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Speaker 1: Well, look who it is time. I'm officially ready. I

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Speaker 1: got a little white core me a little. I got

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Speaker 1: a little cold white today too, it's a little cold.

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Speaker 1: I'm really liking the new hairstyle. I have to say

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Speaker 1: thank you. I'm drinking this duckhorn. Man, do you like duckhorn? H? No,

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Speaker 1: I don't know what that is that? What is that chardonnay?

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Speaker 1: I don't fuck with chardonnay. No, it's a Sauvian blanc. Oh,

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Speaker 1: it's so blanc. Yeah, I like a nice song sareh,

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Speaker 1: which I believe is a sauvignon blanc grape. I don't

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Speaker 1: even I think, oh, how are you? Mana? This hairstyle

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Speaker 1: is really working for me. I like that you like it?

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Speaker 1: I love I'm gonna have to change the avatar I

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Speaker 1: made for you because he doesn't have this hairstyle. I know.

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Speaker 1: And the beards that they have for avatars on the

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Speaker 1: Apple iPhone isn't necessarily the dopest beard. They're not really

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Speaker 1: that good looking. Nodding because allow beer, great, right, they'll

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Speaker 1: they'll represent correctly. It's like, yeah, no, they don't. And

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Speaker 1: also I just started following Joel on Instagram. Oh we've been,

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Speaker 1: she's got She's got some spicy pictures done. I'm listening

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Speaker 1: to the podcast, Joel. Are you like provocative Joel? Joe

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Speaker 1: Joel knows how to find the right colors that suit herselfies,

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Speaker 1: you know what I mean, and then she finds the

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Speaker 1: right poses that followed you on her Twitter are learning

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Speaker 1: a lot. I'm learning a lot about Joe Joel. And

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Speaker 1: I started following Joel because Bobby moynihan yesterday hit me

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Speaker 1: up with something. And first of all, Joel, if we

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Speaker 1: do do this Star Wars podcast, he should be one

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Speaker 1: of the hosts with us, because he's his knowledge of

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Speaker 1: Star Wars is amazing. Anyway, point, who else you know,

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Speaker 1: who you know? Who else could be on it? Is

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Speaker 1: I as I understand it. Patton Oswald is also on

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Speaker 1: the level of you guys, right, yeah, absolutely, yeah, yeah, absolutely.

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Speaker 1: We could make a we could make a really dope

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Speaker 1: team and it would be it would be a dope

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Speaker 1: podcast because we'd have legit people who are legitimately into

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Speaker 1: the show anyway, into the movie, into the universe anyway. So, uh,

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Speaker 1: Bobby moynahan sends me a picture and it's got all

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Speaker 1: of these pilots in it like Luke, Skywalker, Harrison, Dulah, Yeah,

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Speaker 1: Lando is on there to Lando Chewbacca. I'm gonna look

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Speaker 1: at it real quick. Some of these people, I'm like,

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Speaker 1: who cares? But Poe Damnren body from Rogue one, Porkins.

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Speaker 1: The list is the list is pretty good, and it's

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Speaker 1: and Wedge, Antillies, Han Solo and and the list is

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Speaker 1: choose your squadron, but you can only fit pick four characters.

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Speaker 1: And this was the hardest thing I'd ever had to do.

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Speaker 1: And then I'd hit up I hit up Joel, and

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Speaker 1: I'm like, Joel, four characters, that's all you can choose,

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Speaker 1: and she throws them out so easily. She's first like,

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Speaker 1: oh wow, this is hard, and then she's like, who

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Speaker 1: did you say, Harrah Wedge? Yeah, uh Luke. No you

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Speaker 1: didn't say Luke. You said you didn't want to pick

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Speaker 1: ogially Wait, no, you're right. I didn't say Luke. I

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Speaker 1: remember I was good. But I did say Anakin because

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Speaker 1: I like Annakin and he's a great fighter. He was

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Speaker 1: the best pilot in the say Anakin, and he's not

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Speaker 1: even on the list, but he should have been, because

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Speaker 1: that's what I would have picked. My point is This

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Speaker 1: is a harder. This was This was one of the

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Speaker 1: hardest choices I ever had to make when it came

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Speaker 1: to Star Wars and Bobby Moynahan, his at is on

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Speaker 1: Instagram is Bibby Moynahan, and I chose Lando Wedge Luke Skywalker,

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Speaker 1: and I said, Han Solo and Chewbacca are a combination.

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Speaker 1: But then I was like, yo, you know what, I'm

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Speaker 1: gonna take those two off and put Harrison Dula. That

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Speaker 1: was a quick teaser for you guys who were interested

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Speaker 1: in a Star Wars podcast that will soon be coming

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Speaker 1: to you from my heart. This is not said podcast.

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Speaker 1: This is a podcast about fake doctors who are actually

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Speaker 1: real friends. Yeah, but I just wanted to throw that

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Speaker 1: out there real quick because as a friend, I know

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Speaker 1: you know how important Star Wars is to me. And

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Speaker 1: if I have some Star Wars trivia or knowledge or

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Speaker 1: a puzzle that you would always allow me to talk

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Speaker 1: Star Wars because you know how it's important to me.

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Speaker 1: It is, it is very important to my friend, and

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Speaker 1: I love you very much. Welcome all of our listeners,

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Speaker 1: Hi everybody, Thank you for listening. Thank you for all

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Speaker 1: your amazing feedback on our Instagram and Twitter, Donald and

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Speaker 1: I love hearing from you guys, and love hearing what

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Speaker 1: you have to say. I saw I saw someone today

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Speaker 1: regarding Tuesday show sent Oh my god, this podcast is

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Speaker 1: getting dirty because we got into bold, we got into

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Speaker 1: the WOP video analysis, we got intomandscaping. So hopefully we

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Speaker 1: didn't upset too many things. I should clear something up too, though.

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Speaker 1: I think I did not take my junk out at

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Speaker 1: the club just your pubs. I just showed the pubes. Okay,

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Speaker 1: I didn't. I didn't just when I when I heard

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Speaker 1: the story, I didn't remember the story. But when I

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Speaker 1: heard it, I used assumed you. You didn't. You came

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Speaker 1: down to just above the eel. Yeah, right before the

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Speaker 1: black whale makes would make an appearance. Right, we cut

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Speaker 1: it there. Yeah, you just brought it down to show

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Speaker 1: what was happening. But you know, I think it's important.

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Speaker 1: I felt like we did an important public service announcement

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Speaker 1: because I feel like there's people out there who who

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Speaker 1: don't know and they need they need someone to tell them,

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Speaker 1: and that's why we're here as fake Doctor's real friends. Yeah.

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Speaker 1: We also created a new segment called Let's Fix Your Life. Yeah,

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Speaker 1: that was fun. I think it's gonna go today, Joel,

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Speaker 1: We're gonna do that again with today's caller. Okay, great,

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Speaker 1: I will give them. And just a quick heads up

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Speaker 1: for you guys. We have Chai Serrano on the podcast today.

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Speaker 1: Really the best guest we ever had. We're really excited

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Speaker 1: about it. With your design, Oh sorry, good, did you

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Speaker 1: sweat your designed to look like it has stains on it? Yeah,

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Speaker 1: it's tied eye. It's a gray and white tie eye.

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Speaker 1: Oh it's a gray and white tie eye over the zoom.

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Speaker 1: It looks like it was artistically designed to look stained.

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Speaker 1: Oh well no, and I thought it was very nice choice.

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Speaker 1: I thought it was handsome. It's by Nike. Oh oh

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Speaker 1: do you like Nike? You know I love Nike. Look

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Speaker 1: at these bad boys. I just got a fire O.

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Speaker 1: One thing I don't do. One thing I don't recommend

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Speaker 1: doing you guys, is putting your credit card information into

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Speaker 1: the Nike app. And I did that with a few

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Speaker 1: drinks in me. You then don't really ever think like

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Speaker 1: you're really buying anything. It knows your size and it

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Speaker 1: has your credit card info, so you could be like

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Speaker 1: up like when you go to Vegas exactly. Yeah, just

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Speaker 1: know what I mean when you go to Vegas and right,

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Speaker 1: and those chips look like they're little candy and you

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Speaker 1: just toss them on the table. The next thing you know,

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Speaker 1: you don't have a home anymore. Just putting it out

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Speaker 1: there anyway, Jay Serrano is with us today. Yes, we

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Speaker 1: should get into the show with a little bit of

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Speaker 1: a fiories about show. So get around here yet around hey,

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Speaker 1: ladies and gentlemen, give it up for thunderous applause for

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Speaker 1: shape he turned, Sir, Shay, We've had a lot of

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Speaker 1: a lot of people on this podcast since we had you,

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Speaker 1: and I think you're by far everyone's favorite guest. I'm

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Speaker 1: probably I'm a solid fifteenth place finisher. I know people

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Speaker 1: love you, dude. You're When we hung up with you,

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Speaker 1: Donald was like, oh my god, he's like he was perfect.

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Speaker 1: He was such a good guest. You know. That's because

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Speaker 1: we talked about sucking basketball for thirty minutes. And it's back,

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Speaker 1: and it's back back. We finally got back together. Oh

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Speaker 1: my gosh, did you watch a Dame? Did you watch Dame?

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Speaker 1: That's what I'm about to ask you that right, Dame dollar,

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Speaker 1: Dame time, Let's go listen. Champion dude, he's playing like

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Speaker 1: one right now. That whole team looks good him nerd

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Speaker 1: chick freaking uh ceo, uh great. Yeah, the crazy thing.

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Speaker 1: CJ got a broke him back and he's destroying right now. Yeah.

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Speaker 1: I don't understand. I don't understand. I was gonna ask

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Speaker 1: out doctors how you can break your back and getting

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Speaker 1: better at basketball. Right He's doing a little too much

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Speaker 1: dribbling for me. He's doing a little too much James

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Speaker 1: Harden on the on the when he gets you got

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Speaker 1: a dribble diald if when you walk, when you move able? No,

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Speaker 1: if you don't, you get what you get what's called traveling.

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Speaker 1: And the referee goes like this, right, no doubt. But

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Speaker 1: he's dribbling at a point where it makes the offense

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Speaker 1: kind of just stand still and watch. And sometimes he

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Speaker 1: makes it like the beautiful thing about Portland. And I

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Speaker 1: can't believe I'm saying this because I am not a

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Speaker 1: Trailblazers fan, but I am a mellow, I am a dame,

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Speaker 1: I am a c J, and I am a Blazers

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Speaker 1: fan because that's the starting lineup right. Let me ask you,

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Speaker 1: Let me finish, Let me finish the thing. About that

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Speaker 1: is though they're a great one on one team. One

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Speaker 1: on one, each one of those guys will give you

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Speaker 1: the business. Yeah, it's amazing to me that their team

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Speaker 1: ball is in such is in such good shape right now,

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Speaker 1: Like you know what I mean. Uh, Mello has saved

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Speaker 1: them several times. And it's the same play. It's the

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Speaker 1: same play from the top to the corner, splash three,

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Speaker 1: same time, Dame time, dame time, from half court, dame time.

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Speaker 1: And let me ask you guys to me because I

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Speaker 1: was I saw some of this, some of this basketball

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Speaker 1: on TV, and I was just taking in the whole thing.

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Speaker 1: With the fans, you know, the projected fans you can

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Speaker 1: like bought, you can spend money and be a fake

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Speaker 1: fan in the stands, right, not a fake fan. You

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Speaker 1: don't even have to pay for it. You just apply.

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Speaker 1: It's like, you know, fill out a little for him

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Speaker 1: and then they pick you out of that. Oh I

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Speaker 1: want to do that, Donald, We should do that. That happen. Yeah,

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Speaker 1: I don't want to make that happen. And um, and

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Speaker 1: so I was and I wanted to know as hardcore

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Speaker 1: basketball fans like you guys, if if you know obviously

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Speaker 1: it's weird, you know, this whole bubble thing. But if

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Speaker 1: if you were still if you thought the games were

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Speaker 1: noticeably different, are the scores higher or lower? Like? What

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Speaker 1: are what are what's different? Without the fans shure you

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Speaker 1: want to take this the presentation for the games has

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Speaker 1: been outstanding. It does not. It does not feel any

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Speaker 1: different to me. If anything, everything feels a little more

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Speaker 1: heightened because you know they're all stuck there. Like I

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Speaker 1: don't know if you play like AAU basketball or like

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Speaker 1: any sort of tournament basketball, when you show up at

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Speaker 1: one location and all of the teams are there just

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Speaker 1: sort of wandering around, and it becomes like like a

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Speaker 1: very tribal sort of experience. You're like with your team

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Speaker 1: and only your your team, and like where enemies with

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Speaker 1: those one It's been it's been so much fun to watch.

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Speaker 1: I've been really really impressed. Yeah, not only that, what

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Speaker 1: I really enjoy is that there's no such thing as

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Speaker 1: home court advantage. Now yeah, that's crazy right. I love that.

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Speaker 1: I love the fact that everybody's playing on neutral ground.

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Speaker 1: So so sorry again, I'm I'm the voice of people

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Speaker 1: that don't follow sports at all. So a team with

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Speaker 1: a with a die hard fan base would genuinely have

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Speaker 1: an advantage, right because absolutely they're loud. They're loud, they're

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Speaker 1: rooting you on, and so you're feeling that energy while

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Speaker 1: you're playing. Like I remember, I played in this thing

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Speaker 1: called the I talk about this all the time. I

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Speaker 1: played in this thing called the NBA Entertainment League, and

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Speaker 1: we made it to the conference finals one year. And

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Speaker 1: you know, it's a neutral it was pretty much played

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Speaker 1: on the same court. And the only time you would have,

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Speaker 1: you know, fans there was when you bought your family.

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Speaker 1: So if I bought my girlfriend at the time, she

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Speaker 1: would be cheering for me. So in the conference finals

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Speaker 1: we played, we played against Jamie Fox's team, right, okay,

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Speaker 1: and Jamie, being the genius that he is, he was like,

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Speaker 1: let's pack stands with nothing, but you know what I mean,

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Speaker 1: And we were and so, you know, it's a it

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Speaker 1: seems like it's a regular game. I look up into Stents,

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Speaker 1: I'm like, wow, it's it's packed in here today. But

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Speaker 1: that's normal. You know, it's two high profile teams in

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Speaker 1: the league playing against each other where you know, my

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Speaker 1: team had a bunch of celebrities on it. Jamie Fox

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Speaker 1: was on the other team, you know what I mean.

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Speaker 1: And so it was like, Okay, I get it. People

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Speaker 1: want to see us ball. And we come out and

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Speaker 1: we're doing warm ups and everything like that, and then

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Speaker 1: the game starts and it's clear that everybody's there for

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Speaker 1: Jamie's team. And so the first couple of plays, I

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Speaker 1: come down, I pop a three. Right the next play

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Speaker 1: I come down, I pop another three, and everybody in

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Speaker 1: the crowds like, oh, it's kind of silent, and I'm

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Speaker 1: screaming out my team, let's go. And then Jamie's team

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Speaker 1: starts to score and they're freaking cheering for them, and

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Speaker 1: then they're chanting, here we go, Spurs, Let's go Spurs.

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Speaker 1: And I looked up and there was I knew we

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Speaker 1: were toast because I looked up in some stands and

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Speaker 1: there was a girl that I used to date and

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Speaker 1: she was in the stands rooting for Jamie Fox's team.

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Speaker 1: And when she saw me look at her. I looked

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Speaker 1: at her, like, what the fuck are you doing? She shrugged,

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Speaker 1: like excellent. One of my One of my favorite things

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Speaker 1: about anytime you talk to somebody about basketball who plays basketball,

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Speaker 1: and inevitably they would tell you a story about a

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Speaker 1: game they played it. As soon as they start talking,

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Speaker 1: they do what I just did with the with the

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Speaker 1: like were mimicking the dribbling they started doing every time.

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Speaker 1: It's my favorite thing, the shoulder shake. Yeah, everybody got

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Speaker 1: a little bit of dream in them. Everybody got a

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Speaker 1: little a cham to dream in them. That's how you

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Speaker 1: know the story is about to get good when they

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Speaker 1: do that move right there? Are they? Are they photographs?

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Speaker 1: Are they filming the games any differently? I thought Bill

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Speaker 1: Lawrence said something to me about like they're doing some

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Speaker 1: like experimental cinema way of shooting it to make it

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Speaker 1: more exciting or am I wrong? Yeah, they brought back

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Speaker 1: this this camera view that they had at the All

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Speaker 1: Star Game about fifteen or eighteen years ago, where it's

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Speaker 1: like basically court level and it moves back and forth

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Speaker 1: and you can like watch it that way. So they

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Speaker 1: show that one every once in a while, but generally

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Speaker 1: all it looks the same, it feels the same. It's

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Speaker 1: really really well done well. So this sport as far

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Speaker 1: as team sports, it seems like, am I right? That

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Speaker 1: the NBA has handled this the best And as far

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Speaker 1: as COVID goes, absolutely Baseball shutdown two days in or whatever.

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Speaker 1: They're like, Oh, it turns out this is a bad idea.

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Speaker 1: Let's let's let's be honest. Let's be honest. Uh. The

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Speaker 1: NBA has always had, in my opinion, the best commissioner,

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Speaker 1: Uh yeah, for sure, from Stern to Silver ever since

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Speaker 1: Stern took over, the best commissioner who actually cares for

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Speaker 1: their the league's players. Uh not not to say that

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Speaker 1: Goodell and whoever the commissioner of baseball is right now

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Speaker 1: don't care for you know, I think you could say

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Speaker 1: Goodell doesn't care. I didn't want to put that. I

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Speaker 1: didn't want to put that out there. I didn't want

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Speaker 1: to put that out there. But you but you know

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Speaker 1: what I mean. But uh, you know, Adam Silver is

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Speaker 1: by far the best uh commissioner in sports outstanding by far,

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Speaker 1: by far, and the and the product that he's put

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Speaker 1: up on the television for US fans to watch has

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Speaker 1: made it so so enjoyable. So they all live in

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Speaker 1: the same Um they're living on Disney World. Disney World, right, yeah,

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Speaker 1: why World of Sports campus and they but so they

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Speaker 1: all is there, like did they all get to hang

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Speaker 1: out or there like bars and shit like, Yeah, that's

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Speaker 1: that's been like one of the really fun parts of

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Speaker 1: watching all this happen because if you follow any of

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Speaker 1: the players on social media or any of the teams,

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Speaker 1: that you always get like these shots of this group

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Speaker 1: went out fishing together, or they were at the wherever together,

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Speaker 1: just sort of hanging out doing stuff. There was a

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Speaker 1: really good one last night Mike Connolly, Mike Conley, who

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Speaker 1: plays for the Jazz, he had to leave for personal

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Speaker 1: reasons and he came back and he was doing his quarantine,

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Speaker 1: and after the Jazz won the game, Donovan Mitchell has

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Speaker 1: been bawling like fucking crazy for them, went by and

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Speaker 1: they were like filming Mike through the through the window

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Speaker 1: and he's just sort of saying it was like a

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Speaker 1: really sweet, sort of tender moment. I this is fucking

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Speaker 1: How long do you have to quarantine? Two weeks if

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Speaker 1: you go home? I think it's something like seven days. Yeah.

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Speaker 1: With with Connolly, he was getting he was getting tested

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Speaker 1: while he was out so that he could come back quicker.

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Speaker 1: So I think they were making him do I think

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Speaker 1: like four days, but it's usually it's a handful of days. Yeah,

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Speaker 1: Rondo is going to be bad days. I mean I

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Speaker 1: heard that like eighty percent of symptoms show in ten

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Speaker 1: days or something like that. Please don't quote me on that,

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Speaker 1: and don't judge your life on that. I'm just fucking

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Speaker 1: recalling from memory. But I guess if you're getting tested

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Speaker 1: every day, it's it's different. I mean, you at least

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Speaker 1: know if you have a tested every like twice A yeah, yeah, yeah, yeah,

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Speaker 1: it's shame a. Welcome back to the show. Oh man,

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Speaker 1: we we really love having you on and uh and

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Speaker 1: the fans love your insight and uh, you can speak

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Speaker 1: way wiser about these episodes than than Donald and I can.

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Speaker 1: We can just talk about it. I'm so nervous to

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Speaker 1: do the recap right now because, oh yeah, Shay, you

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Speaker 1: got to see the new segment. I know that Shay

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Speaker 1: is like the king of recaps. We should have had

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Speaker 1: Shay right one too, so you guys, no no no, no no,

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Speaker 1: no no no no no no no no no no

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Speaker 1: no no no no no no no no, because and

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Speaker 1: everybody be like, let's just have Shay do the freaking recap. Donald,

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Speaker 1: thank you very much. I'm excited after Donald's recap to

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Speaker 1: talk about the first thing that came to my mind

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Speaker 1: and I want to talk about him. Just gonna tea

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Speaker 1: I'm gonna do. It's called teasing. Donald and Radio talk

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Speaker 1: about something we're gonna talk about after your recap. I

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Speaker 1: would not have the patience to wait around for Carla.

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Speaker 1: If she was like, I need to think about it.

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Speaker 1: I need to think about it. I need to think

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Speaker 1: about it, I'd be like, you know what, you don't

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Speaker 1: need to think that. We'll get into it. Let's start.

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Speaker 1: Let's start. I was a tease. That was a tease.

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Speaker 1: Hold on, let's let me get my stop watch ready.

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Speaker 1: I got it down out thirty seconds. Okay, lick your lips.

