WEBVTT - John Wick with Vanessa Guerrero

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<v Speaker 1>On the Bedel Cast, the questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism the patriarchy? Zefan best start

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<v Speaker 1>changing it with the Beckdel cast. Hey, Jamie, Hey Caitlin,

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<v Speaker 1>that is a really cool car, and that's a really

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<v Speaker 1>cute dog. I just wanted you to know what, hay,

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<v Speaker 1>if something happened to them. Alfie Allen should have said that.

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<v Speaker 1>I would have liked his character so much better if

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<v Speaker 1>he if he had just really late it on thick

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<v Speaker 1>like that. God, I can it's so wild that, um, well,

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<v Speaker 1>welcome to the Bechdel Cast. But just a second. It's

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<v Speaker 1>so wild that, like Alfie Allen, is I know a

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<v Speaker 1>person that exists in the world. I watched Game of

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<v Speaker 1>threnth and everything, but I confuse him with my crush

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<v Speaker 1>Bill scars Guards so easily only to look up the future, yes,

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<v Speaker 1>only to look at future John Wicks, and who is

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<v Speaker 1>there but Bill scars Guard. I think he's going to

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<v Speaker 1>be in the next one. Yeah, wait, okay in the

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<v Speaker 1>fourth one. I was like, I didn't see him in

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<v Speaker 1>two or three? They missed the vibe of the bug

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<v Speaker 1>eyed boy they gotta bring it back, they gotta bring

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<v Speaker 1>it back. Oh well, well, this is the Bectel Cast.

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<v Speaker 1>My name is Jamie Laftus. My name is Caitlin Durante,

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<v Speaker 1>and this is our show where we examine movies through

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<v Speaker 1>an intersectional feminist lens, using the Bechtel test simply as

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<v Speaker 1>a jumping off point. But Jamie, what is it? Well,

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<v Speaker 1>I can let you know, Caitlin Durante. The Bechtel test

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<v Speaker 1>is a media metric created whoa Hello created? What if

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<v Speaker 1>they did? Ah? This is here's a horrible pitch for

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<v Speaker 1>our April Fools episode Baby Talk Pass. It is hey

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<v Speaker 1>media metric created by Ker cartoonist Alice Becktel, sometimes called

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<v Speaker 1>the Bactel Wallace Test. Lots of different versions of this test,

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<v Speaker 1>Here's the one we use. The test requires that there'll

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<v Speaker 1>be two characters of a marginalized gender with names speaking

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<v Speaker 1>about something other than a man for more than two

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<v Speaker 1>lines of dialogue should be meaningful. Does it happen in

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<v Speaker 1>this movie? I'm brady sure, But that's why a franchise exists.

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<v Speaker 1>So that is that's why every movie needs at least

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<v Speaker 1>three movies, so that by the third movie women might

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<v Speaker 1>talk to each other. Yeah, you need three movies. Yeah,

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<v Speaker 1>and I'm not even sure if it happens by the

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<v Speaker 1>end of the third John Wick movie. Oh, I think

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<v Speaker 1>they all talk, but not to each other. Oh that

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<v Speaker 1>is always so bizarre and dissonan when they're like, we

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<v Speaker 1>got two women in a room. They're never gonna know that.

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<v Speaker 1>But yes, in honor of the new John Wick, the

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<v Speaker 1>Bill Scars Guard John Wick, if you will, we're covering

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<v Speaker 1>John Wick one twenty fourteen. I didn't realize it came

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<v Speaker 1>out so long ago. It's almost ten years ago. Oh yeah,

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<v Speaker 1>it's been a while. I'm also referring to four not

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<v Speaker 1>as The Bill Scars Guard one but the Arena Sawayama one. Yes, yes,

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<v Speaker 1>that is truly. What's gonna get my ass in the

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<v Speaker 1>seat is her? It's her acting debut, right, yes it is.

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<v Speaker 1>It's her acting debut, and it's going to be in

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<v Speaker 1>this major franchise. And also one of my all time

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<v Speaker 1>favorite action stars is in. It's Scott Atkins, so I'm

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<v Speaker 1>like losing my ship. He's the king of the home

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<v Speaker 1>movie box office when it comes to action movies. He's

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<v Speaker 1>constantly punching above his weight, and in this one, I

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<v Speaker 1>fear he might be in a fat suit, but we'll see.

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<v Speaker 1>I'm not sure I can tell from the posters. When

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<v Speaker 1>will they not do that? I am? I am very

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<v Speaker 1>thrilled about the arena Sawayama element to the four and

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<v Speaker 1>I just pray that she is a pop girlie who

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<v Speaker 1>can hoo can act? I hope we're getting We're getting

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<v Speaker 1>a Lady Gaga situation. Yeah, time will tell. I can't wait. Um,

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<v Speaker 1>but wait, who the hell is that talking? Is that

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<v Speaker 1>perhaps one of our all time guests? It's just it's

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<v Speaker 1>just our guest who is a host? It is not

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<v Speaker 1>my best transition into introducing a guest of all time,

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<v Speaker 1>but wait, what the fuck? No? I thought it was

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<v Speaker 1>really good. Who is the other arena stand in the chat?

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<v Speaker 1>She's host of the podcast Popcorn and Pixels. You've seen

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<v Speaker 1>her on Shutters, Behind the Monsters, and you remember her

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<v Speaker 1>from our episodes on Maide in Manhattan, Raw, Atomic Blonde,

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<v Speaker 1>and Bound. So this is her fifth apparent on the show.

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<v Speaker 1>It's Vanessa Guerrero. Thank you so much for having me on.

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<v Speaker 1>I love doing the show. In the mail the five

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<v Speaker 1>timers jacket that doesn't actually gist, but someday, someday it

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<v Speaker 1>will be. It's a picture of the two of y'all

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<v Speaker 1>doing a thumbs up, and it's embroidered and it's the

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<v Speaker 1>or exactly and you give it to someone when things

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<v Speaker 1>are getting serious. Yeah, it's a letter in jacket. Yeah,

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<v Speaker 1>we're so happy that you're back. And I feel like,

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<v Speaker 1>over time you sort of become our our go to

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<v Speaker 1>action movie expert. I love that, especially because one of

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<v Speaker 1>my favorite things in the universe is constantly showing up

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<v Speaker 1>men at things that they enjoy and like it's a

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<v Speaker 1>beautiful thing. I love being an action movie person and

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<v Speaker 1>knowing that there are several men that are like, I

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<v Speaker 1>wish it was me. Oh, that does sound very powerful.

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<v Speaker 1>It's a delicious feeling. That's I wish. I don't think

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<v Speaker 1>I can do that. I think that I'm just like

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<v Speaker 1>I think. I'm like, hey, guy, i'm dating, do you

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<v Speaker 1>want to know everything about beanie babies? And usually he's

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<v Speaker 1>like no, and he doesn't wish. Yeah, Well, the thing

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<v Speaker 1>is he doesn't wish it was him, and maybe he

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<v Speaker 1>doesn't even wish that he was in the room. Well

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<v Speaker 1>screw him. Then, yes, this person I just made up Vassa.

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<v Speaker 1>What is your relationship with John Wick the franchise, etc.

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<v Speaker 1>I love the john Wick franchise as an action fan.

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<v Speaker 1>The john Wick franchise is so indicative of like such

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<v Speaker 1>a major turning point for the genre because specifically like

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<v Speaker 1>American action, like Korea, Indonesia, Japan, China, they'd been they'd

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<v Speaker 1>been putting out action movies that had been like consistently

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<v Speaker 1>fantastic for years. American action had taken such a downturn,

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<v Speaker 1>especially because of the movies like later Jason Bourne movies

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<v Speaker 1>and Taken, where it's a lot of like frenetic editing

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<v Speaker 1>and like twenty one cuts to get an old man

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<v Speaker 1>over offense, like very jumpy, very like that two thousand

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<v Speaker 1>style of like shaky cam footage, And there wasn't as

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<v Speaker 1>much like focus when it came to like choreography fee

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<v Speaker 1>and really like not even just getting like great choreography

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<v Speaker 1>and it nailed down, but like how we shoot choreography

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<v Speaker 1>and really doing it the justice that it deserves. And

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<v Speaker 1>John Wick when that movie came out was such a

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<v Speaker 1>renaissance for American action fans where you started seeing people

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<v Speaker 1>care about how they shot action again. And I love

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<v Speaker 1>that the franchise has also become very self aware and

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<v Speaker 1>knows sort of where it stands and like American action history,

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<v Speaker 1>which is why the casting announcements are more exciting for

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<v Speaker 1>me than it feels like what I imagine, like a

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<v Speaker 1>football draft feels like to someone where I'm just like, yeah,

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<v Speaker 1>we got another one. Yeah. I feel about succession casting

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<v Speaker 1>announcements when exactly when they're like Adrian Brodie, you're like

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<v Speaker 1>what they're like sona late, like what or like White

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<v Speaker 1>Lotus where it's just like, oh my god, that lineup.

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<v Speaker 1>That's how I feel about the john Wick series. Yes, Also, yeah,

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<v Speaker 1>it taps into a very petty core of me. At

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<v Speaker 1>while I've done so much, like work in therapy and

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<v Speaker 1>improvement to be somebody that can like move on from grudges,

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<v Speaker 1>john Wick taps into the part of me that which

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<v Speaker 1>is I can do undo all of that hard work

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<v Speaker 1>and just be a petty bitch on the trail for revenge.

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<v Speaker 1>I do love a revenge narrative, so I love it.

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<v Speaker 1>Jamie whats Beagles. That's my history. Now, my history with

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<v Speaker 1>the john Wick franchise is very minimal. As I think

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<v Speaker 1>I've said on this show time and time again, Action

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<v Speaker 1>has never really been my go to genre, even though

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<v Speaker 1>Keanu Reeves. I would say it's one of my go

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<v Speaker 1>to people that I like to look at and engage

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<v Speaker 1>with the legacy of. Oh yeah. Something I've been saying

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<v Speaker 1>on the show for the entire run of the show

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<v Speaker 1>is that I used to see Keanu Reeves every Wednesday

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<v Speaker 1>at the bookstore I worked at, and he'd always get

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<v Speaker 1>a book of Sudoku puzzles and one of the new

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<v Speaker 1>hardcover fictions. Always hardcover, not softcover for this guy. He's

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<v Speaker 1>a Millionaire's gonna want the hardcover exactly, come on his

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<v Speaker 1>motorcycle and changed my life. He's a good man by

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<v Speaker 1>all accounts. He's the most attracted that I've ever been

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<v Speaker 1>to a sismail in my life. It's he's kind of scary. Yeah,

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<v Speaker 1>I love Keanu Reeves. Action movies are a harder sell.

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<v Speaker 1>I did remember as I was preparing for this. I

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<v Speaker 1>mean how much I loved Atomic Blonde, and there are

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<v Speaker 1>things about John Wick that I did like, even outside

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<v Speaker 1>of Keyanu Reeves. I liked. I really liked learning about

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<v Speaker 1>how this movie came together and how it's like these

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<v Speaker 1>legacy stuntman who worked with Keyanda Reeves that ended up

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<v Speaker 1>like directing this incredible. I mean it looks beautiful and

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<v Speaker 1>like as an action movie. Even as someone that doesn't

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<v Speaker 1>know a ton about action movies, You're like, yeah, this

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<v Speaker 1>is a beautiful action movie. This is like fucking wild.

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<v Speaker 1>It's all that bisexual lighting. Yeah, this, I feel like

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<v Speaker 1>this is like kind of the great stand. I can't

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<v Speaker 1>think of a more bisexually lit movie. This may be

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<v Speaker 1>the Golden standard or the Blue and Purple standard, whatever

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<v Speaker 1>we're calling them. Yeah, that entire bathhouse scene could have

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<v Speaker 1>been like a low five beats yes, yes, exactly. And

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<v Speaker 1>then I mean, you know, watching it with a Bechtel

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<v Speaker 1>cast lens on, I'll admit it was a challenge. But

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<v Speaker 1>I yeah, I've only seen so I've only seen the

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<v Speaker 1>first movie. I watched the first movie to prepare for

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<v Speaker 1>this episode, and I'm definitely going to see the fourth

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<v Speaker 1>for Rina Sawayama purposes, and I look forward to being

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<v Speaker 1>sold on watching the two sequels before then. The third

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<v Speaker 1>is definitely the better of the two. Okay, my first,

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<v Speaker 1>the first bitchy little thing I am going to say

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<v Speaker 1>about John Wick and everyone's could getting upset and scream

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<v Speaker 1>boo tomato tomato open opening this movie on Deadwife dot

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<v Speaker 1>MP four. I was struggling yea and ending the movie

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<v Speaker 1>also on Deadwife dot MP four. I gotta say once

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<v Speaker 1>again I was struggling. But every time I see Deadwife

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<v Speaker 1>dot MP four, I could do that. So if anyone's

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<v Speaker 1>trying to look for a dead wife, I feel like

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<v Speaker 1>I can conjure that energy quite easily. Beach breeze in

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<v Speaker 1>your hair, John, what are you doing? I was confused

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<v Speaker 1>what you meant at first? You mean, if someone's looking

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<v Speaker 1>to cast a role in a movie where they need

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<v Speaker 1>a character's wife who is now deceased, you're available to

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<v Speaker 1>play that part. Yeah, I understand. I feel like I

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<v Speaker 1>act like a dead wife every single day. I think

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<v Speaker 1>anytime there's like a if a boyfriend has a phone

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<v Speaker 1>and it's on and it's at me, I'm going to

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<v Speaker 1>act like a dead wife because you never know what

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<v Speaker 1>do you do? What are you doing? Stop? I've romanticized

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<v Speaker 1>white life like a dead wife. Oh Like, I wear

0:11:41.640 --> 0:11:44.040
<v Speaker 1>a lot of like ponchos around the house and I

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<v Speaker 1>hold lugs with two hands. You're like kind of like

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<v Speaker 1>do a lot of hair work. You're like sort of

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<v Speaker 1>playfully just like kind of rolling around under the sheets

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<v Speaker 1>like t he he Yeah, it's morning, and I never

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<v Speaker 1>I never sweat. I would never sweat in that circumstance. Yeah,

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<v Speaker 1>if I'm at the beach, you know, my hair is

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<v Speaker 1>just so and I'm like, stop, what are you doing? Yeah,

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<v Speaker 1>that's beautiful. Can't then what's your history with the John

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<v Speaker 1>Like franchise? I had only seen the first one. I

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<v Speaker 1>don't know why I never got around to the sequels.

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<v Speaker 1>I liked the first one, and I love action movies.

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<v Speaker 1>I am a big action movie head. But I simply

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<v Speaker 1>have no excuse, no reason why I had not seen

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<v Speaker 1>the sequels, but I did watch them to prep for this.

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<v Speaker 1>We won't go into a lot of detail, but there

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<v Speaker 1>are a few, like noteworthy things that indicate some kind

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<v Speaker 1>of like evolutionist the franchise goes that I want to

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<v Speaker 1>touch on. But um, we'll focus on the first movie,

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<v Speaker 1>and I will share a quick recap of the two

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<v Speaker 1>sequels for anyone who wants to hear those. But yeah,

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<v Speaker 1>I very much enjoy the franchise, especially now that I've

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<v Speaker 1>seen the three movies. I'm excited to see the fourth one.

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<v Speaker 1>I'm a fan and Keanu reeves absolutely National Treasure, untouchable. Yeah,

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<v Speaker 1>mister sexy. Oh my gosh, the hair, the scruff, the suits,

0:13:19.320 --> 0:13:24.120
<v Speaker 1>the fact that he moves like a Judo ballerina perfect.

0:13:24.320 --> 0:13:27.880
<v Speaker 1>I love the like I mean just I feel like

0:13:27.920 --> 0:13:31.520
<v Speaker 1>most Keanu Reeves movies have just like X Games level

0:13:31.640 --> 0:13:35.040
<v Speaker 1>stylistic choices, and I love that. But how like you

0:13:35.040 --> 0:13:37.360
<v Speaker 1>can just tell John Wick is in bad boy mode

0:13:37.400 --> 0:13:40.680
<v Speaker 1>when he uses hair gel, but when his hair not gel,

0:13:41.040 --> 0:13:44.080
<v Speaker 1>he's good boy. He's good boy. It's it's helpful for

0:13:44.200 --> 0:13:46.480
<v Speaker 1>me yea to know when he's going to be bad

0:13:46.520 --> 0:13:48.720
<v Speaker 1>and when he's going to be good. When there's volume,

0:13:48.760 --> 0:13:51.320
<v Speaker 1>he's going to be good. Yeah, when there's when there's volume,

0:13:51.440 --> 0:13:54.400
<v Speaker 1>he is husband. He's crying, his wife is gone. He's like,

0:13:54.400 --> 0:13:56.800
<v Speaker 1>oh my gosh, I better feed the dog. When he's

0:13:56.880 --> 0:13:59.400
<v Speaker 1>hair Jel, who you don't want to know. It's the

0:13:59.400 --> 0:14:01.800
<v Speaker 1>equivalent of plas like standing up, ladies, get out of

0:14:01.840 --> 0:14:03.560
<v Speaker 1>the room. That's what he's doing when he's got the

0:14:03.559 --> 0:14:07.360
<v Speaker 1>hair Jela. It's the equivalent of the putting your hair

0:14:07.440 --> 0:14:11.160
<v Speaker 1>up in a ponytail moment in Birds of Prey and

0:14:11.240 --> 0:14:14.040
<v Speaker 1>ba Yeah, I think it's the hair time. Don't let

0:14:14.080 --> 0:14:15.680
<v Speaker 1>your hair in the way as you're fighting. You gotta

0:14:15.720 --> 0:14:18.280
<v Speaker 1>slick it back. You gotta put it in a pony something.

0:14:18.880 --> 0:14:22.160
<v Speaker 1>John Wick gets it. I also didn't know that. Um,

0:14:22.320 --> 0:14:24.720
<v Speaker 1>Willem Dafoe and John, like Wizamo, I wish there was

0:14:24.800 --> 0:14:27.720
<v Speaker 1>more John. That's maybe that's one of my big things

0:14:27.720 --> 0:14:30.400
<v Speaker 1>with John Wick. Where bring John? Does he come back

0:14:30.400 --> 0:14:33.800
<v Speaker 1>in future movies? He's in the second one? Yeah, I

0:14:33.920 --> 0:14:36.560
<v Speaker 1>don't know if he's in the third one. I forget

0:14:36.720 --> 0:14:39.040
<v Speaker 1>I was smiling so much. I don't remember him in

0:14:39.080 --> 0:14:40.680
<v Speaker 1>the third one. But I love seeing him in it,

0:14:41.000 --> 0:14:44.240
<v Speaker 1>Like Willem Dafoe, John, like zamo Ian McShane, those are

0:14:44.280 --> 0:14:48.400
<v Speaker 1>like my good boys, Dean Winters. Like, yes, they put

0:14:48.480 --> 0:14:51.800
<v Speaker 1>Dennis in it. That was exciting for me. Dennis Duffy, man,

0:14:51.840 --> 0:14:55.800
<v Speaker 1>I really I love character actors so much, and usually

0:14:55.800 --> 0:14:57.560
<v Speaker 1>I can, you know. I mean, when you look at

0:14:57.600 --> 0:15:01.160
<v Speaker 1>William Dafoe, you can maybe you know, you would be

0:15:01.200 --> 0:15:04.400
<v Speaker 1>like that's the Green Goblin, or yeah, you're like, oh,

0:15:04.440 --> 0:15:06.640
<v Speaker 1>I understand how actors work. That's Willam to felt. But

0:15:06.760 --> 0:15:09.800
<v Speaker 1>something about Dennis Duffy, I just like he can't not

0:15:09.960 --> 0:15:15.560
<v Speaker 1>be he was too good at it. Yeah, I totally agree. Yeah, Um,

0:15:15.920 --> 0:15:19.000
<v Speaker 1>should we get into it. Let's get into it. Yeah,

0:15:19.080 --> 0:15:21.080
<v Speaker 1>let's do it. Okay, but first let's take a quick

0:15:21.080 --> 0:15:32.560
<v Speaker 1>break and then we will come right back. Jamie ask

0:15:32.720 --> 0:15:38.040
<v Speaker 1>me if we're back from break, Kaylan are back from break? Um,

0:15:38.320 --> 0:15:41.520
<v Speaker 1>I don't know. We're just sort of like working through

0:15:41.560 --> 0:15:44.040
<v Speaker 1>some stuff. I'm not sure if we're back. This is

0:15:44.080 --> 0:15:47.360
<v Speaker 1>going to pay off later after the next ad break.

0:15:47.440 --> 0:15:50.640
<v Speaker 1>Just you wait and see. Anyway, I see where you're

0:15:50.640 --> 0:15:53.760
<v Speaker 1>going and I'm there, thank you. What if the exchange

0:15:53.800 --> 0:15:57.400
<v Speaker 1>pretty early in the movie, Oh, it's with John Languizamo

0:15:57.880 --> 0:16:01.920
<v Speaker 1>where Vigo calls him and he's like, hey, why the

0:16:01.920 --> 0:16:05.120
<v Speaker 1>fuck did you punch my son in the face. He's like, well,

0:16:05.160 --> 0:16:07.400
<v Speaker 1>because you stole John Wig's car and killed his dog.

0:16:07.480 --> 0:16:12.360
<v Speaker 1>And then he just goes oh, Like this movie rocks. Excellent,

0:16:12.480 --> 0:16:15.520
<v Speaker 1>excellent world building. Like I think that's my favorite thing

0:16:15.600 --> 0:16:19.040
<v Speaker 1>about the John Wick lore is just characters reacting to him.

