WEBVTT - Charlie McCarthy: Death of a Dummy

0:00:01.120 --> 0:00:03.080
<v Speaker 1>How often does Charlie cross your mind?

0:00:05.320 --> 0:00:12.640
<v Speaker 2>Oh, not as often as you think, but probably once

0:00:12.680 --> 0:00:13.119
<v Speaker 2>a week.

0:00:16.440 --> 0:00:19.160
<v Speaker 1>Have you ever dreamed about him?

0:00:19.239 --> 0:00:19.319
<v Speaker 3>Not?

0:00:19.800 --> 0:00:24.079
<v Speaker 2>Since I've been an adult. I think it's amazing that

0:00:24.200 --> 0:00:29.520
<v Speaker 2>I'm a walking, talking person, frankly, and nobody gives me

0:00:29.640 --> 0:00:32.440
<v Speaker 2>credit for that. The fact that I'm like a normal

0:00:32.520 --> 0:00:33.880
<v Speaker 2>person is a miracle.

0:00:34.360 --> 0:00:38.320
<v Speaker 1>I'm speaking with actress Candice Bergen. You probably know her

0:00:38.360 --> 0:00:41.680
<v Speaker 1>best as TV's Murphy Brown. It's a role that won

0:00:41.720 --> 0:00:42.720
<v Speaker 1>her five Emmys.

0:00:43.080 --> 0:00:46.280
<v Speaker 4>Which one of you turkeys got their greasy fingerprints all

0:00:46.320 --> 0:00:47.640
<v Speaker 4>over my emmy?

0:00:48.159 --> 0:00:49.520
<v Speaker 2>All right, too bad?

0:00:51.920 --> 0:00:55.600
<v Speaker 1>But her real life story could be its own TV series,

0:00:56.040 --> 0:01:00.720
<v Speaker 1>more Twilight Zone than Sitcom, you see. Candace Sperking grew

0:01:00.880 --> 0:01:04.600
<v Speaker 1>up with a rather unusual sibling, and he.

0:01:04.640 --> 0:01:08.160
<v Speaker 2>Was always called my brother since I was a little kid.

0:01:08.240 --> 0:01:11.679
<v Speaker 2>It was like and your brother, Charlie. There was always

0:01:11.680 --> 0:01:14.520
<v Speaker 2>such an aura around him in the house. He had

0:01:14.520 --> 0:01:17.880
<v Speaker 2>his own room next to mine. It was a guest room,

0:01:17.920 --> 0:01:21.080
<v Speaker 2>but it was called Charlie's room. And Charlie was in

0:01:21.120 --> 0:01:24.200
<v Speaker 2>the closet. Oh did he sleep in the closet. He

0:01:24.240 --> 0:01:29.600
<v Speaker 2>would hang in the closet and his different heads would

0:01:29.640 --> 0:01:32.839
<v Speaker 2>hang in the closet. And he had a sleepy head

0:01:33.319 --> 0:01:36.959
<v Speaker 2>and an old head and an angry head.

0:01:37.440 --> 0:01:43.240
<v Speaker 1>Yeah, for Charlie's different moods, exactly without your father manipulating him.

0:01:43.959 --> 0:01:45.600
<v Speaker 1>He must have looked.

0:01:45.480 --> 0:01:54.400
<v Speaker 2>Dead, not dead enough, he was always living.

0:01:57.040 --> 0:02:00.680
<v Speaker 1>The Charlie we're talking about is Charlie McCarry. And if

0:02:00.720 --> 0:02:04.400
<v Speaker 1>you haven't figured it out already, Charlie was a dummy, yes,

0:02:04.640 --> 0:02:08.800
<v Speaker 1>a boy made of wood. And Candace's father, Edgar Bergen,

0:02:09.320 --> 0:02:11.960
<v Speaker 1>was the ventriloquist who brought him to life.

0:02:12.240 --> 0:02:14.520
<v Speaker 5>Well, I believe in letting a boy work for his money, Yes,

0:02:14.560 --> 0:02:15.399
<v Speaker 5>you approve. Man.

0:02:18.919 --> 0:02:22.600
<v Speaker 1>Listeners of a certain age will remember Charlie as the

0:02:22.760 --> 0:02:26.640
<v Speaker 1>ultimate smart alec, usually dressed in a tuxedo with a

0:02:26.680 --> 0:02:31.240
<v Speaker 1>top hat and monocle. And for a time, this dummy

0:02:31.440 --> 0:02:34.760
<v Speaker 1>was one of this country's biggest stars.

0:02:34.840 --> 0:02:35.440
<v Speaker 5>Miss West.

0:02:35.480 --> 0:02:37.160
<v Speaker 6>This is the famous Charlie McCarthy.

0:02:37.440 --> 0:02:42.480
<v Speaker 5>Oh hello, shot up doctor handsome, how tall, blonde and terrific.

0:02:43.760 --> 0:02:48.600
<v Speaker 2>He was like a head of state, a minor state,

0:02:48.919 --> 0:02:50.120
<v Speaker 2>you know, like Monaca.

0:02:50.160 --> 0:02:52.359
<v Speaker 1>Well he had his own coat of arms, right.

0:02:52.360 --> 0:02:55.720
<v Speaker 2>Yeah he did. He had a Charlie McCarthy crest an,

0:02:55.760 --> 0:03:02.720
<v Speaker 2>a scepter and a crown. I thought this guy must

0:03:02.760 --> 0:03:03.880
<v Speaker 2>really rate.

0:03:04.480 --> 0:03:07.080
<v Speaker 1>Charlie was kind of like God him. Well, he was

0:03:07.120 --> 0:03:12.560
<v Speaker 1>to me from CBS Sunday Morning, and iHeart, I'm Morocca

0:03:12.960 --> 0:03:27.280
<v Speaker 1>and this is mobituaries, this moment. Charlie McCarthy September thirtieth,

0:03:27.480 --> 0:03:39.080
<v Speaker 1>nineteen seventy eight, death of a dummy.

0:03:55.720 --> 0:04:02.960
<v Speaker 2>I'm so proud of how weird and eccentric my childhood was.

0:04:04.080 --> 0:04:10.240
<v Speaker 2>Nobody as a childhood as weird as me. I mean,

0:04:10.800 --> 0:04:13.560
<v Speaker 2>I knew a lot of people whose parents were famous,

0:04:13.600 --> 0:04:16.360
<v Speaker 2>and none of them did anything nearly as weird as

0:04:16.400 --> 0:04:16.880
<v Speaker 2>my father.

0:04:18.960 --> 0:04:24.200
<v Speaker 1>Right, So, Nancy Sinatra, Liza Minelli, Jane Fonda all had

0:04:24.240 --> 0:04:29.000
<v Speaker 1>famous parents, but they were normal. They weren't living with dummies.

0:04:29.240 --> 0:04:29.480
<v Speaker 2>Right.

0:04:30.680 --> 0:04:35.080
<v Speaker 1>We're going to continue with Kandisbergen's weird and eccentric childhood

0:04:35.160 --> 0:04:37.880
<v Speaker 1>in Act two. But in this act, I'm going to

0:04:37.920 --> 0:04:42.080
<v Speaker 1>tell you the story of her father's unlikely and spectacular

0:04:42.279 --> 0:04:46.320
<v Speaker 1>rise to fame as a ventriloquest because there is no

0:04:46.480 --> 0:04:54.359
<v Speaker 1>Charlie McCarthy without Edgar Bergen. Edgar Bergen was born in

0:04:54.440 --> 0:04:59.159
<v Speaker 1>Chicago to Swedish immigrants in nineteen oh three. At age eleven,

0:04:59.320 --> 0:05:03.360
<v Speaker 1>he began ventriloquism from a book he'd purchased for a quarter.

0:05:04.320 --> 0:05:08.640
<v Speaker 1>At sixteen, he managed to impress a touring vaudeville performer

0:05:09.000 --> 0:05:12.359
<v Speaker 1>known as the Great Leicster, enough so to get a

0:05:12.360 --> 0:05:16.239
<v Speaker 1>few months of free one on one lessons in ventriloquism.

0:05:16.640 --> 0:05:18.640
<v Speaker 5>In my first year at high school, I discovered I

0:05:18.680 --> 0:05:21.480
<v Speaker 5>was a ventriloquist, and I earned my first dishonest money

0:05:21.480 --> 0:05:22.760
<v Speaker 5>answering roll calls.

0:05:22.520 --> 0:05:23.960
<v Speaker 7>From missing classmates.

