1 00:00:00,240 --> 00:00:05,520 Speaker 1: It's nine O Gene onegin with Jenny Garth and Tory spelling. 2 00:00:09,720 --> 00:00:12,160 Speaker 2: You guys, this is a smashing good time because the 3 00:00:12,200 --> 00:00:13,760 Speaker 2: three of us are back together. 4 00:00:14,320 --> 00:00:17,599 Speaker 3: Did you guys catch all the dirty double entaundras in 5 00:00:17,640 --> 00:00:20,160 Speaker 3: this episode? It was dirty? 6 00:00:20,880 --> 00:00:26,000 Speaker 1: Oh yeah, yeah, it was a good one. Though. iHeart 7 00:00:26,200 --> 00:00:32,440 Speaker 1: podcasts listen on the iHeartRadio app. I actually think this 8 00:00:32,560 --> 00:00:34,360 Speaker 1: was a good episode, did you guys. 9 00:00:34,240 --> 00:00:38,520 Speaker 3: Because we see how crazy what's her name is becoming? Tara? Tara? 10 00:00:39,280 --> 00:00:42,440 Speaker 3: It is Tara, but she's really the necklace breaking and 11 00:00:42,479 --> 00:00:47,640 Speaker 3: it was so old. What's going on? Tara Tara? 12 00:00:48,120 --> 00:00:51,680 Speaker 1: Yeah, Kelly did say this is my favorite necklace. 13 00:00:52,280 --> 00:00:52,880 Speaker 3: Where to begin? 14 00:00:53,640 --> 00:00:58,800 Speaker 1: This is season six, you guys, Episode twenty five Smashed 15 00:00:59,480 --> 00:01:01,840 Speaker 1: aired March twentieth, nineteen ninety six. 16 00:01:02,480 --> 00:01:05,920 Speaker 2: Synopsis Valeries high priced lawyer says Colin is looking at 17 00:01:05,959 --> 00:01:08,600 Speaker 2: six months in a slamoor and he is not pleased 18 00:01:08,600 --> 00:01:11,760 Speaker 2: with the plea deal. Kelly brings home her rehab bestie 19 00:01:11,840 --> 00:01:15,720 Speaker 2: Hara Marks, despite concerns voice by Don and Claire. Meanwhile, 20 00:01:15,800 --> 00:01:19,480 Speaker 2: medical resident Greg clearly wants to play doctor Kelly and 21 00:01:19,520 --> 00:01:22,679 Speaker 2: Steve's little brother's party hardy until one of them ends 22 00:01:22,760 --> 00:01:25,160 Speaker 2: up in the er H directed. 23 00:01:24,760 --> 00:01:28,639 Speaker 1: By Charles Carell, written by Meredith Steve. I like season 24 00:01:28,680 --> 00:01:33,920 Speaker 1: six juicy. It's crazy, so juicy episode. 25 00:01:34,000 --> 00:01:36,640 Speaker 3: I like season six it's totally crazy and far fetched 26 00:01:36,640 --> 00:01:41,640 Speaker 3: in a million ways, Like Holland Colon, why did you run? 27 00:01:42,520 --> 00:01:45,640 Speaker 3: You barely would even have a criminal offense against you? 28 00:01:46,120 --> 00:01:50,200 Speaker 1: Was he He's as you plee pleap blee peep. 29 00:01:50,960 --> 00:01:55,200 Speaker 3: I can't stay when I say that, I can't wait 30 00:01:55,720 --> 00:01:56,600 Speaker 3: to get rid of him. 31 00:01:56,760 --> 00:01:58,240 Speaker 2: Does he stayed through the rest of the season. 32 00:01:58,760 --> 00:02:01,520 Speaker 1: He's got to be leaving so. 33 00:02:00,800 --> 00:02:03,279 Speaker 3: That six seven more episodes he stays till. 34 00:02:03,480 --> 00:02:04,920 Speaker 2: Us about to get worse. 35 00:02:05,040 --> 00:02:08,000 Speaker 3: It gets about to get worse. You guys are lying. 36 00:02:08,560 --> 00:02:10,120 Speaker 3: This guy's truly a tool. 37 00:02:10,600 --> 00:02:12,560 Speaker 2: Wait, he's gonna do something worse. 38 00:02:13,120 --> 00:02:16,800 Speaker 3: Yeah, I'm not gonna tell you. There's so much to 39 00:02:16,919 --> 00:02:18,399 Speaker 3: talk about, because I want to talk about the run 40 00:02:18,400 --> 00:02:20,600 Speaker 3: in that he has with you at the party. And 41 00:02:20,639 --> 00:02:24,240 Speaker 3: by the way, Donna, you're not being that nice to Joe, 42 00:02:24,320 --> 00:02:27,079 Speaker 3: but Joe's being a real pill. It's just like, oh 43 00:02:27,160 --> 00:02:27,760 Speaker 3: my god. 44 00:02:27,840 --> 00:02:31,120 Speaker 1: Yeah, needy boyfriend stage. 45 00:02:31,639 --> 00:02:36,160 Speaker 3: It's like, chill, Joe, we dealt with your football heart problems, 46 00:02:36,200 --> 00:02:39,919 Speaker 3: got you. Steve Young like, yeah, let her do it. Anyway, 47 00:02:39,960 --> 00:02:40,560 Speaker 3: where to start? 48 00:02:40,600 --> 00:02:42,000 Speaker 1: Where to start tour? Do you want to run us 49 00:02:42,000 --> 00:02:42,720 Speaker 1: through the breakdown? 50 00:02:43,200 --> 00:02:46,840 Speaker 2: Yeah, so we start out at the beach house. 51 00:02:47,080 --> 00:02:49,160 Speaker 3: If my roommate was like, Hey, I went to rehab 52 00:02:49,160 --> 00:02:50,840 Speaker 3: and now I'm going to bring this random home, I 53 00:02:50,880 --> 00:02:52,480 Speaker 3: feel like, no. 54 00:02:53,280 --> 00:02:57,040 Speaker 1: Never works out. I mean, obviously Kelly's really trying to support. 55 00:02:56,680 --> 00:03:00,880 Speaker 2: Her, which is great, but she needs more than what 56 00:03:01,240 --> 00:03:03,520 Speaker 2: Kelly can provide right now, having just gone through that 57 00:03:03,600 --> 00:03:05,480 Speaker 2: herself and two college kids. 58 00:03:05,800 --> 00:03:08,040 Speaker 3: You make a great point there that it's like, this 59 00:03:08,120 --> 00:03:10,600 Speaker 3: is not a little thing. Like I know, and I 60 00:03:10,639 --> 00:03:13,200 Speaker 3: am guilty of sort of in the very beginning of 61 00:03:13,240 --> 00:03:16,440 Speaker 3: the storyline mocking it a little bit, but it's like, 62 00:03:16,639 --> 00:03:20,120 Speaker 3: it isn't a little thing, and you shouldn't be dating 63 00:03:20,760 --> 00:03:24,320 Speaker 3: Kelly shouldn't be dating, and we shouldn't be taking in 64 00:03:24,400 --> 00:03:27,440 Speaker 3: a person. No, we should be focused on Kelly here. 65 00:03:27,440 --> 00:03:27,960 Speaker 1: On herself. 66 00:03:28,040 --> 00:03:30,560 Speaker 2: Yeah, exactly, she's putting on herself and a lot of 67 00:03:30,560 --> 00:03:33,320 Speaker 2: responsibility for Donna and Claire because they don't want to 68 00:03:33,320 --> 00:03:36,400 Speaker 2: see Kelly slip or something happened to her. That's their concern. 69 00:03:37,040 --> 00:03:38,520 Speaker 1: I forgot that she moved in though. 70 00:03:39,080 --> 00:03:42,560 Speaker 3: Yeah, she's just staying for a bit. But it's so 71 00:03:43,000 --> 00:03:47,680 Speaker 3: like immediately you remember, like my body remembers like, oh no, 72 00:03:47,960 --> 00:03:48,640 Speaker 3: this is not. 73 00:03:48,720 --> 00:03:54,040 Speaker 1: Good for sure. You know it's gonna get bad. 74 00:03:52,520 --> 00:03:54,960 Speaker 2: For that girl. She had to wear so many nasty wigs. 75 00:03:55,120 --> 00:03:58,040 Speaker 1: You don't like the brown wig or the blonde ones. 76 00:03:58,080 --> 00:03:59,800 Speaker 3: What's her real life name? I know, I knew it, 77 00:04:00,520 --> 00:04:04,640 Speaker 3: Moss Hage Moss. She was a good actress because one, 78 00:04:05,200 --> 00:04:09,839 Speaker 3: she played crazy real well, she underplays it so you're 79 00:04:09,920 --> 00:04:13,800 Speaker 3: like more freaked out. And number two, every time I 80 00:04:13,840 --> 00:04:16,279 Speaker 3: saw her after this, all I could think of was 81 00:04:16,320 --> 00:04:20,640 Speaker 3: Tara Tara, Like I was like, oh, there's the crazy link. Okay. 82 00:04:20,880 --> 00:04:23,760 Speaker 2: So now we're I Cossa, Walsh and Claire and Steve 83 00:04:23,800 --> 00:04:26,960 Speaker 2: are in bed. Steve make some very dirty remarks. 84 00:04:27,040 --> 00:04:31,119 Speaker 3: This episode was so dirty. Yeah, and it had more 85 00:04:31,200 --> 00:04:34,840 Speaker 3: than the normal amount of dirty double entaundres. But they 86 00:04:34,880 --> 00:04:38,080 Speaker 3: aren't they're very in your face. I need them to 87 00:04:38,120 --> 00:04:38,760 Speaker 3: be done too. 88 00:04:39,080 --> 00:04:41,080 Speaker 2: Well. They're talking about the keg party that he's throwing 89 00:04:41,320 --> 00:04:43,640 Speaker 2: and getting ready for the big night, and he's made 90 00:04:43,680 --> 00:04:46,919 Speaker 2: everyone else responsible for doing the work. Now we're in 91 00:04:46,960 --> 00:04:51,640 Speaker 2: the lawyer's office with Valerie and the lawyer, and lawyer 92 00:04:51,800 --> 00:04:54,799 Speaker 2: tells her that Colin is only going to get six months, 93 00:04:54,920 --> 00:04:56,440 Speaker 2: he'll be in like a hospital. 94 00:04:56,720 --> 00:05:00,240 Speaker 3: And she's just paying for every single thing here, which 95 00:05:00,240 --> 00:05:03,680 Speaker 3: comes to bite us in a bit. But yeah, she's 96 00:05:03,720 --> 00:05:05,520 Speaker 3: paying the bail, paying for the lawyer. 97 00:05:06,160 --> 00:05:09,279 Speaker 1: It's ridiculous, this whole storyline. 