0:16:19.120 --> 0:16:22.200
<v Speaker 1>Tells you everything you need to know exactly the show

0:16:22.280 --> 0:16:26.880
<v Speaker 1>don't tell and this is show all the way. Yeah, okay,

0:16:26.960 --> 0:16:33.000
<v Speaker 1>so here is the recap for John Wick one. We

0:16:33.240 --> 0:16:38.200
<v Speaker 1>open on a scene where Keanu Reeves recks his car

0:16:38.240 --> 0:16:41.680
<v Speaker 1>into some concrete. He stumbles out. He's injured and bleeding,

0:16:41.760 --> 0:16:44.280
<v Speaker 1>from what we will find out is a stab wound.

0:16:44.600 --> 0:16:47.000
<v Speaker 1>He's kind of dying. And then he takes out his

0:16:47.040 --> 0:16:50.440
<v Speaker 1>phone and watches a video of his wife, his wife,

0:16:50.640 --> 0:16:55.240
<v Speaker 1>his wife. He opened the steadwife dot MP four. Yes, John, John,

0:16:55.400 --> 0:16:57.840
<v Speaker 1>what are you doing? Are you still filming? John? What

0:16:57.920 --> 0:17:01.760
<v Speaker 1>are you doing? And he's loving you so damn much,

0:17:02.280 --> 0:17:06.640
<v Speaker 1>and she's like, stop, you're loving me too much. Yeah,

0:17:06.800 --> 0:17:12.199
<v Speaker 1>you're loving What if I'm gone one day? That'll never happens, okay?

0:17:12.960 --> 0:17:14.800
<v Speaker 1>And then oh, but then you see you see the

0:17:14.840 --> 0:17:17.399
<v Speaker 1>director's cut later of dead Wife dot MP four. I

0:17:17.400 --> 0:17:19.320
<v Speaker 1>want to direct a whole movie called dead Wife dot

0:17:19.400 --> 0:17:22.680
<v Speaker 1>MP four. It's just all vibes. But like you see

0:17:22.720 --> 0:17:25.400
<v Speaker 1>the director's cut later on and she's like, let's go home,

0:17:25.880 --> 0:17:30.080
<v Speaker 1>like classic dead wife talk. Let's go home. Anyway, So

0:17:30.080 --> 0:17:32.280
<v Speaker 1>this this was her job, John, What did she do?

0:17:32.920 --> 0:17:36.320
<v Speaker 1>Oh my god, we don't need to know anything about her,

0:17:36.480 --> 0:17:38.960
<v Speaker 1>just kidding. Her house was fantastic, so she had to

0:17:39.000 --> 0:17:41.360
<v Speaker 1>have done something. Well, I know, it's like, is that

0:17:41.440 --> 0:17:44.440
<v Speaker 1>like hit man money or was she like a fucking

0:17:45.400 --> 0:17:49.200
<v Speaker 1>doctor or something? I don't know. Column a column baby.

0:17:49.720 --> 0:17:52.960
<v Speaker 1>The house built on taking out hits and then trying

0:17:52.960 --> 0:17:55.520
<v Speaker 1>to save the people that had the hits taken on them. Ooh,

0:17:56.359 --> 0:18:01.400
<v Speaker 1>that's a good scam. I would love that movie. Scary.

0:18:02.200 --> 0:18:03.919
<v Speaker 1>There's a case I read about called I mean, this

0:18:03.960 --> 0:18:07.639
<v Speaker 1>is actually pretty evil, but like an evil doctor or

0:18:07.680 --> 0:18:11.760
<v Speaker 1>like a rehab a rehab doctor who bought a hotel

0:18:11.840 --> 0:18:13.479
<v Speaker 1>and would deal drugs out of the hotel to get

0:18:13.520 --> 0:18:15.320
<v Speaker 1>people addicted to the drugs, and then they'd be like,

0:18:15.320 --> 0:18:17.280
<v Speaker 1>oh no, I'm addicted to the drugs. And he's like,

0:18:17.680 --> 0:18:23.040
<v Speaker 1>funny because I own a rehab center about across town.

0:18:24.000 --> 0:18:28.000
<v Speaker 1>It's very evil. They called him the candy Man. Wow. Anyways,

0:18:28.119 --> 0:18:31.600
<v Speaker 1>these things happen and I would watch a movie about it. Yeah,

0:18:31.720 --> 0:18:34.480
<v Speaker 1>let's write it. Okay. Anyway, this person we've just met

0:18:34.560 --> 0:18:38.120
<v Speaker 1>is John Wick. We flash back to John Wick at

0:18:38.160 --> 0:18:43.240
<v Speaker 1>home shortly after his wife Helen played by Bridget moynihan,

0:18:43.680 --> 0:18:49.600
<v Speaker 1>has passed away from an illness. He is devastated. He

0:18:49.680 --> 0:18:54.879
<v Speaker 1>then receives a delivery. It's a puppy that his wife

0:18:54.880 --> 0:18:58.480
<v Speaker 1>Helen arranged for him to receive after her death so

0:18:58.560 --> 0:19:04.399
<v Speaker 1>that he still has something someone to love. The puppy

0:19:04.880 --> 0:19:08.840
<v Speaker 1>is a little beagle named Daisy. It's very, very cute.

0:19:09.960 --> 0:19:12.640
<v Speaker 1>She's so damned cute, the fact that it's my childhood

0:19:12.680 --> 0:19:17.359
<v Speaker 1>dog's name. I wanted blood. I watched this with my

0:19:17.440 --> 0:19:19.520
<v Speaker 1>mother and she looked at me and she was like,

0:19:19.560 --> 0:19:23.240
<v Speaker 1>I want everyone involved to suffer, and I was like, Yeah,

0:19:23.240 --> 0:19:25.240
<v Speaker 1>that's what that's what this movie's for. That's what the

0:19:25.280 --> 0:19:28.280
<v Speaker 1>movie's about. That. I think the only thing I knew.

0:19:28.400 --> 0:19:29.600
<v Speaker 1>I think I think it is kind of I mean,

0:19:29.600 --> 0:19:31.160
<v Speaker 1>we'll talk about this later in the episode. I think

0:19:31.160 --> 0:19:33.400
<v Speaker 1>it is kind of interesting where it's like, the only

0:19:33.400 --> 0:19:36.119
<v Speaker 1>thing I knew about John Wick was that the first

0:19:36.200 --> 0:19:38.240
<v Speaker 1>movie's thrust was he's trying to get revenge on the

0:19:38.240 --> 0:19:40.280
<v Speaker 1>people who killed his dog. But then I was like, oh,

0:19:40.320 --> 0:19:43.480
<v Speaker 1>I mean, not to undercut how horrific it is to

0:19:43.560 --> 0:19:46.040
<v Speaker 1>lose a pet, especially to a violent act. But I

0:19:46.080 --> 0:19:48.840
<v Speaker 1>was like, mmm, it's interesting how that his wife never

0:19:48.840 --> 0:19:52.640
<v Speaker 1>comes up in any of the popular descriptions of the movie. Yeah,

0:19:52.640 --> 0:19:55.880
<v Speaker 1>but it's well, it's weird that it's a morning dog, right,

0:19:55.920 --> 0:19:59.439
<v Speaker 1>It's like he's only so upset about the dog because

0:19:59.480 --> 0:20:05.560
<v Speaker 1>it's like an extension of his wife. His wife. Here's dog, yes, exactly,

0:20:05.880 --> 0:20:11.159
<v Speaker 1>his beagle. So John Wick takes his dog out in

0:20:11.359 --> 0:20:15.520
<v Speaker 1>his Cool Boy nineteen sixty nine Mustang and he stops

0:20:15.520 --> 0:20:20.200
<v Speaker 1>for some gas where a group of very agro men

0:20:20.600 --> 0:20:23.600
<v Speaker 1>are also getting gas, and one of them is a

0:20:23.600 --> 0:20:27.320
<v Speaker 1>guy played by Alfie Allen who is like, hey, cool dog,

0:20:27.560 --> 0:20:30.359
<v Speaker 1>cool car. How much would you sell it for? And

0:20:30.440 --> 0:20:33.399
<v Speaker 1>John Wick is like, the car's not for sale, and

0:20:33.440 --> 0:20:38.040
<v Speaker 1>then Alfie Allen insults him in Russian, but twist, john

0:20:38.080 --> 0:20:41.119
<v Speaker 1>Wick speaks Russian. They're shaken to their core when he

0:20:41.160 --> 0:20:44.560
<v Speaker 1>speaks Russian. Yeah, They're like, what the fuck a person

0:20:44.680 --> 0:20:49.080
<v Speaker 1>speaking another language? You're like, it's Keanu Reeves. I assume

0:20:49.640 --> 0:20:52.080
<v Speaker 1>that he speaks every language. He's like a poke dex

0:20:52.440 --> 0:20:58.040
<v Speaker 1>exactly exactly. And john Wick leaves after this interaction, and

0:20:58.200 --> 0:21:01.280
<v Speaker 1>Alfie Allen is like, who does doc I think he is?

0:21:01.880 --> 0:21:05.440
<v Speaker 1>And then that night, he and the other guys from

0:21:05.440 --> 0:21:09.040
<v Speaker 1>the gas station break into john Wick's house. They beat

0:21:09.080 --> 0:21:12.040
<v Speaker 1>the shit out of him, they steal his car, and

0:21:12.119 --> 0:21:16.320
<v Speaker 1>they kill his dog. John Wick does not like that

0:21:16.400 --> 0:21:21.120
<v Speaker 1>this happened at all. He's pretty he's pretty miffed. Yeah,

0:21:21.160 --> 0:21:25.480
<v Speaker 1>he's freaking pissed. He's p oed and so, and we

0:21:25.480 --> 0:21:27.920
<v Speaker 1>don't even know what he's capable of at this point.

0:21:28.160 --> 0:21:30.680
<v Speaker 1>We don't we do not because we have not yet

0:21:30.720 --> 0:21:35.080
<v Speaker 1>gotten the big reveal. But john Wick sets off. He's

0:21:35.119 --> 0:21:38.000
<v Speaker 1>still covered in blood. He gets on a bus. He's

0:21:38.040 --> 0:21:40.200
<v Speaker 1>trying to figure out who these guys are and how

0:21:40.280 --> 0:21:43.960
<v Speaker 1>to find them, so he goes to John Languizamo, who

0:21:44.000 --> 0:21:49.520
<v Speaker 1>tells him that Vigo Tarasov's son Joseph, that's Alfie Allen,

0:21:50.320 --> 0:21:52.560
<v Speaker 1>is the one who stole his car and killed his dog.

0:21:52.960 --> 0:21:57.200
<v Speaker 1>So john Wick gets a new cool boy car and

0:21:57.320 --> 0:22:03.639
<v Speaker 1>he takes off. We also meet this Vigo guy. He's

0:22:03.680 --> 0:22:07.119
<v Speaker 1>a crime lord of some sort, like a mob, but

0:22:07.320 --> 0:22:13.119
<v Speaker 1>he's your friendly neighborhood, yes, And he goes to his

0:22:13.160 --> 0:22:16.560
<v Speaker 1>son Joseph and is like, you fool, you messed with

0:22:16.640 --> 0:22:19.600
<v Speaker 1>john Wick and John Wick is not someone who you

0:22:19.720 --> 0:22:23.159
<v Speaker 1>mess with. And this is when we learn that John

0:22:23.240 --> 0:22:27.360
<v Speaker 1>Wick was a former assassin. He was very good at

0:22:27.359 --> 0:22:30.800
<v Speaker 1>his job. He has a reputation for being Bobba Yaga

0:22:30.920 --> 0:22:34.440
<v Speaker 1>or the Boogeyman. And Vigo is like, I saw him

0:22:34.520 --> 0:22:37.160
<v Speaker 1>kill three men with a pencil one time. I love

0:22:37.200 --> 0:22:39.720
<v Speaker 1>that this is eventually shown in the series. Yes, oh

0:22:39.960 --> 0:22:43.199
<v Speaker 1>is it? Yes, that's very fun. It's referred to another

0:22:43.240 --> 0:22:45.640
<v Speaker 1>time and then you do see him kill I think

0:22:45.680 --> 0:22:48.760
<v Speaker 1>it's two guys with a pencil. Yeah, I learned shout

0:22:48.800 --> 0:22:53.399
<v Speaker 1>out cross promo fellow. I heard slash Kus on media

0:22:53.480 --> 0:22:57.560
<v Speaker 1>podcast Margaret kill Joy's Cool People Who Did Cool Stuff.

0:22:57.600 --> 0:23:01.320
<v Speaker 1>We did an episode about Bobby got just as a

0:23:02.440 --> 0:23:06.920
<v Speaker 1>folk tale and Bobby Agat typically coated as a as

0:23:06.960 --> 0:23:09.280
<v Speaker 1>being a woman. Um So I thought it was interesting

0:23:09.320 --> 0:23:13.480
<v Speaker 1>that in this lore Bobby is I mean, Keanu Rus

0:23:13.560 --> 0:23:16.800
<v Speaker 1>is more of an idea, you know, like he transcends gender. Yes,

0:23:17.080 --> 0:23:19.080
<v Speaker 1>but I thought it was interesting that in this movie

0:23:19.080 --> 0:23:22.800
<v Speaker 1>it translates to Boogieman. But anyways, there's there's a lot

0:23:22.800 --> 0:23:28.320
<v Speaker 1>of different sort of versions of Bobby Aga. God. Um

0:23:28.359 --> 0:23:30.359
<v Speaker 1>I had something else to say there, but it's gone.

0:23:30.720 --> 0:23:33.919
<v Speaker 1>What can you do that, it's Bobby Gone. It's okay,

0:23:34.080 --> 0:23:39.120
<v Speaker 1>wish wish oh. I was gonna say when that whole

0:23:39.200 --> 0:23:41.679
<v Speaker 1>sequence where we're slowly learning that John Wick is the

0:23:41.720 --> 0:23:45.480
<v Speaker 1>scariest person in the world, it almost felt like the action,

0:23:45.680 --> 0:23:48.840
<v Speaker 1>like the brooding action movie version of that sequence from

0:23:48.840 --> 0:23:51.760
<v Speaker 1>Mean Girls where everyone's talking about Regina George, especially the

0:23:51.760 --> 0:23:54.640
<v Speaker 1>pencils part, like that sounds you can picture a student

0:23:54.880 --> 0:23:57.920
<v Speaker 1>saying that about Regina. John Wick murdered someone with a pencil.

0:23:58.040 --> 0:24:03.480
<v Speaker 1>So then I murdered someone with a soul. John Wick

0:24:03.520 --> 0:24:08.119
<v Speaker 1>punched me in the face once. It was awesome. That's great.

0:24:08.440 --> 0:24:13.240
<v Speaker 1>Um okay, So we're learning about John Wick's reputation. But

0:24:13.760 --> 0:24:16.399
<v Speaker 1>John got out of the business a few years prior

0:24:16.800 --> 0:24:20.639
<v Speaker 1>because of his wife. Yeah, he's like, I'm marrying an

0:24:20.720 --> 0:24:27.800
<v Speaker 1>army by guys, like a YouTuber or something. She's an influencer. Yeah,

0:24:27.840 --> 0:24:31.840
<v Speaker 1>that's why she looks so good on camera. Anyway, Joseph

0:24:31.960 --> 0:24:35.280
<v Speaker 1>is like, well, no big deal. I'll just kill John

0:24:35.280 --> 0:24:37.760
<v Speaker 1>Wick and then we won't have to worry about him anymore.

0:24:38.160 --> 0:24:41.760
<v Speaker 1>And Vigo is like, yeah, right, except John Wick is

0:24:41.800 --> 0:24:44.280
<v Speaker 1>going to come and kill you first, and you can

0:24:44.440 --> 0:24:46.480
<v Speaker 1>count on that. Gives him a little kissy on the

0:24:46.480 --> 0:24:51.280
<v Speaker 1>forehead to seal it. So john Wick gets his guns

0:24:51.520 --> 0:24:56.240
<v Speaker 1>and prepares for a killing spree. Vigo sends like a

0:24:56.280 --> 0:24:59.360
<v Speaker 1>dozen guys to kill john at his house, but john

0:24:59.400 --> 0:25:05.000
<v Speaker 1>Wick murder them effortlessly. Then Vigo puts a bounty on

0:25:05.160 --> 0:25:09.480
<v Speaker 1>John Wick and he goes to this guy Marcus played

0:25:09.480 --> 0:25:12.640
<v Speaker 1>by Willem Dafoe, to be like, hey, will you kill

0:25:12.720 --> 0:25:16.360
<v Speaker 1>John Wick for me? And Willem Dafoe is like, yeah,

0:25:16.359 --> 0:25:18.960
<v Speaker 1>I'll do it even though we've learned the John Wick

0:25:19.040 --> 0:25:21.960
<v Speaker 1>and Willem Dafoe are friends. There ain't my honor among

0:25:22.000 --> 0:25:30.760
<v Speaker 1>thieves exaxactly. Meanwhile, John Wick checks into this hotel for assassins,

0:25:30.760 --> 0:25:36.520
<v Speaker 1>The Continental, run by Lance Reddick, which is so iconic.

0:25:36.960 --> 0:25:39.040
<v Speaker 1>I wish that's another I was like, I wanted more

0:25:39.119 --> 0:25:42.600
<v Speaker 1>John like Wizama. I wanted more lance red Although Lance Reddick,

0:25:42.720 --> 0:25:46.040
<v Speaker 1>he's gonna make a meal of whatever it is he's doing. Oh,

0:25:46.359 --> 0:25:49.280
<v Speaker 1>Lance Reddick and Ian McShane in The Continental or two

0:25:49.320 --> 0:25:53.120
<v Speaker 1>of my absolute favorite characters because they build so much

0:25:53.320 --> 0:25:56.440
<v Speaker 1>lower in such a short amount of time of like

0:25:56.840 --> 0:25:59.639
<v Speaker 1>this entire universe. It gives this illusion of like this

0:25:59.800 --> 0:26:02.920
<v Speaker 1>entire universe that's happening underneath your nose, with its own

0:26:03.000 --> 0:26:07.240
<v Speaker 1>set of like rules and practices, and like the Continental,

0:26:07.840 --> 0:26:10.119
<v Speaker 1>I'm gonna get on a soapbox for a second. The

0:26:10.200 --> 0:26:15.399
<v Speaker 1>Continental specifically, is this point in the movie, similar to

0:26:15.480 --> 0:26:21.000
<v Speaker 1>like Vigo, that establishes an old guard, like somebody a

0:26:21.000 --> 0:26:24.200
<v Speaker 1>generation that has like learned how to do something before

0:26:24.240 --> 0:26:26.320
<v Speaker 1>and had to establish a set of rules and guidelines

0:26:26.320 --> 0:26:27.760
<v Speaker 1>that you have to live in to keep things from

0:26:27.800 --> 0:26:32.440
<v Speaker 1>becoming total bedlam and total anarchy and it serves as

0:26:32.480 --> 0:26:36.159
<v Speaker 1>this really cool foil to like Miss Perkins and the

0:26:36.240 --> 0:26:40.520
<v Speaker 1>Continental is at Alfie Allen to Vigo in terms of

0:26:40.560 --> 0:26:43.879
<v Speaker 1>like you have this new, younger thing that has like

0:26:44.000 --> 0:26:47.760
<v Speaker 1>benefited from this older system that doesn't give a shit

0:26:47.800 --> 0:26:50.919
<v Speaker 1>about why the rules are in place, and suffer because

0:26:50.960 --> 0:26:53.480
<v Speaker 1>of that because they think the rules are there just

0:26:53.560 --> 0:26:56.159
<v Speaker 1>to be restrictive, and it's like, no, they're here because

0:26:56.200 --> 0:26:58.920
<v Speaker 1>you can't exist in this world without them. If you

0:26:59.000 --> 0:27:03.080
<v Speaker 1>don't respect your elders, you're cooked, babe, You're cooked. Your

0:27:03.640 --> 0:27:07.840
<v Speaker 1>membership to the Continental is revoked by thine own hand. Yeah. Yeah,

0:27:07.840 --> 0:27:10.720
<v Speaker 1>that's a that's an excellent way to put it. I

0:27:10.760 --> 0:27:12.840
<v Speaker 1>don't know. I mean, I've never seen a concept like

0:27:12.880 --> 0:27:15.400
<v Speaker 1>the Continental in a movie, and it's so like it's

0:27:15.400 --> 0:27:17.480
<v Speaker 1>such a simple concept where you're like, this is where

0:27:17.520 --> 0:27:20.280
<v Speaker 1>there are rules. If you break the rules, something bad

0:27:20.280 --> 0:27:23.200
<v Speaker 1>will happen to you. And it's so good. And the

0:27:24.200 --> 0:27:28.200
<v Speaker 1>scenes with the scene, particularly with Lance Reddick and Ian

0:27:28.280 --> 0:27:30.600
<v Speaker 1>McShane towards the end, where I feel like in their

0:27:30.640 --> 0:27:33.440
<v Speaker 1>scenes together they're not even ever looking at each other,

0:27:33.600 --> 0:27:39.040
<v Speaker 1>but so good, Like it's just yeah, so Lance Reddick

0:27:39.200 --> 0:27:43.399
<v Speaker 1>is the like concierge of the hotel for Assassins, and

0:27:44.160 --> 0:27:48.840
<v Speaker 1>Winston played by Ian McShane is the like owner slash manager.

0:27:49.040 --> 0:27:52.800
<v Speaker 1>He's reading at the bar. You're like, awesome, Yeah, he's cool.

