WEBVTT - Please, for the Love of God, Stop Singing: State vs. Linkhaw

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<v Speaker 1>Ridiculous crime is a production of My Heart Radio. Mr

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<v Speaker 1>Zaron Burnett, what's up, Elizabeth Dutton? You know it's ridiculous,

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<v Speaker 1>I do. Actually, For instance, daylight savings time kills people.

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<v Speaker 1>Kills people, Yeah, I mean like NEDDA doesn't like strangle

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<v Speaker 1>them in their sleep. But daylight savings time is responsible

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<v Speaker 1>for a spike in deaths, specifically heart attacks. On the

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<v Speaker 1>Monday after daylight savings time, people who report to hospitals

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<v Speaker 1>with the heart attack goes up by almost really why

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<v Speaker 1>just to change in time and we're very sensitive creatures

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<v Speaker 1>and we don't really recognize that. So people get stressed

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<v Speaker 1>and all of a sudden or they get you know,

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<v Speaker 1>their body is unsorted out if you will, and they

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<v Speaker 1>get a heart attack. Boom, my goodness c D. Yeah.

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<v Speaker 1>Also just the shock away TV. Hey, okay, b r B,

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<v Speaker 1>that's crazy. That is ridiculous. Literally, just one hour of

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<v Speaker 1>time change hoses people to you know, have heart attacks

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<v Speaker 1>will say, okay, that's that's bunkers. Yeah, we are very

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<v Speaker 1>light sensitive. You know what else is ridiculous? No hit

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<v Speaker 1>me with it singing so poorly that you get pinched

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<v Speaker 1>for disturbing the piece. It sounds like something that could

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<v Speaker 1>happen to me. This is a ridiculous crime. A podcast

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<v Speaker 1>about absurd and outrageous capers, heists and cons. It is

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<v Speaker 1>always murder free and ridiculous. Um are you a good singers, Aaron, Yes,

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<v Speaker 1>yes I am. I am a smooth voice baritone. You go,

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<v Speaker 1>you go all in on your singing. I do. I do.

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<v Speaker 1>I like to sing, even though I do abysmally I know,

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<v Speaker 1>but I love that you're just like there for it. No,

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<v Speaker 1>I think that my real Like I say, you say

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<v Speaker 1>that I had a singing style, it's gusto. You're gonna

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<v Speaker 1>love the dude, I'm gonna tell you about that. It

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<v Speaker 1>sounds like one of my people. Oh yeah, completely, I'm

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<v Speaker 1>a terrible singer to how wouldn't say that? I sing

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<v Speaker 1>for comic effects. That's not terrible in my book. But

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<v Speaker 1>like I like to do what I call the junior

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<v Speaker 1>high talent showing. You have you have to quote one

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<v Speaker 1>finger to your ear like you're harmonizing in the studio

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<v Speaker 1>singer totally, and you have to kind of alied over

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<v Speaker 1>all the words because you're not a hundred percent sure

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<v Speaker 1>what the words are. And then and then a whiny tone.

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<v Speaker 1>I'm going to need an example. No, no, that's it

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<v Speaker 1>only works in person, and we are in person. Well,

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<v Speaker 1>there's people listening. There are strangers listening. The other thing

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<v Speaker 1>with junior high talent show singing is that, um, if possible,

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<v Speaker 1>you you put the you put your say, index finger

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<v Speaker 1>into one ear and then with the other hand you

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<v Speaker 1>have to hold a pen is your microphone, and you

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<v Speaker 1>use your pinky and your ring finger you tap it

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<v Speaker 1>to keep time, kind of like Whitney Houston would do.

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<v Speaker 1>You know, there's just a whole there's a whole thing.

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<v Speaker 1>So it's kind of personal. Maybe is just something you do,

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<v Speaker 1>likeror No. I never did a talent show, never once

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<v Speaker 1>competed because you know what, people gotta pay for my talent.

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<v Speaker 1>Oh so if you're good at something, never do it

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<v Speaker 1>for free, right like my celebrity impressions. So anyway back

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<v Speaker 1>to singing, it's super I'm not gonna hit you. It's

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<v Speaker 1>really incredible to be in the presence of someone who

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<v Speaker 1>has good pipes, right. Oh yeah, but you can can

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<v Speaker 1>actually saying if you're like your oldis read his best friend,

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<v Speaker 1>you're still oh completely Do you remember how an American

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<v Speaker 1>idol people got really into the first couple of weeks

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<v Speaker 1>because it was all the really crap singers. Yeah. I

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<v Speaker 1>have a lot of musician friends, and that was their

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<v Speaker 1>absolute favorite thing to do, is to gather together and

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<v Speaker 1>watch those episodes, just dying how bad people could sing.

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<v Speaker 1>And I, you know, as a bad singer, I wouldn't

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<v Speaker 1>defend them, but I wasn't nearly as entertained as they were. Right,

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<v Speaker 1>But I mean, like people who go all in on

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<v Speaker 1>bad singing, ridiculous hero my people. Right, I want to

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<v Speaker 1>tell you a story about bad singing took place in Lumberton,

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<v Speaker 1>North Carolina, in eighteen seventy two. Wow, not expect that

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<v Speaker 1>not contemporary. Have you ever been to Lumberton? No, not

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<v Speaker 1>that I'm aware of. My father could probably possibly correct that,

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<v Speaker 1>but I'm sure he's been there, so he's definitely he

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<v Speaker 1>may have say, he may have taken me through, and

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<v Speaker 1>I just do not know. Probably we did a lot

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<v Speaker 1>of traveling. You may not know. You might not have noticed.

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<v Speaker 1>It's kind of a small town in the grand scheme

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<v Speaker 1>of things. Twenty people say, yeah, and I'm imagine it's

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<v Speaker 1>in like the hill country with the pines, and since

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<v Speaker 1>it's Lumberton, it's well Yeah, it's that kind of liminal

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<v Speaker 1>space between the coast and Carolina and the Piedmont region.

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<v Speaker 1>So there's like piny woods, but there's swamps um and

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<v Speaker 1>it's on the Lumber River lumber because they would transport

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<v Speaker 1>lumber on it. Um. But actually I think that maybe

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<v Speaker 1>they named it there's a there's I'll get into this anyway. Um,

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<v Speaker 1>it's a big town for that area, Like what are

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<v Speaker 1>you talking um? But you know, from most other places

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<v Speaker 1>you think, oh, it's tiny, and what it's it's I

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<v Speaker 1>grew up in a small town of people people we

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<v Speaker 1>would have laughed at, right. So in the late seventeen

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<v Speaker 1>hundred's early eighteen hundreds, it was a big draw for

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<v Speaker 1>a lot of people, both white and free. Families of

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<v Speaker 1>color from Virginia moved to And again it's probably because

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<v Speaker 1>of the Lumber River. Um. The Lumber goes through North Carolina,

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<v Speaker 1>crosses the state line into South Carolina because Lumberton is

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<v Speaker 1>like just above this date line, and then becomes the

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<v Speaker 1>little p D River and that's pe e d E

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<v Speaker 1>not p period deep period and then the little p

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<v Speaker 1>D flows into the regular p D and then goes

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<v Speaker 1>down to Georgetown, South Carolina. So that's that sort of

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<v Speaker 1>waterway up to get supply that Indigo out lumber out

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<v Speaker 1>whatever lumber to build bad stuff. And uh. In Lumberton,

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<v Speaker 1>a high proportion of the population identifies as Lumby Indian.

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<v Speaker 1>And uh, the Lumby Indian that's not really a big

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<v Speaker 1>widely known populations. Who are the Lumbi Indians. Well, you know,

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<v Speaker 1>this thing is that they are a recognized Native American

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<v Speaker 1>tribe by both the state of North Carolina and federally,

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<v Speaker 1>but they don't get federal benefits because there's no known

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<v Speaker 1>treaty between the Lumbi and the U. S government, So

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<v Speaker 1>they never dealt with the US governments. And then now

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<v Speaker 1>over time the US government eventually said, okay, we recognize you,

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<v Speaker 1>but you are a sovereign nation inside of well, they

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<v Speaker 1>never they were never defeated in a war, never removed

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<v Speaker 1>from their land, so there's no treaty established with them. Um.

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<v Speaker 1>But they're a pretty significant portion of the population. Um

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<v Speaker 1>and uh. They also there's some overlay and bleed in

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<v Speaker 1>from like Iroquois in New York came down before settlers arrived. Um.

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<v Speaker 1>And then there's like a back and forth and there's

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<v Speaker 1>sort of a beef between the New York Iroquois and

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<v Speaker 1>the faction in North Carolina. That's interesting the New York Iroquois.

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<v Speaker 1>I wonder if they had some historic like you know,

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<v Speaker 1>family lineage that they remember and the language is the same,

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<v Speaker 1>and so yeah, that's why I would imagine that it

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<v Speaker 1>must be. Yeah, So it's an interesting You've got this

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<v Speaker 1>really fascinating place. During the Civil War, Lumberton had resistance

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<v Speaker 1>fighters working against the Confederacy for the Union, and they

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<v Speaker 1>just wanted to like disrupt Confederate staff. So they're like

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<v Speaker 1>they're attacking supply lines and boats going down the lumber

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<v Speaker 1>but also just like holdings, like they went after the elite.

