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Speaker 1: Broadcasting live from the Abraham Lincoln Radio Studio, the George

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Speaker 1: Washington Broadcast Center, Jack Armstrong, Joe, Catty.

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Speaker 2: Armstrong, and Jettie and He Armstrong and Gutty Strong and

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Speaker 2: it's the Armstrong and Getty Show, featuring our podcast One

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Speaker 2: More Thing. Download it, subscribe to it wherever you like

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Speaker 2: to get podcasts.

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Speaker 3: I went to Godzilla minus one over the weekend. Had

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Speaker 3: y'all heard of that, Katie, Joe Michael, anybody have you

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Speaker 3: ever even heard of that?

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Speaker 2: I never heard of it. I missed that one.

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Speaker 3: Yeah, it's not getting the publicity that normally a blockbuster

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Speaker 3: movie like a Godzilla or King Kong would get because

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Speaker 3: it's not that kind of a movie at all. I

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Speaker 3: just heard that there actually is. Our friend Tim Sanderfer,

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Speaker 3: who is a man of letters twenty twenty six of

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Speaker 3: them had impressive had tweeted out that this is the

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Speaker 3: this is finally a great monster movie, Godzilla mines one.

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Speaker 3: I thought, oh, okay, cool, And I was still just

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Speaker 3: picturing like a regular like we've seen all the god

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Speaker 3: Zilla movies, the modern ones, all the King Kong movies.

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Speaker 3: We've seen Godzilla versus King Kong. We've seen Megaladon one

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Speaker 3: and two, which are the stupidest movies ever made. They're

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Speaker 3: they're they're they're basically Sharknato with a giant shark. More

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Speaker 3: expensive cast, yeah, more expensive actors, but that's I was

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Speaker 3: kind of picturing that, but like maybe better, but no,

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Speaker 3: it's not at all. Godzilla Minus one is a Japanese

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Speaker 3: movie subtitles black and white, and it's a hardcore art film.

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Speaker 3: It's like the sort of thing they would make you

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Speaker 3: watch in a college class and then you'd have to

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Speaker 3: write a paper about it. It's way closer to that

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Speaker 3: than a than a blockbuster movie, and so you don't

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Speaker 3: hear as much about it. And uh, it was huge

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Speaker 3: in Japan. It's doing pretty well in the United States.

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Speaker 3: It has had some Oscar nominations. I don't know how

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Speaker 3: to explain Minus one. I guess it's a translation thing.

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Speaker 3: It means Japan was so far beaten down at the

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Speaker 3: end of World War Two that they were like below

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Speaker 3: world something.

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Speaker 2: That's what the minus one means.

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Speaker 3: And this movie is featured at the very end of

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Speaker 3: World War two and the aftermath, when we had just

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Speaker 3: reduced it to rubble, even before we dropped to the

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Speaker 3: atomic bombs. It was rubble and it's featured in Tokyo mostly,

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Speaker 3: and they're just people living like cavemen, the people that

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Speaker 3: are still alive, scrounging for food, trying to push some

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Speaker 3: boards and rocks together to have something to keep you

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Speaker 3: out of the rain. You know, you're by yourself because

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Speaker 3: your whole family's dead, and you team up with some

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Speaker 3: old lady who the rest of her family's dead and

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Speaker 3: you try to make a go of it.

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Speaker 2: Is this a comedy.

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Speaker 3: It's a comedy sort of in line with like sort

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Speaker 3: of The Three Stooges meets Jim Carrey.

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Speaker 2: Yeah.

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Speaker 3: Yeah, No, it is not a comedy obviously, and starring

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Speaker 3: Will Ferrell exactly a lot of Will Ferrell makes a

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Speaker 3: comic cameo. Jack Black plays a prominent role.

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Speaker 2: Nice.

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Speaker 3: Now, it's a very heavy movie and uh long, parts

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Speaker 3: of it are silent. There's not a sound, no music,

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Speaker 3: nobody talking, no nothing, and it's so quiet in the theater.

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Speaker 2: It's just like weird.

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Speaker 3: I don't think I've ever been to a movie that

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Speaker 3: got silent for that long before.

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Speaker 2: Wow. Wow, that's that's interesting.

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Speaker 3: And I'm not going to try to describe it because

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Speaker 3: I couldn't, but just making the point that by the

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Speaker 3: climactic scene, where like with all Godzilla King Kong movies,

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Speaker 3: you know it's time to finally, like really confront the

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Speaker 3: monster with your best plan to bring him down and

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Speaker 3: save humanity. You know that is featured in all of

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Speaker 3: those Megalodon or Jaws or whatever. When it gets to

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Speaker 3: that final scene, you feel way more like you're watching

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Speaker 3: Saving Private Ryan or Band of Brothers or something.

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Speaker 2: Then you do a monster movie.

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Speaker 3: I mean, like the director managed to make it like

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Speaker 3: you don't even think about it being Godzilla in a

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Speaker 3: giant radioactive creature that can stomp on people in crushed

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Speaker 3: buildings somehow, like that doesn't even matter anymore. It's all

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Speaker 3: about humanity in wartime and sticking together and overcoming adversity

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Speaker 3: and just you know, it's just it's hard to explain.

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Speaker 3: I thought it was phenomenal, and no longer anything seems.

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Speaker 3: It doesn't even seem weird that you're like tugging at

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Speaker 3: my heartstrings in a Godzilla movie.

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Speaker 2: I don't know. Yeah, wow, that's such an interesting like

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Speaker 2: union of being invested in characters and how that yeah

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Speaker 2: affect that's your willingness to suspend disbelief, right, Yeah, yes,

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Speaker 2: that is exactly it. I think that was like the

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Speaker 2: Harry Potter formula, although that's obviously fantasy and everybody knows

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Speaker 2: it well.

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Speaker 3: And if this was as gritty, realistic as any movie

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Speaker 3: I've ever seen, and it featured a giant monster that

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Speaker 3: can crush buildings under its feet, which doesn't seem like

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Speaker 3: it'd be possible in terms of the theater going experience.

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Speaker 3: And there's hardly anybody at this Saturday night seven o'clock.

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Speaker 3: I think there were a total of ten people in there. Wow,

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Speaker 3: because nobody's heard of it, and that's an art film.

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Speaker 3: And my youngest kid didn't like it much. He didn't

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Speaker 3: like the reading. There's a lot of reading really fast

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Speaker 3: and his reading is not quite up to and a

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Speaker 3: lot of really hard words, so he just couldn't quite

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Speaker 3: keep up with it. But my eighth grader loved it,

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Speaker 3: thought it was really really good.

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Speaker 2: It was. It was a powerful movie. But the whole

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Speaker 2: movie going experience.

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Speaker 3: In the modern world, everybody's got such a great TV

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Speaker 3: with a cool sound system.

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Speaker 2: You got that whole thing.

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Speaker 3: Although I've noticed this before, I have walked out of

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Speaker 3: many movie theaters in my life like rattled in some way,

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Speaker 3: either like you know, down emotionally or inspired emotionally or

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Speaker 3: fired up emotionally or something like that. And I don't

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Speaker 3: know if that ever happens when I watch on TV.

