WEBVTT - Caught in the Act!  (S1 EP 30 "Carpe Diem")

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<v Speaker 1>Still the Place with Laura Layton, Courtney Thorn Smith.

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<v Speaker 2>And Daphne Zuniga an iHeartRadio podcast. Hey guys, Hey everyone,

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<v Speaker 2>hiy on ourselves together for this.

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<v Speaker 1>We have a very good recap episode this week.

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<v Speaker 2>Yeah, it's a good episode. It's funny because I'll lead

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<v Speaker 2>us in the recap and I found some cool trivia

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<v Speaker 2>right at the top.

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<v Speaker 1>Let's attributa tell us.

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<v Speaker 2>Well, okay, so this was directed This is episode thirty

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<v Speaker 2>Carpe DM. It aired on April twenty eighth, nineteen ninety three,

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<v Speaker 2>and it was directed by Richard Lang. And I knew

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<v Speaker 2>that Richard Lang did. He did seventeen Melrose episode.

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<v Speaker 3>Yet he get us out by lunch very recurring.

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<v Speaker 2>Yes. Well, what I learned about him was that his father,

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<v Speaker 2>Walter Lang, was very close friends with Clark Gable and

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<v Speaker 2>Carol Lombard. And in fact they were our Richard Lang's godparents. Wow,

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<v Speaker 2>And I mean I knew them on set. We're just

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<v Speaker 2>like these you don't know in that era who you're

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<v Speaker 2>working with.

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<v Speaker 3>Really, we couldn't we google anything?

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<v Speaker 2>You can't google? Yeah, and when is your time is running?

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<v Speaker 2>In between sets? And I just said, god, here we

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<v Speaker 2>could have sat down play a Gable you know dinners

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<v Speaker 2>and family dinners and stuff.

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<v Speaker 1>But what cool old Hollywood insight.

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<v Speaker 2>I wish we'd had that, I know, I know, it's

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<v Speaker 2>it's and especially that era where the people that we

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<v Speaker 2>were working with in TV had had film careers. And

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<v Speaker 2>then this Richard Lang's father, Walter Lang, was in the

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<v Speaker 2>silent era. I mean, the guy was born in like

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<v Speaker 2>eighteen ninety six, completely missed us. Yeah, they helped create

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<v Speaker 2>this whole business, and we had them at the in

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<v Speaker 2>the years when they were doing you know, directing and

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<v Speaker 2>TV and stuff.

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<v Speaker 1>And we were in our years where we were too

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<v Speaker 1>dumb to like we were starting. Yeah, we were just clue.

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<v Speaker 3>Yeah.

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<v Speaker 2>Yeah. So it's a really kind of cool crossover time

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<v Speaker 2>era back then. And I mentioned that to my husband,

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<v Speaker 2>who was like, none of your listeners are going to

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<v Speaker 2>even know. None of your listeners are gonna who Clark Gable.

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<v Speaker 1>Was and will Yes they will.

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<v Speaker 3>What do you think we our kids won't, But our

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<v Speaker 3>listeners do have a grown up audience. Yeah.

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<v Speaker 2>So anyway, kind of cool to bring us into this episode,

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<v Speaker 2>which was a very cool episode, but it opens up

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<v Speaker 2>with this wonderful, very melrosy uh montage of the Avenue,

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<v Speaker 2>you know, nineteen ninety three. We start on Snakeskin cowboy boots.

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<v Speaker 2>I'm sure you guys lit up.

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<v Speaker 1>I think those boots have walked the opening shots before, but.

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<v Speaker 3>I feel like they I think this is when we

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<v Speaker 3>started bringing in original music. I noticed a couple of

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<v Speaker 3>original songs, like when when artists wanted to be played

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<v Speaker 3>on Melroe's place, I was like, that's really, that's a

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<v Speaker 3>new song.

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<v Speaker 1>There's still there's still yeah, some some surprising music moments.

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<v Speaker 1>But I also think that a lot of the the

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<v Speaker 1>rights to the songs weren't available for this streaming version,

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<v Speaker 1>So I have a feeling some songs had to be changed,

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<v Speaker 1>like for the actual rights of those original now right.

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<v Speaker 1>But they're trying to match the tone of it with

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<v Speaker 1>interesting music that's like you know, stock and available.

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<v Speaker 2>Well, the music for the original Melrose was iconic, you know,

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<v Speaker 2>especially the title music for sure, the theme song for sure,

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<v Speaker 2>theme song for sure. But also it became a place

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<v Speaker 2>where lots of bands and artists, what what would want

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<v Speaker 2>their stuff, you know, like the Goo Goo Dolls or

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<v Speaker 2>whoever they they would I think come on and be

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<v Speaker 2>a part of the show. Not known for that, it's

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<v Speaker 2>music so, yeah, we were cool. And it's corny shoulder pads,

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<v Speaker 2>but those are the two things.

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<v Speaker 1>They were. They were like a costar. They a little

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<v Speaker 1>separate billing it.

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<v Speaker 2>So as the camera comes in on Billy and Allison's apartment,

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<v Speaker 2>and he's so excitedly cooking breakfast. I mean, he's just

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<v Speaker 2>got the spring of this stuff. He's so excited.

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<v Speaker 1>Well, remind us what had happened the night before.

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<v Speaker 2>Well, the night before I believe she was standing in

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<v Speaker 2>the doorway with a very oversized men's shirt with nothing underneath.

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<v Speaker 3>No pants. Alison's signature, look no pants.

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<v Speaker 1>It is Alison no pants previously maybe shoulder pads.

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<v Speaker 2>I'm not sure if he's seducing him at any rate.

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<v Speaker 2>They end up kissing, and right after they kissed, Billy's

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<v Speaker 2>like seeing stars and she's like, good night, Billy. He

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<v Speaker 2>goes into her room.

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<v Speaker 1>So they kissed for the first time. But that's it.

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<v Speaker 1>And so now this is the morning after last night.

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<v Speaker 2>This is the morning after, and as he's very excitedly

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<v Speaker 2>making breakfast, Alison enters and I want to know, Courtney,

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<v Speaker 2>if you had any comments on your beige skirt and jacket.

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<v Speaker 3>Said, this is a repeat. This jacket. All I'm screaming

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<v Speaker 3>at the TV as I'm watching it. It's tailor it,

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<v Speaker 3>tailor it. I just want things more fitted. Amanda walks

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<v Speaker 3>around in these beautifully tailored things, and it looks like

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<v Speaker 3>I'm borrowing things from a relative who's a completely different size.

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<v Speaker 1>Your's this sort of amazing. There was something about that

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<v Speaker 1>era that that was like a style that was an

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<v Speaker 1>acceptable style. Because I have photographs, like just personal photographs

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<v Speaker 1>of how I was dressing around this time, and I

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<v Speaker 1>had a huge oversized blazer for what reason. It was

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<v Speaker 1>like this men's boxy thing, Like why did I? I'm

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<v Speaker 1>a small person, why did I?

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<v Speaker 3>That's true. So I think there was a style that's

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<v Speaker 3>the seventies. No, you're right, it was. It was the style.

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<v Speaker 3>You shouldn't wear it on TV because everything looks bigger.

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<v Speaker 1>Anyway, Well, now we know, right, we learn, you know

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<v Speaker 1>many years later in now now we know, but we

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<v Speaker 1>probably still thought it was cool at the time when

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<v Speaker 1>we when we saw it on TV.

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<v Speaker 3>But anyway I noticed about this is how sweetly shy

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<v Speaker 3>they are. Like I really want them to just be

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<v Speaker 3>they finally had their first kiss. I want them to

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<v Speaker 3>be all over each other. But this entire scene, they're

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<v Speaker 3>acting like an old married couple.

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<v Speaker 2>No Alison. Alison is putting the brakes on Alison like,

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<v Speaker 2>You're like, we should talk about last night. We've talked enough. Well,

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<v Speaker 2>we've been living together a year. That's slow. It's already,

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<v Speaker 2>you know, ready to go. And he's like handing you

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<v Speaker 2>breakfast and wanting to kiss you, and you're like, I.

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<v Speaker 3>Know she's reading is disinterested, which I'm not a fan of.

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<v Speaker 1>Well, it was likers. It struck me as like nervous

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<v Speaker 1>and scared and a little bit like all of a

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<v Speaker 1>sudden self conscious about it, Like, okay, it came. It

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<v Speaker 1>became self conscious because before it was like she wanted

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<v Speaker 1>to be spontaneous, and then all of a sudden, now

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<v Speaker 1>that they've kissed and now that it's real thing, all

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<v Speaker 1>of a sudden, she's panicking and sort of self conscious

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<v Speaker 1>about it. And she's she's like, well, I hate you know.

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<v Speaker 1>When she's putting on the break she's suggesting they go

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<v Speaker 1>on a real date first. Yeah, He's like, we.

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<v Speaker 2>Haven't even been on a So he's like, well, great,

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<v Speaker 2>what are your plans tonight? I'm taking out to the

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<v Speaker 2>most romantic night Basically he says. So he's like, whatever

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<v Speaker 2>you want, let's just keep this thing going. It's so

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<v Speaker 2>cute cut. So I feel like they're it's so interesting

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<v Speaker 2>those two. They're always like stop and go, stop and go,

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<v Speaker 2>you know what I mean, Like it gets going, and

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<v Speaker 2>the breaks around they get going and the so but

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<v Speaker 2>they're very adorable in this one. And then we're gonna

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<v Speaker 2>after he says, Okay, I'm taking you out on romantic

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<v Speaker 2>night tonight, so you get ready for our first date.

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<v Speaker 2>Then we cut to the next scene is the devil

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<v Speaker 2>I mean, Michael shaving and his beautiful loving wife is

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<v Speaker 2>nuzzling up behind him in the mirror in the bathroom

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<v Speaker 2>and wanting to get frisky and saying I miss you, Michael,

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<v Speaker 2>And he says, well, tomorrow night's our anniversary, so you know,

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<v Speaker 2>let's wait till then, and she's like, I want you

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<v Speaker 2>and he's like.

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<v Speaker 3>Well, this is the second scene when he's shaving and

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<v Speaker 3>rejecting her. I'm like, this is a theme. I'm not

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<v Speaker 3>a fan of the theme.

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<v Speaker 2>Yes, right, oh, and I love our producer has put

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<v Speaker 2>out that reels that said red flag. He's shaving on

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<v Speaker 2>his day off.

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<v Speaker 1>Yeah, total red flag. And he's turning down his wife.

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<v Speaker 1>And he's standing in only a towel in this scene,

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<v Speaker 1>which I mean this is a little bit of foreshadowing.

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<v Speaker 1>We'll get to that later. He's just wearing a towel

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<v Speaker 1>in the well and turning down his beautiful wife.

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<v Speaker 2>And he's turning down this beautiful, sweet wife and they've

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<v Speaker 2>only been married a couple of years. So he scoots

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<v Speaker 2>her out of the bathroom now scoot, scoot, scoot, like

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<v Speaker 2>shuts the door, and she's like, uh okay. So you

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<v Speaker 2>start to see that she's unhappy, kind of like wheels

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<v Speaker 2>maybe turning in her well.

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<v Speaker 3>Remember in the last episode he said he was at

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<v Speaker 3>work all day and she found sand in his shoes.

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<v Speaker 3>So she's got this playing in the back of her

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<v Speaker 3>mind something.

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<v Speaker 1>Yeah, what's up with him? And is he always telling

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<v Speaker 1>me the pieces together?

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<v Speaker 2>Isn't she? Yeah? I think she's a little flow. But

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<v Speaker 2>then we are back at the rom com of the episode.

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<v Speaker 2>Billy and Allison are each in their own closets to

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<v Speaker 2>some of that great melose music. We were talking about

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<v Speaker 2>throwing things out of the on the bed, like what

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<v Speaker 2>should I wear? They're both like what should I wear?

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<v Speaker 2>What do I wear? It's a date. It's an actual

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<v Speaker 2>date with my roommate.

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<v Speaker 1>And they're literally across the hall from each other, and

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<v Speaker 1>they're so across but both getting ready.

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<v Speaker 2>Alison like goes, oh, and she walks out and she

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<v Speaker 2>knocks on his door. She goes, what are you wearing?

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<v Speaker 2>What should I wear for tonight's date?

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<v Speaker 1>Like?

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<v Speaker 2>Is this fancy? Is this cash? And he's like, well, sexy,

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<v Speaker 2>but demure, you know, he's very general and she's like, oh,

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<v Speaker 2>you're a lot of help. And he says, well, I

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<v Speaker 2>want to be surprised when I pick you up, and

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<v Speaker 2>she goes.

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<v Speaker 3>It sort of spoils a mystery when you have to

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<v Speaker 3>wait for a date to finish clipping his tonnails before

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<v Speaker 3>you can put your makeup on, which is so true.

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<v Speaker 1>I think it's such as it's disgusting and funny, very roommating.

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<v Speaker 1>The funny thing is that it goes on from there

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<v Speaker 1>where she's saying, well, how do we get this suspense?

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<v Speaker 1>You know, if I'm waiting for you to finish clipping

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<v Speaker 1>your tons it is like, speaking of makeup, you might

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<v Speaker 1>want to take it a little easy on the makeup

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<v Speaker 1>because you know it contend to get heavy when you

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<v Speaker 1>go out and I'm like, what what you yeah me

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<v Speaker 1>to like have their first date.

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<v Speaker 2>It's a weird moment because they've turned a corner and

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<v Speaker 2>so now they're just saying stuff, do you know to me? Like, well,

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<v Speaker 2>now that we're gonna be together, like you know you

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<v Speaker 2>by the way you wear too much makeup when you

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<v Speaker 2>go out?

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<v Speaker 1>Yes, excuse me, there may just being a date. Yeah.

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<v Speaker 3>Yeah, it's not looking good. They're not handling any of

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<v Speaker 3>this well.

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<v Speaker 2>So the cutest moment is when she goes, look, mister,

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<v Speaker 2>and she walks right up to him, where are you

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<v Speaker 2>taking me? And then he's like, to the park for

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<v Speaker 2>jazz Fest And then she turns and she goes, oh perfect.

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<v Speaker 2>So she goes, I'll grab some jeans out of the dryer,

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<v Speaker 2>and as she leaves, he goes, Okay, I'm picking you

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<v Speaker 2>up in fifteen minutes. He's gonna go outside and knock

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<v Speaker 2>on the door of their apartment or has to knock

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<v Speaker 2>on her bedroom door. I don't know, but it's hilarious.

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<v Speaker 2>They're trying to like play real grown ups on a

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<v Speaker 2>date with their roommates. So hurry up, I'm picking you

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<v Speaker 2>up in fifteen minutes. Very cute scene. And as we

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<v Speaker 2>said she's gonna go downstairs to the laundroom and get

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<v Speaker 2>some dryers out of the dryer. So who does she

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<v Speaker 2>run into there? Jane. She starts talking all of a

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<v Speaker 2>sudden to Alison. They're like, hey, hey, And of course

0:11:14.040 --> 0:11:17.480
<v Speaker 2>we know that Alison has seen Michael kissing Kimberly in

0:11:17.559 --> 0:11:22.520
<v Speaker 2>the last episode in the hospital parking lot, and all

0:11:22.559 --> 0:11:25.440
<v Speaker 2>of a sudden, Jane's like talking about marriage and she's

0:11:25.440 --> 0:11:27.760
<v Speaker 2>been thinking about it and you know how old couple

0:11:27.840 --> 0:11:30.480
<v Speaker 2>stay together and it's just supposed to be hard in

0:11:30.480 --> 0:11:34.800
<v Speaker 2>the first two years, which is what she's in. But

0:11:34.920 --> 0:11:37.880
<v Speaker 2>you know, we have our anniversary dinner and I'm excited

0:11:37.920 --> 0:11:40.839
<v Speaker 2>about that and she's like, okay, well, have a good

0:11:40.960 --> 0:11:41.920
<v Speaker 2>anniversary dinner.

