1
00:00:03,440 --> 00:00:10,360
Speaker 1: Motherfucking mini episode, mini episode, motherfucking mini episode.

2
00:00:13,400 --> 00:00:17,439
Speaker 2: Boot boot beat beat, There, it goes, there, it goes

3
00:00:18,320 --> 00:00:22,959
Speaker 2: Welcome to an all new episode of My Mama Told.

4
00:00:22,720 --> 00:00:27,040
Speaker 3: Me, the podcast where we dive deep, deep into the

5
00:00:27,080 --> 00:00:29,680
Speaker 3: pockets of black conspiracy theories.

6
00:00:29,680 --> 00:00:34,000
Speaker 2: And we work to prove the theories of you, the listeners,

7
00:00:34,320 --> 00:00:36,960
Speaker 2: who quite frankly, have been taking a tone in the

8
00:00:37,000 --> 00:00:39,479
Speaker 2: emails lately, and I'm here to say I don't care

9
00:00:39,560 --> 00:00:39,960
Speaker 2: for it.

10
00:00:40,240 --> 00:00:43,720
Speaker 4: You guys are speaking to us like little baby sluts

11
00:00:43,760 --> 00:00:44,240
Speaker 4: and algy.

12
00:00:44,320 --> 00:00:47,559
Speaker 5: Yeah it's not cool, man, it's a lot of like, oh,

13
00:00:47,640 --> 00:00:49,200
Speaker 5: it's this too crazy for.

14
00:00:49,080 --> 00:00:52,879
Speaker 4: You, y you bitch made at you niggas scared to

15
00:00:53,000 --> 00:00:55,200
Speaker 4: adjust the real thing out there.

16
00:00:55,840 --> 00:01:00,320
Speaker 2: Listen, I eat dinner in the dark. Nothing's too crazy.

17
00:01:00,920 --> 00:01:03,280
Speaker 4: I watched him eat dinner in the dark. I'm the

18
00:01:03,400 --> 00:01:04,399
Speaker 4: craziest that is.

19
00:01:10,560 --> 00:01:13,280
Speaker 2: Yeah, first of all. Second of all, I.

20
00:01:13,240 --> 00:01:17,640
Speaker 4: Do beautifully placed by the you nailed that one.

21
00:01:19,680 --> 00:01:23,040
Speaker 2: I'm getting nice of it. I gotta start practicing the harmonica, yeah.

22
00:01:22,920 --> 00:01:25,880
Speaker 4: No, you gotta warm up. And frankly, I still haven't

23
00:01:25,880 --> 00:01:29,280
Speaker 4: practiced my nunchucks. So we should feel.

24
00:01:29,120 --> 00:01:32,160
Speaker 2: Like we should be like we should give it like okay,

25
00:01:32,680 --> 00:01:35,039
Speaker 2: because we're gonna get to two thousand subscribers.

26
00:01:35,120 --> 00:01:37,440
Speaker 4: Yeah, we gotta put a deadline on my ship. So

27
00:01:37,480 --> 00:01:38,880
Speaker 4: that this this I'm.

28
00:01:38,760 --> 00:01:43,160
Speaker 2: Saying, we plan it for like a future live show,

29
00:01:44,520 --> 00:01:46,360
Speaker 2: like and then it's like come out and you can

30
00:01:46,400 --> 00:01:48,960
Speaker 2: see the nunchucks and the harmonica.

31
00:01:49,120 --> 00:01:54,160
Speaker 4: You are okay, okay, Yeah, I don't mind. I don't

32
00:01:54,160 --> 00:01:56,600
Speaker 4: mind bait and switching the listeners a little bit. I

33
00:01:56,600 --> 00:02:00,000
Speaker 4: don't think, Yeah, fuck them, you know what I mean,

34
00:02:00,080 --> 00:02:00,960
Speaker 4: you like, fuck them?

35
00:02:01,080 --> 00:02:03,240
Speaker 2: I don't know you ship, Yeah, I don't know you

36
00:02:03,320 --> 00:02:08,720
Speaker 2: except for mommy everybody else. So man, mom is a

37
00:02:08,880 --> 00:02:10,640
Speaker 2: assorted family members, my little brother.

38
00:02:14,080 --> 00:02:16,639
Speaker 4: This is this is a perfect, I think, a perfect

39
00:02:17,440 --> 00:02:19,680
Speaker 4: marrying of our two obligations.

40
00:02:19,720 --> 00:02:20,919
Speaker 2: So that's what I'm saying.

41
00:02:21,360 --> 00:02:25,640
Speaker 4: At two thousand, we will team up and showcase both

42
00:02:25,760 --> 00:02:28,080
Speaker 4: skills at once at a live show.

43
00:02:28,400 --> 00:02:28,720
Speaker 2: Once.

44
00:02:28,840 --> 00:02:33,040
Speaker 4: I like that even Yeah, yes, fuck let's fu turn

45
00:02:33,120 --> 00:02:36,040
Speaker 4: it into like a little bit of an Obama Springsteen

46
00:02:36,080 --> 00:02:36,440
Speaker 4: hook up.

47
00:02:36,600 --> 00:02:42,680
Speaker 3: Yeah, we get somebody, Oh, Olivia, that's what you're doing

48
00:02:42,760 --> 00:02:43,639
Speaker 3: at the live show.

