WEBVTT - Mini Crush #151

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome ang Welcome to Movie Crush. Angley

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<v Speaker 1>is here in the hold. Did you know that? What

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<v Speaker 1>did you What did you think of that? Incredible hulk,

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<v Speaker 1>Angley Angle? Incredible Hulk? Uh? It was all right, It

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<v Speaker 1>was all right, It wasn't It felt very odd to

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<v Speaker 1>me that last one he did was supposed to be

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<v Speaker 1>a real stinker. It doesn't feel like it's part of

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<v Speaker 1>like the Marvel universe even like it's sort of like

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<v Speaker 1>got like the boot, Like it's not canon. Yeah. I

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<v Speaker 1>don't know what how real fans consider it, but it

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<v Speaker 1>it was sort of a for they started building that

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<v Speaker 1>world out, so it was okay, you know. Was His

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<v Speaker 1>latest was the one with Will Smith like playing old

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<v Speaker 1>Will Smith and young Will Smith fighting each other on motorcycles. Yeah,

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<v Speaker 1>you know what I just watched Nold tell me. I'm

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<v Speaker 1>so fucking fired up. You know, Peter Jackson has been

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<v Speaker 1>making this Beatles documentary. Yeah, yeah, talking about that. It

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<v Speaker 1>was supposed to be finished, and for those of you

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<v Speaker 1>listening that don't know, Peter Jackson is dug up all

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<v Speaker 1>this archival footage from the from these final sessions the

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<v Speaker 1>Beatles did where for years the narrative was that these

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<v Speaker 1>sessions were just fighting and sniping because that's the only

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<v Speaker 1>footage that was ever played, and um, he dug up

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<v Speaker 1>all this other stuff and was just like it wasn't

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<v Speaker 1>like that, you guys, The Beatles didn't hate each other.

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<v Speaker 1>It was so much joy and uh he released a

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<v Speaker 1>little sneak peak. It was supposed to be out by now,

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<v Speaker 1>but Covid put it off, so he released a sneak

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<v Speaker 1>peak today and there is. It shows these four old friends,

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<v Speaker 1>as you know dudes, at the end of their career

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<v Speaker 1>as a band, having so much fun in the studio

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<v Speaker 1>recording these songs, and it just like makes my heart swell.

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<v Speaker 1>What record is this? Like let it Be? Or uh yeah,

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<v Speaker 1>I guess it was a let it Be sessions, right,

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<v Speaker 1>I mean that that would that's the one that I know.

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<v Speaker 1>There's a lot of footage of, Yeah, when they played

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<v Speaker 1>on the roof and all that stuff. Yeah, that's the one.

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<v Speaker 1>So I just can't wait for this. And it's in

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<v Speaker 1>beautiful color and they're they're at that age that they

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<v Speaker 1>all look super fucking cool. Yeah, that's when John had

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<v Speaker 1>like the long beard and the long hair, magical hermit,

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<v Speaker 1>but long hair, yeah, got it. The beard would kind

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<v Speaker 1>of come and go. But they all had some Actually,

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<v Speaker 1>John didn't have a stash. The rest of them are

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<v Speaker 1>rocking some pretty good stashes. Did you hear that Paul

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<v Speaker 1>has a new record that just came out that he

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<v Speaker 1>played and produced every moment of himself. Yeah, but he

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<v Speaker 1>always did that. I guess that's true, but maybe not always.

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<v Speaker 1>But this one they made kind of like a point

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<v Speaker 1>in the pr for it that, like he played every instrument.

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<v Speaker 1>He didn't intend to make it, but then COVID happened.

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<v Speaker 1>Then he sort of phone was isolated. Listen of the

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<v Speaker 1>first couple of tracks. So it's cute, like it's it's weird.

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<v Speaker 1>Actually it's got some Okay, I want to hear more

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<v Speaker 1>of it. I mean it's you know, he's a genius.

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<v Speaker 1>It's it's uh. It's tough, though, to keep putting out

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<v Speaker 1>amazing music your entire life. It's true. McCartney three after

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<v Speaker 1>McCartney won, McCartney too. McCartney three. Ram is my go

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<v Speaker 1>to Ram, big Ram fan, big Ram fans, great Ram fan.

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<v Speaker 1>So uh Noel uh, we are recording this three or

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<v Speaker 1>four days before Christmas. This is going to come out.

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<v Speaker 1>These next two episodes are coming out after Christmas, so

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<v Speaker 1>there's gonna be no Christmas content. Thank God, thank God,

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<v Speaker 1>Thanks sweet Baby Jesus on Christmas. Not for Christmas to

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<v Speaker 1>be over. But you can only talk about Christmas and

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<v Speaker 1>movies for so long, you know, right, Well, we talked

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<v Speaker 1>about how you can only talk about Christmas movies for

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<v Speaker 1>so long, and we gave a whole episode to them.

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<v Speaker 1>If I'm not mistaken, I think that's enough. I think

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<v Speaker 1>that's enough. I wanted to cover a couple of things

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<v Speaker 1>real quick. Noll the Tom cruise rant thoughts, there's a

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<v Speaker 1>new rant. Oh did you hear You didn't hear the

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<v Speaker 1>rant last week? Know what not? I mean, like different

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<v Speaker 1>than the one where he was on Oprah and stood

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<v Speaker 1>on the couch. This was a contemporary cruise rant. Yeah.

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<v Speaker 1>He was recorded on set um losing it on some

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<v Speaker 1>crew members because of COVID protocols and um. It was interesting.

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<v Speaker 1>I mean, most people on the Crushers page were and

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<v Speaker 1>on the Internet were very much in his camp, saying like,

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<v Speaker 1>damn straight man, take it serious and let him have it. Uh.

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<v Speaker 1>I was a little more in the middle because I

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<v Speaker 1>certainly think you should take it seriously, obviously, But from

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<v Speaker 1>what I saw and heard, it was two crew members

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<v Speaker 1>who were a little less than six ft apart. It

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<v Speaker 1>wasn't the way he acted like it was like he

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<v Speaker 1>busted them in a bar or something like doing you know, uh,

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<v Speaker 1>shots off each other's stomach or something like. He really

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<v Speaker 1>went off and everyone's under a lot of pressure, and

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<v Speaker 1>I think it can be owed to that. But the

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<v Speaker 1>other thing I will say is that, you know, my

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<v Speaker 1>friend just got off a very big movie that I've

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<v Speaker 1>spoken about before, where that the crew was essentially quarantined

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<v Speaker 1>in a hotel. The cars were tracked and they couldn't

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<v Speaker 1>do anything. They couldn't see their family even masked and

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<v Speaker 1>distance and outside on their day off, like they were

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<v Speaker 1>completely sequestered, while above the line people we're going out

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<v Speaker 1>to dinner and having their families flown in. So there's

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<v Speaker 1>a power dynamic here at work as well. And that's

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<v Speaker 1>all I'm gonna say about it. Yeah. Leah Remini, who

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<v Speaker 1>does a fantastic scientology podcast with us on the Network

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<v Speaker 1>called fair Gaming or sorry Scientology, fair game, Um, She

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<v Speaker 1>says that Tom Cruise is psychotic. COVID nineteen rant is

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<v Speaker 1>a publicity stunt, and that he is an abusive person.

