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Speaker 1: Podcast starts now, just kidding, This is George with a

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Speaker 1: very quick reminder that you can see me in Somerville,

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Speaker 1: Massachusetts this Thursday at the Rockwell Theater at seven pm

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Speaker 1: and nine pm, and in New York City next Monday,

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Speaker 1: March twenty fourth at Joe's Pub. And lastly, I am

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Speaker 1: finally taping my special on April first at the Slipper

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Speaker 1: Room in Manhattan, and tickets are now as of today out.

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Speaker 1: It will be a very intimate show. It's a small

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Speaker 1: space and the audience will only be eighty people, so

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Speaker 1: please bring your friends with the loudest and most infectious

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Speaker 1: laughs because it will make a huge difference and I

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Speaker 1: can't wait to see you. Tickets to all of these

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Speaker 1: shows are in the link in my Instagram bio, or

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Speaker 1: you can go direct to linktree dot com slash George Severes.

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Speaker 1: That is link Tree t r e dot com slash

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Speaker 1: George Savers.

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Speaker 2: Enjoy the episode so pretty much. Podcast starts now, What

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Speaker 2: is up everyone around the globe? You're listening to Stradia Lab.

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Speaker 1: Oh, I'm feeling loose.

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Speaker 2: Oh, I'm feeling loose.

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Speaker 3: I'm feeling blanky goosey.

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Speaker 2: I'm simply a canvas for ideas to be painted upon.

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Speaker 1: If I like turn my head one way versus another,

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Speaker 1: entire mini series on television could be created. I am

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Speaker 1: in such a place of sponge like absorption of the

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Speaker 1: world around me, and I'm ready to create.

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Speaker 2: Have you ever done the Artist's way? You know?

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Speaker 1: Here's the thing. I have started it twice. I don't

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Speaker 1: think I have gotten past like week three both times.

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Speaker 2: Well that's all you need. But I've been hearing about

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Speaker 2: it secondhand, and it's I think it's funny to be like,

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Speaker 2: just be open for God to come through you. And

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Speaker 2: I'm like, oh my god, I'm literally so open all

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Speaker 2: the time. That's crazy. I'm literally such a vessel for Christ.

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Speaker 2: That's awesome. You know.

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Speaker 1: I recently, in a very vulnerable turn, shared my forgotten

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Speaker 1: audiobook library. I don't know if you saw this, I did,

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Speaker 1: I did, I would say pretty alarming. I don't know

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Speaker 1: how much you how much you sort of like took

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Speaker 1: it in.

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Speaker 2: It was all self help stuff.

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Speaker 1: It was a lot of self help that I listened

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Speaker 1: to one chapter of because I I just and the

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Speaker 1: thing is I just am not. I know I'm not

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Speaker 1: a self help person. I know I can't do it. However,

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Speaker 1: you know, once a year, someone will someone I trust

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Speaker 1: will be like, yeah, I know I'm not either. I'm

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Speaker 1: also like punk rock and uh, you know, fuck the system,

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Speaker 1: but this one really helped me. And then I'll be

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Speaker 1: like all right, like if you say so, maybe you're right,

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Speaker 1: and then I will I will have an allergic reaction

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Speaker 1: to it. I can't do it. And I actually think

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Speaker 1: that's my issue with artists way too, because I'm also like,

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Speaker 1: why like when they're like, do morning pages and just

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Speaker 1: write a stream of consciousness without taking your pen off

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Speaker 1: the paper, and like, no, what if I write while thinking?

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Speaker 1: And I actually like organize my ideas?

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Speaker 2: Yeah, but then you're being critical and you're like they're

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Speaker 2: trying to like make you more open and not be

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Speaker 2: critical of your ideas.

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Speaker 1: And you find that that has worked for you.

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Speaker 2: Uh yeah, I actually love being non critical of writing

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Speaker 2: at first, because it just, like you know I've been

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Speaker 2: talking about it, is like you developed like a scab

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Speaker 2: and you're sort of like, Okay, well now I'm scabbed

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Speaker 2: so hard over that I can't come up with anything.

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Speaker 2: But if you're just if you're if you break that

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Speaker 2: scab off by just writing whatever. Then you're like, oh,

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Speaker 2: I guess you just write whatever because if you're putting oh,

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Speaker 2: I think I'm frozen. And that's okay, Okay, we're back.

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Speaker 2: We're back, thank god. So basically I was talking about

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Speaker 2: scabs and about how we all have them.

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Speaker 1: I just want to say, you know, for everyone listening,

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Speaker 1: we did all just freeze. And also, it is four

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Speaker 1: forty five pm on a Friday my time.

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Speaker 2: Yeah, and I will say it's one forty four on

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Speaker 2: a Friday my time.

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Speaker 1: Which is maybe worse. I'll say, no, mine's worse. Sorry

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Speaker 1: to center myself.

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Speaker 2: Why is it worse?

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Speaker 1: Do you feel because you're still in the middle of

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Speaker 1: your work day, like you can you can you know, yes,

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Speaker 1: the day is winding down, but like if you're working

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Speaker 1: in an office right now, you could potentially be going

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Speaker 1: to a meeting.

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Speaker 2: No, I mean, you're right. It's just when you said that,

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Speaker 2: I got scared. I was like I felt like an

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Speaker 2: injustice where I was like, there's someone in a meeting

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Speaker 2: right now, yeah, and like that's I actually want to

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Speaker 2: like free them, Like I want to like run into

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Speaker 2: the office with a gun, yeah and say let them out,

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Speaker 2: don't you think though?

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Speaker 1: Okay, here's my take on meetings in when I've been

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Speaker 1: in an office environment. What's great about meetings is that

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Speaker 1: you actually have an excuse to kind of zone out

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Speaker 1: and do nothing, Whereas if you're at your desk, it's

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Speaker 1: more stressful because you feel they need to appear like

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Speaker 1: you're working. You can just listen attentively if you're in

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Speaker 1: a meeting. When I am in an obfice environment and

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Speaker 1: suddenly I have like what's called in the business back

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Speaker 1: to back meetings. Let's say it's like lunchhim and you're like,

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Speaker 1: oh God, Like I can't believe I'm back to back

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Speaker 1: meetings from two to six pm. To me, that's heaven.

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Speaker 1: I'm basically sleepwalking through the entire afternoon.

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Speaker 2: But this is something that speaks to you as a performer,

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Speaker 2: Like there's something about the performance of a meeting that

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Speaker 2: speaks to you more than the like it is at

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Speaker 2: your desk. The only person you're performing for is yourself.

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Speaker 2: Like it's like send that email and you're like, fuck,

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Speaker 2: I have to send that email and you're like just

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Speaker 2: sort of overthinking it, and you're like I don't want to.

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Speaker 2: I don't want to. I don't want to. But as

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Speaker 2: soon as like someone else's eyes are on you. You're

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Speaker 2: like watch this, I can like tap dance around you guys,

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Speaker 2: and in this meeting.

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Speaker 1: Yeah, an email, First of all, it's never gonna an

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Speaker 1: email as a form is never gonna be transcendent. Like

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Speaker 1: it's very rare that I've written a trend and send

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Speaker 1: an email, but it's actually very common that I've said

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Speaker 1: something absolutely legendary in a meeting. You know, I just

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Speaker 1: have to sort of get in the zone. So email

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Speaker 1: it's not going to be transcendent, and you're not going

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Speaker 1: to get positive feedback meeting. Honestly, most people are not

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Speaker 1: that bright. All you have to do is speak up

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Speaker 1: and say something semi coherent. Immediately you're going to get

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Speaker 1: praised from two people in that room.

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Speaker 2: I mean, talk about vessel for Christ, talk about artists.

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Speaker 2: Way when you're in a boardroom and you're speaking like

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Speaker 2: God is speaking through you, Yeah, there is a divine

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Speaker 2: energy in you in a boardroom speaking.

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Speaker 1: And it's also like I, oh, actually I almost do

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Speaker 1: want to talk about this. I bombed so hard last

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Speaker 1: night at a show and it made me remember something

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Speaker 1: I you know, you sort of forget we're so used

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Speaker 1: to being in front of people speaking in front of people.

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Speaker 1: That then it's like a piece of cake. If you're

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Speaker 1: in a boardroom and you have people like aggressively nodding

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Speaker 1: in a kind of performative way. Yeah, we've been like

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Speaker 1: training for it our whole lives.

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Speaker 2: Yeah, can I ask this bomb? Did it emotionally hurt?

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Speaker 2: You know?

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Speaker 1: It was one of those New York nights where I

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Speaker 1: was running late, so I took an uber, which, you know,

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Speaker 1: bad decision. It was snowing and there was traffic. I

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Speaker 1: show up to the show forty minutes late.

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Speaker 2: Wow.

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Speaker 1: I mean I knew I was going to be last

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Speaker 1: on the lineup, so I wasn't you know, I knew

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Speaker 1: I wasn't like inconveniencing anyone, But I was originally going

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Speaker 1: to show up on time. And I showed up forty

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Speaker 1: minutes late after paying thirty dollars for aneuver get to

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Speaker 1: the show, immediately have to go up Bomb, leave the show.

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Speaker 1: I get stuck on a jay train for twenty minutes

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Speaker 1: with no cell service. It's just it's kind of like,

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Speaker 1: you know, you're you're heading home and your clothes are ripped,

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Speaker 1: you're bleeding, your phone is dead. One shoe is gone.

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Speaker 1: You're basically crawling on the floor, and I'd be lying

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Speaker 1: if I said it wasn't also sort of romantic in

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Speaker 1: this way, because I am, you know, kind of Carrie

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Speaker 1: Bradshaw locked out of her apartment, you know, Broad City,

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Speaker 1: the gals sort of like with you know, one boob

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Speaker 1: out of the bra like trying to get to the

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Speaker 1: Lil Wayne concert. So you know, you win some, you

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Speaker 1: lose some. But it definitely did not feel good.

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Speaker 2: Yeah, that hurts.

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Speaker 1: And I hadn't bombed it, well, I guess I hadn't. Yeah,

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Speaker 1: I guess I hadn't bombed in a while. It is

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Speaker 1: the truth of it, I'll be.

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Speaker 2: Honest, not the brag. Do you think was it just

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Speaker 2: flusteredness or was it.

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Speaker 1: Like that's what hurt is that it was my fault.

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Speaker 1: It was I somehow went up and did not have

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Speaker 1: the right energy to begin with. Said one thing. The

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Speaker 1: audience immediately did not care about me. I was unable

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Speaker 1: to leave the sort of vocal monotone I was like,

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Speaker 1: and then I was aware of that, so I was

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Speaker 1: trying to make myself sound animated, so it was like

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Speaker 1: I was forcing a smile and they could also sense

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Speaker 1: the inauthenticity in that, and then I actually like, like,

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Speaker 1: forgot my material.

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Speaker 2: Now that's classic.

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Speaker 3: That's kind of crazy.

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Speaker 1: Yeah, And you know sometimes you actually, if you're in

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Speaker 1: a good enough place, you can forget something and then

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Speaker 1: roll with the punches and almost transcend and like improv

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Speaker 1: on the spot. This was one of those things where

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Speaker 1: would like say half a sentence and then remember that

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Speaker 1: I forgot something, and then just go back and repeat

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Speaker 1: it without like addressing it, and then they wouldn't laugh,

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Speaker 1: and I'd be like, why I said it? I said

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Speaker 1: it the right way. What the fuck do you want?

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Speaker 2: That's tough? Yeah, damn, I'm like bombed central these days,

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Speaker 2: are you well? I've I did one show last week

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Speaker 2: and bombed, and it was weird because there were coworkers there,

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Speaker 2: and then everyone has to be like good job, and

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Speaker 2: I have to be like thank you, because it's even

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Speaker 2: worse to be like, I bombed.

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Speaker 1: Can I tell you something? I did that? And that

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Speaker 1: was the final straw where I was like, oh, I

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Speaker 1: am fully like this is the biggest flop night of

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Speaker 1: my life because I ran into people and you and

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Speaker 1: I immediately did a whole self flag, like oh god,

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Speaker 1: that was rough, like am I right? Blah blah blah,

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Speaker 1: and they were all like, no, you were good, and

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Speaker 1: it's like, what am I doing here?

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Speaker 2: Just let me just say I bombed? It's okay.

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Speaker 1: Of course they can't say that. You're like, it's like

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Speaker 1: you're putting them in a weird spot. Of course you

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Speaker 1: did the right thing and I did the wrong thing.

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Speaker 1: Like you can never start talking to someone about bombing.

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Speaker 2: You literally have to go thanks, thank you. Yeah, and

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Speaker 2: guess what, no one cares, No one, No one cares

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Speaker 2: for even a second. Yeah, that's like the biggest lesson.

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Speaker 2: That's the biggest takeaway. That should put that in the

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Speaker 2: artist way. No one cares, No one cares.

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Speaker 1: I'm sorry, but if that if Julia Cameron ever tried

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Speaker 1: stand up comedy, she'd be in tears in a second.

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Speaker 1: I don't think any of those methods that she's so

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Speaker 1: famous for would help her.

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Speaker 2: Well, that's because stand up comedy is not an art.

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Speaker 1: Maybe if she was a painter or a screenwriter.

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Speaker 2: The cowardly art forms should we bring in. Our guests

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Speaker 2: are esteemed guest who actually has never bombed in yeah, I.

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Speaker 1: Never bomb Please please welcome Richard Pez for the second time.

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Speaker 2: But who's counting?

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Speaker 1: Returning Champ?

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Speaker 2: Returning Champ? Mama, Hi, Oh my god, Hi, how are

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Speaker 2: you speaking of bombing? Hi?

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Speaker 3: Hi? Hi? Now sometimes it feels like I'll get on stage,

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Speaker 3: I'll be like hi, and I'm just like covered in

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Speaker 3: sid I like sweep myself off the stage.

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Speaker 2: Yeah, there's like the ringing in your ear, like your

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Speaker 2: vision has that like blur effect on it. I hate that.

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Speaker 1: I wish I was the type of performer like, here's

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Speaker 1: my dream. All right, this is when you act. I'm

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Speaker 1: on a lineup, I have seven minutes to perform. The

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Speaker 1: entire bit is that I have a series of false starts.

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Speaker 1: So I like say Hi, Then I like slip and fall.

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Speaker 1: Then I get up and I'm like sorry about that.

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Speaker 1: Then I like get the mic, but it falls on

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Speaker 1: my hand. Then I spent like, you know, two minutes

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Speaker 1: trying to put it back together, and I'm like hi,

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Speaker 1: and then my phone rings. I'm like, I'm sorry, I

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Speaker 1: have to take this, but I do that, you know,

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Speaker 1: Andy Kaufman style for ten full minutes.

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Speaker 2: I mean that would be I've certainly tried. You've done that.

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Speaker 2: I've done that before, I've done who sets where I

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Speaker 2: haven't done a joke, yeah, which are my favorite sets.

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Speaker 2: But then it's kind of tough because the whole point

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Speaker 2: is to like have jokes.

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Speaker 3: So is it?

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Speaker 2: Is it? Thank you? That's actually a good point? Is it?

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Speaker 1: What even is the point?

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Speaker 2: What even is the point?

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Speaker 3: What even is the point? Guys, let's start there. What

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Speaker 3: even is what is the point?

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Speaker 2: Rich? Rich?

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Speaker 1: First question we have for you is what even is

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Speaker 1: the point?

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Speaker 3: Okay, Like I think that, Well, thank you so much

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Speaker 3: for having me.

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Speaker 2: Well, thanks for being here.

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Speaker 1: Stop stalling.

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Speaker 3: Well it says that I'm trying to, like because thinking

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Speaker 3: about what you guys were talking about with like artists

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Speaker 3: way and the thoughts that kind of stop you when

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Speaker 3: you're in the writing process to like persist and to continue.

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Speaker 3: I feel that way about just speaking in general. So

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Speaker 3: in a board meeting or whatever meeting, I don't say anything,

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Speaker 3: and I'm trying to get better about that. Even if

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Speaker 3: I do perform on stage and I don't say anything

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Speaker 3: for like ten minutes, I'm like at a meeting where

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Speaker 3: it's like, well, everyone of you, like, you know, just

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Speaker 3: tell me your opinion on this or whatever, Like, yeah,

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Speaker 3: I get in a way.

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Speaker 1: Would you rather send any send an email or speak

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Speaker 1: up in a board meeting.

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Speaker 3: I think I don't even know both feel like I'm like,

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Speaker 3: I didn't get you need to be.

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Speaker 1: Honest, one to say, in order for you to communicate,

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Speaker 1: you have to be on a stage in front of

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Speaker 1: an audience. Otherwise it's like.

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Speaker 3: Yeah, like it's sold out, sold out.

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Speaker 2: No, that's so true, Like I won't I can't get

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Speaker 2: my point across. The show isn't sold out.

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Speaker 3: Exactly.

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Speaker 2: Yeah, that really really is tough when the show's not

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Speaker 2: sold out.

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Speaker 3: But yet no, like it's just like I don't know,

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Speaker 3: Like I just have a heart. Like I remember back

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Speaker 3: back at UNI, when I was in art school, we

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Speaker 3: would have crit uh huh, and I loved it, you know,

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Speaker 3: love to hear about people's process and what they're working on,

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Speaker 3: you know, unpacking some of those things together was fun

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Speaker 3: for me. But I felt like I would have a

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Speaker 3: thought and then of course someone else would say it

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Speaker 3: and I was like, oh, I thought the same exact thing.

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Speaker 3: And then someone the teachers like that's so true, what

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Speaker 3: a great thought you had, And I'm like.

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Speaker 1: Yeah, can I say something about that stuff? Yeah, I

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Speaker 1: wouldn't be able to deal with it. This idea like,

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Speaker 1: if I ever like doing an MFA and having everyone

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Speaker 1: go around and say their opinions, I'm like, I respect

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Speaker 1: maybe one of you, and I have to listen to

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Speaker 1: what you think about my work.

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Speaker 3: I mean, but maybe, like sometimes I get that, but

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Speaker 3: I'm like, maybe sometimes they would like at least like

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Speaker 3: asking sure where I'm like, oh, I didn't even think

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Speaker 3: of that.

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Speaker 2: I am sometimes I can just stress myself out by

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Speaker 2: imagining that there's a drag race, but for like gay

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Speaker 2: comedians and like, and I can I can imagine the

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Speaker 2: fans like hating me and loving someone else and being

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Speaker 2: like middle of the road, and I can get upset

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Speaker 2: at like something that doesn't even exist. I think anytime

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Speaker 2: you're in comparison with people who are your peers, I'm

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Speaker 2: trying to get upset.

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Speaker 4: Oh yeah, and guess what there is that it's called

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Speaker 4: literally all of all of all of the audiences at

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Speaker 4: the Millhouse.

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Speaker 2: That's true.

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Speaker 1: They're leaving and they're saying, this wasn't as good as

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Speaker 1: when we went to Gay Guys version two.

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Speaker 2: Yeah, they have those little note cards they give out

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Speaker 2: that are like, rank this performance based on the last

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Speaker 2: six performances you've seen.

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Speaker 1: Yeah, and everyone honestly, everyone you challenge and then RuPaul's

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Speaker 1: comes out, but it's David Cross.

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Speaker 3: I feel that way sometimes with some certain shows, like

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Speaker 3: a homework show or something like I recently did like

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Speaker 3: a Housewives like show, and I don't watch that show.

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Speaker 3: I don't know that universe at all, but I agreed

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Speaker 3: to it, and I was just like, oh, yeah, like

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Speaker 3: this should be I'm gay, but it's it's like a

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Speaker 3: table read. I'm like, okay, yeah, like easy, like, oh,

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Speaker 3: I'll site read, but then like I once I get there,

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Speaker 3: I forget that, like everyone's the huge Like people that

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Speaker 3: come to the show are like fans of the of Housewives,

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Speaker 3: and they there's an expectation or something and the character

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Speaker 3: that I or the person that I was like reading

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Speaker 3: as like as iconic lines and or whatever. Like there's

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Speaker 3: these really funny moments that I was just sight reading

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Speaker 3: and I was like, in real yeah, but you were

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Speaker 3: figuring out like what.

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Speaker 1: But I think that's better because it's like the difference

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Speaker 1: between in a biopicch someone doing an impression and someone

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Speaker 1: like embodying a character, Like it's like in.

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Speaker 2: A lip sync when someone does the actual Corey over

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Speaker 2: since someone makes up their own sy.

