WEBVTT - 9021-Raunch!!

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<v Speaker 1>It's nine O Gene onegin with Jenny Garth and Tory spelling.

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<v Speaker 2>You guys, this is a smashing good time because the

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<v Speaker 2>three of us are back together.

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<v Speaker 3>Did you guys catch all the dirty double entaundras in

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<v Speaker 3>this episode? It was dirty?

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<v Speaker 1>Oh yeah, yeah, it was a good one. Though. iHeart

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<v Speaker 1>podcasts listen on the iHeartRadio app. I actually think this

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<v Speaker 1>was a good episode, did you guys.

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<v Speaker 3>Because we see how crazy what's her name is becoming? Tara? Tara?

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<v Speaker 3>It is Tara, but she's really the necklace breaking and

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<v Speaker 3>it was so old. What's going on? Tara Tara?

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<v Speaker 1>Yeah, Kelly did say this is my favorite necklace.

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<v Speaker 3>Where to begin?

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<v Speaker 1>This is season six, you guys, Episode twenty five Smashed

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<v Speaker 1>aired March twentieth, nineteen ninety six.

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<v Speaker 2>Synopsis Valeries high priced lawyer says Colin is looking at

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<v Speaker 2>six months in a slamoor and he is not pleased

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<v Speaker 2>with the plea deal. Kelly brings home her rehab bestie

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<v Speaker 2>Hara Marks, despite concerns voice by Don and Claire. Meanwhile,

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<v Speaker 2>medical resident Greg clearly wants to play doctor Kelly and

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<v Speaker 2>Steve's little brother's party hardy until one of them ends

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<v Speaker 2>up in the er H directed.

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<v Speaker 1>By Charles Carell, written by Meredith Steve. I like season

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<v Speaker 1>six juicy. It's crazy, so juicy episode.

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<v Speaker 3>I like season six it's totally crazy and far fetched

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<v Speaker 3>in a million ways, Like Holland Colon, why did you run?

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<v Speaker 3>You barely would even have a criminal offense against you?

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<v Speaker 1>Was he He's as you plee pleap blee peep.

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<v Speaker 3>I can't stay when I say that, I can't wait

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<v Speaker 3>to get rid of him.

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<v Speaker 2>Does he stayed through the rest of the season.

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<v Speaker 1>He's got to be leaving so.

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<v Speaker 3>That six seven more episodes he stays till.

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<v Speaker 2>Us about to get worse.

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<v Speaker 3>It gets about to get worse. You guys are lying.

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<v Speaker 3>This guy's truly a tool.

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<v Speaker 2>Wait, he's gonna do something worse.

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<v Speaker 3>Yeah, I'm not gonna tell you. There's so much to

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<v Speaker 3>talk about, because I want to talk about the run

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<v Speaker 3>in that he has with you at the party. And

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<v Speaker 3>by the way, Donna, you're not being that nice to Joe,

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<v Speaker 3>but Joe's being a real pill. It's just like, oh

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<v Speaker 3>my god.

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<v Speaker 1>Yeah, needy boyfriend stage.

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<v Speaker 3>It's like, chill, Joe, we dealt with your football heart problems,

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<v Speaker 3>got you. Steve Young like, yeah, let her do it. Anyway,

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<v Speaker 3>where to start?

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<v Speaker 1>Where to start tour? Do you want to run us

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<v Speaker 1>through the breakdown?

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<v Speaker 2>Yeah, so we start out at the beach house.

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<v Speaker 3>If my roommate was like, Hey, I went to rehab

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<v Speaker 3>and now I'm going to bring this random home, I

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<v Speaker 3>feel like, no.

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<v Speaker 1>Never works out. I mean, obviously Kelly's really trying to support.

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<v Speaker 2>Her, which is great, but she needs more than what

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<v Speaker 2>Kelly can provide right now, having just gone through that

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<v Speaker 2>herself and two college kids.

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<v Speaker 3>You make a great point there that it's like, this

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<v Speaker 3>is not a little thing. Like I know, and I

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<v Speaker 3>am guilty of sort of in the very beginning of

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<v Speaker 3>the storyline mocking it a little bit, but it's like,

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<v Speaker 3>it isn't a little thing, and you shouldn't be dating

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<v Speaker 3>Kelly shouldn't be dating, and we shouldn't be taking in

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<v Speaker 3>a person. No, we should be focused on Kelly here.

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<v Speaker 1>On herself.

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<v Speaker 2>Yeah, exactly, she's putting on herself and a lot of

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<v Speaker 2>responsibility for Donna and Claire because they don't want to

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<v Speaker 2>see Kelly slip or something happened to her. That's their concern.

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<v Speaker 1>I forgot that she moved in though.

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<v Speaker 3>Yeah, she's just staying for a bit. But it's so

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<v Speaker 3>like immediately you remember, like my body remembers like, oh no,

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<v Speaker 3>this is not.

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<v Speaker 1>Good for sure. You know it's gonna get bad.

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<v Speaker 2>For that girl. She had to wear so many nasty wigs.

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<v Speaker 1>You don't like the brown wig or the blonde ones.

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<v Speaker 3>What's her real life name? I know, I knew it,

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<v Speaker 3>Moss Hage Moss. She was a good actress because one,

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<v Speaker 3>she played crazy real well, she underplays it so you're

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<v Speaker 3>like more freaked out. And number two, every time I

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<v Speaker 3>saw her after this, all I could think of was

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<v Speaker 3>Tara Tara, Like I was like, oh, there's the crazy link. Okay.

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<v Speaker 2>So now we're I Cossa, Walsh and Claire and Steve

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<v Speaker 2>are in bed. Steve make some very dirty remarks.

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<v Speaker 3>This episode was so dirty. Yeah, and it had more

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<v Speaker 3>than the normal amount of dirty double entaundres. But they

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<v Speaker 3>aren't they're very in your face. I need them to

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<v Speaker 3>be done too.

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<v Speaker 2>Well. They're talking about the keg party that he's throwing

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<v Speaker 2>and getting ready for the big night, and he's made

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<v Speaker 2>everyone else responsible for doing the work. Now we're in

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<v Speaker 2>the lawyer's office with Valerie and the lawyer, and lawyer

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<v Speaker 2>tells her that Colin is only going to get six months,

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<v Speaker 2>he'll be in like a hospital.

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<v Speaker 3>And she's just paying for every single thing here, which

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<v Speaker 3>comes to bite us in a bit. But yeah, she's

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<v Speaker 3>paying the bail, paying for the lawyer.

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<v Speaker 1>It's ridiculous, this whole storyline.

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<v Speaker 2>And he tells her she has to convince his clients

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<v Speaker 2>to go for this.

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<v Speaker 1>Right, which makes perfect sense.

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<v Speaker 2>Right, you do it, lawyer guy is not what he's

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<v Speaker 2>getting paid for.

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<v Speaker 3>And also why is she so I don't know, I can't.

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<v Speaker 3>She's so loyal to him and like into him when

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<v Speaker 3>he was dating Kelly one minute.

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<v Speaker 1>Ago, like, oh my god, that's just weird. It's just

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<v Speaker 1>so weird.

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<v Speaker 2>I no longer felt like I always feel like she's

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<v Speaker 2>doing she's an m O or something like she wanted

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<v Speaker 2>to call him because he was yours. But now I

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<v Speaker 2>feel like she's just in love with him.

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<v Speaker 1>I feel like she's found somebody more damaged than her.

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<v Speaker 1>She wants to save him. But also it just doesn't track.

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<v Speaker 1>But I think that I don't know, I feel like

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<v Speaker 1>she's got no one else to turn to at this point.

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<v Speaker 2>Do you feel like Valerie is a girl that can

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<v Speaker 2>ever be alone or is she that girl that always

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<v Speaker 2>has to be What do you think.

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<v Speaker 3>I think, Ding Ding? Has she ever been alone since

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<v Speaker 3>we've known her? Nope, and she always stealing someone else's guy.

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<v Speaker 2>Known her two seasons to be fair, well, she.

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<v Speaker 3>Got her paws in Dylan right away.

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<v Speaker 1>Yeah, this whole thing had me like flashing back to

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<v Speaker 1>when she was in a relationship with Dylan and it's

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<v Speaker 1>just like another body. But she does have that like

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<v Speaker 1>puppy dog eyed I love you, I'll do anything for you.

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<v Speaker 1>Think that's not characteristic for her, but I felt like

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<v Speaker 1>she really wanted him to go to the party. Why

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<v Speaker 1>was that so important to her? So she could be

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<v Speaker 1>showing off? Look what I've got her right like?

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<v Speaker 3>And first of all, she's showing off the drug addict felon.

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<v Speaker 3>But okay, yay you Valerie, Like that's my thing. They

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<v Speaker 3>make her unlikable, Yeah, like everyone's always like you guys

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<v Speaker 3>don't like Valerie. It's like I didn't write this. They

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<v Speaker 3>make her unlikable.

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<v Speaker 1>You're just a viewer. You're just watching it live.

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<v Speaker 3>In my nine o two one a life, and they

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<v Speaker 3>de fight for your right to be a fan. You

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<v Speaker 3>have to fight to dislike someone kind of because she's

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<v Speaker 3>meant to be disliked unless I am crazy, right. They

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<v Speaker 3>constantly write her to be the bad girl villain.

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<v Speaker 2>The one we don't like.

