1
00:00:05,680 --> 00:00:21,680
Speaker 1: Mm hmmm, mm hmmm.

2
00:00:24,560 --> 00:00:27,360
Speaker 2: Welcome back to another edition of All the Smoke. Jack's

3
00:00:27,360 --> 00:00:29,080
Speaker 2: been a minute, Bro, been a minute, But we're back

4
00:00:29,160 --> 00:00:30,320
Speaker 2: in this bat like.

5
00:00:30,320 --> 00:00:33,760
Speaker 3: We never left. Man, we got a special one today.

6
00:00:34,640 --> 00:00:38,080
Speaker 3: Audience tune is mother. It's packed out out here in Milk.

7
00:00:38,200 --> 00:00:38,400
Speaker 2: Yeah.

8
00:00:38,400 --> 00:00:42,720
Speaker 3: I'm just saying, it's a building, right, man.

9
00:00:43,080 --> 00:00:43,760
Speaker 2: Where do I start?

10
00:00:43,840 --> 00:00:47,880
Speaker 3: Rapper, actor, songwriter, producer, Grammy Award winner, the one and

11
00:00:48,000 --> 00:00:48,760
Speaker 3: only Ludacris.

12
00:00:49,880 --> 00:00:51,239
Speaker 2: You Yeah, I appreciate you.

13
00:00:52,479 --> 00:00:52,680
Speaker 1: Yeah.

14
00:00:54,360 --> 00:00:58,280
Speaker 3: First of all, man, congratulations on the the.

15
00:00:58,480 --> 00:00:59,480
Speaker 2: Star on Hollywood.

16
00:00:59,560 --> 00:01:00,000
Speaker 1: Thank you man.

17
00:01:00,720 --> 00:01:03,560
Speaker 2: I mean, you know, come on, man, what is knowledge?

18
00:01:03,760 --> 00:01:04,640
Speaker 1: I tell everybody.

19
00:01:04,800 --> 00:01:07,200
Speaker 4: It makes me stand still for a second because I'm sure,

20
00:01:07,360 --> 00:01:09,920
Speaker 4: just like y'all, I'm constantly looking forward. There's been two

21
00:01:09,959 --> 00:01:13,080
Speaker 4: decades of I never look back, you know what I mean.

22
00:01:13,120 --> 00:01:15,319
Speaker 4: It's hard for me to take in the present moment

23
00:01:15,360 --> 00:01:19,240
Speaker 4: because I'm always just looking at what's next. And this

24
00:01:19,360 --> 00:01:22,280
Speaker 4: is one of those times where it honestly just made me.

25
00:01:22,680 --> 00:01:26,360
Speaker 4: It making me stop for a second and look around,

26
00:01:26,400 --> 00:01:29,960
Speaker 4: and you know, just it's amazing, Like it's hard to

27
00:01:30,000 --> 00:01:32,240
Speaker 4: put into words because of all the peers and all

28
00:01:32,240 --> 00:01:36,080
Speaker 4: the people that showed up for that, and you know,

29
00:01:36,400 --> 00:01:39,640
Speaker 4: to hear someone else, and certain people talk about the

30
00:01:39,720 --> 00:01:42,400
Speaker 4: accolades and talk about the things that you've done and

31
00:01:42,440 --> 00:01:43,559
Speaker 4: the history that you've made.

32
00:01:44,640 --> 00:01:45,240
Speaker 1: That's different.

33
00:01:45,520 --> 00:01:48,000
Speaker 3: That's different what kind of stuff comes to mind though, because,

34
00:01:48,000 --> 00:01:51,120
Speaker 3: like you said, we're always so hamster wheel, what's next

35
00:01:51,280 --> 00:01:53,320
Speaker 3: after that next? So when you do finally take a

36
00:01:53,360 --> 00:01:56,600
Speaker 3: look back at your journey and it's been twenty plus years, like,

37
00:01:56,680 --> 00:01:58,240
Speaker 3: what are some of the things to.

38
00:01:58,240 --> 00:01:59,960
Speaker 2: Jump out to you and what do you remember about those?

39
00:02:00,440 --> 00:02:03,560
Speaker 4: I think where the journey started to where it's at

40
00:02:03,640 --> 00:02:06,000
Speaker 4: right now. You know, you hear people say those cliche

41
00:02:06,040 --> 00:02:08,800
Speaker 4: things like, you know, would you ever thought that you

42
00:02:08,880 --> 00:02:11,280
Speaker 4: would have been doing this or doing that? And the

43
00:02:11,600 --> 00:02:15,760
Speaker 4: honest answer to that question outside of music would be no.

44
00:02:16,360 --> 00:02:19,400
Speaker 4: You know, things just a lot of unexpected things happen

45
00:02:19,680 --> 00:02:22,600
Speaker 4: in everybody's lives and you kind of have to go

46
00:02:22,680 --> 00:02:25,960
Speaker 4: with the path to a degree. And so to answer

47
00:02:26,040 --> 00:02:28,959
Speaker 4: your question, you know, I started in radio. I wanted to.

48
00:02:29,160 --> 00:02:30,680
Speaker 4: I always knew I want to do music. But when

49
00:02:30,720 --> 00:02:32,400
Speaker 4: I say I started in radio, that was kind of

50
00:02:32,400 --> 00:02:35,880
Speaker 4: like my means to an end. So in case y'all

51
00:02:35,960 --> 00:02:39,120
Speaker 4: don't know the story, Yeah, I was at this station

52
00:02:39,360 --> 00:02:42,359
Speaker 4: and I was trying to get the attention of certain

53
00:02:42,360 --> 00:02:44,640
Speaker 4: people so that I could put the music out.

54
00:02:44,720 --> 00:02:45,840
Speaker 1: And it was like.

55
00:02:46,520 --> 00:02:49,359
Speaker 4: Amazing because during this time, I'm like seventeen eighteen years

56
00:02:49,400 --> 00:02:52,920
Speaker 4: old at the radio station and like a local celebrity,

57
00:02:53,400 --> 00:02:55,359
Speaker 4: and it was a pit stop. And for a second,

58
00:02:55,360 --> 00:02:57,399
Speaker 4: I was like, this is this is pretty nice because

59
00:02:57,400 --> 00:02:58,959
Speaker 4: I'm over here to get more money than I ever

60
00:02:59,000 --> 00:03:02,000
Speaker 4: got in my life, host and parties, getting cash and

61
00:03:02,320 --> 00:03:04,240
Speaker 4: I'm in music, so you know what I mean, like

62
00:03:04,800 --> 00:03:08,000
Speaker 4: around it and I'm around all these celebrities. I'm making friends.

63
00:03:08,040 --> 00:03:10,000
Speaker 4: But the whole goal was to go up there to

64
00:03:10,040 --> 00:03:12,880
Speaker 4: play the music for people and try and get put on,

65
00:03:12,960 --> 00:03:16,040
Speaker 4: which you know ended up me putting money in my

66
00:03:16,080 --> 00:03:19,440
Speaker 4: own pocket and investing in myself and putting out my

67
00:03:19,440 --> 00:03:20,240
Speaker 4: own album.

68
00:03:20,560 --> 00:03:21,840
Speaker 1: And that's what it got there.

69
00:03:21,880 --> 00:03:27,760
Speaker 4: But like I said, that radio music acting, hosting, producing, creating.

70
00:03:28,080 --> 00:03:30,559
Speaker 1: Right, That's when I look back and I'm like, wow.

71
00:03:30,639 --> 00:03:33,680
Speaker 3: We're just on some Just congratulations, bro, because like you said,

72
00:03:33,960 --> 00:03:36,040
Speaker 3: obviously we were fans of music from the beginning to

73
00:03:36,360 --> 00:03:38,680
Speaker 3: where it's been, but like you said, the crossover is

74
00:03:38,920 --> 00:03:41,840
Speaker 3: what makes everything else stand out even more so.

75
00:03:42,000 --> 00:03:44,160
Speaker 4: Absolutely, Man, we've been to a we've been to a

76
00:03:44,200 --> 00:03:45,080
Speaker 4: few parties together.

77
00:03:45,160 --> 00:03:46,640
Speaker 2: My brother. I definitely.

78
00:03:48,000 --> 00:03:50,440
Speaker 1: We've had some times. These are my guys. By the way, Man,

79
00:03:50,440 --> 00:03:51,000
Speaker 1: we got.

80
00:03:51,680 --> 00:03:53,880
Speaker 3: And we came and fucked his hoop game up wasn't

81
00:03:53,920 --> 00:03:55,880
Speaker 3: here and I was hit on some other ship.

82
00:03:56,120 --> 00:03:56,320
Speaker 2: Man.

83
00:03:56,400 --> 00:03:59,240
Speaker 1: Listen to the day weekend.

84
00:03:59,280 --> 00:04:02,880
Speaker 4: We have the bast football tournament every single year, and

85
00:04:02,920 --> 00:04:08,120
Speaker 4: it's like, honestly, the basketball players that come are not

86
00:04:08,160 --> 00:04:10,000
Speaker 4: really supposed to be giving it. They all, they're not

87
00:04:10,000 --> 00:04:12,320
Speaker 4: supposed to be playing at one hundred percent because you know,

88
00:04:12,400 --> 00:04:15,080
Speaker 4: if they get hurt, then it's.

89
00:04:14,440 --> 00:04:15,680
Speaker 1: Gonna be hell for them.

90
00:04:15,880 --> 00:04:18,800
Speaker 4: You know when they coaches from everybody, These two more

91
00:04:18,839 --> 00:04:21,719
Speaker 4: buckers showed up like they was playing a real.

92
00:04:21,680 --> 00:04:24,560
Speaker 3: Goddamn game, and we as high as the coast of

93
00:04:24,600 --> 00:04:29,560
Speaker 3: Living too out there hooping real dunken, blocking shots.

94
00:04:29,279 --> 00:04:31,680
Speaker 2: Shooting deepster That shit was fun. Though.

95
00:04:31,720 --> 00:04:32,680
Speaker 1: Man, I'm glad that you.

96
00:04:32,680 --> 00:04:34,839
Speaker 3: Had just retired, right, And I was like, I was

97
00:04:34,839 --> 00:04:39,360
Speaker 3: like a year or two weeks retire. Yeah, new music

98
00:04:39,520 --> 00:04:40,880
Speaker 3: in the works, it is.

99
00:04:41,360 --> 00:04:43,120
Speaker 4: It's been in the works for a minute, man, and

100
00:04:43,160 --> 00:04:45,840
Speaker 4: then I get a script for another fast and furious

101
00:04:45,880 --> 00:04:50,040
Speaker 4: goddamn movie. But uh now it has been I'm joking,

102
00:04:50,120 --> 00:04:52,560
Speaker 4: But what I'm saying is after putting out nine ten

103
00:04:52,760 --> 00:04:56,839
Speaker 4: plus projects, you hear people say the best artists, which

104
00:04:56,880 --> 00:05:00,920
Speaker 4: is so true that your best art and your best

105
00:05:01,000 --> 00:05:04,680
Speaker 4: music comes from life and experiences. So if I put

106
00:05:04,680 --> 00:05:07,279
Speaker 4: out ten projects, I got to live some life again,

107
00:05:07,320 --> 00:05:09,480
Speaker 4: and I gotta make it authentic, and I gotta make

108
00:05:09,520 --> 00:05:11,080
Speaker 4: it organic, and I gotta.

109
00:05:10,920 --> 00:05:14,040
Speaker 1: Make it real. And it takes a little time.

110
00:05:14,080 --> 00:05:17,279
Speaker 4: As you continue to reinvent yourself and still satisfy the

111
00:05:17,279 --> 00:05:20,920
Speaker 4: core ludicrous audience, it will take a little more time

112
00:05:20,960 --> 00:05:24,400
Speaker 4: as opposed to just throwing music out, definitely, because the

113
00:05:24,440 --> 00:05:27,520
Speaker 4: one thing about me is you know, that shattering that

114
00:05:27,600 --> 00:05:30,640
Speaker 4: stereotype of just because he's doing all these other things,

115
00:05:30,680 --> 00:05:33,760
Speaker 4: he doesn't have it musically anymore. That's my number one goal,

116
00:05:33,920 --> 00:05:35,760
Speaker 4: you know. So I put out these little styles.

117
00:05:35,839 --> 00:05:36,039
Speaker 2: Yeah.

118
00:05:36,920 --> 00:05:38,640
Speaker 1: Yeah, so it's just like the show people.

119
00:05:38,720 --> 00:05:38,880
Speaker 2: Man.

120
00:05:39,040 --> 00:05:43,000
Speaker 4: Look, make no mistake, I one hundred percent still hungry,

121
00:05:43,000 --> 00:05:46,719
Speaker 4: still got this shit. I'm just doing other things that

122
00:05:47,200 --> 00:05:50,960
Speaker 4: you know are are adding to my legacy. But make

123
00:05:51,040 --> 00:05:52,599
Speaker 4: no mistake, I know what got me here.

124
00:05:53,080 --> 00:05:53,520
Speaker 1: Period.

125
00:05:53,920 --> 00:05:55,880
Speaker 3: As you continue to add to your legacy, what are

126
00:05:55,880 --> 00:05:57,840
Speaker 3: some of the new things, any new things you're working

127
00:05:57,880 --> 00:06:02,000
Speaker 3: on right now or projects music, anything outside of music.

128
00:06:03,040 --> 00:06:04,560
Speaker 2: So tell us what's on your slate. I know your

129
00:06:04,560 --> 00:06:05,479
Speaker 2: movie's coming out soon.