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Speaker 3: I think it probably does.

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Speaker 2: I think being at home you get back to your

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Speaker 2: set point a lot more quick. I think that's it.

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Speaker 4: Well, and you have control to turn it off and

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Speaker 4: change it. But I always feel like leaving.

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Speaker 3: I always feel like a walk out of movie theaters

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Speaker 3: and everybody's quiet because they're just like so affected by

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Speaker 3: what you saw in.

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Speaker 2: One way or another. And I never feel that way

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Speaker 2: at home. H Really, I don't think anyway. Maybe there's

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Speaker 2: a I think there's something about and I think I

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Speaker 2: was right the first time. When you leave a movie,

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Speaker 2: other than like zipping up your jacket, it all you're

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Speaker 2: doing is walking to your putting on.

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Speaker 3: My shoes, putting on my shoes, because I take off

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Speaker 3: my shoes and socks put them.

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Speaker 2: On the scene in front of me that guy, No,

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Speaker 2: I do not. But that's funny. So even if you're

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Speaker 2: checking your phone or whatever, you have three to five

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Speaker 2: minutes where you're doing nothing but thinking about what you've

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Speaker 2: just said. Maybe that's it. Whereas you know, you turn

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Speaker 2: off the TV at home and then you would go

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Speaker 2: do something, get the kids to bed or whatever.

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Speaker 3: Right, yeah, yeah, but the dude did when your kids

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Speaker 3: were younger, did you buy them treats.

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Speaker 2: To go to the movie occasionally? See, I grew up.

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Speaker 3: In a family where we never did. It wasn't even

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Speaker 3: a consideration. It's like, we're we're not getting that stuff

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Speaker 3: because it's too expensive. That's fine, ye already eight, I'm

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Speaker 3: not thirsty. If I'm thirsty, I'll go get a drink

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Speaker 3: of water at the drinking vun.

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Speaker 2: I knew a family that would hide the treats and

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Speaker 2: moms purse. But yeah, you know, I used to bring

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Speaker 2: out we'd we'd smuggle in uh popcorn in our pockets. Sometimes.

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Speaker 3: I used to bring beer to the movies all the time.

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Speaker 3: You gotta wait for a loud part. You gotta wait

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Speaker 3: for god'silla to scream before you open your beer. If

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Speaker 3: you open your beer during the silence, is the baby

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Speaker 3: gonna die or not seen?

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Speaker 4: Your girl has mastered opening a bottle of champagne in

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Speaker 4: a movie.

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Speaker 2: Nice style points.

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Speaker 3: I remember one time when I kicked over my empty

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Speaker 3: bottle of beer. And it rolled all the way down

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Speaker 3: click click click, oh yeah.

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Speaker 4: And then what you do is you start looking around,

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Speaker 4: like what is that?

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Speaker 2: What You're just gonna use? Who is doing this?

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Speaker 3: Somebody brought in some unauthorized food or drink and I'll.

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Speaker 2: Take away if somebody would do that, and I'll see it.

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Speaker 3: I think we should pause the movie and go through

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Speaker 3: everybody's pockets until we can find out who this mistery

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Speaker 3: into is. But I think I am gonna tell my kids,

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Speaker 3: mostly for the noise reason, partly for the money reason. No,

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Speaker 3: we're not doing this next time. Let's eat before we go.

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Speaker 3: We can even stop and get a treat, but we're

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Speaker 3: not gonna buy stuff at the theater.

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Speaker 2: One. I don't want to listen to you eating and drinking.

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Speaker 2: Oh right.

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Speaker 3: If I took the drink away from one of my kids,

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Speaker 3: like done enough, because he kept doing the at the bottom,

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Speaker 3: you know, trying to get the last two SIPs through

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Speaker 3: the ice thing, like yeah, you quit.

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Speaker 2: I took it out of his hand and put it

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Speaker 2: in my cuple you.

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Speaker 4: Blessed every other person with the same sound issue in

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Speaker 4: that in that theater.

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Speaker 3: That right, So, but between the noise the cost, we

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Speaker 3: spent fifty bucks at the concession stand.

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Speaker 2: Jeez, that's nuts. And with the modern inflation. Yeah, two kids.

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Speaker 2: I got smolves, but I got in the largest.

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Speaker 5: I don't know.

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Speaker 2: I had to get a loan.

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Speaker 3: I had to apply for a loan, and somebody who

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Speaker 3: had had to be there to fill up my paperwork

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Speaker 3: and look at my credit score.

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Speaker 2: So if this movie is successful, they've got to, you know,

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Speaker 2: continue the theme. And I, you know, on the radio show,

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Speaker 2: I just throughout the idea King Kong it anteat them then.

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Speaker 2: I don't know, maybe sas Squatch and a house fire

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Speaker 2: where a family loses their house and he takes them

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Speaker 2: in or eats them.

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Speaker 3: I don't know Frankenstein's list, if Frankenstein had done Shindler's list.

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Speaker 2: There you go. Now you're thinking, yeah, I'd watch it.

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Speaker 3: Yeah, I told people, and I got a dad. I said,

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Speaker 3: it's way closer to Dos Boot than it is to

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Speaker 3: King Kong.

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Speaker 2: Right. Count Dracula is a gifted cancer doctor, but he

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Speaker 2: has a blood addiction. Right, But he's noble, but he

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Speaker 2: just can't. He's a junkie. Yeah, exactly, something like that. Yeah,

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Speaker 2: that'd be a hit.

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Speaker 3: The Mummy in Philadelphia. So you got the dying Aids

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Speaker 3: guy and the mummy. Yeah they're hanging out together.

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Speaker 2: Yeah, plot twist solving crimes or something. They're actually lovers.

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Speaker 2: Who's solft crimes? My wife and I tried to sneak

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Speaker 2: Fahitas into the theater at one time. Was really hot

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Speaker 2: and I forgot the hot paths, which really really Yeah,

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Speaker 2: it was sizzling and everything. Yeah, they smelled so good though.

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Speaker 2: This is the Armstrong and Getty Show, featuring our podcast

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Speaker 2: One more Thing, get it wherever you like to get podcasts.

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Speaker 3: The tease was too many pansy ass kids. This is

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Speaker 3: referring to this particular mom who went on the screed

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Speaker 3: in her kitchen with a glass of wine in her hand.

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Speaker 5: I got a call from my kid's assistant principal today

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Speaker 5: because he and his other friend were playing soccer with

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Speaker 5: this other kid at recess. The other kid happened to

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Speaker 5: want to be the goalie and apparently he sucked, and

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Speaker 5: so he got really upset because the other boys kept

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Speaker 5: scoring goals on him.

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Speaker 2: And there was no teasing involved. I verified, it.

