WEBVTT - "Toys" w/ Richard Perez

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<v Speaker 1>Podcast starts now, just kidding, This is George with a

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<v Speaker 1>very quick reminder that you can see me in Somerville,

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<v Speaker 1>Massachusetts this Thursday at the Rockwell Theater at seven pm

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<v Speaker 1>and nine pm, and in New York City next Monday,

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<v Speaker 1>March twenty fourth at Joe's Pub. And lastly, I am

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<v Speaker 1>finally taping my special on April first at the Slipper

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<v Speaker 1>Room in Manhattan, and tickets are now as of today out.

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<v Speaker 1>It will be a very intimate show. It's a small

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<v Speaker 1>space and the audience will only be eighty people, so

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<v Speaker 1>please bring your friends with the loudest and most infectious

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<v Speaker 1>laughs because it will make a huge difference and I

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<v Speaker 1>can't wait to see you. Tickets to all of these

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<v Speaker 1>shows are in the link in my Instagram bio, or

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<v Speaker 1>you can go direct to linktree dot com slash George Severes.

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<v Speaker 1>That is link Tree t r e dot com slash

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<v Speaker 1>George Savers.

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<v Speaker 2>Enjoy the episode so pretty much. Podcast starts now, What

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<v Speaker 2>is up everyone around the globe? You're listening to Stradia Lab.

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<v Speaker 1>Oh, I'm feeling loose.

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<v Speaker 2>Oh, I'm feeling loose.

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<v Speaker 3>I'm feeling blanky goosey.

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<v Speaker 2>I'm simply a canvas for ideas to be painted upon.

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<v Speaker 1>If I like turn my head one way versus another,

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<v Speaker 1>entire mini series on television could be created. I am

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<v Speaker 1>in such a place of sponge like absorption of the

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<v Speaker 1>world around me, and I'm ready to create.

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<v Speaker 2>Have you ever done the Artist's way? You know?

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<v Speaker 1>Here's the thing. I have started it twice. I don't

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<v Speaker 1>think I have gotten past like week three both times.

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<v Speaker 2>Well that's all you need. But I've been hearing about

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<v Speaker 2>it secondhand, and it's I think it's funny to be like,

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<v Speaker 2>just be open for God to come through you. And

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<v Speaker 2>I'm like, oh my god, I'm literally so open all

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<v Speaker 2>the time. That's crazy. I'm literally such a vessel for Christ.

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<v Speaker 2>That's awesome. You know.

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<v Speaker 1>I recently, in a very vulnerable turn, shared my forgotten

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<v Speaker 1>audiobook library. I don't know if you saw this, I did,

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<v Speaker 1>I did, I would say pretty alarming. I don't know

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<v Speaker 1>how much you how much you sort of like took

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<v Speaker 1>it in.

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<v Speaker 2>It was all self help stuff.

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<v Speaker 1>It was a lot of self help that I listened

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<v Speaker 1>to one chapter of because I I just and the

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<v Speaker 1>thing is I just am not. I know I'm not

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<v Speaker 1>a self help person. I know I can't do it. However,

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<v Speaker 1>you know, once a year, someone will someone I trust

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<v Speaker 1>will be like, yeah, I know I'm not either. I'm

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<v Speaker 1>also like punk rock and uh, you know, fuck the system,

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<v Speaker 1>but this one really helped me. And then I'll be

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<v Speaker 1>like all right, like if you say so, maybe you're right,

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<v Speaker 1>and then I will I will have an allergic reaction

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<v Speaker 1>to it. I can't do it. And I actually think

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<v Speaker 1>that's my issue with artists way too, because I'm also like,

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<v Speaker 1>why like when they're like, do morning pages and just

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<v Speaker 1>write a stream of consciousness without taking your pen off

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<v Speaker 1>the paper, and like, no, what if I write while thinking?

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<v Speaker 1>And I actually like organize my ideas?

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<v Speaker 2>Yeah, but then you're being critical and you're like they're

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<v Speaker 2>trying to like make you more open and not be

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<v Speaker 2>critical of your ideas.

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<v Speaker 1>And you find that that has worked for you.

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<v Speaker 2>Uh yeah, I actually love being non critical of writing

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<v Speaker 2>at first, because it just, like you know I've been

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<v Speaker 2>talking about it, is like you developed like a scab

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<v Speaker 2>and you're sort of like, Okay, well now I'm scabbed

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<v Speaker 2>so hard over that I can't come up with anything.

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<v Speaker 2>But if you're just if you're if you break that

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<v Speaker 2>scab off by just writing whatever. Then you're like, oh,

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<v Speaker 2>I guess you just write whatever because if you're putting oh,

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<v Speaker 2>I think I'm frozen. And that's okay, Okay, we're back.

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<v Speaker 2>We're back, thank god. So basically I was talking about

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<v Speaker 2>scabs and about how we all have them.

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<v Speaker 1>I just want to say, you know, for everyone listening,

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<v Speaker 1>we did all just freeze. And also, it is four

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<v Speaker 1>forty five pm on a Friday my time.

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<v Speaker 2>Yeah, and I will say it's one forty four on

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<v Speaker 2>a Friday my time.

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<v Speaker 1>Which is maybe worse. I'll say, no, mine's worse. Sorry

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<v Speaker 1>to center myself.

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<v Speaker 2>Why is it worse?

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<v Speaker 1>Do you feel because you're still in the middle of

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<v Speaker 1>your work day, like you can you can you know, yes,

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<v Speaker 1>the day is winding down, but like if you're working

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<v Speaker 1>in an office right now, you could potentially be going

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<v Speaker 1>to a meeting.

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<v Speaker 2>No, I mean, you're right. It's just when you said that,

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<v Speaker 2>I got scared. I was like I felt like an

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<v Speaker 2>injustice where I was like, there's someone in a meeting

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<v Speaker 2>right now, yeah, and like that's I actually want to

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<v Speaker 2>like free them, Like I want to like run into

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<v Speaker 2>the office with a gun, yeah and say let them out,

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<v Speaker 2>don't you think though?

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<v Speaker 1>Okay, here's my take on meetings in when I've been

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<v Speaker 1>in an office environment. What's great about meetings is that

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<v Speaker 1>you actually have an excuse to kind of zone out

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<v Speaker 1>and do nothing, Whereas if you're at your desk, it's

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<v Speaker 1>more stressful because you feel they need to appear like

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<v Speaker 1>you're working. You can just listen attentively if you're in

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<v Speaker 1>a meeting. When I am in an obfice environment and

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<v Speaker 1>suddenly I have like what's called in the business back

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<v Speaker 1>to back meetings. Let's say it's like lunchhim and you're like,

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<v Speaker 1>oh God, Like I can't believe I'm back to back

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<v Speaker 1>meetings from two to six pm. To me, that's heaven.

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<v Speaker 1>I'm basically sleepwalking through the entire afternoon.

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<v Speaker 2>But this is something that speaks to you as a performer,

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<v Speaker 2>Like there's something about the performance of a meeting that

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<v Speaker 2>speaks to you more than the like it is at

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<v Speaker 2>your desk. The only person you're performing for is yourself.

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<v Speaker 2>Like it's like send that email and you're like, fuck,

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<v Speaker 2>I have to send that email and you're like just

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<v Speaker 2>sort of overthinking it, and you're like I don't want to.

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<v Speaker 2>I don't want to. I don't want to. But as

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<v Speaker 2>soon as like someone else's eyes are on you. You're

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<v Speaker 2>like watch this, I can like tap dance around you guys,

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<v Speaker 2>and in this meeting.

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<v Speaker 1>Yeah, an email, First of all, it's never gonna an

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<v Speaker 1>email as a form is never gonna be transcendent. Like

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<v Speaker 1>it's very rare that I've written a trend and send

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<v Speaker 1>an email, but it's actually very common that I've said

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<v Speaker 1>something absolutely legendary in a meeting. You know, I just

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<v Speaker 1>have to sort of get in the zone. So email

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<v Speaker 1>it's not going to be transcendent, and you're not going

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<v Speaker 1>to get positive feedback meeting. Honestly, most people are not

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<v Speaker 1>that bright. All you have to do is speak up

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<v Speaker 1>and say something semi coherent. Immediately you're going to get

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<v Speaker 1>praised from two people in that room.

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<v Speaker 2>I mean, talk about vessel for Christ, talk about artists.

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<v Speaker 2>Way when you're in a boardroom and you're speaking like

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<v Speaker 2>God is speaking through you, Yeah, there is a divine

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<v Speaker 2>energy in you in a boardroom speaking.

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<v Speaker 1>And it's also like I, oh, actually I almost do

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<v Speaker 1>want to talk about this. I bombed so hard last

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<v Speaker 1>night at a show and it made me remember something

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<v Speaker 1>I you know, you sort of forget we're so used

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<v Speaker 1>to being in front of people speaking in front of people.

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<v Speaker 1>That then it's like a piece of cake. If you're

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<v Speaker 1>in a boardroom and you have people like aggressively nodding

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<v Speaker 1>in a kind of performative way. Yeah, we've been like

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<v Speaker 1>training for it our whole lives.

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<v Speaker 2>Yeah, can I ask this bomb? Did it emotionally hurt?

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<v Speaker 2>You know?

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<v Speaker 1>It was one of those New York nights where I

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<v Speaker 1>was running late, so I took an uber, which, you know,

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<v Speaker 1>bad decision. It was snowing and there was traffic. I

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<v Speaker 1>show up to the show forty minutes late.

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<v Speaker 2>Wow.

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<v Speaker 1>I mean I knew I was going to be last

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<v Speaker 1>on the lineup, so I wasn't you know, I knew

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<v Speaker 1>I wasn't like inconveniencing anyone, But I was originally going

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<v Speaker 1>to show up on time. And I showed up forty

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<v Speaker 1>minutes late after paying thirty dollars for aneuver get to

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<v Speaker 1>the show, immediately have to go up Bomb, leave the show.

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<v Speaker 1>I get stuck on a jay train for twenty minutes

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<v Speaker 1>with no cell service. It's just it's kind of like,

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<v Speaker 1>you know, you're you're heading home and your clothes are ripped,

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<v Speaker 1>you're bleeding, your phone is dead. One shoe is gone.

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<v Speaker 1>You're basically crawling on the floor, and I'd be lying

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<v Speaker 1>if I said it wasn't also sort of romantic in

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<v Speaker 1>this way, because I am, you know, kind of Carrie

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<v Speaker 1>Bradshaw locked out of her apartment, you know, Broad City,

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<v Speaker 1>the gals sort of like with you know, one boob

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<v Speaker 1>out of the bra like trying to get to the

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<v Speaker 1>Lil Wayne concert. So you know, you win some, you

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<v Speaker 1>lose some. But it definitely did not feel good.

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<v Speaker 2>Yeah, that hurts.

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<v Speaker 1>And I hadn't bombed it, well, I guess I hadn't. Yeah,

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<v Speaker 1>I guess I hadn't bombed in a while. It is

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<v Speaker 1>the truth of it, I'll be.

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<v Speaker 2>Honest, not the brag. Do you think was it just

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<v Speaker 2>flusteredness or was it.

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<v Speaker 1>Like that's what hurt is that it was my fault.

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<v Speaker 1>It was I somehow went up and did not have

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<v Speaker 1>the right energy to begin with. Said one thing. The

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<v Speaker 1>audience immediately did not care about me. I was unable

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<v Speaker 1>to leave the sort of vocal monotone I was like,

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<v Speaker 1>and then I was aware of that, so I was

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<v Speaker 1>trying to make myself sound animated, so it was like

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<v Speaker 1>I was forcing a smile and they could also sense

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<v Speaker 1>the inauthenticity in that, and then I actually like, like,

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<v Speaker 1>forgot my material.

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<v Speaker 2>Now that's classic.

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<v Speaker 3>That's kind of crazy.

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<v Speaker 1>Yeah, And you know sometimes you actually, if you're in

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<v Speaker 1>a good enough place, you can forget something and then

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<v Speaker 1>roll with the punches and almost transcend and like improv

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<v Speaker 1>on the spot. This was one of those things where

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<v Speaker 1>would like say half a sentence and then remember that

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<v Speaker 1>I forgot something, and then just go back and repeat

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<v Speaker 1>it without like addressing it, and then they wouldn't laugh,

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<v Speaker 1>and I'd be like, why I said it? I said

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<v Speaker 1>it the right way. What the fuck do you want?

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<v Speaker 2>That's tough? Yeah, damn, I'm like bombed central these days,

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<v Speaker 2>are you well? I've I did one show last week

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<v Speaker 2>and bombed, and it was weird because there were coworkers there,

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<v Speaker 2>and then everyone has to be like good job, and

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<v Speaker 2>I have to be like thank you, because it's even

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<v Speaker 2>worse to be like, I bombed.

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<v Speaker 1>Can I tell you something? I did that? And that

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<v Speaker 1>was the final straw where I was like, oh, I

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<v Speaker 1>am fully like this is the biggest flop night of

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<v Speaker 1>my life because I ran into people and you and

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<v Speaker 1>I immediately did a whole self flag, like oh god,

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<v Speaker 1>that was rough, like am I right? Blah blah blah,

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<v Speaker 1>and they were all like, no, you were good, and

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<v Speaker 1>it's like, what am I doing here?

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<v Speaker 2>Just let me just say I bombed? It's okay.

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<v Speaker 1>Of course they can't say that. You're like, it's like

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<v Speaker 1>you're putting them in a weird spot. Of course you

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<v Speaker 1>did the right thing and I did the wrong thing.

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<v Speaker 1>Like you can never start talking to someone about bombing.

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<v Speaker 2>You literally have to go thanks, thank you. Yeah, and

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<v Speaker 2>guess what, no one cares, No one, No one cares

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<v Speaker 2>for even a second. Yeah, that's like the biggest lesson.

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<v Speaker 2>That's the biggest takeaway. That should put that in the

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<v Speaker 2>artist way. No one cares, No one cares.

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<v Speaker 1>I'm sorry, but if that if Julia Cameron ever tried

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<v Speaker 1>stand up comedy, she'd be in tears in a second.

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<v Speaker 1>I don't think any of those methods that she's so

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<v Speaker 1>famous for would help her.

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<v Speaker 2>Well, that's because stand up comedy is not an art.

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<v Speaker 1>Maybe if she was a painter or a screenwriter.

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<v Speaker 2>The cowardly art forms should we bring in. Our guests

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<v Speaker 2>are esteemed guest who actually has never bombed in yeah, I.

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<v Speaker 1>Never bomb Please please welcome Richard Pez for the second time.

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<v Speaker 2>But who's counting?

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<v Speaker 1>Returning Champ?

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<v Speaker 2>Returning Champ? Mama, Hi, Oh my god, Hi, how are

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<v Speaker 2>you speaking of bombing? Hi?

0:11:23.640 --> 0:11:31.559
<v Speaker 3>Hi? Hi? Now sometimes it feels like I'll get on stage,

0:11:31.559 --> 0:11:38.120
<v Speaker 3>I'll be like hi, and I'm just like covered in

0:11:38.200 --> 0:11:40.240
<v Speaker 3>sid I like sweep myself off the stage.

0:11:40.600 --> 0:11:43.560
<v Speaker 2>Yeah, there's like the ringing in your ear, like your

0:11:43.640 --> 0:11:47.440
<v Speaker 2>vision has that like blur effect on it. I hate that.

0:11:47.880 --> 0:11:51.079
<v Speaker 1>I wish I was the type of performer like, here's

0:11:51.080 --> 0:11:53.520
<v Speaker 1>my dream. All right, this is when you act. I'm

0:11:53.559 --> 0:11:55.960
<v Speaker 1>on a lineup, I have seven minutes to perform. The

0:11:56.120 --> 0:11:58.319
<v Speaker 1>entire bit is that I have a series of false starts.

0:11:58.600 --> 0:12:00.840
<v Speaker 1>So I like say Hi, Then I like slip and fall.

0:12:00.880 --> 0:12:02.280
<v Speaker 1>Then I get up and I'm like sorry about that.

0:12:02.320 --> 0:12:03.800
<v Speaker 1>Then I like get the mic, but it falls on

0:12:03.840 --> 0:12:05.560
<v Speaker 1>my hand. Then I spent like, you know, two minutes

0:12:05.559 --> 0:12:07.439
<v Speaker 1>trying to put it back together, and I'm like hi,

0:12:07.920 --> 0:12:09.520
<v Speaker 1>and then my phone rings. I'm like, I'm sorry, I

0:12:09.600 --> 0:12:11.080
<v Speaker 1>have to take this, but I do that, you know,

0:12:11.160 --> 0:12:13.080
<v Speaker 1>Andy Kaufman style for ten full minutes.

0:12:13.160 --> 0:12:15.920
<v Speaker 2>I mean that would be I've certainly tried. You've done that.

0:12:16.640 --> 0:12:18.640
<v Speaker 2>I've done that before, I've done who sets where I

0:12:18.640 --> 0:12:22.160
<v Speaker 2>haven't done a joke, yeah, which are my favorite sets.

0:12:22.200 --> 0:12:24.080
<v Speaker 2>But then it's kind of tough because the whole point

0:12:24.320 --> 0:12:25.520
<v Speaker 2>is to like have jokes.

0:12:25.840 --> 0:12:27.840
<v Speaker 3>So is it?

0:12:27.840 --> 0:12:29.960
<v Speaker 2>Is it? Thank you? That's actually a good point? Is it?

0:12:30.000 --> 0:12:31.160
<v Speaker 1>What even is the point?

0:12:31.360 --> 0:12:32.520
<v Speaker 2>What even is the point?

0:12:32.640 --> 0:12:35.439
<v Speaker 3>What even is the point? Guys, let's start there. What

0:12:35.480 --> 0:12:37.200
<v Speaker 3>even is what is the point?

0:12:37.600 --> 0:12:38.000
<v Speaker 2>Rich? Rich?

0:12:38.120 --> 0:12:40.280
<v Speaker 1>First question we have for you is what even is

0:12:40.320 --> 0:12:40.760
<v Speaker 1>the point?

0:12:41.640 --> 0:12:46.000
<v Speaker 3>Okay, Like I think that, Well, thank you so much

0:12:46.000 --> 0:12:46.600
<v Speaker 3>for having me.

0:12:46.520 --> 0:12:47.200
<v Speaker 2>Well, thanks for being here.

0:12:47.280 --> 0:12:47.959
<v Speaker 1>Stop stalling.

0:12:51.720 --> 0:12:55.000
<v Speaker 3>Well it says that I'm trying to, like because thinking

0:12:55.000 --> 0:12:57.520
<v Speaker 3>about what you guys were talking about with like artists

0:12:57.600 --> 0:13:01.400
<v Speaker 3>way and the thoughts that kind of stop you when

0:13:01.440 --> 0:13:05.640
<v Speaker 3>you're in the writing process to like persist and to continue.

0:13:06.200 --> 0:13:09.720
<v Speaker 3>I feel that way about just speaking in general. So

0:13:10.080 --> 0:13:13.800
<v Speaker 3>in a board meeting or whatever meeting, I don't say anything,

0:13:14.000 --> 0:13:16.400
<v Speaker 3>and I'm trying to get better about that. Even if

0:13:16.440 --> 0:13:18.800
<v Speaker 3>I do perform on stage and I don't say anything

0:13:19.000 --> 0:13:23.079
<v Speaker 3>for like ten minutes, I'm like at a meeting where

0:13:23.160 --> 0:13:25.360
<v Speaker 3>it's like, well, everyone of you, like, you know, just

0:13:25.400 --> 0:13:29.760
<v Speaker 3>tell me your opinion on this or whatever, Like, yeah,

0:13:30.160 --> 0:13:30.840
<v Speaker 3>I get in a way.

0:13:31.080 --> 0:13:33.960
<v Speaker 1>Would you rather send any send an email or speak

0:13:34.040 --> 0:13:34.800
<v Speaker 1>up in a board meeting.

0:13:36.040 --> 0:13:38.760
<v Speaker 3>I think I don't even know both feel like I'm like,

0:13:39.400 --> 0:13:40.719
<v Speaker 3>I didn't get you need to be.

0:13:40.679 --> 0:13:43.160
<v Speaker 1>Honest, one to say, in order for you to communicate,

0:13:43.240 --> 0:13:44.719
<v Speaker 1>you have to be on a stage in front of

0:13:44.720 --> 0:13:46.240
<v Speaker 1>an audience. Otherwise it's like.

0:13:46.440 --> 0:13:48.960
<v Speaker 3>Yeah, like it's sold out, sold out.

0:13:49.040 --> 0:13:51.240
<v Speaker 2>No, that's so true, Like I won't I can't get

0:13:51.240 --> 0:13:53.120
<v Speaker 2>my point across. The show isn't sold out.

0:13:57.120 --> 0:13:57.880
<v Speaker 3>Exactly.

0:13:58.800 --> 0:14:00.920
<v Speaker 2>Yeah, that really really is tough when the show's not

0:14:00.960 --> 0:14:01.440
<v Speaker 2>sold out.

0:14:01.559 --> 0:14:03.600
<v Speaker 3>But yet no, like it's just like I don't know,

0:14:03.760 --> 0:14:06.120
<v Speaker 3>Like I just have a heart. Like I remember back

0:14:06.640 --> 0:14:10.520
<v Speaker 3>back at UNI, when I was in art school, we

0:14:10.559 --> 0:14:13.679
<v Speaker 3>would have crit uh huh, and I loved it, you know,

0:14:13.800 --> 0:14:17.040
<v Speaker 3>love to hear about people's process and what they're working on,

0:14:17.360 --> 0:14:20.560
<v Speaker 3>you know, unpacking some of those things together was fun

0:14:20.560 --> 0:14:24.400
<v Speaker 3>for me. But I felt like I would have a

0:14:24.400 --> 0:14:26.520
<v Speaker 3>thought and then of course someone else would say it

0:14:26.560 --> 0:14:28.240
<v Speaker 3>and I was like, oh, I thought the same exact thing.