98 00:05:08,839 --> 00:05:12,440 Speaker 2: And he tells her she has to convince his clients 99 00:05:12,839 --> 00:05:13,440 Speaker 2: to go for this. 100 00:05:13,839 --> 00:05:15,720 Speaker 1: Right, which makes perfect sense. 101 00:05:15,560 --> 00:05:17,960 Speaker 2: Right, you do it, lawyer guy is not what he's 102 00:05:17,960 --> 00:05:18,599 Speaker 2: getting paid for. 103 00:05:19,200 --> 00:05:23,599 Speaker 3: And also why is she so I don't know, I can't. 104 00:05:23,640 --> 00:05:26,680 Speaker 3: She's so loyal to him and like into him when 105 00:05:26,720 --> 00:05:29,040 Speaker 3: he was dating Kelly one minute. 106 00:05:28,800 --> 00:05:33,360 Speaker 1: Ago, like, oh my god, that's just weird. It's just 107 00:05:33,520 --> 00:05:34,080 Speaker 1: so weird. 108 00:05:34,400 --> 00:05:36,240 Speaker 2: I no longer felt like I always feel like she's 109 00:05:36,240 --> 00:05:38,680 Speaker 2: doing she's an m O or something like she wanted 110 00:05:38,680 --> 00:05:41,440 Speaker 2: to call him because he was yours. But now I 111 00:05:41,440 --> 00:05:43,640 Speaker 2: feel like she's just in love with him. 112 00:05:43,720 --> 00:05:46,080 Speaker 1: I feel like she's found somebody more damaged than her. 113 00:05:46,200 --> 00:05:50,479 Speaker 1: She wants to save him. But also it just doesn't track. 114 00:05:50,600 --> 00:05:53,680 Speaker 1: But I think that I don't know, I feel like 115 00:05:53,760 --> 00:05:56,960 Speaker 1: she's got no one else to turn to at this point. 116 00:05:57,200 --> 00:05:58,680 Speaker 2: Do you feel like Valerie is a girl that can 117 00:05:58,720 --> 00:06:00,640 Speaker 2: ever be alone or is she that girl that always 118 00:06:00,680 --> 00:06:01,880 Speaker 2: has to be What do you think. 119 00:06:01,960 --> 00:06:04,600 Speaker 3: I think, Ding Ding? Has she ever been alone since 120 00:06:04,640 --> 00:06:09,040 Speaker 3: we've known her? Nope, and she always stealing someone else's guy. 121 00:06:09,600 --> 00:06:12,480 Speaker 2: Known her two seasons to be fair, well, she. 122 00:06:12,440 --> 00:06:14,559 Speaker 3: Got her paws in Dylan right away. 123 00:06:15,040 --> 00:06:17,560 Speaker 1: Yeah, this whole thing had me like flashing back to 124 00:06:17,600 --> 00:06:20,840 Speaker 1: when she was in a relationship with Dylan and it's 125 00:06:20,920 --> 00:06:23,560 Speaker 1: just like another body. But she does have that like 126 00:06:23,600 --> 00:06:27,039 Speaker 1: puppy dog eyed I love you, I'll do anything for you. 127 00:06:27,120 --> 00:06:33,120 Speaker 1: Think that's not characteristic for her, but I felt like 128 00:06:33,440 --> 00:06:37,200 Speaker 1: she really wanted him to go to the party. Why 129 00:06:37,279 --> 00:06:39,520 Speaker 1: was that so important to her? So she could be 130 00:06:39,560 --> 00:06:44,000 Speaker 1: showing off? Look what I've got her right like? 131 00:06:44,120 --> 00:06:47,279 Speaker 3: And first of all, she's showing off the drug addict felon. 132 00:06:47,760 --> 00:06:52,880 Speaker 3: But okay, yay you Valerie, Like that's my thing. They 133 00:06:53,000 --> 00:06:57,080 Speaker 3: make her unlikable, Yeah, like everyone's always like you guys 134 00:06:57,080 --> 00:07:00,600 Speaker 3: don't like Valerie. It's like I didn't write this. They 135 00:07:00,680 --> 00:07:01,960 Speaker 3: make her unlikable. 136 00:07:03,680 --> 00:07:06,760 Speaker 1: You're just a viewer. You're just watching it live. 137 00:07:06,600 --> 00:07:09,000 Speaker 3: In my nine o two one a life, and they 138 00:07:09,080 --> 00:07:11,400 Speaker 3: de fight for your right to be a fan. You 139 00:07:11,480 --> 00:07:15,640 Speaker 3: have to fight to dislike someone kind of because she's 140 00:07:15,720 --> 00:07:20,000 Speaker 3: meant to be disliked unless I am crazy, right. They 141 00:07:20,200 --> 00:07:24,720 Speaker 3: constantly write her to be the bad girl villain. 142 00:07:24,480 --> 00:07:25,680 Speaker 2: The one we don't like. 143 00:07:25,960 --> 00:07:30,200 Speaker 3: I think it raises the others up and he's just, Okay, 144 00:07:31,320 --> 00:07:33,880 Speaker 3: this is where you're going to pick up Tara. 145 00:07:34,400 --> 00:07:38,080 Speaker 2: Tara, what's the Poland version of Colin that we should 146 00:07:38,120 --> 00:07:39,679 Speaker 2: call Tara? 147 00:07:39,760 --> 00:07:41,040 Speaker 1: Sarah Tara Tomato. 148 00:07:54,560 --> 00:07:54,880 Speaker 3: Okay. 149 00:07:54,960 --> 00:07:59,880 Speaker 2: So he apologizes for not calling Kelly but still would 150 00:07:59,920 --> 00:08:02,720 Speaker 2: like to take her out and see here. She invites 151 00:08:02,760 --> 00:08:05,000 Speaker 2: him to the Keg party, but also tells him that 152 00:08:05,040 --> 00:08:08,800 Speaker 2: she's there to pick up Tara, and he seems not 153 00:08:08,960 --> 00:08:09,480 Speaker 2: happy with it. 154 00:08:09,600 --> 00:08:12,760 Speaker 1: You like one word of like oh yeah, and she's 155 00:08:12,800 --> 00:08:13,440 Speaker 1: like oh. 156 00:08:13,520 --> 00:08:15,760 Speaker 3: They're trying pretty hard in this episode to convince me 157 00:08:15,880 --> 00:08:19,280 Speaker 3: he's not her doctor. There's a few mentions of that, 158 00:08:19,320 --> 00:08:22,119 Speaker 3: like at least Tara. Tara calls it out and says 159 00:08:22,160 --> 00:08:25,280 Speaker 3: like he's your doctor, and then you try to say like, no, 160 00:08:25,800 --> 00:08:27,720 Speaker 3: he's not a doctor, but it's like. 161 00:08:27,960 --> 00:08:29,880 Speaker 1: He's a med student. They made it clear like three 162 00:08:30,000 --> 00:08:32,240 Speaker 1: times so that they could cover. 163 00:08:32,320 --> 00:08:34,600 Speaker 3: Try to make this happen. But here's the thing. It's 164 00:08:34,760 --> 00:08:38,280 Speaker 3: never appropriate for someone that works at a rehab to 165 00:08:38,520 --> 00:08:42,520 Speaker 3: date someone that's at the rehab. Not the chef, not 166 00:08:42,720 --> 00:08:45,880 Speaker 3: the staff, not the doctor, not the not doctors. 167 00:08:46,000 --> 00:08:49,040 Speaker 1: It's so, what do you think in the nineties those 168 00:08:49,040 --> 00:08:52,720 Speaker 1: were the rules too, and maybe they were a little 169 00:08:52,800 --> 00:08:54,160 Speaker 1: lucier about it in the nineties. 170 00:08:54,480 --> 00:08:56,720 Speaker 3: I think they are the rules in the days of 171 00:08:56,800 --> 00:09:00,720 Speaker 3: your Remember that Angelina Joe Lee Winona Ryder movie. Feel 172 00:09:00,760 --> 00:09:02,840 Speaker 3: like it would have been inappropriate in that movie. 173 00:09:03,080 --> 00:09:03,840 Speaker 2: What was that called? 174 00:09:04,000 --> 00:09:04,320 Speaker 3: Girl? 175 00:09:04,360 --> 00:09:05,680 Speaker 2: In Erupted Girl? Oh? 176 00:09:05,679 --> 00:09:08,520 Speaker 3: Thank you? That was a rough movie. I do make 177 00:09:08,559 --> 00:09:10,920 Speaker 3: an exception for, like I said, for Wendy Malick and 178 00:09:10,960 --> 00:09:14,240 Speaker 3: Harrison Ford and shrinking. She is his doctor, but then 179 00:09:14,280 --> 00:09:17,640 Speaker 3: she becomes not his doctor. So there are times when 180 00:09:17,679 --> 00:09:18,880 Speaker 3: I will make it okay. 181 00:09:19,720 --> 00:09:21,760 Speaker 1: But in this case sketchy. 182 00:09:23,600 --> 00:09:25,720 Speaker 2: Why would he take that chance? It's just a med students, 183 00:09:25,760 --> 00:09:26,600 Speaker 2: his whole life ahead. 184 00:09:27,320 --> 00:09:31,400 Speaker 1: I think Kelly got a fresh bleach her hair. 185 00:09:31,480 --> 00:09:33,319 Speaker 3: Your hair is totally. 186 00:09:32,960 --> 00:09:35,080 Speaker 1: Different, bright, it's so bright. 187 00:09:35,520 --> 00:09:39,600 Speaker 3: Tory's got a new hair sort of moment happening too. 188 00:09:39,679 --> 00:09:42,000 Speaker 2: And he walks hair color. Back then it was a 189 00:09:42,000 --> 00:09:46,160 Speaker 2: different color every week. Okay. Back to Costa Walsh, Valerie 190 00:09:46,200 --> 00:09:50,600 Speaker 2: tells Brandon that she wants to invite Colin. He disapproves, and. 191 00:09:50,840 --> 00:09:52,520 Speaker 1: It was weird, like he didn't even look at her 192 00:09:52,600 --> 00:09:54,520 Speaker 1: during that whole scene. He does that a lot. 193 00:09:54,600 --> 00:09:55,839 Speaker 2: Have you noticed he was. 194 00:09:55,840 --> 00:09:57,720 Speaker 1: Very busy on was he on his computer? 195 00:09:58,160 --> 00:09:59,000 Speaker 2: Didn't all look at her? 196 00:09:59,040 --> 00:09:59,400 Speaker 1: I guess. 