1 00:00:00,080 --> 00:00:07,720 Speaker 1: MMMM. Hi. I'm Brett Wood, the writer and director of 2 00:00:07,760 --> 00:00:11,040 Speaker 1: The Seventh Daughter, and it's my pleasure to present the 3 00:00:11,119 --> 00:00:16,279 Speaker 1: first of three bonus episodes. In the first two of 4 00:00:16,320 --> 00:00:19,239 Speaker 1: these episodes, I'll be sharing scenes that got left on 5 00:00:19,280 --> 00:00:46,440 Speaker 1: the cutting room floor m M. Originally The Seventh Daughter 6 00:00:46,560 --> 00:00:50,680 Speaker 1: was designed to have thirteen episodes, but during the editing process, 7 00:00:51,040 --> 00:00:54,080 Speaker 1: we decided on a more streamlined structure for the show 8 00:00:54,480 --> 00:00:57,080 Speaker 1: to remove some of the digressions that tended to slow 9 00:00:57,120 --> 00:01:00,480 Speaker 1: down the linear action. Even though there was good reason 10 00:01:00,560 --> 00:01:03,360 Speaker 1: to remove them, I can't help but still miss some 11 00:01:03,440 --> 00:01:07,959 Speaker 1: of these detours because they sometimes provided historical detail as 12 00:01:08,000 --> 00:01:12,640 Speaker 1: well as some additional motivation for the character's actions. This 13 00:01:12,680 --> 00:01:14,920 Speaker 1: episode is recommended for those who have listened to the 14 00:01:15,080 --> 00:01:18,440 Speaker 1: entire series already and still have it somewhat fresh in 15 00:01:18,440 --> 00:01:22,520 Speaker 1: their minds. I'll present the scenes in chronological order and 16 00:01:22,560 --> 00:01:27,000 Speaker 1: briefly described the context in which they originally appeared. Now. 17 00:01:27,000 --> 00:01:29,160 Speaker 1: I don't think any of this will radically change the 18 00:01:29,360 --> 00:01:32,440 Speaker 1: dramatic effect of The Seventh Daughter, But for those super 19 00:01:32,480 --> 00:01:36,679 Speaker 1: fans who enjoyed briefly inhabiting the world of Rose, Pearl 20 00:01:36,760 --> 00:01:40,640 Speaker 1: and Corbeau, these return trips to steal city should be 21 00:01:40,720 --> 00:01:45,039 Speaker 1: a welcome treat. I'm not yet yet today that is 22 00:01:45,080 --> 00:01:48,480 Speaker 1: not McCauley, But I am giving you a gift that 23 00:01:48,680 --> 00:01:52,920 Speaker 1: is almos as valuable as life itself. I'm following a 24 00:01:52,920 --> 00:01:56,960 Speaker 1: demonstration of the wonder Child. I will reveal to you 25 00:01:57,400 --> 00:02:03,240 Speaker 1: the sauce of Amirs and give once more life your 26 00:02:03,440 --> 00:02:08,200 Speaker 1: full vigor and energy. We're floored, Troyo as it did 27 00:02:08,360 --> 00:02:13,800 Speaker 1: when you are? Are you to? Sixteen? Episode two, Lotus 28 00:02:13,800 --> 00:02:18,080 Speaker 1: Blood focuses on Pearl's preparation for performing a street corner 29 00:02:18,160 --> 00:02:23,240 Speaker 1: medicine show. I'll hang the torches, did you fill them 30 00:02:23,280 --> 00:02:27,680 Speaker 1: with gasoline? Yes? I did. Unpack the jars and line 31 00:02:27,720 --> 00:02:32,520 Speaker 1: them up across the front of the table, yes, ma'am, 32 00:02:32,520 --> 00:02:35,280 Speaker 1: just like last time. And make sure the two headed 33 00:02:35,320 --> 00:02:38,200 Speaker 1: calf and the tape worms are out front where people 34 00:02:38,240 --> 00:02:41,080 Speaker 1: can see them, yes, ma'am. And then hide out. Hide 35 00:02:41,080 --> 00:02:43,600 Speaker 1: out behind the banner, and change into your dress while 36 00:02:43,600 --> 00:02:47,880 Speaker 1: I drum up the crowd. I'll be back in