0:27:52.880 --> 0:27:57.399
<v Speaker 1>There's also this like special Assassin currency, these like gold

0:27:57.560 --> 0:28:03.560
<v Speaker 1>coins that they're market are yes, And that's when you

0:28:03.640 --> 0:28:06.040
<v Speaker 1>realize that one of the things about this franchise is

0:28:06.119 --> 0:28:12.119
<v Speaker 1>that Assassins belong to this almost like secret society that

0:28:12.640 --> 0:28:15.320
<v Speaker 1>has all these rules, that has all these members. And

0:28:15.359 --> 0:28:18.359
<v Speaker 1>as the franchise goes, you learn that like so many

0:28:18.400 --> 0:28:22.320
<v Speaker 1>people are part of this secret society and you're just like, wow,

0:28:22.960 --> 0:28:25.760
<v Speaker 1>why wasn't I invited? Anyway? I know what if someone

0:28:25.880 --> 0:28:28.600
<v Speaker 1>drops one of the Mario coins and then you're just like,

0:28:28.680 --> 0:28:31.600
<v Speaker 1>what is this That looks fake and it's like, no,

0:28:31.760 --> 0:28:37.480
<v Speaker 1>that's Assassin money, that's Assassin coins. I loved. I'm sure

0:28:37.600 --> 0:28:40.200
<v Speaker 1>someone's done some sort of deep dive on like what

0:28:40.400 --> 0:28:44.040
<v Speaker 1>is the coin to USD when there's a recession, does

0:28:44.040 --> 0:28:47.120
<v Speaker 1>it hit the Assassin coins? So many questions, Well it

0:28:47.240 --> 0:28:50.360
<v Speaker 1>seems I, yeah, I can't figure out the high value

0:28:50.400 --> 0:28:52.560
<v Speaker 1>because they're like, oh, get rid of thirteen bodies, that's

0:28:52.600 --> 0:28:55.400
<v Speaker 1>going to be that's like thirteen thirteen coins, but also

0:28:56.040 --> 0:29:00.400
<v Speaker 1>staying several nights at the Continental only costs one coin,

0:29:00.680 --> 0:29:04.680
<v Speaker 1>so which is what it costs one body, So it's

0:29:04.680 --> 0:29:07.800
<v Speaker 1>like a half a body at night. Yeah, I guess

0:29:07.920 --> 0:29:09.880
<v Speaker 1>I wonder if it's because there's just like solid gold

0:29:09.880 --> 0:29:13.600
<v Speaker 1>and they just go by the weight of gold. Oh yeah,

0:29:13.640 --> 0:29:15.640
<v Speaker 1>that would I mean, that would fit in with the

0:29:15.680 --> 0:29:18.800
<v Speaker 1>old school rules that sort of seemed to run this

0:29:18.920 --> 0:29:25.600
<v Speaker 1>underground world. That Actually, Vanessa, I think you cracked it.

0:29:25.600 --> 0:29:28.960
<v Speaker 1>It's maybe not a per body system like I had

0:29:29.000 --> 0:29:34.280
<v Speaker 1>been trying to figure out. You never know, Okay, anyway,

0:29:34.400 --> 0:29:39.680
<v Speaker 1>So john Wick goes to Winston and finds out that

0:29:39.800 --> 0:29:43.040
<v Speaker 1>Joseph is going to be at this nightclub called the

0:29:43.080 --> 0:29:47.040
<v Speaker 1>Red Circle. So john Wick goes there. There's a huge

0:29:47.080 --> 0:29:51.280
<v Speaker 1>action sequence where he chases after Joseph through the club.

0:29:51.440 --> 0:29:54.840
<v Speaker 1>He's killing a bunch of Vigo's goons along the way,

0:29:55.360 --> 0:29:59.760
<v Speaker 1>but Joseph manages to escape, so john Wick just calls

0:29:59.800 --> 0:30:03.480
<v Speaker 1>it night and goes back to the hotel for assassins

0:30:03.520 --> 0:30:08.600
<v Speaker 1>and goes to bed. But then this lady assassin, Perkins

0:30:08.640 --> 0:30:14.240
<v Speaker 1>played by Adrian Paliki, comes in and tries to kill

0:30:14.360 --> 0:30:17.480
<v Speaker 1>john Wick on the grounds of the Continental right, which

0:30:17.520 --> 0:30:19.640
<v Speaker 1>is against the rules. The whole thing with the Continental

0:30:19.800 --> 0:30:23.960
<v Speaker 1>is that no business can be conducted on the grounds

0:30:24.000 --> 0:30:29.080
<v Speaker 1>of the hotel for assassins, meaning you cannot kill anyone there.

0:30:29.680 --> 0:30:33.000
<v Speaker 1>But she tries to kill him there, he stops her,

0:30:33.160 --> 0:30:35.440
<v Speaker 1>he gets the upper hand, and then he spares her

0:30:35.520 --> 0:30:39.560
<v Speaker 1>because she gives him information about a front that Vigo

0:30:39.720 --> 0:30:43.480
<v Speaker 1>is running out of a church. So John Wick goes

0:30:43.520 --> 0:30:46.640
<v Speaker 1>to this church and destroys all the money and all

0:30:46.640 --> 0:30:50.320
<v Speaker 1>the stuff in Vigo's vault. I recently saw Highlander for

0:30:50.360 --> 0:30:55.400
<v Speaker 1>the first time. Brag wow that church scene. I was like, oh,

0:30:55.440 --> 0:30:59.160
<v Speaker 1>like Highlander. Wow, It's like when mister Crabs shows up

0:30:59.320 --> 0:31:04.240
<v Speaker 1>to church and Highlander, you know, I ter Crabs Clancy Brown. Ah.

0:31:04.240 --> 0:31:06.840
<v Speaker 1>I was like, I've never seen Highlanders, So it took

0:31:06.840 --> 0:31:08.720
<v Speaker 1>me a second to figure out what was happening. And

0:31:08.720 --> 0:31:10.480
<v Speaker 1>then I was like, oh, no, Clancy Brown gotta gotta

0:31:10.520 --> 0:31:12.680
<v Speaker 1>get it. You know who else? You know who else

0:31:12.760 --> 0:31:16.440
<v Speaker 1>is in John Wick four? Mister Crabs is Oh, that's right,

0:31:16.800 --> 0:31:21.000
<v Speaker 1>Clancy Browns and mister Crabs is gonna are his way

0:31:21.040 --> 0:31:24.160
<v Speaker 1>into John Wicks. Who's gonna and you know who loves

0:31:24.160 --> 0:31:29.800
<v Speaker 1>gold coins? Mister Crabs it makes sense, Okay. So Vigo

0:31:30.160 --> 0:31:33.240
<v Speaker 1>is upset that John Wick torched all of his stuff

0:31:33.240 --> 0:31:36.239
<v Speaker 1>in the vault, so he captures john and he's like,

0:31:36.480 --> 0:31:39.440
<v Speaker 1>good over it. It was just a car and a dog,

0:31:40.120 --> 0:31:42.880
<v Speaker 1>and John is like, that dog was given to me

0:31:43.040 --> 0:31:47.320
<v Speaker 1>by my wife, and your son took that from me.

0:31:47.960 --> 0:31:50.680
<v Speaker 1>Then there's another fight where john Wick kills more of

0:31:50.920 --> 0:31:54.840
<v Speaker 1>Vigo's goons with the help of Willem Dafoe, who turns

0:31:54.840 --> 0:31:57.680
<v Speaker 1>out has no intention of killing John Wick because again

0:31:57.720 --> 0:32:00.520
<v Speaker 1>they're friends. It's kind of the most beautiful part of

0:32:00.560 --> 0:32:02.720
<v Speaker 1>the story. It is how Willem Dafoe is always like

0:32:02.800 --> 0:32:06.680
<v Speaker 1>gazing from a window helping his buddy out. Yes, it's nice.

0:32:06.880 --> 0:32:10.560
<v Speaker 1>Nice male friendship can be nice. Yeah, like when you

0:32:10.640 --> 0:32:16.239
<v Speaker 1>snipe someone from a window top your boys sacked. I

0:32:16.280 --> 0:32:17.920
<v Speaker 1>really did, Like, I mean, I thought that that was

0:32:18.040 --> 0:32:22.800
<v Speaker 1>kind of like my favorite relationship in the movie. Then

0:32:23.000 --> 0:32:27.120
<v Speaker 1>Vigo gives up his son Joseph's location, which is a

0:32:27.160 --> 0:32:31.600
<v Speaker 1>safe house in Brooklyn. So john Wick goes there, finds

0:32:31.680 --> 0:32:35.920
<v Speaker 1>Joseph and shoots him, and Vigo does not like that

0:32:36.000 --> 0:32:41.640
<v Speaker 1>this happened, so first he kills Willem Dafoe for betraying him,

0:32:41.680 --> 0:32:45.320
<v Speaker 1>and then there's a shootout between Vigo and his goons

0:32:45.360 --> 0:32:48.520
<v Speaker 1>and John Wick. John Wick kills most of them, so

0:32:48.680 --> 0:32:51.760
<v Speaker 1>now it's just John and Vigo in hand to hand combat.

0:32:52.120 --> 0:32:56.440
<v Speaker 1>They both get stabbed, Vigo dies, John Wick gets away.

0:32:57.200 --> 0:32:59.640
<v Speaker 1>Cut to the opening scene of the movie where he's

0:32:59.680 --> 0:33:04.360
<v Speaker 1>bleeding out and watching Dead Wife dot MP four on

0:33:04.400 --> 0:33:08.280
<v Speaker 1>his phone. But then he finds the strength to get

0:33:08.360 --> 0:33:11.840
<v Speaker 1>up because she's like, come on, John, let's go home

0:33:11.880 --> 0:33:16.240
<v Speaker 1>and the power of Dead Wife. Yeah, let's get ahead.

0:33:16.440 --> 0:33:21.120
<v Speaker 1>And then he goes into an animal hospital that's right there.

0:33:21.520 --> 0:33:24.479
<v Speaker 1>He staples his wound shut, and then there are some

0:33:24.560 --> 0:33:29.200
<v Speaker 1>dogs and kennels and he takes one. This racks He's like,

0:33:29.240 --> 0:33:32.120
<v Speaker 1>this dog is now the second I was hearing the

0:33:32.760 --> 0:33:35.160
<v Speaker 1>yips of the dog. I'm like, God, damn it, they

0:33:35.200 --> 0:33:38.920
<v Speaker 1>stuck the landing. Yeah, that's so good. So he takes

0:33:38.920 --> 0:33:41.520
<v Speaker 1>a dog I think it's a pit bull and he's like,

0:33:41.840 --> 0:33:48.400
<v Speaker 1>let's go home. The end yip yip. So that's John

0:33:48.440 --> 0:33:52.520
<v Speaker 1>Wick one. I'll do really quick recaps of John Wick

0:33:52.600 --> 0:33:55.040
<v Speaker 1>two and three just to kind of give you an

0:33:55.040 --> 0:33:59.280
<v Speaker 1>idea of how the franchise progresses. Does the second dog live? Yes?

0:33:59.360 --> 0:34:02.840
<v Speaker 1>The second dog Good Dogs keeps living Yes, yes, oh yeah,

0:34:02.840 --> 0:34:05.240
<v Speaker 1>thank you. Okay, Well I couldn't. I couldn't go through

0:34:05.280 --> 0:34:07.560
<v Speaker 1>that again. I couldn't let them do that to me again. Truly,

0:34:07.600 --> 0:34:10.000
<v Speaker 1>not they. I mean, I know it's important to the

0:34:10.040 --> 0:34:12.960
<v Speaker 1>movie that we lose Daisy. I just wasn't prepared to

0:34:13.000 --> 0:34:15.719
<v Speaker 1>los hers so quickly. Yeah, you just got Oh, she's

0:34:15.719 --> 0:34:18.200
<v Speaker 1>so cute and clear and that that little dog clearly

0:34:18.239 --> 0:34:21.080
<v Speaker 1>just loves Keanu Reeves as a person, because if you're

0:34:21.120 --> 0:34:24.319
<v Speaker 1>a puppy, of course you would love Keanu Reeves. He's

0:34:24.360 --> 0:34:27.080
<v Speaker 1>so lovable, he's got a good spirit. Okay, So wait,

0:34:27.160 --> 0:34:29.759
<v Speaker 1>what happens in the in the sequels? Okay? John Wick

0:34:29.760 --> 0:34:33.120
<v Speaker 1>two from twenty seventeen. So, after the events of the

0:34:33.160 --> 0:34:36.440
<v Speaker 1>first movie, John Wick wants to go back into retirement

0:34:36.520 --> 0:34:38.440
<v Speaker 1>and hang out with the dog he stole at the

0:34:38.520 --> 0:34:42.040
<v Speaker 1>end of the first movie. Nice, but another crime boss,

0:34:42.400 --> 0:34:47.960
<v Speaker 1>Santino D'Antonio, approaches John Wick with a marker basically a

0:34:48.120 --> 0:34:52.320
<v Speaker 1>blood oath kind of thing where Santino had done something

0:34:52.360 --> 0:34:55.080
<v Speaker 1>to help John Wick in the past, and now he's

0:34:55.120 --> 0:34:58.279
<v Speaker 1>returning to collect on the debt that John owes him,

0:34:58.920 --> 0:35:03.600
<v Speaker 1>and Santino one John to kill his sister Gianna D'Antonio

0:35:03.680 --> 0:35:08.399
<v Speaker 1>because Stantino wants her spot at the High Table, which

0:35:08.520 --> 0:35:13.560
<v Speaker 1>is this like high court of assassins and crime lords.

0:35:13.840 --> 0:35:17.759
<v Speaker 1>Does this have to do with the Continental also or

0:35:17.840 --> 0:35:21.200
<v Speaker 1>is this a separate thing. So the High Table is

0:35:21.239 --> 0:35:27.480
<v Speaker 1>like basically the government of the secrets of the assassin nation. Yeah, okay,

0:35:27.920 --> 0:35:31.319
<v Speaker 1>got it. And then the Continental is just like a

0:35:31.520 --> 0:35:36.279
<v Speaker 1>safe haven that operates within you know, this underworld. It's

0:35:36.320 --> 0:35:39.520
<v Speaker 1>the Deadwood Zoe to speak. Okay, got it, So now

0:35:39.560 --> 0:35:44.279
<v Speaker 1>you're speaking my language. So John Wick, knowing that he

0:35:44.400 --> 0:35:47.800
<v Speaker 1>can't retire and be at peace while this marker is

0:35:47.840 --> 0:35:51.520
<v Speaker 1>still active, he goes to Rome. He checks into the

0:35:51.520 --> 0:35:56.200
<v Speaker 1>Hotel for Assassins Italy edition, He makes a bunch of preparations,

0:35:56.239 --> 0:36:00.560
<v Speaker 1>and then he goes to Gianna to kill her. She

0:36:00.680 --> 0:36:03.680
<v Speaker 1>takes her own life before he can do that. Point

0:36:03.800 --> 0:36:07.719
<v Speaker 1>is she dies, and now Santino is like, well, I

0:36:07.800 --> 0:36:11.040
<v Speaker 1>have to avenge my sister's death, so now I have

0:36:11.160 --> 0:36:14.040
<v Speaker 1>to kill you John Wick. Even though it was Santino

0:36:14.160 --> 0:36:17.279
<v Speaker 1>who wanted John to kill his sister, I don't really

0:36:17.680 --> 0:36:22.480
<v Speaker 1>double cross understan Yeah, So Santino puts a price on

0:36:22.560 --> 0:36:26.120
<v Speaker 1>John Wick's head and then with the help of the

0:36:26.480 --> 0:36:31.319
<v Speaker 1>Bowery King played by Laurence Fishburne. But yeah, wow, you

0:36:31.400 --> 0:36:34.360
<v Speaker 1>thought you thought we were done with movies starring Keanu

0:36:34.400 --> 0:36:37.560
<v Speaker 1>Reeves and Laurence fishburn after the Matrix. Glad we weren't.

0:36:37.800 --> 0:36:42.480
<v Speaker 1>We're not done. Okay, he's back, Okay, okay. So john Wick,

0:36:42.680 --> 0:36:47.600
<v Speaker 1>with the Bowery King's help, goes after Santino. He kills

0:36:47.600 --> 0:36:50.759
<v Speaker 1>a bunch of his goons. He finally kills Santino, but

0:36:50.880 --> 0:36:54.480
<v Speaker 1>he does it at the hotel for Assassins. He does

0:36:54.480 --> 0:36:57.520
<v Speaker 1>it at the Continental, which is again, I can't do

0:36:57.680 --> 0:37:01.319
<v Speaker 1>the assassins code Ian makes Shane and said no, He said, no,

0:37:01.440 --> 0:37:05.800
<v Speaker 1>don't do that. So Winston has no choice but to

0:37:05.840 --> 0:37:11.440
<v Speaker 1>excommunicate john Wick from the Assassin's Secret Society, and now

0:37:11.560 --> 0:37:14.960
<v Speaker 1>everyone is going to try to kill john Wick and

0:37:15.040 --> 0:37:17.839
<v Speaker 1>he's going to have to deal with that in the

0:37:17.920 --> 0:37:21.799
<v Speaker 1>next movie. I did watch the first five minutes of

0:37:21.880 --> 0:37:24.080
<v Speaker 1>john Wick three, and I like that there is like

0:37:24.719 --> 0:37:29.520
<v Speaker 1>that group of that group of women that are all

0:37:29.600 --> 0:37:32.880
<v Speaker 1>wearing hot topic clothes and they just talk about who

0:37:33.160 --> 0:37:35.920
<v Speaker 1>is the most wanted in the world. At the beginning

0:37:35.920 --> 0:37:40.280
<v Speaker 1>of the movie where they're all wearing like those Bizarro outfits.

0:37:40.280 --> 0:37:44.240
<v Speaker 1>They're like John Wick fourteen million dollars, Ye, get his ass,

0:37:44.760 --> 0:37:47.680
<v Speaker 1>and then they're like, okay, let's change our manual board.

0:37:48.400 --> 0:37:51.600
<v Speaker 1>It's awesome. Well, the thing about the Bowery movie take

0:37:51.680 --> 0:37:54.840
<v Speaker 1>place in I think it's modern day, but there's a

0:37:54.880 --> 0:37:58.640
<v Speaker 1>lot because, like as the Bowery King says in I

0:37:58.680 --> 0:38:02.520
<v Speaker 1>think the third movie, computers and phones and all that

0:38:02.560 --> 0:38:04.880
<v Speaker 1>stuff you can hack. But you know what, you can't

0:38:04.880 --> 0:38:08.600
<v Speaker 1>hack carrier pigeons because the Bowery King's whole thing is

0:38:08.640 --> 0:38:11.120
<v Speaker 1>that he has this group of like carrier pigeons and

0:38:11.120 --> 0:38:21.440
<v Speaker 1>that's how he sends messages around. You wouldn't download a pigeon, Okay,

0:38:20.320 --> 0:38:26.200
<v Speaker 1>that's that's merch and I so you've got to get

0:38:26.239 --> 0:38:30.640
<v Speaker 1>on that y um. Okay. So the third movie picks

0:38:30.719 --> 0:38:34.000
<v Speaker 1>up immediately where chapter two leaves off. John Wick is

0:38:34.120 --> 0:38:37.239
<v Speaker 1>on the run because now every assassin in the world

0:38:37.320 --> 0:38:42.319
<v Speaker 1>is trying to kill him. Meanwhile, there's an adjudicator. Guess

0:38:42.360 --> 0:38:46.960
<v Speaker 1>who had to look up what adjudicate meant me? I

0:38:47.080 --> 0:38:49.160
<v Speaker 1>did too. I was like, I don't know what this is?

0:38:50.040 --> 0:38:53.399
<v Speaker 1>What is this word? What is it? Basically, someone who

0:38:53.480 --> 0:38:56.840
<v Speaker 1>casts judgment on someone else or someone who kind of

0:38:56.840 --> 0:39:01.640
<v Speaker 1>like evaluates things in a judge way, like a like

0:39:01.719 --> 0:39:04.839
<v Speaker 1>a judge, like a basically a judge judge for higher

0:39:05.120 --> 0:39:08.520
<v Speaker 1>Well they should just say that, yeah, but a judicator

0:39:08.600 --> 0:39:12.880
<v Speaker 1>has more syllables and therefore it's fancier. Hell yeah. Anyway,

0:39:13.320 --> 0:39:16.800
<v Speaker 1>So this adjudicator from the High Table played by Asia

0:39:16.840 --> 0:39:19.839
<v Speaker 1>Kate Dillon is going around to all the people who

0:39:19.920 --> 0:39:24.120
<v Speaker 1>helped John Wick kill Santino and then help John Wick escape.

0:39:24.640 --> 0:39:29.200
<v Speaker 1>So they're going to Winston and the Bowery King, and

0:39:29.239 --> 0:39:34.120
<v Speaker 1>the adjudicator is like, shame on you. John Wick meanwhile

0:39:34.280 --> 0:39:39.000
<v Speaker 1>goes to Casablanca to see Sophia played by Holly Berry.

0:39:39.160 --> 0:39:41.680
<v Speaker 1>He wants her to help him get to someone called

0:39:41.840 --> 0:39:47.360
<v Speaker 1>the Elder, because the Elder can reverse John Wick's excommunicato

0:39:47.560 --> 0:39:52.479
<v Speaker 1>status and give him another shot at life. So John

0:39:52.520 --> 0:39:55.600
<v Speaker 1>Wick goes to the desert to find the Elder, who

0:39:55.760 --> 0:40:00.719
<v Speaker 1>wants John to kill Winston. But then when John goes

0:40:00.760 --> 0:40:03.759
<v Speaker 1>to do this, Winston reminds him that he will be

0:40:03.880 --> 0:40:06.399
<v Speaker 1>a servant of the High Table and that his life

0:40:06.440 --> 0:40:10.360
<v Speaker 1>will suck, and John is like, wow, you're right, never mind,

0:40:10.480 --> 0:40:14.200
<v Speaker 1>I'm not going to kill you. And then because of that,

0:40:14.360 --> 0:40:20.160
<v Speaker 1>the hotel for assassins is declared deconsecrated, meaning business can

0:40:20.200 --> 0:40:24.040
<v Speaker 1>now be conducted there, meaning people can come to kill

0:40:24.200 --> 0:40:28.560
<v Speaker 1>John and Winston, which is what everybody does. But John

0:40:28.600 --> 0:40:31.839
<v Speaker 1>Wick is like, as if you could kill me, so

0:40:31.880 --> 0:40:34.520
<v Speaker 1>he kills everyone who shows up, and then there's this

0:40:34.600 --> 0:40:38.879
<v Speaker 1>final showdown between him and a guy named Zero, who

0:40:38.920 --> 0:40:41.120
<v Speaker 1>has been after him the whole movie. Play by Mark

0:40:41.160 --> 0:40:45.000
<v Speaker 1>de Cascos. I love him so much. He's very good.

