WEBVTT - Questlove Supreme: Dawnn Lewis

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<v Speaker 1>Quests Love Supreme is a production of iHeartRadio.

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<v Speaker 2>Mm hmm.

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<v Speaker 3>Suprema Son Supremo role called Suprema Son Supremo. Roll call

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<v Speaker 3>Suprema So some supremo role called Suprema Son Sun Supremo roll.

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<v Speaker 1>Call MS Love Supreme. Yeah. The podcast Champ Yeah here

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<v Speaker 1>with Don Lewis.

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<v Speaker 2>Yeah, I'm not asking about Cramps.

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<v Speaker 4>Supremo role called Supreme So Supreme.

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<v Speaker 5>Role call.

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<v Speaker 6>My name is Sugar, Yeah, sweet as a muffin. Yeah,

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<v Speaker 6>but I ain't puffing around. Grandma is stuffing.

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<v Speaker 3>Suprema Supremo, roll Supreme Supremo.

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<v Speaker 7>Roll call, My name is Boss Bill, Yeah, keep keeping on. Yeah,

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<v Speaker 7>in the words such word is keeping there is in

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<v Speaker 7>this song.

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<v Speaker 1>Supreme So Supreme, So Supreme.

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<v Speaker 4>Roll call.

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<v Speaker 5>My name is Don. Yeah. You can call me Jalisa, Yeah,

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<v Speaker 5>you can call me Zelma. Yeah, just call me health there.

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<v Speaker 4>Right now, Supremo, Supreme, Supreme, Subpreme.

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<v Speaker 1>Supreme.

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<v Speaker 3>Wow.

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<v Speaker 7>And I'm flying your background vocals into every role called

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<v Speaker 7>we can you you out did Charlie Wilson Q TIP

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<v Speaker 7>trying to go rogue on the ladies and gentlemen. Welcome

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<v Speaker 7>to another soon to be classic episode of q LS.

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<v Speaker 7>I'm your host quest Love with Me today is the

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<v Speaker 7>legendary Sugar Steve.

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<v Speaker 1>Wow, Sugar, Hey, I upgraded you to legend appreciate that.

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<v Speaker 6>Yeah, I Figu're gonna update my resume right now my

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<v Speaker 6>bio and yeah, put legendary at the time.

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<v Speaker 1>You're the legendary Sugar Steve.

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<v Speaker 5>You know the songs for everything Sugar.

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<v Speaker 1>Already? Wait, do we have to pay for the archies?

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<v Speaker 5>Yeah? I don't know. Okay, anyway, they're all gone.

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<v Speaker 1>We got the boss the bosses, Boss Bill, that's me.

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<v Speaker 5>Yeah, it's a song for that too, William Marry Big.

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<v Speaker 5>I'm only kidding, don't you know?

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<v Speaker 2>All right, So, do we have a theme for two

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<v Speaker 2>negligend fathers who walk out on their kids going out

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<v Speaker 2>for cigarettes for a Yeah, unpaid and fante out in

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<v Speaker 2>the world smoking cigarettes. They promised they'd be back, but

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<v Speaker 2>you know, I don't know. If it's quiet again. Uh,

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<v Speaker 2>if it's rather quiet around here, it's because Layah has

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<v Speaker 2>also taken up smoking cigarettes, and she went out and

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<v Speaker 2>said she'll be back momentarily, so we'll trust that she'll

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<v Speaker 2>be back next episode. Ladies and Gentlemen, Today, as I

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<v Speaker 2>said earlier, should be a rather amazing episode.

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<v Speaker 1>Our guest is a renaissance woman.

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<v Speaker 2>You know, some we always hear the term like a

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<v Speaker 2>renaissance man or whatever, but I'd rarely hear women described

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<v Speaker 2>in the same sort of superlatives. If you will, I

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<v Speaker 2>will say she's multifaceted, multi talented, pretty much as a singer, songwriter,

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<v Speaker 2>as an actress, be it whatever medium of stage, television, movies.

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<v Speaker 2>With a gazillion impressive credit to boot, I will personally

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<v Speaker 2>say that she's probably part of the most life changing

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<v Speaker 2>ensemble for me personally. I'm speaking of her work on

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<v Speaker 2>a different world as Jalisa Vincent, which I could say

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<v Speaker 2>single handedly inspired me not even to go to college,

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<v Speaker 2>but to be more intelligent, Like that's how I can

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<v Speaker 2>you know That's and I'm saying in the most non

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<v Speaker 2>eloquent way possible because Steve is looking at me, like,

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<v Speaker 2>who are you right now? Ladies and gentlemen, please welcome

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<v Speaker 2>to Questlo Supreme Don Lewis, Hey, everybody.

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<v Speaker 5>Wow, I'm truly humbled. What a beautiful thing to say.

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<v Speaker 5>Thank you so much.

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<v Speaker 8>I wasn't looking at your funny I'm I'm taking it

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<v Speaker 8>in usually, no, you give me this.

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<v Speaker 6>I'm wondering how you know the last name of the

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<v Speaker 6>character on the show, like usually you remember the first.

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<v Speaker 1>Game Lisa Vincent Taylor.

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<v Speaker 5>Oh say there you go.

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<v Speaker 8>Yeah, that's okay. How many names did you have?

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<v Speaker 4>You know?

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<v Speaker 2>What you have to understand is, I know it's it's

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<v Speaker 2>weird that having binged it in probably a ten day

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<v Speaker 2>period the entire series.

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<v Speaker 1>Wow, I can't. Yeah, I have time on my hands.

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<v Speaker 2>When I'll know, you know, I want to get my

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<v Speaker 2>hair braided, traveling whatnot in the jacuzzi.

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<v Speaker 5>Yes, yes, it's conscious image.

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<v Speaker 2>At the local wire, not in my house because I

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<v Speaker 2>can't afford one yet. I will say that, Yeah, the

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<v Speaker 2>show was definitely way ahead of its time as far

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<v Speaker 2>as like subject matter and things that are still relevant

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<v Speaker 2>today and whatnot. But most importantly, I think that when

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<v Speaker 2>it first came on, I mean I don't think I

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<v Speaker 2>had aspirations or even new I was college material or

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<v Speaker 2>that sort of thing. So seeing that on television for

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<v Speaker 2>me probably more life changing than seeing The Cosby Show.

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<v Speaker 2>So and now I know that you guys don't get

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<v Speaker 2>enough praise for that.

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<v Speaker 5>Appreciate that.

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<v Speaker 1>That's my fan worship for the hour, So thank you

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<v Speaker 1>so much.

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<v Speaker 6>I did watch Different World, but in reading up on it,

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<v Speaker 6>it seems like that shows created almost specifically to talk

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<v Speaker 6>about issues that weren't being talked about on The Cosby Show.

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<v Speaker 6>More so than just like a vehicle for Lisa Bonet

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<v Speaker 6>or spin off.

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<v Speaker 4>It was.

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<v Speaker 5>It was not so much comparatively to The Cosby Show,

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<v Speaker 5>but just what wasn't being talked about today and what

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<v Speaker 5>particularly young people were dealing with and faced with. You know,

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<v Speaker 5>when you go from the shelter of your parents' home

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<v Speaker 5>out into the real world, all of a sudden, so

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<v Speaker 5>many things start smacking you in the face that nobody

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<v Speaker 5>necessarily taught you how to deal with. Yet it's there

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<v Speaker 5>and in your life, in your relationships, all of it.

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<v Speaker 5>And they wanted to keep it authentic to what we

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<v Speaker 5>were dealing with at the time. And like you, I

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<v Speaker 5>went to college and had just graduated just a couple

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<v Speaker 5>of years before. But it wasn't until I started doing

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<v Speaker 5>a Different World World that it clicked for me what

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<v Speaker 5>an HBCU was Because we had those commercials of mind

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<v Speaker 5>is a terrible thing to waste with a person of color,

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<v Speaker 5>and you think, well, that makes sense, everybody should get

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<v Speaker 5>into ed education. I didn't put two and two together

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<v Speaker 5>that that was talking about a specific grouping of schools

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<v Speaker 5>of higher learning for people of color, for af African Americans,

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<v Speaker 5>So even those of us who were in the show

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<v Speaker 5>were learning lessons while we were doing the show. And

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<v Speaker 5>my name, I had never heard the name Jalisa before,

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<v Speaker 5>but I was actually named after the wife of one

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<v Speaker 5>of mister Cosby's best friends, Jalisa Hazard. And my last name, Vincent,

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<v Speaker 5>was the last name of one of our stage managers,

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<v Speaker 5>Chuck Vincent.

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<v Speaker 1>I always wondered about that.

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<v Speaker 5>Yeah, Chuck, Chuck Vincent's. He was naming people after every everybody.

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<v Speaker 5>Sindbad was named after Walt Hazzard coach Walter Oaks. Yeah,

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<v Speaker 5>oh okay, we were all named after somebody after.

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<v Speaker 7>And there there's an episode where Ron mentions that month

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<v Speaker 7>for by name and he was like a producer on

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<v Speaker 7>the sho or something.

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<v Speaker 5>That was one of our executive producers first season, and

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<v Speaker 5>that was one of the first the pioneers of writing

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<v Speaker 5>for traditionally white shows when he wrote on Mash. He

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<v Speaker 5>wrote for several different shows and was executive producer. So

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<v Speaker 5>we missed him, miss him Dealer. Yeah, Dad was a trailblazer.

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<v Speaker 1>So where were you? Where were you?

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<v Speaker 9>Born.

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<v Speaker 1>Are you Let's Dyet.

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<v Speaker 5>Corner raised Bedstye. We moved six times, but always in Brooklyn.

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<v Speaker 5>So I went from Bedstide to Park Slope, back to

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<v Speaker 5>Bedstide to Crown Heights and ultimately Flat Push, about five

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<v Speaker 5>blocks from Brooklyn College.

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<v Speaker 2>What was your Brooklyn experience? I always ask whenever Brooklyn

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<v Speaker 2>mights come on the show, and I ask, are they

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<v Speaker 2>you know, surprised at how it's transformed since then?

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<v Speaker 1>Like?

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<v Speaker 5>Oh yeah, when I was coming up in Brooklyn, the

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<v Speaker 5>neighbors I had now are not the neighbors I had then.

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<v Speaker 5>Let's still that way. No. Right now, while I'm here working,

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<v Speaker 5>I'm up in Harlem and Harlem and what it used

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<v Speaker 5>to be either I went to high school and home

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<v Speaker 5>I went. That was when music and art was up

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<v Speaker 5>on one hundred and thirty fifth Street in Convent, So

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<v Speaker 5>that was where I went went to high school, from

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<v Speaker 5>the last stop the junction in Brooklyn, right all the

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<v Speaker 5>way to one hundred and thirty fifth Street in Harlem.

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<v Speaker 1>How many hours was that?

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<v Speaker 5>That's about an hour and twenty minutes for me to

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<v Speaker 5>get to school every day.

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<v Speaker 1>What time did you wake up?

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<v Speaker 5>I don't even remember. I don't know if I was

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<v Speaker 5>awake when I woke up, I just knew. I got

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<v Speaker 5>on the train.

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<v Speaker 1>No school busing, No.

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<v Speaker 5>No, I got on the number. Okay, they switched the

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<v Speaker 5>numbers cause the three and the four used to go

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<v Speaker 5>to Flatbush and the two and the five used to

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<v Speaker 5>go to New Lots and Utica. So it took me

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<v Speaker 5>like fourteen fifteen years to even be willing to ride

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<v Speaker 5>the subway again. Once I moved to California and I knew,

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<v Speaker 5>I knew where I was going, Childo's trains took me

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<v Speaker 5>in all kind of wrong directions. I was like, what

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<v Speaker 5>is happening right now? When did the two start going

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<v Speaker 5>to Flatbush? When did that happen? But no, so yeah,

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<v Speaker 5>by an hour twenty minutes every day to get up

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<v Speaker 5>to high school. So that was when music and art

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<v Speaker 5>and performing arts were in two separate, separate buildings. Music

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<v Speaker 5>and art was where you did vocal music, progressive instrumentals

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<v Speaker 5>like the jazz band. Photographic and portrait arts, you know,

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<v Speaker 5>visual arts and performing arts was down in Times Square,

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<v Speaker 5>and that was where you had traditional dance training. It

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<v Speaker 5>was on a thing around forty sixth Street or some

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<v Speaker 5>something like that. So is this the fable LaGuardia School

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<v Speaker 5>or LaGuardia School, a fame fame. So about two years

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<v Speaker 5>after my graduation, class was when they put everybody in

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<v Speaker 5>one building. And now that's the building that's in Lincoln Center. Okay,

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<v Speaker 5>so Brooklyn was very different, humble, honest, grounded, you know, challenging.

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<v Speaker 5>I was bullied a lot when I was a kid,

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<v Speaker 5>but I was also popular. Was I was bullied because

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<v Speaker 5>I was popular, if that makes sense.

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<v Speaker 1>So you never had the I'm gonna get my brother

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<v Speaker 1>to fuck you.

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<v Speaker 5>Oh yeah I did, and I have I'm the only girl,

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<v Speaker 5>and I have three brothers, and yeah, they they could

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<v Speaker 5>torment me all they wanted, but no one could mess

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<v Speaker 5>with their little little sis sister. So everybody, no, I'm third,

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<v Speaker 5>I'm third, two older and one younger who thinks he's older.

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<v Speaker 8>I'm sorry. I called your grandma mixed.

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<v Speaker 5>I'm not sorry, You're not sorry, You're not sorry.

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<v Speaker 1>So was it a creative household a musical house?

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<v Speaker 5>I'm the only one. I'm the only one. One of

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<v Speaker 5>my older brothers ultimately got into music, and then he

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<v Speaker 5>started a family. So he got a regular nine to

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<v Speaker 5>five job. He was a paralegal. Now he's in it

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<v Speaker 5>and now he recently retired, so now he plays bass

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<v Speaker 5>in a in a trio whenever they feel like it

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<v Speaker 5>on week weekends and clubs and stuff. But my oldest

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<v Speaker 5>brother grew to be a fireman, so he was a firefighter.

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<v Speaker 5>Now he works as a fire marshal and head security

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<v Speaker 5>for a building on Park Avenue. And my younger brother

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<v Speaker 5>went into loss. He has his own law firm. And

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<v Speaker 5>then there's me singing and dancing and stuff.

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<v Speaker 1>Okay, was it was it encouraged or.

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<v Speaker 5>Was it just it was encouraged because again, like I

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<v Speaker 5>like I said, I had three brothers and my family

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<v Speaker 5>is from South America, so very different traditional values of

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<v Speaker 5>what is appropriate for a young girl to do and

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<v Speaker 5>for a young boy to do. But at the same time,

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<v Speaker 5>I wasn't allowed to do anything unless my brothers took me.

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<v Speaker 1>Were you first generation born.

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<v Speaker 5>First generation American citizen? Yes, and your parents are Guyany

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<v Speaker 5>South South America, Guyana. So they came up and my

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<v Speaker 5>mom one day, I was seven, very tall, athletic because

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<v Speaker 5>I was playing handball. That's what you did in Brooklyn.

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<v Speaker 5>You played handball, stickball, skellies in the in the skelly Yes,

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<v Speaker 5>in the street. Kelly's is a street it's street pool,

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<v Speaker 5>but you play it with with bottle tops and you

0:12:52.360 --> 0:12:52.719
<v Speaker 5>pluck it.

0:12:53.000 --> 0:12:55.599
<v Speaker 2>And the amount of times I got in trouble for

0:12:55.760 --> 0:12:59.160
<v Speaker 2>stealing milk capsm's milk.

0:13:00.040 --> 0:13:01.480
<v Speaker 8>Throw a ball at or something, try and flip it.

0:13:01.600 --> 0:13:03.760
<v Speaker 1>Well, no, you would take the milk caps.

0:13:03.720 --> 0:13:06.760
<v Speaker 5>And then or a quarter to give us some more weight.

0:13:07.400 --> 0:13:09.520
<v Speaker 2>Yes, yeah, I would go on the street first. I

0:13:09.520 --> 0:13:12.280
<v Speaker 2>would take her spoons, which is a no no. Go

0:13:12.400 --> 0:13:14.920
<v Speaker 2>out in the street, find a grease spot and then

0:13:15.240 --> 0:13:18.240
<v Speaker 2>dig for tar of the street and put it inside

0:13:18.280 --> 0:13:21.520
<v Speaker 2>the caps. And then we scrubbed the cap on sidewalks

0:13:21.559 --> 0:13:25.160
<v Speaker 2>and go smooth. Freeze it at night and you just dream.

0:13:25.400 --> 0:13:27.679
<v Speaker 2>You put in a freezer and then you dream. So

0:13:28.280 --> 0:13:30.600
<v Speaker 2>think of a milk cap with tar.

0:13:30.800 --> 0:13:31.920
<v Speaker 5>It's like a hockey puck.

0:13:33.240 --> 0:13:35.439
<v Speaker 8>This is why there's no black hockey players. They're all playing.

0:13:36.920 --> 0:13:39.400
<v Speaker 5>So what you do is you draw this big board

0:13:39.480 --> 0:13:42.240
<v Speaker 5>and there are numbers strategically placed around the board, and

0:13:42.320 --> 0:13:47.240
<v Speaker 5>you shoot your cap from number to number and sequential order. Okay,

0:13:47.480 --> 0:13:52.880
<v Speaker 5>you wait, this is a very cultural different. Marbles go

0:13:53.040 --> 0:13:56.720
<v Speaker 5>Marbles and Brooklyn. They kill small children, they swallow them

0:13:56.760 --> 0:13:57.120
<v Speaker 5>and die.

0:13:57.240 --> 0:14:06.080
<v Speaker 10>Okay, shot fire shots fire. Yes, you're right, I couldn't

0:14:06.080 --> 0:14:08.760
<v Speaker 10>afford mom, So you shoot.

0:14:08.480 --> 0:14:11.400
<v Speaker 5>Them around the board. And the thing was when it rained,

0:14:11.800 --> 0:14:14.880
<v Speaker 5>that's when parents got really pissed because we had parque

0:14:14.960 --> 0:14:17.560
<v Speaker 5>floors in our house. So we took that same chalk

0:14:17.640 --> 0:14:21.960
<v Speaker 5>and would draw Skelly's boards indoors, indoors and on my

0:14:22.080 --> 0:14:26.440
<v Speaker 5>mom's parquet floors. We would draw Skelly boards and well,

0:14:26.440 --> 0:14:29.720
<v Speaker 5>I'm here, Wow, I ran, I'm faster than my mama.

0:14:30.880 --> 0:14:31.440
<v Speaker 5>She caught.

0:14:32.520 --> 0:14:35.120
<v Speaker 1>Can I tell you it is my dream.

0:14:36.800 --> 0:14:40.040
<v Speaker 2>Man, just between nineteen seventy eight and like nineteen eighty one,

0:14:41.080 --> 0:14:45.320
<v Speaker 2>Like I mean, me and my cousin would dream at night,

0:14:45.520 --> 0:14:46.680
<v Speaker 2>like your ways to.

0:14:46.800 --> 0:14:49.760
<v Speaker 1>Get the Sean Riley family like to knock there.

0:14:50.400 --> 0:14:54.000
<v Speaker 2>They had the best caps ever, it like, and you

0:14:54.040 --> 0:14:57.440
<v Speaker 2>couldn't get the milk tops with the stickers on them

0:14:57.520 --> 0:14:59.920
<v Speaker 2>because then that would not give you tracks.

0:15:00.440 --> 0:15:03.840
<v Speaker 1>Yes, yo, man, it was an art to play.

0:15:05.680 --> 0:15:08.320
<v Speaker 5>It was fantastic, dude, it was fantastic.

0:15:08.360 --> 0:15:12.880
<v Speaker 2>Between were speaking of South America. There's there's a you

0:15:12.960 --> 0:15:16.040
<v Speaker 2>know there's a tag tournament in South America. Yes, like

0:15:16.520 --> 0:15:19.400
<v Speaker 2>for real, like think of those like what are those shows?

0:15:19.440 --> 0:15:23.480
<v Speaker 2>Were like Ultimate Warrior like that sort of thing Warrior. Yeah,

0:15:23.520 --> 0:15:24.600
<v Speaker 2>but they have it for tag.

0:15:25.000 --> 0:15:26.360
<v Speaker 5>For tag, they're pretty.

0:15:26.400 --> 0:15:30.400
<v Speaker 2>So imagine like a playground where literally like a guy's

0:15:30.520 --> 0:15:32.920
<v Speaker 2>chasing you and you gotta like jump over a monkey

0:15:33.000 --> 0:15:35.720
<v Speaker 2>bar and you know there's like obstacles there, like you

0:15:35.800 --> 0:15:36.880
<v Speaker 2>might get your head knocked off.

0:15:37.160 --> 0:15:40.120
<v Speaker 7>But so coming home from fifth grade, Okay, I want

0:15:40.240 --> 0:15:44.160
<v Speaker 7>that right running home in fifth grade.

0:15:44.240 --> 0:15:49.080
<v Speaker 2>I want that for Skelly, like you just played. All right,

0:15:49.160 --> 0:15:51.960
<v Speaker 2>So we played stickball. That's where you shave half.

0:15:52.040 --> 0:15:52.600
<v Speaker 4>The ball.

0:15:53.920 --> 0:15:57.000
<v Speaker 5>Is where you take your room and you use it

0:15:57.080 --> 0:16:00.520
<v Speaker 5>as a bat. And remember the pink spalding balls the balls.

0:16:00.560 --> 0:16:02.080
<v Speaker 5>That was the ball that you would use and you

0:16:02.120 --> 0:16:04.280
<v Speaker 5>would pop it or punch ball, because if you couldn't

0:16:04.320 --> 0:16:12.320
<v Speaker 5>afford a stick, you would take the ball it. You

0:16:12.360 --> 0:16:14.560
<v Speaker 5>would take the ball and punch it and you would

0:16:14.640 --> 0:16:17.840
<v Speaker 5>run run the bases. All right, So we were very

0:16:18.040 --> 0:16:19.600
<v Speaker 5>creative children, thank you.

0:16:19.720 --> 0:16:20.200
<v Speaker 1>We would take that.

0:16:20.280 --> 0:16:22.240
<v Speaker 5>We didn't need expensive things like marble.

0:16:26.520 --> 0:16:29.120
<v Speaker 2>So you would play with the pink pol See. We

0:16:29.160 --> 0:16:31.960
<v Speaker 2>would take a razor and then yeah, gets.

0:16:31.760 --> 0:16:34.120
<v Speaker 5>See little children in my neighborhood weren't allowed to play

0:16:34.160 --> 0:16:34.720
<v Speaker 5>with razors.

0:16:35.560 --> 0:16:37.560
<v Speaker 1>Well, we would have make it. We would cut it

0:16:37.640 --> 0:16:38.560
<v Speaker 1>in half. Uh, huh.

0:16:39.160 --> 0:16:42.720
<v Speaker 2>In Philadelphia, you played stickball with half I guess so

0:16:42.760 --> 0:16:43.800
<v Speaker 2>you wouldn't ring a window.

0:16:44.320 --> 0:16:45.000
<v Speaker 5>Oh we didn't care.

0:16:48.520 --> 0:16:50.760
<v Speaker 1>Wow, so you would have to you would throw half

0:16:51.000 --> 0:16:53.720
<v Speaker 1>of a tennis ball or half of a one of

0:16:53.760 --> 0:16:55.040
<v Speaker 1>those pink bouncy.

0:16:54.720 --> 0:16:57.840
<v Speaker 5>Yeah huh, and then play stickball that way.

0:16:58.400 --> 0:17:01.920
<v Speaker 2>Yeah damn, we just make it a street. We ain't

0:17:01.960 --> 0:17:03.640
<v Speaker 2>even getting the nineteen eighty seven.

0:17:05.200 --> 0:17:07.040
<v Speaker 1>Talk about the street. You ever play kingball?

0:17:07.560 --> 0:17:07.600
<v Speaker 6>No?

0:17:07.800 --> 0:17:08.880
<v Speaker 5>What's king kingball?