0:11:42.360 --> 0:11:44.960
<v Speaker 1>Alison doesn't say anything, right, she has an opportunity and

0:11:45.000 --> 0:11:45.760
<v Speaker 1>she doesn't take it.

0:11:45.800 --> 0:11:46.800
<v Speaker 2>Here she doesn't take it.

0:11:47.000 --> 0:11:50.240
<v Speaker 1>And the other thing that like, by now we've seen

0:11:50.880 --> 0:11:54.360
<v Speaker 1>because Michael has gone to the hospital this day after

0:11:54.400 --> 0:11:57.160
<v Speaker 1>he's finished shaving whatever, and we've already seen the audience

0:11:57.160 --> 0:12:00.960
<v Speaker 1>has seen it, as is him arriving at the hospital

0:12:01.000 --> 0:12:03.120
<v Speaker 1>and Kimberly greeting him in the parking lot and giving

0:12:03.160 --> 0:12:06.120
<v Speaker 1>him a kiss. So by the time Jane and Alison

0:12:06.160 --> 0:12:08.679
<v Speaker 1>see each other in the parking lot or I mean

0:12:08.720 --> 0:12:10.800
<v Speaker 1>in the laundry room. They've seen each other in the

0:12:10.800 --> 0:12:14.240
<v Speaker 1>parking lot for the audience that we've already seen him

0:12:14.280 --> 0:12:19.040
<v Speaker 1>being deceitful again and like confirming that they're still doing this.

0:12:19.120 --> 0:12:22.679
<v Speaker 1>They're kissing in the parking lot. They're trying to, you know,

0:12:22.800 --> 0:12:26.160
<v Speaker 1>maybe make a plan when they can get together, and

0:12:26.160 --> 0:12:29.360
<v Speaker 1>and you know, Michael is revealing, well, hang on, it's,

0:12:29.400 --> 0:12:32.079
<v Speaker 1>you know, my anniversary, but maybe I can figure this

0:12:32.120 --> 0:12:37.160
<v Speaker 1>out because you know, and only my anniversary, my two

0:12:37.240 --> 0:12:40.440
<v Speaker 1>year anniversary. It wasn't it just the last episode where

0:12:40.440 --> 0:12:43.840
<v Speaker 1>she said I'll have you any way I can, like,

0:12:43.920 --> 0:12:46.960
<v Speaker 1>I don't care. I know that you're married, but I

0:12:47.040 --> 0:12:48.920
<v Speaker 1>just need to have you, like you need to.

0:12:49.240 --> 0:12:49.480
<v Speaker 2>Yeah.

0:12:49.559 --> 0:12:51.640
<v Speaker 1>So all of a sudden, now she's like, this is

0:12:51.640 --> 0:12:54.000
<v Speaker 1>not good. I don't want to sneak around and this

0:12:54.040 --> 0:12:58.680
<v Speaker 1>is not me and it's mad. So so when Jane

0:12:58.720 --> 0:13:00.959
<v Speaker 1>and Alison see each other in the room after that,

0:13:01.040 --> 0:13:04.400
<v Speaker 1>it's even more like, eh, that's right that Alison doesn't

0:13:04.840 --> 0:13:07.080
<v Speaker 1>say something because we're you know, we're definitely seeing that

0:13:07.120 --> 0:13:08.959
<v Speaker 1>this affair is on.

0:13:09.360 --> 0:13:11.920
<v Speaker 2>Yes, which leads us to this next scene where they're

0:13:11.960 --> 0:13:14.240
<v Speaker 2>actually Alison and Billy are on their date, and it's

0:13:14.520 --> 0:13:19.920
<v Speaker 2>really now weighing on Alison's She's so preoccupied with do

0:13:20.000 --> 0:13:23.120
<v Speaker 2>I tell because I just went into Jane and you're right,

0:13:23.120 --> 0:13:26.120
<v Speaker 2>I've seen them early. You know what. It's such a.

0:13:26.080 --> 0:13:28.640
<v Speaker 3>Cute scene, like they're sitting in this outside park, they've

0:13:28.640 --> 0:13:31.800
<v Speaker 3>got a picnic and there's it really is sweet and

0:13:31.920 --> 0:13:34.640
<v Speaker 3>romantic and I'm just screaming, shut up and kiss him

0:13:34.880 --> 0:13:39.920
<v Speaker 3>like what we are Michael, woh, just stop it, Alison,

0:13:40.600 --> 0:13:41.559
<v Speaker 3>And it's adorable.

0:13:41.679 --> 0:13:41.959
<v Speaker 2>Boy.

0:13:42.040 --> 0:13:45.160
<v Speaker 3>It's driving me because honestly, you guys know what it's

0:13:45.200 --> 0:13:47.040
<v Speaker 3>like to be in a new relationship. All you want

0:13:47.120 --> 0:13:49.880
<v Speaker 3>to do is make out. So the fact that she

0:13:50.120 --> 0:13:52.840
<v Speaker 3>can't like it would be so far out of her mind.

0:13:52.880 --> 0:13:55.440
<v Speaker 3>That's what's driving me crazy about this storyline. It's like

0:13:55.840 --> 0:13:59.439
<v Speaker 3>they have kissed. It was great. It was a sweet kiss.

0:13:59.480 --> 0:14:02.880
<v Speaker 3>We saw it. So I feel like in reality that

0:14:02.920 --> 0:14:05.200
<v Speaker 3>would supersede all of this stuff. The fact that you

0:14:05.360 --> 0:14:08.920
<v Speaker 3>or unless, as to Laura's point, she's picking fights because

0:14:08.920 --> 0:14:12.000
<v Speaker 3>she's scared. That's I'm gonna use that as a way

0:14:12.040 --> 0:14:14.000
<v Speaker 3>to make sense of it, because maybe she keeps bringing

0:14:14.040 --> 0:14:16.360
<v Speaker 3>this up because she's so scared about actually getting together

0:14:16.360 --> 0:14:19.200
<v Speaker 3>with Billy. Yeah, otherwise it's crazy time.

0:14:20.000 --> 0:14:20.480
<v Speaker 2>Well it is.

0:14:21.080 --> 0:14:23.600
<v Speaker 1>She's so preoccupied with it. She just can't get it

0:14:23.600 --> 0:14:25.920
<v Speaker 1>out of her mind, which seems crazy at this moment

0:14:25.960 --> 0:14:29.880
<v Speaker 1>for her relationship. But she does admit to Billy that

0:14:29.960 --> 0:14:32.520
<v Speaker 1>she couldn't bring herself to tell Jane in the lowndroom,

0:14:32.600 --> 0:14:35.240
<v Speaker 1>like she's honest about it, like that's bugging her that

0:14:35.320 --> 0:14:39.360
<v Speaker 1>she hasn't been able to, you know, come clean about it,

0:14:39.400 --> 0:14:40.720
<v Speaker 1>and she feels really responsible for that.

0:14:41.440 --> 0:14:43.520
<v Speaker 3>Yeah. And then Billy says, it's almost like you don't

0:14:43.560 --> 0:14:47.480
<v Speaker 3>want to move forward, and then she blames him and

0:14:47.600 --> 0:14:49.040
<v Speaker 3>picks a fight and storms off.

0:14:49.280 --> 0:14:51.160
<v Speaker 2>Well, he says, it's because I don't think you want

0:14:51.160 --> 0:14:55.240
<v Speaker 2>to sleep with me, meaning moving forward, and she's like, yes, thanks,

0:14:55.280 --> 0:14:57.080
<v Speaker 2>you like took out the romance of this.

0:14:57.000 --> 0:14:59.880
<v Speaker 3>Whole whole life coucher out the romance, excuse me right?

0:15:00.200 --> 0:15:02.640
<v Speaker 1>Well first, and he also says, you know, hey, some

0:15:02.640 --> 0:15:05.440
<v Speaker 1>some relationships can survive this kind of thing, and which

0:15:05.840 --> 0:15:08.160
<v Speaker 1>sort of rubs Alison wrong too, like wait a minute,

0:15:08.200 --> 0:15:11.120
<v Speaker 1>are him like is this are you defending him? And

0:15:11.400 --> 0:15:14.320
<v Speaker 1>they end up in this bickering that ruins their date

0:15:14.480 --> 0:15:16.720
<v Speaker 1>and they have to leave the park, like they just

0:15:16.800 --> 0:15:19.760
<v Speaker 1>can't enjoy what was right in front of them.

0:15:19.800 --> 0:15:21.600
<v Speaker 2>This was a chance for them to get close and

0:15:21.720 --> 0:15:24.400
<v Speaker 2>make out and feel like, you know, a date, and

0:15:24.440 --> 0:15:28.080
<v Speaker 2>then it was thwarted and they go off. They end

0:15:28.120 --> 0:15:28.920
<v Speaker 2>the scene fire.

0:15:29.000 --> 0:15:31.720
<v Speaker 3>Alison thwarts it, thwarts.

0:15:31.240 --> 0:15:34.720
<v Speaker 2>It, anything to prevent his tongue from entering her mouth.

0:15:36.360 --> 0:15:41.400
<v Speaker 2>He's so happy, it's so cute, and you're just I know, well,

0:15:42.520 --> 0:15:49.280
<v Speaker 2>so clearly not method acting there, right, and I think

0:15:49.600 --> 0:15:52.280
<v Speaker 2>I have here. The next morning, Allison comes into Billy's

0:15:52.360 --> 0:15:56.640
<v Speaker 2>room in her iconic blue bathrobe with the stars.

0:15:56.400 --> 0:15:58.560
<v Speaker 3>Yeah, because she wants to be sexy. So she picks

0:15:58.560 --> 0:16:02.160
<v Speaker 3>a big, huge love like how many times did you

0:16:02.160 --> 0:16:04.360
<v Speaker 3>walk into his room and a T shirt and underwear?

0:16:04.480 --> 0:16:08.080
<v Speaker 3>And now it's like, but you don't have today. It

0:16:08.120 --> 0:16:11.520
<v Speaker 3>really feels like she's trying to put distance. Maybe maybe

0:16:11.560 --> 0:16:13.320
<v Speaker 3>that's it. I'm going to give myself credit and say

0:16:13.360 --> 0:16:14.120
<v Speaker 3>that's what I was playing.

0:16:14.560 --> 0:16:18.920
<v Speaker 2>Well, you have to this character has I don't know

0:16:18.960 --> 0:16:21.040
<v Speaker 2>how long they end up staying together, but they can

0:16:21.080 --> 0:16:25.240
<v Speaker 2>grow into it. But yeah, I mean, yeah, if it

0:16:25.280 --> 0:16:28.440
<v Speaker 2>were me and I turned on my remain we started

0:16:28.440 --> 0:16:31.000
<v Speaker 2>something all the dolls would be gone from my shelf.

0:16:30.760 --> 0:16:35.680
<v Speaker 3>Exactly, the dolls. Remember Allison with Keith that episode, Like,

0:16:35.800 --> 0:16:39.000
<v Speaker 3>clearly she has a libido. They barely talked in that episode.

0:16:39.080 --> 0:16:42.080
<v Speaker 3>Every seat they were making out why is she hiding

0:16:42.120 --> 0:16:43.600
<v Speaker 3>that from Billy anyway?

0:16:43.840 --> 0:16:47.119
<v Speaker 1>Sorry, well, I think also it's an example of story

0:16:47.560 --> 0:16:50.000
<v Speaker 1>that you just like, Okay, that's what's in the script,

0:16:50.000 --> 0:16:51.080
<v Speaker 1>and that's what I have to play it for the

0:16:51.120 --> 0:16:52.800
<v Speaker 1>sake of story, right like, and.

0:16:53.040 --> 0:16:53.680
<v Speaker 2>I'm trying to.

0:16:53.800 --> 0:16:55.800
<v Speaker 3>They're trying to stretch it out, make it you need

0:16:55.880 --> 0:16:57.000
<v Speaker 3>as long as possible.

0:16:57.080 --> 0:16:59.360
<v Speaker 1>Yeah, they needed to get the conflict with Jane and Michael,

0:16:59.360 --> 0:17:02.680
<v Speaker 1>and this is that worked into like Alison not having

0:17:02.680 --> 0:17:04.800
<v Speaker 1>told and so it had to become stories. So all

0:17:04.840 --> 0:17:10.720
<v Speaker 1>of a sudden, you're playing something that's not necessarily you know, believable. Yeah,

0:17:10.760 --> 0:17:13.000
<v Speaker 1>like organic or what you what you think like this

0:17:13.119 --> 0:17:15.960
<v Speaker 1>other story points. So give your you know, give yourself

0:17:16.040 --> 0:17:16.400
<v Speaker 1>a break.

0:17:16.520 --> 0:17:19.320
<v Speaker 3>And it does, like the audience was probably yelling at

0:17:19.320 --> 0:17:22.080
<v Speaker 3>the TV. That is fun for the audience, right because

0:17:22.080 --> 0:17:25.120
<v Speaker 3>you're just like they're so close to get on with it.

0:17:25.440 --> 0:17:27.280
<v Speaker 2>Yeah, like he said, not supposed to be realistic, and

0:17:27.320 --> 0:17:29.800
<v Speaker 2>the writers know when they want you to you know,

0:17:29.840 --> 0:17:32.160
<v Speaker 2>they know they're manipulating the writers just like us.

0:17:32.240 --> 0:17:36.600
<v Speaker 1>We're all doing already, dragging it out, and they're.

0:17:36.400 --> 0:17:37.919
<v Speaker 2>Going to tune in next week to see if they

0:17:38.000 --> 0:17:39.280
<v Speaker 2>do it, and they're gonna turn the following week.

0:17:39.480 --> 0:17:40.280
<v Speaker 3>Yeah it's so true.

0:17:40.400 --> 0:17:42.840
<v Speaker 1>Okay, but the conversation the next morning after this date

0:17:42.960 --> 0:17:45.320
<v Speaker 1>was thwarted at right, And then she comes out in

0:17:45.320 --> 0:17:48.120
<v Speaker 1>her robe. The conversation in the kitchen is so fun.

0:17:48.160 --> 0:17:50.120
<v Speaker 3>In the bedroom in weldroom is.

0:17:50.040 --> 0:17:50.560
<v Speaker 2>It the bedroom?

0:17:50.560 --> 0:17:52.879
<v Speaker 1>Okay, we're oh yeah, yeah, yeah, And they're starting to

0:17:53.000 --> 0:17:54.720
<v Speaker 1>compare what they were dreaming about.

0:17:54.920 --> 0:17:56.000
<v Speaker 2>That's so cute.

0:17:56.720 --> 0:17:57.359
<v Speaker 1>Oh my god.

0:17:57.920 --> 0:17:59.600
<v Speaker 2>Yeah, flowers opening.

0:17:59.560 --> 0:18:02.240
<v Speaker 3>And Alice those crashing waves.