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Speaker 5: Was just he was so upset that the kids kept

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Speaker 5: scoring goals that he went to the teacher and cried

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Speaker 5: about it, and my kid and the other kid got

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Speaker 5: brought to the principal's office. Do not call me because

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Speaker 5: some soft ass kids feelings got hurt because some kid

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Speaker 5: is better than him at sports. Stop coddling your kids,

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Speaker 5: especially your sons, because let me tell you right now,

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Speaker 5: what no woman wants someday is to have to coddle

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Speaker 5: their husband. Stop raising pansy ass kids. Teach your kids

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Speaker 5: how to be confident in themselves and how to emotionally

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Speaker 5: freaking figure their out, and stop with the bs.

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Speaker 3: We got this text in response to playing that earlier.

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Speaker 3: Oh my god, I love that recording you just played.

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Speaker 3: This is so true.

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Speaker 2: Mike Kids' school has a no running on the playground rule. Wow.

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Speaker 2: Always what Mike spy is that I could I could

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Speaker 2: throw on the black bandana and slit throats to quote H. L.

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Speaker 2: Mencin Over that what. No, I'm just missing something. No,

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Speaker 2: you're not too dangerous.

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Speaker 3: My kids' school they don't have it all the time,

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Speaker 3: but if it has rained anytime in the last week,

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Speaker 3: you're not allowed to run because the grass could be

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Speaker 3: do it.

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Speaker 2: I think I'm a fascist for even talking about this.

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Speaker 2: According to something I read, But when we conduct the

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Speaker 2: great experiment of conservatives get half the country and progressives

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Speaker 2: get the other half, and we see how it goes.

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Speaker 2: There's going to be all the run and you I

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Speaker 2: almost dropped an F bomb, which I can't I suppose,

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Speaker 2: but I'd prefer not too. You can run all the

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Speaker 2: f and much you want. In conservative America. Kids go

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Speaker 2: out there, play soccer, skin your knees, get sweaty, get

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Speaker 2: to blow off steam. Then we'll get back to school

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Speaker 2: and learn. Well, we'll compare test scores at the end

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Speaker 2: of it. Bitches. Huh.

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Speaker 3: We used to love the play soccer on wet fields

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Speaker 3: and we would slide in the hit.

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Speaker 2: That was part of the fun, oh guy.

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Speaker 4: Even after it would rain on the on the cement outside,

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Speaker 4: we used to run and pretend we were skateboarding and

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Speaker 4: try to see who could slide the farthest.

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Speaker 2: Oh, I got my I hurt myself so many times

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Speaker 2: doing that. But it was a blood none of that,

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Speaker 2: None of that anymore. Good lord. Think of the liability, Katie,

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Speaker 2: you maniac god.

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Speaker 3: And we played kill the man with the ball and

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Speaker 3: the porn rain all the time, and I mean that

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Speaker 3: was a violent game.

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Speaker 4: You know.

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Speaker 2: I realized people are self selecting and to some extent anyway.

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Speaker 2: And I'm not exactly a Navy seal nor I please

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Speaker 2: what but people are self selecting to some extent anyway.

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Speaker 2: But I so want to figure out a way to

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Speaker 2: do this because they're like schools, charter schools, like the

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Speaker 2: John Adams Academy, and there are other examples that like

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Speaker 2: do school the way school ought to be done, and

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Speaker 2: you can run all you want at recess and you

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Speaker 2: learn and you learn the important stuff and you behave

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Speaker 2: in class and the kids come out all smart and educated.

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Speaker 2: It works. It works. And the fact that government union

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Speaker 2: schools now don't work as a you know, an indictment

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Speaker 2: on them. But I would love to start some sort

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Speaker 2: of I don't know, colony or outpost. I guess it's

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Speaker 2: called idoh Conservatania. And there would be no ugliness, no racism, no,

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Speaker 2: you know, it would not be some sort of you know,

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Speaker 2: Mika Brazinski's fever dream of what a conservative place would be.

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Speaker 2: Everybody would get their constitutional rights, and by God, we

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Speaker 2: would enforce that and if you break anybody's rights, we

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Speaker 2: break your neck. But anyway, I would so love to

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Speaker 2: conduct that experiment.

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Speaker 3: Yeah, I would like to see it play out also,

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Speaker 3: so she finishes up. My son got sent to the

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Speaker 3: office and received a citation for running on the playground.

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Speaker 3: So there's that issue that's mostly to do with lawyers

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Speaker 3: and the way our court system works and juries. So

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Speaker 3: I don't even know what to do about that because

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Speaker 3: the school would tell you. Look, I think it's freaking

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Speaker 3: stupid too, But we are just told we're going to

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Speaker 3: lose our insurance policy if we let kids run on

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Speaker 3: the school in school and get anybody gets hurt.

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Speaker 2: So what are you going to do?

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Speaker 3: So I hate that for that's own thing. Then you

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Speaker 3: have this different topic. The school also told the kids

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Speaker 3: they are no longer allowed to play kickball because the

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Speaker 3: kids spent so much time arguing about the kids cheating.

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Speaker 3: Way to teach the kids, not how to work through conflict.

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Speaker 3: That's not the lawyers or the insurance company. That's the

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Speaker 3: We think conflict is always bad, and so we're going

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Speaker 3: to solve the conflict by not letting them play.

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Speaker 2: They do this at my kid's school too. Like when

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Speaker 2: I was a.

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Speaker 3: Kid, a lot of us would bring our own nerve

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Speaker 3: football or own glove or ball or bat or whatever.

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Speaker 3: You're not allowed to bring any sporting equipment because one

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Speaker 3: kids might fight over it, or you might have a

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Speaker 3: nicer football than the other kid does and that make

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Speaker 3: them feel bad and all that sort of stuff.

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Speaker 2: I know, we're doomed, Katie, we're society.

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Speaker 3: So they have a limited number they have a limited

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Speaker 3: number of balls, and there's like three and whoever gets

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Speaker 3: to them first gets to play during recess with him,

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Speaker 3: and nobody else gets to.

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Speaker 4: Okay, I apologize for taking it back to this place.

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Speaker 4: But so all of this is going on, but these

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Speaker 4: kids can decide to identify as something else or right all.

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Speaker 3: Yeah, yeah, exactly, you can. You can change into a

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Speaker 3: different sex, a secret be can't run in the yard.

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Speaker 4: Yeah, you can make moves to mess them up hormonally

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Speaker 4: for the rest of their lives.

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Speaker 2: But don't you run on that wet grass.

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Speaker 3: Yeah, it's pretty amazing that those two things are happening

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Speaker 3: at the same time.

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Speaker 2: You know. Speaking of which, and here's a preview of

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Speaker 2: a screed you'll hear on the air in the next

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Speaker 2: day or two. There are some fairly high profile lawsuits

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Speaker 2: that are going to go the right way against the

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Speaker 2: gender bending cruel experiments on kid's crowd They're going to

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Speaker 2: bring them to their knees, and we need more and

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Speaker 2: more and more of that these and it's it's I

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Speaker 2: don't mean to seem like I'm gloating, because it's a tragedy,

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Speaker 2: but some of the victims of these ideological lunatics are

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Speaker 2: starting to move into adulthood and realize what's been done

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Speaker 2: to them and are not happy about it. It can't

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Speaker 2: happen fast enough.

