WEBVTT - Deleted Scenes 1

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<v Speaker 1>MMMM. Hi. I'm Brett Wood, the writer and director of

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<v Speaker 1>The Seventh Daughter, and it's my pleasure to present the

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<v Speaker 1>first of three bonus episodes. In the first two of

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<v Speaker 1>these episodes, I'll be sharing scenes that got left on

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<v Speaker 1>the cutting room floor m M. Originally The Seventh Daughter

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<v Speaker 1>was designed to have thirteen episodes, but during the editing process,

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<v Speaker 1>we decided on a more streamlined structure for the show

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<v Speaker 1>to remove some of the digressions that tended to slow

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<v Speaker 1>down the linear action. Even though there was good reason

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<v Speaker 1>to remove them, I can't help but still miss some

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<v Speaker 1>of these detours because they sometimes provided historical detail as

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<v Speaker 1>well as some additional motivation for the character's actions. This

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<v Speaker 1>episode is recommended for those who have listened to the

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<v Speaker 1>entire series already and still have it somewhat fresh in

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<v Speaker 1>their minds. I'll present the scenes in chronological order and

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<v Speaker 1>briefly described the context in which they originally appeared. Now.

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<v Speaker 1>I don't think any of this will radically change the

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<v Speaker 1>dramatic effect of The Seventh Daughter, But for those super

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<v Speaker 1>fans who enjoyed briefly inhabiting the world of Rose, Pearl

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<v Speaker 1>and Corbeau, these return trips to steal city should be

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<v Speaker 1>a welcome treat. I'm not yet yet today that is

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<v Speaker 1>not McCauley, But I am giving you a gift that

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<v Speaker 1>is almos as valuable as life itself. I'm following a

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<v Speaker 1>demonstration of the wonder Child. I will reveal to you

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<v Speaker 1>the sauce of Amirs and give once more life your

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<v Speaker 1>full vigor and energy. We're floored, Troyo as it did

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<v Speaker 1>when you are? Are you to? Sixteen? Episode two, Lotus

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<v Speaker 1>Blood focuses on Pearl's preparation for performing a street corner

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<v Speaker 1>medicine show. I'll hang the torches, did you fill them

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<v Speaker 1>with gasoline? Yes? I did. Unpack the jars and line

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<v Speaker 1>them up across the front of the table, yes, ma'am,

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<v Speaker 1>just like last time. And make sure the two headed

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<v Speaker 1>calf and the tape worms are out front where people

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<v Speaker 1>can see them, yes, ma'am. And then hide out. Hide

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<v Speaker 1>out behind the banner, and change into your dress while

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<v Speaker 1>I drum up the crowd. I'll be back in two

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<v Speaker 1>hours for the wagon. You need anything else? Did you

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<v Speaker 1>did you chalk the wheels? Yeah? You said you're going

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<v Speaker 1>to pay me a night for the rest, and I

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<v Speaker 1>will just give us a chance to work in the

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<v Speaker 1>longer version performs a second time after having been sugar

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<v Speaker 1>talked by the Pinkerton. Having grown overconfident in her skills

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<v Speaker 1>and distracted by the predatory man, she quickly loses control

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<v Speaker 1>of the performance. What do I odd between my arms now?

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<v Speaker 1>It's difficult to see. It's impossible to see calm because

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<v Speaker 1>it is invisible. It is priceless. Yet every man owns

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<v Speaker 1>his share. He can save it, he can spend it,

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<v Speaker 1>You can waste him. Just tell me bandor But he

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<v Speaker 1>can never get more than God has allowed him to have.

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<v Speaker 1>A rich man cannot buy it from the poor. The

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<v Speaker 1>poor cannot sell his share to another. Sometimes Pandora's vision

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<v Speaker 1>surprised as even me. I was order in a pocket watch.

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<v Speaker 1>But through the power of Lata's blood, she saw the

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<v Speaker 1>true essence of what the mex hachannical time peace represent. Amazing?

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<v Speaker 1>And what do I have in my hoard now, my dear?

