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Speaker 1: Bulet cav Podcast special guests in here who just tore

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Speaker 1: down the freestyle. Go check that out on the YouTube channel.

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Speaker 1: It's there as well. Harry Mack is here, Yes, sir,

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Speaker 1: welcome Man, Thanks for having me. Man. Hey, yeah, Man,

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Speaker 1: you've been on your shit lately, Bro, Thank you, Bro.

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Speaker 1: Appreciate that. So, for people who don't know, you're kind

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Speaker 1: of known for your ability to rap very well, but

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Speaker 1: more importantly like off of the top of the dome,

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Speaker 1: which is something that is a lost art form. We

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Speaker 1: have a freestyle series on the show, and I would

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Speaker 1: venture to say ninety five percent of the bars that

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Speaker 1: have ever been wrapped on our show is written. We

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Speaker 1: still call them freestyles. Obviously that term is like evolved,

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Speaker 1: but like in the old school old head term that

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Speaker 1: me and you live by, you are the true definition

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Speaker 1: of a freestyle artist. Thank you, Bro. I appreciate that.

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Speaker 1: But no, you've done a really good job of you know,

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Speaker 1: I feel like people before you who might have had

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Speaker 1: your talent also different eras right, but like you've done

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Speaker 1: a good job of like figuring out a way to

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Speaker 1: build like a universe and monetize your skill. So kind

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Speaker 1: of like you've had a great pandemic. Yeah, yeah, yeah,

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Speaker 1: have Yeah. It's weird to say, you know, because obviously

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Speaker 1: there's been a lot of pain for a lot of

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Speaker 1: people through the pandemic, and I think we've all brushed

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Speaker 1: shoulders with that pain in one way or another. But

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Speaker 1: from a business standpoint for me, and just from a

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Speaker 1: creative standpoint, you know, I've had the time and the

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Speaker 1: space to really build, like you say, build a universe

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Speaker 1: around what I'm doing, and kind of build a brand

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Speaker 1: around being an off top freestyler, right, you know, And

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Speaker 1: I think I'm really fortunate. Man. You mentioned how you know,

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Speaker 1: cats from from the previous era weren't always able to

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Speaker 1: monetize the off top freestyle thing. I feel really fortunate

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Speaker 1: to be alive in this Internet era, you know. I

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Speaker 1: really do think it's almost made for that. Yeah. That's

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Speaker 1: the difference, right. It's like now we live in a

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Speaker 1: time where, you know, previously it's like if you're an

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Speaker 1: incredibly talented off top freestyler, a record label is going

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Speaker 1: to be like, yo, that's dope, we don't know what

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Speaker 1: to do with it. Sorry. You know, it's like okay, cool.

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Speaker 1: Like when you have a hit song, hit us up,

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Speaker 1: you know, Meanwhile, this talent is like insane and everybody

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Speaker 1: who sees it live loves it, but it just doesn't

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Speaker 1: fit in with the structure that sort of exists already. Now,

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Speaker 1: we live in a time where anybody with a phone

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Speaker 1: can get on these free platforms and build a personal

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Speaker 1: brand with whatever they're into doing, and if there's an

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Speaker 1: audience for it that enjoys it, you can monetize it.

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Speaker 1: And so, yeah, I know you've been doing this for

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Speaker 1: a while. I first saw you on the Creuse Show. Yeah,

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Speaker 1: probably four or five years ago. And what is like

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Speaker 1: the platform that like really first started to really like

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Speaker 1: pop off for you in like a serious way. YouTube

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Speaker 1: was definitely the first in terms of like in terms

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Speaker 1: of social platforms you mean yea, yeah, yeah, YouTube was

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Speaker 1: the first one that was the big one actually, YouTube

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Speaker 1: and Facebook. Oddly enough, because I had a video back

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Speaker 1: in February twenty seventeen. It was just called Venice Beach

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Speaker 1: Freestyle Part one and it was just me out there

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Speaker 1: on the Venice Boardwalk. Scary place to be nowadays, by

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Speaker 1: the way, I know, Yeah, it's a lot different now. Yeah,

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Speaker 1: post pandemic or whatever, mid pandemic through right now exactly

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Speaker 1: wherever we're at in this crazy timeline. What is time

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Speaker 1: anymore anyway? But uh no, man, Yeah, I was out there.