0:17:09.359 --> 0:17:12.959
<v Speaker 2>Kingball is like all right, if you have a sidewalk,

0:17:13.840 --> 0:17:18.399
<v Speaker 2>it's it's sort of like, uh, you need four people

0:17:18.680 --> 0:17:21.840
<v Speaker 2>to play it, and each person gets a designated square

0:17:21.880 --> 0:17:26.280
<v Speaker 2>of a sidewalk. Think of like tennis with a basketball,

0:17:27.040 --> 0:17:31.480
<v Speaker 2>So the goal is not to hit the boundary of

0:17:31.640 --> 0:17:32.359
<v Speaker 2>the sidewalk.

0:17:33.880 --> 0:17:35.320
<v Speaker 1>It's a long exploit.

0:17:35.400 --> 0:17:36.080
<v Speaker 5>It sounds like it.

0:17:36.520 --> 0:17:37.840
<v Speaker 1>I feel like I need to be eight years old

0:17:37.840 --> 0:17:40.199
<v Speaker 1>to understand what it is. It's a Philly thing.

0:17:40.240 --> 0:17:43.280
<v Speaker 5>Okay, wait, okay. Two more favorite games as a kid

0:17:43.400 --> 0:17:45.760
<v Speaker 5>high Water low Water? Did you play high water low Water?

0:17:45.760 --> 0:17:46.320
<v Speaker 1>I remember this.

0:17:48.040 --> 0:17:51.280
<v Speaker 5>You use a rope and you lay it on the

0:17:51.320 --> 0:17:53.560
<v Speaker 5>ground and you take your turn stepping over. Then still,

0:17:53.720 --> 0:17:56.080
<v Speaker 5>after everybody goes, you raise it a little high and

0:17:56.160 --> 0:17:58.159
<v Speaker 5>then and then you start then it becomes like the

0:17:58.280 --> 0:18:01.520
<v Speaker 5>high jump, and then one concrete not safe, and then the.

0:18:01.560 --> 0:18:02.639
<v Speaker 1>Other version of this.

0:18:03.119 --> 0:18:05.000
<v Speaker 8>Well, I was just that just sounds like the reverse

0:18:05.080 --> 0:18:05.920
<v Speaker 8>of limbo.

0:18:05.720 --> 0:18:11.600
<v Speaker 5>Limbo limbo exactly exactly because your caribbean hr catch a.

0:18:11.600 --> 0:18:13.840
<v Speaker 1>Girl, freaking girl. Anyone know.

0:18:17.080 --> 0:18:21.840
<v Speaker 5>Something else that's a child molestation? Now, all right, one

0:18:21.880 --> 0:18:23.600
<v Speaker 5>more game. How about hot peas and butter.

0:18:24.600 --> 0:18:27.359
<v Speaker 1>I've heard this referred to in every rap song, but

0:18:27.560 --> 0:18:29.680
<v Speaker 1>never knew what butter is.

0:18:30.040 --> 0:18:34.280
<v Speaker 5>You would take a belt and you would hide it somewhere, okay,

0:18:34.840 --> 0:18:37.080
<v Speaker 5>and you were the person who was it in control

0:18:37.160 --> 0:18:39.399
<v Speaker 5>of hiding it. Then everyone else had to go and

0:18:39.520 --> 0:18:42.199
<v Speaker 5>try to find the belt. And so if people were

0:18:42.240 --> 0:18:45.160
<v Speaker 5>anywhere near where you hit, you go hot, hot hot,

0:18:45.240 --> 0:18:47.880
<v Speaker 5>if they went away cold cold, cold, So you would

0:18:47.960 --> 0:18:50.720
<v Speaker 5>yell after the belt was hit, Hot Peas and butter,

0:18:51.040 --> 0:18:53.720
<v Speaker 5>come and get yourself, and the people would go looking

0:18:53.800 --> 0:18:58.960
<v Speaker 5>for it, and here yesterday, come and get yourself. And

0:18:59.000 --> 0:19:01.080
<v Speaker 5>then people would go and looking for the belt. And

0:19:01.160 --> 0:19:03.440
<v Speaker 5>whoever found the belt, you tried to keep it hidden

0:19:03.440 --> 0:19:07.080
<v Speaker 5>and you would run and hit everybody with Yeah.

0:19:07.119 --> 0:19:11.360
<v Speaker 1>I wasn't playing that. I was not playing that game.

0:19:12.400 --> 0:19:14.760
<v Speaker 5>And then you had to run and not get hit

0:19:15.280 --> 0:19:15.800
<v Speaker 5>with them.

0:19:18.000 --> 0:19:21.520
<v Speaker 1>That don't sound fun. It sounds like my child is

0:19:22.440 --> 0:19:25.280
<v Speaker 1>the worst way possible. It was hilarious, like me trying

0:19:25.280 --> 0:19:26.320
<v Speaker 1>to hide a belt from somebody.

0:19:27.080 --> 0:19:27.560
<v Speaker 5>I do that.

0:19:29.200 --> 0:19:37.520
<v Speaker 1>Three weeks before every report. So what do you all right?

0:19:37.600 --> 0:19:39.840
<v Speaker 5>So what do you do play anymore?

0:19:41.480 --> 0:19:44.480
<v Speaker 2>You're so multi faceted with your talent. What do you

0:19:44.760 --> 0:19:50.200
<v Speaker 2>consider yourself is at least at fourteen fifteen when you're

0:19:50.240 --> 0:19:51.520
<v Speaker 2>developing your talent?

0:19:51.680 --> 0:19:53.600
<v Speaker 1>Are you a singer? Are you a poet? Are you

0:19:54.240 --> 0:19:55.760
<v Speaker 1>an actress? Are you dancer?

0:19:55.920 --> 0:19:59.840
<v Speaker 5>Like? I was all of it? Quite frankly, I was.

0:20:00.160 --> 0:20:02.359
<v Speaker 5>I was singing. I started singing at four, I was

0:20:02.480 --> 0:20:05.680
<v Speaker 5>lead singer in a band at fourteen. I had my

0:20:06.400 --> 0:20:10.680
<v Speaker 5>about four or five poems published in a compilation book

0:20:10.840 --> 0:20:13.840
<v Speaker 5>of young writers. By the time I was fifteen, I

0:20:14.000 --> 0:20:16.560
<v Speaker 5>was dancing on the stage at Carnegie Hall and Brooklyn

0:20:16.600 --> 0:20:18.360
<v Speaker 5>Academy and music by the time I was nine.

0:20:18.960 --> 0:20:19.480
<v Speaker 8>So I was.

0:20:20.000 --> 0:20:22.440
<v Speaker 5>I was all of that. So I never considered that

0:20:22.520 --> 0:20:26.320
<v Speaker 5>I had to choose. What I believed in, what the

0:20:26.480 --> 0:20:30.639
<v Speaker 5>environment I was raised in was that you had to

0:20:30.760 --> 0:20:33.560
<v Speaker 5>maximize everything. It was called being a trip triple threat.

0:20:33.640 --> 0:20:36.040
<v Speaker 5>You had to sing, dance, and act in order to

0:20:36.080 --> 0:20:39.720
<v Speaker 5>be viable in the business. And you asked me, was

0:20:39.720 --> 0:20:41.480
<v Speaker 5>it encouraged? You know, going back to how we got

0:20:41.520 --> 0:20:44.520
<v Speaker 5>into childhood game was my mother looked at me. I

0:20:44.640 --> 0:20:47.800
<v Speaker 5>was seven years old, really tall, really fit, playing all

0:20:47.840 --> 0:20:50.480
<v Speaker 5>these games with all these boys and everybody in the street.

0:20:51.000 --> 0:20:52.680
<v Speaker 5>She realized, you know what, I have to get my

0:20:52.800 --> 0:20:54.560
<v Speaker 5>child out of the middle of all of these boys

0:20:54.680 --> 0:20:57.600
<v Speaker 5>and give her something that she can do on her own.

0:20:57.880 --> 0:21:01.200
<v Speaker 5>And my mom had a really great friend, missus Green,

0:21:01.560 --> 0:21:04.200
<v Speaker 5>who had a daughter who was about five six years

0:21:04.200 --> 0:21:07.440
<v Speaker 5>older than I was, who was dancing. So she took

0:21:07.480 --> 0:21:10.240
<v Speaker 5>me to a dance recital at the Academy of Music.

0:21:10.359 --> 0:21:11.960
<v Speaker 5>I said, ma, I want to do that. She said,

0:21:12.119 --> 0:21:14.840
<v Speaker 5>are you sure? I said yes. So she enrolled me

0:21:14.880 --> 0:21:17.360
<v Speaker 5>in dance class. And I was riding the bus from

0:21:17.400 --> 0:21:21.200
<v Speaker 5>my house which was in on mid Where were we

0:21:21.280 --> 0:21:24.720
<v Speaker 5>at that time. We were on Midwood Street in Crown

0:21:24.800 --> 0:21:28.000
<v Speaker 5>Heights at that time, and I had to walk three

0:21:28.080 --> 0:21:32.520
<v Speaker 5>blocks over to the bus on New York Avenue get

0:21:32.600 --> 0:21:34.160
<v Speaker 5>on the bus at a certain time so I could

0:21:34.200 --> 0:21:36.400
<v Speaker 5>ride to the next stop where this young lady would

0:21:36.400 --> 0:21:38.640
<v Speaker 5>get on the bus with me and we would ride

0:21:38.720 --> 0:21:42.840
<v Speaker 5>down to Pacific Street and Saratoga to Miss Elaine Christian's

0:21:42.960 --> 0:21:46.320
<v Speaker 5>dance studio, And I did that once a week until

0:21:46.480 --> 0:21:48.160
<v Speaker 5>I was fifteen years old.

0:21:48.200 --> 0:21:49.879
<v Speaker 1>Where's e Lane Christian's dance studio.

0:21:50.119 --> 0:21:54.480
<v Speaker 5>It was on Pacific right near Saratoga, So at that

0:21:54.640 --> 0:21:56.720
<v Speaker 5>young age, I was on the city bus going to

0:21:56.800 --> 0:21:59.840
<v Speaker 5>and from dance classes. So that was kind of how

0:22:00.119 --> 0:22:03.360
<v Speaker 5>that started for me was my mom wanted to encourage

0:22:03.359 --> 0:22:05.040
<v Speaker 5>me to have my own thing. That took me out

0:22:05.080 --> 0:22:07.960
<v Speaker 5>of the middle of being around all those boys all

0:22:08.160 --> 0:22:08.720
<v Speaker 5>of the time.

0:22:08.840 --> 0:22:11.040
<v Speaker 6>Do you find, sorry, Marin, do you find that that

0:22:11.960 --> 0:22:14.680
<v Speaker 6>whole way of thought is sort of gone? Where the

0:22:14.760 --> 0:22:17.480
<v Speaker 6>triple threat thing? Because it seems like so many of

0:22:17.960 --> 0:22:21.480
<v Speaker 6>our of the people in the past who have who

0:22:21.600 --> 0:22:25.320
<v Speaker 6>were in entertainment were triple threats.

0:22:25.480 --> 0:22:28.680
<v Speaker 8>Yes, and it's that. Is that still a prevalent way

0:22:28.680 --> 0:22:30.040
<v Speaker 8>of looking at things?

0:22:30.160 --> 0:22:31.560
<v Speaker 5>You know? I don't know that it's a prevalent way

0:22:31.560 --> 0:22:33.960
<v Speaker 5>of looking at things. What I have learned is that

0:22:34.080 --> 0:22:38.960
<v Speaker 5>the way the business continues to evolve, the powers that be,

0:22:39.320 --> 0:22:42.560
<v Speaker 5>the them or the they are more comfortable putting you

0:22:42.680 --> 0:22:45.080
<v Speaker 5>into a box. So I know a lot of people

0:22:45.119 --> 0:22:48.960
<v Speaker 5>who you see starring on television as actors are really

0:22:49.040 --> 0:22:54.000
<v Speaker 5>incredible singers or dancers, and you you you learned when

0:22:54.040 --> 0:22:56.800
<v Speaker 5>they get the opportunity that they have all these other gifts.

0:22:57.119 --> 0:22:59.119
<v Speaker 5>But because of the way the industry is now, they

0:22:59.280 --> 0:23:01.320
<v Speaker 5>kind of say, well, if we want a dramatic lead,

0:23:01.400 --> 0:23:03.879
<v Speaker 5>we need to hire this person. If we want to comedically,

0:23:04.000 --> 0:23:06.280
<v Speaker 5>we need to hire this person. So you don't necessarily

0:23:06.400 --> 0:23:09.000
<v Speaker 5>get to know what other pe people do. But no,

0:23:09.119 --> 0:23:11.159
<v Speaker 5>I don't think it's a requirement like it used to be.

0:23:12.280 --> 0:23:16.359
<v Speaker 5>I don't think so. Oh you googling stuff.

0:23:17.080 --> 0:23:21.120
<v Speaker 2>No, only because your story is very similar to prodigy

0:23:21.320 --> 0:23:23.960
<v Speaker 2>mom deeps. I was trying to figure out if whether

0:23:24.040 --> 0:23:26.560
<v Speaker 2>or not that was his grandmother's dance studio.

0:23:27.080 --> 0:23:30.720
<v Speaker 1>Oh, okay, but it wasn't. Ok it wasn't. Well wait,

0:23:30.960 --> 0:23:34.680
<v Speaker 1>I still don't know, because now I almost feel like

0:23:34.760 --> 0:23:37.359
<v Speaker 1>it is the stories to.

0:23:38.119 --> 0:23:40.800
<v Speaker 5>Who used to be a big dancer at the Cotton Club.

0:23:41.080 --> 0:23:45.639
<v Speaker 5>She danced with Bill rob Robinson, bo Jangles and you

0:23:45.720 --> 0:23:48.159
<v Speaker 5>know all of that. So that was her legacy and

0:23:48.240 --> 0:23:49.800
<v Speaker 5>she passed it on us. And we were there all

0:23:49.880 --> 0:23:56.320
<v Speaker 5>day on Saturday doing jazz, tap, ballet, African dance, and

0:23:56.720 --> 0:23:59.440
<v Speaker 5>on Saturday mornings you could always count on at least

0:23:59.480 --> 0:24:02.720
<v Speaker 5>two thirds of the students running into the kitchen where

0:24:02.720 --> 0:24:04.560
<v Speaker 5>the TV was to watch Soul Train.

0:24:06.080 --> 0:24:12.320
<v Speaker 8>So that's the dance part. So how'd you start with

0:24:12.400 --> 0:24:13.680
<v Speaker 8>the singing and the actor the singing?

0:24:13.760 --> 0:24:17.360
<v Speaker 5>I started at four. I just sang what I used

0:24:17.400 --> 0:24:20.399
<v Speaker 5>to love, musical movies. I still do music. And there

0:24:20.400 --> 0:24:22.640
<v Speaker 5>were music There were movies that would come on every year,

0:24:23.040 --> 0:24:25.000
<v Speaker 5>like The Wizard of Oz, March of the Wooden Soldiers,

0:24:25.040 --> 0:24:27.160
<v Speaker 5>there was a you know, Stormy Weather. There were different

0:24:27.200 --> 0:24:29.040
<v Speaker 5>movies that would come on. You could count on it

0:24:29.119 --> 0:24:31.800
<v Speaker 5>at certain times of the year. So I would sing along.

0:24:31.920 --> 0:24:34.040
<v Speaker 5>I knew all the songs, I knew all the dances.

0:24:34.200 --> 0:24:36.600
<v Speaker 5>I knew all of it. There in my living room,

0:24:36.960 --> 0:24:41.440
<v Speaker 5>and my mom used to teach. She was a subsubstitute

0:24:41.440 --> 0:24:43.880
<v Speaker 5>teacher at an elementary school not far from from the house.

0:24:44.160 --> 0:24:46.600
<v Speaker 5>So after kindergarten, I would go and sit at the

0:24:46.640 --> 0:24:48.040
<v Speaker 5>school in a way for my mom to be done

0:24:48.040 --> 0:24:49.600
<v Speaker 5>before I could go home. And they were doing their

0:24:49.840 --> 0:24:53.240
<v Speaker 5>their spring concert pageant, and I asked if I could

0:24:53.280 --> 0:24:55.360
<v Speaker 5>be in it, and all the teachers knew I could sing.

0:24:55.480 --> 0:24:57.400
<v Speaker 5>I was young, I was cute. It was four going

0:24:57.440 --> 0:24:59.840
<v Speaker 5>on five, and they said, yes, you can be in

0:24:59.880 --> 0:25:02.600
<v Speaker 5>the concert, and I worked on the song getting to

0:25:02.760 --> 0:25:07.560
<v Speaker 5>Know You from the King, and I with hand gesture exactly,

0:25:07.640 --> 0:25:17.600
<v Speaker 5>you sang it better than I did. But then we

0:25:17.720 --> 0:25:20.159
<v Speaker 5>got to the concert and I was amazing. I have

0:25:20.240 --> 0:25:23.000
<v Speaker 5>to admit. I was phenomenal in the rehearsals. And I

0:25:23.080 --> 0:25:25.399
<v Speaker 5>got on stage and saw other people instill on stage

0:25:25.480 --> 0:25:28.440
<v Speaker 5>air froze. It's like there are people here watching me.

0:25:28.880 --> 0:25:30.600
<v Speaker 5>And I got the first few words out and I

0:25:30.680 --> 0:25:33.399
<v Speaker 5>stood there and the teacher was below me trying to

0:25:33.440 --> 0:25:36.800
<v Speaker 5>remind me to move my I painfully got through it,

0:25:37.280 --> 0:25:39.199
<v Speaker 5>and then they said okay, all right, great, and then

0:25:39.240 --> 0:25:41.520
<v Speaker 5>I sat down and then I started crying and said

0:25:41.720 --> 0:25:44.240
<v Speaker 5>I can do it better. Please look, just sit down,

0:25:44.320 --> 0:25:47.200
<v Speaker 5>little girl, Just sit sit down. And so I taught

0:25:47.240 --> 0:25:50.159
<v Speaker 5>myself to never be that frightened again. That was the

0:25:50.200 --> 0:25:53.239
<v Speaker 5>first and last time I'd ever scared myself so much

0:25:53.280 --> 0:25:56.520
<v Speaker 5>that I couldn't do what I was really desiring to do.

0:25:56.600 --> 0:25:57.320
<v Speaker 5>And their photos.

0:25:57.480 --> 0:26:02.560
<v Speaker 2>This is highly unusual because normally there's I guess the

0:26:02.720 --> 0:26:07.960
<v Speaker 2>good word is uh light encouragement. The bad word is

0:26:08.080 --> 0:26:10.720
<v Speaker 2>sort of like Joe Jackson esque, like there's always a

0:26:10.840 --> 0:26:14.359
<v Speaker 2>drill sergeant no, but this is this is a highly

0:26:14.480 --> 0:26:19.680
<v Speaker 2>unusual to hear that confidence coming from someone under the

0:26:19.720 --> 0:26:20.280
<v Speaker 2>age of ten.

0:26:20.520 --> 0:26:22.600
<v Speaker 1>Yeah, that it isn't enforced from.

0:26:23.480 --> 0:26:27.520
<v Speaker 5>No my mom. That was not my mom. My mom

0:26:27.680 --> 0:26:29.560
<v Speaker 5>was like, just stay out of trouble. Okay, I gotta

0:26:29.600 --> 0:26:31.440
<v Speaker 5>go to work. Stay out of trouble. I gotta go

0:26:31.480 --> 0:26:34.239
<v Speaker 5>to work. And uh my brothers were like, yeah, you're

0:26:34.240 --> 0:26:36.760
<v Speaker 5>real cute, but we need to need her now to

0:26:36.800 --> 0:26:38.920
<v Speaker 5>play handball doing We need you to run the fourth

0:26:39.000 --> 0:26:42.080
<v Speaker 5>leg in the relafe. So I was like, don okay,

0:26:42.160 --> 0:26:44.560
<v Speaker 5>that's great, get off your toeto shoes and come on

0:26:44.600 --> 0:26:46.480
<v Speaker 5>over here and run this race because this boy don't

0:26:46.480 --> 0:26:48.040
<v Speaker 5>believe you. You can beat him. And I got five

0:26:48.080 --> 0:26:53.920
<v Speaker 5>dollars on you. That's pretty fast.

0:26:54.000 --> 0:26:58.119
<v Speaker 1>Yeah, I ran track to So you graduated high school?

0:26:58.160 --> 0:26:59.880
<v Speaker 1>What what age? What year?

0:27:00.119 --> 0:27:02.399
<v Speaker 5>I was sixteen when I graduated from high school.

0:27:02.760 --> 0:27:03.439
<v Speaker 1>You got skipped.

0:27:03.520 --> 0:27:06.280
<v Speaker 5>I got skipped twice. I was in the first grade

0:27:06.320 --> 0:27:09.280
<v Speaker 5>for about six months and went right to second grade,

0:27:09.800 --> 0:27:12.040
<v Speaker 5>and then I never went to eighth grade. I went

0:27:12.040 --> 0:27:13.520
<v Speaker 5>from seventh grade to ninth grade.

0:27:13.960 --> 0:27:18.080
<v Speaker 1>She's like the best of every artist we ever had, Lewis.

0:27:21.800 --> 0:27:25.040
<v Speaker 5>So. Yeah, So I graduated high school at sixteen, like

0:27:25.119 --> 0:27:28.439
<v Speaker 5>I said, going to school up in Harlem, and had

0:27:28.440 --> 0:27:31.600
<v Speaker 5>already been singing in bands and clubs and such, and

0:27:32.520 --> 0:27:34.960
<v Speaker 5>you know, young and cute. But I knew I wanted

0:27:35.000 --> 0:27:36.520
<v Speaker 5>to do this as a career, and I also knew

0:27:36.520 --> 0:27:38.280
<v Speaker 5>I wanted to get out of New York. My mom

0:27:38.320 --> 0:27:41.440
<v Speaker 5>and I had a really contententious relationship at the time.

0:27:41.920 --> 0:27:44.159
<v Speaker 5>You know, she's from a different country with different values

0:27:44.200 --> 0:27:46.280
<v Speaker 5>and understanding of how things are supposed to be done.

0:27:46.560 --> 0:27:48.320
<v Speaker 5>And again, like I said, there were beliefs of what

0:27:48.480 --> 0:27:50.720
<v Speaker 5>was appropriate for a girl and what was appropriate for

0:27:51.080 --> 0:27:55.240
<v Speaker 5>a boy, and boys rule in those South American cultures,

0:27:55.600 --> 0:27:55.800
<v Speaker 5>and so.

0:27:55.880 --> 0:27:58.159
<v Speaker 1>In her eyes, you should have been getting ready for

0:27:58.240 --> 0:27:59.600
<v Speaker 1>her husband and a housewife.

0:27:59.760 --> 0:28:03.600
<v Speaker 5>You know, I never got that speech. I never got religious. Yeah,

0:28:03.800 --> 0:28:06.160
<v Speaker 5>very very My family is said seven day adventist.

0:28:06.880 --> 0:28:09.840
<v Speaker 1>Yikes. Yeah, wait a minute's not adding up.

0:28:10.480 --> 0:28:12.480
<v Speaker 5>Well, there you go. So there's more to the story.

0:28:13.240 --> 0:28:14.880
<v Speaker 5>There's more to this, I am.

0:28:16.400 --> 0:28:16.760
<v Speaker 1>There you go.

0:28:17.080 --> 0:28:19.680
<v Speaker 5>No, Well, we had devotions at home every day. My

0:28:19.760 --> 0:28:23.840
<v Speaker 5>mom had us read the Bible, read scripture, Yeah, seeing

0:28:23.920 --> 0:28:27.040
<v Speaker 5>hymns when when we could. Because okay, see you get

0:28:27.080 --> 0:28:28.960
<v Speaker 5>into a whole other part of the story. The reality

0:28:29.080 --> 0:28:32.119
<v Speaker 5>is my going to dance class every Saturday was a

0:28:32.160 --> 0:28:38.280
<v Speaker 5>real issue for the family. It caused real problems. My mom,

0:28:38.560 --> 0:28:40.280
<v Speaker 5>like I said, saw it as a way to help

0:28:40.360 --> 0:28:44.560
<v Speaker 5>save and encourage and empower me. My family would tell

0:28:44.640 --> 0:28:47.920
<v Speaker 5>my mom and tell me even when I was small,

0:28:49.760 --> 0:28:53.480
<v Speaker 5>they're going to the extended family, not not my brother's not.