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Speaker 1: Fuck you. I want you to look good for Shaye,

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Speaker 1: Right and go. Doctor Cox becomes a storyteller in this episode,

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Speaker 1: and we learned that he's not the altogether guy we

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Speaker 1: think he is. Elliott meets someone who works at the

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Speaker 1: hospital and it's surprised when she finds out that he

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Speaker 1: is a nurse. Tries to figure out what he's doing

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Speaker 1: wrong to make Carla have to think about his proposal.

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Speaker 1: How we're perceived by others, although sometimes it may be positive,

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Speaker 1: isn't necessarily who we are. Getting to know someone and

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Speaker 1: being open to others truly is the only way to

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Speaker 1: find out who they are. That's it beautiful, but it's true.

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Speaker 1: This whole episode is and you know what, Shay, you

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Speaker 1: know what, I know why you wanted to do this

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Speaker 1: episode because this is an episode on perception, and this

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Speaker 1: whole episode is about who we think somebody he is

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Speaker 1: because of either what they do or how they present

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Speaker 1: themselves isn't necessarily who they are when when you really

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Speaker 1: get to know them and we don't know this stuff

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Speaker 1: like the whole thing with the whole thing with Cox

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Speaker 1: and how you know we from the beginning of the show,

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Speaker 1: you think he's you know, he has some issues, but

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Speaker 1: you think he's this put together guy whose uh strength

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Speaker 1: is the fact that he's this alpha male. But that's

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Speaker 1: his weakness if it turns out to be in this

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Speaker 1: episode and real talk, he's a very weak man. He's

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Speaker 1: good at his job, he's good at you know, he's

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Speaker 1: good at training these kids, but he's a weak, weak man.

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Speaker 1: He don't you find like stereotypically the guy with the

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Speaker 1: biggest fucking ego and and and screaming and everyone and

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Speaker 1: being just an insane narcissist is very often incredibly insecure,

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Speaker 1: well when you say narcissists, Yeah, I definitely feel that way.

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Speaker 1: But I don't look at Lebron James like, oh man,

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Speaker 1: Lebron's a weak dude, you know what I mean. I

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Speaker 1: look at him like, yo, he can carry a team.

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Speaker 1: He has the strength to carry to hold it. Would

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Speaker 1: it would be crazy to me if when we if

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Speaker 1: when getting to know Lebron James, if he turned out

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Speaker 1: to be this dude who has a problem speaking up

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Speaker 1: and has a problem with confrontation, and you know what

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Speaker 1: I mean, these things would be it would blow my mind,

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Speaker 1: is my point. But I'll let Shaye talk about it. Yeah. Yeah,

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Speaker 1: that's pretty pretty close to the reason that I wanted

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Speaker 1: to do this one when when Joel reached out, all

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Speaker 1: of the very best TV shows are the very best

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Speaker 1: TV shows because of the relationships that they are able

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Speaker 1: to make you care about Peggy and Don and Madman,

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Speaker 1: Jim and Pam in the office, Avon and Stringer in

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Speaker 1: the wire, uh Arabella and pretty much anyone on I

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Speaker 1: may destroy you because that thing, that that interpersonal connection

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Speaker 1: with someone else is not only something that we sort

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Speaker 1: of understand implicitly, but also it's something that we all

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Speaker 1: want and need and pursue and the more ways that

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Speaker 1: a show can press that button in your chest to

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Speaker 1: sort of higher up the rankings that can climb. It's

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Speaker 1: the same reason that so many people respond to YouTube.

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Speaker 1: On this show, it feels like you got to be

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Speaker 1: a part of y'all's relationship, which is very clearly a

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Speaker 1: special thing. So when Joel reached out and asked which

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Speaker 1: episode I wanted to do, like, I knew that this

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Speaker 1: one had to be the one. Mind you, there are

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Speaker 1: some really great episodes in season two. You have the

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Speaker 1: the Colin Hay Overkill episode, which I would argue is

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Speaker 1: the first truly iconic Scrubs music que and Scrubs is

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Speaker 1: the best show ever at using music, and this was

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Speaker 1: the first time we saw how exceptional they were going

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Speaker 1: to be at that one. So you have that when

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Speaker 1: you have JD's brother getting introduced into the show. You

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Speaker 1: have coming through for Carlo when her mom passes away.

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Speaker 1: Like there are a lot of those of those moments,

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Speaker 1: but I especially enjoy this one because a we get

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Speaker 1: very good glimpses of several of the relationships in the show,

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Speaker 1: and then b we get Carla and Turk officially getting

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Speaker 1: engaged and that Carla and Turk relationship is, I would argue,

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Speaker 1: among the very best romantic relationship portrayals that any television

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Speaker 1: show has ever offered. I agree with that. I agree

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Speaker 1: with that wholeheartedly. Mant and not because I was a

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Speaker 1: part of it. But their dynamic is very much similar

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Speaker 1: to the dynamic that my wife and I have, you

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Speaker 1: know what I mean. I'm the immature one and she's

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Speaker 1: the one that freaking you know, grounds us. You know

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Speaker 1: what I mean. And that's the exact same thing that

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Speaker 1: Carla and Turk have. I agree with that. Yeah, Laney,

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Speaker 1: you were so passionate when I put it on. When

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Speaker 1: I reached out to Shay on Twitter, I said, we

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Speaker 1: want to have you back. I hope you'll come back.

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Speaker 1: We want to have you back at least once a season.

423
00:23:50,520 --> 00:23:52,360
Speaker 1: What you you pick. And by the way, I said

424
00:23:52,400 --> 00:23:54,280
Speaker 1: this to Shay before I said it to Johnny Ce,

425
00:23:54,480 --> 00:23:57,080
Speaker 1: before I said it to anybody, any other any other

426
00:23:57,160 --> 00:23:59,800
Speaker 1: cast members. It was like, Shay, whatever episode do you want?

427
00:24:00,200 --> 00:24:02,800
Speaker 1: And he's like, within like five minutes, he's like, it

428
00:24:02,880 --> 00:24:04,560
Speaker 1: probably would have been quicker if you've probably seen the

429
00:24:04,600 --> 00:24:06,359
Speaker 1: tweet earlier, but right right when he saw it, he

430
00:24:06,440 --> 00:24:09,280
Speaker 1: was like no doubt his story, his story before gust

431
00:24:09,359 --> 00:24:15,200
Speaker 1: pause right here for a special announcement, Please interrupting Bill.

432
00:24:17,760 --> 00:24:20,200
Speaker 1: He's got a new segment called Interrupting Bill. It's the

433
00:24:20,280 --> 00:24:23,760
Speaker 1: new segment when I interrupt your podcast whenever I want

434
00:24:23,800 --> 00:24:25,719
Speaker 1: and ask you a question that I can then get

435
00:24:25,760 --> 00:24:27,440
Speaker 1: to listen to the answer too. I hope just good

436
00:24:27,520 --> 00:24:31,360
Speaker 1: music from Daniel or Joel. Guys, play this whenever you want. Look,

437
00:24:31,520 --> 00:24:35,040
Speaker 1: I love this episode, his story, and I'm psyched that

438
00:24:35,160 --> 00:24:38,800
Speaker 1: you tour there. Zach Donald, Hey, Shay Hey. I love

439
00:24:38,840 --> 00:24:41,240
Speaker 1: the Eric Pagosians in there because of his relationship with

440
00:24:41,320 --> 00:24:44,600
Speaker 1: Johnny cum I think it's got the most romantic song

441
00:24:44,680 --> 00:24:46,200
Speaker 1: at the end. That was song is still in the

442
00:24:46,600 --> 00:24:50,439
Speaker 1: online cut Football question by the old ninety sevens if

443
00:24:50,440 --> 00:24:52,840
Speaker 1: you want to talk about we actually started with the

444
00:24:52,920 --> 00:24:54,920
Speaker 1: song first in this one because we knew we wanted

445
00:24:54,920 --> 00:24:57,240
Speaker 1: to kind of have a cool proposal underneath this music.

446
00:24:58,320 --> 00:25:02,080
Speaker 1: But your question is, can you tell me there was

447
00:25:02,119 --> 00:25:05,040
Speaker 1: a joke in this episode that got us the most.

448
00:25:05,800 --> 00:25:10,680
Speaker 1: The triolic complaint and a actual letter of admonishment from

449
00:25:10,680 --> 00:25:14,800
Speaker 1: a national organization that thought the joke was incredibly offensive,

450
00:25:15,760 --> 00:25:17,800
Speaker 1: probably more of a stern letter than I got from

451
00:25:17,840 --> 00:25:21,440
Speaker 1: any national organization. Can you tell me what that joke was?

452
00:25:21,520 --> 00:25:25,280
Speaker 1: I know the answer, can I go? Yeah, it actually

453
00:25:25,359 --> 00:25:30,359
Speaker 1: hit me and I was surprised by it. Again, this

454
00:25:30,520 --> 00:25:34,280
Speaker 1: is a product of twenty years ago. But when Kelso

455
00:25:34,720 --> 00:25:39,399
Speaker 1: makes fun of Ricky Schroeder for being a nurse, and

456
00:25:39,560 --> 00:25:44,159
Speaker 1: he says, because you're doing a woman's job, and I

457
00:25:44,320 --> 00:25:47,720
Speaker 1: think that I imagine it was the Nursing Association of

458
00:25:47,920 --> 00:25:50,800
Speaker 1: some national Medical Nursing Association, or maybe it was the AMA,

459
00:25:50,920 --> 00:25:55,800
Speaker 1: I don't know who said Ay, that's bullshit and stop

460
00:25:55,960 --> 00:25:59,000
Speaker 1: perpetuating that and be there is such a shortage of nurses.

461
00:25:59,119 --> 00:26:03,480
Speaker 1: The last thing we need you doing is convincing men

462
00:26:03,800 --> 00:26:09,000
Speaker 1: that they shouldn't pursue this very noble profession. And you

463
00:26:09,440 --> 00:26:11,440
Speaker 1: want to if you want to be a show that

464
00:26:11,600 --> 00:26:17,119
Speaker 1: celebrates the medical profession, you're actually hurting us by putting old,

465
00:26:18,080 --> 00:26:24,679
Speaker 1: antiquated stereotypes on the nursing profession. That's my guess, Daniels, Right,

466
00:26:25,200 --> 00:26:30,280
Speaker 1: let's find out the answer is when Paul says Paul,

467
00:26:30,320 --> 00:26:33,159
Speaker 1: the nurse played by Rick Schroder says, Elliott's embarrassed to

468
00:26:33,240 --> 00:26:34,960
Speaker 1: date me because I'm a nurse and I don't know why.

469
00:26:35,800 --> 00:26:38,600
Speaker 1: Kelso's response as well signed because it's a woman's job.

470
00:26:40,040 --> 00:26:44,159
Speaker 1: The National Organization of Nurses admonished us and sent us

471
00:26:44,520 --> 00:26:46,639
Speaker 1: a letter saying that we really set things back and

472
00:26:47,520 --> 00:26:49,760
Speaker 1: how offensive they found that, which I understand, but also

473
00:26:49,760 --> 00:26:52,159
Speaker 1: I would argue that Kelso was supposed to be that

474
00:26:52,320 --> 00:26:56,440
Speaker 1: kind of old school guy from a sexist era that

475
00:26:56,520 --> 00:27:00,240
Speaker 1: would believe and say things like that. That said, I'm

476
00:27:00,280 --> 00:27:03,879
Speaker 1: not surprised, and we got that reaction, and this is

477
00:27:03,920 --> 00:27:07,680
Speaker 1: my official I'm sorry. My favorite joke in this episode,

478
00:27:08,440 --> 00:27:12,240
Speaker 1: actually randomly was when Sarah Chuk just throws away a

479
00:27:12,440 --> 00:27:14,560
Speaker 1: very matter of fact sad thing, which is she does

480
00:27:14,600 --> 00:27:16,639
Speaker 1: a lot which she's like, hey, I didn't break up

481
00:27:16,640 --> 00:27:18,560
Speaker 1: with Paul because he's a nurse, so stop putting bed

482
00:27:18,560 --> 00:27:20,760
Speaker 1: pans in my locker. It makes me cry. I always

483
00:27:20,800 --> 00:27:24,680
Speaker 1: love that. Two other pieces of tribut One this is

484
00:27:24,720 --> 00:27:28,120
Speaker 1: the first episode that was narrated by another character completely,

485
00:27:28,600 --> 00:27:31,920
Speaker 1: and two this is the introduction of another fan favorite

486
00:27:32,000 --> 00:27:36,119
Speaker 1: Reker character, patient, played by one of our stuntmen. You

487
00:27:36,160 --> 00:27:38,120
Speaker 1: should be able to answer this, so I'm not giving

488
00:27:38,119 --> 00:27:41,560
Speaker 1: you the answer. I'll be back in a few minutes

489
00:27:41,600 --> 00:27:45,680
Speaker 1: with another interruption. Oh my god, he's gonna go. First

490
00:27:45,720 --> 00:27:48,440
Speaker 1: of all, all right, he's gonna need to calm down.

491
00:27:48,560 --> 00:27:54,160
Speaker 1: All right. I appreciate Bill, I appreciate the new segment,

492
00:27:54,280 --> 00:27:56,480
Speaker 1: but it's gonna get It was a little long and

493
00:27:56,680 --> 00:28:01,919
Speaker 1: no offense, and now we're told those more. I'm all right.

494
00:28:03,000 --> 00:28:05,840
Speaker 1: Little by little, little by little, it becomes like Donald

495
00:28:05,920 --> 00:28:08,280
Speaker 1: and I are like just like five minutes of the

496
00:28:08,320 --> 00:28:13,119
Speaker 1: body gays is Builds monologue. Well, since Bill brought it up,

497
00:28:13,200 --> 00:28:14,960
Speaker 1: let's all talk about it, because I think that was

498
00:28:15,080 --> 00:28:17,719
Speaker 1: something that was shocking. And by the way, we can

499
00:28:17,800 --> 00:28:21,480
Speaker 1: all address the fact that one thing the show highlights

500
00:28:21,760 --> 00:28:24,600
Speaker 1: and Shay you'll be able to articulate this better than Donald, right,

501
00:28:25,200 --> 00:28:29,760
Speaker 1: is masculinity and stereotypical masculinity and what that means, and

502
00:28:30,400 --> 00:28:34,240
Speaker 1: how Ricky Schroeder was playing this guy who's very handsome

503
00:28:34,280 --> 00:28:37,280
Speaker 1: and he's charming, and she immediately looked down upon him

504
00:28:37,320 --> 00:28:40,040
Speaker 1: because he was in nurse She was literally embarrassed to

505
00:28:40,120 --> 00:28:43,480
Speaker 1: be seen with him because he was a nurse. Yeah,

506
00:28:43,520 --> 00:28:47,840
Speaker 1: it's a it's an interesting dichotomy here because a thing

507
00:28:47,880 --> 00:28:50,719
Speaker 1: that happens in this episode that often happens in Scrubs

508
00:28:50,760 --> 00:28:54,240
Speaker 1: episode is you have two storylines happening at the same

509
00:28:54,320 --> 00:28:57,920
Speaker 1: time that don't seem like they're related, but like philosophically

510
00:28:58,000 --> 00:28:59,920
Speaker 1: they are related. So you have what Donald was meant

511
00:29:00,200 --> 00:29:04,240
Speaker 1: earlier with doctor Cox very clearly. We get to see

512
00:29:04,320 --> 00:29:07,840
Speaker 1: how destructive his masculinity is in his life, like this

513
00:29:07,960 --> 00:29:13,920
Speaker 1: sort of traditional overt I don't need anybody pisanna that

514
00:29:14,000 --> 00:29:16,280
Speaker 1: he has. We see the backside of it, and it's like, oh,

515
00:29:16,360 --> 00:29:18,240
Speaker 1: he's fucking miserable and he has to watch this and

516
00:29:18,480 --> 00:29:20,920
Speaker 1: even finished watching the game, he's got a stack of

517
00:29:21,000 --> 00:29:23,320
Speaker 1: pizza boxes because he thought people were going to show up.

518
00:29:23,360 --> 00:29:25,160
Speaker 1: Like this is a very sad moment. So you have

519
00:29:25,320 --> 00:29:26,800
Speaker 1: that going and then on the other side of a

520
00:29:27,000 --> 00:29:29,680
Speaker 1: total opposite side of that, as you have this other

521
00:29:29,720 --> 00:29:34,480
Speaker 1: person who's clearly an advanced individual, Rige's character, and he,

522
00:29:35,080 --> 00:29:37,720
Speaker 1: like you're saying, he's smart and funny and charming and handsome,

523
00:29:38,000 --> 00:29:40,400
Speaker 1: but he can't get a fair shake either, Like he's

524
00:29:40,480 --> 00:29:42,640
Speaker 1: doing the thing you're supposed to do and people are

525
00:29:42,720 --> 00:29:46,480
Speaker 1: looking down on him. Here we're sort of idolizing this

526
00:29:46,640 --> 00:29:50,640
Speaker 1: one character. Secretly, his life is falling apart over here,

527
00:29:50,960 --> 00:29:53,360
Speaker 1: we're looking down on this other character and he's got

528
00:29:53,400 --> 00:29:56,520
Speaker 1: all of his shit together, but we just don't appreciate

529
00:29:56,640 --> 00:30:02,000
Speaker 1: what it is that he's doing. Right, I'm so happy

530
00:30:02,040 --> 00:30:06,720
Speaker 1: you're here. I think we should I think we should

531
00:30:06,760 --> 00:30:11,520
Speaker 1: cut Bill's interruptions, just have shade. Bill will not like that.

532
00:30:14,280 --> 00:30:16,080
Speaker 1: You know. Um, let's talk for a second about Rick

533
00:30:16,080 --> 00:30:19,720
Speaker 1: Schroder because we I don't know about you, Shay, but

534
00:30:19,880 --> 00:30:22,800
Speaker 1: Donald and I guess I don't know about you with

535
00:30:22,960 --> 00:30:26,240
Speaker 1: this regard, but silver Spoons was on my watch list. Dude,

536
00:30:26,320 --> 00:30:29,280
Speaker 1: the Champ just let's go back to the Champ. Okay,

537
00:30:29,360 --> 00:30:33,360
Speaker 1: the Champ. I never saw. I never saw the Champ.

538
00:30:33,920 --> 00:30:37,480
Speaker 1: I think it's Rick Schroeder and John Boyd plays the Champ. Yes,

539
00:30:37,960 --> 00:30:40,320
Speaker 1: and I know that Rick Schroeder like cried in a

540
00:30:40,400 --> 00:30:42,080
Speaker 1: way that no one had ever seen a kid crying

541
00:30:42,160 --> 00:30:46,160
Speaker 1: a movie. And it's breaking. It's a tough watch. Watch

542
00:30:46,920 --> 00:30:50,600
Speaker 1: good chap like Rick Schroder. When I was a kid,

543
00:30:51,120 --> 00:30:53,880
Speaker 1: you know, it was so Rick. Rick had the show.

544
00:30:54,720 --> 00:30:57,400
Speaker 1: And then when they introduced Alfonso Ribero to the show,

545
00:30:57,560 --> 00:31:00,360
Speaker 1: that's when I was hooked by oh because they brought

546
00:31:00,400 --> 00:31:02,400
Speaker 1: in a young, handsome black man and you were like, oh,

547
00:31:02,560 --> 00:31:06,000
Speaker 1: go on, well yeah, you know absolutely, as a young

548
00:31:06,560 --> 00:31:11,640
Speaker 1: African American male. It's always great to see well I didn't.

549
00:31:11,680 --> 00:31:14,160
Speaker 1: I'm not going to say handsome, because that's for other

550
00:31:14,240 --> 00:31:18,480
Speaker 1: people to decide, but it's always great to see somebody

551
00:31:18,920 --> 00:31:23,320
Speaker 1: representing you on screen. So when they brought an Alfonso

552
00:31:23,600 --> 00:31:25,360
Speaker 1: and he was doing all of Michael Jackson stuff, that

553
00:31:25,440 --> 00:31:30,040
Speaker 1: show became even more to me. But absolutely Silver Spoons,

554
00:31:30,640 --> 00:31:34,760
Speaker 1: in my opinion, was one of those shows that I

555
00:31:34,840 --> 00:31:38,200
Speaker 1: would look to watch because of the relationships, the relationships

556
00:31:38,560 --> 00:31:41,560
Speaker 1: that Rick had with his dad and with his friends,

557
00:31:41,760 --> 00:31:44,640
Speaker 1: you know what I mean. This was this kid who

558
00:31:44,800 --> 00:31:49,160
Speaker 1: was extremely rich and wasn't a dick about all of

559
00:31:49,280 --> 00:31:51,880
Speaker 1: his money. He was very much like you know, everybody

560
00:31:51,960 --> 00:31:54,840
Speaker 1: come and experience what me and my dad have. That

561
00:31:55,000 --> 00:31:58,240
Speaker 1: being said, yes, I want to give a quick shout

562
00:31:58,280 --> 00:32:01,760
Speaker 1: out to Jason Bateman, who was the bad guy on

563
00:32:01,960 --> 00:32:05,800
Speaker 1: Silver Spoons. A lot of people don't remember that, but

564
00:32:06,080 --> 00:32:09,320
Speaker 1: is that Jason's first part. I don't know, but from

565
00:32:09,400 --> 00:32:13,239
Speaker 1: that point on, at they even did I think they

566
00:32:13,280 --> 00:32:17,280
Speaker 1: even did a spin off from Silverspoon starring Jason Bateman,

567
00:32:17,920 --> 00:32:21,600
Speaker 1: uh where he and some other dude would constantly play

568
00:32:22,400 --> 00:32:24,560
Speaker 1: on each other. I'm gonna go with your digression and say,

569
00:32:24,640 --> 00:32:27,880
Speaker 1: Jason Bateman has had the most epic, awesome career. I

570
00:32:27,960 --> 00:32:31,480
Speaker 1: mean he's started at such a young age and has

571
00:32:31,640 --> 00:32:33,960
Speaker 1: and has done so much great work. And now in

572
00:32:34,040 --> 00:32:37,520
Speaker 1: this new chapter directing, I mean, I don't know if

573
00:32:37,520 --> 00:32:40,800
Speaker 1: you're watching Ozark, but his his direction on Ozark is

574
00:32:40,920 --> 00:32:44,400
Speaker 1: extraordinary and uh and it's just it's just so you know,

575
00:32:44,440 --> 00:32:47,600
Speaker 1: there's so few people that can start that young and

576
00:32:47,760 --> 00:32:52,440
Speaker 1: then and then keep the momentum long. Oh he was

577
00:32:52,480 --> 00:32:55,040
Speaker 1: our little house, that's right. Jason and I made a

578
00:32:55,080 --> 00:32:59,240
Speaker 1: film called The x Um which it's kind of a

579
00:32:59,360 --> 00:33:04,440
Speaker 1: b plut okay, but I think you'll laugh. Check out

580
00:33:04,480 --> 00:33:06,320
Speaker 1: if you get a chance, check out The Excess Jason

581
00:33:06,680 --> 00:33:13,400
Speaker 1: and Charles Groden and Amanda Pete, fred Armison, Mia Farrow.