0:05:24.000 --> 0:05:25.880
<v Speaker 1>In my senior year, I teamed up with Charlie.

0:05:25.880 --> 0:05:27.119
<v Speaker 5>We've been partners ever since.

0:05:28.320 --> 0:05:32.520
<v Speaker 1>Charlie was made to order. Edgar had paid Chicago woodcarver

0:05:32.760 --> 0:05:36.720
<v Speaker 1>Theodore Mack thirty five dollars to carve Charlie's head.

0:05:36.960 --> 0:05:40.440
<v Speaker 2>Well. My father based the look of him on a

0:05:40.520 --> 0:05:44.200
<v Speaker 2>newsboy in his neighborhood in Illinois.

0:05:45.040 --> 0:05:49.640
<v Speaker 1>This newsy An Irish kid named Charlie was around Edgar's age.

0:05:49.880 --> 0:05:53.160
<v Speaker 1>He inspired not only the dummies first name, but also

0:05:53.360 --> 0:05:58.000
<v Speaker 1>his appearance, short red hair, high rosy cheekbones, and big

0:05:58.120 --> 0:06:02.159
<v Speaker 1>bright eyes. As for the ummy's personality, he.

0:06:02.240 --> 0:06:11.880
<v Speaker 2>Was cocky and smart and ambitious for a dummy, and

0:06:12.040 --> 0:06:12.920
<v Speaker 2>very confident.

0:06:13.440 --> 0:06:17.200
<v Speaker 1>How many of those characteristics describe your father?

0:06:17.920 --> 0:06:20.840
<v Speaker 2>None.

0:06:21.560 --> 0:06:26.640
<v Speaker 1>Edgar tended to be taciturn uneasy, and withdrawn. Candice describes

0:06:26.640 --> 0:06:32.200
<v Speaker 1>her father as stereotypically Swedish. Charlie gave Edgar a chance

0:06:32.279 --> 0:06:34.480
<v Speaker 1>to break out of his shell.

0:06:34.680 --> 0:06:38.240
<v Speaker 2>I mean he could say anything through Charlie and he

0:06:38.279 --> 0:06:40.440
<v Speaker 2>wouldn't have to take the blame.

0:06:41.279 --> 0:06:44.880
<v Speaker 1>That is pretty handy to have to have an id

0:06:45.440 --> 0:06:46.800
<v Speaker 1>that you could just take with you.

0:06:47.120 --> 0:06:47.760
<v Speaker 2>Yeah.

0:06:47.880 --> 0:06:49.640
<v Speaker 1>Right, and these are the things I want to be

0:06:49.680 --> 0:06:53.240
<v Speaker 1>able to say now. Edgar had not been raised to

0:06:53.360 --> 0:06:54.240
<v Speaker 1>work with a dummy.

0:06:54.600 --> 0:06:57.719
<v Speaker 2>He was at Northwestern as a student. He was either

0:06:57.760 --> 0:07:02.760
<v Speaker 2>going to go into medicine or be a ventriloquism. It

0:07:02.800 --> 0:07:03.120
<v Speaker 2>was like.

0:07:03.680 --> 0:07:09.600
<v Speaker 1>Humph, it was no to medicine, yes to ventriloquism. And

0:07:09.800 --> 0:07:13.360
<v Speaker 1>being a good ventriloquist meant learning to throw his voice.

0:07:13.800 --> 0:07:15.800
<v Speaker 1>And for people who don't know, can you explain what

0:07:15.840 --> 0:07:18.280
<v Speaker 1>does it mean to throw your voice? What does that mean?

0:07:18.800 --> 0:07:23.120
<v Speaker 2>It means that you squeeze it from your diaphragm and

0:07:23.160 --> 0:07:26.520
<v Speaker 2>it gives the illusion that your voice is coming from

0:07:27.080 --> 0:07:30.840
<v Speaker 2>across the room and that there's someone at the door,

0:07:31.360 --> 0:07:34.120
<v Speaker 2>or that there's someone in the corner, and you go,

0:07:34.240 --> 0:07:38.840
<v Speaker 2>who's in here. It's like a vocal illusion.

0:07:39.680 --> 0:07:44.680
<v Speaker 1>In its earliest ancient forms. Ventriloquism was associated with oracles

0:07:44.960 --> 0:07:50.040
<v Speaker 1>who claimed to address spirits dwelling inside their stomachs. By

0:07:50.120 --> 0:07:53.119
<v Speaker 1>the time Edgar Bergen was coming up, those so called

0:07:53.360 --> 0:07:57.720
<v Speaker 1>belly prophets had become known as belly talkers, a not

0:07:57.880 --> 0:08:03.000
<v Speaker 1>exactly prestigious form of entertain These were the days of vaudeville,

0:08:03.360 --> 0:08:07.080
<v Speaker 1>and for a decade, Edgar and Charlie played theaters across

0:08:07.120 --> 0:08:11.600
<v Speaker 1>the country. Luxurious this was not, and yet Edgar would

0:08:11.640 --> 0:08:15.239
<v Speaker 1>later describe this as the happiest time in his career.

0:08:15.840 --> 0:08:16.040
<v Speaker 5>Yeah.

0:08:16.080 --> 0:08:18.880
<v Speaker 2>You would talk about vaudeville and you know how getting

0:08:18.880 --> 0:08:22.640
<v Speaker 2>on the trains and sleeping on the trunks and just

0:08:22.680 --> 0:08:25.880
<v Speaker 2>going from town to town and it would be freezing cold,

0:08:25.960 --> 0:08:30.640
<v Speaker 2>and then it was baking hot. But he he loved it.

0:08:32.920 --> 0:08:36.280
<v Speaker 1>A typical vaudeville bill would include up to ten live

0:08:36.360 --> 0:08:40.760
<v Speaker 1>stage acts, running the gamut from established singers and comedians

0:08:41.200 --> 0:08:45.600
<v Speaker 1>to novelty acts like mind readers, jugglers, and trained lions.

0:08:46.440 --> 0:08:51.160
<v Speaker 1>Edgar and Charlie steadily climbed the ranks and eventually arrived

0:08:51.280 --> 0:08:58.080
<v Speaker 1>at the valhalla of vaudeville, performing at New York's Palace Theater. Wow. Yeah,

0:08:58.120 --> 0:09:01.440
<v Speaker 1>Playing the Palace was the pinnacle, Alice.

0:09:01.559 --> 0:09:05.160
<v Speaker 2>It was the pinnacle we always used to come to

0:09:05.200 --> 0:09:09.640
<v Speaker 2>New York and he would say, Candy, that is the

0:09:09.640 --> 0:09:15.320
<v Speaker 2>theater where your father performed in Vaudeville. And I was

0:09:15.520 --> 0:09:20.600
<v Speaker 2>so indifferent. I was just like, yeah, right, Edgar.

0:09:20.679 --> 0:09:24.400
<v Speaker 1>It turned out reached this peak just in time. Within

0:09:24.440 --> 0:09:28.160
<v Speaker 1>a few years, Vaudeville had been overtaken by motion pictures

0:09:28.240 --> 0:09:31.480
<v Speaker 1>and radio, and Vaudeville's over and your father had to

0:09:31.480 --> 0:09:32.520
<v Speaker 1>remake himself.

0:09:32.880 --> 0:09:36.720
<v Speaker 2>That's when he started to make the break was when

0:09:36.720 --> 0:09:39.920
<v Speaker 2>he played the supper clubs in Chicago. I mean it

0:09:39.960 --> 0:09:42.800
<v Speaker 2>was very swanky.

0:09:45.120 --> 0:09:48.160
<v Speaker 1>The act was a hit in Chicago, and word made

0:09:48.160 --> 0:09:52.000
<v Speaker 1>its way west to a very influential entertainer.

0:09:51.880 --> 0:09:56.680
<v Speaker 2>And Rudy Valley discovered my father, and then Rudy Valley

0:09:56.840 --> 0:09:58.600
<v Speaker 2>brought my father to Hollywood.

0:09:58.960 --> 0:10:02.200
<v Speaker 1>Rudy Valley was a singer and bandleader with a popular

0:10:02.280 --> 0:10:03.239
<v Speaker 1>radio show.

0:10:03.760 --> 0:10:06.440
<v Speaker 6>Just Imagine the Dummy, and take my word for it

0:10:06.480 --> 0:10:09.679
<v Speaker 6>that both voices you will hear are owned and operated

0:10:09.720 --> 0:10:12.760
<v Speaker 6>by just one man, Edgar Bergen.

