WEBVTT - How to Appreciate Golf Courses (feat. Geoff Shackelford)

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<v Speaker 1>One of the questions I get most often is how

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<v Speaker 1>can you properly appreciate a golf course while you're playing it.

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<v Speaker 1>A lot of people find this very difficult, partly because

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<v Speaker 1>they're trying to shoot good scores, which is hard enough.

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<v Speaker 1>So it helps to have if you go to techniques

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<v Speaker 1>for understanding a golf course in the moment. And that's

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<v Speaker 1>what we're talking about in this episode. My guest is

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<v Speaker 1>the legendary Jeff Shackelford, the author of the Quadrilateral Newsletter

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<v Speaker 1>as well as many excellent books about golf architecture. My

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<v Speaker 1>name is Garrett Morrison, and this is designing golf, all right,

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<v Speaker 1>So today's big question, how can you properly appreciate a

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<v Speaker 1>golf course while you're playing it? I got this question

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<v Speaker 1>most recently in Frida Egg Golf Club. That's Friday Golf's membership.

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<v Speaker 1>Go to the Friday dot com slash membership to see

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<v Speaker 1>what it's all about. A member named Adrian Mazarolo asked

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<v Speaker 1>it this way, how do you balance assessing the course

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<v Speaker 1>with focusing on your round? I feel like I struggle

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<v Speaker 1>doing one or the other. This is a challenge, you know,

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<v Speaker 1>just kind of figuring out how to divvy up your

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<v Speaker 1>attention while you're playing golf. What do you focus on

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<v Speaker 1>if you're interested in golf architecture, What habits or patterns

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<v Speaker 1>of thought can help you appreciate a golf course fully.

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<v Speaker 1>That's what I want to talk about today. And I've

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<v Speaker 1>got two things that I do, two big things that

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<v Speaker 1>I try to do. At least I'm not perfect on

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<v Speaker 1>this stuff, but when I play a new golf course,

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<v Speaker 1>I do two big things to help myself understand the architecture. Now,

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<v Speaker 1>before I get to the first thing, there's one big

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<v Speaker 1>habit that I think underlies everything else, and that is walking.

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<v Speaker 1>If you're able, I think it's I think it's just

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<v Speaker 1>difficult to take in a golf course completely. When you're

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<v Speaker 1>writing in a cart, you just see so much more.

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<v Speaker 1>When you're walking. You usually have more alone time to

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<v Speaker 1>be observational and reflective, and you literally feel the land

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<v Speaker 1>and the course under your feet. That to me is

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<v Speaker 1>very important. So if you can walk, I think doing

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<v Speaker 1>so has a lot of benefits for your appreciation of

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<v Speaker 1>golf course architecture. All right, So the first big thing

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<v Speaker 1>that I do to appreciate golf courses while I'm playing

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<v Speaker 1>is this, I think about each hole from the green

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<v Speaker 1>back to the tee. What this means is that I'll

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<v Speaker 1>I kind of take a moment after putting out on

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<v Speaker 1>a hole just to stand on the green, look at

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<v Speaker 1>the design of the green, look at the contouring, the shape,

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<v Speaker 1>the orientation, and just consider the relation of all of

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<v Speaker 1>that to the rest.

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<v Speaker 2>Of the hole.

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<v Speaker 1>This is something that my boss, Friday Golf founder Andy Johnson,

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<v Speaker 1>talks about a lot, and he especially likes to consider

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<v Speaker 1>the different potential pin positions that a green has. Usually

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<v Speaker 1>golfers just think about the one pin position that happens

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<v Speaker 1>to be in use that day, but sometimes a hole

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<v Speaker 1>can change completely if the pin is in a different spot.

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<v Speaker 1>And actually one sign of a well designed hole is

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<v Speaker 1>that different pin positions produce different playing experiences. That creates

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<v Speaker 1>this day to day variety that I think is an

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<v Speaker 1>important indicator of strong golf course architecture. So an example

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<v Speaker 1>of a hole that rewards the practice of green to

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<v Speaker 1>tea thinking is the fourth hole at Royal Saint George's.

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<v Speaker 1>This is a links course in England and a regular

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<v Speaker 1>Open Championship host. I played it last October and it's

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<v Speaker 1>still on my mind. So that's part of why I'm

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<v Speaker 1>talking about it now. So say you've putted out on

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<v Speaker 1>the fourth green at this golf course. What you're looking

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<v Speaker 1>at is an elevated putting surface kind of draped across

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<v Speaker 1>a shelf right, a big shelf. There's a lower section

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<v Speaker 1>of the green at the bottom of the shelf, and

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<v Speaker 1>the green kind of swoops up on top of the

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<v Speaker 1>shelf where the main part of the green is. It's

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<v Speaker 1>very high up there, and everything falls away, or almost everything.

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<v Speaker 1>It definitely falls away in the front, It falls away

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<v Speaker 1>on the right, and it falls away in the back.

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<v Speaker 1>The one bit of forgiveness is on the left, where

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<v Speaker 1>there's this big sideboard that kind of feeds onto the green.

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<v Speaker 1>So you'll realize when when you look at this that

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<v Speaker 1>if you use this funneling contour on your approach, the

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<v Speaker 1>hole becomes a lot more forgiving. But to use the

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<v Speaker 1>sideboard on the left properly, you have to be on

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<v Speaker 1>the right side of the fairway right, so that way

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<v Speaker 1>you'll be hitting into the sideboard rather than over and

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<v Speaker 1>across it. In other words, if you're on the left

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<v Speaker 1>side of the fairway, this contour actually hurts you because

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<v Speaker 1>your ball is going to be traveling in a direction

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<v Speaker 1>where this slope will propel it away instead of killing

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<v Speaker 1>it and kind of corraling it back onto the green. Okay,

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<v Speaker 1>so we know now looking at the green that the

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<v Speaker 1>right side of the fairway is preferred. Now we can

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<v Speaker 1>think back to the t Is there something about the

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<v Speaker 1>tea shot that makes accessing the right side of the

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<v Speaker 1>fairway difficult? And it turns out that yes, there is.

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<v Speaker 1>There's this massive dune standing in front of and completely

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<v Speaker 1>blocking the right side of the fairway. It's blind. The

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<v Speaker 1>right side of the fairway is blind from the tee.

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<v Speaker 1>So to get into the ideal position in the fairway

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<v Speaker 1>to use the contours of the green to your advantage,

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<v Speaker 1>you have to hit your tea shot directly over the dune.

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<v Speaker 1>And that's just an uncomfortable, counterintuitive thing to do. It's

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<v Speaker 1>not actually that huge of a carry with modern equipment.

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<v Speaker 1>It used to be, but not really any longer. But

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<v Speaker 1>it is very intimidating and just mentally difficult to commit

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<v Speaker 1>to a line that you can't visualize. So that's how

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<v Speaker 1>you can understand the design of a whole Taking a

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<v Speaker 1>moment to analyze the green and think your way back

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<v Speaker 1>to the tea. All right, So what about different pin positions.

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<v Speaker 2>I mentioned that.

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<v Speaker 1>There is a possible alternative spot on the fourth hole

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<v Speaker 1>at Royal Saint George's below the shelf, in this little bowl,

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<v Speaker 1>and this just makes it so much easier to hit

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<v Speaker 1>your approach shot close to the pin, and it really

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<v Speaker 1>deemphasizes position in the fairway because it doesn't matter as

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<v Speaker 1>much if you're on the left or the right side

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<v Speaker 1>of the fairway if everything kind of feeds to the pin. Now,

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<v Speaker 1>I will say that the club hardly ever puts the

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<v Speaker 1>pin there, at least that's what I heard when I

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<v Speaker 1>was there. And this you could say is maybe a

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<v Speaker 1>flaw of the hole. There really aren't that many alternative

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<v Speaker 1>pin positions on the fourth hole at Royal Saint George's

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<v Speaker 1>that are just as interesting as the primary pin up

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<v Speaker 1>on the shelf. And this is another kind of insight

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<v Speaker 1>that you can get by thinking from the green to

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<v Speaker 1>the tee. A lot of holes are not strategically sophisticated,

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<v Speaker 1>and you can expose that fact by looking closely at

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<v Speaker 1>the design of the green as it relates to the

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<v Speaker 1>rest of the hole. Sometimes a green is just equally

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<v Speaker 1>receptive from all angles in which case the hole might

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<v Speaker 1>not have much strategic content. And this isn't necessarily a

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<v Speaker 1>bad thing, because there are plenty of other ways that

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<v Speaker 1>a hole can be fun or memorable. But it is

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<v Speaker 1>a useful data point as you're trying to understand and

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<v Speaker 1>appreciate a golf course. Okay, so that's number one, looking

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<v Speaker 1>at the green and tracing a line of thought back

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<v Speaker 1>to the tee. The second big method of appreciating golf

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<v Speaker 1>courses that I want to talk about is seeking out

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<v Speaker 1>different angles on a particular hole. This is something I've

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<v Speaker 1>discussed before with my colleague Cameron Hurdis. Cameron talks about

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<v Speaker 1>how he tries not just to walk down the center

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<v Speaker 1>of the fairway all the time, right, He tries to

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<v Speaker 1>take unusual routes to get different views and perspectives. This

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<v Speaker 1>is partly because he's a photographer and he's looking for

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<v Speaker 1>those angles, but it's also useful for the rest of us.

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<v Speaker 1>When we have a hole that is just where the

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<v Speaker 1>green is more receptive from one side of the fairway

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<v Speaker 1>than the other, right, like the Royal Saint George's hole

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<v Speaker 1>that we just discussed, it's good to see both perspectives,

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<v Speaker 1>the bad angle and the good angle. It's only through

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<v Speaker 1>seeing both perspectives that you can understand the different ways

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<v Speaker 1>that a hole might be played and the consequences for

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<v Speaker 1>finding one position or another. One way that I like

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<v Speaker 1>to do this is occasionally walking with a playing partner

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<v Speaker 1>to their ball and watching them hit their shot, ideally

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<v Speaker 1>of course after I've hit my own shot, because you know,

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<v Speaker 1>you don't want to slow down pace of play. But

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<v Speaker 1>sometimes it can be really informative to see how another

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<v Speaker 1>player approaches the whole, especially if they're a different kind

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<v Speaker 1>of player than you, if they're more skilled or less skilled,

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<v Speaker 1>if they have more power or less power. Watching them

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<v Speaker 1>on occasion and just seeing what happens to their ball,

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<v Speaker 1>trying to understand their shot from their perspective, can help

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<v Speaker 1>you grasp different dimensions of the course, dimensions that you

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<v Speaker 1>might not be aware of because you're playing your own

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<v Speaker 1>particular game. But a good golf course is much more

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<v Speaker 1>than just one experience, right. It provides a lot of

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<v Speaker 1>different experiences, hopefully just as good experiences for other players. So,

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<v Speaker 1>for example, if you're playing the second hole at Pacific Dunes,

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<v Speaker 1>Tom Doak design, this is Abandon Dunes. It's a shortish

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<v Speaker 1>to mid length par four with a very wide fairway

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<v Speaker 1>and a bunker right in the middle of the fairway,

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<v Speaker 1>so you have a choice. You can play left of

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<v Speaker 1>the center line bunker or right of the center line bunker.

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<v Speaker 1>The left side is lower, and there's an additional bunker

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<v Speaker 1>to the left near the landing zone for drives. The

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<v Speaker 1>right side is higher, kind of on a plateau with

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<v Speaker 1>no additional bunkers up there. Now, if I'm standing on

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<v Speaker 1>this tee and I see these distinct options, I'm immediately

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<v Speaker 1>thinking to myself, I want to see what it looks

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<v Speaker 1>like from both of those positions. So either I'll take

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<v Speaker 1>a route up the fairway that allows me to see

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<v Speaker 1>both positions, or better yet, if one of my playing

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<v Speaker 1>partners is on the other side from where I am,

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<v Speaker 1>I'll walk over and watch their shot. And what you'll

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<v Speaker 1>find if you do this is that the high right

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<v Speaker 1>side on the second hole Pacific Dunes offers a much

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<v Speaker 1>better view of the full green. But because there's a

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<v Speaker 1>bunker guarding the right side of the green, the front

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<v Speaker 1>right side of the green, it can actually be pretty

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<v Speaker 1>hard to get to certain pin positions from this high

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<v Speaker 1>right side. So there are both benefits and drawbacks to

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<v Speaker 1>that right hand position. Right, you can see everything, but

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<v Speaker 1>that bunker at the front right portion of the green

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<v Speaker 1>is a little bit tricky. Then if you walk down

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<v Speaker 1>to the left side of the fairway, you'll find that, yes,

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<v Speaker 1>your sight line to the green is more obscured because

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<v Speaker 1>you're lower, but from a certain spot the view is

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<v Speaker 1>actually pretty good. If you're close to that left hand bunker,

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<v Speaker 1>you'll be looking up a kind of half pipe in

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<v Speaker 1>the land and you can see the green pretty well

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<v Speaker 1>from there. There are even some contours that will feed

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<v Speaker 1>your ball to certain pins if you're playing from that position.

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<v Speaker 1>So that's actually a good spot if you can get

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<v Speaker 1>to it near the left hand bunker and left of

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<v Speaker 1>the center line bunker. And again, you can only appreciate

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<v Speaker 1>these subtleties of the two different ways to play the

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<v Speaker 1>hole if you make the effort to visit both sides

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<v Speaker 1>of the fairway. Now related to this practice of finding

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<v Speaker 1>different angles on a hole is that when you hit

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<v Speaker 1>a bad shot, try to see it as an opportunity,

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<v Speaker 1>because bad shots can show you a lot of interesting

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<v Speaker 1>things about a golf course. You can step back and

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<v Speaker 1>ask yourself, how did I get here right, and what

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<v Speaker 1>kind of predicament have I I put myself in, And

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<v Speaker 1>this way you can learn a lot about a golf course.

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<v Speaker 1>You can learn about the traps that a golf architect

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<v Speaker 1>has set for the player. So, for instance, last year,

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<v Speaker 1>I played Oakmont Country Club for the first time. This

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<v Speaker 1>is during a US Open media day, and you know,

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<v Speaker 1>it was a tough day. You know, I wasn't playing

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<v Speaker 1>that well as expected. And we came to the twelfth hole,

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<v Speaker 1>which is a very long, downhill par five that sits

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<v Speaker 1>on a big left to right slope. I had a

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<v Speaker 1>great drive and a great second shot. I strung two

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<v Speaker 1>good shots together, which I hadn't done all day to

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<v Speaker 1>that point, and that left me with about an eight

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<v Speaker 1>iron approach, a seven iron or an eight iron, and

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<v Speaker 1>I pulled that approach left of the green, left of

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<v Speaker 1>the bunkers, left of the green, and I got up

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<v Speaker 1>to my ball and realized that I was screwed. The green,

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<v Speaker 1>like the rest of the hole, sat on a pretty

0:15:08.360 --> 0:15:15.200
<v Speaker 1>severe front to back, left to right slope, which meant

0:15:15.200 --> 0:15:18.800
<v Speaker 1>that everything was moving away from me where I had missed.