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<v Speaker 1>I have witnessed it. I've been a recipient of it

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<v Speaker 1>on a small level. This is the real Tom Well.

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<v Speaker 1>And and again it's like Scientology is an organization, call it, cults,

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<v Speaker 1>call it religion, just full of abuse. So it's a

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<v Speaker 1>little hard to really jump behind Tom Cruise as some champion. Um,

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<v Speaker 1>you know, yeah, a little rich. I do. I do know,

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<v Speaker 1>I do know. I again, I haven't heard it, but

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<v Speaker 1>I know I know what he's capable of. And um,

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<v Speaker 1>fascinated by Scientology and anyone that is fascinated by I

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<v Speaker 1>should listen to Leo's podcast. And also, um, something don't

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<v Speaker 1>want you to know did a two part interview with

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<v Speaker 1>her co host on that podcast, Mike Render. It used

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<v Speaker 1>to be a high level PR guy with Scientology. Now

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<v Speaker 1>he's defected and he spills literally all the beans about it.

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<v Speaker 1>And it does have this crazy abusive kind of gas

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<v Speaker 1>lighting power dynamic about it that this sort of rings true. Yeah,

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<v Speaker 1>so you know, all I'll say is tensions are high.

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<v Speaker 1>It's tough to try and make these movies right now. Um,

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<v Speaker 1>he is under a lot of pressure as the start

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<v Speaker 1>to kind of keep this thing together. So I see

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<v Speaker 1>all sides. There's a lack of context that doesn't help

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<v Speaker 1>in a lot of gray area. So that's where I am. No,

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<v Speaker 1>I feel you, man, that's where I am. Big shout

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<v Speaker 1>out to Mike Sam's movie Crusher, who has been doing

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<v Speaker 1>this great experiment on the Crushers page, filling his holes

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<v Speaker 1>with suggestions and reviews. Um, he'll take his suggestion from

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<v Speaker 1>another Crusher. Yeah, myke movie, And it's been a really

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<v Speaker 1>cool experiment and everyone got really involved, and I just

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<v Speaker 1>think it's wonderful. He watched one that was my recommendation

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<v Speaker 1>that he mentioned. I think it was Waiting for Guffman.

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<v Speaker 1>He'd never seen Waiting for a Gouffman, and I think

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<v Speaker 1>he really liked that one. Yeah, a lot of his

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<v Speaker 1>holes were substantial, and he owned it. You know, like,

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<v Speaker 1>I think, very brave to put yourself out there. Sam's

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<v Speaker 1>good job. Um. I went live the other day, NOL

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<v Speaker 1>when you've had to cancel the last minute. I was

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<v Speaker 1>down here in the basement and had a repair person upstairs,

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<v Speaker 1>so I was kind of sequestered, and I was like, yeah, shit,

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<v Speaker 1>hit go live, and I got a few hundred people

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<v Speaker 1>there watching on on Instagram no on the movie crush page,

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<v Speaker 1>that's great, it was fun. That sounds fun. And told

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<v Speaker 1>those people that we finally watched Home Alone this year

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<v Speaker 1>with Ruby and boy Noel five years old. She get

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<v Speaker 1>a kick outs. It turns out is a great age

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<v Speaker 1>to take in Home Alone for the first time. Bet

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<v Speaker 1>she loved it. The kid wins like is it's kind

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<v Speaker 1>of perfect for a kid that age because the kid

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<v Speaker 1>is always thwarting the adults and um, sweet message, good

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<v Speaker 1>Christmas stuff. It was just really really good. And I'm

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<v Speaker 1>gonna play a clip Knoll if I can. I recorded

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<v Speaker 1>her watching it and it's just kind of funny. Let

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<v Speaker 1>me tell everyone what you're gonna hear. Yeah, This is

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<v Speaker 1>the scene at the end where the Tarantula spoilers, where

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<v Speaker 1>there's a tarantula on Joe Pesci's chest laying on the floor.

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<v Speaker 1>Daniel Stern gets the crowbar to smash the tarantula, tranchula

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<v Speaker 1>gets away, he gets smashed, and then right after that

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<v Speaker 1>McAuley Culkin is upstairs and gets on his little zip

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<v Speaker 1>line in zip lines with his handlebars into is like drunker, yeah, yeah, exactly.

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<v Speaker 1>So what you're gonna hear is is Ruby, very very

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<v Speaker 1>concerned about the trantula because she doesn't want the tranchula

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<v Speaker 1>to get hurt, and then very excited about the zip

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<v Speaker 1>lining and the word she says, if you can't understand

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<v Speaker 1>is it's like he's flying. So let me play this

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<v Speaker 1>little clip here. Can you hear that? Can are you doing? Most?

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<v Speaker 1>What are you worried about the tray? Yeah, that's part

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<v Speaker 1>one that John Williams score. Oh yeah, all right, so

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<v Speaker 1>that's it. Nothing like the joy of a child watching

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<v Speaker 1>a movie like that. That's so fun. I guess I

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<v Speaker 1>was how ol does she again? Four? She's five and

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<v Speaker 1>a half, five and a half. Yeah, I guess I

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<v Speaker 1>was a little overtit when I saw that, But I

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<v Speaker 1>saw when it first came out in the theaters. I

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<v Speaker 1>probably was about six. But god, I love that movie.

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<v Speaker 1>It's like a cartoon, so like, you know, it has

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<v Speaker 1>all that violence, but it's all goofy and funny. And

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<v Speaker 1>she laughed her ass off. Man, she I mean we

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<v Speaker 1>all did, We all had we had a great time.

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<v Speaker 1>Somebody pointed out a scene, I think it was on

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<v Speaker 1>the Crushers page about how like whatever Daniel Stearn's character is,

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<v Speaker 1>he has the most bizarre squealing scream. I can't even

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<v Speaker 1>do it. But there's a scene where he gets like

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<v Speaker 1>electrocuted and then all of a sudden, he like turns

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<v Speaker 1>into a full skeleton and then back in to a

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<v Speaker 1>person in the skeleton. Like it's total cartoony. Yeah, that's

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<v Speaker 1>in Home Alone too, Lost in New York because I

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<v Speaker 1>had never seen that movie NOL because I was like

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<v Speaker 1>I was in my early twenties when that came out

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<v Speaker 1>in college, so I was not into Homeland too. So

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<v Speaker 1>we watched that for the first time, and that movie sucks.