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Speaker 3: Exactly could have done that, but I didn't. My fear

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Speaker 3: got in the way, my own my critical my critical

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Speaker 3: voice got in the way, and I failed that week.

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Speaker 1: Oh so you were kind of like reading it in

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Speaker 1: a straightforward way, as though you would be doing like

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Speaker 1: a reading at a funeral.

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Speaker 3: Yeah. I was like, I wasn't filming, you, guys, I

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Speaker 3: wasn't filming.

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Speaker 1: And would you say it reached a point of anti

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Speaker 1: comedy maybe where it was like really funny that you

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Speaker 1: were speaking in a monotone or no, yeah, did it

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Speaker 1: loop back around?

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Speaker 3: No, it was anti comedy that like, no.

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Speaker 1: One, yeah, I mean that's.

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Speaker 3: That's no one was laughing when I was speaking, damn,

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Speaker 3: And that's really fine. It's fine. And then I got

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Speaker 3: off stage. I was like, I suck, and everybody's like,

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Speaker 3: I know, you were good, you were good. No, I

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Speaker 3: I know.

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Speaker 1: I really like the idea of you doing a Real

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Speaker 1: Housewives staged reading and then like being so depressed about

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Speaker 1: bombing that you're going around being like I fucking suck,

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Speaker 1: Like I bomb that I fucked at that, and everyone's

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Speaker 1: like it's like that's not the Real Housewives reading. Like

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Speaker 1: you read the words like I bombed.

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Speaker 3: I bombed. At this rate, I'll never get a I

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Speaker 3: don't know. Yeah, I mean I was low key a little.

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Speaker 2: I didn't.

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Speaker 3: I mean, I wasn't like I bombed. I bombed, but

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Speaker 3: I was just kind of like I just want to go.

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Speaker 1: Yeah, that's definitely.

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Speaker 2: That's definitely how. That's how.

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Speaker 3: And I've had like there was like friends from college

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Speaker 3: too that were there, Like no, I heard the people

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Speaker 3: I haven't seen in a long time, and I'm like

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Speaker 3: they're like, hey, but I can feel that energy of

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Speaker 3: like hey, that's so fun, Like no, it really, but

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Speaker 3: maybe I'm projected.

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Speaker 2: Maybe I'm just No, it's tough to bomb in front

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Speaker 2: of people that know you because it's like because they

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Speaker 2: probably see you once every blank years, like literally, so

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Speaker 2: it's like literally you just be like this does happen?

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Speaker 2: Like it's just like I'm not this is a representation

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Speaker 2: of who I am in total. That's also what's got

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Speaker 2: starting is like when like you're starting and then someone

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Speaker 2: that you look up to is like on the same

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Speaker 2: show as you, and you're like, okay, okay, okay, this

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Speaker 2: is the only time I'm going to see me and

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Speaker 2: you go up and like do medium to bad and

399
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Speaker 2: you're like, well they will for years think I suck right.

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Speaker 1: You know what's worse than that, well, potentially doing really well,

401
00:19:18,800 --> 00:19:20,800
Speaker 1: but then looking out in the crowd and finding the

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Speaker 1: person you admire and seeing that they're not into it.

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00:19:24,119 --> 00:19:27,280
Speaker 1: Yeah yeah, and then and then afterwards they just like

404
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Speaker 1: give you a little fist bump and are like, great,

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Speaker 1: set man.

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Speaker 2: I think sometimes you can be that sounds good, actually

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Speaker 2: something awesome, that sounds fun.

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Speaker 1: You guys are just turned on because I did this

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Speaker 1: impression of a straight guy.

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Speaker 2: We're like, wait, wait, nice.

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Speaker 3: Nice, thanks, how are you?

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Speaker 1: I just want to say to everyone that like goes

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Speaker 1: to your friend's comedy show, whatever you know. Imagine you

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Speaker 1: you're a lawyer. Imagine inviting someone to see what a

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Speaker 1: random day of your work is like. Sometimes you're not

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Speaker 1: going to slay at that meeting, and sometimes you're not

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Speaker 1: going to get the client. You're not gonna get your

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Speaker 1: client the money they need. Sometimes you may even sent

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Speaker 1: someone to jail. If you're a doctor, you could kill someone. Now,

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Speaker 1: imagine that happens to be the day that I visit

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Speaker 1: because I happened to be visiting New York from Seattle

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Speaker 1: or Portland or Chicago, wherever I live, and you're like,

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Speaker 1: oh my god, I have a surgery that day. Come

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Speaker 1: see it. I come the person dies. Does that feel good?

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Speaker 1: That's my life every day?

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Speaker 3: Oh my god?

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Speaker 2: And you have to be like, well, I don't normally

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Speaker 2: kill people, or else I wouldn't be a doctor, right exactly,

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Speaker 2: like they wouldn't keep your surgeries.

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Speaker 3: They're like fun, looks like you were having fun.

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Speaker 1: He almost lived. Yeah, And then that person is like

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Speaker 1: on their group chat with the other friends from college

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Speaker 1: and they're like, how was how was George? And they're like,

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Speaker 1: I mean he killed the patient, like like.

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Speaker 2: He like looked good in the like like little scrubs,

436
00:20:51,680 --> 00:20:53,960
Speaker 2: but like, yeah, he did kill the guy. But to

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Speaker 2: be fair, the guy was like really sick.

438
00:20:58,720 --> 00:21:00,760
Speaker 1: And it was definitely like cool to be in the

439
00:21:00,760 --> 00:21:03,080
Speaker 1: o R. Like it all seemed like the lighting and

440
00:21:03,160 --> 00:21:05,480
Speaker 1: everything seemed real. It wasn't like one of these basements.

441
00:21:06,119 --> 00:21:07,439
Speaker 2: Coworkers seem nice.

442
00:21:07,760 --> 00:21:10,520
Speaker 3: Yeah, I mean I still picture this happening in a theater,

443
00:21:11,400 --> 00:21:16,200
Speaker 3: but like around one and it's like a black box

444
00:21:16,200 --> 00:21:18,399
Speaker 3: sitter on the round and then everyone's just kind of

445
00:21:18,400 --> 00:21:22,080
Speaker 3: watching this like box where you're doing the operation and

446
00:21:22,119 --> 00:21:23,960
Speaker 3: there's like music playing like.

447
00:21:24,000 --> 00:21:27,000
Speaker 1: Very well, honey, that's the future with it with social

448
00:21:27,119 --> 00:21:32,919
Speaker 1: media and how much everyone wants to be seen and

449
00:21:32,920 --> 00:21:37,359
Speaker 1: and everyone's a creator now and everyone and our president

450
00:21:37,400 --> 00:21:37,920
Speaker 1: is an inful.

451
00:21:38,119 --> 00:21:40,879
Speaker 3: Everyone's artists, everyone's artist artists.

452
00:21:41,440 --> 00:21:45,960
Speaker 1: What they're doing. They're making Instagram reels in the White House, folks,

453
00:21:46,600 --> 00:21:50,240
Speaker 1: give it six years. Operations you'll have to pay, buy

454
00:21:50,240 --> 00:21:53,480
Speaker 1: a ticket to attend, and you'll have to be sponsored

455
00:21:53,480 --> 00:21:56,840
Speaker 1: by a brand to attend. One of the big operations.

456
00:21:57,280 --> 00:21:59,919
Speaker 2: Budweiser presents Sam's appendectomy.

457
00:22:00,400 --> 00:22:02,600
Speaker 1: Yeah.

458
00:22:02,720 --> 00:22:06,359
Speaker 2: Yeah, that's the fucking future. People.

459
00:22:06,800 --> 00:22:14,359
Speaker 1: You think you know who's handling all the ticket sales prisoners?

460
00:22:15,040 --> 00:22:17,480
Speaker 2: Oh I thought you're gonna say Ticketmaster, But honey, which

461
00:22:17,480 --> 00:22:20,960
Speaker 2: one's worse? I don't know. If I am my way,

462
00:22:21,040 --> 00:22:22,439
Speaker 2: Ticketmaster would be in prison.

463
00:22:24,359 --> 00:22:29,400
Speaker 1: Wait same snap, literally is behind that is evil.

464
00:22:31,320 --> 00:22:32,800
Speaker 2: The worst part of your friends coming to see your

465
00:22:32,840 --> 00:22:36,560
Speaker 2: surgery is that you're like, you like obviously kill the

466
00:22:36,600 --> 00:22:38,600
Speaker 2: person that day, and so it's like such a bummer.

467
00:22:38,800 --> 00:22:41,600
Speaker 2: But then there's like this nurse who like, like was

468
00:22:41,640 --> 00:22:44,600
Speaker 2: really good at cleaning up the blood, and they're like, yeah,

469
00:22:44,680 --> 00:22:47,160
Speaker 2: like who is that nurse? Like that nurse is really

470
00:22:47,200 --> 00:22:50,280
Speaker 2: going to be somebody. I can see that nurse like

471
00:22:50,640 --> 00:22:52,000
Speaker 2: like being like the best nurse.

472
00:22:52,600 --> 00:22:53,800
Speaker 3: Yeah, the nurse open to you.

473
00:22:54,480 --> 00:22:54,680
Speaker 2: Yeah.

474
00:22:54,760 --> 00:22:58,640
Speaker 1: I Meanwhile, you know that that nurse's mom is the

475
00:22:58,680 --> 00:23:01,400
Speaker 1: head hospital administrator and that's how she got the job.

476
00:23:01,640 --> 00:23:04,240
Speaker 1: And it's like, yeah, she grew up in that culture,

477
00:23:04,359 --> 00:23:06,679
Speaker 1: so she of course does a really good job of

478
00:23:06,800 --> 00:23:11,080
Speaker 1: cleaning and knowing how to do you know, bedside manner

479
00:23:11,119 --> 00:23:11,560
Speaker 1: and everything.

480
00:23:11,680 --> 00:23:11,840
Speaker 3: Yeah.

481
00:23:11,880 --> 00:23:12,880
Speaker 2: The nurse is like twenty two.

482
00:23:13,320 --> 00:23:18,600
Speaker 1: Yeah, the nurse is twenty two. She's like weirdly really pretty. Yeah,

483
00:23:19,920 --> 00:23:22,560
Speaker 1: and you know, you did your best.

484
00:23:23,119 --> 00:23:26,560
Speaker 2: You did your best. So Richard, are you excited to

485
00:23:26,560 --> 00:23:27,760
Speaker 2: go on tour? God?

486
00:23:27,800 --> 00:23:28,439
Speaker 3: I love what I do?

487
00:23:28,720 --> 00:23:30,080
Speaker 1: Yeah, Richard, you're going on tour.

488
00:23:30,400 --> 00:23:31,440
Speaker 2: You're going on tour.

489
00:23:31,520 --> 00:23:35,600
Speaker 3: Speaking of bombing and performances and things of that nature.

490
00:23:35,720 --> 00:23:36,639
Speaker 3: I am touring.

491
00:23:36,840 --> 00:23:38,119
Speaker 2: What do you think your bomb rate is going to

492
00:23:38,160 --> 00:23:38,680
Speaker 2: be on tour?

493
00:23:38,800 --> 00:23:42,320
Speaker 1: Yeah? If you had to guess, which cities do you

494
00:23:42,320 --> 00:23:43,480
Speaker 1: think you're gonna bomb at?

495
00:23:44,280 --> 00:23:47,399
Speaker 3: Yeah? You know what I'm gonna say, none of them?

496
00:23:47,720 --> 00:23:50,240
Speaker 3: Oh huge, none of them? Hockey bitch.

497
00:23:50,359 --> 00:23:50,719
Speaker 2: You know what?

498
00:23:50,760 --> 00:23:52,159
Speaker 3: Maybe what are you that nurse?

499
00:23:52,320 --> 00:23:53,000
Speaker 1: Jesus?

500
00:23:53,320 --> 00:23:55,320
Speaker 3: Yeah, I'm that nurse on this tour?

501
00:23:56,359 --> 00:24:01,840
Speaker 1: Nurse and you.

502
00:24:02,320 --> 00:24:10,560
Speaker 3: Are Wait wait I was but yeah, yeah, wait what

503
00:24:10,640 --> 00:24:11,080
Speaker 3: I was doing?

504
00:24:11,119 --> 00:24:11,840
Speaker 2: Unique? Unique?

505
00:24:11,920 --> 00:24:13,360
Speaker 1: Yeah, I'm that nurse.

506
00:24:14,200 --> 00:24:19,159
Speaker 2: Yeah, Richard, don't you're you're leaving us after giving It's

507
00:24:19,400 --> 00:24:23,800
Speaker 2: crazy where you're literally just like pretending like you don't

508
00:24:23,800 --> 00:24:25,159
Speaker 2: know what we're talking about. It's like one of the

509
00:24:25,200 --> 00:24:30,320
Speaker 2: most no no, no, you guys.

510
00:24:30,960 --> 00:24:33,440
Speaker 1: That's the doctors they't stop and meet.

511
00:24:35,000 --> 00:24:35,800
Speaker 2: That nurse.

512
00:24:37,640 --> 00:24:37,920
Speaker 1: Nurse.

513
00:24:38,240 --> 00:24:39,640
Speaker 2: Wow, what an incredible.

514
00:24:39,359 --> 00:24:41,359
Speaker 1: Interpretation of that song. It would be if the video

515
00:24:41,440 --> 00:24:43,639
Speaker 1: was Beyonce as a nurse and the plot was that

516
00:24:43,760 --> 00:24:46,520
Speaker 1: all the doctors were male and they were like underestimating her,

517
00:24:46,640 --> 00:24:48,720
Speaker 1: but she was actually the most amazing nurse.

518
00:24:49,320 --> 00:24:52,000
Speaker 2: That would be so cool. That would be so cool,

519
00:24:52,480 --> 00:24:55,240
Speaker 2: It'll be stunning. Can I tell you guys about some

520
00:24:55,680 --> 00:24:58,640
Speaker 2: some a bomb that I had once? Okay, so this one.

521
00:24:58,680 --> 00:25:00,399
Speaker 2: I've talked about my worst bombs that but this is

522
00:25:00,440 --> 00:25:01,800
Speaker 2: more of a medium bomb that I It's kind of

523
00:25:01,880 --> 00:25:04,320
Speaker 2: juicy to talk about because it was in front of

524
00:25:04,880 --> 00:25:09,800
Speaker 2: past two time past guests Lisa Trager and it was

525
00:25:09,920 --> 00:25:12,800
Speaker 2: so bad. It was at the cake shop, I remember,

526
00:25:13,400 --> 00:25:19,359
Speaker 2: and she was guest hosting for like John it was

527
00:25:19,600 --> 00:25:20,439
Speaker 2: John Kate hosted that.

528
00:25:20,480 --> 00:25:23,160
Speaker 1: Maybe and she was she was one of the people

529
00:25:23,200 --> 00:25:25,080
Speaker 1: who hosted it, but this was before she was a

530
00:25:25,119 --> 00:25:28,639
Speaker 1: perm host. John Early, by the way, gen't really and then.

531
00:25:29,440 --> 00:25:33,040
Speaker 2: So she I went up first. It's a notoriously bad

532
00:25:33,080 --> 00:25:36,880
Speaker 2: show in general. There's like potentially eight people in the audience,

533
00:25:37,080 --> 00:25:41,320
Speaker 2: and it was not a great vibe. I go up,

534
00:25:41,800 --> 00:25:45,680
Speaker 2: eat complete shit, and she goes up as the host

535
00:25:45,720 --> 00:25:49,879
Speaker 2: after me and goes, well, that was smart. I guess anyway,

536
00:25:49,960 --> 00:25:52,000
Speaker 2: let's bring up our next comedian. And I was like,

537
00:25:52,240 --> 00:25:53,879
Speaker 2: holy shit, and it.

538
00:25:53,960 --> 00:25:56,480
Speaker 3: Was so was anyone else, like slang.

539
00:25:56,359 --> 00:25:59,479
Speaker 2: No, people started slaying, like maybe towards the very end,

540
00:25:59,560 --> 00:26:02,879
Speaker 2: as like it finally started to feel warm, warmer.

541
00:26:03,200 --> 00:26:06,960
Speaker 1: It's s Yeah, it's a fine line between like there's

542
00:26:07,000 --> 00:26:09,480
Speaker 1: a way to interpret that. I mean, I will say that,

543
00:26:09,760 --> 00:26:12,639
Speaker 1: you know, not her best maybe not her best comment,

544
00:26:12,800 --> 00:26:14,200
Speaker 1: but there's a way to interpret that is like, we're

545
00:26:14,200 --> 00:26:16,840
Speaker 1: all in this together, and isn't it such a hard show?

546
00:26:17,160 --> 00:26:19,000
Speaker 1: And that there was an element of that last night

547
00:26:19,080 --> 00:26:21,200
Speaker 1: where a lot of people were struggling, and so we

548
00:26:21,280 --> 00:26:23,480
Speaker 1: were all trying to like make each other feel better

549
00:26:23,600 --> 00:26:27,560
Speaker 1: by like affirming the other's experience. But you can't affirm

550
00:26:27,560 --> 00:26:30,240
Speaker 1: it too much because then you're basically agreeing that they bombed.

551
00:26:30,480 --> 00:26:34,240
Speaker 2: Yeah, I was raw, but that.

552
00:26:34,359 --> 00:26:35,240
Speaker 1: Was really bad.

553
00:26:35,440 --> 00:26:36,520
Speaker 3: I didn't laugh once.

554
00:26:38,480 --> 00:26:42,000
Speaker 1: Yeah, you're like, yeah, the audience was not into that,

555
00:26:42,200 --> 00:26:44,399
Speaker 1: which is not your fault because you were funny. But

556
00:26:44,520 --> 00:26:46,840
Speaker 1: I agree that it was a tough room and it

557
00:26:47,040 --> 00:26:49,480
Speaker 1: was for me too, don't you agree? And they're like, well, no,

558
00:26:49,680 --> 00:26:52,440
Speaker 1: you did really well or would have if the audience

559
00:26:52,480 --> 00:26:53,159
Speaker 1: had been different.

560
00:26:54,000 --> 00:26:59,080
Speaker 2: Yeah, yeah, that's tough. And actually I think Lisa has

561
00:26:59,720 --> 00:27:02,080
Speaker 2: a erased it. I think it didn't make an impact,

562
00:27:02,160 --> 00:27:04,520
Speaker 2: but it's something where I was like she remembers, like

563
00:27:04,640 --> 00:27:06,359
Speaker 2: I was like, this is like what I am in

564
00:27:06,400 --> 00:27:06,680
Speaker 2: her mind.

565
00:27:06,720 --> 00:27:10,359
Speaker 1: Oh she has if that. I've seen so many people

566
00:27:10,440 --> 00:27:12,800
Speaker 1: we know do like bomb. It has never made an

567
00:27:13,080 --> 00:27:13,800
Speaker 1: impression on me.

568
00:27:14,240 --> 00:27:17,400
Speaker 3: Yeah, honestly same. Yeah, and even like people that I'm

569
00:27:17,480 --> 00:27:20,520
Speaker 3: like a fan of before, you know, and I'm like,

570
00:27:20,600 --> 00:27:22,200
Speaker 3: oh I see them and they don't right, they have

571
00:27:22,320 --> 00:27:24,200
Speaker 3: like an awkward set or it's just like not the

572
00:27:24,320 --> 00:27:26,960
Speaker 3: vibe just isn't there. I'm like, oh, well, I still

573
00:27:27,040 --> 00:27:29,840
Speaker 3: know they're funny. It's still and on I feel that way.

574
00:27:29,880 --> 00:27:31,560
Speaker 1: And on the other side of things, if someone I

575
00:27:31,600 --> 00:27:34,920
Speaker 1: think is not funny is killing what I'm thinking, is

576
00:27:35,160 --> 00:27:37,119
Speaker 1: the world's going to hell in a hand basket? No

577
00:27:37,200 --> 00:27:40,000
Speaker 1: one has taste anymore. I'm not it's not changing my

578
00:27:40,080 --> 00:27:41,240
Speaker 1: mind about how funny they are.

579
00:27:41,920 --> 00:27:42,959
Speaker 2: No, You're totally right.

580
00:27:43,000 --> 00:27:45,480
Speaker 1: It actually makes me like them less because I'm like, oh,

581
00:27:45,560 --> 00:27:48,520
Speaker 1: I see, you're just appealing that low is common denominator

582
00:27:48,560 --> 00:27:50,480
Speaker 1: and it's working, you stupid bitch. I'll see.

