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Speaker 1: Forever. Look man, oh, I see you? Why why and

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Speaker 1: look over there? How is that culture? Yes? Goodness, let's

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Speaker 1: call Ding Dong, let's call jest is calling, And I

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Speaker 1: guess our guest today just heard that there was another

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Speaker 1: three time guests that had to swoop in and become

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Speaker 1: the first four time guests. You know, our guests will

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Speaker 1: always be breaking boundaries, making history. You know, he's the

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Speaker 1: first person to start at NBC sitcom premiering this fall, yes,

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Speaker 1: actually tomorrow tomorrow. It's premiering tomorrow, which is September nineteen,

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Speaker 1: the year of our Lord. I mean, he's the first

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Speaker 1: person to start on a show. What is what are

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Speaker 1: you doing? Are you? Are you mocking? You know I

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Speaker 1: was somebody making a light job. No, no, no, okay,

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Speaker 1: take all the humor out of this right now. I'm

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Speaker 1: very proud. Thank you take all the humor out of it.

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Speaker 1: And that's my job is to take all the humor

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Speaker 1: out of it. So I so thank you for meeting

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Speaker 1: me at my level. I would say that you, out

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Speaker 1: of the two of us, do bring the gravitas, well,

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Speaker 1: not the not the lack of humor. I've been listening

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Speaker 1: back to episodes and I'm like I'm avain. No, yeah,

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Speaker 1: I think that I that that that I've been vain,

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Speaker 1: But it's vain of me to listen back to all episodes.

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Speaker 1: But I've been listening to episodes, and your findings have

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Speaker 1: been I cannot make it through a cohesive sentence, a

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Speaker 1: coherent sense. I couldn't even do that. I said cohesive

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Speaker 1: instead of coherent. I'm stupid, bitch. First of all, you

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Speaker 1: and I both know and all the listeners know that

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Speaker 1: you absolutely know the difference between cohesive and coherent. Just then,

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Speaker 1: when I was mid sentence, I did not know, and

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Speaker 1: I had to backtrack and correct myself. Oh it was terrible.

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Speaker 1: I was so embarrassed. You don't enjoy listening to yourself back.

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Speaker 1: It's just I really have to brace myself. And I'm like, God,

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Speaker 1: I sometimes sometimes the questions I'll ask trail off. I'm

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Speaker 1: really trying to get into this, get to this place

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Speaker 1: of true self self critical stuff, you know, And I

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Speaker 1: can see I can't even it's early, but we're recording early.

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Speaker 1: This is right, And I just want to say that

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Speaker 1: it's one of the great thrills of my life to

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Speaker 1: listen back to myself on this podcast and I'm so

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Speaker 1: proud I think everything that I say and everything that

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Speaker 1: I do. I'm just like, I'm so to be honest myself.

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Speaker 1: You're being sarcastic, but you should be listened back to you.

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Speaker 1: I'm like, I was like, Oh, Matt, Thank God for Matt.

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Speaker 1: Matt is truly like hitting all the right marks conversationally.

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Speaker 1: You know, Well, that's kind of you to say. I

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Speaker 1: feel that I'd be nothing without you. Bitch. Uh, we

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Speaker 1: can we do? We can? I'm sorry? Can we talk

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Speaker 1: about how early it is? Yeah, it's I am which

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Speaker 1: it's early. Can I say something? It's early because we're

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Speaker 1: New York trash but in Los Angeles, which is I know,

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Speaker 1: a boring topic. People will be up at seven thirty

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Speaker 1: eight eight. Things like that, fully, things like that, things

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Speaker 1: like that, the coquettish slug. Did you want to comment

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Speaker 1: on my outfit? Matt Rodgers is currently wearing the vintage

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Speaker 1: first edition limited edition that we do have plenty of.

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Speaker 1: There's about a thousand shirts of this kind sitting on

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Speaker 1: the shelf and Forever Dog New York, but you are

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Speaker 1: wearing the original I don't think so, honey shirt. You

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Speaker 1: know we should do with those shirts? Get a T

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Speaker 1: shirt cannon and shoot them at people. That's what I

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Speaker 1: want to do. Oh, but then that makes them feel

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Speaker 1: too disposable. I disagree. I think I think that, well,

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Speaker 1: they are disposable look at them, I know, but I'm saying,

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Speaker 1: like one day that will be a collector's item for

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Speaker 1: four people. You think they'll be like Spice Girls dolls.

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Speaker 1: They'll be like Princess Diana beanie babies, although at the

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Speaker 1: time they were. The Princess Diana beanie babies were always

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Speaker 1: always Here's a question, luxury, what can you actually sell

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Speaker 1: the Princess Princess Dianna Bani babies for now anything thousands

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Speaker 1: of dollars? Thousands? Well, then I'm sitting on a thousands

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Speaker 1: of dollars because guests, who owns a Princess DIABEI baby,

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Speaker 1: the one with the Irish shamrock? You is that what

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Speaker 1: you um? And well, I do have one, and I

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Speaker 1: have the I have the white one with the shamrock,

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Speaker 1: I have the peace bear. I have the Princess Diana baby.

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Speaker 1: Peace Bear feels so you could piece bear everyone has.

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Speaker 1: But I'm speaking of someone who whose parents we're like

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Speaker 1: my sister name begged to buy beanie babies as kids,

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Speaker 1: and my parents were like, what the fuck? No little

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Speaker 1: animals stuffed animals to put on your I think we

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Speaker 1: went to an open house once when we were when

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Speaker 1: we were trying to find a house in America. We

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Speaker 1: went into one and this kid had a room that

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Speaker 1: was literally hundreds of beanie babies on their bed and okay,

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Speaker 1: oh got it. So we went into your bedroom. But

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Speaker 1: Yang and I were like, this is the this is amazing.

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Speaker 1: We want this. And my parents were like, just saw

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Speaker 1: this pile of small stuffed animals and they were like,

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Speaker 1: absolutely not. That is not what your life is going

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Speaker 1: to be. Like. Well, I was allowed to have many

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Speaker 1: hundreds of meanie babies and had many hundreds of beanie babies,

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Speaker 1: and I were you allowed to have like Pokemon Ship

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Speaker 1: was a lot to have Pokemon Ship. We have Barbie dolls. Um,

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Speaker 1: Barbie dolls not that many, Yang, I mean only Yang

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Speaker 1: could buy them. I couldn't ask for them. Um. But

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Speaker 1: right of course we talked about the Aladdin Barbie doll.

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Speaker 1: Right of course, just a true sexual awakening and young age,

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Speaker 1: can I ask you do you know? Here's a quiz

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Speaker 1: for you before we bring our guests what was at

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Speaker 1: the time, what were they saying was going to be

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Speaker 1: the in sync doll to accumulate the most value of

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Speaker 1: five in sync Barbie dolls. They said one of them

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Speaker 1: would accumulate the most value. And that was the hardest

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Speaker 1: one to get quote unquote, it was I think it's

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Speaker 1: either your lance er j C. It was Lance Lance

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Speaker 1: and which spicecrawl? Was it posh? It was Jerry? Oh yeah,

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Speaker 1: that makes sense, Union Jack Dress. Yes. And of course

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Speaker 1: then there you go, iconic, iconic, speaking of iconic, speaking

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Speaker 1: of iconic history, making boundary breaking, you know, first four

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Speaker 1: time guest, and honestly, who else would it have been?

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Speaker 1: Truly no one else, Truly no one else. This is

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Speaker 1: because no one else would have the audacity to say

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Speaker 1: I'm going to be the first four time guests. And

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Speaker 1: it's that kind of audacity that shakes up the industry

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Speaker 1: and changes lives. You know, we just spent a gorgeous

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Speaker 1: few days with this person on Fire Island. Let's we

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Speaker 1: we gotta bring him into this conversation to recap. We're

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Speaker 1: not going to do any recapping off the top by ourselves, no,

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Speaker 1: but we should say one of the stars of NBC's

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Speaker 1: upcoming show Sunnyside Thursdays and NBCNBC. He just finished we're

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Speaker 1: recording this in August, early August. He just finished taping

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Speaker 1: a stand up our very sick boy and God. He

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Speaker 1: truly is a judy, historic prehistoric judy, historic prehistoric judy. Everyone,

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Speaker 1: please welcome into your ears, the iconic, sexually viable, the fertile, um,

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Speaker 1: the um, the standing. Joe came boister. I gotta tell

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Speaker 1: you I have nothing um right off the top, I

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Speaker 1: have nothing interesting to say. I was watching over here

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Speaker 1: and I said, what am I doing? What am I doing?

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Speaker 1: It's not even been a year. I have not learned

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Speaker 1: anything since the last time. Truly, my mind is a

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Speaker 1: fucking clean surface. I felt the whole time. Yesterday, laying

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Speaker 1: in my bed, I was like, we're all just playing

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Speaker 1: chicken about who's going to cancel this first? Because I

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Speaker 1: was like I was waiting. I was waiting for one

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Speaker 1: of you to be like, Joel, it's too early. Unless

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Speaker 1: you have something important to fucking say, we're not doing this. Literally,

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Speaker 1: do you want to know something? This morning? I got

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Speaker 1: up at seven am and it was like check, No.

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Speaker 1: I would have been so mad. Actually, literally, I literally

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Speaker 1: in my mind's eye. But first of all, it is

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Speaker 1: not that early in the grand same. So I was

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Speaker 1: up till three last night working. Why are you making

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Speaker 1: that problem? That's up to you, that's up to me.

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Speaker 1: What were you doing before that, being on a grinder

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Speaker 1: talking talking about grinder, talking to man on man on grinder. No,

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Speaker 1: here's the thing, um, is that we were on Fire Island.

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Speaker 1: I'm sitting by the Joel and I are sitting at

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Speaker 1: the dock watching the sunset, truly my favorite, no stop,

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Speaker 1: anyone can do it if you pay. Not everyone's that privilege.

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Speaker 1: And you pay the nine dollar one way and and

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Speaker 1: and that's it and and the L I R sunset

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Speaker 1: is free, sunsets free, and the sunsets my number one

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Speaker 1: top favorite part of the whole trip every year. Um.

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Speaker 1: But we're on the docks and Joel goes, oh, come

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Speaker 1: record this week. I was like, okay. And it was

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Speaker 1: as simple as that anyway for anyone else but Jroel.

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Speaker 1: We have been like absolutely not, can we Let's let's

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Speaker 1: roll back? Because I said should we record this week?

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Speaker 1: It was not a command, It was a very heavy

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Speaker 1: suggestion that as as three best friends, we were like, yes,

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Speaker 1: of course, of course you can come record Joel, what

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Speaker 1: have you Okay, you've you've had to have learned something

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Speaker 1: since our star is born upisode. Please listen back to

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Speaker 1: why did you do that to me? Are extensive deep

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Speaker 1: dive into stars. I've learned a few things. I have

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Speaker 1: learned a few things. I also have a lot of

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Speaker 1: notes because my god, I know I listened to this.

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Speaker 1: I listened to this podcast. I listened to this podcast

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Speaker 1: week in week. Thank you are loyal fans. But recently

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Speaker 1: you sent us a text the Betty Gilpin episode. You said,

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Speaker 1: what did you say the Betty Guilpin episode is exemplary?

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Speaker 1: Or do you what did you say? First class? World class,

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Speaker 1: world class? So that was a high compliment you're about

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Speaker 1: to notice down. No, I'm gonna say I'm gonna talk

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Speaker 1: a little bit about what you were talking about in

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Speaker 1: the intro. Though. About you, I will say that UM,

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Speaker 1: I was actually was trying to formulate this in an

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Speaker 1: interesting way like online recently because I was listening to

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Speaker 1: you guys, and I was listening to Nympho It's so

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Speaker 1: so good, it's funny podcast. But both THETA and you,

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Speaker 1: I think have really UM found a way to make

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Speaker 1: being the straight man funny. Oh my god, really interesting way.

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Speaker 1: And I noticed it about because like Matt is a clown,

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Speaker 1: you are comedia. That's fine. This face is made for

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Speaker 1: paint Comediasla tie bitch, catch me in Florence, how And

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Speaker 1: I think part of it is the big mask. Exactly

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Speaker 1: what face has a long nose and people laugh at

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Speaker 1: it when I perform so matts comedia. But I think

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Speaker 1: it's just sometimes you ask the right question, oh and that,

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Speaker 1: and it's it makes me laugh sometimes when you interrogate

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Speaker 1: his nonsense. Um, and it's this, and I think it's

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Speaker 1: very much the same on that other part. But listening

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Speaker 1: this to be compared to Theda Hamilt is true genius.

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Speaker 1: So I don't think data would. I think it's probably

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Speaker 1: an insult to theta. But to me, that's that's the

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Speaker 1: highest complement. And for you, for me, for you to

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Speaker 1: be down here talking now, I'm here. Now, I'm here, Matt,

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Speaker 1: if New York is the fifth lady of sex in

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Speaker 1: the city, am i am the fifth lady. I've been

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Speaker 1: sitting silent for months and months and months to hear

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Speaker 1: you say things like you l a gains those it's

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Speaker 1: really driving around in my car, driving around. That's right,

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Speaker 1: I said it. I drive a very l A to

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Speaker 1: hear you say those LA gays, and also to hear

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Speaker 1: you to hear you bring up Star Star Actress game

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Speaker 1: and not say credit. It's Joel kim Booster's game. Joel

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Speaker 1: Kimboster inventage. I created the game while we were watching

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Speaker 1: Captain Marvel. Yeah like you you actually you act like

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Speaker 1: you're better than the game. You act like you wouldn't play,

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Speaker 1: ever initiate, never initiate victim. I'm telling you Yang is

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Speaker 1: a public victim, his victim because you get this podcast on.

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Speaker 1: I can't do a sentence. And these l A gates

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Speaker 1: always playing games put me on the spot for everything

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Speaker 1: to say is not being put on the spot, being

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Speaker 1: put on the spot now, bitch um, I don't reject

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Speaker 1: all of this gone to say. I just need I

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Speaker 1: just need less aggression from you while I'm driving around

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Speaker 1: in my car train to spend time with my friends.

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Speaker 1: Aggression directed that is, Oh, that's directed out of a

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Speaker 1: fine you know what, it's because he I'm insecure. If

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Speaker 1: that you want to be you desperately, I feel would

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Speaker 1: like to have more of a familiar arity with the

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Speaker 1: West Coast and you. This is what I used to do.

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Speaker 1: I used to always say, funk that funk, that funk

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Speaker 1: that everything going on over there because I'm not a

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Speaker 1: part of it. We do not. We do it every

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Speaker 1: episode on the show. I do not. Now. I love

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Speaker 1: both equally, both my children New York City and Los Angeles, California. Okay,

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Speaker 1: but what's what's your assessment of me? You're you're about

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Speaker 1: I'm saying no, I wasn't about to drag you. I

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Speaker 1: was saying that if you played the game where you

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Speaker 1: would know it's not me and we actually celebrate all

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Speaker 1: the actresses in the game. That works for her. Not

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Speaker 1: being a star is not an intrinsically negative things can't

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Speaker 1: be stars. Some people can't be stars. You're right, I mean,

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Speaker 1: I think and then and many times they're still good actresses.

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Speaker 1: That's fine. We we I mean. The hard part of

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Speaker 1: this game is for people who are neither right or yeah,

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Speaker 1: that we don't touch. I think the thing is, though,

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Speaker 1: is that most of the people that we'd be talking

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Speaker 1: about have to be one of the to be one

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Speaker 1: of the other front of our eyes and to be

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Speaker 1: one to be either or both is the highest compliment,

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Speaker 1: and you know what has to happen. Now we have

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Speaker 1: to play. I was going to say, we have to

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Speaker 1: just everyone we've gotten. I've gotten a lot of text tweets,

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Speaker 1: dms like saying like this has started the corpse, like this,

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Speaker 1: I'm playing this game with my friends now and truly

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Speaker 1: it's like friendships are being broken. It's gonna start a

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Speaker 1: topic and we have to credit this correctly at Joel

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Speaker 1: can Booster invented this game? In this terrible it's going

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Speaker 1: to happen h SPT Hot Senior Producer Tracy is going

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Speaker 1: to say names of famous iconic quote unquote actresses, but

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Speaker 1: we can't say we can't remove the quotes yet because

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Speaker 1: we don't know. We haven't yet played there. And now

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Speaker 1: this is going to be the definitive decisions about them

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Speaker 1: because there are three of us and famously there's going

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Speaker 1: to be a majority of two yes and maybe even

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Speaker 1: a full sweep, full sweep, but we have to say

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Speaker 1: star or actress. This is the game, Star ar actress

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Speaker 1: HSPT shout out a name star and actor. I would

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Speaker 1: say absolutely has the gravitas on screen, and you can't

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Speaker 1: say she doesn't have the chops that woman can shake

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Speaker 1: with anxiety, like no, no, no one else Where did

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Speaker 1: you go? Bernard? Where did you go? Richard Link later

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Speaker 1: directing book. Can you know? I just said that she

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Speaker 1: performs anxiety better than anyone else. But you know who

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Speaker 1: I think might perform anxiety just as Julianne. No, I

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Speaker 1: was gonna say Clarid Danes Claire can perform mania. Yeah,

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Speaker 1: And I never say I'm going to go out on

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Speaker 1: a limit just as a gimme actor. I'm actually, I'm

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Speaker 1: actually gonna note like I'm not like, I'm not like

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Speaker 1: whipping around on the street because I passed Clarid Danes,

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Speaker 1: you know what I mean. But I am watching Homeland.

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Speaker 1: He's eating an apple. Um. I did watch home And

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Speaker 1: for the first like three seasons and then it got

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Speaker 1: too much for me, right but um, thank you. She's both.

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Speaker 1: She's both because she has the real power on screen

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Speaker 1: and when anyone is willing to get on stage in

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Speaker 1: Christ not from her nose. And I think like she's

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Speaker 1: she elevates everything she does. She can do the big highbrow,

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Speaker 1: low brow. She was in Suicide Squad. Oh my god,

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Speaker 1: it's a badass. And ate a steak that when you

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Speaker 1: want to watch someone eat a steak. That's a sign

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Speaker 1: you wanted to be someone who has done August Wilson exactly.

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Speaker 1: They have to understand what the steak actually means, you

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Speaker 1: know what I mean, that's the pain that has gone

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Speaker 1: into that has paved the way to the steak. Yeah. Absolutely. Okay,

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Speaker 1: Well I haven't seen I haven't. I'm going to say star,

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Speaker 1: not actor. I have to reveal. She's so good on

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Speaker 1: The Handmaid's Tale that you have, she's you can't go

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Speaker 1: away from that show. Say she doesn't have acting talent. Yeah, okay, um,

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Speaker 1: I think she hasn't. But here's the thing. I have

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Speaker 1: no doubt that she's a fantastic actor actress. I think

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Speaker 1: she has not broken out in a big way in

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Speaker 1: a way that the gays or you know, the collective

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Speaker 1: audience wants her to. For her to be like considered

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Speaker 1: a capitalist star, I don't think we've seen enough. That's

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Speaker 1: what I'm saying. I'm I guess I the reason I

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Speaker 1: pass I'm presenting her as a star is because she's

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Speaker 1: so like I'm watching her and I can't stop watching her.

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Speaker 1: But I don't think it's because she's great. But you're

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Speaker 1: saying not actress, You're saying both. I'm saying star not

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Speaker 1: actor because I'm like, what is going on here? I'm

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Speaker 1: in I want to know more, but not because she's

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Speaker 1: doing the work, you know, just because you want to

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Speaker 1: see her from whatever what happens to her in the

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Speaker 1: head Man still something terrible happens to her. A lot

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Speaker 1: of terrible things happen to her, but she she's still there.

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Speaker 1: Um But I will say for me, and it's the

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Speaker 1: same in Gilmore Girls. I think the same amount of

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Speaker 1: things happened to her and Gilmore Girls, She's still You

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Speaker 1: can't say she's not still there at the end. Both

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Speaker 1: of them are. But the fact of the matter is,

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Speaker 1: like I've never been like a Gilmore Girls like person.

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Speaker 1: You love Gilmore Girls seen it. I've seen the whole

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Speaker 1: series at least six or seven times through and the

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Speaker 1: middle like seasons two through six, probably like eleven times.

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Speaker 1: It used to be the box set of Gilmore Girls

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Speaker 1: used to be the most expensive thing I have, Yes,

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Speaker 1: like where there were hundreds of dollars. And Lauren Graham.

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Speaker 1: You think star and actress Lauren Graham maybe an actor

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Speaker 1: not a star, and she is like she is important

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Speaker 1: she's so important to you. I think she's so good.

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Speaker 1: And there was a time when I would used. I

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Speaker 1: used to seek out every weird movie that she was in,

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Speaker 1: watch it, and like watch every Ellen episode. She's like

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Speaker 1: frequent guests on Ellen and so charming on there. And

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Speaker 1: she won celebrity poker and she beat she beat the

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Speaker 1: older brother from uh Malcolm in the Middle, and he too,

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Speaker 1: he was taking it so seriously like it was her

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Speaker 1: and like, um, Sarah ru the only women were the

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Speaker 1: only women, and like Sarah, we got out pretty early,

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Speaker 1: and um, it was Chandler what's his face? Matthew Matthew Perry,

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Speaker 1: and then a couple other guys and like it came

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Speaker 1: down to Sarah Laura Graham and um, this guy from

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Speaker 1: Malcolm in the Mid guy who got charged with sleeping

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Speaker 1: with and underage girl. Oh maybe just like it's his brother,

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Speaker 1: his brother, yeah, yeah, yeah, and his he's got like

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Speaker 1: his cap down in the sunglasses and he looks ridiculous.

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Speaker 1: And she won, and I just that's pretty cool though.

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Speaker 1: I love it, and and I love her because she's

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Speaker 1: like she went to theater school. She like acted for

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Speaker 1: little while when got back on her m f A

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Speaker 1: and then like did sitcoms and then you know, just

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Speaker 1: it's such a norm she's, yeah, she does musical theaters.