two 37 00:02:47,880 --> 00:02:51,040 Speaker 1: hours for the wagon. You need anything else? Did you 38 00:02:51,200 --> 00:02:54,920 Speaker 1: did you chalk the wheels? Yeah? You said you're going 39 00:02:54,960 --> 00:02:56,560 Speaker 1: to pay me a night for the rest, and I 40 00:02:56,639 --> 00:03:00,320 Speaker 1: will just give us a chance to work in the 41 00:03:00,400 --> 00:03:04,760 Speaker 1: longer version performs a second time after having been sugar 42 00:03:04,760 --> 00:03:08,880 Speaker 1: talked by the Pinkerton. Having grown overconfident in her skills 43 00:03:08,960 --> 00:03:13,120 Speaker 1: and distracted by the predatory man, she quickly loses control 44 00:03:13,160 --> 00:03:17,680 Speaker 1: of the performance. What do I odd between my arms now? 45 00:03:18,720 --> 00:03:25,079 Speaker 1: It's difficult to see. It's impossible to see calm because 46 00:03:25,080 --> 00:03:29,040 Speaker 1: it is invisible. It is priceless. Yet every man owns 47 00:03:29,080 --> 00:03:32,480 Speaker 1: his share. He can save it, he can spend it, 48 00:03:32,960 --> 00:03:36,320 Speaker 1: You can waste him. Just tell me bandor But he 49 00:03:36,360 --> 00:03:38,920 Speaker 1: can never get more than God has allowed him to have. 50 00:03:39,720 --> 00:03:42,680 Speaker 1: A rich man cannot buy it from the poor. The 51 00:03:42,760 --> 00:03:49,360 Speaker 1: poor cannot sell his share to another. Sometimes Pandora's vision 52 00:03:49,640 --> 00:03:53,800 Speaker 1: surprised as even me. I was order in a pocket watch. 53 00:03:54,160 --> 00:03:57,760 Speaker 1: But through the power of Lata's blood, she saw the 54 00:03:57,920 --> 00:04:04,400 Speaker 1: true essence of what the mex hachannical time peace represent. Amazing? 55 00:04:07,040 --> 00:04:11,080 Speaker 1: And what do I have in my hoard now, my dear? 56 00:04:12,160 --> 00:04:16,360 Speaker 1: A flower? A caronation from a gentleman's lapel. Yeah, what's 57 00:04:16,400 --> 00:04:21,760 Speaker 1: the concentrate, my dear, don't be distracted by the attention 58 00:04:21,839 --> 00:04:27,440 Speaker 1: of all these admirers. Tell me again what I all 59 00:04:27,520 --> 00:04:33,200 Speaker 1: did in my hand? Is it a walking stick? A 60 00:04:33,279 --> 00:04:39,359 Speaker 1: walking stick, but the silver cat. Apparently someone did not 61 00:04:39,440 --> 00:04:42,920 Speaker 1: kick a lot as blood this afternoon. Let's have a 62 00:04:43,200 --> 00:04:49,599 Speaker 1: fresh start. What do you have there? A newspaper? Yes, 63 00:04:50,120 --> 00:04:55,520 Speaker 1: let me hold that now, Pandora. Allow the image to 64 00:04:55,760 --> 00:04:59,760 Speaker 1: crystallize in your mind and tell me what I a 65 00:05:00,120 --> 00:05:08,560 Speaker 1: limmians is? Pandora? Is it? It is a pin from 66 00:05:08,600 --> 00:05:19,200 Speaker 1: the hat of the dark haired woman. I'm afraid, child. 67 00:05:24,520 --> 00:05:33,000 Speaker 1: What do you strike a child that away? Don't touch poll? 68 00:05:37,760 --> 00:05:40,599 Speaker 1: Could you allow that to happen? All you have to 69 00:05:40,640 --> 00:05:44,080 Speaker 1: do is sit there and say a dozen words? And 70 00:05:44,120 --> 00:05:46,920 Speaker 1: where did you learn that awful dog one? I'm sorry 71 00:05:47,160 --> 00:05:50,560 Speaker 1: when I tell you, hey, you are you still interested 72 00:05:50,560 --> 00:05:56,200 Speaker 1: in this one? After that little performance? No saying hey, 73 00:05:56,560 --> 00:06:01,520 Speaker 1: give me a hundred dollars and she's yours? What fifty? 