1 00:00:00,720 --> 00:00:03,400 Speaker 1: Welcome to Good Game with Sarah Spain, where we're exactly 2 00:00:03,560 --> 00:00:06,360 Speaker 1: forty days from the start of the NWSL playoffs, and 3 00:00:06,360 --> 00:00:09,280 Speaker 1: we've already got the cooler stock, the oranges sliced, and 4 00:00:09,360 --> 00:00:12,840 Speaker 1: the scarves laid out too soon. On today's show, I 5 00:00:12,840 --> 00:00:15,480 Speaker 1: talked to filmmaker Nicole Teeney, hosted The Girl v Horse 6 00:00:15,760 --> 00:00:18,440 Speaker 1: ESPN thirty. For thirty podcasts, we chat about how an 7 00:00:18,440 --> 00:00:21,919 Speaker 1: epilepsy diagnosis inspired her to expand her love of distance 8 00:00:22,000 --> 00:00:26,920 Speaker 1: running into a wild dream of actually legitimately racing a horse. 9 00:00:27,200 --> 00:00:29,880 Speaker 1: Plus sports bars have come a long way, at least 10 00:00:29,920 --> 00:00:32,239 Speaker 1: some of them. It's all coming up right after this. 11 00:00:38,240 --> 00:00:41,040 Speaker 1: Producer Mish has got your need to know today, Take 12 00:00:41,080 --> 00:00:46,919 Speaker 1: it away, Mish. 13 00:00:44,240 --> 00:00:47,920 Speaker 2: All right, folks. In Game one of the WNBA semi 14 00:00:47,920 --> 00:00:49,959 Speaker 2: final series between the New York Liberty and the Las 15 00:00:50,080 --> 00:00:53,920 Speaker 2: Vegas Aces, the Libs were just too much. Riding an 16 00:00:53,960 --> 00:00:58,240 Speaker 2: electric crowd in Spike Lee's heckling Prowess, Brianna Stewart, sabrinian 17 00:00:58,360 --> 00:01:00,680 Speaker 2: Escu and John cul Jones took turn shining on the 18 00:01:00,680 --> 00:01:04,240 Speaker 2: offensive end. Stewie finished with thirty four points, Ydescu with 19 00:01:04,280 --> 00:01:06,760 Speaker 2: twenty one and five assists, and Jones with a thirteen 20 00:01:06,840 --> 00:01:10,000 Speaker 2: point twelve board double double. Now, Kelsey Plumb and Asia 21 00:01:10,000 --> 00:01:12,760 Speaker 2: Wilson did all they could to keep Vegas within striking distance, 22 00:01:12,920 --> 00:01:16,080 Speaker 2: putting up twenty four and twenty one points respectively. Now 23 00:01:16,240 --> 00:01:18,480 Speaker 2: we'll wait and see what adjustments Becky Hamm and her 24 00:01:18,520 --> 00:01:20,679 Speaker 2: staff and that clipboard of hers make between now in 25 00:01:20,720 --> 00:01:24,080 Speaker 2: game two on Tuesday. A note, we did record today's 26 00:01:24,080 --> 00:01:27,640 Speaker 2: episode before game one of the Sunlink series concluded, so 27 00:01:27,959 --> 00:01:32,360 Speaker 2: we'll update you on that one tomorrow. Moving on, Minnesota's No. 28 00:01:32,440 --> 00:01:35,440 Speaker 2: Fisa Collier was officially named Defensive Player of the Year 29 00:01:35,520 --> 00:01:39,680 Speaker 2: on Sunday. Collier reached career high averages in blocks, rebounds, 30 00:01:39,680 --> 00:01:42,399 Speaker 2: and steals in the regular season and spearheaded the best 31 00:01:42,440 --> 00:01:45,080 Speaker 2: defense in the league in terms of opponent effective field 32 00:01:45,120 --> 00:01:48,760 Speaker 2: goal percentage. Now, you may recall that a couple weeks ago, 33 00:01:49,160 --> 00:01:52,480 Speaker 2: ACES coach Becky Hammon called out a few ESPN reporters 34 00:01:52,520 --> 00:01:55,800 Speaker 2: who voted for Callier over ACES star Aja Wilson for 35 00:01:55,840 --> 00:01:58,640 Speaker 2: this award, saying they needed to go searching for stats 36 00:01:58,760 --> 00:02:01,000 Speaker 2: just to make a case for fee. But when Link's 37 00:02:01,000 --> 00:02:03,640 Speaker 2: head coach Cheryl Reeve came on this show, we asked 38 00:02:03,640 --> 00:02:06,559 Speaker 2: her about that and she says she thought fee selection 39 00:02:06,640 --> 00:02:10,440 Speaker 2: would be unanimous. It wasn't quite that. Fee received thirty 40 00:02:10,480 --> 00:02:13,280 Speaker 2: six votes out of sixty seven, and Wilson, the MVP, 41 00:02:13,400 --> 00:02:16,520 Speaker 2: finished second with twenty six votes. Speaking to Cheryl Reeve, 42 00:02:16,639 --> 00:02:18,440 Speaker 2: she also picked up awards for Coach of the Year 43 00:02:18,480 --> 00:02:20,880 Speaker 2: and Executive of the Year. She's the first to win 44 00:02:20,919 --> 00:02:24,000 Speaker 2: Coach of the Year four times in league history. Y'all. 45 00:02:24,440 --> 00:02:27,239 Speaker 2: It's also worth noting that she's the longest tenured WNBA 46 00:02:27,320 --> 00:02:30,000 Speaker 2: coach by a lot. Reeve's been steering the ship in 47 00:02:30,040 --> 00:02:33,120 Speaker 2: Minnesota since nine Which coach is in the number two spot. 48 00:02:33,480 --> 00:02:35,720 Speaker 2: That's the Seattle Storms Noel Quinn, who's been at the 49 00:02:35,760 --> 00:02:38,400 Speaker 2: Helm since May twenty twenty one. By the way, for 50 00:02:38,480 --> 00:02:40,440 Speaker 2: folks newer to the league, if you want to do 51 00:02:40,480 --> 00:02:43,240 Speaker 2: some digging, Quinn was a heck of a hooper two 52 00:02:43,480 --> 00:02:47,440 Speaker 2: number four, picking O seven WNBA champ thirteen seasons. Go 53 00:02:47,480 --> 00:02:49,160 Speaker 2: do some research and let us know what you find. 54 00:02:50,320 --> 00:02:53,760 Speaker 2: Speaking of coach turnover, some stunning news out of Chicago 55 00:02:53,880 --> 00:02:57,519 Speaker 2: over the weekend, the Chicago Sky fired first year head 56 00:02:57,560 --> 00:03:01,360 Speaker 2: coach Teresa Weatherspoon. Chicago finished season tenth in the league 57 00:03:01,400 --> 00:03:03,640 Speaker 2: with a thirteen and twenty seven record, but given that 58 00:03:03,639 --> 00:03:06,079 Speaker 2: twenty twenty four was expected to be a rebuilding year, 59 00:03:06,240 --> 00:03:10,080 Speaker 2: the move was still a big surprise. Skyrooki. Angel Reese 60 00:03:10,080 --> 00:03:12,359 Speaker 2: took to Twitter to say she was torn up over 61 00:03:12,400 --> 00:03:16,440 Speaker 2: the decision, writing in part quote, I'm heartbroken. I'm literally 62 00:03:16,480 --> 00:03:18,680 Speaker 2: lost for words knowing what this woman meant to me 63 00:03:18,880 --> 00:03:21,280 Speaker 2: in such a pivotal point in my life. She was 64 00:03:21,320 --> 00:03:23,640 Speaker 2: the only person that believed in me, the one that 65 00:03:23,680 --> 00:03:26,280 Speaker 2: trusted me. Many don't even know what it's like to 66 00:03:26,280 --> 00:03:28,920 Speaker 2: be a black woman in sports when nobody believes in you. 67 00:03:28,919 --> 00:03:32,160 Speaker 2: You had a tough job, all the crazy circumstances that 68 00:03:32,200 --> 00:03:34,200 Speaker 2: we went through this year, and when your back was 69 00:03:34,240 --> 00:03:37,920 Speaker 2: against the wall, you always believed. I came to Chicago 70 00:03:38,000 --> 00:03:41,200 Speaker 2: because of you. You were an unsung hero in my life. 71 00:03:41,560 --> 00:03:43,839 Speaker 2: We built a relationship in a short amount of time 72 00:03:43,880 --> 00:03:46,760 Speaker 2: that will last forever. Reese then went on to conclude 73 00:03:46,760 --> 00:03:50,640 Speaker 2: her remarks with I love you Tea Spoon Still Weatherspoon's 74 00:03:50,680 --> 00:03:54,160 Speaker 2: dismissal certainly doesn't help Chicago's reputation as a franchise with 75 00:03:54,200 --> 00:03:57,240 Speaker 2: a lot of dysfunction. This team has had four coaches 76 00:03:57,280 --> 00:04:01,280 Speaker 2: in three seasons and lots of superstars, including Candice Parker, 77 00:04:01,360 --> 00:04:03,960 Speaker 2: Kalia Copper, and Courtney Van der Slute have opted to 78 00:04:04,040 --> 00:04:06,240 Speaker 2: leave the team in recent years. Friend of the show 79 00:04:06,280 --> 00:04:09,200 Speaker 2: Annie Constable wrote about the firing for the Chicago Sun Times, 80 00:04:09,360 --> 00:04:11,400 Speaker 2: and we'll link to that story in our episode notes. 81 00:04:12,520 --> 00:04:16,160 Speaker 2: The WNBA Players Association released a statement on Friday, calling 82 00:04:16,200 --> 00:04:19,440 Speaker 2: bullshit their words on behalf of the players in the league. 83 00:04:19,720 --> 00:04:22,200 Speaker 2: Here's a little context before we get to the statement itself. 