0:10:14.160 --> 0:10:18.120
<v Speaker 1>Edgar and Charlie made their radio debut on Rudy Valley's

0:10:18.120 --> 0:10:20.480
<v Speaker 1>program in December nineteen thirty six.

0:10:21.120 --> 0:10:24.160
<v Speaker 6>Why put a ventriloquist on the air. The answer is

0:10:24.280 --> 0:10:24.640
<v Speaker 6>why not?

0:10:25.400 --> 0:10:25.800
<v Speaker 5>True?

0:10:25.840 --> 0:10:30.440
<v Speaker 6>Our ventriloquist, Edgar Bergan, is an unusual one, sort of

0:10:30.480 --> 0:10:34.800
<v Speaker 6>Noel Coward or perhaps Fred Allen among ventriloquists, an extrous

0:10:34.800 --> 0:10:37.440
<v Speaker 6>fellow who depends more upon the cleverness and wit of

0:10:37.520 --> 0:10:39.960
<v Speaker 6>his material than upon the believe it or not nature

0:10:40.360 --> 0:10:41.240
<v Speaker 6>of his delivery.

0:10:41.600 --> 0:10:49.520
<v Speaker 1>A ventriloquist act on the radio. This doesn't make a

0:10:49.520 --> 0:10:51.599
<v Speaker 1>lot of sense to modern ears, so can you do

0:10:51.760 --> 0:10:52.480
<v Speaker 1>explain it.

0:10:52.520 --> 0:10:59.400
<v Speaker 2>To any ears? But it gave him latitude. Charlie Kuitski,

0:11:00.040 --> 0:11:04.560
<v Speaker 2>Charlie could ride horses, Charlie could climb mountains. There was

0:11:04.600 --> 0:11:06.440
<v Speaker 2>nothing they couldn't do on the radio.

0:11:06.600 --> 0:11:11.640
<v Speaker 1>Wow, So ventriloquist act on the radio actually had more freedom,

0:11:11.960 --> 0:11:13.080
<v Speaker 1>had more creative potential.

0:11:13.160 --> 0:11:17.439
<v Speaker 2>Yeah, it was more engaging for the radio audience because

0:11:17.480 --> 0:11:21.280
<v Speaker 2>they were so un fettered.

0:11:21.720 --> 0:11:23.920
<v Speaker 1>Let's hear a bit of the act from that first

0:11:24.080 --> 0:11:25.240
<v Speaker 1>radio broadcast.

0:11:25.880 --> 0:11:30.120
<v Speaker 5>Alcohol. It's nothing but slow poison, is la. It's slow poison?

0:11:30.720 --> 0:11:30.880
<v Speaker 2>Is that?

0:11:31.080 --> 0:11:31.120
<v Speaker 5>So?

0:11:31.440 --> 0:11:37.480
<v Speaker 1>Yes, slow poison, that's what it is. Slow poison is Well,

0:11:37.520 --> 0:11:38.319
<v Speaker 1>I'm in no hurry.

0:11:38.360 --> 0:11:39.240
<v Speaker 8>Well, let me say.

0:11:43.120 --> 0:11:47.360
<v Speaker 1>That appearance was such a success they got their own show. Well,

0:11:47.800 --> 0:11:50.800
<v Speaker 1>Charlie got his own show, The.

0:11:50.800 --> 0:11:54.480
<v Speaker 5>Makers of Jason Samblan Coffee Bring You The Johnny McCarthy Show,

0:11:54.720 --> 0:11:57.000
<v Speaker 5>starring Edgar Bergen and Gnomy.

0:12:03.880 --> 0:12:07.800
<v Speaker 1>The Golden Age of radio was just getting started. Edgar

0:12:07.840 --> 0:12:11.360
<v Speaker 1>and Charlie carroused with all the big stars of the day.

0:12:11.840 --> 0:12:13.720
<v Speaker 2>Charlie, why don't you walk out on Bergen?

0:12:14.000 --> 0:12:14.760
<v Speaker 6>What's holding you?

0:12:15.280 --> 0:12:15.640
<v Speaker 8>He is?

0:12:16.679 --> 0:12:21.559
<v Speaker 1>His on air banter with legendary vamp May West caused controversy.

0:12:21.800 --> 0:12:22.360
<v Speaker 5>Why don't you.

0:12:22.320 --> 0:12:24.880
<v Speaker 6>Come up home with me now, honey, I'll let you play.

0:12:24.679 --> 0:12:31.800
<v Speaker 1>In my woodpile. Charlie cracked wise with crooner Frank Sinatra.

0:12:32.080 --> 0:12:34.200
<v Speaker 9>Well tell me, Charlie, what makes you think you could

0:12:34.240 --> 0:12:35.120
<v Speaker 9>make me a success?

0:12:35.800 --> 0:12:40.200
<v Speaker 1>Well look what I did for Bergen and Charlie fond

0:12:40.280 --> 0:12:41.960
<v Speaker 1>over a young Marilyn Monroe.

0:12:42.960 --> 0:12:45.000
<v Speaker 8>My dear, we were made for each other.

0:12:47.559 --> 0:12:49.640
<v Speaker 5>Just yes, gladly, all right.

0:13:00.280 --> 0:13:05.480
<v Speaker 1>Charlie had particularly memorable exchanges with comedian W. C. Fields.

0:13:06.240 --> 0:13:09.080
<v Speaker 8>My only laugh you ever got was a sneer from

0:13:09.080 --> 0:13:10.800
<v Speaker 8>a disgruntled termite.

0:13:10.920 --> 0:13:11.199
<v Speaker 5>Wow.

0:13:13.760 --> 0:13:17.800
<v Speaker 1>I read somewhere that WC. Fields genuinely hated Charlie. Yeah,

0:13:17.840 --> 0:13:21.360
<v Speaker 1>he probably did, called him a flop house for termites.

0:13:22.800 --> 0:13:25.400
<v Speaker 2>Or all we only you're down to a coat hanger.

0:13:26.200 --> 0:13:27.719
<v Speaker 2>That was one line.

0:13:27.800 --> 0:13:31.320
<v Speaker 1>Around this time, Edgar and Charlie began appearing in movies

0:13:31.679 --> 0:13:34.760
<v Speaker 1>where the audience could see them at work. Here they

0:13:34.760 --> 0:13:38.640
<v Speaker 1>are in the nineteen thirty eight Backstage drama Letter of introduction.

0:13:39.640 --> 0:13:41.240
<v Speaker 5>You're not so clever e than mister.

0:13:41.600 --> 0:13:42.439
<v Speaker 2>Oh I'm not well.

0:13:42.840 --> 0:13:46.920
<v Speaker 5>I can see your lips move. Oh that burns him up. You.

0:13:49.160 --> 0:13:53.760
<v Speaker 2>He was not meticulous about his technique, really, because people

0:13:53.800 --> 0:13:55.600
<v Speaker 2>could always see him moving his lips.

0:13:55.640 --> 0:13:58.080
<v Speaker 1>Well, I was gonna say that. And why didn't that

0:13:58.120 --> 0:13:58.760
<v Speaker 1>bother people?

0:14:00.040 --> 0:14:05.120
<v Speaker 2>Adienk because they were focused on the on Charlie and

0:14:05.160 --> 0:14:06.280
<v Speaker 2>the material was so.

0:14:06.360 --> 0:14:09.080
<v Speaker 1>Smart, and so the fact that you could see Edgar

0:14:09.120 --> 0:14:11.160
<v Speaker 1>Bergen's mouth moving a little bit, it's.

0:14:11.120 --> 0:14:13.880
<v Speaker 2>A lot, Okay, I think it was a lot.

0:14:15.360 --> 0:14:18.840
<v Speaker 1>It should be noted that Edgar Bergen created other characters,

0:14:19.320 --> 0:14:24.840
<v Speaker 1>the sweet but slow witted Mortimer Snurd. You don't get around.

0:14:24.640 --> 0:14:25.920
<v Speaker 5>Very much, do your Mortimer?

0:14:26.360 --> 0:14:26.800
<v Speaker 3>No?

0:14:26.800 --> 0:14:29.240
<v Speaker 2>No, I live with Grandpa.

0:14:29.440 --> 0:14:29.800
<v Speaker 7>You live?

0:14:30.840 --> 0:14:31.440
<v Speaker 5>Yeah?

0:14:31.520 --> 0:14:34.160
<v Speaker 2>I mean some people loved Mortimer, and he had his

0:14:34.240 --> 0:14:52.080
<v Speaker 2>own theme song, and.