582
00:33:13,440 --> 00:33:15,760
Speaker 1: I mean it has an amazing, amazing cast, and I

583
00:33:15,840 --> 00:33:17,440
Speaker 1: think you'll giggle out it. It's a good it's a

584
00:33:17,480 --> 00:33:19,320
Speaker 1: good thing to watch when you're when you're home. We

585
00:33:19,360 --> 00:33:21,160
Speaker 1: got a good a break and we will be right

586
00:33:21,240 --> 00:33:26,120
Speaker 1: back with Shay Serrano and Donald Faizon and jowellen Down

587
00:33:32,920 --> 00:33:40,440
Speaker 1: and reba Um Silver Spoons. Yeah, I mean I really

588
00:33:40,560 --> 00:33:43,480
Speaker 1: loved it. I thought like it was I think every

589
00:33:43,640 --> 00:33:46,959
Speaker 1: kid dreamed of having that kind of wealth. I mean

590
00:33:47,000 --> 00:33:50,360
Speaker 1: the father and also a father who was so young

591
00:33:50,480 --> 00:33:53,360
Speaker 1: and fun like remember he there was a train. They

592
00:33:53,400 --> 00:33:56,200
Speaker 1: had a they had a ridable train that would go

593
00:33:56,360 --> 00:33:59,240
Speaker 1: through the living room. And I just remember thinking, and

594
00:33:59,240 --> 00:34:01,560
Speaker 1: there was a remote control that opened the front door,

595
00:34:02,120 --> 00:34:04,360
Speaker 1: and there were arcade games in the living room, and

596
00:34:04,360 --> 00:34:07,120
Speaker 1: I just thought, like, you know, it was clearly targeted

597
00:34:07,160 --> 00:34:10,160
Speaker 1: at whatever age I was, and and I just thought

598
00:34:10,160 --> 00:34:12,359
Speaker 1: it was so exciting. And then they had a very

599
00:34:12,440 --> 00:34:15,879
Speaker 1: special episode. We talked about this once on the podcast before.

600
00:34:15,920 --> 00:34:19,320
Speaker 1: Where back in the day when a sitcom would have

601
00:34:19,320 --> 00:34:21,800
Speaker 1: a dramatic episode. Here we were on a show that

602
00:34:21,840 --> 00:34:25,359
Speaker 1: would have lots of drama, but on a traditional three

603
00:34:25,440 --> 00:34:27,960
Speaker 1: camera you know, in front, live in front an audience sitcom.

604
00:34:28,280 --> 00:34:30,239
Speaker 1: They would go, they would give a warning, they would

605
00:34:30,239 --> 00:34:33,960
Speaker 1: be like tonight on a very special episode of Silver Spoons,

606
00:34:34,600 --> 00:34:38,040
Speaker 1: we recommend parents watch with their children. And that was

607
00:34:38,080 --> 00:34:41,399
Speaker 1: the episode when when rick they called him the Ricker,

608
00:34:41,560 --> 00:34:44,600
Speaker 1: the Ricker shot a deer and then the Ricker was

609
00:34:44,640 --> 00:34:47,280
Speaker 1: really upset that he killed the deer. He regretted killing

610
00:34:47,360 --> 00:34:50,080
Speaker 1: the deer. Do you remember anybody remember this. I don't

611
00:34:50,200 --> 00:34:53,440
Speaker 1: remember that. I don't remember the thing that I remember

612
00:34:53,560 --> 00:34:58,800
Speaker 1: most about that show is the theme song. Here we

613
00:34:59,000 --> 00:35:03,920
Speaker 1: are face to face, a couple of silver first booms,

614
00:35:05,320 --> 00:35:09,480
Speaker 1: open to find. We're two of a kind, making it go,

615
00:35:10,520 --> 00:35:17,759
Speaker 1: making it grow together. We're gonna find a way together,

616
00:35:19,239 --> 00:35:24,000
Speaker 1: making a time each day to learn all about those

617
00:35:24,200 --> 00:35:27,759
Speaker 1: things you just can find. I think you should God

618
00:35:27,760 --> 00:35:35,360
Speaker 1: have go one falsetto there can fine super scooons together.

619
00:35:36,440 --> 00:35:42,440
Speaker 1: This is when you go falsetto You and I used

620
00:35:42,440 --> 00:35:45,520
Speaker 1: to love that. It's a good song. So Alfonso came

621
00:35:45,560 --> 00:35:47,279
Speaker 1: on as the best friend, and he was doing lots

622
00:35:47,320 --> 00:35:51,640
Speaker 1: of dancing like Michael Jackson style dancing, as all black

623
00:35:51,760 --> 00:35:57,920
Speaker 1: people do on television shows. We're introduced. Well, listen, we

624
00:35:58,040 --> 00:36:01,000
Speaker 1: could talk about this. How how many times did I

625
00:36:01,200 --> 00:36:04,880
Speaker 1: dance on this motherfucking show? How about that? Let's go there. Well, well, okay,

626
00:36:04,960 --> 00:36:08,440
Speaker 1: in fairness, you're a very good dancer, so is Alfonso.

627
00:36:10,120 --> 00:36:13,680
Speaker 1: And um, I think any performer that you bring onto

628
00:36:13,719 --> 00:36:15,799
Speaker 1: a TV show, you're gonna go what are they great at?

629
00:36:15,960 --> 00:36:19,080
Speaker 1: Let's fucking use everything they're great at. The West Wing

630
00:36:19,160 --> 00:36:24,040
Speaker 1: didn't have Douley tap dance. Duley is one of the

631
00:36:24,080 --> 00:36:26,360
Speaker 1: best tap dancers in the world. I didn't know that

632
00:36:26,600 --> 00:36:28,480
Speaker 1: one of the best tap dances in the world is

633
00:36:28,520 --> 00:36:32,040
Speaker 1: Duley Hill. If I was Aaron Sorkin, I would have

634
00:36:32,080 --> 00:36:38,400
Speaker 1: been like, you guys, we got find I didn't know

635
00:36:38,480 --> 00:36:41,920
Speaker 1: that about Dulet but by the way the world, speaking

636
00:36:41,960 --> 00:36:44,799
Speaker 1: of tap dancing, I was a kid and I saw

637
00:36:45,080 --> 00:36:48,719
Speaker 1: Alfonso in The Tap Dance Kid on Broadway, which was

638
00:36:48,800 --> 00:36:51,560
Speaker 1: a tap dance musical. Dole Hill was also a taped

639
00:36:51,560 --> 00:36:53,319
Speaker 1: at one of the Tap Dance Kids. That's how good

640
00:36:53,360 --> 00:36:56,799
Speaker 1: he was. Oh wow, that's Alfonso did it on broad

641
00:36:56,840 --> 00:37:00,239
Speaker 1: Alfonso originated it on Broadway. I don't know how good

642
00:37:00,280 --> 00:37:03,440
Speaker 1: of a tap dancer Alfonso is, but he was the

643
00:37:03,480 --> 00:37:05,880
Speaker 1: first uh one on Broadway to play it. And then

644
00:37:05,960 --> 00:37:09,239
Speaker 1: Savion and do Lay. I think that the tour uh

645
00:37:09,960 --> 00:37:13,840
Speaker 1: Savion took over for Alfonso, and then it became a

646
00:37:14,000 --> 00:37:16,320
Speaker 1: completely different show, and then it became more about the

647
00:37:17,080 --> 00:37:20,239
Speaker 1: tap From what I recall, I could be wrong. I

648
00:37:20,320 --> 00:37:23,080
Speaker 1: just remember as a kid who was loved Broadway and

649
00:37:23,280 --> 00:37:25,840
Speaker 1: Spectacle that at certain point there was like a cable

650
00:37:25,920 --> 00:37:29,239
Speaker 1: car that went across the stage like like you know,

651
00:37:29,800 --> 00:37:32,600
Speaker 1: you know, big Broadway budget musicals will have some big

652
00:37:32,680 --> 00:37:34,600
Speaker 1: set moment where you're like, oh my god, look at

653
00:37:34,640 --> 00:37:37,680
Speaker 1: that and their moment was like the cable car rode

654
00:37:38,120 --> 00:37:42,799
Speaker 1: it must have been imagining. It's the fifty ninth Street, right,

655
00:37:42,840 --> 00:37:45,200
Speaker 1: it takes place in Harlem, it takes place in New

656
00:37:45,280 --> 00:37:47,680
Speaker 1: York City, And well, I think he rode that thing.

657
00:37:48,040 --> 00:37:50,080
Speaker 1: You know that thing that goes to uh, what's the

658
00:37:50,200 --> 00:37:52,239
Speaker 1: island next to Manhattan And they have a cable car

659
00:37:52,320 --> 00:37:58,200
Speaker 1: that goes to uh Staten Island. No, um um, you

660
00:37:58,280 --> 00:38:01,600
Speaker 1: know that weird little island that's that's next to Manhattan. Donald,

661
00:38:01,640 --> 00:38:03,239
Speaker 1: you grew up on the fucking island. You don't know

662
00:38:03,239 --> 00:38:06,120
Speaker 1: what it is, Joel, where does the cable car? I

663
00:38:06,200 --> 00:38:07,560
Speaker 1: know what you're talking about on the east side. I

664
00:38:07,640 --> 00:38:09,640
Speaker 1: know what's the name of the island it goes. I

665
00:38:09,680 --> 00:38:13,480
Speaker 1: don't know where that shit goes. I never I'm not yelling,

666
00:38:13,560 --> 00:38:15,960
Speaker 1: but that's like me. I'm from New York. Ask asked me,

667
00:38:16,000 --> 00:38:18,120
Speaker 1: if I've ever been to the Statue of Liberty? Have

668
00:38:18,200 --> 00:38:19,800
Speaker 1: you ever been in the Statue of Liberty? I have

669
00:38:19,920 --> 00:38:22,759
Speaker 1: not been to the Statue of Why you freedom? Why

670
00:38:22,840 --> 00:38:25,879
Speaker 1: do you hate freedom? Asked me? This asked me if

671
00:38:26,000 --> 00:38:29,279
Speaker 1: when the World Trade Center was up, how if I'd

672
00:38:29,280 --> 00:38:30,799
Speaker 1: ever been to the top of the World Trade Center.

673
00:38:31,239 --> 00:38:33,600
Speaker 1: I'm gonna guess the answers. No right asked me if

674
00:38:33,600 --> 00:38:35,600
Speaker 1: I've ever been to the top of the Empire State Building.

675
00:38:36,360 --> 00:38:39,399
Speaker 1: Have you been at the top of the Empire State Building? No, man,

676
00:38:39,480 --> 00:38:46,640
Speaker 1: I I'm proud. Have you ever in the Roosevelt Island? Tramp?

677
00:38:47,040 --> 00:38:50,719
Speaker 1: Roosevelt Island? Roosevelt Island. So for those of you who

678
00:38:50,880 --> 00:38:52,360
Speaker 1: have no no idea what we're talking about, there's a

679
00:38:52,400 --> 00:38:55,760
Speaker 1: little mini island next to Manhattan and it's called Roosevelt Island,

680
00:38:55,920 --> 00:38:59,399
Speaker 1: and people there's there's there's like a whole community there,

681
00:38:59,560 --> 00:39:03,239
Speaker 1: and um there is a the Tram, a cable car

682
00:39:03,400 --> 00:39:07,000
Speaker 1: thing that goes over there and tourists off and ride it,

683
00:39:07,080 --> 00:39:08,759
Speaker 1: but also I think people that live there ride it.

684
00:39:10,040 --> 00:39:12,000
Speaker 1: We should probably get back to the show. I know

685
00:39:12,040 --> 00:39:15,800
Speaker 1: he should get in the episode. Sorry digress, we digress.

686
00:39:16,400 --> 00:39:19,800
Speaker 1: Let's talk about the cold opened Judy fucking great platfall

687
00:39:19,840 --> 00:39:22,520
Speaker 1: in the beginning. Yes, it's good for Judy. I love

688
00:39:22,520 --> 00:39:25,320
Speaker 1: it when Judy gets comedy because she always was concerned

689
00:39:25,360 --> 00:39:28,160
Speaker 1: that she wasn't getting enough comedy. And whenever I see

690
00:39:28,200 --> 00:39:31,640
Speaker 1: her do a pratfall, now I'm happy because she nails

691
00:39:31,680 --> 00:39:34,719
Speaker 1: the door. She she nails it and she and and

692
00:39:34,920 --> 00:39:37,320
Speaker 1: and it's very funny. I was gonna say, we already

693
00:39:37,320 --> 00:39:40,680
Speaker 1: bought it up. But the Ricker joins us, man can

694
00:39:40,840 --> 00:39:43,160
Speaker 1: talk about and now we can't talk about silver spoons

695
00:39:43,239 --> 00:39:46,200
Speaker 1: because we already talked about him. Well, the Ricker, Um,

696
00:39:46,600 --> 00:39:48,759
Speaker 1: the Ricker was on another TV show for a while,

697
00:39:48,800 --> 00:39:52,520
Speaker 1: where was an MPD Blue I think something like that, yeah,

698
00:39:52,920 --> 00:39:54,879
Speaker 1: or a law and Order something like that. Joe, Well

699
00:39:54,920 --> 00:39:57,000
Speaker 1: we locked that up. Yeah. So he had a long career,

700
00:39:57,040 --> 00:39:58,920
Speaker 1: but he but he was doing that at the same

701
00:39:58,960 --> 00:40:01,759
Speaker 1: time he did Scrubs yea, So I remember that he

702
00:40:01,880 --> 00:40:05,480
Speaker 1: was on a series at the time. Um. And the

703
00:40:05,680 --> 00:40:08,719
Speaker 1: diner I just thought was interesting was our cafeteria. For

704
00:40:08,800 --> 00:40:11,360
Speaker 1: some reason, they decided to read remember this done? They

705
00:40:12,560 --> 00:40:14,440
Speaker 1: they they that whole diner set that we go to

706
00:40:14,640 --> 00:40:19,200
Speaker 1: twice was built into where cafeteria or a little bit,

707
00:40:19,280 --> 00:40:21,160
Speaker 1: I do remember. And I don't know why they did that.

708
00:40:21,160 --> 00:40:23,280
Speaker 1: They spent a lot of money for some reason converting

709
00:40:23,280 --> 00:40:27,040
Speaker 1: the hospital cafeteria into a diner. And that's not something

710
00:40:27,080 --> 00:40:29,600
Speaker 1: one ever, So I don't think the cafeteria ever became

711
00:40:29,680 --> 00:40:32,280
Speaker 1: anything else again other than that it's the same diner

712
00:40:32,320 --> 00:40:37,719
Speaker 1: with Sean too, though where Sean gets real fat. Well,

713
00:40:37,800 --> 00:40:40,040
Speaker 1: then maybe they did. I don't recall. I just remember.

714
00:40:40,160 --> 00:40:43,040
Speaker 1: I just remember. We there's something on the blooper reel

715
00:40:43,080 --> 00:40:46,320
Speaker 1: that happened. Um, I think it was a spit bucket

716
00:40:46,440 --> 00:40:49,160
Speaker 1: or something. If you can, if anyone's that curious, you

717
00:40:49,200 --> 00:40:51,440
Speaker 1: could consult the season to blooper reel. But I remember

718
00:40:51,840 --> 00:40:55,360
Speaker 1: something happened with this this this ketchup gag on your face.

719
00:40:55,960 --> 00:40:58,560
Speaker 1: And then oh, dude, no, I remember what happened. What

720
00:40:58,680 --> 00:41:01,640
Speaker 1: happened with the kid keet setucket. No, it wasn't a

721
00:41:01,680 --> 00:41:04,040
Speaker 1: spit bucket. The ketchup gag to my face made I

722
00:41:04,160 --> 00:41:05,840
Speaker 1: said to the camera to oh, now I know what

723
00:41:05,880 --> 00:41:11,200
Speaker 1: a porn star feels like. Oh, that didn't make it

724
00:41:11,239 --> 00:41:13,560
Speaker 1: to air. That did not make it to air. That

725
00:41:13,680 --> 00:41:17,120
Speaker 1: didn't make it to air. On Scrubs Wicky, they mentioned

726
00:41:17,160 --> 00:41:19,840
Speaker 1: that you can see the little hose that's going to

727
00:41:20,040 --> 00:41:26,040
Speaker 1: your your go on. They can see the hose that's

728
00:41:26,120 --> 00:41:28,840
Speaker 1: running to your fake ketchup bottle that splatters all of

729
00:41:28,880 --> 00:41:31,160
Speaker 1: your face. If you're if you're interested in fuck ups,

730
00:41:31,200 --> 00:41:34,160
Speaker 1: you can see that. Okay, I think you were going

731
00:41:34,239 --> 00:41:37,160
Speaker 1: to say something else, you know, I was getting Also,

732
00:41:37,320 --> 00:41:42,359
Speaker 1: I'm Also, I got annoyed with Turk this episode me too,

733
00:41:43,280 --> 00:41:47,279
Speaker 1: like dude, because he just keeps asking her to marry him. Yeah,

734
00:41:47,320 --> 00:41:52,120
Speaker 1: I mean it's embarrassing. It is embarrassing over and over

735
00:41:52,320 --> 00:41:55,879
Speaker 1: and over again. So much to him standing on top

736
00:41:55,920 --> 00:41:58,640
Speaker 1: of a car at the end of our cold open

737
00:41:59,280 --> 00:42:03,000
Speaker 1: mhm for love, hank for love, and everybody's honking because

738
00:42:03,040 --> 00:42:04,840
Speaker 1: they want these two to jackasses to get out of

739
00:42:04,880 --> 00:42:08,360
Speaker 1: the street as Jad runs down the freaking runs through traffic.

740
00:42:08,480 --> 00:42:13,920
Speaker 1: But that was kind of cute though, of jdo both well.

741
00:42:14,000 --> 00:42:16,319
Speaker 1: Obviously this first time is to set up the second time,

742
00:42:16,360 --> 00:42:18,919
Speaker 1: and the second time literally gave me full body goose

743
00:42:18,960 --> 00:42:21,040
Speaker 1: bumps because I thought it was so romantic and sweet.

744
00:42:21,600 --> 00:42:23,520
Speaker 1: Where did you come from? The second time? Where the

745
00:42:23,560 --> 00:42:25,400
Speaker 1: fuck did you come from? The second time? How did

746
00:42:25,440 --> 00:42:28,560
Speaker 1: you know that was going down? From a text? Well?

747
00:42:28,640 --> 00:42:30,680
Speaker 1: What happened? I mean I have questions about how that

748
00:42:30,760 --> 00:42:33,800
Speaker 1: happened anyway, Like so she said come meet me just

749
00:42:33,920 --> 00:42:35,839
Speaker 1: as you're about to go fucking on your first date.

