WEBVTT - Mini Crush #143

0:00:00.200 --> 0:00:02.960
<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

0:00:28.600 --> 0:00:35.520
<v Speaker 1>Hey everybody, and welcome to Minny Crush with Noel and me. Man, Chuck,

0:00:35.560 --> 0:00:38.040
<v Speaker 1>you almost had like a rap kind of quality of me.

0:00:38.080 --> 0:00:40.680
<v Speaker 1>He's like, Hey, everybody, welcome to many crushed with a

0:00:40.720 --> 0:00:45.720
<v Speaker 1>Knol and me orchestra hit. Well, I'm old school, so

0:00:45.960 --> 0:00:49.000
<v Speaker 1>mine would go more like, uh, well, my name is

0:00:49.080 --> 0:00:51.360
<v Speaker 1>Chuck and I'm here to say I'm gonna crush it

0:00:51.360 --> 0:00:53.959
<v Speaker 1>out with Noel in a movie kind of way. That's

0:00:54.000 --> 0:00:59.720
<v Speaker 1>all right, Yeah, orchestra hit. You know that sound class?

0:01:00.120 --> 0:01:02.640
<v Speaker 1>Is that the Uh yeah, I think I know what

0:01:02.680 --> 0:01:08.280
<v Speaker 1>you mean. It sounds like an entire when when Yeah,

0:01:08.280 --> 0:01:11.680
<v Speaker 1>Originally it was on this sampling synth called a fair Light,

0:01:11.840 --> 0:01:13.680
<v Speaker 1>which you might have seen, has like a little touch

0:01:13.720 --> 0:01:16.399
<v Speaker 1>screen early touch screen with green letters and numbers on it,

0:01:16.480 --> 0:01:19.080
<v Speaker 1>use a little pen and it was actually a sample

0:01:19.200 --> 0:01:23.040
<v Speaker 1>from Shastakovich's Rites of spring and has said has sense

0:01:23.160 --> 0:01:26.119
<v Speaker 1>been through many many iterations, but the original orchestra hit

0:01:26.200 --> 0:01:28.440
<v Speaker 1>was from one of those big stabs in the rights

0:01:28.440 --> 0:01:31.520
<v Speaker 1>of spring Boy. And then it's been on just hundreds

0:01:31.640 --> 0:01:34.720
<v Speaker 1>of hip hop songs since then, Oh dude, and and

0:01:34.760 --> 0:01:36.960
<v Speaker 1>now it's coming back actually like I don't know if

0:01:36.959 --> 0:01:39.160
<v Speaker 1>you're into like grimes at all, but she uses it

0:01:39.440 --> 0:01:42.360
<v Speaker 1>lots of this like hyperpop stuff like one hundred gets

0:01:42.640 --> 0:01:45.520
<v Speaker 1>like all this weird like uh kind of meme culture

0:01:45.600 --> 0:01:47.880
<v Speaker 1>type music uses it a lot. It's definitely back in

0:01:47.920 --> 0:01:49.640
<v Speaker 1>a big way. Well, I'll tell you what we'll do now,

0:01:49.760 --> 0:01:52.760
<v Speaker 1>since people probably it's hard to do that sound as

0:01:52.800 --> 0:01:55.200
<v Speaker 1>a human being, So maybe if uber producer Seth can

0:01:55.240 --> 0:02:00.960
<v Speaker 1>insert one of those right here, that'd be great. I

0:02:01.080 --> 0:02:06.760
<v Speaker 1>was great, what am I saying? Wow? And maybe uh,

0:02:07.000 --> 0:02:10.240
<v Speaker 1>just throw a throw eight o eight in there so

0:02:10.280 --> 0:02:15.200
<v Speaker 1>everyone knows that classic beat. You know. I've been being

0:02:15.360 --> 0:02:17.959
<v Speaker 1>super prolific lately, Chuck. I think we played a little

0:02:18.000 --> 0:02:20.640
<v Speaker 1>bit of the Sparkle Girls song. It's a big hit

0:02:20.720 --> 0:02:23.639
<v Speaker 1>already with the movie. It's a bob. Yeah. Well let's

0:02:23.720 --> 0:02:26.760
<v Speaker 1>it's not it's not quite there. Yeah, the video will

0:02:26.800 --> 0:02:29.280
<v Speaker 1>becoming sooner. Keep a lookout. But I've been making I've

0:02:29.320 --> 0:02:32.360
<v Speaker 1>been buying all these like old seventy eights and like

0:02:32.440 --> 0:02:35.519
<v Speaker 1>forty fives and like weird like junk records at the

0:02:35.520 --> 0:02:38.519
<v Speaker 1>thrift stores and just starting songs by like sampling weird

0:02:38.520 --> 0:02:40.520
<v Speaker 1>little parts and then building a song around it, but

0:02:40.720 --> 0:02:44.000
<v Speaker 1>I've become obsessed with um. If you do any thrift

0:02:44.040 --> 0:02:47.079
<v Speaker 1>store mining and Georgia you you will will probably come

0:02:47.120 --> 0:02:52.799
<v Speaker 1>across these very regional Christian country records you don't talking

0:02:52.800 --> 0:02:55.720
<v Speaker 1>about where It's like they all look the same. Yeah,

0:02:56.400 --> 0:02:59.120
<v Speaker 1>it's like a family band. All the men are wearing

0:02:59.120 --> 0:03:02.160
<v Speaker 1>matching whites, and women all have these big hair dues

0:03:02.760 --> 0:03:05.520
<v Speaker 1>and they're posing in front of some sort of picturesque,

0:03:05.639 --> 0:03:09.119
<v Speaker 1>you know, Sylvan scene. And yeah, they all have names

0:03:09.160 --> 0:03:11.600
<v Speaker 1>like the Christian Echoes or something. And I've been loving

0:03:11.639 --> 0:03:13.560
<v Speaker 1>again and they happened to be by a creek bank

0:03:14.040 --> 0:03:16.440
<v Speaker 1>under an oak tree. That's exactly right. And the funny

0:03:16.440 --> 0:03:19.160
<v Speaker 1>thing is is like they're all from like Smyrna or

0:03:19.240 --> 0:03:22.960
<v Speaker 1>some kind of more rurally part of Georgia, but near Atlanta,

0:03:23.080 --> 0:03:25.040
<v Speaker 1>near enough that we've ended up with these because they

0:03:25.080 --> 0:03:27.120
<v Speaker 1>probably only made like a hundred of them. Sure you

0:03:27.120 --> 0:03:28.440
<v Speaker 1>know what I mean. I mean, I love it. It's

0:03:28.480 --> 0:03:30.639
<v Speaker 1>such a neat little treasure hunt it is. I love

0:03:30.680 --> 0:03:33.960
<v Speaker 1>that little niche. Uh So, no, I saw you yesterday.

0:03:34.400 --> 0:03:37.880
<v Speaker 1>I r l again at the office you wandered by

0:03:38.080 --> 0:03:41.800
<v Speaker 1>and nol I have to let everyone know once again.

0:03:42.640 --> 0:03:46.960
<v Speaker 1>Soft shorts. Uh. Yeah, that's I was wearing soft shorts yesterday.

0:03:47.200 --> 0:03:50.280
<v Speaker 1>But I gotta tell you I have pivoted I what

0:03:50.000 --> 0:03:54.680
<v Speaker 1>you can wear. There's something against that. Well, I just

0:03:54.680 --> 0:03:56.680
<v Speaker 1>heard you touting the hard pant and I have still

0:03:56.760 --> 0:03:59.760
<v Speaker 1>yet to see a hard pant. Well, you know, chuck

0:04:00.080 --> 0:04:03.960
<v Speaker 1>the thing. I forget that. Other people sometimes wander through

0:04:04.000 --> 0:04:06.960
<v Speaker 1>that office, and so I thought I was safe from

0:04:06.800 --> 0:04:10.080
<v Speaker 1>the prying eyes of look you lose, such as yourself.

0:04:10.120 --> 0:04:13.000
<v Speaker 1>I'm there every Tuesday, my friend, and I also need

0:04:13.040 --> 0:04:17.839
<v Speaker 1>to tell everybody about uh the Uh, well, I'm gonna

0:04:17.880 --> 0:04:20.919
<v Speaker 1>solve the mystery of the beheaded parrots. Knowledge was me?

0:04:21.480 --> 0:04:25.360
<v Speaker 1>It was you? It was you, Yes, But I asked

0:04:25.360 --> 0:04:28.080
<v Speaker 1>you about it, and you seemed indignant. I know, I

0:04:28.160 --> 0:04:31.640
<v Speaker 1>was playing it off pretty good. Oh you literally said, well,

0:04:31.680 --> 0:04:35.279
<v Speaker 1>I wouldn't know anything about that, nol. Well, why don't

0:04:35.279 --> 0:04:40.520
<v Speaker 1>you tell everyone would happen? Yeah, holy sh it. Wow, Okay,

0:04:40.839 --> 0:04:43.839
<v Speaker 1>I should have played it out longer. Maybe the mystery simmer.

0:04:43.920 --> 0:04:47.360
<v Speaker 1>But oh this is gold. Oh my goodness. So yeah,

0:04:47.400 --> 0:04:49.880
<v Speaker 1>I went to the office over the weekend with my daughter.

0:04:50.640 --> 0:04:52.680
<v Speaker 1>Uh there's another funny story writ up in this too.

0:04:52.760 --> 0:04:55.480
<v Speaker 1>But I go to my desk. I'm looking for something,

0:04:56.200 --> 0:04:59.240
<v Speaker 1>and there we have these little squishy ball parrot things

0:04:59.240 --> 0:05:01.520
<v Speaker 1>and you know what, I'm talking stress relievers, but they

0:05:01.520 --> 0:05:05.040
<v Speaker 1>look like little parrots. And on my desk, lined up

0:05:05.320 --> 0:05:09.000
<v Speaker 1>like serial killer style, there's like six of them, and

0:05:09.040 --> 0:05:12.560
<v Speaker 1>they're little parrot faces have been like cleanly snipped off

0:05:13.120 --> 0:05:16.240
<v Speaker 1>with clearly like a scissor of some sort, and they're

0:05:16.279 --> 0:05:19.520
<v Speaker 1>placed in front of them, lined up, you know, in

0:05:19.560 --> 0:05:22.080
<v Speaker 1>a row. It's like a scene out of like seven

0:05:22.200 --> 0:05:26.120
<v Speaker 1>or something like, but with cartoon squishy parrots. So you

0:05:26.160 --> 0:05:28.320
<v Speaker 1>want to know how that happened? Well, how did that happen?

0:05:28.360 --> 0:05:30.599
<v Speaker 1>I was pacing the office on my on my phone

0:05:30.600 --> 0:05:33.400
<v Speaker 1>call and I picked up one of those squishy things

0:05:33.400 --> 0:05:36.680
<v Speaker 1>and I was squishing it and and I flicked his

0:05:36.720 --> 0:05:39.080
<v Speaker 1>little head off by accident, and I was like, well,

0:05:39.080 --> 0:05:42.240
<v Speaker 1>that came off very easily. And then I put it

0:05:42.279 --> 0:05:44.240
<v Speaker 1>on your desk and put the little head in front

0:05:44.279 --> 0:05:48.080
<v Speaker 1>of it, the beheaded head. And then I thought, man,

0:05:48.120 --> 0:05:50.960
<v Speaker 1>these things are everywhere and nobody gives a shit about

0:05:51.000 --> 0:05:54.960
<v Speaker 1>them because they're still in the office, and so I'm

0:05:55.000 --> 0:05:59.960
<v Speaker 1>just gonna do a little art installation slash Godfather message

0:06:00.680 --> 0:06:03.719
<v Speaker 1>and uh, I beheaded what like six or seven of them. Yeah,

0:06:03.760 --> 0:06:05.800
<v Speaker 1>I don't think you. Maybe you don't follow me on

0:06:05.800 --> 0:06:09.480
<v Speaker 1>Instagram or you didn't. I didn't see it. I did

0:06:09.480 --> 0:06:12.200
<v Speaker 1>a whole story about it, and I said something like,

0:06:13.720 --> 0:06:15.440
<v Speaker 1>came to the office for the first time in a

0:06:15.440 --> 0:06:19.080
<v Speaker 1>while and arrived on this murder scene on my desk,

0:06:19.240 --> 0:06:22.640
<v Speaker 1>and then I said, what kind of monster would do this?

0:06:24.480 --> 0:06:27.800
<v Speaker 1>I feel threatened. Oh boy, I can't believe I missed that.

0:06:28.440 --> 0:06:32.279
<v Speaker 1>I'm not sure miss that. You. Yeah, it was done

0:06:32.279 --> 0:06:35.320
<v Speaker 1>the stories. Wow, Oh my god. I actually thought it

0:06:35.400 --> 0:06:38.680
<v Speaker 1>might have been Nathan, who's our social media guy. He's

0:06:38.720 --> 0:06:41.480
<v Speaker 1>a bit of a prankster, but he hadn't been in

0:06:41.560 --> 0:06:43.599
<v Speaker 1>the office at all in like months, and he didn't

0:06:43.600 --> 0:06:45.160
<v Speaker 1>know anything about it, but he loved it. He was

0:06:45.200 --> 0:06:49.400
<v Speaker 1>a fan of your work, twas I twas. I wow, okay, wow,

0:06:49.480 --> 0:06:51.279
<v Speaker 1>it was really really really quickly. This is a movie

0:06:51.320 --> 0:06:54.120
<v Speaker 1>related In the same trip. I was digging around in

0:06:54.160 --> 0:06:56.960
<v Speaker 1>my desk after being, you know, terrified by that whole scene.

0:06:57.160 --> 0:07:00.240
<v Speaker 1>I found this package under my desk that hadn't been open,

0:07:00.240 --> 0:07:01.400
<v Speaker 1>and you know, we get a lot of mail at

0:07:01.400 --> 0:07:03.200
<v Speaker 1>the office, and I don't know how I missed it,

0:07:03.200 --> 0:07:05.320
<v Speaker 1>but it was from like two thousand seventeen. It was

0:07:05.400 --> 0:07:09.480
<v Speaker 1>from my ex girlfriend, a woman who I dated from

0:07:09.720 --> 0:07:13.160
<v Speaker 1>like fifth grade until I was like nineteen twenty years old,

0:07:14.000 --> 0:07:16.400
<v Speaker 1>like this was my first love kind of, and it

0:07:16.480 --> 0:07:20.160
<v Speaker 1>was his package from her, unopened, like yellowed the box

0:07:20.280 --> 0:07:22.560
<v Speaker 1>kind of, and I'm holy shit, how did I miss this?

0:07:22.600 --> 0:07:25.280
<v Speaker 1>And so I opened it up and it's like ten

0:07:25.920 --> 0:07:30.560
<v Speaker 1>really pristine, beautiful, awesome, high quality DVDs some of my

0:07:30.600 --> 0:07:32.720
<v Speaker 1>favorites in my collection over the years that I just

0:07:33.040 --> 0:07:35.280
<v Speaker 1>she had ended up with and she sent back to me.

0:07:35.880 --> 0:07:39.000
<v Speaker 1>One of them was a Criterion Memento, the really cool

0:07:39.000 --> 0:07:42.920
<v Speaker 1>one that looks like a like a notebook. Notebook. Um,

0:07:43.080 --> 0:07:45.360
<v Speaker 1>the first two seasons right there, only two were two

0:07:45.360 --> 0:07:49.960
<v Speaker 1>of the British Office, Uh, the Anton Corbin Directors series

0:07:50.040 --> 0:07:54.640
<v Speaker 1>music video DVD, and my personal favorite is not Think

0:07:54.640 --> 0:07:59.480
<v Speaker 1>you Can't even Get It Anymore Wonder Shows in That's

0:07:59.480 --> 0:08:01.720
<v Speaker 1>a nice old treasure troue. It was so cool and

0:08:01.760 --> 0:08:04.240
<v Speaker 1>like a little Christmas card from her, like talking about

0:08:04.240 --> 0:08:06.120
<v Speaker 1>our family, she's got kids now and stuff. But I

0:08:06.120 --> 0:08:07.960
<v Speaker 1>immediately hit her up on Facebook and I was like,

0:08:08.320 --> 0:08:10.200
<v Speaker 1>I'm so sorry, I don't know how I missed this,

0:08:10.280 --> 0:08:13.760
<v Speaker 1>And it was so thoughtful and uh like most of

0:08:13.800 --> 0:08:15.840
<v Speaker 1>my other DVDs I've either gotten rid of or sold,

0:08:15.840 --> 0:08:18.800
<v Speaker 1>and these are like pri posh, pristine condition, not a

0:08:18.840 --> 0:08:21.840
<v Speaker 1>scratch on them, all the inserts and everything. Fully there.

0:08:22.480 --> 0:08:25.080
<v Speaker 1>Love it. What a great end of the story. And

0:08:25.120 --> 0:08:29.360
<v Speaker 1>now you're having a secret affair. Yes, also true. Alright, nol.

0:08:29.400 --> 0:08:33.360
<v Speaker 1>So what we're doing today is we are um, we're

0:08:33.400 --> 0:08:36.720
<v Speaker 1>not doing any little mini segments because we have a

0:08:36.760 --> 0:08:40.800
<v Speaker 1>very special guest coming in to play pop quiz hot shot, uh,

0:08:40.800 --> 0:08:42.679
<v Speaker 1>and also to talk about a little thing this person

0:08:42.800 --> 0:08:46.959
<v Speaker 1>has been working on in way of promotion. And then

0:08:46.960 --> 0:08:49.120
<v Speaker 1>we're gonna finish up with a little stream this with

0:08:49.160 --> 0:08:52.120
<v Speaker 1>this human and I think that that will probably take

0:08:52.160 --> 0:08:55.400
<v Speaker 1>up our whole episode, so I didn't bother with any

0:08:55.400 --> 0:08:58.160
<v Speaker 1>other segments. I really hope it's Dennis Hopper, just not

0:08:58.200 --> 0:09:00.400
<v Speaker 1>Dennis offered that would be great because he is he's

0:09:00.520 --> 0:09:04.840
<v Speaker 1>quite dead. Oh that's right. That would be weird and

0:09:04.960 --> 0:09:08.200
<v Speaker 1>be very weird. So we are going to admit now

0:09:08.400 --> 0:09:12.640
<v Speaker 1>into the room, Noel, are very special guests that you

0:09:12.679 --> 0:09:19.720
<v Speaker 1>don't even know, ladies and gentlemen. John Hodgeman, Hello, Hello,

0:09:21.240 --> 0:09:24.920
<v Speaker 1>I know my Chuck. What are you doing dude, just

0:09:25.000 --> 0:09:29.520
<v Speaker 1>joining my my Beard my favorite Beard club soon. Yeah. Man,

0:09:29.559 --> 0:09:33.360
<v Speaker 1>we're all gray and black Beard. Eid. I'm in a

0:09:33.360 --> 0:09:34.880
<v Speaker 1>great I'm a great moved check. Let me tell you

0:09:34.880 --> 0:09:38.000
<v Speaker 1>why a lot. There's a lot going on. It's a

0:09:38.200 --> 0:09:43.880
<v Speaker 1>hard time challenging moment for and it's a challenging moment

0:09:43.920 --> 0:09:48.040
<v Speaker 1>in our in our democracy. Are representative democracy? You said it.