0:14:44.280 --> 0:14:48.200
<v Speaker 1>And then there was Spitfire Spinster, Effie Clinker.

0:14:48.880 --> 0:14:53.760
<v Speaker 5>You're not mate, No, I'm not No, no, damn it.

0:14:54.040 --> 0:14:59.960
<v Speaker 2>No one, and Effie had no interest for me, Charli.

0:15:00.080 --> 0:15:03.400
<v Speaker 1>He was just not going to let these other characters shine. No,

0:15:03.480 --> 0:15:04.160
<v Speaker 1>there was just no.

0:15:04.120 --> 0:15:06.080
<v Speaker 2>Way, no, and they weren't as equal.

0:15:06.680 --> 0:15:09.280
<v Speaker 1>In nineteen thirty seven, at the height of their fame,

0:15:09.720 --> 0:15:13.640
<v Speaker 1>Edgar received an honorary oscar for the creation of Charlie.

0:15:14.040 --> 0:15:17.840
<v Speaker 1>The statuette itself was wooden with a movable mouth. And

0:15:17.880 --> 0:15:21.560
<v Speaker 1>then the next year another milestone of sorts, Edgar and

0:15:21.680 --> 0:15:25.240
<v Speaker 1>Charlie's radio show was airing at the same time as

0:15:25.360 --> 0:15:29.680
<v Speaker 1>Orson Wells's infamous War of the World's broadcast. You may

0:15:29.720 --> 0:15:32.920
<v Speaker 1>remember that that program led some listeners to believe that

0:15:33.040 --> 0:15:35.880
<v Speaker 1>Martians were invading rural New Jersey.

0:15:36.400 --> 0:15:40.080
<v Speaker 2>And things stopped in parts of the country. People were

0:15:40.080 --> 0:15:43.560
<v Speaker 2>so panic stricken because they thought we were being invaded

0:15:43.640 --> 0:15:49.960
<v Speaker 2>by aliens. It only didn't end life in America because

0:15:50.360 --> 0:15:54.080
<v Speaker 2>many people were listening to my father's radio show, which

0:15:54.200 --> 0:15:55.600
<v Speaker 2>was on at the same time.

0:15:57.480 --> 0:16:01.280
<v Speaker 1>Orson Wells later claimed that he received a telegram from

0:16:01.360 --> 0:16:05.840
<v Speaker 1>drama critic Alexander Walcott saying, quote, this only goes to

0:16:05.880 --> 0:16:09.400
<v Speaker 1>prove my beamish boy that all the intelligent people were

0:16:09.440 --> 0:16:12.480
<v Speaker 1>listening to that dummy and that all the dummies were

0:16:12.520 --> 0:16:17.480
<v Speaker 1>listening to you. Charlie even met to US Presidents FDR

0:16:17.640 --> 0:16:18.680
<v Speaker 1>and Harry Truman.

0:16:19.120 --> 0:16:24.040
<v Speaker 2>Yeah, he met everybody. I have an invitation from Missus

0:16:24.120 --> 0:16:28.640
<v Speaker 2>Roosevelt to Charles McCarthy to lunch at the White House.

0:16:29.480 --> 0:16:32.560
<v Speaker 2>I don't know if my father was invited, but Charlie

0:16:32.760 --> 0:16:34.320
<v Speaker 2>is definitely invited.

0:16:34.440 --> 0:16:37.120
<v Speaker 5>This has really been a wonderful day for us. Yet

0:16:37.200 --> 0:16:42.000
<v Speaker 5>it has lunch at the White House, pot luck with Roosevelt. Yes.

0:16:44.360 --> 0:16:47.720
<v Speaker 1>By the time Candice Bergen was born in nineteen forty six,

0:16:48.320 --> 0:16:52.960
<v Speaker 1>Charlie McCarthy was a megastar, coming up after the break.

0:16:53.400 --> 0:16:56.440
<v Speaker 1>A sibling rivalry unlike any other.

0:17:10.040 --> 0:17:12.399
<v Speaker 5>Who Lizy, what is your father's name? Edgar Bergen?

0:17:14.080 --> 0:17:17.720
<v Speaker 1>In nineteen fifty eight, a young Candas Bergen appeared on

0:17:17.760 --> 0:17:21.520
<v Speaker 1>the comedy quiz show You Bet Your Life with Groucho Marx.

0:17:21.720 --> 0:17:27.080
<v Speaker 5>Your father is Edgar began the Swedish Nightingale. Yeah, well

0:17:27.119 --> 0:17:29.840
<v Speaker 5>then your brothers must be Charlie McCarthy and Motamus name.

0:17:32.720 --> 0:17:34.840
<v Speaker 2>It was not good for Charlie when I was born.

0:17:35.160 --> 0:17:38.760
<v Speaker 2>Charlie was always competition for me, and he always won.

0:17:39.560 --> 0:17:43.199
<v Speaker 1>When Candasbergen was born in nineteen forty six, it was

0:17:43.440 --> 0:17:47.199
<v Speaker 1>kind of big news. Papers featured a photo of baby

0:17:47.240 --> 0:17:52.440
<v Speaker 1>Candace in her cradle, lovingly surrounded by father Edgar, mother Francis,

0:17:52.680 --> 0:17:56.720
<v Speaker 1>and yes, Charlie. The photo caption in the Los Angeles

0:17:56.800 --> 0:17:59.960
<v Speaker 1>Times actually read Charlie's new can.

0:18:00.880 --> 0:18:06.080
<v Speaker 2>I mean it was. It was an eccentric childhood when

0:18:06.119 --> 0:18:10.639
<v Speaker 2>we used to have breakfast, the three of us, my father, Charlie,

0:18:11.000 --> 0:18:13.600
<v Speaker 2>and I, and we would sit at the table and

0:18:13.640 --> 0:18:17.359
<v Speaker 2>my father would put me on one knee and Charlie

0:18:17.400 --> 0:18:20.679
<v Speaker 2>on the other, and he would have us talk to

0:18:20.720 --> 0:18:21.160
<v Speaker 2>each other.

0:18:23.000 --> 0:18:26.600
<v Speaker 3>Were you actually talking in this scenario you were on

0:18:27.040 --> 0:18:30.880
<v Speaker 3>I was talking, but my father was squeezing my neck

0:18:31.320 --> 0:18:34.800
<v Speaker 3>to cue me when to move my mouth to start talking.

0:18:35.280 --> 0:18:39.560
<v Speaker 2>I find photographs sometimes of me when I was like

0:18:39.760 --> 0:18:42.800
<v Speaker 2>seven or eight, and I am giving Charlie a look

0:18:43.440 --> 0:18:47.080
<v Speaker 2>that's like as soon as my father leaves, I am

0:18:47.280 --> 0:18:50.320
<v Speaker 2>going to put a knife in your rip. I mean,

0:18:50.400 --> 0:18:54.879
<v Speaker 2>it's like I cannot wait to kill this thing.

0:18:58.720 --> 0:19:02.800
<v Speaker 1>Probably know him. She captures their relationship more than the

0:19:02.880 --> 0:19:06.600
<v Speaker 1>Christmas photo that you took when Candace was just three.

0:19:07.600 --> 0:19:10.640
<v Speaker 1>There's no other way to say it. It's pretty creepy.

0:19:11.119 --> 0:19:14.040
<v Speaker 1>She and Charlie stand at the top of a dark

0:19:14.080 --> 0:19:19.240
<v Speaker 1>staircase in matching footy pajamas. Candas is holding a lip

0:19:19.320 --> 0:19:24.120
<v Speaker 1>candle while Charlie, wearing his monocle, just kind of hovers.

0:19:24.960 --> 0:19:29.600
<v Speaker 1>Both glare straight ahead, just.

0:19:29.600 --> 0:19:33.600
<v Speaker 2>About to push him down the stairs, just on the cusp,

0:19:33.720 --> 0:19:36.760
<v Speaker 2>and I'm looking so unhappy, I'm scowling.

0:19:37.480 --> 0:19:40.080
<v Speaker 1>So when you say that you wanted to push Charlie

0:19:40.119 --> 0:19:44.080
<v Speaker 1>down the stairs or stab him, was it that you

0:19:44.119 --> 0:19:46.440
<v Speaker 1>were annoyed? Was it that you were jealous?

0:19:46.760 --> 0:19:48.880
<v Speaker 2>Jealous? I was jealous.