0:14:28.320 --> 0:14:31.360
<v Speaker 3>And then someone the teachers like that's so true, what

0:14:31.480 --> 0:14:33.720
<v Speaker 3>a great thought you had, And I'm like.

0:14:34.840 --> 0:14:38.720
<v Speaker 1>Yeah, can I say something about that stuff? Yeah, I

0:14:38.720 --> 0:14:41.440
<v Speaker 1>wouldn't be able to deal with it. This idea like,

0:14:41.480 --> 0:14:44.480
<v Speaker 1>if I ever like doing an MFA and having everyone

0:14:44.520 --> 0:14:46.840
<v Speaker 1>go around and say their opinions, I'm like, I respect

0:14:46.920 --> 0:14:50.000
<v Speaker 1>maybe one of you, and I have to listen to

0:14:50.040 --> 0:14:51.080
<v Speaker 1>what you think about my work.

0:14:53.240 --> 0:14:56.400
<v Speaker 3>I mean, but maybe, like sometimes I get that, but

0:14:56.480 --> 0:14:59.240
<v Speaker 3>I'm like, maybe sometimes they would like at least like

0:14:59.320 --> 0:15:01.920
<v Speaker 3>asking sure where I'm like, oh, I didn't even think

0:15:01.920 --> 0:15:02.240
<v Speaker 3>of that.

0:15:02.720 --> 0:15:05.520
<v Speaker 2>I am sometimes I can just stress myself out by

0:15:05.560 --> 0:15:08.760
<v Speaker 2>imagining that there's a drag race, but for like gay

0:15:08.760 --> 0:15:12.880
<v Speaker 2>comedians and like, and I can I can imagine the

0:15:13.000 --> 0:15:16.840
<v Speaker 2>fans like hating me and loving someone else and being

0:15:16.920 --> 0:15:18.760
<v Speaker 2>like middle of the road, and I can get upset

0:15:19.320 --> 0:15:22.600
<v Speaker 2>at like something that doesn't even exist. I think anytime

0:15:22.680 --> 0:15:25.680
<v Speaker 2>you're in comparison with people who are your peers, I'm

0:15:25.720 --> 0:15:26.560
<v Speaker 2>trying to get upset.

0:15:27.320 --> 0:15:32.160
<v Speaker 4>Oh yeah, and guess what there is that it's called

0:15:32.640 --> 0:15:36.880
<v Speaker 4>literally all of all of all of the audiences at

0:15:36.920 --> 0:15:37.440
<v Speaker 4>the Millhouse.

0:15:38.280 --> 0:15:38.720
<v Speaker 2>That's true.

0:15:38.760 --> 0:15:40.880
<v Speaker 1>They're leaving and they're saying, this wasn't as good as

0:15:40.880 --> 0:15:43.400
<v Speaker 1>when we went to Gay Guys version two.

0:15:44.080 --> 0:15:46.280
<v Speaker 2>Yeah, they have those little note cards they give out

0:15:46.280 --> 0:15:48.720
<v Speaker 2>that are like, rank this performance based on the last

0:15:48.720 --> 0:15:50.000
<v Speaker 2>six performances you've seen.

0:15:50.160 --> 0:15:56.480
<v Speaker 1>Yeah, and everyone honestly, everyone you challenge and then RuPaul's

0:15:56.520 --> 0:15:58.040
<v Speaker 1>comes out, but it's David Cross.

0:15:58.400 --> 0:16:00.480
<v Speaker 3>I feel that way sometimes with some certain shows, like

0:16:00.480 --> 0:16:03.800
<v Speaker 3>a homework show or something like I recently did like

0:16:03.840 --> 0:16:07.240
<v Speaker 3>a Housewives like show, and I don't watch that show.

0:16:07.280 --> 0:16:10.440
<v Speaker 3>I don't know that universe at all, but I agreed

0:16:10.480 --> 0:16:11.960
<v Speaker 3>to it, and I was just like, oh, yeah, like

0:16:12.000 --> 0:16:14.160
<v Speaker 3>this should be I'm gay, but it's it's like a

0:16:14.200 --> 0:16:17.040
<v Speaker 3>table read. I'm like, okay, yeah, like easy, like, oh,

0:16:17.800 --> 0:16:20.640
<v Speaker 3>I'll site read, but then like I once I get there,

0:16:20.680 --> 0:16:24.720
<v Speaker 3>I forget that, like everyone's the huge Like people that

0:16:24.800 --> 0:16:27.600
<v Speaker 3>come to the show are like fans of the of Housewives,

0:16:27.680 --> 0:16:31.560
<v Speaker 3>and they there's an expectation or something and the character

0:16:31.640 --> 0:16:33.680
<v Speaker 3>that I or the person that I was like reading

0:16:33.960 --> 0:16:39.360
<v Speaker 3>as like as iconic lines and or whatever. Like there's

0:16:39.360 --> 0:16:41.920
<v Speaker 3>these really funny moments that I was just sight reading

0:16:41.960 --> 0:16:44.840
<v Speaker 3>and I was like, in real yeah, but you were

0:16:44.960 --> 0:16:45.840
<v Speaker 3>figuring out like what.

0:16:45.960 --> 0:16:48.440
<v Speaker 1>But I think that's better because it's like the difference

0:16:48.480 --> 0:16:51.960
<v Speaker 1>between in a biopicch someone doing an impression and someone

0:16:52.080 --> 0:16:55.680
<v Speaker 1>like embodying a character, Like it's like in.

0:16:55.640 --> 0:16:57.880
<v Speaker 2>A lip sync when someone does the actual Corey over

0:16:57.920 --> 0:16:59.479
<v Speaker 2>since someone makes up their own sy.

0:16:59.200 --> 0:17:02.240
<v Speaker 3>Exactly could have done that, but I didn't. My fear

0:17:02.320 --> 0:17:05.640
<v Speaker 3>got in the way, my own my critical my critical

0:17:05.720 --> 0:17:08.240
<v Speaker 3>voice got in the way, and I failed that week.

0:17:08.720 --> 0:17:10.399
<v Speaker 1>Oh so you were kind of like reading it in

0:17:10.440 --> 0:17:12.399
<v Speaker 1>a straightforward way, as though you would be doing like

0:17:12.440 --> 0:17:13.800
<v Speaker 1>a reading at a funeral.

0:17:13.960 --> 0:17:17.359
<v Speaker 3>Yeah. I was like, I wasn't filming, you, guys, I

0:17:17.520 --> 0:17:18.240
<v Speaker 3>wasn't filming.

0:17:18.280 --> 0:17:21.119
<v Speaker 1>And would you say it reached a point of anti

0:17:21.160 --> 0:17:23.560
<v Speaker 1>comedy maybe where it was like really funny that you

0:17:23.560 --> 0:17:25.919
<v Speaker 1>were speaking in a monotone or no, yeah, did it

0:17:25.920 --> 0:17:26.600
<v Speaker 1>loop back around?

0:17:26.680 --> 0:17:28.760
<v Speaker 3>No, it was anti comedy that like, no.

0:17:28.720 --> 0:17:31.439
<v Speaker 1>One, yeah, I mean that's.

0:17:31.720 --> 0:17:37.240
<v Speaker 3>That's no one was laughing when I was speaking, damn,

0:17:37.760 --> 0:17:41.160
<v Speaker 3>And that's really fine. It's fine. And then I got

0:17:41.160 --> 0:17:44.879
<v Speaker 3>off stage. I was like, I suck, and everybody's like,

0:17:44.880 --> 0:17:47.440
<v Speaker 3>I know, you were good, you were good. No, I

0:17:47.640 --> 0:17:47.919
<v Speaker 3>I know.

0:17:48.080 --> 0:17:51.240
<v Speaker 1>I really like the idea of you doing a Real

0:17:51.280 --> 0:17:55.240
<v Speaker 1>Housewives staged reading and then like being so depressed about

0:17:55.280 --> 0:17:57.520
<v Speaker 1>bombing that you're going around being like I fucking suck,

0:17:57.720 --> 0:18:01.320
<v Speaker 1>Like I bomb that I fucked at that, and everyone's

0:18:01.359 --> 0:18:04.600
<v Speaker 1>like it's like that's not the Real Housewives reading. Like

0:18:04.640 --> 0:18:07.119
<v Speaker 1>you read the words like I bombed.

0:18:08.119 --> 0:18:14.600
<v Speaker 3>I bombed. At this rate, I'll never get a I

0:18:14.640 --> 0:18:17.000
<v Speaker 3>don't know. Yeah, I mean I was low key a little.

0:18:17.040 --> 0:18:17.320
<v Speaker 2>I didn't.

0:18:17.320 --> 0:18:18.920
<v Speaker 3>I mean, I wasn't like I bombed. I bombed, but

0:18:18.960 --> 0:18:22.439
<v Speaker 3>I was just kind of like I just want to go.

0:18:22.520 --> 0:18:23.639
<v Speaker 1>Yeah, that's definitely.

0:18:23.840 --> 0:18:25.719
<v Speaker 2>That's definitely how. That's how.

0:18:25.960 --> 0:18:28.520
<v Speaker 3>And I've had like there was like friends from college

0:18:28.600 --> 0:18:31.160
<v Speaker 3>too that were there, Like no, I heard the people

0:18:31.200 --> 0:18:32.919
<v Speaker 3>I haven't seen in a long time, and I'm like

0:18:33.000 --> 0:18:36.480
<v Speaker 3>they're like, hey, but I can feel that energy of

0:18:36.520 --> 0:18:42.760
<v Speaker 3>like hey, that's so fun, Like no, it really, but

0:18:42.800 --> 0:18:43.640
<v Speaker 3>maybe I'm projected.

0:18:43.680 --> 0:18:45.320
<v Speaker 2>Maybe I'm just No, it's tough to bomb in front

0:18:45.320 --> 0:18:47.639
<v Speaker 2>of people that know you because it's like because they

0:18:47.680 --> 0:18:51.679
<v Speaker 2>probably see you once every blank years, like literally, so

0:18:51.760 --> 0:18:54.520
<v Speaker 2>it's like literally you just be like this does happen?

0:18:54.720 --> 0:18:56.840
<v Speaker 2>Like it's just like I'm not this is a representation

0:18:56.840 --> 0:18:59.800
<v Speaker 2>of who I am in total. That's also what's got

0:19:00.119 --> 0:19:03.040
<v Speaker 2>starting is like when like you're starting and then someone

0:19:03.080 --> 0:19:04.440
<v Speaker 2>that you look up to is like on the same

0:19:04.480 --> 0:19:06.879
<v Speaker 2>show as you, and you're like, okay, okay, okay, this

0:19:06.960 --> 0:19:08.159
<v Speaker 2>is the only time I'm going to see me and

0:19:08.200 --> 0:19:10.280
<v Speaker 2>you go up and like do medium to bad and

0:19:10.280 --> 0:19:14.320
<v Speaker 2>you're like, well they will for years think I suck right.

0:19:14.359 --> 0:19:18.720
<v Speaker 1>You know what's worse than that, well, potentially doing really well,

0:19:18.800 --> 0:19:20.800
<v Speaker 1>but then looking out in the crowd and finding the

0:19:20.840 --> 0:19:23.440
<v Speaker 1>person you admire and seeing that they're not into it.

0:19:24.119 --> 0:19:27.280
<v Speaker 1>Yeah yeah, and then and then afterwards they just like

0:19:27.520 --> 0:19:29.800
<v Speaker 1>give you a little fist bump and are like, great,

0:19:29.800 --> 0:19:30.399
<v Speaker 1>set man.

0:19:31.160 --> 0:19:33.320
<v Speaker 2>I think sometimes you can be that sounds good, actually

0:19:33.280 --> 0:19:35.399
<v Speaker 2>something awesome, that sounds fun.

0:19:36.320 --> 0:19:38.159
<v Speaker 1>You guys are just turned on because I did this

0:19:38.240 --> 0:19:39.320
<v Speaker 1>impression of a straight guy.

0:19:40.880 --> 0:19:44.880
<v Speaker 2>We're like, wait, wait, nice.

0:19:43.760 --> 0:19:47.080
<v Speaker 3>Nice, thanks, how are you?

0:19:49.760 --> 0:19:51.760
<v Speaker 1>I just want to say to everyone that like goes

0:19:51.800 --> 0:19:55.760
<v Speaker 1>to your friend's comedy show, whatever you know. Imagine you

0:19:55.760 --> 0:19:58.800
<v Speaker 1>you're a lawyer. Imagine inviting someone to see what a

0:19:58.880 --> 0:20:01.359
<v Speaker 1>random day of your work is like. Sometimes you're not

0:20:01.400 --> 0:20:03.639
<v Speaker 1>going to slay at that meeting, and sometimes you're not

0:20:03.680 --> 0:20:06.400
<v Speaker 1>going to get the client. You're not gonna get your

0:20:06.400 --> 0:20:09.520
<v Speaker 1>client the money they need. Sometimes you may even sent

0:20:09.600 --> 0:20:12.000
<v Speaker 1>someone to jail. If you're a doctor, you could kill someone. Now,

0:20:12.040 --> 0:20:14.160
<v Speaker 1>imagine that happens to be the day that I visit

0:20:14.200 --> 0:20:16.760
<v Speaker 1>because I happened to be visiting New York from Seattle

0:20:16.840 --> 0:20:19.000
<v Speaker 1>or Portland or Chicago, wherever I live, and you're like,

0:20:19.040 --> 0:20:20.720
<v Speaker 1>oh my god, I have a surgery that day. Come

0:20:20.760 --> 0:20:24.840
<v Speaker 1>see it. I come the person dies. Does that feel good?

0:20:25.119 --> 0:20:26.480
<v Speaker 1>That's my life every day?

0:20:27.160 --> 0:20:27.800
<v Speaker 3>Oh my god?

0:20:27.840 --> 0:20:29.000
<v Speaker 2>And you have to be like, well, I don't normally

0:20:29.080 --> 0:20:31.280
<v Speaker 2>kill people, or else I wouldn't be a doctor, right exactly,

0:20:31.359 --> 0:20:33.000
<v Speaker 2>like they wouldn't keep your surgeries.

0:20:33.280 --> 0:20:35.520
<v Speaker 3>They're like fun, looks like you were having fun.

0:20:36.560 --> 0:20:40.520
<v Speaker 1>He almost lived. Yeah, And then that person is like

0:20:40.600 --> 0:20:42.639
<v Speaker 1>on their group chat with the other friends from college

0:20:42.640 --> 0:20:44.760
<v Speaker 1>and they're like, how was how was George? And they're like,

0:20:45.200 --> 0:20:47.960
<v Speaker 1>I mean he killed the patient, like like.

0:20:48.359 --> 0:20:51.679
<v Speaker 2>He like looked good in the like like little scrubs,

0:20:51.680 --> 0:20:53.960
<v Speaker 2>but like, yeah, he did kill the guy. But to

0:20:54.000 --> 0:20:55.440
<v Speaker 2>be fair, the guy was like really sick.

0:20:58.720 --> 0:21:00.760
<v Speaker 1>And it was definitely like cool to be in the

0:21:00.760 --> 0:21:03.080
<v Speaker 1>o R. Like it all seemed like the lighting and

0:21:03.160 --> 0:21:05.480
<v Speaker 1>everything seemed real. It wasn't like one of these basements.

0:21:06.119 --> 0:21:07.439
<v Speaker 2>Coworkers seem nice.

0:21:07.760 --> 0:21:10.520
<v Speaker 3>Yeah, I mean I still picture this happening in a theater,

0:21:11.400 --> 0:21:16.200
<v Speaker 3>but like around one and it's like a black box

0:21:16.200 --> 0:21:18.399
<v Speaker 3>sitter on the round and then everyone's just kind of

0:21:18.400 --> 0:21:22.080
<v Speaker 3>watching this like box where you're doing the operation and

0:21:22.119 --> 0:21:23.960
<v Speaker 3>there's like music playing like.

0:21:24.000 --> 0:21:27.000
<v Speaker 1>Very well, honey, that's the future with it with social

0:21:27.119 --> 0:21:32.919
<v Speaker 1>media and how much everyone wants to be seen and

0:21:32.920 --> 0:21:37.359
<v Speaker 1>and everyone's a creator now and everyone and our president

0:21:37.400 --> 0:21:37.920
<v Speaker 1>is an inful.

0:21:38.119 --> 0:21:40.879
<v Speaker 3>Everyone's artists, everyone's artist artists.

0:21:41.440 --> 0:21:45.960
<v Speaker 1>What they're doing. They're making Instagram reels in the White House, folks,

0:21:46.600 --> 0:21:50.240
<v Speaker 1>give it six years. Operations you'll have to pay, buy

0:21:50.240 --> 0:21:53.480
<v Speaker 1>a ticket to attend, and you'll have to be sponsored

0:21:53.480 --> 0:21:56.840
<v Speaker 1>by a brand to attend. One of the big operations.

0:21:57.280 --> 0:21:59.919
<v Speaker 2>Budweiser presents Sam's appendectomy.

0:22:00.400 --> 0:22:02.600
<v Speaker 1>Yeah.

0:22:02.720 --> 0:22:06.359
<v Speaker 2>Yeah, that's the fucking future. People.

0:22:06.800 --> 0:22:14.359
<v Speaker 1>You think you know who's handling all the ticket sales prisoners?

0:22:15.040 --> 0:22:17.480
<v Speaker 2>Oh I thought you're gonna say Ticketmaster, But honey, which

0:22:17.480 --> 0:22:20.960
<v Speaker 2>one's worse? I don't know. If I am my way,

0:22:21.040 --> 0:22:22.439
<v Speaker 2>Ticketmaster would be in prison.

0:22:24.359 --> 0:22:29.400
<v Speaker 1>Wait same snap, literally is behind that is evil.

0:22:31.320 --> 0:22:32.800
<v Speaker 2>The worst part of your friends coming to see your

0:22:32.840 --> 0:22:36.560
<v Speaker 2>surgery is that you're like, you like obviously kill the

0:22:36.600 --> 0:22:38.600
<v Speaker 2>person that day, and so it's like such a bummer.

0:22:38.800 --> 0:22:41.600
<v Speaker 2>But then there's like this nurse who like, like was

0:22:41.640 --> 0:22:44.600
<v Speaker 2>really good at cleaning up the blood, and they're like, yeah,

0:22:44.680 --> 0:22:47.160
<v Speaker 2>like who is that nurse? Like that nurse is really

0:22:47.200 --> 0:22:50.280
<v Speaker 2>going to be somebody. I can see that nurse like

0:22:50.640 --> 0:22:52.000
<v Speaker 2>like being like the best nurse.

0:22:52.600 --> 0:22:53.800
<v Speaker 3>Yeah, the nurse open to you.

0:22:54.480 --> 0:22:54.680
<v Speaker 2>Yeah.

0:22:54.760 --> 0:22:58.640
<v Speaker 1>I Meanwhile, you know that that nurse's mom is the

0:22:58.680 --> 0:23:01.400
<v Speaker 1>head hospital administrator and that's how she got the job.

0:23:01.640 --> 0:23:04.240
<v Speaker 1>And it's like, yeah, she grew up in that culture,

0:23:04.359 --> 0:23:06.679
<v Speaker 1>so she of course does a really good job of

0:23:06.800 --> 0:23:11.080
<v Speaker 1>cleaning and knowing how to do you know, bedside manner

0:23:11.119 --> 0:23:11.560
<v Speaker 1>and everything.

0:23:11.680 --> 0:23:11.840
<v Speaker 3>Yeah.

0:23:11.880 --> 0:23:12.880
<v Speaker 2>The nurse is like twenty two.

0:23:13.320 --> 0:23:18.600
<v Speaker 1>Yeah, the nurse is twenty two. She's like weirdly really pretty. Yeah,

0:23:19.920 --> 0:23:22.560
<v Speaker 1>and you know, you did your best.

0:23:23.119 --> 0:23:26.560
<v Speaker 2>You did your best. So Richard, are you excited to

0:23:26.560 --> 0:23:27.760
<v Speaker 2>go on tour? God?

0:23:27.800 --> 0:23:28.439
<v Speaker 3>I love what I do?

0:23:28.720 --> 0:23:30.080
<v Speaker 1>Yeah, Richard, you're going on tour.

0:23:30.400 --> 0:23:31.440
<v Speaker 2>You're going on tour.

0:23:31.520 --> 0:23:35.600
<v Speaker 3>Speaking of bombing and performances and things of that nature.

0:23:35.720 --> 0:23:36.639
<v Speaker 3>I am touring.

0:23:36.840 --> 0:23:38.119
<v Speaker 2>What do you think your bomb rate is going to

0:23:38.160 --> 0:23:38.680
<v Speaker 2>be on tour?

0:23:38.800 --> 0:23:42.320
<v Speaker 1>Yeah? If you had to guess, which cities do you

0:23:42.320 --> 0:23:43.480
<v Speaker 1>think you're gonna bomb at?

0:23:44.280 --> 0:23:47.399
<v Speaker 3>Yeah? You know what I'm gonna say, none of them?

0:23:47.720 --> 0:23:50.240
<v Speaker 3>Oh huge, none of them? Hockey bitch.

0:23:50.359 --> 0:23:50.719
<v Speaker 2>You know what?

0:23:50.760 --> 0:23:52.159
<v Speaker 3>Maybe what are you that nurse?

0:23:52.320 --> 0:23:53.000
<v Speaker 1>Jesus?