0:40:45.360 --> 0:40:47.960
<v Speaker 1>There's this great scene where he's like, John, I'm a

0:40:48.040 --> 0:40:51.040
<v Speaker 1>huge fan of yours and we are going to try

0:40:51.040 --> 0:40:53.719
<v Speaker 1>to kill each other later, but for now, big fan.

0:40:54.000 --> 0:40:56.399
<v Speaker 1>I love the fanboy aspect of it, and I can't

0:40:56.440 --> 0:40:58.399
<v Speaker 1>think of a better dude to play it than Mark

0:40:58.480 --> 0:41:01.839
<v Speaker 1>de Cascos, who's like most dangerous looking man he knows

0:41:01.880 --> 0:41:05.600
<v Speaker 1>like he like. His martial arts repertoire is absolutely insane,

0:41:05.760 --> 0:41:07.799
<v Speaker 1>like if you look up his the amount of movies

0:41:07.800 --> 0:41:10.200
<v Speaker 1>that he's done and the different kinds of martial arts

0:41:10.239 --> 0:41:12.640
<v Speaker 1>that he's done for each movie, absolutely crazy. But he's

0:41:12.640 --> 0:41:15.520
<v Speaker 1>played like Mark Dicasco's The guy is a very like

0:41:15.840 --> 0:41:18.000
<v Speaker 1>I'm just really cool and high perpositive all the time,

0:41:18.160 --> 0:41:21.160
<v Speaker 1>so like seeing him play him but still be like

0:41:21.200 --> 0:41:24.760
<v Speaker 1>a dangerous Assassin was just such a funny character choice.

0:41:24.760 --> 0:41:27.560
<v Speaker 1>I love zero. Yeah, zero is great. That's so cool.

0:41:28.040 --> 0:41:33.840
<v Speaker 1>So after john Wick has killed everybody, the adjudicator is like, okay, fine, Winston,

0:41:33.920 --> 0:41:37.359
<v Speaker 1>you can have your hotel for Assassin's back, but what

0:41:37.400 --> 0:41:40.360
<v Speaker 1>are you going to do about john Wick? So Winston

0:41:40.440 --> 0:41:44.959
<v Speaker 1>shoots and kills john Wick. But just kidding, john Wick

0:41:45.040 --> 0:41:49.080
<v Speaker 1>is not dead. He and his dog go to the

0:41:49.120 --> 0:41:52.480
<v Speaker 1>Bowery King and they're like, all right, let's get ready

0:41:52.520 --> 0:41:59.000
<v Speaker 1>to kick some ass. And the next movie. Yes, so

0:41:59.440 --> 0:42:04.160
<v Speaker 1>that's the franchise as a whole. Let's take another quick

0:42:04.200 --> 0:42:14.799
<v Speaker 1>break and then we will come right back. Hey, Caitlin, Yeah,

0:42:14.840 --> 0:42:19.600
<v Speaker 1>are we back from break? Well? People keep asking if

0:42:19.600 --> 0:42:23.360
<v Speaker 1>we're back, and we haven't really had an answer, but

0:42:23.560 --> 0:42:28.239
<v Speaker 1>now yeah, I'm thinking we're back. Yeah. It's such a

0:42:28.360 --> 0:42:35.640
<v Speaker 1>good Keyanu delivery. I love how Keanu says words. Sometimes

0:42:35.680 --> 0:42:38.000
<v Speaker 1>it doesn't always make sense to me, but that's a

0:42:38.040 --> 0:42:40.319
<v Speaker 1>part of why I love it. It's great. There's an

0:42:40.360 --> 0:42:43.360
<v Speaker 1>early that I mean that there's a couple of monologues

0:42:43.400 --> 0:42:47.040
<v Speaker 1>in this movie that just fucking rip. But I think

0:42:47.080 --> 0:42:49.680
<v Speaker 1>my favorite line read from him in this particular movie.

0:42:50.239 --> 0:42:53.880
<v Speaker 1>I don't know why. And maybe it is nonsensical that

0:42:53.960 --> 0:42:55.919
<v Speaker 1>I feel this way, but I love when he first

0:42:55.920 --> 0:42:59.720
<v Speaker 1>gets Daisy how he's like, I'll get you some kibble later.

0:43:02.960 --> 0:43:06.799
<v Speaker 1>For some reason, that line of dialogue really I was like,

0:43:06.840 --> 0:43:08.680
<v Speaker 1>I don't know if I'm gonna like this movie. But

0:43:08.719 --> 0:43:10.560
<v Speaker 1>then when he said I'll get you some kibble later,

0:43:10.640 --> 0:43:12.760
<v Speaker 1>I'm like, you know what, I'm gonna make this movie

0:43:12.800 --> 0:43:16.799
<v Speaker 1>work because listen to him say that. I think it's

0:43:16.840 --> 0:43:20.000
<v Speaker 1>because he sounds like legitimately apologetic, the way you would

0:43:20.040 --> 0:43:23.680
<v Speaker 1>be to like a little guy do a dog like that.

0:43:23.840 --> 0:43:25.919
<v Speaker 1>He's very much like, I hope this holds you over

0:43:25.960 --> 0:43:28.400
<v Speaker 1>and it's fine in a way that implies that he

0:43:28.480 --> 0:43:32.080
<v Speaker 1>wants the dog to understand his apology. Oh can't you

0:43:32.320 --> 0:43:34.759
<v Speaker 1>some kile. The only way that that scene could have

0:43:34.800 --> 0:43:36.440
<v Speaker 1>been better for me is if we saw him do

0:43:36.480 --> 0:43:38.760
<v Speaker 1>what I always do before I feed an animal something,

0:43:38.760 --> 0:43:44.680
<v Speaker 1>which is google can I feed dog cereal? But John

0:43:44.680 --> 0:43:47.600
<v Speaker 1>Wick is an all knowing creature, so I assume that

0:43:47.640 --> 0:43:52.360
<v Speaker 1>he's had to learn this before. Exactly, All right, where

0:43:52.400 --> 0:43:56.799
<v Speaker 1>should we start, Vanessa? Does anything jump out to you

0:43:56.880 --> 0:44:01.439
<v Speaker 1>where you'd like to start? I mean, I definitely got

0:44:01.440 --> 0:44:03.960
<v Speaker 1>to have a little little soapbox about like Old Guard

0:44:04.040 --> 0:44:07.040
<v Speaker 1>versus New Guard. But it's one of my favorite like

0:44:07.680 --> 0:44:12.240
<v Speaker 1>through lines in this movie because like on the first watch,

0:44:12.280 --> 0:44:15.880
<v Speaker 1>you only see it with like specifically Alfie Allen's character,

0:44:16.400 --> 0:44:18.719
<v Speaker 1>but like there is that foil to it with Miss

0:44:18.760 --> 0:44:21.480
<v Speaker 1>Perkins as well in terms of like is there honor

0:44:21.520 --> 0:44:23.840
<v Speaker 1>among thieves? Should there be? Can there be? And that

0:44:24.000 --> 0:44:27.959
<v Speaker 1>kind of becomes like the question of the franchise. But

0:44:28.360 --> 0:44:30.400
<v Speaker 1>I think where I want to start is something that

0:44:30.480 --> 0:44:33.400
<v Speaker 1>Caitlin and I were talking about before we started recording,

0:44:33.760 --> 0:44:36.600
<v Speaker 1>which was the soundtrack is really unique for this when

0:44:36.640 --> 0:44:39.319
<v Speaker 1>it comes to like an action movie. I feel like

0:44:39.480 --> 0:44:43.759
<v Speaker 1>it's a lot more like muted, soft female voices, a

0:44:43.800 --> 0:44:47.560
<v Speaker 1>little bit less like bombastic than you remember like an

0:44:47.560 --> 0:44:51.560
<v Speaker 1>action movie with like click clickpoom playing over it. And

0:44:51.719 --> 0:44:55.800
<v Speaker 1>it's like it's a more thoughtful soundtrack. Yeah. The scene

0:44:55.800 --> 0:44:58.920
<v Speaker 1>that it really stuck out to me was the Red

0:44:58.960 --> 0:45:03.920
<v Speaker 1>Circle night Club bath house action set piece where Keanu

0:45:03.960 --> 0:45:07.319
<v Speaker 1>Reeves is just like going through and absolutely like demolishing

0:45:07.440 --> 0:45:12.200
<v Speaker 1>everyone in extremely violent ways. But it's like this angelic

0:45:12.480 --> 0:45:16.040
<v Speaker 1>woman singing this like it's almost any Yeah, it's like

0:45:16.040 --> 0:45:19.080
<v Speaker 1>a very calm, soft like you could play this when

0:45:19.080 --> 0:45:23.359
<v Speaker 1>you're like doing yoga or something. And the lighting also

0:45:23.400 --> 0:45:26.120
<v Speaker 1>in that scene is like very like purple, like the

0:45:26.160 --> 0:45:29.200
<v Speaker 1>bisexual lighting. It's like purples and pigs and blues, and

0:45:29.239 --> 0:45:32.640
<v Speaker 1>it's just like, it feels more like feminine in a

0:45:32.680 --> 0:45:38.760
<v Speaker 1>weird way than so much action movie esthetics. I guess

0:45:39.000 --> 0:45:44.000
<v Speaker 1>it's definitely sleeker, and it's the most in action movie

0:45:44.080 --> 0:45:47.359
<v Speaker 1>cares about being at least American. It's the most an

0:45:47.360 --> 0:45:50.879
<v Speaker 1>American action movie cares about being a pretty movie. It's

0:45:51.080 --> 0:45:54.400
<v Speaker 1>very pretty. Well, that's something I want to touch on,

0:45:54.480 --> 0:45:58.480
<v Speaker 1>just kind of in general, is action movie tropes and

0:45:58.560 --> 0:46:04.040
<v Speaker 1>trends and how the John Wick franchise participates in those

0:46:04.200 --> 0:46:08.240
<v Speaker 1>or doesn't, which we can kind of look at via

0:46:08.480 --> 0:46:14.239
<v Speaker 1>John Wicks allies and adversaries and ask are any of

0:46:14.239 --> 0:46:18.120
<v Speaker 1>them women? Well, let's take a look. So if women

0:46:18.239 --> 0:46:22.880
<v Speaker 1>are in action movies, there are some common tropes that

0:46:22.920 --> 0:46:26.440
<v Speaker 1>you'll see, and they're usually quite reductive. So I'm just

0:46:26.520 --> 0:46:30.360
<v Speaker 1>speaking generally here, but I have a list of tropes.

0:46:30.760 --> 0:46:35.080
<v Speaker 1>Bear with me. One trope is that women are not

0:46:35.160 --> 0:46:38.799
<v Speaker 1>allowed to engage in the action or the fighting. They

0:46:38.920 --> 0:46:44.120
<v Speaker 1>are damseled, their character isn't a trained fighter, they're left

0:46:44.160 --> 0:46:47.200
<v Speaker 1>behind for some reason, or they're ejected out of the

0:46:47.239 --> 0:46:52.280
<v Speaker 1>action for whatever reason. The implication of this often being

0:46:52.920 --> 0:46:58.080
<v Speaker 1>women are too delicate to fight. Combat is a man's game,

0:46:58.760 --> 0:47:02.719
<v Speaker 1>or another big hope, which is that women are the

0:47:02.760 --> 0:47:07.200
<v Speaker 1>prize to be won by the male hero. So a

0:47:07.320 --> 0:47:10.279
<v Speaker 1>woman in an action movie is often just there to

0:47:10.400 --> 0:47:14.120
<v Speaker 1>be the love interest of the action hero. He will

0:47:14.160 --> 0:47:16.360
<v Speaker 1>defeat the villain and save the day, and then the

0:47:16.400 --> 0:47:19.759
<v Speaker 1>woman is his prize. She is usually given very little

0:47:19.840 --> 0:47:24.480
<v Speaker 1>characterization and personality. She is just a hot lady by

0:47:24.560 --> 0:47:28.480
<v Speaker 1>western beauty standards and is basically a trophy. And that

0:47:28.600 --> 0:47:31.239
<v Speaker 1>is one of the more I think interesting subversions of

0:47:31.360 --> 0:47:36.200
<v Speaker 1>John Wick is that, like he is not a hypersexual character, right,

0:47:36.960 --> 0:47:43.240
<v Speaker 1>even though people grow hypersexual thinking about him. Everyone's because

0:47:43.960 --> 0:47:48.000
<v Speaker 1>really hot, Yeah, he's really hot in this movie. It's

0:47:48.040 --> 0:47:52.560
<v Speaker 1>like it's impossible for anyone to witness him and not

0:47:52.640 --> 0:47:57.279
<v Speaker 1>be like Ouga. But let's fucking go, Yes, the James

0:47:57.360 --> 0:48:02.480
<v Speaker 1>Cameron Ouga starts going off. But yeah, I did think

0:48:02.520 --> 0:48:04.279
<v Speaker 1>it was I mean, because I mean, and I was

0:48:04.280 --> 0:48:06.719
<v Speaker 1>like reading up like a bunch of you know, kind

0:48:06.719 --> 0:48:08.920
<v Speaker 1>of comparative studies of like how John Wick kind of

0:48:08.920 --> 0:48:11.239
<v Speaker 1>squares with other action heroes. And I know that you

0:48:11.320 --> 0:48:13.120
<v Speaker 1>and Vanessa no far more about this than I do.

0:48:13.160 --> 0:48:16.520
<v Speaker 1>But even like just thinking of like your classic action hero,

0:48:17.320 --> 0:48:20.960
<v Speaker 1>like your your James Bonds, You're like on Claude van

0:48:21.040 --> 0:48:26.040
<v Speaker 1>Dam's cruise, it's not even out of the question to

0:48:26.600 --> 0:48:29.719
<v Speaker 1>have a dead wife situation, which I think is one

0:48:29.760 --> 0:48:31.759
<v Speaker 1>of the trips that this movie doesn't really do very

0:48:31.840 --> 0:48:35.120
<v Speaker 1>much with. But like it's not even that that is unique,

0:48:35.120 --> 0:48:37.600
<v Speaker 1>it's more just that like it's almost I don't know,

0:48:37.960 --> 0:48:42.480
<v Speaker 1>it's so assumed that an action hero is horny, horny,

0:48:42.480 --> 0:48:46.480
<v Speaker 1>horny horny, and that's just not on his mind. He's

0:48:46.520 --> 0:48:49.440
<v Speaker 1>going through a lot right now, you guys. He's still grieving.

0:48:49.560 --> 0:48:54.479
<v Speaker 1>He's not looking to date right now exactly. He's oh

0:48:54.520 --> 0:48:58.000
<v Speaker 1>my god, the Riyah messages John Wick would be sending.

0:48:58.120 --> 0:49:01.400
<v Speaker 1>He'd be like, I'm just looking for something and casual, Okay,

0:49:03.400 --> 0:49:09.719
<v Speaker 1>I'm only here for friends all it's on bumble BF. Yeah.

0:49:09.760 --> 0:49:11.520
<v Speaker 1>I think John Wick is more likely to be on

0:49:11.560 --> 0:49:14.640
<v Speaker 1>bumble BFF than Riyah. Like I think he's looking for

0:49:14.760 --> 0:49:16.920
<v Speaker 1>like play dates for the dog more than he's like

0:49:17.000 --> 0:49:20.719
<v Speaker 1>looking for an actual date himself. Definitely, Oh yeah, yes,

0:49:20.760 --> 0:49:23.600
<v Speaker 1>he's showing up to Bumble BF dates being like, there's

0:49:23.600 --> 0:49:26.200
<v Speaker 1>one rule, don't fall in love with me, and it's impossible.

0:49:28.480 --> 0:49:31.600
<v Speaker 1>And if anyone knows about rules, it's everyone in the

0:49:31.640 --> 0:49:36.520
<v Speaker 1>Assassin society, the Mario coins. It's all a thing. But

0:49:36.600 --> 0:49:39.359
<v Speaker 1>miss Perkins doesn't give a shit because what does her

0:49:39.400 --> 0:49:45.040
<v Speaker 1>main personality trait? Money? It's the first thing out of

0:49:45.080 --> 0:49:46.759
<v Speaker 1>his mouth where he's like, I thought she didn't get

0:49:46.760 --> 0:49:48.880
<v Speaker 1>out of bed for anything less than like whatever the

0:49:48.920 --> 0:49:51.560
<v Speaker 1>amount that he said it was. Perkins has one thing

0:49:51.560 --> 0:49:53.680
<v Speaker 1>on her mind, and it's money, and it's making the

0:49:53.760 --> 0:49:58.600
<v Speaker 1>absolute most of it possible. He's a capitalist. I love

0:49:58.680 --> 0:50:02.319
<v Speaker 1>that there's no like hidden sexual tension between the two

0:50:02.320 --> 0:50:04.520
<v Speaker 1>of them is she wants to get paid, and she's

0:50:04.560 --> 0:50:07.680
<v Speaker 1>gonna get paid by gilling John Wick, right. So this, Yeah,

0:50:07.719 --> 0:50:10.279
<v Speaker 1>So that'll play into some of these other tropes I'm

0:50:10.280 --> 0:50:16.000
<v Speaker 1>gonna unpack here. One is if women are allowed to fight,

0:50:16.520 --> 0:50:20.160
<v Speaker 1>they are only allowed to fight other women, where women

0:50:20.200 --> 0:50:22.480
<v Speaker 1>on the good guy's side fight the women on the

0:50:22.520 --> 0:50:25.640
<v Speaker 1>bad guy's side, but men and women don't fight each other.

0:50:26.280 --> 0:50:29.720
<v Speaker 1>That's not something that takes place in this franchise. Another

0:50:29.760 --> 0:50:32.879
<v Speaker 1>trope will be that women are allowed to fight, but

0:50:33.080 --> 0:50:37.160
<v Speaker 1>the fight choreography will be heavily sexualized. We've talked about

0:50:37.239 --> 0:50:40.480
<v Speaker 1>the pussy slam a million times on the podcast, where

0:50:40.840 --> 0:50:43.480
<v Speaker 1>a woman wraps her legs around a guy's face or

0:50:43.600 --> 0:50:47.760
<v Speaker 1>the crotches. Right, there are the alternative of like saying

0:50:47.800 --> 0:50:51.000
<v Speaker 1>one Quippi line and getting one kick in during the fight, right,

0:50:51.040 --> 0:50:55.760
<v Speaker 1>everyone goes, whoa broking kick? So there's that trope. There's

0:50:55.880 --> 0:50:59.840
<v Speaker 1>the just women are used as sexy set dressing trope

0:51:00.160 --> 0:51:04.439
<v Speaker 1>where because the target audience this movie is not impervious too,

0:51:04.480 --> 0:51:08.239
<v Speaker 1>it's not but it's not egregious. I would say, no, no,

0:51:08.320 --> 0:51:10.480
<v Speaker 1>I don't think it's a particularly bad offender, but there

0:51:10.480 --> 0:51:13.600
<v Speaker 1>are I mean, there's this movie's definitely got some tropes

0:51:13.640 --> 0:51:16.400
<v Speaker 1>going on. Oh yes, for sure. Yeah. And then another

0:51:16.480 --> 0:51:19.960
<v Speaker 1>trope that we see in action movies is that women

0:51:20.040 --> 0:51:23.600
<v Speaker 1>will get tangled up in the action and then are

0:51:23.680 --> 0:51:28.160
<v Speaker 1>brutalized as a result. And often that brutalization is something

0:51:28.280 --> 0:51:31.880
<v Speaker 1>that the movie really like revels in and exploits, and

0:51:31.960 --> 0:51:35.080
<v Speaker 1>it treats it like it's part of this spectacle. I

0:51:35.120 --> 0:51:40.680
<v Speaker 1>would say that the John Wick franchise generally avoids most

0:51:40.719 --> 0:51:44.680
<v Speaker 1>of these tropes. Not entirely. But again, like as far

0:51:44.680 --> 0:51:47.600
<v Speaker 1>as action movie franchises go, John Wick is doing a

0:51:47.640 --> 0:51:51.719
<v Speaker 1>lot better in these regards because some of the assassins

0:51:51.800 --> 0:51:56.759
<v Speaker 1>are women and they do fight John or fight alongside him,

0:51:57.200 --> 0:51:59.120
<v Speaker 1>like we see Halle Berry do in the third movie.

0:51:59.440 --> 0:52:04.760
<v Speaker 1>She has too two dogs and she has two dogs. Yeah, okay, yes, okay,

0:52:04.840 --> 0:52:09.800
<v Speaker 1>they both live. Okay, I'm so I'm sold on three. Um.

