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Speaker 1: Wake that ass up in the morning.

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Speaker 2: The Breakfast Club Morning.

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Speaker 3: Everybody's Steve j M V.

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Speaker 4: Charlamagne the guy. We are the Breakfast Club. You got

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Speaker 4: a special guest in the building, doubt de Block.

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Speaker 3: She glops kissed. Yeah, you just got back.

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Speaker 1: I don't know you had that though, Red Meat.

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Speaker 5: What happened?

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Speaker 1: Maybe?

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Speaker 2: I don't know, y'all.

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Speaker 6: Feelings every day felt great, man black woke up today,

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Speaker 6: man great.

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Speaker 7: Absolutely, y'all here celebrating twenty five years of money power respect.

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Speaker 7: The concerts y'all having at the west Chester Center, Yes,

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Speaker 7: December sixteen, sixteen.

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Speaker 3: There a Beach Square is gonna be amazing.

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Speaker 1: We're coming back home, man, That play is gonna be crazy.

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Speaker 3: Man, that's the first time I performed then.

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Speaker 1: We've done it one time before, but.

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Speaker 6: Not like this, not not ourselves. It was a rough

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Speaker 6: rider at X show. Yeah, and we came out and

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Speaker 6: did a couple.

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Speaker 1: Of straight from the Hood and just went there and

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Speaker 1: did it.

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Speaker 6: Actually, we never whole career performed, And I don't think

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Speaker 6: west Chester.

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Speaker 3: Really just damned their hometown. Yeah, pretty much. Yeah. Yeah.

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Speaker 6: Shout out to Big Joe, New Life and my brother.

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Speaker 6: We uh seen each other a few years ago. And

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Speaker 6: said we was going to make sure we did something together,

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Speaker 6: and uh, opportunity popped up, and it's uh fortunate enough

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Speaker 6: that we were able to do it. And uh, while

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Speaker 6: I'm here, please nobody called me for tickets, Go buy them.

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Speaker 3: Absolutely, he said, this is the first time.

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Speaker 4: So it was because before it would be a crisis

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Speaker 4: to the city with so many people trying to come

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Speaker 4: that and uh that.

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Speaker 6: The County Center is kind of the only place I

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Speaker 6: could say really could hold us, and that you could

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Speaker 6: really do something.

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Speaker 1: Yeah, the same thing, the County Center.

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Speaker 6: Yeah, as far as you know where we could do

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Speaker 6: a show show, County Center is probably the only place

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Speaker 6: that could hold you know, the whole of Westchester. And

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Speaker 6: you know we we we're part promoters with these beautiful

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Speaker 6: two generals this time. And you know, sometimes you don't

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Speaker 6: want to do things as an artist in certain places.

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Speaker 6: You want to make sure you tied into the business.

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Speaker 6: And like I said, we were able to speak to

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Speaker 6: Big Joe and Matteo and and we've been doing shows

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Speaker 6: with them for a long time pretty much most of

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Speaker 6: our career, especially our earlier days. So to come around

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Speaker 6: full circle, we were somewhere I forgot we was at

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Speaker 6: a concert and was like, let's let's figure it out.

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Speaker 3: Let's do some business together, like you know what I mean.

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Speaker 1: And they also said, they said, yo, y'all want you

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Speaker 1: want to get booked?

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Speaker 8: All?

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Speaker 3: They want to do this as partners, and that's that's

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Speaker 3: that was.

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Speaker 1: Being now fall get ready, y'all, Ye, let's go.

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Speaker 4: And for most people that don't know, Mateo and Joe

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Speaker 4: are legendary promoters started so many artists and and DJs

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Speaker 4: like myself when I was young growing up, and they

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Speaker 4: put them on a place in a platform where most

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Speaker 4: venue halls wouldn't give us.

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Speaker 3: So they've been doing it for yeah, yeah, of course,

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Speaker 3: the big guy very long time.

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Speaker 7: Solutely why was it important for y'all to have y'all own,

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Speaker 7: you know, fiftieth year of hip hop celebration as well

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Speaker 7: as celebrate twenty five years the money for power respect.

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Speaker 1: Let's bring it home. Let's bringing home.

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Speaker 6: They both they both fell on line with we're celebrating both.

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Speaker 6: And when you think about it.

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Speaker 3: Like you know, it really didn't hit me this until

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Speaker 3: this year.

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Speaker 6: I mean, the whole hip hop is fifty fifty is

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Speaker 6: not a big, big number, like you know what I mean?

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Speaker 6: Hip hop is a Philly I'm forty nine, just turned

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Speaker 6: forty nine the other day. So hip hop is basically

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Speaker 6: a young, strong male female whatever you want to call it.

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Speaker 3: But it's at a nice young age.

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Speaker 6: And for us to have twenty five years in and

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Speaker 6: been doing this this many years of our lives, it's,

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Speaker 6: you know, more than half of our lives.

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Speaker 3: Bro. I feel like I've been doing it forever. We

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Speaker 3: have been earlier to do this.

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Speaker 1: I got off the video game of like four in

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Speaker 1: the morning this morning, so I'm like, yo, dude, you

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Speaker 1: really got your game.

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Speaker 3: I'm a gamer. Yeah, he's a big time game.

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Speaker 2: Yeah.

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Speaker 3: Nah, I was on I was on Assassin's somewhere, the

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Speaker 3: shoot corners.

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Speaker 2: Have you figured a way to make money off of you?

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Speaker 1: Well, of course I know how.

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Speaker 3: Yeah.

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Speaker 1: I just don't be getting on too much with these

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Speaker 1: trying use a name maybe talking mad Yeah, shipped to

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Speaker 1: you man young boys?

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Speaker 3: What? Yeah?

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Speaker 6: That definitely do need a Chic Loots video game, That's

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Speaker 6: for sure. That'd be definitely.

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Speaker 7: Do you feel like the Yonkers area has been represented

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Speaker 7: properly in this fifty if year anniversary conversations?

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Speaker 1: Now we've been busy, Yeah, yeah, definitely, can't say we've been,

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Speaker 1: we've been, we've even started. We did the Grammys, remember

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Speaker 1: like the Grammys before we came out at that joint.

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Speaker 3: Oh yeah, yeah.

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Speaker 1: From the jump, we've been on it. It's all over

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Speaker 1: the place, every little it's been crazy, every little concept,

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Speaker 1: every like like festival, everything we've been on.

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Speaker 4: I was gonna ask, you know, as a group, and

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Speaker 4: I know you guys get these questions all the time,

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Speaker 4: but as a group, you guys have guys the albums

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Speaker 4: and the projects and a good material that you put out.

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Speaker 4: Y'all haven't had any internal beefs that that went public, right,

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Speaker 4: And you guys have done anything, whether it's WU Block,

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Speaker 4: whether it was solo, whether it was kissed doing his

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Speaker 4: own thing.

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Speaker 3: I haven't had any in You should really salute that more.

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Speaker 3: How do y'all do that? Because most groups would be like,

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Speaker 3: how do y'all do that? The closest groups get into

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Speaker 3: a beef for a bicker, But.

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Speaker 6: Y'all, yeah, but I can tell you that our brotherhood

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Speaker 6: comes first. I mean, that was an oath we we

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Speaker 6: made come in in the game, and we stuck by it.

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Speaker 6: Because if a lot of people you let material, material items,

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Speaker 6: money and other people being in your.

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Speaker 3: Ear, separate you.

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Speaker 6: Uh, we're brothers without this, Like you know what I'm saying,

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Speaker 6: shut the industry down today is no more music, no Instagram,

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Speaker 6: no record sales or nothing.

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Speaker 3: It's still going to be the the same brotherhood between us.

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Speaker 3: You know, you really love each other.

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Speaker 2: That's you know what I saying.

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Speaker 1: Like Joe and Mateo, they've been on a group text

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Speaker 1: with a recently, right, And I know y'all see the

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Speaker 1: difference between us and anybody as far as like like

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Speaker 1: we talk to each other in the morning, like, Yo,

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Speaker 1: what you're doing. You're gonna hit the trail, You're gonna

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Speaker 1: do this, You're gonna what you're doing?

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Speaker 3: How you working out? All yo?

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Speaker 1: Kids said in Feeling, Well, Beauty's a telling him like Yo,

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Speaker 1: eat this, do this and that, Like it's I guarantee

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Speaker 1: these other people ain't talking like that with each other.

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Speaker 1: No interest in even like how you feel, you know.

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Speaker 4: Even when it comes to music, right like this song

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Speaker 4: is but there's only been two members on this song.

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Speaker 4: Isn't only been one member on and nobody's ever got

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Speaker 4: an attitude of felt the way?

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Speaker 3: Or is it just.

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Speaker 1: I'm happy with my brothers and you win?

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Speaker 6: If he win, I win, Like if you, if you

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Speaker 6: keep that mentality, if Kiss win, me and him and win,

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Speaker 6: whoever wins, it's a win for the whole team. Like, yeah,

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Speaker 6: when we get on a song, we aim to bust

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Speaker 6: each other's ass. I'll never I never ever want you

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Speaker 6: to immediately go chic or kiss had a better verse

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Speaker 6: toy never morning.