0:23:53.320 --> 0:23:55.320
<v Speaker 3>Yeah, I'm that nurse on this tour?

0:23:56.359 --> 0:24:01.840
<v Speaker 1>Nurse and you.

0:24:02.320 --> 0:24:10.560
<v Speaker 3>Are Wait wait I was but yeah, yeah, wait what

0:24:10.640 --> 0:24:11.080
<v Speaker 3>I was doing?

0:24:11.119 --> 0:24:11.840
<v Speaker 2>Unique? Unique?

0:24:11.920 --> 0:24:13.360
<v Speaker 1>Yeah, I'm that nurse.

0:24:14.200 --> 0:24:19.159
<v Speaker 2>Yeah, Richard, don't you're you're leaving us after giving It's

0:24:19.400 --> 0:24:23.800
<v Speaker 2>crazy where you're literally just like pretending like you don't

0:24:23.800 --> 0:24:25.159
<v Speaker 2>know what we're talking about. It's like one of the

0:24:25.200 --> 0:24:30.320
<v Speaker 2>most no no, no, you guys.

0:24:30.960 --> 0:24:33.440
<v Speaker 1>That's the doctors they't stop and meet.

0:24:35.000 --> 0:24:35.800
<v Speaker 2>That nurse.

0:24:37.640 --> 0:24:37.920
<v Speaker 1>Nurse.

0:24:38.240 --> 0:24:39.640
<v Speaker 2>Wow, what an incredible.

0:24:39.359 --> 0:24:41.359
<v Speaker 1>Interpretation of that song. It would be if the video

0:24:41.440 --> 0:24:43.639
<v Speaker 1>was Beyonce as a nurse and the plot was that

0:24:43.760 --> 0:24:46.520
<v Speaker 1>all the doctors were male and they were like underestimating her,

0:24:46.640 --> 0:24:48.720
<v Speaker 1>but she was actually the most amazing nurse.

0:24:49.320 --> 0:24:52.000
<v Speaker 2>That would be so cool. That would be so cool,

0:24:52.480 --> 0:24:55.240
<v Speaker 2>It'll be stunning. Can I tell you guys about some

0:24:55.680 --> 0:24:58.640
<v Speaker 2>some a bomb that I had once? Okay, so this one.

0:24:58.680 --> 0:25:00.399
<v Speaker 2>I've talked about my worst bombs that but this is

0:25:00.440 --> 0:25:01.800
<v Speaker 2>more of a medium bomb that I It's kind of

0:25:01.880 --> 0:25:04.320
<v Speaker 2>juicy to talk about because it was in front of

0:25:04.880 --> 0:25:09.800
<v Speaker 2>past two time past guests Lisa Trager and it was

0:25:09.920 --> 0:25:12.800
<v Speaker 2>so bad. It was at the cake shop, I remember,

0:25:13.400 --> 0:25:19.359
<v Speaker 2>and she was guest hosting for like John it was

0:25:19.600 --> 0:25:20.439
<v Speaker 2>John Kate hosted that.

0:25:20.480 --> 0:25:23.160
<v Speaker 1>Maybe and she was she was one of the people

0:25:23.200 --> 0:25:25.080
<v Speaker 1>who hosted it, but this was before she was a

0:25:25.119 --> 0:25:28.639
<v Speaker 1>perm host. John Early, by the way, gen't really and then.

0:25:29.440 --> 0:25:33.040
<v Speaker 2>So she I went up first. It's a notoriously bad

0:25:33.080 --> 0:25:36.880
<v Speaker 2>show in general. There's like potentially eight people in the audience,

0:25:37.080 --> 0:25:41.320
<v Speaker 2>and it was not a great vibe. I go up,

0:25:41.800 --> 0:25:45.680
<v Speaker 2>eat complete shit, and she goes up as the host

0:25:45.720 --> 0:25:49.879
<v Speaker 2>after me and goes, well, that was smart. I guess anyway,

0:25:49.960 --> 0:25:52.000
<v Speaker 2>let's bring up our next comedian. And I was like,

0:25:52.240 --> 0:25:53.879
<v Speaker 2>holy shit, and it.

0:25:53.960 --> 0:25:56.480
<v Speaker 3>Was so was anyone else, like slang.

0:25:56.359 --> 0:25:59.479
<v Speaker 2>No, people started slaying, like maybe towards the very end,

0:25:59.560 --> 0:26:02.879
<v Speaker 2>as like it finally started to feel warm, warmer.

0:26:03.200 --> 0:26:06.960
<v Speaker 1>It's s Yeah, it's a fine line between like there's

0:26:07.000 --> 0:26:09.480
<v Speaker 1>a way to interpret that. I mean, I will say that,

0:26:09.760 --> 0:26:12.639
<v Speaker 1>you know, not her best maybe not her best comment,

0:26:12.800 --> 0:26:14.200
<v Speaker 1>but there's a way to interpret that is like, we're

0:26:14.200 --> 0:26:16.840
<v Speaker 1>all in this together, and isn't it such a hard show?

0:26:17.160 --> 0:26:19.000
<v Speaker 1>And that there was an element of that last night

0:26:19.080 --> 0:26:21.200
<v Speaker 1>where a lot of people were struggling, and so we

0:26:21.280 --> 0:26:23.480
<v Speaker 1>were all trying to like make each other feel better

0:26:23.600 --> 0:26:27.560
<v Speaker 1>by like affirming the other's experience. But you can't affirm

0:26:27.560 --> 0:26:30.240
<v Speaker 1>it too much because then you're basically agreeing that they bombed.

0:26:30.480 --> 0:26:34.240
<v Speaker 2>Yeah, I was raw, but that.

0:26:34.359 --> 0:26:35.240
<v Speaker 1>Was really bad.

0:26:35.440 --> 0:26:36.520
<v Speaker 3>I didn't laugh once.

0:26:38.480 --> 0:26:42.000
<v Speaker 1>Yeah, you're like, yeah, the audience was not into that,

0:26:42.200 --> 0:26:44.399
<v Speaker 1>which is not your fault because you were funny. But

0:26:44.520 --> 0:26:46.840
<v Speaker 1>I agree that it was a tough room and it

0:26:47.040 --> 0:26:49.480
<v Speaker 1>was for me too, don't you agree? And they're like, well, no,

0:26:49.680 --> 0:26:52.440
<v Speaker 1>you did really well or would have if the audience

0:26:52.480 --> 0:26:53.159
<v Speaker 1>had been different.

0:26:54.000 --> 0:26:59.080
<v Speaker 2>Yeah, yeah, that's tough. And actually I think Lisa has

0:26:59.720 --> 0:27:02.080
<v Speaker 2>a erased it. I think it didn't make an impact,

0:27:02.160 --> 0:27:04.520
<v Speaker 2>but it's something where I was like she remembers, like

0:27:04.640 --> 0:27:06.359
<v Speaker 2>I was like, this is like what I am in

0:27:06.400 --> 0:27:06.680
<v Speaker 2>her mind.

0:27:06.720 --> 0:27:10.359
<v Speaker 1>Oh she has if that. I've seen so many people

0:27:10.440 --> 0:27:12.800
<v Speaker 1>we know do like bomb. It has never made an

0:27:13.080 --> 0:27:13.800
<v Speaker 1>impression on me.

0:27:14.240 --> 0:27:17.400
<v Speaker 3>Yeah, honestly same. Yeah, and even like people that I'm

0:27:17.480 --> 0:27:20.520
<v Speaker 3>like a fan of before, you know, and I'm like,

0:27:20.600 --> 0:27:22.200
<v Speaker 3>oh I see them and they don't right, they have

0:27:22.320 --> 0:27:24.200
<v Speaker 3>like an awkward set or it's just like not the

0:27:24.320 --> 0:27:26.960
<v Speaker 3>vibe just isn't there. I'm like, oh, well, I still

0:27:27.040 --> 0:27:29.840
<v Speaker 3>know they're funny. It's still and on I feel that way.

0:27:29.880 --> 0:27:31.560
<v Speaker 1>And on the other side of things, if someone I

0:27:31.600 --> 0:27:34.920
<v Speaker 1>think is not funny is killing what I'm thinking, is

0:27:35.160 --> 0:27:37.119
<v Speaker 1>the world's going to hell in a hand basket? No

0:27:37.200 --> 0:27:40.000
<v Speaker 1>one has taste anymore. I'm not it's not changing my

0:27:40.080 --> 0:27:41.240
<v Speaker 1>mind about how funny they are.

0:27:41.920 --> 0:27:42.959
<v Speaker 2>No, You're totally right.

0:27:43.000 --> 0:27:45.480
<v Speaker 1>It actually makes me like them less because I'm like, oh,

0:27:45.560 --> 0:27:48.520
<v Speaker 1>I see, you're just appealing that low is common denominator

0:27:48.560 --> 0:27:50.480
<v Speaker 1>and it's working, you stupid bitch. I'll see.

0:27:51.160 --> 0:27:56.320
<v Speaker 2>I'm like, hack hack hack, no, Richard saying go ahead, sorry,

0:27:56.359 --> 0:27:57.920
<v Speaker 2>as we asked as you sipped water.

0:27:58.400 --> 0:28:01.440
<v Speaker 1>Richard, look wi Richard, Hello, we're podcasting.

0:28:01.520 --> 0:28:02.120
<v Speaker 2>Am sorry?

0:28:02.680 --> 0:28:08.560
<v Speaker 3>Sorry? So do you think that? Like how do I

0:28:08.920 --> 0:28:12.679
<v Speaker 3>word it? Because like when people when people are like, uh,

0:28:12.880 --> 0:28:15.680
<v Speaker 3>like the audience was thinking and it's so specific and

0:28:15.800 --> 0:28:18.600
<v Speaker 3>it's like five specific things. Oh, it's because the way

0:28:18.640 --> 0:28:20.520
<v Speaker 3>I said this, and then this happened, and then that

0:28:20.680 --> 0:28:22.480
<v Speaker 3>and then this, This is what the audience is thinking.

0:28:22.560 --> 0:28:24.760
<v Speaker 3>And I'm like, maybe there's some things where there's like

0:28:25.040 --> 0:28:28.600
<v Speaker 3>and something perceptive or like intuitive about it, like sure,

0:28:29.280 --> 0:28:32.159
<v Speaker 3>but I'm also like, I don't know if that's always

0:28:32.240 --> 0:28:34.600
<v Speaker 3>the case, Like I think that's it's more of like

0:28:34.680 --> 0:28:37.480
<v Speaker 3>your own mindset and like how you know, like you

0:28:37.560 --> 0:28:39.760
<v Speaker 3>get tripped up on your own thing or like your

0:28:39.800 --> 0:28:42.720
<v Speaker 3>anxieties get the best of you, or the critical voice

0:28:42.880 --> 0:28:44.600
<v Speaker 3>is just really.

0:28:44.760 --> 0:28:46.760
<v Speaker 1>I mean, or it could be something you don't even know,

0:28:47.000 --> 0:28:50.640
<v Speaker 1>like someone could have yeah, like a phone could have

0:28:50.800 --> 0:28:53.080
<v Speaker 1>vibrated in the fourth row that you didn't even hear.

0:28:53.320 --> 0:28:55.440
<v Speaker 1>And then it's sort of like distracted one person and

0:28:55.520 --> 0:28:58.640
<v Speaker 1>then someone looked back and in your mind that was

0:28:58.680 --> 0:29:00.800
<v Speaker 1>because of something you said, but she wasn't.

0:29:01.640 --> 0:29:03.760
<v Speaker 3>Right, and I'm like, oh, okay, well I guess that

0:29:03.880 --> 0:29:05.760
<v Speaker 3>person hated it. And then you start thinking on that

0:29:05.880 --> 0:29:10.640
<v Speaker 3>a little, like, yeah, it's it's it can be tough

0:29:10.720 --> 0:29:13.800
<v Speaker 3>to navigate, but I'm just like I I think it's

0:29:13.960 --> 0:29:16.720
<v Speaker 3>like there, of course is a big part of it

0:29:16.840 --> 0:29:17.960
<v Speaker 3>that like comes from.

0:29:19.000 --> 0:29:20.840
<v Speaker 2>So basically what you're saying is if you vomb, it's

0:29:20.880 --> 0:29:21.760
<v Speaker 2>your fucking fault, bitch.

0:29:22.600 --> 0:29:25.760
<v Speaker 3>Kind of so you're saying, and you know what, it's

0:29:25.880 --> 0:29:30.880
<v Speaker 3>my fault. It's my all those last night last night,

0:29:30.960 --> 0:29:31.640
<v Speaker 3>it's my fault.

0:29:31.720 --> 0:29:32.200
<v Speaker 2>So my bomb.

0:29:32.240 --> 0:29:34.600
<v Speaker 1>I get off stage. Honestly, someone in the front row,

0:29:35.440 --> 0:29:37.160
<v Speaker 1>I've already gotten off stage. Some of the front road

0:29:37.240 --> 0:29:41.200
<v Speaker 1>turns to me and takes out like a spray cleaner

0:29:41.280 --> 0:29:44.600
<v Speaker 1>for glasses, for eyeglasses, and he goes do you need this?

0:29:46.480 --> 0:29:51.080
<v Speaker 5>Whoa, that's rue And this is someone you don't even know,

0:29:51.240 --> 0:29:54.480
<v Speaker 5>someone I don't even know that I guess noticed while

0:29:54.480 --> 0:29:56.400
<v Speaker 5>I was on stage that my glasses were a little

0:29:56.400 --> 0:29:58.640
<v Speaker 5>bit dirty, and I.

0:29:58.760 --> 0:30:01.440
<v Speaker 1>Knew I did not do well. Oh and as soon

0:30:01.480 --> 0:30:05.240
<v Speaker 1>as I get off, his first instinct is to offer

0:30:05.360 --> 0:30:07.320
<v Speaker 1>me glasses cleaner because of.

0:30:07.360 --> 0:30:11.120
<v Speaker 2>How busted my glasses look. That is so deeply messed up.

0:30:12.120 --> 0:30:13.280
<v Speaker 3>Yeah, that's shit.

0:30:13.360 --> 0:30:16.080
<v Speaker 2>One time I was bombing so bad one a person

0:30:16.160 --> 0:30:20.680
<v Speaker 2>offered me a shot. No, I was bombing so bad,

0:30:20.760 --> 0:30:23.320
<v Speaker 2>and these guys were talking. I was like, are you

0:30:23.560 --> 0:30:27.120
<v Speaker 2>will you stopped talking and they were like, we're ordering

0:30:27.320 --> 0:30:30.120
<v Speaker 2>drinks and I was like, the bar is not even

0:30:30.160 --> 0:30:32.720
<v Speaker 2>in this room, Like what are you talking about. They're like,

0:30:32.720 --> 0:30:34.800
<v Speaker 2>we're talking about we wanted to get to drink. And

0:30:34.840 --> 0:30:36.400
<v Speaker 2>they're like, do you want a shot? And I was

0:30:36.440 --> 0:30:40.760
<v Speaker 2>like fine. That was the worst bomb. And then they

0:30:40.840 --> 0:30:43.120
<v Speaker 2>left and Bob left and bought drinks and then I

0:30:43.280 --> 0:30:45.400
<v Speaker 2>did a shot while bombing. It was one of the

0:30:45.440 --> 0:30:46.720
<v Speaker 2>most horrible experiences in my life.

0:30:46.840 --> 0:30:48.840
<v Speaker 3>So the first time I ever performed in like on

0:30:48.960 --> 0:30:51.720
<v Speaker 3>the same show as you, Sam, I bombed, and I

0:30:52.840 --> 0:30:53.920
<v Speaker 3>remember that what was it.

0:30:54.080 --> 0:30:54.720
<v Speaker 2>What was the show?

0:30:54.920 --> 0:30:57.560
<v Speaker 3>It was that club coming see I don't remember whose.

0:30:57.480 --> 0:30:59.720
<v Speaker 1>Show, Like Sam has no recollection of that, And for you,

0:31:00.040 --> 0:31:01.880
<v Speaker 1>it is something you were thinking about all these years later,

0:31:02.120 --> 0:31:02.600
<v Speaker 1>and I'm.

0:31:02.520 --> 0:31:04.760
<v Speaker 3>Like and this was like because that night was the

0:31:04.800 --> 0:31:07.000
<v Speaker 3>first night you and I like formerly met, and you

0:31:07.080 --> 0:31:09.600
<v Speaker 3>were like, oh, like you should like do the podcast,

0:31:09.960 --> 0:31:11.560
<v Speaker 3>and then like a few weeks later I did it.

0:31:11.920 --> 0:31:14.000
<v Speaker 1>I have that with Aaron Jackson, the first time Aaron

0:31:14.080 --> 0:31:16.760
<v Speaker 1>saw me before my bomb. I'm sure he does not

0:31:16.880 --> 0:31:20.840
<v Speaker 1>remember it. We are good friends, but I will never

0:31:21.000 --> 0:31:25.120
<v Speaker 1>forget like saying something, everyone being silent, and then making

0:31:25.200 --> 0:31:27.800
<v Speaker 1>eye contact with Aaron who was just sort of like,

0:31:28.640 --> 0:31:31.040
<v Speaker 1>you know, had like an encouraging smile, but he knew

0:31:31.080 --> 0:31:34.200
<v Speaker 1>what was going on. Yeah, should we do our first segment?

0:31:34.880 --> 0:31:36.000
<v Speaker 2>I think that's a really good idea.

0:31:36.040 --> 0:31:37.719
<v Speaker 3>Wait. Should I talk about my tour a little bit?

0:31:37.840 --> 0:31:38.040
<v Speaker 2>Yeah?

0:31:38.480 --> 0:31:40.959
<v Speaker 3>Excuse me, I just want to promote it a little bit?

0:31:41.320 --> 0:31:43.040
<v Speaker 3>Please please?

0:31:43.280 --> 0:31:44.400
<v Speaker 2>Yeah, go You're allowed.

0:31:44.840 --> 0:31:48.560
<v Speaker 3>Hi, guys, welcome to a Stradio lab. Does it different

0:31:48.680 --> 0:31:52.720
<v Speaker 3>with Richard Perez as your host for this segment. This

0:31:52.840 --> 0:31:58.160
<v Speaker 3>segment is to promote my upcoming tour. It's for my

0:31:58.280 --> 0:32:02.520
<v Speaker 3>solo show called I have to do this directed by

0:32:02.760 --> 0:32:07.280
<v Speaker 3>Charlie Barday, dear friend of all of ours, and the

0:32:07.360 --> 0:32:11.200
<v Speaker 3>cities that I will be visiting this spring will be,

0:32:12.720 --> 0:32:20.000
<v Speaker 3>uh what is it? Portland, Seattle, Chicago, Los Angeles. I'm

0:32:20.040 --> 0:32:24.680
<v Speaker 3>still figuring things out with San Francisco, aren't we all

0:32:24.840 --> 0:32:28.320
<v Speaker 3>also figuring? I'm figuring things out with Pittsburgh. I'm figuring

0:32:28.400 --> 0:32:34.040
<v Speaker 3>things out with Boston. But but just keep that in mind.

0:32:34.280 --> 0:32:38.960
<v Speaker 3>It's uh, yeah, it's a it's a really lovely special

0:32:39.040 --> 0:32:43.240
<v Speaker 3>show that I love doing. And I know we talked

0:32:43.240 --> 0:32:47.400
<v Speaker 3>about bombing a lot, but I think this will be

0:32:48.120 --> 0:32:50.640
<v Speaker 3>a different experience than that.

0:32:51.520 --> 0:32:55.360
<v Speaker 2>I agree. I think it's thanks Richard for having me.

0:32:55.480 --> 0:32:57.160
<v Speaker 3>I hope that's my that's my hope that I'm putting.

0:32:57.200 --> 0:33:01.280
<v Speaker 2>Thanks for having me on your segment, Richard, Australia Lab

0:33:01.320 --> 0:33:02.320
<v Speaker 2>but a little different.

0:33:02.360 --> 0:33:03.800
<v Speaker 3>Yeah, if you guys want to say like one thing

0:33:03.840 --> 0:33:04.240
<v Speaker 3>about it.

0:33:04.920 --> 0:33:07.520
<v Speaker 2>I think this show is so good. I've never not

0:33:07.680 --> 0:33:10.160
<v Speaker 2>seen it. Crush crush, crush beyond.

0:33:10.440 --> 0:33:11.480
<v Speaker 3>Have you have you seen it?

0:33:11.600 --> 0:33:18.160
<v Speaker 2>Oh? No, I've never seen it, So let's start there. No, No,

0:33:18.280 --> 0:33:18.840
<v Speaker 2>I've just seen it.

0:33:19.160 --> 0:33:21.360
<v Speaker 1>Sam and I seen it together because there we saw

0:33:21.440 --> 0:33:21.959
<v Speaker 1>the hall.

0:33:21.960 --> 0:33:23.160
<v Speaker 2>I've seen the Union Hall versions.

0:33:23.360 --> 0:33:25.520
<v Speaker 3>Yeah, all right, that was like my that was like

0:33:25.600 --> 0:33:29.200
<v Speaker 3>the third time I did it. Is that true? Yeah?

0:33:29.400 --> 0:33:32.320
<v Speaker 3>And Charlie and I had you guys interview.

0:33:32.240 --> 0:33:33.000
<v Speaker 2>Oh yeah.

0:33:34.520 --> 0:33:37.400
<v Speaker 1>Show rather than doing it, rather than doing a talk

0:33:37.520 --> 0:33:39.280
<v Speaker 1>back at the end, we did a talk back in

0:33:39.320 --> 0:33:41.400
<v Speaker 1>the beginning where we interviewed Charlie as the director of

0:33:41.480 --> 0:33:44.560
<v Speaker 1>a show we haven't yet seen. Yeah, now that's all comedy.