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Speaker 1: It's Jack, Armstrong and Joe The Armstrong and Getty Show.

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Speaker 2: It's The Armstrong and Giddy Show, featuring our podcast One

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Speaker 2: More Thing. Download it, subscribe to it wherever you like

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Speaker 2: to get podcasts. So I read this article in the

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Speaker 2: Wall Street Journal.

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Speaker 3: The title was the chess Master trying to propel Google's

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Speaker 3: AI push, They hired a new guy.

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Speaker 2: The game of chest.

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Speaker 3: They hired this genius at Google to try to make

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Speaker 3: sure that they win the whole AI race.

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Speaker 2: But what's the guy arounds Google? Puchai? How do you

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Speaker 2: say his name? Sundar? I hadn't heard this quote.

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Speaker 3: He thinks that the development of AI will be more

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Speaker 3: profound than the invention of fire or electricity. If he's

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Speaker 3: right about that, we better hold on to our seats

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Speaker 3: because holy crappings. I mean, and this fits in with

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Speaker 3: what I saw at the Sphere, So the Sphere is

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Speaker 3: all about super high tech stuff. Henry my Son even

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Speaker 3: asked me what's the theme here because there's lots of

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Speaker 3: math equations on the wall and lots of planets, and

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Speaker 3: I just I don't know if it was just science

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Speaker 3: or exploration or I don't know what the theme was

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Speaker 3: of the building because originally it was a U two

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Speaker 3: show for the first week, So why are all these

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Speaker 3: math equations on the to see bono?

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Speaker 2: But Nicole accomplishment.

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Speaker 3: In the lobby, they had this AI chick. So it

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Speaker 3: was a robot. It's like your latest coolest robot that

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Speaker 3: i'd seen videos of before and like I said earlier,

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Speaker 3: too hot. I don't know why you got to make

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Speaker 3: the robots saw it? I mean, why she you know,

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Speaker 3: make it look like a normal person. But she's standing

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Speaker 3: there and she's talking to the crowd. She's on a

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Speaker 3: little stage and she's talking to the crowd, and she

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Speaker 3: would ask people questions. Uh, somebody asked me a question,

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Speaker 3: and somebody'd say something. She'd say, what's your name? Uh,

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Speaker 3: and he would say Billy, Okay, Billy, what would you

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Speaker 3: like to ask me like your red shirt, billy, you

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Speaker 3: know that sort of thing. Just conversing with this AI computer,

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Speaker 3: and it was disturbing. And it was one of those

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Speaker 3: that has the ability for the face to move, so

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Speaker 3: not just mouth opening and closing in like eyes, but

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Speaker 3: like the cheeks and the like expression yeah, expressions, that's

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Speaker 3: the word. It had full facial expressions. And I was disturbing,

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Speaker 3: and it was hot, and he bought two thousand and

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Speaker 3: it was having conversations with these people and no matter

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Speaker 3: what you brought up it would they would engage in it,

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Speaker 3: or ask about how your day was, or tell you something.

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Speaker 3: And I thought, this is clearly going to be in

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Speaker 3: a classroom someday. Why would you have individual teachers teaching

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Speaker 3: Hamlet every year when you got this robot who knows

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Speaker 3: more about Hamlet than any individual human being has ever known,

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Speaker 3: can do the same routine every year every semester and

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Speaker 3: answer questions.

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Speaker 2: And it's hot. That's all I need.

403
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Speaker 3: But I mean in terms of taking over jobs, it

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Speaker 3: was disturbing. Henry and I especially couldn't stop watching it.

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Speaker 3: We went back to watch more after the Sphere show.

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Speaker 3: It's like this is crazy that this is even happening.

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Speaker 2: Well, yeah, I could see virtually every university class being

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Speaker 2: you got to, whether sexy or not, a robot teaching

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Speaker 2: the class, you know, giving the material, answering questions from

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Speaker 2: its vast, unending trove of knowledge on the topic. And

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Speaker 2: then if you still have a question as a student

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Speaker 2: or you need something clarified, you just get on a chat,

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00:21:03,400 --> 00:21:05,920
Speaker 2: a computer chat like you're trying to figure out why

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Speaker 2: you're whatever it doesn't work, And that'll be the university experience.

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Speaker 3: Yeah, I don't know what it wouldn't be able to answer,

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Speaker 3: especially in the near future. Keeping in mind that whatever

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Speaker 3: we saw on Friday, they've probably got better technology already

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Speaker 3: today as we record this on Tuesday, and five years

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Speaker 3: from now, it'll be that much better than that. So

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Speaker 3: why won't that be the person doing the sales presenttion

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Speaker 3: presentation over there in the boardroom in front of your salespeople.

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Speaker 3: And it can answer the questions of hey, but what

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Speaker 3: do I do if you know, if a client says this, well,

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Speaker 3: this is what you do, because it knows more than anybody.

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Speaker 4: Have you guys heard about the uncanny valley with with

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Speaker 4: this AI and the robotics and whatnot. It's it's a

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Speaker 4: part of our brain that gets really uncomfortable when you

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Speaker 4: start getting into that area where it's kind of a

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Speaker 4: human but you know it's not a human.

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Speaker 2: Henry was having that problem. What's that called. It's called

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00:21:57,880 --> 00:22:01,919
Speaker 2: the uncanny Valley. Wow, Henry, is the basis of so

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Speaker 2: many horror creatures in horror movies. You make it almost human.

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Speaker 2: It's disturbing to us.

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Speaker 3: Yeah, Henry was having that and he said, I'm this

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Speaker 3: is gonna give me nightmares tonight.

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Speaker 4: Yeah, it's a cool genre of horror that's like blowing

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00:22:15,520 --> 00:22:18,159
Speaker 4: up right now, especially because these robots are popping up

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00:22:18,160 --> 00:22:20,360
Speaker 4: all over the place and kind of give people the ick.

439
00:22:20,680 --> 00:22:24,560
Speaker 3: The facial expressions on this robot were the most disturbing part.

440
00:22:24,880 --> 00:22:27,160
Speaker 3: Is that it would answer, you know, a kid's question

441
00:22:27,240 --> 00:22:29,560
Speaker 3: or an adult's question or whatever, and just the facial

442
00:22:29,560 --> 00:22:32,359
Speaker 3: expressions like looking interested and then wow, that's interesting and

443
00:22:32,359 --> 00:22:36,360
Speaker 3: puzzled and just and not like cartoonishly interested or puzzled,

444
00:22:36,400 --> 00:22:37,960
Speaker 3: but like an actual human being.

445
00:22:38,000 --> 00:22:41,199
Speaker 2: It was weird. So at the risk of seven, like

446
00:22:41,200 --> 00:22:44,159
Speaker 2: a guy calling some sort of sex line of the past,

447
00:22:44,760 --> 00:22:46,560
Speaker 2: what was the hot bot wearing.

448
00:22:48,680 --> 00:22:54,480
Speaker 3: Like a sex spot like a unitard oh sort of thing.