583
00:27:51,160 --> 00:27:56,320
Speaker 2: I'm like, hack hack hack, no, Richard saying go ahead, sorry,

584
00:27:56,359 --> 00:27:57,920
Speaker 2: as we asked as you sipped water.

585
00:27:58,400 --> 00:28:01,440
Speaker 1: Richard, look wi Richard, Hello, we're podcasting.

586
00:28:01,520 --> 00:28:02,120
Speaker 2: Am sorry?

587
00:28:02,680 --> 00:28:08,560
Speaker 3: Sorry? So do you think that? Like how do I

588
00:28:08,920 --> 00:28:12,679
Speaker 3: word it? Because like when people when people are like, uh,

589
00:28:12,880 --> 00:28:15,680
Speaker 3: like the audience was thinking and it's so specific and

590
00:28:15,800 --> 00:28:18,600
Speaker 3: it's like five specific things. Oh, it's because the way

591
00:28:18,640 --> 00:28:20,520
Speaker 3: I said this, and then this happened, and then that

592
00:28:20,680 --> 00:28:22,480
Speaker 3: and then this, This is what the audience is thinking.

593
00:28:22,560 --> 00:28:24,760
Speaker 3: And I'm like, maybe there's some things where there's like

594
00:28:25,040 --> 00:28:28,600
Speaker 3: and something perceptive or like intuitive about it, like sure,

595
00:28:29,280 --> 00:28:32,159
Speaker 3: but I'm also like, I don't know if that's always

596
00:28:32,240 --> 00:28:34,600
Speaker 3: the case, Like I think that's it's more of like

597
00:28:34,680 --> 00:28:37,480
Speaker 3: your own mindset and like how you know, like you

598
00:28:37,560 --> 00:28:39,760
Speaker 3: get tripped up on your own thing or like your

599
00:28:39,800 --> 00:28:42,720
Speaker 3: anxieties get the best of you, or the critical voice

600
00:28:42,880 --> 00:28:44,600
Speaker 3: is just really.

601
00:28:44,760 --> 00:28:46,760
Speaker 1: I mean, or it could be something you don't even know,

602
00:28:47,000 --> 00:28:50,640
Speaker 1: like someone could have yeah, like a phone could have

603
00:28:50,800 --> 00:28:53,080
Speaker 1: vibrated in the fourth row that you didn't even hear.

604
00:28:53,320 --> 00:28:55,440
Speaker 1: And then it's sort of like distracted one person and

605
00:28:55,520 --> 00:28:58,640
Speaker 1: then someone looked back and in your mind that was

606
00:28:58,680 --> 00:29:00,800
Speaker 1: because of something you said, but she wasn't.

607
00:29:01,640 --> 00:29:03,760
Speaker 3: Right, and I'm like, oh, okay, well I guess that

608
00:29:03,880 --> 00:29:05,760
Speaker 3: person hated it. And then you start thinking on that

609
00:29:05,880 --> 00:29:10,640
Speaker 3: a little, like, yeah, it's it's it can be tough

610
00:29:10,720 --> 00:29:13,800
Speaker 3: to navigate, but I'm just like I I think it's

611
00:29:13,960 --> 00:29:16,720
Speaker 3: like there, of course is a big part of it

612
00:29:16,840 --> 00:29:17,960
Speaker 3: that like comes from.

613
00:29:19,000 --> 00:29:20,840
Speaker 2: So basically what you're saying is if you vomb, it's

614
00:29:20,880 --> 00:29:21,760
Speaker 2: your fucking fault, bitch.

615
00:29:22,600 --> 00:29:25,760
Speaker 3: Kind of so you're saying, and you know what, it's

616
00:29:25,880 --> 00:29:30,880
Speaker 3: my fault. It's my all those last night last night,

617
00:29:30,960 --> 00:29:31,640
Speaker 3: it's my fault.

618
00:29:31,720 --> 00:29:32,200
Speaker 2: So my bomb.

619
00:29:32,240 --> 00:29:34,600
Speaker 1: I get off stage. Honestly, someone in the front row,

620
00:29:35,440 --> 00:29:37,160
Speaker 1: I've already gotten off stage. Some of the front road

621
00:29:37,240 --> 00:29:41,200
Speaker 1: turns to me and takes out like a spray cleaner

622
00:29:41,280 --> 00:29:44,600
Speaker 1: for glasses, for eyeglasses, and he goes do you need this?

623
00:29:46,480 --> 00:29:51,080
Speaker 5: Whoa, that's rue And this is someone you don't even know,

624
00:29:51,240 --> 00:29:54,480
Speaker 5: someone I don't even know that I guess noticed while

625
00:29:54,480 --> 00:29:56,400
Speaker 5: I was on stage that my glasses were a little

626
00:29:56,400 --> 00:29:58,640
Speaker 5: bit dirty, and I.

627
00:29:58,760 --> 00:30:01,440
Speaker 1: Knew I did not do well. Oh and as soon

628
00:30:01,480 --> 00:30:05,240
Speaker 1: as I get off, his first instinct is to offer

629
00:30:05,360 --> 00:30:07,320
Speaker 1: me glasses cleaner because of.

630
00:30:07,360 --> 00:30:11,120
Speaker 2: How busted my glasses look. That is so deeply messed up.

631
00:30:12,120 --> 00:30:13,280
Speaker 3: Yeah, that's shit.

632
00:30:13,360 --> 00:30:16,080
Speaker 2: One time I was bombing so bad one a person

633
00:30:16,160 --> 00:30:20,680
Speaker 2: offered me a shot. No, I was bombing so bad,

634
00:30:20,760 --> 00:30:23,320
Speaker 2: and these guys were talking. I was like, are you

635
00:30:23,560 --> 00:30:27,120
Speaker 2: will you stopped talking and they were like, we're ordering

636
00:30:27,320 --> 00:30:30,120
Speaker 2: drinks and I was like, the bar is not even

637
00:30:30,160 --> 00:30:32,720
Speaker 2: in this room, Like what are you talking about. They're like,

638
00:30:32,720 --> 00:30:34,800
Speaker 2: we're talking about we wanted to get to drink. And

639
00:30:34,840 --> 00:30:36,400
Speaker 2: they're like, do you want a shot? And I was

640
00:30:36,440 --> 00:30:40,760
Speaker 2: like fine. That was the worst bomb. And then they

641
00:30:40,840 --> 00:30:43,120
Speaker 2: left and Bob left and bought drinks and then I

642
00:30:43,280 --> 00:30:45,400
Speaker 2: did a shot while bombing. It was one of the

643
00:30:45,440 --> 00:30:46,720
Speaker 2: most horrible experiences in my life.

644
00:30:46,840 --> 00:30:48,840
Speaker 3: So the first time I ever performed in like on

645
00:30:48,960 --> 00:30:51,720
Speaker 3: the same show as you, Sam, I bombed, and I

646
00:30:52,840 --> 00:30:53,920
Speaker 3: remember that what was it.

647
00:30:54,080 --> 00:30:54,720
Speaker 2: What was the show?

648
00:30:54,920 --> 00:30:57,560
Speaker 3: It was that club coming see I don't remember whose.

649
00:30:57,480 --> 00:30:59,720
Speaker 1: Show, Like Sam has no recollection of that, And for you,

650
00:31:00,040 --> 00:31:01,880
Speaker 1: it is something you were thinking about all these years later,

651
00:31:02,120 --> 00:31:02,600
Speaker 1: and I'm.

652
00:31:02,520 --> 00:31:04,760
Speaker 3: Like and this was like because that night was the

653
00:31:04,800 --> 00:31:07,000
Speaker 3: first night you and I like formerly met, and you

654
00:31:07,080 --> 00:31:09,600
Speaker 3: were like, oh, like you should like do the podcast,

655
00:31:09,960 --> 00:31:11,560
Speaker 3: and then like a few weeks later I did it.

656
00:31:11,920 --> 00:31:14,000
Speaker 1: I have that with Aaron Jackson, the first time Aaron

657
00:31:14,080 --> 00:31:16,760
Speaker 1: saw me before my bomb. I'm sure he does not

658
00:31:16,880 --> 00:31:20,840
Speaker 1: remember it. We are good friends, but I will never

659
00:31:21,000 --> 00:31:25,120
Speaker 1: forget like saying something, everyone being silent, and then making

660
00:31:25,200 --> 00:31:27,800
Speaker 1: eye contact with Aaron who was just sort of like,

661
00:31:28,640 --> 00:31:31,040
Speaker 1: you know, had like an encouraging smile, but he knew

662
00:31:31,080 --> 00:31:34,200
Speaker 1: what was going on. Yeah, should we do our first segment?

663
00:31:34,880 --> 00:31:36,000
Speaker 2: I think that's a really good idea.

664
00:31:36,040 --> 00:31:37,719
Speaker 3: Wait. Should I talk about my tour a little bit?

665
00:31:37,840 --> 00:31:38,040
Speaker 2: Yeah?

666
00:31:38,480 --> 00:31:40,959
Speaker 3: Excuse me, I just want to promote it a little bit?

667
00:31:41,320 --> 00:31:43,040
Speaker 3: Please please?

668
00:31:43,280 --> 00:31:44,400
Speaker 2: Yeah, go You're allowed.

669
00:31:44,840 --> 00:31:48,560
Speaker 3: Hi, guys, welcome to a Stradio lab. Does it different

670
00:31:48,680 --> 00:31:52,720
Speaker 3: with Richard Perez as your host for this segment. This

671
00:31:52,840 --> 00:31:58,160
Speaker 3: segment is to promote my upcoming tour. It's for my

672
00:31:58,280 --> 00:32:02,520
Speaker 3: solo show called I have to do this directed by

673
00:32:02,760 --> 00:32:07,280
Speaker 3: Charlie Barday, dear friend of all of ours, and the

674
00:32:07,360 --> 00:32:11,200
Speaker 3: cities that I will be visiting this spring will be,

675
00:32:12,720 --> 00:32:20,000
Speaker 3: uh what is it? Portland, Seattle, Chicago, Los Angeles. I'm

676
00:32:20,040 --> 00:32:24,680
Speaker 3: still figuring things out with San Francisco, aren't we all

677
00:32:24,840 --> 00:32:28,320
Speaker 3: also figuring? I'm figuring things out with Pittsburgh. I'm figuring

678
00:32:28,400 --> 00:32:34,040
Speaker 3: things out with Boston. But but just keep that in mind.

679
00:32:34,280 --> 00:32:38,960
Speaker 3: It's uh, yeah, it's a it's a really lovely special

680
00:32:39,040 --> 00:32:43,240
Speaker 3: show that I love doing. And I know we talked

681
00:32:43,240 --> 00:32:47,400
Speaker 3: about bombing a lot, but I think this will be

682
00:32:48,120 --> 00:32:50,640
Speaker 3: a different experience than that.

683
00:32:51,520 --> 00:32:55,360
Speaker 2: I agree. I think it's thanks Richard for having me.

684
00:32:55,480 --> 00:32:57,160
Speaker 3: I hope that's my that's my hope that I'm putting.

685
00:32:57,200 --> 00:33:01,280
Speaker 2: Thanks for having me on your segment, Richard, Australia Lab

686
00:33:01,320 --> 00:33:02,320
Speaker 2: but a little different.

687
00:33:02,360 --> 00:33:03,800
Speaker 3: Yeah, if you guys want to say like one thing

688
00:33:03,840 --> 00:33:04,240
Speaker 3: about it.

689
00:33:04,920 --> 00:33:07,520
Speaker 2: I think this show is so good. I've never not

690
00:33:07,680 --> 00:33:10,160
Speaker 2: seen it. Crush crush, crush beyond.

691
00:33:10,440 --> 00:33:11,480
Speaker 3: Have you have you seen it?

692
00:33:11,600 --> 00:33:18,160
Speaker 2: Oh? No, I've never seen it, So let's start there. No, No,

693
00:33:18,280 --> 00:33:18,840
Speaker 2: I've just seen it.

694
00:33:19,160 --> 00:33:21,360
Speaker 1: Sam and I seen it together because there we saw

695
00:33:21,440 --> 00:33:21,959
Speaker 1: the hall.

696
00:33:21,960 --> 00:33:23,160
Speaker 2: I've seen the Union Hall versions.

697
00:33:23,360 --> 00:33:25,520
Speaker 3: Yeah, all right, that was like my that was like

698
00:33:25,600 --> 00:33:29,200
Speaker 3: the third time I did it. Is that true? Yeah?

699
00:33:29,400 --> 00:33:32,320
Speaker 3: And Charlie and I had you guys interview.

700
00:33:32,240 --> 00:33:33,000
Speaker 2: Oh yeah.

701
00:33:34,520 --> 00:33:37,400
Speaker 1: Show rather than doing it, rather than doing a talk

702
00:33:37,520 --> 00:33:39,280
Speaker 1: back at the end, we did a talk back in

703
00:33:39,320 --> 00:33:41,400
Speaker 1: the beginning where we interviewed Charlie as the director of

704
00:33:41,480 --> 00:33:44,560
Speaker 1: a show we haven't yet seen. Yeah, now that's all comedy.

705
00:33:44,640 --> 00:33:46,240
Speaker 2: I'm sorry, that's all comedy, mama.

706
00:33:46,440 --> 00:33:48,520
Speaker 3: Yeah it was. It was really fun. That was a

707
00:33:48,560 --> 00:33:48,920
Speaker 3: great night.

708
00:33:49,040 --> 00:33:49,720
Speaker 2: It was really fun.

709
00:33:50,280 --> 00:33:51,960
Speaker 1: Richard. I want to say thank you for having me

710
00:33:52,320 --> 00:33:55,880
Speaker 1: on your show. Straightia Lab Presents Richard promotes his tour.

711
00:33:57,960 --> 00:34:00,880
Speaker 3: Thanks George, and thank you Sam for saying what you're saying.

712
00:34:00,920 --> 00:34:02,760
Speaker 1: And I just want to promote I have a podcast,

713
00:34:02,800 --> 00:34:06,120
Speaker 1: Straighter Lab that anyone can listen to on Apple Podcasts

714
00:34:06,160 --> 00:34:08,400
Speaker 1: for Spotify, hosted with Sam Taggart, who I think has

715
00:34:08,440 --> 00:34:09,520
Speaker 1: also been on the show before.

716
00:34:10,239 --> 00:34:12,040
Speaker 3: And if you guys don't like this segment, you can

717
00:34:12,120 --> 00:34:15,240
Speaker 3: just scrub to like, well, this will.

718
00:34:15,120 --> 00:34:17,719
Speaker 1: Be released on a different I assume your show has a.

719
00:34:20,320 --> 00:34:24,000
Speaker 2: Well the We've scheduled the photo shoot for the cover

720
00:34:24,239 --> 00:34:25,000
Speaker 2: for this one.

721
00:34:26,440 --> 00:34:28,960
Speaker 1: And we'll invoice you for that. We always when Sam

722
00:34:29,000 --> 00:34:31,120
Speaker 1: and I guessed on other podcasts, we usually do a

723
00:34:31,200 --> 00:34:34,240
Speaker 1: photo shoot and then invoice the host of that podcast.

724
00:34:34,840 --> 00:34:37,200
Speaker 2: I'm thinking this photo shoot is leather and lace.

725
00:34:37,800 --> 00:34:39,920
Speaker 3: Yeah, oh hell yeah.

726
00:34:39,719 --> 00:34:42,120
Speaker 1: That Actually you would think Sam would be leather. But

727
00:34:42,280 --> 00:34:43,759
Speaker 1: I'm going to be leather and Sam is going to

728
00:34:43,800 --> 00:34:45,160
Speaker 1: be in a full two two lace.

729
00:34:45,280 --> 00:34:47,759
Speaker 2: Yeah, I'm going to be very am I am? I?

730
00:34:48,000 --> 00:34:48,640
Speaker 3: What am I wearing?

731
00:34:48,719 --> 00:34:51,680
Speaker 1: Well, you're not part of this. We're doing a photo

732
00:34:51,760 --> 00:34:55,200
Speaker 1: shoot as the guests of Straighter Lab Presents Richard promotes

733
00:34:55,239 --> 00:34:57,799
Speaker 1: his show, and it'll be like a little photo.

734
00:34:57,640 --> 00:34:59,680
Speaker 3: I don't get a picture you have like the cover

735
00:34:59,840 --> 00:35:00,600
Speaker 3: art for it already.

736
00:35:00,680 --> 00:35:02,920
Speaker 1: You know what I mean. It's like to promote the

737
00:35:02,920 --> 00:35:06,200
Speaker 1: specific episode, you need a headshot of us, and so

738
00:35:06,400 --> 00:35:08,839
Speaker 1: we're sending you this photo shoot. Will send you many

739
00:35:09,880 --> 00:35:10,880
Speaker 1: options options.

740
00:35:10,960 --> 00:35:12,240
Speaker 2: Yeah, I'll send you a lot of options.

741
00:35:13,400 --> 00:35:14,320
Speaker 3: Can I edit myself?

742
00:35:14,480 --> 00:35:17,160
Speaker 2: Like? And if your face is anywhere on this fucking picture,

743
00:35:17,520 --> 00:35:20,520
Speaker 2: I'm going to assue you it's not really hell and back.

744
00:35:21,880 --> 00:35:24,759
Speaker 3: You won't be able to buy What if I made

745
00:35:24,800 --> 00:35:25,200
Speaker 3: it cute?

746
00:35:25,280 --> 00:35:25,320
Speaker 2: Like?

747
00:35:25,360 --> 00:35:27,239
Speaker 3: What if I did a picture I like, edit it

748
00:35:27,320 --> 00:35:29,600
Speaker 3: where it looks like you're in your full leather. You're

749
00:35:29,640 --> 00:35:34,239
Speaker 3: in your full lace watching me on stage, enjoying the show.

750
00:35:35,160 --> 00:35:35,960
Speaker 2: I'm not seeing it.

751
00:35:36,040 --> 00:35:37,440
Speaker 1: I'm not really seeing the vision.

752
00:35:38,440 --> 00:35:39,640
Speaker 3: Both of you are like smiling.

753
00:35:39,840 --> 00:35:42,239
Speaker 2: Sounds really busy. It just sounds really busy, and it

754
00:35:42,320 --> 00:35:43,560
Speaker 2: kind of goes against the leather and lathe.

755
00:35:43,600 --> 00:35:45,839
Speaker 1: We want to take one thing off in a stage, Yeah,

756
00:35:46,320 --> 00:35:47,600
Speaker 1: we want to take one thing off. And that thing

757
00:35:47,719 --> 00:35:49,880
Speaker 1: is kind of the additional thing you added after we

758
00:35:50,000 --> 00:35:53,000
Speaker 1: gave you the finished product. I say, let's take that

759
00:35:53,280 --> 00:35:55,320
Speaker 1: off and then just go with the finished product that

760
00:35:55,360 --> 00:35:59,279
Speaker 1: has been improved by legal and HR and our entire team,

761
00:35:59,520 --> 00:36:02,040
Speaker 1: and we'll send you everyone that worked on it. And

762
00:36:02,120 --> 00:36:04,920
Speaker 1: you can in the Instagram capturing, you know, styling at

763
00:36:05,440 --> 00:36:08,879
Speaker 1: Style Girl, Makeup Ata Girl.

764
00:36:09,040 --> 00:36:20,000
Speaker 6: Yeah, yeah, Makeup Girl Style, Girl Craft Services, girl Craft Services.

765
00:36:20,560 --> 00:36:23,359
Speaker 6: She's a doll, a doll.

766
00:36:23,440 --> 00:36:25,239
Speaker 1: We met her when she was a nurse and we

767
00:36:25,320 --> 00:36:28,240
Speaker 1: were performing surgeries and we said, you have such screen presents.

768
00:36:28,640 --> 00:36:29,799
Speaker 1: We're taking you on tour.

769
00:36:30,520 --> 00:36:33,440
Speaker 2: Yeah, oh my Godney, do you know how to work

770
00:36:33,440 --> 00:36:37,200
Speaker 2: a damn grill? Yeah?

771
00:36:37,239 --> 00:36:39,600
Speaker 1: By the way, Craft Services at our photo shoots are

772
00:36:39,680 --> 00:36:45,880
Speaker 1: like tapas, small plates, oysters, fish, tacos. It's a lot

773
00:36:45,920 --> 00:36:46,520
Speaker 1: of seafood.

774
00:36:46,560 --> 00:36:50,520
Speaker 2: Actually a lot of food. Yes, we only eat fish.