74 00:06:02,080 --> 00:06:04,520 Speaker 1: Take her off my hands? Give me fifty and you 75 00:06:04,520 --> 00:06:08,839 Speaker 1: can have her. I'll throw in the dress. Please. Definitely 76 00:06:08,880 --> 00:06:11,640 Speaker 1: not the woman I thought you were. And if you were, 77 00:06:12,000 --> 00:06:16,960 Speaker 1: and you're not anymore, I see you're around China Rose. 78 00:06:18,160 --> 00:06:21,160 Speaker 1: This scene of the Medicine Show Gone Wrong never really 79 00:06:21,200 --> 00:06:23,039 Speaker 1: worked as well as I hoped it would, so I 80 00:06:23,120 --> 00:06:25,960 Speaker 1: was happy to remove it. But much to my chagrin, 81 00:06:26,240 --> 00:06:30,400 Speaker 1: removing the second Medicine show necessitated the removal of another scene, 82 00:06:30,520 --> 00:06:33,520 Speaker 1: one that I liked very much between Rose and Pearl 83 00:06:33,880 --> 00:06:38,880 Speaker 1: in the apartment after the show. How are we supposed 84 00:06:38,880 --> 00:06:41,919 Speaker 1: to eat if you make foolish mistakes like that? The 85 00:06:42,120 --> 00:06:47,120 Speaker 1: alphabet code? You can't even comprehend that our supply of 86 00:06:47,200 --> 00:06:51,400 Speaker 1: medicine is gone, we've barely enough left for doesn't work 87 00:06:51,400 --> 00:06:54,840 Speaker 1: harder we can. You're supposed to pay for the wagon, Massaria. 88 00:06:55,839 --> 00:06:59,600 Speaker 1: Know how much those specimen jars cost, not to mention 89 00:07:00,040 --> 00:07:03,760 Speaker 1: what goes in them. No, of course you don't, But 90 00:07:04,080 --> 00:07:08,800 Speaker 1: you'll find out because you will replace them. You'll pay 91 00:07:08,880 --> 00:07:12,520 Speaker 1: for the jars, and you will go to the slaughterhouse 92 00:07:12,600 --> 00:07:16,200 Speaker 1: to get the freaks to put inside them. Not me, you, 93 00:07:16,520 --> 00:07:24,680 Speaker 1: I will. I'm sorry. I'm sorry. Fix my pipe, destroy 94 00:07:24,840 --> 00:07:28,760 Speaker 1: us everything we worked for, and no chance of ever 95 00:07:28,800 --> 00:07:34,680 Speaker 1: accomplishing anything. God damn it. Hall Pearl here, lie back 96 00:07:34,760 --> 00:07:37,400 Speaker 1: and let me hold the pipe for you. You'll feel better. 97 00:07:38,760 --> 00:07:42,559 Speaker 1: I feel better. How am I supposed to feel better 98 00:07:42,600 --> 00:07:46,840 Speaker 1: when I'm being robbed and beaten all over again, over 99 00:07:46,880 --> 00:07:52,760 Speaker 1: and over again. M hmm. You can't win in this world, 100 00:07:53,920 --> 00:07:57,160 Speaker 1: no matter how much you plan and how hard you work. 101 00:07:58,320 --> 00:08:02,920 Speaker 1: They won't let you. It's okay. We'll find a way. 102 00:08:03,840 --> 00:08:10,360 Speaker 1: I'll work hard, I'll try my best. We'll survive somehow. No, 103 00:08:10,480 --> 00:08:14,160 Speaker 1: I'm sending you back where you belong, among the believers. 104 00:08:14,240 --> 00:08:18,120 Speaker 1: You're sending me back m first thing in the morning. 105 00:08:19,720 --> 00:08:22,800 Speaker 1: M hmm. This is no place for the likes of you. 106 00:08:24,160 --> 00:08:26,520 Speaker 1: I should have known. What about her act? You mean 107 00:08:26,800 --> 00:08:32,600 Speaker 1: my act? I'll manage. Maybe I'll just hire a trained monkey. 