WEBVTT - The A&G Replay Friday Hour Two

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<v Speaker 1>Broadcasting live from the Abraham Lincoln Radio Studio, the George

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<v Speaker 1>Washington Broadcast Center, Jack Armstrong, Joe, Catty.

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<v Speaker 2>Armstrong, and Jettie and He Armstrong and Gutty Strong and

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<v Speaker 2>it's the Armstrong and Getty Show, featuring our podcast One

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<v Speaker 2>More Thing. Download it, subscribe to it wherever you like

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<v Speaker 2>to get podcasts.

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<v Speaker 3>I went to Godzilla minus one over the weekend. Had

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<v Speaker 3>y'all heard of that, Katie, Joe Michael, anybody have you

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<v Speaker 3>ever even heard of that?

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<v Speaker 2>I never heard of it. I missed that one.

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<v Speaker 3>Yeah, it's not getting the publicity that normally a blockbuster

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<v Speaker 3>movie like a Godzilla or King Kong would get because

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<v Speaker 3>it's not that kind of a movie at all. I

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<v Speaker 3>just heard that there actually is. Our friend Tim Sanderfer,

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<v Speaker 3>who is a man of letters twenty twenty six of

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<v Speaker 3>them had impressive had tweeted out that this is the

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<v Speaker 3>this is finally a great monster movie, Godzilla mines one.

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<v Speaker 3>I thought, oh, okay, cool, And I was still just

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<v Speaker 3>picturing like a regular like we've seen all the god

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<v Speaker 3>Zilla movies, the modern ones, all the King Kong movies.

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<v Speaker 3>We've seen Godzilla versus King Kong. We've seen Megaladon one

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<v Speaker 3>and two, which are the stupidest movies ever made. They're

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<v Speaker 3>they're they're they're basically Sharknato with a giant shark. More

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<v Speaker 3>expensive cast, yeah, more expensive actors, but that's I was

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<v Speaker 3>kind of picturing that, but like maybe better, but no,

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<v Speaker 3>it's not at all. Godzilla Minus one is a Japanese

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<v Speaker 3>movie subtitles black and white, and it's a hardcore art film.

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<v Speaker 3>It's like the sort of thing they would make you

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<v Speaker 3>watch in a college class and then you'd have to

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<v Speaker 3>write a paper about it. It's way closer to that

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<v Speaker 3>than a than a blockbuster movie, and so you don't

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<v Speaker 3>hear as much about it. And uh, it was huge

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<v Speaker 3>in Japan. It's doing pretty well in the United States.

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<v Speaker 3>It has had some Oscar nominations. I don't know how

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<v Speaker 3>to explain Minus one. I guess it's a translation thing.

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<v Speaker 3>It means Japan was so far beaten down at the

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<v Speaker 3>end of World War Two that they were like below

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<v Speaker 3>world something.

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<v Speaker 2>That's what the minus one means.

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<v Speaker 3>And this movie is featured at the very end of

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<v Speaker 3>World War two and the aftermath, when we had just

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<v Speaker 3>reduced it to rubble, even before we dropped to the

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<v Speaker 3>atomic bombs. It was rubble and it's featured in Tokyo mostly,

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<v Speaker 3>and they're just people living like cavemen, the people that

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<v Speaker 3>are still alive, scrounging for food, trying to push some

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<v Speaker 3>boards and rocks together to have something to keep you

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<v Speaker 3>out of the rain. You know, you're by yourself because

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<v Speaker 3>your whole family's dead, and you team up with some

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<v Speaker 3>old lady who the rest of her family's dead and

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<v Speaker 3>you try to make a go of it.

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<v Speaker 2>Is this a comedy.

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<v Speaker 3>It's a comedy sort of in line with like sort

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<v Speaker 3>of The Three Stooges meets Jim Carrey.

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<v Speaker 2>Yeah.

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<v Speaker 3>Yeah, No, it is not a comedy obviously, and starring

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<v Speaker 3>Will Ferrell exactly a lot of Will Ferrell makes a

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<v Speaker 3>comic cameo. Jack Black plays a prominent role.

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<v Speaker 2>Nice.

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<v Speaker 3>Now, it's a very heavy movie and uh long, parts

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<v Speaker 3>of it are silent. There's not a sound, no music,

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<v Speaker 3>nobody talking, no nothing, and it's so quiet in the theater.

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<v Speaker 2>It's just like weird.

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<v Speaker 3>I don't think I've ever been to a movie that

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<v Speaker 3>got silent for that long before.

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<v Speaker 2>Wow. Wow, that's that's interesting.

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<v Speaker 3>And I'm not going to try to describe it because

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<v Speaker 3>I couldn't, but just making the point that by the

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<v Speaker 3>climactic scene, where like with all Godzilla King Kong movies,

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<v Speaker 3>you know it's time to finally, like really confront the

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<v Speaker 3>monster with your best plan to bring him down and

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<v Speaker 3>save humanity. You know that is featured in all of

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<v Speaker 3>those Megalodon or Jaws or whatever. When it gets to

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<v Speaker 3>that final scene, you feel way more like you're watching

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<v Speaker 3>Saving Private Ryan or Band of Brothers or something.

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<v Speaker 2>Then you do a monster movie.

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<v Speaker 3>I mean, like the director managed to make it like

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<v Speaker 3>you don't even think about it being Godzilla in a

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<v Speaker 3>giant radioactive creature that can stomp on people in crushed

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<v Speaker 3>buildings somehow, like that doesn't even matter anymore. It's all

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<v Speaker 3>about humanity in wartime and sticking together and overcoming adversity

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<v Speaker 3>and just you know, it's just it's hard to explain.

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<v Speaker 3>I thought it was phenomenal, and no longer anything seems.

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<v Speaker 3>It doesn't even seem weird that you're like tugging at

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<v Speaker 3>my heartstrings in a Godzilla movie.

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<v Speaker 2>I don't know. Yeah, wow, that's such an interesting like

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<v Speaker 2>union of being invested in characters and how that yeah

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<v Speaker 2>affect that's your willingness to suspend disbelief, right, Yeah, yes,

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<v Speaker 2>that is exactly it. I think that was like the

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<v Speaker 2>Harry Potter formula, although that's obviously fantasy and everybody knows

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<v Speaker 2>it well.

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<v Speaker 3>And if this was as gritty, realistic as any movie

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<v Speaker 3>I've ever seen, and it featured a giant monster that

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<v Speaker 3>can crush buildings under its feet, which doesn't seem like

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<v Speaker 3>it'd be possible in terms of the theater going experience.

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<v Speaker 3>And there's hardly anybody at this Saturday night seven o'clock.

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<v Speaker 3>I think there were a total of ten people in there. Wow,

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<v Speaker 3>because nobody's heard of it, and that's an art film.

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<v Speaker 3>And my youngest kid didn't like it much. He didn't

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<v Speaker 3>like the reading. There's a lot of reading really fast

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<v Speaker 3>and his reading is not quite up to and a

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<v Speaker 3>lot of really hard words, so he just couldn't quite

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<v Speaker 3>keep up with it. But my eighth grader loved it,

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<v Speaker 3>thought it was really really good.

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<v Speaker 2>It was. It was a powerful movie. But the whole

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<v Speaker 2>movie going experience.

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<v Speaker 3>In the modern world, everybody's got such a great TV

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<v Speaker 3>with a cool sound system.

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<v Speaker 2>You got that whole thing.

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<v Speaker 3>Although I've noticed this before, I have walked out of

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<v Speaker 3>many movie theaters in my life like rattled in some way,

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<v Speaker 3>either like you know, down emotionally or inspired emotionally or

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<v Speaker 3>fired up emotionally or something like that. And I don't

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<v Speaker 3>know if that ever happens when I watch on TV.

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<v Speaker 3>I think it probably does.

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<v Speaker 2>I think being at home you get back to your

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<v Speaker 2>set point a lot more quick. I think that's it.

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<v Speaker 4>Well, and you have control to turn it off and

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<v Speaker 4>change it. But I always feel like leaving.

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<v Speaker 3>I always feel like a walk out of movie theaters

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<v Speaker 3>and everybody's quiet because they're just like so affected by

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<v Speaker 3>what you saw in.

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<v Speaker 2>One way or another. And I never feel that way

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<v Speaker 2>at home. H Really, I don't think anyway. Maybe there's

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<v Speaker 2>a I think there's something about and I think I

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<v Speaker 2>was right the first time. When you leave a movie,

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<v Speaker 2>other than like zipping up your jacket, it all you're

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<v Speaker 2>doing is walking to your putting on.