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Speaker 3: But when it happens, I'm happy and I accept it

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Speaker 3: and it is what it is, and it's like, all right,

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Speaker 3: we'll be in the studio. I'd be like you got

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Speaker 3: that one, I see you on the next record. I

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Speaker 3: think that's I think you have to have a healthy

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Speaker 3: line of communication and and be gold oriented.

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Speaker 6: Then you have to remember when you was broke together,

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Speaker 6: Like we come from busting down the Chinese plate. We

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Speaker 6: have yeah, get the cutter man, cut that three ways

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Speaker 6: dog like you know what I mean. So when you

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Speaker 6: when you're used to that, and the win's a win.

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Speaker 6: So we all win when one win.

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Speaker 7: Even when y'all talk about missing songs, right like she

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Speaker 7: you don't ever feel the way even when Benjamin's come

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Speaker 7: on now, because that feels the way when Benjamin's come

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Speaker 7: you not on?

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Speaker 1: Yeah you in the video though, now a bunch of

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Speaker 1: them stories talking about I didn't show up to I

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Speaker 1: wasn't knowing that that song him and Mariah and all that.

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Speaker 1: I'm on Benjamins though, yeah, you.

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Speaker 3: On Benjamin NA.

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Speaker 6: Anyway, I'm gonna do it. I'm gonna do his hypes.

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Speaker 6: I'm gonna do the ad limbs and we in the

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Speaker 6: same bag. We're gonna we're gonna get the same bag.

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Speaker 6: We're gonna bust it down.

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Speaker 3: Diddy. Yeah, I ain't making I ain't make it.

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Speaker 1: That's not how it happened.

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Speaker 2: Yeah, well, yeah, it make Diddy's on it.

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Speaker 3: I'm not kiss rolle Diddy's verse.

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Speaker 1: Miss put the whole song together.

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Speaker 2: I told you.

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Speaker 1: I was like, man, yes, he put the whole song together,

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Speaker 1: she said she. We came in Puff was playing the track.

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Speaker 1: We didn't think. We didn't really want the track. Missy said, Yo,

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Speaker 1: let me hear you spit to that strictly trying to compose.

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Speaker 1: It wasn't for that. Anybody just wrapped in all. Miss

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Speaker 1: was like, Yo, we're gonna, we're gonna do you on

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Speaker 1: this joint. You gonna do that, and then you're gonna

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Speaker 1: write Puff's verse. And that's how it went. And then

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Speaker 1: like I don't know what styles like how it went

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Speaker 1: well right right then?

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Speaker 3: And there? Did you write it real? Yeah?

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Speaker 5: He did.

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Speaker 3: I can't remember what it was.

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Speaker 1: Missy told you not Missy put the old joint.

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Speaker 3: I love.

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Speaker 1: She was playing a video Thompson's my that he.

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Speaker 2: Moves and I'm like, who is this person?

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Speaker 1: She beat boxing and all that? Missie? I love you

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Speaker 1: look great right now? But yeah, that's how it happened.

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Speaker 3: He was like, who is this?

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Speaker 1: Like we didn't even know her?

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Speaker 3: If I didn't, really it was crazy. I didn't know

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Speaker 3: it was. I didn't like the beat, ye, none of us.

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Speaker 3: I didn't. I really didn't like the beat like at

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Speaker 3: the time, like you know what I mean?

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Speaker 1: And it was either a hundred remixes had funs bubble

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Speaker 1: on him member the rock Room from Styles.

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Speaker 4: I'm mad about the Benjamins it if I'm chic, I'm

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Speaker 4: mad about We're gonna make it.

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Speaker 1: We're gonna make it work.

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Speaker 3: You remember were gonna make it?

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Speaker 1: I went they was in the hood. They was in

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Speaker 1: Rough Riders studio. I walked in, like what you're doing?

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Speaker 2: Beat was playing.

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Speaker 1: They come in and I'm like, oh man, all right,

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Speaker 1: trying to catch up, like yo, I think he's gonna say,

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Speaker 1: like Maria or something like that. Now we're gonna make

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Speaker 1: it right, all right, cool.

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Speaker 2: Cool, we don't want to be on it.

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Speaker 1: Hell, y'all would have they would have invited me. I

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Speaker 1: went there because inviting him that I was probably in

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Speaker 1: the hood whatever, and then I came to the studio.

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Speaker 6: It's just like Kiss is social, he's anti social, and

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Speaker 6: I'm the one in between.

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Speaker 3: Okay, so Lucia have if it's a lot of people

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Speaker 3: and a lot of like people.

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Speaker 6: He don't want to be around, like you know what

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Speaker 6: I mean? So the studio some days he'll come out

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Speaker 6: of there, depending that the rough who was there, like

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Speaker 6: you know what I mean? Like everything happens for a reason,

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Speaker 6: because we wouldn't have d block studios if it wasn't

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Speaker 6: for like he was the one with the vision.

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Speaker 3: Let's get our own place, let's get it.

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Speaker 6: Let's so we could always rock and have a certain

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Speaker 6: feeling and a certain environment and control of it. And

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Speaker 6: I have to pay for hourly rates somebody else. So

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Speaker 6: that's pretty much how what what I forgot?

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Speaker 3: What album? What? What album is we gonna make it on?

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Speaker 3: That's a good damn question. Kiss album? I think it's

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Speaker 3: a kiss to me.

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Speaker 7: Then, Yeah, you don't want to ask you about a

253
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Speaker 7: couple of DMX records too, because you won't get at me.

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Speaker 2: Dog.

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Speaker 3: You remember when y'all recorded.

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Speaker 1: That, Yeah, I can't well X wasn't in the studio

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Speaker 1: right there when your niggas want to be killers, get

258
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Speaker 1: at I went down and they called me, called me,

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Speaker 1: say yo, I need you come write this hook. And

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Speaker 1: I went down and wrote the hook? Did it got

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Speaker 1: in the booth? Because I heard said before like yo,

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Speaker 1: nah he wrote the hook? Or like then I heard

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Speaker 1: DC he wrote the hook? Listenad Man, But yeah, this

264
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Speaker 1: was my papers.

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Speaker 2: Who you get the publishing?

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Speaker 1: I wrote that hook man. Absolutely, niggas want to be killers,

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Speaker 1: get at me?

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Speaker 2: Dog?

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Speaker 8: All that?

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Speaker 1: Oh, your niggas want the rail?

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Speaker 3: Yeah? And Styles you was on used to be my dog.

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Speaker 3: He was in my left tad.

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Speaker 7: Yeah, but you weren't credited on the album. If I

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Speaker 7: don't remember you, I don't remember your name being on

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Speaker 7: the alt.

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Speaker 1: We barely even looked at credits back then. That's the

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Speaker 1: crazy guy.

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Speaker 7: Wow, you didn't say feature in Styles at least.

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Speaker 3: At the time, it didn't. It's kisses on there too, right, No,

280
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Speaker 3: It's just just excellent. Kisses on the hook, kisses on

281
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Speaker 3: itss this is before that? What you doing? No kids?

282
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Speaker 3: Did I think I may be on it with him?

283
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Speaker 3: Be my dog? He was?

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Speaker 1: Know you got a verset verse verse, but don't they features?

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Speaker 2: Yeah?

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Speaker 3: I love you too, John Joh. Yeah, the song was

287
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Speaker 3: about Joe. Was it You didn't know that?

288
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Speaker 1: God?

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Speaker 3: Yes it was.

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Speaker 1: What was it kidding if you know that? No, No, Job,

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Speaker 1: I don't think.

292
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Speaker 3: John know that.

293
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Speaker 2: Yes he do. Wow, got kidding me making me feel

294
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Speaker 2: like I'm into me?

295
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Speaker 3: Yes, it was wow.

296
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Speaker 1: What was that about action joh having beef?

297
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Speaker 2: There was dogs? It was job.

298
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Speaker 1: Let me get in this joint real quick. Let me

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Speaker 1: throw some dogs.

300
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Speaker 3: You just jumped on the you my man got beef.

301
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Speaker 3: I got beef. That's how.

302
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Speaker 1: Yeah, that's how.

303
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Speaker 6: The most time I say, that's how it is, man,

304
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Speaker 6: He's in and I'm in it with him.

305
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Speaker 3: That's what That's That's how we're gonnae of it up.

306
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Speaker 1: That's funny at breaking news.

307
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Speaker 2: When you do these, I ain't breaking news.

308
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Speaker 3: Ain't nobody know that? Ship man? Definitely to know that,

309
00:13:08,040 --> 00:13:10,360
Speaker 3: you had to know that. You listen to listen to

310
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Speaker 3: the listen to the lyrics. Go back and listen, Damn listen.

311
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Speaker 7: When y'all do shows like the twenty five year show,

312
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Speaker 7: is it bittersweet because so many of your people are here.

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Speaker 2: Pivotal moments.

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Speaker 1: Well, you mean like X X going big like stuff

315
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Speaker 1: like that. Yeah, certain people, but not everybody.

316
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Speaker 8: Like that.