0:09:48.160 --> 0:09:51.400
<v Speaker 1>We're dealing with a continuing moment of reckoning with our

0:09:51.480 --> 0:09:56.200
<v Speaker 1>national moral conscience. Yes, and we're all being we're all

0:09:56.240 --> 0:10:03.080
<v Speaker 1>really having our natural and chemical mood stabilizer stockpiles tested

0:10:03.200 --> 0:10:07.280
<v Speaker 1>by these times. Yeah. But I I'm telling you, I

0:10:07.320 --> 0:10:08.959
<v Speaker 1>just get the pangram on the spelling bee on the

0:10:09.000 --> 0:10:12.800
<v Speaker 1>New York Times Crossword website. So I'm very happy. Oh wow,

0:10:12.840 --> 0:10:16.120
<v Speaker 1>things are looking up? Is this live? Is going out? Live? Well,

0:10:16.240 --> 0:10:19.080
<v Speaker 1>not live? I mean how podcasts work. You record them,

0:10:19.120 --> 0:10:21.760
<v Speaker 1>but we're live with each other. No, I understand. Have

0:10:21.800 --> 0:10:24.720
<v Speaker 1>you done the spelling b yet today? No? Is that

0:10:24.800 --> 0:10:26.640
<v Speaker 1>Is that some sort of like trophy you get for

0:10:26.800 --> 0:10:29.160
<v Speaker 1>being really good at the New York Times cross Word No,

0:10:29.280 --> 0:10:32.520
<v Speaker 1>it's a separate it's a separate game within the New

0:10:32.600 --> 0:10:39.880
<v Speaker 1>York Times cross Word constellation of nerd distractions extended universe. Yeah,

0:10:40.720 --> 0:10:43.520
<v Speaker 1>verse and it's spread. It's spreading. It's spreading like an infection.

0:10:43.600 --> 0:10:48.240
<v Speaker 1>A little bad, bad choice of words, people are it?

0:10:48.320 --> 0:10:50.719
<v Speaker 1>U was the perfect choice of words. It's look, this

0:10:50.800 --> 0:10:54.199
<v Speaker 1>is this is the disease you want to catch. Spelling

0:10:54.200 --> 0:10:59.880
<v Speaker 1>b get that, stay home, stay safe, do word game,

0:11:00.440 --> 0:11:02.960
<v Speaker 1>spell more, spell better. Emily would be good at that.

0:11:03.040 --> 0:11:06.840
<v Speaker 1>She's a great speller and was a in her school,

0:11:06.840 --> 0:11:10.800
<v Speaker 1>a champions spelling Bee um person. But I I don't

0:11:10.800 --> 0:11:12.600
<v Speaker 1>think she went on to like County or anything like that.

0:11:12.640 --> 0:11:15.160
<v Speaker 1>But I'm a notoriously poor speller, and now I'm always

0:11:15.200 --> 0:11:17.680
<v Speaker 1>having to ask her and she always nails it. What

0:11:17.760 --> 0:11:21.240
<v Speaker 1>about you know? Are you a good speller? I once

0:11:21.559 --> 0:11:25.880
<v Speaker 1>got to the semifinals in a spelling bee of indeterminate

0:11:25.960 --> 0:11:28.960
<v Speaker 1>grade origin. I have a very distinct memory of making

0:11:28.960 --> 0:11:31.280
<v Speaker 1>it out of the stage and then whiffing on a

0:11:31.320 --> 0:11:34.800
<v Speaker 1>particular word which I don't remember. But I'm fine. I

0:11:34.800 --> 0:11:37.640
<v Speaker 1>would not say I am superior. Look, I'm middling best.

0:11:37.640 --> 0:11:40.080
<v Speaker 1>I'm not. I'm not getting well. I do get paid

0:11:40.120 --> 0:11:41.600
<v Speaker 1>by the New York Times because I write the Judge

0:11:41.640 --> 0:11:43.120
<v Speaker 1>John Hodgman column once a week in the New York

0:11:43.120 --> 0:11:46.920
<v Speaker 1>Times magazine. But I don't get a bump for for

0:11:46.920 --> 0:11:50.120
<v Speaker 1>for talking up the spelling Bee on a podcast. It's

0:11:50.160 --> 0:11:52.440
<v Speaker 1>just this is something that my wife Catherine got me into,

0:11:52.880 --> 0:11:55.360
<v Speaker 1>and it's just being passed by hand to hand toward

0:11:55.440 --> 0:11:59.480
<v Speaker 1>nerds everywhere as a way to not to take a

0:11:59.480 --> 0:12:02.520
<v Speaker 1>break from the news in the full knowledge stres an

0:12:02.520 --> 0:12:05.520
<v Speaker 1>English teacher. Right, so, yes, that's correct. Her personal details

0:12:05.520 --> 0:12:08.959
<v Speaker 1>you want to reveal about my life? Check sure. She's

0:12:09.000 --> 0:12:12.600
<v Speaker 1>a lovely human, that's true. That's nothing private about that information.

0:12:13.080 --> 0:12:15.680
<v Speaker 1>She's good at scrabble, right, So this is a scrabbly

0:12:15.760 --> 0:12:18.520
<v Speaker 1>type game. I just I'm just gonna put it out

0:12:18.559 --> 0:12:21.240
<v Speaker 1>there so people can listen to this. If you haven't

0:12:21.280 --> 0:12:26.160
<v Speaker 1>done Wednesday's spelling be this will be all new to you.

0:12:26.520 --> 0:12:29.400
<v Speaker 1>The deal is you have you get one too. It's

0:12:29.440 --> 0:12:31.199
<v Speaker 1>not you don't have. You're not tested on how to

0:12:31.240 --> 0:12:34.679
<v Speaker 1>spell words. You get one to three six seven letters

0:12:36.679 --> 0:12:38.679
<v Speaker 1>and you try to make as excuse me, one to

0:12:38.720 --> 0:12:40.520
<v Speaker 1>three seven letters. You try to make as many words

0:12:40.520 --> 0:12:43.520
<v Speaker 1>out of those letters as possible. It's boggle. Yeah, but

0:12:43.559 --> 0:12:46.520
<v Speaker 1>you have to use there's one letter you have to

0:12:46.600 --> 0:12:50.240
<v Speaker 1>use in every word, okay, and that's the center of

0:12:50.240 --> 0:12:54.080
<v Speaker 1>this little you'll see when you go there. I know

0:12:54.120 --> 0:12:55.400
<v Speaker 1>what you're talking about. Yeah, it looks like it looks

0:12:55.440 --> 0:12:58.160
<v Speaker 1>like a little honeycomb. And the middle and the middle

0:12:58.200 --> 0:13:00.160
<v Speaker 1>cell is the letter you have to use is to

0:13:00.200 --> 0:13:02.960
<v Speaker 1>count to all the others. So the pangram is when

0:13:03.000 --> 0:13:06.440
<v Speaker 1>you use all seven letters. And you nailed that. I

0:13:06.600 --> 0:13:10.320
<v Speaker 1>just just as you would admit me into the zoom room.

0:13:10.320 --> 0:13:11.920
<v Speaker 1>So I want you to take a pen and paper,

0:13:11.960 --> 0:13:16.640
<v Speaker 1>you guys, okay, and write down these letters. Well, hold on,

0:13:16.640 --> 0:13:18.360
<v Speaker 1>I've got I've got I've got i've got a thing.

0:13:18.400 --> 0:13:20.960
<v Speaker 1>I've got a pen and paper special for this. Is

0:13:21.040 --> 0:13:24.360
<v Speaker 1>very excited because he just started writing with terrestrial instat

0:13:24.440 --> 0:13:27.400
<v Speaker 1>I just learned to write. I just learned to write.

0:13:27.400 --> 0:13:30.840
<v Speaker 1>Hang on one second. You can never seen somebody so excited.

0:13:30.880 --> 0:13:35.000
<v Speaker 1>I'm typing it all right, I really. He's literally leaving

0:13:35.080 --> 0:13:38.120
<v Speaker 1>the room everyone to go get it this podcast off

0:13:38.120 --> 0:13:43.559
<v Speaker 1>the rails. Uh all right, well you I'll tell everyone

0:13:43.760 --> 0:13:46.520
<v Speaker 1>why you're here. You're here to play for a couple

0:13:46.520 --> 0:13:48.200
<v Speaker 1>of reasons. You're here to play a new edition of

0:13:48.200 --> 0:13:51.640
<v Speaker 1>Pop Quiz Hot Shot, which is fun. Um. But before

0:13:51.640 --> 0:13:56.240
<v Speaker 1>we do that, and after we do the next thing,

0:13:56.520 --> 0:13:59.679
<v Speaker 1>with this pangram, we're going to talk about your your

0:13:59.720 --> 0:14:04.320
<v Speaker 1>TV show Dicktown. Yes, which here, let's just hold on that,

0:14:04.360 --> 0:14:06.079
<v Speaker 1>all right. Just write these letters down. And if you're

0:14:06.640 --> 0:14:09.199
<v Speaker 1>and if you're listening, play at home, right, if you're

0:14:09.240 --> 0:14:11.960
<v Speaker 1>listening at home, if you're driving and listening to this

0:14:12.080 --> 0:14:14.720
<v Speaker 1>right now, take your hands off the wheel, grab a

0:14:14.720 --> 0:14:19.920
<v Speaker 1>pen and paper, accelerate and write these letters down. That

0:14:20.000 --> 0:14:22.080
<v Speaker 1>is bad advice. No, don't do that, Do not do that,

0:14:23.000 --> 0:14:29.280
<v Speaker 1>all right? What do we got? Seven letters? D yes, I, yes,

0:14:29.480 --> 0:14:34.320
<v Speaker 1>E mm hm C h U C K d I

0:14:34.360 --> 0:14:39.280
<v Speaker 1>E die Chuck die Happy Halloween is all a bit

0:14:39.640 --> 0:14:44.280
<v Speaker 1>oh no, no, no do It's in keeping with the

0:14:44.320 --> 0:14:47.000
<v Speaker 1>bit we just discussed before you joined. John Chuck did

0:14:47.040 --> 0:14:51.080
<v Speaker 1>sort of a very maccab murder scene kind of threatening

0:14:51.120 --> 0:14:53.200
<v Speaker 1>thing on my desk at the office where he beheaded

0:14:53.240 --> 0:14:56.120
<v Speaker 1>a bunch of stress balls shaped like parrots and lined

0:14:56.200 --> 0:15:02.840
<v Speaker 1>them up into like seven style. So got your getting

0:15:02.840 --> 0:15:06.360
<v Speaker 1>spooky in the studio, all right? Are we really doing this? Yeah? Yeah,

0:15:06.480 --> 0:15:09.280
<v Speaker 1>just write this down? D I E right, M O

0:15:09.560 --> 0:15:14.960
<v Speaker 1>L see. And those are the seven those are your

0:15:14.960 --> 0:15:19.360
<v Speaker 1>seven letters. And see is the letter that has to

0:15:19.400 --> 0:15:22.720
<v Speaker 1>be used when you're making words, and then what are

0:15:22.720 --> 0:15:24.680
<v Speaker 1>we supposed to sit around and play this in silence

0:15:24.680 --> 0:15:26.920
<v Speaker 1>for ten minutes? This is perfect. I thought this was

0:15:26.920 --> 0:15:32.360
<v Speaker 1>a fun game for you, this good podcasting away at

0:15:32.360 --> 0:15:34.640
<v Speaker 1>the end of all, at the end of the at

0:15:34.640 --> 0:15:36.760
<v Speaker 1>the end of the episode, or whenever I am muzgered

0:15:36.760 --> 0:15:40.560
<v Speaker 1>off this stage or get the hook. I'll tell you what,

0:15:40.680 --> 0:15:42.840
<v Speaker 1>like molded? Could you do molded? You know what? I

0:15:42.840 --> 0:15:45.200
<v Speaker 1>didn't get that one? No, real good job. No, you

0:15:45.240 --> 0:15:48.280
<v Speaker 1>couldn't because it doesn't have seen it. I'm so sorry.

0:15:48.320 --> 0:15:52.200
<v Speaker 1>That's okay, that's so cold cold? Did that? Is that

0:15:52.240 --> 0:15:55.280
<v Speaker 1>a thing? Though? But cool is you couldn't do molded anyway?

0:15:55.360 --> 0:15:57.360
<v Speaker 1>You could just do mold. No, you can. You can

0:15:57.440 --> 0:16:00.200
<v Speaker 1>use the letters more than one. You can. Yeah, that's

0:16:00.240 --> 0:16:03.080
<v Speaker 1>the key to it. Oh, okay, I got You'll let's

0:16:03.120 --> 0:16:05.120
<v Speaker 1>leave this alone and I'll reveal it. I'll reveal the

0:16:05.160 --> 0:16:09.240
<v Speaker 1>pangram that I got. And so what is what is

0:16:09.280 --> 0:16:11.040
<v Speaker 1>the pangram? When you do what? Now? When you use

0:16:11.080 --> 0:16:13.360
<v Speaker 1>all seven letters in one word? I thought you had

0:16:13.400 --> 0:16:15.600
<v Speaker 1>to use all No, no, no, you just build. You

0:16:15.640 --> 0:16:19.640
<v Speaker 1>build as many three letter words, don't count four letter words.

0:16:19.640 --> 0:16:23.560
<v Speaker 1>You get one point five letter words. The longer the word,

0:16:23.800 --> 0:16:26.480
<v Speaker 1>the more points you get. So you can't do two

0:16:26.600 --> 0:16:30.160
<v Speaker 1>or three letter words, asked to ask me four or more.

0:16:30.520 --> 0:16:32.280
<v Speaker 1>And if you make a word that uses all seven

0:16:32.320 --> 0:16:35.600
<v Speaker 1>letters at least once, that's got a pangram and you

0:16:35.640 --> 0:16:38.680
<v Speaker 1>get a bonus. Well maybe when this episode comes out

0:16:38.720 --> 0:16:42.920
<v Speaker 1>on the Facebook page, we will take submissions for listener answers.

0:16:44.240 --> 0:16:46.720
<v Speaker 1>And because I'm going to reveal it at the end

0:16:46.720 --> 0:16:50.920
<v Speaker 1>of this episode, I'll spoil it. And so far that

0:16:50.960 --> 0:16:56.760
<v Speaker 1>I found, I found seventeen words so far, and I

0:16:56.880 --> 0:16:59.520
<v Speaker 1>just had a good run of them. I can't find

0:16:59.520 --> 0:17:03.800
<v Speaker 1>it anymore, but I have something like ninety three points total.

0:17:04.960 --> 0:17:08.160
<v Speaker 1>But to hit the genius level, which is your goal,

0:17:08.320 --> 0:17:10.720
<v Speaker 1>like the gold, you have to hit two D points.

0:17:10.760 --> 0:17:12.320
<v Speaker 1>It's very high point levels. There are a lot of

0:17:12.320 --> 0:17:16.280
<v Speaker 1>words that I have not gotten yet, so amazing. Anyway,

0:17:16.480 --> 0:17:18.760
<v Speaker 1>that's the thing to do to distract yourself. What's another

0:17:18.800 --> 0:17:20.840
<v Speaker 1>thing to do to distract yourself? Listen to a podcast.

0:17:21.280 --> 0:17:23.560
<v Speaker 1>Listen to a podcast, or watch a TV show. So no,

0:17:23.760 --> 0:17:25.520
<v Speaker 1>while you stepped away for a minute, I told everyone

0:17:25.600 --> 0:17:27.960
<v Speaker 1>John was going to play pop quiz hot Shot, but

0:17:28.000 --> 0:17:31.960
<v Speaker 1>he's also here to promote his television show that he

0:17:32.000 --> 0:17:35.120
<v Speaker 1>does with David Rees called dick toown Yes, And if

0:17:35.119 --> 0:17:36.800
<v Speaker 1>I may just set up the show John before we

0:17:36.880 --> 0:17:40.200
<v Speaker 1>chat about it, please. It is a wonderful animated show.

0:17:40.440 --> 0:17:45.920
<v Speaker 1>That is the premises. John and David are two former

0:17:46.560 --> 0:17:50.520
<v Speaker 1>enemies from high school. David was your bully and you

0:17:50.560 --> 0:17:55.320
<v Speaker 1>are now grown up the middle aged men and Dickstown, Richardsville,

0:17:55.880 --> 0:18:02.280
<v Speaker 1>North Carolina, and you solve crimes for you solve small

0:18:02.359 --> 0:18:07.199
<v Speaker 1>mysteries for high school students, Allah Encyclopedia, Brown as a team,

0:18:07.240 --> 0:18:09.240
<v Speaker 1>and David's kind of your muscle, and you're kind of

0:18:09.280 --> 0:18:11.720
<v Speaker 1>the brains. And you live on this fun house boat

0:18:11.840 --> 0:18:14.520
<v Speaker 1>which I really want to live on in real life.

0:18:14.760 --> 0:18:19.040
<v Speaker 1>And it's a great, really fun show sort of Archer

0:18:19.080 --> 0:18:21.640
<v Speaker 1>style animation. If I may say that, you should say

0:18:21.640 --> 0:18:24.000
<v Speaker 1>that because it's it's created or you know, it's our

0:18:24.040 --> 0:18:27.640
<v Speaker 1>Our producing partners are animators are Floyd County right there,

0:18:27.640 --> 0:18:30.320
<v Speaker 1>and it's right there in Atlanta, Georgia, and they are

0:18:30.359 --> 0:18:34.240
<v Speaker 1>the the creators of Archer. So tell us a little

0:18:34.240 --> 0:18:37.080
<v Speaker 1>bit about it. Um. I watched it on Hulu, which

0:18:37.119 --> 0:18:39.919
<v Speaker 1>you can just dial up by typing in Dicktown. But

0:18:40.280 --> 0:18:42.160
<v Speaker 1>tell us where you can find it and how this

0:18:42.240 --> 0:18:46.240
<v Speaker 1>was created and just give us a little backstory. Yeah. So, Uh,

0:18:47.000 --> 0:18:50.600
<v Speaker 1>David Reese is our friend. Uh. He is the creator

0:18:50.720 --> 0:18:54.840
<v Speaker 1>of the political clip art cartoon from the two thousands

0:18:54.920 --> 0:18:58.080
<v Speaker 1>called Get Your War on Um that was ran in

0:18:58.160 --> 0:19:02.920
<v Speaker 1>Rolling Stone. Was a huge, huge catharsists every week, Uh

0:19:03.000 --> 0:19:05.320
<v Speaker 1>for those of us um suffering under what we thought

0:19:05.400 --> 0:19:09.000
<v Speaker 1>was going to be the worst presidency of all tim Yeah. Uh.

