WEBVTT - Human Blockheads: A Real Thing

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<v Speaker 1>Hey, San Francisco, we're coming back to see you. Yes,

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<v Speaker 1>our second year in a row. We're gonna be going

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<v Speaker 1>to s F Sketch Fest. What I like to think,

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<v Speaker 1>it's the premier comedy festival in the United States, probably

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<v Speaker 1>well in the world, you think, so, yeah, what about Beijing? Nope,

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<v Speaker 1>it's a it's a close second, but a second. Well,

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<v Speaker 1>we love San Francisco, we love performing there. Everyone is

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<v Speaker 1>always so kind to us. And by San Francisco we

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<v Speaker 1>mean the entire Bay area of course. Yeah. So we

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<v Speaker 1>will be there doing our thing for one time only

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<v Speaker 1>show on Sunday, January at one pm. Yeah, it's the

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<v Speaker 1>rare Sunday afternoon. We're like the NFL of podcasters. Yeah, exactly,

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<v Speaker 1>That's that's what I've always thought. So all you have

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<v Speaker 1>to do is go to the SF Sketch Fest site,

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<v Speaker 1>look at the old calendar, and there are tons of

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<v Speaker 1>great people performing. Oh yeah, So I suggest like just

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<v Speaker 1>doubling down and getting tickets all kinds of good shows

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<v Speaker 1>for sure, and hurry up and get tickets to ours

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<v Speaker 1>because they've only been on sale for a week or

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<v Speaker 1>so and they're already half sold out. That's right, So

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<v Speaker 1>please hurry San Francisco. Please hurry. Welcome to Stuff You

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<v Speaker 1>should know it's from house Stuff Works dot com. Hey,

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<v Speaker 1>and welcome to the podcast. I'm Josh Clark, There's Charles W.

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<v Speaker 1>Chuck Bryant, and it's just us chickens here in Studio

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<v Speaker 1>one A. Yeah, the blockhead is gone. Yeah, Jerry the blackhead.

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<v Speaker 1>I'm just kidding. She's not a blockhead. She's a meat hit.

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<v Speaker 1>She is a meat head. This is fun. What else

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<v Speaker 1>is she here? We can say whatever we want. She'll

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<v Speaker 1>never hear this, that's true. Two things I've noticed today.

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<v Speaker 1>We're both wearing blue hoodies. Oh yeah, yours is uh

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<v Speaker 1>a recreation of the great sweater that Danny wore in

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<v Speaker 1>The Shining Uh, which I think I've told you you

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<v Speaker 1>love Lee Unk of Pixar owns that real sweat her.

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<v Speaker 1>Oh yeah you did tell me that. Yeah, Like, if

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<v Speaker 1>you're like, you know, you got the sweatshirt version. He

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<v Speaker 1>owns the sweater. It's the real thing. But unless he's

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<v Speaker 1>the same size as like a little four or five

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<v Speaker 1>six year old boy, he put it on his own kid. Yeah,

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<v Speaker 1>that's probably why he had a kids madness right well

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<v Speaker 1>to model the sweater. Yeah, yeah, uh and I'm wearing

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<v Speaker 1>my high school sweatshirt Dan Raiders. Yeah. Dan. The other

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<v Speaker 1>thing I noticed is that got new glasses or a

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<v Speaker 1>new prescription. My eyes were clearly getting worse, and you're

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<v Speaker 1>fuzzy to me, but my papers are clear. Oh and

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<v Speaker 1>I should have gotten the bifocals, Like he said, vocals, Gramps,

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<v Speaker 1>I've been doing a lot of this definitely doesn't aid

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<v Speaker 1>you at all, chuck his pull his glasses down his nose,

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<v Speaker 1>and then looked over him. Well, when you're at home

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<v Speaker 1>and let's say you got the TV on but you're

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<v Speaker 1>working on your laptop, it's it's troublesome. Have you ever

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<v Speaker 1>heard of that? Um? I can't remember what. It's called

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<v Speaker 1>progressive lenses. No, it's like a type of basically training

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<v Speaker 1>your eyes to get better by denying them corrective lenses. Well,

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<v Speaker 1>I did that for forty three years and it didn't work. Well,

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<v Speaker 1>I mean, or maybe it did work. Your eyes would

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<v Speaker 1>have been way worse had you not done that. Here's

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<v Speaker 1>what I know. I know that two weeks ago, like

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<v Speaker 1>I never wore my previous glasses prescription because it didn't

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<v Speaker 1>look like they were doing anything. Um, but things were

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<v Speaker 1>getting harder to read. So I went back three years

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<v Speaker 1>later and they were like, oh, yeah, things have changed. Um,

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<v Speaker 1>but I was reading two weeks ago. I was just

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<v Speaker 1>sort of holding it back a little more maybe. But

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<v Speaker 1>now when I put these on, it's like someone turned

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<v Speaker 1>on the lights. I was like, holy cow, that's so clear.

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<v Speaker 1>But it's something changed in just the last few weeks. No,

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<v Speaker 1>I think I would just I was just used to

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<v Speaker 1>getting by on as clearly as I could, because once

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<v Speaker 1>I put these on. I just couldn't believe the difference.

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<v Speaker 1>It's good for you for doing something, Yeah, but now

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<v Speaker 1>I gotta I gotta weird glasses all the time, or

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<v Speaker 1>not all the time. But when I read, you remind

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<v Speaker 1>me exactly of how I felt in fourth grade when

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<v Speaker 1>I got glasses. They came in and they were like, okay,

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<v Speaker 1>everybody's doing the eye test, and of course you just

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<v Speaker 1>think it's cursory, like a lice check or something like that, right,

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<v Speaker 1>and you went stood in the corner, and then the

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<v Speaker 1>nurse or whoever it was just like, you need glasses.

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<v Speaker 1>I was like, what, You're insane, woman, I think, is

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<v Speaker 1>what I said. But it was a man, right, and

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<v Speaker 1>so that's all they knew. I proved myself insane. Um

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<v Speaker 1>yeah right, so uh, I ended up with glasses and

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<v Speaker 1>I remember feeling like, oh man, I'm shackle for the

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<v Speaker 1>rest of my life. Yeah, that's a tough age. I

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<v Speaker 1>don't know if glasses still had the same stigma on

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<v Speaker 1>young kids, but when we were kids, it was definitely

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<v Speaker 1>like four eyes and all that. Yeah, there was a

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<v Speaker 1>bit of it. So I showed them. I went out

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<v Speaker 1>and got the most Elton Johnny glasses I could find.

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<v Speaker 1>They were clear, with like a thin blue like wire

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<v Speaker 1>running through the frames. They were pretty awesome. Yeah, alright,

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<v Speaker 1>so human block Yeah, so, Chuck, have you ever seen

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<v Speaker 1>the human blockhead trick? I should not call it a trick,

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<v Speaker 1>just stunt. You're right, I have like in person. Yeah. Also,

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<v Speaker 1>I went to a Gym Rose circus once and that

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<v Speaker 1>they had a blockhead that when I went. I'm not

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<v Speaker 1>sure if they still do. Was it Ryan Stock? I

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<v Speaker 1>don't think so. This is a long time ago. Yeah,

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<v Speaker 1>he seems a little young to have been in the

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<v Speaker 1>original Gym Rose show. Yeah, I mean this was in

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<v Speaker 1>like was it at Lallapalooza. Maybe because that was in

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<v Speaker 1>the first the first part of the first Lallapaluza. They

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<v Speaker 1>were part of that. Yea, how was that that show?

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<v Speaker 1>There you go? Maybe that's where it was. Maybe so well,

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<v Speaker 1>I've never seen a human blockhead, so I mean I

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<v Speaker 1>was aware of it. I'm sure I'd seen like references

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<v Speaker 1>to it in cartoons or whatever. But I went online

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<v Speaker 1>because I noticed as I was researching this, I was like, wow,

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<v Speaker 1>I feel like fainting for some reason. I was like,

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<v Speaker 1>this really makes me fainty, and I went online and

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<v Speaker 1>just exposed myself to it, and uh, it was Yeah,

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<v Speaker 1>I didn't actually faint, but it's something. Well, we should

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<v Speaker 1>go ahead and say, then, a human blockhead is a person,

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<v Speaker 1>and we'll get into the history of it where that

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<v Speaker 1>name came comes from. But it's a person, a performer

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<v Speaker 1>who inserts a nail or a camping steak or a drill,

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<v Speaker 1>paris scissors, what something sharp that would make your stomach

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<v Speaker 1>turn if you saw it jammed in a person's nose

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<v Speaker 1>all the way and they do just that. And the

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<v Speaker 1>reason I corrected myself earlier I called it a trick.

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<v Speaker 1>It's not a trick. The person who performs the human blockhead,

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<v Speaker 1>or who is a human blockhead, um would correct me

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<v Speaker 1>and say no, no, this is a stunt. A trick

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<v Speaker 1>suggests that there's some sort of illusion, there's some sort

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<v Speaker 1>of deception or stage magic going on. This is a

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<v Speaker 1>stunt because it's exactly what you think it is. There's

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<v Speaker 1>a nail going into the person's skull. Yeah. And if

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<v Speaker 1>you don't know and you go to one of these,

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<v Speaker 1>you probably think it's a trick. It's a fake nail.