84 00:04:22,600 --> 00:04:25,800 Speaker 2: Last week, USA Today columnist Christine Brennan, who was also 85 00:04:25,839 --> 00:04:28,480 Speaker 2: writing a book about Kaitlyn Clark, posted a video of 86 00:04:28,520 --> 00:04:31,960 Speaker 2: a question she asked Connecticut Sun guard Dja Carrington before 87 00:04:32,080 --> 00:04:35,240 Speaker 2: Game two against the Indiana Fever last Wednesday. In Game 88 00:04:35,279 --> 00:04:38,880 Speaker 2: one of that series, Carrington accidentally caught rookie phenom Caitlin 89 00:04:38,920 --> 00:04:41,039 Speaker 2: Clark with the hands of the eye while reaching to 90 00:04:41,080 --> 00:04:44,440 Speaker 2: deflect a pass. Here's Brennan's exchange with Carrington. 91 00:04:44,360 --> 00:04:49,560 Speaker 3: Djday, Yeah, did you when you went and kind of 92 00:04:49,600 --> 00:04:52,800 Speaker 3: swatted at Caitlin did you intend to hit her in 93 00:04:52,839 --> 00:04:55,400 Speaker 3: the eye? And if so, could you just earth not 94 00:04:55,440 --> 00:04:57,640 Speaker 3: out either way? Could you talk about what happened on 95 00:04:57,640 --> 00:04:58,080 Speaker 3: that plane? 96 00:04:58,760 --> 00:05:01,280 Speaker 4: I just I don't even you know why I would 97 00:05:01,279 --> 00:05:03,320 Speaker 4: intend to hit anybody in the eye. That doesn't even 98 00:05:03,400 --> 00:05:04,120 Speaker 4: make sense to me. 99 00:05:04,240 --> 00:05:05,200 Speaker 2: But no, I didn't. 100 00:05:05,240 --> 00:05:08,440 Speaker 4: I didn't know I hit her. Actually, I was trying 101 00:05:08,440 --> 00:05:10,680 Speaker 4: to make a play on the ball and I guess 102 00:05:10,720 --> 00:05:12,560 Speaker 4: I follow it through and I hit her. So obviously 103 00:05:12,560 --> 00:05:14,960 Speaker 4: it's never intentional. That's not even like the type of 104 00:05:15,000 --> 00:05:17,000 Speaker 4: player that I am. 105 00:05:17,040 --> 00:05:19,360 Speaker 3: So yeah, did you and Marina kind of laugh about 106 00:05:19,360 --> 00:05:21,359 Speaker 3: it afterwards? It looked like you there was later on 107 00:05:21,400 --> 00:05:23,080 Speaker 3: the game that caught you guys laughing about it. 108 00:05:24,040 --> 00:05:26,040 Speaker 4: No, I just told you I didn't even know I 109 00:05:26,120 --> 00:05:28,960 Speaker 4: hit her, so I can't laugh about something I didn't 110 00:05:28,960 --> 00:05:29,560 Speaker 4: know happened. 111 00:05:30,360 --> 00:05:32,719 Speaker 2: As you may recall, we talked last week about the 112 00:05:32,760 --> 00:05:36,800 Speaker 2: amount of racist, hateful, and vitriolic messages players have received 113 00:05:36,800 --> 00:05:40,760 Speaker 2: this season, with Carrington receiving some truly horrific messages after 114 00:05:40,800 --> 00:05:43,280 Speaker 2: that Game one incident, and it's clear that the players 115 00:05:43,279 --> 00:05:45,680 Speaker 2: want to see this change. That brings us back to 116 00:05:45,680 --> 00:05:49,560 Speaker 2: the Players Association statement. It reads, in part quote, to 117 00:05:49,720 --> 00:05:52,800 Speaker 2: unprofessional members of the media like Christine Brennan, you are 118 00:05:52,839 --> 00:05:55,640 Speaker 2: not fooling anyone that so called interview in the name 119 00:05:55,640 --> 00:05:58,680 Speaker 2: of journalism was a blatant attempt to bait a professional 120 00:05:58,720 --> 00:06:02,080 Speaker 2: athlete into participating into a narrative that is false and 121 00:06:02,160 --> 00:06:06,920 Speaker 2: designed to fuel racist, homophobic, and misogynist vitriol on social media. 122 00:06:07,480 --> 00:06:10,800 Speaker 2: You cannot hide behind your tenure. Instead of demonstrating the 123 00:06:10,800 --> 00:06:15,240 Speaker 2: cornerstones of journalism ethics, like integrity, objectivity, and a fundamental 124 00:06:15,279 --> 00:06:17,960 Speaker 2: commitment to the truth, you have chosen to be indecent 125 00:06:18,040 --> 00:06:21,440 Speaker 2: and downright and sincere. You have abused your privileges and 126 00:06:21,480 --> 00:06:24,479 Speaker 2: do not deserve the credentials issued to you. End quote. 127 00:06:24,520 --> 00:06:27,200 Speaker 2: The statement also calls on USA Today to review its 128 00:06:27,240 --> 00:06:30,320 Speaker 2: ethical conduct policy and to explain why a journalist with 129 00:06:30,440 --> 00:06:33,600 Speaker 2: quote clear bias and ulterior motives was assigned to cover 130 00:06:33,640 --> 00:06:37,240 Speaker 2: the league end quote. Two hours after the WNBPA released 131 00:06:37,240 --> 00:06:40,520 Speaker 2: its statement, USA Today released one of its own on Twitter. 132 00:06:41,000 --> 00:06:44,760 Speaker 2: It reads quote, Journalists ask questions and seek truth. At 133 00:06:44,880 --> 00:06:48,400 Speaker 2: USA Today, our mission is to report in an unbiased manner. 134 00:06:48,880 --> 00:06:51,760 Speaker 2: We reject the notion that the interview perpetuated any narrative 135 00:06:51,800 --> 00:06:55,320 Speaker 2: other than to get the player's perspective directly. Christine Brennan 136 00:06:55,400 --> 00:06:58,000 Speaker 2: is well regarded as an advocate for women and athletes, 137 00:06:58,320 --> 00:07:00,520 Speaker 2: but first and foremost a journalist. 138 00:07:00,800 --> 00:07:01,400 Speaker 1: End quote. 139 00:07:01,600 --> 00:07:04,800 Speaker 2: The statement was signed by USA Today's Sports executive editor 140 00:07:04,880 --> 00:07:09,240 Speaker 2: Roxanna Scott Chicago Sky forward returner quote tweeted USA Today's 141 00:07:09,240 --> 00:07:12,320 Speaker 2: statement type in quote. Looked in the dictionary and saw 142 00:07:12,360 --> 00:07:15,880 Speaker 2: this exact post as an example of gas lighting end quote. 143 00:07:16,080 --> 00:07:18,440 Speaker 2: Still a lot going on in that sphere, and we'll 144 00:07:18,440 --> 00:07:23,440 Speaker 2: discuss this topic further later this week. To soccer Canadian 145 00:07:23,520 --> 00:07:27,200 Speaker 2: legend in Portland, Thorns forward Christine Sinclair announced that she 146 00:07:27,280 --> 00:07:29,400 Speaker 2: will retire at the end of the twenty twenty four 147 00:07:29,560 --> 00:07:33,880 Speaker 2: NWSL season. Hey sink, I'm pretty sure. Sarah said last 148 00:07:33,920 --> 00:07:36,520 Speaker 2: week that no more players were allowed to retire this year. 149 00:07:36,960 --> 00:07:39,160 Speaker 2: But you know what is cool? Og you do you? 150 00:07:39,920 --> 00:07:42,760 Speaker 2: On Instagram, Sinclair essentially wrote a love letter to the 151 00:07:42,760 --> 00:07:45,200 Speaker 2: city of Portland, where she's played with the Thorns since 152 00:07:45,240 --> 00:07:47,880 Speaker 2: twenty thirteen, not to mention her college career with the 153 00:07:47,920 --> 00:07:49,960 Speaker 2: Portland Pilots from two thousand and one to two thousand 154 00:07:49,960 --> 00:07:54,000 Speaker 2: and five. Her letter reads, in part quote Portland, Thank 155 00:07:54,040 --> 00:07:57,360 Speaker 2: you will never be enough. She continued, as I finish 156 00:07:57,440 --> 00:07:59,520 Speaker 2: out this last ride, I just want to say what 157 00:07:59,560 --> 00:08:02,680 Speaker 2: a privilege it has been to represent this unique, beautiful 158 00:08:02,800 --> 00:08:06,160 Speaker 2: and passionate city that I will always call home. End quote. 159 00:08:06,280 --> 00:08:09,120 Speaker 2: After Sinclair made the announcement Friday, she was honored during 160 00:08:09,120 --> 00:08:12,440 Speaker 2: an away game against San Diego on Saturday, Wave goalkeeper 161 00:08:12,520 --> 00:08:15,800 Speaker 2: Kayln Sheridan presented Sinclair with the surfboard ahead of kickoff, 162 00:08:16,320 --> 00:08:18,280 Speaker 2: and then the Wave went on to win that one 163 00:08:18,360 --> 00:08:21,880 Speaker 2: to nil. Sinclair's final regular season game will be Portland's 164 00:08:21,920 --> 00:08:25,000 Speaker 2: November first match against Angels City FC. The Thorns are 165 00:08:25,000 --> 00:08:28,640 Speaker 2: currently on the bubble for the NWSL playoffs. Also in 166 00:08:28,720 --> 00:08:33,320 Speaker 2: the NWSL, the Orlando Pride's undefeated streak continues. The Pride 167 00:08:33,320 --> 00:08:35,520 Speaker 2: beat the Houston Dash three to one on Saturday in 168 00:08:35,520 --> 00:08:38,720 Speaker 2: front of a crowd of more than seventeen thousand, the 169 00:08:38,800 --> 00:08:42,280 Speaker 2: second largest crowd in team history. And shout out to 170 00:08:42,360 --> 00:08:44,720 Speaker 2: Jen Cooper of keeper Stats for this nugget of info 171 00:08:45,280 --> 00:08:49,600 Speaker 2: Following Saturday night's game, Twelve of fourteen NWSL teams, including 172 00:08:49,640 --> 00:08:52,240 Speaker 2: the Pride, have had at least one ten thousand plus 173 00:08:52,240 --> 00:08:55,840 Speaker 2: attendance game. Last year, it was just nine of twelve. 