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<v Speaker 1>Oh no, didn't hold up. It's not holding up, dude.

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<v Speaker 1>It is the worst kind of sequel, which is the

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<v Speaker 1>same retread every beat for literal beat for beat remake,

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<v Speaker 1>like they just they did some of the same exact

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<v Speaker 1>gags with the criminals, like the paint cans. It's it's

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<v Speaker 1>really really lazy as fuck. It was very disappointing, and

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<v Speaker 1>even has the misunderstood creepy adult you know, like the

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<v Speaker 1>pigeon lady versus the snow whatever snowplow man. Oh gosh,

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<v Speaker 1>it was so he's got a snow shovel. That's what

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<v Speaker 1>I was. Yeah. Posthumous Lee angry at John Hughes. I

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<v Speaker 1>was like, sir, you just phoned it in many It

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<v Speaker 1>was very disappointing. I think the critic the critics are

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<v Speaker 1>in your corner on that one too, probably so. And

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<v Speaker 1>then Donald Trump's in it too, which just made me

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<v Speaker 1>want to vomit. He makes he helps him find the lobby.

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<v Speaker 1>That's the most useful thing Donald Trump ever did. All right,

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<v Speaker 1>so we are going to go. This is both of these,

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<v Speaker 1>Knoll because I've just been so busy here trying to

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<v Speaker 1>get everything done before Christmas. Are both Crushers Specials, which

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<v Speaker 1>means you know, that means that means I'm letting the

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<v Speaker 1>crushers dictate the content. Love it. So I had one

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<v Speaker 1>here from our old friend von Bodette. He always comes

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<v Speaker 1>up with the best stuff on the Crushers page, really

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<v Speaker 1>engages people. And he said this null name a movie

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<v Speaker 1>that expanded your knowledge of a subject you weren't familiar with.

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<v Speaker 1>Good question, can you think of one? Yeah? One? Uh,

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<v Speaker 1>the movie Rounders. Rounders gave me a little little sneak

0:13:05.120 --> 0:13:07.800
<v Speaker 1>peek into the world of professional gambling and poker and

0:13:07.840 --> 0:13:09.560
<v Speaker 1>all that stuff in a time where I was not

0:13:09.640 --> 0:13:11.920
<v Speaker 1>really familiar at all. Yeah, and now you're now I'm

0:13:11.920 --> 0:13:14.679
<v Speaker 1>an all pro, you're a champion World Series of Poker player.

0:13:14.840 --> 0:13:18.679
<v Speaker 1>I'm in gamblers anonymous. Oh you went full circle already,

0:13:19.640 --> 0:13:23.800
<v Speaker 1>problem Soldier House, I lost all that money and not here.

0:13:23.880 --> 0:13:26.360
<v Speaker 1>Now you're clean. I'm good. I don't want to make

0:13:26.400 --> 0:13:27.920
<v Speaker 1>light of that. It's a big problem. No, it is

0:13:27.920 --> 0:13:29.600
<v Speaker 1>a big deal. It is a big deal. And actually

0:13:29.840 --> 0:13:33.720
<v Speaker 1>just on another slight aside. A good example too is

0:13:34.000 --> 0:13:36.960
<v Speaker 1>the Sopranos. The Sopranos have been rewatching recently. I'm not

0:13:37.000 --> 0:13:38.800
<v Speaker 1>sure how I did that show you are, but there's

0:13:38.800 --> 0:13:41.800
<v Speaker 1>an episode or an arc where, um, I think his

0:13:41.880 --> 0:13:44.160
<v Speaker 1>name is Robert Patrick. He played the T one thousand

0:13:44.520 --> 0:13:47.680
<v Speaker 1>in uh Terminator too. He plays like one of Tony's

0:13:47.720 --> 0:13:50.680
<v Speaker 1>childhood friends, and he gets way in over his head

0:13:50.720 --> 0:13:52.960
<v Speaker 1>and gambling debt, and they do turn out what's called

0:13:53.160 --> 0:13:55.760
<v Speaker 1>what's called a bust out where they take his business

0:13:55.760 --> 0:13:58.960
<v Speaker 1>and they just like eat into it like termites and

0:13:59.000 --> 0:14:01.680
<v Speaker 1>just like running into the round and charge you know,

0:14:01.920 --> 0:14:04.480
<v Speaker 1>products on his lines of credit that they then sell

0:14:04.600 --> 0:14:07.120
<v Speaker 1>and basically just make him go bankrupt too, you know.

0:14:07.200 --> 0:14:09.640
<v Speaker 1>And then he's like, what's what's next? He's like, what's next?

0:14:09.840 --> 0:14:12.680
<v Speaker 1>Like you go bankrupt, you're done, and this is whatever

0:14:12.760 --> 0:14:15.679
<v Speaker 1>you want the money, all to collect the money, Like, yeah,

0:14:15.679 --> 0:14:18.760
<v Speaker 1>I think I remember that. Okay, now we're gonna start

0:14:18.760 --> 0:14:21.680
<v Speaker 1>with Zannah. Jean Zannah, I don't think i've seen you. Welcome.

0:14:21.960 --> 0:14:25.760
<v Speaker 1>Uh dig the two thousand four documentary of the rivalry

0:14:25.760 --> 0:14:29.280
<v Speaker 1>between Brian Jonestown, Masker and the Dandy Warhols. Love it

0:14:30.000 --> 0:14:33.920
<v Speaker 1>opening in and working to the music industry. Yeah, and

0:14:34.000 --> 0:14:36.520
<v Speaker 1>this in Zanna says this especially to a young girl

0:14:37.040 --> 0:14:39.400
<v Speaker 1>fronting a Seattle band in the early two thousand So

0:14:40.240 --> 0:14:45.160
<v Speaker 1>Zanna is cool as hell, no doubt. Rosanna. I don't

0:14:45.160 --> 0:14:48.560
<v Speaker 1>know which is an all. I mean you you kind

0:14:48.560 --> 0:14:50.360
<v Speaker 1>of committed to the first one, so I would just

0:14:50.440 --> 0:14:56.120
<v Speaker 1>lean into it. Uh Rochelle Jones says documentary Senna and Rush,

0:14:56.440 --> 0:15:00.120
<v Speaker 1>both movies about Formula one support my husband loves and

0:15:00.160 --> 0:15:02.120
<v Speaker 1>great for me to watch so I can understand his