49
00:02:44,600 --> 00:02:47,359
Speaker 2: You, Olivia is gonna rap all back you with the

50
00:02:47,440 --> 00:02:49,880
Speaker 2: beat and then you gotta I'm gonna be honest, you

51
00:02:49,919 --> 00:02:52,120
Speaker 2: probably gotta like you're gonna have to at least get

52
00:02:52,120 --> 00:02:52,720
Speaker 2: a headband.

53
00:02:52,960 --> 00:02:55,240
Speaker 4: I want you God damn right, I'll wear a headband

54
00:02:55,240 --> 00:02:58,240
Speaker 4: and I want I want Olivia wrapping the words to

55
00:02:58,320 --> 00:03:03,560
Speaker 4: fight the power as I nunchuck and you Harmonica.

56
00:03:03,720 --> 00:03:07,760
Speaker 2: Well, this is this is gonna be a problem. You

57
00:03:07,800 --> 00:03:09,560
Speaker 2: should get. You should get. You know what you should

58
00:03:09,600 --> 00:03:12,400
Speaker 2: get is like one of those Kendrick karate suits.

59
00:03:13,560 --> 00:03:17,519
Speaker 4: You know what I'm saying, Yeah, yeah, yeah, yeah, yeah

60
00:03:17,560 --> 00:03:21,120
Speaker 4: yeah yeah. When he became self aware inside of that

61
00:03:21,240 --> 00:03:23,480
Speaker 4: nickname and he was like, yeah, this is this is

62
00:03:23,520 --> 00:03:24,799
Speaker 4: my outfits now.

63
00:03:24,919 --> 00:03:28,639
Speaker 2: Yeah, that got complicated. The artist journey sometimes, I think

64
00:03:28,760 --> 00:03:29,560
Speaker 2: is maybe not for me.

65
00:03:33,080 --> 00:03:38,240
Speaker 4: Yeah, you start making these weird, like almost like cartoonish

66
00:03:38,520 --> 00:03:40,800
Speaker 4: choices and we have to be like, I think it's

67
00:03:40,800 --> 00:03:42,480
Speaker 4: because he's complicated.

68
00:03:42,600 --> 00:03:44,320
Speaker 2: I think, yeah, Like I think he's just a really

69
00:03:44,360 --> 00:03:46,920
Speaker 2: smart guy. Like I'm never gonna get a hat that

70
00:03:47,080 --> 00:03:49,360
Speaker 2: crazy that it's gonna make you think I'm smarter than

71
00:03:49,400 --> 00:03:49,680
Speaker 2: I am.

72
00:03:49,920 --> 00:03:51,080
Speaker 4: Do you what I'm saying?

73
00:03:51,160 --> 00:03:53,960
Speaker 2: Yeah, yeah, yeah, yeah, Like there has to be a

74
00:03:54,040 --> 00:03:57,240
Speaker 2: level where you're saying ship and nobody really knows what's

75
00:03:57,280 --> 00:04:00,360
Speaker 2: going on, and I'm just too I'm too grounded for that.

76
00:04:00,440 --> 00:04:00,880
Speaker 2: I think.

77
00:04:01,400 --> 00:04:06,000
Speaker 4: Yeah, it seems, especially in the rap world, where they're

78
00:04:06,080 --> 00:04:10,160
Speaker 4: like constantly telling us that they're bringing their original friends

79
00:04:10,200 --> 00:04:14,520
Speaker 4: along for like this entire journey. It feels like that's

80
00:04:14,720 --> 00:04:18,560
Speaker 4: not even possible when you're wearing a karate outfit. Bro,

81
00:04:18,760 --> 00:04:22,039
Speaker 4: Like the niggas you grew up with are either they

82
00:04:22,080 --> 00:04:26,240
Speaker 4: are not your friends or they have been long gone.

83
00:04:26,279 --> 00:04:28,760
Speaker 4: And you know, I live.

84
00:04:28,600 --> 00:04:31,000
Speaker 2: In my city. You think I could just like start

85
00:04:31,080 --> 00:04:33,760
Speaker 2: dredging like a fucking gaucho and that's just gonna go.

86
00:04:34,640 --> 00:04:37,360
Speaker 2: That's just gonna go. I gotta just like I got

87
00:04:37,440 --> 00:04:40,920
Speaker 2: the fucking rdigio grill, and everybody's just gonna be like, oh, yeah,

88
00:04:40,960 --> 00:04:43,240
Speaker 2: that's the same day. That's the same guy I saw

89
00:04:43,320 --> 00:04:46,440
Speaker 2: me in the alley. It's too many, too many questions

90
00:04:46,520 --> 00:04:46,840
Speaker 2: I bought.

91
00:04:47,520 --> 00:04:50,440
Speaker 4: I bought a pair of wide leg jeans and went

92
00:04:50,480 --> 00:04:53,279
Speaker 4: to a party and everyone noticed, you know what I mean.

93
00:04:54,680 --> 00:04:58,719
Speaker 4: Everyone it's like, bro, are those flares? And I'm like, yeah, well,

94
00:04:58,760 --> 00:05:03,520
Speaker 4: you know it was part of this And they were like, no, nigga, no,

95
00:05:04,200 --> 00:05:09,640
Speaker 4: not how you did it? No two weeks ago, sir. Yeah,

96
00:05:09,800 --> 00:05:12,680
Speaker 4: I respect Andre. I don't know who he had around it.

97
00:05:12,800 --> 00:05:15,080
Speaker 4: Let that transformation happen because my nag.

98
00:05:15,160 --> 00:05:19,240
Speaker 2: Would not my mom would be calling me, like you

99
00:05:19,360 --> 00:05:21,440
Speaker 2: just started going crazy.