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<v Speaker 1>And there was this one gang who was already established

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<v Speaker 1>and like stealing livestock and stuff. That was like their

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<v Speaker 1>their gig exactly. And then during the war they went

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<v Speaker 1>political and they really rose up against the white elites

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<v Speaker 1>and it was like poor whites, people of color, free

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<v Speaker 1>or otherwise joined together in this insurgency to take down

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<v Speaker 1>plantations and stuff. It's like Fred Hampton's dreamed of the

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<v Speaker 1>Rainbow Coalition bond. And then they just went like completely

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<v Speaker 1>ham on the power completely completely. So this I'm telling

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<v Speaker 1>you all of this, not just because it's fascinating, but

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<v Speaker 1>to kind of help you understand where we are in Lumberton.

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<v Speaker 1>It's this really interesting place. So while it's small and

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<v Speaker 1>it's pretty rural, I would say very rural, but people

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<v Speaker 1>there don't think of Lumberton itself is rural. And they

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<v Speaker 1>got a real strong spirit of defiance completely completely and

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<v Speaker 1>so um it's a little bit more mysterious and interesting

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<v Speaker 1>because of the swampy nature. So the Warrens spoiler and

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<v Speaker 1>then reconstruction began, and that's where we find ourselves. So

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<v Speaker 1>I want you to imagine it Lumberton, North Carolina, in

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<v Speaker 1>eighteen seventy two. Can you smell the reconstruction. It's a

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<v Speaker 1>quiet Sunday morning. Walking down the street, you pass a

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<v Speaker 1>simple wooden building. It's the Methodist church in town. The

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<v Speaker 1>windows are open, you can hear the words of the pastor.

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<v Speaker 1>And then now, I don't know what you're not. You're

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<v Speaker 1>not in church. I don't want to ask, you know,

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<v Speaker 1>at this time, I don't think that's a very popular

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<v Speaker 1>thing to not be in church on the Sunday morning. However,

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<v Speaker 1>you hear the pastor announced to the congregation to hymn

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<v Speaker 1>they're going to sing. They begin singing. It is absolutely horrible.

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<v Speaker 1>It is unholy, terrifying. I want you to stop. Let's

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<v Speaker 1>listen to some ads. I have to cleanse the palette,

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<v Speaker 1>and then I'm going to tell you exactly what was

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<v Speaker 1>happening inside that little church. Yes, I'm gonna need some explanations.

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<v Speaker 1>Yeah you are. So. When we left off, you were

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<v Speaker 1>walking down the street in eighteen seventy two in Lumberton,

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<v Speaker 1>North Carolina, cutting Church. I'm on my way. It's a Sunday,

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<v Speaker 1>I'm cruising around. People are going, what's he doing out?

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<v Speaker 1>I'm like, what are you doing out? Exactly? Turning around

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<v Speaker 1>on them. You heard Sunday services coming from this Methodist church.

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<v Speaker 1>You stopped to listen. I do want to say, on

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<v Speaker 1>a side note, there's a really good chance, since this

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<v Speaker 1>was a Methodist church in the eighteen hundreds, that there

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<v Speaker 1>was no piano, accompaniment or organ or anything. I've been

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<v Speaker 1>trying to figure out if that's the case. Did they

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<v Speaker 1>have musical instruments? I could. It was hard trying to

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<v Speaker 1>figure out if this was a particular I don't know

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<v Speaker 1>denomination sect of the Methodist Church UM, but a lot

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<v Speaker 1>of them didn't use instruments for once in my life.

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<v Speaker 1>I'm going to try and be historically accurate. Let's let's

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<v Speaker 1>hear it. I don't think I can do it. I'm

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<v Speaker 1>going to go with my default of making things up.

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<v Speaker 1>So let's pretend you're walking down and you hear the

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<v Speaker 1>preacher and then you hear a cassio keyboard with the

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<v Speaker 1>samba beat startup. You're shocked, Like, once you get over

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<v Speaker 1>this anachronistic detail, how is there electricity batteries? Where did

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<v Speaker 1>that keyboard come from? Is it made of wood? What's

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<v Speaker 1>going on here? And why is time traveling? Zarin? Playing it?

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<v Speaker 1>A brother gotta eat? Can you imagine like you walk

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<v Speaker 1>by this church in eighteen seventy two Lumberton, and you

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<v Speaker 1>look in the window and there's you, blue dreadlocked Zaren,

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<v Speaker 1>like just hammering away at a cassio keyboard to the

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<v Speaker 1>and people are terrified. They're just soiling themselves. I can't

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<v Speaker 1>imagine that. I like imagining that, alright, So let's get

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<v Speaker 1>let's work through that deep breath. You hear the singing start,

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<v Speaker 1>so amid the quiet tones of the congregants, rises a

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<v Speaker 1>beast and that man's voice is like no other. It

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<v Speaker 1>is loud, it is out of time, it is out

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<v Speaker 1>of tune. It's me it very well could be. You

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<v Speaker 1>know what you're hearing is the distinctive non dulcet tones

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<v Speaker 1>of William Lincolf, my man, William Lincolf. William Lincolf born

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<v Speaker 1>in Prussia in the early eight hundreds. At some point

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<v Speaker 1>he makes his way to North Carolina. How why who knows?

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<v Speaker 1>I'm thinking a boat. I think he flew on a

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<v Speaker 1>Cassio keyboard. He to Cassio keyboard like a surfboard across

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<v Speaker 1>the Atlantic. But Zuckerberg just above the water, and he

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<v Speaker 1>had like white face paint on like Zucherberg, and he

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<v Speaker 1>was a cyborg. So he gets to North Carolina and

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<v Speaker 1>he takes a young bride works as a tailor. They

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<v Speaker 1>turn out a bunch of kids. That's the customer of

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<v Speaker 1>the day. He was super super religious, deeply powerfully religious.

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<v Speaker 1>And the way that he expressed that devotion was through

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<v Speaker 1>the gift of song. But you said he sings terrible. Yeah, yeah,

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<v Speaker 1>so he doesn't care about the gift he's offering the Lord. Now,

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<v Speaker 1>all you can say is his way of worshiping is

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<v Speaker 1>like vigorous Manus. He sings at an absolute deafening volume,

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<v Speaker 1>kind of like someone I know else, So everyone else is,

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<v Speaker 1>you know, just like normal volume, and he is voice

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<v Speaker 1>imodulation to order, like so loud um full throated, like

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<v Speaker 1>he's just all in on it. He sings all the

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<v Speaker 1>notes in all the keys, so like there's no discernible tune.

0:14:13.640 --> 0:14:16.959
<v Speaker 1>He's just all over the map with this. And this

0:14:17.040 --> 0:14:20.040
<v Speaker 1>is my favorite thing about him. He keeps singing after

0:14:20.120 --> 0:14:22.800
<v Speaker 1>it's so after the song it's over. What does that mean?

0:14:22.840 --> 0:14:27.760
<v Speaker 1>Like he's just making a well, like he's not singing

0:14:27.800 --> 0:14:33.920
<v Speaker 1>along with everyone else like this. It reminds me of um.

0:14:33.960 --> 0:14:39.200
<v Speaker 1>In my my work, people have birthdays, as happens in humanity,

0:14:39.560 --> 0:14:44.000
<v Speaker 1>and then they're like zoom meetings where people then, you know,

0:14:44.080 --> 0:14:46.640
<v Speaker 1>because of the pandemic, people are apart, so they sing

0:14:46.680 --> 0:14:50.720
<v Speaker 1>happy birthday to each other on zoom and no one

0:14:50.880 --> 0:14:53.200
<v Speaker 1>is singing at the same time, and it's like this

0:14:53.280 --> 0:14:58.160
<v Speaker 1>crazy cacophony. Why no singing at the same time delays

0:14:58.920 --> 0:15:02.720
<v Speaker 1>technologically or men tie, I don't know, just like so

0:15:02.760 --> 0:15:04.400
<v Speaker 1>it's all over the place, And that's kind of how

0:15:04.440 --> 0:15:07.280
<v Speaker 1>I think of LINKA. So that people are singing and

0:15:07.320 --> 0:15:09.400
<v Speaker 1>then they get to the end of the song and

0:15:09.480 --> 0:15:12.160
<v Speaker 1>he's still got about four bars left, so he's just

0:15:12.360 --> 0:15:19.960
<v Speaker 1>going bar right no, And like everyone everyone's just sitting

0:15:20.000 --> 0:15:24.040
<v Speaker 1>there silently side eyeing him. So he keeps time for

0:15:24.240 --> 0:15:30.000
<v Speaker 1>no tune. No man, you know, he's just so he's

0:15:30.120 --> 0:15:32.800
<v Speaker 1>in his mind. He's he's serving the Lord. This is

0:15:32.800 --> 0:15:36.160
<v Speaker 1>the best way he knows how. Don't hide your light

0:15:36.240 --> 0:15:39.840
<v Speaker 1>under a bushel. If he thinks he's bringing him closer

0:15:39.840 --> 0:15:41.800
<v Speaker 1>to God, it's the best he can do. Then hey,

0:15:42.800 --> 0:15:46.840
<v Speaker 1>there it is he live laugh, live laugh, lo catterwall

0:15:48.640 --> 0:15:55.800
<v Speaker 1>sing like nobody's listening. Are you okay over there? Yes,

0:15:56.640 --> 0:15:59.240
<v Speaker 1>we had like a total mind meld there we did.

0:16:00.200 --> 0:16:02.880
<v Speaker 1>Um I like live laugh, look Catterwall, that's nice, thank you.

0:16:03.400 --> 0:16:08.840
<v Speaker 1>It's l apostrophe Catterwall, Catterwall. Uh. But he's he thinks

0:16:08.880 --> 0:16:11.480
<v Speaker 1>that like he can do this, and so should you.