130
00:06:05,520 --> 00:06:07,480
Speaker 4: Oh yeah, yeah, No, it's a lot of it's a

131
00:06:07,480 --> 00:06:11,040
Speaker 4: lot of different projects movies obviously this past and Furious

132
00:06:11,080 --> 00:06:13,720
Speaker 4: ten just came out. I think the cat is out

133
00:06:13,760 --> 00:06:16,640
Speaker 4: the bag. We can say that it is more than

134
00:06:16,680 --> 00:06:19,360
Speaker 4: one because there's like a part A here, so it's

135
00:06:19,440 --> 00:06:23,279
Speaker 4: open ended. I have a movie that Will Packer produced

136
00:06:23,279 --> 00:06:25,560
Speaker 4: in Tim's story direct that I've been wanting to work

137
00:06:25,600 --> 00:06:27,760
Speaker 4: with them forever. It comes out at the end of

138
00:06:27,800 --> 00:06:31,919
Speaker 4: this year on Disney Plus and that's called Dashing Me

139
00:06:32,000 --> 00:06:35,080
Speaker 4: and Little Real Black Santa Claus movie. You know, they

140
00:06:35,160 --> 00:06:37,240
Speaker 4: kept saying they haven't seen a movie with a Black

141
00:06:37,279 --> 00:06:39,279
Speaker 4: Santa Claus, and I'm like, I had to think back,

142
00:06:39,279 --> 00:06:42,599
Speaker 4: and this might be the first Black Santa Claus like

143
00:06:42,920 --> 00:06:46,760
Speaker 4: starring movie. We just talked about working on music. If

144
00:06:46,800 --> 00:06:49,200
Speaker 4: you haven't heard The CARMA's World, this is based off

145
00:06:49,240 --> 00:06:53,880
Speaker 4: My daughter on Netflix season of that merchandising in store streaming,

146
00:06:55,160 --> 00:06:57,400
Speaker 4: chicken and beer restaurant were about to open up one

147
00:06:57,440 --> 00:07:01,520
Speaker 4: in lax There's one in Atlanta right now. So what

148
00:07:01,600 --> 00:07:03,440
Speaker 4: else what am I forgetting? I know it's a lot

149
00:07:03,480 --> 00:07:05,680
Speaker 4: of stuff, man, but those are kind of like the

150
00:07:05,760 --> 00:07:07,520
Speaker 4: main components right about now.

151
00:07:07,560 --> 00:07:09,320
Speaker 3: I guess you could say, I mean, we're gonna get

152
00:07:09,320 --> 00:07:10,880
Speaker 3: to it later, but you brought it up now. Getting

153
00:07:10,880 --> 00:07:12,600
Speaker 3: the opportunity to work with your daughter and just see

154
00:07:12,640 --> 00:07:15,040
Speaker 3: her fall in love with, you know, a space that

155
00:07:15,080 --> 00:07:16,520
Speaker 3: you're in and her growl with it.

156
00:07:17,000 --> 00:07:17,840
Speaker 2: What is that like for you?

157
00:07:18,920 --> 00:07:22,320
Speaker 4: I mean, listen, man, people talk about what we're doing

158
00:07:22,360 --> 00:07:25,760
Speaker 4: on this earth, why are we here? That's one of

159
00:07:25,800 --> 00:07:29,120
Speaker 4: those full circle moments that you know, I've done my

160
00:07:29,240 --> 00:07:33,840
Speaker 4: duty in terms of helping the next generation with self

161
00:07:33,880 --> 00:07:36,800
Speaker 4: confidence and all the things that they're dealing with right now,

162
00:07:36,920 --> 00:07:40,280
Speaker 4: you know it being inspired by my daughter, so it's

163
00:07:40,360 --> 00:07:42,880
Speaker 4: unreal to her, Like she has no words.

164
00:07:42,920 --> 00:07:43,800
Speaker 1: I mean, she's out.

165
00:07:44,000 --> 00:07:47,000
Speaker 4: You going Target, you go on Walmart, you see a

166
00:07:47,120 --> 00:07:49,920
Speaker 4: doll in your likeness and you hearing this music. I

167
00:07:50,080 --> 00:07:52,640
Speaker 4: was just I took my youngest daughter, who is almost

168
00:07:52,640 --> 00:07:53,800
Speaker 4: two years old, to the.

169
00:07:53,760 --> 00:07:56,440
Speaker 1: Playground the other day, and our kids, you not.

170
00:07:56,520 --> 00:07:59,360
Speaker 4: I saw another kid that was about four years old

171
00:08:00,000 --> 00:08:02,400
Speaker 4: playing on the playground and she had the Carmerce World

172
00:08:02,440 --> 00:08:05,480
Speaker 4: doll in her hand while she was playing, and it's

173
00:08:05,560 --> 00:08:07,360
Speaker 4: like there's a lot of you know, people can tell

174
00:08:07,400 --> 00:08:09,680
Speaker 4: you certain things. People can say how it's affecting. You

175
00:08:09,720 --> 00:08:12,720
Speaker 4: can read text, you could look on social media, but

176
00:08:12,760 --> 00:08:15,120
Speaker 4: when you at the playground randomly with your daughter and

177
00:08:15,120 --> 00:08:19,640
Speaker 4: you see another kid, that's a whole different kind of wow,

178
00:08:20,040 --> 00:08:23,440
Speaker 4: like beautiful. Yeah, it's a beautiful thing, man, beautiful thing.

179
00:08:23,600 --> 00:08:27,840
Speaker 5: Thank you, Fast and Furious. Ten we say ten, like

180
00:08:28,000 --> 00:08:29,800
Speaker 5: the first thing come to your mind? Number ten.

181
00:08:30,920 --> 00:08:34,440
Speaker 1: The first thing that comes to my mind is what

182
00:08:34,480 --> 00:08:34,959
Speaker 1: the fuck?

183
00:08:36,120 --> 00:08:37,760
Speaker 2: What fuck? Right?

184
00:08:38,440 --> 00:08:40,360
Speaker 4: I mean, listen, I can only be honest, and I

185
00:08:40,400 --> 00:08:43,199
Speaker 4: say that because me and ty Reese both came in

186
00:08:43,320 --> 00:08:46,079
Speaker 4: at two Too Fast, Too Furious, so we didn't even

187
00:08:46,080 --> 00:08:48,640
Speaker 4: start the franchise. We got lucky. Rest in peace to

188
00:08:48,720 --> 00:08:52,640
Speaker 4: John Singleton. John Singleton takes you know, he's known for

189
00:08:52,760 --> 00:08:56,560
Speaker 4: taking ice Cube and certain people from the music world,

190
00:08:56,600 --> 00:08:59,600
Speaker 4: ty Reese and throwing them in movies and then all

191
00:08:59,600 --> 00:09:03,000
Speaker 4: of a sudden they have a whole career. He took

192
00:09:03,040 --> 00:09:06,480
Speaker 4: me and put me in Too Fast, Too Furious. Tyese

193
00:09:06,480 --> 00:09:09,600
Speaker 4: had already done Baby Boy with him, and it changed

194
00:09:09,640 --> 00:09:15,800
Speaker 4: the entire direction and trajectory of my life because I

195
00:09:15,840 --> 00:09:18,120
Speaker 4: was on tour with Eminem at the time, and I

196
00:09:18,200 --> 00:09:22,240
Speaker 4: remember it like it was yesterday I got the call

197
00:09:22,240 --> 00:09:23,719
Speaker 4: from John Singleton. He was like, I want you to

198
00:09:23,760 --> 00:09:26,560
Speaker 4: try out for this part. I'm backstage about to go

199
00:09:26,640 --> 00:09:29,760
Speaker 4: on in like thirty thirty minutes, and he's like, I'm

200
00:09:29,800 --> 00:09:32,560
Speaker 4: sending you the sides right now. Like I'm thinking to myself, like,

201
00:09:32,600 --> 00:09:34,480
Speaker 4: why the fuck is this such a rush? Like can

202
00:09:34,520 --> 00:09:36,000
Speaker 4: I get a day, you know to look over these

203
00:09:36,040 --> 00:09:40,040
Speaker 4: sides and stuff? And I read the sides and did everything.

204
00:09:40,920 --> 00:09:43,199
Speaker 4: Come to find out later, John Rule was supposed to

205
00:09:43,240 --> 00:09:44,000
Speaker 4: get the part.

206
00:09:44,240 --> 00:09:45,320
Speaker 1: And I don't know what happens.

207
00:09:45,480 --> 00:09:48,400
Speaker 4: I don't want to misspeak, but however it happened, they

208
00:09:48,440 --> 00:09:51,240
Speaker 4: came to me and that those are the best sloppy

209
00:09:51,240 --> 00:09:54,240
Speaker 4: seconds I've ever had in my god damn life. Yeah,

210
00:09:54,720 --> 00:09:57,079
Speaker 4: said I got the part. He called me the next day.

211
00:09:57,080 --> 00:09:59,360
Speaker 4: It was like, you got the part changed my life.

212
00:09:59,480 --> 00:10:01,520
Speaker 4: So when I say bring it in full circle, when

213
00:10:01,520 --> 00:10:05,280
Speaker 4: I say, goddamn, too fast, too furious, you come back

214
00:10:05,280 --> 00:10:08,160
Speaker 4: in five so years have passed.

215
00:10:07,800 --> 00:10:09,280
Speaker 1: So then it did you know what I'm saying?

216
00:10:09,280 --> 00:10:10,920
Speaker 4: And then it did three and four and then you

217
00:10:10,920 --> 00:10:12,640
Speaker 4: just get this call we want you to come back,

218
00:10:13,760 --> 00:10:16,360
Speaker 4: and I'm like, oh shit, all right, that's a surprise.

219
00:10:16,480 --> 00:10:23,680
Speaker 1: And then you go six, seven, eight, nine. What you

220
00:10:23,840 --> 00:10:25,199
Speaker 1: just say it's one part of ten.

221
00:10:25,320 --> 00:10:29,240
Speaker 4: That means it's more than this mother, right, are you kidding?

222
00:10:29,480 --> 00:10:32,440
Speaker 4: It's the gift that keeps on giving. Bro, When you

223
00:10:32,480 --> 00:10:35,120
Speaker 4: say ten to me, I was happy at two. That's

224
00:10:35,160 --> 00:10:37,520
Speaker 4: basically what I'm trying to say. So to be in

225
00:10:37,600 --> 00:10:40,080
Speaker 4: seven of them is it blows my mind man, Like

226
00:10:40,360 --> 00:10:45,800
Speaker 4: now we have lifetime memories with every single cast member,

227
00:10:45,960 --> 00:10:48,880
Speaker 4: Like it's this is a quarter century of our lives.

228
00:10:49,240 --> 00:10:52,280
Speaker 4: So our families hang out with each other, our kids

229
00:10:52,400 --> 00:10:55,200
Speaker 4: know each other. Me and Ben's youngest daughters are like

230
00:10:55,320 --> 00:10:59,600
Speaker 4: best friends, birthday parties, I've spent Thanksgiving, you know.

231
00:10:59,600 --> 00:11:01,720
Speaker 1: What I mean? Like it's that it's that real.

232
00:11:01,760 --> 00:11:03,760
Speaker 4: And while we're on it, just so that y'all know

233
00:11:03,800 --> 00:11:06,360
Speaker 4: and y'all could ask I reach the same thing. I

234
00:11:06,440 --> 00:11:09,240
Speaker 4: put my cast up against any cast in movie history

235
00:11:09,280 --> 00:11:12,240
Speaker 4: in terms of when you yell cut in the movie

236
00:11:12,240 --> 00:11:14,640
Speaker 4: and the camera goes off, of who really fucks with

237
00:11:14,720 --> 00:11:18,760
Speaker 4: each other? Truly, nobody can fuck with us when it

238
00:11:18,800 --> 00:11:19,280
Speaker 4: comes to that.

239
00:11:20,360 --> 00:11:25,079
Speaker 5: All of us but started talking about too. Now we're

240
00:11:25,080 --> 00:11:28,840
Speaker 5: at ten, Like how crazy has has each movie got?

241
00:11:28,880 --> 00:11:30,280
Speaker 2: And like do you do your own stunts?

242
00:11:31,320 --> 00:11:32,920
Speaker 1: That's a good ask question. Let me ask it.

243
00:11:34,080 --> 00:11:35,199
Speaker 2: So let me break this ship down.

244
00:11:35,280 --> 00:11:36,000
Speaker 1: Ask first one.

245
00:11:36,120 --> 00:11:39,240
Speaker 4: That's a good question because people people really need to know.

246
00:11:39,720 --> 00:11:42,800
Speaker 4: So your first your first question was before you said

247
00:11:42,840 --> 00:11:44,280
Speaker 4: you did your own stunts, was what was.

248
00:11:44,280 --> 00:11:46,480
Speaker 6: It how the movie gets crazy?

249
00:11:46,720 --> 00:11:48,120
Speaker 1: How crazy do they get each movie?

250
00:11:48,240 --> 00:11:50,440
Speaker 4: So what I was going to say was that's one

251
00:11:50,480 --> 00:11:54,839
Speaker 4: of the things that we seem to defy stereotypically, because

252
00:11:54,840 --> 00:11:57,640
Speaker 4: you know, as sequels go on and on, before it

253
00:11:57,679 --> 00:12:01,719
Speaker 4: was like sometimes they will get worse and work. Arguably,

254
00:12:02,720 --> 00:12:05,400
Speaker 4: these have gotten better and better to the point where

255
00:12:05,400 --> 00:12:07,240
Speaker 4: it's like people just trying to understand how the hell

256
00:12:07,280 --> 00:12:10,240
Speaker 4: we keep doing this shit? And I also hear people

257
00:12:10,280 --> 00:12:13,080
Speaker 4: say all the time, why do y'all keep doing these movies?

258
00:12:13,120 --> 00:12:16,240
Speaker 1: That's the dumbest fucking question in the world.

259
00:12:16,320 --> 00:12:19,120
Speaker 4: I'm gonna tell you why, because no matter what industry

260
00:12:19,120 --> 00:12:22,720
Speaker 4: we in podcasts, music, movies.

261
00:12:22,520 --> 00:12:23,880
Speaker 1: It's all about a bottom line.

262
00:12:23,920 --> 00:12:27,040
Speaker 4: It's all about how much you spend compared to how

263
00:12:27,120 --> 00:12:27,680
Speaker 4: much you make.

264
00:12:28,360 --> 00:12:31,840
Speaker 1: We're making billions of fucking dollars every time, bro.

265
00:12:31,960 --> 00:12:34,400
Speaker 4: And I'm saying that like, I'm just giving you my heart.

266
00:12:34,440 --> 00:12:37,200
Speaker 4: I'm not trying to brag nothing, So when you say

267
00:12:37,200 --> 00:12:39,520
Speaker 4: why do y'all keep When some of y'all keep saying

268
00:12:39,520 --> 00:12:39,880
Speaker 4: why the.