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<v Speaker 1>It's a collapsible or a telescoping nail or something. Um,

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<v Speaker 1>maybe some sort of a slide of hand, like the

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<v Speaker 1>old trick where you just turned to the side and

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<v Speaker 1>act like you're pulling something out of your mouth, you

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<v Speaker 1>know that old bit. Yeah, I finally figured that one

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<v Speaker 1>out in my twenties. Uh, thanks to your glasses probably,

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<v Speaker 1>um so to the uninitiated, it's uh. People probably leave

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<v Speaker 1>these performances sometimes saying, well, you know, of course that

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<v Speaker 1>wasn't real. There's no way, right, it's true, right, that's

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<v Speaker 1>that's what you think. In the performers they play on that, right,

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<v Speaker 1>it's part of the whole thing. But it's actually legitimately

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<v Speaker 1>the nail is not fake, and it it actually is

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<v Speaker 1>going into the person's head. But the further misconception is that, okay,

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<v Speaker 1>if it is going in the person's head, that it's

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<v Speaker 1>being driven into their skull, their bone um, either through

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<v Speaker 1>a new hole that they're making because they're crazy, or

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<v Speaker 1>an established hole that they have like um that they're

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<v Speaker 1>they've used time and time again. Like uh, an ear

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<v Speaker 1>piercing that it's healed over. Not the case. Yeah, I

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<v Speaker 1>was about to say the body doesn't need any new holes,

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<v Speaker 1>but I forgot about piercing. That you need piercing. But

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<v Speaker 1>that's the only thing I can think of where you

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<v Speaker 1>would want a new hole that's legitimate, right, Um, I

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<v Speaker 1>don't know. Some doctors could want new holes for you,

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<v Speaker 1>depending like if you got a colostomate or a tricky otomy.

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<v Speaker 1>It didn't even think about that medical reasons. Or stellarc

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<v Speaker 1>put an ear on his arm. I was thinking about him.

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<v Speaker 1>I can't believe you remember that guy's name. Yeah he

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<v Speaker 1>was if he didn't listen. Years ago we talked about him.

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<v Speaker 1>He was a performance artist who put he molded in

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<v Speaker 1>and grafted a ear look alike onto his arm, survived

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<v Speaker 1>some terrible infections that was bluetooth compatible, so he could

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<v Speaker 1>literally hear through it. Right, I mean you know what

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<v Speaker 1>I mean. He yeah, he's probably not literally hear through it,

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<v Speaker 1>but it had like a bluetooth mic in the ear,

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<v Speaker 1>and then he had like a head phone in his

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<v Speaker 1>own ear, So yeah, he could hear what was going

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<v Speaker 1>in there. With assistance of technology, he should hear through it. Well,

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<v Speaker 1>he's a performance arts what do you expect? But that

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<v Speaker 1>technically wasn't a hole though. No, it was just a

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<v Speaker 1>fake ear on his arm. No, it was a real ear.

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<v Speaker 1>Was it? A really? Whose was it? It was like

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<v Speaker 1>a cloned ear grafted onto his arm. It was basically

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<v Speaker 1>the cutting edge of performance art at the time. Yeah,

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<v Speaker 1>I wonder what he's doing now. I gotta look that

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<v Speaker 1>cat up. He's sitting around on people's couch, is going like, hey,

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<v Speaker 1>remember that time I grafted in here on my arm?

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<v Speaker 1>That was pretty great? Huh? And he says, hey talked

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<v Speaker 1>to the forearm and they say still ark. We never

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<v Speaker 1>get tired of that, Joe. Um So should we talk

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<v Speaker 1>about the history first or the mechanism? Let's do history.

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<v Speaker 1>I love this guy. Well, by guy I know you're

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<v Speaker 1>talking about because there can be only one Mr Melvin Burkhardt,

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<v Speaker 1>who passed away fifteen years ago in two thousand one,

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<v Speaker 1>at the age of ninety four years old. He's born

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<v Speaker 1>in Atlanta uh in seven, grew up in New Orleans mainly,

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<v Speaker 1>and quit school at an early age and became a

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<v Speaker 1>well we worked a couple of odd jobs, worked for

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<v Speaker 1>Western Union, but then found his calling as a sideshow performer,

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<v Speaker 1>which we've covered on the show. Yeah, along with other

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<v Speaker 1>circus arts. Yeah, you you've got it for circus arts.

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<v Speaker 1>I think just about every circus art one we've ever

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<v Speaker 1>done is your pick? Was it? But man, we have

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<v Speaker 1>an extensive library of circus arts. Yes, swort, swallowing, lion taming,

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<v Speaker 1>lion taming, fire eating, fire eating. Do we have firewalking? No?

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<v Speaker 1>I don't think so. All right, look for that one soon. Yeah,

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<v Speaker 1>for real or tight rope backs. We had a circus

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<v Speaker 1>families we did. He's exhausted this, I don't know, man, firewalking?

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<v Speaker 1>We should do the the wheel. We talked about it,

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<v Speaker 1>the wheel with the motorcycles in it. What's it called?

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<v Speaker 1>The something of death? Wheel of death? No globe of death.

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<v Speaker 1>Maybe maybe he's a globe of death. Clunky clunky ride right? Um?

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<v Speaker 1>All right? So back to Mr Brookhart. He started performing inside.

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<v Speaker 1>He did so he was. He kind of fell into performing.

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<v Speaker 1>He used to go to the theater a lot. And

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<v Speaker 1>one day when he was I think fourteen or fifteen

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<v Speaker 1>or something, Uh, he jumped to his feet when the

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<v Speaker 1>people on stage ask for volunteers to come on stage,

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<v Speaker 1>and I guess he tripped or fell. I don't, I

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<v Speaker 1>didn't know if it was purposeful or not, and drove

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<v Speaker 1>a nail through his for her right, and everyone's just

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<v Speaker 1>laughed and laughed. Um, he did get some last not

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<v Speaker 1>for the nail yet, that came later, but um, he

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<v Speaker 1>was invited back for the next show, and within a

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<v Speaker 1>day or two he found himself with a contract to

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<v Speaker 1>do an amateur performance. So he started um performing at

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<v Speaker 1>a very early age. And and um, his his thing

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<v Speaker 1>initially was and I think throughout his career he was

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<v Speaker 1>what was called a talker, a master of ceremonies at

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<v Speaker 1>a side show. Yeah, uh, you might call him a

0:12:21.280 --> 0:12:24.080
<v Speaker 1>barker or something like that. But um, they were the

0:12:24.080 --> 0:12:26.720
<v Speaker 1>ones who kept the show going. They introduced the new

0:12:27.240 --> 0:12:29.880
<v Speaker 1>side show performers as they came on and went off,

0:12:29.960 --> 0:12:33.319
<v Speaker 1>And he did his own act in between the other acts,

0:12:33.800 --> 0:12:36.760
<v Speaker 1>and part of his act ended up being the uh

0:12:37.080 --> 0:12:39.760
<v Speaker 1>the nail, the human blockhead trick, among a bunch of

0:12:39.760 --> 0:12:43.440
<v Speaker 1>other stuff. Yeah. So one of these quotes that I

0:12:43.480 --> 0:12:46.080
<v Speaker 1>got his New York Times obituary and um, which are

0:12:46.120 --> 0:12:48.120
<v Speaker 1>always great, but one of the quotes from one of

0:12:48.160 --> 0:12:52.040
<v Speaker 1>his counterparts, and Coney Allen was so funny. He said,

0:12:52.080 --> 0:12:56.360
<v Speaker 1>this was from Dick Zigon. Uh, he's a side show guy,

0:12:56.400 --> 0:12:59.680
<v Speaker 1>and he said, anybody can insert objects in their nasal passage,

0:13:00.080 --> 0:13:03.160
<v Speaker 1>their nasal passage, but Melvin's patter and comedy made it

0:13:03.200 --> 0:13:06.360
<v Speaker 1>an act. And then the other guy. It's two great quotes.

0:13:06.400 --> 0:13:10.400
<v Speaker 1>Todd Robbins, as a magician, uh, who was also a

0:13:10.400 --> 0:13:13.160
<v Speaker 1>blockhead at times, says, anyone who has ever hammered a

0:13:13.240 --> 0:13:16.160
<v Speaker 1>nail into his nose it was a large debt to

0:13:16.240 --> 0:13:19.880
<v Speaker 1>Melvin Burkhart. Yeah, there's a little bit of tongue in

0:13:19.960 --> 0:13:22.040
<v Speaker 1>cheek in that oh bit that I'm sure Burkhart would

0:13:22.040 --> 0:13:25.680
<v Speaker 1>have appreciated. Um. That Todd Robbins guy actually has traced

0:13:25.720 --> 0:13:33.120
<v Speaker 1>it back um to the Joddu Wallas, basically the Indian

0:13:33.559 --> 0:13:38.040
<v Speaker 1>the Hindu performers, street performers, UM. And they apparently did

0:13:38.080 --> 0:13:42.600
<v Speaker 1>a human blockhead trick long ago. And I don't know

0:13:43.760 --> 0:13:47.160
<v Speaker 1>if it was just totally coincidental that Melvin Burkhardt stumbled

0:13:47.200 --> 0:13:49.760
<v Speaker 1>upon it himself, or if he had heard about it

0:13:49.840 --> 0:13:52.880
<v Speaker 1>or seen it himself. But at any rate, as far

0:13:52.920 --> 0:13:55.240
<v Speaker 1>as it goes in the West and the modern conception

0:13:55.320 --> 0:13:57.960
<v Speaker 1>of the human blockhead, Melvin Burkhart was the guy who

0:13:57.960 --> 0:14:00.640
<v Speaker 1>invented it. Yeah, I'm sure they're probably people in India

0:14:00.720 --> 0:14:05.800
<v Speaker 1>scoffing at that notion. But he was soon discovered by

0:14:05.880 --> 0:14:11.560
<v Speaker 1>none other than um Mr Ripley himself, and he took

0:14:11.600 --> 0:14:15.319
<v Speaker 1>him on to his auditorium in Manhattan, had him performing,

0:14:15.920 --> 0:14:18.400
<v Speaker 1>and supposedly is the one who came up with the

0:14:18.480 --> 0:14:22.560
<v Speaker 1>name human blockhead for this act. Man that Robert Ripley,

0:14:22.680 --> 0:14:25.120
<v Speaker 1>he coined a lot of stuff. I don't get it, though,

0:14:25.720 --> 0:14:29.120
<v Speaker 1>I still don't get why blockhead this is. It's a

0:14:29.200 --> 0:14:31.120
<v Speaker 1>dumb name. I would have called it, like, I don't

0:14:31.120 --> 0:14:33.200
<v Speaker 1>know what I would have called it. Give me ten minutes, though,

0:14:33.240 --> 0:14:35.200
<v Speaker 1>and I'll think of about Okay, shout it out when