0:16:12.080 --> 0:16:16.960
<v Speaker 1>Everybody just sing let it out, don't know rules, just vibes,

0:16:17.520 --> 0:16:21.680
<v Speaker 1>lift up, herents, make a joyful noise. Preacher, those getting

0:16:21.720 --> 0:16:27.120
<v Speaker 1>complaints from who? Everybody? I thought they all say no,

0:16:27.440 --> 0:16:34.440
<v Speaker 1>just him. Everyone else sings like an absolute angel. I'm

0:16:34.480 --> 0:16:37.240
<v Speaker 1>only here in the one dude's voice overtaking all the

0:16:37.240 --> 0:16:39.560
<v Speaker 1>rest of them. I thought they were all singing. He

0:16:39.600 --> 0:16:42.240
<v Speaker 1>was just the worst. I wish example, No, that would

0:16:42.280 --> 0:16:47.640
<v Speaker 1>be amazing. No, it's everyone's singing like peacefully, perfectly, your

0:16:47.680 --> 0:16:52.320
<v Speaker 1>typical church singing. And then he he comes like stomping

0:16:52.360 --> 0:16:56.240
<v Speaker 1>in on his like vocal moon boots on everybody. But

0:16:56.360 --> 0:16:59.160
<v Speaker 1>I was down in the Los Angeles, been visiting my

0:16:59.200 --> 0:17:00.680
<v Speaker 1>mother and went to Hurt Church and there was a

0:17:00.720 --> 0:17:02.920
<v Speaker 1>woman who was two rows behind me who was doing

0:17:02.960 --> 0:17:04.960
<v Speaker 1>pretty much what you're describing. And I got to watch

0:17:05.000 --> 0:17:06.920
<v Speaker 1>people in real time be like looking around on my

0:17:06.960 --> 0:17:11.760
<v Speaker 1>I forgive her what. We're in church. Don't you think

0:17:11.800 --> 0:17:16.240
<v Speaker 1>that like most church congregations or most religious congregations in

0:17:16.240 --> 0:17:20.119
<v Speaker 1>which there is singing to be had, there's there's always

0:17:20.160 --> 0:17:23.360
<v Speaker 1>someone depends. I mean, we're also where I grew up,

0:17:23.640 --> 0:17:25.399
<v Speaker 1>people wouldn't do that just out of like, you know,

0:17:25.440 --> 0:17:28.119
<v Speaker 1>their own self protection. Where she was like, I don't care,

0:17:28.359 --> 0:17:34.520
<v Speaker 1>I'm singing what because me and the Lord are together

0:17:34.680 --> 0:17:37.639
<v Speaker 1>right now? And I was like, oh wow. But I

0:17:37.680 --> 0:17:40.200
<v Speaker 1>was into it because she was feeling it. Everyone else

0:17:40.320 --> 0:17:42.920
<v Speaker 1>was like shooting like cold eye stairs and I'm like, judge,

0:17:42.960 --> 0:17:46.760
<v Speaker 1>not a church, yeah, Judge, not anyway exactly. Well. I

0:17:47.119 --> 0:17:50.000
<v Speaker 1>can remember growing up there were kids who would sort

0:17:50.040 --> 0:17:53.000
<v Speaker 1>of just kind of drift in and out of it.

0:17:53.080 --> 0:17:56.520
<v Speaker 1>Little kids who didn't weren't worried about peer pressure or anything.

0:17:57.119 --> 0:17:59.560
<v Speaker 1>You know, you're three and four year old. I love

0:17:59.640 --> 0:18:03.080
<v Speaker 1>that totally, Like anyone acting up somewhere like where it's

0:18:03.119 --> 0:18:06.159
<v Speaker 1>not hurting anybody anyway. Anyone is fully engaged. Yeah, I

0:18:06.200 --> 0:18:09.720
<v Speaker 1>love full engagement. So the preachers getting complaints, there's a

0:18:09.760 --> 0:18:15.240
<v Speaker 1>significant portion of the congregation that finds it absolutely hilarious,

0:18:15.240 --> 0:18:17.119
<v Speaker 1>like they're just cracking up. I would be one of

0:18:17.160 --> 0:18:19.359
<v Speaker 1>those people, and I would be encouraging him. No, go on,

0:18:19.760 --> 0:18:22.119
<v Speaker 1>hey can we get William like a solo on this

0:18:22.280 --> 0:18:27.679
<v Speaker 1>next one? Because my spirit I think of when I

0:18:27.720 --> 0:18:30.160
<v Speaker 1>think of what his singing is like, I think of

0:18:30.200 --> 0:18:33.639
<v Speaker 1>that recording of Enrique Iglesias singing at a concert and

0:18:33.680 --> 0:18:36.159
<v Speaker 1>then Mike picked up his actual singing and not the

0:18:36.280 --> 0:18:40.359
<v Speaker 1>prerecorded track that the audience was getting. I don't remember this,

0:18:40.640 --> 0:18:47.080
<v Speaker 1>Oh okay, search on YouTube Enrique Iglesias live Fail Rhythm Divine,

0:18:47.960 --> 0:18:50.879
<v Speaker 1>and I promise you you will never hear That's well,

0:18:50.920 --> 0:18:52.480
<v Speaker 1>first of all, we don't hear that song as much

0:18:52.520 --> 0:18:55.640
<v Speaker 1>as we used to have to. But if you it's

0:18:55.720 --> 0:18:58.639
<v Speaker 1>the best thing. And that's how I imagine link also

0:18:58.880 --> 0:19:02.639
<v Speaker 1>check it out. That's my modern day linkol and my

0:19:02.640 --> 0:19:07.120
<v Speaker 1>my idea. Anyway, so some people find it hilarious, there's

0:19:07.840 --> 0:19:11.119
<v Speaker 1>a whole other group that finds it so appalling that

0:19:11.200 --> 0:19:15.719
<v Speaker 1>they have to take action. The They convinced the preacher

0:19:15.760 --> 0:19:18.919
<v Speaker 1>to stop singing in the services altogether. The preacher so

0:19:19.000 --> 0:19:21.159
<v Speaker 1>that way lincol can't. Yeah, they're like, guess what if

0:19:21.200 --> 0:19:25.160
<v Speaker 1>you don't nobody's singing now? He just he just reads

0:19:25.280 --> 0:19:29.400
<v Speaker 1>the words to the hymn. He's basically reading a psalm,

0:19:29.520 --> 0:19:33.480
<v Speaker 1>and they're They're like, don't nobody sing this. I'm just

0:19:33.480 --> 0:19:38.280
<v Speaker 1>going to read it, no joyful noise like Rex Harrison,

0:19:38.359 --> 0:19:42.919
<v Speaker 1>my fair Lady talks singing, no none, none. And so

0:19:42.960 --> 0:19:45.600
<v Speaker 1>the congregation, though, they don't like that, because of course

0:19:45.640 --> 0:19:47.720
<v Speaker 1>they want to lift up their hearts right there's they've

0:19:47.760 --> 0:19:51.040
<v Speaker 1>got the spirit, they need the tunes. Um. So the

0:19:51.080 --> 0:19:54.240
<v Speaker 1>singing starts up again, and Lincoln was like, yeah, I'm

0:19:54.320 --> 0:19:58.399
<v Speaker 1>going to aurally assault my fellow man, just ram it

0:19:58.440 --> 0:20:03.520
<v Speaker 1>into him. Um. After one really solemn and moving sermon,

0:20:04.480 --> 0:20:07.040
<v Speaker 1>a leading member of the church gets up walks over

0:20:07.080 --> 0:20:09.720
<v Speaker 1>to Link off. Now, luckily I was able to find

0:20:09.720 --> 0:20:12.320
<v Speaker 1>a transcription of their conversation. Oh this is a rare

0:20:12.320 --> 0:20:15.879
<v Speaker 1>from two good thank you from research. Thanks so much.

0:20:16.480 --> 0:20:22.160
<v Speaker 1>So he walks up study Link. I was like, hey, hey, listen,

0:20:22.600 --> 0:20:27.480
<v Speaker 1>what the preacher just said was pretty heavy, totally. He's like, oh,

0:20:27.560 --> 0:20:31.679
<v Speaker 1>you get it. Cool? Cool, and then Link starts to

0:20:31.760 --> 0:20:34.000
<v Speaker 1>breathe in. No, no, no, no, wait, draw your brakes there, Willie,

0:20:34.640 --> 0:20:37.400
<v Speaker 1>what do you mean? He says, well, when you're seeing

0:20:37.480 --> 0:20:41.919
<v Speaker 1>it makes people. And Willie says joyful and bathed in

0:20:41.920 --> 0:20:46.080
<v Speaker 1>the love of Christ, not exactly. The other guy says,

0:20:46.160 --> 0:20:49.920
<v Speaker 1>well what then, well, most of these folks laugh loud

0:20:50.119 --> 0:20:53.640
<v Speaker 1>a lot, Like I said, the preacher's sermon really serious,

0:20:54.560 --> 0:20:58.000
<v Speaker 1>and Willy said, yeah, you know it was. Well Widow

0:20:58.040 --> 0:21:01.679
<v Speaker 1>Martin over there, she's quietly sobbing yikes. As Willie, Oh

0:21:01.840 --> 0:21:05.000
<v Speaker 1>that that totally sucks. Now this is again, word for work,

0:21:05.320 --> 0:21:08.480
<v Speaker 1>total transcription. I was like, so, maybe you could go

0:21:08.480 --> 0:21:10.720
<v Speaker 1>ahead and not sing this one, you know, just sit

0:21:10.800 --> 0:21:14.560
<v Speaker 1>it out. And Willie's like, you know what, dude, you

0:21:14.600 --> 0:21:18.000
<v Speaker 1>know I sing for the Lord. And they're just having

0:21:18.000 --> 0:21:21.880
<v Speaker 1>this staring contest. Guys like, well this time. The Lord

0:21:21.880 --> 0:21:23.560
<v Speaker 1>wants you to put a cork in it. He just

0:21:23.600 --> 0:21:27.359
<v Speaker 1>told me so. Linka was like, all right, point taken,

0:21:27.560 --> 0:21:31.400
<v Speaker 1>doesn't sing on that one. Everyone's overjoyed. They're like singing along.