0:15:19.480 --> 0:15:22.040
<v Speaker 1>There was just no way that I was going to

0:15:22.040 --> 0:15:24.920
<v Speaker 1>stop my ball, almost no way that I could keep

0:15:24.960 --> 0:15:27.400
<v Speaker 1>my ball on the green, given how fast the greens

0:15:27.440 --> 0:15:32.080
<v Speaker 1>at Oakmont are and how severe that slope is running

0:15:32.080 --> 0:15:36.400
<v Speaker 1>away from me. So I thought to myself, how did

0:15:36.400 --> 0:15:40.080
<v Speaker 1>I get here right? Why am I in the worst

0:15:40.080 --> 0:15:44.040
<v Speaker 1>spot that I could possibly be? And I realized that

0:15:44.640 --> 0:15:48.320
<v Speaker 1>when I was hitting my approach shot, I was instinctively

0:15:48.360 --> 0:15:53.120
<v Speaker 1>avoiding a right miss because there's a little drop off

0:15:53.160 --> 0:15:56.840
<v Speaker 1>to the right of the green into a ditch. There's

0:15:56.840 --> 0:16:01.400
<v Speaker 1>an actual hazard over there. So that's what the design

0:16:01.520 --> 0:16:03.880
<v Speaker 1>of the hole was doing to me. It was suggesting

0:16:03.920 --> 0:16:05.920
<v Speaker 1>to me that the bad miss was on the right,

0:16:06.800 --> 0:16:09.560
<v Speaker 1>but actually a left miss is way worse on that hole.

0:16:10.800 --> 0:16:12.440
<v Speaker 1>If I had missed on the right, even if I

0:16:12.440 --> 0:16:14.440
<v Speaker 1>had maybe been in the ditch, which was a ways

0:16:14.480 --> 0:16:17.600
<v Speaker 1>off the green, I could have stopped my ball at

0:16:17.680 --> 0:16:21.120
<v Speaker 1>least on the green where I was. That was almost impossible.

0:16:22.680 --> 0:16:22.880
<v Speaker 2>Now.

0:16:22.920 --> 0:16:26.560
<v Speaker 1>The only way that I could get that insight into

0:16:26.600 --> 0:16:29.480
<v Speaker 1>the twelfth hole at Oakmont was by hitting a bad

0:16:29.480 --> 0:16:33.880
<v Speaker 1>shot and taking it as an opportunity to learn something,

0:16:35.240 --> 0:16:37.960
<v Speaker 1>all right. So those are two big things you can

0:16:38.000 --> 0:16:41.560
<v Speaker 1>do during your next round. You can think from the

0:16:41.600 --> 0:16:43.760
<v Speaker 1>green back to the tee, and you can seek out

0:16:43.840 --> 0:16:47.400
<v Speaker 1>multiple angles on each hole. And if you do those

0:16:47.400 --> 0:16:51.000
<v Speaker 1>two things, I think you'll start appreciating the courses you

0:16:51.040 --> 0:16:54.400
<v Speaker 1>play on a much deeper level. And that's what this

0:16:54.440 --> 0:16:57.880
<v Speaker 1>is all about. Golf architecture is not about knowing a

0:16:57.920 --> 0:17:00.600
<v Speaker 1>lot of stuff that you can you know oh off

0:17:01.200 --> 0:17:05.280
<v Speaker 1>to other people. It's not about feeling superior that you

0:17:05.400 --> 0:17:09.959
<v Speaker 1>have all this knowledge. It's just about enjoying your rounds

0:17:10.000 --> 0:17:13.360
<v Speaker 1>of golf more than you used to, or enjoying them

0:17:13.400 --> 0:17:16.160
<v Speaker 1>in a different way than you used to. And that's

0:17:16.160 --> 0:17:19.240
<v Speaker 1>why I like the subject so much, appreciating golf courses.

0:17:19.760 --> 0:17:21.920
<v Speaker 1>So next time you're out on the course, try those

0:17:21.960 --> 0:17:25.840
<v Speaker 1>two things and see what happens. Now there's a lot

0:17:25.880 --> 0:17:28.040
<v Speaker 1>more meat on this bone, a lot more things you

0:17:28.080 --> 0:17:31.800
<v Speaker 1>can do to appreciate golf courses more deeply. So let's

0:17:31.840 --> 0:17:35.680
<v Speaker 1>bring on Jeff Shackelford to dig a little deeper into

0:17:35.720 --> 0:17:39.359
<v Speaker 1>the idea of golf course appreciation. Jeff is one of

0:17:39.359 --> 0:17:43.439
<v Speaker 1>the great living golf architecture writers. He is the author

0:17:43.640 --> 0:17:48.000
<v Speaker 1>of many books, including the recent Golf Architecture for Normal People,

0:17:48.040 --> 0:17:51.960
<v Speaker 1>which we'll discuss in this interview, and he also maintains

0:17:51.960 --> 0:17:56.120
<v Speaker 1>an excellent substack newsletter called The Quadrilateral so make sure

0:17:56.160 --> 0:17:58.800
<v Speaker 1>to check that out. It's a regular part of my

0:17:59.000 --> 0:18:02.439
<v Speaker 1>reading diet. Honestly, if you're listening to this podcast, you

0:18:02.520 --> 0:18:05.960
<v Speaker 1>probably already know Jeff, So let's just get to my

0:18:06.040 --> 0:18:15.359
<v Speaker 1>interview with him, all right, Jeff Shackelford, Welcome to the pod.

0:18:16.160 --> 0:18:18.920
<v Speaker 2>Thanks Eric, good to talk to you about this interesting

0:18:19.000 --> 0:18:20.560
<v Speaker 2>layered topic today.

0:18:21.240 --> 0:18:24.400
<v Speaker 1>The topic is how to appreciate a golf course while

0:18:24.440 --> 0:18:26.639
<v Speaker 1>you're playing it. And I think you're one of the

0:18:26.680 --> 0:18:28.919
<v Speaker 1>best people in the world to talk to about this

0:18:29.080 --> 0:18:31.720
<v Speaker 1>because you've thought about it, you've written about it for

0:18:32.040 --> 0:18:35.800
<v Speaker 1>many years now, and in your recent book, Golf Architecture

0:18:35.840 --> 0:18:38.119
<v Speaker 1>for Normal People, you lay out what I think is

0:18:38.160 --> 0:18:42.399
<v Speaker 1>a pretty elegant system for appreciating golf courses. And that

0:18:42.520 --> 0:18:45.840
<v Speaker 1>system goes by the acronym r EED, where each of

0:18:45.840 --> 0:18:49.000
<v Speaker 1>those letters stands for a different question that you can

0:18:49.000 --> 0:18:51.439
<v Speaker 1>ask about a golf course that you've just played. So

0:18:51.760 --> 0:18:53.920
<v Speaker 1>I'll just quickly run through that and then and then

0:18:53.960 --> 0:18:55.359
<v Speaker 1>we'll get into the meat of it.

0:18:55.840 --> 0:18:56.000
<v Speaker 2>OK.

0:18:56.240 --> 0:18:59.919
<v Speaker 1>Are is for remember and the question is can you

0:19:00.080 --> 0:19:03.960
<v Speaker 1>remember something about each hole? E is for every day?

0:19:04.440 --> 0:19:06.720
<v Speaker 1>Could you play the course every day and never tire

0:19:06.760 --> 0:19:10.560
<v Speaker 1>of it? And D and this is very creative. Is

0:19:10.600 --> 0:19:14.760
<v Speaker 1>for dog friendliness? Is this a course where you would

0:19:14.800 --> 0:19:19.560
<v Speaker 1>gladly take a dog for a walk? So, first of all,

0:19:19.600 --> 0:19:22.399
<v Speaker 1>what what made you come up with the red system?

0:19:22.440 --> 0:19:24.800
<v Speaker 1>What was the reason you decided that there needed to

0:19:24.840 --> 0:19:28.359
<v Speaker 1>be kind of a new way to approach evaluating or

0:19:28.400 --> 0:19:29.600
<v Speaker 1>appreciating golf courses.

0:19:30.320 --> 0:19:34.240
<v Speaker 2>I think a lot of the brankings and systems and

0:19:34.320 --> 0:19:39.040
<v Speaker 2>ways people have devised, I think are have really failed

0:19:39.320 --> 0:19:44.160
<v Speaker 2>golf architecture because because they often emphasize so many things

0:19:44.200 --> 0:19:50.960
<v Speaker 2>that are not important sustainable or what you'd want to

0:19:51.000 --> 0:19:54.199
<v Speaker 2>play in a in a in a course, and they've

0:19:55.920 --> 0:20:01.320
<v Speaker 2>really eaten away at the fun factor. And we really have,

0:20:01.720 --> 0:20:04.359
<v Speaker 2>you know, finally are starting to get back to the

0:20:04.400 --> 0:20:06.879
<v Speaker 2>word fun. And I you know, I've shared the story

0:20:06.880 --> 0:20:10.000
<v Speaker 2>many times about uh so forgive me if you've heard this,

0:20:10.080 --> 0:20:12.480
<v Speaker 2>but you know when Rustic Canyon open, people would say,

0:20:12.960 --> 0:20:16.160
<v Speaker 2>and this was in two thousand and two, it's really

0:20:16.280 --> 0:20:20.160
<v Speaker 2>it's a it's a fun course, like a condescending.

0:20:19.800 --> 0:20:23.080
<v Speaker 1>If that's a bad thing, yeah, that's that's that's a demerit.

0:20:23.480 --> 0:20:26.840
<v Speaker 2>And that was really that showed how far we had

0:20:26.840 --> 0:20:30.720
<v Speaker 2>gotten away from what mattered. And and then that was

0:20:30.760 --> 0:20:34.399
<v Speaker 2>just driven by the obsession with course rankings, with course

0:20:34.480 --> 0:20:38.440
<v Speaker 2>rating and slope and numbers and difficulty, and golf's general

0:20:39.240 --> 0:20:43.479
<v Speaker 2>tendency to try to overcompensate for what is sort of

0:20:43.480 --> 0:20:47.640
<v Speaker 2>this defeat pastime by you know, manning it up by

0:20:47.680 --> 0:20:51.200
<v Speaker 2>making you work and be miserable. Well, but nobody, nobody

0:20:51.200 --> 0:20:54.560
<v Speaker 2>wants to play those courses on a regular basis. And

0:20:54.600 --> 0:21:00.520
<v Speaker 2>so this was driven largely by by those two factors,

0:21:00.520 --> 0:21:02.960
<v Speaker 2>the kind of the way rankings had drifted and the

0:21:02.960 --> 0:21:07.400
<v Speaker 2>way architecture has drifted and it still does at times

0:21:07.800 --> 0:21:10.640
<v Speaker 2>quite a bit from the fun element and people seizing

0:21:10.720 --> 0:21:14.040
<v Speaker 2>on things that have absolutely nothing to do with their

0:21:15.400 --> 0:21:16.400
<v Speaker 2>enjoyment of the game.

0:21:17.720 --> 0:21:21.320
<v Speaker 1>So, you know, how do you think your system addressed

0:21:21.440 --> 0:21:25.200
<v Speaker 1>some of those issues? Specifically, what were the new elements

0:21:25.240 --> 0:21:28.359
<v Speaker 1>that you tried to introduce through this system that would

0:21:28.440 --> 0:21:30.679
<v Speaker 1>kind of tackle the fun factor, tackle the things that

0:21:30.720 --> 0:21:33.400
<v Speaker 1>people actually like and enjoying golf courses.

0:21:34.359 --> 0:21:39.440
<v Speaker 2>The three main categories are designed to highlight the things

0:21:39.480 --> 0:21:42.360
<v Speaker 2>that I always would ask myself about a course and

0:21:42.560 --> 0:21:47.399
<v Speaker 2>the things that I think have the most resonance that

0:21:47.480 --> 0:21:51.520
<v Speaker 2>are the most sustainable in terms of everyday fun golf.

0:21:53.000 --> 0:21:57.959
<v Speaker 2>And I've been asking myself the first two questions for

0:21:58.000 --> 0:22:01.679
<v Speaker 2>a very long time. The dog one came along a

0:22:01.680 --> 0:22:05.200
<v Speaker 2>little bit later, as I you know, when we when

0:22:05.240 --> 0:22:11.000
<v Speaker 2>I just gained a greater appreciation for for certain elements

0:22:11.080 --> 0:22:15.119
<v Speaker 2>like scale and and just kind of the the underfoot

0:22:15.160 --> 0:22:19.199
<v Speaker 2>test and the feeling of walking certain places versus others,

0:22:19.240 --> 0:22:23.120
<v Speaker 2>and you know, hearing over the years, you know, you've

0:22:23.160 --> 0:22:25.240
<v Speaker 2>we've all heard it, we alls, we've we've all said it.

0:22:25.280 --> 0:22:27.520
<v Speaker 2>You know it when you when, of course feels like

0:22:27.560 --> 0:22:30.160
<v Speaker 2>it's tour pro say this, it just feels like it's

0:22:30.200 --> 0:22:33.719
<v Speaker 2>always been there, which I've always found to be an

0:22:33.720 --> 0:22:37.320
<v Speaker 2>interesting comment, and it made me think, well, so what

0:22:37.320 --> 0:22:40.560
<v Speaker 2>what's driving them to to say that? And a lot

0:22:40.640 --> 0:22:44.120
<v Speaker 2>of people say that, and it gets back to elements

0:22:44.200 --> 0:22:47.600
<v Speaker 2>of uh, just kind of the way it's built and

0:22:47.640 --> 0:22:53.120
<v Speaker 2>the walkability and the feeling the scale, the drainage as

0:22:53.160 --> 0:22:55.480
<v Speaker 2>you know, which was kind of a weird way to

0:22:55.600 --> 0:22:57.600
<v Speaker 2>weave that in, but it really is, Yeah, I know

0:22:57.640 --> 0:22:59.800
<v Speaker 2>from you know Andy, the first time I met and

0:23:00.920 --> 0:23:04.280
<v Speaker 2>Johnson at Austin Golf Club, he had to listen to

0:23:04.320 --> 0:23:07.600
<v Speaker 2>me go around and bitch and moan about all the

0:23:07.640 --> 0:23:11.959
<v Speaker 2>catch basins and Pete die you know, why is this

0:23:12.080 --> 0:23:14.840
<v Speaker 2>here right in the middle of the landing area. We

0:23:15.200 --> 0:23:17.800
<v Speaker 2>get you need to deal with drainage, But but from

0:23:17.840 --> 0:23:21.440
<v Speaker 2>the walk in the park standpoint, or from the golf standpoint,

0:23:21.440 --> 0:23:23.800
<v Speaker 2>when your ball is on this little side hill thing

0:23:24.480 --> 0:23:26.639
<v Speaker 2>with a bunch of divots around it, like, it's just

0:23:27.600 --> 0:23:29.800
<v Speaker 2>why why can't that be over there? Why couldn't you

0:23:29.840 --> 0:23:33.240
<v Speaker 2>have moved the water differently? And and those little things

0:23:33.320 --> 0:23:38.280
<v Speaker 2>do impact your overall enjoyment of a course, And so

0:23:38.320 --> 0:23:41.199
<v Speaker 2>I was trying to And plus for those of us

0:23:41.240 --> 0:23:43.520
<v Speaker 2>who just don't have a great memory, the concept of

0:23:43.560 --> 0:23:45.480
<v Speaker 2>a system was to just whittle it down to three

0:23:45.560 --> 0:23:49.560
<v Speaker 2>questions and have something that made it easy to remember

0:23:49.600 --> 0:23:53.480
<v Speaker 2>them by and and and I. You know, now the

0:23:53.480 --> 0:23:57.119
<v Speaker 2>book's coming up on two years, and I still feel

0:23:57.240 --> 0:23:59.600
<v Speaker 2>pretty good about it. I still have asked myself those

0:23:59.680 --> 0:24:02.560
<v Speaker 2>questions about courses. And you know in my newsletter, I

0:24:02.600 --> 0:24:04.600
<v Speaker 2>do it. Yeah, you do it for the major major

0:24:04.680 --> 0:24:05.840
<v Speaker 2>championship venues. Yeah.