0:14:35.240 --> 0:14:37.480
<v Speaker 1>you got it all right? Well, I mean, like you

0:14:37.480 --> 0:14:41.560
<v Speaker 1>can hammer nails into a block of wood. I guess

0:14:41.560 --> 0:14:44.440
<v Speaker 1>so is that what? It's a stupid name, But without

0:14:44.480 --> 0:14:48.800
<v Speaker 1>it we wouldn't have the Lucy from peanuts favorite Um

0:14:48.880 --> 0:14:52.880
<v Speaker 1>put down. Remember she called everybody a blockhead? Oh yeah,

0:14:52.960 --> 0:14:56.520
<v Speaker 1>what about the human pincushion. That's not quite right, though

0:14:56.840 --> 0:14:59.920
<v Speaker 1>it's okay. It's actually a lot more accurate. But at

0:15:00.000 --> 0:15:02.160
<v Speaker 1>think there are other human pin cushions, aren't there people

0:15:02.160 --> 0:15:07.720
<v Speaker 1>who do? That would be very confusing. I'm the pin cushion. No,

0:15:08.000 --> 0:15:12.240
<v Speaker 1>I'm the pin cushion. You're a blockhead? Um? So he uh,

0:15:12.280 --> 0:15:14.720
<v Speaker 1>he actually ended up And this is where this story

0:15:14.840 --> 0:15:19.400
<v Speaker 1>ties into Flee circuses. Actually, uh at Hubert's Museum on

0:15:19.480 --> 0:15:23.440
<v Speaker 1>Fort Street, which I believe is where the Hecklers had

0:15:23.520 --> 0:15:28.280
<v Speaker 1>their Um Flee circus for decades and where the where

0:15:28.320 --> 0:15:33.800
<v Speaker 1>it appeared in Easy Rider. That's right, Yeah, that's right. Uh.

0:15:33.960 --> 0:15:37.120
<v Speaker 1>Boy's all coming together, isn't it really? Uh? And he

0:15:37.240 --> 0:15:40.760
<v Speaker 1>was what was known as um like some people are.

0:15:40.800 --> 0:15:44.080
<v Speaker 1>You know, when we did our side show podcasts, a

0:15:44.120 --> 0:15:46.800
<v Speaker 1>lot of people were born with physical deformities. If they

0:15:46.800 --> 0:15:50.880
<v Speaker 1>would um, some people say we're exploited. Other people say championed.

0:15:51.600 --> 0:15:53.640
<v Speaker 1>But he was not that. He was what was known

0:15:53.680 --> 0:15:57.760
<v Speaker 1>as a working act. So he just had some talent

0:15:57.960 --> 0:16:02.400
<v Speaker 1>and fortitude to do some of these things. He wasn't

0:16:02.520 --> 0:16:06.640
<v Speaker 1>necessarily born with any strange nasal passage, although he does

0:16:06.680 --> 0:16:10.720
<v Speaker 1>say he was a boxer and broke his nose such

0:16:10.760 --> 0:16:14.160
<v Speaker 1>that they removed nasal bones that he thinks created this

0:16:14.280 --> 0:16:21.000
<v Speaker 1>passage to um inserting a nail into your sinus cavity. Um,

0:16:21.040 --> 0:16:24.440
<v Speaker 1>But it is, it exists in everyone, Okay, So that

0:16:24.520 --> 0:16:26.600
<v Speaker 1>to me is a great place to put a break.

0:16:26.640 --> 0:16:57.560
<v Speaker 1>All right, you're ready, Yes, here we go. All right, Chuck,

0:16:57.600 --> 0:17:00.880
<v Speaker 1>you may mention that, um, Melvin Burkhard was a boxer, right,

0:17:02.120 --> 0:17:06.200
<v Speaker 1>So apparently during his boxing career, he was getting some

0:17:07.119 --> 0:17:11.600
<v Speaker 1>bone that had been shattered in his face removed around

0:17:11.600 --> 0:17:15.480
<v Speaker 1>his nose, around his nasal cavity, and the story goes

0:17:15.480 --> 0:17:18.640
<v Speaker 1>that he noticed that the doctors were having a really

0:17:18.680 --> 0:17:23.320
<v Speaker 1>easy time sticking like a scalpel or pincers or all

0:17:23.359 --> 0:17:26.640
<v Speaker 1>sorts of little medical instruments in his nose. Rubber Chicken.

0:17:27.280 --> 0:17:32.160
<v Speaker 1>Henny Youngman was his doctor. Just look him up, everybody, uh.

0:17:32.200 --> 0:17:34.399
<v Speaker 1>And he was like, well, jeez, if these guys can

0:17:34.440 --> 0:17:37.040
<v Speaker 1>put the stuff in my nose, I'll bet I could too,

0:17:37.080 --> 0:17:41.119
<v Speaker 1>And if I combine it with my pattern comedy, I

0:17:41.160 --> 0:17:43.720
<v Speaker 1>could really make a good show of this. And apparently

0:17:43.800 --> 0:17:46.440
<v Speaker 1>that's where he was inspired to do the human blockhead trick.

0:17:47.040 --> 0:17:49.440
<v Speaker 1>I can make fifty a week. So he had something

0:17:49.520 --> 0:17:53.560
<v Speaker 1>like a dozen pieces of bone removed from his nasal

0:17:53.600 --> 0:17:57.560
<v Speaker 1>cavity area from his skull for medical reasons right speak

0:17:57.640 --> 0:18:01.520
<v Speaker 1>from his boxing career. Um, so he apparently had a

0:18:01.640 --> 0:18:05.399
<v Speaker 1>larger than normal nasal cavity as a result. Well that

0:18:05.440 --> 0:18:08.920
<v Speaker 1>makes sense. But it's like what you said. Everybody has

0:18:09.119 --> 0:18:12.280
<v Speaker 1>a hole in their face and it can be exploited

0:18:12.320 --> 0:18:14.480
<v Speaker 1>to do the human blockhead trick. We have a lot

0:18:14.520 --> 0:18:16.520
<v Speaker 1>of holes in our face. So let's talk about the

0:18:16.680 --> 0:18:21.919
<v Speaker 1>holes in our face. Right, Chuck, just put his glasses on.

0:18:22.600 --> 0:18:25.480
<v Speaker 1>I'm tired of looking over you and feeling like I'm seventies?

0:18:25.520 --> 0:18:29.800
<v Speaker 1>So how do I look without? Like? I gotta get

0:18:29.800 --> 0:18:32.600
<v Speaker 1>a picture of this? How do you look when I'm

0:18:32.600 --> 0:18:36.199
<v Speaker 1>looking at you through the glasses. Without the glasses? You

0:18:36.200 --> 0:18:40.440
<v Speaker 1>look great? How do I look with the glasses on?

0:18:40.640 --> 0:18:43.240
<v Speaker 1>Not so great? Larger and fuzzy. So look at me

0:18:43.280 --> 0:18:46.760
<v Speaker 1>over the clare you go wow. Alright, we'll put that

0:18:46.840 --> 0:18:51.840
<v Speaker 1>up on Instagram. Alright, the holes in our face? Um,

0:18:51.960 --> 0:18:55.119
<v Speaker 1>let's talk about the skull. The skull while it appears

0:18:55.200 --> 0:18:59.040
<v Speaker 1>as if it's just one big solid bowling ball with

0:18:59.119 --> 0:19:01.679
<v Speaker 1>a face on the front of it. Right, Um, it

0:19:01.800 --> 0:19:04.640
<v Speaker 1>is not. It is twenty two bones and all. And

0:19:04.680 --> 0:19:07.159
<v Speaker 1>if you look, if you've ever seen a human skull,

0:19:07.880 --> 0:19:09.840
<v Speaker 1>you can see this because they have sutures where it's

0:19:09.880 --> 0:19:15.160
<v Speaker 1>joined together. It's a big patchwork of of goodness, protective goodness.

0:19:15.280 --> 0:19:17.159
<v Speaker 1>And for the most part, when you look at someone's

0:19:17.200 --> 0:19:21.919
<v Speaker 1>face and you say, hey, high cheekbones, prominent chin, um,

0:19:22.440 --> 0:19:24.439
<v Speaker 1>look at the size of those teeth and how pointy

0:19:24.480 --> 0:19:27.720
<v Speaker 1>they are, that's crazy. These are these are actually like

0:19:28.680 --> 0:19:31.520
<v Speaker 1>features of either the bone themselves, are the bone underneath

0:19:31.520 --> 0:19:34.360
<v Speaker 1>the skin. That's your facial features. Right. But there's one

0:19:34.520 --> 0:19:38.280
<v Speaker 1>very prominent exception to this rule, um, and that's your nose.

0:19:38.920 --> 0:19:42.720
<v Speaker 1>Your nose is not the result of uh protrusion of

0:19:42.800 --> 0:19:45.960
<v Speaker 1>bone with skin stretched over it. Most of your nose

0:19:46.240 --> 0:19:50.280
<v Speaker 1>is made of cartilage, right, So there's actually very little

0:19:50.359 --> 0:19:53.280
<v Speaker 1>bone involved in your skin. Just on the bridge or

0:19:53.480 --> 0:19:55.399
<v Speaker 1>with your nose. Just on the bridge of the nose,

0:19:55.640 --> 0:19:59.120
<v Speaker 1>that's right, Okay, So beneath the bridge of the nose, everybody,

0:19:59.119 --> 0:20:01.600
<v Speaker 1>I want you to to take your anger, put it between

0:20:01.640 --> 0:20:04.840
<v Speaker 1>your eyes and then just pressed down. That's the bridge

0:20:04.840 --> 0:20:07.080
<v Speaker 1>of your nose, not too hard, Not that hard, okay,

0:20:07.320 --> 0:20:09.480
<v Speaker 1>and then just go slides, start to slide a little

0:20:09.520 --> 0:20:13.560
<v Speaker 1>further down. That is not bone any longer, that's cartilage.