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Speaker 1: She then this is such a dumb I had to

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Speaker 1: google most likable celebrities for just for just just to

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Speaker 1: pitch out on you know, celebrities. And then um, she is,

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Speaker 1: like she shows up in every last I'm like, that's

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Speaker 1: so interesting. Well, people that love Gilmore, girls are like

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Speaker 1: fanatical about Gilmore. But she like but she's I guess

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Speaker 1: just just that she's like a charming person and like

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Speaker 1: everybody likes her and I love that and we love

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Speaker 1: that for her, love that. But but but not a star.

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Speaker 1: Let's do another one. Okay, Elizabeth Moss, I would say

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Speaker 1: Starr and actress and I And the reason the reason

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Speaker 1: I would know because you're not. Here's the thing you don't.

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Speaker 1: It's it's like Beyonce once said, okay, you know you're

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Speaker 1: that bit when you cause all this conversation. What conversation

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Speaker 1: though it sci? What are you saying, Joel is not

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Speaker 1: a star? Shut up, get out of here. She's not

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Speaker 1: your fourth time on the show. You learn nothing. I'm saying,

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Speaker 1: Elizabeth Moss can't like I I did not conjure who

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Speaker 1: that even was immediately that makes you an outlier of

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Speaker 1: our time. No, no, no, no, here's the thing, Like,

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Speaker 1: I'm happy we're having a disagreement, Elizabeth Moss. I don't

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Speaker 1: think it is yet in a place to lead a

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Speaker 1: rom com or like a superhero movie or like, you know,

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Speaker 1: like that doesn't make you a star. This is my

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Speaker 1: little I mean, it's my very basic litmus test. And

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Speaker 1: she's definitely an actress. Cannot she's not. She's not the

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Speaker 1: paper is not turned the you know, paper is not

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Speaker 1: turning blue or whatever. She is the kind of person

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Speaker 1: who can get signed onto a television project and it

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Speaker 1: gets made us instantly and people will always take a

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Speaker 1: note for me, that's a start. So what are you

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Speaker 1: saying that Jennifer Anderson is not a star? I think

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Speaker 1: she's a star and the next she's start. But I

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Speaker 1: just don't. I just she's not like she's the name

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Speaker 1: on everyone's lips is not. Elizabeth's not a star like

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Speaker 1: I know, So we have to define I'm realizing now

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Speaker 1: we might have to define stardom. That it's different for everybody,

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Speaker 1: and that's why the game is fine. But here my

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Speaker 1: litmus says and the reason we and the reason I

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Speaker 1: even like came to this game was because we saw Captain.

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Speaker 1: We saw Captain Marvelous, who is I think sort of

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Speaker 1: the epitome for me of an actor not a star.

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Speaker 1: Iconic problem is is because those Marvel movies, which I love,

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Speaker 1: you realize the people who anchor those movies, the good ones,

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Speaker 1: are all stars, and you need the stars. You need

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Speaker 1: that charisma to fill in the blanks because they're all

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Speaker 1: sort of like Sammy Sammy, a little bit like they're

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Speaker 1: all a little formula. Once you know now that we're

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Speaker 1: and like Robert Downey Jr. Star, Chris Evans star, you know,

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Speaker 1: like Chris uh star, but Scar Joe, they're all stars.

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Speaker 1: And then you watch Bree Larson and you're just sort

399
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Speaker 1: of like she's doing it and she had a harder

400
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Speaker 1: time because like her whole character is a cipher that

401
00:23:09,560 --> 00:23:11,879
Speaker 1: sort of the point she doesn't know her past or

402
00:23:11,920 --> 00:23:14,320
Speaker 1: anything like that. But like you, there was just not

403
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Speaker 1: that extra thing, sort of the sheen on top of

404
00:23:17,920 --> 00:23:20,879
Speaker 1: the performance that made you engage with that character. And

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Speaker 1: it was a good movie. I don't want to like

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Speaker 1: discount it was a good movie, but I think like

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Speaker 1: it's just like the difference you can kind of test

408
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Speaker 1: sure sure to me, she she, I really like Free Larson.

409
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Speaker 1: But to me, it's just like there's there's not a

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Speaker 1: lot of um for Captain Marvel. I feel like I

411
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Speaker 1: need a little bit more like strength. Yeah. Well no,

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Speaker 1: here's the thing. You compare this, and I don't want

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Speaker 1: to be reductive and just be like, but it is

414
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Speaker 1: like these two major female lead superhero movies, you Wonder Woman.

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Speaker 1: Captain Marvel is a better structured movie, but in many

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Speaker 1: respects probably, but Wonder Woman is a movie I would

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Speaker 1: I would rather watch that again gal Gado star Star

418
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Speaker 1: but not but she pulls it up and like and

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Speaker 1: and she yeah, because like I think there's just something

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Speaker 1: about her presence on screen that, especially for something like

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Speaker 1: a superhero movie, Like if I'm going to watch Room,

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Speaker 1: you want Bree, you don't want Gut right, But if

423
00:24:17,440 --> 00:24:22,119
Speaker 1: I'm watching like a stupid action movie that needs like

424
00:24:22,400 --> 00:24:26,080
Speaker 1: sort of to feel like a compelling presence on screen

425
00:24:26,160 --> 00:24:29,080
Speaker 1: to take it to a place of interest, you need

426
00:24:29,160 --> 00:24:31,920
Speaker 1: got truly the correlator. The correllary to this is like

427
00:24:32,000 --> 00:24:35,040
Speaker 1: one of those actresses is an Oscar winner, like you

428
00:24:35,080 --> 00:24:38,200
Speaker 1: would rather see the non Oscar winner sort of lead

429
00:24:38,280 --> 00:24:42,120
Speaker 1: this like huge movie. I feel like I would prefer both.

430
00:24:43,200 --> 00:24:46,119
Speaker 1: But yeah, but I get what you're saying about what

431
00:24:46,320 --> 00:24:48,920
Speaker 1: you if when it comes down to it, would you

432
00:24:49,000 --> 00:24:51,640
Speaker 1: prefer a star? I would prefer both, you see. Yeah,

433
00:24:51,680 --> 00:24:57,720
Speaker 1: But but I'm saying it's this is the thing. This

434
00:24:57,880 --> 00:25:01,240
Speaker 1: is the interesting question for me, and the answer cannot

435
00:25:01,240 --> 00:25:02,840
Speaker 1: be both. Which is more important? I mean, like, like

436
00:25:02,920 --> 00:25:05,159
Speaker 1: which would you which is more important? I think I

437
00:25:05,240 --> 00:25:07,639
Speaker 1: think you see amazing acting all the time, and I

438
00:25:07,760 --> 00:25:12,280
Speaker 1: think as gay men, we want actors do I want

439
00:25:12,320 --> 00:25:16,920
Speaker 1: to start primarily? So Okay, I again, I think this

440
00:25:17,560 --> 00:25:20,000
Speaker 1: this depends on what you're watching, Like if you're watching

441
00:25:20,040 --> 00:25:23,080
Speaker 1: the movie obsessed with Beyonce and Ali Larder, For me,

442
00:25:23,720 --> 00:25:26,760
Speaker 1: no one could do those roles better because they're both.

443
00:25:26,920 --> 00:25:29,640
Speaker 1: I think a Larder can be swapped out. I think

444
00:25:29,760 --> 00:25:32,680
Speaker 1: it's not just I love Ali Larder. Ali is only

445
00:25:32,800 --> 00:25:35,320
Speaker 1: Ali could commit to that script like fucking if it

446
00:25:35,440 --> 00:25:41,280
Speaker 1: was like yeah, you're right, like just that nine whenever

447
00:25:41,320 --> 00:25:44,639
Speaker 1: it came out, like the actress, like the like actress

448
00:25:46,480 --> 00:25:50,600
Speaker 1: of that time who like met that very specific sliver

449
00:25:50,800 --> 00:25:55,040
Speaker 1: of criteria criteria like that was Ali honestly, this scene

450
00:25:55,040 --> 00:25:58,479
Speaker 1: where she's like, you said we would be together actually

451
00:25:58,520 --> 00:26:02,000
Speaker 1: like you said it, Derek, you said it and he

452
00:26:02,160 --> 00:26:04,639
Speaker 1: like never said it. But in her eyes you know

453
00:26:04,840 --> 00:26:11,880
Speaker 1: that she believes actress. What is Ali? Where is alot?

454
00:26:12,160 --> 00:26:15,240
Speaker 1: Children have forgotten Ali Larder, who was iconic famously and

455
00:26:15,320 --> 00:26:17,320
Speaker 1: not only the Finalist Nation movies but also with the

456
00:26:17,400 --> 00:26:21,120
Speaker 1: series here. Um, but my last thing about Ali Larder

457
00:26:21,240 --> 00:26:27,560
Speaker 1: is um is wa Alie Warder was also in Lately Bland. Yeah.

458
00:26:29,240 --> 00:26:31,600
Speaker 1: Dave and I were just talking about this on Viriled.

459
00:26:31,640 --> 00:26:36,120
Speaker 1: We're saying, like that scene where she's like, um, I went,

460
00:26:36,200 --> 00:26:38,000
Speaker 1: I went, I went from A six to four and

461
00:26:38,240 --> 00:26:44,560
Speaker 1: that's great on the day of Hayworth's murder. Yeah kidding

462
00:26:46,119 --> 00:26:59,879
Speaker 1: what what? Oh? Starver Well and we had this in

463
00:27:00,000 --> 00:27:03,360
Speaker 1: interesting there can be You're not these are not static

464
00:27:03,720 --> 00:27:09,000
Speaker 1: like Laura during ten years ago we would have said actor,

465
00:27:09,119 --> 00:27:13,119
Speaker 1: not star. But now literally she was like I remember

466
00:27:13,119 --> 00:27:14,520
Speaker 1: talking about this and then last night I stumbled on

467
00:27:14,560 --> 00:27:16,880
Speaker 1: this video of her like talking about like all her roles.

468
00:27:17,280 --> 00:27:19,920
Speaker 1: She was like, not her and her fucking mom Mary?

469
00:27:20,000 --> 00:27:23,440
Speaker 1: What's her face? Yeah? Yeah, anyway, Um, Bruce Jarn's wise,

470
00:27:23,600 --> 00:27:27,200
Speaker 1: I'm not sure but they were both of them historic,

471
00:27:27,320 --> 00:27:29,440
Speaker 1: both of them nominated for for an Oscar the same

472
00:27:29,520 --> 00:27:33,680
Speaker 1: year for the movie that Rambling Rose Like wait, like

473
00:27:33,840 --> 00:27:35,760
Speaker 1: like a few years before Jurassic Park. It's like she

474
00:27:35,880 --> 00:27:39,159
Speaker 1: was she was always an actress and that's where she was.

475
00:27:39,200 --> 00:27:41,159
Speaker 1: She wasn't a star Dassic Park. I think we know

476
00:27:41,320 --> 00:27:45,399
Speaker 1: we made her a star recently. Community did the work

477
00:27:46,640 --> 00:27:48,440
Speaker 1: down there, and we said, we got some work to do.

478
00:27:49,160 --> 00:27:51,480
Speaker 1: She stepped into her startup obviously with big little lies,

479
00:27:51,480 --> 00:27:54,760
Speaker 1: and I think some would say enlightened. And also and also,

480
00:27:55,280 --> 00:27:58,600
Speaker 1: but here's the thing about Laura Dern in a movie,

481
00:27:58,720 --> 00:28:03,640
Speaker 1: In a movie like Jurassic Park, you actually need primarily

482
00:28:03,760 --> 00:28:09,240
Speaker 1: an actress because I because with Jurassic Park at the time,

483
00:28:10,400 --> 00:28:15,119
Speaker 1: you had that iconic scene where she sees the stars

484
00:28:15,280 --> 00:28:18,520
Speaker 1: for the real life for the first time, and the

485
00:28:19,320 --> 00:28:23,080
Speaker 1: wonder in her eyes, like the incredible you really believe

486
00:28:23,119 --> 00:28:27,280
Speaker 1: that her Sam Neil Jeff they all sell it in

487
00:28:27,320 --> 00:28:28,959
Speaker 1: a way that the c g I of these new

488
00:28:29,480 --> 00:28:32,520
Speaker 1: fucking movies could never say. She was saying in this

489
00:28:32,640 --> 00:28:35,720
Speaker 1: issue is like those raptors were real, like they were there,

490
00:28:35,760 --> 00:28:37,840
Speaker 1: like yeah, because they made audio on amatronics, right, And

491
00:28:37,920 --> 00:28:39,600
Speaker 1: she was like like those peppeteers are genius, and she

492
00:28:39,680 --> 00:28:41,000
Speaker 1: was like, so as an actor, that's great. Like now

493
00:28:41,040 --> 00:28:42,520
Speaker 1: I was I wasn't looking at nothing. I was like,

494
00:28:42,880 --> 00:28:46,720
Speaker 1: she goes, she goes, she goes, she goes. I was

495
00:28:46,880 --> 00:28:50,040
Speaker 1: she goes. I was scared. I was terrified when we

496
00:28:50,120 --> 00:28:52,120
Speaker 1: were shooting. I mean, that's the thing is, it's like

497
00:28:52,240 --> 00:28:55,280
Speaker 1: you almost appreciate and like the fact that you're not

498
00:28:55,520 --> 00:28:59,320
Speaker 1: watching a full blown star because it would almost be distracting,

499
00:28:59,640 --> 00:29:02,640
Speaker 1: where it is like she's for us, for us, and

500
00:29:02,760 --> 00:29:04,800
Speaker 1: we get to we get to sit there and almost

501
00:29:04,920 --> 00:29:08,480
Speaker 1: be her and Sam Neil, who also like that great actor,

502
00:29:08,640 --> 00:29:12,120
Speaker 1: the only star in that movie. Is really the thing

503
00:29:12,240 --> 00:29:14,600
Speaker 1: is is I think here's another criteria I think we

504
00:29:14,680 --> 00:29:17,600
Speaker 1: just stumbled on is that with stars who are not actors,

505
00:29:17,840 --> 00:29:19,920
Speaker 1: you're sort of always aware. You're like, oh my god,

506
00:29:19,960 --> 00:29:25,520
Speaker 1: I'm watching so and so and yes, and then an

507
00:29:25,600 --> 00:29:28,160
Speaker 1: actor you can sort of like you do sort of

508
00:29:28,240 --> 00:29:30,840
Speaker 1: forget about them, you know, and then a star and

509
00:29:30,840 --> 00:29:33,680
Speaker 1: an actor can sort of do both because like Julia Roberts,

510
00:29:33,720 --> 00:29:36,240
Speaker 1: sometimes you're like sometimes you're watching Julia Roberts, You're like,

511
00:29:36,240 --> 00:29:38,760
Speaker 1: oh my god, I'm watching Julia Roberts. And sometimes but

512
00:29:38,760 --> 00:29:40,880
Speaker 1: then when she's Aaron Brockovitch, it's like, I'm kind of

513
00:29:41,080 --> 00:29:43,160
Speaker 1: not getting as much Julia robertson this, which is great

514
00:29:43,440 --> 00:29:46,840
Speaker 1: for me. Aaron Brockovich is the perfect example of a

515
00:29:47,000 --> 00:29:50,560
Speaker 1: star vehicle that allows them to show their acting because

516
00:29:50,600 --> 00:29:53,400
Speaker 1: it's like, I mean, this is a great movie. I

517
00:29:53,480 --> 00:29:57,680
Speaker 1: could watch it and and it's just such a perfect

518
00:29:58,120 --> 00:30:01,520
Speaker 1: match for her gifts so good. I think My best

519
00:30:01,560 --> 00:30:03,720
Speaker 1: Friend's Wedding is one of the best round comes of

520
00:30:03,760 --> 00:30:07,560
Speaker 1: all time. I would absolutely agree. I love the ending

521
00:30:07,720 --> 00:30:10,400
Speaker 1: a movie where there are it's like forty five minutes

522
00:30:10,440 --> 00:30:13,440
Speaker 1: too long, you don't understand the structure, but it is

523
00:30:13,560 --> 00:30:15,240
Speaker 1: so good and she is so good in it, and

524
00:30:15,320 --> 00:30:18,120
Speaker 1: it is unlike anything else. She's iconic in that movie.

525
00:30:18,200 --> 00:30:20,560
Speaker 1: I mean. And also the character is this is how

526
00:30:20,600 --> 00:30:22,840
Speaker 1: you know someone like the start, because the character is like,

527
00:30:23,120 --> 00:30:25,560
Speaker 1: what is going on? Girl? Like, get over the villain.

528
00:30:25,640 --> 00:30:27,680
Speaker 1: She's the villain, she really is. She is the villain.

529
00:30:28,000 --> 00:30:30,680
Speaker 1: I think are apparent to Julia. I think someone who

530
00:30:30,800 --> 00:30:33,520
Speaker 1: is sort of Julia Roberts and Jason for me right

531
00:30:33,560 --> 00:30:39,800
Speaker 1: now is I would absolutely because you and amistone in

532
00:30:39,840 --> 00:30:42,200
Speaker 1: the Favorite Too, You're like always aware that it's emistone,

533
00:30:42,280 --> 00:30:45,200
Speaker 1: but like, what a great performance. And I'm actually a

534
00:30:45,280 --> 00:30:47,640
Speaker 1: La La Land apologist and thought that she deserved the

535
00:30:47,640 --> 00:30:49,880
Speaker 1: Oscar for it. I have not revisited, but we saw

536
00:30:49,920 --> 00:30:52,840
Speaker 1: it together together, but we loved it. When we loved

537
00:30:53,400 --> 00:30:59,120
Speaker 1: saw we had no critical thoughts. But there was Trump,

538
00:30:59,440 --> 00:31:03,440
Speaker 1: which is stupid. I don't know that that thing about

539
00:31:03,600 --> 00:31:06,240
Speaker 1: everyone hating Land. It's like you guys like get mad

540
00:31:06,240 --> 00:31:08,680
Speaker 1: about real things. Um, I just want to do just

541
00:31:08,880 --> 00:31:12,040
Speaker 1: Aaron Brockovich can't do that. That's what am I supposed

542
00:31:12,040 --> 00:31:14,600
Speaker 1: to check in every two seconds? Yes, it's called accountability.

543
00:31:14,800 --> 00:31:19,920
Speaker 1: I'm not talking to you, bitch, that's all you got,

544
00:31:20,040 --> 00:31:23,920
Speaker 1: Lady to wrong And just such a good script, so

545
00:31:24,080 --> 00:31:27,680
Speaker 1: well directed, like the tone all the supporting characters feel

546
00:31:27,720 --> 00:31:34,320
Speaker 1: real M is absolutely Albert Finney, UM, so fucking good.

547
00:31:35,040 --> 00:31:38,640
Speaker 1: And she's she's like, that's like exactly what I want

548
00:31:38,640 --> 00:31:40,920
Speaker 1: to see out of a movie like that, or a

549
00:31:41,000 --> 00:31:45,040
Speaker 1: movie in general. It's just someone turning it. Yes, yes, um,

550
00:31:45,160 --> 00:31:47,360
Speaker 1: but the Laura during things sorry to go back to this.

551
00:31:47,840 --> 00:31:49,880
Speaker 1: She was like in David She was like multiple David

552
00:31:49,960 --> 00:31:52,440
Speaker 1: Lynch films before and then in the eighties and nine,

553
00:31:52,480 --> 00:31:54,520
Speaker 1: like sucking blue and not eighties but like blue Velvet.

554
00:31:54,560 --> 00:31:57,960
Speaker 1: It's like, yeah, I always trust an actress that a

555
00:31:58,040 --> 00:32:00,479
Speaker 1: director works with again and again and again, and I'm like, well,

556
00:32:00,520 --> 00:32:03,800
Speaker 1: obviously there's something that works here, Like for me, you

557
00:32:03,840 --> 00:32:06,160
Speaker 1: know who, I we you know who. There's I think

558
00:32:06,240 --> 00:32:09,840
Speaker 1: the most iconic conversation around when it comes to this game.

559
00:32:09,880 --> 00:32:11,640
Speaker 1: And I think she's the most polarizing when it comes

560
00:32:11,680 --> 00:32:15,680
Speaker 1: to this Cha. Yes, I brought her up. I was

561
00:32:15,720 --> 00:32:18,200
Speaker 1: going to say, for me, the most polarizing I think,

562
00:32:18,520 --> 00:32:24,560
Speaker 1: especially in this group is Jennifer Lawrence. Let's starting out

563
00:32:24,560 --> 00:32:28,600
Speaker 1: an actor. I don't get it. Silver Linings Playbook, did

564
00:32:28,680 --> 00:32:31,600
Speaker 1: not did not get why she wants that Oscar to

565
00:32:31,680 --> 00:32:34,320
Speaker 1: be honest in retrospect, do not get it. I think

566
00:32:34,360 --> 00:32:37,520
Speaker 1: star and actress, I really do. I think that. I

567
00:32:37,680 --> 00:32:40,920
Speaker 1: think that here's the thing about Jennifer Lawrence, and this

568
00:32:41,120 --> 00:32:44,320
Speaker 1: is what we get down to, what exactly is makes

569
00:32:44,360 --> 00:32:47,480
Speaker 1: it makes us because I think that she has given

570
00:32:47,640 --> 00:32:53,080
Speaker 1: several iconic performances American Hustle, She's the only fun thing

571
00:32:53,120 --> 00:32:56,880
Speaker 1: about that movie, her and amy Um Silver Linings. It's

572
00:32:56,920 --> 00:33:01,160
Speaker 1: a weird performance and she's like not cast super well.

573
00:33:01,760 --> 00:33:05,480
Speaker 1: But the thing is, like you will remember it like you.

574
00:33:05,720 --> 00:33:08,560
Speaker 1: You remember that some of the scenes she's really really good.

575
00:33:08,600 --> 00:33:10,440
Speaker 1: Their chemistry is good, and when you watch it a

576
00:33:10,480 --> 00:33:13,920
Speaker 1: second time, it actually really works, even Hunger Games, and

577
00:33:13,960 --> 00:33:17,640
Speaker 1: then you don't forget about winners Bone, but forget about

578
00:33:18,560 --> 00:33:20,600
Speaker 1: Here's my problem though, I think, and this is my

579
00:33:20,760 --> 00:33:23,160
Speaker 1: resistance to Jennifer Lawrence. And I think it's always been

580
00:33:23,200 --> 00:33:26,400
Speaker 1: my resistance because remember, every game man was born into

581
00:33:26,440 --> 00:33:28,440
Speaker 1: this world of casting director and the rest is drag.