100
00:05:22,480 --> 00:05:24,000
Speaker 4: No, you can't get away with none of that.

101
00:05:24,000 --> 00:05:25,960
Speaker 2: I'm just thinking about getting some of those loafers and

102
00:05:26,000 --> 00:05:28,400
Speaker 2: everybody's wearing and I'm like, I don't even know if

103
00:05:28,400 --> 00:05:31,680
Speaker 2: I can. I don't even know, Like I can't wear

104
00:05:31,720 --> 00:05:32,679
Speaker 2: them to the barber shop.

105
00:05:33,040 --> 00:05:35,599
Speaker 4: Bro, I wore some loafers. I want a show.

106
00:05:36,080 --> 00:05:39,080
Speaker 3: I thought it was cool. Thanks man. But then but

107
00:05:39,160 --> 00:05:43,000
Speaker 3: then on the way we we went and got food. Afterwards,

108
00:05:43,040 --> 00:05:46,480
Speaker 3: everybody was hanging out and ship and then Sydney noticed

109
00:05:46,520 --> 00:05:50,520
Speaker 3: I had on loafers and roasted me to no end talk.

110
00:05:53,279 --> 00:05:57,200
Speaker 3: She called me all kinds of of uh. She said

111
00:05:57,240 --> 00:06:01,760
Speaker 3: I was wearing Harlem Renaissance fives and she was she

112
00:06:01,960 --> 00:06:04,760
Speaker 3: was losing their mind making fun of my shoes.

113
00:06:06,240 --> 00:06:09,560
Speaker 2: She is very but she's a person who can wear

114
00:06:09,640 --> 00:06:11,000
Speaker 2: experimental new clothing.

115
00:06:11,320 --> 00:06:11,760
Speaker 4: I don't know.

116
00:06:12,080 --> 00:06:14,120
Speaker 2: I think you had to start like that. Like had

117
00:06:14,160 --> 00:06:20,240
Speaker 2: I been pushing the boundaries of fashion early on, I

118
00:06:20,240 --> 00:06:22,799
Speaker 2: think it would be allowed now. But I was always

119
00:06:22,839 --> 00:06:24,280
Speaker 2: like right in the middle, like I want to throw

120
00:06:24,360 --> 00:06:27,240
Speaker 2: back too, and now look at me, I can't wear flares.

121
00:06:27,320 --> 00:06:30,040
Speaker 4: Right, Yeah, you gotta show up with the energy, like, Hey,

122
00:06:30,200 --> 00:06:32,960
Speaker 4: my name is David Bori, and I may not be

123
00:06:33,040 --> 00:06:35,240
Speaker 4: in this hat tomorrow, you know what I mean? Like

124
00:06:35,680 --> 00:06:37,920
Speaker 4: it's gonna be a whole different vest people.

125
00:06:38,080 --> 00:06:39,880
Speaker 2: People don't know how to take me if I show

126
00:06:39,960 --> 00:06:44,400
Speaker 2: up not wearing some form of athleisure, Like if I

127
00:06:44,400 --> 00:06:47,960
Speaker 2: don't have a Nike Swish anywhere on my person, people

128
00:06:48,000 --> 00:06:51,960
Speaker 2: start to get nervous, let alone fair. I wish I

129
00:06:52,000 --> 00:06:55,159
Speaker 2: would get a new cut on a pant, haven't. I

130
00:06:55,200 --> 00:06:59,680
Speaker 2: haven't had a new cut on a pant. When when

131
00:07:00,240 --> 00:07:01,280
Speaker 2: cut stuff.

132
00:07:05,200 --> 00:07:07,760
Speaker 4: I'd be like boot cut? I don't know, man, those

133
00:07:07,800 --> 00:07:10,840
Speaker 4: have been what is that two thousand and four or

134
00:07:10,840 --> 00:07:13,280
Speaker 4: that we were we were in a deep boot cut.

135
00:07:13,680 --> 00:07:15,960
Speaker 2: That's the last. That's the last new cut for me.

136
00:07:16,280 --> 00:07:17,560
Speaker 2: That's the last new cut for me.

137
00:07:17,640 --> 00:07:20,560
Speaker 4: So for so your transitions have really been about like

138
00:07:20,760 --> 00:07:23,280
Speaker 4: starching or not starching, yeah.

139
00:07:23,240 --> 00:07:25,080
Speaker 2: Or just like better shirts.

140
00:07:25,360 --> 00:07:31,720
Speaker 4: Yeah you're fashionable, But but the cut, that's the same cut, baby, bro.

141
00:07:32,040 --> 00:07:35,840
Speaker 2: No, there's no different cut. There's no different different I

142
00:07:35,880 --> 00:07:38,160
Speaker 2: can't even. I can't even. That's what the world I

143
00:07:38,240 --> 00:07:40,880
Speaker 2: live in. Wow, have you ever been to a big call?

144
00:07:41,640 --> 00:07:43,520
Speaker 2: Not a lot of cuts?

145
00:07:43,360 --> 00:07:47,000
Speaker 4: It seems freeing to some extent. It's like, nah, I've

146
00:07:47,040 --> 00:07:51,200
Speaker 4: figured out the pants that work. I ain't never reassessing

147
00:07:51,280 --> 00:07:52,080
Speaker 4: this bad, right.

148
00:07:52,880 --> 00:07:55,400
Speaker 2: I just want to have a crazy summer, though, like

149
00:07:55,520 --> 00:07:58,040
Speaker 2: one summer where just I'm pulling up in linens.

