1 00:00:00,760 --> 00:00:03,680 Speaker 1: In the morning. You wake up in the morning, I'm 2 00:00:03,760 --> 00:00:06,480 Speaker 1: talking right. I know you're about to experience a morning 3 00:00:06,559 --> 00:00:10,520 Speaker 1: showing like any yo got to the breakfast club. What 4 00:00:10,560 --> 00:00:12,360 Speaker 1: you guys are doing right now? It's the hub culture. 5 00:00:12,440 --> 00:00:15,880 Speaker 1: Breakfast club is my morning sick. I need it and 6 00:00:15,960 --> 00:00:18,759 Speaker 1: I love it. Something you like, You're really not popping 7 00:00:19,280 --> 00:00:21,800 Speaker 1: until you do the breakfast club. I've been waiting come 8 00:00:21,840 --> 00:00:23,880 Speaker 1: to y'all, show man. I know you gotta be a 9 00:00:23,920 --> 00:00:25,479 Speaker 1: big time so let me be up in here. You 10 00:00:25,480 --> 00:00:28,360 Speaker 1: gotta be you gotta be big time. Angela ye, and 11 00:00:28,480 --> 00:00:34,640 Speaker 1: Charlomagne the guy the breakfast club bitches. Good morning Usca 12 00:00:35,120 --> 00:00:36,800 Speaker 1: yo yo yo yo yo yo yo yo yo yo 13 00:00:36,880 --> 00:00:38,519 Speaker 1: yo yo yo yo yo yo yo yo yo yo 14 00:00:38,600 --> 00:00:40,360 Speaker 1: yo yo yo yo yo yo yo yo yo yo 15 00:00:40,479 --> 00:00:45,440 Speaker 1: yo yo yo yo. Good morning angela Ye, Good morning Charlomagne, 16 00:00:45,479 --> 00:00:51,720 Speaker 1: the guy. Paste of the planet. Is Monday. What was happening? Yeah? 17 00:00:51,720 --> 00:00:53,760 Speaker 1: Since Monday? Back to the work week. Back to the 18 00:00:53,800 --> 00:00:55,720 Speaker 1: work week, man, And let me tell you something. If 19 00:00:55,760 --> 00:00:58,840 Speaker 1: you um, even if your team wasn't playing this weekend, 20 00:00:59,000 --> 00:01:02,040 Speaker 1: which which which mine certainly wasn't, the Dallas Cowboys wasn't. 21 00:01:02,040 --> 00:01:04,360 Speaker 1: But we're not even talking about y'allah. We're never even 22 00:01:04,520 --> 00:01:08,400 Speaker 1: thought about playing. Okay, but we were in the playoffs. Okay, 23 00:01:08,480 --> 00:01:10,240 Speaker 1: but a little bit. You gotta say this was a 24 00:01:10,240 --> 00:01:13,960 Speaker 1: little bit right, This was This was one of the greatest. 25 00:01:14,000 --> 00:01:17,360 Speaker 1: It was NFL playoff weekends. Oh man, I've ever witnessed 26 00:01:17,400 --> 00:01:19,800 Speaker 1: in my forty three years of existence. Yes, I mean, 27 00:01:19,920 --> 00:01:23,480 Speaker 1: my god. Every single game was to the Hawaiire. You 28 00:01:23,520 --> 00:01:26,160 Speaker 1: didn't know what was gonna happen at the end. Like 29 00:01:26,720 --> 00:01:29,279 Speaker 1: this is why the NFL is the greatest, the greatest 30 00:01:29,319 --> 00:01:32,120 Speaker 1: sport on dad was It was a great weekend for games. 31 00:01:32,400 --> 00:01:34,120 Speaker 1: Shout out everybody in North Carolina. I was out in 32 00:01:34,120 --> 00:01:37,360 Speaker 1: North Carolina. I was in stats on Saturday, and then 33 00:01:37,360 --> 00:01:40,040 Speaker 1: Sunday I was watching the game at Cloud and man, 34 00:01:40,080 --> 00:01:42,960 Speaker 1: could I could just tell you that that it's it's 35 00:01:43,000 --> 00:01:44,720 Speaker 1: I mean, I love watching the game at the crib, 36 00:01:45,120 --> 00:01:47,440 Speaker 1: but when you watch it somewhere else and people are 37 00:01:47,520 --> 00:01:49,680 Speaker 1: chairing and they're going back and forth. It was a 38 00:01:49,720 --> 00:01:52,120 Speaker 1: great weekend for football, man, And it's the best one. 39 00:01:52,120 --> 00:01:53,960 Speaker 1: It's your team playing. But you know it wasn't my 40 00:01:54,000 --> 00:01:55,960 Speaker 1: team player though, But I was acting like it though, 41 00:01:56,000 --> 00:01:57,680 Speaker 1: because I mean, if you was a Rams fan, you 42 00:01:57,760 --> 00:02:00,400 Speaker 1: had to love the ending, right, Yeah, I mean even 43 00:02:00,440 --> 00:02:04,080 Speaker 1: if even in defeat, just watching, I don't even want 44 00:02:04,080 --> 00:02:06,520 Speaker 1: to call Tom Brady live stock no more. Stop disrespecting 45 00:02:06,560 --> 00:02:09,520 Speaker 1: Tom Brady by calling him live. Stop calling him He's Jesus. 46 00:02:10,120 --> 00:02:13,000 Speaker 1: I think Jesus came back as a quarterback. Just being honest, 47 00:02:13,560 --> 00:02:15,639 Speaker 1: there's being honest. I think Jesus came back as a quarterback. 48 00:02:15,760 --> 00:02:19,920 Speaker 1: But the Chief Bills game last night, oh my god, man, Like, 49 00:02:20,840 --> 00:02:22,560 Speaker 1: it was just a great weekend of football if you're 50 00:02:22,560 --> 00:02:25,919 Speaker 1: a football fan, absolutely, and if you've been on sports, 51 00:02:26,000 --> 00:02:28,080 Speaker 1: if you've been on sports. I actually was in Chicago 52 00:02:28,240 --> 00:02:30,760 Speaker 1: all weekend and it snowed really heavy there. I was 53 00:02:30,800 --> 00:02:32,400 Speaker 1: wondering if I would be able to make it back, 54 00:02:32,480 --> 00:02:35,120 Speaker 1: but fortunately I made it back. I did happen to 55 00:02:35,120 --> 00:02:37,320 Speaker 1: be in the bar in my hotel while the game 56 00:02:37,360 --> 00:02:39,760 Speaker 1: was on the forty nine versus the Packers. A lot 57 00:02:39,800 --> 00:02:41,800 Speaker 1: of people bet on the game, so it might not 58 00:02:41,880 --> 00:02:45,120 Speaker 1: necessarily be their team playing, but they rely on a 59 00:02:45,120 --> 00:02:47,600 Speaker 1: lot of seeing this person's gonna make a touchdown, who's 60 00:02:47,600 --> 00:02:51,040 Speaker 1: gonna win, you know? So I was watching everybody panicking 61 00:02:51,080 --> 00:02:54,679 Speaker 1: over their bets. But I was in the sports bar. Yeah, 62 00:02:53,720 --> 00:02:58,160 Speaker 1: don't practice game was incredible too. Yeah, that was an 63 00:02:58,160 --> 00:03:00,920 Speaker 1: incredible game. Low scoring game, but you know, just just 64 00:03:01,480 --> 00:03:03,200 Speaker 1: a nail biden to the end of just a great 65 00:03:03,200 --> 00:03:05,040 Speaker 1: weekend of football. Man. A shout to you know, I 66 00:03:05,120 --> 00:03:09,440 Speaker 1: ran into this weekend, Alan Obinson yet in Charlotte, Man, 67 00:03:09,680 --> 00:03:11,920 Speaker 1: we were actually all watching the game. Man. Shout to Ai. Man, 68 00:03:11,919 --> 00:03:13,320 Speaker 1: it's good to see that brother, like I know him 69 00:03:13,320 --> 00:03:15,040 Speaker 1: a long time when I went to Hampton University. Of course, 70 00:03:15,040 --> 00:03:17,680 Speaker 1: he's from the seven five seven and just always a 71 00:03:17,800 --> 00:03:20,919 Speaker 1: great brother. To shout to Alan Ovison Man, great, great, 72 00:03:20,919 --> 00:03:24,120 Speaker 1: great great dropping a clues box for Ai. My favorite 73 00:03:24,160 --> 00:03:28,080 Speaker 1: player when it comes to NBA, My favorite player. All right. 74 00:03:28,080 --> 00:03:31,520 Speaker 1: Now today on the show, Jim Jones will be joining us. Now, 75 00:03:31,560 --> 00:03:34,160 Speaker 1: of course, Jim Jones has the Gangster Grills with DJ Drama. 76 00:03:34,200 --> 00:03:35,760 Speaker 1: He got a lot of things going on. So we're 77 00:03:35,760 --> 00:03:38,400 Speaker 1: gonna kick it with Jim Jones. And also we have 78 00:03:38,480 --> 00:03:40,520 Speaker 1: styles P from the Locks of course, and have it 79 00:03:40,560 --> 00:03:44,240 Speaker 1: from Bob Deep. They joined Voice very New York show, Yeah, 80 00:03:44,320 --> 00:03:46,480 Speaker 1: very New York. They have a new group called Wreckage 81 00:03:46,640 --> 00:03:49,680 Speaker 1: Manner and the albums out today, so og New York too, 82 00:03:50,720 --> 00:03:52,080 Speaker 1: So we're gonna kick it with both of them. In 83 00:03:52,120 --> 00:03:53,760 Speaker 1: a little bit right now, we got front page news. 84 00:03:53,800 --> 00:03:57,320 Speaker 1: What were talking about? Easy, Yes, let's talk about Florida. 85 00:03:57,560 --> 00:04:01,600 Speaker 1: They passed a bill which aims to band discussions of 86 00:04:01,720 --> 00:04:05,360 Speaker 1: sexual orientation and gender identity in schools. All right, we'll 87 00:04:05,360 --> 00:04:08,040 Speaker 1: get into that next. It's the breakfast Club. Good morning morning. 88 00:04:08,040 --> 00:04:11,760 Speaker 1: Everybody is DJ Envy angela ye, Charlemagne the guy. We 89 00:04:11,800 --> 00:04:16,000 Speaker 1: are to breakfast club. Let's getting some front page news now. 90 00:04:16,360 --> 00:04:20,120 Speaker 1: L football, the Bengals beat the Titans on Saturday, and 91 00:04:20,279 --> 00:04:23,400 Speaker 1: also the forty nine is beat the Package thirteen ten. 92 00:04:23,520 --> 00:04:26,440 Speaker 1: And yesterday the Chiefs beat the Bills thirty six, forty 93 00:04:26,480 --> 00:04:29,360 Speaker 1: two thirty six, and the Rams beat the Buccaneers thirty 94 00:04:29,400 --> 00:04:31,719 Speaker 1: twenty seven. Now next week they play on Sunday. The 95 00:04:31,720 --> 00:04:33,560 Speaker 1: Bengals take on the Chiefs. Forty nine Is take on 96 00:04:33,640 --> 00:04:36,320 Speaker 1: the ram Boy next weekend. Got a lot to live 97 00:04:36,400 --> 00:04:38,479 Speaker 1: up to, because this weekend was a hell of a weekend. 98 00:04:38,520 --> 00:04:40,040 Speaker 1: This weekend set a different type of ball for the 99 00:04:40,120 --> 00:04:44,480 Speaker 1: NFL playoffs. Sure did what else? We got? Easy? All right? Well, 100 00:04:44,520 --> 00:04:46,920 Speaker 1: in Florida, the House Committee has passed the bill which 101 00:04:47,000 --> 00:04:51,000 Speaker 1: aims to band discussions of sexual orientation and also gender 102 00:04:51,080 --> 00:04:54,279 Speaker 1: identity in schools. If this passes, they would bar educated 103 00:04:54,320 --> 00:04:58,240 Speaker 1: from talking about LGBTQ plus topics that they say are 104 00:04:58,279 --> 00:05:02,520 Speaker 1: not quote age appropriate or developmentally appropriate for students. They've 105 00:05:02,560 --> 00:05:06,360 Speaker 1: also introduced an identical bill in Florida's States Senate. But 106 00:05:06,440 --> 00:05:08,680 Speaker 1: you know, according to a recent report from the Trevor Project, 107 00:05:08,720 --> 00:05:12,120 Speaker 1: they're saying that LGBTQ plus youth who learned about issues 108 00:05:12,720 --> 00:05:15,480 Speaker 1: in school had twenty three percent lower odds of reporting 109 00:05:15,480 --> 00:05:18,360 Speaker 1: a suicide attempt in the last year than those who 110 00:05:18,440 --> 00:05:21,320 Speaker 1: did not. So they're calling this the Parental Rights and 111 00:05:21,520 --> 00:05:24,320 Speaker 1: Education Bill, also known as that Don't Say Gay Bill. 112 00:05:25,160 --> 00:05:26,960 Speaker 1: I'm wondering what the class is about, though, Like, what 113 00:05:27,360 --> 00:05:31,400 Speaker 1: are they teaching these classes? Well, no, they don't want 114 00:05:31,440 --> 00:05:34,760 Speaker 1: you to even discuss this in classes. They're saying if 115 00:05:34,800 --> 00:05:37,039 Speaker 1: it's not age appropriate to not talk about any of 116 00:05:37,080 --> 00:05:41,360 Speaker 1: these topics, and they're saying it's not quote age appropriate. 117 00:05:41,520 --> 00:05:44,640 Speaker 1: So I imagine if you're an LGBTQ plus youth and 118 00:05:45,240 --> 00:05:47,880 Speaker 1: you just don't exist basically, I don't I don't know 119 00:05:47,920 --> 00:05:49,880 Speaker 1: if that's the case. I'm just wondering if that, you know, 120 00:05:50,000 --> 00:05:52,840 Speaker 1: needs to be discussed in school, because in my sexual orientation, 121 00:05:52,880 --> 00:05:55,279 Speaker 1: anybody's business. I feel like that would cause more confusion 122 00:05:55,279 --> 00:05:58,880 Speaker 1: and conflict than anything with kids arguing and debating. It 123 00:05:58,920 --> 00:06:02,679 Speaker 1: doesn't have to be your personally, but there are issues 124 00:06:02,680 --> 00:06:04,560 Speaker 1: that can be discussed in school. It's something that you're 125 00:06:04,560 --> 00:06:06,600 Speaker 1: gonna have to deal with in real life, especially if 126 00:06:06,600 --> 00:06:09,640 Speaker 1: there's LGBTQ plus youth in the school. So yeah, they said, 127 00:06:09,680 --> 00:06:11,719 Speaker 1: and they've done studies this show that if you don't 128 00:06:11,800 --> 00:06:14,800 Speaker 1: learn about those issues, it does increase the risk of 129 00:06:14,839 --> 00:06:17,440 Speaker 1: attempting suicide. Yeah. If anything, I think they should have 130 00:06:17,480 --> 00:06:19,920 Speaker 1: classes that teach people how to be tolerant of each 131 00:06:19,960 --> 00:06:22,520 Speaker 1: other in their and their differences, letting you know that 132 00:06:22,560 --> 00:06:24,240 Speaker 1: you know, there are people out there that you know 133 00:06:24,279 --> 00:06:27,279 Speaker 1: may not identify as sexually as you do. But that's cool, 134 00:06:27,360 --> 00:06:30,040 Speaker 1: that's fine. If anything, I don't know. I just want 135 00:06:30,040 --> 00:06:31,520 Speaker 1: to know. I don't want to know what the discussion 136 00:06:31,520 --> 00:06:33,599 Speaker 1: would be about, Like, what would they be discussing, is 137 00:06:33,600 --> 00:06:35,840 Speaker 1: what I would I would want to know. I mean, 138 00:06:35,880 --> 00:06:39,120 Speaker 1: there's people in history who've identified as LGBTQ plus, So 139 00:06:39,240 --> 00:06:41,159 Speaker 1: you can't you know, you wouldn't be able to discuss that. 140 00:06:41,200 --> 00:06:42,640 Speaker 1: You wouldn't even be able to bring it up. Well, 141 00:06:42,680 --> 00:06:45,159 Speaker 1: I'm able to say gay because that would be what 142 00:06:45,200 --> 00:06:47,400 Speaker 1: this bill would mean. Yeah, but I can still discuss 143 00:06:47,440 --> 00:06:49,680 Speaker 1: what I could still discuss what they did is because 144 00:06:49,720 --> 00:06:50,960 Speaker 1: you know, the reason I say that, because when you're 145 00:06:50,960 --> 00:06:53,080 Speaker 1: talking about the heterosexual person and you talk about what 146 00:06:53,120 --> 00:06:55,160 Speaker 1: they did in history, you don't say, oh, this person 147 00:06:55,279 --> 00:06:58,000 Speaker 1: was heterosexual and you know they discovered America. You don't 148 00:06:58,160 --> 00:07:02,400 Speaker 1: discuss it like that. Well, I just I think that 149 00:07:02,480 --> 00:07:05,920 Speaker 1: because statistics show that these kids do exist in schools, 150 00:07:06,000 --> 00:07:08,640 Speaker 1: and because it does show that if these issues are discussed, 151 00:07:08,960 --> 00:07:11,640 Speaker 1: it could help children feel more comfortable, especially if that's 152 00:07:11,640 --> 00:07:15,920 Speaker 1: how they identify. And this is the real world. You 153 00:07:15,920 --> 00:07:18,120 Speaker 1: cannot said they should have classes that teach people how 154 00:07:18,160 --> 00:07:21,080 Speaker 1: to be tolerant of each other in their differences period, 155 00:07:21,160 --> 00:07:25,000 Speaker 1: like that's race, you know, sexuality, gender, everything? What what 156 00:07:25,000 --> 00:07:28,160 Speaker 1: what grade level? Will you say? What did you say? Um, 157 00:07:28,320 --> 00:07:31,200 Speaker 1: they're talking about middle school students and higher they're saying 158 00:07:31,240 --> 00:07:34,000 Speaker 1: it's not age appropriate. Now they can pass that bill. 159 00:07:34,000 --> 00:07:36,160 Speaker 1: I mean medical middle school students. I mean kids have 160 00:07:36,200 --> 00:07:37,720 Speaker 1: so many questions. I mean if I was at middle 161 00:07:37,720 --> 00:07:40,200 Speaker 1: school and I wasn't familiar with something or didn't know something, 162 00:07:40,240 --> 00:07:45,200 Speaker 1: wouldn't you ask discussing in school? When you ask I 163 00:07:45,240 --> 00:07:50,679 Speaker 1: mean it depends. Well, that is your front page news, 164 00:07:50,800 --> 00:07:52,520 Speaker 1: all right. And I want to send a rest in 165 00:07:52,560 --> 00:07:57,200 Speaker 1: peace to police officer Jason Rivera. He was murdered in 166 00:07:57,200 --> 00:07:59,640 Speaker 1: a line of duty in New York. I think all 167 00:07:59,720 --> 00:08:02,440 Speaker 1: this on Friday, Thursday or Friday. He was only twenty 168 00:08:02,440 --> 00:08:06,400 Speaker 1: two years. Oh, that was hard right in Harlem. And also, uh, 169 00:08:06,880 --> 00:08:10,239 Speaker 1: you know Wilbert Mora, his partner is still in critical condition. 170 00:08:10,360 --> 00:08:13,640 Speaker 1: He was also shot in Harlem. So I just want 171 00:08:13,680 --> 00:08:16,960 Speaker 1: to say rest in peace to Jason Rivera and condolences 172 00:08:17,000 --> 00:08:20,559 Speaker 1: to his family. A very sad situation, very very sad. 173 00:08:20,840 --> 00:08:23,600 Speaker 1: All right. Now get it off your chest. Eight hundred 174 00:08:23,680 --> 00:08:25,720 Speaker 1: five eight five one oh five one. If you need 175 00:08:25,760 --> 00:08:27,560 Speaker 1: to vent, hit us up right now. Phone lines a 176 00:08:27,640 --> 00:08:31,120 Speaker 1: wide open again. Eight hundred five eight five one oh 177 00:08:31,240 --> 00:08:34,840 Speaker 1: five one. It's the Breakfast Club. Good morning, the breakfast Club. 178 00:08:37,440 --> 00:08:38,920 Speaker 1: This is your time to get it off your chest. 179 00:08:39,000 --> 00:08:43,440 Speaker 1: Whether you're man from you on the breakfast club. But 180 00:08:43,559 --> 00:08:48,800 Speaker 1: you got something on your mind on who's this hey, Shaye? 181 00:08:48,800 --> 00:08:52,120 Speaker 1: What I'm getting off your chest? Shay? I woke up 182 00:08:52,120 --> 00:08:53,840 Speaker 1: this morning trying to go to work. Here you have 183 00:08:53,960 --> 00:08:58,880 Speaker 1: eight tied. It's too early, tired, damn it, shann Wait, 184 00:08:58,920 --> 00:09:02,800 Speaker 1: what are you for calling from Virginia. Oh, let's not 185 00:09:02,840 --> 00:09:05,640 Speaker 1: see at least like that, y'all. I don't have no 186 00:09:05,720 --> 00:09:09,120 Speaker 1: more bud. Ain't nobody out making place, ain't worried about 187 00:09:09,120 --> 00:09:11,079 Speaker 1: the wrong. Then you better find somebody to change your time. 188 00:09:11,120 --> 00:09:17,160 Speaker 1: You better call Triple worry about some Damn we tire 189 00:09:17,160 --> 00:09:20,120 Speaker 1: your place now. They open at ten am in Virginia. 190 00:09:20,160 --> 00:09:22,520 Speaker 1: You're done. You ain't got no boyfriend, no girlfriend you 191 00:09:22,520 --> 00:09:27,600 Speaker 1: can call to come over with something. Huh, I said, 192 00:09:27,600 --> 00:09:36,960 Speaker 1: It's just damn, it's just say. Oh, my lady's independent Atlas. 193 00:09:37,000 --> 00:09:40,200 Speaker 1: She's at home Atlici's at home and comfortable. It could 194 00:09:40,200 --> 00:09:42,200 Speaker 1: be she could be in the car on the side 195 00:09:42,200 --> 00:09:44,960 Speaker 1: of the road. It's like shape right right. I'm about 196 00:09:44,960 --> 00:09:46,800 Speaker 1: to just go back to bed for real, Sherry. I 197 00:09:46,800 --> 00:09:48,640 Speaker 1: think you could change it if you try put your 198 00:09:48,640 --> 00:09:51,200 Speaker 1: mind to I think you got it. No one the 199 00:09:51,240 --> 00:09:53,280 Speaker 1: ground out here. You got work. You gotta go to 200 00:09:53,320 --> 00:09:56,000 Speaker 1: work something, yeah, she late, Oh yeah, I ain't there, yere. 201 00:09:56,160 --> 00:09:58,280 Speaker 1: I ain't gonna get there. They're good, They're gonna run. 202 00:09:58,960 --> 00:10:02,679 Speaker 1: Will you work at I can't say all that, Okay, okay, 203 00:10:02,679 --> 00:10:05,719 Speaker 1: Well I hope they'll buy your excuse. You can't call 204 00:10:05,760 --> 00:10:07,600 Speaker 1: it uber and go to work and then come home 205 00:10:07,600 --> 00:10:11,880 Speaker 1: and fix it. Nah. Nah, Now you're lying. Now you're lying, Shade, Shane. 206 00:10:11,880 --> 00:10:15,520 Speaker 1: Now you're lying. Now you're lying, Shade. I'm in next countree. 207 00:10:15,559 --> 00:10:19,840 Speaker 1: We don't have Ober around here, Okay, in the country time. 208 00:10:20,160 --> 00:10:24,400 Speaker 1: Well we're in the country, Shade. I'm Franklin. You come 209 00:10:24,440 --> 00:10:26,400 Speaker 1: Ober out there in Franklin. Now, come on, Shaw. You 210 00:10:26,559 --> 00:10:30,200 Speaker 1: lying yourself. But because it ain't no open around here, 211 00:10:30,240 --> 00:10:32,000 Speaker 1: you are hit him up. That's right. You call him. 212 00:10:32,720 --> 00:10:34,520 Speaker 1: Listen when you call your job and tell them, you 213 00:10:34,520 --> 00:10:36,080 Speaker 1: got to tell them about the weed to be like. Look, man, 214 00:10:36,080 --> 00:10:37,680 Speaker 1: I got a flat tie and I ain't got no weed. 215 00:10:37,679 --> 00:10:39,520 Speaker 1: I'm gonna be late now I can't do all that. 216 00:10:41,760 --> 00:10:45,480 Speaker 1: I gotta take your ass back to bed this ship 217 00:10:45,800 --> 00:10:48,800 Speaker 1: all right? Time to day you too. Hello, who's this? 218 00:10:49,440 --> 00:10:52,600 Speaker 1: You know? This is rich from Jersey. Second my call, guys. 219 00:10:52,679 --> 00:10:56,600 Speaker 1: What's up? Rich up? Rich Man? This is a double 220 00:10:57,160 --> 00:10:59,960 Speaker 1: This is a double call here. You know I'm blood 221 00:11:00,040 --> 00:11:02,800 Speaker 1: because I was able to purchase my second home nice 222 00:11:02,800 --> 00:11:06,880 Speaker 1: a year ago. Congratulations, King, Yes, sir, thank you. And 223 00:11:08,120 --> 00:11:11,240 Speaker 1: also my cowboys took them l two weeks ago. It's okay. 224 00:11:11,520 --> 00:11:13,880 Speaker 1: Last week and I'm still stinging from that. We're okay. 225 00:11:13,880 --> 00:11:17,840 Speaker 1: We're gonna win the Super Bowl next year, hopefully, hopefully, 226 00:11:17,880 --> 00:11:22,160 Speaker 1: hopefully man keeping hope alt man, Yo, Charlemagne. Yes, last 227 00:11:22,160 --> 00:11:25,480 Speaker 1: time you've been down in our South Carolina man, Last 228 00:11:25,480 --> 00:11:31,160 Speaker 1: time I was in South Carolina last June for my 229 00:11:31,360 --> 00:11:34,679 Speaker 1: backpack giving way. Yeah, yeah, because I got people down there. 230 00:11:34,800 --> 00:11:38,480 Speaker 1: My mom is from our Berkeley County. Okay, me too, Yeah, 231 00:11:38,640 --> 00:11:42,439 Speaker 1: mom corner all day? Yes, sir yea third, All right, man, 232 00:11:42,440 --> 00:11:44,440 Speaker 1: Will you have a good one. Brother, thanks taking my car. 233 00:11:45,760 --> 00:11:47,720 Speaker 1: Get it off a f your chest eight hundred five 234 00:11:47,760 --> 00:11:49,560 Speaker 1: eight five one oh five one. If you need to vent, 235 00:11:49,679 --> 00:11:51,600 Speaker 1: hit us up now. It's the Breakfast Club. Good morning, 236 00:11:52,160 --> 00:11:59,679 Speaker 1: the Breakfast Club, Wake up, wake up way. You're trying 237 00:11:59,720 --> 00:12:04,120 Speaker 1: to get off your chances. We want to hear from 238 00:12:04,120 --> 00:12:08,199 Speaker 1: you on the breakfast blas Hello, take guys to sound 239 00:12:08,280 --> 00:12:12,920 Speaker 1: a Vahsian therapist. Get it off your chance, Mamma. I 240 00:12:12,920 --> 00:12:15,280 Speaker 1: do want to talk about Regina King and her son 241 00:12:15,440 --> 00:12:20,120 Speaker 1: to a side. Yeah, it was very awful. And I 242 00:12:20,160 --> 00:12:22,200 Speaker 1: know people say you have to check up on your 243 00:12:22,320 --> 00:12:25,080 Speaker 1: you know, friends and strong friends, but the reality is, 244 00:12:25,080 --> 00:12:27,400 Speaker 1: if someone wants to do that, they're going to hide 245 00:12:27,440 --> 00:12:29,959 Speaker 1: it from you. The thing I think the best thing 246 00:12:30,000 --> 00:12:33,560 Speaker 1: to do is to just normalize going to therapy. You're 247 00:12:33,600 --> 00:12:36,880 Speaker 1: going to the emergency room. I really so like you're unsafe. 248 00:12:37,480 --> 00:12:39,679 Speaker 1: People like to talk about rags to riches, but they 249 00:12:39,760 --> 00:12:42,400 Speaker 1: never talked about like, you know, struggling with depression. And 250 00:12:42,760 --> 00:12:45,680 Speaker 1: I think the more we normalize talking about depression and 251 00:12:45,840 --> 00:12:49,720 Speaker 1: feeling sad and you know, checking yourself into the psych unit, 252 00:12:50,080 --> 00:12:54,760 Speaker 1: then people will feel okay to talk about it. Yeah. 253 00:12:55,000 --> 00:12:57,040 Speaker 1: The only way to eradicate the stigma is for everybody 254 00:12:57,080 --> 00:12:58,720 Speaker 1: to tell a story. And you got to create safe 255 00:12:58,720 --> 00:13:02,240 Speaker 1: spaces for people to comfortable to tell that. The Black 256 00:13:02,320 --> 00:13:06,000 Speaker 1: Effect needs a podcast with like mental health professionals, like 257 00:13:06,040 --> 00:13:09,200 Speaker 1: a panel we do health professionals. Well we got we 258 00:13:09,240 --> 00:13:11,400 Speaker 1: got mental health and mindfulness. You know, we got deVie 259 00:13:11,400 --> 00:13:14,960 Speaker 1: brown Um with dropping gym. There's so much information that 260 00:13:15,080 --> 00:13:17,680 Speaker 1: like mean as a professional can tell other people that 261 00:13:18,840 --> 00:13:21,120 Speaker 1: people don't know they can come to the emergency really 262 00:13:21,120 --> 00:13:24,199 Speaker 1: met there thinking about killing themselves or even if they 263 00:13:24,280 --> 00:13:29,040 Speaker 1: want a referral for a therapist that's free or low cost. Absolutely, 264 00:13:29,280 --> 00:13:32,040 Speaker 1: I agree. Wow, I need you. I need to I 265 00:13:32,080 --> 00:13:33,600 Speaker 1: need to have you at the Mental Wealth ex Bow 266 00:13:33,679 --> 00:13:37,840 Speaker 1: this year. That yeah, No, I'm gonna get it right now. Second, 267 00:13:37,960 --> 00:13:41,520 Speaker 1: hang up, okay, okay, Hello, who's this all right? What's 268 00:13:41,559 --> 00:13:45,040 Speaker 1: happening with you? DJ? And what's up? Brother? Get it 269 00:13:45,040 --> 00:13:48,640 Speaker 1: off your chess? Are you doing good? More? First and 270 00:13:48,720 --> 00:13:54,200 Speaker 1: formal angel Bee Remaine peace, k Um y'all. First of all, 271 00:13:54,320 --> 00:13:56,800 Speaker 1: y'all do amazing work every single morning. We love to 272 00:13:56,840 --> 00:13:59,840 Speaker 1: hear y'all beginning of the year. Amazing shout out from 273 00:13:59,840 --> 00:14:05,720 Speaker 1: my mom celebrating her fiftieth birthday yesterday. Nice wow, happy birthday. 