108 00:08:33,720 --> 00:08:37,000 Speaker 1: At least a monkey can hold its tongue. So you'll 109 00:08:37,040 --> 00:08:43,960 Speaker 1: just find another girl, Yes, someone older, prettier, more mature, 110 00:08:45,000 --> 00:08:49,440 Speaker 1: someone whose mind hasn't been sullied. I won't go. You 111 00:08:49,480 --> 00:08:54,640 Speaker 1: can't make me, can't I No, you can't. I've wasted 112 00:08:54,800 --> 00:09:00,600 Speaker 1: so much time on you already. I'm sorry, pearl. You're 113 00:09:00,640 --> 00:09:06,360 Speaker 1: strong willed, but you're weak to the core. You're useless 114 00:09:06,360 --> 00:09:10,040 Speaker 1: to me. Don't say that allowing yourself to be distracted 115 00:09:10,160 --> 00:09:22,960 Speaker 1: by a man ross. During the performance tonight, you said 116 00:09:23,000 --> 00:09:28,559 Speaker 1: we were going to perform the word apostle. That's right, 117 00:09:30,720 --> 00:09:35,120 Speaker 1: you were spelling a different word. M hm m hmm. 118 00:09:36,080 --> 00:09:42,360 Speaker 1: What word did I say? You spelled a P O C. No, 119 00:09:43,480 --> 00:09:58,440 Speaker 1: you're wrong. What were you spelling? Bloody paint? Goods, So 120 00:09:58,520 --> 00:10:00,840 Speaker 1: at the end of that episode we find out that 121 00:10:00,880 --> 00:10:04,280 Speaker 1: the disastrous performance may not have been entirely Pearl's fault, 122 00:10:04,679 --> 00:10:09,320 Speaker 1: but sabotage Rose's way of keeping Pearl in line. But 123 00:10:09,480 --> 00:10:14,200 Speaker 1: Pearl knows that Rose sabotaged her, so the relationship thickens. 124 00:10:25,000 --> 00:10:28,520 Speaker 1: Episode four, Asleep in the Deep is one of my favorites, 125 00:10:29,080 --> 00:10:31,240 Speaker 1: and a pretty big piece of it was removed before 126 00:10:31,280 --> 00:10:35,000 Speaker 1: the series was released. We began the episode after the 127 00:10:35,040 --> 00:10:38,679 Speaker 1: passage of many months, with Rose and Pearl on stage 128 00:10:38,760 --> 00:10:42,840 Speaker 1: at a variety theater store me the night and the 129 00:10:43,040 --> 00:10:50,280 Speaker 1: waves roll high, its bravely the ship rod Hawk White, 130 00:10:50,400 --> 00:10:57,680 Speaker 1: the light husbands, Sol cry prease all the salt bad. 131 00:11:00,280 --> 00:11:06,920 Speaker 1: They're on the dicky to the start, too hot, beating 132 00:11:07,240 --> 00:11:30,920 Speaker 1: and hot. She why siddeds th most deed. But in 133 00:11:30,960 --> 00:11:34,760 Speaker 1: the longer version we hear an entirely different origin story 134 00:11:34,800 --> 00:11:38,280 Speaker 1: for Pandora. She had one origin story for the medicine 135 00:11:38,280 --> 00:11:41,280 Speaker 1: show that she was raised in the Orient, but in 136 00:11:41,320 --> 00:11:44,160 Speaker 1: the music Hall she has been transformed into a daughter 137 00:11:44,240 --> 00:11:48,200 Speaker 1: of Royalty. The reason this was removed is because we 138 00:11:48,360 --> 00:11:51,880 Speaker 1: dwell so long in the fictional origin story that we 139 00:11:51,880 --> 00:11:54,640 Speaker 1: thought listeners may have gotten confused. About where we are 140 00:11:54,679 --> 00:11:57,400 Speaker 1: in the main frame of the narrative. If this were 141 00:11:57,440 --> 00:12:00,600 Speaker 1: a film or a television series, the visual style of 142 00:12:00,640 --> 00:12:04,760 Speaker 1: this fraudulent flashback would have helped orient the viewer, But 143 00:12:04,880 --> 00:12:07,480 Speaker 1: on radio it was harder to bracket this as a 144 00:12:07,480 --> 00:12:14,120 Speaker 1: false narrative within a larger fiction. Anyway, Kititon, it happened 145 00:12:14,200 --> 00:12:17,920 Speaker 1: three years ago when Pandora was in her eighth year. 146 00:12:18,640 --> 00:12:22,280 Speaker 1: Born to parents of wealth and means, she lacked nothing. 