197 00:10:00,000 --> 00:10:03,400 Speaker 2: And she's wearing a lot of leather blazers in this episode. 198 00:10:03,960 --> 00:10:06,719 Speaker 1: She's tough. She's got to have something to protect her 199 00:10:06,920 --> 00:10:08,599 Speaker 1: soft interior. 200 00:10:09,400 --> 00:10:13,040 Speaker 3: Oh okay, I love a blazer for the over thirty 201 00:10:13,080 --> 00:10:15,920 Speaker 3: five people. It's little young for this. 202 00:10:16,200 --> 00:10:19,520 Speaker 1: Yeah, well young, I mean she does that though. She's 203 00:10:19,720 --> 00:10:22,200 Speaker 1: to be to look professional, and. 204 00:10:21,800 --> 00:10:25,360 Speaker 2: I know she does. Yeah, her hair's on points. Her 205 00:10:25,400 --> 00:10:27,959 Speaker 2: hair is full and onome. Okay, Now we're at the 206 00:10:27,960 --> 00:10:30,360 Speaker 2: peach pit and Steve is having breakfast with his dad 207 00:10:30,640 --> 00:10:34,680 Speaker 2: and his two half brothers, Ryan and Austin and my 208 00:10:34,760 --> 00:10:39,120 Speaker 2: brother Randy Blaze Ryan, Which it was really great to 209 00:10:39,120 --> 00:10:40,120 Speaker 2: see him back from the show. 210 00:10:40,360 --> 00:10:43,640 Speaker 3: Yeah, you were gone when we saw him the last time. 211 00:10:43,960 --> 00:10:46,720 Speaker 3: And this is much bigger parts than he'd had previously. 212 00:10:46,800 --> 00:10:49,400 Speaker 3: He was like a background guy basically when it like 213 00:10:49,440 --> 00:10:53,480 Speaker 3: at the beach club or whatever. Although the brothers popped 214 00:10:53,520 --> 00:10:55,800 Speaker 3: out of nowhere and Steve always is having to take 215 00:10:55,800 --> 00:10:56,320 Speaker 3: care of them. 216 00:10:56,400 --> 00:10:57,040 Speaker 1: But he gets a. 217 00:10:57,000 --> 00:10:59,480 Speaker 2: Couple hundred bucks or what I know, I'm surprised that's 218 00:10:59,480 --> 00:10:59,960 Speaker 2: all he got. 219 00:11:00,520 --> 00:11:04,640 Speaker 1: I know, I thought it would be more, honestly, but 220 00:11:04,840 --> 00:11:07,520 Speaker 1: it was good. I like seeing his brothers there. It's fun, 221 00:11:07,840 --> 00:11:10,920 Speaker 1: brings another element. Maybe it would be good, Like what 222 00:11:10,960 --> 00:11:12,480 Speaker 1: if they were going to have a spin off the 223 00:11:12,520 --> 00:11:15,560 Speaker 1: younger the brothers interesting. 224 00:11:16,120 --> 00:11:20,160 Speaker 2: Mm hmmm, because they're like you're reminding of like Beavis 225 00:11:20,160 --> 00:11:20,640 Speaker 2: and butt Head. 226 00:11:21,360 --> 00:11:22,840 Speaker 3: They're very comic relief. 227 00:11:23,440 --> 00:11:26,840 Speaker 1: Yeah, this guy, the the Travis, he was really going 228 00:11:26,920 --> 00:11:30,240 Speaker 1: for it, like making this a zany crazy character. 229 00:11:31,160 --> 00:11:33,679 Speaker 2: So Rush is going away, Steve has to baby said 230 00:11:33,720 --> 00:11:35,760 Speaker 2: his two brothers. He's like, I'm having a gag party 231 00:11:35,960 --> 00:11:37,480 Speaker 2: and he's like, here's two hundred bucks and he's like 232 00:11:38,280 --> 00:11:41,800 Speaker 2: back to the beach house. Ally's trying to help Tara. Sorry, 233 00:11:41,800 --> 00:11:43,240 Speaker 2: I can't say it right, Tara, Tara. 234 00:11:43,800 --> 00:11:44,880 Speaker 1: That's how you say it, Tatar. 235 00:11:45,559 --> 00:11:50,400 Speaker 2: Yeah, we say Tara, Tara, Tara Tar went in room Uh, Tera, Tara, 236 00:11:50,880 --> 00:11:53,520 Speaker 2: uh make her field more at home. Claire and Donna 237 00:11:53,600 --> 00:11:56,319 Speaker 2: come in. Big thing about juice. 238 00:11:56,559 --> 00:12:01,440 Speaker 3: Juice, My god, the the great juice, this catastrophe of 239 00:12:01,520 --> 00:12:07,439 Speaker 3: nineteen ninety six. Here you much juice. First of all, 240 00:12:07,440 --> 00:12:09,760 Speaker 3: can I have the juice? Yeah, you can have the juice. 241 00:12:09,880 --> 00:12:13,360 Speaker 3: Its care, it's Claire's. She won't mind. It looked like 242 00:12:13,559 --> 00:12:14,520 Speaker 3: grapefruit juice. 243 00:12:14,600 --> 00:12:17,040 Speaker 1: Of course, she chumes home, I would love to have 244 00:12:17,160 --> 00:12:18,320 Speaker 1: a glass of juice. 245 00:12:19,200 --> 00:12:21,760 Speaker 3: Then it was just like gosh with the juice, and 246 00:12:21,800 --> 00:12:23,920 Speaker 3: also like can we be nice to our guests, like 247 00:12:24,320 --> 00:12:26,280 Speaker 3: let her have the juice? Drink water? 248 00:12:26,559 --> 00:12:29,800 Speaker 1: Yeah, she gets Yeah. There was like a lot of 249 00:12:29,800 --> 00:12:32,160 Speaker 1: stinkye for territors drinking there. 250 00:12:32,200 --> 00:12:33,800 Speaker 3: And then you're like, you can have mine, and she 251 00:12:33,920 --> 00:12:34,400 Speaker 3: took it. 252 00:12:35,160 --> 00:12:36,520 Speaker 1: I was glad she took it, and I wanted her 253 00:12:36,559 --> 00:12:37,080 Speaker 1: to be happy. 254 00:12:37,480 --> 00:12:40,960 Speaker 2: Okay, Colon's apartment, Here we are. Valerie tells Colan that 255 00:12:41,040 --> 00:12:43,520 Speaker 2: he has to serve soft time for six months or 256 00:12:43,679 --> 00:12:49,320 Speaker 2: risk going to trial and getting a long sentence. Wamp oh, 257 00:12:50,000 --> 00:12:54,680 Speaker 2: he's such a baby. Also, dude, maybe during this time 258 00:12:54,679 --> 00:12:57,320 Speaker 2: away for six months, he'll become a better artist. He 259 00:12:57,320 --> 00:13:00,360 Speaker 2: can work on his craft. And it's just wants to 260 00:13:00,400 --> 00:13:01,160 Speaker 2: pray for it. 261 00:13:01,400 --> 00:13:03,760 Speaker 1: I was gonna say, I know art is objective and 262 00:13:03,800 --> 00:13:07,160 Speaker 1: no offense to anybody whose art looks like Colon Colan's, 263 00:13:07,160 --> 00:13:10,400 Speaker 1: but it's not. It's not my one on my walls. 264 00:13:10,440 --> 00:13:14,120 Speaker 3: I don't mean a lateeen twenty one yearyear old, so young, 265 00:13:14,200 --> 00:13:18,720 Speaker 3: twenties and you're dating a guy who is a drug addict, 266 00:13:18,960 --> 00:13:24,959 Speaker 3: who runs from the police, who's going to prison. What 267 00:13:24,960 --> 00:13:29,280 Speaker 3: what's your take on that? I think maybe if I 268 00:13:29,360 --> 00:13:31,439 Speaker 3: was like an adult, like a fifty year old and 269 00:13:31,480 --> 00:13:35,000 Speaker 3: this is my husband, I might stay loyal in my twenties. 270 00:13:35,240 --> 00:13:38,800 Speaker 3: I think I would be like, real, sorry, Colon, hit 271 00:13:38,840 --> 00:13:39,200 Speaker 3: the road. 272 00:13:39,360 --> 00:13:40,120 Speaker 1: You're on your own. 273 00:13:40,240 --> 00:13:41,720 Speaker 3: You're on your own. Dude, call your mom? 274 00:13:42,280 --> 00:13:44,920 Speaker 1: Yeah, Like, why is Valerie all he has? Where's his 275 00:13:45,000 --> 00:13:45,880 Speaker 1: other sugar Mama? 276 00:13:46,120 --> 00:13:47,080 Speaker 3: How where's that lady? 277 00:13:47,360 --> 00:13:47,760 Speaker 2: Claudia? 278 00:13:48,400 --> 00:13:51,280 Speaker 3: Oldlady hit the road when he picked you? And it's like, 279 00:13:51,320 --> 00:13:54,320 Speaker 3: I understand his parents are he has like a bad upbringing, 280 00:13:54,600 --> 00:13:57,959 Speaker 3: but like, I still think his mom would come out 281 00:13:58,080 --> 00:14:00,920 Speaker 3: to la. She's just leaving him in prison. She just 282 00:14:00,960 --> 00:14:01,440 Speaker 3: doesn't care. 283 00:14:01,920 --> 00:14:07,319 Speaker 2: M So Valerie, immediately after a long of his sentence, 284 00:14:07,920 --> 00:14:10,920 Speaker 2: invites him to the keg party. He's hesitant though, because 285 00:14:10,960 --> 00:14:12,600 Speaker 2: Kelly might be there and make a scene. 286 00:14:12,679 --> 00:14:16,080 Speaker 1: He says, it's a great write this guy to this party, 287 00:14:16,120 --> 00:14:18,520 Speaker 1: by the way, Like what why. 288 00:14:18,679 --> 00:14:21,080 Speaker 3: Getting ready to go to jail and they're going to 289 00:14:21,120 --> 00:14:23,560 Speaker 3: a fraternity party? Like what's it? 290 00:14:24,720 --> 00:14:27,560 Speaker 2: And you know what, though, you got to say, Brandon 291 00:14:27,560 --> 00:14:28,560 Speaker 2: should have stepped in there. 292 00:14:29,120 --> 00:14:32,440 Speaker 3: He's a sad kind of for Kelly's sake. 293 00:14:32,640 --> 00:14:35,680 Speaker 2: Like Kelly's gone through so much, she's coming tonight, Like 294 00:14:36,160 --> 00:14:39,480 Speaker 2: it's not easy going to a party in her situation. 