269
00:12:39,800 --> 00:12:41,679
Speaker 1: Fuck do y'all keep shooting these movies? Let me tell

270
00:12:41,720 --> 00:12:41,959
Speaker 1: you why.

271
00:12:42,000 --> 00:12:45,160
Speaker 4: Because if you spend two hundred million and you make

272
00:12:45,240 --> 00:12:46,400
Speaker 4: a billion.

273
00:12:46,280 --> 00:12:48,440
Speaker 7: Who the fuck is you gonna tell the stop shooting

274
00:12:48,480 --> 00:12:51,440
Speaker 7: movies when you make it eight hundred motherfucking million dollars

275
00:12:51,480 --> 00:12:55,000
Speaker 7: every time? How I need people to stop asking that question,

276
00:12:55,040 --> 00:12:57,720
Speaker 7: even if you don't like it, even if you don't

277
00:12:57,720 --> 00:12:58,680
Speaker 7: want to watch it.

278
00:12:59,160 --> 00:13:03,160
Speaker 1: Stop asking that goddamn question. That is the answer.

279
00:13:03,440 --> 00:13:06,360
Speaker 4: Because there is a person who's a CEO and a

280
00:13:06,400 --> 00:13:09,120
Speaker 4: whole bunch of executives that work at an office, and

281
00:13:09,160 --> 00:13:11,719
Speaker 4: they say, we just made eight hundred million dollars, We're

282
00:13:11,720 --> 00:13:12,120
Speaker 4: going to.

283
00:13:12,080 --> 00:13:12,959
Speaker 1: Make another one.

284
00:13:13,000 --> 00:13:14,120
Speaker 2: That's why it's part two.

285
00:13:14,440 --> 00:13:18,760
Speaker 1: Period shit and the second part of your stunts.

286
00:13:19,360 --> 00:13:21,600
Speaker 4: When we first started in Too Fast, Too Furious, and

287
00:13:21,600 --> 00:13:23,360
Speaker 4: on the first one, they used to let us do

288
00:13:23,559 --> 00:13:27,520
Speaker 4: our own stunts, meaning they would have like we would

289
00:13:27,520 --> 00:13:29,480
Speaker 4: be driving the cars and everything, and they would have

290
00:13:29,600 --> 00:13:33,200
Speaker 4: duplicate cars waiting just in case we wreck one of them,

291
00:13:33,240 --> 00:13:35,160
Speaker 4: and then we getting the other one and just keep going,

292
00:13:35,480 --> 00:13:40,319
Speaker 4: you know, seatbelts, strapped up everything, safe as the budgets

293
00:13:40,360 --> 00:13:44,000
Speaker 4: continue to grow, they said, get the fuck out of

294
00:13:44,000 --> 00:13:47,120
Speaker 4: them damn seats, and we're gonna replace you with stunt men.

295
00:13:47,600 --> 00:13:49,640
Speaker 4: And no, we don't do our own stunts anymore to

296
00:13:49,720 --> 00:13:51,679
Speaker 4: a degree, like we do little stuff, but the big

297
00:13:51,720 --> 00:13:53,120
Speaker 4: shit we just lead to the stunt.

298
00:13:53,120 --> 00:13:54,640
Speaker 2: You wouldn't have did that stunt in real life when

299
00:13:54,679 --> 00:13:55,800
Speaker 2: you was prankingly jawn.

300
00:13:56,320 --> 00:14:01,400
Speaker 4: Without hell No, absolutely not. Nah, that was falling off

301
00:14:01,400 --> 00:14:04,520
Speaker 4: a damn falcony. I don't play like that. I like

302
00:14:04,600 --> 00:14:07,480
Speaker 4: to do crazy shit, but you know, jumping off balconies

303
00:14:07,559 --> 00:14:09,800
Speaker 4: is not one of these things, not at all.

304
00:14:09,960 --> 00:14:15,480
Speaker 5: You speak holly of Vin Diesel. What makes him the

305
00:14:15,480 --> 00:14:16,520
Speaker 5: face of the franchise.

306
00:14:17,559 --> 00:14:20,960
Speaker 4: That's another good question, because y'all are asking questions that

307
00:14:21,360 --> 00:14:24,760
Speaker 4: like people don't ask one and then number two.

308
00:14:24,880 --> 00:14:25,640
Speaker 1: That's going to.

309
00:14:25,600 --> 00:14:28,320
Speaker 4: Allow me to tell you shit that other people don't

310
00:14:28,360 --> 00:14:33,480
Speaker 4: fucking know. Vin is one of those people that he's

311
00:14:33,560 --> 00:14:36,800
Speaker 4: okay with not getting the credit. And what I mean

312
00:14:36,840 --> 00:14:38,880
Speaker 4: by that is what makes him so special. He's a

313
00:14:38,920 --> 00:14:44,480
Speaker 4: producer on these films. When I tell you, this man eats, sleeps, breathes,

314
00:14:44,920 --> 00:14:50,240
Speaker 4: shits fast and furious everything. But it's like other people

315
00:14:50,240 --> 00:14:52,400
Speaker 4: will kind of get the credit. He just stays behind

316
00:14:52,440 --> 00:14:58,200
Speaker 4: the scenes, but he's involved in every element, in every detail.

317
00:14:58,320 --> 00:15:01,760
Speaker 4: I'm talking about to my character, to Tyreese's character, not

318
00:15:01,920 --> 00:15:05,080
Speaker 4: just his character. He's looking out for everything, and he's

319
00:15:05,080 --> 00:15:09,800
Speaker 4: looking out for the heart of what makes this franchise,

320
00:15:10,080 --> 00:15:12,560
Speaker 4: you know, just the heartbeat of it. Because you know,

321
00:15:12,640 --> 00:15:14,560
Speaker 4: you can see all these flying stunts and all this

322
00:15:14,680 --> 00:15:17,560
Speaker 4: craziness and people can say it, but if you really

323
00:15:17,600 --> 00:15:20,200
Speaker 4: think about when you watch these movies, why people keep

324
00:15:20,240 --> 00:15:23,400
Speaker 4: coming back to the theater, there's a certain element of heart.

325
00:15:23,640 --> 00:15:26,040
Speaker 4: And I know people joke about the family, and that's

326
00:15:26,040 --> 00:15:29,080
Speaker 4: saying family all the time. But he is so in

327
00:15:29,200 --> 00:15:33,600
Speaker 4: tune with making sure that there's heart moments that leave

328
00:15:33,680 --> 00:15:36,680
Speaker 4: you even subconsciously wondering why you want to keep going

329
00:15:36,720 --> 00:15:39,400
Speaker 4: back and watching this fucking movie and why you are

330
00:15:39,480 --> 00:15:39,840
Speaker 4: just so.

331
00:15:40,000 --> 00:15:43,000
Speaker 1: Tied to it. And that's what action besides.

332
00:15:43,480 --> 00:15:47,480
Speaker 4: Besides all the besides the stuff that's on the surface.

333
00:15:47,640 --> 00:15:51,840
Speaker 4: What I'm saying, he's he gets way beneath the surface

334
00:15:51,880 --> 00:15:55,760
Speaker 4: and understands what makes the human fiber and people tick.

335
00:15:56,440 --> 00:15:59,320
Speaker 4: That's why he's so phenomenal. And this is what he does. Man,

336
00:15:59,320 --> 00:16:01,680
Speaker 4: He's very methodical.

337
00:16:09,640 --> 00:16:12,240
Speaker 6: Where does the Rock stand with the Fast and Farish franchise.

338
00:16:12,840 --> 00:16:17,640
Speaker 4: That's a good question as well. You would have to

339
00:16:17,640 --> 00:16:19,360
Speaker 4: go see the movie to see. Man, that's all I

340
00:16:19,360 --> 00:16:19,840
Speaker 4: can tell you.

341
00:16:19,840 --> 00:16:21,640
Speaker 2: So he might be in it, Yeah, yeah, I mean

342
00:16:21,680 --> 00:16:25,720
Speaker 2: he might not too. They gotta break band Rock.

343
00:16:27,520 --> 00:16:29,880
Speaker 4: He may or may not be. We just don't know.

344
00:16:30,120 --> 00:16:32,480
Speaker 4: And that's the story with every character in The Fast.

345
00:16:32,520 --> 00:16:34,640
Speaker 4: If you think they died, the motherfuckers came back.

346
00:16:35,080 --> 00:16:37,200
Speaker 1: He ain't really dead. No one ever died.

347
00:16:37,200 --> 00:16:39,520
Speaker 2: And keep in mind, there's one more coming, so he

348
00:16:39,600 --> 00:16:40,760
Speaker 2: might see the ghost.

349
00:16:40,440 --> 00:16:43,160
Speaker 4: Of and that the Rock never died in the franchise,

350
00:16:43,200 --> 00:16:45,040
Speaker 4: by the way, he made a spin off and everything.

351
00:16:45,080 --> 00:16:47,240
Speaker 1: But no, that's my guy. Man, that's my guy.

352
00:16:47,800 --> 00:16:49,320
Speaker 3: What's it like working with him? I mean the just

353
00:16:49,520 --> 00:16:51,880
Speaker 3: following off Instagram? We trying to get him on. If

354
00:16:51,880 --> 00:16:53,960
Speaker 3: that's your guy, We're gonna ask you at the end

355
00:16:53,960 --> 00:16:56,560
Speaker 3: of the show, but we need to plug listen.

356
00:16:56,680 --> 00:16:59,400
Speaker 1: If he just followed, y'all, he's watching that, I do

357
00:16:59,560 --> 00:17:00,960
Speaker 1: just about it. Trust me.

358
00:17:01,040 --> 00:17:02,760
Speaker 4: All you got to want you to DM the motherfucker

359
00:17:04,280 --> 00:17:07,560
Speaker 4: shit I mean on social media. Take that shit serious.

360
00:17:07,840 --> 00:17:09,280
Speaker 4: I will tell you that we need it.

361
00:17:09,359 --> 00:17:09,960
Speaker 2: We need him.

362
00:17:10,560 --> 00:17:12,840
Speaker 3: I mean obviously a great cast. As I told you,

363
00:17:12,880 --> 00:17:15,080
Speaker 3: we're shooting your your man, Tyree Slater. But what is

364
00:17:15,119 --> 00:17:18,080
Speaker 3: it like working with the Rock in particular. I mean,

365
00:17:18,080 --> 00:17:20,880
Speaker 3: he's just someone we've all followed his path to where

366
00:17:20,920 --> 00:17:23,120
Speaker 3: he is as well, and he seems like he's sitting

367
00:17:23,119 --> 00:17:23,560
Speaker 3: on top.

368
00:17:23,400 --> 00:17:23,840
Speaker 2: Of the world.

369
00:17:23,880 --> 00:17:29,119
Speaker 4: Absolutely the most disciplined human being I've ever met in

370
00:17:29,200 --> 00:17:33,520
Speaker 4: my entire life. Mark Wahlberg sits up there as well.

371
00:17:33,560 --> 00:17:35,960
Speaker 4: But when you talk about the Rock, it's the closest

372
00:17:35,960 --> 00:17:38,600
Speaker 4: thing to a robot, and I mean it's in the

373
00:17:38,640 --> 00:17:41,760
Speaker 4: best way possible. Like you know, he'll get up three

374
00:17:41,800 --> 00:17:44,800
Speaker 4: o'clock in the morning. This man will go do cardio

375
00:17:44,960 --> 00:17:48,159
Speaker 4: for thirty forty minutes every single day, no matter how

376
00:17:48,240 --> 00:17:50,760
Speaker 4: much sleep he's got. Sometimes he'll get two hours of sleep,

377
00:17:50,760 --> 00:17:52,320
Speaker 4: depending on what he had the day before.

378
00:17:53,280 --> 00:17:56,320
Speaker 1: Be that cardio, go eat a steak in like eight eggs,

379
00:17:56,400 --> 00:17:57,360
Speaker 1: and you know what I mean.

380
00:17:57,960 --> 00:18:01,280
Speaker 4: Thirty minutes later, do workout for two hours and he's

381
00:18:01,359 --> 00:18:03,919
Speaker 4: you know, weightlifting, and it's just like then he'll go

382
00:18:03,960 --> 00:18:05,800
Speaker 4: to work. So now it's like six in the morning,

383
00:18:05,840 --> 00:18:08,200
Speaker 4: seven in the morning, he'll go and shoot a movie

384
00:18:08,200 --> 00:18:11,000
Speaker 4: and he's there all day and he's eating every two

385
00:18:11,080 --> 00:18:13,919
Speaker 4: three hours on the dot, and what he's eating is

386
00:18:14,400 --> 00:18:17,359
Speaker 4: very specific to the macro nutrients and all of the

387
00:18:17,400 --> 00:18:22,440
Speaker 4: exact protein to fucking carves, to vegetables that are supposed

388
00:18:22,480 --> 00:18:25,439
Speaker 4: to work exactly in sync with what the fuck he

389
00:18:25,560 --> 00:18:28,720
Speaker 4: just did three four hours before that. And the man

390
00:18:28,840 --> 00:18:31,119
Speaker 4: like go get five six hours of sleep on a

391
00:18:31,160 --> 00:18:34,359
Speaker 4: good day and do the same thing all over again

392
00:18:34,440 --> 00:18:38,879
Speaker 4: every single day and drink water and that's it goes crazy.

393
00:18:39,160 --> 00:18:41,200
Speaker 4: So if you ask what it's like working with him, man,

394
00:18:41,400 --> 00:18:43,400
Speaker 4: it's inspiring working with him.

395
00:18:43,680 --> 00:18:45,840
Speaker 1: And I used to be the.