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<v Speaker 3>I think it raises the others up and he's just, Okay,

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<v Speaker 3>this is where you're going to pick up Tara.

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<v Speaker 2>Tara, what's the Poland version of Colin that we should

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<v Speaker 2>call Tara?

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<v Speaker 1>Sarah Tara Tomato.

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<v Speaker 3>Okay.

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<v Speaker 2>So he apologizes for not calling Kelly but still would

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<v Speaker 2>like to take her out and see here. She invites

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<v Speaker 2>him to the Keg party, but also tells him that

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<v Speaker 2>she's there to pick up Tara, and he seems not

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<v Speaker 2>happy with it.

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<v Speaker 1>You like one word of like oh yeah, and she's

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<v Speaker 1>like oh.

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<v Speaker 3>They're trying pretty hard in this episode to convince me

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<v Speaker 3>he's not her doctor. There's a few mentions of that,

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<v Speaker 3>like at least Tara. Tara calls it out and says

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<v Speaker 3>like he's your doctor, and then you try to say like, no,

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<v Speaker 3>he's not a doctor, but it's like.

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<v Speaker 1>He's a med student. They made it clear like three

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<v Speaker 1>times so that they could cover.

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<v Speaker 3>Try to make this happen. But here's the thing. It's

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<v Speaker 3>never appropriate for someone that works at a rehab to

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<v Speaker 3>date someone that's at the rehab. Not the chef, not

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<v Speaker 3>the staff, not the doctor, not the not doctors.

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<v Speaker 1>It's so, what do you think in the nineties those

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<v Speaker 1>were the rules too, and maybe they were a little

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<v Speaker 1>lucier about it in the nineties.

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<v Speaker 3>I think they are the rules in the days of

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<v Speaker 3>your Remember that Angelina Joe Lee Winona Ryder movie. Feel

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<v Speaker 3>like it would have been inappropriate in that movie.

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<v Speaker 2>What was that called?

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<v Speaker 3>Girl?

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<v Speaker 2>In Erupted Girl? Oh?

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<v Speaker 3>Thank you? That was a rough movie. I do make

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<v Speaker 3>an exception for, like I said, for Wendy Malick and

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<v Speaker 3>Harrison Ford and shrinking. She is his doctor, but then

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<v Speaker 3>she becomes not his doctor. So there are times when

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<v Speaker 3>I will make it okay.

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<v Speaker 1>But in this case sketchy.

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<v Speaker 2>Why would he take that chance? It's just a med students,

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<v Speaker 2>his whole life ahead.

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<v Speaker 1>I think Kelly got a fresh bleach her hair.

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<v Speaker 3>Your hair is totally.

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<v Speaker 1>Different, bright, it's so bright.

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<v Speaker 3>Tory's got a new hair sort of moment happening too.

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<v Speaker 2>And he walks hair color. Back then it was a

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<v Speaker 2>different color every week. Okay. Back to Costa Walsh, Valerie

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<v Speaker 2>tells Brandon that she wants to invite Colin. He disapproves, and.

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<v Speaker 1>It was weird, like he didn't even look at her

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<v Speaker 1>during that whole scene. He does that a lot.

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<v Speaker 2>Have you noticed he was.

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<v Speaker 1>Very busy on was he on his computer?

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<v Speaker 2>Didn't all look at her?

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<v Speaker 1>I guess.

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<v Speaker 2>And she's wearing a lot of leather blazers in this episode.

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<v Speaker 1>She's tough. She's got to have something to protect her

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<v Speaker 1>soft interior.

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<v Speaker 3>Oh okay, I love a blazer for the over thirty

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<v Speaker 3>five people. It's little young for this.

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<v Speaker 1>Yeah, well young, I mean she does that though. She's

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<v Speaker 1>to be to look professional, and.

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<v Speaker 2>I know she does. Yeah, her hair's on points. Her

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<v Speaker 2>hair is full and onome. Okay, Now we're at the

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<v Speaker 2>peach pit and Steve is having breakfast with his dad

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<v Speaker 2>and his two half brothers, Ryan and Austin and my

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<v Speaker 2>brother Randy Blaze Ryan, Which it was really great to

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<v Speaker 2>see him back from the show.

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<v Speaker 3>Yeah, you were gone when we saw him the last time.

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<v Speaker 3>And this is much bigger parts than he'd had previously.

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<v Speaker 3>He was like a background guy basically when it like

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<v Speaker 3>at the beach club or whatever. Although the brothers popped

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<v Speaker 3>out of nowhere and Steve always is having to take

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<v Speaker 3>care of them.

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<v Speaker 1>But he gets a.

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<v Speaker 2>Couple hundred bucks or what I know, I'm surprised that's

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<v Speaker 2>all he got.

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<v Speaker 1>I know, I thought it would be more, honestly, but

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<v Speaker 1>it was good. I like seeing his brothers there. It's fun,

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<v Speaker 1>brings another element. Maybe it would be good, Like what

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<v Speaker 1>if they were going to have a spin off the

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<v Speaker 1>younger the brothers interesting.

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<v Speaker 2>Mm hmmm, because they're like you're reminding of like Beavis

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<v Speaker 2>and butt Head.

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<v Speaker 3>They're very comic relief.

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<v Speaker 1>Yeah, this guy, the the Travis, he was really going

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<v Speaker 1>for it, like making this a zany crazy character.

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<v Speaker 2>So Rush is going away, Steve has to baby said

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<v Speaker 2>his two brothers. He's like, I'm having a gag party

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<v Speaker 2>and he's like, here's two hundred bucks and he's like

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<v Speaker 2>back to the beach house. Ally's trying to help Tara. Sorry,

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<v Speaker 2>I can't say it right, Tara, Tara.

0:11:43.800 --> 0:11:44.880
<v Speaker 1>That's how you say it, Tatar.

0:11:45.559 --> 0:11:50.400
<v Speaker 2>Yeah, we say Tara, Tara, Tara Tar went in room Uh, Tera, Tara,

0:11:50.880 --> 0:11:53.520
<v Speaker 2>uh make her field more at home. Claire and Donna

0:11:53.600 --> 0:11:56.319
<v Speaker 2>come in. Big thing about juice.

0:11:56.559 --> 0:12:01.440
<v Speaker 3>Juice, My god, the the great juice, this catastrophe of

0:12:01.520 --> 0:12:07.439
<v Speaker 3>nineteen ninety six. Here you much juice. First of all,

0:12:07.440 --> 0:12:09.760
<v Speaker 3>can I have the juice? Yeah, you can have the juice.

0:12:09.880 --> 0:12:13.360
<v Speaker 3>Its care, it's Claire's. She won't mind. It looked like

0:12:13.559 --> 0:12:14.520
<v Speaker 3>grapefruit juice.

0:12:14.600 --> 0:12:17.040
<v Speaker 1>Of course, she chumes home, I would love to have

0:12:17.160 --> 0:12:18.320
<v Speaker 1>a glass of juice.

0:12:19.200 --> 0:12:21.760
<v Speaker 3>Then it was just like gosh with the juice, and

0:12:21.800 --> 0:12:23.920
<v Speaker 3>also like can we be nice to our guests, like

0:12:24.320 --> 0:12:26.280
<v Speaker 3>let her have the juice? Drink water?

0:12:26.559 --> 0:12:29.800
<v Speaker 1>Yeah, she gets Yeah. There was like a lot of

0:12:29.800 --> 0:12:32.160
<v Speaker 1>stinkye for territors drinking there.

0:12:32.200 --> 0:12:33.800
<v Speaker 3>And then you're like, you can have mine, and she

0:12:33.920 --> 0:12:34.400
<v Speaker 3>took it.

0:12:35.160 --> 0:12:36.520
<v Speaker 1>I was glad she took it, and I wanted her

0:12:36.559 --> 0:12:37.080
<v Speaker 1>to be happy.

0:12:37.480 --> 0:12:40.960
<v Speaker 2>Okay, Colon's apartment, Here we are. Valerie tells Colan that

0:12:41.040 --> 0:12:43.520
<v Speaker 2>he has to serve soft time for six months or

0:12:43.679 --> 0:12:49.320
<v Speaker 2>risk going to trial and getting a long sentence. Wamp oh,

0:12:50.000 --> 0:12:54.680
<v Speaker 2>he's such a baby. Also, dude, maybe during this time

0:12:54.679 --> 0:12:57.320
<v Speaker 2>away for six months, he'll become a better artist. He

0:12:57.320 --> 0:13:00.360
<v Speaker 2>can work on his craft. And it's just wants to

0:13:00.400 --> 0:13:01.160
<v Speaker 2>pray for it.

0:13:01.400 --> 0:13:03.760
<v Speaker 1>I was gonna say, I know art is objective and

0:13:03.800 --> 0:13:07.160
<v Speaker 1>no offense to anybody whose art looks like Colon Colan's,

0:13:07.160 --> 0:13:10.400
<v Speaker 1>but it's not. It's not my one on my walls.

0:13:10.440 --> 0:13:14.120
<v Speaker 3>I don't mean a lateeen twenty one yearyear old, so young,

0:13:14.200 --> 0:13:18.720
<v Speaker 3>twenties and you're dating a guy who is a drug addict,

0:13:18.960 --> 0:13:24.959
<v Speaker 3>who runs from the police, who's going to prison. What

0:13:24.960 --> 0:13:29.280
<v Speaker 3>what's your take on that? I think maybe if I

0:13:29.360 --> 0:13:31.439
<v Speaker 3>was like an adult, like a fifty year old and

0:13:31.480 --> 0:13:35.000
<v Speaker 3>this is my husband, I might stay loyal in my twenties.