147 00:12:23,120 --> 00:12:26,200 Speaker 1: I was a midwife at the time. I attended her 148 00:12:26,240 --> 00:12:29,240 Speaker 1: mother during the birth, and it was I who brought 149 00:12:29,320 --> 00:12:32,920 Speaker 1: her into this world. From the moment she was born, 150 00:12:33,360 --> 00:12:36,840 Speaker 1: the seventh child of her mother, all of them girls, 151 00:12:37,600 --> 00:12:41,520 Speaker 1: it was obvious that this child was special. No child's 152 00:12:41,559 --> 00:12:45,640 Speaker 1: future ever seemed to shine so bright. She was given 153 00:12:45,720 --> 00:12:50,280 Speaker 1: the finest education, but somehow possessed knowledge that even her 154 00:12:50,280 --> 00:12:55,119 Speaker 1: tutors had not yet attained. She had an uncanny ability 155 00:12:55,160 --> 00:12:59,040 Speaker 1: to commune with animals, and loved nothing more than to 156 00:12:59,160 --> 00:13:03,000 Speaker 1: wander the shadows of the forest or to pick among 157 00:13:03,080 --> 00:13:07,720 Speaker 1: the stones of the village cemetery. There she seemed most 158 00:13:07,760 --> 00:13:11,840 Speaker 1: at peace. Born in Russia, her mother had been a 159 00:13:11,960 --> 00:13:16,079 Speaker 1: mystic and had been a spiritual consultant to the most 160 00:13:16,200 --> 00:13:21,040 Speaker 1: influential heads of Europe. Her father was an American diplomat 161 00:13:21,440 --> 00:13:26,480 Speaker 1: and had accepted a post in London. But then three 162 00:13:26,600 --> 00:13:31,120 Speaker 1: years ago the family, Pandora's mother and father, and her 163 00:13:31,200 --> 00:13:36,640 Speaker 1: six older sisters all set sail together for Britain, but 164 00:13:36,679 --> 00:13:42,240 Speaker 1: not Pandora. The child had fallen ill with pneumonia, was 165 00:13:42,280 --> 00:13:46,840 Speaker 1: suffering disturbing visions, and the family doctor insisted she delay 166 00:13:46,960 --> 00:13:50,960 Speaker 1: her voyage. Her parents and sisters had no choice but 167 00:13:51,120 --> 00:13:54,920 Speaker 1: to go on ahead, and so they left Pandora with me, 168 00:13:55,880 --> 00:13:58,880 Speaker 1: with the plan that we would follow. Two weeks later, 169 00:14:00,080 --> 00:14:06,000 Speaker 1: when Pandora was told of these arrangements, she became hysterical, inconsolable. 170 00:14:06,679 --> 00:14:10,080 Speaker 1: She begged her parents not to go. It was more 171 00:14:10,120 --> 00:14:13,760 Speaker 1: than a child's fear of separation from her parents. It 172 00:14:13,960 --> 00:14:19,640 Speaker 1: was something much worse. Pandora saw their fate and warned 173 00:14:19,760 --> 00:14:25,440 Speaker 1: them of their impending doom. I heard the screams in 174 00:14:25,480 --> 00:14:28,920 Speaker 1: the night when she witnessed nightly visions of her family's fate. 175 00:14:29,480 --> 00:14:32,520 Speaker 1: It was I who marked the cold sweat from her 176 00:14:32,520 --> 00:14:36,600 Speaker 1: body as she lay trembling in horror. Mommy day, please 177 00:14:36,640 --> 00:14:39,440 Speaker 1: listen to me. If you go on his chiselthing, Terrible's 178 00:14:39,440 --> 00:14:44,960 Speaker 1: going to happen to you. But what called an eight 179 00:14:45,040 --> 00:14:48,680 Speaker 1: year old child possibly know such things. If you go 180 00:14:48,760 --> 00:14:53,120 Speaker 1: on that voyage, you're all going to die was now 181 00:14:53,520 --> 00:14:57,760 Speaker 1: be known. But we know that Pandora's premonitions of death 182 00:14:57,800 --> 00:15:01,880 Speaker 1: and suffering were accurate. We know that the mother, the father, 183 00:15:02,040 --> 00:15:06,360 Speaker 1: the six older sisters all boarded the ship on May first, 184 00:15:06,920 --> 00:15:11,000 Speaker 1: bound for London. We all know the name of the ship, 185 00:15:11,520 --> 00:15:14,760 Speaker 1: the ship that was spotted by a German U boat 186 00:15:14,800 --> 00:15:18,360 Speaker 1: ten miles off the coast of Ireland. We know that 187 00:15:18,600 --> 00:15:23,520 Speaker 1: more than one thousand souls perished in the frigid depths 188 00:15:23,600 --> 00:16:03,920 Speaker 1: of the Atlantic air. When they plunged into the water, 189 00:16:04,440 --> 00:16:07,800 Speaker 1: they were wrapped in one another's arms. My father was 190 00:16:07,840 --> 00:16:10,720 Speaker 1: a strong swimmer and he tried to keep them afloat, 191 00:16:11,440 --> 00:16:14,280 Speaker 1: but the sinking ship created a whirlpool that set them 192 00:16:14,320 --> 00:16:18,080 Speaker 1: all down into the blackest steps of the sea. We 193 00:16:18,360 --> 00:16:23,160 Speaker 1: know what happened to her family because Pandora witnessed it. 194 00:16:23,360 --> 00:16:29,640 Speaker 1: All my sisters held hands from oldest to youngest like 195 00:16:29,760 --> 00:16:34,600 Speaker 1: a daisy chain, all dressed in white pinafores. The youngest 196 00:16:34,760 --> 00:16:39,360 Speaker 1: of the six, Rebecca, was the last, and as she 197 00:16:39,480 --> 00:16:46,680 Speaker 1: was pulled down down into the abyss. Her hand was outstretched, 198 00:16:47,160 --> 00:16:53,160 Speaker 1: reaching up towards the surface, open empty, the hand that 199 00:16:53,280 --> 00:16:59,400 Speaker 1: I would have held had I been there. Any breath, 200 00:16:59,440 --> 00:17:02,960 Speaker 1: Heart are ross deep and kno deep. So we w 201 00:17:18,200 --> 00:17:21,040 Speaker 1: and yes that is Minca Wilts performing her own vocals. 202 00:17:37,800 --> 00:17:40,639 Speaker 1: I really hated to lose this next scene because it 203 00:17:40,720 --> 00:17:44,960 Speaker 1: allowed the still invisible Corbo to start sinking his fingers 204 00:17:45,000 --> 00:17:49,160 Speaker 1: more deeply into our story. Having declined Houdini's offer of work, 205 00:17:49,600 --> 00:17:52,879 Speaker 1: having declined Albert von shrank Natzing's request to perform a 206 00:17:52,960 --> 00:17:57,040 Speaker 1: cabinet sitting, Rose and Pearl find that someone is interfering 207 00:17:57,119 --> 00:18:09,280 Speaker 1: with their efforts to make a living. Even in pop. 208 00:18:10,119 --> 00:18:13,919 Speaker 1: Rose say, pop who took us off the Plaquet's Jules 209 00:18:13,960 --> 00:18:16,119 Speaker 1: finally giving us the bill and we to charge just 210 00:18:16,359 --> 00:18:19,439 Speaker 1: a second, Rose, Juels needs to speak to you. Fine, 211 00:18:19,960 --> 00:18:22,880 Speaker 1: have him come up to room dressing rooms locked Rose, 212 00:18:23,000 --> 00:18:25,159 Speaker 1: Just would you just just right here a minute? Were you? 213 00:18:25,280 --> 00:18:27,639 Speaker 1: How do you expect the girl to get take a second? 214 00:18:27,880 --> 00:18:38,679 Speaker 1: Here he comes, now, jus come into my office. Someone 215 00:18:38,800 --> 00:18:42,359 Speaker 1: reported her act to the police. The police send someone 216 00:18:42,400 --> 00:18:47,720 Speaker 1: out and they said it violates an ordinance against fortune telling. Nonsense, 217 00:18:48,280 --> 00:18:52,040 Speaker 1: it's mentalism. Not Fortunately, all the same. She can't do 218 00:18:52,119 --> 00:18:55,560 Speaker 1: her act on that stage. She can perform magic for 219 00:18:55,600 --> 00:18:59,639 Speaker 1: the entire audience, but can't you know, single out audience members. 