317
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Speaker 6: Pretty much every show we wrap X and Big anyway,

318
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Speaker 6: you know what I mean, we make sure to do that.

319
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Speaker 6: And when we go do a show, we go out

320
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Speaker 6: and have a good time. We're going to give a

321
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Speaker 6: good time. We're going to give a good time for

322
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Speaker 6: the crowd and just in general, not the shows though,

323
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Speaker 6: but in general. Sometimes you sit and you know, you

324
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Speaker 6: you definitely wish those folks were still around, Like, uh

325
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Speaker 6: not a lot of mcs could get the save they've

326
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Speaker 6: been around directly around Big and directly around X.

327
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Speaker 1: Big Big passs like it was. It was incredible, like crazy,

328
00:14:14,559 --> 00:14:16,280
Speaker 1: But like with X with me, it's more like I

329
00:14:16,360 --> 00:14:18,880
Speaker 1: can't believe that he ain't here. The difference like that,

330
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Speaker 1: I can't believe X in here, you.

331
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Speaker 3: Know, Yeah, Like you know, we're from the same town.

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Speaker 6: Big was our big brother industry wise, Uh, X is

333
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Speaker 6: the reason we were on in the first place. So

334
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Speaker 6: that's what makes you know X so much in our heart.

335
00:14:34,760 --> 00:14:38,360
Speaker 6: Like he he was connected with rough riders first. Uh

336
00:14:38,800 --> 00:14:41,680
Speaker 6: he brought rough riders to us, us, the rough riders whatever.

337
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Speaker 3: However you want to say. Then we ended up getting

338
00:14:44,920 --> 00:14:45,400
Speaker 3: on first.

339
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Speaker 6: And X never showed a bit of bitterness, never showed

340
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Speaker 6: any uh no pun intended.

341
00:14:52,360 --> 00:14:55,360
Speaker 3: But he never showed envy. He never showed any sort

342
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Speaker 3: of ill feelings.

343
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Speaker 6: He was happy for us, and he had the confidence

344
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Speaker 6: and what presence known what he could do, like you

345
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Speaker 6: know what I mean. And then as you see when

346
00:15:04,920 --> 00:15:07,520
Speaker 6: he got in the industry, kicked the door all the

347
00:15:07,560 --> 00:15:10,760
Speaker 6: way down, his addums and all of that stuff. So

348
00:15:12,000 --> 00:15:16,720
Speaker 6: and especially the things he did, you know, ship we

349
00:15:16,840 --> 00:15:20,720
Speaker 6: went from beatboxing and banging on mailboxes and having that

350
00:15:20,840 --> 00:15:21,880
Speaker 6: same passion.

351
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Speaker 3: Of sort of make it, you know, make it. It's

352
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Speaker 3: a whole other thing. So yeah, like it was. It

353
00:15:28,280 --> 00:15:30,640
Speaker 3: was crazy to when when he went I.

354
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Speaker 6: Actually got the actually called his ex wife when it happened,

355
00:15:35,360 --> 00:15:37,800
Speaker 6: because the police officer I knew was on the scene

356
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Speaker 6: and he.

357
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Speaker 3: Gave me a call because I was the only one,

358
00:15:40,120 --> 00:15:42,520
Speaker 3: remember that night, I was only full number. Yeah, so

359
00:15:42,800 --> 00:15:44,400
Speaker 3: I probably was like one of.

360
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Speaker 6: The first people to know and had to reach out

361
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Speaker 6: to other people. So it was kind of a very

362
00:15:50,120 --> 00:15:51,720
Speaker 6: shocking moment to say the least.

363
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Speaker 3: I want that to ask, you know.

364
00:15:53,960 --> 00:15:57,880
Speaker 4: I was having this argument in conversation Biggie as a lyricist.

365
00:15:58,560 --> 00:16:00,720
Speaker 4: Where do you rank Biggie as is as far as

366
00:16:00,760 --> 00:16:03,800
Speaker 4: all these mcs? Because the best, That's what I said.

367
00:16:04,200 --> 00:16:06,280
Speaker 3: I think a lot of people don't see it because

368
00:16:06,600 --> 00:16:07,640
Speaker 3: they don't hear it as much.

369
00:16:07,720 --> 00:16:11,880
Speaker 6: But it's a simple answer why he's the best, And

370
00:16:11,960 --> 00:16:17,240
Speaker 6: there's a lot of great lyricists across the world. I

371
00:16:17,320 --> 00:16:21,120
Speaker 6: feel he had the most different categories and styles he

372
00:16:21,160 --> 00:16:23,800
Speaker 6: could fit under. So he could rap gangster, he can

373
00:16:23,880 --> 00:16:26,520
Speaker 6: give you a bones, dug joint, he can give you

374
00:16:26,600 --> 00:16:30,280
Speaker 6: something for the ladies, give you some yardy. He just

375
00:16:30,360 --> 00:16:33,480
Speaker 6: had a lot of different categories. Storytelling, storyteller. I think

376
00:16:33,520 --> 00:16:36,600
Speaker 6: most great mcs are like great at two things, maybe

377
00:16:36,680 --> 00:16:38,000
Speaker 6: three things maximum.

378
00:16:38,720 --> 00:16:41,040
Speaker 3: I think he was very well rounded with his.

379
00:16:42,640 --> 00:16:47,160
Speaker 6: His ability to catch different pockets, styles, his wordplay, and

380
00:16:47,400 --> 00:16:53,480
Speaker 6: just his his flamboyance. But he had intricate details. When

381
00:16:53,520 --> 00:16:55,880
Speaker 6: he says something, you know what I mean. So I

382
00:16:56,240 --> 00:16:57,160
Speaker 6: put him for me.

383
00:16:57,240 --> 00:16:58,960
Speaker 3: He's always my number one.

384
00:17:00,040 --> 00:17:01,560
Speaker 1: You just not have like a lot of music. You

385
00:17:01,600 --> 00:17:03,520
Speaker 1: didn't have a lot of music. That's probably wise. Any

386
00:17:03,600 --> 00:17:06,560
Speaker 1: kind of debate on he had what three albums? Yeah,

387
00:17:06,920 --> 00:17:09,120
Speaker 1: but these guys got catalogs nowadays.

388
00:17:09,200 --> 00:17:12,280
Speaker 7: Man, you know, you know, twenty five years of money

389
00:17:12,280 --> 00:17:14,240
Speaker 7: Power respect. I don't know why, but in my mind,

390
00:17:14,359 --> 00:17:16,879
Speaker 7: I felt like as a consumer, we always felt like

391
00:17:16,920 --> 00:17:18,120
Speaker 7: y'all didn't like that album.

392
00:17:18,480 --> 00:17:20,400
Speaker 1: Especially when you started the whole money Power.

393
00:17:20,680 --> 00:17:20,840
Speaker 3: Yeah.

394
00:17:21,000 --> 00:17:23,240
Speaker 1: I always felt like y'all were I love that album.

395
00:17:23,560 --> 00:17:25,119
Speaker 3: Okay, I love the album.

396
00:17:25,240 --> 00:17:27,440
Speaker 6: I didn't like that we didn't have the control we

397
00:17:27,560 --> 00:17:32,879
Speaker 6: wanted and just being in the situation, Uh, we came in.

398
00:17:33,000 --> 00:17:35,840
Speaker 1: We had to listen to like What's Hot in Houston,

399
00:17:35,880 --> 00:17:37,879
Speaker 1: What's hot in in Detroit? And this, and that you

400
00:17:37,920 --> 00:17:39,840
Speaker 1: gotta make a song like this and that. We we

401
00:17:39,960 --> 00:17:41,639
Speaker 1: had no plans on rapping like that, you know what

402
00:17:41,680 --> 00:17:43,760
Speaker 1: I mean? But you know you're like, yo, listen, playboy,

403
00:17:44,240 --> 00:17:46,080
Speaker 1: you gotta do this over here, and then this song

404
00:17:46,200 --> 00:17:47,880
Speaker 1: is gonna pop over here. We're like, all right, cool,

405
00:17:48,200 --> 00:17:49,720
Speaker 1: you know that's the direction we was going.

406
00:17:49,800 --> 00:17:51,520
Speaker 7: But I guess because y'all, y'all shitted on the Shiny

407
00:17:51,560 --> 00:17:52,480
Speaker 7: Shoot era so much.

408
00:17:52,840 --> 00:17:55,720
Speaker 3: Yeah, people, Yeah, I felt like we had to be strategic.

409
00:17:57,160 --> 00:17:58,920
Speaker 1: Yeah, we had to be strategic.

410
00:17:59,160 --> 00:18:02,160
Speaker 6: And if you go to war with somebody, you gotta

411
00:18:02,240 --> 00:18:05,800
Speaker 6: really especially if somebody with more money than you, you

412
00:18:05,920 --> 00:18:08,920
Speaker 6: have to kind of sit back, think and evaluate ways

413
00:18:09,000 --> 00:18:13,040
Speaker 6: to strategically make your point of views and make people

414
00:18:13,119 --> 00:18:13,960
Speaker 6: want to ride with you.