0:18:03.040 --> 0:18:05.560
<v Speaker 1>I was doing that, waves crashing on the floor on

0:18:05.600 --> 0:18:09.639
<v Speaker 1>the shore. And when Billy says flowers opening up, I'm like,

0:18:09.720 --> 0:18:14.080
<v Speaker 1>you know, oh that must have been those things for Andrews, Like,

0:18:14.200 --> 0:18:15.159
<v Speaker 1>I'm gonna say this.

0:18:17.720 --> 0:18:20.280
<v Speaker 2>But then you have Alison, who you know, has come

0:18:20.320 --> 0:18:22.680
<v Speaker 2>into apologize and she's like, well, let's give it another

0:18:22.760 --> 0:18:25.640
<v Speaker 2>try tonight. Let's stay in and have wine and pizza

0:18:26.200 --> 0:18:28.480
<v Speaker 2>and maybe sex. Do the deed.

0:18:28.800 --> 0:18:31.760
<v Speaker 3>I can't possibly do it. Now, both of us dig

0:18:31.840 --> 0:18:34.000
<v Speaker 3>my robot. That couldn't possibly happen.

0:18:34.200 --> 0:18:36.919
<v Speaker 1>Yeah, let's make a plan. Let's talk about it, and

0:18:37.000 --> 0:18:39.199
<v Speaker 1>let's make a plan, and let's let's take all the

0:18:39.240 --> 0:18:40.720
<v Speaker 1>sexiness out of the whole thing.

0:18:41.640 --> 0:18:43.720
<v Speaker 3>No, you know what, our sex life needs a plan.

0:18:45.000 --> 0:18:45.919
<v Speaker 1>Let's discuss it.

0:18:46.000 --> 0:18:49.440
<v Speaker 2>Well, but he's like, okay, take two.

0:18:50.920 --> 0:18:52.720
<v Speaker 1>But they agree that it will be no talk of

0:18:52.760 --> 0:18:56.439
<v Speaker 1>the neighbors this time. No talking about the neighbors.

0:18:56.000 --> 0:18:57.480
<v Speaker 2>Because I won't talk about the neighborhood.

0:18:57.520 --> 0:18:58.640
<v Speaker 1>College. Okay, good plan.

0:19:03.400 --> 0:19:07.760
<v Speaker 2>We're at the beach with a big bed of lingerie models, uh,

0:19:07.880 --> 0:19:10.720
<v Speaker 2>posing and lounging on the side.

0:19:10.760 --> 0:19:12.199
<v Speaker 3>Like did they have to like, did they have to

0:19:12.240 --> 0:19:13.120
<v Speaker 3>fill a beach day?

0:19:13.560 --> 0:19:15.160
<v Speaker 1>A four poster bed, four.

0:19:15.080 --> 0:19:18.679
<v Speaker 3>Poster wooden bed and a and a bedside table.

0:19:18.440 --> 0:19:22.200
<v Speaker 1>By dresser and two bedside tables, an entire bedroom set,

0:19:22.480 --> 0:19:24.760
<v Speaker 1>the entire front on the sand.

0:19:25.320 --> 0:19:29.040
<v Speaker 2>Yeah. I remember we did shoot this in Santa Monica, right,

0:19:29.160 --> 0:19:31.520
<v Speaker 2>I think near the pier. But no one questioned it.

0:19:31.640 --> 0:19:34.240
<v Speaker 2>I don't remember anyone going like is this a weird setup?

0:19:34.320 --> 0:19:38.359
<v Speaker 2>It was just ninety three like, lingerie models on a

0:19:38.400 --> 0:19:40.280
<v Speaker 2>four post bed on the beach.

0:19:40.440 --> 0:19:41.640
<v Speaker 1>It was just another Tuesday.

0:19:41.920 --> 0:19:46.080
<v Speaker 2>It's just a catalog shot. What's the issue? Whatever? There maybe,

0:19:46.160 --> 0:19:47.840
<v Speaker 2>you know, I think it was like a Victoria's Secret

0:19:47.880 --> 0:19:50.119
<v Speaker 2>type of thing or something. And we have one of

0:19:50.160 --> 0:19:53.240
<v Speaker 2>the lead the lead model is Karen, who's played by

0:19:53.359 --> 0:19:58.359
<v Speaker 2>Vanessa Angel, and she and Joe are doing this banter

0:19:58.560 --> 0:20:00.800
<v Speaker 2>and I washed this a couple of time, and I'm like, ah,

0:20:00.840 --> 0:20:03.879
<v Speaker 2>there's all of this sort of like double on tandras

0:20:03.960 --> 0:20:08.240
<v Speaker 2>teasing like with between the two women. You know. But

0:20:08.359 --> 0:20:11.960
<v Speaker 2>she's saying Joe's like being all very you know. I

0:20:11.960 --> 0:20:15.159
<v Speaker 2>guess I was doing what I thought photographers did, like

0:20:15.200 --> 0:20:20.600
<v Speaker 2>oh yeah you're hot baby, so good, yeah, beautiful, gorgeous, gorgeous.

0:20:20.720 --> 0:20:23.520
<v Speaker 3>I guess yeah, yeah.

0:20:23.320 --> 0:20:25.400
<v Speaker 2>I didn't do a ton of research. I just did

0:20:25.400 --> 0:20:27.320
<v Speaker 2>what I I.

0:20:27.359 --> 0:20:30.680
<v Speaker 3>Bought a photo shoots. They want you feel good about yourself.

0:20:30.680 --> 0:20:34.560
<v Speaker 3>There was crazy on music. Yeah you're saying beautiful, beautiful, great, yeah, great,

0:20:34.640 --> 0:20:36.399
<v Speaker 3>arch your back. I was like, yeah, I've heard all

0:20:36.480 --> 0:20:37.200
<v Speaker 3>those yeah.

0:20:37.440 --> 0:20:39.160
<v Speaker 2>Arch your back. That was yeah, archier back.

0:20:39.359 --> 0:20:40.240
<v Speaker 3>Yeah.

0:20:40.280 --> 0:20:41.680
<v Speaker 2>So that's what I'm saying, really.

0:20:41.520 --> 0:20:43.280
<v Speaker 3>Should say to Alison to get things moving.

0:20:44.520 --> 0:20:49.440
<v Speaker 1>You're beautiful, drop that robe off your shoulder, arch your back.

0:20:49.560 --> 0:20:53.680
<v Speaker 1>I think, shut your mouth, arch your back.

0:20:54.000 --> 0:20:58.119
<v Speaker 2>She's like, wait, what art your back? Alison? Stop talking

0:20:58.600 --> 0:21:01.359
<v Speaker 2>I'm listening to you. You're you're saying very important things

0:21:01.400 --> 0:21:07.679
<v Speaker 2>just hurt you back. But Vanessa, my model, goes yes, ma'am.

0:21:08.600 --> 0:21:10.800
<v Speaker 2>It works for her. So she's like, you should go

0:21:10.840 --> 0:21:13.359
<v Speaker 2>out with us tonight. So we're setting up that Joe's

0:21:13.359 --> 0:21:15.119
<v Speaker 2>going to hang out with these models in the whole

0:21:15.160 --> 0:21:21.399
<v Speaker 2>like fashion world gang that night, and uh yeah. So

0:21:21.440 --> 0:21:23.560
<v Speaker 2>the very last thing is, hey, we're not done here,

0:21:23.640 --> 0:21:25.879
<v Speaker 2>get back on that bed, and Karen says yes, ma'am.

0:21:26.720 --> 0:21:31.160
<v Speaker 2>H So little foreshadowing there, I think, little tease. Then

0:21:31.280 --> 0:21:33.800
<v Speaker 2>we're in the opposite of that energy in the hospital

0:21:33.920 --> 0:21:38.119
<v Speaker 2>changing room where Kimberly now apologizes for getting so upset

0:21:38.320 --> 0:21:41.960
<v Speaker 2>she did earlier, and he kind of I think this

0:21:42.000 --> 0:21:44.639
<v Speaker 2>is where he likes quietly says I have a plan

0:21:44.680 --> 0:21:47.840
<v Speaker 2>against the lockers because for some reason, like four people

0:21:47.880 --> 0:21:50.080
<v Speaker 2>come into the room in this small little room and he's.

0:21:50.080 --> 0:21:52.680
<v Speaker 1>Ye, and they're still going to have this conversation. Yeah.

0:21:53.240 --> 0:21:55.480
<v Speaker 2>Does this where he has the plan to want you

0:21:55.520 --> 0:21:57.439
<v Speaker 2>to beat me at my anniversary dinner?

0:21:57.640 --> 0:22:01.880
<v Speaker 1>Yeah, the pagrio it's.

0:22:01.680 --> 0:22:03.960
<v Speaker 2>Just anyway, Yeah, I had this anniversary dinner. I had

0:22:04.000 --> 0:22:06.239
<v Speaker 2>this plan, you know, wait for this certain time. They

0:22:06.280 --> 0:22:07.720
<v Speaker 2>plan a time and then I want you to beat

0:22:07.760 --> 0:22:09.280
<v Speaker 2>me and then I'm gonna have to come into the

0:22:09.280 --> 0:22:13.040
<v Speaker 2>hospital because I'm on call, and you know, and she's like,

0:22:13.080 --> 0:22:15.080
<v Speaker 2>I feel so guilty though you're at your dinner and

0:22:15.119 --> 0:22:17.679
<v Speaker 2>he's like, don't feel guilty. We're just being true to

0:22:17.720 --> 0:22:19.240
<v Speaker 2>our feelings. Yeah.

0:22:19.359 --> 0:22:22.480
<v Speaker 3>Yeah, she totally afflicted, like she's cold at first and

0:22:22.520 --> 0:22:24.800
<v Speaker 3>she feels conflicted, but then in the end she'll like

0:22:24.800 --> 0:22:26.800
<v Speaker 3>in this one, she said, all I've been thinking about

0:22:26.880 --> 0:22:29.160
<v Speaker 3>is you anniversary or not? Or He says that. He says,

0:22:29.480 --> 0:22:31.479
<v Speaker 3>all I've been thinking about is you anniversary or not?

0:22:31.520 --> 0:22:33.480
<v Speaker 3>And then that sort of opens the door for her again.

0:22:33.600 --> 0:22:36.800
<v Speaker 1>So yeah, he's he's so fine with it, like like

0:22:36.960 --> 0:22:41.679
<v Speaker 1>literally interrupting its anniversary dinner to go spend the evening

0:22:41.680 --> 0:22:43.720
<v Speaker 1>with her. And he says, there's nobody I'd rather spend

0:22:44.160 --> 0:22:48.160
<v Speaker 1>the night with than you. And just for people who

0:22:48.160 --> 0:22:53.240
<v Speaker 1>don't understand what beeping is, right, pagers, we wore these

0:22:53.240 --> 0:22:57.879
<v Speaker 1>little things that like you call the number and it

0:22:57.119 --> 0:23:00.119
<v Speaker 1>would it vibrates her beeps and that's your te so

0:23:00.240 --> 0:23:02.000
<v Speaker 1>you have to return the call to that phone number

0:23:02.040 --> 0:23:03.800
<v Speaker 1>or whatever, so you're getting beeped.

0:23:04.359 --> 0:23:07.440
<v Speaker 2>It's high tack by you had to at the time

0:23:07.560 --> 0:23:12.280
<v Speaker 2>A yep, we're a pager pager. Then we cut to

0:23:12.800 --> 0:23:16.159
<v Speaker 2>Alison and Amanda are arguing. Surprise, surprise, were d and

0:23:16.240 --> 0:23:20.240
<v Speaker 2>d Ad. They're arguing in the open workspace, and Lucy

0:23:20.280 --> 0:23:22.240
<v Speaker 2>walks up and says to Alison, I want you to

0:23:22.240 --> 0:23:24.520
<v Speaker 2>come into my office, and then she tells her, look,

0:23:24.560 --> 0:23:27.680
<v Speaker 2>you cannot keep arguing with Amanda in the workspace. You're

0:23:27.680 --> 0:23:30.639
<v Speaker 2>coming to our work retreat and we're leaving tonight, which I.

0:23:30.640 --> 0:23:33.439
<v Speaker 3>Thought was such an Alison starts to say in grand

0:23:33.480 --> 0:23:36.160
<v Speaker 3>Alice in faction, but I have a day, and then

0:23:36.240 --> 0:23:38.560
<v Speaker 3>thank god, she catches herself. I was like, could you

0:23:38.680 --> 0:23:40.360
<v Speaker 3>please shut.

0:23:40.200 --> 0:23:46.119
<v Speaker 1>Off your She goes so far as to almost say

0:23:46.880 --> 0:23:47.280
<v Speaker 1>and then.

0:23:48.680 --> 0:23:51.800
<v Speaker 2>Wait, oh my god, but Lucy. It's only because Lucy

0:23:51.800 --> 0:23:53.960
<v Speaker 2>gives her this look like are you really wanting to

0:23:54.000 --> 0:23:54.920
<v Speaker 2>finish the sentence?

0:23:55.160 --> 0:23:55.360
<v Speaker 3>Dumb?

0:23:55.400 --> 0:23:57.919
<v Speaker 2>After Lucy, do you know do you remember how many

0:23:57.960 --> 0:23:59.679
<v Speaker 2>times I had your back and you actually still have

0:23:59.680 --> 0:24:03.879
<v Speaker 2>a job. And then she goes, oh, yeah, no, tonight's perfect.

0:24:03.960 --> 0:24:06.359
<v Speaker 2>I'm fine. I can go out to Palm Springs and

0:24:06.520 --> 0:24:08.800
<v Speaker 2>start this work retreat, which she didn't know about a

0:24:08.840 --> 0:24:14.479
<v Speaker 2>second earlier. So so yes, So she agrees, you're going

0:24:14.520 --> 0:24:17.280
<v Speaker 2>to come out to this workspace, this work retreat, and

0:24:17.280 --> 0:24:20.480
<v Speaker 2>this is we're going to work on conflict in the workspace.

0:24:21.680 --> 0:24:25.280
<v Speaker 2>Then we cut to we are in shooters and Joe's

0:24:25.359 --> 0:24:28.199
<v Speaker 2>surrounded by a few models and she's smoking with the

0:24:28.280 --> 0:24:30.520
<v Speaker 2>models because again in the nineties, this is what all

0:24:30.520 --> 0:24:38.360
<v Speaker 2>the models did. Chane smoked at the inside inside Wild.

0:24:38.960 --> 0:24:41.879
<v Speaker 2>So anyway, Karen the lead model is saying, you know,

0:24:42.160 --> 0:24:43.960
<v Speaker 2>I loved working with you, and no one's going to

0:24:44.000 --> 0:24:47.280
<v Speaker 2>shoot me except for you here on out, and which

0:24:47.320 --> 0:24:49.480
<v Speaker 2>is you know, a great thing for Joe to hear.

0:24:49.520 --> 0:24:52.440
<v Speaker 2>And then Jake walks in and they're all so impressed.

0:24:52.520 --> 0:24:55.960
<v Speaker 3>Wow, are they super admiring of him. Well played Joe,

0:24:56.200 --> 0:24:56.640
<v Speaker 3>which is.

0:24:56.720 --> 0:25:01.240
<v Speaker 2>Very good coming from these very these beautiful models. So

0:25:01.240 --> 0:25:05.640
<v Speaker 2>he's got his arm around Joe and he's like, hey,

0:25:05.760 --> 0:25:09.240
<v Speaker 2>you have to come out with us tonight, and he's like, well,

0:25:09.400 --> 0:25:12.600
<v Speaker 2>I can't go. And he's like, Joe, you've been smoking.