750
00:42:35,880 --> 00:42:37,960
Speaker 1: By the way, he didn't waste any time. No, Well,

751
00:42:38,080 --> 00:42:42,120
Speaker 1: you know she was like vanilla or chocolate. Do you

752
00:42:42,200 --> 00:42:50,520
Speaker 1: know I like that chocolate? Dude? You know I like

753
00:42:50,640 --> 00:42:54,640
Speaker 1: that chocolate. Also, she was finished. He finished a chili

754
00:42:54,719 --> 00:42:58,040
Speaker 1: dog in front of her. He ate the whole thing

755
00:42:58,760 --> 00:43:01,399
Speaker 1: in front of it. It was weird. So so we're

756
00:43:01,480 --> 00:43:04,439
Speaker 1: jumping ahead, so let's just go back to Sparklers. Okay,

757
00:43:04,560 --> 00:43:06,600
Speaker 1: So I just have a problem and Shay, what are

758
00:43:06,640 --> 00:43:10,000
Speaker 1: your thoughts on this? The guy is I just felt

759
00:43:10,320 --> 00:43:12,920
Speaker 1: if it was real life and I asked the love

760
00:43:12,960 --> 00:43:14,719
Speaker 1: of my life to marry me and she was like,

761
00:43:15,000 --> 00:43:17,879
Speaker 1: maybe I need to think about it, that I would

762
00:43:17,960 --> 00:43:21,239
Speaker 1: really be turned off. I would be like, well, why

763
00:43:21,320 --> 00:43:23,040
Speaker 1: am I so sure of this? And you're not? And

764
00:43:23,560 --> 00:43:26,400
Speaker 1: and Donald and Turk's technique is just keep asking and

765
00:43:26,520 --> 00:43:29,520
Speaker 1: asking and asking. I think, well, I think there are

766
00:43:29,640 --> 00:43:33,160
Speaker 1: different versions of guys, but this is very much a

767
00:43:33,239 --> 00:43:36,239
Speaker 1: guy trait. When she is telling you exactly what she

768
00:43:36,400 --> 00:43:38,800
Speaker 1: needs right now, I just need some space and you

769
00:43:38,880 --> 00:43:40,680
Speaker 1: are like, that's not actually what you need. What you

770
00:43:40,800 --> 00:43:42,680
Speaker 1: need is me to just figure out a way to

771
00:43:42,719 --> 00:43:46,200
Speaker 1: say this differently and bigger and better, and I can

772
00:43:46,280 --> 00:43:48,640
Speaker 1: prove to you how much I love you. And that's

773
00:43:48,640 --> 00:43:50,600
Speaker 1: a that's a thing that a lot of a lot

774
00:43:50,640 --> 00:43:53,200
Speaker 1: of guys do. But you get the sense that somebody

775
00:43:53,280 --> 00:43:55,640
Speaker 1: like like Turk in the show, who is very used

776
00:43:55,640 --> 00:43:59,360
Speaker 1: to his whole life having to either a fight for

777
00:43:59,440 --> 00:44:01,360
Speaker 1: something a bit harder than everybody else is having a

778
00:44:01,400 --> 00:44:04,600
Speaker 1: fight for, or be just wanting to win at every

779
00:44:04,640 --> 00:44:07,640
Speaker 1: single thing he participates in, which is like another thing

780
00:44:07,719 --> 00:44:09,600
Speaker 1: we see in the show, like it would make sense

781
00:44:09,640 --> 00:44:12,680
Speaker 1: that he would react this way to this particular thing,

782
00:44:13,080 --> 00:44:15,239
Speaker 1: you know, right, well, that's a good point. He turns

783
00:44:15,280 --> 00:44:17,960
Speaker 1: it into like he turns it into an athletic competition.

784
00:44:18,080 --> 00:44:20,759
Speaker 1: He's like, I'm gonna do a bigger and better proposal

785
00:44:21,120 --> 00:44:24,239
Speaker 1: this time. I'm gonna stand on a car, you know. Yeah,

786
00:44:24,400 --> 00:44:27,080
Speaker 1: you know. In real life, when I met my wife

787
00:44:27,600 --> 00:44:30,880
Speaker 1: after Zach you know, stepped to her and said, you know,

788
00:44:31,000 --> 00:44:34,000
Speaker 1: he likes you, I would run into her over and

789
00:44:34,120 --> 00:44:37,200
Speaker 1: over again, and every time I ran into her, I

790
00:44:37,280 --> 00:44:40,960
Speaker 1: would ask for her number, and she would do something

791
00:44:41,040 --> 00:44:44,160
Speaker 1: that Carl is doing, Like Carl is not saying no,

792
00:44:45,239 --> 00:44:48,960
Speaker 1: She's just saying give me time. And my wife now

793
00:44:49,120 --> 00:44:52,880
Speaker 1: my wife before I would ask her out every time

794
00:44:53,080 --> 00:44:55,680
Speaker 1: I saw her, just get that number. Why don't you

795
00:44:55,719 --> 00:44:58,680
Speaker 1: give me that number? She'd be like, she would be like,

796
00:44:58,920 --> 00:45:00,799
Speaker 1: not this, this is this is the fucked up shit.

797
00:45:00,880 --> 00:45:05,000
Speaker 1: She would be like not this time. Probably next time

798
00:45:05,040 --> 00:45:07,400
Speaker 1: I see you all give it. So it meant okay,

799
00:45:07,640 --> 00:45:09,959
Speaker 1: so not this time. So now I'm trying to figure

800
00:45:10,000 --> 00:45:12,200
Speaker 1: out new ways. And she would do things where it

801
00:45:12,239 --> 00:45:14,759
Speaker 1: would be like I'd be out and about with a

802
00:45:14,840 --> 00:45:16,920
Speaker 1: girl and she'd come up to me and be like, hey,

803
00:45:16,960 --> 00:45:19,880
Speaker 1: how's it going, And I forget about the girl and

804
00:45:20,040 --> 00:45:22,960
Speaker 1: be like, oh shit, but how are you doing. Let's

805
00:45:23,040 --> 00:45:26,600
Speaker 1: let's go out on the date. Forget this girl. I'm

806
00:45:26,840 --> 00:45:29,720
Speaker 1: really into you, and she'd be like, not this time,

807
00:45:30,000 --> 00:45:32,320
Speaker 1: but next time you ask me, I'll probably give it

808
00:45:32,400 --> 00:45:39,239
Speaker 1: to you. Every time you talk about more game, her

809
00:45:39,320 --> 00:45:42,800
Speaker 1: game is, Her game is tight. And then just like Turk,

810
00:45:43,320 --> 00:45:46,319
Speaker 1: Turk goes, you know what, I'm done doing this shit.

811
00:45:46,440 --> 00:45:49,759
Speaker 1: This is some bullshit. I've I've jumped through hoops enough.

812
00:45:50,719 --> 00:45:53,520
Speaker 1: I'm no longer going to do it. Then she accepts

813
00:45:53,600 --> 00:45:57,239
Speaker 1: the proposal, and the same thing with my wife. I

814
00:45:57,440 --> 00:46:01,640
Speaker 1: finally said, you know what, I'm not gonna pursue this anymore.

815
00:46:02,480 --> 00:46:05,040
Speaker 1: She's playing me like I'm a freaking like I'm latto,

816
00:46:05,400 --> 00:46:08,480
Speaker 1: like I'm the lottery. So I'm not gonna I'm not

817
00:46:08,560 --> 00:46:11,920
Speaker 1: gonna push her anymore. And she comes back at me

818
00:46:12,200 --> 00:46:14,280
Speaker 1: and she's like, hey, how's it going? And I remember

819
00:46:14,320 --> 00:46:16,680
Speaker 1: it was me you the girl you were dating at

820
00:46:16,719 --> 00:46:19,239
Speaker 1: the time, and Josh Raiden. We were at Hide and

821
00:46:19,440 --> 00:46:21,719
Speaker 1: she goes, hey, how's it going. And I look up

822
00:46:21,760 --> 00:46:23,440
Speaker 1: and I go, hey, how's it going? And I go

823
00:46:23,560 --> 00:46:26,439
Speaker 1: back to our confidence we were talking and she goes, oh, shit,

824
00:46:26,560 --> 00:46:28,879
Speaker 1: well you know I was gonna give you my number,

825
00:46:28,960 --> 00:46:31,279
Speaker 1: but I guess now, Oh but don't you think. But

826
00:46:31,560 --> 00:46:33,520
Speaker 1: come on, buddy, don't you think the only reason she

827
00:46:33,640 --> 00:46:35,680
Speaker 1: flipped was because now you gave her the cold shoulder

828
00:46:35,719 --> 00:46:37,480
Speaker 1: And she was like, right, bro, But I think that's

829
00:46:37,520 --> 00:46:39,960
Speaker 1: why Carla flipped. Also, she was asking for the space

830
00:46:40,200 --> 00:46:43,880
Speaker 1: and then Turk finally gives her the space, and she's like, well, okay,

831
00:46:44,239 --> 00:46:46,400
Speaker 1: I need him in my life. I'm realizing right now

832
00:46:46,520 --> 00:46:48,480
Speaker 1: I want him in my life. The fact that I

833
00:46:48,520 --> 00:46:50,720
Speaker 1: don't know what he did that he's not working today

834
00:46:51,160 --> 00:46:53,440
Speaker 1: is a big deal for me because I know everything

835
00:46:53,480 --> 00:46:59,680
Speaker 1: about the guy and so therefore, shit, what am I doing? This?

836
00:46:59,760 --> 00:47:01,279
Speaker 1: Dude just asked me to marry him, and this is

837
00:47:01,320 --> 00:47:03,279
Speaker 1: what I've always wanted. Fuck yeah, I want to marry you.

838
00:47:03,880 --> 00:47:06,359
Speaker 1: And that's when the switch happened. The switch happened when

839
00:47:06,400 --> 00:47:09,239
Speaker 1: she realized, oh shit, there's a possibility he might not

840
00:47:09,400 --> 00:47:13,760
Speaker 1: be around for me anymore. It's amazing how people quickly

841
00:47:13,920 --> 00:47:18,840
Speaker 1: change when we shift who we're being. Like the second

842
00:47:19,440 --> 00:47:21,120
Speaker 1: you know, it's like a game of ping pong and

843
00:47:21,200 --> 00:47:23,239
Speaker 1: I'm hitting like this, I'm hitting like this, I'm hitting

844
00:47:23,320 --> 00:47:26,279
Speaker 1: like this. The second I do something completely different and

845
00:47:26,320 --> 00:47:28,120
Speaker 1: put spin on it, you then have to react and

846
00:47:28,160 --> 00:47:30,240
Speaker 1: do it differently. And it's just I know I'm stating

847
00:47:30,239 --> 00:47:32,880
Speaker 1: the obvious, but it's interesting in just in human relationships,

848
00:47:32,920 --> 00:47:35,320
Speaker 1: how we get stuck in this rut. I'm being Turks

849
00:47:35,360 --> 00:47:37,040
Speaker 1: being this way, he's being this way, He's being this way.

850
00:47:37,200 --> 00:47:40,080
Speaker 1: All of a sudden, he just shifts like and then

851
00:47:40,280 --> 00:47:43,040
Speaker 1: she has to shift to react. And then it's a

852
00:47:43,200 --> 00:47:47,560
Speaker 1: very powerful communications tool that I don't know that we

853
00:47:47,760 --> 00:47:50,680
Speaker 1: knowingly marshal enough, do you know what I mean? Like,

854
00:47:50,840 --> 00:47:54,399
Speaker 1: it's it's like all you needed was to stop being

855
00:47:54,480 --> 00:47:57,480
Speaker 1: so desperate, and then she shifted. I think he needed

856
00:47:57,520 --> 00:48:00,279
Speaker 1: to not only did he need to give it his face,

857
00:48:00,360 --> 00:48:02,520
Speaker 1: but it needed to happen in the way that it happened,

858
00:48:02,760 --> 00:48:06,239
Speaker 1: because I think that that's what sort of jogs her

859
00:48:06,320 --> 00:48:09,279
Speaker 1: memory and allows her to connect everything back to like, Oh,

860
00:48:09,320 --> 00:48:10,759
Speaker 1: this is like a fear I have because of a

861
00:48:10,840 --> 00:48:13,200
Speaker 1: thing that happened in my past. You know what I'm saying.

862
00:48:13,280 --> 00:48:15,200
Speaker 1: This is not just like, oh, I just need for

863
00:48:15,320 --> 00:48:17,560
Speaker 1: him to not be available for him for a few minutes.

864
00:48:17,760 --> 00:48:19,440
Speaker 1: This is more I have a thing in my head

865
00:48:19,480 --> 00:48:21,680
Speaker 1: that I need to work my way through. And by

866
00:48:21,760 --> 00:48:23,520
Speaker 1: him acting the way that he did, it finally helped

867
00:48:23,560 --> 00:48:26,360
Speaker 1: her figure out exactly what it was that she wanted

868
00:48:26,560 --> 00:48:28,759
Speaker 1: and what it was that she that she needed. You know,

869
00:48:28,800 --> 00:48:30,239
Speaker 1: it was less about just like I'm just not going

870
00:48:30,280 --> 00:48:31,960
Speaker 1: to be here anymore. It's more about all of the

871
00:48:32,040 --> 00:48:34,719
Speaker 1: other parts of it, what that all meant. And then

872
00:48:34,840 --> 00:48:38,080
Speaker 1: him finally like breaking away, and then her realizing, oh,

873
00:48:38,239 --> 00:48:40,320
Speaker 1: this is because of like my own things that I

874
00:48:40,400 --> 00:48:42,279
Speaker 1: have going on, not because of him, because that's like

875
00:48:42,320 --> 00:48:43,719
Speaker 1: a thing he keeps trying to figure out, like what

876
00:48:43,880 --> 00:48:45,600
Speaker 1: it is about? Is it about me? Is it because

877
00:48:45,640 --> 00:48:47,239
Speaker 1: you don't like this? Is because you don't like that?

878
00:48:47,320 --> 00:48:49,200
Speaker 1: And it turns out it was not any of those things.

879
00:48:49,480 --> 00:48:51,640
Speaker 1: It was like her own stuff that she had to

880
00:48:51,719 --> 00:48:56,120
Speaker 1: wrestle with first, right did you When Casey finally gave

881
00:48:56,280 --> 00:48:58,840
Speaker 1: in and went on a date with you, did you

882
00:48:58,960 --> 00:49:03,279
Speaker 1: guys click right away? Yeah, well that was the thing.

883
00:49:04,600 --> 00:49:09,680
Speaker 1: So you know me and dan'l shay Joe, Well, you

884
00:49:09,719 --> 00:49:12,480
Speaker 1: guys are getting to know me. The type of person

885
00:49:12,600 --> 00:49:15,960
Speaker 1: I like to be around is somebody who's fun and

886
00:49:16,239 --> 00:49:19,680
Speaker 1: enjoys moments, you know what I mean. And I could

887
00:49:19,719 --> 00:49:23,680
Speaker 1: tell from one dance with her that she was funny

888
00:49:23,800 --> 00:49:27,160
Speaker 1: and that she enjoyed, you know, just moment, living in

889
00:49:27,239 --> 00:49:29,720
Speaker 1: the moment, being living in the moment right with special

890
00:49:29,840 --> 00:49:33,919
Speaker 1: to her. And so I knew, look, if I could

891
00:49:33,960 --> 00:49:36,440
Speaker 1: just get this young lady out on a date with me,

892
00:49:38,080 --> 00:49:43,440
Speaker 1: I will be I can be me completely, and I

893
00:49:43,560 --> 00:49:46,040
Speaker 1: think she'll bounce off of it. We have something. There's

894
00:49:46,080 --> 00:49:49,000
Speaker 1: something about that, that energy that we have, that spark

895
00:49:49,120 --> 00:49:52,839
Speaker 1: that we have that's undeniable. And you know the fact

896
00:49:52,880 --> 00:49:54,839
Speaker 1: that she's pushing me away but telling me to come

897
00:49:54,920 --> 00:49:58,160
Speaker 1: close is proof that she feels it too. And so

898
00:49:58,560 --> 00:50:01,520
Speaker 1: from the first date on we were to you know,

899
00:50:02,040 --> 00:50:03,600
Speaker 1: we went out on a date and we and the

900
00:50:03,719 --> 00:50:05,520
Speaker 1: next day we were together, and the day after that

901
00:50:05,600 --> 00:50:08,160
Speaker 1: we were together until we got married, and you know,

902
00:50:08,239 --> 00:50:11,640
Speaker 1: we've been together ever since. But it only took one

903
00:50:11,800 --> 00:50:16,360
Speaker 1: date because I knew she's gonna enjoy what I have

904
00:50:16,520 --> 00:50:18,960
Speaker 1: to offer, and I'm definitely gonna enjoy what she has

905
00:50:19,000 --> 00:50:22,600
Speaker 1: to offer. And we sat down in a dingy ass

906
00:50:22,680 --> 00:50:26,600
Speaker 1: pizza restaurant that's no longer around and talk shit about

907
00:50:26,640 --> 00:50:29,560
Speaker 1: our lives. And then we went to the Dime, which

908
00:50:29,680 --> 00:50:32,400
Speaker 1: was right next door to the dingy ass pizza restaurant,

909
00:50:33,120 --> 00:50:37,680
Speaker 1: and ran into my old friend Jessica Macardo. That's when

910
00:50:37,680 --> 00:50:39,239
Speaker 1: I knew. I was like, this is this is this

911
00:50:39,400 --> 00:50:41,000
Speaker 1: has got to work. And she was on the first

912
00:50:41,080 --> 00:50:44,760
Speaker 1: date with the man she's now married to. Michelle Pasche

913
00:50:44,840 --> 00:50:48,080
Speaker 1: was spinning DJ Michelle Pace. For those of you who

914
00:50:48,120 --> 00:50:50,879
Speaker 1: don't know, Yeah, it just I just knew. I knew

915
00:50:50,960 --> 00:50:53,160
Speaker 1: that once we hung out, I knew that we would

916
00:50:53,200 --> 00:50:56,200
Speaker 1: have a lot of fun together. So yeah, we clicked

917
00:50:56,280 --> 00:50:58,400
Speaker 1: like we were as far as Gump would say, we

918
00:50:58,480 --> 00:51:02,800
Speaker 1: were like peas and carrots. Right away, He's and carrots.

919
00:51:03,360 --> 00:51:06,920
Speaker 1: Let's talk about um, Johnny c taking over the voiceover.

920
00:51:07,040 --> 00:51:10,399
Speaker 1: So this was the first time this has ever happened, UM,

921
00:51:11,239 --> 00:51:13,239
Speaker 1: and the first time a title of the show has

922
00:51:13,320 --> 00:51:16,800
Speaker 1: moved from my such and such to his story or

923
00:51:16,880 --> 00:51:19,880
Speaker 1: her story or what have you? UM? And then and

924
00:51:20,040 --> 00:51:24,440
Speaker 1: Bill establishing the convention of when it does happen. Uh uh,

925
00:51:24,760 --> 00:51:27,800
Speaker 1: some of the person who's sort of tapped and it

926
00:51:28,280 --> 00:51:30,360
Speaker 1: goes into their body. I don't know who the next

927
00:51:30,600 --> 00:51:32,480
Speaker 1: one was. Was it you Donald or was it Sarah?

928
00:51:32,480 --> 00:51:35,000
Speaker 1: I think Sarah's next, Sarah's next? And then where you

929
00:51:35,480 --> 00:51:38,439
Speaker 1: was it once a season that we did it? Yeah? Yeah, yeah,

930
00:51:39,040 --> 00:51:41,920
Speaker 1: And then we introduced Eric Pogosian, who those who don't know,

931
00:51:42,080 --> 00:51:46,279
Speaker 1: Eric Pagozian is an amazing writer and actor and um,

932
00:51:46,440 --> 00:51:48,360
Speaker 1: when when Johnny C was on and he told that

933
00:51:48,440 --> 00:51:51,880
Speaker 1: story of doing the play Talk Radio where he forgot

934
00:51:51,960 --> 00:51:55,440
Speaker 1: his lines and he was late and Talk Radio is

935
00:51:55,480 --> 00:52:01,200
Speaker 1: an incredible play mostly a kind of a your epic

936
00:52:01,320 --> 00:52:05,279
Speaker 1: monologue by Eric Pagozian who wrote it, and Johnny C

937
00:52:05,520 --> 00:52:09,200
Speaker 1: asked him to come on and play his shrink in

938
00:52:09,480 --> 00:52:12,560
Speaker 1: this episode. So we also learned that Johnny's in therapy

939
00:52:12,640 --> 00:52:15,920
Speaker 1: and at least trying at least even though he and

940
00:52:15,960 --> 00:52:19,200
Speaker 1: his shrink have a very contentious relationship, He's at least

941
00:52:19,239 --> 00:52:22,960
Speaker 1: trying to do work on himself. Cox is in therapy

942
00:52:23,120 --> 00:52:27,560
Speaker 1: because of Jordan, though if I'm correct right, he's in

943
00:52:27,640 --> 00:52:29,960
Speaker 1: therapy just because he's a miserable human being and he

944
00:52:30,600 --> 00:52:32,360
Speaker 1: and no, but I think I think one of the

945
00:52:32,440 --> 00:52:35,200
Speaker 1: reasons why he did it was too If we go

946
00:52:35,360 --> 00:52:37,920
Speaker 1: back to when Jordan says, you know, when him and

947
00:52:38,080 --> 00:52:40,880
Speaker 1: Jordan are starting to get back together again, when she

948
00:52:41,000 --> 00:52:42,840
Speaker 1: walks out on him after he was supposed to do

949
00:52:42,920 --> 00:52:45,840
Speaker 1: the speech for Kelso, and he talks about Kelso like

950
00:52:45,920 --> 00:52:48,520
Speaker 1: he's an evil person. I think one of the things

951
00:52:48,600 --> 00:52:50,759
Speaker 1: he says to Jordan, if I'm correct, I could be wrong,

952
00:52:51,239 --> 00:52:53,960
Speaker 1: he says, Look, I'm doing therapy now like he wanted

953
00:52:54,000 --> 00:52:55,200
Speaker 1: me to do back in the day, so I can

954
00:52:55,280 --> 00:52:58,120
Speaker 1: work out my problems. I could be wrong. I don't

955
00:52:58,160 --> 00:53:00,160
Speaker 1: think I am, but you know, I think all of

956
00:53:00,239 --> 00:53:03,759
Speaker 1: the things that he's going through right now, at least

957
00:53:04,000 --> 00:53:07,200
Speaker 1: the therapy session that he's going through, was because of

958
00:53:07,840 --> 00:53:10,600
Speaker 1: him wanting to get back with Jordan. I would like

959
00:53:10,719 --> 00:53:12,880
Speaker 1: to ask Bill, but he won't answer this shit anymore.

960
00:53:12,920 --> 00:53:15,080
Speaker 1: So where are we have a new format with Bill?

961
00:53:15,160 --> 00:53:19,239
Speaker 1: As you know, Bill interrupts and goes on four minute monologues.

962
00:53:19,280 --> 00:53:24,880
Speaker 1: That's okay, We're gonna take a break and when we

963
00:53:24,960 --> 00:53:27,919
Speaker 1: come back, we're going to have a very thrilling guest.