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Speaker 1: It was funny. We had been there all day trying

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Speaker 1: to freestyle for groups and stuff and just you know,

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Speaker 1: getting rejected, getting yelled at, hey, don't do this in

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Speaker 1: front of my store, no filming, no whatever, whatever, And

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Speaker 1: we were frustrated, and eventually my boy, who was with

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Speaker 1: me filming it on my phone, was like, yo, just

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Speaker 1: start wrapping and see what happens. So I started rhyming

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Speaker 1: on the on the boardwalk, and one by one, you know,

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Speaker 1: this crowd starts to form, and it was kind of

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Speaker 1: like it was very serendipitous, you know, the crowd that forms.

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Speaker 1: It looks like we hired people to be the crowd

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Speaker 1: because it's so like diverse. And there's like these like

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Speaker 1: preppy boys on bikes and like polos and shorts. Then

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Speaker 1: there's like this stoner couple with a big dude and

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Speaker 1: the Bob Marley shirt, smoking an em you know, and

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Speaker 1: just one by one, it's like you get sort of

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Speaker 1: this whole picture of like the diversity of the Venice

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Speaker 1: strip in front of me. We ended up with like

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Speaker 1: forty or fifty people gathered around me and I'm wrapping

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Speaker 1: at everybody's clothes and everything like that, And that video

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Speaker 1: went super viral, both on YouTube and on Facebook, and

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Speaker 1: that was kind of the beginning of of people knowing

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Speaker 1: about Harry mag I guess, how long have you been

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Speaker 1: doing the omeegal freestyles? Yeah? I guess. Uh, we like

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Speaker 1: a year and a half, right, So you started that

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Speaker 1: during the pandemic. I started it during the pandemic. Yeah,

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Speaker 1: let me ask you something, because that's a sketch place illegal.

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Speaker 1: You know, you might fuck around to go in there.

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Speaker 1: There's a fifty five year old truck driver jerking off, like,

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Speaker 1: oh yeah, absolutely, has that happened? That's specific? Maybe not

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Speaker 1: that's specific. Yeah, well he's like I didn't know his occupation,

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Speaker 1: but it was fifty five and Dick was out. I've

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Speaker 1: seen some things, definitely, I've seen some things, but not

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Speaker 1: as many. So here's the thing. It's funny actually, like

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Speaker 1: before the pandemic, people were making alegal content on YouTube,

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Speaker 1: and so people would be in my comments like, yo,

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Speaker 1: your shit would crush on amigal because really what I

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Speaker 1: make is reaction based content. It's about people who don't

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Speaker 1: know that I'm going to be dope and then I

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Speaker 1: do a freestyle and then hopefully I blow their mind.

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Speaker 1: And that's what's fun about watching it in a large part,

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Speaker 1: so people would hit me up and be like, do

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Speaker 1: it on amgal. But I knew kind of what was

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Speaker 1: up with amgal, and I think I just remember chat

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Speaker 1: roulette back in the day, exactly, and it was like

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Speaker 1: a dark place exactly. They always any any site that

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Speaker 1: randomly pairs strangers on video chat is a recipe for disaster. Yes,

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Speaker 1: like it's gonna be corrupted. So I avoided amgal for

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Speaker 1: a long time, and then you know, a few months

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Speaker 1: into the pandemic, it's like, damn, we can't go out

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Speaker 1: and shoot our regular content, Like let me check this

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Speaker 1: out and see what's up. And actually now it's a

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Speaker 1: lot better than it used to be because they have

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Speaker 1: these tags, interest tags or whatever, so you could type

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Speaker 1: in hip hop, it's like whatever you're into. And they

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Speaker 1: also have much and that creates a lot more filtering.

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Speaker 1: So if you don't use those, you see a ton

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Speaker 1: of dicks. If you use those, I maybe see you know,

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Speaker 1: like in all my time making the series, honestly, in

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Speaker 1: terms of actually seeing a dick. I've probably seen like twenty.