0:25:12.440 --> 0:25:16.680
<v Speaker 3>Because he has a very realistic bike repair emergency. Yeah,

0:25:17.160 --> 0:25:19.520
<v Speaker 3>because there was an emergency bike repair that came in,

0:25:19.560 --> 0:25:25.000
<v Speaker 3>So I can't that couldn't women beautiful women, because you

0:25:25.040 --> 0:25:26.560
<v Speaker 3>know how that happens. It's the same thing as being

0:25:26.600 --> 0:25:29.119
<v Speaker 3>beeped as a doctor, except that it's a motorcycle that

0:25:29.119 --> 0:25:30.280
<v Speaker 3>needs an emergency repair.

0:25:30.320 --> 0:25:33.280
<v Speaker 2>Why do I know that Grant totally had this script

0:25:33.280 --> 0:25:34.639
<v Speaker 2>and went up to the rise of guard. Are you

0:25:34.640 --> 0:25:36.280
<v Speaker 2>an idiot? Why would I not go out with these

0:25:36.280 --> 0:25:40.800
<v Speaker 2>people models? You know? How do I say this with

0:25:40.840 --> 0:25:41.400
<v Speaker 2>the straight face?

0:25:41.440 --> 0:25:42.960
<v Speaker 1>Although I thought he did a good job in this

0:25:43.040 --> 0:25:45.159
<v Speaker 1>scene playing the part where he's supposed to be a

0:25:45.200 --> 0:25:48.840
<v Speaker 1>little bit wary of this sort of dynamic with these models,

0:25:48.880 --> 0:25:51.919
<v Speaker 1>who I am around them? Yeah, like that that seems

0:25:51.960 --> 0:25:54.560
<v Speaker 1>a little bit suspect about, like is this a good idea?

0:25:54.600 --> 0:25:56.199
<v Speaker 1>So I thought he did a good job playing that

0:25:56.320 --> 0:25:58.159
<v Speaker 1>note in this.

0:25:58.320 --> 0:26:00.600
<v Speaker 3>Scene that he did, And I think, you know, he

0:26:00.720 --> 0:26:02.840
<v Speaker 3>was sort of annoyed, Like I think he was like

0:26:03.080 --> 0:26:05.200
<v Speaker 3>he didn't want to hang out with Joe with those

0:26:05.200 --> 0:26:07.040
<v Speaker 3>people because he didn't like who Joe was with.

0:26:07.359 --> 0:26:10.640
<v Speaker 1>Yeah, well he didn't like what he saw necessarily.

0:26:10.840 --> 0:26:13.080
<v Speaker 3>Yeah right, And She's like me, are you saying it

0:26:13.240 --> 0:26:15.200
<v Speaker 3>wasn't an emergency bike repair.

0:26:15.040 --> 0:26:19.760
<v Speaker 1>Laura, I'm not going to go that far. I think

0:26:19.960 --> 0:26:22.919
<v Speaker 1>still an emergency bike repair is a very realistic thing

0:26:22.920 --> 0:26:23.840
<v Speaker 1>on the place.

0:26:25.520 --> 0:26:27.199
<v Speaker 2>And I and Jay was different. You can tell that

0:26:27.240 --> 0:26:29.600
<v Speaker 2>she's acting differently besides the smoking. She's all, you know,

0:26:29.640 --> 0:26:31.680
<v Speaker 2>she's like, we're going to this place called the black

0:26:31.720 --> 0:26:35.000
<v Speaker 2>Hole with heavy metal and singles.

0:26:34.359 --> 0:26:36.399
<v Speaker 3>And made along heavy metal. That was funny.

0:26:36.520 --> 0:26:39.960
<v Speaker 2>So Jake was like, Okay, I'm not going. Doesn't sound

0:26:40.000 --> 0:26:42.640
<v Speaker 2>appealing to him. But he's a supportive of her going

0:26:42.640 --> 0:26:44.840
<v Speaker 2>out with the girls, but he's a little bit like

0:26:44.880 --> 0:26:48.320
<v Speaker 2>who's that they leave? Right? And he's sitting there just

0:26:48.400 --> 0:26:52.639
<v Speaker 2>kind of going like okay, which you know, I think, Uh,

0:26:53.240 --> 0:26:56.320
<v Speaker 2>I don't know about you guys, but there is there's

0:26:56.359 --> 0:26:58.320
<v Speaker 2>another kind of interesting thing is like how much do

0:26:58.359 --> 0:27:00.000
<v Speaker 2>you have of your own social life when you're married

0:27:00.359 --> 0:27:02.880
<v Speaker 2>or when you're with someone and you live together, and

0:27:03.440 --> 0:27:06.040
<v Speaker 2>does each person go out and have their you know,

0:27:06.119 --> 0:27:08.440
<v Speaker 2>continue with these friendships that they each knew before they

0:27:08.440 --> 0:27:11.280
<v Speaker 2>got together. Absolutely do you kind of fold into this

0:27:11.480 --> 0:27:14.679
<v Speaker 2>like oh, you know, I mean, I would hope you

0:27:14.720 --> 0:27:15.359
<v Speaker 2>have permission.

0:27:15.400 --> 0:27:19.399
<v Speaker 1>You don't need permission, And Jake and Joe don't live together.

0:27:19.600 --> 0:27:21.679
<v Speaker 1>In fact, he even says, hey, you if it's not

0:27:21.720 --> 0:27:23.920
<v Speaker 1>too late, swing by my place when you get home,

0:27:23.920 --> 0:27:27.000
<v Speaker 1>if it's not too late, right right, Yeah, they have

0:27:27.040 --> 0:27:27.520
<v Speaker 1>a very.

0:27:27.400 --> 0:27:30.760
<v Speaker 2>Healthy you know, I mean comparatively speaking to the other

0:27:30.760 --> 0:27:33.200
<v Speaker 2>folks and not building they have a very healthy relationship.

0:27:33.280 --> 0:27:35.120
<v Speaker 3>I yeah, granted it's a very low bar.

0:27:35.480 --> 0:27:39.240
<v Speaker 2>Yeah, so very low bar. Yeah, so far. So we

0:27:39.320 --> 0:27:43.080
<v Speaker 2>leave the shooters and we are at the anniversary dinner

0:27:43.320 --> 0:27:46.159
<v Speaker 2>that we've been hearing so much about. They are there

0:27:46.200 --> 0:27:50.640
<v Speaker 2>and enjoying champagne, and we hear that appropriate music and

0:27:51.400 --> 0:27:54.000
<v Speaker 2>you're just wishing as you're watching this, going, oh, I

0:27:54.040 --> 0:27:56.040
<v Speaker 2>just wish this would last, you know, like, can we

0:27:56.119 --> 0:27:58.320
<v Speaker 2>just cut the lines that are coming and have the

0:27:58.320 --> 0:28:00.000
<v Speaker 2>two of them enjoy their anniversary dinner?

0:28:00.080 --> 0:28:03.359
<v Speaker 3>But no, Well, especially because Jane is so vulnerable and

0:28:03.400 --> 0:28:06.080
<v Speaker 3>she's saying, you know, she feels down because she misses him,

0:28:06.119 --> 0:28:08.960
<v Speaker 3>and we're just like, oh, yeah, yeah.

0:28:09.000 --> 0:28:09.840
<v Speaker 2>And it's weird.

0:28:09.920 --> 0:28:12.760
<v Speaker 1>It's like she's trying to get him to admit something

0:28:13.000 --> 0:28:15.760
<v Speaker 1>and she's not coming out and saying I feel like

0:28:16.160 --> 0:28:18.879
<v Speaker 1>something might be going on. She's still just she's really

0:28:18.960 --> 0:28:22.400
<v Speaker 1>just saying I feel lonely, and he doesn't take any.

0:28:22.359 --> 0:28:24.440
<v Speaker 2>Suspect at this point. To be honest, I.

0:28:24.400 --> 0:28:27.800
<v Speaker 1>Feel like she has questioned, like, why, you know, why

0:28:28.359 --> 0:28:29.800
<v Speaker 1>is he not at work when he says he's going

0:28:29.840 --> 0:28:31.639
<v Speaker 1>to be at work there's enough for her to feel

0:28:31.640 --> 0:28:37.520
<v Speaker 1>like insecure and questioning, but he is so confident and

0:28:38.000 --> 0:28:41.320
<v Speaker 1>good at lying. He just doesn't even blink about anybody.

0:28:41.320 --> 0:28:42.960
<v Speaker 1>He's like, oh no, honey, I love you, and like

0:28:43.080 --> 0:28:46.240
<v Speaker 1>all the stuff. He's so good at faking.

0:28:46.040 --> 0:28:48.560
<v Speaker 2>Well, she says, she said, you know, I feel like

0:28:48.560 --> 0:28:51.880
<v Speaker 2>the hospital seems to be taking you away from us,

0:28:51.920 --> 0:28:54.280
<v Speaker 2>and he's like, well, that's the price I pay, sweetie.

0:28:54.280 --> 0:28:56.080
<v Speaker 2>So it's like, this is what you signed up for.

0:28:56.200 --> 0:28:58.080
<v Speaker 2>I can't help it type of thing. Yeah, he's a

0:28:58.240 --> 0:29:02.480
<v Speaker 2>Primo Master gaslight, which we will see later. This is

0:29:02.600 --> 0:29:07.040
<v Speaker 2>just his go too for sure. But they're there and

0:29:07.120 --> 0:29:10.360
<v Speaker 2>then the guy comes up for dessert, and you know,

0:29:10.400 --> 0:29:12.160
<v Speaker 2>she's like, no, I just want coffee. He's like, for

0:29:12.200 --> 0:29:14.280
<v Speaker 2>some reason, he says, no, I have something fattening. You

0:29:14.360 --> 0:29:16.200
<v Speaker 2>deserve it. I didn't get that line. I didn't know

0:29:16.240 --> 0:29:18.560
<v Speaker 2>why that was placed there. But she's like, well, okay,

0:29:18.600 --> 0:29:23.040
<v Speaker 2>I guess I'll get chocolate. But then the beeper goes

0:29:23.080 --> 0:29:26.800
<v Speaker 2>off and you the audience are just like no, because

0:29:26.800 --> 0:29:30.520
<v Speaker 2>we know who it is. And so he leaves and

0:29:30.600 --> 0:29:34.480
<v Speaker 2>she gets the check. Yeah, he leaves.

0:29:34.240 --> 0:29:37.000
<v Speaker 1>The table to go return the call. I'm really sorry.

0:29:37.040 --> 0:29:38.240
<v Speaker 1>And he gets up and walks out.

0:29:38.800 --> 0:29:44.320
<v Speaker 2>She's like check please, yeah, very sad, yeah, very divorce,

0:29:44.560 --> 0:29:46.880
<v Speaker 2>divorce already. We don't even need to see anymore as

0:29:46.880 --> 0:29:51.760
<v Speaker 2>far as I'm concerned. Done. So we move off of her.

0:29:52.280 --> 0:29:55.680
<v Speaker 2>She's upset and sad, and then we come to Allison

0:29:56.560 --> 0:29:59.920
<v Speaker 2>is leaving the apartment and Billy's being such a sport

0:30:00.080 --> 0:30:02.480
<v Speaker 2>about it, you know, and she's like, I'm so sorry,

0:30:02.560 --> 0:30:04.600
<v Speaker 2>We're not We're not going to have our pizza date.

0:30:05.080 --> 0:30:08.480
<v Speaker 3>And this is one of this comes out in her

0:30:08.680 --> 0:30:12.800
<v Speaker 3>voluminous pleated pants, which are a favorite of mine.

0:30:13.640 --> 0:30:17.080
<v Speaker 1>We know you're not a fan of coster ball.

0:30:17.240 --> 0:30:20.440
<v Speaker 3>The luminous pants and the huge jacket, it looks like

0:30:20.480 --> 0:30:23.200
<v Speaker 3>I'm trying to hide a pregnancy. What is happening?

0:30:24.840 --> 0:30:25.520
<v Speaker 1>It was the style.

0:30:26.680 --> 0:30:28.640
<v Speaker 2>Oh I don't know, you're like, I mean, if you

0:30:28.680 --> 0:30:30.840
<v Speaker 2>had walked out in a tight black dress, that would

0:30:30.880 --> 0:30:33.400
<v Speaker 2>have been like such a bomber for him. So hi bye,

0:30:33.480 --> 0:30:36.560
<v Speaker 2>I'm leaving everyone else going to see anyway.

0:30:36.640 --> 0:30:39.440
<v Speaker 3>I just such a sport.

0:30:39.520 --> 0:30:41.640
<v Speaker 2>He's like, well, we've waited this long. We can wait

0:30:41.720 --> 0:30:45.640
<v Speaker 2>a little bit longer. So he leaves to go to

0:30:45.680 --> 0:30:46.320
<v Speaker 2>this retreat.

0:30:46.720 --> 0:30:49.280
<v Speaker 3>Well, but then there's this little like kiss on the forehead.

0:30:49.440 --> 0:30:51.920
<v Speaker 3>I'm like, yeah, where is the kiss? That's like the

0:30:52.000 --> 0:30:54.400
<v Speaker 3>promise of things to come right all of a sudden,

0:30:54.440 --> 0:30:56.520
<v Speaker 3>they really seem like cousins.

0:30:56.800 --> 0:30:59.880
<v Speaker 2>It's the weirdest thing to kissing and not even kissing cousins.

0:31:00.360 --> 0:31:04.240
<v Speaker 3>Yeah, cousins like a kiss on the like.

0:31:04.280 --> 0:31:08.280
<v Speaker 1>They really don't know how to transition from Jess being

0:31:08.360 --> 0:31:10.920
<v Speaker 1>I was gonna go, well, then don't kiss, then don't

0:31:11.000 --> 0:31:11.480
<v Speaker 1>kiss at all.

0:31:11.480 --> 0:31:14.080
<v Speaker 3>The kiss on the forehead is so chaste.

0:31:14.440 --> 0:31:18.440
<v Speaker 2>But Alison leaves and then she bumps into Jane in

0:31:18.480 --> 0:31:21.600
<v Speaker 2>the courtyard. In the courtyard who Jane's coming home from

0:31:21.640 --> 0:31:27.360
<v Speaker 2>her aborted anniversary dinner very down. It's at night, it's

0:31:27.400 --> 0:31:31.400
<v Speaker 2>after the dinner, and it's at night, and and you know,

0:31:31.720 --> 0:31:34.800
<v Speaker 2>she's so bummed, but she's again sort of making excuses

0:31:34.840 --> 0:31:39.160
<v Speaker 2>about it. Oh well, you know, it just hurts, that's all.

0:31:39.200 --> 0:31:41.880
<v Speaker 2>And then Alison finally says, Jane, I have to tell

0:31:41.880 --> 0:31:42.680
<v Speaker 2>you something.

0:31:42.840 --> 0:31:46.080
<v Speaker 3>And she decides she's racing off to a business dinner.

0:31:46.120 --> 0:31:50.480
<v Speaker 3>It's like talking about just hit and run. She tells her.

0:31:51.120 --> 0:31:55.320
<v Speaker 3>Jane has the horrible reaction we all dread, horrible immediately turns.

0:31:55.640 --> 0:31:57.920
<v Speaker 3>Then Alison goes, listen, I got it. Run here's the

0:31:57.960 --> 0:32:00.480
<v Speaker 3>hotel where I've say, what weird?