582
00:33:28,560 --> 00:33:34,120
Speaker 1: The rest is track. And I every game was born

583
00:33:34,240 --> 00:33:37,520
Speaker 1: to the world director and the rest is drag. I

584
00:33:38,520 --> 00:33:41,920
Speaker 1: those that slew of movies from Silver Linings through Joy

585
00:33:42,760 --> 00:33:47,800
Speaker 1: not right. It's not right. And I don't she's playing

586
00:33:47,920 --> 00:33:50,640
Speaker 1: characters that's way too old, and it was too soon

587
00:33:50,720 --> 00:33:53,680
Speaker 1: in the transition was so quick from Hunger Games where

588
00:33:53,720 --> 00:33:56,240
Speaker 1: she is a young girl to a young woman to

589
00:33:57,160 --> 00:33:58,760
Speaker 1: fucking Joy where she supposed to be in her like

590
00:33:58,960 --> 00:34:02,680
Speaker 1: forties the whole time. And it's so like, I can't.

591
00:34:02,840 --> 00:34:05,280
Speaker 1: It was so hard to watch those three movies where

592
00:34:05,320 --> 00:34:12,080
Speaker 1: she's playing these like these like middle roles and and

593
00:34:12,280 --> 00:34:15,279
Speaker 1: and that's and that's the other add frustration, as they

594
00:34:15,320 --> 00:34:17,640
Speaker 1: say there's no roles for women over forty in Hollywood.

595
00:34:17,719 --> 00:34:19,919
Speaker 1: It's just j Law has taken all. Yeah, it's really true.

596
00:34:19,960 --> 00:34:21,520
Speaker 1: But the fact of the matter is I don't I

597
00:34:21,640 --> 00:34:24,600
Speaker 1: don't um. I don't hold her accountable for that. I

598
00:34:24,719 --> 00:34:27,480
Speaker 1: think that's like the Hollywood system wanting her and everything.

599
00:34:27,560 --> 00:34:29,600
Speaker 1: And I think it's a testament to her talent that

600
00:34:30,000 --> 00:34:32,880
Speaker 1: despite the fact that she is so miscast, these things work.

601
00:34:33,200 --> 00:34:35,080
Speaker 1: I mean, I don't find her. I didn't think she

602
00:34:35,200 --> 00:34:38,560
Speaker 1: transcended the miscasting though. That's my problems that I didn't

603
00:34:38,560 --> 00:34:41,480
Speaker 1: get old from her. And and but Matt just now

604
00:34:41,600 --> 00:34:43,960
Speaker 1: talking about like you were being a case for her

605
00:34:43,960 --> 00:34:45,960
Speaker 1: being an actress by saying, like, well, in Hunger Games

606
00:34:46,040 --> 00:34:49,719
Speaker 1: she's so you know, so convincing or compelling, and her

607
00:34:49,800 --> 00:34:52,920
Speaker 1: chemistry Bradley is so great and silver linings, but like

608
00:34:53,040 --> 00:34:56,120
Speaker 1: that's not that feels like stardom to me, doing doing

609
00:34:56,160 --> 00:34:58,200
Speaker 1: all the work. Well, here's what I'll say, And this

610
00:34:58,360 --> 00:35:00,680
Speaker 1: is a conversation about like the act dress of it all.

611
00:35:01,360 --> 00:35:04,360
Speaker 1: I think she's incredible and almost everything she does I

612
00:35:04,480 --> 00:35:06,840
Speaker 1: really do. But if she ever tried to do like

613
00:35:06,920 --> 00:35:10,759
Speaker 1: a British accent, I think I'd be offended. I think

614
00:35:10,760 --> 00:35:12,920
Speaker 1: I'd be really upset. I think I have to go away,

615
00:35:13,560 --> 00:35:17,239
Speaker 1: and like Red Sparrow, that kind of flapped because I

616
00:35:17,320 --> 00:35:19,919
Speaker 1: think I saw her Russian accent and I was like, see,

617
00:35:20,560 --> 00:35:23,280
Speaker 1: I don't want to ruin it for myself. Whereas Emma

618
00:35:23,360 --> 00:35:27,160
Speaker 1: Stone in the face, you would never know she wasn't British.

619
00:35:27,200 --> 00:35:29,719
Speaker 1: There you go. So you're just then you're protecting your

620
00:35:29,760 --> 00:35:32,440
Speaker 1: own perception of her. Then that's so bizarre. No, I'm

621
00:35:32,440 --> 00:35:35,080
Speaker 1: not protecting my own perception of her. I'm saying that

622
00:35:35,400 --> 00:35:38,160
Speaker 1: we have a conversation on our hands here about do

623
00:35:38,280 --> 00:35:40,880
Speaker 1: you have to be able to execute period work or

624
00:35:41,560 --> 00:35:44,440
Speaker 1: accident in order to be considered an actress. No, no, no, no, No.

625
00:35:44,480 --> 00:35:47,000
Speaker 1: One's saying that some people can't do it. Some people

626
00:35:47,200 --> 00:35:50,000
Speaker 1: just simply don't have an ear for accents. And I'm

627
00:35:50,120 --> 00:35:53,560
Speaker 1: so glad I'm not one of film. One of the

628
00:35:53,680 --> 00:35:56,239
Speaker 1: first things I started doing when I act was to

629
00:35:56,360 --> 00:36:00,600
Speaker 1: a perfect accents. And this is what I'm talking you

630
00:36:00,640 --> 00:36:02,480
Speaker 1: were doing. You were doing a huge Jackman impression on

631
00:36:02,520 --> 00:36:05,000
Speaker 1: the Jesse David Fox episode where it was the lay

632
00:36:05,040 --> 00:36:07,399
Speaker 1: Miss Future. You're doing a impression on him so bad,

633
00:36:08,719 --> 00:36:12,239
Speaker 1: singing amazing, it's amazing. But I can do a good

634
00:36:12,320 --> 00:36:16,719
Speaker 1: vocal impression of him do it from now on? That's good,

635
00:36:18,480 --> 00:36:24,440
Speaker 1: I thought, murmur through the lens of Jackman. Yes, from

636
00:36:24,760 --> 00:36:33,040
Speaker 1: now that's bad. Fact not be blinded by that. The

637
00:36:33,120 --> 00:36:35,480
Speaker 1: Greatest Showman is the movie I will watch. I will go.

638
00:36:35,640 --> 00:36:38,320
Speaker 1: I will if we're in the middle of landing on

639
00:36:38,440 --> 00:36:41,440
Speaker 1: the plane every single day, every single time I'm on

640
00:36:41,520 --> 00:36:42,680
Speaker 1: a plane and I'm like, I don't have time to

641
00:36:42,719 --> 00:36:44,680
Speaker 1: watch a full movie. We're going to be landing soon.

642
00:36:44,719 --> 00:36:46,399
Speaker 1: I guess I will go to the Greatest Woman and watch.

643
00:36:46,440 --> 00:36:52,560
Speaker 1: All the musical numbers came through Hugh Jackman, star actor both,

644
00:36:52,840 --> 00:36:56,839
Speaker 1: I think probably both for more he can do it all,

645
00:36:56,960 --> 00:36:58,439
Speaker 1: you can do it all, but more star than after

646
00:36:58,520 --> 00:37:05,040
Speaker 1: I would say, yeah, I was super grady ground Yeah.

647
00:37:05,040 --> 00:37:07,920
Speaker 1: I guess we haven't really seen him in anything that

648
00:37:08,000 --> 00:37:11,480
Speaker 1: would test like Logan is probably the biggest acting challenges

649
00:37:11,880 --> 00:37:14,239
Speaker 1: he's had. I guess La Miss maybe counts, but that's

650
00:37:14,239 --> 00:37:16,680
Speaker 1: still so. He was fantastic in La He was. He

651
00:37:16,960 --> 00:37:20,000
Speaker 1: is a very good John alongside star and actress Anne

652
00:37:21,239 --> 00:37:26,160
Speaker 1: Absolutely absolutely. You watched devil Wares product again and you know, okay,

653
00:37:26,200 --> 00:37:30,080
Speaker 1: so you need Andy to be and so they're doing

654
00:37:30,120 --> 00:37:34,480
Speaker 1: like a musical version of it UM's Tub and and

655
00:37:34,960 --> 00:37:36,560
Speaker 1: what I was thinking when I was watching the movie,

656
00:37:36,680 --> 00:37:38,200
Speaker 1: I was I was like, I was a little worried

657
00:37:38,200 --> 00:37:41,080
Speaker 1: about the musical because like Me and Girls the musical,

658
00:37:41,680 --> 00:37:43,759
Speaker 1: the reason Me and Girls works is Lindsay Lohan is

659
00:37:43,800 --> 00:37:46,520
Speaker 1: such a star, Like she's such a star that you

660
00:37:46,680 --> 00:37:48,799
Speaker 1: follow her and she's a site for the whole time,

661
00:37:48,800 --> 00:37:51,200
Speaker 1: and she's narrating it and you're just like willing to

662
00:37:51,320 --> 00:37:53,600
Speaker 1: hang out with her the whole time. And then I think,

663
00:37:54,360 --> 00:37:58,400
Speaker 1: no Shade, but the Broadway musical, Like it's hard to

664
00:37:58,840 --> 00:38:01,840
Speaker 1: especially watching musical and have this person you're following, like

665
00:38:02,280 --> 00:38:06,160
Speaker 1: and now I'm going to that cavity. It's just like okay,

666
00:38:06,480 --> 00:38:09,560
Speaker 1: and like you're watching it and at just doing it

667
00:38:09,640 --> 00:38:14,000
Speaker 1: and you're like, where's Lindsay Whereas like with Devil Worse Product,

668
00:38:14,040 --> 00:38:15,680
Speaker 1: I think we're dealing with the same thing. With the musical,

669
00:38:15,760 --> 00:38:17,520
Speaker 1: you have to really find the right person to play

670
00:38:17,560 --> 00:38:21,719
Speaker 1: that lead part because Andy is not an easy part.

671
00:38:21,840 --> 00:38:24,800
Speaker 1: You forget watching Couple Worse Product how fucking good and

672
00:38:25,840 --> 00:38:28,840
Speaker 1: and she makes that movie work. And of course, like

673
00:38:29,280 --> 00:38:32,440
Speaker 1: Meryl Streep gets all the credit because she's so amazing

674
00:38:32,520 --> 00:38:34,600
Speaker 1: and iconic, and I would even go as far as

675
00:38:34,600 --> 00:38:36,640
Speaker 1: to say one of her best roles. And then us

676
00:38:36,719 --> 00:38:39,320
Speaker 1: fags are always like Emily Blont, Emily Blont, Emily Blunt,

677
00:38:39,560 --> 00:38:42,160
Speaker 1: but Ann gets lost in that movie and the conversation

678
00:38:42,200 --> 00:38:44,600
Speaker 1: star and actor Emily Blunt. I think, I actually think

679
00:38:45,080 --> 00:38:48,600
Speaker 1: to be an action in any sort of action movie,

680
00:38:49,360 --> 00:38:51,279
Speaker 1: you've got to be a little bit of a star.

681
00:38:51,680 --> 00:38:54,759
Speaker 1: And I think Emily Blunt is maybe one of the

682
00:38:55,280 --> 00:38:58,000
Speaker 1: like closest things we had for a minute to a

683
00:38:58,080 --> 00:39:02,799
Speaker 1: female action star. Her and Scarlett Tomorrow. Tomorrow is so good,

684
00:39:02,840 --> 00:39:06,719
Speaker 1: She's so good, you can't conversation Scarlett is that we

685
00:39:06,840 --> 00:39:10,040
Speaker 1: had for many years. And then it kind of like

686
00:39:10,360 --> 00:39:13,560
Speaker 1: her Angelina is like sort of um, you know, her

687
00:39:13,600 --> 00:39:16,960
Speaker 1: disciples I guess were like Scarlett and then Emily there

688
00:39:17,000 --> 00:39:18,680
Speaker 1: for a minute with Edge of Tomorrow. And also, wasn't

689
00:39:18,719 --> 00:39:21,880
Speaker 1: there something else I guess like don't don't speak or

690
00:39:22,200 --> 00:39:30,200
Speaker 1: don't whisper, don't be quiet? Wasn't she a looper? Looper? Yes, looper,

691
00:39:31,480 --> 00:39:33,440
Speaker 1: because there was rumors for a while that she was.

692
00:39:34,120 --> 00:39:39,479
Speaker 1: She was don't speak, don't actually it's really culture number

693
00:39:39,520 --> 00:39:47,880
Speaker 1: forty nine, don't speak, don't whisper, But there was rumors

694
00:39:47,920 --> 00:39:49,160
Speaker 1: that she was going to be Captain Marvel, and I

695
00:39:49,200 --> 00:39:51,440
Speaker 1: think she would have been amazing. Well, she was supposed

696
00:39:51,440 --> 00:39:54,600
Speaker 1: to be black widow. Really, yes, okay, this is iconic.

697
00:39:54,680 --> 00:39:57,719
Speaker 1: She was supposed and then hurt herself or she either

698
00:39:57,800 --> 00:40:00,520
Speaker 1: hurt herself or there was a scheduling thing that she

699
00:40:00,560 --> 00:40:03,399
Speaker 1: couldn't do it, and then they cast scar Joe. That's see,

700
00:40:03,480 --> 00:40:06,080
Speaker 1: that's that's so sad, because she could pull off the

701
00:40:06,120 --> 00:40:08,359
Speaker 1: Red in a way that scar Joe never could pull

702
00:40:08,400 --> 00:40:10,480
Speaker 1: off that Red. I think scar Joe looks good in

703
00:40:10,560 --> 00:40:12,719
Speaker 1: The Red. I think she always there's a reason they

704
00:40:12,840 --> 00:40:16,440
Speaker 1: let her be blonde in these last installments. Yeah, they

705
00:40:16,600 --> 00:40:19,760
Speaker 1: like literally the character is called black widow, iconic redhead,

706
00:40:19,840 --> 00:40:21,880
Speaker 1: and for the last three movies they're like, yeah, you

707
00:40:21,920 --> 00:40:25,279
Speaker 1: can be blond you ever. I think she she first

708
00:40:25,320 --> 00:40:28,359
Speaker 1: appeared an Iron Man too, I believe, and her part

709
00:40:28,480 --> 00:40:32,239
Speaker 1: is literally wordless, like she was there just to look hot.

710
00:40:32,360 --> 00:40:34,640
Speaker 1: And she has one scene where, yeah, she has one

711
00:40:34,680 --> 00:40:37,080
Speaker 1: scene where she like sucks people up, and I remember

712
00:40:37,120 --> 00:40:40,840
Speaker 1: thinking in the audience like, holy shit, like this person

713
00:40:41,160 --> 00:40:44,799
Speaker 1: is something else. And but they gave her truly no dialogue,

714
00:40:45,480 --> 00:40:48,000
Speaker 1: and so to watch the progression of her having no

715
00:40:48,200 --> 00:40:50,800
Speaker 1: Dialogue and Iron Man too, and all these years passing

716
00:40:50,840 --> 00:40:53,760
Speaker 1: in them all getting their own projects and owned movies

717
00:40:53,840 --> 00:40:55,840
Speaker 1: and even like all this ship and for them to

718
00:40:55,960 --> 00:40:59,400
Speaker 1: only announce just now that she's getting Black Widow. It's wild,

719
00:40:59,600 --> 00:41:03,160
Speaker 1: it's crazy. She's by far the most compelling parts of

720
00:41:03,200 --> 00:41:05,279
Speaker 1: those movies from I can't you know what I can't

721
00:41:05,320 --> 00:41:10,480
Speaker 1: wait for? It is the the the uh Elizabeth Olsen

722
00:41:10,520 --> 00:41:16,520
Speaker 1: and Paul Bettany too hander that what how are those

723
00:41:16,560 --> 00:41:19,000
Speaker 1: two going to carry a movie? You know? I don't know, um,

724
00:41:19,280 --> 00:41:25,640
Speaker 1: But Natalie being like just coming back kimming, being an

725
00:41:25,640 --> 00:41:28,480
Speaker 1: action star, I think would be very if she like

726
00:41:28,560 --> 00:41:35,279
Speaker 1: fully leaned into Annihilation totally amously Star Wars. She did

727
00:41:35,400 --> 00:41:38,160
Speaker 1: not handle a blaster, you know what I mean? You

728
00:41:38,239 --> 00:41:40,359
Speaker 1: can tell. You can always tell with Natalie though it's

729
00:41:40,480 --> 00:41:42,000
Speaker 1: right behind the eyes, she's like, I don't want to

730
00:41:42,040 --> 00:41:46,800
Speaker 1: be doing that. Well, I literally think, Actually, it's interesting

731
00:41:46,840 --> 00:41:49,920
Speaker 1: you say that, because I think with Natalie Portman, you

732
00:41:50,160 --> 00:41:52,640
Speaker 1: literally can tell when she thinks the material is dumb.

733
00:41:53,160 --> 00:41:56,800
Speaker 1: You can when Natalie Portman is trying, it's a different

734
00:41:56,960 --> 00:42:00,439
Speaker 1: thing than when she's not. That's so true. She needs

735
00:42:00,480 --> 00:42:02,880
Speaker 1: a good director and someone she trusts and seen partners

736
00:42:02,960 --> 00:42:06,120
Speaker 1: she likes because when you are watching her, she doesn't

737
00:42:06,120 --> 00:42:08,320
Speaker 1: want to be there. I don't want to be there, right, No,

738
00:42:09,120 --> 00:42:12,400
Speaker 1: like in Star Wars, she's barely awake, you know, just

739
00:42:12,800 --> 00:42:15,400
Speaker 1: she's like, you can tell she thinks Anderson Anderson Cooper.

740
00:42:15,520 --> 00:42:17,640
Speaker 1: You can tell she thinks Ashton Kutcher is the dumbest

741
00:42:17,680 --> 00:42:21,920
Speaker 1: man alive. Even in the Thorn movies. Yeah, she's phoning

742
00:42:21,960 --> 00:42:25,160
Speaker 1: it in. Yeah. Fully, I wonder how much she'll give

743
00:42:25,840 --> 00:42:29,200
Speaker 1: female thor. I think she will. Hopefully she'll have fun

744
00:42:29,480 --> 00:42:31,799
Speaker 1: comic And she was a little bit like, I don't

745
00:42:31,840 --> 00:42:33,879
Speaker 1: think she'd come back. I don't think she'd come back

746
00:42:33,920 --> 00:42:38,279
Speaker 1: because if she didn't really want to, I really don't.

747
00:42:38,440 --> 00:42:40,800
Speaker 1: But man, those that that is the thing about that,

748
00:42:40,960 --> 00:42:44,080
Speaker 1: That the whole series of movies is they just pulling

749
00:42:44,160 --> 00:42:48,120
Speaker 1: these A list women and waste like Rachel McAdams and

750
00:42:48,360 --> 00:42:51,719
Speaker 1: doctor Strange. Do you remember, no? Of course not, of

751
00:42:51,840 --> 00:42:54,960
Speaker 1: course not that sucks. If we were talking, were you there,

752
00:42:54,960 --> 00:42:57,040
Speaker 1: We were talking about Rachel McAdams a lot. I mean

753
00:42:57,120 --> 00:42:59,680
Speaker 1: we've I feel like we always talk about Rachel McAdams

754
00:42:59,719 --> 00:43:02,120
Speaker 1: and need to rescue her from her current agents and

755
00:43:02,239 --> 00:43:06,440
Speaker 1: get her better agents because there should be a bit

756
00:43:06,600 --> 00:43:08,640
Speaker 1: she should be everywhere. We were talking about how like

757
00:43:09,080 --> 00:43:11,960
Speaker 1: there was a moment in time where she absolutely was

758
00:43:12,000 --> 00:43:15,000
Speaker 1: going to be, Like there was amin Yeah, there was

759
00:43:15,200 --> 00:43:17,799
Speaker 1: like a like a solid couple of years there where

760
00:43:17,880 --> 00:43:21,320
Speaker 1: we were positive that the next stars of romantic comedies

761
00:43:21,320 --> 00:43:25,279
Speaker 1: we're gonna be Rachel McAdams and Katherine Heigl. And I

762
00:43:25,400 --> 00:43:27,600
Speaker 1: think two different things. Katherine Heigel turned out to be

763
00:43:27,680 --> 00:43:30,560
Speaker 1: difficult whatever, like that narrative solidified and then it was

764
00:43:30,640 --> 00:43:34,479
Speaker 1: just too much. And Rachel McAdams, I just think bad luck,

765
00:43:35,000 --> 00:43:38,319
Speaker 1: bad decisions, like always kind of be in like fourth

766
00:43:38,400 --> 00:43:40,480
Speaker 1: or fifth on everyone's list, you know what I mean,

767
00:43:40,560 --> 00:43:43,359
Speaker 1: just someone who got lost, who is so good because

768
00:43:43,400 --> 00:43:47,360
Speaker 1: you think about mean girls, The Notebook, Family Stone, Wedding Crashers,

769
00:43:47,520 --> 00:43:53,360
Speaker 1: Red Eye. Can you imagine? Actually that's not a bad five,

770
00:43:53,640 --> 00:43:58,600
Speaker 1: it's can you imagine being a those? My God? And

771
00:43:58,640 --> 00:44:04,919
Speaker 1: also such versatil what the versubtility that that has? U? God?

772
00:44:05,160 --> 00:44:07,880
Speaker 1: Just her? Yeah? Those? I mean yeah, but part of

773
00:44:07,920 --> 00:44:10,160
Speaker 1: me is like I'm watching her in interviews now, where

774
00:44:10,160 --> 00:44:11,840
Speaker 1: as like recently she was doing press for something and

775
00:44:11,840 --> 00:44:13,840
Speaker 1: I was like, she just seems like chilled out, and

776
00:44:13,920 --> 00:44:16,800
Speaker 1: she's probably like not too thirsty. Yeah, maybe that's it.