0:13:35.240 --> 0:13:38.800
<v Speaker 3>I think I would be like, real, sorry, Colon, hit

0:13:38.840 --> 0:13:39.200
<v Speaker 3>the road.

0:13:39.360 --> 0:13:40.120
<v Speaker 1>You're on your own.

0:13:40.240 --> 0:13:41.720
<v Speaker 3>You're on your own. Dude, call your mom?

0:13:42.280 --> 0:13:44.920
<v Speaker 1>Yeah, Like, why is Valerie all he has? Where's his

0:13:45.000 --> 0:13:45.880
<v Speaker 1>other sugar Mama?

0:13:46.120 --> 0:13:47.080
<v Speaker 3>How where's that lady?

0:13:47.360 --> 0:13:47.760
<v Speaker 2>Claudia?

0:13:48.400 --> 0:13:51.280
<v Speaker 3>Oldlady hit the road when he picked you? And it's like,

0:13:51.320 --> 0:13:54.320
<v Speaker 3>I understand his parents are he has like a bad upbringing,

0:13:54.600 --> 0:13:57.959
<v Speaker 3>but like, I still think his mom would come out

0:13:58.080 --> 0:14:00.920
<v Speaker 3>to la. She's just leaving him in prison. She just

0:14:00.960 --> 0:14:01.440
<v Speaker 3>doesn't care.

0:14:01.920 --> 0:14:07.319
<v Speaker 2>M So Valerie, immediately after a long of his sentence,

0:14:07.920 --> 0:14:10.920
<v Speaker 2>invites him to the keg party. He's hesitant though, because

0:14:10.960 --> 0:14:12.600
<v Speaker 2>Kelly might be there and make a scene.

0:14:12.679 --> 0:14:16.080
<v Speaker 1>He says, it's a great write this guy to this party,

0:14:16.120 --> 0:14:18.520
<v Speaker 1>by the way, Like what why.

0:14:18.679 --> 0:14:21.080
<v Speaker 3>Getting ready to go to jail and they're going to

0:14:21.120 --> 0:14:23.560
<v Speaker 3>a fraternity party? Like what's it?

0:14:24.720 --> 0:14:27.560
<v Speaker 2>And you know what, though, you got to say, Brandon

0:14:27.560 --> 0:14:28.560
<v Speaker 2>should have stepped in there.

0:14:29.120 --> 0:14:32.440
<v Speaker 3>He's a sad kind of for Kelly's sake.

0:14:32.640 --> 0:14:35.680
<v Speaker 2>Like Kelly's gone through so much, she's coming tonight, Like

0:14:36.160 --> 0:14:39.480
<v Speaker 2>it's not easy going to a party in her situation.

0:14:40.080 --> 0:14:42.280
<v Speaker 2>He should have said no.

0:14:41.680 --> 0:14:43.680
<v Speaker 3>Why does he want this fellon in his house? Like

0:14:43.760 --> 0:14:44.720
<v Speaker 3>the who's great?

0:14:44.880 --> 0:14:46.560
<v Speaker 1>I don't think it's a very good idea.

0:14:46.720 --> 0:14:49.000
<v Speaker 3>He tried to say, no, there are a lot.

0:14:48.840 --> 0:14:50.560
<v Speaker 1>Of people that are going to be there that probably

0:14:50.560 --> 0:14:51.720
<v Speaker 1>aren't the biggest fan of his.

0:14:52.440 --> 0:14:54.360
<v Speaker 3>And like, Kelly has got all this money, why don't

0:14:54.360 --> 0:14:57.280
<v Speaker 3>you just get Tara Tara place to stay. The fact

0:14:57.280 --> 0:15:00.040
<v Speaker 3>that she I don't know, it's just all crazy. I

0:15:00.080 --> 0:15:00.640
<v Speaker 3>want her there.

0:15:00.920 --> 0:15:04.640
<v Speaker 2>It's crazy. Okay, So that happens back at the beach

0:15:04.680 --> 0:15:08.040
<v Speaker 2>House para. Tara borrows an alfit from Kelly to.

0:15:07.960 --> 0:15:12.920
<v Speaker 3>Wear to the party and her most favorite necklace or shadow.

0:15:14.160 --> 0:15:14.360
<v Speaker 2>Not on.

0:15:14.440 --> 0:15:18.840
<v Speaker 3>Tana loves the blatant foreshadow, but whatever doesn't like subtlety,

0:15:19.080 --> 0:15:22.240
<v Speaker 3>I too want No, I'm not going to make you

0:15:22.280 --> 0:15:25.400
<v Speaker 3>work for it, viewers. They're going to just really put

0:15:25.400 --> 0:15:26.400
<v Speaker 3>it in your face.

0:15:26.480 --> 0:15:27.280
<v Speaker 1>Drop it down there.

0:15:27.360 --> 0:15:44.480
<v Speaker 2>Yeah, okay, at see you. Joe and David are talking

0:15:44.480 --> 0:15:47.560
<v Speaker 2>about a video project that David's doing, and it'll happen

0:15:47.560 --> 0:15:48.280
<v Speaker 2>to tag party.

0:15:48.320 --> 0:15:49.760
<v Speaker 3>But we had to figure out a way to get

0:15:49.760 --> 0:15:52.239
<v Speaker 3>those two sort of connected again.

0:15:52.880 --> 0:15:53.560
<v Speaker 1>David and Donna.

0:15:53.920 --> 0:15:58.120
<v Speaker 3>Yeah, not as how, although Joe was being way too

0:15:58.240 --> 0:16:00.560
<v Speaker 3>like weird about it, he.

0:16:00.560 --> 0:16:02.960
<v Speaker 1>Was cool about it at first.

0:16:02.680 --> 0:16:03.800
<v Speaker 3>He got in the scene was.

0:16:05.760 --> 0:16:06.360
<v Speaker 1>So mopey.

0:16:06.880 --> 0:16:09.320
<v Speaker 2>Yeah, yeah, he acts like he has no other friends.

0:16:09.400 --> 0:16:10.920
<v Speaker 2>Isn't he friends with all of them? He just stands

0:16:10.960 --> 0:16:12.120
<v Speaker 2>there for himself the whole line.

0:16:12.520 --> 0:16:17.120
<v Speaker 1>That's weird, pouting, it's kind of creepy.

0:16:18.240 --> 0:16:20.840
<v Speaker 2>Back in Colan's apartment, so Hollr and Colon are making

0:16:20.880 --> 0:16:23.120
<v Speaker 2>out when he starts saying he would rather not go

0:16:23.160 --> 0:16:23.960
<v Speaker 2>to the can party.

0:16:24.120 --> 0:16:26.960
<v Speaker 1>I felt that they were in an odd making out position,

0:16:29.480 --> 0:16:33.000
<v Speaker 1>like she's just flat out laying on top of him

0:16:33.000 --> 0:16:37.440
<v Speaker 1>and his legs are spread a kimbo, and I don't know,

0:16:37.480 --> 0:16:39.600
<v Speaker 1>it just made me feel weird watching it.

0:16:41.800 --> 0:16:44.040
<v Speaker 2>We're back at the beach house. Back at the Beaches,

0:16:44.200 --> 0:16:48.520
<v Speaker 2>Terra finds out dead Rag, the medical student, not the doctor,

0:16:49.080 --> 0:16:52.920
<v Speaker 2>is going to the party. Is how should Tara feel

0:16:53.040 --> 0:16:55.359
<v Speaker 2>like she doesn't know anyone, really.

0:16:55.240 --> 0:16:58.640
<v Speaker 3>Feel happy for her friend who's doing everything for her,

0:16:58.720 --> 0:17:00.040
<v Speaker 3>but but she's.

0:17:00.200 --> 0:17:03.720
<v Speaker 1>Well yeah, true, I think also her coming out. She's

0:17:03.760 --> 0:17:08.160
<v Speaker 1>so vulnerable and frail right now after what she's been

0:17:08.160 --> 0:17:11.680
<v Speaker 1>through a rehab and everything. I can imagine she would

0:17:11.720 --> 0:17:14.960
<v Speaker 1>be feeling a little bit extra needy and.

0:17:14.640 --> 0:17:17.640
<v Speaker 3>I suppose, but she also could stay home and chill.

0:17:18.000 --> 0:17:20.320
<v Speaker 3>It's just like, I don't know, I can't.

0:17:20.760 --> 0:17:23.679
<v Speaker 2>Yeah, isn't there any other night of the week that

0:17:23.760 --> 0:17:27.359
<v Speaker 2>Kelly could have invited medical student, not doctor Greg to

0:17:27.480 --> 0:17:27.960
<v Speaker 2>go out?

0:17:28.560 --> 0:17:28.800
<v Speaker 1>Right?

0:17:29.080 --> 0:17:31.080
<v Speaker 3>That's an excellent point.

