WEBVTT - Mark Farner

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob less Us Podcast.

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<v Speaker 1>Yesterday is the one and only Mark farn Martin. Good

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<v Speaker 1>to have the other podcast. Good to be here with

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<v Speaker 1>your brother, Bob. So how's your health. I know you

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<v Speaker 1>have a pacemaker put in back in So how are

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<v Speaker 1>you today? I'm good. And as a matter of fact, Uh,

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<v Speaker 1>the pacemaker, you know, they're supposed to be good for

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<v Speaker 1>seven to ten years, and uh, my date is coming

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<v Speaker 1>up October twenty three for the for the ten year mark.

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<v Speaker 1>And when I talked to the gal at the hospital,

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<v Speaker 1>you know, you put this little thing over your heart

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<v Speaker 1>and it sends it through the cell phone and gives

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<v Speaker 1>them a reading for the month, you know, and she says,

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<v Speaker 1>it's very extraordinary that you should have so much battery

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<v Speaker 1>life left in your pay pacemaker. But you're good for

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<v Speaker 1>a long time. Yeah. I love hearing stuff like that, Bob,

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<v Speaker 1>don't we all? So tell us the story of why

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<v Speaker 1>you needed the pacemaker to begin with. Well, my wife

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<v Speaker 1>and I were down in Detroit doing some promotions, and

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<v Speaker 1>uh we stayed at the Renaissance Center there and she

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<v Speaker 1>had gotten up to do her thing in the morning,

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<v Speaker 1>you know, she was in the bathroom, washing her face

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<v Speaker 1>and everything. And she said when she came out of

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<v Speaker 1>the bathroom, my left arm had was shot up into

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<v Speaker 1>the air, and and I was I started kind of

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<v Speaker 1>flipping around. I don't remember any of this, buddy, uh,

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<v Speaker 1>but I guess I looked like a wounded tuna, you know,

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<v Speaker 1>flipping around. And she calls, you know, the front desk,

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<v Speaker 1>and has a paramedics come up. They put me on oxygen.

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<v Speaker 1>They put me in a ambulance, and I go over

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<v Speaker 1>to to Harper in Detroit and I'm in the emergency

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<v Speaker 1>room and I gurney and they got me hooked to

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<v Speaker 1>an external pacemaker. And these three doctors, well I think

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<v Speaker 1>they were doctors. They had white coats and they had

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<v Speaker 1>their backs to me, uh, and they were maybe six

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<v Speaker 1>ft away from me, but they were looking at the machine,

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<v Speaker 1>the external pacemaker, and it was in the corner. And

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<v Speaker 1>as I look over, I'm glancing down at myself and

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<v Speaker 1>I see these wires hooked to me, and all of

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<v Speaker 1>a sudden, I feel like they just plugged me right

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<v Speaker 1>straight into the wall. It was like bam. And I

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<v Speaker 1>hollered out to the top of my lungs. I was,

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<v Speaker 1>what are you it was like and and my wife

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<v Speaker 1>heard me holler, and she came running in from the hallway, Honey,

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<v Speaker 1>what's the matter. And I said, those guys are They

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<v Speaker 1>just plugged me straight into the wall over there. I said,

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<v Speaker 1>this is this is not you know. I think I'm

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<v Speaker 1>gonna die if they do that again. They plugged. They

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<v Speaker 1>did it again, and I died. Yeah, and uh so

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<v Speaker 1>on on that approach to come back in into the

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<v Speaker 1>bone suit. I didn't really want to make that trip, buddy.

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<v Speaker 1>It was so good. On the other side, it was

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<v Speaker 1>just like being home. I mean it was you know,

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<v Speaker 1>it was more secure than your mother's womb, if you

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<v Speaker 1>can imagine. Uh And and I knew all things in

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<v Speaker 1>that state of being and uh and but I could

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<v Speaker 1>hear my wife not now, you son of a bit.

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<v Speaker 1>She's beating up my chest. And this guy when I

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<v Speaker 1>when I re entered my bone suit, this the doctor

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<v Speaker 1>standing next to her with the paddles in his hands.

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<v Speaker 1>And uh it had they hit me again with this voltage?

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<v Speaker 1>I go again, and I'm in I'm in heaven, man,

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<v Speaker 1>I'm telling you, Uh, it's the most wonderful place. And anyways,

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<v Speaker 1>make a long story short. I hear him telling her

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<v Speaker 1>we've got him back twice, there's no guarantee we get

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<v Speaker 1>him a third time. We gotta get him to oh

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<v Speaker 1>our stat. And when he said stat, it was like

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<v Speaker 1>mash four oh seven seven scrambling around people, running, diving,

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<v Speaker 1>you know, pushing me. I was doing fifty miles an

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<v Speaker 1>hour down the hollway and they put the pacemaker in.

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<v Speaker 1>But what happened was, uh, you know, they've got two

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<v Speaker 1>parts to your your heart, the plumbing, of course, which

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<v Speaker 1>is very important, but then you have the electrical. Well,

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<v Speaker 1>my electrical had a short in it, Bob. They called

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<v Speaker 1>it a bundle branch block, and my nerve branch did

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<v Speaker 1>not receive the signal to squeeze the blood back up

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<v Speaker 1>into the top part of the heart. So that's what

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<v Speaker 1>happened to me. And I you know, now I have

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<v Speaker 1>this pacemaker that samples ahead and it can see when

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<v Speaker 1>I'm gonna miss a beat, and it'll throw it in

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<v Speaker 1>there for me. When it throws it in, do you

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<v Speaker 1>feel something, Oh, yes, very much, so you go, oh,

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<v Speaker 1>thank you. And how often does that happen. It doesn't

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<v Speaker 1>happen very often. In fact, it happened more frequently ten

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<v Speaker 1>years ago when I first got it put in. I

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<v Speaker 1>mean it was happening quite frequently. I would notice every day.

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<v Speaker 1>Now I go days without noticing. And is this hereditary

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<v Speaker 1>or from living or just some people get a bad number.

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<v Speaker 1>I believe it's hereditary, brother, because my grandfather, my dad's dad,

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<v Speaker 1>died in his sleep and they didn't know what it was.

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<v Speaker 1>I mean, this was, you know, back years and years ago,

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<v Speaker 1>and I think I might have picked something up from him. Wow,

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<v Speaker 1>that's quite a story. So do you have to hold

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<v Speaker 1>back in any activity or can you just live fine? No?

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<v Speaker 1>In fact, Bob, he said, he told my wife, you

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<v Speaker 1>tell Mark, don't baby that thing. You push that thing,

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<v Speaker 1>you make it work, you, you know, take it to

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<v Speaker 1>the limit. So I do, and on stage I make

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<v Speaker 1>sure that you know I'm keeping it in good shape.

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<v Speaker 1>And if I don't get to where I'm sweating and

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<v Speaker 1>to something is wrong. Now, frequently when people have these

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<v Speaker 1>near death or as you say in your case, actual

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<v Speaker 1>death experiences, when they come out of them kind of

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<v Speaker 1>changes their perspective in their life. Was your perspective changed

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<v Speaker 1>at all? Yes? I was telling my wife for a

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<v Speaker 1>few years prior to this adventure that I went on.

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<v Speaker 1>I told her the thing that's wrong with mankind in

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<v Speaker 1>general is debt consciousness, um I said, because once you're

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<v Speaker 1>indebted to someone or beholden to someone or something, you

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<v Speaker 1>you're compromised. You can't really be free in your expression

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<v Speaker 1>and your relationship with that person or thing, whatever it is.

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<v Speaker 1>That's that's you're in debt too. And on my re

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<v Speaker 1>entry into my bone suit that last time, Bob, I

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<v Speaker 1>had such a confirmation of that whole thing and what

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<v Speaker 1>the Bible is talking about when Jesus is saying, oh,

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<v Speaker 1>no man anything except to love him. You know, that

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<v Speaker 1>was the state of mind that he was in. And

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<v Speaker 1>I'm sure that's why there was all the miracles, because

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<v Speaker 1>when you're indebted to anyone or any thing, uh, you're

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<v Speaker 1>you're cutting yourself short. And I found out on on

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<v Speaker 1>that reentry that you know, and on the other side,

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<v Speaker 1>I mean, you know all things immediately, you know, I

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<v Speaker 1>even had On that side of the fence, I had

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<v Speaker 1>the purpose. I knew what the purpose of these earth

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<v Speaker 1>years were. I mean, I knew what it was. And

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<v Speaker 1>on this side I couldn't tell you. I'm thinking maybe

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<v Speaker 1>it's like plugging a one ten fan into two twenty.

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<v Speaker 1>It would just smoke you. I mean, your brain is

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<v Speaker 1>only built for so much information. But the debt consciousness

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<v Speaker 1>as not just money. Debt, that's certainly part of it.

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<v Speaker 1>But what if you don't fulfill the expectations of some somebody,

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<v Speaker 1>some people. What if it was somebody in your family

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<v Speaker 1>and they called one of the siblings or somebody else

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<v Speaker 1>and they tell them the story of how now you're

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<v Speaker 1>indebted to them, you know, and then they call you

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<v Speaker 1>and you're put on the ship list and you're in

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<v Speaker 1>debt because of this situation. And it's all a misconception

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<v Speaker 1>because people aren't people aren't coming from that point of view.

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<v Speaker 1>They're not coming from the love that's in their heart

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<v Speaker 1>and trying to find the love. And everybody else they

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<v Speaker 1>are coming from a place of defense and coming from

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<v Speaker 1>a place of being offended. And uh, you know, it's

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<v Speaker 1>just it's a debt ladent world that we are living in.

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<v Speaker 1>We are moved from our place of comfort by this

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<v Speaker 1>silly four letter word d ebt. Holy crap, man, Let's

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<v Speaker 1>go down to the drug store and buy a box

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<v Speaker 1>and then and dump it on a table and look

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<v Speaker 1>at it. Or that are yet, let's get a tenure

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<v Speaker 1>dump truck full of it and have them dump it

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<v Speaker 1>in our front yards. A wee can weigh in this

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<v Speaker 1>stuff and really get familiar with it because even the

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<v Speaker 1>indebtedness of regret we can set ourselves free from. But

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<v Speaker 1>we are the only ones who can set ourselves free

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<v Speaker 1>from this. And people don't realize this, but that's what

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<v Speaker 1>I was that was revealed to me, and I was

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<v Speaker 1>that was confirmed in me on that last re entry.

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<v Speaker 1>I call it the re entry into this bone suit.

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<v Speaker 1>And I've been sharing that experience with people who are

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<v Speaker 1>profoundly jolted by this notion of being debt free and

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<v Speaker 1>that we are the ones who control what we will

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<v Speaker 1>accept as debt and uh and how not to accept

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<v Speaker 1>any debt. I think once you get that going and

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<v Speaker 1>realize who you are in this this simplistic form, this

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<v Speaker 1>human form, that then we can see love. Then we

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<v Speaker 1>can experience love, because you know that's where love lives. Buddy,

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<v Speaker 1>Can you give me an example or two of how

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<v Speaker 1>you changed your life relative to this debt insight. Yes,

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<v Speaker 1>I look at other people that prior to the revelation

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<v Speaker 1>that I've had brother, I may have held them responsible

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<v Speaker 1>for actions that that they took that had a bad

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<v Speaker 1>reflection on me, or had a bad influence on me,

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<v Speaker 1>or you know, left might have left me um angry.

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<v Speaker 1>And I just can't go there anymore. I can't go

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<v Speaker 1>there because people are so precious and we don't let ourselves.

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<v Speaker 1>We don't allow that tenderness to come through or to too. Uh.

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<v Speaker 1>I think that it could be in another person to

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<v Speaker 1>consider that and someone who's you know, maybe what if

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<v Speaker 1>alcohol was involved and one of your relatives said something

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<v Speaker 1>to you that was just off the wall. You know,

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<v Speaker 1>it's has happened with me, And since the revelation that

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<v Speaker 1>I've had, I can't hold that person in debt for that,

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<v Speaker 1>you know, for the words, for that experience that I

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<v Speaker 1>went through with him. I just have to let it go.

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<v Speaker 1>And it's like a lot of people have asked me about,

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<v Speaker 1>you know, the relationship that I had with the other

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<v Speaker 1>two members of the band, and uh, you know, doesn't

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<v Speaker 1>that piss you off? I want to know it doesn't

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<v Speaker 1>piss me off. It makes me feel sorry for somebody

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<v Speaker 1>who can't be truthful with the audience with our fans. Uh.

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<v Speaker 1>But I I refuse to let it piss me off,

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<v Speaker 1>because you know, that would keep me that would put

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<v Speaker 1>me in some kind of uh frame, a reference to

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<v Speaker 1>debt consciousness, and I don't want any more debt consciousness.

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<v Speaker 1>In fact, every day, brother Bob, before my feet swing

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<v Speaker 1>out and get put put on the floor, I lay

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<v Speaker 1>in the bed and I pray to the Creator and

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<v Speaker 1>ask to be shown where there's any more anchors in

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<v Speaker 1>my soul here, so that I can take these bolt

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<v Speaker 1>cutters that I have and cut that chain to that

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<v Speaker 1>anchor and get set free. Because I want to be

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<v Speaker 1>completely free before I leave this earth. And I think

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<v Speaker 1>even in that state of mind, if we can all

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<v Speaker 1>head that way, we'll be able to see some miracles

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<v Speaker 1>before we go. What is the truth that your two

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<v Speaker 1>other original band members are holding back from the public.

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<v Speaker 1>They advertise themselves as Grand funk It. They have a

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<v Speaker 1>legal right to do that because Uh the drummer came

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<v Speaker 1>to me one night after a gig we did up

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<v Speaker 1>in California telling me, and this is after a party,

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<v Speaker 1>you know, you know it, had a few beers or

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<v Speaker 1>have some drinks or something. Go back to the hotel room.

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<v Speaker 1>He comes to my hotel room says, hey, Mark, we

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<v Speaker 1>all we all need to sign the individual ownership of

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<v Speaker 1>the trademark into the corporation where it'll have this protective umbrella.

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<v Speaker 1>And he had gone to law school and I didn't

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<v Speaker 1>finish high school. And I thought, well, he's looking out

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<v Speaker 1>for the best interests of the band. And I said, well,

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<v Speaker 1>you know, I thought to myself, Yeah, okay, I'll do that.

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<v Speaker 1>He says, good, I'll go to my room and get

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<v Speaker 1>the papers. And I'm thinking as he left, I'm thinking,

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<v Speaker 1>why the hell didn't he just bring the papers with him.

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<v Speaker 1>But it didn't dawn on me that I was being

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<v Speaker 1>set up. Uh, And so when he came back, I

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<v Speaker 1>signed the papers, and so my ownership, my one third

0:15:48.080 --> 0:15:52.880
<v Speaker 1>ownership of the trademark, which is the name Grandfunk Railroad,

0:15:54.080 --> 0:16:00.000
<v Speaker 1>got put into the corporation where I found out, uh,

0:16:00.120 --> 0:16:05.280
<v Speaker 1>they had fired me as an officer. I was like

0:16:05.840 --> 0:16:11.040
<v Speaker 1>the vice president. Um, and I'm no longer an office.

0:16:11.080 --> 0:16:14.480
<v Speaker 1>I no longer have any say so in a corporation

0:16:14.520 --> 0:16:17.480
<v Speaker 1>with three people, when you got two of them against you,

0:16:19.080 --> 0:16:23.240
<v Speaker 1>it's just even even though I wrote of the music

0:16:23.400 --> 0:16:28.160
<v Speaker 1>and saying, you know, and did all the stuff, they

0:16:28.200 --> 0:16:30.640
<v Speaker 1>can go out with my music and make a living

0:16:31.120 --> 0:16:35.840
<v Speaker 1>and claim that they are Grandfunk Railroad. Legally because of

0:16:35.880 --> 0:16:43.160
<v Speaker 1>that mistake that I made. But I can't hold them responsible,

0:16:43.240 --> 0:16:46.720
<v Speaker 1>even though that's a shitty thing to do. I'm telling you, Uh,

0:16:47.320 --> 0:16:50.680
<v Speaker 1>I can't hold them responsible for that because I have

0:16:50.920 --> 0:16:56.160
<v Speaker 1>to view that in my current state of mind as

0:16:56.200 --> 0:17:01.480
<v Speaker 1>just them being off their path. But if they were

0:17:02.000 --> 0:17:06.919
<v Speaker 1>honest with people, they would have said Grand Funk revisited

0:17:07.040 --> 0:17:12.040
<v Speaker 1>or something to this degree, just like Credence Clearwater, you know,

0:17:12.920 --> 0:17:16.760
<v Speaker 1>authorities not with him. Uh, And they had a spat.

0:17:16.840 --> 0:17:18.640
<v Speaker 1>I don't even know what it was about. I didn't

0:17:18.680 --> 0:17:20.520
<v Speaker 1>read on it. I just knew that there was something

0:17:20.560 --> 0:17:23.000
<v Speaker 1>going on between them and the legally, that there was

0:17:23.080 --> 0:17:28.320
<v Speaker 1>something that you know, at least they said Credence Clearwater revisited,

0:17:28.400 --> 0:17:32.960
<v Speaker 1>which gave the fans heads up. Uh. I think the

0:17:33.000 --> 0:17:35.520
<v Speaker 1>other two guys in the band, if they would have

0:17:35.560 --> 0:17:41.640
<v Speaker 1>said grand Funk revisited, that would have given them, uh

0:17:41.680 --> 0:17:45.960
<v Speaker 1>a point of you know, some validity with the fans.

0:17:46.359 --> 0:17:49.520
<v Speaker 1>And you know, uh, they could have looked them online

0:17:49.560 --> 0:17:51.800
<v Speaker 1>and say, well, what's this about. But no, they just

0:17:51.840 --> 0:17:56.080
<v Speaker 1>go out and they don't tell the audience. There's no

0:17:56.240 --> 0:17:59.920
<v Speaker 1>way that they can say to the audience or advertised

0:18:00.040 --> 0:18:03.760
<v Speaker 1>that the guy who wrote and sang of the music

0:18:04.119 --> 0:18:07.760
<v Speaker 1>is no longer in the band. What was the impetus?

0:18:07.800 --> 0:18:10.520
<v Speaker 1>Obviously they had this all planned out. They wanted to

0:18:10.600 --> 0:18:12.639
<v Speaker 1>sign the document. They wanted to get rid of you

0:18:12.680 --> 0:18:15.720
<v Speaker 1>as an officer. What was going on that they wanted

0:18:15.760 --> 0:18:19.240
<v Speaker 1>to do that at that time? I don't really. I

0:18:19.280 --> 0:18:22.520
<v Speaker 1>can only say that it has to be a personal

0:18:24.359 --> 0:18:30.640
<v Speaker 1>grudge of some sort, some kind of vendetta. Uh. Mel

0:18:30.800 --> 0:18:35.600
<v Speaker 1>Shocker the bass player, and I have been friends. I

0:18:35.600 --> 0:18:38.840
<v Speaker 1>mean we went to school together. We we jammed together,

0:18:38.960 --> 0:18:43.679
<v Speaker 1>we we rode dirt bikes together, and uh, and we

0:18:43.800 --> 0:18:48.000
<v Speaker 1>smoked pot together as kids. I mean, you know. Uh.

0:18:48.160 --> 0:18:54.800
<v Speaker 1>And I just could never understand how Mel uh could

0:18:54.800 --> 0:18:59.920
<v Speaker 1>have gone along with Don on that and and come

0:19:00.000 --> 0:19:05.120
<v Speaker 1>it in himself to it. But then just this year,

0:19:07.080 --> 0:19:09.760
<v Speaker 1>I was, after we started, you know, doing a few

0:19:09.760 --> 0:19:14.960
<v Speaker 1>more gigs, I was in the Delta Club in Detroit,

0:19:16.440 --> 0:19:19.560
<v Speaker 1>and Mel the bass player was in there. And I

0:19:19.560 --> 0:19:21.040
<v Speaker 1>didn't know he was in there. I was just I

0:19:21.080 --> 0:19:23.639
<v Speaker 1>had my headphones on and I'm over there listening to

0:19:23.800 --> 0:19:28.040
<v Speaker 1>some music I've been working on with Mark Slaughter and Uh.

0:19:28.080 --> 0:19:30.760
<v Speaker 1>And I see Malcolm walking around the corner and he

0:19:31.160 --> 0:19:33.800
<v Speaker 1>looks at me, and he puts his arms out, you know.

0:19:34.400 --> 0:19:36.320
<v Speaker 1>So I stand up, I give him a hug, and

0:19:36.440 --> 0:19:40.040
<v Speaker 1>he just says to me, you know, Mark, he says,

0:19:40.600 --> 0:19:43.240
<v Speaker 1>I really love what you do. I really love who

0:19:43.320 --> 0:19:48.240
<v Speaker 1>you are. You're the greatest, he says, And brother, I

0:19:48.359 --> 0:19:50.919
<v Speaker 1>just had to do what I had to do. And

0:19:51.000 --> 0:19:53.240
<v Speaker 1>at that moment, I looked at him and I just

0:19:53.400 --> 0:19:58.160
<v Speaker 1>felt so sorry for this kid. That he was an

0:19:58.200 --> 0:20:02.879
<v Speaker 1>only child and his mom and had died, and he

0:20:02.960 --> 0:20:06.560
<v Speaker 1>went through some stuff. His his wife died. He's been

0:20:06.600 --> 0:20:13.720
<v Speaker 1>through a lot, and I can't hold him responsible, um,

0:20:13.760 --> 0:20:18.439
<v Speaker 1>you know, for the two of them going out and

0:20:19.119 --> 0:20:22.320
<v Speaker 1>claiming to be the band and you know, grandfather and

0:20:22.440 --> 0:20:26.399
<v Speaker 1>not warning or not at least telling somebody. So I

0:20:26.400 --> 0:20:28.520
<v Speaker 1>looked him in the eyes and I told him, I said,

0:20:28.560 --> 0:20:32.879
<v Speaker 1>you know, I thought in my heart that that was

0:20:34.440 --> 0:20:37.600
<v Speaker 1>probably you know, what was going on, that it's something

0:20:37.640 --> 0:20:41.360
<v Speaker 1>that you had to do, because you know, with everything

0:20:41.400 --> 0:20:45.199
<v Speaker 1>that you have been through and and the things, uh,

0:20:45.320 --> 0:20:47.840
<v Speaker 1>you know that that all your bills don't go away

0:20:47.880 --> 0:20:50.919
<v Speaker 1>when things like this happened, and you become very aware.

0:20:51.280 --> 0:20:57.080
<v Speaker 1>And I said, I understand, Melvin, and I just I said,

0:20:57.119 --> 0:21:01.439
<v Speaker 1>I forgive you for that, and he give me a

0:21:01.480 --> 0:21:06.240
<v Speaker 1>big hug and that was it was like, man, that

0:21:06.400 --> 0:21:11.280
<v Speaker 1>was so good, dude. Uh, just to know that that's

0:21:11.280 --> 0:21:17.639
<v Speaker 1>how he felt. I can't, I can't say that. You know,

0:21:19.000 --> 0:21:21.720
<v Speaker 1>because of that, the band is going to get back together.