0:15:02.320 --> 0:15:05.560
<v Speaker 1>love more. That's nice. Karin slump Heugh is one of

0:15:05.680 --> 0:15:10.320
<v Speaker 1>Royal Palace's man on wire. Uh yeah, that's a good one,

0:15:11.040 --> 0:15:13.480
<v Speaker 1>much better than that garbage movie. It was about to

0:15:13.480 --> 0:15:17.560
<v Speaker 1>say the like dramatization version his face. I think we

0:15:17.640 --> 0:15:19.720
<v Speaker 1>bagged on that before, so I haven't seen it, but

0:15:19.760 --> 0:15:21.120
<v Speaker 1>I just didn't care to. It's one of was like,

0:15:21.160 --> 0:15:26.240
<v Speaker 1>why would I bother? Yeah, it's really disappointing. Yeah, Zach

0:15:26.280 --> 0:15:29.800
<v Speaker 1>Pointer says Rudy. Sure. A lot of these are documentaries.

0:15:30.280 --> 0:15:33.080
<v Speaker 1>Freddy Lynn announced that movie Rudy. I like to over

0:15:33.320 --> 0:15:37.320
<v Speaker 1>over annunciate and call it Rudy Ruddy Rudy. Yeah, that's

0:15:37.360 --> 0:15:40.880
<v Speaker 1>the one about the little guy that plays football. Yeah,

0:15:40.960 --> 0:15:45.680
<v Speaker 1>I think so. Freddy Lens is free solo. Sure, John Bick,

0:15:45.760 --> 0:15:48.880
<v Speaker 1>this is a good, good answer here. The Big Short, Yeah, man,

0:15:48.920 --> 0:15:52.040
<v Speaker 1>I think the financial crisis was a bit of a

0:15:52.120 --> 0:15:54.880
<v Speaker 1>mystery to a lot of people as to exactly how

0:15:54.920 --> 0:15:57.080
<v Speaker 1>that happened. And The Big Short did a great job

0:15:57.080 --> 0:15:59.520
<v Speaker 1>of breaking that down. It did, indeed, and it also

0:15:59.600 --> 0:16:02.680
<v Speaker 1>just showed the whole world of that time with the

0:16:02.760 --> 0:16:05.920
<v Speaker 1>housing crisis and the foreclosures, and you know, really tied

0:16:05.920 --> 0:16:09.000
<v Speaker 1>it all together. It was very very well done and funny.

0:16:09.720 --> 0:16:12.320
<v Speaker 1>Uh yeah, very funny. Kry Nelson says Fiddler in the

0:16:12.400 --> 0:16:17.160
<v Speaker 1>Roof documentary. I did not know that existed. I'd like

0:16:17.240 --> 0:16:22.280
<v Speaker 1>to see that. One of our old friends, Melinda Beccalleo says, done, Kirk.

0:16:22.880 --> 0:16:27.800
<v Speaker 1>Whereas I like to say dan Kirk. Yes, yes, it's

0:16:27.800 --> 0:16:29.480
<v Speaker 1>the only way to say it. It's the only way.

0:16:30.480 --> 0:16:33.120
<v Speaker 1>She says this. Definitely became more interested in the situation

0:16:33.160 --> 0:16:35.040
<v Speaker 1>as a whole, and we went back to learn more

0:16:35.040 --> 0:16:37.720
<v Speaker 1>about it. Watch the other movie, The Darkest Hour, etcetera. Yeah,

0:16:37.840 --> 0:16:41.800
<v Speaker 1>that's a good his historic hole to crawl into. Let

0:16:41.840 --> 0:16:47.640
<v Speaker 1>me see here. Ian Tyson said, Interstellar with quantum physics. Okay. Uh.

0:16:47.800 --> 0:16:52.960
<v Speaker 1>Cindy Haynesworth Coron says the Dish with Sam Neil. I

0:16:53.040 --> 0:16:55.440
<v Speaker 1>don't know that movie, do you know. I don't. I'm

0:16:55.480 --> 0:16:58.000
<v Speaker 1>googling it right now. It sounds like it's perhaps about food.

0:16:59.480 --> 0:17:04.159
<v Speaker 1>Maybe let's see Australian historical comedy drama tell the story

0:17:04.160 --> 0:17:09.719
<v Speaker 1>of It's about a satellite, not about food at all. Uh,

0:17:09.880 --> 0:17:14.440
<v Speaker 1>it's a historical comedy drama. That's a very interesting mishmash

0:17:14.480 --> 0:17:18.640
<v Speaker 1>of genre. It is our old friend, Austin Hadler says,

0:17:18.640 --> 0:17:22.960
<v Speaker 1>a league of their own, of course. Yeah. The Queen's

0:17:22.960 --> 0:17:25.920
<v Speaker 1>gambits on here. Andrea McBride, Dicky, I mean, you know,

0:17:26.000 --> 0:17:27.600
<v Speaker 1>we've talked about a little bit a lot. So many

0:17:27.600 --> 0:17:31.720
<v Speaker 1>people are playing chess and interested in chess now, no, yeah,

0:17:31.880 --> 0:17:37.000
<v Speaker 1>good job. What's her face? What's that actress's name? Oh,

0:17:37.080 --> 0:17:39.760
<v Speaker 1>my gosh, it's a real job. What's her face? It's

0:17:39.760 --> 0:17:41.719
<v Speaker 1>a three part name. It's one of those great it's

0:17:41.760 --> 0:17:45.960
<v Speaker 1>one of the great three part names. What's her face now? Chuck? No,

0:17:46.280 --> 0:17:50.680
<v Speaker 1>why it's Love Joy something Joy? What the hell is

0:17:50.680 --> 0:17:52.639
<v Speaker 1>her name? I know it. I'm just I'm watching. I

0:17:52.760 --> 0:17:55.760
<v Speaker 1>love watching and Anya Taylor Joy. It's it's like a

0:17:55.800 --> 0:18:00.520
<v Speaker 1>hyphen it Taylor Joy. Yeah, Earl Power. Rebecca Robes says

0:18:00.560 --> 0:18:05.639
<v Speaker 1>The Exorcist getting much better at possession since watching. That's cute,

0:18:05.880 --> 0:18:08.920
<v Speaker 1>good one Robes here, But I will say that movie

0:18:08.920 --> 0:18:10.440
<v Speaker 1>does have a lot of stuff about, Like, I mean,

0:18:10.440 --> 0:18:13.960
<v Speaker 1>the church has a stance on possession, and they like

0:18:14.080 --> 0:18:16.320
<v Speaker 1>play into that pretty pretty well, you know. Yeah, I

0:18:16.320 --> 0:18:19.040
<v Speaker 1>mean Josh and I did a Exorcism podcast many many

0:18:19.119 --> 0:18:23.480
<v Speaker 1>years ago. Grant Woody says Rounders as well. Nol oh nice.