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<v Speaker 3>My shoes, putting on my shoes, because I take off

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<v Speaker 3>my shoes and socks put them.

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<v Speaker 2>On the scene in front of me that guy, No,

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<v Speaker 2>I do not. But that's funny. So even if you're

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<v Speaker 2>checking your phone or whatever, you have three to five

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<v Speaker 2>minutes where you're doing nothing but thinking about what you've

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<v Speaker 2>just said. Maybe that's it. Whereas you know, you turn

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<v Speaker 2>off the TV at home and then you would go

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<v Speaker 2>do something, get the kids to bed or whatever.

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<v Speaker 3>Right, yeah, yeah, but the dude did when your kids

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<v Speaker 3>were younger, did you buy them treats.

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<v Speaker 2>To go to the movie occasionally? See, I grew up.

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<v Speaker 3>In a family where we never did. It wasn't even

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<v Speaker 3>a consideration. It's like, we're we're not getting that stuff

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<v Speaker 3>because it's too expensive. That's fine, ye already eight, I'm

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<v Speaker 3>not thirsty. If I'm thirsty, I'll go get a drink

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<v Speaker 3>of water at the drinking vun.

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<v Speaker 2>I knew a family that would hide the treats and

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<v Speaker 2>moms purse. But yeah, you know, I used to bring

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<v Speaker 2>out we'd we'd smuggle in uh popcorn in our pockets. Sometimes.

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<v Speaker 3>I used to bring beer to the movies all the time.

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<v Speaker 3>You gotta wait for a loud part. You gotta wait

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<v Speaker 3>for god'silla to scream before you open your beer. If

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<v Speaker 3>you open your beer during the silence, is the baby

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<v Speaker 3>gonna die or not seen?

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<v Speaker 4>Your girl has mastered opening a bottle of champagne in

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<v Speaker 4>a movie.

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<v Speaker 2>Nice style points.

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<v Speaker 3>I remember one time when I kicked over my empty

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<v Speaker 3>bottle of beer. And it rolled all the way down

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<v Speaker 3>click click click, oh yeah.

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<v Speaker 4>And then what you do is you start looking around,

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<v Speaker 4>like what is that?

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<v Speaker 2>What You're just gonna use? Who is doing this?

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<v Speaker 3>Somebody brought in some unauthorized food or drink and I'll.

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<v Speaker 2>Take away if somebody would do that, and I'll see it.

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<v Speaker 3>I think we should pause the movie and go through

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<v Speaker 3>everybody's pockets until we can find out who this mistery

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<v Speaker 3>into is. But I think I am gonna tell my kids,

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<v Speaker 3>mostly for the noise reason, partly for the money reason. No,

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<v Speaker 3>we're not doing this next time. Let's eat before we go.

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<v Speaker 3>We can even stop and get a treat, but we're

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<v Speaker 3>not gonna buy stuff at the theater.

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<v Speaker 2>One. I don't want to listen to you eating and drinking.

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<v Speaker 2>Oh right.

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<v Speaker 3>If I took the drink away from one of my kids,

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<v Speaker 3>like done enough, because he kept doing the at the bottom,

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<v Speaker 3>you know, trying to get the last two SIPs through

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<v Speaker 3>the ice thing, like yeah, you quit.

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<v Speaker 2>I took it out of his hand and put it

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<v Speaker 2>in my cuple you.

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<v Speaker 4>Blessed every other person with the same sound issue in

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<v Speaker 4>that in that theater.

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<v Speaker 3>That right, So, but between the noise the cost, we

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<v Speaker 3>spent fifty bucks at the concession stand.

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<v Speaker 2>Jeez, that's nuts. And with the modern inflation. Yeah, two kids.

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<v Speaker 2>I got smolves, but I got in the largest.

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<v Speaker 5>I don't know.

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<v Speaker 2>I had to get a loan.

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<v Speaker 3>I had to apply for a loan, and somebody who

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<v Speaker 3>had had to be there to fill up my paperwork

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<v Speaker 3>and look at my credit score.

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<v Speaker 2>So if this movie is successful, they've got to, you know,

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<v Speaker 2>continue the theme. And I, you know, on the radio show,

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<v Speaker 2>I just throughout the idea King Kong it anteat them then.

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<v Speaker 2>I don't know, maybe sas Squatch and a house fire

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<v Speaker 2>where a family loses their house and he takes them

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<v Speaker 2>in or eats them.

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<v Speaker 3>I don't know Frankenstein's list, if Frankenstein had done Shindler's list.

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<v Speaker 2>There you go. Now you're thinking, yeah, I'd watch it.

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<v Speaker 3>Yeah, I told people, and I got a dad. I said,

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<v Speaker 3>it's way closer to Dos Boot than it is to

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<v Speaker 3>King Kong.

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<v Speaker 2>Right. Count Dracula is a gifted cancer doctor, but he

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<v Speaker 2>has a blood addiction. Right, But he's noble, but he

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<v Speaker 2>just can't. He's a junkie. Yeah, exactly, something like that. Yeah,

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<v Speaker 2>that'd be a hit.

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<v Speaker 3>The Mummy in Philadelphia. So you got the dying Aids

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<v Speaker 3>guy and the mummy. Yeah they're hanging out together.

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<v Speaker 2>Yeah, plot twist solving crimes or something. They're actually lovers.

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<v Speaker 2>Who's solft crimes? My wife and I tried to sneak

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<v Speaker 2>Fahitas into the theater at one time. Was really hot

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<v Speaker 2>and I forgot the hot paths, which really really Yeah,

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<v Speaker 2>it was sizzling and everything. Yeah, they smelled so good though.

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<v Speaker 2>This is the Armstrong and Getty Show, featuring our podcast

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<v Speaker 2>One more Thing, get it wherever you like to get podcasts.

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<v Speaker 3>The tease was too many pansy ass kids. This is

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<v Speaker 3>referring to this particular mom who went on the screed

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<v Speaker 3>in her kitchen with a glass of wine in her hand.

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<v Speaker 5>I got a call from my kid's assistant principal today

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<v Speaker 5>because he and his other friend were playing soccer with

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<v Speaker 5>this other kid at recess. The other kid happened to

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<v Speaker 5>want to be the goalie and apparently he sucked, and

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<v Speaker 5>so he got really upset because the other boys kept

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<v Speaker 5>scoring goals on him.

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<v Speaker 2>And there was no teasing involved. I verified, it.

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<v Speaker 5>Was just he was so upset that the kids kept

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<v Speaker 5>scoring goals that he went to the teacher and cried

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<v Speaker 5>about it, and my kid and the other kid got

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<v Speaker 5>brought to the principal's office. Do not call me because

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<v Speaker 5>some soft ass kids feelings got hurt because some kid

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<v Speaker 5>is better than him at sports. Stop coddling your kids,

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<v Speaker 5>especially your sons, because let me tell you right now,

0:12:04.559 --> 0:12:07.640
<v Speaker 5>what no woman wants someday is to have to coddle

0:12:07.880 --> 0:12:14.000
<v Speaker 5>their husband. Stop raising pansy ass kids. Teach your kids

0:12:14.240 --> 0:12:17.160
<v Speaker 5>how to be confident in themselves and how to emotionally

0:12:17.200 --> 0:12:21.920
<v Speaker 5>freaking figure their out, and stop with the bs.

0:12:22.280 --> 0:12:24.520
<v Speaker 3>We got this text in response to playing that earlier.

0:12:24.520 --> 0:12:26.240
<v Speaker 3>Oh my god, I love that recording you just played.

0:12:26.240 --> 0:12:27.079
<v Speaker 3>This is so true.

0:12:27.200 --> 0:12:30.760
<v Speaker 2>Mike Kids' school has a no running on the playground rule. Wow.

0:12:30.840 --> 0:12:34.640
<v Speaker 2>Always what Mike spy is that I could I could

0:12:34.720 --> 0:12:38.199
<v Speaker 2>throw on the black bandana and slit throats to quote H. L.

0:12:38.320 --> 0:12:41.360
<v Speaker 2>Mencin Over that what. No, I'm just missing something. No,

0:12:41.440 --> 0:12:43.960
<v Speaker 2>you're not too dangerous.