449
00:22:54,560 --> 00:22:57,000
Speaker 3: So it had bare legs, even though they were gray,

450
00:22:57,160 --> 00:23:02,720
Speaker 3: like the color of carbon fiber. I mean, not like

451
00:23:03,880 --> 00:23:06,840
Speaker 3: carrion gray, but like gray.

452
00:23:07,240 --> 00:23:09,960
Speaker 2: There are many hues of humans around the world, and

453
00:23:09,960 --> 00:23:13,080
Speaker 2: we're all deserving of love, Jack, but gray is generally

454
00:23:13,119 --> 00:23:14,080
Speaker 2: reserved for the dead.

455
00:23:14,359 --> 00:23:22,000
Speaker 3: She was shaved headed, but like really well built, attractive

456
00:23:22,040 --> 00:23:24,960
Speaker 3: woman and very pretty. And uh and obviously if you

457
00:23:25,000 --> 00:23:27,000
Speaker 3: want to go that direction, and it is Las Vegas,

458
00:23:27,280 --> 00:23:29,880
Speaker 3: they will have those with blonde hair or brown hair

459
00:23:29,920 --> 00:23:32,280
Speaker 3: or whatever hair color you prefer, doing whatever you want

460
00:23:32,320 --> 00:23:33,200
Speaker 3: to do over there.

461
00:23:33,320 --> 00:23:37,119
Speaker 2: I'm sure it's at some point they may already. They

462
00:23:37,200 --> 00:23:41,120
Speaker 2: might already. Yeah. Yeah, that's a different level of where

463
00:23:41,119 --> 00:23:42,760
Speaker 2: it's on. It. It's an extra you can tack onto

464
00:23:42,800 --> 00:23:43,240
Speaker 2: your room.

465
00:23:43,640 --> 00:23:47,880
Speaker 3: But having seen that and having Sondra Putai or whatever

466
00:23:47,880 --> 00:23:50,320
Speaker 3: his name is say, this is going to be as

467
00:23:50,359 --> 00:23:53,560
Speaker 3: big as fire or electricity. Even if he's half right

468
00:23:54,560 --> 00:23:57,920
Speaker 3: with what I just saw, we have no we human

469
00:23:57,960 --> 00:24:00,520
Speaker 3: beings aren't ready for what's about to happen.

470
00:24:01,680 --> 00:24:06,080
Speaker 2: True, I believe that to be true. Yeah, there could

471
00:24:06,160 --> 00:24:11,159
Speaker 2: be a sharp turn unlike any other sharp turn. Yeah,

472
00:24:11,240 --> 00:24:12,000
Speaker 2: right ahead of us.

473
00:24:12,280 --> 00:24:16,159
Speaker 3: Yeah, And I'm old enough that I'm gonna catch it,

474
00:24:16,280 --> 00:24:17,840
Speaker 3: you know, at the tail end of my life and

475
00:24:17,960 --> 00:24:20,800
Speaker 3: have to adjust. My kids are going to grow up

476
00:24:20,800 --> 00:24:23,760
Speaker 3: in a world that I can't even imagine. Now they

477
00:24:23,760 --> 00:24:26,400
Speaker 3: can't imagine. I have no no idea what's the best

478
00:24:26,400 --> 00:24:29,360
Speaker 3: way to prepare them for it. Neither does anybody else.

479
00:24:30,040 --> 00:24:35,239
Speaker 2: Meanwhile, he says, brainstorming his screenplay, the Third World is

480
00:24:35,280 --> 00:24:39,320
Speaker 2: going to send wave after wave of millions of armed

481
00:24:39,400 --> 00:24:42,760
Speaker 2: people to come and take it right because they're still

482
00:24:42,800 --> 00:24:47,040
Speaker 2: without as we the developed world will be basking in

483
00:24:47,080 --> 00:24:52,920
Speaker 2: the wealthy glow of the AI affluence that's coming our way.

484
00:24:53,200 --> 00:24:55,159
Speaker 3: I had one more question I had to ask Katie, and

485
00:24:55,200 --> 00:24:58,800
Speaker 3: this is just about the way some people dress in

486
00:24:58,880 --> 00:25:04,240
Speaker 3: Las Vegas. Women who are dressed crazy like I'm a

487
00:25:04,280 --> 00:25:07,680
Speaker 3: stripper outfit in Las Vegas.

488
00:25:07,760 --> 00:25:10,920
Speaker 2: That is what is going on there mostly.

489
00:25:11,160 --> 00:25:13,960
Speaker 4: Unfortunately, that's just like the Vegas club attire.

490
00:25:14,400 --> 00:25:16,159
Speaker 2: So that's just the vibe. If you're going to go

491
00:25:16,160 --> 00:25:16,679
Speaker 2: to a club.

492
00:25:16,880 --> 00:25:19,720
Speaker 4: Yeah, if you have a really short dress that you're

493
00:25:19,760 --> 00:25:22,359
Speaker 4: not too sure where you could ever wear it, you

494
00:25:22,400 --> 00:25:23,240
Speaker 4: take it to Vegas.

495
00:25:23,440 --> 00:25:24,760
Speaker 2: Okay, it's true.

496
00:25:24,880 --> 00:25:28,119
Speaker 3: It doesn't stand out as weird there, whereas it would

497
00:25:28,720 --> 00:25:34,560
Speaker 3: at the company Christmas party or certainly Easter Sunday services, right, but.

498
00:25:34,600 --> 00:25:38,320
Speaker 2: Yeah, they don't put on your whe were for Easter Sunday.

499
00:25:38,720 --> 00:25:41,080
Speaker 3: Kidding, But even if you went to a bar or something, yeah,

500
00:25:41,240 --> 00:25:44,280
Speaker 3: dressed like that, you'd stand out as what But there

501
00:25:44,280 --> 00:25:46,720
Speaker 3: are so many women dressed like that there, Like.

502
00:25:46,680 --> 00:25:48,200
Speaker 2: How do you even walk in those shoes?

503
00:25:48,400 --> 00:25:51,000
Speaker 3: You're if you you know, don't bend down to pick

504
00:25:51,040 --> 00:25:53,040
Speaker 3: up your keys or I'm gonna you know, my kids

505
00:25:53,080 --> 00:25:54,320
Speaker 3: are gonna be exposed to something.

506
00:25:54,640 --> 00:25:57,600
Speaker 2: It's just I just wonder what I just I think

507
00:25:57,640 --> 00:26:01,440
Speaker 2: people enjoy escaping their work day lives and they get

508
00:26:01,480 --> 00:26:05,200
Speaker 2: to be somebody different, cool, cool. Then what happens there

509
00:26:05,240 --> 00:26:05,879
Speaker 2: stays there? Is?

510
00:26:05,920 --> 00:26:09,719
Speaker 3: It famously said it's tough to walk through those casinos

511
00:26:09,720 --> 00:26:11,080
Speaker 3: with a couple with a twelve year old and a

512
00:26:11,119 --> 00:26:14,480
Speaker 3: fourteen year old though that's just the two boys, it's

513
00:26:14,520 --> 00:26:15,359
Speaker 3: like educational.