0:17:31.480 --> 0:17:36.119
<v Speaker 1>It was all just so planned out. Everybody had to

0:17:36.119 --> 0:17:37.800
<v Speaker 1>be at this party, but it didn't really make sense

0:17:37.840 --> 0:17:40.240
<v Speaker 1>for Kelly to take him to this party where he

0:17:40.280 --> 0:17:42.600
<v Speaker 1>knows no one, take her to this party where she

0:17:42.720 --> 0:17:45.480
<v Speaker 1>knows no one, and then expect it to be a

0:17:45.800 --> 0:17:46.840
<v Speaker 1>quote unquote date.

0:17:47.520 --> 0:17:49.800
<v Speaker 2>I agree. I don't feel yeah, you would ever do

0:17:49.840 --> 0:17:52.200
<v Speaker 2>that to either of them. So, yeah, they just want

0:17:52.280 --> 0:17:55.439
<v Speaker 2>everybody there. Okay, well let's take everybody there. Here we

0:17:55.480 --> 0:17:57.720
<v Speaker 2>are onto the party.

0:17:57.720 --> 0:17:59.560
<v Speaker 1>It really doesn't look that fun, honestly.

0:18:00.040 --> 0:18:05.280
<v Speaker 3>It looked kind of crowded, sweaty, and kind of lame, like.

0:18:05.240 --> 0:18:07.480
<v Speaker 2>Maybe in high school that kind of party would have been.

0:18:07.520 --> 0:18:11.080
<v Speaker 1>Okay, I was like, is anyone playing games anywhere? Like?

0:18:11.359 --> 0:18:13.879
<v Speaker 1>I was bored? You can go drink in the kitchen,

0:18:14.320 --> 0:18:15.760
<v Speaker 1>or you can go dance in the living room.

0:18:15.840 --> 0:18:18.040
<v Speaker 3>So Corns was somebody playing quarters?

0:18:18.119 --> 0:18:18.920
<v Speaker 1>Oh yeah, yeah yeah.

0:18:18.960 --> 0:18:22.600
<v Speaker 3>Months was yeah. Months. That poor guy. They gave him

0:18:22.600 --> 0:18:25.000
<v Speaker 3>barely anything to do, but they keep bringing him back.

0:18:25.560 --> 0:18:27.000
<v Speaker 1>I think he loved it. He was great.

0:18:27.400 --> 0:18:31.240
<v Speaker 3>Yeah, he probably was stoked, but he never really gets

0:18:31.240 --> 0:18:34.960
<v Speaker 3>like a juicy storyline, which is interesting, like we're working

0:18:35.000 --> 0:18:37.000
<v Speaker 3>so hard to make Colon happen and Tara Tara, but

0:18:37.040 --> 0:18:38.600
<v Speaker 3>we never tried to make Months happen.

0:18:38.680 --> 0:18:43.480
<v Speaker 1>Really, No, he was just like that comedic sidekick.

0:18:43.680 --> 0:18:48.600
<v Speaker 3>Yeah. Yeah to Steve, I guess it kind of looked

0:18:48.600 --> 0:18:50.119
<v Speaker 3>like a fun party. I don't know now that I

0:18:50.119 --> 0:18:53.280
<v Speaker 3>think about it really well, the Quarters looked fun. Yeah,

0:18:53.280 --> 0:18:55.600
<v Speaker 3>and you're just at a house party. You're in college.

0:18:56.560 --> 0:18:59.480
<v Speaker 3>If he's everyone there you liked, like, I guess that

0:18:59.480 --> 0:19:01.719
<v Speaker 3>would be fun. I think I'm looking at it with

0:19:01.720 --> 0:19:04.000
<v Speaker 3>fifty year old eyes, going, oh, I'm so tired.

0:19:04.200 --> 0:19:05.680
<v Speaker 1>Yeah, it's time for bed.

0:19:06.720 --> 0:19:08.119
<v Speaker 2>I didn't go to college, so I don't know, but

0:19:08.160 --> 0:19:09.879
<v Speaker 2>in high school that's what the parties look like, so

0:19:10.080 --> 0:19:12.760
<v Speaker 2>is I guess I expected more in the world of

0:19:12.800 --> 0:19:14.240
<v Speaker 2>the college, but now, like a.

0:19:14.200 --> 0:19:16.800
<v Speaker 3>House party that's it, you know. I mean, I think

0:19:17.200 --> 0:19:19.520
<v Speaker 3>that would be pretty fun. Actually, I take it back.

0:19:19.560 --> 0:19:22.520
<v Speaker 3>If I was in college and all my sorority sisters

0:19:22.520 --> 0:19:24.840
<v Speaker 3>were there and there was a bunch of cool essays there,

0:19:25.000 --> 0:19:25.760
<v Speaker 3>I think I would.

0:19:25.560 --> 0:19:28.240
<v Speaker 1>Like, it's a nice house, yeah.

0:19:27.920 --> 0:19:30.280
<v Speaker 3>And you're like, everyone's there and it's fun.

0:19:30.560 --> 0:19:31.840
<v Speaker 2>Why not? Yeah?

0:19:33.000 --> 0:19:34.920
<v Speaker 3>I actually feel like that would have been kind of fun.

0:19:35.320 --> 0:19:37.960
<v Speaker 3>So ignore me. I don't know what I'm talking about.

0:19:38.200 --> 0:19:40.560
<v Speaker 2>Except for the two half brothers who were teens and

0:19:40.640 --> 0:19:44.879
<v Speaker 2>there running around stealing everybody's cocktails, drinking.

0:19:45.480 --> 0:19:48.640
<v Speaker 3>Those two people that like went to get a bite

0:19:48.640 --> 0:19:49.760
<v Speaker 3>of food and then they were.

0:19:50.560 --> 0:19:52.440
<v Speaker 1>That guy was like, hey, where's more drink?

0:19:52.880 --> 0:19:57.440
<v Speaker 3>So bad and like he was he was so confused

0:19:57.480 --> 0:19:57.680
<v Speaker 3>by it.

0:19:57.760 --> 0:20:00.760
<v Speaker 2>I'm like, duh, well wait and mill you're like one

0:20:00.800 --> 0:20:01.560
<v Speaker 2>line though he was.

0:20:01.600 --> 0:20:05.040
<v Speaker 3>Pretty good, right, the dude just could get another one.

0:20:05.080 --> 0:20:07.679
<v Speaker 3>They're free, Okay.

0:20:07.720 --> 0:20:10.119
<v Speaker 2>So everybody's showing up the party.

0:20:10.359 --> 0:20:12.280
<v Speaker 1>Mm hmm. Donna's doing her reporting.

0:20:12.920 --> 0:20:16.360
<v Speaker 3>It's for their dumb TV college TV station. But it's

0:20:16.400 --> 0:20:18.040
<v Speaker 3>the most boring segment ever.

0:20:19.280 --> 0:20:21.879
<v Speaker 1>In Trouble, they were like, this is what the party was, Like,

0:20:21.920 --> 0:20:23.359
<v Speaker 1>everybody's drinking and.

0:20:23.600 --> 0:20:26.919
<v Speaker 3>Yes, because there's probably underaged people there. We know that

0:20:26.960 --> 0:20:30.280
<v Speaker 3>the two, you know, Beavis and butt Head are there,

0:20:31.920 --> 0:20:33.840
<v Speaker 3>but yeah, they had to figure out a way to

0:20:33.880 --> 0:20:36.360
<v Speaker 3>get you two together and to get Joe sort of bummed.

0:20:36.040 --> 0:20:37.520
<v Speaker 2>Out about it, I know.

0:20:37.640 --> 0:20:40.639
<v Speaker 1>Yeah, And mister moody pants in the corner. He's not

0:20:40.720 --> 0:20:41.880
<v Speaker 1>really cute when he's pouting.

0:20:42.320 --> 0:20:43.719
<v Speaker 3>No, he's cuter when he's smiling.

0:20:44.440 --> 0:20:48.040
<v Speaker 1>Yes, I mean it's probably It's got nothing to do

0:20:48.080 --> 0:20:50.320
<v Speaker 1>with his looks. It's just a vibe. It's like too

0:20:50.359 --> 0:20:56.520
<v Speaker 1>needy and disappointed. And Donna, can.

0:20:56.440 --> 0:20:58.520
<v Speaker 2>We talk about Colin Valerie and Kelly?

0:20:59.520 --> 0:21:01.720
<v Speaker 1>Yes, and comes Colon comes to the party. Did you

0:21:01.760 --> 0:21:07.280
<v Speaker 1>hear the voiceover though, when when he's walking in, Like

0:21:07.400 --> 0:21:09.639
<v Speaker 1>I could clearly tell that that was an added line

0:21:09.680 --> 0:21:12.040
<v Speaker 1>because he goes, I can't believe you got me to come.

0:21:13.000 --> 0:21:13.960
<v Speaker 3>Like looping.

0:21:15.160 --> 0:21:17.080
<v Speaker 2>Adr. Yeah, no, I didn't notice.

0:21:18.520 --> 0:21:20.560
<v Speaker 1>Also, there's the moment when we see off the set,

0:21:20.640 --> 0:21:25.119
<v Speaker 1>like when David is shooting you through his camera.

0:21:25.560 --> 0:21:28.560
<v Speaker 2>Through the through the kitchen into the like what would

0:21:28.560 --> 0:21:31.240
<v Speaker 2>be the foyer, but it's the archway, but it Yeah,

0:21:31.280 --> 0:21:33.159
<v Speaker 2>you probably noticed that right away, right.