0:24:06.160 --> 0:24:08.560
<v Speaker 1>I always think it's really interesting to subject the major

0:24:08.640 --> 0:24:11.960
<v Speaker 1>championship venues to this test of what would it be

0:24:12.119 --> 0:24:15.320
<v Speaker 1>like to play this course every day? Because often we

0:24:15.400 --> 0:24:18.680
<v Speaker 1>don't think about that with major championship venues. In fact,

0:24:18.760 --> 0:24:22.760
<v Speaker 1>the criteria that we usually have for assessing a championship course,

0:24:22.880 --> 0:24:27.280
<v Speaker 1>or assessing what makes a good championship course is contrary

0:24:27.320 --> 0:24:30.160
<v Speaker 1>to what would make it fun to play every day? Right,

0:24:30.480 --> 0:24:32.359
<v Speaker 1>And so actually thinking about what would it be like

0:24:32.400 --> 0:24:35.720
<v Speaker 1>to play Oakmont every day is actually really insightful. And

0:24:36.080 --> 0:24:38.840
<v Speaker 1>you've probably found that too, right, I think so.

0:24:39.040 --> 0:24:41.760
<v Speaker 2>Yeah. And of course some of these places, like Oakmont,

0:24:42.400 --> 0:24:45.639
<v Speaker 2>they enjoy the misery. There's that's kind of the theme

0:24:45.680 --> 0:24:47.560
<v Speaker 2>of the place, and that's just been the you know,

0:24:47.640 --> 0:24:52.119
<v Speaker 2>the relentlessness of the design, that's their ethos whatever. Fine,

0:24:52.320 --> 0:24:55.879
<v Speaker 2>but yeah, I don't know if that's always the case

0:24:55.920 --> 0:24:59.720
<v Speaker 2>with some of these places. And and and I think

0:24:59.720 --> 0:25:06.120
<v Speaker 2>the rushes help you. I think they help highlight changes

0:25:06.160 --> 0:25:10.639
<v Speaker 2>to some of these venues that you wonder about, like

0:25:10.680 --> 0:25:12.800
<v Speaker 2>why did they do that? And is this something you

0:25:12.880 --> 0:25:16.080
<v Speaker 2>did for one week out of thirty years or is

0:25:16.119 --> 0:25:19.320
<v Speaker 2>this something that is a good change for the championship

0:25:19.320 --> 0:25:24.159
<v Speaker 2>but also for the everyday and enjoyment factor of for

0:25:24.200 --> 0:25:26.360
<v Speaker 2>the people who play there. Yeah.

0:25:26.400 --> 0:25:29.080
<v Speaker 1>And the interesting thing about these three questions is that

0:25:29.320 --> 0:25:32.600
<v Speaker 1>is the way they sort of expand into different areas

0:25:32.640 --> 0:25:37.840
<v Speaker 1>of architecture. Within each question, you can then consider certain

0:25:37.920 --> 0:25:40.600
<v Speaker 1>characteristics of a golf course that you know, people who

0:25:40.600 --> 0:25:43.960
<v Speaker 1>are familiar with golf architecture discussion already might be familiar with.

0:25:44.560 --> 0:25:46.880
<v Speaker 1>But you know, when you think about can you remember

0:25:47.200 --> 0:25:50.359
<v Speaker 1>something about each hole, what you're thinking about really is

0:25:50.400 --> 0:25:53.560
<v Speaker 1>kind of coarse routing and how much variety the routing

0:25:53.640 --> 0:25:56.840
<v Speaker 1>finds in the land, the variety of holes, the variety

0:25:56.840 --> 0:25:59.800
<v Speaker 1>of features that you find on a whole, features that

0:26:00.320 --> 0:26:02.960
<v Speaker 1>you know can be really bold and memorable, but at

0:26:02.960 --> 0:26:06.960
<v Speaker 1>the same time not not feel contrived. You know, when

0:26:07.000 --> 0:26:08.920
<v Speaker 1>you think of a course that you want to play

0:26:08.960 --> 0:26:11.159
<v Speaker 1>every day, well, you kind of want to play a

0:26:11.200 --> 0:26:13.600
<v Speaker 1>course every day where you have a good experience, where

0:26:13.600 --> 0:26:17.359
<v Speaker 1>you feel comfortable. You want the course to be playable

0:26:17.440 --> 0:26:20.000
<v Speaker 1>yet challenging. You want the course maybe to have some

0:26:20.040 --> 0:26:22.960
<v Speaker 1>strategic elements because it's just not awfully interesting to play

0:26:23.359 --> 0:26:27.639
<v Speaker 1>a purely penal course every single day. And then for

0:26:27.760 --> 0:26:30.800
<v Speaker 1>the dog friendliness criterion, you know, you you talked a

0:26:30.800 --> 0:26:33.520
<v Speaker 1>little bit about about the various elements of dog friendliness,

0:26:33.560 --> 0:26:35.840
<v Speaker 1>but you know, the scale of the course is a

0:26:35.920 --> 0:26:38.520
<v Speaker 1>kind of too big and brawny a piece of land

0:26:38.520 --> 0:26:40.159
<v Speaker 1>to take your dog for a walk. We don't want

0:26:40.200 --> 0:26:42.480
<v Speaker 1>to take our dogs for a walk on a mountain, right,

0:26:42.560 --> 0:26:45.280
<v Speaker 1>we want we want kind of gently roll. We also

0:26:45.280 --> 0:26:47.360
<v Speaker 1>don't want a desert, right that would be.

0:26:47.359 --> 0:26:52.439
<v Speaker 2>Right, yeah, or lava rocks and yeah.

0:26:51.920 --> 0:26:55.119
<v Speaker 1>Gently rolling terrain with some variety is just what you

0:26:55.160 --> 0:26:58.600
<v Speaker 1>want when you're walking a dog. You want that walkability factor,

0:26:58.680 --> 0:27:01.520
<v Speaker 1>but also some interest in the land, and you want drainage.

0:27:01.800 --> 0:27:05.359
<v Speaker 1>As you mentioned, it's decent and maybe not too unnatural looking.

0:27:05.920 --> 0:27:08.040
<v Speaker 1>For whatever reason, we want to take our dogs for

0:27:08.080 --> 0:27:10.639
<v Speaker 1>a walk and environments that feel natural. It's not as

0:27:10.880 --> 0:27:12.879
<v Speaker 1>it's not as attractive to take your dog for a

0:27:12.920 --> 0:27:17.560
<v Speaker 1>walk in your like suburban neighborhood as it is to

0:27:17.600 --> 0:27:20.119
<v Speaker 1>take your dog for a walk on a nature trail, right,

0:27:20.720 --> 0:27:21.800
<v Speaker 1>And that's kind.

0:27:21.640 --> 0:27:25.480
<v Speaker 2>Of like the dog well of course too. Yeah, they

0:27:25.480 --> 0:27:29.879
<v Speaker 2>want the smells and the meandering little paths and things

0:27:29.920 --> 0:27:35.320
<v Speaker 2>going on and birds and squirrels, and we have similar

0:27:35.400 --> 0:27:38.840
<v Speaker 2>sensibilities in But of course golfers are thinking of it

0:27:38.880 --> 0:27:42.520
<v Speaker 2>from a different perspective than the dog, but they do

0:27:42.840 --> 0:27:43.760
<v Speaker 2>sort of intersect.

0:27:43.800 --> 0:27:47.960
<v Speaker 1>I think, how does experience factor into all of this

0:27:48.280 --> 0:27:50.520
<v Speaker 1>for you? I know, obviously from talking to you over

0:27:50.520 --> 0:27:53.600
<v Speaker 1>the years and also reading the book that that this

0:27:54.040 --> 0:27:56.159
<v Speaker 1>criterion of experience, which you kind of slot under the

0:27:56.240 --> 0:28:01.440
<v Speaker 1>everyday category. This this idea of experience has been complicated

0:28:01.520 --> 0:28:04.280
<v Speaker 1>for you in the past. How how do you now

0:28:04.400 --> 0:28:08.400
<v Speaker 1>think through the experience of playing a golf course which

0:28:08.440 --> 0:28:10.879
<v Speaker 1>can involve things that don't strictly have to do with

0:28:10.920 --> 0:28:11.680
<v Speaker 1>golf architecture.

0:28:11.720 --> 0:28:15.959
<v Speaker 2>Of course, oh definitely. And a lot of people have

0:28:16.000 --> 0:28:18.520
<v Speaker 2>different views of what's a great experience. You know, you

0:28:18.600 --> 0:28:22.040
<v Speaker 2>and I probably would like to go out for a

0:28:22.119 --> 0:28:25.160
<v Speaker 2>late nine with a with a dog by ourselves and

0:28:25.200 --> 0:28:28.439
<v Speaker 2>not be bothered and just you know, drop another bathery now.

0:28:28.440 --> 0:28:31.720
<v Speaker 2>And then there's some people who love the whole you know,

0:28:31.760 --> 0:28:34.960
<v Speaker 2>we're a foursome and we're caddies and and we're at

0:28:35.000 --> 0:28:38.400
<v Speaker 2>this high end place and they've got a great comfort station,

0:28:38.640 --> 0:28:41.520
<v Speaker 2>and you know, so everybody has different views on that.

0:28:41.600 --> 0:28:46.480
<v Speaker 2>But what I what I realized in one thing that's

0:28:46.680 --> 0:28:48.720
<v Speaker 2>that's nice about getting a little bit older is you

0:28:48.760 --> 0:28:52.760
<v Speaker 2>start to just realize there are certain things you cannot

0:28:54.520 --> 0:29:01.280
<v Speaker 2>combat when discussing whatever it is a restaurant, a film,

0:29:01.320 --> 0:29:05.480
<v Speaker 2>some kind of experience, a sporting event, even you can't

0:29:06.160 --> 0:29:11.000
<v Speaker 2>separate the experience for people from the actual thing that

0:29:11.040 --> 0:29:15.560
<v Speaker 2>you're you're trying to evaluate and then you know, I've

0:29:15.560 --> 0:29:20.800
<v Speaker 2>had a couple things happen where I came to realize, well, wait,

0:29:20.800 --> 0:29:24.880
<v Speaker 2>the experience sets you up and puts you in a

0:29:24.960 --> 0:29:28.800
<v Speaker 2>in a mood that can that that impacts how you

0:29:28.840 --> 0:29:31.920
<v Speaker 2>look at the course, and it can. I've heard so

0:29:32.040 --> 0:29:37.840
<v Speaker 2>many times people judging a course and holding it against

0:29:37.840 --> 0:29:40.080
<v Speaker 2>the course because either they went to a place and

0:29:40.120 --> 0:29:43.080
<v Speaker 2>it was snooty and they were they felt uncomfortable and

0:29:43.120 --> 0:29:45.680
<v Speaker 2>they never could focus on the architecture, or they went

0:29:45.720 --> 0:29:48.680
<v Speaker 2>to a place, let's face it, you know, it wasn't

0:29:48.720 --> 0:29:52.240
<v Speaker 2>well maintained or wasn't taken care of, or the people

0:29:52.280 --> 0:29:55.000
<v Speaker 2>there were just kind of yeah, did you just tell?

0:29:55.120 --> 0:29:57.680
<v Speaker 2>You could tell they weren't trying, and they held that

0:29:57.800 --> 0:30:03.840
<v Speaker 2>against the course. And so yeah, I have this incredible

0:30:03.880 --> 0:30:06.600
<v Speaker 2>movie theater up the street that's run by this great organization.

0:30:07.120 --> 0:30:10.640
<v Speaker 2>And because I live in Los Angeles, we get we

0:30:10.720 --> 0:30:12.720
<v Speaker 2>get all these amazing people come and do Q and

0:30:12.760 --> 0:30:15.640
<v Speaker 2>a's after the films, you know, in trying to get

0:30:15.680 --> 0:30:18.880
<v Speaker 2>attention for award seasons, but also when they just show

0:30:18.920 --> 0:30:23.040
<v Speaker 2>a film because it's movie bus and you pay a

0:30:23.040 --> 0:30:28.640
<v Speaker 2>little annual membership, you don't have previews. They announced the

0:30:28.680 --> 0:30:32.080
<v Speaker 2>projectionist before the show. They've checked to make sure that

0:30:32.680 --> 0:30:35.760
<v Speaker 2>the film is going to be situated properly and look good.

0:30:35.920 --> 0:30:38.920
<v Speaker 2>The sounds amazing, The seats aren't anything special. It's an

0:30:38.920 --> 0:30:42.600
<v Speaker 2>old theater from the thirties. But all those things allow

0:30:42.680 --> 0:30:46.200
<v Speaker 2>you to then lock in on the film. And it's

0:30:46.200 --> 0:30:48.800
<v Speaker 2>the same with a restaurant. You know, there's a great

0:30:48.800 --> 0:30:52.880
<v Speaker 2>show right now on Apple about chefs wanting to get

0:30:52.920 --> 0:30:58.680
<v Speaker 2>a Michelin Star, and the food is everything for those chefs.

0:30:58.760 --> 0:31:02.920
<v Speaker 2>But as you see, there are other elements about the

0:31:02.960 --> 0:31:06.640
<v Speaker 2>service and the presentation that make the food pop in

0:31:06.720 --> 0:31:09.280
<v Speaker 2>a certain way that are essential to what they do,

0:31:09.440 --> 0:31:12.440
<v Speaker 2>that have nothing to do with the artistry of just

0:31:12.520 --> 0:31:15.360
<v Speaker 2>handling the food. And so I think the parallels with

0:31:15.360 --> 0:31:19.480
<v Speaker 2>with a golf experience are pretty much identical really in

0:31:19.560 --> 0:31:23.800
<v Speaker 2>terms of of the the power of the experience to

0:31:24.120 --> 0:31:27.800
<v Speaker 2>allow you to really soak in a great course. Yeah.