777
00:44:16,880 --> 00:44:18,360
Speaker 1: I think that may be part of it is she's like,

778
00:44:18,400 --> 00:44:21,000
Speaker 1: I don't want to do that much, which is which

779
00:44:21,040 --> 00:44:24,000
Speaker 1: I respected in mind. I get that that that's me,

780
00:44:24,280 --> 00:44:26,480
Speaker 1: that's me. That's why. Actually, that's why you don't see

781
00:44:26,520 --> 00:44:28,960
Speaker 1: me everywhere, because I said, because I don't want to

782
00:44:29,000 --> 00:44:30,400
Speaker 1: do I don't want to do too much. For a

783
00:44:30,440 --> 00:44:32,440
Speaker 1: moment there, Joel was going to be, you know, the

784
00:44:32,520 --> 00:44:34,759
Speaker 1: next I can't wait for. I truly I can't wait

785
00:44:34,800 --> 00:44:36,680
Speaker 1: for Joel to lead a rom com. Though I can't wait.

786
00:44:36,920 --> 00:44:38,440
Speaker 1: I don't know if it'll ever. I think if you

787
00:44:38,520 --> 00:44:40,759
Speaker 1: know what, and we love Billy, we love but if

788
00:44:40,760 --> 00:44:43,200
Speaker 1: Billy can lead like a Jett m I feel like

789
00:44:43,200 --> 00:44:45,640
Speaker 1: that's going to open a door maybe for some people.

790
00:44:46,040 --> 00:44:50,839
Speaker 1: And Joel is gonna fuck Paul bet me, Oh my god,

791
00:44:50,880 --> 00:44:54,520
Speaker 1: I would love I actually met him. I think he's hot,

792
00:44:54,719 --> 00:44:57,160
Speaker 1: he's got he's got hot energy, and that's what you

793
00:44:59,080 --> 00:45:00,520
Speaker 1: don't need to be hot, you just need to have

794
00:45:00,680 --> 00:45:04,400
Speaker 1: hot energy. And that I'm very susceptible to that. Like

795
00:45:04,840 --> 00:45:06,759
Speaker 1: I that's why I like, I don't like. Apps have

796
00:45:06,920 --> 00:45:09,560
Speaker 1: never been the best place for me to find my

797
00:45:09,719 --> 00:45:12,279
Speaker 1: favorite kind of sexual partners because I'm so much like

798
00:45:12,400 --> 00:45:14,360
Speaker 1: I need the energy in the room. So you have

799
00:45:14,560 --> 00:45:17,840
Speaker 1: self tape with me. You got to come into the

800
00:45:19,400 --> 00:45:22,160
Speaker 1: buzz in, take the elevator up to sign in. Yes,

801
00:45:22,480 --> 00:45:24,200
Speaker 1: and I might need to say to do it again, yeah,

802
00:45:25,760 --> 00:45:27,840
Speaker 1: because like there are so many people that I like

803
00:45:27,880 --> 00:45:29,279
Speaker 1: where I'd be like if I saw pictures of you,

804
00:45:29,360 --> 00:45:32,960
Speaker 1: I would be like no. Honestly, sometimes I've had some

805
00:45:33,040 --> 00:45:36,479
Speaker 1: of the hottest like hookups of my life with people

806
00:45:36,520 --> 00:45:40,320
Speaker 1: who I was like, not necessarily super like on the

807
00:45:40,520 --> 00:45:42,160
Speaker 1: on the basis of the way they look like super

808
00:45:42,200 --> 00:45:43,920
Speaker 1: attracted to them, and then like whether it was like

809
00:45:44,160 --> 00:45:47,360
Speaker 1: a certain I don't know. It's like sexuality is like

810
00:45:47,440 --> 00:45:51,120
Speaker 1: it's a chemical vibe. Sometimes I'll be smelling someone and

811
00:45:51,200 --> 00:45:54,239
Speaker 1: it is pheromones. Because there was a guy on on

812
00:45:54,360 --> 00:45:56,120
Speaker 1: Fire Island where I was like sort of you know,

813
00:45:56,280 --> 00:45:58,960
Speaker 1: like testing the water, seeing my options, and he was

814
00:45:59,080 --> 00:46:01,279
Speaker 1: not the hottest one, but like for some reason it

815
00:46:01,360 --> 00:46:04,279
Speaker 1: was like a chemical things like this is the one

816
00:46:04,920 --> 00:46:06,960
Speaker 1: to have them. I had to you know what. I

817
00:46:07,000 --> 00:46:08,680
Speaker 1: think the reverse is true for me too. By the way,

818
00:46:08,719 --> 00:46:14,680
Speaker 1: I don't think I test. I think just pictures alone. No, no,

819
00:46:15,040 --> 00:46:16,680
Speaker 1: But once once you get me in the room. Once

820
00:46:16,719 --> 00:46:19,319
Speaker 1: you get in the room with Stoll, he has a book.

821
00:46:19,360 --> 00:46:22,319
Speaker 1: I book, I book, I book, I book, I will

822
00:46:23,120 --> 00:46:29,239
Speaker 1: I book, I book. Well above my weight class, I think,

823
00:46:29,640 --> 00:46:33,759
Speaker 1: I do. I do. God, I think that guys would

824
00:46:33,800 --> 00:46:38,160
Speaker 1: never look at me online or swipe I have, I have,

825
00:46:38,480 --> 00:46:40,600
Speaker 1: and and it it's I need to be in the

826
00:46:40,719 --> 00:46:44,880
Speaker 1: room with them. And that's it. I think, down my

827
00:46:45,000 --> 00:46:48,400
Speaker 1: leg and then get me in the room. That is

828
00:46:48,520 --> 00:46:50,759
Speaker 1: that is becoming less and less true as time goes on.

829
00:46:51,040 --> 00:46:55,239
Speaker 1: You know what it is? That is maybe possible. But

830
00:46:55,320 --> 00:46:58,239
Speaker 1: the thing is is like people, you know, I still

831
00:46:58,400 --> 00:47:01,160
Speaker 1: walk into I walked into plenty of parties on Fire

832
00:47:01,200 --> 00:47:04,439
Speaker 1: Island where everyone looked and just was like you don't

833
00:47:04,520 --> 00:47:07,400
Speaker 1: belong here, And like I think that will always be

834
00:47:07,480 --> 00:47:09,640
Speaker 1: the case no matter what I look like. And I

835
00:47:09,760 --> 00:47:11,840
Speaker 1: have just sort of let it go. I've let it go.

836
00:47:12,080 --> 00:47:14,600
Speaker 1: I let it go. This trip, Joel and I went

837
00:47:14,640 --> 00:47:17,839
Speaker 1: to Pine's party with with Joel Brooklyn and Joel justin

838
00:47:18,000 --> 00:47:20,520
Speaker 1: Dean and truly so fun. And I think it was

839
00:47:20,640 --> 00:47:23,759
Speaker 1: fun because we stuck together because I after the first

840
00:47:23,840 --> 00:47:26,239
Speaker 1: like forty five minutes of walking to that party, was like,

841
00:47:26,400 --> 00:47:29,480
Speaker 1: you know what, I'm not getting any vibes for anybody.

842
00:47:29,560 --> 00:47:31,479
Speaker 1: And also I don't think that's what the night is about.

843
00:47:31,560 --> 00:47:34,520
Speaker 1: And I'm going to let that go and just like

844
00:47:34,600 --> 00:47:36,040
Speaker 1: I'm not gonna like, that's not what this is and

845
00:47:36,080 --> 00:47:38,360
Speaker 1: I'm just here with my friends and that's going to

846
00:47:38,400 --> 00:47:41,400
Speaker 1: be it. And it was truly like a joy story's

847
00:47:41,440 --> 00:47:43,920
Speaker 1: time when we watched the damn sunrise. We watched the

848
00:47:44,000 --> 00:47:48,520
Speaker 1: damn sunrise on the fucking beach honestly hot, so cool

849
00:47:48,920 --> 00:47:50,719
Speaker 1: it was, it was, and we like and we did,

850
00:47:50,760 --> 00:47:54,200
Speaker 1: we did. We did the very you know, molly thing

851
00:47:54,760 --> 00:47:57,560
Speaker 1: of just whatever. We just like pulled each other close,

852
00:47:57,680 --> 00:48:00,239
Speaker 1: Joel and I and just constantly would just like say,

853
00:48:00,360 --> 00:48:02,759
Speaker 1: like the most earnest ship in the world. It was

854
00:48:03,239 --> 00:48:05,839
Speaker 1: very beautiful. It was beautiful. It was almost and that's

855
00:48:05,880 --> 00:48:08,120
Speaker 1: like that is that is the most molly thing. The

856
00:48:08,239 --> 00:48:11,440
Speaker 1: second most molly thing is me trying to shove my

857
00:48:11,800 --> 00:48:16,360
Speaker 1: molly flaccid dick into butts, like just like folding it

858
00:48:16,520 --> 00:48:21,399
Speaker 1: up and like trying to make it happen, pizza roll

859
00:48:21,560 --> 00:48:24,440
Speaker 1: and just trying to get it in likeying to make

860
00:48:24,480 --> 00:48:26,719
Speaker 1: it happen, and it just never squeeze from the base.

861
00:48:26,840 --> 00:48:29,960
Speaker 1: And then that gives you more girth up, doctor Yang

862
00:48:30,120 --> 00:48:35,799
Speaker 1: over here, base squeeze from the base. That's title about um.

863
00:48:36,440 --> 00:48:39,440
Speaker 1: Oh my god. Of course the third most molly thing

864
00:48:39,600 --> 00:48:41,239
Speaker 1: is right after you take it and it hits you

865
00:48:41,320 --> 00:48:43,879
Speaker 1: shoot your pants. Well that's if you get it cut

866
00:48:44,000 --> 00:48:46,600
Speaker 1: with a little bit less meth. Know, Oh my god,

867
00:48:46,920 --> 00:48:50,200
Speaker 1: it's the math that makes you shi is there methinite? Oh?

868
00:48:50,440 --> 00:48:52,960
Speaker 1: I don't know that there exists molly on that we're

869
00:48:53,040 --> 00:48:55,319
Speaker 1: taking right now that doesn't have a little bit of meth. Okay,

870
00:48:55,880 --> 00:48:57,840
Speaker 1: you can get a test hit though, Everybody, what do

871
00:48:57,920 --> 00:48:59,759
Speaker 1: you know that we don't about this math? I'm sorry.

872
00:48:59,760 --> 00:49:01,399
Speaker 1: I is the first time I'm learning about this meth

873
00:49:01,440 --> 00:49:04,840
Speaker 1: in the molly all cut with like different, it's not

874
00:49:05,239 --> 00:49:09,600
Speaker 1: we're not getting I don't think it exists. Maybe in Spain,

875
00:49:10,320 --> 00:49:13,520
Speaker 1: in Spain where they grow it, where they where it

876
00:49:13,560 --> 00:49:16,759
Speaker 1: grows on trees. Yeah, I have a Molley tree in

877
00:49:16,840 --> 00:49:21,920
Speaker 1: my backyard in Barcelona. Sorry, sorry, thank you Noah Galvin

878
00:49:22,000 --> 00:49:26,320
Speaker 1: for that pronunciation. In book Smart, I'm seeing him in waitress.

879
00:49:26,600 --> 00:49:28,759
Speaker 1: Oh my god, he's a waitress. Yeah. I didn't know

880
00:49:28,840 --> 00:49:30,160
Speaker 1: this either, but Dar was telling me we're going on

881
00:49:30,239 --> 00:49:36,680
Speaker 1: Tuesday to see waitress and don't that name sleep that

882
00:49:36,760 --> 00:49:42,279
Speaker 1: name out. You cut this interrogation. Um, we're going to

883
00:49:42,400 --> 00:49:45,480
Speaker 1: see waitress playing in waitress. I don't know. I guess

884
00:49:45,520 --> 00:49:47,000
Speaker 1: like one of the guys who like sings a couple

885
00:49:47,000 --> 00:49:50,640
Speaker 1: of songs that famous rule. I think I think he's playing.

886
00:49:50,960 --> 00:49:53,799
Speaker 1: I think he's filling in for Kimmy goes part Art

887
00:49:55,120 --> 00:49:56,759
Speaker 1: has not been in the show. It's been like the

888
00:49:56,800 --> 00:49:59,640
Speaker 1: first three weeks, Kimmy go what she does? I feel

889
00:49:59,640 --> 00:50:01,399
Speaker 1: like I'm not seeing way just at the right time though,

890
00:50:01,480 --> 00:50:05,839
Speaker 1: because well, it's Shana. Is it Shoshana Bean right now? Yeah?

891
00:50:06,360 --> 00:50:09,000
Speaker 1: Oh yeah, you already see Shanna, but most the right

892
00:50:09,280 --> 00:50:12,600
Speaker 1: not the right time perform because I didn't know. Wait,

893
00:50:12,880 --> 00:50:15,120
Speaker 1: are we positive that it's Shoshana right now? I think

894
00:50:15,320 --> 00:50:17,200
Speaker 1: I believe it. I'm going to look it up because

895
00:50:17,239 --> 00:50:19,160
Speaker 1: that's not the intel. By the way, speaking of mean

896
00:50:19,200 --> 00:50:20,440
Speaker 1: girls are made from like Adams, I just have to

897
00:50:20,440 --> 00:50:24,600
Speaker 1: shout out Taylor Louderman, who played Regina, who's playing Regina

898
00:50:24,680 --> 00:50:26,680
Speaker 1: until September six. By the time this episode comes out,

899
00:50:26,719 --> 00:50:32,720
Speaker 1: it'll be rene rap of Jimmy's fame. M Taylor Lauderman

900
00:50:33,200 --> 00:50:35,880
Speaker 1: saw her recently do this thing for work, and I

901
00:50:36,000 --> 00:50:38,880
Speaker 1: was just like fell head over heels in love. I

902
00:50:38,960 --> 00:50:43,160
Speaker 1: haven't seen me girl. She's amazing and she's she and

903
00:50:43,280 --> 00:50:45,440
Speaker 1: the thing is is and I'm not sure if it's

904
00:50:45,480 --> 00:50:48,279
Speaker 1: a product of the writing or just how it turned out,

905
00:50:48,360 --> 00:50:51,839
Speaker 1: but she is this like it makes the whole show

906
00:50:52,000 --> 00:50:54,960
Speaker 1: sort of about her, about Regina. She's so good. And

907
00:50:55,040 --> 00:50:59,719
Speaker 1: they tweaked her ark Regina's ark in the show a

908
00:50:59,760 --> 00:51:03,200
Speaker 1: little bit more, and it really does sort of everything

909
00:51:03,280 --> 00:51:05,640
Speaker 1: sort of revolves around. That's pretty cool. That's an interesting thing.

910
00:51:05,680 --> 00:51:07,839
Speaker 1: But I just want to say, Taylor Lowderman, I'm in love.

911
00:51:08,200 --> 00:51:12,239
Speaker 1: If you remember me, please, I will be my friend.

912
00:51:12,640 --> 00:51:15,960
Speaker 1: I will be seeing Alison Lough and the role of

913
00:51:16,080 --> 00:51:20,719
Speaker 1: Jenna taking over Froshana Bean. She is also a former alphabet.

914
00:51:21,520 --> 00:51:25,760
Speaker 1: We love them. I mean, look, she used any used

915
00:51:25,840 --> 00:51:36,480
Speaker 1: to be um. But I famously like to see a

916
00:51:36,640 --> 00:51:42,279
Speaker 1: good old fashioned character actress on stage. Colin I were

917
00:51:42,360 --> 00:51:44,080
Speaker 1: color school that I were talking about how we were

918
00:51:44,200 --> 00:51:46,640
Speaker 1: going on this round about how like pretending to be

919
00:51:46,760 --> 00:51:49,560
Speaker 1: this like fifty year old man from like Michigan. That's like,

920
00:51:50,360 --> 00:51:52,600
Speaker 1: I don't want to see some star in the role.

921
00:51:52,760 --> 00:51:54,560
Speaker 1: That's not why I come from New York. I come

922
00:51:54,600 --> 00:51:57,480
Speaker 1: from New York to see a good old fashioned character.

923
00:51:58,840 --> 00:52:02,000
Speaker 1: I want to see a union woman on that stage

924
00:52:02,080 --> 00:52:05,279
Speaker 1: acting or hard out. That's why you come to New York.

925
00:52:06,120 --> 00:52:09,440
Speaker 1: Oh my god, that's beautiful. That was just a funny bit.

926
00:52:09,719 --> 00:52:15,160
Speaker 1: Cole Skola on Fire Island is the most beautiful thing, joyful.

927
00:52:15,320 --> 00:52:18,719
Speaker 1: So I mean, just wow, I love How are we did?

928
00:52:18,760 --> 00:52:21,000
Speaker 1: We should be checking really quickly about about our trips,

929
00:52:21,080 --> 00:52:24,640
Speaker 1: how to go okay, oh we don't have to do

930
00:52:25,080 --> 00:52:28,319
Speaker 1: and like it was good. It was Fire Island every year.

931
00:52:28,360 --> 00:52:30,279
Speaker 1: It's every year it's a chiller and chiller and I'm

932
00:52:30,320 --> 00:52:32,560
Speaker 1: just like, I'm just here. It was not a chill

933
00:52:32,640 --> 00:52:35,600
Speaker 1: experience for me this year, but it was because your

934
00:52:35,640 --> 00:52:40,440
Speaker 1: phone broken shd. Yeah, I felt truly cuckoo. Because well,

935
00:52:40,480 --> 00:52:42,719
Speaker 1: I also flew back to l A on Friday, which

936
00:52:42,760 --> 00:52:45,399
Speaker 1: is then really back to Fire Island, chartered your own

937
00:52:45,520 --> 00:52:47,880
Speaker 1: boat I hired about to get me off that island

938
00:52:47,920 --> 00:52:52,880
Speaker 1: in time and you and you benefited you absolutely so

939
00:52:53,040 --> 00:52:55,040
Speaker 1: can you tell the story of why you needed to leave?

940
00:52:55,400 --> 00:52:59,000
Speaker 1: Because I had a table read for NBC Sunnyside and

941
00:52:59,360 --> 00:53:02,600
Speaker 1: they could not They weirdly would not move it to

942
00:53:02,719 --> 00:53:09,320
Speaker 1: accommodate my vacation. And so you the fourth lead and

943
00:53:09,480 --> 00:53:12,440
Speaker 1: I and I was like, well, I guess I'm not

944
00:53:12,560 --> 00:53:15,239
Speaker 1: gonna and and and and a reasonable person would have

945
00:53:15,320 --> 00:53:18,280
Speaker 1: looked at their schedule and said, just go on Saturday.

946
00:53:18,560 --> 00:53:20,400
Speaker 1: Just go on Saturday. Because what I did is I

947
00:53:20,480 --> 00:53:22,680
Speaker 1: flew into New York on Wednesday. I went to Fire

948
00:53:22,760 --> 00:53:24,920
Speaker 1: Island on Thursday. I flew back to l A on

949
00:53:25,040 --> 00:53:27,920
Speaker 1: Friday and then flew and then landed in l A

950
00:53:27,960 --> 00:53:30,239
Speaker 1: at one pm, turned around at eight thirty pm, and

951
00:53:30,320 --> 00:53:33,200
Speaker 1: flew back to New York and then went straight from

952
00:53:33,560 --> 00:53:35,960
Speaker 1: It was in a red eye flight, got off the plane,

953
00:53:36,040 --> 00:53:38,160
Speaker 1: jumped back on the train, headed out to the ferry,

954
00:53:38,239 --> 00:53:40,280
Speaker 1: and I was back on Fire Island by ten am.

955
00:53:41,480 --> 00:53:43,920
Speaker 1: Cool cool, um it was, but you know what, it

956
00:53:44,040 --> 00:53:46,640
Speaker 1: was honestly worth it. That Thursday night was very fun

957
00:53:46,760 --> 00:53:49,960
Speaker 1: for me. Uh what was Thursday? What happened Thursday? I

958
00:53:50,040 --> 00:53:51,959
Speaker 1: don't know. I was just fucked up the entire time.

959
00:53:52,040 --> 00:53:55,360
Speaker 1: And then UM made it to the table read it

960
00:53:55,440 --> 00:53:59,040
Speaker 1: was so I'm very excited um for that. And then

961
00:53:59,080 --> 00:54:01,239
Speaker 1: Saturday was great. And then not two hours after I

962
00:54:01,360 --> 00:54:04,000
Speaker 1: arrived back to fire around them on Saturday, my phone

963
00:54:04,120 --> 00:54:06,759
Speaker 1: drowned in a pool. Um and I was without a

964
00:54:06,800 --> 00:54:09,840
Speaker 1: phone from Saturday till yesterday Thursday, and I have to

965
00:54:09,920 --> 00:54:13,319
Speaker 1: say it made me feel It truly made me feel

966
00:54:13,400 --> 00:54:16,080
Speaker 1: ten times crazier. It didn't seem like the lack of

967
00:54:16,120 --> 00:54:18,440
Speaker 1: a phone was bothering, you know. It wasn't. It wasn't,

968
00:54:18,760 --> 00:54:21,160
Speaker 1: it wasn't actively But the only time I noticed that

969
00:54:21,239 --> 00:54:22,680
Speaker 1: I did not have a phone is when I was

970
00:54:22,760 --> 00:54:27,120
Speaker 1: waiting in line for the bathroom because there was like here, Yeah, um,

971
00:54:27,440 --> 00:54:29,560
Speaker 1: I couldn't be without my not even photo moments, not

972
00:54:29,560 --> 00:54:30,560
Speaker 1: even like I want to take a picture of that.