775
00:36:50,760 --> 00:36:54,880
Speaker 1: Yeah, veggies. One time they included a corn sauce, so

776
00:36:54,960 --> 00:36:56,000
Speaker 1: we sued and we won.

777
00:36:56,360 --> 00:36:58,600
Speaker 3: Yeah, so that's what you're gonna eat before you get

778
00:36:58,640 --> 00:37:01,440
Speaker 3: into the leather in the lake. Lots of yeah, enduring

779
00:37:02,320 --> 00:37:06,400
Speaker 3: and during, of course, it sounds like it's gonna be smelly.

780
00:37:06,719 --> 00:37:08,960
Speaker 1: Our breaths are gonna smell really fishy too.

781
00:37:09,080 --> 00:37:11,040
Speaker 3: Yeah, you're gonna smell fishy as fun.

782
00:37:11,120 --> 00:37:15,520
Speaker 2: Yeah, because we're gonna be serving serving fish. Bitch, bitch. Wow.

783
00:37:16,920 --> 00:37:19,040
Speaker 2: Somebody's gonna be like, is it fishy in here? Is

784
00:37:19,080 --> 00:37:20,160
Speaker 2: it just me? And you're gonna be like, no, it

785
00:37:20,280 --> 00:37:20,960
Speaker 2: is fishy in here.

786
00:37:21,040 --> 00:37:23,360
Speaker 1: And then he's gonna be like, we're gonna breathe in

787
00:37:23,360 --> 00:37:25,759
Speaker 1: this space, and it's gonna be like, oh god, excuse.

788
00:37:25,719 --> 00:37:27,560
Speaker 2: Damn, fuck my god.

789
00:37:28,239 --> 00:37:29,560
Speaker 3: The camera is like shaky.

790
00:37:30,560 --> 00:37:33,239
Speaker 1: The photographers just like yeah, and then we're like, do

791
00:37:33,239 --> 00:37:33,880
Speaker 1: you want some me?

792
00:37:34,080 --> 00:37:34,800
Speaker 2: So cod.

793
00:37:38,080 --> 00:37:44,719
Speaker 3: So cald, so interesting, okay, And so I.

794
00:37:44,719 --> 00:37:47,600
Speaker 1: Think that concludes that segment, So Richard, our first segment

795
00:37:47,719 --> 00:37:51,279
Speaker 1: is called Strade Shooters, and in this segment we ask

796
00:37:51,320 --> 00:37:53,200
Speaker 1: you a series of rapid fire questions to gauge your

797
00:37:53,239 --> 00:37:55,400
Speaker 1: familiarity with in complicity and straight culture, and you have

798
00:37:55,480 --> 00:37:57,600
Speaker 1: to choose one thing or Oh, by the way, where

799
00:37:57,640 --> 00:37:59,080
Speaker 1: can people find tickets to your tour?

800
00:38:00,680 --> 00:38:02,440
Speaker 3: Oh? Thank you so much. We're going to go back

801
00:38:02,480 --> 00:38:02,759
Speaker 3: to the well.

802
00:38:02,800 --> 00:38:04,759
Speaker 1: This is in the mini segment where can people find

803
00:38:04,800 --> 00:38:06,799
Speaker 1: tickets to promotes this tour?

804
00:38:06,880 --> 00:38:08,920
Speaker 3: Well, I'm confused this is going to be in my episode?

805
00:38:09,000 --> 00:38:09,680
Speaker 3: Is this going to be in.

806
00:38:11,239 --> 00:38:16,480
Speaker 2: The third episode? Yeah, this is a new third episode.

807
00:38:17,120 --> 00:38:20,319
Speaker 1: And by the way, Claire, we're doing a new new

808
00:38:20,440 --> 00:38:23,960
Speaker 1: photo shoot, a new photo shoot to promote this third episode,

809
00:38:25,719 --> 00:38:28,480
Speaker 1: and it's going to be I'm gonna I'm a robber,

810
00:38:28,600 --> 00:38:31,960
Speaker 1: a bank robber, and Sam is a bank teller. Yeah,

811
00:38:31,960 --> 00:38:35,239
Speaker 1: and I'm holding I'm holding him a gun robbery kind

812
00:38:35,239 --> 00:38:36,680
Speaker 1: of like Inside.

813
00:38:36,280 --> 00:38:39,799
Speaker 3: Man themed, Yeah, Inside Man, and I'm Robert.

814
00:38:41,160 --> 00:38:41,319
Speaker 2: Call.

815
00:38:41,560 --> 00:38:45,239
Speaker 3: And it's called Clarity, Clarity, Claire. This episode of the

816
00:38:45,320 --> 00:38:48,760
Speaker 3: third episode is called cla Welcome to Clarity, Welcome to Clarity,

817
00:38:48,960 --> 00:38:49,680
Speaker 3: and it's and the.

818
00:38:49,760 --> 00:38:58,240
Speaker 1: Theme song is if you many, my, myem me any questions?

819
00:38:59,080 --> 00:39:03,920
Speaker 3: So, okay, so this is the third episode. Ok, we're

820
00:39:03,960 --> 00:39:04,839
Speaker 3: talking link tree.

821
00:39:06,280 --> 00:39:06,640
Speaker 2: So yeah.

822
00:39:06,719 --> 00:39:09,719
Speaker 3: Instagram, thank you guys for tuning in. You can go

823
00:39:09,800 --> 00:39:14,160
Speaker 3: to my Instagram it's Richard Underscore Perez and you can

824
00:39:14,280 --> 00:39:18,400
Speaker 3: find a link tree in the bio and that, And

825
00:39:18,560 --> 00:39:20,320
Speaker 3: by the time this comes out will be like a

826
00:39:20,400 --> 00:39:24,520
Speaker 3: really fun like tour poster separate from not attached to

827
00:39:24,600 --> 00:39:28,680
Speaker 3: Stradio I've incorporated at all. I don't know, but it'll

828
00:39:28,719 --> 00:39:31,640
Speaker 3: be completely a separate photo shoot. Sam and George will

829
00:39:31,680 --> 00:39:34,920
Speaker 3: not be in the pictures or anything.

830
00:39:35,440 --> 00:39:38,720
Speaker 1: We own this ip. Like the fact that you're promoting

831
00:39:38,760 --> 00:39:42,120
Speaker 1: the tour on Stradio Lab means that we have to

832
00:39:42,239 --> 00:39:48,080
Speaker 1: have approval of any further further like assets that will

833
00:39:48,120 --> 00:39:49,040
Speaker 1: be produced from it.

834
00:39:49,280 --> 00:39:52,640
Speaker 2: Yeah, yeah, bitch, And it's not it's like a pretty

835
00:39:52,719 --> 00:39:56,960
Speaker 2: like simple, really standard we send We'll.

836
00:39:56,440 --> 00:39:58,120
Speaker 1: Send you the lawyer and it has to go through

837
00:39:58,239 --> 00:40:02,080
Speaker 1: makeup girl style. Everyone involved in our photoshoots also has

838
00:40:02,120 --> 00:40:04,440
Speaker 1: to approve any third party assets.

839
00:40:05,520 --> 00:40:07,920
Speaker 3: Yeah for my own images.

840
00:40:08,120 --> 00:40:09,960
Speaker 2: Yeah, as soon as you game on this show, all

841
00:40:10,080 --> 00:40:13,160
Speaker 2: creative projects became part of the studio inc mm hmm.

842
00:40:13,760 --> 00:40:16,440
Speaker 1: Okay, So in the forums we sent you and I

843
00:40:16,520 --> 00:40:18,520
Speaker 1: actually don't really want to like figure it out on air,

844
00:40:18,600 --> 00:40:21,279
Speaker 1: It's like you can go read them, you've already signed them,

845
00:40:22,640 --> 00:40:25,400
Speaker 1: and like we have a limited amount of time in

846
00:40:25,520 --> 00:40:28,000
Speaker 1: the studio, and I'm not going to be going through

847
00:40:28,040 --> 00:40:29,120
Speaker 1: paperwork with you right now.

848
00:40:29,719 --> 00:40:33,799
Speaker 3: Yeah, well we have Okay, okay, okay, I'm not going

849
00:40:33,880 --> 00:40:35,680
Speaker 3: to fight because that's not what I came here to do.

850
00:40:37,520 --> 00:40:39,560
Speaker 3: I don't want to fight with you right now. I

851
00:40:39,920 --> 00:40:42,200
Speaker 3: just am trying to on this third episode, I'm just

852
00:40:42,280 --> 00:40:45,919
Speaker 3: trying to bring some clarity to anyone that's confused, that's

853
00:40:46,000 --> 00:40:47,360
Speaker 3: listened to it, that.

854
00:40:50,200 --> 00:40:57,319
Speaker 1: Clary tragedy. Sorry, whenever you say clarity, Whenever you whenever

855
00:40:57,360 --> 00:41:00,920
Speaker 1: someone says clarity by contract because we're sponsors on Clarity,

856
00:41:01,680 --> 00:41:04,240
Speaker 1: whenever someone says the word clarity, that song starts playing.

857
00:41:07,080 --> 00:41:10,279
Speaker 3: It's almost like that, but it's clear.

858
00:41:10,400 --> 00:41:12,239
Speaker 2: It's beautiful, beautiful.

859
00:41:13,120 --> 00:41:16,320
Speaker 3: But yeah, it'll be on the link tree in the bio.

860
00:41:16,960 --> 00:41:21,799
Speaker 3: And I guess now with this amendment, I guess I'll

861
00:41:21,840 --> 00:41:23,080
Speaker 3: have to change the tour image.

862
00:41:23,239 --> 00:41:25,080
Speaker 1: So it's okay, there's still time.

863
00:41:25,480 --> 00:41:26,279
Speaker 2: Yeah, there's still plenty of it.

864
00:41:26,320 --> 00:41:27,279
Speaker 1: And when does the tour start?

865
00:41:27,760 --> 00:41:37,400
Speaker 3: The tour? The tour starts, God, it starts March twenty sixth, sixth, sixth.

866
00:41:37,680 --> 00:41:39,439
Speaker 3: That's a hard word for that's a really tough word.

867
00:41:40,280 --> 00:41:43,280
Speaker 1: Six It starts March twenty sixth, six aries.

868
00:41:44,800 --> 00:41:45,440
Speaker 3: How do you say it?

869
00:41:46,040 --> 00:41:50,160
Speaker 1: March twenty sixth, Sam, You're doing a really good job

870
00:41:50,200 --> 00:41:52,279
Speaker 1: with your lisp. It's actually like almost gone.

871
00:41:55,840 --> 00:41:57,560
Speaker 2: Okay, let's go back, Let's start a new episode of

872
00:41:57,600 --> 00:41:59,360
Speaker 2: our podcast and go do our first segment.

873
00:42:02,800 --> 00:42:05,439
Speaker 1: Okay, let's start a new episode, I think, and let's

874
00:42:05,480 --> 00:42:06,640
Speaker 1: actually scrap those three.

875
00:42:07,280 --> 00:42:09,120
Speaker 2: I wasn't feeling it.

876
00:42:09,440 --> 00:42:12,640
Speaker 1: It's like, I think we can use them for Patreon

877
00:42:12,760 --> 00:42:13,120
Speaker 1: or something.

878
00:42:13,400 --> 00:42:16,959
Speaker 2: Yeah, we got network notes network notes, and they really

879
00:42:17,080 --> 00:42:20,000
Speaker 2: didn't like it. I'm reading the network notes now and

880
00:42:20,080 --> 00:42:22,560
Speaker 2: I actually can't read them out loud because they're pretty cruel.

881
00:42:23,000 --> 00:42:26,080
Speaker 1: And Richard, we think you have such a unique voice,

882
00:42:26,280 --> 00:42:27,560
Speaker 1: like we've always loved you.

883
00:42:27,840 --> 00:42:28,799
Speaker 2: We've always felt that way.

884
00:42:29,560 --> 00:42:32,160
Speaker 1: We find ourselves though, being kind of the only ones

885
00:42:32,200 --> 00:42:32,880
Speaker 1: in the room that do.

886
00:42:33,440 --> 00:42:35,640
Speaker 2: It's just tough when a voice is so unique, It's like,

887
00:42:35,719 --> 00:42:37,239
Speaker 2: who will this connect with? You know what I mean?

888
00:42:38,080 --> 00:42:41,760
Speaker 1: Yeah, and sometimes unique is not necessarily good unique.

889
00:42:47,320 --> 00:42:48,399
Speaker 3: That was the song you were singing.

890
00:42:48,600 --> 00:42:49,120
Speaker 2: That was the song.

891
00:42:51,120 --> 00:42:54,680
Speaker 3: So now in this podcast, whenever I hear unique, I'll

892
00:42:54,719 --> 00:42:55,280
Speaker 3: go nurse.

893
00:42:55,880 --> 00:43:00,759
Speaker 2: That's right. Also, you know, it's funny. I wonder if

894
00:43:00,800 --> 00:43:03,480
Speaker 2: people that go to that live and say England who

895
00:43:03,560 --> 00:43:06,520
Speaker 2: go to Uni. Go uniqu.

896
00:43:07,719 --> 00:43:13,000
Speaker 3: Ni back in Uni. We met in Uni.

897
00:43:15,320 --> 00:43:16,239
Speaker 2: That's where you are.

898
00:43:17,640 --> 00:43:18,080
Speaker 7: Unique.

899
00:43:20,719 --> 00:43:22,359
Speaker 3: Get on the tube towards Uni.

900
00:43:24,080 --> 00:43:25,120
Speaker 1: I'm that bad.

901
00:43:27,400 --> 00:43:31,879
Speaker 3: From Uni. Oh I love that? All right, My cast

902
00:43:31,920 --> 00:43:35,239
Speaker 3: starts now, okay, podcast podcast start.

903
00:43:35,480 --> 00:43:37,359
Speaker 2: I want to introduce her first segment, our first second

904
00:43:37,360 --> 00:43:38,960
Speaker 2: culture Shooters and the same We're going to ask you shues.

905
00:43:38,960 --> 00:43:40,560
Speaker 2: You have a five questions this thing or the other thing.

906
00:43:40,560 --> 00:43:42,279
Speaker 2: The only follow ups. You can't ask an follow up questions.

907
00:43:42,280 --> 00:43:44,040
Speaker 2: I'll scream at you so fucking loud.

908
00:43:44,680 --> 00:43:46,000
Speaker 3: Are you fucking kidding?

909
00:43:48,480 --> 00:43:51,000
Speaker 1: Richard? This is a children's show. You can't say the

910
00:43:51,160 --> 00:43:51,520
Speaker 1: f slur.

911
00:43:52,160 --> 00:43:52,719
Speaker 2: We just fun.

912
00:43:53,040 --> 00:43:58,640
Speaker 3: Oh my god, this is crazy. I'm just like overwhelmed. No,

913
00:43:58,800 --> 00:44:01,600
Speaker 3: I know, it's just like too many things are going

914
00:44:01,680 --> 00:44:05,440
Speaker 3: are you okay? No, I'm fine. It's just like a

915
00:44:05,520 --> 00:44:08,120
Speaker 3: lot of like we just recorded so many episodes.

916
00:44:08,120 --> 00:44:10,200
Speaker 1: I'm just like we have to bank them though, because

917
00:44:10,239 --> 00:44:12,239
Speaker 1: Sam and I have really busy schedules, like we'll do

918
00:44:12,440 --> 00:44:14,359
Speaker 1: like three, four, five, six in a row.

919
00:44:15,160 --> 00:44:19,520
Speaker 2: Yeah, okay, okay, let's do our for at segment and

920
00:44:19,560 --> 00:44:25,440
Speaker 2: then we can go back to doing a bit Okay, fine, Okay,

921
00:44:26,040 --> 00:44:28,960
Speaker 2: Richard Stiggy's yogurt or Piggy pudding.

922
00:44:30,280 --> 00:44:32,360
Speaker 3: I actually did not hear what you said with the

923
00:44:32,440 --> 00:44:34,759
Speaker 3: first one, but I'll say the second one.

924
00:44:34,840 --> 00:44:44,919
Speaker 7: Okay, rich bitch, Richard, pay attention, No it did, Okay,

925
00:44:45,000 --> 00:44:46,640
Speaker 7: attention Okay.

926
00:44:46,680 --> 00:44:50,040
Speaker 1: Calling triple A or eating Chipotle a.

927
00:44:50,800 --> 00:45:02,520
Speaker 3: Wo I love that these ryes eating Chole okay, Richard.

928
00:45:03,120 --> 00:45:06,920
Speaker 2: Signing up for a mailing list, or saying up with

929
00:45:07,040 --> 00:45:07,640
Speaker 2: a little lisp.

930
00:45:11,000 --> 00:45:13,240
Speaker 3: I'm gonna say sup with the little list.

931
00:45:13,320 --> 00:45:18,239
Speaker 1: Richard, ADHD or all eyes on me in the center

932
00:45:18,280 --> 00:45:20,000
Speaker 1: of the ring just like a circus.

933
00:45:20,160 --> 00:45:20,560
Speaker 2: Uh huh.

934
00:45:21,160 --> 00:45:24,320
Speaker 3: All the second ones are like, I'm gonna do you

935
00:45:24,400 --> 00:45:25,000
Speaker 3: think people.

936
00:45:24,880 --> 00:45:28,040
Speaker 1: With ADHD like shouldn't have rights or like be recognized

937
00:45:28,080 --> 00:45:30,040
Speaker 1: as people by the state. Is that what you're saying?

938
00:45:31,120 --> 00:45:32,439
Speaker 3: Those are the rules of the game.

939
00:45:32,719 --> 00:45:33,880
Speaker 2: Is that you want any.

940
00:45:33,680 --> 00:45:34,400
Speaker 1: Follow up questions.

941
00:45:34,440 --> 00:45:36,759
Speaker 2: You pick one to have rights, you pick one to

942
00:45:36,880 --> 00:45:40,520
Speaker 2: have right, you pick one to have right. No one's

943
00:45:40,560 --> 00:45:42,640
Speaker 2: ever figured out what this game is, and basically you're

944
00:45:42,640 --> 00:45:44,040
Speaker 2: picking which one has rights.

945
00:45:44,080 --> 00:45:47,600
Speaker 1: Damn, Richard, you finally unlocked it. It's the way the

946
00:45:47,640 --> 00:45:49,160
Speaker 1: game works. You have to pick one of the two

947
00:45:49,200 --> 00:45:50,040
Speaker 1: to have rights.

948
00:45:54,160 --> 00:46:01,680
Speaker 2: Don't make me choose okay, Richard, the lost daughter or

949
00:46:01,760 --> 00:46:04,680
Speaker 2: the found footage. That's good?

950
00:46:05,719 --> 00:46:08,680
Speaker 3: Whoa the lost daughter?

951
00:46:09,239 --> 00:46:12,080
Speaker 1: That was a really difficult one. Richard going on a

952
00:46:12,160 --> 00:46:16,440
Speaker 1: booze cruise, or being addicted to youtubees.

953
00:46:20,000 --> 00:46:21,360
Speaker 3: Being addicted to YouTube?

954
00:46:21,520 --> 00:46:24,600
Speaker 2: Okay, Richard, the fast and the furious, or a cat

955
00:46:24,680 --> 00:46:25,400
Speaker 2: who is curious?

956
00:46:27,880 --> 00:46:29,000
Speaker 3: My cat, who's curious?

957
00:46:29,360 --> 00:46:31,600
Speaker 1: Life is good? Or wife make food?

958
00:46:35,480 --> 00:46:37,479
Speaker 3: I say life is good?

959
00:46:38,760 --> 00:46:42,560
Speaker 1: Okay, thanks? Oh so, wait, the wife doesn't deserve rights?

960
00:46:46,840 --> 00:46:51,880
Speaker 3: I thought we changed the rules. Don't make me sound bad, Hi, Richard,

961
00:46:52,200 --> 00:46:53,239
Speaker 3: don't make me sound bad.

962
00:46:53,280 --> 00:46:53,680
Speaker 2: I'm here.

963
00:46:54,040 --> 00:46:56,879
Speaker 1: This is the fourth podcast recording. You think women don't

964
00:46:56,880 --> 00:46:59,520
Speaker 1: deserve rights. You think people with the eighty agent you

965
00:46:59,640 --> 00:47:02,319
Speaker 1: got the serve to be legally recognized by the state.

966
00:47:02,800 --> 00:47:03,319
Speaker 1: I mean, this is.

967
00:47:03,400 --> 00:47:05,680
Speaker 2: Crazy, you guys.

968
00:47:05,960 --> 00:47:08,040
Speaker 3: First of all, I thought this was the fifth episode.