964
00:53:27,960 --> 00:53:30,160
Speaker 1: And you know how I know that because Joel is

965
00:53:30,239 --> 00:53:34,160
Speaker 1: the person that picks them, and also we're gonna fix

966
00:53:34,280 --> 00:53:37,440
Speaker 1: their life. Oh yeah, and our new segment, and she's

967
00:53:37,440 --> 00:53:41,600
Speaker 1: gonna help us. We're gonna fix this person's life. She's like,

968
00:53:41,680 --> 00:53:46,280
Speaker 1: what did I sign up for? We'll be right Back'll

969
00:53:46,320 --> 00:53:59,760
Speaker 1: be right back. Ladies and gentlemen, Welcome, Christy. What's happening.

970
00:54:00,880 --> 00:54:05,440
Speaker 1: I'm good. How are y'all doing? Chilling? You got se Serrano,

971
00:54:05,719 --> 00:54:09,520
Speaker 1: Zach Brafft, Joel Monique, and Daniel Goodman on the line.

972
00:54:10,600 --> 00:54:15,520
Speaker 1: I have butterfly excited the audience to know that you're

973
00:54:15,560 --> 00:54:23,040
Speaker 1: wearing a very dope Selena shirt that Dan appreciate it, appreciate.

974
00:54:24,200 --> 00:54:29,200
Speaker 1: I love every Every Mexican loves Selena. They play it

975
00:54:29,280 --> 00:54:33,640
Speaker 1: at the at the hospital when you're born, come out

976
00:54:33,840 --> 00:54:41,080
Speaker 1: to batty batty bumbomb your baptism at your wedding. I

977
00:54:41,200 --> 00:54:46,239
Speaker 1: thought it would be I could fun different. That's yeah,

978
00:54:46,280 --> 00:54:52,279
Speaker 1: that's that's later on in your life. Well, uh, where

979
00:54:52,280 --> 00:54:55,440
Speaker 1: are you calling from, Chris? I'm next door. I'm in Phoenix.

980
00:54:55,640 --> 00:55:00,040
Speaker 1: I'm just right next to you guys here eighty. I

981
00:55:00,080 --> 00:55:03,280
Speaker 1: have degrees every day. Yeah, it's got to be burning

982
00:55:03,360 --> 00:55:05,040
Speaker 1: right now, like this is one of those six right now.

983
00:55:05,120 --> 00:55:08,560
Speaker 1: In the valley, So what's it for you? Today is

984
00:55:08,640 --> 00:55:12,239
Speaker 1: the first day in like forty five days that it's

985
00:55:12,520 --> 00:55:18,680
Speaker 1: under one and it's only one o nine today, So

986
00:55:18,800 --> 00:55:24,440
Speaker 1: we're like, hell, yeah, Chris, can you even go outside?

987
00:55:24,560 --> 00:55:27,840
Speaker 1: Or are you just like no, fuck it? No? Pools

988
00:55:28,000 --> 00:55:30,320
Speaker 1: are like just hot tea. You can't even go in

989
00:55:30,360 --> 00:55:33,920
Speaker 1: your pool. Grew up playing outside. I grew up like

990
00:55:34,000 --> 00:55:35,640
Speaker 1: I can do this. But now I'm thirty two and

991
00:55:35,680 --> 00:55:41,360
Speaker 1: I'm like, I'm so miserable. I'm irritated. You may you

992
00:55:41,480 --> 00:55:43,680
Speaker 1: just go to your car to get something that you've forgotten.

993
00:55:43,719 --> 00:55:47,680
Speaker 1: You're like just person in the world. It's awful, you know, Chris.

994
00:55:47,760 --> 00:55:51,920
Speaker 1: You know it's trending today. Uh the meme of me

995
00:55:52,160 --> 00:55:58,560
Speaker 1: going it's so hot everyone in Phoenix every day and

996
00:55:58,600 --> 00:56:01,240
Speaker 1: I send that to so many people, like people from Seattle,

997
00:56:01,280 --> 00:56:03,279
Speaker 1: people from yorkally got frends in Chicago and I'm like,

998
00:56:03,320 --> 00:56:08,399
Speaker 1: don't even talk to me right now because it's awful. Um, well,

999
00:56:08,840 --> 00:56:11,400
Speaker 1: welcome to the show. Welcome, welcome, you got you got

1000
00:56:11,520 --> 00:56:14,880
Speaker 1: a question for us all, and obviously including the legendary

1001
00:56:14,920 --> 00:56:17,279
Speaker 1: Sha Serrano, we can all answer for you. I do

1002
00:56:17,440 --> 00:56:21,160
Speaker 1: have a couple questions, Um. One is for Zach. Here.

1003
00:56:21,239 --> 00:56:22,919
Speaker 1: First we're just to music because I love the music

1004
00:56:22,960 --> 00:56:26,080
Speaker 1: so much in Scrubs. My first, like partial question is

1005
00:56:26,120 --> 00:56:28,440
Speaker 1: who is the Germany KA fan? Because you guys use

1006
00:56:28,480 --> 00:56:30,680
Speaker 1: like we were four Germany Kay songs from the first

1007
00:56:30,880 --> 00:56:33,680
Speaker 1: season or two. Do you know, maybe it's not Zack.

1008
00:56:33,800 --> 00:56:36,560
Speaker 1: There's a couple it's not me, because I mean, I'm

1009
00:56:36,600 --> 00:56:38,840
Speaker 1: sure I loved it, But I have to say the

1010
00:56:38,960 --> 00:56:42,640
Speaker 1: most underappreciated voice in choosing music was was Krista Miller,

1011
00:56:42,760 --> 00:56:46,640
Speaker 1: because yeah, she's one. It's music is her passion and

1012
00:56:47,880 --> 00:56:51,080
Speaker 1: she really um kind of took you know, would be

1013
00:56:51,800 --> 00:56:53,279
Speaker 1: you know, I've said this before. What we would do

1014
00:56:53,520 --> 00:56:57,840
Speaker 1: is we would just feel like huge playlists of potential

1015
00:56:57,960 --> 00:57:00,480
Speaker 1: songs in the in the in the average the computer

1016
00:57:00,680 --> 00:57:03,480
Speaker 1: we use and uh and it you know, kind of

1017
00:57:03,560 --> 00:57:05,560
Speaker 1: grouped by genre like, oh this should be sort of

1018
00:57:05,600 --> 00:57:08,800
Speaker 1: a melancholy, heartbreaking thing. Oh this should be uplifting and exciting.

1019
00:57:08,840 --> 00:57:11,880
Speaker 1: Oh this should be comedic and it was about and

1020
00:57:12,040 --> 00:57:14,000
Speaker 1: lots of people would contribute like, oh my god, you

1021
00:57:14,080 --> 00:57:16,840
Speaker 1: guys have to use this song. Um, but I think

1022
00:57:16,880 --> 00:57:18,600
Speaker 1: that and then you know, you just try it until

1023
00:57:18,760 --> 00:57:21,880
Speaker 1: in the in the computer, until you go My joke

1024
00:57:21,960 --> 00:57:23,920
Speaker 1: with all the stuff I've created is if it's an

1025
00:57:23,960 --> 00:57:27,120
Speaker 1: emotional moment like I do the goosebump on the arm

1026
00:57:27,160 --> 00:57:30,320
Speaker 1: tracks like you can play your favorite song over and

1027
00:57:30,400 --> 00:57:32,640
Speaker 1: over and over again. But if it doesn't match with

1028
00:57:32,840 --> 00:57:35,160
Speaker 1: the with the with the moment and the show it,

1029
00:57:35,280 --> 00:57:38,240
Speaker 1: the magic doesn't happen. And and even a song you've

1030
00:57:38,280 --> 00:57:40,840
Speaker 1: been thinking about forever, you go, oh, man, I really

1031
00:57:40,840 --> 00:57:42,320
Speaker 1: would have thought this would have been perfect here, but

1032
00:57:42,320 --> 00:57:44,200
Speaker 1: it doesn't work. And then all of a sudden, someone

1033
00:57:44,240 --> 00:57:45,560
Speaker 1: goes try this song and you're like, nah, it's not

1034
00:57:45,600 --> 00:57:47,080
Speaker 1: gonna work, and they go, just try it, try it,

1035
00:57:47,160 --> 00:57:49,320
Speaker 1: and you try it, and you go, oh shit, every

1036
00:57:49,400 --> 00:57:52,040
Speaker 1: hair and my arm is standing up. Some some little

1037
00:57:52,080 --> 00:57:55,400
Speaker 1: piece of magic has happened. Um, but no, I have

1038
00:57:55,480 --> 00:57:56,960
Speaker 1: to I have to really be of a shout out

1039
00:57:56,960 --> 00:57:59,920
Speaker 1: to Christa, who whom I think was, you know, really

1040
00:58:00,200 --> 00:58:03,000
Speaker 1: the most in charge of music. Yeah, that's like I

1041
00:58:03,080 --> 00:58:05,720
Speaker 1: think the stubs is the best status just matching the

1042
00:58:05,840 --> 00:58:08,560
Speaker 1: tone with the some of you guys pick and then

1043
00:58:08,600 --> 00:58:10,680
Speaker 1: the follow the question is, okay, back and Donald, if

1044
00:58:10,720 --> 00:58:14,040
Speaker 1: you guys made the show in twenty twenty, what artists

1045
00:58:14,240 --> 00:58:18,760
Speaker 1: or songs are you using now? Right now. Whop would

1046
00:58:18,760 --> 00:58:22,320
Speaker 1: be on the soundtrack right now, we'd be talking about

1047
00:58:22,400 --> 00:58:29,240
Speaker 1: that whop. I don't think I think it would be

1048
00:58:29,320 --> 00:58:31,919
Speaker 1: I think when I don't think, I don't think you'd

1049
00:58:31,960 --> 00:58:34,640
Speaker 1: be like, you know, because that wop. It's hard to

1050
00:58:34,720 --> 00:58:37,479
Speaker 1: run around with sparklers to whop. But I could try.

1051
00:58:42,760 --> 00:58:44,600
Speaker 1: There a lot, I know, in truth. In truth, I

1052
00:58:44,680 --> 00:58:46,360
Speaker 1: bet you there would be a lot of Ed Shearon,

1053
00:58:47,440 --> 00:58:50,000
Speaker 1: because that's one of Zach's favorite artists. There'd be some

1054
00:58:50,080 --> 00:58:53,720
Speaker 1: show It's also people, yeah, because she's the daughter of

1055
00:58:53,800 --> 00:58:56,760
Speaker 1: the creator of the show. There'd be some Elami Day

1056
00:58:56,800 --> 00:58:59,919
Speaker 1: phase on because he's my brother and he's making music.

1057
00:59:00,160 --> 00:59:05,680
Speaker 1: There'd be right There's still be Josh Raiden. Obviously, I

1058
00:59:05,760 --> 00:59:08,920
Speaker 1: think the music still holds up. You know, as much

1059
00:59:08,960 --> 00:59:12,160
Speaker 1: as those songs were new at the time, I still

1060
00:59:12,280 --> 00:59:18,160
Speaker 1: feel like they captured every moment perfectly. So I don't

1061
00:59:18,200 --> 00:59:20,720
Speaker 1: know how much the music would change. I still think

1062
00:59:20,760 --> 00:59:23,440
Speaker 1: it would still be the same tone. I think I

1063
00:59:23,480 --> 00:59:24,960
Speaker 1: think it would be the same tone. But there are,

1064
00:59:25,200 --> 00:59:27,760
Speaker 1: of course, now this many years later, so many new

1065
00:59:27,880 --> 00:59:31,240
Speaker 1: singer songwriters that then I'm sure we would try. Um.

1066
00:59:31,560 --> 00:59:34,200
Speaker 1: It's funny, though, I will tell you something that I learned,

1067
00:59:34,240 --> 00:59:37,160
Speaker 1: you know, when I made Garden State, I pretty much

1068
00:59:38,840 --> 00:59:40,919
Speaker 1: you know, everyone said I wasn't gonna get that music.

1069
00:59:41,000 --> 00:59:42,840
Speaker 1: And then I just kept trying and trying and try

1070
00:59:42,880 --> 00:59:44,880
Speaker 1: and never gave up, never gave up, never gave up.

1071
00:59:44,920 --> 00:59:48,360
Speaker 1: And then I eventually got all of the songs. But

1072
00:59:48,520 --> 00:59:51,240
Speaker 1: then about ten years later, when I went to make Wish,

1073
00:59:51,280 --> 00:59:53,640
Speaker 1: I was here. As I was filling off the sound,

1074
00:59:53,720 --> 00:59:55,400
Speaker 1: you'd fall in love with the song, and the editor

1075
00:59:55,440 --> 00:59:56,600
Speaker 1: would cut it to the song and you'd be like,

1076
00:59:56,680 --> 00:59:59,160
Speaker 1: oh my god, and then we'd have to check, like, okay,

1077
00:59:59,240 --> 01:00:02,120
Speaker 1: where's the song used? And then over the course of

1078
01:00:02,240 --> 01:00:05,240
Speaker 1: those ten years we're talking roughly two thousand and four

1079
01:00:05,320 --> 01:00:10,320
Speaker 1: to twenty fourteen, the convention of using music at the

1080
01:00:10,480 --> 01:00:13,480
Speaker 1: end of your TV show to sort of summarize the

1081
01:00:13,720 --> 01:00:16,120
Speaker 1: end of the of what everyone had learned had become

1082
01:00:16,240 --> 01:00:21,000
Speaker 1: so pervasive that you just couldn't find an emotional song

1083
01:00:21,400 --> 01:00:24,720
Speaker 1: that hadn't been used ten thousand times, right. And we

1084
01:00:24,960 --> 01:00:26,760
Speaker 1: found like the websites where you can google, like where

1085
01:00:26,800 --> 01:00:28,960
Speaker 1: has this been used? And it would be like, oh no,

1086
01:00:29,160 --> 01:00:30,920
Speaker 1: it was on Grey's Anatomy, it was on this, it

1087
01:00:31,040 --> 01:00:32,400
Speaker 1: was on this, it was on this, It was this way,

1088
01:00:32,400 --> 01:00:34,760
Speaker 1: we can't use that fucking song. It's been so played out.

1089
01:00:35,280 --> 01:00:38,240
Speaker 1: So it became a very popular trend to this day,

1090
01:00:38,360 --> 01:00:41,120
Speaker 1: it still is, and so it's a lot harder to

1091
01:00:41,600 --> 01:00:44,080
Speaker 1: now it's a lot more competitive to find music that

1092
01:00:44,720 --> 01:00:46,840
Speaker 1: you're not gonna go. Yeah, that's a great song. But

1093
01:00:46,960 --> 01:00:48,880
Speaker 1: I just saw it on such and such a TV show.

1094
01:00:48,920 --> 01:00:51,720
Speaker 1: They used it. In fact, a little bit of trivia

1095
01:00:51,760 --> 01:00:54,240
Speaker 1: that the dovetails with this I saw on Scrubs Wiki.

1096
01:00:55,120 --> 01:00:57,640
Speaker 1: It says that the song that ends the show that

1097
01:00:57,760 --> 01:01:00,680
Speaker 1: we all love and it's so perfect. It was. It's

1098
01:01:00,720 --> 01:01:03,040
Speaker 1: in an episode of the TV show Ed when Ed

1099
01:01:03,200 --> 01:01:06,720
Speaker 1: proposes to his girlfriend, and of course Ed was played

1100
01:01:06,760 --> 01:01:10,480
Speaker 1: by Tom Cavanaugh, who plays my brother. So you know,

1101
01:01:10,560 --> 01:01:12,600
Speaker 1: this is the kind of thing we'd run into NonStop.

1102
01:01:13,080 --> 01:01:14,720
Speaker 1: You know, when I was cutting wish I was here.

1103
01:01:14,760 --> 01:01:16,040
Speaker 1: As you'd fall in love with something, I'm like, oh,

1104
01:01:16,040 --> 01:01:18,400
Speaker 1: I don't want to do something played out and actually,

1105
01:01:18,720 --> 01:01:21,480
Speaker 1: to finish the point, um, the only song that's in

1106
01:01:21,640 --> 01:01:23,760
Speaker 1: Garden State that's not on the soundtrack is a song

1107
01:01:23,840 --> 01:01:27,920
Speaker 1: by Alexei Murdock called Are in Your Sky And we

1108
01:01:28,160 --> 01:01:30,840
Speaker 1: didn't put it on the soundtrack because it was on

1109
01:01:30,920 --> 01:01:33,960
Speaker 1: the OC, it had been used on It had been

1110
01:01:34,040 --> 01:01:36,520
Speaker 1: used on the show The OC and at the time

1111
01:01:36,600 --> 01:01:39,080
Speaker 1: we were like, oh, okay, we'll put it in the movie,

1112
01:01:39,120 --> 01:01:40,880
Speaker 1: but I don't want to put on the soundtrack. There's

1113
01:01:40,880 --> 01:01:44,000
Speaker 1: some other trivia. Zach and I recorded somewhere out there,

1114
01:01:44,960 --> 01:01:48,720
Speaker 1: uh the song from American Tale. This is how hard

1115
01:01:48,760 --> 01:01:52,360
Speaker 1: it is now, like we had done I forgot about it.

1116
01:01:52,560 --> 01:01:54,520
Speaker 1: We had done a Christmas We were going to try

1117
01:01:54,520 --> 01:01:57,680
Speaker 1: and do Christmas songs like every year and stuff like that.

1118
01:01:57,880 --> 01:02:00,800
Speaker 1: And so the first year we did baby It's Cold Outside,

1119
01:02:00,880 --> 01:02:05,800
Speaker 1: which now nobody's gonna record ever again because maybe with

1120
01:02:05,960 --> 01:02:08,560
Speaker 1: maybe with all maybe with altered lyrics, right, but that

1121
01:02:08,640 --> 01:02:11,040
Speaker 1: shit's a rape song and uh no, but I mean

1122
01:02:11,120 --> 01:02:13,480
Speaker 1: maybe the song is so beautiful. I hope that people

1123
01:02:13,520 --> 01:02:15,800
Speaker 1: will maybe alter the lyrics and be like, baby, can

1124
01:02:15,880 --> 01:02:21,320
Speaker 1: I call you an uber? Baby you've had Baby, you've

1125
01:02:21,400 --> 01:02:23,640
Speaker 1: had too much? Can I make sure you get home safely?

1126
01:02:28,520 --> 01:02:31,280
Speaker 1: And so then a couple of years later we were like,

1127
01:02:31,320 --> 01:02:34,480
Speaker 1: we should do another one, and we chose another one

1128
01:02:34,560 --> 01:02:40,880
Speaker 1: somewhere out there beneath the pale moonlight. Oh, we recorded,

1129
01:02:40,960 --> 01:02:43,160
Speaker 1: we laid it down, was amazing. We laid it down

1130
01:02:43,200 --> 01:02:45,400
Speaker 1: and everything, and I played it for a buddy of mine.

1131
01:02:45,480 --> 01:02:47,440
Speaker 1: He was like, oh wow, this is just like what

1132
01:02:47,760 --> 01:02:55,160
Speaker 1: Donald Glover and Daniel Pooty did on Community. Community. Yeah,

1133
01:02:55,520 --> 01:02:59,960
Speaker 1: and watch Right, which we've never watched. But we spend

1134
01:03:00,200 --> 01:03:03,040
Speaker 1: so much money. I'm trying to put the song out

1135
01:03:03,600 --> 01:03:06,720
Speaker 1: and we were like fuck no, like god, like a

1136
01:03:06,800 --> 01:03:08,960
Speaker 1: real producer. We laid it down. I can't believe we

1137
01:03:09,040 --> 01:03:10,640
Speaker 1: never put it out. We I mean, now we'd have

1138
01:03:10,680 --> 01:03:12,040
Speaker 1: to pay for the fucking rights to it. But it

1139
01:03:12,160 --> 01:03:17,680
Speaker 1: was good. Yeah, it was anyway, so someone thinking of

1140
01:03:19,360 --> 01:03:22,160
Speaker 1: even this episode is it's a great It fits so

1141
01:03:22,240 --> 01:03:28,040
Speaker 1: well the old ninety seven Bill Bill sorted to ask you.

1142
01:03:29,680 --> 01:03:32,680
Speaker 1: Bill sort of implied, Um, you know you weren't. You

1143
01:03:32,760 --> 01:03:35,640
Speaker 1: weren't on the call earlier, Chris, but Bill, we had

1144
01:03:35,680 --> 01:03:41,480
Speaker 1: Bill Lawrence. Um was interrupted and he uh, he sort

1145
01:03:41,520 --> 01:03:44,040
Speaker 1: of implied that they sort of wrote to the song,

1146
01:03:44,360 --> 01:03:48,280
Speaker 1: I mean, um, which was interesting because he I think

1147
01:03:48,320 --> 01:03:50,160
Speaker 1: they liked the song so much. They sort of made

1148
01:03:50,200 --> 01:03:53,200
Speaker 1: the moment around the song, which is sha zack. Do

1149
01:03:53,320 --> 01:03:55,400
Speaker 1: you guys ever do that? Do you guys ever write

1150
01:03:55,440 --> 01:04:01,120
Speaker 1: to music? You mean, like a song puts you in

1151
01:04:01,160 --> 01:04:03,800
Speaker 1: a field? Yeah, like, oh, let me get this. You

1152
01:04:03,920 --> 01:04:06,520
Speaker 1: go first, Shay, and then I'll go Yeah. I actually

1153
01:04:06,600 --> 01:04:09,200
Speaker 1: did like a little thing a couple of months ago

1154
01:04:09,280 --> 01:04:11,920
Speaker 1: where I wanted to write this short story but I

1155
01:04:12,000 --> 01:04:14,280
Speaker 1: only wanted to listen to one album while I wrote

1156
01:04:14,320 --> 01:04:17,840
Speaker 1: the story, and I just played this this album on

1157
01:04:17,960 --> 01:04:21,200
Speaker 1: repeat over and over and over again, hoping something cool.