0:12:44.480 --> 0:12:46.240
<v Speaker 3>My kids' school they don't have it all the time,

0:12:46.240 --> 0:12:48.400
<v Speaker 3>but if it has rained anytime in the last week,

0:12:48.559 --> 0:12:50.720
<v Speaker 3>you're not allowed to run because the grass could be

0:12:50.760 --> 0:12:50.959
<v Speaker 3>do it.

0:12:52.800 --> 0:12:55.000
<v Speaker 2>I think I'm a fascist for even talking about this.

0:12:55.040 --> 0:12:57.640
<v Speaker 2>According to something I read, But when we conduct the

0:12:57.679 --> 0:13:02.520
<v Speaker 2>great experiment of conservatives get half the country and progressives

0:13:02.559 --> 0:13:04.360
<v Speaker 2>get the other half, and we see how it goes.

0:13:04.600 --> 0:13:06.920
<v Speaker 2>There's going to be all the run and you I

0:13:06.960 --> 0:13:08.800
<v Speaker 2>almost dropped an F bomb, which I can't I suppose,

0:13:08.800 --> 0:13:11.040
<v Speaker 2>but I'd prefer not too. You can run all the

0:13:11.160 --> 0:13:14.520
<v Speaker 2>f and much you want. In conservative America. Kids go

0:13:14.559 --> 0:13:18.360
<v Speaker 2>out there, play soccer, skin your knees, get sweaty, get

0:13:18.400 --> 0:13:20.640
<v Speaker 2>to blow off steam. Then we'll get back to school

0:13:20.840 --> 0:13:23.720
<v Speaker 2>and learn. Well, we'll compare test scores at the end

0:13:23.760 --> 0:13:24.960
<v Speaker 2>of it. Bitches. Huh.

0:13:25.080 --> 0:13:27.640
<v Speaker 3>We used to love the play soccer on wet fields

0:13:27.679 --> 0:13:29.360
<v Speaker 3>and we would slide in the hit.

0:13:29.440 --> 0:13:31.199
<v Speaker 2>That was part of the fun, oh guy.

0:13:31.880 --> 0:13:34.680
<v Speaker 4>Even after it would rain on the on the cement outside,

0:13:34.720 --> 0:13:37.160
<v Speaker 4>we used to run and pretend we were skateboarding and

0:13:37.160 --> 0:13:38.760
<v Speaker 4>try to see who could slide the farthest.

0:13:38.880 --> 0:13:40.840
<v Speaker 2>Oh, I got my I hurt myself so many times

0:13:40.880 --> 0:13:42.559
<v Speaker 2>doing that. But it was a blood none of that,

0:13:42.840 --> 0:13:46.760
<v Speaker 2>None of that anymore. Good lord. Think of the liability, Katie,

0:13:46.760 --> 0:13:48.360
<v Speaker 2>you maniac god.

0:13:48.400 --> 0:13:50.000
<v Speaker 3>And we played kill the man with the ball and

0:13:50.080 --> 0:13:51.920
<v Speaker 3>the porn rain all the time, and I mean that

0:13:51.960 --> 0:13:52.840
<v Speaker 3>was a violent game.

0:13:56.080 --> 0:13:56.320
<v Speaker 4>You know.

0:13:56.720 --> 0:14:00.360
<v Speaker 2>I realized people are self selecting and to some extent anyway.

0:14:00.360 --> 0:14:05.040
<v Speaker 2>And I'm not exactly a Navy seal nor I please

0:14:05.160 --> 0:14:11.000
<v Speaker 2>what but people are self selecting to some extent anyway.

0:14:12.320 --> 0:14:16.760
<v Speaker 2>But I so want to figure out a way to

0:14:16.880 --> 0:14:20.720
<v Speaker 2>do this because they're like schools, charter schools, like the

0:14:20.760 --> 0:14:23.360
<v Speaker 2>John Adams Academy, and there are other examples that like

0:14:23.680 --> 0:14:25.760
<v Speaker 2>do school the way school ought to be done, and

0:14:25.800 --> 0:14:27.520
<v Speaker 2>you can run all you want at recess and you

0:14:27.640 --> 0:14:29.720
<v Speaker 2>learn and you learn the important stuff and you behave

0:14:29.760 --> 0:14:32.480
<v Speaker 2>in class and the kids come out all smart and educated.

0:14:32.640 --> 0:14:36.440
<v Speaker 2>It works. It works. And the fact that government union

0:14:36.520 --> 0:14:39.280
<v Speaker 2>schools now don't work as a you know, an indictment

0:14:39.320 --> 0:14:42.640
<v Speaker 2>on them. But I would love to start some sort

0:14:42.680 --> 0:14:46.120
<v Speaker 2>of I don't know, colony or outpost. I guess it's

0:14:46.160 --> 0:14:53.400
<v Speaker 2>called idoh Conservatania. And there would be no ugliness, no racism, no,

0:14:53.920 --> 0:14:56.240
<v Speaker 2>you know, it would not be some sort of you know,

0:14:56.480 --> 0:15:00.160
<v Speaker 2>Mika Brazinski's fever dream of what a conservative place would be.

0:15:00.600 --> 0:15:03.160
<v Speaker 2>Everybody would get their constitutional rights, and by God, we

0:15:03.200 --> 0:15:07.000
<v Speaker 2>would enforce that and if you break anybody's rights, we

0:15:07.120 --> 0:15:11.080
<v Speaker 2>break your neck. But anyway, I would so love to

0:15:11.120 --> 0:15:12.280
<v Speaker 2>conduct that experiment.

0:15:12.960 --> 0:15:14.720
<v Speaker 3>Yeah, I would like to see it play out also,

0:15:15.160 --> 0:15:17.440
<v Speaker 3>so she finishes up. My son got sent to the

0:15:17.480 --> 0:15:20.000
<v Speaker 3>office and received a citation for running on the playground.

0:15:20.240 --> 0:15:23.320
<v Speaker 3>So there's that issue that's mostly to do with lawyers

0:15:23.440 --> 0:15:25.960
<v Speaker 3>and the way our court system works and juries. So

0:15:26.120 --> 0:15:28.120
<v Speaker 3>I don't even know what to do about that because

0:15:28.120 --> 0:15:30.200
<v Speaker 3>the school would tell you. Look, I think it's freaking

0:15:30.240 --> 0:15:32.120
<v Speaker 3>stupid too, But we are just told we're going to

0:15:32.240 --> 0:15:35.720
<v Speaker 3>lose our insurance policy if we let kids run on

0:15:35.760 --> 0:15:38.080
<v Speaker 3>the school in school and get anybody gets hurt.

0:15:38.200 --> 0:15:38.880
<v Speaker 2>So what are you going to do?

0:15:39.720 --> 0:15:41.680
<v Speaker 3>So I hate that for that's own thing. Then you

0:15:41.720 --> 0:15:44.360
<v Speaker 3>have this different topic. The school also told the kids

0:15:44.400 --> 0:15:46.560
<v Speaker 3>they are no longer allowed to play kickball because the

0:15:46.600 --> 0:15:49.000
<v Speaker 3>kids spent so much time arguing about the kids cheating.

0:15:49.160 --> 0:15:51.800
<v Speaker 3>Way to teach the kids, not how to work through conflict.

0:15:52.120 --> 0:15:54.960
<v Speaker 3>That's not the lawyers or the insurance company. That's the

0:15:55.960 --> 0:15:58.160
<v Speaker 3>We think conflict is always bad, and so we're going

0:15:58.240 --> 0:16:00.640
<v Speaker 3>to solve the conflict by not letting them play.

0:16:00.760 --> 0:16:03.320
<v Speaker 2>They do this at my kid's school too. Like when

0:16:03.360 --> 0:16:03.720
<v Speaker 2>I was a.

0:16:03.720 --> 0:16:06.400
<v Speaker 3>Kid, a lot of us would bring our own nerve

0:16:06.400 --> 0:16:10.240
<v Speaker 3>football or own glove or ball or bat or whatever.

0:16:10.320 --> 0:16:13.720
<v Speaker 3>You're not allowed to bring any sporting equipment because one

0:16:13.800 --> 0:16:15.880
<v Speaker 3>kids might fight over it, or you might have a

0:16:15.960 --> 0:16:18.240
<v Speaker 3>nicer football than the other kid does and that make

0:16:18.280 --> 0:16:20.840
<v Speaker 3>them feel bad and all that sort of stuff.

0:16:21.360 --> 0:16:23.840
<v Speaker 2>I know, we're doomed, Katie, we're society.