396
00:18:45,320 --> 00:18:48,280
Speaker 4: Smallest guy on the Fast and Furious cast and being

397
00:18:48,320 --> 00:18:51,320
Speaker 4: around him now not so much. He got me on

398
00:18:51,480 --> 00:18:55,400
Speaker 4: my shit, Like I just monitor. I watched, and I observed,

399
00:18:55,440 --> 00:18:57,720
Speaker 4: and I took certain elements of how I want to

400
00:18:57,760 --> 00:19:01,520
Speaker 4: incorporate that into my life and figure it out, man,

401
00:19:01,640 --> 00:19:03,720
Speaker 4: Because it's like when you see somebody and they show

402
00:19:03,720 --> 00:19:07,680
Speaker 4: you what's possible, that's what we need, you know what

403
00:19:07,720 --> 00:19:10,119
Speaker 4: I mean? Like we hear about things. You guys know

404
00:19:10,200 --> 00:19:13,040
Speaker 4: the same thing before you started balling. Sometimes you see

405
00:19:13,080 --> 00:19:15,280
Speaker 4: that person in that car, you go to see that house.

406
00:19:15,440 --> 00:19:18,919
Speaker 4: When you're able to make it tangible, then it's like

407
00:19:18,960 --> 00:19:22,119
Speaker 4: you know, you know, without shadow of a doubt.

408
00:19:21,840 --> 00:19:22,840
Speaker 1: That you can make it happen.

409
00:19:23,520 --> 00:19:24,159
Speaker 2: Paul Walker.

410
00:19:24,880 --> 00:19:27,880
Speaker 5: Yeah, how was the word rest? First of all, rest

411
00:19:27,880 --> 00:19:30,919
Speaker 5: in peace. I know he was a brother to you,

412
00:19:31,320 --> 00:19:33,040
Speaker 5: and I know what it feels like to lose a brother.

413
00:19:33,160 --> 00:19:37,080
Speaker 5: But give me for the people that don't know not

414
00:19:37,119 --> 00:19:39,320
Speaker 5: only how great of an acting he was, but how

415
00:19:39,359 --> 00:19:41,000
Speaker 5: great of a human being was Paul Walker.

416
00:19:42,000 --> 00:19:44,040
Speaker 1: Listen, I don't even have to tell you. I think

417
00:19:44,080 --> 00:19:44,600
Speaker 1: people know.

418
00:19:45,680 --> 00:19:48,439
Speaker 4: If you ever saw him speak, if you ever just

419
00:19:48,960 --> 00:19:53,119
Speaker 4: felt his presence even through the screen, you know on

420
00:19:53,240 --> 00:19:55,880
Speaker 4: interviews that he's done, if you ever saw his daughter,

421
00:19:55,880 --> 00:19:58,240
Speaker 4: if you ever saw the work that he did through

422
00:19:58,280 --> 00:20:01,840
Speaker 4: his reach out worldwide, his you know, foundation, and him

423
00:20:01,880 --> 00:20:05,080
Speaker 4: trying to preserve the planet and the earth and save

424
00:20:05,200 --> 00:20:09,000
Speaker 4: animals and all of these different things. Absolutely amazing. We're

425
00:20:09,040 --> 00:20:13,560
Speaker 4: both virgos. Our birthdays are one day apart, extremely close,

426
00:20:14,480 --> 00:20:15,160
Speaker 4: very humble.

427
00:20:16,080 --> 00:20:17,600
Speaker 1: Man. Just just love man.

428
00:20:18,040 --> 00:20:18,280
Speaker 2: It was.

429
00:20:18,720 --> 00:20:21,639
Speaker 4: You know what's so similar about us is his energy

430
00:20:22,880 --> 00:20:25,960
Speaker 4: wasn't just he couldn't give that out to just anyone basically,

431
00:20:26,040 --> 00:20:30,160
Speaker 4: so he was very reserved in a sense that he's

432
00:20:30,240 --> 00:20:33,040
Speaker 4: very sensitive towards who he can be around, because you know,

433
00:20:33,080 --> 00:20:37,359
Speaker 4: you got energy drainers, and so his his energy was

434
00:20:37,440 --> 00:20:41,760
Speaker 4: so pure and so magnifying that he could only be

435
00:20:42,080 --> 00:20:47,960
Speaker 4: around certain people. And it's just like even more magnified. Now,

436
00:20:48,600 --> 00:20:53,320
Speaker 4: that's the best way that I could do. And his

437
00:20:53,480 --> 00:20:57,119
Speaker 4: daughter is in the movie Dope. She got a cameo

438
00:20:57,160 --> 00:21:00,960
Speaker 4: in there. So his legacy it lives on as it ship.

439
00:21:01,240 --> 00:21:01,400
Speaker 1: Man.

440
00:21:01,440 --> 00:21:08,680
Speaker 4: Fuck y'all forgetting me secondhand? Hell, Like, what the hell

441
00:21:09,480 --> 00:21:10,000
Speaker 4: ain't thish?

442
00:21:10,240 --> 00:21:13,280
Speaker 3: Yeah, that's how you gonna start saying, I ain't never

443
00:21:13,320 --> 00:21:16,200
Speaker 3: told nobody this, but that's how we really.

444
00:21:16,400 --> 00:21:20,159
Speaker 1: See me on cameras. Start going like smoky, I'm.

445
00:21:20,040 --> 00:21:24,399
Speaker 3: Just born in Illinois, moved around a little bit, landing

446
00:21:24,480 --> 00:21:25,359
Speaker 3: in Atlanta.

447
00:21:25,480 --> 00:21:27,119
Speaker 2: How were we when you got there? And when was

448
00:21:27,160 --> 00:21:27,960
Speaker 2: your first impression?

449
00:21:28,080 --> 00:21:31,280
Speaker 4: Yeah, my parents went to a University of Illinois, So

450
00:21:31,400 --> 00:21:34,800
Speaker 4: fighting a line. I and my dad moved to Atlanta

451
00:21:35,000 --> 00:21:37,920
Speaker 4: really early after that, and so I used to I

452
00:21:37,960 --> 00:21:40,119
Speaker 4: would go stay with him summers when I was like

453
00:21:40,880 --> 00:21:43,440
Speaker 4: six seven years old, and then I moved full time

454
00:21:43,520 --> 00:21:49,919
Speaker 4: around nine ten, and man, Atlanta, think about this like

455
00:21:50,320 --> 00:21:53,120
Speaker 4: the Chriss Cross Air and the ABC era and I'm

456
00:21:53,160 --> 00:21:55,280
Speaker 4: around I'm that young, So I'm like, man, I gotta

457
00:21:55,560 --> 00:21:57,879
Speaker 4: I know I can make it. It's like Chris Cars

458
00:21:57,880 --> 00:22:00,320
Speaker 4: got discovered in a mall, Like that's where ain't du

459
00:22:00,359 --> 00:22:02,200
Speaker 4: prediscover them. I don't know if y'all remember that, Like

460
00:22:02,240 --> 00:22:05,040
Speaker 4: they were walking around in the mall. JD was like

461
00:22:05,160 --> 00:22:08,560
Speaker 4: them two kids are stars. I'm about to make y'all millionaires,

462
00:22:09,160 --> 00:22:11,439
Speaker 4: and so to me, I'm like, shit, man, you know

463
00:22:11,440 --> 00:22:14,520
Speaker 4: I could do this untalented. Atlanta is the mecca, man,

464
00:22:14,560 --> 00:22:17,159
Speaker 4: It's the motown of the South. And you know people

465
00:22:17,200 --> 00:22:21,600
Speaker 4: said that early on, but I'm sure after two decades

466
00:22:21,640 --> 00:22:23,920
Speaker 4: of seeing what's going on in the industry and how

467
00:22:23,960 --> 00:22:27,200
Speaker 4: prominent it is, there's no doubting that at this point.

468
00:22:27,359 --> 00:22:30,880
Speaker 4: So you had the face, you had the Dallas Austin

469
00:22:31,440 --> 00:22:34,040
Speaker 4: rowdy records. You know, during this time. This is the

470
00:22:34,040 --> 00:22:36,200
Speaker 4: Freaknick air that everybody's bringing back.

471
00:22:36,080 --> 00:22:36,800
Speaker 1: Up right now.

472
00:22:37,440 --> 00:22:43,399
Speaker 4: Best place on earth man, black Man's Heaven, black Man's Heaven.

473
00:22:43,480 --> 00:22:45,760
Speaker 1: Y'all know that. Why y'all asking me this shit? Y'all

474
00:22:45,760 --> 00:22:49,520
Speaker 1: was at freak Nick. You know what the two thousand

475
00:22:49,520 --> 00:22:49,960
Speaker 1: and three and I.

476
00:22:49,920 --> 00:22:53,320
Speaker 2: Ain't left set up jah Jack set up home there.

477
00:22:53,560 --> 00:22:57,720
Speaker 4: Yeah, you know what it is, Magic City, man, Gentlemen's Club.

478
00:22:58,680 --> 00:23:01,560
Speaker 4: There's a lot of history five, five, nine, one, twelve.

479
00:23:01,960 --> 00:23:04,400
Speaker 4: When you really think about it, Man, so much culture, Man,

480
00:23:04,480 --> 00:23:11,040
Speaker 4: so much history, birthed so many stars, so much talent, producers,

481
00:23:11,560 --> 00:23:16,960
Speaker 4: just movers, shakers, industry insiders, and you know, just trend setters.

482
00:23:16,960 --> 00:23:20,200
Speaker 1: Man, trend setters, trend setters, trend setters.

483
00:23:20,280 --> 00:23:24,840
Speaker 3: Yeah, uh, at what age did you find music as

484
00:23:24,880 --> 00:23:27,199
Speaker 3: far as feeling like you could? You said, when you

485
00:23:27,240 --> 00:23:29,600
Speaker 3: saw all of it, But that's when you started, or

486
00:23:29,600 --> 00:23:30,520
Speaker 3: you'd already started.

487
00:23:30,680 --> 00:23:31,640
Speaker 1: I had already started. Man.

488
00:23:31,640 --> 00:23:33,960
Speaker 4: I made my first song when I was nine. Some

489
00:23:34,000 --> 00:23:36,800
Speaker 4: people know this story, but this audience you'll probably hear

490
00:23:36,880 --> 00:23:39,479
Speaker 4: for the first time. Man, I was nine and I

491
00:23:39,560 --> 00:23:41,640
Speaker 4: lied and said I was ten because my first song

492
00:23:41,760 --> 00:23:48,040
Speaker 4: was called I'm bad. I'm bad, I might be damn,

493
00:23:48,040 --> 00:23:50,840
Speaker 4: what the fuck was it? I'm cool, I'm bad. I

494
00:23:50,960 --> 00:23:53,720
Speaker 4: might be ten, but I can't survive without my girlfriend,

495
00:23:54,200 --> 00:23:56,520
Speaker 4: so I had to rhyme with girlfriends. I had to

496
00:23:56,600 --> 00:23:58,480
Speaker 4: rhyme with girlfriends. So I was like, shit, I'm nine,

497
00:23:58,480 --> 00:24:00,400
Speaker 4: but I need something to rhyme with fu in ten.

498
00:24:00,680 --> 00:24:02,879
Speaker 4: This is the prelimiting, you know, this is the early

499
00:24:02,920 --> 00:24:05,320
Speaker 4: on rhymes, This is the nursery rhyme. Shit, So I

500
00:24:05,359 --> 00:24:07,880
Speaker 4: was like, I'm gonna say ten, I'm ten, and then

501
00:24:08,520 --> 00:24:11,120
Speaker 4: you ask rap goals, you could be braggadocious. You gotta

502
00:24:11,160 --> 00:24:13,000
Speaker 4: speak shit into existence.

503
00:24:12,800 --> 00:24:15,119
Speaker 1: And what do you know, before you know it, I.

504
00:24:15,000 --> 00:24:18,600
Speaker 4: Was ten, I can say and I could say that

505
00:24:18,720 --> 00:24:22,360
Speaker 4: damn song the way that I intended to say when

506
00:24:22,359 --> 00:24:25,719
Speaker 4: I wrote it, with honesty, integrity.

507
00:24:27,320 --> 00:24:28,240
Speaker 1: And pure heart.

508
00:24:29,080 --> 00:24:31,080
Speaker 4: So yeah, now to answer your question, it was a

509
00:24:31,080 --> 00:24:32,960
Speaker 4: little bit before nine. But I made my first like

510
00:24:33,000 --> 00:24:35,600
Speaker 4: official song when I was nine, So that's how long

511
00:24:35,640 --> 00:24:36,280
Speaker 4: I've been doing it.

512
00:24:39,160 --> 00:24:41,240
Speaker 2: Nine. I could be ten, right.

513
00:24:41,359 --> 00:24:44,400
Speaker 4: But I can't survive without my girlfriend and ll cool

514
00:24:44,480 --> 00:24:46,280
Speaker 4: Jay is who made me want to rap, which is

515
00:24:46,400 --> 00:24:48,840
Speaker 4: extremely phenomenal because he was one of the ones that

516
00:24:48,960 --> 00:24:52,840
Speaker 4: just spoke at the Hollywood Walker Fame star ceremony.

517
00:24:52,960 --> 00:24:55,600
Speaker 1: But when I'm Bad came out, you know, this record

518
00:24:55,640 --> 00:24:56,520
Speaker 1: started off with.

519
00:24:58,000 --> 00:25:00,800
Speaker 4: No rapper can rap quite like can I take a

520
00:25:00,880 --> 00:25:03,200
Speaker 4: muscle ball man and put his face in the scend?

521
00:25:03,280 --> 00:25:03,359
Speaker 7: Like?

522
00:25:03,920 --> 00:25:05,680
Speaker 2: How do you start off a record like that?

523
00:25:06,320 --> 00:25:09,040
Speaker 4: So for you know, a kid like myself, I heard

524
00:25:09,040 --> 00:25:13,560
Speaker 4: that ship, I was like, it's given me confidence that

525
00:25:13,640 --> 00:25:15,480
Speaker 4: I never even knew was there, you know what I mean?

526
00:25:15,800 --> 00:25:18,080
Speaker 1: Yeah, shit, I mean that's that's what made me.

527
00:25:18,000 --> 00:25:18,480
Speaker 2: Want to rap.

528
00:25:19,400 --> 00:25:24,719
Speaker 3: Catalog very impressive, one of the best to have done it,

529
00:25:25,240 --> 00:25:27,080
Speaker 3: and anybody of work stick.

530
00:25:26,880 --> 00:25:28,400
Speaker 2: Out as your favorite?

531
00:25:29,640 --> 00:25:30,760
Speaker 1: Are you talking about from my song?