0:31:27.880 --> 0:31:31.040
<v Speaker 1>Well, the criterion of experience is so interesting to me

0:31:31.160 --> 0:31:35.680
<v Speaker 1>because I do understand the reasons for trying to take

0:31:35.720 --> 0:31:39.800
<v Speaker 1>it out of one's evaluation of a golf course. You know,

0:31:39.920 --> 0:31:43.520
<v Speaker 1>probably the most convincing reason for that is that different

0:31:43.600 --> 0:31:46.160
<v Speaker 1>days bring different experiences. You know, you might you might

0:31:46.200 --> 0:31:48.800
<v Speaker 1>have a bad experience one day because you know, maybe

0:31:48.840 --> 0:31:51.800
<v Speaker 1>there's a strow the or the starter is on your

0:31:51.840 --> 0:31:54.440
<v Speaker 1>on your butt, or you know, whatever, whatever happens. You know,

0:31:54.520 --> 0:31:56.640
<v Speaker 1>things happen and you show up on the next day

0:31:56.680 --> 0:31:59.400
<v Speaker 1>and it's completely different. I think we've all seen that.

0:31:59.720 --> 0:32:01.840
<v Speaker 1>But but I mean, there are some things that you

0:32:01.880 --> 0:32:05.080
<v Speaker 1>can pick up on and if you don't, if you

0:32:05.160 --> 0:32:08.920
<v Speaker 1>say I'm a person who's going to completely remove the

0:32:08.960 --> 0:32:13.000
<v Speaker 1>notion of experience from evaluating this golf course, then I

0:32:13.040 --> 0:32:16.520
<v Speaker 1>think that experience is going to come in anyway. That

0:32:17.200 --> 0:32:19.680
<v Speaker 1>if you have a good experience, that that's going to

0:32:19.760 --> 0:32:23.960
<v Speaker 1>make you feel charitable toward the golf course architecture. It's

0:32:24.000 --> 0:32:26.040
<v Speaker 1>going to put you in a mood, as you said earlier,

0:32:26.440 --> 0:32:29.840
<v Speaker 1>to receive the details of the golf architecture and you're

0:32:29.840 --> 0:32:32.360
<v Speaker 1>going to look for reasons to like the golf course.

0:32:32.920 --> 0:32:35.240
<v Speaker 1>And you know, it's the opposite case when you have

0:32:35.280 --> 0:32:38.040
<v Speaker 1>a bad experience, you'll be kind of closed off to

0:32:38.120 --> 0:32:40.960
<v Speaker 1>certain virtues of the course. So even if you try

0:32:41.000 --> 0:32:43.000
<v Speaker 1>to take experience out of the equation, and it's going

0:32:43.040 --> 0:32:45.640
<v Speaker 1>to come back anyway, So you might as well be

0:32:46.440 --> 0:32:48.600
<v Speaker 1>conscious of it, right, which is what I think is

0:32:48.600 --> 0:32:50.960
<v Speaker 1>smart about including it here in the everyday category.

0:32:51.160 --> 0:32:55.640
<v Speaker 2>Yeah, and I also you know that our rankings are

0:32:55.680 --> 0:32:58.640
<v Speaker 2>based often on people going to a course once and

0:32:58.680 --> 0:33:04.480
<v Speaker 2>evaluating it once. So to your point, instead of fighting it,

0:33:04.600 --> 0:33:09.080
<v Speaker 2>why not highlight it and and and and and just

0:33:09.160 --> 0:33:13.120
<v Speaker 2>included in the equation in a way that you I think, Well,

0:33:14.040 --> 0:33:16.040
<v Speaker 2>I just know a lot of people who don't separate

0:33:16.080 --> 0:33:18.440
<v Speaker 2>it very well, and maybe just knowing going in or

0:33:18.480 --> 0:33:21.120
<v Speaker 2>being able to sound off it. God, we we just

0:33:21.120 --> 0:33:25.240
<v Speaker 2>couldn't enjoy ourselves because our host was so worried about

0:33:25.240 --> 0:33:28.760
<v Speaker 2>the group behind us and the marshall, you know, lurking

0:33:28.800 --> 0:33:31.680
<v Speaker 2>in the woods. And but at least when you become

0:33:31.720 --> 0:33:34.560
<v Speaker 2>aware of that, maybe you'll you'll set that aside when

0:33:34.560 --> 0:33:37.560
<v Speaker 2>you start to, yeah, ask the other questions about what

0:33:37.600 --> 0:33:39.880
<v Speaker 2>did the architect really do here? And is this a

0:33:39.880 --> 0:33:45.480
<v Speaker 2>place that in my one playing I can really I can,

0:33:45.920 --> 0:33:49.480
<v Speaker 2>I can appreciate or not appreciate depending on the design.

0:33:49.560 --> 0:33:53.840
<v Speaker 2>And you know, and that's another reason I I I

0:33:53.880 --> 0:33:57.400
<v Speaker 2>think a lot of people should have who do evaluation

0:33:57.560 --> 0:34:01.440
<v Speaker 2>and take it seriously should also just walk a course

0:34:01.480 --> 0:34:05.120
<v Speaker 2>without their clubs. I know this is it's not gonna happen.

0:34:06.360 --> 0:34:09.040
<v Speaker 2>It's definitely a good thing. But it's another way that

0:34:09.160 --> 0:34:12.239
<v Speaker 2>because so much emotion gets involved, not just in the

0:34:12.320 --> 0:34:16.279
<v Speaker 2>experiential part, but just in your own game when you're

0:34:16.320 --> 0:34:20.200
<v Speaker 2>playing a place, and it's very hard to separate those things.

0:34:20.360 --> 0:34:22.439
<v Speaker 2>You know, if you're just not feeling right that day,

0:34:22.520 --> 0:34:25.160
<v Speaker 2>or your swing feels like garbage, or if you're playing

0:34:25.200 --> 0:34:27.080
<v Speaker 2>incredibly well and you have the round of your life.

0:34:27.080 --> 0:34:29.600
<v Speaker 2>I mean, how many times have we hurt? Somebody declare

0:34:29.680 --> 0:34:32.239
<v Speaker 2>that course was the greatest thing ever, and then they get, yeah,

0:34:32.280 --> 0:34:35.279
<v Speaker 2>I also shot my lowest score, you know that I've

0:34:35.320 --> 0:34:37.239
<v Speaker 2>ever shot on a place it's not where my home

0:34:37.280 --> 0:34:40.880
<v Speaker 2>goeres or whatever it is. So those are those are

0:34:40.920 --> 0:34:44.000
<v Speaker 2>elements too that that their emotions you just are never

0:34:44.120 --> 0:34:47.759
<v Speaker 2>going to. And and again when you watch, when you

0:34:47.840 --> 0:34:51.319
<v Speaker 2>see a film with a with a great crowd of

0:34:51.480 --> 0:34:54.160
<v Speaker 2>fellow movie buffs who are locked in, not looking on

0:34:54.200 --> 0:34:58.440
<v Speaker 2>their phone and making noise with popcorn, there's a communal

0:34:58.480 --> 0:35:01.719
<v Speaker 2>element there that probably allows you to or maybe even

0:35:01.760 --> 0:35:04.520
<v Speaker 2>makes you like the film more than you should sometimes,

0:35:04.600 --> 0:35:08.160
<v Speaker 2>But it's just better to be conscious of those things

0:35:08.160 --> 0:35:11.279
<v Speaker 2>that might distract you and and make it personal in

0:35:11.360 --> 0:35:14.359
<v Speaker 2>ways that that aren't fair to the the.

0:35:14.400 --> 0:35:17.920
<v Speaker 1>Architecture of the course, or what's the best concert you've

0:35:17.920 --> 0:35:20.759
<v Speaker 1>ever been to? It's it doesn't usually have to do

0:35:20.920 --> 0:35:23.560
<v Speaker 1>with the technical virtues of the music. It has to

0:35:23.600 --> 0:35:26.000
<v Speaker 1>do with the with the setting and the crowd and

0:35:26.040 --> 0:35:28.400
<v Speaker 1>the whole thing, and that that whole thing it is,

0:35:28.800 --> 0:35:31.800
<v Speaker 1>it is very much inextricably part of it. So we're

0:35:31.800 --> 0:35:34.359
<v Speaker 1>talking about things that that make you want to play

0:35:34.440 --> 0:35:39.200
<v Speaker 1>a course every day. And I've thought about this notion

0:35:39.320 --> 0:35:43.399
<v Speaker 1>of every day a lot recently, and I wonder what

0:35:43.440 --> 0:35:47.880
<v Speaker 1>you make of the idea that you know it, Is

0:35:47.920 --> 0:35:52.000
<v Speaker 1>there such a thing as a great course that you

0:35:52.080 --> 0:35:54.960
<v Speaker 1>really wouldn't want to play every day, or even a

0:35:54.960 --> 0:35:57.360
<v Speaker 1>great course that that you would just want.

0:35:57.239 --> 0:35:57.880
<v Speaker 2>To play once?

0:35:58.640 --> 0:36:01.200
<v Speaker 1>And it's an and it's a maybe for a variety

0:36:01.239 --> 0:36:04.080
<v Speaker 1>of reasons and excellent experience just that once, but it's

0:36:04.080 --> 0:36:05.480
<v Speaker 1>just not the type of course that you want to

0:36:05.520 --> 0:36:07.920
<v Speaker 1>play every day. Is there such a thing as a

0:36:07.960 --> 0:36:11.200
<v Speaker 1>course that can be great but be described in that way?

0:36:11.880 --> 0:36:14.560
<v Speaker 2>Well, not to pick on oakmat you mentioned it, but

0:36:14.600 --> 0:36:17.319
<v Speaker 2>it's I think that there are examples like that that

0:36:17.520 --> 0:36:22.839
<v Speaker 2>are that have a certain approach and and the the

0:36:22.920 --> 0:36:27.880
<v Speaker 2>a certain vision and it's what they do. You know,

0:36:27.960 --> 0:36:30.520
<v Speaker 2>I think you could almost put in some ways Pine

0:36:30.600 --> 0:36:33.800
<v Speaker 2>Valley and that that category, although it's just not nearly

0:36:33.840 --> 0:36:36.200
<v Speaker 2>as hard as it once was. They clean up the

0:36:36.239 --> 0:36:40.840
<v Speaker 2>sand now, and yeah, the games is the equipment's different

0:36:41.320 --> 0:36:45.279
<v Speaker 2>because I played there uh a decent while ago when

0:36:45.320 --> 0:36:49.120
<v Speaker 2>it was brutal and anytime you were in the sand,

0:36:49.160 --> 0:36:51.000
<v Speaker 2>you were in a footprint. Now they break all that

0:36:51.160 --> 0:36:53.719
<v Speaker 2>and you can hit a recovery. And so yeah, I think,

0:36:53.880 --> 0:36:57.640
<v Speaker 2>I think, I think there are examples of places that

0:36:57.640 --> 0:37:00.399
<v Speaker 2>that Yeah, you say, well, this is a great work

0:37:00.400 --> 0:37:05.680
<v Speaker 2>of art and I could play here again, but yeah, no,

0:37:05.880 --> 0:37:08.440
<v Speaker 2>is this the place I would want to set up

0:37:08.440 --> 0:37:11.239
<v Speaker 2>shop and just would make me want to keep coming

0:37:11.320 --> 0:37:14.480
<v Speaker 2>up out every day. No, No, would make me want

0:37:14.480 --> 0:37:17.160
<v Speaker 2>to quite eventually because it just beat me up too much.

0:37:23.840 --> 0:37:26.000
<v Speaker 1>Hey, I'm jumping in here real quick to talk about

0:37:26.000 --> 0:37:31.080
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0:37:31.160 --> 0:37:35.280
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0:37:35.280 --> 0:37:38.399
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0:37:38.480 --> 0:37:42.160
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0:37:42.320 --> 0:37:46.680
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0:37:46.719 --> 0:37:52.960
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0:37:53.000 --> 0:37:55.520
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0:37:55.640 --> 0:37:58.359
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0:37:58.360 --> 0:38:01.040
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0:38:01.120 --> 0:38:03.560
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0:38:03.640 --> 0:38:07.879
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0:38:08.080 --> 0:38:12.280
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0:38:12.480 --> 0:38:16.880
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0:38:21.760 --> 0:38:24.799
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0:38:24.840 --> 0:38:28.640
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0:38:42.800 --> 0:38:47.560
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0:38:47.560 --> 0:38:51.399
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0:38:51.480 --> 0:38:57.040
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0:38:57.040 --> 0:39:01.840
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0:39:02.000 --> 0:39:06.359
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0:39:06.440 --> 0:39:14.960
<v Speaker 1>let's get back to the episode and then on the

0:39:14.560 --> 0:39:18.319
<v Speaker 1>other side of that, spectrum. Maybe you have a course

0:39:18.400 --> 0:39:21.359
<v Speaker 1>like Mammoth Dunes, which I'm not necessarily going to say

0:39:21.400 --> 0:39:24.120
<v Speaker 1>that's a great golf course the way that Oakmont is

0:39:24.520 --> 0:39:28.120
<v Speaker 1>a great golf course. But Mammoth Dunes, if you play

0:39:28.120 --> 0:39:31.879
<v Speaker 1>that course every day, it might become kind of easy, right,

0:39:31.920 --> 0:39:35.520
<v Speaker 1>It might become a little bit repetitive because you realize

0:39:35.520 --> 0:39:37.919
<v Speaker 1>that there are some funnels that are helping you out

0:39:38.200 --> 0:39:40.439
<v Speaker 1>and you just you know, you're shooting your best round

0:39:40.480 --> 0:39:43.680
<v Speaker 1>ever pretty much pretty much every time. Maybe that's a

0:39:43.680 --> 0:39:46.239
<v Speaker 1>bit of an exaggeration with Mammoth Dunes, but you know,

0:39:46.520 --> 0:39:49.520
<v Speaker 1>you want a course to have a course that you

0:39:49.920 --> 0:39:51.840
<v Speaker 1>play every day, you kind of want it to be

0:39:51.880 --> 0:39:54.520
<v Speaker 1>a little bit challenging, to put up some resistance so

0:39:54.560 --> 0:39:56.279
<v Speaker 1>that you have a reason to come back and play

0:39:56.320 --> 0:39:59.080
<v Speaker 1>it again. But of course, Mammoth Dunes is in the

0:39:59.120 --> 0:40:01.839
<v Speaker 1>situation where most of the players who play it are

0:40:01.880 --> 0:40:03.799
<v Speaker 1>just going to play at that once and they're going

0:40:03.880 --> 0:40:06.399
<v Speaker 1>to have that kind of roller coaster ride, and they're

0:40:06.400 --> 0:40:08.680
<v Speaker 1>not going to have the experience of going back multiple

0:40:08.680 --> 0:40:12.240
<v Speaker 1>times and realizing that, Okay, maybe maybe there's a little

0:40:12.239 --> 0:40:15.520
<v Speaker 1>bit less to this course than I initially thought. So

0:40:15.600 --> 0:40:18.359
<v Speaker 1>maybe there are courses even even on the other side

0:40:18.360 --> 0:40:20.719
<v Speaker 1>of that that are they're almost too easy to play

0:40:20.760 --> 0:40:21.160
<v Speaker 1>every day.