295 00:14:40,080 --> 00:14:42,280 Speaker 2: He should have said no. 296 00:14:41,680 --> 00:14:43,680 Speaker 3: Why does he want this fellon in his house? Like 297 00:14:43,760 --> 00:14:44,720 Speaker 3: the who's great? 298 00:14:44,880 --> 00:14:46,560 Speaker 1: I don't think it's a very good idea. 299 00:14:46,720 --> 00:14:49,000 Speaker 3: He tried to say, no, there are a lot. 300 00:14:48,840 --> 00:14:50,560 Speaker 1: Of people that are going to be there that probably 301 00:14:50,560 --> 00:14:51,720 Speaker 1: aren't the biggest fan of his. 302 00:14:52,440 --> 00:14:54,360 Speaker 3: And like, Kelly has got all this money, why don't 303 00:14:54,360 --> 00:14:57,280 Speaker 3: you just get Tara Tara place to stay. The fact 304 00:14:57,280 --> 00:15:00,040 Speaker 3: that she I don't know, it's just all crazy. I 305 00:15:00,080 --> 00:15:00,640 Speaker 3: want her there. 306 00:15:00,920 --> 00:15:04,640 Speaker 2: It's crazy. Okay, So that happens back at the beach 307 00:15:04,680 --> 00:15:08,040 Speaker 2: House para. Tara borrows an alfit from Kelly to. 308 00:15:07,960 --> 00:15:12,920 Speaker 3: Wear to the party and her most favorite necklace or shadow. 309 00:15:14,160 --> 00:15:14,360 Speaker 2: Not on. 310 00:15:14,440 --> 00:15:18,840 Speaker 3: Tana loves the blatant foreshadow, but whatever doesn't like subtlety, 311 00:15:19,080 --> 00:15:22,240 Speaker 3: I too want No, I'm not going to make you 312 00:15:22,280 --> 00:15:25,400 Speaker 3: work for it, viewers. They're going to just really put 313 00:15:25,400 --> 00:15:26,400 Speaker 3: it in your face. 314 00:15:26,480 --> 00:15:27,280 Speaker 1: Drop it down there. 315 00:15:27,360 --> 00:15:44,480 Speaker 2: Yeah, okay, at see you. Joe and David are talking 316 00:15:44,480 --> 00:15:47,560 Speaker 2: about a video project that David's doing, and it'll happen 317 00:15:47,560 --> 00:15:48,280 Speaker 2: to tag party. 318 00:15:48,320 --> 00:15:49,760 Speaker 3: But we had to figure out a way to get 319 00:15:49,760 --> 00:15:52,239 Speaker 3: those two sort of connected again. 320 00:15:52,880 --> 00:15:53,560 Speaker 1: David and Donna. 321 00:15:53,920 --> 00:15:58,120 Speaker 3: Yeah, not as how, although Joe was being way too 322 00:15:58,240 --> 00:16:00,560 Speaker 3: like weird about it, he. 323 00:16:00,560 --> 00:16:02,960 Speaker 1: Was cool about it at first. 324 00:16:02,680 --> 00:16:03,800 Speaker 3: He got in the scene was. 325 00:16:05,760 --> 00:16:06,360 Speaker 1: So mopey. 326 00:16:06,880 --> 00:16:09,320 Speaker 2: Yeah, yeah, he acts like he has no other friends. 327 00:16:09,400 --> 00:16:10,920 Speaker 2: Isn't he friends with all of them? He just stands 328 00:16:10,960 --> 00:16:12,120 Speaker 2: there for himself the whole line. 329 00:16:12,520 --> 00:16:17,120 Speaker 1: That's weird, pouting, it's kind of creepy. 330 00:16:18,240 --> 00:16:20,840 Speaker 2: Back in Colan's apartment, so Hollr and Colon are making 331 00:16:20,880 --> 00:16:23,120 Speaker 2: out when he starts saying he would rather not go 332 00:16:23,160 --> 00:16:23,960 Speaker 2: to the can party. 333 00:16:24,120 --> 00:16:26,960 Speaker 1: I felt that they were in an odd making out position, 334 00:16:29,480 --> 00:16:33,000 Speaker 1: like she's just flat out laying on top of him 335 00:16:33,000 --> 00:16:37,440 Speaker 1: and his legs are spread a kimbo, and I don't know, 336 00:16:37,480 --> 00:16:39,600 Speaker 1: it just made me feel weird watching it. 337 00:16:41,800 --> 00:16:44,040 Speaker 2: We're back at the beach house. Back at the Beaches, 338 00:16:44,200 --> 00:16:48,520 Speaker 2: Terra finds out dead Rag, the medical student, not the doctor, 339 00:16:49,080 --> 00:16:52,920 Speaker 2: is going to the party. Is how should Tara feel 340 00:16:53,040 --> 00:16:55,359 Speaker 2: like she doesn't know anyone, really. 341 00:16:55,240 --> 00:16:58,640 Speaker 3: Feel happy for her friend who's doing everything for her, 342 00:16:58,720 --> 00:17:00,040 Speaker 3: but but she's. 343 00:17:00,200 --> 00:17:03,720 Speaker 1: Well yeah, true, I think also her coming out. She's 344 00:17:03,760 --> 00:17:08,160 Speaker 1: so vulnerable and frail right now after what she's been 345 00:17:08,160 --> 00:17:11,680 Speaker 1: through a rehab and everything. I can imagine she would 346 00:17:11,720 --> 00:17:14,960 Speaker 1: be feeling a little bit extra needy and. 347 00:17:14,640 --> 00:17:17,640 Speaker 3: I suppose, but she also could stay home and chill. 348 00:17:18,000 --> 00:17:20,320 Speaker 3: It's just like, I don't know, I can't. 349 00:17:20,760 --> 00:17:23,679 Speaker 2: Yeah, isn't there any other night of the week that 350 00:17:23,760 --> 00:17:27,359 Speaker 2: Kelly could have invited medical student, not doctor Greg to 351 00:17:27,480 --> 00:17:27,960 Speaker 2: go out? 352 00:17:28,560 --> 00:17:28,800 Speaker 1: Right? 353 00:17:29,080 --> 00:17:31,080 Speaker 3: That's an excellent point. 354 00:17:31,480 --> 00:17:36,119 Speaker 1: It was all just so planned out. Everybody had to 355 00:17:36,119 --> 00:17:37,800 Speaker 1: be at this party, but it didn't really make sense 356 00:17:37,840 --> 00:17:40,240 Speaker 1: for Kelly to take him to this party where he 357 00:17:40,280 --> 00:17:42,600 Speaker 1: knows no one, take her to this party where she 358 00:17:42,720 --> 00:17:45,480 Speaker 1: knows no one, and then expect it to be a 359 00:17:45,800 --> 00:17:46,840 Speaker 1: quote unquote date. 360 00:17:47,520 --> 00:17:49,800 Speaker 2: I agree. I don't feel yeah, you would ever do 361 00:17:49,840 --> 00:17:52,200 Speaker 2: that to either of them. So, yeah, they just want 362 00:17:52,280 --> 00:17:55,439 Speaker 2: everybody there. Okay, well let's take everybody there. Here we 363 00:17:55,480 --> 00:17:57,720 Speaker 2: are onto the party. 364 00:17:57,720 --> 00:17:59,560 Speaker 1: It really doesn't look that fun, honestly. 365 00:18:00,040 --> 00:18:05,280 Speaker 3: It looked kind of crowded, sweaty, and kind of lame, like. 366 00:18:05,240 --> 00:18:07,480 Speaker 2: Maybe in high school that kind of party would have been. 367 00:18:07,520 --> 00:18:11,080 Speaker 1: Okay, I was like, is anyone playing games anywhere? Like? 368 00:18:11,359 --> 00:18:13,879 Speaker 1: I was bored? You can go drink in the kitchen, 369 00:18:14,320 --> 00:18:15,760 Speaker 1: or you can go dance in the living room. 370 00:18:15,840 --> 00:18:18,040 Speaker 3: So Corns was somebody playing quarters? 371 00:18:18,119 --> 00:18:18,920 Speaker 1: Oh yeah, yeah yeah. 372 00:18:18,960 --> 00:18:22,600 Speaker 3: Months was yeah. Months. That poor guy. They gave him 373 00:18:22,600 --> 00:18:25,000 Speaker 3: barely anything to do, but they keep bringing him back. 374 00:18:25,560 --> 00:18:27,000 Speaker 1: I think he loved it. He was great. 375 00:18:27,400 --> 00:18:31,240 Speaker 3: Yeah, he probably was stoked, but he never really gets 376 00:18:31,240 --> 00:18:34,960 Speaker 3: like a juicy storyline, which is interesting, like we're working 377 00:18:35,000 --> 00:18:37,000 Speaker 3: so hard to make Colon happen and Tara Tara, but 378 00:18:37,040 --> 00:18:38,600 Speaker 3: we never tried to make Months happen. 379 00:18:38,680 --> 00:18:43,480 Speaker 1: Really, No, he was just like that comedic sidekick. 380 00:18:43,680 --> 00:18:48,600 Speaker 3: Yeah. Yeah to Steve, I guess it kind of looked 381 00:18:48,600 --> 00:18:50,119 Speaker 3: like a fun party. I don't know now that I 382 00:18:50,119 --> 00:18:53,280 Speaker 3: think about it really well, the Quarters looked fun. Yeah, 383 00:18:53,280 --> 00:18:55,600 Speaker 3: and you're just at a house party. You're in college. 384 00:18:56,560 --> 00:18:59,480 Speaker 3: If he's everyone there you liked, like, I guess that 385 00:18:59,480 --> 00:19:01,719 Speaker 3: would be fun. I think I'm looking at it with 386 00:19:01,720 --> 00:19:04,000 Speaker 3: fifty year old eyes, going, oh, I'm so tired. 387 00:19:04,200 --> 00:19:05,680 Speaker 1: Yeah, it's time for bed. 388 00:19:06,720 --> 00:19:08,119 Speaker 2: I didn't go to college, so I don't know, but 389 00:19:08,160 --> 00:19:09,879 Speaker 2: in high school that's what the parties look like, so 390 00:19:10,080 --> 00:19:12,760 Speaker 2: is I guess I expected more in the world of 391 00:19:12,800 --> 00:19:14,240 Speaker 2: the college, but now, like a. 392 00:19:14,200 --> 00:19:16,800 Speaker 3: House party that's it, you know. I mean, I think 393 00:19:17,200 --> 00:19:19,520 Speaker 3: that would be pretty fun. Actually, I take it back. 394 00:19:19,560 --> 00:19:22,520 Speaker 3: If I was in college and all my sorority sisters 395 00:19:22,520 --> 00:19:24,840 Speaker 3: were there and there was a bunch of cool essays there, 396 00:19:25,000 --> 00:19:25,760 Speaker 3: I think I would. 