0:19:09.040 --> 0:19:14.520
<v Speaker 1>And then uh, David turned to the crafts. He became

0:19:14.560 --> 0:19:18.199
<v Speaker 1>a professional artisanal pencil sharpener. Uh. And he wrote a

0:19:18.200 --> 0:19:20.359
<v Speaker 1>book called How to Sharpened Pencils. And then he went

0:19:20.400 --> 0:19:22.760
<v Speaker 1>on TV to host a show for two years called

0:19:23.320 --> 0:19:26.160
<v Speaker 1>Going Deep with David Reese, which explored the same thing

0:19:26.240 --> 0:19:29.600
<v Speaker 1>it showed. It showed you how to do the simple

0:19:29.640 --> 0:19:31.280
<v Speaker 1>things you think you already know how to do, like

0:19:31.440 --> 0:19:35.159
<v Speaker 1>sharpened pencil or tire shoes or freeze you know, make

0:19:35.200 --> 0:19:37.520
<v Speaker 1>some ice cubes. But by going into a very deep

0:19:37.560 --> 0:19:39.680
<v Speaker 1>dive on the history of those things and the manufacturer

0:19:39.680 --> 0:19:42.679
<v Speaker 1>of those things is really fun, very fun show. David's

0:19:42.720 --> 0:19:47.240
<v Speaker 1>just He also does a great show called Election Election

0:19:47.280 --> 0:19:52.040
<v Speaker 1>profit Makers, Election Makers, Yeah, the po the election theme podcast,

0:19:52.119 --> 0:19:54.600
<v Speaker 1>which is very funny, cathartic that he does with our

0:19:54.640 --> 0:19:58.879
<v Speaker 1>friends Starley Kine and John Kimball look David and like

0:19:59.040 --> 0:20:03.359
<v Speaker 1>me is a a person of many trades, a person

0:20:03.400 --> 0:20:08.760
<v Speaker 1>who has many enthusiasms and chases all of them, often

0:20:08.800 --> 0:20:11.400
<v Speaker 1>to the confusion of people who would like to like him.

0:20:12.960 --> 0:20:15.040
<v Speaker 1>It's a good way to say yeah, like no, no

0:20:15.080 --> 0:20:17.880
<v Speaker 1>one no like. He's like me. He's a person who's

0:20:17.920 --> 0:20:20.679
<v Speaker 1>brand is fucked like no one knows like I have

0:20:20.720 --> 0:20:23.280
<v Speaker 1>a podcast, Judge John Hodgman. I write books Medallion Status

0:20:23.320 --> 0:20:26.000
<v Speaker 1>out down Paperback. I do this column for the New

0:20:26.040 --> 0:20:29.760
<v Speaker 1>York Times magazine. Sometimes I act in stuff. I forget

0:20:29.800 --> 0:20:31.879
<v Speaker 1>all the things that I do and then, but the

0:20:31.920 --> 0:20:35.080
<v Speaker 1>one thing I am that I do not forget is

0:20:35.119 --> 0:20:36.760
<v Speaker 1>that David and I having known each other for twenty

0:20:36.880 --> 0:20:40.440
<v Speaker 1>years and finally got together to create a project together,

0:20:40.480 --> 0:20:44.399
<v Speaker 1>and that is Dicktown. This short form animated show that

0:20:44.680 --> 0:20:50.680
<v Speaker 1>ran on f x X is anthology show Cake and

0:20:50.720 --> 0:20:55.199
<v Speaker 1>now is archived all ten episodes at Hulu. And what

0:20:55.359 --> 0:20:58.200
<v Speaker 1>Chuck said was true. Uh. It is a funny cartoon

0:20:58.920 --> 0:21:03.520
<v Speaker 1>someone in the Archer style, someone in the Scooby Doo style, uh,

0:21:03.560 --> 0:21:08.480
<v Speaker 1>in which I play a private detective who named John Huntsman,

0:21:09.119 --> 0:21:15.480
<v Speaker 1>who used to be boy detective Encyclopedia Brown and yeah,

0:21:15.520 --> 0:21:19.119
<v Speaker 1>in this town called Richardsville, North Carolina, which the locals

0:21:19.160 --> 0:21:25.080
<v Speaker 1>called Dicktown Richardsville, get it. Uh, My hunchman used to

0:21:25.359 --> 0:21:29.600
<v Speaker 1>was famous for solving mysteries in town for his little

0:21:29.600 --> 0:21:34.560
<v Speaker 1>friends and sometimes helping at the police. Uh. But now

0:21:34.800 --> 0:21:37.119
<v Speaker 1>my character has grown up and failed to thrive, And

0:21:37.119 --> 0:21:39.800
<v Speaker 1>I'm a sad middle aged man living on a shabby

0:21:39.800 --> 0:21:43.199
<v Speaker 1>house boat in college town Lake and I'm still the

0:21:43.240 --> 0:21:46.560
<v Speaker 1>only clients I can get our teenagers. Still, it's really depressing.

0:21:47.359 --> 0:21:52.199
<v Speaker 1>And meanwhile, David Reese, as you mentioned, plays my former

0:21:52.960 --> 0:21:56.159
<v Speaker 1>arch nemesis slash bully in high school, who also has

0:21:56.160 --> 0:21:58.600
<v Speaker 1>failed to leave town. He's now in his middle age

0:21:59.200 --> 0:22:02.240
<v Speaker 1>and he's still living with his parents, and I have

0:22:02.640 --> 0:22:05.199
<v Speaker 1>hired him to be my driver because I do not

0:22:05.280 --> 0:22:07.959
<v Speaker 1>have a driver's license for reasons that get explained later on.

0:22:08.600 --> 0:22:10.159
<v Speaker 1>And the episode is a little bit of a mystery

0:22:11.320 --> 0:22:15.040
<v Speaker 1>and um, and he's the only person I still know

0:22:15.119 --> 0:22:19.000
<v Speaker 1>in town, and he becomes my driver and my hired

0:22:19.080 --> 0:22:22.679
<v Speaker 1>muscle and my unlikely friend as we solve mysteries for

0:22:23.480 --> 0:22:26.440
<v Speaker 1>all these Dicktown teens, some of whom were played by

0:22:26.440 --> 0:22:29.080
<v Speaker 1>teens at the North Carolina High School for the Arts.

0:22:30.480 --> 0:22:34.919
<v Speaker 1>Others were voiced by people we know like Jean Gray,

0:22:35.080 --> 0:22:39.680
<v Speaker 1>zach Alifanakis, Kristin Shawl Griffin Newman from The Tick, John Blazer.

0:22:39.800 --> 0:22:42.719
<v Speaker 1>Not all these people played teenagers, they also played other

0:22:42.760 --> 0:22:48.480
<v Speaker 1>adults in Dicktown. None were played by you. But if

0:22:48.520 --> 0:22:54.919
<v Speaker 1>this podcast has the sway you say it does and

0:22:55.000 --> 0:23:00.800
<v Speaker 1>people go because because because right now we're on the

0:23:00.920 --> 0:23:03.320
<v Speaker 1>we're on the tipping point of whether or not we

0:23:03.359 --> 0:23:07.000
<v Speaker 1>get picked up for another season. So and what and

0:23:07.119 --> 0:23:09.960
<v Speaker 1>what they're it's a weird thing they're doing is they're

0:23:09.960 --> 0:23:12.600
<v Speaker 1>trying to see if people are watching this thing. So

0:23:13.359 --> 0:23:16.000
<v Speaker 1>that's going to be the decision making process. Are enough

0:23:16.000 --> 0:23:19.720
<v Speaker 1>people watching it? So because it because it aired as

0:23:19.760 --> 0:23:21.560
<v Speaker 1>part of and we're very happy that it aired as

0:23:21.560 --> 0:23:23.760
<v Speaker 1>part of this great anthology series Cake. But that's over.

0:23:24.480 --> 0:23:27.760
<v Speaker 1>Now it's sitting there on Hulu and we're really you

0:23:27.760 --> 0:23:30.600
<v Speaker 1>know it did, And because everything's going on in the world,

0:23:31.400 --> 0:23:32.520
<v Speaker 1>not a lot of people have had a lot of

0:23:32.520 --> 0:23:37.240
<v Speaker 1>brain space for an eleven minute a funny, distracting cartoon.

0:23:37.800 --> 0:23:39.520
<v Speaker 1>Now I feel like we need it more than ever.

0:23:39.600 --> 0:23:42.000
<v Speaker 1>So I'm going to say this bit dot Lee b

0:23:42.160 --> 0:23:45.080
<v Speaker 1>I t dot l y slash Dicktown d I c

0:23:45.240 --> 0:23:47.119
<v Speaker 1>K t O w N. We'll take you right to

0:23:47.160 --> 0:23:50.160
<v Speaker 1>the Hulu page and you can you can check it out. Yeah,

0:23:50.240 --> 0:23:53.199
<v Speaker 1>I think it's Um, I think it is perfect for

0:23:53.280 --> 0:23:54.840
<v Speaker 1>right now. And I'm not just saying that because you're

0:23:54.840 --> 0:23:58.840
<v Speaker 1>my friend and David's my friend. It is, uh, David,

0:23:58.880 --> 0:24:02.240
<v Speaker 1>David is also your friend. Yeah, I thought I was

0:24:02.280 --> 0:24:04.160
<v Speaker 1>your friend. All right, we'll hear both of my friend

0:24:04.720 --> 0:24:07.800
<v Speaker 1>more than one those your best friend joke. That's that's

0:24:07.840 --> 0:24:10.080
<v Speaker 1>what's important. That's fine, it's fine, it's fine. It's fine.

0:24:10.119 --> 0:24:15.640
<v Speaker 1>So I completely understand my best friend is my wife. Um,

0:24:15.760 --> 0:24:18.119
<v Speaker 1>so it is. It is a great chow for right

0:24:18.119 --> 0:24:22.760
<v Speaker 1>now because it is about ten minutes long per episode,

0:24:22.840 --> 0:24:26.600
<v Speaker 1>so you can blaze through the season and the time

0:24:26.640 --> 0:24:31.879
<v Speaker 1>that you can watch a medium length movie. And uh,

0:24:32.000 --> 0:24:34.080
<v Speaker 1>I just love I'm a big fan of that format.

0:24:34.119 --> 0:24:37.320
<v Speaker 1>I thought, like the I love Children's Hospital for that reason,

0:24:37.359 --> 0:24:41.199
<v Speaker 1>like the ten to fifteen minute show. Is it really moves,

0:24:41.320 --> 0:24:44.920
<v Speaker 1>it's tight, it's I was. I was really impressed that

0:24:45.000 --> 0:24:48.439
<v Speaker 1>you got the pilot work done, uh, in inside of

0:24:48.440 --> 0:24:50.240
<v Speaker 1>a ten minute episode, and in fact, you've got the

0:24:50.240 --> 0:24:54.320
<v Speaker 1>pilot work done inside the first like ninety seconds. I

0:24:54.359 --> 0:24:57.600
<v Speaker 1>feel it's very efficient. And for those of you listening

0:24:57.640 --> 0:24:59.879
<v Speaker 1>don't know what I mean, the pilot work is. It's

0:25:00.000 --> 0:25:01.679
<v Speaker 1>it's very tough to write a pilot because you have

0:25:01.720 --> 0:25:03.920
<v Speaker 1>to set up the whole world so that everyone knows

0:25:03.960 --> 0:25:06.359
<v Speaker 1>what's going on, but you still have to make an

0:25:06.480 --> 0:25:09.159
<v Speaker 1>entertaining show with the story arc and still wedge in

0:25:09.240 --> 0:25:12.600
<v Speaker 1>that information in an organic way. And you guys, really

0:25:12.840 --> 0:25:14.680
<v Speaker 1>it was it was great. I mean it was bing

0:25:14.800 --> 0:25:18.200
<v Speaker 1>bang boom done onto your first case. The opening scene

0:25:18.200 --> 0:25:20.000
<v Speaker 1>of the pilot was something that I had been thinking

0:25:20.040 --> 0:25:23.920
<v Speaker 1>of personally for a long time because I had been

0:25:24.320 --> 0:25:29.280
<v Speaker 1>at the time we started thinking about this idea. Uh,

0:25:29.359 --> 0:25:31.720
<v Speaker 1>David really wanted to do something about two private detectives

0:25:31.760 --> 0:25:34.600
<v Speaker 1>in the houseboat because he's a big Simon and Simon person.

0:25:34.880 --> 0:25:36.480
<v Speaker 1>I think there they were a house book. There are

0:25:36.480 --> 0:25:40.119
<v Speaker 1>a lot of houseboat detectives. I mean, definitely, you know Crockett,

0:25:40.480 --> 0:25:43.840
<v Speaker 1>Sunny Crockett lived on a houseboat in Miami, Vice famous

0:25:44.400 --> 0:25:49.200
<v Speaker 1>literary detective Travis McGee did. I was really into Encyclopedia

0:25:49.240 --> 0:25:51.440
<v Speaker 1>Brown at this time because I was reading it with

0:25:51.760 --> 0:25:54.400
<v Speaker 1>reading those books with my son and If and If

0:25:54.400 --> 0:25:56.200
<v Speaker 1>you're of a certain generation, you know exactly what I'm

0:25:56.200 --> 0:25:58.359
<v Speaker 1>talking about. If you're not, you might not know. The

0:25:58.400 --> 0:26:01.879
<v Speaker 1>Encyclopedia Brown was like sort of the archetypal boy detective

0:26:02.400 --> 0:26:05.560
<v Speaker 1>in these chapter books written by Donald J. Sobol and

0:26:05.720 --> 0:26:08.760
<v Speaker 1>the nineties thing it went back to this. The seven

0:26:08.840 --> 0:26:12.280
<v Speaker 1>of the first ones came out in the rebooted and

0:26:12.320 --> 0:26:15.480
<v Speaker 1>he wrote he wrote dozens and dozens of them, little

0:26:15.480 --> 0:26:18.920
<v Speaker 1>short books, each containing about seven or eight little mysteries.

0:26:19.640 --> 0:26:23.600
<v Speaker 1>And usually it was Encyclopedia Brown working for a local

0:26:23.720 --> 0:26:27.840
<v Speaker 1>kid uh to get something back from bugs, meaning the

0:26:27.880 --> 0:26:32.439
<v Speaker 1>local bully who had stolen it, like some collectible sword

0:26:32.560 --> 0:26:34.840
<v Speaker 1>or something, or like a jar of Nichols or whatever.

0:26:37.800 --> 0:26:42.919
<v Speaker 1>And and at the end of every little mystery bugs me,

0:26:42.960 --> 0:26:44.919
<v Speaker 1>you would say, you you've got nothing know on me.

0:26:45.840 --> 0:26:48.960
<v Speaker 1>Encyclopedia make like a tree and go away, to quote

0:26:49.040 --> 0:26:55.080
<v Speaker 1>Biff Tannon. But Encyclopedia go like, oh no, not so fast, Bugs,

0:26:55.280 --> 0:26:57.399
<v Speaker 1>I have solved the mystery. And then it says at

0:26:57.400 --> 0:26:59.440
<v Speaker 1>the bottom, if you would like to know the solution,

0:26:59.480 --> 0:27:03.120
<v Speaker 1>turned to pay sixty five and you turn it Bay

0:27:03.119 --> 0:27:06.800
<v Speaker 1>sixty five to get the solution and explains like what

0:27:07.160 --> 0:27:11.240
<v Speaker 1>like how Encyclopedia Brown knew where bowling balls were manufactured,

0:27:11.640 --> 0:27:15.600
<v Speaker 1>and therefore Bugs couldn't have gotten that tenpin set or whatever.

0:27:15.800 --> 0:27:18.760
<v Speaker 1>Like the whole thing about, like the baby couldn't have

0:27:18.760 --> 0:27:20.000
<v Speaker 1>been sitting on the roof of the car because it

0:27:20.040 --> 0:27:23.280
<v Speaker 1>would have been still hot from running or whatever. See. Unfortunately,

0:27:23.280 --> 0:27:26.200
<v Speaker 1>though in real life, bullies don't really respond to logic,

0:27:26.480 --> 0:27:29.200
<v Speaker 1>he would have just gotten a beat down every single time.

0:27:29.359 --> 0:27:31.119
<v Speaker 1>Exactly what I was thinking when I'll be reading this

0:27:31.160 --> 0:27:34.200
<v Speaker 1>to my son, because every every one of these solutions

0:27:34.240 --> 0:27:36.920
<v Speaker 1>be like when confronted with the when confronted the evidence

0:27:36.920 --> 0:27:39.199
<v Speaker 1>of his guilt, Bugs confessed and gave the jar of

0:27:39.800 --> 0:27:42.320
<v Speaker 1>the jar of teeth back or whatever. Oh my god,

0:27:42.359 --> 0:27:46.240
<v Speaker 1>it's like, Lapedie, You're so right. I would I would

0:27:46.280 --> 0:27:48.240
<v Speaker 1>always change the endings like and when confronted with the

0:27:48.280 --> 0:27:51.840
<v Speaker 1>evidence of his guilt, Bugs mean he punched Encyclopedia Brown

0:27:51.840 --> 0:27:55.720
<v Speaker 1>in the nose. So the entire the first the opening

0:27:55.760 --> 0:27:59.199
<v Speaker 1>scene of the pilot, is that happening, like the final

0:28:00.000 --> 0:28:04.479
<v Speaker 1>athartic release of that idea, Because you know, John Hunchman

0:28:04.520 --> 0:28:06.280
<v Speaker 1>is a grown up now, he's living in a world

0:28:06.280 --> 0:28:09.040
<v Speaker 1>that he doesn't recognize. He's been hired by a teenager

0:28:09.560 --> 0:28:13.920
<v Speaker 1>to steal a mysterious attache case back because that's always

0:28:14.640 --> 0:28:18.040
<v Speaker 1>a trope, and that mysterious atta case back from the

0:28:18.240 --> 0:28:23.640
<v Speaker 1>sleazy used hot tub dealer named Zeb and Zeb's tub yard,

0:28:24.240 --> 0:28:27.480
<v Speaker 1>and it opens with him explaining to Zeb, well, look,

0:28:27.960 --> 0:28:32.119
<v Speaker 1>I give me the acta shad case. I I showed you.