0:28:53.680 --> 0:28:56.520
<v Speaker 5>You know, the truth is is that you are sending

0:28:56.560 --> 0:29:00.880
<v Speaker 5>this child straight to hell by not having her in church, etcetera, etcetera,

0:29:00.880 --> 0:29:03.480
<v Speaker 5>and sending her into the demon's pit. This entertainment stuff

0:29:03.560 --> 0:29:05.760
<v Speaker 5>is where the devil lives, etcetera, et cetera. How do

0:29:05.840 --> 0:29:07.400
<v Speaker 5>you tell that to a seven year old child? But

0:29:07.720 --> 0:29:11.760
<v Speaker 5>they managed along the way. Like I said, my mom

0:29:12.080 --> 0:29:15.240
<v Speaker 5>really reinforced in us that we have what we have

0:29:15.400 --> 0:29:18.160
<v Speaker 5>by the grace of God, and that it is a blessing,

0:29:18.240 --> 0:29:19.640
<v Speaker 5>it is not a curse. I wouldn't be able to

0:29:19.680 --> 0:29:22.560
<v Speaker 5>do what I do if it wasn't a gift from God.

0:29:22.680 --> 0:29:24.400
<v Speaker 5>So look at it that way and please shut out

0:29:24.440 --> 0:29:30.600
<v Speaker 5>the other noise. And ultimately, as we grew, the family

0:29:31.400 --> 0:29:35.040
<v Speaker 5>stopped saying certain things. But you know, you couldn't ignore

0:29:35.360 --> 0:29:38.200
<v Speaker 5>or forget really the rift that was the cause and

0:29:38.280 --> 0:29:40.560
<v Speaker 5>the pain that that was caused. But you know, everybody grows,

0:29:40.600 --> 0:29:43.200
<v Speaker 5>you learn, you love, you forgive, and you realize that

0:29:43.400 --> 0:29:45.959
<v Speaker 5>there were good things that come out of whatever, as

0:29:46.000 --> 0:29:47.520
<v Speaker 5>long as that's what your intent is.

0:29:48.240 --> 0:29:50.440
<v Speaker 2>I was going to say not even the harp on it,

0:29:50.480 --> 0:29:52.479
<v Speaker 2>but I was just like, that's why I was so amazed.

0:29:52.520 --> 0:29:55.120
<v Speaker 2>I was like, wait a minute, I've never heard of

0:29:56.320 --> 0:30:02.120
<v Speaker 2>a situation in which, especially with a black household, in

0:30:02.280 --> 0:30:07.400
<v Speaker 2>which like religion or some sort of obstacle is sort

0:30:07.440 --> 0:30:10.560
<v Speaker 2>of thrown in your path of you finding your talent.

0:30:10.720 --> 0:30:13.720
<v Speaker 5>There were a few, okay, okay, so the guys in

0:30:13.800 --> 0:30:16.360
<v Speaker 5>Take six, who we ultimately became really great friends, we

0:30:16.640 --> 0:30:18.680
<v Speaker 5>used to be able to share those kinds of stories

0:30:18.720 --> 0:30:22.280
<v Speaker 5>because they're adventist. Also, what you didn't know that, Yes,

0:30:22.840 --> 0:30:24.160
<v Speaker 5>the guys in Take six were.

0:30:24.120 --> 0:30:26.680
<v Speaker 1>Advant discipline with their.

0:30:28.360 --> 0:30:30.320
<v Speaker 5>You know, so we were able to talk about that

0:30:30.480 --> 0:30:34.560
<v Speaker 5>because our upbringing stories were very, very similar. But you know,

0:30:34.640 --> 0:30:37.320
<v Speaker 5>but now that we are where we are, we use

0:30:37.480 --> 0:30:41.160
<v Speaker 5>our platform to inspire, empower to be a blessing at

0:30:41.240 --> 0:30:43.640
<v Speaker 5>least you hope so to others. You know, in a

0:30:43.720 --> 0:30:47.760
<v Speaker 5>way that I may not have been received had I

0:30:47.920 --> 0:30:50.040
<v Speaker 5>not taken this journey. You know what I mean?

0:30:50.200 --> 0:30:53.160
<v Speaker 2>To be so young as a graduate of high school,

0:30:53.200 --> 0:30:56.280
<v Speaker 2>how hard was it to adjust to adult life?

0:30:57.040 --> 0:30:58.680
<v Speaker 5>Do you know what? I got thrown into the deep

0:30:58.800 --> 0:31:01.440
<v Speaker 5>end because I left New York and went to school

0:31:01.760 --> 0:31:04.960
<v Speaker 5>down at the University of Miami in Miami at sixteen,

0:31:05.160 --> 0:31:08.360
<v Speaker 5>and the university almost did not accept me because I

0:31:08.480 --> 0:31:12.000
<v Speaker 5>was so young. Yeah, but I had a grandmother who

0:31:12.200 --> 0:31:14.400
<v Speaker 5>helped raise us. Actually we lived with my grandmother for

0:31:14.440 --> 0:31:17.600
<v Speaker 5>almost two years when we were younger. That's a whole

0:31:17.640 --> 0:31:21.240
<v Speaker 5>other story how we ended up there. But to go

0:31:21.480 --> 0:31:25.160
<v Speaker 5>to college, my mom couldn't afford to send me. My

0:31:25.320 --> 0:31:28.480
<v Speaker 5>dad would have been able to help, but he chose

0:31:28.600 --> 0:31:31.600
<v Speaker 5>not to. He's like, you're too young, You're going to

0:31:31.640 --> 0:31:34.000
<v Speaker 5>go get pregnant and do all of that. And I

0:31:34.080 --> 0:31:36.520
<v Speaker 5>was like, but you know, you haven't lived in our

0:31:36.560 --> 0:31:37.480
<v Speaker 5>house since I was seven.

0:31:37.640 --> 0:31:37.800
<v Speaker 8>Man.

0:31:38.680 --> 0:31:41.440
<v Speaker 5>Whatever. So I got another aunt to co sign for

0:31:41.520 --> 0:31:44.080
<v Speaker 5>a student loan for me, and I packed my stuff

0:31:44.080 --> 0:31:45.840
<v Speaker 5>and I left and they turned around and go, wait,

0:31:46.160 --> 0:31:47.720
<v Speaker 5>she really left. I said, yeah, I told you I

0:31:47.800 --> 0:31:50.320
<v Speaker 5>was leaving. I'm going. So I went to college. So

0:31:50.480 --> 0:31:53.800
<v Speaker 5>between student loans, college work study was how I paid

0:31:54.240 --> 0:31:57.560
<v Speaker 5>for school. And so I got there and now I'm

0:31:57.560 --> 0:32:00.520
<v Speaker 5>responsible to pay back a loan. I'm responsible to pay

0:32:01.040 --> 0:32:04.320
<v Speaker 5>for my tuition, my room and board, as well as

0:32:04.640 --> 0:32:08.840
<v Speaker 5>you know, get through my classes. And as a performance major.

0:32:09.000 --> 0:32:12.640
<v Speaker 5>I went as a voicemade major, so in music and art,

0:32:12.680 --> 0:32:15.040
<v Speaker 5>I was singing opera, so I was classically trained for

0:32:15.360 --> 0:32:18.560
<v Speaker 5>many years. I played cello for almost seven years. You

0:32:18.600 --> 0:32:19.320
<v Speaker 5>didn't have that on.

0:32:19.400 --> 0:32:21.440
<v Speaker 1>Good Yeah, what did you miss?

0:32:23.280 --> 0:32:26.760
<v Speaker 5>I played cello for about seven years and sang opera.

0:32:26.880 --> 0:32:29.440
<v Speaker 5>So when I went to u of M. When they

0:32:29.480 --> 0:32:31.320
<v Speaker 5>advised you for your major, that was back in the

0:32:31.400 --> 0:32:32.840
<v Speaker 5>day when you had cards, and they would write and

0:32:32.880 --> 0:32:34.360
<v Speaker 5>you have to take this classes, and you get a

0:32:34.480 --> 0:32:37.880
<v Speaker 5>signature from your departpartment head to authorize you to go

0:32:37.960 --> 0:32:40.320
<v Speaker 5>and register for these classes. They wrote a bunch of

0:32:40.360 --> 0:32:42.760
<v Speaker 5>classes I had already taken in high school, like music

0:32:42.880 --> 0:32:45.120
<v Speaker 5>theory and sight singing and all those kinds of things.

0:32:45.120 --> 0:32:47.440
<v Speaker 5>So I refused to take them again. So when I

0:32:47.520 --> 0:32:54.760
<v Speaker 5>left her, don't judge me. Why no, man, Look, this

0:32:54.880 --> 0:33:00.160
<v Speaker 5>is money. College is expensive colleges. But this is this

0:33:00.320 --> 0:33:02.720
<v Speaker 5>is what I did. When I left her office, I

0:33:02.760 --> 0:33:05.320
<v Speaker 5>said thank you very much. And it wasn't my fault.

0:33:05.440 --> 0:33:07.360
<v Speaker 5>She wrote it in pencil. I just happened to have

0:33:07.440 --> 0:33:12.520
<v Speaker 5>an racer in my bag. So because I'm a good student,

0:33:12.600 --> 0:33:15.520
<v Speaker 5>I came to school prepared. So I took my ras.

0:33:15.600 --> 0:33:18.600
<v Speaker 5>She prepared, no, So I rased half of what she

0:33:18.720 --> 0:33:21.440
<v Speaker 5>gave me, like music theory one oh one in sight ransom,

0:33:21.800 --> 0:33:23.560
<v Speaker 5>not taking that. I'm not taking that. And I wrote

0:33:23.600 --> 0:33:26.760
<v Speaker 5>in dance classes, I wrote in acting classes. And I

0:33:26.880 --> 0:33:28.040
<v Speaker 5>made my own curriculum.

0:33:28.920 --> 0:33:30.320
<v Speaker 1>I brought my pencil.

0:33:33.080 --> 0:33:35.920
<v Speaker 5>Wow, and I made my own curriculum. And I was like,

0:33:36.240 --> 0:33:38.280
<v Speaker 5>that's more like it, because that was what I was

0:33:38.320 --> 0:33:42.760
<v Speaker 5>already accustomed to doing, going to dance class regular well,

0:33:43.560 --> 0:33:48.719
<v Speaker 5>well not entirely. About two and a half months into school,

0:33:48.920 --> 0:33:53.280
<v Speaker 5>I got called into the dean's office. Yeah, it was

0:33:53.320 --> 0:33:56.040
<v Speaker 5>like Clint Clinton like. I called into the dean's office

0:33:56.080 --> 0:33:58.600
<v Speaker 5>and she said, okay, we were concerned about admitting you

0:33:58.680 --> 0:34:00.560
<v Speaker 5>in the first place, and this is going to be

0:34:00.640 --> 0:34:03.400
<v Speaker 5>your one and only warning. I said, what said we're

0:34:03.480 --> 0:34:05.680
<v Speaker 5>about to say and send you home? I said, well why,

0:34:06.120 --> 0:34:08.480
<v Speaker 5>They said, because you're not going to classes. We can't

0:34:08.560 --> 0:34:10.680
<v Speaker 5>have that, young lady, Da da da da da. I said, well,

0:34:10.680 --> 0:34:12.359
<v Speaker 5>what of course, I'm going to my class, and I'm

0:34:12.360 --> 0:34:14.880
<v Speaker 5>going to my classes. I'm pulling a four point o gpa.

0:34:14.960 --> 0:34:16.920
<v Speaker 5>I don't understand the problem. Well, you haven't been to

0:34:16.960 --> 0:34:19.480
<v Speaker 5>this class, this class discussing this sid I'm not in

0:34:19.560 --> 0:34:21.759
<v Speaker 5>that class. I'm in this class, this classic class, and

0:34:21.800 --> 0:34:23.560
<v Speaker 5>this class. And say, well, who told you to do that?

0:34:23.880 --> 0:34:26.000
<v Speaker 5>So well, nobody told me to do it. It's my money.

0:34:26.040 --> 0:34:26.840
<v Speaker 5>I'm gonna take the class.

0:34:26.840 --> 0:34:27.560
<v Speaker 1>I want my friend.

0:34:30.000 --> 0:34:33.800
<v Speaker 5>You know, I've built empowered at sixteen years old. So

0:34:34.560 --> 0:34:35.040
<v Speaker 5>she made me.

0:34:35.040 --> 0:34:35.719
<v Speaker 1>Sitting this hall.

0:34:38.320 --> 0:34:41.760
<v Speaker 5>She is sure, so she may be sitting the hallway

0:34:42.160 --> 0:34:43.719
<v Speaker 5>for a minute, and then call me back in the

0:34:43.800 --> 0:34:45.759
<v Speaker 5>office and said, okay, young lady, you had no way

0:34:45.800 --> 0:34:47.640
<v Speaker 5>of knowing this, but the School of Music and the

0:34:47.680 --> 0:34:49.759
<v Speaker 5>School of Fine Arts had been in conversations for like

0:34:49.800 --> 0:34:52.560
<v Speaker 5>a couple of years about starting a new degree program

0:34:52.719 --> 0:34:55.600
<v Speaker 5>for people like you. So would you be interested in

0:34:55.719 --> 0:34:58.160
<v Speaker 5>being the guinea pig for this new degree program? And

0:34:58.200 --> 0:34:59.640
<v Speaker 5>I said, well, what would I have to do? She

0:34:59.760 --> 0:35:01.960
<v Speaker 5>said basically what you already doing?

0:35:03.000 --> 0:35:04.880
<v Speaker 1>Like oh, they had to respect it.

0:35:05.560 --> 0:35:08.239
<v Speaker 5>And I said, well, okay, then all right, so what

0:35:08.400 --> 0:35:10.680
<v Speaker 5>happens now? Can I go? She goes, oh, no, no, no, no, no, no.

0:35:11.400 --> 0:35:13.840
<v Speaker 5>You need to prepare. You have four days to prepare

0:35:14.280 --> 0:35:18.040
<v Speaker 5>for an audition, I said, audition for what she said,

0:35:18.080 --> 0:35:21.520
<v Speaker 5>so we can officially start this degree program. So I

0:35:21.680 --> 0:35:24.000
<v Speaker 5>had to do a forty five minute jury for the

0:35:24.200 --> 0:35:26.600
<v Speaker 5>entire faculty of the School of Music and the School

0:35:26.640 --> 0:35:30.320
<v Speaker 5>of Fine Arts. I had to choreograph a dance. I

0:35:30.400 --> 0:35:33.080
<v Speaker 5>had to do a comedic and a dramatic monologue. I

0:35:33.160 --> 0:35:37.120
<v Speaker 5>had to do arias in French and Italian. I had

0:35:37.160 --> 0:35:39.680
<v Speaker 5>to do a Broadway show tune. I had to do

0:35:40.160 --> 0:35:44.319
<v Speaker 5>a jazz tune. There was one other thing. I can't

0:35:44.360 --> 0:35:46.520
<v Speaker 5>remember what I had to do. Yeah, took forty five minutes.

0:35:46.560 --> 0:35:48.680
<v Speaker 5>How many days one day? All of that I had

0:35:48.760 --> 0:35:50.000
<v Speaker 5>four days to prepare.

0:35:50.520 --> 0:35:55.200
<v Speaker 1>Were they stacking just to be like, well, I don't know.

0:35:55.360 --> 0:35:58.000
<v Speaker 5>But what ended up resulting out of that was after

0:35:58.120 --> 0:36:00.560
<v Speaker 5>the jury, they were now officially a to start this

0:36:00.680 --> 0:36:03.279
<v Speaker 5>degree program. So I'm the founder and first graduate of

0:36:03.320 --> 0:36:08.120
<v Speaker 5>the musical theater degree program at the university. They no, no,

0:36:10.080 --> 0:36:13.600
<v Speaker 5>even and after a few years they conveniently forget to

0:36:13.719 --> 0:36:16.759
<v Speaker 5>mention that I had anything to do with it. Man,

0:36:17.480 --> 0:36:20.440
<v Speaker 5>you something every now and then it comes up or

0:36:20.719 --> 0:36:24.319
<v Speaker 5>you know whatever. But uh, yeah, so that year that's

0:36:24.360 --> 0:36:27.640
<v Speaker 5>been going thirty plus years strong, through the School of Music.

0:36:27.680 --> 0:36:32.239
<v Speaker 5>They've graduated Tony Winners, Grammy Winners, Oscar winners, and in

0:36:32.320 --> 0:36:34.319
<v Speaker 5>the last four or five years they've transferred it from

0:36:34.320 --> 0:36:37.319
<v Speaker 5>the School of Music to the School of finn out

0:36:37.600 --> 0:36:40.320
<v Speaker 5>Fine Arts now has the degree pro program.

0:36:47.040 --> 0:36:49.440
<v Speaker 1>I was going to ask in Brooklyn growing up?

0:36:49.680 --> 0:36:54.080
<v Speaker 2>Yes, were there any other notable Brooklyn nights that we

0:36:54.120 --> 0:36:57.160
<v Speaker 2>would know now that you went to school with?

0:36:57.520 --> 0:37:03.400
<v Speaker 5>Or like our next door neighbor Dwayne Well, we call

0:37:03.520 --> 0:37:06.960
<v Speaker 5>him Dwayne because his first name was Ralph ended up

0:37:07.200 --> 0:37:11.360
<v Speaker 5>being young Michael on Good Times Ralph Carter Carter.

0:37:11.880 --> 0:37:15.680
<v Speaker 1>Wow, wow, l Carter. That's amazing. Yep. I saw him

0:37:16.760 --> 0:37:19.520
<v Speaker 1>three months ago. Yeah, yeah, three months ago.

0:37:19.960 --> 0:37:22.880
<v Speaker 5>He was our next next tour neighbor. Other than that, no,

0:37:23.840 --> 0:37:26.200
<v Speaker 5>not not in my neighborhood, not not while I was there.

0:37:26.320 --> 0:37:30.160
<v Speaker 1>So the neighborhood kids weren't even like, like mine died in't.

0:37:30.360 --> 0:37:35.440
<v Speaker 5>We're playing stickball and skellyesdan't care. They didn't care. Oh,

0:37:35.520 --> 0:37:38.239
<v Speaker 5>but you know what I recently found out. A year

0:37:38.320 --> 0:37:40.840
<v Speaker 5>or two ago, I was doing This is Us, like

0:37:40.960 --> 0:37:44.400
<v Speaker 5>one of my favorite shows on television, And when I

0:37:44.520 --> 0:37:46.120
<v Speaker 5>got there, I was so excited to be I was

0:37:46.120 --> 0:37:48.000
<v Speaker 5>happy to be there, and the cast was like, oh

0:37:48.080 --> 0:37:49.800
<v Speaker 5>my god, Luk's on our show. Can you take preatures

0:37:49.800 --> 0:37:51.440
<v Speaker 5>with us? And I'm thinking, like, because I was going

0:37:51.480 --> 0:37:53.520
<v Speaker 5>to ask to take pictures with you guys. So we're

0:37:53.520 --> 0:37:57.719
<v Speaker 5>taking pictures and Susan Kleecki Watson, who plays the sister

0:37:57.800 --> 0:38:01.600
<v Speaker 5>the wife on the show Ramblers White, isn't she fantastic?

0:38:02.280 --> 0:38:05.840
<v Speaker 5>She hangs around because she was actually finished before I

0:38:06.040 --> 0:38:08.360
<v Speaker 5>was called in to work, so she hung around to

0:38:08.480 --> 0:38:13.400
<v Speaker 5>meet me. So we're taking selfies and we're exchanging numbers

0:38:13.600 --> 0:38:15.160
<v Speaker 5>so we can send each other the pictures that we

0:38:15.280 --> 0:38:17.120
<v Speaker 5>take and we're sitting on my trailer like talking for

0:38:17.239 --> 0:38:19.560
<v Speaker 5>half an hour. So she finally leaves. I get called

0:38:19.600 --> 0:38:22.479
<v Speaker 5>to the set and I call a couple of friends

0:38:22.520 --> 0:38:24.279
<v Speaker 5>of mine. They say, and I told them what the

0:38:24.400 --> 0:38:26.640
<v Speaker 5>day was like, and they said, Susan's my great friend,

0:38:26.719 --> 0:38:29.200
<v Speaker 5>and Da da da, and Doulay Hill was like, that's

0:38:29.239 --> 0:38:32.640
<v Speaker 5>my great friend, etcetera, etcetera. And so I called her

0:38:32.680 --> 0:38:34.320
<v Speaker 5>back and said, I didn't know you knew Dulay and

0:38:34.560 --> 0:38:36.879
<v Speaker 5>she says, yes, he's a great friend. And I said, okay, great.

0:38:37.160 --> 0:38:39.120
<v Speaker 5>She calls me back two minutes later she said, okay,

0:38:39.120 --> 0:38:41.200
<v Speaker 5>look I'm not trying to be weird or anything. But

0:38:41.320 --> 0:38:43.480
<v Speaker 5>I sent the picture that we took to my family,

0:38:43.880 --> 0:38:45.560
<v Speaker 5>and my brother text me back and said, you know

0:38:45.640 --> 0:38:49.120
<v Speaker 5>that's our cousin, right, What I said, I'm sorry what

0:38:50.200 --> 0:38:52.560
<v Speaker 5>she said? Yes, she said, do you have an aunt

0:38:52.640 --> 0:38:55.080
<v Speaker 5>so and so? I said, I don't know, I've never

0:38:55.160 --> 0:38:57.640
<v Speaker 5>heard that name before. She said, well, your aunt's so

0:38:57.680 --> 0:38:59.719
<v Speaker 5>and so married my uncle so and so and they

0:38:59.760 --> 0:39:02.920
<v Speaker 5>live Trinidad and this and that's what what that in

0:39:02.960 --> 0:39:04.600
<v Speaker 5>the world. So I called my mom, mad, we have

0:39:04.680 --> 0:39:07.440
<v Speaker 5>a lot of Yes, that's my first cousin. Shamarried a

0:39:07.480 --> 0:39:09.560
<v Speaker 5>mon from trinidashall, never call him back again. But this

0:39:09.680 --> 0:39:11.600
<v Speaker 5>is not this and not this and that. So I

0:39:11.760 --> 0:39:14.440
<v Speaker 5>call her back and said, oh my gosh, we're like

0:39:14.719 --> 0:39:18.600
<v Speaker 5>second cousins. First. It's hilarious, and we keep talking. Come

0:39:18.680 --> 0:39:22.120
<v Speaker 5>to find out that she's from Brooklyn, grew up within

0:39:22.200 --> 0:39:24.960
<v Speaker 5>a mile of where I grew up in Brooklyn, and

0:39:25.080 --> 0:39:27.200
<v Speaker 5>still has family in a place there.

0:39:27.280 --> 0:39:28.560
<v Speaker 1>Now, yeah, that's crazy.

0:39:28.760 --> 0:39:32.040
<v Speaker 2>And also, you just answered another question from me always

0:39:33.000 --> 0:39:36.080
<v Speaker 2>you know, you had a very convincing island accent that

0:39:36.200 --> 0:39:38.359
<v Speaker 2>you tried on a different world once.

0:39:38.560 --> 0:39:46.800
<v Speaker 1>And now I was like, yo, she's really good. I

0:39:46.880 --> 0:39:49.799
<v Speaker 1>didn't realize that, okay, because that's where my family see

0:39:50.120 --> 0:39:51.279
<v Speaker 1>and I time.

0:39:51.400 --> 0:39:54.600
<v Speaker 5>Yes. So, as I mentioned, I was first generation in America.

0:39:54.680 --> 0:39:57.040
<v Speaker 5>My mom was the oldest of eight, so one at

0:39:57.080 --> 0:39:59.239
<v Speaker 5>a time, she sponsored her siblings and her parents to

0:39:59.320 --> 0:40:02.320
<v Speaker 5>come up to this date. So now when all of

0:40:02.360 --> 0:40:04.600
<v Speaker 5>our cousins, when all of the cousins get to get together,

0:40:04.640 --> 0:40:06.200
<v Speaker 5>all of a sudden, all of us have accents.