397 00:19:25,560 --> 00:19:28,240 Speaker 1: Like, it's a nice house, yeah. 398 00:19:27,920 --> 00:19:30,280 Speaker 3: And you're like, everyone's there and it's fun. 399 00:19:30,560 --> 00:19:31,840 Speaker 2: Why not? Yeah? 400 00:19:33,000 --> 00:19:34,920 Speaker 3: I actually feel like that would have been kind of fun. 401 00:19:35,320 --> 00:19:37,960 Speaker 3: So ignore me. I don't know what I'm talking about. 402 00:19:38,200 --> 00:19:40,560 Speaker 2: Except for the two half brothers who were teens and 403 00:19:40,640 --> 00:19:44,879 Speaker 2: there running around stealing everybody's cocktails, drinking. 404 00:19:45,480 --> 00:19:48,640 Speaker 3: Those two people that like went to get a bite 405 00:19:48,640 --> 00:19:49,760 Speaker 3: of food and then they were. 406 00:19:50,560 --> 00:19:52,440 Speaker 1: That guy was like, hey, where's more drink? 407 00:19:52,880 --> 00:19:57,440 Speaker 3: So bad and like he was he was so confused 408 00:19:57,480 --> 00:19:57,680 Speaker 3: by it. 409 00:19:57,760 --> 00:20:00,760 Speaker 2: I'm like, duh, well wait and mill you're like one 410 00:20:00,800 --> 00:20:01,560 Speaker 2: line though he was. 411 00:20:01,600 --> 00:20:05,040 Speaker 3: Pretty good, right, the dude just could get another one. 412 00:20:05,080 --> 00:20:07,679 Speaker 3: They're free, Okay. 413 00:20:07,720 --> 00:20:10,119 Speaker 2: So everybody's showing up the party. 414 00:20:10,359 --> 00:20:12,280 Speaker 1: Mm hmm. Donna's doing her reporting. 415 00:20:12,920 --> 00:20:16,360 Speaker 3: It's for their dumb TV college TV station. But it's 416 00:20:16,400 --> 00:20:18,040 Speaker 3: the most boring segment ever. 417 00:20:19,280 --> 00:20:21,879 Speaker 1: In Trouble, they were like, this is what the party was, Like, 418 00:20:21,920 --> 00:20:23,359 Speaker 1: everybody's drinking and. 419 00:20:23,600 --> 00:20:26,919 Speaker 3: Yes, because there's probably underaged people there. We know that 420 00:20:26,960 --> 00:20:30,280 Speaker 3: the two, you know, Beavis and butt Head are there, 421 00:20:31,920 --> 00:20:33,840 Speaker 3: but yeah, they had to figure out a way to 422 00:20:33,880 --> 00:20:36,360 Speaker 3: get you two together and to get Joe sort of bummed. 423 00:20:36,040 --> 00:20:37,520 Speaker 2: Out about it, I know. 424 00:20:37,640 --> 00:20:40,639 Speaker 1: Yeah, And mister moody pants in the corner. He's not 425 00:20:40,720 --> 00:20:41,880 Speaker 1: really cute when he's pouting. 426 00:20:42,320 --> 00:20:43,719 Speaker 3: No, he's cuter when he's smiling. 427 00:20:44,440 --> 00:20:48,040 Speaker 1: Yes, I mean it's probably It's got nothing to do 428 00:20:48,080 --> 00:20:50,320 Speaker 1: with his looks. It's just a vibe. It's like too 429 00:20:50,359 --> 00:20:56,520 Speaker 1: needy and disappointed. And Donna, can. 430 00:20:56,440 --> 00:20:58,520 Speaker 2: We talk about Colin Valerie and Kelly? 431 00:20:59,520 --> 00:21:01,720 Speaker 1: Yes, and comes Colon comes to the party. Did you 432 00:21:01,760 --> 00:21:07,280 Speaker 1: hear the voiceover though, when when he's walking in, Like 433 00:21:07,400 --> 00:21:09,639 Speaker 1: I could clearly tell that that was an added line 434 00:21:09,680 --> 00:21:12,040 Speaker 1: because he goes, I can't believe you got me to come. 435 00:21:13,000 --> 00:21:13,960 Speaker 3: Like looping. 436 00:21:15,160 --> 00:21:17,080 Speaker 2: Adr. Yeah, no, I didn't notice. 437 00:21:18,520 --> 00:21:20,560 Speaker 1: Also, there's the moment when we see off the set, 438 00:21:20,640 --> 00:21:25,119 Speaker 1: like when David is shooting you through his camera. 439 00:21:25,560 --> 00:21:28,560 Speaker 2: Through the through the kitchen into the like what would 440 00:21:28,560 --> 00:21:31,240 Speaker 2: be the foyer, but it's the archway, but it Yeah, 441 00:21:31,280 --> 00:21:33,159 Speaker 2: you probably noticed that right away, right. 442 00:21:33,280 --> 00:21:36,000 Speaker 1: Oh yeah, Oh, I've already I've already not commented on 443 00:21:36,040 --> 00:21:38,440 Speaker 1: how many booms I saw in that set. I'm trying 444 00:21:38,440 --> 00:21:41,520 Speaker 1: to refrain from that, but yeah, you see like that 445 00:21:41,600 --> 00:21:44,320 Speaker 1: there's no ceiling, you guys, there was no ceiling on 446 00:21:44,359 --> 00:21:48,400 Speaker 1: any of those sets unless the director like wanted them 447 00:21:48,440 --> 00:21:49,320 Speaker 1: to put a ceiling in. 448 00:21:49,800 --> 00:21:50,960 Speaker 3: Do we see that in this? 449 00:21:51,840 --> 00:21:54,960 Speaker 1: Yeah, you see off into like the dark blackness that 450 00:21:55,119 --> 00:21:56,880 Speaker 1: was the stage up there. 451 00:21:57,040 --> 00:21:58,040 Speaker 3: Can you put it on the screen. 452 00:21:58,240 --> 00:21:59,600 Speaker 2: No, one's caught that. 453 00:22:00,600 --> 00:22:04,440 Speaker 1: You cannot really see it as much from the Oh 454 00:22:04,320 --> 00:22:06,520 Speaker 1: the picture, it's kind of hard to see because it's 455 00:22:06,560 --> 00:22:07,560 Speaker 1: just dark up there, but. 456 00:22:08,720 --> 00:22:11,720 Speaker 3: That it just looks like they have fifty skylights. 457 00:22:11,920 --> 00:22:15,760 Speaker 1: It would be like a ceiling with Oh that's that's 458 00:22:15,840 --> 00:22:17,040 Speaker 1: funny behind there. 459 00:22:17,520 --> 00:22:19,560 Speaker 3: So the room you all are in doesn't have a 460 00:22:19,600 --> 00:22:20,320 Speaker 3: ceiling either. 461 00:22:21,720 --> 00:22:23,359 Speaker 1: Yeah. The only thing that was up there was like 462 00:22:23,480 --> 00:22:28,359 Speaker 1: rigging for lights. Yeah, a weird walkway that people could 463 00:22:28,400 --> 00:22:32,600 Speaker 1: walk on, which was always kind of creepy. I always 464 00:22:32,640 --> 00:22:35,160 Speaker 1: wondered who's up there? And I remember a few times 465 00:22:35,160 --> 00:22:37,600 Speaker 1: like looking up do you remember this and like seeing somebody? 466 00:22:37,840 --> 00:22:40,200 Speaker 2: Yeah, when you said walkway, I was like, I don't remember, 467 00:22:40,800 --> 00:22:41,720 Speaker 2: but crew members. 468 00:22:41,920 --> 00:22:45,439 Speaker 3: Yeah, it was four steps from the Walsh House to 469 00:22:45,520 --> 00:22:46,120 Speaker 3: the peach pit. 470 00:22:46,680 --> 00:22:49,440 Speaker 1: No, that was on a completely in a completely different warehouse. 471 00:22:49,760 --> 00:22:53,040 Speaker 3: Like, oh, okay, but you can walk. Okay, that's funny, 472 00:22:53,080 --> 00:22:54,800 Speaker 3: And I actually don't think I ever really thought of 473 00:22:54,840 --> 00:22:57,600 Speaker 3: it this way. So like, where's the beach house apartment 474 00:22:57,760 --> 00:23:01,080 Speaker 3: near that ste there's all squallsh house. 475 00:23:00,880 --> 00:23:04,879 Speaker 2: Right, Oh, we had three, yes. 476 00:23:05,680 --> 00:23:08,399 Speaker 1: And then we had the next door warehouse, which was 477 00:23:08,400 --> 00:23:13,359 Speaker 1: the peach Pit, and later on it was now where this. 478 00:23:15,160 --> 00:23:18,280 Speaker 3: After dark? Oh now where this? Oh my god, nowhere? 479 00:23:18,560 --> 00:23:20,800 Speaker 1: And then on the other one where next to the 480 00:23:20,840 --> 00:23:23,159 Speaker 1: porn studio, that's where the peach Pit was, right. 481 00:23:25,080 --> 00:23:27,840 Speaker 2: Use peach for dark. Yeah, so where you see people 482 00:23:27,880 --> 00:23:31,879 Speaker 2: parking to go into after dark, it was actually that stage. 483 00:23:32,520 --> 00:23:33,320 Speaker 2: There must have been something. 484 00:23:33,400 --> 00:23:35,960 Speaker 3: Oh, no way, so they sort of dressed up the 485 00:23:36,160 --> 00:23:37,400 Speaker 3: stage for the parking. 486 00:23:38,320 --> 00:23:40,320 Speaker 1: Yeah, I don't think we had that stage. And then 487 00:23:40,480 --> 00:23:42,360 Speaker 1: they didn't. They have to acquire it so we could 488 00:23:42,400 --> 00:23:44,439 Speaker 1: add on. Okay, yeah, I think that's kind of how 489 00:23:44,480 --> 00:23:45,040 Speaker 1: I remember it. 490 00:23:47,160 --> 00:23:49,280 Speaker 2: Peach Brad Dark. We must have had something else on 491 00:23:49,320 --> 00:23:51,480 Speaker 2: that stage, like Valerie's manager office, and. 492 00:23:51,560 --> 00:23:54,280 Speaker 1: Like, oh Dylan's house was in there. 