415
00:18:14,640 --> 00:18:17,760
Speaker 3: So, you know, people, you got to think. At the time,

416
00:18:17,840 --> 00:18:19,200
Speaker 3: before we put out our first.

417
00:18:19,080 --> 00:18:21,119
Speaker 6: Album, we did a lot of mixtape ship, so a

418
00:18:21,200 --> 00:18:23,160
Speaker 6: lot of people came from that's where we came from.

419
00:18:23,240 --> 00:18:26,480
Speaker 6: You a lot of people were used to us digging

420
00:18:26,520 --> 00:18:28,680
Speaker 6: in a certain way, so the mixtape wasn't the same

421
00:18:28,760 --> 00:18:30,760
Speaker 6: thing as what you were getting there. So it's like

422
00:18:31,080 --> 00:18:37,159
Speaker 6: when we flip, we need a few strategies to be

423
00:18:37,280 --> 00:18:39,159
Speaker 6: able to take this war on.

424
00:18:39,640 --> 00:18:41,480
Speaker 3: How hard was one of it? How hard was it

425
00:18:42,119 --> 00:18:43,800
Speaker 3: you guys to do Jiggy right? So I want you

426
00:18:43,840 --> 00:18:44,440
Speaker 3: to break it down.

427
00:18:44,520 --> 00:18:47,040
Speaker 4: So at the time, of course, your bodied, every mixtape,

428
00:18:47,119 --> 00:18:50,920
Speaker 4: your body in, every feature band from TV, you name it.

429
00:18:51,680 --> 00:18:54,080
Speaker 6: And when Puff puts on, if you think about on

430
00:18:54,160 --> 00:18:59,080
Speaker 6: jig that wasn't one of the producers in there, Like

431
00:18:59,400 --> 00:19:02,920
Speaker 6: I think people and do it definitely did.

432
00:19:02,800 --> 00:19:08,880
Speaker 3: The on on the on the track, did the remix?

433
00:19:09,280 --> 00:19:09,919
Speaker 3: It was a remix.

434
00:19:14,080 --> 00:19:16,280
Speaker 6: I can't remember who it is, but we weren't. We

435
00:19:16,400 --> 00:19:19,040
Speaker 6: weren't against the idea. I can tell you that straight

436
00:19:19,320 --> 00:19:23,000
Speaker 6: straight up, because we liked the Rod Stewart's song that

437
00:19:23,160 --> 00:19:26,240
Speaker 6: it originated from, so we was with it.

438
00:19:26,320 --> 00:19:35,400
Speaker 9: It really, uh, it was too much like it's It's

439
00:19:35,400 --> 00:19:36,720
Speaker 9: probably one I wanted to get over with.

440
00:19:37,680 --> 00:19:39,840
Speaker 1: And then the video like a bunch of the dances

441
00:19:39,880 --> 00:19:43,000
Speaker 1: and stuff. It was just a little and all that.

442
00:19:43,080 --> 00:19:48,119
Speaker 1: What was that, right, wasn't it was?

443
00:19:53,359 --> 00:19:56,600
Speaker 3: I didn't like the leather, I remember that. I didn't

444
00:19:56,640 --> 00:19:59,120
Speaker 3: like the I didn't like the wardrobe. But make the song.

445
00:19:59,240 --> 00:20:01,440
Speaker 1: I wasn't put a in a different tax bracket. It

446
00:20:01,520 --> 00:20:04,320
Speaker 1: did well, but you know, you don't get.

447
00:20:04,200 --> 00:20:05,960
Speaker 6: To the you know, if you if you it's like

448
00:20:06,040 --> 00:20:09,919
Speaker 6: playing street ball. It didn't go in to the Chicago bulls.

449
00:20:10,640 --> 00:20:12,840
Speaker 6: You gotta listen to what the coaching them is saying.

450
00:20:13,720 --> 00:20:16,680
Speaker 6: See what the see what the formula is. But you know,

451
00:20:17,440 --> 00:20:19,359
Speaker 6: I love money power respect, To be honest with you,

452
00:20:20,119 --> 00:20:22,480
Speaker 6: I love that album and the reason I love it

453
00:20:22,600 --> 00:20:28,000
Speaker 6: because that term still sticks up until today. Absolutely, there's

454
00:20:28,040 --> 00:20:31,400
Speaker 6: plenty of young artists who you know, money power respect,

455
00:20:31,640 --> 00:20:33,040
Speaker 6: like you you kind of model.

456
00:20:33,200 --> 00:20:35,320
Speaker 3: Yeah, they a lot of people live off that model,

457
00:20:35,400 --> 00:20:38,440
Speaker 3: so it was it was worthwhile it was Biggie around

458
00:20:38,480 --> 00:20:40,280
Speaker 3: for any of the making of that of money power respect.

459
00:20:41,600 --> 00:20:43,760
Speaker 3: I don't remember. I don't think so. I want to

460
00:20:43,760 --> 00:20:47,359
Speaker 3: say no, I don't think so. I don't know.

461
00:20:48,480 --> 00:20:51,399
Speaker 7: Do you think you think the trajectory of being on

462
00:20:51,600 --> 00:20:53,680
Speaker 7: Bad Boy would have been different if Biggie.

463
00:20:53,480 --> 00:20:58,280
Speaker 6: Was still absolutely thousand, absolutely a thousand percent because we

464
00:20:58,400 --> 00:21:00,800
Speaker 6: had a or again in connection.

465
00:21:01,440 --> 00:21:03,080
Speaker 3: We had a very organic connection.

466
00:21:03,400 --> 00:21:03,480
Speaker 7: Uh.

467
00:21:04,560 --> 00:21:07,360
Speaker 6: Big was a beautiful soul like he was a very classy,

468
00:21:08,160 --> 00:21:11,399
Speaker 6: charismatic dude because he didn't have to embrace us.

469
00:21:11,960 --> 00:21:14,080
Speaker 3: That's the first, Like, we're from Yonkers, New York.

470
00:21:14,840 --> 00:21:17,520
Speaker 6: So the minute he heard us rom I'll never forget,

471
00:21:17,640 --> 00:21:21,240
Speaker 6: he was like, y'all mother as us Ron Bron, I'm

472
00:21:21,320 --> 00:21:22,080
Speaker 6: glad y'all here.

473
00:21:22,200 --> 00:21:24,840
Speaker 3: And to hear somebody that achieved.

474
00:21:24,400 --> 00:21:28,200
Speaker 6: That much success say that to people he didn't know.

475
00:21:28,920 --> 00:21:31,080
Speaker 6: And then we just kind of like, you know, uh,

476
00:21:32,160 --> 00:21:34,160
Speaker 6: we bring out weed, we bring what we drink.

477
00:21:34,440 --> 00:21:36,680
Speaker 3: He was a boss up there too. Yeah, he was clear.

478
00:21:36,920 --> 00:21:39,479
Speaker 1: He used to tell Puff like yo, like, but yo

479
00:21:39,760 --> 00:21:42,280
Speaker 1: not Puff. That ain't them. Nah, they gotta do this, Nah,

480
00:21:42,320 --> 00:21:44,119
Speaker 1: they gotta have them stay over here or nah, like

481
00:21:44,200 --> 00:21:46,760
Speaker 1: you know, he was like controlling even say something to

482
00:21:46,760 --> 00:21:47,960
Speaker 1: puff he was saying he was he.

483
00:21:48,040 --> 00:21:49,719
Speaker 3: Was like that he had a best interest.

484
00:21:50,000 --> 00:21:52,159
Speaker 1: He could have went either way. Say we did you

485
00:21:52,240 --> 00:21:54,800
Speaker 1: know he had a label, you know, like.

486
00:21:54,840 --> 00:21:56,960
Speaker 3: Say were in a little midi room and he's in

487
00:21:57,040 --> 00:21:57,600
Speaker 3: the big room.

488
00:21:58,080 --> 00:22:01,600
Speaker 6: He said, come on, come over here, man, molk drinks

489
00:22:01,680 --> 00:22:02,960
Speaker 6: light up, let's get right and.

490
00:22:03,119 --> 00:22:05,440
Speaker 3: You know so it was cool even for him to

491
00:22:05,480 --> 00:22:09,960
Speaker 3: request us on his second you know it's day.

492
00:22:10,040 --> 00:22:12,320
Speaker 1: Yeah, that was hold up to like a club. We

493
00:22:12,440 --> 00:22:15,240
Speaker 1: had a show something and play this our lyrics when

494
00:22:15,280 --> 00:22:17,760
Speaker 1: the song was done. That's hard right outside.

495
00:22:17,800 --> 00:22:19,240
Speaker 7: So if he was a live money per respect, was

496
00:22:19,280 --> 00:22:21,679
Speaker 7: sound like a whole different I would I would assume.

497
00:22:21,760 --> 00:22:25,280
Speaker 7: So I definitely would assume. So that since it's the

498
00:22:25,320 --> 00:22:28,160
Speaker 7: holiday season, styles, how did you get the name holiday style?

499
00:22:29,280 --> 00:22:29,440
Speaker 1: Oh?