0:21:33.280 --> 0:21:36.000
<v Speaker 1>Oh yeah, Oh, I've already I've already not commented on

0:21:36.040 --> 0:21:38.440
<v Speaker 1>how many booms I saw in that set. I'm trying

0:21:38.440 --> 0:21:41.520
<v Speaker 1>to refrain from that, but yeah, you see like that

0:21:41.600 --> 0:21:44.320
<v Speaker 1>there's no ceiling, you guys, there was no ceiling on

0:21:44.359 --> 0:21:48.400
<v Speaker 1>any of those sets unless the director like wanted them

0:21:48.440 --> 0:21:49.320
<v Speaker 1>to put a ceiling in.

0:21:49.800 --> 0:21:50.960
<v Speaker 3>Do we see that in this?

0:21:51.840 --> 0:21:54.960
<v Speaker 1>Yeah, you see off into like the dark blackness that

0:21:55.119 --> 0:21:56.880
<v Speaker 1>was the stage up there.

0:21:57.040 --> 0:21:58.040
<v Speaker 3>Can you put it on the screen.

0:21:58.240 --> 0:21:59.600
<v Speaker 2>No, one's caught that.

0:22:00.600 --> 0:22:04.440
<v Speaker 1>You cannot really see it as much from the Oh

0:22:04.320 --> 0:22:06.520
<v Speaker 1>the picture, it's kind of hard to see because it's

0:22:06.560 --> 0:22:07.560
<v Speaker 1>just dark up there, but.

0:22:08.720 --> 0:22:11.720
<v Speaker 3>That it just looks like they have fifty skylights.

0:22:11.920 --> 0:22:15.760
<v Speaker 1>It would be like a ceiling with Oh that's that's

0:22:15.840 --> 0:22:17.040
<v Speaker 1>funny behind there.

0:22:17.520 --> 0:22:19.560
<v Speaker 3>So the room you all are in doesn't have a

0:22:19.600 --> 0:22:20.320
<v Speaker 3>ceiling either.

0:22:21.720 --> 0:22:23.359
<v Speaker 1>Yeah. The only thing that was up there was like

0:22:23.480 --> 0:22:28.359
<v Speaker 1>rigging for lights. Yeah, a weird walkway that people could

0:22:28.400 --> 0:22:32.600
<v Speaker 1>walk on, which was always kind of creepy. I always

0:22:32.640 --> 0:22:35.160
<v Speaker 1>wondered who's up there? And I remember a few times

0:22:35.160 --> 0:22:37.600
<v Speaker 1>like looking up do you remember this and like seeing somebody?

0:22:37.840 --> 0:22:40.200
<v Speaker 2>Yeah, when you said walkway, I was like, I don't remember,

0:22:40.800 --> 0:22:41.720
<v Speaker 2>but crew members.

0:22:41.920 --> 0:22:45.439
<v Speaker 3>Yeah, it was four steps from the Walsh House to

0:22:45.520 --> 0:22:46.120
<v Speaker 3>the peach pit.

0:22:46.680 --> 0:22:49.440
<v Speaker 1>No, that was on a completely in a completely different warehouse.

0:22:49.760 --> 0:22:53.040
<v Speaker 3>Like, oh, okay, but you can walk. Okay, that's funny,

0:22:53.080 --> 0:22:54.800
<v Speaker 3>And I actually don't think I ever really thought of

0:22:54.840 --> 0:22:57.600
<v Speaker 3>it this way. So like, where's the beach house apartment

0:22:57.760 --> 0:23:01.080
<v Speaker 3>near that ste there's all squallsh house.

0:23:00.880 --> 0:23:04.879
<v Speaker 2>Right, Oh, we had three, yes.

0:23:05.680 --> 0:23:08.399
<v Speaker 1>And then we had the next door warehouse, which was

0:23:08.400 --> 0:23:13.359
<v Speaker 1>the peach Pit, and later on it was now where this.

0:23:15.160 --> 0:23:18.280
<v Speaker 3>After dark? Oh now where this? Oh my god, nowhere?

0:23:18.560 --> 0:23:20.800
<v Speaker 1>And then on the other one where next to the

0:23:20.840 --> 0:23:23.159
<v Speaker 1>porn studio, that's where the peach Pit was, right.

0:23:25.080 --> 0:23:27.840
<v Speaker 2>Use peach for dark. Yeah, so where you see people

0:23:27.880 --> 0:23:31.879
<v Speaker 2>parking to go into after dark, it was actually that stage.

0:23:32.520 --> 0:23:33.320
<v Speaker 2>There must have been something.

0:23:33.400 --> 0:23:35.960
<v Speaker 3>Oh, no way, so they sort of dressed up the

0:23:36.160 --> 0:23:37.400
<v Speaker 3>stage for the parking.

0:23:38.320 --> 0:23:40.320
<v Speaker 1>Yeah, I don't think we had that stage. And then

0:23:40.480 --> 0:23:42.360
<v Speaker 1>they didn't. They have to acquire it so we could

0:23:42.400 --> 0:23:44.439
<v Speaker 1>add on. Okay, yeah, I think that's kind of how

0:23:44.480 --> 0:23:45.040
<v Speaker 1>I remember it.

0:23:47.160 --> 0:23:49.280
<v Speaker 2>Peach Brad Dark. We must have had something else on

0:23:49.320 --> 0:23:51.480
<v Speaker 2>that stage, like Valerie's manager office, and.

0:23:51.560 --> 0:23:54.280
<v Speaker 1>Like, oh Dylan's house was in there.

0:23:54.880 --> 0:24:00.199
<v Speaker 2>Oh, oh my gosh, it's so weird, my gosh. So

0:24:00.520 --> 0:24:05.000
<v Speaker 2>beach Hoss apartment was like the furthest one away? Where

0:24:05.080 --> 0:24:10.760
<v Speaker 2>was that one that was the one you were saying? Where? Yeah, right, yes,

0:24:10.920 --> 0:24:11.600
<v Speaker 2>it was there.

0:24:13.359 --> 0:24:15.679
<v Speaker 3>I've been to this set of Days of Our Lives

0:24:16.119 --> 0:24:19.439
<v Speaker 3>and it's very takes away the magic because it's just

0:24:19.520 --> 0:24:22.000
<v Speaker 3>like lined up, lined up, lined up, lined up, lined up,

0:24:22.040 --> 0:24:25.560
<v Speaker 3>lined up, lined up, and you're like, the what and

0:24:25.640 --> 0:24:28.639
<v Speaker 3>it looks real on TV and so fake. I'll line up,

0:24:28.640 --> 0:24:30.840
<v Speaker 3>lined up, lined up. At least it feels like you

0:24:30.880 --> 0:24:32.480
<v Speaker 3>had bigger spaces.

0:24:33.760 --> 0:24:35.879
<v Speaker 2>Wait, what was on the other side of the Walsh

0:24:35.920 --> 0:24:39.200
<v Speaker 2>House on our main set where our dressing rooms were?

0:24:40.640 --> 0:24:42.960
<v Speaker 1>Did they use that? Like, I know Kelly's bedroom was

0:24:43.040 --> 0:24:48.600
<v Speaker 1>right there, okay, right outside the dressing rooms, but it

0:24:48.640 --> 0:24:51.600
<v Speaker 1>wasn't always up so they would rotate stuff like the

0:24:52.080 --> 0:24:54.919
<v Speaker 1>Waalsh House was always there standing like the inter of

0:24:54.920 --> 0:24:57.959
<v Speaker 1>the dining room, the kitchen and the living room, and

0:24:58.000 --> 0:25:02.000
<v Speaker 1>that stairway to nowhere, that little outside patio and yeah,

0:25:02.040 --> 0:25:05.000
<v Speaker 1>the little front entryway and the back.

0:25:04.800 --> 0:25:07.520
<v Speaker 2>One where they like were they accused Ray of stealing

0:25:07.560 --> 0:25:09.200
<v Speaker 2>the cocktail ring?

0:25:10.400 --> 0:25:12.399
<v Speaker 1>Was that the back or the side because in this

0:25:12.440 --> 0:25:15.000
<v Speaker 1>episode we see the side entrance.

0:25:15.280 --> 0:25:17.640
<v Speaker 2>Well, it's connected to the kitchens right off the kitchen.

0:25:18.760 --> 0:25:22.080
<v Speaker 1>Where is that where he passed out in this episode. Yes, yes, yes,

0:25:22.160 --> 0:25:24.359
<v Speaker 1>yes that's I think off the side kitchen door, but

0:25:24.440 --> 0:25:26.880
<v Speaker 1>off the back like patio doors. That was what led

0:25:26.920 --> 0:25:28.119
<v Speaker 1>to like where the wedding was.

0:25:29.160 --> 0:25:32.800
<v Speaker 2>Oh that that wasn't really that wasn't always there, right, okay?

0:25:34.040 --> 0:25:36.439
<v Speaker 3>Gilmour Girls is a bit more magical because you like,

0:25:37.160 --> 0:25:39.440
<v Speaker 3>go on the Warner Brothers lot and you see Luke

0:25:39.520 --> 0:25:41.399
<v Speaker 3>Steiner and you actually go into it.

0:25:41.880 --> 0:25:45.920
<v Speaker 1>Ah, yeah, are they just? The only ones that were

0:25:45.960 --> 0:25:49.000
<v Speaker 1>standing all the time was the Walsh House and then

0:25:49.600 --> 0:25:53.840
<v Speaker 1>whoever's I don't remember what else the beach your apartment, Yeah,

0:25:53.840 --> 0:25:54.520
<v Speaker 1>the beach apartment.