0:40:06.280 --> 0:40:06.800
<v Speaker 1>Your accents.

0:40:06.920 --> 0:40:10.000
<v Speaker 5>Oh man, all of a sudden, all of us have accents,

0:40:10.040 --> 0:40:12.839
<v Speaker 5>and we're talking like our parents and such. It's really

0:40:12.920 --> 0:40:13.560
<v Speaker 5>very very funny.

0:40:13.760 --> 0:40:14.200
<v Speaker 1>I see.

0:40:14.640 --> 0:40:19.840
<v Speaker 2>So by at least by twenty did you have like focus? Okay,

0:40:20.040 --> 0:40:22.760
<v Speaker 2>I want to be a singer.

0:40:23.000 --> 0:40:24.160
<v Speaker 5>Yeah, I was already doing it.

0:40:25.120 --> 0:40:28.000
<v Speaker 1>But I mean it's like you did everything at once.

0:40:28.120 --> 0:40:28.279
<v Speaker 1>I was.

0:40:28.360 --> 0:40:29.960
<v Speaker 2>I'm trying to figure out what has the edge? What

0:40:30.080 --> 0:40:32.319
<v Speaker 2>has the fifty one to forty nine percent edge?

0:40:32.480 --> 0:40:32.600
<v Speaker 4>Oh?

0:40:32.719 --> 0:40:36.200
<v Speaker 5>Probably music, singing more than a singing and writing more

0:40:36.239 --> 0:40:40.080
<v Speaker 5>than anything, because that's what I was booking jobs. As.

0:40:41.000 --> 0:40:43.680
<v Speaker 2>So, what was your first well you usually on the show,

0:40:43.920 --> 0:40:47.279
<v Speaker 2>I asked about your first Well, first of all, who

0:40:47.280 --> 0:40:51.280
<v Speaker 2>do you who's your hero, your idol, your your.

0:40:51.360 --> 0:40:53.640
<v Speaker 1>When as far as your craft is concerned. Who do

0:40:53.719 --> 0:40:54.200
<v Speaker 1>you look up to?

0:40:54.480 --> 0:40:58.600
<v Speaker 5>Wow? I actually had a few, Okay, actually had a few.

0:40:58.680 --> 0:41:02.480
<v Speaker 5>Judy Garland was one early on. It was amazing to

0:41:02.600 --> 0:41:05.160
<v Speaker 5>me the power and passion in her voice, and when

0:41:05.160 --> 0:41:07.320
<v Speaker 5>I would watch her movies. Again, Remember I used to

0:41:07.320 --> 0:41:09.719
<v Speaker 5>watch a lot of old movies like Take Me to

0:41:09.800 --> 0:41:11.840
<v Speaker 5>Saint Louis and The Wizard of Oz and all that

0:41:12.000 --> 0:41:14.600
<v Speaker 5>kind of stuff, and we weren't in a lot of

0:41:14.640 --> 0:41:17.879
<v Speaker 5>those movies. We often had little, small segments. So Lena

0:41:18.000 --> 0:41:21.360
<v Speaker 5>Horne was a big influence to me. The Nicholas brothers

0:41:21.960 --> 0:41:24.280
<v Speaker 5>were a huge influence to me as I got older.

0:41:24.680 --> 0:41:28.200
<v Speaker 5>It was people like Gladys Knight and Stevie Wonder, Elton John.

0:41:29.160 --> 0:41:31.200
<v Speaker 1>You remember the first record you ever purchased?

0:41:31.920 --> 0:41:35.400
<v Speaker 5>No, I don't. I remember the first ones. One of

0:41:35.440 --> 0:41:37.719
<v Speaker 5>the first ones that my brothers purchased that I used

0:41:37.719 --> 0:41:39.640
<v Speaker 5>to like to play all the time. Yeah, yeah, yeah,

0:41:39.640 --> 0:41:42.880
<v Speaker 5>they bought them. I just played them. It was The

0:41:43.000 --> 0:41:48.520
<v Speaker 5>Rolling Stones, and I remember it. Time is on my side,

0:41:48.960 --> 0:41:51.319
<v Speaker 5>Yes it is. I had no idea what they were saying,

0:41:51.360 --> 0:41:52.440
<v Speaker 5>but it was just a funky.

0:41:52.200 --> 0:41:54.440
<v Speaker 1>Line to me that brothers were into the stones.

0:41:54.520 --> 0:41:57.800
<v Speaker 5>They were into the stones and Smokey Robinson. I remember

0:41:57.880 --> 0:42:00.000
<v Speaker 5>those two being the first record that I would pla

0:42:00.160 --> 0:42:02.600
<v Speaker 5>a lot, and Smokey's record that they had was if

0:42:02.640 --> 0:42:06.959
<v Speaker 5>there's a smile on my face, it's only that trying

0:42:07.000 --> 0:42:11.359
<v Speaker 5>to fool the public. But when it comes down, the tears.

0:42:12.280 --> 0:42:12.440
<v Speaker 4>Yeah.

0:42:12.960 --> 0:42:17.279
<v Speaker 5>So yeah, those those songs and songs like Raising in

0:42:17.320 --> 0:42:20.200
<v Speaker 5>the Grass is a blass baby. Can you did all

0:42:20.200 --> 0:42:22.040
<v Speaker 5>those kinds of things you never knew what they really could.

0:42:24.960 --> 0:42:25.000
<v Speaker 2>Be?

0:42:25.040 --> 0:42:28.200
<v Speaker 5>Your first concert, uh, the one that I watched, Yeah,

0:42:28.680 --> 0:42:32.400
<v Speaker 5>and uh no, no, no, thank you for reminding me that,

0:42:34.760 --> 0:42:36.560
<v Speaker 5>like a moment of I want to do that, like

0:42:36.719 --> 0:42:40.719
<v Speaker 5>your first content, very first concert. No. I remember my

0:42:40.880 --> 0:42:43.759
<v Speaker 5>very first Broadway show. It was The Whiz and it

0:42:43.880 --> 0:42:47.320
<v Speaker 5>was Stephanie Mills, and by the time she got to

0:42:47.440 --> 0:42:52.160
<v Speaker 5>be a lion, I was a puddle. She was absolutely phenomenal.

0:42:52.360 --> 0:42:54.640
<v Speaker 5>I couldn't believe all of this sound and all of

0:42:54.719 --> 0:42:57.319
<v Speaker 5>this talent as a dancer, as an actress was coming

0:42:57.360 --> 0:43:00.239
<v Speaker 5>out of this little, tiny person. And I look at

0:43:00.280 --> 0:43:02.120
<v Speaker 5>my grandmother and I was like, that's what I want

0:43:02.160 --> 0:43:04.480
<v Speaker 5>to do that. I want to do that. And to

0:43:04.719 --> 0:43:06.600
<v Speaker 5>quite frankly, you know, over the years, some of your

0:43:06.640 --> 0:43:10.000
<v Speaker 5>idols become your friends and your colleagues, which to me

0:43:10.200 --> 0:43:12.400
<v Speaker 5>just kind of really blows my mind. The fact that

0:43:12.480 --> 0:43:15.520
<v Speaker 5>when I met Gladys Knight and Lina Horne, they knew

0:43:15.600 --> 0:43:19.200
<v Speaker 5>my name, right, you know, Lena. I just stood there crying,

0:43:19.840 --> 0:43:21.520
<v Speaker 5>and people there's pictures.

0:43:21.239 --> 0:43:23.359
<v Speaker 1>Like she was she on the show, when you were

0:43:23.400 --> 0:43:25.239
<v Speaker 1>on the show. I remember when she was on the show.

0:43:25.320 --> 0:43:28.320
<v Speaker 5>She did a guest spot, but I met her a

0:43:28.400 --> 0:43:30.520
<v Speaker 5>few years before she got to do it. It was

0:43:30.560 --> 0:43:33.760
<v Speaker 5>at the opening night of Fences, and everybody was crowding

0:43:33.840 --> 0:43:36.960
<v Speaker 5>her wanting to take her picture, wanting an autograph, and

0:43:37.080 --> 0:43:39.800
<v Speaker 5>I stood there like waiting my turn, like frozen. And

0:43:39.920 --> 0:43:42.840
<v Speaker 5>she looked and to everybody, wait, stop, excuse me, excuse me,

0:43:42.960 --> 0:43:45.680
<v Speaker 5>you come here. And I walked over to her and

0:43:45.920 --> 0:43:47.880
<v Speaker 5>she grabbed me by the face and said, baby, you

0:43:48.000 --> 0:43:52.000
<v Speaker 5>on that show, aren't you? I said, still show? And

0:43:52.080 --> 0:43:54.040
<v Speaker 5>she says that show. She says, y'all are doing such

0:43:54.080 --> 0:43:57.120
<v Speaker 5>a beautiful thing. Your name is Dawn, right, And tears

0:43:57.239 --> 0:43:59.800
<v Speaker 5>just started coming down my face and she said, you

0:44:00.120 --> 0:44:02.400
<v Speaker 5>keep doing what you were doing. I'm so proud of you.

0:44:02.840 --> 0:44:05.560
<v Speaker 5>And I could I really couldn't even speak, and uh,

0:44:05.640 --> 0:44:08.680
<v Speaker 5>fortunately somebody got a photo of us standing there with

0:44:09.040 --> 0:44:11.960
<v Speaker 5>this like huge grin on my face.

0:44:11.920 --> 0:44:15.560
<v Speaker 2>And Yeah, that's crazy because you never think that they

0:44:15.680 --> 0:44:16.880
<v Speaker 2>know you're alive or anything.

0:44:17.440 --> 0:44:20.680
<v Speaker 5>Why would she? Yeah, but it's like you people her,

0:44:20.880 --> 0:44:24.160
<v Speaker 5>People like her just inspired me to do what it

0:44:24.320 --> 0:44:26.719
<v Speaker 5>is I do now. And when you get to know

0:44:26.920 --> 0:44:29.480
<v Speaker 5>them and learn what they survived through and what they

0:44:29.560 --> 0:44:33.080
<v Speaker 5>over over overcame, and what mattered to them and how

0:44:33.160 --> 0:44:35.160
<v Speaker 5>they used their voice and they did it with grace

0:44:35.640 --> 0:44:40.080
<v Speaker 5>and with power and with determination. It really I could

0:44:40.160 --> 0:44:42.560
<v Speaker 5>not have asked for better examples like her and Gladys

0:44:42.600 --> 0:44:46.160
<v Speaker 5>who's like my auntie now, and Natalie Cole and Nancy

0:44:46.200 --> 0:44:50.480
<v Speaker 5>William Wilson and Stevie as well, and to teach you

0:44:50.520 --> 0:44:53.960
<v Speaker 5>how to do this thing with grace and with appreciation right,

0:44:54.120 --> 0:44:56.360
<v Speaker 5>because it could really take you in a whole other space.

0:44:56.480 --> 0:44:58.200
<v Speaker 5>If you're not careful, you start to think it's all

0:44:58.200 --> 0:44:58.560
<v Speaker 5>about you.

0:45:00.040 --> 0:45:01.520
<v Speaker 8>Welcome back to the Sugar Steve Show.

0:45:04.239 --> 0:45:08.560
<v Speaker 1>So, Steve, when you first met me, did you go

0:45:08.680 --> 0:45:11.080
<v Speaker 1>back to New York after you graduated? Yeah?

0:45:11.239 --> 0:45:15.640
<v Speaker 5>You know, it was my habit that going back and going.

0:45:16.080 --> 0:45:18.319
<v Speaker 5>Like I said, I was bullied a lot in elementary

0:45:18.360 --> 0:45:22.280
<v Speaker 5>school and my teachers were just such blessings and encouragement

0:45:22.640 --> 0:45:25.600
<v Speaker 5>to me that when I graduated from elementary school and

0:45:25.600 --> 0:45:27.920
<v Speaker 5>I got to give a shout out to Barbara Ames

0:45:28.239 --> 0:45:32.200
<v Speaker 5>and Karen Fogler, to the most amazing teachers anyone could

0:45:32.239 --> 0:45:34.440
<v Speaker 5>ever have. They still come to everything I do today

0:45:35.480 --> 0:45:39.000
<v Speaker 5>to this day, since elementary school, since first grade, and

0:45:39.760 --> 0:45:43.920
<v Speaker 5>Barbara Ames was actually one of the teachers. Barbara and

0:45:44.120 --> 0:45:47.320
<v Speaker 5>Karen were teachers of Lynn Manuel Miranda as well, and

0:45:47.400 --> 0:45:50.680
<v Speaker 5>he credits both of them as well as depositing into

0:45:50.800 --> 0:45:52.600
<v Speaker 5>his life to inspire him to do what he does.

0:45:52.719 --> 0:45:56.399
<v Speaker 5>So all of you teachers out there, mad love, mad love,

0:45:56.800 --> 0:45:59.480
<v Speaker 5>mad love. I know you know situations are tense or

0:45:59.520 --> 0:46:02.680
<v Speaker 5>can be to some schools these days, but I so

0:46:03.360 --> 0:46:06.520
<v Speaker 5>appreciate you much love for all that you do for

0:46:06.800 --> 0:46:11.280
<v Speaker 5>inspiring and educating us and caring for us beyond beyond.

0:46:11.520 --> 0:46:14.080
<v Speaker 5>So anyway, so when I graduated and went to junior High,

0:46:14.080 --> 0:46:16.600
<v Speaker 5>I would come back to elementary school just to visit

0:46:16.680 --> 0:46:18.840
<v Speaker 5>them and say hi. I would do Christmas concerts in

0:46:18.880 --> 0:46:21.360
<v Speaker 5>the faculty lounge and then I would talk to the

0:46:21.440 --> 0:46:22.960
<v Speaker 5>kids and say I used to sit right there in

0:46:23.000 --> 0:46:25.240
<v Speaker 5>this class, and don't be a bully, and if anything

0:46:25.280 --> 0:46:27.799
<v Speaker 5>happens to you tell your tea teacher because they really

0:46:27.840 --> 0:46:30.080
<v Speaker 5>want to help, and they go, okay, okay, what's junior

0:46:30.160 --> 0:46:32.520
<v Speaker 5>high school? Like okay, great. Then I went to high

0:46:32.560 --> 0:46:35.520
<v Speaker 5>school and go back to my junior high in elementary school,

0:46:35.560 --> 0:46:37.640
<v Speaker 5>and this became my habit. When I went to college,

0:46:37.920 --> 0:46:41.080
<v Speaker 5>I came back. That was my habit. Then after college,

0:46:41.160 --> 0:46:44.400
<v Speaker 5>now I'm releasing records, I'm doing shows off and on Broadway.

0:46:44.440 --> 0:46:47.200
<v Speaker 5>Then I book a TV show. Now I'm in California.

0:46:47.440 --> 0:46:49.480
<v Speaker 5>So when I get an opportunity, I come back home,

0:46:49.760 --> 0:46:52.000
<v Speaker 5>and so is my habit. I went back to my school.

0:46:52.360 --> 0:46:55.279
<v Speaker 5>I went back to music and art. The difference was

0:46:55.560 --> 0:46:57.160
<v Speaker 5>I used to do it because it made me feel

0:46:57.200 --> 0:47:00.279
<v Speaker 5>good and stay connected and grounded. This time, I in

0:47:00.360 --> 0:47:02.600
<v Speaker 5>the lobby of the school. It's like, oh my god,

0:47:02.680 --> 0:47:07.640
<v Speaker 5>it's Julisa and kids came from everywhere and they swarmed

0:47:07.760 --> 0:47:10.000
<v Speaker 5>me in the lobby. They had to get security and

0:47:10.080 --> 0:47:13.279
<v Speaker 5>the police to escort me to the principal's office. Then

0:47:13.360 --> 0:47:15.480
<v Speaker 5>they made an announcement, we need you to please get

0:47:15.520 --> 0:47:17.879
<v Speaker 5>out of the hallways, go back to your class. Miss

0:47:17.960 --> 0:47:20.520
<v Speaker 5>Lewis will come and see you, but you need to

0:47:20.600 --> 0:47:23.120
<v Speaker 5>go back to your classes. So they had an extended

0:47:23.200 --> 0:47:25.719
<v Speaker 5>day of school that day, and I literally live to

0:47:25.920 --> 0:47:30.560
<v Speaker 5>every class and answer questions because in a place like

0:47:30.719 --> 0:47:33.920
<v Speaker 5>music and art, I'm living the dream that everybody in

0:47:33.960 --> 0:47:37.280
<v Speaker 5>that school has. So that's what made a mental shift

0:47:37.400 --> 0:47:41.080
<v Speaker 5>for me that I actually had something to offer, that

0:47:41.200 --> 0:47:43.840
<v Speaker 5>it wasn't just about me, but that I could hopefully

0:47:43.880 --> 0:47:47.040
<v Speaker 5>answer some questions and be a support or an encouragement

0:47:47.080 --> 0:47:47.839
<v Speaker 5>to somebody else.

0:47:48.360 --> 0:47:52.279
<v Speaker 2>See, you've achieved something that I just recently got to

0:47:52.320 --> 0:47:56.800
<v Speaker 2>get a taste of. Because early in my career, like

0:47:57.120 --> 0:47:59.239
<v Speaker 2>they would have me come and speak to schools or whatever,

0:48:00.239 --> 0:48:02.319
<v Speaker 2>but I would get like questions, like.

0:48:03.840 --> 0:48:07.440
<v Speaker 1>You over there, Yeah, so do you know like real

0:48:07.520 --> 0:48:13.719
<v Speaker 1>famous people. Do you know Andre three thousand? Yeah? Do

0:48:13.760 --> 0:48:16.400
<v Speaker 1>you know Eric Abat? Yeah? I produced her first record?

0:48:16.920 --> 0:48:17.360
<v Speaker 4>You did what?

0:48:17.760 --> 0:48:21.200
<v Speaker 1>And literally so it's like kids are so cool. I

0:48:21.360 --> 0:48:21.640
<v Speaker 1>hate it.

0:48:23.200 --> 0:48:27.920
<v Speaker 2>I hate it until until my school. Well, first of all,

0:48:28.120 --> 0:48:31.319
<v Speaker 2>I had to raise money for them, Like I gave

0:48:31.400 --> 0:48:33.759
<v Speaker 2>him a whole grip. I raised money for them, and

0:48:33.880 --> 0:48:37.239
<v Speaker 2>then like they threw like me and Tarika, you know,

0:48:37.640 --> 0:48:39.719
<v Speaker 2>a roots day or whatever, and then I felt like

0:48:40.360 --> 0:48:42.279
<v Speaker 2>semi validated, like oh, welcome back.

0:48:42.400 --> 0:48:47.360
<v Speaker 1>But it came at a price. But I always that

0:48:47.480 --> 0:48:48.759
<v Speaker 1>whole like go back to school and.

0:48:48.800 --> 0:48:51.279
<v Speaker 2>Speech to this student, Yes they love you, and like

0:48:51.719 --> 0:48:54.279
<v Speaker 2>kids like nah, they just want to know if I

0:48:54.360 --> 0:48:55.040
<v Speaker 2>know Lil Wayne.

0:48:56.000 --> 0:48:58.319
<v Speaker 1>All the questions are hilarious.

0:48:58.960 --> 0:49:00.960
<v Speaker 5>Well, I just got re connected with a group of

0:49:01.080 --> 0:49:05.680
<v Speaker 5>U of M students recently, literally recent as yesterday on Monday,

0:49:05.760 --> 0:49:08.200
<v Speaker 5>the U of M. There's the seniors from the drama

0:49:08.280 --> 0:49:12.440
<v Speaker 5>department were up here doing a performance, a showcase you know,

0:49:12.560 --> 0:49:15.200
<v Speaker 5>for I guess casting directors and et cetera, cause they

0:49:15.200 --> 0:49:16.640
<v Speaker 5>were about to go into the world and want to

0:49:16.640 --> 0:49:20.400
<v Speaker 5>do this profession fessionally. So I got invited to go

0:49:20.600 --> 0:49:23.080
<v Speaker 5>to the showcase. So I went. And I've gone back

0:49:23.120 --> 0:49:24.920
<v Speaker 5>to the U a couple of times over the years

0:49:24.960 --> 0:49:26.960
<v Speaker 5>and done master classes and things like like that. So

0:49:27.000 --> 0:49:29.799
<v Speaker 5>I went and saw it. So I was asking while

0:49:29.840 --> 0:49:31.080
<v Speaker 5>they were in New York if they were gonna go

0:49:31.160 --> 0:49:33.080
<v Speaker 5>see any shows, and they said, well, you know, we're

0:49:33.080 --> 0:49:36.680
<v Speaker 5>gonna try. But I learned ultimately that the kids had

0:49:36.719 --> 0:49:39.319
<v Speaker 5>to buy their own tickets for whatever Broadway show they

0:49:39.360 --> 0:49:41.640
<v Speaker 5>wanted to see. And we all know these tickets are

0:49:41.680 --> 0:49:45.800
<v Speaker 5>not inexpensive. They are not. So I got together with

0:49:45.960 --> 0:49:50.000
<v Speaker 5>our company manager and since I got into this motivational

0:49:50.080 --> 0:49:52.439
<v Speaker 5>empowerment thing. I've been doing it now for what forty years.

0:49:52.480 --> 0:49:55.839
<v Speaker 5>When I learned it was called motivational speaking. But about

0:49:55.880 --> 0:49:59.320
<v Speaker 5>four years ago I started my own nonprofit organization, the

0:49:59.400 --> 0:50:07.080
<v Speaker 5>A New Day Foundation. Son, see toda, I see what

0:50:07.160 --> 0:50:09.840
<v Speaker 5>you did. I actually brought materials for you.

0:50:10.120 --> 0:50:12.400
<v Speaker 1>Thank you. So that's motiva speaking.

0:50:12.480 --> 0:50:15.399
<v Speaker 5>There you go. So that's what our found foundation does.

0:50:15.480 --> 0:50:19.399
<v Speaker 5>We do programs all year round for teen boys teen girls.

0:50:19.480 --> 0:50:21.200
<v Speaker 5>Sometimes we do events with them together.

0:50:21.800 --> 0:50:21.880
<v Speaker 2>Uh.

0:50:22.040 --> 0:50:26.399
<v Speaker 5>Annually we have a financial literacy and technology conference that's

0:50:26.560 --> 0:50:29.000
<v Speaker 5>about a whole day, seven hours long. We give out

0:50:29.000 --> 0:50:32.120
<v Speaker 5>scholarships and new computers. Well, what we did on behalf

0:50:32.160 --> 0:50:36.320
<v Speaker 5>of the foundation this time was we bought tickets for

0:50:36.560 --> 0:50:39.480
<v Speaker 5>all of the seniors to come and see Tina yesterday.

0:50:39.880 --> 0:50:40.160
<v Speaker 1>Nice.

0:50:40.360 --> 0:50:42.759
<v Speaker 5>So they came and saw Tina, and then after the

0:50:42.840 --> 0:50:45.080
<v Speaker 5>show I met with them and we had kind of

0:50:45.120 --> 0:50:47.279
<v Speaker 5>a talkback for about an hour and a half where

0:50:47.320 --> 0:50:50.440
<v Speaker 5>I was telling them about the journey and answering questions,

0:50:50.520 --> 0:50:50.919
<v Speaker 5>et cetera.

0:50:51.360 --> 0:50:54.840
<v Speaker 2>That's so cool incident, by the way, that was probably

0:50:54.880 --> 0:50:57.920
<v Speaker 2>one of the best surprises I had. I mean, I

0:50:58.040 --> 0:51:00.640
<v Speaker 2>was taking my mother to see teena just for like Chris, Yes,

0:51:00.800 --> 0:51:03.680
<v Speaker 2>but I didn't bother to even like look at the

0:51:03.680 --> 0:51:06.320
<v Speaker 2>playblevel to see if there's anybody I knew what. And

0:51:06.400 --> 0:51:08.680
<v Speaker 2>you came out and it was such a slow like

0:51:09.440 --> 0:51:13.960
<v Speaker 2>wait a minute, like it was a great thing to

0:51:14.040 --> 0:51:16.680
<v Speaker 2>see you once day's doing that. Wow, man, I want

0:51:16.719 --> 0:51:19.920
<v Speaker 2>I want to get to your professional career. But I

0:51:20.080 --> 0:51:22.160
<v Speaker 2>know that you know, you've made music in New York

0:51:22.280 --> 0:51:26.399
<v Speaker 2>before you started acting, and I know that you've had

0:51:26.440 --> 0:51:27.520
<v Speaker 2>to interact it with.