0:18:24.119 --> 0:18:26.560
<v Speaker 1>And another movie I haven't seen that. I want to perfume,

0:18:27.320 --> 0:18:31.480
<v Speaker 1>the story of a murderer. Have you heard that? Yeah,

0:18:31.520 --> 0:18:36.160
<v Speaker 1>this supposed to be good. Perfume Is that older? Uh,

0:18:36.480 --> 0:18:39.840
<v Speaker 1>it's like ten or twelve years old? Maybe I'm looking

0:18:39.880 --> 0:18:43.440
<v Speaker 1>now two thousand six, Okay, more than that, fourteen years

0:18:43.440 --> 0:18:46.120
<v Speaker 1>ago good Lord, which it sounds like it might be

0:18:46.240 --> 0:18:50.240
<v Speaker 1>like like a Cuzo mystery. This is a psychological thriller

0:18:51.160 --> 0:18:57.920
<v Speaker 1>from Tom tick ver Oh Ship who did fucking Yeah? Yeah?

0:18:57.960 --> 0:19:01.040
<v Speaker 1>That dust as Halfman Ellen Rickman Ben Wishaw. I think

0:19:01.080 --> 0:19:05.680
<v Speaker 1>it was about what is it about? Don't give me

0:19:05.720 --> 0:19:08.560
<v Speaker 1>the parent. It's apparently the story of a murderer, Chuck,

0:19:08.640 --> 0:19:10.760
<v Speaker 1>So we can just leave it at that, all right,

0:19:10.800 --> 0:19:15.080
<v Speaker 1>We'll leave it at that. That's that's yeah, exactly, it's

0:19:15.160 --> 0:19:17.040
<v Speaker 1>it looks cool. The cover looks cool with like a

0:19:17.080 --> 0:19:21.560
<v Speaker 1>woman disintegrating into rose pedals. Yeah, like they I loved

0:19:21.600 --> 0:19:23.520
<v Speaker 1>I loved Run Lola Run. I haven't thought about that

0:19:23.560 --> 0:19:26.800
<v Speaker 1>movie in a long time. So great, Spencer Dumpi's Moneyball,

0:19:27.800 --> 0:19:30.960
<v Speaker 1>uh so baseball or rather behind the scenes. Yeah, and

0:19:31.000 --> 0:19:33.639
<v Speaker 1>that one had that one had some like big short

0:19:33.680 --> 0:19:37.080
<v Speaker 1>type vibes. Wasn't it about like using stats in a

0:19:37.160 --> 0:19:39.840
<v Speaker 1>really like a big way. It's sort of a different way,

0:19:39.920 --> 0:19:42.720
<v Speaker 1>these analytics that had never been kind of used before,

0:19:42.800 --> 0:19:46.399
<v Speaker 1>and also building a baseball team in a different way financially.

0:19:46.920 --> 0:19:48.560
<v Speaker 1>It's it's even if you don't like baseball. I think

0:19:48.560 --> 0:19:51.880
<v Speaker 1>Moneyball is fairly interesting. Like Emily really liked it. She's

0:19:51.880 --> 0:19:55.520
<v Speaker 1>okay with baseball though. Yeah, ball is just all right

0:19:55.560 --> 0:20:02.000
<v Speaker 1>with me. Baseball is just all right. Uh, Nathan Venezelle

0:20:02.560 --> 0:20:05.000
<v Speaker 1>van Zeal, catch me if you can. Had no idea

0:20:05.000 --> 0:20:08.920
<v Speaker 1>about that story. Uh, it's great. Not only is it great,

0:20:09.480 --> 0:20:13.159
<v Speaker 1>but it's a documentary. Well not exactly, but I know

0:20:13.200 --> 0:20:15.800
<v Speaker 1>what you mean. Yes, it's a true story. That's a

0:20:15.800 --> 0:20:20.480
<v Speaker 1>true story, h Nick Kelly. And a Broadway musical? Is

0:20:20.480 --> 0:20:22.879
<v Speaker 1>it really? It made it into a Broadway musical? Yep.

0:20:23.680 --> 0:20:25.800
<v Speaker 1>I don't think I knew that or did I? Yeah,

0:20:26.119 --> 0:20:28.640
<v Speaker 1>the big short that should be musical. That would be good.

0:20:29.080 --> 0:20:32.560
<v Speaker 1>I could see that playing well. Nick Kelly says, hidden

0:20:32.600 --> 0:20:37.800
<v Speaker 1>figures of course. Uh, and let me throw out one more. Well,

0:20:37.880 --> 0:20:41.080
<v Speaker 1>let me throw out a couple of more. Joanna Wick says,

0:20:41.160 --> 0:20:44.440
<v Speaker 1>just a mercy about systemic racism. I have not seen

0:20:44.480 --> 0:20:49.399
<v Speaker 1>that yet. And then we'll neither. We'll finish with a

0:20:49.400 --> 0:20:53.280
<v Speaker 1>funny one. Brian Ridge says wild Things. That was pretty young.

0:20:53.359 --> 0:20:56.800
<v Speaker 1>That's what he says. It taught him things, ways of

0:20:56.840 --> 0:21:10.000
<v Speaker 1>feeling about his own body. I understand. Uh. So no,

0:21:10.160 --> 0:21:12.679
<v Speaker 1>that's our only segment today. These are gonna be kind

0:21:12.680 --> 0:21:15.840
<v Speaker 1>of shorter because we're both crushed for time, but I

0:21:15.880 --> 0:21:18.560
<v Speaker 1>do you want to finish with stream this? Poo poo poo?

0:21:18.600 --> 0:21:20.080
<v Speaker 1>Do we shtill use that sound? Cue? Are commune is

0:21:20.119 --> 0:21:24.520
<v Speaker 1>replaced with me going poo poo poo. And while you

0:21:24.560 --> 0:21:27.199
<v Speaker 1>get your list together, I'm gonna go through mine. We

0:21:27.359 --> 0:21:30.000
<v Speaker 1>just finished The Great last night, the show I've mentioned

0:21:30.000 --> 0:21:34.400
<v Speaker 1>before in Hulu about Catherine the Great Comedy very did

0:21:34.400 --> 0:21:37.719
<v Speaker 1>it payoff? It did, Man and and I'm assuming they

0:21:37.760 --> 0:21:40.280
<v Speaker 1>had a two season order, otherwise they wouldn't have, you know,

0:21:40.359 --> 0:21:42.399
<v Speaker 1>just ended it like they did. It's clearly set up

0:21:42.400 --> 0:21:44.480
<v Speaker 1>for season two, but it's gonna be a while, which

0:21:44.520 --> 0:21:46.919
<v Speaker 1>really makes me mad because we're loving the show and

0:21:46.920 --> 0:21:48.800
<v Speaker 1>now I mean it's it's probably gonna be two years

0:21:48.800 --> 0:21:52.120
<v Speaker 1>before we see season two, you know, with COVID going on.