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Speaker 1: It's a solid money and I have like sixty episodes,

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Speaker 1: you know. I mean it's more than I would say

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Speaker 1: terrible ratio though, that's what I'm saying. I mean, I

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Speaker 1: would have liked to have not seen anybody. I mean,

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Speaker 1: it's funny. He's not bad, That's what I'm saying. Like

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Speaker 1: people assume because people don't want there to try to

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Speaker 1: find me and they don't know about the interest tags

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Speaker 1: and then so they're just like, I can't find you

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Speaker 1: on me. I just keep seeing dicks. Yeah, and they're like, wow,

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Speaker 1: you must have a terrible PTSD, like you should be counseling,

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Speaker 1: Like the amount of dicks are exposed too must be absurd.

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Speaker 1: But it's really not. It's not as crazy. Yeah. Have

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Speaker 1: you had like a bad experience on there, like where

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Speaker 1: you were freestyling and something weird happened. I've had some

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Speaker 1: sketch experiences on there while I'm freestyling. Yeah, like where

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Speaker 1: where I stopped the freestyling was like, Bro, you know,

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Speaker 1: you need to get help, like people doing like weird

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Speaker 1: drugs and stuff like on the on the screen where

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Speaker 1: like you're wrapping and then someone comes up with a

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Speaker 1: meth pipe, Like yeah, essentially, Yeah, like I don't know

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Speaker 1: what's in it, and it could be a prop, you know,

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Speaker 1: it could be they could be trolling. But it's still

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Speaker 1: just like insanely uncomfortable and I stop it and I'm like, oh,

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Speaker 1: don't don't do that. Yeah, And also and everyone can

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Speaker 1: see your face and like, don't do you know, people

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Speaker 1: don't understand the internet. It feels like, you know where

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Speaker 1: I'm just like, hey, man, like people forget that that

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Speaker 1: shit is there forever. Yeah, it's on a server somewhere

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Speaker 1: at least forever. And you've got to assume people are

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Speaker 1: screencapping everything you're doing. This is true. So what about

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Speaker 1: the TikTok? And I know you were on Twitch a lot, right,

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Speaker 1: So like those are obviously kind of two platforms that

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Speaker 1: you know, a lot of people I know, especially DJs,

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Speaker 1: took advantage of Twitch big time during the pandemic. Yeah,

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Speaker 1: and man, I know some people who are getting crazy

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Speaker 1: checks just DJing on Twitch. Hell yeah, how did the

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Speaker 1: Twitch shit for you? Like, cause you know, in the

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Speaker 1: hip hop community, we got Kenny Beads is huge on Twitch.

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Speaker 1: But like, how did you kind of turn what you

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Speaker 1: do into something that worked for the Twitch. Yeah, so

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Speaker 1: with what I do, you know, being being as it's

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Speaker 1: all kind of improvised off top, It's like what I

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Speaker 1: need is some kind of randomization, you know, like people

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Speaker 1: in the chat like, yeah, exactly, we just did a freestyle.

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Speaker 1: You threw me words out loud. That's always dope. That's

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Speaker 1: like the classic way of doing this, and uh, you know,

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Speaker 1: in this case, it's just a live chat feed people

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Speaker 1: putting words in there. Yeah. Yeah, So basically any like

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Speaker 1: live streaming platform, book, live YouTube, live Twitch, they all

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Speaker 1: work really well for what I do. The only the

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Speaker 1: learning curve was like reading it and incorporating it from

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Speaker 1: a written word as opposed to hearing it out loud.

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Speaker 1: It's different. It's like a slightly different part of the

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Speaker 1: brain or something. I don't know the science of it,

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Speaker 1: but it was a bit of a challenge in the

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Speaker 1: beginning because rhyme is all about sound. It has nothing

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Speaker 1: to do with how something spells, like Devil doesn't rhyme

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Speaker 1: with evil. They look like they rhyme correct, but they don't.