150
00:07:58,280 --> 00:08:00,280
Speaker 5: See linen isn't even that. I don't even know what

151
00:08:00,320 --> 00:08:03,280
Speaker 5: the exciting fabrics are. I'm gonna I'm gonna tell you this.

152
00:08:03,440 --> 00:08:05,800
Speaker 5: You gotta go to You gotta make this international. If

153
00:08:05,800 --> 00:08:08,440
Speaker 5: you're gonna pull that off, you gotta, like I think,

154
00:08:08,440 --> 00:08:10,920
Speaker 5: you gotta spend the summer in like France or.

155
00:08:10,920 --> 00:08:14,280
Speaker 2: And come back. Yeah, go to Brazil this summer.

156
00:08:14,600 --> 00:08:17,600
Speaker 4: So yeah, okay, that's that's perfect because now you can

157
00:08:17,720 --> 00:08:22,720
Speaker 4: truly pick your summer style that fits Brazil and rock

158
00:08:22,800 --> 00:08:25,800
Speaker 4: that ship. And then when you come back and you

159
00:08:25,880 --> 00:08:29,960
Speaker 4: slowly reintroduce some of those extra pieces into your wardrobe,

160
00:08:30,280 --> 00:08:32,760
Speaker 4: it's like, nah, that motherfucker got a little Brazil in

161
00:08:32,840 --> 00:08:34,880
Speaker 4: them here. Yeah, that's all that is.

162
00:08:35,080 --> 00:08:37,640
Speaker 2: But the thing is, my mind is not even set

163
00:08:37,720 --> 00:08:39,520
Speaker 2: up for this year. Like when I'm in my head,

164
00:08:39,520 --> 00:08:42,160
Speaker 2: we're talking about that, and all I'm doing is imagining

165
00:08:42,200 --> 00:08:47,160
Speaker 2: myself in like matching short sets. That's not even exhausting. Now,

166
00:08:47,240 --> 00:08:47,760
Speaker 2: that ain't it.

167
00:08:47,880 --> 00:08:52,439
Speaker 4: You gotta there's an evolution beyond just like oh this

168
00:08:52,440 --> 00:08:53,720
Speaker 4: this has flowers on it.

169
00:08:54,160 --> 00:08:58,320
Speaker 2: Yeah, I just didn't flowers into my ship, you know

170
00:08:58,360 --> 00:09:02,840
Speaker 2: how how slowly and like steadily I had to integrate

171
00:09:02,920 --> 00:09:08,240
Speaker 2: like flowers, the colored purple like like man, but I

172
00:09:08,360 --> 00:09:10,680
Speaker 2: just want to like crazy like a hat with the

173
00:09:10,720 --> 00:09:11,800
Speaker 2: feather like the mask.

174
00:09:12,240 --> 00:09:12,840
Speaker 4: That's not it.

175
00:09:12,960 --> 00:09:14,880
Speaker 2: We're in the writer's room. But you understand what I'm saying.

176
00:09:14,880 --> 00:09:16,920
Speaker 4: No, I get it. You gotta you know what it is.

177
00:09:16,920 --> 00:09:20,040
Speaker 4: You gotta do it. Just a taste of Harry styles.

178
00:09:20,240 --> 00:09:22,120
Speaker 4: You don't got to go all the way Harry styles

179
00:09:22,160 --> 00:09:26,920
Speaker 4: he'd be wearing like you know, ship's yeah, he goes crazy,

180
00:09:27,280 --> 00:09:30,600
Speaker 4: but but just a taste of Harry styles where it's like, hey,

181
00:09:30,640 --> 00:09:33,600
Speaker 4: that's not how that shirt would normally be cut.

182
00:09:33,840 --> 00:09:36,760
Speaker 2: Okay, all right, here we go. Well I think we

183
00:09:36,920 --> 00:09:39,679
Speaker 2: I think I need to introduce successories that aren't just

184
00:09:39,720 --> 00:09:43,360
Speaker 2: like a watch like you know how sometimes Rocky'll have

185
00:09:43,400 --> 00:09:46,160
Speaker 2: like a crazy scarf. I need to start with that

186
00:09:46,360 --> 00:09:48,200
Speaker 2: and then kind of like filled from there.

187
00:09:48,720 --> 00:09:54,240
Speaker 4: Yeah, a gaudy fanny pack even like you like, man,

188
00:09:54,480 --> 00:09:56,040
Speaker 4: don't be scared of whatever.

189
00:09:56,160 --> 00:09:58,559
Speaker 2: Because here's the thing. I put on a gouty fanny pack.

190
00:09:58,800 --> 00:10:02,720
Speaker 2: I'm gonna look like like it's not gonna look like Okay,

191
00:10:02,840 --> 00:10:05,080
Speaker 2: you do know what I mean. I get it thick

192
00:10:05,160 --> 00:10:07,319
Speaker 2: for a goudy fan like like dazzled.

193
00:10:08,040 --> 00:10:11,679
Speaker 4: Yeah. I wasn't thinking you would put it fanny pack style.

194
00:10:11,920 --> 00:10:16,920
Speaker 4: I think cross cross strap type. Yeah, with the titties

195
00:10:16,960 --> 00:10:18,760
Speaker 4: and all that split.

196
00:10:18,840 --> 00:10:19,360
Speaker 2: That's the class.

197
00:10:19,400 --> 00:10:24,720
Speaker 4: Oh yeah, the titties split. Yes, yes, you gotta. You

198
00:10:24,760 --> 00:10:27,120
Speaker 4: want your fanny back to titty fuck you a little

199
00:10:27,160 --> 00:10:29,600
Speaker 4: bit and yeah, a little bit, that's the style.