174 00:08:56,440 --> 00:08:58,760 Speaker 2: You love to see it. Also, the Pride have a 175 00:08:58,840 --> 00:09:01,480 Speaker 2: chance to clinch the end WSL Shield as early as 176 00:09:01,600 --> 00:09:04,720 Speaker 2: next weekend. For all the new NWSL fans out there, 177 00:09:04,880 --> 00:09:07,040 Speaker 2: that's the award for the team with the best regular 178 00:09:07,040 --> 00:09:11,959 Speaker 2: season record. And in track last week's Athlos NYC meat 179 00:09:12,080 --> 00:09:15,000 Speaker 2: was a party. One hundred meter hurdler Alisha Johnson, who 180 00:09:15,000 --> 00:09:18,400 Speaker 2: finished second, tweeted her approval after the meet, saying, quote, 181 00:09:18,600 --> 00:09:22,160 Speaker 2: baby Athlos was turned. I didn't want to leave end quote. 182 00:09:22,520 --> 00:09:25,280 Speaker 2: Fellow hundred meter hurdler and friend of the show Massi Russell, 183 00:09:25,480 --> 00:09:27,679 Speaker 2: who won gold in the event at the Paris Olympics, 184 00:09:27,760 --> 00:09:30,160 Speaker 2: saw room for improvement. There were a couple flinches in 185 00:09:30,160 --> 00:09:32,600 Speaker 2: the starting blocks, something that normally would be grounds for 186 00:09:32,640 --> 00:09:35,840 Speaker 2: this qualification, but that weren't called on Thursday night. Here's 187 00:09:35,840 --> 00:09:38,400 Speaker 2: what Russell said to Citius mag after the fact. 188 00:09:38,600 --> 00:09:41,000 Speaker 5: I mean, as anyone can see, there was a lot 189 00:09:41,040 --> 00:09:43,080 Speaker 5: of flints going on at the startards, so that kind 190 00:09:43,120 --> 00:09:45,080 Speaker 5: of looked Megan meet and I was playing catch at 191 00:09:45,120 --> 00:09:46,959 Speaker 5: the whole entire race. So you know, it's a big 192 00:09:46,960 --> 00:09:48,400 Speaker 5: prize when he on the line, and I think it's 193 00:09:48,400 --> 00:09:51,000 Speaker 5: the place of the rent, the legal race to getting 194 00:09:51,000 --> 00:09:52,360 Speaker 5: the prize. Mighty dead they deserve. 195 00:09:53,440 --> 00:09:56,360 Speaker 2: Meanwhile, in the two hundred meters, Brittany Brown upset Olympic 196 00:09:56,360 --> 00:09:59,920 Speaker 2: gold medalist Gabby Thomas and Kenya's Faith kip Yegen continued 197 00:10:00,360 --> 00:10:02,560 Speaker 2: in the fifteen hundred meter, we'll link to all the 198 00:10:02,600 --> 00:10:04,360 Speaker 2: results from the event in our show notes. 199 00:10:06,920 --> 00:10:08,880 Speaker 1: Thanks me, we got to pay the bills when we 200 00:10:08,960 --> 00:10:14,120 Speaker 1: come back. Seriously racing a horse, Yes, seriously, hear all 201 00:10:14,160 --> 00:10:23,240 Speaker 1: about it next. She's the founder and owner of teeny 202 00:10:23,280 --> 00:10:26,640 Speaker 1: Motion Pictures. She's a queer Lebanese American filmmaker creating scripted 203 00:10:26,679 --> 00:10:29,600 Speaker 1: and non scripted work. She's an NYU Film School alum. 204 00:10:29,800 --> 00:10:32,040 Speaker 1: She's directed in written projects that have been on Netflix, 205 00:10:32,040 --> 00:10:35,800 Speaker 1: Paramount Plus, Sundance Channel, Amazon Prime and more, and now 206 00:10:35,840 --> 00:10:39,240 Speaker 1: on ESPN thirty for thirty the podcast series Girl v. Horse. 207 00:10:39,559 --> 00:10:42,760 Speaker 1: She's held local political office for two terms, performed invented 208 00:10:42,760 --> 00:10:45,760 Speaker 1: in hand blue musical glass instruments with the Mit Glass Band, 209 00:10:46,000 --> 00:10:48,559 Speaker 1: and yeah, last year she raced a bunch of horses. 210 00:10:48,840 --> 00:10:50,920 Speaker 1: It's Nicole Teeney. What's up? Nicole? 211 00:10:51,360 --> 00:10:55,000 Speaker 6: Hey, Hello, thank you for having me on the show. 212 00:10:55,200 --> 00:10:56,760 Speaker 1: We got to get back to that glass blowing at 213 00:10:56,800 --> 00:10:59,320 Speaker 1: another date, but for now we're here to focus on 214 00:10:59,360 --> 00:11:01,800 Speaker 1: Girl v. Horse. It's a four part podcast from thirty 215 00:11:01,840 --> 00:11:04,560 Speaker 1: for thirty Podcasts in which you come to terms with 216 00:11:04,640 --> 00:11:07,920 Speaker 1: being diagnosed with epilepsy, the resulting loss of control or 217 00:11:07,960 --> 00:11:10,920 Speaker 1: feeling loss of control over your body, and then deciding 218 00:11:10,960 --> 00:11:12,840 Speaker 1: to push that same body to the limit and do 219 00:11:12,920 --> 00:11:17,200 Speaker 1: something possibly absurd, race an ultra marathon against a horse. 220 00:11:17,760 --> 00:11:20,480 Speaker 1: Before we even get into you and the podcast and 221 00:11:20,559 --> 00:11:22,600 Speaker 1: everything else, I just want to start there because people 222 00:11:22,640 --> 00:11:26,319 Speaker 1: listening might be like, huh, it does sound a little absurd, 223 00:11:26,800 --> 00:11:29,199 Speaker 1: not just a human beating a horse, but wanting to 224 00:11:29,320 --> 00:11:32,280 Speaker 1: race one in first place. But you actually found a 225 00:11:32,280 --> 00:11:36,880 Speaker 1: pretty rich history and present of people racing horses. You're 226 00:11:36,880 --> 00:11:39,360 Speaker 1: actually not so unique. So let's just start by telling 227 00:11:39,440 --> 00:11:40,920 Speaker 1: us a little bit about what you found there. 228 00:11:41,840 --> 00:11:45,520 Speaker 6: Yeah, I was very surprised that this was this is yeah, 229 00:11:45,520 --> 00:11:50,040 Speaker 6: that there's such a rich history. Even Jesse Owens, the 230 00:11:50,240 --> 00:11:54,360 Speaker 6: Jesse Owens raced against a horse. Back in the day, 231 00:11:54,360 --> 00:11:59,640 Speaker 6: there was this sport called pedestrianism, which was long distance walking. 232 00:12:00,040 --> 00:12:02,120 Speaker 6: Would race each other for six days, who could walk 233 00:12:02,160 --> 00:12:04,400 Speaker 6: the longest, and it'd be like I can get to 234 00:12:04,640 --> 00:12:06,520 Speaker 6: Boston in this number of days. Well I could get 235 00:12:06,520 --> 00:12:10,360 Speaker 6: there in this days. And it was the largest spectator 236 00:12:10,400 --> 00:12:12,600 Speaker 6: sport to watch. And I want to say, like the 237 00:12:12,720 --> 00:12:16,439 Speaker 6: eighteen hundreds, like it was before football, before soccer were 238 00:12:16,480 --> 00:12:18,960 Speaker 6: really big. This is what you want to go see 239 00:12:18,960 --> 00:12:21,719 Speaker 6: Madison Square Garden. You'd go see who is going to 240 00:12:21,920 --> 00:12:26,320 Speaker 6: win this six day race. And as you know, as 241 00:12:26,400 --> 00:12:28,959 Speaker 6: betting goes, you have to like keep up in the ante. 242 00:12:29,080 --> 00:12:32,840 Speaker 6: So someone bets someone like somebody can do who what 243 00:12:33,000 --> 00:12:36,920 Speaker 6: could you beat a horse? Thus this rich history started 244 00:12:36,960 --> 00:12:40,360 Speaker 6: and it was all over the US and in England, 245 00:12:40,400 --> 00:12:42,280 Speaker 6: and so I don't know what happened why. I mean, 246 00:12:42,280 --> 00:12:44,240 Speaker 6: I'm here trying to be like, let's get back to it. 247 00:12:44,600 --> 00:12:46,680 Speaker 6: Let's bring that a Madison Square garden. I'm ready. 