0:33:44.640 --> 0:33:46.240
<v Speaker 2>I'm sorry, that's all comedy, mama.

0:33:46.440 --> 0:33:48.520
<v Speaker 3>Yeah it was. It was really fun. That was a

0:33:48.560 --> 0:33:48.920
<v Speaker 3>great night.

0:33:49.040 --> 0:33:49.720
<v Speaker 2>It was really fun.

0:33:50.280 --> 0:33:51.960
<v Speaker 1>Richard. I want to say thank you for having me

0:33:52.320 --> 0:33:55.880
<v Speaker 1>on your show. Straightia Lab Presents Richard promotes his tour.

0:33:57.960 --> 0:34:00.880
<v Speaker 3>Thanks George, and thank you Sam for saying what you're saying.

0:34:00.920 --> 0:34:02.760
<v Speaker 1>And I just want to promote I have a podcast,

0:34:02.800 --> 0:34:06.120
<v Speaker 1>Straighter Lab that anyone can listen to on Apple Podcasts

0:34:06.160 --> 0:34:08.400
<v Speaker 1>for Spotify, hosted with Sam Taggart, who I think has

0:34:08.440 --> 0:34:09.520
<v Speaker 1>also been on the show before.

0:34:10.239 --> 0:34:12.040
<v Speaker 3>And if you guys don't like this segment, you can

0:34:12.120 --> 0:34:15.240
<v Speaker 3>just scrub to like, well, this will.

0:34:15.120 --> 0:34:17.719
<v Speaker 1>Be released on a different I assume your show has a.

0:34:20.320 --> 0:34:24.000
<v Speaker 2>Well the We've scheduled the photo shoot for the cover

0:34:24.239 --> 0:34:25.000
<v Speaker 2>for this one.

0:34:26.440 --> 0:34:28.960
<v Speaker 1>And we'll invoice you for that. We always when Sam

0:34:29.000 --> 0:34:31.120
<v Speaker 1>and I guessed on other podcasts, we usually do a

0:34:31.200 --> 0:34:34.240
<v Speaker 1>photo shoot and then invoice the host of that podcast.

0:34:34.840 --> 0:34:37.200
<v Speaker 2>I'm thinking this photo shoot is leather and lace.

0:34:37.800 --> 0:34:39.920
<v Speaker 3>Yeah, oh hell yeah.

0:34:39.719 --> 0:34:42.120
<v Speaker 1>That Actually you would think Sam would be leather. But

0:34:42.280 --> 0:34:43.759
<v Speaker 1>I'm going to be leather and Sam is going to

0:34:43.800 --> 0:34:45.160
<v Speaker 1>be in a full two two lace.

0:34:45.280 --> 0:34:47.759
<v Speaker 2>Yeah, I'm going to be very am I am? I?

0:34:48.000 --> 0:34:48.640
<v Speaker 3>What am I wearing?

0:34:48.719 --> 0:34:51.680
<v Speaker 1>Well, you're not part of this. We're doing a photo

0:34:51.760 --> 0:34:55.200
<v Speaker 1>shoot as the guests of Straighter Lab Presents Richard promotes

0:34:55.239 --> 0:34:57.799
<v Speaker 1>his show, and it'll be like a little photo.

0:34:57.640 --> 0:34:59.680
<v Speaker 3>I don't get a picture you have like the cover

0:34:59.840 --> 0:35:00.600
<v Speaker 3>art for it already.

0:35:00.680 --> 0:35:02.920
<v Speaker 1>You know what I mean. It's like to promote the

0:35:02.920 --> 0:35:06.200
<v Speaker 1>specific episode, you need a headshot of us, and so

0:35:06.400 --> 0:35:08.839
<v Speaker 1>we're sending you this photo shoot. Will send you many

0:35:09.880 --> 0:35:10.880
<v Speaker 1>options options.

0:35:10.960 --> 0:35:12.240
<v Speaker 2>Yeah, I'll send you a lot of options.

0:35:13.400 --> 0:35:14.320
<v Speaker 3>Can I edit myself?

0:35:14.480 --> 0:35:17.160
<v Speaker 2>Like? And if your face is anywhere on this fucking picture,

0:35:17.520 --> 0:35:20.520
<v Speaker 2>I'm going to assue you it's not really hell and back.

0:35:21.880 --> 0:35:24.759
<v Speaker 3>You won't be able to buy What if I made

0:35:24.800 --> 0:35:25.200
<v Speaker 3>it cute?

0:35:25.280 --> 0:35:25.320
<v Speaker 2>Like?

0:35:25.360 --> 0:35:27.239
<v Speaker 3>What if I did a picture I like, edit it

0:35:27.320 --> 0:35:29.600
<v Speaker 3>where it looks like you're in your full leather. You're

0:35:29.640 --> 0:35:34.239
<v Speaker 3>in your full lace watching me on stage, enjoying the show.

0:35:35.160 --> 0:35:35.960
<v Speaker 2>I'm not seeing it.

0:35:36.040 --> 0:35:37.440
<v Speaker 1>I'm not really seeing the vision.

0:35:38.440 --> 0:35:39.640
<v Speaker 3>Both of you are like smiling.

0:35:39.840 --> 0:35:42.239
<v Speaker 2>Sounds really busy. It just sounds really busy, and it

0:35:42.320 --> 0:35:43.560
<v Speaker 2>kind of goes against the leather and lathe.

0:35:43.600 --> 0:35:45.839
<v Speaker 1>We want to take one thing off in a stage, Yeah,

0:35:46.320 --> 0:35:47.600
<v Speaker 1>we want to take one thing off. And that thing

0:35:47.719 --> 0:35:49.880
<v Speaker 1>is kind of the additional thing you added after we

0:35:50.000 --> 0:35:53.000
<v Speaker 1>gave you the finished product. I say, let's take that

0:35:53.280 --> 0:35:55.320
<v Speaker 1>off and then just go with the finished product that

0:35:55.360 --> 0:35:59.279
<v Speaker 1>has been improved by legal and HR and our entire team,

0:35:59.520 --> 0:36:02.040
<v Speaker 1>and we'll send you everyone that worked on it. And

0:36:02.120 --> 0:36:04.920
<v Speaker 1>you can in the Instagram capturing, you know, styling at

0:36:05.440 --> 0:36:08.879
<v Speaker 1>Style Girl, Makeup Ata Girl.

0:36:09.040 --> 0:36:20.000
<v Speaker 6>Yeah, yeah, Makeup Girl Style, Girl Craft Services, girl Craft Services.

0:36:20.560 --> 0:36:23.359
<v Speaker 6>She's a doll, a doll.

0:36:23.440 --> 0:36:25.239
<v Speaker 1>We met her when she was a nurse and we

0:36:25.320 --> 0:36:28.240
<v Speaker 1>were performing surgeries and we said, you have such screen presents.

0:36:28.640 --> 0:36:29.799
<v Speaker 1>We're taking you on tour.

0:36:30.520 --> 0:36:33.440
<v Speaker 2>Yeah, oh my Godney, do you know how to work

0:36:33.440 --> 0:36:37.200
<v Speaker 2>a damn grill? Yeah?

0:36:37.239 --> 0:36:39.600
<v Speaker 1>By the way, Craft Services at our photo shoots are

0:36:39.680 --> 0:36:45.880
<v Speaker 1>like tapas, small plates, oysters, fish, tacos. It's a lot

0:36:45.920 --> 0:36:46.520
<v Speaker 1>of seafood.

0:36:46.560 --> 0:36:50.520
<v Speaker 2>Actually a lot of food. Yes, we only eat fish.

0:36:50.760 --> 0:36:54.880
<v Speaker 1>Yeah, veggies. One time they included a corn sauce, so

0:36:54.960 --> 0:36:56.000
<v Speaker 1>we sued and we won.

0:36:56.360 --> 0:36:58.600
<v Speaker 3>Yeah, so that's what you're gonna eat before you get

0:36:58.640 --> 0:37:01.440
<v Speaker 3>into the leather in the lake. Lots of yeah, enduring

0:37:02.320 --> 0:37:06.400
<v Speaker 3>and during, of course, it sounds like it's gonna be smelly.

0:37:06.719 --> 0:37:08.960
<v Speaker 1>Our breaths are gonna smell really fishy too.

0:37:09.080 --> 0:37:11.040
<v Speaker 3>Yeah, you're gonna smell fishy as fun.

0:37:11.120 --> 0:37:15.520
<v Speaker 2>Yeah, because we're gonna be serving serving fish. Bitch, bitch. Wow.

0:37:16.920 --> 0:37:19.040
<v Speaker 2>Somebody's gonna be like, is it fishy in here? Is

0:37:19.080 --> 0:37:20.160
<v Speaker 2>it just me? And you're gonna be like, no, it

0:37:20.280 --> 0:37:20.960
<v Speaker 2>is fishy in here.

0:37:21.040 --> 0:37:23.360
<v Speaker 1>And then he's gonna be like, we're gonna breathe in

0:37:23.360 --> 0:37:25.759
<v Speaker 1>this space, and it's gonna be like, oh god, excuse.

0:37:25.719 --> 0:37:27.560
<v Speaker 2>Damn, fuck my god.

0:37:28.239 --> 0:37:29.560
<v Speaker 3>The camera is like shaky.

0:37:30.560 --> 0:37:33.239
<v Speaker 1>The photographers just like yeah, and then we're like, do

0:37:33.239 --> 0:37:33.880
<v Speaker 1>you want some me?

0:37:34.080 --> 0:37:34.800
<v Speaker 2>So cod.

0:37:38.080 --> 0:37:44.719
<v Speaker 3>So cald, so interesting, okay, And so I.

0:37:44.719 --> 0:37:47.600
<v Speaker 1>Think that concludes that segment, So Richard, our first segment

0:37:47.719 --> 0:37:51.279
<v Speaker 1>is called Strade Shooters, and in this segment we ask

0:37:51.320 --> 0:37:53.200
<v Speaker 1>you a series of rapid fire questions to gauge your

0:37:53.239 --> 0:37:55.400
<v Speaker 1>familiarity with in complicity and straight culture, and you have

0:37:55.480 --> 0:37:57.600
<v Speaker 1>to choose one thing or Oh, by the way, where

0:37:57.640 --> 0:37:59.080
<v Speaker 1>can people find tickets to your tour?

0:38:00.680 --> 0:38:02.440
<v Speaker 3>Oh? Thank you so much. We're going to go back

0:38:02.480 --> 0:38:02.759
<v Speaker 3>to the well.

0:38:02.800 --> 0:38:04.759
<v Speaker 1>This is in the mini segment where can people find

0:38:04.800 --> 0:38:06.799
<v Speaker 1>tickets to promotes this tour?

0:38:06.880 --> 0:38:08.920
<v Speaker 3>Well, I'm confused this is going to be in my episode?

0:38:09.000 --> 0:38:09.680
<v Speaker 3>Is this going to be in.

0:38:11.239 --> 0:38:16.480
<v Speaker 2>The third episode? Yeah, this is a new third episode.

0:38:17.120 --> 0:38:20.319
<v Speaker 1>And by the way, Claire, we're doing a new new

0:38:20.440 --> 0:38:23.960
<v Speaker 1>photo shoot, a new photo shoot to promote this third episode,

0:38:25.719 --> 0:38:28.480
<v Speaker 1>and it's going to be I'm gonna I'm a robber,

0:38:28.600 --> 0:38:31.960
<v Speaker 1>a bank robber, and Sam is a bank teller. Yeah,

0:38:31.960 --> 0:38:35.239
<v Speaker 1>and I'm holding I'm holding him a gun robbery kind

0:38:35.239 --> 0:38:36.680
<v Speaker 1>of like Inside.

0:38:36.280 --> 0:38:39.799
<v Speaker 3>Man themed, Yeah, Inside Man, and I'm Robert.

0:38:41.160 --> 0:38:41.319
<v Speaker 2>Call.

0:38:41.560 --> 0:38:45.239
<v Speaker 3>And it's called Clarity, Clarity, Claire. This episode of the

0:38:45.320 --> 0:38:48.760
<v Speaker 3>third episode is called cla Welcome to Clarity, Welcome to Clarity,

0:38:48.960 --> 0:38:49.680
<v Speaker 3>and it's and the.

0:38:49.760 --> 0:38:58.240
<v Speaker 1>Theme song is if you many, my, myem me any questions?

0:38:59.080 --> 0:39:03.920
<v Speaker 3>So, okay, so this is the third episode. Ok, we're

0:39:03.960 --> 0:39:04.839
<v Speaker 3>talking link tree.

0:39:06.280 --> 0:39:06.640
<v Speaker 2>So yeah.

0:39:06.719 --> 0:39:09.719
<v Speaker 3>Instagram, thank you guys for tuning in. You can go

0:39:09.800 --> 0:39:14.160
<v Speaker 3>to my Instagram it's Richard Underscore Perez and you can

0:39:14.280 --> 0:39:18.400
<v Speaker 3>find a link tree in the bio and that, And

0:39:18.560 --> 0:39:20.320
<v Speaker 3>by the time this comes out will be like a

0:39:20.400 --> 0:39:24.520
<v Speaker 3>really fun like tour poster separate from not attached to

0:39:24.600 --> 0:39:28.680
<v Speaker 3>Stradio I've incorporated at all. I don't know, but it'll

0:39:28.719 --> 0:39:31.640
<v Speaker 3>be completely a separate photo shoot. Sam and George will

0:39:31.680 --> 0:39:34.920
<v Speaker 3>not be in the pictures or anything.

0:39:35.440 --> 0:39:38.720
<v Speaker 1>We own this ip. Like the fact that you're promoting

0:39:38.760 --> 0:39:42.120
<v Speaker 1>the tour on Stradio Lab means that we have to

0:39:42.239 --> 0:39:48.080
<v Speaker 1>have approval of any further further like assets that will

0:39:48.120 --> 0:39:49.040
<v Speaker 1>be produced from it.

0:39:49.280 --> 0:39:52.640
<v Speaker 2>Yeah, yeah, bitch, And it's not it's like a pretty

0:39:52.719 --> 0:39:56.960
<v Speaker 2>like simple, really standard we send We'll.

0:39:56.440 --> 0:39:58.120
<v Speaker 1>Send you the lawyer and it has to go through

0:39:58.239 --> 0:40:02.080
<v Speaker 1>makeup girl style. Everyone involved in our photoshoots also has

0:40:02.120 --> 0:40:04.440
<v Speaker 1>to approve any third party assets.

0:40:05.520 --> 0:40:07.920
<v Speaker 3>Yeah for my own images.

0:40:08.120 --> 0:40:09.960
<v Speaker 2>Yeah, as soon as you game on this show, all

0:40:10.080 --> 0:40:13.160
<v Speaker 2>creative projects became part of the studio inc mm hmm.

0:40:13.760 --> 0:40:16.440
<v Speaker 1>Okay, So in the forums we sent you and I

0:40:16.520 --> 0:40:18.520
<v Speaker 1>actually don't really want to like figure it out on air,

0:40:18.600 --> 0:40:21.279
<v Speaker 1>It's like you can go read them, you've already signed them,

0:40:22.640 --> 0:40:25.400
<v Speaker 1>and like we have a limited amount of time in

0:40:25.520 --> 0:40:28.000
<v Speaker 1>the studio, and I'm not going to be going through

0:40:28.040 --> 0:40:29.120
<v Speaker 1>paperwork with you right now.

0:40:29.719 --> 0:40:33.799
<v Speaker 3>Yeah, well we have Okay, okay, okay, I'm not going

0:40:33.880 --> 0:40:35.680
<v Speaker 3>to fight because that's not what I came here to do.

0:40:37.520 --> 0:40:39.560
<v Speaker 3>I don't want to fight with you right now. I

0:40:39.920 --> 0:40:42.200
<v Speaker 3>just am trying to on this third episode, I'm just

0:40:42.280 --> 0:40:45.919
<v Speaker 3>trying to bring some clarity to anyone that's confused, that's

0:40:46.000 --> 0:40:47.360
<v Speaker 3>listened to it, that.

0:40:50.200 --> 0:40:57.319
<v Speaker 1>Clary tragedy. Sorry, whenever you say clarity, Whenever you whenever

0:40:57.360 --> 0:41:00.920
<v Speaker 1>someone says clarity by contract because we're sponsors on Clarity,

0:41:01.680 --> 0:41:04.240
<v Speaker 1>whenever someone says the word clarity, that song starts playing.

0:41:07.080 --> 0:41:10.279
<v Speaker 3>It's almost like that, but it's clear.

0:41:10.400 --> 0:41:12.239
<v Speaker 2>It's beautiful, beautiful.

0:41:13.120 --> 0:41:16.320
<v Speaker 3>But yeah, it'll be on the link tree in the bio.

0:41:16.960 --> 0:41:21.799
<v Speaker 3>And I guess now with this amendment, I guess I'll

0:41:21.840 --> 0:41:23.080
<v Speaker 3>have to change the tour image.

0:41:23.239 --> 0:41:25.080
<v Speaker 1>So it's okay, there's still time.

0:41:25.480 --> 0:41:26.279
<v Speaker 2>Yeah, there's still plenty of it.

0:41:26.320 --> 0:41:27.279
<v Speaker 1>And when does the tour start?

0:41:27.760 --> 0:41:37.400
<v Speaker 3>The tour? The tour starts, God, it starts March twenty sixth, sixth, sixth.

0:41:37.680 --> 0:41:39.439
<v Speaker 3>That's a hard word for that's a really tough word.

0:41:40.280 --> 0:41:43.280
<v Speaker 1>Six It starts March twenty sixth, six aries.

0:41:44.800 --> 0:41:45.440
<v Speaker 3>How do you say it?

0:41:46.040 --> 0:41:50.160
<v Speaker 1>March twenty sixth, Sam, You're doing a really good job

0:41:50.200 --> 0:41:52.279
<v Speaker 1>with your lisp. It's actually like almost gone.

0:41:55.840 --> 0:41:57.560
<v Speaker 2>Okay, let's go back, Let's start a new episode of

0:41:57.600 --> 0:41:59.360
<v Speaker 2>our podcast and go do our first segment.

0:42:02.800 --> 0:42:05.439
<v Speaker 1>Okay, let's start a new episode, I think, and let's

0:42:05.480 --> 0:42:06.640
<v Speaker 1>actually scrap those three.

0:42:07.280 --> 0:42:09.120
<v Speaker 2>I wasn't feeling it.

0:42:09.440 --> 0:42:12.640
<v Speaker 1>It's like, I think we can use them for Patreon

0:42:12.760 --> 0:42:13.120
<v Speaker 1>or something.

0:42:13.400 --> 0:42:16.959
<v Speaker 2>Yeah, we got network notes network notes, and they really

0:42:17.080 --> 0:42:20.000
<v Speaker 2>didn't like it. I'm reading the network notes now and

0:42:20.080 --> 0:42:22.560
<v Speaker 2>I actually can't read them out loud because they're pretty cruel.

0:42:23.000 --> 0:42:26.080
<v Speaker 1>And Richard, we think you have such a unique voice,

0:42:26.280 --> 0:42:27.560
<v Speaker 1>like we've always loved you.

0:42:27.840 --> 0:42:28.799
<v Speaker 2>We've always felt that way.

0:42:29.560 --> 0:42:32.160
<v Speaker 1>We find ourselves though, being kind of the only ones

0:42:32.200 --> 0:42:32.880
<v Speaker 1>in the room that do.

0:42:33.440 --> 0:42:35.640
<v Speaker 2>It's just tough when a voice is so unique, It's like,

0:42:35.719 --> 0:42:37.239
<v Speaker 2>who will this connect with? You know what I mean?

0:42:38.080 --> 0:42:41.760
<v Speaker 1>Yeah, and sometimes unique is not necessarily good unique.

0:42:47.320 --> 0:42:48.399
<v Speaker 3>That was the song you were singing.

0:42:48.600 --> 0:42:49.120
<v Speaker 2>That was the song.

0:42:51.120 --> 0:42:54.680
<v Speaker 3>So now in this podcast, whenever I hear unique, I'll

0:42:54.719 --> 0:42:55.280
<v Speaker 3>go nurse.

0:42:55.880 --> 0:43:00.759
<v Speaker 2>That's right. Also, you know, it's funny. I wonder if

0:43:00.800 --> 0:43:03.480
<v Speaker 2>people that go to that live and say England who

0:43:03.560 --> 0:43:06.520
<v Speaker 2>go to Uni. Go uniqu.

0:43:07.719 --> 0:43:13.000
<v Speaker 3>Ni back in Uni. We met in Uni.

0:43:15.320 --> 0:43:16.239
<v Speaker 2>That's where you are.

0:43:17.640 --> 0:43:18.080
<v Speaker 7>Unique.

0:43:20.719 --> 0:43:22.359
<v Speaker 3>Get on the tube towards Uni.

0:43:24.080 --> 0:43:25.120
<v Speaker 1>I'm that bad.

0:43:27.400 --> 0:43:31.879
<v Speaker 3>From Uni. Oh I love that? All right, My cast

0:43:31.920 --> 0:43:35.239
<v Speaker 3>starts now, okay, podcast podcast start.

0:43:35.480 --> 0:43:37.359
<v Speaker 2>I want to introduce her first segment, our first second

0:43:37.360 --> 0:43:38.960
<v Speaker 2>culture Shooters and the same We're going to ask you shues.

0:43:38.960 --> 0:43:40.560
<v Speaker 2>You have a five questions this thing or the other thing.

0:43:40.560 --> 0:43:42.279
<v Speaker 2>The only follow ups. You can't ask an follow up questions.