0:28:31.760 --> 0:28:33.359
<v Speaker 1>I you know, I told you all the evidence that

0:28:33.400 --> 0:28:35.880
<v Speaker 1>starlings aren't native to the United States, and the sun

0:28:35.920 --> 0:28:40.560
<v Speaker 1>came up at six o three this morning. And Zeb goes, no, thanks, no,

0:28:42.040 --> 0:28:44.760
<v Speaker 1>And he doesn't he doesn't push, he doesn't push Hunchman

0:28:44.800 --> 0:28:47.280
<v Speaker 1>down because that's when David Purfoy comes in and pushes

0:28:47.320 --> 0:28:50.400
<v Speaker 1>him into a hot tub. And it's really disappointing for

0:28:50.480 --> 0:28:53.920
<v Speaker 1>Hunchman that the logic did not save the day once again. Yeah,

0:28:54.200 --> 0:28:55.840
<v Speaker 1>I mean it's just so much fun, man, I really

0:28:55.920 --> 0:28:59.360
<v Speaker 1>enjoy it. Um, thank you you and David like you

0:28:59.400 --> 0:29:01.680
<v Speaker 1>can tell your how and a lot of fun. It

0:29:01.760 --> 0:29:04.960
<v Speaker 1>sounds like that you are in a room together and

0:29:05.080 --> 0:29:07.560
<v Speaker 1>improvising and kind of cut cutting up a little bit,

0:29:07.600 --> 0:29:11.400
<v Speaker 1>which really adds to the life of the show, I think,

0:29:12.280 --> 0:29:13.920
<v Speaker 1>And you know, it's just a lot of fun. Matt

0:29:13.920 --> 0:29:15.800
<v Speaker 1>Thompson our producer at Floyd County was like, you have

0:29:15.840 --> 0:29:18.200
<v Speaker 1>to get in the room together. You know, most most

0:29:18.280 --> 0:29:21.360
<v Speaker 1>animated shows, you're you know, you've voiced them on your own,

0:29:21.600 --> 0:29:24.040
<v Speaker 1>you know, and you know when I when I do

0:29:24.120 --> 0:29:28.320
<v Speaker 1>voices for Ducktails, for example, not only am I in

0:29:28.320 --> 0:29:30.040
<v Speaker 1>a room by myself, but the people who are giving

0:29:30.080 --> 0:29:33.760
<v Speaker 1>me a vocal direction are across the country, so you know,

0:29:33.840 --> 0:29:36.120
<v Speaker 1>we One of the great things about dick Town was

0:29:36.160 --> 0:29:39.320
<v Speaker 1>most of the people we hired were local and available

0:29:39.360 --> 0:29:41.240
<v Speaker 1>to come into New York and David and I this

0:29:41.320 --> 0:29:42.960
<v Speaker 1>was a time when we could be in rooms together.

0:29:44.080 --> 0:29:47.480
<v Speaker 1>David and I could you know, record together in the

0:29:47.520 --> 0:29:50.200
<v Speaker 1>same room and really riff off each other. But also

0:29:50.240 --> 0:29:52.640
<v Speaker 1>we could be there with the with the actors across

0:29:52.680 --> 0:29:54.440
<v Speaker 1>the way to play with them in the room as

0:29:54.480 --> 0:29:58.880
<v Speaker 1>well across the glass. You know, you guys, are you Uh,

0:29:59.240 --> 0:30:01.560
<v Speaker 1>you're genuine cracking each other up at times, you can

0:30:01.560 --> 0:30:04.880
<v Speaker 1>tell and uh, that just adds a lot to it.

0:30:04.960 --> 0:30:09.000
<v Speaker 1>David's really great, Um, he really he. I don't think

0:30:09.280 --> 0:30:11.080
<v Speaker 1>he when you know him in real life, he's such

0:30:11.080 --> 0:30:15.640
<v Speaker 1>a sort of reserved guy. And uh, the way he

0:30:15.720 --> 0:30:17.920
<v Speaker 1>carries himself and the way he carries a conversation, but

0:30:18.280 --> 0:30:20.760
<v Speaker 1>to hear him go big, it was a lot of

0:30:20.760 --> 0:30:23.600
<v Speaker 1>fun and yeah, well, I mean and not that. That's

0:30:23.640 --> 0:30:26.840
<v Speaker 1>one of the pleasures also of election profitmakers, because when

0:30:26.920 --> 0:30:30.640
<v Speaker 1>David gets worked David can be really low key and

0:30:31.320 --> 0:30:34.760
<v Speaker 1>you know, very very you know, cool for school. But

0:30:34.800 --> 0:30:37.080
<v Speaker 1>when he gets worked up, he gets so loud and

0:30:37.080 --> 0:30:41.480
<v Speaker 1>it's so funny. And he was a high school bully, Like, yeah, no,

0:30:41.640 --> 0:30:44.520
<v Speaker 1>he was. He was. He kind of pushed his friends

0:30:44.560 --> 0:30:47.760
<v Speaker 1>around and he feels really bad about it. Uh, and

0:30:47.840 --> 0:30:49.840
<v Speaker 1>he's spent a lot of time trying to make amends.

0:30:49.880 --> 0:30:51.840
<v Speaker 1>But in this case, I'm like, you gotta lean into that.

0:30:51.840 --> 0:30:54.520
<v Speaker 1>That's your that's your brand on the show. That's leaning

0:30:54.560 --> 0:30:56.080
<v Speaker 1>into the brand that's in the show. And you know,

0:30:56.120 --> 0:31:00.560
<v Speaker 1>I brought in all this encyclopedia brown baggage. But David

0:31:00.640 --> 0:31:03.920
<v Speaker 1>really wanted the show to be set in a very

0:31:03.920 --> 0:31:07.000
<v Speaker 1>specific place, which is North Carolina. He's from Chapel Hill,

0:31:07.840 --> 0:31:12.240
<v Speaker 1>so a lot of the characters and the customs and

0:31:12.280 --> 0:31:16.720
<v Speaker 1>the storefronts are based on people he knew or and

0:31:16.880 --> 0:31:19.880
<v Speaker 1>or nos in Chapel Hill, North Carolina, and it gives

0:31:20.120 --> 0:31:23.000
<v Speaker 1>it gives the show a very very specific field and

0:31:23.520 --> 0:31:29.120
<v Speaker 1>you know. Uh. The my character's dad, Mr Huntman. Uh.

0:31:29.720 --> 0:31:32.760
<v Speaker 1>He's played by the great Stephen Tobolowski from you know,

0:31:32.840 --> 0:31:38.080
<v Speaker 1>groundhog Day and the Files Needlehead ned um, and he's

0:31:38.120 --> 0:31:42.320
<v Speaker 1>so good at it. But the vocal patterns are based

0:31:42.360 --> 0:31:48.840
<v Speaker 1>on the dad of David's best friend from Chapel Hill. Uh. Yeah,

0:31:48.920 --> 0:31:51.880
<v Speaker 1>Mr Kimball, John Kimball's dad who is a banker and

0:31:52.400 --> 0:31:55.240
<v Speaker 1>just kind of tells, you know, son, yesterday, I bought

0:31:55.240 --> 0:31:57.480
<v Speaker 1>a new washcloth and I used a visa card to

0:31:57.560 --> 0:32:00.440
<v Speaker 1>purchase it and it was it was really a very

0:32:00.480 --> 0:32:03.240
<v Speaker 1>smooth transaction. And lady at the store was so nice.

0:32:03.800 --> 0:32:07.280
<v Speaker 1>And it's just Steve Tobolowski like kills it as my dad.

0:32:07.320 --> 0:32:10.520
<v Speaker 1>It's so sweet and funny. Yeah, man, it's really good.

0:32:10.680 --> 0:32:14.000
<v Speaker 1>Um ten minute episodes. You can blaze through a season.

0:32:14.640 --> 0:32:19.240
<v Speaker 1>You can find it on Hulu. Uh bit Doutley Slash Dicktown.

0:32:19.800 --> 0:32:21.440
<v Speaker 1>We want John and David to be able to make

0:32:21.520 --> 0:32:24.000
<v Speaker 1>more of these. Um. I want to do voice I

0:32:24.040 --> 0:32:26.720
<v Speaker 1>do voices John, So I'm you know, yeah, if we

0:32:26.800 --> 0:32:30.760
<v Speaker 1>get if if, if the if, this podcast, as I

0:32:30.800 --> 0:32:34.400
<v Speaker 1>expect it will single handedly saves Dicktown. You're gonna have

0:32:34.400 --> 0:32:37.960
<v Speaker 1>a very big role. And Okay, I guess I gotta say.

0:32:38.040 --> 0:32:41.080
<v Speaker 1>I was googling Dicktown and and a Wikipedia entry came

0:32:41.160 --> 0:32:44.120
<v Speaker 1>up for Dicktown, New York, which is apparently a ghost

0:32:44.120 --> 0:32:48.120
<v Speaker 1>town in Putnam County in New York. And according to Wikipedia,

0:32:48.480 --> 0:32:51.320
<v Speaker 1>it was named as such because a large share of

0:32:51.320 --> 0:32:58.240
<v Speaker 1>the early settlers were named Richard That one, yeah, really

0:32:58.280 --> 0:33:00.560
<v Speaker 1>really quickly, John, Do you know the Adam apology of

0:33:00.600 --> 0:33:04.360
<v Speaker 1>why detectives are referred to as dicks? Yeah, well that

0:33:04.480 --> 0:33:07.160
<v Speaker 1>was That's another reason that we called it Dicktown. We

0:33:07.200 --> 0:33:09.520
<v Speaker 1>mainly called it Dicktown because there's a song by They

0:33:09.600 --> 0:33:12.239
<v Speaker 1>Might Be Giants that I wanted to use as the

0:33:12.240 --> 0:33:14.000
<v Speaker 1>theme song, but we didn't have time. We didn't have

0:33:14.680 --> 0:33:18.080
<v Speaker 1>we didn't have the the length of episode to even

0:33:18.080 --> 0:33:20.600
<v Speaker 1>have a theme song. But you can't keep Johnny down.

0:33:20.640 --> 0:33:22.360
<v Speaker 1>There's a reference to all the dicks in this Dicktown,

0:33:22.360 --> 0:33:26.560
<v Speaker 1>can't keep Johnny down. But so then I retrofit, like

0:33:26.680 --> 0:33:31.120
<v Speaker 1>we retrofitted Dicktown as a name to Richardsville. And also

0:33:31.160 --> 0:33:32.920
<v Speaker 1>to the fact that it's a show about detectives, so

0:33:33.080 --> 0:33:36.600
<v Speaker 1>you know, private dicks. I think that just goes back

0:33:36.640 --> 0:33:41.320
<v Speaker 1>to a time when dick was a less offensive term

0:33:41.640 --> 0:33:46.640
<v Speaker 1>when dick was not thoroughly associated with male genitalia, but

0:33:46.760 --> 0:33:50.080
<v Speaker 1>instead instead it could be a shortened form of detective.

0:33:50.560 --> 0:33:52.760
<v Speaker 1>I guess it kind of plays that way. I think

0:33:52.800 --> 0:33:54.520
<v Speaker 1>that's what it is, or or it could be a

0:33:54.560 --> 0:33:58.800
<v Speaker 1>person's name, like Dick cavitt Um. I'd like to bring

0:33:58.840 --> 0:34:02.360
<v Speaker 1>dick back, you know what I mean, bring that dick back. Oh.

0:34:02.600 --> 0:34:06.800
<v Speaker 1>According to the Internet, it says that the term dick

0:34:07.000 --> 0:34:11.959
<v Speaker 1>meant to watch, like to dick. Interesting. The dick came

0:34:12.000 --> 0:34:15.040
<v Speaker 1>in turn from the Romani language of the Gypsies that

0:34:15.160 --> 0:34:18.480
<v Speaker 1>were dick the i K, which meant to look to see.

0:34:19.040 --> 0:34:22.200
<v Speaker 1>So a dick is a watcher or a looker. Do

0:34:22.280 --> 0:34:24.920
<v Speaker 1>you have the Internet of this whole time? Well, I

0:34:24.960 --> 0:34:27.440
<v Speaker 1>just want I I never really thought to look it

0:34:27.520 --> 0:34:29.239
<v Speaker 1>up as part of the quiz. Is this part of

0:34:29.239 --> 0:34:32.839
<v Speaker 1>the quiz that makes me look? That's coming? I can't

0:34:32.880 --> 0:34:35.200
<v Speaker 1>wait to check out Dicktown. Though this sounds like, yeah, everyone,

0:34:35.360 --> 0:34:38.719
<v Speaker 1>everyone weird animation. In my life, everyone look at or

0:34:39.200 --> 0:34:44.040
<v Speaker 1>dick Dicktown. Please. I'm also a big fan of the

0:34:44.040 --> 0:34:47.480
<v Speaker 1>expression dicking around or dick around with or just dick

0:34:47.560 --> 0:34:52.719
<v Speaker 1>with um, so you know I'm on board fully dickering

0:34:53.320 --> 0:34:59.160
<v Speaker 1>is a Northeastern phrase for bargaining or haggling. Hickory dickory duck.

0:34:59.320 --> 0:35:01.640
<v Speaker 1>And there is, uh, there's a show I think on

0:35:01.680 --> 0:35:05.640
<v Speaker 1>the History Channel. There was a show called Downy's Dickering.

0:35:05.719 --> 0:35:07.439
<v Speaker 1>You told me about this, chuck. You told me about

0:35:07.480 --> 0:35:12.680
<v Speaker 1>Downey's Dickering. Didn't you know these guys in Central Maine? Oh? No,

0:35:12.880 --> 0:35:15.239
<v Speaker 1>I told you about the Main cabin Masters. Oh Main

0:35:15.320 --> 0:35:17.200
<v Speaker 1>cabin Masters was the one you have to check. I

0:35:17.239 --> 0:35:20.360
<v Speaker 1>still have to check them out. Downy's Dickering is this

0:35:20.440 --> 0:35:22.919
<v Speaker 1>crew of of guys in central Maine who make their

0:35:22.920 --> 0:35:28.719
<v Speaker 1>living going through the want ads, the local want ad

0:35:29.160 --> 0:35:32.960
<v Speaker 1>think called on Uncle Henry's advertiser, and finding odd jobs

0:35:33.040 --> 0:35:36.319
<v Speaker 1>that they do for money. But then they'll barter things

0:35:36.360 --> 0:35:38.480
<v Speaker 1>to buy stuff of other people and then barter that

0:35:38.760 --> 0:35:42.799
<v Speaker 1>to get others like they're dickerers, basically trading up. Yeah,

0:35:42.840 --> 0:35:46.480
<v Speaker 1>they're trading up. And um as as a sometime resident

0:35:46.480 --> 0:35:48.000
<v Speaker 1>of the state of Maine and and a fan of

0:35:48.000 --> 0:35:50.640
<v Speaker 1>that state, I decided to watch it. I'm like, why

0:35:50.719 --> 0:35:53.520
<v Speaker 1>was there only one season? Why didn't they make thirty

0:35:53.560 --> 0:35:56.640
<v Speaker 1>five seasons of this? Like American Pickers or whatever, And

0:35:56.680 --> 0:35:59.319
<v Speaker 1>I'm like, oh, within one, within fifteen minutes, I'm like, oh,

0:35:59.360 --> 0:36:03.560
<v Speaker 1>because these guys are terrible. These guys are these guys

0:36:03.880 --> 0:36:05.239
<v Speaker 1>there's one. There's one of them you kind of like,

0:36:05.280 --> 0:36:07.359
<v Speaker 1>and the rest of them you kind of like worry about. There.

0:36:07.400 --> 0:36:11.839
<v Speaker 1>So they're so authentically Central Maine, just like live by

0:36:11.840 --> 0:36:15.279
<v Speaker 1>the skin of your tooth type people. They're just like

0:36:15.320 --> 0:36:17.600
<v Speaker 1>it's like when they tried to make professional poker players

0:36:17.600 --> 0:36:22.600
<v Speaker 1>into star athletes, Like they're they're weird looking, marginal people,

0:36:26.160 --> 0:36:29.239
<v Speaker 1>sunk shifty, yes, sunken cheeks and rat tails. Like, no,

0:36:29.400 --> 0:36:31.000
<v Speaker 1>I don't want to this guy's not kind of go

0:36:31.000 --> 0:36:34.400
<v Speaker 1>on a poster on my son's room like Chris Elliott

0:36:34.400 --> 0:36:45.359
<v Speaker 1>on Ship's Creek. Yeah, exactly, exactly. All right, John, you're

0:36:45.360 --> 0:36:47.520
<v Speaker 1>ready to play the game. I'm ready to play the game.

0:36:47.840 --> 0:36:49.960
<v Speaker 1>All right. So this is a game called pop Quiz

0:36:50.000 --> 0:36:54.000
<v Speaker 1>hot Shot. It's become the new movie Crushed Sensation. It

0:36:54.120 --> 0:36:56.479
<v Speaker 1>is a game that has played on a timer, which

0:36:56.520 --> 0:37:01.200
<v Speaker 1>makes it a little challenging, and uh, the whole goal,

0:37:01.280 --> 0:37:03.120
<v Speaker 1>here's just have a little fun. It's hard to find

0:37:03.120 --> 0:37:07.200
<v Speaker 1>a timer these days, I know, and so I keep

0:37:07.239 --> 0:37:09.799
<v Speaker 1>the time and here's how it works. No, one's going

0:37:09.880 --> 0:37:12.760
<v Speaker 1>to keep score. That's usually challenge in and of itself.

0:37:13.360 --> 0:37:18.719
<v Speaker 1>Not anymore, Chuck, not anymore. I received this stenographer's spiral

0:37:18.800 --> 0:37:22.839
<v Speaker 1>notebook in the mail from movie Crush fan Christie, who

0:37:22.880 --> 0:37:26.400
<v Speaker 1>have become pals with, and it actually has a handy

0:37:26.520 --> 0:37:29.920
<v Speaker 1>split column design. Look at that where she helped me

0:37:30.040 --> 0:37:33.600
<v Speaker 1>positive negative. This is for a different game, uh more,

0:37:33.640 --> 0:37:35.840
<v Speaker 1>for a hole's kind of scenario, but it's still it

0:37:35.920 --> 0:37:40.400
<v Speaker 1>still applies here. It's got a little chain that you

0:37:40.440 --> 0:37:44.239
<v Speaker 1>can attach a small pen to. Um. I've never seen

0:37:44.280 --> 0:37:47.480
<v Speaker 1>that before. I think that Christie out speaking, but it's

0:37:47.560 --> 0:37:51.320
<v Speaker 1>really lovely. And when I went in earlier and grabbed

0:37:51.320 --> 0:37:54.400
<v Speaker 1>a pen, accidentally grabbed a non functioning pen. It's a

0:37:54.440 --> 0:37:58.200
<v Speaker 1>stylist for like a you know, tablet. So you gotta

0:37:58.200 --> 0:37:59.800
<v Speaker 1>go get a real pen real quick. You see. You

0:38:00.280 --> 0:38:03.240
<v Speaker 1>explain the rules and I'll be back in a jiffy. Okay.

0:38:03.680 --> 0:38:05.640
<v Speaker 1>So it's kind of a running gag that Noel has

0:38:05.640 --> 0:38:07.760
<v Speaker 1>a very hard time keeping score of even the simplest

0:38:07.800 --> 0:38:10.919
<v Speaker 1>of games. I can see why, and I think it's

0:38:10.960 --> 0:38:13.440
<v Speaker 1>as evidence the fact that the one thing it seems

0:38:13.440 --> 0:38:16.840
<v Speaker 1>like that was keeping him from keeping score correctly was

0:38:17.000 --> 0:38:19.799
<v Speaker 1>a line drawn down the center of age. You know,

0:38:19.840 --> 0:38:23.640
<v Speaker 1>I'm I love a stand on notebook. They're great. So

0:38:23.920 --> 0:38:28.319
<v Speaker 1>here's how it works, dude, is we have ten questions, yes,

0:38:28.360 --> 0:38:33.080
<v Speaker 1>where you have to name three movies for each for

0:38:33.120 --> 0:38:37.200
<v Speaker 1>a possible thirty points. So one point you get partial points.