274 00:14:06,000 --> 00:14:09,640 Speaker 1: Appreciate to appreciate that. Um, I just gotta shout out 275 00:14:09,720 --> 00:14:14,120 Speaker 1: my friend Abraham ab the vote five uh here, he 276 00:14:14,200 --> 00:14:17,520 Speaker 1: just graduated at a degree. And I'm just proud of 277 00:14:17,559 --> 00:14:19,640 Speaker 1: my brothers. You know what I'm saying. They they're really 278 00:14:19,640 --> 00:14:22,680 Speaker 1: working and putting in hard work. This is just celebrating 279 00:14:22,720 --> 00:14:26,880 Speaker 1: the community. You know what I'm saying. I love it. Awesome, Angela, Ye, 280 00:14:27,000 --> 00:14:29,240 Speaker 1: appreciate everything you're doing in Detroit right now. You know 281 00:14:29,240 --> 00:14:33,000 Speaker 1: what I'm saying. Please look up my friend jet lag 282 00:14:33,120 --> 00:14:39,440 Speaker 1: ib k uh lak. Yes, ma'am. They are running the 283 00:14:39,440 --> 00:14:42,920 Speaker 1: street right now in Detroit. Amazing rappers out there. More 284 00:14:42,960 --> 00:14:45,640 Speaker 1: than that, they got serious types of community. I know 285 00:14:45,720 --> 00:14:48,920 Speaker 1: everything you're doing with your your label company down there 286 00:14:48,960 --> 00:14:51,360 Speaker 1: is amazing, so they have to shout you out for that, 287 00:14:51,720 --> 00:14:55,320 Speaker 1: and uh put him on. All right, all right, thank you, 288 00:14:55,320 --> 00:14:57,440 Speaker 1: you have a good one. Get it off your chest. 289 00:14:57,560 --> 00:15:00,360 Speaker 1: Eight five, eight five, going on five one. Now we 290 00:15:00,400 --> 00:15:03,960 Speaker 1: got rooms all the way, yes, and we are going 291 00:15:04,000 --> 00:15:06,200 Speaker 1: to be talking about Ditty. Can you imagine if he 292 00:15:06,240 --> 00:15:09,240 Speaker 1: played the role of bishop and juice. Well, I'll tell 293 00:15:09,240 --> 00:15:11,160 Speaker 1: you what happened, all right, we'll get into that next. 294 00:15:11,160 --> 00:15:17,360 Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club. Warning, 295 00:15:17,440 --> 00:15:21,240 Speaker 1: everybody is DJ Endry, Angela Yee, Charlomagne the guy. We 296 00:15:21,280 --> 00:15:23,200 Speaker 1: are the Breakfast Club. Let's get to the rooms. Let's 297 00:15:23,200 --> 00:15:34,000 Speaker 1: talk with Gina King. It's about Angela Yee on the 298 00:15:34,040 --> 00:15:39,560 Speaker 1: Breakfast Club. Well, our condolences go out to Regina King 299 00:15:39,600 --> 00:15:43,880 Speaker 1: and her family. Her son, Ian Alexander Junior has died 300 00:15:43,960 --> 00:15:47,920 Speaker 1: by suicide. She did release a statement to people saying, 301 00:15:47,960 --> 00:15:50,440 Speaker 1: our family is devastated at the deepest level by the 302 00:15:50,520 --> 00:15:52,440 Speaker 1: loss of Ian. He is such a bright light who 303 00:15:52,480 --> 00:15:55,520 Speaker 1: cared so deeply about the happiness of others. Our family 304 00:15:55,560 --> 00:15:59,400 Speaker 1: asked for a respectful consideration during this private time. Thank you. 305 00:15:59,440 --> 00:16:03,120 Speaker 1: He just twenty six on Wednesday, and he was her 306 00:16:03,160 --> 00:16:06,200 Speaker 1: only child as well, right, sending their family healing energy. 307 00:16:06,200 --> 00:16:08,320 Speaker 1: We were just having this conversation on the air Friday, 308 00:16:08,360 --> 00:16:09,640 Speaker 1: you know what I mean, when we were talking about 309 00:16:09,680 --> 00:16:11,880 Speaker 1: the Kevin Gates situation. And that's why you just got 310 00:16:11,880 --> 00:16:13,240 Speaker 1: to be kind of people because you never know what 311 00:16:13,320 --> 00:16:17,120 Speaker 1: somebody's you know, going through internally. So they're sending Regina 312 00:16:17,200 --> 00:16:20,920 Speaker 1: King and her family healing energy for show. And people 313 00:16:20,960 --> 00:16:23,480 Speaker 1: were looking at his social media to see where his 314 00:16:23,520 --> 00:16:25,480 Speaker 1: headspace was at before that. One of the things that 315 00:16:25,520 --> 00:16:27,920 Speaker 1: he tweeted just a few days ago, I don't think 316 00:16:27,920 --> 00:16:32,240 Speaker 1: Instagram is healthy for me. And he also tweeted, you 317 00:16:32,240 --> 00:16:34,360 Speaker 1: know that episode of SpongeBob where they go inside his 318 00:16:34,400 --> 00:16:36,560 Speaker 1: brain and it's a bunch of many Spongebobs just losing 319 00:16:36,560 --> 00:16:39,360 Speaker 1: their issue. Yeah, that one really hits home. Yeah, And 320 00:16:39,400 --> 00:16:41,560 Speaker 1: that was just five days before he passed. One of 321 00:16:41,600 --> 00:16:43,720 Speaker 1: people was talking to anybody when if he was sitting 322 00:16:43,720 --> 00:16:48,680 Speaker 1: down with a therapist or a psychiatrist or anybody. But 323 00:16:48,760 --> 00:16:52,080 Speaker 1: we will respect the family and give them their privacy 324 00:16:52,120 --> 00:16:54,720 Speaker 1: and also give our condolences because that has to be 325 00:16:55,160 --> 00:16:58,440 Speaker 1: the most hurtful thing that could happen. Absolutely all right, now, 326 00:16:58,520 --> 00:17:01,240 Speaker 1: Girls Tip two is happening, according to Will Packer. He 327 00:17:01,320 --> 00:17:04,520 Speaker 1: confirmed that news on Good Morning America. The original one 328 00:17:04,560 --> 00:17:07,040 Speaker 1: came out in twenty seventeen, and here's what he had 329 00:17:07,080 --> 00:17:10,720 Speaker 1: to say. The Girls Trip to Sequel. We are underway. 330 00:17:10,880 --> 00:17:14,560 Speaker 1: We are absolutely in the stages. The ladies are in 331 00:17:15,040 --> 00:17:18,480 Speaker 1: I just talked to the director. We are underway with 332 00:17:18,600 --> 00:17:21,760 Speaker 1: Girls Trip too. And now it's just about what kind 333 00:17:21,760 --> 00:17:25,040 Speaker 1: of trip do we take right post pandemic with all 334 00:17:25,080 --> 00:17:27,880 Speaker 1: our favorite crazy ladies. What do we do with them? 335 00:17:27,920 --> 00:17:34,680 Speaker 1: That's what we gotta figure out? All right? Where would 336 00:17:34,680 --> 00:17:36,440 Speaker 1: you want to go? Whe would you want to see them? 337 00:17:36,560 --> 00:17:42,040 Speaker 1: We've seen island. You got to go to an island somewhere. 338 00:17:42,560 --> 00:17:43,960 Speaker 1: I thought that was I thought that was the plan. 339 00:17:44,000 --> 00:17:46,200 Speaker 1: That's in first South Africa, somewhere like that. I thought 340 00:17:46,200 --> 00:17:50,359 Speaker 1: it was supposed to be on the Motherland. Spoiler alert, spoiler. 341 00:17:50,480 --> 00:17:52,520 Speaker 1: We talked about that when Will was up here. We 342 00:17:52,520 --> 00:17:54,080 Speaker 1: remember when Will was up here, we were talking about 343 00:17:54,080 --> 00:17:56,760 Speaker 1: where should they go for part two? I don't remember. Well, 344 00:17:56,800 --> 00:17:58,680 Speaker 1: now he's saying he doesn't know what type of trip 345 00:17:58,720 --> 00:18:02,040 Speaker 1: do we take? So they said post pandemic, So maybe 346 00:18:02,040 --> 00:18:05,040 Speaker 1: that was termed. I don't know. He's not confirming that 347 00:18:05,080 --> 00:18:07,680 Speaker 1: as if now things might have changed. Who knows. You 348 00:18:07,720 --> 00:18:10,600 Speaker 1: gotta go somewhere vacated. You gotta be vacinated wherever you go, right. 349 00:18:12,000 --> 00:18:15,720 Speaker 1: Another part two is Payden full Damon Dasted confirmed to 350 00:18:15,760 --> 00:18:19,040 Speaker 1: all hip hop that that is happening. Oh, I'm finished 351 00:18:19,160 --> 00:18:24,040 Speaker 1: editing that day, editing that month for three months straight. 352 00:18:24,359 --> 00:18:27,240 Speaker 1: The editor lives with me right now, We're finished the 353 00:18:27,359 --> 00:18:29,240 Speaker 1: day I might might you know, I think I'm gonna 354 00:18:29,240 --> 00:18:32,600 Speaker 1: take it on a theatrical run. We developed a curriculum 355 00:18:32,640 --> 00:18:35,040 Speaker 1: around it as well for schools, so I want to 356 00:18:35,040 --> 00:18:39,560 Speaker 1: show it in schools. Entrepreneur, there's a lot of lessons 357 00:18:39,560 --> 00:18:41,480 Speaker 1: in the movies, So whatever lessons are in the movie, 358 00:18:41,520 --> 00:18:43,560 Speaker 1: I want you to get those lessons. I want you 359 00:18:43,560 --> 00:18:45,080 Speaker 1: to look at my movies and learn how to be 360 00:18:45,119 --> 00:18:48,920 Speaker 1: a millionaire. If you're not already when he says editor, 361 00:18:49,000 --> 00:18:53,600 Speaker 1: he means writing right, they're writing it. No, it means 362 00:18:53,640 --> 00:18:58,000 Speaker 1: already know they were shooting. It's caming it. Cam died, Well, no, 363 00:18:58,080 --> 00:19:00,280 Speaker 1: Cam Cam would be old in the movie now, all right, 364 00:19:00,359 --> 00:19:02,240 Speaker 1: but one of the movie based on a real story yeah, 365 00:19:02,320 --> 00:19:04,480 Speaker 1: but I mean the story outpoll just got killed a 366 00:19:04,520 --> 00:19:06,240 Speaker 1: couple of what a couple of months ago, some show 367 00:19:06,240 --> 00:19:08,480 Speaker 1: would have to be the whole thing towards that, right, 368 00:19:08,960 --> 00:19:11,040 Speaker 1: he said, it's what happens after they put all that 369 00:19:11,080 --> 00:19:12,760 Speaker 1: work on the street and somebody had to get that 370 00:19:12,800 --> 00:19:18,159 Speaker 1: money back. All right, now? Did he Apparently one of 371 00:19:18,200 --> 00:19:20,919 Speaker 1: the role of Bishop and Juice, that's the role that 372 00:19:21,040 --> 00:19:24,879 Speaker 1: Tupoc played. And according to Ralph McDaniels, you know he 373 00:19:25,000 --> 00:19:28,200 Speaker 1: was one of the producers on Juice. Uh, they said 374 00:19:28,240 --> 00:19:31,439 Speaker 1: absolutely not. Here he is tucking the fat Joe and 375 00:19:31,480 --> 00:19:34,600 Speaker 1: he said, Ralph, you're working on Juice. I want to 376 00:19:34,600 --> 00:19:37,040 Speaker 1: be Bishop. And I was like, but we got somebody 377 00:19:37,119 --> 00:19:39,080 Speaker 1: to be Bishop, a red That's the only one that's 378 00:19:39,080 --> 00:19:42,680 Speaker 1: casting is Tupop And he was like, nah, I'm from Harlem. Ralph, 379 00:19:42,840 --> 00:19:44,879 Speaker 1: just think about it. And I remember going to the 380 00:19:44,920 --> 00:19:47,080 Speaker 1: producer and just say, just feeling out, just let me 381 00:19:47,119 --> 00:19:50,280 Speaker 1: get the temperature on it. And he was like, absolutely not, 382 00:19:50,600 --> 00:19:53,639 Speaker 1: absolutely not. We already got Pop. That's the only person 383 00:19:53,680 --> 00:19:57,840 Speaker 1: we have. And Puff just got fired from from Unfinished Business. 384 00:19:57,880 --> 00:20:00,360 Speaker 1: That was the name of the movie, Unfinished Business. And 385 00:20:00,440 --> 00:20:02,600 Speaker 1: we know him. He can't he can't come on this set. 386 00:20:02,800 --> 00:20:05,200 Speaker 1: So I was like, all right, crime, that was a 387 00:20:05,240 --> 00:20:07,480 Speaker 1: big call. They made the right decision and God don't 388 00:20:07,480 --> 00:20:10,680 Speaker 1: make mistakes. Pocket was the person for that role. Can't 389 00:20:10,680 --> 00:20:13,280 Speaker 1: see nobody else doing that role. Juice is Juice is 390 00:20:13,320 --> 00:20:15,320 Speaker 1: such a great movie, especially when you go back and 391 00:20:15,359 --> 00:20:17,040 Speaker 1: watch it now, you know you can. You can see 392 00:20:17,080 --> 00:20:19,720 Speaker 1: Bishop and his father both struggled with, you know, mental 393 00:20:19,760 --> 00:20:22,399 Speaker 1: health issues, and his pops was dealing with the trauma 394 00:20:22,440 --> 00:20:25,679 Speaker 1: of you know, being sexually assaulted in prison, and you know, 395 00:20:25,760 --> 00:20:29,720 Speaker 1: you know, the alternate ending of Juice, Poc actually committed 396 00:20:29,720 --> 00:20:32,080 Speaker 1: two side. He let his hand go. He's like, he 397 00:20:32,080 --> 00:20:34,159 Speaker 1: told Q, I'm not going back to jail, and he 398 00:20:34,240 --> 00:20:36,720 Speaker 1: let his hand go because he was traumatized by what 399 00:20:36,800 --> 00:20:41,439 Speaker 1: he saw his dad go through in jail. Well, speaking 400 00:20:41,440 --> 00:20:44,200 Speaker 1: of tupockets, a new two pocket exhibit Wake Me When 401 00:20:44,200 --> 00:20:46,600 Speaker 1: I'm Free, and it's actually open now. You can take 402 00:20:46,640 --> 00:20:48,760 Speaker 1: a virtual tour of this also by the way of 403 00:20:48,800 --> 00:20:51,560 Speaker 1: Wake Me when I'm Free. It's an interactive exhibit. It 404 00:20:51,640 --> 00:20:54,840 Speaker 1: opened Friday in LA It's a limited run and so 405 00:20:55,119 --> 00:20:57,199 Speaker 1: if you want to check that out, you can. Oh, 406 00:20:57,240 --> 00:20:59,040 Speaker 1: I saw that this weekend. That's everybody was posing in 407 00:20:59,040 --> 00:21:01,840 Speaker 1: front of like this Doug life airdrop, airbrush backdrop. I 408 00:21:01,880 --> 00:21:05,360 Speaker 1: wonder what that was. Yeah, it explores two Pack's time 409 00:21:05,359 --> 00:21:07,840 Speaker 1: in the studio, the works that he produced, the controversy 410 00:21:07,880 --> 00:21:10,359 Speaker 1: they courted, They said, the true intention is to pale 411 00:21:10,359 --> 00:21:13,359 Speaker 1: back the layers on his early life and its revolutionary roots. 412 00:21:13,480 --> 00:21:15,520 Speaker 1: So you'll be able to see that if you can 413 00:21:15,560 --> 00:21:17,240 Speaker 1: make it to La while that's there, But you can 414 00:21:17,280 --> 00:21:20,000 Speaker 1: also virtually do a tour. That's that whole story seems 415 00:21:20,040 --> 00:21:23,720 Speaker 1: sold mythical, like that whole nineties hip Hoppies Coast West 416 00:21:23,760 --> 00:21:25,440 Speaker 1: Coast thing. But then we got so many people who 417 00:21:25,440 --> 00:21:28,200 Speaker 1: actually lived through that who are still here right now, 418 00:21:29,160 --> 00:21:31,920 Speaker 1: but it just seems so mythic. All right, Well I'm 419 00:21:31,960 --> 00:21:34,239 Speaker 1: Angela Yee and that is your rumor reports. All right, 420 00:21:34,280 --> 00:21:35,640 Speaker 1: now we got front page. It was next we were 421 00:21:35,640 --> 00:21:40,480 Speaker 1: talking about. All right, the Arizona Democratic Party's Executive Committee 422 00:21:40,480 --> 00:21:44,280 Speaker 1: has formally censured Senator Kirsten Cinema. Will tell you what 423 00:21:44,320 --> 00:21:46,200 Speaker 1: that means for her. All right, we'll get into that next. 424 00:21:46,240 --> 00:21:49,120 Speaker 1: It's the Breakfast Club. Good morning, So Breakfast Club, your 425 00:21:49,160 --> 00:21:52,720 Speaker 1: mornings will never be the same. Our audible pick of 426 00:21:52,800 --> 00:21:55,160 Speaker 1: the day is the perfect day to boss up. This 427 00:21:55,200 --> 00:21:57,919 Speaker 1: is Rick Ross's guide to building your own empire. Now 428 00:21:57,960 --> 00:22:00,320 Speaker 1: listen up your first dirty days of Audible or free 429 00:22:00,359 --> 00:22:02,919 Speaker 1: when you sign up at audible dot com. Sa dj 430 00:22:03,320 --> 00:22:06,600 Speaker 1: mvy Angela Yee, Charlomagne the guy. We are the breakfast Club. 431 00:22:06,880 --> 00:22:10,800 Speaker 1: Let's getting some front page news now. Over the weekend, 432 00:22:10,840 --> 00:22:13,240 Speaker 1: the Bengals beat the Titans forty nine to beat the Package, 433 00:22:13,240 --> 00:22:16,879 Speaker 1: the Chiefs beat the Bills, and the Rams beat the Buccaneers. Listen, man, 434 00:22:16,920 --> 00:22:19,280 Speaker 1: whether your team was playing or not this weekend, you 435 00:22:19,359 --> 00:22:21,480 Speaker 1: have to say this is one of the greatest great 436 00:22:21,480 --> 00:22:24,720 Speaker 1: game weekends in NFL football that we've ever seen in 437 00:22:24,720 --> 00:22:27,840 Speaker 1: our lives. Absolutely every game was amazing. Every game. And 438 00:22:27,840 --> 00:22:30,439 Speaker 1: shout everybody in North Carolina. I was at Stats and 439 00:22:30,640 --> 00:22:33,600 Speaker 1: cloud out there two black owned restaurants. If you're in 440 00:22:33,600 --> 00:22:35,360 Speaker 1: the area, go definitely check them out. I was watching again. 441 00:22:35,400 --> 00:22:36,760 Speaker 1: We had such a great time in there, man, So 442 00:22:36,760 --> 00:22:39,480 Speaker 1: shout out everybody in North Carolina. And what else you got? Easy? 443 00:22:40,680 --> 00:22:44,280 Speaker 1: All right? Well? Senator Kursten Cinema has formerly been censured 444 00:22:44,320 --> 00:22:47,680 Speaker 1: by the Arizona Democratic Party, and that's as a result 445 00:22:47,760 --> 00:22:50,400 Speaker 1: of her inaction on changing the Fellowbuster rules to pass 446 00:22:50,480 --> 00:22:54,280 Speaker 1: voting rights reform. So here is what Kurston Cinema had 447 00:22:54,320 --> 00:22:57,760 Speaker 1: to say about voting rights. While I continue to support 448 00:22:57,760 --> 00:23:02,240 Speaker 1: these bills, I will not support separate actions that worsen 449 00:23:02,400 --> 00:23:09,560 Speaker 1: the underlying disease of division infecting our country. All right, 450 00:23:09,600 --> 00:23:12,959 Speaker 1: Now that she's refused to change the filibuster rules alongside Mansion, 451 00:23:13,000 --> 00:23:16,119 Speaker 1: and she said it with Republicans on that. Now the party, 452 00:23:16,200 --> 00:23:18,720 Speaker 1: the Arizona Democratic Party, has promised to give her a 453 00:23:18,800 --> 00:23:21,960 Speaker 1: vote of no confidence if she doesn't change her stance. 454 00:23:22,000 --> 00:23:24,960 Speaker 1: They said this should not be a partisan issue. The 455 00:23:25,040 --> 00:23:27,240 Speaker 1: duty to protect our most fundamental rights to vote is 456 00:23:27,280 --> 00:23:29,440 Speaker 1: one that we all share. So now a lot of 457 00:23:29,440 --> 00:23:31,600 Speaker 1: people who supported her are saying they will not support 458 00:23:31,640 --> 00:23:34,480 Speaker 1: her if she does not support a path forward for 459 00:23:34,520 --> 00:23:37,760 Speaker 1: the passage of this legislation. Emily's List was one of 460 00:23:37,800 --> 00:23:41,080 Speaker 1: the main organizations that endorsed her, and they said they 461 00:23:41,080 --> 00:23:43,760 Speaker 1: will not endorse her again if she does not change 462 00:23:43,760 --> 00:23:46,359 Speaker 1: her position. There's a coalition of groups made up by 463 00:23:46,800 --> 00:23:50,520 Speaker 1: Democrats in that state and they are asking for acting 464 00:23:50,600 --> 00:23:53,760 Speaker 1: on that issue. So there's those activists have also written 465 00:23:53,800 --> 00:23:56,720 Speaker 1: to other big political donor groups, including the Human Rights 466 00:23:56,720 --> 00:24:00,480 Speaker 1: Campaign that focuses on LGBTQ plus issues and looking to 467 00:24:00,520 --> 00:24:04,240 Speaker 1: find and fund a primary challenger. They've already raised almost 468 00:24:04,280 --> 00:24:06,639 Speaker 1: half a million dollars for that. They have not singled 469 00:24:06,640 --> 00:24:09,240 Speaker 1: out a candidate. But some Democrats are lobbying for a 470 00:24:09,280 --> 00:24:12,840 Speaker 1: representative Ruben and Gallego to challenge Cinema. And they actually 471 00:24:12,920 --> 00:24:15,480 Speaker 1: have a run Ruben and run campaign going on. And 472 00:24:15,560 --> 00:24:18,399 Speaker 1: that's incredible. I saw Bernie Sanders all weekend on Mansion 473 00:24:18,440 --> 00:24:20,600 Speaker 1: and Cinemas asked saying they need to pick a side, 474 00:24:20,640 --> 00:24:23,119 Speaker 1: and he's right. You know, Donald Trump and the GOP 475 00:24:23,200 --> 00:24:24,960 Speaker 1: don't play. That is easy to get down, to lay down. 476 00:24:25,119 --> 00:24:26,680 Speaker 1: Democrats got to do the same. And you know who 477 00:24:26,680 --> 00:24:28,680 Speaker 1: else need to flex? President Biden needs to flex on 478 00:24:28,760 --> 00:24:30,919 Speaker 1: him too. He should use his influence to prevent the 479 00:24:30,920 --> 00:24:34,399 Speaker 1: Democratic Senatorial Campaign Committee from helping fund their twenty twenty 480 00:24:34,400 --> 00:24:38,600 Speaker 1: four campaigns. Okay, no money, and Biden may have to 481 00:24:38,640 --> 00:24:41,760 Speaker 1: publicly support no, no, may have He should publicly support 482 00:24:41,760 --> 00:24:44,680 Speaker 1: those primary challenges against him. He absolutely should know. We 483 00:24:44,760 --> 00:24:46,840 Speaker 1: talked about the same thing over and over and over again, though, 484 00:24:46,920 --> 00:24:49,160 Speaker 1: well we should. This is our country. What you want 485 00:24:49,160 --> 00:24:54,639 Speaker 1: to keep talking like nothing changes? Talk about the same issue. 486 00:24:55,240 --> 00:24:58,640 Speaker 1: We should, It doesn't always happen. It doesn't always happen. 487 00:24:58,920 --> 00:25:02,359 Speaker 1: Change doesn't always happen. And here is what Joe Biden 488 00:25:02,440 --> 00:25:04,920 Speaker 1: has to say about voting. I hope you can get 489 00:25:04,960 --> 00:25:07,679 Speaker 1: this stuff. Yeah. For god, answer is I don't know 490 00:25:07,680 --> 00:25:10,359 Speaker 1: where they're gonna get this stuff. But one thing for certain, 491 00:25:10,840 --> 00:25:16,240 Speaker 1: like every other major civil rights builder came along, if 492 00:25:16,280 --> 00:25:19,359 Speaker 1: we missed the first time, we can come back and 493 00:25:19,480 --> 00:25:23,800 Speaker 1: try the second time. Hope is not a strategy. Wow, Okay, hope, 494 00:25:23,840 --> 00:25:26,680 Speaker 1: it's not a strategy. A strategy, all right, you're the 495 00:25:26,720 --> 00:25:29,639 Speaker 1: president once again. President Biden needs to flex on Mansion 496 00:25:29,720 --> 00:25:31,920 Speaker 1: in cinema and he should use his influence, you know, 497 00:25:32,040 --> 00:25:35,080 Speaker 1: to cut the money off, prevent the Democratic Senatorial Campaign 498 00:25:35,080 --> 00:25:37,560 Speaker 1: Committee from funding their campaigns in twenty twenty four, and 499 00:25:38,000 --> 00:25:41,320 Speaker 1: Biden should publicly support a primary challenge against them. Get 500 00:25:41,400 --> 00:25:44,600 Speaker 1: down to lay down? Okay, what would Trump do? What 501 00:25:44,720 --> 00:25:47,359 Speaker 1: would the GOP two in this situation? All right? Is 502 00:25:47,359 --> 00:25:49,280 Speaker 1: he to get down to lay out? We're talking about voting, 503 00:25:49,320 --> 00:25:53,639 Speaker 1: the cornerstone of democracy about it's a lot of yes 504 00:25:54,000 --> 00:25:55,880 Speaker 1: talking about voting. It's a lot of things they should 505 00:25:55,880 --> 00:25:57,240 Speaker 1: be they can be debate on. And you know, man 506 00:25:57,520 --> 00:25:59,240 Speaker 1: mansion and cinema, whole of progress on a lot of 507 00:25:59,320 --> 00:26:02,359 Speaker 1: different things. For Policing Act Bill back better, but damn 508 00:26:02,480 --> 00:26:05,280 Speaker 1: voting rights. Voting we still have like can't we can't 509 00:26:05,320 --> 00:26:07,320 Speaker 1: remove the feel about voting right. But that's why this 510 00:26:07,480 --> 00:26:11,080 Speaker 1: is the perfect time to strategize, organize and support a 511 00:26:11,160 --> 00:26:13,359 Speaker 1: candidate who believes in what you believe in and have 512 00:26:13,520 --> 00:26:16,920 Speaker 1: them run against and take that I've been saying that, 513 00:26:17,359 --> 00:26:19,600 Speaker 1: You've been saying that, Yeah, this is I mean, that's 514 00:26:19,640 --> 00:26:22,840 Speaker 1: why people strategize and put their money behind certain candidates, 515 00:26:23,080 --> 00:26:26,360 Speaker 1: all right. Now, One woman, Laura Spears of Oakland County, Michigan, 516 00:26:26,560 --> 00:26:29,000 Speaker 1: found a three million dollar lottery prize and it was 517 00:26:29,040 --> 00:26:31,840 Speaker 1: in her spam. So she was looking through something in 518 00:26:31,840 --> 00:26:34,520 Speaker 1: her spam and it turns out that she actually had 519 00:26:34,680 --> 00:26:37,560 Speaker 1: that lottery prize ticket. She imagined she was looking for 520 00:26:37,640 --> 00:26:39,560 Speaker 1: something else and she would never have seen that if 521 00:26:39,600 --> 00:26:42,160 Speaker 1: she didn't check her spam folder. So she did log 522 00:26:42,280 --> 00:26:44,840 Speaker 1: on to her lottery account after that and confirmed that 523 00:26:44,960 --> 00:26:46,879 Speaker 1: she did win that three million dollars. I get a 524 00:26:46,960 --> 00:26:49,320 Speaker 1: bunch of thold, I'll just be thinking it's spam. I'm 525 00:26:49,440 --> 00:26:51,160 Speaker 1: looking at a bunch of them, right, And they played 526 00:26:52,160 --> 00:26:54,639 Speaker 1: did you play well, they send you an email when 527 00:26:54,640 --> 00:26:57,520 Speaker 1: you win the lottery. How when you buy a lottery, 528 00:26:57,760 --> 00:27:00,400 Speaker 1: how can they send your email email different? You don't 529 00:27:00,400 --> 00:27:03,359 Speaker 1: put you you don't put your email in twenty dollars 530 00:27:03,880 --> 00:27:07,719 Speaker 1: quick pick cash back d you know, must be another game. 531 00:27:07,800 --> 00:27:09,600 Speaker 1: I need to hear more about this. It was a 532 00:27:09,680 --> 00:27:12,280 Speaker 1: three million dollars Mega Millions prize. And this is in Michigan, 533 00:27:12,359 --> 00:27:14,879 Speaker 1: the Michigan Lottery. How you got hurt email? So she 534 00:27:15,000 --> 00:27:17,840 Speaker 1: but she actually bought her winning ticket online at Michigan 535 00:27:17,920 --> 00:27:21,399 Speaker 1: Lottery dot com. So that's how she ended up online. 