0:40:22.120 --> 0:40:25.800
<v Speaker 2>Well, and and then you get into the situation of course,

0:40:25.920 --> 0:40:29.479
<v Speaker 2>are complexes or clubs or whatever it is with multiple courses, Well,

0:40:29.960 --> 0:40:33.799
<v Speaker 2>you know there you have liedo, You've got you know,

0:40:33.960 --> 0:40:36.719
<v Speaker 2>sometimes a design, yeah, we have it. We know there

0:40:36.719 --> 0:40:39.479
<v Speaker 2>are a lot of places with thirty six holes where

0:40:39.480 --> 0:40:42.160
<v Speaker 2>one course is a little bit easier and more fun

0:40:42.200 --> 0:40:45.239
<v Speaker 2>and the other one is is really difficult, and and

0:40:45.280 --> 0:40:48.960
<v Speaker 2>that's a great thing to have. And they may have

0:40:49.040 --> 0:40:51.680
<v Speaker 2>been designed knowing that that was the case. So I

0:40:51.680 --> 0:40:56.000
<v Speaker 2>think again it's it's it's not unreasonable to take that

0:40:56.080 --> 0:40:58.759
<v Speaker 2>into account when looking at a course, that it was

0:40:58.840 --> 0:41:02.440
<v Speaker 2>part of a a complex here, and each one fits

0:41:02.440 --> 0:41:06.880
<v Speaker 2>certain kinds of tastes and and and so that is

0:41:06.920 --> 0:41:09.520
<v Speaker 2>where you know, but I still think the everyday question

0:41:10.920 --> 0:41:16.680
<v Speaker 2>would hopefully get at, you know, whether that the architect

0:41:19.200 --> 0:41:22.239
<v Speaker 2>made it interesting enough. But let you win sometimes, let

0:41:22.320 --> 0:41:25.399
<v Speaker 2>you hit a good shot and be rewarded and put

0:41:25.520 --> 0:41:31.160
<v Speaker 2>enough nuance in to be something that would be fresh

0:41:31.320 --> 0:41:33.160
<v Speaker 2>enough on a day to day basis. I don't think

0:41:33.200 --> 0:41:35.040
<v Speaker 2>there's enough of that, And that's one of the reasons

0:41:35.040 --> 0:41:39.799
<v Speaker 2>that I really believe strongly in that question that we

0:41:39.880 --> 0:41:44.600
<v Speaker 2>still don't have enough design. That's that's thinking that way,

0:41:44.760 --> 0:41:48.239
<v Speaker 2>that that when the holes over here, this whole place

0:41:48.320 --> 0:41:50.399
<v Speaker 2>totally different than it did, you know it does when

0:41:50.400 --> 0:41:53.279
<v Speaker 2>the hole's over there, and takes those kinds of things

0:41:53.280 --> 0:41:55.239
<v Speaker 2>into account. I think we have a long way to go.

0:41:56.440 --> 0:41:58.399
<v Speaker 2>It's kind of sad that the old course is still

0:41:58.440 --> 0:42:01.960
<v Speaker 2>the one that that is the uh, that that has

0:42:02.000 --> 0:42:04.239
<v Speaker 2>that kind of stuff going on on a on a

0:42:04.320 --> 0:42:09.480
<v Speaker 2>crazy level, and that that nobody's in a quest to

0:42:09.520 --> 0:42:12.080
<v Speaker 2>try to to to create something with that kind of

0:42:12.080 --> 0:42:14.320
<v Speaker 2>complexity but still be playable.

0:42:15.160 --> 0:42:17.840
<v Speaker 1>Yeah, the Old Course is the ultimate example of that

0:42:17.960 --> 0:42:22.520
<v Speaker 1>course that you discover new layers of on on repe plays.

0:42:22.560 --> 0:42:28.279
<v Speaker 1>And yeah, I mean there is something just unmistakably pleasurable

0:42:28.440 --> 0:42:31.520
<v Speaker 1>about a course that that has those kinds of layers there.

0:42:31.600 --> 0:42:35.560
<v Speaker 1>There's nothing like it when you when you suddenly find

0:42:35.600 --> 0:42:38.400
<v Speaker 1>a nuance that that you hadn't noticed before on a

0:42:38.440 --> 0:42:42.880
<v Speaker 1>previous play. And so that as a as a category

0:42:42.920 --> 0:42:45.880
<v Speaker 1>of greatness just makes makes a lot of sense. So

0:42:46.080 --> 0:42:50.040
<v Speaker 1>I'd like to talk about another category now, another question.

0:42:50.920 --> 0:42:54.440
<v Speaker 1>Maybe we can dig into remember a little bit here, okay,

0:42:54.640 --> 0:42:58.239
<v Speaker 1>and remember pertains to the variety of the course or

0:42:58.280 --> 0:43:01.759
<v Speaker 1>the way that certain features are holes sticking stick in

0:43:01.800 --> 0:43:05.520
<v Speaker 1>your memory and and kind of you know, assert themselves

0:43:05.680 --> 0:43:10.680
<v Speaker 1>as as unique or or remarkable in some way. And yeah,

0:43:10.680 --> 0:43:13.040
<v Speaker 1>this is this is a you know, one of the

0:43:13.080 --> 0:43:16.200
<v Speaker 1>easiest ways to think about a golf course after you

0:43:16.200 --> 0:43:18.320
<v Speaker 1>play it. Can you remember each hole? And if you can't,

0:43:18.360 --> 0:43:21.759
<v Speaker 1>then hey, maybe maybe there wasn't maybe there wasn't quite

0:43:21.800 --> 0:43:26.680
<v Speaker 1>enough there. Within this category, you talk about the routing

0:43:26.719 --> 0:43:28.600
<v Speaker 1>of a golf course, and and in your book you

0:43:28.600 --> 0:43:30.640
<v Speaker 1>talk about all the ways in which it's really hard

0:43:30.719 --> 0:43:34.319
<v Speaker 1>to from a golfer's perspective to assess a routing. Do

0:43:34.400 --> 0:43:36.759
<v Speaker 1>you think there is anything that when you're playing a

0:43:36.800 --> 0:43:41.319
<v Speaker 1>course you can you can identify about the quality of

0:43:41.360 --> 0:43:43.120
<v Speaker 1>the routing or is that to you just kind of

0:43:43.160 --> 0:43:45.240
<v Speaker 1>a you know, too difficult of a task.

0:43:45.880 --> 0:43:48.040
<v Speaker 2>Oh, I think it's a doable task. Yeah. I just

0:43:48.280 --> 0:43:50.400
<v Speaker 2>I caution people because there's there are a lot of

0:43:50.440 --> 0:43:53.960
<v Speaker 2>times where people are hard on a routing and sometimes

0:43:54.000 --> 0:43:56.880
<v Speaker 2>they don't know some of the things that that some

0:43:56.960 --> 0:44:01.160
<v Speaker 2>of the limitations the architect faced. But I do think

0:44:01.200 --> 0:44:04.480
<v Speaker 2>it's something you can still do after the round when

0:44:04.480 --> 0:44:08.480
<v Speaker 2>you've you've sort of set your emotions aside and you've

0:44:08.560 --> 0:44:13.160
<v Speaker 2>you've you've had a had a had a beer or whatever. Yeah,

0:44:13.200 --> 0:44:15.959
<v Speaker 2>and you can reflect on it and you're not there

0:44:16.000 --> 0:44:19.239
<v Speaker 2>trying to to play the place and that and that's

0:44:19.280 --> 0:44:22.720
<v Speaker 2>why I like it as a question, you know. Uh,

0:44:22.760 --> 0:44:25.320
<v Speaker 2>And it's one I've used for a long time because

0:44:25.520 --> 0:44:28.120
<v Speaker 2>there were It's amazing how many times you'll play a place,

0:44:28.480 --> 0:44:30.640
<v Speaker 2>you'll be out there for for four and a half

0:44:30.680 --> 0:44:34.040
<v Speaker 2>five hours, and holes are a blur as you're you're

0:44:34.080 --> 0:44:36.680
<v Speaker 2>on the way home, and that's without having too much

0:44:36.719 --> 0:44:40.960
<v Speaker 2>to drink. It's just there's just nothing interesting about the

0:44:40.960 --> 0:44:44.120
<v Speaker 2>place or the more recently we've seen more places that

0:44:44.200 --> 0:44:48.920
<v Speaker 2>are just throwing everything into the mix and it's a

0:44:48.920 --> 0:44:51.000
<v Speaker 2>blur for a different reason. I you know, it's a

0:44:51.040 --> 0:44:53.719
<v Speaker 2>little bit of I think some Mike Strands courses can

0:44:53.760 --> 0:44:57.399
<v Speaker 2>fall into this category. And there's some some architects from

0:44:57.440 --> 0:44:59.799
<v Speaker 2>the Pete Dice school that that got into you know

0:44:59.800 --> 0:45:01.640
<v Speaker 2>and have a big budget and they were told to

0:45:01.640 --> 0:45:05.719
<v Speaker 2>create something Instagram friendly and dramatic and there's just so

0:45:05.880 --> 0:45:10.160
<v Speaker 2>much going on that there there's a blur effect there

0:45:10.239 --> 0:45:13.560
<v Speaker 2>as well. And so it's finding that that place in

0:45:13.600 --> 0:45:17.720
<v Speaker 2>between that that that the holes all have enough variety

0:45:17.719 --> 0:45:20.000
<v Speaker 2>in terms of the way they bend and turn and

0:45:20.440 --> 0:45:25.719
<v Speaker 2>move around the property, and enough features to be exciting

0:45:25.840 --> 0:45:29.400
<v Speaker 2>without uh, without just all kind of blending together.

0:45:30.080 --> 0:45:33.920
<v Speaker 1>Yeah, it's this balance of simplicity and complexity, and what

0:45:33.960 --> 0:45:37.239
<v Speaker 1>you're saying about some modern courses having this kind of

0:45:37.280 --> 0:45:41.080
<v Speaker 1>information overload effect is really right on the money. I mean,

0:45:41.120 --> 0:45:43.960
<v Speaker 1>that's that's a problem I have all the time where it,

0:45:44.440 --> 0:45:46.319
<v Speaker 1>you know, the course just is a little bit too

0:45:46.400 --> 0:45:51.600
<v Speaker 1>eager to do something distinctive, and in the process of

0:45:51.680 --> 0:45:55.600
<v Speaker 1>doing that, there's too much distinctiveness and then all you know,

0:45:55.640 --> 0:45:59.160
<v Speaker 1>as you say, blurs blurs together. That's an issue that

0:45:59.160 --> 0:46:02.360
<v Speaker 1>that kind of push to the other side of that balance.

0:46:02.400 --> 0:46:04.239
<v Speaker 1>There needs to be a little bit of simplicity and

0:46:04.320 --> 0:46:06.920
<v Speaker 1>elegance in order for something to be memorable, right.

0:46:07.520 --> 0:46:10.200
<v Speaker 2>Yeah. And the difficulty is a lot of people still

0:46:10.200 --> 0:46:13.839
<v Speaker 2>design with a like chefs trying to get a Michelin star.

0:46:13.920 --> 0:46:16.920
<v Speaker 2>They designed trying to get a ranking in a in

0:46:17.760 --> 0:46:21.360
<v Speaker 2>a Best New Award or a spot in a on

0:46:21.440 --> 0:46:25.120
<v Speaker 2>a list, and they feel like if if there's there's

0:46:25.200 --> 0:46:28.680
<v Speaker 2>a lot of subtlety that it that it is not

0:46:29.239 --> 0:46:32.360
<v Speaker 2>Instagram friendly and does not pop that first time to

0:46:32.480 --> 0:46:35.239
<v Speaker 2>the to the person who's rating it, which is again

0:46:35.320 --> 0:46:37.920
<v Speaker 2>why I love, you know, the idea, and again I

0:46:37.960 --> 0:46:40.000
<v Speaker 2>know it's not gonna happen, but walking the course without

0:46:40.000 --> 0:46:44.680
<v Speaker 2>your clubs and just taking in in the course separate

0:46:44.719 --> 0:46:47.440
<v Speaker 2>of all the emotions that come with with playing around.

0:46:48.560 --> 0:46:51.160
<v Speaker 2>So yeah, it's a it's a it's a it's a

0:46:51.200 --> 0:46:54.319
<v Speaker 2>tricky thing for an architect too. And I think this

0:46:54.360 --> 0:46:57.680
<v Speaker 2>is where Corn Crenshaw are just in a you know,

0:46:57.719 --> 0:47:00.080
<v Speaker 2>another league right now because they are able.

0:46:59.880 --> 0:47:06.080
<v Speaker 3>To to slip those things into their designs and throw in

0:47:06.120 --> 0:47:10.440
<v Speaker 3>some quirk at times and kind of managed to have

0:47:10.480 --> 0:47:15.160
<v Speaker 3>it all balance in a way that is pleasing the first.

0:47:14.920 --> 0:47:18.680
<v Speaker 2>Time, but has those those layers that you hope for

0:47:19.760 --> 0:47:22.120
<v Speaker 2>on repeat planes. Because there's nothing worse than a course

0:47:22.120 --> 0:47:25.360
<v Speaker 2>that gets boring, you know, spending all that money and

0:47:25.400 --> 0:47:28.600
<v Speaker 2>all that effort. And we've seen it a lot, you know,

0:47:28.760 --> 0:47:31.400
<v Speaker 2>just a lot of Tom Fozzio courses, Reeze Jones courses

0:47:31.400 --> 0:47:33.560
<v Speaker 2>where they're redoing them after ten years once it's because

0:47:33.560 --> 0:47:36.360
<v Speaker 2>they got their boring. There's nothing there. It was all

0:47:36.719 --> 0:47:41.680
<v Speaker 2>just kind of throwing things out there, and and and

0:47:41.800 --> 0:47:44.959
<v Speaker 2>there's no substance there. There's just it, and people, even

0:47:44.960 --> 0:47:49.960
<v Speaker 2>people who aren't geeks like us, just recognize it's lacking

0:47:50.000 --> 0:47:52.319
<v Speaker 2>something and they want to know why. And it's it's

0:47:52.400 --> 0:47:55.200
<v Speaker 2>that lack of those little touches. You know.