493 00:23:54,880 --> 00:24:00,199 Speaker 2: Oh, oh my gosh, it's so weird, my gosh. So 494 00:24:00,520 --> 00:24:05,000 Speaker 2: beach Hoss apartment was like the furthest one away? Where 495 00:24:05,080 --> 00:24:10,760 Speaker 2: was that one that was the one you were saying? Where? Yeah, right, yes, 496 00:24:10,920 --> 00:24:11,600 Speaker 2: it was there. 497 00:24:13,359 --> 00:24:15,679 Speaker 3: I've been to this set of Days of Our Lives 498 00:24:16,119 --> 00:24:19,439 Speaker 3: and it's very takes away the magic because it's just 499 00:24:19,520 --> 00:24:22,000 Speaker 3: like lined up, lined up, lined up, lined up, lined up, 500 00:24:22,040 --> 00:24:25,560 Speaker 3: lined up, lined up, and you're like, the what and 501 00:24:25,640 --> 00:24:28,639 Speaker 3: it looks real on TV and so fake. I'll line up, 502 00:24:28,640 --> 00:24:30,840 Speaker 3: lined up, lined up. At least it feels like you 503 00:24:30,880 --> 00:24:32,480 Speaker 3: had bigger spaces. 504 00:24:33,760 --> 00:24:35,879 Speaker 2: Wait, what was on the other side of the Walsh 505 00:24:35,920 --> 00:24:39,200 Speaker 2: House on our main set where our dressing rooms were? 506 00:24:40,640 --> 00:24:42,960 Speaker 1: Did they use that? Like, I know Kelly's bedroom was 507 00:24:43,040 --> 00:24:48,600 Speaker 1: right there, okay, right outside the dressing rooms, but it 508 00:24:48,640 --> 00:24:51,600 Speaker 1: wasn't always up so they would rotate stuff like the 509 00:24:52,080 --> 00:24:54,919 Speaker 1: Waalsh House was always there standing like the inter of 510 00:24:54,920 --> 00:24:57,959 Speaker 1: the dining room, the kitchen and the living room, and 511 00:24:58,000 --> 00:25:02,000 Speaker 1: that stairway to nowhere, that little outside patio and yeah, 512 00:25:02,040 --> 00:25:05,000 Speaker 1: the little front entryway and the back. 513 00:25:04,800 --> 00:25:07,520 Speaker 2: One where they like were they accused Ray of stealing 514 00:25:07,560 --> 00:25:09,200 Speaker 2: the cocktail ring? 515 00:25:10,400 --> 00:25:12,399 Speaker 1: Was that the back or the side because in this 516 00:25:12,440 --> 00:25:15,000 Speaker 1: episode we see the side entrance. 517 00:25:15,280 --> 00:25:17,640 Speaker 2: Well, it's connected to the kitchens right off the kitchen. 518 00:25:18,760 --> 00:25:22,080 Speaker 1: Where is that where he passed out in this episode. Yes, yes, yes, 519 00:25:22,160 --> 00:25:24,359 Speaker 1: yes that's I think off the side kitchen door, but 520 00:25:24,440 --> 00:25:26,880 Speaker 1: off the back like patio doors. That was what led 521 00:25:26,920 --> 00:25:28,119 Speaker 1: to like where the wedding was. 522 00:25:29,160 --> 00:25:32,800 Speaker 2: Oh that that wasn't really that wasn't always there, right, okay? 523 00:25:34,040 --> 00:25:36,439 Speaker 3: Gilmour Girls is a bit more magical because you like, 524 00:25:37,160 --> 00:25:39,440 Speaker 3: go on the Warner Brothers lot and you see Luke 525 00:25:39,520 --> 00:25:41,399 Speaker 3: Steiner and you actually go into it. 526 00:25:41,880 --> 00:25:45,920 Speaker 1: Ah, yeah, are they just? The only ones that were 527 00:25:45,960 --> 00:25:49,000 Speaker 1: standing all the time was the Walsh House and then 528 00:25:49,600 --> 00:25:53,840 Speaker 1: whoever's I don't remember what else the beach your apartment, Yeah, 529 00:25:53,840 --> 00:25:54,520 Speaker 1: the beach apartment. 530 00:25:54,560 --> 00:26:00,160 Speaker 3: And I was weirdly thinking about this watching this episode. 531 00:26:00,320 --> 00:26:04,000 Speaker 3: It is very interesting that they created the beach House 532 00:26:04,000 --> 00:26:08,840 Speaker 3: apartment to be like the actual Beach House apartment in 533 00:26:10,320 --> 00:26:13,919 Speaker 3: like hermosa, Like do you know what I'm saying? You 534 00:26:13,960 --> 00:26:16,480 Speaker 3: could have just used the exterior and the interior could 535 00:26:16,480 --> 00:26:20,400 Speaker 3: have been however anybody wants it, right, But they actually 536 00:26:20,840 --> 00:26:23,560 Speaker 3: mimicked it exactly. I don't know why. 537 00:26:24,480 --> 00:26:26,919 Speaker 1: The windows, it's the placement of the windows that they 538 00:26:26,960 --> 00:26:30,040 Speaker 1: had to have the same. Probably well they did. 539 00:26:30,200 --> 00:26:33,640 Speaker 2: They did it was inspired by a look at that house. 540 00:26:34,400 --> 00:26:36,800 Speaker 1: But my point was earlier, Like I think that at 541 00:26:36,840 --> 00:26:40,919 Speaker 1: that time our sets were amazing, Like they were like 542 00:26:40,960 --> 00:26:43,600 Speaker 1: you said, they were really big, they had high ceilings, 543 00:26:44,760 --> 00:26:48,800 Speaker 1: they looked real, like the tile and everything. Like I 544 00:26:48,840 --> 00:26:52,639 Speaker 1: feel like I remember our sets being like, uh, you know, 545 00:26:52,680 --> 00:26:55,960 Speaker 1: a step ahead when we were actually filming them, But 546 00:26:56,000 --> 00:26:57,919 Speaker 1: now when we look back, it doesn't look like that. 547 00:26:59,000 --> 00:26:59,680 Speaker 2: Yeah, you're right. 548 00:27:00,000 --> 00:27:01,080 Speaker 3: Anyway, we digress. 549 00:27:01,160 --> 00:27:03,640 Speaker 2: But the interesting fans like would come to the set though, 550 00:27:03,680 --> 00:27:06,439 Speaker 2: they would be super excited to see it all in person. 551 00:27:06,720 --> 00:27:09,240 Speaker 2: It wasn't like low rent. It was like no, no, 552 00:27:09,880 --> 00:27:10,720 Speaker 2: well done. 553 00:27:10,840 --> 00:27:11,760 Speaker 1: Yeah, well done. 554 00:27:12,040 --> 00:27:26,880 Speaker 2: Yeah. Wait, let's go back to Colon and Kelly because 555 00:27:27,200 --> 00:27:30,640 Speaker 2: that interchange exchange a weird kiss. 556 00:27:31,119 --> 00:27:32,120 Speaker 1: I did she kiss him? 557 00:27:32,240 --> 00:27:35,159 Speaker 2: I don't know. And I got so nervous for you 558 00:27:35,240 --> 00:27:37,760 Speaker 2: slash Kelly when she was going in, I'm like, what's happening, 559 00:27:37,840 --> 00:27:38,920 Speaker 2: what's happening? Yeah. 560 00:27:38,920 --> 00:27:41,320 Speaker 1: At first she was like very it was very realistic. 561 00:27:41,400 --> 00:27:42,760 Speaker 1: She didn't want to look him in the eye and 562 00:27:42,800 --> 00:27:47,720 Speaker 1: she was like, oh, good for you, and that was uncomfortable. 563 00:27:47,760 --> 00:27:49,400 Speaker 1: But then the kiss threw me too. 564 00:27:50,320 --> 00:27:51,359 Speaker 3: Yeah, that was weird. 565 00:27:52,760 --> 00:27:54,159 Speaker 2: She's not going to go back to him at all. 566 00:27:54,160 --> 00:27:55,000 Speaker 2: I want to go back to him. 567 00:27:55,000 --> 00:27:58,960 Speaker 3: Correct, No, no, because okay, good I don't think so, 568 00:27:59,080 --> 00:28:00,840 Speaker 3: because if I remember, remember what's happening. 569 00:28:01,160 --> 00:28:06,320 Speaker 1: Okay, it was like a sweet goodbye kiss like closure. Okay, 570 00:28:06,440 --> 00:28:09,520 Speaker 1: let's call it that. At least it was on the lips. 571 00:28:10,000 --> 00:28:10,320 Speaker 3: Correct. 572 00:28:10,440 --> 00:28:12,040 Speaker 2: Yeah, but it was a little it was a little 573 00:28:12,040 --> 00:28:14,159 Speaker 2: smoochy like, it was a little. 574 00:28:13,920 --> 00:28:19,800 Speaker 1: Like slow and tender, and and Valerie saw it. 575 00:28:19,960 --> 00:28:21,280 Speaker 2: It was not happy. 576 00:28:21,640 --> 00:28:24,360 Speaker 1: Oh my god, your Valerie. 577 00:28:25,480 --> 00:28:28,960 Speaker 2: You walk by Valerie. Your shoulder like swing as he 578 00:28:29,320 --> 00:28:31,119 Speaker 2: like veer off was epic. 579 00:28:33,400 --> 00:28:36,040 Speaker 1: Like I'm sure Kelly just had to give her that. 580 00:28:36,520 --> 00:28:41,000 Speaker 2: Little Yeah, she was not happy. Can we talk about 581 00:28:41,080 --> 00:28:46,360 Speaker 2: David filming everybody's entrances? And medical student not doctor Greg 582 00:28:46,560 --> 00:28:49,120 Speaker 2: walks in? How awkward to ask him, but what he 583 00:28:49,280 --> 00:28:50,680 Speaker 2: said was even more awkward. 584 00:28:51,360 --> 00:28:56,320 Speaker 1: The poem roses are red, violets are blue. I have 585 00:28:56,320 --> 00:28:59,120 Speaker 1: no idea what the rest was. I don't know you. 586 00:28:59,240 --> 00:29:00,720 Speaker 2: I don't know you. How do you do. 587 00:29:03,080 --> 00:29:05,520 Speaker 1: Well? He's clever, he's a medical student, so he has 588 00:29:05,520 --> 00:29:07,240 Speaker 1: to think quick on his toes. 589 00:29:07,440 --> 00:29:09,960 Speaker 2: There, and David couldn't even give him crap. He was 590 00:29:10,040 --> 00:29:15,680 Speaker 2: just like, okay, yeah, all right, yeah, what. 591 00:29:15,680 --> 00:29:18,560 Speaker 1: About when Kelly and Brandon have their moment? When she 592 00:29:18,720 --> 00:29:23,760 Speaker 1: comes there and he hugs her and then he says, 593 00:29:23,800 --> 00:29:25,880 Speaker 1: how are you feeling? And she says good or something 594 00:29:25,960 --> 00:29:27,800 Speaker 1: like that, and then he hugs her and he's like, yeah, 595 00:29:27,840 --> 00:29:29,840 Speaker 1: you do feel good? Something super dracy. 