0:38:37.200 --> 0:38:38.640
<v Speaker 1>So if you name two out of three, you get

0:38:38.640 --> 0:38:41.480
<v Speaker 1>two points in each round. Can you give me an

0:38:41.480 --> 0:38:44.840
<v Speaker 1>example of this, so it'll be like, name in ten seconds,

0:38:44.920 --> 0:38:48.800
<v Speaker 1>name three movies with the word night in the title. Okay,

0:38:48.880 --> 0:38:55.200
<v Speaker 1>And if that were the case, uh, could you use homonyms?

0:38:56.480 --> 0:39:00.560
<v Speaker 1>Give me an example? Well, could I say Dark, Knight Rises,

0:39:00.719 --> 0:39:06.439
<v Speaker 1>Dark Night, and Nightbreed? Yes, okay, because Night you would

0:39:06.480 --> 0:39:09.040
<v Speaker 1>get all three points for that Night Breed is the

0:39:09.120 --> 0:39:12.800
<v Speaker 1>Clive Barker movie to night as in Bedtime Night. Whereas

0:39:13.040 --> 0:39:16.400
<v Speaker 1>we're very lenient because we like our friends to to

0:39:16.520 --> 0:39:18.239
<v Speaker 1>do well and to feel good about I just want

0:39:18.239 --> 0:39:21.920
<v Speaker 1>to follow the rules. Yeah, yeah, you're fine. So no,

0:39:22.280 --> 0:39:25.560
<v Speaker 1>are you ready? More than I've probably ever been for

0:39:25.640 --> 0:39:29.480
<v Speaker 1>anything ever in my life. And we're also lenient with

0:39:29.680 --> 0:39:32.440
<v Speaker 1>you know, if you're saying one as the timer is

0:39:32.480 --> 0:39:34.080
<v Speaker 1>going off, we like to give it to you. And

0:39:34.760 --> 0:39:36.920
<v Speaker 1>like I said, we're we're a friendly crowd here. I

0:39:37.320 --> 0:39:41.439
<v Speaker 1>shall do my best, so John, Yes, this is this

0:39:41.520 --> 0:39:44.279
<v Speaker 1>is There's no theme to this one. These are just

0:39:44.400 --> 0:39:53.880
<v Speaker 1>random questions about movies. In ten seconds, Name three music, biopic,

0:39:54.880 --> 0:39:57.920
<v Speaker 1>main characters. You don't have to name the movie, just

0:39:58.080 --> 0:40:02.279
<v Speaker 1>the main characters. Music by the main characters. Johnny Cash,

0:40:02.280 --> 0:40:08.239
<v Speaker 1>Elton John Um, Freddie Mercury. Okay, I started you off easy,

0:40:09.320 --> 0:40:13.040
<v Speaker 1>three points as hard for me. Actually the movies are

0:40:13.040 --> 0:40:19.160
<v Speaker 1>Walk the Line, Rocketman, and Bohemian Rhapsody. Okay, And can

0:40:19.200 --> 0:40:22.440
<v Speaker 1>I just say rocket Man is a really good movie.

0:40:23.360 --> 0:40:27.960
<v Speaker 1>It's really good. And Paron Edgerton is amazing as Elton John.

0:40:28.040 --> 0:40:31.359
<v Speaker 1>It is not it's a it's an incredible Essentially, it's

0:40:31.400 --> 0:40:36.000
<v Speaker 1>a jukebox musical of Elton John songs. It's a it's

0:40:36.040 --> 0:40:40.080
<v Speaker 1>a it's it's not just reproducing concerts or whatever. It's

0:40:40.080 --> 0:40:43.120
<v Speaker 1>like interpreting the songs and ways that are really awesome.

0:40:43.239 --> 0:40:45.640
<v Speaker 1>It's great. It's great, and I'm a huge Elton John fan.

0:40:45.760 --> 0:40:50.359
<v Speaker 1>So right at my alley. All right, John, you did great.

0:40:50.400 --> 0:40:55.000
<v Speaker 1>All right. Check they're going to get progressively more difficult. Okay,

0:40:55.640 --> 0:40:57.759
<v Speaker 1>name you should do good at this next one. In

0:40:57.800 --> 0:41:06.320
<v Speaker 1>ten seconds, John, name three film noir movies, the Maltese

0:41:06.360 --> 0:41:11.359
<v Speaker 1>Falcon double indemnity. I don't know if Key Largo would count.

0:41:13.600 --> 0:41:20.319
<v Speaker 1>Um oh, I don't think he Largo counts. I think

0:41:20.360 --> 0:41:25.279
<v Speaker 1>it counts. It's film noir. Okay, well here, let's see.

0:41:25.520 --> 0:41:27.040
<v Speaker 1>I want this to be accurate. I think you got

0:41:27.040 --> 0:41:31.799
<v Speaker 1>three out of three. But that's idea. From the art.

0:41:31.800 --> 0:41:33.840
<v Speaker 1>It sure looks like a la to me. Largo is

0:41:33.840 --> 0:41:38.960
<v Speaker 1>American film noir. Criky, big time, three out of three.

0:41:39.239 --> 0:41:42.080
<v Speaker 1>Wikipedia says, until from the poster alone, I mean it's

0:41:42.120 --> 0:41:44.200
<v Speaker 1>it's got the vibe. I couldn't remember the plot. I

0:41:44.200 --> 0:41:46.799
<v Speaker 1>thought maybe it was just Bogarten book I'll go to

0:41:46.840 --> 0:41:49.000
<v Speaker 1>the Beach, and it was one of their It was

0:41:49.040 --> 0:41:52.680
<v Speaker 1>one of their beach their Beach Blankett musicals. Yeah. And

0:41:53.080 --> 0:41:55.279
<v Speaker 1>they just dick at the ocean. That's right. They just

0:41:55.320 --> 0:41:59.200
<v Speaker 1>dick that ocean. They dick at the ocean. They dig

0:41:59.280 --> 0:42:01.320
<v Speaker 1>it all. Look at the they dick at the ocean.

0:42:01.440 --> 0:42:04.080
<v Speaker 1>They dig it all of the memorable sites of the

0:42:04.120 --> 0:42:07.799
<v Speaker 1>Florida Keys. They dick it. Ernest hemming Way's house. Yeah,

0:42:07.880 --> 0:42:10.799
<v Speaker 1>they dick at each other. They dick dick at each other.

0:42:10.840 --> 0:42:14.799
<v Speaker 1>They can't stop dicking each other. Okay, Jeffrey doing great

0:42:14.840 --> 0:42:21.480
<v Speaker 1>so far, John right in ten seconds, name three movies

0:42:21.719 --> 0:42:29.480
<v Speaker 1>starring or even featuring actor Tim Robbins. Um, this is

0:42:29.480 --> 0:42:34.160
<v Speaker 1>a weird one. But War of the World's Um, Uh,

0:42:34.160 --> 0:42:42.719
<v Speaker 1>Bull Durham and um, all right, what was the the

0:42:42.760 --> 0:42:47.120
<v Speaker 1>one where he was a phony folk singer politician Bob Roberts.

0:42:47.200 --> 0:42:50.280
<v Speaker 1>Bob Roberts was Bob was all I could remember. Surprised

0:42:50.280 --> 0:42:53.480
<v Speaker 1>you didn't leap right for the Hudsucker Proxy. Yeah, feels

0:42:53.480 --> 0:42:55.640
<v Speaker 1>the very John. That's one of my favorite movies. I

0:42:55.680 --> 0:42:57.960
<v Speaker 1>don't know, I don't know why I had that. I'm

0:42:58.000 --> 0:43:00.560
<v Speaker 1>having more and more lapses. Le's put it that, you

0:43:00.560 --> 0:43:03.120
<v Speaker 1>know what I've rewatched recently that I just think is

0:43:03.160 --> 0:43:07.160
<v Speaker 1>the best as the player. Uh. That was the one

0:43:07.200 --> 0:43:09.360
<v Speaker 1>that kind of the followed up on Bull Durham and

0:43:09.440 --> 0:43:12.960
<v Speaker 1>launched Tim Robbins into a different place. Yes, and of

0:43:12.960 --> 0:43:15.799
<v Speaker 1>course we miss perhaps his most popular movie of all time,

0:43:16.480 --> 0:43:20.920
<v Speaker 1>The Shawshank Redemption. Oh right, a Shawshank Redemption. That's a

0:43:21.040 --> 0:43:28.960
<v Speaker 1>very famous, one, very famous movie. Very probably already know this, John,

0:43:28.960 --> 0:43:31.440
<v Speaker 1>But I found out recently this in a pitch meeting

0:43:31.800 --> 0:43:36.320
<v Speaker 1>that almost every single piece of Stephen King intellectual property

0:43:36.480 --> 0:43:39.800
<v Speaker 1>is optioned at all times. I can't think of the

0:43:39.840 --> 0:43:41.840
<v Speaker 1>one that isn't. Well, I just mean even ones you

0:43:41.840 --> 0:43:44.000
<v Speaker 1>haven't heard of or don't know about their in turnaround

0:43:44.120 --> 0:43:47.560
<v Speaker 1>or they're filed away somewhere. And to find a piece

0:43:47.600 --> 0:43:51.239
<v Speaker 1>of Stephen King, I p that isn't is like a

0:43:51.280 --> 0:43:53.640
<v Speaker 1>needle in a haystack, or like, you know, some sort

0:43:53.680 --> 0:43:56.080
<v Speaker 1>of treasure of the Sierra Madre or whatever. Can I

0:43:56.080 --> 0:44:00.040
<v Speaker 1>be like, yeah, can I say something so? I'm a

0:44:00.040 --> 0:44:01.880
<v Speaker 1>big Stephen King fan. I'm particularly a fan of the

0:44:01.920 --> 0:44:04.919
<v Speaker 1>novel Coujo. I've never seen the movie and I never will.

0:44:05.680 --> 0:44:09.879
<v Speaker 1>The novel is one of the best. It's just straight

0:44:09.960 --> 0:44:15.200
<v Speaker 1>up piece of literary fiction. It's great. Anyway. I was

0:44:15.200 --> 0:44:18.279
<v Speaker 1>talking about this back when I was promoting a book

0:44:18.320 --> 0:44:20.239
<v Speaker 1>that has called Vacation Land that has a lot of

0:44:20.239 --> 0:44:24.600
<v Speaker 1>Maine in it, and um, some someone his friends with

0:44:24.640 --> 0:44:27.520
<v Speaker 1>one of his sons, not Joe Hill, showed him this

0:44:27.640 --> 0:44:31.160
<v Speaker 1>article and he sent me a paperback copy of Coujo

0:44:31.320 --> 0:44:33.440
<v Speaker 1>with a really nice thank you note written in it,

0:44:34.880 --> 0:44:37.120
<v Speaker 1>and uh, I'm gonna option that thank you note turned

0:44:37.120 --> 0:44:41.600
<v Speaker 1>into a movie. There you go. You got to be creative. Yeah,

0:44:41.880 --> 0:44:43.640
<v Speaker 1>that's no one's got it. No one's I'm the only

0:44:43.680 --> 0:44:46.799
<v Speaker 1>one who has it. You go to get the rights

0:44:46.800 --> 0:44:49.759
<v Speaker 1>and you're like, ah, dream Works has it. Oh no,

0:44:50.560 --> 0:44:52.239
<v Speaker 1>all right, that was the only one you've whipped on

0:44:52.320 --> 0:44:57.080
<v Speaker 1>so far. Thank you, John Hodgman. Stephen King movie. It's like,

0:44:57.120 --> 0:45:00.680
<v Speaker 1>what why? How did that? You didn't get my permission

0:45:00.719 --> 0:45:04.400
<v Speaker 1>to use my Name's like, sorry, DreamWorks says, we got it.

0:45:04.920 --> 0:45:06.600
<v Speaker 1>I think the best part of that movie is when

0:45:06.640 --> 0:45:10.680
<v Speaker 1>Stephen King hobbles you. Thank you, John Hodgman. The Story

0:45:10.960 --> 0:45:13.680
<v Speaker 1>of a Thank You Note Written to a fan starring

0:45:14.400 --> 0:45:21.479
<v Speaker 1>Mike Perbigli as John Hodgins. What why oh all right? John? Yeah?

0:45:22.000 --> 0:45:24.840
<v Speaker 1>Question for you're letting Stephen King play himself. He's not

0:45:25.000 --> 0:45:27.120
<v Speaker 1>that great in act. I mean he was actually pretty

0:45:27.120 --> 0:45:30.600
<v Speaker 1>funny and it chapter two. But for Biggs all right

0:45:32.080 --> 0:45:35.000
<v Speaker 1>show where he plays the the redneck guy with all

0:45:35.040 --> 0:45:37.640
<v Speaker 1>the plants growing on his body, that one's fun. Yeah.

0:45:37.640 --> 0:45:39.759
<v Speaker 1>Can I write the screenplay? No, John Lane, he's doing that?

0:45:39.840 --> 0:45:43.359
<v Speaker 1>What Oh he's good though, of course, John Millene's good.

0:45:43.400 --> 0:45:47.480
<v Speaker 1>Mike Perbili is good. Okay, Number four in ten seconds,

0:45:47.520 --> 0:45:56.640
<v Speaker 1>John Name. Three movies starring or featuring Susan Surrandon Bull Durham,

0:45:56.719 --> 0:46:01.959
<v Speaker 1>The Witches of Eastwick and the The X Wives Club?

0:46:02.000 --> 0:46:05.839
<v Speaker 1>Is she in that one? No, she isn't. Goldie Hawn.

0:46:07.160 --> 0:46:09.759
<v Speaker 1>It's called First Wives Club. First Wives Club, Yeah right,

0:46:09.800 --> 0:46:12.600
<v Speaker 1>I mean get the name of the movie, right, alright,

0:46:13.160 --> 0:46:15.480
<v Speaker 1>only stared, only stared at that poster going up and

0:46:15.520 --> 0:46:18.000
<v Speaker 1>down the stairs five times a day. And Writers has

0:46:18.080 --> 0:46:20.960
<v Speaker 1>literary agency for seven years. First Wives Club based on

0:46:20.960 --> 0:46:25.040
<v Speaker 1>the writers as clients book First Wives Club, Bette Midler,

0:46:25.800 --> 0:46:28.960
<v Speaker 1>Goldie Hawn and someone else Diane Keaton. I think yeah,

0:46:29.000 --> 0:46:35.839
<v Speaker 1>probably that. Uh. We also would have accepted The Hunger, right,

0:46:35.880 --> 0:46:40.719
<v Speaker 1>of course you would have accepted Dead Man Walking. That's

0:46:40.719 --> 0:46:45.400
<v Speaker 1>a good one. Oh yeah, isn't David Bowie and The Hunger? Yeah?

0:46:45.840 --> 0:46:49.240
<v Speaker 1>And isn't it quite bad? I've heard it's quite bad. Well,

0:46:49.280 --> 0:46:54.960
<v Speaker 1>it's it's a great piece of uh yeah. In nineteen eighties,

0:46:55.280 --> 0:46:59.359
<v Speaker 1>sort of lucky, erotic horror, erotic vamp a lot of Yeah,

0:46:59.480 --> 0:47:03.320
<v Speaker 1>that was heavy duty, like um, what's the what's the

0:47:03.320 --> 0:47:08.080
<v Speaker 1>word of like Venetian blind Shadows movies? Well, it's early

0:47:08.080 --> 0:47:11.480
<v Speaker 1>Tony Scott, which is was that Tony Scott? I believe

0:47:11.520 --> 0:47:14.480
<v Speaker 1>that that is based on a novel by Whitley Strieber,

0:47:15.200 --> 0:47:19.040
<v Speaker 1>who also wrote the novel that became the movie Wolfin

0:47:19.880 --> 0:47:24.879
<v Speaker 1>and since since then is primarily known as a alien abductee.

0:47:26.880 --> 0:47:30.320
<v Speaker 1>He wrote a book called Communion about his recovered memories

0:47:30.320 --> 0:47:32.279
<v Speaker 1>of being abducted by alien since he was a kid.

0:47:32.320 --> 0:47:36.680
<v Speaker 1>And that's how he's known now. Interesting career pivot. What's that?

0:47:37.239 --> 0:47:41.040
<v Speaker 1>What's that? Chat? Nothing? That was community? Communion is a

0:47:41.040 --> 0:47:43.359
<v Speaker 1>great book. Communion is a great book and a very

0:47:43.440 --> 0:47:46.920
<v Speaker 1>strange movie starring Christopher Walking. Yeah, Chris Walking. That's right.

0:47:47.239 --> 0:47:50.319
<v Speaker 1>Give me Francis Sternhagen. I can throw Communion in there.

0:47:51.320 --> 0:47:53.080
<v Speaker 1>I can throw it. And I forgot the other movie

0:47:53.080 --> 0:47:58.320
<v Speaker 1>that she was outland Francis Sternhagen. She saw her and

0:47:58.360 --> 0:48:01.319
<v Speaker 1>something I couldn't believe. She's still stir Start hanging it up.

0:48:02.000 --> 0:48:05.040
<v Speaker 1>I'll look at up player alright, Question five, John, Yeah,

0:48:05.680 --> 0:48:13.919
<v Speaker 1>in ten seconds, name three movies that feature alien spacecraft.

0:48:16.320 --> 0:48:20.279
<v Speaker 1>Uh Star Star Trek, the Motion Pictures Star Trek to

0:48:20.400 --> 0:48:22.400
<v Speaker 1>the Wrath of con Star Trek three, The Searchery Spark.

0:48:22.680 --> 0:48:27.240
<v Speaker 1>See that was smart. That was smart, well played, well played.

0:48:28.640 --> 0:48:31.480
<v Speaker 1>See that's that's the way you do this game. If

0:48:31.520 --> 0:48:34.239
<v Speaker 1>you can find an angle, you gotta play the angle.

0:48:34.280 --> 0:48:36.360
<v Speaker 1>I'm always looking for the angle. I'm always dicking the angles.

0:48:37.719 --> 0:48:40.000
<v Speaker 1>I'm always digging for the angles. Got a dick for

0:48:40.000 --> 0:48:42.959
<v Speaker 1>those angles. The thing is a guy like you, John,

0:48:43.040 --> 0:48:45.759
<v Speaker 1>a guy like our dear friend Casey Pegraham. You wanted

0:48:45.719 --> 0:48:49.319
<v Speaker 1>to display your movie trivia prows, so you do. You

0:48:49.360 --> 0:48:52.120
<v Speaker 1>dig deep, But that's not the best way to go

0:48:52.160 --> 0:48:58.280
<v Speaker 1>in this game sometimes, that's right. Alright, Question six, Mr Hodgeman,

0:48:58.440 --> 0:49:07.319
<v Speaker 1>and ten seconds, name three black and white movies. Can

0:49:07.360 --> 0:49:09.160
<v Speaker 1>I use ones that I've already used? The Man who

0:49:09.200 --> 0:49:14.520
<v Speaker 1>Wasn't there? Uh, the Maltese Falcon and Key Lardo Boom. Alright,

0:49:14.719 --> 0:49:17.719
<v Speaker 1>you're back again gaming the system back he never left.