0:47:55.239 --> 0:47:57.520
<v Speaker 1>It drives me crazy is when I hear people talk

0:47:57.560 --> 0:48:00.920
<v Speaker 1>about how Core and Crenshaw or are boring or repetitive.

0:48:01.920 --> 0:48:03.719
<v Speaker 1>And I mean, on the one hand, I sort of

0:48:03.760 --> 0:48:06.800
<v Speaker 1>get that. If you look at a picture of a

0:48:06.840 --> 0:48:09.200
<v Speaker 1>corn crunchhot course and compare it to another picture of

0:48:09.239 --> 0:48:12.000
<v Speaker 1>another corn Crunch shot course, Okay, there are some broad

0:48:12.000 --> 0:48:15.320
<v Speaker 1>similarities there. Yeah, they like the lion's mouth greens, and

0:48:15.600 --> 0:48:19.719
<v Speaker 1>there are certain kind of motifs in their architecture. But look,

0:48:19.880 --> 0:48:22.680
<v Speaker 1>just walk the course, play the course, and tell me

0:48:23.400 --> 0:48:26.919
<v Speaker 1>that it's that it's boring or that there's not enough

0:48:26.960 --> 0:48:30.640
<v Speaker 1>there of interest. Those courses are meant to be played.

0:48:30.880 --> 0:48:36.160
<v Speaker 1>They're not, you know, designed for Instagram, and and that's

0:48:36.400 --> 0:48:39.640
<v Speaker 1>part of what makes them really great. And that's what

0:48:39.719 --> 0:48:41.719
<v Speaker 1>gives them layers too, right, because if you play them

0:48:41.800 --> 0:48:46.000
<v Speaker 1>multiple times, then you'll discover more and more. It's not

0:48:46.200 --> 0:48:50.680
<v Speaker 1>all it's not showing you everything all at once, holding

0:48:50.719 --> 0:48:53.120
<v Speaker 1>a little bit in reserve and for me, that's a

0:48:53.200 --> 0:48:56.040
<v Speaker 1>really great characteristic of a golf course. It's hard to

0:48:56.120 --> 0:48:59.080
<v Speaker 1>achieve as an architect, It's very hard.

0:48:59.080 --> 0:49:01.279
<v Speaker 2>And it's why, uh, you know, that's why I love

0:49:01.360 --> 0:49:04.799
<v Speaker 2>Mackenzie and George Thomas the most, because I you know,

0:49:04.840 --> 0:49:06.960
<v Speaker 2>I got to experience a lot of their work, but

0:49:07.080 --> 0:49:13.359
<v Speaker 2>also because they were they were masters at at at

0:49:13.360 --> 0:49:20.920
<v Speaker 2>that first impression beauty and excitement element, but they also

0:49:20.960 --> 0:49:23.600
<v Speaker 2>were able to work in and and and because they

0:49:23.640 --> 0:49:26.680
<v Speaker 2>took more time than a lot of people take now

0:49:28.200 --> 0:49:31.719
<v Speaker 2>and just paid attention to to those details that and

0:49:31.760 --> 0:49:35.399
<v Speaker 2>they built green complexes that had wings and different things

0:49:35.440 --> 0:49:40.799
<v Speaker 2>going on that also helped allow for for that kind

0:49:40.840 --> 0:49:45.799
<v Speaker 2>of layering, if you will. And uh, it's why they're

0:49:45.840 --> 0:49:47.920
<v Speaker 2>just in another league. And you know, then there's certain

0:49:47.920 --> 0:49:50.400
<v Speaker 2>filmmakers who have the same ability. They can make a

0:49:50.440 --> 0:49:53.320
<v Speaker 2>film that is exciting the first time, but you just

0:49:53.400 --> 0:49:56.080
<v Speaker 2>keep watching it. You you turn it on when you're

0:49:56.719 --> 0:49:59.360
<v Speaker 2>flipping the channel, and there's there's stuff you see in

0:49:59.400 --> 0:50:04.680
<v Speaker 2>scenes that you didn't notice that first time. And a

0:50:04.680 --> 0:50:07.640
<v Speaker 2>lot of that just comes from from really having a

0:50:07.680 --> 0:50:11.640
<v Speaker 2>great deal of care about the details and maybe even

0:50:11.680 --> 0:50:16.320
<v Speaker 2>being obsessive about the details. And spending the time in

0:50:16.360 --> 0:50:21.000
<v Speaker 2>the field to really visualize how a good player would

0:50:21.040 --> 0:50:22.960
<v Speaker 2>play a whole, how a bad player would play it,

0:50:23.520 --> 0:50:27.279
<v Speaker 2>and thinking through those details. And sometimes a lot of

0:50:27.360 --> 0:50:30.560
<v Speaker 2>time that stuff gets lost when you're in a hurry. Yeah,

0:50:30.680 --> 0:50:31.040
<v Speaker 2>you know what.

0:50:31.680 --> 0:50:33.480
<v Speaker 1>This is resonating a lot for me right now, this

0:50:33.560 --> 0:50:37.359
<v Speaker 1>film analogy, because you know, my favorite movies are are

0:50:37.400 --> 0:50:40.000
<v Speaker 1>probably the ones where you watch it the first time

0:50:40.000 --> 0:50:42.839
<v Speaker 1>and you think, well, that was a pleasant experience, but

0:50:43.400 --> 0:50:45.320
<v Speaker 1>is there a lot there is there? I mean it

0:50:45.480 --> 0:50:47.960
<v Speaker 1>just you know, it just kind of passed by and

0:50:48.000 --> 0:50:50.680
<v Speaker 1>I had fun and all right, and then you watch

0:50:50.760 --> 0:50:53.680
<v Speaker 1>it again and you discover, oh, oh, actually there's a

0:50:53.719 --> 0:50:57.880
<v Speaker 1>lot there. Actually, actually this is this is really meaningful,

0:50:58.040 --> 0:51:00.440
<v Speaker 1>This is really well made. Oh look at that detail

0:51:01.120 --> 0:51:04.120
<v Speaker 1>and and those are Yeah. I guess that has uh,

0:51:04.360 --> 0:51:08.040
<v Speaker 1>that taste can carry over to golf courses, and this

0:51:08.160 --> 0:51:10.040
<v Speaker 1>is I guess a matter of taste. Like some people

0:51:10.080 --> 0:51:13.200
<v Speaker 1>have a taste for the big and the bold and

0:51:13.239 --> 0:51:16.160
<v Speaker 1>the avert a little bit more, I guess you and

0:51:16.200 --> 0:51:18.799
<v Speaker 1>I are leaning a little bit more biased, a little

0:51:18.800 --> 0:51:22.359
<v Speaker 1>bit more towards the subtle end of the spectrum. But yeah,

0:51:22.840 --> 0:51:25.640
<v Speaker 1>I guess that's it's a matter of personal taste, but

0:51:25.760 --> 0:51:27.560
<v Speaker 1>there's a good argument for for subtlety.

0:51:28.760 --> 0:51:31.960
<v Speaker 2>Yeah, and sometimes and and that was one of the

0:51:32.000 --> 0:51:35.800
<v Speaker 2>things that for in doing the book and just getting

0:51:35.880 --> 0:51:39.040
<v Speaker 2>a little bit older, is you you realize, you know,

0:51:39.120 --> 0:51:41.720
<v Speaker 2>sometimes there are holes not you know, not every hole

0:51:41.840 --> 0:51:46.840
<v Speaker 2>can be a dreaded signature hole that is a is

0:51:46.880 --> 0:51:50.960
<v Speaker 2>a masterpiece. Sometimes there are holes on great courses that

0:51:51.840 --> 0:51:53.960
<v Speaker 2>are well sometimes they just had to get you from

0:51:54.000 --> 0:51:57.440
<v Speaker 2>one area to another. But but there are also just

0:51:57.480 --> 0:52:03.560
<v Speaker 2>holes that set up the big ones, and so they

0:52:03.600 --> 0:52:07.600
<v Speaker 2>are more subtle because you can't sometimes you just can't

0:52:07.640 --> 0:52:11.359
<v Speaker 2>have every hole hit you over the head. It's just

0:52:11.360 --> 0:52:14.680
<v Speaker 2>not a fun But maybe this hole, you know, you

0:52:14.719 --> 0:52:16.680
<v Speaker 2>need to hit a draw on it, and if you do,

0:52:16.800 --> 0:52:20.600
<v Speaker 2>you get an easy second shot and and you think, well,

0:52:20.600 --> 0:52:24.600
<v Speaker 2>that's not that big of a deal. But then the

0:52:24.640 --> 0:52:27.160
<v Speaker 2>next one is the big finishing hole, let's say, and

0:52:27.200 --> 0:52:29.399
<v Speaker 2>it's you know, a big bending hole and there's water

0:52:29.480 --> 0:52:32.839
<v Speaker 2>on the right and it there ebbs and flows to

0:52:32.920 --> 0:52:37.239
<v Speaker 2>a to I think of anything a film, a meal,

0:52:37.320 --> 0:52:42.680
<v Speaker 2>and a golf course that things are. Sometimes when somebody's

0:52:42.760 --> 0:52:47.040
<v Speaker 2>really caring about what they do, it's placing those things

0:52:47.080 --> 0:52:49.960
<v Speaker 2>to set you up for the other parts. And then yeah,

0:52:50.000 --> 0:52:51.759
<v Speaker 2>I mean the same thing with an album, a great

0:52:51.800 --> 0:52:55.319
<v Speaker 2>album of songs. You don't want every song to be

0:52:55.400 --> 0:52:57.799
<v Speaker 2>hard driving. There's some there's some stuff that slows it

0:52:57.840 --> 0:53:02.520
<v Speaker 2>down or and the great album are are almost always

0:53:02.600 --> 0:53:06.000
<v Speaker 2>a mix of different things, and but somehow they all

0:53:06.800 --> 0:53:10.520
<v Speaker 2>come together and work together as a as a unit, and.

0:53:10.520 --> 0:53:15.320
<v Speaker 1>All the slots pretty neatly into the remember category, because

0:53:15.360 --> 0:53:18.720
<v Speaker 1>if you know, if you have an album of all

0:53:19.760 --> 0:53:23.799
<v Speaker 1>perspective singles, and then you're just gonna get a little exhausted.

0:53:24.520 --> 0:53:26.799
<v Speaker 1>But if you have that variety of the of the

0:53:26.840 --> 0:53:29.720
<v Speaker 1>EBB and the flow, you're just more likely to remember

0:53:29.840 --> 0:53:33.239
<v Speaker 1>the high points and also maybe remember the the more

0:53:33.480 --> 0:53:36.439
<v Speaker 1>you know, chill points of the album too, because they

0:53:36.800 --> 0:53:40.080
<v Speaker 1>they were different and and that's what that's what our

0:53:40.120 --> 0:53:43.000
<v Speaker 1>memories kind of react to, and it and it it's

0:53:43.040 --> 0:53:46.440
<v Speaker 1>pleasurable to have this kind of variety, you know, we

0:53:47.000 --> 0:53:49.799
<v Speaker 1>that's what There's something in us as human beings that

0:53:49.880 --> 0:53:53.040
<v Speaker 1>that seeks that out. And you know, well designed golf

0:53:53.040 --> 0:53:57.520
<v Speaker 1>courses are are aware of that. So I'm curious about, uh,

0:53:57.560 --> 0:54:01.279
<v Speaker 1>what your process is nowadays when you look at a

0:54:01.360 --> 0:54:04.280
<v Speaker 1>new golf course. I'm not sure if the most interesting

0:54:04.320 --> 0:54:06.480
<v Speaker 1>way to ask you this would be to talk about

0:54:06.480 --> 0:54:08.479
<v Speaker 1>what you do when you go to a new major

0:54:08.560 --> 0:54:11.680
<v Speaker 1>championship golf course or something like that and and try

0:54:11.719 --> 0:54:13.560
<v Speaker 1>to assess it, try to see things or what you

0:54:13.600 --> 0:54:16.799
<v Speaker 1>do when you play a new golf course. But I'm

0:54:16.840 --> 0:54:19.759
<v Speaker 1>wondering if you have a kind of process that you

0:54:19.880 --> 0:54:23.480
<v Speaker 1>go through too to notice details and to pick out

0:54:23.560 --> 0:54:26.960
<v Speaker 1>some things to analyze about a course. Are there are

0:54:27.040 --> 0:54:29.759
<v Speaker 1>there go team methods in your in your bag for that?

0:54:31.480 --> 0:54:34.560
<v Speaker 2>Uh, not not anything that stands out. It's more of

0:54:34.760 --> 0:54:38.560
<v Speaker 2>just trying to see everything in order and then asking

0:54:38.600 --> 0:54:42.440
<v Speaker 2>those questions after if I'm not gonna if I'm just walking,

0:54:42.440 --> 0:54:44.319
<v Speaker 2>of course and not playing it, I still love to

0:54:44.320 --> 0:54:48.000
<v Speaker 2>have at least some golf balls with me to throw

0:54:48.040 --> 0:54:52.120
<v Speaker 2>around and and uh do the do the Kim Brown Yeah, yeah,

0:54:52.200 --> 0:54:57.080
<v Speaker 2>and see how some contours work and features work, because yeah,

0:54:57.120 --> 0:54:59.200
<v Speaker 2>it's it's not as common as it used to be,

0:54:59.280 --> 0:55:03.839
<v Speaker 2>but there and I have this this sticky features thing

0:55:03.920 --> 0:55:08.400
<v Speaker 2>in my remembered category because you know, a lot of

0:55:08.440 --> 0:55:12.120
<v Speaker 2>the best features in golf are a little bump in

0:55:12.120 --> 0:55:14.880
<v Speaker 2>the middle of a green that that that that you

0:55:15.000 --> 0:55:18.200
<v Speaker 2>as a golfer, if you're playing there a lot, remember

0:55:18.280 --> 0:55:19.799
<v Speaker 2>from the fairway, and you know, you know, I can

0:55:19.840 --> 0:55:22.120
<v Speaker 2>work it off of that little thing, and I like

0:55:22.160 --> 0:55:24.360
<v Speaker 2>to see how those things work, or how a little

0:55:24.360 --> 0:55:28.680
<v Speaker 2>fall off by greens work, and just kind of the

0:55:28.719 --> 0:55:32.560
<v Speaker 2>shaping and the the gracefulness of the contours. I just

0:55:32.800 --> 0:55:36.680
<v Speaker 2>you still can't replicate that without ideally, you know, hitting

0:55:36.719 --> 0:55:41.120
<v Speaker 2>little shots. But if you're just there and you don't

0:55:41.120 --> 0:55:43.719
<v Speaker 2>want to be that person who's just dropping balls everywhere,

0:55:45.120 --> 0:55:47.439
<v Speaker 2>you know, you just can't. At least you can throw

0:55:47.440 --> 0:55:51.120
<v Speaker 2>a few around and not leave some divots. And and