0:51:29.280 --> 0:51:34.200
<v Speaker 1>I want to know what eighties? What pounding the pavement already?

0:51:35.000 --> 0:51:35.600
<v Speaker 8>She was there?

0:51:37.000 --> 0:51:38.840
<v Speaker 1>No, no, no, no, I'm not asking about.

0:51:39.239 --> 0:51:44.800
<v Speaker 2>This past her time, okay, but I'm saying that what

0:51:45.280 --> 0:51:51.200
<v Speaker 2>was pursuing a music career in the first half of

0:51:51.280 --> 0:51:52.480
<v Speaker 2>the eighties in New York?

0:51:53.000 --> 0:51:54.560
<v Speaker 1>Like you know what it was?

0:51:54.800 --> 0:51:58.120
<v Speaker 5>It was tricky. It was real tricky. You know we

0:51:58.200 --> 0:52:00.200
<v Speaker 5>have the me Too movement and all that stuffing on

0:52:00.320 --> 0:52:02.279
<v Speaker 5>now and you hear all kinds of things. Yeah, I know,

0:52:02.400 --> 0:52:08.200
<v Speaker 5>I'm so a fuwie. You found that, you bastard? Where

0:52:08.239 --> 0:52:08.960
<v Speaker 5>did you find it?

0:52:09.520 --> 0:52:12.840
<v Speaker 1>I have I have my resources the government.

0:52:13.000 --> 0:52:15.320
<v Speaker 5>What we are referring to is Bill has in his

0:52:15.440 --> 0:52:20.440
<v Speaker 5>hot little hands a copy of my very first single

0:52:20.640 --> 0:52:24.560
<v Speaker 5>and it's in LP and it was on Dalmatian Records,

0:52:24.600 --> 0:52:26.880
<v Speaker 5>an independent Right Record Late label, and the song was

0:52:26.960 --> 0:52:29.360
<v Speaker 5>called Funky Thing t n h n G.

0:52:29.880 --> 0:52:32.359
<v Speaker 1>Did you name it or yeah?

0:52:32.480 --> 0:52:33.000
<v Speaker 5>I wrote it?

0:52:33.200 --> 0:52:35.080
<v Speaker 1>And no, no, no, I mean thing. I'm talking about

0:52:35.120 --> 0:52:35.880
<v Speaker 1>Dalmatian Records.

0:52:35.960 --> 0:52:37.760
<v Speaker 5>No, that was the name of the Right Record Late label.

0:52:38.320 --> 0:52:51.279
<v Speaker 5>I was actually okay, oh gosh, So you gotta get

0:52:51.280 --> 0:52:52.439
<v Speaker 5>down on me to come on now.

0:52:52.400 --> 0:52:55.239
<v Speaker 9>Y'all know nothing about this and first name basis just

0:52:56.080 --> 0:52:59.719
<v Speaker 9>just come on. D A w n N record w

0:53:00.160 --> 0:53:02.920
<v Speaker 9>w w n N two end.

0:53:09.960 --> 0:53:15.600
<v Speaker 1>Come on. So who produced this?

0:53:16.840 --> 0:53:16.960
<v Speaker 2>Uh?

0:53:17.280 --> 0:53:22.680
<v Speaker 5>Two guys Kenny and Charlie, Charlie Ernst. Kenny Pollock and

0:53:22.800 --> 0:53:25.520
<v Speaker 5>Charlie Ernst Kenny I went to college with. And the

0:53:25.640 --> 0:53:29.440
<v Speaker 5>story behind this is that we were called in to

0:53:29.719 --> 0:53:33.200
<v Speaker 5>play for a jazz violinist. It was his session and

0:53:33.360 --> 0:53:37.680
<v Speaker 5>he was having trouble setting up his violin, equing it,

0:53:37.840 --> 0:53:40.680
<v Speaker 5>et cetera. So Kenny and Charlie just went into this

0:53:40.840 --> 0:53:43.560
<v Speaker 5>groove and they just started playing and I just started

0:53:43.600 --> 0:53:48.520
<v Speaker 5>singing all of that. Every single word was freestyle. It

0:53:48.680 --> 0:53:52.960
<v Speaker 5>was just me singing. We were just singing. I was

0:53:53.120 --> 0:53:57.600
<v Speaker 5>just singing, making up lyrics as I was flowing, and

0:53:57.960 --> 0:54:00.960
<v Speaker 5>there we went and when the when the violinist was

0:54:01.040 --> 0:54:03.839
<v Speaker 5>finally ready, the engineer said, before we start, I want

0:54:03.880 --> 0:54:05.520
<v Speaker 5>you all to come in here in the booth and

0:54:05.600 --> 0:54:07.680
<v Speaker 5>we're like, okay, so I want you to listen to something,

0:54:07.920 --> 0:54:10.799
<v Speaker 5>and he pushed play and that was what you heard

0:54:11.360 --> 0:54:13.799
<v Speaker 5>and we were like what we were in stud Yeah,

0:54:13.960 --> 0:54:17.320
<v Speaker 5>that's fly, that's funky. That's funky. And he signed me

0:54:17.440 --> 0:54:20.760
<v Speaker 5>right there. So we went back and then actually recorded.

0:54:21.400 --> 0:54:22.160
<v Speaker 1>Never happened.

0:54:23.040 --> 0:54:28.160
<v Speaker 2>You're like the walking uhshonification of stepping out on face.

0:54:28.360 --> 0:54:31.239
<v Speaker 5>It was well, Praisett, it was. It was great and

0:54:31.360 --> 0:54:33.600
<v Speaker 5>it was so much fun. It was I mean, I

0:54:33.760 --> 0:54:35.319
<v Speaker 5>was just saying I didn't know what I was saying.

0:54:36.000 --> 0:54:38.800
<v Speaker 5>We were just going the music that point. This was

0:54:38.880 --> 0:54:41.800
<v Speaker 5>eighty four, so I was what twenty twenty three.

0:54:42.800 --> 0:54:45.840
<v Speaker 1>Yeah, so were you pursuing a recording?

0:54:46.200 --> 0:54:48.280
<v Speaker 5>Oh yeah, yeah yeah. So I would do the rounds

0:54:48.320 --> 0:54:53.759
<v Speaker 5>with with my demo tapes and performing at different showcases

0:54:53.840 --> 0:54:58.200
<v Speaker 5>like for Capitol Records and CBS, et cetera. And charted

0:54:58.280 --> 0:55:01.960
<v Speaker 5>This song charted on Billboard at mister Nelson Nelson George

0:55:02.719 --> 0:55:05.720
<v Speaker 5>Billboard Magazine. We came in at twenty there was another

0:55:05.800 --> 0:55:08.239
<v Speaker 5>song that I did called from the Bottom Up, and

0:55:08.320 --> 0:55:10.920
<v Speaker 5>I was a little I was a little feisty young lady,

0:55:11.320 --> 0:55:13.239
<v Speaker 5>and you were not gonna find it because I tried

0:55:13.239 --> 0:55:18.040
<v Speaker 5>to find it my brother. My brother. My brother played

0:55:18.120 --> 0:55:20.120
<v Speaker 5>bass on it, and I was like, dude, do you

0:55:20.320 --> 0:55:23.880
<v Speaker 5>have a copy of that song? And he hasn't responded,

0:55:23.960 --> 0:55:27.400
<v Speaker 5>so I know I do it, but it's back on

0:55:27.560 --> 0:55:32.400
<v Speaker 5>my computer and in my dat collection, back in trust.

0:55:34.800 --> 0:55:37.240
<v Speaker 5>But from the Bottom Up I sang at the Apollo

0:55:37.480 --> 0:55:41.440
<v Speaker 5>for Amateur Night and one Amateur Night that weekend had

0:55:41.480 --> 0:55:43.880
<v Speaker 5>to come back the next week as a special special

0:55:43.960 --> 0:55:46.960
<v Speaker 5>guest for Amateur Night. And from the Bottom Up was

0:55:47.000 --> 0:55:51.160
<v Speaker 5>another song I sang when Shallamar was looking for someone

0:55:51.239 --> 0:55:56.600
<v Speaker 5>to replace Jody Wattley and they had a competition at Leviticus.

0:55:57.040 --> 0:55:59.840
<v Speaker 5>And I was an office temp in the World Trades

0:56:00.280 --> 0:56:02.920
<v Speaker 5>at the time, and I heard it on w b

0:56:03.280 --> 0:56:06.759
<v Speaker 5>LS that they were having a competition at Leviticus. So

0:56:06.920 --> 0:56:08.560
<v Speaker 5>I called my job. I said, you're gonna have to

0:56:08.600 --> 0:56:10.319
<v Speaker 5>get a temp for the temp because I ain't coming

0:56:10.360 --> 0:56:13.360
<v Speaker 5>to day. And they knew what I wanted to aspire to,

0:56:13.800 --> 0:56:15.520
<v Speaker 5>and they said, don go and go on and get

0:56:15.600 --> 0:56:17.000
<v Speaker 5>them go and do you do your best? So I

0:56:17.120 --> 0:56:19.600
<v Speaker 5>went and we were at Leviticus. I had my cassette,

0:56:19.640 --> 0:56:22.160
<v Speaker 5>my little track in my hand, played it from the

0:56:22.239 --> 0:56:26.719
<v Speaker 5>bottom up and I sang that and ultimately, long story short,

0:56:26.800 --> 0:56:28.719
<v Speaker 5>that was when I met Howard Hewett and Mickey Free

0:56:29.040 --> 0:56:31.520
<v Speaker 5>and we have been friends ever since. I won for

0:56:31.640 --> 0:56:34.400
<v Speaker 5>New York. It was like an early version of Star Search.

0:56:34.880 --> 0:56:39.560
<v Speaker 5>So women from all around the country, from La Chicago, Atlanta,

0:56:39.880 --> 0:56:42.520
<v Speaker 5>we all met in La at Circus Circus and we

0:56:42.640 --> 0:56:48.320
<v Speaker 5>had the competition there and we performed in Delisa Davies

0:56:49.840 --> 0:56:52.959
<v Speaker 5>was noted as the winner, and the audience went wild,

0:56:53.040 --> 0:56:57.120
<v Speaker 5>like no New York, New York, New York. So Dick Griffy,

0:56:57.480 --> 0:57:00.000
<v Speaker 5>Dick Griffy says, okay, no, no, calm down, come down,

0:57:00.120 --> 0:57:00.440
<v Speaker 5>We're going.

0:57:00.440 --> 0:57:01.879
<v Speaker 1>To start again.

0:57:02.200 --> 0:57:06.080
<v Speaker 5>Dick Grify, I'm sorry, why why wait?

0:57:06.120 --> 0:57:15.080
<v Speaker 1>Where's my stories? I'm sorry. Anyway, the stories we've heard,

0:57:15.360 --> 0:57:16.960
<v Speaker 1>we could do a whole.

0:57:18.440 --> 0:57:20.200
<v Speaker 5>And that was sold our records. So they said, no,

0:57:20.240 --> 0:57:22.080
<v Speaker 5>we're going to start a new girl group with the

0:57:22.120 --> 0:57:24.440
<v Speaker 5>girl from New York, the girl from Texas and the

0:57:24.520 --> 0:57:27.919
<v Speaker 5>girlfriend I want to say Chicago. And later we learned

0:57:27.960 --> 0:57:30.000
<v Speaker 5>so we's like that's all right, I got my own deal.

0:57:30.040 --> 0:57:31.919
<v Speaker 5>I don't have to be part of someone else's deal.

0:57:32.320 --> 0:57:35.720
<v Speaker 5>And we so we started calling the label crickets Crickets.

0:57:35.920 --> 0:57:38.280
<v Speaker 5>That's when you learned that it was just a publicity stuff.

0:57:38.400 --> 0:57:39.440
<v Speaker 1>They were never going to do it.

0:57:39.880 --> 0:57:41.560
<v Speaker 5>So yeah, no, that was what I wanted to do,

0:57:43.200 --> 0:57:47.000
<v Speaker 5>was be a recording artist or star on Broadway, all

0:57:47.080 --> 0:57:48.920
<v Speaker 5>of that. So TV was the one thing I was

0:57:49.040 --> 0:57:50.440
<v Speaker 5>not pursuing.

0:57:50.440 --> 0:57:52.640
<v Speaker 2>During that time period. I know, this is the time

0:57:52.720 --> 0:57:56.880
<v Speaker 2>for like Leroy Burgess or Kashif or a friend.

0:57:57.080 --> 0:58:00.720
<v Speaker 5>Yes, Kashiff is a friend. Luther I got, I got

0:58:00.760 --> 0:58:03.040
<v Speaker 5>to know. I knew everybody in his band. I wanted

0:58:03.080 --> 0:58:06.080
<v Speaker 5>to be a Luther girl so bad. Brenda White, who

0:58:06.080 --> 0:58:09.760
<v Speaker 5>would always sing the bottom, was taking a leave for

0:58:10.440 --> 0:58:12.200
<v Speaker 5>I forget what the reason was, but she's like, ding,

0:58:12.320 --> 0:58:15.560
<v Speaker 5>Luther loves you. They're having auditions. You should come an audition.

0:58:16.000 --> 0:58:21.000
<v Speaker 5>So it's me. Brenda was there, lethally so ficial, Paullette

0:58:21.120 --> 0:58:24.040
<v Speaker 5>was there, and Luther was there, and so we're singing

0:58:24.080 --> 0:58:27.000
<v Speaker 5>and I knew all the choreography. Stop, stop to Love,

0:58:27.400 --> 0:58:31.120
<v Speaker 5>don't go on the road. I was crushing it. And

0:58:31.200 --> 0:58:33.400
<v Speaker 5>then it was done. Luther came put his arm around me.

0:58:33.400 --> 0:58:35.240
<v Speaker 5>It's baby. You know I love you, right, I said, yeah,

0:58:35.400 --> 0:58:37.120
<v Speaker 5>he said, but I need a little more finesse and

0:58:37.160 --> 0:58:41.480
<v Speaker 5>a little less soul trained. I was like mortified, mortified,

0:58:41.560 --> 0:58:43.840
<v Speaker 5>And a month later I booked a different world. So

0:58:43.920 --> 0:58:49.880
<v Speaker 5>I was like, bye bye Luther Girl bye.

0:58:50.120 --> 0:58:50.560
<v Speaker 1>And but no.

0:58:50.720 --> 0:58:52.120
<v Speaker 5>But then once I booked the show, he says, you

0:58:52.160 --> 0:58:54.240
<v Speaker 5>know you're owe me money, right, I said what he said,

0:58:54.240 --> 0:58:55.920
<v Speaker 5>because if I had hired you wouldn't have been able

0:58:55.960 --> 0:58:58.080
<v Speaker 5>to do that show. So thank you very much, You're welcome.

0:58:58.360 --> 0:59:00.640
<v Speaker 5>So he's cool people.

0:59:00.880 --> 0:59:03.520
<v Speaker 1>So a different world. How does this wind up in

0:59:03.600 --> 0:59:03.960
<v Speaker 1>your lap?

0:59:04.880 --> 0:59:06.640
<v Speaker 5>I don't know that it wound up in my lap

0:59:06.800 --> 0:59:07.960
<v Speaker 5>or I chased it down.

0:59:08.920 --> 0:59:09.120
<v Speaker 1>Yeah.

0:59:09.800 --> 0:59:12.439
<v Speaker 5>I was doing the national tour of a Broadway show

0:59:12.520 --> 0:59:15.160
<v Speaker 5>called The Tap Dance Kid with one of my idols,

0:59:15.240 --> 0:59:19.000
<v Speaker 5>Harold Nicholas of the Nicholas and Doulay Hill, who was

0:59:19.120 --> 0:59:21.520
<v Speaker 5>ten at the time, who has now grown to be

0:59:21.640 --> 0:59:28.560
<v Speaker 5>this incredible man and talented. Yes, he was our our kid. Well,

0:59:28.600 --> 0:59:32.280
<v Speaker 5>Alfonso was on Broadway. Sebon stayed in New York on Broadway.

0:59:32.360 --> 0:59:34.800
<v Speaker 5>Deulay came with us out on the road, so there

0:59:34.880 --> 0:59:41.720
<v Speaker 5>was a whole Doulas was an amazing amazing, amazing tap dancer.

0:59:43.200 --> 0:59:43.720
<v Speaker 9>He really is.

0:59:43.840 --> 0:59:46.480
<v Speaker 5>He's phenomenal tap cancer. So we were all tap and

0:59:46.560 --> 0:59:48.560
<v Speaker 5>sing and dancing. So I had a principal role in

0:59:48.720 --> 0:59:51.440
<v Speaker 5>that show. Well, the people who cast that show, it

0:59:51.520 --> 0:59:54.880
<v Speaker 5>was called Hughes Moss Casting also carry There You Go,

0:59:55.120 --> 0:59:57.640
<v Speaker 5>There You Go. They also cast The Cosby Show. So

0:59:57.840 --> 0:59:59.360
<v Speaker 5>while we were on the road, I heard they were

0:59:59.400 --> 1:00:01.240
<v Speaker 5>going to be doing a spin off of The Cosby Show.

1:00:02.120 --> 1:00:04.160
<v Speaker 5>So I started calling the office to ask if I

1:00:04.200 --> 1:00:07.040
<v Speaker 5>could audition, and they were like, no, we want everyone

1:00:07.080 --> 1:00:09.000
<v Speaker 5>to be Lisa's age. I said, well, everybody can't be

1:00:09.080 --> 1:00:11.800
<v Speaker 5>a freshman. Somebody's gotta be a sophomore or a junior.

1:00:12.120 --> 1:00:14.040
<v Speaker 5>And we're only just at like two three years apart

1:00:14.560 --> 1:00:19.240
<v Speaker 5>in age. So begging, begging, begging, Okay, the tour ends,

1:00:19.760 --> 1:00:22.840
<v Speaker 5>AM still begging and they say no, Dawn, No. So

1:00:23.000 --> 1:00:25.320
<v Speaker 5>I beg for like three months like okay, fine, And

1:00:25.480 --> 1:00:27.600
<v Speaker 5>now that we're off the road, I'm sending out my

1:00:27.680 --> 1:00:30.240
<v Speaker 5>headshot and resumes. I've been doing a Broadway show, this

1:00:30.400 --> 1:00:32.920
<v Speaker 5>show that I should be able to get an agent. Crickets.

1:00:33.080 --> 1:00:36.320
<v Speaker 5>No one returned a call, no nothing, nothing, nothing. Out

1:00:36.320 --> 1:00:38.640
<v Speaker 5>of the blue. One day Hughes Moss calls me back

1:00:38.840 --> 1:00:41.960
<v Speaker 5>and says, Okay, are you still interested in auditioning? Can

1:00:42.040 --> 1:00:45.760
<v Speaker 5>you come in tomorrow? It's like, yeah, absolutely. An hour

1:00:45.920 --> 1:00:49.080
<v Speaker 5>after they call me, the musical director for the Cosby Show,

1:00:49.560 --> 1:00:52.960
<v Speaker 5>Steve Gardner, he calls me and says, I got your

1:00:53.040 --> 1:00:54.720
<v Speaker 5>number off of this cassette. It was one of my

1:00:54.800 --> 1:00:57.840
<v Speaker 5>demo tapes of my singing and songwriting that a friend

1:00:57.880 --> 1:01:01.000
<v Speaker 5>of mine, Robin Downs, had given him like a year before.

1:01:01.680 --> 1:01:03.440
<v Speaker 5>So he says, would you be interested in working with

1:01:03.520 --> 1:01:05.520
<v Speaker 5>me on the theme song for this new show? And

1:01:05.640 --> 1:01:09.240
<v Speaker 5>I said, okay, yeah, sure, what is it? So he

1:01:09.360 --> 1:01:12.280
<v Speaker 5>told me this is what the content is, totally unconnected.

1:01:12.600 --> 1:01:15.120
<v Speaker 5>He said, this is this is the concept of the

1:01:15.200 --> 1:01:17.400
<v Speaker 5>show Lee, Lisa Bone is going off to college. We

1:01:17.480 --> 1:01:20.040
<v Speaker 5>want the song to say something along the lines of,

1:01:20.160 --> 1:01:23.240
<v Speaker 5>you know, experiencing life. The show was called Stepping Up

1:01:23.280 --> 1:01:25.560
<v Speaker 5>to Step Out. That was the original That was the

1:01:25.640 --> 1:01:27.600
<v Speaker 5>original title. Okay, and we're gonna this was on a

1:01:27.640 --> 1:01:29.760
<v Speaker 5>Wednesday and we're going to be in the studio on

1:01:29.920 --> 1:01:32.640
<v Speaker 5>Friday recording it. I said, okay, so do you want

1:01:32.680 --> 1:01:35.720
<v Speaker 5>to meet tomorrow, you know, to hear what I come

1:01:35.800 --> 1:01:37.240
<v Speaker 5>up and says no, if you're the person that wrote

1:01:37.280 --> 1:01:39.120
<v Speaker 5>these things. And if you you're singing, you can do

1:01:39.200 --> 1:01:42.280
<v Speaker 5>what I need done. So I'll see you Friday. Okay.

1:01:42.680 --> 1:01:44.440
<v Speaker 5>So now I thought people were messing with me.

1:01:44.560 --> 1:01:45.040
<v Speaker 4>No I did.

1:01:45.400 --> 1:01:48.040
<v Speaker 5>I thought my friends were messing with me at this point.

1:01:48.080 --> 1:01:50.360
<v Speaker 5>So I called Hughes Moss back and say did you

1:01:50.520 --> 1:01:52.479
<v Speaker 5>just call me? They said yes, is there a problem?

1:01:52.520 --> 1:01:54.240
<v Speaker 5>Can you? I say no, no, no, no, I'll be there,

1:01:54.560 --> 1:01:57.040
<v Speaker 5>And sure enough, a couple of hours later, a messenger

1:01:57.160 --> 1:01:59.680
<v Speaker 5>came to my door with a cassette of this is

1:01:59.760 --> 1:02:04.920
<v Speaker 5>the music that we're thinking of using. Go right. So

1:02:05.800 --> 1:02:09.160
<v Speaker 5>I was tripping, to say the least. So I'm thinking, okay,

1:02:09.240 --> 1:02:11.720
<v Speaker 5>this this is big. This is really big. And one

1:02:11.760 --> 1:02:13.760
<v Speaker 5>of the classes I had to take as a musical

1:02:13.800 --> 1:02:17.240
<v Speaker 5>theater degree major was this Business of Music. It was

1:02:17.320 --> 1:02:20.560
<v Speaker 5>that big, thick textbook. It was written by Bill Fimon

1:02:20.600 --> 1:02:23.440
<v Speaker 5>and Andy Kraslosophy. There you go, There you go. So

1:02:23.600 --> 1:02:27.200
<v Speaker 5>I'm like, okay, I need I need somebody to help

1:02:27.280 --> 1:02:30.200
<v Speaker 5>me with this. So again just out of college. So

1:02:30.280 --> 1:02:33.440
<v Speaker 5>I opened the book and noticed that they had an

1:02:33.520 --> 1:02:36.240
<v Speaker 5>office here in New York. So I got the Yellow Pages.

1:02:36.600 --> 1:02:36.880
<v Speaker 2>Yellow?

1:02:37.520 --> 1:02:40.800
<v Speaker 5>What is that? I got the Yellow Pages?

1:02:40.920 --> 1:02:41.480
<v Speaker 1>Look them up.