0:49:18.200 --> 0:49:20.760
<v Speaker 1>It's he left twice. He left two on the table,

0:49:20.880 --> 0:49:24.160
<v Speaker 1>Strangers in Paradise and Down by Law Stranger than Paris,

0:49:24.200 --> 0:49:27.359
<v Speaker 1>Stranger than Paradise. And I've never seen either of those

0:49:27.520 --> 0:49:30.799
<v Speaker 1>great movies. I just rewatched Down by Law for the

0:49:30.840 --> 0:49:32.960
<v Speaker 1>first time, probably since I was fifteen years old, and

0:49:33.000 --> 0:49:40.160
<v Speaker 1>it's I miss those old Jarmish movies. All right. In

0:49:40.400 --> 0:49:49.520
<v Speaker 1>ten seconds, John, name three movies featuring non muppet puppets,

0:49:51.120 --> 0:50:01.960
<v Speaker 1>non muppet puppets, The Happy Town Murders. Um. Well, now

0:50:02.000 --> 0:50:03.600
<v Speaker 1>wait a minute, Wait a minute. Wait a minute, Wait

0:50:03.600 --> 0:50:05.440
<v Speaker 1>a minute, Wait a minute, Wait a minute. Do we

0:50:05.480 --> 0:50:09.160
<v Speaker 1>have a challenge. I mean, like I said, the Happy

0:50:09.160 --> 0:50:12.399
<v Speaker 1>Town murders, but I think that they're Henson. I think

0:50:12.440 --> 0:50:16.680
<v Speaker 1>they're Henson. No, it was his son and it had

0:50:16.719 --> 0:50:18.600
<v Speaker 1>nothing to do with Henson. And I think it got

0:50:18.640 --> 0:50:22.080
<v Speaker 1>they got mad instead got in trouble. Was it Brian Henson,

0:50:23.600 --> 0:50:25.560
<v Speaker 1>but he's the CEO of Henson. I don't think they

0:50:25.560 --> 0:50:27.279
<v Speaker 1>got mad. But maybe it wasn't him, but it was

0:50:27.320 --> 0:50:30.520
<v Speaker 1>it was somebody connected with Henson that it was not sanctioned,

0:50:30.560 --> 0:50:32.560
<v Speaker 1>It was not you know, it was so they used

0:50:32.600 --> 0:50:35.839
<v Speaker 1>that name my trailer. My question is, and I think

0:50:35.920 --> 0:50:38.879
<v Speaker 1>this is a this is a I'm not gonna I'll

0:50:38.920 --> 0:50:41.400
<v Speaker 1>take my one point and I'm not I'm not going

0:50:41.440 --> 0:50:44.200
<v Speaker 1>to work the ref It was Brian Henson, by the way,

0:50:44.239 --> 0:50:47.520
<v Speaker 1>But if I said that, if I said the Dark Crystal,

0:50:48.760 --> 0:50:52.600
<v Speaker 1>would that count or no? That would count? Because I

0:50:52.600 --> 0:50:56.360
<v Speaker 1>don't consider not talking right, You're not talking about muppets

0:50:57.480 --> 0:50:59.360
<v Speaker 1>what you consider muppets. We're not talking about what you

0:50:59.360 --> 0:51:02.040
<v Speaker 1>consider m up It's you're talking about the Muppet characters

0:51:02.080 --> 0:51:06.120
<v Speaker 1>famous from the Muppet Show, right, not characters from the

0:51:06.200 --> 0:51:08.560
<v Speaker 1>Jim Hinton Workshops. So I could have said the Dark Crystal.

0:51:08.560 --> 0:51:12.560
<v Speaker 1>I could have said Labyrinth. Yes, meet the Feebles. That's

0:51:12.560 --> 0:51:17.040
<v Speaker 1>actually not whatever whatever whatever. I was robbed. Everyone knows

0:51:18.600 --> 0:51:22.879
<v Speaker 1>no one point the one point for happy right, Alright,

0:51:26.239 --> 0:51:30.560
<v Speaker 1>rephrase that in the future. Name three movies with puppets

0:51:30.600 --> 0:51:36.439
<v Speaker 1>that do not star the muppet characters. What if where?

0:51:36.440 --> 0:51:38.200
<v Speaker 1>First of all, we're not gonna use it in the future,

0:51:39.040 --> 0:51:42.080
<v Speaker 1>but you're gonna retire that one. Hey, don't you dick

0:51:42.120 --> 0:51:44.439
<v Speaker 1>at me? I see you dicking at me. You're gonna

0:51:44.840 --> 0:51:47.800
<v Speaker 1>you see are you digging me? Rolling my eyes? Yeah,

0:51:48.000 --> 0:51:52.920
<v Speaker 1>I'm dicking you. Are you digging me? Digging at the ceiling? Alright,

0:51:53.000 --> 0:52:00.399
<v Speaker 1>get at the floor number eight? In ten seconds, don't

0:52:00.440 --> 0:52:03.840
<v Speaker 1>get salty, now, are you salty? Not at all? Okay,

0:52:03.960 --> 0:52:12.520
<v Speaker 1>I'm concentrating, Okay, in ten seconds. Motherfucking that's just that's

0:52:12.520 --> 0:52:18.359
<v Speaker 1>a vocal warm up. Motherfucker. Cocksucker, messed up my whole

0:52:18.719 --> 0:52:24.879
<v Speaker 1>all right? All right? In ten seconds? John, Name three?

0:52:25.200 --> 0:52:28.640
<v Speaker 1>And this is subjective, but I'm going to be very lenient.

0:52:28.880 --> 0:52:34.800
<v Speaker 1>Name three movies well known for their soundtrack. Raiders of

0:52:34.880 --> 0:52:41.800
<v Speaker 1>the Lost, PARC Star Wars, Harry Potter The Sorcerer's don't okay,

0:52:41.880 --> 0:52:44.359
<v Speaker 1>I know nothing about Harry Potter, but I think I

0:52:44.360 --> 0:52:48.520
<v Speaker 1>have to give it to you. They're all John Williams soundtracks. Okay,

0:52:49.239 --> 0:52:50.920
<v Speaker 1>I I'm going to give you all three of those.

0:52:51.160 --> 0:52:53.279
<v Speaker 1>The minor quibble, I would say those movies are well

0:52:53.320 --> 0:53:00.560
<v Speaker 1>known for their score. Uh, but that's okay. Looking more

0:53:00.600 --> 0:53:05.759
<v Speaker 1>for Rushmore Magnolia and Batman bo Batman, Batman because the

0:53:05.840 --> 0:53:08.920
<v Speaker 1>Prince that one Prince song bat Dance. Yeah, it's what's

0:53:08.960 --> 0:53:10.680
<v Speaker 1>just known as like because it was a Prince album.

0:53:10.840 --> 0:53:13.520
<v Speaker 1>I think that's that's even love it or hate it,

0:53:13.520 --> 0:53:16.160
<v Speaker 1>it's definitely people remember the Batman soon. Now that I

0:53:16.239 --> 0:53:19.360
<v Speaker 1>understand the question, I would I would say what I

0:53:19.360 --> 0:53:22.520
<v Speaker 1>would have maybe come up with if I were smart, was, Oh, Brother,

0:53:22.520 --> 0:53:28.680
<v Speaker 1>where art thou? Sure? Dazed and confused? Um it's another

0:53:28.719 --> 0:53:31.560
<v Speaker 1>oh and uh the Big Chill? Yeah, yeah, I got you.

0:53:31.600 --> 0:53:36.799
<v Speaker 1>Now you get three either way? Alright, three three the

0:53:36.880 --> 0:53:39.840
<v Speaker 1>right way, three the right way. We're gonna count the

0:53:39.840 --> 0:53:43.520
<v Speaker 1>score because those those were sold as soundtracks, you know. Yeah,

0:53:44.320 --> 0:53:46.680
<v Speaker 1>So what about something like The Lion King where it's

0:53:46.680 --> 0:53:50.480
<v Speaker 1>like a combination of like songs and also score pieces,

0:53:50.560 --> 0:53:53.040
<v Speaker 1>And I think any Disney animated film would be well

0:53:53.040 --> 0:53:56.279
<v Speaker 1>known for their soundtrack. The most part The Jungle Book,

0:53:56.320 --> 0:54:01.880
<v Speaker 1>For God's sake, Jim v I P I reached the

0:54:01.960 --> 0:54:04.000
<v Speaker 1>top and had to stop, And now you're gonna get

0:54:04.000 --> 0:54:08.719
<v Speaker 1>sued by Disney. I love the Jungle Book. It's still

0:54:08.719 --> 0:54:12.800
<v Speaker 1>my favorite song. Wise, all right, John, in ten seconds,

0:54:12.800 --> 0:54:20.600
<v Speaker 1>No comment on colonialism here in ten seconds, Name three

0:54:20.600 --> 0:54:28.239
<v Speaker 1>movies directed by David Lynch, Dune, Uh, Razor Head, and

0:54:28.640 --> 0:54:33.680
<v Speaker 1>Blue Velvet. Great, good job? Yeah, what's the one? Wild

0:54:33.719 --> 0:54:36.240
<v Speaker 1>at Heart? That's the one I was my brain, my brain.

0:54:36.800 --> 0:54:38.680
<v Speaker 1>It may be you know that you're right that my

0:54:38.760 --> 0:54:43.080
<v Speaker 1>brain wants to go obscure because there's like I have

0:54:43.160 --> 0:54:50.520
<v Speaker 1>a animal reflex to impress, get get weird pulls. Yeah, no,

0:54:50.600 --> 0:54:52.680
<v Speaker 1>I think that's that's the trick of this game is

0:54:53.239 --> 0:54:55.720
<v Speaker 1>and we've talked about it before. It's hard to clear

0:54:55.800 --> 0:54:58.239
<v Speaker 1>your mind. But also try and think of every movie

0:54:58.280 --> 0:55:02.480
<v Speaker 1>you've ever seen the same time. Yeah, exactly, But you're

0:55:02.520 --> 0:55:05.200
<v Speaker 1>doing great, thanks friend, But I'm having fun than Casey.

0:55:05.840 --> 0:55:09.240
<v Speaker 1>All right? Finally, John, number ten, number ten in ten seconds,

0:55:12.640 --> 0:55:18.359
<v Speaker 1>Name three movies starring former alumni of Saturday Night Live.

0:55:20.600 --> 0:55:27.879
<v Speaker 1>Sure um stripes, Caddyshack, Um Meatballs, Ah see you locked

0:55:27.880 --> 0:55:31.239
<v Speaker 1>in on Bill Murray, very smart way to go. You're

0:55:31.239 --> 0:55:34.560
<v Speaker 1>good at this game. Thank you. To see what I

0:55:34.560 --> 0:55:37.680
<v Speaker 1>would try to I would immediately be flooded with every

0:55:37.719 --> 0:55:42.880
<v Speaker 1>Saturday Night Live Alumnni. That's ever the screen. Yes, and

0:55:42.920 --> 0:55:44.399
<v Speaker 1>what you need to do is just hone in on

0:55:44.400 --> 0:55:47.319
<v Speaker 1>one who did a bunch of movies? Yes? Can you now?

0:55:47.360 --> 0:55:49.480
<v Speaker 1>I'm gonna give you. I'm gonna give you one chuck

0:55:49.920 --> 0:55:54.759
<v Speaker 1>from this package, all right because I also have a timer. Oh,

0:55:54.880 --> 0:56:01.200
<v Speaker 1>I know you do in ten seconds? Now? Aim three

0:56:01.200 --> 0:56:08.359
<v Speaker 1>Will Farrell movies go? Uh? Downhill? Uh? Anchorman and Anchorman two?

0:56:08.560 --> 0:56:12.080
<v Speaker 1>Al Right, Downhill? We you, Oh, Julie Louis, drive us

0:56:12.080 --> 0:56:15.759
<v Speaker 1>some money. I didn't collects on. I didn't see that.

0:56:15.840 --> 0:56:18.200
<v Speaker 1>But I did see Forest Masure and that was a

0:56:18.800 --> 0:56:20.759
<v Speaker 1>movie on the show that we dissected. By the way,

0:56:20.800 --> 0:56:22.480
<v Speaker 1>have you seen that? No? I haven't seen it. That's

0:56:22.480 --> 0:56:25.600
<v Speaker 1>its great, that's the movie that Downhill is based on.

0:56:26.280 --> 0:56:29.040
<v Speaker 1>You would love it. It's right up your alley. It's really, really,

0:56:29.080 --> 0:56:31.080
<v Speaker 1>really good. Is it a comedy though I thought it

0:56:31.120 --> 0:56:34.440
<v Speaker 1>was more like a disaster kind of No, it's a

0:56:34.680 --> 0:56:40.120
<v Speaker 1>it's a very very dark social satire comedy. I think

0:56:40.120 --> 0:56:45.680
<v Speaker 1>it's Swedish. It's terrific, Like it's literally like taking it

0:56:45.719 --> 0:56:48.440
<v Speaker 1>beat for beat and making it like American or I

0:56:48.480 --> 0:56:52.320
<v Speaker 1>think that's what that's not. That's not unusual people do that.

0:56:52.480 --> 0:56:54.160
<v Speaker 1>It's not but I I had heard of that, and

0:56:54.200 --> 0:56:56.120
<v Speaker 1>that seemed like more like an art film, and this

0:56:56.400 --> 0:57:00.200
<v Speaker 1>Downhill seemed like one of those thrown together Netflix. It's

0:57:00.200 --> 0:57:13.600
<v Speaker 1>sort of I'm sure that it was marketed that way. Yeah, so, John,

0:57:13.640 --> 0:57:15.279
<v Speaker 1>if you have time to stick around for another ten

0:57:15.280 --> 0:57:18.720
<v Speaker 1>minutes or so for stream this, I don't ever want

0:57:18.760 --> 0:57:21.200
<v Speaker 1>to go away. This is the portion of the show.

0:57:21.360 --> 0:57:23.680
<v Speaker 1>Why are we talked to this? By the way, you

0:57:23.760 --> 0:57:32.520
<v Speaker 1>got twenty six points to justify my use of the solids.

0:57:33.200 --> 0:57:35.200
<v Speaker 1>I feel like there should be an asterisk because I

0:57:35.240 --> 0:57:38.800
<v Speaker 1>feel like I feel like my sound track answers were

0:57:38.800 --> 0:57:43.160
<v Speaker 1>not high talking about the muppet question, Oh well, you

0:57:43.200 --> 0:57:45.280
<v Speaker 1>know what, I'll keep it then, because I feel like

0:57:46.480 --> 0:57:49.040
<v Speaker 1>now I feel like my John Williams answers were all

0:57:49.320 --> 0:57:53.360
<v Speaker 1>b as. They were not high quality answers. So subtract

0:57:53.600 --> 0:57:57.400
<v Speaker 1>three no, no that I already circled the number. It

0:57:57.560 --> 0:58:00.840
<v Speaker 1>stands all right, Then I can't in and you can't

0:58:00.840 --> 0:58:04.480
<v Speaker 1>walk it back. Yeah, the spell is locked out of thirties. Great,

0:58:04.600 --> 0:58:09.200
<v Speaker 1>nice job's done, thirty out of thirty. Nobody, It's true.

0:58:10.160 --> 0:58:12.720
<v Speaker 1>Although I haven't gotten one of these yet. I've just

0:58:12.760 --> 0:58:15.840
<v Speaker 1>been like the the second Banana scorekeeper. I kind of

0:58:15.880 --> 0:58:17.320
<v Speaker 1>want to get in the hot seat. One of these

0:58:18.640 --> 0:58:20.160
<v Speaker 1>will be in my medal. All right, here we go. No,

0:58:20.280 --> 0:58:22.520
<v Speaker 1>you're ready for this. No, we don't have time, we

0:58:23.680 --> 0:58:25.960
<v Speaker 1>have tense. Do you give me one. Let's go. Let's go.

0:58:29.680 --> 0:58:34.400
<v Speaker 1>Name three movies the Gene Wilders in Willy Wonka or

0:58:34.480 --> 0:58:37.920
<v Speaker 1>Charlie and the Chocolate Factory. Uh see no evil? Hear

0:58:37.960 --> 0:58:43.360
<v Speaker 1>no evil? Uh? The other one? Yeah, you got that

0:58:43.360 --> 0:58:46.400
<v Speaker 1>one us. Now, now that's a definite asterisk. I I

0:58:46.560 --> 0:58:52.040
<v Speaker 1>reject that. Wow. Yeah, that's a deep cut. That's a

0:58:52.200 --> 0:58:57.280
<v Speaker 1>later Richard pryor Pryor where they're blind and they're both

0:58:57.400 --> 0:59:01.960
<v Speaker 1>blind and deaf or something like that with my mom

0:59:01.960 --> 0:59:03.200
<v Speaker 1>when I was a kid, and I think it had

0:59:03.200 --> 0:59:04.920
<v Speaker 1>boobs in it and it was really Wonka and the

0:59:05.000 --> 0:59:07.920
<v Speaker 1>Chocolate Factory? Was that ause me? The book? Is Charlie

0:59:08.000 --> 0:59:10.400
<v Speaker 1>the movie? Yeah? Yeah? Yeah, alright? Zero. Do you hear

0:59:10.400 --> 0:59:12.600
<v Speaker 1>that Trump was gonna do a Willy Wonka asked type

0:59:12.600 --> 0:59:15.840
<v Speaker 1>of stunt when he emerged from the hospital after Corona

0:59:16.160 --> 0:59:18.680
<v Speaker 1>he was gonna like, look golf feeble and then rip

0:59:18.720 --> 0:59:22.080
<v Speaker 1>off his shirt to reveal a Superman uh emblem. Tell

0:59:22.120 --> 0:59:24.960
<v Speaker 1>me you're kidding or they decided not to do it,

0:59:25.080 --> 0:59:28.120
<v Speaker 1>But apparently it's a It's something that was actively discussed.

0:59:29.280 --> 0:59:31.640
<v Speaker 1>I know that that was reported. That feels a little

0:59:32.000 --> 0:59:34.560
<v Speaker 1>a little fetched far to me, but maybe so I

0:59:34.600 --> 0:59:36.160
<v Speaker 1>like to believe it. It It seems like the kind of

0:59:36.160 --> 0:59:43.040
<v Speaker 1>thing seems like anyway, why aren't talking politics? Yeah, exactly,

0:59:43.120 --> 0:59:46.280
<v Speaker 1>all right, John, When does this come out? This comes

0:59:46.280 --> 0:59:49.520
<v Speaker 1>out Friday? Oh no, no, no, two weeks right by

0:59:49.560 --> 0:59:52.320
<v Speaker 1>the way, everybody, this is the first election cycle that

0:59:52.360 --> 0:59:55.080
<v Speaker 1>I've ever been an act of volunteer in. I do

0:59:55.160 --> 0:59:58.040
<v Speaker 1>phone banking, I do text banking, I do letter writing.