500
00:22:29,960 --> 00:22:33,840
Speaker 3: I was born on a Thanksgiving? Okay, then I used

501
00:22:33,880 --> 00:22:39,720
Speaker 3: to be you know, a little stupid, so it kind

502
00:22:39,760 --> 00:22:43,639
Speaker 3: of reminded people of Doc College holiday. Oh okay, so

503
00:22:43,760 --> 00:22:49,840
Speaker 3: that bed uh born on Thanksgiving and uh a cowboy?

504
00:22:50,000 --> 00:22:51,840
Speaker 3: So to say, got you wild cowboy?

505
00:22:54,119 --> 00:22:57,359
Speaker 4: I was gonna ask, you know what everybody given parts

506
00:22:57,440 --> 00:23:01,439
Speaker 4: of areas around New York so much flak, right, they

507
00:23:01,520 --> 00:23:04,000
Speaker 4: always talk about the five Boroughs. For people that's in

508
00:23:04,040 --> 00:23:05,040
Speaker 4: Long Island, it's difficult.

509
00:23:05,080 --> 00:23:05,520
Speaker 3: For people in.

510
00:23:05,600 --> 00:23:08,760
Speaker 4: Jersey it's difficult, But for Yonkers it's never difficult. It

511
00:23:08,880 --> 00:23:11,480
Speaker 4: just seems why do you think that is which you

512
00:23:11,520 --> 00:23:14,600
Speaker 4: mean difficult? Like like for instance, like you look at

513
00:23:16,960 --> 00:23:19,600
Speaker 4: an artist from Long Island on artists from upstate New York,

514
00:23:19,920 --> 00:23:21,160
Speaker 4: they're not considered New York.

515
00:23:21,760 --> 00:23:24,840
Speaker 3: But nobody ever said that about y'all because people always

516
00:23:24,880 --> 00:23:26,520
Speaker 3: confuse us to be from somewhere else.

517
00:23:26,560 --> 00:23:28,320
Speaker 6: So it was more so like y'all ain't from Brooklyn

518
00:23:28,400 --> 00:23:31,800
Speaker 6: or the Bronx. And you know, I think it's your attitude.

519
00:23:32,000 --> 00:23:36,920
Speaker 6: And shout out to our sister Mary Blache, you know

520
00:23:37,080 --> 00:23:38,720
Speaker 6: she kicked in the door for yon because I think

521
00:23:38,760 --> 00:23:41,360
Speaker 6: that kind of let people know how soulful we were

522
00:23:41,880 --> 00:23:43,840
Speaker 6: and what was going on. And then I think it's

523
00:23:43,920 --> 00:23:46,680
Speaker 6: just the attitudes of the artists who's made it big

524
00:23:46,800 --> 00:23:49,239
Speaker 6: from there, which there's a lot of big artists from

525
00:23:49,320 --> 00:23:55,440
Speaker 6: Yonkers too, besides us. I believe Gauga's from Yonkers, elfhis

526
00:23:55,480 --> 00:24:00,919
Speaker 6: Gerald's from Yonkers. One of the arrow Smith lead leads

527
00:24:01,119 --> 00:24:04,040
Speaker 6: from Yonkers. But I think just being from the place

528
00:24:04,160 --> 00:24:07,440
Speaker 6: gives you a certain sort of grit and like if

529
00:24:09,119 --> 00:24:14,280
Speaker 6: this is the Bronx across the street, that's really Mount

530
00:24:14,359 --> 00:24:16,840
Speaker 6: Vernon's right there. But I think I think it's just

531
00:24:16,960 --> 00:24:19,600
Speaker 6: our grittiness. I would say, our grittiness.

532
00:24:21,320 --> 00:24:22,239
Speaker 3: And all them.

533
00:24:22,320 --> 00:24:24,159
Speaker 6: And we did a lot of stupid things early in

534
00:24:24,240 --> 00:24:27,400
Speaker 6: our career. You remember, many people kind of didn't matter.

535
00:24:27,440 --> 00:24:33,200
Speaker 6: We all was from yeah, yeah, respect what we was doing.

536
00:24:33,359 --> 00:24:35,440
Speaker 6: Like I was gonna ask that we didn't come. We

537
00:24:35,480 --> 00:24:38,639
Speaker 6: didn't come soft hearted and tender footed anywhere.

538
00:24:38,880 --> 00:24:41,160
Speaker 2: You make me nervous.

539
00:24:41,200 --> 00:24:43,440
Speaker 4: Sometimes when I read your stories, I'd be like, oh boy,

540
00:24:43,440 --> 00:24:46,040
Speaker 4: where you go? Because sometimes people pitch you off styles

541
00:24:46,080 --> 00:24:46,400
Speaker 4: and I'm.

542
00:24:46,320 --> 00:24:48,560
Speaker 3: Like, oh boy, please, no boy, you said that, you

543
00:24:48,680 --> 00:24:52,000
Speaker 3: make that sound like that up the date the old me.

544
00:24:52,680 --> 00:24:57,200
Speaker 3: That's a couple of months ago. I chill I chill out.

545
00:24:58,000 --> 00:25:00,520
Speaker 7: You know, how did you feel about Fat Joe saying

546
00:25:00,600 --> 00:25:02,920
Speaker 7: he lied in about ninety five percent of his songs.

547
00:25:04,680 --> 00:25:06,600
Speaker 1: I ain't mad at you, ain't mad at him.

548
00:25:07,160 --> 00:25:07,520
Speaker 3: What it is?

549
00:25:07,640 --> 00:25:12,280
Speaker 1: I mean, listen, like you said, it is entertainment. You know,

550
00:25:12,600 --> 00:25:14,520
Speaker 1: I didn't hear the whole thing he said like you said.

551
00:25:14,560 --> 00:25:16,720
Speaker 1: He also said they don't come at the narrow and

552
00:25:16,840 --> 00:25:18,680
Speaker 1: and you know all these people in their movies like that.

553
00:25:18,840 --> 00:25:20,240
Speaker 1: So I get it, and it shouldn't be all the

554
00:25:20,280 --> 00:25:22,680
Speaker 1: lyrics should not be used in court and all that,

555
00:25:22,680 --> 00:25:25,560
Speaker 1: because we all entertained. We all like making stuff up

556
00:25:25,600 --> 00:25:27,960
Speaker 1: here and there. You know, especially as you get older,

557
00:25:27,960 --> 00:25:30,040
Speaker 1: it's like, come on, man, I ain't killed R.

558
00:25:30,680 --> 00:25:34,720
Speaker 3: R and B singers is lying in ninety Absolutely country

559
00:25:34,760 --> 00:25:37,200
Speaker 3: singers a line. Country may be harder than rap.

560
00:25:37,280 --> 00:25:40,600
Speaker 1: You ever listen to country music, So we gotta be

561
00:25:41,400 --> 00:25:44,600
Speaker 1: were getting creative, like he said, we getting creative. No,

562
00:25:45,240 --> 00:25:47,240
Speaker 1: it ain't creative right Yo, this is fire.

563
00:25:47,359 --> 00:25:53,200
Speaker 7: Jackson five got one of the greatest Christmas album that's crazy.

564
00:25:53,240 --> 00:25:54,159
Speaker 2: I don't have a problem with it.

565
00:25:54,560 --> 00:25:59,520
Speaker 3: I think the problem is with anything that's cultural in black.

566
00:25:59,359 --> 00:26:01,960
Speaker 6: Up brown, where it's created with that, we get put

567
00:26:02,040 --> 00:26:04,960
Speaker 6: on a pedal stool different than the whole world, and

568
00:26:05,119 --> 00:26:08,240
Speaker 6: it's like its own set of rules, which is really

569
00:26:08,440 --> 00:26:09,320
Speaker 6: sort of unfair.

570
00:26:09,720 --> 00:26:10,760
Speaker 3: Like you know what I mean.

571
00:26:10,880 --> 00:26:13,120
Speaker 6: It is a fine line you have to walk being

572
00:26:13,160 --> 00:26:15,160
Speaker 6: an artist, but you are, at the end of the day,

573
00:26:15,359 --> 00:26:16,200
Speaker 6: an artist.

574
00:26:17,320 --> 00:26:20,359
Speaker 3: Like I think people seem to seem to forget that.

575
00:26:20,520 --> 00:26:22,760
Speaker 6: But I think with all of the things that happens

576
00:26:22,840 --> 00:26:27,119
Speaker 6: in the black and brown communities that people tend to

577
00:26:27,160 --> 00:26:29,040
Speaker 6: put you on a pedal stool that they want you on,

578
00:26:29,359 --> 00:26:30,800
Speaker 6: and then when you don't live up to it, that

579
00:26:30,960 --> 00:26:32,080
Speaker 6: kind of upsets them.

580
00:26:32,920 --> 00:26:35,960
Speaker 3: But it is what it is like, and people have

581
00:26:36,040 --> 00:26:40,080
Speaker 3: to start plain honest is. Artists are human beings, like

582
00:26:40,160 --> 00:26:41,200
Speaker 3: I think people think.

583
00:26:42,119 --> 00:26:42,440
Speaker 2: Through all that.