514
00:26:15,720 --> 00:26:17,520
Speaker 2: If I hadn't walked through there, I was just thinking

515
00:26:17,560 --> 00:26:17,919
Speaker 2: about this.

516
00:26:18,520 --> 00:26:20,840
Speaker 3: If my dad had taken me through there when I

517
00:26:20,920 --> 00:26:23,320
Speaker 3: was a fourteen year old boy, Holy crap, I had

518
00:26:23,440 --> 00:26:25,720
Speaker 3: never stopped thinking about it. I never saw stuff like

519
00:26:25,760 --> 00:26:26,600
Speaker 3: that in real life.

520
00:26:26,800 --> 00:26:30,000
Speaker 2: At age fourteen, I had to run off and hidden

521
00:26:30,040 --> 00:26:32,960
Speaker 2: behind a slot machine and attempt to stay there permanently.

522
00:26:33,080 --> 00:26:38,240
Speaker 2: He'd still be there exactly, go ooching around like Gollum

523
00:26:38,240 --> 00:26:42,120
Speaker 2: in the Shadows. I'm surprised. I'm surprised.

524
00:26:42,119 --> 00:26:44,280
Speaker 3: At some point I didn't say where's Sam, and Henry

525
00:26:44,320 --> 00:26:47,320
Speaker 3: says he's back there, and he just locked up and

526
00:26:47,440 --> 00:26:50,520
Speaker 3: locked up with his eyes wide too much, too.

527
00:26:50,359 --> 00:26:56,359
Speaker 1: Much Jack Armstrong and Joe Armstrong and Getty show.

528
00:27:00,480 --> 00:27:03,200
Speaker 3: Hey, we're Armstrong and Getty. We're featuring our podcast One

529
00:27:03,240 --> 00:27:06,280
Speaker 3: More Thing. Find it wherever you find all your podcasts.

530
00:27:06,960 --> 00:27:09,800
Speaker 2: I'd never run into the concept of a personality higher

531
00:27:09,920 --> 00:27:14,840
Speaker 2: before the Wall Street Journal was writing about this. Have

532
00:27:15,000 --> 00:27:17,040
Speaker 2: you ever heard this term, Katie, just out of curious

533
00:27:17,119 --> 00:27:20,199
Speaker 2: and now as you I have not younger and hipper,

534
00:27:21,000 --> 00:27:23,240
Speaker 2: So as the Journal describes it, if you get further

535
00:27:23,400 --> 00:27:27,160
Speaker 2: on charm than skill, and you carry a workload light

536
00:27:27,280 --> 00:27:30,040
Speaker 2: enough to float atop your bubbly demeanor, then you might

537
00:27:30,080 --> 00:27:37,720
Speaker 2: be a personality higher. And this has actually become a thing. Charismatic, friendly,

538
00:27:37,920 --> 00:27:41,719
Speaker 2: likable employees who might not be that great at their

539
00:27:41,800 --> 00:27:44,840
Speaker 2: job or even work that hard, but employers are so

540
00:27:45,160 --> 00:27:49,919
Speaker 2: desperate for any sort of joy and camaraderie in the workplace.

541
00:27:50,080 --> 00:27:52,880
Speaker 2: They're hiring these people, they call them personality hires.

542
00:27:52,960 --> 00:28:02,320
Speaker 3: Wow, so that's how I got hired exactly miniter personality Michael. So,

543
00:28:03,400 --> 00:28:05,560
Speaker 3: I'm thinking of somebody right now. I won't say their name.

544
00:28:06,520 --> 00:28:08,879
Speaker 3: They're out there in the newsroom. I could see hiring

545
00:28:08,920 --> 00:28:11,320
Speaker 3: them because of their personality, because they just make the

546
00:28:11,400 --> 00:28:14,800
Speaker 3: whole room better. Everybody's happier when they're around. I can

547
00:28:14,840 --> 00:28:19,040
Speaker 3: tell just because of their personality. Well, here are a

548
00:28:19,080 --> 00:28:19,680
Speaker 3: couple of facts.

549
00:28:19,720 --> 00:28:20,240
Speaker 2: In this case.

550
00:28:20,240 --> 00:28:24,280
Speaker 3: They're also competent, but I would I would like I

551
00:28:24,280 --> 00:28:26,200
Speaker 3: would have hired this person if they were not quite

552
00:28:26,200 --> 00:28:30,359
Speaker 3: as competent as person X, just because their personality the

553
00:28:30,440 --> 00:28:33,200
Speaker 3: kind of place that's gonna make the place more lively

554
00:28:33,240 --> 00:28:33,639
Speaker 3: and happy.

555
00:28:33,680 --> 00:28:36,800
Speaker 2: Sure. Yeah, well here they quote. They start off the

556
00:28:36,880 --> 00:28:39,880
Speaker 2: article quoting this one gal who's definitely not a personality higher.

557
00:28:39,960 --> 00:28:42,560
Speaker 2: She's a very matter of fact person, just gets craped done.

558
00:28:42,720 --> 00:28:46,200
Speaker 2: But she said, oh, some people actually proudly advertise themselves

559
00:28:46,240 --> 00:28:49,960
Speaker 2: as personal personality hires on LinkedIn. By the way. Interesting,

560
00:28:52,000 --> 00:28:54,200
Speaker 2: So they quote this gal who's not that and finds

561
00:28:54,200 --> 00:28:56,840
Speaker 2: it very annoying and described.

562
00:28:56,280 --> 00:28:59,680
Speaker 3: Now you you're like me, We kind of we kind

563
00:28:59,680 --> 00:29:00,960
Speaker 3: of bitterly.

564
00:29:03,080 --> 00:29:05,720
Speaker 2: Are resentful against people who are like that because we're not,

565
00:29:06,640 --> 00:29:08,960
Speaker 2: and they're allotizing it. Though that's what I'm like.

566
00:29:09,200 --> 00:29:11,160
Speaker 4: I wouldn't want to advertise, Hey, I'm not very good

567
00:29:11,160 --> 00:29:13,640
Speaker 4: at my job, but I'm funny.

568
00:29:13,400 --> 00:29:18,640
Speaker 2: To leave that first part unsad, but she cites she

569
00:29:18,760 --> 00:29:21,560
Speaker 2: worked with a personal personality hire in a previous job.

570
00:29:21,600 --> 00:29:24,120
Speaker 2: Though fun to be around, the person eventually generated resentment,

571
00:29:24,120 --> 00:29:26,920
Speaker 2: didn't really pull her load, and after winning a promotion,

572
00:29:27,360 --> 00:29:31,520
Speaker 2: prompted several coworkers to quit. There's just too much. Well

573
00:29:31,560 --> 00:29:32,320
Speaker 2: I would, I would.