0:21:21.800 --> 0:21:24.240
<v Speaker 1>I think I had been trying to put the band

0:21:24.280 --> 0:21:31.120
<v Speaker 1>back together for twenty three years because I realized when

0:21:31.119 --> 0:21:33.639
<v Speaker 1>the Beatles were together and I was, you know, I

0:21:33.680 --> 0:21:36.119
<v Speaker 1>wanted them to go back on the road so I

0:21:36.160 --> 0:21:39.639
<v Speaker 1>could see him live. Man, I'm a Beatle fan, and

0:21:40.200 --> 0:21:43.040
<v Speaker 1>I'm thinking, man, those all four of them guys are

0:21:43.040 --> 0:21:46.920
<v Speaker 1>still sucking air. Why can't they just bury the hatchet

0:21:47.400 --> 0:21:49.479
<v Speaker 1>and do it for us, do it for the fans

0:21:49.520 --> 0:21:53.720
<v Speaker 1>that bought all those records, you know, and so putting

0:21:53.760 --> 0:22:01.639
<v Speaker 1>myself in those shoes. Um, I kept petitioning those guys

0:22:02.320 --> 0:22:04.640
<v Speaker 1>to do it for the fans, to do it for

0:22:04.760 --> 0:22:09.160
<v Speaker 1>the sake of our fans, and I kept hearing people

0:22:09.240 --> 0:22:14.240
<v Speaker 1>say yeah, Don said uh, never say never. They asked

0:22:14.280 --> 0:22:16.600
<v Speaker 1>him in an interview if he'd ever get back together

0:22:16.720 --> 0:22:19.760
<v Speaker 1>with with you and if the original band would ever

0:22:19.800 --> 0:22:25.200
<v Speaker 1>go out, and he says, never say never. But that's

0:22:25.280 --> 0:22:29.439
<v Speaker 1>just easy to say. But when you when you feel

0:22:31.040 --> 0:22:36.040
<v Speaker 1>the you know, the virility the and when you feel

0:22:36.080 --> 0:22:42.680
<v Speaker 1>that hatred. Uh, Like when I when I went out

0:22:42.680 --> 0:22:46.600
<v Speaker 1>as Mark Farner's American band, I got a trademark. I

0:22:46.640 --> 0:22:53.960
<v Speaker 1>did it legally through lawyers. Uh. They sued me and

0:22:54.080 --> 0:22:58.160
<v Speaker 1>it cost us a lot of money. Not only did

0:22:58.200 --> 0:23:02.760
<v Speaker 1>it cost me to pay my attorn knees, one from California,

0:23:02.840 --> 0:23:07.960
<v Speaker 1>one from Michigan because it was a Michigan corporation. Uh,

0:23:08.040 --> 0:23:13.680
<v Speaker 1>I had to pay one third of their attorneys. Yeah, yeah, brother,

0:23:14.000 --> 0:23:18.439
<v Speaker 1>But I gotta let all that go. You know, I

0:23:18.600 --> 0:23:24.119
<v Speaker 1>cannot allow that to eat my lunch. That's my power, brother, Bob,

0:23:24.600 --> 0:23:28.119
<v Speaker 1>and I will use it in the manner which I choose.

0:23:28.280 --> 0:23:30.800
<v Speaker 1>Do you have any idea what Don's beef with you? Is?

0:23:31.240 --> 0:23:38.400
<v Speaker 1>Have not a clue? I really don't have a clue.

0:23:41.800 --> 0:23:45.560
<v Speaker 1>Let's go side. How do you know Mark Slaughter? Mark Slaughter,

0:23:46.080 --> 0:23:49.520
<v Speaker 1>we did a rock and roll fantasy camp years ago

0:23:51.400 --> 0:23:57.120
<v Speaker 1>and h and Marcus is Uh he's part Cherokee. I'm

0:23:57.160 --> 0:24:02.639
<v Speaker 1>part Cherokee. So on, just on that basis alone, we

0:24:02.800 --> 0:24:06.320
<v Speaker 1>have something in common that not a lot of people do,

0:24:06.880 --> 0:24:09.679
<v Speaker 1>and that we're musicians in the rock and roll field.

0:24:10.160 --> 0:24:15.879
<v Speaker 1>That just gave us a head start on our friendship.

0:24:15.960 --> 0:24:21.160
<v Speaker 1>And our brotherhood. Uh. And we did the Howard Sterns

0:24:21.240 --> 0:24:26.200
<v Speaker 1>Show while we were in New York City and it's recorded.

0:24:26.240 --> 0:24:31.040
<v Speaker 1>It's on YouTube now. But we had Kip Winger on base,

0:24:32.080 --> 0:24:40.960
<v Speaker 1>Sandy Gennaro on drums, Teddy's Zigzag on the keyboards, um

0:24:41.040 --> 0:24:47.800
<v Speaker 1>Mark Slaughter on guitar, and Bruce Culick who now plays

0:24:48.280 --> 0:24:51.840
<v Speaker 1>guitar with Don and Mel. He was on the acoustic guitar.

0:24:52.800 --> 0:24:55.720
<v Speaker 1>But we were all doing rock and roll fantasy camp

0:24:55.760 --> 0:24:59.280
<v Speaker 1>for David fish Off and uh, and we did a

0:24:59.640 --> 0:25:03.679
<v Speaker 1>we did I'm Your Captain, and I was so impressed

0:25:03.720 --> 0:25:11.000
<v Speaker 1>by those guys. They made it sound believable because all

0:25:11.040 --> 0:25:15.400
<v Speaker 1>those guys told me how much they loved me and

0:25:15.440 --> 0:25:20.359
<v Speaker 1>how much they appreciated that song in particular because it

0:25:20.480 --> 0:25:26.320
<v Speaker 1>influenced them as young musicians. And I'm I'm standing there

0:25:26.320 --> 0:25:31.320
<v Speaker 1>at the microphone singing the the in the chorus, and

0:25:31.359 --> 0:25:33.760
<v Speaker 1>then and then when we go to the bridge, am

0:25:33.840 --> 0:25:37.720
<v Speaker 1>I in my cabin breathe me? And I'm listening over

0:25:37.760 --> 0:25:41.159
<v Speaker 1>and there's Mark singing the high part and he is

0:25:41.320 --> 0:25:46.640
<v Speaker 1>hitting it dead nuts, buddy, I mean seriously, it gave

0:25:46.720 --> 0:25:51.000
<v Speaker 1>me the chills and I thought, Wow, we're doing this.

0:25:51.640 --> 0:25:54.600
<v Speaker 1>I mean, this is really coming off good for for

0:25:54.720 --> 0:25:56.560
<v Speaker 1>just setting up a couple of amps in a in

0:25:56.600 --> 0:26:02.280
<v Speaker 1>a studio up at Stearn's place. And so after that,

0:26:03.040 --> 0:26:06.480
<v Speaker 1>Mark and I kept in touch with each other, and

0:26:06.520 --> 0:26:09.080
<v Speaker 1>Mark sent me a copy of some of the music

0:26:09.160 --> 0:26:12.880
<v Speaker 1>that he had been working on, and I said, man,

0:26:14.200 --> 0:26:18.199
<v Speaker 1>uh that some of that stuff is really speaking to me.

0:26:18.240 --> 0:26:22.119
<v Speaker 1>I said, the mix you have on that stuff, You've

0:26:22.160 --> 0:26:24.960
<v Speaker 1>really got the separation where you can hear all the

0:26:25.080 --> 0:26:30.240
<v Speaker 1>instruments and the vocals. He's got a song halfway there.

0:26:30.400 --> 0:26:36.680
<v Speaker 1>Oh my god, it's beautiful. And uh, I said, man, uh,

0:26:36.720 --> 0:26:40.439
<v Speaker 1>I encourage you and I want to, you know, sending

0:26:40.440 --> 0:26:43.920
<v Speaker 1>you kudos on on the sound that you got. He says, well,

0:26:43.960 --> 0:26:46.480
<v Speaker 1>I want to do something with you. He says, I've

0:26:46.520 --> 0:26:50.800
<v Speaker 1>got this stuff. I can make your music sound just

0:26:50.880 --> 0:26:54.680
<v Speaker 1>as good as this, if not better, he says, because

0:26:54.680 --> 0:26:58.120
<v Speaker 1>I'm always learning. And so I said, you know something,

0:26:58.160 --> 0:27:00.280
<v Speaker 1>I'm going to take you up on that because I've

0:27:00.359 --> 0:27:06.000
<v Speaker 1>got a song that my son Jesse told me before

0:27:06.080 --> 0:27:10.440
<v Speaker 1>he died. He said, Dad, that song. He says, there's

0:27:10.480 --> 0:27:13.480
<v Speaker 1>two songs that really stick out to me. He says

0:27:14.640 --> 0:27:17.760
<v Speaker 1>that one that you and he starts humming it to

0:27:17.840 --> 0:27:21.399
<v Speaker 1>me and I and I go, oh, yeah, you really

0:27:21.440 --> 0:27:25.600
<v Speaker 1>like that song? He says yeah, he says, uh, and

0:27:26.040 --> 0:27:28.960
<v Speaker 1>it's a hit. He says, I believe that's a hit song.

0:27:29.119 --> 0:27:35.920
<v Speaker 1>I just feel it in my heart. And so the

0:27:36.240 --> 0:27:45.520
<v Speaker 1>one song titled Anymore Slaughter helped me finished because we

0:27:45.680 --> 0:27:49.200
<v Speaker 1>co wrote it. I had the initial idea, the chorus,

0:27:49.320 --> 0:27:55.160
<v Speaker 1>the first verse, the second first though, he really came through,

0:27:56.000 --> 0:28:02.480
<v Speaker 1>and it came through with a shining of forgiveness. And

0:28:02.560 --> 0:28:06.600
<v Speaker 1>it is forgiveness for the other guys for doing what

0:28:06.680 --> 0:28:11.439
<v Speaker 1>they did and what they do. Uh, and it and

0:28:11.520 --> 0:28:14.880
<v Speaker 1>it has a message. It carries that that love message

0:28:14.920 --> 0:28:17.720
<v Speaker 1>through it. And I think that's what Jesse was hearing

0:28:19.040 --> 0:28:21.879
<v Speaker 1>because he was definitely into the love, especially in his

0:28:21.960 --> 0:28:24.560
<v Speaker 1>latter years. I'm proud to be working with. Why don't

0:28:24.600 --> 0:28:26.560
<v Speaker 1>you tell us a story of Jesse who had a

0:28:26.600 --> 0:28:30.199
<v Speaker 1>tragic accident and then tragically passed. Can you tell us

0:28:30.200 --> 0:28:33.320
<v Speaker 1>a little bit more about that because not everybody knows. Yeah,

0:28:33.600 --> 0:28:39.320
<v Speaker 1>Jesse back in two thousand and ten was on camping

0:28:39.800 --> 0:28:43.760
<v Speaker 1>trip with his buddies and there was a bunch of

0:28:44.880 --> 0:28:49.360
<v Speaker 1>I call him kids. I mean, he's my kid, but uh,

0:28:49.880 --> 0:28:55.600
<v Speaker 1>you know, twenty some year old, and they were camping

0:28:55.600 --> 0:28:59.240
<v Speaker 1>out at this lake and it was the fourth July weekend,

0:29:00.920 --> 0:29:05.800
<v Speaker 1>and Jesse told me in the emergency room when we

0:29:05.840 --> 0:29:09.880
<v Speaker 1>went up there too, you know, we found out he

0:29:09.960 --> 0:29:13.080
<v Speaker 1>was hurt. We went to the emergency room at the

0:29:13.120 --> 0:29:17.120
<v Speaker 1>hospital where the the ambulance had brought him, and he

0:29:17.240 --> 0:29:20.040
<v Speaker 1>told me, he said, Dad, I drank too much and

0:29:20.880 --> 0:29:24.840
<v Speaker 1>tried to do something stupid, he says. Everybody was doing

0:29:24.880 --> 0:29:28.720
<v Speaker 1>these back flips off the picnic table, he says, and

0:29:28.800 --> 0:29:32.200
<v Speaker 1>I just didn't land it, said too much beer, Dad.

0:29:33.000 --> 0:29:36.200
<v Speaker 1>And at that time he could still move his his arms.

0:29:36.880 --> 0:29:42.720
<v Speaker 1>He was paralyzed from his waist down. But the doctor

0:29:42.800 --> 0:29:48.520
<v Speaker 1>told us, the surgeon said, he's gonna lose the use

0:29:48.600 --> 0:29:53.120
<v Speaker 1>of his limbs too. Because he was laying in the

0:29:53.160 --> 0:29:56.920
<v Speaker 1>back of a pickup truck for eleven hours. He didn't

0:29:56.960 --> 0:30:01.000
<v Speaker 1>want to bring the police into it or ambulance out

0:30:01.040 --> 0:30:04.880
<v Speaker 1>there because he didn't want to ruin all of these

0:30:05.000 --> 0:30:10.280
<v Speaker 1>kids camping out and having a good time. So they

0:30:10.520 --> 0:30:12.200
<v Speaker 1>he just said, just lay me in the back of

0:30:12.240 --> 0:30:15.320
<v Speaker 1>that pickup truck and out sober up and get better

0:30:15.360 --> 0:30:20.320
<v Speaker 1>and whatever. If he could have gotten to the hospital

0:30:20.920 --> 0:30:24.640
<v Speaker 1>within the first four hours, there's a window of opportunity

0:30:24.760 --> 0:30:30.440
<v Speaker 1>where they could have injected um steroid right at the

0:30:30.480 --> 0:30:34.560
<v Speaker 1>point of the injury and arrested the edema. That actually

0:30:34.680 --> 0:30:38.760
<v Speaker 1>is what took his arms away from him and the

0:30:38.880 --> 0:30:41.480
<v Speaker 1>use of his arms, and the only he only had

0:30:41.520 --> 0:30:43.600
<v Speaker 1>the use of his head. I mean, he could move

0:30:43.640 --> 0:30:49.320
<v Speaker 1>his neck around and he drove his wheelchair with his mouth.

0:30:49.800 --> 0:30:53.320
<v Speaker 1>It was a sip and puff system and he was

0:30:53.800 --> 0:30:57.040
<v Speaker 1>real good at it. As a matter of fact, some

0:30:57.200 --> 0:31:01.680
<v Speaker 1>of his friends took the sip and off system and

0:31:01.920 --> 0:31:06.400
<v Speaker 1>attached it to a remote control device where he could

0:31:06.440 --> 0:31:12.760
<v Speaker 1>actually run these four wheel drive electric models. And uh,

0:31:12.800 --> 0:31:15.880
<v Speaker 1>he had a boat that would do like eighty miles

0:31:15.880 --> 0:31:18.720
<v Speaker 1>an hour on the water down here, and people would

0:31:19.000 --> 0:31:22.000
<v Speaker 1>just gather around him to see him run this stuff

0:31:22.040 --> 0:31:25.840
<v Speaker 1>because he was really good at it. And he took, uh,

0:31:26.360 --> 0:31:28.920
<v Speaker 1>he took a first place in Traverse City where they

0:31:28.920 --> 0:31:32.880
<v Speaker 1>were having these competitions with all these people. And when

0:31:33.120 --> 0:31:36.240
<v Speaker 1>people looked around and saw this kid driving this truck

0:31:36.320 --> 0:31:40.720
<v Speaker 1>with his mouth, you know, he was pretty good at it. Uh.

0:31:40.800 --> 0:31:45.400
<v Speaker 1>He was really blessed. But his condition kept going down

0:31:45.480 --> 0:31:48.640
<v Speaker 1>and the doctor told us, he said, it's like a

0:31:48.800 --> 0:31:53.440
<v Speaker 1>limb on a tree when when it gets crushed like that,

0:31:54.000 --> 0:31:59.440
<v Speaker 1>the life just starts leaving it. And he says, he

0:31:59.520 --> 0:32:03.840
<v Speaker 1>told us there will be uh, you know, kidney troubles,

0:32:03.920 --> 0:32:08.240
<v Speaker 1>there will be internal organ troubles that that you just

0:32:08.280 --> 0:32:13.480
<v Speaker 1>can't do anything about, because that's what happens at this point.

0:32:13.800 --> 0:32:17.360
<v Speaker 1>And so we we had him here at our house

0:32:17.400 --> 0:32:22.360
<v Speaker 1>and my wife Lisa, God bless her heart. Um, she

0:32:22.480 --> 0:32:25.560
<v Speaker 1>took care of him most of the time. But then

0:32:25.640 --> 0:32:32.120
<v Speaker 1>we had help from uh people that would nurses and

0:32:32.200 --> 0:32:35.560
<v Speaker 1>people that were paid by the state to come in

0:32:35.640 --> 0:32:39.760
<v Speaker 1>and help and give her a break because it's really

0:32:40.920 --> 0:32:44.040
<v Speaker 1>strenuous for one person. I mean, it's you can't imagine,

0:32:44.840 --> 0:32:49.160
<v Speaker 1>and you have to do things like for a quadriplegic

0:32:49.640 --> 0:32:54.680
<v Speaker 1>who's on life support. Uh, you gotta roll them up

0:32:54.720 --> 0:32:57.600
<v Speaker 1>on their side, and in order for them to take

0:32:57.600 --> 0:33:00.560
<v Speaker 1>a ship, you gotta stick your fing here up in

0:33:00.600 --> 0:33:04.080
<v Speaker 1>there and stimulate that and then you got to catch

0:33:04.080 --> 0:33:07.760
<v Speaker 1>it as it's coming out. It's it's a very uh

0:33:08.640 --> 0:33:16.600
<v Speaker 1>humilifying experience for him. And when I volunteered, you know,

0:33:16.680 --> 0:33:21.440
<v Speaker 1>I said, Lisa, let me do part of this. Let

0:33:21.480 --> 0:33:24.840
<v Speaker 1>me and he looks at me, says, Dad, you're not

0:33:25.000 --> 0:33:33.440
<v Speaker 1>sticking your big finger in my ass. So anyways, his

0:33:33.440 --> 0:33:36.800
<v Speaker 1>his condition got you know, worse and worse, and then

0:33:38.760 --> 0:33:44.560
<v Speaker 1>in two thousand eighteen he passed and we know that

0:33:44.640 --> 0:33:51.080
<v Speaker 1>he's whole. Now. We know that, you know, from my

0:33:51.200 --> 0:33:55.440
<v Speaker 1>experience of leaving, you know, exiting the bone suit and

0:33:55.480 --> 0:33:58.800
<v Speaker 1>coming back, I know his whole and I know that

0:33:59.200 --> 0:34:01.720
<v Speaker 1>as soon as he made the exit from the bone

0:34:01.800 --> 0:34:07.320
<v Speaker 1>suit that he was set free. And uh, we miss

0:34:07.400 --> 0:34:11.120
<v Speaker 1>him like crazy. I got a picture that pops up

0:34:11.160 --> 0:34:13.960
<v Speaker 1>every time I turn on my computer. There's Jesse and

0:34:14.080 --> 0:34:19.480
<v Speaker 1>his dog, him with his laying in bed with his track.

0:34:20.160 --> 0:34:21.600
<v Speaker 1>He had a tricky out of me and he had

0:34:21.640 --> 0:34:26.800
<v Speaker 1>his life support, but he never lost his grin. He

0:34:27.000 --> 0:34:32.000
<v Speaker 1>never lost his love for life and had his friends.

0:34:33.560 --> 0:34:37.600
<v Speaker 1>And we have a memorial out here on our farm

0:34:37.719 --> 0:34:41.920
<v Speaker 1>for him, and his friends come over and they go

0:34:42.000 --> 0:34:47.080
<v Speaker 1>back to the memorial and they leave little bunches of

0:34:47.200 --> 0:34:55.160
<v Speaker 1>flowers or uh, pinted Jack Daniels. You never know what's

0:34:55.160 --> 0:35:00.960
<v Speaker 1>going to be left at the memorial, but his love

0:35:01.440 --> 0:35:04.000
<v Speaker 1>will never leave them. I mean, he was that kind

0:35:04.040 --> 0:35:07.759
<v Speaker 1>of guy. He just he was real and uh, and

0:35:07.880 --> 0:35:11.160
<v Speaker 1>we miss him like crazy. But Lisa and I have

0:35:11.400 --> 0:35:19.400
<v Speaker 1>definitely learned some valuable, valuable lessons through all of this,

0:35:20.880 --> 0:35:26.520
<v Speaker 1>and it's just to reiterate that love, you know. I mean,

0:35:26.560 --> 0:35:29.440
<v Speaker 1>we we get here in the form of this little

0:35:29.520 --> 0:35:35.880
<v Speaker 1>infant and we, uh, we just hold that I feel,

0:35:36.000 --> 0:35:39.240
<v Speaker 1>you know, the love and a little kid that the energy,

0:35:40.480 --> 0:35:45.359
<v Speaker 1>and so we nurture them because you know, it's our instinct,

0:35:45.400 --> 0:35:48.560
<v Speaker 1>our human instinct, to care care for this little baby.

0:35:48.600 --> 0:35:52.359
<v Speaker 1>But we're holding that love. That's really who we are

0:35:54.160 --> 0:35:59.040
<v Speaker 1>in our heart, you know, is that that bundle of love,

0:35:59.560 --> 0:36:06.359
<v Speaker 1>that energy that comes from the great beyond. And we

0:36:06.440 --> 0:36:11.319
<v Speaker 1>have learned how to look at people with eyes that

0:36:11.520 --> 0:36:17.000
<v Speaker 1>see that. No matter what other kind of physical representation

0:36:17.280 --> 0:36:23.040
<v Speaker 1>there might be, or what kind of words we come

0:36:23.280 --> 0:36:28.560
<v Speaker 1>out of the mouths of people, we always look in

0:36:29.880 --> 0:36:35.040
<v Speaker 1>and see that love and and you know, know that

0:36:35.480 --> 0:36:40.080
<v Speaker 1>all that person needs is to to realign with it. Now,

0:36:40.160 --> 0:36:43.640
<v Speaker 1>do you have other kids? Yes, I have two other children,

0:36:43.719 --> 0:36:49.040
<v Speaker 1>two other boys with Lisa, and then I have two

0:36:49.040 --> 0:36:51.359
<v Speaker 1>other boys with two other women. Okay, well let's stop

0:36:51.400 --> 0:36:53.720
<v Speaker 1>here for a second. How many times you've been married twice?

0:36:53.800 --> 0:36:55.680
<v Speaker 1>When did you get married the first time? How old

0:36:55.680 --> 0:36:58.640
<v Speaker 1>were you and what motivated you to get married? I

0:36:58.719 --> 0:37:02.040
<v Speaker 1>just felt like it was time because I felt like

0:37:02.680 --> 0:37:08.560
<v Speaker 1>I was in love with this girl, and uh, I

0:37:08.640 --> 0:37:12.840
<v Speaker 1>wanted to be I wanted to UM at that point,

0:37:12.880 --> 0:37:14.680
<v Speaker 1>you know. I mean I started in Grand Funk when

0:37:14.680 --> 0:37:19.600
<v Speaker 1>I was twenty. I had been two other countries. I've

0:37:19.600 --> 0:37:23.799
<v Speaker 1>been on big tours, you know, sold out Shasee Stadium

0:37:24.080 --> 0:37:29.960
<v Speaker 1>with my music, and H this was in them. That

0:37:30.080 --> 0:37:33.400
<v Speaker 1>was seventy one. So in seventy two it was like

0:37:33.480 --> 0:37:40.759
<v Speaker 1>I felt like I wanted to somehow put down, uh,

0:37:40.960 --> 0:37:48.640
<v Speaker 1>the beginning of a permanent commitment. But as life goes

0:37:49.960 --> 0:37:55.080
<v Speaker 1>h both parties didn't see it that way, and so

0:37:56.160 --> 0:38:01.680
<v Speaker 1>uh it was. I think three years later we were

0:38:01.719 --> 0:38:06.040
<v Speaker 1>divorced and I said, man, I am never gonna get

0:38:06.080 --> 0:38:11.200
<v Speaker 1>married again. Forget about this. UM. We did not have

0:38:11.239 --> 0:38:14.200
<v Speaker 1>any children. My first wife and I did not have

0:38:14.239 --> 0:38:21.240
<v Speaker 1>any children. My oldest son, Joey, came from a relationship

0:38:21.360 --> 0:38:27.960
<v Speaker 1>I had with my oldest sister's girlfriend app and uh

0:38:28.120 --> 0:38:34.200
<v Speaker 1>and dude, I didn't even orgasm. It was a one

0:38:34.280 --> 0:38:38.880
<v Speaker 1>time thing and it was just it was just off

0:38:38.880 --> 0:38:44.120
<v Speaker 1>the wall, but it was enough to get her pregnant.