584
00:26:43,520 --> 00:26:47,879
Speaker 3: They eat shit, sweat, sleep, just like you do. They

585
00:26:48,080 --> 00:26:48,680
Speaker 3: just famous.

586
00:26:49,560 --> 00:26:51,840
Speaker 6: That doesn't make them more of a special person than

587
00:26:52,440 --> 00:26:54,800
Speaker 6: to you, the listener who's out there listening right now.

588
00:26:55,119 --> 00:26:58,199
Speaker 6: Artists is not a better human being, a more worthy

589
00:26:58,720 --> 00:27:02,080
Speaker 6: human being than you. They're artists, that's it. They're good

590
00:27:02,119 --> 00:27:04,560
Speaker 6: at the art and they're famous for it. But that

591
00:27:04,640 --> 00:27:07,680
Speaker 6: doesn't mean they're the next born leader of the free world.

592
00:27:07,760 --> 00:27:11,480
Speaker 6: That doesn't mean the words they say are relevant for

593
00:27:11,640 --> 00:27:15,760
Speaker 6: everyone's living. That doesn't mean the things they want. You

594
00:27:15,840 --> 00:27:18,040
Speaker 6: gotta raise your own kid, You gotta be responsible.

595
00:27:18,640 --> 00:27:18,680
Speaker 3: You.

596
00:27:18,920 --> 00:27:20,960
Speaker 6: You should know what artist your kids are listening to.

597
00:27:21,200 --> 00:27:24,200
Speaker 6: You should sit down with them, have a conversation about it.

598
00:27:24,680 --> 00:27:27,280
Speaker 6: You should sit down and have conversation with them about

599
00:27:27,359 --> 00:27:30,159
Speaker 6: reality and what's not reality. Because, like you said, they

600
00:27:30,280 --> 00:27:34,359
Speaker 6: never say anything to the to the actors, no directors.

601
00:27:34,640 --> 00:27:36,840
Speaker 6: They never even say nothing to the record labels who

602
00:27:36,840 --> 00:27:38,960
Speaker 6: are putting out the artists. They never say nothing to

603
00:27:39,040 --> 00:27:42,120
Speaker 6: the radio stations, they never say nothing to the magazines.

604
00:27:42,160 --> 00:27:43,920
Speaker 6: But you you're gonna hold the poor kid from the

605
00:27:43,960 --> 00:27:46,800
Speaker 6: ghetto responsible for trying to make it doing what he

606
00:27:47,040 --> 00:27:49,119
Speaker 6: knows is popular genre.

607
00:27:49,240 --> 00:27:51,760
Speaker 3: And America loves violence. The shit is built off a vinunce.

608
00:27:51,880 --> 00:27:56,240
Speaker 6: Everybody loves al Capone, John Dillon, your John Gottie that

609
00:27:56,480 --> 00:27:57,240
Speaker 6: they're not black.

610
00:27:57,880 --> 00:28:01,560
Speaker 3: America loves sex and sex and violence and money. It sells.

611
00:28:01,920 --> 00:28:02,760
Speaker 3: It's a natural thing.

612
00:28:02,840 --> 00:28:05,040
Speaker 6: But when it comes to black, it always reverts back,

613
00:28:05,240 --> 00:28:09,879
Speaker 6: which is understandable because we have a right a duty

614
00:28:09,960 --> 00:28:13,080
Speaker 6: to take care of our community. But sometimes you gotta

615
00:28:13,119 --> 00:28:15,080
Speaker 6: let a person grow into that, or sometimes you got

616
00:28:15,160 --> 00:28:17,800
Speaker 6: a let of person not do it because that's not

617
00:28:17,920 --> 00:28:18,400
Speaker 6: in their heart.

618
00:28:18,440 --> 00:28:20,880
Speaker 3: So why do you want somebody to do something that's

619
00:28:20,960 --> 00:28:22,320
Speaker 3: not in their heart. It's not sensible.

620
00:28:22,440 --> 00:28:24,359
Speaker 7: I think we put too much pressure on artists to

621
00:28:25,200 --> 00:28:28,399
Speaker 7: be real, like to live up to their lyrics, you know.

622
00:28:28,359 --> 00:28:28,679
Speaker 1: What I mean.

623
00:28:28,720 --> 00:28:31,280
Speaker 7: If we just looked at it as entertainment, we wouldn't care.

624
00:28:31,359 --> 00:28:33,560
Speaker 7: But then every now and then you get the rare

625
00:28:33,600 --> 00:28:34,600
Speaker 7: brothers like yourself.

626
00:28:34,760 --> 00:28:37,720
Speaker 3: Yeah, yeah, who really come from that episode?

627
00:28:37,800 --> 00:28:38,920
Speaker 1: Can we expect everybody to.

628
00:28:38,960 --> 00:28:39,760
Speaker 3: Be like that? Yeah?

629
00:28:40,480 --> 00:28:43,800
Speaker 6: And that's kind of you know, I think the average

630
00:28:43,840 --> 00:28:47,560
Speaker 6: citizen doesn't understand the inner plays of the industry. So

631
00:28:48,520 --> 00:28:52,000
Speaker 6: where that's where it really it gets a little confusing,

632
00:28:52,200 --> 00:28:54,520
Speaker 6: Like you know what I mean. Some people are telling

633
00:28:54,600 --> 00:28:58,200
Speaker 6: their stories. Some people are telling their stories when enhancements

634
00:28:58,280 --> 00:29:02,040
Speaker 6: on it. Some people are telling other people's stories. At

635
00:29:02,080 --> 00:29:04,480
Speaker 6: the end of the day, it's art and you shouldn't

636
00:29:04,520 --> 00:29:06,719
Speaker 6: base your life upon somebody else's art.

637
00:29:06,720 --> 00:29:08,120
Speaker 1: And let's be clear. I know, I know some of

638
00:29:08,160 --> 00:29:09,520
Speaker 1: the young people don't even want to hear what we're

639
00:29:09,560 --> 00:29:10,120
Speaker 1: talking right now.

640
00:29:10,320 --> 00:29:10,760
Speaker 3: That's o G.

641
00:29:10,960 --> 00:29:12,600
Speaker 1: That's old man Luke's talking right now, you know what

642
00:29:12,600 --> 00:29:14,640
Speaker 1: I mean? Because they write at home, like, man, you

643
00:29:14,680 --> 00:29:15,920
Speaker 1: know how mucha they told us to do.

644
00:29:16,040 --> 00:29:18,040
Speaker 3: This and that to face? So I get that, get

645
00:29:18,360 --> 00:29:18,920
Speaker 3: you know what I mean?

646
00:29:19,000 --> 00:29:20,920
Speaker 1: So like, come on, I get it, but just be careful,

647
00:29:21,000 --> 00:29:23,800
Speaker 1: y'all because they watching and they listening and they're trying

648
00:29:23,840 --> 00:29:24,440
Speaker 1: to Yeah.

649
00:29:24,280 --> 00:29:26,160
Speaker 3: But you ain't stupid neither. That's what I'm doing.

650
00:29:26,280 --> 00:29:27,120
Speaker 2: We come from an error.

651
00:29:27,200 --> 00:29:31,040
Speaker 6: This is where generational shit gets lost. You come from

652
00:29:31,200 --> 00:29:34,600
Speaker 6: ever where you yourself should know right from room and

653
00:29:34,760 --> 00:29:37,080
Speaker 6: make the decision if you want to pay the consequences

654
00:29:37,160 --> 00:29:40,720
Speaker 6: and repercussions to that right or room, and then you

655
00:29:40,880 --> 00:29:42,840
Speaker 6: make the move from there. You gotta tell you, you know,

656
00:29:43,080 --> 00:29:45,560
Speaker 6: you should know what to do and what not to do.

657
00:29:45,680 --> 00:29:47,440
Speaker 6: When I did stupid shit, I knew it was stupid

658
00:29:47,440 --> 00:29:49,640
Speaker 6: shit to do. I know I may have to fight,

659
00:29:49,760 --> 00:29:53,080
Speaker 6: you know, face certain consequences, and I was with it

660
00:29:53,200 --> 00:29:55,160
Speaker 6: in growth and maturity to get you out of that.

661
00:29:55,600 --> 00:29:58,560
Speaker 6: But you ain't got to act like you're not that bright.

662
00:29:58,640 --> 00:30:01,000
Speaker 6: If you just gonna listen up to a another rapping decide,

663
00:30:01,000 --> 00:30:02,240
Speaker 6: I'm gonna go do the same ship.

664
00:30:02,880 --> 00:30:05,920
Speaker 3: Bro. It's you know, it's not a lot of glory

665
00:30:05,960 --> 00:30:08,600
Speaker 3: and gangster life. Let's just be real about it. That's

666
00:30:08,640 --> 00:30:11,880
Speaker 3: just high. Yeah, they high, They on third parties drug.

667
00:30:12,040 --> 00:30:14,200
Speaker 3: It's the crack babies, babies on chemicals.

668
00:30:15,280 --> 00:30:17,959
Speaker 7: But who's crazier though? The kids that are high are

669
00:30:18,120 --> 00:30:19,640
Speaker 7: y'all because y'all was doing a lot of that and

670
00:30:19,720 --> 00:30:20,600
Speaker 7: y'all are not y'all.