200
00:10:29,920 --> 00:10:31,000
Speaker 2: Put your hand on my throat.

201
00:10:35,920 --> 00:10:43,679
Speaker 4: Yeah, did we get to the emails? Yeah, we can

202
00:10:43,720 --> 00:10:44,560
Speaker 4: do it. You can do it.

203
00:10:44,600 --> 00:10:46,040
Speaker 2: I think this was a good I think this was

204
00:10:46,080 --> 00:10:48,360
Speaker 2: I think this was helpful for probably a lot of

205
00:10:48,400 --> 00:10:51,120
Speaker 2: people listening who are scared to like break out of.

206
00:10:51,080 --> 00:10:53,960
Speaker 4: Like, yeah, don't be scared of it, y'all. You you

207
00:10:54,000 --> 00:10:57,160
Speaker 4: can do it. Also, we don't give either way. Yeah,

208
00:10:58,360 --> 00:11:00,240
Speaker 4: I truly don't give it. I don't care what you're

209
00:11:00,280 --> 00:11:02,600
Speaker 4: hearing when you're listening. We just want your ears. Baby,

210
00:11:02,640 --> 00:11:07,560
Speaker 4: I'm most of you listening mostly naked, and baby, he

211
00:11:07,559 --> 00:11:11,640
Speaker 4: ain't mad at it. Come on, come on, man.

212
00:11:12,080 --> 00:11:14,960
Speaker 2: How is my man supposed to shmeet his meat with

213
00:11:15,120 --> 00:11:15,600
Speaker 2: this ship?

214
00:11:15,679 --> 00:11:18,440
Speaker 4: Bro, what the but you're killing today?

215
00:11:18,480 --> 00:11:21,880
Speaker 2: You're killing it today? O, good one. I woke up. Man,

216
00:11:22,320 --> 00:11:25,679
Speaker 2: you're going crazy. We have micro it's this the whole thing.

217
00:11:27,800 --> 00:11:32,600
Speaker 4: We have a an email from a person who goes

218
00:11:32,640 --> 00:11:35,920
Speaker 4: by the name of Nisha. Nisha sent us an email

219
00:11:37,240 --> 00:11:39,840
Speaker 4: and she said, to the hosts of one of my

220
00:11:39,920 --> 00:11:42,439
Speaker 4: favorite podcasts, I don't like one of just say your

221
00:11:42,440 --> 00:11:43,600
Speaker 4: favorite Nietzsche what the fun?

222
00:11:43,800 --> 00:11:45,320
Speaker 2: Yeah, I don't give a ship. If you listen to

223
00:11:45,320 --> 00:11:49,240
Speaker 2: the Dollar Yeah or whatever.

224
00:11:50,880 --> 00:11:54,440
Speaker 4: Oh you love us and the Joe Rogan Experience, we

225
00:11:54,520 --> 00:11:54,920
Speaker 4: get it.

226
00:11:55,040 --> 00:12:00,520
Speaker 2: Yeah, it's us and my favorite murder. I sorry, true cry, We're.

227
00:12:00,360 --> 00:12:07,000
Speaker 4: Just true, all right, So, she says, I was listening

228
00:12:07,040 --> 00:12:09,160
Speaker 4: to the last episode where y'all were saying that the

229
00:12:09,200 --> 00:12:12,720
Speaker 4: Matrix wasn't good after the first one. I strongly believe

230
00:12:12,760 --> 00:12:15,679
Speaker 4: it's because they stole the idea from a black woman

231
00:12:16,000 --> 00:12:19,079
Speaker 4: and couldn't improve upon it well enough to make sequels.

232
00:12:19,400 --> 00:12:23,040
Speaker 4: This might be just like obviously true, but I want

233
00:12:23,120 --> 00:12:25,920
Speaker 4: us to talk about I want us to talk about

234
00:12:25,920 --> 00:12:29,640
Speaker 4: this more. The same woman also created the Terminator and

235
00:12:29,720 --> 00:12:33,800
Speaker 4: talks about how they related a little bit here, and

236
00:12:33,840 --> 00:12:37,440
Speaker 4: then she links and she says best Nietzsche. Now, it

237
00:12:37,520 --> 00:12:41,400
Speaker 4: is worth mentioning before we fully jump into this, that

238
00:12:41,440 --> 00:12:44,480
Speaker 4: we have addressed this a little bit on the show,

239
00:12:44,559 --> 00:12:48,320
Speaker 4: that the matrix and terminator were both created by the

240
00:12:48,360 --> 00:12:52,040
Speaker 4: same black woman. There are countless YouTube videos of this

241
00:12:52,120 --> 00:12:56,080
Speaker 4: woman explaining her position on the whole thing, and some

242
00:12:56,120 --> 00:12:59,640
Speaker 4: people have become very adamant that this is true. I

243
00:12:59,679 --> 00:13:04,240
Speaker 4: will note that in our previous addressing of this, I

244
00:13:04,320 --> 00:13:08,480
Speaker 4: personally do not believe it to be true. For a second. Hey,

245
00:13:10,480 --> 00:13:13,920
Speaker 4: I don't I'm not buying this shiit one minute ever,

246
00:13:14,360 --> 00:13:14,960
Speaker 4: kind of.

247
00:13:15,720 --> 00:13:19,400
Speaker 2: What Okay, let's okay, let's start let's start here.

248
00:13:19,679 --> 00:13:21,520
Speaker 4: Wow, what.