0:16:23.880 --> 0:16:25.920
<v Speaker 3>So they have a limited number they have a limited

0:16:26.000 --> 0:16:29.240
<v Speaker 3>number of balls, and there's like three and whoever gets

0:16:29.280 --> 0:16:31.680
<v Speaker 3>to them first gets to play during recess with him,

0:16:31.680 --> 0:16:32.640
<v Speaker 3>and nobody else gets to.

0:16:33.400 --> 0:16:36.080
<v Speaker 4>Okay, I apologize for taking it back to this place.

0:16:36.080 --> 0:16:38.160
<v Speaker 4>But so all of this is going on, but these

0:16:38.240 --> 0:16:41.640
<v Speaker 4>kids can decide to identify as something else or right all.

0:16:41.600 --> 0:16:43.840
<v Speaker 3>Yeah, yeah, exactly, you can. You can change into a

0:16:43.840 --> 0:16:47.120
<v Speaker 3>different sex, a secret be can't run in the yard.

0:16:47.520 --> 0:16:49.720
<v Speaker 4>Yeah, you can make moves to mess them up hormonally

0:16:49.760 --> 0:16:50.840
<v Speaker 4>for the rest of their lives.

0:16:50.880 --> 0:16:52.520
<v Speaker 2>But don't you run on that wet grass.

0:16:52.800 --> 0:16:54.960
<v Speaker 3>Yeah, it's pretty amazing that those two things are happening

0:16:55.000 --> 0:16:55.920
<v Speaker 3>at the same time.

0:16:56.000 --> 0:16:58.040
<v Speaker 2>You know. Speaking of which, and here's a preview of

0:16:58.080 --> 0:17:00.440
<v Speaker 2>a screed you'll hear on the air in the next

0:17:00.480 --> 0:17:04.800
<v Speaker 2>day or two. There are some fairly high profile lawsuits

0:17:05.320 --> 0:17:08.080
<v Speaker 2>that are going to go the right way against the

0:17:08.720 --> 0:17:12.639
<v Speaker 2>gender bending cruel experiments on kid's crowd They're going to

0:17:12.680 --> 0:17:15.520
<v Speaker 2>bring them to their knees, and we need more and

0:17:15.560 --> 0:17:18.280
<v Speaker 2>more and more of that these and it's it's I

0:17:18.280 --> 0:17:20.600
<v Speaker 2>don't mean to seem like I'm gloating, because it's a tragedy,

0:17:20.640 --> 0:17:24.119
<v Speaker 2>but some of the victims of these ideological lunatics are

0:17:24.160 --> 0:17:26.800
<v Speaker 2>starting to move into adulthood and realize what's been done

0:17:26.840 --> 0:17:29.879
<v Speaker 2>to them and are not happy about it. It can't

0:17:29.920 --> 0:17:30.920
<v Speaker 2>happen fast enough.

0:17:31.840 --> 0:17:36.480
<v Speaker 1>It's Jack, Armstrong and Joe The Armstrong and Getty Show.

0:17:39.680 --> 0:17:42.680
<v Speaker 2>It's The Armstrong and Giddy Show, featuring our podcast One

0:17:42.760 --> 0:17:45.439
<v Speaker 2>More Thing. Download it, subscribe to it wherever you like

0:17:45.480 --> 0:17:47.800
<v Speaker 2>to get podcasts. So I read this article in the

0:17:47.800 --> 0:17:48.520
<v Speaker 2>Wall Street Journal.

0:17:48.720 --> 0:17:51.640
<v Speaker 3>The title was the chess Master trying to propel Google's

0:17:51.680 --> 0:17:53.960
<v Speaker 3>AI push, They hired a new guy.

0:17:55.560 --> 0:17:56.359
<v Speaker 2>The game of chest.

0:17:57.720 --> 0:18:00.359
<v Speaker 3>They hired this genius at Google to try to make

0:18:00.400 --> 0:18:02.600
<v Speaker 3>sure that they win the whole AI race.

0:18:03.000 --> 0:18:06.840
<v Speaker 2>But what's the guy arounds Google? Puchai? How do you

0:18:06.880 --> 0:18:11.120
<v Speaker 2>say his name? Sundar? I hadn't heard this quote.

0:18:11.240 --> 0:18:14.880
<v Speaker 3>He thinks that the development of AI will be more

0:18:14.920 --> 0:18:19.640
<v Speaker 3>profound than the invention of fire or electricity. If he's

0:18:19.760 --> 0:18:23.280
<v Speaker 3>right about that, we better hold on to our seats

0:18:24.040 --> 0:18:29.399
<v Speaker 3>because holy crappings. I mean, and this fits in with

0:18:29.440 --> 0:18:32.480
<v Speaker 3>what I saw at the Sphere, So the Sphere is

0:18:32.520 --> 0:18:35.800
<v Speaker 3>all about super high tech stuff. Henry my Son even

0:18:35.840 --> 0:18:38.320
<v Speaker 3>asked me what's the theme here because there's lots of

0:18:38.359 --> 0:18:41.919
<v Speaker 3>math equations on the wall and lots of planets, and

0:18:41.960 --> 0:18:44.440
<v Speaker 3>I just I don't know if it was just science

0:18:44.560 --> 0:18:47.480
<v Speaker 3>or exploration or I don't know what the theme was

0:18:47.480 --> 0:18:50.600
<v Speaker 3>of the building because originally it was a U two

0:18:50.600 --> 0:18:52.800
<v Speaker 3>show for the first week, So why are all these

0:18:52.840 --> 0:18:54.760
<v Speaker 3>math equations on the to see bono?

0:18:55.320 --> 0:18:57.680
<v Speaker 2>But Nicole accomplishment.

0:18:58.119 --> 0:19:02.159
<v Speaker 3>In the lobby, they had this AI chick. So it

0:19:02.200 --> 0:19:04.560
<v Speaker 3>was a robot. It's like your latest coolest robot that

0:19:04.560 --> 0:19:07.000
<v Speaker 3>i'd seen videos of before and like I said earlier,

0:19:07.119 --> 0:19:08.359
<v Speaker 3>too hot. I don't know why you got to make

0:19:08.359 --> 0:19:10.199
<v Speaker 3>the robots saw it? I mean, why she you know,

0:19:10.400 --> 0:19:13.040
<v Speaker 3>make it look like a normal person. But she's standing

0:19:13.040 --> 0:19:15.840
<v Speaker 3>there and she's talking to the crowd. She's on a

0:19:15.840 --> 0:19:17.800
<v Speaker 3>little stage and she's talking to the crowd, and she

0:19:17.840 --> 0:19:20.520
<v Speaker 3>would ask people questions. Uh, somebody asked me a question,

0:19:21.040 --> 0:19:25.760
<v Speaker 3>and somebody'd say something. She'd say, what's your name? Uh,

0:19:25.800 --> 0:19:27.960
<v Speaker 3>and he would say Billy, Okay, Billy, what would you

0:19:28.000 --> 0:19:31.000
<v Speaker 3>like to ask me like your red shirt, billy, you

0:19:31.040 --> 0:19:34.440
<v Speaker 3>know that sort of thing. Just conversing with this AI computer,

0:19:35.000 --> 0:19:37.080
<v Speaker 3>and it was disturbing. And it was one of those

0:19:37.080 --> 0:19:40.439
<v Speaker 3>that has the ability for the face to move, so

0:19:40.600 --> 0:19:43.159
<v Speaker 3>not just mouth opening and closing in like eyes, but

0:19:43.280 --> 0:19:46.640
<v Speaker 3>like the cheeks and the like expression yeah, expressions, that's

0:19:46.640 --> 0:19:51.480
<v Speaker 3>the word. It had full facial expressions. And I was disturbing,

0:19:51.880 --> 0:19:54.000
<v Speaker 3>and it was hot, and he bought two thousand and

0:19:54.000 --> 0:19:56.680
<v Speaker 3>it was having conversations with these people and no matter

0:19:56.720 --> 0:19:59.119
<v Speaker 3>what you brought up it would they would engage in it,

0:19:59.280 --> 0:20:02.240
<v Speaker 3>or ask about how your day was, or tell you something.