0:21:31.560 --> 0:21:34.560
<v Speaker 1>They just had this really moving sermon. They just watched

0:21:34.560 --> 0:21:37.280
<v Speaker 1>this conversation happen, and one of them happened to have

0:21:37.520 --> 0:21:41.159
<v Speaker 1>a transcription machine that was came with it came with

0:21:41.240 --> 0:21:44.600
<v Speaker 1>the cassio keyboard, and so she's like reading it back

0:21:44.640 --> 0:21:47.720
<v Speaker 1>to the congregation. It was an amazing sight. It sounds

0:21:47.720 --> 0:21:49.760
<v Speaker 1>like moving. It was, and it really I don't know

0:21:49.800 --> 0:21:52.159
<v Speaker 1>why we don't have a movie of that yet. But

0:21:52.600 --> 0:21:55.000
<v Speaker 1>so he gets it, he realizes, don't do this, and

0:21:55.119 --> 0:21:57.520
<v Speaker 1>that's going to come in later, so keep that in mind.

0:21:57.760 --> 0:21:59.840
<v Speaker 1>At one point he's able to be talked out of it.

0:22:01.720 --> 0:22:04.639
<v Speaker 1>A Christmas miracle. Yeah, But the next time lincols like

0:22:04.680 --> 0:22:09.640
<v Speaker 1>I'm all in baby starts and after that, the elder

0:22:10.200 --> 0:22:12.680
<v Speaker 1>presiding elder in the church, he's like, guess what, I'm

0:22:12.680 --> 0:22:15.119
<v Speaker 1>not preaching anymore. If you're going to do this, you're

0:22:15.119 --> 0:22:16.840
<v Speaker 1>gonna make a mess of this. I'm not doing it.

0:22:16.920 --> 0:22:23.920
<v Speaker 1>I wouldn't preach. Wow, what would Jesus say? He would say, oh,

0:22:24.320 --> 0:22:29.639
<v Speaker 1>so someone hasn't seen Jesus Christ Superstar. Like yeah. They

0:22:29.760 --> 0:22:32.200
<v Speaker 1>gather everybody up and they tell him to dress like

0:22:32.240 --> 0:22:35.120
<v Speaker 1>they're in Jesus Christ Superstar and they he's a tailor.

0:22:35.160 --> 0:22:39.720
<v Speaker 1>He makes the outfits for everybody. They so much fringe

0:22:39.760 --> 0:22:43.280
<v Speaker 1>at this point. The so the pastor the church leaders,

0:22:43.320 --> 0:22:46.560
<v Speaker 1>they meet with Lincolf. They call him in and they

0:22:46.600 --> 0:22:49.639
<v Speaker 1>confront him about this, tell him to pipe it down again.

0:22:50.400 --> 0:22:51.879
<v Speaker 1>On Monday. They're like, hey, you got to come by

0:22:51.920 --> 0:22:54.280
<v Speaker 1>the church. Could you just stop by, like, you know,

0:22:54.359 --> 0:22:56.600
<v Speaker 1>just we got I got a little something to you know,

0:22:56.680 --> 0:22:59.159
<v Speaker 1>work on with you. And he thinks, oh great, you

0:22:59.160 --> 0:23:02.160
<v Speaker 1>know we can. We're going to build the Easter display.

0:23:02.240 --> 0:23:08.400
<v Speaker 1>In the the finals for choir trying outs come on Willie.

0:23:08.680 --> 0:23:10.480
<v Speaker 1>So he goes down there like you know what pipe down?

0:23:10.520 --> 0:23:15.600
<v Speaker 1>Actually pipe off? Turn it off? That was a really

0:23:15.640 --> 0:23:20.440
<v Speaker 1>popular phrase. Then, um, you're causing a disturbance. They tell him,

0:23:20.480 --> 0:23:25.080
<v Speaker 1>you know, you're ruining the worship for everybody and linkas response, now,

0:23:25.119 --> 0:23:27.040
<v Speaker 1>I do have a direct quote from this, and I'm

0:23:27.080 --> 0:23:30.720
<v Speaker 1>gonna do his errand and I quote, I will worship

0:23:30.800 --> 0:23:33.480
<v Speaker 1>my God and that as part of my worship. It

0:23:33.560 --> 0:23:35.720
<v Speaker 1>is my duty to sing. Don't get in the way

0:23:35.720 --> 0:23:41.199
<v Speaker 1>of the man's duty. So, um, I really want to

0:23:41.200 --> 0:23:43.280
<v Speaker 1>stop for one second and wonder what his wife and

0:23:43.359 --> 0:23:45.920
<v Speaker 1>kids made of this. Oh, he's married. I was always

0:23:45.920 --> 0:23:51.000
<v Speaker 1>pictured No, but I was picturing him always is like

0:23:51.359 --> 0:23:53.080
<v Speaker 1>not like a confirmed bachelor. But I mean like the

0:23:53.119 --> 0:23:55.560
<v Speaker 1>guy in town who's like he's never going to be married.

0:23:55.880 --> 0:23:58.600
<v Speaker 1>Well that's the behavior of like this, like loose cannon.

0:23:59.320 --> 0:24:01.360
<v Speaker 1>But he's got a wife and a bunch of kids.

0:24:02.440 --> 0:24:06.520
<v Speaker 1>So imagine what is the wife doing. Dude, I don't know,

0:24:06.560 --> 0:24:07.800
<v Speaker 1>but I know what the kids are doing. Because my

0:24:07.880 --> 0:24:12.439
<v Speaker 1>mother can't sing, is she My mom says that when

0:24:12.920 --> 0:24:14.880
<v Speaker 1>my brother and I were little, and she would try

0:24:14.880 --> 0:24:17.240
<v Speaker 1>and sing us like bedtime songs or like you know,

0:24:17.880 --> 0:24:22.720
<v Speaker 1>lullaby we're like the songs for the sleep, they're called lullabyes. Guys,

0:24:23.320 --> 0:24:26.320
<v Speaker 1>um we my brother she has she's so tone deaf,

0:24:26.359 --> 0:24:32.960
<v Speaker 1>and my brother and I would say, please stop. Tender

0:24:33.119 --> 0:24:35.879
<v Speaker 1>tender moment when your children look up to you and say, mommy,

0:24:36.080 --> 0:24:39.120
<v Speaker 1>please stop singing. Put to their little hands on your

0:24:39.119 --> 0:24:44.080
<v Speaker 1>mouth to close it. Mother. I don't. I don't have

0:24:44.119 --> 0:24:46.520
<v Speaker 1>any memory of that. But also it's like super young apparently.

0:24:47.400 --> 0:24:53.439
<v Speaker 1>Um So I apologize to her for however, and I

0:24:53.520 --> 0:24:55.280
<v Speaker 1>was like, well, you know that's why I stopped singing

0:24:55.280 --> 0:24:59.800
<v Speaker 1>to you. Um yeah, the kids? Where's the wife? Deaf?

0:25:00.680 --> 0:25:03.520
<v Speaker 1>Where the kids? Were they all bad singers? Were they

0:25:03.560 --> 0:25:05.760
<v Speaker 1>proud of his love of God? You know? I would

0:25:05.880 --> 0:25:09.440
<v Speaker 1>imagine that they devote What if they all just had

0:25:09.480 --> 0:25:13.440
<v Speaker 1>like they were absolute songbirds, like they just had beautiful voices,

0:25:13.920 --> 0:25:16.280
<v Speaker 1>that would be awesome. Yeah, that'd be funny and that.

0:25:16.440 --> 0:25:18.800
<v Speaker 1>And yet they also know like how important it is

0:25:18.840 --> 0:25:23.560
<v Speaker 1>to him and how pious he is. The letter rip,

0:25:23.720 --> 0:25:27.680
<v Speaker 1>They're like this pony wants to run. Just open up, baby,

0:25:27.880 --> 0:25:33.000
<v Speaker 1>and I digress as usual. Um so, how can you

0:25:33.119 --> 0:25:35.600
<v Speaker 1>argue against his need to sing in order to feed

0:25:35.600 --> 0:25:39.800
<v Speaker 1>his soul? Really? Obviously, clearly I cannot. Lincoln keeps singing.

0:25:40.160 --> 0:25:45.159
<v Speaker 1>He just keeps, and it splits the congregation again hilarious

0:25:45.320 --> 0:25:49.000
<v Speaker 1>versus irritated. Are there any defenders who are like the

0:25:49.040 --> 0:25:53.240
<v Speaker 1>brothers feeling Lord speaking in voices? He's speaking in whatever

0:25:53.320 --> 0:25:58.360
<v Speaker 1>that is. So the indignant worshippers they they'd had enough.