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<v Speaker 1>A flower? A caronation from a gentleman's lapel. Yeah, what's

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<v Speaker 1>the concentrate, my dear, don't be distracted by the attention

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<v Speaker 1>of all these admirers. Tell me again what I all

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<v Speaker 1>did in my hand? Is it a walking stick? A

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<v Speaker 1>walking stick, but the silver cat. Apparently someone did not

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<v Speaker 1>kick a lot as blood this afternoon. Let's have a

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<v Speaker 1>fresh start. What do you have there? A newspaper? Yes,

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<v Speaker 1>let me hold that now, Pandora. Allow the image to

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<v Speaker 1>crystallize in your mind and tell me what I a

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<v Speaker 1>limmians is? Pandora? Is it? It is a pin from

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<v Speaker 1>the hat of the dark haired woman. I'm afraid, child.

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<v Speaker 1>What do you strike a child that away? Don't touch poll?

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<v Speaker 1>Could you allow that to happen? All you have to

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<v Speaker 1>do is sit there and say a dozen words? And

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<v Speaker 1>where did you learn that awful dog one? I'm sorry

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<v Speaker 1>when I tell you, hey, you are you still interested

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<v Speaker 1>in this one? After that little performance? No saying hey,

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<v Speaker 1>give me a hundred dollars and she's yours? What fifty?

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<v Speaker 1>Take her off my hands? Give me fifty and you

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<v Speaker 1>can have her. I'll throw in the dress. Please. Definitely

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<v Speaker 1>not the woman I thought you were. And if you were,

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<v Speaker 1>and you're not anymore, I see you're around China Rose.

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<v Speaker 1>This scene of the Medicine Show Gone Wrong never really

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<v Speaker 1>worked as well as I hoped it would, so I

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<v Speaker 1>was happy to remove it. But much to my chagrin,

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<v Speaker 1>removing the second Medicine show necessitated the removal of another scene,

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<v Speaker 1>one that I liked very much between Rose and Pearl

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<v Speaker 1>in the apartment after the show. How are we supposed

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<v Speaker 1>to eat if you make foolish mistakes like that? The

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<v Speaker 1>alphabet code? You can't even comprehend that our supply of

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<v Speaker 1>medicine is gone, we've barely enough left for doesn't work

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<v Speaker 1>harder we can. You're supposed to pay for the wagon, Massaria.

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<v Speaker 1>Know how much those specimen jars cost, not to mention

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<v Speaker 1>what goes in them. No, of course you don't, But

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<v Speaker 1>you'll find out because you will replace them. You'll pay

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<v Speaker 1>for the jars, and you will go to the slaughterhouse

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<v Speaker 1>to get the freaks to put inside them. Not me, you,

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<v Speaker 1>I will. I'm sorry. I'm sorry. Fix my pipe, destroy

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<v Speaker 1>us everything we worked for, and no chance of ever

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<v Speaker 1>accomplishing anything. God damn it. Hall Pearl here, lie back

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<v Speaker 1>and let me hold the pipe for you. You'll feel better.

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<v Speaker 1>I feel better. How am I supposed to feel better

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<v Speaker 1>when I'm being robbed and beaten all over again, over

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<v Speaker 1>and over again. M hmm. You can't win in this world,

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<v Speaker 1>no matter how much you plan and how hard you work.

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<v Speaker 1>They won't let you. It's okay. We'll find a way.

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<v Speaker 1>I'll work hard, I'll try my best. We'll survive somehow. No,

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<v Speaker 1>I'm sending you back where you belong, among the believers.

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<v Speaker 1>You're sending me back m first thing in the morning.

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<v Speaker 1>M hmm. This is no place for the likes of you.

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<v Speaker 1>I should have known. What about her act? You mean

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<v Speaker 1>my act? I'll manage. Maybe I'll just hire a trained monkey.