0:21:52.840 --> 0:21:56.000
<v Speaker 1>I finally watched Class Action Park the other day, the

0:21:56.040 --> 0:22:00.040
<v Speaker 1>documentary about the water park in New Jersey in the

0:22:00.520 --> 0:22:02.360
<v Speaker 1>that I didn't even know was narrated by our friend

0:22:02.400 --> 0:22:05.960
<v Speaker 1>John Hodgman. Oh wow, that's funny that you've never mentioned that. Yeah,

0:22:06.000 --> 0:22:07.879
<v Speaker 1>I think he actually well now maybe he didn't on

0:22:07.880 --> 0:22:09.800
<v Speaker 1>our show, but I didn't even realize it until he

0:22:09.840 --> 0:22:12.720
<v Speaker 1>started talking. And that was my old pal Hodgman, And

0:22:12.760 --> 0:22:15.600
<v Speaker 1>you know what makes me mad, noal is I lived

0:22:15.600 --> 0:22:19.000
<v Speaker 1>in New Jersey for the last year of their existence,

0:22:19.000 --> 0:22:20.760
<v Speaker 1>and I didn't know it existed, and it was only

0:22:20.800 --> 0:22:22.920
<v Speaker 1>about forty five minutes away. I would have totally loved

0:22:22.920 --> 0:22:26.280
<v Speaker 1>to have gone to Action Park. It it's that one

0:22:26.359 --> 0:22:29.320
<v Speaker 1>is like on the top of a lot of lists.

0:22:29.320 --> 0:22:32.200
<v Speaker 1>And I actually was looking at a Rotten Tomatoes, like

0:22:32.440 --> 0:22:34.600
<v Speaker 1>you know how they rank everything by reviews, and the

0:22:34.680 --> 0:22:38.560
<v Speaker 1>list of like the year's best whatever. However many movies

0:22:38.600 --> 0:22:40.600
<v Speaker 1>movies it was, I think it was like fifty or something,

0:22:40.840 --> 0:22:43.080
<v Speaker 1>and that was up there. It's got almost a percentum

0:22:43.200 --> 0:22:46.239
<v Speaker 1>positive reviews. But what I realized about this list is

0:22:46.320 --> 0:22:50.200
<v Speaker 1>because there were so few blockbusters, like big, big, big

0:22:50.200 --> 0:22:54.520
<v Speaker 1>ticket blockbusters. The list is all cool, little weird, niche indies,

0:22:54.920 --> 0:22:56.800
<v Speaker 1>and a lot of them I haven't seen. And I'm

0:22:56.840 --> 0:22:58.840
<v Speaker 1>really pumped to like go through this list and like

0:22:58.880 --> 0:23:01.000
<v Speaker 1>watch a lot of these. There's a few movies out

0:23:01.000 --> 0:23:02.960
<v Speaker 1>now that are sort of new that I haven't seen yet.

0:23:03.000 --> 0:23:06.159
<v Speaker 1>The um Sofia Coppoli's new movie I haven't seen yet

0:23:07.200 --> 0:23:09.760
<v Speaker 1>that is online or not online. What do you what

0:23:09.840 --> 0:23:14.000
<v Speaker 1>do you even call that streaming. Uh. I never saw

0:23:14.080 --> 0:23:16.600
<v Speaker 1>that movie Bombshell about Fox News, and that's out now.

0:23:17.480 --> 0:23:19.600
<v Speaker 1>So there are a few, like real movies that don't

0:23:19.600 --> 0:23:21.960
<v Speaker 1>want to see, which which will be is supposed to

0:23:22.040 --> 0:23:26.600
<v Speaker 1>be great. The new David Fincher about the screenwriter Forces

0:23:26.800 --> 0:23:30.320
<v Speaker 1>in Kine. My brother called that a masterpiecell. I've heard

0:23:30.760 --> 0:23:32.560
<v Speaker 1>a lot of people thrown that around because you know,

0:23:32.800 --> 0:23:36.520
<v Speaker 1>everybody loves these old Hollywood kind of you know, um

0:23:37.080 --> 0:23:39.320
<v Speaker 1>love letter kind of things, and apparently it's just like

0:23:39.440 --> 0:23:41.600
<v Speaker 1>it's it's an interesting story too, because David Fincher's father

0:23:41.720 --> 0:23:44.520
<v Speaker 1>wrote the script like a long time ago, I think,

0:23:44.600 --> 0:23:46.959
<v Speaker 1>and he passed away and then I think Fincher finished

0:23:47.000 --> 0:23:49.280
<v Speaker 1>it or you know, did something like that. But it's

0:23:49.280 --> 0:23:51.760
<v Speaker 1>supposed to be really good, good in a classic Gary

0:23:51.800 --> 0:23:54.320
<v Speaker 1>Oldman performance. Well, I mean Fincher, you know, I know

0:23:54.400 --> 0:23:56.479
<v Speaker 1>we're both in the same camp that he is one

0:23:56.520 --> 0:23:59.560
<v Speaker 1>of the great out tours he has indeed. Uh. And

0:23:59.680 --> 0:24:02.920
<v Speaker 1>then two more things and all I watched sort of

0:24:04.040 --> 0:24:06.800
<v Speaker 1>itch that I needed to scratch in the true crime genre,

0:24:06.960 --> 0:24:09.359
<v Speaker 1>a genre that I have loved over the years, and

0:24:09.560 --> 0:24:11.040
<v Speaker 1>it sort of comes and goes as far as my

0:24:11.119 --> 0:24:14.000
<v Speaker 1>interest in it. Uh. And I for some reason just

0:24:14.119 --> 0:24:16.680
<v Speaker 1>really have been wanting to watch a little bit of that.