0:25:58.400 --> 0:26:02.920
<v Speaker 1>They go to the law. They can't take it anymore. Yeah,

0:26:02.960 --> 0:26:06.399
<v Speaker 1>he gets indicted for disturbing a religious congregation, and it

0:26:06.480 --> 0:26:10.919
<v Speaker 1>goes to trial in the spring term the Robeson County

0:26:10.960 --> 0:26:16.720
<v Speaker 1>Superior Court eighty three. So when we get back from

0:26:16.760 --> 0:26:20.639
<v Speaker 1>these beautiful ads dulcet tones, I'm going to tell you

0:26:20.680 --> 0:26:43.600
<v Speaker 1>about what happened in court. Please all right. So when

0:26:43.600 --> 0:26:49.120
<v Speaker 1>we left off, William lincolf of Lumberton, North Carolina, Billy

0:26:49.200 --> 0:26:52.199
<v Speaker 1>Links he'd been charged with disturbing the piece due to

0:26:52.240 --> 0:26:57.080
<v Speaker 1>horrendous singing. So he goes to trial over this. Judge

0:26:57.480 --> 0:27:02.320
<v Speaker 1>Daniel L. Russell second, No, do we know? Do we

0:27:02.400 --> 0:27:05.040
<v Speaker 1>know if he represented himself and he did not. He

0:27:05.119 --> 0:27:07.200
<v Speaker 1>got he got himself a lawyer. Good for him, because

0:27:07.200 --> 0:27:09.160
<v Speaker 1>I was just wondering it seemed like kind of possibly

0:27:09.160 --> 0:27:11.720
<v Speaker 1>a chance. Went he went to a guy and said,

0:27:11.760 --> 0:27:14.680
<v Speaker 1>suit up, put on your best sear, sucker, we're going

0:27:14.720 --> 0:27:18.000
<v Speaker 1>to court doing this. Come on, man, fighting for the song. Exactly.

0:27:18.560 --> 0:27:21.840
<v Speaker 1>So Daniel L. Russell is the judge presiding over the trial.

0:27:22.359 --> 0:27:26.120
<v Speaker 1>He later becomes the forty nine governor of North Carolina.

0:27:25.720 --> 0:27:30.320
<v Speaker 1>Was totally unrelated to this incident. And at the trial,

0:27:30.400 --> 0:27:34.240
<v Speaker 1>the state calls a ton of witnesses. They have done

0:27:34.280 --> 0:27:37.399
<v Speaker 1>for a second, the whole churchloads think about how ridiculous

0:27:37.440 --> 0:27:40.639
<v Speaker 1>it is for this to be at trial. How little

0:27:40.680 --> 0:27:43.480
<v Speaker 1>do they have going on that they'll spend an entire

0:27:43.760 --> 0:27:46.360
<v Speaker 1>you know, it's like they're not going to make complete out.

0:27:46.480 --> 0:27:49.040
<v Speaker 1>They're not going, oh yeah, that the judge didn't just

0:27:49.119 --> 0:27:52.760
<v Speaker 1>dismiss it on off hands right now? Come on, it's ridiculous.

0:27:52.880 --> 0:27:55.520
<v Speaker 1>I am a busy person. It goes to trial. So

0:27:55.720 --> 0:27:57.960
<v Speaker 1>one of the witnesses calls by this called by the state,

0:27:58.040 --> 0:28:01.520
<v Speaker 1>is a fellow congregant, and the prosecutor says to the witness,

0:28:01.520 --> 0:28:04.479
<v Speaker 1>will explain what his singing sounds like. Do you need

0:28:04.520 --> 0:28:08.800
<v Speaker 1>a demonstration? This is why I'm so irritated that court

0:28:08.840 --> 0:28:13.359
<v Speaker 1>TV didn't exist in eighteen seventy three. That does no

0:28:13.400 --> 0:28:15.600
<v Speaker 1>one think of me what I need in my life.

0:28:15.720 --> 0:28:20.000
<v Speaker 1>I need the following scene in my life, and it's you.

0:28:20.240 --> 0:28:22.239
<v Speaker 1>You can only read about it. I need to hear it.

0:28:23.119 --> 0:28:25.879
<v Speaker 1>So the witness says, the only way I can convey

0:28:25.920 --> 0:28:30.520
<v Speaker 1>it is to imitate it sound that old legal practice.

0:28:31.200 --> 0:28:33.040
<v Speaker 1>Do you want to hear a song went a little

0:28:33.040 --> 0:28:35.960
<v Speaker 1>to something like this. The only that he's on the

0:28:36.040 --> 0:28:38.440
<v Speaker 1>stand he or she, It's never specified. They just say

0:28:38.480 --> 0:28:45.320
<v Speaker 1>the witness, so gender neutral witness his wife, don't put

0:28:45.320 --> 0:28:50.120
<v Speaker 1>this in the court record. She's she's got like a

0:28:50.200 --> 0:28:53.520
<v Speaker 1>like a potato bag over her head so that she

0:28:53.560 --> 0:28:56.200
<v Speaker 1>can't be identified. She's like garbling her voice. I think

0:28:56.280 --> 0:28:58.600
<v Speaker 1>mustache and a monocle. She's kind of man in her

0:28:58.640 --> 0:29:02.400
<v Speaker 1>house dress. He's like that, that gentleman looks oddly like

0:29:02.440 --> 0:29:05.960
<v Speaker 1>my sweet Eliza. Um. I don't know what his wife's

0:29:06.000 --> 0:29:09.880
<v Speaker 1>name was anyhow, so says he has to that witness ses,

0:29:09.920 --> 0:29:12.640
<v Speaker 1>I have to imitate it, and then totally lets loose

0:29:12.720 --> 0:29:15.640
<v Speaker 1>on what is recorded as being a very close rendition

0:29:16.800 --> 0:29:19.760
<v Speaker 1>of the way that he Croon's all hell breaks loose

0:29:19.760 --> 0:29:24.920
<v Speaker 1>in the courtroom. People lose it. The entire place is dying, laughing,

0:29:25.600 --> 0:29:30.920
<v Speaker 1>doubled over. Everybody's lapping at an imitation of it. The

0:29:31.120 --> 0:29:37.440
<v Speaker 1>entire gallery right, all the lawyers, his own, included the jury.

0:29:37.480 --> 0:29:39.680
<v Speaker 1>This is a jury trial, by the way, not a

0:29:39.680 --> 0:29:44.880
<v Speaker 1>bench trial. How what was the VOI dear like in

0:29:44.920 --> 0:29:48.560
<v Speaker 1>this jury trial? Is they're selecting the jury, They're like, hey,

0:29:48.560 --> 0:29:51.920
<v Speaker 1>can you sing us a couple of bars? So everyone's

0:29:51.960 --> 0:29:54.640
<v Speaker 1>doubled over, like people can't breathe. They're just like, hold

0:29:54.680 --> 0:29:57.520
<v Speaker 1>on this, we can stop. They're cracking up um, and

0:29:57.560 --> 0:30:01.760
<v Speaker 1>it was determined that, yeah, that's a disturbing that is

0:30:01.800 --> 0:30:05.360
<v Speaker 1>a complete disturbance. And then the issue becomes, well, did

0:30:05.400 --> 0:30:10.760
<v Speaker 1>he intend to disturb? Did he know he was disturbing people? Now?

0:30:10.840 --> 0:30:13.280
<v Speaker 1>So remember when he's convinced not to sing that time.

0:30:14.240 --> 0:30:16.480
<v Speaker 1>I think I like to say it was agreeing out

0:30:16.480 --> 0:30:18.640
<v Speaker 1>of the kindness of his heart and the solemnity of

0:30:18.680 --> 0:30:20.960
<v Speaker 1>the moment. But sure, we can go with your It

0:30:21.080 --> 0:30:26.240
<v Speaker 1>shows he knows like disturbing, you know, the mayonnaise out

0:30:26.240 --> 0:30:29.120
<v Speaker 1>of this place, and so he's capable of not singing

0:30:29.120 --> 0:30:34.000
<v Speaker 1>when necessary and when asked on a one off yes,

0:30:35.320 --> 0:30:40.600
<v Speaker 1>was it intentional all the other times? Then I mean whatever. Well,

0:30:40.840 --> 0:30:42.560
<v Speaker 1>so it's kind of the question of does he mistake

0:30:42.640 --> 0:30:44.760
<v Speaker 1>the salt for sugar or did he just one time

0:30:44.800 --> 0:30:46.680
<v Speaker 1>put it in and one time remember not to put

0:30:46.720 --> 0:30:50.240
<v Speaker 1>it in. I think he doesn't need to know the

0:30:50.240 --> 0:30:52.040
<v Speaker 1>difference between salt and sugar in this case, and he's

0:30:52.080 --> 0:30:54.160
<v Speaker 1>just thinking. It's why he's crystally what's different about what

0:30:54.200 --> 0:30:56.480
<v Speaker 1>you're doing what I'm doing? Yeah, that could be. It

0:30:56.560 --> 0:30:59.360
<v Speaker 1>could be. So they get all these other witnesses to

0:30:59.400 --> 0:31:03.560
<v Speaker 1>come forward. They're all talking about how how disruptive it is,

0:31:03.640 --> 0:31:05.920
<v Speaker 1>and it is a disturbance of the piece. But they're

0:31:05.920 --> 0:31:08.000
<v Speaker 1>also witnesses that come forward and they're like, you know,

0:31:08.040 --> 0:31:11.240
<v Speaker 1>he's a really strict member of this church he has.