0:59:59.000 --> 1:00:02.520
<v Speaker 1>Get your people, help them to vote. Go to I

1:00:02.560 --> 1:00:05.400
<v Speaker 1>will vote dot com. Make sure that they all understand

1:00:05.400 --> 1:00:08.040
<v Speaker 1>wherever they are in your world, whatever state or comm

1:00:08.040 --> 1:00:10.040
<v Speaker 1>will they're in, what their deadlines are, what their options

1:00:10.040 --> 1:00:13.320
<v Speaker 1>are in terms of voting. Make a plan to safely

1:00:13.360 --> 1:00:17.880
<v Speaker 1>and securely and and early, which is probably not a word,

1:00:18.000 --> 1:00:22.080
<v Speaker 1>vote tomorrow, and also donate some of your time. If

1:00:22.080 --> 1:00:24.080
<v Speaker 1>you can't donate some of your money, it's really important.

1:00:24.960 --> 1:00:27.040
<v Speaker 1>Created a couple of days ago, they have our local

1:00:27.200 --> 1:00:30.680
<v Speaker 1>arena fitted out with voting machines, and it took me

1:00:30.800 --> 1:00:32.760
<v Speaker 1>longer to park that did to vote. You know what

1:00:33.360 --> 1:00:38.680
<v Speaker 1>great is that? The the NFL arena, it's the basketball

1:00:39.720 --> 1:00:44.040
<v Speaker 1>are the NBA arena? Yeah, the NBA. Who NBA opening

1:00:44.120 --> 1:00:47.840
<v Speaker 1>up those stadiums, those stadia for voting. It's like three

1:00:47.920 --> 1:00:50.600
<v Speaker 1>hundred three boots, I think. And that's the greatest. I

1:00:50.600 --> 1:00:53.080
<v Speaker 1>can't believe. That's really stepping up. Thank you. And I

1:00:53.120 --> 1:00:56.360
<v Speaker 1>can't vote there because I'm decapp County residents, so but

1:00:56.760 --> 1:01:01.400
<v Speaker 1>I'm going tomorrow. It's great. Early voting is the best. Okay, everyone,

1:01:01.440 --> 1:01:03.040
<v Speaker 1>this is a stream this where we talk about what

1:01:03.080 --> 1:01:06.400
<v Speaker 1>we've been watching lately. I will go first. Uh. The

1:01:06.440 --> 1:01:10.640
<v Speaker 1>other night, Ruby and Emily and I Uh. Ruby says Hi,

1:01:10.680 --> 1:01:12.880
<v Speaker 1>By the way, John, she was quite fond of you

1:01:12.960 --> 1:01:15.400
<v Speaker 1>and remembers you. I want to come and visit you

1:01:15.440 --> 1:01:18.480
<v Speaker 1>guys again. You have such a nice guest bedroom. Yeah.

1:01:18.760 --> 1:01:21.520
<v Speaker 1>She uh. Anytime like your voice comes on, she goes,

1:01:21.760 --> 1:01:25.360
<v Speaker 1>that's John. Yeah, how's her little how's her little backyard?

1:01:25.440 --> 1:01:28.760
<v Speaker 1>School going. It's going great. It really is going great,

1:01:28.760 --> 1:01:32.400
<v Speaker 1>big success. But the other night we watched Parren Norman,

1:01:33.840 --> 1:01:37.440
<v Speaker 1>the great great um stop motion animation, sort of her

1:01:37.440 --> 1:01:41.040
<v Speaker 1>first little scary movie that she's seen, and it was wonderful.

1:01:41.080 --> 1:01:43.480
<v Speaker 1>It was such a fun movie. It was highly recommended

1:01:43.800 --> 1:01:46.600
<v Speaker 1>by the movie crushers. I loved everything about it. It

1:01:46.680 --> 1:01:49.520
<v Speaker 1>was funny, it was heartwarming, it was a little bit scary,

1:01:49.680 --> 1:01:52.800
<v Speaker 1>just enough for her age. I think, uh, slightly above

1:01:52.800 --> 1:01:55.280
<v Speaker 1>her pay grade, but I know we all agree that,

1:01:55.480 --> 1:01:57.240
<v Speaker 1>you know, a year or two above the pay grade

1:01:57.240 --> 1:02:00.560
<v Speaker 1>of a child watching movie watching is of a good thing.

1:02:01.080 --> 1:02:03.560
<v Speaker 1>And she was fine. She she got a little scared occasionally,

1:02:03.880 --> 1:02:06.360
<v Speaker 1>which meant a little little snuggle on the couch, but

1:02:06.840 --> 1:02:09.160
<v Speaker 1>she never wanted to turn it off. And we just

1:02:09.200 --> 1:02:13.120
<v Speaker 1>had a great, great time watching Para Norman. So we

1:02:13.200 --> 1:02:17.600
<v Speaker 1>watched that and then nol. I've been watching or We Emily,

1:02:17.640 --> 1:02:20.640
<v Speaker 1>and I've been watching I May Destroy You. Yeah, we're

1:02:20.640 --> 1:02:26.680
<v Speaker 1>about halfway through season one and boy, oh boys, it great, wonderful,

1:02:26.680 --> 1:02:30.240
<v Speaker 1>wonderful show. Wait for the finale. It'll knock your socks off.

1:02:30.280 --> 1:02:32.760
<v Speaker 1>It's uh, I'm gonna use it. I'm gonna drop have

1:02:32.840 --> 1:02:35.840
<v Speaker 1>a drink everyone. It's psychedelic, like the way that it's edited,

1:02:36.160 --> 1:02:40.040
<v Speaker 1>the choices, the way it kind of like show. It's

1:02:40.440 --> 1:02:43.360
<v Speaker 1>of perspective, it's all about like that's the thing to

1:02:43.600 --> 1:02:46.360
<v Speaker 1>going back to detectives. I love that the show feels

1:02:46.480 --> 1:02:49.720
<v Speaker 1>like a detective story in some way, where she's like

1:02:50.040 --> 1:02:53.840
<v Speaker 1>on the hunt for this perpetrator, but it becomes much

1:02:53.880 --> 1:02:56.240
<v Speaker 1>more than that. And it's got comedy. It's got beats

1:02:56.280 --> 1:03:00.760
<v Speaker 1>of absolute drama and existential terror, and then it pivots

1:03:00.800 --> 1:03:03.440
<v Speaker 1>so quickly to like the other things without ever seeming

1:03:03.480 --> 1:03:05.600
<v Speaker 1>forest or stretched. And I just think it's a genius

1:03:05.680 --> 1:03:11.160
<v Speaker 1>work of She's amazing cinema. Makayla Cole wrote, created, wrote, directed,

1:03:11.240 --> 1:03:15.000
<v Speaker 1>stars great casts all the way around. It's voices that

1:03:15.040 --> 1:03:17.040
<v Speaker 1>you don't hear enough of these days, and it's really

1:03:17.040 --> 1:03:20.520
<v Speaker 1>really terrific. Highly recommended, and it just started ships Creak

1:03:20.640 --> 1:03:23.280
<v Speaker 1>by the way, I shall take that recommendation and thank

1:03:23.320 --> 1:03:27.120
<v Speaker 1>you for stealing my recommendation. What Ship's Creek? Yeah, it's

1:03:27.120 --> 1:03:28.920
<v Speaker 1>so good. I just started it myself. I don't know

1:03:28.920 --> 1:03:31.480
<v Speaker 1>why I didn't glom onto it right away because I

1:03:31.520 --> 1:03:34.240
<v Speaker 1>love all the cast. I'm such a Cris guest fan.

1:03:34.560 --> 1:03:36.440
<v Speaker 1>But for some reason, I've watched a couple episodes and

1:03:36.480 --> 1:03:38.920
<v Speaker 1>didn't continue. But with all the buzz lately, I was like,

1:03:38.920 --> 1:03:40.720
<v Speaker 1>I'm gonna try it again, and I'm obsessed. I just

1:03:40.720 --> 1:03:43.160
<v Speaker 1>think they're lovely characters. I mean, they're despicable at first,

1:03:43.200 --> 1:03:45.440
<v Speaker 1>but then you grow to love them. It's great. Yeah,

1:03:45.600 --> 1:03:49.000
<v Speaker 1>I'm definitely a Hodgman come Lately on that one. Um.

1:03:49.040 --> 1:03:51.160
<v Speaker 1>I people in my life we're telling me to watch

1:03:51.720 --> 1:03:56.280
<v Speaker 1>Should's Creak forever and then same here. Finally, finally, you know,

1:03:56.480 --> 1:03:59.760
<v Speaker 1>after six seasons, I was like, maybe I'll watch this,

1:04:00.160 --> 1:04:01.760
<v Speaker 1>and I was like, oh, this is the greatest thing,

1:04:02.800 --> 1:04:06.800
<v Speaker 1>you know, in many in many ways, I think for

1:04:06.880 --> 1:04:10.600
<v Speaker 1>what I hope people find in dick Town, which is

1:04:10.640 --> 1:04:15.600
<v Speaker 1>to say that it's a it's a concept comedy, right, um,

1:04:15.640 --> 1:04:18.240
<v Speaker 1>but the concept kind of falls away pretty quickly and

1:04:18.280 --> 1:04:23.160
<v Speaker 1>becomes a character comedy. And the characters are each of

1:04:23.200 --> 1:04:27.840
<v Speaker 1>them really really likable, and you know, like it's a

1:04:27.880 --> 1:04:30.680
<v Speaker 1>town versus gown, like outside outside Richie's come to this

1:04:31.240 --> 1:04:34.520
<v Speaker 1>hard bitten town and in Pennsylvania is supposed to be

1:04:34.560 --> 1:04:41.920
<v Speaker 1>I can't even remember, yeah, like right, yeah, exactly, in

1:04:42.080 --> 1:04:45.800
<v Speaker 1>in somewhere in North America, and it's sort of like

1:04:45.840 --> 1:04:50.960
<v Speaker 1>the their cultural clash. But as as you pointed out,

1:04:50.960 --> 1:04:53.080
<v Speaker 1>and all like the Fai, the famil, the rich family

1:04:54.080 --> 1:04:57.040
<v Speaker 1>are all very likable and and you know, especially now

1:04:57.040 --> 1:04:59.560
<v Speaker 1>that they're down on their luck and the local people

1:04:59.600 --> 1:05:03.400
<v Speaker 1>are all very likable and you just enjoy hanging out

1:05:03.400 --> 1:05:06.240
<v Speaker 1>with your friends with this movie, Starry, with this TV

1:05:06.320 --> 1:05:10.760
<v Speaker 1>show and um uh Dan Levy the co creator with

1:05:10.840 --> 1:05:16.080
<v Speaker 1>his dad Eugene. He plays a character named David, and

1:05:16.120 --> 1:05:19.360
<v Speaker 1>he and Emily Hampshire, who plays the woman who runs

1:05:19.400 --> 1:05:23.760
<v Speaker 1>the motel. What's her name? Yeah, she's good. Twila. No, no,

1:05:24.840 --> 1:05:28.520
<v Speaker 1>that is his actual sister who plays Twilight. That's also interesting.

1:05:28.600 --> 1:05:32.280
<v Speaker 1>Oh that's I forget the name of the uh. Well,

1:05:32.360 --> 1:05:34.280
<v Speaker 1>she's great and a tough and a tough role as

1:05:34.320 --> 1:05:39.200
<v Speaker 1>sort of the the straight character. Um yeah, the straight person.

1:05:39.240 --> 1:05:41.400
<v Speaker 1>That's a tough that's can be a tough bag in

1:05:41.400 --> 1:05:43.360
<v Speaker 1>a broad comedy like this, and she does a great job.

1:05:43.440 --> 1:05:46.600
<v Speaker 1>Hang on, I'm gonna I gotta Emily Hampshire. Yeah, I

1:05:46.600 --> 1:05:49.320
<v Speaker 1>remember the name of the actor. That's pretty respectable, right,

1:05:49.800 --> 1:05:56.120
<v Speaker 1>totally known as bus Fiber. But Stevie, that's right, Steve.

1:05:57.280 --> 1:05:59.600
<v Speaker 1>Because of Stevie, I was gonna say, Sydney, Yeah, I

1:05:59.640 --> 1:06:07.320
<v Speaker 1>guess that, right. She's so dead panned because she's sort

1:06:07.320 --> 1:06:09.560
<v Speaker 1>of the voice of reason, you know, like like like

1:06:09.600 --> 1:06:12.640
<v Speaker 1>calling out all of the bullshit of everyone else's character.

1:06:12.800 --> 1:06:14.840
<v Speaker 1>But she herself is also kind of a fish out

1:06:14.840 --> 1:06:18.120
<v Speaker 1>of water because she doesn't make sense in this world.

1:06:18.400 --> 1:06:22.160
<v Speaker 1>She's so smart and sharp and snart, and her relationship

1:06:22.240 --> 1:06:26.320
<v Speaker 1>with with Dan Levy's character David is is incredible to follow.

1:06:26.360 --> 1:06:28.920
<v Speaker 1>It's so fun completely. Yeah, I think part of the

1:06:28.960 --> 1:06:32.920
<v Speaker 1>fun for me too is seeing, uh, seeing Eugene and

1:06:33.400 --> 1:06:37.240
<v Speaker 1>Dan together clearly having a good time, like father and

1:06:37.360 --> 1:06:41.080
<v Speaker 1>son working on this show together, and uh, it's just

1:06:41.440 --> 1:06:45.880
<v Speaker 1>it's sort of gives me good good heart feels like

1:06:45.920 --> 1:06:48.520
<v Speaker 1>that about this show. It took me by surprise. I mean,

1:06:48.520 --> 1:06:52.200
<v Speaker 1>it's got The cast is amazing, obviously, Catherine o' harriet,

1:06:52.680 --> 1:06:58.280
<v Speaker 1>Uh legend, what's his name? Chris Chris Elia Telliott, Emily

1:06:58.320 --> 1:07:00.680
<v Speaker 1>is so creeped out by She's like, he always looks

1:07:00.680 --> 1:07:05.920
<v Speaker 1>so gross and dirty and everything. He's inspiration. I couldn't remember, right, Okay,

1:07:08.240 --> 1:07:11.240
<v Speaker 1>the everyone's great, but let me just say something, Gen Levies,

1:07:12.160 --> 1:07:14.520
<v Speaker 1>can I swear on this? Yeah, it's fucking hot in

1:07:14.600 --> 1:07:18.080
<v Speaker 1>the show Jude. He looks amazing. We were talking about

1:07:18.120 --> 1:07:20.560
<v Speaker 1>that last night. I was like, what is this guy taken? Like?

1:07:21.040 --> 1:07:25.560
<v Speaker 1>He looks he looks better than he's ever He's he's slim, healthy,

1:07:25.840 --> 1:07:28.919
<v Speaker 1>his suits are incredible. I mean his hair, his hair

1:07:29.000 --> 1:07:31.680
<v Speaker 1>is and it's like it's it's one of It's sort

1:07:31.720 --> 1:07:35.560
<v Speaker 1>of like when comedians get pumped and you're like, you're

1:07:35.600 --> 1:07:38.240
<v Speaker 1>kind of breaking the code, dude, Like you know what

1:07:38.880 --> 1:07:41.560
<v Speaker 1>who we're talking about. No, there are lots lots of

1:07:41.560 --> 1:07:43.400
<v Speaker 1>comedians have gotten pumped. You don't know who I'm talking

1:07:43.440 --> 1:07:46.760
<v Speaker 1>about at all. Kumal is like freaking me out, man,

1:07:46.920 --> 1:07:50.520
<v Speaker 1>Like his jeat Meal instagrams are just like, whoa, I

1:07:50.560 --> 1:07:54.320
<v Speaker 1>can't handle you anymore. I'm thrilled by his personal journey

1:07:54.320 --> 1:07:57.440
<v Speaker 1>and it's had to undertake in order to be in

1:07:57.480 --> 1:08:02.400
<v Speaker 1>a Marvel Cinematic Universe movie. That's why he got that jacked.

1:08:02.520 --> 1:08:04.240
<v Speaker 1>You know what I mean? I know, I get it, man,

1:08:04.560 --> 1:08:06.240
<v Speaker 1>It's it's just it's just a little off putting when

1:08:06.280 --> 1:08:10.880
<v Speaker 1>he used him being the schlubby I T guy or

1:08:11.840 --> 1:08:15.440
<v Speaker 1>But the thing is that it is a little charged

1:08:16.160 --> 1:08:18.880
<v Speaker 1>when a comedy person starts to look good do you

1:08:18.920 --> 1:08:21.479
<v Speaker 1>know what I mean? It totally is, especially if they

1:08:21.520 --> 1:08:25.200
<v Speaker 1>just sort of looked average or kind of you know,

1:08:25.520 --> 1:08:28.080
<v Speaker 1>like me, like Dumpy nerd or whatever, Like if I

1:08:28.120 --> 1:08:30.639
<v Speaker 1>got jacked, people be like, I like that. I don't

1:08:30.680 --> 1:08:35.280
<v Speaker 1>like that version of John Hodgman. But Eugene levy Man,

1:08:35.320 --> 1:08:38.080
<v Speaker 1>I can't cannot deny that guy looks great. It's more

1:08:38.160 --> 1:08:41.760
<v Speaker 1>wardrobe than anything. I don't know. If he looks like

1:08:41.800 --> 1:08:45.240
<v Speaker 1>he's it looks great. Compare him to the best in show.

1:08:45.640 --> 1:08:48.559
<v Speaker 1>He's not beefed up, he's slimmed down, you know what

1:08:48.600 --> 1:08:51.760
<v Speaker 1>I mean, he's got that. He's got that, he's got

1:08:51.760 --> 1:08:55.360
<v Speaker 1>that paleo glow. You know what could he and he

1:08:55.479 --> 1:08:56.840
<v Speaker 1>I mean, how old is he He's got to be

1:08:57.000 --> 1:09:01.439
<v Speaker 1>late sixties, right, he's nine seven? Wow, didn't really surprised.

