WEBVTT - Who Owns the Rights to Dinosaur Fossils?

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<v Speaker 1>Welcome to brain Stuff, a production of iHeart Radio, Hey

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<v Speaker 1>brain Stuff Lauren Vogelbaum. Here in June, the remains of

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<v Speaker 1>what was believed to be an Alisaurus were sold to

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<v Speaker 1>the highest bidder for over two million dollars at the

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<v Speaker 1>Augot auction house in Paris, France. Nearly thirty ft or

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<v Speaker 1>nine meters long and complete, it's valuable in more ways

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<v Speaker 1>than one. Like all fossils, these bones are ambassadors from

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<v Speaker 1>an earlier time. The creature they belonged to drew its

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<v Speaker 1>last breath in Wyoming a hundred and fifty million years ago.

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<v Speaker 1>It was a different world back then. Earth was considerably warmer,

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<v Speaker 1>and most mammals were rabbit sized or smaller. Auction houses no,

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<v Speaker 1>there are plenty of buyers who will pay top dollar

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<v Speaker 1>to own a rare and scientifically significant piece of prehistory.

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<v Speaker 1>Agot sold the skeleton of another meat eating dino for

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<v Speaker 1>three point two million dollars in and has fetched over

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<v Speaker 1>six hundred and forty thousand for a complete William Myth,

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<v Speaker 1>and those sums look like pocket change next to the

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<v Speaker 1>eight point three six million that the Chicago Field Museum

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<v Speaker 1>and several corporate partners paid back in for sue the

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<v Speaker 1>most complete Tyrrenosaurs rex ever found. But wait a minute,

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<v Speaker 1>how does one come to own a fossil that you

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<v Speaker 1>can sell to the highest bidder? We spoke with P.

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<v Speaker 1>David Pauli, a professor of geology at Indiana University and

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<v Speaker 1>past president of the International Society for Vertebrate Paleontology. He

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<v Speaker 1>explained that laws vary from country to country, but in

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<v Speaker 1>the United States, fossils that are discovered on federal land

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<v Speaker 1>are considered public property quote they're held in trust on

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<v Speaker 1>our behalf by the US federal government. The Paleontological Resources

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<v Speaker 1>Prevention Act, which was passed by Congress in two thousand nine,

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<v Speaker 1>stipulates that scientifically important fossils can only be collected with

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<v Speaker 1>a scientific permit and must be placed in an approved repository,

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<v Speaker 1>that is, a research collection of a museum or university,

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<v Speaker 1>where they will be available to scientists and other interested people.

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<v Speaker 1>Note here that Native American land is exempted according to

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<v Speaker 1>the Federal Register. Fossil collecting on this soil falls under

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<v Speaker 1>the jurisdiction of tribal authorities, and the Act is a

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<v Speaker 1>bit more lenient when it comes to common plant and

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<v Speaker 1>invertebrate fossils like trilobites. Private citizens are allowed to collect

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<v Speaker 1>those for personal use in reasonable quantities on federal land

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<v Speaker 1>without a permit. However, any fossils taken from federally owned

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<v Speaker 1>rock may not be bartered or sold later. Note that

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<v Speaker 1>special rules may apply to certain remains in locations. For example,

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<v Speaker 1>it's a misdemeanor to collect petrified wood in Arizona's Petrified

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<v Speaker 1>Forest National Park. If you've got any questions about the

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<v Speaker 1>rules in your area, you should get in touch with

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<v Speaker 1>the closest Bureau of Land Management office. Polly noted. Some

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<v Speaker 1>US states, such as Wyoming in California, have similar laws

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<v Speaker 1>protecting fossils on state lands, but across the country, fossils

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<v Speaker 1>discovered on private property belong to the landowner. This isn't

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<v Speaker 1>true around the world. In countries like Mongolia, dinosaur fossils

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<v Speaker 1>are considered to be part of the nation's shared cultural heritage,

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<v Speaker 1>regardless of where they're found. As such, they can't be

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<v Speaker 1>sold in private markets, and personal ownership of these remains

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<v Speaker 1>is against the law. Actor Nicholas Cage of all people

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<v Speaker 1>now knows a thing or two about Mongolia's strict fossil laws.