1:02:42.120 --> 1:02:44.040
<v Speaker 5>Yes, and they get delivered to the house, and you go,

1:02:44.240 --> 1:02:48.520
<v Speaker 5>why are you sending me this? So I look them up,

1:02:48.560 --> 1:02:51.120
<v Speaker 5>I call them and I say, Hi, you don't know me,

1:02:51.360 --> 1:02:54.800
<v Speaker 5>but I just got this amazing opportunity placed in my lap,

1:02:54.920 --> 1:02:57.440
<v Speaker 5>and I'm sure I'm supposed to be doing something that

1:02:57.520 --> 1:02:59.440
<v Speaker 5>I don't know what I'm supposed to do. Do you

1:02:59.520 --> 1:03:02.520
<v Speaker 5>have parallel legals? Do you have free legal service? Because

1:03:02.560 --> 1:03:04.400
<v Speaker 5>I don't have any money? And they said, well, please

1:03:04.440 --> 1:03:06.480
<v Speaker 5>come into our office tomorrow and we'll talk about it.

1:03:06.800 --> 1:03:09.240
<v Speaker 5>It's okay. So I went to my audition. They said,

1:03:09.280 --> 1:03:12.320
<v Speaker 5>thank you for coming, goodbye. Okay. So I leave and

1:03:12.400 --> 1:03:14.680
<v Speaker 5>I go to the lawyer's office and I explained to

1:03:14.720 --> 1:03:16.479
<v Speaker 5>them what happened. They said, okay, we would be happy

1:03:16.520 --> 1:03:18.959
<v Speaker 5>to help you. I said, okay, no, stop, you missed

1:03:18.960 --> 1:03:20.240
<v Speaker 5>the part right. I said, I don't have any money

1:03:20.840 --> 1:03:22.960
<v Speaker 5>I need. I can't afford you guys. They said, no,

1:03:23.080 --> 1:03:25.280
<v Speaker 5>we're very impressed that you want to do this and

1:03:25.400 --> 1:03:28.400
<v Speaker 5>do it the right way, so we are offering to

1:03:28.520 --> 1:03:30.800
<v Speaker 5>help you free of charge. All we want to see

1:03:30.920 --> 1:03:33.800
<v Speaker 5>is you be protected and when the opportunity comes, you

1:03:33.880 --> 1:03:35.880
<v Speaker 5>be willing to help somebody else. I sat in their

1:03:35.920 --> 1:03:39.760
<v Speaker 5>office and I cried, wow, I'm trying enough. So they

1:03:39.920 --> 1:03:44.040
<v Speaker 5>negotiated my whole contract. They negotiated that I get fifty

1:03:44.080 --> 1:03:48.360
<v Speaker 5>percent writers royalties, which was unheard of for me as

1:03:48.480 --> 1:03:52.680
<v Speaker 5>basically an unknown writer at the time. Fifty percent royalties

1:03:52.840 --> 1:03:56.200
<v Speaker 5>and screen credit. So when we were negotiating, when they

1:03:56.240 --> 1:03:59.840
<v Speaker 5>were negotiating with Carcy Warner, that's when we learned that, well,

1:04:00.000 --> 1:04:02.600
<v Speaker 5>mister Gardner has a deal with mister Cosby, that mister

1:04:02.640 --> 1:04:04.960
<v Speaker 5>Cosby gets fifty percent of whatever he does. And my

1:04:05.080 --> 1:04:07.120
<v Speaker 5>lawyers said that, well, that's fine, mister Kasay can have

1:04:07.160 --> 1:04:10.240
<v Speaker 5>fifty percent of mister Gardener's fifty percent. Dunts fifty percent

1:04:11.520 --> 1:04:14.880
<v Speaker 5>and this never happens, and they signed off for a

1:04:15.280 --> 1:04:19.440
<v Speaker 5>new thing, I can imagine. So I went in the

1:04:19.480 --> 1:04:22.120
<v Speaker 5>studio the next day. I record the song. The song

1:04:22.200 --> 1:04:24.440
<v Speaker 5>had a rap in the middle of it. I was flowing,

1:04:24.520 --> 1:04:26.520
<v Speaker 5>I was singing, I was doing all the background vocals,

1:04:26.560 --> 1:04:26.959
<v Speaker 5>et cetera.

1:04:27.120 --> 1:04:29.240
<v Speaker 1>Oh it wasn't the back porch bluesy.

1:04:29.640 --> 1:04:34.280
<v Speaker 5>No, that arrangement came later, But the song, the lyrics,

1:04:34.320 --> 1:04:35.880
<v Speaker 5>the melody, everything stayed.

1:04:35.720 --> 1:04:38.160
<v Speaker 1>And the show was still called No Stepping Up.

1:04:38.120 --> 1:04:41.240
<v Speaker 5>Up, Stepping Up to Step out was the original title, right.

1:04:41.760 --> 1:04:47.360
<v Speaker 5>So then I get a call on Monday. No, I

1:04:47.440 --> 1:04:50.440
<v Speaker 5>get a call on Friday while I'm in the studio

1:04:50.760 --> 1:04:52.880
<v Speaker 5>that they want me to have a callback for this

1:04:53.080 --> 1:04:56.280
<v Speaker 5>role on Monday. So I'm like, okay. I mean, they

1:04:56.280 --> 1:04:58.880
<v Speaker 5>were so dismissive in the audition. I wasn't expecting to

1:04:58.920 --> 1:05:01.440
<v Speaker 5>ever hear from them again. So I go in Monday,

1:05:01.840 --> 1:05:03.600
<v Speaker 5>and I kid you not, I'm the only person in

1:05:03.640 --> 1:05:06.360
<v Speaker 5>the room. I did not recognize Joi Lee was in

1:05:06.440 --> 1:05:10.000
<v Speaker 5>the room. People I've seen in magazines and people's size

1:05:10.040 --> 1:05:12.600
<v Speaker 5>two with light skin and green eyes and long hair,

1:05:12.680 --> 1:05:14.640
<v Speaker 5>and me and I'm looking around the room. Okay, I

1:05:14.760 --> 1:05:15.640
<v Speaker 5>know her her.

1:05:17.280 --> 1:05:17.640
<v Speaker 4>Okay.

1:05:18.000 --> 1:05:19.840
<v Speaker 5>So I was like, you know, and you count yourself

1:05:19.920 --> 1:05:23.720
<v Speaker 5>out mentally, but I say, well, I'm here and they

1:05:23.800 --> 1:05:25.160
<v Speaker 5>called me to come back. So I'm just going to

1:05:25.240 --> 1:05:28.480
<v Speaker 5>go and do my thing and wherever it falls, that's

1:05:28.480 --> 1:05:30.880
<v Speaker 5>where it falls. I went in, I did my thing again,

1:05:30.960 --> 1:05:32.840
<v Speaker 5>and they said, okay, thank you very much for coming back.

1:05:33.080 --> 1:05:35.400
<v Speaker 5>I said, no problem. So I left and went to

1:05:35.520 --> 1:05:38.840
<v Speaker 5>dance class and I danced out for like another five hours.

1:05:39.200 --> 1:05:41.280
<v Speaker 5>I came out of the dance studio. Someone screens my

1:05:41.400 --> 1:05:43.200
<v Speaker 5>name from across the street. We have been looking for

1:05:43.320 --> 1:05:46.280
<v Speaker 5>you all afternoon. Where's your agent? And I'm thinking, no

1:05:46.360 --> 1:05:48.320
<v Speaker 5>one ever called me back? I never, I don't have

1:05:48.480 --> 1:05:52.200
<v Speaker 5>an agent. You have to fly to La on Wednesday

1:05:52.400 --> 1:05:57.320
<v Speaker 5>to meet with the studio, etc. So okay, So I

1:05:57.440 --> 1:05:59.920
<v Speaker 5>called a friend who called a friend who has an

1:06:00.080 --> 1:06:02.680
<v Speaker 5>agent that said she would negotiate my contract. And all

1:06:02.720 --> 1:06:05.600
<v Speaker 5>I have to do is pay her salary. I just

1:06:05.680 --> 1:06:07.880
<v Speaker 5>pay her a salary. She doesn't get commissioned, she doesn't

1:06:07.880 --> 1:06:09.600
<v Speaker 5>get any of that because she didn't do my deal.

1:06:10.080 --> 1:06:12.440
<v Speaker 5>So I paid her. She negotiated my contract. It was

1:06:12.480 --> 1:06:14.360
<v Speaker 5>a suck sucky contract, but at least I had one

1:06:14.560 --> 1:06:18.080
<v Speaker 5>right And I got on a plane. Never flown first

1:06:18.160 --> 1:06:25.360
<v Speaker 5>class before. It was pan am flew first But I

1:06:25.440 --> 1:06:29.400
<v Speaker 5>had a menu and a tablecloth and food and advertisers.

1:06:29.480 --> 1:06:34.400
<v Speaker 5>It's like, this is the ball food to La. They

1:06:34.480 --> 1:06:37.080
<v Speaker 5>put me up in like one of those top suites

1:06:37.200 --> 1:06:41.040
<v Speaker 5>at the Sheridan Universal that had like almost a panoramic.

1:06:40.640 --> 1:06:41.400
<v Speaker 1>View of the valley.

1:06:41.880 --> 1:06:44.520
<v Speaker 5>And I'm like, what is this life that I am?

1:06:44.640 --> 1:06:48.120
<v Speaker 5>What is happening right now? So I went to the audition.

1:06:48.280 --> 1:06:50.040
<v Speaker 5>The car came and got me, took me to the

1:06:50.080 --> 1:06:53.720
<v Speaker 5>studio and there were these young ladies there waiting to

1:06:53.880 --> 1:06:55.680
<v Speaker 5>be seen, and so it was three of us and

1:06:55.720 --> 1:06:58.040
<v Speaker 5>they're sitting there to well, this is my seventh callback,

1:06:58.200 --> 1:07:00.400
<v Speaker 5>and my agent told me that by this time they

1:07:00.480 --> 1:07:01.800
<v Speaker 5>have to offer it to me. And I know they

1:07:01.920 --> 1:07:04.120
<v Speaker 5>calling in some girl friend from New York and dead

1:07:04.120 --> 1:07:05.560
<v Speaker 5>and no I know she thinks she all of that.

1:07:05.800 --> 1:07:07.800
<v Speaker 5>And I'm the only one sitting there. I'm saying, wow,

1:07:07.920 --> 1:07:10.880
<v Speaker 5>are you trying? They were like trying to get in

1:07:11.000 --> 1:07:12.360
<v Speaker 5>my head. They were not nice.

1:07:12.400 --> 1:07:13.120
<v Speaker 1>So that's real.

1:07:13.480 --> 1:07:14.000
<v Speaker 5>This is real.

1:07:14.200 --> 1:07:15.920
<v Speaker 1>I see it portrayed on television.

1:07:16.080 --> 1:07:19.800
<v Speaker 5>Yes, it was not nice. Try to get in my head.

1:07:19.840 --> 1:07:22.240
<v Speaker 5>And it's like, wow, wow, you're not. I'm sitting right here,

1:07:22.320 --> 1:07:25.120
<v Speaker 5>you know. Okay, fine, whatever whatever. So I go into

1:07:25.400 --> 1:07:27.560
<v Speaker 5>the room and the producer's like, how is the flight?

1:07:27.840 --> 1:07:30.360
<v Speaker 5>Are you okay? Did you see your contracts?

1:07:31.240 --> 1:07:31.680
<v Speaker 1>And so?

1:07:32.120 --> 1:07:34.760
<v Speaker 5>Fine? Fine. So I'm walking out after reading the sides,

1:07:35.280 --> 1:07:37.760
<v Speaker 5>and I'm leaving and the girls are sitting there and

1:07:37.840 --> 1:07:39.920
<v Speaker 5>the young lady that walks me and says, Okay, the

1:07:40.000 --> 1:07:42.800
<v Speaker 5>car is downstairs waiting for you. Your contracts are there,

1:07:42.920 --> 1:07:45.120
<v Speaker 5>everything should be in order. Just sign the paperwork and

1:07:45.160 --> 1:07:48.200
<v Speaker 5>the car. I'll be back to pick you up this afternoon, okays,

1:07:48.280 --> 1:07:51.760
<v Speaker 5>miss miss Lewis all right, you're good. You need anything else? No, no, no,

1:07:51.880 --> 1:07:54.040
<v Speaker 5>I'm fine. I'm fine. And the girls were sitting there

1:07:54.120 --> 1:07:58.000
<v Speaker 5>like so I looked over to them and said good

1:07:58.080 --> 1:08:06.160
<v Speaker 5>luck and left and left. And then that afternoon this

1:08:06.320 --> 1:08:08.440
<v Speaker 5>car comes and gets me. I now go to the studio.

1:08:08.520 --> 1:08:11.640
<v Speaker 5>So now the room is full of people who decide

1:08:11.680 --> 1:08:13.560
<v Speaker 5>whether or not you get hired. And if do you

1:08:13.720 --> 1:08:17.800
<v Speaker 5>remember the actress Vernee Watson Johnsons okay, Renee was also

1:08:17.840 --> 1:08:20.760
<v Speaker 5>auditioning to play the dorm mother. So Renee saw me

1:08:20.800 --> 1:08:23.160
<v Speaker 5>sitting there like rolling my sides up in my hand,

1:08:23.200 --> 1:08:25.479
<v Speaker 5>and I'm nervous. I'm like the lines. I'm like, doesn't

1:08:25.520 --> 1:08:27.839
<v Speaker 5>know my lines. And then one of the exect producers

1:08:27.880 --> 1:08:29.599
<v Speaker 5>comes out and says, take your hair out of your face.

1:08:29.680 --> 1:08:32.120
<v Speaker 5>I say okay, So I pulled it back out of

1:08:32.200 --> 1:08:34.559
<v Speaker 5>my face, and Renee says, are you okay? I said,

1:08:34.560 --> 1:08:36.160
<v Speaker 5>I'm just you know, yeah, yeah, I'm fine. I'm fine.

1:08:36.200 --> 1:08:38.200
<v Speaker 5>She says, come with me. She took me in the hallway.

1:08:38.960 --> 1:08:42.280
<v Speaker 5>She had me breathe and relax, and she said, if

1:08:42.360 --> 1:08:44.360
<v Speaker 5>you want, I'll run lines with you. Come on, just

1:08:44.479 --> 1:08:46.599
<v Speaker 5>let's let's go on. And she sat there and ran

1:08:46.720 --> 1:08:50.120
<v Speaker 5>lines with me until I cooled out and chilled out,

1:08:50.520 --> 1:08:52.800
<v Speaker 5>and then I went in the room, I did my thing,

1:08:52.920 --> 1:08:54.640
<v Speaker 5>and I came out and I hugged her, and she

1:08:54.760 --> 1:08:56.800
<v Speaker 5>and I have been friends ever since. When both of

1:08:56.880 --> 1:08:59.040
<v Speaker 5>us booked a pilot, she let me stay at her

1:08:59.120 --> 1:09:01.920
<v Speaker 5>house until I found an apartment. She's one of the

1:09:01.960 --> 1:09:04.280
<v Speaker 5>most beautiful I will never I'm telling you, Lessons like

1:09:04.360 --> 1:09:07.280
<v Speaker 5>that and opportunities teach you to be a decent human being.

1:09:07.400 --> 1:09:10.240
<v Speaker 5>So Verne, God bless you. I love you forever. So

1:09:10.520 --> 1:09:14.200
<v Speaker 5>they flew back to New York and they hues Man's

1:09:14.240 --> 1:09:17.360
<v Speaker 5>coused me and said, mister Cosby, is the last interview

1:09:17.880 --> 1:09:20.080
<v Speaker 5>that you have, and so we want you to book

1:09:20.120 --> 1:09:23.120
<v Speaker 5>this job. So come into our office tomorrow morning and

1:09:23.160 --> 1:09:26.160
<v Speaker 5>we're gonna put you in the right outfit and then

1:09:26.200 --> 1:09:28.280
<v Speaker 5>we're gonna go. And that was when the Cosby Show

1:09:28.360 --> 1:09:30.720
<v Speaker 5>was shooting in Brooklyn, like not even fifteen minutes from

1:09:30.760 --> 1:09:33.160
<v Speaker 5>my house. So I stayed up all night trying to

1:09:33.200 --> 1:09:37.519
<v Speaker 5>put outfits together, and got on the subway from last

1:09:37.560 --> 1:09:41.400
<v Speaker 5>stopping flap Us to Midtown on forty six, wherever their

1:09:41.439 --> 1:09:44.800
<v Speaker 5>office was, with this huge bundle of clothes that I

1:09:44.960 --> 1:09:48.000
<v Speaker 5>carried on the subway. Okay, so I walk into their

1:09:48.040 --> 1:09:50.800
<v Speaker 5>office and they go, perfect, what you're wearing is perfect.

1:09:50.840 --> 1:09:57.120
<v Speaker 5>I say, for really, really really right now really, So

1:09:57.240 --> 1:09:59.280
<v Speaker 5>then I had to take my big bundle of clothes

1:09:59.360 --> 1:10:01.479
<v Speaker 5>that we got in to a car and drove back

1:10:03.560 --> 1:10:07.080
<v Speaker 5>near my crib to go and meet with mister Cosby.

1:10:07.360 --> 1:10:10.080
<v Speaker 5>So we're sitting in his dressing room. He's on the

1:10:10.160 --> 1:10:15.000
<v Speaker 5>phone at his table over there, and myself and Tom Warner,

1:10:15.120 --> 1:10:18.719
<v Speaker 5>Marcy Carcy and the Hughes, Moss, Julie Hughes and Barry

1:10:18.760 --> 1:10:21.160
<v Speaker 5>are sitting there. And so he roddles over. He had

1:10:21.200 --> 1:10:23.880
<v Speaker 5>a chair that had wheels. He waddles over, and so

1:10:23.960 --> 1:10:26.760
<v Speaker 5>I'm ready. I got my side. I was nervous, wrong,

1:10:26.840 --> 1:10:29.160
<v Speaker 5>So I'm gonna read from mister Cox. Okay, all right,

1:10:29.400 --> 1:10:32.240
<v Speaker 5>all right, I'm gonna do this audition. And they said, well, Bill,

1:10:32.280 --> 1:10:34.720
<v Speaker 5>before we get started, what did you think of the song? Now,

1:10:34.800 --> 1:10:38.559
<v Speaker 5>mind this is all within the same week and a half, Bill,

1:10:38.840 --> 1:10:40.000
<v Speaker 5>what did you think of the song? Oh?

1:10:40.080 --> 1:10:40.800
<v Speaker 1>I love the song.

1:10:40.880 --> 1:10:42.880
<v Speaker 5>The song is perfect in the girl's voice is the

1:10:42.960 --> 1:10:45.880
<v Speaker 5>Oh that's perfect. She's gonna be amazing. The words are perfect.

1:10:45.920 --> 1:10:48.720
<v Speaker 5>Everything is perfect. And I sat there like and I

1:10:48.840 --> 1:10:50.760
<v Speaker 5>raised I literally raised my hand. I kid you not,

1:10:50.840 --> 1:10:52.200
<v Speaker 5>and they said, yes, what I said, I just want

1:10:52.240 --> 1:10:55.840
<v Speaker 5>to say thank you for the song. I'm glad you

1:10:56.040 --> 1:10:58.760
<v Speaker 5>liked the song. What are you talking about? I said,

1:10:58.800 --> 1:11:00.680
<v Speaker 5>I'm I'm the girl, I'm the one who wrote it.

1:11:00.720 --> 1:11:03.439
<v Speaker 5>I'm the one you're listening to singing. And they look

1:11:03.439 --> 1:11:07.160
<v Speaker 5>at me like what and Bill just started up. He

1:11:07.360 --> 1:11:11.160
<v Speaker 5>just started laughing and they were like, he says, wait, stop,

1:11:11.600 --> 1:11:14.760
<v Speaker 5>that's you singing. I said, yeah, that's that's Stu. And

1:11:14.800 --> 1:11:17.160
<v Speaker 5>I did that last Friday and this was like Wednesday

1:11:17.720 --> 1:11:21.760
<v Speaker 5>or Thursday of the next the next and he's like,

1:11:21.880 --> 1:11:24.080
<v Speaker 5>all right, okay, And then they started talking about what

1:11:24.080 --> 1:11:25.800
<v Speaker 5>they're gonna do to my hair. You see the way

1:11:25.840 --> 1:11:28.280
<v Speaker 5>she's dressed right now. That's perfect. I love that we're

1:11:28.280 --> 1:11:29.800
<v Speaker 5>gonna do this to her hair and this and that.

1:11:30.120 --> 1:11:32.320
<v Speaker 5>So I'm sitting it like ten minutes goes by and

1:11:32.439 --> 1:11:34.679
<v Speaker 5>I raised my hand again. They said yes. What I said,

1:11:34.680 --> 1:11:40.080
<v Speaker 5>does this mean I have a job? Finally, does this

1:11:40.320 --> 1:11:42.320
<v Speaker 5>mean I have a job? And they said yes. So

1:11:43.160 --> 1:11:45.040
<v Speaker 5>they said just wait in the hallway for a minute.

1:11:45.040 --> 1:11:48.360
<v Speaker 5>I'm like, what is happening right now? What is happening?

1:11:48.960 --> 1:11:51.719
<v Speaker 5>So mister Werner comes out and I'm in the hallway

1:11:51.760 --> 1:11:53.679
<v Speaker 5>like leaned up against the wall. My eyes are big,

1:11:53.800 --> 1:11:56.160
<v Speaker 5>and how you scream and nothing comes out your mouth?

1:11:56.560 --> 1:11:58.120
<v Speaker 5>And he says, do you need anything? I said, well,

1:11:58.120 --> 1:11:59.000
<v Speaker 5>can I use your phone?

1:11:59.200 --> 1:11:59.439
<v Speaker 1>Please?

1:11:59.479 --> 1:12:03.600
<v Speaker 5>I have to call I got so he took me

1:12:03.720 --> 1:12:05.680
<v Speaker 5>into his office and sat me down. That was when

1:12:05.680 --> 1:12:09.160
<v Speaker 5>you had to push nine to get an outside line. Yes,

1:12:09.600 --> 1:12:10.559
<v Speaker 5>so he let me.

1:12:10.600 --> 1:12:12.000
<v Speaker 1>Call on long distance.

1:12:12.080 --> 1:12:14.200
<v Speaker 5>Oh remember what was it? The WATS lines when you

1:12:14.280 --> 1:12:17.080
<v Speaker 5>get a little cold to dialogue distance for free whatever. Yes,

1:12:17.240 --> 1:12:19.479
<v Speaker 5>So I said, well, before you go this, I don't

1:12:19.479 --> 1:12:21.120
<v Speaker 5>want to be crazy sound or anything, but would you

1:12:21.200 --> 1:12:24.200
<v Speaker 5>pray with me? And he said I'd be happy to.

1:12:24.360 --> 1:12:27.200
<v Speaker 5>So we prayed together in his office, gave God thanks,

1:12:27.240 --> 1:12:28.720
<v Speaker 5>and he left. He said, just whatever you need to

1:12:28.720 --> 1:12:30.840
<v Speaker 5>take as long as you want. So I called my mom.

1:12:31.000 --> 1:12:33.839
<v Speaker 5>My mom was an OAR technician, which means she assisted

1:12:34.000 --> 1:12:37.120
<v Speaker 5>surge surgeons in the operating room. So I called and said, well,

1:12:37.160 --> 1:12:38.720
<v Speaker 5>your mom is in search surger. I said, you have

1:12:38.840 --> 1:12:41.439
<v Speaker 5>to get her out now, you have to. I have

1:12:41.600 --> 1:12:44.559
<v Speaker 5>to speak to her right now. So my mom comes

1:12:44.560 --> 1:12:47.040
<v Speaker 5>to the phone, thinking I'm like bleeding or dying somewhere.

1:12:47.240 --> 1:12:49.280
<v Speaker 5>He says, what is it? What I said, my got

1:12:49.320 --> 1:12:52.960
<v Speaker 5>the job. She says what she's like, girl, I'm gonna

1:12:53.040 --> 1:12:56.519
<v Speaker 5>kill you. What I was like? I said, I got

1:12:56.640 --> 1:12:59.720
<v Speaker 5>the job. I went to She says, wit with with

1:13:00.080 --> 1:13:02.880
<v Speaker 5>with missed mister Crosby. She could never say cosby with

1:13:03.120 --> 1:13:06.320
<v Speaker 5>mister Crosby. I said, yeah, she's on talk ya Jesus,

1:13:10.000 --> 1:13:15.680
<v Speaker 5>Jesus or lot of mercy, thank you, d D. She

1:13:15.760 --> 1:13:19.200
<v Speaker 5>called me d D did yeah, tank your fada, And

1:13:19.439 --> 1:13:20.960
<v Speaker 5>neither one of us were any good after that. We

1:13:21.040 --> 1:13:23.439
<v Speaker 5>were just crying on the phone and it was it was,

1:13:23.680 --> 1:13:25.599
<v Speaker 5>It was great. And two days later I was back

1:13:25.680 --> 1:13:28.280
<v Speaker 5>on a plane in La shooting a pilot.