0:24:16.760 --> 0:24:20.000
<v Speaker 1>So I watched one called a four part series from

0:24:20.119 --> 0:24:23.800
<v Speaker 1>HBO Max called Murder Murder on Middle Beach I think,

0:24:23.880 --> 0:24:26.639
<v Speaker 1>or Murder at Middle Beach. I've heard that's great. It

0:24:26.760 --> 0:24:28.840
<v Speaker 1>really is. It's the story of a of a young

0:24:28.960 --> 0:24:32.240
<v Speaker 1>man who is telling the story of his mother's murder

0:24:32.960 --> 0:24:35.719
<v Speaker 1>and trying to figure out who did it. And uh,

0:24:36.200 --> 0:24:39.679
<v Speaker 1>it's really good, very engrossing. Um yeah, I don't want

0:24:39.680 --> 0:24:41.640
<v Speaker 1>to give anything in a way, but it's it's really

0:24:41.720 --> 0:24:44.560
<v Speaker 1>well done. I quite enjoyed it. I think it's so

0:24:44.680 --> 0:24:47.560
<v Speaker 1>neat when like a documentary can have like a twist.

0:24:48.320 --> 0:24:51.160
<v Speaker 1>It just it requires so much effort to make these

0:24:51.240 --> 0:24:53.000
<v Speaker 1>and like, I mean, I'm like the thinking the obvious,

0:24:53.080 --> 0:24:55.040
<v Speaker 1>but like to just go with it and see what

0:24:55.160 --> 0:24:56.800
<v Speaker 1>happens and where the story takes you, and then for

0:24:56.920 --> 0:24:59.120
<v Speaker 1>it to like just go somewhere crazy out of left field,

0:24:59.280 --> 0:25:01.280
<v Speaker 1>and then to be able to communicate that to viewers

0:25:01.320 --> 0:25:05.480
<v Speaker 1>I think is just a really amazing uh ability. Yeah, yeah,

0:25:05.680 --> 0:25:07.800
<v Speaker 1>I mean usually when you undertake a story like this,

0:25:09.040 --> 0:25:12.639
<v Speaker 1>you're bound to be a little unsatisfied in the end,

0:25:12.640 --> 0:25:15.480
<v Speaker 1>because when do you actually crack the case while making

0:25:15.520 --> 0:25:18.680
<v Speaker 1>the documentary and reveal the murderer in the last episode.

0:25:18.720 --> 0:25:21.159
<v Speaker 1>It is very rare like that. What was it on

0:25:21.280 --> 0:25:24.440
<v Speaker 1>HBO was at the Jinks? Yeah, I mean that's that's

0:25:24.480 --> 0:25:27.040
<v Speaker 1>the Unicorn Man. That's why it was so fucking great.

0:25:27.200 --> 0:25:30.520
<v Speaker 1>It's like the last episode, this guy admits it by

0:25:30.600 --> 0:25:37.120
<v Speaker 1>accidentally being wired up in the bathroom. Unreal. Yeah, so cool. Um.

0:25:37.400 --> 0:25:39.480
<v Speaker 1>And then the other one I watched two nights ago,

0:25:39.600 --> 0:25:43.640
<v Speaker 1>NOL highly recommend. It's also I think on HBO Max

0:25:43.680 --> 0:25:49.160
<v Speaker 1>it's called crazy not Insane, and uh have you seen

0:25:49.240 --> 0:25:51.080
<v Speaker 1>that or heard of it? But I like the name

0:25:51.680 --> 0:25:54.520
<v Speaker 1>it is the story. I'm trying to find her name. Uh.

0:25:54.600 --> 0:25:56.439
<v Speaker 1>It was made by Alex Gibney, the guy who did

0:25:57.040 --> 0:26:01.520
<v Speaker 1>Going Clear, narrated by Laura d Earn, and it tells

0:26:01.600 --> 0:26:06.080
<v Speaker 1>the story of Dorothy Lewis, who was kind of the

0:26:06.200 --> 0:26:13.320
<v Speaker 1>first psychiatrist in the UM seventies, sixties, seventies, eighties to

0:26:13.640 --> 0:26:19.840
<v Speaker 1>explore the idea of serial killers being made and not

0:26:20.080 --> 0:26:25.520
<v Speaker 1>just born wrong like head injuries. Multiple well, these sculpt

0:26:25.600 --> 0:26:28.800
<v Speaker 1>multiple personality disorder. Now I think it's called dissociative identity

0:26:29.040 --> 0:26:32.000
<v Speaker 1>disorder UM. And was you know lapped out of court

0:26:32.000 --> 0:26:33.520
<v Speaker 1>a lot of times. It was at a time where

0:26:33.560 --> 0:26:35.920
<v Speaker 1>no one believed that. Some people still don't believe in

0:26:36.560 --> 0:26:40.600
<v Speaker 1>in uh d I d H. But she it was

0:26:40.680 --> 0:26:43.640
<v Speaker 1>a really really interesting documentary to see this woman put

0:26:43.720 --> 0:26:46.200
<v Speaker 1>it together where she was like, at one point she

0:26:46.320 --> 0:26:51.440
<v Speaker 1>was like abuse, childhood abuse, some form of mental illness,

0:26:51.640 --> 0:26:56.159
<v Speaker 1>and a brain injury. She's like, those three things almost

0:26:57.080 --> 0:27:00.960
<v Speaker 1>of the time make a very very dangerous human being. Uh.

0:27:01.080 --> 0:27:03.960
<v Speaker 1>And she pulled up Mr Eyes of all these famous

0:27:04.000 --> 0:27:08.159
<v Speaker 1>serial killers and showed scarring on the frontal lobe. UM.

0:27:08.840 --> 0:27:12.600
<v Speaker 1>She interviewed twenty two of them and found that but

0:27:12.720 --> 0:27:15.320
<v Speaker 1>virtually every single one of them suffered serious, serious forms

0:27:15.359 --> 0:27:18.440
<v Speaker 1>of child abuse. Many of them had multiples and altars

0:27:19.000 --> 0:27:21.040
<v Speaker 1>that would allow them to deal with that and to

0:27:21.240 --> 0:27:25.080
<v Speaker 1>also kill UM. But you know, there's videotape of these

0:27:25.160 --> 0:27:27.240
<v Speaker 1>interviews where these altars would come out, and it's the

0:27:27.280 --> 0:27:30.960
<v Speaker 1>real deal. It's not you know, in my Chammela in movie.