0:52:10.320 --> 0:52:13.239
<v Speaker 1>In the john Wick franchise, women are not brutalized in

0:52:13.280 --> 0:52:17.200
<v Speaker 1>a way that feels exploitative. If a woman dies, it

0:52:17.320 --> 0:52:21.920
<v Speaker 1>just feels like an assassin dying. Yeah, it's it's an

0:52:21.920 --> 0:52:25.560
<v Speaker 1>even play playing ground for who gets marked. Right. Women

0:52:25.600 --> 0:52:28.200
<v Speaker 1>are not framed as the prize to be one because

0:52:28.640 --> 0:52:30.919
<v Speaker 1>John Wick never has a love of interest. As we say,

0:52:30.960 --> 0:52:35.640
<v Speaker 1>he only loves his dead wife. Um, which is something

0:52:35.640 --> 0:52:39.560
<v Speaker 1>will unpack further later. Yeah, it's like the guys. The

0:52:39.600 --> 0:52:42.799
<v Speaker 1>movie starts with a double fridging. Yes, yeah, yeah, yeah, um,

0:52:43.080 --> 0:52:47.520
<v Speaker 1>it's true justice for Daisy, Justice for Daisy. And the

0:52:47.640 --> 0:52:50.520
<v Speaker 1>women as set dressing. There is some of that, especially

0:52:50.560 --> 0:52:53.640
<v Speaker 1>in the first movie. There is some cinematography that lingers

0:52:53.719 --> 0:52:56.920
<v Speaker 1>on like a woman's butt, but this doesn't really happen

0:52:56.960 --> 0:53:00.279
<v Speaker 1>in which is the later installments I noticed. I mean,

0:53:00.280 --> 0:53:02.799
<v Speaker 1>it's like I'm not even like, you know, opposed to

0:53:03.200 --> 0:53:06.520
<v Speaker 1>like they're being hot ladies in a movie. I think

0:53:06.520 --> 0:53:08.640
<v Speaker 1>it's just more I don't know, I mean, and I

0:53:08.680 --> 0:53:11.480
<v Speaker 1>can only speak to the first one, right, I don't know. Yeah,

0:53:11.480 --> 0:53:15.560
<v Speaker 1>I'm really excited to hear what you both think about it,

0:53:15.600 --> 0:53:19.560
<v Speaker 1>because starting with the Double Fridging, I was just like, okay,

0:53:20.080 --> 0:53:23.520
<v Speaker 1>But I'm excited to talk about miss Perkins in particular

0:53:23.520 --> 0:53:25.440
<v Speaker 1>because Vanessa, I think you've already said so many like

0:53:26.080 --> 0:53:30.640
<v Speaker 1>really smart things about what she represents and the tropes

0:53:30.719 --> 0:53:33.279
<v Speaker 1>that she avoids, and then I feel like there's other

0:53:33.360 --> 0:53:36.600
<v Speaker 1>elements that are kind of unavoidable because she's the only

0:53:36.640 --> 0:53:39.560
<v Speaker 1>woman who is an assassin, and so I feel like

0:53:39.600 --> 0:53:43.160
<v Speaker 1>there's stuff that automatically ends up sort of projected onto her,

0:53:43.239 --> 0:53:45.319
<v Speaker 1>and like she dies in such a brutal way and

0:53:45.360 --> 0:53:49.960
<v Speaker 1>she's like so dishonorable, and I like that as a character.

0:53:50.000 --> 0:53:52.000
<v Speaker 1>And I also because she's the only woman, it just

0:53:52.760 --> 0:53:54.239
<v Speaker 1>I don't know, like I don't even think that the

0:53:54.280 --> 0:53:56.600
<v Speaker 1>movie is like trying to say anything broad but because

0:53:56.640 --> 0:53:59.920
<v Speaker 1>she's the only person who's not a sis man who

0:54:00.200 --> 0:54:02.800
<v Speaker 1>like in this profession, it feels that way at times.

0:54:02.960 --> 0:54:05.279
<v Speaker 1>Does that make any sense? Now, I get what you mean.

0:54:05.440 --> 0:54:08.080
<v Speaker 1>I enjoy that she just gets to be a straight

0:54:08.160 --> 0:54:11.080
<v Speaker 1>up villain, yeah, because I feel like any other movie

0:54:11.080 --> 0:54:15.560
<v Speaker 1>would have taken a character like her and made her

0:54:15.960 --> 0:54:19.799
<v Speaker 1>a very like sexualized villain, Like it's very easy to do,

0:54:19.920 --> 0:54:23.120
<v Speaker 1>especially because she's just like a very attractive actress, but

0:54:23.440 --> 0:54:26.920
<v Speaker 1>also given her like some kind of like mysterious connection

0:54:26.960 --> 0:54:31.759
<v Speaker 1>to John And I like that in this universe she

0:54:31.800 --> 0:54:36.360
<v Speaker 1>gets to just exist as somebody's that's completely looking out

0:54:36.480 --> 0:54:40.320
<v Speaker 1>for herself, which is literally what every assassin is there for.

0:54:41.200 --> 0:54:45.160
<v Speaker 1>And I do feel like her dispatching is brutal, but

0:54:45.320 --> 0:54:50.080
<v Speaker 1>I think it's justified because of the way, because of

0:54:50.080 --> 0:54:53.040
<v Speaker 1>the way specifically, like the rules of the Continental have

0:54:53.160 --> 0:54:56.040
<v Speaker 1>been teased to like something like there is something that

0:54:56.080 --> 0:54:59.120
<v Speaker 1>will happen to you if you break these rules. I

0:54:59.160 --> 0:55:01.400
<v Speaker 1>feel like the movie does a good enough job of

0:55:01.440 --> 0:55:04.800
<v Speaker 1>like building up and seating like there's a really really

0:55:04.800 --> 0:55:08.799
<v Speaker 1>good reason you don't break this rule. And her death

0:55:08.800 --> 0:55:12.200
<v Speaker 1>could have easily been very unceremonious, and the fact that

0:55:12.239 --> 0:55:16.080
<v Speaker 1>there was like some ceremony to it very much was like, Yeah,

0:55:16.120 --> 0:55:18.680
<v Speaker 1>Perkins was a formidable opponent. She's not going to be

0:55:18.719 --> 0:55:21.480
<v Speaker 1>felled easily by one guy. She's not going to be

0:55:21.480 --> 0:55:24.839
<v Speaker 1>felled easily like one guy. She stabbed him in through

0:55:24.880 --> 0:55:27.320
<v Speaker 1>the face of the pillow. You're gonna need a team

0:55:27.360 --> 0:55:30.359
<v Speaker 1>of people to take down Miss Perkins, right, And I

0:55:30.400 --> 0:55:33.320
<v Speaker 1>think that's something that you don't really get in action movies,

0:55:33.680 --> 0:55:38.359
<v Speaker 1>where a female character is someone that is so formidable

0:55:38.719 --> 0:55:41.240
<v Speaker 1>that you need to call in an entire ass crew

0:55:41.320 --> 0:55:45.520
<v Speaker 1>to take out. Right. I mean that I totally agree

0:55:45.560 --> 0:55:48.120
<v Speaker 1>with you. I think it's just more of my thing

0:55:48.239 --> 0:55:51.080
<v Speaker 1>is like I wish that there were like the two

0:55:51.120 --> 0:55:53.719
<v Speaker 1>women that we get to know in the first movie. Well,

0:55:53.719 --> 0:55:55.160
<v Speaker 1>the one woman we get to know in the first

0:55:55.160 --> 0:55:58.919
<v Speaker 1>movie is Miss Perkins. Yeah. And then again it's we've

0:55:58.920 --> 0:56:01.879
<v Speaker 1>had like this commversation and almost every genre we've ever

0:56:01.880 --> 0:56:04.200
<v Speaker 1>covered where it's like, well, if there were more women around,

0:56:04.480 --> 0:56:07.719
<v Speaker 1>it would feel less. Yeah, whatever, when you don't have

0:56:07.760 --> 0:56:10.359
<v Speaker 1>to be a monolith, when there's more than one, one

0:56:10.480 --> 0:56:13.000
<v Speaker 1>person doesn't have to be the goddamn monolith, and like

0:56:13.120 --> 0:56:15.960
<v Speaker 1>the end all be all for like what it means

0:56:16.040 --> 0:56:20.040
<v Speaker 1>for that marginalized community, even when we're not trying to

0:56:20.080 --> 0:56:23.200
<v Speaker 1>make a monolith when you only put one in. Congratulations

0:56:23.239 --> 0:56:25.480
<v Speaker 1>you made a monolith, right right, You're like, okay, you

0:56:25.480 --> 0:56:28.919
<v Speaker 1>can be evil villain or dead wife dot MP four.

0:56:29.040 --> 0:56:32.600
<v Speaker 1>And those are like the two flavors of women that

0:56:32.680 --> 0:56:35.200
<v Speaker 1>we meet in this movie. I think that's why I

0:56:35.239 --> 0:56:38.640
<v Speaker 1>like the third one so much, is you start to

0:56:38.680 --> 0:56:43.600
<v Speaker 1>see the different flavors of complicated women that exists in

0:56:43.640 --> 0:56:47.359
<v Speaker 1>this universe. And I feel like with every movie they

0:56:47.360 --> 0:56:52.640
<v Speaker 1>were like, all right, we're adding more. You win, you win,

0:56:52.719 --> 0:56:56.719
<v Speaker 1>We're adding more. It's true. And because so the first movie, yes,

0:56:56.800 --> 0:57:00.880
<v Speaker 1>basically just has one living female character. So even though

0:57:01.000 --> 0:57:05.400
<v Speaker 1>this franchise generally avoids a lot of these like reductive

0:57:05.800 --> 0:57:09.799
<v Speaker 1>tropes as far as action movie tropes go, it's still

0:57:09.840 --> 0:57:14.000
<v Speaker 1>a very male dominated franchise. And even just looking at

0:57:14.040 --> 0:57:18.480
<v Speaker 1>like John wicks allies, they are mostly men. And it's

0:57:18.520 --> 0:57:21.840
<v Speaker 1>not until the third movie that he has like multiple

0:57:22.200 --> 0:57:25.920
<v Speaker 1>allies who are women. Up until that point, it's just

0:57:26.000 --> 0:57:30.800
<v Speaker 1>like Willem Dafoe, John Logizamo, the Concierge, Winston the Doctor,

0:57:30.800 --> 0:57:34.800
<v Speaker 1>the King of the Bowery, and the bartender is a woman.

0:57:34.920 --> 0:57:38.680
<v Speaker 1>Oh she is in a scene that lasts for like

0:57:38.760 --> 0:57:44.280
<v Speaker 1>two minutes. Maybe she gets a name, right, he does

0:57:44.320 --> 0:57:48.040
<v Speaker 1>get a name, yes, and it does have like John Wick,

0:57:48.920 --> 0:57:52.520
<v Speaker 1>you are awesome. She does say something that's worth touching

0:57:52.600 --> 0:57:56.760
<v Speaker 1>on in this movie, which is that he is vulnerable,

0:57:57.600 --> 0:58:01.120
<v Speaker 1>and I want to unpack that further later. But sure,

0:58:01.440 --> 0:58:05.480
<v Speaker 1>but she is. I wouldn't say she's like a character though, No,

0:58:05.800 --> 0:58:09.200
<v Speaker 1>she's more like an NPC in a video game. Yeah exactly.

0:58:09.240 --> 0:58:12.720
<v Speaker 1>You're like, oh, okay, we need plot information. But does

0:58:12.760 --> 0:58:18.360
<v Speaker 1>she ever come back? No? Yeah, okay, oops by sea.

0:58:18.640 --> 0:58:20.479
<v Speaker 1>So yeah, make no mistake, this is a very male

0:58:21.040 --> 0:58:27.000
<v Speaker 1>dominated franchise and this is something just worth mentioning that.

0:58:27.560 --> 0:58:30.560
<v Speaker 1>And we've had this discussion here and there when talking

0:58:30.560 --> 0:58:35.960
<v Speaker 1>about different action movies. But there's always this question, at

0:58:36.040 --> 0:58:39.560
<v Speaker 1>least that I'm thinking of of, like what does a

0:58:39.680 --> 0:58:43.080
<v Speaker 1>feminist fight scene in an action movie look like? Does

0:58:43.080 --> 0:58:46.520
<v Speaker 1>such a thing exist? Or like what does gender parody

0:58:46.600 --> 0:58:50.160
<v Speaker 1>in a fight scene look like? Especially because there is

0:58:50.200 --> 0:58:54.520
<v Speaker 1>a long history in the real world of men inflicting

0:58:54.600 --> 0:58:58.880
<v Speaker 1>violence against women and men exerting physical power over women

0:58:59.480 --> 0:59:02.840
<v Speaker 1>because the patriarchy conditions men to be aggressive and to

0:59:03.040 --> 0:59:08.480
<v Speaker 1>value physical strength and to resolve conflict through violence. So like,

0:59:08.640 --> 0:59:13.200
<v Speaker 1>with that context, when you examine action movie violence and

0:59:13.720 --> 0:59:17.520
<v Speaker 1>women's participation in that or lack of participation in that,

0:59:18.080 --> 0:59:22.120
<v Speaker 1>Like how that float? Do you? It's yeah, I have

0:59:22.240 --> 0:59:24.200
<v Speaker 1>that fight scene. As soon as you said it, I

0:59:24.240 --> 0:59:26.280
<v Speaker 1>was like, I know exactly what it is. It's from

0:59:26.280 --> 0:59:29.640
<v Speaker 1>a movie called Writing Wrongs, which is directed by Unbo,

0:59:29.720 --> 0:59:31.400
<v Speaker 1>who's like one of like the end alb all for

0:59:31.440 --> 0:59:34.680
<v Speaker 1>like Kung fu movies. Now. The actress is Cynthia Rothrock.

0:59:34.760 --> 0:59:37.520
<v Speaker 1>Cynthia Rothrock is maybe one of the greatest female action

0:59:37.560 --> 0:59:41.240
<v Speaker 1>stars that has ever lived. She performed mostly in Hong

0:59:41.320 --> 0:59:44.480
<v Speaker 1>Kong because the US was not ready for her, and

0:59:44.760 --> 0:59:47.800
<v Speaker 1>the US did not make roles in action movies for

0:59:47.840 --> 0:59:51.000
<v Speaker 1>women like Cynthia Rothrock, so Hong Kong was one of

0:59:51.000 --> 0:59:53.320
<v Speaker 1>the few places that could like appreciate a woman of

0:59:53.360 --> 0:59:58.120
<v Speaker 1>her caliber and skill. She's in a scene with another

0:59:59.040 --> 1:00:03.680
<v Speaker 1>stage fighting actress named Karen Shepherd and if you want, oh,

1:00:03.760 --> 1:00:06.160
<v Speaker 1>actually I have two scenes for this if you want

1:00:06.520 --> 1:00:09.040
<v Speaker 1>like feminists, this is what women look like when they're

1:00:09.080 --> 1:00:12.360
<v Speaker 1>fighting women and there's nothing like sexualized about it, and

1:00:12.440 --> 1:00:15.040
<v Speaker 1>it very much treats them as formidable. You have Karen

1:00:15.080 --> 1:00:17.560
<v Speaker 1>Shepherd and Cythia Rothrock fighting each other in writing wrongs.

1:00:17.760 --> 1:00:19.840
<v Speaker 1>Please look it up. One of them uses their belt

1:00:19.880 --> 1:00:22.760
<v Speaker 1>like a goddamn lasso. It's fucking crazy. It is one

1:00:22.800 --> 1:00:25.080
<v Speaker 1>of the most It is one of the most incredible

1:00:25.080 --> 1:00:27.480
<v Speaker 1>on screen fights grace to screen. And then the other

1:00:27.480 --> 1:00:31.240
<v Speaker 1>one is a scene between three women and it's one

1:00:31.280 --> 1:00:33.960
<v Speaker 1>of the longest fight scenes in the movie in a

1:00:34.120 --> 1:00:36.840
<v Speaker 1>movie directed by Timo Tjanto called The Night Comes for

1:00:36.960 --> 1:00:39.960
<v Speaker 1>Us and Julia Estella is a former ballerina that learned

1:00:39.960 --> 1:00:42.320
<v Speaker 1>how to on screen fight for this movie and she

1:00:42.520 --> 1:00:49.600
<v Speaker 1>is outstanding and fighting to lesbian lover villains great and

1:00:49.800 --> 1:00:55.000
<v Speaker 1>it is this extended, gory, wild fight scene that is

1:00:55.560 --> 1:00:57.720
<v Speaker 1>so good. So those are if you're looking for fight

1:00:57.720 --> 1:01:01.240
<v Speaker 1>scenes between women that actually have like a lens that

1:01:01.400 --> 1:01:04.320
<v Speaker 1>isn't like sexualizing them and treats them as formidable. Look

1:01:04.360 --> 1:01:08.760
<v Speaker 1>up those two scenes. They are outstanding. Okay, Oh I'm

1:01:08.800 --> 1:01:11.240
<v Speaker 1>so well, we'll link that in the description slash. I'm

1:01:11.240 --> 1:01:13.080
<v Speaker 1>going to watch it the second we finished recording, because

1:01:13.120 --> 1:01:16.400
<v Speaker 1>that's very exciting to me. Not Rocks. I always go

1:01:16.480 --> 1:01:20.320
<v Speaker 1>to the Charlie Starren Tom Hardy the first sight fight

1:01:20.360 --> 1:01:22.760
<v Speaker 1>scene that they engage in in Mad Max Fury Road.

1:01:23.160 --> 1:01:25.920
<v Speaker 1>Oh yeah, it feels like I don't know, it feels

1:01:25.960 --> 1:01:31.400
<v Speaker 1>like gender parodies as far as like action fight scene

1:01:31.840 --> 1:01:35.280
<v Speaker 1>with a man fighting a woman. It's definitely tricky, yeah,

1:01:35.280 --> 1:01:37.480
<v Speaker 1>because it's like I mean, I almost feel like for

1:01:37.560 --> 1:01:39.600
<v Speaker 1>me again, this is like not my genre, but it

1:01:39.600 --> 1:01:41.280
<v Speaker 1>feels like a you know it when you see it

1:01:41.400 --> 1:01:45.280
<v Speaker 1>kind of situation, right, because it is like, especially when

1:01:45.640 --> 1:01:52.120
<v Speaker 1>it's like a sis man fighting any marginalized group like

1:01:52.320 --> 1:01:55.640
<v Speaker 1>that is not another sis man. Like I understand why.

1:01:55.720 --> 1:02:00.320
<v Speaker 1>It's like a historically loaded thing to be and I

1:02:00.320 --> 1:02:02.320
<v Speaker 1>think for a long time in movies they would just

1:02:02.400 --> 1:02:06.800
<v Speaker 1>instead choose to not depict it because you just didn't

1:02:07.400 --> 1:02:09.120
<v Speaker 1>at least in American movies, it just seemed like, well,

1:02:09.120 --> 1:02:11.320
<v Speaker 1>we don't really know how to handle this, so we're

1:02:11.360 --> 1:02:14.040
<v Speaker 1>just not going to do it and act like this

1:02:14.200 --> 1:02:16.520
<v Speaker 1>never and like sort of in an unintentional way, I

1:02:16.520 --> 1:02:19.080
<v Speaker 1>act like this never happens in the world, right, And

1:02:19.280 --> 1:02:22.560
<v Speaker 1>I like that there is franchises like john Wick and

1:02:22.720 --> 1:02:25.120
<v Speaker 1>others in the past, maybe like twenty years where it's

1:02:25.120 --> 1:02:29.440
<v Speaker 1>like you do see you you see movies not shying

1:02:29.480 --> 1:02:31.960
<v Speaker 1>away because it is like even if you're like, oh,

1:02:32.040 --> 1:02:35.120
<v Speaker 1>I don't want to depict you know, a man beating

1:02:35.120 --> 1:02:37.360
<v Speaker 1>the shit out of a woman. That happens a lot

1:02:37.440 --> 1:02:40.320
<v Speaker 1>in the real world. And like, but but then in

1:02:40.400 --> 1:02:45.640
<v Speaker 1>doing that, you are like sidelining huge groups of people

1:02:45.720 --> 1:02:48.840
<v Speaker 1>who deserve to be seen in action movies as well.

1:02:48.880 --> 1:02:53.480
<v Speaker 1>It just shouldn't be separated from fighting. Keanu reeves like,

1:02:53.520 --> 1:02:56.160
<v Speaker 1>everyone should get a chance to fight this man, and

1:02:56.640 --> 1:02:59.080
<v Speaker 1>I generally, I mean in this way it again, you

1:02:59.200 --> 1:03:03.680
<v Speaker 1>really do have miss Perkins. Yeah, but I like that

1:03:03.880 --> 1:03:07.240
<v Speaker 1>she gets a really solid fucking fight scene where you

1:03:07.280 --> 1:03:09.600
<v Speaker 1>see what she can do. And I don't know if,

1:03:10.120 --> 1:03:12.680
<v Speaker 1>like in my brain, I was like, well, you know

1:03:12.920 --> 1:03:14.720
<v Speaker 1>when you see it, and that felt like a fight

1:03:14.800 --> 1:03:17.840
<v Speaker 1>that felt like it was treated like a fight between

1:03:17.960 --> 1:03:22.080
<v Speaker 1>two formidable assassins in a way that wasn't super gendered. Yeah,

1:03:22.120 --> 1:03:24.240
<v Speaker 1>and that's why I wanted to watch the other two

1:03:24.360 --> 1:03:29.200
<v Speaker 1>films of the franchise to see if more women were

1:03:29.240 --> 1:03:32.640
<v Speaker 1>included or you know, like what if any evolution there

1:03:32.760 --> 1:03:37.520
<v Speaker 1>was there. And it feels a little slow. But by

1:03:37.560 --> 1:03:40.520
<v Speaker 1>the third movie there like you do have halle Berry

1:03:40.560 --> 1:03:44.240
<v Speaker 1>in a very extended fight scene where she is fighting

1:03:44.280 --> 1:03:48.400
<v Speaker 1>alongside John Wick. Because she's an ally, she holds her

1:03:48.440 --> 1:03:52.880
<v Speaker 1>own she survives. Yeah, she's not killed Ruby Rose, because

1:03:52.880 --> 1:03:55.920
<v Speaker 1>in the second movie, john Wick fights Ruby Rose's character

1:03:56.400 --> 1:03:58.920
<v Speaker 1>toward the end. Again, it's like a drawn out scene,

1:03:58.960 --> 1:04:01.960
<v Speaker 1>like there's it's because a lot of him fighting someone

1:04:02.200 --> 1:04:04.280
<v Speaker 1>is just him shooting them in the head and then

1:04:04.320 --> 1:04:08.160
<v Speaker 1>they're dead. So I appreciate that the scenes that are

1:04:08.720 --> 1:04:11.480
<v Speaker 1>some of the more extended, like choreographed fight scenes where

1:04:11.520 --> 1:04:14.720
<v Speaker 1>he's fighting the same person for a while, tend to

1:04:14.800 --> 1:04:19.200
<v Speaker 1>be with the one woman in the movie. It is

1:04:19.240 --> 1:04:22.960
<v Speaker 1>cool that, like even just based on hearing how subsequent

1:04:23.200 --> 1:04:27.440
<v Speaker 1>john Wick adaptations have gone in terms of including women,

1:04:27.960 --> 1:04:30.400
<v Speaker 1>and how it seems like based on the trailer for

1:04:30.440 --> 1:04:32.120
<v Speaker 1>the fourth movie, that that is going to be even

1:04:32.120 --> 1:04:35.000
<v Speaker 1>more so in the next installment. It seems like it's

1:04:35.000 --> 1:04:37.640
<v Speaker 1>a general upward trajectory and this is all happening in

1:04:37.640 --> 1:04:40.480
<v Speaker 1>the last ten years. Like that is pretty fucking cool.