0:31:11.440 --> 0:31:15.040
<v Speaker 1>One of them said he had exemplary deportment. Thank you,

0:31:15.640 --> 0:31:19.600
<v Speaker 1>just like you and so and just in his behalf

0:31:20.200 --> 0:31:23.480
<v Speaker 1>representing you channel him a lot. I feel for him. Yea,

0:31:24.240 --> 0:31:30.640
<v Speaker 1>so he I know you do, he means, but he's

0:31:30.680 --> 0:31:32.520
<v Speaker 1>dead serious about it. So it's not like he's some

0:31:32.680 --> 0:31:36.560
<v Speaker 1>clown just looking to cause trouble and acting up. The

0:31:36.600 --> 0:31:38.960
<v Speaker 1>boy couldn't help it. He had to. He had to

0:31:39.040 --> 0:31:42.000
<v Speaker 1>hit him up. He had to hit him up Prussian style.

0:31:42.720 --> 0:31:47.200
<v Speaker 1>So Lincolf comes up to testify and he begs the

0:31:47.280 --> 0:31:50.200
<v Speaker 1>jury when to think of it this way. He says,

0:31:50.880 --> 0:31:53.640
<v Speaker 1>if I didn't intend to disturb anyone, then I must

0:31:53.680 --> 0:31:57.880
<v Speaker 1>not be guilty. It's pretty fair, right what his speaking

0:31:57.960 --> 0:32:02.960
<v Speaker 1>voice was like, however, he was like all talking. I

0:32:03.080 --> 0:32:06.680
<v Speaker 1>like to imagine that he got up and said, if

0:32:06.680 --> 0:32:10.280
<v Speaker 1>I didn't want to disturb anybody, like he's just quiet

0:32:10.360 --> 0:32:15.320
<v Speaker 1>and meek and like really precise, if I didn't want

0:32:15.400 --> 0:32:19.160
<v Speaker 1>to disturb anybody, like really precise elocution. And then he's

0:32:19.160 --> 0:32:25.440
<v Speaker 1>like and ready. Oh I wonder if dogs held. When

0:32:25.440 --> 0:32:30.760
<v Speaker 1>he's saying so, he's like, look, dude, if I didn't

0:32:30.800 --> 0:32:33.640
<v Speaker 1>want to disturb anyone, then I'm not guilty. The judge

0:32:33.720 --> 0:32:35.680
<v Speaker 1>is like, you big, Nope, I'm going to stop you

0:32:35.800 --> 0:32:40.200
<v Speaker 1>right there, Mr Lincolf, what's up, Mr judge? The judge says,

0:32:40.560 --> 0:32:43.320
<v Speaker 1>He turns and tells the jury listen. Intent had nothing

0:32:43.400 --> 0:32:49.760
<v Speaker 1>to do with it, and or not. The question is

0:32:49.760 --> 0:32:53.800
<v Speaker 1>whether his act of singing was disturbing to others. So

0:32:54.040 --> 0:32:56.760
<v Speaker 1>did it disturb the congregation? Yes? Or no? Not? Did

0:32:56.800 --> 0:33:00.840
<v Speaker 1>he mean to so? Then their opinion of the disturbance

0:33:00.960 --> 0:33:03.920
<v Speaker 1>is the only measure of a disturbance. That's what he's saying.

0:33:03.920 --> 0:33:05.960
<v Speaker 1>He's like, if they got disturbed, they were disturbed, right,

0:33:06.120 --> 0:33:08.120
<v Speaker 1>which I guess is a good measure. Yeah, But that's

0:33:08.120 --> 0:33:09.680
<v Speaker 1>like the measure for violence, which is like, I have

0:33:09.760 --> 0:33:11.280
<v Speaker 1>the right to swing my fist right up till it

0:33:11.320 --> 0:33:14.080
<v Speaker 1>hit your nose, and then it's like, okay, my right ends.

0:33:14.080 --> 0:33:16.280
<v Speaker 1>But him singing is a little different. He can't, like,

0:33:16.360 --> 0:33:19.320
<v Speaker 1>you know, swing his voice in a way that doesn't

0:33:19.360 --> 0:33:23.440
<v Speaker 1>hit noses. If he stayed at home, If he stay

0:33:23.480 --> 0:33:26.520
<v Speaker 1>at home and minded his own catterwalls in his own walls.

0:33:27.360 --> 0:33:31.080
<v Speaker 1>He the judge says, Okay, under these parameters, the evidence

0:33:31.120 --> 0:33:33.520
<v Speaker 1>is clear that he did that. He's guilty. I'd say

0:33:33.600 --> 0:33:37.120
<v Speaker 1>forgive him. And the judge is like, and I co quote,

0:33:38.680 --> 0:33:41.680
<v Speaker 1>it's a general principle that every man is presumed to

0:33:41.760 --> 0:33:46.040
<v Speaker 1>have intended the necessary consequences of his own acts. I

0:33:46.080 --> 0:33:48.160
<v Speaker 1>do not agree with that. That doesn't make even a

0:33:48.320 --> 0:33:50.040
<v Speaker 1>lick of sense. And this guy goes on to become

0:33:50.080 --> 0:33:53.520
<v Speaker 1>governor that every man is presumed to have intended the

0:33:53.640 --> 0:33:56.080
<v Speaker 1>necessary What? What the hell? How many times do we

0:33:56.120 --> 0:33:58.120
<v Speaker 1>see people do stuff where we do in our own life,

0:33:58.160 --> 0:34:01.120
<v Speaker 1>where we we don't know how think what the consequences

0:34:01.120 --> 0:34:03.400
<v Speaker 1>are going, to act out of emotion before you can

0:34:03.400 --> 0:34:06.240
<v Speaker 1>act out of reason, and then you rationalize what what

0:34:06.280 --> 0:34:07.640
<v Speaker 1>you did? Well, you know, I have to understand why

0:34:07.640 --> 0:34:09.680
<v Speaker 1>I did that. I think we've determined that the judge

0:34:09.719 --> 0:34:15.000
<v Speaker 1>was a sociopath. No slander intended. It's a joke, people.

0:34:15.320 --> 0:34:19.320
<v Speaker 1>I don't want his estate coming after. So the judge

0:34:19.719 --> 0:34:23.600
<v Speaker 1>Shocker finds Lincol guilty of the misdemeanor of disturbing a

0:34:23.640 --> 0:34:27.759
<v Speaker 1>religious congregation, and as a punishment, he loved to find

0:34:27.800 --> 0:34:29.920
<v Speaker 1>against him. No, man, how much you hit him with

0:34:30.239 --> 0:34:35.000
<v Speaker 1>four million dollars and in today's money now, like you know,

0:34:35.080 --> 0:34:37.480
<v Speaker 1>you gotta like work at the lumber yard or like,

0:34:37.480 --> 0:34:41.560
<v Speaker 1>because he finds him one penny. So it's largely symbolic.

0:34:41.719 --> 0:34:44.280
<v Speaker 1>So they just wanted to embarrass my dude. Yeah, totally

0:34:44.560 --> 0:34:46.359
<v Speaker 1>and make him run up his court fees, I guess

0:34:46.360 --> 0:34:49.839
<v Speaker 1>because he's um. But that's not where this story ends.

0:34:50.280 --> 0:34:52.920
<v Speaker 1>I hope it ends with him being elected to governor.

0:34:53.560 --> 0:34:57.440
<v Speaker 1>It ends with him winning American Idol the very did

0:34:57.440 --> 0:34:59.440
<v Speaker 1>you know he was the first winner of American Idol.

0:35:00.960 --> 0:35:07.040
<v Speaker 1>Lincoln William Lincoln. He appeals the decision because he's no fool,

0:35:07.719 --> 0:35:12.279
<v Speaker 1>and his case makes it to the North Carolina Supreme Court.

0:35:12.400 --> 0:35:15.160
<v Speaker 1>He literally does make it to the highest court, state

0:35:15.239 --> 0:35:18.840
<v Speaker 1>Supreme Court. They review the case and the evidence, and

0:35:18.880 --> 0:35:22.160
<v Speaker 1>they determined that let me read to you the end

0:35:22.400 --> 0:35:27.399
<v Speaker 1>of their decision. This is a coup quote. Yes, yeah,

0:35:27.600 --> 0:35:29.120
<v Speaker 1>that's for you. I do it all for you and

0:35:29.160 --> 0:35:33.279
<v Speaker 1>your quotes. It was not contended by the state upon

0:35:33.320 --> 0:35:36.040
<v Speaker 1>the evidence that he had any intention or purpose to

0:35:36.120 --> 0:35:40.000
<v Speaker 1>disturb the congregation, but on the contrary, it was it

0:35:40.080 --> 0:35:43.239
<v Speaker 1>was admitted that he was conscientiously taking part in the

0:35:43.239 --> 0:35:47.600
<v Speaker 1>religious services. This admission by the state puts an end

0:35:47.640 --> 0:35:50.720
<v Speaker 1>to the prosecution. It is true, as said by His Honor,

0:35:50.840 --> 0:35:54.399
<v Speaker 1>that a man is generally presumed to intend the consequences

0:35:54.400 --> 0:35:57.080
<v Speaker 1>of his acts, But here the presumption is rebutted by

0:35:57.120 --> 0:35:59.840
<v Speaker 1>a fact admitted by the state. It would seem that

0:35:59.840 --> 0:36:02.440
<v Speaker 1>the defendant is a proper subject for the discipline of

0:36:02.440 --> 0:36:05.080
<v Speaker 1>his church, but not for the discipline of the courts.