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<v Speaker 1>At least a monkey can hold its tongue. So you'll

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<v Speaker 1>just find another girl, Yes, someone older, prettier, more mature,

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<v Speaker 1>someone whose mind hasn't been sullied. I won't go. You

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<v Speaker 1>can't make me, can't I No, you can't. I've wasted

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<v Speaker 1>so much time on you already. I'm sorry, pearl. You're

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<v Speaker 1>strong willed, but you're weak to the core. You're useless

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<v Speaker 1>to me. Don't say that allowing yourself to be distracted

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<v Speaker 1>by a man ross. During the performance tonight, you said

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<v Speaker 1>we were going to perform the word apostle. That's right,

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<v Speaker 1>you were spelling a different word. M hm m hmm.

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<v Speaker 1>What word did I say? You spelled a P O C. No,

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<v Speaker 1>you're wrong. What were you spelling? Bloody paint? Goods, So

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<v Speaker 1>at the end of that episode we find out that

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<v Speaker 1>the disastrous performance may not have been entirely Pearl's fault,

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<v Speaker 1>but sabotage Rose's way of keeping Pearl in line. But

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<v Speaker 1>Pearl knows that Rose sabotaged her, so the relationship thickens.

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<v Speaker 1>Episode four, Asleep in the Deep is one of my favorites,

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<v Speaker 1>and a pretty big piece of it was removed before

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<v Speaker 1>the series was released. We began the episode after the

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<v Speaker 1>passage of many months, with Rose and Pearl on stage

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<v Speaker 1>at a variety theater store me the night and the

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<v Speaker 1>waves roll high, its bravely the ship rod Hawk White,

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<v Speaker 1>the light husbands, Sol cry prease all the salt bad.

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<v Speaker 1>They're on the dicky to the start, too hot, beating

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<v Speaker 1>and hot. She why siddeds th most deed. But in

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<v Speaker 1>the longer version we hear an entirely different origin story

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<v Speaker 1>for Pandora. She had one origin story for the medicine

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<v Speaker 1>show that she was raised in the Orient, but in

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<v Speaker 1>the music Hall she has been transformed into a daughter

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<v Speaker 1>of Royalty. The reason this was removed is because we

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<v Speaker 1>dwell so long in the fictional origin story that we

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<v Speaker 1>thought listeners may have gotten confused. About where we are

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<v Speaker 1>in the main frame of the narrative. If this were

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<v Speaker 1>a film or a television series, the visual style of

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<v Speaker 1>this fraudulent flashback would have helped orient the viewer, But

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<v Speaker 1>on radio it was harder to bracket this as a

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<v Speaker 1>false narrative within a larger fiction. Anyway, Kititon, it happened

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<v Speaker 1>three years ago when Pandora was in her eighth year.

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<v Speaker 1>Born to parents of wealth and means, she lacked nothing.

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<v Speaker 1>I was a midwife at the time. I attended her

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<v Speaker 1>mother during the birth, and it was I who brought

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<v Speaker 1>her into this world. From the moment she was born,

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<v Speaker 1>the seventh child of her mother, all of them girls,

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<v Speaker 1>it was obvious that this child was special. No child's

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<v Speaker 1>future ever seemed to shine so bright. She was given

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<v Speaker 1>the finest education, but somehow possessed knowledge that even her

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<v Speaker 1>tutors had not yet attained. She had an uncanny ability

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<v Speaker 1>to commune with animals, and loved nothing more than to

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<v Speaker 1>wander the shadows of the forest or to pick among

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<v Speaker 1>the stones of the village cemetery. There she seemed most

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<v Speaker 1>at peace. Born in Russia, her mother had been a

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<v Speaker 1>mystic and had been a spiritual consultant to the most

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<v Speaker 1>influential heads of Europe. Her father was an American diplomat

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<v Speaker 1>and had accepted a post in London. But then three

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<v Speaker 1>years ago the family, Pandora's mother and father, and her

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<v Speaker 1>six older sisters all set sail together for Britain, but

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<v Speaker 1>not Pandora. The child had fallen ill with pneumonia, was

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<v Speaker 1>suffering disturbing visions, and the family doctor insisted she delay

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<v Speaker 1>her voyage. Her parents and sisters had no choice but

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<v Speaker 1>to go on ahead, and so they left Pandora with me,

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<v Speaker 1>with the plan that we would follow. Two weeks later,

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<v Speaker 1>when Pandora was told of these arrangements, she became hysterical, inconsolable.