0:20:02.240 --> 0:20:06.000
<v Speaker 3>And I thought, this is clearly going to be in

0:20:06.040 --> 0:20:10.600
<v Speaker 3>a classroom someday. Why would you have individual teachers teaching

0:20:11.840 --> 0:20:14.240
<v Speaker 3>Hamlet every year when you got this robot who knows

0:20:14.280 --> 0:20:17.120
<v Speaker 3>more about Hamlet than any individual human being has ever known,

0:20:17.880 --> 0:20:21.479
<v Speaker 3>can do the same routine every year every semester and

0:20:21.600 --> 0:20:22.440
<v Speaker 3>answer questions.

0:20:22.960 --> 0:20:27.680
<v Speaker 2>And it's hot. That's all I need.

0:20:27.720 --> 0:20:30.359
<v Speaker 3>But I mean in terms of taking over jobs, it

0:20:30.520 --> 0:20:33.800
<v Speaker 3>was disturbing. Henry and I especially couldn't stop watching it.

0:20:33.880 --> 0:20:36.480
<v Speaker 3>We went back to watch more after the Sphere show.

0:20:36.520 --> 0:20:39.280
<v Speaker 3>It's like this is crazy that this is even happening.

0:20:39.800 --> 0:20:43.520
<v Speaker 2>Well, yeah, I could see virtually every university class being

0:20:44.280 --> 0:20:48.640
<v Speaker 2>you got to, whether sexy or not, a robot teaching

0:20:48.680 --> 0:20:52.800
<v Speaker 2>the class, you know, giving the material, answering questions from

0:20:52.840 --> 0:20:56.600
<v Speaker 2>its vast, unending trove of knowledge on the topic. And

0:20:56.640 --> 0:20:59.560
<v Speaker 2>then if you still have a question as a student

0:20:59.640 --> 0:21:02.560
<v Speaker 2>or you need something clarified, you just get on a chat,

0:21:03.400 --> 0:21:05.920
<v Speaker 2>a computer chat like you're trying to figure out why

0:21:06.000 --> 0:21:09.240
<v Speaker 2>you're whatever it doesn't work, And that'll be the university experience.

0:21:09.480 --> 0:21:11.639
<v Speaker 3>Yeah, I don't know what it wouldn't be able to answer,

0:21:11.800 --> 0:21:14.159
<v Speaker 3>especially in the near future. Keeping in mind that whatever

0:21:14.200 --> 0:21:19.200
<v Speaker 3>we saw on Friday, they've probably got better technology already

0:21:19.200 --> 0:21:21.960
<v Speaker 3>today as we record this on Tuesday, and five years

0:21:22.000 --> 0:21:23.720
<v Speaker 3>from now, it'll be that much better than that. So

0:21:23.760 --> 0:21:25.840
<v Speaker 3>why won't that be the person doing the sales presenttion

0:21:26.119 --> 0:21:28.919
<v Speaker 3>presentation over there in the boardroom in front of your salespeople.

0:21:29.040 --> 0:21:31.159
<v Speaker 3>And it can answer the questions of hey, but what

0:21:31.200 --> 0:21:33.239
<v Speaker 3>do I do if you know, if a client says this, well,

0:21:33.280 --> 0:21:36.840
<v Speaker 3>this is what you do, because it knows more than anybody.

0:21:37.240 --> 0:21:41.399
<v Speaker 4>Have you guys heard about the uncanny valley with with

0:21:41.440 --> 0:21:45.159
<v Speaker 4>this AI and the robotics and whatnot. It's it's a

0:21:45.200 --> 0:21:49.440
<v Speaker 4>part of our brain that gets really uncomfortable when you

0:21:49.480 --> 0:21:53.240
<v Speaker 4>start getting into that area where it's kind of a

0:21:53.359 --> 0:21:55.440
<v Speaker 4>human but you know it's not a human.

0:21:55.560 --> 0:21:57.880
<v Speaker 2>Henry was having that problem. What's that called. It's called

0:21:57.880 --> 0:22:01.919
<v Speaker 2>the uncanny Valley. Wow, Henry, is the basis of so

0:22:02.040 --> 0:22:06.720
<v Speaker 2>many horror creatures in horror movies. You make it almost human.

0:22:06.840 --> 0:22:08.120
<v Speaker 2>It's disturbing to us.

0:22:08.240 --> 0:22:10.120
<v Speaker 3>Yeah, Henry was having that and he said, I'm this

0:22:10.160 --> 0:22:11.560
<v Speaker 3>is gonna give me nightmares tonight.

0:22:12.359 --> 0:22:15.400
<v Speaker 4>Yeah, it's a cool genre of horror that's like blowing

0:22:15.520 --> 0:22:18.159
<v Speaker 4>up right now, especially because these robots are popping up

0:22:18.160 --> 0:22:20.360
<v Speaker 4>all over the place and kind of give people the ick.

0:22:20.680 --> 0:22:24.560
<v Speaker 3>The facial expressions on this robot were the most disturbing part.

0:22:24.880 --> 0:22:27.160
<v Speaker 3>Is that it would answer, you know, a kid's question

0:22:27.240 --> 0:22:29.560
<v Speaker 3>or an adult's question or whatever, and just the facial

0:22:29.560 --> 0:22:32.359
<v Speaker 3>expressions like looking interested and then wow, that's interesting and

0:22:32.359 --> 0:22:36.360
<v Speaker 3>puzzled and just and not like cartoonishly interested or puzzled,

0:22:36.400 --> 0:22:37.960
<v Speaker 3>but like an actual human being.

0:22:38.000 --> 0:22:41.199
<v Speaker 2>It was weird. So at the risk of seven, like

0:22:41.200 --> 0:22:44.159
<v Speaker 2>a guy calling some sort of sex line of the past,

0:22:44.760 --> 0:22:46.560
<v Speaker 2>what was the hot bot wearing.

0:22:48.680 --> 0:22:54.480
<v Speaker 3>Like a sex spot like a unitard oh sort of thing.

0:22:54.560 --> 0:22:57.000
<v Speaker 3>So it had bare legs, even though they were gray,

0:22:57.160 --> 0:23:02.720
<v Speaker 3>like the color of carbon fiber. I mean, not like

0:23:03.880 --> 0:23:06.840
<v Speaker 3>carrion gray, but like gray.

0:23:07.240 --> 0:23:09.960
<v Speaker 2>There are many hues of humans around the world, and

0:23:09.960 --> 0:23:13.080
<v Speaker 2>we're all deserving of love, Jack, but gray is generally

0:23:13.119 --> 0:23:14.080
<v Speaker 2>reserved for the dead.

0:23:14.359 --> 0:23:22.000
<v Speaker 3>She was shaved headed, but like really well built, attractive

0:23:22.040 --> 0:23:24.960
<v Speaker 3>woman and very pretty. And uh and obviously if you

0:23:25.000 --> 0:23:27.000
<v Speaker 3>want to go that direction, and it is Las Vegas,

0:23:27.280 --> 0:23:29.880
<v Speaker 3>they will have those with blonde hair or brown hair

0:23:29.920 --> 0:23:32.280
<v Speaker 3>or whatever hair color you prefer, doing whatever you want

0:23:32.320 --> 0:23:33.200
<v Speaker 3>to do over there.

0:23:33.320 --> 0:23:37.119
<v Speaker 2>I'm sure it's at some point they may already. They

0:23:37.200 --> 0:23:41.120
<v Speaker 2>might already. Yeah. Yeah, that's a different level of where

0:23:41.119 --> 0:23:42.760
<v Speaker 2>it's on. It. It's an extra you can tack onto

0:23:42.800 --> 0:23:43.240
<v Speaker 2>your room.

0:23:43.640 --> 0:23:47.880
<v Speaker 3>But having seen that and having Sondra Putai or whatever

0:23:47.880 --> 0:23:50.320
<v Speaker 3>his name is say, this is going to be as

0:23:50.359 --> 0:23:53.560
<v Speaker 3>big as fire or electricity. Even if he's half right

0:23:54.560 --> 0:23:57.920
<v Speaker 3>with what I just saw, we have no we human

0:23:57.960 --> 0:24:00.520
<v Speaker 3>beings aren't ready for what's about to happen.

0:24:01.680 --> 0:24:06.080
<v Speaker 2>True, I believe that to be true. Yeah, there could

0:24:06.160 --> 0:24:11.159
<v Speaker 2>be a sharp turn unlike any other sharp turn. Yeah,

0:24:11.240 --> 0:24:12.000
<v Speaker 2>right ahead of us.