532
00:25:30,840 --> 00:25:32,880
Speaker 2: Yeah, you're yeah, from what you've done.

533
00:25:33,080 --> 00:25:35,880
Speaker 4: But I can guess, are you what? Let's be specific.

534
00:25:36,000 --> 00:25:38,159
Speaker 4: Are we asking which song is my favorite song? No,

535
00:25:38,200 --> 00:25:40,919
Speaker 4: I'm talking about album album.

536
00:25:41,880 --> 00:25:43,560
Speaker 1: I'm curious to know what you're gonna guess.

537
00:25:43,640 --> 00:25:45,480
Speaker 2: Man, Chicken and Beer.

538
00:25:46,440 --> 00:25:49,800
Speaker 4: That's hard because it's every single album has its own

539
00:25:50,000 --> 00:25:53,399
Speaker 4: different sentimental value, like Chicken and Beer became a restaurant

540
00:25:53,880 --> 00:25:54,680
Speaker 4: release therapy.

541
00:25:54,720 --> 00:25:57,240
Speaker 1: You want to rap album? But man, you know.

542
00:25:57,359 --> 00:25:59,240
Speaker 4: People have asked me that question, and it's like, I

543
00:25:59,280 --> 00:26:02,160
Speaker 4: don't even think I've been able to truly give a

544
00:26:02,200 --> 00:26:05,200
Speaker 4: real answer, like really thinking about it. If I had

545
00:26:05,240 --> 00:26:08,560
Speaker 4: to say it, man, I would just say and you close.

546
00:26:08,800 --> 00:26:12,160
Speaker 4: It would probably be word of mouth, just because man,

547
00:26:12,240 --> 00:26:14,000
Speaker 4: like the world is.

548
00:26:14,160 --> 00:26:16,080
Speaker 1: In the palm of my fucking hand.

549
00:26:16,280 --> 00:26:18,280
Speaker 4: Man, you get with you and you know why, it's

550
00:26:18,280 --> 00:26:21,440
Speaker 4: like you get over that sophomore jinx. That's big for

551
00:26:21,680 --> 00:26:24,720
Speaker 4: artistics well, and maybe not as much now to a

552
00:26:24,760 --> 00:26:27,040
Speaker 4: degree because it's a lot of singles and streaming. But

553
00:26:27,720 --> 00:26:29,720
Speaker 4: you know, people would be like, you know, if your

554
00:26:29,800 --> 00:26:31,800
Speaker 4: second album don't compare to your first and all this

555
00:26:31,800 --> 00:26:34,080
Speaker 4: other shit. Once I did, once I made it over

556
00:26:34,119 --> 00:26:36,320
Speaker 4: that hump and I knew what them first week sales

557
00:26:36,400 --> 00:26:38,160
Speaker 4: was gonna be. And that shit went on the cell

558
00:26:38,320 --> 00:26:39,640
Speaker 4: like triple platinum.

559
00:26:39,840 --> 00:26:42,080
Speaker 1: I was like, Oh, it's over. I'm good.

560
00:26:42,160 --> 00:26:45,439
Speaker 4: When was that, like, oh one word of mouth was

561
00:26:45,480 --> 00:26:48,159
Speaker 4: two thousand and one, two thousand and two, because it

562
00:26:48,200 --> 00:26:48,960
Speaker 4: was two thousand and three.

563
00:26:49,520 --> 00:26:51,080
Speaker 3: He was in college at I tell y'all used to

564
00:26:51,080 --> 00:26:53,560
Speaker 3: push from LA to Sacramento bumping that shit and.

565
00:26:53,520 --> 00:26:55,920
Speaker 4: Then move bitch was was obviously on word of mouth,

566
00:26:55,960 --> 00:26:57,320
Speaker 4: and it was like, who was the bitch?

567
00:26:58,080 --> 00:26:58,280
Speaker 2: Move?

568
00:26:59,200 --> 00:27:01,280
Speaker 4: It's all type of bitches that need to move till

569
00:27:01,320 --> 00:27:04,400
Speaker 4: this day it could be. And it's not just human beings.

570
00:27:04,040 --> 00:27:05,600
Speaker 1: It's cars.

571
00:27:05,640 --> 00:27:07,880
Speaker 4: They'll hump off your back, you know what I mean, whateverever,

572
00:27:08,080 --> 00:27:12,560
Speaker 4: it's whoever gave me that second hand smoke. They But

573
00:27:12,840 --> 00:27:15,000
Speaker 4: I was gonna say, man, when you talk about catalog,

574
00:27:15,040 --> 00:27:16,640
Speaker 4: I don't even know if y'all was getting into this shit.

575
00:27:16,680 --> 00:27:17,919
Speaker 4: I used to be in radio, so I might get

576
00:27:17,920 --> 00:27:19,800
Speaker 4: a little bit ahead of you motherfuckers for a second.

577
00:27:19,960 --> 00:27:22,120
Speaker 4: But what I was gonna say was you can never

578
00:27:22,200 --> 00:27:24,480
Speaker 4: tell somebody how much of a hit song you have,

579
00:27:24,760 --> 00:27:26,639
Speaker 4: Like it may go up the charts, it may hit

580
00:27:26,800 --> 00:27:29,840
Speaker 4: number one, but in terms of being like embedded in

581
00:27:29,960 --> 00:27:33,840
Speaker 4: hip hop culture, we're talking about this song. It's twenty

582
00:27:33,920 --> 00:27:37,400
Speaker 4: years after so this is two decades and this song

583
00:27:37,560 --> 00:27:41,080
Speaker 4: is still relevant. Humbly speaking. That's when you know you

584
00:27:41,160 --> 00:27:43,160
Speaker 4: got some shit. You gotta wait, You gotta wait your

585
00:27:43,160 --> 00:27:45,919
Speaker 4: records out. That's why doing verses and shit like that.

586
00:27:46,000 --> 00:27:49,560
Speaker 4: It's so dope to me to what Timberland and Swiss

587
00:27:49,600 --> 00:27:52,560
Speaker 4: Beats have come up with, because it shows not only

588
00:27:52,680 --> 00:27:55,200
Speaker 4: the artists, but it shows the rest of the world

589
00:27:55,280 --> 00:27:58,400
Speaker 4: how records age. It's like you playing your cards and

590
00:27:58,480 --> 00:28:00,720
Speaker 4: how you play your hand and how you know house dealt.

591
00:28:01,600 --> 00:28:03,960
Speaker 1: That ship can be an ego blow.

592
00:28:04,160 --> 00:28:08,439
Speaker 4: Because some artists. What's so dope about versus It shows

593
00:28:08,480 --> 00:28:10,680
Speaker 4: you where the artist ego is at when them motherfuckers

594
00:28:10,720 --> 00:28:13,280
Speaker 4: want to play a record that only they think is

595
00:28:13,320 --> 00:28:16,080
Speaker 4: the ship and then they play that card in the

596
00:28:16,119 --> 00:28:17,280
Speaker 4: rest of the world sitting there like.

597
00:28:20,680 --> 00:28:21,680
Speaker 1: That's reality.

598
00:28:22,520 --> 00:28:24,560
Speaker 4: The whole world just shows Usually you do that ship

599
00:28:24,600 --> 00:28:26,560
Speaker 4: with your management and your people. I'm telling you, man,

600
00:28:26,640 --> 00:28:28,119
Speaker 4: what the fuck is you talking about and nobody. You

601
00:28:28,119 --> 00:28:33,600
Speaker 4: don't really get no accountability real on versus accountability for

602
00:28:33,640 --> 00:28:35,600
Speaker 4: your actions and decisions.

603
00:28:35,640 --> 00:28:37,720
Speaker 2: Bro, that's funny, instant.

604
00:28:37,920 --> 00:28:39,200
Speaker 1: That's why I love that ship.

605
00:28:39,680 --> 00:28:41,600
Speaker 6: You just mentioned streaming. What is the state of the

606
00:28:41,680 --> 00:28:43,160
Speaker 6: music business in your eyes? Right now?

607
00:28:43,680 --> 00:28:46,040
Speaker 2: We've seen Snoop going the other day on the street.

608
00:28:46,320 --> 00:28:51,080
Speaker 4: Yeah, I just saw the headline. I didn't listen.

609
00:28:52,400 --> 00:28:53,640
Speaker 2: Listen to it. Listen to it.

610
00:28:53,720 --> 00:28:56,280
Speaker 3: You gotta hear the way he's saying, might not even

611
00:28:56,280 --> 00:28:57,920
Speaker 3: should Maybe I should be saying this.

612
00:28:59,280 --> 00:29:02,200
Speaker 2: No, it was on Where was it that? Yeah, he

613
00:29:02,280 --> 00:29:03,600
Speaker 2: was like on a panel for something.

614
00:29:05,240 --> 00:29:06,040
Speaker 1: Give us one of them lines?

615
00:29:06,040 --> 00:29:07,600
Speaker 2: What he said? You give us one of the lines

616
00:29:12,800 --> 00:29:17,880
Speaker 2: panel man.

617
00:29:18,000 --> 00:29:21,040
Speaker 4: I mean, there's so many ways that that question can go.

618
00:29:21,160 --> 00:29:24,000
Speaker 4: But I would just say not outside of what Snoop

619
00:29:24,040 --> 00:29:26,160
Speaker 4: is saying, because I agree one hundred percent with what

620
00:29:26,200 --> 00:29:29,680
Speaker 4: he's saying. But you know, if you don't evolve, then

621
00:29:29,720 --> 00:29:31,800
Speaker 4: you'll evaporate. That's kind of one of my things that

622
00:29:31,840 --> 00:29:33,640
Speaker 4: you know, you have to kind of embrace what's new,

623
00:29:33,720 --> 00:29:36,000
Speaker 4: So you can't just because I didn't start in the

624
00:29:36,000 --> 00:29:39,000
Speaker 4: streaming age doesn't mean that I hate what's going on here.

625
00:29:39,360 --> 00:29:41,680
Speaker 1: It's just it's evolution. It is what it is. Now.

626
00:29:41,680 --> 00:29:44,000
Speaker 4: You're gonna have your gripes with the business aspect of

627
00:29:44,000 --> 00:29:46,440
Speaker 4: it or what's going on behind the scenes, and you

628
00:29:46,520 --> 00:29:49,240
Speaker 4: might have your gripes of how people are trying to

629
00:29:49,240 --> 00:29:51,880
Speaker 4: manipulate streaming and things of that nature.

630
00:29:51,880 --> 00:29:54,280
Speaker 1: But at the end of the day, we all listen.

631
00:29:54,320 --> 00:29:55,320
Speaker 1: We all playing a game.

632
00:29:55,360 --> 00:29:55,520
Speaker 2: Man.

633
00:29:55,920 --> 00:29:57,560
Speaker 4: You got to play the game. You got to play

634
00:29:57,600 --> 00:30:00,520
Speaker 4: the game, or you quit. You can f you can

635
00:30:00,560 --> 00:30:01,600
Speaker 4: put your hand down.

636
00:30:01,400 --> 00:30:03,520
Speaker 1: You can put your chips away for everybody.

637
00:30:03,960 --> 00:30:04,320
Speaker 2: Everybody.

638
00:30:04,400 --> 00:30:06,360
Speaker 4: Yeah, and I mean not in every aspect, not just

639
00:30:06,400 --> 00:30:08,640
Speaker 4: people that's watching this, like not just the music game,

640
00:30:09,120 --> 00:30:12,480
Speaker 4: like movie game, life game, basketball game.

641
00:30:12,360 --> 00:30:15,080
Speaker 1: Y'all know. I mean, it's just it is what it is.

642
00:30:15,120 --> 00:30:15,239
Speaker 2: Man.

643
00:30:15,280 --> 00:30:19,080
Speaker 1: You gotta play it. Don't don't hate the player, hate.

644
00:30:18,800 --> 00:30:19,600
Speaker 2: Talk to him.

645
00:30:20,120 --> 00:30:22,200
Speaker 5: You didn't only come on come on the scene with

646
00:30:22,280 --> 00:30:25,959
Speaker 5: a new sound. You came with the visuals. Like how

647
00:30:26,040 --> 00:30:27,120
Speaker 5: big was How big was that?

648
00:30:27,240 --> 00:30:28,480
Speaker 2: Young man?

649
00:30:28,520 --> 00:30:29,120
Speaker 1: It was big?

650
00:30:29,160 --> 00:30:31,560
Speaker 4: But you know, there's a there's a downside to it,

651
00:30:31,560 --> 00:30:33,720
Speaker 4: because even jay Z was one of the ones that said,

652
00:30:33,840 --> 00:30:35,760
Speaker 4: you know, he don't think I get the lyrical credit

653
00:30:35,800 --> 00:30:36,080
Speaker 4: that I.

654
00:30:36,080 --> 00:30:39,200
Speaker 1: Deserve because of the visual of the visuals.

655
00:30:39,520 --> 00:30:41,720
Speaker 4: So you know the answer to that is like people

656
00:30:41,760 --> 00:30:43,720
Speaker 4: ask me, you know, why don't you think get the

657
00:30:43,880 --> 00:30:44,600
Speaker 4: get the credits?

658
00:30:44,680 --> 00:30:47,240
Speaker 1: I play to goddamn much. That's what I do, you.

659
00:30:47,200 --> 00:30:48,880
Speaker 4: Know, And I wouldn't have it any other way. That's

660
00:30:48,920 --> 00:30:51,560
Speaker 4: why my name is Ludacris. It's beyond crazy. It's wild.

661
00:30:51,560 --> 00:30:56,000
Speaker 4: It's ridiculous. I like post effects and augmenting reality, big

662
00:30:56,040 --> 00:30:59,440
Speaker 4: ass shoes, a big ass chain and bibblehead and all that.

663
00:30:59,520 --> 00:31:01,160
Speaker 1: So it's like, I get it, you know, I can't

664
00:31:01,200 --> 00:31:01,840
Speaker 1: be mad at it.

665
00:31:02,240 --> 00:31:06,040
Speaker 4: I just have to show the multifaceted aspects of myself.

666
00:31:06,040 --> 00:31:07,720
Speaker 1: And I actually love that, you know.