248 00:12:46,960 --> 00:12:50,120 Speaker 1: Yeah, you did find a race in Arizona that existed 249 00:12:50,160 --> 00:12:52,880 Speaker 1: still to this day, including some names we might recognize 250 00:12:52,880 --> 00:12:55,960 Speaker 1: of like Molly's Seidel and other you know, marathon runners 251 00:12:55,960 --> 00:12:58,120 Speaker 1: and distance runners that we know that we're actually at 252 00:12:58,120 --> 00:13:00,840 Speaker 1: this race where people were racing horses. It still exists, 253 00:13:00,880 --> 00:13:05,400 Speaker 1: although now, thankfully the horses are cared for there. It's 254 00:13:05,800 --> 00:13:09,680 Speaker 1: made to be humane in the pursuit of racing horses 255 00:13:09,720 --> 00:13:12,440 Speaker 1: as opposed to the early iterations, which weren't always the case. 256 00:13:12,920 --> 00:13:14,920 Speaker 1: I need to dig into this MSG stuff because I'm 257 00:13:14,920 --> 00:13:16,320 Speaker 1: trying to figure out how you buy a ticket to 258 00:13:16,360 --> 00:13:18,360 Speaker 1: a six day event, Like do you buy for the 259 00:13:18,400 --> 00:13:20,640 Speaker 1: first day and the last day? Are you expected to 260 00:13:20,640 --> 00:13:22,520 Speaker 1: stay there and watch the whole time? Like There's so 261 00:13:22,559 --> 00:13:24,760 Speaker 1: many details about the early days of this that are 262 00:13:24,760 --> 00:13:27,320 Speaker 1: fascinating to me. But I think more fascinating is that 263 00:13:27,360 --> 00:13:30,240 Speaker 1: it still exists and that you're not alone in this pursuit. 264 00:13:30,320 --> 00:13:32,040 Speaker 1: So I want to get back to the beginning and 265 00:13:32,320 --> 00:13:34,800 Speaker 1: have you tell us about your background first and running 266 00:13:35,240 --> 00:13:38,200 Speaker 1: and why you'd even be the kind of person that 267 00:13:38,240 --> 00:13:40,640 Speaker 1: would try to participate in ultra marathon. 268 00:13:42,520 --> 00:13:46,360 Speaker 6: I was a kiddo and I was very clumsy, and 269 00:13:47,240 --> 00:13:49,480 Speaker 6: I wanted to be the type of person who could 270 00:13:49,520 --> 00:13:53,400 Speaker 6: do basketball and soccer and things like that. That was 271 00:13:53,400 --> 00:13:56,040 Speaker 6: my friends. My friends were like, really good at basketball, 272 00:13:56,160 --> 00:13:57,280 Speaker 6: so I was like, oh, I got to join the 273 00:13:57,320 --> 00:14:00,520 Speaker 6: basketball team. I got to hang out with them. Immediately 274 00:14:00,520 --> 00:14:02,480 Speaker 6: cut like didn't even make to the next round, so 275 00:14:03,400 --> 00:14:06,400 Speaker 6: very clumsy. Once I found running, I was like, oh, 276 00:14:06,559 --> 00:14:10,400 Speaker 6: you know, I mean, it requires coordination, but not like basketball. 277 00:14:11,080 --> 00:14:14,480 Speaker 6: And I think it's actually a very popular sport today. 278 00:14:15,120 --> 00:14:19,880 Speaker 6: The numbers of people that are joining races is just skyrocketing, 279 00:14:20,960 --> 00:14:23,760 Speaker 6: So I think there's something very universal and human about that, 280 00:14:23,880 --> 00:14:27,800 Speaker 6: about the desire to run. From there, I just started 281 00:14:27,880 --> 00:14:29,960 Speaker 6: running a lot more because it felt like a meditation 282 00:14:30,120 --> 00:14:30,360 Speaker 6: to me. 283 00:14:30,880 --> 00:14:32,960 Speaker 1: Right when you talk about living in New York and 284 00:14:33,040 --> 00:14:36,280 Speaker 1: literally running your errands, which I think would be hilarious 285 00:14:36,320 --> 00:14:38,800 Speaker 1: to see. I imagine that hopefully you were wearing like 286 00:14:38,880 --> 00:14:42,120 Speaker 1: running shoes and regular kind of running clothes, so most 287 00:14:42,160 --> 00:14:44,400 Speaker 1: people didn't know that you were running to get orange 288 00:14:44,440 --> 00:14:46,560 Speaker 1: juice or whatever you were doing. But I like the 289 00:14:46,600 --> 00:14:49,200 Speaker 1: idea of just instead of it being going for a 290 00:14:49,280 --> 00:14:51,360 Speaker 1: run or exercising, just making it a part of your 291 00:14:51,440 --> 00:14:54,440 Speaker 1: day that everywhere you go you're sort of on the run. 292 00:14:54,640 --> 00:14:57,000 Speaker 1: So you're living this life where you're running a lot, 293 00:14:57,040 --> 00:14:59,960 Speaker 1: and it's a big part of like you said, it's meditati, 294 00:15:00,240 --> 00:15:03,000 Speaker 1: and it's it feels good to do in a big 295 00:15:03,040 --> 00:15:06,600 Speaker 1: city like that. But you then have a seizure and 296 00:15:06,920 --> 00:15:10,200 Speaker 1: it it interrupts that life and the rest of your 297 00:15:10,240 --> 00:15:12,640 Speaker 1: life in ways that you maybe couldn't have ever imagined. 298 00:15:12,680 --> 00:15:14,960 Speaker 1: So take us back to that day, that first seizure 299 00:15:14,960 --> 00:15:15,480 Speaker 1: with your mom. 300 00:15:16,760 --> 00:15:21,400 Speaker 6: Yeah, so I had just come off running my first marathon, 301 00:15:21,640 --> 00:15:24,360 Speaker 6: and it had been a dream since I was a kid, like, oh, 302 00:15:24,400 --> 00:15:26,560 Speaker 6: I got it, I want to run a marathon one day, 303 00:15:26,720 --> 00:15:30,000 Speaker 6: you know, is it possible. I finally did it, and 304 00:15:30,040 --> 00:15:32,560 Speaker 6: then I was like, wow, you know, I really enjoyed that. 305 00:15:32,640 --> 00:15:35,200 Speaker 6: I kind of I caught the marathon bug, as a 306 00:15:35,200 --> 00:15:36,760 Speaker 6: lot of people do, and I was like, I'm ready. 307 00:15:36,760 --> 00:15:38,680 Speaker 6: I'm going to train for my number two marathon. I'm 308 00:15:38,720 --> 00:15:40,960 Speaker 6: ready to go, you know, I have these time goals 309 00:15:41,040 --> 00:15:45,000 Speaker 6: and all that. And then I went home to spend 310 00:15:45,000 --> 00:15:48,600 Speaker 6: some time with my mom and just sat down on 311 00:15:48,640 --> 00:15:50,640 Speaker 6: the couch. I got really tired, and you know what, 312 00:15:51,040 --> 00:15:53,120 Speaker 6: you do a lot of stuff and I'm just tired. 313 00:15:53,800 --> 00:15:57,720 Speaker 6: And I woke up in an ambulance covered in blood, 314 00:15:58,240 --> 00:16:00,320 Speaker 6: and I was like, I thought I was just sitting 315 00:16:00,360 --> 00:16:02,920 Speaker 6: down for a nap, but it was not a nap, 316 00:16:03,520 --> 00:16:07,840 Speaker 6: and that kind of derailed all those plants. And it 317 00:16:07,880 --> 00:16:09,840 Speaker 6: wasn't for another couple of years that I actually was 318 00:16:09,880 --> 00:16:13,640 Speaker 6: able to do another marathon. And I think when you 319 00:16:13,680 --> 00:16:16,280 Speaker 6: find something that you really love, like for me, running, 320 00:16:17,720 --> 00:16:19,840 Speaker 6: and that's something that is part of your identity and 321 00:16:19,880 --> 00:16:22,520 Speaker 6: that propels you for just brings you joy. Not being 322 00:16:22,520 --> 00:16:25,960 Speaker 6: able to do that it's a real bomber, you know, 323 00:16:26,760 --> 00:16:31,160 Speaker 6: and the desire to do that is really what kind 324 00:16:31,160 --> 00:16:33,520 Speaker 6: of like got me going, like, Okay, I got to 325 00:16:33,560 --> 00:16:39,160 Speaker 6: get over these humps of like health problems and just 326 00:16:39,200 --> 00:16:41,880 Speaker 6: you know, also the emotional stuff and how can I 327 00:16:41,880 --> 00:16:44,680 Speaker 6: get to that place where I can, you know, run 328 00:16:44,960 --> 00:16:46,160 Speaker 6: my next goal. 329 00:16:46,640 --> 00:16:50,160 Speaker 1: Well, the first seizure, it wasn't certain what was going on, 330 00:16:50,200 --> 00:16:52,400 Speaker 1: and you were hoping that the result would be something 331 00:16:52,440 --> 00:16:54,520 Speaker 1: fluke or that you wouldn't have another. But you eventually 332 00:16:54,560 --> 00:16:57,360 Speaker 1: get diagnosed with epilepsy, which is a real life changer. 333 00:16:57,840 --> 00:17:00,360 Speaker 1: And you actually had a family friend who had been 334 00:17:00,440 --> 00:17:03,920 Speaker 1: diagnosed with epilepsy and had unfortunately died as a result 335 00:17:04,000 --> 00:17:07,840 Speaker 1: of having a seizure in the shower, just suddenly very young. 336 00:17:08,280 --> 00:17:12,000 Speaker 1: And how does that affect your life going forward? When 337 00:17:12,000 --> 00:17:15,080 Speaker 1: you have this sort of silent thing that at any moment, 338 00:17:15,240 --> 00:17:18,479 Speaker 1: you could be on a subway platform, in the shower, 339 00:17:18,600 --> 00:17:21,400 Speaker 1: walking down the street, driving the car and have it hit. 340 00:17:21,640 --> 00:17:24,080 Speaker 1: What does that mean for you in terms of not 341 00:17:24,200 --> 00:17:26,879 Speaker 1: just wanting to get back to running, but just living. 