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Speaker 1: So you kind of it's like I have to read

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Speaker 1: it and then hear it in my head, and then

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Speaker 1: I'm like, oh, okay, now I know where to go

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Speaker 1: while you're wrapping, while you're at Yeah, it's a lot

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Speaker 1: of multitasking. It's kind of a what at what point

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Speaker 1: in time were you able to say to yourself, I

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Speaker 1: can fully support my life off of my skill. Wow,

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Speaker 1: that's a great question. I feel like it was like

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Speaker 1: twenty eighteen. I feel like twenty eighteen, I did a

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Speaker 1: Mitsubishi commercial and uh, it was crazy because I I

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Speaker 1: was used to being like pretty much broke. You know,

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Speaker 1: I'm a jazz drummer. I don't know if you know that,

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Speaker 1: but I did not know that my background. Yeah, so

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Speaker 1: my background is playing jazz gigs, and so that was

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Speaker 1: like your gig, like, like you besides rapping you were

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Speaker 1: that was like pay the bills and teaching drum lessons. Yeah.

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Speaker 1: I've been a professional musician supporting myself for a long time,

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Speaker 1: you know, I think like ten years. Yeah. But but

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Speaker 1: the hustle of a of a jazz drummer in the

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Speaker 1: modern world, as you might imagine, is a serious, an

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Speaker 1: intense hustle, serious hustle. It's an intense hull and it's

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Speaker 1: not you know, it's not glamorous in any sense. I mean,

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Speaker 1: I was playing like bar gigs where we're crammed in

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Speaker 1: a corner and just being told play quieter, play quieter.

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Speaker 1: You know, you're disturbing whatever, you know, don't do your thing,

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Speaker 1: so like stop being so aggressive, and you're out there

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Speaker 1: trying to pour your soul into this thing you love.

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Speaker 1: And it's like, you know, we're doing here for the ambiance. Yeah, yeah, exactly,

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Speaker 1: and we're getting paid fifty bucks or something. And the

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Speaker 1: first couple of gigs we got free drinks. Second gig,

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Speaker 1: they're like, yeah, the bar is not gonna do the

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Speaker 1: free drink thing anymore. But same time, you cool. And

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Speaker 1: so it's a tough grind. Shout out to all the

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Speaker 1: jazz musicians, by the way, and I have a lot

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Speaker 1: of friends who are still in that world crushing it, right,

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Speaker 1: and I know what it really means to be crushing

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Speaker 1: it in that world, So shouts out to anybody doing that.

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Speaker 1: But for me, you know, I was like barely making

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Speaker 1: my rant, barely barely getting by doing jazz gigs. And

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Speaker 1: then in twenty eighteen, I did I got hired to

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Speaker 1: do a commercial for Mitsubishi, which was like kind of

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Speaker 1: based on my videos where I'm dressed up like car

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Speaker 1: salesman at the Mitsubeci dealership and then people getting the

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Speaker 1: car to test drive it, and I'm sitting next to them,

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Speaker 1: and then I'd start rhyming about the car and shit

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Speaker 1: like that out of nowhere and get reactions and stuff.

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Speaker 1: And that was my first like check kind of you know,

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Speaker 1: and it wasn't anything crazy, but like for me at

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Speaker 1: the time, it was like more money than I'd ever seen.

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Speaker 1: It was like just enough to be like, oh, I

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Speaker 1: got to keep doing this exactly, working exactly exactly. And

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Speaker 1: I knew before that that I had to keep leaning

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Speaker 1: into the freestyle thing just from like the popularity of

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Speaker 1: the videos and how much energy there was around it,

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Speaker 1: but that was the first time I kind of like

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Speaker 1: got paid and uh. And then I took some time

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Speaker 1: away from YouTube and was like working on a project

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Speaker 1: and stuff like that, like an album. Yeah, and that

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Speaker 1: was cool, but I kind of like I lived off

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Speaker 1: the money from Mitsubishi for it. It It was like a

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Speaker 1: label advance almost, you know. Luckily I didn't owe it

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Speaker 1: back here, but I lived off it for a while

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Speaker 1: and like worked on shit and didn't really think about

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Speaker 1: like what am I gonna do when this gets low,

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Speaker 1: And sure enough it got low, and again I was

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Speaker 1: at a point where I was like, Yo, I'm gonna

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Speaker 1: have to like apply to Trader Joe's and fucking start.