536 00:27:21,400 --> 00:27:23,280 Speaker 1: I'm buying all my tickets online now because half the 537 00:27:23,359 --> 00:27:25,160 Speaker 1: time sometimes I just forget to check the numbers. I'm 538 00:27:25,160 --> 00:27:28,240 Speaker 1: buying them all stuff right now. Claimed twenty five free chips. 539 00:27:29,240 --> 00:27:33,160 Speaker 1: You know that's point hub. Bro, That's ain't no point hub. 540 00:27:34,359 --> 00:27:36,040 Speaker 1: I got a lot of money pinning it might not 541 00:27:36,200 --> 00:27:40,119 Speaker 1: be it. Well, go ahead, get it all right. Well 542 00:27:40,200 --> 00:27:42,840 Speaker 1: that is your front page news. Nigerians don't hit me 543 00:27:42,960 --> 00:27:46,320 Speaker 1: like they used to though those beaver bucks or lottery 544 00:27:46,760 --> 00:27:49,679 Speaker 1: beaver bucks. That was beaver bucks. But never all right. Now, 545 00:27:49,760 --> 00:27:52,879 Speaker 1: when we come back, Jim Jones will be joining us. 546 00:27:52,920 --> 00:27:55,120 Speaker 1: We're gonna kick it with Jimmy got a new uh out. 547 00:27:55,160 --> 00:27:57,359 Speaker 1: I guess we call a mixtape album with DJ Project 548 00:27:57,440 --> 00:27:59,640 Speaker 1: with DJ Drama Gangster Grills. So yeah, so we're gonna 549 00:27:59,680 --> 00:28:01,360 Speaker 1: kick it were when we come back. It's the Breakfast Club. 550 00:28:01,400 --> 00:28:07,679 Speaker 1: The Morning, the Breakfast Club, The Breakfast Club. Your morning's 551 00:28:07,720 --> 00:28:13,920 Speaker 1: will never be the same morning. Everybody's d ch Envy Angela, Yee, 552 00:28:14,080 --> 00:28:16,280 Speaker 1: Charlemagne the guy. We are the Breakfast Club. We got 553 00:28:16,359 --> 00:28:21,200 Speaker 1: a special guest of the building, Jim Jones. What's up? 554 00:28:22,280 --> 00:28:25,040 Speaker 1: Mixtape out right now against the Grills right now, set 555 00:28:25,119 --> 00:28:28,119 Speaker 1: the trends, DJA Drama. Jim Jones, that's the drama. Well, 556 00:28:28,200 --> 00:28:30,959 Speaker 1: what memories did this against the Grills bring back for you, man? 557 00:28:31,000 --> 00:28:33,480 Speaker 1: Because you know, dip set dominated the mixtape circuit and 558 00:28:33,520 --> 00:28:36,520 Speaker 1: this definitely has that that that feeling, especially with dramas. 559 00:28:36,600 --> 00:28:40,160 Speaker 1: What memories did it bring back? Memories? Um, I don't 560 00:28:40,200 --> 00:28:41,960 Speaker 1: know if it bringing back memories, but I just feel 561 00:28:42,000 --> 00:28:44,200 Speaker 1: to bring back that feeling that week we were we 562 00:28:44,280 --> 00:28:46,320 Speaker 1: were eager to head when we was coming up a 563 00:28:46,480 --> 00:28:49,120 Speaker 1: drama mixtape was you know what I mean, especially when 564 00:28:49,640 --> 00:28:52,600 Speaker 1: the Jez Drama mix tapes and the Wheezy Drama mixtapes 565 00:28:52,640 --> 00:28:54,280 Speaker 1: and and I got a chance to do one. So 566 00:28:54,400 --> 00:28:57,680 Speaker 1: we just wanted to give this generation a little bit 567 00:28:57,720 --> 00:29:00,120 Speaker 1: of what we used to look forward to when it 568 00:29:00,280 --> 00:29:02,960 Speaker 1: was dropping by putting some of the dopest music on 569 00:29:03,120 --> 00:29:05,400 Speaker 1: these mixtapes. So I was just trying to catch that 570 00:29:05,480 --> 00:29:08,000 Speaker 1: feeling back a little bit. For two thousand and six, 571 00:29:08,480 --> 00:29:10,840 Speaker 1: I mean it was a blur. I don't really try 572 00:29:10,880 --> 00:29:14,720 Speaker 1: to you know, when you'll feeling like the dip set 573 00:29:14,800 --> 00:29:18,080 Speaker 1: Volume one, That's what I was talking about. That's different 574 00:29:18,120 --> 00:29:22,000 Speaker 1: than the mixtapes. We broke ground with that. We started 575 00:29:22,080 --> 00:29:25,000 Speaker 1: something new out here when we would create whole mixtapes 576 00:29:25,040 --> 00:29:27,800 Speaker 1: with original music. They were actually albums back then, um, 577 00:29:28,520 --> 00:29:30,480 Speaker 1: but we didn't know how to skip the labels and 578 00:29:30,560 --> 00:29:32,160 Speaker 1: put them out as fast as we wanted to. But 579 00:29:32,240 --> 00:29:34,520 Speaker 1: those were the perfect tools that we were used to 580 00:29:34,680 --> 00:29:36,720 Speaker 1: market and promote the albums that were coming out. But 581 00:29:37,960 --> 00:29:40,760 Speaker 1: we've seen people make millions off of the mixtapes in 582 00:29:40,840 --> 00:29:43,560 Speaker 1: the streets. That was back then. My man Browsie should 583 00:29:43,560 --> 00:29:46,400 Speaker 1: do like one hundred thousand dollars in two days off 584 00:29:46,400 --> 00:29:48,560 Speaker 1: a dip set mixtapes right on a hund forty fifty 585 00:29:48,600 --> 00:29:51,719 Speaker 1: when it was ten dollars of mixtape. They were through them. Yea. 586 00:29:51,760 --> 00:29:53,560 Speaker 1: I never used to run down on like the bootlegs 587 00:29:53,640 --> 00:29:56,080 Speaker 1: or nothing. Well early in the days, or you would 588 00:29:56,120 --> 00:29:58,320 Speaker 1: run down with some bootlegs. We kicked over a few tables, 589 00:29:58,440 --> 00:30:02,400 Speaker 1: running a few stores. Regular. Yeah. The last time you're 590 00:30:02,440 --> 00:30:04,680 Speaker 1: up here, we were talking about your era. We were 591 00:30:04,720 --> 00:30:07,040 Speaker 1: saying that we were surprised that no label has hired 592 00:30:07,080 --> 00:30:10,120 Speaker 1: you as an an R or an executive. Not yet 593 00:30:10,440 --> 00:30:16,600 Speaker 1: still not yet, hello, still not yet, still not yet. 594 00:30:16,680 --> 00:30:19,160 Speaker 1: But I took it paul myself to start working in 595 00:30:19,240 --> 00:30:21,160 Speaker 1: my own favor, and that's what I did with the 596 00:30:21,200 --> 00:30:23,520 Speaker 1: Gangster Grills. I started. I put some of the dopest 597 00:30:23,680 --> 00:30:26,400 Speaker 1: up and coming talent that have buzz or should have 598 00:30:26,520 --> 00:30:28,960 Speaker 1: a buzz on this project, and I kind of just 599 00:30:29,280 --> 00:30:31,240 Speaker 1: was featured on the whole project, like eighty percent of 600 00:30:31,320 --> 00:30:33,880 Speaker 1: the project. Let everybody lead the way, pick their own energy. 601 00:30:34,040 --> 00:30:36,480 Speaker 1: That's like you see on Amigos record. That was take off, 602 00:30:36,600 --> 00:30:38,480 Speaker 1: like put up a beat, like now I loaded that up, 603 00:30:38,560 --> 00:30:40,040 Speaker 1: let me go, let me get busy. He just went 604 00:30:40,120 --> 00:30:42,200 Speaker 1: crazy on the record. I just had to. I just 605 00:30:42,320 --> 00:30:43,800 Speaker 1: had to follow the flow, you know what I mean. 606 00:30:44,080 --> 00:30:45,640 Speaker 1: So that was just you showing people, Look, man, I 607 00:30:45,680 --> 00:30:48,040 Speaker 1: got the best day out here. Let me show y'all, yeah, 608 00:30:48,120 --> 00:30:50,880 Speaker 1: like next, yeah, exactly. And I put a lot of 609 00:30:51,560 --> 00:30:53,280 Speaker 1: up and coming New York artists on there. But we 610 00:30:53,360 --> 00:30:57,080 Speaker 1: got we kind of encompassed every sound of music, every 611 00:30:57,120 --> 00:30:59,040 Speaker 1: sign of rap music that's in the game right now, 612 00:30:59,200 --> 00:31:04,760 Speaker 1: from West Coast music to Midwest music, self music, of 613 00:31:04,880 --> 00:31:08,280 Speaker 1: course New York music. We got some of the illest people. 614 00:31:08,360 --> 00:31:12,560 Speaker 1: We got Ice Web Vessel and Paz from Detroit that 615 00:31:12,720 --> 00:31:16,240 Speaker 1: we got filthy Rich from the West Coast. Um, we 616 00:31:16,440 --> 00:31:22,240 Speaker 1: got the Ross Swist, Connie diamonds Op, Dusty low King 617 00:31:22,960 --> 00:31:27,760 Speaker 1: did a dice Pace Keen Street Yellow tape, Pap Chanel 618 00:31:27,800 --> 00:31:30,720 Speaker 1: she from Atlanta. But that's just so much young artists. 619 00:31:30,720 --> 00:31:32,200 Speaker 1: And I always wanted to do a project like this 620 00:31:32,320 --> 00:31:34,320 Speaker 1: but didn't know how to kind of get it in. 621 00:31:34,760 --> 00:31:36,640 Speaker 1: Pace was like, yo, I think it's sound for you 622 00:31:36,680 --> 00:31:38,280 Speaker 1: to do a drama. You got drama number. You should 623 00:31:38,320 --> 00:31:40,479 Speaker 1: hit him and see people. I hit drama immediately. When 624 00:31:40,520 --> 00:31:42,040 Speaker 1: he said that, it made all the sense of John 625 00:31:42,200 --> 00:31:44,760 Speaker 1: was like running. It's like, I hate so you gotta 626 00:31:44,800 --> 00:31:47,840 Speaker 1: record with your your workout crew, Jim Jones fitlet shout 627 00:31:47,840 --> 00:31:51,000 Speaker 1: out to the guys with you in a couple of 628 00:31:51,080 --> 00:31:53,240 Speaker 1: days though, now ain'tle fran I got received, I received, 629 00:31:53,280 --> 00:31:55,480 Speaker 1: I received my phone, I forgot I forgot the post 630 00:31:55,560 --> 00:31:58,640 Speaker 1: one and then writing when I leave here, I'm gonna 631 00:31:58,640 --> 00:32:02,240 Speaker 1: go meet him at the gym and so sometimes fashionably late, 632 00:32:02,360 --> 00:32:06,720 Speaker 1: but he definitely wants to do He shows up and 633 00:32:07,120 --> 00:32:09,120 Speaker 1: gets his working and things like that. So that's that's 634 00:32:09,360 --> 00:32:11,600 Speaker 1: that's all I can ask. I'm hyped. Actually, UM we 635 00:32:11,720 --> 00:32:15,560 Speaker 1: started fitting Fitlet. It's a fitness initiative with UM. We're 636 00:32:15,560 --> 00:32:17,440 Speaker 1: gonna give you a different experience in the gym. I 637 00:32:17,520 --> 00:32:19,959 Speaker 1: owner gym in New Jersey, Iron Range Fitness, So we're 638 00:32:19,960 --> 00:32:22,960 Speaker 1: about to get a little renovation, but it's called Fitlet. 639 00:32:23,000 --> 00:32:24,960 Speaker 1: We're gonna change your experience to come into the gym 640 00:32:25,000 --> 00:32:26,720 Speaker 1: and feeling like you're working out, to come into gym 641 00:32:26,760 --> 00:32:28,160 Speaker 1: and feel like you just went to a party and 642 00:32:28,240 --> 00:32:30,760 Speaker 1: all things and so envy if we I don't know 643 00:32:30,840 --> 00:32:33,120 Speaker 1: how much you charge the book, but we might have 644 00:32:33,240 --> 00:32:35,640 Speaker 1: to come and book you to do the DJ. You're 645 00:32:35,640 --> 00:32:38,200 Speaker 1: gonna have holes, We're gonna have a lot of performances. 646 00:32:38,840 --> 00:32:41,240 Speaker 1: Your your bottle or water might have sparkles on it. 647 00:32:41,320 --> 00:32:43,080 Speaker 1: We're gonna give you a feeling you know what I 648 00:32:43,160 --> 00:32:45,840 Speaker 1: mean like, So we're gonna change the perception of what 649 00:32:45,960 --> 00:32:47,239 Speaker 1: it is to feel like to come to a gym. 650 00:32:47,320 --> 00:32:50,920 Speaker 1: Boot camp, classes, spin classes. We got all all the 651 00:32:50,960 --> 00:32:52,880 Speaker 1: pull up balls, so we do a callisteadic class for 652 00:32:52,920 --> 00:32:54,720 Speaker 1: all the guys. I like to do pull ups. Let's 653 00:32:54,720 --> 00:32:56,200 Speaker 1: start to do it once a week. So right now, 654 00:32:56,480 --> 00:32:58,520 Speaker 1: I got the guys on an eight week program, or 655 00:32:58,600 --> 00:33:01,120 Speaker 1: we got ourselves on eight We programmed just to get 656 00:33:01,160 --> 00:33:05,000 Speaker 1: them acclimated Maine and them reacclimated to the gym. Davies 657 00:33:05,120 --> 00:33:07,560 Speaker 1: is young, so you know, I'm kind of let him 658 00:33:07,600 --> 00:33:10,080 Speaker 1: do what you did. It's different. He don't he don't 659 00:33:10,160 --> 00:33:13,920 Speaker 1: he don't understand what it takes to wake up. But 660 00:33:14,040 --> 00:33:16,600 Speaker 1: it's good though. Everybody's an adamant about what we're doing. 661 00:33:16,640 --> 00:33:18,240 Speaker 1: So we're about to bring something new to the game. 662 00:33:18,440 --> 00:33:20,400 Speaker 1: Pies for that record is Betty White? Why is that? 663 00:33:20,680 --> 00:33:24,760 Speaker 1: Is it? Um? The day that Betty White had passes 664 00:33:24,840 --> 00:33:27,560 Speaker 1: the same day Chrissy's white Porsche had got delivered, and 665 00:33:27,720 --> 00:33:31,480 Speaker 1: we was named the Betty White. So that's how I 666 00:33:31,480 --> 00:33:33,280 Speaker 1: started my rum off. So it was like we was 667 00:33:33,320 --> 00:33:35,880 Speaker 1: gonna name it Betty White. They was like put fit 668 00:33:35,960 --> 00:33:54,360 Speaker 1: lit the front to push our initiative and Yoka garage 669 00:33:54,560 --> 00:33:56,680 Speaker 1: word the same thing with this one about to be 670 00:33:56,720 --> 00:33:59,120 Speaker 1: stuck in the garage like I don't understand. But when 671 00:33:59,160 --> 00:34:01,560 Speaker 1: she rises and she it Now I was gonna ask 672 00:34:01,600 --> 00:34:04,160 Speaker 1: you your engineer, something happened with your engineer and you 673 00:34:04,200 --> 00:34:06,520 Speaker 1: had to give him CPR. Oh my um photographer, my 674 00:34:06,600 --> 00:34:10,200 Speaker 1: man flee? What happened with that Miami cooling out? And 675 00:34:10,960 --> 00:34:13,279 Speaker 1: I don't know. Man just turned around and to my 676 00:34:13,440 --> 00:34:16,560 Speaker 1: stream my name, my man Fleet was not doing too good. 677 00:34:16,640 --> 00:34:19,600 Speaker 1: He wasn't responding, he was past, he was in coherent. 678 00:34:19,680 --> 00:34:23,239 Speaker 1: Everybody knew you knew CPR because I know. But yo, Bro, 679 00:34:23,600 --> 00:34:26,839 Speaker 1: Joe Bro. For the life of me, I don't know why. 680 00:34:27,280 --> 00:34:29,120 Speaker 1: That's what I keep saying that. I was like, that's 681 00:34:29,160 --> 00:34:30,600 Speaker 1: why I'd be like, it's a God, because the only 682 00:34:30,680 --> 00:34:32,800 Speaker 1: guy to be that gotta happen in that sequence for 683 00:34:32,920 --> 00:34:34,520 Speaker 1: God to put his hands on me and I put 684 00:34:34,600 --> 00:34:36,279 Speaker 1: my hands on him. Because they didn't run to the 685 00:34:36,360 --> 00:34:39,200 Speaker 1: ambulance none of so they called the ambulance after they 686 00:34:39,280 --> 00:34:41,480 Speaker 1: called me, and I was like, call ambulance, like what 687 00:34:41,760 --> 00:34:45,000 Speaker 1: what are we doing here? Like yo, but God, bless, 688 00:34:45,080 --> 00:34:49,279 Speaker 1: something happened that I jumped into action, dig like, when 689 00:34:49,320 --> 00:34:51,200 Speaker 1: did you learn a CPR? Like when I was like 690 00:34:51,320 --> 00:34:53,400 Speaker 1: twelve for my sister. She has a real heart, a 691 00:34:53,520 --> 00:34:56,160 Speaker 1: real heart disease, a real heart condition, not of these, 692 00:34:56,200 --> 00:34:59,080 Speaker 1: a real heart condition that she has. She was baby. 693 00:34:59,120 --> 00:35:01,440 Speaker 1: She was a miracle baby. They didn't expect it to 694 00:35:01,600 --> 00:35:04,680 Speaker 1: last at all. Since birth. She studied some years old. 695 00:35:04,760 --> 00:35:08,000 Speaker 1: Now she's my miracol woman and my superwoman. So my 696 00:35:08,080 --> 00:35:10,680 Speaker 1: whole family had to learn CPR just in case when 697 00:35:10,719 --> 00:35:12,880 Speaker 1: she got home, if anything happened, we behave it to 698 00:35:13,480 --> 00:35:16,600 Speaker 1: help out at the things like that and out. Hey, 699 00:35:17,200 --> 00:35:20,239 Speaker 1: so you use it before before this. No, I just 700 00:35:20,400 --> 00:35:24,080 Speaker 1: got trained to use it in case Twelvember twelve. It 701 00:35:24,239 --> 00:35:25,880 Speaker 1: wasn't Isn't it really not that hard? Like I was 702 00:35:25,920 --> 00:35:27,400 Speaker 1: telling him like it was. It was. It's like and 703 00:35:27,520 --> 00:35:29,320 Speaker 1: it's like riding the bike is real simple once you know. 704 00:35:29,360 --> 00:35:31,960 Speaker 1: It's not like rocking science. No, I didn't have to 705 00:35:32,000 --> 00:35:35,680 Speaker 1: give him mouth to mouth or cessitation listen to see. 706 00:35:35,680 --> 00:35:37,640 Speaker 1: I already I thought he was gonna comes get that 707 00:35:37,760 --> 00:35:47,160 Speaker 1: out there early everything yo, no mouth involved, Oh yo, 708 00:35:48,040 --> 00:35:49,719 Speaker 1: I think he might have. He might have not made 709 00:35:49,719 --> 00:35:59,239 Speaker 1: it if I had to give him man diving day 710 00:36:05,120 --> 00:36:12,800 Speaker 1: that it would be the most harmless, so you just 711 00:36:12,960 --> 00:36:15,840 Speaker 1: let him die. Yo, man, I didn't do mouth the 712 00:36:15,880 --> 00:36:25,520 Speaker 1: mouth God, bless God. We could joke about this man definitely. 713 00:36:25,560 --> 00:36:28,360 Speaker 1: But I encourage everybody go CPRS a quick cause. I 714 00:36:28,400 --> 00:36:30,320 Speaker 1: think it's a couple of hours to get you certified 715 00:36:30,520 --> 00:36:32,040 Speaker 1: and it's something to stick with you for life. You 716 00:36:32,120 --> 00:36:34,040 Speaker 1: never know where you might be at where you can 717 00:36:34,080 --> 00:36:36,040 Speaker 1: letting the health of hand. All right, we got more 718 00:36:36,120 --> 00:36:37,799 Speaker 1: with Jim Jones when we come back. Let's get into 719 00:36:37,840 --> 00:36:40,120 Speaker 1: a single. We set the trans Jim Jones. Everybody a 720 00:36:40,280 --> 00:36:43,680 Speaker 1: c j Envy Angela Yee. Charlomagne the guy we are 721 00:36:43,719 --> 00:36:46,200 Speaker 1: the breakfast club. We're still kicking it with the homie 722 00:36:46,280 --> 00:36:49,120 Speaker 1: Jim Jones. Charlomagne. Why do you think the younger generation 723 00:36:49,280 --> 00:36:52,600 Speaker 1: moved away from the NYC sound. I don't know. It's 724 00:36:52,640 --> 00:36:56,839 Speaker 1: a couple of variables with that. Um. Maybe if our 725 00:36:56,920 --> 00:37:00,440 Speaker 1: generation was a little bit more adapting to the younger generation, 726 00:37:01,040 --> 00:37:03,880 Speaker 1: it wouldn't be so much of a separation. Their separation 727 00:37:04,080 --> 00:37:08,160 Speaker 1: was a bit of a rebellion also, you heard because 728 00:37:08,200 --> 00:37:10,080 Speaker 1: they're a bunch of badasses, and we were a bunch 729 00:37:10,080 --> 00:37:13,680 Speaker 1: of badasses also. But we ain't we weren't necessary looking 730 00:37:13,760 --> 00:37:17,480 Speaker 1: back to cater to the youth that was coming behind us. 731 00:37:17,520 --> 00:37:20,080 Speaker 1: And now a lot of these old heads be mad 732 00:37:20,160 --> 00:37:25,359 Speaker 1: at them, and god, no, it's not it's not none 733 00:37:25,400 --> 00:37:28,319 Speaker 1: of that's it's twenty twenty two. You heard, adapt Get 734 00:37:28,400 --> 00:37:30,040 Speaker 1: with it, or you're gonna get lost in the sauce 735 00:37:30,120 --> 00:37:32,759 Speaker 1: looking like an old head bogger, you heard. And I'm 736 00:37:32,800 --> 00:37:35,360 Speaker 1: not with that. So I feel like the sounds changed 737 00:37:35,360 --> 00:37:37,960 Speaker 1: because these kids start adapting to what they liked the 738 00:37:38,040 --> 00:37:40,160 Speaker 1: most energy, and where the energy was going was to 739 00:37:40,239 --> 00:37:42,359 Speaker 1: the south and to these different sounds into the drill, 740 00:37:42,440 --> 00:37:44,440 Speaker 1: and these kids is outside and the chief Keith and 741 00:37:44,440 --> 00:37:47,040 Speaker 1: who was young, and and then you just start to 742 00:37:47,160 --> 00:37:49,759 Speaker 1: make sense. But wherever it came from, I'm not mad 743 00:37:49,840 --> 00:37:52,600 Speaker 1: at it. Well, y'all touched it early too, though, exactly. Yeah, 744 00:37:52,640 --> 00:37:55,880 Speaker 1: we would always into different sounds. You always into different sounds, 745 00:37:55,920 --> 00:37:58,040 Speaker 1: you know what I mean. That was how dip set 746 00:37:58,120 --> 00:38:01,719 Speaker 1: kind of gotta universe her name because we mixed with 747 00:38:02,120 --> 00:38:04,359 Speaker 1: everybody around the country when it came to the music. 748 00:38:04,480 --> 00:38:06,960 Speaker 1: But this sound now is just deliberate from New York, 749 00:38:07,040 --> 00:38:08,520 Speaker 1: like they put a little bit of a drill. But 750 00:38:08,640 --> 00:38:10,800 Speaker 1: now it's kind of expanding as you're seeing them starting 751 00:38:10,800 --> 00:38:12,680 Speaker 1: to mix the drill with actually rap beats and so 752 00:38:12,840 --> 00:38:15,000 Speaker 1: it's it's I love it. New York didn't need it 753 00:38:15,080 --> 00:38:16,879 Speaker 1: a new sound to kind of get us off our feet. 754 00:38:16,920 --> 00:38:19,040 Speaker 1: And with this sound that we have now, with the 755 00:38:19,160 --> 00:38:22,359 Speaker 1: youngsters leading the way, we're kind of getting our name 756 00:38:22,440 --> 00:38:25,760 Speaker 1: back a little bit in these streets on these radio waves. 757 00:38:25,800 --> 00:38:31,560 Speaker 1: Like before you wouldn't hear no music down South, like 758 00:38:32,440 --> 00:38:35,440 Speaker 1: maybe a pop smoking all the way up fat Jill 759 00:38:35,520 --> 00:38:39,439 Speaker 1: like whoever had their but it's not too many. Now 760 00:38:39,760 --> 00:38:42,440 Speaker 1: you start to hear that New York sound and these 761 00:38:42,480 --> 00:38:44,960 Speaker 1: clubs damn South, that drill sound, and these clubs damn 762 00:38:45,000 --> 00:38:46,640 Speaker 1: so like you see it on the ground from like 763 00:38:46,760 --> 00:38:49,440 Speaker 1: so you gotta tip the hat to these junks. They 764 00:38:49,480 --> 00:38:51,160 Speaker 1: figured out how to get us back in the game. 765 00:38:51,400 --> 00:38:54,200 Speaker 1: Can it ever be back? Though? If if it's drill, 766 00:38:54,320 --> 00:38:57,480 Speaker 1: because drill is a thing, I mean, I don't think 767 00:38:57,520 --> 00:39:00,640 Speaker 1: it's a necessary It is a Chicago thing to Chicago, 768 00:39:00,719 --> 00:39:02,799 Speaker 1: but we kind of cointed and put our own spin 769 00:39:02,880 --> 00:39:05,120 Speaker 1: on the whizz. Now a New York drill thing, and 770 00:39:05,239 --> 00:39:07,160 Speaker 1: there you're not taking none away from Chicago. They gave 771 00:39:07,239 --> 00:39:09,480 Speaker 1: us the inspiration that We needed to kind of get 772 00:39:09,520 --> 00:39:12,040 Speaker 1: our own sound in the midst of what they did. 773 00:39:12,120 --> 00:39:15,600 Speaker 1: And now it's translating into numbers. Kids are getting rich, 774 00:39:15,800 --> 00:39:18,239 Speaker 1: signed a million dollars deals off from New York, which 775 00:39:18,320 --> 00:39:22,480 Speaker 1: wasn't happening a few years ago. You just drive all 776 00:39:22,520 --> 00:39:24,600 Speaker 1: the labels his head and it was not signing no 777 00:39:24,800 --> 00:39:27,400 Speaker 1: artists from New York. None of the radio stations were 778 00:39:27,440 --> 00:39:30,520 Speaker 1: playing no artist from New York. The countdowns didn't have 779 00:39:31,200 --> 00:39:32,840 Speaker 1: no artists from New York on it, You know what 780 00:39:32,880 --> 00:39:35,640 Speaker 1: I mean. Now all accountdowns got some artists from New 781 00:39:35,719 --> 00:39:37,839 Speaker 1: York on it, like, and it feels good because I'd 782 00:39:37,920 --> 00:39:40,640 Speaker 1: be watching the radio like and listen to you. So 783 00:39:41,280 --> 00:39:43,759 Speaker 1: I'm happy for where we are now. It doesn't take 784 00:39:43,800 --> 00:39:46,759 Speaker 1: away from the bars. As you see. You still have 785 00:39:46,880 --> 00:39:49,520 Speaker 1: that authentic feeling music on a gangster grill, even though 786 00:39:49,719 --> 00:39:52,000 Speaker 1: I got all the youngsters on it, Like New York 787 00:39:52,120 --> 00:39:54,320 Speaker 1: is New York. You can't take that New York sound 788 00:39:54,760 --> 00:39:57,920 Speaker 1: nowhere like you did. If we make a record, you 789 00:39:57,960 --> 00:40:00,080 Speaker 1: can make a record from New York me fabing in 790 00:40:00,400 --> 00:40:02,919 Speaker 1: New York. That record is gonna mean something. We're gonna 791 00:40:02,920 --> 00:40:05,160 Speaker 1: be able to perform that record anywhere in New York 792 00:40:05,200 --> 00:40:07,040 Speaker 1: and New York has his own sound. You gotta get 793 00:40:07,120 --> 00:40:09,000 Speaker 1: hit with it. But now we've got a little bit 794 00:40:09,040 --> 00:40:11,520 Speaker 1: more commercial with the drill and it's bringing it back 795 00:40:11,560 --> 00:40:13,960 Speaker 1: to some money for us. So I encourage the kids 796 00:40:14,000 --> 00:40:16,520 Speaker 1: to keep digging. So when you tell these young artists, man, 797 00:40:16,600 --> 00:40:18,279 Speaker 1: especially when it comes to the streets, because these a 798 00:40:18,320 --> 00:40:22,840 Speaker 1: little be wilding out here, seem even making an investment 799 00:40:22,880 --> 00:40:25,120 Speaker 1: in them, it's like it's risky because you just don't 800 00:40:25,120 --> 00:40:30,000 Speaker 1: know what happened. It is very risky. Um, hey, hey, listen, 801 00:40:30,160 --> 00:40:33,880 Speaker 1: I've had it. I've come up different. So for me 802 00:40:34,160 --> 00:40:36,080 Speaker 1: preaching to them, it's a little bit. I'm want to 803 00:40:36,080 --> 00:40:38,279 Speaker 1: give them the proper advice. I don't want. I'm not 804 00:40:38,520 --> 00:40:40,080 Speaker 1: here to try to change your life and make you 805 00:40:40,680 --> 00:40:42,239 Speaker 1: I'm just trying to give you a fair one of 806 00:40:42,280 --> 00:40:44,160 Speaker 1: the things that could happen if you keep going in 807 00:40:44,239 --> 00:40:47,600 Speaker 1: that direction. And if you want to do music, one 808 00:40:47,640 --> 00:40:49,319 Speaker 1: of these things you're gonna have to put there because 809 00:40:49,360 --> 00:40:52,120 Speaker 1: it's not gonna add up. You're even gonna do the 810 00:40:52,160 --> 00:40:54,319 Speaker 1: streets or you're gonna do the music. Because they never mix. 811 00:40:54,360 --> 00:40:57,759 Speaker 1: It never works. I've never seen nobody do that successfully 812 00:40:57,960 --> 00:41:01,319 Speaker 1: as we can see. So many examples in front of us, 813 00:41:01,400 --> 00:41:04,440 Speaker 1: and it's just nasty device that's going on. Hip Hop's crazy. 