342 00:17:28,440 --> 00:17:33,080 Speaker 6: I think when you have a near death experience, it 343 00:17:33,200 --> 00:17:37,760 Speaker 6: sort of stops you in your tracks. But fun indebted 344 00:17:38,320 --> 00:17:42,240 Speaker 6: and there's this moment where yeah, I just realized how 345 00:17:42,280 --> 00:17:47,800 Speaker 6: fragile life is and how temporal it is. And you know, 346 00:17:48,080 --> 00:17:50,800 Speaker 6: everyone's like, yeah, I know, I'm not invincible, I'm not 347 00:17:50,800 --> 00:17:54,520 Speaker 6: going to live forever. But when you really kind of 348 00:17:54,520 --> 00:17:58,399 Speaker 6: brush up against that it suddenly becomes very acute, like 349 00:17:58,480 --> 00:18:01,280 Speaker 6: what that means, Like, yeah, we are flesh, you know. 350 00:18:01,480 --> 00:18:05,439 Speaker 6: And having that family friend that was the only person 351 00:18:05,480 --> 00:18:08,280 Speaker 6: I knew who had epileps before I had the seizure, 352 00:18:08,640 --> 00:18:10,840 Speaker 6: So it really wasn't on my radar as a thing. 353 00:18:11,680 --> 00:18:16,639 Speaker 6: And for myself, I'd never had anything that would have 354 00:18:16,680 --> 00:18:19,720 Speaker 6: made me think this was even remotely possible. I was 355 00:18:19,840 --> 00:18:25,000 Speaker 6: very healthy, you know, eight really healthy vegetarian. I run 356 00:18:25,040 --> 00:18:31,199 Speaker 6: a lot like healthy lifestyle choices, healthy relationships, So the 357 00:18:31,280 --> 00:18:34,560 Speaker 6: fact that something that a health problem could derail me 358 00:18:34,800 --> 00:18:38,480 Speaker 6: was totally out of left field for me. Like I 359 00:18:38,520 --> 00:18:40,840 Speaker 6: think of it not just as like a this is 360 00:18:40,880 --> 00:18:42,960 Speaker 6: a health thing that affected me, But there's lots of 361 00:18:43,000 --> 00:18:45,879 Speaker 6: things in life like that end up derailing you, you know, 362 00:18:46,080 --> 00:18:50,880 Speaker 6: like a surprise in a career change or a relationship 363 00:18:50,880 --> 00:18:53,200 Speaker 6: that didn't work out. I think there's always these these 364 00:18:53,240 --> 00:18:55,280 Speaker 6: moments in life that kind of make you stop and 365 00:18:55,320 --> 00:19:02,080 Speaker 6: go oh, like reevaluate where am I am? I what's next? 366 00:19:02,119 --> 00:19:04,639 Speaker 6: And like what does this all mean? And so that 367 00:19:04,760 --> 00:19:09,560 Speaker 6: for me was what happened when I woke up in 368 00:19:09,600 --> 00:19:10,320 Speaker 6: that ambulance. 369 00:19:10,640 --> 00:19:14,960 Speaker 1: Yeah, well it makes you reassess yourself, but also like, 370 00:19:15,440 --> 00:19:17,520 Speaker 1: it really does affect the people around you. You started 371 00:19:17,600 --> 00:19:19,640 Speaker 1: dating your girlfriend in the midst of all of this, 372 00:19:19,960 --> 00:19:23,600 Speaker 1: and it becomes her responsibility too, not only to look 373 00:19:23,640 --> 00:19:25,480 Speaker 1: out for you and care for you in moments when 374 00:19:25,680 --> 00:19:28,119 Speaker 1: something happens, but she also starts running. Having been a 375 00:19:28,160 --> 00:19:30,600 Speaker 1: basketball player not a big fan of running, she starts 376 00:19:30,640 --> 00:19:32,800 Speaker 1: running so that you have someone to run with, because 377 00:19:32,840 --> 00:19:34,879 Speaker 1: it's hard for you to run alone once you have 378 00:19:34,960 --> 00:19:37,399 Speaker 1: the diagnosis, especially as you're cycling through different kinds of 379 00:19:37,480 --> 00:19:41,160 Speaker 1: medications to figure out what's going to help your journey. 380 00:19:41,680 --> 00:19:45,680 Speaker 1: I wonder when and how you decided to start recording conversations, doctors' 381 00:19:45,760 --> 00:19:49,120 Speaker 1: visits and different moments. You're a filmmaker and storyteller. At 382 00:19:49,160 --> 00:19:52,439 Speaker 1: what point in this where you like, I guess this 383 00:19:52,560 --> 00:19:55,400 Speaker 1: is a story I should tape just in case. 384 00:19:57,240 --> 00:20:00,439 Speaker 6: This is crazy. But it was after the first seizure 385 00:20:00,440 --> 00:20:01,919 Speaker 6: and I was like, I know, I don't have anything. 386 00:20:01,920 --> 00:20:04,600 Speaker 6: This is just like, this is nothing. You know, these 387 00:20:04,640 --> 00:20:06,959 Speaker 6: things happen to people, And I was like, what a 388 00:20:06,960 --> 00:20:09,720 Speaker 6: facet like I'd never do this part of me existed 389 00:20:09,760 --> 00:20:13,159 Speaker 6: that I could have this one crazy event. I'll just 390 00:20:13,240 --> 00:20:15,800 Speaker 6: like start to records go. I had to go to do, 391 00:20:16,000 --> 00:20:18,080 Speaker 6: like a two day stay in the hospital, and I 392 00:20:18,119 --> 00:20:20,760 Speaker 6: was like, this is so bizarre. It was right before 393 00:20:21,160 --> 00:20:23,760 Speaker 6: the pandemic, so I was like, oh, I'm being quarantined. 394 00:20:23,800 --> 00:20:26,040 Speaker 6: What an interesting artistic experience. 395 00:20:26,080 --> 00:20:26,280 Speaker 3: You know. 396 00:20:26,280 --> 00:20:30,000 Speaker 6: As an artist like I like to interrogate my own feelings, 397 00:20:30,000 --> 00:20:34,880 Speaker 6: so I think that was when I started. And as 398 00:20:34,920 --> 00:20:39,760 Speaker 6: an artist who like processes the world through filmmaking and storytelling, 399 00:20:40,040 --> 00:20:42,720 Speaker 6: it's always been a way for me to kind of 400 00:20:43,960 --> 00:20:47,600 Speaker 6: like put a separation in a healthy way, like to 401 00:20:47,720 --> 00:20:51,080 Speaker 6: look at what is this experience, like telling me what 402 00:20:51,119 --> 00:20:54,320 Speaker 6: does this mean? Like, because sometimes those feelings can be 403 00:20:54,760 --> 00:20:59,800 Speaker 6: bigger then can be held inside. And filming it, recording 404 00:20:59,800 --> 00:21:02,040 Speaker 6: it is a way of sort of I don't know, 405 00:21:02,880 --> 00:21:04,040 Speaker 6: making sense of things. 406 00:21:04,600 --> 00:21:07,119 Speaker 1: So I would almost feel like I was jinxing it. 407 00:21:07,160 --> 00:21:09,000 Speaker 1: If I started recording, like I don't know, this could 408 00:21:09,040 --> 00:21:11,080 Speaker 1: be something big, I would be like, Nope, this is nothing. 409 00:21:11,160 --> 00:21:13,480 Speaker 1: I'm definitely not turning this into a story. This is 410 00:21:13,520 --> 00:21:15,040 Speaker 1: definitely going to be done after today. 411 00:21:15,920 --> 00:21:16,480 Speaker 2: But you did. 412 00:21:16,520 --> 00:21:18,879 Speaker 1: You taped it, and so there's a lot of conversation, 413 00:21:18,960 --> 00:21:22,600 Speaker 1: interactions with doctors and family and your girlfriend and everything 414 00:21:22,640 --> 00:21:24,920 Speaker 1: else throughout at the beginning of the first episode, you 415 00:21:24,960 --> 00:21:28,680 Speaker 1: create this connection between the feeling of epilepsy and feeling 416 00:21:28,760 --> 00:21:32,080 Speaker 1: trampled and in that moment, it's horses coming at you 417 00:21:32,200 --> 00:21:34,160 Speaker 1: and feeling like you're not in control of your body 418 00:21:34,160 --> 00:21:36,720 Speaker 1: and whether they run over you, and the physical sensation 419 00:21:36,840 --> 00:21:39,560 Speaker 1: of being trampled and comparing that to this physical sensation 420 00:21:39,640 --> 00:21:44,280 Speaker 1: of this seizures. What came first, feeling that connection in 421 00:21:44,320 --> 00:21:47,920 Speaker 1: your brain, or reading the book that you read about, 422 00:21:48,040 --> 00:21:52,280 Speaker 1: you know, distance running that posited that humans might actually 423 00:21:52,359 --> 00:21:55,520 Speaker 1: be well suited to beating horses in distance races and 424 00:21:55,520 --> 00:21:58,960 Speaker 1: that humans might in fact be the best evolutionarily designed 425 00:21:59,040 --> 00:22:02,119 Speaker 1: animal to race life distances. Were they the same time 426 00:22:02,280 --> 00:22:04,080 Speaker 1: or do you think that's a story you started to 427 00:22:04,119 --> 00:22:06,800 Speaker 1: tell yourself as you tried to find a control over 428 00:22:06,840 --> 00:22:08,520 Speaker 1: the epilepsy that you couldn't control. 429 00:22:08,920 --> 00:22:11,800 Speaker 6: So I read the book before, but not that much before. 