1:09:01.439 --> 1:09:04.040
<v Speaker 1>Fantastic for ninety seven. There was a really great like

1:09:04.040 --> 1:09:06.360
<v Speaker 1>it was his birthday recently, and there was like a

1:09:06.640 --> 1:09:10.519
<v Speaker 1>kind of you know, zoom thing of all this comedy people. Uh,

1:09:10.760 --> 1:09:13.000
<v Speaker 1>and it was just delightful. And you know they're all

1:09:13.040 --> 1:09:14.840
<v Speaker 1>just throwing accolades at him. And I think it was

1:09:14.960 --> 1:09:17.679
<v Speaker 1>Jason Biggs that sort of joked that that he thought

1:09:17.680 --> 1:09:21.040
<v Speaker 1>this was an in Memorium video. You know, of course

1:09:21.040 --> 1:09:25.519
<v Speaker 1>that's a little bit of a see seventy three. Can

1:09:25.560 --> 1:09:29.759
<v Speaker 1>you believe that? Incredible? Yeah, he looks great. Annie Murphy

1:09:29.960 --> 1:09:34.360
<v Speaker 1>as as Alexis the sister is also incredible. And you

1:09:34.400 --> 1:09:39.400
<v Speaker 1>know it's like they're they're all these incredible Canadian actors

1:09:40.280 --> 1:09:43.040
<v Speaker 1>and they're just these hidden treasures, like they're just up

1:09:43.040 --> 1:09:46.840
<v Speaker 1>there in Canada making TV like crazy. We never watch

1:09:46.920 --> 1:09:49.320
<v Speaker 1>it because we're jerks. Now we get to see all

1:09:49.320 --> 1:09:52.519
<v Speaker 1>these incredible actors. Yeah. The reason I hadn't watched it

1:09:52.600 --> 1:09:56.839
<v Speaker 1>because you made Canada. No, there were too many seasons.

1:09:56.880 --> 1:09:59.439
<v Speaker 1>It was it was too daunting. I was, God, do

1:09:59.479 --> 1:10:01.479
<v Speaker 1>I want to tell cold something that has whatever, like

1:10:01.520 --> 1:10:06.000
<v Speaker 1>a hundred episodes. Look, sometimes culture asks you to pay

1:10:06.040 --> 1:10:09.240
<v Speaker 1>attention to something that you've slept on, something that's that's

1:10:09.520 --> 1:10:11.160
<v Speaker 1>that you know it's probably pretty good, but you just

1:10:11.160 --> 1:10:14.439
<v Speaker 1>haven't gone around to it. And sometimes culture offers you

1:10:14.439 --> 1:10:18.920
<v Speaker 1>two choices, uh, six seasons of a thirty minute sitcom

1:10:18.960 --> 1:10:21.559
<v Speaker 1>like Ship's Creek I Know where this is going? Or

1:10:21.800 --> 1:10:26.160
<v Speaker 1>one season a total of a hundred and eleven minutes

1:10:27.280 --> 1:10:30.840
<v Speaker 1>of Dicktown. It's the it's the short animated Ship's creak

1:10:30.840 --> 1:10:34.240
<v Speaker 1>of today, but not least slash Dicktown. Don't sleep on it.

1:10:34.280 --> 1:10:36.840
<v Speaker 1>Go dick it. Yeah, dick it in in a night

1:10:37.120 --> 1:10:39.760
<v Speaker 1>like Dickie gets some pop some popcorn, you know what

1:10:39.840 --> 1:10:41.080
<v Speaker 1>you know. And I love to dick it. I love

1:10:41.120 --> 1:10:44.920
<v Speaker 1>to dick it on a Saturday morning because no shame

1:10:45.000 --> 1:10:46.479
<v Speaker 1>in that job, you know what I mean. I like

1:10:46.520 --> 1:10:48.120
<v Speaker 1>to dick it on a Saturday morning, Like to dick

1:10:48.200 --> 1:10:51.640
<v Speaker 1>Dicktown on a Saturday morning. Because it's a cartoon. Get up,

1:10:51.880 --> 1:10:54.040
<v Speaker 1>you get your your cereal, and you watch some cartoons

1:10:54.040 --> 1:10:56.400
<v Speaker 1>on a Saturday morning. Not for you. Just get Dicken. Yeah,

1:10:56.520 --> 1:10:59.679
<v Speaker 1>just get get to Dicken. Not by the by the way,

1:10:59.720 --> 1:11:05.560
<v Speaker 1>as you can imagine, unlike the Judge John Hodgment podcast, Uh, Dicktown.

1:11:06.360 --> 1:11:10.680
<v Speaker 1>It's kind of a PG thirteen. There's some swear words,

1:11:10.800 --> 1:11:16.800
<v Speaker 1>some adult themes, like like fear of mortality. Yeah, yeah, no,

1:11:16.920 --> 1:11:20.120
<v Speaker 1>it definitely has some. There are f bombs. Yeah. I

1:11:20.120 --> 1:11:22.880
<v Speaker 1>guess it's rated. I guess it's rated m A for mature,

1:11:22.920 --> 1:11:26.000
<v Speaker 1>but I would say probably like you're fifteen year old,

1:11:26.280 --> 1:11:29.880
<v Speaker 1>could dig it, yeah for sure. Yeah, you can dig

1:11:29.920 --> 1:11:33.679
<v Speaker 1>it with part of your family. Not for ruby. Also

1:11:33.760 --> 1:11:36.800
<v Speaker 1>not for ruby. This is an anti streaming recommendation. Cora

1:11:36.880 --> 1:11:39.920
<v Speaker 1>line too scary, too scary for how old is she?

1:11:39.920 --> 1:11:43.040
<v Speaker 1>She's five, too scary. Even saw it when she was

1:11:43.120 --> 1:11:49.280
<v Speaker 1>about nine. On the yeah good ten, Yeah, I would

1:11:49.320 --> 1:11:51.400
<v Speaker 1>say I would have said ten, but not good nine

1:11:51.520 --> 1:11:54.560
<v Speaker 1>good John. Are you familiar with with Wonder Shows? And

1:11:55.479 --> 1:11:58.720
<v Speaker 1>I am familiar with Wonder shows? And yes, yeah. At

1:11:58.720 --> 1:12:00.840
<v Speaker 1>the beginning of the episode, all this whole story about

1:12:00.840 --> 1:12:03.559
<v Speaker 1>how I got this mystery box of DVDs in the

1:12:03.600 --> 1:12:06.240
<v Speaker 1>mail from an ex girlfriend and that was one of

1:12:06.320 --> 1:12:09.200
<v Speaker 1>my prize DVDs that she returned to me, and uh.

1:12:09.240 --> 1:12:12.200
<v Speaker 1>I proceeded to watch some of it with my eleven

1:12:12.280 --> 1:12:14.320
<v Speaker 1>year old daughter. You know, it's a very dark sense

1:12:14.360 --> 1:12:17.040
<v Speaker 1>of humor, and I forgot how dark it goes. And

1:12:17.040 --> 1:12:18.599
<v Speaker 1>there were a few where I was just like skip

1:12:18.640 --> 1:12:21.439
<v Speaker 1>this one, okay, and now, okay, this one's okay skip.

1:12:21.760 --> 1:12:24.960
<v Speaker 1>But she loved it. I watch a lot of TV

1:12:25.120 --> 1:12:30.120
<v Speaker 1>with my son, and he's got very good taste. I'm

1:12:30.160 --> 1:12:33.120
<v Speaker 1>trying to think of the movie that really surprised me

1:12:33.160 --> 1:12:36.800
<v Speaker 1>that he loved. I can't, I mean, hang on a second.

1:12:39.080 --> 1:12:42.240
<v Speaker 1>Is he into the dark humor? The dark memes? Things

1:12:42.280 --> 1:12:44.880
<v Speaker 1>like no, no, I mean like, I'm like, he loves

1:12:44.880 --> 1:12:49.160
<v Speaker 1>oh brother, where arn't that he loves that movie? Amazing?

1:12:49.280 --> 1:12:52.120
<v Speaker 1>It's really surprising. And then you know there's he's like

1:12:52.200 --> 1:12:56.160
<v Speaker 1>every fifteen year old. He's just you know, just binging

1:12:56.920 --> 1:12:59.080
<v Speaker 1>the Office and then going back and starting from the

1:12:59.080 --> 1:13:01.960
<v Speaker 1>beginning the Office, ENFC Office, Hold, Duke Parks and Wreck

1:13:02.040 --> 1:13:06.280
<v Speaker 1>three times through. I think he's working on, uh, what's

1:13:06.280 --> 1:13:08.040
<v Speaker 1>the one he's working on now, one of one of

1:13:08.320 --> 1:13:11.320
<v Speaker 1>that universe movies, Emily. I think it's um, Kimmi Schmidt again.

1:13:12.360 --> 1:13:13.880
<v Speaker 1>So that's what he likes to do for TV, but

1:13:13.920 --> 1:13:16.559
<v Speaker 1>for but for movies, he's got pretty pretty and he

1:13:16.640 --> 1:13:18.840
<v Speaker 1>loved watching Eye Claudius with me when he was eight,

1:13:20.000 --> 1:13:21.760
<v Speaker 1>and there was some that was probably the one where

1:13:21.800 --> 1:13:26.280
<v Speaker 1>I was like, um, yeah, you know what a Roman

1:13:26.400 --> 1:13:29.920
<v Speaker 1>orgy is? Right? Just I figured you've got the internet,

1:13:29.960 --> 1:13:35.599
<v Speaker 1>you probably know. It's like, Dad, can I make another

1:13:35.640 --> 1:13:39.280
<v Speaker 1>recommendation because I just wanted I just watched the season finale.

1:13:40.600 --> 1:13:44.479
<v Speaker 1>I know that's it's not everybody's cup of tea. I

1:13:44.560 --> 1:13:47.920
<v Speaker 1>really enjoyed Lovecraft Country. Did you watch that Craft Country?

1:13:47.920 --> 1:13:50.599
<v Speaker 1>I have not seen it yet. I mean it's um,

1:13:50.720 --> 1:13:53.320
<v Speaker 1>have you seen it all? You know? I keep talking

1:13:53.360 --> 1:13:56.760
<v Speaker 1>about this with people. I did not get into it

1:13:56.960 --> 1:13:59.000
<v Speaker 1>as much as I would have liked, and I watched

1:13:59.000 --> 1:14:02.040
<v Speaker 1>two episodes, but I keep hearing that it picks up

1:14:02.040 --> 1:14:04.920
<v Speaker 1>a little later and that it gets real kind of disturbing.

1:14:05.000 --> 1:14:06.439
<v Speaker 1>So I kind of want to check it out again.

1:14:06.680 --> 1:14:08.559
<v Speaker 1>I wanted to like it very much, and hearing this

1:14:08.600 --> 1:14:10.639
<v Speaker 1>from you cenches it for me. I'm going to give

1:14:10.640 --> 1:14:15.040
<v Speaker 1>it another Gum. I think that it's really worth watching. Uh,

1:14:15.479 --> 1:14:18.280
<v Speaker 1>it's very episode it's very episodic more than it is

1:14:18.880 --> 1:14:21.640
<v Speaker 1>successful as an arc. So each individual episode, some of

1:14:21.680 --> 1:14:25.000
<v Speaker 1>them are you know, really really really amazing, and some

1:14:25.080 --> 1:14:26.960
<v Speaker 1>of them are less, so you know what I mean,

1:14:27.000 --> 1:14:30.160
<v Speaker 1>Like they're trying out a lot of different things. Um,

1:14:30.200 --> 1:14:33.120
<v Speaker 1>it's not like when I when I watched the first episode,

1:14:33.200 --> 1:14:36.160
<v Speaker 1>I was blown away. I loved it and I was like, oh,

1:14:36.200 --> 1:14:40.559
<v Speaker 1>this is like Watchmen. This is a piece of pulp

1:14:40.720 --> 1:14:44.839
<v Speaker 1>entertainment that has real social engaging with real social issues

1:14:45.160 --> 1:14:47.000
<v Speaker 1>in a really interesting way, and the whole thing is

1:14:47.040 --> 1:14:51.479
<v Speaker 1>going to be airtight and perfect, which Watchman was and

1:14:51.520 --> 1:14:55.440
<v Speaker 1>it was one of my favorite TV shows of all times. Um,

1:14:55.760 --> 1:14:59.760
<v Speaker 1>Lovecraft Country is is not that. Lovecraft Country is not

1:15:00.000 --> 1:15:04.960
<v Speaker 1>a tight Lovecraft Country has. I think by the second episode,

1:15:04.960 --> 1:15:07.519
<v Speaker 1>I was like, this just seems like a corny adventure show.

1:15:07.960 --> 1:15:10.360
<v Speaker 1>That's that's that's what where it lost me a little bit. Yeah,

1:15:10.360 --> 1:15:12.559
<v Speaker 1>I was like, what what happened to the to the

1:15:12.640 --> 1:15:15.920
<v Speaker 1>perfect like air tight nine dimensional chess game that I

1:15:15.960 --> 1:15:17.840
<v Speaker 1>thought I was gonna be watching. This just seems like

1:15:18.600 --> 1:15:21.360
<v Speaker 1>an episode like there's one where they go go into

1:15:21.400 --> 1:15:24.400
<v Speaker 1>the basement of a museum to get uh, to get

1:15:24.680 --> 1:15:28.080
<v Speaker 1>a mcguffin out of a a well or whatever, And

1:15:28.120 --> 1:15:32.240
<v Speaker 1>I'm like, this is like Hercules the Legendary Journeys. And

1:15:32.360 --> 1:15:34.240
<v Speaker 1>I was like, wait a minute. I liked well, I

1:15:34.240 --> 1:15:37.000
<v Speaker 1>didn't like Curriculus. I like Zeena a lot, but I

1:15:37.080 --> 1:15:41.559
<v Speaker 1>was like, wait a minute, that's that's its strength, Like

1:15:41.640 --> 1:15:46.920
<v Speaker 1>it's a it's a corny supernatural show about black nerds,

1:15:48.960 --> 1:15:53.320
<v Speaker 1>depicting black nerds like black pulp fiction fans in the fifties,

1:15:54.280 --> 1:15:56.120
<v Speaker 1>Like you know, the main character is a guy who

1:15:56.160 --> 1:15:59.280
<v Speaker 1>loves sciences as a black Korean war vette who loves

1:15:59.280 --> 1:16:05.320
<v Speaker 1>science fiction, loves horror novels, and people people of color

1:16:05.400 --> 1:16:09.839
<v Speaker 1>who love that stuff don't see adventure shows. Corny adventure

1:16:09.880 --> 1:16:12.479
<v Speaker 1>shows like Curriculus, the legendary journeys or raided as a

1:16:12.520 --> 1:16:16.120
<v Speaker 1>lost ark were they're the stars very often that Once

1:16:16.160 --> 1:16:17.360
<v Speaker 1>I realized that, I was like, oh yeah, I'm on

1:16:17.360 --> 1:16:19.840
<v Speaker 1>board for this. Just fun, it's it's fun, it's weird,

1:16:19.840 --> 1:16:22.560
<v Speaker 1>it's disturbing. Every now and then you'll have an episode

1:16:23.160 --> 1:16:25.479
<v Speaker 1>that just blows your mind in terms of what it's

1:16:25.800 --> 1:16:28.040
<v Speaker 1>what it's telling you and teaching you about the experience

1:16:28.080 --> 1:16:30.479
<v Speaker 1>of race in America, and then every other episode it's like,

1:16:30.880 --> 1:16:33.839
<v Speaker 1>we have to make the sunshine and cast a spell

1:16:33.880 --> 1:16:35.960
<v Speaker 1>at this time, and so like the greatest I loved it,

1:16:36.360 --> 1:16:38.599
<v Speaker 1>love Craft Country, check it out, all right, I'm definitely

1:16:38.640 --> 1:16:42.120
<v Speaker 1>gonna check it out. All right. We gotta move it along, guys,

1:16:42.120 --> 1:16:44.160
<v Speaker 1>because Nolan I have to record another one after this.

1:16:44.280 --> 1:16:46.920
<v Speaker 1>But John, thanks for stopping in to play the game.

1:16:47.160 --> 1:16:50.120
<v Speaker 1>Thank you. Everyone watch dick Town. You can dial it

1:16:50.200 --> 1:16:53.120
<v Speaker 1>up on Hulu, google it, find out how you can

1:16:53.160 --> 1:16:56.960
<v Speaker 1>best watch it. And uh, perhaps the movie crushers will

1:16:56.960 --> 1:16:58.880
<v Speaker 1>step up enough to put it over the top and

1:16:58.920 --> 1:17:00.280
<v Speaker 1>you guys will get to make some more Those are

1:17:00.280 --> 1:17:02.160
<v Speaker 1>really hopes. And then Chuck, you can be in a voice.

1:17:02.320 --> 1:17:05.719
<v Speaker 1>You can be a voice in it. Hey, either way.

1:17:05.800 --> 1:17:07.680
<v Speaker 1>I want you guys to make more and it's it's

1:17:07.680 --> 1:17:09.519
<v Speaker 1>a fun show and no will make you the star,

1:17:09.680 --> 1:17:12.880
<v Speaker 1>the new star buddy. Yeah. Wait, I'm gonna recast myself.

1:17:12.920 --> 1:17:16.280
<v Speaker 1>You will be the lead. I'll take it. I will

1:17:16.320 --> 1:17:18.760
<v Speaker 1>do you proud, John, Always a pleasure hanging out with you, sir.

1:17:18.880 --> 1:17:21.599
<v Speaker 1>This is lovely and I'm surprised. Just just quick audition,

1:17:22.280 --> 1:17:25.040
<v Speaker 1>just say this. Wowie mcgawey. Can you say wow? It's

1:17:25.040 --> 1:17:30.000
<v Speaker 1>one of our catchphrases. And Dick too, Wowee mcgowey, Wowey mcgawey.

1:17:30.520 --> 1:17:32.800
<v Speaker 1>Wowie mcgowey. You know what a lot of range. I

1:17:32.840 --> 1:17:35.120
<v Speaker 1>like it. You're in all right, let me try mine

1:17:36.760 --> 1:17:48.240
<v Speaker 1>wo get wow wee mad hagawey go beef. No, alright, Chuck,

1:17:48.280 --> 1:17:50.479
<v Speaker 1>you got your chuck, you got the job. I got

1:17:50.479 --> 1:17:54.000
<v Speaker 1>the job. Well, thanks for dicking this episode, everybody, and

1:17:54.280 --> 1:17:56.920
<v Speaker 1>it's been a real pleasure. Well, you don't dick a podcast,

1:17:57.000 --> 1:18:00.400
<v Speaker 1>you audio Dickett. Yeah, thanks for audio dicking this podcast, right,

1:18:00.920 --> 1:18:05.000
<v Speaker 1>Good day. Movie Crash is produced and written by Charles

1:18:05.000 --> 1:18:08.799
<v Speaker 1>Bryant and Meel Brown, edited and engineered by Seth Nicholas Johnson,

1:18:09.000 --> 1:18:11.599
<v Speaker 1>and scored by Noel Brown. Here in Our Home studio

1:18:11.640 --> 1:18:15.240
<v Speaker 1>at Pontsty Market, Atlanta, Georgia. For i heart Radio. For

1:18:15.320 --> 1:18:17.439
<v Speaker 1>more podcasts For my heart Radio, visit the i heart

1:18:17.520 --> 1:18:20.280
<v Speaker 1>Radio app, Apple podcast, or wherever you listen to your

1:18:20.280 --> 1:18:20.920
<v Speaker 1>favorite shows,