0:32:01.840 --> 0:32:03.880
<v Speaker 1>I don't know? It made sense to me though that

0:32:03.960 --> 0:32:07.520
<v Speaker 1>She's like, I have to get I can't not, I

0:32:07.560 --> 0:32:08.640
<v Speaker 1>can't hold this any longer.

0:32:08.680 --> 0:32:09.880
<v Speaker 2>I have to tell you makes sense.

0:32:09.880 --> 0:32:11.840
<v Speaker 1>This is awful, Like I need to tell you this.

0:32:11.920 --> 0:32:17.160
<v Speaker 1>But Jane is so immediately doubting the truth of what

0:32:17.200 --> 0:32:19.960
<v Speaker 1>Allison's saying. She's like, that can possibly be true. I'm

0:32:20.000 --> 0:32:22.200
<v Speaker 1>sure you must have misunderstood. You don't know what you

0:32:22.240 --> 0:32:25.240
<v Speaker 1>were seeing. She completely thinks everything that Allison is saying

0:32:25.280 --> 0:32:27.240
<v Speaker 1>is total crap, and she's angry.

0:32:27.480 --> 0:32:31.480
<v Speaker 2>She says, exactly what that's crap? Basically, you are lying,

0:32:31.800 --> 0:32:33.000
<v Speaker 2>not even like, are you sure?

0:32:33.680 --> 0:32:35.720
<v Speaker 1>Exactly what her own doubts.

0:32:35.360 --> 0:32:37.800
<v Speaker 2>In her head. With having the sand having come out

0:32:37.800 --> 0:32:41.440
<v Speaker 2>of the sneaker last episode, she still is like, I

0:32:41.480 --> 0:32:45.640
<v Speaker 2>was shocked. I was surprised at how vehemently she pushed

0:32:45.640 --> 0:32:46.840
<v Speaker 2>back and attacked.

0:32:46.480 --> 0:32:49.120
<v Speaker 1>Alice absolutely didn't want to believe it or here, even

0:32:49.160 --> 0:32:51.800
<v Speaker 1>though she's been like sort of kind of I think,

0:32:51.960 --> 0:32:54.120
<v Speaker 1>questioning it and doubting it herself, like when she actually

0:32:54.200 --> 0:32:57.840
<v Speaker 1>heard it, she immediately lashed out at Alison and I think.

0:32:57.680 --> 0:32:59.920
<v Speaker 3>That's what it is, Laura. When she actually heard it,

0:33:00.200 --> 0:33:03.560
<v Speaker 3>like heard her fears voiced, it was too scary to

0:33:03.600 --> 0:33:06.800
<v Speaker 3>process because I thought Josie did a great job of

0:33:06.840 --> 0:33:09.680
<v Speaker 3>like that shift of just immediately getting defensive and putting

0:33:09.720 --> 0:33:12.520
<v Speaker 3>it on Alison because she couldn't take it in even

0:33:12.560 --> 0:33:14.680
<v Speaker 3>though she's having her own doubts, she couldn't take it in.

0:33:15.400 --> 0:33:16.000
<v Speaker 1>Yeah.

0:33:16.360 --> 0:33:19.240
<v Speaker 2>So now we are in this is a funny scene.

0:33:19.600 --> 0:33:22.160
<v Speaker 2>We are in the hotel in the desert at the

0:33:22.360 --> 0:33:26.440
<v Speaker 2>work retreat, and now Alison and Amanda have to be roommates,

0:33:26.760 --> 0:33:30.080
<v Speaker 2>which is hilarious, and they're, you know, Amanda's like, I

0:33:30.080 --> 0:33:31.760
<v Speaker 2>can't believe it. You know, I was supposed to get

0:33:31.760 --> 0:33:34.680
<v Speaker 2>my own room, and they have this wonderful banter. You know,

0:33:35.160 --> 0:33:38.440
<v Speaker 2>Amanda's taken out all her clothes and Alice's like, oh

0:33:38.520 --> 0:33:40.280
<v Speaker 2>my god, where are you gonna wear all that? Aren't

0:33:40.320 --> 0:33:43.800
<v Speaker 2>they there's you know, and she's like, Amanda has some

0:33:43.840 --> 0:33:47.160
<v Speaker 2>great lines. So you know, she's like, well, I've never

0:33:47.680 --> 0:33:51.520
<v Speaker 2>believed in the virtue of packing lightly, or maybe I

0:33:51.640 --> 0:33:55.080
<v Speaker 2>just don't have your flair for making one outfit work

0:33:55.120 --> 0:33:55.920
<v Speaker 2>three different ways.

0:33:56.040 --> 0:33:58.120
<v Speaker 3>Do you remember those articles at the time that were

0:33:58.120 --> 0:34:01.720
<v Speaker 3>in every fashion magazine, like how to make this work

0:34:01.760 --> 0:34:04.520
<v Speaker 3>three different ways? That's that reminded me of I still

0:34:04.560 --> 0:34:07.760
<v Speaker 3>do that, but he's been every magazine. And then and

0:34:07.800 --> 0:34:10.240
<v Speaker 3>then Amanda puts her stuff away and she says to Allison,

0:34:10.560 --> 0:34:13.920
<v Speaker 3>feel free to borrow anything you can squeeze into. Yeah,

0:34:15.120 --> 0:34:17.560
<v Speaker 3>and feel free to borrow my voluminous pantaloons.

0:34:17.840 --> 0:34:22.239
<v Speaker 2>But that's shouldn't feel free to borrow these if you

0:34:22.280 --> 0:34:22.560
<v Speaker 2>want to.

0:34:22.880 --> 0:34:24.880
<v Speaker 3>You can make two dresses out of my pants.

0:34:25.520 --> 0:34:27.120
<v Speaker 1>Do you want to try my boxy jacket?

0:34:28.800 --> 0:34:31.640
<v Speaker 2>I have some shoulder pads for you on a retreat

0:34:31.640 --> 0:34:32.840
<v Speaker 2>in Palm Springs.

0:34:33.040 --> 0:34:35.840
<v Speaker 1>But it's also like just after they decided, you know

0:34:35.840 --> 0:34:38.640
<v Speaker 1>what this this cat for? This like fighting, and we

0:34:38.840 --> 0:34:40.400
<v Speaker 1>sound like a couple of high school girls that we

0:34:40.480 --> 0:34:41.959
<v Speaker 1>just need to figure out a way to get along. Okay,

0:34:41.960 --> 0:34:43.960
<v Speaker 1>can we just agree to bury the hatchet? And they agree,

0:34:44.000 --> 0:34:47.440
<v Speaker 1>and then is Amanda's lying, feel free to borrow anything

0:34:47.480 --> 0:34:48.520
<v Speaker 1>you can squeeze into.

0:34:49.840 --> 0:34:53.680
<v Speaker 2>So much so much. Yeah, but they agree to kind

0:34:53.680 --> 0:34:56.040
<v Speaker 2>of get along for this weekend. At least they're gonna try,

0:34:56.200 --> 0:34:59.120
<v Speaker 2>right anyway, She leaves as she throws out one liner

0:34:59.120 --> 0:35:03.319
<v Speaker 2>at you and then is like thanks, you know like

0:35:03.680 --> 0:35:06.080
<v Speaker 2>she's she knows she got one in on her and

0:35:06.080 --> 0:35:08.840
<v Speaker 2>this is not going to bury any hatchet anyway. Michael

0:35:08.880 --> 0:35:13.520
<v Speaker 2>comes home close to just before six am, and Jane

0:35:13.600 --> 0:35:16.279
<v Speaker 2>has been awake. She's sitting in her bed with you know,

0:35:16.360 --> 0:35:19.960
<v Speaker 2>tea or coffee and she's just awing herself waiting up.

0:35:21.480 --> 0:35:25.880
<v Speaker 2>And she comes out into the kitchen and it's like,

0:35:25.920 --> 0:35:30.520
<v Speaker 2>what you know it took so long and what's what happened?

0:35:30.560 --> 0:35:32.040
<v Speaker 2>And whoa you know, I'm only.

0:35:31.920 --> 0:35:35.200
<v Speaker 3>And he gives her this icky kiss. I didn't kiss

0:35:35.239 --> 0:35:37.680
<v Speaker 3>on her cheek? Did you notice that? Yes?

0:35:37.719 --> 0:35:39.480
<v Speaker 2>And I'm like, we know where your mouth has just

0:35:39.560 --> 0:35:40.759
<v Speaker 2>been you discussed.

0:35:40.920 --> 0:35:44.719
<v Speaker 1>Yes, horrible, And he's totally fine being that guy.

0:35:45.000 --> 0:35:46.040
<v Speaker 2>He's totally fine.

0:35:46.120 --> 0:35:46.440
<v Speaker 1>Yes.

0:35:46.840 --> 0:35:48.720
<v Speaker 2>And this is a scene where he becomes a master

0:35:48.960 --> 0:35:52.880
<v Speaker 2>gas lighter like the actual movie where a gaslight, that

0:35:52.920 --> 0:35:56.040
<v Speaker 2>black and white movie, where he just makes her think

0:35:56.120 --> 0:35:56.960
<v Speaker 2>like she's crazy.

0:35:57.400 --> 0:36:00.520
<v Speaker 1>Yeah yeah, because she says, I miss you. You seem

0:36:00.560 --> 0:36:02.879
<v Speaker 1>to have been in call awful lot and I really

0:36:02.920 --> 0:36:05.920
<v Speaker 1>miss you. And she comes right out and asks him, says,

0:36:06.160 --> 0:36:07.280
<v Speaker 1>are you having an affair?

0:36:08.280 --> 0:36:08.880
<v Speaker 3>And then he.

0:36:08.840 --> 0:36:13.160
<v Speaker 2>Laughs and he goes, what we're coming from, of course?

0:36:13.280 --> 0:36:16.000
<v Speaker 2>Not what would make you say that, yeah.

0:36:16.120 --> 0:36:17.040
<v Speaker 1>Yeah.

0:36:17.440 --> 0:36:20.040
<v Speaker 2>Immediately you turn it around and you make them feel

0:36:20.200 --> 0:36:24.360
<v Speaker 2>ridiculed and like they're idiots, and that's what he's doing.

0:36:24.960 --> 0:36:27.920
<v Speaker 2>He goes, what made you say this? So? I think

0:36:27.960 --> 0:36:32.279
<v Speaker 2>that's where Jane says, you know, well Alison told.

0:36:32.000 --> 0:36:35.799
<v Speaker 1>Me, yeah exactly. She gives the examples that, well, I

0:36:35.840 --> 0:36:37.840
<v Speaker 1>called the hospital, you were supposed to be there and

0:36:37.880 --> 0:36:40.040
<v Speaker 1>you weren't, and also the sand in your shoes, and

0:36:40.040 --> 0:36:41.440
<v Speaker 1>he laughs at that, like, oh that's.

0:36:41.280 --> 0:36:43.239
<v Speaker 2>Nothing, so kill me, so assume me.

0:36:44.640 --> 0:36:46.960
<v Speaker 1>So I've spent my lunch at the beach, sorry, you know.

0:36:47.719 --> 0:36:50.960
<v Speaker 1>And then that's when she starts to say that Alison,

0:36:51.960 --> 0:36:55.000
<v Speaker 1>you know, told her something that she saw and and

0:36:55.040 --> 0:36:59.360
<v Speaker 1>he finishes her sentence like blows her off and complete

0:36:59.400 --> 0:37:01.120
<v Speaker 1>the gas light, like you're saying.

0:37:01.080 --> 0:37:03.319
<v Speaker 2>And then goes to blame it on another person, which

0:37:03.320 --> 0:37:05.799
<v Speaker 2>would be Allison. She's like, well, why would she lie

0:37:05.840 --> 0:37:08.520
<v Speaker 2>to me? And he says, will you remember that I

0:37:08.840 --> 0:37:11.880
<v Speaker 2>her thing with that married man. Well, now she wants

0:37:11.920 --> 0:37:15.240
<v Speaker 2>to hurt you by breaking us up because she's telling

0:37:15.280 --> 0:37:19.080
<v Speaker 2>you I'm having an affair. He just deflects and blames

0:37:19.160 --> 0:37:24.040
<v Speaker 2>and she's so confused. You just watch her go, oh,

0:37:24.080 --> 0:37:26.799
<v Speaker 2>who do I believe and he goes, honey, you believe me,

0:37:26.960 --> 0:37:27.400
<v Speaker 2>don't you?

0:37:28.120 --> 0:37:29.439
<v Speaker 1>And he comes up and.

0:37:29.360 --> 0:37:32.160
<v Speaker 2>He'll see being so sweet, and of.

0:37:32.080 --> 0:37:34.719
<v Speaker 3>Course she wants to believe him so much. Of course

0:37:34.760 --> 0:37:35.120
<v Speaker 3>she does.

0:37:35.960 --> 0:37:38.560
<v Speaker 2>So then she takes him his head. He puts his

0:37:38.640 --> 0:37:42.040
<v Speaker 2>head down vulnerably right like I'm just a little boy,

0:37:42.080 --> 0:37:45.439
<v Speaker 2>don't you believe me, nuzzles his head into her neck,

0:37:45.880 --> 0:37:48.120
<v Speaker 2>so her arms go around his head as a tear

0:37:48.200 --> 0:37:50.799
<v Speaker 2>falls down her face, and you're just like, so not

0:37:50.840 --> 0:37:53.800
<v Speaker 2>only that gas lighting, then he becomes this vulnerable, wounded

0:37:53.840 --> 0:37:55.759
<v Speaker 2>animal and she's supposed to now take care of him,

0:37:55.800 --> 0:37:58.840
<v Speaker 2>and I just just drove me crazy. But he's the

0:37:58.880 --> 0:38:00.040
<v Speaker 2>writers are very good.

0:38:00.160 --> 0:38:03.440
<v Speaker 1>And Michaels yeah, but he definitely painted a picture that

0:38:03.640 --> 0:38:07.919
<v Speaker 1>Alison is just gossiping and she completely made this story up,

0:38:08.080 --> 0:38:11.719
<v Speaker 1>and there's just that's it's how horrible of her to

0:38:11.760 --> 0:38:14.920
<v Speaker 1>be such a bad friend. And so he just completely

0:38:15.280 --> 0:38:20.040
<v Speaker 1>wrote a different story for Jane and and made Alison

0:38:20.080 --> 0:38:20.680
<v Speaker 1>the bad guy.

0:38:20.920 --> 0:38:23.760
<v Speaker 2>Back of the retreat, Lucy's talking to everyone. The boss

0:38:23.760 --> 0:38:27.360
<v Speaker 2>of everyone. Lucy of course says we're gonna do some

0:38:27.440 --> 0:38:29.680
<v Speaker 2>role playing. So this is one of the exercises.

0:38:30.040 --> 0:38:33.120
<v Speaker 3>And so here in your heart, like of everything you've

0:38:33.160 --> 0:38:34.560
<v Speaker 3>ever been to like this and said we're going to

0:38:34.600 --> 0:38:36.800
<v Speaker 3>break into small groups. Didn't your heart just sink?

0:38:37.239 --> 0:38:37.439
<v Speaker 2>Well?

0:38:37.480 --> 0:38:40.720
<v Speaker 1>And role playing that moment, no playing of all things,

0:38:41.040 --> 0:38:43.040
<v Speaker 1>not like trust exercises or something.