973
00:54:30,640 --> 00:54:32,040
Speaker 1: We'll see. That's the other thing is that I am

974
00:54:32,080 --> 00:54:34,000
Speaker 1: sad that I didn't get to make everyone jealous about

975
00:54:34,000 --> 00:54:36,960
Speaker 1: my vacation. There are so many, so many terrible Instagram

976
00:54:37,000 --> 00:54:40,000
Speaker 1: stories that were missed out on so many photos, um

977
00:54:40,440 --> 00:54:44,400
Speaker 1: that that didn't get taken. Um. But yeah, it just

978
00:54:44,600 --> 00:54:47,040
Speaker 1: because I was like usually like I'm able to like

979
00:54:47,160 --> 00:54:49,439
Speaker 1: sort of take a dip back into real life while

980
00:54:49,440 --> 00:54:52,320
Speaker 1: I'm on vacation, and I forced me really not be

981
00:54:52,400 --> 00:54:54,920
Speaker 1: able to. And I, um, I mean, the big thing

982
00:54:55,000 --> 00:54:57,439
Speaker 1: I realized is that I have nothing interesting to say

983
00:54:57,560 --> 00:55:01,520
Speaker 1: that I like was like I was finally back with

984
00:55:01,640 --> 00:55:03,640
Speaker 1: my phone yesterday and I was like, now I can

985
00:55:03,680 --> 00:55:05,960
Speaker 1: finally tweet all of those great thoughts that I had

986
00:55:06,040 --> 00:55:10,240
Speaker 1: on I didn't have a single interesting thought on the island,

987
00:55:10,320 --> 00:55:14,360
Speaker 1: not one, And I guess that's good interesting thought on vacation.

988
00:55:14,600 --> 00:55:17,400
Speaker 1: I recently, I wouldn't have been able to survive. I

989
00:55:17,520 --> 00:55:19,640
Speaker 1: recently looked at my phone and I put that thing

990
00:55:19,719 --> 00:55:22,359
Speaker 1: on that's like tells you how much hours you spend

991
00:55:22,400 --> 00:55:26,120
Speaker 1: on your phone. I'm embarrassed to say that I spend

992
00:55:26,480 --> 00:55:30,440
Speaker 1: the fucking message told me that I spent over average

993
00:55:30,480 --> 00:55:33,320
Speaker 1: over eight hours of phone today. I think that's pretty

994
00:55:33,360 --> 00:55:38,440
Speaker 1: normal for people like us. I do. It's so crazy.

995
00:55:38,520 --> 00:55:40,840
Speaker 1: I probably am on my phone longer than I'm sleeping.

996
00:55:43,760 --> 00:55:47,319
Speaker 1: But also it's not like you're on one continuous eight

997
00:55:47,400 --> 00:55:50,920
Speaker 1: hour streak with you know, I just get nervous that.

998
00:55:50,960 --> 00:55:52,680
Speaker 1: Like I'm around people and they're like, oh, that's the

999
00:55:52,719 --> 00:55:55,680
Speaker 1: kind of person who's always on his phone. Well everybody.

1000
00:55:55,719 --> 00:55:59,640
Speaker 1: That is not an interesting observation anymore. Like people of

1001
00:56:00,080 --> 00:56:01,759
Speaker 1: er than us love to be like, you know, I

1002
00:56:01,840 --> 00:56:05,160
Speaker 1: saw these people, the whole table, millennials, all on their phone,

1003
00:56:05,160 --> 00:56:07,399
Speaker 1: and it's like, yeah, fuck you, it's not exceptional. It's

1004
00:56:07,440 --> 00:56:10,680
Speaker 1: not exceptional. That's just now we're moving. I do wonder though,

1005
00:56:10,760 --> 00:56:14,960
Speaker 1: like I was just understimulated on Fire Island because of

1006
00:56:15,040 --> 00:56:17,120
Speaker 1: the lack of the phone, Like I wasn't being like

1007
00:56:17,239 --> 00:56:21,080
Speaker 1: constantly like and I think that in doubt, like yeah,

1008
00:56:21,200 --> 00:56:24,320
Speaker 1: just like scrolling through stuff. So I wonder, like, I

1009
00:56:24,360 --> 00:56:26,880
Speaker 1: wonder how that's affecting us to just like constantly be

1010
00:56:27,000 --> 00:56:31,440
Speaker 1: engaged and constantly be you know, um stimulated by information

1011
00:56:31,560 --> 00:56:35,839
Speaker 1: and memes and jokes and music all the time. I mean, yeah,

1012
00:56:35,840 --> 00:56:40,160
Speaker 1: I think it's um damaging. Wow. But I you know

1013
00:56:40,200 --> 00:56:43,040
Speaker 1: what I did on Fire Island, and my thing with

1014
00:56:43,120 --> 00:56:46,880
Speaker 1: Fire Island is I actually don't love going not because

1015
00:56:46,960 --> 00:56:49,360
Speaker 1: of any like social or sexual thing. It's because I

1016
00:56:49,400 --> 00:56:52,279
Speaker 1: don't like to be sandy in my bed. Like there

1017
00:56:52,400 --> 00:56:57,840
Speaker 1: was a lot of sand shared a bed, sorry, and

1018
00:56:58,520 --> 00:57:01,000
Speaker 1: there was a lot of sand. Our only fans is

1019
00:57:01,080 --> 00:57:03,960
Speaker 1: dropping soon it's gonna be us sleeping next to each other,

1020
00:57:05,480 --> 00:57:10,080
Speaker 1: back back to back, like the the imask dedvisor on

1021
00:57:10,600 --> 00:57:13,120
Speaker 1: and they're sand all over me. Um. But I apparently

1022
00:57:13,160 --> 00:57:15,120
Speaker 1: tracked a lot of sand back to the bed because

1023
00:57:15,960 --> 00:57:17,400
Speaker 1: it was really sandy. And I just don't like my

1024
00:57:17,560 --> 00:57:20,280
Speaker 1: when my feet are sandy. I just prefer something like

1025
00:57:20,320 --> 00:57:23,280
Speaker 1: Palm Springs where it's like pool culture. Here, here we

1026
00:57:23,360 --> 00:57:29,080
Speaker 1: go again. No, it's not the l a. Palm Springs

1027
00:57:29,160 --> 00:57:32,920
Speaker 1: fucking sucks. I totally disagree with you. Palm Strings fucking sucks.

1028
00:57:33,200 --> 00:57:37,680
Speaker 1: The restaurants are terribly you have to drive everywhere. I disagree.

1029
00:57:38,240 --> 00:57:40,040
Speaker 1: I just like, I mean, it's it's a matter of

1030
00:57:40,120 --> 00:57:43,280
Speaker 1: like civilization versus seclusion. I love a beach. I need

1031
00:57:43,320 --> 00:57:45,960
Speaker 1: a beach. I see, I grew up with beaches. I

1032
00:57:46,080 --> 00:57:48,440
Speaker 1: passed on the beach. I passed on the beach. But

1033
00:57:48,880 --> 00:57:50,360
Speaker 1: what I was gonna say is one thing I did

1034
00:57:50,480 --> 00:57:52,480
Speaker 1: do that I never do is I went in the ocean.

1035
00:57:53,120 --> 00:57:55,360
Speaker 1: But it's always too cold. I'm very sensitive to cold.

1036
00:57:55,720 --> 00:57:58,600
Speaker 1: And I had a gorgeous experience in the ocean. I

1037
00:57:58,640 --> 00:58:01,600
Speaker 1: had an emotional experience. When we were tripping, Matt was

1038
00:58:01,800 --> 00:58:07,400
Speaker 1: Bonnie Bonnie. He was big little eyes, just like truly,

1039
00:58:07,600 --> 00:58:09,400
Speaker 1: like we were all like buyer blankets and we just

1040
00:58:09,440 --> 00:58:12,200
Speaker 1: saw Matt down by the beach, like changing around. I

1041
00:58:12,280 --> 00:58:14,080
Speaker 1: had a lot to think about he did. He It

1042
00:58:14,320 --> 00:58:16,800
Speaker 1: was so funny and we and I was like, what

1043
00:58:16,920 --> 00:58:18,320
Speaker 1: song is playing in your head? And He's like, I'm

1044
00:58:18,320 --> 00:58:19,880
Speaker 1: not listening to any music in my head, and then

1045
00:58:19,960 --> 00:58:23,880
Speaker 1: later he came back. It's the Archer. It's the Archers. Literally,

1046
00:58:26,320 --> 00:58:32,360
Speaker 1: I was thinking about the Archer in my head. Been Um,

1047
00:58:32,520 --> 00:58:34,520
Speaker 1: I think that song is great. I think it is

1048
00:58:34,600 --> 00:58:39,720
Speaker 1: Out of the Woods Getaway Car part Trace, But I

1049
00:58:39,800 --> 00:58:41,760
Speaker 1: think it's just the worst version of those two songs.

1050
00:58:41,840 --> 00:58:43,800
Speaker 1: You know. I think she's she's singing about something that

1051
00:58:43,840 --> 00:58:46,240
Speaker 1: I don't think she's really touched on before. And I think,

1052
00:58:46,320 --> 00:58:49,560
Speaker 1: like it's not really touched on in music, maybe hasn't

1053
00:58:49,560 --> 00:58:54,360
Speaker 1: been lyrically touched on in a while. Never heard it. Yeah, No,

1054
00:58:54,480 --> 00:58:57,080
Speaker 1: it's just like, um, like I have the capacity to hurt,

1055
00:58:57,080 --> 00:58:59,440
Speaker 1: and I've been hurt. Like I love that idea, Like

1056
00:59:00,840 --> 00:59:03,240
Speaker 1: I just think that there's such a there's so much

1057
00:59:03,560 --> 00:59:07,000
Speaker 1: lyrically in it, Like I think like it's I really

1058
00:59:07,080 --> 00:59:09,000
Speaker 1: like that it never drops. Actually the first time I

1059
00:59:09,080 --> 00:59:11,360
Speaker 1: heard it, I was like, it never like there's no drop,

1060
00:59:11,480 --> 00:59:14,600
Speaker 1: It never becomes something you can like really feel in

1061
00:59:14,680 --> 00:59:16,720
Speaker 1: a deeper way. But I actually disagree with that now

1062
00:59:16,880 --> 00:59:19,160
Speaker 1: because I kind of like this the way that it

1063
00:59:19,320 --> 00:59:21,560
Speaker 1: ends with a sense of like calm, you know what

1064
00:59:21,640 --> 00:59:23,680
Speaker 1: I mean. It's kind of like the story of like

1065
00:59:24,160 --> 00:59:26,960
Speaker 1: you made someone and then maybe like it doesn't have

1066
00:59:27,080 --> 00:59:30,360
Speaker 1: to be like it as difficult as it's always been,

1067
00:59:30,560 --> 00:59:32,560
Speaker 1: you know what I mean. Like, I think that's kind

1068
00:59:32,560 --> 00:59:34,800
Speaker 1: of nice, and I think that's I appreciate, like a

1069
00:59:34,880 --> 00:59:38,960
Speaker 1: lyrical simplicity like that, or just not even lyrical simplicity.

1070
00:59:38,960 --> 00:59:41,440
Speaker 1: I don't think it's lyrical lyrically simple, but just that

1071
00:59:41,560 --> 00:59:45,000
Speaker 1: kind of like um, melodically, it's very kind of straightforward,

1072
00:59:45,440 --> 00:59:47,480
Speaker 1: and I think it's kind of nice. And I appreciate

1073
00:59:47,520 --> 00:59:50,400
Speaker 1: that she released it in advance of the album because

1074
00:59:50,560 --> 00:59:52,600
Speaker 1: I think that if I have a feeling, the album

1075
00:59:52,640 --> 00:59:54,200
Speaker 1: will be more like that. And by the time that

1076
00:59:54,320 --> 00:59:56,280
Speaker 1: this episode is out, the album will be out and

1077
00:59:56,360 --> 00:59:58,440
Speaker 1: the jury will be out. The jury will be out,

1078
00:59:58,520 --> 01:00:02,400
Speaker 1: but I think Drewy won't be out. Oh yeah, yeah,

1079
01:00:02,440 --> 01:00:08,640
Speaker 1: they'll come back. The foreman will say Hi. Max. Twitter

1080
01:00:08,640 --> 01:00:11,480
Speaker 1: did santage rot show called Taggart Lawyer's at Law and

1081
01:00:11,520 --> 01:00:15,160
Speaker 1: they have Eliza her What's playing the foreman. So it's

1082
01:00:15,200 --> 01:00:18,240
Speaker 1: just the courtroom drama. But they have Eliza What's playing

1083
01:00:18,280 --> 01:00:22,200
Speaker 1: the foreman. She just the writing is so good. She goes, hi, Um,

1084
01:00:23,960 --> 01:00:28,680
Speaker 1: I'm the leader of the group. You might remember me anyway, Um,

1085
01:00:28,880 --> 01:00:30,840
Speaker 1: we've made our decision Um, we just want to say

1086
01:00:30,880 --> 01:00:36,680
Speaker 1: that both sides give an amazing performance, like gave it

1087
01:00:36,760 --> 01:00:40,840
Speaker 1: amazing performance. Speaking of courtrooms and amazing performances, you guys

1088
01:00:40,880 --> 01:00:44,440
Speaker 1: got to check out I Love You Now dieing about that.

1089
01:00:44,720 --> 01:00:47,320
Speaker 1: It's an HBO doc It's a two hour, two part

1090
01:00:47,440 --> 01:00:50,919
Speaker 1: doc um and it is about this case in Massachusetts

1091
01:00:50,960 --> 01:00:54,960
Speaker 1: that girl who told her texted her boyfriend for yourself

1092
01:00:55,040 --> 01:00:57,160
Speaker 1: and then he did and yes, I remember the stent.

1093
01:00:57,160 --> 01:01:00,200
Speaker 1: They charged her with manslaughter. Um. And it is this

1094
01:01:00,320 --> 01:01:01,840
Speaker 1: case and they do such a good job because in

1095
01:01:01,880 --> 01:01:04,640
Speaker 1: the first hour you're like, get her, but then they

1096
01:01:04,680 --> 01:01:06,680
Speaker 1: make her sympathetic, and then in the second hour you're like,

1097
01:01:06,760 --> 01:01:09,960
Speaker 1: wait a minute, no one here, it was guilty. Um,

1098
01:01:10,360 --> 01:01:13,320
Speaker 1: how do they do that? The relationship between her and

1099
01:01:13,360 --> 01:01:15,360
Speaker 1: the boyfriend and how it fucked up it is, Yeah,

1100
01:01:15,520 --> 01:01:17,960
Speaker 1: And it is just like this example of the state

1101
01:01:18,200 --> 01:01:21,440
Speaker 1: needing to criminalize this thing in order to sort of

1102
01:01:22,200 --> 01:01:25,880
Speaker 1: like sort of ring a win out of a tragic situation.

1103
01:01:26,000 --> 01:01:29,040
Speaker 1: And we don't this none, none of it needed to

1104
01:01:29,080 --> 01:01:33,480
Speaker 1: be criminal, you know, like it shouldn't have been punitive,

1105
01:01:33,600 --> 01:01:36,880
Speaker 1: like she needs treatment. It was just so it's tragic,

1106
01:01:36,960 --> 01:01:39,520
Speaker 1: and Liam Michelle is prominently featured in the second half,

1107
01:01:39,680 --> 01:01:43,040
Speaker 1: and she booked, she booked. Wait wait I thought it

1108
01:01:43,080 --> 01:01:45,960
Speaker 1: was a documentary. It is, but Liam Michell she booked

1109
01:01:47,040 --> 01:01:50,160
Speaker 1: what She's the Janine Pierre of this. I gotta say,

1110
01:01:50,520 --> 01:01:53,320
Speaker 1: you just have to watch it. And and Liam Michelle

1111
01:01:53,480 --> 01:01:56,880
Speaker 1: is in it, and she acted, she is acting in

1112
01:01:56,960 --> 01:02:00,200
Speaker 1: it what she is she is acting. Okay, I'm end

1113
01:02:00,800 --> 01:02:03,680
Speaker 1: from I'm not gonna say I'm not going to spoil

1114
01:02:03,760 --> 01:02:05,720
Speaker 1: it for the people who who I love you now

1115
01:02:05,800 --> 01:02:10,240
Speaker 1: Diet on HBO. You question today, Um, speaking of great

1116
01:02:10,400 --> 01:02:12,640
Speaker 1: performances in courtrooms, you guys got to check out big

1117
01:02:12,680 --> 01:02:14,760
Speaker 1: a little. You guys have to check a little. Well.

1118
01:02:14,800 --> 01:02:17,240
Speaker 1: The thing that Matt he was doing now is when

1119
01:02:17,440 --> 01:02:20,240
Speaker 1: like sometimes I will be pouty or whatever and will

1120
01:02:20,240 --> 01:02:22,480
Speaker 1: be like, what's wrong, or Matt will just like force

1121
01:02:23,200 --> 01:02:25,160
Speaker 1: He'll force me to He'll force me to be like

1122
01:02:25,800 --> 01:02:29,520
Speaker 1: social or amiable or whatever. I don't like the energy

1123
01:02:29,600 --> 01:02:34,680
Speaker 1: in this house, some dark energy and I don't And

1124
01:02:34,760 --> 01:02:41,400
Speaker 1: I grab your head and I go, mom, it's the

1125
01:02:41,520 --> 01:02:46,919
Speaker 1: crown that you're adding and to be to be clear

1126
01:02:47,280 --> 01:02:50,000
Speaker 1: for for the reader. Um. When we when Matt came

1127
01:02:50,080 --> 01:02:52,720
Speaker 1: up with this bit, we really dug into how horrible

1128
01:02:52,800 --> 01:02:55,360
Speaker 1: that character. Yeah, no, for them to add another the

1129
01:02:55,760 --> 01:03:01,480
Speaker 1: only other black woman in the castle, which is shocking.

1130
01:03:01,800 --> 01:03:04,880
Speaker 1: It was so shocking when I I could not when

1131
01:03:04,960 --> 01:03:07,480
Speaker 1: she was sneaking those crystals into that room, I said,

1132
01:03:07,560 --> 01:03:11,520
Speaker 1: what are you doing? David E. Kelly? But literally it

1133
01:03:11,640 --> 01:03:14,000
Speaker 1: was like when you when the first episode that she's in,

1134
01:03:14,680 --> 01:03:17,040
Speaker 1: and then there's that first there's the dinner scene. The

1135
01:03:17,120 --> 01:03:20,160
Speaker 1: dinner scene is iconic, so and the actress kills it.

1136
01:03:20,280 --> 01:03:21,800
Speaker 1: And so I was thinking to myself when I was

1137
01:03:21,800 --> 01:03:24,600
Speaker 1: watching that, I'm like, this is so crazy because this

1138
01:03:24,680 --> 01:03:27,840
Speaker 1: actress that's playing Bonnie's mother is absolutely slaying this part.

1139
01:03:28,320 --> 01:03:30,600
Speaker 1: But I wonder why they're not. They don't have like

1140
01:03:30,760 --> 01:03:34,400
Speaker 1: a big star in this part. So my theory is

1141
01:03:34,480 --> 01:03:36,840
Speaker 1: Angela Basset or like Alfrey Wood. I bet they were

1142
01:03:36,920 --> 01:03:40,480
Speaker 1: out to all the fancy actresses and then they all

1143
01:03:40,600 --> 01:03:43,280
Speaker 1: were like, oh, I have one good scene and then

1144
01:03:43,320 --> 01:03:45,080
Speaker 1: she's a voodoo which and I'm in a coma from

1145
01:03:45,080 --> 01:03:48,680
Speaker 1: four episodes. Yeah no, I'm not doing this. I'm Angela Bassett.

1146
01:03:48,840 --> 01:03:51,960
Speaker 1: Yeah you know what I mean. Also, I don't know

1147
01:03:52,000 --> 01:03:53,800
Speaker 1: that that's what happened, And I'm actually happy that this

1148
01:03:53,880 --> 01:03:56,720
Speaker 1: actress booked depart because she at least got two episodes

1149
01:03:56,760 --> 01:04:00,600
Speaker 1: of good work, but she she was given not great material,

1150
01:04:00,680 --> 01:04:02,720
Speaker 1: but she was amazing that. I just think that really

1151
01:04:02,880 --> 01:04:05,520
Speaker 1: was like I guess they needed something like that to

1152
01:04:05,560 --> 01:04:07,960
Speaker 1: happen so that the Zoe Kravitz Bonnie character get to

1153
01:04:08,040 --> 01:04:09,680
Speaker 1: the point where she said that to her husband and

1154
01:04:09,800 --> 01:04:12,280
Speaker 1: like bucked up and went to the police station. But

1155
01:04:12,360 --> 01:04:15,920
Speaker 1: it was like, I don't know this. I thought the

1156
01:04:15,960 --> 01:04:18,240
Speaker 1: first two or three episodes were great, and then they

1157
01:04:18,320 --> 01:04:20,880
Speaker 1: had like a really weak middle, and then the finale

1158
01:04:21,000 --> 01:04:24,600
Speaker 1: I thought was good. I haven't finished. You haven't finished.

1159
01:04:24,640 --> 01:04:27,240
Speaker 1: I I fell behind and I looked at my c

1160
01:04:27,640 --> 01:04:30,480
Speaker 1: and I said, I would rather watch American Ninja Warrior

1161
01:04:30,640 --> 01:04:34,400
Speaker 1: right now than big little lies. And then when that happens,

1162
01:04:35,000 --> 01:04:38,040
Speaker 1: you really have to reconsider. You hate to hear it,

1163
01:04:38,280 --> 01:04:40,240
Speaker 1: you do. But the thing is, I just like wasn't

1164
01:04:40,280 --> 01:04:43,320
Speaker 1: engaged by the story. I kept being like, why did

1165
01:04:43,360 --> 01:04:46,720
Speaker 1: they lie? Like it is it is a set up

1166
01:04:46,760 --> 01:04:49,040
Speaker 1: at the end of the first season and you buy

1167
01:04:49,120 --> 01:04:51,160
Speaker 1: it and you're like, yes, okay, great, and then that

1168
01:04:51,280 --> 01:04:54,000
Speaker 1: you come they all come back and you're like, let's

1169
01:04:54,160 --> 01:04:56,400
Speaker 1: think about this. Doesn't ring? Do you know how it ends?

1170
01:04:57,320 --> 01:04:59,240
Speaker 1: I don't. Do you want it? Can we talk about it?

1171
01:04:59,600 --> 01:05:00,919
Speaker 1: Or do you want to watch it? You're not gonna

1172
01:05:00,960 --> 01:05:03,720
Speaker 1: watch I'll watch it, watch it. I don't want to.