667
00:31:07,720 --> 00:31:11,080
Speaker 4: Why, Because the good side of it is there's this

668
00:31:11,640 --> 00:31:14,760
Speaker 4: thing where if somebody comes out with, you know, certain

669
00:31:15,240 --> 00:31:17,680
Speaker 4: material and it's like the best thing that anyone has

670
00:31:17,720 --> 00:31:20,400
Speaker 4: ever seen or heard of, you have to compare to

671
00:31:20,440 --> 00:31:23,240
Speaker 4: that every single time. So I like kind of being

672
00:31:23,320 --> 00:31:29,560
Speaker 4: somewhere in the atmosphere where you are idling on the

673
00:31:29,840 --> 00:31:32,640
Speaker 4: arguably one of the best, and you still have time

674
00:31:32,680 --> 00:31:36,080
Speaker 4: to prove it as opposed to it's just definitive.

675
00:31:36,200 --> 00:31:38,160
Speaker 1: He's one thing, you know what I mean.

676
00:31:38,160 --> 00:31:40,840
Speaker 4: So I'm like, I love being a lot of things

677
00:31:40,880 --> 00:31:43,640
Speaker 4: because then I can come and at any moment, let's

678
00:31:43,640 --> 00:31:47,080
Speaker 4: just say which I'm going to do. Just drop doing

679
00:31:47,120 --> 00:31:49,480
Speaker 4: everything for like a certain amount of time and just

680
00:31:49,560 --> 00:31:52,479
Speaker 4: focus on one thing. It's not even a question. I

681
00:31:52,640 --> 00:31:54,960
Speaker 4: know I could kill it, same thing like with music,

682
00:31:54,960 --> 00:31:57,840
Speaker 4: and that's what I'm saying I'm gonna do. So stakes

683
00:31:57,840 --> 00:32:00,720
Speaker 4: are high, but I'm willing to take the the risk

684
00:32:00,800 --> 00:32:02,840
Speaker 4: and I'm definitely willing to take that pressure.

685
00:32:03,000 --> 00:32:05,000
Speaker 6: What was the biggest budget wanted videos?

686
00:32:06,160 --> 00:32:07,960
Speaker 4: That's a good ask question, but I want to say

687
00:32:08,000 --> 00:32:10,320
Speaker 4: like half a mial something like that. It probably wasn't

688
00:32:10,400 --> 00:32:13,280
Speaker 4: like the million. You know, maybe it inched up to

689
00:32:13,320 --> 00:32:16,080
Speaker 4: that six hundred thousand. But you know, you hear about

690
00:32:16,320 --> 00:32:18,760
Speaker 4: when Diddy and Mace did the one million dollar videos.

691
00:32:18,800 --> 00:32:21,160
Speaker 4: It was a couple of those, so you know the

692
00:32:22,040 --> 00:32:24,280
Speaker 4: can't stop, won't stop it if that's what.

693
00:32:24,200 --> 00:32:24,800
Speaker 1: It was, or.

694
00:32:26,360 --> 00:32:32,800
Speaker 4: Yeah, what was the what was the Didi and Masum? Yeah,

695
00:32:32,800 --> 00:32:35,600
Speaker 4: so more money, more problems? Was a million? I remember

696
00:32:36,200 --> 00:32:40,000
Speaker 4: I think Wu Tang at Triumph video, Steve Rifkins said

697
00:32:40,040 --> 00:32:42,400
Speaker 4: he did a million. It's a bunch of them, so

698
00:32:42,480 --> 00:32:44,320
Speaker 4: it was like maybe about five or ten. I never

699
00:32:44,360 --> 00:32:46,480
Speaker 4: made it to the million category. I never wanted to

700
00:32:46,480 --> 00:32:49,120
Speaker 4: do that, but I did about half of that up.

701
00:32:49,280 --> 00:32:54,320
Speaker 3: Right, two thousands. You cross paths with many legends. We

702
00:32:54,600 --> 00:32:56,800
Speaker 3: try to compile a list when we tell you the

703
00:32:56,880 --> 00:32:59,200
Speaker 3: name in the song, just tell us a little bit

704
00:32:59,240 --> 00:33:03,200
Speaker 3: about it. But Nate Dogg and Area Coats, Wow, man.

705
00:33:03,080 --> 00:33:07,320
Speaker 4: That's my I'm the biggest Nate dog fan in the world, man.

706
00:33:07,360 --> 00:33:09,200
Speaker 4: People know, and I think I've done more songs with

707
00:33:09,280 --> 00:33:13,000
Speaker 4: Nate Dogg collectively than any other artists, maybe Sierra, but

708
00:33:14,000 --> 00:33:16,440
Speaker 4: Nate Dogg was just man, He's just amazing.

709
00:33:16,520 --> 00:33:18,360
Speaker 1: He's just amazing. He smoked the.

710
00:33:18,360 --> 00:33:21,520
Speaker 4: Whole wherever you at, he'll smoke that whole shit down,

711
00:33:22,120 --> 00:33:25,520
Speaker 4: and uh, you know he just you throw on the beat,

712
00:33:25,640 --> 00:33:28,080
Speaker 4: he'll smoke. Take him about an hour or two. When

713
00:33:28,080 --> 00:33:31,320
Speaker 4: he jumps in that booth, everybody's paying attention. Kills it

714
00:33:31,320 --> 00:33:32,080
Speaker 4: every single time.

715
00:33:32,080 --> 00:33:32,760
Speaker 1: But just such a.

716
00:33:33,240 --> 00:33:38,800
Speaker 4: Dope demeanor about himself, cool, calm, collected, and you know,

717
00:33:39,080 --> 00:33:42,840
Speaker 4: just how he chose his melodies and how he chose

718
00:33:42,880 --> 00:33:46,720
Speaker 4: to do certain things musically was just always surprising to

719
00:33:46,760 --> 00:33:49,160
Speaker 4: you because it was out of the unexpected. I know

720
00:33:49,200 --> 00:33:51,800
Speaker 4: people would say talk about his tone and stuff, but

721
00:33:51,880 --> 00:33:55,960
Speaker 4: he was one of the most complex individuals when it

722
00:33:56,000 --> 00:33:59,240
Speaker 4: comes to singing not only hooks but just entire songs

723
00:33:59,240 --> 00:34:00,239
Speaker 4: that I ever her.

724
00:34:00,320 --> 00:34:02,840
Speaker 1: So I'm huge Nate Doggh Man man.

725
00:34:03,720 --> 00:34:07,520
Speaker 2: Uh for railing the Neptunes. Southern hospitality.

726
00:34:08,400 --> 00:34:10,080
Speaker 4: Wait, I was going something just came to mind when

727
00:34:10,120 --> 00:34:12,120
Speaker 4: I was like one of my favorite rap lines I

728
00:34:12,160 --> 00:34:14,520
Speaker 4: said on one of Nate Dogg's songs, and I said

729
00:34:14,600 --> 00:34:18,799
Speaker 4: something like something something going to bed. You got a

730
00:34:18,800 --> 00:34:21,160
Speaker 4: frog in your throat like Miss Piggy giving head.

731
00:34:21,239 --> 00:34:21,480
Speaker 2: It was.

732
00:34:22,520 --> 00:34:24,840
Speaker 4: I was just like, God damn, sometimes I'll be saying

733
00:34:24,880 --> 00:34:27,840
Speaker 4: some of the artist ship in the world.

734
00:34:27,920 --> 00:34:34,840
Speaker 1: Okay, put me up there.

735
00:34:34,680 --> 00:34:46,239
Speaker 2: Man, come on, come on, man for railing the Neptunes.

736
00:34:47,320 --> 00:34:48,360
Speaker 1: For railing the Neptunes.

737
00:34:48,360 --> 00:34:48,560
Speaker 2: Man.

738
00:34:49,360 --> 00:34:52,560
Speaker 4: The first thing that comes to mind, and y'all might not notice.

739
00:34:52,480 --> 00:34:56,600
Speaker 4: For so incog Negro was my independent album, and it

740
00:34:56,719 --> 00:34:59,360
Speaker 4: was missing three songs when we signed The Death Jam,

741
00:34:59,520 --> 00:35:02,359
Speaker 4: and not missing three songs when we signed the Death Jam.

742
00:35:02,400 --> 00:35:05,400
Speaker 4: We basically repackaged it and added three songs to it

743
00:35:05,640 --> 00:35:07,799
Speaker 4: and took like two or three songs off of what

744
00:35:07,880 --> 00:35:09,759
Speaker 4: was on there, so that it was kind of repackaging

745
00:35:09,800 --> 00:35:12,000
Speaker 4: that now for the world, as opposed to being sold out.

746
00:35:12,040 --> 00:35:15,800
Speaker 4: My trunk and throw them Bow's was one of those records,

747
00:35:16,200 --> 00:35:19,960
Speaker 4: and I remember this was the like eleventh inning, like

748
00:35:20,040 --> 00:35:22,520
Speaker 4: we got to turn the album in tomorrow. We're going

749
00:35:22,520 --> 00:35:24,600
Speaker 4: to Virginia. We're going to higher At for Real. If

750
00:35:24,600 --> 00:35:26,879
Speaker 4: anybody could give you a hit the last minute, it's

751
00:35:26,880 --> 00:35:29,359
Speaker 4: for Real and Chad and the Neptunes and we in

752
00:35:29,440 --> 00:35:32,319
Speaker 4: Virginia is me and Shaka and he throws on this

753
00:35:32,480 --> 00:35:35,120
Speaker 4: beat and I'm vibing to it. I'm thinking it's cool.

754
00:35:35,560 --> 00:35:37,200
Speaker 4: I'm not you know, I'm not like thinking this is

755
00:35:37,239 --> 00:35:39,400
Speaker 4: a hit. But I do what I do anyway. I

756
00:35:39,440 --> 00:35:40,960
Speaker 4: go to the car. This is where I write all

757
00:35:41,000 --> 00:35:42,640
Speaker 4: my music. I just go in a car. This is

758
00:35:42,719 --> 00:35:45,359
Speaker 4: like my spaces where I zone out in the car

759
00:35:45,600 --> 00:35:47,520
Speaker 4: in a car. So I'm in the parking lot in

760
00:35:47,600 --> 00:35:51,000
Speaker 4: the studio, in this truck, listening to the instrumental.

761
00:35:51,080 --> 00:35:55,560
Speaker 1: I'm writing to it. All this shit's coming out, Cadillac grill, cadillact.

762
00:35:55,040 --> 00:35:58,040
Speaker 4: Man, and I'm thinking it's cool. I come back in,

763
00:35:58,360 --> 00:36:00,359
Speaker 4: you know, and I'm saying it for Shaka for real.

764
00:36:00,400 --> 00:36:03,319
Speaker 4: These motherfuckers like, oh shit, this is it, this is it,

765
00:36:03,440 --> 00:36:06,239
Speaker 4: And I'm still like, man, it's cool, man, And so

766
00:36:06,400 --> 00:36:08,120
Speaker 4: you know, forhar real kind of like helps with the

767
00:36:08,120 --> 00:36:10,640
Speaker 4: hook a little bit all of a sudden, you know,

768
00:36:10,719 --> 00:36:12,400
Speaker 4: they play it for me, and I'm still thinking that

769
00:36:12,440 --> 00:36:14,560
Speaker 4: this is good, but I still don't think it's a hit.

770
00:36:15,120 --> 00:36:17,720
Speaker 4: So we you know, we put that shit on the album.

771
00:36:17,800 --> 00:36:19,640
Speaker 4: I'm not thinking it's gonna be a single because what's

772
00:36:19,640 --> 00:36:23,040
Speaker 4: your fantasy is the first single? And then everyone identifies

773
00:36:23,120 --> 00:36:26,800
Speaker 4: with that damn thrown and bowls. And it's crazy because

774
00:36:26,840 --> 00:36:28,600
Speaker 4: you hear a lot of artists always saying I knew

775
00:36:28,600 --> 00:36:28,960
Speaker 4: that shit was.

776
00:36:28,960 --> 00:36:29,879
Speaker 1: I knew it was a hit.

777
00:36:30,320 --> 00:36:33,200
Speaker 4: I for Southern Hospitality. I did not know that it

778
00:36:33,239 --> 00:36:36,480
Speaker 4: was the hit that it became and what it is

779
00:36:36,520 --> 00:36:39,480
Speaker 4: still till this day. And that happens with artists all

780
00:36:39,480 --> 00:36:42,000
Speaker 4: the time. Sometimes when you the one you least expect

781
00:36:42,000 --> 00:36:45,040
Speaker 4: becomes a hit. And obviously sometimes your instincts are correct,

782
00:36:45,320 --> 00:36:46,680
Speaker 4: sometimes your instincts are wrong.

783
00:36:46,800 --> 00:36:49,160
Speaker 1: So how the game goes?

784
00:36:49,680 --> 00:36:52,800
Speaker 2: Uh, Nas and Jake do it for hip hop.

785
00:36:53,280 --> 00:36:54,960
Speaker 4: Man for me to get both of them on a

786
00:36:55,040 --> 00:36:57,960
Speaker 4: record together. And this was right after they had squashed

787
00:36:57,960 --> 00:37:00,399
Speaker 4: to B. I just remember Jay kind of hold out

788
00:37:01,880 --> 00:37:03,560
Speaker 4: because you know, he liked to make an element of

789
00:37:03,600 --> 00:37:05,440
Speaker 4: surprise when you get him on a record. I think

790
00:37:05,480 --> 00:37:07,880
Speaker 4: I got Nas on the record first, if I'm not mistaken,

791
00:37:08,480 --> 00:37:10,880
Speaker 4: and then Jaye hopped on there, and the day we

792
00:37:10,920 --> 00:37:13,239
Speaker 4: got both of those verses on, there were just like, man,

793
00:37:13,239 --> 00:37:15,960
Speaker 4: this is hip hop gold and what better way to

794
00:37:16,080 --> 00:37:18,440
Speaker 4: do this than to have a record that's just for

795
00:37:18,520 --> 00:37:19,680
Speaker 4: the love of hip hop?

796
00:37:20,040 --> 00:37:21,640
Speaker 1: They saying, you know, if.