0:38:43.080 --> 0:38:47.880
<v Speaker 2>But but immediately Amanda's reaction is like I'm going out

0:38:47.920 --> 0:38:49.839
<v Speaker 2>for a coffee or something. She goes to leave and

0:38:49.880 --> 0:38:52.200
<v Speaker 2>Alison's like, what do you mean? I think we should

0:38:52.239 --> 0:38:55.439
<v Speaker 2>play this? And Amanda's walking out to avoid the whole thing,

0:38:56.400 --> 0:39:00.840
<v Speaker 2>and Alison follows her and starts role playing. She's her acting,

0:39:00.880 --> 0:39:06.840
<v Speaker 2>saying things, yeah, Alison, this work is horrible. It's so slipshot.

0:39:06.920 --> 0:39:09.120
<v Speaker 2>You put no work and effort into it. And then

0:39:09.160 --> 0:39:12.080
<v Speaker 2>Amanda getses her. She turns around, she's got her attention

0:39:12.600 --> 0:39:16.000
<v Speaker 2>and she's like what oh, and they start going into it.

0:39:16.719 --> 0:39:21.600
<v Speaker 2>What was Alan? What was Amanda saying? As Alison, let's see,

0:39:21.880 --> 0:39:23.480
<v Speaker 2>I don't know if you guys remember, but it was

0:39:23.640 --> 0:39:25.960
<v Speaker 2>really wonderful back and forth. I thought you guys did that.

0:39:26.040 --> 0:39:26.640
<v Speaker 2>It was so fun.

0:39:26.680 --> 0:39:28.760
<v Speaker 1>It was just this yeah, I mean for role playing moment.

0:39:29.080 --> 0:39:31.319
<v Speaker 1>She was also like I am not that bad. I'm

0:39:31.360 --> 0:39:33.919
<v Speaker 1>not that hard on you, and Allison's like, oh, yes,

0:39:34.040 --> 0:39:38.560
<v Speaker 1>you are and and you know whatever they're they're trying

0:39:38.560 --> 0:39:38.759
<v Speaker 1>to be.

0:39:38.960 --> 0:39:42.160
<v Speaker 3>And then Amanda gets vulnerable and says, well, look what happened,

0:39:42.200 --> 0:39:43.960
<v Speaker 3>Like I asked you if I could date Billy. You

0:39:44.000 --> 0:39:45.720
<v Speaker 3>said yes, And just when I start to get attached

0:39:45.719 --> 0:39:48.440
<v Speaker 3>to him, we start having a relationship, you come back

0:39:48.560 --> 0:39:50.719
<v Speaker 3>and I, you know, i'd never Maybe it's my own

0:39:50.719 --> 0:39:52.279
<v Speaker 3>point of view, I should ask you, guys, because you're

0:39:52.280 --> 0:39:55.239
<v Speaker 3>a little more objective. I never really bought that it

0:39:55.280 --> 0:39:57.960
<v Speaker 3>was a real relationship, but maybe it was. Did you

0:39:58.080 --> 0:40:01.920
<v Speaker 3>feel like Amanda cared about Billy and was really hurt

0:40:02.680 --> 0:40:05.600
<v Speaker 3>when it ended? Because I never gave it any credence.

0:40:05.600 --> 0:40:08.200
<v Speaker 1>But again, I think I think that's a fair question,

0:40:08.239 --> 0:40:11.960
<v Speaker 1>and I think that this episode, to Heather's credit, like

0:40:12.280 --> 0:40:15.720
<v Speaker 1>I think she really sold that part of the story

0:40:15.760 --> 0:40:18.560
<v Speaker 1>that like we believe it, like oh, she really did

0:40:18.760 --> 0:40:21.759
<v Speaker 1>have feeling or I believe it here, like even if

0:40:21.760 --> 0:40:24.200
<v Speaker 1>it seemed like a fleeting moment at the time, like oh,

0:40:24.280 --> 0:40:26.520
<v Speaker 1>it's just a blip and it's over so far. She

0:40:26.800 --> 0:40:30.520
<v Speaker 1>actually is saying, listen, look at it. From my point

0:40:30.520 --> 0:40:34.040
<v Speaker 1>of view, I don't trust you, and you're so competitive

0:40:34.080 --> 0:40:34.399
<v Speaker 1>with me.

0:40:35.360 --> 0:40:38.160
<v Speaker 2>So excuse me, but I don't trust you at all. Yeah,

0:40:38.160 --> 0:40:40.000
<v Speaker 2>and I think you're right Courtney, like this is the

0:40:40.040 --> 0:40:43.280
<v Speaker 2>first time, and listen, this happens in episodes like maybe

0:40:43.320 --> 0:40:47.480
<v Speaker 2>that maybe the writers didn't do that relationship justice right,

0:40:47.560 --> 0:40:49.440
<v Speaker 2>like we it did seem sort of like about a

0:40:49.560 --> 0:40:51.160
<v Speaker 2>chair and they just didn't get on. There was humor

0:40:51.160 --> 0:40:53.040
<v Speaker 2>in it and it was short. It was just sure

0:40:53.440 --> 0:40:57.200
<v Speaker 2>seeing the the heart that Amanda really felt about it,

0:40:57.480 --> 0:40:59.719
<v Speaker 2>and I love this. I love that side of her.

0:41:00.480 --> 0:41:06.160
<v Speaker 2>And but before she gets all vulnerable and honest, she said, see,

0:41:07.120 --> 0:41:10.480
<v Speaker 2>I don't know. There's something that Allison says as Amanda,

0:41:10.520 --> 0:41:12.560
<v Speaker 2>I mean, look at those shoes. Who taught you to dress?

0:41:12.600 --> 0:41:17.200
<v Speaker 2>Barbara Bush? Sorry, I just had to get that because

0:41:17.719 --> 0:41:20.759
<v Speaker 2>Alison does have some pretty clunky shoes I've noticed, but

0:41:21.040 --> 0:41:24.080
<v Speaker 2>really clunky. It was the nineties, it was who knows.

0:41:24.560 --> 0:41:27.799
<v Speaker 2>And then we are at the park with Jake and

0:41:27.800 --> 0:41:32.600
<v Speaker 2>Billy kicking around a soccer ball and Billy's like going

0:41:32.640 --> 0:41:35.880
<v Speaker 2>on about how we were supposed to get together and

0:41:35.920 --> 0:41:38.240
<v Speaker 2>we're supposed to have a date but it didn't work, so.

0:41:38.120 --> 0:41:40.560
<v Speaker 3>We well, they're not really kicking the soccer ball because

0:41:40.640 --> 0:41:45.680
<v Speaker 3>Jake is walking in his jeans and Andrew's knees, head, neck.

0:41:45.560 --> 0:41:47.000
<v Speaker 1>Like, yeah, he's juggling.

0:41:48.080 --> 0:41:50.560
<v Speaker 3>It's like Jake brought his son to the park to.

0:41:50.600 --> 0:41:52.080
<v Speaker 2>Play with a soccer ball.

0:41:52.440 --> 0:41:54.920
<v Speaker 3>Yeah. It's a houlnerable, right, because it's a true skill

0:41:55.040 --> 0:41:57.520
<v Speaker 3>Andrew has. But I thought they wanted to like work

0:41:57.560 --> 0:41:58.160
<v Speaker 3>in the soccer.

0:41:58.600 --> 0:42:00.640
<v Speaker 1>I love when they worked it in because they're taking

0:42:00.680 --> 0:42:03.719
<v Speaker 1>advantage of something that Andrew can do and not not

0:42:03.800 --> 0:42:04.880
<v Speaker 1>anybody else on the show.

0:42:04.960 --> 0:42:06.640
<v Speaker 3>And it's like played professional soccer.

0:42:06.880 --> 0:42:08.759
<v Speaker 1>Yeah, and it also gives us the impression that like

0:42:08.840 --> 0:42:12.480
<v Speaker 1>Billy can't sit still, like he has to be like,

0:42:13.040 --> 0:42:15.000
<v Speaker 1>you know, bouncing around.

0:42:14.640 --> 0:42:15.719
<v Speaker 2>Which he's very much like.

0:42:15.800 --> 0:42:18.479
<v Speaker 4>Yeah, It's very good for his character and funny because

0:42:18.560 --> 0:42:20.480
<v Speaker 4>Jake is like, you haven't slept together, and it maybe

0:42:20.600 --> 0:42:23.040
<v Speaker 4>remember the beginning of Jake and Joe and you guys

0:42:23.080 --> 0:42:25.280
<v Speaker 4>were all over each other, which is what I want

0:42:25.680 --> 0:42:26.680
<v Speaker 4>for Billy and Allison.

0:42:26.800 --> 0:42:27.680
<v Speaker 2>So Jake is like, what do.

0:42:27.760 --> 0:42:28.479
<v Speaker 3>You just kiss?

0:42:28.640 --> 0:42:28.719
<v Speaker 2>Like?

0:42:28.760 --> 0:42:29.240
<v Speaker 3>You idiot?

0:42:29.320 --> 0:42:30.480
<v Speaker 2>What are you? What are you waiting for?

0:42:30.760 --> 0:42:34.279
<v Speaker 3>Is He's saying, you're gonna miss the window, right and

0:42:34.280 --> 0:42:36.160
<v Speaker 3>you guys are going to go right back into being friends.

0:42:36.200 --> 0:42:38.520
<v Speaker 3>And I'm so glad somebody is saying that to one

0:42:38.520 --> 0:42:38.839
<v Speaker 3>of them.

0:42:39.040 --> 0:42:41.720
<v Speaker 1>Yeah, don't don't make such plans.

0:42:44.480 --> 0:42:47.600
<v Speaker 2>We had second plans for tonight. And he's like, well,

0:42:47.600 --> 0:42:49.680
<v Speaker 2>what happened while she's out of a retreat in the desert?

0:42:49.760 --> 0:42:52.719
<v Speaker 2>And I think Jake is like, well, go get her. Yeah.

0:42:52.760 --> 0:42:54.160
<v Speaker 2>I don't want to think about too much because then

0:42:54.200 --> 0:42:56.080
<v Speaker 2>we'll both get scared. So he's like, well, can I

0:42:56.080 --> 0:43:00.360
<v Speaker 2>borrow your motorcycle? Absolutely not, I'll give you a until

0:43:00.760 --> 0:43:07.320
<v Speaker 2>I'll give you a used one from the shot. Yeah.

0:43:07.360 --> 0:43:11.640
<v Speaker 2>And then we're into Alison apologizing to Amanda, which was

0:43:11.760 --> 0:43:14.200
<v Speaker 2>really good. She met her there at that honesty and said,

0:43:14.280 --> 0:43:16.120
<v Speaker 2>you know, I'm really sorry for how all this happened.

0:43:16.160 --> 0:43:18.200
<v Speaker 2>I didn't plan it that way, but and can we

0:43:18.239 --> 0:43:19.680
<v Speaker 2>be friends at least for now?

0:43:19.760 --> 0:43:19.960
<v Speaker 1>Yeah.

0:43:20.000 --> 0:43:21.759
<v Speaker 3>It was a sweet moment. It felt like there could

0:43:21.800 --> 0:43:24.320
<v Speaker 3>be real progress in their friendship for a minute.

0:43:24.640 --> 0:43:25.280
<v Speaker 1>For a second.

0:43:26.200 --> 0:43:32.359
<v Speaker 2>So that friends is about to end because Billy comes

0:43:32.360 --> 0:43:35.760
<v Speaker 2>into the lobby. Nobody sees him yet, but he's like, oh,

0:43:36.200 --> 0:43:38.239
<v Speaker 2>you know, I need to talk to Alison.

0:43:38.520 --> 0:43:40.960
<v Speaker 1>They're in this retreat, but he's wearing his biker gear

0:43:40.960 --> 0:43:43.560
<v Speaker 1>because he's taken this motorcycle to the retreat, so he's

0:43:43.560 --> 0:43:45.480
<v Speaker 1>wearing biker gear when he comes up to the counter.

0:43:45.920 --> 0:43:49.680
<v Speaker 2>Yeah, and he puts his helmet down and says, well,

0:43:49.719 --> 0:43:51.840
<v Speaker 2>can I get a note in there? He writes this

0:43:51.960 --> 0:43:54.440
<v Speaker 2>note and he says, can you please someone please take

0:43:54.480 --> 0:43:56.720
<v Speaker 2>this into there since she can't come out.

0:43:56.719 --> 0:43:58.440
<v Speaker 3>Take it into beautiful blonde?

0:43:58.920 --> 0:43:59.760
<v Speaker 2>A beautiful blonde?

0:44:00.120 --> 0:44:00.359
<v Speaker 3>Wrong?

0:44:00.600 --> 0:44:04.920
<v Speaker 2>Yep, we know exactly, but there's got to be other

0:44:05.000 --> 0:44:06.400
<v Speaker 2>extras that were beautiful blonde.

0:44:06.760 --> 0:44:11.680
<v Speaker 3>I'm sure it's California. There's only two, yeah, Amanda.

0:44:11.280 --> 0:44:15.040
<v Speaker 2>And Allison, so, of course, so much for their friendship.

0:44:15.120 --> 0:44:18.320
<v Speaker 2>Amanda of course intercepts the note and.

0:44:18.320 --> 0:44:23.239
<v Speaker 1>Because the valet guy picks the wrong beautiful blonde, are

0:44:23.280 --> 0:44:24.640
<v Speaker 1>you Alison Parker?

0:44:24.880 --> 0:44:28.040
<v Speaker 2>No, but I can take this to her. Then reads

0:44:28.080 --> 0:44:31.560
<v Speaker 2>the note and it says an excellent handwriting. I might

0:44:31.680 --> 0:44:36.239
<v Speaker 2>add that Billy has Oh my god, I couldn't wait.

0:44:36.239 --> 0:44:41.080
<v Speaker 2>I'm in the lobby Billy, And so she goes out

0:44:41.120 --> 0:44:43.279
<v Speaker 2>to the bill. She goes out to find Billy and

0:44:43.520 --> 0:44:47.440
<v Speaker 2>says that you can't see her. Lucy's not letting her go.

0:44:47.560 --> 0:44:52.520
<v Speaker 2>She's on probation. She lies, That's why I'm totally lying.

0:44:52.520 --> 0:44:53.719
<v Speaker 2>That's why I'm going to make you.

0:44:53.680 --> 0:44:57.640
<v Speaker 3>Think of Animal House and super Secret Probation, Super secret

0:44:57.680 --> 0:44:59.440
<v Speaker 3>probation to make you think of that, that's what I

0:44:59.480 --> 0:44:59.799
<v Speaker 3>thought of.

0:45:00.280 --> 0:45:02.280
<v Speaker 1>I love it, I will now, but I didn't.

0:45:02.280 --> 0:45:07.879
<v Speaker 2>And then yeah, so so that's that. She makes sure

0:45:07.880 --> 0:45:09.840
<v Speaker 2>that Billie can't see Alison.

0:45:10.280 --> 0:45:13.240
<v Speaker 1>Yeah, but Lizon says that it was that. Allison says

0:45:13.280 --> 0:45:15.280
<v Speaker 1>she's too busy, like it's.

0:45:15.160 --> 0:45:18.240
<v Speaker 2>All a lie. Yeah, and just literally thirty seconds before

0:45:18.280 --> 0:45:20.920
<v Speaker 2>she's saying, yeah, let's be friends, like this honest moment.

0:45:21.040 --> 0:45:23.520
<v Speaker 2>So these people just can't be friends no matter what.

0:45:23.640 --> 0:45:26.399
<v Speaker 2>No one can keep up a let's bury the hatchet deal.