1158
01:04:21,240 --> 01:04:24,200
Speaker 1: What happened It was like a Duke Allington album. But yeah,

1159
01:04:24,240 --> 01:04:26,480
Speaker 1: I always have music playing when i'm writing. It's never

1160
01:04:26,560 --> 01:04:28,280
Speaker 1: anything with words, though, It's always got to be something

1161
01:04:28,320 --> 01:04:30,640
Speaker 1: without otherwise get to this track. I agree. I agree

1162
01:04:30,680 --> 01:04:32,880
Speaker 1: with that. When I've tried ever to have words, I

1163
01:04:33,000 --> 01:04:36,919
Speaker 1: can't write. But there's times where I want to set

1164
01:04:37,000 --> 01:04:40,080
Speaker 1: a mood or a vibe for something i'm writing. I'll

1165
01:04:40,160 --> 01:04:45,040
Speaker 1: choose sometimes classical or in the screenplay i'm working on now.

1166
01:04:45,280 --> 01:04:48,040
Speaker 1: I it's funny. It kind of just seeped into the

1167
01:04:48,120 --> 01:04:49,480
Speaker 1: movie because I was like, I'm gonna put on some

1168
01:04:49,720 --> 01:04:52,760
Speaker 1: Chopin just to kind of like create the vibe, create

1169
01:04:52,840 --> 01:04:54,880
Speaker 1: the vibe of the scene. And then I fell in

1170
01:04:54,960 --> 01:04:57,880
Speaker 1: love with this piece by Chopin so much. I was like, well,

1171
01:04:57,920 --> 01:04:59,959
Speaker 1: this obviously has to be in the score for the scene.

1172
01:05:00,040 --> 01:05:01,960
Speaker 1: So then I was like writing into the scene on

1173
01:05:02,120 --> 01:05:06,800
Speaker 1: a dingy record player, this song is playing. Yeah, lyrics,

1174
01:05:06,800 --> 01:05:09,920
Speaker 1: I agree with Shay. Lyrics would would be distracting. Um, Chris,

1175
01:05:10,000 --> 01:05:12,080
Speaker 1: you got another question? Good Chris, you can you We're

1176
01:05:12,080 --> 01:05:13,760
Speaker 1: going to hang out for a bit. Why don't you ask? No? No,

1177
01:05:13,840 --> 01:05:15,480
Speaker 1: he's got one more question, and then we're gonna fix

1178
01:05:15,560 --> 01:05:19,720
Speaker 1: his life. Good. Well, So actually have a story about

1179
01:05:19,760 --> 01:05:22,080
Speaker 1: by engagement which involves scrubs, which is why I reached

1180
01:05:22,080 --> 01:05:24,800
Speaker 1: out to Joel a couple of months ago. So my

1181
01:05:24,880 --> 01:05:26,880
Speaker 1: wife and I have been married for it. It'll be

1182
01:05:26,960 --> 01:05:31,040
Speaker 1: seven years in October, and so she's a few years older.

1183
01:05:31,120 --> 01:05:33,280
Speaker 1: So I like totally relate to Turk in these last

1184
01:05:33,320 --> 01:05:36,440
Speaker 1: three episodes. Um. So, when I was planning my engagement,

1185
01:05:36,520 --> 01:05:39,560
Speaker 1: it was going to be our two year aniversary in August,

1186
01:05:39,680 --> 01:05:42,920
Speaker 1: and I had their ring and I'm like, super not romantic.

1187
01:05:42,960 --> 01:05:44,840
Speaker 1: I'm just so bad at showing those kinds of things.

1188
01:05:44,880 --> 01:05:47,560
Speaker 1: And so I was like, how do I propose without

1189
01:05:47,640 --> 01:05:50,280
Speaker 1: being cliche able with like showing you know, a romantic

1190
01:05:50,360 --> 01:05:55,200
Speaker 1: side of me? And so I decided that our anniversary

1191
01:05:55,200 --> 01:05:57,040
Speaker 1: was going to be on a Sunday, and I was like, well,

1192
01:05:57,040 --> 01:06:00,120
Speaker 1: I don't put to propose like on the Sunday went

1193
01:06:00,160 --> 01:06:02,240
Speaker 1: out to dinner somewhere Christman. That was like very cliche

1194
01:06:02,280 --> 01:06:04,000
Speaker 1: and or two anniversary. I don't want to do that.

1195
01:06:04,120 --> 01:06:05,600
Speaker 1: So I don't want to wait for the next day

1196
01:06:05,600 --> 01:06:08,480
Speaker 1: because when she's like, well shit, this is because two

1197
01:06:08,560 --> 01:06:11,280
Speaker 1: years and we're not going anywhere. And so I decided

1198
01:06:11,320 --> 01:06:13,480
Speaker 1: to do it at midnight. And so I got off

1199
01:06:13,560 --> 01:06:16,080
Speaker 1: work around nine thirty ten, and so when I went

1200
01:06:16,120 --> 01:06:18,080
Speaker 1: to her place, I was like, Okay, I have the ring.

1201
01:06:18,480 --> 01:06:21,600
Speaker 1: How do I be spontaneous? And so, me being a

1202
01:06:21,720 --> 01:06:26,760
Speaker 1: dummy like Kurt, I hided their ring in her medicine cabinet.

1203
01:06:26,920 --> 01:06:31,040
Speaker 1: And my thought processes was, I'm going to ask her

1204
01:06:31,280 --> 01:06:33,760
Speaker 1: some talanl at some point because I have a headache.

1205
01:06:33,760 --> 01:06:35,960
Speaker 1: I'm gonna make this excuse up that way she can

1206
01:06:36,000 --> 01:06:38,400
Speaker 1: get me talanol. At midnight she'll see and be like,

1207
01:06:38,440 --> 01:06:40,400
Speaker 1: oh wow, he's the best person ever. I'm going to

1208
01:06:40,440 --> 01:06:43,000
Speaker 1: marry him. And so what we do because Scrubs is

1209
01:06:43,040 --> 01:06:46,120
Speaker 1: our show back then, this is twenty thirteen, and so

1210
01:06:46,440 --> 01:06:48,720
Speaker 1: I was I timed about four episodes that for the

1211
01:06:48,760 --> 01:06:50,800
Speaker 1: fourth episode it'd be time to get the ring. And

1212
01:06:50,960 --> 01:06:54,760
Speaker 1: so we're watching Scrubs and then it's like eleven thirty

1213
01:06:54,840 --> 01:06:57,440
Speaker 1: sort of almost, you know, finishing up an episode, and

1214
01:06:57,600 --> 01:06:59,080
Speaker 1: she goes to the bathroom. She gets to go to

1215
01:06:59,120 --> 01:07:01,160
Speaker 1: the bathroom and I'm like, yo, what are you doing?

1216
01:07:01,320 --> 01:07:02,880
Speaker 1: And this is her place by I'm like, yo, what

1217
01:07:02,920 --> 01:07:04,680
Speaker 1: are you doing. She's like, I have to go to

1218
01:07:04,760 --> 01:07:06,400
Speaker 1: the bathroom. I have a hang nail. I'm gonna get

1219
01:07:06,400 --> 01:07:10,120
Speaker 1: the clippers. And I was like, no, you can't get

1220
01:07:10,200 --> 01:07:13,200
Speaker 1: up during scrubs. That's the rule. How dare you? You

1221
01:07:13,320 --> 01:07:16,280
Speaker 1: have to finish the show. And she's like what And

1222
01:07:16,360 --> 01:07:17,640
Speaker 1: I was like, you can't go to the bathroom. You

1223
01:07:17,640 --> 01:07:19,320
Speaker 1: have to finish the show. You have to sit down,

1224
01:07:19,960 --> 01:07:22,440
Speaker 1: and so she like using this tissy look and she

1225
01:07:22,560 --> 01:07:25,040
Speaker 1: goes and sits down. And so in my head this

1226
01:07:25,200 --> 01:07:27,400
Speaker 1: is where I'm like, Kirk, I'm like, hey, how do

1227
01:07:27,520 --> 01:07:29,360
Speaker 1: I She's not going to see the ring because you're

1228
01:07:29,360 --> 01:07:31,240
Speaker 1: gonna be focused on where the nail clippers are, which

1229
01:07:31,240 --> 01:07:33,440
Speaker 1: is different within where the medicine is at. And so

1230
01:07:33,800 --> 01:07:37,520
Speaker 1: I get up and go to the bathroom during the episode,

1231
01:07:38,360 --> 01:07:42,280
Speaker 1: and I moved the ring to where her nail clippers are.

1232
01:07:42,800 --> 01:07:45,120
Speaker 1: Seeing you like thinking that I'm the genius, like I

1233
01:07:45,240 --> 01:07:48,520
Speaker 1: got this, this is easy, and so not knowing that

1234
01:07:48,840 --> 01:07:50,360
Speaker 1: I just told her she's gonna go to the bathroom.

1235
01:07:50,360 --> 01:07:52,200
Speaker 1: When I did the same things like comeback, sit down,

1236
01:07:52,320 --> 01:07:54,640
Speaker 1: like all right, I'm good. Ten more minutes of episode.

1237
01:07:55,440 --> 01:07:58,880
Speaker 1: And then an episode ends and I'm like, all right, showtime,

1238
01:07:58,960 --> 01:08:01,600
Speaker 1: we're gonna do this, and I say, hey, um, you

1239
01:08:01,760 --> 01:08:05,480
Speaker 1: can go get the nail clippers now, and she's like, no,

1240
01:08:05,720 --> 01:08:08,400
Speaker 1: fuck you, I've bit off my nail. I don't need

1241
01:08:08,480 --> 01:08:10,520
Speaker 1: to go to the bathroom anymore. So I'm like, oh shit,

1242
01:08:10,680 --> 01:08:13,440
Speaker 1: now my plan screwed up again, and so I go,

1243
01:08:14,280 --> 01:08:16,000
Speaker 1: how do I how do I trouble shoot this? So

1244
01:08:16,120 --> 01:08:19,720
Speaker 1: the genius that I am so youth that did not

1245
01:08:19,920 --> 01:08:22,400
Speaker 1: have it would be funny, it would It would have

1246
01:08:22,439 --> 01:08:24,080
Speaker 1: been funny if she was like, I don't need neil

1247
01:08:24,080 --> 01:08:28,000
Speaker 1: clippers anymore. But now I got a head, and so

1248
01:08:28,280 --> 01:08:32,280
Speaker 1: I said, I also have a handmail. Can you get

1249
01:08:32,400 --> 01:08:35,960
Speaker 1: me the nail clippers? And she like looked at me

1250
01:08:36,040 --> 01:08:41,479
Speaker 1: for like ten seconds like are you serious? Like you

1251
01:08:41,600 --> 01:08:42,960
Speaker 1: need me to get that for you? And I was like,

1252
01:08:43,040 --> 01:08:45,680
Speaker 1: can you please get them? And then she gets up

1253
01:08:46,040 --> 01:08:48,840
Speaker 1: go to the bathroom, sees the nail clippers. She freaks

1254
01:08:48,880 --> 01:08:51,360
Speaker 1: out and like flams the mirror like she doesn't realize

1255
01:08:51,400 --> 01:08:54,599
Speaker 1: it's happening. And then she opens it and I'm like, hey,

1256
01:08:55,200 --> 01:08:56,800
Speaker 1: can you come out of the bathroom because I don't

1257
01:08:56,800 --> 01:08:58,759
Speaker 1: want to propose in the bathroom. That's a weird spot

1258
01:08:58,800 --> 01:09:00,759
Speaker 1: to propose. Can you bring it out of the bathroom?

1259
01:09:00,840 --> 01:09:04,200
Speaker 1: And then I proposed, dude, you're so lucky. You're so

1260
01:09:04,400 --> 01:09:12,280
Speaker 1: lucky that the Handmaid's Tale wasn't out yet. So lucky,

1261
01:09:12,680 --> 01:09:15,160
Speaker 1: like that's how our thought always be Turkes like in

1262
01:09:15,280 --> 01:09:18,640
Speaker 1: the wine glass, in the coffee monk. I'm like, I

1263
01:09:18,720 --> 01:09:23,760
Speaker 1: get that. It's stressful. It is that I love you.

1264
01:09:23,800 --> 01:09:25,800
Speaker 1: Were like, no one gets up during scrubs, What the

1265
01:09:25,840 --> 01:09:30,840
Speaker 1: hell are you doing? This is well she said yes,

1266
01:09:30,880 --> 01:09:36,400
Speaker 1: I'd take it, so it'll be seven years in October.

1267
01:09:36,640 --> 01:09:38,519
Speaker 1: It's been really funny if she ended up saying no

1268
01:09:38,960 --> 01:09:41,759
Speaker 1: and that's the end, that's the end of the story.

1269
01:09:42,840 --> 01:09:45,439
Speaker 1: She actually said no. After that, she said no, and

1270
01:09:45,520 --> 01:09:57,720
Speaker 1: my life has been horrible ever since. Um, Chris, Yeah.

1271
01:09:58,720 --> 01:10:01,320
Speaker 1: First of all, Chris, welcome to the segment of the

1272
01:10:01,360 --> 01:10:08,439
Speaker 1: program where we fix your lie. All right, we're ready

1273
01:10:08,479 --> 01:10:12,360
Speaker 1: to fix your life now. The problem uh you have Chris,

1274
01:10:12,520 --> 01:10:14,800
Speaker 1: could be huge or it could be tiny. It could

1275
01:10:14,800 --> 01:10:17,200
Speaker 1: be as tiny as do you guys know how to

1276
01:10:18,280 --> 01:10:21,280
Speaker 1: you know, fix a broken light switch? Or it could

1277
01:10:21,280 --> 01:10:25,760
Speaker 1: be as big as help me tell my wife, dude,

1278
01:10:25,880 --> 01:10:30,200
Speaker 1: fixing a broken light switch is very difficult. I think

1279
01:10:30,240 --> 01:10:32,479
Speaker 1: between I think between all of us, Daniel probably knows

1280
01:10:32,520 --> 01:10:34,880
Speaker 1: how to do it. Well, I'm saying it could be

1281
01:10:34,960 --> 01:10:36,880
Speaker 1: it could be minimal, or it could be enormous. We

1282
01:10:36,960 --> 01:10:38,519
Speaker 1: can solve it, and we're gonna fix it. And we

1283
01:10:38,600 --> 01:10:40,920
Speaker 1: have Shay heroes way smarter than all of us, and

1284
01:10:41,000 --> 01:10:44,240
Speaker 1: he'll help. Yeah, there's a lot of brain power here.

1285
01:10:44,240 --> 01:10:46,720
Speaker 1: I feel that with Yeah, well this is what's called

1286
01:10:46,760 --> 01:10:50,479
Speaker 1: a free fixed session. Yeah, I wrote down a question.

1287
01:10:50,600 --> 01:10:52,840
Speaker 1: I'm ready. So my question is when I'm when I'm

1288
01:10:52,880 --> 01:10:56,120
Speaker 1: making a burger, whether it's a veggie or non veggie,

1289
01:10:56,800 --> 01:11:00,400
Speaker 1: where do you put the sauce and all, like the

1290
01:11:00,520 --> 01:11:03,519
Speaker 1: lettuce tomato, I mean tickles. You put it on top

1291
01:11:03,560 --> 01:11:05,439
Speaker 1: of the burger or you put it on the bottom

1292
01:11:05,479 --> 01:11:09,040
Speaker 1: of the burger. Well, I'm gonna tell you Chris Donald

1293
01:11:09,160 --> 01:11:12,400
Speaker 1: is quite a grillman, so he's gonna go hit him him. Wait, hold,

1294
01:11:12,560 --> 01:11:15,160
Speaker 1: I do like to grill, but I'm gonna tell you something.

1295
01:11:16,040 --> 01:11:19,360
Speaker 1: I'm not the person to ask for this, I think,

1296
01:11:19,560 --> 01:11:23,680
Speaker 1: I think, uh me personally, I fuck up burgers all

1297
01:11:23,720 --> 01:11:26,599
Speaker 1: the time. So I can't help you at this point

1298
01:11:26,920 --> 01:11:32,879
Speaker 1: in time. Uh, Daniel, you seem to know more about burgers.

1299
01:11:34,840 --> 01:11:38,360
Speaker 1: You honor me. Uh why can't we? I want Daniel

1300
01:11:38,400 --> 01:11:40,640
Speaker 1: to answer, But why can you not answer? Where to

1301
01:11:40,680 --> 01:11:42,920
Speaker 1: put shit on a cheeseburger? Because I fuck it up

1302
01:11:42,960 --> 01:11:48,599
Speaker 1: every time? So here's my problem. There are a bunch

1303
01:11:48,640 --> 01:11:50,439
Speaker 1: of places. There are a bunch of places to put it.

1304
01:11:50,760 --> 01:11:53,479
Speaker 1: So he's asking where you put the sauce. So you

1305
01:11:53,560 --> 01:11:55,880
Speaker 1: can put the sauce on the bun. You could put

1306
01:11:55,960 --> 01:11:58,200
Speaker 1: the sauce on the burger, or you could put all

1307
01:11:58,200 --> 01:12:00,240
Speaker 1: of the fixings on top of the burger and then

1308
01:12:00,280 --> 01:12:02,360
Speaker 1: put the sauce on top of the fixings. You know

1309
01:12:02,400 --> 01:12:05,639
Speaker 1: what I mean. I fucked this up every time because

1310
01:12:05,680 --> 01:12:08,120
Speaker 1: what happens is the way I do it. I forget.

1311
01:12:08,360 --> 01:12:10,280
Speaker 1: There's also you can put the sauce on the cheese

1312
01:12:10,720 --> 01:12:14,080
Speaker 1: or under the cheese like McDonald's. All right, all right, okay,

1313
01:12:14,160 --> 01:12:18,720
Speaker 1: I'm just saying. I'm just saying it now when it

1314
01:12:18,760 --> 01:12:20,960
Speaker 1: comes from burgers. Now I see why I'm glad you

1315
01:12:21,040 --> 01:12:23,839
Speaker 1: didn't answer, Daniel, will you have a nice, beautiful, succinct

1316
01:12:23,880 --> 01:12:27,320
Speaker 1: answer please. You're very sweet to say so. I think

1317
01:12:27,479 --> 01:12:29,280
Speaker 1: timing is of the essence when it comes to things

1318
01:12:29,360 --> 01:12:32,120
Speaker 1: like burgers. I think the longer you let anything sit,

1319
01:12:32,240 --> 01:12:35,320
Speaker 1: the saggier things will inevitably get. With all that said,

1320
01:12:35,920 --> 01:12:38,400
Speaker 1: take the top bun, put my ketchup, my mustard or

1321
01:12:38,439 --> 01:12:41,120
Speaker 1: whatever else you like, two pickles and slap out on

1322
01:12:41,240 --> 01:12:44,519
Speaker 1: top of my burger. You don't putt tomatoes and stuff

1323
01:12:44,520 --> 01:12:46,640
Speaker 1: on your Lettuce and tomato come in between. So I

1324
01:12:46,680 --> 01:12:50,960
Speaker 1: would say, in that case, the bun with the sauce

1325
01:12:51,080 --> 01:12:54,040
Speaker 1: on it, ketchup mustard and then pickles, and then I'll

1326
01:12:54,120 --> 01:12:56,519
Speaker 1: put you know, the tomato or the tomatoes and lettuce

1327
01:12:56,760 --> 01:13:00,320
Speaker 1: on the actual patty and then. But I think it's

1328
01:13:00,360 --> 01:13:05,920
Speaker 1: controversial to put zero sauce on the bottom bun. Mhm.

1329
01:13:06,920 --> 01:13:08,960
Speaker 1: I like to give the bottom bun a little love

1330
01:13:09,040 --> 01:13:12,240
Speaker 1: as well. Anybody else I do? I do not. I'm

1331
01:13:12,280 --> 01:13:14,519
Speaker 1: with Dan on this one. This is like, you know,

1332
01:13:14,600 --> 01:13:17,559
Speaker 1: the sauce is supposed to be an accent, and that's

1333
01:13:17,600 --> 01:13:19,839
Speaker 1: too close to my tongue if it's on the bottom.

1334
01:13:20,479 --> 01:13:22,080
Speaker 1: I needed I need, you know, I need to protect

1335
01:13:22,120 --> 01:13:25,040
Speaker 1: it a little bit. Okay, Okay, Joe, where you go? Wait,

1336
01:13:25,120 --> 01:13:27,679
Speaker 1: hold up, it's all going in my mouth. I don't understand.

1337
01:13:30,240 --> 01:13:32,519
Speaker 1: I didn't gonna be a good T shirt Joel. It's

1338
01:13:32,520 --> 01:13:38,960
Speaker 1: all going in my mouth, all right, Chris. We I

1339
01:13:39,080 --> 01:13:42,040
Speaker 1: think it's safe to say we have successfully fixed your life.

1340
01:13:42,840 --> 01:13:45,960
Speaker 1: You're welcome, Chris, Chris, You're welcome. You're well, You're welcome.