0:36:05.320 --> 0:36:08.759
<v Speaker 1>Thank you separation of church and state. Son, right, this

0:36:08.920 --> 0:36:10.880
<v Speaker 1>church needs to handle their own business and not go

0:36:11.040 --> 0:36:13.440
<v Speaker 1>crying and or you know that what they could do

0:36:13.960 --> 0:36:19.080
<v Speaker 1>forgive him just gonna keep saying that that would be amazing. Yeah,

0:36:19.120 --> 0:36:20.759
<v Speaker 1>but I mean it's like handle your business in your

0:36:20.760 --> 0:36:22.920
<v Speaker 1>own house. Isn't this why Jesus gave you all those

0:36:23.000 --> 0:36:24.799
<v Speaker 1>rules or whatever? Is because of the moments where you

0:36:24.880 --> 0:36:26.600
<v Speaker 1>don't want to when you don't get what you want

0:36:26.680 --> 0:36:28.480
<v Speaker 1>or you don't want you know, you're somebody's saying, You're like,

0:36:28.560 --> 0:36:30.080
<v Speaker 1>I wish you would stop. You're like, you know what

0:36:30.160 --> 0:36:32.440
<v Speaker 1>I need to be better? I should turn the other cheek.

0:36:32.600 --> 0:36:34.960
<v Speaker 1>I should forgive him. Like all the messages are literally

0:36:35.000 --> 0:36:37.759
<v Speaker 1>about those moments. I mean, usually much grander terms of

0:36:37.840 --> 0:36:40.880
<v Speaker 1>violence and suffering. But you know, I think that time

0:36:40.880 --> 0:36:43.359
<v Speaker 1>traveling Zeron should go give a sermon about this at

0:36:43.360 --> 0:36:45.759
<v Speaker 1>the church. Give me my time machine back right, and

0:36:45.800 --> 0:36:48.200
<v Speaker 1>then just like like you know what I'm gonna I

0:36:48.200 --> 0:36:50.920
<v Speaker 1>think we've all learned a lesson here today, people, and

0:36:50.920 --> 0:36:53.680
<v Speaker 1>then you launch into a Meanwhile, they're just like then

0:36:53.680 --> 0:36:57.320
<v Speaker 1>they run me out of town. Yeah, we're both gonna

0:36:57.640 --> 0:37:01.399
<v Speaker 1>put a pin in that one. Um. So, I don't

0:37:01.440 --> 0:37:04.719
<v Speaker 1>know what happened to William Lincoln after that. I don't

0:37:04.719 --> 0:37:06.759
<v Speaker 1>know if he found a new church. This was his

0:37:06.840 --> 0:37:09.040
<v Speaker 1>one wild moment where he made the news. Yeah. I

0:37:09.080 --> 0:37:11.200
<v Speaker 1>don't think he wanted to. I don't think so. But

0:37:11.239 --> 0:37:12.960
<v Speaker 1>I mean just saying that this was in his life.

0:37:12.960 --> 0:37:15.839
<v Speaker 1>This boiled down to the record recorded event. Yeah. Well,

0:37:15.880 --> 0:37:19.200
<v Speaker 1>and from what I could find, um in all the records,

0:37:19.680 --> 0:37:22.560
<v Speaker 1>that's his it. You know. There's there's some like census

0:37:22.600 --> 0:37:25.680
<v Speaker 1>appearances by him. And then he lived out the rest

0:37:25.680 --> 0:37:27.839
<v Speaker 1>of his days right there in Lumberton. So he got

0:37:27.840 --> 0:37:31.960
<v Speaker 1>celebrated today. Yeah, well, he gets celebrated all over the world.

0:37:32.000 --> 0:37:37.520
<v Speaker 1>The stories I am not I am both real and surreal.

0:37:37.760 --> 0:37:41.399
<v Speaker 1>Thank you, guys. I meant to say I am so

0:37:41.520 --> 0:37:46.359
<v Speaker 1>real right now, this story the the wire service for

0:37:46.360 --> 0:37:49.799
<v Speaker 1>this article get and the information on it gets sent

0:37:49.880 --> 0:37:53.160
<v Speaker 1>all over the world. It's printed in papers all across

0:37:53.200 --> 0:37:55.880
<v Speaker 1>the United States. So this guy's name. But did the

0:37:55.920 --> 0:37:58.200
<v Speaker 1>Mark Twain write about him? How did everybody he wanted?

0:37:58.920 --> 0:38:01.719
<v Speaker 1>If you get like, if you look in the archives

0:38:01.719 --> 0:38:04.200
<v Speaker 1>of newspapers at the time, it's it's all over the

0:38:04.280 --> 0:38:08.879
<v Speaker 1>United's are global phenomenon one Europe. They reprinted the story

0:38:08.880 --> 0:38:11.319
<v Speaker 1>in Europe. They ran a story about it in New

0:38:11.400 --> 0:38:16.040
<v Speaker 1>Zealand Williams in their Lives, I guess, or they're just like,

0:38:16.080 --> 0:38:19.680
<v Speaker 1>look at these ways, just one guy. Yeah, but no,

0:38:19.880 --> 0:38:24.160
<v Speaker 1>everyone loves this story. And uh, legal journals at the

0:38:24.200 --> 0:38:27.160
<v Speaker 1>time they reprinted the case because it was just like

0:38:27.200 --> 0:38:30.360
<v Speaker 1>the most ridiculous court case, like look at this. And

0:38:30.400 --> 0:38:33.760
<v Speaker 1>then in some of the some of the journals um

0:38:33.840 --> 0:38:37.480
<v Speaker 1>to add to the ridiculousness, they published poems about the case.

0:38:38.960 --> 0:38:41.320
<v Speaker 1>I love that. I think it's so awesome how poems

0:38:41.320 --> 0:38:44.279
<v Speaker 1>were like a part of everyday life back then. You know,

0:38:44.280 --> 0:38:45.880
<v Speaker 1>they wouldn't write a poem about that, oh yeah, and

0:38:45.880 --> 0:38:48.760
<v Speaker 1>they'd be in the paper. And people memorize poems. People

0:38:48.760 --> 0:38:51.480
<v Speaker 1>wrote their own poems. We need that again, well not really,

0:38:51.520 --> 0:38:55.880
<v Speaker 1>I don't want to hear that. Um so the poems

0:38:55.920 --> 0:38:59.719
<v Speaker 1>and then for decades up until today these modern time

0:38:59.760 --> 0:39:03.240
<v Speaker 1>well us right here. But also i'd say every twenty

0:39:03.320 --> 0:39:05.719
<v Speaker 1>thirty years, it gets someone writes an article in a

0:39:06.000 --> 0:39:09.360
<v Speaker 1>in a newspaper about you know what the most ridiculous

0:39:09.400 --> 0:39:13.480
<v Speaker 1>court case was, like a legal academic thing that just

0:39:13.560 --> 0:39:15.840
<v Speaker 1>keeps getting kicked around because every but it's in like

0:39:15.960 --> 0:39:19.359
<v Speaker 1>regular like daily papers of just you know, you want

0:39:19.400 --> 0:39:23.000
<v Speaker 1>to hear a wacky story. It's filler, but it's crazy

0:39:23.080 --> 0:39:25.920
<v Speaker 1>that he made it all the way through. You know

0:39:25.920 --> 0:39:28.400
<v Speaker 1>who I can imagine telling the heck out of this story?

0:39:28.520 --> 0:39:35.480
<v Speaker 1>Uh not me? Apparently Paul Harvey and page two that guy,

0:39:36.080 --> 0:39:38.360
<v Speaker 1>because he'd always surprise you. You'd be like, wait, whoa

0:39:38.480 --> 0:39:41.160
<v Speaker 1>And that guy turned out to be Dwight die Eisenhower.

0:39:41.280 --> 0:39:45.480
<v Speaker 1>You're like, oh man, you got me a game. Paul Harvey.

0:39:46.800 --> 0:39:52.319
<v Speaker 1>I would like to hear Steve Harvey. Apparently you want

0:39:52.360 --> 0:39:55.480
<v Speaker 1>to hear anyone but me tell it like that. I

0:39:55.520 --> 0:40:00.600
<v Speaker 1>just thought, so if I'm talking about other people telling

0:40:00.600 --> 0:40:03.359
<v Speaker 1>this story, yeah, thank you for telling that story. Let

0:40:03.360 --> 0:40:05.880
<v Speaker 1>me tell you who would have told it better. You

0:40:05.920 --> 0:40:10.720
<v Speaker 1>know who would have been better? Anybody? Thanks? Thanks much.

0:40:11.120 --> 0:40:12.719
<v Speaker 1>You know what, why don't you take a little bit

0:40:12.760 --> 0:40:17.560
<v Speaker 1>of your own advice? Nice? I was thinking, like legal

0:40:17.560 --> 0:40:20.360
<v Speaker 1>scholars in journalists the story, and I was like, you know,

0:40:20.360 --> 0:40:22.480
<v Speaker 1>it would be a great journalist to tell this story.

0:40:22.560 --> 0:40:25.120
<v Speaker 1>Is Paul Harvey? Because not a clown like this, Gal.