1173
01:05:03,760 --> 01:05:05,200
Speaker 1: I don't want to. I don't want to talk about

1174
01:05:05,240 --> 01:05:07,200
Speaker 1: something that I haven't actually seen. I want to. I

1175
01:05:07,240 --> 01:05:10,360
Speaker 1: don't wanna be forced to defend or um, you know,

1176
01:05:10,560 --> 01:05:15,160
Speaker 1: sort of condemn and ending that I haven't seen. Here's

1177
01:05:15,160 --> 01:05:17,800
Speaker 1: what I'll say. The way that it ends, and I'm

1178
01:05:17,840 --> 01:05:19,600
Speaker 1: not going to say anything. The way that it ends

1179
01:05:19,680 --> 01:05:21,320
Speaker 1: made me feel like, oh, maybe we didn't need a

1180
01:05:21,360 --> 01:05:25,240
Speaker 1: second season m honestly, which is saying a lot, because

1181
01:05:25,280 --> 01:05:27,680
Speaker 1: it's like there were so many great moments and so

1182
01:05:27,720 --> 01:05:29,960
Speaker 1: many great performances, and it was just like the way

1183
01:05:30,000 --> 01:05:31,560
Speaker 1: that it ends. I was like, oh, I liked the

1184
01:05:31,720 --> 01:05:35,760
Speaker 1: ending that these characters had initially the first ending because

1185
01:05:36,000 --> 01:05:38,920
Speaker 1: to me, it's like there's a mixed message there, ye

1186
01:05:40,680 --> 01:05:43,160
Speaker 1: and it's a little dark. Well, none of us are

1187
01:05:43,160 --> 01:05:45,560
Speaker 1: going to ever be booked for any Reese Witherspoon project.

1188
01:05:45,640 --> 01:05:47,520
Speaker 1: We all went in for the teacher that we all

1189
01:05:47,560 --> 01:05:51,400
Speaker 1: gave us nothing to the camp. I'm sorry. I literally

1190
01:05:52,400 --> 01:05:55,080
Speaker 1: gorgeous man, beautiful man. But I was just like, Okay,

1191
01:05:55,160 --> 01:05:56,920
Speaker 1: I could have done this better. We all could have.

1192
01:05:57,080 --> 01:06:00,080
Speaker 1: We all could yeah, I mean maybe he like, why no,

1193
01:06:00,120 --> 01:06:02,960
Speaker 1: I didn't see your guys tapes? Actually no, but Matt

1194
01:06:02,960 --> 01:06:05,640
Speaker 1: and I did, you and I record itself team No.

1195
01:06:05,760 --> 01:06:07,560
Speaker 1: I didn't want to do that because we were going

1196
01:06:07,600 --> 01:06:09,200
Speaker 1: out for the same part and I didn't want us

1197
01:06:09,240 --> 01:06:12,000
Speaker 1: to copy each other. Right, But the thing is with

1198
01:06:12,160 --> 01:06:14,160
Speaker 1: you two, especially if you know that if they went

1199
01:06:14,280 --> 01:06:18,320
Speaker 1: with one or the other, it's completely different. Like the

1200
01:06:18,840 --> 01:06:21,520
Speaker 1: thing they wanted, well, the thing I just didn't. I

1201
01:06:21,600 --> 01:06:26,080
Speaker 1: don't know. I just I didn't want little like choices.

1202
01:06:26,160 --> 01:06:28,120
Speaker 1: I didn't want our choices to get confused. Okay, let's

1203
01:06:28,160 --> 01:06:29,480
Speaker 1: let's all do let's all three of us do the

1204
01:06:29,520 --> 01:06:34,720
Speaker 1: same line. Okay. The line is, what is the moral

1205
01:06:34,800 --> 01:06:38,320
Speaker 1: of Charlotte's Web Where's Amabella? Okay? I know that's not

1206
01:06:38,360 --> 01:06:40,960
Speaker 1: the line, but like, what is the moral Charlotte's Where's Abella? Like,

1207
01:06:41,000 --> 01:06:45,240
Speaker 1: I'll go first, what is the moral of Charlotte's Well,

1208
01:06:46,800 --> 01:06:52,800
Speaker 1: Where's Amabella? Okay? That's okay, that's okay. I gotta think

1209
01:06:52,800 --> 01:06:57,000
Speaker 1: about this. M And for me, it's about the tempo,

1210
01:06:57,240 --> 01:07:05,600
Speaker 1: you know, at the tempo, of course, this is compelling

1211
01:07:05,680 --> 01:07:08,160
Speaker 1: to listen and you're own time, and you're own time.

1212
01:07:15,200 --> 01:07:18,480
Speaker 1: And what's the moral of Charlotte's Web? Where's the Amabella?

1213
01:07:19,080 --> 01:07:21,400
Speaker 1: That's very good. I think that beats mine. Okay, Matt,

1214
01:07:23,600 --> 01:07:36,680
Speaker 1: And what is the moral? I'm Charlotte's Web? Where's Amabella? Wow? Listener, reader,

1215
01:07:36,800 --> 01:07:42,000
Speaker 1: you decide who books that? Please reach out. I thank

1216
01:07:42,040 --> 01:07:44,760
Speaker 1: you well. I think you went in a much different

1217
01:07:45,040 --> 01:07:51,760
Speaker 1: you know, a kid, we lost a kid. No, you know,

1218
01:07:51,800 --> 01:07:53,400
Speaker 1: it would have been the gag though, for any of

1219
01:07:53,520 --> 01:07:55,960
Speaker 1: us to do even a short scene with Nicole Kidman

1220
01:07:56,240 --> 01:08:00,560
Speaker 1: or Laura. That is true. There is a good honestly anybody.

1221
01:08:00,600 --> 01:08:02,760
Speaker 1: But honestly we we could have been in the room

1222
01:08:02,800 --> 01:08:06,800
Speaker 1: when she said that line about buying everyone polar bears. Oh,

1223
01:08:06,960 --> 01:08:09,200
Speaker 1: I love that line. We could have been sitting there

1224
01:08:09,280 --> 01:08:12,160
Speaker 1: watching her deliver that's so good. Why are we bad

1225
01:08:12,240 --> 01:08:15,920
Speaker 1: and didn't book? I don't know. We're just not stars ractors.

1226
01:08:16,439 --> 01:08:18,759
Speaker 1: I think what happens is we're not six ft five

1227
01:08:19,040 --> 01:08:23,040
Speaker 1: beautiful models. And that is sort of the issue of

1228
01:08:23,160 --> 01:08:28,800
Speaker 1: my life. I mean, the same yours, just mine, not

1229
01:08:29,040 --> 01:08:30,840
Speaker 1: you guys. Don't struggle, No no, no, no, no, no,

1230
01:08:30,920 --> 01:08:32,840
Speaker 1: I don't struggle. Did you fell in love on the Island.

1231
01:08:32,920 --> 01:08:34,360
Speaker 1: I did not follow in that on the Island, although

1232
01:08:34,360 --> 01:08:36,320
Speaker 1: I said this on the George Sveres episode. I was like,

1233
01:08:36,320 --> 01:08:37,720
Speaker 1: I'm gonna fall in love on Fire Island. Did not

1234
01:08:37,800 --> 01:08:40,040
Speaker 1: follow in the one. Well, I'm glad we got that update.

1235
01:08:40,880 --> 01:08:43,720
Speaker 1: Oh thank you, because what do you mean No, I

1236
01:08:43,800 --> 01:08:45,920
Speaker 1: mean if you said you were going to fall and

1237
01:08:45,960 --> 01:08:47,600
Speaker 1: then you didn't, yeah, you know he didn't. There was

1238
01:08:47,960 --> 01:08:53,840
Speaker 1: I had a moment where that one guy, Oh, that

1239
01:08:54,000 --> 01:08:56,680
Speaker 1: one guy who just like but he like gave me

1240
01:08:56,720 --> 01:08:58,960
Speaker 1: a very like brotherly vibe because remember at the party,

1241
01:08:58,960 --> 01:09:00,840
Speaker 1: he was like, come here, and he just like pulls

1242
01:09:00,920 --> 01:09:03,320
Speaker 1: me in. It was like a camp counselor. I was.

1243
01:09:03,360 --> 01:09:04,720
Speaker 1: I was like, that's like the camp counselor I have

1244
01:09:04,760 --> 01:09:06,559
Speaker 1: a crush on. And then I was like and then

1245
01:09:06,560 --> 01:09:07,920
Speaker 1: I saw him at the pantry and I was like,

1246
01:09:08,040 --> 01:09:10,679
Speaker 1: I don't know. That's when I go to Fire Island

1247
01:09:10,720 --> 01:09:13,479
Speaker 1: for platonic hugs. Platonic Well it was. It was a

1248
01:09:13,560 --> 01:09:15,920
Speaker 1: sexy hug and Joel saw and then Joel afterwards goes like,

1249
01:09:16,000 --> 01:09:18,320
Speaker 1: go for it, and I was like, I don't know.

1250
01:09:18,680 --> 01:09:20,479
Speaker 1: And then and then it just wasn't the right thing.

1251
01:09:20,760 --> 01:09:24,080
Speaker 1: I The thing is is like platonic sex is what

1252
01:09:24,360 --> 01:09:27,040
Speaker 1: I think my thirties evolved. I have not every new

1253
01:09:27,120 --> 01:09:29,719
Speaker 1: friend I've made in my thirties, I very platonic sexual

1254
01:09:29,800 --> 01:09:35,479
Speaker 1: partner platonic sex with and I think it's great. I think, yeah,

1255
01:09:35,560 --> 01:09:38,120
Speaker 1: like anyways, like people in my close group of friends,

1256
01:09:38,360 --> 01:09:40,200
Speaker 1: does it sunk up intimacy for you? Though? Like it

1257
01:09:40,280 --> 01:09:44,080
Speaker 1: doesn't really doesn't. I find it to be like really

1258
01:09:44,200 --> 01:09:47,160
Speaker 1: really nice and special and it's actually made sex more special.

1259
01:09:47,200 --> 01:09:53,000
Speaker 1: And I have less sex um now because yeah, because

1260
01:09:53,080 --> 01:09:56,200
Speaker 1: I wanted to be because now I'm like have experienced

1261
01:09:56,240 --> 01:09:58,760
Speaker 1: it as like an intimate act of like you know,

1262
01:09:58,960 --> 01:10:01,880
Speaker 1: friendship and love of with a a person and want that.

1263
01:10:02,120 --> 01:10:04,679
Speaker 1: And yet I also don't think I ever, I don't

1264
01:10:04,760 --> 01:10:07,479
Speaker 1: think I I and you push back on this, I

1265
01:10:07,520 --> 01:10:09,960
Speaker 1: don't think I want a boyfriend ever. Ever. I think I'm,

1266
01:10:10,200 --> 01:10:13,320
Speaker 1: I think I am. I am. I'm sort of coming

1267
01:10:13,360 --> 01:10:15,840
Speaker 1: into myself and realizing about myself that I am not

1268
01:10:15,960 --> 01:10:19,320
Speaker 1: somebody who I think I wanted. I forced myself to

1269
01:10:19,439 --> 01:10:22,320
Speaker 1: want it for so long, and I am so much

1270
01:10:22,360 --> 01:10:24,240
Speaker 1: happier right now being alone, and I think I will

1271
01:10:24,320 --> 01:10:27,760
Speaker 1: continue to be happier alone um rather than with one

1272
01:10:27,800 --> 01:10:30,759
Speaker 1: other human. Yes, yes, it's not that I was pushing

1273
01:10:30,800 --> 01:10:33,200
Speaker 1: back on it. It's that it's that it's you said.

1274
01:10:33,240 --> 01:10:35,240
Speaker 1: You said it of like I'm not meant to be

1275
01:10:35,360 --> 01:10:38,720
Speaker 1: with someone I don't think, but well I don't. I mean,

1276
01:10:38,800 --> 01:10:41,280
Speaker 1: I am not disputing that you don't want a boyfriend

1277
01:10:41,360 --> 01:10:43,080
Speaker 1: right now. That's your choice to not want one. But

1278
01:10:43,120 --> 01:10:44,960
Speaker 1: I don't think that you're someone who's going to end

1279
01:10:45,080 --> 01:10:48,800
Speaker 1: up with without like a partner. I think that's the

1280
01:10:48,880 --> 01:10:51,400
Speaker 1: way you were saying. But I think that is true though,

1281
01:10:51,439 --> 01:10:53,200
Speaker 1: because I don't think I'm the kind of person who

1282
01:10:53,920 --> 01:10:57,519
Speaker 1: has space for that. We've had We've had friends who

1283
01:10:57,800 --> 01:11:02,200
Speaker 1: and you included, Matt, who have sort of said this,

1284
01:11:02,680 --> 01:11:04,640
Speaker 1: have have sort of like expressed the sentiment in some

1285
01:11:04,800 --> 01:11:08,040
Speaker 1: form like I'm not going to be with someone for

1286
01:11:09,479 --> 01:11:12,280
Speaker 1: for the long feu for like the far future. I

1287
01:11:12,320 --> 01:11:15,519
Speaker 1: will not be with someone like like um, like I'm

1288
01:11:15,520 --> 01:11:17,719
Speaker 1: gonna say his name is completely But for the longest

1289
01:11:17,720 --> 01:11:19,720
Speaker 1: time I was like, no, never gonna have a boyfriend again.

1290
01:11:20,120 --> 01:11:21,960
Speaker 1: And now it's like now like just based on this

1291
01:11:22,120 --> 01:11:24,360
Speaker 1: Vire Island trips, yeah, I'm starting to like actually date again.

1292
01:11:24,400 --> 01:11:26,000
Speaker 1: I don't know that that's gonna be it for me

1293
01:11:26,040 --> 01:11:28,640
Speaker 1: because I've always hated dating I and then then and

1294
01:11:28,720 --> 01:11:30,320
Speaker 1: I said this to you, the last three guys that

1295
01:11:30,360 --> 01:11:34,080
Speaker 1: I've had feelings for, like strong feelings for, strong romantic

1296
01:11:34,120 --> 01:11:37,519
Speaker 1: feelings for I have turned into a like a different

1297
01:11:37,640 --> 01:11:39,800
Speaker 1: person and not a person that I liked. And I

1298
01:11:39,960 --> 01:11:41,720
Speaker 1: always come out of it and look back on it

1299
01:11:41,800 --> 01:11:43,800
Speaker 1: and be like, who was that? I did not like

1300
01:11:44,000 --> 01:11:46,479
Speaker 1: that person? I do not like myself when I'm in

1301
01:11:46,600 --> 01:11:49,760
Speaker 1: that mode, and I guess like until the day comes

1302
01:11:49,840 --> 01:11:51,960
Speaker 1: that I find somebody who I am my best self

1303
01:11:52,080 --> 01:11:54,880
Speaker 1: and who doesn't change you, and yeah, who doesn't like

1304
01:11:55,120 --> 01:11:56,920
Speaker 1: get in by me and like change me and like

1305
01:11:57,280 --> 01:12:01,639
Speaker 1: make me needy and jealous and like whatever whatever. I'm

1306
01:12:01,760 --> 01:12:03,720
Speaker 1: just not going to go for it. And I'm not looking.

1307
01:12:03,760 --> 01:12:05,400
Speaker 1: And this isn't even me trying to trick the universe,

1308
01:12:05,439 --> 01:12:08,240
Speaker 1: because I've tried that before too, of being like I

1309
01:12:08,280 --> 01:12:10,400
Speaker 1: don't want it. I don't want to I don't want it, Okay,

1310
01:12:10,479 --> 01:12:13,000
Speaker 1: I said I don't want it, Please bring it into

1311
01:12:13,040 --> 01:12:15,600
Speaker 1: my life. I'm just like so happy like having a

1312
01:12:15,680 --> 01:12:18,920
Speaker 1: lot of these very like intimate sort of like friendships

1313
01:12:19,040 --> 01:12:21,439
Speaker 1: and it's and it's and it's feeling that it's like

1314
01:12:22,120 --> 01:12:28,519
Speaker 1: it's giving me everything that I need that you may find. Well,

1315
01:12:28,680 --> 01:12:31,200
Speaker 1: I feel like I don't know that. I feel like

1316
01:12:31,280 --> 01:12:34,000
Speaker 1: every every time I've ever got infatuated with someone, I

1317
01:12:34,200 --> 01:12:37,559
Speaker 1: chemically become like a crazy person, like and I that's

1318
01:12:37,560 --> 01:12:40,120
Speaker 1: why I feel like those things that and maybe those

1319
01:12:40,160 --> 01:12:43,320
Speaker 1: things that you were feeling experiencing, we're just infatuation. And

1320
01:12:43,520 --> 01:12:46,080
Speaker 1: like when when you find like a sort of like

1321
01:12:46,760 --> 01:12:50,400
Speaker 1: I love feeling for someone, it will feel different. I mean, yeah,

1322
01:12:50,560 --> 01:12:53,240
Speaker 1: I wouldn't say that the things that I'm feeling right

1323
01:12:53,320 --> 01:12:57,280
Speaker 1: now for certain people that I like are not love feelings.

1324
01:12:57,400 --> 01:13:00,200
Speaker 1: But I'm just like realizing the older I get that

1325
01:13:00,240 --> 01:13:02,840
Speaker 1: it's less important that I'm not that. I just don't

1326
01:13:02,880 --> 01:13:04,960
Speaker 1: know that I have space the space in my life,

1327
01:13:05,040 --> 01:13:07,960
Speaker 1: like I like to be alone and I dip in

1328
01:13:08,040 --> 01:13:11,680
Speaker 1: and out of it like I would like to. I

1329
01:13:11,720 --> 01:13:13,519
Speaker 1: would like to date a couple. I would like to

1330
01:13:13,600 --> 01:13:17,519
Speaker 1: be the non primary partner for two to separate people. God,

1331
01:13:17,960 --> 01:13:19,479
Speaker 1: you know, I would like to be the Alice and

1332
01:13:19,560 --> 01:13:25,760
Speaker 1: Janny of their relationship. Best supporting actor. Come in, come in,

1333
01:13:25,920 --> 01:13:28,160
Speaker 1: give an amazing monologue, and you think you want more,

1334
01:13:28,200 --> 01:13:30,519
Speaker 1: but you don't right, Oh, but I always want more

1335
01:13:30,560 --> 01:13:32,880
Speaker 1: with he you think that, but you don't, but I don't.

1336
01:13:33,040 --> 01:13:35,599
Speaker 1: I had this thought last night where I was staying

1337
01:13:35,680 --> 01:13:38,519
Speaker 1: up until very late, like just working on writing, and

1338
01:13:38,600 --> 01:13:40,400
Speaker 1: I was just like what stop what? No. I was

1339
01:13:40,479 --> 01:13:44,160
Speaker 1: just thinking about something in relationship to my own situation, okay,

1340
01:13:44,240 --> 01:13:46,000
Speaker 1: and which I do want to talk about just very

1341
01:13:46,200 --> 01:13:50,160
Speaker 1: very briefly. But um, I was like, if I had,

1342
01:13:50,280 --> 01:13:51,680
Speaker 1: if I had, like if I was sharing, if I

1343
01:13:51,880 --> 01:13:55,080
Speaker 1: was living with someone like a like a like a

1344
01:13:55,720 --> 01:13:58,120
Speaker 1: significant other, like this would suck and this would be hard,

1345
01:13:58,160 --> 01:13:59,639
Speaker 1: and I would have like go to the other room,

1346
01:14:00,160 --> 01:14:02,840
Speaker 1: Like that's stupid. You do that all the time that

1347
01:14:02,880 --> 01:14:04,479
Speaker 1: I mean, the fact of the matter is like I

1348
01:14:04,560 --> 01:14:06,920
Speaker 1: would go when I was living with Henry. I would

1349
01:14:06,920 --> 01:14:08,519
Speaker 1: go into the next room all the time. Yeah, but

1350
01:14:08,600 --> 01:14:11,160
Speaker 1: I just I'm I'm like drolling this way where I

1351
01:14:11,280 --> 01:14:15,040
Speaker 1: just fucking love my alone time. So but you don't

1352
01:14:15,080 --> 01:14:17,200
Speaker 1: have to sacrifice your alone time to be with someone

1353
01:14:17,280 --> 01:14:21,479
Speaker 1: you do not. You simply don't. God. But like I've

1354
01:14:21,520 --> 01:14:23,240
Speaker 1: just been dating guy and we've talked about this. I've

1355
01:14:23,240 --> 01:14:25,000
Speaker 1: just been dating guys lately who have just been like

1356
01:14:25,520 --> 01:14:28,160
Speaker 1: so demanding of my time, and like I've had to

1357
01:14:28,360 --> 01:14:30,519
Speaker 1: put in I've had to for whatever reason, do the

1358
01:14:30,560 --> 01:14:32,800
Speaker 1: work to make them feel comfortable or to make them

1359
01:14:33,000 --> 01:14:35,719
Speaker 1: enjoy the experience. And I'm like, why am I doing

1360
01:14:35,920 --> 01:14:39,880
Speaker 1: all the fucking work? I don't know anyway, but with Matt,

1361
01:14:41,040 --> 01:14:43,160
Speaker 1: because I remember, I mean like, of course, this is

1362
01:14:43,200 --> 01:14:46,280
Speaker 1: like fresh off your breakup with Well, the thing is like,

1363
01:14:46,479 --> 01:14:48,600
Speaker 1: I know what you're saying that, and I think what

1364
01:14:48,720 --> 01:14:52,200
Speaker 1: I said was I can't see myself putting that much

1365
01:14:52,360 --> 01:14:54,439
Speaker 1: energy into something because I know what it feels like

1366
01:14:54,520 --> 01:14:59,080
Speaker 1: to lose. It is like grieving a death. It is

1367
01:14:59,160 --> 01:15:04,000
Speaker 1: like going and it's it's hard and it hurts very bad.