0:24:12.280 --> 0:24:16.159
<v Speaker 3>Yeah, And I'm old enough that I'm gonna catch it,

0:24:16.280 --> 0:24:17.840
<v Speaker 3>you know, at the tail end of my life and

0:24:17.960 --> 0:24:20.800
<v Speaker 3>have to adjust. My kids are going to grow up

0:24:20.800 --> 0:24:23.760
<v Speaker 3>in a world that I can't even imagine. Now they

0:24:23.760 --> 0:24:26.400
<v Speaker 3>can't imagine. I have no no idea what's the best

0:24:26.400 --> 0:24:29.360
<v Speaker 3>way to prepare them for it. Neither does anybody else.

0:24:30.040 --> 0:24:35.239
<v Speaker 2>Meanwhile, he says, brainstorming his screenplay, the Third World is

0:24:35.280 --> 0:24:39.320
<v Speaker 2>going to send wave after wave of millions of armed

0:24:39.400 --> 0:24:42.760
<v Speaker 2>people to come and take it right because they're still

0:24:42.800 --> 0:24:47.040
<v Speaker 2>without as we the developed world will be basking in

0:24:47.080 --> 0:24:52.920
<v Speaker 2>the wealthy glow of the AI affluence that's coming our way.

0:24:53.200 --> 0:24:55.159
<v Speaker 3>I had one more question I had to ask Katie, and

0:24:55.200 --> 0:24:58.800
<v Speaker 3>this is just about the way some people dress in

0:24:58.880 --> 0:25:04.240
<v Speaker 3>Las Vegas. Women who are dressed crazy like I'm a

0:25:04.280 --> 0:25:07.680
<v Speaker 3>stripper outfit in Las Vegas.

0:25:07.760 --> 0:25:10.920
<v Speaker 2>That is what is going on there mostly.

0:25:11.160 --> 0:25:13.960
<v Speaker 4>Unfortunately, that's just like the Vegas club attire.

0:25:14.400 --> 0:25:16.159
<v Speaker 2>So that's just the vibe. If you're going to go

0:25:16.160 --> 0:25:16.679
<v Speaker 2>to a club.

0:25:16.880 --> 0:25:19.720
<v Speaker 4>Yeah, if you have a really short dress that you're

0:25:19.760 --> 0:25:22.359
<v Speaker 4>not too sure where you could ever wear it, you

0:25:22.400 --> 0:25:23.240
<v Speaker 4>take it to Vegas.

0:25:23.440 --> 0:25:24.760
<v Speaker 2>Okay, it's true.

0:25:24.880 --> 0:25:28.119
<v Speaker 3>It doesn't stand out as weird there, whereas it would

0:25:28.720 --> 0:25:34.560
<v Speaker 3>at the company Christmas party or certainly Easter Sunday services, right, but.

0:25:34.600 --> 0:25:38.320
<v Speaker 2>Yeah, they don't put on your whe were for Easter Sunday.

0:25:38.720 --> 0:25:41.080
<v Speaker 3>Kidding, But even if you went to a bar or something, yeah,

0:25:41.240 --> 0:25:44.280
<v Speaker 3>dressed like that, you'd stand out as what But there

0:25:44.280 --> 0:25:46.720
<v Speaker 3>are so many women dressed like that there, Like.

0:25:46.680 --> 0:25:48.200
<v Speaker 2>How do you even walk in those shoes?

0:25:48.400 --> 0:25:51.000
<v Speaker 3>You're if you you know, don't bend down to pick

0:25:51.040 --> 0:25:53.040
<v Speaker 3>up your keys or I'm gonna you know, my kids

0:25:53.080 --> 0:25:54.320
<v Speaker 3>are gonna be exposed to something.

0:25:54.640 --> 0:25:57.600
<v Speaker 2>It's just I just wonder what I just I think

0:25:57.640 --> 0:26:01.440
<v Speaker 2>people enjoy escaping their work day lives and they get

0:26:01.480 --> 0:26:05.200
<v Speaker 2>to be somebody different, cool, cool. Then what happens there

0:26:05.240 --> 0:26:05.879
<v Speaker 2>stays there? Is?

0:26:05.920 --> 0:26:09.719
<v Speaker 3>It famously said it's tough to walk through those casinos

0:26:09.720 --> 0:26:11.080
<v Speaker 3>with a couple with a twelve year old and a

0:26:11.119 --> 0:26:14.480
<v Speaker 3>fourteen year old though that's just the two boys, it's

0:26:14.520 --> 0:26:15.359
<v Speaker 3>like educational.

0:26:15.720 --> 0:26:17.520
<v Speaker 2>If I hadn't walked through there, I was just thinking

0:26:17.560 --> 0:26:17.919
<v Speaker 2>about this.

0:26:18.520 --> 0:26:20.840
<v Speaker 3>If my dad had taken me through there when I

0:26:20.920 --> 0:26:23.320
<v Speaker 3>was a fourteen year old boy, Holy crap, I had

0:26:23.440 --> 0:26:25.720
<v Speaker 3>never stopped thinking about it. I never saw stuff like

0:26:25.760 --> 0:26:26.600
<v Speaker 3>that in real life.

0:26:26.800 --> 0:26:30.000
<v Speaker 2>At age fourteen, I had to run off and hidden

0:26:30.040 --> 0:26:32.960
<v Speaker 2>behind a slot machine and attempt to stay there permanently.

0:26:33.080 --> 0:26:38.240
<v Speaker 2>He'd still be there exactly, go ooching around like Gollum

0:26:38.240 --> 0:26:42.120
<v Speaker 2>in the Shadows. I'm surprised. I'm surprised.

0:26:42.119 --> 0:26:44.280
<v Speaker 3>At some point I didn't say where's Sam, and Henry

0:26:44.320 --> 0:26:47.320
<v Speaker 3>says he's back there, and he just locked up and

0:26:47.440 --> 0:26:50.520
<v Speaker 3>locked up with his eyes wide too much, too.

0:26:50.359 --> 0:26:56.359
<v Speaker 1>Much Jack Armstrong and Joe Armstrong and Getty show.

0:27:00.480 --> 0:27:03.200
<v Speaker 3>Hey, we're Armstrong and Getty. We're featuring our podcast One

0:27:03.240 --> 0:27:06.280
<v Speaker 3>More Thing. Find it wherever you find all your podcasts.

0:27:06.960 --> 0:27:09.800
<v Speaker 2>I'd never run into the concept of a personality higher

0:27:09.920 --> 0:27:14.840
<v Speaker 2>before the Wall Street Journal was writing about this. Have

0:27:15.000 --> 0:27:17.040
<v Speaker 2>you ever heard this term, Katie, just out of curious

0:27:17.119 --> 0:27:20.199
<v Speaker 2>and now as you I have not younger and hipper,

0:27:21.000 --> 0:27:23.240
<v Speaker 2>So as the Journal describes it, if you get further

0:27:23.400 --> 0:27:27.160
<v Speaker 2>on charm than skill, and you carry a workload light

0:27:27.280 --> 0:27:30.040
<v Speaker 2>enough to float atop your bubbly demeanor, then you might

0:27:30.080 --> 0:27:37.720
<v Speaker 2>be a personality higher. And this has actually become a thing. Charismatic, friendly,

0:27:37.920 --> 0:27:41.719
<v Speaker 2>likable employees who might not be that great at their

0:27:41.800 --> 0:27:44.840
<v Speaker 2>job or even work that hard, but employers are so

0:27:45.160 --> 0:27:49.919
<v Speaker 2>desperate for any sort of joy and camaraderie in the workplace.

0:27:50.080 --> 0:27:52.880
<v Speaker 2>They're hiring these people, they call them personality hires.

0:27:52.960 --> 0:28:02.320
<v Speaker 3>Wow, so that's how I got hired exactly miniter personality Michael. So,

0:28:03.400 --> 0:28:05.560
<v Speaker 3>I'm thinking of somebody right now. I won't say their name.

0:28:06.520 --> 0:28:08.879
<v Speaker 3>They're out there in the newsroom. I could see hiring

0:28:08.920 --> 0:28:11.320
<v Speaker 3>them because of their personality, because they just make the

0:28:11.400 --> 0:28:14.800
<v Speaker 3>whole room better. Everybody's happier when they're around. I can

0:28:14.840 --> 0:28:19.040
<v Speaker 3>tell just because of their personality. Well, here are a

0:28:19.080 --> 0:28:19.680
<v Speaker 3>couple of facts.