814 00:41:04,520 --> 00:41:07,440 Speaker 1: Like when we were coming up, we were protected as artists. 815 00:41:07,680 --> 00:41:10,960 Speaker 1: There's no protection for the artists anymore. We're straight targets. 816 00:41:11,000 --> 00:41:13,480 Speaker 1: And I stand on what I said. Being a rapper 817 00:41:13,640 --> 00:41:15,759 Speaker 1: is the most dangerous job in the world, as we 818 00:41:15,840 --> 00:41:18,839 Speaker 1: can see so many depths happen in these past three years. 819 00:41:18,880 --> 00:41:21,360 Speaker 1: And I'm talking about not just any depth. Some of 820 00:41:21,440 --> 00:41:23,600 Speaker 1: the biggest artists that we've seen come out of this 821 00:41:23,719 --> 00:41:27,239 Speaker 1: game Gun Dawn due to the street violence and things 822 00:41:27,320 --> 00:41:29,239 Speaker 1: like that. So you know, I remember when you said 823 00:41:29,280 --> 00:41:31,719 Speaker 1: that everybody gave you flack, and I'm like, was Jim 824 00:41:31,880 --> 00:41:34,640 Speaker 1: early or was he just seeing it before everybody else? 825 00:41:34,640 --> 00:41:37,319 Speaker 1: So I mean not to be like that. Since I've 826 00:41:37,320 --> 00:41:39,560 Speaker 1: said that comment. I would like somebody actually count the 827 00:41:39,680 --> 00:41:43,120 Speaker 1: depths of rappers that have happened that has happened since 828 00:41:43,200 --> 00:41:45,759 Speaker 1: that comment. And you tell me if I hate it 829 00:41:45,840 --> 00:41:47,960 Speaker 1: on the head and you know what I mean. So, 830 00:41:48,480 --> 00:41:51,080 Speaker 1: I mean, I know you moved differently, So is there 831 00:41:51,120 --> 00:41:52,920 Speaker 1: a way to move differently? Because in New York it's 832 00:41:52,960 --> 00:41:54,840 Speaker 1: like they I feel like in New York sometimes they 833 00:41:54,920 --> 00:41:57,359 Speaker 1: want you to get either robbed or shot or put 834 00:41:57,400 --> 00:42:01,680 Speaker 1: in jail, right, because you can't carry a firearmy not allowed, right, 835 00:42:02,080 --> 00:42:03,919 Speaker 1: But the person that's trying to rob you, they don't 836 00:42:03,920 --> 00:42:06,400 Speaker 1: care about that. But then if you carry a firearm, 837 00:42:06,400 --> 00:42:08,960 Speaker 1: you get three years automatically. But the person that's trying 838 00:42:08,960 --> 00:42:10,400 Speaker 1: to rob you or shoot your gun you down, they 839 00:42:10,440 --> 00:42:13,040 Speaker 1: don't care about that. So put you in an ill predicament. 840 00:42:13,360 --> 00:42:15,480 Speaker 1: So what do you tell those young artists how to move? 841 00:42:15,800 --> 00:42:17,040 Speaker 1: You know, we were in a day where you know, 842 00:42:17,360 --> 00:42:19,000 Speaker 1: we could move a little differently. We weren't getting a 843 00:42:19,040 --> 00:42:20,880 Speaker 1: rat It wasn't as bad. Now it just seems like 844 00:42:20,960 --> 00:42:23,200 Speaker 1: it's wild wild West, New Yo pop hunted to the shooter. 845 00:42:23,280 --> 00:42:24,959 Speaker 1: Let me stop, let me stop them, let me stop, 846 00:42:25,719 --> 00:42:28,080 Speaker 1: let me stop, let me stop um Now, As a 847 00:42:28,160 --> 00:42:30,200 Speaker 1: way to move, you gotta move tactical wildea, I mean. 848 00:42:30,200 --> 00:42:33,000 Speaker 1: And for those who don't have the proper finances to 849 00:42:33,040 --> 00:42:37,200 Speaker 1: actually afford the proper security and move away. Most artists don't. 850 00:42:37,200 --> 00:42:39,000 Speaker 1: They're coming up, they don't have the money to pay 851 00:42:39,239 --> 00:42:43,040 Speaker 1: a security guard. And all right, so this is honestly 852 00:42:43,160 --> 00:42:46,959 Speaker 1: what I tell you. Did you want to be doing 853 00:42:47,120 --> 00:42:49,879 Speaker 1: music right, and you're the artists you a rapper. These 854 00:42:49,960 --> 00:42:51,839 Speaker 1: dudes are rare. You gotta take you as the most 855 00:42:51,920 --> 00:42:54,920 Speaker 1: important thing in this group. Right, something happens to you, 856 00:42:55,360 --> 00:42:57,839 Speaker 1: nothing's ever gonna amount to nothing for them. Like they're 857 00:42:57,840 --> 00:42:59,600 Speaker 1: not going to get to where they would like to 858 00:42:59,640 --> 00:43:02,719 Speaker 1: go by using you as their vessel. So therefore they 859 00:43:02,800 --> 00:43:05,000 Speaker 1: have to hold you in high regard, the highest regard 860 00:43:05,120 --> 00:43:07,440 Speaker 1: of all. So if there's something that you would used 861 00:43:07,480 --> 00:43:09,640 Speaker 1: to carry, they have to carry it for you. It 862 00:43:09,800 --> 00:43:12,279 Speaker 1: was something that was would happen, they would have to 863 00:43:12,360 --> 00:43:14,200 Speaker 1: do it for you, and they have to react fast, 864 00:43:14,200 --> 00:43:15,919 Speaker 1: and you have to trust in them that they're gonna 865 00:43:15,960 --> 00:43:18,160 Speaker 1: hold you up because they see the future and believe 866 00:43:18,239 --> 00:43:20,000 Speaker 1: in you that you're gonna take them out of this 867 00:43:20,160 --> 00:43:22,800 Speaker 1: threshold where they have to do these things for you. 868 00:43:22,960 --> 00:43:26,320 Speaker 1: Now you heard, and that's that's the illest thing I 869 00:43:26,400 --> 00:43:28,759 Speaker 1: could tell them because that was the way I had 870 00:43:28,840 --> 00:43:33,000 Speaker 1: to move at a time. But you did, like it's 871 00:43:33,160 --> 00:43:34,920 Speaker 1: you got to figure out how to move tactical in 872 00:43:35,000 --> 00:43:38,959 Speaker 1: these situations if you and yet it's war, it's gonna 873 00:43:38,960 --> 00:43:41,040 Speaker 1: be some casualties and some people not gonna make it. 874 00:43:41,440 --> 00:43:45,120 Speaker 1: But the principle has to be protected at all times. 875 00:43:45,400 --> 00:43:48,279 Speaker 1: If you want to get any success in this situation. 876 00:43:48,600 --> 00:43:51,560 Speaker 1: And that's what I tell them. Honestly, you got to 877 00:43:51,600 --> 00:43:53,799 Speaker 1: figure it out from there. I'm telling you stop doing 878 00:43:53,840 --> 00:43:55,359 Speaker 1: what you're doing. I'm telling you to move a little 879 00:43:55,360 --> 00:43:57,520 Speaker 1: bit smarter so give you better chances that you would 880 00:43:57,520 --> 00:43:59,640 Speaker 1: being successful at helping your dudes that wouldn't happen to 881 00:43:59,640 --> 00:44:01,960 Speaker 1: not happen to do them same things anymore, because you'll 882 00:44:01,960 --> 00:44:04,080 Speaker 1: be having that money for the proper to carry. Everybody 883 00:44:04,120 --> 00:44:05,920 Speaker 1: could be a little bit easy. And it feels like 884 00:44:05,960 --> 00:44:08,560 Speaker 1: y'all this generation artists don't have the same things to 885 00:44:08,640 --> 00:44:10,759 Speaker 1: look out for like y'all did. Like was hip hop 886 00:44:10,800 --> 00:44:13,040 Speaker 1: police good or bad for New York? It's funny you 887 00:44:13,160 --> 00:44:16,399 Speaker 1: say that shouts to Sean. Sean was a very very 888 00:44:16,560 --> 00:44:20,080 Speaker 1: very respectable hip hop police and anybody was in Florida, 889 00:44:20,120 --> 00:44:22,359 Speaker 1: Now that's dope shots the office on Florida. I ran 890 00:44:22,360 --> 00:44:24,120 Speaker 1: into Himen I was in Florida. Wow, I don't want 891 00:44:24,120 --> 00:44:27,360 Speaker 1: to run into him and shout to Sean. He was 892 00:44:27,400 --> 00:44:30,520 Speaker 1: one of the most respectable individuals for him be on 893 00:44:30,600 --> 00:44:32,160 Speaker 1: the other side of us, and I always kept it 894 00:44:32,280 --> 00:44:34,880 Speaker 1: like that. I don't know how the new dudes going around, um, 895 00:44:35,000 --> 00:44:38,000 Speaker 1: but we're not gonna get into that um. But I 896 00:44:38,000 --> 00:44:40,400 Speaker 1: don't know you did, Lady seanna catch a young young 897 00:44:40,520 --> 00:44:44,160 Speaker 1: rappers up, Any young rappers out there, watch the rap police. 898 00:44:44,160 --> 00:44:46,080 Speaker 1: They not your friends. They're gonna make it seem like 899 00:44:46,120 --> 00:44:48,000 Speaker 1: there's some type of security here for you. They're not. 900 00:44:48,239 --> 00:44:50,040 Speaker 1: They're here. They catch you slipping. The moments they catch 901 00:44:50,080 --> 00:44:52,000 Speaker 1: you with a firearm, they're gonna do it to you, dick. 902 00:44:52,080 --> 00:44:53,800 Speaker 1: So if I was you, do not get caught with 903 00:44:53,920 --> 00:44:56,720 Speaker 1: a firearm. That's all they want. They don't care about 904 00:44:56,760 --> 00:45:00,680 Speaker 1: anything else remotely that firearm. In this sit, they know 905 00:45:00,760 --> 00:45:05,400 Speaker 1: you're moving reckless. You heard, tactical like you'll say it, 906 00:45:05,960 --> 00:45:08,480 Speaker 1: sturdy if you dig. But the sturdy part is to 907 00:45:08,600 --> 00:45:10,680 Speaker 1: not get caught by them boys. Because they catch you 908 00:45:10,719 --> 00:45:12,839 Speaker 1: with a gun, they're gonna roof you. As you see. 909 00:45:13,239 --> 00:45:15,640 Speaker 1: What they do don't even matter. So just be smart 910 00:45:15,680 --> 00:45:18,239 Speaker 1: when you're moving around here. If you're the artist, don't 911 00:45:18,280 --> 00:45:22,080 Speaker 1: be in the car with the hammer. You heard. If 912 00:45:22,120 --> 00:45:25,000 Speaker 1: your artists don't have the hammer directly behind you in 913 00:45:25,120 --> 00:45:27,120 Speaker 1: the car and back of you, you heard, be a 914 00:45:27,200 --> 00:45:30,839 Speaker 1: little moved smart. So we're gonna say about that. Hi, 915 00:45:30,960 --> 00:45:32,520 Speaker 1: we got on with Jim Jones when we come back. 916 00:45:32,600 --> 00:45:34,560 Speaker 1: Let's get into a single. We set the trends. Jim 917 00:45:34,680 --> 00:45:40,759 Speaker 1: Jones me goes, It's the breakfast club. Good morning, Charlomagne 918 00:45:40,800 --> 00:45:43,440 Speaker 1: the guy. We are the breakfast club. That was. We 919 00:45:43,560 --> 00:45:46,759 Speaker 1: set the trends. Jim Jones featuring me Goes. Jim Jones 920 00:45:46,920 --> 00:45:49,320 Speaker 1: is here. We gotta ask you. You were out in Florida. 921 00:45:49,600 --> 00:45:55,040 Speaker 1: You were eating at Prime Allegedly allegedly there was that's 922 00:45:55,120 --> 00:45:58,000 Speaker 1: kind of crazy. Right after the police question, Jim, I 923 00:45:58,080 --> 00:46:05,279 Speaker 1: think you need to it's kind of crazy. It's colder head, 924 00:46:06,239 --> 00:46:08,359 Speaker 1: you know, the allegedly that you and Freddie Gibbs got 925 00:46:08,440 --> 00:46:15,560 Speaker 1: into a little tussler. It's colder got the aco No, 926 00:46:15,680 --> 00:46:17,920 Speaker 1: I mean, I don't tussle baby. Now. I don't know 927 00:46:18,000 --> 00:46:20,759 Speaker 1: what they're talking about. Man, you know, rumors fly. That's it. 928 00:46:23,880 --> 00:46:27,400 Speaker 1: How important was the dip set in Locks versus? Very important? 929 00:46:27,960 --> 00:46:31,000 Speaker 1: Super super important for the culture. That was a historic 930 00:46:31,120 --> 00:46:33,799 Speaker 1: moment in hip hop. Sometimes it's like the Damn Play 931 00:46:33,920 --> 00:46:36,160 Speaker 1: because I don't like how Jada came out there. I 932 00:46:36,320 --> 00:46:38,800 Speaker 1: want all smoke with Jada, honey stop. But now it 933 00:46:38,920 --> 00:46:40,719 Speaker 1: was the super one of the dopest events hip hop 934 00:46:40,800 --> 00:46:44,000 Speaker 1: as seeing. It felt like BDP days, back in the 935 00:46:44,120 --> 00:46:47,640 Speaker 1: days when they used to rock Cam and Big Daddy 936 00:46:47,800 --> 00:46:50,239 Speaker 1: came coming into battle and some of these spots and 937 00:46:50,560 --> 00:46:53,239 Speaker 1: like felt like video music box in that joint. They 938 00:46:53,280 --> 00:46:57,160 Speaker 1: just felt like high octane, the most dysfunctional level with 939 00:46:57,440 --> 00:47:01,719 Speaker 1: love that you can ever get to the thinnest threshold. 940 00:47:01,760 --> 00:47:03,759 Speaker 1: But it's like, how close can you get to that 941 00:47:03,880 --> 00:47:06,520 Speaker 1: line of this discretion without crossing it? Like you know 942 00:47:06,520 --> 00:47:09,160 Speaker 1: what I mean? Like, but it was dope day, so 943 00:47:09,280 --> 00:47:12,520 Speaker 1: I tipped my hat to everybody. All parties included shouts 944 00:47:12,560 --> 00:47:16,080 Speaker 1: to Swiss, shouts of Temberland U Triller for putting on 945 00:47:16,200 --> 00:47:18,440 Speaker 1: such a dope event. Did y'all prepare because it seemed 946 00:47:18,440 --> 00:47:20,480 Speaker 1: like the Locks they were practicing and they were they 947 00:47:20,520 --> 00:47:23,759 Speaker 1: were preparing the dip set really prepared, because y'all didn't 948 00:47:23,760 --> 00:47:29,160 Speaker 1: seem like y'all were in unison. Um. Now you said 949 00:47:29,200 --> 00:47:32,759 Speaker 1: that right, because we weren't in Uniscent. Don't mean that 950 00:47:32,880 --> 00:47:39,279 Speaker 1: we didn't prepare. Your things happened the Nucleus and things 951 00:47:39,320 --> 00:47:43,080 Speaker 1: like that, But you're shout the Locks for being prepared. 952 00:47:43,200 --> 00:47:46,279 Speaker 1: Shouts to Jada for definitely coming in as a sportsman 953 00:47:46,760 --> 00:47:49,319 Speaker 1: as he is even kicking as some versus Oh yeah, 954 00:47:49,320 --> 00:47:51,080 Speaker 1: I gotta get I gotta take my hat to you. 955 00:47:51,160 --> 00:47:52,400 Speaker 1: If you had to do it over, how would you 956 00:47:52,480 --> 00:47:53,799 Speaker 1: do it? And I had to do it over? How 957 00:47:53,840 --> 00:47:56,640 Speaker 1: would I do it? I don't. I wouldn't. It's it's 958 00:47:56,640 --> 00:47:58,560 Speaker 1: a lot of like it was a dip Set versus Locks, 959 00:47:58,719 --> 00:48:00,480 Speaker 1: So that's how I kept it like like it just 960 00:48:00,560 --> 00:48:03,560 Speaker 1: dip Set verse slacks. It wasn't Jim Jones verse slats, 961 00:48:03,560 --> 00:48:04,800 Speaker 1: you know what I mean? Like we all got different 962 00:48:04,800 --> 00:48:06,320 Speaker 1: ways we were to do it. Now, if it was 963 00:48:06,360 --> 00:48:09,440 Speaker 1: a Jim Jones versus somebody in New York City might 964 00:48:09,520 --> 00:48:13,319 Speaker 1: go way different. I don't know ask to with dip Set. 965 00:48:13,400 --> 00:48:15,480 Speaker 1: You know, we see the Locks two albums and projects, 966 00:48:15,480 --> 00:48:16,919 Speaker 1: and now it seems like the members of dip Set 967 00:48:16,920 --> 00:48:19,400 Speaker 1: everybody's cool. Will we be getting a new album a 968 00:48:19,440 --> 00:48:22,480 Speaker 1: new situation? Oh I don't know. I would. I don't 969 00:48:22,520 --> 00:48:24,680 Speaker 1: know when that would happen. But I Kim dibbling and 970 00:48:24,719 --> 00:48:27,480 Speaker 1: dabbling back into music. It feels like you're the only 971 00:48:27,560 --> 00:48:31,160 Speaker 1: hungry one, Jim when it comes to music. I'm hungry period. 972 00:48:31,200 --> 00:48:39,239 Speaker 1: Wouldn't come to money. Music makes money. I'm into it now, 973 00:48:39,320 --> 00:48:43,400 Speaker 1: but music besides that, Like did he both did he 974 00:48:43,520 --> 00:48:45,239 Speaker 1: and Hove told me these things, and that's why I was, 975 00:48:45,280 --> 00:48:48,040 Speaker 1: like they both said, name music fuels everything. Get back 976 00:48:48,040 --> 00:48:50,520 Speaker 1: to the music all it's brilliant, smart you is and 977 00:48:50,600 --> 00:48:53,040 Speaker 1: all these business amities like all these things are gonna 978 00:48:53,080 --> 00:48:55,279 Speaker 1: work in your favor as soon as you get another hit. 979 00:48:56,040 --> 00:48:58,960 Speaker 1: You're and I've just been digging and trying to be 980 00:48:59,200 --> 00:49:01,360 Speaker 1: were not trying to be being consistent. Person told me 981 00:49:01,680 --> 00:49:03,759 Speaker 1: not too long ago, which was the advice I've been 982 00:49:03,800 --> 00:49:06,480 Speaker 1: following all my life, was when you can't stay motivated, 983 00:49:06,640 --> 00:49:09,399 Speaker 1: stay consistent. And that's what I've been doing for years. 984 00:49:09,520 --> 00:49:11,239 Speaker 1: We set the trend as the record. I mean, I 985 00:49:11,760 --> 00:49:13,400 Speaker 1: want to make sure guys he puts puts the right 986 00:49:13,400 --> 00:49:16,560 Speaker 1: thing behind it, because that's the record. Yeah, guy, guys, 987 00:49:16,600 --> 00:49:18,840 Speaker 1: he tells me like four in the morning, Kelly Thomas 988 00:49:18,960 --> 00:49:21,839 Speaker 1: different Um just to tell me that, like, y'all, I'm 989 00:49:22,120 --> 00:49:25,080 Speaker 1: putting everything on this record, Like don't worry, We're gonna 990 00:49:25,080 --> 00:49:27,200 Speaker 1: We're gonna fall steam with this record, which is pretty 991 00:49:27,239 --> 00:49:30,320 Speaker 1: dope for the most the record is they've been organic 992 00:49:30,400 --> 00:49:33,480 Speaker 1: as far like I really haven't put a dollar on 993 00:49:33,640 --> 00:49:36,640 Speaker 1: that record, Like it was just the DJ showing love. 994 00:49:36,800 --> 00:49:40,239 Speaker 1: I did groundwork that we used to do before Instagram, 995 00:49:40,320 --> 00:49:41,960 Speaker 1: I did a bunch of Dove plays, did a bunch 996 00:49:41,960 --> 00:49:43,960 Speaker 1: of drifted, like three hundred deb plays, Like who does 997 00:49:44,040 --> 00:49:46,239 Speaker 1: that anymore? For these DJs? Like you know what I mean? 998 00:49:46,320 --> 00:49:48,239 Speaker 1: I just just like, you know what, If I'm gonna win, 999 00:49:48,560 --> 00:49:51,440 Speaker 1: I'm gonna start with the DJs, the people that I 1000 00:49:51,600 --> 00:49:54,640 Speaker 1: know are really gonna be responsible for me, for getting 1001 00:49:54,640 --> 00:49:57,200 Speaker 1: me back on him anyways, getting me back in the streets, 1002 00:49:57,200 --> 00:50:00,160 Speaker 1: to get me back in them clubs, and it work. 1003 00:50:00,200 --> 00:50:02,200 Speaker 1: I had a decent record, and I was telling somebody 1004 00:50:02,239 --> 00:50:04,600 Speaker 1: the other day, like, because you know they always ask 1005 00:50:04,640 --> 00:50:07,839 Speaker 1: you ain't envy your man, You ain't many they're only 1006 00:50:07,920 --> 00:50:10,000 Speaker 1: playing Blake. Listen. There's so much, but so much they 1007 00:50:10,040 --> 00:50:11,640 Speaker 1: could do if you don't give them the right work. 1008 00:50:12,080 --> 00:50:14,080 Speaker 1: It's like any block bro, if you got a bomb, 1009 00:50:15,120 --> 00:50:17,879 Speaker 1: work on sell itself. Like if you don't got a bomb, 1010 00:50:17,960 --> 00:50:19,600 Speaker 1: you gotta step on. You gotta do different things to 1011 00:50:19,680 --> 00:50:22,960 Speaker 1: get that work off. Cool. I got a bomb, Now 1012 00:50:23,080 --> 00:50:25,359 Speaker 1: we we could work. I see all the DJ's play 1013 00:50:25,719 --> 00:50:27,279 Speaker 1: and I love it, Like I'm glad I know the 1014 00:50:27,400 --> 00:50:29,239 Speaker 1: game because a lot of people think just because your 1015 00:50:29,360 --> 00:50:31,480 Speaker 1: man is a is a DJ or working bro like 1016 00:50:31,840 --> 00:50:34,920 Speaker 1: that they could play trash just whack records. And when 1017 00:50:35,000 --> 00:50:36,560 Speaker 1: when Jim sent me that record, I said what I 1018 00:50:36,640 --> 00:50:38,600 Speaker 1: was asking, this is it? This is the record. And 1019 00:50:38,800 --> 00:50:41,560 Speaker 1: I've been I've been on like Jim been putting out somebody. 1020 00:50:41,680 --> 00:50:44,839 Speaker 1: He'd been putting out the best music you know. But yeah, 1021 00:50:44,880 --> 00:50:47,239 Speaker 1: but you know what we're trying to say, like to 1022 00:50:47,400 --> 00:50:52,080 Speaker 1: get this for envy the whole hearted league being this building, 1023 00:50:52,200 --> 00:50:54,840 Speaker 1: telling people like your buggy was this need to you 1024 00:50:54,960 --> 00:50:57,040 Speaker 1: think he need he need that work, you know what 1025 00:50:57,040 --> 00:50:59,080 Speaker 1: I mean, Like he can't go in there with a 1026 00:50:59,120 --> 00:51:01,040 Speaker 1: half assed record. I I mean like you did, like 1027 00:51:01,160 --> 00:51:03,759 Speaker 1: na he wants and I respect that you did because 1028 00:51:03,800 --> 00:51:05,120 Speaker 1: that's how I want to black. Oh I got one, 1029 00:51:05,320 --> 00:51:08,239 Speaker 1: Gonna go crazy to build it for me no matter 1030 00:51:08,280 --> 00:51:10,759 Speaker 1: how long I'm back though, So it feels good to 1031 00:51:10,880 --> 00:51:13,359 Speaker 1: him say that text me that. I was like, oh yeah, 1032 00:51:13,520 --> 00:51:33,040 Speaker 1: because he snobby, no superio. So when you get heavy 1033 00:51:33,080 --> 00:51:35,880 Speaker 1: like now you got when you're like, oh, yes you did, 1034 00:51:35,960 --> 00:51:38,360 Speaker 1: because then I know all the people in this industry 1035 00:51:38,680 --> 00:51:40,719 Speaker 1: that think like him, that in the positions like him 1036 00:51:40,840 --> 00:51:43,239 Speaker 1: thinking just like oh, Jim got one. That's interesting that 1037 00:51:43,560 --> 00:51:45,879 Speaker 1: diddian hole said you gotta have a hit. Because I'm like, man, 1038 00:51:46,360 --> 00:51:48,840 Speaker 1: you got catalog like hip I feel like hip hop's 1039 00:51:48,840 --> 00:51:50,839 Speaker 1: the only genre that think like that, Like you gotta 1040 00:51:50,880 --> 00:51:53,879 Speaker 1: have something now like, no, we'll beat your catalog. We're 1041 00:51:53,920 --> 00:51:56,839 Speaker 1: not saying this, this is this is this both told 1042 00:51:56,880 --> 00:51:59,120 Speaker 1: me a separate occasions throughout the years. But what they're 1043 00:51:59,160 --> 00:52:01,799 Speaker 1: saying is that music always leads the business for us. 1044 00:52:02,560 --> 00:52:05,080 Speaker 1: Or even though it's ninety percent businesses tempercent talented, that 1045 00:52:05,200 --> 00:52:06,959 Speaker 1: type of the same talent ain't leading. You ain't getting 1046 00:52:06,960 --> 00:52:08,799 Speaker 1: in that ninety per cent business. So if you got 1047 00:52:08,920 --> 00:52:11,880 Speaker 1: to hit or you got a record that's being played 1048 00:52:11,960 --> 00:52:15,240 Speaker 1: on the radio and turning into I guess where everything 1049 00:52:15,280 --> 00:52:19,000 Speaker 1: else comes with him? All ancillary money come with his z. 1050 00:52:19,480 --> 00:52:22,359 Speaker 1: If you got real estate, if you got cryptocurrency, if 1051 00:52:22,360 --> 00:52:25,120 Speaker 1: you got fitness, if you've got anything, is gonna come 1052 00:52:25,680 --> 00:52:28,600 Speaker 1: very easily. These companies gonna start coming and giving you money, 1053 00:52:28,880 --> 00:52:31,440 Speaker 1: sponsorship checks, all of that. You know what I mean, 1054 00:52:31,600 --> 00:52:34,759 Speaker 1: Like it's crazy. Now, I wanted to clear I thought 1055 00:52:34,760 --> 00:52:36,279 Speaker 1: this was the funniest thing when I first seen it. 1056 00:52:36,320 --> 00:52:40,160 Speaker 1: When when the when the media tried to change your words, right, 1057 00:52:40,400 --> 00:52:43,120 Speaker 1: he was on lip service? What did they take out 1058 00:52:43,160 --> 00:52:45,680 Speaker 1: of context about that? Made it seem like I was 1059 00:52:46,000 --> 00:52:48,799 Speaker 1: tongue kissing my mom's down. I was making having fun, 1060 00:52:48,920 --> 00:52:52,040 Speaker 1: but I'd like, first of all, every black man has 1061 00:52:52,120 --> 00:52:54,480 Speaker 1: kissed their moms in their mouth all the time, so 1062 00:52:54,600 --> 00:52:56,640 Speaker 1: I don't want to. So they just took it out 1063 00:52:56,680 --> 00:52:58,680 Speaker 1: of And that's what Andy was asking me, Like what 1064 00:52:58,960 --> 00:53:01,480 Speaker 1: I No, I was not tongue kissing my mom's Like, 1065 00:53:01,560 --> 00:53:04,439 Speaker 1: come on, give me a goddamn break. It's the media. 