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Speaker 1: I'm gonna have to like get a fucking job, you know.

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Speaker 1: Like I looked up one day and was like, I'm

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Speaker 1: gonna have to get a job. And then uh and

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Speaker 1: shout out to my girlfriend, who was like, fuck that,

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Speaker 1: Like you're dope, man. Like people, you have a fan base,

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Speaker 1: you just have to activate some more of this shit

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Speaker 1: and like figure out how to monetize. And that's when

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Speaker 1: I started diving deep into like, Okay, how can I

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Speaker 1: use YouTube like a YouTuber, you know what I mean?

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Speaker 1: Like how can I actually build this out and make

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Speaker 1: money off it? And how can I do the same

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Speaker 1: on ig and Twitch and things of that nature. And

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Speaker 1: since then, like from a business standpoint, we've been able

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Speaker 1: to really grow. Yo. Stop of the interview. Got to

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Speaker 1: tell you about our good folks at odd socks. Man, Listen,

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Speaker 1: Shout out to SpongeBob. Plus they got the odd socks basics.

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Speaker 1: dot com, use the promo code Bootleg and save twenty

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Speaker 1: percent off the most comfortable underwear in the world. Fuck

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Speaker 1: all that other bullshit y'all be wearing on your ass,

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Speaker 1: Throw all the methicas in the trash, all that PSD shit,

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Speaker 1: all that shit is all listen, man, put them odd

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Speaker 1: socks on your ass cheeks and thank me later. I

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Speaker 1: was gonna say, do you think that I think? What

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Speaker 1: I know? This was a lot of the creatives that

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Speaker 1: I know. The pandemic kind of helped a lot of

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Speaker 1: people finally shine because it kind of like reset the

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Speaker 1: world and kind of like I feel like it kind

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Speaker 1: of everybody was starting from the same place, yes, because

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Speaker 1: you know, people were going out to the clubs. Like

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Speaker 1: you know, if you look at the Best Albums of

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Speaker 1: the Year nominees in twenty twenty, it was like Royce

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Speaker 1: and Jay, Electronica and Freddie Gibbs and it was just

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Speaker 1: like all this ill rap shit. Yeah, like I feel

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Speaker 1: like like a certain amount of like maybe it's time

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Speaker 1: opening up or the way people are consuming shit. But

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Speaker 1: did you feel like an uptick in your shit, like

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Speaker 1: when everything shut down big time? I think it was

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Speaker 1: a few things for everyone, and maybe a few things

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Speaker 1: specifically for me. But one was like everybody was at

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Speaker 1: home and everybody was scared, you know what I mean,

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Speaker 1: or uncomfortable or sad or whatever, and people were just

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Speaker 1: looking for content to distract them or to consume their time.

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Speaker 1: You know, people were just sitting on the couch one

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Speaker 1: of the watch something, you know, to pass the time.

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Speaker 1: And so people who were providing content suddenly had an

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Speaker 1: opportunity like to really step up. I think the other

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Speaker 1: thing is like previously, it's like Hollywood is doing these

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Speaker 1: big budgets, super produced things, and everybody else is at

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Speaker 1: home with their little webcam. But then all of a sudden,

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Speaker 1: like overnight, it was like you go on Netflix and

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Speaker 1: people are on webcams. You watch the news and it's

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Speaker 1: like the shitty webcams, you know what I mean, Like

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Speaker 1: everybody was at home proome content with the same webcams,

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Speaker 1: and like suddenly the tech part was taken out of

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Speaker 1: it kind of where it's like it's not such a

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Speaker 1: huge difference between a random YouTube content creator and like

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Speaker 1: what you're seeing on TV. And so that was kind

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Speaker 1: of like a leveler I feel like in a lot

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Speaker 1: of ways, Like figure it was a level playing field

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Speaker 1: in exact way. And so then it just came back

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Speaker 1: to the quality of what you're making, you know. It

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Speaker 1: just came back to like, if you're making something valuable,

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Speaker 1: then you have a you have a chance to really win,

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Speaker 1: right now. Yeah that's real man. Yeah. Pandemic was good

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Speaker 1: to a lot of people. I mean, obviously I'm talking

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Speaker 1: about just career wise, Like I feel like people people

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Speaker 1: definitely like the people who took advantage of the circumstances.