0:55:51.160 --> 0:55:54.480
<v Speaker 2>that's another thing I love to think about too. I

0:55:54.520 --> 0:55:56.319
<v Speaker 2>don't know if this really gets to your question, but

0:55:57.520 --> 0:55:59.400
<v Speaker 2>one of the things that when I look at at

0:55:59.440 --> 0:56:03.600
<v Speaker 2>a green, I often will look at and go, well

0:56:03.600 --> 0:56:07.799
<v Speaker 2>could I? And again there shouldn't be every green, but

0:56:07.880 --> 0:56:09.640
<v Speaker 2>quite a few. I think it's really fun to stand

0:56:09.680 --> 0:56:12.160
<v Speaker 2>there and go, well, what if this was my practice

0:56:12.200 --> 0:56:16.080
<v Speaker 2>chipping green somewhere? Would I ever get bored just dropping

0:56:16.080 --> 0:56:19.000
<v Speaker 2>shots all around this and playing the different quadrants or

0:56:19.440 --> 0:56:22.360
<v Speaker 2>playing little shots into it? And I don't know, I

0:56:22.440 --> 0:56:25.000
<v Speaker 2>just for whatever reason, that is something that dates back

0:56:25.040 --> 0:56:28.840
<v Speaker 2>to like really childhood almost that I think of a

0:56:28.880 --> 0:56:32.000
<v Speaker 2>green that way, and I love a great practice chipping

0:56:32.000 --> 0:56:35.560
<v Speaker 2>green that that does that. There aren't a lot of them,

0:56:35.560 --> 0:56:38.759
<v Speaker 2>but there are some. And I think it applies to

0:56:38.800 --> 0:56:40.920
<v Speaker 2>the ones on the course too, that it tells you

0:56:40.960 --> 0:56:43.839
<v Speaker 2>that there's there's a lot going on there without having

0:56:43.880 --> 0:56:46.880
<v Speaker 2>to really drop a shag bag and start hitting a

0:56:46.920 --> 0:56:49.040
<v Speaker 2>lot of shots. You can just look at it. I

0:56:49.040 --> 0:56:50.799
<v Speaker 2>think anybody who plays the game a little bit can

0:56:50.840 --> 0:56:52.319
<v Speaker 2>look at a green and go, oh, I could spend

0:56:52.360 --> 0:56:54.520
<v Speaker 2>all day on this green. Yeah.

0:56:54.520 --> 0:56:57.759
<v Speaker 1>I think that's a great point. You know, often when

0:56:57.760 --> 0:57:01.960
<v Speaker 1>we talk about looking at green analyzing greens, we talk

0:57:02.040 --> 0:57:05.560
<v Speaker 1>about their relationship to the rest of the hole and

0:57:05.880 --> 0:57:09.480
<v Speaker 1>how it functions strategically, And that obviously is a valid

0:57:09.480 --> 0:57:14.239
<v Speaker 1>way of going about it and judging the effectiveness of

0:57:14.280 --> 0:57:16.600
<v Speaker 1>the design of the grain or the coherence of it.

0:57:17.080 --> 0:57:19.520
<v Speaker 1>But I think it's equally important to do what you're

0:57:19.560 --> 0:57:24.360
<v Speaker 1>describing here, to consider whether there are interesting short game

0:57:24.920 --> 0:57:28.919
<v Speaker 1>scenarios around this green. How you know, say I play

0:57:28.960 --> 0:57:31.600
<v Speaker 1>this course every day, I'm going to miss on all

0:57:31.680 --> 0:57:34.720
<v Speaker 1>sides of this green to all different types of pins.

0:57:35.600 --> 0:57:37.880
<v Speaker 1>What would that be like? You know, kind of trying

0:57:37.920 --> 0:57:40.320
<v Speaker 1>to imagine what that would be like gets you a

0:57:40.320 --> 0:57:43.840
<v Speaker 1>long way to understanding how successful the design of this

0:57:43.920 --> 0:57:46.600
<v Speaker 1>green is. Because if it's all pretty one dimensional, if

0:57:46.640 --> 0:57:49.640
<v Speaker 1>you're hitting the same kind of shot, say splashing out

0:57:49.640 --> 0:57:52.920
<v Speaker 1>of sand to you know, a raised platform just pretty

0:57:53.000 --> 0:57:56.920
<v Speaker 1>much in every place around the green, you know, you

0:57:56.960 --> 0:57:59.240
<v Speaker 1>could say that there's not much there, especially if that's

0:57:59.280 --> 0:58:02.080
<v Speaker 1>every grain on the course. But if it's if it's

0:58:02.120 --> 0:58:05.040
<v Speaker 1>a different shot every single time, well that's a kind

0:58:05.040 --> 0:58:06.680
<v Speaker 1>of architectural achievement, isn't it.

0:58:07.640 --> 0:58:11.600
<v Speaker 2>I think. So that said, I also, you know, I

0:58:11.640 --> 0:58:13.680
<v Speaker 2>don't say that in a way that I think people

0:58:13.720 --> 0:58:18.800
<v Speaker 2>should be you should just be obsessive about trying to

0:58:18.840 --> 0:58:21.400
<v Speaker 2>create that. It's just when it works, it works. There

0:58:21.440 --> 0:58:24.240
<v Speaker 2>are situations where, I mean a lot of the time,

0:58:24.360 --> 0:58:26.360
<v Speaker 2>I think a green should just feel like a natural

0:58:26.360 --> 0:58:30.240
<v Speaker 2>extension of the land and the fairway, and the best ones,

0:58:30.280 --> 0:58:34.120
<v Speaker 2>frankly and are usually that sense where you don't feel

0:58:34.120 --> 0:58:35.520
<v Speaker 2>like you're just going along and all of a sudden

0:58:35.520 --> 0:58:37.920
<v Speaker 2>there's this raised thing with bunkers all around it, and

0:58:37.960 --> 0:58:41.880
<v Speaker 2>it's just it was given way more attention than the

0:58:41.880 --> 0:58:43.920
<v Speaker 2>rest of the hole. You ultimately do want it to

0:58:43.920 --> 0:58:48.600
<v Speaker 2>feel like an extension of the whole, but when you're

0:58:49.040 --> 0:58:52.200
<v Speaker 2>asking questions about a course and wanting to figure out

0:58:52.200 --> 0:58:56.040
<v Speaker 2>if you feel like somebody really puts something into this place.

0:58:56.120 --> 0:58:58.760
<v Speaker 2>I think it is an interesting barometer to think about

0:58:58.800 --> 0:59:01.440
<v Speaker 2>that of all the little the different shots around it,

0:59:02.240 --> 0:59:04.360
<v Speaker 2>or or even just kind of into it from you

0:59:04.400 --> 0:59:07.160
<v Speaker 2>know whatever, fifty yards and and just the ways you

0:59:07.200 --> 0:59:11.360
<v Speaker 2>can work the ball off features. And that's yeah, I

0:59:11.440 --> 0:59:14.160
<v Speaker 2>just uh, I think that. I think most of the

0:59:14.200 --> 0:59:18.439
<v Speaker 2>best courses have those little those little and you see

0:59:18.440 --> 0:59:20.919
<v Speaker 2>it with tor pros who don't know a thing about architecture,

0:59:21.560 --> 0:59:24.720
<v Speaker 2>but when they when they play a place where they

0:59:25.200 --> 0:59:29.360
<v Speaker 2>feel like that the green has elements that they can

0:59:29.440 --> 0:59:34.960
<v Speaker 2>work something off of and play that aggressively conservative shot

0:59:35.000 --> 0:59:38.320
<v Speaker 2>that a lot of guys try to play, they respond

0:59:38.360 --> 0:59:41.960
<v Speaker 2>to it. They like that that course. They just they

0:59:42.320 --> 0:59:47.080
<v Speaker 2>it feels like the architect gave them a chance to

0:59:47.080 --> 0:59:50.720
<v Speaker 2>to take a risk and win and we'll we'll punish

0:59:50.800 --> 0:59:54.400
<v Speaker 2>them as they should be if they they misplay their shot.

0:59:54.560 --> 0:59:57.200
<v Speaker 2>And I think that's what most people, whether you're an

0:59:57.280 --> 1:00:01.160
<v Speaker 2>elite world class player or an every day golfer, wants

1:00:01.200 --> 1:00:02.880
<v Speaker 2>to have in a in a course.

1:00:03.800 --> 1:00:07.320
<v Speaker 1>Yeah, that's a great place to stand, is is that

1:00:07.360 --> 1:00:10.560
<v Speaker 1>fifty yards an end point, and just imagine the different

1:00:10.560 --> 1:00:14.120
<v Speaker 1>shots to the different pins. Are those interesting? Are those varied?

1:00:14.520 --> 1:00:16.520
<v Speaker 1>You know, if you have to lay up to this area,

1:00:16.600 --> 1:00:19.320
<v Speaker 1>if you end up somehow in that area, is there

1:00:19.600 --> 1:00:22.680
<v Speaker 1>is there a challenge there? And yeah, that is as

1:00:22.720 --> 1:00:25.760
<v Speaker 1>you say, something that pros respond to. It is the

1:00:26.000 --> 1:00:29.400
<v Speaker 1>is this green kind of rewarding the most precise possible

1:00:29.440 --> 1:00:30.280
<v Speaker 1>shot that I could hit?

1:00:30.920 --> 1:00:32.800
<v Speaker 2>Yeah? Now, and if you're standing there on a four

1:00:32.880 --> 1:00:35.240
<v Speaker 2>hundred and seventy five yard hole and you're fifty yards

1:00:35.280 --> 1:00:38.840
<v Speaker 2>out and the shots look look really tough, well, that

1:00:38.920 --> 1:00:41.520
<v Speaker 2>might be that that maybe that that green was is

1:00:41.560 --> 1:00:43.760
<v Speaker 2>a little much for that length of the holes. So,

1:00:45.280 --> 1:00:47.680
<v Speaker 2>I mean, that's getting into some to the weeds a

1:00:47.760 --> 1:00:51.040
<v Speaker 2>little bit in terms of just your evaluation of a course.

1:00:51.080 --> 1:00:54.160
<v Speaker 2>But I think they're all They're all fun questions to

1:00:54.680 --> 1:00:57.480
<v Speaker 2>ponder when you're, you know, having those great little debates

1:00:57.520 --> 1:00:58.120
<v Speaker 2>about a place.

1:00:59.240 --> 1:01:02.800
<v Speaker 1>So your new letter, Jeff, focuses on the majors. It,

1:01:02.960 --> 1:01:05.560
<v Speaker 1>you know, it generally covers golf at this point. The

1:01:05.800 --> 1:01:09.400
<v Speaker 1>original concept at least was to cover the majors closely,

1:01:09.440 --> 1:01:11.920
<v Speaker 1>and you still do that more than more than anything else,

1:01:11.960 --> 1:01:17.200
<v Speaker 1>I suppose, But when you look at the major championship

1:01:17.280 --> 1:01:21.440
<v Speaker 1>venues of twenty twenty six, we have obviously a gust National,

1:01:21.480 --> 1:01:25.280
<v Speaker 1>but we also have Shinnecock Hills. We have ironom Ink

1:01:25.560 --> 1:01:28.840
<v Speaker 1>for the PGA Championship, we have Royal Birkdale for the

1:01:28.840 --> 1:01:33.280
<v Speaker 1>Open Championship. Which of those courses stands out to you

1:01:33.480 --> 1:01:38.000
<v Speaker 1>as one that would really thrive in a red system evaluation?

1:01:39.640 --> 1:01:42.680
<v Speaker 2>Well, I haven't been to Ironomics since the most recent

1:01:42.760 --> 1:01:48.040
<v Speaker 2>work by Gil. I did watch it during whatever it

1:01:48.120 --> 1:01:48.560
<v Speaker 2>was was it.

1:01:48.600 --> 1:01:51.360
<v Speaker 1>There have been a couple of PGA Tour events there. Yeah,

1:01:51.680 --> 1:01:54.800
<v Speaker 1>it's been kind of soggy, it's been Yeah, it was

1:01:54.880 --> 1:01:57.800
<v Speaker 1>kind of a bummer that the conditions weren't weren't for it.

1:01:57.880 --> 1:02:01.120
<v Speaker 2>And I'm not I gets they've been teasing all sorts

1:02:01.120 --> 1:02:05.560
<v Speaker 2>of amazing imagery on I think the official PGA account.

1:02:05.600 --> 1:02:07.680
<v Speaker 2>I'm guessing it was all shot kind of an early

1:02:07.800 --> 1:02:11.160
<v Speaker 2>fall because everything looks just so good and and the

1:02:11.280 --> 1:02:13.920
<v Speaker 2>and the and the false fronts and different stuff going on.

1:02:14.560 --> 1:02:17.280
<v Speaker 2>You know, again, to our conversation about greens, you want

1:02:17.320 --> 1:02:19.880
<v Speaker 2>to just drop balls all around and hit cool those shots.

1:02:20.240 --> 1:02:22.560
<v Speaker 2>It looks like it has that. Unfortunately, when they go

1:02:22.640 --> 1:02:25.520
<v Speaker 2>there in May they're really going to need a good

1:02:25.600 --> 1:02:28.560
<v Speaker 2>early spring or else it's going to be you know,

1:02:28.640 --> 1:02:31.120
<v Speaker 2>a different kind of soft not the not the end

1:02:31.200 --> 1:02:34.800
<v Speaker 2>of summer kind of thing. But yeah, so we'll see.

1:02:34.840 --> 1:02:37.160
<v Speaker 2>But that that one to me more than just knowing

1:02:37.160 --> 1:02:41.919
<v Speaker 2>the property. I mean, Shinnacock is amazing. It is really hard.

1:02:43.240 --> 1:02:46.040
<v Speaker 1>Yes, if you play that course every day, better be

1:02:46.080 --> 1:02:47.400
<v Speaker 1>a pretty pretty good golfer.

1:02:48.000 --> 1:02:50.120
<v Speaker 2>Yeah. And you know when people, of course, when you

1:02:50.320 --> 1:02:53.480
<v Speaker 2>inevitably people want to have the argument National versus Shinnecock.

1:02:53.560 --> 1:02:55.760
<v Speaker 2>And I'm one of those people. Even though National is

1:02:55.760 --> 1:03:01.200
<v Speaker 2>a pretty intense piece of property as is Cock. Uh,

1:03:01.280 --> 1:03:03.720
<v Speaker 2>but it still has a lot more in the way

1:03:03.720 --> 1:03:05.640
<v Speaker 2>of holes that are that are just a little more

1:03:05.720 --> 1:03:10.440
<v Speaker 2>gettable for most mortals and fun and and wild and

1:03:10.520 --> 1:03:17.360
<v Speaker 2>crazy and enticing Shenna. Cock's a little more straightforward. But yeah,

1:03:17.400 --> 1:03:21.200
<v Speaker 2>I just in terms of that, you know, the everyday sensibility. Uh.