249
00:13:25,920 --> 00:13:28,040
Speaker 2: Is it that makes you feel like this is in

250
00:13:28,200 --> 00:13:29,160
Speaker 2: no way true?

251
00:13:29,559 --> 00:13:35,520
Speaker 4: Okay, here's what I'll say. Uh, woman, this black woman,

252
00:13:36,160 --> 00:13:38,880
Speaker 4: I don't know her fucking name because she's nuts, because

253
00:13:38,880 --> 00:13:44,360
Speaker 4: she's a goddamn nutty, cuckoo crazy, she's out of her

254
00:13:44,480 --> 00:13:47,920
Speaker 4: fucking mind. I've never memorized her name. But but if

255
00:13:47,960 --> 00:13:52,240
Speaker 4: you look up black woman. Okay, Sophia Stuart is her name.

256
00:13:52,400 --> 00:13:55,360
Speaker 4: Olivia is sending us a vital information as we're talking

257
00:13:55,400 --> 00:14:00,560
Speaker 4: this guy. Sophia's Stuart is this woman's name, and she

258
00:14:00,840 --> 00:14:07,000
Speaker 4: claims that she originally submitted the script for a Terminator

259
00:14:07,080 --> 00:14:11,800
Speaker 4: I believe to writing competition that basically there was a

260
00:14:11,840 --> 00:14:16,400
Speaker 4: magazine that had like a an open submission from I

261
00:14:16,440 --> 00:14:19,360
Speaker 4: believe the Watchowski's. Isn't that their name that that made

262
00:14:19,400 --> 00:14:24,520
Speaker 4: the Matrix? The Oh but you're saying terminator like James Cameron, right,

263
00:14:24,760 --> 00:14:27,520
Speaker 4: big dog. I am telling you what her claim is.

264
00:14:27,680 --> 00:14:32,320
Speaker 4: I am not necessarily even suggesting that it makes sense.

265
00:14:32,640 --> 00:14:38,800
Speaker 4: But she submits a writing competition for the the siblings, Yes,

266
00:14:38,960 --> 00:14:45,040
Speaker 4: that made the Matrix, and then somehow those scripts were

267
00:14:45,360 --> 00:14:51,760
Speaker 4: usurped by them to then make Terminator Terminator two and

268
00:14:51,800 --> 00:14:53,600
Speaker 4: then subsequently the Matrix.

269
00:14:54,280 --> 00:14:55,480
Speaker 2: They have been like children.

270
00:14:56,360 --> 00:15:00,640
Speaker 4: Again. It doesn't make sense, but that's her argument.

271
00:15:03,080 --> 00:15:08,200
Speaker 2: Yeah, this isn't good because I thought it was gonna be.

272
00:15:08,360 --> 00:15:10,800
Speaker 2: You know, there's that movie that was just like the Matrix.

273
00:15:11,320 --> 00:15:13,720
Speaker 2: They came out like a year before without the budget,

274
00:15:14,200 --> 00:15:17,040
Speaker 2: perfect dark or whatever where they said all the the

275
00:15:17,400 --> 00:15:19,760
Speaker 2: which I thought that movie is pretty great by the

276
00:15:19,760 --> 00:15:24,000
Speaker 2: way I saw it, It's it's actually pretty good.

277
00:15:24,400 --> 00:15:28,080
Speaker 4: Yeah. And that's darkness is that it's a that's a

278
00:15:28,200 --> 00:15:33,600
Speaker 4: Vin Diesel uh where he's blind. Yeah, I think Perfect

279
00:15:33,720 --> 00:15:36,760
Speaker 4: Dark was was was maybe the original of it, and

280
00:15:36,800 --> 00:15:38,920
Speaker 4: then Riddick was like their spin.

281
00:15:38,720 --> 00:15:45,920
Speaker 2: Off from trans Americans. A lot of people don't know

282
00:15:45,960 --> 00:15:55,200
Speaker 2: that about the chronicles are ridden. No, that's insane, but yeah,

283
00:15:55,240 --> 00:15:58,800
Speaker 2: it's it's real weird ship man. And I'll go on

284
00:15:58,880 --> 00:16:01,400
Speaker 2: to say that the argument is, and this is one

285
00:16:01,400 --> 00:16:04,000
Speaker 2: of the things that people try to use to support

286
00:16:04,400 --> 00:16:08,360
Speaker 2: somehow her being because those movies are so far apart,

287
00:16:08,480 --> 00:16:13,680
Speaker 2: right that they're far apart a decade of distance between

288
00:16:13,840 --> 00:16:17,960
Speaker 2: I think the original and the in the Matrix. And

289
00:16:18,120 --> 00:16:21,600
Speaker 2: one of the arguments that she makes is that it's

290
00:16:21,640 --> 00:16:25,640
Speaker 2: the same universe that the Matrix is. The sort of

291
00:16:25,760 --> 00:16:32,000
Speaker 2: like I guess the future fallout of our world also

292
00:16:32,160 --> 00:16:36,120
Speaker 2: living inside of the sky net takeoff, eventually it turns

293
00:16:36,160 --> 00:16:37,640
Speaker 2: into the Matrix.

294
00:16:37,760 --> 00:16:40,560
Speaker 4: Exactly that like you know, the world, it's the same

295
00:16:40,600 --> 00:16:44,080
Speaker 4: way in the actual Matrix the world is destroyed. They're

296
00:16:44,120 --> 00:16:47,600
Speaker 4: saying that those are terminators walking around on the Earth

297
00:16:48,160 --> 00:16:52,160
Speaker 4: that that are then traveling back. It's all simultaneous essentially.