0:19:49.680 --> 0:19:53.000
<v Speaker 1>Yeah, but killing Charlie didn't really make a lot of sense,

0:19:53.040 --> 0:19:55.120
<v Speaker 1>and not just because you can't kill a puppet.

0:19:55.520 --> 0:20:00.720
<v Speaker 2>He was the head of the family. He wasn't just

0:20:00.800 --> 0:20:02.640
<v Speaker 2>a member of the family.

0:20:03.200 --> 0:20:04.560
<v Speaker 1>What was that like for your mother?

0:20:07.720 --> 0:20:12.520
<v Speaker 2>Such a good question. My mother dealt with it with

0:20:13.119 --> 0:20:14.200
<v Speaker 2>tremendous grace.

0:20:17.080 --> 0:20:21.000
<v Speaker 1>Francis Bergen was an actress and fashion model from Alabama.

0:20:21.680 --> 0:20:26.119
<v Speaker 1>Her face graced billboards as both the Ipana Girl for

0:20:26.320 --> 0:20:32.040
<v Speaker 1>Ipana toothpaste and the Chesterfield Girl for Chesterfield Cigarettes. She

0:20:32.160 --> 0:20:34.359
<v Speaker 1>was only nineteen when she met Edgar.

0:20:34.880 --> 0:20:37.919
<v Speaker 2>She met my father at his radio show. She was

0:20:37.960 --> 0:20:41.000
<v Speaker 2>in the front row, right, and she had very long

0:20:41.080 --> 0:20:43.119
<v Speaker 2>legs and she was sitting in the front row wearing

0:20:43.119 --> 0:20:46.000
<v Speaker 2>a skirt and heels, and my father saw her legs

0:20:46.000 --> 0:20:48.920
<v Speaker 2>and went about meeting her afterwards.

0:20:49.800 --> 0:20:52.639
<v Speaker 1>Edgar, who had never married, was thirty nine and a

0:20:52.760 --> 0:20:56.240
<v Speaker 1>major star, and there was a big age difference.

0:20:55.920 --> 0:20:59.920
<v Speaker 2>Yeah, about twenty years. He was a very good candidate

0:21:00.119 --> 0:21:04.280
<v Speaker 2>for marriage, and she loved him.

0:21:04.520 --> 0:21:07.360
<v Speaker 1>They were married in Mexico in the summer of nineteen

0:21:07.440 --> 0:21:10.400
<v Speaker 1>forty five. And do you think after the wedding, when

0:21:10.400 --> 0:21:13.960
<v Speaker 1>they started home together, she thought there are three of

0:21:14.040 --> 0:21:15.560
<v Speaker 1>us in this marriage.

0:21:15.200 --> 0:21:20.639
<v Speaker 2>Oh, very much so, and accepted it. I mean everybody

0:21:20.720 --> 0:21:22.120
<v Speaker 2>accepted it. Yeah.

0:21:22.840 --> 0:21:25.680
<v Speaker 1>One of the crazy ways that the press participated. There's

0:21:25.720 --> 0:21:31.160
<v Speaker 1>an LA Times headline after your parents get engaged, and

0:21:31.200 --> 0:21:38.200
<v Speaker 1>it says will Charlie let Bergen wed. Oh gosh, everyone

0:21:38.320 --> 0:21:39.080
<v Speaker 1>was all in on this.

0:21:40.400 --> 0:21:44.920
<v Speaker 2>It's just really weirdness beyond what should be allowed.

0:21:45.600 --> 0:21:49.240
<v Speaker 1>Before long, Candice began making appearances with her father and

0:21:49.320 --> 0:21:50.720
<v Speaker 1>her sort of brother.

0:21:51.160 --> 0:21:55.240
<v Speaker 2>We go on my father's radio show together. Obviously, Charlie

0:21:55.400 --> 0:21:59.199
<v Speaker 2>was regular, he was on every show since it was

0:21:59.320 --> 0:22:02.800
<v Speaker 2>the Charlie Courthy Show. But I would go on and

0:22:02.840 --> 0:22:07.080
<v Speaker 2>we would compete with each other for my father's attention.

0:22:07.520 --> 0:22:11.320
<v Speaker 5>Tonight, Charlly. Tonight, my little daughter Candy is going to

0:22:11.359 --> 0:22:16.199
<v Speaker 5>be on this show. Yeah, and that's why I'm so happy,

0:22:16.280 --> 0:22:20.160
<v Speaker 5>you know, she she's the apple of my eyes. Yes

0:22:20.359 --> 0:22:23.920
<v Speaker 5>I know, but don't forget buster. I'm the cabbage of

0:22:24.000 --> 0:22:24.680
<v Speaker 5>the bank book.

0:22:24.760 --> 0:22:30.520
<v Speaker 1>Yes, Candace was just nine years old in this radio

0:22:30.520 --> 0:22:34.200
<v Speaker 1>show appearance, and it seems like her father is stoking

0:22:34.280 --> 0:22:35.040
<v Speaker 1>the rivalry.

0:22:35.600 --> 0:22:44.760
<v Speaker 5>Candy, my my own little Candy. Oh Jesus, yes, tonight tonight,

0:22:44.880 --> 0:22:48.240
<v Speaker 5>my heart is full of joy. Tonight my little girl

0:22:48.760 --> 0:22:56.440
<v Speaker 5>steps out into the footlights of life down down ply Snoke.

0:22:56.520 --> 0:23:01.600
<v Speaker 5>She's getting laughs too, watching Kidrin. There's only one star

0:23:01.800 --> 0:23:03.280
<v Speaker 5>on this show. Just remember that.

0:23:04.080 --> 0:23:07.800
<v Speaker 1>Candice was living in Charlie's shadow, but so was her father.

0:23:08.400 --> 0:23:10.879
<v Speaker 5>But I want to be on the show, Charlie. I

0:23:10.920 --> 0:23:13.520
<v Speaker 5>want to be just like daddy. Oh no, ambitionary.

0:23:17.040 --> 0:23:20.760
<v Speaker 2>I remember that dialogue. I guess he was a real

0:23:20.800 --> 0:23:22.560
<v Speaker 2>smartness on some level.

0:23:22.600 --> 0:23:26.880
<v Speaker 1>Did you love Charlie?

0:23:27.119 --> 0:23:27.199
<v Speaker 3>No?

0:23:27.840 --> 0:23:35.120
<v Speaker 2>But I felt connected to him sometimes uncomfortably connected to him.

0:23:35.520 --> 0:23:38.119
<v Speaker 2>There were moments when I liked him. It depended on

0:23:38.240 --> 0:23:43.000
<v Speaker 2>my father, because you know, my father was the guy

0:23:43.080 --> 0:23:43.760
<v Speaker 2>behind him.

0:23:44.359 --> 0:23:48.040
<v Speaker 1>Did Charlie make it more difficult for you to get

0:23:48.080 --> 0:23:50.120
<v Speaker 1>close to your father, Did it seem that way.

0:23:51.480 --> 0:23:55.359
<v Speaker 2>I spent less time with my father when he was

0:23:55.400 --> 0:23:59.240
<v Speaker 2>with Charlie because he was working with Charlie, and so

0:23:59.440 --> 0:24:03.879
<v Speaker 2>Charlie always go with him in the car in his trunk.

0:24:04.560 --> 0:24:07.640
<v Speaker 2>But I was just jealous of the time. I think

0:24:07.880 --> 0:24:11.160
<v Speaker 2>the time and the importance he was so important.

0:24:13.119 --> 0:24:16.359
<v Speaker 1>Candice relished the one on one time with her father

0:24:16.560 --> 0:24:17.520
<v Speaker 1>that she did get.

0:24:17.960 --> 0:24:21.480
<v Speaker 2>We'd go fishing, we'd go in his plane. He'd put

0:24:21.600 --> 0:24:23.960
<v Speaker 2>phone books on the seat for me and I'd get

0:24:24.000 --> 0:24:28.000
<v Speaker 2>to fly. We'd go to Palm Springs and we'd we'd

0:24:28.080 --> 0:24:30.200
<v Speaker 2>just have like little trips together.

0:24:30.320 --> 0:24:33.520
<v Speaker 1>That was just the two of us without Charlie. Yeah,

0:24:33.760 --> 0:24:35.600
<v Speaker 1>no Charlie, Charlie free zone.

0:24:35.720 --> 0:24:39.440
<v Speaker 2>Yeah, Charlie free zone and mother free zone.

0:24:39.840 --> 0:24:40.960
<v Speaker 4>Was just us.