0:45:26.600 --> 0:45:30.680
<v Speaker 2>And then we are at Jake's and Joe comes flying

0:45:30.719 --> 0:45:33.239
<v Speaker 2>in the door. She's so excited about her night out

0:45:33.280 --> 0:45:37.560
<v Speaker 2>with the model girls last night and all the fashion people, and.

0:45:37.440 --> 0:45:39.719
<v Speaker 3>She says, and at first I thought it was the

0:45:39.880 --> 0:45:42.760
<v Speaker 3>night of the party because she seems sort of buzzed

0:45:42.760 --> 0:45:45.719
<v Speaker 3>because she's so excited, and I realized it's the next night.

0:45:45.760 --> 0:45:46.480
<v Speaker 2>It's the next ning.

0:45:46.840 --> 0:45:49.480
<v Speaker 3>Know, did Joe go the entire day without checking in?

0:45:49.640 --> 0:45:52.279
<v Speaker 3>She said come bye after the party, And I don't

0:45:52.360 --> 0:45:54.239
<v Speaker 3>think Joe not only didn't come buy after the party,

0:45:54.320 --> 0:45:59.400
<v Speaker 3>she didn't come buy until the next night. And excited energy.

0:45:59.160 --> 0:46:01.800
<v Speaker 1>Right like she's just now getting back from the whole.

0:46:02.880 --> 0:46:06.400
<v Speaker 3>You know, that's a lot of time to go between contact.

0:46:06.960 --> 0:46:09.480
<v Speaker 2>Yeah, well I'll tell you because I'll just tell you

0:46:09.560 --> 0:46:11.880
<v Speaker 2>what happened to Joe. She got in at five am,

0:46:12.400 --> 0:46:16.640
<v Speaker 2>and she just took her advil and Exceegrian PM and

0:46:16.719 --> 0:46:18.960
<v Speaker 2>slept all and then wanted to get out refreshed and

0:46:19.000 --> 0:46:20.960
<v Speaker 2>probably had brunch with the girls maybe, and then she

0:46:21.000 --> 0:46:21.840
<v Speaker 2>finally came up to you.

0:46:22.080 --> 0:46:25.040
<v Speaker 1>She Yeah, Jaffe has a lot of confidence about how

0:46:25.040 --> 0:46:27.560
<v Speaker 1>that might have gone exactly. I feel like that's a

0:46:27.640 --> 0:46:28.880
<v Speaker 1>very familiar scenario.

0:46:29.640 --> 0:46:31.680
<v Speaker 2>There was some research in the eighties. I must say,

0:46:32.080 --> 0:46:33.560
<v Speaker 2>I know exactly what Joe did.

0:46:33.880 --> 0:46:36.680
<v Speaker 3>I appreciate your Joe comes bounding in and goes and

0:46:36.719 --> 0:46:38.880
<v Speaker 3>takes it. I think the last beer out of the fridge.

0:46:39.440 --> 0:46:43.640
<v Speaker 2>Is not oblivious that it's that thing with when you

0:46:43.680 --> 0:46:46.000
<v Speaker 2>meet new people and you meet a whole vibe, and

0:46:46.080 --> 0:46:48.520
<v Speaker 2>hers is going to possibly lead to a whole career

0:46:48.560 --> 0:46:50.680
<v Speaker 2>in the fashion world, you know, So it's very exciting

0:46:50.719 --> 0:46:53.880
<v Speaker 2>to her. It doesn't have to do with, like, you know,

0:46:54.200 --> 0:46:57.399
<v Speaker 2>her boyfriend and the apartment and struggling and stuff. It's

0:46:57.440 --> 0:46:59.560
<v Speaker 2>just very exciting for her, So she does she's not

0:46:59.600 --> 0:47:03.400
<v Speaker 2>doesn't even notice that she takes the last beer, and

0:47:03.440 --> 0:47:04.000
<v Speaker 2>she wants.

0:47:03.840 --> 0:47:06.960
<v Speaker 1>To tell Jake all about like this opportunity she has,

0:47:07.320 --> 0:47:10.360
<v Speaker 1>like how she met this video editor who wants to

0:47:10.400 --> 0:47:12.600
<v Speaker 1>hire her too. Now she's gonna have all these job opportunities.

0:47:12.600 --> 0:47:15.040
<v Speaker 1>Is just so happy to share it with them, and

0:47:15.040 --> 0:47:17.520
<v Speaker 1>and she notices that he's not very excited to be

0:47:17.560 --> 0:47:19.400
<v Speaker 1>hearing about this, like whit, you don't look happy for me,

0:47:20.239 --> 0:47:20.840
<v Speaker 1>and he's.

0:47:20.719 --> 0:47:24.399
<v Speaker 2>Like, oh, well, yeah no, And then he'll come he'll

0:47:24.440 --> 0:47:27.840
<v Speaker 2>like better his response later because he'll realize that he

0:47:27.880 --> 0:47:30.160
<v Speaker 2>could have been a little more excited for me. Yeah.

0:47:30.239 --> 0:47:32.400
<v Speaker 3>Well, Jake isn't though, because he doesn't like the people.

0:47:32.520 --> 0:47:35.880
<v Speaker 1>And this is where he tells her that, well, maybe.

0:47:35.640 --> 0:47:39.000
<v Speaker 3>They're not as sophisticated as the grease monkeys you love that.

0:47:39.520 --> 0:47:42.880
<v Speaker 2>Ye whoa, Maybe they're not as sophisticated and well rounded

0:47:42.880 --> 0:47:44.080
<v Speaker 2>as the grease monkeys you were.

0:47:45.200 --> 0:47:45.399
<v Speaker 3>Yeah.

0:47:45.440 --> 0:47:48.080
<v Speaker 1>It turns into an argument that's like Joe is not

0:47:48.200 --> 0:47:50.960
<v Speaker 1>very nice and her like retaliation.

0:47:50.760 --> 0:47:53.440
<v Speaker 3>Carry on in another episode because it's just sort of

0:47:53.560 --> 0:47:57.040
<v Speaker 3>dropped and it does this carries on, Yeah, you.

0:47:57.000 --> 0:47:59.520
<v Speaker 2>Know again, we have this happy couple, but it's Melrose's place,

0:47:59.520 --> 0:48:01.440
<v Speaker 2>so we're gonna i'd to start the scene happy and

0:48:01.560 --> 0:48:03.680
<v Speaker 2>end it with the fight. That's what we do. Yeah,

0:48:04.600 --> 0:48:06.360
<v Speaker 2>She's like no, and then she turns it into all

0:48:06.360 --> 0:48:08.480
<v Speaker 2>of a sudden, you're just not happy for my success

0:48:08.560 --> 0:48:11.840
<v Speaker 2>and you know, so screw you. I'm out. He's like whoa, whoa, whoa. No,

0:48:12.160 --> 0:48:14.520
<v Speaker 2>I'm gone, and she just leaves like she does so

0:48:14.520 --> 0:48:19.640
<v Speaker 2>many times before. And then we are with in Jane

0:48:19.680 --> 0:48:22.640
<v Speaker 2>and Michael's apartment and Jane comes into a dark apartment,

0:48:23.200 --> 0:48:27.920
<v Speaker 2>nobody's there, and she's calling and it's just and she's like, Michael, Michael,

0:48:28.320 --> 0:48:31.800
<v Speaker 2>of course she's not there. So she calls the hospital

0:48:32.440 --> 0:48:35.880
<v Speaker 2>and she's expected, you know, to find him there, and

0:48:36.000 --> 0:48:38.880
<v Speaker 2>the woman's the receptionist says, well, he's on break till eleven,

0:48:39.480 --> 0:48:42.280
<v Speaker 2>and she immediately is like, well, it's in a family emergency.

0:48:42.320 --> 0:48:46.000
<v Speaker 2>Can you please give me Kimberly Shaw's address or phone number?

0:48:46.280 --> 0:48:47.960
<v Speaker 2>And she's like no, we can't give that out. And

0:48:47.960 --> 0:48:50.560
<v Speaker 2>she's like, well, it's in a family emergency and I

0:48:50.640 --> 0:48:52.640
<v Speaker 2>need to they're working on a project together and I

0:48:52.719 --> 0:48:56.080
<v Speaker 2>need to speak with him. So she is like no more,

0:48:56.160 --> 0:48:58.560
<v Speaker 2>miss nice guy. You know what I mean. She's just

0:48:58.600 --> 0:49:01.040
<v Speaker 2>doing what she can and lying manipulating and she's going

0:49:01.120 --> 0:49:02.560
<v Speaker 2>to get that address.

0:49:02.800 --> 0:49:05.359
<v Speaker 1>Well, but doesn't the scene end where she just has

0:49:05.400 --> 0:49:08.840
<v Speaker 1>to tell the nurse to just leave a message for

0:49:08.920 --> 0:49:11.560
<v Speaker 1>the hospital to cage Michael, and that's how they leave it.

0:49:11.480 --> 0:49:14.560
<v Speaker 3>Like, yeah, but she's got an address, Well, she hasn't

0:49:14.560 --> 0:49:14.920
<v Speaker 3>gotten it.

0:49:14.920 --> 0:49:18.919
<v Speaker 1>They has not gotten the address. That's what's confusing because.

0:49:18.680 --> 0:49:20.239
<v Speaker 3>Because they say they can't give it to her.

0:49:20.320 --> 0:49:22.360
<v Speaker 2>Back at the hotel in Palm Springs and Alison and

0:49:22.360 --> 0:49:24.840
<v Speaker 2>Amanda are laughing and having a good time, which is

0:49:24.840 --> 0:49:26.600
<v Speaker 2>also and Hader told.

0:49:26.360 --> 0:49:30.520
<v Speaker 3>A story that I promise you she made up. She improvised,

0:49:30.840 --> 0:49:32.520
<v Speaker 3>and then he threw up in the hot job.

0:49:35.200 --> 0:49:38.680
<v Speaker 2>Story. That's another improv.

0:49:38.600 --> 0:49:42.319
<v Speaker 1>That was Yeah, we have to to make nineteen ninety three.

0:49:42.520 --> 0:49:47.600
<v Speaker 2>Yeah, that was that was Yeah, that's amazing that you're right,

0:49:47.640 --> 0:49:49.480
<v Speaker 2>I remember that improv.

0:49:53.400 --> 0:49:56.080
<v Speaker 1>But conveniently, Lucy comes to the table, is so happy

0:49:56.080 --> 0:49:57.960
<v Speaker 1>to see them like laughing together, and she's like, I

0:49:58.000 --> 0:50:01.360
<v Speaker 1>need throat lousages. Alison offers to go out to the

0:50:01.400 --> 0:50:04.680
<v Speaker 1>parking lot to Lucy's car to get these throat lozenges

0:50:04.960 --> 0:50:07.040
<v Speaker 1>for Lucy, which we all know where this is going

0:50:07.120 --> 0:50:09.640
<v Speaker 1>to go, and sure enough, that's where she goes up

0:50:09.640 --> 0:50:11.799
<v Speaker 1>to the parking lot and Billy is still in the

0:50:11.840 --> 0:50:16.040
<v Speaker 1>parking lot getting ready to leave on the bike and.

0:50:15.480 --> 0:50:18.480
<v Speaker 3>Which luckily has broken down. One wonders if it's the

0:50:18.520 --> 0:50:22.640
<v Speaker 3>emergency bike repair, maybe this was the bike previous need.

0:50:23.000 --> 0:50:25.000
<v Speaker 2>Well, what's interesting is that he's trying to do it

0:50:25.040 --> 0:50:29.040
<v Speaker 2>with the kickstarter, but it's it's a he doesn't know

0:50:29.239 --> 0:50:31.919
<v Speaker 2>that's a thing, so he's really just flooding the damn thing.

0:50:32.000 --> 0:50:34.479
<v Speaker 2>But some bikes you start like that with your foot.

0:50:34.560 --> 0:50:36.600
<v Speaker 3>Yeah, Lauren and I totally caught that. Lauren and I

0:50:36.640 --> 0:50:38.239
<v Speaker 3>both totally caught that. So that was.

0:50:39.719 --> 0:50:42.520
<v Speaker 2>So the valet guy Cod just comes and pushes the button.

0:50:42.520 --> 0:50:46.520
<v Speaker 2>It's hilarious. It starts right away, but you're right, it's

0:50:46.520 --> 0:50:50.160
<v Speaker 2>given us time to have Alison walk up and go, Billy,

0:50:50.840 --> 0:50:54.440
<v Speaker 2>what are you doing here? What? She's happy? Which I

0:50:54.480 --> 0:50:58.600
<v Speaker 2>was so happy that she was happy. Yeah, I'm leaving,

0:50:58.640 --> 0:51:01.040
<v Speaker 2>and she's like, what do you mean what? Mess said, Well,

0:51:01.080 --> 0:51:02.960
<v Speaker 2>you didn't want me here. I didn't even know you

0:51:03.000 --> 0:51:09.640
<v Speaker 2>were here. Amanda. Oh that's right, Amanda. Amanda has always

0:51:09.680 --> 0:51:11.880
<v Speaker 2>lies and always is in the middle of things. So

0:51:12.480 --> 0:51:15.320
<v Speaker 2>they figured out and Billy goes, I have an idea,

0:51:15.960 --> 0:51:17.600
<v Speaker 2>I'm going to get a room and then when you've

0:51:17.600 --> 0:51:22.160
<v Speaker 2>done your retreat thing, you come join me when you

0:51:22.320 --> 0:51:24.640
<v Speaker 2>finish your party, because there's going to be a cocktail

0:51:24.680 --> 0:51:28.880
<v Speaker 2>party or something. And Alison goes, what party. She's finally

0:51:28.920 --> 0:51:32.080
<v Speaker 2>excited to go. Yeah, spend the night with him in

0:51:32.120 --> 0:51:33.480
<v Speaker 2>this hotel. So he's going to go.

0:51:33.600 --> 0:51:35.400
<v Speaker 3>And then they kiss and I put in my notes

0:51:35.560 --> 0:51:38.520
<v Speaker 3>way too chastely because I'm.

0:51:38.760 --> 0:51:41.040
<v Speaker 1>Well again, they're still making a plan at this point,

0:51:41.120 --> 0:51:44.000
<v Speaker 1>there's still in place. Yeah, they're at.

0:51:43.920 --> 0:51:47.120
<v Speaker 2>A hotel making a plan on a hotel. Yes, the

0:51:47.400 --> 0:51:49.160
<v Speaker 2>plan is, I'm going to go get a room.

0:51:49.400 --> 0:51:50.120
<v Speaker 1>Here's a plan.

0:51:50.480 --> 0:51:52.440
<v Speaker 2>Now, when has there ever been an extra room if

0:51:52.440 --> 0:51:54.759
<v Speaker 2>there's a corporate retreat going on, I don't know. But

0:51:54.840 --> 0:51:57.480
<v Speaker 2>in this little apartment, in this little hotel, we got a.

0:51:57.400 --> 0:52:00.000
<v Speaker 1>Really nice room too. But first we have to find

0:52:00.200 --> 0:52:02.840
<v Speaker 1>Jane walking through the hallway of Kimberly's apartment, which we

0:52:02.840 --> 0:52:04.400
<v Speaker 1>have no idea how she got the address.

0:52:04.480 --> 0:52:07.279
<v Speaker 2>Well, I think the lady gave it to her, but whatever, your.

0:52:08.960 --> 0:52:10.120
<v Speaker 3>Yeah, she worked it out.