0:38:45.040 --> 0:38:48.520
<v Speaker 1>There was enough of the seed that got through even

0:38:48.600 --> 0:38:54.520
<v Speaker 1>without my experiencing anything like that. And Joey and I

0:38:54.560 --> 0:38:59.319
<v Speaker 1>are very good friends. He's a musician. He's lives in

0:38:59.360 --> 0:39:04.240
<v Speaker 1>Detroit and he's out doing gigs all the time. He's

0:39:04.400 --> 0:39:09.880
<v Speaker 1>a good songwriter, good singer, he's got he's got talent.

0:39:10.719 --> 0:39:16.480
<v Speaker 1>And his wife and him come up and we you know,

0:39:16.640 --> 0:39:23.840
<v Speaker 1>we eat, have barbecues and we talk, we jam and

0:39:24.320 --> 0:39:28.000
<v Speaker 1>I go down there and his house. He's got his

0:39:28.080 --> 0:39:29.960
<v Speaker 1>stuff set up in the basement. He's got a nice

0:39:29.960 --> 0:39:35.000
<v Speaker 1>recording thing set up. And so I have good relationship

0:39:35.080 --> 0:39:38.120
<v Speaker 1>with him. When was he born before or after your

0:39:38.160 --> 0:39:42.800
<v Speaker 1>first marriage? Before? So that's one song, yes, and then

0:39:42.840 --> 0:39:49.120
<v Speaker 1>after I was divorced from my first marriage. We're on

0:39:49.160 --> 0:39:55.000
<v Speaker 1>the road and Wet Willie was the opening act for

0:39:55.160 --> 0:40:01.440
<v Speaker 1>the Grand Funct Tour Um. It was when the Local

0:40:01.480 --> 0:40:06.279
<v Speaker 1>Motion was a number one hit um and and the

0:40:06.880 --> 0:40:12.600
<v Speaker 1>gals from Wet Willie they said, you know what we were,

0:40:12.840 --> 0:40:15.000
<v Speaker 1>We want to come out there and sing the backgrounds

0:40:15.040 --> 0:40:17.360
<v Speaker 1>for Local Motion with you guys. In fact, the whole

0:40:17.440 --> 0:40:20.000
<v Speaker 1>band wants to come out. And we said, man, that

0:40:20.040 --> 0:40:22.400
<v Speaker 1>would be great, you know, because we used to do it.

0:40:22.560 --> 0:40:26.440
<v Speaker 1>And just as like the last song before our encore,

0:40:27.080 --> 0:40:29.200
<v Speaker 1>and so Wet Willie would all come out on the

0:40:29.280 --> 0:40:35.359
<v Speaker 1>stage and and I got very friendly with Donna, Donna Hall,

0:40:35.680 --> 0:40:38.120
<v Speaker 1>who was one of the singers, and there was Jack

0:40:38.200 --> 0:40:40.680
<v Speaker 1>Hall and Jimmy Hall. Jimmy Hall was the lead singer

0:40:40.719 --> 0:40:47.000
<v Speaker 1>and Jack the bass player. But Donna moved in with me.

0:40:47.680 --> 0:40:52.520
<v Speaker 1>And I wasn't thinking about marriage or anything. I just

0:40:53.360 --> 0:40:59.200
<v Speaker 1>having a relationship and uh. And then I met Lisa,

0:40:59.400 --> 0:41:04.280
<v Speaker 1>my wife that I'm married to, uh currently and forever

0:41:04.360 --> 0:41:09.799
<v Speaker 1>more forty four years now. Um, and man, I knew

0:41:09.840 --> 0:41:12.480
<v Speaker 1>as soon as I saw, as soon as I heard

0:41:12.520 --> 0:41:16.080
<v Speaker 1>her voice, soon as I was around her, that it

0:41:16.239 --> 0:41:18.920
<v Speaker 1>was like, oh my god. And Donna came to me

0:41:18.960 --> 0:41:24.680
<v Speaker 1>and she said, Mark, I see what's between you and Lisa.

0:41:24.880 --> 0:41:28.080
<v Speaker 1>I can see it. You'd have to be blind not

0:41:28.200 --> 0:41:30.919
<v Speaker 1>to see it. And she said, and I'm gonna bow

0:41:31.040 --> 0:41:33.839
<v Speaker 1>out of your life now. I'm going to go back home.

0:41:33.920 --> 0:41:36.800
<v Speaker 1>I said, oh, are you kidding me? I said, I

0:41:37.400 --> 0:41:40.200
<v Speaker 1>feel bad. She said, don't feel bad, she says. I

0:41:40.719 --> 0:41:43.759
<v Speaker 1>I love Lisa, and I love you, she says, and

0:41:43.840 --> 0:41:46.400
<v Speaker 1>I don't want to be I don't want to hold

0:41:46.400 --> 0:41:51.879
<v Speaker 1>you back from anything. That it's this precious And she

0:41:51.920 --> 0:41:57.799
<v Speaker 1>didn't know she was pregnant. Moved home back to Mobile, Alabama,

0:41:58.640 --> 0:42:04.000
<v Speaker 1>and her mother, Bibie God Rest her Soul, called me

0:42:05.320 --> 0:42:10.440
<v Speaker 1>out of the blue UH and said, Mark, my daughter

0:42:10.920 --> 0:42:15.600
<v Speaker 1>is pregnant with your baby. And I went what And

0:42:15.640 --> 0:42:19.160
<v Speaker 1>she says, Donna, don't freak out. She says, don't freak out.

0:42:19.360 --> 0:42:23.040
<v Speaker 1>We're not mad. There's nothing you know. You guys didn't know.

0:42:23.680 --> 0:42:25.839
<v Speaker 1>She didn't know when she left, and you didn't know.

0:42:26.960 --> 0:42:31.000
<v Speaker 1>So I just want you to know that we're gonna

0:42:31.040 --> 0:42:37.040
<v Speaker 1>take good care of this baby and that we will

0:42:37.080 --> 0:42:42.200
<v Speaker 1>always love you. And that's what kind of relationship I

0:42:42.320 --> 0:42:49.279
<v Speaker 1>have with the whole family, including my son Adam, who

0:42:49.320 --> 0:42:53.200
<v Speaker 1>came out on the road with Donna. Uh wet Willie

0:42:53.200 --> 0:42:58.440
<v Speaker 1>opened for us again down in New Orleans and UH

0:42:59.239 --> 0:43:04.120
<v Speaker 1>and Donna had ad Adam with her and it was

0:43:04.160 --> 0:43:06.920
<v Speaker 1>the first time I met him, and I had my

0:43:07.000 --> 0:43:10.520
<v Speaker 1>son Jason with me, and so Adam and Jason got

0:43:10.560 --> 0:43:15.600
<v Speaker 1>together and they are still you know, there's there's there's blood,

0:43:16.040 --> 0:43:21.799
<v Speaker 1>and there's no kind of questioning about that relationship at all.

0:43:22.440 --> 0:43:27.800
<v Speaker 1>And in fact, we all went to Mexico together before

0:43:27.920 --> 0:43:33.239
<v Speaker 1>Jesse was hurt and UH and had a great time

0:43:33.280 --> 0:43:38.600
<v Speaker 1>together and you know, those memories. It's great to have

0:43:38.719 --> 0:43:41.880
<v Speaker 1>those memories because they're built on it's just always a

0:43:41.960 --> 0:43:45.840
<v Speaker 1>reminder of the love that has always kept us together

0:43:46.239 --> 0:43:51.120
<v Speaker 1>and has always found its way through any hurt and

0:43:51.320 --> 0:43:57.440
<v Speaker 1>always uh made the glue that keeps us stuck on

0:43:57.480 --> 0:44:00.239
<v Speaker 1>each other. Are Adam and Jason up to jay Eason

0:44:00.440 --> 0:44:07.520
<v Speaker 1>is working at a shoe store doing good. He makes

0:44:07.600 --> 0:44:10.279
<v Speaker 1>good money. He does he works on a commission as

0:44:10.280 --> 0:44:12.480
<v Speaker 1>well as his and he does things on the side

0:44:12.480 --> 0:44:15.640
<v Speaker 1>where he's he's got good money coming in. He lives

0:44:15.680 --> 0:44:20.680
<v Speaker 1>on his own in an apartment. And Adam works he's

0:44:20.680 --> 0:44:29.000
<v Speaker 1>a chef down in Mobile, Alabama. And Isaac and Sarah

0:44:29.040 --> 0:44:34.080
<v Speaker 1>my grandchildren. Uh, he takes them on the weekends and

0:44:34.120 --> 0:44:38.640
<v Speaker 1>his and his ex wife uh get some you know,

0:44:38.800 --> 0:44:44.680
<v Speaker 1>through the week But he's doing good. He you know,

0:44:44.760 --> 0:44:48.600
<v Speaker 1>he's uh, it's just to have a job and keeping

0:44:48.680 --> 0:44:51.719
<v Speaker 1>holding down the fort at this point in life in

0:44:51.719 --> 0:44:57.640
<v Speaker 1>this country as really saying something. But they're not the

0:44:57.760 --> 0:45:01.279
<v Speaker 1>kind of people that would set back and say I'm

0:45:01.320 --> 0:45:05.759
<v Speaker 1>not gonna work, I'll let the government support me. You know. Uh,

0:45:05.800 --> 0:45:15.600
<v Speaker 1>they're not that kind of people. And I'm proud of that. Okay,

0:45:15.760 --> 0:45:19.680
<v Speaker 1>you're really mellow understanding and love it. What were you

0:45:19.760 --> 0:45:22.080
<v Speaker 1>like when you were a teenager and then in your

0:45:22.080 --> 0:45:24.799
<v Speaker 1>twenties at the height of Grand Funk Road. I was

0:45:25.000 --> 0:45:30.120
<v Speaker 1>very grateful for the experience, you know. When I wrote

0:45:30.760 --> 0:45:36.000
<v Speaker 1>Closer to Home, I'm Your Captain, I prayed for that song.

0:45:36.080 --> 0:45:39.520
<v Speaker 1>I always say my prayers. I always pray. I pray

0:45:39.560 --> 0:45:43.640
<v Speaker 1>every day, and at night, before I go to sleep,

0:45:43.680 --> 0:45:46.799
<v Speaker 1>I pray, and I said, mine, Now I lay me

0:45:46.880 --> 0:45:49.919
<v Speaker 1>down to sleep, I pray the Lord my soul to keep.

0:45:50.320 --> 0:45:52.840
<v Speaker 1>If I should die before I wake, I pray the

0:45:52.880 --> 0:45:54.960
<v Speaker 1>Lord my soul to take. And then I blessed all

0:45:55.000 --> 0:45:59.520
<v Speaker 1>my aunts and uncles and cousins and grandma's, grandpa's and

0:46:00.320 --> 0:46:02.680
<v Speaker 1>you know. And I put a ps on the end

0:46:02.680 --> 0:46:07.920
<v Speaker 1>of the prayer, and I said, God, would you please

0:46:08.040 --> 0:46:11.480
<v Speaker 1>give me a song that would reach and touch the

0:46:11.520 --> 0:46:15.360
<v Speaker 1>hearts of those you want to get to. And I

0:46:15.400 --> 0:46:16.920
<v Speaker 1>got up in the middle of the night and I

0:46:16.960 --> 0:46:21.759
<v Speaker 1>wrote words. But I'm always getting up righting words. I

0:46:21.800 --> 0:46:24.239
<v Speaker 1>didn't know it was a song. It could have been

0:46:24.280 --> 0:46:28.479
<v Speaker 1>just a poem with you know. And when I wrote it, Bob,

0:46:28.560 --> 0:46:30.960
<v Speaker 1>I was I was in a state of mind that

0:46:31.120 --> 0:46:36.680
<v Speaker 1>was halfway between heaven and Earth. I was not in

0:46:36.800 --> 0:46:44.520
<v Speaker 1>a totally conscious uh state. And somehow I knew that

0:46:44.600 --> 0:46:47.560
<v Speaker 1>if I went back to the top of the page

0:46:48.200 --> 0:46:52.200
<v Speaker 1>and started reading the words again, it would stop. So

0:46:52.239 --> 0:46:55.560
<v Speaker 1>I kept writing. I kept writing, and I kept writing,

0:46:55.920 --> 0:46:59.880
<v Speaker 1>and I got through the whole thing. And I'm still

0:47:00.040 --> 0:47:07.560
<v Speaker 1>in this frame of mind, not completely uh cognizant consciously,

0:47:08.360 --> 0:47:12.240
<v Speaker 1>and I lay down the steno pad and the paper,

0:47:12.400 --> 0:47:15.279
<v Speaker 1>you know, and the pencil, and I slipped back under

0:47:15.320 --> 0:47:17.040
<v Speaker 1>the sheets and I go to sleep. And I get

0:47:17.120 --> 0:47:20.720
<v Speaker 1>up in the morning and I have a coffee sitting

0:47:20.719 --> 0:47:23.520
<v Speaker 1>on the table. I'm looking at my horses out in

0:47:23.560 --> 0:47:28.640
<v Speaker 1>the pasture, and I've got a George Washburn flat top

0:47:28.680 --> 0:47:31.440
<v Speaker 1>and acoustic guitar sitting in the kitchen in a stand,

0:47:32.120 --> 0:47:35.040
<v Speaker 1>and I grabbed it and I started playing but pop

0:47:35.280 --> 0:47:37.640
<v Speaker 1>pop pop doo doo doo doo, and I went, wow,

0:47:37.719 --> 0:47:40.600
<v Speaker 1>where the hell did that come from? And uh, it's

0:47:40.680 --> 0:47:44.080
<v Speaker 1>like and then I grabbed this, this inversion of a

0:47:44.239 --> 0:47:47.680
<v Speaker 1>C cord that just it just spoke to me in

0:47:47.800 --> 0:47:51.640
<v Speaker 1>such a way. It was like, man, and I'm looking

0:47:51.719 --> 0:47:55.160
<v Speaker 1>at that chord and I'm thinking, man, I can't forget

0:47:55.239 --> 0:47:59.160
<v Speaker 1>this this chord right here, and I'm looking at it

0:47:59.840 --> 0:48:04.439
<v Speaker 1>and then I thought, oh, the words, Maybe that's a song.

0:48:04.719 --> 0:48:06.960
<v Speaker 1>Maybe that's a song. So I go in and I

0:48:07.120 --> 0:48:11.600
<v Speaker 1>grab the lyrics and bring them out, put them on

0:48:11.680 --> 0:48:16.520
<v Speaker 1>the table. I pushed the button on my cassette recorder

0:48:16.920 --> 0:48:20.839
<v Speaker 1>and I started playing it bad. Don't du dun, dude,

0:48:21.440 --> 0:48:26.600
<v Speaker 1>everybody listen to me. You know, it just started coming.

0:48:27.239 --> 0:48:32.279
<v Speaker 1>And I took the cassette recorder to rehearsal that day

0:48:34.040 --> 0:48:38.200
<v Speaker 1>and I played it for the guys and and they said, man, Fearner,

0:48:39.360 --> 0:48:44.160
<v Speaker 1>that songs a hit. That songs a hit man. So

0:48:45.520 --> 0:48:49.640
<v Speaker 1>they were right, and it's a hit with a lot

0:48:49.719 --> 0:48:56.040
<v Speaker 1>of people, but especially with our military and back when

0:48:56.120 --> 0:49:00.440
<v Speaker 1>that song came out, it was during the Vietnam era,

0:49:01.520 --> 0:49:07.360
<v Speaker 1>and a lot of our brothers and sisters we're a

0:49:07.480 --> 0:49:13.080
<v Speaker 1>long way from home, but they wanted to be where

0:49:13.160 --> 0:49:20.640
<v Speaker 1>I was. And so when the Vietnam Veterans of America

0:49:22.080 --> 0:49:28.120
<v Speaker 1>got ahold of my management in two thousand five, they

0:49:28.200 --> 0:49:33.680
<v Speaker 1>asked me if I had come and play the the

0:49:33.960 --> 0:49:37.680
<v Speaker 1>at the memorial at the at the Wall, and it

0:49:37.800 --> 0:49:44.160
<v Speaker 1>was the anniversary h ceremony, and then I said, well,

0:49:45.719 --> 0:49:47.960
<v Speaker 1>rather than to just bring my guitar, I said, are

0:49:48.000 --> 0:49:51.600
<v Speaker 1>you guys going to have stage set up in lights

0:49:51.760 --> 0:49:55.320
<v Speaker 1>and you know, oh yeah, we're gonna p a system

0:49:55.360 --> 0:49:59.800
<v Speaker 1>and everything. I said, the whole band will come. We

0:50:00.040 --> 0:50:03.640
<v Speaker 1>will put a show on a full show for the

0:50:03.800 --> 0:50:08.080
<v Speaker 1>Vietnam veterans there and will include the song that they love.

0:50:08.800 --> 0:50:12.279
<v Speaker 1>And we did. Of course, we didn't charge them at all.

0:50:12.400 --> 0:50:16.040
<v Speaker 1>I mean, god, how could you? And it was thirty

0:50:16.120 --> 0:50:19.880
<v Speaker 1>six degrees, Bob, it was thirty six and we were

0:50:20.000 --> 0:50:23.040
<v Speaker 1>warming our hands up on the lightbulbs that were in

0:50:23.120 --> 0:50:26.839
<v Speaker 1>this trailer so that we could play our instruments when

0:50:26.880 --> 0:50:30.480
<v Speaker 1>we got out there. And when it came time to

0:50:30.640 --> 0:50:36.479
<v Speaker 1>play I'm Your Captain Closer to Home, Man, I looked

0:50:36.520 --> 0:50:41.920
<v Speaker 1>out and there was not a dry eye any place.

0:50:42.600 --> 0:50:46.839
<v Speaker 1>And not only our American brothers and sisters, but are

0:50:47.239 --> 0:50:51.640
<v Speaker 1>Canadian brothers and sisters who are Vietnam veterans were in

0:50:51.800 --> 0:50:58.080
<v Speaker 1>the crowd. And I had a very difficult time trying

0:50:58.200 --> 0:51:01.759
<v Speaker 1>to sing because I was so choked up. It felt

0:51:01.800 --> 0:51:06.120
<v Speaker 1>like I had a softball in my neck. But it

0:51:06.320 --> 0:51:12.520
<v Speaker 1>was with all this appreciation and the emotional connection that

0:51:12.640 --> 0:51:17.319
<v Speaker 1>I was making with this audience, Oh my god, Uh,

0:51:17.760 --> 0:51:22.640
<v Speaker 1>the words came back to me, Uh for those you

0:51:23.640 --> 0:51:27.279
<v Speaker 1>want to get to and h and those words got

0:51:27.360 --> 0:51:34.600
<v Speaker 1>to those brothers and sisters, and and that's that's what

0:51:35.600 --> 0:51:39.960
<v Speaker 1>keeps me going today. I I always dedicate that song

0:51:40.080 --> 0:51:42.480
<v Speaker 1>when we get to it, and said, I always dedicated

0:51:42.560 --> 0:51:48.040
<v Speaker 1>to our troops and to our veterans, and just to

0:51:48.200 --> 0:51:53.799
<v Speaker 1>promise we would never forget them. We appreciate them so much.

0:51:54.680 --> 0:51:59.280
<v Speaker 1>They are kids following orders. They didn't start the damn wars.

0:52:00.360 --> 0:52:03.879
<v Speaker 1>They're just kids following the orders. Now, back in that era,

0:52:04.040 --> 0:52:07.239
<v Speaker 1>the Vietnam War era, it was a tumultuous time and

0:52:07.280 --> 0:52:10.600
<v Speaker 1>there was the draft. How did you deal with the draft?

0:52:10.880 --> 0:52:17.080
<v Speaker 1>I was physically disqualified. I got a four F. I

0:52:17.239 --> 0:52:22.239
<v Speaker 1>had some things, uh in my duadenal track and uh,

0:52:23.480 --> 0:52:26.440
<v Speaker 1>some things that were you know, just we're wrong with me.

0:52:27.400 --> 0:52:30.240
<v Speaker 1>And when I went down for my physical into Detroit,

0:52:32.080 --> 0:52:35.040
<v Speaker 1>they took me out of the line. We're all, you know,

0:52:35.280 --> 0:52:37.880
<v Speaker 1>marching along with our clothes in our hands and our

0:52:37.920 --> 0:52:43.160
<v Speaker 1>skivvyes on. And it came over to me and they said, uh,

0:52:43.400 --> 0:52:48.960
<v Speaker 1>we want you to go over to this building um

0:52:49.360 --> 0:52:55.400
<v Speaker 1>at noon and uh, they all do the you know,

0:52:55.520 --> 0:52:59.719
<v Speaker 1>finished the examination over there. Well, what had happened part

0:52:59.760 --> 0:53:03.239
<v Speaker 1>of the examination, as the guy in front of me,

0:53:03.600 --> 0:53:07.560
<v Speaker 1>when they when they're taking a blood draw. He lays

0:53:07.640 --> 0:53:11.279
<v Speaker 1>his arm over the top of this board, and uh,

0:53:11.719 --> 0:53:14.359
<v Speaker 1>when they hit him, there was blood that just kind

0:53:14.400 --> 0:53:18.640
<v Speaker 1>of come shooting out and and it just made me

0:53:18.800 --> 0:53:21.560
<v Speaker 1>sick to my stomach. Man, because I hate needles. I

0:53:21.719 --> 0:53:24.840
<v Speaker 1>just I would have made a bad drug agg But

0:53:24.960 --> 0:53:27.759
<v Speaker 1>I got out there and I went to put my

0:53:27.960 --> 0:53:30.759
<v Speaker 1>arm over the board and that's the last thing I remember. Bam,

0:53:31.760 --> 0:53:34.640
<v Speaker 1>I was gone. I was out cold. I passed out

0:53:35.680 --> 0:53:38.799
<v Speaker 1>from that experience. And I woke up on this cot

0:53:40.560 --> 0:53:44.640
<v Speaker 1>and uh, you know that they had already taken the

0:53:44.760 --> 0:53:49.200
<v Speaker 1>blood um when I was out, and they had did

0:53:49.640 --> 0:53:52.480
<v Speaker 1>you know some of our other examinations, And she the

0:53:53.360 --> 0:53:57.000
<v Speaker 1>the gal says, well, you need to go over at

0:53:57.040 --> 0:53:59.560
<v Speaker 1>this building and they'll finish over there. So I went

0:53:59.640 --> 0:54:04.440
<v Speaker 1>over and talk to some people and they they said, uh,

0:54:05.560 --> 0:54:09.920
<v Speaker 1>well you're not physically fit. You're not fit for military service.

0:54:11.000 --> 0:54:17.520
<v Speaker 1>And I'm thinking, well, I guess it's it's my Uh,

0:54:18.640 --> 0:54:22.320
<v Speaker 1>I'll stay home and serve with my music. You know,

0:54:22.719 --> 0:54:27.120
<v Speaker 1>that was my attitude. Okay, what's so special about Michigan

0:54:27.840 --> 0:54:30.160
<v Speaker 1>and the music? You've certainly been all over the country.

0:54:30.600 --> 0:54:35.120
<v Speaker 1>Michigan known for hard rock, certain other things, certainly motom music.

0:54:35.360 --> 0:54:38.880
<v Speaker 1>What is it about Michigan. I believe it is the

0:54:39.080 --> 0:54:42.879
<v Speaker 1>fact that we had all of these auto factories up here,

0:54:42.960 --> 0:54:48.839
<v Speaker 1>Bob that drew people like my mother's family from Leech

0:54:48.920 --> 0:54:53.160
<v Speaker 1>for Arkansas. When she was sixteen years old, she moved

0:54:53.200 --> 0:54:58.680
<v Speaker 1>to Flint, Michigan. All of the you know Grandpacott and

0:54:58.760 --> 0:55:03.399
<v Speaker 1>Uncle Woodie, Uncle Brian and uh, the whole everybody in there.