1341
01:13:48,160 --> 01:13:51,040
Speaker 1: I have a recommendation, actually, if that's okay for Donald? Yes,

1342
01:13:52,280 --> 01:13:54,120
Speaker 1: I don't know how much Donald, do you listen to

1343
01:13:54,240 --> 01:13:57,880
Speaker 1: podcast at all? Besides I don't Okay, I don't know,

1344
01:13:58,479 --> 01:14:01,799
Speaker 1: but I'm gonna have a recommendation, please I do. It's

1345
01:14:01,880 --> 01:14:03,920
Speaker 1: kind of slag away from Shay Say does the podcast

1346
01:14:03,960 --> 01:14:06,960
Speaker 1: with Jason Concepts. Yo, I've been all right, the Ringer

1347
01:14:07,320 --> 01:14:11,719
Speaker 1: and Jason Concepts es the podcast called Binge Mode Donald,

1348
01:14:11,880 --> 01:14:17,280
Speaker 1: which they do m arcing huge um pop culture stories

1349
01:14:17,320 --> 01:14:20,120
Speaker 1: like Lady graym of Thrones, Harry Potter. But they have

1350
01:14:20,160 --> 01:14:23,519
Speaker 1: a Harry Potter give me a Star Wars season that

1351
01:14:23,800 --> 01:14:25,920
Speaker 1: you I know would love. They do like deep dives

1352
01:14:25,920 --> 01:14:28,760
Speaker 1: in episodes and interviews and stuff. So that's my recommendation,

1353
01:14:29,080 --> 01:14:34,280
Speaker 1: and I'm sure whenever Chris whenever I Chrismember, I remember

1354
01:14:34,320 --> 01:14:37,760
Speaker 1: I try and recommend things to Donald because I know

1355
01:14:37,960 --> 01:14:41,680
Speaker 1: his passions. He ignores them, and I'm hope that he

1356
01:14:41,760 --> 01:14:43,599
Speaker 1: will take you up on it. But I'm the guy

1357
01:14:43,680 --> 01:14:46,120
Speaker 1: who's like scrolling through my phone because I'm bored, and

1358
01:14:46,280 --> 01:14:50,280
Speaker 1: I stumble across like a death Star fire pit, and

1359
01:14:50,439 --> 01:14:53,040
Speaker 1: I'm like, oh my god, Donald needs to get this

1360
01:14:53,200 --> 01:14:58,320
Speaker 1: death Star fire pit. Doesn't reply, doesn't fly, doesn't even say.

1361
01:14:59,240 --> 01:15:01,960
Speaker 1: There's nothing practical about a death Star fire pit in

1362
01:15:02,080 --> 01:15:06,560
Speaker 1: my in my fucking backyard. Dude can fall into the

1363
01:15:06,640 --> 01:15:09,360
Speaker 1: Death Star. There's so many things that can go wrong

1364
01:15:09,479 --> 01:15:12,720
Speaker 1: with the Death Star fire pit. I'm just saying that

1365
01:15:12,880 --> 01:15:16,320
Speaker 1: I'm sad that you don't try out my recommendations. Maybe

1366
01:15:16,320 --> 01:15:20,040
Speaker 1: I'm getting so dark where you are, but I gotta

1367
01:15:20,080 --> 01:15:23,120
Speaker 1: hit the light switch. I got light. Um, all right, Chris,

1368
01:15:23,240 --> 01:15:25,519
Speaker 1: thank you so much for coming on. Chris. You've been

1369
01:15:25,560 --> 01:15:27,679
Speaker 1: a great guest man. Chris, you are a great guest

1370
01:15:27,800 --> 01:15:29,360
Speaker 1: and you make me want to wear I don't really

1371
01:15:29,439 --> 01:15:31,200
Speaker 1: know the music of Selena, but I feel like I

1372
01:15:31,240 --> 01:15:35,639
Speaker 1: would look cool wearing a Selena T shirt that. Yeah,

1373
01:15:35,760 --> 01:15:37,920
Speaker 1: if you get the chance, dodsda heat do what you

1374
01:15:38,120 --> 01:15:43,760
Speaker 1: can man, Well, thank you so much. I want to

1375
01:15:43,800 --> 01:15:48,560
Speaker 1: talk about something. Andy and Sean are are in the

1376
01:15:48,840 --> 01:15:52,680
Speaker 1: group of doctors that Cox invites over for drinks and

1377
01:15:52,800 --> 01:15:56,080
Speaker 1: wings of sports on TV. Yes, so for those of

1378
01:15:56,160 --> 01:15:58,280
Speaker 1: you who I'm about to say, for those you don't know,

1379
01:15:58,360 --> 01:16:00,519
Speaker 1: you couldn't know when they cut to Zell sir, when

1380
01:16:00,600 --> 01:16:03,479
Speaker 1: when Cox is trying to invite his friends over and

1381
01:16:03,680 --> 01:16:07,600
Speaker 1: Zeltzer asks if there's there'll be prostitutes and someone and

1382
01:16:07,760 --> 01:16:12,080
Speaker 1: someone says no, and he goes, oh good. Um. The

1383
01:16:12,200 --> 01:16:14,439
Speaker 1: two men who are next to him are our gaffer

1384
01:16:14,720 --> 01:16:17,200
Speaker 1: and our key grip. The gaffer is in charge of

1385
01:16:17,240 --> 01:16:19,439
Speaker 1: all the lighting and the key grip is in charge

1386
01:16:19,439 --> 01:16:22,400
Speaker 1: of everything, all the gear and every and and uh

1387
01:16:22,439 --> 01:16:25,479
Speaker 1: and so many things. So the two sort of very

1388
01:16:25,600 --> 01:16:30,080
Speaker 1: high crew people on the set. We we're a side

1389
01:16:30,120 --> 01:16:33,439
Speaker 1: by side Zeltzer, the people that that Johnny c was

1390
01:16:33,479 --> 01:16:38,720
Speaker 1: asking to come over also, uh, Johnny Castle's great in

1391
01:16:38,760 --> 01:16:41,599
Speaker 1: this episode. We never really give shout outs to Johnny Castle,

1392
01:16:41,640 --> 01:16:44,120
Speaker 1: who plays No. I've had a couple of fans asking

1393
01:16:44,240 --> 01:16:46,320
Speaker 1: Johnny for I had to have Johnny Castle on. We

1394
01:16:46,360 --> 01:16:48,680
Speaker 1: should do that. He does such a great job on

1395
01:16:48,800 --> 01:16:51,000
Speaker 1: the show and the crazy thing about the character. The

1396
01:16:51,160 --> 01:16:53,720
Speaker 1: character is so fucking annoying, dude, I'm not gonna lie

1397
01:16:54,200 --> 01:16:57,800
Speaker 1: like Cox, he annoys the shit out of me. But

1398
01:16:58,080 --> 01:17:03,000
Speaker 1: his arc at the end is so amazing and works

1399
01:17:03,080 --> 01:17:05,479
Speaker 1: so well, like all of these fuck ups and all,

1400
01:17:05,800 --> 01:17:07,880
Speaker 1: like Johnny Castle is going to start to lose patient

1401
01:17:07,960 --> 01:17:11,680
Speaker 1: after patient after patient, each one of his patients is

1402
01:17:11,720 --> 01:17:14,479
Speaker 1: gonna die. They move him to the Morgue. But his

1403
01:17:14,880 --> 01:17:18,519
Speaker 1: arc at the end of it all is so worth it.

1404
01:17:18,720 --> 01:17:21,599
Speaker 1: Like I think Johnny Castle Avengel eventually killed so many

1405
01:17:21,600 --> 01:17:24,840
Speaker 1: people they were like, why are you work in the Morgue? Yeah? Yeah,

1406
01:17:25,320 --> 01:17:28,240
Speaker 1: But his character arc is so great and he becomes

1407
01:17:28,680 --> 01:17:33,200
Speaker 1: he becomes so confident at his job when it turns

1408
01:17:33,360 --> 01:17:35,920
Speaker 1: into what it's going to turn into. I don't want

1409
01:17:35,960 --> 01:17:39,120
Speaker 1: to spoil it for anybody, but he becomes so confident that,

1410
01:17:40,439 --> 01:17:45,599
Speaker 1: you know, this annoying, uh nervous guy that pops up

1411
01:17:45,840 --> 01:17:49,799
Speaker 1: in a few episodes a season, when he gets to shine,

1412
01:17:50,040 --> 01:17:53,240
Speaker 1: he shines. And so I'm really excited for that. I'm

1413
01:17:53,280 --> 01:17:54,640
Speaker 1: waiting for that. I know it's going to take a

1414
01:17:54,680 --> 01:17:56,600
Speaker 1: couple of seasons, but I'm waiting for it, and I

1415
01:17:56,680 --> 01:17:59,360
Speaker 1: can't wait. What do you think about Nurse Roberts says,

1416
01:17:59,439 --> 01:18:02,360
Speaker 1: whole God run montage. That was funny that she was

1417
01:18:02,439 --> 01:18:04,840
Speaker 1: hilarious dude, her jumping over the freaking dude on the

1418
01:18:05,120 --> 01:18:10,040
Speaker 1: she's OJ. All of a sudden she turns into OJ's commercial.

1419
01:18:11,439 --> 01:18:17,200
Speaker 1: How did that happen? Uh? And then uh? What what? What? What?

1420
01:18:17,400 --> 01:18:19,680
Speaker 1: Surprised me? And I want to ask you guys about this.

1421
01:18:19,920 --> 01:18:22,320
Speaker 1: Did it throw you off that JD was still allowed

1422
01:18:22,360 --> 01:18:25,320
Speaker 1: to have fantasies even though he wasn't telling the story.

1423
01:18:27,640 --> 01:18:31,240
Speaker 1: Does he does? He's at dinner with Turk, they're eating

1424
01:18:31,240 --> 01:18:34,439
Speaker 1: at the restaurant wherever it is. He has a fantasy.

1425
01:18:34,479 --> 01:18:37,320
Speaker 1: I think it's his fantasy of Cox hitting dude over

1426
01:18:37,400 --> 01:18:40,679
Speaker 1: the back with the chair and all of that stuff.

1427
01:18:41,040 --> 01:18:44,439
Speaker 1: That's that's a good question, and Sha might know better

1428
01:18:44,479 --> 01:18:47,040
Speaker 1: than we do. But I always assume that when the

1429
01:18:47,200 --> 01:18:50,360
Speaker 1: person took over the voiceover, they took over the fantasies too.

1430
01:18:50,720 --> 01:18:52,400
Speaker 1: But I don't recall do you remember that, Shay? If

1431
01:18:52,439 --> 01:18:56,479
Speaker 1: that's true or not, it's not exclusive to to U

1432
01:18:57,120 --> 01:18:59,840
Speaker 1: being the narrator of the show, no right, because the

1433
01:19:00,000 --> 01:19:02,160
Speaker 1: people do have fantasies. I was just wondering if it

1434
01:19:02,240 --> 01:19:04,640
Speaker 1: threw anybody off because when I was watching it, I

1435
01:19:04,760 --> 01:19:06,920
Speaker 1: was like, I assume that. Oh, so you're saying that

1436
01:19:07,080 --> 01:19:10,920
Speaker 1: was j D's fantasy, not Cox's fantasy. Yeah. Absolutely, he's

1437
01:19:10,920 --> 01:19:14,320
Speaker 1: talking about it. Yeah, yeah, absolutely. But I will say this,

1438
01:19:15,080 --> 01:19:17,200
Speaker 1: we all have fantasies on the show at some point,

1439
01:19:17,360 --> 01:19:20,000
Speaker 1: you know, and you're doing the monologue still, you're still

1440
01:19:20,040 --> 01:19:23,400
Speaker 1: doing the narration. Yeah. Yeah, it's funny. And there's a

1441
01:19:23,400 --> 01:19:25,720
Speaker 1: little funny thing in that fantasy with Johnny cs So,

1442
01:19:26,520 --> 01:19:29,120
Speaker 1: and this is the first episode with Johnny the tackling

1443
01:19:29,200 --> 01:19:35,960
Speaker 1: Alzheimer's patient who was our sort of senior stunt coordinator, Ernie,

1444
01:19:36,600 --> 01:19:42,000
Speaker 1: and Ernie is in the segment where Johnny also not

1445
01:19:42,080 --> 01:19:44,880
Speaker 1: only does he play the tackling Alzheimer's patient, but he's

1446
01:19:44,880 --> 01:19:47,200
Speaker 1: in the segment where where Johnny ce is hitting people

1447
01:19:47,240 --> 01:19:49,720
Speaker 1: with the chair. He's the next guy over, which made

1448
01:19:49,760 --> 01:19:52,960
Speaker 1: me think there's probably another He probably nailed him too,

1449
01:19:53,080 --> 01:19:54,920
Speaker 1: and they cut it out because why would Ernie be

1450
01:19:55,000 --> 01:19:57,120
Speaker 1: sitting there. I don't know, you know what I'm talking about.

1451
01:19:57,120 --> 01:20:00,840
Speaker 1: He nails the first guy, yeah, obviously obviously stuff man,

1452
01:20:01,160 --> 01:20:03,800
Speaker 1: and then he and then Ernie kind of begins to wins,

1453
01:20:03,840 --> 01:20:05,479
Speaker 1: and I'm like, they must have cut out him nailing

1454
01:20:05,560 --> 01:20:09,080
Speaker 1: Ernie as well. Here's another thing that I noticed, and

1455
01:20:09,200 --> 01:20:10,640
Speaker 1: I want to give a shout out to all of

1456
01:20:10,800 --> 01:20:13,960
Speaker 1: our extras that we're on the show. We call them

1457
01:20:14,000 --> 01:20:18,240
Speaker 1: background performers. Now, Donald, my point is, shout out to

1458
01:20:18,360 --> 01:20:21,840
Speaker 1: all of the background performers, because not only are some

1459
01:20:22,040 --> 01:20:25,479
Speaker 1: of them doctors in the hospital, but some of them

1460
01:20:25,520 --> 01:20:29,759
Speaker 1: are patrons at restaurants. When you when you're watching this episode,

1461
01:20:29,880 --> 01:20:32,960
Speaker 1: I noticed, I noticed that a lot of them are uh,

1462
01:20:33,240 --> 01:20:37,280
Speaker 1: sitting behind us when we're eating dinner. But what but

1463
01:20:37,400 --> 01:20:39,799
Speaker 1: what's your shout out to them? Like they were able

1464
01:20:39,960 --> 01:20:43,320
Speaker 1: to not only be people at hospital, you guys, they

1465
01:20:43,360 --> 01:20:46,960
Speaker 1: were able to be people at restaurants. No, my shout out.

1466
01:20:47,040 --> 01:20:48,479
Speaker 1: My shout out to them is that we had a

1467
01:20:48,520 --> 01:20:51,360
Speaker 1: bunch of people that really worked hard to be seeing

1468
01:20:51,439 --> 01:20:56,919
Speaker 1: on our show uh and and uh and create characters,

1469
01:20:57,000 --> 01:21:00,160
Speaker 1: and sometimes they were asked to do things that and

1470
01:21:00,240 --> 01:21:02,320
Speaker 1: fit you know what I mean, like continuity when it

1471
01:21:02,400 --> 01:21:05,960
Speaker 1: comes to our background. It gets better as time goes,

1472
01:21:06,040 --> 01:21:07,920
Speaker 1: but in the beginning, everybody was trying to get in

1473
01:21:08,000 --> 01:21:09,680
Speaker 1: where they fit in. And this is one of those

1474
01:21:09,720 --> 01:21:12,800
Speaker 1: episodes where I recognize, oh wow, what is she doing

1475
01:21:12,880 --> 01:21:14,960
Speaker 1: in the background? Here when she was just in the

1476
01:21:15,040 --> 01:21:18,360
Speaker 1: background at the hospital with the lab coat on. The

1477
01:21:18,479 --> 01:21:22,240
Speaker 1: funny thing is is that our go to regular background performers.

1478
01:21:22,600 --> 01:21:25,200
Speaker 1: I think we're very aware of like where to find

1479
01:21:25,280 --> 01:21:27,960
Speaker 1: the camera because like snoop dogs in the back of

1480
01:21:28,360 --> 01:21:31,000
Speaker 1: like a lot of shots of this episode. I saw

1481
01:21:31,040 --> 01:21:33,960
Speaker 1: a colonel doctor, I saw a Beard fus say. I

1482
01:21:34,040 --> 01:21:36,040
Speaker 1: think a lot of the greatest hits just knew where

1483
01:21:36,080 --> 01:21:38,920
Speaker 1: to go, you know, they were like, I see where

1484
01:21:38,960 --> 01:21:41,240
Speaker 1: the camera is, and my character will be crossing to

1485
01:21:41,360 --> 01:21:49,920
Speaker 1: that whiteboard. Bill's final thoughts, Oh God, okay, Bill, all right,

1486
01:21:50,080 --> 01:21:53,360
Speaker 1: another interrupting Bill segment. You no warning whatsoever. Don't know

1487
01:21:53,439 --> 01:21:56,280
Speaker 1: if there's music. I'm okay if there is. I told

1488
01:21:56,400 --> 01:21:59,639
Speaker 1: Dan or Joel to interrupt you guys when it becomes

1489
01:21:59,720 --> 01:22:03,519
Speaker 1: clear that Shay Serrano, who was a big Scrubs fan

1490
01:22:03,600 --> 01:22:06,400
Speaker 1: an amazing writer, knows more about the show than you two,

1491
01:22:07,280 --> 01:22:12,759
Speaker 1: because I am interested because so many Scrubs viewers actually

1492
01:22:12,840 --> 01:22:16,040
Speaker 1: do rewatches and stuff. And be honest, Shay, whether or

1493
01:22:16,080 --> 01:22:19,080
Speaker 1: not you've actually watched the whole series more than once,

1494
01:22:19,840 --> 01:22:23,439
Speaker 1: I'm betting there's no way you watched it more than

1495
01:22:23,680 --> 01:22:26,720
Speaker 1: two or three times. But some people said, you might

1496
01:22:26,760 --> 01:22:39,120
Speaker 1: have even watched it five six seven eight off. No, no, Dan,

1497
01:22:39,479 --> 01:22:44,360
Speaker 1: he said he was gonna stop doing it. No disrespectful

1498
01:22:44,640 --> 01:22:50,880
Speaker 1: to the host. That was very That was clever, clever Bill.

1499
01:22:51,600 --> 01:22:53,280
Speaker 1: You know, I was on a call. I was on

1500
01:22:53,400 --> 01:22:55,160
Speaker 1: a call with Bill and we were talking about something

1501
01:22:55,240 --> 01:22:57,600
Speaker 1: else and he's like, it was very sweet. He was like,

1502
01:22:57,800 --> 01:22:59,680
Speaker 1: I really got to come up with a new thing.

1503
01:23:00,439 --> 01:23:02,599
Speaker 1: I know that I know the audience loves five six

1504
01:23:02,680 --> 01:23:04,760
Speaker 1: seventy eight, but I want to shake it up. I'm

1505
01:23:04,800 --> 01:23:06,479
Speaker 1: gonna I'm gonna come up with a new bit for

1506
01:23:06,600 --> 01:23:12,120
Speaker 1: season two. Cut to Okay, So I got a question

1507
01:23:12,240 --> 01:23:14,320
Speaker 1: for you, dude, do you not know any kung fu moves?

1508
01:23:15,840 --> 01:23:17,120
Speaker 1: I don't know who you are? You talking to me

1509
01:23:17,640 --> 01:23:20,800
Speaker 1: Za zach me because when I go, everybody goes kung

1510
01:23:20,920 --> 01:23:24,840
Speaker 1: fu finding the air and then you hump the air

1511
01:23:26,840 --> 01:23:29,879
Speaker 1: like you're fucking the air. No, no, no, no, that's

1512
01:23:30,040 --> 01:23:32,560
Speaker 1: that's a kung fu move. Is in the legend of

1513
01:23:32,640 --> 01:23:40,439
Speaker 1: the Drunken Master Jackie Chan Jackie Shay. So I'm clear

1514
01:23:40,600 --> 01:23:43,920
Speaker 1: Jackie Chan fucks the air. You don't know the air?

1515
01:23:45,600 --> 01:23:48,640
Speaker 1: That was that was deleted. That was a form. That

1516
01:23:48,840 --> 01:23:51,559
Speaker 1: was a deleted scene. From Karate Kid Daniel Son Fuck

1517
01:23:51,640 --> 01:24:00,240
Speaker 1: the Air. It was right after Paint Defence. That's a

1518
01:24:00,280 --> 01:24:02,960
Speaker 1: really sweet moment in the in the show when the

1519
01:24:03,120 --> 01:24:05,400
Speaker 1: therapist is telling doctor Cox, like, if you have somebody

1520
01:24:05,439 --> 01:24:06,960
Speaker 1: in your life, we can get you to do something

1521
01:24:07,400 --> 01:24:09,280
Speaker 1: that that's a special person. And then they cut to

1522
01:24:09,600 --> 01:24:12,639
Speaker 1: we see Jad. I really like when when they tee

1523
01:24:12,680 --> 01:24:14,400
Speaker 1: it up like that, when we gets it whenever, like

1524
01:24:14,479 --> 01:24:16,600
Speaker 1: somebody is saying a nice thing about somebody else but

1525
01:24:16,680 --> 01:24:19,280
Speaker 1: they're not hearing them say it, and just it's it's

1526
01:24:19,360 --> 01:24:22,320
Speaker 1: really really great. Yeah. Well they cuts to Zack and

1527
01:24:22,439 --> 01:24:25,400
Speaker 1: Zach fucks the air and then the janitor drops in

1528
01:24:25,640 --> 01:24:29,240
Speaker 1: from the ceiling. You don't um, you don't fuck the

1529
01:24:29,320 --> 01:24:31,519
Speaker 1: air when you dance. No no, no, no, no no

1530
01:24:31,600 --> 01:24:33,240
Speaker 1: no no no no no no no no no no

1531
01:24:33,360 --> 01:24:37,000
Speaker 1: no no no, hold on, you're doing a theme dance.