969
00:47:08,800 --> 00:47:11,800
Speaker 3: I'm just so confused. And then now you're trying to

970
00:47:11,840 --> 00:47:12,839
Speaker 3: make me sound bad.

971
00:47:14,040 --> 00:47:15,040
Speaker 1: Where's makeup girl?

972
00:47:17,360 --> 00:47:20,920
Speaker 3: Makeup girl? Or look there's a squirrel.

973
00:47:21,719 --> 00:47:22,520
Speaker 2: Don't mock us.

974
00:47:23,440 --> 00:47:25,480
Speaker 1: I just want And by the way, here's your officials.

975
00:47:25,800 --> 00:47:33,920
Speaker 1: Here's your official score. Your official score disqualified from zero

976
00:47:34,000 --> 00:47:36,480
Speaker 1: to one thousand of your official score is disqualified.

977
00:47:37,840 --> 00:47:43,120
Speaker 2: No, is that the low.

978
00:47:43,239 --> 00:47:46,080
Speaker 1: Yeah, yeah, congratulations.

979
00:47:47,880 --> 00:47:50,120
Speaker 3: Oh my god, I feel like I just bomb.

980
00:47:51,800 --> 00:47:53,400
Speaker 2: I'm so it wasn't you.

981
00:47:53,480 --> 00:47:56,880
Speaker 1: It was a crowd. It's just like a I mean,

982
00:47:56,920 --> 00:47:59,400
Speaker 1: it's the fifth recording of the day. Like we're also

983
00:47:59,520 --> 00:48:03,040
Speaker 1: not doing great, but also you are doing so well,

984
00:48:03,239 --> 00:48:08,360
Speaker 1: but you're crushing. But like the reason doesn't like is

985
00:48:08,480 --> 00:48:11,040
Speaker 1: because of other things not in your control. You know

986
00:48:11,120 --> 00:48:15,640
Speaker 1: it has nothing to do with you, so pretty much that.

987
00:48:17,600 --> 00:48:18,600
Speaker 2: Should we do our topic?

988
00:48:19,440 --> 00:48:21,680
Speaker 1: Yeah, I would actually love it, Richard, if you could

989
00:48:21,719 --> 00:48:24,800
Speaker 1: tell us what your straight topic is and what's straight

990
00:48:24,840 --> 00:48:26,920
Speaker 1: about it. And I know this is your least favorite

991
00:48:26,960 --> 00:48:30,000
Speaker 1: part of it because you hate put it being put

992
00:48:30,040 --> 00:48:36,680
Speaker 1: on the spot. You knew this was coming.

993
00:48:40,080 --> 00:48:43,840
Speaker 3: I just want to say, like, you know, my idea

994
00:48:44,080 --> 00:48:46,279
Speaker 3: is like, Okay, I'm just gonna I'm just gonna try

995
00:48:46,280 --> 00:48:49,719
Speaker 3: to go try to go for it. Hi, guys for

996
00:48:49,840 --> 00:48:53,759
Speaker 3: listening to Thanks for listening to this portion of the episode.

997
00:48:53,920 --> 00:48:55,200
Speaker 2: I mean of the recording.

998
00:48:56,120 --> 00:49:02,799
Speaker 3: And my topic for today's radio lab is with let's

999
00:49:02,800 --> 00:49:07,400
Speaker 3: say it all at the same time. One, two, three, toys.

1000
00:49:09,440 --> 00:49:09,840
Speaker 2: Toys.

1001
00:49:10,560 --> 00:49:13,040
Speaker 1: That's me saying brattycers is boys, but it's toys.

1002
00:49:13,320 --> 00:49:16,760
Speaker 3: Look at how they look at it. Looks like everyone

1003
00:49:16,960 --> 00:49:19,000
Speaker 3: needs one toys, toys.

1004
00:49:20,080 --> 00:49:23,480
Speaker 1: I've been busy thinking about toys, toys.

1005
00:49:24,080 --> 00:49:30,520
Speaker 3: Blocks, doll always busy thinking about action figures.

1006
00:49:30,320 --> 00:49:36,240
Speaker 2: Legos, Richard, what about toys is straight?

1007
00:49:36,440 --> 00:49:41,840
Speaker 3: Yeah, Okay, I think I grew up playing just a

1008
00:49:41,880 --> 00:49:45,120
Speaker 3: little like contacts, Like I grew up playing with toys,

1009
00:49:45,160 --> 00:49:49,640
Speaker 3: playing with toys and looking.

1010
00:49:52,120 --> 00:49:53,759
Speaker 1: Can I tell you something I said last night that

1011
00:49:54,000 --> 00:49:56,279
Speaker 1: I thought I trust set off the cuff and it

1012
00:49:56,400 --> 00:49:58,000
Speaker 1: bombed so hard. Sorry, and then we'll go back to

1013
00:49:58,080 --> 00:50:01,200
Speaker 1: toys because I just thought of the phrase I'm obsessed

1014
00:50:01,200 --> 00:50:03,239
Speaker 1: with when politicians are like, and that's personal to me,

1015
00:50:03,560 --> 00:50:05,120
Speaker 1: Like it's like when they're talking about helping them, like

1016
00:50:05,160 --> 00:50:07,920
Speaker 1: that's personal to me. So I said something about like

1017
00:50:07,960 --> 00:50:10,000
Speaker 1: I was like talking about getting married, and then I

1018
00:50:10,120 --> 00:50:12,960
Speaker 1: was like, and same sex marriage is personal to me,

1019
00:50:13,560 --> 00:50:15,600
Speaker 1: And I thought that that would like be something. I

1020
00:50:15,680 --> 00:50:17,480
Speaker 1: understand that it's not a complete joke, but I thought

1021
00:50:17,520 --> 00:50:19,840
Speaker 1: that like people would like get the reference and the

1022
00:50:20,000 --> 00:50:23,040
Speaker 1: way people were looking at me completely blank anyway, So

1023
00:50:23,200 --> 00:50:24,319
Speaker 1: toys are personal.

1024
00:50:24,000 --> 00:50:28,680
Speaker 3: For you, Yes, toys are personal for me because I

1025
00:50:28,880 --> 00:50:32,680
Speaker 3: grew up playing them with them, and I probably grew

1026
00:50:32,760 --> 00:50:35,239
Speaker 3: up playing with toys till I was like sixteen on

1027
00:50:35,400 --> 00:50:38,919
Speaker 3: if I'm being honest. But when I was like thinking

1028
00:50:38,960 --> 00:50:41,480
Speaker 3: about picking a topic, I was like, well, toys are

1029
00:50:41,640 --> 00:50:44,520
Speaker 3: like when toys are brought into your life at least

1030
00:50:44,600 --> 00:50:47,920
Speaker 3: an hour generation and generations before. I don't know what

1031
00:50:48,160 --> 00:50:51,800
Speaker 3: people are what toys look like now necessarily, but I

1032
00:50:51,920 --> 00:50:57,600
Speaker 3: feel like instantly it's like it adheres to like gender

1033
00:50:57,680 --> 00:51:01,239
Speaker 3: stuff and like yes, how or normal, Like it's instantly

1034
00:51:01,360 --> 00:51:04,040
Speaker 3: like Okay, you're gonna play with these toys like right

1035
00:51:04,080 --> 00:51:07,160
Speaker 3: off the bat, and it's like not really like it

1036
00:51:07,320 --> 00:51:10,160
Speaker 3: just happens, and I'm like, oh, I have hot Wheel totally,

1037
00:51:10,239 --> 00:51:12,040
Speaker 3: and I have this, and then you do kind of

1038
00:51:12,120 --> 00:51:15,040
Speaker 3: find your taste sometimes, like you know, and also like

1039
00:51:15,520 --> 00:51:18,680
Speaker 3: if you have like a sister or something who has

1040
00:51:18,760 --> 00:51:21,200
Speaker 3: toy and you can mix toys and be like okay,

1041
00:51:21,360 --> 00:51:24,360
Speaker 3: like I have a Barbie in this universe that I'm building,

1042
00:51:24,719 --> 00:51:29,319
Speaker 3: Like there's some of that, but I think that, yeah,

1043
00:51:29,360 --> 00:51:33,879
Speaker 3: I think toys have a heteronormative nature to them.

1044
00:51:34,280 --> 00:51:37,120
Speaker 2: When you were a child, if you can remember back

1045
00:51:37,160 --> 00:51:42,600
Speaker 2: this far, was there ever a like toy that you

1046
00:51:42,800 --> 00:51:47,000
Speaker 2: had where it was like, oh, he's gonna be LGBTQ plus.

1047
00:51:50,320 --> 00:51:55,319
Speaker 1: Richard's parents in the early nineties being like, is he LGBTQ.

1048
00:51:54,960 --> 00:52:03,520
Speaker 3: Plus I mean low key? Because my mom she worked

1049
00:52:03,520 --> 00:52:04,200
Speaker 3: at Toys r Us.

1050
00:52:04,880 --> 00:52:06,320
Speaker 1: So it's personal for you.

1051
00:52:06,920 --> 00:52:08,879
Speaker 2: This is personal for you. This is yeah.

1052
00:52:09,480 --> 00:52:11,040
Speaker 3: She worked at Toys r US for a little bit

1053
00:52:11,080 --> 00:52:13,120
Speaker 3: when when I was growing up, and she was like

1054
00:52:13,200 --> 00:52:16,439
Speaker 3: in like the she did something in like stock room

1055
00:52:16,560 --> 00:52:21,640
Speaker 3: or something, and she would like get us toys sometimes.

1056
00:52:21,880 --> 00:52:23,719
Speaker 3: And also like her and my dad separated when I

1057
00:52:23,800 --> 00:52:26,120
Speaker 3: was like really little, so like he kind of would

1058
00:52:26,200 --> 00:52:29,480
Speaker 3: like spoil us a little bit and be like, I'm dad,

1059
00:52:29,600 --> 00:52:32,520
Speaker 3: I'm fun. Here's toys, you know, And I'd be like yeah.

1060
00:52:33,680 --> 00:52:37,840
Speaker 3: And so I was obsessed with Toy Story the movie,

1061
00:52:39,080 --> 00:52:43,279
Speaker 3: and I wanted and my dad got me like me

1062
00:52:43,360 --> 00:52:47,239
Speaker 3: and my brother, you know, most of the characters from that,

1063
00:52:47,600 --> 00:52:50,840
Speaker 3: most of the cast. But we didn't have bo Peep.

1064
00:52:51,200 --> 00:52:53,320
Speaker 3: And I wanted bo Peep.

1065
00:52:53,480 --> 00:52:54,399
Speaker 2: Really really bad.

1066
00:52:55,280 --> 00:52:58,600
Speaker 3: And so I'm asking my mom if she could like

1067
00:52:58,680 --> 00:53:01,120
Speaker 3: hook it up from her job at Toys r US.

1068
00:53:01,520 --> 00:53:03,440
Speaker 3: I was like, and so I was like, did you

1069
00:53:03,520 --> 00:53:05,759
Speaker 3: get bo Peep? Mom? Did you get bo Peep? Mom?

1070
00:53:05,840 --> 00:53:08,839
Speaker 3: Did you get bo Peep? And then one day we're

1071
00:53:08,920 --> 00:53:11,759
Speaker 3: on a family vacation or We're like driving to the

1072
00:53:11,840 --> 00:53:16,360
Speaker 3: beach in Jersey and like, my mom has on like

1073
00:53:16,560 --> 00:53:19,320
Speaker 3: a cassette tape, but she played in the car and

1074
00:53:19,440 --> 00:53:22,960
Speaker 3: it's whatever her music, and then it just cuts and

1075
00:53:23,080 --> 00:53:26,320
Speaker 3: it's this audio of me being like, Mom, did you

1076
00:53:26,360 --> 00:53:29,600
Speaker 3: get bo peep? Mom? Did you get peep? She was

1077
00:53:29,640 --> 00:53:36,880
Speaker 3: secretly recording me asking her about that, and everyone laughed, wait.

1078
00:53:36,800 --> 00:53:39,160
Speaker 1: Which I assumed she was secret recording because she wanted

1079
00:53:39,160 --> 00:53:42,480
Speaker 1: to remember what you asked for. Was she doing it too?

1080
00:53:42,800 --> 00:53:43,200
Speaker 2: Might have been.

1081
00:53:44,120 --> 00:53:45,480
Speaker 3: I don't know if it was to bully me.

1082
00:53:46,080 --> 00:53:48,880
Speaker 1: Was she being like, doesn't Richard sound LGBTQ plus in

1083
00:53:48,960 --> 00:53:49,440
Speaker 1: this clip?

1084
00:53:49,719 --> 00:53:51,600
Speaker 3: I think that was it. She was looking for evidence?

1085
00:53:51,719 --> 00:53:52,160
Speaker 1: Is that true?

1086
00:53:52,239 --> 00:53:54,080
Speaker 2: She's like, I've got it. I'm going to the cops.

1087
00:53:55,160 --> 00:54:02,759
Speaker 3: Yeah, you know, I'm not sure why she recorded it,

1088
00:54:03,200 --> 00:54:10,440
Speaker 3: but but yeah, And I remember I was like really embarrassed. Yea,

1089
00:54:11,480 --> 00:54:14,600
Speaker 3: And she was like I'm sorry, but but yeah, but.

1090
00:54:14,680 --> 00:54:20,239
Speaker 2: Yeah, you sound gay here, like I'm sorry, but you

1091
00:54:20,400 --> 00:54:21,320
Speaker 2: do sound gay.

1092
00:54:21,160 --> 00:54:24,000
Speaker 1: Here, like don't shoot the messenger and I love you,

1093
00:54:24,160 --> 00:54:26,239
Speaker 1: I mean, but you do sound gay.

1094
00:54:26,680 --> 00:54:29,400
Speaker 3: You sound a little gay wanting this ship?

1095
00:54:29,640 --> 00:54:30,960
Speaker 2: So so did you ever get it?

1096
00:54:31,320 --> 00:54:31,560
Speaker 1: Yeah?

1097
00:54:32,320 --> 00:54:34,960
Speaker 3: I don't think I did. No, I don't think so.

1098
00:54:35,880 --> 00:54:38,600
Speaker 1: I remember why you're a comedian, and that's where that's

1099
00:54:38,719 --> 00:54:40,760
Speaker 1: why you're searching for both people.

1100
00:54:40,920 --> 00:54:43,360
Speaker 3: You still didn't think I was gonna get so personal.

1101
00:54:43,600 --> 00:54:45,160
Speaker 2: Well, it's personal to you personal.

1102
00:54:45,440 --> 00:54:48,040
Speaker 3: Yeah, that's true. This topic is toys are very personal

1103
00:54:48,120 --> 00:54:48,279
Speaker 3: to me.

1104
00:54:48,440 --> 00:54:51,239
Speaker 1: Toys are personal to you because you were given them

1105
00:54:51,280 --> 00:54:53,520
Speaker 1: by both your father and your mother, and in that sense,

1106
00:54:53,600 --> 00:54:59,080
Speaker 1: they re uh, you know, like reified the gender binary. Yeah,

1107
00:54:59,440 --> 00:55:01,560
Speaker 1: because as it you were, like, toys can come from

1108
00:55:01,640 --> 00:55:05,760
Speaker 1: two places, man or woman literally literally.

1109
00:55:06,080 --> 00:55:08,320
Speaker 2: Okay, Richard, I have another question if you remember childhood,

1110
00:55:08,360 --> 00:55:10,319
Speaker 2: but you're already doing such a good job of Yeah,

1111
00:55:12,000 --> 00:55:13,640
Speaker 2: was there ever a toy that you had that you

1112
00:55:13,719 --> 00:55:16,840
Speaker 2: really loved that said, Wow, our boy is gonna be

1113
00:55:16,880 --> 00:55:20,400
Speaker 2: fucking straight as hell. This guy's gonna fucking pound poon

1114
00:55:20,680 --> 00:55:22,560
Speaker 2: in a way that no one else ever has.

1115
00:55:23,320 --> 00:55:25,239
Speaker 3: Probably the first thing that jumps to mine is like

1116
00:55:25,560 --> 00:55:27,080
Speaker 3: Spider Man's like abs.

1117
00:55:27,200 --> 00:55:30,480
Speaker 2: Yeah, you had a toy, just Spider Man's Abs.

1118
00:55:31,120 --> 00:55:35,360
Speaker 1: No, I had like broken toys.

1119
00:55:35,520 --> 00:55:41,520
Speaker 3: They're scary like Sid like sid and uh toy story.

1120
00:55:41,680 --> 00:55:44,840
Speaker 2: My favorite toy is Spider Man's abs abs.

1121
00:55:47,560 --> 00:55:49,800
Speaker 3: Yeah, so Spider Man, But I felt like I was.

1122
00:55:49,960 --> 00:55:54,400
Speaker 3: I remember just being really like like fixated on his body.

1123
00:55:54,440 --> 00:55:56,439
Speaker 3: He had a really you know, he had a nice body.

1124
00:55:56,440 --> 00:55:58,080
Speaker 1: He had a really tight but it was sort of

1125
00:55:58,120 --> 00:56:00,680
Speaker 1: more Twinkie like you weren't into like Superman.

1126
00:56:01,719 --> 00:56:06,360
Speaker 3: No, he was like he was like upside down triangle,

1127
00:56:06,600 --> 00:56:09,480
Speaker 3: like like big shoulders, little ways.

1128
00:56:09,440 --> 00:56:11,800
Speaker 1: Like that's not really true to what I can that

1129
00:56:11,920 --> 00:56:13,239
Speaker 1: what you know, what I grew up with.

1130
00:56:13,640 --> 00:56:14,960
Speaker 3: Well, this was the nineties.

1131
00:56:15,160 --> 00:56:16,840
Speaker 2: I don't know, Like, yeah, George, I don't know.

1132
00:56:16,880 --> 00:56:19,600
Speaker 3: I tell you, like, yeah, I think spider Man, this

1133
00:56:19,640 --> 00:56:20,680
Speaker 3: is before before time.

1134
00:56:21,520 --> 00:56:23,520
Speaker 2: You've been like so poisoned by the media, like you

1135
00:56:23,560 --> 00:56:26,600
Speaker 2: have such different expectations of what Spider Man should Even so, do.

1136
00:56:26,600 --> 00:56:28,560
Speaker 1: You think Peter Parker is like a meathead?

1137
00:56:30,920 --> 00:56:32,719
Speaker 2: Look, we're not saying that. We're just saying he's like.

1138
00:56:34,200 --> 00:56:37,920
Speaker 6: He just has brod shoulders, bubble broad shoulders.

1139
00:56:37,960 --> 00:56:40,880
Speaker 3: Yeah, he's like, yeah, he's kind of like, Well, I.

1140
00:56:40,960 --> 00:56:43,800
Speaker 1: Will say to sort of bring it to toys as straight,

1141
00:56:44,440 --> 00:56:47,840
Speaker 1: toys as straight I do think you're absolutely right. The

1142
00:56:47,920 --> 00:56:50,400
Speaker 1: toys are one of the first avenues through which children

1143
00:56:50,440 --> 00:56:53,640
Speaker 1: are introduced to gender roles and to gender differences.

1144
00:56:54,680 --> 00:56:57,239
Speaker 3: Yeah, did y'all play with toys.

1145
00:56:57,520 --> 00:56:58,920
Speaker 1: Yeah, yeah, that I believe we did.

1146
00:56:59,400 --> 00:57:01,239
Speaker 2: So this is actual really personal to both of us

1147
00:57:01,280 --> 00:57:02,719
Speaker 2: because we actually played with toy We.

1148
00:57:02,800 --> 00:57:05,640
Speaker 1: Both played with toys. One of the first things we

1149
00:57:05,760 --> 00:57:06,319
Speaker 1: bonded over.

1150
00:57:07,680 --> 00:57:10,320
Speaker 2: Yeah. I'll never forget meeting Georgia, our Wicked Lady in

1151
00:57:10,400 --> 00:57:14,320
Speaker 2: Bushwick and going, wait a minute, did so? Oh no?

1152
00:57:14,400 --> 00:57:16,000
Speaker 2: I was like, God, I was so weird growing up,

1153
00:57:16,040 --> 00:57:19,600
Speaker 2: Like I love toys? Were I love toys? Yeah?

1154
00:57:20,560 --> 00:57:23,600
Speaker 1: When I could tell you know, I said you were different?

1155
00:57:24,440 --> 00:57:26,520
Speaker 2: Yeah, you like And I was like, hold on, did

1156
00:57:26,560 --> 00:57:27,280
Speaker 2: you play with toys?