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<v Speaker 1>In two thousand seven, the skull of an Asian tyrannosaur

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<v Speaker 1>went up for auction. Cage bought it for two hundred

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<v Speaker 1>seventy six thousand dollars, outbidding fellow movie star Leonardo DiCaprio

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<v Speaker 1>when he learned that the fossil had been illegally poached

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<v Speaker 1>from Mongolia, though Cage agreed to repatriate it back to

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<v Speaker 1>its native land. But if you, as a resident of

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<v Speaker 1>the United States, find the remains of a dinosaur on

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<v Speaker 1>American real estate that you own, you can legally keep it,

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<v Speaker 1>sell it, or export it. The question is should you

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<v Speaker 1>that carnivorous dino that changed hands in Rris was excavated

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<v Speaker 1>from private land between Upon learning that a goot plan

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<v Speaker 1>to auction it off, the Society for Vertebrate Paleontology wrote

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<v Speaker 1>an open letter begging the organization to cancel the sale.

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<v Speaker 1>A goot sold it anyway. The buyer's identity wasn't made public,

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<v Speaker 1>but they stated that the bones would be loaned out

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<v Speaker 1>to a museum at some point so that researchers would

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<v Speaker 1>get the chance to study them, and they followed up

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<v Speaker 1>on that promise. As of May nineteen, the Royal Belgian

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<v Speaker 1>Institute of Natural Sciences and Brussels premiered the specimen, which

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<v Speaker 1>they studied and determined to be a new Alosaurus species

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<v Speaker 1>that they've named Arcane. That follow through is a huge relief.

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<v Speaker 1>Peer review is an important facet of paleontology. If one

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<v Speaker 1>dinosaur expert writes something about a particular fossil, their colleagues

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<v Speaker 1>need to be able to go back and inspect the

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<v Speaker 1>specimen for themselves. Doing so requires guaranteed access to the remains,

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<v Speaker 1>something private fossil owners may choose to with hold, and

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<v Speaker 1>geological context is another thing to consider. The rock in

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<v Speaker 1>which a fossil is found is just as important as

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<v Speaker 1>the fossil itself. To figure out how old a specimen

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<v Speaker 1>is or what its environment looked like, we need to

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<v Speaker 1>know exactly where it came from. Private fossil buyers might

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<v Speaker 1>be unable to provide this information. Then there's the small

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<v Speaker 1>matter of museum budgets. Universities and public museums frequently can't

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<v Speaker 1>afford to meet some of the high prices that have

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<v Speaker 1>been set by auctioneers and fossil dealers. In the wake

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<v Speaker 1>of Sue's blockbuster sale, Polly said almost everybody has gotten

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<v Speaker 1>excited at one time or another about the massive dinosaurs

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<v Speaker 1>that once walked the earth. That inspiration comes directly from

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<v Speaker 1>the fact that many of them were carefully excavated, placed

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<v Speaker 1>in public trust repositories, and become part of the scientific record. Unfortunately,

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<v Speaker 1>that same excitement can make people want to have one

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<v Speaker 1>of their own. It is true that fossil sales people

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<v Speaker 1>have made some major contributions to paleontology. Just look at

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<v Speaker 1>Mary Anning, an English seller of priest org treasures, who

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<v Speaker 1>discovered extinct marine reptiles like please a Saurus. Regardless, Polly

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<v Speaker 1>and many of his fellow scientists worry that countries that

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<v Speaker 1>don't commit to putting their important fossils in public trust

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<v Speaker 1>where anyone can study them are forfeiting a gold mine

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<v Speaker 1>of knowledge. He said, fossils are not like works of art.

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<v Speaker 1>They weren't created to be high priced collector's items. They're

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<v Speaker 1>rare remnants of our past that are important to us all.

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<v Speaker 1>Today's episode was written by Mark Mancini and produced by

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<v Speaker 1>Tyler Clang. For more on this and lots of other

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<v Speaker 1>topics that really dig in, visit how Stuff works dot Com.

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<v Speaker 1>Brain Stuff is production of iHeart Radio or more podcasts

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