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<v Speaker 1>She begged her parents not to go. It was more

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<v Speaker 1>than a child's fear of separation from her parents. It

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<v Speaker 1>was something much worse. Pandora saw their fate and warned

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<v Speaker 1>them of their impending doom. I heard the screams in

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<v Speaker 1>the night when she witnessed nightly visions of her family's fate.

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<v Speaker 1>It was I who marked the cold sweat from her

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<v Speaker 1>body as she lay trembling in horror. Mommy day, please

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<v Speaker 1>listen to me. If you go on his chiselthing, Terrible's

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<v Speaker 1>going to happen to you. But what called an eight

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<v Speaker 1>year old child possibly know such things. If you go

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<v Speaker 1>on that voyage, you're all going to die was now

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<v Speaker 1>be known. But we know that Pandora's premonitions of death

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<v Speaker 1>and suffering were accurate. We know that the mother, the father,

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<v Speaker 1>the six older sisters all boarded the ship on May first,

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<v Speaker 1>bound for London. We all know the name of the ship,

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<v Speaker 1>the ship that was spotted by a German U boat

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<v Speaker 1>ten miles off the coast of Ireland. We know that

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<v Speaker 1>more than one thousand souls perished in the frigid depths

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<v Speaker 1>of the Atlantic air. When they plunged into the water,

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<v Speaker 1>they were wrapped in one another's arms. My father was

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<v Speaker 1>a strong swimmer and he tried to keep them afloat,

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<v Speaker 1>but the sinking ship created a whirlpool that set them

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<v Speaker 1>all down into the blackest steps of the sea. We

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<v Speaker 1>know what happened to her family because Pandora witnessed it.

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<v Speaker 1>All my sisters held hands from oldest to youngest like

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<v Speaker 1>a daisy chain, all dressed in white pinafores. The youngest

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<v Speaker 1>of the six, Rebecca, was the last, and as she

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<v Speaker 1>was pulled down down into the abyss. Her hand was outstretched,

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<v Speaker 1>reaching up towards the surface, open empty, the hand that

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<v Speaker 1>I would have held had I been there. Any breath,

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<v Speaker 1>Heart are ross deep and kno deep. So we w

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<v Speaker 1>and yes that is Minca Wilts performing her own vocals.

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<v Speaker 1>I really hated to lose this next scene because it

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<v Speaker 1>allowed the still invisible Corbo to start sinking his fingers

0:17:45.000 --> 0:17:49.160
<v Speaker 1>more deeply into our story. Having declined Houdini's offer of work,

0:17:49.600 --> 0:17:52.879
<v Speaker 1>having declined Albert von shrank Natzing's request to perform a

0:17:52.960 --> 0:17:57.040
<v Speaker 1>cabinet sitting, Rose and Pearl find that someone is interfering

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<v Speaker 1>with their efforts to make a living. Even in pop.

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<v Speaker 1>Rose say, pop who took us off the Plaquet's Jules

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<v Speaker 1>finally giving us the bill and we to charge just

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<v Speaker 1>a second, Rose, Juels needs to speak to you. Fine,

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<v Speaker 1>have him come up to room dressing rooms locked Rose,

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<v Speaker 1>Just would you just just right here a minute? Were you?

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<v Speaker 1>How do you expect the girl to get take a second?

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<v Speaker 1>Here he comes, now, jus come into my office. Someone

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<v Speaker 1>reported her act to the police. The police send someone

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<v Speaker 1>out and they said it violates an ordinance against fortune telling. Nonsense,

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<v Speaker 1>it's mentalism. Not Fortunately, all the same. She can't do

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<v Speaker 1>her act on that stage. She can perform magic for

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<v Speaker 1>the entire audience, but can't you know, single out audience members.

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<v Speaker 1>Typically she's not a magician. All right, listen, we'll figure

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<v Speaker 1>out another act demonstrations of her her communing with the spirit.