298
00:16:52,760 --> 00:16:57,200
Speaker 2: I Mean, here's the thing I does Thinklake sometimes I

299
00:16:57,200 --> 00:17:00,280
Speaker 2: feel like science fiction it's like rap. There's just a

300
00:17:00,320 --> 00:17:04,919
Speaker 2: lot of genre stuff that is who knows whose idea

301
00:17:05,080 --> 00:17:08,280
Speaker 2: wasn't for the first mobile suit in anime.

302
00:17:08,560 --> 00:17:09,359
Speaker 4: You know what I'm saying.

303
00:17:09,760 --> 00:17:11,520
Speaker 2: I think there's a lot of like I don't think

304
00:17:11,560 --> 00:17:13,919
Speaker 2: the idea of like we're all living in a simulation.

305
00:17:14,359 --> 00:17:17,960
Speaker 2: I don't think the Wachowski's invented that as a science

306
00:17:18,000 --> 00:17:20,919
Speaker 2: fiction theme. No, I don't think so either. And I

307
00:17:20,960 --> 00:17:24,080
Speaker 2: think that that's that. Or the idea of AI becoming

308
00:17:24,160 --> 00:17:27,800
Speaker 2: sentient and taking over. I don't think that the Terminator

309
00:17:27,880 --> 00:17:28,480
Speaker 2: invented that.

310
00:17:28,920 --> 00:17:33,320
Speaker 4: And I think I think she isn't crazy in that

311
00:17:33,400 --> 00:17:37,000
Speaker 4: she didn't come up with an idea that crossed over

312
00:17:37,200 --> 00:17:39,800
Speaker 4: to some of these things. Right. She might have had

313
00:17:39,800 --> 00:17:43,159
Speaker 4: a little little bit of something on her fingers and

314
00:17:43,160 --> 00:17:46,320
Speaker 4: it was like, holy shit, that idea is like my idea.

315
00:17:46,400 --> 00:17:49,840
Speaker 4: But that, come on, well, that that ain't people stealing

316
00:17:49,840 --> 00:17:51,840
Speaker 4: from you. That's just that's something else.

317
00:17:51,960 --> 00:17:54,240
Speaker 2: Listen, I'm gonna tell you something that happened to me

318
00:17:54,320 --> 00:17:56,520
Speaker 2: this week, and this is gonna fuck you up. I

319
00:17:56,560 --> 00:17:59,480
Speaker 2: wrote a joke about why I love big titties and

320
00:17:59,520 --> 00:18:03,320
Speaker 2: then basically had an interview with will Yati where he

321
00:18:03,359 --> 00:18:06,120
Speaker 2: said he relates to women with big titties for a

322
00:18:06,160 --> 00:18:10,000
Speaker 2: far more selfish but similar reason. Yeah, it's just because

323
00:18:10,000 --> 00:18:12,679
Speaker 2: great minds Me and Zy you know you and Drizzy

324
00:18:12,800 --> 00:18:16,840
Speaker 2: Drake Man. I you that.

325
00:18:16,200 --> 00:18:20,160
Speaker 4: When my when my Comedy Central half hour came out,

326
00:18:20,200 --> 00:18:23,320
Speaker 4: I had a joke on it. This was like, obviously

327
00:18:23,840 --> 00:18:26,040
Speaker 4: it's sort of in the heart of the Trump era, right,

328
00:18:26,440 --> 00:18:29,879
Speaker 4: And and in the joke, I talk about how white

329
00:18:29,880 --> 00:18:33,320
Speaker 4: people they they played a trick on us because we

330
00:18:33,359 --> 00:18:35,960
Speaker 4: all thought we were on the same page. That like

331
00:18:36,440 --> 00:18:38,880
Speaker 4: they did a little bit of a magic trick where

332
00:18:38,880 --> 00:18:41,960
Speaker 4: they pretended we were all reasonable, and then this motherfucker

333
00:18:42,000 --> 00:18:44,680
Speaker 4: popped up and it turned out they were that we

334
00:18:44,720 --> 00:18:48,399
Speaker 4: hadn't agreed on at least that and and it that

335
00:18:48,680 --> 00:18:52,520
Speaker 4: same year, Kat Williams came out with a joke that

336
00:18:52,600 --> 00:18:56,240
Speaker 4: it's nearly identical to the phrasing that I have in

337
00:18:56,320 --> 00:18:59,840
Speaker 4: a in in punchline, Like the punchline is exactly the same.

338
00:19:00,160 --> 00:19:03,919
Speaker 4: Everything else around it is a different take, But that

339
00:19:04,040 --> 00:19:08,800
Speaker 4: punchline is so identical that I continue to be accused

340
00:19:08,840 --> 00:19:12,320
Speaker 4: of stealing a joke that I recorded nine months before

341
00:19:12,720 --> 00:19:15,359
Speaker 4: his special Even Touch the Earth, you know what I mean.

342
00:19:16,240 --> 00:19:18,280
Speaker 2: No, I mean, there's like, and that's the problem with

343
00:19:18,400 --> 00:19:20,840
Speaker 2: arth though, there's always this cross of like, you know,

344
00:19:20,880 --> 00:19:25,119
Speaker 2: because original thought, how much everybody's thinking something, somebody's stopped belfore,

345
00:19:25,640 --> 00:19:28,040
Speaker 2: it's just whether you're the first woe to synthesize it

346
00:19:28,520 --> 00:19:32,159
Speaker 2: and put it into that specific medium. Like because I

347
00:19:32,160 --> 00:19:34,239
Speaker 2: thought this was gonna be like a living single kind

348
00:19:34,280 --> 00:19:34,600
Speaker 2: of thing.