797
00:37:21,520 --> 00:37:24,120
Speaker 4: You're gonna give a record to these two individuals, it's

798
00:37:24,160 --> 00:37:26,840
Speaker 4: got to be something that's all about the heart. And

799
00:37:27,080 --> 00:37:28,680
Speaker 4: you know that that could be the theme of this

800
00:37:28,800 --> 00:37:31,960
Speaker 4: podcast when we talk about then in heart when it

801
00:37:31,960 --> 00:37:33,960
Speaker 4: comes to music, Man, if it don't have heart to it,

802
00:37:34,040 --> 00:37:36,360
Speaker 4: then I can easily see people saying, I ain't fucking

803
00:37:36,400 --> 00:37:36,680
Speaker 4: with that.

804
00:37:37,800 --> 00:37:43,320
Speaker 3: Yeah, man, Welcome to Atlanta, Jermaine dupri Welcome to Atlanta,

805
00:37:43,400 --> 00:37:45,279
Speaker 3: j D Man, j D j D.

806
00:37:45,840 --> 00:37:47,800
Speaker 4: The first thing that comes to mind was way before

807
00:37:47,840 --> 00:37:50,600
Speaker 4: that record was.

808
00:37:49,719 --> 00:37:51,359
Speaker 1: Made, JD.

809
00:37:51,600 --> 00:37:54,440
Speaker 4: I actually went to his house one time, and this

810
00:37:54,600 --> 00:37:56,439
Speaker 4: was when he had Chris Caross. He didn't know who

811
00:37:56,480 --> 00:37:58,120
Speaker 4: the fuck I was. I just found out way he

812
00:37:58,160 --> 00:37:59,879
Speaker 4: lived because he was in College Park, not far from

813
00:38:00,120 --> 00:38:03,080
Speaker 4: my pops lived, had a gate around his crib and

814
00:38:03,120 --> 00:38:05,200
Speaker 4: one day I pulled up. I had my demo tape.

815
00:38:05,239 --> 00:38:06,840
Speaker 4: I was gonna put the shit in the mailbox. I

816
00:38:06,840 --> 00:38:08,960
Speaker 4: see this man walking outside in front of his.

817
00:38:08,960 --> 00:38:11,120
Speaker 1: House, like yo, JD Yo yo.

818
00:38:11,800 --> 00:38:15,359
Speaker 4: Now imagine this shit like a complete fucking stranger. It's

819
00:38:15,360 --> 00:38:17,640
Speaker 4: a little light skim motherfucker with braids telling you to

820
00:38:17,680 --> 00:38:19,520
Speaker 4: come here, like you don't know what the hell is

821
00:38:19,520 --> 00:38:20,919
Speaker 4: going on. He don't know if I got a gun,

822
00:38:20,960 --> 00:38:22,480
Speaker 4: He don't know what the hell I'm trying to do.

823
00:38:22,760 --> 00:38:26,920
Speaker 4: This motherfucker walks up to me by himself, like no security,

824
00:38:27,320 --> 00:38:30,200
Speaker 4: nobody with him. I'm like, my name is Luther chris Man.

825
00:38:30,200 --> 00:38:32,920
Speaker 4: You're gonna hear about me. Here's my demo. Takes my demo.

826
00:38:33,320 --> 00:38:35,319
Speaker 4: I don't know any other human being that would do

827
00:38:35,360 --> 00:38:37,880
Speaker 4: that shit till this day. I have a crib if

828
00:38:37,880 --> 00:38:40,480
Speaker 4: I see a motherfucker saying, hey, Luli, come in, come in, Like.

829
00:38:40,440 --> 00:38:41,880
Speaker 1: The fuck is he talking about that?

830
00:38:42,640 --> 00:38:42,680
Speaker 2: No?

831
00:38:42,880 --> 00:38:45,520
Speaker 4: But like JD is, he's one on one man. When

832
00:38:45,520 --> 00:38:48,200
Speaker 4: he made Welcome to Atlanta, I definitely knew what that

833
00:38:48,239 --> 00:38:51,120
Speaker 4: shit was, you know what I mean. That's an anthem

834
00:38:51,320 --> 00:38:53,960
Speaker 4: when you know you can go on this Janet Jackson

835
00:38:54,000 --> 00:38:56,320
Speaker 4: tour and you go to every other city budd Atlanta.

836
00:38:56,400 --> 00:38:57,759
Speaker 1: And that's one of the first.

837
00:38:57,520 --> 00:38:59,680
Speaker 4: Songs I do, and the crowd is still going crazy

838
00:38:59,680 --> 00:39:02,080
Speaker 4: when you not even in Atlanta, and I'm telling motherfuckers,

839
00:39:02,280 --> 00:39:03,320
Speaker 4: welcome to Atlanta.

840
00:39:04,760 --> 00:39:05,560
Speaker 1: You know what it is?

841
00:39:06,560 --> 00:39:07,720
Speaker 2: Uh? Usher?

842
00:39:08,200 --> 00:39:13,080
Speaker 4: Well little John one, Lil John sent me that record

843
00:39:14,280 --> 00:39:16,759
Speaker 4: with Usher's you know, verse on it, and I like,

844
00:39:17,160 --> 00:39:20,040
Speaker 4: when I say I knew something was a hit, everything

845
00:39:20,080 --> 00:39:22,560
Speaker 4: else that I talked about to this point, disregard that

846
00:39:22,920 --> 00:39:25,000
Speaker 4: I got that ship. I was like, this ship is

847
00:39:25,080 --> 00:39:27,480
Speaker 4: out of here to the point where take that and

848
00:39:27,520 --> 00:39:29,319
Speaker 4: rewind it back, put that shit on the front of

849
00:39:29,320 --> 00:39:31,000
Speaker 4: the record and at the end of the record, and

850
00:39:31,040 --> 00:39:32,239
Speaker 4: I'm gonna do a verse in the middle of this.

851
00:39:32,280 --> 00:39:35,279
Speaker 2: Motherfucker. I'm on this record straight up. This is it.

852
00:39:35,320 --> 00:39:38,280
Speaker 1: This is that ship between that Justin Bieber.

853
00:39:38,280 --> 00:39:39,719
Speaker 4: But I don't know where you're going with this, but

854
00:39:39,760 --> 00:39:45,520
Speaker 4: I'm like, all I do is win Justin Bieber, baby Usher, Yeah, Ludicrius,

855
00:39:45,680 --> 00:39:49,520
Speaker 4: Moneymaker and you know, throw the bowls, move bitch.

856
00:39:49,840 --> 00:39:53,560
Speaker 1: There's a couple of ones that are just like to

857
00:39:53,680 --> 00:39:58,560
Speaker 1: this day, the publishing checks, they they rolled, they roll.

858
00:39:59,000 --> 00:39:59,440
Speaker 1: You know what I mean.

859
00:39:59,440 --> 00:40:03,000
Speaker 4: We got ring Man, we got rings bro uh big

860
00:40:03,080 --> 00:40:06,520
Speaker 4: ring Grammys, Yeah, three of them. What does that mean

861
00:40:06,560 --> 00:40:09,080
Speaker 4: to you? It means it's great. I want more of

862
00:40:09,080 --> 00:40:11,719
Speaker 4: the motherfucker's I want some old man. But three is

863
00:40:11,760 --> 00:40:14,200
Speaker 4: three is great. It meant a lot to me because

864
00:40:14,680 --> 00:40:17,440
Speaker 4: when I was first starting the first five years of

865
00:40:17,480 --> 00:40:20,920
Speaker 4: me being put in the same category as Eminem and

866
00:40:21,040 --> 00:40:23,799
Speaker 4: DMX and Jah Rule and jay Z and I'm just

867
00:40:23,800 --> 00:40:25,640
Speaker 4: this little motherfucker sitting in this seat, like here we

868
00:40:25,719 --> 00:40:29,040
Speaker 4: go again with this shit. And then finally after five

869
00:40:29,160 --> 00:40:31,560
Speaker 4: six years, they couldn't deny me no more, and it

870
00:40:31,640 --> 00:40:35,600
Speaker 4: was like I just started winning awards because I held out.

871
00:40:35,719 --> 00:40:37,600
Speaker 4: You know what I mean, It's that longevity shit.

872
00:40:38,400 --> 00:40:39,160
Speaker 1: That's what happened.

873
00:40:39,360 --> 00:40:41,200
Speaker 2: Yeah, congratulations, way to go.

874
00:40:41,360 --> 00:40:43,440
Speaker 3: Speaking of legends of any truth that you're related to

875
00:40:43,520 --> 00:40:44,440
Speaker 3: Richard pryor.

876
00:40:44,480 --> 00:40:47,759
Speaker 1: It is true to it, I don't know to which end.

877
00:40:47,840 --> 00:40:49,360
Speaker 4: You don't hear people say shit like this all the

878
00:40:49,360 --> 00:40:52,680
Speaker 4: time and he's like my fifth or sixth cousin some

879
00:40:52,719 --> 00:40:55,839
Speaker 4: shit like that. Y'all google this shit if you don't

880
00:40:55,880 --> 00:40:58,239
Speaker 4: know what that is. That means he's very far down

881
00:40:58,280 --> 00:41:00,480
Speaker 4: the line of cousins, but we do air of the

882
00:41:00,520 --> 00:41:03,600
Speaker 4: same blood. It's probably where I get all this silliness

883
00:41:03,600 --> 00:41:06,000
Speaker 4: and want to joke around and ship from man. I

884
00:41:06,040 --> 00:41:10,040
Speaker 4: study Richard. He was born in. If it wasn't Peoria,

885
00:41:10,040 --> 00:41:12,920
Speaker 4: ILLINOI was right outside of it. My whole mom's side

886
00:41:12,960 --> 00:41:16,120
Speaker 4: of my family is from that area Illinois, partly why

887
00:41:16,239 --> 00:41:20,719
Speaker 4: you probably went to University of Illinois. So that's Illinois, Illinois, Illinois, Yep,

888
00:41:20,960 --> 00:41:24,440
Speaker 4: definitely my cousin just further, just far down the line.

889
00:41:24,280 --> 00:41:24,800
Speaker 2: That's dope.

890
00:41:25,239 --> 00:41:27,799
Speaker 3: Well, before we get out of here, uh, we just

891
00:41:27,800 --> 00:41:28,840
Speaker 3: want to give your flowers.

892
00:41:28,840 --> 00:41:29,000
Speaker 2: Man.

893
00:41:29,320 --> 00:41:30,719
Speaker 3: Like I said at the beginning of the show, man

894
00:41:31,120 --> 00:41:34,160
Speaker 3: the wait man, we're done already. Man, I'm having fun.

895
00:41:34,200 --> 00:41:36,520
Speaker 2: Man, they have us on the clock. They said you

896
00:41:36,560 --> 00:41:39,000
Speaker 2: had a hard house. I got yeah, so we got

897
00:41:39,040 --> 00:41:41,000
Speaker 2: we got quick. As we just want to say, like.

898
00:41:41,040 --> 00:41:43,200
Speaker 3: You know, the way you've been able to continue to

899
00:41:43,200 --> 00:41:46,399
Speaker 3: elevate and do it in a positive way and pure

900
00:41:46,400 --> 00:41:49,000
Speaker 3: intentions is why we feel like you continue to just

901
00:41:49,280 --> 00:41:52,960
Speaker 3: a real master and we look up to you and

902
00:41:53,040 --> 00:41:55,840
Speaker 3: you're someone that's kind of behind the scenes, but you know,

903
00:41:56,200 --> 00:41:57,720
Speaker 3: you're still front and center.

904
00:41:57,960 --> 00:41:59,040
Speaker 2: So we appreciate you.

905
00:41:58,960 --> 00:42:00,919
Speaker 4: Know, I take that to the I wish I could

906
00:42:00,920 --> 00:42:03,080
Speaker 4: say you were telling one hundred percent of the truth

907
00:42:03,080 --> 00:42:05,919
Speaker 4: because I might be on the backdrop on this motherfucking wall,

908
00:42:06,000 --> 00:42:09,480
Speaker 4: but you know, at some point legends.

909
00:42:09,680 --> 00:42:12,600
Speaker 1: Take that, take that out iry about that? Take that

910
00:42:12,600 --> 00:42:14,520
Speaker 1: out of podcast? Bring that?

911
00:42:15,719 --> 00:42:19,239
Speaker 4: Hey man, thank you man, I greatly appreciate that. Yeah,

912
00:42:19,480 --> 00:42:22,480
Speaker 4: you know what I'm saying. I accept all of those flowers.

913
00:42:22,880 --> 00:42:26,160
Speaker 4: I accept that y'all got me high here today. And man, listen,

914
00:42:26,200 --> 00:42:28,439
Speaker 4: this ain't This ain't the last time I'm coming back,

915
00:42:28,560 --> 00:42:28,960
Speaker 4: even on.

916
00:42:28,920 --> 00:42:31,319
Speaker 6: The crossover side of it, Like I'm just getting into acting.

917
00:42:31,400 --> 00:42:33,440
Speaker 5: So to see somebody like you that come from where

918
00:42:33,440 --> 00:42:35,680
Speaker 5: we come from able to do different things. Like you said,

919
00:42:35,680 --> 00:42:37,560
Speaker 5: they like to put us in the box and may

920
00:42:37,880 --> 00:42:39,440
Speaker 5: make us do one thing that we're great at. No,

921
00:42:39,520 --> 00:42:40,920
Speaker 5: we can be great at a lot of things. So

922
00:42:41,200 --> 00:42:43,040
Speaker 5: you are a great example of that. But even guys

923
00:42:43,040 --> 00:42:44,279
Speaker 5: like me, So salute to that.

924
00:42:44,400 --> 00:42:44,560
Speaker 2: Man.

925
00:42:44,560 --> 00:42:45,200
Speaker 1: That means the world.

926
00:42:45,239 --> 00:42:47,719
Speaker 4: And thank y'all for supporting me way before you even

927
00:42:47,840 --> 00:42:51,520
Speaker 4: knew how much you would support. So man, let's continue success,

928
00:42:51,600 --> 00:42:54,600
Speaker 4: let's build, let's uh, let's become billionaires.