0:55:03.719 --> 0:55:07.240
<v Speaker 1>You know cousins came north to get these high paying

0:55:07.320 --> 0:55:11.520
<v Speaker 1>auto factory jobs. Well, they brought their instruments with them

0:55:11.600 --> 0:55:17.680
<v Speaker 1>as well. And every Sunday, either at our house on

0:55:17.840 --> 0:55:21.600
<v Speaker 1>Davidson Road my mom and dad, or at my aunt

0:55:21.719 --> 0:55:26.200
<v Speaker 1>Dorothea's house on Normandy Court, there would be a jam

0:55:26.360 --> 0:55:29.799
<v Speaker 1>session and all of the kid would come and bring

0:55:29.920 --> 0:55:36.040
<v Speaker 1>the fiddles, banjos, guitars, uh and play music and sing

0:55:36.200 --> 0:55:42.120
<v Speaker 1>all of these old uh you know it's uh, I

0:55:42.239 --> 0:55:48.640
<v Speaker 1>guess country roots and some little gospel in there. Um.

0:55:49.280 --> 0:55:52.799
<v Speaker 1>But the women would sing and it was like, Oh

0:55:53.040 --> 0:55:56.600
<v Speaker 1>my God. I would just look up as this little kid.

0:55:57.040 --> 0:56:02.320
<v Speaker 1>I would never forget thinking these these ladies are actually

0:56:02.680 --> 0:56:07.279
<v Speaker 1>angels singing because it was so beautiful. It was the

0:56:07.360 --> 0:56:10.640
<v Speaker 1>most beautiful thing I'd ever heard and uh and my

0:56:10.760 --> 0:56:14.840
<v Speaker 1>mother could sing so good. In fact, everybody in the

0:56:14.920 --> 0:56:19.080
<v Speaker 1>family could sing. And it was always a good, you know,

0:56:19.560 --> 0:56:23.920
<v Speaker 1>good time. And we either had Southern fried chicken with

0:56:24.040 --> 0:56:30.800
<v Speaker 1>those hockey puck biscuit uh, you know, or Sloppy Joe's.

0:56:31.680 --> 0:56:36.000
<v Speaker 1>It was one or the other. But the chicken and dumplings, man,

0:56:36.120 --> 0:56:38.160
<v Speaker 1>that was my favorite because I used to love those

0:56:38.280 --> 0:56:44.400
<v Speaker 1>Doughey dumplings. Uh. And and just to everybody taking a

0:56:44.480 --> 0:56:46.759
<v Speaker 1>break to eat, but then they'd returned back to the

0:56:46.880 --> 0:56:50.279
<v Speaker 1>instruments and get to play in and it was just

0:56:50.480 --> 0:56:54.480
<v Speaker 1>we spent hours every Sunday doing that. So it was

0:56:54.600 --> 0:56:59.759
<v Speaker 1>not just in our house, but everybody around Flint, and

0:57:00.040 --> 0:57:05.080
<v Speaker 1>I'm sure around Detroit and Pontiac and all of the

0:57:05.440 --> 0:57:11.400
<v Speaker 1>satellite cities that had automotive related uh you know, factories

0:57:11.520 --> 0:57:20.040
<v Speaker 1>and things to a c. Delco Turnsteads Fisher Body and

0:57:20.360 --> 0:57:22.560
<v Speaker 1>my mother was the first woman in the United States

0:57:22.640 --> 0:57:25.840
<v Speaker 1>to weld on Sherman tanks at Fisher Body in Flint, Michigan.

0:57:26.480 --> 0:57:29.520
<v Speaker 1>And my dad was a tank driver in the seventh

0:57:29.640 --> 0:57:33.960
<v Speaker 1>Armer Division and returned home with four bronze stars. He

0:57:34.080 --> 0:57:37.120
<v Speaker 1>was in four major battles and a lot of tank

0:57:37.240 --> 0:57:41.320
<v Speaker 1>drivers didn't get to see a second one brother. So

0:57:41.440 --> 0:57:45.080
<v Speaker 1>we were we were very blessed. But I knew a

0:57:45.160 --> 0:57:48.560
<v Speaker 1>lot of other you know, people that that love to

0:57:48.600 --> 0:57:51.960
<v Speaker 1>play music. And I think because of the North and

0:57:52.160 --> 0:57:56.440
<v Speaker 1>South thing. My dad he blew saxophone and play guitar,

0:57:56.600 --> 0:57:59.440
<v Speaker 1>but he was born and raised in Flint, Michigan. And

0:58:00.320 --> 0:58:03.440
<v Speaker 1>and just the love that we had, it just it

0:58:03.600 --> 0:58:08.080
<v Speaker 1>came out. Uh. And the kids, you know, of those people,

0:58:08.920 --> 0:58:13.920
<v Speaker 1>myself included, we didn't want to be in the shop.

0:58:14.400 --> 0:58:17.520
<v Speaker 1>We wanted to do something else. We you know, we

0:58:17.640 --> 0:58:20.280
<v Speaker 1>saw that they were making good money and providing for

0:58:20.400 --> 0:58:23.040
<v Speaker 1>the family and had everybody had two cars and a

0:58:23.120 --> 0:58:27.320
<v Speaker 1>boat and nice house. Uh, but we wanted something else.

0:58:27.400 --> 0:58:32.640
<v Speaker 1>And so uh, you know, MC five came out, uh,

0:58:33.040 --> 0:58:39.640
<v Speaker 1>Iggy and the Stooges, the Rationals, Scott Richard, Kay's and

0:58:39.880 --> 0:58:43.720
<v Speaker 1>Boy Dukes, a lot of these bands. Uh. And we

0:58:43.840 --> 0:58:48.560
<v Speaker 1>started hearing the sound that was being generated. And uh

0:58:48.760 --> 0:58:53.440
<v Speaker 1>so when uh the band that Don and Brewer and

0:58:53.520 --> 0:58:56.360
<v Speaker 1>I were in broke up. I told Brewer, I said,

0:58:56.400 --> 0:58:59.520
<v Speaker 1>we need to start a three piece man um just

0:58:59.640 --> 0:59:02.320
<v Speaker 1>a three piece band and and see what happens. And

0:59:02.880 --> 0:59:07.360
<v Speaker 1>that's when we heard Mel Shocker at in Bay City.

0:59:07.440 --> 0:59:10.160
<v Speaker 1>He was playing with question marking the Mysterious and when

0:59:10.200 --> 0:59:14.280
<v Speaker 1>they took a break and Mel came walking out. We said, hey, man,

0:59:15.160 --> 0:59:17.560
<v Speaker 1>what are you doing. Would you like to join a

0:59:17.680 --> 0:59:21.080
<v Speaker 1>three piece band? And he of course, Mel and I had,

0:59:21.320 --> 0:59:23.520
<v Speaker 1>like I said, we smoked dope together back when we

0:59:23.640 --> 0:59:27.120
<v Speaker 1>were kids. Uh. He said, Man, I am so ready

0:59:27.200 --> 0:59:30.000
<v Speaker 1>to leave this band. This is perfect timing. So Grand

0:59:30.040 --> 0:59:33.560
<v Speaker 1>Fox started the next week at the Flint Federation of Musicians,

0:59:34.040 --> 0:59:38.760
<v Speaker 1>the Hall on April Street and Flint, and we started

0:59:39.520 --> 0:59:44.800
<v Speaker 1>three piece. You can imagine. I had some guitar, of course, uh,

0:59:45.680 --> 0:59:48.760
<v Speaker 1>electric guitar, and it's amped that this guy was letting

0:59:48.800 --> 0:59:52.520
<v Speaker 1>me use this West It was a West Fillmore amp

0:59:52.600 --> 0:59:56.040
<v Speaker 1>with two fifteen inch speakers, and it sounded so good,

0:59:56.200 --> 0:59:59.280
<v Speaker 1>especially when I would hit that Jimmy Hendrix fuzz tone

0:59:59.640 --> 1:00:05.000
<v Speaker 1>and you just really uh. I remember Hank Guyer coming

1:00:05.040 --> 1:00:10.200
<v Speaker 1>out and saying, you boys, turn that stuff down. We

1:00:10.360 --> 1:00:16.680
<v Speaker 1>can't even hear the phone's ring in here. But there

1:00:16.800 --> 1:00:21.400
<v Speaker 1>was a lot of us. Um you know, Alice Cooper

1:00:21.480 --> 1:00:23.440
<v Speaker 1>came out of Flip, or not out of Flip, but

1:00:23.480 --> 1:00:28.560
<v Speaker 1>out of Michigan. Glenn Fry, a lot of there was

1:00:28.600 --> 1:00:31.560
<v Speaker 1>a lot of bands you know that that just came

1:00:31.600 --> 1:00:37.040
<v Speaker 1>out because of the North and South. Uh reunion that

1:00:37.200 --> 1:00:39.680
<v Speaker 1>we had in there, and it was like it was

1:00:39.760 --> 1:00:43.360
<v Speaker 1>a family there was in the North. You didn't have

1:00:44.720 --> 1:00:51.320
<v Speaker 1>the discrimination that you had in the South. Um, I

1:00:51.440 --> 1:00:55.880
<v Speaker 1>had black friends, We hung out together. Uh, it was

1:00:56.400 --> 1:01:00.280
<v Speaker 1>it was totally different. When you hit the Michigan state line.

1:01:00.360 --> 1:01:03.360
<v Speaker 1>It was like, man, there was a bunch of friendly people.

1:01:03.680 --> 1:01:06.480
<v Speaker 1>And it didn't matter what color you were. It didn't

1:01:06.600 --> 1:01:10.480
<v Speaker 1>matter what nationality you were. Uh. If you were a

1:01:10.560 --> 1:01:14.680
<v Speaker 1>working man or working gal, then you were you were

1:01:14.760 --> 1:01:18.760
<v Speaker 1>part of the family. And and that's uh, I guess

1:01:18.840 --> 1:01:21.920
<v Speaker 1>that's what were you know, the music we call an

1:01:21.920 --> 1:01:25.800
<v Speaker 1>assembly line rock and roll just because of the nature

1:01:25.880 --> 1:01:28.560
<v Speaker 1>where it came from. We are the kids of those

1:01:29.080 --> 1:01:31.960
<v Speaker 1>who worked those assembly lines. Okay, let's go back to

1:01:32.080 --> 1:01:34.800
<v Speaker 1>the beginning. How many kids in the family growing up?

1:01:35.280 --> 1:01:39.680
<v Speaker 1>What kind of kids were you? Popular, unpopular, troublemaker, not troublemaker,

1:01:39.760 --> 1:01:43.400
<v Speaker 1>good student, bad students. In my family there was six kids,

1:01:44.320 --> 1:01:51.040
<v Speaker 1>but my mother lost two sets of twins and three singles.

1:01:53.200 --> 1:01:58.520
<v Speaker 1>You know. Uh, she was bound and determined to have kids.

1:01:59.000 --> 1:02:02.600
<v Speaker 1>And when my dad died, I was nine years old,

1:02:02.880 --> 1:02:06.720
<v Speaker 1>and there were four of us in the family. My stepdad,

1:02:08.040 --> 1:02:13.040
<v Speaker 1>Reginald Russell, Fortune with a great guy. He married. My

1:02:13.200 --> 1:02:16.280
<v Speaker 1>mother was a couple of years after my dad died

1:02:17.480 --> 1:02:22.640
<v Speaker 1>and she lost a baby with him, and then had

1:02:22.760 --> 1:02:26.720
<v Speaker 1>to my sister Julie, and my brother Jimmy, God rest

1:02:26.800 --> 1:02:32.520
<v Speaker 1>Jimmy soul. And we never looked at each other as um,

1:02:33.120 --> 1:02:36.600
<v Speaker 1>half this or half that, or step children or you know.

1:02:36.960 --> 1:02:43.240
<v Speaker 1>I called Reginald his his brother couldn't say Reginald. When

1:02:43.280 --> 1:02:47.000
<v Speaker 1>they were small, he called him pege, so we called him,

1:02:47.440 --> 1:02:50.320
<v Speaker 1>uh pege, and I called him Dad because I want

1:02:50.400 --> 1:02:55.560
<v Speaker 1>him to know that I accepted him as that role

1:02:55.800 --> 1:03:01.280
<v Speaker 1>in our family. And my brother Ricky is a guitar player,

1:03:01.400 --> 1:03:06.360
<v Speaker 1>hell of a guitar player. My sisters all sing they

1:03:06.760 --> 1:03:13.800
<v Speaker 1>all good singers, and uh, they're still sucking air. And

1:03:14.320 --> 1:03:17.160
<v Speaker 1>you know, except for Jimmy, and he had a stroke

1:03:18.280 --> 1:03:22.000
<v Speaker 1>and we miss him, and uh and Page he died

1:03:23.360 --> 1:03:27.400
<v Speaker 1>he had a uh stroke as well, I mean later

1:03:27.480 --> 1:03:32.040
<v Speaker 1>in the years and uh and we miss him. But

1:03:33.280 --> 1:03:38.280
<v Speaker 1>we're still uh sucking Aaron and proud to be family.

1:03:38.440 --> 1:03:40.800
<v Speaker 1>And you were growing up going to school, go to

1:03:40.880 --> 1:03:44.960
<v Speaker 1>public school, parochial school, have a lot of friends where

1:03:44.960 --> 1:03:47.640
<v Speaker 1>you're good or bad. In school. Public school had a

1:03:47.720 --> 1:03:52.480
<v Speaker 1>lot of friends. And once the music started when I

1:03:52.640 --> 1:03:57.320
<v Speaker 1>was fifteen years old, was I started playing guitar, it

1:03:57.480 --> 1:04:03.439
<v Speaker 1>kind of really slid downhill for me because I I thought,

1:04:04.280 --> 1:04:08.320
<v Speaker 1>I'm I don't want to do anything but play music. Uh.

1:04:08.560 --> 1:04:12.040
<v Speaker 1>When I would go out and play music with whoever

1:04:12.120 --> 1:04:14.840
<v Speaker 1>it was, I would play with these guys. Those guys

1:04:15.520 --> 1:04:18.800
<v Speaker 1>I had several different groups that I would go out

1:04:18.880 --> 1:04:22.120
<v Speaker 1>with and we would pass the hat to get enough

1:04:22.240 --> 1:04:24.680
<v Speaker 1>gas money to get home. That's all we really were

1:04:24.760 --> 1:04:28.280
<v Speaker 1>concerned about was just getting back home. So we were

1:04:28.360 --> 1:04:30.960
<v Speaker 1>having a good time. And I didn't realize at the time,

1:04:31.040 --> 1:04:33.800
<v Speaker 1>but it was learning in the chops. It was learning

1:04:33.880 --> 1:04:38.000
<v Speaker 1>to belt out those songs and learning that when I

1:04:38.040 --> 1:04:41.440
<v Speaker 1>would hit those high notes, hey, you know, get up there. Uh,

1:04:41.800 --> 1:04:45.080
<v Speaker 1>people really would turn their heads around. So I would

1:04:45.760 --> 1:04:49.840
<v Speaker 1>visit that more often even, you know, just to get

1:04:49.920 --> 1:04:56.000
<v Speaker 1>some heads turning. And uh. When in in school to

1:04:56.160 --> 1:05:01.200
<v Speaker 1>high school, Um, I went to Cursionally High it was

1:05:02.200 --> 1:05:07.720
<v Speaker 1>Class B school and uh, there was a Catholic school

1:05:08.800 --> 1:05:12.640
<v Speaker 1>down the road that it was Holy Rosary and at

1:05:12.920 --> 1:05:18.760
<v Speaker 1>lunch hour, Um, these Holy Rosary students would come up

1:05:18.800 --> 1:05:21.920
<v Speaker 1>and finish the day at the high school. They started

1:05:21.960 --> 1:05:24.720
<v Speaker 1>the morning at Holy Rosary and then they came up

1:05:25.720 --> 1:05:30.920
<v Speaker 1>and I wasn't playing football at this time because I

1:05:31.080 --> 1:05:35.120
<v Speaker 1>had received some injuries. And the doctors told my mother,

1:05:35.920 --> 1:05:38.040
<v Speaker 1>Mark's not going to be able to play anymore ball.

1:05:38.160 --> 1:05:40.920
<v Speaker 1>He's not going to be able to run track, so

1:05:42.280 --> 1:05:44.840
<v Speaker 1>you know, you're gonna have to find something else for

1:05:44.920 --> 1:05:48.040
<v Speaker 1>him to do. And that's when she got me the

1:05:48.120 --> 1:05:51.320
<v Speaker 1>guitar lessons. She knew that I loved to hear my

1:05:51.560 --> 1:05:54.920
<v Speaker 1>name called out on that loud spo that was that

1:05:55.120 --> 1:05:57.640
<v Speaker 1>was far her number sixty in on the tackle and

1:05:58.240 --> 1:06:00.760
<v Speaker 1>I mean I would go prance in a cross that field.

1:06:01.000 --> 1:06:05.400
<v Speaker 1>So anyway, she knew that I needed something that way.

1:06:05.520 --> 1:06:07.520
<v Speaker 1>So I blame it on her that I got started

1:06:07.560 --> 1:06:12.000
<v Speaker 1>on a guitar. And here it is two years later,

1:06:13.480 --> 1:06:17.680
<v Speaker 1>the Holy Rosary kids are coming in and the football coach,

1:06:18.640 --> 1:06:22.360
<v Speaker 1>who kind of was pissed at me because when I

1:06:22.520 --> 1:06:27.640
<v Speaker 1>quit playing ball, so did about half the team. We

1:06:27.800 --> 1:06:31.040
<v Speaker 1>just hung together. We were friends, and they said, man,

1:06:31.080 --> 1:06:33.680
<v Speaker 1>if you ain't playing, we ain't playing. You know, we're

1:06:33.760 --> 1:06:36.640
<v Speaker 1>just hanged together. And so he was kind of pissed

1:06:36.640 --> 1:06:42.800
<v Speaker 1>about that. And as the Holy Rosary bus pulls up,

1:06:43.720 --> 1:06:46.080
<v Speaker 1>he looks over at me and I'm standing with like

1:06:46.280 --> 1:06:50.080
<v Speaker 1>three of my friends around the radiator, uh, where the

1:06:50.160 --> 1:06:53.840
<v Speaker 1>heat was coming out. Um, and that's where we hung

1:06:53.880 --> 1:06:58.320
<v Speaker 1>out during the lunch hour. And uh. He says, Farner,

1:06:58.440 --> 1:07:01.600
<v Speaker 1>move your boys, and it made me feel like, oh,

1:07:01.680 --> 1:07:04.320
<v Speaker 1>are you kidding me? These ain't my boys? And I

1:07:04.400 --> 1:07:08.280
<v Speaker 1>said that to him. I said, I said, Mr, these

1:07:08.320 --> 1:07:12.920
<v Speaker 1>are not my boys. These these are your students. And

1:07:13.120 --> 1:07:17.320
<v Speaker 1>he came over. He grabs me by the shirt and

1:07:17.440 --> 1:07:20.320
<v Speaker 1>he throws me up against the wall and my head

1:07:20.560 --> 1:07:25.560
<v Speaker 1>ricochets off this brass picture frame of the superintendent of

1:07:25.760 --> 1:07:28.920
<v Speaker 1>schools that was there at had had the light on

1:07:29.080 --> 1:07:33.560
<v Speaker 1>the top. And I reached back and I feel my

1:07:33.760 --> 1:07:36.120
<v Speaker 1>head because it was man, it was hurt like hell.

1:07:37.080 --> 1:07:39.160
<v Speaker 1>I reached back and I feel and I will, oh,

1:07:39.960 --> 1:07:44.120
<v Speaker 1>is that wet? And I bring my hand down and

1:07:44.280 --> 1:07:48.200
<v Speaker 1>I look and there's blood all over my hand. And

1:07:49.000 --> 1:07:52.720
<v Speaker 1>at that moment, I was so pissed at this teacher

1:07:53.120 --> 1:07:55.760
<v Speaker 1>that I bam. I smacked him right in the eye

1:07:55.920 --> 1:08:00.920
<v Speaker 1>and down he went. And I had rings on that

1:08:01.240 --> 1:08:06.440
<v Speaker 1>hand and when I hit his eye like that, it

1:08:07.200 --> 1:08:11.840
<v Speaker 1>unzipped his eyebrow and the skin fell down over his eye,

1:08:13.160 --> 1:08:15.720
<v Speaker 1>and he was he stood up and he was throwing

1:08:15.800 --> 1:08:18.200
<v Speaker 1>haymakers at me, but he couldn't see me because he

1:08:18.280 --> 1:08:21.840
<v Speaker 1>had skin in his eye. And I was ducking duck,

1:08:21.920 --> 1:08:24.320
<v Speaker 1>and I was timing it out, and I was gonna

1:08:24.560 --> 1:08:28.280
<v Speaker 1>nail him again. As as I draw back, like I'm

1:08:28.280 --> 1:08:32.000
<v Speaker 1>gonna hit him, my friend Derry Speck, God bless him.

1:08:32.280 --> 1:08:35.160
<v Speaker 1>He grabs my army, says, Figer, you're in so much

1:08:35.240 --> 1:08:38.479
<v Speaker 1>trouble already, don't hit him again. Jesus, what's the matter

1:08:38.560 --> 1:08:40.879
<v Speaker 1>with you? Are you idiot? You know? And he drags

1:08:40.960 --> 1:08:45.840
<v Speaker 1>me off, and uh. I go back in front of

1:08:45.840 --> 1:08:50.360
<v Speaker 1>the school board with an attorney to get back in school,

1:08:51.120 --> 1:08:54.400
<v Speaker 1>and this teacher who had the stitches up in his

1:08:55.479 --> 1:08:59.840
<v Speaker 1>eyebrow there he's sitting across the table glaring at me,

1:09:01.320 --> 1:09:04.360
<v Speaker 1>and the school boarders saying trying to decide whether or

1:09:04.400 --> 1:09:07.880
<v Speaker 1>not they want to let me back in school. My

1:09:08.000 --> 1:09:11.000
<v Speaker 1>attorney and my attorney, and he was supposed to have

1:09:11.080 --> 1:09:14.360
<v Speaker 1>been a friend of the family. But when they mentioned

1:09:14.400 --> 1:09:16.519
<v Speaker 1>that I had long hair and I was using v

1:09:16.680 --> 1:09:21.960
<v Speaker 1>O five to you know, plaster it back. Uh, he says, yeah,

1:09:22.200 --> 1:09:25.720
<v Speaker 1>he does have those long sideburns. To my attorney says this.

1:09:26.680 --> 1:09:30.920
<v Speaker 1>So I was so pissed. Uh this this teacher who

1:09:31.040 --> 1:09:36.320
<v Speaker 1>was algebra, algebra teacher and football coach. He says, let

1:09:36.400 --> 1:09:38.920
<v Speaker 1>me tell you something. If you let this kid back

1:09:39.000 --> 1:09:44.599
<v Speaker 1>in school, I quit And so I stand up. I said,

1:09:44.600 --> 1:09:47.160
<v Speaker 1>I'll make it easy on you, and I walk out

1:09:49.080 --> 1:09:52.880
<v Speaker 1>because they were not going to fire him. Uh, and

1:09:52.920 --> 1:09:55.280
<v Speaker 1>they were not going to let him go. And I

1:09:55.320 --> 1:09:58.559
<v Speaker 1>could see the writing on the wall. And so as

1:09:58.640 --> 1:10:02.360
<v Speaker 1>I'm walking down the road, this attorney pulls up behind

1:10:02.520 --> 1:10:07.800
<v Speaker 1>me and then uh, after the traffic went by, he

1:10:08.040 --> 1:10:10.960
<v Speaker 1>rolls his window, pulls up alongst that he says, get in, Mark,

1:10:11.600 --> 1:10:14.080
<v Speaker 1>get in. I'll take you home. I said, do you

1:10:14.200 --> 1:10:19.559
<v Speaker 1>want to look like that algebra teacher? I said, if

1:10:19.600 --> 1:10:21.800
<v Speaker 1>I get in that car, I'm gonna punch you into

1:10:21.840 --> 1:10:26.840
<v Speaker 1>your face. And so he just away he went, and

1:10:26.960 --> 1:10:31.320
<v Speaker 1>I walked the rest of the way home. I um

1:10:31.800 --> 1:10:36.360
<v Speaker 1>got into summer school. I started doing nights nights school

1:10:37.800 --> 1:10:42.000
<v Speaker 1>and it was interfering with my ability to go play

1:10:42.240 --> 1:10:45.439
<v Speaker 1>music and to make money. And I told my parents,

1:10:45.520 --> 1:10:49.479
<v Speaker 1>I said, I think you know it's more important that

1:10:49.640 --> 1:10:53.800
<v Speaker 1>I make money now, and and put it together because

1:10:53.840 --> 1:10:56.240
<v Speaker 1>I got a car. I gotta you know, I got

1:10:56.320 --> 1:10:58.519
<v Speaker 1>things I got and I need the money for in

1:10:58.640 --> 1:11:02.000
<v Speaker 1>this school, the schooling has taken it away from me.