1:03:21.240 --> 1:03:26.320
<v Speaker 2>And Brokedale's a lovely property. Yeah, I'm I'm a little

1:03:26.360 --> 1:03:28.919
<v Speaker 2>lary of the changes they've made which were strictly made

1:03:28.920 --> 1:03:32.720
<v Speaker 2>for the tournament and moving people around, which are just

1:03:32.720 --> 1:03:35.520
<v Speaker 2>just crap reasons to me to be changing holes and

1:03:35.600 --> 1:03:38.360
<v Speaker 2>getting a par three that points at the clubhouse. Yeah,

1:03:38.440 --> 1:03:41.600
<v Speaker 2>I'm not. I'm that. You know, it's a cool clubhouse,

1:03:41.640 --> 1:03:42.400
<v Speaker 2>don't get me wrong.

1:03:43.280 --> 1:03:46.600
<v Speaker 1>It's you know, work of modern architecture. But do you

1:03:46.640 --> 1:03:48.640
<v Speaker 1>do you want to disrupt the routing of course, just

1:03:48.680 --> 1:03:51.080
<v Speaker 1>so one of the court, one of the par three's

1:03:51.200 --> 1:03:53.720
<v Speaker 1>has a backdrop like like you if you don't have

1:03:53.760 --> 1:03:56.040
<v Speaker 1>an ocean, then you have the clubhouse. Let's point it there.

1:03:56.080 --> 1:03:57.520
<v Speaker 1>I think that's that's a little hacky.

1:03:58.000 --> 1:04:01.000
<v Speaker 2>It it's it's concerning. And there there was a horrible

1:04:01.040 --> 1:04:03.680
<v Speaker 2>log jam at the fourteenth hole. I get it. But

1:04:04.600 --> 1:04:08.480
<v Speaker 2>the front nine there especially is just a really cool

1:04:08.480 --> 1:04:12.080
<v Speaker 2>little walk, more intimate. The back nine is a little

1:04:12.120 --> 1:04:15.040
<v Speaker 2>more big, and there's dunes and stuff going on and

1:04:15.040 --> 1:04:17.080
<v Speaker 2>and some and it's a it's a great kind of

1:04:17.080 --> 1:04:19.280
<v Speaker 2>the way and that's why the players respond to it.

1:04:19.480 --> 1:04:22.520
<v Speaker 2>Another reason they respond is there's not a lot of quirk.

1:04:23.160 --> 1:04:25.440
<v Speaker 2>There's no blindness really, so it's always one of the

1:04:25.440 --> 1:04:28.840
<v Speaker 2>players favorites. That's probably to me. The only deficiency of

1:04:28.880 --> 1:04:32.400
<v Speaker 2>it is it doesn't have some of the some of

1:04:32.400 --> 1:04:35.040
<v Speaker 2>the funky stuff that you you love on a great links.

1:04:35.080 --> 1:04:38.560
<v Speaker 2>But in terms of a uh, this is a long

1:04:38.600 --> 1:04:40.160
<v Speaker 2>build up to your question. But yeah, in terms of

1:04:40.200 --> 1:04:43.680
<v Speaker 2>a first hole to last hole experience, the Birkdale I

1:04:43.720 --> 1:04:47.000
<v Speaker 2>knew certainly would be one of those right up there,

1:04:47.040 --> 1:04:52.560
<v Speaker 2>just in terms of just a fun, uh exercise in

1:04:52.800 --> 1:04:55.760
<v Speaker 2>good golf that that just slowly builds and has some

1:04:55.760 --> 1:04:59.800
<v Speaker 2>some some big dramatic moments towards the end. That that

1:05:00.240 --> 1:05:03.040
<v Speaker 2>I think most people love that in a golf course,

1:05:03.080 --> 1:05:05.800
<v Speaker 2>kind of peaking, you know, building, building and then peaking

1:05:05.840 --> 1:05:08.800
<v Speaker 2>near the end. But not every course can do that

1:05:08.880 --> 1:05:11.200
<v Speaker 2>because of the land. And you know, I wrote about

1:05:11.240 --> 1:05:14.240
<v Speaker 2>Cyprus Point last year in the eighteenth hole, and yeah,

1:05:14.240 --> 1:05:17.920
<v Speaker 2>it peaks it it peaks at probably sixteen or seventeen,

1:05:19.240 --> 1:05:21.320
<v Speaker 2>so you know, not everybody's a fan of seventeen. But

1:05:21.400 --> 1:05:26.080
<v Speaker 2>the settings, yeah, it's just incredible and that and that's

1:05:26.120 --> 1:05:28.200
<v Speaker 2>just the land that was just in the clubhouse was

1:05:28.240 --> 1:05:31.200
<v Speaker 2>always going to be where it was. Every land planner

1:05:31.200 --> 1:05:37.120
<v Speaker 2>put it there before architects were involved. And but yeah, Birkedale, Yeah,

1:05:37.160 --> 1:05:40.280
<v Speaker 2>shinnecock is you don't get me wrong, It's it's amazing,

1:05:40.360 --> 1:05:43.360
<v Speaker 2>but it is it is a beast. It's really hard.

1:05:43.600 --> 1:05:49.680
<v Speaker 1>Yeah, and your system kind of causes people to value

1:05:50.520 --> 1:05:54.360
<v Speaker 1>places like Royal Birkdale that have land that is so

1:05:54.520 --> 1:05:57.720
<v Speaker 1>well suited to a dog walk and so well suited

1:05:57.760 --> 1:05:59.000
<v Speaker 1>to everyday uses.

1:05:59.200 --> 1:05:59.880
<v Speaker 2>Yeah, that's what's.

1:05:59.760 --> 1:06:02.480
<v Speaker 1>Matt about lynks Land is that even if there weren't

1:06:02.520 --> 1:06:04.560
<v Speaker 1>a golf course there, you'd want to walk there. And

1:06:04.600 --> 1:06:07.360
<v Speaker 1>people did walk there before there were golf courses on

1:06:07.360 --> 1:06:10.480
<v Speaker 1>on the links Land or on the heathlands around around London.

1:06:10.960 --> 1:06:13.680
<v Speaker 1>That's what those pieces of land were used for because

1:06:13.680 --> 1:06:16.360
<v Speaker 1>they're so well suited to that purpose. It's exactly where

1:06:16.360 --> 1:06:18.480
<v Speaker 1>you want to take your dog. I'm not sure you'd

1:06:18.480 --> 1:06:20.760
<v Speaker 1>take your dog to the Shinnakak Hills property.

1:06:21.200 --> 1:06:25.160
<v Speaker 2>I mean, I'm feeling somebody would appear fairly quickly too.

1:06:27.480 --> 1:06:29.680
<v Speaker 1>Yeah, I might go to the experience the end of

1:06:29.680 --> 1:06:32.200
<v Speaker 1>the attention. But but yeah, very interesting. And you know,

1:06:32.280 --> 1:06:34.560
<v Speaker 1>I've to go back to an earlier point you made

1:06:34.600 --> 1:06:36.520
<v Speaker 1>about Ironomic. I've heard the greens there. I haven't played

1:06:36.520 --> 1:06:38.960
<v Speaker 1>the course, but i've heard the greens. They are absolutely sensational,

1:06:39.320 --> 1:06:44.000
<v Speaker 1>and it's I'm pre disappointed that that's just not going

1:06:44.080 --> 1:06:46.120
<v Speaker 1>to show, you know, and then we're just not gonna

1:06:46.440 --> 1:06:48.040
<v Speaker 1>we're just not gonna get a full sense of that.

1:06:48.120 --> 1:06:51.880
<v Speaker 2>So we might key, but it's everybody in Phillies are.

1:06:51.960 --> 1:06:54.520
<v Speaker 2>I've already heard from several people like, don't get your

1:06:54.520 --> 1:06:59.840
<v Speaker 2>hopes up for yeah, great for August. Yeah, or I'm

1:07:00.240 --> 1:07:02.720
<v Speaker 2>the fall, Like I said, those that imagery I'm pretty

1:07:02.720 --> 1:07:06.360
<v Speaker 2>sure was just just the beginning of fall, and everything

1:07:06.440 --> 1:07:10.640
<v Speaker 2>just looks so good and and yeah, I mean, I

1:07:10.720 --> 1:07:12.760
<v Speaker 2>just don't love the date of the PGA in May

1:07:12.840 --> 1:07:15.200
<v Speaker 2>for this reason. And they they continue to insist that

1:07:15.280 --> 1:07:18.200
<v Speaker 2>they have more options. But it's bizarre to think about.

1:07:18.280 --> 1:07:21.960
<v Speaker 2>But May is a really odd time of year in

1:07:22.040 --> 1:07:24.680
<v Speaker 2>a lot of parts of the country. Uh, it's starting

1:07:24.720 --> 1:07:27.560
<v Speaker 2>to get too hot in the south. Uh, it's it's

1:07:27.640 --> 1:07:32.360
<v Speaker 2>on the West coast, it's foggy, and and it's it's

1:07:32.400 --> 1:07:35.360
<v Speaker 2>it's hard to get things quite as good as you

1:07:35.400 --> 1:07:40.520
<v Speaker 2>can in June. The northeast. It's too early. Michigan Chicago area,

1:07:40.520 --> 1:07:44.480
<v Speaker 2>it's definitely too early. But then you know, there are

1:07:44.560 --> 1:07:46.520
<v Speaker 2>years where people will tell you, well, you know, Long

1:07:46.560 --> 1:07:49.400
<v Speaker 2>Island was amazing in late May and and but we

1:07:49.480 --> 1:07:52.760
<v Speaker 2>had a good spring. So so we'll see. But uh,

1:07:52.840 --> 1:07:54.920
<v Speaker 2>I think it's an interesting set of venues and and

1:07:55.000 --> 1:07:58.800
<v Speaker 2>it there's gonna be a lot of chatter, especially around

1:07:58.800 --> 1:08:01.960
<v Speaker 2>the changes at Burked just because the players love it

1:08:02.000 --> 1:08:04.480
<v Speaker 2>so much and we were just there in twenty seventeen

1:08:04.960 --> 1:08:09.919
<v Speaker 2>and it was an incredible open, So absolutely, yeah, so well,

1:08:10.120 --> 1:08:14.120
<v Speaker 2>and it's just funny how these narratives build. So it's

1:08:14.160 --> 1:08:16.360
<v Speaker 2>always kind of fun to watch that, although we don't

1:08:16.360 --> 1:08:18.120
<v Speaker 2>get them quite like we used because the guys don't

1:08:18.120 --> 1:08:22.680
<v Speaker 2>go there for their their practice trips. Although that that

1:08:22.760 --> 1:08:25.880
<v Speaker 2>trend may come back and in vogue again. Who knows, Oh,

1:08:25.920 --> 1:08:26.360
<v Speaker 2>we'll see that.

1:08:26.600 --> 1:08:29.719
<v Speaker 1>Guys seem to like it, don't seem to like to travel.

1:08:29.720 --> 1:08:33.320
<v Speaker 2>But yeah, right now, it's let my data person tell

1:08:33.360 --> 1:08:35.040
<v Speaker 2>me how to play the course, which I just think

1:08:35.160 --> 1:08:39.800
<v Speaker 2>is so bizarre and it's just so strange. I get

1:08:39.800 --> 1:08:41.160
<v Speaker 2>when it's a pain in the ass to get to

1:08:41.200 --> 1:08:43.519
<v Speaker 2>a place and they just don't do it. Fine, but

1:08:43.600 --> 1:08:46.320
<v Speaker 2>when you're relying on somebody else who's looking at Google

1:08:46.360 --> 1:08:48.960
<v Speaker 2>Earth to tell you how to play a course, which

1:08:49.040 --> 1:08:52.200
<v Speaker 2>is something I cover in the book, but not in

1:08:51.880 --> 1:08:55.960
<v Speaker 2>the vein of a of a tour pro who should

1:08:56.000 --> 1:08:58.760
<v Speaker 2>be somewhat self reliant first of all, and also play

1:08:58.800 --> 1:09:02.679
<v Speaker 2>the course and discuss it with Caddy. Maybe. But Google

1:09:02.920 --> 1:09:06.880
<v Speaker 2>is a great tool, but it's not it's not going

1:09:06.960 --> 1:09:09.200
<v Speaker 2>to answer all your questions about how to play a course.

1:09:09.640 --> 1:09:11.519
<v Speaker 1>What you're talking about, you can just draw lines and

1:09:11.880 --> 1:09:15.120
<v Speaker 1>figure out exactly how you need to play a course. Jeff, Well,

1:09:15.160 --> 1:09:18.880
<v Speaker 1>that's a whole other episode that we could record together.

1:09:18.960 --> 1:09:21.840
<v Speaker 1>But as always a pleasure talking to you, Jeff. I'm

1:09:21.840 --> 1:09:24.320
<v Speaker 1>looking forward to your coverage this year through the Quadrilateral

1:09:24.800 --> 1:09:26.680
<v Speaker 1>and thanks for coming on the pun.

1:09:26.680 --> 1:09:27.679
<v Speaker 2>All right, thanks Jarrett.

1:09:34.439 --> 1:09:39.120
<v Speaker 1>This episode of Designing Golf was produced by Will Balsam.

1:09:39.520 --> 1:09:40.800
<v Speaker 1>Thank you, Will.

1:09:41.439 --> 1:09:41.519
<v Speaker 2>So.

1:09:41.720 --> 1:09:46.960
<v Speaker 1>Jeff Shackelford actually has another book introducing concepts of golf

1:09:47.040 --> 1:09:51.280
<v Speaker 1>architecture called Grounds for Golf. This was published originally a

1:09:51.320 --> 1:09:53.920
<v Speaker 1>number of years ago, and there's actually going to be

1:09:54.040 --> 1:09:58.519
<v Speaker 1>a second edition of Grounds for Golf coming out this June,

1:09:59.000 --> 1:10:00.880
<v Speaker 1>so keep an eye out for I think that's a

1:10:00.920 --> 1:10:04.720
<v Speaker 1>great book. It's one that I've very commonly recommended to

1:10:04.760 --> 1:10:10.480
<v Speaker 1>people when they've asked for an introductory book to golf architecture,

1:10:10.840 --> 1:10:13.960
<v Speaker 1>I usually point them to Anatomy of a Golf Course

1:10:14.000 --> 1:10:18.240
<v Speaker 1>by Tom Doak, Golf Architecture by Alistair Mackenzie, and Grounds

1:10:18.240 --> 1:10:21.800
<v Speaker 1>for Golf by Jeff Shackelford. So a new edition of

1:10:21.840 --> 1:10:24.200
<v Speaker 1>that book coming up, keep an eye out for that

1:10:24.680 --> 1:10:27.439
<v Speaker 1>in June. All right, thank you for listening, and we'll

1:10:27.439 --> 1:10:38.520
<v Speaker 1>be back again soon with another episode.