1:13:29.160 --> 1:13:31.280
<v Speaker 1>Wait, so you had to move in forty eight hours?

1:13:31.439 --> 1:13:33.120
<v Speaker 5>No, we shot to shoot the pilot.

1:13:33.479 --> 1:13:34.439
<v Speaker 1>Okay, so I was there.

1:13:35.960 --> 1:13:38.920
<v Speaker 5>We're still it's gonna get pickne or whatever. And at

1:13:38.960 --> 1:13:42.240
<v Speaker 5>that point, after shooting the pilot and seeing the female

1:13:42.439 --> 1:13:45.000
<v Speaker 5>influence and them deciding that since it wasn't my show,

1:13:45.120 --> 1:13:47.160
<v Speaker 5>it was too much to have me sing the theme song, right,

1:13:47.479 --> 1:13:49.240
<v Speaker 5>you know you can't write it, sing it, and this

1:13:49.400 --> 1:13:52.040
<v Speaker 5>is somebody else's show. Okay, Fine, They had Al Green

1:13:52.560 --> 1:13:54.080
<v Speaker 5>come in and sing it, and that was when they

1:13:54.200 --> 1:13:56.320
<v Speaker 5>we flipped the name to a Different World. So I

1:13:56.479 --> 1:13:59.240
<v Speaker 5>rewrote just that line instead of stepping up to step out.

1:13:59.280 --> 1:14:01.719
<v Speaker 5>It was it's you, It's different world.

1:14:02.240 --> 1:14:02.760
<v Speaker 1>You had the coach.

1:14:04.200 --> 1:14:04.960
<v Speaker 5>What was that like?

1:14:05.080 --> 1:14:09.360
<v Speaker 1>Because it was it was No, it was amazing.

1:14:10.200 --> 1:14:12.920
<v Speaker 5>I couldn't believe it. I absolutely could not believe that.

1:14:12.960 --> 1:14:17.080
<v Speaker 5>I was like, no, no, it goes like this. He

1:14:17.200 --> 1:14:22.160
<v Speaker 5>was receptive. Not so much, he was reception. And that

1:14:22.400 --> 1:14:26.640
<v Speaker 5>was where I met Rachelle Farrell and then fidmont So

1:14:26.800 --> 1:14:30.080
<v Speaker 5>singing backgrounds on that version. It was me, Rochelle and

1:14:30.240 --> 1:14:34.320
<v Speaker 5>Lynn music. Well, yes, it had more of that like

1:14:34.439 --> 1:14:37.080
<v Speaker 5>honky Tonk feel to the so it's closer to what

1:14:37.200 --> 1:14:40.240
<v Speaker 5>Phoebe ended up releasing. So once it became clear this

1:14:40.400 --> 1:14:43.320
<v Speaker 5>was really female driven, they took out Al's vocal and

1:14:43.439 --> 1:14:48.439
<v Speaker 5>Phoebe came in and recorded. I wasn't in that. I

1:14:48.560 --> 1:14:50.639
<v Speaker 5>wasn't in that because I was I was filming by.

1:14:50.600 --> 1:14:52.280
<v Speaker 1>Then Double Dutch.

1:14:52.600 --> 1:14:54.720
<v Speaker 5>I was doing there you go, because we did that

1:14:54.800 --> 1:14:55.559
<v Speaker 5>in Brooklyn too.

1:14:56.439 --> 1:14:57.200
<v Speaker 1>Was shot in Brooklyn.

1:14:57.520 --> 1:15:02.080
<v Speaker 5>No, no, no, no, no, that was Al. They didn't

1:15:02.120 --> 1:15:03.880
<v Speaker 5>believe I knew how to jump double the just if

1:15:03.880 --> 1:15:06.160
<v Speaker 5>you find somebody who can really turn, I can I

1:15:06.240 --> 1:15:08.160
<v Speaker 5>can throw throw down. So I said, not only will

1:15:08.160 --> 1:15:11.000
<v Speaker 5>I throw out, I'm gonna do it in pumps. Y'all

1:15:11.000 --> 1:15:14.960
<v Speaker 5>ain't ready, y'all ain't ready. Y'all ain't ready, y'all ain't ready,

1:15:15.080 --> 1:15:16.160
<v Speaker 5>y'all ain't ready.

1:15:17.200 --> 1:15:19.040
<v Speaker 8>Is there a version? Is there a version of the

1:15:19.080 --> 1:15:20.360
<v Speaker 8>Algreen version around?

1:15:20.600 --> 1:15:20.960
<v Speaker 4>I have it.

1:15:21.680 --> 1:15:23.479
<v Speaker 5>I have to stepping up to step out. Yes, I

1:15:23.600 --> 1:15:27.800
<v Speaker 5>have stepping up to step out. I have the al

1:15:27.880 --> 1:15:30.200
<v Speaker 5>Green version. And I wasn't there when I reap the

1:15:30.240 --> 1:15:32.559
<v Speaker 5>did it? So? Their their concept was like The Cosby

1:15:32.600 --> 1:15:35.639
<v Speaker 5>Show kind of revamped their music entry. They were going

1:15:35.720 --> 1:15:38.360
<v Speaker 5>to revamp it every season, but once Aretha saying it,

1:15:38.400 --> 1:15:39.760
<v Speaker 5>they were good.

1:15:41.439 --> 1:15:43.679
<v Speaker 2>Yeah, there's such a frozen moment where I was waiting

1:15:43.760 --> 1:15:46.280
<v Speaker 2>for the honky tong thing and yes, wait, what the

1:15:46.360 --> 1:15:46.720
<v Speaker 2>hell is this?

1:15:47.000 --> 1:15:47.160
<v Speaker 5>Yes?

1:15:47.320 --> 1:15:50.360
<v Speaker 2>And man, and this is without a VCR back then.

1:15:50.479 --> 1:15:54.000
<v Speaker 2>So yes, I had to wait seven days to record

1:15:54.040 --> 1:15:54.639
<v Speaker 2>it next week.

1:15:54.680 --> 1:15:57.840
<v Speaker 5>And then the final season boys to mend it right.

1:15:58.080 --> 1:16:10.519
<v Speaker 2>Yeah, shooting that show, of course, with the level where

1:16:10.560 --> 1:16:14.040
<v Speaker 2>The Cosby Show was, I mean, did you feel that

1:16:14.200 --> 1:16:18.080
<v Speaker 2>you were doing something important or historical that was going

1:16:18.160 --> 1:16:21.240
<v Speaker 2>to touch a bunch of kids lives that.

1:16:22.800 --> 1:16:25.760
<v Speaker 5>You know, when I can only speak from myself when

1:16:25.880 --> 1:16:30.400
<v Speaker 5>we started the show, like any actor, young actor, you're

1:16:30.400 --> 1:16:33.120
<v Speaker 5>happy to have a job, and do you know the

1:16:33.240 --> 1:16:36.439
<v Speaker 5>quality of the show that you're coming off of? Because

1:16:36.960 --> 1:16:39.040
<v Speaker 5>The Cosby Show was just such a high quality show

1:16:39.360 --> 1:16:42.280
<v Speaker 5>and so many people, regardless of what nationality you were

1:16:42.760 --> 1:16:46.000
<v Speaker 5>or age group you were, you had and you had

1:16:46.200 --> 1:16:49.920
<v Speaker 5>a special place in your heart for that show. So

1:16:50.040 --> 1:16:51.679
<v Speaker 5>we knew some of that was going to be coming

1:16:51.720 --> 1:16:55.760
<v Speaker 5>over as far as legacy building and changing lives and

1:16:56.040 --> 1:17:00.760
<v Speaker 5>influencing generations. No, I didn't know. I knew that our

1:17:00.880 --> 1:17:03.920
<v Speaker 5>first season was typical sitcom and that was because of

1:17:03.960 --> 1:17:05.759
<v Speaker 5>the person that was the show.

1:17:05.680 --> 1:17:08.960
<v Speaker 1>Who was the yeah who directed it, and well we had.

1:17:08.880 --> 1:17:12.400
<v Speaker 5>Different directors first c season, but our ex executive producer

1:17:12.520 --> 1:17:15.840
<v Speaker 5>was and and Beats, who had come off of Square

1:17:15.880 --> 1:17:18.519
<v Speaker 5>Pegs and et cetera.

1:17:18.600 --> 1:17:19.120
<v Speaker 1>So we were.

1:17:21.560 --> 1:17:24.120
<v Speaker 5>There was no difference because we basically did square peg scripts.

1:17:25.120 --> 1:17:27.679
<v Speaker 1>But did you feel like, I don't know this will

1:17:27.720 --> 1:17:28.120
<v Speaker 1>fly away?

1:17:28.280 --> 1:17:28.519
<v Speaker 4>We were.

1:17:28.720 --> 1:17:31.599
<v Speaker 5>We thought it was ridiculous. Really, we thought the scripts

1:17:31.640 --> 1:17:36.160
<v Speaker 5>were ridiculous and literally, I'm very serious. We did revamped

1:17:36.400 --> 1:17:39.360
<v Speaker 5>square Pegs scripts, Like when we first started working the

1:17:39.400 --> 1:17:44.280
<v Speaker 5>show was myself, Jasmine, myself, Lisa and Marissa to May.

1:17:44.640 --> 1:17:47.960
<v Speaker 5>When the new management came in. That was when the

1:17:48.000 --> 1:17:51.400
<v Speaker 5>Whitley Gilbert character was added, the Dwayne Wayne character.

1:17:51.880 --> 1:17:52.160
<v Speaker 1>Pilot.

1:17:52.600 --> 1:17:55.640
<v Speaker 5>Well, they we reshot the pilot, right, they weren't in

1:17:55.680 --> 1:17:58.760
<v Speaker 5>the pilot, but we reshot stuff so that they would

1:17:58.760 --> 1:18:00.920
<v Speaker 5>be included from beginning.

1:18:00.560 --> 1:18:02.960
<v Speaker 1>Because he's the first person you see right on the Well,

1:18:03.000 --> 1:18:04.479
<v Speaker 1>the pilot was like this was.

1:18:05.120 --> 1:18:07.759
<v Speaker 5>It was eighty six. No, we shot shot the pilot

1:18:07.800 --> 1:18:08.479
<v Speaker 5>in eighty five.

1:18:08.760 --> 1:18:11.560
<v Speaker 1>Yeah, but it was eventually sorry, eight eighty six. It

1:18:11.640 --> 1:18:13.360
<v Speaker 1>was eventually aired as a finale of the first season,

1:18:13.439 --> 1:18:14.200
<v Speaker 1>right because no.

1:18:14.320 --> 1:18:17.519
<v Speaker 5>It was eventually aired as the first episode was. It

1:18:17.640 --> 1:18:19.080
<v Speaker 5>was eventually aired as the first.

1:18:18.960 --> 1:18:23.840
<v Speaker 2>Episode where Dwayne talks to the camera fourth wall like, yeah,

1:18:23.840 --> 1:18:26.479
<v Speaker 2>but there was another episode that came before that because

1:18:26.760 --> 1:18:31.880
<v Speaker 2>like Verne is in it as the door correct and Witley.

1:18:31.000 --> 1:18:35.599
<v Speaker 5>And they weren't so you remember butter than I do. Yeah,

1:18:36.520 --> 1:18:39.439
<v Speaker 5>so that's what we were doing, and miss miss Beats

1:18:39.560 --> 1:18:43.200
<v Speaker 5>brought in those other characters, so we reshot stuff to

1:18:43.680 --> 1:18:48.200
<v Speaker 5>include them once for when the show actually began airing, was.

1:18:48.200 --> 1:18:51.400
<v Speaker 2>There panic in the air once you realize that Lisa

1:18:51.479 --> 1:18:53.800
<v Speaker 2>wasn't going to come back for season two.

1:18:54.240 --> 1:18:56.840
<v Speaker 1>But how comfortable do you have to be before you're like,

1:18:58.200 --> 1:18:59.080
<v Speaker 1>this job is real?

1:19:01.320 --> 1:19:05.519
<v Speaker 5>Let me be you know, I never got that. No,

1:19:06.439 --> 1:19:09.880
<v Speaker 5>I'm because I had already been working for so long.

1:19:10.320 --> 1:19:13.880
<v Speaker 5>Shows start, shows end, Nothing is forever. So you know

1:19:13.920 --> 1:19:16.080
<v Speaker 5>different people. You buy cars, you buy houses, like I

1:19:16.160 --> 1:19:19.840
<v Speaker 5>ain't buying nothing because they could tell us tomorrow. And

1:19:19.960 --> 1:19:22.920
<v Speaker 5>the way they fire folk around here. If Lisa can

1:19:23.000 --> 1:19:26.080
<v Speaker 5>go guess what they can let you go to you

1:19:26.160 --> 1:19:28.439
<v Speaker 5>know what I mean? You we would come to work

1:19:28.800 --> 1:19:30.800
<v Speaker 5>some days and not know who was going to be

1:19:31.560 --> 1:19:33.800
<v Speaker 5>at work. It was like that.

1:19:34.240 --> 1:19:36.719
<v Speaker 8>But by this point you could probably afford your own marbles.

1:19:36.960 --> 1:19:41.080
<v Speaker 5>Right, yes, but but but I was so far past

1:19:44.280 --> 1:19:47.760
<v Speaker 5>I was so past marvels. But then yes, yes, but

1:19:49.120 --> 1:19:49.879
<v Speaker 5>that was hilarious.

1:19:49.960 --> 1:19:52.599
<v Speaker 2>You didn't You didn't have what is there a moment

1:19:52.640 --> 1:19:58.439
<v Speaker 2>where it's sort of like, okay, uh I made it,

1:19:58.600 --> 1:19:59.479
<v Speaker 2>or you're still.

1:19:59.400 --> 1:20:00.599
<v Speaker 1>Like is the guilt?

1:20:02.120 --> 1:20:07.639
<v Speaker 5>But yes, I'm telling you. I wouldn't say not comfort.

1:20:08.000 --> 1:20:11.000
<v Speaker 5>You knew you had a job, and you were if

1:20:11.040 --> 1:20:14.920
<v Speaker 5>you were wise, you would be aware that this could

1:20:15.040 --> 1:20:18.040
<v Speaker 5>change at any moment, So you go to work and

1:20:18.160 --> 1:20:21.439
<v Speaker 5>you do your gig. And I watched the show go

1:20:21.680 --> 1:20:25.920
<v Speaker 5>from featuring three people to featuring fourteen people in just

1:20:26.120 --> 1:20:30.040
<v Speaker 5>four years. You know, all these other characters got added,

1:20:30.360 --> 1:20:33.519
<v Speaker 5>you know, from you know, to from Creed's character to

1:20:33.680 --> 1:20:37.639
<v Speaker 5>Sean Chanelle's character, you know, everybody. All these people kept

1:20:37.680 --> 1:20:41.680
<v Speaker 5>getting added, and they were Every storyline was pretty much

1:20:41.720 --> 1:20:44.759
<v Speaker 5>focused on Dwayne, Wayne and Whitley. So you add more people,

1:20:44.880 --> 1:20:48.040
<v Speaker 5>that means there's less and less for everyone else to do.

1:20:48.560 --> 1:20:51.599
<v Speaker 5>So that was when I started digging deeper into Okay,

1:20:51.840 --> 1:20:53.479
<v Speaker 5>what else am I going to do? And that was

1:20:53.560 --> 1:20:56.360
<v Speaker 5>how I ended up working with Quincy Jones and the

1:20:56.560 --> 1:20:59.920
<v Speaker 5>Handles Messiah Social Celebration. That was how I won the Grammy.

1:21:00.400 --> 1:21:03.640
<v Speaker 5>And writing and producing for other people and doing my

1:21:03.720 --> 1:21:06.560
<v Speaker 5>own stuff, I got into animation, you know, I know

1:21:06.720 --> 1:21:09.599
<v Speaker 5>Korea is known a lot for animation, but I've been

1:21:09.800 --> 1:21:13.200
<v Speaker 5>doing any Yeah, so right now I think I do

1:21:13.320 --> 1:21:14.759
<v Speaker 5>like six seven different series.

1:21:15.280 --> 1:21:18.600
<v Speaker 1>Now, how hard is it to navigate in that world because.

1:21:18.479 --> 1:21:25.360
<v Speaker 5>Voiceover, Yeah, it really depends you. The directors and studios

1:21:25.520 --> 1:21:28.080
<v Speaker 5>like to work with who they know can deliver. So

1:21:28.240 --> 1:21:30.880
<v Speaker 5>once you're in the circle, you work a bit more

1:21:30.960 --> 1:21:35.840
<v Speaker 5>and people just request you directly. It's a little harder

1:21:35.920 --> 1:21:39.120
<v Speaker 5>to break into, but it's not impossible, especially because there

1:21:39.120 --> 1:21:43.639
<v Speaker 5>were so many projects available now. When I first started,

1:21:44.000 --> 1:21:48.479
<v Speaker 5>my first animated series was produced by Susanna Pass Wow

1:21:48.840 --> 1:21:50.040
<v Speaker 5>Suzanna Pass project.

1:21:50.120 --> 1:21:52.679
<v Speaker 1>It was Kidd and Play their cartoon.

1:21:52.800 --> 1:21:56.840
<v Speaker 5>Kidding played card cartoon. I played the younger sister. I

1:21:56.960 --> 1:22:00.599
<v Speaker 5>was the younger sister on the show. And I remember

1:22:00.680 --> 1:22:03.080
<v Speaker 5>that there you go, Oh God. I was the younger

1:22:03.160 --> 1:22:06.040
<v Speaker 5>sister on that show. And then Suzanne got the opportunity

1:22:06.400 --> 1:22:10.200
<v Speaker 5>to produce a Christmas special with boys to men doing

1:22:10.720 --> 1:22:15.080
<v Speaker 5>guest spot voices called cool like That. So I did

1:22:15.160 --> 1:22:16.960
<v Speaker 5>voices for that and I played a seven year old

1:22:17.040 --> 1:22:20.679
<v Speaker 5>boy in that that show. And again this was all freelance.

1:22:20.760 --> 1:22:23.160
<v Speaker 5>Didn't have an agent, so I would get called to

1:22:23.240 --> 1:22:25.280
<v Speaker 5>do things here and there because I was the new

1:22:25.400 --> 1:22:28.240
<v Speaker 5>voice in town. I was on a TV show. People

1:22:28.320 --> 1:22:30.840
<v Speaker 5>knew who I was. I was able to create different

1:22:30.920 --> 1:22:34.160
<v Speaker 5>characters with my voice of different ages and male or female.

1:22:34.640 --> 1:22:38.160
<v Speaker 5>And so I finally decided to get an agent. And

1:22:38.360 --> 1:22:40.280
<v Speaker 5>that was when I got an agent, and they allowed

1:22:40.320 --> 1:22:42.280
<v Speaker 5>me to freelance as well.

1:22:42.880 --> 1:22:45.920
<v Speaker 1>I assume the term that can deliver means that you

1:22:46.000 --> 1:22:47.840
<v Speaker 1>can knock it out with the well, you.

1:22:47.880 --> 1:22:50.240
<v Speaker 5>Knock it out and you understand what what they're asking

1:22:50.360 --> 1:22:53.880
<v Speaker 5>you to do. And because you're not on camera, you

1:22:54.000 --> 1:22:56.000
<v Speaker 5>have to be able to sell and convince something just

1:22:56.120 --> 1:22:57.360
<v Speaker 5>with your with your voice.

1:22:57.479 --> 1:22:59.000
<v Speaker 1>So you have to turn into a seven year old

1:22:59.080 --> 1:22:59.839
<v Speaker 1>turn into a seven.

1:22:59.720 --> 1:23:01.680
<v Speaker 5>Year old boy and yeah, and it has to be

1:23:01.760 --> 1:23:04.240
<v Speaker 5>believable when you listen back to it.

1:23:04.720 --> 1:23:08.920
<v Speaker 2>So since then, you know, So what is your arrange

1:23:09.040 --> 1:23:12.240
<v Speaker 2>like as far as your I know Cree has a

1:23:12.400 --> 1:23:15.479
<v Speaker 2>range of Yeah, she could sound like a freakazoid or.

1:23:15.640 --> 1:23:16.240
<v Speaker 1>You know whatever.

1:23:16.320 --> 1:23:19.400
<v Speaker 5>Right, I do all of that. I do video games

1:23:19.479 --> 1:23:22.960
<v Speaker 5>Mortal Kombat and I've done Yes Storm and the x

1:23:23.320 --> 1:23:26.080
<v Speaker 5>X Men. I do lots of different video games. I

1:23:26.280 --> 1:23:29.920
<v Speaker 5>do Simpsons, Simpsons calls me and to do all kinds

1:23:29.960 --> 1:23:32.840
<v Speaker 5>of extraneous voices like the last three years I record

1:23:32.880 --> 1:23:35.400
<v Speaker 5>to Simpsons last week. I have another one next week.

1:23:35.479 --> 1:23:38.120
<v Speaker 5>I do the series Apple and Onion, where I played

1:23:38.160 --> 1:23:40.000
<v Speaker 5>Patty the Meat, the Meat Patty Boss.

1:23:40.520 --> 1:23:40.640
<v Speaker 2>Uh.

1:23:40.840 --> 1:23:44.040
<v Speaker 5>Star CBS is coming out with a new animated series,

1:23:44.439 --> 1:23:49.000
<v Speaker 5>Star Trek Lower Decks the Captain on Star Trek Lower.

1:23:48.800 --> 1:23:52.920
<v Speaker 1>Decks, Don Lewis, I'm really not going to ask you

1:23:52.960 --> 1:23:53.920
<v Speaker 1>about cramps now, No.

1:23:54.320 --> 1:23:54.360
<v Speaker 4>No.

1:23:56.120 --> 1:23:58.439
<v Speaker 5>I also do Where in the world is Carbon San Diego?

1:23:58.600 --> 1:24:01.040
<v Speaker 5>For Netflix, I'm the voice of the Cheap And when

1:24:01.080 --> 1:24:05.080
<v Speaker 5>we just released our interactive series games, I do the

1:24:05.160 --> 1:24:09.320
<v Speaker 5>voice of the chief in that don't forget Futurama Now Futurama.

1:24:09.400 --> 1:24:13.000
<v Speaker 5>I'm La Barbara In Futurama, I'm Granny mcstuffans and Doc

1:24:13.439 --> 1:24:15.680
<v Speaker 5>mixed mic mcstuffans and who is.

1:24:15.680 --> 1:24:19.960
<v Speaker 1>The voice of actual uh of Doc mcstuffans.

1:24:20.000 --> 1:24:22.559
<v Speaker 5>To be honest with you, I don't know. I honestly

1:24:22.640 --> 1:24:24.720
<v Speaker 5>don't know the young lad lady's name because usually when

1:24:24.760 --> 1:24:26.880
<v Speaker 5>I get called in the studio, it's just me and

1:24:27.400 --> 1:24:31.400
<v Speaker 5>you meet people, you don't meet people. So I apologize.

1:24:31.439 --> 1:24:33.280
<v Speaker 2>I was stuck in an elevator with her once and

1:24:33.560 --> 1:24:35.680
<v Speaker 2>when I told I had never heard of Doc mc

1:24:35.760 --> 1:24:38.559
<v Speaker 2>stuffins in my life. Okay, So when I got out

1:24:38.600 --> 1:24:41.000
<v Speaker 2>the elevator go to the airport, one of my managers

1:24:41.040 --> 1:24:43.840
<v Speaker 2>she's like, I mean, even though she's of age, she's

1:24:44.760 --> 1:24:47.960
<v Speaker 2>eternally thirteen years old. So I Cavli said that, Yeah,

1:24:48.240 --> 1:24:50.680
<v Speaker 2>I was in the elevator with the whoever plays doc

1:24:50.840 --> 1:24:53.559
<v Speaker 2>x stuffans, and she, like Zarah like lost their mind.