349
00:19:35,040 --> 00:19:37,760
Speaker 4: No, yeah, it is not a living single thing. We

350
00:19:37,960 --> 00:19:42,479
Speaker 4: nobody has seen any versions of these transcripts to you know,

351
00:19:42,600 --> 00:19:45,840
Speaker 4: that's never cited at least when it all comes to it, right,

352
00:19:45,920 --> 00:19:49,480
Speaker 4: nobody's like, yo, word for word, bar for bar, he

353
00:19:49,640 --> 00:19:51,880
Speaker 4: stole my whole. Yeah, I ain't the soulcial.

354
00:19:51,560 --> 00:19:53,919
Speaker 2: Boy shit it is yea.

355
00:19:53,440 --> 00:19:56,840
Speaker 4: Truly just like yo, that lady says she wrote it.

356
00:19:57,000 --> 00:19:57,960
Speaker 4: Why y'all steal that?

357
00:19:59,119 --> 00:20:03,360
Speaker 2: Yeah, that's too much. And because I don't know, as

358
00:20:03,359 --> 00:20:05,080
Speaker 2: far as what I can tell from people who are

359
00:20:05,080 --> 00:20:10,560
Speaker 2: actually great, lightning really doesn't often only strike once, So like,

360
00:20:11,080 --> 00:20:14,280
Speaker 2: where are her other fantastic like ideas?

361
00:20:15,040 --> 00:20:18,639
Speaker 4: Yeah, apparently they were both the matrix and terminator, which

362
00:20:18,920 --> 00:20:21,680
Speaker 4: is like, okay, well why'd you submit both?

363
00:20:21,720 --> 00:20:21,920
Speaker 1: Then?

364
00:20:22,200 --> 00:20:24,200
Speaker 4: You know what I mean? Just why you just go

365
00:20:24,240 --> 00:20:24,600
Speaker 4: with one?

366
00:20:25,440 --> 00:20:28,560
Speaker 2: Yeah? Yeah that's not a good Damn. I really wanted

367
00:20:28,560 --> 00:20:29,480
Speaker 2: this one to be true.

368
00:20:29,880 --> 00:20:32,679
Speaker 4: No, she's a silly billy, I'm sorry to break it

369
00:20:32,720 --> 00:20:36,080
Speaker 4: to you. And and what an inspiring story black women

370
00:20:36,080 --> 00:20:38,280
Speaker 4: can be. Silly Billy's too, y'all.

371
00:20:39,320 --> 00:20:45,119
Speaker 2: I do like equal opportunity fuckery. I don't, Yeah, I

372
00:20:45,760 --> 00:20:47,359
Speaker 2: really don't. I really don't.

373
00:20:47,920 --> 00:20:50,840
Speaker 4: Yeah, it's this lady and that lady who pretended to

374
00:20:50,920 --> 00:20:53,640
Speaker 4: no sign language for that that murder.

375
00:20:53,480 --> 00:20:57,840
Speaker 2: Case like just that was that was that was super

376
00:20:57,880 --> 00:21:01,560
Speaker 2: Bowl like that was. That was one of the better

377
00:21:01,600 --> 00:21:05,000
Speaker 2: things I've ever seen. We should have her on.

378
00:21:05,400 --> 00:21:08,040
Speaker 4: Hell yeah, we gotta get her on. The lady everting

379
00:21:08,160 --> 00:21:10,840
Speaker 4: the nose tign language, she gotta she gotta believe some.

380
00:21:11,000 --> 00:21:13,040
Speaker 2: Shit for real, for real.

381
00:21:13,680 --> 00:21:16,280
Speaker 4: All right, we gotta wrap this up. Can you tell

382
00:21:16,280 --> 00:21:18,080
Speaker 4: the people where they can find you and what cool

383
00:21:18,119 --> 00:21:19,040
Speaker 4: shit you have going on?

384
00:21:19,400 --> 00:21:24,520
Speaker 2: Ah, watch me on Instagram at Cool Guy Jokes eighty seven.

385
00:21:24,320 --> 00:21:27,160
Speaker 4: And you can follow me at Langston Herman. As always,

386
00:21:27,720 --> 00:21:30,920
Speaker 4: and if you want to send us drops your own

387
00:21:30,960 --> 00:21:34,359
Speaker 4: conspiracy theories. If you want to suggest that black women

388
00:21:34,880 --> 00:21:39,400
Speaker 4: created Pretty Woman, uh, go ahead and send those theories

389
00:21:39,440 --> 00:21:42,160
Speaker 4: to my Mama pod at gmail dot com. We would

390
00:21:42,200 --> 00:21:45,159
Speaker 4: love to hear from you. Follow the YouTube page, go

391
00:21:45,280 --> 00:21:49,840
Speaker 4: watch the videos. Accuse us of being coons and sellouts.

392
00:21:49,840 --> 00:21:52,880
Speaker 4: Oh we love you all right by Bitch and.

393
00:21:57,600 --> 00:22:08,440
Speaker 1: MoU Mini episode All the Fucking Mini Ever so well,

394
00:22:08,480 --> 00:22:14,880
Speaker 1: the fucking mini episode. Mini episode All the fucking Mini Ever.

395
00:22:15,000 --> 00:22:21,560
Speaker 3: Sh