0:43:42.280 --> 0:43:44.040
<v Speaker 2>I'll scream at you so fucking loud.

0:43:44.680 --> 0:43:46.000
<v Speaker 3>Are you fucking kidding?

0:43:48.480 --> 0:43:51.000
<v Speaker 1>Richard? This is a children's show. You can't say the

0:43:51.160 --> 0:43:51.520
<v Speaker 1>f slur.

0:43:52.160 --> 0:43:52.719
<v Speaker 2>We just fun.

0:43:53.040 --> 0:43:58.640
<v Speaker 3>Oh my god, this is crazy. I'm just like overwhelmed. No,

0:43:58.800 --> 0:44:01.600
<v Speaker 3>I know, it's just like too many things are going

0:44:01.680 --> 0:44:05.440
<v Speaker 3>are you okay? No, I'm fine. It's just like a

0:44:05.520 --> 0:44:08.120
<v Speaker 3>lot of like we just recorded so many episodes.

0:44:08.120 --> 0:44:10.200
<v Speaker 1>I'm just like we have to bank them though, because

0:44:10.239 --> 0:44:12.239
<v Speaker 1>Sam and I have really busy schedules, like we'll do

0:44:12.440 --> 0:44:14.359
<v Speaker 1>like three, four, five, six in a row.

0:44:15.160 --> 0:44:19.520
<v Speaker 2>Yeah, okay, okay, let's do our for at segment and

0:44:19.560 --> 0:44:25.440
<v Speaker 2>then we can go back to doing a bit Okay, fine, Okay,

0:44:26.040 --> 0:44:28.960
<v Speaker 2>Richard Stiggy's yogurt or Piggy pudding.

0:44:30.280 --> 0:44:32.360
<v Speaker 3>I actually did not hear what you said with the

0:44:32.440 --> 0:44:34.759
<v Speaker 3>first one, but I'll say the second one.

0:44:34.840 --> 0:44:44.919
<v Speaker 7>Okay, rich bitch, Richard, pay attention, No it did, Okay,

0:44:45.000 --> 0:44:46.640
<v Speaker 7>attention Okay.

0:44:46.680 --> 0:44:50.040
<v Speaker 1>Calling triple A or eating Chipotle a.

0:44:50.800 --> 0:45:02.520
<v Speaker 3>Wo I love that these ryes eating Chole okay, Richard.

0:45:03.120 --> 0:45:06.920
<v Speaker 2>Signing up for a mailing list, or saying up with

0:45:07.040 --> 0:45:07.640
<v Speaker 2>a little lisp.

0:45:11.000 --> 0:45:13.240
<v Speaker 3>I'm gonna say sup with the little list.

0:45:13.320 --> 0:45:18.239
<v Speaker 1>Richard, ADHD or all eyes on me in the center

0:45:18.280 --> 0:45:20.000
<v Speaker 1>of the ring just like a circus.

0:45:20.160 --> 0:45:20.560
<v Speaker 2>Uh huh.

0:45:21.160 --> 0:45:24.320
<v Speaker 3>All the second ones are like, I'm gonna do you

0:45:24.400 --> 0:45:25.000
<v Speaker 3>think people.

0:45:24.880 --> 0:45:28.040
<v Speaker 1>With ADHD like shouldn't have rights or like be recognized

0:45:28.080 --> 0:45:30.040
<v Speaker 1>as people by the state. Is that what you're saying?

0:45:31.120 --> 0:45:32.439
<v Speaker 3>Those are the rules of the game.

0:45:32.719 --> 0:45:33.880
<v Speaker 2>Is that you want any.

0:45:33.680 --> 0:45:34.400
<v Speaker 1>Follow up questions.

0:45:34.440 --> 0:45:36.759
<v Speaker 2>You pick one to have rights, you pick one to

0:45:36.880 --> 0:45:40.520
<v Speaker 2>have right, you pick one to have right. No one's

0:45:40.560 --> 0:45:42.640
<v Speaker 2>ever figured out what this game is, and basically you're

0:45:42.640 --> 0:45:44.040
<v Speaker 2>picking which one has rights.

0:45:44.080 --> 0:45:47.600
<v Speaker 1>Damn, Richard, you finally unlocked it. It's the way the

0:45:47.640 --> 0:45:49.160
<v Speaker 1>game works. You have to pick one of the two

0:45:49.200 --> 0:45:50.040
<v Speaker 1>to have rights.

0:45:54.160 --> 0:46:01.680
<v Speaker 2>Don't make me choose okay, Richard, the lost daughter or

0:46:01.760 --> 0:46:04.680
<v Speaker 2>the found footage. That's good?

0:46:05.719 --> 0:46:08.680
<v Speaker 3>Whoa the lost daughter?

0:46:09.239 --> 0:46:12.080
<v Speaker 1>That was a really difficult one. Richard going on a

0:46:12.160 --> 0:46:16.440
<v Speaker 1>booze cruise, or being addicted to youtubees.

0:46:20.000 --> 0:46:21.360
<v Speaker 3>Being addicted to YouTube?

0:46:21.520 --> 0:46:24.600
<v Speaker 2>Okay, Richard, the fast and the furious, or a cat

0:46:24.680 --> 0:46:25.400
<v Speaker 2>who is curious?

0:46:27.880 --> 0:46:29.000
<v Speaker 3>My cat, who's curious?

0:46:29.360 --> 0:46:31.600
<v Speaker 1>Life is good? Or wife make food?

0:46:35.480 --> 0:46:37.479
<v Speaker 3>I say life is good?

0:46:38.760 --> 0:46:42.560
<v Speaker 1>Okay, thanks? Oh so, wait, the wife doesn't deserve rights?

0:46:46.840 --> 0:46:51.880
<v Speaker 3>I thought we changed the rules. Don't make me sound bad, Hi, Richard,

0:46:52.200 --> 0:46:53.239
<v Speaker 3>don't make me sound bad.

0:46:53.280 --> 0:46:53.680
<v Speaker 2>I'm here.

0:46:54.040 --> 0:46:56.879
<v Speaker 1>This is the fourth podcast recording. You think women don't

0:46:56.880 --> 0:46:59.520
<v Speaker 1>deserve rights. You think people with the eighty agent you

0:46:59.640 --> 0:47:02.319
<v Speaker 1>got the serve to be legally recognized by the state.

0:47:02.800 --> 0:47:03.319
<v Speaker 1>I mean, this is.

0:47:03.400 --> 0:47:05.680
<v Speaker 2>Crazy, you guys.

0:47:05.960 --> 0:47:08.040
<v Speaker 3>First of all, I thought this was the fifth episode.

0:47:08.800 --> 0:47:11.800
<v Speaker 3>I'm just so confused. And then now you're trying to

0:47:11.840 --> 0:47:12.839
<v Speaker 3>make me sound bad.

0:47:14.040 --> 0:47:15.040
<v Speaker 1>Where's makeup girl?

0:47:17.360 --> 0:47:20.920
<v Speaker 3>Makeup girl? Or look there's a squirrel.

0:47:21.719 --> 0:47:22.520
<v Speaker 2>Don't mock us.

0:47:23.440 --> 0:47:25.480
<v Speaker 1>I just want And by the way, here's your officials.

0:47:25.800 --> 0:47:33.920
<v Speaker 1>Here's your official score. Your official score disqualified from zero

0:47:34.000 --> 0:47:36.480
<v Speaker 1>to one thousand of your official score is disqualified.

0:47:37.840 --> 0:47:43.120
<v Speaker 2>No, is that the low.

0:47:43.239 --> 0:47:46.080
<v Speaker 1>Yeah, yeah, congratulations.

0:47:47.880 --> 0:47:50.120
<v Speaker 3>Oh my god, I feel like I just bomb.

0:47:51.800 --> 0:47:53.400
<v Speaker 2>I'm so it wasn't you.

0:47:53.480 --> 0:47:56.880
<v Speaker 1>It was a crowd. It's just like a I mean,

0:47:56.920 --> 0:47:59.400
<v Speaker 1>it's the fifth recording of the day. Like we're also

0:47:59.520 --> 0:48:03.040
<v Speaker 1>not doing great, but also you are doing so well,

0:48:03.239 --> 0:48:08.360
<v Speaker 1>but you're crushing. But like the reason doesn't like is

0:48:08.480 --> 0:48:11.040
<v Speaker 1>because of other things not in your control. You know

0:48:11.120 --> 0:48:15.640
<v Speaker 1>it has nothing to do with you, so pretty much that.

0:48:17.600 --> 0:48:18.600
<v Speaker 2>Should we do our topic?

0:48:19.440 --> 0:48:21.680
<v Speaker 1>Yeah, I would actually love it, Richard, if you could

0:48:21.719 --> 0:48:24.800
<v Speaker 1>tell us what your straight topic is and what's straight

0:48:24.840 --> 0:48:26.920
<v Speaker 1>about it. And I know this is your least favorite

0:48:26.960 --> 0:48:30.000
<v Speaker 1>part of it because you hate put it being put

0:48:30.040 --> 0:48:36.680
<v Speaker 1>on the spot. You knew this was coming.

0:48:40.080 --> 0:48:43.840
<v Speaker 3>I just want to say, like, you know, my idea

0:48:44.080 --> 0:48:46.279
<v Speaker 3>is like, Okay, I'm just gonna I'm just gonna try

0:48:46.280 --> 0:48:49.719
<v Speaker 3>to go try to go for it. Hi, guys for

0:48:49.840 --> 0:48:53.759
<v Speaker 3>listening to Thanks for listening to this portion of the episode.

0:48:53.920 --> 0:48:55.200
<v Speaker 2>I mean of the recording.

0:48:56.120 --> 0:49:02.799
<v Speaker 3>And my topic for today's radio lab is with let's

0:49:02.800 --> 0:49:07.400
<v Speaker 3>say it all at the same time. One, two, three, toys.

0:49:09.440 --> 0:49:09.840
<v Speaker 2>Toys.

0:49:10.560 --> 0:49:13.040
<v Speaker 1>That's me saying brattycers is boys, but it's toys.

0:49:13.320 --> 0:49:16.760
<v Speaker 3>Look at how they look at it. Looks like everyone

0:49:16.960 --> 0:49:19.000
<v Speaker 3>needs one toys, toys.

0:49:20.080 --> 0:49:23.480
<v Speaker 1>I've been busy thinking about toys, toys.

0:49:24.080 --> 0:49:30.520
<v Speaker 3>Blocks, doll always busy thinking about action figures.

0:49:30.320 --> 0:49:36.240
<v Speaker 2>Legos, Richard, what about toys is straight?

0:49:36.440 --> 0:49:41.840
<v Speaker 3>Yeah, Okay, I think I grew up playing just a

0:49:41.880 --> 0:49:45.120
<v Speaker 3>little like contacts, Like I grew up playing with toys,

0:49:45.160 --> 0:49:49.640
<v Speaker 3>playing with toys and looking.

0:49:52.120 --> 0:49:53.759
<v Speaker 1>Can I tell you something I said last night that

0:49:54.000 --> 0:49:56.279
<v Speaker 1>I thought I trust set off the cuff and it

0:49:56.400 --> 0:49:58.000
<v Speaker 1>bombed so hard. Sorry, and then we'll go back to

0:49:58.080 --> 0:50:01.200
<v Speaker 1>toys because I just thought of the phrase I'm obsessed

0:50:01.200 --> 0:50:03.239
<v Speaker 1>with when politicians are like, and that's personal to me,

0:50:03.560 --> 0:50:05.120
<v Speaker 1>Like it's like when they're talking about helping them, like

0:50:05.160 --> 0:50:07.920
<v Speaker 1>that's personal to me. So I said something about like

0:50:07.960 --> 0:50:10.000
<v Speaker 1>I was like talking about getting married, and then I

0:50:10.120 --> 0:50:12.960
<v Speaker 1>was like, and same sex marriage is personal to me,

0:50:13.560 --> 0:50:15.600
<v Speaker 1>And I thought that that would like be something. I

0:50:15.680 --> 0:50:17.480
<v Speaker 1>understand that it's not a complete joke, but I thought

0:50:17.520 --> 0:50:19.840
<v Speaker 1>that like people would like get the reference and the

0:50:20.000 --> 0:50:23.040
<v Speaker 1>way people were looking at me completely blank anyway, So

0:50:23.200 --> 0:50:24.319
<v Speaker 1>toys are personal.

0:50:24.000 --> 0:50:28.680
<v Speaker 3>For you, Yes, toys are personal for me because I

0:50:28.880 --> 0:50:32.680
<v Speaker 3>grew up playing them with them, and I probably grew

0:50:32.760 --> 0:50:35.239
<v Speaker 3>up playing with toys till I was like sixteen on

0:50:35.400 --> 0:50:38.919
<v Speaker 3>if I'm being honest. But when I was like thinking

0:50:38.960 --> 0:50:41.480
<v Speaker 3>about picking a topic, I was like, well, toys are

0:50:41.640 --> 0:50:44.520
<v Speaker 3>like when toys are brought into your life at least

0:50:44.600 --> 0:50:47.920
<v Speaker 3>an hour generation and generations before. I don't know what

0:50:48.160 --> 0:50:51.800
<v Speaker 3>people are what toys look like now necessarily, but I

0:50:51.920 --> 0:50:57.600
<v Speaker 3>feel like instantly it's like it adheres to like gender

0:50:57.680 --> 0:51:01.239
<v Speaker 3>stuff and like yes, how or normal, Like it's instantly

0:51:01.360 --> 0:51:04.040
<v Speaker 3>like Okay, you're gonna play with these toys like right

0:51:04.080 --> 0:51:07.160
<v Speaker 3>off the bat, and it's like not really like it

0:51:07.320 --> 0:51:10.160
<v Speaker 3>just happens, and I'm like, oh, I have hot Wheel totally,

0:51:10.239 --> 0:51:12.040
<v Speaker 3>and I have this, and then you do kind of

0:51:12.120 --> 0:51:15.040
<v Speaker 3>find your taste sometimes, like you know, and also like

0:51:15.520 --> 0:51:18.680
<v Speaker 3>if you have like a sister or something who has

0:51:18.760 --> 0:51:21.200
<v Speaker 3>toy and you can mix toys and be like okay,

0:51:21.360 --> 0:51:24.360
<v Speaker 3>like I have a Barbie in this universe that I'm building,

0:51:24.719 --> 0:51:29.319
<v Speaker 3>Like there's some of that, but I think that, yeah,

0:51:29.360 --> 0:51:33.879
<v Speaker 3>I think toys have a heteronormative nature to them.

0:51:34.280 --> 0:51:37.120
<v Speaker 2>When you were a child, if you can remember back

0:51:37.160 --> 0:51:42.600
<v Speaker 2>this far, was there ever a like toy that you

0:51:42.800 --> 0:51:47.000
<v Speaker 2>had where it was like, oh, he's gonna be LGBTQ plus.

0:51:50.320 --> 0:51:55.319
<v Speaker 1>Richard's parents in the early nineties being like, is he LGBTQ.

0:51:54.960 --> 0:52:03.520
<v Speaker 3>Plus I mean low key? Because my mom she worked

0:52:03.520 --> 0:52:04.200
<v Speaker 3>at Toys r Us.

0:52:04.880 --> 0:52:06.320
<v Speaker 1>So it's personal for you.

0:52:06.920 --> 0:52:08.879
<v Speaker 2>This is personal for you. This is yeah.

0:52:09.480 --> 0:52:11.040
<v Speaker 3>She worked at Toys r US for a little bit

0:52:11.080 --> 0:52:13.120
<v Speaker 3>when when I was growing up, and she was like

0:52:13.200 --> 0:52:16.439
<v Speaker 3>in like the she did something in like stock room

0:52:16.560 --> 0:52:21.640
<v Speaker 3>or something, and she would like get us toys sometimes.

0:52:21.880 --> 0:52:23.719
<v Speaker 3>And also like her and my dad separated when I

0:52:23.800 --> 0:52:26.120
<v Speaker 3>was like really little, so like he kind of would

0:52:26.200 --> 0:52:29.480
<v Speaker 3>like spoil us a little bit and be like, I'm dad,

0:52:29.600 --> 0:52:32.520
<v Speaker 3>I'm fun. Here's toys, you know, And I'd be like yeah.

0:52:33.680 --> 0:52:37.840
<v Speaker 3>And so I was obsessed with Toy Story the movie,

0:52:39.080 --> 0:52:43.279
<v Speaker 3>and I wanted and my dad got me like me

0:52:43.360 --> 0:52:47.239
<v Speaker 3>and my brother, you know, most of the characters from that,

0:52:47.600 --> 0:52:50.840
<v Speaker 3>most of the cast. But we didn't have bo Peep.

0:52:51.200 --> 0:52:53.320
<v Speaker 3>And I wanted bo Peep.

0:52:53.480 --> 0:52:54.399
<v Speaker 2>Really really bad.

0:52:55.280 --> 0:52:58.600
<v Speaker 3>And so I'm asking my mom if she could like

0:52:58.680 --> 0:53:01.120
<v Speaker 3>hook it up from her job at Toys r US.

0:53:01.520 --> 0:53:03.440
<v Speaker 3>I was like, and so I was like, did you

0:53:03.520 --> 0:53:05.759
<v Speaker 3>get bo Peep? Mom? Did you get bo Peep? Mom?

0:53:05.840 --> 0:53:08.839
<v Speaker 3>Did you get bo Peep? And then one day we're

0:53:08.920 --> 0:53:11.759
<v Speaker 3>on a family vacation or We're like driving to the

0:53:11.840 --> 0:53:16.360
<v Speaker 3>beach in Jersey and like, my mom has on like

0:53:16.560 --> 0:53:19.320
<v Speaker 3>a cassette tape, but she played in the car and

0:53:19.440 --> 0:53:22.960
<v Speaker 3>it's whatever her music, and then it just cuts and

0:53:23.080 --> 0:53:26.320
<v Speaker 3>it's this audio of me being like, Mom, did you

0:53:26.360 --> 0:53:29.600
<v Speaker 3>get bo peep? Mom? Did you get peep? She was

0:53:29.640 --> 0:53:36.880
<v Speaker 3>secretly recording me asking her about that, and everyone laughed, wait.

0:53:36.800 --> 0:53:39.160
<v Speaker 1>Which I assumed she was secret recording because she wanted

0:53:39.160 --> 0:53:42.480
<v Speaker 1>to remember what you asked for. Was she doing it too?

0:53:42.800 --> 0:53:43.200
<v Speaker 2>Might have been.

0:53:44.120 --> 0:53:45.480
<v Speaker 3>I don't know if it was to bully me.

0:53:46.080 --> 0:53:48.880
<v Speaker 1>Was she being like, doesn't Richard sound LGBTQ plus in

0:53:48.960 --> 0:53:49.440
<v Speaker 1>this clip?

0:53:49.719 --> 0:53:51.600
<v Speaker 3>I think that was it. She was looking for evidence?

0:53:51.719 --> 0:53:52.160
<v Speaker 1>Is that true?

0:53:52.239 --> 0:53:54.080
<v Speaker 2>She's like, I've got it. I'm going to the cops.

0:53:55.160 --> 0:54:02.759
<v Speaker 3>Yeah, you know, I'm not sure why she recorded it,

0:54:03.200 --> 0:54:10.440
<v Speaker 3>but but yeah, And I remember I was like really embarrassed. Yea,

0:54:11.480 --> 0:54:14.600
<v Speaker 3>And she was like I'm sorry, but but yeah, but.

0:54:14.680 --> 0:54:20.239
<v Speaker 2>Yeah, you sound gay here, like I'm sorry, but you

0:54:20.400 --> 0:54:21.320
<v Speaker 2>do sound gay.

0:54:21.160 --> 0:54:24.000
<v Speaker 1>Here, like don't shoot the messenger and I love you,

0:54:24.160 --> 0:54:26.239
<v Speaker 1>I mean, but you do sound gay.

0:54:26.680 --> 0:54:29.400
<v Speaker 3>You sound a little gay wanting this ship?

0:54:29.640 --> 0:54:30.960
<v Speaker 2>So so did you ever get it?

0:54:31.320 --> 0:54:31.560
<v Speaker 1>Yeah?

0:54:32.320 --> 0:54:34.960
<v Speaker 3>I don't think I did. No, I don't think so.

0:54:35.880 --> 0:54:38.600
<v Speaker 1>I remember why you're a comedian, and that's where that's

0:54:38.719 --> 0:54:40.760
<v Speaker 1>why you're searching for both people.

0:54:40.920 --> 0:54:43.360
<v Speaker 3>You still didn't think I was gonna get so personal.

0:54:43.600 --> 0:54:45.160
<v Speaker 2>Well, it's personal to you personal.

0:54:45.440 --> 0:54:48.040
<v Speaker 3>Yeah, that's true. This topic is toys are very personal

0:54:48.120 --> 0:54:48.279
<v Speaker 3>to me.

0:54:48.440 --> 0:54:51.239
<v Speaker 1>Toys are personal to you because you were given them

0:54:51.280 --> 0:54:53.520
<v Speaker 1>by both your father and your mother, and in that sense,

0:54:53.600 --> 0:54:59.080
<v Speaker 1>they re uh, you know, like reified the gender binary. Yeah,

0:54:59.440 --> 0:55:01.560
<v Speaker 1>because as it you were, like, toys can come from

0:55:01.640 --> 0:55:05.760
<v Speaker 1>two places, man or woman literally literally.