1157
00:57:27,880 --> 00:57:30,560
Speaker 1: And then we've been in separate, in separable ever since.

1158
00:57:30,840 --> 00:57:36,040
Speaker 2: I do have a toy story of my own. Okay, okay,

1159
00:57:36,200 --> 00:57:37,959
Speaker 2: I don't know if I've told you on this pod before,

1160
00:57:38,480 --> 00:57:41,400
Speaker 2: but when I was really young, I was obsessed, obsessed,

1161
00:57:41,400 --> 00:57:44,440
Speaker 2: obsessed with Little Mermaid toys, which was my big single

1162
00:57:44,520 --> 00:57:46,560
Speaker 2: that I was going to be an LGBT plus American.

1163
00:57:46,800 --> 00:57:47,760
Speaker 1: Yeah, and.

1164
00:57:49,680 --> 00:57:53,360
Speaker 2: To the point where I was like maybe like three,

1165
00:57:53,960 --> 00:57:57,560
Speaker 2: and I dropped my Little Mermaid in the pool and

1166
00:57:57,720 --> 00:57:59,400
Speaker 2: I fell in the pool to try to get it,

1167
00:57:59,480 --> 00:58:01,560
Speaker 2: and the life card had to save me. Oh no.

1168
00:58:01,680 --> 00:58:04,560
Speaker 1: And then at the end he was like probably like so,

1169
00:58:04,840 --> 00:58:07,360
Speaker 1: like how did you get is everything okay? And you

1170
00:58:07,440 --> 00:58:08,800
Speaker 1: were like my mermaid.

1171
00:58:11,040 --> 00:58:12,400
Speaker 3: He's like this kid.

1172
00:58:12,400 --> 00:58:19,160
Speaker 2: Is bro pause bro you old you BTQ plus. But

1173
00:58:19,280 --> 00:58:21,640
Speaker 2: there was my mom always the story. Well, it's funny.

1174
00:58:22,480 --> 00:58:25,240
Speaker 2: She used to tell it, like like when I was straight,

1175
00:58:25,360 --> 00:58:28,200
Speaker 2: she would be like, you know, you're like people would say,

1176
00:58:28,200 --> 00:58:29,920
Speaker 2: don't play with that because you know it'll make him gay.

1177
00:58:29,960 --> 00:58:31,880
Speaker 2: It'll make him gay. Don't let him play with those dolls.

1178
00:58:32,120 --> 00:58:33,120
Speaker 2: And we showed them.

1179
00:58:37,120 --> 00:58:40,960
Speaker 1: That is such a funny way of being accepting, being

1180
00:58:41,040 --> 00:58:43,280
Speaker 1: like I was a progressive parent because I knew he

1181
00:58:43,440 --> 00:58:46,040
Speaker 1: was straight, Like you couldn't play with dolls, he could

1182
00:58:46,080 --> 00:58:49,040
Speaker 1: put on dresses. Who cares? Like I knew my boy

1183
00:58:49,200 --> 00:58:49,600
Speaker 1: was straight.

1184
00:58:52,480 --> 00:58:53,280
Speaker 3: That's so funny.

1185
00:58:53,360 --> 00:58:57,200
Speaker 2: But I was obsessed with Mermaids, in particular the hair underwater.

1186
00:58:57,240 --> 00:59:01,080
Speaker 2: I had like multiple Mermaid dolls the hair underwater, So yeah,

1187
00:59:01,160 --> 00:59:01,880
Speaker 2: haul to me.

1188
00:59:02,040 --> 00:59:03,600
Speaker 3: And I love the bikini top.

1189
00:59:03,680 --> 00:59:04,800
Speaker 2: And I love the bikini top.

1190
00:59:05,560 --> 00:59:06,040
Speaker 3: I love it.

1191
00:59:06,320 --> 00:59:08,680
Speaker 2: It's so devilicious stepa Trump.

1192
00:59:08,960 --> 00:59:12,160
Speaker 3: It is fab Yeah, especially seeing the way like the

1193
00:59:12,240 --> 00:59:17,320
Speaker 3: hair move around and dancing, just dancing.

1194
00:59:17,480 --> 00:59:20,200
Speaker 2: I just fill up the sink dipper in there. Watch

1195
00:59:20,280 --> 00:59:21,000
Speaker 2: the hair flow.

1196
00:59:22,240 --> 00:59:27,000
Speaker 3: Yeah, Oh my god, I want like I love.

1197
00:59:27,040 --> 00:59:32,240
Speaker 1: Just practicing disrespecting women's bodily autonomy, as as white gay

1198
00:59:32,360 --> 00:59:35,760
Speaker 1: men in our later life when we're just Oh, give

1199
00:59:35,840 --> 00:59:39,120
Speaker 1: us another album. Oh, get back in the studio, bitch.

1200
00:59:39,720 --> 00:59:40,920
Speaker 2: Oh you flopped.

1201
00:59:41,440 --> 00:59:45,280
Speaker 1: Oh your song, your song didn't charge.

1202
00:59:45,680 --> 00:59:45,840
Speaker 8: Oh.

1203
00:59:46,080 --> 00:59:49,160
Speaker 1: This is a thread of Katie Perry's worst moments. That's

1204
00:59:49,200 --> 00:59:51,400
Speaker 1: all because of Pal.

1205
00:59:54,560 --> 00:59:56,720
Speaker 2: George. You have an LGBTQ plus toy story.

1206
00:59:56,800 --> 00:59:57,480
Speaker 3: Yeah, what happened?

1207
00:59:57,720 --> 01:00:00,520
Speaker 1: I loved toys. It's actually per call for me.

1208
01:00:01,040 --> 01:00:03,960
Speaker 2: So this is really personal, really personal for me.

1209
01:00:04,600 --> 01:00:05,880
Speaker 3: I didn't know we had so much to gain.

1210
01:00:06,000 --> 01:00:07,720
Speaker 2: This is like so personal to all of it.

1211
01:00:07,760 --> 01:00:11,280
Speaker 1: It's really personal for me. I would say I loved

1212
01:00:11,440 --> 01:00:14,400
Speaker 1: Power Rangers. I was obsessed with like the way that

1213
01:00:14,480 --> 01:00:18,040
Speaker 1: their heads would switch from costume to not costume. Do

1214
01:00:18,040 --> 01:00:18,880
Speaker 1: you know what I'm talking about?

1215
01:00:19,080 --> 01:00:20,800
Speaker 2: Of course, I love the Power Angers toys.

1216
01:00:20,840 --> 01:00:26,480
Speaker 1: I love the Power Rangers. I loved uh Like, did

1217
01:00:26,600 --> 01:00:28,080
Speaker 1: they have Action Man in the US?

1218
01:00:28,760 --> 01:00:30,880
Speaker 2: I'm not familiar with this, Okay, it's just like.

1219
01:00:31,000 --> 01:00:36,320
Speaker 1: A It's an action figure who was kind of military coded.

1220
01:00:36,800 --> 01:00:40,400
Speaker 2: I'm gonna be honest. Sounds not very thought out for sure.

1221
01:00:42,600 --> 01:00:43,400
Speaker 2: Action Man.

1222
01:00:43,720 --> 01:00:46,280
Speaker 1: Yeah, but he was so hot, So I would make

1223
01:00:46,360 --> 01:00:48,600
Speaker 1: Action Man in my sister's barbies have sex and even

1224
01:00:48,640 --> 01:00:50,800
Speaker 1: threesomes because I actually only had one Action Man, but

1225
01:00:50,880 --> 01:00:53,680
Speaker 1: I had my sisters had probably like over five barbies.

1226
01:00:53,680 --> 01:00:55,160
Speaker 1: If I were to guess, well.

1227
01:00:55,040 --> 01:00:57,320
Speaker 2: That's cool that you had polytoys, that's really Yeah.

1228
01:00:57,400 --> 01:00:58,760
Speaker 1: I had a lot of it, but it was kind

1229
01:00:58,800 --> 01:01:00,920
Speaker 1: of toxic in this way where like the man was

1230
01:01:01,720 --> 01:01:04,280
Speaker 1: had a harem of women rather than a bit it

1231
01:01:04,400 --> 01:01:06,920
Speaker 1: was a bit religious in the Yeah, it was more

1232
01:01:07,000 --> 01:01:11,240
Speaker 1: that rather than like kind of latigra queer polyamory.

1233
01:01:11,840 --> 01:01:12,080
Speaker 2: Yeah.

1234
01:01:12,280 --> 01:01:17,840
Speaker 1: Yeah, and so I had that, but I so obviously, yes,

1235
01:01:18,120 --> 01:01:21,880
Speaker 1: girl toys are dolls. Girl toys are like kitchen appliances,

1236
01:01:22,160 --> 01:01:25,760
Speaker 1: easy bake oven, and then boy toys are cars, trucks,

1237
01:01:26,200 --> 01:01:30,160
Speaker 1: action figures, guns. Yeah, so we can all agree on that.

1238
01:01:31,440 --> 01:01:33,520
Speaker 2: Yeah, part of toys.

1239
01:01:33,920 --> 01:01:35,560
Speaker 1: One of the parts of toys that was again so

1240
01:01:35,720 --> 01:01:40,240
Speaker 1: personal to me was the kind of sublime of going

1241
01:01:40,320 --> 01:01:43,880
Speaker 1: into a toy store. There is something that as a kid,

1242
01:01:43,920 --> 01:01:45,960
Speaker 1: I'm like, this is what church must feel like to

1243
01:01:46,080 --> 01:01:49,040
Speaker 1: someone who was religious. Did you, like, did you ever

1244
01:01:49,160 --> 01:01:51,840
Speaker 1: go to just like a big, big big toys like

1245
01:01:51,920 --> 01:01:53,800
Speaker 1: I have a memory of like toys or yeah, like

1246
01:01:53,840 --> 01:01:56,240
Speaker 1: toys r us like my pay. So when we before

1247
01:01:56,280 --> 01:01:59,920
Speaker 1: we originally moved here. The first time I came to

1248
01:02:00,040 --> 01:02:02,760
Speaker 1: New York, we went to Fao Schwartz and I was like,

1249
01:02:03,160 --> 01:02:05,760
Speaker 1: this is America, Like I can't.

1250
01:02:05,600 --> 01:02:10,000
Speaker 2: Still have never been either, is it, George, You're so privileged?

1251
01:02:10,160 --> 01:02:12,520
Speaker 1: Yeah. Well, and I went when I was like six

1252
01:02:12,680 --> 01:02:13,080
Speaker 1: years old.

1253
01:02:13,520 --> 01:02:15,120
Speaker 2: Fuck, we've never even been.

1254
01:02:15,800 --> 01:02:16,520
Speaker 3: We've never been.

1255
01:02:16,800 --> 01:02:18,960
Speaker 1: And I was told from a young age, and I

1256
01:02:19,080 --> 01:02:22,280
Speaker 1: really internalized this that the toys were of a higher quality.

1257
01:02:22,480 --> 01:02:24,120
Speaker 1: My parents were like, you know all these other toys

1258
01:02:24,200 --> 01:02:27,880
Speaker 1: made in China. At Fao Schwartz, there are elves basically

1259
01:02:27,960 --> 01:02:29,040
Speaker 1: making them backstage.

1260
01:02:29,240 --> 01:02:29,479
Speaker 2: Wow.

1261
01:02:29,800 --> 01:02:31,800
Speaker 1: And so we got these two stuffed animals. One was

1262
01:02:31,800 --> 01:02:34,000
Speaker 1: a hippo, one was a dolphin. And the way that

1263
01:02:34,160 --> 01:02:36,560
Speaker 1: I was like, I have to take good care of

1264
01:02:36,680 --> 01:02:39,600
Speaker 1: these because they're going to be worth millions one day.

1265
01:02:40,400 --> 01:02:42,240
Speaker 1: And I still have them and they look pristine, to

1266
01:02:42,280 --> 01:02:43,120
Speaker 1: be honest.

1267
01:02:42,960 --> 01:02:45,160
Speaker 2: And they're worth millions, and they're worth millions. I actually

1268
01:02:45,280 --> 01:02:48,160
Speaker 2: one of the darker things about childhood is how early

1269
01:02:48,400 --> 01:02:50,320
Speaker 2: you worry about the worth of your toy.

1270
01:02:51,080 --> 01:02:53,240
Speaker 1: Like a producer is saying, oh my god. Olivia's parents

1271
01:02:53,320 --> 01:02:55,400
Speaker 1: told her fo Schwartz was a museum and she couldn't

1272
01:02:55,440 --> 01:02:56,080
Speaker 1: touch anything.

1273
01:02:59,880 --> 01:03:03,840
Speaker 3: I mean, but it was sort of it you can't touch.

1274
01:03:03,920 --> 01:03:08,200
Speaker 1: So you've still never been to Fao Schwartz. I maybe

1275
01:03:08,240 --> 01:03:10,240
Speaker 1: I was just so young that it made an impression

1276
01:03:10,280 --> 01:03:10,360
Speaker 1: on me.

1277
01:03:10,520 --> 01:03:11,080
Speaker 3: Is it's still open?

1278
01:03:11,160 --> 01:03:12,480
Speaker 1: I don't think it is. And if it is, then

1279
01:03:12,520 --> 01:03:15,600
Speaker 1: it's under like you know, probably owned by some venture

1280
01:03:15,640 --> 01:03:17,240
Speaker 1: capital firm, so we'll never get to go.

1281
01:03:17,840 --> 01:03:20,000
Speaker 2: Basically, never get to go at.

1282
01:03:19,920 --> 01:03:23,640
Speaker 1: Its best though. You know, it was like you wouldn't

1283
01:03:23,680 --> 01:03:26,400
Speaker 1: believe now here, you don't you want to know my

1284
01:03:26,480 --> 01:03:30,000
Speaker 1: white whale. And with toys, uh huh m hm, the

1285
01:03:30,040 --> 01:03:33,680
Speaker 1: Spice Girls barbies you had this? Why they didn't have them?

1286
01:03:34,200 --> 01:03:36,520
Speaker 1: I knew that would be too LGBTQ plus for me

1287
01:03:36,640 --> 01:03:37,280
Speaker 1: to even ask for.

1288
01:03:37,520 --> 01:03:40,800
Speaker 2: Yeah, yeah right, you said, honey, that's even too LGBTQ

1289
01:03:40,960 --> 01:03:43,160
Speaker 2: plus for me. Yes, and I'm LGBTQ plus.

1290
01:03:43,440 --> 01:03:45,240
Speaker 1: But you know what I did is when my sister

1291
01:03:45,440 --> 01:03:48,240
Speaker 1: was born, I they told me I could get her

1292
01:03:48,240 --> 01:03:50,360
Speaker 1: a gift, and I got her the Britney Spears barbie

1293
01:03:50,400 --> 01:03:51,360
Speaker 1: so I could play with it myself.

1294
01:03:51,880 --> 01:03:56,360
Speaker 2: Smart, very smart, of course, very very smart. Oh my god.

1295
01:03:56,440 --> 01:04:00,120
Speaker 3: I remember. Britney Spears was like the first album I

1296
01:04:00,240 --> 01:04:00,840
Speaker 3: ever own.

1297
01:04:01,080 --> 01:04:04,320
Speaker 1: Mine was Spice Girl, So again, what was your sam?

1298
01:04:04,800 --> 01:04:08,720
Speaker 2: I think it might have been Backstreet Boys cut maybe

1299
01:04:08,840 --> 01:04:10,200
Speaker 2: Millennium even.

1300
01:04:11,680 --> 01:04:14,600
Speaker 1: You know, I'm on the uh. I don't know why,

1301
01:04:14,680 --> 01:04:17,200
Speaker 1: but I'm on the press list for the Sphere in

1302
01:04:17,240 --> 01:04:20,520
Speaker 1: Las Vegas, and so they tell me whenever there's a

1303
01:04:20,600 --> 01:04:23,560
Speaker 1: new residency there, and the Backstreet Boys are doing Millennium

1304
01:04:23,680 --> 01:04:28,200
Speaker 1: there like three weeks and they recreated the photo shoot

1305
01:04:28,200 --> 01:04:29,720
Speaker 1: where they're all wearing all white in front of like

1306
01:04:29,760 --> 01:04:30,920
Speaker 1: a silver and white background.

1307
01:04:31,520 --> 01:04:34,880
Speaker 2: Wow, let's go, let's go, let's fucking go.

1308
01:04:36,440 --> 01:04:37,400
Speaker 3: But guys, I'm torn.

1309
01:04:39,280 --> 01:04:44,000
Speaker 2: I'm sort out of Vegas Day, Vegas Da Vegas Day.

1310
01:04:45,320 --> 01:04:50,919
Speaker 1: Outside of the Sphere, I'm having so much fun being loose,

1311
01:04:51,120 --> 01:04:52,360
Speaker 1: And then there's a part of me that's like, I

1312
01:04:52,480 --> 01:04:56,560
Speaker 1: actually think toys as straight culture is so smart that

1313
01:04:56,640 --> 01:04:58,240
Speaker 1: I want to like really really get into.

1314
01:04:58,160 --> 01:04:59,760
Speaker 3: It, you know what I mean, Let's get into it.

1315
01:05:00,720 --> 01:05:03,560
Speaker 2: I want to say, I think it's funny when boys

1316
01:05:03,880 --> 01:05:07,520
Speaker 2: just do love trucks. You'm always like, huh so it's

1317
01:05:07,600 --> 01:05:10,760
Speaker 2: like just that literal huh like, and no one.

1318
01:05:10,680 --> 01:05:12,840
Speaker 1: Wants to talk about this. Of course, not all boys

1319
01:05:12,880 --> 01:05:15,640
Speaker 1: love trucks, but boys not all boys. But the thing

1320
01:05:15,800 --> 01:05:20,360
Speaker 1: is eighty percent of them literally do deeply and with

1321
01:05:21,000 --> 01:05:24,160
Speaker 1: an uncontrollable urge to just what.

1322
01:05:24,720 --> 01:05:27,360
Speaker 2: What is that? That like scares me the way that

1323
01:05:27,760 --> 01:05:28,520
Speaker 2: boys loved Truck.

1324
01:05:28,600 --> 01:05:29,600
Speaker 3: It didn't happen to me.

1325
01:05:30,200 --> 01:05:30,760
Speaker 2: It didn't happen.

1326
01:05:30,920 --> 01:05:34,880
Speaker 3: I love people, God, I love I love dinner Party creatures,

1327
01:05:35,160 --> 01:05:38,520
Speaker 3: I love Pikachu, I love like Peep.

1328
01:05:38,720 --> 01:05:41,720
Speaker 2: I actually think Pokemon is an interesting that bridges the

1329
01:05:41,760 --> 01:05:43,919
Speaker 2: gap because boys girls.

1330
01:05:43,960 --> 01:05:45,240
Speaker 1: Oh my god, that's such a good point.

1331
01:05:45,960 --> 01:05:47,680
Speaker 3: Yeah, Pokemon was everything.

1332
01:05:47,680 --> 01:05:48,840
Speaker 2: Well, of course there's a girl Pokemon.

1333
01:05:48,920 --> 01:05:51,400
Speaker 1: Are you kidding me? Yeah, you raise your hand in

1334
01:05:51,440 --> 01:05:53,680
Speaker 1: the classroom, you say, I like jiggly Puff. You're gonna

1335
01:05:53,680 --> 01:05:55,920
Speaker 1: be bullied out of the entire state.

1336
01:05:57,320 --> 01:06:00,280
Speaker 3: Video games like picking like Super Smash Bro was like

1337
01:06:00,480 --> 01:06:03,720
Speaker 3: picking which characters and I'm like, oh, I want to

1338
01:06:03,760 --> 01:06:07,720
Speaker 3: be like what's her name, like Zelda, or there's one

1339
01:06:07,840 --> 01:06:09,800
Speaker 3: Chic or whatever her name is, like she turns into

1340
01:06:11,040 --> 01:06:13,439
Speaker 3: Chic and I'm like, I want to do that one,

1341
01:06:13,560 --> 01:06:14,200
Speaker 3: and I would do it.

1342
01:06:15,040 --> 01:06:18,440
Speaker 1: Here's the question, because I think this is a little counterintuitive.