1066 00:53:04,480 --> 00:53:07,560 Speaker 1: They take everything out of you know what I mean. Yeah, 1067 00:53:07,880 --> 00:53:10,920 Speaker 1: But for the most part, I was trending and was 1068 00:53:11,080 --> 00:53:17,239 Speaker 1: viral all month. That helped the records you heard. I was, Hey, 1069 00:53:17,840 --> 00:53:19,560 Speaker 1: I worried. The only reason I worried about stuff like 1070 00:53:19,640 --> 00:53:21,640 Speaker 1: that is because people know you, right, So it's like, 1071 00:53:22,040 --> 00:53:24,279 Speaker 1: these kids are disrespectful. So you might be walking and 1072 00:53:24,280 --> 00:53:26,200 Speaker 1: they'd be like, oh yo, you did such and such 1073 00:53:26,280 --> 00:53:28,560 Speaker 1: to your mom, And then I don't wonder how that. 1074 00:53:29,160 --> 00:53:31,440 Speaker 1: I wonder how that would we know, how that would 1075 00:53:33,239 --> 00:53:36,520 Speaker 1: we know? How that would point. So I see you 1076 00:53:36,600 --> 00:53:38,240 Speaker 1: on the ground and I'm like, you know, you laughing 1077 00:53:38,239 --> 00:53:40,279 Speaker 1: about it, but I'm like, man, these kids are here, 1078 00:53:40,400 --> 00:53:43,759 Speaker 1: stupid Joe, and they're gonna they're gonna learn the hardway. Yeah, 1079 00:53:44,760 --> 00:53:57,399 Speaker 1: I'm holy, I think I feel like the problem going 1080 00:53:57,480 --> 00:54:00,480 Speaker 1: back to that. I was surprised, now you know what, 1081 00:54:00,600 --> 00:54:02,080 Speaker 1: let me leave it alone. I was. I was waiting 1082 00:54:02,080 --> 00:54:03,800 Speaker 1: for me and Charlom, waiting for the footage weave the 1083 00:54:03,840 --> 00:54:06,560 Speaker 1: footage of what nothing. I'm hungry. I want to go 1084 00:54:06,560 --> 00:54:08,759 Speaker 1: to problem with twelve. I'm saying, you waiting for what? 1085 00:54:08,840 --> 00:54:10,560 Speaker 1: Do you know what? All jokes aside, it's a part 1086 00:54:10,600 --> 00:54:12,320 Speaker 1: of us, right, even though we don't want that. But 1087 00:54:12,440 --> 00:54:14,600 Speaker 1: we don't want to see nobody and no problem nobody. 1088 00:54:15,880 --> 00:54:18,080 Speaker 1: Jim and the gym a lot. So you want to 1089 00:54:18,120 --> 00:54:22,680 Speaker 1: see a little bit. You just want to see a 1090 00:54:22,760 --> 00:54:26,279 Speaker 1: little bit. I'm trying to get an action movie. I'm 1091 00:54:26,280 --> 00:54:28,640 Speaker 1: trying to get an action movie right there, man, somebody 1092 00:54:28,760 --> 00:54:34,839 Speaker 1: Kobe Mad mixtape. We call the Drama gamester Grillers out 1093 00:54:34,920 --> 00:54:37,240 Speaker 1: right now, make sure you stream it. Yes, we appreciate 1094 00:54:37,280 --> 00:54:39,680 Speaker 1: you for Jordan, appreciate you New York City. You already 1095 00:54:39,760 --> 00:54:43,440 Speaker 1: know Jip set for life, vamping our camping, y'all. Jim 1096 00:54:43,560 --> 00:54:46,919 Speaker 1: Jones shouts to Melly Matrix, it's the breakfast Club. Good morning, 1097 00:54:50,680 --> 00:54:53,800 Speaker 1: she's filling the tea. This is the Rumor Report with 1098 00:54:54,000 --> 00:54:59,839 Speaker 1: Angela Yee on the Breakfast Club. Whoever. Yanna has upen 1099 00:55:00,000 --> 00:55:03,480 Speaker 1: our first brick and mortar location for Savage Fancy, Super 1100 00:55:03,520 --> 00:55:06,920 Speaker 1: Sexy Lingerie and Intimates, and that is in Las Vegas. 1101 00:55:06,960 --> 00:55:09,600 Speaker 1: They're going to be opening five stores in shopping malls 1102 00:55:09,640 --> 00:55:12,040 Speaker 1: across the United States, and that first one, like we said, 1103 00:55:12,040 --> 00:55:13,520 Speaker 1: it's in Vegas, and then it's going to be followed 1104 00:55:13,520 --> 00:55:17,000 Speaker 1: by La Philly, DC and Houston. Now. In a press release, 1105 00:55:17,120 --> 00:55:18,759 Speaker 1: Rihanna said, we wanted to be able to connect with 1106 00:55:18,800 --> 00:55:20,799 Speaker 1: our customers in real life and give them something they 1107 00:55:20,880 --> 00:55:23,239 Speaker 1: have never seen before. Creating the space took a lot 1108 00:55:23,280 --> 00:55:25,560 Speaker 1: of imagination married with the things I've always wanted to 1109 00:55:25,640 --> 00:55:29,680 Speaker 1: change about my own experiences as a customer. Don't drop 1110 00:55:30,719 --> 00:55:35,799 Speaker 1: Big break. There's a lot of technology in there too. 1111 00:55:35,880 --> 00:55:38,680 Speaker 1: They have like body scanning and there's gonna be mannequins 1112 00:55:38,719 --> 00:55:41,480 Speaker 1: that look like real people, all different sizes and shapes. 1113 00:55:42,000 --> 00:55:45,560 Speaker 1: So they're saying it's amazing. So if you're in Vegas 1114 00:55:45,600 --> 00:55:47,960 Speaker 1: and you've been there, let us know all right now. 1115 00:55:48,040 --> 00:55:50,680 Speaker 1: Mike Tyson was on the Full Scent podcast and he 1116 00:55:50,800 --> 00:55:55,120 Speaker 1: was talking about his deteriorating condition and he said, something's missing, 1117 00:55:55,239 --> 00:56:03,960 Speaker 1: like every twelve months, every twelve thirteen months. Boom, something's missing, 1118 00:56:04,719 --> 00:56:07,880 Speaker 1: like something's missing. Like every boom, I'm a little the 1119 00:56:08,000 --> 00:56:11,440 Speaker 1: muscle men boom man something. It's always something different And 1120 00:56:13,040 --> 00:56:15,520 Speaker 1: I don't know. I'm just guys want to fight me 1121 00:56:15,560 --> 00:56:17,440 Speaker 1: for one hundred million bucks. I don't think I'll level 1122 00:56:17,560 --> 00:56:19,520 Speaker 1: just stuff like that anymore. I wanted to do it 1123 00:56:19,600 --> 00:56:22,319 Speaker 1: the first time. It's so fun. You have to have fun. 1124 00:56:22,440 --> 00:56:25,200 Speaker 1: And then some people took it into another level and 1125 00:56:25,280 --> 00:56:29,239 Speaker 1: made it financial, and then the fun went out of it. Yeah, man, 1126 00:56:29,400 --> 00:56:31,160 Speaker 1: Mike Tyson, want to be here for a while. Like 1127 00:56:31,280 --> 00:56:32,439 Speaker 1: you know, at the end of the day, you can't 1128 00:56:32,480 --> 00:56:35,759 Speaker 1: beat father time. So you know, regardless of what you 1129 00:56:35,880 --> 00:56:38,000 Speaker 1: were and who you were, you're gonna get old. You 1130 00:56:38,080 --> 00:56:39,680 Speaker 1: get never any one of them young boys hit you 1131 00:56:39,760 --> 00:56:43,520 Speaker 1: the wrong way, and one hundred million dollars ain't worth it. Yeah, 1132 00:56:43,560 --> 00:56:45,200 Speaker 1: And I can understand wanting to do things that are 1133 00:56:45,239 --> 00:56:47,360 Speaker 1: just fun. Now you get to that point where you're like, 1134 00:56:47,400 --> 00:56:50,120 Speaker 1: I've been fighting my whole entire life. It seems like 1135 00:56:50,200 --> 00:56:53,040 Speaker 1: he enjoys his podcast and all of those things. So 1136 00:56:53,520 --> 00:56:55,239 Speaker 1: you gotta figure out I don't have to do things 1137 00:56:55,280 --> 00:56:57,120 Speaker 1: I don't want to anymore. Now I would take the money. 1138 00:56:57,160 --> 00:56:58,560 Speaker 1: If I could trust one of these young boys, if 1139 00:56:58,560 --> 00:56:59,880 Speaker 1: I could trust one of these young boys not to 1140 00:56:59,920 --> 00:57:01,160 Speaker 1: go out here and try to knock me out from 1141 00:57:01,160 --> 00:57:03,439 Speaker 1: cloud and be like, look, man, that's right. We're gonna 1142 00:57:03,440 --> 00:57:05,080 Speaker 1: go on this ring. We will get hundred million. We're 1143 00:57:05,080 --> 00:57:06,560 Speaker 1: gonna dance a little bit, you know what I mean. 1144 00:57:06,760 --> 00:57:09,040 Speaker 1: But we ain't really hit each other. Okay, you still 1145 00:57:09,040 --> 00:57:10,959 Speaker 1: got it? Can make it look real. Oh you don't. 1146 00:57:11,080 --> 00:57:15,719 Speaker 1: We're gonna still watch it because we silly who cares. Plus, 1147 00:57:15,840 --> 00:57:18,120 Speaker 1: anything could happen too, you know. Even if you do 1148 00:57:18,480 --> 00:57:20,680 Speaker 1: decide to set it up that way, you can't trully 1149 00:57:20,920 --> 00:57:25,120 Speaker 1: never knows. If it feels like every every year something's deteriorating, 1150 00:57:25,280 --> 00:57:26,959 Speaker 1: you just never know that's right. And you can't trust 1151 00:57:27,000 --> 00:57:28,520 Speaker 1: these young boys not to knock you out just because 1152 00:57:28,560 --> 00:57:30,440 Speaker 1: you Mike Tyson, just so they can say they did it. No, 1153 00:57:30,680 --> 00:57:33,080 Speaker 1: I'm not doing it all right now. Princess Love is 1154 00:57:33,120 --> 00:57:36,080 Speaker 1: saying that she'd be officially single in August. She posted 1155 00:57:36,120 --> 00:57:40,320 Speaker 1: officially single August twenty twenty two, legally, so you know. 1156 00:57:40,440 --> 00:57:43,840 Speaker 1: Princess Love and Ray Jay got married back in twenty sixteen. 1157 00:57:43,960 --> 00:57:46,800 Speaker 1: They have two children together. She first filed for divorce 1158 00:57:46,840 --> 00:57:50,240 Speaker 1: in May of twenty twenty. Then she dismissed that divorce filing. 1159 00:57:50,600 --> 00:57:53,040 Speaker 1: Looked like they had made up during the quarantine, but 1160 00:57:53,120 --> 00:57:55,919 Speaker 1: then ray J filed for divorce in September of twenty twenty. 1161 00:57:55,960 --> 00:57:59,080 Speaker 1: Then they dismissed that one in February of twenty twenty one. 1162 00:57:59,440 --> 00:58:01,280 Speaker 1: Then it seems like they work things out, but now 1163 00:58:01,360 --> 00:58:04,160 Speaker 1: he filed for divorce and this is the third filing 1164 00:58:04,200 --> 00:58:07,040 Speaker 1: for divorce back in October of twenty twenty one. Now, 1165 00:58:07,120 --> 00:58:09,640 Speaker 1: while she's posting that, ray J is offering to fly 1166 00:58:09,800 --> 00:58:13,200 Speaker 1: out whatever girl sends him the freakiest pictures. So he 1167 00:58:13,280 --> 00:58:15,840 Speaker 1: went on his Instagram live and here's what he told 1168 00:58:15,880 --> 00:58:19,080 Speaker 1: his followers. I'm gonna keep looking. I need all the 1169 00:58:19,240 --> 00:58:23,320 Speaker 1: freakiest picks coming to my page. I'm doing a freaky Friday, 1170 00:58:23,360 --> 00:58:28,080 Speaker 1: Saturday and Sunday pick. I'm flying somebody out to hang 1171 00:58:28,160 --> 00:58:32,440 Speaker 1: out and talk. But it's a very platonic situation. But 1172 00:58:32,960 --> 00:58:36,440 Speaker 1: the pictures gotta be the opposite of platonic to get 1173 00:58:36,480 --> 00:58:43,560 Speaker 1: to the platonic whoop. I guess they're he's gonna cry 1174 00:58:43,600 --> 00:58:46,440 Speaker 1: in the private jet. J ain't happy that ain't Ray 1175 00:58:46,600 --> 00:58:49,840 Speaker 1: Ray Ray, Come on now you don't even sound happy, 1176 00:58:49,840 --> 00:58:52,120 Speaker 1: You don't even sound believable in that video. Right now, 1177 00:58:52,200 --> 00:58:53,680 Speaker 1: you want to be home with the wife and kids. 1178 00:58:53,960 --> 00:58:57,360 Speaker 1: Come on now, Ray, fix that, poor Ray, fix that 1179 00:58:57,440 --> 00:58:59,720 Speaker 1: if it can be fixed, Come on now. I'm sure 1180 00:58:59,720 --> 00:59:03,760 Speaker 1: she to clarify though I'm officially single, especially when y'all god, 1181 00:59:05,680 --> 00:59:09,600 Speaker 1: that is your rumor reports. All right now, Charlomage, who 1182 00:59:09,600 --> 00:59:11,840 Speaker 1: are you giving your donkey? Two? Uh? Don't you know? 1183 00:59:12,120 --> 00:59:13,840 Speaker 1: You know? It's interested right because I don't even know 1184 00:59:13,880 --> 00:59:15,880 Speaker 1: if I believe this story, but it's such an interesting 1185 00:59:15,960 --> 00:59:17,600 Speaker 1: story that we need to discuss. I don't know this 1186 00:59:17,680 --> 00:59:20,040 Speaker 1: person's last name. I don't even know the person she's 1187 00:59:20,080 --> 00:59:22,840 Speaker 1: talking about. But on the talker of the Ticks, her 1188 00:59:22,920 --> 00:59:26,680 Speaker 1: name is kyleeen. And let's talk. Let's talk organ organ 1189 00:59:26,760 --> 00:59:29,360 Speaker 1: donations this morning, why don't we all right, we'll get 1190 00:59:29,400 --> 00:59:35,200 Speaker 1: into that next. We're doing Living Black here after Black? Yeah, alright, okay, 1191 00:59:35,280 --> 00:59:36,840 Speaker 1: don't get the day's up? Next to the directorast club, 1192 00:59:36,880 --> 00:59:42,040 Speaker 1: good morning? Wait, wait up, up, you're checking out the 1193 00:59:42,280 --> 00:59:46,040 Speaker 1: breakfast club. Hey, what up? Y'all? Is DJ Envy here? 1194 00:59:46,280 --> 00:59:49,160 Speaker 1: It's all fun in games, So someone screenshot your message. 1195 00:59:49,440 --> 00:59:52,320 Speaker 1: Say goodbye to Morning After get with that chat. This 1196 00:59:52,560 --> 00:59:55,960 Speaker 1: new encrypted social platform can help you stay truly private 1197 00:59:56,200 --> 00:59:59,800 Speaker 1: those screenshots, recordings, lak messages. Get that chat for I 1198 01:00:00,040 --> 01:00:02,880 Speaker 1: Phone and Android at the app store or farther that 1199 01:00:03,080 --> 01:00:09,000 Speaker 1: dat chet dot com forward tack. On February twenty third, 1200 01:00:09,240 --> 01:00:12,400 Speaker 1: get ready to join in a celebration of all things black. 1201 01:00:12,840 --> 01:00:15,720 Speaker 1: I heard radio Living in Black twenty twenty two, empowered 1202 01:00:15,760 --> 01:00:18,840 Speaker 1: by AT and T paying homage to the creators, artists, 1203 01:00:19,040 --> 01:00:21,560 Speaker 1: actors and Black leaders who are shaping the coach and 1204 01:00:21,680 --> 01:00:24,200 Speaker 1: telling the untold stories that make the Black experience so 1205 01:00:24,480 --> 01:00:30,320 Speaker 1: rich and meaningful with performances by right till they gotta 1206 01:00:30,440 --> 01:00:34,280 Speaker 1: please Right, this is big Sean, I gotta man try things. 1207 01:00:34,320 --> 01:00:41,920 Speaker 1: I rather big Sean Lord for a far yo what 1208 01:00:42,080 --> 01:00:43,720 Speaker 1: to do? It is a big bad, big speaker money 1209 01:00:43,800 --> 01:00:51,920 Speaker 1: bag y'all twenty back or better scorpio. That's on me 1210 01:00:52,040 --> 01:00:55,360 Speaker 1: a time. We'll take you to the kitchen table with Sewedia, 1211 01:00:55,440 --> 01:00:58,720 Speaker 1: Tabitha Brown check in with the lgbt QIA Acceptance bro. 1212 01:00:58,880 --> 01:01:02,000 Speaker 1: We'll shot in the spotlight phenomenal Black women entrepreneurs getting 1213 01:01:02,040 --> 01:01:03,880 Speaker 1: on a Black family game night to talk about what 1214 01:01:04,040 --> 01:01:08,560 Speaker 1: keeps the relationships strong, strong and have an open honest 1215 01:01:08,640 --> 01:01:12,240 Speaker 1: and much needed conversation about mental health in the black community. 1216 01:01:12,520 --> 01:01:16,439 Speaker 1: Special appearances, Boy Boy, what's good, y'all? I'm Alicia Keys, 1217 01:01:18,040 --> 01:01:20,720 Speaker 1: Defect this class, I'm the Big Boy, and more. You'll 1218 01:01:20,720 --> 01:01:23,000 Speaker 1: be able to watch live on TikTok, listen on iHeart 1219 01:01:23,080 --> 01:01:27,760 Speaker 1: Radio stations across America on February twenty third. Don't miss 1220 01:01:27,960 --> 01:01:31,240 Speaker 1: this school miss iHeart Radio Living Black empowered by AT 1221 01:01:31,360 --> 01:01:34,240 Speaker 1: and T. Hey that's right. You can check that out Wednesday, 1222 01:01:34,560 --> 01:01:38,040 Speaker 1: February twenty third on TikTok and broadcast on iHeart Radio 1223 01:01:38,080 --> 01:01:41,760 Speaker 1: stations a nationwide performances from Lizzo Big showing her money Bag, 1224 01:01:41,840 --> 01:01:46,680 Speaker 1: yoll Ariy Lennox and more. All right, yeah, you don't 1225 01:01:46,920 --> 01:01:50,240 Speaker 1: so excited? Guys, who's not excited? I am excited. Another 1226 01:01:50,280 --> 01:01:52,000 Speaker 1: part that I did I would. I really loved and 1227 01:01:52,120 --> 01:01:55,040 Speaker 1: enjoy doing it. I talked to some small business owners 1228 01:01:55,120 --> 01:01:57,720 Speaker 1: black women who had some small businesses and they came 1229 01:01:57,760 --> 01:02:00,480 Speaker 1: to my coffee shop in Brooklyn. We had an amazing discussion. 1230 01:02:00,640 --> 01:02:02,400 Speaker 1: So that was dope. And you know what I'm talking about. 1231 01:02:02,440 --> 01:02:05,800 Speaker 1: My favorite subject, mental health for my good brother Jay Barnetts. 1232 01:02:05,840 --> 01:02:11,160 Speaker 1: Dropping a close months for Jay Barnett and some others. Okay, yeah, 1233 01:02:11,920 --> 01:02:14,360 Speaker 1: all right, Well me and the wife a talking relationship stuff. 1234 01:02:14,400 --> 01:02:15,880 Speaker 1: So I can't wait for you guys to check it out. 1235 01:02:16,240 --> 01:02:20,120 Speaker 1: Let's get to that donkey. We only do it at 1236 01:02:20,160 --> 01:02:28,760 Speaker 1: the same time every day for twelve years, man to 1237 01:02:29,080 --> 01:02:32,480 Speaker 1: Dog and Blowers, many waited for Charlemagne to top. She 1238 01:02:32,560 --> 01:02:34,280 Speaker 1: had to make a judgment. Who was going to be 1239 01:02:34,400 --> 01:02:37,240 Speaker 1: on the Donkey of the day. They chose you the 1240 01:02:37,320 --> 01:02:39,960 Speaker 1: breakfast club bitches, Who's donkey of the day to day? 1241 01:02:40,240 --> 01:02:42,600 Speaker 1: All right, we're here, all right. Donkey of the Day 1242 01:02:42,640 --> 01:02:44,920 Speaker 1: for Monday, January twenty fourth is the story that I've 1243 01:02:44,960 --> 01:02:47,040 Speaker 1: read in the Sun. Oh, and it's made this way 1244 01:02:47,080 --> 01:02:49,560 Speaker 1: to the NY Post and other outlets. And I must say, 1245 01:02:49,640 --> 01:02:52,680 Speaker 1: even though the story is highly entertaining, I simply don't 1246 01:02:52,680 --> 01:02:55,360 Speaker 1: believe it, not at all, okay, And I'm not sure 1247 01:02:55,400 --> 01:02:57,880 Speaker 1: who gets the donkey to day in this situation. Is 1248 01:02:57,920 --> 01:03:00,840 Speaker 1: it the alleged giver whose name this Colleen, Or is 1249 01:03:00,880 --> 01:03:04,160 Speaker 1: it the alleged receiver boyfriend whose name hasn't been revealed, 1250 01:03:04,320 --> 01:03:06,080 Speaker 1: which is all the more reason why I don't believe 1251 01:03:06,160 --> 01:03:08,440 Speaker 1: this story. Now, I know what you're saying, Uncle shaula 1252 01:03:08,600 --> 01:03:11,320 Speaker 1: brother Lenard. Why are you giving Donkey the Day out 1253 01:03:11,440 --> 01:03:13,400 Speaker 1: if you don't believe in the story, because to me, 1254 01:03:14,160 --> 01:03:16,720 Speaker 1: Donkey of the Day has never been about the individual 1255 01:03:17,120 --> 01:03:20,640 Speaker 1: or individuals. It's about the idea, Okay. It's about people 1256 01:03:20,680 --> 01:03:23,720 Speaker 1: getting the credit they deserved for being stupid stupid ideas, 1257 01:03:23,800 --> 01:03:27,440 Speaker 1: but actually getting the credit they deserved for doing stupid things. Okay. 1258 01:03:28,280 --> 01:03:30,880 Speaker 1: I believe this story if real falls into that category, 1259 01:03:30,960 --> 01:03:33,240 Speaker 1: but I feel like they have collectively earned a he 1260 01:03:33,360 --> 01:03:36,440 Speaker 1: hall together. Maybe I don't know now. Salute to all 1261 01:03:36,480 --> 01:03:38,320 Speaker 1: the organ donors out there, drop on a clues box, 1262 01:03:38,360 --> 01:03:41,760 Speaker 1: follow organ donors man. All Right, you are appreciated. Okay. 1263 01:03:41,880 --> 01:03:44,640 Speaker 1: Donation of organs is such a selfless act that doesn't 1264 01:03:44,640 --> 01:03:48,520 Speaker 1: get celebrated enough. All right, Snapple Fact experts say when 1265 01:03:48,520 --> 01:03:50,840 Speaker 1: you donate organs and tissue after you die, you can 1266 01:03:50,920 --> 01:03:53,640 Speaker 1: save or improve as many as seventy five lies. A 1267 01:03:53,720 --> 01:03:55,959 Speaker 1: lot of grieving family members say that knowing their loved 1268 01:03:56,040 --> 01:03:59,080 Speaker 1: one help save or improve someone's life, help them cope 1269 01:03:59,520 --> 01:04:02,320 Speaker 1: with their loss. And it's not just those who have transitioned. 1270 01:04:02,800 --> 01:04:05,840 Speaker 1: Living donators serve as a viable option as well, especially 1271 01:04:05,880 --> 01:04:08,280 Speaker 1: in cases of kidney and liver transplants. You can save 1272 01:04:08,400 --> 01:04:11,120 Speaker 1: the life of both the recipient and the next person 1273 01:04:11,200 --> 01:04:13,720 Speaker 1: on the waiting list. So salute the all the organ 1274 01:04:13,800 --> 01:04:17,560 Speaker 1: donors out there living and those no longer with us physically. Now, 1275 01:04:17,600 --> 01:04:20,560 Speaker 1: if you're going to donate an organ, do it because 1276 01:04:20,600 --> 01:04:22,640 Speaker 1: you want to, all right, do it because it's the 1277 01:04:22,760 --> 01:04:24,200 Speaker 1: right thing to do. And if you and a person 1278 01:04:24,280 --> 01:04:27,720 Speaker 1: have a relationship, doesn't matter what the relationship is, okay, 1279 01:04:27,880 --> 01:04:30,960 Speaker 1: family member, friend, in the case we are discussing today, 1280 01:04:31,320 --> 01:04:35,040 Speaker 1: boyfriend and girlfriend, all right, don't do it. And if 1281 01:04:35,080 --> 01:04:37,680 Speaker 1: things don't go right with the individual, you are constantly 1282 01:04:37,760 --> 01:04:40,520 Speaker 1: reminding them of what they have you know, what you 1283 01:04:40,600 --> 01:04:43,040 Speaker 1: have done for them, all right, And this is what 1284 01:04:43,240 --> 01:04:45,600 Speaker 1: is happening with Kyleeen. Kyleeen had the chance to change 1285 01:04:45,600 --> 01:04:49,560 Speaker 1: her boyfriend's life six years ago. Her boyfriend boyfriend, Okay, 1286 01:04:49,600 --> 01:04:52,400 Speaker 1: her boyfriend has been struggling with chronic kidney disease since 1287 01:04:52,440 --> 01:04:54,560 Speaker 1: the age of seventeen. So he was on dialysis and 1288 01:04:54,640 --> 01:04:57,560 Speaker 1: this kidneys function that just five percent of the average capacity. 1289 01:04:57,600 --> 01:04:59,640 Speaker 1: So Kyleeen decided to go see if she was a 1290 01:04:59,680 --> 01:05:02,960 Speaker 1: match because she didn't want to watch him die. What 1291 01:05:03,120 --> 01:05:05,800 Speaker 1: happened next well, in a series of TikTok videos, the 1292 01:05:05,880 --> 01:05:08,560 Speaker 1: surgery was a success and both made a full recovery, 1293 01:05:08,600 --> 01:05:12,520 Speaker 1: and according to Kyleeen, seven months later he was in 1294 01:05:12,640 --> 01:05:15,960 Speaker 1: the streets cheating on her. She kept that man alive, 1295 01:05:16,000 --> 01:05:19,080 Speaker 1: allegedly just so he could go cheat on her. Kyleeen 1296 01:05:19,160 --> 01:05:21,600 Speaker 1: explained on the Talker of the Ticks how her ex 1297 01:05:21,720 --> 01:05:24,040 Speaker 1: told he was going to Las Vegas for a bachelor 1298 01:05:24,080 --> 01:05:28,920 Speaker 1: party with some guys in his church. She was in 1299 01:05:29,040 --> 01:05:31,800 Speaker 1: the thick of final exams and trusted her boyfriend completely, 1300 01:05:32,080 --> 01:05:34,200 Speaker 1: and then later on he turned up on her doorstep 1301 01:05:34,240 --> 01:05:38,520 Speaker 1: and confessed to cheating. All right, they argued, She gave 1302 01:05:38,640 --> 01:05:40,440 Speaker 1: him a second chance, and three months later the guy 1303 01:05:40,600 --> 01:05:43,000 Speaker 1: dumped Colleen over the phone. He said to her, allegedly, 1304 01:05:43,080 --> 01:05:46,120 Speaker 1: if we are meant for each other, God will bring 1305 01:05:46,280 --> 01:05:49,280 Speaker 1: us back together. But it only got messier from there. 