1532
01:24:37,320 --> 01:24:39,800
Speaker 1: First of all, right, my character wasn't so focused on

1533
01:24:39,920 --> 01:24:42,519
Speaker 1: kung fu as he was about doing his best dance moves.

1534
01:24:42,560 --> 01:24:44,800
Speaker 1: He's a loan and elevator, you know that that expression

1535
01:24:44,960 --> 01:24:47,160
Speaker 1: danced like no one's watching. He was a loan and

1536
01:24:47,160 --> 01:24:50,280
Speaker 1: an elevator and he knew no one was watching, and

1537
01:24:50,600 --> 01:24:53,880
Speaker 1: it was time to fucking get his groove on. This

1538
01:24:54,000 --> 01:24:57,280
Speaker 1: is default move. Yeah, it's my default probably my default

1539
01:24:57,320 --> 01:24:59,200
Speaker 1: move too. I just do a little little so let

1540
01:24:59,280 --> 01:25:02,599
Speaker 1: me get this straight go ahead. When kung Fu fighting

1541
01:25:02,680 --> 01:25:05,120
Speaker 1: comes on and it gets to the no no no

1542
01:25:05,200 --> 01:25:08,280
Speaker 1: no no nah no no no no no, let me

1543
01:25:08,320 --> 01:25:09,600
Speaker 1: get back to the right key. No no no no

1544
01:25:09,680 --> 01:25:12,519
Speaker 1: no net nah. I was supposed to suck the air.

1545
01:25:13,360 --> 01:25:16,200
Speaker 1: I would recommend it. Yeah, it feels nice. Okay, so

1546
01:25:16,320 --> 01:25:18,519
Speaker 1: then why all the hand gestures like you were about

1547
01:25:18,520 --> 01:25:21,040
Speaker 1: to do kung fu fighting and then fuck the air? Dude,

1548
01:25:21,160 --> 01:25:25,280
Speaker 1: I'm just being my wacky self. Okay, someone said, Zack.

1549
01:25:26,000 --> 01:25:29,639
Speaker 1: Someone I'm sure. Ken Winningham, the director of this episode, said, Zach,

1550
01:25:29,720 --> 01:25:32,800
Speaker 1: come up with some funny ass weird dance move. Do

1551
01:25:32,840 --> 01:25:34,800
Speaker 1: you want how funny? Story? Though, speaking about fucking the air,

1552
01:25:35,000 --> 01:25:40,000
Speaker 1: I remember being a little kid and a pivot. I

1553
01:25:40,000 --> 01:25:43,560
Speaker 1: didn't even know. I didn't This is embarrassing, But this

1554
01:25:43,640 --> 01:25:45,479
Speaker 1: is how much I love you are listeners that I'm

1555
01:25:45,479 --> 01:25:47,800
Speaker 1: going to tell you another embarrassing story about me. I

1556
01:25:47,920 --> 01:25:51,560
Speaker 1: didn't even know. Um, I was too young. Do you

1557
01:25:51,600 --> 01:25:55,720
Speaker 1: even know about masturbation or really what sex was? I

1558
01:25:55,840 --> 01:25:57,400
Speaker 1: think I just knew that the man and the woman

1559
01:25:57,479 --> 01:25:59,400
Speaker 1: got in red together and lied on top of each other.

1560
01:26:00,000 --> 01:26:02,200
Speaker 1: And I was already of a of an age where

1561
01:26:02,560 --> 01:26:05,360
Speaker 1: where that was titillating to me. But I didn't really

1562
01:26:05,439 --> 01:26:07,960
Speaker 1: know much more than that. And I remember building up

1563
01:26:08,040 --> 01:26:13,200
Speaker 1: a pillow a woman in my bed, and I was,

1564
01:26:13,360 --> 01:26:14,800
Speaker 1: I don't know how I must have been, like, I

1565
01:26:14,840 --> 01:26:17,320
Speaker 1: don't know how old. I'm gonna guess six or seven.

1566
01:26:17,600 --> 01:26:19,559
Speaker 1: Oh my god, I think my kids have any idea

1567
01:26:19,600 --> 01:26:21,599
Speaker 1: what fucking is right now, dude, know what I'm saying.

1568
01:26:21,640 --> 01:26:23,120
Speaker 1: I didn't know about it. I didn't know about I

1569
01:26:23,160 --> 01:26:25,560
Speaker 1: didn't know about the act. I just knew that I

1570
01:26:25,560 --> 01:26:27,400
Speaker 1: imagined that they lie on top of each other and

1571
01:26:27,520 --> 01:26:29,360
Speaker 1: make out and the baby gets made. I'm saying it

1572
01:26:29,400 --> 01:26:32,439
Speaker 1: was that innocent. But I remember coming into my and

1573
01:26:32,680 --> 01:26:34,880
Speaker 1: I literally laid out the pillows like like it was

1574
01:26:34,920 --> 01:26:36,960
Speaker 1: a woman in bed. And then I came into my

1575
01:26:37,080 --> 01:26:41,600
Speaker 1: room and yawned like hard, dear, we're honey and I

1576
01:26:42,920 --> 01:26:45,000
Speaker 1: and I took up my clothes and I got into

1577
01:26:45,080 --> 01:26:47,160
Speaker 1: bed and I laid on top of the pillow woman.

1578
01:26:49,960 --> 01:26:52,679
Speaker 1: Nine months later, did she have a baby, Yeah, pillow baby.

1579
01:26:53,200 --> 01:26:57,040
Speaker 1: I had a pillow baby. But it's funny I'm just

1580
01:26:57,120 --> 01:26:59,880
Speaker 1: thinking that there was some I think I had a

1581
01:27:00,000 --> 01:27:03,400
Speaker 1: pillow girlfriendnamed Katya in this show. I there was some joke.

1582
01:27:03,800 --> 01:27:05,639
Speaker 1: There was some joke like as I lay on top

1583
01:27:05,680 --> 01:27:09,639
Speaker 1: of my pillow girlfriend Katya. Yeah, that's the thing when

1584
01:27:09,760 --> 01:27:12,120
Speaker 1: you when you walked in the room and you were

1585
01:27:12,160 --> 01:27:14,760
Speaker 1: like spending time with your pillow wife, did you say

1586
01:27:14,960 --> 01:27:17,519
Speaker 1: we need some romantic music right now? And then kung

1587
01:27:17,560 --> 01:27:24,120
Speaker 1: fu fighting? Is what I just remember that in my

1588
01:27:24,360 --> 01:27:26,720
Speaker 1: in my however a year old brain, I thought the

1589
01:27:26,800 --> 01:27:29,840
Speaker 1: first step to making love to your wife is to

1590
01:27:30,000 --> 01:27:34,680
Speaker 1: yawn and say I've had such a hard day. That

1591
01:27:34,880 --> 01:27:40,280
Speaker 1: never works. Everybody tries that shit, Oh baby, you wouldn't

1592
01:27:40,280 --> 01:27:42,439
Speaker 1: be had such a hard day to day. I have

1593
01:27:42,560 --> 01:27:47,360
Speaker 1: so much stress. The ideal thing to happen is, you know,

1594
01:27:47,760 --> 01:27:50,240
Speaker 1: for things to happen after that. Usually you say that

1595
01:27:50,280 --> 01:27:59,200
Speaker 1: shit and they're like, you know, so did I today? Anyway? Um, well,

1596
01:27:59,320 --> 01:28:01,719
Speaker 1: some of the ending, because I thought the end definitely

1597
01:28:01,800 --> 01:28:03,599
Speaker 1: gave me goose bumps, and I thought it was very

1598
01:28:03,720 --> 01:28:09,439
Speaker 1: romantic and sweep that that that you run to the park,

1599
01:28:09,560 --> 01:28:12,439
Speaker 1: you're still doing your weird run. That nobody runs like that.

1600
01:28:12,640 --> 01:28:16,439
Speaker 1: But okay, I'll accept it. You're ahead of all haters.

1601
01:28:18,040 --> 01:28:22,639
Speaker 1: Like a cartoon caracter. Every Action star has a specific run.

1602
01:28:23,040 --> 01:28:25,439
Speaker 1: You want to see, Thank you Shay. You want to

1603
01:28:25,479 --> 01:28:29,000
Speaker 1: see crazy runs. Look at how Harrison Ford runs, Look

1604
01:28:29,040 --> 01:28:33,000
Speaker 1: at how the Rock runs. Look at Tom Cruise runs.

1605
01:28:33,439 --> 01:28:37,160
Speaker 1: Every Action star has a run. Me if I would

1606
01:28:37,160 --> 01:28:40,040
Speaker 1: a run like everybody else, you know what, it would

1607
01:28:40,080 --> 01:28:43,760
Speaker 1: be not considered unique, just like every fucking leaning man

1608
01:28:44,200 --> 01:28:49,320
Speaker 1: has a fucking walk. What this is your signature walk? No,

1609
01:28:49,439 --> 01:28:53,439
Speaker 1: this is my signature run. And I'll beat your ass

1610
01:28:53,479 --> 01:28:58,519
Speaker 1: in a race any day currently, So currently I might

1611
01:28:58,560 --> 01:29:00,200
Speaker 1: be able to beat you in a race. Currently, we

1612
01:29:00,280 --> 01:29:05,080
Speaker 1: could go whenever you're ready. Whenever you're ready, I'm ready anyway. Um, anyway,

1613
01:29:05,080 --> 01:29:07,200
Speaker 1: I thought it was very sweet. The song is beautiful,

1614
01:29:07,320 --> 01:29:10,000
Speaker 1: and then they revealed JD running around with the Sparklers,

1615
01:29:10,040 --> 01:29:12,040
Speaker 1: and I just thought it was really it was romantic

1616
01:29:12,120 --> 01:29:15,160
Speaker 1: and it was very romantic. I love the song. Can

1617
01:29:15,200 --> 01:29:18,000
Speaker 1: I ask two questions? Yeah, one of which is directly

1618
01:29:18,040 --> 01:29:21,759
Speaker 1: related to the episode, but one of them is tangentially related.

1619
01:29:22,200 --> 01:29:25,639
Speaker 1: When Turk is at the bus stop eating the chili dog,

1620
01:29:26,439 --> 01:29:29,040
Speaker 1: he wasn't expecting for that waitress to show up, right,

1621
01:29:29,080 --> 01:29:30,680
Speaker 1: because she shows up and he's like, oh, what are

1622
01:29:30,680 --> 01:29:33,920
Speaker 1: you doing here? Good to he just hangs out at

1623
01:29:33,960 --> 01:29:38,160
Speaker 1: a bus stop, eating atop eating chili dog. I don't know, Well,

1624
01:29:38,200 --> 01:29:42,160
Speaker 1: he doesn't have your Well you have Malik, obviously, I've

1625
01:29:42,200 --> 01:29:45,080
Speaker 1: obviously have Malik. But why we never have established in

1626
01:29:45,120 --> 01:29:49,360
Speaker 1: the history of Scrubs or again that Turk rides the bus. No,

1627
01:29:51,160 --> 01:29:54,120
Speaker 1: I don't. I that's that's that's that's one of those

1628
01:29:54,200 --> 01:29:57,360
Speaker 1: things that's just convenient to make it so. And you know,

1629
01:29:57,920 --> 01:30:00,040
Speaker 1: I guess he needs to run into her somewhere. I

1630
01:30:00,040 --> 01:30:02,519
Speaker 1: can just picture the writer's room, Like, where is Turk

1631
01:30:02,680 --> 01:30:07,400
Speaker 1: gonna run into the diner waitress? Yeah? Okay, then why

1632
01:30:07,439 --> 01:30:09,840
Speaker 1: does he Why does he have a chili dog? Where's

1633
01:30:09,880 --> 01:30:13,080
Speaker 1: the chili dog from? I have no idea? Yeah, um,

1634
01:30:14,200 --> 01:30:18,600
Speaker 1: James Coney Island somewhere nearby. Yeah. The other question that

1635
01:30:18,640 --> 01:30:22,320
Speaker 1: I have is you mentioned the running Turk is running

1636
01:30:22,320 --> 01:30:26,719
Speaker 1: through the park to get to Carla, and I wondered

1637
01:30:27,600 --> 01:30:29,840
Speaker 1: on this most recently watched, like that happens, and then

1638
01:30:29,880 --> 01:30:32,360
Speaker 1: there's an episode later on that you guys will eventually

1639
01:30:32,400 --> 01:30:35,280
Speaker 1: get to where Turk but he's like having not a

1640
01:30:35,400 --> 01:30:37,320
Speaker 1: not a crisis of faith, but there's very it's like

1641
01:30:37,360 --> 01:30:40,240
Speaker 1: a religious episode and he ends up running through the

1642
01:30:40,320 --> 01:30:42,160
Speaker 1: park to get to a person who needs help and

1643
01:30:42,200 --> 01:30:50,200
Speaker 1: he feels like it was interviewed, was yeah, yeah, is

1644
01:30:50,280 --> 01:30:53,760
Speaker 1: this is like is this a metaphor for a thing?

1645
01:30:53,880 --> 01:30:56,560
Speaker 1: Or is this just was it just a coincidence that

1646
01:30:56,680 --> 01:31:01,000
Speaker 1: has happened, Like he's so weird that everyone was like

1647
01:31:01,080 --> 01:31:06,479
Speaker 1: this year. That's a that's a that's a really good question,

1648
01:31:06,640 --> 01:31:10,080
Speaker 1: like what is Turks? What is why is Turk always

1649
01:31:10,160 --> 01:31:12,519
Speaker 1: running someplace? Well, no, I think it's not that deep.

1650
01:31:12,600 --> 01:31:14,880
Speaker 1: I think it's dramatic at the end of the show

1651
01:31:15,040 --> 01:31:17,639
Speaker 1: to see someone I mean, how many fucking romantic comedies

1652
01:31:17,640 --> 01:31:19,479
Speaker 1: and with someone running to get to the person, I

1653
01:31:19,560 --> 01:31:21,920
Speaker 1: mean it's dramatic. Yeah, when Harry met Sally has a

1654
01:31:22,160 --> 01:31:24,080
Speaker 1: has a great one where it's New Year's Eve and

1655
01:31:24,160 --> 01:31:26,240
Speaker 1: he runs up to her to tell her that he's

1656
01:31:27,479 --> 01:31:30,479
Speaker 1: you know, I imagine that's where they're trying to take it.

1657
01:31:30,840 --> 01:31:32,519
Speaker 1: Where they're trying to get it from. There's so many

1658
01:31:33,200 --> 01:31:35,519
Speaker 1: movies where at the end of the movie when the

1659
01:31:35,600 --> 01:31:41,960
Speaker 1: guy realizes, uh that he needs to or the woman

1660
01:31:42,080 --> 01:31:45,160
Speaker 1: realizes that they need to be together, somebody has to

1661
01:31:45,280 --> 01:31:47,240
Speaker 1: run to the other one's arms. You know what I mean.

1662
01:31:49,560 --> 01:31:52,720
Speaker 1: That's all I was curious about that. I wondered that too. Hey,

1663
01:31:52,840 --> 01:31:55,560
Speaker 1: so we did it, guys, we did it. We did it.

1664
01:31:55,640 --> 01:31:59,640
Speaker 1: We did it. Um, Shay remind everybody. For those of

1665
01:31:59,680 --> 01:32:02,600
Speaker 1: you who missed the previous episode with Sha, shame on you.

1666
01:32:03,160 --> 01:32:07,320
Speaker 1: He Uh he self published an amazing book of essays

1667
01:32:07,439 --> 01:32:10,720
Speaker 1: on Scrubs, and not only is he an incredible writer,

1668
01:32:10,840 --> 01:32:15,960
Speaker 1: but he's very knowledgeable out Scrubs and they're beautifully illustrated,

1669
01:32:16,160 --> 01:32:19,160
Speaker 1: and uh, we really highly recommend you get them because

1670
01:32:19,360 --> 01:32:21,599
Speaker 1: if you're a Scrubs fan, and I imagine you are,

1671
01:32:21,600 --> 01:32:23,280
Speaker 1: if you're listening to this, you're really gonna love this.

1672
01:32:23,520 --> 01:32:26,439
Speaker 1: Shay m remind everyone where to get it. He can

1673
01:32:26,479 --> 01:32:29,880
Speaker 1: get it out of websites Sacred Heart, gang dot com

1674
01:32:31,680 --> 01:32:35,040
Speaker 1: to Gang. He's also written lots of other books and

1675
01:32:35,479 --> 01:32:37,800
Speaker 1: he's a really cool guy. UM, tell everyone how to

1676
01:32:37,840 --> 01:32:41,439
Speaker 1: follow you on Twitter? Is it at Shay Serrano? There

1677
01:32:41,520 --> 01:32:44,439
Speaker 1: it is whom just just spell it for people that

1678
01:32:44,600 --> 01:32:48,000
Speaker 1: can't spell s h E A s E r r

1679
01:32:48,240 --> 01:32:51,040
Speaker 1: A n O. Follow Shay. He's a great if you're

1680
01:32:51,080 --> 01:32:54,800
Speaker 1: into Twitter, which is the hellscape of of of entire earth.

1681
01:32:56,040 --> 01:32:58,320
Speaker 1: But if you're into it and addicted to it. Shay

1682
01:32:58,439 --> 01:33:02,200
Speaker 1: is is a great follow and and and thank you guys.

1683
01:33:02,280 --> 01:33:04,600
Speaker 1: This was This was a really good show. And I

1684
01:33:04,720 --> 01:33:07,200
Speaker 1: miss you. I miss you all. I miss you too. Man.

1685
01:33:07,320 --> 01:33:09,040
Speaker 1: You know, I thought that we could end today's show

1686
01:33:09,120 --> 01:33:12,720
Speaker 1: with my brother Olami Day. Ye music, let's do it

1687
01:33:12,800 --> 01:33:15,360
Speaker 1: talk tell us about Elamidade Donald So. Olami Day was

1688
01:33:15,360 --> 01:33:17,280
Speaker 1: in the band back in the day called Imagine and

1689
01:33:17,400 --> 01:33:19,400
Speaker 1: they had a couple of hits on the radio and

1690
01:33:20,040 --> 01:33:22,200
Speaker 1: they did well, and they broke up at a really

1691
01:33:23,560 --> 01:33:27,360
Speaker 1: really young age. And now he's making his own music.

1692
01:33:27,800 --> 01:33:30,720
Speaker 1: And you know, you can find him on Spotify, you

1693
01:33:30,760 --> 01:33:33,840
Speaker 1: can find him on iTunes wherever. You can tell everyone

1694
01:33:33,880 --> 01:33:36,040
Speaker 1: how to spell his name because it's a little tricky. Oh,

1695
01:33:36,160 --> 01:33:38,600
Speaker 1: it is a little tricky. Actually, it's O L A

1696
01:33:39,120 --> 01:33:44,000
Speaker 1: M I D E Olami Day phase on my last name.

1697
01:33:44,600 --> 01:33:46,960
Speaker 1: And we're gonna start, We're gonna we're gonna end the

1698
01:33:47,000 --> 01:33:50,240
Speaker 1: show with the one of his songs. It's called Hey

1699
01:33:50,320 --> 01:33:53,599
Speaker 1: There Love. And I want to thank Joel. I want

1700
01:33:53,640 --> 01:33:55,320
Speaker 1: to thank Shay for being on the show today. I

1701
01:33:55,360 --> 01:33:58,320
Speaker 1: want to thank Daniel for being the awesome dude that

1702
01:33:58,439 --> 01:34:02,000
Speaker 1: he is. For all of those guys Zach brappan myself.

1703
01:34:02,520 --> 01:34:05,679
Speaker 1: This is Alami day with Hey their love? Look back

1704
01:34:05,880 --> 01:34:12,160
Speaker 1: where it be a game? Who thought we up here

1705
01:34:13,800 --> 01:34:19,360
Speaker 1: a so god? One night stand? Will think again? Baby,

1706
01:34:19,520 --> 01:34:25,880
Speaker 1: think again? I thought I was quite jump time and

1707
01:34:26,160 --> 01:34:31,479
Speaker 1: wounded lands be hum that night when l guess love

1708
01:34:31,640 --> 01:34:36,880
Speaker 1: had the different plan Because here we are. Look at

1709
01:34:36,960 --> 01:34:43,519
Speaker 1: where we stand, Hey, their love? How did we end

1710
01:34:43,680 --> 01:34:49,000
Speaker 1: up at the autum after all things that we've been through? Hey,

1711
01:34:49,479 --> 01:34:54,080
Speaker 1: their love? Look how we turned down? Who said happily

1712
01:34:54,200 --> 01:35:08,799
Speaker 1: care fare after would never be found? Hey methout haye

1713
01:35:09,160 --> 01:35:21,519
Speaker 1: that no mistakes, so maintain lie. But somehow things turn out.

1714
01:35:21,760 --> 01:35:28,280
Speaker 1: Find to think we had our doubts, only to find

1715
01:35:28,800 --> 01:35:35,200
Speaker 1: we can live without each other love and special ways

1716
01:35:35,640 --> 01:35:40,760
Speaker 1: to shine east like through dark and skies. When it's real,

1717
01:35:41,160 --> 01:35:46,320
Speaker 1: everything just feels fright. Look at you and die. We

1718
01:35:46,560 --> 01:35:50,680
Speaker 1: gave us to try to try to try hate that.

1719
01:35:52,040 --> 01:35:56,040
Speaker 1: How did we end out at the outer after all

1720
01:35:56,120 --> 01:36:02,360
Speaker 1: the things that we've been through? Pay the copy turned out?

1721
01:36:02,880 --> 01:36:19,200
Speaker 1: Who said happily thever have to be found? Ai Athai