1:04:41.280 --> 1:04:45.720
<v Speaker 1>It makes me very excited for the action genre because like, honestly,

1:04:45.720 --> 1:04:48.640
<v Speaker 1>in the last ten years, it feels like it's why

1:04:48.680 --> 1:04:51.000
<v Speaker 1>A Mortal Kombat pissed me off so much, because I

1:04:51.040 --> 1:04:53.560
<v Speaker 1>was like, you picked so many nonfighting actresses and we

1:04:53.600 --> 1:04:57.280
<v Speaker 1>actually have like the most on screen like female fighters

1:04:57.320 --> 1:04:59.240
<v Speaker 1>in the last ten years, and we've had a really

1:04:59.280 --> 1:05:02.479
<v Speaker 1>long time, like again not counting Hong Kong because again

1:05:02.520 --> 1:05:05.920
<v Speaker 1>so many, but like it's frustrating whenever I see, like,

1:05:06.720 --> 1:05:08.880
<v Speaker 1>I mean, I'm all for like an actress getting a role,

1:05:08.920 --> 1:05:10.680
<v Speaker 1>but whenever I see like an actress that can't fight

1:05:10.840 --> 1:05:13.560
<v Speaker 1>being selected for something now, and I'm like, do you

1:05:13.680 --> 1:05:17.760
<v Speaker 1>know how many women are trained to do this? Like

1:05:18.480 --> 1:05:20.160
<v Speaker 1>it was something that I would see happen a lot,

1:05:20.200 --> 1:05:23.200
<v Speaker 1>specifically with Zoe Bell in the late nineties and early

1:05:23.240 --> 1:05:25.880
<v Speaker 1>two thousands, where she was like always the stunt double

1:05:25.920 --> 1:05:29.320
<v Speaker 1>but never the on screen fighter, like she was Uma

1:05:29.400 --> 1:05:32.040
<v Speaker 1>Thurman's stunt double and kill Bill, and she actually like

1:05:32.480 --> 1:05:35.960
<v Speaker 1>finally got to be on screen as herself in the

1:05:36.000 --> 1:05:39.080
<v Speaker 1>Grindhouse double feature and then most recently in Malignant in

1:05:39.960 --> 1:05:43.480
<v Speaker 1>one of the prison scenes. And I'm also very much

1:05:43.520 --> 1:05:46.080
<v Speaker 1>for like bringing the women that have only exist as

1:05:46.080 --> 1:05:49.120
<v Speaker 1>like doubles in the background to the foreground and we're

1:05:49.120 --> 1:05:52.640
<v Speaker 1>finally seeing like more of that happening now, which is incredible.

1:05:53.000 --> 1:05:56.920
<v Speaker 1>Actually highly recommend a movie called Fury Start. It's Vietnamese

1:05:56.920 --> 1:05:59.800
<v Speaker 1>starring an actress named Veronica No It's if taken actually

1:05:59.840 --> 1:06:03.080
<v Speaker 1>was like good at fighting her her daughter gets taken

1:06:03.400 --> 1:06:06.360
<v Speaker 1>so she's like on a mission to get her daughter back,

1:06:06.640 --> 1:06:10.560
<v Speaker 1>and it's just her like crushing dudes and trying to

1:06:10.600 --> 1:06:13.320
<v Speaker 1>find her daughter on a motorcycle. It's oh, it's so good.

1:06:13.480 --> 1:06:17.560
<v Speaker 1>Hell yeah, that's amazing. I would love to see good

1:06:17.640 --> 1:06:21.880
<v Speaker 1>taken with women. Yeah, instead of like a million cuts

1:06:21.920 --> 1:06:23.560
<v Speaker 1>to get an old man over a fence and to

1:06:23.600 --> 1:06:25.600
<v Speaker 1>convince me that he can actually fight, it's Veronica know

1:06:25.720 --> 1:06:30.400
<v Speaker 1>who like can fight and is just demolishing nice. Oh,

1:06:30.440 --> 1:06:32.960
<v Speaker 1>I just wanted to go back to um to Miss

1:06:33.000 --> 1:06:36.080
<v Speaker 1>Perkins a little more because she's she's not in a

1:06:36.160 --> 1:06:39.520
<v Speaker 1>ton Oh so I just I wrote down very twenty

1:06:39.600 --> 1:06:44.840
<v Speaker 1>fourteen hairstyle. Oh yeah, where you're like it's just a

1:06:44.880 --> 1:06:50.120
<v Speaker 1>little too black hair on a clearly blond woman. But

1:06:50.440 --> 1:06:53.120
<v Speaker 1>that was twenty fourteen, that was happening. We were there,

1:06:53.440 --> 1:06:57.720
<v Speaker 1>We did it, but we did it greatly. But I

1:06:58.000 --> 1:07:01.240
<v Speaker 1>do like that, Yeah, she was put in again. It

1:07:01.280 --> 1:07:03.479
<v Speaker 1>feels kind of weird to be like, wow, this movie

1:07:03.520 --> 1:07:06.360
<v Speaker 1>could have really sexualized this character at so many points

1:07:06.360 --> 1:07:09.080
<v Speaker 1>and doesn't. Yay movie, But I do think it is

1:07:09.120 --> 1:07:13.400
<v Speaker 1>like relevant where we get a pretty solid fight scene

1:07:13.440 --> 1:07:15.400
<v Speaker 1>between her and John Wick and then she sort of

1:07:15.480 --> 1:07:19.560
<v Speaker 1>left in the custody of this guy Harry, which is

1:07:19.600 --> 1:07:24.120
<v Speaker 1>a classic Keanu Reeves moment where he's caught doing something

1:07:24.160 --> 1:07:26.760
<v Speaker 1>horrible and he's like, oh, hey, Harry, and like everyone

1:07:26.840 --> 1:07:29.600
<v Speaker 1>loves John Wicks so much, and he's like, oh, it's

1:07:29.640 --> 1:07:32.760
<v Speaker 1>oh hey, John Wick. What can I do to help?

1:07:33.000 --> 1:07:35.400
<v Speaker 1>Got a Mario coin for me? And John Wicks? Like,

1:07:35.480 --> 1:07:38.480
<v Speaker 1>I sure do. And again, I feel like in a

1:07:38.600 --> 1:07:40.680
<v Speaker 1>lesser movie, or even a movie that maybe came out

1:07:40.720 --> 1:07:44.440
<v Speaker 1>ten years before this, the scene between Harry and Miss

1:07:44.480 --> 1:07:48.840
<v Speaker 1>Perkins would have had a different dynamic in terms of

1:07:48.880 --> 1:07:53.160
<v Speaker 1>like sexualizing her or like making it seem like because

1:07:53.200 --> 1:07:56.080
<v Speaker 1>the way that again, I think it's like the dynamic

1:07:56.120 --> 1:07:58.360
<v Speaker 1>between Harry and Miss Perkins is more what you were

1:07:58.400 --> 1:08:02.160
<v Speaker 1>describing earlier than us about like Old Guard. Yeah, New

1:08:02.200 --> 1:08:05.880
<v Speaker 1>Guard is very much what's in place where Harry's like,

1:08:06.000 --> 1:08:09.200
<v Speaker 1>you know, you're fucking around with the rules of the Continental.

1:08:09.600 --> 1:08:11.760
<v Speaker 1>I can't be having that, and I want my Mario

1:08:11.840 --> 1:08:14.040
<v Speaker 1>coin and she's like, well, jokes on you, I just

1:08:14.080 --> 1:08:16.679
<v Speaker 1>want Mario coins. I think that that's the actual dialogue

1:08:16.680 --> 1:08:20.200
<v Speaker 1>in the scene that was verbad, the exact dial Yeah,

1:08:20.240 --> 1:08:24.960
<v Speaker 1>and then what happens is that she escapes because again,

1:08:25.000 --> 1:08:28.360
<v Speaker 1>she's skilled, she's a formidable opponent, she escapes from her handcuffs,

1:08:28.439 --> 1:08:32.240
<v Speaker 1>she does murder Harry. I like Harry. I like Harry

1:08:32.280 --> 1:08:34.000
<v Speaker 1>a lot. It made me sad. I was sad to

1:08:34.000 --> 1:08:35.880
<v Speaker 1>see him go. I wish that we I wish I

1:08:35.960 --> 1:08:37.920
<v Speaker 1>knew a little more about I mean, I know that

1:08:38.000 --> 1:08:41.240
<v Speaker 1>part of John Wicks thing is his mystique, but I'm like, woh,

1:08:41.280 --> 1:08:43.519
<v Speaker 1>what what did you What did you and Harry get

1:08:43.560 --> 1:08:45.760
<v Speaker 1>into back in the day. Yeah, just give me it,

1:08:45.800 --> 1:08:47.360
<v Speaker 1>Just give me a little something, give me a little

1:08:47.400 --> 1:08:49.439
<v Speaker 1>taste of what you guys did once. I feel like

1:08:49.439 --> 1:08:52.400
<v Speaker 1>we need a spin off series. But um would watch

1:08:52.680 --> 1:08:55.960
<v Speaker 1>it's coming. Oh yeah, it isn't Ballerina, right, it's called

1:08:56.000 --> 1:08:59.440
<v Speaker 1>The Continental, I think. So it's going to be specifically

1:08:59.439 --> 1:09:02.720
<v Speaker 1>about the Continental, and it's going to be a prequel.

1:09:03.520 --> 1:09:06.799
<v Speaker 1>And I can't hear that title without remembering that SNL

1:09:07.320 --> 1:09:10.559
<v Speaker 1>series of sketches with Christopher Walkin. Do you know what

1:09:10.600 --> 1:09:14.839
<v Speaker 1>I'm talking about? No? No, he would be the Christopher

1:09:14.880 --> 1:09:17.640
<v Speaker 1>Walkin played this like ladies man, or he would like

1:09:17.720 --> 1:09:19.559
<v Speaker 1>try to be a ladies man, but then he would

1:09:19.600 --> 1:09:22.040
<v Speaker 1>just like end up insulting the person he was trying

1:09:22.080 --> 1:09:25.200
<v Speaker 1>to seduce, but you never saw You didn't see her

1:09:25.240 --> 1:09:27.599
<v Speaker 1>ever because the camera was like her point of view,

1:09:27.880 --> 1:09:30.000
<v Speaker 1>and then he would just like see him like being

1:09:30.040 --> 1:09:32.559
<v Speaker 1>a buffoon and then like drinks being thrown in his

1:09:32.840 --> 1:09:35.479
<v Speaker 1>face and stuff. But it was called The Continental and

1:09:35.520 --> 1:09:38.479
<v Speaker 1>it had this like weird intonation where it was just

1:09:38.520 --> 1:09:43.720
<v Speaker 1>like the Continental. No. I was like, okay, well link

1:09:43.800 --> 1:09:47.160
<v Speaker 1>to that too, there's all they're okay. I was like,

1:09:47.320 --> 1:09:50.880
<v Speaker 1>have I lost it? Um? Ballerina is a movie that's

1:09:50.920 --> 1:09:53.680
<v Speaker 1>coming out in the John Wick universe. It's filming right now.

1:09:53.720 --> 1:09:57.040
<v Speaker 1>It takes place between John Wick three and John Wick four,

1:09:57.560 --> 1:10:02.679
<v Speaker 1>whoa ballerina assassin Rooney the murderers of her family. Oh

1:10:02.720 --> 1:10:04.599
<v Speaker 1>you john Wick three heads, we'll know what that means.

1:10:04.640 --> 1:10:07.120
<v Speaker 1>But I guess that the character was played by an

1:10:07.160 --> 1:10:11.080
<v Speaker 1>actor named Unity Phelan, so an actual ballet dancer. I

1:10:11.080 --> 1:10:12.960
<v Speaker 1>guess yeah, because John Wick's backstory is that he was

1:10:13.000 --> 1:10:17.200
<v Speaker 1>a ballerina. Hold on what yeah? Oh right, okay, So

1:10:17.240 --> 1:10:19.720
<v Speaker 1>something I left out of the John Wick three recapa.

1:10:20.120 --> 1:10:22.519
<v Speaker 1>See that's how you get me to care about John Wynn.

1:10:23.040 --> 1:10:26.040
<v Speaker 1>It was black swan, Are you joking? I was? I

1:10:26.520 --> 1:10:30.880
<v Speaker 1>think misunderstood what was happening, So he seeks refuge in

1:10:30.920 --> 1:10:34.559
<v Speaker 1>this theater, like this ballet theater where Angelica Houston. Yeah,

1:10:34.560 --> 1:10:36.720
<v Speaker 1>I should not have left her out, Sorry about it.

1:10:36.760 --> 1:10:39.680
<v Speaker 1>She's in. She's in Ballerina as well. Yeah, it's so,

1:10:39.960 --> 1:10:41.760
<v Speaker 1>but they did. The only difference is they recast the

1:10:41.760 --> 1:10:44.559
<v Speaker 1>ballerina as on a da armis, which I'm like, does

1:10:44.640 --> 1:10:49.559
<v Speaker 1>let the ballerina be the bo whatever. So he had

1:10:49.640 --> 1:10:53.000
<v Speaker 1>his training at this theater and she's his kind of

1:10:53.040 --> 1:10:58.360
<v Speaker 1>like mother figure almost. I don't know enough about his backstory,

1:10:58.439 --> 1:11:01.400
<v Speaker 1>but I thought that, like she was running a ballet

1:11:01.479 --> 1:11:05.600
<v Speaker 1>school and an assassin school. Like I just assumed that

1:11:06.560 --> 1:11:09.920
<v Speaker 1>he learned how to be an assassin at this ballet school.

1:11:09.960 --> 1:11:12.280
<v Speaker 1>I don't know what I was thinking. Yeah, he became

1:11:12.320 --> 1:11:15.200
<v Speaker 1>a ballet assassin like Vanessa with he a ballerina. Yeah

1:11:15.240 --> 1:11:19.200
<v Speaker 1>he danced. Oh he was a ballet assassin. This isn't

1:11:19.280 --> 1:11:23.240
<v Speaker 1>john Wick three. Yeah, I honestly am prepared to skip

1:11:23.320 --> 1:11:25.920
<v Speaker 1>john Wick two and go straight to three and then

1:11:26.000 --> 1:11:29.000
<v Speaker 1>it's fine. Three is my favorite of the franchise, honestly, Okay,

1:11:29.000 --> 1:11:31.000
<v Speaker 1>because I was like, halle Berry has two dogs and

1:11:31.080 --> 1:11:34.360
<v Speaker 1>Keanu Reeves is a ballerina like that's something that I

1:11:34.400 --> 1:11:38.120
<v Speaker 1>would watch no matter the tone, no matter the year,

1:11:38.600 --> 1:11:41.400
<v Speaker 1>no matter like that's a timeless concept. I'll give you

1:11:41.439 --> 1:11:43.840
<v Speaker 1>my favorite fun piece of trivia about the third movie.

1:11:44.680 --> 1:11:47.759
<v Speaker 1>All of the scenes with the dogs in Morocco took

1:11:47.920 --> 1:11:51.439
<v Speaker 1>a goddamn eternity because there were so many feral cats

1:11:52.840 --> 1:11:55.759
<v Speaker 1>in the area that the dogs were constantly like losing

1:11:55.800 --> 1:11:58.519
<v Speaker 1>their shit. So filming with the dogs took a really

1:11:58.560 --> 1:12:00.959
<v Speaker 1>long time because of just like there were people assigned

1:12:01.040 --> 1:12:04.320
<v Speaker 1>to just shoot away feral cats from the scene because

1:12:04.360 --> 1:12:07.120
<v Speaker 1>like the dogs just kept getting distracted by like cats

1:12:07.120 --> 1:12:09.960
<v Speaker 1>swarming them. That does sound like the sort of anecdote

1:12:09.960 --> 1:12:16.280
<v Speaker 1>that ends with like and then Keanu Reeves adopted all

1:12:17.120 --> 1:12:22.080
<v Speaker 1>was he is. So this has nothing to really do

1:12:22.200 --> 1:12:25.320
<v Speaker 1>with Bechtel cast discussion, but I thought that this was

1:12:25.360 --> 1:12:28.760
<v Speaker 1>like just I was reading about how this movie kind

1:12:28.760 --> 1:12:31.360
<v Speaker 1>of came to be. This movie was like written by

1:12:31.520 --> 1:12:36.599
<v Speaker 1>a writer named Derek Colestad who had been at it forever,

1:12:36.760 --> 1:12:39.080
<v Speaker 1>had not had like written a million screenplays no one

1:12:39.120 --> 1:12:44.360
<v Speaker 1>had really bitten, and then eventually sold this movie. But

1:12:44.520 --> 1:12:49.120
<v Speaker 1>apparently he has an aunt who is like a popular

1:12:49.200 --> 1:12:54.719
<v Speaker 1>historical fiction author named Lorie Wick. And that's why John Wick.

1:12:55.200 --> 1:12:57.200
<v Speaker 1>It's John Wick. It's a little nod to his more

1:12:57.240 --> 1:13:02.000
<v Speaker 1>successful aunt. I love that. So that's fun. Wow, a

1:13:02.080 --> 1:13:06.160
<v Speaker 1>good piece of trivia. Thank you so much. Should we

1:13:06.920 --> 1:13:11.760
<v Speaker 1>unpack the dead his wife? Oh, the dead wife of

1:13:11.760 --> 1:13:13.880
<v Speaker 1>it all? The dead wife of it all? I didn't.

1:13:13.960 --> 1:13:17.080
<v Speaker 1>I mean, it's I don't really know how much I

1:13:17.120 --> 1:13:20.240
<v Speaker 1>have to say about it outside. I'm surprised that they

1:13:20.280 --> 1:13:23.120
<v Speaker 1>went in so hard on it. I mean, like it

1:13:23.280 --> 1:13:25.599
<v Speaker 1>is kind of like, even in twenty fourteen, I feel

1:13:25.640 --> 1:13:28.240
<v Speaker 1>like that's such a known trope that people would like

1:13:28.320 --> 1:13:31.800
<v Speaker 1>even talk about then, like the term fridging existed by

1:13:31.800 --> 1:13:34.519
<v Speaker 1>that point. But I don't know. I mean, yeah, I was.

1:13:35.320 --> 1:13:37.920
<v Speaker 1>I guess in the movie's defense, I don't know if

1:13:37.960 --> 1:13:41.400
<v Speaker 1>you could classify that as fridging because she dies of

1:13:41.400 --> 1:13:45.920
<v Speaker 1>an illness and not a brutal like murder. I guess.

1:13:46.000 --> 1:13:48.479
<v Speaker 1>I guess I think of fridging for I have, like

1:13:48.520 --> 1:13:51.360
<v Speaker 1>I use a more loose version of it, where it's like,

1:13:51.400 --> 1:13:53.799
<v Speaker 1>if a woman needs to die for the plot to begin,

1:13:54.120 --> 1:13:55.920
<v Speaker 1>that's a fridge to me. I mean, I guess it's like,

1:13:56.080 --> 1:13:58.639
<v Speaker 1>she doesn't die in a violent way, but the movie

1:13:58.640 --> 1:14:02.479
<v Speaker 1>doesn't start until she's dead. Yeah right, I mean, and yes,

1:14:02.640 --> 1:14:05.439
<v Speaker 1>there is the classic action movie trope of a woman

1:14:05.520 --> 1:14:10.320
<v Speaker 1>existing in the world of this story, usually a wife, girlfriend,

1:14:10.400 --> 1:14:14.240
<v Speaker 1>or daughter. Sometimes she's alive, sometimes she's dead. But the

1:14:14.280 --> 1:14:17.519
<v Speaker 1>function of that character is to be motivation for the

1:14:17.560 --> 1:14:20.599
<v Speaker 1>male hero. We've talked about it at a million times, yeah,

1:14:20.600 --> 1:14:24.000
<v Speaker 1>and sometimes motivation for the villain. But in this case

1:14:24.080 --> 1:14:27.640
<v Speaker 1>it's it's John Wick's wife who died of an illness.

