that.

0:19:31.320 --> 0:19:33.280
<v Speaker 1>I think I was born with a spark, for sure.

0:19:33.320 --> 0:19:35.480
<v Speaker 1>I think I have a talent for improv and knack

0:19:35.560 --> 0:19:38.440
<v Speaker 1>for it, But for sure, my first freestyles were whack.

0:19:38.480 --> 0:19:40.359
<v Speaker 1>You would never hear my first freestyles and be like,

0:19:40.600 --> 0:19:42.199
<v Speaker 1>he's got it? Would you ever do? What? Have they

0:19:42.240 --> 0:19:45.160
<v Speaker 1>ever hit you? You do wilding out? No, not officially,

0:19:45.560 --> 0:19:47.280
<v Speaker 1>not officially. They got to get you on wilding out

0:19:47.320 --> 0:19:49.639
<v Speaker 1>your body. Everybody on there, I feel like you're just

0:19:49.640 --> 0:19:52.479
<v Speaker 1>too nice for wilding out though, Oh, because you mean,

0:19:52.560 --> 0:19:56.480
<v Speaker 1>like literally, like you're a sweet guy. It's true, man,

0:19:56.560 --> 0:19:58.399
<v Speaker 1>Like I don't battle. People see what I do and

0:19:58.440 --> 0:20:00.879
<v Speaker 1>they're like, you crush the battle scene Like yeah, yeah, man,

0:20:00.920 --> 0:20:03.200
<v Speaker 1>I'm too nice for that shit. Yeah exactly, I don't

0:20:03.240 --> 0:20:05.000
<v Speaker 1>really like this people. You don't want to just black

0:20:05.119 --> 0:20:09.480
<v Speaker 1>China and make her cry, right exactly? Wilding out? Yeah, No,

0:20:09.720 --> 0:20:11.200
<v Speaker 1>I think that would be the next thing for you.

0:20:11.200 --> 0:20:13.480
<v Speaker 1>Got to do that, wi wilding out. I would love to, Seriously,

0:20:13.480 --> 0:20:14.960
<v Speaker 1>I would love you. Yeah, I would love to, and

0:20:15.320 --> 0:20:16.920
<v Speaker 1>I think you would be uh. I mean obviously you

0:20:16.960 --> 0:20:18.560
<v Speaker 1>would kill it. You'd be the best guy on there,

0:20:18.600 --> 0:20:21.160
<v Speaker 1>you know, easily. But look, I appreciate you coming through.

0:20:21.440 --> 0:20:23.320
<v Speaker 1>Uh soon, it's gonna be You got a couple EPs

0:20:23.320 --> 0:20:26.600
<v Speaker 1>out now, Yeah, weekly videos, Your TikTok is going crazy.

0:20:26.640 --> 0:20:28.960
<v Speaker 1>Everything's going crazy. But the big thing right now, Bro,

0:20:29.040 --> 0:20:31.880
<v Speaker 1>I'm going on tour tour this year. Yeah, I'm going

0:20:31.880 --> 0:20:35.320
<v Speaker 1>on tour Energy Exchange twenty twenty two is then your headlining.

0:20:35.480 --> 0:20:37.840
<v Speaker 1>I'm headlining. It is my headlining tour. Wow, So you're

0:20:37.840 --> 0:20:40.199
<v Speaker 1>gonna do crowd work work the crowd. Yeah, it's a

0:20:40.240 --> 0:20:42.960
<v Speaker 1>fully improvised set, even what we'll do if we might.

0:20:43.000 --> 0:20:44.720
<v Speaker 1>I don't want to leave anything. But basically it's a

0:20:44.760 --> 0:20:47.600
<v Speaker 1>fully improvised set and uh, it's gonna be crazy. We

0:20:47.680 --> 0:20:49.840
<v Speaker 1>got to test it out a few times. Uh here

0:20:49.880 --> 0:20:53.120
<v Speaker 1>in LA. We've done some shows here and it goes

0:20:53.160 --> 0:20:55.199
<v Speaker 1>crazy and it's gonna be wild. So check it out.

0:20:55.359 --> 0:20:57.960
<v Speaker 1>We're starting in February and we're going across the US

0:20:58.000 --> 0:20:59.879
<v Speaker 1>all the way through through the top of May. Wow,

0:21:00.640 --> 0:21:03.679
<v Speaker 1>good luck, don't catch that omicron. I know. Hopefully we're pasting.

0:21:04.080 --> 0:21:06.080
<v Speaker 1>Everyone's getting it now, so I hope, I hope we

0:21:06.080 --> 0:21:08.000
<v Speaker 1>don't have a new joint by that time. I'm boom,

0:21:08.119 --> 0:21:09.400
<v Speaker 1>there it is man Harry mag