0:28:19.720 --> 0:28:20.240
<v Speaker 2>In this case.

0:28:20.240 --> 0:28:24.280
<v Speaker 3>They're also competent, but I would I would like I

0:28:24.280 --> 0:28:26.200
<v Speaker 3>would have hired this person if they were not quite

0:28:26.200 --> 0:28:30.359
<v Speaker 3>as competent as person X, just because their personality the

0:28:30.440 --> 0:28:33.200
<v Speaker 3>kind of place that's gonna make the place more lively

0:28:33.240 --> 0:28:33.639
<v Speaker 3>and happy.

0:28:33.680 --> 0:28:36.800
<v Speaker 2>Sure. Yeah, well here they quote. They start off the

0:28:36.880 --> 0:28:39.880
<v Speaker 2>article quoting this one gal who's definitely not a personality higher.

0:28:39.960 --> 0:28:42.560
<v Speaker 2>She's a very matter of fact person, just gets craped done.

0:28:42.720 --> 0:28:46.200
<v Speaker 2>But she said, oh, some people actually proudly advertise themselves

0:28:46.240 --> 0:28:49.960
<v Speaker 2>as personal personality hires on LinkedIn. By the way. Interesting,

0:28:52.000 --> 0:28:54.200
<v Speaker 2>So they quote this gal who's not that and finds

0:28:54.200 --> 0:28:56.840
<v Speaker 2>it very annoying and described.

0:28:56.280 --> 0:28:59.680
<v Speaker 3>Now you you're like me, We kind of we kind

0:28:59.680 --> 0:29:00.960
<v Speaker 3>of bitterly.

0:29:03.080 --> 0:29:05.720
<v Speaker 2>Are resentful against people who are like that because we're not,

0:29:06.640 --> 0:29:08.960
<v Speaker 2>and they're allotizing it. Though that's what I'm like.

0:29:09.200 --> 0:29:11.160
<v Speaker 4>I wouldn't want to advertise, Hey, I'm not very good

0:29:11.160 --> 0:29:13.640
<v Speaker 4>at my job, but I'm funny.

0:29:13.400 --> 0:29:18.640
<v Speaker 2>To leave that first part unsad, but she cites she

0:29:18.760 --> 0:29:21.560
<v Speaker 2>worked with a personal personality hire in a previous job.

0:29:21.600 --> 0:29:24.120
<v Speaker 2>Though fun to be around, the person eventually generated resentment,

0:29:24.120 --> 0:29:26.920
<v Speaker 2>didn't really pull her load, and after winning a promotion,

0:29:27.360 --> 0:29:31.520
<v Speaker 2>prompted several coworkers to quit. There's just too much. Well

0:29:31.560 --> 0:29:32.320
<v Speaker 2>I would, I would.

0:29:32.560 --> 0:29:34.080
<v Speaker 3>I would think if they're not good at their job,

0:29:34.160 --> 0:29:36.760
<v Speaker 3>that's not enough to overcome it. But I'd never thought

0:29:36.760 --> 0:29:39.520
<v Speaker 3>about this before. I could see hiring somebody, you know,

0:29:39.560 --> 0:29:43.400
<v Speaker 3>if you're gonna weigh them on a bunch of different things.

0:29:43.440 --> 0:29:46.880
<v Speaker 3>Man lump in the hole brings the room up as

0:29:46.880 --> 0:29:51.160
<v Speaker 3>opposed to down, so bosses want the warm and fuzzies

0:29:51.240 --> 0:29:53.680
<v Speaker 3>is The mood at work is generally sour. One third

0:29:53.720 --> 0:29:56.440
<v Speaker 3>of US employees say they're engaged in their jobs, only

0:29:56.520 --> 0:29:59.400
<v Speaker 3>a third near an all time low. Half of workers

0:29:59.440 --> 0:30:01.760
<v Speaker 3>say they feel of stress, half are interested in new

0:30:01.840 --> 0:30:05.680
<v Speaker 3>jobs are actively applying with so many lonely, unhappy charges.

0:30:05.760 --> 0:30:09.160
<v Speaker 3>Bosses are desperate for a good workplace energy. They say,

0:30:09.200 --> 0:30:11.760
<v Speaker 3>camaraderie is hard to build on hybrid schedules, so they

0:30:11.840 --> 0:30:16.160
<v Speaker 3>prize upbeat employees whose energy is hopefully infectious. Then they

0:30:16.240 --> 0:30:18.959
<v Speaker 3>quote a bunch of people and recruiters from various industries

0:30:19.000 --> 0:30:22.080
<v Speaker 3>and saying, yeah, we really, we really need more people. Oh,

0:30:22.080 --> 0:30:24.840
<v Speaker 3>it's clearly true. I haven't had a job I don't

0:30:24.920 --> 0:30:26.880
<v Speaker 3>like in a long long time. But when I worked

0:30:27.000 --> 0:30:30.680
<v Speaker 3>jobs that I didn't like, oh, there were certain people

0:30:30.720 --> 0:30:33.240
<v Speaker 3>that made it bearable, and when they weren't there, it

0:30:33.560 --> 0:30:34.400
<v Speaker 3>was awful.

0:30:35.320 --> 0:30:37.560
<v Speaker 2>Right, or if they quit, everybody who's like, I can't

0:30:37.560 --> 0:30:38.760
<v Speaker 2>do this so right?

0:30:39.240 --> 0:30:41.320
<v Speaker 4>I wonder if they're hiring these people to make it

0:30:41.360 --> 0:30:43.600
<v Speaker 4>more appealing to come back into the office too, like

0:30:43.640 --> 0:30:45.960
<v Speaker 4>after COVID, that's.

0:30:45.840 --> 0:30:49.760
<v Speaker 2>Got to be a factor. Sure, yeah, so But anyway,

0:30:50.080 --> 0:30:54.600
<v Speaker 2>there's this comedian gal who has done a couple of

0:30:54.640 --> 0:30:57.440
<v Speaker 2>bits about being a personality higher that I think are

0:30:57.480 --> 0:31:01.000
<v Speaker 2>brilliant and illustrating what it is all about. Her name

0:31:01.080 --> 0:31:05.280
<v Speaker 2>is Vienna Aila, and it's fifteen Michael. What's the project

0:31:05.320 --> 0:31:06.040
<v Speaker 2>about today?

0:31:06.240 --> 0:31:07.440
<v Speaker 6>I have no idea, do you guys?

0:31:07.400 --> 0:31:10.320
<v Speaker 2>Se If we need to get an extension. We can't

0:31:10.360 --> 0:31:13.720
<v Speaker 2>call Greg. He's so scary. Greg's our CEO. I'll call Greg,

0:31:14.840 --> 0:31:17.440
<v Speaker 2>of course, are you sure? Yeah? Yeah, yeah, let's call Greg.

0:31:17.560 --> 0:31:21.600
<v Speaker 2>Greg is so terrifying. Greggy, Hey you, where are you?

0:31:21.960 --> 0:31:24.920
<v Speaker 2>How are your kids? I know that? So I just

0:31:24.920 --> 0:31:26.360
<v Speaker 2>doing school direction Annie.

0:31:28.280 --> 0:31:29.520
<v Speaker 6>She's playing Annie.

0:31:29.920 --> 0:31:32.280
<v Speaker 3>Oh Greg, that's so amazing.

0:31:32.760 --> 0:31:33.720
<v Speaker 6>Hold on, said Greg.

0:31:34.240 --> 0:31:36.760
<v Speaker 2>I asked me presentation. Yeah, Greg, you know I've been.

0:31:36.800 --> 0:31:38.520
<v Speaker 3>In here talking Annie with you all day, But Greg,

0:31:38.640 --> 0:31:39.600
<v Speaker 3>I have to ask you something.

0:31:39.680 --> 0:31:42.200
<v Speaker 1>We're gonna need a couple of days, Greg, take a week.

0:31:43.400 --> 0:31:44.920
<v Speaker 2>Oh yeah, it's such plays.

0:31:44.920 --> 0:31:47.240
<v Speaker 3>Next week. I don't want to come to Annie. Back

0:31:47.240 --> 0:31:48.280
<v Speaker 3>to the important stuff.

0:31:48.800 --> 0:31:49.400
<v Speaker 4>Where are you?

0:31:49.920 --> 0:31:52.600
<v Speaker 2>I'll come me through right now. Let's freaking eat a

0:31:52.640 --> 0:31:54.320
<v Speaker 2>free ocean talk Annie, my guy.