0:52:10.200 --> 0:52:14.040
<v Speaker 2>So she's walking down this hallway and she she's just

0:52:14.040 --> 0:52:16.719
<v Speaker 2>got this. She's nervous, but she knows where she's going,

0:52:16.760 --> 0:52:19.319
<v Speaker 2>and she knocks, and you hear from inside, Yeah, who

0:52:19.400 --> 0:52:22.839
<v Speaker 2>is it? And she says Jane. And then they cut

0:52:22.840 --> 0:52:26.640
<v Speaker 2>to inside and it's Kimberly making dinner or salad or something.

0:52:28.320 --> 0:52:31.600
<v Speaker 2>And she doesn't have a reaction like oh shit, you.

0:52:31.560 --> 0:52:34.920
<v Speaker 1>Know, she sort of calmly answers the door, like, oh, hey, hey.

0:52:34.840 --> 0:52:37.440
<v Speaker 2>Jane, what can I do for you? She's so calm,

0:52:37.560 --> 0:52:40.000
<v Speaker 2>She's like she and Michael are made from the same cloth.

0:52:40.640 --> 0:52:43.359
<v Speaker 2>She's like, oh, what can I do for you? She's like, well,

0:52:43.440 --> 0:52:47.120
<v Speaker 2>is my husband here? No, of course not. Well he's

0:52:47.120 --> 0:52:49.480
<v Speaker 2>supposed to be on break and he's not at the hospital,

0:52:49.760 --> 0:52:53.040
<v Speaker 2>and oh, maybe it's that crappy coffee shop near the

0:52:53.040 --> 0:52:55.799
<v Speaker 2>hospital that we all have to go to. And right

0:52:55.880 --> 0:52:59.680
<v Speaker 2>then we hear and see Michael walk in behind her.

0:53:00.440 --> 0:53:04.160
<v Speaker 1>Hey owl, only a towel, Yeah, and a towel for

0:53:04.200 --> 0:53:05.759
<v Speaker 1>the second time this episode.

0:53:06.000 --> 0:53:06.279
<v Speaker 2>Yeah, and.

0:53:07.920 --> 0:53:10.760
<v Speaker 1>He just stops in his tracks and he sees Jane's

0:53:10.760 --> 0:53:12.719
<v Speaker 1>face at the door, and everybody.

0:53:12.320 --> 0:53:16.680
<v Speaker 2>Just is busted and we're finally thrilled.

0:53:17.280 --> 0:53:21.239
<v Speaker 3>Finally Jane says, thank you, That's all I needed to know.

0:53:21.920 --> 0:53:24.560
<v Speaker 3>But didn't you wonder like, can we talk about casual

0:53:24.680 --> 0:53:28.360
<v Speaker 3>kimberlewis she could have said, Michael, it's Jane, stay hidden.

0:53:29.080 --> 0:53:32.200
<v Speaker 3>I wonder the sort of Mockia Elliott. Or she could

0:53:32.239 --> 0:53:34.239
<v Speaker 3>have come out of the hallway the door, because then

0:53:34.280 --> 0:53:36.799
<v Speaker 3>they'd be found out. I think that maybe she meant

0:53:36.840 --> 0:53:41.080
<v Speaker 3>to Kimberly meant that, No, I do, I think so.

0:53:41.719 --> 0:53:45.120
<v Speaker 3>How could she not say Michael, Jane's It's not like

0:53:45.160 --> 0:53:47.560
<v Speaker 3>there's an and she opens it. She knows it's Jane,

0:53:47.560 --> 0:53:51.160
<v Speaker 3>but she doesn't say to him it's Jane Hyde. She

0:53:51.400 --> 0:53:53.960
<v Speaker 3>opens the door, takes all the one thing.

0:53:54.120 --> 0:53:56.200
<v Speaker 2>Yeah, I don't know why.

0:53:56.080 --> 0:53:59.440
<v Speaker 3>She she wants to be found out so she can

0:53:59.480 --> 0:54:01.640
<v Speaker 3>have Michael because that blows up their marriage.

0:54:01.960 --> 0:54:05.680
<v Speaker 1>Well, it's definitely blowing up here, definitely blowing up. Jane

0:54:05.760 --> 0:54:08.920
<v Speaker 1>leaves and he runs out after her in his towel,

0:54:09.040 --> 0:54:11.239
<v Speaker 1>trying to keep it on as he's running, like we

0:54:11.680 --> 0:54:14.560
<v Speaker 1>Michael or wait, Jane, Oh.

0:54:14.440 --> 0:54:17.480
<v Speaker 3>It's just so, And Kimberly looks very annoyed that he

0:54:17.600 --> 0:54:20.439
<v Speaker 3>ran after her. That was not in her master plan.

0:54:22.840 --> 0:54:26.640
<v Speaker 1>But back at the hotel, where Brian Ellison's plan is

0:54:26.680 --> 0:54:28.600
<v Speaker 1>finally coming to fruition.

0:54:30.920 --> 0:54:35.439
<v Speaker 2>With beautifully romantic the plan to make another plan let's

0:54:35.440 --> 0:54:40.560
<v Speaker 2>discuss this further romantic pink Rose on the bed, But they.

0:54:40.440 --> 0:54:42.759
<v Speaker 3>Do discuss it a little further because Alison says, can

0:54:42.800 --> 0:54:44.640
<v Speaker 3>I tell you something that's like, oh, for the love

0:54:44.640 --> 0:54:45.840
<v Speaker 3>of God, can you shut?

0:54:46.080 --> 0:54:46.279
<v Speaker 1>Yeah?

0:54:46.400 --> 0:54:47.839
<v Speaker 2>Oh she did? What did she say?

0:54:48.320 --> 0:54:51.160
<v Speaker 3>She says, I'm nervous, which is very sweet. And then

0:54:51.200 --> 0:54:56.000
<v Speaker 3>he says she says, he said, I'm excited. That was adorable, and.

0:54:55.960 --> 0:54:57.759
<v Speaker 2>Then he puts her purse on a chair.

0:54:57.800 --> 0:54:59.680
<v Speaker 1>He still has to like take her purse off of

0:54:59.719 --> 0:55:02.719
<v Speaker 1>herst like it's okay, like enter this room and let's

0:55:03.160 --> 0:55:04.160
<v Speaker 1>it's very.

0:55:03.880 --> 0:55:05.680
<v Speaker 2>Slow, very yeah.

0:55:05.719 --> 0:55:08.399
<v Speaker 3>This is where I did think, because maybe this is,

0:55:08.880 --> 0:55:12.319
<v Speaker 3>you know, being against Joe and Jake. We're so hot

0:55:12.320 --> 0:55:14.520
<v Speaker 3>and sexy. Maybe the point is that this is sweet

0:55:14.560 --> 0:55:18.319
<v Speaker 3>because it was so sweet and slow. And did you

0:55:18.400 --> 0:55:21.680
<v Speaker 3>notice the music take me to an everlasting love? And

0:55:21.800 --> 0:55:23.919
<v Speaker 3>I assume loaur it was the time but maybe right there,

0:55:24.040 --> 0:55:27.279
<v Speaker 3>but it was so like endless lovey.

0:55:27.200 --> 0:55:33.600
<v Speaker 1>The long well, it's maybe the longest love scene montage

0:55:34.080 --> 0:55:38.320
<v Speaker 1>we will ever see in the history of long of Melrose.

0:55:38.320 --> 0:55:40.080
<v Speaker 1>Because I thought it was really long. I thought it

0:55:40.120 --> 0:55:41.680
<v Speaker 1>was lovely still long to me.

0:55:41.840 --> 0:55:43.200
<v Speaker 3>I thought it was perfect length.

0:55:43.520 --> 0:55:44.919
<v Speaker 1>I thought it was, guys.

0:55:45.320 --> 0:55:46.400
<v Speaker 3>It was endless.

0:55:48.200 --> 0:55:50.160
<v Speaker 2>It wasn't even you guys making out. It was like

0:55:50.360 --> 0:55:52.719
<v Speaker 2>close up on the shoes, coming up, close up on

0:55:52.800 --> 0:55:54.680
<v Speaker 2>this and we all know what love wanted to make

0:55:54.719 --> 0:55:57.480
<v Speaker 2>it lest right, very like stop and go, and they

0:55:57.520 --> 0:56:00.239
<v Speaker 2>want all these other shots and it's not as like

0:56:00.280 --> 0:56:03.960
<v Speaker 2>this smooth, ongoing lovely thing that's fun to do. It's

0:56:04.080 --> 0:56:04.920
<v Speaker 2>very stop and go.

0:56:05.360 --> 0:56:07.839
<v Speaker 1>Yeah, it was the pieces of the clothing coming off,

0:56:07.880 --> 0:56:09.920
<v Speaker 1>and then some more kissing and then another article of

0:56:09.960 --> 0:56:13.239
<v Speaker 1>clothing and we're kissing. I thought it was lovely and

0:56:13.280 --> 0:56:16.319
<v Speaker 1>like they made a really and that it was.

0:56:16.719 --> 0:56:18.399
<v Speaker 3>And then at the end were lying on the bed

0:56:18.480 --> 0:56:20.359
<v Speaker 3>and Andrew comes down on top of me and then

0:56:20.400 --> 0:56:22.520
<v Speaker 3>I was like, oh, I stroked his back for America,

0:56:22.800 --> 0:56:23.520
<v Speaker 3>like I always.

0:56:23.280 --> 0:56:25.759
<v Speaker 1>Say, that was so nice.

0:56:26.120 --> 0:56:26.920
<v Speaker 2>That was nice of you.

0:56:27.040 --> 0:56:29.680
<v Speaker 3>It really was sweet. Yeah, you're welcome, very nice.

0:56:29.719 --> 0:56:32.239
<v Speaker 2>Finally you made us like wait for it, but fine.

0:56:32.040 --> 0:56:33.800
<v Speaker 3>Really I really made you wait for it. But I

0:56:33.840 --> 0:56:36.680
<v Speaker 3>thought it was really sweet, like you felt like it

0:56:36.719 --> 0:56:38.680
<v Speaker 3>was a real love scene, Like, yeah, it was.

0:56:38.840 --> 0:56:40.839
<v Speaker 2>Very much a love scene. No, they put a lot

0:56:40.880 --> 0:56:43.440
<v Speaker 2>of time and money into it, obviously, because the longer

0:56:43.440 --> 0:56:45.520
<v Speaker 2>it is, the more of that shooting day. It took

0:56:45.560 --> 0:56:47.040
<v Speaker 2>and it was important to those.

0:56:47.120 --> 0:56:50.600
<v Speaker 3>Yeah, it was sweeter that the kiss was really sweet,

0:56:50.680 --> 0:56:52.640
<v Speaker 3>like I thought. I thought. I didn't say it'd been

0:56:52.640 --> 0:56:53.880
<v Speaker 3>a good payoff with the audience.

0:56:54.280 --> 0:56:56.040
<v Speaker 2>Yeah for sure. I mean it would be such a

0:56:56.120 --> 0:56:59.279
<v Speaker 2>drag for a short little and then pan out. Yeah,

0:56:59.360 --> 0:57:01.080
<v Speaker 2>out of off for all of this that would have

0:57:01.120 --> 0:57:03.680
<v Speaker 2>been the kids on the forehead and then fade to

0:57:04.120 --> 0:57:05.200
<v Speaker 2>the audience waited.

0:57:05.000 --> 0:57:07.919
<v Speaker 1>Thirty episodes for this, Yeah, like thirty episodes.

0:57:08.000 --> 0:57:09.160
<v Speaker 2>Let's make a real.

0:57:09.280 --> 0:57:11.000
<v Speaker 3>You know exactly it was and I did.

0:57:11.440 --> 0:57:12.759
<v Speaker 2>I don't think I said this at the top, but

0:57:12.840 --> 0:57:15.799
<v Speaker 2>this was written by Frank South and Darren Starr. Those

0:57:15.840 --> 0:57:19.120
<v Speaker 2>are the guys that wrote this particular episode. So, and

0:57:19.200 --> 0:57:21.120
<v Speaker 2>this was a big This is the main couple, you

0:57:21.200 --> 0:57:24.000
<v Speaker 2>know what I mean that they lived together, Billy and Allison.

0:57:24.160 --> 0:57:26.400
<v Speaker 2>Well they ever get together, and this is the episode

0:57:26.400 --> 0:57:28.959
<v Speaker 2>where they finally do. We'll see how long it lasts,

0:57:29.000 --> 0:57:31.120
<v Speaker 2>we see how we'll see how it goes. But this

0:57:31.280 --> 0:57:34.680
<v Speaker 2>was it. And yeah it ends with the whole episode

0:57:34.760 --> 0:57:37.160
<v Speaker 2>ends with the your my ever lasting love and.

0:57:37.200 --> 0:57:39.720
<v Speaker 1>Yeah, lots of juicy stuff in this one.

0:57:40.080 --> 0:57:44.600
<v Speaker 3>That's really fun, very satisfying ending to this episode yeah.

0:57:44.480 --> 0:57:46.920
<v Speaker 1>It just ends and story begins.

0:57:47.120 --> 0:57:50.600
<v Speaker 2>I love how one story is like building and beautiful

0:57:50.720 --> 0:57:54.440
<v Speaker 2>and people yay, and the other one that's the demise

0:57:54.600 --> 0:57:58.240
<v Speaker 2>of whatever they had, their marriage, their relationship. It's just

0:57:58.720 --> 0:58:03.240
<v Speaker 2>ends so sickly, sickeningly where she just says, that's all

0:58:03.280 --> 0:58:05.360
<v Speaker 2>I need to know. There was a great close up

0:58:05.400 --> 0:58:07.120
<v Speaker 2>I thought there was a great close up of Michael

0:58:07.160 --> 0:58:09.680
<v Speaker 2>there where you just see James. She's so open and

0:58:09.760 --> 0:58:12.400
<v Speaker 2>Voldemore like, oh my god, and then you just see

0:58:12.480 --> 0:58:15.200
<v Speaker 2>him like, oh god. There wasn't defense. I just thought

0:58:15.240 --> 0:58:19.040
<v Speaker 2>it was really smart to be like, oh, Jane, you

0:58:19.120 --> 0:58:20.640
<v Speaker 2>just see softness for a second.

0:58:20.920 --> 0:58:23.640
<v Speaker 1>And only two more episodes left in this season of

0:58:23.920 --> 0:58:25.560
<v Speaker 1>season one of Melroe's Place.

0:58:26.080 --> 0:58:28.440
<v Speaker 2>Amazing, So we're gonna have a couple more episodes and

0:58:28.480 --> 0:58:30.640
<v Speaker 2>also we have some cool guests coming up.

0:58:30.800 --> 0:58:33.200
<v Speaker 3>Two more we do, Yeah, we do.

0:58:33.720 --> 0:58:35.520
<v Speaker 2>All right, ladies, thank you.

0:58:35.800 --> 0:58:37.320
<v Speaker 1>We'll see you on the next one.

0:58:37.480 --> 0:58:40.160
<v Speaker 3>I know. We'll see you for Milrah's Minute and again

0:58:40.240 --> 0:58:40.840
<v Speaker 3>next week.

0:58:40.680 --> 0:58:41.440
<v Speaker 2>For the weekend.

0:58:41.680 --> 0:58:45.600
<v Speaker 1>All right, Bye guy, by guys, Bye bye, super happy

0:58:45.640 --> 0:58:45.960
<v Speaker 1>to peek.

0:58:46.200 --> 0:58:46.760
<v Speaker 3>Okay, hold on