1306 01:05:49,640 --> 01:05:53,240 Speaker 1: This mystery boyfriend. Kidney recipient told Kyleeen she only donated 1307 01:05:53,320 --> 01:05:56,160 Speaker 1: Jill kidney. You only donated your kidney to look good, 1308 01:05:56,480 --> 01:05:59,040 Speaker 1: all right. Question if you donate a kidney to your 1309 01:05:59,040 --> 01:06:01,640 Speaker 1: significant other and they ever complain about you not getting 1310 01:06:01,640 --> 01:06:04,919 Speaker 1: them something for birthdays, Christmas, Valentine's I wish you would 1311 01:06:04,960 --> 01:06:07,000 Speaker 1: complain about not getting something for Valentine's when I gave 1312 01:06:07,040 --> 01:06:09,800 Speaker 1: you my heart literally, well I'd be dead, so it 1313 01:06:09,840 --> 01:06:11,880 Speaker 1: don't matter. But you understand my point. I believe this 1314 01:06:11,960 --> 01:06:15,560 Speaker 1: story is cap okay fiction, a tall tale, an entertaining 1315 01:06:15,640 --> 01:06:17,680 Speaker 1: tall tale, but a story nonetheless. And the reason you 1316 01:06:17,720 --> 01:06:19,960 Speaker 1: would be you know, the reason I think it's cap 1317 01:06:20,160 --> 01:06:22,480 Speaker 1: is because you would be saying this humans name if 1318 01:06:22,560 --> 01:06:25,200 Speaker 1: this man really existed. Ain't no way you tell this 1319 01:06:25,360 --> 01:06:27,960 Speaker 1: whole story and don't give us his name. His social 1320 01:06:28,040 --> 01:06:31,200 Speaker 1: media handling something. Maybe she did on the topics of 1321 01:06:31,240 --> 01:06:33,200 Speaker 1: the ticks. Maybe the folks who'll be all over tik 1322 01:06:33,240 --> 01:06:35,240 Speaker 1: Tak know his name, but I don't. Okay, maybe they 1323 01:06:35,480 --> 01:06:36,760 Speaker 1: know who he is. But if you was gonna put 1324 01:06:36,840 --> 01:06:39,680 Speaker 1: someone on blast because you gave them a whole kidney, 1325 01:06:40,040 --> 01:06:42,240 Speaker 1: I think you would say that person's name. Number two 1326 01:06:42,320 --> 01:06:44,400 Speaker 1: reasons I think this story is cap. Correct me if 1327 01:06:44,440 --> 01:06:46,560 Speaker 1: I'm wrong, because we're gonna open the phone lines. I'm 1328 01:06:46,600 --> 01:06:48,480 Speaker 1: not a doctor. I just have an honorary doctorate from 1329 01:06:48,520 --> 01:06:51,480 Speaker 1: South Carolina State University, dropping clump to South Carolina State. 1330 01:06:53,160 --> 01:06:57,880 Speaker 1: I thought when it came to transplant sex mattered. I 1331 01:06:57,960 --> 01:06:59,680 Speaker 1: thought I thought sex matter when it came to organ 1332 01:06:59,720 --> 01:07:04,000 Speaker 1: trans plans, I thought sex differences influenced organ transplant rejection rate. 1333 01:07:04,080 --> 01:07:07,640 Speaker 1: I just thought it depended on what you were transplanting. Yeah, 1334 01:07:08,280 --> 01:07:10,480 Speaker 1: so I did some research this morning, and by research 1335 01:07:10,520 --> 01:07:15,880 Speaker 1: I mean Google, and Google said only in some exceptional conditions, 1336 01:07:16,320 --> 01:07:20,160 Speaker 1: male donor to female recipient kidney transplant may be successful, 1337 01:07:20,400 --> 01:07:24,560 Speaker 1: and female donors to male recipients are not suggested, especially 1338 01:07:24,640 --> 01:07:27,480 Speaker 1: in aged patients with the history of dialysis. I don't know. 1339 01:07:27,960 --> 01:07:29,520 Speaker 1: Like I said, we can open the phone lines the 1340 01:07:29,600 --> 01:07:31,280 Speaker 1: doctors to put us on the game. But let's just 1341 01:07:31,320 --> 01:07:34,480 Speaker 1: say hypothetically, I believe this story, my brother. If what 1342 01:07:34,680 --> 01:07:36,840 Speaker 1: I just read about female donors, if what I just 1343 01:07:36,960 --> 01:07:41,680 Speaker 1: researched on Google, okay, it's true about you know, female 1344 01:07:41,720 --> 01:07:44,240 Speaker 1: donors to male recipients. If it's true and only in 1345 01:07:44,360 --> 01:07:47,840 Speaker 1: some exceptional conditions is it successful, then you gotta get 1346 01:07:47,880 --> 01:07:50,080 Speaker 1: the biggest he hall for missing out on your soulmate. 1347 01:07:50,400 --> 01:07:52,400 Speaker 1: Do you know how many people are out here praying 1348 01:07:53,000 --> 01:07:55,680 Speaker 1: to God to bless him with the right one. Do 1349 01:07:55,720 --> 01:07:57,600 Speaker 1: you know how many people are out here with someone 1350 01:07:57,920 --> 01:08:01,040 Speaker 1: asking for a sign from God to let them know 1351 01:08:01,160 --> 01:08:03,200 Speaker 1: this is indeed the person they're supposed to be with. 1352 01:08:03,480 --> 01:08:05,600 Speaker 1: If for a woman number one wants to give you 1353 01:08:05,760 --> 01:08:09,080 Speaker 1: her kidney, and said woman is a match and doesn't 1354 01:08:09,120 --> 01:08:11,320 Speaker 1: want to see you die. You're supposed to drop to 1355 01:08:11,480 --> 01:08:18,240 Speaker 1: your knees and say will you marry me? Period and Colleen, 1356 01:08:18,240 --> 01:08:20,080 Speaker 1: and I'm glad you did the right thing. Okay, organ 1357 01:08:20,120 --> 01:08:21,800 Speaker 1: don't to save lives. But when you do something out 1358 01:08:21,840 --> 01:08:23,479 Speaker 1: of the goodness of your heart or in this case, 1359 01:08:23,520 --> 01:08:25,760 Speaker 1: the goodness of your kidney, just do it. Because whether 1360 01:08:25,880 --> 01:08:27,880 Speaker 1: or not you gave him a kidney has nothing to 1361 01:08:28,080 --> 01:08:31,080 Speaker 1: do with whether he wanted you to be with him 1362 01:08:31,160 --> 01:08:33,200 Speaker 1: or not. Okay, I know it's upsetting because you could 1363 01:08:33,200 --> 01:08:35,599 Speaker 1: have just let him die, But look at it this way. 1364 01:08:35,920 --> 01:08:40,360 Speaker 1: You gave him the script to make some other woman happy. 1365 01:08:40,760 --> 01:08:43,200 Speaker 1: All right. That man will probably get with some other woman. 1366 01:08:43,640 --> 01:08:47,120 Speaker 1: Love them, have kids, beautiful, healthy babies that will grow 1367 01:08:47,280 --> 01:08:50,360 Speaker 1: up in this planet and contribute greatly to society, and 1368 01:08:50,479 --> 01:08:55,280 Speaker 1: they have you to thank for that. College. Allegedly, even 1369 01:08:55,320 --> 01:08:58,080 Speaker 1: though I don't believe the story, I still have to 1370 01:08:58,160 --> 01:09:00,479 Speaker 1: let the handlertones give this young man the biggest he 1371 01:09:00,600 --> 01:09:06,719 Speaker 1: huh Oh, now you are the dogee, Oh, the damn 1372 01:09:09,840 --> 01:09:19,120 Speaker 1: do gee. Oh the day. I don't believe this story. 1373 01:09:19,160 --> 01:09:20,920 Speaker 1: By the way, I think it's cat, but nobody cares 1374 01:09:20,920 --> 01:09:24,559 Speaker 1: about the truth when the live more entertaining and content 1375 01:09:24,640 --> 01:09:29,160 Speaker 1: is king. What's the question? The question is should you 1376 01:09:29,240 --> 01:09:32,559 Speaker 1: be doing itating kidney's your boyfriend? Don't you think us 1377 01:09:32,560 --> 01:09:34,559 Speaker 1: a little bit much? Did she ask for a back though, 1378 01:09:35,720 --> 01:09:38,120 Speaker 1: because I would put my back. You break up with me? 1379 01:09:38,160 --> 01:09:40,920 Speaker 1: Now I need that back. I don't think it's a 1380 01:09:41,000 --> 01:09:44,880 Speaker 1: warranty on the kids. Need that back. You keep the kidney. 1381 01:09:44,920 --> 01:09:47,000 Speaker 1: I need that back. You got to give me. Come now, 1382 01:09:47,040 --> 01:09:48,519 Speaker 1: I bring that back. I don't think you keep to 1383 01:09:48,600 --> 01:09:51,360 Speaker 1: receive on the kidney man. All right? Eight hundred five 1384 01:09:51,439 --> 01:09:53,600 Speaker 1: eight five one on five one. I just want to 1385 01:09:53,640 --> 01:09:55,960 Speaker 1: know if people think about this situation. I really do 1386 01:09:56,280 --> 01:09:58,160 Speaker 1: call us up right now, let's talk about it again. 1387 01:09:58,280 --> 01:10:00,240 Speaker 1: Because did he all hurt anything that he all her 1388 01:10:00,640 --> 01:10:03,479 Speaker 1: a life? Yes? I don't need my kidney back. Did 1389 01:10:03,560 --> 01:10:05,040 Speaker 1: he did he owe her, you know, to be with 1390 01:10:05,160 --> 01:10:07,320 Speaker 1: her for the rest of her life? I think he 1391 01:10:07,400 --> 01:10:10,080 Speaker 1: should have. But did he really owe her? No, she 1392 01:10:10,240 --> 01:10:11,880 Speaker 1: did something out of the goodness of her heart and 1393 01:10:12,000 --> 01:10:15,160 Speaker 1: are the goodness of her kidney. He's alive. He decided 1394 01:10:15,200 --> 01:10:16,640 Speaker 1: to move on with his life. No, I did that 1395 01:10:16,720 --> 01:10:19,280 Speaker 1: because I thought we were gonna be together. Well, we're 1396 01:10:19,320 --> 01:10:21,960 Speaker 1: not together. You should have got the ring first. He's 1397 01:10:21,960 --> 01:10:23,720 Speaker 1: about to die, that is true. I gotta keep you 1398 01:10:23,720 --> 01:10:26,360 Speaker 1: alive to get married and then wow, I kept you 1399 01:10:26,400 --> 01:10:29,400 Speaker 1: alive to get married and then you let's discuss all right. 1400 01:10:29,479 --> 01:10:31,560 Speaker 1: Eight hundred five A five one o five one is 1401 01:10:31,560 --> 01:10:38,439 Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. It's topic 1402 01:10:38,520 --> 01:10:45,280 Speaker 1: time on the phone called eight hundred five A five 1403 01:10:45,320 --> 01:10:47,160 Speaker 1: one oh five. Want to join it to the discussion 1404 01:10:47,200 --> 01:10:50,960 Speaker 1: with the breakfast Club? Talk about it morning. Everybody is 1405 01:10:51,040 --> 01:10:54,479 Speaker 1: DJ Envy and Ngula yee. Charlomagne the guy we are 1406 01:10:54,560 --> 01:10:57,519 Speaker 1: the breakfast Club, Good morning Now if he just joined us, 1407 01:10:57,640 --> 01:10:59,800 Speaker 1: Charlomagne gave donk in to day too. There's a guy 1408 01:11:00,400 --> 01:11:03,639 Speaker 1: allegedly who's a boyfriend of a woman named Colleen. Colleen 1409 01:11:03,800 --> 01:11:05,640 Speaker 1: is thirty and she was on the talker of the 1410 01:11:05,680 --> 01:11:08,120 Speaker 1: Ticks and she donated a kidney. She donated a kidney 1411 01:11:08,160 --> 01:11:10,759 Speaker 1: to her ex boyfriend and then claimed that he cheated 1412 01:11:10,800 --> 01:11:13,080 Speaker 1: and dumped her just ten months later and accused her 1413 01:11:13,120 --> 01:11:16,880 Speaker 1: of going her head with the transplant just to look good. Wow, 1414 01:11:16,960 --> 01:11:20,000 Speaker 1: So she gave him the kidney, yes, and he cheated. 1415 01:11:20,080 --> 01:11:22,560 Speaker 1: Seven months later they got back together, but then he 1416 01:11:22,680 --> 01:11:25,559 Speaker 1: dumped three months later. I'm gonna need my kidney back. 1417 01:11:25,600 --> 01:11:26,920 Speaker 1: You got to run that back. We had to go 1418 01:11:26,960 --> 01:11:28,800 Speaker 1: to a doctor. I need my kidney back. I can't 1419 01:11:28,800 --> 01:11:30,600 Speaker 1: just give that to you. You can't force somebody to 1420 01:11:30,600 --> 01:11:33,680 Speaker 1: give a kidney back. That's terrible. If I got that 1421 01:11:33,800 --> 01:11:39,719 Speaker 1: kidney acting or a brand new if jewelry or whatever, 1422 01:11:39,720 --> 01:11:41,640 Speaker 1: I hated that back. I need my kidney back. What 1423 01:11:41,760 --> 01:11:43,479 Speaker 1: do you think he's gonna go and go and go 1424 01:11:43,600 --> 01:11:45,719 Speaker 1: inside of him and grab it. And you can't force 1425 01:11:45,760 --> 01:11:48,280 Speaker 1: anybody to do it. And you know, unfortunately, when you 1426 01:11:48,360 --> 01:11:50,960 Speaker 1: do something for somebody, it's never because you have to 1427 01:11:51,040 --> 01:11:53,640 Speaker 1: have expectations. I mean, you can have expectations, but they 1428 01:11:53,760 --> 01:11:57,360 Speaker 1: might not be met. And so this is a valuable 1429 01:11:57,439 --> 01:11:59,240 Speaker 1: life lesson. If I'm gonna give you my kidney or 1430 01:11:59,240 --> 01:12:02,240 Speaker 1: any other type of work again, doesn't necessarily mean we're 1431 01:12:02,280 --> 01:12:04,680 Speaker 1: gonna end up together, and you you can do about it. 1432 01:12:04,840 --> 01:12:07,280 Speaker 1: Your boyfriend needs a kidney, you're giving it to him. 1433 01:12:09,560 --> 01:12:13,679 Speaker 1: I mean, is he like about to die? How bad 1434 01:12:13,880 --> 01:12:17,120 Speaker 1: is it? How much he got left on the battery? 1435 01:12:17,479 --> 01:12:23,120 Speaker 1: How that is your battery to him? Find I tried 1436 01:12:23,120 --> 01:12:26,040 Speaker 1: to help him find somebody that if I had to, 1437 01:12:26,240 --> 01:12:29,880 Speaker 1: if it was you know, gife death. Oh man, Yeah, 1438 01:12:29,920 --> 01:12:31,160 Speaker 1: I don't. I don't know what you do in a 1439 01:12:31,240 --> 01:12:33,360 Speaker 1: situation like this. I don't think that she should have 1440 01:12:33,600 --> 01:12:36,200 Speaker 1: felt like he owed her or anything, though, because even 1441 01:12:36,240 --> 01:12:38,240 Speaker 1: though he did give she gave him a kidney. It's 1442 01:12:38,280 --> 01:12:41,000 Speaker 1: not like he he was destined to be with her 1443 01:12:41,040 --> 01:12:43,160 Speaker 1: for the rest of you know, their life, your kidney. Yes, 1444 01:12:43,200 --> 01:12:47,439 Speaker 1: you are, man, I mean it depends. Its amaserable together 1445 01:12:47,840 --> 01:12:52,040 Speaker 1: is No, you can't force don't take those comfortable, don't 1446 01:12:52,040 --> 01:12:54,000 Speaker 1: take those conversations could get harsh. So I should have 1447 01:12:54,120 --> 01:12:58,880 Speaker 1: let you die, you know what I mean? Offering him alcohol? Hello, 1448 01:12:59,000 --> 01:13:02,519 Speaker 1: who's this? It's Asia? Asia? What's up to talk to us? 1449 01:13:03,680 --> 01:13:06,920 Speaker 1: So I get the whole kidney thing. I get the 1450 01:13:07,479 --> 01:13:10,320 Speaker 1: I'm gonna donated because I love you, But if you 1451 01:13:10,400 --> 01:13:12,000 Speaker 1: want to cheat on me, you's gonna leave me for 1452 01:13:12,080 --> 01:13:14,800 Speaker 1: somebody else. I'm gonna have to take that return back. 1453 01:13:15,000 --> 01:13:18,439 Speaker 1: You know what are y'all talking about about how kidneys work? 1454 01:13:19,920 --> 01:13:22,040 Speaker 1: We're talking about kidneys. Don't just give a kidney back, 1455 01:13:22,479 --> 01:13:24,519 Speaker 1: use your kidney with another bitch. Now after that, I 1456 01:13:24,600 --> 01:13:28,280 Speaker 1: want my kidney back, right, That's what I'm seeing you 1457 01:13:28,360 --> 01:13:30,120 Speaker 1: know what, I'm gonna take it and then leave, like 1458 01:13:30,200 --> 01:13:32,840 Speaker 1: you're gonna be happy with somebody else. But you can 1459 01:13:32,960 --> 01:13:35,439 Speaker 1: be happy with her kidneys you can get you know, 1460 01:13:35,439 --> 01:13:37,000 Speaker 1: it would be so funny, be like we'll come get it. 1461 01:13:37,080 --> 01:13:41,160 Speaker 1: Then come get it. If you wanted that back, go 1462 01:13:41,160 --> 01:13:44,720 Speaker 1: over there with a knife. What the hell somebody else 1463 01:13:44,800 --> 01:13:50,639 Speaker 1: for my kidney? Hello? Who's this? Hey, Catherine? That would 1464 01:13:50,640 --> 01:13:54,120 Speaker 1: you donate your kidney? Well? Okay, so it was gonna 1465 01:13:54,160 --> 01:13:57,519 Speaker 1: be a lose lose anyway. So I hear Searleamine say that, 1466 01:13:57,760 --> 01:13:59,240 Speaker 1: you know she should have got the rain first. But 1467 01:13:59,560 --> 01:14:02,680 Speaker 1: you've been married, folks. Still she on his house and 1468 01:14:02,960 --> 01:14:05,760 Speaker 1: he still could have left. So you know, would you 1469 01:14:05,800 --> 01:14:09,360 Speaker 1: want your boyfriend to die or you know he was 1470 01:14:09,400 --> 01:14:11,680 Speaker 1: gonna don't He was probably gonna leave anyway, don't matter. 1471 01:14:11,760 --> 01:14:13,880 Speaker 1: Way is it probably wasn't gonna start then, Like Charlo 1472 01:14:13,920 --> 01:14:18,320 Speaker 1: Mane said, you know, she donated to kidney and he 1473 01:14:18,439 --> 01:14:20,679 Speaker 1: probably get married to love his life and have babies 1474 01:14:20,720 --> 01:14:24,040 Speaker 1: and everything or whatever. That's right, So she can look 1475 01:14:24,080 --> 01:14:28,120 Speaker 1: at it. Like I wanted to also say about the 1476 01:14:28,360 --> 01:14:32,800 Speaker 1: um the gender transplant thing. Um, it really doesn't matter 1477 01:14:33,400 --> 01:14:35,120 Speaker 1: in some cases, like you said, I know you say 1478 01:14:35,160 --> 01:14:38,320 Speaker 1: you go with it. My aunt, her sister had diabetes 1479 01:14:38,400 --> 01:14:40,360 Speaker 1: real bad and she needed to kidney. So she ain't 1480 01:14:40,439 --> 01:14:42,120 Speaker 1: my aunt, but my aunt hand to take a sales 1481 01:14:42,120 --> 01:14:44,880 Speaker 1: fraid but she could not donate, but she um the 1482 01:14:45,040 --> 01:14:48,320 Speaker 1: next person with her brother and it was a successful Transplantey. Now, 1483 01:14:48,400 --> 01:14:50,320 Speaker 1: hold on, it's twenty twenty two, so I have to ask. 1484 01:14:50,920 --> 01:14:55,160 Speaker 1: Was her brother used to be her sister? No? Okay, okay, 1485 01:14:56,120 --> 01:14:58,840 Speaker 1: thank you mama. Are you up y'all? Have? I mean, 1486 01:14:58,880 --> 01:15:00,960 Speaker 1: I'm sure he couldn't go on taking pig parts down 1487 01:15:01,000 --> 01:15:05,960 Speaker 1: to what? I don't know, man, just la week did 1488 01:15:06,000 --> 01:15:07,599 Speaker 1: were talking about a pig the gave a heart? Yes, 1489 01:15:07,800 --> 01:15:09,320 Speaker 1: but yeah, but I don't know if the pigs. I 1490 01:15:09,360 --> 01:15:10,960 Speaker 1: don't think the pig hearts stayed in the human that 1491 01:15:11,080 --> 01:15:13,479 Speaker 1: long though, did it. I think he's still a little human. 1492 01:15:13,680 --> 01:15:16,320 Speaker 1: I don't know. Man. Eight hundred five eight five one 1493 01:15:16,360 --> 01:15:19,600 Speaker 1: o five one gave donkey to day to who her 1494 01:15:19,680 --> 01:15:21,920 Speaker 1: name is kyleen on TikTok, and she said she donated 1495 01:15:21,960 --> 01:15:23,880 Speaker 1: a kidney to her ex boyfriend and she claims he 1496 01:15:24,000 --> 01:15:26,439 Speaker 1: cheated and dump her just ten months later and accused 1497 01:15:26,479 --> 01:15:28,479 Speaker 1: her of going ahead with the transplant. Just to look good. 1498 01:15:28,479 --> 01:15:30,200 Speaker 1: I don't believe this story. By the way, all right, 1499 01:15:30,240 --> 01:15:32,400 Speaker 1: eight hundred five eighty five one oh five one. What 1500 01:15:32,479 --> 01:15:43,280 Speaker 1: would you do with the Breakfast Club the morning? Call 1501 01:15:43,479 --> 01:15:47,559 Speaker 1: me and your opinions to the breakfast Club top eight 1502 01:15:47,640 --> 01:15:52,559 Speaker 1: hundred five five one five one morning. Everybody is dj 1503 01:15:53,080 --> 01:15:55,840 Speaker 1: N v Angela. Yee, Charlomagne the guy we are the 1504 01:15:55,880 --> 01:15:58,080 Speaker 1: breakfast club now if you're just joining us with talking 1505 01:15:58,120 --> 01:16:01,360 Speaker 1: about donkey today, Charlomagne gave to this young lady she 1506 01:16:01,479 --> 01:16:05,040 Speaker 1: allegedly gave thirty years old names. Colleen gave her kidney 1507 01:16:05,120 --> 01:16:07,280 Speaker 1: to her boyfriend because he needed it, of course, and 1508 01:16:07,360 --> 01:16:09,640 Speaker 1: then her boyfriend dumped him. She did her dumped up, 1509 01:16:09,680 --> 01:16:11,439 Speaker 1: and now he laid up with the next chip with 1510 01:16:11,760 --> 01:16:14,519 Speaker 1: her kidney. That's right. Having kids, you know, I don't 1511 01:16:14,520 --> 01:16:17,040 Speaker 1: know if you're having kids now. That's my kidney now. 1512 01:16:17,560 --> 01:16:19,000 Speaker 1: But she got to look at the bright side, you 1513 01:16:19,000 --> 01:16:20,599 Speaker 1: know what I'm saying. You gave this man the scrimp, 1514 01:16:20,920 --> 01:16:22,680 Speaker 1: you know, to be with other women, and you know 1515 01:16:22,840 --> 01:16:24,880 Speaker 1: he'd probably find the real love of his life, and 1516 01:16:24,960 --> 01:16:27,080 Speaker 1: they'll have kids and grow up to be a productive 1517 01:16:27,439 --> 01:16:29,599 Speaker 1: you know family, and those kids will be productive citizens 1518 01:16:29,640 --> 01:16:31,840 Speaker 1: in this world. And it's all things to you Colin. Nope, 1519 01:16:33,160 --> 01:16:39,639 Speaker 1: he'll be bad. He needs another organ? Stupid? Hello? Who's this? Hey? Hey, 1520 01:16:39,720 --> 01:16:42,080 Speaker 1: what's up? What would you do? Mesy? Wow? I think 1521 01:16:42,160 --> 01:16:44,439 Speaker 1: she should find solace and knowing that she did the 1522 01:16:44,560 --> 01:16:47,000 Speaker 1: right thing. I mean she was a vessel and having 1523 01:16:47,120 --> 01:16:50,479 Speaker 1: someone here on earth for another day. I also remember 1524 01:16:50,680 --> 01:16:53,000 Speaker 1: that you reap what you saw. So if he did 1525 01:16:53,080 --> 01:16:55,680 Speaker 1: anything with malice or bad intentions, he won't get it 1526 01:16:55,760 --> 01:16:58,400 Speaker 1: right back. Well, well, it depends, right, because what were 1527 01:16:58,439 --> 01:17:01,160 Speaker 1: her intentions with giving that kidney? If she was really 1528 01:17:01,240 --> 01:17:02,960 Speaker 1: doing it out the goodness of her heart show report, 1529 01:17:03,000 --> 01:17:04,680 Speaker 1: she's so. But if she was doing it because you 1530 01:17:04,760 --> 01:17:06,439 Speaker 1: know she wanted to hold it over its Hey man, 1531 01:17:06,600 --> 01:17:10,040 Speaker 1: I don't know that. That's so Saloma, that's so still, 1532 01:17:10,320 --> 01:17:12,680 Speaker 1: but tomorrow to serve you reap what you sell here, 1533 01:17:12,880 --> 01:17:14,840 Speaker 1: that's true, Thank you, mama. Any doctors on the line, 1534 01:17:14,880 --> 01:17:16,760 Speaker 1: I need to know about this kidney Jinda transplant? We 1535 01:17:16,800 --> 01:17:19,080 Speaker 1: got no doctors on the lawe se non. Hello, who's this? Hi? 1536 01:17:19,520 --> 01:17:23,320 Speaker 1: This is Keisha from Virginia. From Virginia. What would you do? Keisha? 1537 01:17:23,640 --> 01:17:26,880 Speaker 1: So I'm actually in a very similar situation. My husband 1538 01:17:27,640 --> 01:17:31,160 Speaker 1: is leading for a kidney, and it is a very 1539 01:17:31,320 --> 01:17:33,800 Speaker 1: challenging to see whether or not you're going to be 1540 01:17:33,840 --> 01:17:36,560 Speaker 1: a donor for It took me a minute before I 1541 01:17:36,640 --> 01:17:40,479 Speaker 1: actually apply because it's a life changing event. Now, the 1542 01:17:40,760 --> 01:17:43,680 Speaker 1: linge saloma you were saying about the mental women that 1543 01:17:43,840 --> 01:17:48,120 Speaker 1: is an asterid. The blood type that makes that the importance. 1544 01:17:48,840 --> 01:17:51,120 Speaker 1: My husband has happens to have an old positive which 1545 01:17:51,160 --> 01:17:54,480 Speaker 1: she can really accept any type of a donor. Unfortunately, 1546 01:17:54,760 --> 01:17:57,960 Speaker 1: I wind up having diabetes so that I'm not eligible 1547 01:17:58,000 --> 01:18:00,600 Speaker 1: at this time to be his donor. But what I 1548 01:18:00,720 --> 01:18:04,719 Speaker 1: think is really important is you when you accept my kidney, 1549 01:18:04,720 --> 01:18:07,320 Speaker 1: and when you give them your kidney, you can't do 1550 01:18:07,520 --> 01:18:10,680 Speaker 1: that with a reservation of anything that they don't even 1551 01:18:10,760 --> 01:18:14,599 Speaker 1: owe for a relationship, because imagine you've given them your 1552 01:18:14,680 --> 01:18:17,400 Speaker 1: kidney and the only reason y'allars staying together is because 1553 01:18:17,479 --> 01:18:21,360 Speaker 1: of that kidney. Who has that really benefiting So that 1554 01:18:21,520 --> 01:18:24,280 Speaker 1: when you give somebody something such as that, you've got 1555 01:18:24,400 --> 01:18:25,840 Speaker 1: to give it to him for the person. I mean, 1556 01:18:25,960 --> 01:18:28,880 Speaker 1: honestly love that person. So you've got to love them 1557 01:18:28,920 --> 01:18:31,120 Speaker 1: and want them to live a happy life, even if 1558 01:18:31,160 --> 01:18:35,600 Speaker 1: it doesn't include you. There's a childish part of me 1559 01:18:35,720 --> 01:18:38,120 Speaker 1: that has had that we'll all launa minute. I might 1560 01:18:38,200 --> 01:18:41,080 Speaker 1: have to go get my kidney back. But then to 1561 01:18:41,200 --> 01:18:44,000 Speaker 1: really think about it and say, you know, a man 1562 01:18:44,360 --> 01:18:47,280 Speaker 1: as a man to know that go with that, I 1563 01:18:47,400 --> 01:18:50,080 Speaker 1: want him to have a good life. So I think 1564 01:18:50,160 --> 01:18:52,479 Speaker 1: that somebody gives that to you, you even owe them 1565 01:18:52,520 --> 01:18:55,200 Speaker 1: to stay in a relationship if that's what you want. 1566 01:18:55,600 --> 01:18:57,680 Speaker 1: But I do think you owe them the honesty that 1567 01:18:57,800 --> 01:19:00,360 Speaker 1: if you're not there to stay in a relationship, let 1568 01:19:00,439 --> 01:19:02,759 Speaker 1: them know before they give you that kid I agree, 1569 01:19:02,880 --> 01:19:06,400 Speaker 1: Thank you, very very sensible statement. Absolutely, good luck to 1570 01:19:06,439 --> 01:19:10,599 Speaker 1: your husband. Thank you, queen. Now, what if you're a girl, 1571 01:19:11,280 --> 01:19:14,560 Speaker 1: right a woman, and your boyfriend needed a kidney and 1572 01:19:14,720 --> 01:19:17,200 Speaker 1: your blood don't match. But you find out he well 1573 01:19:17,200 --> 01:19:19,080 Speaker 1: you knew he was cheating on you, right, so, but 1574 01:19:19,240 --> 01:19:21,320 Speaker 1: but he stopped messing with the side chick. But the 1575 01:19:21,360 --> 01:19:23,200 Speaker 1: side chick steps up and says, I would like to 1576 01:19:23,280 --> 01:19:26,640 Speaker 1: see and finds out the side chick blood matches and 1577 01:19:26,720 --> 01:19:29,120 Speaker 1: the side check mostly donate their kidney. Do you let 1578 01:19:29,160 --> 01:19:32,360 Speaker 1: your husband ship that kidney from the side check? Would 1579 01:19:32,400 --> 01:19:34,920 Speaker 1: you take that kidney from the side check? That's that 1580 01:19:34,960 --> 01:19:38,960 Speaker 1: wasn't the question? Signed you on him? Listen, Okay, I 1581 01:19:38,960 --> 01:19:41,040 Speaker 1: asked the question, Well, I just want to know what 1582 01:19:41,120 --> 01:19:43,439 Speaker 1: what the woman? What would you? What would they do? 1583 01:19:44,760 --> 01:19:46,240 Speaker 1: I would tell him get it? But we wouldn't be 1584 01:19:46,240 --> 01:19:52,760 Speaker 1: together anymore. Damn, damn. She volunteered. Okay, okay, okay, what 1585 01:19:53,000 --> 01:19:58,200 Speaker 1: if what if a donor comes in? Right? It matches, matches, 1586 01:19:58,360 --> 01:20:00,400 Speaker 1: They do the surgery and successful and you find out 1587 01:20:00,479 --> 01:20:02,720 Speaker 1: after the fact it was a girl who used to 1588 01:20:02,800 --> 01:20:04,639 Speaker 1: mess with What do you do? You want that kidney back? 1589 01:20:05,360 --> 01:20:06,840 Speaker 1: Do I want it back? Now? We just won't be 1590 01:20:06,920 --> 01:20:12,240 Speaker 1: together anymore. Damn. We didn't know mom warding Upward on 1591 01:20:12,320 --> 01:20:20,240 Speaker 1: Twitter talk about I'm keeping your man alive. Bitch, My goodness, 1592 01:20:20,520 --> 01:20:24,200 Speaker 1: we got rumors a waiting. Yes, let's talk about Arie Lennox. 