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Speaker 1: You know, well, what did they say when someone gives

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Speaker 1: you shit? Turn it in? Lemonade? An Atmosphere album? Yes, yeah,

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Speaker 1: isn't that an atmosphere album? It is, it is, but

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Speaker 1: it's something it's a twist one, not that it's a twist.

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Speaker 1: Whatever I just said is not the name of the album,

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Speaker 1: but there's some sort of atmosphere album that's close close

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Speaker 1: enough to that. Yes, what are you working on right now?

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Speaker 1: Do you have anything coming? Like? I know you're putting

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Speaker 1: out weekly videos and you're you're on your ship, but

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Speaker 1: like as far as like, are you gonna put out

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Speaker 1: original music soon? Definitely? Definitely. Yeah, I'm going hard on

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Speaker 1: the video content as always, but yeah, in terms of

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Speaker 1: original music, I've been having a lot of fun, man,

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Speaker 1: exploring kind of how to use my freestyling to create records,

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Speaker 1: you know, and uh, because I just don't I don't

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Speaker 1: like to write, Like I don't enjoy sitting with a

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Speaker 1: If I sit with a blank page and a pen,

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Speaker 1: I feel like I don't know how to wrap, and

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Speaker 1: I'll just sit there forever looking at it like I

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Speaker 1: what would I what would I ever write right now?

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Speaker 1: You know? And then as soon as it's like okay,

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Speaker 1: play the beat and start the mic, Then as soon

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Speaker 1: as I start rapping, I remember how to wrap. So

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Speaker 1: for me, it's just a thing about process. But we've

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Speaker 1: actually released two little mini EPs, like little three song

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Speaker 1: projects in the last six months or so that were

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Speaker 1: either fully off top or or like a hybrid where

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Speaker 1: it's like I'll jot some ideas and then kind of

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Speaker 1: just go in the booth and go off top. And

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Speaker 1: the fan base has been rocking with them, man, and

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Speaker 1: so I'm excited to continue exploring that path. We just

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Speaker 1: released one called Soliloquies about a month ago that that

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Speaker 1: people are rocking with on my YouTube and stuff like that,

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Speaker 1: and those are coming out to like DSP, Spotify and

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Speaker 1: Apple Music and all that. So I want to continue

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Speaker 1: kind of exploring that process of doing what I'm comfortable

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Speaker 1: with but still being able to release like official albums

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Speaker 1: and projects. What like inspired you to start freestyling back

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Speaker 1: in the day, Like what was that first? Like you know, yeah,

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Speaker 1: It's funny because there's a couple of like really early childhood,

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Speaker 1: Like I saw Wayne Brady on Who's Line when I

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Speaker 1: was in third grade and I was like what I

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Speaker 1: was like, I asked my mom. I was like, wait,

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Speaker 1: what's the trick? Like they give him the stuff ahead,

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Speaker 1: he wrote it in advance and there are a plan

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Speaker 1: Like I was the skeptic in my comment section when

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Speaker 1: I first saw Yeah, because he would make songs about

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Speaker 1: people you know, but he would sing and stuff. It

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Speaker 1: was on whose line, but he would learn their job,

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Speaker 1: favorite color, whatever, whatever, and create this like brilliant song

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Speaker 1: with the chorus and stuff off the top. That was

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Speaker 1: the first time my mind got blown from like lyrical

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Speaker 1: improv and then from a hip hop standpoint, without a doubt,

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Speaker 1: the person that lit the fire for me was Supernatural Supernat. Yeah, yeah,

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Speaker 1: shout out to Supernat, like he's the goat freestyler. I agree,

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Speaker 1: but yeah, I was exposed to a project he had

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Speaker 1: called the Lost Freestyle Files. When I was in like

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Speaker 1: sixth grade. I would walk up to Music Millennium. It

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Speaker 1: was the record store by my house, and one of

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Speaker 1: the dudes who worked there was a hip hop head.