596 00:29:29,920 --> 00:29:32,840 Speaker 3: Yeah, there was a Yes, there was another dirty, dirty 597 00:29:32,920 --> 00:29:33,440 Speaker 3: line here. 598 00:29:33,960 --> 00:29:35,120 Speaker 2: My huggs a little too long? 599 00:29:35,720 --> 00:29:38,400 Speaker 1: Locked it not, of course no, but like. 600 00:29:38,360 --> 00:29:42,240 Speaker 2: If Brandon cares so much, he shouldn't have invited her 601 00:29:42,400 --> 00:29:44,120 Speaker 2: ex boyfriend who's an addict over. 602 00:29:46,520 --> 00:29:48,360 Speaker 1: If he cares about his girlfriend, maybe he shouldn't have 603 00:29:48,400 --> 00:29:49,120 Speaker 1: invited Kelly. 604 00:29:50,680 --> 00:29:52,440 Speaker 2: Oh, you're right. That just keeps going. 605 00:29:52,720 --> 00:29:55,720 Speaker 1: But yeah, that's, you know, core. They got to have 606 00:29:55,760 --> 00:29:56,400 Speaker 1: the core there. 607 00:29:58,240 --> 00:30:00,640 Speaker 2: And when Donna's taping, like doing a video, and she 608 00:30:00,680 --> 00:30:04,240 Speaker 2: comes over and she's like Brandon Waltz and then she 609 00:30:04,320 --> 00:30:06,800 Speaker 2: goes and his girlfriend I thought for a moment like 610 00:30:06,880 --> 00:30:09,480 Speaker 2: did I forget her name or like I didn't say 611 00:30:09,520 --> 00:30:15,440 Speaker 2: and his girlfriend Susan. I'm like, and his girlfriend it happens. 612 00:30:15,480 --> 00:30:16,240 Speaker 1: See, it's not just me. 613 00:30:17,120 --> 00:30:20,479 Speaker 2: And it made me think of that, and who is this? 614 00:30:22,080 --> 00:30:23,680 Speaker 1: Her hair was wait wait wait, can we talk about 615 00:30:23,680 --> 00:30:28,200 Speaker 1: her hair? It was just very brick curly. It was 616 00:30:29,600 --> 00:30:33,560 Speaker 1: very curly, very poofy and same with Tera Tara. Her 617 00:30:33,600 --> 00:30:40,320 Speaker 1: hair was like a whoop, Like, I know, Walt did that, 618 00:30:40,680 --> 00:30:46,719 Speaker 1: not bless his heart, but that's a Walt do if 619 00:30:46,720 --> 00:30:47,520 Speaker 1: I ever saw one. 620 00:30:48,000 --> 00:30:50,320 Speaker 2: You know, he worked long and hard on that wig. 621 00:30:50,480 --> 00:30:54,560 Speaker 1: Was probably better. Yeah, oh my god. 622 00:30:55,160 --> 00:30:57,960 Speaker 2: Yeah, there's a lot of hair in this episode. Okay, 623 00:30:58,240 --> 00:31:00,080 Speaker 2: so the main part of the party, can we go 624 00:31:00,120 --> 00:31:00,360 Speaker 2: to it? 625 00:31:00,880 --> 00:31:02,320 Speaker 1: Yeah? 626 00:31:02,200 --> 00:31:07,000 Speaker 2: Uh, already the teens are drinking too much and Ryan 627 00:31:07,280 --> 00:31:09,560 Speaker 2: slash Randy passes out. 628 00:31:10,120 --> 00:31:13,640 Speaker 1: Yeah, duncan dum. Very good drunk acting. I thought on 629 00:31:13,720 --> 00:31:16,440 Speaker 1: Randy's part when he was like in the living room 630 00:31:16,440 --> 00:31:17,320 Speaker 1: and he's getting all. 631 00:31:18,720 --> 00:31:22,360 Speaker 2: The boys did great. They did Drunk acting is not easy, 632 00:31:22,760 --> 00:31:25,840 Speaker 2: not easy, especially when you're stone cold sober in the 633 00:31:25,880 --> 00:31:28,080 Speaker 2: middle of the day or never helps. 634 00:31:28,240 --> 00:31:31,560 Speaker 3: You know. They're actually good. Obviously a brother, but the 635 00:31:31,600 --> 00:31:34,200 Speaker 3: other guy, they're good. They're actually really good. Thank god. 636 00:31:34,200 --> 00:31:38,160 Speaker 3: There's a doctor in the house, right yeah, oh my gosh. 637 00:31:38,200 --> 00:31:38,400 Speaker 2: Wait. 638 00:31:38,520 --> 00:31:41,040 Speaker 1: Dave was not watching it. He was just listening to it, 639 00:31:41,080 --> 00:31:43,560 Speaker 1: and he was like, well, oh, that's so convenient there's 640 00:31:43,600 --> 00:31:45,840 Speaker 1: a doctor there at the party. I was like, he's 641 00:31:45,840 --> 00:31:47,120 Speaker 1: not a doctor, he's a med student. 642 00:31:49,360 --> 00:31:52,040 Speaker 3: I believe itification. 643 00:31:52,760 --> 00:31:55,720 Speaker 2: But I was like, well, what if he hadn't been there, 644 00:31:56,360 --> 00:31:57,880 Speaker 2: Would they have known that it was out? 645 00:31:57,920 --> 00:31:58,000 Speaker 1: Oh? 646 00:31:58,480 --> 00:32:01,440 Speaker 2: Boys, I don't know around some of that alcohol poisoning. 647 00:32:01,520 --> 00:32:06,560 Speaker 2: I was like, yeah, because you could die, you pass out. Yeah, yeah, 648 00:32:06,880 --> 00:32:09,000 Speaker 2: I think he would know. I don't think anyone would 649 00:32:09,040 --> 00:32:10,720 Speaker 2: think it was bad chicken. I think you would know 650 00:32:10,880 --> 00:32:11,680 Speaker 2: this guy's in trouble. 651 00:32:11,720 --> 00:32:13,880 Speaker 1: Well, they would definitely know he had too much to drink. 652 00:32:13,880 --> 00:32:15,720 Speaker 1: But would they know that that is a date, like 653 00:32:15,800 --> 00:32:17,760 Speaker 1: he had had a dangerous level of alcohol? 654 00:32:18,200 --> 00:32:19,920 Speaker 2: Right, he could have just drink too much and just 655 00:32:20,040 --> 00:32:20,560 Speaker 2: passed out. 656 00:32:20,640 --> 00:32:22,520 Speaker 1: Yeah, They'll like, let him sleep it off, He'll be fine, 657 00:32:22,600 --> 00:32:24,680 Speaker 1: yeah exactly. Then then he dies. 658 00:32:24,880 --> 00:32:27,400 Speaker 2: He'd be vomiting. What he be? Is there some like 659 00:32:27,440 --> 00:32:30,120 Speaker 2: how do you know when someone is like, oh, we 660 00:32:30,200 --> 00:32:30,880 Speaker 2: got to go to the er. 661 00:32:31,280 --> 00:32:35,600 Speaker 1: I'm just asking, especially a little like a little lightweight 662 00:32:35,720 --> 00:32:39,880 Speaker 1: like Randy, his little body can't handle that much alcohol. 663 00:32:40,560 --> 00:32:43,720 Speaker 3: Immediately call mine one one. We're back at the hospital. 664 00:32:44,280 --> 00:32:49,280 Speaker 1: Okay, so is back with Randy. I mean I don't 665 00:32:49,280 --> 00:32:50,320 Speaker 1: know his character name. 666 00:32:50,320 --> 00:32:54,040 Speaker 2: Well, actually, we're back at Colon's apartment. First, Oh boy, now, 667 00:32:56,200 --> 00:32:59,600 Speaker 2: oh my god, this this is valeries upset. The way 668 00:32:59,720 --> 00:33:03,400 Speaker 2: that Colin looked at Kelly made her feel terrible. Colan 669 00:33:03,440 --> 00:33:05,760 Speaker 2: tells her that he loves her. 670 00:33:05,840 --> 00:33:08,240 Speaker 1: He loves her and he's and she says, are you 671 00:33:08,280 --> 00:33:11,920 Speaker 1: sure about that? And he's like, yes, I'm sure. So 672 00:33:11,920 --> 00:33:13,200 Speaker 1: so much conviction. 673 00:33:14,320 --> 00:33:18,960 Speaker 2: Sleep, Oh yeah, of course. Okay, back to the hospital. Now. 674 00:33:19,240 --> 00:33:21,600 Speaker 2: Rush arrives at the hospital and he's like, what did 675 00:33:21,640 --> 00:33:26,760 Speaker 2: you do? He's so mad, he was so mad. And 676 00:33:26,800 --> 00:33:30,360 Speaker 2: they hear that Ryan Slash Randy has been transferred from 677 00:33:30,440 --> 00:33:34,680 Speaker 2: the ER to the ICU that's intensive care. 678 00:33:36,120 --> 00:33:39,440 Speaker 3: Yeah, it's very bad, right, it's very serious. And also 679 00:33:39,520 --> 00:33:43,680 Speaker 3: though I'm not sure, I don't know, I'm not sure 680 00:33:43,720 --> 00:33:47,400 Speaker 3: how Rush felt that Steve should have handled this, like 681 00:33:47,560 --> 00:33:50,520 Speaker 3: they should have told the teenagers don't drink, which Steve 682 00:33:50,600 --> 00:33:52,200 Speaker 3: tried to do. But then Steve did let him have 683 00:33:52,240 --> 00:33:52,600 Speaker 3: the one. 684 00:33:53,120 --> 00:33:53,840 Speaker 2: I don't know. 685 00:33:54,520 --> 00:33:57,440 Speaker 3: I don't know who's to blame here, probably Rush. 686 00:33:56,920 --> 00:33:58,719 Speaker 2: And I felt that way in the moment that I 687 00:33:58,760 --> 00:34:02,120 Speaker 2: was like, Steve could technically defend himself here, like he 688 00:34:02,200 --> 00:34:05,480 Speaker 2: could say I didn't know, I didn't you know, right, 689 00:34:05,480 --> 00:34:06,280 Speaker 2: But he's just like. 690 00:34:07,600 --> 00:34:09,960 Speaker 1: He didn't know, Yeah, he didn't know. He was like, 691 00:34:10,200 --> 00:34:11,600 Speaker 1: let him let him drink. 