1:11:02.160 --> 1:11:06.200
<v Speaker 1>So uh, you know, I would like to quit it

1:11:06.280 --> 1:11:10.200
<v Speaker 1>with your blessings and and continue in my music. They said, son,

1:11:10.320 --> 1:11:13.800
<v Speaker 1>you just do what your heart is leading you to do. Yeah.

1:11:20.680 --> 1:11:23.519
<v Speaker 1>How did you go from there to end up working

1:11:23.600 --> 1:11:26.280
<v Speaker 1>with Terry Knight? What were the steps there? Terry Knight

1:11:26.640 --> 1:11:29.760
<v Speaker 1>was a DJ and he started as C. K l

1:11:30.000 --> 1:11:33.519
<v Speaker 1>W in Windsor, Ontario, and then he was working at

1:11:33.680 --> 1:11:36.479
<v Speaker 1>W T A C in Flint, Michigan, A A M

1:11:36.600 --> 1:11:42.240
<v Speaker 1>Stations and he uh, he wanted to put together a

1:11:42.320 --> 1:11:48.479
<v Speaker 1>band because he had written some songs. And Don Brewer

1:11:48.760 --> 1:11:54.559
<v Speaker 1>and uh Kurt Johnson and Al Pippins, Bobby call Well

1:11:54.840 --> 1:11:59.639
<v Speaker 1>they were all in the pack and and HERM. Jackson

1:12:01.160 --> 1:12:05.840
<v Speaker 1>got the bass player got drafted and they said, hey,

1:12:05.920 --> 1:12:10.000
<v Speaker 1>can you play bass guitar? I said, well, it's got

1:12:10.160 --> 1:12:12.599
<v Speaker 1>only got four strings and I'm playing a six string

1:12:12.680 --> 1:12:15.679
<v Speaker 1>now I know, I said, I think I could probably

1:12:15.720 --> 1:12:20.840
<v Speaker 1>do it. Uh. So I tried out and I made

1:12:20.880 --> 1:12:22.840
<v Speaker 1>the band because I could sing, I could do all

1:12:22.920 --> 1:12:28.120
<v Speaker 1>the harmony. Parts and playing bass. It came a little

1:12:28.200 --> 1:12:34.960
<v Speaker 1>easier for me because I played tuba in the marching

1:12:35.080 --> 1:12:39.720
<v Speaker 1>band before I got into playing football, so I had

1:12:39.800 --> 1:12:42.920
<v Speaker 1>that feel, the base kind of feel and uh, and

1:12:43.000 --> 1:12:46.080
<v Speaker 1>it just worked out for me. Okay, how many years

1:12:46.320 --> 1:12:49.080
<v Speaker 1>after you quit school? Was it before you got into

1:12:49.200 --> 1:12:51.640
<v Speaker 1>Terry Knight in the back? It was two years? And

1:12:51.680 --> 1:12:54.280
<v Speaker 1>in those two years you were just digging with various bands.

1:12:54.320 --> 1:12:56.680
<v Speaker 1>What was happening? Yeah, I was playing. I played with

1:12:57.760 --> 1:13:01.479
<v Speaker 1>Dick Wagner and the Bossman. How'd you know Dick? Well,

1:13:01.680 --> 1:13:04.680
<v Speaker 1>Dick Wagner. Of course I would go and see them

1:13:04.720 --> 1:13:07.599
<v Speaker 1>because they were a fabulous band, and they would come

1:13:07.640 --> 1:13:11.080
<v Speaker 1>and play the Riviera Terrorists in Flint, Michigan, and they

1:13:11.080 --> 1:13:13.280
<v Speaker 1>would just tear it up. And they were a show band.

1:13:13.360 --> 1:13:15.560
<v Speaker 1>They didn't just you know, stand at the microphone and

1:13:15.640 --> 1:13:17.320
<v Speaker 1>saying they were all over the stage. You were a

1:13:17.400 --> 1:13:21.320
<v Speaker 1>show band. And I always admired them for, you know,

1:13:21.520 --> 1:13:24.759
<v Speaker 1>for what they did, especially Dick for having the ability

1:13:24.800 --> 1:13:30.040
<v Speaker 1>to write all those songs. So uh, he asked me,

1:13:30.280 --> 1:13:33.160
<v Speaker 1>Dick Wagner asked me if I wanted to to come

1:13:33.240 --> 1:13:37.599
<v Speaker 1>and join his band and uh and play out with him.

1:13:37.600 --> 1:13:40.240
<v Speaker 1>And I went wow, and Dad be great man, Are

1:13:40.280 --> 1:13:44.360
<v Speaker 1>you kidding me? So? And in fact that my first

1:13:44.400 --> 1:13:48.160
<v Speaker 1>song that I had ever written, Heartbreaker, came as a

1:13:48.280 --> 1:13:51.840
<v Speaker 1>result of one night Dick Wagner and I sat up

1:13:51.920 --> 1:13:54.760
<v Speaker 1>after a gig that we played in northern Michigan. We

1:13:54.920 --> 1:13:59.800
<v Speaker 1>sat up in his UH studio in Saginaw, and we

1:14:00.000 --> 1:14:03.200
<v Speaker 1>were playing our electric guitars reel, you know, not plugged in,

1:14:03.560 --> 1:14:06.519
<v Speaker 1>just and and electric guitars are not very loud if

1:14:06.520 --> 1:14:09.599
<v Speaker 1>they're not plugged in. So his wife and kids are

1:14:09.640 --> 1:14:12.920
<v Speaker 1>in the other room sleeping, and I he showing me

1:14:13.040 --> 1:14:16.519
<v Speaker 1>some chord inversions and and I said, Dick, can you

1:14:16.680 --> 1:14:19.599
<v Speaker 1>tell me how do you write all of these songs?

1:14:20.200 --> 1:14:23.280
<v Speaker 1>He says it comes from within Mark. He says, you

1:14:23.400 --> 1:14:26.599
<v Speaker 1>got it in you. I said I do. He says yeah,

1:14:26.960 --> 1:14:29.360
<v Speaker 1>he says you can write songs. He goes to bed.

1:14:29.760 --> 1:14:32.760
<v Speaker 1>I stay up and I write Heartbreaker. That was my

1:14:32.920 --> 1:14:37.679
<v Speaker 1>inspiration when Herm was the Herm Jackson, the bass player

1:14:37.720 --> 1:14:40.439
<v Speaker 1>of Terry Knight in the Pack was drafted. It was.

1:14:41.240 --> 1:14:45.200
<v Speaker 1>It was right at at the end of my run

1:14:45.600 --> 1:14:48.840
<v Speaker 1>with Dick Wagner and the Bossman. And I say the

1:14:48.960 --> 1:14:55.360
<v Speaker 1>end of it because the keyboard player Warren Keith got

1:14:55.439 --> 1:15:02.080
<v Speaker 1>an opportunity to play with Hank Williams junior year, and

1:15:02.720 --> 1:15:05.640
<v Speaker 1>what are you gonna do? You're gonna go play with

1:15:05.760 --> 1:15:10.240
<v Speaker 1>Hank so um At that time the band kind of

1:15:10.280 --> 1:15:17.120
<v Speaker 1>split apart and and Dick Wagner formed UM, a different

1:15:17.360 --> 1:15:23.400
<v Speaker 1>rock band in in Michigan, the Frost with you know,

1:15:24.240 --> 1:15:30.080
<v Speaker 1>with some great musicians and they are the pack because

1:15:30.120 --> 1:15:34.080
<v Speaker 1>of Herman's you know, being drafted. They asked me if

1:15:34.280 --> 1:15:38.560
<v Speaker 1>I had come and play bass with him, so and

1:15:38.840 --> 1:15:44.519
<v Speaker 1>I I took to the base. I loved playing and singing,

1:15:45.080 --> 1:15:49.680
<v Speaker 1>but Don and I both thought that either one of

1:15:49.760 --> 1:15:54.519
<v Speaker 1>us could have sung better then Terry did. And what

1:15:54.720 --> 1:15:59.760
<v Speaker 1>he what Terry really had going for him was a

1:16:00.040 --> 1:16:04.040
<v Speaker 1>lift of gab. He could, he could talk to about anybody,

1:16:04.600 --> 1:16:11.639
<v Speaker 1>and he really had a schmoozing personality. So one night

1:16:11.760 --> 1:16:15.679
<v Speaker 1>after a gig and and Terry wasn't hitting his notes

1:16:15.920 --> 1:16:20.840
<v Speaker 1>very good, and and Don and I were just kind of, man,

1:16:22.520 --> 1:16:25.040
<v Speaker 1>why are we doing this? That we were both kind

1:16:25.040 --> 1:16:28.760
<v Speaker 1>of bummed out because like I said, either one of

1:16:28.840 --> 1:16:33.639
<v Speaker 1>us could sing better than Terry h and we were

1:16:33.680 --> 1:16:36.320
<v Speaker 1>seeing this was just feeding his ego and he was

1:16:37.360 --> 1:16:42.360
<v Speaker 1>he was you know blowing up kind of blowing up

1:16:42.400 --> 1:16:48.840
<v Speaker 1>from it, and so I said, well, you know, why

1:16:48.880 --> 1:16:53.760
<v Speaker 1>don't we just have the pack without Terry night Brewer goes,

1:16:54.200 --> 1:16:58.000
<v Speaker 1>I'm in it, dude, I am in it. Let's fire

1:16:58.080 --> 1:17:01.920
<v Speaker 1>that s o b it's up. So we did. We

1:17:02.120 --> 1:17:05.200
<v Speaker 1>fired him that we're going out as a pack, and

1:17:05.320 --> 1:17:07.280
<v Speaker 1>we did. We went out as the pack. We went

1:17:07.320 --> 1:17:12.519
<v Speaker 1>out as the Fabulous Pack. Uh where I was just

1:17:13.760 --> 1:17:17.519
<v Speaker 1>uh stand up lead singer in the Fabulous Pack. It

1:17:17.680 --> 1:17:21.720
<v Speaker 1>was this was just before Grand Funk, and we had

1:17:21.840 --> 1:17:28.559
<v Speaker 1>Kenny Rich, guitar player from Canada Windsor, Ontario. Um played

1:17:28.600 --> 1:17:31.720
<v Speaker 1>with steel picks on his fingers and he did a

1:17:31.800 --> 1:17:34.960
<v Speaker 1>lot of this backpick and stuff. And we had Craig

1:17:35.000 --> 1:17:40.320
<v Speaker 1>Frost on keyboards, and we had Rod Lester on basse

1:17:41.240 --> 1:17:45.280
<v Speaker 1>Don on drums, and of course myself stand up singer.

1:17:46.120 --> 1:17:49.040
<v Speaker 1>And the Delta Promotions who was doing some of our

1:17:49.120 --> 1:17:54.200
<v Speaker 1>booking for us. They said, there's an opportunity that's opened

1:17:54.280 --> 1:17:58.240
<v Speaker 1>up here where we could send you guys out to Boston,

1:17:58.760 --> 1:18:04.320
<v Speaker 1>but you'd have to play these gigs for free, no money,

1:18:05.479 --> 1:18:08.200
<v Speaker 1>and we would They said, we would handle all of

1:18:08.320 --> 1:18:12.640
<v Speaker 1>your expenses. We'll make sure that you're fed, and you

1:18:12.720 --> 1:18:14.720
<v Speaker 1>know you're not gonna die out there. We'll take care

1:18:14.720 --> 1:18:17.840
<v Speaker 1>of it, we'll put you up, but you've got to

1:18:17.880 --> 1:18:21.160
<v Speaker 1>do this stuff for free. And we looked at each other, said, well,

1:18:21.240 --> 1:18:24.000
<v Speaker 1>what the hell. It'll get us out of Flint, you know.

1:18:24.479 --> 1:18:30.240
<v Speaker 1>So we go out to East Sandwich, Cape Cod. We

1:18:30.400 --> 1:18:34.960
<v Speaker 1>get two of these little cabins on the beach. Uh.

1:18:35.200 --> 1:18:38.200
<v Speaker 1>And this is the first time us Michigan boys had

1:18:38.240 --> 1:18:44.040
<v Speaker 1>ever seen an ocean. So we went out and you know,

1:18:44.320 --> 1:18:48.040
<v Speaker 1>we're picking up all the starfish and picking up all

1:18:48.120 --> 1:18:51.559
<v Speaker 1>the seashells, and oh man, each one of us had

1:18:51.680 --> 1:18:54.640
<v Speaker 1>bags of this stuff, and we put them in the

1:18:54.720 --> 1:18:58.960
<v Speaker 1>crawl space under these little summer cottages that were out there.

1:18:59.640 --> 1:19:02.920
<v Speaker 1>And then and wouldn't you know it, the worst snowstorm

1:19:03.000 --> 1:19:06.599
<v Speaker 1>in the history of the world hits the East Coast.

1:19:07.400 --> 1:19:13.519
<v Speaker 1>Oh my god, in sixty there it's sucked in them

1:19:14.160 --> 1:19:18.080
<v Speaker 1>this little space heaters that they had. Uh, we're not much.

1:19:18.120 --> 1:19:20.160
<v Speaker 1>I wouldn't wouldn't heat the whole house. You had to

1:19:20.200 --> 1:19:22.800
<v Speaker 1>be right next to it to feel any heat. The

1:19:22.920 --> 1:19:27.360
<v Speaker 1>pipes had all frozen, the all the starfish and things

1:19:27.400 --> 1:19:30.280
<v Speaker 1>that we were going to take back to Michigan. Uh.

1:19:30.479 --> 1:19:34.960
<v Speaker 1>We're frozen in ice down in the crawl space, the

1:19:35.120 --> 1:19:41.599
<v Speaker 1>pipes being frozen. We didn't have a functioning toilet, brother, Bob, Uh,

1:19:42.840 --> 1:19:46.800
<v Speaker 1>you know, no tap water, So we would take a

1:19:47.240 --> 1:19:50.880
<v Speaker 1>pan scoop snow come in and melt it down for

1:19:51.040 --> 1:19:54.120
<v Speaker 1>drinking water. For the water that we used to make

1:19:54.200 --> 1:19:57.800
<v Speaker 1>our oatmeal, which was the only thing we had for

1:19:57.880 --> 1:19:59.960
<v Speaker 1>the last week we were there. We didn't have any

1:20:00.040 --> 1:20:03.080
<v Speaker 1>sugar to put on it. We didn't have any milk

1:20:03.320 --> 1:20:08.160
<v Speaker 1>or you know, anything to put in that oatmeal, just oatmeal. Uh.

1:20:08.600 --> 1:20:12.040
<v Speaker 1>And and then happened to melt down the water, uh,

1:20:12.200 --> 1:20:13.920
<v Speaker 1>you know, the snow to make the water to wash

1:20:14.000 --> 1:20:16.960
<v Speaker 1>the dishes. And I mean it was really a pain,

1:20:17.880 --> 1:20:22.080
<v Speaker 1>even to the point of you know, each one of us.

1:20:22.560 --> 1:20:24.640
<v Speaker 1>Once in a while we got to do a number two, right.

1:20:25.280 --> 1:20:29.679
<v Speaker 1>So we had these this old kitchen chair that didn't

1:20:29.720 --> 1:20:33.479
<v Speaker 1>have a seat in it, uh, and that was our

1:20:33.840 --> 1:20:37.680
<v Speaker 1>little potty. We would put a paper bag underneath that

1:20:37.840 --> 1:20:40.519
<v Speaker 1>with the plastic in the bottom of it and do

1:20:40.680 --> 1:20:43.439
<v Speaker 1>our thing, roll that paper bag up and go out

1:20:43.479 --> 1:20:47.519
<v Speaker 1>and bury it in a snow. Bang. That was it, dude.

1:20:47.640 --> 1:20:54.080
<v Speaker 1>And thank God for the The store at East Sandwich, Massachusetts,

1:20:54.160 --> 1:20:56.280
<v Speaker 1>We didn't have any money to buy anything. But the

1:20:56.360 --> 1:21:00.840
<v Speaker 1>guy would give us paper bags. He would give us

1:21:00.840 --> 1:21:04.479
<v Speaker 1>a little stack of paper bags, and that got us through.

1:21:05.240 --> 1:21:09.880
<v Speaker 1>And Don's mother we end up uh using the guy's

1:21:09.960 --> 1:21:11.800
<v Speaker 1>phone up there. When it finally got to where it

1:21:11.880 --> 1:21:14.880
<v Speaker 1>was working, the phones were down. I mean, there was

1:21:14.920 --> 1:21:20.599
<v Speaker 1>no communication. And we were there for got ten days.

1:21:21.040 --> 1:21:26.280
<v Speaker 1>You know. It was just horrible. Uh. But but Don

1:21:26.439 --> 1:21:31.080
<v Speaker 1>called his mother and she Western Unions the money too

1:21:31.600 --> 1:21:34.080
<v Speaker 1>for us to go rent this van. She was a

1:21:34.120 --> 1:21:38.360
<v Speaker 1>school teacher in Swarts Creek, Michigan, and she Western Union

1:21:38.439 --> 1:21:42.200
<v Speaker 1>the money to us, and Don you know, told her

1:21:42.240 --> 1:21:45.160
<v Speaker 1>we al pay her back and everything. So we got

1:21:45.240 --> 1:21:48.960
<v Speaker 1>the van. We rented. This is before the credit cards, man,

1:21:49.040 --> 1:21:53.160
<v Speaker 1>this was cash. So we rented. We put all of

1:21:53.200 --> 1:21:56.439
<v Speaker 1>our equipment in the van, came back to Michigan. We

1:21:56.720 --> 1:21:58.960
<v Speaker 1>drive up the Bay City because we want to give

1:21:59.640 --> 1:22:03.960
<v Speaker 1>Key a piece of our mind. We found out that

1:22:04.960 --> 1:22:09.759
<v Speaker 1>we were getting paid for those gigs three fifty dollars

1:22:09.800 --> 1:22:11.960
<v Speaker 1>a night, and back then that was not bad pay

1:22:12.120 --> 1:22:17.720
<v Speaker 1>for you know, garage band three piece. Uh. But anyways, Uh,

1:22:18.600 --> 1:22:22.479
<v Speaker 1>we were in the outer offices and that's when uh,

1:22:23.240 --> 1:22:25.680
<v Speaker 1>we had already determined we were going to do a

1:22:25.760 --> 1:22:29.360
<v Speaker 1>three piece thing, and we're going to go in and

1:22:29.640 --> 1:22:33.599
<v Speaker 1>tell this guy Keyhole, uh that we knew we got

1:22:33.680 --> 1:22:38.360
<v Speaker 1>paid and we want our money, you know. But during

1:22:38.479 --> 1:22:43.120
<v Speaker 1>that waiting time in the out in that waiting room there,

1:22:43.600 --> 1:22:45.920
<v Speaker 1>that's when we heard the base coming through the wall.

1:22:46.000 --> 1:22:48.600
<v Speaker 1>I didn't know it was Mel. I didn't know what

1:22:48.680 --> 1:22:51.400
<v Speaker 1>was question Mark and the Mysterions in that room playing.

1:22:52.400 --> 1:22:55.040
<v Speaker 1>But when they took their break and mel walked out,

1:22:55.479 --> 1:23:00.320
<v Speaker 1>it was like, wow, oh Melvin, you know. Uh. I

1:23:00.400 --> 1:23:02.160
<v Speaker 1>told him what we were up to and he was

1:23:02.439 --> 1:23:07.839
<v Speaker 1>very much into it, and uh and the rest is history. Okay,

1:23:08.120 --> 1:23:11.640
<v Speaker 1>how long until Terry Knight becomes your manager? Why does

1:23:11.720 --> 1:23:15.040
<v Speaker 1>he become your manager? And what happens before you get

1:23:15.080 --> 1:23:18.040
<v Speaker 1>to Atlanta? When he starts promoting how successful you are?

1:23:18.360 --> 1:23:24.840
<v Speaker 1>Don Brewer had kept in touch with Terry Knight, and

1:23:25.760 --> 1:23:31.880
<v Speaker 1>Don Brewer came to the band and then he confesses, well,

1:23:31.960 --> 1:23:36.719
<v Speaker 1>I've been staying in touch with Terry, and he says

1:23:37.439 --> 1:23:40.000
<v Speaker 1>he could do us some good because he's got an

1:23:40.040 --> 1:23:42.559
<v Speaker 1>apartment in New York City. He's made some friends there,

1:23:42.600 --> 1:23:47.519
<v Speaker 1>he's got some connections, and I think we should let

1:23:47.600 --> 1:23:50.720
<v Speaker 1>him manage us. He wants to manage us. And I

1:23:50.880 --> 1:23:54.559
<v Speaker 1>thought for a minute, I said, he's gonna screw us Brewer.

1:23:55.680 --> 1:23:58.120
<v Speaker 1>He says, yeah, but it will at least we'll get

1:23:58.160 --> 1:24:04.240
<v Speaker 1>out of Flint, the Sable sable, you know. And I said, well,

1:24:04.800 --> 1:24:08.240
<v Speaker 1>let's hear what he's got to say. Anyways, And so

1:24:08.439 --> 1:24:14.920
<v Speaker 1>he came to Flint. He flew in. We we played

1:24:14.960 --> 1:24:17.960
<v Speaker 1>him some of the music that we were you know,

1:24:18.360 --> 1:24:22.720
<v Speaker 1>I was writing, we were putting together. And he says, oh,

1:24:22.800 --> 1:24:26.920
<v Speaker 1>this is great stuff. He says, uh, if you got

1:24:27.040 --> 1:24:31.160
<v Speaker 1>a name yet, We went no, you know, we've just

1:24:31.280 --> 1:24:35.240
<v Speaker 1>been playing for you know, two three weeks here. We

1:24:35.320 --> 1:24:38.519
<v Speaker 1>don't have a name yet. But he says, well, why

1:24:38.560 --> 1:24:42.600
<v Speaker 1>don't you name your band? Oh the name of my

1:24:42.800 --> 1:24:47.600
<v Speaker 1>song Grand Funk Railroad. And I thought, well, because the

1:24:47.680 --> 1:24:50.960
<v Speaker 1>Grand Trunk and Western is an actual railway system that

1:24:51.080 --> 1:24:58.200
<v Speaker 1>runs between Canada, you know, Ontario, Michigan and Ohio. Uh,

1:24:58.880 --> 1:25:01.680
<v Speaker 1>that that would be a great play off of a

1:25:01.840 --> 1:25:05.200
<v Speaker 1>very familiar name for US Michiganders and the people that

1:25:05.439 --> 1:25:10.760
<v Speaker 1>are familiar with the railway system. So we adopted that name.