0:31:54.600 --> 0:31:55.320
<v Speaker 3>I'll be right back.

0:31:56.040 --> 0:32:00.280
<v Speaker 2>Thank you, Thank you. Greg, I'm coming to you. And

0:32:00.320 --> 0:32:04.480
<v Speaker 2>then there's another bit where they have the permit revoked

0:32:04.480 --> 0:32:06.800
<v Speaker 2>for an event at the last minute, and they're like,

0:32:06.880 --> 0:32:09.440
<v Speaker 2>oh my god. The only way we could deal with

0:32:09.480 --> 0:32:12.200
<v Speaker 2>this is to have the mayor on our side. She

0:32:12.240 --> 0:32:14.880
<v Speaker 2>says the mayor. The Mayor's in my ass and abs

0:32:14.920 --> 0:32:17.959
<v Speaker 2>class I'll call her right now. She goes, Hello, girl,

0:32:18.440 --> 0:32:21.560
<v Speaker 2>what's going on? Oh my god, you don't need that class.

0:32:21.560 --> 0:32:25.160
<v Speaker 2>Your ass is amazing anyway, and she gets the permit reinstated.

0:32:25.960 --> 0:32:30.120
<v Speaker 6>The ass she's just a schmoozer and a networker and

0:32:30.640 --> 0:32:33.120
<v Speaker 6>that sort of super uppy person doesn't but and it's

0:32:33.120 --> 0:32:36.680
<v Speaker 6>harder to tell without the visuals in that first video,

0:32:36.760 --> 0:32:39.440
<v Speaker 6>but she doesn't know anything about the project.

0:32:40.120 --> 0:32:42.560
<v Speaker 2>Then she gets on the call with Greggy and says,

0:32:42.800 --> 0:32:46.040
<v Speaker 2>what am I asking for again to our coworkers? An extension?

0:32:46.320 --> 0:32:49.440
<v Speaker 2>Oh right, right? May she goes into that. So it's

0:32:49.480 --> 0:32:51.520
<v Speaker 2>a parody obviously, But that's what we're talking about.

0:32:51.680 --> 0:32:54.640
<v Speaker 3>I never I don't think enough attention is paid to

0:32:55.120 --> 0:32:58.520
<v Speaker 3>like chemistry in a group of people for work.

0:32:58.560 --> 0:33:00.800
<v Speaker 2>I don't. I don't think most bosses every think about it.

0:33:01.040 --> 0:33:01.600
<v Speaker 2>They should.

0:33:01.960 --> 0:33:05.040
<v Speaker 3>And now in the modern world of boy that like

0:33:05.080 --> 0:33:08.520
<v Speaker 3>they said the hybrid working in zoom, I'm not sure

0:33:08.520 --> 0:33:11.200
<v Speaker 3>any of that translates to zoom.

0:33:11.560 --> 0:33:13.760
<v Speaker 2>Yeah, yeah, you know. I meant to talk about this

0:33:13.880 --> 0:33:17.080
<v Speaker 2>on the show. Maybe I will. But I was talking

0:33:17.080 --> 0:33:20.160
<v Speaker 2>to my son, who's just about to turn thirty, and

0:33:20.360 --> 0:33:26.800
<v Speaker 2>he was talking about and he's he's been a performer

0:33:26.920 --> 0:33:29.400
<v Speaker 2>of various sorts for a very long time. He's a

0:33:29.520 --> 0:33:32.440
<v Speaker 2>musician and a gifted actor who decided not to act.

0:33:32.480 --> 0:33:37.000
<v Speaker 2>And it's fine, but he said, coming out of COVID,

0:33:37.360 --> 0:33:43.120
<v Speaker 2>the very thought of performing just seemed enormous and terrifying

0:33:43.160 --> 0:33:47.560
<v Speaker 2>and overwhelming. Just so, and it's worth mentioning he lived.

0:33:47.840 --> 0:33:52.160
<v Speaker 2>He lives in Oregon, which is so cultish in it

0:33:52.520 --> 0:33:55.720
<v Speaker 2>or was in its adherence to every COVID policy and

0:33:55.800 --> 0:33:58.360
<v Speaker 2>as a show of hating Trump, they wouldn't let their

0:33:58.440 --> 0:34:01.080
<v Speaker 2>children play with other children for a year and a half.

0:34:01.720 --> 0:34:04.280
<v Speaker 2>And it's just devastating to so many people, who so

0:34:04.280 --> 0:34:10.600
<v Speaker 2>many ages, even people in their twenties. It's horrible anyway,

0:34:10.640 --> 0:34:14.840
<v Speaker 2>speaking of people who have difficulty communicating and communing and

0:34:14.880 --> 0:34:16.520
<v Speaker 2>looking people in the eye and the rest of it.

0:34:16.600 --> 0:34:21.439
<v Speaker 2>Man COVID Deco Declan my son said to me, he said,

0:34:21.600 --> 0:34:24.040
<v Speaker 2>I know a lot of people who are really damaged

0:34:24.080 --> 0:34:26.960
<v Speaker 2>by it and they're not healing very quickly.

0:34:27.520 --> 0:34:30.399
<v Speaker 4>Was it just the act of having to go out

0:34:30.440 --> 0:34:34.000
<v Speaker 4>and perform again or were there people that weren't going

0:34:34.000 --> 0:34:36.480
<v Speaker 4>to the shows? What made it so much more difficult

0:34:36.480 --> 0:34:37.400
<v Speaker 4>post COVID.

0:34:37.600 --> 0:34:39.920
<v Speaker 2>Well, because everything was so locked down. You just you

0:34:40.000 --> 0:34:43.400
<v Speaker 2>had like your roommate and you would interact with maybe

0:34:43.440 --> 0:34:45.600
<v Speaker 2>somebody at work, if you were allowed to work a

0:34:45.640 --> 0:34:48.799
<v Speaker 2>little bit. It was like living in solitary confinement in

0:34:48.800 --> 0:34:51.040
<v Speaker 2>a prison. Obviously not that bad, but.

0:34:51.120 --> 0:34:52.719
<v Speaker 3>I know a couple of people who talk about that

0:34:52.920 --> 0:34:56.799
<v Speaker 3>dark period where they didn't have any communication and they would,

0:34:58.960 --> 0:35:02.960
<v Speaker 3>you know, struggle to have any opportunity just to like

0:35:03.560 --> 0:35:06.799
<v Speaker 3>wave to another car far away, like all right, I

0:35:06.800 --> 0:35:08.279
<v Speaker 3>didn't live that way, so I.

0:35:10.960 --> 0:35:14.480
<v Speaker 2>Guarantee they lived in a blue state. There's a prominent

0:35:14.560 --> 0:35:17.960
<v Speaker 2>musician who thinks a wonderful songwriter, but he tweeted at

0:35:18.000 --> 0:35:20.160
<v Speaker 2>one point that he felt bad for his kids because

0:35:20.520 --> 0:35:23.040
<v Speaker 2>his kids hadn't had a plated or hugged another child

0:35:23.120 --> 0:35:26.439
<v Speaker 2>or whatever. For a year. I wanted to fly to Portlandia,

0:35:26.640 --> 0:35:29.840
<v Speaker 2>where he resides, and punch him in the stomach and

0:35:29.840 --> 0:35:32.799
<v Speaker 2>and just to wake him up and say, what are

0:35:32.840 --> 0:35:37.279
<v Speaker 2>you doing? And all the dad about children and being

0:35:37.400 --> 0:35:40.080
<v Speaker 2>fine was out there, all of it. But you had

0:35:40.200 --> 0:35:44.600
<v Speaker 2>to virtue signal how much you despise Trump by torturing

0:35:44.640 --> 0:35:47.640
<v Speaker 2>yourself and your loved ones, and and declann lived in

0:35:47.640 --> 0:35:52.120
<v Speaker 2>the midst of that. And anyway, sorry to get started

0:35:52.160 --> 0:35:52.760
<v Speaker 2>on that stuff.

0:35:53.040 --> 0:35:54.920
<v Speaker 4>It's a well, no, it's a reality a lot of

0:35:54.920 --> 0:35:58.520
<v Speaker 4>people are dealing with still, and that's why his company

0:35:58.560 --> 0:36:01.759
<v Speaker 4>needs a personality higher just things up.

0:36:01.640 --> 0:36:05.360
<v Speaker 2>A little bit. Full circles Armstrong and Getty