0:20:13.640 --> 0:20:16.920
<v Speaker 1>And behind that cartilage, friends, there's a big old hole

0:20:16.960 --> 0:20:19.359
<v Speaker 1>in the center of your face. Have you ever had

0:20:19.400 --> 0:20:22.520
<v Speaker 1>your nose broken? Let me just knock on with like

0:20:22.600 --> 0:20:26.800
<v Speaker 1>fifty times. No. Have you ever been punched in the nose? Yes,

0:20:26.880 --> 0:20:31.359
<v Speaker 1>but didn't break it? No, Okay, I've never had my

0:20:31.400 --> 0:20:35.000
<v Speaker 1>nose broken. I've never been punched. Knock on wood at all. Yeah,

0:20:35.320 --> 0:20:39.159
<v Speaker 1>uh no, never been in a fight. That's great, it is,

0:20:39.240 --> 0:20:40.679
<v Speaker 1>but I kind of feel like I should get in

0:20:40.680 --> 0:20:47.639
<v Speaker 1>a fist fight. That There's this thing called bars, and

0:20:47.720 --> 0:20:50.679
<v Speaker 1>if you go out at certain times, you can get

0:20:50.720 --> 0:20:52.720
<v Speaker 1>into a fight pretty easy. I was always the guy

0:20:52.760 --> 0:20:56.320
<v Speaker 1>that was breaking up like like, oh, guys, like it

0:20:56.320 --> 0:20:58.480
<v Speaker 1>would be much more fun if we all just kept

0:20:58.520 --> 0:21:02.240
<v Speaker 1>drinking and not get in a fight like that. That

0:21:02.440 --> 0:21:04.840
<v Speaker 1>there's nothing that will ruin a night more than a

0:21:04.880 --> 0:21:08.080
<v Speaker 1>bar fight. It's all over bar fight suck. Yeah, across

0:21:08.119 --> 0:21:11.119
<v Speaker 1>the board. Plus, I never always had a very strong

0:21:11.200 --> 0:21:13.960
<v Speaker 1>inclination to not get punched in the face. I think

0:21:14.000 --> 0:21:17.000
<v Speaker 1>that's a sensible inclining. So I was, well, not really.

0:21:17.359 --> 0:21:19.359
<v Speaker 1>You know, you see how some people act and some

0:21:19.400 --> 0:21:21.960
<v Speaker 1>people some dudes love to fight, some ladies love to fight.

0:21:23.600 --> 0:21:26.320
<v Speaker 1>You know. Yeah, I could go out looking for it. Sure,

0:21:26.680 --> 0:21:29.240
<v Speaker 1>I don't know that that's to be admired or celebrated

0:21:29.240 --> 0:21:33.359
<v Speaker 1>in anything anyway. It's the worst those people like. And

0:21:34.359 --> 0:21:38.080
<v Speaker 1>when I lived in Arizona that short year, I picked

0:21:38.160 --> 0:21:42.680
<v Speaker 1>up just you know, friends at my restaurant, and one

0:21:42.680 --> 0:21:44.359
<v Speaker 1>of the friends of the dude that worked there was

0:21:45.280 --> 0:21:47.600
<v Speaker 1>one of the most uncomfortable people to hang out with

0:21:47.840 --> 0:21:51.439
<v Speaker 1>have ever experienced. He was always looking to get in

0:21:51.440 --> 0:21:53.960
<v Speaker 1>a fight every where we went, and it just I

0:21:54.080 --> 0:21:58.280
<v Speaker 1>was so fraught with anxiety, you know, tons of anger inside.

0:21:58.320 --> 0:22:01.000
<v Speaker 1>And is it just don't you wonder stuff like that

0:22:01.119 --> 0:22:04.680
<v Speaker 1>is hormonal, Like that guy's hormones are tuned a little

0:22:04.680 --> 0:22:06.480
<v Speaker 1>out of I bet you there's a lot of factors

0:22:06.920 --> 0:22:12.880
<v Speaker 1>hormones upbringing anger from childhood. But all I know is

0:22:12.880 --> 0:22:15.720
<v Speaker 1>is that I was like, I felt like I was

0:22:15.760 --> 0:22:17.320
<v Speaker 1>gonna have a heart attack every time I was near

0:22:17.400 --> 0:22:19.440
<v Speaker 1>this dude. So I was just waiting for the inevitable

0:22:19.440 --> 0:22:22.840
<v Speaker 1>fits fight. Wouldn't it be need If that guy listens

0:22:23.240 --> 0:22:26.160
<v Speaker 1>listening right now, knows who you're talking about. And it's

0:22:26.200 --> 0:22:29.040
<v Speaker 1>just started sobbing uncontrollably, like he's just had a breakthrough.

0:22:29.080 --> 0:22:32.520
<v Speaker 1>Would be great because you mentioned his childhood. He's not listening.

0:22:32.560 --> 0:22:37.240
<v Speaker 1>I'm can guarantee you that. So um oh yeah the nose,

0:22:37.400 --> 0:22:39.680
<v Speaker 1>yeah yeah, so cartilage, the nose is easy to break,

0:22:39.760 --> 0:22:42.800
<v Speaker 1>is kind of where I was getting. But technically you're

0:22:42.840 --> 0:22:47.120
<v Speaker 1>not really breaking yet really because it's cartilage. I guess

0:22:47.119 --> 0:22:52.200
<v Speaker 1>you can break cartilage. Don't listen to me. So. Um.

0:22:52.280 --> 0:22:55.560
<v Speaker 1>What you've also got in that in your face up

0:22:55.560 --> 0:23:00.760
<v Speaker 1>front of that skull is um, all kinds of spaces. Uh.

0:23:00.960 --> 0:23:06.000
<v Speaker 1>There are these little hollow places called sinuses. You got

0:23:06.000 --> 0:23:10.080
<v Speaker 1>your eye sockets of course. Uh. And then you're the

0:23:10.119 --> 0:23:14.320
<v Speaker 1>old reliable foreman magnum, which is where the brain stem

0:23:14.640 --> 0:23:17.280
<v Speaker 1>exits the skull. That really has nothing to do with

0:23:17.359 --> 0:23:19.560
<v Speaker 1>this episode, It doesn't. This is just sort of a

0:23:19.560 --> 0:23:22.440
<v Speaker 1>breakdown of what's going on in your face, Tracy. By

0:23:22.440 --> 0:23:24.920
<v Speaker 1>the way, this is a Tracy Wilson joint. Sure, um,

0:23:24.960 --> 0:23:26.840
<v Speaker 1>And she's just trying to prove her point that there's

0:23:26.880 --> 0:23:30.200
<v Speaker 1>lots of holes in the skull. That's right. The only

0:23:30.240 --> 0:23:34.560
<v Speaker 1>holes that matter for a blockhead are the nostrils, and

0:23:34.920 --> 0:23:37.960
<v Speaker 1>I would say the nasal cavity, right, And the nasal

0:23:38.000 --> 0:23:42.320
<v Speaker 1>cavity is that whole in your skull, in the front

0:23:42.320 --> 0:23:45.080
<v Speaker 1>of your skull where your nose goes, and um, that

0:23:45.280 --> 0:23:48.280
<v Speaker 1>leads all the way back to your throat actually, yeah,

0:23:48.280 --> 0:23:51.240
<v Speaker 1>which is very important actually for other acts that we'll

0:23:51.280 --> 0:23:55.480
<v Speaker 1>talk about. Yeah, So the the area where it terminates

0:23:55.680 --> 0:23:58.480
<v Speaker 1>at the throat is called the naso farynx. And all

0:23:58.480 --> 0:24:02.399
<v Speaker 1>of this is just wide open. You can stick whatever

0:24:02.440 --> 0:24:06.000
<v Speaker 1>you want in there, um, please don't, and you can

0:24:06.040 --> 0:24:09.280
<v Speaker 1>do it without nailing, without hammering, without anything like that.

0:24:09.320 --> 0:24:12.800
<v Speaker 1>You can just slide it in. Right. Physically speaking, we'll

0:24:12.800 --> 0:24:15.720
<v Speaker 1>get into how all the reasons why that's very difficult,

0:24:15.760 --> 0:24:19.320
<v Speaker 1>but just physiologically speaking, there's a big old hole in

0:24:19.400 --> 0:24:22.199
<v Speaker 1>the front of your face. There's a lot of empty

0:24:22.240 --> 0:24:24.879
<v Speaker 1>space behind it, going all the way back to your throat,

0:24:25.200 --> 0:24:28.760
<v Speaker 1>and so the human blockhead takes advantage of this this

0:24:29.080 --> 0:24:33.399
<v Speaker 1>um uh, these holes. Right. But it wouldn't be so

0:24:33.480 --> 0:24:36.000
<v Speaker 1>great if you could just look at somebody and say, hey,

0:24:36.040 --> 0:24:40.280
<v Speaker 1>that's well, it's great. You're just sliding a nail into

0:24:40.320 --> 0:24:43.200
<v Speaker 1>a hole in an open passage. That doesn't do anything.

0:24:43.480 --> 0:24:47.560
<v Speaker 1>The trick. The illusion is based on the natural formation

0:24:47.600 --> 0:24:50.960
<v Speaker 1>of our nose and our nostrils, which appear to go upward,

0:24:51.880 --> 0:24:54.440
<v Speaker 1>which is not the case. Actually, if you pull your

0:24:54.440 --> 0:24:57.000
<v Speaker 1>nose back and look into a mirror, you see that

0:24:57.080 --> 0:25:00.199
<v Speaker 1>the hole is behind him, not above them, right, And

0:25:00.280 --> 0:25:03.640
<v Speaker 1>that's the whole illusion. Yeah, Like you feel like when

0:25:03.640 --> 0:25:06.880
<v Speaker 1>you blow your nose, that snot is coming down from

0:25:06.920 --> 0:25:09.560
<v Speaker 1>like the top of your head, and that's not the case. Now,

0:25:09.600 --> 0:25:12.160
<v Speaker 1>it's coming from the back, that's right. It's the ceiling

0:25:13.080 --> 0:25:15.720
<v Speaker 1>is just about even with the top of the nose

0:25:15.840 --> 0:25:18.720
<v Speaker 1>right below your eyes, the ceiling of the nasal cavity, right, yeah,

0:25:18.840 --> 0:25:23.040
<v Speaker 1>not the ceiling of your your bedroom. Uh. In the

0:25:23.080 --> 0:25:26.080
<v Speaker 1>floor of the nasal cavity is about level with what's

0:25:26.119 --> 0:25:29.520
<v Speaker 1>known as the L R cartilage a L A R,

0:25:30.359 --> 0:25:33.480
<v Speaker 1>which is where the nostrils are, right, that's the bottom

0:25:33.480 --> 0:25:35.879
<v Speaker 1>of your your nostrils. Yeah. So when you see it,

0:25:35.920 --> 0:25:37.760
<v Speaker 1>like you said, when you see the trick, the fact

0:25:37.760 --> 0:25:40.320
<v Speaker 1>that it's not going up and it's just going straight in,

0:25:40.520 --> 0:25:42.280
<v Speaker 1>it makes people go, oh my god, what is going on.