1368
01:15:04,000 --> 01:15:06,720
Speaker 1: I mean, Catherine Cohen says it, it's like having a

1369
01:15:06,760 --> 01:15:09,400
Speaker 1: best friend and then they it is I mean literally,

1370
01:15:09,479 --> 01:15:11,080
Speaker 1: it's like she says it as a joke like in

1371
01:15:11,160 --> 01:15:12,920
Speaker 1: her in her standard, but it's like it's so it's

1372
01:15:12,920 --> 01:15:15,160
Speaker 1: actually so true. And the fact of the matter is

1373
01:15:15,360 --> 01:15:18,080
Speaker 1: like even people that you remain close with after your

1374
01:15:18,120 --> 01:15:20,240
Speaker 1: break up, like the relationship isn't the same, and over

1375
01:15:20,320 --> 01:15:23,160
Speaker 1: time it becomes you talk less and less and less

1376
01:15:23,200 --> 01:15:26,840
Speaker 1: and less to the point now where like, um, you

1377
01:15:26,920 --> 01:15:29,880
Speaker 1: don't see them much at all anymore, and you're still close.

1378
01:15:30,080 --> 01:15:34,120
Speaker 1: But it's like I was thinking the other day, like, uh,

1379
01:15:35,200 --> 01:15:38,760
Speaker 1: there's it's it's almost like a two and a half

1380
01:15:38,880 --> 01:15:42,400
Speaker 1: year relationship that kind of just happened, and I almost

1381
01:15:42,479 --> 01:15:45,760
Speaker 1: like it's hard for me to almost recall the details

1382
01:15:45,840 --> 01:15:49,240
Speaker 1: of it. I remember it in like broad emotional strokes,

1383
01:15:49,720 --> 01:15:52,800
Speaker 1: but I think, like honestly, like as amazing as it

1384
01:15:53,000 --> 01:15:55,840
Speaker 1: was when it was, Like the trauma of losing it

1385
01:15:56,080 --> 01:15:59,040
Speaker 1: like gets you to say things like I'm never doing

1386
01:15:59,120 --> 01:16:03,960
Speaker 1: that again because likely relationships will end, you know what

1387
01:16:04,040 --> 01:16:07,840
Speaker 1: I mean. Like, so it's it's hard, and it's like

1388
01:16:08,160 --> 01:16:12,200
Speaker 1: you do have to kind of like combat. It is

1389
01:16:12,320 --> 01:16:16,080
Speaker 1: like kind of going into like battle to do that.

1390
01:16:16,280 --> 01:16:19,400
Speaker 1: Like it's just hard. But I do think that if

1391
01:16:19,479 --> 01:16:22,880
Speaker 1: you stumble upon a situation where it's like two people

1392
01:16:23,000 --> 01:16:25,519
Speaker 1: willing to like try to do that, like you would

1393
01:16:25,560 --> 01:16:27,920
Speaker 1: owe it to yourself to to to try to see

1394
01:16:28,000 --> 01:16:31,599
Speaker 1: that happen. And I just feel like I just feel

1395
01:16:31,640 --> 01:16:34,720
Speaker 1: bad for people who, um not you guys. I'm not

1396
01:16:34,760 --> 01:16:39,720
Speaker 1: saying you guys. I feel bad for people who who you. Like.

1397
01:16:39,880 --> 01:16:42,840
Speaker 1: I've been in situations where I've presented like that I

1398
01:16:42,960 --> 01:16:45,040
Speaker 1: like someone to someone else and I've just watched them

1399
01:16:45,080 --> 01:16:47,800
Speaker 1: like completely shut down, and I'm like, wow, I hope

1400
01:16:47,840 --> 01:16:51,960
Speaker 1: that this is like something that you I hope this

1401
01:16:52,080 --> 01:16:53,720
Speaker 1: is something that works for you and you're okay with

1402
01:16:53,840 --> 01:16:56,040
Speaker 1: and not something that you're actively sad about. Because I

1403
01:16:56,240 --> 01:16:58,360
Speaker 1: like some people that I'm not like, no, not you're

1404
01:16:58,360 --> 01:17:00,160
Speaker 1: not you're not you'. I'm not talking about you. I'm

1405
01:17:00,160 --> 01:17:03,479
Speaker 1: talking about guys that I've dealt where it's like we'll

1406
01:17:03,520 --> 01:17:08,519
Speaker 1: have like an amazing like first situation together, or like

1407
01:17:09,120 --> 01:17:12,439
Speaker 1: it'll be very promising, and then I'll just get this sense,

1408
01:17:12,560 --> 01:17:15,160
Speaker 1: especially with gay men, where it's just like they want

1409
01:17:15,200 --> 01:17:19,920
Speaker 1: to run so fast from like intimacy, and it's like

1410
01:17:20,080 --> 01:17:22,320
Speaker 1: I don't want to be like that, and I wouldn't

1411
01:17:22,320 --> 01:17:23,560
Speaker 1: want to be with something like that because you have

1412
01:17:23,640 --> 01:17:27,639
Speaker 1: to work at them. My problem is oftentimes when someone

1413
01:17:27,960 --> 01:17:31,000
Speaker 1: when someone translates to me that they have like emotional issues,

1414
01:17:31,120 --> 01:17:33,479
Speaker 1: like I do the thing where it's like, oh, I

1415
01:17:33,560 --> 01:17:37,599
Speaker 1: should help, I will be the answer here. It's it's

1416
01:17:37,640 --> 01:17:42,000
Speaker 1: been such a pattern and so like it's been nice.

1417
01:17:42,479 --> 01:17:44,160
Speaker 1: It's just been nice for that to not be the case.

1418
01:17:44,560 --> 01:17:49,439
Speaker 1: That can be needy. I can be, but it's so funny.

1419
01:17:49,439 --> 01:17:51,760
Speaker 1: You know what's funny about Ariana Grande's album that the

1420
01:17:52,320 --> 01:17:56,360
Speaker 1: thank You Next album is the first one is there's Imagine,

1421
01:17:56,400 --> 01:17:58,840
Speaker 1: then Needy then NASA. So needy is like I can

1422
01:17:58,880 --> 01:18:00,400
Speaker 1: be needy, Like if you don't talk to back, I'm

1423
01:18:00,400 --> 01:18:07,360
Speaker 1: gonna act crazy, like don't tell me. So that is

1424
01:18:07,479 --> 01:18:10,639
Speaker 1: I feel that way. I mean, there's never a right answer.

1425
01:18:10,680 --> 01:18:14,000
Speaker 1: There's That is such a twentysomething album, Tim Platt coin

1426
01:18:14,080 --> 01:18:16,120
Speaker 1: this term like it's a twenty something. I'm like Beach Boys.

1427
01:18:16,160 --> 01:18:18,160
Speaker 1: Pet Sounds is a twenty something album where it's like

1428
01:18:18,479 --> 01:18:21,560
Speaker 1: pining and then like distancing and like truly or like

1429
01:18:22,400 --> 01:18:24,920
Speaker 1: vassily between all these crazy extremes and I feel like that,

1430
01:18:25,120 --> 01:18:28,120
Speaker 1: like the thinking next is like generationally, Like it's such

1431
01:18:28,120 --> 01:18:31,000
Speaker 1: a It's just so funny because like the two sentiments

1432
01:18:31,040 --> 01:18:34,439
Speaker 1: are literally opposite, but they're both great songs and they

1433
01:18:34,520 --> 01:18:36,920
Speaker 1: both work, and I both think they literally explain those

1434
01:18:36,960 --> 01:18:40,479
Speaker 1: situations well. And we contain multitudes, and we sure do

1435
01:18:40,600 --> 01:18:43,880
Speaker 1: contains contains multitude. This is the kind of thing that was.

1436
01:18:43,920 --> 01:18:46,280
Speaker 1: Like when I'm in a relationship, I am very tactile

1437
01:18:46,560 --> 01:18:48,800
Speaker 1: and very like, I'm not possessive, but I am like

1438
01:18:48,880 --> 01:18:50,960
Speaker 1: I like to be touching the person and I like

1439
01:18:51,080 --> 01:18:53,080
Speaker 1: to be like on top of them and like giving

1440
01:18:53,080 --> 01:18:55,800
Speaker 1: them kisses and stuff, and I love to cuddle at night.

1441
01:18:56,240 --> 01:18:59,439
Speaker 1: And then also there's another part of me that's like,

1442
01:19:00,360 --> 01:19:02,760
Speaker 1: I can't talk to you for twenty four hours. Yeah,

1443
01:19:03,080 --> 01:19:06,160
Speaker 1: I'm the same at the drop of a hat. Yep,

1444
01:19:06,600 --> 01:19:10,880
Speaker 1: ye same. Wow. That's why I feel almost happy that

1445
01:19:11,000 --> 01:19:13,559
Speaker 1: like the person I'm seeing now, like we have had

1446
01:19:14,640 --> 01:19:16,439
Speaker 1: realized that it was like a thing, and then we're

1447
01:19:16,479 --> 01:19:20,040
Speaker 1: immediately separated across the country. That's actually how dangerous though

1448
01:19:20,160 --> 01:19:24,080
Speaker 1: I don't emotionally dangerous because I out of here. I

1449
01:19:24,160 --> 01:19:27,640
Speaker 1: think it is because you when you live out the

1450
01:19:27,720 --> 01:19:32,519
Speaker 1: beginning stages of a relationship primarily over text at this stage,

1451
01:19:32,720 --> 01:19:35,080
Speaker 1: and it's different for in your situation is different because

1452
01:19:35,160 --> 01:19:37,640
Speaker 1: you have known this person for a while and you

1453
01:19:37,840 --> 01:19:40,559
Speaker 1: started out from so it's different. But I will say

1454
01:19:40,600 --> 01:19:43,160
Speaker 1: that in general, when I have had these situations occur

1455
01:19:43,280 --> 01:19:46,439
Speaker 1: and you live out that relationship in text, you build

1456
01:19:47,280 --> 01:19:50,200
Speaker 1: a different person in your brain and you build up,

1457
01:19:50,840 --> 01:19:54,400
Speaker 1: you know, this like tethered version of who they actually

1458
01:19:54,439 --> 01:19:56,040
Speaker 1: are in your brain, and then you get to them

1459
01:19:56,160 --> 01:19:59,920
Speaker 1: and it is and it all falls apart. That's happy,

1460
01:20:00,040 --> 01:20:03,200
Speaker 1: and that's happened recently. I get that. I mean, I

1461
01:20:03,320 --> 01:20:05,960
Speaker 1: hear that. I think that your situation is. We also

1462
01:20:06,000 --> 01:20:07,640
Speaker 1: speak on the phone a lot more than I've ever

1463
01:20:07,680 --> 01:20:09,600
Speaker 1: talked to anyone on the phone. He does love to

1464
01:20:09,680 --> 01:20:14,280
Speaker 1: call people on the phone. You're not unique. It's fine

1465
01:20:14,320 --> 01:20:16,880
Speaker 1: that I'm not unique. I just I'm not a phone person.

1466
01:20:17,000 --> 01:20:18,920
Speaker 1: But I will be for like someone that needs that.

1467
01:20:19,320 --> 01:20:21,240
Speaker 1: But I am not a phone person, and I am

1468
01:20:21,520 --> 01:20:24,320
Speaker 1: not a FaceTime person. Oh I'm a FaceTime face. I

1469
01:20:24,439 --> 01:20:29,240
Speaker 1: constantly FaceTime both of you. You don't FaceTime me of you,

1470
01:20:29,800 --> 01:20:35,480
Speaker 1: both of you, and I see you see it unavailable, unavailable.

1471
01:20:35,720 --> 01:20:38,800
Speaker 1: The last you FaceTime thrice a year. Bit that is

1472
01:20:38,840 --> 01:20:42,040
Speaker 1: not true. Yes, that is not true. Every single time

1473
01:20:42,600 --> 01:20:45,880
Speaker 1: I am care of a big facetimer. We facetimes a

1474
01:20:45,920 --> 01:20:48,479
Speaker 1: couple of times. You need a FaceTime. The last time

1475
01:20:48,479 --> 01:20:50,160
Speaker 1: you FaceTime me was when we were in Palm Springs

1476
01:20:50,200 --> 01:20:54,280
Speaker 1: and you were in Mexican Mexico can. Oh. But Joel

1477
01:20:54,320 --> 01:20:57,439
Speaker 1: and I a few months ago tried face timing a

1478
01:20:57,520 --> 01:20:59,760
Speaker 1: group FaceTime what you can do now, which truly see,

1479
01:21:01,640 --> 01:21:03,680
Speaker 1: I've never done it like since that. But like that

1480
01:21:03,800 --> 01:21:04,960
Speaker 1: was just you and me, and like we needed more

1481
01:21:05,000 --> 01:21:07,400
Speaker 1: people to make it feel like an actual experience. We

1482
01:21:07,479 --> 01:21:09,600
Speaker 1: need to do this. I've group facetimed a lot of

1483
01:21:09,640 --> 01:21:12,679
Speaker 1: people that are in the same bar, just like trying

1484
01:21:12,720 --> 01:21:16,599
Speaker 1: to find everybody. That's so it's not effective. It would

1485
01:21:16,640 --> 01:21:19,000
Speaker 1: be better to text um, but I just love to

1486
01:21:19,040 --> 01:21:22,400
Speaker 1: FaceTime and you guys don't answer. You never pick up

1487
01:21:22,439 --> 01:21:27,400
Speaker 1: my FaceTime. That's I've always picked up do you guys?

1488
01:21:27,439 --> 01:21:29,519
Speaker 1: Are you guys? Here? Here's the quest, here's a pole.

1489
01:21:29,880 --> 01:21:31,360
Speaker 1: Do you need to text the person first to let

1490
01:21:31,400 --> 01:21:33,280
Speaker 1: them know that you're about to face time? Okay? I

1491
01:21:33,400 --> 01:21:35,120
Speaker 1: never do No, I don't do that. Does it Does

1492
01:21:35,160 --> 01:21:38,599
Speaker 1: it increase your chance of them picking up? Though it's

1493
01:21:38,640 --> 01:21:40,639
Speaker 1: a set up, It's like setting up a meeting. It's like, okay, great,

1494
01:21:40,840 --> 01:21:42,800
Speaker 1: can I face time you in like ten minutes? I

1495
01:21:42,920 --> 01:21:45,519
Speaker 1: faced I FaceTime with my my therapist. That's the only

1496
01:21:45,560 --> 01:21:49,080
Speaker 1: person if that's great. No, he's the only one appointments with.

1497
01:21:49,200 --> 01:21:52,200
Speaker 1: He's the only one that picks up. Dr Neil, Stop,

1498
01:21:52,400 --> 01:21:59,760
Speaker 1: this is better. I used your code when you my

1499
01:22:00,040 --> 01:22:02,280
Speaker 1: jingle is catching on? Is that an ad tracy? Did?

1500
01:22:02,680 --> 01:22:05,360
Speaker 1: Did I count as? You? Guys get money? Now? We

1501
01:22:05,400 --> 01:22:07,519
Speaker 1: get money now? Okay, I think it's time. I think

1502
01:22:07,560 --> 01:22:10,720
Speaker 1: it's time. No, you always forget I always forget. I

1503
01:22:10,800 --> 01:22:14,559
Speaker 1: actually forgot to. It's forgot. Wait, um, I have one,

1504
01:22:14,680 --> 01:22:18,439
Speaker 1: I have one, I have one. Okay, this is um

1505
01:22:18,720 --> 01:22:20,320
Speaker 1: one second. This is I don't think so, honey. These

1506
01:22:20,320 --> 01:22:21,479
Speaker 1: is our second. When we take a minute to go

1507
01:22:21,520 --> 01:22:23,840
Speaker 1: off on something in culture, Matt, you'll start. This is

1508
01:22:23,880 --> 01:22:25,599
Speaker 1: Matt Rogers. I don't think so many times starts now,

1509
01:22:25,680 --> 01:22:28,800
Speaker 1: I don't think so, honey, Vincent van go Okay, dramatic bitch.

1510
01:22:29,160 --> 01:22:32,439
Speaker 1: Guess what. I have both my ears and I will

1511
01:22:32,439 --> 01:22:36,320
Speaker 1: become famous during my lifetime. Stupid poor I think that

1512
01:22:36,479 --> 01:22:39,800
Speaker 1: you are not even the best painter. Okay, I think

1513
01:22:39,800 --> 01:22:42,680
Speaker 1: that there were other painters that were much better, like

1514
01:22:43,240 --> 01:22:48,320
Speaker 1: Jackson and Pollock. Excuse me, and he kept both his ears. Honey, Hey,

1515
01:22:48,400 --> 01:22:50,080
Speaker 1: I hope that you have at least one of your

1516
01:22:50,080 --> 01:22:53,160
Speaker 1: ears now, Vincent van Gogh, because hear me when I

1517
01:22:53,240 --> 01:22:59,000
Speaker 1: say I don't think so. When I see that photograph

1518
01:22:59,080 --> 01:23:01,639
Speaker 1: of starry Night, when I say your picture of night,

1519
01:23:01,800 --> 01:23:04,639
Speaker 1: I think, okay, there's some promise here which we could

1520
01:23:04,680 --> 01:23:09,040
Speaker 1: have seen more. And then guess what we didn't. You

1521
01:23:09,160 --> 01:23:12,360
Speaker 1: are one portrait and one ear, and I think that

1522
01:23:12,560 --> 01:23:14,640
Speaker 1: you haven't even had a good movie made about you.

1523
01:23:15,560 --> 01:23:18,640
Speaker 1: Did William Dafoe play you? I don't even remember. I

1524
01:23:18,720 --> 01:23:21,960
Speaker 1: don't think so, honey. Vincent van Gogh more like Vincent

1525
01:23:22,080 --> 01:23:26,800
Speaker 1: van hell And that's one minute. That's that was a

1526
01:23:27,080 --> 01:23:30,800
Speaker 1: very good it really was. I like that, You're that

1527
01:23:30,920 --> 01:23:33,640
Speaker 1: was like Nanette. Honestly, that was like you hit a

1528
01:23:33,720 --> 01:23:37,080
Speaker 1: lot of the same thematic beats as Nanette. Here's why

1529
01:23:37,920 --> 01:23:39,920
Speaker 1: because I looked over at the at the library and

1530
01:23:40,000 --> 01:23:42,280
Speaker 1: there was there was a biography on Vincent van go

1531
01:23:42,400 --> 01:23:45,320
Speaker 1: and I was like, I have mine. Okay, I'm gonna

1532
01:23:45,360 --> 01:23:48,200
Speaker 1: do mine on. I don't think so, honey, Randy shows

1533
01:23:48,960 --> 01:23:51,559
Speaker 1: and the band playing on it didn't play long enough.

1534
01:23:51,960 --> 01:23:55,280
Speaker 1: Oh yes, please, I don't think the band played on. Okay, wait,

1535
01:23:55,479 --> 01:23:57,240
Speaker 1: let's let's each one. I'm gonna do one off the

1536
01:23:57,240 --> 01:23:59,840
Speaker 1: bookshelf too. This is Bowen Yanks. I don't think so

1537
01:24:00,160 --> 01:24:01,439
Speaker 1: his time starved me out. I don't think so many

1538
01:24:01,479 --> 01:24:05,200
Speaker 1: Sigmund Freud, bitch, what are you saying? Oh, dreams are

1539
01:24:05,240 --> 01:24:08,640
Speaker 1: the unconscious way of resolving conflicts that the consciousnes to.

1540
01:24:09,160 --> 01:24:11,759
Speaker 1: That are that are too disturbing for the conscious? Bitch?

1541
01:24:11,960 --> 01:24:15,920
Speaker 1: I knew that. I knew that first, I bet before

1542
01:24:15,960 --> 01:24:17,760
Speaker 1: I was even born. And when you were fucking in

1543
01:24:17,960 --> 01:24:22,040
Speaker 1: school in in in Austria. I don't even know your life, bitch,

1544
01:24:22,360 --> 01:24:24,519
Speaker 1: Get a better get a better life story, get a

1545
01:24:24,560 --> 01:24:26,320
Speaker 1: better biography. All I know about you is that you

1546
01:24:26,439 --> 01:24:28,400
Speaker 1: think that all men want to suck their mothers, not

1547
01:24:28,560 --> 01:24:32,320
Speaker 1: if they're get everything about gay people. And I think

1548
01:24:32,360 --> 01:24:34,920
Speaker 1: he like, did you know whatever, Sigmund Freud. I truly

1549
01:24:35,840 --> 01:24:39,720
Speaker 1: slept through you in my high school psychology classes. I

1550
01:24:39,880 --> 01:24:42,760
Speaker 1: don't give a ship and and psych. I didn't even

1551
01:24:42,800 --> 01:24:46,519
Speaker 1: take high school psychology, but we did a brief scheme

1552
01:24:46,560 --> 01:24:48,640
Speaker 1: of you in my philosophy class because I was that

1553
01:24:48,840 --> 01:24:52,400
Speaker 1: bitch who was thinking in abstract terms and not doing

1554
01:24:52,520 --> 01:24:56,280
Speaker 1: soft science bullshit while I was in junior year five seconds,

1555
01:24:56,479 --> 01:24:59,640
Speaker 1: I was doing hard sciences and philosophy because I was

1556
01:25:00,000 --> 01:25:03,880
Speaker 1: watch a renaissance Man and I be that's one minute.

1557
01:25:04,120 --> 01:25:07,280
Speaker 1: You didn't take a P psych, no bit, because I was.

1558
01:25:07,400 --> 01:25:08,760
Speaker 1: I was first of all on I by and I

1559
01:25:08,920 --> 01:25:10,840
Speaker 1: was second of all. I was just like a P

1560
01:25:10,920 --> 01:25:13,680
Speaker 1: psych was was was like truly like the cop out

1561
01:25:13,720 --> 01:25:15,600
Speaker 1: a P. I'm sorry for all of my app You

1562
01:25:15,640 --> 01:25:18,439
Speaker 1: were so mean and nest. It was not it was

1563
01:25:18,479 --> 01:25:21,120
Speaker 1: not a real class. And I'm and people who took

1564
01:25:21,120 --> 01:25:24,360
Speaker 1: a P psych are underdeveloped people who will never realize

1565
01:25:24,360 --> 01:25:27,160
Speaker 1: their pretending exactly. I got a five on a PC. Yeah,

1566
01:25:27,360 --> 01:25:30,680
Speaker 1: exact exactly what what are? What we are? At the

1567
01:25:30,680 --> 01:25:33,160
Speaker 1: AP scores, I got a five on a P PSYCH.