220 00:19:00,000 --> 00:19:04,240 Speaker 1: Typically she's not a magician. All right, listen, we'll figure 221 00:19:04,240 --> 00:19:09,320 Speaker 1: out another act demonstrations of her her communing with the spirit. 222 00:19:09,440 --> 00:19:12,479 Speaker 1: Right well, until you do, she cannot go on that school. 223 00:19:13,359 --> 00:19:17,240 Speaker 1: We got served an injunction, Rose, So if she goes on, 224 00:19:17,720 --> 00:19:21,200 Speaker 1: we get shut down. You know, we get taken to court, 225 00:19:21,280 --> 00:19:25,480 Speaker 1: not you the theater. I've already talked to the owners, 226 00:19:25,600 --> 00:19:28,000 Speaker 1: and we're just not willing to take that change. When 227 00:19:28,000 --> 00:19:33,440 Speaker 1: did this happen this morning? It was Houdini? Probably jealous bastard. 228 00:19:33,720 --> 00:19:36,919 Speaker 1: Show me the injunction. There's no name on it except 229 00:19:37,000 --> 00:19:39,439 Speaker 1: the judge that signed off on it and the clerk 230 00:19:39,480 --> 00:19:41,800 Speaker 1: who delivered it. Here. You want to know more, you're 231 00:19:41,800 --> 00:19:45,520 Speaker 1: gonna have to go down to city Hall. Rose. I'm sorry, 232 00:19:45,600 --> 00:19:48,000 Speaker 1: but it's out of my hands. You can go up 233 00:19:48,040 --> 00:19:50,080 Speaker 1: to your dressing room and you can clear out any 234 00:19:50,119 --> 00:19:54,679 Speaker 1: of your belongings. Otherwise we'll put it in a trunk 235 00:19:54,720 --> 00:20:07,520 Speaker 1: for you. Such a gentleman, Come on, Pandora, who would 236 00:20:07,520 --> 00:20:12,000 Speaker 1: want to keep us from performing? The egotist Houdini can't 237 00:20:12,040 --> 00:20:15,960 Speaker 1: tolerate competition, even from a child. But I'm not so 238 00:20:16,000 --> 00:20:19,359 Speaker 1: sure it was him. You've captured the attention of other 239 00:20:19,920 --> 00:20:25,000 Speaker 1: would be suitors. Shrank, shrink, and whoever shrank is working 240 00:20:25,040 --> 00:20:30,879 Speaker 1: for Corbo. Possibly, But even if this isn't Corbo, it 241 00:20:31,000 --> 00:20:35,000 Speaker 1: will be soon. The current is catching you. You feel 242 00:20:35,000 --> 00:20:39,680 Speaker 1: it tugging at your legs, starting to pull you downstream. 243 00:20:39,720 --> 00:20:42,760 Speaker 1: You can struggle against the current if you want to 244 00:20:42,880 --> 00:20:47,439 Speaker 1: buy a little time, but you'll exhaust yourself. You could 245 00:20:47,600 --> 00:20:50,800 Speaker 1: try to swim for shore, get out of the water 246 00:20:50,960 --> 00:20:57,040 Speaker 1: and swear never to get back in, or or let 247 00:20:57,160 --> 00:21:01,720 Speaker 1: the current carry you. Navigate to the waters and prepare 248 00:21:01,800 --> 00:21:06,399 Speaker 1: for the whirlpool that's waiting downstream. I didn't think it 249 00:21:06,400 --> 00:21:11,320 Speaker 1: would happen so quickly. Neither did I, but you exceeded 250 00:21:11,400 --> 00:21:16,160 Speaker 1: my expectations. It's time that we stopped trying to find Corbo. 