0:24:41.720 --> 0:24:46.000
<v Speaker 1>That's pretty special. Can I ask you, do you remember

0:24:46.040 --> 0:24:48.840
<v Speaker 1>the first time that you said I love you to

0:24:48.920 --> 0:24:49.399
<v Speaker 1>your father.

0:24:53.160 --> 0:24:56.720
<v Speaker 2>I don't know that I ever did, because I never

0:24:56.760 --> 0:25:06.159
<v Speaker 2>heard it from him. Think I think it was and

0:25:06.240 --> 0:25:08.520
<v Speaker 2>my mother too. It was a big struggle for me

0:25:08.960 --> 0:25:13.280
<v Speaker 2>because I had to, like because I wanted to hear

0:25:13.359 --> 0:25:18.679
<v Speaker 2>it from my parents so much. I'm sure I probably

0:25:19.359 --> 0:25:22.520
<v Speaker 2>forced my father to say it some way when I

0:25:22.640 --> 0:25:26.280
<v Speaker 2>was older, like thirteen or fourteen when I got into

0:25:26.359 --> 0:25:33.680
<v Speaker 2>that sticky age. But and I dimly remember him saying yes,

0:25:33.760 --> 0:25:37.919
<v Speaker 2>well I love you to him, it's like, okay, can

0:25:37.960 --> 0:25:38.760
<v Speaker 2>we move on now.

0:25:40.840 --> 0:25:44.719
<v Speaker 1>When Candace was fifteen, her brother Chris was born, and

0:25:45.040 --> 0:25:48.159
<v Speaker 1>this was an actual flesh and blood brother. And you

0:25:48.320 --> 0:25:50.119
<v Speaker 1>just loved your little brother.

0:25:50.280 --> 0:25:53.560
<v Speaker 2>I did. And we're still very very close. Yeah, except

0:25:53.600 --> 0:25:56.520
<v Speaker 2>he's six ' three now, so he's not a little

0:25:56.560 --> 0:25:57.440
<v Speaker 2>brother anymore.

0:25:58.000 --> 0:26:01.399
<v Speaker 1>By this time, Candace was becoming more and more comfortable

0:26:01.480 --> 0:26:04.960
<v Speaker 1>in the spotlight. At eighteen, she appeared on the TV

0:26:05.119 --> 0:26:09.680
<v Speaker 1>program The Hollywood Palace, hosted by Purl Lives Edgar.

0:26:09.720 --> 0:26:11.440
<v Speaker 7>I hope you won't mind if I tell the book

0:26:11.520 --> 0:26:14.080
<v Speaker 7>something about the lovely young girl who appeared in your act.

0:26:15.119 --> 0:26:18.840
<v Speaker 7>Ladies and gentlemen, That charming young lady and Edgar's act

0:26:19.040 --> 0:26:22.760
<v Speaker 7>was his eighteen year old daughter Ken look out.

0:26:26.119 --> 0:26:26.919
<v Speaker 2>Ahire you gentlemen.

0:26:29.160 --> 0:26:30.399
<v Speaker 5>Isn't she beautiful?

0:26:30.720 --> 0:26:30.960
<v Speaker 1>Well?

0:26:31.400 --> 0:26:34.160
<v Speaker 5>Thank you, Charlie, just my love.

0:26:34.240 --> 0:26:35.520
<v Speaker 1>She has to be my sister.

0:26:37.080 --> 0:26:40.720
<v Speaker 3>Oh gosh, it was the family business, Yes, it was.

0:26:42.240 --> 0:26:42.840
<v Speaker 2>Very much so.

0:26:43.640 --> 0:26:47.480
<v Speaker 1>Do you think your father was ever resentful of Charlie?

0:26:47.880 --> 0:26:51.840
<v Speaker 2>Well, I think he created a monster everybody wanted Charlie

0:26:52.359 --> 0:26:53.680
<v Speaker 2>and they didn't want my father.

0:26:54.200 --> 0:26:57.360
<v Speaker 1>Edgar's dream was to appear in movie musicals.

0:26:57.800 --> 0:27:00.760
<v Speaker 2>My father did a few things by himself, but really

0:27:01.040 --> 0:27:05.960
<v Speaker 2>Charlie was the draw. My father had to fight to

0:27:06.000 --> 0:27:09.639
<v Speaker 2>get billing above Charlie. On the radio show, it was

0:27:09.680 --> 0:27:12.439
<v Speaker 2>always the Charlie McCarthy Show with Edgar Bergen.

0:27:14.840 --> 0:27:17.560
<v Speaker 1>There's a quote where your father said at one point,

0:27:17.680 --> 0:27:21.760
<v Speaker 1>Charlie is famous and I am the forgotten man. Yeah,

0:27:22.920 --> 0:27:24.320
<v Speaker 1>did he mean that seriously?

0:27:24.560 --> 0:27:25.679
<v Speaker 8>Yeah?

0:27:26.160 --> 0:27:30.840
<v Speaker 2>I don't think he would have admitted it, but yeah,

0:27:31.320 --> 0:27:33.480
<v Speaker 2>Charlie just stole his thunder.

0:27:35.800 --> 0:27:38.480
<v Speaker 1>On the other side of the break, A father's star

0:27:38.680 --> 0:27:58.639
<v Speaker 1>wanes as his daughter's star rises. Ladies and ten. In

0:27:58.760 --> 0:28:04.120
<v Speaker 1>nineteen sixty five, ventriloquist Edgar Bergen and his daughter Candice Bergen,

0:28:04.400 --> 0:28:08.320
<v Speaker 1>then aged nineteen, appeared on the game show What's My Line.

0:28:08.800 --> 0:28:11.480
<v Speaker 1>There's an ease and warmth between the two of them,

0:28:11.960 --> 0:28:14.920
<v Speaker 1>but their careers were moving in different directions.

0:28:15.480 --> 0:28:17.720
<v Speaker 6>Look Magazine said it, and today The New York Daily

0:28:17.720 --> 0:28:19.760
<v Speaker 6>News had a wonderful piece about Candy's is.

0:28:19.760 --> 0:28:22.040
<v Speaker 9>One of the great stars of the future in the

0:28:22.080 --> 0:28:23.280
<v Speaker 9>American cinema.

0:28:23.520 --> 0:28:23.960
<v Speaker 2>Right in the.

0:28:25.640 --> 0:28:28.919
<v Speaker 1>Right but as the stars of the past, right, and

0:28:28.960 --> 0:28:32.760
<v Speaker 1>your father says kind of under his breath, and I'm

0:28:32.760 --> 0:28:34.240
<v Speaker 1>a star of the past.

0:28:34.720 --> 0:28:37.120
<v Speaker 2>Well it's true. Yeah.

0:28:37.880 --> 0:28:42.040
<v Speaker 1>Edgar and Charlie's hugely popular radio shows ran for nearly

0:28:42.080 --> 0:28:45.800
<v Speaker 1>two decades until nineteen fifty six, but by the nineteen

0:28:45.880 --> 0:28:49.680
<v Speaker 1>sixties the novelty of their act had long since faded.

0:28:50.520 --> 0:28:53.760
<v Speaker 1>Was that period hard for your father when Charlie became

0:28:53.840 --> 0:28:55.680
<v Speaker 1>less popular and people just didn't care?

0:28:56.160 --> 0:28:59.640
<v Speaker 2>Well, Charlie becoming less popular? Was my father also becoming

0:28:59.720 --> 0:29:07.520
<v Speaker 2>less popular and he'd also he'd aged out. That happens

0:29:08.160 --> 0:29:08.880
<v Speaker 2>to all of us.

0:29:09.440 --> 0:29:14.600
<v Speaker 1>Well, we're still getting a lot of work. But Kandasbergen

0:29:14.680 --> 0:29:18.800
<v Speaker 1>has been a star for six decades. Her rise started

0:29:18.880 --> 0:29:20.360
<v Speaker 1>back in the nineteen sixties.

0:29:20.720 --> 0:29:25.880
<v Speaker 2>Snobbish, fierce, contradictory, and controversial. I'm Kandisbergen, who portrays Lacky

0:29:26.000 --> 0:29:26.240
<v Speaker 2>in The.