1343
01:06:19,240 --> 01:06:21,840
Speaker 1: Do you think it's straight or gay to be like

1344
01:06:22,680 --> 01:06:27,200
Speaker 1: a progressive mom who's overly concerned about what gender norms

1345
01:06:27,760 --> 01:06:30,200
Speaker 1: the toys are instilling in her kids. Because I actually

1346
01:06:30,200 --> 01:06:32,320
Speaker 1: think that's very straight. It's a very straight woman who

1347
01:06:32,360 --> 01:06:36,360
Speaker 1: went to Barnard and thinks that it like is paying

1348
01:06:36,440 --> 01:06:38,760
Speaker 1: so much attention to whether he or not her kids

1349
01:06:38,800 --> 01:06:39,960
Speaker 1: play with dolls or trucks.

1350
01:06:40,760 --> 01:06:41,680
Speaker 2: To me, it's still gay.

1351
01:06:41,920 --> 01:06:45,120
Speaker 3: To me, I agree, I think it's Wait, so toys

1352
01:06:45,120 --> 01:06:45,480
Speaker 3: are gay?

1353
01:06:45,640 --> 01:06:50,840
Speaker 1: Toys are like imagine a mom, imagine a mom that's

1354
01:06:50,960 --> 01:06:53,960
Speaker 1: like we sorr. I remember this actually when when we

1355
01:06:54,080 --> 01:06:57,400
Speaker 1: were young, there was this line in this sort of

1356
01:06:57,480 --> 01:07:00,120
Speaker 1: like rich person toy story, there was a line of

1357
01:07:00,240 --> 01:07:04,920
Speaker 1: like Barbie like dolls called Smarties Smarties because they were

1358
01:07:04,960 --> 01:07:09,720
Speaker 1: smart and each of them had a different high power job,

1359
01:07:09,840 --> 01:07:13,600
Speaker 1: so there was like lawyer, doctor. Now one might ask,

1360
01:07:13,720 --> 01:07:16,520
Speaker 1: doesn't Barbie also have those jobs? Yes, but this was like,

1361
01:07:16,680 --> 01:07:18,960
Speaker 1: you know, branded in a way to be feminist, and

1362
01:07:19,040 --> 01:07:21,600
Speaker 1: I'm just sort of like, I wouldn't buy that for

1363
01:07:21,720 --> 01:07:22,120
Speaker 1: my kids.

1364
01:07:24,480 --> 01:07:29,320
Speaker 2: Well, there's something that's like overthinking that, like the gender neutrality,

1365
01:07:29,400 --> 01:07:31,600
Speaker 2: and yeah, what does this mean for my kid? I

1366
01:07:31,680 --> 01:07:33,320
Speaker 2: think it's so LGBTQ.

1367
01:07:33,440 --> 01:07:35,120
Speaker 1: Plus, Yeah, it's true, you're right.

1368
01:07:36,840 --> 01:07:40,240
Speaker 2: In a way that's like admirable, but also is like

1369
01:07:41,120 --> 01:07:43,360
Speaker 2: chill out, like there is something where it's like it's fine,

1370
01:07:43,640 --> 01:07:45,840
Speaker 2: like it's actually fine either way.

1371
01:07:46,080 --> 01:07:48,640
Speaker 1: I'm also always worried that kids are going to rebel

1372
01:07:48,640 --> 01:07:52,440
Speaker 1: against whatever they are raised with, which is why legitimately,

1373
01:07:52,520 --> 01:07:56,240
Speaker 1: and I'm not kidding, can't raise them too progressively because

1374
01:07:56,280 --> 01:07:58,920
Speaker 1: they will become right wing. Like you actually have to

1375
01:07:59,200 --> 01:08:00,640
Speaker 1: raise kids as neutrallly as.

1376
01:08:00,600 --> 01:08:03,400
Speaker 3: Possible, be like, hey, play with these toys, you yeah,

1377
01:08:03,600 --> 01:08:04,960
Speaker 3: like play with this truck, Like you have.

1378
01:08:05,040 --> 01:08:07,600
Speaker 1: To tell them trucks are for boys, and dolls are.

1379
01:08:07,560 --> 01:08:10,680
Speaker 3: For yeah, blue blue, blue.

1380
01:08:12,480 --> 01:08:14,240
Speaker 1: Them if they don't like their assign.

1381
01:08:16,320 --> 01:08:23,080
Speaker 3: Yeah, that's really fun. Yeah yeah, yeah, I mean fuck y'ah.

1382
01:08:23,240 --> 01:08:24,080
Speaker 2: Yeah yeah.

1383
01:08:28,000 --> 01:08:30,479
Speaker 3: I love toys so much and I just want to

1384
01:08:31,040 --> 01:08:35,759
Speaker 3: play with them again, you know, actually recently, not recently.

1385
01:08:35,880 --> 01:08:37,320
Speaker 3: This was a few years ago when am I saying

1386
01:08:38,000 --> 01:08:41,040
Speaker 3: my cousin, like we used to all play together, like

1387
01:08:41,479 --> 01:08:45,400
Speaker 3: my brothers, my cousin, my neighbors, Like we'd play like

1388
01:08:45,479 --> 01:08:47,679
Speaker 3: cops and robbers, or they come up with these games

1389
01:08:47,960 --> 01:08:50,960
Speaker 3: or like different scenarios where like like we're in a

1390
01:08:51,120 --> 01:08:55,000
Speaker 3: castle and we have to whatever, defend like whatever. And

1391
01:08:55,360 --> 01:08:58,200
Speaker 3: I was always cast or usually I was cast as

1392
01:08:58,320 --> 01:09:01,280
Speaker 3: like the bad guy or like the villain and to defeat.

1393
01:09:01,600 --> 01:09:04,040
Speaker 3: And I think I was just like I had fun

1394
01:09:04,160 --> 01:09:06,840
Speaker 3: doing that and just kind of playing into that character.

1395
01:09:07,280 --> 01:09:10,640
Speaker 3: But my cousin thinks that like that has that like

1396
01:09:10,760 --> 01:09:15,120
Speaker 3: speaks to like my like queerness. Oh interesting or something

1397
01:09:15,280 --> 01:09:17,759
Speaker 3: like you know, like a Disney villain gay or whatever

1398
01:09:18,160 --> 01:09:20,200
Speaker 3: the way, like being like you'll.

1399
01:09:20,240 --> 01:09:23,599
Speaker 8: Never you'll never figure this one out and then it's

1400
01:09:23,640 --> 01:09:27,640
Speaker 8: a gotam and then and they all went, well, it

1401
01:09:27,760 --> 01:09:32,080
Speaker 8: certainly speaks to you being a performer, that's true.

1402
01:09:32,280 --> 01:09:37,639
Speaker 2: It's definitely a meteor role. Yeah, you're losing yourself in character.

1403
01:09:38,000 --> 01:09:38,200
Speaker 2: I do.

1404
01:09:38,439 --> 01:09:40,719
Speaker 3: Yeah, And so I would feel that way with like toys,

1405
01:09:40,800 --> 01:09:42,880
Speaker 3: like I would be put in those similar dynamics like

1406
01:09:42,960 --> 01:09:48,800
Speaker 3: I'm like, oh, like we're playing with toys and and

1407
01:09:48,920 --> 01:09:49,679
Speaker 3: I have to lose.

1408
01:09:49,880 --> 01:09:51,600
Speaker 2: Wait what because because.

1409
01:09:51,680 --> 01:09:55,760
Speaker 1: Because you're the villain, so like the narrative demands that

1410
01:09:55,920 --> 01:10:01,200
Speaker 1: ultimately you don't get your way. Yeah, oh that's interesting.

1411
01:10:01,040 --> 01:10:03,040
Speaker 2: Because what message for that sound if the villain won?

1412
01:10:04,240 --> 01:10:04,360
Speaker 3: Right?

1413
01:10:04,439 --> 01:10:06,479
Speaker 1: Yeah, a LGBTQ positive one.

1414
01:10:06,520 --> 01:10:07,040
Speaker 2: I guess.

1415
01:10:09,320 --> 01:10:17,400
Speaker 9: Toys, toys, toys, I like toys, toys, toys in BS,

1416
01:10:18,680 --> 01:10:19,519
Speaker 9: toys and bars.

1417
01:10:21,920 --> 01:10:33,200
Speaker 3: George Froes, George Oh, my God, hold on, George, George, George, George, George, George, George, George.

1418
01:10:34,120 --> 01:10:35,760
Speaker 2: We like George George.

1419
01:10:37,400 --> 01:10:47,080
Speaker 3: George bias. We love him, we love him.

1420
01:10:47,360 --> 01:10:48,000
Speaker 1: Okay, I'm back.

1421
01:10:48,960 --> 01:10:49,800
Speaker 2: Oh you missed it.

1422
01:10:49,960 --> 01:10:51,080
Speaker 3: We just didn't run it.

1423
01:10:52,200 --> 01:10:54,680
Speaker 1: I heard George, George George and then and then I

1424
01:10:54,760 --> 01:10:59,920
Speaker 1: cut Okay. I was sort of contemplating bringing it to

1425
01:11:00,160 --> 01:11:00,960
Speaker 1: a place of.

1426
01:11:02,960 --> 01:11:04,320
Speaker 2: Like the way queer.

1427
01:11:06,000 --> 01:11:09,479
Speaker 1: Tender, queer people talk about sex toys and whether that

1428
01:11:09,920 --> 01:11:11,240
Speaker 1: is related to toys.

1429
01:11:12,160 --> 01:11:14,720
Speaker 2: Actually, glad you're going here, And so.

1430
01:11:15,200 --> 01:11:17,160
Speaker 1: I know I'm coming at this in a sort of

1431
01:11:17,280 --> 01:11:20,960
Speaker 1: like already, I don't feel confident. It's it's it's a

1432
01:11:21,000 --> 01:11:24,920
Speaker 1: flaccid suggestion, but I'm like there is something there, because

1433
01:11:24,920 --> 01:11:28,800
Speaker 1: there's something. And I would almost go so far as

1434
01:11:28,880 --> 01:11:31,520
Speaker 1: to say this has to do with like sex positivity

1435
01:11:31,640 --> 01:11:35,200
Speaker 1: writ large, where it's kind of like bringing a childlike

1436
01:11:35,520 --> 01:11:36,519
Speaker 1: wonder to sex.

1437
01:11:37,360 --> 01:11:40,960
Speaker 2: I find it mostly like a cringey approach to sex.

1438
01:11:41,200 --> 01:11:43,160
Speaker 2: Like I think there's such a thing as a sex nerd.

1439
01:11:43,240 --> 01:11:46,040
Speaker 2: This is a theory I've been working on. And I

1440
01:11:46,160 --> 01:11:49,880
Speaker 2: think like a sex nerd really makes sex unsexy. And

1441
01:11:50,920 --> 01:11:53,200
Speaker 2: and I think when someone's really like, you know, like

1442
01:11:53,360 --> 01:11:55,720
Speaker 2: try using a toy to or you know, if you

1443
01:11:55,760 --> 01:11:58,800
Speaker 2: want to get into toys and like make sure the

1444
01:11:58,920 --> 01:12:02,320
Speaker 2: toy is a quality toy. Like they're saying, like toy

1445
01:12:02,840 --> 01:12:05,400
Speaker 2: with this way, I get like grossed out by it

1446
01:12:05,840 --> 01:12:07,640
Speaker 2: and like it's like I don't think of it as

1447
01:12:07,640 --> 01:12:09,080
Speaker 2: a sex toy. I think it's a sex tool.

1448
01:12:09,520 --> 01:12:12,439
Speaker 1: I like, you know, a serious business.

1449
01:12:12,680 --> 01:12:14,600
Speaker 2: It's serious business, and it's like has a use and

1450
01:12:14,640 --> 01:12:16,200
Speaker 2: a purpose, like I don't take them out and I'm like,

1451
01:12:16,240 --> 01:12:19,680
Speaker 2: how fun, let's let's play with this toy. I'm like, no,

1452
01:12:19,800 --> 01:12:22,240
Speaker 2: it's like opening up a hole or being a hole.

1453
01:12:22,400 --> 01:12:25,400
Speaker 2: Like it is, like it's not a it's not like

1454
01:12:25,640 --> 01:12:30,799
Speaker 2: creating imagination. It's simply like a tool for physically feeling

1455
01:12:30,920 --> 01:12:31,519
Speaker 2: different things.

1456
01:12:32,080 --> 01:12:37,960
Speaker 1: Yes, right, and also bringing this childlike energy into sex

1457
01:12:38,200 --> 01:12:41,880
Speaker 1: is like I of course understand the instinct to destigmatize

1458
01:12:41,880 --> 01:12:43,720
Speaker 1: it because it should not be shameful, but of course

1459
01:12:43,760 --> 01:12:46,240
Speaker 1: what's exciting about it is that it's forbidden. So if

1460
01:12:46,320 --> 01:12:49,479
Speaker 1: you bring in if you're like, oh, toys, Oh we're cuddling,

1461
01:12:49,840 --> 01:12:53,719
Speaker 1: Oh cuddle party like blah blah blah, then it's like okay,

1462
01:12:53,920 --> 01:12:56,000
Speaker 1: well now I feel weird because it feels like you're

1463
01:12:56,040 --> 01:12:57,440
Speaker 1: talking to me like I'm a kindergartener.

1464
01:12:58,080 --> 01:13:01,519
Speaker 3: Yeah, I don't know any of this really, You're like,

1465
01:13:01,800 --> 01:13:04,519
Speaker 3: I don't kind of just I feel Yeah, I mean,

1466
01:13:04,680 --> 01:13:06,400
Speaker 3: I'm just far away from this topic.

1467
01:13:06,600 --> 01:13:08,759
Speaker 2: What do you mean sex? Have you had sex?

1468
01:13:09,040 --> 01:13:11,200
Speaker 3: I forget honestly at this point.

1469
01:13:11,400 --> 01:13:11,439
Speaker 10: No.

1470
01:13:13,160 --> 01:13:13,200
Speaker 3: No.

1471
01:13:13,720 --> 01:13:16,719
Speaker 2: If you asked me five years ago, yes, yeah.

1472
01:13:16,640 --> 01:13:18,080
Speaker 3: That would have maybe said something else.

1473
01:13:18,400 --> 01:13:19,960
Speaker 1: Okay, let's do our final segment.

1474
01:13:24,000 --> 01:13:25,680
Speaker 2: I have a shout out. Okay. I finally was called

1475
01:13:25,680 --> 01:13:27,559
Speaker 2: shout Outs, and in this segment, we pay and watch

1476
01:13:27,640 --> 01:13:29,160
Speaker 2: the Grand Street vision of the radio shout out and

1477
01:13:29,160 --> 01:13:31,759
Speaker 2: shout out anything that we enjoy. People play sustinct ideas

1478
01:13:32,160 --> 01:13:33,840
Speaker 2: and I thought I didn't have one, but I actually

1479
01:13:33,840 --> 01:13:36,439
Speaker 2: do have one, and I'm excited to do it. Okay,

1480
01:13:36,760 --> 01:13:41,320
Speaker 2: do it? What's up freaks, losers, perverts all around the

1481
01:13:41,360 --> 01:13:44,200
Speaker 2: globe from seed to Shining Sea. I want to give

1482
01:13:44,240 --> 01:13:49,400
Speaker 2: a huge shout out to the John Early, Kate Burnlanout

1483
01:13:49,439 --> 01:13:52,599
Speaker 2: Peacock special that Richard is in called would It Kill

1484
01:13:52,640 --> 01:13:55,640
Speaker 2: You to Laugh? I watched this last Weekend for the

1485
01:13:55,680 --> 01:13:57,600
Speaker 2: first time. Yes, it came out three years ago, so

1486
01:13:57,760 --> 01:14:01,120
Speaker 2: what was so assuming? I watched this for the first

1487
01:14:01,120 --> 01:14:03,840
Speaker 2: time last weekend, and I was saying, Damn, this is

1488
01:14:03,960 --> 01:14:07,320
Speaker 2: funny as hell. I you know, John and Kate are

1489
01:14:07,360 --> 01:14:11,160
Speaker 2: already well respected in our community, and but it's so

1490
01:14:11,439 --> 01:14:13,800
Speaker 2: they're so funny, and you watch it and you're like,

1491
01:14:14,120 --> 01:14:16,960
Speaker 2: it's so fun it's so funny, it's well performed, it's

1492
01:14:17,000 --> 01:14:21,280
Speaker 2: well written, it's playful. I'm so in awe. And I

1493
01:14:21,439 --> 01:14:23,640
Speaker 2: was like, damn, they really did it. And honestly, I

1494
01:14:23,760 --> 01:14:26,120
Speaker 2: was like, I can't believe this isn't more popular. I

1495
01:14:26,200 --> 01:14:29,680
Speaker 2: think this should be a damn classic. And it was

1496
01:14:29,760 --> 01:14:32,720
Speaker 2: so good. Richard, You're incredible in it, of course, And

1497
01:14:33,000 --> 01:14:35,360
Speaker 2: I think if you never watched it, because it came on,

1498
01:14:35,520 --> 01:14:37,719
Speaker 2: I think when Peacock was quite new, and so maybe

1499
01:14:37,760 --> 01:14:39,439
Speaker 2: it was like kind of it was like where do

1500
01:14:39,520 --> 01:14:42,439
Speaker 2: I watch it? What's Peacock now? But you probably have

1501
01:14:42,520 --> 01:14:45,280
Speaker 2: Peacock now to watch Traders? And I want to say,

1502
01:14:45,560 --> 01:14:48,080
Speaker 2: go ahead and watch. Would it kill you to laugh?

1503
01:14:48,360 --> 01:14:50,920
Speaker 2: It is great? Xoxo Sam.

1504
01:14:51,560 --> 01:14:54,240
Speaker 1: It's you know, it's literally a miracle when good things

1505
01:14:54,320 --> 01:14:54,760
Speaker 1: get made.

1506
01:14:55,680 --> 01:14:57,360
Speaker 2: Yeah, you people don't know.

1507
01:14:58,360 --> 01:15:01,200
Speaker 1: I like you fucking literally you don't know. You think

1508
01:15:01,280 --> 01:15:03,760
Speaker 1: you know, you think you're like, oh, yes, we get it.

1509
01:15:03,880 --> 01:15:07,599
Speaker 1: Like Hollywood is consolidated and uh sort of like evil

1510
01:15:07,640 --> 01:15:10,840
Speaker 1: people with bad taste for making decisions. It is quite literally,

1511
01:15:11,160 --> 01:15:13,240
Speaker 1: not exaggerating, twenty times worse than you think.

1512
01:15:14,000 --> 01:15:16,240
Speaker 2: Yeah, yeah, I know.

1513
01:15:16,360 --> 01:15:19,040
Speaker 3: Honestly, like most movies or anything I watch, I'm like,

1514
01:15:19,160 --> 01:15:22,040
Speaker 3: that's amazing it happened. Yes, No, I know, I know,

1515
01:15:22,120 --> 01:15:24,000
Speaker 3: which if there's like anything good in it, I'm not

1516
01:15:24,080 --> 01:15:26,519
Speaker 3: quick to be like I hate that. Yeah, so, I mean,

1517
01:15:26,600 --> 01:15:32,040
Speaker 3: you know, it depends. I feel like I'm like, whoa, yeah,

1518
01:15:32,880 --> 01:15:34,240
Speaker 3: I'm quick to do that if it's like a Star

1519
01:15:34,280 --> 01:15:36,040
Speaker 3: Wars property or like I'm.

1520
01:15:35,960 --> 01:15:38,040
Speaker 2: Quick to hate on like Marvels, like big big things.

1521
01:15:38,040 --> 01:15:40,880
Speaker 1: Oh yeah, right right, But even that, I obviously I

1522
01:15:40,960 --> 01:15:42,720
Speaker 1: am too. But then you just think about all the

1523
01:15:42,760 --> 01:15:46,200
Speaker 1: people that were employed and how it all came together,

1524
01:15:46,280 --> 01:15:48,360
Speaker 1: even if it's a terrible movie, the fact that it

1525
01:15:48,439 --> 01:15:51,920
Speaker 1: all just came together to produce like a two hour

1526
01:15:52,240 --> 01:15:55,559
Speaker 1: piece of entertainment. I would love to see the Trump

1527
01:15:55,600 --> 01:15:59,320
Speaker 1: administration produce one Marvel movie because they couldn't.

1528
01:16:00,200 --> 01:16:02,480
Speaker 2: They couldn't not with boj Okay.