430 00:22:12,119 --> 00:22:15,160 Speaker 6: The idea was like, sorry, I should mention the book 431 00:22:15,320 --> 00:22:17,560 Speaker 6: I read Born to Run, which is kind of like, 432 00:22:17,600 --> 00:22:20,440 Speaker 6: if you're going to read one book about running, it's 433 00:22:20,600 --> 00:22:26,960 Speaker 6: usually Born to Run, and it's a pop sensation and 434 00:22:27,359 --> 00:22:30,800 Speaker 6: in it it positives this theory called the endurance running 435 00:22:30,880 --> 00:22:35,560 Speaker 6: hypothesis that says that humans are the world's best long 436 00:22:35,560 --> 00:22:39,320 Speaker 6: distance runners out of all the animals, and that we 437 00:22:39,400 --> 00:22:43,800 Speaker 6: did that way to persistence hunt, which is running down 438 00:22:43,840 --> 00:22:46,440 Speaker 6: prey to the point of exhaustion. This was before tools 439 00:22:46,480 --> 00:22:52,000 Speaker 6: were invented by humanity, and that's how we got meet 440 00:22:52,760 --> 00:22:55,639 Speaker 6: And so I just want to read that. I was like, really, 441 00:22:56,520 --> 00:23:00,760 Speaker 6: really can we can we outrun a four legged animal? 442 00:23:01,240 --> 00:23:03,760 Speaker 6: You know, I've I've tried to catch a dog. You know, 443 00:23:03,840 --> 00:23:05,960 Speaker 6: I don't know if anybody here is like had a 444 00:23:06,040 --> 00:23:08,480 Speaker 6: dog that you like just gets off loot leash and 445 00:23:08,960 --> 00:23:11,520 Speaker 6: wear that dog. And so I was like, there's no 446 00:23:11,600 --> 00:23:14,560 Speaker 6: way a human could outrun a four legged creature, Like 447 00:23:14,560 --> 00:23:16,679 Speaker 6: I haven't having trouble with the dog, let alone a horse. 448 00:23:17,200 --> 00:23:20,800 Speaker 6: And he mentions horse like just one little sentence, and 449 00:23:20,840 --> 00:23:24,000 Speaker 6: I was like horse, And it just implanted itself in 450 00:23:24,040 --> 00:23:28,520 Speaker 6: my mind as this like totally absurd thing. But then 451 00:23:28,560 --> 00:23:31,800 Speaker 6: when I had just recently read it, and then when 452 00:23:31,840 --> 00:23:35,000 Speaker 6: I was in the hospital, I had had this goal 453 00:23:35,000 --> 00:23:37,920 Speaker 6: of like doing my second marathon. But you know, sometimes 454 00:23:37,920 --> 00:23:40,359 Speaker 6: when something big happens to you, you just need a 455 00:23:40,359 --> 00:23:42,320 Speaker 6: little bit of hope. You need something to kind of 456 00:23:43,080 --> 00:23:46,480 Speaker 6: pull you through, like I think a lot of people 457 00:23:46,520 --> 00:23:49,719 Speaker 6: do do their first marathon when something big happens. So 458 00:23:49,960 --> 00:23:51,359 Speaker 6: having done a marathon, I was like, I need to 459 00:23:51,400 --> 00:23:54,359 Speaker 6: do something crazy and that I would never imagine I 460 00:23:54,359 --> 00:23:57,679 Speaker 6: could do something to just pull me out of this situation. 461 00:23:58,480 --> 00:24:02,000 Speaker 6: Human experience is so funny because then I started imagining 462 00:24:02,240 --> 00:24:04,119 Speaker 6: them as horses, because it just ended up being this 463 00:24:04,160 --> 00:24:06,120 Speaker 6: sort of like it morphed in my brain. 464 00:24:06,280 --> 00:24:08,920 Speaker 1: Right, and you were like fixated on the idea of it. 465 00:24:09,160 --> 00:24:11,240 Speaker 1: I grew up being obsessed with horses. I would literally 466 00:24:11,240 --> 00:24:13,119 Speaker 1: make my parents pull the car over every time I 467 00:24:13,160 --> 00:24:16,280 Speaker 1: saw one, and started riding and even got into some 468 00:24:16,359 --> 00:24:18,960 Speaker 1: jumping into like whenever I'm near a horse, I'm extremely 469 00:24:19,000 --> 00:24:22,159 Speaker 1: comfortable and extremely happy. It's like my happy place. It 470 00:24:22,200 --> 00:24:24,560 Speaker 1: felt to me like you weren't necessarily a horse girl. 471 00:24:24,600 --> 00:24:27,560 Speaker 1: In fact, there was more fear than anything, especially when 472 00:24:27,600 --> 00:24:29,600 Speaker 1: you first started to be around them to think about 473 00:24:29,640 --> 00:24:32,520 Speaker 1: doing this race. What a strange thing to fixate on 474 00:24:32,680 --> 00:24:35,399 Speaker 1: if it's not even a place that you're remotely comfortable. 475 00:24:35,800 --> 00:24:38,879 Speaker 6: I know, right, So you are a horse girl. Yeah, 476 00:24:38,960 --> 00:24:43,520 Speaker 6: I love that. Yeah I was not. I think I 477 00:24:43,600 --> 00:24:47,880 Speaker 6: just found the idea really like fascinating and absurd, perhaps 478 00:24:48,040 --> 00:24:51,280 Speaker 6: even more so because it felt so like distant from 479 00:24:51,320 --> 00:24:55,399 Speaker 6: me and not in the realm of my own possibility. 480 00:24:56,880 --> 00:24:58,800 Speaker 6: I think that made it feel all the much more 481 00:24:58,840 --> 00:25:04,880 Speaker 6: like magical and unobtainable, because they I did have this 482 00:25:05,240 --> 00:25:08,600 Speaker 6: fear of horses, so it extent, you know, I had 483 00:25:08,760 --> 00:25:10,680 Speaker 6: a fear of the epilepsy too, so it was a 484 00:25:11,800 --> 00:25:15,960 Speaker 6: natural way of just sort of putting my feelings about 485 00:25:16,000 --> 00:25:19,240 Speaker 6: epilepsy onto the horses. Like sometimes we need a conduit, 486 00:25:19,400 --> 00:25:22,199 Speaker 6: you know, something to like funnel that emotion into. And 487 00:25:22,240 --> 00:25:23,679 Speaker 6: that's what that became for me. 488 00:25:24,400 --> 00:25:28,280 Speaker 1: So when you're honest with yourself and maybe with the 489 00:25:28,320 --> 00:25:31,960 Speaker 1: help of hindsight, before you ever did the race, set 490 00:25:32,040 --> 00:25:35,840 Speaker 1: up the race, why was it so important? Why did 491 00:25:35,880 --> 00:25:39,119 Speaker 1: you have to fixate on this very specific idea of 492 00:25:39,200 --> 00:25:40,440 Speaker 1: beating a horse in a race? 493 00:25:41,040 --> 00:25:45,680 Speaker 6: I think it comes back to that desire to do 494 00:25:45,760 --> 00:25:52,520 Speaker 6: something that you think is impossible. I think when I 495 00:25:52,560 --> 00:25:57,000 Speaker 6: had this moment of realizing this was for life, that 496 00:25:57,000 --> 00:25:58,760 Speaker 6: that epilepsy was now going to be a big part 497 00:25:58,800 --> 00:26:01,760 Speaker 6: of me, it had difficulty wrapping my head around that, 498 00:26:02,560 --> 00:26:07,080 Speaker 6: and it kind of overthrew the laws of the universe 499 00:26:07,359 --> 00:26:11,320 Speaker 6: in my mind, Like I get that it's a thing that, 500 00:26:11,560 --> 00:26:13,639 Speaker 6: like epilepsy is a thing, But when it happened to me, 501 00:26:13,760 --> 00:26:17,840 Speaker 6: it was like I would have never imagined. So suddenly 502 00:26:17,880 --> 00:26:24,439 Speaker 6: you rethink what's possible. And so this crazy dream of 503 00:26:24,520 --> 00:26:26,359 Speaker 6: racing a horse that was just like, ah, wouldn't that 504 00:26:26,400 --> 00:26:29,440 Speaker 6: be funny ended up being like, well maybe I could. 505 00:26:29,480 --> 00:26:32,119 Speaker 6: I mean, if the world is so crazy that, like I, 506 00:26:32,440 --> 00:26:35,080 Speaker 6: this could random thing could happen me, well, then maybe 507 00:26:35,119 --> 00:26:36,840 Speaker 6: I could rap, you know, maybe I could run a 508 00:26:37,080 --> 00:26:39,240 Speaker 6: race against the horse. Like anything can happen. 509 00:26:39,640 --> 00:26:42,600 Speaker 1: There's some interesting psychology there. It's a little bit related. 510 00:26:42,600 --> 00:26:45,800 Speaker 1: But I remember during the pandemic, I had a psychology 511 00:26:45,800 --> 00:26:48,119 Speaker 1: professor on it and I was asking about why people 512 00:26:48,119 --> 00:26:50,600 Speaker 1: were doing things that seemed so out of the norm, 513 00:26:51,000 --> 00:26:53,440 Speaker 1: and our best excuse was they forgot how to act. 514 00:26:53,480 --> 00:26:56,200 Speaker 1: And I was like, that's not it. Like we people 515 00:26:56,280 --> 00:26:59,320 Speaker 1: setting off fireworks on random Tuesday nights, people losing their 516 00:26:59,359 --> 00:27:02,320 Speaker 1: minds on planes, people running onto the basketball court in 517 00:27:02,320 --> 00:27:04,480 Speaker 1: the middle of a game. That's not forgetting how to act. 518 00:27:04,520 --> 00:27:07,479 Speaker 1: That's so outside the norm of what we've ever known before. 