1593 01:20:24,240 --> 01:20:27,560 Speaker 1: He says she's not doing interviews anymore, and you know 1594 01:20:27,720 --> 01:20:29,920 Speaker 1: she's not going to South Africa and she wants to 1595 01:20:29,960 --> 01:20:32,439 Speaker 1: be dropped from her label because she wants to be free. 1596 01:20:32,960 --> 01:20:36,559 Speaker 1: And she did say social media is a traumatizing, unhealthy place. 1597 01:20:36,680 --> 01:20:38,360 Speaker 1: We'll give you the background, all right, we'll get into 1598 01:20:38,400 --> 01:20:44,400 Speaker 1: that next. It's the Breakfast Club. Good morning, the Breakfast Club. Listen, 1599 01:20:46,439 --> 01:20:57,120 Speaker 1: Oh my gosh, report got breakfast Club. Well, Arie Lennox 1600 01:20:57,240 --> 01:20:59,880 Speaker 1: has been in the news and that is all because 1601 01:20:59,880 --> 01:21:03,040 Speaker 1: of an interview that she did. She was talking to 1602 01:21:03,720 --> 01:21:06,600 Speaker 1: a podcast. Her name Maggie. And here's what happened on 1603 01:21:06,720 --> 01:21:09,840 Speaker 1: that interview. And we had right now as someone right now, 1604 01:21:10,560 --> 01:21:16,360 Speaker 1: Oh my god, whoa? There, Um, I'm not happy. Well 1605 01:21:16,439 --> 01:21:21,360 Speaker 1: that's a would question. Why that way? Why don't ask 1606 01:21:21,439 --> 01:21:24,639 Speaker 1: it that way? Whoa? Because that's what you're saying the song. 1607 01:21:24,800 --> 01:21:28,000 Speaker 1: You know what I mean? I love that part. Where 1608 01:21:28,000 --> 01:21:31,519 Speaker 1: did I say that? I said, yeah, don't you remember 1609 01:21:31,560 --> 01:21:33,720 Speaker 1: the song? Oh, I guess I did say that. I 1610 01:21:33,840 --> 01:21:38,280 Speaker 1: do say that. Let me Um, okay, you just threw 1611 01:21:38,360 --> 01:21:41,080 Speaker 1: you caught me off guard there, but I did say that. 1612 01:21:41,280 --> 01:21:44,519 Speaker 1: But no, that's not actually what she said in the song. 1613 01:21:44,680 --> 01:21:47,479 Speaker 1: But you listen to the song pop she says. Um, 1614 01:21:48,200 --> 01:21:50,920 Speaker 1: she says, if you really love me, I'll f you good. 1615 01:21:51,360 --> 01:21:53,320 Speaker 1: She said, I'll you good. I think not the guy 1616 01:21:53,680 --> 01:21:56,680 Speaker 1: for good Now he's from South Africa. He has a 1617 01:21:56,760 --> 01:21:59,000 Speaker 1: podcast and chill show. Now after that, there was a 1618 01:21:59,080 --> 01:22:03,200 Speaker 1: lot of people in and how uncomfortable she felt. She posted, 1619 01:22:03,479 --> 01:22:05,240 Speaker 1: I'm just like, why was I alone on a call 1620 01:22:05,280 --> 01:22:07,639 Speaker 1: full of people? Why didn't anyone intervene? And why wasn't 1621 01:22:07,640 --> 01:22:10,439 Speaker 1: part of the interview destroyed like the team promised, why 1622 01:22:10,479 --> 01:22:12,680 Speaker 1: did it happen to begin with? Just feel slow and 1623 01:22:12,840 --> 01:22:16,040 Speaker 1: ambushed and blindsided, but effort. I don't want anyone feeling 1624 01:22:16,160 --> 01:22:18,559 Speaker 1: sorry for me. I'm tired of the narrative, exhausted. I'm good, 1625 01:22:18,600 --> 01:22:21,360 Speaker 1: I promise. But as for interviews, I'm not doing them anymore. 1626 01:22:21,400 --> 01:22:25,680 Speaker 1: There's enough lives and interviews out there already. Now. This 1627 01:22:25,920 --> 01:22:28,960 Speaker 1: continued on over the weekend, and then she said South Africa, 1628 01:22:29,080 --> 01:22:30,880 Speaker 1: y'all got it, hurd you loud and clear, this won't 1629 01:22:30,880 --> 01:22:33,360 Speaker 1: be your place I will ever visit. Really got grown 1630 01:22:33,400 --> 01:22:38,120 Speaker 1: men justifying rape and predatory culture disgusting, And it just 1631 01:22:38,240 --> 01:22:40,599 Speaker 1: went on from there. But she did say that social 1632 01:22:40,640 --> 01:22:44,280 Speaker 1: media is a traumatizing, unhealthy place. You're only accepted here 1633 01:22:44,360 --> 01:22:47,200 Speaker 1: if you're perfect and seemingly happy at all times, when 1634 01:22:47,280 --> 01:22:50,960 Speaker 1: every single life knows that's not realistic. People cry, people complain, 1635 01:22:51,000 --> 01:22:52,880 Speaker 1: people are mad in real life. I just never cared 1636 01:22:52,880 --> 01:22:55,439 Speaker 1: to be a fake ass bitch. You know. I love 1637 01:22:55,520 --> 01:22:58,519 Speaker 1: watching a young media personalities attempt to figure it out, 1638 01:22:58,640 --> 01:23:01,240 Speaker 1: you know. And one thing I won't do is judge Macgee, 1639 01:23:01,680 --> 01:23:04,960 Speaker 1: because you know I at one point was it macg 1640 01:23:05,160 --> 01:23:06,600 Speaker 1: I was wanting those young boys like that. So I 1641 01:23:06,640 --> 01:23:09,360 Speaker 1: would rather cancel counsel the man instead of cancel him. 1642 01:23:09,360 --> 01:23:11,400 Speaker 1: And this is a teachable moment for young media personalities. 1643 01:23:11,400 --> 01:23:13,560 Speaker 1: I didn't hear the whole context of the conversation. I 1644 01:23:13,680 --> 01:23:15,080 Speaker 1: just heard that part, so I don't know how they 1645 01:23:15,160 --> 01:23:17,040 Speaker 1: got to that question. But let me be the first 1646 01:23:17,120 --> 01:23:19,040 Speaker 1: to tell you it's not what you say, but how 1647 01:23:19,120 --> 01:23:20,759 Speaker 1: you say it. And I feel like if it's based 1648 01:23:20,800 --> 01:23:24,080 Speaker 1: off something an artist said in a song, it's fair game, 1649 01:23:24,360 --> 01:23:26,479 Speaker 1: but the delivery still has to be correct. And as 1650 01:23:26,520 --> 01:23:28,560 Speaker 1: a forty three year old man, I would rather the 1651 01:23:28,720 --> 01:23:31,360 Speaker 1: woman in the room ask a question like that, right, 1652 01:23:31,479 --> 01:23:33,439 Speaker 1: Like ye, y'all have combos like that on lip service 1653 01:23:33,479 --> 01:23:37,000 Speaker 1: all the time. Right. Well, And people did bring up 1654 01:23:37,040 --> 01:23:39,760 Speaker 1: the R. Lennox lip service interview, but I will say 1655 01:23:39,880 --> 01:23:41,760 Speaker 1: before people come in as shall we also let them know, 1656 01:23:41,840 --> 01:23:43,920 Speaker 1: you know, we're talking about sex and relationships, we're having 1657 01:23:43,960 --> 01:23:46,280 Speaker 1: a good time. We try not to ask anything that's 1658 01:23:46,280 --> 01:23:48,559 Speaker 1: going to make anyone uncomfortable. I would have said, look 1659 01:23:48,600 --> 01:23:50,840 Speaker 1: and your song you said this, so in real life, 1660 01:23:51,240 --> 01:23:53,360 Speaker 1: is this what's happening? And so people know that's what 1661 01:23:53,520 --> 01:23:56,240 Speaker 1: that podcast is about, they actually request to come on 1662 01:23:56,360 --> 01:23:58,559 Speaker 1: there knowing that's what it's about. We have Joey Badass 1663 01:23:58,600 --> 01:24:01,920 Speaker 1: on tomorrow. He wanted to do it about sex and relationships, 1664 01:24:01,960 --> 01:24:03,920 Speaker 1: so they know what they're walking into. But if it's 1665 01:24:03,920 --> 01:24:06,000 Speaker 1: somebody you don't know, who you're not comfortable with and 1666 01:24:06,160 --> 01:24:09,439 Speaker 1: it comes out of left field, that can't feel. But yeah, 1667 01:24:09,920 --> 01:24:11,400 Speaker 1: the first thing, the first thing you should have did 1668 01:24:11,479 --> 01:24:13,439 Speaker 1: is is he should have asked her about the actual 1669 01:24:13,600 --> 01:24:16,000 Speaker 1: record that he was about the reference, asked her about 1670 01:24:16,400 --> 01:24:18,880 Speaker 1: the pop record. Didn't have to discussing the record. You know, 1671 01:24:19,000 --> 01:24:21,040 Speaker 1: you might can get into, you know, some lyrics, but 1672 01:24:21,160 --> 01:24:22,640 Speaker 1: I still feel like he got the lyric wrong. But 1673 01:24:22,680 --> 01:24:25,040 Speaker 1: not only that. If it was asked to be removed 1674 01:24:25,360 --> 01:24:27,040 Speaker 1: and they said that they would remove it and didn't 1675 01:24:27,040 --> 01:24:30,439 Speaker 1: remove it, that's another problem. Well, if they promised her, 1676 01:24:30,600 --> 01:24:33,880 Speaker 1: they promised to, that's what she said, she said in 1677 01:24:33,920 --> 01:24:37,360 Speaker 1: her tweet. So yeah, so and then it's not easy 1678 01:24:37,400 --> 01:24:39,759 Speaker 1: when people are are coming at you. If she felt uncomfortable, 1679 01:24:39,800 --> 01:24:41,840 Speaker 1: she felt uncomfortable, you can't be mad at her or 1680 01:24:41,920 --> 01:24:43,479 Speaker 1: tell her what you said this So you did that, 1681 01:24:44,080 --> 01:24:46,880 Speaker 1: you know, and you can't expect comfortable it is, yeah, 1682 01:24:46,960 --> 01:24:48,840 Speaker 1: and you can't expect her to react, you know, that 1683 01:24:48,960 --> 01:24:50,880 Speaker 1: way in real time, you know what I mean. People 1684 01:24:50,960 --> 01:24:52,880 Speaker 1: think about things later and be like, damn, why are 1685 01:24:52,880 --> 01:24:53,880 Speaker 1: you doing me like that? You know what I mean? 1686 01:24:54,280 --> 01:24:57,960 Speaker 1: So you you know, everybody reacts to things differently, But yeah, 1687 01:24:58,000 --> 01:24:59,920 Speaker 1: I would just say, you know, it's not what you say, 1688 01:25:00,040 --> 01:25:02,360 Speaker 1: it is how you say it a lot of times. 1689 01:25:03,920 --> 01:25:05,920 Speaker 1: All right now, I think we know what we're talking about. Right, 1690 01:25:05,960 --> 01:25:09,400 Speaker 1: We've been around the block. Yeah, you know, we've asked 1691 01:25:09,439 --> 01:25:11,880 Speaker 1: a couple couple of questions the two in a interviews, right, yeah, 1692 01:25:13,240 --> 01:25:16,360 Speaker 1: all right, now. Julia Fox has addressed people saying that 1693 01:25:16,520 --> 01:25:19,120 Speaker 1: she's dating Kanye West fork quote cloud. You know, she 1694 01:25:19,240 --> 01:25:22,120 Speaker 1: has her own podcast called Forbidden Fruits, And here's what 1695 01:25:22,200 --> 01:25:24,439 Speaker 1: you have to say about that. When I was younger, 1696 01:25:24,560 --> 01:25:27,120 Speaker 1: I was such an attention seeker, had to be like 1697 01:25:27,320 --> 01:25:31,519 Speaker 1: make everything about me, every situation about me. And as 1698 01:25:31,600 --> 01:25:34,040 Speaker 1: I got older and like did work on myself. Like 1699 01:25:34,280 --> 01:25:38,439 Speaker 1: now like I really like don't need it or care 1700 01:25:38,560 --> 01:25:41,200 Speaker 1: for it. People are like, oh, you're only in it 1701 01:25:41,360 --> 01:25:42,920 Speaker 1: for the fame, you're in it for the cloud, you're 1702 01:25:42,960 --> 01:25:44,640 Speaker 1: in it for the money. And it's like, honey, like 1703 01:25:44,720 --> 01:25:48,439 Speaker 1: I dated billionaires my entire adult life. Okay, let's keep 1704 01:25:48,479 --> 01:25:51,840 Speaker 1: it real. And secondly, um no, I really don't. I 1705 01:25:51,960 --> 01:25:55,080 Speaker 1: just care about like making my art, like watch my movie. 1706 01:25:57,360 --> 01:25:59,439 Speaker 1: I don't know what she just she said, watch a movie. 1707 01:26:00,000 --> 01:26:01,960 Speaker 1: What I got from She said, she dated billionaire's her 1708 01:26:02,080 --> 01:26:04,719 Speaker 1: entire adult life, and she's not dating Kanye for cloud. 1709 01:26:04,760 --> 01:26:07,800 Speaker 1: She could care less. I just watch her movies and 1710 01:26:07,920 --> 01:26:11,080 Speaker 1: her art. And she also addressed a video that's circulated 1711 01:26:11,120 --> 01:26:14,800 Speaker 1: where she's with Yay Madonna, Antonio Brown, Floyd Mayweather, Jason 1712 01:26:14,880 --> 01:26:17,240 Speaker 1: Lee their partying. She said she was supposed to be 1713 01:26:17,280 --> 01:26:19,160 Speaker 1: a dinner for just Madonna, just the two of them. 1714 01:26:19,200 --> 01:26:23,519 Speaker 1: She said, all these other celebs crashed the party, all right. 1715 01:26:24,439 --> 01:26:27,960 Speaker 1: And by the way, that Kanye Genius Netflix documentary has 1716 01:26:29,120 --> 01:26:32,799 Speaker 1: it has premiered at the Sundance Film Festival the Sundance Studio, 1717 01:26:33,240 --> 01:26:34,800 Speaker 1: so people got a chance to see that. I saw 1718 01:26:34,840 --> 01:26:37,800 Speaker 1: they were saying Kanye one's final edit and approval. But 1719 01:26:38,040 --> 01:26:41,960 Speaker 1: Couti and Chic, who actually directed it, did an interview 1720 01:26:42,040 --> 01:26:45,600 Speaker 1: where they discussed basically, you know, documentaries aren't supposed to 1721 01:26:45,600 --> 01:26:47,720 Speaker 1: be to make you just look like you're in a 1722 01:26:47,760 --> 01:26:50,960 Speaker 1: good light. It is supposed to be a documentary. So 1723 01:26:51,640 --> 01:26:53,840 Speaker 1: they did say that they worked really hard on this, 1724 01:26:54,080 --> 01:26:57,640 Speaker 1: and they worked with Kanye on this, and while he's 1725 01:26:57,680 --> 01:26:59,479 Speaker 1: had a chance to see it, he's not getting the 1726 01:26:59,640 --> 01:27:05,240 Speaker 1: final final cuts. So that's Yay's journey through their vision. 1727 01:27:06,320 --> 01:27:10,080 Speaker 1: And that is your rumor report. All you can see that, 1728 01:27:10,160 --> 01:27:11,760 Speaker 1: by the way, and you can see that, by the 1729 01:27:11,760 --> 01:27:14,960 Speaker 1: way on Netflix starting February sixteenth. It's a Kanye trilogy. 1730 01:27:15,640 --> 01:27:17,400 Speaker 1: It is real cool. I hope, I hope our Lennox 1731 01:27:17,400 --> 01:27:20,439 Speaker 1: doesn't stop going to South Africa just because of, you know, 1732 01:27:20,760 --> 01:27:24,280 Speaker 1: one bad conversation like South Africa's beautiful. I don't deny yourself. 1733 01:27:24,360 --> 01:27:26,960 Speaker 1: You know those trips to South Africa just because of 1734 01:27:27,080 --> 01:27:29,439 Speaker 1: one conversation, I'm mad I can't go there. Yeah, and 1735 01:27:29,439 --> 01:27:31,280 Speaker 1: I said, I saw a lot of people from South 1736 01:27:31,320 --> 01:27:34,120 Speaker 1: Africa showing her support and saying they would love for 1737 01:27:34,200 --> 01:27:36,880 Speaker 1: her to come there. So all right, what's the little 1738 01:27:36,920 --> 01:27:39,479 Speaker 1: Maggie too? And you know the podcast and show podcast 1739 01:27:39,720 --> 01:27:43,040 Speaker 1: like I'm always here for counsel. All right, well, that 1740 01:27:43,160 --> 01:27:44,640 Speaker 1: is your rumor report. Let's get to the mix, to 1741 01:27:44,640 --> 01:27:47,280 Speaker 1: people's choice mix, get your requesting. It's the Breakfast Club. 1742 01:27:47,320 --> 01:27:50,680 Speaker 1: Good morning, So Breakfast Club, your mornings will never be 1743 01:27:50,840 --> 01:27:54,080 Speaker 1: the same. Our audible pick of the day is the 1744 01:27:54,160 --> 01:27:56,960 Speaker 1: perfect day to boss up. This is Rick Ross's guide 1745 01:27:57,000 --> 01:27:59,439 Speaker 1: to building your own empire. Now listen up your first 1746 01:27:59,479 --> 01:28:01,800 Speaker 1: dirty days Audible or free when you signed up at 1747 01:28:01,800 --> 01:28:05,120 Speaker 1: audible dot com slash breakfast Club. So Breakfast Club, your 1748 01:28:05,200 --> 01:28:10,719 Speaker 1: morning's will never be the same more than everybody's. DJ Envy, 1749 01:28:10,920 --> 01:28:13,840 Speaker 1: Angela Yee, Charlemagne the guy. We are the Breakfast Club. 1750 01:28:13,880 --> 01:28:15,839 Speaker 1: We got some special guests in the building. Yes, indeed 1751 01:28:16,120 --> 01:28:25,120 Speaker 1: having styles Peak group. Thank you, thats good. Let's let's 1752 01:28:25,120 --> 01:28:27,519 Speaker 1: start from the beginning. How did you guys get together 1753 01:28:27,560 --> 01:28:29,040 Speaker 1: and say, you know what, this is what we're gonna do. 1754 01:28:29,080 --> 01:28:32,120 Speaker 1: We're gonna create this group. Uh, you know what. One 1755 01:28:32,160 --> 01:28:34,240 Speaker 1: day I just woke up. I wanted to do a 1756 01:28:34,320 --> 01:28:37,200 Speaker 1: project with one of my favorite artists. Styles Peak was 1757 01:28:37,200 --> 01:28:39,320 Speaker 1: at the top of that list. He was with it. 1758 01:28:39,600 --> 01:28:42,840 Speaker 1: Hell yeah, sent them some music and we just did 1759 01:28:42,920 --> 01:28:46,240 Speaker 1: the thing. We just recog manded me Wreckage, sending them 1760 01:28:46,320 --> 01:28:48,800 Speaker 1: for Havoc Man and sending them for styles and we felt, 1761 01:28:48,960 --> 01:28:52,800 Speaker 1: you know how, Yeah, he was bringing what we was bringing, 1762 01:28:52,840 --> 01:28:55,280 Speaker 1: but we was bringing in in a different way. And 1763 01:28:55,920 --> 01:28:59,439 Speaker 1: respect to them our respective groups Locks and Mob Deep. 1764 01:29:00,040 --> 01:29:02,000 Speaker 1: He's a member of Mob. I'm a member of Locks. 1765 01:29:02,120 --> 01:29:03,840 Speaker 1: We're gonna give you that, but it was in a 1766 01:29:04,600 --> 01:29:06,240 Speaker 1: manner we was gonna do it, and we felt like 1767 01:29:06,280 --> 01:29:10,640 Speaker 1: it was just gonna be real accurate hip hop that 1768 01:29:10,880 --> 01:29:13,639 Speaker 1: gives you a wreckage feeling, but with with gracian style. 1769 01:29:13,800 --> 01:29:15,840 Speaker 1: When you look at some of your first videos and 1770 01:29:15,960 --> 01:29:18,400 Speaker 1: footage from performances, how many people that's seal with you 1771 01:29:18,640 --> 01:29:25,720 Speaker 1: from back then? Oh? Man? How people out there now? 1772 01:29:26,200 --> 01:29:32,200 Speaker 1: I say like stags, like you know, because we was 1773 01:29:32,320 --> 01:29:35,200 Speaker 1: kids back there. You know, people change, and you know 1774 01:29:35,400 --> 01:29:37,799 Speaker 1: when you come into game, you bring like a thousand 1775 01:29:37,880 --> 01:29:40,960 Speaker 1: people with you just to for that support, but then 1776 01:29:41,000 --> 01:29:43,320 Speaker 1: they mess everything up for you because they don't mean 1777 01:29:43,439 --> 01:29:45,479 Speaker 1: to you know what I mean. But in the in 1778 01:29:45,560 --> 01:29:47,840 Speaker 1: the business sense, it's not good for business, you know 1779 01:29:47,880 --> 01:29:49,880 Speaker 1: what I mean. But your people's mean well, you know 1780 01:29:49,880 --> 01:29:51,479 Speaker 1: what I mean, because they just did to hold you down. 1781 01:29:51,520 --> 01:29:53,960 Speaker 1: But you know, everybody rough around the edges. So what 1782 01:29:54,000 --> 01:29:56,519 Speaker 1: advice would you give to artists now who are just 1783 01:29:56,680 --> 01:29:59,680 Speaker 1: coming out, they got all their peoples around, and even 1784 01:29:59,760 --> 01:30:01,840 Speaker 1: for the people that are around and are trying to 1785 01:30:01,920 --> 01:30:04,360 Speaker 1: like be an asset to an artist, what kind of 1786 01:30:04,400 --> 01:30:07,080 Speaker 1: advice would you give? You just gave it be an asset. 1787 01:30:07,200 --> 01:30:09,439 Speaker 1: I would tell the artist to tell an entourage, make 1788 01:30:09,479 --> 01:30:12,320 Speaker 1: sure you're an asset, not a liability, and leave the 1789 01:30:12,439 --> 01:30:16,720 Speaker 1: criminals for criminal activity. I think a large part of 1790 01:30:16,840 --> 01:30:19,680 Speaker 1: a lot of artists really want to be gangsters. And 1791 01:30:20,360 --> 01:30:22,240 Speaker 1: it's cool if you really was a gangster and you're 1792 01:30:22,240 --> 01:30:23,720 Speaker 1: making it and you're making the way out. But I 1793 01:30:23,760 --> 01:30:26,320 Speaker 1: think it's a big misconception that gangsters still want to 1794 01:30:26,320 --> 01:30:30,160 Speaker 1: be gangsters. This morning that what was it, the wolve 1795 01:30:30,240 --> 01:30:33,720 Speaker 1: line don't make good house pets. Yeah, I was talking 1796 01:30:33,720 --> 01:30:36,400 Speaker 1: about people who like to play play the street, like, yeah, 1797 01:30:36,520 --> 01:30:39,080 Speaker 1: I was actually talking about ya right now. Yeah, that's 1798 01:30:39,160 --> 01:30:41,160 Speaker 1: that's a that's a good point, because they don't I mean, 1799 01:30:41,200 --> 01:30:43,280 Speaker 1: and a lot of people don't know. Sometimes you're a 1800 01:30:43,320 --> 01:30:45,040 Speaker 1: sheep standing right next to a wolf and you have 1801 01:30:45,200 --> 01:30:47,720 Speaker 1: no idea, and a lot of people, you know, they're 1802 01:30:47,760 --> 01:30:49,800 Speaker 1: getting in this thing. And you might just be at 1803 01:30:49,840 --> 01:30:52,000 Speaker 1: the club. You might just be talking crap, but you 1804 01:30:52,080 --> 01:30:54,479 Speaker 1: might be talking crap to the room. Absolutely, you might 1805 01:30:54,479 --> 01:30:57,040 Speaker 1: be just talking crap to the wroong dudes. Who's there's 1806 01:30:57,080 --> 01:30:59,040 Speaker 1: a lot of dudes willing to throw it away. And 1807 01:30:59,120 --> 01:31:00,960 Speaker 1: I think a lot of people in the industry don't 1808 01:31:01,000 --> 01:31:04,160 Speaker 1: realize that, like because even now, like when the time 1809 01:31:04,200 --> 01:31:07,840 Speaker 1: we came out too, you couldn't walk around with half 1810 01:31:07,880 --> 01:31:11,080 Speaker 1: a million on if you have reputation, then solidified that 1811 01:31:11,160 --> 01:31:13,479 Speaker 1: you could walk around with a half a million. And 1812 01:31:13,680 --> 01:31:16,400 Speaker 1: now it's like I'm doing this, I'm lollygagging in the 1813 01:31:16,479 --> 01:31:19,160 Speaker 1: city and you know, I'm talking crazy and I'm not 1814 01:31:19,320 --> 01:31:21,200 Speaker 1: built like that. Yeah. I was talking about, you know, 1815 01:31:21,240 --> 01:31:23,240 Speaker 1: the Kanye situation because it's like, you know, you see 1816 01:31:23,320 --> 01:31:25,599 Speaker 1: him with the Jay Princes in the game and being 1817 01:31:25,640 --> 01:31:27,680 Speaker 1: e seagull now and then he's rapping about, you know, 1818 01:31:27,800 --> 01:31:29,240 Speaker 1: beating people up. And then I was thinking about what 1819 01:31:29,240 --> 01:31:31,320 Speaker 1: he said on Drink Chaps about how he just used 1820 01:31:31,360 --> 01:31:34,040 Speaker 1: the backpackers. He don't really rock with them, and I'm like, yo, 1821 01:31:34,080 --> 01:31:36,400 Speaker 1: if you're doing that with them screen dudes. Yeah, wolves 1822 01:31:36,400 --> 01:31:38,479 Speaker 1: don't make good house pets. You're gonna learn the one 1823 01:31:38,479 --> 01:31:40,920 Speaker 1: thing too. You gotta understand all across the board, no 1824 01:31:41,080 --> 01:31:45,000 Speaker 1: matter what, whether it's gangsters or not even just corporate wolves, 1825 01:31:45,640 --> 01:31:48,160 Speaker 1: wolves the wolves. If you can't take advantage of certain 1826 01:31:48,200 --> 01:31:50,560 Speaker 1: people because they're gonna want to take advantage backing, and 1827 01:31:50,640 --> 01:31:52,479 Speaker 1: then some people are letting you be there because they 1828 01:31:52,560 --> 01:31:55,240 Speaker 1: plan on taking advantage of whatever circle you and you 1829 01:31:55,320 --> 01:31:57,160 Speaker 1: got to know if you're the ship of the wolf. 1830 01:31:57,360 --> 01:31:59,200 Speaker 1: Now you mentioned something for both of y'all that you 1831 01:31:59,240 --> 01:32:01,560 Speaker 1: talk about these other artists, you know they quick to 1832 01:32:01,600 --> 01:32:03,280 Speaker 1: throw it away for a lot of them, but both 1833 01:32:03,320 --> 01:32:05,639 Speaker 1: of y'all at one time was quick to throw it away. 1834 01:32:05,760 --> 01:32:09,880 Speaker 1: I was the massive quick. I mean, you don't lead 1835 01:32:09,960 --> 01:32:12,840 Speaker 1: picture saying you said you don't got a gun with me. 1836 01:32:12,920 --> 01:32:15,400 Speaker 1: I might be quoting Lyne wrong. You said, even if 1837 01:32:15,439 --> 01:32:20,000 Speaker 1: you don't got a gun, you got two blades on you. Yeah, protection, 1838 01:32:20,720 --> 01:32:25,080 Speaker 1: you see, I'm not I'm not a I'm a peaceful person. 