1:25:11.560 --> 1:25:17.759
<v Speaker 1>And uh. The the attorneys for Terry in New York City,

1:25:18.800 --> 1:25:24.160
<v Speaker 1>Bell Doc and Kushnik Um, we're doing the legal work

1:25:24.640 --> 1:25:31.160
<v Speaker 1>for the Atlanta Pop Festival, which was on the fourth

1:25:31.160 --> 1:25:35.360
<v Speaker 1>of July. It was actually uh, I think it was

1:25:35.400 --> 1:25:38.800
<v Speaker 1>the third, fourth and fifth of July. And they worked

1:25:38.840 --> 1:25:43.240
<v Speaker 1>to deal with the promoters that we're doing uh putting

1:25:43.280 --> 1:25:47.400
<v Speaker 1>that on so that we could play because we are

1:25:47.600 --> 1:25:51.320
<v Speaker 1>Terry's band, that we could open that festival and we

1:25:51.400 --> 1:25:56.680
<v Speaker 1>would play for free and on all three days of

1:25:56.760 --> 1:26:02.760
<v Speaker 1>the festival. So when we left Flint, Michigan, how long

1:26:02.800 --> 1:26:06.280
<v Speaker 1>had the band been together before this happened, Oh, a

1:26:06.400 --> 1:26:08.960
<v Speaker 1>couple of months, and he played any gigs around town,

1:26:09.200 --> 1:26:13.839
<v Speaker 1>no play, no gigs. We did play the Hamburg County

1:26:14.160 --> 1:26:20.479
<v Speaker 1>Fair in New York up by Buffalo. That was actually

1:26:20.560 --> 1:26:25.000
<v Speaker 1>our first gig as a Grand Park Railroad and it

1:26:25.160 --> 1:26:29.240
<v Speaker 1>was in a tent and the people really loved it.

1:26:30.600 --> 1:26:33.519
<v Speaker 1>But it was, you know, all these music that was

1:26:33.600 --> 1:26:39.800
<v Speaker 1>on the first album. So on our way down to Atlanta,

1:26:41.600 --> 1:26:44.680
<v Speaker 1>the guy a jeep holland God Rest his soul. He

1:26:45.400 --> 1:26:48.200
<v Speaker 1>loaned his van, he had a window Vanish Chevy window

1:26:48.320 --> 1:26:53.000
<v Speaker 1>van and his driver, Jimmy, he loaned to the band

1:26:53.280 --> 1:26:55.439
<v Speaker 1>and we rented a U haul trailer and put all

1:26:55.479 --> 1:26:58.479
<v Speaker 1>of our equipment in the back and we headed to Atlanta.

1:26:59.240 --> 1:27:04.000
<v Speaker 1>And when we went through Toledo, and we were on

1:27:04.080 --> 1:27:08.240
<v Speaker 1>the other side of Toledo. Um, this was before I

1:27:08.400 --> 1:27:11.920
<v Speaker 1>seventy was finished. There was a lot of back roads

1:27:11.960 --> 1:27:13.760
<v Speaker 1>that you had to take, a lot of detours that

1:27:13.840 --> 1:27:16.200
<v Speaker 1>you had to take and get around. And we were

1:27:16.280 --> 1:27:20.080
<v Speaker 1>on one of those and it was just breaking daylight

1:27:21.120 --> 1:27:24.320
<v Speaker 1>and I was riding shotgun and I opened my eyes

1:27:24.680 --> 1:27:28.439
<v Speaker 1>and I see this sign coming at us. I se

1:27:29.439 --> 1:27:31.519
<v Speaker 1>and the arrows going to the right, and I know

1:27:31.720 --> 1:27:33.960
<v Speaker 1>that Jimmy's going way too fast. He ain't even seen

1:27:34.040 --> 1:27:37.559
<v Speaker 1>this sign. So I said, Jimmy, I seventy five goes

1:27:37.560 --> 1:27:41.400
<v Speaker 1>to the right, and he just jerks that wheel. I

1:27:41.439 --> 1:27:43.559
<v Speaker 1>guess he forgot he had a trailer on the back.

1:27:44.439 --> 1:27:48.759
<v Speaker 1>And the trailer rolls down through the dish. The safety

1:27:48.880 --> 1:27:54.080
<v Speaker 1>change snap and it's we were lucky that it didn't

1:27:54.120 --> 1:27:57.400
<v Speaker 1>flip the van over and you know, hurt us. But

1:27:59.200 --> 1:28:02.680
<v Speaker 1>we take all the equipment out of the van or

1:28:02.760 --> 1:28:07.560
<v Speaker 1>out of the trailer, and all the guys got on

1:28:07.800 --> 1:28:10.760
<v Speaker 1>the other side. We flipped this two wheel trailer back

1:28:10.880 --> 1:28:14.479
<v Speaker 1>over on its tires. We loaded back up with what

1:28:14.680 --> 1:28:18.960
<v Speaker 1>we can you know, see visibly is our equipment is

1:28:19.000 --> 1:28:24.320
<v Speaker 1>all broken up. The some of the chassiss of the amplifiers,

1:28:25.000 --> 1:28:30.439
<v Speaker 1>the transformers had ripped completely off the aluminum chassis, and

1:28:30.560 --> 1:28:34.719
<v Speaker 1>the wires were busted and cut and and we just said,

1:28:34.880 --> 1:28:37.320
<v Speaker 1>well to fix it when we get there. So we

1:28:37.439 --> 1:28:41.400
<v Speaker 1>throw everything in the trailer because we're running a little behind. Now,

1:28:42.640 --> 1:28:46.479
<v Speaker 1>we go down. As we're going down the expressway, this

1:28:46.960 --> 1:28:51.120
<v Speaker 1>tire passes up and I look back. I looked back

1:28:51.800 --> 1:28:55.519
<v Speaker 1>and there has sparked flying out from underneath the trailer.

1:28:55.600 --> 1:29:00.240
<v Speaker 1>I said, that's our tire. Then it goes bound, singing

1:29:00.280 --> 1:29:05.760
<v Speaker 1>across the expressway, uh over the northbound traffic and just

1:29:05.920 --> 1:29:08.920
<v Speaker 1>about hits the semi. If it wasn't if he wasn't

1:29:09.120 --> 1:29:12.000
<v Speaker 1>been paying attention, it would have went right through his windshield.

1:29:12.520 --> 1:29:16.960
<v Speaker 1>But it narrowly misses him and goes out into this field.

1:29:17.840 --> 1:29:21.800
<v Speaker 1>We run down there and retrieve that tire. We take

1:29:21.920 --> 1:29:26.120
<v Speaker 1>two lug bolts off the other side of the trailer.

1:29:27.040 --> 1:29:31.800
<v Speaker 1>We put it back together. The tires doing this. Bob, Yeah,

1:29:32.080 --> 1:29:35.040
<v Speaker 1>it's doing this, But we're only doing like twenty or

1:29:35.200 --> 1:29:39.080
<v Speaker 1>fifteen miles at the most, and going right down the

1:29:39.200 --> 1:29:44.479
<v Speaker 1>shoulder of the expressway. Well, luck would have it there

1:29:44.560 --> 1:29:47.000
<v Speaker 1>was a U haul trailer place at that first exit.

1:29:47.920 --> 1:29:51.040
<v Speaker 1>So we make the exchange of the trailer and we

1:29:51.120 --> 1:29:53.040
<v Speaker 1>get back on the road and we are hauling the

1:29:53.120 --> 1:29:57.679
<v Speaker 1>ass and we get to Atlanta just just a little

1:29:57.680 --> 1:30:01.000
<v Speaker 1>bit before we're supposed to get on open that trailer,

1:30:01.640 --> 1:30:04.479
<v Speaker 1>and here's all this equipment that's all messed up. The

1:30:04.560 --> 1:30:07.880
<v Speaker 1>speaker cabinets were still in one piece, but the amps

1:30:07.920 --> 1:30:12.320
<v Speaker 1>were all just like I said that, the transformers ripped

1:30:12.439 --> 1:30:16.559
<v Speaker 1>from the chassis. And these guys, we had two roadias

1:30:16.640 --> 1:30:19.080
<v Speaker 1>that were with us, and they're standing there like going,

1:30:19.280 --> 1:30:22.120
<v Speaker 1>what the hell are we gonna do? And so all

1:30:22.200 --> 1:30:27.720
<v Speaker 1>these other road eas from ten years after, uh, from

1:30:27.960 --> 1:30:31.200
<v Speaker 1>you know, the ten wheel drive, a lot of the

1:30:32.240 --> 1:30:34.559
<v Speaker 1>road eas I mean they're just hey, man, let's put

1:30:34.600 --> 1:30:36.760
<v Speaker 1>it together. You guys got to get on stage. So

1:30:36.960 --> 1:30:40.240
<v Speaker 1>you wouldn't believe the workbeat that happened in the last

1:30:40.920 --> 1:30:44.880
<v Speaker 1>like fifteen minutes. They were soldering wires back together. They

1:30:45.040 --> 1:30:49.439
<v Speaker 1>sat the transformers up on top of the heads. Uh

1:30:49.720 --> 1:30:51.519
<v Speaker 1>it was you know, there was a big hole where

1:30:51.560 --> 1:30:53.200
<v Speaker 1>it used to go, so they put them up on

1:30:53.360 --> 1:30:56.040
<v Speaker 1>top of the heads and they've got our stuff up

1:30:56.080 --> 1:31:00.360
<v Speaker 1>there and it worked. They just you know, color matched

1:31:00.400 --> 1:31:05.599
<v Speaker 1>the wires and it worked. Uh. And before taking the stage,

1:31:05.720 --> 1:31:09.840
<v Speaker 1>you only the idea of you know, the enormity of

1:31:09.920 --> 1:31:13.960
<v Speaker 1>this crowd was. We were looking out between the cracks

1:31:14.000 --> 1:31:16.880
<v Speaker 1>and the fence and you could see the first few rows.

1:31:17.000 --> 1:31:19.559
<v Speaker 1>You could see that it was they were having fun

1:31:19.680 --> 1:31:22.439
<v Speaker 1>and it was wide. I kept, I kept. I looked

1:31:22.479 --> 1:31:25.080
<v Speaker 1>down one side, I looked down the other way. Wow,

1:31:25.240 --> 1:31:28.639
<v Speaker 1>is this a big crowd. But I didn't realize until

1:31:28.760 --> 1:31:32.720
<v Speaker 1>we walked up and we were fifteen ft above this

1:31:32.840 --> 1:31:36.960
<v Speaker 1>crowd's head. And I looked at it was the ocean

1:31:37.160 --> 1:31:42.040
<v Speaker 1>of people, an ocean right out to pass the front

1:31:42.040 --> 1:31:45.720
<v Speaker 1>of house, way out to the horizon. It was like

1:31:46.120 --> 1:31:50.280
<v Speaker 1>just people everywhere. A hundred and eighty five thousand people,

1:31:50.439 --> 1:31:54.960
<v Speaker 1>I believe is the figure. And Uh, I looked over

1:31:55.080 --> 1:31:57.479
<v Speaker 1>at the at my guitar tech and I said, dude,

1:31:58.040 --> 1:32:01.160
<v Speaker 1>you wouldn't believe how bad I got a piss he said,

1:32:01.960 --> 1:32:04.280
<v Speaker 1>He says, put this thing on, man, you got work

1:32:04.400 --> 1:32:07.200
<v Speaker 1>to do it. So we went out. We gave him

1:32:07.240 --> 1:32:11.040
<v Speaker 1>our first album. We gave him all that music, and

1:32:11.520 --> 1:32:15.320
<v Speaker 1>UH did for an encore because they kept calling us back,

1:32:15.960 --> 1:32:20.120
<v Speaker 1>you know, they more and more so the promoter says,

1:32:20.479 --> 1:32:22.800
<v Speaker 1>you got another one. We said, yeah, we got one more.

1:32:23.680 --> 1:32:25.560
<v Speaker 1>So we go back and we give him Land of

1:32:25.640 --> 1:32:31.599
<v Speaker 1>a Thousand Dances Wilson picket style. And during the song,

1:32:32.880 --> 1:32:35.920
<v Speaker 1>I take my guitar off and throw it over to

1:32:36.040 --> 1:32:40.600
<v Speaker 1>the tech and I've got this Paisley print shirt that

1:32:40.760 --> 1:32:44.280
<v Speaker 1>I paid fifty bucks for that shirt back then. You know,

1:32:45.600 --> 1:32:48.280
<v Speaker 1>a hell of a lot of money. But it's sticking

1:32:48.360 --> 1:32:52.400
<v Speaker 1>to me. It's a see through Paisley print shirt, and

1:32:52.520 --> 1:32:56.880
<v Speaker 1>it's it's just got me constrained here, you know. So

1:32:57.400 --> 1:33:01.040
<v Speaker 1>I said, you know what, this this audience deserves this,

1:33:01.200 --> 1:33:05.519
<v Speaker 1>and I go I ripped the shirt off, and those

1:33:05.680 --> 1:33:09.360
<v Speaker 1>people jumped to their feet, are going yeah. I was like,

1:33:09.640 --> 1:33:13.000
<v Speaker 1>oh man, this party type and I go to dancing,

1:33:13.560 --> 1:33:17.560
<v Speaker 1>and uh, I knew that that really worked. Taking the

1:33:17.640 --> 1:33:22.840
<v Speaker 1>shirt off really worked. And so from that point on, uh,

1:33:23.880 --> 1:33:26.840
<v Speaker 1>I would go with just a vest on and to

1:33:26.920 --> 1:33:30.280
<v Speaker 1>take that vest off, like the second song, it was gone,

1:33:30.960 --> 1:33:36.160
<v Speaker 1>you know, And that started. Uh. We opened at twelve

1:33:36.280 --> 1:33:39.439
<v Speaker 1>noon the first day. The second day they put us

1:33:39.520 --> 1:33:42.960
<v Speaker 1>on at seven pm, and the last night of the

1:33:43.080 --> 1:33:47.400
<v Speaker 1>festival they had us on eleven o'clock with full lights.

1:33:48.400 --> 1:33:52.360
<v Speaker 1>We had and they loved us. The people absolutely loved us,

1:33:53.280 --> 1:33:56.120
<v Speaker 1>and uh that was a blessing from God. Man, I'm

1:33:56.160 --> 1:34:05.080
<v Speaker 1>telling you, yeh okay. You know, I was in the

1:34:05.520 --> 1:34:08.519
<v Speaker 1>New York radio market, and what I remember is these

1:34:08.720 --> 1:34:13.200
<v Speaker 1>radio ads about all these people thrilled in Atlanta, which

1:34:13.320 --> 1:34:16.439
<v Speaker 1>begs the question, I gotta believe that's Terry Knight. Would

1:34:16.479 --> 1:34:20.120
<v Speaker 1>you have made it without his intense promotion? I don't

1:34:20.160 --> 1:34:23.800
<v Speaker 1>think so. I mean it was Terry Knight that had

1:34:23.880 --> 1:34:27.160
<v Speaker 1>that gift of gam None of the band did, and

1:34:27.240 --> 1:34:31.639
<v Speaker 1>those attorney sure didn't. Uh. It was all that height

1:34:32.840 --> 1:34:40.400
<v Speaker 1>and uh, his ability two convince people that we were

1:34:40.400 --> 1:34:42.920
<v Speaker 1>going to be big, we were going to do it. Okay,

1:34:42.960 --> 1:34:44.519
<v Speaker 1>So how did you cut the first record? And how

1:34:44.560 --> 1:34:46.759
<v Speaker 1>did he end up being the producer? Well, we didn't

1:34:46.800 --> 1:34:49.320
<v Speaker 1>know any better. We didn't know any producers. We didn't

1:34:49.400 --> 1:34:53.040
<v Speaker 1>know that your manager didn't produce your records. We were

1:34:53.120 --> 1:34:58.320
<v Speaker 1>twenty years old about Mel was nineteen. Don and I

1:34:58.400 --> 1:35:03.400
<v Speaker 1>were twenty Mel was nineteen, and when we got the

1:35:04.600 --> 1:35:08.639
<v Speaker 1>you know, I got the idea, well we better put

1:35:08.760 --> 1:35:12.920
<v Speaker 1>this all this together in a record. Terry Uh knew

1:35:13.000 --> 1:35:17.080
<v Speaker 1>this gal who worked at a bank, and she was like, uh,

1:35:18.080 --> 1:35:23.320
<v Speaker 1>you know a big to do UM and and he

1:35:23.479 --> 1:35:26.760
<v Speaker 1>could get him the money that he needed to record us.

1:35:27.280 --> 1:35:31.480
<v Speaker 1>So we had her come to one of the engagements

1:35:31.560 --> 1:35:38.240
<v Speaker 1>that we played UM in Ohio and Uh, she saw

1:35:38.320 --> 1:35:43.680
<v Speaker 1>the band and she decided to finance the recording, and

1:35:45.200 --> 1:35:49.400
<v Speaker 1>of course he paid her back. And she she had

1:35:49.439 --> 1:35:52.559
<v Speaker 1>always come to the gigs whenever we were close enough,

1:35:53.400 --> 1:35:56.639
<v Speaker 1>and we've we always had a great relationship with her

1:35:56.840 --> 1:36:01.639
<v Speaker 1>because of her believing in US and and Terry getting

1:36:01.680 --> 1:36:06.360
<v Speaker 1>her to make that investment. And we recorded at Cleveland Recording.

1:36:07.240 --> 1:36:13.800
<v Speaker 1>Don Hammond down there had beautiful uh array. He had

1:36:13.840 --> 1:36:19.679
<v Speaker 1>every microphone known to man, and his whole thing. Don's

1:36:20.240 --> 1:36:24.040
<v Speaker 1>was don't eat Q the mix on the board. Don't

1:36:24.080 --> 1:36:28.759
<v Speaker 1>eat that. We'll get the microphone that that closely fits

1:36:28.840 --> 1:36:30.760
<v Speaker 1>it to where we don't have to use the e Q.

1:36:32.320 --> 1:36:38.640
<v Speaker 1>And that cut a lot of the noise floor out. Uh.

1:36:38.760 --> 1:36:41.479
<v Speaker 1>And when you got ears like Don Hammond had, oh

1:36:41.560 --> 1:36:44.960
<v Speaker 1>my god. Uh. He was very critical. He could he

1:36:45.040 --> 1:36:48.519
<v Speaker 1>could pick this stuff up. And Terry, uh, you know,

1:36:48.640 --> 1:36:51.799
<v Speaker 1>he produced, he he mixed it, he pushed the faders

1:36:51.920 --> 1:36:56.800
<v Speaker 1>up in the but Don was responsible more for the

1:36:56.960 --> 1:37:01.759
<v Speaker 1>tone of everything. And uh, and that's where we recorded

1:37:01.840 --> 1:37:04.240
<v Speaker 1>on an eight track. Scully, buddy, how did you get

1:37:04.240 --> 1:37:08.200
<v Speaker 1>the deal with Capital? It was after the Atlanta Pop Festival.

1:37:09.320 --> 1:37:13.519
<v Speaker 1>The there was a few Capital representatives there, you know,

1:37:13.640 --> 1:37:17.479
<v Speaker 1>with the various bands that were on Capitol and uh,

1:37:17.840 --> 1:37:25.360
<v Speaker 1>and Terry came back after the third night. He said, well,

1:37:26.000 --> 1:37:29.360
<v Speaker 1>you guys, we got some interest. Capitol Records is really

1:37:29.479 --> 1:37:32.960
<v Speaker 1>interested in you guys. I think I got a deal going. Well,

1:37:33.040 --> 1:37:36.800
<v Speaker 1>what he did was he made a production deal with

1:37:37.000 --> 1:37:43.080
<v Speaker 1>Capitol Records and signed us to his uh good Night Productions,

1:37:43.200 --> 1:37:48.960
<v Speaker 1>his company. He told us that the six percent that

1:37:49.080 --> 1:37:52.600
<v Speaker 1>we were splitting was more than the Beatles, Scott, so

1:37:53.520 --> 1:37:57.040
<v Speaker 1>the two percent I got, two percent, Don got, two percent,

1:37:57.200 --> 1:38:00.519
<v Speaker 1>Mel got was more than the Beatles got. We didn't know.

1:38:01.120 --> 1:38:05.519
<v Speaker 1>We're twenty year old kids. Uh. We said, wow, that's cool.

1:38:06.600 --> 1:38:09.519
<v Speaker 1>But we didn't realize that it was a production deal

1:38:09.640 --> 1:38:12.400
<v Speaker 1>or we you know, we didn't know anything about that.

1:38:12.520 --> 1:38:15.799
<v Speaker 1>We thought we were actually signed, uh you know, somehow

1:38:15.880 --> 1:38:22.600
<v Speaker 1>to the company. But that's what caused really, Um. The

1:38:22.760 --> 1:38:26.400
<v Speaker 1>breakup between Terry and Knight and us was it was

1:38:27.200 --> 1:38:30.479
<v Speaker 1>three years because they had this contract. Terry Knight had

1:38:30.560 --> 1:38:35.200
<v Speaker 1>us for three years exclusively and Uh, at the end

1:38:35.240 --> 1:38:37.439
<v Speaker 1>of that three years. We were in New York City.

1:38:37.479 --> 1:38:43.479
<v Speaker 1>We had just returned from Europe. We did uh Shafe

1:38:43.479 --> 1:38:47.519
<v Speaker 1>Stadium that summer. Uh you know, it was a big

1:38:47.640 --> 1:38:52.960
<v Speaker 1>year for us. And they said, you guys are in

1:38:53.280 --> 1:38:56.080
<v Speaker 1>uh in trouble with the I R S. We go,

1:38:56.520 --> 1:38:59.439
<v Speaker 1>what are you talking about? In trouble? We made all

1:38:59.560 --> 1:39:02.200
<v Speaker 1>kinds of Yeah, you made too much money. You you

1:39:02.360 --> 1:39:07.000
<v Speaker 1>owe over four hundred thousand dollars to the Infernal Revenue Service.

1:39:08.160 --> 1:39:11.640
<v Speaker 1>And I go, what how did this happen? I mean,

1:39:12.560 --> 1:39:16.280
<v Speaker 1>who's watching our books? Who's doing us? And he said, well,

1:39:16.400 --> 1:39:18.720
<v Speaker 1>you know, just as the price you pay when you're big.

1:39:19.720 --> 1:39:24.760
<v Speaker 1>And he says, but this is the attorney speaking. We

1:39:24.960 --> 1:39:29.479
<v Speaker 1>will loan you that money if you will resign another

1:39:29.680 --> 1:39:36.040
<v Speaker 1>three year contract with Terry Knight. And I looked at

1:39:36.200 --> 1:39:39.200
<v Speaker 1>Don and Melt. I said, look, that's a big decision.

1:39:39.960 --> 1:39:42.320
<v Speaker 1>We aren't just gonna make that kind of decision just

1:39:42.520 --> 1:39:46.040
<v Speaker 1>standing here off the cuff. They said, okay, you guys

1:39:46.080 --> 1:39:47.920
<v Speaker 1>stay in here. We'll go in the other room. You

1:39:48.080 --> 1:39:51.160
<v Speaker 1>talk it over. So they left. They scurried out of there.

1:39:52.800 --> 1:39:56.240
<v Speaker 1>I said, this is bullshit, you guys. I walk over.

1:39:57.280 --> 1:40:02.320
<v Speaker 1>I sat down at Bell docks death in his chair.

1:40:03.360 --> 1:40:07.280
<v Speaker 1>I kicked my feet up on his desk and I said,

1:40:07.880 --> 1:40:11.759
<v Speaker 1>you guys, something in the milk ain't cream. This feels

1:40:11.840 --> 1:40:15.080
<v Speaker 1>real bad to me. This feels so bad. It's like

1:40:15.280 --> 1:40:20.280
<v Speaker 1>we've been we have been screwed here. And as I

1:40:20.920 --> 1:40:25.200
<v Speaker 1>said that, I sat up and my foot dragged down

1:40:25.320 --> 1:40:28.360
<v Speaker 1>off the top of the desk and opened that first

1:40:29.040 --> 1:40:34.120
<v Speaker 1>big drawer, that's the long shallow drawer. And here's a

1:40:34.200 --> 1:40:40.200
<v Speaker 1>copy of the contract between good Night Productions and Capitol

1:40:40.280 --> 1:40:47.280
<v Speaker 1>Records for six Bob. So I tell Don and Melt

1:40:47.360 --> 1:40:49.760
<v Speaker 1>I said, you guys, you're not gonna believe this. Come

1:40:49.840 --> 1:40:56.439
<v Speaker 1>over here, look at that. And Brewer says, that son

1:40:56.520 --> 1:40:59.599
<v Speaker 1>of a bitch, because here, you know, we're splitting, two

1:41:00.040 --> 1:41:04.640
<v Speaker 1>said each and then him taking a management commission. He

1:41:04.840 --> 1:41:07.880
<v Speaker 1>took my publishing. I mean it was twenty years old.