0:55:06.080 --> 0:55:08.320
<v Speaker 2>Okay, Richard, I have another question if you remember childhood,

0:55:08.360 --> 0:55:10.319
<v Speaker 2>but you're already doing such a good job of Yeah,

0:55:12.000 --> 0:55:13.640
<v Speaker 2>was there ever a toy that you had that you

0:55:13.719 --> 0:55:16.840
<v Speaker 2>really loved that said, Wow, our boy is gonna be

0:55:16.880 --> 0:55:20.400
<v Speaker 2>fucking straight as hell. This guy's gonna fucking pound poon

0:55:20.680 --> 0:55:22.560
<v Speaker 2>in a way that no one else ever has.

0:55:23.320 --> 0:55:25.239
<v Speaker 3>Probably the first thing that jumps to mine is like

0:55:25.560 --> 0:55:27.080
<v Speaker 3>Spider Man's like abs.

0:55:27.200 --> 0:55:30.480
<v Speaker 2>Yeah, you had a toy, just Spider Man's Abs.

0:55:31.120 --> 0:55:35.360
<v Speaker 1>No, I had like broken toys.

0:55:35.520 --> 0:55:41.520
<v Speaker 3>They're scary like Sid like sid and uh toy story.

0:55:41.680 --> 0:55:44.840
<v Speaker 2>My favorite toy is Spider Man's abs abs.

0:55:47.560 --> 0:55:49.800
<v Speaker 3>Yeah, so Spider Man, But I felt like I was.

0:55:49.960 --> 0:55:54.400
<v Speaker 3>I remember just being really like like fixated on his body.

0:55:54.440 --> 0:55:56.439
<v Speaker 3>He had a really you know, he had a nice body.

0:55:56.440 --> 0:55:58.080
<v Speaker 1>He had a really tight but it was sort of

0:55:58.120 --> 0:56:00.680
<v Speaker 1>more Twinkie like you weren't into like Superman.

0:56:01.719 --> 0:56:06.360
<v Speaker 3>No, he was like he was like upside down triangle,

0:56:06.600 --> 0:56:09.480
<v Speaker 3>like like big shoulders, little ways.

0:56:09.440 --> 0:56:11.800
<v Speaker 1>Like that's not really true to what I can that

0:56:11.920 --> 0:56:13.239
<v Speaker 1>what you know, what I grew up with.

0:56:13.640 --> 0:56:14.960
<v Speaker 3>Well, this was the nineties.

0:56:15.160 --> 0:56:16.840
<v Speaker 2>I don't know, Like, yeah, George, I don't know.

0:56:16.880 --> 0:56:19.600
<v Speaker 3>I tell you, like, yeah, I think spider Man, this

0:56:19.640 --> 0:56:20.680
<v Speaker 3>is before before time.

0:56:21.520 --> 0:56:23.520
<v Speaker 2>You've been like so poisoned by the media, like you

0:56:23.560 --> 0:56:26.600
<v Speaker 2>have such different expectations of what Spider Man should Even so, do.

0:56:26.600 --> 0:56:28.560
<v Speaker 1>You think Peter Parker is like a meathead?

0:56:30.920 --> 0:56:32.719
<v Speaker 2>Look, we're not saying that. We're just saying he's like.

0:56:34.200 --> 0:56:37.920
<v Speaker 6>He just has brod shoulders, bubble broad shoulders.

0:56:37.960 --> 0:56:40.880
<v Speaker 3>Yeah, he's like, yeah, he's kind of like, Well, I.

0:56:40.960 --> 0:56:43.800
<v Speaker 1>Will say to sort of bring it to toys as straight,

0:56:44.440 --> 0:56:47.840
<v Speaker 1>toys as straight I do think you're absolutely right. The

0:56:47.920 --> 0:56:50.400
<v Speaker 1>toys are one of the first avenues through which children

0:56:50.440 --> 0:56:53.640
<v Speaker 1>are introduced to gender roles and to gender differences.

0:56:54.680 --> 0:56:57.239
<v Speaker 3>Yeah, did y'all play with toys.

0:56:57.520 --> 0:56:58.920
<v Speaker 1>Yeah, yeah, that I believe we did.

0:56:59.400 --> 0:57:01.239
<v Speaker 2>So this is actual really personal to both of us

0:57:01.280 --> 0:57:02.719
<v Speaker 2>because we actually played with toy We.

0:57:02.800 --> 0:57:05.640
<v Speaker 1>Both played with toys. One of the first things we

0:57:05.760 --> 0:57:06.319
<v Speaker 1>bonded over.

0:57:07.680 --> 0:57:10.320
<v Speaker 2>Yeah. I'll never forget meeting Georgia, our Wicked Lady in

0:57:10.400 --> 0:57:14.320
<v Speaker 2>Bushwick and going, wait a minute, did so? Oh no?

0:57:14.400 --> 0:57:16.000
<v Speaker 2>I was like, God, I was so weird growing up,

0:57:16.040 --> 0:57:19.600
<v Speaker 2>Like I love toys? Were I love toys? Yeah?

0:57:20.560 --> 0:57:23.600
<v Speaker 1>When I could tell you know, I said you were different?

0:57:24.440 --> 0:57:26.520
<v Speaker 2>Yeah, you like And I was like, hold on, did

0:57:26.560 --> 0:57:27.280
<v Speaker 2>you play with toys?

0:57:27.880 --> 0:57:30.560
<v Speaker 1>And then we've been in separate, in separable ever since.

0:57:30.840 --> 0:57:36.040
<v Speaker 2>I do have a toy story of my own. Okay, okay,

0:57:36.200 --> 0:57:37.959
<v Speaker 2>I don't know if I've told you on this pod before,

0:57:38.480 --> 0:57:41.400
<v Speaker 2>but when I was really young, I was obsessed, obsessed,

0:57:41.400 --> 0:57:44.440
<v Speaker 2>obsessed with Little Mermaid toys, which was my big single

0:57:44.520 --> 0:57:46.560
<v Speaker 2>that I was going to be an LGBT plus American.

0:57:46.800 --> 0:57:47.760
<v Speaker 1>Yeah, and.

0:57:49.680 --> 0:57:53.360
<v Speaker 2>To the point where I was like maybe like three,

0:57:53.960 --> 0:57:57.560
<v Speaker 2>and I dropped my Little Mermaid in the pool and

0:57:57.720 --> 0:57:59.400
<v Speaker 2>I fell in the pool to try to get it,

0:57:59.480 --> 0:58:01.560
<v Speaker 2>and the life card had to save me. Oh no.

0:58:01.680 --> 0:58:04.560
<v Speaker 1>And then at the end he was like probably like so,

0:58:04.840 --> 0:58:07.360
<v Speaker 1>like how did you get is everything okay? And you

0:58:07.440 --> 0:58:08.800
<v Speaker 1>were like my mermaid.

0:58:11.040 --> 0:58:12.400
<v Speaker 3>He's like this kid.

0:58:12.400 --> 0:58:19.160
<v Speaker 2>Is bro pause bro you old you BTQ plus. But

0:58:19.280 --> 0:58:21.640
<v Speaker 2>there was my mom always the story. Well, it's funny.

0:58:22.480 --> 0:58:25.240
<v Speaker 2>She used to tell it, like like when I was straight,

0:58:25.360 --> 0:58:28.200
<v Speaker 2>she would be like, you know, you're like people would say,

0:58:28.200 --> 0:58:29.920
<v Speaker 2>don't play with that because you know it'll make him gay.

0:58:29.960 --> 0:58:31.880
<v Speaker 2>It'll make him gay. Don't let him play with those dolls.

0:58:32.120 --> 0:58:33.120
<v Speaker 2>And we showed them.

0:58:37.120 --> 0:58:40.960
<v Speaker 1>That is such a funny way of being accepting, being

0:58:41.040 --> 0:58:43.280
<v Speaker 1>like I was a progressive parent because I knew he

0:58:43.440 --> 0:58:46.040
<v Speaker 1>was straight, Like you couldn't play with dolls, he could

0:58:46.080 --> 0:58:49.040
<v Speaker 1>put on dresses. Who cares? Like I knew my boy

0:58:49.200 --> 0:58:49.600
<v Speaker 1>was straight.

0:58:52.480 --> 0:58:53.280
<v Speaker 3>That's so funny.

0:58:53.360 --> 0:58:57.200
<v Speaker 2>But I was obsessed with Mermaids, in particular the hair underwater.

0:58:57.240 --> 0:59:01.080
<v Speaker 2>I had like multiple Mermaid dolls the hair underwater, So yeah,

0:59:01.160 --> 0:59:01.880
<v Speaker 2>haul to me.

0:59:02.040 --> 0:59:03.600
<v Speaker 3>And I love the bikini top.

0:59:03.680 --> 0:59:04.800
<v Speaker 2>And I love the bikini top.

0:59:05.560 --> 0:59:06.040
<v Speaker 3>I love it.

0:59:06.320 --> 0:59:08.680
<v Speaker 2>It's so devilicious stepa Trump.

0:59:08.960 --> 0:59:12.160
<v Speaker 3>It is fab Yeah, especially seeing the way like the

0:59:12.240 --> 0:59:17.320
<v Speaker 3>hair move around and dancing, just dancing.

0:59:17.480 --> 0:59:20.200
<v Speaker 2>I just fill up the sink dipper in there. Watch

0:59:20.280 --> 0:59:21.000
<v Speaker 2>the hair flow.

0:59:22.240 --> 0:59:27.000
<v Speaker 3>Yeah, Oh my god, I want like I love.

0:59:27.040 --> 0:59:32.240
<v Speaker 1>Just practicing disrespecting women's bodily autonomy, as as white gay

0:59:32.360 --> 0:59:35.760
<v Speaker 1>men in our later life when we're just Oh, give

0:59:35.840 --> 0:59:39.120
<v Speaker 1>us another album. Oh, get back in the studio, bitch.

0:59:39.720 --> 0:59:40.920
<v Speaker 2>Oh you flopped.

0:59:41.440 --> 0:59:45.280
<v Speaker 1>Oh your song, your song didn't charge.

0:59:45.680 --> 0:59:45.840
<v Speaker 8>Oh.

0:59:46.080 --> 0:59:49.160
<v Speaker 1>This is a thread of Katie Perry's worst moments. That's

0:59:49.200 --> 0:59:51.400
<v Speaker 1>all because of Pal.

0:59:54.560 --> 0:59:56.720
<v Speaker 2>George. You have an LGBTQ plus toy story.

0:59:56.800 --> 0:59:57.480
<v Speaker 3>Yeah, what happened?

0:59:57.720 --> 1:00:00.520
<v Speaker 1>I loved toys. It's actually per call for me.

1:00:01.040 --> 1:00:03.960
<v Speaker 2>So this is really personal, really personal for me.

1:00:04.600 --> 1:00:05.880
<v Speaker 3>I didn't know we had so much to gain.

1:00:06.000 --> 1:00:07.720
<v Speaker 2>This is like so personal to all of it.

1:00:07.760 --> 1:00:11.280
<v Speaker 1>It's really personal for me. I would say I loved

1:00:11.440 --> 1:00:14.400
<v Speaker 1>Power Rangers. I was obsessed with like the way that

1:00:14.480 --> 1:00:18.040
<v Speaker 1>their heads would switch from costume to not costume. Do

1:00:18.040 --> 1:00:18.880
<v Speaker 1>you know what I'm talking about?

1:00:19.080 --> 1:00:20.800
<v Speaker 2>Of course, I love the Power Angers toys.

1:00:20.840 --> 1:00:26.480
<v Speaker 1>I love the Power Rangers. I loved uh Like, did

1:00:26.600 --> 1:00:28.080
<v Speaker 1>they have Action Man in the US?

1:00:28.760 --> 1:00:30.880
<v Speaker 2>I'm not familiar with this, Okay, it's just like.

1:00:31.000 --> 1:00:36.320
<v Speaker 1>A It's an action figure who was kind of military coded.

1:00:36.800 --> 1:00:40.400
<v Speaker 2>I'm gonna be honest. Sounds not very thought out for sure.

1:00:42.600 --> 1:00:43.400
<v Speaker 2>Action Man.

1:00:43.720 --> 1:00:46.280
<v Speaker 1>Yeah, but he was so hot, So I would make

1:00:46.360 --> 1:00:48.600
<v Speaker 1>Action Man in my sister's barbies have sex and even

1:00:48.640 --> 1:00:50.800
<v Speaker 1>threesomes because I actually only had one Action Man, but

1:00:50.880 --> 1:00:53.680
<v Speaker 1>I had my sisters had probably like over five barbies.

1:00:53.680 --> 1:00:55.160
<v Speaker 1>If I were to guess, well.

1:00:55.040 --> 1:00:57.320
<v Speaker 2>That's cool that you had polytoys, that's really Yeah.

1:00:57.400 --> 1:00:58.760
<v Speaker 1>I had a lot of it, but it was kind

1:00:58.800 --> 1:01:00.920
<v Speaker 1>of toxic in this way where like the man was

1:01:01.720 --> 1:01:04.280
<v Speaker 1>had a harem of women rather than a bit it

1:01:04.400 --> 1:01:06.920
<v Speaker 1>was a bit religious in the Yeah, it was more

1:01:07.000 --> 1:01:11.240
<v Speaker 1>that rather than like kind of latigra queer polyamory.

1:01:11.840 --> 1:01:12.080
<v Speaker 2>Yeah.

1:01:12.280 --> 1:01:17.840
<v Speaker 1>Yeah, and so I had that, but I so obviously, yes,

1:01:18.120 --> 1:01:21.880
<v Speaker 1>girl toys are dolls. Girl toys are like kitchen appliances,

1:01:22.160 --> 1:01:25.760
<v Speaker 1>easy bake oven, and then boy toys are cars, trucks,

1:01:26.200 --> 1:01:30.160
<v Speaker 1>action figures, guns. Yeah, so we can all agree on that.

1:01:31.440 --> 1:01:33.520
<v Speaker 2>Yeah, part of toys.

1:01:33.920 --> 1:01:35.560
<v Speaker 1>One of the parts of toys that was again so

1:01:35.720 --> 1:01:40.240
<v Speaker 1>personal to me was the kind of sublime of going

1:01:40.320 --> 1:01:43.880
<v Speaker 1>into a toy store. There is something that as a kid,

1:01:43.920 --> 1:01:45.960
<v Speaker 1>I'm like, this is what church must feel like to

1:01:46.080 --> 1:01:49.040
<v Speaker 1>someone who was religious. Did you, like, did you ever

1:01:49.160 --> 1:01:51.840
<v Speaker 1>go to just like a big, big big toys like

1:01:51.920 --> 1:01:53.800
<v Speaker 1>I have a memory of like toys or yeah, like

1:01:53.840 --> 1:01:56.240
<v Speaker 1>toys r us like my pay. So when we before

1:01:56.280 --> 1:01:59.920
<v Speaker 1>we originally moved here. The first time I came to

1:02:00.040 --> 1:02:02.760
<v Speaker 1>New York, we went to Fao Schwartz and I was like,

1:02:03.160 --> 1:02:05.760
<v Speaker 1>this is America, Like I can't.

1:02:05.600 --> 1:02:10.000
<v Speaker 2>Still have never been either, is it, George, You're so privileged?

1:02:10.160 --> 1:02:12.520
<v Speaker 1>Yeah. Well, and I went when I was like six

1:02:12.680 --> 1:02:13.080
<v Speaker 1>years old.

1:02:13.520 --> 1:02:15.120
<v Speaker 2>Fuck, we've never even been.

1:02:15.800 --> 1:02:16.520
<v Speaker 3>We've never been.

1:02:16.800 --> 1:02:18.960
<v Speaker 1>And I was told from a young age, and I

1:02:19.080 --> 1:02:22.280
<v Speaker 1>really internalized this that the toys were of a higher quality.

1:02:22.480 --> 1:02:24.120
<v Speaker 1>My parents were like, you know all these other toys

1:02:24.200 --> 1:02:27.880
<v Speaker 1>made in China. At Fao Schwartz, there are elves basically

1:02:27.960 --> 1:02:29.040
<v Speaker 1>making them backstage.

1:02:29.240 --> 1:02:29.479
<v Speaker 2>Wow.

1:02:29.800 --> 1:02:31.800
<v Speaker 1>And so we got these two stuffed animals. One was

1:02:31.800 --> 1:02:34.000
<v Speaker 1>a hippo, one was a dolphin. And the way that

1:02:34.160 --> 1:02:36.560
<v Speaker 1>I was like, I have to take good care of

1:02:36.680 --> 1:02:39.600
<v Speaker 1>these because they're going to be worth millions one day.

1:02:40.400 --> 1:02:42.240
<v Speaker 1>And I still have them and they look pristine, to

1:02:42.280 --> 1:02:43.120
<v Speaker 1>be honest.

1:02:42.960 --> 1:02:45.160
<v Speaker 2>And they're worth millions, and they're worth millions. I actually

1:02:45.280 --> 1:02:48.160
<v Speaker 2>one of the darker things about childhood is how early

1:02:48.400 --> 1:02:50.320
<v Speaker 2>you worry about the worth of your toy.

1:02:51.080 --> 1:02:53.240
<v Speaker 1>Like a producer is saying, oh my god. Olivia's parents

1:02:53.320 --> 1:02:55.400
<v Speaker 1>told her fo Schwartz was a museum and she couldn't

1:02:55.440 --> 1:02:56.080
<v Speaker 1>touch anything.

1:02:59.880 --> 1:03:03.840
<v Speaker 3>I mean, but it was sort of it you can't touch.

1:03:03.920 --> 1:03:08.200
<v Speaker 1>So you've still never been to Fao Schwartz. I maybe

1:03:08.240 --> 1:03:10.240
<v Speaker 1>I was just so young that it made an impression

1:03:10.280 --> 1:03:10.360
<v Speaker 1>on me.

1:03:10.520 --> 1:03:11.080
<v Speaker 3>Is it's still open?

1:03:11.160 --> 1:03:12.480
<v Speaker 1>I don't think it is. And if it is, then

1:03:12.520 --> 1:03:15.600
<v Speaker 1>it's under like you know, probably owned by some venture

1:03:15.640 --> 1:03:17.240
<v Speaker 1>capital firm, so we'll never get to go.

1:03:17.840 --> 1:03:20.000
<v Speaker 2>Basically, never get to go at.

1:03:19.920 --> 1:03:23.640
<v Speaker 1>Its best though. You know, it was like you wouldn't

1:03:23.680 --> 1:03:26.400
<v Speaker 1>believe now here, you don't you want to know my

1:03:26.480 --> 1:03:30.000
<v Speaker 1>white whale. And with toys, uh huh m hm, the

1:03:30.040 --> 1:03:33.680
<v Speaker 1>Spice Girls barbies you had this? Why they didn't have them?

1:03:34.200 --> 1:03:36.520
<v Speaker 1>I knew that would be too LGBTQ plus for me

1:03:36.640 --> 1:03:37.280
<v Speaker 1>to even ask for.

1:03:37.520 --> 1:03:40.800
<v Speaker 2>Yeah, yeah right, you said, honey, that's even too LGBTQ

1:03:40.960 --> 1:03:43.160
<v Speaker 2>plus for me. Yes, and I'm LGBTQ plus.

1:03:43.440 --> 1:03:45.240
<v Speaker 1>But you know what I did is when my sister

1:03:45.440 --> 1:03:48.240
<v Speaker 1>was born, I they told me I could get her

1:03:48.240 --> 1:03:50.360
<v Speaker 1>a gift, and I got her the Britney Spears barbie

1:03:50.400 --> 1:03:51.360
<v Speaker 1>so I could play with it myself.

1:03:51.880 --> 1:03:56.360
<v Speaker 2>Smart, very smart, of course, very very smart. Oh my god.

1:03:56.440 --> 1:04:00.120
<v Speaker 3>I remember. Britney Spears was like the first album I

1:04:00.240 --> 1:04:00.840
<v Speaker 3>ever own.

1:04:01.080 --> 1:04:04.320
<v Speaker 1>Mine was Spice Girl, So again, what was your sam?

1:04:04.800 --> 1:04:08.720
<v Speaker 2>I think it might have been Backstreet Boys cut maybe

1:04:08.840 --> 1:04:10.200
<v Speaker 2>Millennium even.

1:04:11.680 --> 1:04:14.600
<v Speaker 1>You know, I'm on the uh. I don't know why,

1:04:14.680 --> 1:04:17.200
<v Speaker 1>but I'm on the press list for the Sphere in

1:04:17.240 --> 1:04:20.520
<v Speaker 1>Las Vegas, and so they tell me whenever there's a

1:04:20.600 --> 1:04:23.560
<v Speaker 1>new residency there, and the Backstreet Boys are doing Millennium

1:04:23.680 --> 1:04:28.200
<v Speaker 1>there like three weeks and they recreated the photo shoot

1:04:28.200 --> 1:04:29.720
<v Speaker 1>where they're all wearing all white in front of like

1:04:29.760 --> 1:04:30.920
<v Speaker 1>a silver and white background.

1:04:31.520 --> 1:04:34.880
<v Speaker 2>Wow, let's go, let's go, let's fucking go.

1:04:36.440 --> 1:04:37.400
<v Speaker 3>But guys, I'm torn.

1:04:39.280 --> 1:04:44.000
<v Speaker 2>I'm sort out of Vegas Day, Vegas Da Vegas Day.

1:04:45.320 --> 1:04:50.919
<v Speaker 1>Outside of the Sphere, I'm having so much fun being loose,

1:04:51.120 --> 1:04:52.360
<v Speaker 1>And then there's a part of me that's like, I

1:04:52.480 --> 1:04:56.560
<v Speaker 1>actually think toys as straight culture is so smart that

1:04:56.640 --> 1:04:58.240
<v Speaker 1>I want to like really really get into.

1:04:58.160 --> 1:04:59.760
<v Speaker 3>It, you know what I mean, Let's get into it.