0:25:54.560 --> 0:26:00.160
<v Speaker 3>And I was weirdly thinking about this watching this episode.

0:26:00.320 --> 0:26:04.000
<v Speaker 3>It is very interesting that they created the beach House

0:26:04.000 --> 0:26:08.840
<v Speaker 3>apartment to be like the actual Beach House apartment in

0:26:10.320 --> 0:26:13.919
<v Speaker 3>like hermosa, Like do you know what I'm saying? You

0:26:13.960 --> 0:26:16.480
<v Speaker 3>could have just used the exterior and the interior could

0:26:16.480 --> 0:26:20.400
<v Speaker 3>have been however anybody wants it, right, But they actually

0:26:20.840 --> 0:26:23.560
<v Speaker 3>mimicked it exactly. I don't know why.

0:26:24.480 --> 0:26:26.919
<v Speaker 1>The windows, it's the placement of the windows that they

0:26:26.960 --> 0:26:30.040
<v Speaker 1>had to have the same. Probably well they did.

0:26:30.200 --> 0:26:33.640
<v Speaker 2>They did it was inspired by a look at that house.

0:26:34.400 --> 0:26:36.800
<v Speaker 1>But my point was earlier, Like I think that at

0:26:36.840 --> 0:26:40.919
<v Speaker 1>that time our sets were amazing, Like they were like

0:26:40.960 --> 0:26:43.600
<v Speaker 1>you said, they were really big, they had high ceilings,

0:26:44.760 --> 0:26:48.800
<v Speaker 1>they looked real, like the tile and everything. Like I

0:26:48.840 --> 0:26:52.639
<v Speaker 1>feel like I remember our sets being like, uh, you know,

0:26:52.680 --> 0:26:55.960
<v Speaker 1>a step ahead when we were actually filming them, But

0:26:56.000 --> 0:26:57.919
<v Speaker 1>now when we look back, it doesn't look like that.

0:26:59.000 --> 0:26:59.680
<v Speaker 2>Yeah, you're right.

0:27:00.000 --> 0:27:01.080
<v Speaker 3>Anyway, we digress.

0:27:01.160 --> 0:27:03.640
<v Speaker 2>But the interesting fans like would come to the set though,

0:27:03.680 --> 0:27:06.439
<v Speaker 2>they would be super excited to see it all in person.

0:27:06.720 --> 0:27:09.240
<v Speaker 2>It wasn't like low rent. It was like no, no,

0:27:09.880 --> 0:27:10.720
<v Speaker 2>well done.

0:27:10.840 --> 0:27:11.760
<v Speaker 1>Yeah, well done.

0:27:12.040 --> 0:27:26.880
<v Speaker 2>Yeah. Wait, let's go back to Colon and Kelly because

0:27:27.200 --> 0:27:30.640
<v Speaker 2>that interchange exchange a weird kiss.

0:27:31.119 --> 0:27:32.120
<v Speaker 1>I did she kiss him?

0:27:32.240 --> 0:27:35.159
<v Speaker 2>I don't know. And I got so nervous for you

0:27:35.240 --> 0:27:37.760
<v Speaker 2>slash Kelly when she was going in, I'm like, what's happening,

0:27:37.840 --> 0:27:38.920
<v Speaker 2>what's happening? Yeah.

0:27:38.920 --> 0:27:41.320
<v Speaker 1>At first she was like very it was very realistic.

0:27:41.400 --> 0:27:42.760
<v Speaker 1>She didn't want to look him in the eye and

0:27:42.800 --> 0:27:47.720
<v Speaker 1>she was like, oh, good for you, and that was uncomfortable.

0:27:47.760 --> 0:27:49.400
<v Speaker 1>But then the kiss threw me too.

0:27:50.320 --> 0:27:51.359
<v Speaker 3>Yeah, that was weird.

0:27:52.760 --> 0:27:54.159
<v Speaker 2>She's not going to go back to him at all.

0:27:54.160 --> 0:27:55.000
<v Speaker 2>I want to go back to him.

0:27:55.000 --> 0:27:58.960
<v Speaker 3>Correct, No, no, because okay, good I don't think so,

0:27:59.080 --> 0:28:00.840
<v Speaker 3>because if I remember, remember what's happening.

0:28:01.160 --> 0:28:06.320
<v Speaker 1>Okay, it was like a sweet goodbye kiss like closure. Okay,

0:28:06.440 --> 0:28:09.520
<v Speaker 1>let's call it that. At least it was on the lips.

0:28:10.000 --> 0:28:10.320
<v Speaker 3>Correct.

0:28:10.440 --> 0:28:12.040
<v Speaker 2>Yeah, but it was a little it was a little

0:28:12.040 --> 0:28:14.159
<v Speaker 2>smoochy like, it was a little.

0:28:13.920 --> 0:28:19.800
<v Speaker 1>Like slow and tender, and and Valerie saw it.

0:28:19.960 --> 0:28:21.280
<v Speaker 2>It was not happy.

0:28:21.640 --> 0:28:24.360
<v Speaker 1>Oh my god, your Valerie.

0:28:25.480 --> 0:28:28.960
<v Speaker 2>You walk by Valerie. Your shoulder like swing as he

0:28:29.320 --> 0:28:31.119
<v Speaker 2>like veer off was epic.

0:28:33.400 --> 0:28:36.040
<v Speaker 1>Like I'm sure Kelly just had to give her that.

0:28:36.520 --> 0:28:41.000
<v Speaker 2>Little Yeah, she was not happy. Can we talk about

0:28:41.080 --> 0:28:46.360
<v Speaker 2>David filming everybody's entrances? And medical student not doctor Greg

0:28:46.560 --> 0:28:49.120
<v Speaker 2>walks in? How awkward to ask him, but what he

0:28:49.280 --> 0:28:50.680
<v Speaker 2>said was even more awkward.

0:28:51.360 --> 0:28:56.320
<v Speaker 1>The poem roses are red, violets are blue. I have

0:28:56.320 --> 0:28:59.120
<v Speaker 1>no idea what the rest was. I don't know you.

0:28:59.240 --> 0:29:00.720
<v Speaker 2>I don't know you. How do you do.

0:29:03.080 --> 0:29:05.520
<v Speaker 1>Well? He's clever, he's a medical student, so he has

0:29:05.520 --> 0:29:07.240
<v Speaker 1>to think quick on his toes.

0:29:07.440 --> 0:29:09.960
<v Speaker 2>There, and David couldn't even give him crap. He was

0:29:10.040 --> 0:29:15.680
<v Speaker 2>just like, okay, yeah, all right, yeah, what.

0:29:15.680 --> 0:29:18.560
<v Speaker 1>About when Kelly and Brandon have their moment? When she

0:29:18.720 --> 0:29:23.760
<v Speaker 1>comes there and he hugs her and then he says,

0:29:23.800 --> 0:29:25.880
<v Speaker 1>how are you feeling? And she says good or something

0:29:25.960 --> 0:29:27.800
<v Speaker 1>like that, and then he hugs her and he's like, yeah,

0:29:27.840 --> 0:29:29.840
<v Speaker 1>you do feel good? Something super dracy.

0:29:29.920 --> 0:29:32.840
<v Speaker 3>Yeah, there was a Yes, there was another dirty, dirty

0:29:32.920 --> 0:29:33.440
<v Speaker 3>line here.

0:29:33.960 --> 0:29:35.120
<v Speaker 2>My huggs a little too long?

0:29:35.720 --> 0:29:38.400
<v Speaker 1>Locked it not, of course no, but like.

0:29:38.360 --> 0:29:42.240
<v Speaker 2>If Brandon cares so much, he shouldn't have invited her

0:29:42.400 --> 0:29:44.120
<v Speaker 2>ex boyfriend who's an addict over.

0:29:46.520 --> 0:29:48.360
<v Speaker 1>If he cares about his girlfriend, maybe he shouldn't have

0:29:48.400 --> 0:29:49.120
<v Speaker 1>invited Kelly.

0:29:50.680 --> 0:29:52.440
<v Speaker 2>Oh, you're right. That just keeps going.

0:29:52.720 --> 0:29:55.720
<v Speaker 1>But yeah, that's, you know, core. They got to have

0:29:55.760 --> 0:29:56.400
<v Speaker 1>the core there.

0:29:58.240 --> 0:30:00.640
<v Speaker 2>And when Donna's taping, like doing a video, and she

0:30:00.680 --> 0:30:04.240
<v Speaker 2>comes over and she's like Brandon Waltz and then she

0:30:04.320 --> 0:30:06.800
<v Speaker 2>goes and his girlfriend I thought for a moment like

0:30:06.880 --> 0:30:09.480
<v Speaker 2>did I forget her name or like I didn't say

0:30:09.520 --> 0:30:15.440
<v Speaker 2>and his girlfriend Susan. I'm like, and his girlfriend it happens.

0:30:15.480 --> 0:30:16.240
<v Speaker 1>See, it's not just me.

0:30:17.120 --> 0:30:20.479
<v Speaker 2>And it made me think of that, and who is this?