0:25:42.400 --> 0:25:45.840
<v Speaker 1>He's driven his nail right into the bone of his skull.

0:25:46.240 --> 0:25:48.320
<v Speaker 1>That's what it looks like. That's right. And by the way,

0:25:48.400 --> 0:25:50.639
<v Speaker 1>if you want a good a good view of all

0:25:50.720 --> 0:25:54.720
<v Speaker 1>this looks like I stumbled upon a horrific photo of

0:25:54.800 --> 0:26:01.720
<v Speaker 1>somebody who's nostrils. I guess there this the cartilage that

0:26:01.800 --> 0:26:04.320
<v Speaker 1>separates their nostrils into two. Yeah, there's got to be

0:26:04.359 --> 0:26:06.760
<v Speaker 1>a name for that. Right, it's gone, and the whole

0:26:06.840 --> 0:26:09.240
<v Speaker 1>nose is the skin of the nose is being pulled

0:26:09.280 --> 0:26:12.800
<v Speaker 1>back so you can see the skull behind it. So

0:26:12.880 --> 0:26:16.200
<v Speaker 1>if you wanted to just type in all our cartilage

0:26:16.200 --> 0:26:20.000
<v Speaker 1>and Google search image searching, you will. You'll be as

0:26:20.040 --> 0:26:22.480
<v Speaker 1>unhappy as I am for having seen it's gonna go,

0:26:22.600 --> 0:26:24.680
<v Speaker 1>rather than do you want to see it? Nah, it's

0:26:24.760 --> 0:26:27.639
<v Speaker 1>pretty crazy now, that's all right, Okay, I'll look at

0:26:27.640 --> 0:26:29.679
<v Speaker 1>it later because I know i'll I want to. I'll

0:26:29.720 --> 0:26:32.159
<v Speaker 1>be lying in bed tonight thinking of it. I'm not

0:26:32.200 --> 0:26:34.600
<v Speaker 1>gonna do it. I'm not doing it. H So to

0:26:34.600 --> 0:26:36.920
<v Speaker 1>finish up, though, in the cavity it is not just

0:26:37.000 --> 0:26:39.720
<v Speaker 1>a smooth straight thing either. They have um. They're these

0:26:39.720 --> 0:26:43.560
<v Speaker 1>grooves called conka c U N c h A E

0:26:43.920 --> 0:26:49.120
<v Speaker 1>I'm gonna say um on the walls and they hold

0:26:49.119 --> 0:26:51.880
<v Speaker 1>onto the moisture when you exhale and that's gonna keep

0:26:52.080 --> 0:26:54.480
<v Speaker 1>everything nice and lubricated, which is what you want in there,

0:26:55.359 --> 0:26:58.560
<v Speaker 1>thanks to the mucus membrane that lines all these surfaces

0:26:58.960 --> 0:27:02.159
<v Speaker 1>and keeps everything nice. And I'm not gonna say the

0:27:02.280 --> 0:27:09.120
<v Speaker 1>M word, but nice and moist. Yeah, everybody hates that word,

0:27:09.200 --> 0:27:14.160
<v Speaker 1>huh and not everyone, but there's science behind it. Okay there.

0:27:14.359 --> 0:27:16.639
<v Speaker 1>I can't remember a post an article for mental phlaws.

0:27:16.640 --> 0:27:18.760
<v Speaker 1>Apparently there's some science behind White people don't like that

0:27:18.800 --> 0:27:21.960
<v Speaker 1>word nice. So when you're doing the human blockhead trick,

0:27:22.040 --> 0:27:25.520
<v Speaker 1>I should change that when you're when you're seeing a

0:27:25.840 --> 0:27:29.960
<v Speaker 1>professional do the human blockhead trick. Um, what they're doing

0:27:30.160 --> 0:27:34.359
<v Speaker 1>is they're they're sliding the nail. Let's just stick with

0:27:34.400 --> 0:27:38.760
<v Speaker 1>the nail. The nail into their nasal cavity. They want

0:27:38.800 --> 0:27:42.560
<v Speaker 1>to usually hug the alar cartilage the floor of their

0:27:42.640 --> 0:27:46.159
<v Speaker 1>nasal cavity, try to avoid the concat. Isn't that way

0:27:46.200 --> 0:27:49.560
<v Speaker 1>you decided? That's pronounced? And then they're pushing it all

0:27:49.600 --> 0:27:53.400
<v Speaker 1>the way back into their naso pharynx. Right, You've got

0:27:53.440 --> 0:27:56.960
<v Speaker 1>about six eight inches of space to deal with from

0:27:57.160 --> 0:28:01.200
<v Speaker 1>that much from your nostril back to the naso pharynx. Yeah, um,

0:28:01.240 --> 0:28:05.919
<v Speaker 1>and Uh, they the human blockhead to make it so

0:28:06.040 --> 0:28:08.280
<v Speaker 1>it's not just sliding a nail into your nose, which

0:28:08.280 --> 0:28:11.440
<v Speaker 1>is gross, but that's pretty playground. Ee. They will take

0:28:11.480 --> 0:28:14.800
<v Speaker 1>a hammer and they will hold onto the nail very tightly,

0:28:15.200 --> 0:28:17.800
<v Speaker 1>and they will make it look like they're hammering the

0:28:17.880 --> 0:28:22.480
<v Speaker 1>nail into their skull. Right, and there's the sound of

0:28:22.560 --> 0:28:25.119
<v Speaker 1>the hammer against the nail and it sounds really painful.

0:28:25.160 --> 0:28:27.359
<v Speaker 1>Where really you can just take the thing and slide

0:28:27.400 --> 0:28:30.359
<v Speaker 1>it in, easy peasy. Yeah, that's called stagecraft. Right. So

0:28:30.400 --> 0:28:33.960
<v Speaker 1>all of this sounds extremely easy, and in a sense

0:28:34.040 --> 0:28:37.480
<v Speaker 1>it is. But there are a lot of obstacles to

0:28:37.600 --> 0:28:40.560
<v Speaker 1>performing this trick successfully, and we'll talk about those right

0:28:40.600 --> 0:29:11.200
<v Speaker 1>after this. So I don't think we should go any

0:29:11.200 --> 0:29:16.160
<v Speaker 1>further without a serious c o A message. It seems obvious,

0:29:16.240 --> 0:29:19.640
<v Speaker 1>but do not try to stick a nail in your

0:29:19.640 --> 0:29:23.160
<v Speaker 1>nose because Josh and Chuck said it was possible. Yeah,

0:29:23.160 --> 0:29:26.760
<v Speaker 1>that's really good. Um, the human anatomy, the anatomy of

0:29:26.800 --> 0:29:28.960
<v Speaker 1>a of a face and a skull, makes it possible.

0:29:29.720 --> 0:29:33.640
<v Speaker 1>We advise no one to ever try this unless you

0:29:34.160 --> 0:29:37.840
<v Speaker 1>want to get into the circus arts legitimately and want

0:29:37.880 --> 0:29:39.920
<v Speaker 1>to take the steps to like really learn how to

0:29:39.960 --> 0:29:43.680
<v Speaker 1>do this right. I actually ran across this um theory

0:29:43.760 --> 0:29:48.000
<v Speaker 1>eleven dot com forum. The novice was asking how to

0:29:48.080 --> 0:29:51.520
<v Speaker 1>do this, and this guy named William Draven replied, and

0:29:51.560 --> 0:29:53.720
<v Speaker 1>I thought he had a pretty good c o a himself.

0:29:53.800 --> 0:29:56.840
<v Speaker 1>He said, like, UM, if you do want to do this,

0:29:57.240 --> 0:30:01.200
<v Speaker 1>in no way advocate um learning from reading text on

0:30:01.280 --> 0:30:05.240
<v Speaker 1>the internet or even watching videos. Go find somebody who

0:30:05.360 --> 0:30:09.960
<v Speaker 1>is who has successfully performed this trick numerous times and

0:30:10.000 --> 0:30:13.920
<v Speaker 1>then learned from them directly. Don't learn from guys like us.

0:30:13.960 --> 0:30:17.680
<v Speaker 1>Don't learn from reading William Draven's comments on the internet.

0:30:18.040 --> 0:30:21.840
<v Speaker 1>Don't don't read it from anybody. Go find somebody who

0:30:21.880 --> 0:30:24.200
<v Speaker 1>knows this trick and and learn it from them. And

0:30:24.200 --> 0:30:26.360
<v Speaker 1>where do you find that person? There? The guy in

0:30:26.400 --> 0:30:27.920
<v Speaker 1>the corner of the bar with the nail in there? Now,

0:30:29.200 --> 0:30:31.560
<v Speaker 1>it's pretty easy, right, or they live in a town

0:30:31.560 --> 0:30:36.160
<v Speaker 1>called Winter or something in Florida. Um And I did, look,

0:30:36.240 --> 0:30:38.320
<v Speaker 1>we keep saying, dudes. I did try and find to

0:30:38.360 --> 0:30:40.080
<v Speaker 1>see if there are any women out there who did this.

0:30:40.560 --> 0:30:42.920
<v Speaker 1>I didn't find any, but I'm sure they're sure they're

0:30:42.960 --> 0:30:46.200
<v Speaker 1>They're supposedly more than a hundred human blockheads around the world.