1529
01:16:02,400 --> 01:16:07,800
Speaker 1: Okay, I'll go what's up, cinephiles, butletterbox users around the world,

1530
01:16:07,840 --> 01:16:09,320
Speaker 1: I want to give a shout out to the film

1531
01:16:09,439 --> 01:16:12,360
Speaker 1: The House of Yes. Of course I knew this was

1532
01:16:12,360 --> 01:16:15,600
Speaker 1: a cult classic. The cover of Parker Posi holding the

1533
01:16:15,600 --> 01:16:18,400
Speaker 1: gun behind her back wearing the Jackie olok is a

1534
01:16:18,479 --> 01:16:21,720
Speaker 1: classic early Blockbuster memory. I remember looking at that and

1535
01:16:21,800 --> 01:16:24,120
Speaker 1: being like, that is inappropriate for me. I can tell

1536
01:16:24,280 --> 01:16:29,360
Speaker 1: that that's like somehow not safe for kids, and at

1537
01:16:29,400 --> 01:16:30,880
Speaker 1: the time I was playing with toy so this is

1538
01:16:30,960 --> 01:16:33,679
Speaker 1: personal for me. I watched it for the very first

1539
01:16:33,720 --> 01:16:36,000
Speaker 1: time last night, and I have to admit I had

1540
01:16:36,080 --> 01:16:39,280
Speaker 1: no idea what it was about. It is so much

1541
01:16:39,400 --> 01:16:42,360
Speaker 1: more crazy and fucked up than I thought, and it

1542
01:16:42,520 --> 01:16:46,280
Speaker 1: is so weird. It is such a specifically, it has

1543
01:16:46,360 --> 01:16:50,679
Speaker 1: such a specific nineties indie energy. It is Parker Posy

1544
01:16:50,800 --> 01:16:54,120
Speaker 1: at her finest. And I specifically want to give a

1545
01:16:54,120 --> 01:16:57,360
Speaker 1: shout out to Tory Spelling's performance. She's a really good

1546
01:16:57,439 --> 01:16:59,760
Speaker 1: comedic actress, and she's also really good in the movie,

1547
01:17:00,280 --> 01:17:02,920
Speaker 1: which I have shouted at on the pod before. I

1548
01:17:03,120 --> 01:17:05,280
Speaker 1: know that you know, her life has not gone the

1549
01:17:05,360 --> 01:17:08,120
Speaker 1: way she has wanted it to go, and I don't

1550
01:17:08,160 --> 01:17:11,240
Speaker 1: think you exactly. I don't think she'll be making her

1551
01:17:11,280 --> 01:17:14,160
Speaker 1: return to the screen or stage anytime soon, but there

1552
01:17:14,280 --> 01:17:17,920
Speaker 1: is footage of her acting, and she is good and

1553
01:17:18,200 --> 01:17:20,760
Speaker 1: I enjoyed her performance, and I think she has some

1554
01:17:20,880 --> 01:17:24,080
Speaker 1: screen presence, sue me. So shout out to Tori Spelling,

1555
01:17:24,320 --> 01:17:28,160
Speaker 1: of course, her memoir storytelling and the film The House

1556
01:17:28,200 --> 01:17:32,160
Speaker 1: of Yes. Is it a House of Yes or the

1557
01:17:32,240 --> 01:17:32,800
Speaker 1: House of Yes.

1558
01:17:33,200 --> 01:17:35,439
Speaker 2: I've actually never seen it and I don't know it.

1559
01:17:35,800 --> 01:17:37,080
Speaker 3: House yet House of Yes.

1560
01:17:37,960 --> 01:17:39,720
Speaker 2: So that's crazy because I just thought that was a

1561
01:17:39,800 --> 01:17:40,599
Speaker 2: venue in Bushwick.

1562
01:17:41,120 --> 01:17:42,200
Speaker 1: It's the House of Yes.

1563
01:17:42,560 --> 01:17:43,960
Speaker 2: Oh yeah? Wait do you?

1564
01:17:44,520 --> 01:17:46,800
Speaker 1: Oh you if you google it, do you recognize that

1565
01:17:46,880 --> 01:17:49,400
Speaker 1: cover from Blockbuster? To me, it's so iconic.

1566
01:17:49,439 --> 01:17:50,559
Speaker 2: House of Yes.

1567
01:17:51,080 --> 01:17:53,439
Speaker 3: House I'm thinking of House of Wax, but that's a

1568
01:17:53,720 --> 01:17:56,880
Speaker 3: different movie, House of Yeah.

1569
01:17:57,360 --> 01:18:00,400
Speaker 2: I have never seen this trailer, this image in my life,

1570
01:18:00,520 --> 01:18:00,880
Speaker 2: not once.

1571
01:18:01,160 --> 01:18:03,160
Speaker 1: Wait do you, Richard? Do you know the House of Yes?

1572
01:18:03,280 --> 01:18:03,639
Speaker 2: The movie?

1573
01:18:04,160 --> 01:18:05,759
Speaker 3: No, I just looked up a picture.

1574
01:18:06,400 --> 01:18:09,479
Speaker 1: She looks, I don't, honestly, all right, well but I

1575
01:18:09,600 --> 01:18:12,040
Speaker 1: love this out. Okay, So she is just quickly since

1576
01:18:12,080 --> 01:18:13,800
Speaker 1: you don't have a heart out, she's holding a gun.

1577
01:18:13,880 --> 01:18:19,560
Speaker 1: She hold she is she plays this sort of you know,

1578
01:18:19,680 --> 01:18:23,280
Speaker 1: in nineties terms, before we knew about how to be

1579
01:18:23,920 --> 01:18:26,720
Speaker 1: non ablest, she was an insane person. That had just

1580
01:18:26,800 --> 01:18:30,120
Speaker 1: gotten out of an asylum, and she's obsessed with Jackie.

1581
01:18:30,160 --> 01:18:32,960
Speaker 1: Oh so she calls herself Jackie O and dresses like

1582
01:18:33,080 --> 01:18:38,719
Speaker 1: Jackie O. And you find this out honestly ten minutes

1583
01:18:38,760 --> 01:18:40,719
Speaker 1: into the movie. But the entire movie is about incest.

1584
01:18:40,840 --> 01:18:43,880
Speaker 1: She's in love with her brother. Oh wow, so that's

1585
01:18:43,920 --> 01:18:46,000
Speaker 1: what I mean. Like I thought I always knew there

1586
01:18:46,040 --> 01:18:47,760
Speaker 1: was something inappropriate about it, but I didn't know that's

1587
01:18:47,760 --> 01:18:48,000
Speaker 1: what it.

1588
01:18:48,120 --> 01:18:53,240
Speaker 2: Was interesting And toy Space, that's like, Yeah, George, that

1589
01:18:53,280 --> 01:18:54,720
Speaker 2: doesn't seem like a movie i'd want to.

1590
01:18:54,760 --> 01:18:57,639
Speaker 1: Watch, showing is the brother's fiance.

1591
01:18:59,000 --> 01:19:02,080
Speaker 2: Yeah, George, I don't think I'm gonna later that movie.

1592
01:19:02,720 --> 01:19:04,600
Speaker 3: That's weird. I don't know why I didn't watch that.

1593
01:19:05,400 --> 01:19:09,519
Speaker 2: Yeah, George, could you not talk about that? Hey, Olivia,

1594
01:19:09,600 --> 01:19:11,240
Speaker 2: could we caught that? That's weird?

1595
01:19:17,640 --> 01:19:18,880
Speaker 3: No, I would I would watch this.

1596
01:19:19,200 --> 01:19:21,360
Speaker 2: No, it's very I'm sick and twisted.

1597
01:19:21,920 --> 01:19:24,400
Speaker 1: It's like peak. You know when you think of Parker

1598
01:19:24,479 --> 01:19:26,960
Speaker 1: Posey as a cult id.

1599
01:19:27,120 --> 01:19:27,560
Speaker 3: This is it.

1600
01:19:27,720 --> 01:19:30,840
Speaker 1: It's like this party girl and like day Trippers and like.

1601
01:19:30,920 --> 01:19:34,040
Speaker 3: And Tory Spelling is like. Also, I first saw her

1602
01:19:34,160 --> 01:19:35,160
Speaker 3: in Scary Movie Too.

1603
01:19:35,400 --> 01:19:37,519
Speaker 1: Oh my god, I forgot you She's the best scary movie.

1604
01:19:37,720 --> 01:19:41,000
Speaker 3: She's so oh No, three is the best one. Sorry three,

1605
01:19:42,200 --> 01:19:45,040
Speaker 3: I mean from what I remember, I remember just like laughing.

1606
01:19:45,280 --> 01:19:47,519
Speaker 1: And she also, you know, people like Tory Spelling, people

1607
01:19:47,560 --> 01:19:51,479
Speaker 1: like Christy Ally, they were like Kathy Griffin. They had

1608
01:19:51,600 --> 01:19:53,880
Speaker 1: like this sort of self aware sense of humor about

1609
01:19:53,920 --> 01:19:56,920
Speaker 1: their own place and celebrity culture before that was something

1610
01:19:56,960 --> 01:19:58,800
Speaker 1: that everyone had to do in order to do, like

1611
01:19:59,439 --> 01:20:03,320
Speaker 1: you know, Vanity Fair Video My Life and looks.

1612
01:20:03,439 --> 01:20:04,040
Speaker 3: Oh my God.

1613
01:20:04,360 --> 01:20:07,080
Speaker 1: Totally they were ahead of their time, like Tori Spelling

1614
01:20:07,160 --> 01:20:13,360
Speaker 1: having a reality show you know, sorry, sorry, Gilly Vibes,

1615
01:20:13,400 --> 01:20:16,240
Speaker 1: The Simple Life Gilly Gilly Sorry.

1616
01:20:21,200 --> 01:20:25,520
Speaker 3: Yeah God and non record Zaga zaa Bubble.

1617
01:20:28,800 --> 01:20:35,760
Speaker 2: Sorry, sorry, so stupid. I love it's so funny to

1618
01:20:35,760 --> 01:20:38,080
Speaker 2: have a podcast and you can just like quote for

1619
01:20:38,240 --> 01:20:39,040
Speaker 2: like one minute.

1620
01:20:39,720 --> 01:20:43,080
Speaker 1: By the way, you know, barbarin Star is so good.

1621
01:20:44,240 --> 01:20:49,519
Speaker 10: I love that freaking movie, George God to be Sad

1622
01:20:50,040 --> 01:20:52,840
Speaker 10: It had to be Sad is fab and it made me,

1623
01:20:53,000 --> 01:20:56,400
Speaker 10: It made me laugh and it made me so I

1624
01:20:56,600 --> 01:20:57,479
Speaker 10: love sweet.

1625
01:20:57,720 --> 01:20:59,240
Speaker 3: I love when a movie does both.

1626
01:20:59,520 --> 01:21:01,840
Speaker 2: I love what was fucking fun. No one wants to

1627
01:21:01,880 --> 01:21:02,160
Speaker 2: have fun?

1628
01:21:03,600 --> 01:21:05,479
Speaker 3: I know literally, you know what I think.

1629
01:21:05,600 --> 01:21:08,559
Speaker 1: I think Tory Spelling wanted to have fun, and then

1630
01:21:08,720 --> 01:21:10,320
Speaker 1: she was punished for it, and now she has to

1631
01:21:10,400 --> 01:21:12,320
Speaker 1: be you know, she's like sort of in the tablet.

1632
01:21:12,439 --> 01:21:15,559
Speaker 1: It's like if everyone had embraced Tory Spelling being kind

1633
01:21:15,560 --> 01:21:17,560
Speaker 1: of a joke in this like fun way, then she

1634
01:21:17,560 --> 01:21:19,160
Speaker 1: wouldn't have to be a joke in a tragic way.

1635
01:21:19,560 --> 01:21:21,720
Speaker 1: And that many such cases, to quote President, in.

1636
01:21:21,720 --> 01:21:28,120
Speaker 2: Many such cases, many such cases, Richard, When you're ready

1637
01:21:28,240 --> 01:21:30,439
Speaker 2: to give a shout out, please take the reins.

1638
01:21:30,680 --> 01:21:35,360
Speaker 3: Okay, okay, let's go. Hey, what's up everyone? I want

1639
01:21:35,400 --> 01:21:39,920
Speaker 3: to give a shout out to the television show Arrested Development.

1640
01:21:41,120 --> 01:21:45,760
Speaker 3: Since we're talking about cinema and media and things like that,

1641
01:21:46,640 --> 01:21:48,360
Speaker 3: I feel inspired to give a shout out to this

1642
01:21:48,880 --> 01:21:53,439
Speaker 3: iconic television show. I recently watched a compilation YouTube video

1643
01:21:53,840 --> 01:21:59,120
Speaker 3: of Hello Wow, like laugh out loud moments from Arrested Development,

1644
01:21:59,320 --> 01:22:03,560
Speaker 3: and that show is just so funny and one of

1645
01:22:03,600 --> 01:22:08,759
Speaker 3: the greatest things ever created, which has shaped an entire generation.

1646
01:22:09,840 --> 01:22:12,519
Speaker 3: It's so influential. So I want to say thank you, guys,

1647
01:22:12,680 --> 01:22:16,600
Speaker 3: Thank you Ron Howard and Mitchell Hurwitz for doing that.

1648
01:22:17,400 --> 01:22:22,559
Speaker 3: ROSSI and the cast, the cast, the cast, you guys,

1649
01:22:23,000 --> 01:22:27,799
Speaker 3: you guys killed it, Michael Sarah, Michael, Michael Sarah Michael.

1650
01:22:28,680 --> 01:22:29,000
Speaker 1: Are you.

1651
01:22:31,120 --> 01:22:33,200
Speaker 2: Alia shotcat Alia?

1652
01:22:33,520 --> 01:22:33,880
Speaker 3: Alia?

1653
01:22:34,040 --> 01:22:35,639
Speaker 2: David Kross Krass?

1654
01:22:37,200 --> 01:22:40,160
Speaker 1: You know Will Arnette just spot I read he bought

1655
01:22:40,200 --> 01:22:41,559
Speaker 1: a twenty million dollar home.

1656
01:22:41,680 --> 01:22:44,400
Speaker 2: I saw this as well actually, and guess what he

1657
01:22:44,520 --> 01:22:49,720
Speaker 2: deserves it? Where Yeah, my words, I would never need

1658
01:22:49,840 --> 01:22:53,160
Speaker 2: a twenty million dollar house if uh huh, if I

1659
01:22:53,760 --> 01:22:56,360
Speaker 2: tomorrow run into one hundred million dollars, it is a

1660
01:22:56,400 --> 01:22:57,960
Speaker 2: lot still going to be like suly, I think that's

1661
01:22:58,160 --> 01:23:01,400
Speaker 2: a three million dollar house is plenty, and literally just

1662
01:23:01,439 --> 01:23:02,599
Speaker 2: like keep it in the bank account.

1663
01:23:02,840 --> 01:23:06,599
Speaker 1: Yeah, and then invest invest, invest, right, and also donate.

1664
01:23:06,720 --> 01:23:08,920
Speaker 2: I just want like to live my life.

1665
01:23:09,040 --> 01:23:12,360
Speaker 3: Also, I just want like a cute ass apartment. Helly,

1666
01:23:13,080 --> 01:23:15,400
Speaker 3: I'm like happy with that. I'm happy to have a

1667
01:23:15,680 --> 01:23:19,240
Speaker 3: beautiful apartment. And then you know, if I do something

1668
01:23:19,320 --> 01:23:21,439
Speaker 3: smart with the one hundred million dollars, I'm like, I'll

1669
01:23:21,439 --> 01:23:22,840
Speaker 3: get another cute apartment somewhere on.

1670
01:23:22,960 --> 01:23:23,160
Speaker 2: Yeah.

1671
01:23:23,160 --> 01:23:25,080
Speaker 1: But you know what, you know, my ass wants to

1672
01:23:25,120 --> 01:23:28,240
Speaker 1: have an art collection. You know, I want to be

1673
01:23:28,320 --> 01:23:30,200
Speaker 1: one of those rich people as the music like the

1674
01:23:30,280 --> 01:23:33,280
Speaker 1: broad in La where it's like a family house.

1675
01:23:33,640 --> 01:23:35,920
Speaker 3: Wait, where do people like keep that.

1676
01:23:36,800 --> 01:23:39,680
Speaker 1: It's like, well, you can also lend it out to

1677
01:23:40,960 --> 01:23:44,000
Speaker 1: the museum and it can be like m Jay Lenderman out,

1678
01:23:44,360 --> 01:23:47,880
Speaker 1: it can be like from the George same Taggart family collection.

1679
01:23:49,600 --> 01:23:51,640
Speaker 3: It's literally like that, just like I don't know what

1680
01:23:51,760 --> 01:23:58,000
Speaker 3: his music sounds like, but is it something like that? Wait?

1681
01:23:58,080 --> 01:24:03,800
Speaker 1: Speaking of music, shout out our friend Baths whose album

1682
01:24:03,960 --> 01:24:07,800
Speaker 1: dropped today. Will shout out shout out to Will do

1683
01:24:07,840 --> 01:24:10,120
Speaker 1: It this morning to album dropped, Loving.

1684
01:24:10,920 --> 01:24:14,120
Speaker 3: God, I listened literally to. I mean so fucking good.

1685
01:24:14,600 --> 01:24:15,840
Speaker 3: I love it.

1686
01:24:16,080 --> 01:24:18,240
Speaker 1: I know the body, the body, and honestly shout out

1687
01:24:18,280 --> 01:24:20,040
Speaker 1: to Will being snatched as hell.

1688
01:24:20,479 --> 01:24:27,360
Speaker 3: Hello body, honk Honky Honkynky, spider Man, Letterman who never

1689
01:24:27,439 --> 01:24:30,839
Speaker 3: be Cassis, Peter Parker, guess why to Hunky? He's too hunky.

1690
01:24:31,120 --> 01:24:36,439
Speaker 3: He's fab Yeah, he's he's fabulous, fab.

1691
01:24:36,320 --> 01:24:37,439
Speaker 2: And we're proud of him too.

1692
01:24:38,320 --> 01:24:40,360
Speaker 1: Well everyone, Yeah, and we're proud of him too because

1693
01:24:40,640 --> 01:24:43,639
Speaker 1: we all know him and we're friends with him. And wait,

1694
01:24:43,720 --> 01:24:45,000
Speaker 1: that's also Kristen Wig And.

1695
01:24:45,080 --> 01:24:45,280
Speaker 2: So I.

1696
01:24:47,600 --> 01:24:49,240
Speaker 3: Actually worked on the album and I m together and

1697
01:24:49,320 --> 01:24:50,000
Speaker 3: actually happy.

1698
01:24:50,240 --> 01:24:53,080
Speaker 1: Actually the album right now, Actually I was the original

1699
01:24:53,200 --> 01:24:55,400
Speaker 1: album Iconic Characters.

1700
01:25:00,160 --> 01:25:03,080
Speaker 2: What a beautiful like stage, like.

1701
01:25:06,720 --> 01:25:15,000
Speaker 3: Clear it out? Oh my God? Would you guys want

1702
01:25:15,040 --> 01:25:16,360
Speaker 3: to talk about like one more thing.

1703
01:25:21,760 --> 01:25:26,000
Speaker 1: Podcast and now want more? Subscribe to our Patreon for

1704
01:25:26,120 --> 01:25:29,760
Speaker 1: two extra episodes a month, discord access and more by

1705
01:25:29,840 --> 01:25:33,200
Speaker 1: heading to patreon dot com. Slash Stradio Lab and.

1706
01:25:33,280 --> 01:25:36,120
Speaker 2: For all our visual earners, free full length video episodes

1707
01:25:36,120 --> 01:25:36,880
Speaker 2: are available on.

1708
01:25:36,960 --> 01:25:38,800
Speaker 1: Our YouTube now Get back to Work.

1709
01:25:39,080 --> 01:25:41,439
Speaker 2: Stradia Lab is a production by Will Ferrell's Big Money

1710
01:25:41,479 --> 01:25:43,200
Speaker 2: Players Network and iHeart Podcasts.

1711
01:25:43,360 --> 01:25:46,200
Speaker 1: Created and hosted by George Severs and Sam Taggart.

1712
01:25:46,280 --> 01:25:49,799
Speaker 2: Executive produced by Will Ferrell, Hans Sony and Olivia Aguilar,

1713
01:25:50,000 --> 01:25:53,440
Speaker 2: co produced by Bei Wang, Edited and engineered by Adam Avalos.

1714
01:25:53,800 --> 01:25:55,920
Speaker 1: Artwork by Michael Failes and Matt Grugg.

1715
01:25:56,040 --> 01:25:57,200
Speaker 2: Theme music by Ben Kling