692 00:34:12,000 --> 00:34:14,680 Speaker 2: Yeah, he did the right thing. Back at the beach apartment. 693 00:34:15,760 --> 00:34:20,240 Speaker 2: Medical student not doctor, Greg drops Kelly and Tara Tara 694 00:34:20,280 --> 00:34:24,359 Speaker 2: off after the party. They go outside to have a moments. 695 00:34:25,120 --> 00:34:27,280 Speaker 2: Tara's very creepy. 696 00:34:28,200 --> 00:34:30,640 Speaker 3: She's so lingery and creepy here. 697 00:34:31,680 --> 00:34:35,000 Speaker 1: It was so awkward when she was like, we should 698 00:34:35,000 --> 00:34:36,640 Speaker 1: go inside, Kelly, it's cold. 699 00:34:40,600 --> 00:34:43,319 Speaker 3: That's just pretty fantastic, Like, oh, but I guess it 700 00:34:43,360 --> 00:34:44,120 Speaker 3: was supposed to be. 701 00:34:45,520 --> 00:34:47,839 Speaker 1: Do you think that Kelly felt like she had to 702 00:34:47,960 --> 00:34:50,840 Speaker 1: like give him a good night moment? 703 00:34:52,160 --> 00:34:55,240 Speaker 2: Do you think that wanted to like that guy? But again, 704 00:34:56,239 --> 00:35:03,799 Speaker 2: she just got out of rehabs and ada like her 705 00:35:03,840 --> 00:35:06,600 Speaker 2: life is going out with a woman whose name no 706 00:35:06,600 --> 00:35:10,200 Speaker 2: one can remember and it's this hard. So she's gonna 707 00:35:10,239 --> 00:35:13,960 Speaker 2: go for the next it's rebound, rebound. She's a cute together. 708 00:35:13,960 --> 00:35:16,560 Speaker 2: It was a cute kiss, and I felt like Tara 709 00:35:16,760 --> 00:35:21,239 Speaker 2: Tara was just like drooling inside. It made me super uncomfortable. 710 00:35:22,960 --> 00:35:27,760 Speaker 1: Necklace, necklace, and then all the all the beads dropping 711 00:35:27,800 --> 00:35:30,000 Speaker 1: on the floor, so symbolic. 712 00:35:30,960 --> 00:35:33,960 Speaker 2: Yeah yeah, back of the hospital. Doctor comes and tells 713 00:35:34,040 --> 00:35:36,600 Speaker 2: Rush and Steve that Ryan Slash Randy will be okay 714 00:35:37,080 --> 00:35:38,480 Speaker 2: after they pump his stomach. 715 00:35:39,040 --> 00:35:40,239 Speaker 3: Oh my gosh. 716 00:35:40,600 --> 00:35:43,840 Speaker 2: Cossa Walsh Brandon answers the phone and he seems annoyed. 717 00:35:43,920 --> 00:35:45,560 Speaker 2: So I was like, it can't be about them calling 718 00:35:45,560 --> 00:35:48,319 Speaker 2: from the hospital, but it was. It was Claire and 719 00:35:48,880 --> 00:35:52,080 Speaker 2: she says to Ryan slash Randy's going to be okay 720 00:35:52,080 --> 00:35:55,440 Speaker 2: and tells the brother, okay, Steve, Ryan slash Randy in 721 00:35:55,480 --> 00:35:57,360 Speaker 2: the hospital room, we're about to end the episode, and 722 00:35:57,440 --> 00:35:58,200 Speaker 2: he wakes up. 723 00:35:58,920 --> 00:36:02,880 Speaker 1: He wakes up and then details him I love you. Yeah, 724 00:36:02,880 --> 00:36:05,040 Speaker 1: and that's the end of the episode. 725 00:36:04,880 --> 00:36:08,160 Speaker 3: That should have come before the crazy necklace pull and 726 00:36:08,320 --> 00:36:08,879 Speaker 3: end on that. 727 00:36:08,960 --> 00:36:11,920 Speaker 2: Yeah, okay. So I'm gonna not make this uncomfortable for 728 00:36:12,080 --> 00:36:13,799 Speaker 2: my fellow co host. I'm gonna take this right out 729 00:36:13,800 --> 00:36:17,279 Speaker 2: of your hands right now. The obvious reason is my 730 00:36:17,400 --> 00:36:21,640 Speaker 2: dad like they ended on Randy because in my dad'll say, 731 00:36:21,719 --> 00:36:24,480 Speaker 2: think of that. I don't have to comment, Oh, I 732 00:36:24,480 --> 00:36:26,800 Speaker 2: didn't think of that. You would never end the episode. 733 00:36:26,920 --> 00:36:29,400 Speaker 1: I honestly did not think you didn't think. 734 00:36:29,200 --> 00:36:31,040 Speaker 3: It was I didn't even think of that. 735 00:36:31,160 --> 00:36:34,160 Speaker 1: But I wasn't even thinking of the father's son situation 736 00:36:34,440 --> 00:36:34,839 Speaker 1: at all. 737 00:36:35,560 --> 00:36:38,120 Speaker 2: Would you ever though? But think about it now? Now 738 00:36:38,200 --> 00:36:41,240 Speaker 2: go back and replay it. You end your final scene 739 00:36:41,320 --> 00:36:46,480 Speaker 2: and it's a slow camera pan in someone that's not 740 00:36:46,560 --> 00:36:47,799 Speaker 2: even recurring, like. 741 00:36:48,640 --> 00:36:50,040 Speaker 1: But he did almost die. 742 00:36:51,760 --> 00:36:54,480 Speaker 3: It make such a great point. I really think you're right. 743 00:36:54,560 --> 00:36:57,680 Speaker 2: Sorry, and I'm not saying that my dad asked because 744 00:36:57,680 --> 00:37:00,640 Speaker 2: he would not no, no like that. Yeah, they like, oh, 745 00:37:01,760 --> 00:37:05,799 Speaker 2: we better push in on the son. And I'm sure 746 00:37:05,840 --> 00:37:07,880 Speaker 2: he was like in there like freeze. They were like, 747 00:37:08,840 --> 00:37:11,399 Speaker 2: he didn't say anything there for he was good with it. 748 00:37:11,600 --> 00:37:14,120 Speaker 3: Yes, I did not even think of that, And that 749 00:37:14,239 --> 00:37:16,040 Speaker 3: is a great, great point for sure. 750 00:37:16,520 --> 00:37:18,239 Speaker 2: I mean he was great in the scene. 751 00:37:18,239 --> 00:37:22,640 Speaker 1: He was Yeah, I love that Amy, and neither of 752 00:37:22,680 --> 00:37:26,759 Speaker 1: us went there. I'm very that's all saying something right there. 753 00:37:26,840 --> 00:37:28,239 Speaker 3: Yeah, good, really good? 754 00:37:28,400 --> 00:37:28,799 Speaker 2: Is it over? 755 00:37:29,480 --> 00:37:32,080 Speaker 3: Very long podcast, but really good episode. 756 00:37:33,760 --> 00:37:35,479 Speaker 2: It's my first time going to see my scene. 757 00:37:35,920 --> 00:37:37,520 Speaker 1: Did good time, very different. 758 00:37:37,560 --> 00:37:39,160 Speaker 3: I think we should take it to the people for 759 00:37:39,440 --> 00:37:42,239 Speaker 3: twenty twenty five. If they want us to just speed. 760 00:37:41,920 --> 00:37:44,239 Speaker 2: It up a little bit, we can mix it up, 761 00:37:44,760 --> 00:37:46,439 Speaker 2: go through the storyline one week. 762 00:37:47,239 --> 00:37:50,000 Speaker 1: For me, the story want to do like ABC storyline. 763 00:37:50,000 --> 00:37:51,040 Speaker 1: Remember I just. 764 00:37:50,880 --> 00:37:55,200 Speaker 3: Remember that because to rip on everybody. 765 00:37:54,719 --> 00:37:58,160 Speaker 1: I like, get it out of your system, right, I just. 766 00:37:58,200 --> 00:38:02,400 Speaker 3: Been like Colon hit the oh dude, and that's it. 767 00:38:02,440 --> 00:38:04,080 Speaker 1: What do you guys give it I'm gonna give it 768 00:38:04,120 --> 00:38:04,960 Speaker 1: a eight and a half. 769 00:38:05,239 --> 00:38:07,560 Speaker 3: You're gonna say ten. You held up both hands eight 770 00:38:07,600 --> 00:38:10,840 Speaker 3: and a half. I'm going nine. I'm going nine, Tori, 771 00:38:11,560 --> 00:38:12,440 Speaker 3: you finish yourself. 772 00:38:12,480 --> 00:38:14,879 Speaker 2: Oh dear, I was gonna say seven and a half, 773 00:38:14,960 --> 00:38:17,280 Speaker 2: but then I'm bumping up to an eight because my brother. 774 00:38:17,560 --> 00:38:18,960 Speaker 2: I don't even know why. I just think it was 775 00:38:19,000 --> 00:38:21,239 Speaker 2: a really good episode, but there was just so many 776 00:38:21,280 --> 00:38:23,279 Speaker 2: and I don't look at it typically like the way 777 00:38:23,280 --> 00:38:25,360 Speaker 2: you guys do and look at all the things that 778 00:38:25,400 --> 00:38:28,359 Speaker 2: don't make sense. But I couldn't help myself this episode. 779 00:38:29,200 --> 00:38:30,920 Speaker 1: Welcome to the Club of negativity. 780 00:38:31,000 --> 00:38:31,120 Speaker 2: Ah. 781 00:38:31,600 --> 00:38:33,960 Speaker 3: I have could think of a dirty double entendre to 782 00:38:34,080 --> 00:38:35,920 Speaker 3: end things with, but it's so hard. 783 00:38:38,160 --> 00:38:39,560 Speaker 1: Where it is it, I. 784 00:38:39,520 --> 00:38:41,520 Speaker 3: Don't know, but I just want to hold on to it. 785 00:38:41,920 --> 00:38:42,480 Speaker 2: Okay. 786 00:38:42,520 --> 00:38:46,320 Speaker 1: On that note, next week we have episode twenty six. 787 00:38:46,560 --> 00:38:49,800 Speaker 1: The season's coming to an end at some point, flirting 788 00:38:49,880 --> 00:38:52,960 Speaker 1: with disaster. Ooh, that sounds exciting.