1:14:27.880 --> 1:14:30.400
<v Speaker 1>My wife, my dadda, my wife, my daughter. It's like

1:14:30.840 --> 1:14:36.479
<v Speaker 1>time what I think is more interesting about this? And

1:14:36.560 --> 1:14:40.559
<v Speaker 1>again there's still very much this trope at play, but

1:14:40.880 --> 1:14:45.400
<v Speaker 1>it makes it so that the John Wick character is

1:14:45.760 --> 1:14:51.560
<v Speaker 1>compared to other action movie heroes, who in most franchises

1:14:51.640 --> 1:14:59.000
<v Speaker 1>are sis head men who are extremely agro and this

1:14:59.080 --> 1:15:04.000
<v Speaker 1>whole like, oh, here's the ideal quote unquote version of

1:15:04.040 --> 1:15:07.200
<v Speaker 1>what a man should be, and this is how to

1:15:07.240 --> 1:15:10.439
<v Speaker 1>be cool, and you're supposed to suppress your emotions and

1:15:10.439 --> 1:15:14.639
<v Speaker 1>you're supposed to disrespect women and all this stuff. John

1:15:14.680 --> 1:15:18.799
<v Speaker 1>Wick doesn't. It's cements him as a wife guy, right right, yeah,

1:15:18.880 --> 1:15:22.160
<v Speaker 1>So he's which is like I don't know, he's just

1:15:22.240 --> 1:15:26.160
<v Speaker 1>he's more vulnerable than his like, you know, male hero

1:15:26.320 --> 1:15:30.280
<v Speaker 1>action counterparts. Is he dealing with his emotions in the

1:15:30.320 --> 1:15:34.000
<v Speaker 1>healthiest way. I would say no, because he's murdering a

1:15:34.080 --> 1:15:38.320
<v Speaker 1>lot of people. But John, Yeah, you're right, but like

1:15:39.080 --> 1:15:43.040
<v Speaker 1>his grief is and he's like actively trying to grieve,

1:15:43.160 --> 1:15:47.000
<v Speaker 1>and he he's so attached to the dog because that

1:15:47.120 --> 1:15:52.000
<v Speaker 1>was a way for him to experience grief and his

1:15:52.120 --> 1:15:56.280
<v Speaker 1>support animal, right exactly, they killed the support animal. I'm like,

1:15:56.400 --> 1:16:00.280
<v Speaker 1>they two, that's yeah. So I don't know that there's

1:16:00.320 --> 1:16:06.720
<v Speaker 1>just like something soft about old John. He's a ballerina

1:16:06.800 --> 1:16:09.920
<v Speaker 1>wife guy and the fact that he was a ballerina

1:16:10.000 --> 1:16:13.200
<v Speaker 1>the whole time twist of the century. Like I I

1:16:13.240 --> 1:16:17.280
<v Speaker 1>wonder if Helen knew that side of him, his ballet side.

1:16:17.720 --> 1:16:20.200
<v Speaker 1>Um also did she know? I mean, I just have

1:16:20.479 --> 1:16:23.880
<v Speaker 1>Maybe these are answered in subsequent installments, but like speaking

1:16:23.880 --> 1:16:25.680
<v Speaker 1>to your point, I do think that like that is

1:16:25.680 --> 1:16:28.120
<v Speaker 1>like a cool subversion on the action hero that this

1:16:28.320 --> 1:16:31.799
<v Speaker 1>movie does, is like that they don't shy away from

1:16:32.640 --> 1:16:35.160
<v Speaker 1>the grief. And it's like, well, if you're going to

1:16:35.520 --> 1:16:38.360
<v Speaker 1>kill off the wife for the action to begin, don't

1:16:38.400 --> 1:16:41.759
<v Speaker 1>just forget about her immediately or just you know, invoke

1:16:41.840 --> 1:16:44.360
<v Speaker 1>her name or her memory when it's like plot convenient

1:16:44.520 --> 1:16:48.320
<v Speaker 1>basically like it does you do feel her presence in

1:16:48.360 --> 1:16:54.040
<v Speaker 1>every decision that he makes, and like in his behavior

1:16:54.160 --> 1:16:57.479
<v Speaker 1>towards other people, Like he's I think almost like like

1:16:57.560 --> 1:17:01.240
<v Speaker 1>as actively grieving as I've ever seen like a character

1:17:01.280 --> 1:17:04.320
<v Speaker 1>where this trope is at play, Yeah, grieving. Even other

1:17:04.400 --> 1:17:07.320
<v Speaker 1>characters are like aware of that, right, everyone knows that

1:17:07.360 --> 1:17:09.639
<v Speaker 1>he lost his wife, and I think that, I mean,

1:17:09.680 --> 1:17:14.160
<v Speaker 1>that is interesting. And again it's like the element of

1:17:14.200 --> 1:17:16.439
<v Speaker 1>mystery is so important to this character because the more

1:17:16.479 --> 1:17:19.120
<v Speaker 1>mysteries about John Wick, the more John Wick movies you get,

1:17:19.360 --> 1:17:22.080
<v Speaker 1>it's all it's all connected and all that stuff for me.

1:17:22.320 --> 1:17:23.880
<v Speaker 1>But I was I was just like, oh, I wish

1:17:23.920 --> 1:17:26.040
<v Speaker 1>that like you got a little like even just to

1:17:26.200 --> 1:17:29.800
<v Speaker 1>like push the subversion of those decisions a little more,

1:17:30.000 --> 1:17:33.839
<v Speaker 1>just like some sort of indication of like did Helen

1:17:34.000 --> 1:17:38.120
<v Speaker 1>know that he was an assassin? Did Helen know that

1:17:38.160 --> 1:17:41.400
<v Speaker 1>he was a ballerina? Was their relationship built on a

1:17:41.439 --> 1:17:45.040
<v Speaker 1>bed of lies? What is one thing about her that

1:17:45.200 --> 1:17:48.120
<v Speaker 1>isn't that she was sick and then died, Yeah, and

1:17:48.240 --> 1:17:50.720
<v Speaker 1>loved John Wick so much? Like there, I feel like

1:17:50.800 --> 1:17:54.280
<v Speaker 1>you can retain the like mysterious elements of the character

1:17:54.760 --> 1:17:59.719
<v Speaker 1>and still like, give her some characterization, Yeah, give her something.

1:18:00.080 --> 1:18:02.800
<v Speaker 1>Knowing more about Helen doesn't make us have to know

1:18:02.880 --> 1:18:06.480
<v Speaker 1>more about John Wick exactly exactly what was their relationship,

1:18:06.640 --> 1:18:09.160
<v Speaker 1>like even if it was fucking boring, Like, yeah, us

1:18:09.200 --> 1:18:12.240
<v Speaker 1>knowing what Helen's job was, or like how they met,

1:18:12.400 --> 1:18:15.839
<v Speaker 1>or just or something about her, you know, God forbid

1:18:15.880 --> 1:18:18.760
<v Speaker 1>outside of that relationship would have I mean, I think

1:18:18.760 --> 1:18:21.080
<v Speaker 1>it just would. It would have helped every I mean,

1:18:21.160 --> 1:18:23.200
<v Speaker 1>like we always say in these conversations, it would have

1:18:23.200 --> 1:18:27.200
<v Speaker 1>helped everything because it if you know why he loved

1:18:27.200 --> 1:18:30.240
<v Speaker 1>her so much, that makes you feel for John wickmore.

1:18:30.920 --> 1:18:34.400
<v Speaker 1>It makes you understand why he like quit his entire

1:18:34.479 --> 1:18:38.920
<v Speaker 1>lifestyle for her, right right? Like what was what was

1:18:38.960 --> 1:18:41.559
<v Speaker 1>so fucking I mean, I believe that this woman who

1:18:41.600 --> 1:18:44.320
<v Speaker 1>doesn't exist was awesome, but like, what was so awesome

1:18:44.320 --> 1:18:46.559
<v Speaker 1>about her that you bailed on your whole life to

1:18:46.640 --> 1:18:50.519
<v Speaker 1>hang out with her? Good questions? But the movie doesn't

1:18:50.600 --> 1:18:53.960
<v Speaker 1>care enough about her? Do you find out more about

1:18:54.000 --> 1:18:58.360
<v Speaker 1>her in subsequent installments? No, no, come on tragically, which

1:18:58.400 --> 1:18:59.760
<v Speaker 1>I wish were. I wonder if we're going to get

1:18:59.800 --> 1:19:03.360
<v Speaker 1>more on the in four, But I guess I'm just

1:19:03.400 --> 1:19:05.960
<v Speaker 1>gonna have to wait until I have that two hours

1:19:06.000 --> 1:19:09.559
<v Speaker 1>in fifteen forty nine minutes to spare. That's a lot

1:19:10.240 --> 1:19:13.000
<v Speaker 1>of time. I also thought it was funny that they

1:19:13.080 --> 1:19:16.080
<v Speaker 1>like Bridgie A. Moynihand's like a very like a pretty

1:19:16.120 --> 1:19:19.240
<v Speaker 1>successful actor to put in the part of deadwife dot

1:19:19.360 --> 1:19:24.000
<v Speaker 1>MP four. I was kind of like, what, you think

1:19:24.040 --> 1:19:26.559
<v Speaker 1>that she's gonna be doing more? You would think, but

1:19:26.640 --> 1:19:29.840
<v Speaker 1>I see that she's credited in all a Hole. That's

1:19:29.840 --> 1:19:32.920
<v Speaker 1>so wait, that's actually so funny. Okay, she's credited in

1:19:33.000 --> 1:19:35.679
<v Speaker 1>john Wick, in john Wick chapter two, In john Wick

1:19:35.760 --> 1:19:39.679
<v Speaker 1>three and four, she's credited as Helen Wick parentheses photo.

1:19:40.120 --> 1:19:43.680
<v Speaker 1>So they probably tend to venmo her seven hundred dollars. Oh,

1:19:43.760 --> 1:19:46.960
<v Speaker 1>because you don't even get flashbacks. Probably it's right, you

1:19:47.000 --> 1:19:49.920
<v Speaker 1>don't even get dot she is now dot jpeg. She's

1:19:49.960 --> 1:19:54.200
<v Speaker 1>been somehow cast into an even smaller role dead wife

1:19:54.240 --> 1:19:59.719
<v Speaker 1>dot jpeg, an even smaller file. Yeah, brutally compressed justice

1:19:59.760 --> 1:20:07.599
<v Speaker 1>for come on, that sucks truly. Yeah. Something I want

1:20:07.760 --> 1:20:16.080
<v Speaker 1>to touch on is gun violence. Yes, in American action movies.

1:20:17.280 --> 1:20:20.120
<v Speaker 1>This is something that I don't think we've talked a

1:20:20.120 --> 1:20:25.879
<v Speaker 1>lot about on the show, but gun violence in American

1:20:25.880 --> 1:20:29.000
<v Speaker 1>action movies is very pervasive, and it's rare to have

1:20:29.280 --> 1:20:33.200
<v Speaker 1>an action movie from the US that does not have

1:20:33.240 --> 1:20:36.280
<v Speaker 1>a lot of gun violence in it. We are not

1:20:36.400 --> 1:20:40.679
<v Speaker 1>experts on this topic of like, oh, is it that

1:20:41.000 --> 1:20:43.679
<v Speaker 1>guns are so readily available in the US and that's

1:20:43.720 --> 1:20:47.960
<v Speaker 1>why they're so prevalent in our media and in action

1:20:48.000 --> 1:20:51.200
<v Speaker 1>movies in particular, just because it's like tragically a part

1:20:51.240 --> 1:20:55.559
<v Speaker 1>of American culture. Is it that the pervasiveness of gun

1:20:55.680 --> 1:21:00.280
<v Speaker 1>violence in American media? Does that contribute to actual gun

1:21:00.360 --> 1:21:04.439
<v Speaker 1>violence in our culture because people are famously influenced by

1:21:04.479 --> 1:21:08.800
<v Speaker 1>the media they consume. Is it both? Like what's the

1:21:08.840 --> 1:21:14.200
<v Speaker 1>causation slash correlation happening here? Again, we're not experts. It's

1:21:14.200 --> 1:21:17.360
<v Speaker 1>a much larger conversation that we can't really cover in

1:21:17.400 --> 1:21:21.240
<v Speaker 1>the span of a single little episode. But I just

1:21:21.320 --> 1:21:24.040
<v Speaker 1>I wanted to touch on it because again, we haven't

1:21:24.160 --> 1:21:28.599
<v Speaker 1>talked about it really before. And I noticed that as

1:21:28.640 --> 1:21:33.040
<v Speaker 1>a long time consumer of American action movies, excessive gun

1:21:33.120 --> 1:21:36.920
<v Speaker 1>violence in these movies has just been so normalized that

1:21:37.120 --> 1:21:39.880
<v Speaker 1>I have gotten to the point where I don't even

1:21:39.960 --> 1:21:44.320
<v Speaker 1>notice this alarming trend of how pervasive it is. I'm

1:21:44.320 --> 1:21:47.120
<v Speaker 1>just like, yeah, that's how action movies are well, I

1:21:47.120 --> 1:21:50.400
<v Speaker 1>guess finish. That's a question that I have for you

1:21:50.479 --> 1:21:54.680
<v Speaker 1>because you do watch so many international action movies, like

1:21:54.840 --> 1:21:57.960
<v Speaker 1>is this a uniquely American thing? How do you feel

1:21:57.960 --> 1:22:01.200
<v Speaker 1>about how violence is sort of portrayed across the genre.

1:22:02.120 --> 1:22:04.519
<v Speaker 1>I wouldn't say it's uniquely American because it is something

1:22:04.520 --> 1:22:08.280
<v Speaker 1>that I see across like the international borders of action.

1:22:08.320 --> 1:22:10.800
<v Speaker 1>I'd say, at least for John Wicks specifically, a lot

1:22:10.840 --> 1:22:15.759
<v Speaker 1>of its influence is specifically taken from John Wu because

1:22:15.840 --> 1:22:21.400
<v Speaker 1>the gun violence in John Wicks specifically isn't like typically

1:22:21.680 --> 1:22:24.200
<v Speaker 1>American action movies when it handles gun violence, it's just

1:22:24.320 --> 1:22:28.840
<v Speaker 1>very much like a very like bullet spray, a hold gun,

1:22:28.840 --> 1:22:32.960
<v Speaker 1>infinite bullet kind of thing. The John Wick taking from

1:22:33.120 --> 1:22:36.519
<v Speaker 1>John wu influence of gun violence is it treats it

1:22:36.560 --> 1:22:39.200
<v Speaker 1>almost like an extension of the arm if you if

1:22:39.240 --> 1:22:43.080
<v Speaker 1>you notice in John movies versus other American action movies,

1:22:43.479 --> 1:22:46.120
<v Speaker 1>it's treated almost like it's an extension of like a

1:22:46.160 --> 1:22:49.719
<v Speaker 1>punch in it of itself to where it's it's part

1:22:49.760 --> 1:22:53.479
<v Speaker 1>of the choreography, and usually American like gun violence doesn't

1:22:53.479 --> 1:22:55.960
<v Speaker 1>include guns as part of the choreography unless it was,

1:22:56.000 --> 1:22:59.599
<v Speaker 1>like John Wu with his very like hyperstylized version of it.

1:23:00.360 --> 1:23:04.160
<v Speaker 1>But it is something that I see that isn't so

1:23:04.280 --> 1:23:06.840
<v Speaker 1>much just like if you watch like The Raid or

1:23:06.880 --> 1:23:09.240
<v Speaker 1>The Raid too, it's very much pervasive through it, even

1:23:09.240 --> 1:23:10.800
<v Speaker 1>though there's like a lot of like hand to hand

1:23:10.840 --> 1:23:14.760
<v Speaker 1>combat in it. So I wouldn't say it's intrinsic to Americans,

1:23:15.040 --> 1:23:18.439
<v Speaker 1>but I will say, especially in the eighties and nineties,

1:23:19.040 --> 1:23:23.160
<v Speaker 1>we did it more okay, because that is I mean,

1:23:23.200 --> 1:23:27.400
<v Speaker 1>like I again, I because that's like it's not my

1:23:27.479 --> 1:23:29.800
<v Speaker 1>genre and I just come to expect it. But there

1:23:29.800 --> 1:23:32.920
<v Speaker 1>were I mean some I think maybe it is like

1:23:32.960 --> 1:23:36.759
<v Speaker 1>a uniquely American conversation because there is such an issue

1:23:36.760 --> 1:23:38.760
<v Speaker 1>with gun violence in America where I feel like there

1:23:38.920 --> 1:23:42.680
<v Speaker 1>is like this genre is especially right now and in

1:23:42.720 --> 1:23:46.519
<v Speaker 1>the last ten years, going to affect people a little differently.

1:23:46.720 --> 1:23:49.840
<v Speaker 1>I know that there's a huge, huge, huge debate on yeah,

1:23:49.880 --> 1:23:52.839
<v Speaker 1>the causation and all this stuff, and that I've certainly

1:23:52.840 --> 1:23:56.320
<v Speaker 1>read a lot saying like, you know, that is like

1:23:56.640 --> 1:24:00.559
<v Speaker 1>to say that the presence of guns in media will

1:24:00.600 --> 1:24:04.240
<v Speaker 1>turn you into like a murderous like you know, like

1:24:05.080 --> 1:24:08.400
<v Speaker 1>I feel like it's a way overblown, far more nuanced

1:24:08.400 --> 1:24:13.160
<v Speaker 1>conversation than I've generally seen had about it. But I

1:24:13.200 --> 1:24:17.599
<v Speaker 1>don't know. I mean, it's interesting like bringing your own

1:24:17.680 --> 1:24:20.920
<v Speaker 1>and hearing other people bringing their own sort of experiences

1:24:21.640 --> 1:24:24.519
<v Speaker 1>of gun violence to the table, and like how you're

1:24:24.560 --> 1:24:28.559
<v Speaker 1>able to consume these movies, like because if there's like

1:24:28.680 --> 1:24:30.800
<v Speaker 1>no wrong way to kind of come at it, but

1:24:30.840 --> 1:24:32.360
<v Speaker 1>there are, I mean, and I think for me is

1:24:32.400 --> 1:24:36.840
<v Speaker 1>particularly in the like club scene where people are just

1:24:37.360 --> 1:24:39.679
<v Speaker 1>you know, they're killing each other and it's all very targeted,

1:24:39.720 --> 1:24:42.680
<v Speaker 1>like they're not taking out random people like you do

1:24:42.760 --> 1:24:46.439
<v Speaker 1>see sometimes in action movies. But I think that was

1:24:46.439 --> 1:24:48.840
<v Speaker 1>as close to for this scene, just because of my

1:24:48.840 --> 1:24:52.880
<v Speaker 1>own personal experience of I don't know, like active shooter

1:24:52.960 --> 1:24:55.400
<v Speaker 1>threats in a crowded space. Like you're like, oh, that

1:24:55.520 --> 1:24:58.400
<v Speaker 1>can be a really like sudden and kind of triggering

1:24:58.680 --> 1:25:01.439
<v Speaker 1>thing to see. But yeah, you're right, for sure, it's

1:25:01.439 --> 1:25:04.320
<v Speaker 1>a little more willful. Yeah, Like it's a little more thoughtful.

1:25:04.520 --> 1:25:08.720
<v Speaker 1>It makes it makes an assassination feel more calculated, and

1:25:08.760 --> 1:25:11.000
<v Speaker 1>it doesn't have that like that sense of just like

1:25:11.439 --> 1:25:14.200
<v Speaker 1>bullet spray catching strays that you might see in like

1:25:14.280 --> 1:25:17.160
<v Speaker 1>a crank movie, right right, Yeah, I never know, I

1:25:17.200 --> 1:25:19.719
<v Speaker 1>don't know it's like never like my favorite thing to see.

1:25:19.760 --> 1:25:22.479
<v Speaker 1>But that's also just because it's like it's just that's

1:25:22.560 --> 1:25:25.120
<v Speaker 1>just a personal preference. I don't know, right, I don't

1:25:25.160 --> 1:25:29.200
<v Speaker 1>think it's ruining the world necessarily, Yeah, right, because for me,

1:25:29.320 --> 1:25:31.960
<v Speaker 1>Like again, I love action movies and I love to

1:25:32.000 --> 1:25:34.599
<v Speaker 1>see a good gun fight in an action movie. But

1:25:34.680 --> 1:25:37.280
<v Speaker 1>in the real world, like I think guns should be

1:25:37.360 --> 1:25:40.479
<v Speaker 1>banned outright. I think we should throw every gun into

1:25:40.520 --> 1:25:44.000
<v Speaker 1>a volcano, like no one should have access to a gun.

1:25:44.920 --> 1:25:49.840
<v Speaker 1>But in movies, I'm like, more fun, fun, I'm having

1:25:49.840 --> 1:25:53.640
<v Speaker 1>a fun time. So it's a paradox, but I just

1:25:53.680 --> 1:25:55.920
<v Speaker 1>wanted to bring it up. I want guns to be

1:25:55.960 --> 1:26:02.960
<v Speaker 1>like dragons. They only exist typical movie fantasy. Yeah, yes, exactly.

1:26:03.240 --> 1:26:08.240
<v Speaker 1>I want Andy Serkis to play a gun. I think

1:26:08.240 --> 1:26:11.240
<v Speaker 1>he gets really method about it. He'd be good at it.

1:26:11.600 --> 1:26:15.880
<v Speaker 1>I think he'd have a really fun press junket for

1:26:16.000 --> 1:26:18.000
<v Speaker 1>that one. But I want him to do the gallum

1:26:18.080 --> 1:26:20.519
<v Speaker 1>voice while he's doing it. Oh, the gun has a

1:26:20.560 --> 1:26:22.800
<v Speaker 1>whole lore that you don't see. It's like Babu Frick,

1:26:23.040 --> 1:26:26.200
<v Speaker 1>Like there's like the actor doing Babu Frick had a hole.