1:24:53.800 --> 1:24:56.080
<v Speaker 5>Yeah, they do a lot of people do. Yeah, it's

1:24:56.600 --> 1:25:00.120
<v Speaker 5>it's a trip shows like Spirit shows like Sophie of

1:25:00.160 --> 1:25:03.800
<v Speaker 5>the First. Another one I did way back in the

1:25:03.920 --> 1:25:06.920
<v Speaker 5>day was c Bear and Jamal with Tone Tone Lok.

1:25:07.240 --> 1:25:07.439
<v Speaker 1>Yeah.

1:25:07.520 --> 1:25:09.960
<v Speaker 5>I think I did like three or four voices in

1:25:10.080 --> 1:25:13.920
<v Speaker 5>that show. I played the grandmother who kind of almost

1:25:13.920 --> 1:25:16.519
<v Speaker 5>didn't have any teeth in her in her mouth and

1:25:16.840 --> 1:25:19.040
<v Speaker 5>it was just so much fun and the and the

1:25:19.600 --> 1:25:24.559
<v Speaker 5>kids teacher Miss Fine. Another one where the little bear

1:25:24.680 --> 1:25:27.160
<v Speaker 5>wanted to get a job. I was an old, old

1:25:27.240 --> 1:25:30.400
<v Speaker 5>Jewish man in the factory where he worked.

1:25:30.800 --> 1:25:32.519
<v Speaker 8>So no, we had a lot of maybe I know

1:25:32.680 --> 1:25:33.200
<v Speaker 8>wants his name.

1:25:36.240 --> 1:25:39.960
<v Speaker 5>His name was Fingo. You're basing too much time? Time

1:25:40.120 --> 1:25:42.040
<v Speaker 5>is money? Fuck fuck fasta.

1:25:45.200 --> 1:25:48.680
<v Speaker 1>To hear it. Doors have never closed on you or

1:25:49.000 --> 1:25:54.760
<v Speaker 1>always I wouldn't say. I gotta ask. Has one role

1:25:54.880 --> 1:25:55.719
<v Speaker 1>ever gotten away?

1:25:55.880 --> 1:25:58.679
<v Speaker 2>That like either to a to another commitment or something

1:25:58.760 --> 1:26:02.200
<v Speaker 2>that you had a chance to go for that you

1:26:02.280 --> 1:26:02.960
<v Speaker 2>weren't able to.

1:26:03.960 --> 1:26:06.320
<v Speaker 5>Yeah. I wanted to do Tina Turner and What's Love

1:26:06.400 --> 1:26:08.479
<v Speaker 5>God to Do with it? And they got some unknown

1:26:08.560 --> 1:26:13.880
<v Speaker 5>chick named Angela Bassett to do it. She was she

1:26:14.080 --> 1:26:14.800
<v Speaker 5>was phenomenal.

1:26:14.920 --> 1:26:15.960
<v Speaker 1>The name like Angela Bassett.

1:26:16.000 --> 1:26:19.680
<v Speaker 5>She'll never go anywhere, She'll never I mean, she's just

1:26:20.040 --> 1:26:22.519
<v Speaker 5>the coolest people, one of my dear friends in a.

1:26:23.200 --> 1:26:24.800
<v Speaker 1>You know, yeah, I got it well.

1:26:24.960 --> 1:26:27.320
<v Speaker 2>Speaking of which, let me let me lead it to

1:26:27.400 --> 1:26:32.600
<v Speaker 2>this where you are now at the Tina Turner play, the.

1:26:34.520 --> 1:26:39.160
<v Speaker 1>Sort of the the why is I? A violatile relationship

1:26:39.240 --> 1:26:45.320
<v Speaker 1>between her mother and her in that play? Was that

1:26:45.640 --> 1:26:49.599
<v Speaker 1>that was intense? Is she executive producer of the play?

1:26:49.720 --> 1:26:49.760
<v Speaker 5>Like?

1:26:49.880 --> 1:26:51.160
<v Speaker 1>Is she a part of the production?

1:26:51.280 --> 1:26:51.800
<v Speaker 5>Miss Turner?

1:26:52.080 --> 1:26:52.240
<v Speaker 4>Yes?

1:26:52.479 --> 1:26:56.560
<v Speaker 5>Yes, from the from the beginning, she handpicked all of

1:26:56.600 --> 1:26:58.720
<v Speaker 5>the songs that are in the show. All of the

1:26:58.800 --> 1:27:02.120
<v Speaker 5>songs are songs that she record at one time or another.

1:27:03.040 --> 1:27:04.760
<v Speaker 5>The way that they're placed in the show is not

1:27:04.880 --> 1:27:09.400
<v Speaker 5>necessarily chronolological or when they were released, but there they're

1:27:09.439 --> 1:27:11.799
<v Speaker 5>placed strategically to help tell the story.

1:27:11.960 --> 1:27:16.479
<v Speaker 2>Well only ask because this was way more intense than

1:27:17.240 --> 1:27:18.880
<v Speaker 2>the what's love got to do with it?

1:27:18.920 --> 1:27:22.000
<v Speaker 1>At least the relationship, yes, between the two and I wanted.

1:27:21.840 --> 1:27:24.879
<v Speaker 5>To know, Well, it goes into a bit more detail

1:27:25.400 --> 1:27:27.280
<v Speaker 5>of the life. You know, some people, you know, think

1:27:27.360 --> 1:27:29.720
<v Speaker 5>that if you've seen that movie, then then you've seen

1:27:29.760 --> 1:27:33.240
<v Speaker 5>the whole right, But that's that's not the case. At

1:27:33.240 --> 1:27:37.679
<v Speaker 5>all and in playing Zelma. My mother's name is Zelma Bullock.

1:27:38.040 --> 1:27:40.880
<v Speaker 5>Her name was originally Anime Bullock before it got changed

1:27:40.880 --> 1:27:43.920
<v Speaker 5>to Tina Tina Turner. It was important to me to

1:27:44.000 --> 1:27:45.720
<v Speaker 5>come and do this particular role just because it was

1:27:45.760 --> 1:27:49.000
<v Speaker 5>so real for me in my life, because that was

1:27:49.080 --> 1:27:51.360
<v Speaker 5>the life that I lived, I watched. I was raised

1:27:51.400 --> 1:27:54.720
<v Speaker 5>in the house with domestic violence. My mom had to

1:27:54.760 --> 1:27:57.120
<v Speaker 5>get out in order to save herself and put herself

1:27:57.160 --> 1:28:01.880
<v Speaker 5>in a better position to save us. My dad was

1:28:01.960 --> 1:28:04.040
<v Speaker 5>a policeman. He was head of the Department of Homicide

1:28:04.040 --> 1:28:06.000
<v Speaker 5>in Brooklyn when I was small, and so when my

1:28:06.120 --> 1:28:08.599
<v Speaker 5>mom would go to report the violence, the cops would

1:28:08.600 --> 1:28:10.560
<v Speaker 5>basically tell her that novel, if you would just do

1:28:10.680 --> 1:28:12.080
<v Speaker 5>what he told you, he wouldn't have to hit you.

1:28:12.720 --> 1:28:13.200
<v Speaker 5>Kind of a thing.

1:28:13.400 --> 1:28:15.800
<v Speaker 1>That's domestic situation, get involved.

1:28:15.520 --> 1:28:18.680
<v Speaker 5>In, yeah, exactly, Jesus. So my mom left us and

1:28:18.760 --> 1:28:20.720
<v Speaker 5>we ended up being taken by my grandmother that I

1:28:20.840 --> 1:28:23.320
<v Speaker 5>mentioned for a cup couple of years until my mom

1:28:23.439 --> 1:28:24.640
<v Speaker 5>was able to come back and get us. So that

1:28:24.720 --> 1:28:27.000
<v Speaker 5>was how we went from Bedstide to Park Slope back

1:28:27.080 --> 1:28:30.960
<v Speaker 5>to Bedstye when my mom came back and got us. Fortunately,

1:28:31.080 --> 1:28:34.280
<v Speaker 5>my dad learned to make better choices in his life

1:28:34.800 --> 1:28:37.800
<v Speaker 5>and grateful for that, especially you know, before he passed,

1:28:37.920 --> 1:28:40.639
<v Speaker 5>passed us the way, so we were able to heal

1:28:40.840 --> 1:28:46.439
<v Speaker 5>certain things. But again, my relationship with my mom, her mom,

1:28:46.920 --> 1:28:50.519
<v Speaker 5>like Zelma tells Tina at one point, you need to

1:28:50.600 --> 1:28:52.560
<v Speaker 5>go back to him, because who do you think he

1:28:52.680 --> 1:28:55.200
<v Speaker 5>helped make you? And what my mom was told was,

1:28:55.200 --> 1:28:56.320
<v Speaker 5>who do you think is going to take you? With

1:28:56.439 --> 1:28:59.720
<v Speaker 5>four kids? What person's going to want you? Even though

1:29:00.520 --> 1:29:04.120
<v Speaker 5>understanding what that violence says, situate mashit was. So it

1:29:04.240 --> 1:29:07.519
<v Speaker 5>was a very different time. People didn't get divorced. You

1:29:07.680 --> 1:29:10.080
<v Speaker 5>knew that there were other kids somewhere across the town,

1:29:10.280 --> 1:29:13.519
<v Speaker 5>or other girlfriends or whatever, but you dealt with it.

1:29:13.960 --> 1:29:16.879
<v Speaker 5>So people like Zelma, like my mother, like my grandmother,

1:29:17.920 --> 1:29:21.280
<v Speaker 5>who were strong enough to love themselves enough to make

1:29:21.320 --> 1:29:24.680
<v Speaker 5>a different choice, especially during that time. I just have

1:29:24.800 --> 1:29:27.640
<v Speaker 5>nothing but love for it's not a popular choice and

1:29:27.760 --> 1:29:29.880
<v Speaker 5>looking at it by today's standards, you can judge and

1:29:29.920 --> 1:29:31.680
<v Speaker 5>point fingers, well, I would never leave my kids. And

1:29:31.840 --> 1:29:34.559
<v Speaker 5>yet it was a very different time. And until you're

1:29:34.640 --> 1:29:37.679
<v Speaker 5>in that position, I know some people who really should

1:29:37.720 --> 1:29:42.200
<v Speaker 5>believe right, you know, domestic violence shouldn't be tolerated, whether

1:29:42.640 --> 1:29:45.559
<v Speaker 5>it's male to female or female to male, because there's

1:29:45.600 --> 1:29:49.320
<v Speaker 5>some violent women out there with you know, men being

1:29:49.640 --> 1:29:55.360
<v Speaker 5>really physically and emotionally damaged in these relationships. So you know,

1:29:55.479 --> 1:29:58.160
<v Speaker 5>you can't help up your kids unless you save yourself,

1:29:58.640 --> 1:30:01.160
<v Speaker 5>and that was what happened in our family. So in

1:30:01.320 --> 1:30:04.479
<v Speaker 5>my portrayal of Zelma, it was important to me that

1:30:04.640 --> 1:30:06.439
<v Speaker 5>you see her as a human being who had to

1:30:06.479 --> 1:30:08.639
<v Speaker 5>make different choices. You may or may not agree with them.

1:30:09.160 --> 1:30:15.160
<v Speaker 5>Their relationship was always very cocomplicated and damaged, but hopefully

1:30:16.160 --> 1:30:20.800
<v Speaker 5>you can see a human being there and both of them. Unfortunately,

1:30:20.920 --> 1:30:25.400
<v Speaker 5>you sometimes repeat generational realities because in order to become

1:30:25.439 --> 1:30:27.880
<v Speaker 5>the teen attorney that we knew, she ended up having

1:30:27.880 --> 1:30:31.280
<v Speaker 5>to leave her kids to basically be raised by you know,

1:30:31.720 --> 1:30:35.120
<v Speaker 5>her sis sister and her mother and you know, in

1:30:35.280 --> 1:30:37.080
<v Speaker 5>order for her to be who she is. But it

1:30:37.200 --> 1:30:40.839
<v Speaker 5>ultimately is a story of not just surviving, but thriving,

1:30:41.720 --> 1:30:43.960
<v Speaker 5>you know what I mean, in spite of so I'm

1:30:44.040 --> 1:30:46.720
<v Speaker 5>really honored to be part of that.

1:30:47.160 --> 1:30:48.080
<v Speaker 1>Thank you, I enjoyed it.

1:30:48.200 --> 1:30:51.600
<v Speaker 5>Thank you very much. I brought you a gift, Actually.

1:30:51.600 --> 1:30:54.679
<v Speaker 1>Thank you, you brought me a g scroll.

1:30:54.920 --> 1:30:57.400
<v Speaker 5>I'm unrolling a scroll. This was something that I made

1:30:57.560 --> 1:31:02.200
<v Speaker 5>for the entire company for Opening Gift. So it is

1:31:02.320 --> 1:31:06.560
<v Speaker 5>a playbill version of your cast. I made this for

1:31:06.680 --> 1:31:11.160
<v Speaker 5>the professional man, and this is the entire company, each

1:31:11.200 --> 1:31:13.880
<v Speaker 5>one of us. And so yeah, so that's that's the

1:31:14.160 --> 1:31:19.519
<v Speaker 5>creative team. That's the Bullock family. Tina, that's our director.

1:31:19.640 --> 1:31:22.439
<v Speaker 5>That's me, that's young the little girl that plays Anime Bullock.

1:31:22.880 --> 1:31:26.639
<v Speaker 5>That's the young woman that was playing uh, the older

1:31:26.760 --> 1:31:31.479
<v Speaker 5>version of our daughter alive. She's she's not there anymore.

1:31:31.600 --> 1:31:34.640
<v Speaker 5>This is the woman my Luke lue Creekisha Taylor who

1:31:34.720 --> 1:31:38.200
<v Speaker 5>plays Gg the grandmother. That's David Jennings who plays Richard Bullock.

1:31:39.200 --> 1:31:41.640
<v Speaker 5>And then those are the guys in the ensemble. And

1:31:41.720 --> 1:31:42.360
<v Speaker 5>that's everybody.

1:31:42.439 --> 1:31:44.439
<v Speaker 1>Well, we thank you for this. I will cherish this,

1:31:45.080 --> 1:31:45.400
<v Speaker 1>he says.

1:31:45.439 --> 1:31:47.080
<v Speaker 5>Did you notice that I will cherish this?

1:31:47.320 --> 1:31:47.600
<v Speaker 4>This is.

1:31:49.840 --> 1:31:52.800
<v Speaker 1>This is really on good paper. This paper is like leather.

1:31:55.240 --> 1:31:57.360
<v Speaker 5>Yeah, that's beautiful.

1:31:59.560 --> 1:32:01.640
<v Speaker 1>So I would like to think that.

1:32:03.680 --> 1:32:07.320
<v Speaker 2>At least hearing the narrative and sort of the linear

1:32:07.360 --> 1:32:10.600
<v Speaker 2>emotion that your life has taken you stepping out in

1:32:10.720 --> 1:32:13.280
<v Speaker 2>confidence and not saying that everything was done without you

1:32:13.400 --> 1:32:16.639
<v Speaker 2>being nervous or I can't do this, but I kind

1:32:16.680 --> 1:32:21.720
<v Speaker 2>of feel like the common denominator is like everything.

1:32:23.080 --> 1:32:25.760
<v Speaker 1>That you've attempted to attempted to do.

1:32:26.040 --> 1:32:28.680
<v Speaker 2>You did without a second thought or a voice in

1:32:28.760 --> 1:32:32.920
<v Speaker 2>your head that says you can't do this and you know,

1:32:33.200 --> 1:32:37.439
<v Speaker 2>so what But from you doing that at an early

1:32:37.560 --> 1:32:41.680
<v Speaker 2>age till even now still working where no one has

1:32:41.800 --> 1:32:46.120
<v Speaker 2>this narrative that I've heard and I've been doing the

1:32:46.160 --> 1:32:49.680
<v Speaker 2>show for three years now practically, like what is that?

1:32:49.840 --> 1:32:52.560
<v Speaker 2>Because I feel like that's what's it. I feel like

1:32:52.720 --> 1:32:56.560
<v Speaker 2>you have a confidence or stepping out on faith in

1:32:56.720 --> 1:32:57.400
<v Speaker 2>terms of just.

1:32:59.360 --> 1:33:04.840
<v Speaker 5>Doors open for you, you know, yes and no, yes,

1:33:05.000 --> 1:33:10.639
<v Speaker 5>doors open. When I saw you at mister bebela Fonte's

1:33:10.680 --> 1:33:14.160
<v Speaker 5>birthday celebration and you told me that you wanted me

1:33:14.240 --> 1:33:17.920
<v Speaker 5>to be on your show, that just really blessed my spirit.

1:33:18.120 --> 1:33:19.880
<v Speaker 5>Because you don't know who sees you, you don't know

1:33:20.040 --> 1:33:23.400
<v Speaker 5>who cares. You know who you pursue in life and

1:33:23.439 --> 1:33:25.880
<v Speaker 5>they either respond or you don't. Like me trying to

1:33:25.960 --> 1:33:28.200
<v Speaker 5>chase down an agent for months and nobody being willing

1:33:28.280 --> 1:33:31.599
<v Speaker 5>to call back. There are still people that I try

1:33:31.640 --> 1:33:35.480
<v Speaker 5>to approach now that you would hope would be supportive

1:33:35.680 --> 1:33:38.559
<v Speaker 5>or encouraging who are not necessarily because they have other

1:33:38.600 --> 1:33:41.920
<v Speaker 5>people to answer to the politics, the you know whatever,

1:33:42.600 --> 1:33:44.160
<v Speaker 5>Like yeah, and I'm gonna say it. I want to

1:33:44.200 --> 1:33:46.720
<v Speaker 5>come and do Jimmy Fallon, I want to do the show,

1:33:46.840 --> 1:33:48.479
<v Speaker 5>I want to do the view, I want to do

1:33:48.960 --> 1:33:51.519
<v Speaker 5>all these things, and for whatever reason it will, it

1:33:51.520 --> 1:33:54.439
<v Speaker 5>won't happen, you know. But those are shows that I

1:33:54.560 --> 1:33:56.680
<v Speaker 5>did back in the day when I was on Hang

1:33:56.760 --> 1:33:59.000
<v Speaker 5>with Mister Cooper or some other TV show. But now

1:33:59.080 --> 1:34:01.439
<v Speaker 5>that I'm here in New York, you know, my own

1:34:01.640 --> 1:34:06.040
<v Speaker 5>home hometown. You know, I'm on Broadway big stage, doing

1:34:06.560 --> 1:34:10.840
<v Speaker 5>good work with great peat people. You want to do things,

1:34:10.960 --> 1:34:13.479
<v Speaker 5>and as you know, in our in our business, the

1:34:13.600 --> 1:34:17.040
<v Speaker 5>next gig is almost predicated on the previous gig, like

1:34:17.200 --> 1:34:19.439
<v Speaker 5>what did what did you do, how did you maximize it,

1:34:19.520 --> 1:34:21.680
<v Speaker 5>did anybody care? Et cetera, et cetera, And then that's

1:34:21.680 --> 1:34:26.360
<v Speaker 5>how the next gig happens. And things like staying relevant,

1:34:26.439 --> 1:34:30.200
<v Speaker 5>staying present, staying marketable are what makes those kinds of

1:34:30.280 --> 1:34:33.160
<v Speaker 5>things happen. So you do the best to do your

1:34:33.240 --> 1:34:35.479
<v Speaker 5>best to do that. So I just want to tell

1:34:35.479 --> 1:34:38.240
<v Speaker 5>you how much I appreciate being here, and you know,

1:34:38.920 --> 1:34:42.280
<v Speaker 5>I had no idea that my journey meant, even what

1:34:42.439 --> 1:34:44.679
<v Speaker 5>it means to you, but for us to be able

1:34:44.720 --> 1:34:47.760
<v Speaker 5>to sit here and talk about it and exchange some

1:34:47.880 --> 1:34:50.040
<v Speaker 5>of the things that we even have in common. Skellies,

1:34:50.080 --> 1:34:52.360
<v Speaker 5>I mean you who knew, who knew.

1:34:54.880 --> 1:34:55.920
<v Speaker 1>Tournament, Yes, you.

1:34:55.920 --> 1:34:58.519
<v Speaker 5>Know what I'm saying. All those kinds of things matter,

1:34:59.000 --> 1:35:03.520
<v Speaker 5>and it it sometimes gets frustrating when the journey feels stifled.

1:35:04.000 --> 1:35:07.439
<v Speaker 5>But like you said, I'm walking on faith because I

1:35:07.600 --> 1:35:11.439
<v Speaker 5>was told at seven that where I was pursuing was

1:35:11.479 --> 1:35:13.560
<v Speaker 5>going to take me on a downward spiral, that was

1:35:13.600 --> 1:35:16.800
<v Speaker 5>going to be my spiritual demise, my physical demise, all

1:35:16.840 --> 1:35:19.519
<v Speaker 5>of that. And God has proven me that that is

1:35:19.640 --> 1:35:22.640
<v Speaker 5>just not true, that that's just not his journey for me.

1:35:23.120 --> 1:35:26.000
<v Speaker 5>So any step I want to take, if I feel

1:35:26.040 --> 1:35:28.400
<v Speaker 5>empowered and if I feel like, Okay, He's given me

1:35:28.439 --> 1:35:30.680
<v Speaker 5>everything I need to succeed here, that I'm going to

1:35:30.720 --> 1:35:32.679
<v Speaker 5>give it a shot and let it be someone else's

1:35:32.800 --> 1:35:35.080
<v Speaker 5>choice to say no, she's too tall, Because I'm as

1:35:35.120 --> 1:35:37.080
<v Speaker 5>tall as I'm as I am, I'm as brown as

1:35:37.120 --> 1:35:40.559
<v Speaker 5>I am, I'm as whatever as I am. But if

1:35:40.720 --> 1:35:43.519
<v Speaker 5>I believe I have something to offer, then that's what

1:35:43.600 --> 1:35:44.160
<v Speaker 5>I'm going to do.

1:35:44.520 --> 1:35:45.639
<v Speaker 1>I wish you was here.

1:35:48.320 --> 1:35:51.360
<v Speaker 8>She we should tell was very upset that she couldn't

1:35:51.360 --> 1:35:53.040
<v Speaker 8>be here today. She really really wanted to.

1:35:53.400 --> 1:35:55.599
<v Speaker 5>I was looking forward to meeting her. She's been very kind.

1:35:55.720 --> 1:35:57.400
<v Speaker 1>Well, we thank you very much for doing this.

1:35:57.800 --> 1:35:59.920
<v Speaker 7>You've got to come back and tell us some Latin

1:36:00.000 --> 1:36:00.759
<v Speaker 7>record stories.

1:36:00.880 --> 1:36:05.160
<v Speaker 5>You guess, there's always stories. There's plenty, plenty stories and

1:36:05.320 --> 1:36:07.320
<v Speaker 5>tales to tell, so.

1:36:07.560 --> 1:36:12.160
<v Speaker 2>On behalf of Boss Bill and Sugar Steve lay Fan, Tikolo,

1:36:12.360 --> 1:36:13.280
<v Speaker 2>and Babe Bill.

1:36:13.920 --> 1:36:14.599
<v Speaker 1>Thank you Don.

1:36:14.520 --> 1:36:17.720
<v Speaker 2>Lewis for being here today and we will see you

1:36:17.800 --> 1:36:19.719
<v Speaker 2>on the next go round of Quest Love Supreme.

1:36:19.880 --> 1:36:20.760
<v Speaker 3>I love It, Love It.

1:36:27.280 --> 1:36:29.680
<v Speaker 1>Quest Love Supreme. It's the production of iHeartRadio.

1:36:32.920 --> 1:36:36.160
<v Speaker 2>For more podcasts from iHeart Radio, visit the iHeartRadio app,

1:36:36.439 --> 1:36:39.439
<v Speaker 2>Apple Podcasts, or wherever you listen to your favorite shows.