0:40:27.040 --> 0:40:33.120
<v Speaker 1>I didn't sure. I'm funny to you. I make you laugh,

0:40:33.160 --> 0:40:37.680
<v Speaker 1>give me my baseball bat. So they like it's weird

0:40:37.800 --> 0:40:41.239
<v Speaker 1>crimes in courts whatever that other people can tell far

0:40:41.280 --> 0:40:46.000
<v Speaker 1>better than I just did. No worries. No worries, bro

0:40:47.160 --> 0:40:50.880
<v Speaker 1>When now tell me, expert, was your ridiculous take away

0:40:51.400 --> 0:40:53.960
<v Speaker 1>that you think that more people should be writing poems

0:40:56.520 --> 0:41:02.120
<v Speaker 1>or people should write poems? Be no, they shouldn't. Point counterpoint.

0:41:02.680 --> 0:41:05.279
<v Speaker 1>I'm just going to argue with myself about this. I

0:41:05.400 --> 0:41:08.879
<v Speaker 1>really long for the days when poetry was important. But oh,

0:41:09.160 --> 0:41:12.360
<v Speaker 1>hot biscuits, I do not want to hear anyone's poems

0:41:12.440 --> 0:41:15.319
<v Speaker 1>right now. I want someone to come up to me

0:41:15.360 --> 0:41:17.120
<v Speaker 1>and tell me they wrote a poem about something, and

0:41:17.160 --> 0:41:19.600
<v Speaker 1>I can say, stop, this is not the time for that,

0:41:19.840 --> 0:41:21.680
<v Speaker 1>and that will just be all the time. That's a

0:41:21.760 --> 0:41:24.520
<v Speaker 1>very poetic moment. I think that my feelings about this

0:41:24.560 --> 0:41:30.480
<v Speaker 1>would best be expressed in song. Please. I think that

0:41:30.480 --> 0:41:34.680
<v Speaker 1>there's two ridiculous elements that play here. Someone sings so badly,

0:41:34.760 --> 0:41:37.800
<v Speaker 1>that's I love that ridiculousness, but also that someone gets

0:41:37.880 --> 0:41:41.799
<v Speaker 1>charged for singing so badly. Yeah, I'm completely make this top.

0:41:41.880 --> 0:41:43.520
<v Speaker 1>Like I grew up it in town where a lady

0:41:43.600 --> 0:41:47.879
<v Speaker 1>got charged for snoring so loudly. Her neighbors called the police, right,

0:41:48.200 --> 0:41:50.400
<v Speaker 1>and people that made fun of us that they were

0:41:50.440 --> 0:41:52.600
<v Speaker 1>on the Daily Show. They interviewed the cop and everything.

0:41:52.840 --> 0:41:56.080
<v Speaker 1>It was embarrassing, But this totally tops that. I think

0:41:56.080 --> 0:42:00.279
<v Speaker 1>that this that's maybe she's his descendant, just like a

0:42:00.320 --> 0:42:04.080
<v Speaker 1>spiritual descendant. I think it's really important that we remember

0:42:04.200 --> 0:42:08.160
<v Speaker 1>that every single person, you know, we find connection and

0:42:08.160 --> 0:42:11.720
<v Speaker 1>purpose and meaning in different ways, and like our beliefs

0:42:11.719 --> 0:42:13.600
<v Speaker 1>are our own. You know, you may be like part

0:42:13.640 --> 0:42:15.960
<v Speaker 1>of a group that believes all the same thing, but

0:42:16.040 --> 0:42:17.640
<v Speaker 1>at the end of the day, it's just you and

0:42:18.120 --> 0:42:22.080
<v Speaker 1>whomever you believe in. Um. You know, I'm always saying like,

0:42:22.160 --> 0:42:24.000
<v Speaker 1>as long as you're not hurting anyone, I don't care

0:42:24.040 --> 0:42:26.680
<v Speaker 1>what you do. But then we have to define hurting,

0:42:26.760 --> 0:42:30.600
<v Speaker 1>Like how I don't know is that is his sonic

0:42:30.640 --> 0:42:33.759
<v Speaker 1>attack qualify as pain or suffering? And is he interrupting

0:42:33.800 --> 0:42:38.399
<v Speaker 1>other people's opportunity to be connected to something like at

0:42:38.400 --> 0:42:40.680
<v Speaker 1>that time, any of them would want to a solemn

0:42:40.719 --> 0:42:43.560
<v Speaker 1>communion with the Lord, and he was making that impult.

0:42:43.560 --> 0:42:46.080
<v Speaker 1>I think they should have just kicked him out. I

0:42:46.080 --> 0:42:49.040
<v Speaker 1>don't understand, like, this isn't the place for you. Go

0:42:49.239 --> 0:42:56.680
<v Speaker 1>find another for you, Like put your finger up to

0:42:56.719 --> 0:42:59.920
<v Speaker 1>his lips. This isn't the place. The stories are always

0:42:59.920 --> 0:43:03.719
<v Speaker 1>a except for to you. Sorry, William, maybe trying to baptist.

0:43:03.920 --> 0:43:08.680
<v Speaker 1>They can't sing for anything. No way, he would not

0:43:08.719 --> 0:43:11.560
<v Speaker 1>make it in any church. He has to start his

0:43:11.600 --> 0:43:15.080
<v Speaker 1>own church, maybe the Church of the Wild, I think,

0:43:15.440 --> 0:43:17.160
<v Speaker 1>And then it's just him and a bunch of wolves

0:43:17.640 --> 0:43:20.040
<v Speaker 1>just like yowling all over the country. He could have

0:43:20.080 --> 0:43:22.080
<v Speaker 1>found one of them snake handler churches. I don't think

0:43:22.080 --> 0:43:25.200
<v Speaker 1>they have like real high requirements inside that building. But

0:43:25.280 --> 0:43:27.200
<v Speaker 1>I say, like, you know what, don't take it to

0:43:27.239 --> 0:43:30.200
<v Speaker 1>the lock. Just kick him out, start your own church

0:43:30.200 --> 0:43:35.319
<v Speaker 1>and beds. I'm in favor of people to be kicked out.

0:43:35.880 --> 0:43:38.279
<v Speaker 1>That's all I have to say on the matter. I'm done.

0:43:38.320 --> 0:43:39.799
<v Speaker 1>You don't have to go home, But can't you know,

0:43:39.880 --> 0:43:41.799
<v Speaker 1>why don't you go find someone else to tell you?

0:43:41.880 --> 0:43:48.920
<v Speaker 1>This is the rest of the page two. Well, you

0:43:48.960 --> 0:43:53.520
<v Speaker 1>can find us online you the collective you at Ridiculous

0:43:53.560 --> 0:43:56.880
<v Speaker 1>Crime on both Twitter and Instagram, And if you have

0:43:56.960 --> 0:43:59.200
<v Speaker 1>a tip for us about a ridiculous crime that you

0:43:59.239 --> 0:44:01.279
<v Speaker 1>want to hear about out, or if you want to

0:44:01.320 --> 0:44:04.400
<v Speaker 1>confess to a ridiculous crime, you can email us at

0:44:04.600 --> 0:44:07.360
<v Speaker 1>Ridiculous Crime. I really wish we had an A O

0:44:07.520 --> 0:44:10.800
<v Speaker 1>L account for that would be so good alta Vista,

0:44:11.440 --> 0:44:14.239
<v Speaker 1>But no ridiculous crime at gmail dot com. We could

0:44:14.239 --> 0:44:18.040
<v Speaker 1>get one at your mom dot com. I'm still are

0:44:18.040 --> 0:44:20.200
<v Speaker 1>you just trying to insult me over in our race?

0:44:21.600 --> 0:44:27.799
<v Speaker 1>What do we get at your mom? Your mom dot com?

0:44:27.840 --> 0:44:30.440
<v Speaker 1>And it was just the best because it was so dumb, like,

0:44:30.440 --> 0:44:31.919
<v Speaker 1>are you for real right now? I was like, yes,

0:44:32.000 --> 0:44:36.840
<v Speaker 1>I'm surreal right now, real surreal? All right. I've I

0:44:36.880 --> 0:44:41.080
<v Speaker 1>can't do anymore, so I tune in next time. When

0:44:41.160 --> 0:44:45.640
<v Speaker 1>Zaren tells stories, it's only Zaren can tell them. I

0:44:45.680 --> 0:44:48.399
<v Speaker 1>swear to God, I'm going to sing the next song,

0:44:48.520 --> 0:44:56.799
<v Speaker 1>the whole thing. I'm singing the whole damn thing. Ridiculous

0:44:56.840 --> 0:44:59.960
<v Speaker 1>Crime is hosted by Elizabeth Dutton and Zaren Burnett, Produced

0:45:00.120 --> 0:45:04.440
<v Speaker 1>and edited by internationally renowned liturgical dance sensation Dave Kusten.

0:45:04.719 --> 0:45:08.160
<v Speaker 1>Research is by noted songbird Marissa Brown. The theme song

0:45:08.280 --> 0:45:11.320
<v Speaker 1>is by Fugitive choir Boys Thomas Lee and Travis Dutton.

0:45:11.680 --> 0:45:15.520
<v Speaker 1>Executive producers are pipe organist Ben Bolan and handbell choir

0:45:15.560 --> 0:45:23.040
<v Speaker 1>conductor Noel Brown. Ridiculous Crime is a production of iHeart Radio.

0:45:23.320 --> 0:45:25.680
<v Speaker 1>For more podcasts to my heart Radio, visit the iHeart

0:45:25.719 --> 0:45:28.440
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:45:28.480 --> 0:45:29.240
<v Speaker 1>favorite shows.