1568
01:25:33,200 --> 01:25:35,160
Speaker 1: I got a five on AP English Lit. I got

1569
01:25:35,240 --> 01:25:37,720
Speaker 1: a five on AP English Comp. I got a three

1570
01:25:37,800 --> 01:25:40,200
Speaker 1: on AP Environmental Science. I got a two on AP

1571
01:25:40,320 --> 01:25:43,439
Speaker 1: American History. I got a two on AP European History,

1572
01:25:44,520 --> 01:25:54,080
Speaker 1: and that holy Piers two. Those are a lot of aps.

1573
01:25:54,720 --> 01:25:57,240
Speaker 1: I did okay on my toest scores. Never stop saying,

1574
01:25:57,240 --> 01:26:01,719
Speaker 1: oh came really clear. There's the the conversation keeps going

1575
01:26:01,880 --> 01:26:04,040
Speaker 1: and and let me just pull this up. Yeah, here's

1576
01:26:04,080 --> 01:26:05,960
Speaker 1: the thing, Like, if you asked me to stop singing,

1577
01:26:06,040 --> 01:26:08,360
Speaker 1: I'm not going to like that is I thought you

1578
01:26:08,400 --> 01:26:10,920
Speaker 1: were just going down to like kiss my shoe. Okay,

1579
01:26:11,120 --> 01:26:15,160
Speaker 1: here's here's can we just talk about this. Yeah, Matt

1580
01:26:15,240 --> 01:26:17,080
Speaker 1: needs to stop singing. These are reviews that a meeting

1581
01:26:17,080 --> 01:26:19,200
Speaker 1: of las Culturesta's first one, Matt needs to stop singing,

1582
01:26:19,280 --> 01:26:22,160
Speaker 1: please stop. Next one, mattould keep singing. Title says it all.

1583
01:26:22,320 --> 01:26:25,680
Speaker 1: Next one, Matt should never stop singing? Uh music known

1584
01:26:25,720 --> 01:26:29,280
Speaker 1: Emoji's next one best podcast ever. Keep singing, stop talking

1585
01:26:29,320 --> 01:26:35,760
Speaker 1: about astrology. Next, keep singing and keep talking about community

1586
01:26:35,880 --> 01:26:38,240
Speaker 1: is really engaging with each other on the reviews. And

1587
01:26:38,320 --> 01:26:41,080
Speaker 1: also we should say it's time for you all to

1588
01:26:41,160 --> 01:26:44,240
Speaker 1: write a review. If you haven't written one, please write

1589
01:26:44,240 --> 01:26:45,800
Speaker 1: a review. It really helps this out. And you know

1590
01:26:45,880 --> 01:26:48,479
Speaker 1: what iTunes is now that you know the podcast app

1591
01:26:48,520 --> 01:26:51,559
Speaker 1: has taken out the comedy charts. Yeah, why do they

1592
01:26:51,600 --> 01:26:53,600
Speaker 1: do that? Taking it all categories? They've lumped them all

1593
01:26:53,600 --> 01:26:57,479
Speaker 1: into one giant chart, right, Tracy Hot producer Tracy is

1594
01:26:58,040 --> 01:27:03,839
Speaker 1: she shook, still have a little Well, I don't understand

1595
01:27:03,920 --> 01:27:06,519
Speaker 1: what they're doing, but I did notice that that was gone. Yes,

1596
01:27:06,680 --> 01:27:10,000
Speaker 1: but anyway, um, you know, the landscapes changing. But send

1597
01:27:10,080 --> 01:27:13,599
Speaker 1: us a nice review in a rating. We would love that. Um, Jewel,

1598
01:27:13,600 --> 01:27:15,519
Speaker 1: are you ready for one? Yeah? I'm not going to

1599
01:27:15,600 --> 01:27:18,080
Speaker 1: do the bookshelf thing. I just I am not facing

1600
01:27:18,200 --> 01:27:20,519
Speaker 1: the bookshelves um in a way. And I was going

1601
01:27:20,560 --> 01:27:24,160
Speaker 1: to do Michelle Alexander as a joke. Um, but that's

1602
01:27:24,200 --> 01:27:27,840
Speaker 1: that's that's tough territory, territory. I was gonna say the

1603
01:27:27,880 --> 01:27:29,960
Speaker 1: new gym crow, we don't need a new one on me.

1604
01:27:31,760 --> 01:27:34,160
Speaker 1: But that's that was that was sort of the crux

1605
01:27:34,200 --> 01:27:38,240
Speaker 1: of UM, well let's hear what but you have something, Um,

1606
01:27:38,360 --> 01:27:40,880
Speaker 1: I think I have something. Yeah, this is DOLDKM boosters.

1607
01:27:40,880 --> 01:27:42,640
Speaker 1: I don't think so, honey. As time starts now, I

1608
01:27:42,680 --> 01:27:46,200
Speaker 1: don't think so honey. Culture podcasts that bank episodes, Okay,

1609
01:27:46,960 --> 01:27:49,519
Speaker 1: listen here. I do not need to hear about the

1610
01:27:49,720 --> 01:27:53,880
Speaker 1: met gallops three months later from people talking about it

1611
01:27:53,960 --> 01:27:57,120
Speaker 1: like it happened yesterday, because I know that it did

1612
01:27:57,160 --> 01:28:00,599
Speaker 1: happen yesterday. And I know that some podcast so they

1613
01:28:00,680 --> 01:28:02,840
Speaker 1: split in one podcast host goes and lives on a

1614
01:28:02,920 --> 01:28:05,879
Speaker 1: different coast for several months and it makes it difficult

1615
01:28:05,960 --> 01:28:08,439
Speaker 1: for them to record episodes. But do not make that

1616
01:28:08,640 --> 01:28:11,439
Speaker 1: our problems. Figure it out, because we want to be

1617
01:28:11,520 --> 01:28:14,200
Speaker 1: able to talk about now. We want to be able

1618
01:28:14,200 --> 01:28:16,800
Speaker 1: to talk about the things that now. We want to

1619
01:28:16,800 --> 01:28:20,360
Speaker 1: be talking about our projects that are happening now. Okay, bitch.

1620
01:28:20,560 --> 01:28:22,880
Speaker 1: We do not know to hear the months later and

1621
01:28:23,040 --> 01:28:25,720
Speaker 1: to know to know that there are things happening on

1622
01:28:25,960 --> 01:28:30,320
Speaker 1: the media, in the media, in the radio, people talking

1623
01:28:30,760 --> 01:28:33,240
Speaker 1: there are happening on the radio every day that we

1624
01:28:33,360 --> 01:28:35,760
Speaker 1: are not able to hear your takes on because they

1625
01:28:35,760 --> 01:28:39,960
Speaker 1: are banked to the high heavens, I do not think so, honey,

1626
01:28:40,120 --> 01:28:46,680
Speaker 1: record them and release them immediately. That's you know, it

1627
01:28:46,880 --> 01:28:50,200
Speaker 1: is famously rule culture number ten. Current events are happening

1628
01:28:50,479 --> 01:28:55,519
Speaker 1: as we speak, and um, it's it's very difficult to

1629
01:28:55,840 --> 01:28:58,240
Speaker 1: not be able to cover this. You listen to myself

1630
01:28:58,400 --> 01:29:03,240
Speaker 1: speak about mar Rubles end game in Texas months after that,

1631
01:29:04,439 --> 01:29:08,360
Speaker 1: humiliating did you get did you get a bunch of hate?

1632
01:29:08,400 --> 01:29:12,200
Speaker 1: DM people people DM me me and saying your takes

1633
01:29:12,200 --> 01:29:15,800
Speaker 1: are old, so old, and to ask you about to

1634
01:29:15,880 --> 01:29:18,400
Speaker 1: ask you about the actress, and then listen to the

1635
01:29:18,479 --> 01:29:21,000
Speaker 1: episodes that were banked before and here you talk about it.

1636
01:29:21,160 --> 01:29:27,960
Speaker 1: Three humiliating, humiliating. Fine, you know what as a guest

1637
01:29:28,040 --> 01:29:30,479
Speaker 1: host in your house, in your home? And are we

1638
01:29:30,520 --> 01:29:32,960
Speaker 1: going to do because I'm I am going, I'm moving?

1639
01:29:34,680 --> 01:29:36,120
Speaker 1: Are you are you going to fly get into a

1640
01:29:36,200 --> 01:29:40,559
Speaker 1: studio Los Angeles on your brakes? I will, I gotta

1641
01:29:40,640 --> 01:29:42,560
Speaker 1: say for some of my some of my brakes, I

1642
01:29:42,600 --> 01:29:45,000
Speaker 1: will be needing to go on vacation and not in

1643
01:29:45,040 --> 01:29:46,920
Speaker 1: a place that's lay Well, then what are we going

1644
01:29:46,960 --> 01:29:48,640
Speaker 1: to do not have episode? We Well, we can do

1645
01:29:48,720 --> 01:29:52,519
Speaker 1: what vacation? You can do? What Tony Newsom and entry

1646
01:29:52,560 --> 01:29:55,200
Speaker 1: t do, which is they'll do it sort of, one

1647
01:29:55,240 --> 01:29:57,200
Speaker 1: of them will do it over a phone. Now I'm

1648
01:29:57,200 --> 01:29:59,759
Speaker 1: not doing one of us. Sounds garbled. No, you should

1649
01:29:59,800 --> 01:30:01,760
Speaker 1: find I figure at the studio because like you can

1650
01:30:01,840 --> 01:30:04,400
Speaker 1: do recordings, you can each go into like a studio

1651
01:30:04,520 --> 01:30:06,840
Speaker 1: and it sounds seamless. But there's something about and look,

1652
01:30:06,920 --> 01:30:09,000
Speaker 1: this is it. This is this is testing, this is

1653
01:30:09,160 --> 01:30:11,240
Speaker 1: this is needing to be in the room to book,

1654
01:30:11,800 --> 01:30:15,760
Speaker 1: something about being in the same room as us when

1655
01:30:15,760 --> 01:30:17,800
Speaker 1: we're with our guests. I'm telling you right now, I'm

1656
01:30:17,880 --> 01:30:20,120
Speaker 1: not doing a phone thing. You hear that, Tracy, I'm

1657
01:30:20,160 --> 01:30:22,760
Speaker 1: not doing it, and Bowen will have to boone will

1658
01:30:22,800 --> 01:30:29,960
Speaker 1: have to um, okay, Tracy knows, Tracy will Tracy will

1659
01:30:30,000 --> 01:30:32,960
Speaker 1: propose something absolutely well. I guess we'll get a proposal

1660
01:30:33,000 --> 01:30:34,960
Speaker 1: after this. But Bowen Yang does not need to go

1661
01:30:35,040 --> 01:30:37,680
Speaker 1: on vacation for two weeks. During his breaks. He can

1662
01:30:37,760 --> 01:30:39,400
Speaker 1: come for a little bit and then we can make

1663
01:30:39,439 --> 01:30:43,519
Speaker 1: a compromise him. I've been yeah, whatever, you've been what

1664
01:30:43,920 --> 01:30:47,320
Speaker 1: I've been working NonStop for the past. Then you can

1665
01:30:47,360 --> 01:30:48,680
Speaker 1: go on. You can go on a five or six

1666
01:30:48,800 --> 01:30:50,599
Speaker 1: day break and then one of them and then one

1667
01:30:50,680 --> 01:30:52,799
Speaker 1: day you can come to Los Angeles and record episodes

1668
01:30:52,880 --> 01:30:55,519
Speaker 1: with me, but then we'd still be banking it Like

1669
01:30:55,560 --> 01:30:59,439
Speaker 1: this just still doesn't solve the problem, my problem. It

1670
01:30:59,439 --> 01:31:03,120
Speaker 1: wouldn't be aggressive banking. It would be re record three

1671
01:31:03,200 --> 01:31:05,519
Speaker 1: episodes or so, and then by the time there's another break,

1672
01:31:05,640 --> 01:31:07,200
Speaker 1: then I go to New York and do it with you.

1673
01:31:08,080 --> 01:31:10,759
Speaker 1: That's how that works. It's called compromise. There's something about

1674
01:31:12,400 --> 01:31:16,559
Speaker 1: like a culture podcast talking about culture that's happening as

1675
01:31:16,600 --> 01:31:18,640
Speaker 1: it happens, right, but what are you what? What is

1676
01:31:18,760 --> 01:31:21,080
Speaker 1: the thing that you're expressing as the solution to this?

1677
01:31:22,439 --> 01:31:27,599
Speaker 1: Honestly a supplement where you and I go on Instagram

1678
01:31:27,720 --> 01:31:32,960
Speaker 1: Live together. That's not the podcast that's Instagram Live. So

1679
01:31:33,240 --> 01:31:35,599
Speaker 1: it looks it feels like you are the one that's stopping,

1680
01:31:35,800 --> 01:31:38,240
Speaker 1: or it feels like Joel has really thrown a fucking

1681
01:31:38,280 --> 01:31:45,200
Speaker 1: wrench into this, and it's like, because I you know what, Joel,

1682
01:31:45,280 --> 01:31:47,240
Speaker 1: maybe maybe because we'll both be in l A, we

1683
01:31:47,280 --> 01:31:52,560
Speaker 1: can just do last culture together. Everyone and iron interchangeable.

1684
01:31:52,600 --> 01:31:55,720
Speaker 1: Oh my god. The first night, the first night on

1685
01:31:56,800 --> 01:32:03,000
Speaker 1: this Asian man a person of color has numerous literally

1686
01:32:03,040 --> 01:32:05,200
Speaker 1: taught me on the shoulder while Bowen was stepped away

1687
01:32:05,200 --> 01:32:08,200
Speaker 1: from me and said Bowen and I said no, and

1688
01:32:08,280 --> 01:32:11,400
Speaker 1: then he said Bowen Yang and I said no, and

1689
01:32:11,520 --> 01:32:14,519
Speaker 1: then he said, yes, you are as though I were

1690
01:32:14,600 --> 01:32:17,400
Speaker 1: trying to be like demure and lie about my identity

1691
01:32:17,439 --> 01:32:18,920
Speaker 1: as bow and Yang and I said no, I'm not.

1692
01:32:19,040 --> 01:32:20,920
Speaker 1: And he's like, oh, you look just like him, and

1693
01:32:20,960 --> 01:32:27,679
Speaker 1: then walked away. Unbelievable, and then before a prominent Asian

1694
01:32:27,760 --> 01:32:32,400
Speaker 1: person in the media, and yeah, you know, I need

1695
01:32:32,439 --> 01:32:35,720
Speaker 1: to apologize. I sent them a dressing down in an

1696
01:32:35,760 --> 01:32:39,519
Speaker 1: email that was wild. But what you should have done

1697
01:32:39,600 --> 01:32:41,720
Speaker 1: is you should have turned him around and and and

1698
01:32:41,840 --> 01:32:43,760
Speaker 1: then he would have been like I should have said

1699
01:32:43,840 --> 01:32:49,000
Speaker 1: technical strange. Honestly I should I should have. I should

1700
01:32:49,000 --> 01:32:51,679
Speaker 1: have been like, no, honey, that's bow and Yang. Yeah,

1701
01:32:52,200 --> 01:32:54,719
Speaker 1: that's who you. And then I would have without keeping

1702
01:32:54,720 --> 01:32:57,759
Speaker 1: a beat, gone and that's Joel Kim Booster and bitch,

1703
01:32:58,080 --> 01:33:00,760
Speaker 1: who are you? Who are you? Oh my god, that

1704
01:33:00,800 --> 01:33:04,800
Speaker 1: would have hurt. I'm gonna say this, I give both

1705
01:33:04,840 --> 01:33:09,439
Speaker 1: of you my blessing. Um, I want a stepping down.

1706
01:33:11,000 --> 01:33:12,439
Speaker 1: I just want to say to all the all the

1707
01:33:12,720 --> 01:33:15,200
Speaker 1: listeners out there, Bowen Yang would rather go on vacation

1708
01:33:15,280 --> 01:33:16,960
Speaker 1: than make sure that he was here for the podcast

1709
01:33:17,040 --> 01:33:19,559
Speaker 1: with you. And that's literally what he's saying. He's saying,

1710
01:33:19,640 --> 01:33:21,640
Speaker 1: candid over to Joe Kim, That's what he's saying. I

1711
01:33:21,760 --> 01:33:23,880
Speaker 1: think I think it would it would be it would

1712
01:33:23,880 --> 01:33:27,120
Speaker 1: elevate the dialogue, it would elevate everything. Um, you know,

1713
01:33:28,040 --> 01:33:31,280
Speaker 1: the public victim narrative here, we know being a victim,

1714
01:33:31,479 --> 01:33:34,280
Speaker 1: morose of it all, Bonnie, I don't like the energy

1715
01:33:34,360 --> 01:33:38,479
Speaker 1: in this house at all. God, this dark energy. I

1716
01:33:38,520 --> 01:33:40,320
Speaker 1: simply won't have the time because I will announce now

1717
01:33:40,360 --> 01:33:41,880
Speaker 1: because by the time this comes out, it will be

1718
01:33:41,880 --> 01:33:44,000
Speaker 1: announced that Mitri, Joe, Harry and I are doing our

1719
01:33:44,040 --> 01:33:47,439
Speaker 1: own podcast, Urgent Care. It is a colony of Vice show.

1720
01:33:47,600 --> 01:33:50,600
Speaker 1: That's right, Joel and Mitra are on your Wolf. That

1721
01:33:50,680 --> 01:33:52,800
Speaker 1: does not mean that you can't be on our pod,

1722
01:33:53,000 --> 01:33:56,160
Speaker 1: because I'll need to have episodes. I mean, the people

1723
01:33:56,280 --> 01:33:58,320
Speaker 1: need the episode. This is not for you, This is

1724
01:33:58,560 --> 01:34:01,040
Speaker 1: it's very much for me, I for your listenership. The

1725
01:34:01,120 --> 01:34:06,080
Speaker 1: co mingling extended universe of Elsie, which also reaches out

1726
01:34:06,120 --> 01:34:10,080
Speaker 1: into Earwolf territory as Elsie seek treatment. Is this racist

1727
01:34:10,160 --> 01:34:13,040
Speaker 1: and soon or don't care? I think those the hosts,

1728
01:34:13,080 --> 01:34:15,200
Speaker 1: they are going to be like just a little swinging

1729
01:34:15,240 --> 01:34:19,360
Speaker 1: doors for everybody. Tracy is making a face because we

1730
01:34:19,479 --> 01:34:22,200
Speaker 1: all know it's not true. You are going to come

1731
01:34:22,320 --> 01:34:24,240
Speaker 1: and record episodes of me or I'll come to you.

1732
01:34:24,479 --> 01:34:27,200
Speaker 1: That is what will happen. But we're still banking episodes.

1733
01:34:27,400 --> 01:34:31,280
Speaker 1: It doesn't matter their episodes are good. It's Joel sam

1734
01:34:31,360 --> 01:34:35,760
Speaker 1: is stupid. Joel Joel so dumb. No, I mean you

1735
01:34:35,840 --> 01:34:38,000
Speaker 1: banked Betty Gilbin episode and it was very good. You

1736
01:34:38,120 --> 01:34:41,400
Speaker 1: managed to get on top of Maryann like. Yes, we've

1737
01:34:41,439 --> 01:34:49,000
Speaker 1: been doing a great job except except what except except now?

1738
01:34:49,040 --> 01:34:50,680
Speaker 1: But we're making it a point to release this. You

1739
01:34:50,800 --> 01:34:56,960
Speaker 1: please watch Sunnyside tomorrow tomorrow night. Oh my god, it's nuts.

1740
01:34:57,040 --> 01:34:58,800
Speaker 1: I'm actually scared because this is the first time I'll

1741
01:34:58,800 --> 01:35:01,559
Speaker 1: be shooting something while it's airing, and I'm afraid. I'm

1742
01:35:01,600 --> 01:35:06,040
Speaker 1: afraid that it will influence Well, don't watch it, That's

1743
01:35:06,080 --> 01:35:10,400
Speaker 1: what I would say. That's what's ever watched yourself? Ever? Ever,

1744
01:35:10,680 --> 01:35:12,280
Speaker 1: you've never seen it. I don't know if I can

1745
01:35:12,479 --> 01:35:13,880
Speaker 1: I know I can do that. I don't know if

1746
01:35:13,920 --> 01:35:17,800
Speaker 1: I could have this. Yeah, I can do it. I

1747
01:35:17,880 --> 01:35:21,439
Speaker 1: can do it, but I probably couldn't either. I'm too nice.

1748
01:35:21,720 --> 01:35:23,920
Speaker 1: But you know what, don't look at like reviews or

1749
01:35:24,000 --> 01:35:27,040
Speaker 1: don't look at ratings. That'll be really hard. I'm gonna

1750
01:35:27,040 --> 01:35:29,320
Speaker 1: have to stay off. If someone can tell you, like

1751
01:35:29,439 --> 01:35:31,439
Speaker 1: to have me look it up for you. Okay, great,

1752
01:35:31,439 --> 01:35:33,360
Speaker 1: I will. I will be happy to do. We close

1753
01:35:33,400 --> 01:35:50,080
Speaker 1: every episode with a song. Yeah I'm tech mold the

1754
01:35:50,479 --> 01:35:55,280
Speaker 1: number one September. It's been number one for four weeks.

1755
01:35:56,439 --> 01:36:03,960
Speaker 1: Mariah Carey found dead in a bit good Bye, Forever Dog.

1756
01:36:04,720 --> 01:36:08,200
Speaker 1: This has been a Forever Dog production, executive produced by

1757
01:36:08,240 --> 01:36:13,560
Speaker 1: Brett Bahum, Joe Silio, and Alex Ramsey. For more original podcasts,

1758
01:36:13,720 --> 01:36:17,680
Speaker 1: please visit Forever Dog Podcasts dot com and subscribe to

1759
01:36:17,720 --> 01:36:21,680
Speaker 1: our shows on Apple Podcasts, Spotify, or wherever you get

1760
01:36:21,720 --> 01:36:24,800
Speaker 1: your podcasts. Keep up with the latest Forever Dog news

1761
01:36:24,960 --> 01:36:29,320
Speaker 1: by following us on Twitter and Instagram at Forever Dog Team,

1762
01:36:29,800 --> 01:36:31,920
Speaker 1: and liking our page on Facebook.