1:05:00.720 --> 1:05:03.560
<v Speaker 2>I want to say, I think it's funny when boys

1:05:03.880 --> 1:05:07.520
<v Speaker 2>just do love trucks. You'm always like, huh so it's

1:05:07.600 --> 1:05:10.760
<v Speaker 2>like just that literal huh like, and no one.

1:05:10.680 --> 1:05:12.840
<v Speaker 1>Wants to talk about this. Of course, not all boys

1:05:12.880 --> 1:05:15.640
<v Speaker 1>love trucks, but boys not all boys. But the thing

1:05:15.800 --> 1:05:20.360
<v Speaker 1>is eighty percent of them literally do deeply and with

1:05:21.000 --> 1:05:24.160
<v Speaker 1>an uncontrollable urge to just what.

1:05:24.720 --> 1:05:27.360
<v Speaker 2>What is that? That like scares me the way that

1:05:27.760 --> 1:05:28.520
<v Speaker 2>boys loved Truck.

1:05:28.600 --> 1:05:29.600
<v Speaker 3>It didn't happen to me.

1:05:30.200 --> 1:05:30.760
<v Speaker 2>It didn't happen.

1:05:30.920 --> 1:05:34.880
<v Speaker 3>I love people, God, I love I love dinner Party creatures,

1:05:35.160 --> 1:05:38.520
<v Speaker 3>I love Pikachu, I love like Peep.

1:05:38.720 --> 1:05:41.720
<v Speaker 2>I actually think Pokemon is an interesting that bridges the

1:05:41.760 --> 1:05:43.919
<v Speaker 2>gap because boys girls.

1:05:43.960 --> 1:05:45.240
<v Speaker 1>Oh my god, that's such a good point.

1:05:45.960 --> 1:05:47.680
<v Speaker 3>Yeah, Pokemon was everything.

1:05:47.680 --> 1:05:48.840
<v Speaker 2>Well, of course there's a girl Pokemon.

1:05:48.920 --> 1:05:51.400
<v Speaker 1>Are you kidding me? Yeah, you raise your hand in

1:05:51.440 --> 1:05:53.680
<v Speaker 1>the classroom, you say, I like jiggly Puff. You're gonna

1:05:53.680 --> 1:05:55.920
<v Speaker 1>be bullied out of the entire state.

1:05:57.320 --> 1:06:00.280
<v Speaker 3>Video games like picking like Super Smash Bro was like

1:06:00.480 --> 1:06:03.720
<v Speaker 3>picking which characters and I'm like, oh, I want to

1:06:03.760 --> 1:06:07.720
<v Speaker 3>be like what's her name, like Zelda, or there's one

1:06:07.840 --> 1:06:09.800
<v Speaker 3>Chic or whatever her name is, like she turns into

1:06:11.040 --> 1:06:13.439
<v Speaker 3>Chic and I'm like, I want to do that one,

1:06:13.560 --> 1:06:14.200
<v Speaker 3>and I would do it.

1:06:15.040 --> 1:06:18.440
<v Speaker 1>Here's the question, because I think this is a little counterintuitive.

1:06:19.240 --> 1:06:21.840
<v Speaker 1>Do you think it's straight or gay to be like

1:06:22.680 --> 1:06:27.200
<v Speaker 1>a progressive mom who's overly concerned about what gender norms

1:06:27.760 --> 1:06:30.200
<v Speaker 1>the toys are instilling in her kids. Because I actually

1:06:30.200 --> 1:06:32.320
<v Speaker 1>think that's very straight. It's a very straight woman who

1:06:32.360 --> 1:06:36.360
<v Speaker 1>went to Barnard and thinks that it like is paying

1:06:36.440 --> 1:06:38.760
<v Speaker 1>so much attention to whether he or not her kids

1:06:38.800 --> 1:06:39.960
<v Speaker 1>play with dolls or trucks.

1:06:40.760 --> 1:06:41.680
<v Speaker 2>To me, it's still gay.

1:06:41.920 --> 1:06:45.120
<v Speaker 3>To me, I agree, I think it's Wait, so toys

1:06:45.120 --> 1:06:45.480
<v Speaker 3>are gay?

1:06:45.640 --> 1:06:50.840
<v Speaker 1>Toys are like imagine a mom, imagine a mom that's

1:06:50.960 --> 1:06:53.960
<v Speaker 1>like we sorr. I remember this actually when when we

1:06:54.080 --> 1:06:57.400
<v Speaker 1>were young, there was this line in this sort of

1:06:57.480 --> 1:07:00.120
<v Speaker 1>like rich person toy story, there was a line of

1:07:00.240 --> 1:07:04.920
<v Speaker 1>like Barbie like dolls called Smarties Smarties because they were

1:07:04.960 --> 1:07:09.720
<v Speaker 1>smart and each of them had a different high power job,

1:07:09.840 --> 1:07:13.600
<v Speaker 1>so there was like lawyer, doctor. Now one might ask,

1:07:13.720 --> 1:07:16.520
<v Speaker 1>doesn't Barbie also have those jobs? Yes, but this was like,

1:07:16.680 --> 1:07:18.960
<v Speaker 1>you know, branded in a way to be feminist, and

1:07:19.040 --> 1:07:21.600
<v Speaker 1>I'm just sort of like, I wouldn't buy that for

1:07:21.720 --> 1:07:22.120
<v Speaker 1>my kids.

1:07:24.480 --> 1:07:29.320
<v Speaker 2>Well, there's something that's like overthinking that, like the gender neutrality,

1:07:29.400 --> 1:07:31.600
<v Speaker 2>and yeah, what does this mean for my kid? I

1:07:31.680 --> 1:07:33.320
<v Speaker 2>think it's so LGBTQ.

1:07:33.440 --> 1:07:35.120
<v Speaker 1>Plus, Yeah, it's true, you're right.

1:07:36.840 --> 1:07:40.240
<v Speaker 2>In a way that's like admirable, but also is like

1:07:41.120 --> 1:07:43.360
<v Speaker 2>chill out, like there is something where it's like it's fine,

1:07:43.640 --> 1:07:45.840
<v Speaker 2>like it's actually fine either way.

1:07:46.080 --> 1:07:48.640
<v Speaker 1>I'm also always worried that kids are going to rebel

1:07:48.640 --> 1:07:52.440
<v Speaker 1>against whatever they are raised with, which is why legitimately,

1:07:52.520 --> 1:07:56.240
<v Speaker 1>and I'm not kidding, can't raise them too progressively because

1:07:56.280 --> 1:07:58.920
<v Speaker 1>they will become right wing. Like you actually have to

1:07:59.200 --> 1:08:00.640
<v Speaker 1>raise kids as neutrallly as.

1:08:00.600 --> 1:08:03.400
<v Speaker 3>Possible, be like, hey, play with these toys, you yeah,

1:08:03.600 --> 1:08:04.960
<v Speaker 3>like play with this truck, Like you have.

1:08:05.040 --> 1:08:07.600
<v Speaker 1>To tell them trucks are for boys, and dolls are.

1:08:07.560 --> 1:08:10.680
<v Speaker 3>For yeah, blue blue, blue.

1:08:12.480 --> 1:08:14.240
<v Speaker 1>Them if they don't like their assign.

1:08:16.320 --> 1:08:23.080
<v Speaker 3>Yeah, that's really fun. Yeah yeah, yeah, I mean fuck y'ah.

1:08:23.240 --> 1:08:24.080
<v Speaker 2>Yeah yeah.

1:08:28.000 --> 1:08:30.479
<v Speaker 3>I love toys so much and I just want to

1:08:31.040 --> 1:08:35.759
<v Speaker 3>play with them again, you know, actually recently, not recently.

1:08:35.880 --> 1:08:37.320
<v Speaker 3>This was a few years ago when am I saying

1:08:38.000 --> 1:08:41.040
<v Speaker 3>my cousin, like we used to all play together, like

1:08:41.479 --> 1:08:45.400
<v Speaker 3>my brothers, my cousin, my neighbors, Like we'd play like

1:08:45.479 --> 1:08:47.679
<v Speaker 3>cops and robbers, or they come up with these games

1:08:47.960 --> 1:08:50.960
<v Speaker 3>or like different scenarios where like like we're in a

1:08:51.120 --> 1:08:55.000
<v Speaker 3>castle and we have to whatever, defend like whatever. And

1:08:55.360 --> 1:08:58.200
<v Speaker 3>I was always cast or usually I was cast as

1:08:58.320 --> 1:09:01.280
<v Speaker 3>like the bad guy or like the villain and to defeat.

1:09:01.600 --> 1:09:04.040
<v Speaker 3>And I think I was just like I had fun

1:09:04.160 --> 1:09:06.840
<v Speaker 3>doing that and just kind of playing into that character.

1:09:07.280 --> 1:09:10.640
<v Speaker 3>But my cousin thinks that like that has that like

1:09:10.760 --> 1:09:15.120
<v Speaker 3>speaks to like my like queerness. Oh interesting or something

1:09:15.280 --> 1:09:17.759
<v Speaker 3>like you know, like a Disney villain gay or whatever

1:09:18.160 --> 1:09:20.200
<v Speaker 3>the way, like being like you'll.

1:09:20.240 --> 1:09:23.599
<v Speaker 8>Never you'll never figure this one out and then it's

1:09:23.640 --> 1:09:27.640
<v Speaker 8>a gotam and then and they all went, well, it

1:09:27.760 --> 1:09:32.080
<v Speaker 8>certainly speaks to you being a performer, that's true.

1:09:32.280 --> 1:09:37.639
<v Speaker 2>It's definitely a meteor role. Yeah, you're losing yourself in character.

1:09:38.000 --> 1:09:38.200
<v Speaker 2>I do.

1:09:38.439 --> 1:09:40.719
<v Speaker 3>Yeah, And so I would feel that way with like toys,

1:09:40.800 --> 1:09:42.880
<v Speaker 3>like I would be put in those similar dynamics like

1:09:42.960 --> 1:09:48.800
<v Speaker 3>I'm like, oh, like we're playing with toys and and

1:09:48.920 --> 1:09:49.679
<v Speaker 3>I have to lose.

1:09:49.880 --> 1:09:51.600
<v Speaker 2>Wait what because because.

1:09:51.680 --> 1:09:55.760
<v Speaker 1>Because you're the villain, so like the narrative demands that

1:09:55.920 --> 1:10:01.200
<v Speaker 1>ultimately you don't get your way. Yeah, oh that's interesting.

1:10:01.040 --> 1:10:03.040
<v Speaker 2>Because what message for that sound if the villain won?

1:10:04.240 --> 1:10:04.360
<v Speaker 3>Right?

1:10:04.439 --> 1:10:06.479
<v Speaker 1>Yeah, a LGBTQ positive one.

1:10:06.520 --> 1:10:07.040
<v Speaker 2>I guess.

1:10:09.320 --> 1:10:17.400
<v Speaker 9>Toys, toys, toys, I like toys, toys, toys in BS,

1:10:18.680 --> 1:10:19.519
<v Speaker 9>toys and bars.

1:10:21.920 --> 1:10:33.200
<v Speaker 3>George Froes, George Oh, my God, hold on, George, George, George, George, George, George, George, George.

1:10:34.120 --> 1:10:35.760
<v Speaker 2>We like George George.

1:10:37.400 --> 1:10:47.080
<v Speaker 3>George bias. We love him, we love him.

1:10:47.360 --> 1:10:48.000
<v Speaker 1>Okay, I'm back.

1:10:48.960 --> 1:10:49.800
<v Speaker 2>Oh you missed it.

1:10:49.960 --> 1:10:51.080
<v Speaker 3>We just didn't run it.

1:10:52.200 --> 1:10:54.680
<v Speaker 1>I heard George, George George and then and then I

1:10:54.760 --> 1:10:59.920
<v Speaker 1>cut Okay. I was sort of contemplating bringing it to

1:11:00.160 --> 1:11:00.960
<v Speaker 1>a place of.

1:11:02.960 --> 1:11:04.320
<v Speaker 2>Like the way queer.

1:11:06.000 --> 1:11:09.479
<v Speaker 1>Tender, queer people talk about sex toys and whether that

1:11:09.920 --> 1:11:11.240
<v Speaker 1>is related to toys.

1:11:12.160 --> 1:11:14.720
<v Speaker 2>Actually, glad you're going here, And so.

1:11:15.200 --> 1:11:17.160
<v Speaker 1>I know I'm coming at this in a sort of

1:11:17.280 --> 1:11:20.960
<v Speaker 1>like already, I don't feel confident. It's it's it's a

1:11:21.000 --> 1:11:24.920
<v Speaker 1>flaccid suggestion, but I'm like there is something there, because

1:11:24.920 --> 1:11:28.800
<v Speaker 1>there's something. And I would almost go so far as

1:11:28.880 --> 1:11:31.520
<v Speaker 1>to say this has to do with like sex positivity

1:11:31.640 --> 1:11:35.200
<v Speaker 1>writ large, where it's kind of like bringing a childlike

1:11:35.520 --> 1:11:36.519
<v Speaker 1>wonder to sex.

1:11:37.360 --> 1:11:40.960
<v Speaker 2>I find it mostly like a cringey approach to sex.

1:11:41.200 --> 1:11:43.160
<v Speaker 2>Like I think there's such a thing as a sex nerd.

1:11:43.240 --> 1:11:46.040
<v Speaker 2>This is a theory I've been working on. And I

1:11:46.160 --> 1:11:49.880
<v Speaker 2>think like a sex nerd really makes sex unsexy. And

1:11:50.920 --> 1:11:53.200
<v Speaker 2>and I think when someone's really like, you know, like

1:11:53.360 --> 1:11:55.720
<v Speaker 2>try using a toy to or you know, if you

1:11:55.760 --> 1:11:58.800
<v Speaker 2>want to get into toys and like make sure the

1:11:58.920 --> 1:12:02.320
<v Speaker 2>toy is a quality toy. Like they're saying, like toy

1:12:02.840 --> 1:12:05.400
<v Speaker 2>with this way, I get like grossed out by it

1:12:05.840 --> 1:12:07.640
<v Speaker 2>and like it's like I don't think of it as

1:12:07.640 --> 1:12:09.080
<v Speaker 2>a sex toy. I think it's a sex tool.

1:12:09.520 --> 1:12:12.439
<v Speaker 1>I like, you know, a serious business.

1:12:12.680 --> 1:12:14.600
<v Speaker 2>It's serious business, and it's like has a use and

1:12:14.640 --> 1:12:16.200
<v Speaker 2>a purpose, like I don't take them out and I'm like,

1:12:16.240 --> 1:12:19.680
<v Speaker 2>how fun, let's let's play with this toy. I'm like, no,

1:12:19.800 --> 1:12:22.240
<v Speaker 2>it's like opening up a hole or being a hole.

1:12:22.400 --> 1:12:25.400
<v Speaker 2>Like it is, like it's not a it's not like

1:12:25.640 --> 1:12:30.799
<v Speaker 2>creating imagination. It's simply like a tool for physically feeling

1:12:30.920 --> 1:12:31.519
<v Speaker 2>different things.

1:12:32.080 --> 1:12:37.960
<v Speaker 1>Yes, right, and also bringing this childlike energy into sex

1:12:38.200 --> 1:12:41.880
<v Speaker 1>is like I of course understand the instinct to destigmatize

1:12:41.880 --> 1:12:43.720
<v Speaker 1>it because it should not be shameful, but of course

1:12:43.760 --> 1:12:46.240
<v Speaker 1>what's exciting about it is that it's forbidden. So if

1:12:46.320 --> 1:12:49.479
<v Speaker 1>you bring in if you're like, oh, toys, Oh we're cuddling,

1:12:49.840 --> 1:12:53.719
<v Speaker 1>Oh cuddle party like blah blah blah, then it's like okay,

1:12:53.920 --> 1:12:56.000
<v Speaker 1>well now I feel weird because it feels like you're

1:12:56.040 --> 1:12:57.440
<v Speaker 1>talking to me like I'm a kindergartener.

1:12:58.080 --> 1:13:01.519
<v Speaker 3>Yeah, I don't know any of this really, You're like,

1:13:01.800 --> 1:13:04.519
<v Speaker 3>I don't kind of just I feel Yeah, I mean,

1:13:04.680 --> 1:13:06.400
<v Speaker 3>I'm just far away from this topic.

1:13:06.600 --> 1:13:08.759
<v Speaker 2>What do you mean sex? Have you had sex?

1:13:09.040 --> 1:13:11.200
<v Speaker 3>I forget honestly at this point.

1:13:11.400 --> 1:13:11.439
<v Speaker 10>No.

1:13:13.160 --> 1:13:13.200
<v Speaker 3>No.

1:13:13.720 --> 1:13:16.719
<v Speaker 2>If you asked me five years ago, yes, yeah.

1:13:16.640 --> 1:13:18.080
<v Speaker 3>That would have maybe said something else.

1:13:18.400 --> 1:13:19.960
<v Speaker 1>Okay, let's do our final segment.

1:13:24.000 --> 1:13:25.680
<v Speaker 2>I have a shout out. Okay. I finally was called

1:13:25.680 --> 1:13:27.559
<v Speaker 2>shout Outs, and in this segment, we pay and watch

1:13:27.640 --> 1:13:29.160
<v Speaker 2>the Grand Street vision of the radio shout out and

1:13:29.160 --> 1:13:31.759
<v Speaker 2>shout out anything that we enjoy. People play sustinct ideas

1:13:32.160 --> 1:13:33.840
<v Speaker 2>and I thought I didn't have one, but I actually

1:13:33.840 --> 1:13:36.439
<v Speaker 2>do have one, and I'm excited to do it. Okay,

1:13:36.760 --> 1:13:41.320
<v Speaker 2>do it? What's up freaks, losers, perverts all around the

1:13:41.360 --> 1:13:44.200
<v Speaker 2>globe from seed to Shining Sea. I want to give

1:13:44.240 --> 1:13:49.400
<v Speaker 2>a huge shout out to the John Early, Kate Burnlanout

1:13:49.439 --> 1:13:52.599
<v Speaker 2>Peacock special that Richard is in called would It Kill

1:13:52.640 --> 1:13:55.640
<v Speaker 2>You to Laugh? I watched this last Weekend for the

1:13:55.680 --> 1:13:57.600
<v Speaker 2>first time. Yes, it came out three years ago, so

1:13:57.760 --> 1:14:01.120
<v Speaker 2>what was so assuming? I watched this for the first

1:14:01.120 --> 1:14:03.840
<v Speaker 2>time last weekend, and I was saying, Damn, this is

1:14:03.960 --> 1:14:07.320
<v Speaker 2>funny as hell. I you know, John and Kate are

1:14:07.360 --> 1:14:11.160
<v Speaker 2>already well respected in our community, and but it's so

1:14:11.439 --> 1:14:13.800
<v Speaker 2>they're so funny, and you watch it and you're like,

1:14:14.120 --> 1:14:16.960
<v Speaker 2>it's so fun it's so funny, it's well performed, it's

1:14:17.000 --> 1:14:21.280
<v Speaker 2>well written, it's playful. I'm so in awe. And I

1:14:21.439 --> 1:14:23.640
<v Speaker 2>was like, damn, they really did it. And honestly, I

1:14:23.760 --> 1:14:26.120
<v Speaker 2>was like, I can't believe this isn't more popular. I

1:14:26.200 --> 1:14:29.680
<v Speaker 2>think this should be a damn classic. And it was

1:14:29.760 --> 1:14:32.720
<v Speaker 2>so good. Richard, You're incredible in it, of course, And

1:14:33.000 --> 1:14:35.360
<v Speaker 2>I think if you never watched it, because it came on,

1:14:35.520 --> 1:14:37.719
<v Speaker 2>I think when Peacock was quite new, and so maybe

1:14:37.760 --> 1:14:39.439
<v Speaker 2>it was like kind of it was like where do

1:14:39.520 --> 1:14:42.439
<v Speaker 2>I watch it? What's Peacock now? But you probably have

1:14:42.520 --> 1:14:45.280
<v Speaker 2>Peacock now to watch Traders? And I want to say,

1:14:45.560 --> 1:14:48.080
<v Speaker 2>go ahead and watch. Would it kill you to laugh?

1:14:48.360 --> 1:14:50.920
<v Speaker 2>It is great? Xoxo Sam.

1:14:51.560 --> 1:14:54.240
<v Speaker 1>It's you know, it's literally a miracle when good things

1:14:54.320 --> 1:14:54.760
<v Speaker 1>get made.

1:14:55.680 --> 1:14:57.360
<v Speaker 2>Yeah, you people don't know.

1:14:58.360 --> 1:15:01.200
<v Speaker 1>I like you fucking literally you don't know. You think

1:15:01.280 --> 1:15:03.760
<v Speaker 1>you know, you think you're like, oh, yes, we get it.

1:15:03.880 --> 1:15:07.599
<v Speaker 1>Like Hollywood is consolidated and uh sort of like evil

1:15:07.640 --> 1:15:10.840
<v Speaker 1>people with bad taste for making decisions. It is quite literally,

1:15:11.160 --> 1:15:13.240
<v Speaker 1>not exaggerating, twenty times worse than you think.

1:15:14.000 --> 1:15:16.240
<v Speaker 2>Yeah, yeah, I know.