1839 01:32:25,120 --> 01:32:27,519 Speaker 1: I strive for peace, but I'm I'm a realistic person. 1840 01:32:27,560 --> 01:32:30,880 Speaker 1: I'm not gonna I don't see him all styles is 1841 01:32:31,000 --> 01:32:34,920 Speaker 1: right there, anything happened, I'm not gonna just I'm not 1842 01:32:34,920 --> 01:32:37,400 Speaker 1: gonna turn the cheek other kind of dude. I'm a 1843 01:32:37,520 --> 01:32:39,720 Speaker 1: less I'm not afraid to share your I don't want 1844 01:32:39,760 --> 01:32:42,479 Speaker 1: this problem, right. I will also tell you do not 1845 01:32:42,640 --> 01:32:45,080 Speaker 1: confuse me saying I don't want the problem with I 1846 01:32:45,120 --> 01:32:47,799 Speaker 1: won't hend a little problem like. That's a big difference, 1847 01:32:47,840 --> 01:32:49,519 Speaker 1: I think. But men should be men enough to be 1848 01:32:49,640 --> 01:32:52,320 Speaker 1: like I'm forty seven, I ain't trying to eight tomorrow. 1849 01:32:52,400 --> 01:32:55,040 Speaker 1: I ain't trying to look for you. I don't trying 1850 01:32:55,040 --> 01:32:57,040 Speaker 1: to ask your little homies where you add I try. 1851 01:32:57,160 --> 01:32:59,080 Speaker 1: I would definitely have styles have to step to somebody 1852 01:32:59,160 --> 01:33:05,599 Speaker 1: for me before everything I do it. I'm not on y'all. 1853 01:33:05,760 --> 01:33:08,040 Speaker 1: I'm like, you know, before it was more like you 1854 01:33:08,120 --> 01:33:10,840 Speaker 1: know now approach, you get to that to that point 1855 01:33:10,880 --> 01:33:12,600 Speaker 1: where it's like, you know what, I'm not doing this 1856 01:33:12,760 --> 01:33:15,080 Speaker 1: no more like like when when when was that? Because 1857 01:33:15,520 --> 01:33:17,360 Speaker 1: you've done it a zillion one times, You've done in 1858 01:33:17,400 --> 01:33:18,720 Speaker 1: a zillion one time. When did it get to that 1859 01:33:18,760 --> 01:33:20,080 Speaker 1: point where it's like, you know what? I got to 1860 01:33:20,160 --> 01:33:23,080 Speaker 1: stop and today is the day getting locked up for something, 1861 01:33:23,400 --> 01:33:26,080 Speaker 1: you know what I mean? Low key and just seeing 1862 01:33:26,600 --> 01:33:28,360 Speaker 1: some of my people's getting locked up, you know what 1863 01:33:28,400 --> 01:33:31,160 Speaker 1: I mean, and just thinking how easily I could just 1864 01:33:31,280 --> 01:33:33,280 Speaker 1: throw it away, you know what I mean, Just knowing 1865 01:33:33,320 --> 01:33:35,280 Speaker 1: that it's not worth it. Mins was a quest for 1866 01:33:35,360 --> 01:33:38,920 Speaker 1: any peace really like like you say, it was a 1867 01:33:39,040 --> 01:33:41,479 Speaker 1: time as a rap. I never not had two guns 1868 01:33:41,520 --> 01:33:43,320 Speaker 1: on me. I was like, I can't just love like 1869 01:33:43,439 --> 01:33:46,240 Speaker 1: this every day and it's not cool and you want 1870 01:33:46,240 --> 01:33:48,519 Speaker 1: to go somewhere and just being peaceful. I have to 1871 01:33:48,560 --> 01:33:50,920 Speaker 1: apologize for all the stuff that you've done because y'all 1872 01:33:50,920 --> 01:34:00,160 Speaker 1: both done. I mean, you had it coming most like. 1873 01:34:00,360 --> 01:34:03,240 Speaker 1: That's one thing I say. Always been a gentleman. I've 1874 01:34:03,280 --> 01:34:06,559 Speaker 1: never been no just knucklehead and did anything for a reputation. 1875 01:34:06,600 --> 01:34:09,599 Speaker 1: I probably went too far ward, something happened, But I've 1876 01:34:09,680 --> 01:34:12,360 Speaker 1: never been like a random troublemaker that that ain't never 1877 01:34:12,439 --> 01:34:14,680 Speaker 1: been alongside with my name. You never see me not 1878 01:34:14,800 --> 01:34:17,479 Speaker 1: coming in here not be professional. Like if I get 1879 01:34:17,520 --> 01:34:20,120 Speaker 1: into studio or anybody from back then, I come to 1880 01:34:20,200 --> 01:34:22,920 Speaker 1: do my job. I'm professional. I'm not talking craft to 1881 01:34:23,000 --> 01:34:25,080 Speaker 1: the engineers, the other artists, none that I come to 1882 01:34:25,160 --> 01:34:27,360 Speaker 1: do my job coming to leave. Now, if I step outside, 1883 01:34:27,800 --> 01:34:30,120 Speaker 1: something go wrong and you kind of a cause of it, 1884 01:34:30,200 --> 01:34:32,479 Speaker 1: that's part of the jungle, and that's part of your pass. 1885 01:34:32,600 --> 01:34:35,200 Speaker 1: Makes you who you are today. If I have offended 1886 01:34:35,240 --> 01:34:37,760 Speaker 1: someone and I was wrong and it was on me 1887 01:34:38,240 --> 01:34:42,439 Speaker 1: while I'm on, yeah, I humbly apologize. I mean, you know, 1888 01:34:42,520 --> 01:34:45,519 Speaker 1: I had to apologize a bunch of times, you know 1889 01:34:45,600 --> 01:34:48,439 Speaker 1: what I mean, even today sometimes you know I got 1890 01:34:48,520 --> 01:34:51,360 Speaker 1: still apologize. You know, have you you're a very underrated 1891 01:34:51,400 --> 01:34:54,200 Speaker 1: producer man like you helped to craft a whole sound 1892 01:34:54,280 --> 01:34:56,400 Speaker 1: of a city, New York, you know what I mean, 1893 01:34:57,000 --> 01:34:58,280 Speaker 1: in the nineties. But why why do you think you 1894 01:34:58,320 --> 01:35:01,920 Speaker 1: don't get mentioned with like the Premiers, the Rizzes. You know, 1895 01:35:02,760 --> 01:35:05,639 Speaker 1: I really don't have no idea. Maybe because I'm low 1896 01:35:05,720 --> 01:35:08,439 Speaker 1: key as a person. Yeah, yeah, I'm very humble as 1897 01:35:08,479 --> 01:35:10,640 Speaker 1: a person. So you know, I don't go out go 1898 01:35:10,720 --> 01:35:12,640 Speaker 1: out there and to my own horn, because sometimes if 1899 01:35:12,640 --> 01:35:14,960 Speaker 1: you don't toot your homes, anybody gonna do it for you, 1900 01:35:14,960 --> 01:35:17,080 Speaker 1: you know what I mean. But that's just me, you know, 1901 01:35:17,280 --> 01:35:18,840 Speaker 1: saying about the fault. You know, I'm saying, I'm just 1902 01:35:18,920 --> 01:35:22,599 Speaker 1: one of those. And he's definitely needs more credit as 1903 01:35:22,640 --> 01:35:25,640 Speaker 1: a producer or also as a rapping producer doing a 1904 01:35:25,720 --> 01:35:28,000 Speaker 1: golden error. It takes a lot of talent to do that, 1905 01:35:28,080 --> 01:35:29,559 Speaker 1: and he did that at a time where a lot 1906 01:35:29,600 --> 01:35:32,000 Speaker 1: of people weren't doing it and those who were weren't 1907 01:35:32,040 --> 01:35:34,000 Speaker 1: able to do it at a high level on both sides, 1908 01:35:34,040 --> 01:35:37,000 Speaker 1: like this is half a mom Deep. He rapped and 1909 01:35:37,120 --> 01:35:38,840 Speaker 1: produced the journt. So I think he doesn't get a 1910 01:35:38,880 --> 01:35:41,559 Speaker 1: credit enough credit for that, even like you think he's 1911 01:35:41,600 --> 01:35:45,560 Speaker 1: the birth of like Kanye and you know, part of 1912 01:35:45,600 --> 01:35:48,200 Speaker 1: it all. We got more with Havoc and Styles Pete. 1913 01:35:48,200 --> 01:35:50,080 Speaker 1: When we come back, don't move. It's to Breakfast Club. 1914 01:35:50,120 --> 01:35:55,480 Speaker 1: Good Morning Morning. Everybody's DJ Envy and Jela Yee. Charlemagne 1915 01:35:55,520 --> 01:35:57,840 Speaker 1: the guy. We are the Breakfast Club. We're still kicking 1916 01:35:57,880 --> 01:35:59,880 Speaker 1: it with Havoc from Mob Deepest, Styles Pete from the 1917 01:36:00,240 --> 01:36:02,840 Speaker 1: of Course, Charlemagne. I can only imagine how I felt 1918 01:36:02,880 --> 01:36:05,439 Speaker 1: to lose Prodigy on a personal level, but on a 1919 01:36:05,520 --> 01:36:11,360 Speaker 1: professional level. Did you feel like you lost the Amuseum? Definitely? Absolutely, 1920 01:36:11,479 --> 01:36:14,120 Speaker 1: you know what I mean. Prodigy was one of the greats. 1921 01:36:14,160 --> 01:36:16,640 Speaker 1: You know what I mean. You know, every time he 1922 01:36:16,720 --> 01:36:19,280 Speaker 1: would come around, I just would smile, you know what 1923 01:36:19,280 --> 01:36:21,800 Speaker 1: I mean, just just him being in my presence. I 1924 01:36:21,920 --> 01:36:23,960 Speaker 1: just I couldn't help it, you know, I couldn't stay 1925 01:36:24,000 --> 01:36:27,160 Speaker 1: mad at him too long. You know. Um, I definitely 1926 01:36:27,760 --> 01:36:31,240 Speaker 1: lost the muse. There'll never be nobody like him that 1927 01:36:31,360 --> 01:36:34,120 Speaker 1: I ever meet in my lifetime that would be like him. 1928 01:36:34,200 --> 01:36:37,640 Speaker 1: So that was a big, big loss. I missed my 1929 01:36:37,800 --> 01:36:39,439 Speaker 1: deep on in verses. Man. I would love to see 1930 01:36:39,479 --> 01:36:45,599 Speaker 1: Morb Deep doing versus that. That would have been crazy, 1931 01:36:45,680 --> 01:36:47,559 Speaker 1: you know what I mean. That's one of the things 1932 01:36:47,680 --> 01:36:50,280 Speaker 1: that like when you think about Prodigy not being here, 1933 01:36:50,720 --> 01:36:52,680 Speaker 1: you know, for me, sometimes I'm like, damn, he never 1934 01:36:52,760 --> 01:36:54,479 Speaker 1: gonna be on stage with me again, you know what 1935 01:36:54,479 --> 01:36:57,160 Speaker 1: I mean, Like that's monumental for me. It's like, I 1936 01:36:57,240 --> 01:36:59,560 Speaker 1: can't fathom me, did you take away your love for 1937 01:36:59,680 --> 01:37:03,760 Speaker 1: music a moment? It didn't take away my love for music, 1938 01:37:03,880 --> 01:37:07,479 Speaker 1: but it definitely humbled me to the fact where I 1939 01:37:07,640 --> 01:37:11,439 Speaker 1: had to sit back and really reflect on, like how 1940 01:37:11,439 --> 01:37:13,720 Speaker 1: I'm gonna move forward. You know. That's why it kind 1941 01:37:13,760 --> 01:37:16,600 Speaker 1: of took me a while to even do anything as 1942 01:37:16,680 --> 01:37:21,080 Speaker 1: far as projects is concerned, since Prodigy passed. What do 1943 01:37:21,160 --> 01:37:23,439 Speaker 1: you think cars in New York to get away from 1944 01:37:23,479 --> 01:37:27,160 Speaker 1: that sound? It's a combination of things money and innet 1945 01:37:27,320 --> 01:37:30,439 Speaker 1: and like a leadership. I mean, you got to think 1946 01:37:30,439 --> 01:37:33,519 Speaker 1: about us in the nineties. We weren't financially taught how 1947 01:37:33,560 --> 01:37:35,639 Speaker 1: to even be stable with the money we were getting, 1948 01:37:35,760 --> 01:37:38,120 Speaker 1: like even now to the day, not even being funny 1949 01:37:38,160 --> 01:37:40,519 Speaker 1: if you think about it as a people. I hate 1950 01:37:40,560 --> 01:37:43,000 Speaker 1: to say it, but we're still not thinking right as artists. 1951 01:37:43,240 --> 01:37:45,719 Speaker 1: Nobody's really putting their money together and doing things together. 1952 01:37:46,000 --> 01:37:48,560 Speaker 1: And not to preach, because I'm way more gettable and 1953 01:37:48,680 --> 01:37:50,760 Speaker 1: harder than all of them. So I'm just being real, 1954 01:37:51,000 --> 01:37:52,640 Speaker 1: But what are y'all doing for the people? Like I 1955 01:37:52,720 --> 01:37:55,479 Speaker 1: think people just forget about what we're really doing. Like 1956 01:37:55,560 --> 01:37:57,400 Speaker 1: I said, when I went to your show, like you see, 1957 01:37:57,439 --> 01:37:59,320 Speaker 1: I was really on all like that's what it's about. 1958 01:37:59,640 --> 01:38:01,920 Speaker 1: This is black, you know what I'm saying. It was 1959 01:38:02,000 --> 01:38:04,400 Speaker 1: like here at home, like yeah, like we're on TV now, 1960 01:38:04,520 --> 01:38:06,400 Speaker 1: this is black, this is black women in power, this 1961 01:38:06,560 --> 01:38:09,320 Speaker 1: is me. We're doing it. We like, if you ain't 1962 01:38:09,360 --> 01:38:11,559 Speaker 1: thinking about who's coming behind you, what are you thinking about? 1963 01:38:11,640 --> 01:38:13,960 Speaker 1: And absolutely that's the that's the we don't we don't 1964 01:38:13,960 --> 01:38:15,439 Speaker 1: g check each other on that. But I think he 1965 01:38:15,479 --> 01:38:17,240 Speaker 1: was talking about musically as far as New York, like 1966 01:38:17,320 --> 01:38:20,240 Speaker 1: waiting New York money, because money makes you not really 1967 01:38:20,800 --> 01:38:24,280 Speaker 1: worry about what you're holding on to, what's shakerd to you. 1968 01:38:24,400 --> 01:38:26,760 Speaker 1: You start getting money and you start expending, you start 1969 01:38:27,360 --> 01:38:30,200 Speaker 1: using South people sounds, you start trying to sound like them, 1970 01:38:30,360 --> 01:38:33,080 Speaker 1: walk like them. And then the Internet made everyone's hood 1971 01:38:33,120 --> 01:38:37,080 Speaker 1: accessible to everyone, so we came up. We all sounded alike, 1972 01:38:37,160 --> 01:38:39,559 Speaker 1: but not al Queen's Bridge ain't gonna sound like Yonkers, 1973 01:38:39,760 --> 01:38:41,840 Speaker 1: They ain't gonna sound like Brooklyn, ain't gonna sound like 1974 01:38:41,920 --> 01:38:44,759 Speaker 1: the prompts now kids are going on in the Internet 1975 01:38:44,840 --> 01:38:47,439 Speaker 1: and you know, a sapping them. They had the drill, 1976 01:38:47,520 --> 01:38:49,880 Speaker 1: I mean the screw sound, which was dope to do, 1977 01:38:50,120 --> 01:38:52,479 Speaker 1: but it was like, all right, we tampered them with 1978 01:38:52,560 --> 01:38:54,360 Speaker 1: this and with that because they had the Internet to 1979 01:38:54,400 --> 01:38:56,720 Speaker 1: find out about it and tamper with it. You think 1980 01:38:56,760 --> 01:38:59,200 Speaker 1: because they shut New York down. I feel like it 1981 01:38:59,360 --> 01:39:01,400 Speaker 1: was a time where where like like when I go 1982 01:39:01,439 --> 01:39:03,840 Speaker 1: to these other cities, it's I see people hanging out, 1983 01:39:03,880 --> 01:39:06,080 Speaker 1: they're having a good time. But New York we didn't 1984 01:39:06,120 --> 01:39:07,679 Speaker 1: have that. After a while, like there was the Grands 1985 01:39:07,680 --> 01:39:09,639 Speaker 1: to the one hundred twenty fifhre you go to Jamaica Avenue, 1986 01:39:09,680 --> 01:39:11,400 Speaker 1: that we had that, but then it seems like all 1987 01:39:11,439 --> 01:39:13,759 Speaker 1: that got shut down and pushed the weight with tunnel 1988 01:39:14,120 --> 01:39:16,400 Speaker 1: the tunnel. There was so many different places where we 1989 01:39:16,479 --> 01:39:18,760 Speaker 1: could go out, but now it's like nowhere. So it's 1990 01:39:18,800 --> 01:39:20,360 Speaker 1: like you had to go out of town. You went 1991 01:39:20,400 --> 01:39:22,479 Speaker 1: to Atlanta, you went to Philly, you went to Cali, 1992 01:39:22,560 --> 01:39:24,280 Speaker 1: you went to Money. I think because we I mean, 1993 01:39:24,920 --> 01:39:27,559 Speaker 1: you you're right exactly what you're saying, But New York 1994 01:39:27,640 --> 01:39:29,320 Speaker 1: is the mecca. So we started all of that. So 1995 01:39:29,479 --> 01:39:33,080 Speaker 1: everywherebody got to see what was happening and get to 1996 01:39:33,240 --> 01:39:35,720 Speaker 1: you know, capitalize off of which they was the hip 1997 01:39:35,800 --> 01:39:38,280 Speaker 1: hop great thing to do. But at the same time 1998 01:39:38,320 --> 01:39:40,160 Speaker 1: you got to think the power is to be who 1999 01:39:40,240 --> 01:39:42,640 Speaker 1: didn't want to see hip hop keep drawing like that 2000 01:39:42,720 --> 01:39:45,280 Speaker 1: where you're gonna shut down first the home of it? Right, 2001 01:39:45,560 --> 01:39:48,120 Speaker 1: how many times you've been harassed by hip hop cops 2002 01:39:48,760 --> 01:39:51,320 Speaker 1: back then? Come on so much to the point where 2003 01:39:51,320 --> 01:39:53,560 Speaker 1: I have a girl relationship with most something now like 2004 01:39:56,600 --> 01:39:58,280 Speaker 1: like you know what I mean, It's like I walk 2005 01:39:58,320 --> 01:40:00,240 Speaker 1: in places now with the old people, they like let 2006 01:40:00,320 --> 01:40:02,800 Speaker 1: him right in. Have you had some memorable tunnel nights? 2007 01:40:04,360 --> 01:40:07,720 Speaker 1: Had too many real nights? But I used to love 2008 01:40:07,760 --> 01:40:09,600 Speaker 1: to go to the tunnel man. You know sometimes I 2009 01:40:09,720 --> 01:40:11,960 Speaker 1: used to just go there by myself, like and just 2010 01:40:12,200 --> 01:40:14,080 Speaker 1: you know, hang out and chill and just get that 2011 01:40:14,280 --> 01:40:16,479 Speaker 1: vibe so I could just go back home and just 2012 01:40:16,640 --> 01:40:19,160 Speaker 1: make some crazy beats. Used to go to seven pm. Yeah, 2013 01:40:19,640 --> 01:40:23,840 Speaker 1: we had to wait and this is what the mob 2014 01:40:23,880 --> 01:40:25,800 Speaker 1: You asked, what the mob meaning? Us? Like in our 2015 01:40:25,840 --> 01:40:28,479 Speaker 1: crew and yancause it was a thing too before anybody 2016 01:40:28,560 --> 01:40:31,680 Speaker 1: got on. You know, we hustling when we're working, we're 2017 01:40:31,720 --> 01:40:34,800 Speaker 1: doing everybody's doing everything, but you gotta get your fit 2018 01:40:34,960 --> 01:40:37,240 Speaker 1: right for Sunday to go to the tunnel, right right? 2019 01:40:37,320 --> 01:40:39,519 Speaker 1: You tell you man, the line was that hit my 2020 01:40:39,600 --> 01:40:41,920 Speaker 1: man on the phone tunnel bang it come get me. 2021 01:40:42,520 --> 01:40:48,559 Speaker 1: That was it. Why everybody knew we out and record 2022 01:40:48,680 --> 01:40:51,000 Speaker 1: that so much presents in the tunnel. And and and 2023 01:40:51,240 --> 01:40:53,519 Speaker 1: also Chris Lighty was like you know what I mean 2024 01:40:53,720 --> 01:40:55,280 Speaker 1: him and Jessica was at the door, so you know 2025 01:40:55,400 --> 01:40:58,519 Speaker 1: we was getting in like nothing. God bless Chris. It 2026 01:40:58,640 --> 01:41:00,720 Speaker 1: wasn't make you go through the metal detective, none of that. 2027 01:41:04,120 --> 01:41:06,760 Speaker 1: It was bad. Something could have really really bad. Did 2028 01:41:06,800 --> 01:41:09,360 Speaker 1: you ever have any incidents in there? Personally? No, I 2029 01:41:09,479 --> 01:41:11,280 Speaker 1: never had no. Luckily, you know what I'm saying. I 2030 01:41:11,600 --> 01:41:14,200 Speaker 1: always you know, by time I left, you know, the 2031 01:41:14,280 --> 01:41:17,120 Speaker 1: next morning, like yo, he happened, like four people got 2032 01:41:17,200 --> 01:41:18,960 Speaker 1: shot him. Like we should stay to the start of 2033 01:41:19,000 --> 01:41:21,720 Speaker 1: playing house music at the end. That's how good get 2034 01:41:21,720 --> 01:41:23,400 Speaker 1: out of here. That's how long I used to be 2035 01:41:23,400 --> 01:41:27,679 Speaker 1: in the first cod bathroom. Yeah, they had a champagne 2036 01:41:27,680 --> 01:41:29,960 Speaker 1: buyer in the back. Captains like the sounds of DJ 2037 01:41:30,360 --> 01:41:38,160 Speaker 1: the bathroom crazy. It was like a lounge in there. 2038 01:41:39,160 --> 01:41:40,880 Speaker 1: And I remember that security used to have sex with 2039 01:41:40,920 --> 01:41:43,479 Speaker 1: people in the bathroom. It was a real wild place. 2040 01:41:43,560 --> 01:41:46,760 Speaker 1: It was a wild day. Man. There's nothing like it, 2041 01:41:47,040 --> 01:41:48,720 Speaker 1: No nothing. I don't think they would ever be able 2042 01:41:48,720 --> 01:41:57,640 Speaker 1: to mlate that. Never. That's good times. Things you have 2043 01:41:57,760 --> 01:42:00,240 Speaker 1: to be bad for things to be good, you know 2044 01:42:00,240 --> 01:42:01,760 Speaker 1: what I mean? Do you all wish y'all would have 2045 01:42:01,800 --> 01:42:05,400 Speaker 1: done things like this sooner in your career? And if so, 2046 01:42:05,680 --> 01:42:10,160 Speaker 1: like what prevented that? Like this coming together? Collapse? Collapse? Yeah? 2047 01:42:10,320 --> 01:42:12,160 Speaker 1: I always thought of that. I was like, damn, why 2048 01:42:12,320 --> 01:42:14,479 Speaker 1: why we never did this before? Like you know what 2049 01:42:14,520 --> 01:42:18,320 Speaker 1: I'm saying, Like me do an album with nef ray Kwon. 2050 01:42:19,040 --> 01:42:21,720 Speaker 1: You know things that the generation does a lot. They 2051 01:42:21,800 --> 01:42:25,880 Speaker 1: do collaboration, that's so dope. One of the starters of that, 2052 01:42:26,960 --> 01:42:29,640 Speaker 1: Like let's I mean, you know, I don't like to 2053 01:42:29,680 --> 01:42:32,559 Speaker 1: throw my mine. I didn't get a lot of credit 2054 01:42:32,640 --> 01:42:34,680 Speaker 1: for a lot. I told kiss the other day. I 2055 01:42:34,840 --> 01:42:37,400 Speaker 1: think I brought design and fashion and hip hop and 2056 01:42:37,479 --> 01:42:41,000 Speaker 1: never got the credit that the Burberry bucket. Nobody even 2057 01:42:41,080 --> 01:42:43,880 Speaker 1: knew about Burberry. Side of close it was to Knock 2058 01:42:43,920 --> 01:42:46,920 Speaker 1: Yourself Out video or one of them had a Birdberry bucket. 2059 01:42:47,200 --> 01:42:49,280 Speaker 1: I don't want to know styles for fashion me neither. 2060 01:42:49,360 --> 01:42:53,880 Speaker 1: But no, I'm just saying you do a lot of 2061 01:42:53,960 --> 01:42:56,439 Speaker 1: things that the credit for. I think about the regular 2062 01:42:56,479 --> 01:42:58,439 Speaker 1: like last day, and I'm like, damn, what have you 2063 01:42:58,640 --> 01:43:01,519 Speaker 1: bigging a lot to the more we was We're supposed 2064 01:43:01,520 --> 01:43:04,280 Speaker 1: to do the commission. What you mean the commission would 2065 01:43:04,280 --> 01:43:08,519 Speaker 1: have been big us hove and chemore. That commission would 2066 01:43:08,520 --> 01:43:10,880 Speaker 1: have been let wow and that like you know what 2067 01:43:10,920 --> 01:43:14,679 Speaker 1: I mean? I never did one record. Let's play something 2068 01:43:14,720 --> 01:43:16,479 Speaker 1: off the album which I want to hear. D move 2069 01:43:16,520 --> 01:43:18,559 Speaker 1: how we want to yeah? Move, how we want to move? 2070 01:43:19,040 --> 01:43:20,880 Speaker 1: We want to move. Here we go, we'll wreckage man 2071 01:43:20,960 --> 01:43:23,320 Speaker 1: that we appreciate you for joining us, Havoc styles Pe, 2072 01:43:24,520 --> 01:43:28,880 Speaker 1: and it's breast that the fact you don't be did 2073 01:43:28,920 --> 01:43:32,760 Speaker 1: you never see it? I want to shout to our guests, 2074 01:43:32,800 --> 01:43:35,560 Speaker 1: Havoc of styles Pe, definitely pick up the album and 2075 01:43:35,600 --> 01:43:37,840 Speaker 1: shout to Jim Jones for joining us this morning as well. 2076 01:43:38,080 --> 01:43:40,880 Speaker 1: Salute the capo. All right now, yeah man, I wasn't 2077 01:43:40,920 --> 01:43:43,000 Speaker 1: there for that. I was in Chicago, but shout out 2078 01:43:43,000 --> 01:43:46,519 Speaker 1: to Jim Jones, styles P and Havoc absolutely all right. 2079 01:43:46,640 --> 01:43:47,880 Speaker 1: Now it's time to get up out of here. You 2080 01:43:47,920 --> 01:43:50,880 Speaker 1: got a positive no and don't don't forget Living black. Uh, 2081 01:43:51,000 --> 01:43:52,599 Speaker 1: it's a It's a It's so many different things. Its 2082 01:43:52,600 --> 01:43:56,040 Speaker 1: appearances by Jay Cole, Alicia Keys, Little nas X Sweedie, Begging, 2083 01:43:56,080 --> 01:43:59,559 Speaker 1: The Styleion, Big Boy, Lizzo's Performing, Big Sean, Her Money Bag, Yo, 2084 01:43:59,680 --> 01:44:03,320 Speaker 1: Rila and more. So. Definitely check it out. That's February 2085 01:44:03,439 --> 01:44:06,320 Speaker 1: twenty third on TikTok and also shout to Audible. Right now, 2086 01:44:06,360 --> 01:44:09,080 Speaker 1: everyone talks about New Year's resolutions, But why is it 2087 01:44:09,320 --> 01:44:12,040 Speaker 1: like that? Instead of giving stuff, why not make time 2088 01:44:12,080 --> 01:44:14,519 Speaker 1: for the things that matter to you with Audible. Audible 2089 01:44:14,640 --> 01:44:18,160 Speaker 1: makes it so easy. Maybe you want to learn about finance, 2090 01:44:18,560 --> 01:44:21,599 Speaker 1: or maybe pre order Me and my Wife's book Real Life, 2091 01:44:21,680 --> 01:44:24,320 Speaker 1: Real Love, or all about relationships. You can do all 2092 01:44:24,400 --> 01:44:27,000 Speaker 1: of that. Audible has you covered. Start listening to the 2093 01:44:27,120 --> 01:44:29,320 Speaker 1: things that matter to you today. Sign up for a 2094 01:44:29,360 --> 01:44:32,040 Speaker 1: free thirty day Audible trial at audible dot com. Slash 2095 01:44:32,080 --> 01:44:34,680 Speaker 1: breakfast club. All right, where you got a positive note? Yes, man, 2096 01:44:34,800 --> 01:44:37,400 Speaker 1: it's Monday, right in the start of a new work week. 2097 01:44:37,400 --> 01:44:39,320 Speaker 1: I just want everybody to know out there, everything happens 2098 01:44:39,360 --> 01:44:41,800 Speaker 1: for a reason, all right. People change so that you 2099 01:44:41,920 --> 01:44:44,320 Speaker 1: can learn to let them go. Things go wrong, so 2100 01:44:44,439 --> 01:44:46,920 Speaker 1: that you can appreciate them when they're right. And sometimes 2101 01:44:46,960 --> 01:44:49,759 Speaker 1: good things fall apart so better things can fall together. 2102 01:44:49,880 --> 01:44:52,080 Speaker 1: Remember that at the start of this work week breakfast club, 2103 01:44:52,800 --> 01:44:54,000 Speaker 1: you don't finish the locked up