519 00:27:07,960 --> 00:27:11,160 Speaker 1: And what he said was in times of great feeling 520 00:27:11,320 --> 00:27:15,600 Speaker 1: of out of control, people contribute to the chaos because 521 00:27:15,600 --> 00:27:18,399 Speaker 1: they can control their own form of chaos, and to me, 522 00:27:18,440 --> 00:27:20,399 Speaker 1: it feels like that's what you were doing. You were like, 523 00:27:20,600 --> 00:27:24,119 Speaker 1: I am so out of control. I cannot control this 524 00:27:24,119 --> 00:27:26,680 Speaker 1: epilepsy or what it's doing to my behaviors and habits 525 00:27:26,680 --> 00:27:29,280 Speaker 1: in life. So I'm going to find something even more 526 00:27:29,880 --> 00:27:33,560 Speaker 1: chaotic and I'm going to control my response to that. 527 00:27:34,000 --> 00:27:37,479 Speaker 1: And that feels like something that maybe after you were done, 528 00:27:37,760 --> 00:27:40,000 Speaker 1: you had a completely different idea of why you had 529 00:27:40,000 --> 00:27:42,520 Speaker 1: been so fanatical about the race, and you saw it 530 00:27:42,560 --> 00:27:44,359 Speaker 1: differently entirely. 531 00:27:44,400 --> 00:27:46,080 Speaker 6: I really liked how you said that you create the 532 00:27:46,200 --> 00:27:48,560 Speaker 6: chaos that you can control. You hit the nail on 533 00:27:48,600 --> 00:27:53,120 Speaker 6: the head there, and I was asking Maryelle, my girlfriend 534 00:27:53,119 --> 00:27:54,920 Speaker 6: at the time. I don't know if I'm allowed to 535 00:27:54,920 --> 00:27:55,920 Speaker 6: reveal my wife. 536 00:27:56,280 --> 00:27:58,360 Speaker 1: Yeah, spoiler alert there, Mary. 537 00:28:00,320 --> 00:28:03,040 Speaker 6: About it, and she said, yeah, you kind of created 538 00:28:03,040 --> 00:28:07,080 Speaker 6: this thing that allows you to sort of put your 539 00:28:07,200 --> 00:28:11,560 Speaker 6: energy into and something that you could achieve and something 540 00:28:11,560 --> 00:28:14,520 Speaker 6: that you could bring your body to achieve. Because something 541 00:28:14,520 --> 00:28:18,159 Speaker 6: about a health issue that will all will you know 542 00:28:18,480 --> 00:28:23,440 Speaker 6: a face eventually is just that feeling of that you 543 00:28:23,520 --> 00:28:26,800 Speaker 6: knew your body and that like your body's letting you down. 544 00:28:27,080 --> 00:28:30,159 Speaker 6: And something that's really great about sports is it's an 545 00:28:30,200 --> 00:28:33,320 Speaker 6: opportunity where you can be like, oh, this is my body. 546 00:28:33,320 --> 00:28:35,320 Speaker 6: This is something I can bring my body to do. 547 00:28:35,400 --> 00:28:38,239 Speaker 6: This is a way that, in a healthy way, I 548 00:28:38,320 --> 00:28:41,720 Speaker 6: can control my body. And I think it was a 549 00:28:41,720 --> 00:28:44,960 Speaker 6: way of reclaiming, like this is my flesh, Like it's 550 00:28:45,000 --> 00:28:47,080 Speaker 6: kind of you know, screwed me over an X. 551 00:28:47,120 --> 00:28:49,320 Speaker 2: Y Z, but it can still do this. 552 00:28:49,720 --> 00:28:53,120 Speaker 1: Yeah, yeah, yeah, I have a much lesser example of 553 00:28:53,200 --> 00:28:56,280 Speaker 1: I was a collegiate athlete and toward my achilles created 554 00:28:56,280 --> 00:28:58,160 Speaker 1: a kinetic chain and balance. Haven't been allowed to run 555 00:28:58,200 --> 00:28:59,880 Speaker 1: for years, can't do all the stuff I used to do, 556 00:29:00,240 --> 00:29:02,240 Speaker 1: And so I picked something I could train for and do, 557 00:29:03,240 --> 00:29:05,160 Speaker 1: which was to hike the Grand Canyon and camp at 558 00:29:05,160 --> 00:29:07,120 Speaker 1: the bottom and hike back up. And it was not 559 00:29:07,360 --> 00:29:09,440 Speaker 1: as difficult as a fifty miler, but it was a 560 00:29:09,520 --> 00:29:11,720 Speaker 1: challenge and it was something I could still train for 561 00:29:11,800 --> 00:29:13,440 Speaker 1: and set a goal for, and that there was some 562 00:29:13,600 --> 00:29:17,560 Speaker 1: risk in not achieving or sucking at and keeping the 563 00:29:17,640 --> 00:29:19,680 Speaker 1: rest of the group behind, which my ego and pride 564 00:29:19,680 --> 00:29:21,800 Speaker 1: would never let me do. And yeah, it was this 565 00:29:21,840 --> 00:29:24,200 Speaker 1: feeling of like I'm so mad that I can't do 566 00:29:24,240 --> 00:29:25,760 Speaker 1: any of the things I used to do that were 567 00:29:25,760 --> 00:29:27,640 Speaker 1: so much a part of my identity that now I 568 00:29:27,680 --> 00:29:30,800 Speaker 1: have to find some other thing to plan for and 569 00:29:30,840 --> 00:29:32,840 Speaker 1: train for and do so that I can overcome this 570 00:29:32,880 --> 00:29:36,440 Speaker 1: feeling of like just stopping. I wasn't willing to just stop. 571 00:29:36,480 --> 00:29:40,000 Speaker 1: And that's absolutely what you were doing. I no spoilers 572 00:29:40,000 --> 00:29:41,880 Speaker 1: here because no one will understand the context, but I 573 00:29:41,920 --> 00:29:44,320 Speaker 1: need to ask you, did you have any idea that 574 00:29:44,360 --> 00:29:46,120 Speaker 1: a writer would ask you to tail? 575 00:29:46,520 --> 00:29:50,240 Speaker 6: Oh? My gosh, no, I mean, wow, that was totally nuts. 576 00:29:50,240 --> 00:29:54,880 Speaker 6: I mean I can't believe. It was just so magical. Yeah, 577 00:29:54,960 --> 00:29:57,560 Speaker 6: I can't necessarily, I don't want to give too much away, 578 00:29:58,320 --> 00:30:01,560 Speaker 6: but this crazy thing happened. And so tailing is this 579 00:30:02,160 --> 00:30:06,280 Speaker 6: situation where a rider will get off their horse. And 580 00:30:06,320 --> 00:30:09,240 Speaker 6: this is I think primarily an endurance riding, which is 581 00:30:09,320 --> 00:30:13,080 Speaker 6: long distance horse riding. So they they ride their horses 582 00:30:13,080 --> 00:30:16,120 Speaker 6: for like fifty plus miles. They'll hop off the horse 583 00:30:16,320 --> 00:30:18,920 Speaker 6: and grab the tail of the horse, and the horse 584 00:30:19,000 --> 00:30:22,840 Speaker 6: will pull them along with them. They'll run behind them, 585 00:30:22,880 --> 00:30:25,480 Speaker 6: and it's actually easier on the horse than carrying them 586 00:30:25,520 --> 00:30:28,600 Speaker 6: on their back, and. 587 00:30:27,720 --> 00:30:29,720 Speaker 1: And easier on the runner because you're getting a little 588 00:30:29,720 --> 00:30:31,080 Speaker 1: bit of a lift every time you step. 589 00:30:31,320 --> 00:30:32,960 Speaker 2: He like pulls you a little. Yeah. 590 00:30:33,040 --> 00:30:35,080 Speaker 6: Yeah, so these horses, I mean it required a lot. 591 00:30:35,280 --> 00:30:37,280 Speaker 1: Also, if your ass is hurting from fifty miles in 592 00:30:37,320 --> 00:30:38,920 Speaker 1: the saddle, you just want to stretch your legs a 593 00:30:38,920 --> 00:30:40,000 Speaker 1: little bit a bit. 594 00:30:40,560 --> 00:30:46,240 Speaker 6: Yeah. Yeah, So I was exhausted at a difficult point 595 00:30:46,640 --> 00:30:50,600 Speaker 6: and somebody asked like, do you want a tail with 596 00:30:50,680 --> 00:30:52,520 Speaker 6: my horse? And I was like tail, Like they said 597 00:30:52,760 --> 00:30:54,080 Speaker 6: it was a thing that I would know. 598 00:30:54,200 --> 00:30:57,520 Speaker 1: Like, well, listen, lady, you're running a race with horses. 599 00:30:57,560 --> 00:30:58,880 Speaker 1: You'd think you'd do a little research. 600 00:31:00,280 --> 00:31:00,440 Speaker 3: You know. 601 00:31:00,640 --> 00:31:02,959 Speaker 6: It's even when I googled it and searched it and 602 00:31:03,000 --> 00:31:04,200 Speaker 6: like did online. 603 00:31:04,080 --> 00:31:05,840 Speaker 2: It's actually known. Yeah, it's not. 604 00:31:06,040 --> 00:31:09,000 Speaker 6: You have to be in the culture, you know, deep 605 00:31:09,040 --> 00:31:11,600 Speaker 6: in the endurance writing culture to really I think know 606 00:31:11,680 --> 00:31:12,160 Speaker 6: about that. 607 00:31:12,640 --> 00:31:15,960 Speaker 1: It's a really magical moment of the podcast. There's a 608 00:31:15,960 --> 00:31:18,360 Speaker 1: lot in this of the story we tell ourselves and 609 00:31:18,440 --> 00:31:22,280 Speaker 1: how the very same reality can exist. But you can 610 00:31:22,400 --> 00:31:25,320 Speaker 1: put it through one perspective or another and decide that 611 00:31:25,320 --> 00:31:28,000 Speaker 1: that's what it means to you. Again, no spoiler alerts, 612 00:31:28,000 --> 00:31:30,120 Speaker 1: but you know, at one point your girlfriend Maryel is saying, 613 00:31:30,840 --> 00:31:33,400 Speaker 1: you're doing this for you, not just the end result. 