0:29:26.200 --> 0:29:31.680
<v Speaker 1>Group, That's Candice and the trailer for the nineteen sixty

0:29:31.760 --> 0:29:35.800
<v Speaker 1>six movie The Group her screen debut. By that time,

0:29:35.920 --> 0:29:39.160
<v Speaker 1>she'd had success as a fashion model. At twenty one,

0:29:39.320 --> 0:29:42.760
<v Speaker 1>she landed on the cover of Vogue, Working both sides

0:29:42.760 --> 0:29:46.000
<v Speaker 1>of the camera. She pursued a career as a photojournalist

0:29:46.320 --> 0:29:49.880
<v Speaker 1>in tandem with acting, and in nineteen seventy one, she

0:29:50.120 --> 0:29:53.880
<v Speaker 1>starred opposite Jack Nicholson in Carnal Knowledge.

0:29:54.040 --> 0:30:00.360
<v Speaker 2>Bo Are you really something? I don't feel like something.

0:30:01.680 --> 0:30:02.760
<v Speaker 2>I feel like nothing.

0:30:03.440 --> 0:30:06.479
<v Speaker 1>Her performance in the movie Starting Over earned her an

0:30:06.520 --> 0:30:11.640
<v Speaker 1>Academy Award nomination. On TV, she hosted Saturday Night Live

0:30:11.760 --> 0:30:14.720
<v Speaker 1>in its inaugural season and made history.

0:30:15.240 --> 0:30:17.480
<v Speaker 4>I am very happy to be here tonight. I am

0:30:17.520 --> 0:30:20.720
<v Speaker 4>also especially happy to be here and Saturday Night's first

0:30:20.760 --> 0:30:26.800
<v Speaker 4>woman host. This may not make up for the era

0:30:27.040 --> 0:30:29.040
<v Speaker 4>vote the other day, but at least did something.

0:30:31.680 --> 0:30:35.880
<v Speaker 1>While her father was a traditional Republican, Candace campaigned for

0:30:35.960 --> 0:30:41.280
<v Speaker 1>Democratic presidential candidate George McGovern. She associated with and supported

0:30:41.360 --> 0:30:45.560
<v Speaker 1>activists like Abbi Hoffman. She was arrested at an anti

0:30:45.600 --> 0:30:49.360
<v Speaker 1>war sit in. By the early nineteen seventies, Candace was

0:30:49.400 --> 0:30:52.680
<v Speaker 1>a lot more than the daughter of a ventriloquest What

0:30:52.800 --> 0:30:55.440
<v Speaker 1>was that like? Do you think for your father when

0:30:56.280 --> 0:31:00.760
<v Speaker 1>he went from being Edgar Bergen too being Candasan's father.

0:31:03.120 --> 0:31:06.440
<v Speaker 2>It was an adjustment for people in our house, for

0:31:07.560 --> 0:31:13.680
<v Speaker 2>I mean for my mother, for my father, for I

0:31:13.720 --> 0:31:17.320
<v Speaker 2>think he was proud of me, But at the same time,

0:31:18.120 --> 0:31:21.640
<v Speaker 2>I'm sure he was very mixed about it.

0:31:23.320 --> 0:31:27.320
<v Speaker 1>Meanwhile, Charlie was spending most of his time in a trunk,

0:31:27.960 --> 0:31:32.240
<v Speaker 1>pulled out only occasionally to play small stages or conventions.

0:31:33.040 --> 0:31:37.880
<v Speaker 1>Edgar himself had aged into an emeritus figure. Johnny Carson,

0:31:38.040 --> 0:31:41.160
<v Speaker 1>who'd gotten his start as a magician, was a longtime

0:31:41.280 --> 0:31:43.760
<v Speaker 1>fan of Edgar Bergins and had him on his show.

0:31:44.760 --> 0:31:47.720
<v Speaker 1>Watching Edgar on The Tonight Show in nineteen seventy seven

0:31:48.280 --> 0:31:51.960
<v Speaker 1>without his scene partner is bittersweet. They always said.

0:31:51.960 --> 0:31:54.920
<v Speaker 9>The venture was basically, remember when they were talking about you,

0:31:54.960 --> 0:31:58.240
<v Speaker 9>that you were a shy man, and you use Charlie

0:31:58.240 --> 0:32:02.760
<v Speaker 9>and more just to sayings. But they feel more comfortable

0:32:02.760 --> 0:32:04.240
<v Speaker 9>saying than you would if you said them.

0:32:04.400 --> 0:32:05.160
<v Speaker 1>Is there any truth to that?

0:32:05.200 --> 0:32:06.640
<v Speaker 2>I mean, you can be I guess.

0:32:06.880 --> 0:32:09.000
<v Speaker 1>I hate to admit it, but I guess it certainly is.

0:32:09.120 --> 0:32:11.800
<v Speaker 5>Because I wish I could walk into a room and

0:32:11.880 --> 0:32:14.400
<v Speaker 5>be accepted as readily as Charlie and martinmer.

0:32:14.800 --> 0:32:19.400
<v Speaker 1>I've tried it and it doesn't work. I'm just no.

0:32:20.680 --> 0:32:24.920
<v Speaker 1>In September nineteen seventy eight, nearly sixty years after the

0:32:24.960 --> 0:32:29.240
<v Speaker 1>act was born, Edgar Bergen and his Wooden sidekick, convened

0:32:29.240 --> 0:32:32.719
<v Speaker 1>a press conference in Los Angeles, to announce their retirement.

0:32:33.120 --> 0:32:35.480
<v Speaker 1>Here's Charlie addressing reporters.

0:32:35.760 --> 0:32:39.000
<v Speaker 5>I just am not going to admit it my last performance.

0:32:39.120 --> 0:32:41.520
<v Speaker 1>I'm going to keep hoping you you.

0:32:41.560 --> 0:32:45.000
<v Speaker 5>Take your pills and we can do it through benefits anyway.

0:32:45.560 --> 0:32:49.200
<v Speaker 1>They would play one final two week engagement at Caesar's

0:32:49.240 --> 0:32:52.440
<v Speaker 1>Palace in Las Vegas. Do you remember your father's farewell

0:32:52.440 --> 0:32:54.280
<v Speaker 1>performances at Caesar's Palace?

0:32:55.080 --> 0:33:01.480
<v Speaker 2>What was that like? It was very emotional. In fact,

0:33:02.720 --> 0:33:07.000
<v Speaker 2>I can't believe I'm getting emotional now thinking about it.

0:33:09.400 --> 0:33:13.680
<v Speaker 2>He was dressed in his white tie and tails, which

0:33:13.720 --> 0:33:16.160
<v Speaker 2>he never usually performed in.

0:33:16.880 --> 0:33:20.720
<v Speaker 1>Candace, her mother, Frances, and her brother Chris were all

0:33:20.760 --> 0:33:22.040
<v Speaker 1>there on opening night.

0:33:22.520 --> 0:33:26.480
<v Speaker 2>We were in a bonkhead in front of him, and

0:33:26.520 --> 0:33:28.200
<v Speaker 2>it was so emotional for us.

0:33:32.080 --> 0:33:35.960
<v Speaker 1>Edgar and Charlie snapped back into the old routines as

0:33:36.000 --> 0:33:39.720
<v Speaker 1>if they'd never stopped doing them. Candace says that despite

0:33:39.760 --> 0:33:44.880
<v Speaker 1>his recent hospitalization, her father's performance was flawless, and he

0:33:44.960 --> 0:33:47.240
<v Speaker 1>wrote that you looked over and you saw your mother

0:33:47.360 --> 0:33:49.120
<v Speaker 1>was mouthing the words.

0:33:49.480 --> 0:33:54.040
<v Speaker 2>Yeah, she'd heard them all so many times, and he

0:33:54.160 --> 0:34:00.760
<v Speaker 2>used old material, but he made it fresh. And we

0:34:00.800 --> 0:34:07.920
<v Speaker 2>went backstage afterward and I just talked him. I'm surprised

0:34:08.000 --> 0:34:13.000
<v Speaker 2>at how much it's effectively.

0:34:13.480 --> 0:34:17.280
<v Speaker 1>Was he surprised at the turnout that that people wanted

0:34:17.320 --> 0:34:18.880
<v Speaker 1>to see him off because he.

0:34:18.920 --> 0:34:22.320
<v Speaker 2>Had it had been it had been tough year for

0:34:22.520 --> 0:34:30.320
<v Speaker 2>that lean years. Yeah, he'd been performing in really p dunk.