1:41:07.960 --> 1:41:10.920
<v Speaker 1>My mom had designed a contract. So Terry and I

1:41:11.080 --> 1:41:15.759
<v Speaker 1>takes my publishing, takes uh, you know, an enormous amount

1:41:15.800 --> 1:41:20.320
<v Speaker 1>of money. Uh. And then and then takes a management

1:41:20.400 --> 1:41:25.000
<v Speaker 1>commission from the pittance that the band was splitting. And

1:41:25.280 --> 1:41:30.080
<v Speaker 1>we just we were boiling at that point, and I said, well,

1:41:30.479 --> 1:41:33.400
<v Speaker 1>we're just gonna tell him we can't make up our mind.

1:41:33.880 --> 1:41:35.960
<v Speaker 1>We need a week or so to think about this.

1:41:37.160 --> 1:41:39.720
<v Speaker 1>And so when they came back in, well, I had

1:41:39.760 --> 1:41:42.840
<v Speaker 1>shut the desk drawer, of course, uh, and I went

1:41:43.000 --> 1:41:44.840
<v Speaker 1>way across the room so it wouldn't look like I

1:41:45.000 --> 1:41:49.639
<v Speaker 1>was sitting in anybody's chair. And when they came back in, well,

1:41:49.800 --> 1:41:52.320
<v Speaker 1>what do you what do you guys think? Said, we

1:41:52.439 --> 1:41:54.200
<v Speaker 1>need a week or two to think about this. This

1:41:54.439 --> 1:41:58.360
<v Speaker 1>is just just as just mind boggling how this could happen.

1:41:58.720 --> 1:42:04.800
<v Speaker 1>And I came off as I was piste off. So okay, okay, okay,

1:42:05.360 --> 1:42:07.479
<v Speaker 1>we'll let you We'll let you think about that. So

1:42:07.680 --> 1:42:12.040
<v Speaker 1>then we we left, and uh we got a hold

1:42:12.080 --> 1:42:17.000
<v Speaker 1>of Eastman and Eastman and John Eastman of course his

1:42:17.160 --> 1:42:24.000
<v Speaker 1>sister Linda Well married Paul McCartney and he was a

1:42:24.080 --> 1:42:28.320
<v Speaker 1>big name in in the in the city. And uh

1:42:29.200 --> 1:42:31.920
<v Speaker 1>we said, you know, we want to we want to

1:42:31.960 --> 1:42:35.280
<v Speaker 1>get out of this. And it went to court and

1:42:35.880 --> 1:42:42.040
<v Speaker 1>we settled out of court. But Terry always told everybody, well,

1:42:42.160 --> 1:42:45.000
<v Speaker 1>if those guys you know, would have waited to the

1:42:45.200 --> 1:42:48.080
<v Speaker 1>end of the contract, and then he made up some

1:42:48.240 --> 1:42:53.120
<v Speaker 1>kind of bullshit, uh, but tried to push the blame

1:42:53.360 --> 1:42:58.679
<v Speaker 1>of the breaking up between him and the band upon

1:42:58.840 --> 1:43:02.800
<v Speaker 1>the band. Uh when really that's uh, you know, when

1:43:02.840 --> 1:43:07.200
<v Speaker 1>you find out some information like that, you don't want

1:43:07.200 --> 1:43:11.280
<v Speaker 1>to ever see this guy again. And uh, and we

1:43:11.400 --> 1:43:15.680
<v Speaker 1>didn't at this late date. Who owns the songs? Do

1:43:15.800 --> 1:43:18.920
<v Speaker 1>you still get paid royalties? What's going on? Terry Night

1:43:19.200 --> 1:43:23.519
<v Speaker 1>owned the publishing Storybook music. And as you know, the

1:43:23.640 --> 1:43:29.479
<v Speaker 1>publishing is fift of the pie. The songwriter takes fifty,

1:43:29.960 --> 1:43:34.080
<v Speaker 1>the publisher takes fifty. But I should have been the

1:43:34.200 --> 1:43:37.560
<v Speaker 1>publisher on all of my songs because I was the

1:43:37.640 --> 1:43:41.599
<v Speaker 1>one out singing them, promoting them. I wasn't shopping them

1:43:41.680 --> 1:43:45.000
<v Speaker 1>to other artists to have them uh consider doing my

1:43:45.200 --> 1:43:49.040
<v Speaker 1>song where. You know, a publisher would have earned his

1:43:49.160 --> 1:43:52.040
<v Speaker 1>keep if he would get a song covered by a

1:43:52.120 --> 1:43:55.559
<v Speaker 1>big artist or something. But I was the artist. So anyway,

1:43:56.160 --> 1:43:59.519
<v Speaker 1>I didn't find this out until later about publishing and

1:43:59.600 --> 1:44:03.760
<v Speaker 1>about you know how bad I got screwed. Uh. But

1:44:04.720 --> 1:44:11.840
<v Speaker 1>the when we broke up Eastman, the breakup between Terry

1:44:11.840 --> 1:44:16.680
<v Speaker 1>and Knight and and the Grand Funk, Eastman had the

1:44:16.920 --> 1:44:21.600
<v Speaker 1>wherewithal to think, you know, we're gonna have to have

1:44:21.800 --> 1:44:26.240
<v Speaker 1>your record royalties paid directly to each one of you guys.

1:44:27.520 --> 1:44:32.640
<v Speaker 1>That way, there's gonna be no hanky panky, and uh,

1:44:33.640 --> 1:44:35.680
<v Speaker 1>you know Terry Knight's not going to have anything to

1:44:35.760 --> 1:44:37.679
<v Speaker 1>do with it. We get him completely out of the picture.

1:44:37.800 --> 1:44:41.679
<v Speaker 1>So to this day we still get paid the record

1:44:41.840 --> 1:44:49.519
<v Speaker 1>royalties for record sales and now streaming directly from Capital

1:44:49.760 --> 1:44:53.640
<v Speaker 1>or I forget what the name of the corporation is

1:44:53.720 --> 1:45:01.439
<v Speaker 1>that has Capitals Old Recordings, but it's still paid that way.

1:45:01.600 --> 1:45:04.600
<v Speaker 1>I get my songwriters, I get my b M I

1:45:05.840 --> 1:45:10.000
<v Speaker 1>uh because I ran all my stuff through UH Broadcast

1:45:10.120 --> 1:45:16.559
<v Speaker 1>Music UM, but Terry Knight's state gets all the publish things.

1:45:16.760 --> 1:45:20.040
<v Speaker 1>There were sixteen points in the deal, and each band

1:45:20.120 --> 1:45:25.400
<v Speaker 1>member was getting to subsequent to your hiring Eastman. How

1:45:25.439 --> 1:45:28.920
<v Speaker 1>many did you guys end up with? Well, I don't

1:45:29.040 --> 1:45:34.760
<v Speaker 1>know what that was. I I don't know what the

1:45:34.920 --> 1:45:39.760
<v Speaker 1>final number was. I just was trusting Eastman to get

1:45:39.840 --> 1:45:45.920
<v Speaker 1>us the best deal. I do know that we renegotiated

1:45:46.720 --> 1:45:49.880
<v Speaker 1>and David Fishoff, who does rock and roll Fantasy camp

1:45:51.080 --> 1:45:55.640
<v Speaker 1>manage Grand Funk for one year on our reunion and

1:45:56.920 --> 1:46:01.600
<v Speaker 1>six and we did the Bosnia album and uh we

1:46:01.720 --> 1:46:06.759
<v Speaker 1>put a wing on the hospital in Sarajevour Children's Hospital,

1:46:08.000 --> 1:46:16.920
<v Speaker 1>UH and David negotiated our rate up because no one

1:46:17.120 --> 1:46:22.360
<v Speaker 1>had ever uh, you know, bargained up for the CDs

1:46:22.520 --> 1:46:27.320
<v Speaker 1>and all the digital stuff that you know, we were

1:46:27.439 --> 1:46:31.160
<v Speaker 1>evolving into into the music industry. All we had back

1:46:31.240 --> 1:46:34.759
<v Speaker 1>then we're records and tapes, cassette tapes or eight tracks,

1:46:35.479 --> 1:46:38.640
<v Speaker 1>you know when when we first did our deal. So

1:46:39.400 --> 1:46:44.400
<v Speaker 1>we did get an update, uh, an upgrade in royalties then,

1:46:44.520 --> 1:46:46.400
<v Speaker 1>but I can't even tell you what that is. I

1:46:46.439 --> 1:46:48.920
<v Speaker 1>would just let's look at it a different way. Do

1:46:49.000 --> 1:46:50.880
<v Speaker 1>you have to work to pay the bills? Or does

1:46:51.000 --> 1:46:53.519
<v Speaker 1>enough money come in? No? No, I gotta work. I

1:46:53.640 --> 1:46:56.080
<v Speaker 1>have to work since Squam Funk broke up, has it

1:46:56.240 --> 1:46:58.920
<v Speaker 1>been financially good or has it been a struggle. It's

1:46:58.960 --> 1:47:02.280
<v Speaker 1>not a struggle because I love to play and as

1:47:02.360 --> 1:47:05.080
<v Speaker 1>long as I can play, I can pay. Okay, let's

1:47:05.120 --> 1:47:08.840
<v Speaker 1>go back. The first album comes out, Rolling Stone gives

1:47:08.880 --> 1:47:12.719
<v Speaker 1>it a terrible review, and certainly for the first couple

1:47:12.760 --> 1:47:15.920
<v Speaker 1>of albums, reviews are not positive. How do you feel

1:47:15.920 --> 1:47:18.080
<v Speaker 1>about that? How did you feel about it? Then? That's

1:47:18.120 --> 1:47:21.880
<v Speaker 1>what I'm asking. We always thought, what show did they

1:47:21.960 --> 1:47:26.240
<v Speaker 1>go see? They didn't come and see a grand function.

1:47:27.600 --> 1:47:33.640
<v Speaker 1>They're not giving um a report of of how popular

1:47:33.960 --> 1:47:36.840
<v Speaker 1>we are with the fans. They're just shipping on us

1:47:36.920 --> 1:47:42.120
<v Speaker 1>because part of Terry Knight's whole scheme was to keep

1:47:42.280 --> 1:47:46.640
<v Speaker 1>us from the press and create a mystique. And that

1:47:47.000 --> 1:47:49.439
<v Speaker 1>was what he gave you. That was his story he

1:47:49.520 --> 1:47:54.479
<v Speaker 1>gave us. So while we are not doing interviews, uh,

1:47:54.800 --> 1:48:00.400
<v Speaker 1>Terry Knight has taken that opportunity to tout his managerical uh,

1:48:01.240 --> 1:48:07.679
<v Speaker 1>you know, his talents and uh. And then when Billy

1:48:07.920 --> 1:48:12.560
<v Speaker 1>Billboard and cash Box came out, uh in nineteen I

1:48:12.640 --> 1:48:19.439
<v Speaker 1>think it was one the centerfold. Is Terry Knight doing this,

1:48:19.920 --> 1:48:24.000
<v Speaker 1>given the finger to the world and he says and

1:48:24.160 --> 1:48:27.040
<v Speaker 1>to all a good night, k and I g h

1:48:27.200 --> 1:48:30.360
<v Speaker 1>d you know, and he had the ship eating grin

1:48:30.479 --> 1:48:35.759
<v Speaker 1>on his face. UM. And that that is we paid

1:48:35.880 --> 1:48:40.400
<v Speaker 1>for that attitude, Grand Funk. The guys in the band

1:48:40.560 --> 1:48:44.640
<v Speaker 1>paid for that attitude that Terry had, and that he

1:48:44.840 --> 1:48:47.920
<v Speaker 1>left a bad taste in uh, in the mouth in

1:48:48.000 --> 1:48:51.240
<v Speaker 1>the mouths of the press and those people that wanted

1:48:51.280 --> 1:48:54.080
<v Speaker 1>to do the interviews with us because he wouldn't let

1:48:54.120 --> 1:48:58.240
<v Speaker 1>it happen. And when we you know, to this day,

1:48:58.400 --> 1:49:03.360
<v Speaker 1>I believe that is part of why uh, you know,

1:49:03.600 --> 1:49:06.519
<v Speaker 1>we got all the bad rap. So ultimately Terry Knights

1:49:06.560 --> 1:49:10.080
<v Speaker 1>out of the picture. You end up working with Todd Rundgren.

1:49:10.120 --> 1:49:13.439
<v Speaker 1>How does that happen? We drew names out of a hat, buddy,

1:49:14.320 --> 1:49:17.880
<v Speaker 1>And I'm serious. There was a Rundgren was one of

1:49:17.960 --> 1:49:22.400
<v Speaker 1>them because Lynn Goldsmith, are publicist, knew him very well,

1:49:22.520 --> 1:49:26.760
<v Speaker 1>had worked with him, and she said, uh, man, he'd

1:49:26.800 --> 1:49:28.920
<v Speaker 1>be great if he's if that's who you pull out

1:49:28.960 --> 1:49:31.559
<v Speaker 1>of the hat. And there was up several other people

1:49:31.600 --> 1:49:33.559
<v Speaker 1>that we put in the hat. You know, there's probably

1:49:34.000 --> 1:49:36.920
<v Speaker 1>eight names. And I reached in and I pull out

1:49:36.960 --> 1:49:41.519
<v Speaker 1>Todd Rundgren and that's it. And that's how Frank Zappa

1:49:41.600 --> 1:49:45.400
<v Speaker 1>got h pulled two and we had names in a hat.

1:49:46.280 --> 1:49:50.000
<v Speaker 1>Pulled the name Frank Zappa. Okay, let's let's ask them

1:49:50.040 --> 1:49:53.880
<v Speaker 1>see if they'll do it. Uh. Todd was very willing

1:49:54.000 --> 1:49:58.000
<v Speaker 1>to come out h and to Michigan and hear us

1:49:58.080 --> 1:50:00.960
<v Speaker 1>and to work with us and see where we were

1:50:01.080 --> 1:50:03.200
<v Speaker 1>recording and see if he could get it done there.

1:50:04.320 --> 1:50:10.920
<v Speaker 1>And in fact, when Todd was producing, I lived across

1:50:11.080 --> 1:50:14.760
<v Speaker 1>from the studio, which we lovingly called the swamp. We

1:50:14.840 --> 1:50:17.720
<v Speaker 1>had to dig up pond there in order to get

1:50:17.760 --> 1:50:20.519
<v Speaker 1>a perk test to put the building down and have

1:50:20.680 --> 1:50:24.360
<v Speaker 1>a you know, septic system. Uh. But you couldn't see

1:50:24.400 --> 1:50:27.360
<v Speaker 1>the farmhouse from the swamp because of the woods that

1:50:27.479 --> 1:50:29.880
<v Speaker 1>we had to go through. And the driveway was kind

1:50:29.880 --> 1:50:33.000
<v Speaker 1>of like an s and it's dirt, and where I

1:50:33.080 --> 1:50:36.200
<v Speaker 1>lived on a dirt road, Partialville Road. And I went

1:50:36.320 --> 1:50:39.720
<v Speaker 1>home for the for lunch to the farmhouse, and on

1:50:39.880 --> 1:50:44.120
<v Speaker 1>my way back, it was a beautiful day. The sun

1:50:44.360 --> 1:50:48.680
<v Speaker 1>was out, the birds were chirping and singing, and I

1:50:48.760 --> 1:50:52.479
<v Speaker 1>could hear the guys in the parking lot at the studio.

1:50:52.520 --> 1:50:54.760
<v Speaker 1>I could, you know, hear their conversation a little bit.

1:50:54.800 --> 1:50:59.600
<v Speaker 1>I could hear them talking. So I start saying, everybody's

1:50:59.680 --> 1:51:03.840
<v Speaker 1>dude in a brand who dance now? And then guys

1:51:03.880 --> 1:51:08.160
<v Speaker 1>start singing the backgrounds from the parking lot, and and

1:51:08.360 --> 1:51:11.479
<v Speaker 1>Rundgren comes walking out as I come around the corner,

1:51:11.560 --> 1:51:14.280
<v Speaker 1>and now I can see the band and the crew

1:51:14.720 --> 1:51:18.439
<v Speaker 1>and they're singing and I'm still singing, and we're singing

1:51:18.479 --> 1:51:22.960
<v Speaker 1>the locomotion. Rundgren comes walking out of the studio. He said,

1:51:23.040 --> 1:51:25.439
<v Speaker 1>what the hell is that? I said, what is that?

1:51:25.680 --> 1:51:28.880
<v Speaker 1>What are you talking about? That's little Eva, that's the locomotion.

1:51:29.479 --> 1:51:31.960
<v Speaker 1>He says, well, you guys get in here right now

1:51:32.040 --> 1:51:37.120
<v Speaker 1>because we're recording the Locomotion. We went in, he pushed

1:51:37.160 --> 1:51:40.320
<v Speaker 1>the button, we went in, and he came out to

1:51:40.479 --> 1:51:43.439
<v Speaker 1>record with us. That's him singing all that high false

1:51:43.439 --> 1:51:47.519
<v Speaker 1>settle part in Locomotion. We turned it into a party

1:51:48.080 --> 1:51:52.240
<v Speaker 1>and when the guitar solo uh starts, he walks over

1:51:52.360 --> 1:51:55.280
<v Speaker 1>to my rig Bob, and he grabbed the head on

1:51:55.400 --> 1:51:58.360
<v Speaker 1>the eco plex and slid it from one end to

1:51:58.479 --> 1:52:04.600
<v Speaker 1>the other and he go im gonna do that. It

1:52:04.720 --> 1:52:09.559
<v Speaker 1>sounded like the car guitar was eating itself and people

1:52:09.640 --> 1:52:11.599
<v Speaker 1>loved it. Man, that was a big hit for us,

1:52:11.920 --> 1:52:14.439
<v Speaker 1>Number one. Okay, let's go back. I've talked to Todd,

1:52:14.840 --> 1:52:18.519
<v Speaker 1>and Todd said when he was called that you had

1:52:18.640 --> 1:52:22.519
<v Speaker 1>new management and were an American band. Was already written

1:52:22.840 --> 1:52:26.280
<v Speaker 1>the song and he came in and cut it right away,

1:52:27.120 --> 1:52:28.760
<v Speaker 1>and then it became a hit and then cut the

1:52:28.840 --> 1:52:32.840
<v Speaker 1>album after. What's your memory of all that? Yeah? He Well,

1:52:33.400 --> 1:52:37.040
<v Speaker 1>he was the first producer that we felt confident that

1:52:37.240 --> 1:52:41.799
<v Speaker 1>he could make the records sound like we did on stage,

1:52:42.439 --> 1:52:46.200
<v Speaker 1>that he could actually put the energy that the band

1:52:46.360 --> 1:52:49.680
<v Speaker 1>was putting out and the and the sound, you know,

1:52:49.840 --> 1:52:55.479
<v Speaker 1>the tone uh, which we never thought. Terry Knight did

1:52:55.520 --> 1:52:58.320
<v Speaker 1>a very good job of replicating what we sounded like

1:52:58.479 --> 1:53:02.240
<v Speaker 1>on stage on the records, as successful as they may

1:53:02.320 --> 1:53:07.080
<v Speaker 1>have been. But but Todd had the magic. He had

1:53:07.160 --> 1:53:12.120
<v Speaker 1>the musical genius. Uh. Easy for him. And one of

1:53:12.240 --> 1:53:14.880
<v Speaker 1>is a musical genius. It's it is easy that they

1:53:14.960 --> 1:53:19.360
<v Speaker 1>don't have to work at it. And I recall doing

1:53:19.800 --> 1:53:22.880
<v Speaker 1>American Band. We we we did it. We cut it

1:53:22.960 --> 1:53:26.000
<v Speaker 1>at the Step in the Swamp, but then we did

1:53:26.080 --> 1:53:33.040
<v Speaker 1>the vocals at Criteria in Miami. And when we finished

1:53:33.600 --> 1:53:39.760
<v Speaker 1>American Band, which, by the way, I said to Brewer, man,

1:53:39.840 --> 1:53:42.960
<v Speaker 1>this song it needs a cow bell in the worst way.

1:53:43.800 --> 1:53:46.240
<v Speaker 1>He says, I don't have a cow bell. I said,

1:53:46.280 --> 1:53:48.160
<v Speaker 1>we need to get one. Dude, I'm telling you, I'm

1:53:48.240 --> 1:53:50.599
<v Speaker 1>hearing cow bell on this. He says, all right, all right,

1:53:50.640 --> 1:53:52.320
<v Speaker 1>all right, I'll pick one up on a way to

1:53:52.400 --> 1:53:56.160
<v Speaker 1>rehearsal tomorrow. I said, no, man, pick up six and

1:53:56.280 --> 1:53:59.840
<v Speaker 1>we'll pick the best one that matches this the chord

1:54:00.000 --> 1:54:03.080
<v Speaker 1>that we're playing this song. So he did that, and

1:54:03.240 --> 1:54:07.280
<v Speaker 1>and I taught him the drum intro that is my

1:54:08.000 --> 1:54:09.560
<v Speaker 1>I heard that in my head and I said, this

1:54:09.680 --> 1:54:12.080
<v Speaker 1>is what I'm hearing for an intro, and then we

1:54:12.160 --> 1:54:16.040
<v Speaker 1>come in and he goes, man, I can't believe well.

1:54:16.280 --> 1:54:21.240
<v Speaker 1>I kept encouraging him, and the nicest way that he could.

1:54:21.400 --> 1:54:24.320
<v Speaker 1>I said, you know who you are. You're Don Brewer, dude.

1:54:24.360 --> 1:54:30.160
<v Speaker 1>You could do this ship no problem. So we get

1:54:30.200 --> 1:54:32.880
<v Speaker 1>it down, we rehearse it. We get this thing down

1:54:33.960 --> 1:54:37.680
<v Speaker 1>and go to rehearse or go to Miami to record.

1:54:38.600 --> 1:54:42.440
<v Speaker 1>And when we have done with the song, Don, it

1:54:42.600 --> 1:54:45.240
<v Speaker 1>was at night. Don comes to me and he says, Mark,

1:54:45.680 --> 1:54:49.600
<v Speaker 1>I've never had a songwriter credit on any song. Would

1:54:49.600 --> 1:54:51.960
<v Speaker 1>you mind if I take it on this song? I said,

1:54:52.000 --> 1:54:54.920
<v Speaker 1>go ahead. Even though I wrote the music. He didn't

1:54:54.960 --> 1:54:58.200
<v Speaker 1>write those chord changes. I wrote those chord changes. I

1:54:58.320 --> 1:55:02.800
<v Speaker 1>did the background vocal arrangement, and the Kyle Bell and

1:55:02.920 --> 1:55:05.000
<v Speaker 1>the drum intro I did. I had a lot to

1:55:05.040 --> 1:55:07.480
<v Speaker 1>do with that song. That's why he came to me

1:55:07.600 --> 1:55:11.240
<v Speaker 1>and asked me. Because any other song prior to that

1:55:12.000 --> 1:55:15.879
<v Speaker 1>that we had co written together, he did the lyrics.