0:30:46.480 --> 0:30:48.880
<v Speaker 1>Go find one of them. I'm sure some women do this.

0:30:49.200 --> 0:30:51.400
<v Speaker 1>I'm sure it's just not a prominent Google search to

0:30:51.440 --> 0:31:00.960
<v Speaker 1>type in, you know, woman blockhead. I'm sure they also.

0:31:01.400 --> 0:31:03.720
<v Speaker 1>I think every single time I've ever said guys, I've

0:31:03.920 --> 0:31:07.880
<v Speaker 1>I've meant it as a gender neutral Yeah. Yeah, so. Um.

0:31:09.160 --> 0:31:12.680
<v Speaker 1>One thing Tracy points out is that all noses are different. Uh,

0:31:12.720 --> 0:31:16.440
<v Speaker 1>and sometimes to reach your nasal cavity, you might the

0:31:16.480 --> 0:31:18.960
<v Speaker 1>lower edge of your nostril might be in the way.

0:31:19.600 --> 0:31:22.160
<v Speaker 1>So you know, sometimes it might just glide right in

0:31:22.200 --> 0:31:24.840
<v Speaker 1>and you look the same. But sometimes it will, like

0:31:25.600 --> 0:31:27.600
<v Speaker 1>if you do it right, you know, your nose will

0:31:27.640 --> 0:31:30.000
<v Speaker 1>stick up like, you know, like your snout will stick

0:31:30.000 --> 0:31:32.320
<v Speaker 1>out like a pig because the nails holding it up.

0:31:32.800 --> 0:31:35.800
<v Speaker 1>Other noses, it might just look normal except for the

0:31:35.840 --> 0:31:37.800
<v Speaker 1>fact that there's a nail through it. Um. A lot

0:31:37.840 --> 0:31:40.560
<v Speaker 1>of people who do this, most people, I should say,

0:31:40.560 --> 0:31:45.760
<v Speaker 1>who do it practice initially with Q tip. That's probably smart,

0:31:45.960 --> 0:31:48.760
<v Speaker 1>right yeah, um, yeah, you want to practice with a

0:31:48.840 --> 0:31:50.760
<v Speaker 1>que tip. And one reason why you want to practice

0:31:50.800 --> 0:31:53.000
<v Speaker 1>with a Q tip is number one. It's I would

0:31:53.000 --> 0:31:55.240
<v Speaker 1>guess it'd be harder to injure yourself with a Q tip.

0:31:55.320 --> 0:31:59.040
<v Speaker 1>I'm sure, although I'm sure it's still be quite easy, sure, um.

0:31:59.120 --> 0:32:03.160
<v Speaker 1>And then that Q tips are kind of fuzzy. Yeah.

0:32:03.560 --> 0:32:06.600
<v Speaker 1>And so one of the hardest things to overcome doing

0:32:06.600 --> 0:32:11.760
<v Speaker 1>the human blockhead trick their stunt is overcoming the sneezing reflex.

0:32:12.520 --> 0:32:14.160
<v Speaker 1>That's the biggest one. I mean, there's all sorts of

0:32:14.200 --> 0:32:17.760
<v Speaker 1>other problems, like if you use something that's not clean, um,

0:32:17.920 --> 0:32:20.800
<v Speaker 1>you set yourself up for sinus infection because you're sticking

0:32:20.840 --> 0:32:24.720
<v Speaker 1>foreign objects back there around your scinus is. Um, you

0:32:24.800 --> 0:32:29.040
<v Speaker 1>can damage the very soft mucous memories and tissue that

0:32:29.120 --> 0:32:31.760
<v Speaker 1>are around that line your nose and nasal cavity and

0:32:31.800 --> 0:32:36.040
<v Speaker 1>your scinuses and your nasal farynx. But one of the

0:32:36.160 --> 0:32:39.240
<v Speaker 1>one of the biggest challenges is overcoming the sneezing reflects,

0:32:39.280 --> 0:32:42.640
<v Speaker 1>which can combine all this stuff, all these dangers and

0:32:42.680 --> 0:32:45.320
<v Speaker 1>then increase some tenfold. Yeah. If you're trying to stick

0:32:45.360 --> 0:32:48.240
<v Speaker 1>a nail in your head in the early stages and

0:32:48.320 --> 0:32:50.920
<v Speaker 1>you sneeze that, you know sneezing can be a very

0:32:51.000 --> 0:32:53.880
<v Speaker 1>violent reaction. So let's talk about sneezing real quick, all right,

0:32:53.920 --> 0:32:56.440
<v Speaker 1>All right, So Tracy went to the trouble of outlining

0:32:56.440 --> 0:32:58.920
<v Speaker 1>how a sneeze works right, it's pretty neat. So you've

0:32:58.960 --> 0:33:02.920
<v Speaker 1>got a sneez has a reef. What's called a reflex arc.

0:33:02.960 --> 0:33:05.960
<v Speaker 1>Any kind of reflex, as far as the human body

0:33:06.000 --> 0:33:09.200
<v Speaker 1>is concerned, consists of a reflex arc, and it's made

0:33:09.240 --> 0:33:12.360
<v Speaker 1>up of a receptor. In this case, Um, we've got

0:33:12.400 --> 0:33:15.640
<v Speaker 1>nerve endings in our noses. Those are the receptors, and

0:33:15.640 --> 0:33:18.120
<v Speaker 1>they're the things that say, you know, I just snorted

0:33:18.120 --> 0:33:21.400
<v Speaker 1>pepper up my nose yea, or this house is dusty

0:33:21.600 --> 0:33:25.480
<v Speaker 1>or whatever might cause you uh you know, animal dand

0:33:25.560 --> 0:33:29.800
<v Speaker 1>or whatever. Hops in beer for me. Oh yeah. So

0:33:29.840 --> 0:33:31.840
<v Speaker 1>like if you literally smell like an I p A.

0:33:32.000 --> 0:33:33.520
<v Speaker 1>I don't even have to smell it. I can just

0:33:33.520 --> 0:33:37.320
<v Speaker 1>just drinking it, just like one good sneeze and then

0:33:37.360 --> 0:33:42.680
<v Speaker 1>you're fine. Yeah wow, hops gets me Hops and peppermint

0:33:43.680 --> 0:33:48.280
<v Speaker 1>huh yeah. Um, So you've got you've got the stimulus

0:33:48.320 --> 0:33:52.120
<v Speaker 1>against the receptor. The receptors got the the sensory nerve

0:33:52.880 --> 0:33:56.520
<v Speaker 1>leading up to the integration center of your brain that

0:33:56.720 --> 0:33:59.640
<v Speaker 1>the whatever center integrates all of this information for that

0:33:59.680 --> 0:34:05.320
<v Speaker 1>particular reflex. Uh, your motor nerve which says, hey, go

0:34:05.400 --> 0:34:08.560
<v Speaker 1>do this, and then it's called an effector in the

0:34:08.640 --> 0:34:12.680
<v Speaker 1>case of sneezing and effector is the process the physical

0:34:12.760 --> 0:34:17.960
<v Speaker 1>process of sneezing? Right? Yeah, which you know everyone everyone sneezes.

0:34:18.520 --> 0:34:20.879
<v Speaker 1>Let's get real. You know what was interesting to me, Chuck,

0:34:21.040 --> 0:34:24.719
<v Speaker 1>is you know when you're researching yawning, you yawn when

0:34:24.719 --> 0:34:28.080
<v Speaker 1>you research itching, did you sneeze? You scratch, didn't sneeze?

0:34:28.400 --> 0:34:30.359
<v Speaker 1>I thought the same thing. Really, I wonder if I'm

0:34:30.360 --> 0:34:33.160
<v Speaker 1>gonna start sneezing, and I did not. It's not suggestible,

0:34:33.640 --> 0:34:37.560
<v Speaker 1>totally reactive thing. So when you sneeze, you know your

0:34:37.640 --> 0:34:40.360
<v Speaker 1>you might start off with your eyes watering. Uh, and

0:34:40.360 --> 0:34:43.480
<v Speaker 1>you're gonna secrete some fluid from your nasal passage. And

0:34:43.520 --> 0:34:47.319
<v Speaker 1>then there's an abrupt like pre sneeze breath that you

0:34:47.400 --> 0:34:51.080
<v Speaker 1>draw in from your diaphragm. Um, I don't think that

0:34:51.120 --> 0:34:53.000
<v Speaker 1>has a name. Let's just call it the pre SNEeSe

0:34:53.480 --> 0:34:57.520
<v Speaker 1>breath breath. I think we just coined it. Uh. And

0:34:57.560 --> 0:35:01.480
<v Speaker 1>then and then you're I fram in muscles in your

0:35:01.520 --> 0:35:04.560
<v Speaker 1>chest contract really quickly, and the air leaves that nose

0:35:04.840 --> 0:35:09.440
<v Speaker 1>and mouth really quickly. Um. Do you have a sneeze

0:35:09.520 --> 0:35:14.120
<v Speaker 1>pattern or is it random? Um? No, I'm sure I

0:35:14.160 --> 0:35:19.920
<v Speaker 1>follow a pattern almost always sneezing. Threes is your three, yes,

0:35:20.920 --> 0:35:23.760
<v Speaker 1>but I mean it depends, like I seriously will sneeze

0:35:24.960 --> 0:35:29.719
<v Speaker 1>eight or nine times if you're drinking a poppy beer. Um, yeah,

0:35:29.760 --> 0:35:32.000
<v Speaker 1>I'm almost always three. And when it's not, it's it

0:35:32.160 --> 0:35:36.160
<v Speaker 1>stands out to me as being unique or incomplete. So yeah,

0:35:36.239 --> 0:35:40.680
<v Speaker 1>sometimes or sometimes I'll sneeze later and think like, oh, yeah,

0:35:40.680 --> 0:35:44.800
<v Speaker 1>there's the third, which is silly. It's like celebrity deaths.