0:19:09.440 --> 0:19:12.479
<v Speaker 1>Right well, until you do, she cannot go on that school.

0:19:13.359 --> 0:19:17.240
<v Speaker 1>We got served an injunction, Rose, So if she goes on,

0:19:17.720 --> 0:19:21.200
<v Speaker 1>we get shut down. You know, we get taken to court,

0:19:21.280 --> 0:19:25.480
<v Speaker 1>not you the theater. I've already talked to the owners,

0:19:25.600 --> 0:19:28.000
<v Speaker 1>and we're just not willing to take that change. When

0:19:28.000 --> 0:19:33.440
<v Speaker 1>did this happen this morning? It was Houdini? Probably jealous bastard.

0:19:33.720 --> 0:19:36.919
<v Speaker 1>Show me the injunction. There's no name on it except

0:19:37.000 --> 0:19:39.439
<v Speaker 1>the judge that signed off on it and the clerk

0:19:39.480 --> 0:19:41.800
<v Speaker 1>who delivered it. Here. You want to know more, you're

0:19:41.800 --> 0:19:45.520
<v Speaker 1>gonna have to go down to city Hall. Rose. I'm sorry,

0:19:45.600 --> 0:19:48.000
<v Speaker 1>but it's out of my hands. You can go up

0:19:48.040 --> 0:19:50.080
<v Speaker 1>to your dressing room and you can clear out any

0:19:50.119 --> 0:19:54.679
<v Speaker 1>of your belongings. Otherwise we'll put it in a trunk

0:19:54.720 --> 0:20:07.520
<v Speaker 1>for you. Such a gentleman, Come on, Pandora, who would

0:20:07.520 --> 0:20:12.000
<v Speaker 1>want to keep us from performing? The egotist Houdini can't

0:20:12.040 --> 0:20:15.960
<v Speaker 1>tolerate competition, even from a child. But I'm not so

0:20:16.000 --> 0:20:19.359
<v Speaker 1>sure it was him. You've captured the attention of other

0:20:19.920 --> 0:20:25.000
<v Speaker 1>would be suitors. Shrank, shrink, and whoever shrank is working

0:20:25.040 --> 0:20:30.879
<v Speaker 1>for Corbo. Possibly, But even if this isn't Corbo, it

0:20:31.000 --> 0:20:35.000
<v Speaker 1>will be soon. The current is catching you. You feel

0:20:35.000 --> 0:20:39.680
<v Speaker 1>it tugging at your legs, starting to pull you downstream.

0:20:39.720 --> 0:20:42.760
<v Speaker 1>You can struggle against the current if you want to

0:20:42.880 --> 0:20:47.439
<v Speaker 1>buy a little time, but you'll exhaust yourself. You could

0:20:47.600 --> 0:20:50.800
<v Speaker 1>try to swim for shore, get out of the water

0:20:50.960 --> 0:20:57.040
<v Speaker 1>and swear never to get back in, or or let

0:20:57.160 --> 0:21:01.720
<v Speaker 1>the current carry you. Navigate to the waters and prepare

0:21:01.800 --> 0:21:06.399
<v Speaker 1>for the whirlpool that's waiting downstream. I didn't think it

0:21:06.400 --> 0:21:11.320
<v Speaker 1>would happen so quickly. Neither did I, but you exceeded

0:21:11.400 --> 0:21:16.160
<v Speaker 1>my expectations. It's time that we stopped trying to find Corbo.