1:55:17.080 --> 1:55:20.920
<v Speaker 1>I did the music, and that's how we worked. I

1:55:21.400 --> 1:55:27.520
<v Speaker 1>didn't try to interfere or you know, change the lyrics

1:55:27.560 --> 1:55:29.920
<v Speaker 1>that he was writing. Whatever his ideas were, I wanted

1:55:30.040 --> 1:55:34.080
<v Speaker 1>him to you know finish that. So he's not the

1:55:35.680 --> 1:55:40.720
<v Speaker 1>songwriter of that song. And anybody that would ask him

1:55:40.760 --> 1:55:43.160
<v Speaker 1>to go ahead and play it on whichever instrument he

1:55:43.240 --> 1:55:47.000
<v Speaker 1>wrote it on that they would soon find out. Uh,

1:55:47.680 --> 1:55:52.480
<v Speaker 1>but nevertheless, I have that's part of my lessons, That's

1:55:52.520 --> 1:55:56.160
<v Speaker 1>part of my life lesson and uh, I don't regret it,

1:55:56.320 --> 1:56:01.760
<v Speaker 1>because regret is debt, it's dead consciousness. Okay, you make

1:56:01.800 --> 1:56:04.120
<v Speaker 1>two albums with Todd and then you work with Jimmy Ironer.

1:56:04.160 --> 1:56:06.240
<v Speaker 1>How do you end up working with Jimmy and you

1:56:06.320 --> 1:56:10.920
<v Speaker 1>have some success there? With Jimmy Einer was pulled from

1:56:10.920 --> 1:56:17.280
<v Speaker 1>a hat and we knew with the raspberries that he had,

1:56:17.680 --> 1:56:22.560
<v Speaker 1>you know, had some great sounds, especially vocals. He had

1:56:22.600 --> 1:56:28.200
<v Speaker 1>a way with vocals man, and uh so we just

1:56:28.360 --> 1:56:31.880
<v Speaker 1>working with him. He was every time I come into

1:56:31.960 --> 1:56:36.880
<v Speaker 1>control room, Jimmy had this smile that was like looking

1:56:36.960 --> 1:56:40.000
<v Speaker 1>at the moon. I mean, you know, it lit up

1:56:40.080 --> 1:56:44.160
<v Speaker 1>the room and and he just loved what he was doing.

1:56:45.240 --> 1:56:48.800
<v Speaker 1>And we worked at the record plant and did in

1:56:48.880 --> 1:56:51.840
<v Speaker 1>a bad time to be in love there. Oh my god,

1:56:52.360 --> 1:56:55.640
<v Speaker 1>he did the vocals. I just couldn't believe how it

1:56:55.800 --> 1:56:59.360
<v Speaker 1>was coming out. And uh, he would have people from

1:56:59.800 --> 1:57:03.360
<v Speaker 1>the record plant come up, some of the engineers that

1:57:03.440 --> 1:57:07.040
<v Speaker 1>were downstairs, and the owner, he had her come up

1:57:07.120 --> 1:57:10.520
<v Speaker 1>and and there he's wanting me to keep singing this

1:57:10.640 --> 1:57:15.800
<v Speaker 1>song over and over over again. Uh you know that intro,

1:57:16.160 --> 1:57:19.960
<v Speaker 1>I'm in love with you, and uh he just loved

1:57:20.040 --> 1:57:24.400
<v Speaker 1>that part. And uh, I'm glad that we did it

1:57:24.520 --> 1:57:29.760
<v Speaker 1>with him because that and some kind of Wonderful are

1:57:30.240 --> 1:57:38.360
<v Speaker 1>probably the best vocally arranged and the vocal presence, uh,

1:57:38.760 --> 1:57:44.280
<v Speaker 1>those two songs of the whole catalog, Grandfat Catalog. So ultimately,

1:57:44.520 --> 1:57:49.040
<v Speaker 1>from an outside view, you have an awaking and you

1:57:49.200 --> 1:57:53.160
<v Speaker 1>become very Christian. Was that something that people didn't know

1:57:53.280 --> 1:57:57.400
<v Speaker 1>about or was there some significant turning point in your life? Actually,

1:57:57.880 --> 1:58:00.160
<v Speaker 1>when my dad died, you know, when I was nine

1:58:00.200 --> 1:58:04.320
<v Speaker 1>years old, I walked into the living room. My dad

1:58:04.400 --> 1:58:09.800
<v Speaker 1>had just purchased our first television set. Prior to the TV,

1:58:10.080 --> 1:58:12.600
<v Speaker 1>we used to listen to the radio. We had a

1:58:12.640 --> 1:58:15.600
<v Speaker 1>big wooden radio, you know, like a twelve inch speaker,

1:58:15.720 --> 1:58:20.200
<v Speaker 1>and would listen to the Lone Ranger and Flash Gordon

1:58:20.360 --> 1:58:24.480
<v Speaker 1>and Creaking Door all this stuff, and and all the

1:58:24.560 --> 1:58:27.280
<v Speaker 1>cousins would be around the speaker and we'd be eaten.

1:58:27.880 --> 1:58:32.320
<v Speaker 1>You know, popcorn in these grocery bags, big huge bags

1:58:32.360 --> 1:58:35.040
<v Speaker 1>full of popcorn, and they're grease soaked from the butter,

1:58:35.560 --> 1:58:38.560
<v Speaker 1>you know, and and we're just our imaginations are going

1:58:38.720 --> 1:58:42.720
<v Speaker 1>like crazy listening to Flash Gordon and the Lone Ranger

1:58:42.760 --> 1:58:46.760
<v Speaker 1>and all this. Uh So, when we got the TV,

1:58:48.000 --> 1:58:50.000
<v Speaker 1>my dad was very proud that he could get that

1:58:50.160 --> 1:58:54.200
<v Speaker 1>for us. Uh and then he died like a week later.

1:58:55.040 --> 1:58:59.080
<v Speaker 1>So I walk in out of the dining room where

1:58:59.160 --> 1:59:05.200
<v Speaker 1>my mother and my aunts and uncles, Grandma and grandpa. Uh,

1:59:05.920 --> 1:59:10.080
<v Speaker 1>they were all just crying. They were they were sobbing,

1:59:10.200 --> 1:59:15.400
<v Speaker 1>and it was just a lot of voices that were hurting, hurting.

1:59:16.160 --> 1:59:20.480
<v Speaker 1>And I walked into the living room where the TV

1:59:20.760 --> 1:59:23.840
<v Speaker 1>was on, kind of faint, and I looked over and

1:59:24.080 --> 1:59:30.040
<v Speaker 1>Billy Graham was doing a crusade in Flint, Michigan. He

1:59:30.240 --> 1:59:34.800
<v Speaker 1>was at Shasta or Shake. He was at the stadium.

1:59:35.040 --> 1:59:37.760
<v Speaker 1>What the heck his name of the Yankee Stadium? No, no, no, no, no.

1:59:37.920 --> 1:59:41.120
<v Speaker 1>This was in Flint, Michigan. God, actually what was it

1:59:41.240 --> 1:59:46.120
<v Speaker 1>Silver Dome? Anyways, he was there and that it was

1:59:46.520 --> 1:59:52.480
<v Speaker 1>packed and as he's talented, you know, I'd walking in

1:59:52.760 --> 1:59:55.960
<v Speaker 1>and he's telling the people if you need a touch

1:59:56.120 --> 2:00:01.000
<v Speaker 1>from God, if you are hurting, if there's pain in

2:00:01.160 --> 2:00:04.840
<v Speaker 1>your life. And I'm I'm going damn, he's talking to me.

2:00:05.320 --> 2:00:09.840
<v Speaker 1>You know. I walked up to the TV and he says,

2:00:10.280 --> 2:00:12.800
<v Speaker 1>I want you to pray with me. And I'm looking

2:00:12.920 --> 2:00:15.680
<v Speaker 1>right into his eyes. He says, put your hand on

2:00:15.760 --> 2:00:19.120
<v Speaker 1>the television set. I reach up and I put my

2:00:19.200 --> 2:00:23.040
<v Speaker 1>hand on a television set and I received Jesus Christ

2:00:24.040 --> 2:00:27.440
<v Speaker 1>as my savior. I confess it with my mouth. I'm

2:00:27.560 --> 2:00:30.800
<v Speaker 1>nine years old. I've been to church a few times,

2:00:30.920 --> 2:00:34.480
<v Speaker 1>but you know, on Easter with my great grandmother, you know,

2:00:35.040 --> 2:00:39.240
<v Speaker 1>or some other special holiday. It wasn't every week, every

2:00:39.560 --> 2:00:43.280
<v Speaker 1>you know, Wednesday, Sunday thing. It was just every once

2:00:43.320 --> 2:00:48.280
<v Speaker 1>in a while. But what I prayed, I felt a

2:00:48.480 --> 2:00:52.680
<v Speaker 1>piece come over me, an actual you know, nine years old,

2:00:52.720 --> 2:00:57.879
<v Speaker 1>I can still remember that piece and it's that pieces

2:00:58.640 --> 2:01:00.400
<v Speaker 1>part of who I am now. But I went on.

2:01:00.960 --> 2:01:04.960
<v Speaker 1>You know, I was a big star in Grand Funk Railroad. Uh,

2:01:05.320 --> 2:01:09.480
<v Speaker 1>you know, rock and roll icon what have you. And

2:01:09.880 --> 2:01:17.360
<v Speaker 1>when I married Lisa, Uh, she's the love of my

2:01:17.480 --> 2:01:25.480
<v Speaker 1>life and to let's be two. So four years into

2:01:25.560 --> 2:01:30.080
<v Speaker 1>our marriage, we have two of the three boys that

2:01:30.160 --> 2:01:34.800
<v Speaker 1>we had together. But Jason and Joseph we're at the house.

2:01:35.720 --> 2:01:39.840
<v Speaker 1>I come home from the studio and there was a note,

2:01:41.440 --> 2:01:47.000
<v Speaker 1>uh that she's she's left, She's gone, she's leaving me boom.

2:01:48.160 --> 2:01:51.200
<v Speaker 1>And the kids were over at my sister in law's.

2:01:51.800 --> 2:01:55.200
<v Speaker 1>So I went over and I tried to play like,

2:01:55.960 --> 2:01:59.040
<v Speaker 1>you know, oh, she she'll be coming back anytime, blah

2:01:59.080 --> 2:02:03.000
<v Speaker 1>blah blah. Well after that, after the first few days, man,

2:02:03.120 --> 2:02:06.480
<v Speaker 1>I started going to church. I'm looking for God. I

2:02:06.840 --> 2:02:08.920
<v Speaker 1>walk into this one. The first church I go into.

2:02:08.960 --> 2:02:12.640
<v Speaker 1>It's like hell fire and brimstone and all this bullshit,

2:02:13.520 --> 2:02:15.960
<v Speaker 1>and I went, I did, Nah, he got ain't here.

2:02:16.040 --> 2:02:19.360
<v Speaker 1>And I walk out. You know, I walk in and

2:02:19.520 --> 2:02:22.400
<v Speaker 1>part of my test, Bob was I put on my

2:02:23.840 --> 2:02:29.240
<v Speaker 1>Hawaiian shirt, faded blue jeans with holes in the knees,

2:02:29.880 --> 2:02:32.840
<v Speaker 1>and my sneakers, and I got a headband on and

2:02:32.960 --> 2:02:37.360
<v Speaker 1>my long hair hanging down. I'm kind of hippified. I said,

2:02:37.680 --> 2:02:39.600
<v Speaker 1>you know, part of it is if they can get

2:02:39.720 --> 2:02:44.800
<v Speaker 1>past this, I might listen to them, you know. And

2:02:44.920 --> 2:02:47.160
<v Speaker 1>that was part of the test for me. And then

2:02:47.200 --> 2:02:49.280
<v Speaker 1>I got into this other, one of the other church

2:02:50.000 --> 2:02:52.320
<v Speaker 1>I went. I went to one on Wednesday. I went

2:02:52.360 --> 2:02:54.680
<v Speaker 1>to one on Friday. I went to one on Sunday.

2:02:55.040 --> 2:02:58.680
<v Speaker 1>I'm looking for God, And finally I got into this

2:02:58.800 --> 2:03:02.880
<v Speaker 1>little church where no but he knew who I was. Uh.

2:03:03.800 --> 2:03:08.720
<v Speaker 1>These old ladies, I mean older ladies, uh came up

2:03:08.760 --> 2:03:11.720
<v Speaker 1>to me. Hello, Sun, how are you doing, Welcome to

2:03:11.840 --> 2:03:14.160
<v Speaker 1>the church, and blah blah, and they're hugging me, and

2:03:14.400 --> 2:03:20.160
<v Speaker 1>I felt like, are these people for real? Wow, this

2:03:20.360 --> 2:03:23.960
<v Speaker 1>is really kind of what I need, you know. Then

2:03:24.040 --> 2:03:28.440
<v Speaker 1>the pastor gets up there, Pastor Exley, he was uh

2:03:28.880 --> 2:03:31.840
<v Speaker 1>eighty four years old, preaching on the institution of marriage

2:03:31.840 --> 2:03:35.480
<v Speaker 1>according to God's work, How people walk out the front

2:03:35.640 --> 2:03:38.920
<v Speaker 1>door of the church and they leave the commitment that

2:03:39.040 --> 2:03:42.560
<v Speaker 1>they've made, this holy matrimony. They leave it behind when

2:03:42.600 --> 2:03:44.680
<v Speaker 1>they walk out the front door of the church and

2:03:44.760 --> 2:03:47.800
<v Speaker 1>they just off, you know, doing their life, and they

2:03:48.600 --> 2:03:52.680
<v Speaker 1>and the the Testament and and uh, what brought him

2:03:52.720 --> 2:03:55.760
<v Speaker 1>together in the first place, and to that point gets

2:03:55.840 --> 2:03:59.080
<v Speaker 1>left in the church and that's why marriages fall apart.

2:03:59.160 --> 2:04:01.520
<v Speaker 1>And it was, man, it was like this guy had

2:04:01.560 --> 2:04:04.360
<v Speaker 1>a gun and he and he was shooting me with

2:04:04.560 --> 2:04:08.280
<v Speaker 1>this gun. He had no blanks in that gun. And

2:04:08.640 --> 2:04:12.480
<v Speaker 1>it's like I'm thinking, he singled me out. He knows

2:04:12.960 --> 2:04:17.560
<v Speaker 1>I got trouble, and he gives an altar call and

2:04:18.040 --> 2:04:22.960
<v Speaker 1>I go up there. I scurried up there, and I said,

2:04:24.200 --> 2:04:26.520
<v Speaker 1>I told him the story. I said, my wife left me.

2:04:27.400 --> 2:04:29.800
<v Speaker 1>I said, I I gave my life to Jesus back

2:04:29.840 --> 2:04:33.000
<v Speaker 1>when I was nine. But uh, you know, I've been

2:04:33.080 --> 2:04:36.200
<v Speaker 1>involved in all this worldly stuff. I'm not really you know,

2:04:36.320 --> 2:04:39.240
<v Speaker 1>a churchgoer or anything. I said, but man, I want

2:04:39.320 --> 2:04:43.560
<v Speaker 1>my wife back. He said, Uh, well, I understand it,

2:04:44.280 --> 2:04:47.520
<v Speaker 1>you know, Sonny. I said, well, can you pray with

2:04:47.640 --> 2:04:49.800
<v Speaker 1>me to get her back? He says, I'll tell you

2:04:49.920 --> 2:04:54.240
<v Speaker 1>what I'll do, son you pray and I'll agree. So

2:04:54.520 --> 2:04:58.160
<v Speaker 1>I prayed. I said, God, I want my wife back.

2:04:59.040 --> 2:05:01.320
<v Speaker 1>I want her back. I I want to have my

2:05:01.440 --> 2:05:05.160
<v Speaker 1>life with her. I want to have the mother of

2:05:05.320 --> 2:05:10.120
<v Speaker 1>my children. And I'm crying, you know, and I just

2:05:10.800 --> 2:05:13.440
<v Speaker 1>just like I just said, and he agreed. He said,

2:05:13.440 --> 2:05:19.600
<v Speaker 1>I agree on touching that prayer in Jesus name. And

2:05:20.440 --> 2:05:23.960
<v Speaker 1>I found out my wife gave her life to Jesus

2:05:24.080 --> 2:05:28.160
<v Speaker 1>that same day, fifty miles away in another city, Ah

2:05:28.760 --> 2:05:35.520
<v Speaker 1>that morning. And AH. So we got back together two

2:05:36.480 --> 2:05:39.400
<v Speaker 1>two days, baby three at the most, and we've been

2:05:41.200 --> 2:05:45.640
<v Speaker 1>solely sold out to each other. And uh, and we

2:05:45.720 --> 2:05:50.800
<v Speaker 1>have allowed that love to be real and to hold

2:05:50.880 --> 2:05:56.680
<v Speaker 1>onto it and to um, I esteem my wife to

2:05:56.840 --> 2:06:02.600
<v Speaker 1>be equal with myself Bob Um. How could you love

2:06:02.760 --> 2:06:06.120
<v Speaker 1>somebody with everything you are? And I believe this is

2:06:06.200 --> 2:06:08.360
<v Speaker 1>what we have to do, is man, that we have

2:06:08.560 --> 2:06:16.480
<v Speaker 1>to give all of ourselves to that relationship, reckless, abandoned. Uh.

2:06:16.720 --> 2:06:20.560
<v Speaker 1>You've got to give yourself to love and then it'll

2:06:21.160 --> 2:06:24.000
<v Speaker 1>come back to you. And and that's the way we've

2:06:24.040 --> 2:06:28.320
<v Speaker 1>played it. And for fort or four years now it's working. Okay,

2:06:28.400 --> 2:06:31.040
<v Speaker 1>So family is the most important thing. But Grand Funk

2:06:31.120 --> 2:06:34.080
<v Speaker 1>rail Road, what do we know? The song still stay alive.

2:06:34.680 --> 2:06:37.520
<v Speaker 1>In the beginning, you said, well, you would like to

2:06:37.640 --> 2:06:40.880
<v Speaker 1>get together with the other two for the fans. Yeah,

2:06:41.240 --> 2:06:44.560
<v Speaker 1>But how do you feel about the legacy of Grand

2:06:44.600 --> 2:06:48.040
<v Speaker 1>Funk Railroad? Do you think you've gotten to do? You know,

2:06:48.160 --> 2:06:50.240
<v Speaker 1>there's always the question of the rock and roll Hall

2:06:50.280 --> 2:06:54.120
<v Speaker 1>of Fame, whether that's an institution that has any gravitas

2:06:54.400 --> 2:06:57.080
<v Speaker 1>or not. But how do you feel about it all

2:06:57.120 --> 2:07:00.720
<v Speaker 1>these years later? Well? I feel like, uh, in the

2:07:00.840 --> 2:07:06.960
<v Speaker 1>hearts of the true fans, they know who I am

2:07:07.080 --> 2:07:13.920
<v Speaker 1>because I wrote that music and my songs are I

2:07:14.080 --> 2:07:17.240
<v Speaker 1>am who my songs say I am. They are a

2:07:17.360 --> 2:07:22.080
<v Speaker 1>testimony to my life, to my belief, to my love,

2:07:22.200 --> 2:07:28.360
<v Speaker 1>to my convictions. And I can leave this world knowing

2:07:28.480 --> 2:07:32.840
<v Speaker 1>that and pretty pretty happy. Guy. I would love to

2:07:33.280 --> 2:07:39.720
<v Speaker 1>have that band entertain the fans the truth Grand Funk fans,

2:07:39.880 --> 2:07:42.720
<v Speaker 1>just from that point of view. I was sharing earlier

2:07:42.760 --> 2:07:44.880
<v Speaker 1>Bob about me being a Beatle fan, and I wanted

2:07:44.960 --> 2:07:47.720
<v Speaker 1>to see, you know, the four dudes up there. I

2:07:47.800 --> 2:07:50.840
<v Speaker 1>wanted to see them. I wanted to feel that magic.

2:07:50.920 --> 2:07:54.960
<v Speaker 1>I wanted to be there. And I think that there's

2:07:54.960 --> 2:07:59.920
<v Speaker 1>a lot of fans that would still really like to

2:08:00.120 --> 2:08:03.760
<v Speaker 1>see the original three guys get up there and do it.

2:08:04.760 --> 2:08:11.280
<v Speaker 1>But it's my feelings are not shared. So um, the

2:08:11.400 --> 2:08:15.920
<v Speaker 1>way it stands is, I just have to keep telling

2:08:16.040 --> 2:08:23.680
<v Speaker 1>myself and reassuring myself that at least my willingness and

2:08:23.840 --> 2:08:28.800
<v Speaker 1>my uh trying, you know, my efforts to put the

2:08:28.880 --> 2:08:33.280
<v Speaker 1>band back together for the sake of the fans, it's

2:08:33.320 --> 2:08:35.800
<v Speaker 1>good enough. It's good enough for me. That has to be.

2:08:36.880 --> 2:08:39.240
<v Speaker 1>I'm not gonna let it become a burden to me

2:08:39.360 --> 2:08:43.959
<v Speaker 1>because that would put me in debt. Brother, Okay, but meanwhile,

2:08:44.080 --> 2:08:47.440
<v Speaker 1>you're working and you work with your band, you also

2:08:47.520 --> 2:08:51.560
<v Speaker 1>work solo acoustic. Uh so how do you decide which

2:08:51.600 --> 2:08:54.000
<v Speaker 1>show to do and how often do you work? I

2:08:54.200 --> 2:08:59.640
<v Speaker 1>do them all, anything that comes along, as long as

2:08:59.720 --> 2:09:05.760
<v Speaker 1>I and pay my guys and pay my air affairs. Oh,

2:09:05.920 --> 2:09:10.280
<v Speaker 1>I do them all. I love to perform. I love

2:09:10.400 --> 2:09:13.880
<v Speaker 1>it when people call my name out. I love it

2:09:14.000 --> 2:09:16.760
<v Speaker 1>when my name was called out on that loud speaker

2:09:16.800 --> 2:09:20.160
<v Speaker 1>and I was prancing across that football field. I love

2:09:20.240 --> 2:09:25.360
<v Speaker 1>it when people holler out from the crowd, we love you, Mark,

2:09:26.520 --> 2:09:30.240
<v Speaker 1>We love you Mark. I love you Mark, Thank you Mark.

2:09:31.360 --> 2:09:36.520
<v Speaker 1>It's so gratifying. Two. I wish people could know this.

2:09:36.680 --> 2:09:42.400
<v Speaker 1>I wish every person could know how it feels to

2:09:42.680 --> 2:09:47.360
<v Speaker 1>truly be a brother. Too many people but a being.

2:09:47.440 --> 2:09:51.080
<v Speaker 1>On that note, we're gonna leave it at that. You know, Mark,

2:09:51.160 --> 2:09:54.120
<v Speaker 1>it's really it's just fascinating. You know, I've seen the band,

2:09:54.680 --> 2:09:57.080
<v Speaker 1>and to talk to you gives me a lot of

2:09:57.160 --> 2:09:59.760
<v Speaker 1>insight that I didn't have, And I think my listeners

2:09:59.800 --> 2:10:02.720
<v Speaker 1>will feel the same way. And there are a lot

2:10:02.760 --> 2:10:04.960
<v Speaker 1>of people who love you and love your music. You know,

2:10:05.080 --> 2:10:08.920
<v Speaker 1>it's funny because certainly weren't American being phenomenal track and

2:10:09.040 --> 2:10:12.440
<v Speaker 1>closer to home. You know, I'm your captain, but when

2:10:12.520 --> 2:10:15.640
<v Speaker 1>I hear some kind of wonderful, you know, come out

2:10:15.680 --> 2:10:18.240
<v Speaker 1>of the speakers, it just does something for me that

2:10:18.360 --> 2:10:20.360
<v Speaker 1>I pull it up, you know on the streaming service.

2:10:20.440 --> 2:10:23.640
<v Speaker 1>You know, it's just got that exuberance and you know

2:10:23.760 --> 2:10:26.640
<v Speaker 1>that lives on you after fifty years of bullshit. You

2:10:26.760 --> 2:10:30.120
<v Speaker 1>hear that and you go, wow, thank you. I appreciate

2:10:30.240 --> 2:10:34.000
<v Speaker 1>those words, my friend. I appreciate that encouragement. Until next time.

2:10:34.280 --> 2:10:35.600
<v Speaker 1>This is Bob Left Sex