0:30:22.080 --> 0:30:23.680
<v Speaker 1>Her hair was wait wait wait, can we talk about

0:30:23.680 --> 0:30:28.200
<v Speaker 1>her hair? It was just very brick curly. It was

0:30:29.600 --> 0:30:33.560
<v Speaker 1>very curly, very poofy and same with Tera Tara. Her

0:30:33.600 --> 0:30:40.320
<v Speaker 1>hair was like a whoop, Like, I know, Walt did that,

0:30:40.680 --> 0:30:46.719
<v Speaker 1>not bless his heart, but that's a Walt do if

0:30:46.720 --> 0:30:47.520
<v Speaker 1>I ever saw one.

0:30:48.000 --> 0:30:50.320
<v Speaker 2>You know, he worked long and hard on that wig.

0:30:50.480 --> 0:30:54.560
<v Speaker 1>Was probably better. Yeah, oh my god.

0:30:55.160 --> 0:30:57.960
<v Speaker 2>Yeah, there's a lot of hair in this episode. Okay,

0:30:58.240 --> 0:31:00.080
<v Speaker 2>so the main part of the party, can we go

0:31:00.120 --> 0:31:00.360
<v Speaker 2>to it?

0:31:00.880 --> 0:31:02.320
<v Speaker 1>Yeah?

0:31:02.200 --> 0:31:07.000
<v Speaker 2>Uh, already the teens are drinking too much and Ryan

0:31:07.280 --> 0:31:09.560
<v Speaker 2>slash Randy passes out.

0:31:10.120 --> 0:31:13.640
<v Speaker 1>Yeah, duncan dum. Very good drunk acting. I thought on

0:31:13.720 --> 0:31:16.440
<v Speaker 1>Randy's part when he was like in the living room

0:31:16.440 --> 0:31:17.320
<v Speaker 1>and he's getting all.

0:31:18.720 --> 0:31:22.360
<v Speaker 2>The boys did great. They did Drunk acting is not easy,

0:31:22.760 --> 0:31:25.840
<v Speaker 2>not easy, especially when you're stone cold sober in the

0:31:25.880 --> 0:31:28.080
<v Speaker 2>middle of the day or never helps.

0:31:28.240 --> 0:31:31.560
<v Speaker 3>You know. They're actually good. Obviously a brother, but the

0:31:31.600 --> 0:31:34.200
<v Speaker 3>other guy, they're good. They're actually really good. Thank god.

0:31:34.200 --> 0:31:38.160
<v Speaker 3>There's a doctor in the house, right yeah, oh my gosh.

0:31:38.200 --> 0:31:38.400
<v Speaker 2>Wait.

0:31:38.520 --> 0:31:41.040
<v Speaker 1>Dave was not watching it. He was just listening to it,

0:31:41.080 --> 0:31:43.560
<v Speaker 1>and he was like, well, oh, that's so convenient there's

0:31:43.600 --> 0:31:45.840
<v Speaker 1>a doctor there at the party. I was like, he's

0:31:45.840 --> 0:31:47.120
<v Speaker 1>not a doctor, he's a med student.

0:31:49.360 --> 0:31:52.040
<v Speaker 3>I believe itification.

0:31:52.760 --> 0:31:55.720
<v Speaker 2>But I was like, well, what if he hadn't been there,

0:31:56.360 --> 0:31:57.880
<v Speaker 2>Would they have known that it was out?

0:31:57.920 --> 0:31:58.000
<v Speaker 1>Oh?

0:31:58.480 --> 0:32:01.440
<v Speaker 2>Boys, I don't know around some of that alcohol poisoning.

0:32:01.520 --> 0:32:06.560
<v Speaker 2>I was like, yeah, because you could die, you pass out. Yeah, yeah,

0:32:06.880 --> 0:32:09.000
<v Speaker 2>I think he would know. I don't think anyone would

0:32:09.040 --> 0:32:10.720
<v Speaker 2>think it was bad chicken. I think you would know

0:32:10.880 --> 0:32:11.680
<v Speaker 2>this guy's in trouble.

0:32:11.720 --> 0:32:13.880
<v Speaker 1>Well, they would definitely know he had too much to drink.

0:32:13.880 --> 0:32:15.720
<v Speaker 1>But would they know that that is a date, like

0:32:15.800 --> 0:32:17.760
<v Speaker 1>he had had a dangerous level of alcohol?

0:32:18.200 --> 0:32:19.920
<v Speaker 2>Right, he could have just drink too much and just

0:32:20.040 --> 0:32:20.560
<v Speaker 2>passed out.

0:32:20.640 --> 0:32:22.520
<v Speaker 1>Yeah, They'll like, let him sleep it off, He'll be fine,

0:32:22.600 --> 0:32:24.680
<v Speaker 1>yeah exactly. Then then he dies.

0:32:24.880 --> 0:32:27.400
<v Speaker 2>He'd be vomiting. What he be? Is there some like

0:32:27.440 --> 0:32:30.120
<v Speaker 2>how do you know when someone is like, oh, we

0:32:30.200 --> 0:32:30.880
<v Speaker 2>got to go to the er.

0:32:31.280 --> 0:32:35.600
<v Speaker 1>I'm just asking, especially a little like a little lightweight

0:32:35.720 --> 0:32:39.880
<v Speaker 1>like Randy, his little body can't handle that much alcohol.

0:32:40.560 --> 0:32:43.720
<v Speaker 3>Immediately call mine one one. We're back at the hospital.

0:32:44.280 --> 0:32:49.280
<v Speaker 1>Okay, so is back with Randy. I mean I don't

0:32:49.280 --> 0:32:50.320
<v Speaker 1>know his character name.

0:32:50.320 --> 0:32:54.040
<v Speaker 2>Well, actually, we're back at Colon's apartment. First, Oh boy, now,

0:32:56.200 --> 0:32:59.600
<v Speaker 2>oh my god, this this is valeries upset. The way

0:32:59.720 --> 0:33:03.400
<v Speaker 2>that Colin looked at Kelly made her feel terrible. Colan

0:33:03.440 --> 0:33:05.760
<v Speaker 2>tells her that he loves her.

0:33:05.840 --> 0:33:08.240
<v Speaker 1>He loves her and he's and she says, are you

0:33:08.280 --> 0:33:11.920
<v Speaker 1>sure about that? And he's like, yes, I'm sure. So

0:33:11.920 --> 0:33:13.200
<v Speaker 1>so much conviction.

0:33:14.320 --> 0:33:18.960
<v Speaker 2>Sleep, Oh yeah, of course. Okay, back to the hospital. Now.

0:33:19.240 --> 0:33:21.600
<v Speaker 2>Rush arrives at the hospital and he's like, what did

0:33:21.640 --> 0:33:26.760
<v Speaker 2>you do? He's so mad, he was so mad. And

0:33:26.800 --> 0:33:30.360
<v Speaker 2>they hear that Ryan Slash Randy has been transferred from

0:33:30.440 --> 0:33:34.680
<v Speaker 2>the ER to the ICU that's intensive care.

0:33:36.120 --> 0:33:39.440
<v Speaker 3>Yeah, it's very bad, right, it's very serious. And also

0:33:39.520 --> 0:33:43.680
<v Speaker 3>though I'm not sure, I don't know, I'm not sure

0:33:43.720 --> 0:33:47.400
<v Speaker 3>how Rush felt that Steve should have handled this, like

0:33:47.560 --> 0:33:50.520
<v Speaker 3>they should have told the teenagers don't drink, which Steve

0:33:50.600 --> 0:33:52.200
<v Speaker 3>tried to do. But then Steve did let him have

0:33:52.240 --> 0:33:52.600
<v Speaker 3>the one.

0:33:53.120 --> 0:33:53.840
<v Speaker 2>I don't know.

0:33:54.520 --> 0:33:57.440
<v Speaker 3>I don't know who's to blame here, probably Rush.

0:33:56.920 --> 0:33:58.719
<v Speaker 2>And I felt that way in the moment that I

0:33:58.760 --> 0:34:02.120
<v Speaker 2>was like, Steve could technically defend himself here, like he

0:34:02.200 --> 0:34:05.480
<v Speaker 2>could say I didn't know, I didn't you know, right,

0:34:05.480 --> 0:34:06.280
<v Speaker 2>But he's just like.

0:34:07.600 --> 0:34:09.960
<v Speaker 1>He didn't know, Yeah, he didn't know. He was like,

0:34:10.200 --> 0:34:11.600
<v Speaker 1>let him let him drink.

0:34:12.000 --> 0:34:14.680
<v Speaker 2>Yeah, he did the right thing. Back at the beach apartment.

0:34:15.760 --> 0:34:20.240
<v Speaker 2>Medical student not doctor, Greg drops Kelly and Tara Tara

0:34:20.280 --> 0:34:24.359
<v Speaker 2>off after the party. They go outside to have a moments.

0:34:25.120 --> 0:34:27.280
<v Speaker 2>Tara's very creepy.

0:34:28.200 --> 0:34:30.640
<v Speaker 3>She's so lingery and creepy here.

0:34:31.680 --> 0:34:35.000
<v Speaker 1>It was so awkward when she was like, we should

0:34:35.000 --> 0:34:36.640
<v Speaker 1>go inside, Kelly, it's cold.

0:34:40.600 --> 0:34:43.319
<v Speaker 3>That's just pretty fantastic, Like, oh, but I guess it

0:34:43.360 --> 0:34:44.120
<v Speaker 3>was supposed to be.