0:35:45.120 --> 0:35:46.759
<v Speaker 1>I wonder about. I meant to look that up though,

0:35:46.760 --> 0:35:49.640
<v Speaker 1>wonder if there's any science to that sneezing patterns. There's

0:35:49.680 --> 0:35:55.360
<v Speaker 1>just science to everything, science and magic. Um. So you

0:35:55.400 --> 0:35:57.560
<v Speaker 1>can put off a sneeze. You've probably done that before.

0:35:58.360 --> 0:36:02.279
<v Speaker 1>That tickling sensation just goes away. Those are to me

0:36:02.520 --> 0:36:05.480
<v Speaker 1>the incomplete things because you felt like or I feel like,

0:36:05.640 --> 0:36:08.560
<v Speaker 1>you know, so close and I clearly needed to sneeze,

0:36:09.000 --> 0:36:11.560
<v Speaker 1>but you didn't. If your body doesn't sneeze and it

0:36:11.480 --> 0:36:16.800
<v Speaker 1>it warded itself off. Yeah. And so the point of

0:36:16.840 --> 0:36:20.120
<v Speaker 1>all the sneezing talk is that part of mastering the

0:36:20.200 --> 0:36:25.799
<v Speaker 1>human blockhead stunt is reducing your sneeze reflex and apparently

0:36:25.840 --> 0:36:29.520
<v Speaker 1>it can be done just by exposing yourself to a

0:36:29.560 --> 0:36:32.279
<v Speaker 1>sneeze reflex, over and over and over again. So you

0:36:32.320 --> 0:36:35.319
<v Speaker 1>just stick that que tip in there. You sneeze, You

0:36:35.400 --> 0:36:38.640
<v Speaker 1>do it again, you sneeze, You do it again, you sneeze.

0:36:38.680 --> 0:36:40.640
<v Speaker 1>You go eat a TV dinner and take a little

0:36:40.640 --> 0:36:44.160
<v Speaker 1>break because it's tough and you're mad. You're really mad,

0:36:44.360 --> 0:36:46.960
<v Speaker 1>get really fixed off, and then you come back, and

0:36:46.960 --> 0:36:49.200
<v Speaker 1>then you do it again, and then eventually a few

0:36:49.239 --> 0:36:52.520
<v Speaker 1>days later, a few weeks later, you've lost all your friends,

0:36:53.000 --> 0:36:58.080
<v Speaker 1>but you don't sneeze when you stick something up your nose. Victory. Yeah.

0:36:58.239 --> 0:37:01.200
<v Speaker 1>I also saw that if you, uh, if you are

0:37:01.239 --> 0:37:04.920
<v Speaker 1>a human blockhead, you want to basically scrub down any

0:37:05.000 --> 0:37:09.280
<v Speaker 1>new stunt nail that you've got with this with steel

0:37:09.280 --> 0:37:11.920
<v Speaker 1>wool and then soaking in rubbing alcohol for a while

0:37:12.239 --> 0:37:15.480
<v Speaker 1>to prevent sinus infections. I'm picturing like a Carnie thriller

0:37:15.520 --> 0:37:17.640
<v Speaker 1>where someone creeps in and like switches out the nail

0:37:18.600 --> 0:37:24.520
<v Speaker 1>some pathogen. No I'm dead. Uh So, Like I said,

0:37:24.560 --> 0:37:27.640
<v Speaker 1>there are over a hundred people doing this around the world. Supposedly.

0:37:27.880 --> 0:37:31.600
<v Speaker 1>Um Ryan Stock, who you mentioned earlier, has become pretty

0:37:31.600 --> 0:37:34.319
<v Speaker 1>famous because he's been on I think he had a

0:37:35.040 --> 0:37:38.120
<v Speaker 1>TV show of his own He was definitely an America's

0:37:38.120 --> 0:37:40.200
<v Speaker 1>got talent. Yeah, and he does all sorts of things.

0:37:40.800 --> 0:37:43.319
<v Speaker 1>He and his wife, Oh she in on the act.

0:37:43.360 --> 0:37:46.239
<v Speaker 1>Oh yeah, she's definitely part of an Amberlin So, like

0:37:46.280 --> 0:37:48.560
<v Speaker 1>I said, he does all kinds of things. But um,

0:37:48.600 --> 0:37:51.239
<v Speaker 1>one of his most notable tricks is a spin on

0:37:51.239 --> 0:37:55.799
<v Speaker 1>this called the human meat head where just look it

0:37:55.880 --> 0:37:58.560
<v Speaker 1>up Ryan Stock. He puts a meat hook. Remember how

0:37:58.600 --> 0:38:01.120
<v Speaker 1>he set it was connected to the throw. He will

0:38:01.160 --> 0:38:04.000
<v Speaker 1>go all the way through his nose, out of his

0:38:04.120 --> 0:38:06.640
<v Speaker 1>mouth with the end of the hook, and then he'll

0:38:06.680 --> 0:38:11.160
<v Speaker 1>pull stuff around. He actually pulled the almost the pound car.

0:38:11.680 --> 0:38:14.560
<v Speaker 1>He hels the world's record as being the only person

0:38:14.600 --> 0:38:16.880
<v Speaker 1>that ever doing You gotta hear this the title of

0:38:16.920 --> 0:38:20.719
<v Speaker 1>this world record. He has a world record for the

0:38:20.760 --> 0:38:24.120
<v Speaker 1>heaviest vehicle pulled using a hook through the nasal cavity

0:38:24.200 --> 0:38:28.520
<v Speaker 1>and out of the mouth point three five pound car.

0:38:28.719 --> 0:38:33.880
<v Speaker 1>No idea, how much that isn't killograms? Uh? I remember

0:38:33.920 --> 0:38:36.919
<v Speaker 1>my brother he ate something when he was the first

0:38:36.920 --> 0:38:39.640
<v Speaker 1>time I realized that was all connected. He laughed a

0:38:39.640 --> 0:38:42.560
<v Speaker 1>lot when eating hamburger and coughed hamburger through his nose

0:38:42.719 --> 0:38:44.759
<v Speaker 1>or milk through the nose. When you made your friend laugh.

0:38:44.800 --> 0:38:48.000
<v Speaker 1>That was always That's a classic, man. You just were

0:38:48.080 --> 0:38:51.600
<v Speaker 1>triumphant the rest of the day. I actually have found

0:38:51.880 --> 0:38:54.759
<v Speaker 1>if I'm jogging, like I always chew gum and I

0:38:54.880 --> 0:38:57.520
<v Speaker 1>like break the gum slowly into small pieces and I

0:38:57.560 --> 0:39:00.520
<v Speaker 1>eventually like eat it or whatever. But if there's like

0:39:00.640 --> 0:39:03.120
<v Speaker 1>a few moments where like there there's a small piece

0:39:03.120 --> 0:39:06.480
<v Speaker 1>of gum separated from the rest of the gum, and

0:39:06.520 --> 0:39:08.480
<v Speaker 1>I've noticed every once in a while, I don't know

0:39:08.560 --> 0:39:11.040
<v Speaker 1>what sets it off, but I'll just snot it out,

0:39:11.200 --> 0:39:14.479
<v Speaker 1>like it'll shoot up my throat and then on my nose.

0:39:14.960 --> 0:39:19.919
<v Speaker 1>And this sapped more than what I don't you're either

0:39:20.080 --> 0:39:23.719
<v Speaker 1>not jogging, right, you're not chewing gum, right, there's something

0:39:23.760 --> 0:39:25.520
<v Speaker 1>there's a breakdown here. I don't think you're supposed to

0:39:25.560 --> 0:39:29.680
<v Speaker 1>do that. It's true, weird. Does it hurt? No, it's

0:39:29.719 --> 0:39:34.000
<v Speaker 1>just surprising, Like, sure, it's the gum. What do you

0:39:34.000 --> 0:39:37.640
<v Speaker 1>mean it's like pieces of brain. Did you ever hear

0:39:37.640 --> 0:39:39.520
<v Speaker 1>about the woman who had like a running nose for

0:39:39.600 --> 0:39:41.799
<v Speaker 1>twenty years and she finally went to the doctor and

0:39:41.800 --> 0:39:45.440
<v Speaker 1>they're like, that's cerebro spinal fluid. Your brain is leaking

0:39:45.440 --> 0:39:48.400
<v Speaker 1>out of your nose. Was she okay? I guess, I

0:39:48.440 --> 0:39:54.919
<v Speaker 1>mean she lived with it for decades. That's crazy. Um.

0:39:54.960 --> 0:39:57.120
<v Speaker 1>And there's this other guy that I want to mention too,

0:39:58.960 --> 0:40:03.040
<v Speaker 1>the faith healer. Oh yeah, John of God. And this

0:40:03.080 --> 0:40:05.480
<v Speaker 1>made me want to do I'd love to do a

0:40:05.520 --> 0:40:08.960
<v Speaker 1>show on faith healing period and a show on psychic

0:40:08.960 --> 0:40:12.759
<v Speaker 1>surgery like those are definitely on the list now. Um.