929
00:42:54,600 --> 00:42:56,320
Speaker 2: Man, you got a lot of deals you need to

930
00:42:56,320 --> 00:42:59,840
Speaker 2: talk to us about moving too. I'm ready, quick hitters,

931
00:43:00,280 --> 00:43:01,879
Speaker 2: We're gonna put you on the spot with this one.

932
00:43:01,960 --> 00:43:05,960
Speaker 3: The top five most impactful artists or group from Atlanta.

933
00:43:06,640 --> 00:43:09,239
Speaker 4: From Atlanta when you say groups. I will definitely put

934
00:43:09,280 --> 00:43:12,560
Speaker 4: outcasts in there. I'll definitely put goodie mob. This is this,

935
00:43:12,560 --> 00:43:17,080
Speaker 4: This has to be just Atlanta. Yeah, just Goodlanta outcast,

936
00:43:17,280 --> 00:43:17,960
Speaker 4: goodie mob.

937
00:43:19,280 --> 00:43:19,520
Speaker 2: Man.

938
00:43:19,560 --> 00:43:21,440
Speaker 4: It's like when you when you say just Atlanta. I

939
00:43:21,480 --> 00:43:23,640
Speaker 4: want to put like no limit in master p. I

940
00:43:23,680 --> 00:43:27,520
Speaker 4: know this is still I can't do it. No influential

941
00:43:27,960 --> 00:43:29,320
Speaker 4: and it has to be artists or it could be

942
00:43:29,360 --> 00:43:32,000
Speaker 4: producers as well, both you throw them in there. Oh,

943
00:43:32,160 --> 00:43:38,439
Speaker 4: definitely definitely organized. NOI it's definitely Jermaine Duprie. That's four.

944
00:43:39,280 --> 00:43:46,160
Speaker 1: Who am I missing in this thing? I mean that

945
00:43:46,360 --> 00:43:47,920
Speaker 1: was Austin when.

946
00:43:47,800 --> 00:43:50,000
Speaker 4: We talk about the ones, you know, like right when

947
00:43:50,000 --> 00:43:52,600
Speaker 4: I was starting and having that Face records and having

948
00:43:52,640 --> 00:43:55,959
Speaker 4: the rowdy records and having the Soso death. You gotta

949
00:43:55,960 --> 00:43:58,319
Speaker 4: think about that, man. They started a whole movement that

950
00:43:58,320 --> 00:43:59,920
Speaker 4: that just grew sour.

951
00:44:00,160 --> 00:44:02,400
Speaker 1: Say those.

952
00:44:04,080 --> 00:44:06,600
Speaker 5: What's your favorite car of all time? And is it

953
00:44:06,640 --> 00:44:09,879
Speaker 5: true that you purchase a car after every fast and Fir.

954
00:44:11,000 --> 00:44:13,840
Speaker 1: I do, No, it is true.

955
00:44:13,920 --> 00:44:17,600
Speaker 4: But the last two movies we've been shooting in London

956
00:44:17,719 --> 00:44:20,279
Speaker 4: where the steering wheels on the other goddamn side. So

957
00:44:20,360 --> 00:44:22,120
Speaker 4: I just said the hell with that shit. Yeah, but

958
00:44:22,200 --> 00:44:24,799
Speaker 4: all the movies previous to that. I definitely own a car.

959
00:44:25,120 --> 00:44:27,680
Speaker 4: My favorite car is still my nineteen ninety three Accurate

960
00:44:27,719 --> 00:44:30,799
Speaker 4: Legend and I still drive it to this day, two

961
00:44:30,920 --> 00:44:32,080
Speaker 4: hundred and fifty.

962
00:44:32,040 --> 00:44:35,320
Speaker 2: Thousand miles on that built to last.

963
00:44:35,680 --> 00:44:37,799
Speaker 4: If it's not that car, my favorite car of all

964
00:44:37,880 --> 00:44:41,520
Speaker 4: times is the four GT, and I love it for GT. Man,

965
00:44:41,560 --> 00:44:45,680
Speaker 4: I love that car. Bro No tracktion controls the gears shifting.

966
00:44:46,200 --> 00:44:48,520
Speaker 4: How that's like. It's so unique the way that it looks,

967
00:44:48,560 --> 00:44:51,520
Speaker 4: the way it drives the tires. To this day, you

968
00:44:51,560 --> 00:44:53,920
Speaker 4: could drive a twenty thirty year old four GT and

969
00:44:54,080 --> 00:44:56,000
Speaker 4: you drive down the street. Motherfucker's gonna be like, what

970
00:44:56,239 --> 00:45:02,040
Speaker 4: in the fuck is that? It's dope? Three must has

971
00:45:02,080 --> 00:45:07,799
Speaker 4: when you're traveling. Three must has when I'm traveling. I mean,

972
00:45:07,840 --> 00:45:14,800
Speaker 4: besides clean draws and socks, and man, it's gonna sound random.

973
00:45:14,840 --> 00:45:16,640
Speaker 4: As peanut butter. I don't know if y'all saw the

974
00:45:17,320 --> 00:45:19,240
Speaker 4: commercial idead the peanut butter commercial.

975
00:45:19,480 --> 00:45:21,279
Speaker 1: I love fucking peanut butter.

976
00:45:21,360 --> 00:45:21,560
Speaker 7: Man.

977
00:45:21,920 --> 00:45:23,759
Speaker 1: I can eat peanut butter every guy there there.

978
00:45:23,760 --> 00:45:26,680
Speaker 4: I have no idea what that is, but peanut butter

979
00:45:26,760 --> 00:45:29,840
Speaker 4: is definitely one of those things. My AFRO pick I

980
00:45:29,880 --> 00:45:32,239
Speaker 4: gotta have that even if you read it up. Yeah,

981
00:45:32,360 --> 00:45:35,280
Speaker 4: I mean, because it's it's coming out. That's that ship,

982
00:45:35,760 --> 00:45:40,399
Speaker 4: my afro pick and then uh man, my right now,

983
00:45:41,440 --> 00:45:44,319
Speaker 4: this big ass Atlanta World Series ring that I got, right,

984
00:45:44,880 --> 00:45:46,080
Speaker 4: I just gotta show this ship up.

985
00:45:47,400 --> 00:45:48,120
Speaker 1: They go.

986
00:45:48,200 --> 00:45:50,000
Speaker 2: You three that bigger than yours?

987
00:45:50,400 --> 00:45:51,880
Speaker 6: Yeah?

988
00:45:52,280 --> 00:45:56,600
Speaker 2: You see? Heh yeah, I got three of them though.

989
00:45:58,200 --> 00:45:58,480
Speaker 1: Nice.

990
00:46:00,080 --> 00:46:01,719
Speaker 2: Five dinner guests that are alive.

991
00:46:02,360 --> 00:46:08,000
Speaker 4: Tucac, Biggie, Barack Obama, Malcolm X, Martin, Luther King.

992
00:46:10,280 --> 00:46:12,680
Speaker 1: That would be one hell of a dinner man.

993
00:46:13,960 --> 00:46:15,720
Speaker 6: Who would you like to see on our show?

994
00:46:16,840 --> 00:46:19,919
Speaker 5: But before you answer that question, you have to help

995
00:46:20,000 --> 00:46:21,680
Speaker 5: us get your answer on the show.

996
00:46:22,000 --> 00:46:24,360
Speaker 2: Damn, I'm bam.

997
00:46:24,920 --> 00:46:26,719
Speaker 3: I was just I was so ename of the but

998
00:46:26,840 --> 00:46:29,160
Speaker 3: whether the way you presented that, I know he's gonna happen.

999
00:46:29,480 --> 00:46:30,359
Speaker 2: He's gonna make it happen.

1000
00:46:30,640 --> 00:46:31,440
Speaker 6: He's gonna make it happen.

1001
00:46:31,440 --> 00:46:33,319
Speaker 2: A lot of people don't make it happen, but he's

1002
00:46:33,360 --> 00:46:33,840
Speaker 2: gonna make it.

1003
00:46:34,120 --> 00:46:37,520
Speaker 1: Hell, I ain't making who who the hell?

1004
00:46:37,600 --> 00:46:39,400
Speaker 4: I don't because there's so many people that's been on

1005
00:46:39,480 --> 00:46:42,160
Speaker 4: y'all show already. Now we gotta come think of someone

1006
00:46:42,160 --> 00:46:43,840
Speaker 4: who hasn't been.

1007
00:46:43,640 --> 00:46:48,680
Speaker 3: On Hereaberg Ben Diesel, I would definitely say.

1008
00:46:50,040 --> 00:46:51,560
Speaker 1: I think Mark Wahlberg needs to come on.

1009
00:46:51,760 --> 00:46:54,600
Speaker 4: Yes, we already talked about The Rock, so that was

1010
00:46:54,640 --> 00:46:56,799
Speaker 4: a given, But I feel like Mark has a lot.

1011
00:46:57,000 --> 00:46:58,200
Speaker 1: Sure, he has a lot of games.

1012
00:46:58,880 --> 00:46:59,400
Speaker 2: Take away.

1013
00:47:03,000 --> 00:47:03,560
Speaker 1: Mark, Mark.

1014
00:47:04,560 --> 00:47:06,560
Speaker 4: That's like because when I said two of the most

1015
00:47:06,600 --> 00:47:09,400
Speaker 4: disciplined people I know, the Rock and him, that's a

1016
00:47:09,440 --> 00:47:10,960
Speaker 4: good reason for you to try and get him on

1017
00:47:11,080 --> 00:47:13,200
Speaker 4: here because he needs to share some of that discipline.

1018
00:47:13,320 --> 00:47:15,960
Speaker 3: Let me tell you how random I got to know

1019
00:47:16,080 --> 00:47:18,279
Speaker 3: Mark Warburg. Well, so maybe like two years ago, I

1020
00:47:18,320 --> 00:47:22,319
Speaker 3: put an Instagram post like a selfie like, hey, I'm

1021
00:47:22,320 --> 00:47:23,400
Speaker 3: taking my family on a.

1022
00:47:24,920 --> 00:47:25,640
Speaker 2: Camping trip.

1023
00:47:25,920 --> 00:47:28,600
Speaker 3: I'm looking for a big you know, if you could

1024
00:47:28,840 --> 00:47:32,279
Speaker 3: uh r veter rent, if you can recommend anybody, this

1025
00:47:32,360 --> 00:47:34,359
Speaker 3: motherfucker dms me and tells me I can take his

1026
00:47:34,520 --> 00:47:36,680
Speaker 3: and I've seen him, but I never really met him.

1027
00:47:37,000 --> 00:47:39,040
Speaker 2: Crazy, this dude you.

1028
00:47:39,080 --> 00:47:41,640
Speaker 1: Could definitely get Now.

1029
00:47:41,680 --> 00:47:43,959
Speaker 2: We been back and forth on getting him on the show.

1030
00:47:43,960 --> 00:47:46,000
Speaker 2: But listen how round and the sow it was.

1031
00:47:46,239 --> 00:47:47,640
Speaker 3: I find out. I was like, look, I was like,

1032
00:47:47,640 --> 00:47:49,400
Speaker 3: a damn baby, is that him? She's like this is

1033
00:47:49,480 --> 00:47:51,359
Speaker 3: the star? So I hit him back like yeah for real.

1034
00:47:51,400 --> 00:47:55,359
Speaker 3: So this dude lets me borrow his ship. We're at

1035
00:47:55,360 --> 00:47:58,360
Speaker 3: the gas station, an old lady backs into me and

1036
00:47:58,560 --> 00:48:00,760
Speaker 3: scraped the side, So I have to end up fucking

1037
00:48:00,800 --> 00:48:03,600
Speaker 3: paying for a new panel door for and everything. But

1038
00:48:03,920 --> 00:48:06,920
Speaker 3: random situation that that that's how me and him kind

1039
00:48:06,920 --> 00:48:08,680
Speaker 3: of met. And we just saw him at the fight recently.

1040
00:48:09,080 --> 00:48:12,160
Speaker 3: Huge basketball fan. Yeah, but just random can make this happen.

1041
00:48:12,960 --> 00:48:14,319
Speaker 3: He's gonna be the one. But like I said, just

1042
00:48:14,360 --> 00:48:16,120
Speaker 3: great dude, Like I don't really know him, know him.

1043
00:48:16,160 --> 00:48:18,200
Speaker 3: I've just always fought him. And then he randomly just

1044
00:48:18,280 --> 00:48:20,040
Speaker 3: let me use his motherfucking RV to go take my

1045
00:48:20,040 --> 00:48:20,560
Speaker 3: family camp.

1046
00:48:20,760 --> 00:48:22,799
Speaker 2: I must not know how bad my kids are. Yeah,

1047
00:48:23,640 --> 00:48:24,319
Speaker 2: we held it down.

1048
00:48:24,400 --> 00:48:27,000
Speaker 1: Just sold his house. Motherucker lived like fifteen minutes away

1049
00:48:27,000 --> 00:48:27,319
Speaker 1: from here.

1050
00:48:27,400 --> 00:48:29,520
Speaker 3: But now yeah he's in vegasy. Yeah he's out of

1051
00:48:29,600 --> 00:48:33,799
Speaker 3: yeah here. Yeah man, that's it. You got a little

1052
00:48:33,800 --> 00:48:35,920
Speaker 3: package give him sure du my brother.

1053
00:48:37,239 --> 00:48:40,279
Speaker 1: Thank you. All the smoke gear appreciate this.

1054
00:48:40,560 --> 00:48:42,800
Speaker 2: Yeah, all the smoke Dots store, man, all the smoke

1055
00:48:42,800 --> 00:48:43,320
Speaker 2: Dots store.

1056
00:48:43,680 --> 00:48:47,840
Speaker 3: Pull uplug plug yeah, shameless plug.

1057
00:48:48,000 --> 00:48:50,080
Speaker 2: Pallua man, we appreciate you. That's a wrap.

1058
00:48:50,200 --> 00:48:53,800
Speaker 3: You can catch this Showtime Basketball YouTube and the iHeart Platform,

1059
00:48:53,840 --> 00:48:54,520
Speaker 3: Black Effects.

1060
00:48:54,520 --> 00:48:55,520
Speaker 2: We'll see y'all next week.

1061
00:48:55,680 --> 00:49:00,520
Speaker 1: Hell yeah.