0:27:31.160 --> 0:27:34.520
<v Speaker 1>You know, it's chilling and amazing and very very interesting,

0:27:35.400 --> 0:27:38.680
<v Speaker 1>crazy not insane. I will check it out, highly recommend

0:27:38.880 --> 0:27:41.439
<v Speaker 1>you got anything. All. Yeah, Like I said, I've been

0:27:41.480 --> 0:27:45.440
<v Speaker 1>doing a Sopranos deep dive rewatch, which I do every year,

0:27:45.520 --> 0:27:47.639
<v Speaker 1>so a couple of years or so, and I realized, like,

0:27:47.720 --> 0:27:50.760
<v Speaker 1>I know that show beat for beats one of my favorites. Um,

0:27:51.760 --> 0:27:55.320
<v Speaker 1>I'm trying to think what else, Like, uh, that's been

0:27:55.440 --> 0:27:58.040
<v Speaker 1>taking a lot of my time. Did you start from

0:27:58.080 --> 0:28:01.200
<v Speaker 1>the beginning each time? Yes? Yes, every time. He rewatched

0:28:01.200 --> 0:28:03.600
<v Speaker 1>the whole show sever I rewatched the whole show at

0:28:03.720 --> 0:28:07.440
<v Speaker 1>least five times. And it's just I don't know, I

0:28:07.640 --> 0:28:09.520
<v Speaker 1>like to kind of watch. A friend of mine does

0:28:09.600 --> 0:28:12.320
<v Speaker 1>this too, and um. He pointed out that he was

0:28:12.400 --> 0:28:15.320
<v Speaker 1>doing a rewatch of a recently through a particular lens

0:28:15.680 --> 0:28:20.280
<v Speaker 1>because the show occasionally deals with like paranormal afterlife type

0:28:20.320 --> 0:28:23.159
<v Speaker 1>stuff where you know, and and and like there's religion

0:28:23.240 --> 0:28:26.680
<v Speaker 1>involved and like you know, Carmela, for example, Tony's wife

0:28:26.720 --> 0:28:29.159
<v Speaker 1>is very Catholic, and she prais a lot, and like

0:28:29.320 --> 0:28:31.760
<v Speaker 1>you know, has a priest character that she's always talking to,

0:28:32.200 --> 0:28:34.119
<v Speaker 1>and you know, has this like kind of you know,

0:28:34.920 --> 0:28:38.200
<v Speaker 1>religious uh crisis of conscience. It's always going on with

0:28:38.320 --> 0:28:40.640
<v Speaker 1>her being a part of this world and also you know,

0:28:41.000 --> 0:28:43.920
<v Speaker 1>being a religious person. But there's also like a lot

0:28:43.960 --> 0:28:46.640
<v Speaker 1>of characters like kind of almost die and then come

0:28:46.680 --> 0:28:49.320
<v Speaker 1>back and have things to report from the afterlife. And

0:28:49.440 --> 0:28:52.360
<v Speaker 1>my friend Peyton said he was rewatching it with the

0:28:52.440 --> 0:28:56.560
<v Speaker 1>assumption that all that stuff is real, like that's that's

0:28:56.640 --> 0:28:58.960
<v Speaker 1>like his lens through which she is rewatching this stuff.

0:28:59.040 --> 0:29:00.840
<v Speaker 1>That's interesting, So you can just sort of kid uh

0:29:01.360 --> 0:29:04.120
<v Speaker 1>uh huh, kind of a fresh take on it. But yeah,

0:29:04.200 --> 0:29:08.120
<v Speaker 1>that's I really like the new Netflix comedy, like Australian

0:29:08.160 --> 0:29:10.920
<v Speaker 1>comedy show. It's called Auntie Donna's Big Old House of Fun,

0:29:12.240 --> 0:29:14.160
<v Speaker 1>and that's a really it's it's a very mr show.

0:29:14.400 --> 0:29:18.160
<v Speaker 1>It's very um, absurdist kind of Tim and Eric type

0:29:18.200 --> 0:29:20.880
<v Speaker 1>comedy and a lot of big, big high budget sketches

0:29:20.960 --> 0:29:23.520
<v Speaker 1>with like dance numbers and music and weird owls in

0:29:23.560 --> 0:29:26.480
<v Speaker 1>an episode, and it's pretty great. Well I won't hold

0:29:26.520 --> 0:29:31.720
<v Speaker 1>that against him, Okay, Um, yeah, that's that's that's that.

0:29:31.760 --> 0:29:33.160
<v Speaker 1>Those are those are the two. But I've been kind

0:29:33.160 --> 0:29:35.880
<v Speaker 1>of watching alrighty well, Noel, we're gonna wrap this one

0:29:35.960 --> 0:29:37.760
<v Speaker 1>up and spanking on the bottom just about a half

0:29:37.800 --> 0:29:42.240
<v Speaker 1>hour because I got Christmas wrapping to do. I put

0:29:42.280 --> 0:29:44.360
<v Speaker 1>a thing on the old page about whether or not

0:29:44.440 --> 0:29:47.040
<v Speaker 1>people are good gift rappers. Movie crushers are pretty good

0:29:47.040 --> 0:29:50.320
<v Speaker 1>gift rappers know, I'm okay. I usually get my mom

0:29:50.440 --> 0:29:53.520
<v Speaker 1>to do it for me, though. Yeah, yeah, I also

0:29:53.600 --> 0:29:55.200
<v Speaker 1>can't tie a tie, and I get my mom to

0:29:55.240 --> 0:29:57.320
<v Speaker 1>do that for me as well. Seriously, No, you can't.

0:29:57.960 --> 0:29:59.120
<v Speaker 1>I know how to tie a tie, tack. I have

0:29:59.160 --> 0:30:01.120
<v Speaker 1>to look at a YouTube video, you though. Okay, I don't.

0:30:01.120 --> 0:30:03.440
<v Speaker 1>I don't have occasion to do it often enough to remember.

0:30:03.520 --> 0:30:06.760
<v Speaker 1>How Okay, fair enough, Okay, let's get the old clip on.

0:30:07.880 --> 0:30:11.400
<v Speaker 1>No never, al right, everyone, thanks for listening, and I

0:30:11.440 --> 0:30:14.080
<v Speaker 1>hope you had a great holiday season. And as we

0:30:14.160 --> 0:30:17.920
<v Speaker 1>wind out the new year here on the old Movie Crush,

0:30:18.640 --> 0:30:21.600
<v Speaker 1>we say happy Holidays and Happy New Year to you

0:30:22.040 --> 0:30:26.960
<v Speaker 1>and yours. M Movie Crash is produced and written by

0:30:27.040 --> 0:30:30.160
<v Speaker 1>Charles Bryant and Meel Brown, edited and engineered by Seth

0:30:30.280 --> 0:30:33.280
<v Speaker 1>Nicholas Johnson, and scored by Noel Brown here in our

0:30:33.360 --> 0:30:36.960
<v Speaker 1>home studio at Pontsty Market, Atlanta, Georgia. For I Heart Radio.

0:30:37.520 --> 0:30:39.800
<v Speaker 1>For more podcasts for my Heart Radio, visit the iHeart

0:30:39.880 --> 0:30:42.640
<v Speaker 1>Radio app, Apple podcast, or wherever you listen to your

0:30:42.640 --> 0:30:43.280
<v Speaker 1>favorite shows.