0:34:45.520 --> 0:34:47.839
<v Speaker 1>Do you think that Kelly felt like she had to

0:34:47.960 --> 0:34:50.840
<v Speaker 1>like give him a good night moment?

0:34:52.160 --> 0:34:55.240
<v Speaker 2>Do you think that wanted to like that guy? But again,

0:34:56.239 --> 0:35:03.799
<v Speaker 2>she just got out of rehabs and ada like her

0:35:03.840 --> 0:35:06.600
<v Speaker 2>life is going out with a woman whose name no

0:35:06.600 --> 0:35:10.200
<v Speaker 2>one can remember and it's this hard. So she's gonna

0:35:10.239 --> 0:35:13.960
<v Speaker 2>go for the next it's rebound, rebound. She's a cute together.

0:35:13.960 --> 0:35:16.560
<v Speaker 2>It was a cute kiss, and I felt like Tara

0:35:16.760 --> 0:35:21.239
<v Speaker 2>Tara was just like drooling inside. It made me super uncomfortable.

0:35:22.960 --> 0:35:27.760
<v Speaker 1>Necklace, necklace, and then all the all the beads dropping

0:35:27.800 --> 0:35:30.000
<v Speaker 1>on the floor, so symbolic.

0:35:30.960 --> 0:35:33.960
<v Speaker 2>Yeah yeah, back of the hospital. Doctor comes and tells

0:35:34.040 --> 0:35:36.600
<v Speaker 2>Rush and Steve that Ryan Slash Randy will be okay

0:35:37.080 --> 0:35:38.480
<v Speaker 2>after they pump his stomach.

0:35:39.040 --> 0:35:40.239
<v Speaker 3>Oh my gosh.

0:35:40.600 --> 0:35:43.840
<v Speaker 2>Cossa Walsh Brandon answers the phone and he seems annoyed.

0:35:43.920 --> 0:35:45.560
<v Speaker 2>So I was like, it can't be about them calling

0:35:45.560 --> 0:35:48.319
<v Speaker 2>from the hospital, but it was. It was Claire and

0:35:48.880 --> 0:35:52.080
<v Speaker 2>she says to Ryan slash Randy's going to be okay

0:35:52.080 --> 0:35:55.440
<v Speaker 2>and tells the brother, okay, Steve, Ryan slash Randy in

0:35:55.480 --> 0:35:57.360
<v Speaker 2>the hospital room, we're about to end the episode, and

0:35:57.440 --> 0:35:58.200
<v Speaker 2>he wakes up.

0:35:58.920 --> 0:36:02.880
<v Speaker 1>He wakes up and then details him I love you. Yeah,

0:36:02.880 --> 0:36:05.040
<v Speaker 1>and that's the end of the episode.

0:36:04.880 --> 0:36:08.160
<v Speaker 3>That should have come before the crazy necklace pull and

0:36:08.320 --> 0:36:08.879
<v Speaker 3>end on that.

0:36:08.960 --> 0:36:11.920
<v Speaker 2>Yeah, okay. So I'm gonna not make this uncomfortable for

0:36:12.080 --> 0:36:13.799
<v Speaker 2>my fellow co host. I'm gonna take this right out

0:36:13.800 --> 0:36:17.279
<v Speaker 2>of your hands right now. The obvious reason is my

0:36:17.400 --> 0:36:21.640
<v Speaker 2>dad like they ended on Randy because in my dad'll say,

0:36:21.719 --> 0:36:24.480
<v Speaker 2>think of that. I don't have to comment, Oh, I

0:36:24.480 --> 0:36:26.800
<v Speaker 2>didn't think of that. You would never end the episode.

0:36:26.920 --> 0:36:29.400
<v Speaker 1>I honestly did not think you didn't think.

0:36:29.200 --> 0:36:31.040
<v Speaker 3>It was I didn't even think of that.

0:36:31.160 --> 0:36:34.160
<v Speaker 1>But I wasn't even thinking of the father's son situation

0:36:34.440 --> 0:36:34.839
<v Speaker 1>at all.

0:36:35.560 --> 0:36:38.120
<v Speaker 2>Would you ever though? But think about it now? Now

0:36:38.200 --> 0:36:41.240
<v Speaker 2>go back and replay it. You end your final scene

0:36:41.320 --> 0:36:46.480
<v Speaker 2>and it's a slow camera pan in someone that's not

0:36:46.560 --> 0:36:47.799
<v Speaker 2>even recurring, like.

0:36:48.640 --> 0:36:50.040
<v Speaker 1>But he did almost die.

0:36:51.760 --> 0:36:54.480
<v Speaker 3>It make such a great point. I really think you're right.

0:36:54.560 --> 0:36:57.680
<v Speaker 2>Sorry, and I'm not saying that my dad asked because

0:36:57.680 --> 0:37:00.640
<v Speaker 2>he would not no, no like that. Yeah, they like, oh,

0:37:01.760 --> 0:37:05.799
<v Speaker 2>we better push in on the son. And I'm sure

0:37:05.840 --> 0:37:07.880
<v Speaker 2>he was like in there like freeze. They were like,

0:37:08.840 --> 0:37:11.399
<v Speaker 2>he didn't say anything there for he was good with it.

0:37:11.600 --> 0:37:14.120
<v Speaker 3>Yes, I did not even think of that, And that

0:37:14.239 --> 0:37:16.040
<v Speaker 3>is a great, great point for sure.

0:37:16.520 --> 0:37:18.239
<v Speaker 2>I mean he was great in the scene.

0:37:18.239 --> 0:37:22.640
<v Speaker 1>He was Yeah, I love that Amy, and neither of

0:37:22.680 --> 0:37:26.759
<v Speaker 1>us went there. I'm very that's all saying something right there.

0:37:26.840 --> 0:37:28.239
<v Speaker 3>Yeah, good, really good?

0:37:28.400 --> 0:37:28.799
<v Speaker 2>Is it over?

0:37:29.480 --> 0:37:32.080
<v Speaker 3>Very long podcast, but really good episode.

0:37:33.760 --> 0:37:35.479
<v Speaker 2>It's my first time going to see my scene.

0:37:35.920 --> 0:37:37.520
<v Speaker 1>Did good time, very different.

0:37:37.560 --> 0:37:39.160
<v Speaker 3>I think we should take it to the people for

0:37:39.440 --> 0:37:42.239
<v Speaker 3>twenty twenty five. If they want us to just speed.

0:37:41.920 --> 0:37:44.239
<v Speaker 2>It up a little bit, we can mix it up,

0:37:44.760 --> 0:37:46.439
<v Speaker 2>go through the storyline one week.

0:37:47.239 --> 0:37:50.000
<v Speaker 1>For me, the story want to do like ABC storyline.

0:37:50.000 --> 0:37:51.040
<v Speaker 1>Remember I just.

0:37:50.880 --> 0:37:55.200
<v Speaker 3>Remember that because to rip on everybody.

0:37:54.719 --> 0:37:58.160
<v Speaker 1>I like, get it out of your system, right, I just.

0:37:58.200 --> 0:38:02.400
<v Speaker 3>Been like Colon hit the oh dude, and that's it.

0:38:02.440 --> 0:38:04.080
<v Speaker 1>What do you guys give it I'm gonna give it

0:38:04.120 --> 0:38:04.960
<v Speaker 1>a eight and a half.

0:38:05.239 --> 0:38:07.560
<v Speaker 3>You're gonna say ten. You held up both hands eight

0:38:07.600 --> 0:38:10.840
<v Speaker 3>and a half. I'm going nine. I'm going nine, Tori,

0:38:11.560 --> 0:38:12.440
<v Speaker 3>you finish yourself.

0:38:12.480 --> 0:38:14.879
<v Speaker 2>Oh dear, I was gonna say seven and a half,

0:38:14.960 --> 0:38:17.280
<v Speaker 2>but then I'm bumping up to an eight because my brother.

0:38:17.560 --> 0:38:18.960
<v Speaker 2>I don't even know why. I just think it was

0:38:19.000 --> 0:38:21.239
<v Speaker 2>a really good episode, but there was just so many

0:38:21.280 --> 0:38:23.279
<v Speaker 2>and I don't look at it typically like the way

0:38:23.280 --> 0:38:25.360
<v Speaker 2>you guys do and look at all the things that

0:38:25.400 --> 0:38:28.359
<v Speaker 2>don't make sense. But I couldn't help myself this episode.

0:38:29.200 --> 0:38:30.920
<v Speaker 1>Welcome to the Club of negativity.

0:38:31.000 --> 0:38:31.120
<v Speaker 2>Ah.

0:38:31.600 --> 0:38:33.960
<v Speaker 3>I have could think of a dirty double entendre to

0:38:34.080 --> 0:38:35.920
<v Speaker 3>end things with, but it's so hard.

0:38:38.160 --> 0:38:39.560
<v Speaker 1>Where it is it, I.

0:38:39.520 --> 0:38:41.520
<v Speaker 3>Don't know, but I just want to hold on to it.

0:38:41.920 --> 0:38:42.480
<v Speaker 2>Okay.

0:38:42.520 --> 0:38:46.320
<v Speaker 1>On that note, next week we have episode twenty six.

0:38:46.560 --> 0:38:49.800
<v Speaker 1>The season's coming to an end at some point, flirting

0:38:49.880 --> 0:38:52.960
<v Speaker 1>with disaster. Ooh, that sounds exciting.