614 00:31:33,960 --> 00:31:35,840 Speaker 1: And at the same time you're telling yourself. This is 615 00:31:35,880 --> 00:31:38,560 Speaker 1: a failed self involved stunt, right, And this is the 616 00:31:38,560 --> 00:31:42,200 Speaker 1: same act, the same intent, the same journey. And I 617 00:31:42,240 --> 00:31:46,320 Speaker 1: think that's another message throughout this is that one of 618 00:31:46,360 --> 00:31:49,240 Speaker 1: the best gifts we have is how to reframe so 619 00:31:49,280 --> 00:31:52,000 Speaker 1: that if things aren't exactly how we intended or hoped for, 620 00:31:52,280 --> 00:31:55,200 Speaker 1: we can't let ourselves get completely sidelined by that. There 621 00:31:55,240 --> 00:31:57,640 Speaker 1: has to be a reframing or a purpose found in 622 00:31:57,720 --> 00:32:00,760 Speaker 1: whatever we are handed, whether that's a diagnosed epilepsy or 623 00:32:00,800 --> 00:32:04,160 Speaker 1: the results of a race or anything else. And that 624 00:32:04,280 --> 00:32:06,080 Speaker 1: kind of was a through line throughout is how you 625 00:32:06,120 --> 00:32:09,200 Speaker 1: were able to perceive your intent and then the result 626 00:32:09,680 --> 00:32:12,400 Speaker 1: and what it taught you about your own interaction with 627 00:32:13,040 --> 00:32:16,760 Speaker 1: your diagnosis. It's a really interesting listen. It's very artistic. 628 00:32:17,000 --> 00:32:19,040 Speaker 1: Is that the style of all of your work? Or 629 00:32:19,080 --> 00:32:21,800 Speaker 1: did you feel like compelled to head in that direction 630 00:32:21,800 --> 00:32:22,640 Speaker 1: because it was personal? 631 00:32:24,680 --> 00:32:28,480 Speaker 6: I think this just inherently had a magical feel to it, 632 00:32:28,600 --> 00:32:35,040 Speaker 6: just because like running with horses just isn't necessarily the norm, 633 00:32:35,080 --> 00:32:37,040 Speaker 6: I suppose, I mean though it does, though, I should 634 00:32:37,040 --> 00:32:40,000 Speaker 6: say there are two races which you can join to 635 00:32:40,080 --> 00:32:44,160 Speaker 6: run against horses, manned versus horse and whales man against 636 00:32:44,240 --> 00:32:47,640 Speaker 6: horse in Arizona, but both. 637 00:32:47,520 --> 00:32:50,920 Speaker 1: Races for all genders are just named that for various reasons. 638 00:32:50,960 --> 00:32:53,480 Speaker 6: Yes, yes, and which you know, I liked a petition, 639 00:32:53,640 --> 00:32:56,200 Speaker 6: you know, potentially could we just make it human versus cars? 640 00:32:56,320 --> 00:33:00,800 Speaker 6: Just putting that out there. But I think, like my 641 00:33:00,880 --> 00:33:02,760 Speaker 6: work has a variety of styles. I do a lot 642 00:33:02,760 --> 00:33:06,200 Speaker 6: of documentary, and I think I like when I do 643 00:33:06,240 --> 00:33:08,800 Speaker 6: fiction it is a little bit more fantastical. So this 644 00:33:09,000 --> 00:33:12,080 Speaker 6: was really fun because I was able to bring that 645 00:33:12,120 --> 00:33:15,320 Speaker 6: fantastical aspect to a documentary to kind of like a 646 00:33:15,400 --> 00:33:19,880 Speaker 6: genre hybrid a bit, which, yeah, is I think enjoyable. 647 00:33:20,360 --> 00:33:21,040 Speaker 1: Yeah, it was. 648 00:33:21,360 --> 00:33:22,520 Speaker 6: It's a little genre bending. 649 00:33:22,720 --> 00:33:22,880 Speaker 2: Yeah. 650 00:33:22,920 --> 00:33:24,680 Speaker 1: At the beginning, it was though, like what's happening here? 651 00:33:24,720 --> 00:33:26,080 Speaker 1: And then I was like, Okay, I'm starting to figure 652 00:33:26,080 --> 00:33:28,320 Speaker 1: this out, and then it became very compelling and I 653 00:33:28,480 --> 00:33:33,400 Speaker 1: learned a whole lot. Thanks again to Nicole for joining us. 654 00:33:33,560 --> 00:33:35,400 Speaker 1: We got to take another break. When we come back, 655 00:33:35,600 --> 00:33:46,520 Speaker 1: we see you, Bartender allies, and we appreciate you. You're back. 656 00:33:46,920 --> 00:33:50,200 Speaker 1: We're back to love this for us, and we love 657 00:33:50,240 --> 00:33:51,800 Speaker 1: that you're listening. But we want you to get in 658 00:33:51,840 --> 00:33:54,480 Speaker 1: the game every day too. So here's our good game 659 00:33:54,520 --> 00:33:56,680 Speaker 1: play of the day, go listen to the Girl VW 660 00:33:56,720 --> 00:33:59,880 Speaker 1: Horse podcast. It starts off a little quirky and artsy, 661 00:34:00,200 --> 00:34:02,080 Speaker 1: but it really is a fascinating look at how a 662 00:34:02,120 --> 00:34:05,640 Speaker 1: major life change can affect your perspective, inspire new goals, 663 00:34:05,960 --> 00:34:08,279 Speaker 1: and set you on a path you never imagined. You 664 00:34:08,280 --> 00:34:10,399 Speaker 1: can find it on the ESPN app, thirty for thirty 665 00:34:10,400 --> 00:34:13,680 Speaker 1: podcast dot com, and wherever podcasts are available. We'll also 666 00:34:13,719 --> 00:34:15,719 Speaker 1: link to it in our show notes. We'd love to 667 00:34:15,760 --> 00:34:17,600 Speaker 1: hear from you. Hit us up on email good game 668 00:34:17,640 --> 00:34:20,360 Speaker 1: at wondermedianetwork dot com or leave us a voicemail at 669 00:34:20,400 --> 00:34:23,680 Speaker 1: eight seven two two oh four fifty seventy and don't 670 00:34:23,719 --> 00:34:25,920 Speaker 1: forget to subscribe, rate and review. You knew I was 671 00:34:25,960 --> 00:34:27,319 Speaker 1: going to say you did? You knew I was going 672 00:34:27,360 --> 00:34:30,040 Speaker 1: to say it. It's easy, though, guys. Watch walking into 673 00:34:30,120 --> 00:34:33,000 Speaker 1: a bar and seeing that the WNBA playoffs are already 674 00:34:33,000 --> 00:34:36,520 Speaker 1: on the TV. Five out of five lemon drop martinis 675 00:34:36,560 --> 00:34:40,239 Speaker 1: with a splash of shamboard you never had that cry. 676 00:34:40,680 --> 00:34:43,880 Speaker 1: Super good review. We love to see how many women's 677 00:34:43,880 --> 00:34:46,560 Speaker 1: sports bars are popping up all over the country, but 678 00:34:46,640 --> 00:34:48,520 Speaker 1: for those of us who are still living without a 679 00:34:48,600 --> 00:34:51,799 Speaker 1: sports spra or a bar of their own. It can 680 00:34:51,800 --> 00:34:54,200 Speaker 1: be hard out there, and while you know you're always 681 00:34:54,239 --> 00:34:56,440 Speaker 1: going to be able to ask the bartender to change 682 00:34:56,440 --> 00:34:58,840 Speaker 1: the channel for you, it's a real nice treat to 683 00:34:58,880 --> 00:35:01,600 Speaker 1: find out that the game is already on. Now it's 684 00:35:01,640 --> 00:35:04,759 Speaker 1: your turn, rate and review. Thanks for listening, slices, See 685 00:35:04,800 --> 00:35:09,880 Speaker 1: you tomorrow. Good game, Nicole, Good game, Horses you running 686 00:35:09,920 --> 00:35:10,960 Speaker 1: fifty plus miles? 687 00:35:11,160 --> 00:35:12,600 Speaker 6: No, thank you. 688 00:35:15,040 --> 00:35:17,360 Speaker 1: Good Game with Sarah Spain is an iHeart women's sports 689 00:35:17,400 --> 00:35:20,400 Speaker 1: production in partnership with Deep Blue Sports and Entertainment. You 690 00:35:20,440 --> 00:35:23,080 Speaker 1: can find us on the iHeartRadio app, Apple Podcasts, or 691 00:35:23,120 --> 00:35:26,440 Speaker 1: wherever you get your podcasts. Production by Wonder Media Network, 692 00:35:26,600 --> 00:35:29,680 Speaker 1: our producers are Alex Azzie and Misha Jones. Our executive 693 00:35:29,680 --> 00:35:33,360 Speaker 1: producers are Christina Everett, Jesse Katz, Jenny Kaplan, and Emily Rudder. 694 00:35:33,640 --> 00:35:36,840 Speaker 1: Our editors are Emily Rudder, Britney Martinez, Grace Lynch, and 695 00:35:36,880 --> 00:35:40,279 Speaker 1: Lindsay Cradowell. Production assistant from Lucy Jones and I'm your 696 00:35:40,280 --> 00:35:41,240 Speaker 1: Host Sarah Spain