1:26:26.320 --> 1:26:28.479
<v Speaker 1>They're like, oh, there was a love thing that didn't

1:26:28.479 --> 1:26:31.240
<v Speaker 1>work out for Babu Frick, and you can see that

1:26:31.360 --> 1:26:33.519
<v Speaker 1>in the puppet work. And I'm like, all right, sure,

1:26:34.040 --> 1:26:38.400
<v Speaker 1>thanks Shirley. Hey, bab like bless her heart. I'm the

1:26:38.439 --> 1:26:40.920
<v Speaker 1>only person in the world who remembers the character of

1:26:40.920 --> 1:26:44.280
<v Speaker 1>Babu Frick from Star Wars five hundred. But I'm right

1:26:44.320 --> 1:26:47.280
<v Speaker 1>there with you. I love Babu Frick with all my heart. Hey,

1:26:47.320 --> 1:26:51.920
<v Speaker 1>hey to all my Babu Fri kids out there. I

1:26:52.000 --> 1:26:56.880
<v Speaker 1>also want to just mention the tendency in American action

1:26:57.080 --> 1:27:03.120
<v Speaker 1>movies to make the villains be people from a nationality

1:27:03.240 --> 1:27:07.760
<v Speaker 1>that is not American, Yeah, which this franchise definitely does.

1:27:08.080 --> 1:27:11.160
<v Speaker 1>And again I just speaking to the first one making

1:27:11.160 --> 1:27:14.679
<v Speaker 1>the making the Villain's Rush and felt like action movie

1:27:14.680 --> 1:27:17.599
<v Speaker 1>one oh one writing where you're just like, this movie

1:27:17.640 --> 1:27:20.559
<v Speaker 1>could have come out any time in the last fifty years.

1:27:20.600 --> 1:27:24.000
<v Speaker 1>I guess yeah, in a way that like is definitely

1:27:24.160 --> 1:27:29.680
<v Speaker 1>tropy writing oh deeply. So yeah, does anyone have anything

1:27:29.720 --> 1:27:33.120
<v Speaker 1>else to talk about? No? I think I I think

1:27:33.200 --> 1:27:38.040
<v Speaker 1>I completely emptied the cartridge. Wow, Oh I like that

1:27:38.080 --> 1:27:40.880
<v Speaker 1>you see John Wick change the cartridge too or like

1:27:40.960 --> 1:27:44.240
<v Speaker 1>run out of bullets sometimes, Yeah, it's not infinite forever bullets.

1:27:44.560 --> 1:27:48.200
<v Speaker 1>He's no, Like I like that this movie, Like, I

1:27:48.240 --> 1:27:51.120
<v Speaker 1>don't know, I guess that like of the action movies

1:27:51.160 --> 1:27:53.519
<v Speaker 1>that I've seen, this is like john Wick is not

1:27:53.560 --> 1:27:55.880
<v Speaker 1>my favorite, but I feel like it has a really

1:27:55.920 --> 1:28:02.320
<v Speaker 1>really cool balance of fantastical world elements versus occasional, like

1:28:02.680 --> 1:28:06.000
<v Speaker 1>striking real world elements, like he runs out of bullets.

1:28:06.120 --> 1:28:09.160
<v Speaker 1>Someone doesn't end the scene on a quip and they

1:28:09.240 --> 1:28:14.559
<v Speaker 1>just say, oh, like just like kind of grounding moments

1:28:14.600 --> 1:28:17.400
<v Speaker 1>that you aren't sort of trained to expect in such

1:28:17.400 --> 1:28:20.759
<v Speaker 1>a stylized action movie. Like I really really love those choices.

1:28:20.800 --> 1:28:24.920
<v Speaker 1>They're they're so fundam not having kibble at your house

1:28:24.960 --> 1:28:27.599
<v Speaker 1>because you got a dog yesterday. I'm also like, Helen,

1:28:28.160 --> 1:28:31.719
<v Speaker 1>you didn't send a bag of kibble? Yea, Like think

1:28:31.720 --> 1:28:34.800
<v Speaker 1>it through, babe. You're giving him errands. Yeah, you want

1:28:34.800 --> 1:28:37.000
<v Speaker 1>to give a grieving man arrand think about it. And

1:28:37.080 --> 1:28:39.400
<v Speaker 1>that's how this whole thing started. If he had not

1:28:39.520 --> 1:28:42.000
<v Speaker 1>gone out to go get kibble, he would have never

1:28:42.800 --> 1:28:45.040
<v Speaker 1>met up with You, would have never met Joseph, and

1:28:45.080 --> 1:28:48.759
<v Speaker 1>then his dog was still It's look, we can't Helen,

1:28:49.320 --> 1:28:53.120
<v Speaker 1>Helen tell it to the photo and John went before.

1:28:53.400 --> 1:28:57.720
<v Speaker 1>I can't believe she's parentheses photo. That's so dirty that

1:28:59.640 --> 1:29:01.960
<v Speaker 1>I guess she's over it because she's been downgraded to

1:29:02.000 --> 1:29:07.080
<v Speaker 1>a photo. I do want to shout out non binary

1:29:07.080 --> 1:29:10.639
<v Speaker 1>actor Asia Kate Dylan, who plays the adjudicator in John

1:29:10.680 --> 1:29:15.880
<v Speaker 1>Wick three. Nice. The character is never identified as non binary,

1:29:15.960 --> 1:29:19.200
<v Speaker 1>but the actor is. And I think it's just cool

1:29:19.320 --> 1:29:24.840
<v Speaker 1>for an action, a huge action franchise to cast a

1:29:24.920 --> 1:29:28.800
<v Speaker 1>non binary actor in that role and then just like

1:29:29.000 --> 1:29:33.360
<v Speaker 1>have that character just be their existence being normalized within

1:29:33.400 --> 1:29:37.160
<v Speaker 1>the world of the story. Yeah, yeah, which is something

1:29:37.240 --> 1:29:43.799
<v Speaker 1>that very like hetero rigid gender binary action movies generally

1:29:43.840 --> 1:29:46.840
<v Speaker 1>don't do. No, they're too scared of it. Yeah, so

1:29:46.880 --> 1:29:51.360
<v Speaker 1>I appreciate that, But yeah, I think that's all. My

1:29:51.800 --> 1:29:55.800
<v Speaker 1>cartridge is now also empty. My cartridge is empty as well.

1:29:55.840 --> 1:29:57.360
<v Speaker 1>I guess the last thing I have to say is

1:29:57.360 --> 1:30:00.519
<v Speaker 1>that I, you know, even though we're technically covering the

1:30:00.560 --> 1:30:03.080
<v Speaker 1>first movie in this episode, even in the space of

1:30:03.120 --> 1:30:07.360
<v Speaker 1>this conversation, I've been very heartened and feel good that

1:30:07.560 --> 1:30:11.240
<v Speaker 1>it seems like as this franchise becomes more and more successful,

1:30:11.560 --> 1:30:15.680
<v Speaker 1>it also becomes more and more inclusive, which is amazing.

1:30:15.760 --> 1:30:19.040
<v Speaker 1>And I hope that that like remains sort of a

1:30:19.120 --> 1:30:23.680
<v Speaker 1>precedent in this especially in this like kind of typically

1:30:23.720 --> 1:30:27.320
<v Speaker 1>agro sis male genre in general. Like, it's really fucking

1:30:27.320 --> 1:30:30.800
<v Speaker 1>cool and it continues to set the bar it does,

1:30:31.000 --> 1:30:34.320
<v Speaker 1>which is amazing. And so look, I'm going to see

1:30:34.360 --> 1:30:37.280
<v Speaker 1>John Wick four. It's also na writting a song for it,

1:30:38.160 --> 1:30:40.200
<v Speaker 1>do we know? I hope So I hope we get

1:30:40.280 --> 1:30:43.680
<v Speaker 1>like a Specter style song just for it, and then

1:30:43.760 --> 1:30:47.960
<v Speaker 1>she could win an Oscar I just the arena Sawayama

1:30:48.040 --> 1:30:52.800
<v Speaker 1>to Oscar pipeline. It just feels right to eat out.

1:30:52.800 --> 1:30:56.000
<v Speaker 1>I want to see her live so bad. It's also

1:30:56.320 --> 1:31:00.480
<v Speaker 1>this franchise, I would say, is also pretty inclusive from

1:31:00.479 --> 1:31:05.080
<v Speaker 1>a racial diversity point of view, where totally where it

1:31:05.120 --> 1:31:08.160
<v Speaker 1>doesn't cent her whiteness the way that a lot of

1:31:08.240 --> 1:31:12.680
<v Speaker 1>action movies and action franchises do, which is insane to

1:31:12.720 --> 1:31:16.520
<v Speaker 1>me because they pull from so many, like specifically Asian genres,

1:31:16.600 --> 1:31:21.559
<v Speaker 1>but are scared of casting Asian people. Right. Yeah, have

1:31:21.680 --> 1:31:25.599
<v Speaker 1>we have? We arrived at the Bechtel test portions of

1:31:25.640 --> 1:31:29.200
<v Speaker 1>No way, this damn movie passes. I'm sorry, I know

1:31:29.320 --> 1:31:33.639
<v Speaker 1>it doesn't. It does not pass, but future installments pass

1:31:33.800 --> 1:31:37.639
<v Speaker 1>maybe too, Maybe I think three does it does? Okay?

1:31:37.680 --> 1:31:41.200
<v Speaker 1>I think three passes. I would have to rewatch and

1:31:41.360 --> 1:31:44.160
<v Speaker 1>pay more attention. I was not paying attention. I want

1:31:44.160 --> 1:31:48.759
<v Speaker 1>to believe. I want to believe. Um, but one certainly

1:31:48.800 --> 1:31:51.400
<v Speaker 1>not um. I. You're hard pressed to get two women

1:31:51.360 --> 1:31:55.800
<v Speaker 1>in a room that aren't set dressing correct or or

1:31:56.400 --> 1:32:00.639
<v Speaker 1>terrified victims number three and four or exactly is being

1:32:00.640 --> 1:32:05.320
<v Speaker 1>forced to lead a vault when Keanu Ree's got that boy, Yeah,

1:32:05.360 --> 1:32:07.880
<v Speaker 1>I forgot about them. So yeah, there's a lot of

1:32:08.120 --> 1:32:14.559
<v Speaker 1>I mean, featured extras being like. But here's the thing

1:32:14.840 --> 1:32:19.599
<v Speaker 1>is that our nipple scale will really say something about

1:32:19.600 --> 1:32:23.360
<v Speaker 1>the movie, which is our scale of zero to five

1:32:23.439 --> 1:32:26.920
<v Speaker 1>nipples based on looking at the movie through an intersectional

1:32:27.040 --> 1:32:32.800
<v Speaker 1>feminist lens. I'm going to give this two and a

1:32:32.880 --> 1:32:37.719
<v Speaker 1>half nipples a split down the middle because even though

1:32:37.880 --> 1:32:41.960
<v Speaker 1>it subverts a lot of very reductive, harmful tropes when

1:32:41.960 --> 1:32:45.680
<v Speaker 1>it comes to women in action movies, it's just a

1:32:45.800 --> 1:32:51.280
<v Speaker 1>very male franchise. Still, there's no reason why more of

1:32:51.439 --> 1:33:00.160
<v Speaker 1>John Wicks allies and adversaries couldn't be womens non binary characters.

1:33:00.320 --> 1:33:04.000
<v Speaker 1>Since the franchise now has set a precedent for including

1:33:04.200 --> 1:33:11.000
<v Speaker 1>non binary actors, although again with the subsequent sequels it

1:33:11.080 --> 1:33:14.240
<v Speaker 1>is getting more inclusive when it comes to gender. But

1:33:14.400 --> 1:33:18.840
<v Speaker 1>this first movie especially is just one dead wife and

1:33:18.880 --> 1:33:23.320
<v Speaker 1>then one lady assassin and four seconds of a bartender

1:33:23.760 --> 1:33:26.840
<v Speaker 1>right right, and a pretty good you know, I like

1:33:27.400 --> 1:33:29.960
<v Speaker 1>not to undercut miss Perkins. I think that she's like

1:33:30.360 --> 1:33:33.040
<v Speaker 1>a well written character and that you get the same

1:33:33.080 --> 1:33:34.960
<v Speaker 1>amount of background for her as you would get for

1:33:35.000 --> 1:33:38.720
<v Speaker 1>any other assassin in the movie. And I agree with you,

1:33:38.840 --> 1:33:42.519
<v Speaker 1>like what Vanessa is saying earlier, of like she is

1:33:42.880 --> 1:33:46.280
<v Speaker 1>formidable enough to like warrant a ceremonial takeout, like it

1:33:46.360 --> 1:33:49.960
<v Speaker 1>takes whatever a circle full of respected assassins to take

1:33:49.960 --> 1:33:53.760
<v Speaker 1>her out. She is certainly one of them, but yeah,

1:33:53.800 --> 1:33:56.599
<v Speaker 1>she's just kind of the only the only one of them, right.

1:33:57.280 --> 1:34:01.080
<v Speaker 1>And then again, like when you compare John Wick and

1:34:01.280 --> 1:34:08.519
<v Speaker 1>his like vulnerability and his emotional forthcomingness that is present

1:34:08.560 --> 1:34:13.720
<v Speaker 1>in his character far more than your typical hyper masculine,

1:34:13.800 --> 1:34:19.879
<v Speaker 1>hyper agro male action movie hero, it's just an easier

1:34:20.320 --> 1:34:24.479
<v Speaker 1>franchise for me to get behind. Yeah, because of these

1:34:24.560 --> 1:34:28.080
<v Speaker 1>various subversions. So I'll give it two and a half,

1:34:28.120 --> 1:34:31.479
<v Speaker 1>maybe even a three. I'm biased because again, I love

1:34:31.520 --> 1:34:35.719
<v Speaker 1>the genre and I like movies enfranchises that do subvert

1:34:35.960 --> 1:34:38.839
<v Speaker 1>a lot of the harmful things that make this genre

1:34:39.600 --> 1:34:44.519
<v Speaker 1>not so easy to enjoy these days. But John Wick rules.

1:34:44.600 --> 1:34:49.479
<v Speaker 1>I love Keanu Reeves. I love all of the dogs

1:34:50.320 --> 1:34:55.439
<v Speaker 1>the dogs, so that's who I will award my three

1:34:55.560 --> 1:34:59.240
<v Speaker 1>nipples to the dogs and Keanu Reeves. I think I'm

1:34:59.280 --> 1:35:02.280
<v Speaker 1>also three nipple. I think the franchise overall is a

1:35:02.320 --> 1:35:04.400
<v Speaker 1>four nipple for me. The first movie is three nipples

1:35:04.400 --> 1:35:06.759
<v Speaker 1>and miss Perkins is doing most of the heavy lifting

1:35:07.560 --> 1:35:10.320
<v Speaker 1>taking it to the third nipple. I think it would

1:35:10.320 --> 1:35:11.920
<v Speaker 1>have been two two and a half if not for

1:35:12.000 --> 1:35:14.639
<v Speaker 1>miss Perkins, so she brings it to a three for me. Cool.

1:35:14.680 --> 1:35:18.439
<v Speaker 1>Oh yeah, I'm gonna I'm gonna be a total kill

1:35:18.560 --> 1:35:21.200
<v Speaker 1>joy and go a two on this one, only because

1:35:21.240 --> 1:35:24.439
<v Speaker 1>I really like the I think Dead Wife dot MP

1:35:24.560 --> 1:35:28.360
<v Speaker 1>four really really got me, and it happens at the

1:35:28.360 --> 1:35:31.760
<v Speaker 1>beginning and end, and I was just like, ah, even

1:35:31.800 --> 1:35:35.360
<v Speaker 1>in twenty fourteen, this is not awesome. I do. I

1:35:35.439 --> 1:35:38.720
<v Speaker 1>do like miss Perkins. Um, I totally agree with what

1:35:38.760 --> 1:35:40.679
<v Speaker 1>both of you are saying. And also I'm a little

1:35:40.680 --> 1:35:43.799
<v Speaker 1>bit biased against this Sean ref for whatever reason, because

1:35:43.800 --> 1:35:46.000
<v Speaker 1>it scares me and it's loud and it's hard for

1:35:46.040 --> 1:35:49.519
<v Speaker 1>me to pay attention. So yeah, but I love I

1:35:49.600 --> 1:35:54.120
<v Speaker 1>love Beagles, and I do love them. I think mainly

1:35:54.479 --> 1:35:57.599
<v Speaker 1>my two nipples are going for the strength of Miss

1:35:57.600 --> 1:36:00.400
<v Speaker 1>Perkins character and how she is like such a you know,

1:36:00.479 --> 1:36:03.200
<v Speaker 1>she's just an equal, which is not asking for much

1:36:03.240 --> 1:36:06.320
<v Speaker 1>and this movie does do that. And the subversions of

1:36:06.320 --> 1:36:09.320
<v Speaker 1>the john Wick character of like he's not yeah, he's

1:36:09.360 --> 1:36:12.479
<v Speaker 1>not the my wife died, but I'm ready to find

1:36:12.560 --> 1:36:17.840
<v Speaker 1>love today like kind of you know, brain breaking action

1:36:17.880 --> 1:36:20.960
<v Speaker 1>hero we're used to. So uh yeah, I'm gonna go too,

1:36:21.000 --> 1:36:23.400
<v Speaker 1>and I'm giving them both the daisy God, damn it,

1:36:24.400 --> 1:36:29.000
<v Speaker 1>you're back. Her ghost should visit him in john Wick four. Oh,

1:36:29.040 --> 1:36:32.960
<v Speaker 1>I agree. She should have like a really beautiful, like

1:36:33.720 --> 1:36:37.919
<v Speaker 1>Smoker's voice. I imagined her. I have a very buttery,

1:36:38.080 --> 1:36:40.679
<v Speaker 1>raspy voice. Oh. I'm trying to think of who would

1:36:40.760 --> 1:36:44.080
<v Speaker 1>voice her. Miley Cyrus. Oh, I was gonna say, Andy serkis,

1:36:44.360 --> 1:36:49.839
<v Speaker 1>oh my andys Miley Cyrus, Andy serkis you know same Cadence.

1:36:49.880 --> 1:36:53.120
<v Speaker 1>We'll figure it out. Yeah, yeah, yeah, but yeah, that's

1:36:53.120 --> 1:36:55.880
<v Speaker 1>our that's our john Wick episode. There it is. Vanessa,

1:36:55.960 --> 1:36:57.960
<v Speaker 1>Thank you so much for coming back. Thank you for

1:36:58.000 --> 1:37:00.880
<v Speaker 1>having me. I had a wonderful time. The five timer

1:37:00.960 --> 1:37:04.320
<v Speaker 1>jacket is in the mail. Heil yes, and come back

1:37:04.360 --> 1:37:07.240
<v Speaker 1>for a sixth time whenever you want. I am more

1:37:07.280 --> 1:37:11.240
<v Speaker 1>than happy to Where can people check out your stuff?

1:37:11.400 --> 1:37:16.320
<v Speaker 1>Follow you online? Plug away, I'm a Ness Guerrero on

1:37:16.320 --> 1:37:19.200
<v Speaker 1>Twitter and S and S Guerrow on Instagram. And then

1:37:19.240 --> 1:37:21.479
<v Speaker 1>I produced a show called ten Minute Power Hour for

1:37:21.560 --> 1:37:24.880
<v Speaker 1>the game Grumps that comes out every other Monday on

1:37:24.920 --> 1:37:28.240
<v Speaker 1>the Grums channel on YouTube. And then every other Friday,

1:37:28.400 --> 1:37:30.760
<v Speaker 1>I host a show called Popcorn and Pixels in which

1:37:30.800 --> 1:37:34.360
<v Speaker 1>we talk about storytelling across video games and movies and

1:37:34.400 --> 1:37:37.120
<v Speaker 1>how a ludo narrative storytelling device might be different from

1:37:37.120 --> 1:37:41.599
<v Speaker 1>milleniear narrative storytelling device, but how they tell similar stories together.

1:37:42.520 --> 1:37:45.439
<v Speaker 1>And I hope that with my co host Emily Jacobson,

1:37:45.560 --> 1:37:47.599
<v Speaker 1>and definitely check it out if you like video games

1:37:47.600 --> 1:37:53.120
<v Speaker 1>and movies cool hell yeah? And you can follow us

1:37:53.160 --> 1:37:56.760
<v Speaker 1>on social media at Bechtel Cast. You can go to

1:37:57.040 --> 1:38:02.599
<v Speaker 1>our Patreon aka Matreon on patreon dot com slash backtel Cast.

1:38:02.680 --> 1:38:06.280
<v Speaker 1>You get two bonus episodes every month, plus access to

1:38:06.520 --> 1:38:10.760
<v Speaker 1>the back catalog of well over one hundred bonus episodes

1:38:11.160 --> 1:38:15.519
<v Speaker 1>and that's all for five dollars sorry, five Assassin coins

1:38:15.640 --> 1:38:19.800
<v Speaker 1>per month, Mario coins, five bodies, way the gold, who knows,

1:38:20.240 --> 1:38:22.519
<v Speaker 1>and you can go. If you want merch, go to

1:38:22.600 --> 1:38:27.599
<v Speaker 1>tepublic dot com, slash v backdel cast and with that,

1:38:28.200 --> 1:38:29.920
<v Speaker 1>Oh wait, I have a good I have a really

1:38:29.960 --> 1:38:34.240
<v Speaker 1>good dismount. Okay, fine, so you do your Sorry. I

1:38:34.280 --> 1:38:37.040
<v Speaker 1>did not mean to interrupt. No, it's fine. Mine would

1:38:37.040 --> 1:38:43.879
<v Speaker 1>have sucked anyway. I was gonna say, hey, Vanessa, Hey, Jamie,

1:38:44.200 --> 1:38:47.360
<v Speaker 1>be seeing you, be seeing you, John, be seeing you.

1:38:48.720 --> 1:38:50.360
<v Speaker 1>Five five