1:15:16.360 --> 1:15:19.040
<v Speaker 3>Honestly, like most movies or anything I watch, I'm like,

1:15:19.160 --> 1:15:22.040
<v Speaker 3>that's amazing it happened. Yes, No, I know, I know,

1:15:22.120 --> 1:15:24.000
<v Speaker 3>which if there's like anything good in it, I'm not

1:15:24.080 --> 1:15:26.519
<v Speaker 3>quick to be like I hate that. Yeah, so, I mean,

1:15:26.600 --> 1:15:32.040
<v Speaker 3>you know, it depends. I feel like I'm like, whoa, yeah,

1:15:32.880 --> 1:15:34.240
<v Speaker 3>I'm quick to do that if it's like a Star

1:15:34.280 --> 1:15:36.040
<v Speaker 3>Wars property or like I'm.

1:15:35.960 --> 1:15:38.040
<v Speaker 2>Quick to hate on like Marvels, like big big things.

1:15:38.040 --> 1:15:40.880
<v Speaker 1>Oh yeah, right right, But even that, I obviously I

1:15:40.960 --> 1:15:42.720
<v Speaker 1>am too. But then you just think about all the

1:15:42.760 --> 1:15:46.200
<v Speaker 1>people that were employed and how it all came together,

1:15:46.280 --> 1:15:48.360
<v Speaker 1>even if it's a terrible movie, the fact that it

1:15:48.439 --> 1:15:51.920
<v Speaker 1>all just came together to produce like a two hour

1:15:52.240 --> 1:15:55.559
<v Speaker 1>piece of entertainment. I would love to see the Trump

1:15:55.600 --> 1:15:59.320
<v Speaker 1>administration produce one Marvel movie because they couldn't.

1:16:00.200 --> 1:16:02.480
<v Speaker 2>They couldn't not with boj Okay.

1:16:02.400 --> 1:16:07.800
<v Speaker 1>Okay, I'll go what's up, cinephiles, butletterbox users around the world,

1:16:07.840 --> 1:16:09.320
<v Speaker 1>I want to give a shout out to the film

1:16:09.439 --> 1:16:12.360
<v Speaker 1>The House of Yes. Of course I knew this was

1:16:12.360 --> 1:16:15.600
<v Speaker 1>a cult classic. The cover of Parker Posi holding the

1:16:15.600 --> 1:16:18.400
<v Speaker 1>gun behind her back wearing the Jackie olok is a

1:16:18.479 --> 1:16:21.720
<v Speaker 1>classic early Blockbuster memory. I remember looking at that and

1:16:21.800 --> 1:16:24.120
<v Speaker 1>being like, that is inappropriate for me. I can tell

1:16:24.280 --> 1:16:29.360
<v Speaker 1>that that's like somehow not safe for kids, and at

1:16:29.400 --> 1:16:30.880
<v Speaker 1>the time I was playing with toy so this is

1:16:30.960 --> 1:16:33.679
<v Speaker 1>personal for me. I watched it for the very first

1:16:33.720 --> 1:16:36.000
<v Speaker 1>time last night, and I have to admit I had

1:16:36.080 --> 1:16:39.280
<v Speaker 1>no idea what it was about. It is so much

1:16:39.400 --> 1:16:42.360
<v Speaker 1>more crazy and fucked up than I thought, and it

1:16:42.520 --> 1:16:46.280
<v Speaker 1>is so weird. It is such a specifically, it has

1:16:46.360 --> 1:16:50.679
<v Speaker 1>such a specific nineties indie energy. It is Parker Posy

1:16:50.800 --> 1:16:54.120
<v Speaker 1>at her finest. And I specifically want to give a

1:16:54.120 --> 1:16:57.360
<v Speaker 1>shout out to Tory Spelling's performance. She's a really good

1:16:57.439 --> 1:16:59.760
<v Speaker 1>comedic actress, and she's also really good in the movie,

1:17:00.280 --> 1:17:02.920
<v Speaker 1>which I have shouted at on the pod before. I

1:17:03.120 --> 1:17:05.280
<v Speaker 1>know that you know, her life has not gone the

1:17:05.360 --> 1:17:08.120
<v Speaker 1>way she has wanted it to go, and I don't

1:17:08.160 --> 1:17:11.240
<v Speaker 1>think you exactly. I don't think she'll be making her

1:17:11.280 --> 1:17:14.160
<v Speaker 1>return to the screen or stage anytime soon, but there

1:17:14.280 --> 1:17:17.920
<v Speaker 1>is footage of her acting, and she is good and

1:17:18.200 --> 1:17:20.760
<v Speaker 1>I enjoyed her performance, and I think she has some

1:17:20.880 --> 1:17:24.080
<v Speaker 1>screen presence, sue me. So shout out to Tori Spelling,

1:17:24.320 --> 1:17:28.160
<v Speaker 1>of course, her memoir storytelling and the film The House

1:17:28.200 --> 1:17:32.160
<v Speaker 1>of Yes. Is it a House of Yes or the

1:17:32.240 --> 1:17:32.800
<v Speaker 1>House of Yes.

1:17:33.200 --> 1:17:35.439
<v Speaker 2>I've actually never seen it and I don't know it.

1:17:35.800 --> 1:17:37.080
<v Speaker 3>House yet House of Yes.

1:17:37.960 --> 1:17:39.720
<v Speaker 2>So that's crazy because I just thought that was a

1:17:39.800 --> 1:17:40.599
<v Speaker 2>venue in Bushwick.

1:17:41.120 --> 1:17:42.200
<v Speaker 1>It's the House of Yes.

1:17:42.560 --> 1:17:43.960
<v Speaker 2>Oh yeah? Wait do you?

1:17:44.520 --> 1:17:46.800
<v Speaker 1>Oh you if you google it, do you recognize that

1:17:46.880 --> 1:17:49.400
<v Speaker 1>cover from Blockbuster? To me, it's so iconic.

1:17:49.439 --> 1:17:50.559
<v Speaker 2>House of Yes.

1:17:51.080 --> 1:17:53.439
<v Speaker 3>House I'm thinking of House of Wax, but that's a

1:17:53.720 --> 1:17:56.880
<v Speaker 3>different movie, House of Yeah.

1:17:57.360 --> 1:18:00.400
<v Speaker 2>I have never seen this trailer, this image in my life,

1:18:00.520 --> 1:18:00.880
<v Speaker 2>not once.

1:18:01.160 --> 1:18:03.160
<v Speaker 1>Wait do you, Richard? Do you know the House of Yes?

1:18:03.280 --> 1:18:03.639
<v Speaker 2>The movie?

1:18:04.160 --> 1:18:05.759
<v Speaker 3>No, I just looked up a picture.

1:18:06.400 --> 1:18:09.479
<v Speaker 1>She looks, I don't, honestly, all right, well but I

1:18:09.600 --> 1:18:12.040
<v Speaker 1>love this out. Okay, So she is just quickly since

1:18:12.080 --> 1:18:13.800
<v Speaker 1>you don't have a heart out, she's holding a gun.

1:18:13.880 --> 1:18:19.560
<v Speaker 1>She hold she is she plays this sort of you know,

1:18:19.680 --> 1:18:23.280
<v Speaker 1>in nineties terms, before we knew about how to be

1:18:23.920 --> 1:18:26.720
<v Speaker 1>non ablest, she was an insane person. That had just

1:18:26.800 --> 1:18:30.120
<v Speaker 1>gotten out of an asylum, and she's obsessed with Jackie.

1:18:30.160 --> 1:18:32.960
<v Speaker 1>Oh so she calls herself Jackie O and dresses like

1:18:33.080 --> 1:18:38.719
<v Speaker 1>Jackie O. And you find this out honestly ten minutes

1:18:38.760 --> 1:18:40.719
<v Speaker 1>into the movie. But the entire movie is about incest.

1:18:40.840 --> 1:18:43.880
<v Speaker 1>She's in love with her brother. Oh wow, so that's

1:18:43.920 --> 1:18:46.000
<v Speaker 1>what I mean. Like I thought I always knew there

1:18:46.040 --> 1:18:47.760
<v Speaker 1>was something inappropriate about it, but I didn't know that's

1:18:47.760 --> 1:18:48.000
<v Speaker 1>what it.

1:18:48.120 --> 1:18:53.240
<v Speaker 2>Was interesting And toy Space, that's like, Yeah, George, that

1:18:53.280 --> 1:18:54.720
<v Speaker 2>doesn't seem like a movie i'd want to.

1:18:54.760 --> 1:18:57.639
<v Speaker 1>Watch, showing is the brother's fiance.

1:18:59.000 --> 1:19:02.080
<v Speaker 2>Yeah, George, I don't think I'm gonna later that movie.

1:19:02.720 --> 1:19:04.600
<v Speaker 3>That's weird. I don't know why I didn't watch that.

1:19:05.400 --> 1:19:09.519
<v Speaker 2>Yeah, George, could you not talk about that? Hey, Olivia,

1:19:09.600 --> 1:19:11.240
<v Speaker 2>could we caught that? That's weird?

1:19:17.640 --> 1:19:18.880
<v Speaker 3>No, I would I would watch this.

1:19:19.200 --> 1:19:21.360
<v Speaker 2>No, it's very I'm sick and twisted.

1:19:21.920 --> 1:19:24.400
<v Speaker 1>It's like peak. You know when you think of Parker

1:19:24.479 --> 1:19:26.960
<v Speaker 1>Posey as a cult id.

1:19:27.120 --> 1:19:27.560
<v Speaker 3>This is it.

1:19:27.720 --> 1:19:30.840
<v Speaker 1>It's like this party girl and like day Trippers and like.

1:19:30.920 --> 1:19:34.040
<v Speaker 3>And Tory Spelling is like. Also, I first saw her

1:19:34.160 --> 1:19:35.160
<v Speaker 3>in Scary Movie Too.

1:19:35.400 --> 1:19:37.519
<v Speaker 1>Oh my god, I forgot you She's the best scary movie.

1:19:37.720 --> 1:19:41.000
<v Speaker 3>She's so oh No, three is the best one. Sorry three,

1:19:42.200 --> 1:19:45.040
<v Speaker 3>I mean from what I remember, I remember just like laughing.

1:19:45.280 --> 1:19:47.519
<v Speaker 1>And she also, you know, people like Tory Spelling, people

1:19:47.560 --> 1:19:51.479
<v Speaker 1>like Christy Ally, they were like Kathy Griffin. They had

1:19:51.600 --> 1:19:53.880
<v Speaker 1>like this sort of self aware sense of humor about

1:19:53.920 --> 1:19:56.920
<v Speaker 1>their own place and celebrity culture before that was something

1:19:56.960 --> 1:19:58.800
<v Speaker 1>that everyone had to do in order to do, like

1:19:59.439 --> 1:20:03.320
<v Speaker 1>you know, Vanity Fair Video My Life and looks.

1:20:03.439 --> 1:20:04.040
<v Speaker 3>Oh my God.

1:20:04.360 --> 1:20:07.080
<v Speaker 1>Totally they were ahead of their time, like Tori Spelling

1:20:07.160 --> 1:20:13.360
<v Speaker 1>having a reality show you know, sorry, sorry, Gilly Vibes,

1:20:13.400 --> 1:20:16.240
<v Speaker 1>The Simple Life Gilly Gilly Sorry.

1:20:21.200 --> 1:20:25.520
<v Speaker 3>Yeah God and non record Zaga zaa Bubble.

1:20:28.800 --> 1:20:35.760
<v Speaker 2>Sorry, sorry, so stupid. I love it's so funny to

1:20:35.760 --> 1:20:38.080
<v Speaker 2>have a podcast and you can just like quote for

1:20:38.240 --> 1:20:39.040
<v Speaker 2>like one minute.

1:20:39.720 --> 1:20:43.080
<v Speaker 1>By the way, you know, barbarin Star is so good.

1:20:44.240 --> 1:20:49.519
<v Speaker 10>I love that freaking movie, George God to be Sad

1:20:50.040 --> 1:20:52.840
<v Speaker 10>It had to be Sad is fab and it made me,

1:20:53.000 --> 1:20:56.400
<v Speaker 10>It made me laugh and it made me so I

1:20:56.600 --> 1:20:57.479
<v Speaker 10>love sweet.

1:20:57.720 --> 1:20:59.240
<v Speaker 3>I love when a movie does both.

1:20:59.520 --> 1:21:01.840
<v Speaker 2>I love what was fucking fun. No one wants to

1:21:01.880 --> 1:21:02.160
<v Speaker 2>have fun?

1:21:03.600 --> 1:21:05.479
<v Speaker 3>I know literally, you know what I think.

1:21:05.600 --> 1:21:08.559
<v Speaker 1>I think Tory Spelling wanted to have fun, and then

1:21:08.720 --> 1:21:10.320
<v Speaker 1>she was punished for it, and now she has to

1:21:10.400 --> 1:21:12.320
<v Speaker 1>be you know, she's like sort of in the tablet.

1:21:12.439 --> 1:21:15.559
<v Speaker 1>It's like if everyone had embraced Tory Spelling being kind

1:21:15.560 --> 1:21:17.560
<v Speaker 1>of a joke in this like fun way, then she

1:21:17.560 --> 1:21:19.160
<v Speaker 1>wouldn't have to be a joke in a tragic way.

1:21:19.560 --> 1:21:21.720
<v Speaker 1>And that many such cases, to quote President, in.

1:21:21.720 --> 1:21:28.120
<v Speaker 2>Many such cases, many such cases, Richard, When you're ready

1:21:28.240 --> 1:21:30.439
<v Speaker 2>to give a shout out, please take the reins.

1:21:30.680 --> 1:21:35.360
<v Speaker 3>Okay, okay, let's go. Hey, what's up everyone? I want

1:21:35.400 --> 1:21:39.920
<v Speaker 3>to give a shout out to the television show Arrested Development.

1:21:41.120 --> 1:21:45.760
<v Speaker 3>Since we're talking about cinema and media and things like that,

1:21:46.640 --> 1:21:48.360
<v Speaker 3>I feel inspired to give a shout out to this

1:21:48.880 --> 1:21:53.439
<v Speaker 3>iconic television show. I recently watched a compilation YouTube video

1:21:53.840 --> 1:21:59.120
<v Speaker 3>of Hello Wow, like laugh out loud moments from Arrested Development,

1:21:59.320 --> 1:22:03.560
<v Speaker 3>and that show is just so funny and one of

1:22:03.600 --> 1:22:08.759
<v Speaker 3>the greatest things ever created, which has shaped an entire generation.

1:22:09.840 --> 1:22:12.519
<v Speaker 3>It's so influential. So I want to say thank you, guys,

1:22:12.680 --> 1:22:16.600
<v Speaker 3>Thank you Ron Howard and Mitchell Hurwitz for doing that.

1:22:17.400 --> 1:22:22.559
<v Speaker 3>ROSSI and the cast, the cast, the cast, you guys,

1:22:23.000 --> 1:22:27.799
<v Speaker 3>you guys killed it, Michael Sarah, Michael, Michael Sarah Michael.

1:22:28.680 --> 1:22:29.000
<v Speaker 1>Are you.

1:22:31.120 --> 1:22:33.200
<v Speaker 2>Alia shotcat Alia?

1:22:33.520 --> 1:22:33.880
<v Speaker 3>Alia?

1:22:34.040 --> 1:22:35.639
<v Speaker 2>David Kross Krass?

1:22:37.200 --> 1:22:40.160
<v Speaker 1>You know Will Arnette just spot I read he bought

1:22:40.200 --> 1:22:41.559
<v Speaker 1>a twenty million dollar home.

1:22:41.680 --> 1:22:44.400
<v Speaker 2>I saw this as well actually, and guess what he

1:22:44.520 --> 1:22:49.720
<v Speaker 2>deserves it? Where Yeah, my words, I would never need

1:22:49.840 --> 1:22:53.160
<v Speaker 2>a twenty million dollar house if uh huh, if I

1:22:53.760 --> 1:22:56.360
<v Speaker 2>tomorrow run into one hundred million dollars, it is a

1:22:56.400 --> 1:22:57.960
<v Speaker 2>lot still going to be like suly, I think that's

1:22:58.160 --> 1:23:01.400
<v Speaker 2>a three million dollar house is plenty, and literally just

1:23:01.439 --> 1:23:02.599
<v Speaker 2>like keep it in the bank account.

1:23:02.840 --> 1:23:06.599
<v Speaker 1>Yeah, and then invest invest, invest, right, and also donate.

1:23:06.720 --> 1:23:08.920
<v Speaker 2>I just want like to live my life.

1:23:09.040 --> 1:23:12.360
<v Speaker 3>Also, I just want like a cute ass apartment. Helly,

1:23:13.080 --> 1:23:15.400
<v Speaker 3>I'm like happy with that. I'm happy to have a

1:23:15.680 --> 1:23:19.240
<v Speaker 3>beautiful apartment. And then you know, if I do something

1:23:19.320 --> 1:23:21.439
<v Speaker 3>smart with the one hundred million dollars, I'm like, I'll

1:23:21.439 --> 1:23:22.840
<v Speaker 3>get another cute apartment somewhere on.

1:23:22.960 --> 1:23:23.160
<v Speaker 2>Yeah.

1:23:23.160 --> 1:23:25.080
<v Speaker 1>But you know what, you know, my ass wants to

1:23:25.120 --> 1:23:28.240
<v Speaker 1>have an art collection. You know, I want to be

1:23:28.320 --> 1:23:30.200
<v Speaker 1>one of those rich people as the music like the

1:23:30.280 --> 1:23:33.280
<v Speaker 1>broad in La where it's like a family house.

1:23:33.640 --> 1:23:35.920
<v Speaker 3>Wait, where do people like keep that.

1:23:36.800 --> 1:23:39.680
<v Speaker 1>It's like, well, you can also lend it out to

1:23:40.960 --> 1:23:44.000
<v Speaker 1>the museum and it can be like m Jay Lenderman out,

1:23:44.360 --> 1:23:47.880
<v Speaker 1>it can be like from the George same Taggart family collection.

1:23:49.600 --> 1:23:51.640
<v Speaker 3>It's literally like that, just like I don't know what

1:23:51.760 --> 1:23:58.000
<v Speaker 3>his music sounds like, but is it something like that? Wait?

1:23:58.080 --> 1:24:03.800
<v Speaker 1>Speaking of music, shout out our friend Baths whose album

1:24:03.960 --> 1:24:07.800
<v Speaker 1>dropped today. Will shout out shout out to Will do

1:24:07.840 --> 1:24:10.120
<v Speaker 1>It this morning to album dropped, Loving.

1:24:10.920 --> 1:24:14.120
<v Speaker 3>God, I listened literally to. I mean so fucking good.

1:24:14.600 --> 1:24:15.840
<v Speaker 3>I love it.

1:24:16.080 --> 1:24:18.240
<v Speaker 1>I know the body, the body, and honestly shout out

1:24:18.280 --> 1:24:20.040
<v Speaker 1>to Will being snatched as hell.

1:24:20.479 --> 1:24:27.360
<v Speaker 3>Hello body, honk Honky Honkynky, spider Man, Letterman who never

1:24:27.439 --> 1:24:30.839
<v Speaker 3>be Cassis, Peter Parker, guess why to Hunky? He's too hunky.

1:24:31.120 --> 1:24:36.439
<v Speaker 3>He's fab Yeah, he's he's fabulous, fab.

1:24:36.320 --> 1:24:37.439
<v Speaker 2>And we're proud of him too.

1:24:38.320 --> 1:24:40.360
<v Speaker 1>Well everyone, Yeah, and we're proud of him too because

1:24:40.640 --> 1:24:43.639
<v Speaker 1>we all know him and we're friends with him. And wait,

1:24:43.720 --> 1:24:45.000
<v Speaker 1>that's also Kristen Wig And.

1:24:45.080 --> 1:24:45.280
<v Speaker 2>So I.

1:24:47.600 --> 1:24:49.240
<v Speaker 3>Actually worked on the album and I m together and

1:24:49.320 --> 1:24:50.000
<v Speaker 3>actually happy.

1:24:50.240 --> 1:24:53.080
<v Speaker 1>Actually the album right now, Actually I was the original

1:24:53.200 --> 1:24:55.400
<v Speaker 1>album Iconic Characters.

1:25:00.160 --> 1:25:03.080
<v Speaker 2>What a beautiful like stage, like.

1:25:06.720 --> 1:25:15.000
<v Speaker 3>Clear it out? Oh my God? Would you guys want

1:25:15.040 --> 1:25:16.360
<v Speaker 3>to talk about like one more thing.

1:25:21.760 --> 1:25:26.000
<v Speaker 1>Podcast and now want more? Subscribe to our Patreon for

1:25:26.120 --> 1:25:29.760
<v Speaker 1>two extra episodes a month, discord access and more by

1:25:29.840 --> 1:25:33.200
<v Speaker 1>heading to patreon dot com. Slash Stradio Lab and.

1:25:33.280 --> 1:25:36.120
<v Speaker 2>For all our visual earners, free full length video episodes

1:25:36.120 --> 1:25:36.880
<v Speaker 2>are available on.

1:25:36.960 --> 1:25:38.800
<v Speaker 1>Our YouTube now Get back to Work.

1:25:39.080 --> 1:25:41.439
<v Speaker 2>Stradia Lab is a production by Will Ferrell's Big Money

1:25:41.479 --> 1:25:43.200
<v Speaker 2>Players Network and iHeart Podcasts.

1:25:43.360 --> 1:25:46.200
<v Speaker 1>Created and hosted by George Severs and Sam Taggart.

1:25:46.280 --> 1:25:49.799
<v Speaker 2>Executive produced by Will Ferrell, Hans Sony and Olivia Aguilar,

1:25:50.000 --> 1:25:53.440
<v Speaker 2>co produced by Bei Wang, Edited and engineered by Adam Avalos.

1:25:53.800 --> 1:25:55.920
<v Speaker 1>Artwork by Michael Failes and Matt Grugg.

1:25:56.040 --> 1:25:57.200
<v Speaker 2>Theme music by Ben Kling