574
00:29:32,560 --> 00:29:34,080
Speaker 3: I would think if they're not good at their job,

575
00:29:34,160 --> 00:29:36,760
Speaker 3: that's not enough to overcome it. But I'd never thought

576
00:29:36,760 --> 00:29:39,520
Speaker 3: about this before. I could see hiring somebody, you know,

577
00:29:39,560 --> 00:29:43,400
Speaker 3: if you're gonna weigh them on a bunch of different things.

578
00:29:43,440 --> 00:29:46,880
Speaker 3: Man lump in the hole brings the room up as

579
00:29:46,880 --> 00:29:51,160
Speaker 3: opposed to down, so bosses want the warm and fuzzies

580
00:29:51,240 --> 00:29:53,680
Speaker 3: is The mood at work is generally sour. One third

581
00:29:53,720 --> 00:29:56,440
Speaker 3: of US employees say they're engaged in their jobs, only

582
00:29:56,520 --> 00:29:59,400
Speaker 3: a third near an all time low. Half of workers

583
00:29:59,440 --> 00:30:01,760
Speaker 3: say they feel of stress, half are interested in new

584
00:30:01,840 --> 00:30:05,680
Speaker 3: jobs are actively applying with so many lonely, unhappy charges.

585
00:30:05,760 --> 00:30:09,160
Speaker 3: Bosses are desperate for a good workplace energy. They say,

586
00:30:09,200 --> 00:30:11,760
Speaker 3: camaraderie is hard to build on hybrid schedules, so they

587
00:30:11,840 --> 00:30:16,160
Speaker 3: prize upbeat employees whose energy is hopefully infectious. Then they

588
00:30:16,240 --> 00:30:18,959
Speaker 3: quote a bunch of people and recruiters from various industries

589
00:30:19,000 --> 00:30:22,080
Speaker 3: and saying, yeah, we really, we really need more people. Oh,

590
00:30:22,080 --> 00:30:24,840
Speaker 3: it's clearly true. I haven't had a job I don't

591
00:30:24,920 --> 00:30:26,880
Speaker 3: like in a long long time. But when I worked

592
00:30:27,000 --> 00:30:30,680
Speaker 3: jobs that I didn't like, oh, there were certain people

593
00:30:30,720 --> 00:30:33,240
Speaker 3: that made it bearable, and when they weren't there, it

594
00:30:33,560 --> 00:30:34,400
Speaker 3: was awful.

595
00:30:35,320 --> 00:30:37,560
Speaker 2: Right, or if they quit, everybody who's like, I can't

596
00:30:37,560 --> 00:30:38,760
Speaker 2: do this so right?

597
00:30:39,240 --> 00:30:41,320
Speaker 4: I wonder if they're hiring these people to make it

598
00:30:41,360 --> 00:30:43,600
Speaker 4: more appealing to come back into the office too, like

599
00:30:43,640 --> 00:30:45,960
Speaker 4: after COVID, that's.

600
00:30:45,840 --> 00:30:49,760
Speaker 2: Got to be a factor. Sure, yeah, so But anyway,

601
00:30:50,080 --> 00:30:54,600
Speaker 2: there's this comedian gal who has done a couple of

602
00:30:54,640 --> 00:30:57,440
Speaker 2: bits about being a personality higher that I think are

603
00:30:57,480 --> 00:31:01,000
Speaker 2: brilliant and illustrating what it is all about. Her name

604
00:31:01,080 --> 00:31:05,280
Speaker 2: is Vienna Aila, and it's fifteen Michael. What's the project

605
00:31:05,320 --> 00:31:06,040
Speaker 2: about today?

606
00:31:06,240 --> 00:31:07,440
Speaker 6: I have no idea, do you guys?

607
00:31:07,400 --> 00:31:10,320
Speaker 2: Se If we need to get an extension. We can't

608
00:31:10,360 --> 00:31:13,720
Speaker 2: call Greg. He's so scary. Greg's our CEO. I'll call Greg,

609
00:31:14,840 --> 00:31:17,440
Speaker 2: of course, are you sure? Yeah? Yeah, yeah, let's call Greg.

610
00:31:17,560 --> 00:31:21,600
Speaker 2: Greg is so terrifying. Greggy, Hey you, where are you?

611
00:31:21,960 --> 00:31:24,920
Speaker 2: How are your kids? I know that? So I just

612
00:31:24,920 --> 00:31:26,360
Speaker 2: doing school direction Annie.

613
00:31:28,280 --> 00:31:29,520
Speaker 6: She's playing Annie.

614
00:31:29,920 --> 00:31:32,280
Speaker 3: Oh Greg, that's so amazing.

615
00:31:32,760 --> 00:31:33,720
Speaker 6: Hold on, said Greg.

616
00:31:34,240 --> 00:31:36,760
Speaker 2: I asked me presentation. Yeah, Greg, you know I've been.

617
00:31:36,800 --> 00:31:38,520
Speaker 3: In here talking Annie with you all day, But Greg,

618
00:31:38,640 --> 00:31:39,600
Speaker 3: I have to ask you something.

619
00:31:39,680 --> 00:31:42,200
Speaker 1: We're gonna need a couple of days, Greg, take a week.

620
00:31:43,400 --> 00:31:44,920
Speaker 2: Oh yeah, it's such plays.

621
00:31:44,920 --> 00:31:47,240
Speaker 3: Next week. I don't want to come to Annie. Back

622
00:31:47,240 --> 00:31:48,280
Speaker 3: to the important stuff.

623
00:31:48,800 --> 00:31:49,400
Speaker 4: Where are you?

624
00:31:49,920 --> 00:31:52,600
Speaker 2: I'll come me through right now. Let's freaking eat a

625
00:31:52,640 --> 00:31:54,320
Speaker 2: free ocean talk Annie, my guy.

626
00:31:54,600 --> 00:31:55,320
Speaker 3: I'll be right back.

627
00:31:56,040 --> 00:32:00,280
Speaker 2: Thank you, Thank you. Greg, I'm coming to you. And

628
00:32:00,320 --> 00:32:04,480
Speaker 2: then there's another bit where they have the permit revoked

629
00:32:04,480 --> 00:32:06,800
Speaker 2: for an event at the last minute, and they're like,

630
00:32:06,880 --> 00:32:09,440
Speaker 2: oh my god. The only way we could deal with

631
00:32:09,480 --> 00:32:12,200
Speaker 2: this is to have the mayor on our side. She

632
00:32:12,240 --> 00:32:14,880
Speaker 2: says the mayor. The Mayor's in my ass and abs

633
00:32:14,920 --> 00:32:17,959
Speaker 2: class I'll call her right now. She goes, Hello, girl,

634
00:32:18,440 --> 00:32:21,560
Speaker 2: what's going on? Oh my god, you don't need that class.

635
00:32:21,560 --> 00:32:25,160
Speaker 2: Your ass is amazing anyway, and she gets the permit reinstated.

636
00:32:25,960 --> 00:32:30,120
Speaker 6: The ass she's just a schmoozer and a networker and

637
00:32:30,640 --> 00:32:33,120
Speaker 6: that sort of super uppy person doesn't but and it's

638
00:32:33,120 --> 00:32:36,680
Speaker 6: harder to tell without the visuals in that first video,

639
00:32:36,760 --> 00:32:39,440
Speaker 6: but she doesn't know anything about the project.