0:40:12.800 --> 0:40:20.040
<v Speaker 1>But he is a famous Brazilian faith healer who um,

0:40:20.080 --> 0:40:23.040
<v Speaker 1>I mean he's he's big, like if he's he's way

0:40:23.040 --> 0:40:26.240
<v Speaker 1>more famous than I thought he was because I hadn't

0:40:26.239 --> 0:40:29.200
<v Speaker 1>heard of him. But he's a big time and um,

0:40:29.200 --> 0:40:32.640
<v Speaker 1>he does these. He has a couple of kind of operations, uh,

0:40:32.960 --> 0:40:35.560
<v Speaker 1>one visible and one invisible. And one of the visible

0:40:35.640 --> 0:40:40.360
<v Speaker 1>ones is he sticks forceps up the nose of people

0:40:41.080 --> 0:40:44.719
<v Speaker 1>and to supposedly heal them of certain things. And apparently

0:40:45.120 --> 0:40:50.239
<v Speaker 1>he was exposed by the great James Randy, Um, the

0:40:50.280 --> 0:40:55.400
<v Speaker 1>amazing Randy who we talked about, the great legendary skeptic

0:40:55.840 --> 0:41:00.319
<v Speaker 1>old sour Puss what's that his name? Did ever see

0:41:00.320 --> 0:41:02.920
<v Speaker 1>the documentary? No? I haven't yet. It's really good. There's

0:41:02.920 --> 0:41:06.719
<v Speaker 1>a great documentary called um an Honest Liar about the

0:41:06.760 --> 0:41:10.120
<v Speaker 1>amazing Randy. He's just so interesting. But he he I

0:41:10.120 --> 0:41:13.359
<v Speaker 1>think ABC or CBS or someone got him involved. Yeah,

0:41:13.360 --> 0:41:18.640
<v Speaker 1>ABC TV to expose uh John of God. And he said, well,

0:41:18.800 --> 0:41:20.640
<v Speaker 1>for sure one of the things. I mean, he's exposed

0:41:20.680 --> 0:41:23.600
<v Speaker 1>psychic surgeons before, but he said, this force ups up

0:41:23.680 --> 0:41:26.520
<v Speaker 1>the nose thing. There's nothing more than the blockhead trick,

0:41:27.560 --> 0:41:32.920
<v Speaker 1>and that's all he's doing. Fraud. We'll do a human

0:41:33.400 --> 0:41:35.640
<v Speaker 1>or no, a psychic surgery one. For sure. That sounds

0:41:35.640 --> 0:41:37.719
<v Speaker 1>pretty interesting. I remember seeing that when I was a kid.

0:41:37.800 --> 0:41:41.520
<v Speaker 1>I thought it was like the real deal. That apparently

0:41:41.560 --> 0:41:44.680
<v Speaker 1>Andy Kaufman like went to psychic surgeon and then figured

0:41:44.719 --> 0:41:48.120
<v Speaker 1>out the scam. So sad, so says Milosh Foreman. At

0:41:48.160 --> 0:41:53.640
<v Speaker 1>least yeah, he's like chickens in the hand. I see it. Uh,

0:41:53.880 --> 0:41:56.719
<v Speaker 1>you got anything else? I do not. If you want

0:41:56.760 --> 0:41:59.759
<v Speaker 1>to know more about human blockheads, you can type those

0:42:00.160 --> 0:42:01.960
<v Speaker 1>in the search part how stuff works dot com. You

0:42:02.000 --> 0:42:06.239
<v Speaker 1>can search human blockhead online. There's at least one good

0:42:06.280 --> 0:42:09.640
<v Speaker 1>Melvin Burkhart performance on YouTube. Don't forget to look up

0:42:09.680 --> 0:42:15.279
<v Speaker 1>all our cartilage, um Ryan Stock and also shout out

0:42:15.360 --> 0:42:20.520
<v Speaker 1>to um Zen Arts l A for their article on

0:42:20.960 --> 0:42:24.000
<v Speaker 1>blockheads that was helpful. As well. Since I said all that,

0:42:24.320 --> 0:42:28.360
<v Speaker 1>it's time friends for listener mail. So Chuck, I guess

0:42:28.400 --> 0:42:31.239
<v Speaker 1>this is the last one of the year. Yeah, yeah,

0:42:31.320 --> 0:42:36.080
<v Speaker 1>we should say before we do mail. Um, Happy New Year, everybody. Yeah,

0:42:36.160 --> 0:42:40.800
<v Speaker 1>be safe. We want to see everyone in and um

0:42:40.960 --> 0:42:42.680
<v Speaker 1>we kind of said it in the Christmas episode. But

0:42:42.960 --> 0:42:45.920
<v Speaker 1>thanks for everything over the years. Yeah for real, it

0:42:45.960 --> 0:42:49.080
<v Speaker 1>means a lot to us. And uh we we just

0:42:49.120 --> 0:42:52.560
<v Speaker 1>can't wait to get things going again. And by your calendar,

0:42:53.280 --> 0:42:57.440
<v Speaker 1>just a couple of days by your Earth calendar. And

0:42:57.719 --> 0:43:00.759
<v Speaker 1>also on a personal note, happy birthday too, my darling wife.

0:43:00.840 --> 0:43:04.600
<v Speaker 1>You me, Happy birthday? You me? Okay, Well it's time

0:43:04.600 --> 0:43:08.040
<v Speaker 1>for listening mail. Huh. I'm gonna call this uh banning

0:43:08.040 --> 0:43:10.359
<v Speaker 1>advertising the kids. We heard from a lot of people

0:43:10.400 --> 0:43:13.120
<v Speaker 1>on this. It's a hot topic. Hey guys live in

0:43:13.120 --> 0:43:16.120
<v Speaker 1>Northern Virginia. Just listen to your show on advertising for children.

0:43:16.360 --> 0:43:18.719
<v Speaker 1>I want to relate an relay and experience we had

0:43:18.719 --> 0:43:21.840
<v Speaker 1>with our eighteen then eighteen month old daughter. We're on

0:43:21.920 --> 0:43:24.720
<v Speaker 1>vacation with her in Florida. Had a day with nothing

0:43:24.800 --> 0:43:26.319
<v Speaker 1>on our to do list, so we decided to take

0:43:26.320 --> 0:43:29.160
<v Speaker 1>a drive to Walt Disney World. We also found a

0:43:29.160 --> 0:43:32.760
<v Speaker 1>bag full of cash in our club compartment. My husband

0:43:32.920 --> 0:43:35.839
<v Speaker 1>was was hesitant about going because of her young age

0:43:35.840 --> 0:43:38.760
<v Speaker 1>and the fact that she had zero exposure to Disney

0:43:38.760 --> 0:43:41.080
<v Speaker 1>at this point. I persuaded him by saying she would

0:43:41.120 --> 0:43:43.759
<v Speaker 1>enjoy the parades and the characters, even if she didn't

0:43:43.760 --> 0:43:46.359
<v Speaker 1>know who they were. Literally, only television she had ever

0:43:46.360 --> 0:43:49.759
<v Speaker 1>seen at that point was educational programming on PBS Kids,

0:43:49.760 --> 0:43:52.000
<v Speaker 1>and that was even minimal. So as we turned onto

0:43:52.000 --> 0:43:53.840
<v Speaker 1>the road trying to make our way to the Magic Kingdom,

0:43:53.880 --> 0:43:56.600
<v Speaker 1>there was a water tower in the distance decorated like

0:43:57.040 --> 0:44:00.680
<v Speaker 1>Mickey Mouse, ears and all, and my daughter immediately shouted, look,

0:44:00.719 --> 0:44:07.160
<v Speaker 1>it's Mickey Mouse. But they were like, yeah, how do

0:44:07.200 --> 0:44:10.839
<v Speaker 1>you know that? Uh. My husband and I were both

0:44:10.880 --> 0:44:15.120
<v Speaker 1>completely surprised. We could not believe that our daughter had

0:44:15.440 --> 0:44:19.120
<v Speaker 1>been indoctrinated into recognizing that brand at only eighteen months,

0:44:20.120 --> 0:44:23.040
<v Speaker 1>especially since we hadn't taught her that. Most likely she

0:44:23.120 --> 0:44:25.879
<v Speaker 1>was shown a toy or a book at daycare. Uh.

0:44:25.920 --> 0:44:29.160
<v Speaker 1>It is not that we were against that Disney or anything, obviously,

0:44:29.200 --> 0:44:31.120
<v Speaker 1>because we were taking her there. It's just very shocking

0:44:31.480 --> 0:44:34.879
<v Speaker 1>to see your young child parrot that information. This could

0:44:34.920 --> 0:44:38.239
<v Speaker 1>also be evidence of reincarnation well, at least what if

0:44:38.280 --> 0:44:40.040
<v Speaker 1>it was like a billboard and she's like, look, it's

0:44:40.040 --> 0:44:44.400
<v Speaker 1>a new Gangrich that would be cause for alarm. I

0:44:44.400 --> 0:44:47.160
<v Speaker 1>know this advertising is everywhere and it's nearly impossible to avoid,

0:44:47.200 --> 0:44:49.640
<v Speaker 1>and just hope we can eventually teach her to not

0:44:49.760 --> 0:44:52.719
<v Speaker 1>be fooled and use critical thinking to make decisions rather

0:44:52.800 --> 0:44:55.640
<v Speaker 1>than her emotions. Thanks for all you do to make

0:44:55.640 --> 0:44:59.080
<v Speaker 1>my long commute so much more enjoyable. That is from Stacy,

0:45:00.120 --> 0:45:02.000
<v Speaker 1>And she says, my daughter now is nearly five and

0:45:02.040 --> 0:45:06.000
<v Speaker 1>gets annoyed by commercials, so she pauses television until she

0:45:06.040 --> 0:45:09.960
<v Speaker 1>can fast forward through them all one point for technology. Nice. Well,

0:45:10.000 --> 0:45:12.760
<v Speaker 1>thanks a lot, Stacy. We appreciate that. It's a cool story.

0:45:13.000 --> 0:45:16.920
<v Speaker 1>I hope you guys had a good time at Disney World. Um,

0:45:16.960 --> 0:45:20.440
<v Speaker 1>and uh, that's it right. Well, if you want to

0:45:20.440 --> 0:45:22.719
<v Speaker 1>get in touch with us, like Stacy did, you can

0:45:22.760 --> 0:45:26.880
<v Speaker 1>tweet to us at josh um Clark or s Y

0:45:27.040 --> 0:45:29.640
<v Speaker 1>s K podcast. You can hang out with Chuck on

0:45:29.640 --> 0:45:33.960
<v Speaker 1>Facebook dot com slash Charles W. Chuck Bryant or Facebook

0:45:34.000 --> 0:45:35.960
<v Speaker 1>dot com slash Stuff You should Know, send us an

0:45:36.000 --> 0:45:38.600
<v Speaker 1>email to Stuff podcast at how Stuff Works dot com

0:45:38.680 --> 0:45:40.800
<v Speaker 1>and has always joined us at our home on the web,

0:45:41.200 --> 0:45:51.000
<v Speaker 1>Stuff you Should Know dot com for more on this

0:45:51.160 --> 0:45:53.920
<v Speaker 1>and thousands of other topics. Is that how stuff workst