671
00:30:25,080 --> 00:30:28,600
Speaker 1: But no influence, right, no under influence or nothing. You

672
00:30:28,600 --> 00:30:31,760
Speaker 1: ain't like Malone? Say that Malone, be like yo.

673
00:30:32,160 --> 00:30:33,440
Speaker 2: The people that be on sharm.

674
00:30:34,000 --> 00:30:36,320
Speaker 7: They was wilding in la He was doing a lot

675
00:30:36,320 --> 00:30:38,080
Speaker 7: of stupid stuff and he never got drunk and never

676
00:30:38,160 --> 00:30:38,600
Speaker 7: got high.

677
00:30:39,080 --> 00:30:39,880
Speaker 2: So who's crazier.

678
00:30:40,120 --> 00:30:43,960
Speaker 6: It's the it's the times, man times, and it's the

679
00:30:44,040 --> 00:30:47,400
Speaker 6: aggression and the things you you went with. That's why,

680
00:30:47,640 --> 00:30:50,800
Speaker 6: as you say, I agree with you, it's important for

681
00:30:50,960 --> 00:30:53,480
Speaker 6: people to get some form of therapy, even if you're

682
00:30:53,480 --> 00:30:56,040
Speaker 6: in the hood. But dudes, therapy is what it really

683
00:30:56,240 --> 00:30:58,960
Speaker 6: is like. And we used to have therapy, like say,

684
00:30:59,080 --> 00:31:02,400
Speaker 6: coming up our selves, like they don't do this. I

685
00:31:02,480 --> 00:31:04,280
Speaker 6: don't think the kids would even know what we talk about.

686
00:31:04,320 --> 00:31:06,320
Speaker 6: But we used to build. We should sit there and

687
00:31:06,360 --> 00:31:09,960
Speaker 6: have conversations and build and say I at least be

688
00:31:10,040 --> 00:31:11,440
Speaker 6: able to share our dreams and we have.

689
00:31:11,520 --> 00:31:13,840
Speaker 1: Olds with common sense, some kind of common sense.

690
00:31:13,920 --> 00:31:15,440
Speaker 3: Yeah to say, yo, that's stupid.

691
00:31:15,520 --> 00:31:19,800
Speaker 6: Young these you know, these kids, they don't respect the elders.

692
00:31:20,080 --> 00:31:22,360
Speaker 6: But the elders we kind of paved the way to

693
00:31:22,480 --> 00:31:25,200
Speaker 6: not be respected. So it's a fifty to fifty thing, Like.

694
00:31:25,680 --> 00:31:28,080
Speaker 7: Now that's real, because who's like the who's the equivalent

695
00:31:28,120 --> 00:31:29,480
Speaker 7: of the five percenters in the hood.

696
00:31:29,720 --> 00:31:32,280
Speaker 1: Ain't no old g's telling you say or like none

697
00:31:32,320 --> 00:31:34,880
Speaker 1: of that. Some kind of advice man, even when these

698
00:31:34,880 --> 00:31:36,520
Speaker 1: young boys be thissing like the old the rappers and

699
00:31:36,560 --> 00:31:38,440
Speaker 1: all that, but like nobody in their crew stopped him

700
00:31:38,480 --> 00:31:40,160
Speaker 1: to said, yo, dog, you don't know who this nigga is.

701
00:31:40,560 --> 00:31:41,360
Speaker 1: You know they don't have that.

702
00:31:41,680 --> 00:31:44,600
Speaker 6: But that's not that shows how wise they aren't either,

703
00:31:44,640 --> 00:31:46,760
Speaker 6: because they're not respecting how time goes. If you don't

704
00:31:46,800 --> 00:31:49,880
Speaker 6: respect somebody's history, when it's time for your history to

705
00:31:49,920 --> 00:31:52,360
Speaker 6: be respected, it won't be respected. And that's the part

706
00:31:52,400 --> 00:31:55,160
Speaker 6: they ain't getting. They ain't really thinking. They don't drugs,

707
00:31:55,240 --> 00:31:55,880
Speaker 6: like you said, the.

708
00:31:55,920 --> 00:31:58,040
Speaker 3: Chemicals now was was supposed to be on the Money

709
00:31:58,040 --> 00:32:01,400
Speaker 3: Power respect the album and what happened. Some were clear

710
00:32:01,520 --> 00:32:03,520
Speaker 3: he laid the verse and everything for money power respect

711
00:32:03,560 --> 00:32:06,680
Speaker 3: that record or just not money trying to respect another record.

712
00:32:06,760 --> 00:32:10,360
Speaker 3: It's a whole. I think I want to I want

713
00:32:10,360 --> 00:32:12,760
Speaker 3: to thank you. I want to thank you. H wow,

714
00:32:13,000 --> 00:32:14,680
Speaker 3: I want to thank you. Whole had a verse on that.

715
00:32:15,160 --> 00:32:17,040
Speaker 1: You played that back then, you had that you have that.

716
00:32:18,640 --> 00:32:21,720
Speaker 3: It just never came out. Yeah, it wasn't clear, it

717
00:32:21,800 --> 00:32:22,440
Speaker 3: wasn't cleared up.

718
00:32:22,680 --> 00:32:24,720
Speaker 1: Oh so y'all still got that line around, So absolutely

719
00:32:25,120 --> 00:32:25,560
Speaker 1: he's out there.

720
00:32:25,640 --> 00:32:27,080
Speaker 2: Yeah, who wasn't clear at whole.

721
00:32:28,440 --> 00:32:29,240
Speaker 3: I have no idea.

722
00:32:29,480 --> 00:32:31,760
Speaker 6: He laid it, Yeah, he laid it, so I don't

723
00:32:32,040 --> 00:32:34,400
Speaker 6: I don't know if it was the same. It was

724
00:32:34,440 --> 00:32:37,360
Speaker 6: something with I believe it was something. It's the on

725
00:32:37,480 --> 00:32:39,360
Speaker 6: care beat, right, Yeah, I believe it was some with

726
00:32:39,440 --> 00:32:44,280
Speaker 6: the sample and uh, I can't really remember back then,

727
00:32:44,320 --> 00:32:46,480
Speaker 6: but it has something to do with the sample and

728
00:32:46,600 --> 00:32:48,640
Speaker 6: if we wanted to drop or not drop, and then

729
00:32:49,360 --> 00:32:50,320
Speaker 6: you know, paying.

730
00:32:50,120 --> 00:32:51,640
Speaker 3: People and some some other crap.

731
00:32:52,280 --> 00:32:54,160
Speaker 7: I wanted to ask you about Andre three thousand two,

732
00:32:54,200 --> 00:32:56,840
Speaker 7: saying that, being that he's forty eight, what is he

733
00:32:56,920 --> 00:32:57,640
Speaker 7: gonna rap about?

734
00:32:57,760 --> 00:33:00,760
Speaker 1: Nah, so much to talk about, Dre. It's a man, Uh,

735
00:33:01,240 --> 00:33:02,280
Speaker 1: just how you worried and put it.

736
00:33:02,360 --> 00:33:03,000
Speaker 3: You know, you don't got to.

737
00:33:03,160 --> 00:33:04,960
Speaker 1: Of course, we ain't talking about being in the hallways

738
00:33:05,520 --> 00:33:08,120
Speaker 1: or or trapping and all that too much. No more

739
00:33:08,280 --> 00:33:09,360
Speaker 1: like you know what I mean. But it's a lot.

740
00:33:10,360 --> 00:33:11,200
Speaker 3: Know what you're going through.

741
00:33:11,320 --> 00:33:13,720
Speaker 1: Yeah, what you've been rapping about his traveling, I know

742
00:33:13,760 --> 00:33:17,920
Speaker 1: about your life stole traveling. Absolutely, he's want to hear

743
00:33:18,000 --> 00:33:19,680
Speaker 1: from you. Put something out, man, He's.

744
00:33:19,560 --> 00:33:21,360
Speaker 6: One of the greatest thing to do it. He could

745
00:33:21,360 --> 00:33:26,520
Speaker 6: have wrapped over the flute beats yeah, killed over instruments.

746
00:33:26,880 --> 00:33:30,200
Speaker 6: I think even rapping about what is he going to

747
00:33:30,320 --> 00:33:32,360
Speaker 6: rap about is a good point of view because he

748
00:33:32,440 --> 00:33:35,560
Speaker 6: gives different people different perspectives.

749
00:33:35,480 --> 00:33:37,800
Speaker 3: You know. Now, so I got to ask go back

750
00:33:37,800 --> 00:33:38,280
Speaker 3: to the concert.

751
00:33:38,320 --> 00:33:40,560
Speaker 4: So of course the concert Saturday that Sember sixteenth, the

752
00:33:40,600 --> 00:33:45,440
Speaker 4: Westchester County Centers five years of money power respect. Now

753
00:33:45,520 --> 00:33:49,200
Speaker 4: that you guys are are putting this on with the promoters. Yeah, now, friends,

754
00:33:49,200 --> 00:33:50,800
Speaker 4: who are the friends bringing up?