640
00:32:40,120 --> 00:32:42,560
Speaker 2: Then she gets on the call with Greggy and says,

641
00:32:42,800 --> 00:32:46,040
Speaker 2: what am I asking for again to our coworkers? An extension?

642
00:32:46,320 --> 00:32:49,440
Speaker 2: Oh right, right? May she goes into that. So it's

643
00:32:49,480 --> 00:32:51,520
Speaker 2: a parody obviously, But that's what we're talking about.

644
00:32:51,680 --> 00:32:54,640
Speaker 3: I never I don't think enough attention is paid to

645
00:32:55,120 --> 00:32:58,520
Speaker 3: like chemistry in a group of people for work.

646
00:32:58,560 --> 00:33:00,800
Speaker 2: I don't. I don't think most bosses every think about it.

647
00:33:01,040 --> 00:33:01,600
Speaker 2: They should.

648
00:33:01,960 --> 00:33:05,040
Speaker 3: And now in the modern world of boy that like

649
00:33:05,080 --> 00:33:08,520
Speaker 3: they said the hybrid working in zoom, I'm not sure

650
00:33:08,520 --> 00:33:11,200
Speaker 3: any of that translates to zoom.

651
00:33:11,560 --> 00:33:13,760
Speaker 2: Yeah, yeah, you know. I meant to talk about this

652
00:33:13,880 --> 00:33:17,080
Speaker 2: on the show. Maybe I will. But I was talking

653
00:33:17,080 --> 00:33:20,160
Speaker 2: to my son, who's just about to turn thirty, and

654
00:33:20,360 --> 00:33:26,800
Speaker 2: he was talking about and he's he's been a performer

655
00:33:26,920 --> 00:33:29,400
Speaker 2: of various sorts for a very long time. He's a

656
00:33:29,520 --> 00:33:32,440
Speaker 2: musician and a gifted actor who decided not to act.

657
00:33:32,480 --> 00:33:37,000
Speaker 2: And it's fine, but he said, coming out of COVID,

658
00:33:37,360 --> 00:33:43,120
Speaker 2: the very thought of performing just seemed enormous and terrifying

659
00:33:43,160 --> 00:33:47,560
Speaker 2: and overwhelming. Just so, and it's worth mentioning he lived.

660
00:33:47,840 --> 00:33:52,160
Speaker 2: He lives in Oregon, which is so cultish in it

661
00:33:52,520 --> 00:33:55,720
Speaker 2: or was in its adherence to every COVID policy and

662
00:33:55,800 --> 00:33:58,360
Speaker 2: as a show of hating Trump, they wouldn't let their

663
00:33:58,440 --> 00:34:01,080
Speaker 2: children play with other children for a year and a half.

664
00:34:01,720 --> 00:34:04,280
Speaker 2: And it's just devastating to so many people, who so

665
00:34:04,280 --> 00:34:10,600
Speaker 2: many ages, even people in their twenties. It's horrible anyway,

666
00:34:10,640 --> 00:34:14,840
Speaker 2: speaking of people who have difficulty communicating and communing and

667
00:34:14,880 --> 00:34:16,520
Speaker 2: looking people in the eye and the rest of it.

668
00:34:16,600 --> 00:34:21,439
Speaker 2: Man COVID Deco Declan my son said to me, he said,

669
00:34:21,600 --> 00:34:24,040
Speaker 2: I know a lot of people who are really damaged

670
00:34:24,080 --> 00:34:26,960
Speaker 2: by it and they're not healing very quickly.

671
00:34:27,520 --> 00:34:30,399
Speaker 4: Was it just the act of having to go out

672
00:34:30,440 --> 00:34:34,000
Speaker 4: and perform again or were there people that weren't going

673
00:34:34,000 --> 00:34:36,480
Speaker 4: to the shows? What made it so much more difficult

674
00:34:36,480 --> 00:34:37,400
Speaker 4: post COVID.

675
00:34:37,600 --> 00:34:39,920
Speaker 2: Well, because everything was so locked down. You just you

676
00:34:40,000 --> 00:34:43,400
Speaker 2: had like your roommate and you would interact with maybe

677
00:34:43,440 --> 00:34:45,600
Speaker 2: somebody at work, if you were allowed to work a

678
00:34:45,640 --> 00:34:48,799
Speaker 2: little bit. It was like living in solitary confinement in

679
00:34:48,800 --> 00:34:51,040
Speaker 2: a prison. Obviously not that bad, but.

680
00:34:51,120 --> 00:34:52,719
Speaker 3: I know a couple of people who talk about that

681
00:34:52,920 --> 00:34:56,799
Speaker 3: dark period where they didn't have any communication and they would,

682
00:34:58,960 --> 00:35:02,960
Speaker 3: you know, struggle to have any opportunity just to like

683
00:35:03,560 --> 00:35:06,799
Speaker 3: wave to another car far away, like all right, I

684
00:35:06,800 --> 00:35:08,279
Speaker 3: didn't live that way, so I.

685
00:35:10,960 --> 00:35:14,480
Speaker 2: Guarantee they lived in a blue state. There's a prominent

686
00:35:14,560 --> 00:35:17,960
Speaker 2: musician who thinks a wonderful songwriter, but he tweeted at

687
00:35:18,000 --> 00:35:20,160
Speaker 2: one point that he felt bad for his kids because

688
00:35:20,520 --> 00:35:23,040
Speaker 2: his kids hadn't had a plated or hugged another child

689
00:35:23,120 --> 00:35:26,439
Speaker 2: or whatever. For a year. I wanted to fly to Portlandia,

690
00:35:26,640 --> 00:35:29,840
Speaker 2: where he resides, and punch him in the stomach and

691
00:35:29,840 --> 00:35:32,799
Speaker 2: and just to wake him up and say, what are

692
00:35:32,840 --> 00:35:37,279
Speaker 2: you doing? And all the dad about children and being

693
00:35:37,400 --> 00:35:40,080
Speaker 2: fine was out there, all of it. But you had

694
00:35:40,200 --> 00:35:44,600
Speaker 2: to virtue signal how much you despise Trump by torturing

695
00:35:44,640 --> 00:35:47,640
Speaker 2: yourself and your loved ones, and and declann lived in

696
00:35:47,640 --> 00:35:52,120
Speaker 2: the midst of that. And anyway, sorry to get started

697
00:35:52,160 --> 00:35:52,760
Speaker 2: on that stuff.

698
00:35:53,040 --> 00:35:54,920
Speaker 4: It's a well, no, it's a reality a lot of

699
00:35:54,920 --> 00:35:58,520
Speaker 4: people are dealing with still, and that's why his company

700
00:35:58,560 --> 00:36:01,759
Speaker 4: needs a personality higher just things up.

701
00:36:01,640 --> 00:36:05,360
Speaker 2: A little bit. Full circles Armstrong and Getty