0:21:16.920 --> 0:21:21.480
<v Speaker 1>He'll soon find us. It's time to begin thinking about

0:21:21.520 --> 0:21:25.439
<v Speaker 1>what we're going to do once we reach him. We

0:21:28.119 --> 0:21:35.600
<v Speaker 1>me you no reason to be apprehensive. There are still

0:21:35.640 --> 0:21:46.119
<v Speaker 1>things I have yet to teach you. Okay, time for

0:21:46.160 --> 0:21:49.000
<v Speaker 1>one more, right, This one's really cool. You remember an

0:21:49.000 --> 0:21:52.960
<v Speaker 1>episode five Paradise we met Trudy the chorus girl I

0:21:53.080 --> 0:21:56.080
<v Speaker 1>Told you I Sing, who was invited by Baxter to

0:21:56.119 --> 0:21:58.640
<v Speaker 1>have a private date with Corbo and he is looking

0:21:58.680 --> 0:22:02.199
<v Speaker 1>for someone to provide him with inspiration. Oh like an

0:22:02.280 --> 0:22:05.840
<v Speaker 1>artist model, where she is eventually schooled in the rules

0:22:05.920 --> 0:22:10.000
<v Speaker 1>of sex magic and given a sound thrashing. But then

0:22:10.800 --> 0:22:19.080
<v Speaker 1>we get this, where are we going? Where are you

0:22:19.160 --> 0:22:22.560
<v Speaker 1>taking me? Shut up and sit there? Did I hurt

0:22:22.600 --> 0:22:25.199
<v Speaker 1>your ad? We need to go to the police or

0:22:25.240 --> 0:22:27.840
<v Speaker 1>the hospital. I need to go to a hospital. I

0:22:27.880 --> 0:22:29.760
<v Speaker 1>think if I need to take you to a hospital,

0:22:29.800 --> 0:22:32.119
<v Speaker 1>I'll take you to a hospital. You don't need to

0:22:32.119 --> 0:22:37.879
<v Speaker 1>go to a back my legs. Fifty dollars for tearing

0:22:37.920 --> 0:22:40.199
<v Speaker 1>up my body like that, I won't be able to

0:22:40.200 --> 0:22:43.160
<v Speaker 1>work for We trust me. You got off easy, come back,

0:22:43.200 --> 0:22:45.439
<v Speaker 1>he says, come back, and we'll make it a hundred.

0:22:45.760 --> 0:22:47.960
<v Speaker 1>If that's when it gets fifty, I can't imagine. What

0:22:47.960 --> 0:22:49.320
<v Speaker 1>do you do for a hundred? You don't know the

0:22:49.400 --> 0:22:57.840
<v Speaker 1>half of it. A hundred. He wasn't serious. Do you

0:22:57.880 --> 0:23:01.520
<v Speaker 1>think he was serious? Do you really think he'll pay

0:23:01.560 --> 0:23:05.440
<v Speaker 1>me a hundred dollars if I go back another time? Oh,

0:23:05.520 --> 0:23:13.720
<v Speaker 1>he'll pay he'll pay I love the Baxter character. I

0:23:13.760 --> 0:23:16.920
<v Speaker 1>wanted her to come off as that kind of Mannish

0:23:17.040 --> 0:23:20.159
<v Speaker 1>woman whom you see in Hollywood and German films of

0:23:20.160 --> 0:23:23.600
<v Speaker 1>the nineteen twenties and thirties, sort of a visual shorthand

0:23:23.600 --> 0:23:26.639
<v Speaker 1>to suggest lesbian you know what I'm talking about, the

0:23:26.680 --> 0:23:30.280
<v Speaker 1>woman who dresses in a man's suit with slicked back hair.

0:23:31.080 --> 0:23:32.960
<v Speaker 1>But then I wanted to show that there's more to

0:23:33.000 --> 0:23:35.880
<v Speaker 1>her than a stereotype, and that maybe she's not just

0:23:35.960 --> 0:23:40.520
<v Speaker 1>a procureur for Corbo. If given the opportunity to record

0:23:40.560 --> 0:23:43.080
<v Speaker 1>a season two of The Seventh Daughter, you could be

0:23:43.119 --> 0:23:49.040
<v Speaker 1>assured that we will hear more from Baxter. I hope

0:23:49.040 --> 0:23:52.280
<v Speaker 1>you're enjoying drilling deeper into the world of The Seventh Daughter.

0:23:52.800 --> 0:24:03.439
<v Speaker 1>Please come back for the remaining two bonus episodes. The

0:24:03.560 --> 0:24:06.159
<v Speaker 1>Seventh Daughter is a production of iHeart Radio.