251 00:21:16,920 --> 00:21:21,480 Speaker 1: He'll soon find us. It's time to begin thinking about 252 00:21:21,520 --> 00:21:25,439 Speaker 1: what we're going to do once we reach him. We 253 00:21:28,119 --> 00:21:35,600 Speaker 1: me you no reason to be apprehensive. There are still 254 00:21:35,640 --> 00:21:46,119 Speaker 1: things I have yet to teach you. Okay, time for 255 00:21:46,160 --> 00:21:49,000 Speaker 1: one more, right, This one's really cool. You remember an 256 00:21:49,000 --> 00:21:52,960 Speaker 1: episode five Paradise we met Trudy the chorus girl I 257 00:21:53,080 --> 00:21:56,080 Speaker 1: Told you I Sing, who was invited by Baxter to 258 00:21:56,119 --> 00:21:58,640 Speaker 1: have a private date with Corbo and he is looking 259 00:21:58,680 --> 00:22:02,199 Speaker 1: for someone to provide him with inspiration. Oh like an 260 00:22:02,280 --> 00:22:05,840 Speaker 1: artist model, where she is eventually schooled in the rules 261 00:22:05,920 --> 00:22:10,000 Speaker 1: of sex magic and given a sound thrashing. But then 262 00:22:10,800 --> 00:22:19,080 Speaker 1: we get this, where are we going? Where are you 263 00:22:19,160 --> 00:22:22,560 Speaker 1: taking me? Shut up and sit there? Did I hurt 264 00:22:22,600 --> 00:22:25,199 Speaker 1: your ad? We need to go to the police or 265 00:22:25,240 --> 00:22:27,840 Speaker 1: the hospital. I need to go to a hospital. I 266 00:22:27,880 --> 00:22:29,760 Speaker 1: think if I need to take you to a hospital, 267 00:22:29,800 --> 00:22:32,119 Speaker 1: I'll take you to a hospital. You don't need to 268 00:22:32,119 --> 00:22:37,879 Speaker 1: go to a back my legs. Fifty dollars for tearing 269 00:22:37,920 --> 00:22:40,199 Speaker 1: up my body like that, I won't be able to 270 00:22:40,200 --> 00:22:43,160 Speaker 1: work for We trust me. You got off easy, come back, 271 00:22:43,200 --> 00:22:45,439 Speaker 1: he says, come back, and we'll make it a hundred. 272 00:22:45,760 --> 00:22:47,960 Speaker 1: If that's when it gets fifty, I can't imagine. What 273 00:22:47,960 --> 00:22:49,320 Speaker 1: do you do for a hundred? You don't know the 274 00:22:49,400 --> 00:22:57,840 Speaker 1: half of it. A hundred. He wasn't serious. Do you 275 00:22:57,880 --> 00:23:01,520 Speaker 1: think he was serious? Do you really think he'll pay 276 00:23:01,560 --> 00:23:05,440 Speaker 1: me a hundred dollars if I go back another time? Oh, 277 00:23:05,520 --> 00:23:13,720 Speaker 1: he'll pay he'll pay I love the Baxter character. I 278 00:23:13,760 --> 00:23:16,920 Speaker 1: wanted her to come off as that kind of Mannish 279 00:23:17,040 --> 00:23:20,159 Speaker 1: woman whom you see in Hollywood and German films of 280 00:23:20,160 --> 00:23:23,600 Speaker 1: the nineteen twenties and thirties, sort of a visual shorthand 281 00:23:23,600 --> 00:23:26,639 Speaker 1: to suggest lesbian you know what I'm talking about, the 282 00:23:26,680 --> 00:23:30,280 Speaker 1: woman who dresses in a man's suit with slicked back hair. 283 00:23:31,080 --> 00:23:32,960 Speaker 1: But then I wanted to show that there's more to 284 00:23:33,000 --> 00:23:35,880 Speaker 1: her than a stereotype, and that maybe she's not just 285 00:23:35,960 --> 00:23:40,520 Speaker 1: a procureur for Corbo. If given the opportunity to record 286 00:23:40,560 --> 00:23:43,080 Speaker 1: a season two of The Seventh Daughter, you could be 287 00:23:43,119 --> 00:23:49,040 Speaker 1: assured that we will hear more from Baxter. I hope 288 00:23:49,040 --> 00:23:52,280 Speaker 1: you're enjoying drilling deeper into the world of The Seventh Daughter. 289 00:23:52,800 --> 00:24:03,439 Speaker 1: Please come back for the remaining two bonus episodes. The 290 00:24:03,560 --> 00:24:06,159 Speaker 1: Seventh Daughter is a production of iHeart Radio.