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Speaker 1: So at the end of the hip hop aisle he

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Speaker 1: would put like his top five picks of the week,

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Speaker 1: and one week, one of those top five picks was

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Speaker 1: Supernatural Lost Freestyle Files. And I didn't know who Supernat was,

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Speaker 1: but I was already into freestyling. We would watch like

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Speaker 1: one oh six in Park Battles and stuff like that

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Speaker 1: and just try to try to do our little freestyle.

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Speaker 1: You know. We were super whack, but we were having

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Speaker 1: fun and uh so I saw it in just off

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Speaker 1: the strength of the title. I was like, oh, freestyle files.

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Speaker 1: I like the freestyle, let's check it out. And good

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Speaker 1: thing I did, because that record definitely blew my fucking mind. Man,

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Speaker 1: like that shit, because when I heard Supernat again, it

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Speaker 1: was like the first time I saw Wayne Brady where

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Speaker 1: I was like, it's not possible, Like, how is it

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00:18:19,320 --> 00:18:24,480
Speaker 1: so smooth? It sounds written, but yet he's incorporating these

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Speaker 1: things that are proving you know that it's not written,

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00:18:27,440 --> 00:18:30,560
Speaker 1: and so like, just that alone was enough of a

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Speaker 1: spark for me to want to like do a deep

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Speaker 1: dive and try to figure that out, and from there

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Speaker 1: you you expand the universe. He had a battle with Juice,

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Speaker 1: so I started checking out Juice and then you get

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Speaker 1: on YouTube, and you know, we were into rhyme sayers

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Speaker 1: and atmosphere and them, and I learned about idea, Who's

411
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Speaker 1: another idea, phenomenal freestyler, rest in peace, So yeah, freestyle fellowship.

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Speaker 1: You know, bit by bit, we were just nerdy kids

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Speaker 1: trying to learn about the shit. And but yeah, definitely,

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Speaker 1: Supernat was the first dude in a hip hop context

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Speaker 1: that blew my mind with the freestyle and then you've

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Speaker 1: just been sharpening your sword. Yeah yeah, I'm upset, like

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Speaker 1: I'm it's scary. I'm scary. It is pretty crazy. Man,

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Speaker 1: you're fucking yeah. Man, that's no like, uh, you're one

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Speaker 1: of them ones. Oh thank you, Bro. I appreciate that.

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Speaker 1: I appreciate that. It is just it really it comes

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Speaker 1: down to practice and commitment and putting the time in.

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Speaker 1: You know. I always try to mention that because people

423
00:19:19,240 --> 00:19:22,040
Speaker 1: see what I do and they're like they're baffled by

424
00:19:22,080 --> 00:19:24,600
Speaker 1: it because they've never thought about how that would work right,

425
00:19:24,800 --> 00:19:26,520
Speaker 1: the same way I felt when I heard Supernad and

426
00:19:26,520 --> 00:19:28,960
Speaker 1: they're just like, yo, Like, how's it feel to be

427
00:19:28,960 --> 00:19:31,120
Speaker 1: born with this? Like incredible blessing and shit like that.

428
00:19:31,320 --> 00:19:33,280
Speaker 1: I think I was born with a spark, for sure.

429
00:19:33,320 --> 00:19:35,480
Speaker 1: I think I have a talent for improv and knack

430
00:19:35,560 --> 00:19:38,440
Speaker 1: for it, But for sure, my first freestyles were whack.