0:34:31.000 --> 0:34:34.239
<v Speaker 1>To me, what's so beautiful about it is somebody who

0:34:34.239 --> 0:34:36.799
<v Speaker 1>does have these lean years and has been performing this

0:34:36.920 --> 0:34:42.080
<v Speaker 1>act for almost sixty years, and then at the end

0:34:42.800 --> 0:34:46.239
<v Speaker 1>in this big venue it's a big deal, and that

0:34:46.320 --> 0:34:48.080
<v Speaker 1>you all were there for it.

0:34:48.080 --> 0:34:54.000
<v Speaker 2>It was great. It was a great goodbye for him

0:34:54.080 --> 0:34:57.279
<v Speaker 2>to have. And then he died.

0:34:59.719 --> 0:35:03.040
<v Speaker 1>Just three nights into the run. Edgar Bergan died in

0:35:03.120 --> 0:35:05.800
<v Speaker 1>his sleep in his Las Vegas hotel room.

0:35:06.200 --> 0:35:08.879
<v Speaker 10>He began his career with not much more than a

0:35:08.920 --> 0:35:12.080
<v Speaker 10>block of wood and his native wit, which was plenty.

0:35:12.280 --> 0:35:15.000
<v Speaker 10>But when Edgar Bergen died Saturday at age seventy five,

0:35:15.160 --> 0:35:17.440
<v Speaker 10>more than the entertainment world took notice.

0:35:18.120 --> 0:35:23.359
<v Speaker 2>I remember his funeral. Carl Reiner was walking in and

0:35:23.400 --> 0:35:27.279
<v Speaker 2>he said, I hope I can have a ending like that.

0:35:28.680 --> 0:35:32.200
<v Speaker 2>This for a performer, that's what you want. The Muppet

0:35:32.239 --> 0:35:37.440
<v Speaker 2>Movie was dedicated to his memory. Jim Henson just worshiped

0:35:38.360 --> 0:35:44.920
<v Speaker 2>your father. Sounds like that was very nice. He spoke

0:35:45.040 --> 0:35:47.320
<v Speaker 2>at the memorial and he brought hermit.

0:35:47.719 --> 0:35:48.279
<v Speaker 1>Is that right?

0:35:52.360 --> 0:35:58.160
<v Speaker 2>It wasn't your usual funeral? And Reagan spoke.

0:35:59.000 --> 0:36:02.319
<v Speaker 8>There was of course Edgar, the kindly and modest man.

0:36:02.360 --> 0:36:05.360
<v Speaker 8>We all knew there was never any cruelty in the

0:36:05.440 --> 0:36:08.759
<v Speaker 8>laughter that he brought to us. But there was an

0:36:08.840 --> 0:36:12.880
<v Speaker 8>Edgar Bergen who in truth was the puckish, pixie like

0:36:13.000 --> 0:36:16.439
<v Speaker 8>destroyer of the pampas Charlie.

0:36:16.560 --> 0:36:20.880
<v Speaker 1>Johnny Carson also spoke about Edgar's utter lack of pretension.

0:36:21.239 --> 0:36:27.319
<v Speaker 2>He was the most unpretentious man, the most modest, just

0:36:28.239 --> 0:36:30.319
<v Speaker 2>again Swedish.

0:36:30.280 --> 0:36:31.920
<v Speaker 1>Was Charlie at the memorial?

0:36:33.200 --> 0:36:41.640
<v Speaker 2>No he was not, No, that would have been too weird. God.

0:36:45.080 --> 0:36:48.799
<v Speaker 1>Edgar Bergen left ten thousand dollars in his will for

0:36:48.920 --> 0:36:52.480
<v Speaker 1>the Charlie McCarthy fund, but nothing for Candace.

0:36:53.239 --> 0:36:54.840
<v Speaker 2>That was a bitter pill.

0:36:55.040 --> 0:36:56.799
<v Speaker 1>What do you think that was about? Why did he

0:36:56.880 --> 0:36:57.279
<v Speaker 1>do that?

0:36:57.719 --> 0:37:01.800
<v Speaker 2>Well? He knew I'd left home and was making money

0:37:01.840 --> 0:37:05.319
<v Speaker 2>for many years before he died, and he knew I'd

0:37:05.360 --> 0:37:07.920
<v Speaker 2>made a lot of money, so I didn't need it.

0:37:08.560 --> 0:37:12.799
<v Speaker 2>Of course neither did Charlie. And he owed it all

0:37:12.840 --> 0:37:17.160
<v Speaker 2>to Charlie. I mean it was Charlie's money. Charlie was

0:37:17.280 --> 0:37:18.040
<v Speaker 2>the breadwinner.

0:37:18.560 --> 0:37:22.200
<v Speaker 1>Charlie, of course couldn't actually accept the funds. In fact,

0:37:22.320 --> 0:37:26.080
<v Speaker 1>the money was designated to be used to fund Ventriloquist

0:37:26.160 --> 0:37:31.400
<v Speaker 1>performances for children in orphanages and quote other such similar

0:37:31.400 --> 0:37:39.120
<v Speaker 1>institutes for destitute and handicapped children. Charlie McCarthy relocated from

0:37:39.120 --> 0:37:42.279
<v Speaker 1>Beverly Hills to a new home in Washington, d C.

0:37:42.920 --> 0:37:47.200
<v Speaker 1>At the Smithsonian Institute. Candice and her family flew to

0:37:47.320 --> 0:37:49.320
<v Speaker 1>DC to preview the exhibit.

0:37:50.200 --> 0:37:54.400
<v Speaker 2>We were thrilled that we had him out and taken

0:37:54.520 --> 0:37:58.080
<v Speaker 2>care of, and because it was like, what do we

0:37:58.160 --> 0:38:02.040
<v Speaker 2>do with him now? As Charlie without my father was

0:38:02.120 --> 0:38:03.520
<v Speaker 2>like a thing.

0:38:05.400 --> 0:38:10.000
<v Speaker 1>Candicesbergn remembers staring at Charlie on display, waiting for a

0:38:10.000 --> 0:38:14.040
<v Speaker 1>look of recognition or a wise crack, but it never came.

0:38:15.280 --> 0:38:22.160
<v Speaker 1>Without her father, there was no magic, the illusion was gone.

0:38:23.239 --> 0:38:26.239
<v Speaker 5>Well, when we started way back in those days, you

0:38:26.320 --> 0:38:31.400
<v Speaker 5>might say we were practically nobody. Yes, that's right. Why

0:38:30.800 --> 0:38:33.920
<v Speaker 5>we've come a long way, haven't I?

0:38:34.200 --> 0:38:46.279
<v Speaker 1>Yeah, I hope you enjoyed this mobituary. May I ask

0:38:46.360 --> 0:38:49.239
<v Speaker 1>you to please rate and review our podcast. You can

0:38:49.280 --> 0:38:53.080
<v Speaker 1>also follow Mobituaries on Facebook and Instagram, and you can

0:38:53.120 --> 0:38:55.960
<v Speaker 1>follow me on the social media platform formerly known as

0:38:56.040 --> 0:39:01.000
<v Speaker 1>Twitter at morocca. Hear all new episodes of Mobituaries every

0:39:01.040 --> 0:39:05.360
<v Speaker 1>Wednesday wherever you get your podcasts, and check out Mobituaries

0:39:05.440 --> 0:39:09.240
<v Speaker 1>Great Lives Worth Reliving, the New York Times best selling book,

0:39:09.480 --> 0:39:14.480
<v Speaker 1>available in paperback and audiobook. This episode of Mobituaries was

0:39:14.520 --> 0:39:18.719
<v Speaker 1>produced by Aaron Schrank. Our team of producers also includes

0:39:18.960 --> 0:39:24.680
<v Speaker 1>Hazelbrian and me Moroka, with engineering by Josh Han. Our

0:39:24.719 --> 0:39:28.600
<v Speaker 1>theme music is written by Daniel Hart. Our archival producer

0:39:28.760 --> 0:39:35.000
<v Speaker 1>is Jamie Benson. Mobituary's production company is Neon Hummmedia. Indispensable

0:39:35.000 --> 0:39:39.400
<v Speaker 1>support from Alan pang, Amy Cronenberg and everyone at CBS

0:39:39.400 --> 0:39:43.719
<v Speaker 1>News Radio. Special thanks to Steve Razis, Rand Morrison and

0:39:43.840 --> 0:39:50.200
<v Speaker 1>Alberto Robina. Executive producers for Mobituaries include Megan Marcus, Jonathan Hirsch,

0:39:50.400 --> 0:39:54.280
<v Speaker 1>and Moroka. The series is created by Yours Truly

0:40:00.080 --> 0:40:02.239
<v Speaker 2>The ha