755
00:33:50,840 --> 00:33:52,440
Speaker 1: We're ready? Were ready? What was happening?

756
00:33:52,960 --> 00:33:55,120
Speaker 2: We're ringing out the queen with the queen. M j

757
00:33:55,320 --> 00:33:56,840
Speaker 2: B is gonna be in the building.

758
00:33:58,600 --> 00:33:59,480
Speaker 3: Bringing up the queen.

759
00:33:59,720 --> 00:34:00,280
Speaker 1: Let's let's go.

760
00:34:00,680 --> 00:34:03,560
Speaker 3: So Mary Jack up in the line. We're gonna bring

761
00:34:03,600 --> 00:34:04,080
Speaker 3: a few off.

762
00:34:04,080 --> 00:34:06,000
Speaker 1: You got some other people. We make the more announcements later,

763
00:34:06,080 --> 00:34:09,080
Speaker 1: but right now, Mary j all day. It's gonna be

764
00:34:09,120 --> 00:34:10,120
Speaker 1: crazy to get your tickets.

765
00:34:10,160 --> 00:34:12,000
Speaker 3: Now, that's the first time Mary been up there in

766
00:34:12,080 --> 00:34:12,480
Speaker 3: a minute too.

767
00:34:12,560 --> 00:34:15,880
Speaker 6: Absolutely, get your nice outfit, get your bubbly ready you

768
00:34:16,040 --> 00:34:16,560
Speaker 6: smell good.

769
00:34:16,600 --> 00:34:18,200
Speaker 1: That a loan the Locks and m j B up

770
00:34:18,200 --> 00:34:20,640
Speaker 1: there in Westchester County is gonna be stupid, stupid.

771
00:34:20,719 --> 00:34:25,600
Speaker 6: December sixteen, six Westchester County Center Now Locks album, Yeah,

772
00:34:25,719 --> 00:34:26,640
Speaker 6: are we getting another one?

773
00:34:26,920 --> 00:34:28,680
Speaker 3: Absolutely, when we.

774
00:34:28,760 --> 00:34:31,359
Speaker 1: Got like a bunch of songs done like you always got.

775
00:34:31,280 --> 00:34:36,319
Speaker 3: A bunch of songs, songs and put them on the side.

776
00:34:37,200 --> 00:34:38,400
Speaker 1: We don't got no date, nothing like that.

777
00:34:38,480 --> 00:34:40,840
Speaker 3: You have a date. We don't have a date. Probably,

778
00:34:41,800 --> 00:34:44,120
Speaker 3: I would say in the winter we will probably lock

779
00:34:44,200 --> 00:34:47,719
Speaker 3: in in the studio and get a focused focused. But

780
00:34:47,800 --> 00:34:51,719
Speaker 3: we do got we got we do have material there

781
00:34:51,719 --> 00:34:52,080
Speaker 3: getting the.

782
00:34:52,080 --> 00:34:54,120
Speaker 1: Studio, none of us. I want to say.

783
00:34:54,200 --> 00:34:54,239
Speaker 3: No.

784
00:34:54,520 --> 00:34:56,719
Speaker 1: Actually, if you come up to d Block, it's three

785
00:34:56,800 --> 00:34:58,960
Speaker 1: rooms and we're all in there on the regular, you

786
00:34:59,000 --> 00:34:59,359
Speaker 1: know what I mean.

787
00:34:59,440 --> 00:35:01,480
Speaker 3: So we always that was.

788
00:35:01,520 --> 00:35:03,759
Speaker 7: Puff one of the friends, but in light of the circumstances,

789
00:35:03,960 --> 00:35:06,239
Speaker 7: definitely not Puff not be there.

790
00:35:06,560 --> 00:35:10,680
Speaker 3: Okay, Puffle not be there. I'm not even playing with y'all.

791
00:35:13,800 --> 00:35:14,239
Speaker 3: I'm sorry.

792
00:35:14,360 --> 00:35:15,640
Speaker 2: It would make sense right.

793
00:35:18,600 --> 00:35:18,920
Speaker 3: Right now.

794
00:35:19,880 --> 00:35:27,319
Speaker 1: Yes, so we got Mary j. S. That's gonna be said.

795
00:35:29,280 --> 00:35:30,920
Speaker 3: Have you spoke to him? No, not at all.

796
00:35:31,040 --> 00:35:34,840
Speaker 1: No, man to my Diddy said no, I didn't know

797
00:35:34,920 --> 00:35:37,360
Speaker 1: who you meant. No, I haven't spoke to him. I

798
00:35:37,480 --> 00:35:42,600
Speaker 1: mean somebody should somebody somebody you know like no, I

799
00:35:42,680 --> 00:35:46,680
Speaker 1: meaning like somebody should be out heard because I heard

800
00:35:46,719 --> 00:35:49,160
Speaker 1: fifty say that before, right, He's like, Yo, somebody gonna

801
00:35:49,200 --> 00:35:51,760
Speaker 1: reach out to him, man, and I think they should.

802
00:35:57,239 --> 00:36:01,280
Speaker 2: He definitely should, but talk to somebody, a therapist or something.

803
00:36:02,360 --> 00:36:06,880
Speaker 6: Definitely, definitely, he definitely should definitely go talk to somebody.

804
00:36:07,239 --> 00:36:11,560
Speaker 6: He definitely should go talk to somebody, and probably the

805
00:36:11,640 --> 00:36:14,640
Speaker 6: people he hurt, if they, if they, if they, if

806
00:36:14,680 --> 00:36:16,280
Speaker 6: they'll give him the air and time.

807
00:36:17,200 --> 00:36:21,719
Speaker 1: Because it allegedly allegedly paid for that.

808
00:36:23,400 --> 00:36:27,520
Speaker 6: Allegedly all I didn't say how he heard or what

809
00:36:27,680 --> 00:36:31,840
Speaker 6: I didn't even say sexually, just in life, everybody, not

810
00:36:32,000 --> 00:36:35,360
Speaker 6: just not just not just Puff. Everybody, Like, if you

811
00:36:35,440 --> 00:36:38,279
Speaker 6: have a chance and there's somebody you hurt in life

812
00:36:38,440 --> 00:36:41,360
Speaker 6: and you're in a better place in your life, it's.

813
00:36:41,239 --> 00:36:43,080
Speaker 3: A healthy thing to reach out and just say, you know,

814
00:36:43,360 --> 00:36:44,719
Speaker 3: my fault if.

815
00:36:45,360 --> 00:36:48,719
Speaker 1: On that kid, though, Man, every little thing right, I'm

816
00:36:48,760 --> 00:36:51,279
Speaker 1: not saying wrong, right, I'm just saying that. Iran was like, yo,

817
00:36:52,000 --> 00:36:54,120
Speaker 1: Puff has sex with all his artists, big even.

818
00:36:53,960 --> 00:37:08,719
Speaker 10: They don't you already manuck jumping on chick stomach so

819
00:37:08,760 --> 00:37:09,319
Speaker 10: they don't do this.

820
00:37:09,400 --> 00:37:12,040
Speaker 3: And I like, what, let me jump all right, ladies

821
00:37:12,080 --> 00:37:14,040
Speaker 3: and gentlemen, hit your tickets.

822
00:37:15,280 --> 00:37:17,759
Speaker 5: December walks off to a chair out because you try

823
00:37:17,880 --> 00:37:26,560
Speaker 5: stout claims going on downs, not one claim.

824
00:37:27,000 --> 00:37:27,719
Speaker 2: It would have been no.

825
00:37:31,800 --> 00:37:38,719
Speaker 8: December sixteenth, taking twenty power respect fifty years of hip hop.

826
00:37:38,960 --> 00:37:41,600
Speaker 8: The tickets will and friends, Baby, this is not a

827
00:37:41,680 --> 00:37:45,000
Speaker 8: fifty thousand sellar arenas, so get your tickets early.

828
00:37:45,120 --> 00:37:49,080
Speaker 2: It will sell out. Don't call the group ticket.

829
00:37:50,640 --> 00:37:52,200
Speaker 1: Mary, we love you, We see you so on. It's

830
00:37:52,239 --> 00:37:53,080
Speaker 1: gonna be crazy, y'all.

831
00:37:53,320 --> 00:37:56,279
Speaker 6: The Locks, m J B and Moore Crashchester County Center

832
00:37:56,360 --> 00:37:57,240
Speaker 6: December sixteenth.

833
00:37:57,320 --> 00:37:57,880
Speaker 2: Don't miss it.

834
00:37:58,200 --> 00:37:59,759
Speaker 3: Yeah, appreciate you guys for joining us.

835
00:37:59,800 --> 00:38:01,160
Speaker 2: Say it's the Breakfast Club.

836
00:38:01,200 --> 00:38:03,920
Speaker 1: Gome mo on, Hi Pia, wake that ass up in

837
00:38:04,000 --> 00:38:04,440
Speaker 1: the morning.

838
00:38:04,600 --> 00:38:05,560
Speaker 2: The Breakfast Club

839
00:38:09,560 --> 00:38:09,920
Speaker 4: M HM