431
00:19:38,480 --> 00:19:40,359
Speaker 1: You would never hear my first freestyles and be like,

432
00:19:40,600 --> 00:19:42,199
Speaker 1: he's got it? Would you ever do? What? Have they

433
00:19:42,240 --> 00:19:45,160
Speaker 1: ever hit you? You do wilding out? No, not officially,

434
00:19:45,560 --> 00:19:47,280
Speaker 1: not officially. They got to get you on wilding out

435
00:19:47,320 --> 00:19:49,639
Speaker 1: your body. Everybody on there, I feel like you're just

436
00:19:49,640 --> 00:19:52,479
Speaker 1: too nice for wilding out though, Oh, because you mean,

437
00:19:52,560 --> 00:19:56,480
Speaker 1: like literally, like you're a sweet guy. It's true, man,

438
00:19:56,560 --> 00:19:58,399
Speaker 1: Like I don't battle. People see what I do and

439
00:19:58,440 --> 00:20:00,879
Speaker 1: they're like, you crush the battle scene Like yeah, yeah, man,

440
00:20:00,920 --> 00:20:03,200
Speaker 1: I'm too nice for that shit. Yeah exactly, I don't

441
00:20:03,240 --> 00:20:05,000
Speaker 1: really like this people. You don't want to just black

442
00:20:05,119 --> 00:20:09,480
Speaker 1: China and make her cry, right exactly? Wilding out? Yeah, No,

443
00:20:09,720 --> 00:20:11,200
Speaker 1: I think that would be the next thing for you.

444
00:20:11,200 --> 00:20:13,480
Speaker 1: Got to do that, wi wilding out. I would love to, Seriously,

445
00:20:13,480 --> 00:20:14,960
Speaker 1: I would love you. Yeah, I would love to, and

446
00:20:15,320 --> 00:20:16,920
Speaker 1: I think you would be uh. I mean obviously you

447
00:20:16,960 --> 00:20:18,560
Speaker 1: would kill it. You'd be the best guy on there,

448
00:20:18,600 --> 00:20:21,160
Speaker 1: you know, easily. But look, I appreciate you coming through.

449
00:20:21,440 --> 00:20:23,320
Speaker 1: Uh soon, it's gonna be You got a couple EPs

450
00:20:23,320 --> 00:20:26,600
Speaker 1: out now, Yeah, weekly videos, Your TikTok is going crazy.

451
00:20:26,640 --> 00:20:28,960
Speaker 1: Everything's going crazy. But the big thing right now, Bro,

452
00:20:29,040 --> 00:20:31,880
Speaker 1: I'm going on tour tour this year. Yeah, I'm going

453
00:20:31,880 --> 00:20:35,320
Speaker 1: on tour Energy Exchange twenty twenty two is then your headlining.

454
00:20:35,480 --> 00:20:37,840
Speaker 1: I'm headlining. It is my headlining tour. Wow, So you're

455
00:20:37,840 --> 00:20:40,199
Speaker 1: gonna do crowd work work the crowd. Yeah, it's a

456
00:20:40,240 --> 00:20:42,960
Speaker 1: fully improvised set, even what we'll do if we might.

457
00:20:43,000 --> 00:20:44,720
Speaker 1: I don't want to leave anything. But basically it's a

458
00:20:44,760 --> 00:20:47,600
Speaker 1: fully improvised set and uh, it's gonna be crazy. We

459
00:20:47,680 --> 00:20:49,840
Speaker 1: got to test it out a few times. Uh here

460
00:20:49,880 --> 00:20:53,120
Speaker 1: in LA. We've done some shows here and it goes

461
00:20:53,160 --> 00:20:55,199
Speaker 1: crazy and it's gonna be wild. So check it out.

462
00:20:55,359 --> 00:20:57,960
Speaker 1: We're starting in February and we're going across the US

463
00:20:58,000 --> 00:20:59,879
Speaker 1: all the way through through the top of May. Wow,

464
00:21:00,640 --> 00:21:03,679
Speaker 1: good luck, don't catch that omicron. I know. Hopefully we're pasting.

465
00:21:04,080 --> 00:21:06,080
Speaker 1: Everyone's getting it now, so I hope, I hope we

466
00:21:06,080 --> 00:21:08,000
Speaker 1: don't have a new joint by that time. I'm boom,

467
00:21:08,119 --> 00:21:09,400
Speaker 1: there it is man Harry mag